The Southlands figure heavily with splinter groups with the Army of the Southern Cross left in shambles.
And with that...more stories tobe told ...
CHAPTER 6 - BEFORE THE INVID STORM
The Southlands' penchant for tribalism was undoubtedly a legacy of the continent's indigenous peoples: the Inca, the Chibcha, the Moche, the Mapuche, and the countless peoples who inhabited the vast rain forests of the interior. Commentators are quick to assign tribal or cult status to the Church of Recurrent Tragedies, HEARTH, and the Starchildren, but neglect to include the bands of Zentraedi that flourished during the Malcontent Uprisings—the Shroud, the Burrowers, Khyron's Fist, and, of course, the Scavengers—or the scores of "indy" battalions that came into being in the wake of the mass desertions following the Second Robotech War: the Stonemen, the Altiplano Five Hundred, the Pantanal Brigade, and others. Under the heading of Southland factions, one could even, I suppose, include Anatole Leonard's Army of the Southern Cross.
Major Alice Harper Argus (ret.), Fulcrum: Commentaries on the Second Robotech War
**Some context on the symbolisms....ASC is from the SMG ROBOTECH RPG...Khyron's Fist, the Stonemen, Altiplano Five Hundred and Starchildren were logos created manually. **

The allure of gold has captivated humanity for millennia, manifesting in myths, exploration, conflict, and art. This fascination, often termed "gold fever," is deeply ingrained in various aspects of human history and psychology. Here’s a deeper look into the dark allure of gold and mankind's enduring lust for it:
The Dark Allure of Gold Man's lust for gold
https://preview.redd.it/r35xa0mqmb1d1.jpg?width=1024&format=pjpg&auto=webp&s=8dcf915916b43caf367c8d496751bf582ee8d66a

Historical Significance

1. **Ancient Civilizations:**

- **Egyptians:** Gold was central to ancient Egyptian culture, symbolizing eternity and the divine. The pharaohs were often buried with vast amounts of gold, believing it would aid their journey in the afterlife.
- **Incas and Aztecs:** These civilizations revered gold, considering it the sweat of the sun. The Spanish conquest, driven by the quest for gold, led to the fall of these great empires and significant suffering.

1. **The Gold Rushes:**

- **California Gold Rush (1848-1855):** This event attracted hundreds of thousands of people to California, seeking fortune. While it led to rapid development, it also caused environmental destruction and displacement of Native Americans.
- **Klondike Gold Rush (1896-1899):** Similarly, this rush in the Yukon brought wealth to some but hardship to many more, highlighting the relentless and often ruthless pursuit of gold.

Psychological and Social Impact

1. **Symbol of Wealth and Power:**

- Gold has long been a symbol of wealth, status, and power. It is a universal indicator of prosperity, often seen in jewelry, currency, and trophies.

1. **Greed and Corruption:**

- The desire for gold has led to numerous instances of greed and corruption. From the brutal conquests of the Spanish conquistadors to modern-day illegal mining, the quest for gold often brings out the worst in humanity.

1. **Economic Stability:**

- Historically, gold has been a standard for currency, with many nations backing their money with gold reserves. While it provided economic stability, it also led to exploitation and conflict over gold-rich territories.

Environmental and Ethical Concerns

1. **Mining Impact:**

- Gold mining is notoriously harmful to the environment. It involves deforestation, water pollution from toxic chemicals like cyanide and mercury, and significant land degradation.

1. **Human Rights Issues:**

- In many parts of the world, gold mining is associated with poor working conditions, child labor, and exploitation. Small-scale miners, often working in hazardous conditions, face health risks and economic instability.

Modern-Day Relevance

1. **Investment:**

- Gold remains a popular investment, considered a safe haven during economic instability. However, this demand continues to drive environmentally and socially damaging mining practices.

1. **Technological Use:**

- Gold's properties make it valuable in technology, particularly in electronics and medical devices. This industrial demand contributes to its ongoing extraction.

Cultural Reflections

1. **Art and Literature:**

- Gold is a frequent motif in art and literature, symbolizing both human ambition and moral corruption. From Greek myths like the story of King Midas to modern novels and films, gold often serves as a metaphor for the double-edged nature of wealth.

1. **Religious and Philosophical Symbolism:**

- Gold's incorruptibility and luster have made it a symbol in many religions and philosophies. It represents purity, enlightenment, and the eternal, but also the danger of materialism and avarice.
https://preview.redd.it/jt2htn5tmb1d1.jpg?width=1780&format=pjpg&auto=webp&s=b79cd1be531006a7b12e0ae892786344f94508e9

Conclusion

The dark allure of gold reflects the complex relationship humans have with this precious metal. It is a story of ambition, beauty, and wealth, but also of greed, destruction, and moral downfall. Understanding this duality is crucial as we navigate the ethical and environmental challenges posed by our ongoing fascination with gold.
When it comes to the distribution and sources of gold on Earth, here are some of the key places where this precious metal can be found

1. Gold mines - Most of the world's accessible gold comes from underground and surface mines. Major gold mining regions include

- Witwatersrand Basin (South Africa)
- Nevada (United States)
- Siberia (Russia)
- Red Lake (Canada)
- Western Australia

1. Rivers and streams - Erosion and weathering can cause gold particles and nuggets to be carried away from their original sources into waterways. Placer mining from rivers and streams has yielded significant gold deposits.
   
2. Oceanic crusts and sea floors - While difficult to access, there are trace amounts of gold dissolved in seawater and embedded in volcanic crusts on the ocean floor.
   
3. Asteroid and meteorite impacts - Some of the gold found on Earth's surface may have extraterrestrial origins from ancient asteroid/meteorite bombardment.
   
4. Recycled sources - A significant amount of gold supply comes from recycling jewelry, electronics, and industrial scrap containing gold components.
   
5. Ore deposits - Gold is often found combined with other metals like copper or silver in various ore bodies formed underground.
   

While gold is relatively widespread across the planet, only a few locations have economically viable concentrations to support large-scale mining operations. Most of the world's gold has been extracted from just a handful of exceptionally prolific gold fields and deposits.
"Man's lust for gold" is a phrase that encapsulates humanity's age-old obsession and unquenchable desire for the precious yellow metal. This lust has driven people to incredible lengths throughout history, shaping economies, sparking conflicts, and altering the course of civilizations.
Gold More than just a precious metal, gold has held a special allure for humans since ancient times. Its rarity, beauty, and malleability have made it a symbol of wealth, power, and status across cultures.
From the ancient Egyptian pharaohs' gilded tombs to the frenzied California Gold Rush, from the insatiable hoarding of dragons in folklore to the modern-day trading of gold as a hedging asset

Pachamanca, a cornerstone of Peruvian cuisine, transcends mere sustenance—it embodies a profound connection to the land and a rich cultural heritage dating back to the Inca Empire. This traditional dish, comprised of meats like beef, lamb, pork, chicken, and even guinea pig, marinated in a blend of herbs and spices, alongside an array of local ingredients such as potatoes, beans, cassava, plantains, corn, peppers, pineapples, and cheese, is cooked to perfection underground with the aid of hot stones.

• The name "Pachamanca" itself holds a deep significance, stemming from the Quechua language, where "Pacha" translates to "earth" and "Manka" to "pot." It symbolizes the fusion of nature's bounty and ancestral culinary techniques.
• Rooted in history, Pachamanca is not merely a meal; it's a sacred ritual, a communal celebration of gratitude towards Pachamama, the earth goddess in Andean cosmology. This culinary tradition reveres the earth as the ultimate provider, emphasizing harmony with nature and the interconnectedness of all living beings.
• Throughout the Andes, preparing Pachamanca is a revered practice, reserved for momentous occasions such as weddings, birthdays, and important festivals. Its significance is such that in 2003, it was rightfully declared a National Cultural Heritage, underscoring its importance in preserving Peru's cultural identity.

More information about Pachamanca
https://preview.redd.it/unpetyj7rayc1.jpg?width=1620&format=pjpg&auto=webp&s=be6e14418fa1448e1205274a19823953be874677

And if Hiram Bingham could never have discovered Machu Picchu, here you can do it yourself.

1. The Genesis of Machu Picchu: Pachacutec's Vision Pachacutec, a visionary leader of the Inca Empire, sought to expand his dominion towards Vilcabamba and stumbled upon the natural marvel of Machu Picchu. Recognizing its strategic and symbolic significance, he commissioned its construction around 1450. Motivated by familial legacy and the desire for a grand resting place, Pachacutec orchestrated the building of what was originally named Patallacta, now renowned as Machu Picchu.
   
2. Ethnic Diversity in Machu Picchu's Construction The construction of Machu Picchu required the expertise of skilled artisans and laborers from various ethnic groups, including the Collas, Lupaqas, Pacajes, Chimus, Cañaris, and Chachapoyas. These diverse communities, recently incorporated into the Inca Empire, contributed to the architectural marvels and terraced landscapes of Machu Picchu, serving both as builders and cultivators under the Inka elite's supervision.
   
3. Machu Picchu: Administrative, Political, and Religious Nexus Functioning as an administrative, political, and religious center, Machu Picchu became the heart of Inca governance and spirituality. It provided a sanctuary for the Inka elite, who were descendants of Pachacutec's panaca, to govern and conduct rituals. The terraced agricultural fields surrounding Machu Picchu sustained its inhabitants and showcased the empire's agricultural prowess.
   
4. Legacy of Pachacutec: Veneration and Rituals Upon Pachacutec's death in 1471, he was laid to rest in his "house" in Patallacta, ensuring his eternal connection to Machu Picchu. Revered as an esteemed figure by his servants and descendants, Pachacutec's legacy transcended his mortal life. His remains were occasionally transported to Cusco for ceremonial events, underscoring his enduring influence even beyond Machu Picchu's sacred grounds.
   

Complete information about Machu Picchu
https://preview.redd.it/0ijtnubw4awc1.jpg?width=1280&format=pjpg&auto=webp&s=0801c8be5897cc525e8e72f77de68bb5466fde6a

¿What is Tambomachay?

Tambomachay, affectionately known as the Bath of the Ñusta or the Inca spa, beckons visitors with its mesmerizing attractions.
At the heart of this historic site are its remarkable water sources, where two meticulously carved aqueducts channel crystal-clear waters, creating a constant flow that enchants all year round. These pristine waters, symbolizing life and purity, hold a central place in Tambomachay's rich tapestry of history and culture.
Among the site's notable features is the Pucara or Ushnu, a majestic structure standing proudly against the rocky backdrop. Adorned with intricate masonry and trapezoidal niches, this edifice served as both a strategic watchtower and a sacred ritual platform for the Incas. Its dual purpose reflects the site's multifaceted significance as a place of defense and spiritual reverence.
What to see at Tambomachay Ruins?
https://preview.redd.it/fpum5bbidwuc1.jpg?width=1620&format=pjpg&auto=webp&s=72bc65198a04292e68b08e0b07b76b176153a1a2

Disclaimer: This is just a very long, very speculative, fun thought experiment based on some research into cultures that Natlan has been confirmed to draw inspiration from. The point of this post was to simply get the ideas out and it's mostly imaginative. I am not from Latin America so I apologise for any points that I got wrong or for being unintentionally disrespectful.
Natlan's cultural inspirations
Hmm...Day of the Dead huh...
According to the Travail trailer, as well as the lore of the Talking Stick, a 4-star claymore, the names of characters mentioned to be from there are distinctively based on the following cultures:

• Iasan - Latin American name of Oya, an Orisha (divine entity) from Yoruba (ethnicity from Benin, Togo, Nigeria and Lower Guinea in West Africa). The choice of to use the LatAm version might imply that some African-inspired characters will be more Carribean instead of native African.
• Tenoch - Aztec name
• Tupac - Inca
• Wanjiru - Kenya
• Xbalanque - Maya

Potential mythological/religious influences
Consequently, HoYo will be inspired by the mythos of these cultures to create Natlan's story. For the Pyro Archon, there are numerous deities they could adopt elements from just from Aztec myth alone:

• Huitzilopochtli - Aztec patron god of the Mexica with domain over the sun, war and sacrifice. Holds a blue fire serpent in his hand as his weapon. Likes hummingbirds. Is being chased by his sister the moon whom he cut into pieces. the one the heart-ripping ceremonies are for so the eclipse doesn't happen.
• Tōnatiuh - the one that sacrificed himself in a fire to become the sun for the fifth world and needs blood to move across the sky
• Xiuhtecuhtli - lord of fire, day, heat, volcanos, life after death. Wears red and black face pigment.
• Chantico - Aztec version of Hesita, goddess of the hearth
• Xolotl - fire, lord of the underworld and guides the dead. helped to create the humans of the fifth world from the remains of the former world. has empty eye sockets.

Mesoamerica also has the most infamous examples of human sacrifice. The Aztecs believed they were repaying blood debt to the gods who kept the world running, Mayan elites saw blood-letting as their duty and the the Incas wanted to offer the best of the best to the gods and have their sacrifices act as intermediaries between mortals and the divine. In general, I just want to point out a common fascination with death for the continuation of life. The Natlan chapter is "Ode to Resurrection" anyway, so someone has to go through the process of death before rebirth.
Santa Muerte
Even in present day Mexica, some worshippers pray to the folk saint known as Santa Muerte, a female skeletal personification of death, for protection against violence and safe delivery to the afterlife. Day of the Dead is also Mexica's most internationally-known unique cultural festival, commemorating the remembrance of deceased loved ones with cheer and bright and colourful decorations in honour of Mictēcacihuātl, the Aztec "Lady of the Dead".
This veneration of spirits with powers over death can also be found in African diaspora religions such as Voudoun (Voodoo) where one of the most prominent Ioa, Baron Samedi, has made several famous appearances in media (think Dr Facilier from Disney's Princess and the Frog or Brook from One Piece). Hence I also want to propose the idea of the Pyro Archon also being a god of death, or the dead. We've got more cool gods to reference too:

• Mictlantecuhtli - Lord of the underworld. Is a skeleton dressed as a king.
• Mictēcacihuātl - Mictlantecuhtli's wife. Day of the Dead is also now held in her honour, as mentioned above.
• There's also Xbalanque. Conceived from the spit of his beheaded father with his mother, who is a daughter of one of the gods of the underworld. Grew up, went to the underworld with his twin brother to beat his grandfather's ass in a ballgame, then beat up a bird demon and finally became the Moon. So the mythological character is already closely associated with death, and the game character emphasises this connection further with their title of "One Entombed With the Primal Fire", which is an interesting word choice. Why add the connotation of their (I'm personally leaning towards "he") death instead of saying they were sealed away?

Latin American history and the theme of integration
This is going to be oversimplified, but a common theme across the continent is the conquest and destruction of existing civilisations by the colonisers. Eventually, the colonisers settled down and their descendants became "natives". Some had mixed families and the growing mixed community developed own unique race and culture. Further down the line, the colonies rebelled against the colonising nation and achieved independence, and now those new nations have an extremely diverse population.
In Fontaine, the history of the Seven Sovereigns was brought up front and centre, establishing to even dialogue skippers that Teyvat was colonised by Celestia, driving the native dragons and vishaps out of their rightful lands and forced into hiding. Similarly, as the next nation after the establishment of this plot point, Natlan's history could parallel real life. Neuvi told us that unlike the nations that have precede it, Natlan's dragons live alongside humans. The significance of this has been rather understated imo, but Neuvi's SQ builds upon a subtly developing plot of mass interspecies integration that has existed since Liyue:

• In Liyue the humans venerate the adepti so much that it is only after the Archon Quests that the adepti finally acknowledge humans on a more equal level. Hence in 4.4, Xianyun became curious enough about the mortal world to let go of her past prejudices, and inadvertently dragged Mountain Shaper and Moon Carver with her. Xiao also made his own lantern, which would have been unthinkable at the start of the game.
• In Inazuma, though we know several yokai who actively walk among humans, the general yokai and human societies are still extremely segregated. Itto's entire SQ revolved around him carving out a spot in human society while being himself and honouring his oni heritage, while Kirara's whole motivation in being a delivery girl is to get closer to human society. The 3.3 yokai ping pong event was all about forming yokai-human friendships and how the eternal transient beauty of such connections transcends the limitations of the human lifespan.
• Sumeru is a mess. The Aranana avoids adults who think in all their logic that they don't exist, Apep doesn't like Nahida and the Jinn get into fucked up relationships. On the bright side, the rainforest and the dessert are have started to mend relations, but at the pace we're going we might possibly need a few centuries-long time skip to see significant progress.
• Fontaine is so progressive in comparison, since there is a small population of Melusines living in the city and Neuvi got his powers back, but most of the dragons/vishaps, the true natives of Teyvat, are still segregated from human society, though at least some of them are slowly appearing in Erinnyes.

Natlan making human living alongside dragons a normal thing is an amazing feat, especially when they are two species with completely different perceptions of reality and common sense. The Pyro Archon, like the other Archons, are usurpers of the Dragon Sovereigns. The Dragons tried to rebel, the Archons fended them off. But perhaps in the same vein as Focalors, the Pyro Archon saw a potential ally in the hostile/indifferent Pyro Dragon, but choose to befriend them via the much-beloved method of Defeat Means Friendship. The lore of the Talking Stick already shows one example - Tenoch and Tupac were once enemies, but when Tenoch approached him to help out with the Cataclysm, "the two former enemies burst into riotous laughter, and they joined hands".
Pyro Archon appearance I think it would be fun if the Pyro Archon is fair-skinned to not only symbolise as her role as the usurper of the Pyro Dragon Sovereign, but to also tie into her role as a god with some control over death. Upon closer inspection the fair "skin" is not skin but rather bone, and she's actually a walking skeleton in the vein of La Muerte from the Book of Life.
I don't know how to draw digitally yet so just mash these in your head for a sense of what I'm trying to convey
Misc design comments: If the present Pyro Archon ends up look like Himeko I think it'll be neat if she wears a black feathered cape like the one Himeko is wearing here. It would be incredibly fitting if the Pyro Archon has vulture motifs to not only further emphasize her sub-domain over death but also because vultures are culturally important to South American nations. From Wikipedia, the Andean condor is the national bird of Bolivia, Chile, Colombia and Ecuador and is a symbol of the Andean sun deity, while the king vulture and black vulture appears in Mayan codices.
Speculations on Natlan chapter plot (Warning: Fanfic levels of cope) First of all the focus on war just screams tournament arc yeah? I think actual combat and matches are likely but given that Genshin doesn't show blood, I also would not be surprised if Act I - II consisted of several matches of the Mesoamerica ballgame. It has been theorised to be a method of conflict resolution in Mesoamerican cultures, and mythical Xbalanque and his twin also triumphed over their grandfather through this sport. As a narrative tool, the Archons always have contrasting character traits to present a fresh issue for the Traveler to face. Venti is free as the wind, Zhongli is restrained, Ei was (and still is kind of) overbearing, Nahida is demure, Furina was dramatic and lively (and still can be if she's in the mood). So what's the opposite of that? I think it would be an interesting twist if the mysterious long-awaited Pyro Archon, Lady of Fire, God of War, is presented to us as someone who looks so...defeated. Like she is a shadow of the great flame she used to be, and running on embers. While her subjects keep their bodies in tip top condition for whatever war that's ongoing the Pyro Archon is thin (perhaps even skeletal?), haggard and pale. She hardly speaks and when she does it's obvious it takes effort.
On the other side, we have the Pyro dragon (personally betting on Xbalanque despite their title implying that they are locked away). Going to use he/him pronouns from here since it is likely that the Pyro dragon is male for that "character foil" narrative tool. He's more expressive and openly emotional (also contrasting with how Neuvillette has a resting bitch face until one gets closer to him), and perhaps he even acts a bit too much like a football fan when the team that he's supporting gains victory.
Then Natlan plot follows the same structure that Sumeru established - Acts I - II - Traveler is familiarised with the local customs and befriends the playable characters. Whatever status quo that has been going on for 500 years starts to show signs of being broken Acts III - IV - Traveler finds themselves on the opposing side of the law. They investigate a few things and find out a long buried truth. Crisis deepens. Acts V - playable characters are united to stage a government coup that leads into boss fight
I'm quite confident that we'll team up with Capitano and possibly any other Harbinger that shows up there since Arlecchino has already set that precedent. Perhaps he'll be the one to lead the uprising.
Note: Speculation written as extremely self-indulgent prose from here. You have been warned. The ending that I'm envision is both Archon and dragon climbing up the volcano for a final ritual "duet" to determine the final victor. The Archon falls quite quickly, and it appears that the dragon will be crowned as the new ruler...but before Capitano can move to claim the Pyro gnosis, both dragon and Archon fall into the volcano, into the boiling lava. The Traveler rushes to the edge, but they see no trace of them left.
The ground trembled. With a loud explosion, the volcano errupted, ashes, smoke and stone projecting thousands of feet in the air - along with with something long and snake-like with feathery wings, gliding through the clouds with a shimmery green sheen. The emerald feathered serpent descended, light glowing from its shape as it transformed, and a human-like figure landed in front of the Traveler with ground-breaking thump, leaving embers on impact.
Natlan will no longer have an Archon or the Sovereign of yore, but an entirely new life created to retain the best traits of both as their guardian, Quetzalcoatl. After the Traveler helps her reorientate, they fly up into the firmament for her First Lesson - beating the shit out of the Sustainer. (Since Fontaine's boss was the All-Devouring Narwhal from the Abyss, through the use of the "contrasting traits" narrative tool, I think it's logical for Natlan's boss to be from Celestia. I feel it would be high time that they have physical presence again in the story before we move onto Snezhnaya, and having a possible Himeko expy has made me excited for Final Lesson: Electric Boogaloo. ).
TLDR: Pyro Archon dies and gets reborn as an entirely new entity that heralds the dawn of a new era.
Thanks for reading through my essay if you stuck around this long! :D
>!Yes I've seen some leaks but I'm reserving judgement until we get official confirmation. Had a lot of fun coming up with this theory anyhow.!<

In 1526, there was a major defeat against the Mapuche that ceased southern expansion, not only due to military failure but also the lack of incentives the Inca had to conquering them when compared to societies such as the Chimu Empire (conquered in 1470). He built several major public works that have survived to the present, and is widely remembered in folk songs and legends recorded in quipus.
It declined after his death, eventually fragmenting among the four suyu, one of which became Quito.

Lien
Dans l'histoire de l'astronomie, les éclipses solaires tiennent une place particulière. Phénomènes visuels remarquables, les éclipses ont souvent suscité l'inquiétude chez les peuples primitifs et anciens, avant que les savants de l'Antiquité, du Moyen Âge et de l'époque Moderne ne tentent d'expliquer ces événements rares.
Gravure datant de 1723, Désolation des Péruviens durant l'éclipse de Lune (colorisée)
Les éclipses solaires sont des événements impressionnants visuellement qui fascinent autant qu'ils attirent. Annuellement, les passionnés du monde entier font le déplacement dans divers hémisphères pour observer et photographier le passage de la Lune devant le Soleil. Historiquement, la survenue des éclipses est documentée depuis l'Antiquité, bien que le phénomène existe probablement depuis la création du système Terre-Lune. L'une des premières traces rapportant l’observation d’une éclipse date de 1223 avant J.-C., dans la cité d'Ugarit, dans l'actuelle Syrie. Chez les civilisations anciennes, les éclipses solaires revêtaient un aspect hautement symbolique. Dans un article publié le 13 mars, le Smithonian Magazine aborde les interprétations de ces sociétés désormais disparues, face à des phénomènes cosmiques rares et spectaculaires.

Quand une grande ombre tombe sur la Terre

Avant que les savants, de l'Antiquité aux Modernes, ne rationalisent les événements astronomiques, les peuples primitifs et anciens tentaient d'expliquer la disparition du Soleil. Que le monde tombe dans l'obscurité presque soudaine suscitait souvent l'inquiétude, voire l'effroi, chez certains peuples. En Amérique, bon nombre de vestiges et d'artefacts permettent de retracer les réactions face à ces événements irréguliers. Dans le Chaco Canyon, au Nouveau-Mexique, les autochtones auraient assisté à deux éclipses en deux ans, de 1257 à 1259. Deux dates qui semblent avoir influencé les peuples habitant sur place à quitter la région, y voyant un présage de mauvais augure. Plus généralement, en Amérique centrale et plus au sud, les sociétés réagissaient vivement aux éclipses solaires. Pour les Incas, l'éclipse totale était perçue avec beaucoup d'inquiétude et présageait de la mort d'un prince. Des rituels étaient alors mis en place, les individus faisant des offrandes constituées de métaux précieux, tant de l'argent que de l'or. Il n'était pas rare que des animaux ou même des humains soient sacrifiés pour apaiser les dieux...
Le Codex de Dresde, datant du XIIIe au XVe siècle, consigne les événements astronomiques observés dans le Yucátan par les peuples mayas. © Bibliothèque d'État et universitaire de Saxe
Même son de cloche chez les Mayas, qui consignaient les phénomènes astronomiques dans des codices. Peu de ces précieux documents ont traversé les siècles jusqu'à nos jours, mais les éléments recueillis appuient l'idée selon laquelle les civilisations prospérant au centre de l'Amérique craignaient les éclipses. L'assombrissement du monde par la Lune était le signe de grande destruction. Le codex de Dresde met en scène des événements apocalyptiques lors d'une éclipse totale, que les Mayas semblaient voir comme une sorte de « fin du monde ». Dans les siècles antérieurs, en Europe et en Asie, les astronomes tentaient déjà de comprendre le fonctionnement des éclipses. En Chine et en Grèce notamment, durant l'Antiquité, des mathématiciens et savants savaient déjà comment anticiper certains phénomènes.

Comprendre les monstres cosmiques

C'est vers 1200 avant J.-C. que les scribes chinois consignent la disparition du Soleil sur le continent asiatique. Les astronomes de la province d'Anyang constatent que le « Soleil a été dévoré ». Les observations se répètent au fil des siècles, avec une nouvelle prédiction au VIIIe siècle avant J.-C., par les Babyloniens. En Grèce, certains mathématiciens s'emploient à comprendre le fonctionnement physique des phénomènes cosmiques. La première prédiction d'une éclipse se produit en 585 avant J.-C., suivant les calculs d'un certain Thales. La véracité de cette assertion est sujette à controverse chez les historiens : la vie du savant grec est elle-même nimbée de mystères et d'incertitudes...
Les éclipses solaires sont particulièrement scrutées par les astronomes, qui tentent d'immortaliser la couronne solaire. Ici, l'éclipse totale de 2019 est photographiée au-dessus de l'observatoire de La Silla, au Chili
Si les savoirs scientifiques s'aiguisent au fil du temps, les éclipses demeurent le symbole de présages, qu'ils soient bons ou mauvais. Chez les chrétiens, la Lune aurait caché notre étoile quelques jours après la crucifixion. Pour les musulmans du Moyen Âge, une éclipse se serait produite peu de temps avant la naissance de Mahomet. Au début du XVIIe siècle, les thèses de Johannes Kepler offrent de nouvelles possibilités pour comprendre le mouvement des astres. Et en mai 1715, c'est l'astronome anglais Edmond Halley qui calcule la survenue imminente d'une éclipse totale. De l'ère moderne jusqu'à notre époque contemporaine, le savoir associé aux éclipses et à leur fonctionnement n'a cessé de s'améliorer.
VOIR AUSSI
Tout savoir sur l’éclipse solaire totale du 8 avril 2024
Dans l'imaginaire collectif, l'éclipse solaire est toujours associée à des événements de nature fantastique, par le biais de films, de jeux vidéo ou de livres. Dans la réalité, elles sont une opportunité pour les astronomes amateurs et professionnels de photographier les détails de la couronne solaire. Bien loin des controverses historiques liées à Thales, les chercheurs calculent désormais les éclipses totales des années à l'avance et à l'heure près.

——————

Éclipses solaires et lunaires : comment ça marche ? [2022]

◄ VIDÉO ►

This is simply a pure hypothesis and an interesting accumulation of knowledge. I obviously have no awareness of what is to come
Many of us who are aware, see this upcoming solar eclipse as a very unique and rare event. Only in a little under seven years, these eclipses perfectly line up to form an X across America. It is extremely rare for two total eclipses to be so close to each other as well.
not only this but if you are aware, you can see the symbolism of the eclipse being plastered in many places, such as movies, artwork, books, etc.
https://chipstero7.wordpress.com/2024/02/23/the-great-american-eclipses/
There are many speculations that the solar eclipse could lead to a cyberattack, solar flare, or some type of EMP event that would knock out our grid for the foreseeable future. Speculations that this is the “rapture” etc.
The three most recent eclipses also create the Hebrew letters tov and aleph. alpha and omega.
I’d like to pose an alternative theory, this one a bit more positive 😂
Quetzalcoatl was believed to be an Osiris-type character. An enlightened being, a planetary consciousness. He was born from the eclipse and brought heaven to those living in hell.
He is said to have built the Temple of Feathered Serpent and been a fantastic ruler of humanity. A humble and caring leader only trying to uplift humanity. He told his people he would return someday.
There are many connections people have made with Jesus and an Osiris-type character. Although he is described as a feathered serpent, both Osiris and Quetzalcoatl are depicted as being of black skin. Ironically enough the original Amaru-khans have copper skin (black). It is theorized that these people, who have their name taken from Amaru, another name relating to Quetzalcoatl, are the reason for the naming of America. The Land of the Plumed Feathered Serpent (written by Manly P. Hall).
The cult of the serpent people can be traced back to many different civilizations and mystery schools. I would argue that these are the seeds that would go on to burn the modern-day, secret societies, and those trying to hide ancient knowledge from the populous.
“Amaru is a mythical serpent or dragon. In Inca mythology, Amaru is a huge double-headed serpent that dwells underground, at the bottom of lakes and rivers.”
How many people have also found connections to this mythological character, and the depiction, in the characterization of Jesus? many of the stories that are told in the Aztec mythology can be found and relate to many stories in the Christian mythology.
I’ve connected him with the Sumerian god Enki. The being who created us in his image and saved us from multiple famines and floods. according to our oldest known text, these Kunia form, Sumerian tablets Enki is our father and Lord and savior.
If you found anything interesting or can add information or correct me I’d very much appreciate it.
The event could either be nothing, catastrophic, or the sign of a coming shift of energy… but doesn’t that feel like everyday 😂😂
https://historycooperative.org/quetzalcoatl/#:~:text=Indeed%2C%20Quetzalcoatl%20was%20born.,through%3A%20from%20darkness%20to%20light.

This is simply a pure hypothesis and an interesting accumulation of knowledge. I obviously have no awareness of what is to come
Many of us who are aware, see this upcoming solar eclipse as a very unique and rare event. Only in a little under seven years, these eclipses perfectly line up to form an X across America. It is extremely rare for two total eclipses to be so close to each other as well.
not only this but if you are aware, you can see the symbolism of the eclipse being plastered in many places, such as movies, artwork, books, etc.
https://chipstero7.wordpress.com/2024/02/23/the-great-american-eclipses/
There are many speculations that the solar eclipse could lead to a cyberattack, solar flare, or some type of EMP event that would knock out our grid for the foreseeable future. Speculations that this is the “rapture” etc.
The three most recent eclipses also create the Hebrew letters tov and aleph. alpha and omega.
I’d like to pose an alternative theory, this one a bit more positive 😂
Quetzalcoatl was believed to be an Osiris-type character. An enlightened being, a planetary consciousness. He was born from the eclipse and brought heaven to those living in hell.
He is said to have built the Temple of Feathered Serpent and been a fantastic ruler of humanity. A humble and caring leader only trying to uplift humanity. He told his people he would return someday.
There are many connections people have made with Jesus and an Osiris-type character. Although he is described as a feathered serpent, both Osiris and Quetzalcoatl are depicted as being of black skin. Ironically enough the original Amaru-khans have copper skin (black). It is theorized that these people, who have their name taken from Amaru, another name relating to Quetzalcoatl, are the reason for the naming of America. The Land of the Plumed Feathered Serpent (written by Manly P. Hall).
The cult of the serpent people can be traced back to many different civilizations and mystery schools. I would argue that these are the seeds that would go on to burn the modern-day, secret societies, and those trying to hide ancient knowledge from the populous.
“Amaru is a mythical serpent or dragon. In Inca mythology, Amaru is a huge double-headed serpent that dwells underground, at the bottom of lakes and rivers.”
How many people have also found connections to this mythological character, and the depiction, in the characterization of Jesus? many of the stories that are told in the Aztec mythology can be found and relate to many stories in the Christian mythology.
I’ve connected him with the Sumerian god Enki. The being who created us in his image and saved us from multiple famines and floods. according to our oldest known text, these Kunia form, Sumerian tablets Enki is our father and Lord and savior.
If you found anything interesting or can add information or correct me I’d very much appreciate it.
The event could either be nothing, catastrophic, or the sign of a coming shift of energy… but doesn’t that feel like everyday 😂😂
https://historycooperative.org/quetzalcoatl/#:~:text=Indeed%2C%20Quetzalcoatl%20was%20born.,through%3A%20from%20darkness%20to%20light.

seven wonders of the world

Unveiling The Importance and The History Of The New Seven Wonders of The World In 2024

The world is a tapestry woven with wonders both natural and man-made, each a testament to human creativity and ingenuity. Among these marvels, the Seven Wonders of the World stand as timeless symbols of awe and inspiration, captivating generations with their sheer magnificence.
As travelers, we all have our bucket lists and dreams of exploring distant lands and experiencing the extraordinary. At the top of our list are the New Seven Wonders of the World, destinations that beckon with their allure and promise of unforgettable experiences.
The journey to select these modern wonders began over two millennia ago when adventurous Hellenic travelers embarked on a quest to discover and document the most extraordinary creations of their time. Today, thanks to the collective voice of millions from around the world, a new set of wonders has emerged, representing the pinnacle of human achievement and innovation.
But amidst our excitement and anticipation, let us not forget the importance of having a fully panned travel. Get Your E-Visa for your Traveling country to ensure peace of mind, allowing you to venture forth with confidence and joy. It is also a smooth and efficient process, saving you time and stress.
So join us as we embark on a journey to uncover the secrets of these extraordinary wonders, to explore their hidden treasures and timeless beauty. In the following article, we have made a list of world wonder and we will guide you on where to find these wonders, what to see during your visit and the best time of year to experience their magic to the fullest. Let the adventure begin!

Our Listicle of Seven Wonders Of The World 2024

Let’s dive into our picks of The Seven Wonders of the World 2024, which will be an invaluable guide for your upcoming travel plans. Without further ado, here are the wonders of the world that you shouldn’t miss out on:

1. THE GREAT WALL OF CHINA

📷
The Great Wall of China stands as a monumental testament to human ingenuity and perseverance, rightfully earning its place atop the list of world wonders. Stretching across the northern expanse of China, this colossal structure spans an astonishing 21,196.18 kilometers, making it the longest wall in the world.
Constructed over two millennia, with a rich history spanning more than 2,300 years, the Great Wall served as a formidable barrier, designed to protect and demarcate the territories of Chinese empires and states. While its primary function may have fallen short over time, the wall’s sheer magnitude and architectural grandeur have immortalized it as a symbol of magnificence.
Venturing to the Great Wall is a journey through time and history, with each section bearing its own unique stories and mysteries. For a truly awe-inspiring experience, Simatai is a must-see destination. Here, amid the weathered stones and ancient towers, stands a remarkable screen wall adorned with intricately carved Kirin, a mythical creature from Chinese folklore. Despite the passage of centuries, this auspicious symbol remains remarkably preserved, evoking a sense of wonder and reverence for the past.
For those visiting Beijing, a day trip to the Great Wall is easily accessible, offering a glimpse into this iconic marvel of human endeavor. However, amidst the tourist attractions and modern conveniences, the essence of the Great Wall’s untouched majesty can still be found by venturing further west.
To truly savor the splendor of the Great Wall, timing is key. Avoiding crowds is paramount, making the Mutianyu Great Wall an ideal destination. With its serene ambiance and breathtaking vistas, a visit during the spring or fall seasons promises an unforgettable experience, where the echoes of history resonate amidst the tranquil beauty of nature.

2. CHICHÉN ITZÁ, MEXICO

📷
Nestled deep within the lush landscapes of Mexico’s Yucatan peninsula lies a treasure trove of ancient wonders—Chichén Itzá. Built around 400 AD by the Itzá Mayan tribe, this awe-inspiring archaeological site boasts a rich history spanning over 1,000 years, offering a captivating glimpse into the vibrant culture of the Mayan civilization.
Recognized as one of the New 7 Wonders of the World, Chichén Itzá stands as a testament to the ingenuity and architectural prowess of its creators. Among its remarkable features are intricately carved sculptures and monuments that offer profound insights into Mayan life and beliefs.
At the heart of Chichén Itzá stands El Castillo, a majestic stepped pyramid towering 79 feet above the main square. With 365 steps—one for each day of the solar year—this architectural marvel showcases the Mayans’ advanced understanding of astronomy. During the equinoxes, the setting sun casts shadows that mimic a serpent descending the pyramid, a mesmerizing spectacle that highlights the Mayans’ celestial observations.
Beyond its scientific achievements, Chichén Itzá was also a center of sporting activity, featuring the iconic tlachtli, a ritualistic sporting field where residents engaged in a popular pre-Columbian Mesoamerican game.
Exploring Chichén Itzá unveils a myriad of wonders, from the Temple of the Warrior and the Wall of Skulls to the enigmatic El Caracol and the Group of 1000 Columns. The surrounding cenotes and Mayan ruins offer a breathtaking immersion into the natural beauty and ancient history of the Yucatan region, providing a truly unforgettable experience for visitors.
For those seeking this ancient wonder, the optimal time to visit is November to March offers milder temperatures, creating ideal conditions for exploration and adventure. To fully appreciate the splendor of Chichén Itzá and avoid crowds, consider arriving early or late, allowing you to immerse yourself in the timeless wonders of this extraordinary archaeological marvel.

3. PETRA, JORDAN

📷
Petra, Jordan, stands as an undeniable marvel, earning its rightful place among The Seven Wonders of the World. Carved into the very heart of the rock, this ancient city is a testament to human ingenuity and architectural brilliance, nestled amidst the breathtaking landscapes between the Red Sea and the Dead Sea.
Once the vibrant capital of the Nabataean civilization, Petra thrived as a bustling trading center, meticulously designed with intricate features for tombs, statues, religious centers, and residential quarters. The Nabataean Arabs, skilled engineers and craftsmen, crafted a city adorned with grand halls, winding passageways, and awe-inspiring monuments, symbolizing their prosperity and cultural prowess.
Despite facing the ravages of time and natural disasters, Petra’s mystique endured, resurfacing in the late 20th century to captivate the world once more. Today, this twisted treasure trove beckons adventurers to explore its labyrinthine passages and marvel at its storied past.
From the awe-inspiring Siq and the iconic Treasury to the majestic Monastery and the High Place of Sacrifice, each corner of Petra whispers tales of ancient splendor and remarkable artistry, leaving visitors spellbound by its rich history and unparalleled beauty.
To fully immerse yourself in Petra’s enchantment, consider arriving early to avoid crowds and explore its wonders in tranquility. Be mindful of rainy days, as the valley is prone to flooding. For the ultimate Petra experience, plan your visit during the spring or autumn months, when Jordan’s landscapes come alive with vibrant colors and pleasant weather, offering the perfect backdrop for an unforgettable journey through time.

4. THE TAJ MAHAL

📷
The Taj Mahal, an epitome of Indo-Islamic architecture, stands as a timeless testament to love and devotion. Rising majestically on the banks of the Yamuna River in Agra, this monumental mausoleum of white marble is hailed as the greatest architectural achievement of its kind, earning its place among the Seven Wonders of the World.
Constructed between 1631 and 1648 by Emperor Shah Jahan in memory of his beloved wife, the Taj Mahal is a poignant symbol of enduring love and reverence. The Emperor’s profound grief at the loss of his wife, who tragically passed away giving birth to their 14th child, inspired the creation of this magnificent monument, where both their tombs now rest side by side.
More than just a monument, the Taj Mahal is a masterpiece of Mughal architecture, meticulously crafted from semi-translucent white marble adorned with intricate floral and geometric patterns. The grandeur of its design is exemplified by its majestic central dome, surrounded by four smaller domes, each a marvel of architectural precision.
The construction of the Taj Mahal, spanning 22 years and involving the labor of twenty thousand workers, stands as a testament to human ingenuity and dedication. Every detail of this grand structure exudes a sense of awe and wonder, captivating the hearts and minds of all who behold its beauty.
To truly appreciate the splendor of the Taj Mahal, plan your visit during the off-peak season from October to March to avoid crowds and smog. Arriving at least an hour before sunrise allows you to witness the monument bathed in the soft light of dawn, offering an unforgettable experience amidst the serenity of the early morning hours.
In the embrace of the Taj Mahal’s timeless beauty, one cannot help but marvel at the enduring legacy of love and devotion that continues to captivate hearts around the world.

5. MACHU PICCHU

📷
Machu Picchu, a breathtaking testament to ancient Inca civilization, sits majestically atop a 2,430-meter mountain ridge in the Eastern Cordillera of southern Peru. Built during the 15th century under the visionary rule of Emperor Pachacuti, this awe-inspiring citadel was once an esteemed estate for the Inca Emperor before being abandoned and buried for centuries, shrouding its secrets in mystery until its rediscovery in 1911.
The remarkable preservation of Machu Picchu, nearly intact after millennia, stunned the world when American historian Hiram Bingham brought it to public attention. Its isolation did not diminish its grandeur, as evidenced by its splendid plazas, agricultural terraces, temples, and residential areas, earning it the prestigious recognition as one of the Seven Wonders of the World and cementing its status as the legendary “Lost City” of the Incas.
To experience the magic of Machu Picchu, visitors can embark on a journey via train or trekking the legendary Incan trail. Within this sacred site lie treasures awaiting discovery, including the Temple of the Sun, Sacred Plaza, Intihuatana Pyramid, and the Temple of the Condor, each offering a glimpse into the rich tapestry of Inca history and culture.
For an optimal experience, visiting Machu Picchu during off-peak times such as November or April allows for a more serene exploration, away from the crowds that flock during peak seasons. However, be mindful of the possibility of rain during these months. Alternatively, embracing the tranquility of the evening can offer a unique perspective, allowing visitors to immerse themselves fully in the timeless wonder of Machu Picchu.

6. CHRIST THE REDEEMER, BRAZIL)

📷
Perched atop the majestic Mount Corcovado in Rio de Janeiro, Brazil stands the iconic symbol of Christ the Redeemer, a towering totemic statue that commands the skyline at a soaring height of 704 meters. Visible from every corner of Rio, this colossal monument is not just a marvel of engineering but a profound cultural and religious icon, known as “Cristo Redentor” in Portuguese.
Conceived by Brazilian visionary Heitor da Silva Costa and brought to life by the skilled hands of French sculptor Paul Landowski between 1922 and 1931, Christ the Redeemer stands as a testament to faith and resilience in the wake of post-World War I uncertainties. Rising 98 feet tall with arms outstretched 92 feet wide, this monumental sculpture, adorned with over 6 million tiles, exudes an aura of divine presence over the bustling city below.
Beyond its awe-inspiring stature, Christ the Redeemer holds profound significance as a symbol of Christianity, earning its rightful place among the Seven Wonders of the World for its overwhelming symbolism and spiritual resonance.
Visitors to this sacred site are greeted not only by the magnificence of the statue but also by the serene chapel nestled at its base, a testament to the enduring legacy of Christ’s message of love and compassion.
For an unforgettable experience, it is advisable to plan your visit on weekdays to avoid crowds and embark on your journey to Corcovado Mountain either early in the morning or later in the afternoon, allowing you to bask in the tranquility and magnificence of Christ the Redeemer against the backdrop of Rio’s breathtaking vistas.

7. COLOSSEUM, ITALY

📷
The Colosseum, a magnificent testament to ancient Roman engineering and grandeur, stands as a giant amphitheater in the heart of Rome, Italy, a marvel crafted under the Flavian Emperors’ reign. Its construction, which commenced around 70 to 72 CE during the rule of Vespasian, remains an unparalleled engineering feat, spanning an impressive 190 by 155 meters and capable of accommodating up to 80,000 spectators.
Throughout its storied history, the Colosseum has witnessed a myriad of events, from classical plays and games to dramatic and horrifying spectacles such as executions, animal hunts, and simulated sea battles, captivating audiences for four centuries until its eventual transformation into a housing complex following the empire’s decline.
Visiting this archaeological marvel is an immersive journey through time, offering a glimpse into the remarkable achievements of Roman architecture. Despite enduring multiple fires, earthquakes, and natural disasters over the centuries, the Colosseum proudly stands today as the largest Roman amphitheater in the world, captivating visitors from across the globe with its enduring legacy and historical significance.
For an unforgettable experience, the optimal time to visit the Colosseum is during the quieter months from November to February, allowing visitors to explore its ancient halls and corridors with fewer crowds. Arriving early in the day, ideally at the opening time of 8:30 am, ensures a tranquil and immersive experience, offering a rare opportunity to marvel at this iconic monument in all its glory.

Conclusion: Discovering the Latest Wonders of the World 2024

These are the New Seven Wonders of the World that you should know about and if you are looking for international travel we would recommend you to get your E-visa for your destination country from us, as E-Visa Xperts have revolutionized the way we travel by simplifying the visa application process. The convenience, time-saving benefits, and global acceptance of e-visas make them an attractive option for modern travelers. Whether you’re planning a trip to Malaysia, Dubai, Singapore, Thailand, Myanmar, Egypt, Sri Lanka, Australia, Turkey, Vietnam, and numerous other e-visa countries, exploring the e-visa services available which can make your travel experience smoother and more enjoyable.
To Know More about our e-Visa Services you can Check out Our e-Visa Countries For Which You Can Apply Visa Online.

This is an interview with Jay Weidner, regarding this prophecy in stone, & Fulcanelli.
Santa Barbara, California January 2004 .
Network X: It has been a while since we last spoke with you. What have you been up to?
Jay Weidner: I have been very busy since we last spoke together. My wife Sharron Rose (author of the book, The Path of the Priestess) and I have started our own esoteric video production and distribution company called Sacred Mysteries. We also have a web site at www.sacredmysteries.com, which has received over two million hits since it first came out in October 2003. I have made documentary films on people such as the Visionary Artist Alex Grey and Shaman/Healer Alberto Villoldo. I have co-written two books (both with Vincent Bridges). The first one came out in 1999 and is called, A Monument to the End of Time: Alchemy, Fulcanelli and the Great Cross. This year the second book was released by Inner Traditions and is basically the same book with new research. It is now called, The Mysteries of the Great Cross at Hendaye: Alchemy and the End of Time.
Network X: Are these books about your investigation into the work of the enigmatic alchemist Fulcanelli?
Jay Weidner: Yes, as we have discussed in previous interviews, I have been looking into the Fulcanelli phenomenon for almost 18 years. It started in 1986 when I found the book, The Mystery of the Cathedrals by Fulcanelli at a garage sale in North Hollywood. This minor event began the most important journey of my life. When I first read the book I was amazed by its intelligence, its articulation and its obscurity. I wondered about its anonymous author named Fulcanelli. I was dumbfounded by it and I have continued to reread the book throughout the ensuing years. I still read it every six months or so. Once I found it, the book sat by my bedside for the next five years, its pages slowly curling up from constant use. I became determined in 1991 to uncover all of it’s secrets including the odd chapter at the end called ‘The Cyclic Cross at Hendaye’. In this chapter Fulcanelli speaks of a strange cross in a churchyard in the small southwestern coastal town of Hendaye France, built by a mysterious and unknown alchemist over 350 years ago, and that it holds the secrets of the universe. Now that was intriguing to me!
By then I had moved from L.A. to Seattle and was a virtual occupant of the Seattle Metaphysical Library where I spent the next four years attempting to uncover the truth about Fulcanelli, the anonymous author of The Mystery of the Cathedrals. I began reading the works of René Guenon, Julius Evola, R. A. Schwaller De Lubicz, Elphias Levi, Gershom Scholem, Robert Lawlor and any alchemical text or book on French Hermeticism that I could find. The library really helped me out a lot.
Through this research I discovered that the chapter on Hendaye had not been in the original edition of The Mystery of the Cathedrals that was printed in 1926. It was apparently added to the edition that was reprinted in the late 1950’s. This bit of news alarmed me and made me focus on the additional chapter in Fulcanelli’s book on the Cross at Hendaye. It was at this time that I also discovered the essay by one Paul Mevryl concerning the Cross at Hendaye in the book The Fulcanelli Phenomenon by K. R. Johnson. Paul Mevryl’s essay is really a strange mix of disinformation and real facts all thrown together in a science fiction stew that had cooked too long.
By this time though I knew that the Cross at Hendaye was concerned with describing the four ages, the relationship to certain cards in the tarot, that the chapter on Hendaye had been added later and that there had been a huge stink in Europe caused by the publication of the original book and by the enigma of Fulcanelli. The OSS had even been looking for him. His pupil Canseliet had made a secret trip to Spain to meet Fulcanelli in the early 1950’s even though Fulcanelli was supposed to have left this world almost thirty years earlier. I wondered if that was when the additional chapter on Hendaye had been given to Canseliet. The book Al-Kemi written by Andre Vandenbroeck was a complete trashing of Fulcanelli. One of the authors of the best selling book, The Morning of the Magicians claimed that he met Fulcanelli. There was no doubt, it was a real mystery and I was completely hooked
Network X: What year was this?
Jay Weidner: This would now be late 1991. Soon I was to be the host and producer of the radio show Mind Over Matters at KCMU in Seattle. This would interrupt my investigation in some ways and help it in others. Especially later when it came time to actually seek funding for the research. But then, in 1991 and 1992, I didn’t have enough data yet to get anyone interested. The few souls who bothered to listen to my discoveries didn’t think it was enough to get concerned about. I persevered though. My family and friends thought that I had lost my mind. I became obsessed by all of the secrets that the world was hiding, the occult, French Hermeticism but most especially alchemy. So the show Mind Over Matters became a vehicle for the outer fringes of the research that actually began with my investigation into Fulcanelli. I knew that the Cross at Hendaye was telling me that a catastrophe of some kind was going to happen. Fulcanelli clearly tells us that this catastrophe will not only herald the end of the Iron Age but will also be of a celestial nature. Indeed the angry sun face on the Cross indicates that this disaster has something to do with the sun. But I was lost. I had figured out that the bottom pedestal part represented the solar system from our earth’s point of view and that the cross on the column above the pedestal was representing something beyond the borders of our solar system. The questions of how an unknown alchemist working on the cross 350 years ago could know about all of this also amazed me.
Now I also knew that there was another world, of sorts, that lay at right angles to our world. Through all of this research I was beginning to understand the hyper-dimensional nature of our reality. One of my good friends was, and still is, Dr. Juris Kalnins who worked at the UC Berkeley Particle Accelerator in the Bay Area. Through his incredible knowledge I began to understand the dynamics of the hyper dimensional matrix that surrounds us like an invisible veil. Also through my radio show I met many scientists and mystics who were attempting to explain the relationship between these multiple dimensions. I had discussions with Michael Talbot, Stan Tenen, Richard Hoagland, Terence McKenna and many more. It was Terence who first clued me in that the center of the galaxy might be important to the Hendaye work. In 1994, I had a long conversation with him in Seattle concerning alchemy, Fulcanelli and the Cross. Although he was more interested in John Dee, he did point me in the direction of looking at the center of the galaxy in that conversation.
Network X: Wasn’t he was on your show many times during that time period?
Jay Weidner: Yes, he was a favorite of the listeners and mine. Even though I knew all of these things about alchemy and the Cross at Hendaye I still didn’t have enough information to get anyone really interested in helping me financially. I had decided to devote my life to the quest of understanding the Fulcanelli/Hendaye puzzle and was frankly looking for help.
By early 1995, I had decided to concentrate completely on the Latin inscription that was engraved in the top of the cross, which reads:
OCRUXAVES
PESUNICA.
I wrote out the inscription on a piece of paper and carried it with me all of the time. I also carried with me a copy of Fulcanelli’s description of the Latin inscription. One can read about this in my 2 books but needless to say I had decided to break the code of the inscription. For many months I lay the paper with inscription out in front of me and would just stare at it. I found out a lot of other ways to reword and rephrase the inscription. Some made more sense than others. This process is all laid out in the books. One day though, while waiting in my car for someone, I laid out the page on the seat and I let my eyes go out of focus as I looked at the words. I remembered Fulcanelli’s description that the phrase is describing a place of refuge ‘and we learn that a county exists, where death cannot reach man at the terrible time of the double cataclysm’.
I suddenly realized that the letter ‘X’ in the word Ocruxaves lay at the center of the inscription. I decided to make the ‘X’ the representation of the Cross it self. When I did that it created four separate words surrounding the central ‘X’:
OCRU X AVES
PESU NICA
Following Fulcanelli’s prescription, I made the ‘X’ a ‘S’ and now with a subtle change in letters I had an inscription instead of saying:
OCRUXAVES
PESUNICA
was now saying:
CUSCO CAVE
PERU INCA
or
‘Inca Cave Cusco Peru’.
Stunned by this discovery and remembering that Fulcanelli says that the inscription describes a country of refuge my heart pounded in my ears. Realizing that this was probably not a coincidence or some kind of fantasy I began going over the inscription — changing and altering it in any way that I could. One of the very first things that I discovered in this exercise was that by displacing the ‘S’ in the top line of the inscription I made the word:
OCRUXAVES
into:
SOCRUXAVE.
When I did this I also came up with a secondary message that actually enforced the first message. Reading backwards I got:
AVE
X
and reading the rest of the letters backwards I got:
URCOS
or to complete the sentence:
HAIL TO THE CROSS AT URCOS
Not knowing what ‘Urcos’ meant I looked it up the words in an Atlas and found that 20 miles away from Cusco was a town called Urcos.
Now I was blown away. Besides beginning to read everything I could on the history of Peru I now had something that would allow me to show that the research had actually accomplished something. I placed my breakdown of the Latin inscription out on some large pieces of cardboard to use for demonstrations and began looking for some help in the investigation.
But before I go on with my story, I must tell you that one of the very first things I discovered when I looked into the history of Peru was the 16th century book, Chronicle of Felipe Guamen Poma de Ayala. In the book I discovered the drawing by Ayala, which shows the symbols of the cross at Hendaye in ancient Peru. The evidence was now building that the Cross at Hendaye and the writings of Fulcanelli were anything but unimportant. With renewed interest I plunged into The Mystery of the Cathedrals again looking for more secrets.
Network X: Did you ever get any funding?
Jay Weidner: I could see that people were now excited by the research. I showed some of my friends at the Seattle Metaphysical Library what I had and they encouraged me to keep going. A wealthy woman on Bainbridge Island gave me money also to continue the research. By early 1996, I had revealed the research up to that point to a wealthy friend of mine named Gerald Kessler. He was impressed with it and agreed to help finance trips to Peru, Egypt and France.
I have to say that 1996 was the threshold year for the research. Almost everything of importance, outside of the Peru Interpretation, occurred in 1996. In March 1996, I had shown my work to the wealthy Colorado businessman Jirka Rysavy. Besides being a brilliant businessman, he was one of the few people that I have ever known that really understands hyper-dimensional physics. Jirka told me at that time that he was going to use his wealth to fund researchers, like me, who were looking into the subjects of alchemy and higher dimensional physics. He had already given a lot of money to Stan Tenen and Richard Hoagland and he wanted to help me as well. In June of 1996, I moved from Seattle to Boulder Colorado to ostensibly work for Jirka. He wanted me to build an esoteric library for him that would be second to none, and I was to host and produce the two ‘Awakening Gaia’ conferences. In return, Jirka would finance my trips and pay me to do the research.
One of the people that Jirka also funded at this time was Dan Winter. Dan moved to Boulder in August 1996. He is an interesting guy and I had many long conversations with him concerning magic, physics and the Hermetic tradition. Dan desperately wanted to know about my Hendaye research but like a good hermeticist, I was keeping quiet about it. Jirka would fund me but I had to be discrete, that was our bargain.
📷At this point everything broke loose. Dan introduced me to a guy named Nick Fiorenza. Nick had just written an article called, ‘Erection of the Holy Cross.’ Nick was a good guy and he wanted me to read it. When I did I knew that the next major answer to the puzzle of Hendaye was solved. Nick had taken up where several other astrologers had started. What Nick and these other astrologers realized was that, soon, the center of the galaxy was going to be at a direct right angle to the Earth’s position in the precession of the equinoxes, essentially creating a ‘great cross’ in the sky. Exactly when this was going to happen was up for debate. Nick was saying sometime in 1999, others a little later. There was enough ‘slop’ in the measurements for a great deal of uncertainty. Furthermore, this ‘erection of the great cross’ only occurred every 13,000 years. In a flash I knew I had it. The four ‘A’s’ on the pedestal of the Cross at Hendaye represented the 26,000 year long precession with each age being of approximately 6,500 years length. Every 13,000 years the ‘great cross’ would occur. This lined up perfectly with Fulcanelli and eerily shadowed what Mevryl had also said.
📷Now I had at least a rough time period for the great end of this age, the Iron Age. But it wasn’t exact. I asked Nick to check out the exact moment that the Great Cross would occur on his Voyager Program but for some reason, Nick was unsure and would not give me a date.
I presented this data to Jirka and he was amazed. In October of 1996, I hosted the first of the two ‘Awakening Gaia’ Conferences. They were wonderful. I was like a kid at Christmas. I got to pick anyone I wanted to attend the conference and Jirka would pay him, or her, to come to Boulder. Graham Hancock, Robert Lawlor, Robert Bauval, Gregg Braden, Robert Temple and many others came. We had a great time and over several days I was able to talk with each of them about the Hendaye material. Of all of them the one that showed the most interest was Robert Lawlor. He agreed that the Cross was pointing at the center of the galaxy and that the end of the Iron Age is likely upon us. As a writer of books on Sacred Geometry and the Aborigines of Australia as well as being the translator of much of the work of Schwaller De Lubicz, including the massive Temple of Man volumes, I was a willing listener. Robert suggested that I read the work of Astro-Physicist Dr. Paul LaViollete. Lawlor remembered that LaViolette had some good theories concerning a disaster from the center of the galaxy.
As 1996 came to an end I was satisfied that the work was going as desired. My discoveries had been momentous and I was really very happy. Perhaps the happiest I have ever been. In February 1997, my wife Sharron Rose and I went to France. Using Fulcanelli as our guide we visited Hendaye, photographed and measured the Cross at Hendaye (I was thankful that it really did exist!), we visited Notre Dame and the Black Madonna’s of Toulouse, Le Puy and Chartres Cathedral plus many other incredible and fascinating sites.
At that time I had decided that I finally had enough material to write a book about the Cross at Hendaye, Fulcanelli and my surreal experiences. But first Jirka wanted me to host the second ‘Awakening Gaia’ Conference, this one to be held in Boulder in May 1997. This time we would have other new guests such as Joscelyn Godwin, John Anthony West, Paul Devereaux and many others. In the meantime I had read Paul LaViolette’s book, Beyond the Big Bang. I could see why Robert Lawlor was a big supporter of LaViolette and his works. Showing the book to Jirka he became excited also and asked me to invite Dr. LaViolette to the conference.
What happened when Dr. LaViolette gave his lecture at the second ‘Awakening Gaia’ conference in May 1997 was the final link in the chain of evidence that I had been building slowly. While I had asked Paul to talk about his theories from his book, Beyond the Big Bang, he wanted, instead, to lecture about his new book, Earth Under Fire. I relented to this even though I had never seen his new book. Over the course of the next two and a half hour lecture Dr. LaViolette answered many of the last problems posed by the mystery of the Cross at Hendaye. Using empirical scientific evidence Dr. LaViollete revealed that there was a periodic explosion from the center of the galaxy depositing iridium on the surface of our planet. Showing us ice samples taken from Greenland, he revealed how these iridium deposits fall in 26,000-year layers suggesting that the pulse from the center of the galaxy is somehow linked to the precession of the equinoxes. He showed how the stinger of the constellation Scorpio and the arrow of the constellation Sagittarius were pointing at the center of the galaxy. He unveiled the fact that the vast amount of iridium coming from the explosion of the center of the galaxy would eventually coat the surface of the sun and cause it to explode like a T-Tauri Star.
This fact not only explained Fulcanelli’s enigmatic phrase ‘double cataclysm’ but also explained the angry sun face on the pedestal. I was limp by the time the lecture ended. Jirka and I sprang out of our seats running up to LaViolette asking him questions about alchemy and Fulcanelli. But LaViolette knew little about alchemy and nothing about Fulcanelli.
I now knew that the star on the pedestal of the Cross, which sits behind the sun, was the symbol for the explosion from the center of the galaxy. I also knew that the center of the galaxy is the dark sun of the occult, the dark goddess of mythology and was probably the basis for the myth of Isis, who bore our sun as her son. The mythologies of Egypt, India and Tibet began to make more sense to me also as I placed them in the context of four ages, the precession of the equinoxes and the disaster from the center of the galaxy.
Jirka became so excited about LaViolette’s lecture and the information conveyed that he immediately paid Dr. LaViolette a sum of money and told me to begin writing a documentary based on LaViolette’s book ‘Earth Under Fire’. I would Produce and Direct the film and we would make it available to the world so that everyone would know about this incredible information. Excited, I retired to my mountain house and spent the summer of 1997 writing and rewriting the screenplay for Earth Under Fire.
By June of 1997 I also had met Kevin Townley, another resident of Boulder who was, believe it or not, translating Fulcanelli’s second book, The Dwellings of the Philosophers into English for the first time. Also surprised by this synchronicity, he agreed to let me read the translations as they were being done. So now I would be one of the first people in the world who had the opportunity to read Fulcanelli’s second book in it’s English translation. Kevin also gave me a very special gift that day which was a book called, The Cube of Space by Paul Foster Case.
Overjoyed at the prospect of soon being able to read Fulcanelli’s second book in English I went home and read Case’s book. It was then that I discovered that the pedestal of the Cross at Hendaye was really a representation of the Cube of Space. The vertical column was the symbolic representation of the space between our solar system and the center of the galaxy, which was represented by the cross on the top of the monument at Hendaye. The inscription on the Cross told the seeker where to go at the time of the ‘Great Cross’. This place would be a refuge against the onslaught of a celestial disaster perhaps the one that LaViolette had discovered in his research. When the Cube of Space lines up, the ‘disaster’ or the ‘great change’ occurs. The erection of the Great Cross was also the erection of the Cube of Space. Knowing my multidimensional physics I realized what this meant. The angles of the inner cube were lining up with the angles of the greater cube. This meant that a significant moment in the sacred geometry of our solar system and the relationship to the center of the galaxy was about to occur.
In August of 1997, Jirka flew me to Santa Fe to talk to William Sullivan, the author of the recently released book, Secret of the Incas. Jirka agreed with me that Sullivan might be able to assist the investigation as least as far as the Peru material was concerned. In another one of the weird synchronicities that runs through the course of this research, I also met Dr. Juan del Prado who was traveling with William Sullivan. Dr. Del Prado is an archeologist at the University of Cusco. Over a glass of wine, we talked about the long and sordid history of Peru. Finally near the end of the evening, I asked him about the town of Urcos and if there was possibly a cross located there. Del Prado looked at me with a puzzled expression. “Yes there is a cross in Urcos. No one knows who built it or why. But it has been there for centuries.” One more time the Cross at Hendaye was proven correct.
I was getting ready to shoot Earth Under Fire with Dr. Paul LaViolette in October 1997 when Vincent Bridges and his wife Darlene showed up in Boulder for a visit. Vincent and Darlene were old friends of Dan Winter. Sharron and I had met Vincent originally in Boulder in September 1996 where we had a conversation in which he told us that, besides graduating from the University of North Carolina with a Graduate Degree in History, he had also been a journalist for years, having written for many nationally known magazines like Rolling Stone, Whole Earth Review, Newsweek, Crawdaddy and many others. He said that he had also written a novel Walspurgisnacht, published by DAW Books and that he now owned a publishing company called Aeytheria Books which was a LLC out of his native North Carolina.
Impressed by these credentials, we invited Vincent Bridges and his wife Darlene to stay at our house high up in the Rocky Mountains in late October 1997. He was extremely well versed on many arcane subjects. So the first few nights were spent in a rambling conversation on a plethora of subjects ranging from psychedelics, to politics, to his experiences with the occult.
Vincent had no idea what I was working on but I could see that he was extremely curious. His friend Dan Winter had been trying for months to discover what Jirka and I were doing so it was no surprise that Vincent was also curious. A couple of days after his arrival I began realizing that I needed to show my work on Fulcanelli and the Cross at Hendaye to someone who had a background, not only in orthodox history but also unorthodox history. And I felt that Vincent, with his impressive credentials, might just be the guy.
As a winter storm swept over us, we sat by the warm fire in my living room and I showed Vincent and Darlene all of my Hendaye and Fulcanelli material. Vincent was overwhelmed and excited.
Then using an obscure quote that he had discovered earlier from a Golden Dawn transcript and his Voyager Program, we settled on the date of September 22nd 2002 almost five years in the future as the ‘climax of history’ according to the Cross at Hendaye and Fulcanelli. This was, perhaps, Vincent’s most significant addition to the Hendaye research.
In February 1998, Sharron and I finally went to Peru in search of Inca Caves and the Cross at Urcos. We found both, as well as what later would turn out to be the ruins of Atlantis at Tiahuanaco. In the end, the Cross at Hendaye leads the seeker to the ruins of Atlantis which occurred at the end of the Second Age, 13,000 years ago.
The final parts of the puzzle fell into place in 1998. I received an advanced copy of Maya Cosmogenesis 2012 by John Major Jenkins in which he reveals that the great Mayan calendar would end with the helical rising of the center of the galaxy on the winter solstice in 2012. Furthermore, Terence McKenna, who had earlier told me to examine the center of the galaxy in my Hendaye research, wrote the Forward to his book! To pile synchronicity upon coincidence I then found out, through my good friend Laura Lee in Seattle, that John Major Jenkins was a neighbor of mine in Colorado. Getting his home number from her I called John thus beginning a long and fruitful friendship.
It seemed to me by the end of 1998 that the Cross at Hendaye was actually describing a ‘season of the apocalypse’ rather than a specific date. The two X’s on the cross, coupled with the number 20 card from the tarot appeared to indicate a twenty year, or so, final cycle of this season, with the September 22nd 2002 date at the very center of this twenty year span, which would end ten years later with the helical rising of the center of the galaxy in 2012.
In the end, I must be judged by what I reported. While no apparent apocalypse occurred on September 22nd 2002 the world has been altered almost beyond recognition since the first book came out in 1999. The 911 disaster happened one year and eleven days before the Hendaye target date and George Bush waited until the equinox just following the Hendaye date to start the war in Iraq, a war that could very well lead us all to Armageddon.
On top of that, Fulcanelli assures us that the northern hemisphere will soon be ‘tried by fire’ and sure enough, the summer just following the September 22nd 2002 date was the hottest in 500 years in the northern hemisphere. Ultimately the hottest of eleven summers of record heat in a row going back to the beginning of the final 20 year cycle that started, according to the Cross, in 1992.
Network X: So is the world ending?
Jay Weidner: I don’t know. I made a film recently with Dr. Alberto Villoldo called Healing the Luminous Body: The Way of the Shaman. In this film Villoldo tells us that the Incan shaman believe that 2012 heralds what they call a pachacuti or period of upheaval and renewal that occurs at the end of time in which the world will be turned right side up again. He tells us, “There will be a tear in the fabric of time itself, a window into the future through which a new human species will emerge. They call this new species, Homo Luminous“. I don’t know if this is what is really happening but if the pursuit of alchemy is to turn lead into gold, so perhaps, the real goal of time and history is to turn the lead of the human body into the gold of Homo Luminous. Perhaps, like the ancient Egyptians believed, we will become stars in the heavens being born in the Bardo dreams of Orion. To be honest though, I don’t really know.
Network X: What are you doing now?
Jay Weidner: I’m working on a motion picture project with my step-son Ari, I am writing a novel, and with my wife Sharron Rose, I am writing a book on the alchemical symbolism in Tolkien’s The Lord of the Rings. Our company Sacred Mysteries has several exciting new videos for release in 2004, and we are beginning a school devoted to the principles of Hermeticism and alchemy. My life is full right now. In fact, I could really use a vacation.
Network X: Thank you for your time.
Jay Weidner: Thanks for having me.
https://preview.redd.it/rkn14hx9fcoc1.jpg?width=256&format=pjpg&auto=webp&s=a30f989a8a8b9d4d905f8829b6275d9bd90beeb0
https://preview.redd.it/epmxlgx9fcoc1.jpg?width=184&format=pjpg&auto=webp&s=36083aeeeb6c37db082bea1bdddf6975e268b6bc
https://preview.redd.it/8w8nffx9fcoc1.jpg?width=326&format=pjpg&auto=webp&s=2a21d76dcc731115bdb5cbc28177d65bdec88ee7
​

ARTICLES

• 📷Jay Weidner Debates Stanton Friedman – Apollo Moon Landings
• 📷David Wilcock’s Apology Letter to Gaia Inc
• 📷Mind Over Matters, NASA and DMT: An Interview with Jay Weidner on Network X
• 📷Fulcanelli, Alchemy, the Great Cross at Hendaye and the Mystery of the Cathedrals: Network X Interviews Jay Weidner
• 📷Disclosure: Aryans, Mars and the End of Days: An interview with Jay Weidner
• 📷Rise of the Archons: An interview with Jay Weidner on Rense Radio
• 📷The Kubrick Series: Redrum
• 📷The God Star by Jay Weidner
• 📷The Ka, the Ba and the Kabbalah by Jay Weidner
• 📷The Golden Age and The End of The World: Emergence of Homo Luminous by Jay Weidner
• 📷The Time River: Alchemy, Fulcanelli and The Great Cross at Hendaye by Jay Weidner
• 📷Prophecy, Spirit and the Dreamtime: The Last Frontier by Jay Weidner
• 📷Are the Olympic Games the Beginning of the End? by Jay Weidner
• 📷There’s Something Strange on the Moon by Jay Weidner
• 📷Rebellion of the Intelligent: Jeff Rense and the Internet by Jay Weidner
• 📷The Topology of Time Part II: The Alchemy of Time; Understanding the Great Year and The Cycles of Existence by Jay Weidner
• 📷The Topology of Time; Hyperdimensional Space and The Unfolding of the Four Ages by Jay Weidner
• 📷Innocent Murder – The Real Story Of JonBenet’s Death by Jay Weidner and Vincent Bridge
• 📷Fulcanelli’s Final Revelation: Raising the Djed at the End of Time by Jay Weidner and Vincent Bridges
• 📷Tolkien at the End of Time; Alchemical Secrets of The Lord of the Rings by Jay Weidner and Sharron Rose

​
https://preview.redd.it/wwpxp3ppmbfc1.jpg?width=1200&format=pjpg&auto=webp&s=e030f8db0f585ac441f6908603c7e602672e3000
The Peru Candle Market is a captivating blend of tradition, craftsmanship, and commercial enterprise, offering a glimpse into the cultural significance of candles in this South American nation. From religious ceremonies to artistic expression, candles play a diverse and integral role in Peruvian society, and the market reflects a dynamic interplay between heritage and contemporary demands.
El mercado de velas en Perú es una cautivadora mezcla de tradición, artesanía y empresa comercial, ofreciendo una visión de la importancia cultural de las velas en esta nación sudamericana. Desde ceremonias religiosas hasta expresiones artísticas, las velas desempeñan un papel diverso e integral en la sociedad peruana, y el mercado refleja una interacción dinámica entre la herencia y las demandas contemporáneas.

Historical Roots and Cultural Significance

Candles have deep historical roots in Peru, dating back to the era of the Inca civilization. The use of candles in religious rituals, particularly within the Catholic tradition introduced by Spanish colonizers, has embedded these waxen luminaries in the fabric of Peruvian culture. Today, candles are an integral part of various celebrations, including religious festivals, weddings, and traditional ceremonies, symbolizing spirituality, hope, and unity.

Traditional Craftsmanship

The Peru Candle Market is marked by a rich tradition of craftsmanship, with skilled artisans producing candles using age-old techniques. Beeswax and paraffin are common materials, and artisans often infuse them with locally sourced scents, creating candles that reflect the essence of Peru's diverse landscapes.
In regions like Ayacucho, renowned for its artisanal craftwork, intricate handmade candles known as "velas de cera repujada" are a testament to the meticulous skill of local artisans. These candles are often adorned with religious motifs and intricate designs, showcasing a fusion of indigenous and Spanish artistic influences.

Festivals and Seasonal Trends

The Peru Candle Market experiences notable peaks during religious and cultural festivals, contributing to the vibrancy of the industry. Events such as Inti Raymi, the Inca Festival of the Sun, witness an increased demand for candles as they play an essential role in the ceremonial rituals. Different regions may have specific festivals that drive unique trends in candle consumption, with colors and designs reflecting the cultural nuances of each celebration.
Seasonal trends also impact the market, with an uptick in demand for candles during religious holidays, Christmas, and other festive occasions. The festive season often sees a surge in the purchase of decorative and scented candles, adding an extra layer of celebration to homes and public spaces.

Religious Practices and Rituals

The religious significance of candles is prominently observed in Peru, with various ceremonies incorporating the use of candles for prayer and devotion. The annual "Lord of Miracles" procession in Lima, one of the largest religious processions in South America, sees devotees carrying candles as they honor the venerated image of Christ. The candles used in such events range from simple votives to ornate, handcrafted pieces, reflecting the diversity within the Peru Candle Market.

Market Dynamics and Commercial Growth

In addition to their cultural and religious roles, candles have found a commercial market in Peru. Urbanization and changing consumer preferences have contributed to the growth of the candle industry. Local and international manufacturers offer a wide array of candles, including scented candles, decorative candles, and those designed for special occasions.
The Peru Candle Market has adapted to global trends in home décor and wellness, with an increasing demand for aesthetically pleasing and aromatic candles. This shift has prompted innovation in design, packaging, and the introduction of eco-friendly and sustainable candle options.

Sustainability Initiatives

As environmental consciousness grows worldwide, the Peru Candle Market has witnessed a surge in sustainability initiatives. Some manufacturers focus on using sustainable materials, such as soy wax, and adopting eco-friendly packaging. Additionally, there is an increasing emphasis on supporting local communities and traditional artisans, fostering sustainable practices that preserve both cultural heritage and the environment.

Challenges and Opportunities

While the Peru Candle Market flourishes, it faces challenges such as competition from mass-produced, imported candles and the need for continued innovation to meet changing consumer preferences. However, these challenges also present opportunities for market differentiation, collaboration with local artisans, and the creation of unique, culturally resonant products.

Export Market and International Appeal

While the majority of candles produced in Peru cater to the domestic market, there is a growing interest in exporting these artisanal products. The unique designs, cultural authenticity, and craftsmanship of Peruvian candles make them appealing to international consumers. Efforts to market these candles globally have been successful, with online platforms and boutique stores offering a curated selection of Peruvian candles to customers around the world.

Influence of Tourism on the Market

Peru's status as a popular tourist destination significantly influences the Peru Candle Market. Tourists often seek souvenirs that encapsulate the cultural richness of their travel experiences. Handcrafted candles, with their cultural motifs and artisanal quality, serve as ideal mementos for visitors looking to take a piece of Peruvian heritage back home. This intersection of tourism and the candle market creates a symbiotic relationship, driving both cultural exchange and economic growth.

Technology and E-Commerce

The advent of technology has also impacted the Peru Candle Market. Traditional artisans, supported by e-commerce platforms, can now reach a broader audience beyond local markets. Online sales have facilitated the export of Peruvian candles, allowing artisans to connect directly with consumers worldwide. Moreover, technology has played a role in modernizing production processes, contributing to efficiency and quality control.