(This might be a long read, have patience)
If there is anything i’d take from my experience of being blackmailed (Sextortion), it’s too never ever pay! But the irony is that you only learn this afterwards. You realise it’s just a brutal chess game of psychology…the scripts they use are too make you scared for your dignity in the moment & then completely surrender to their demands.
I never heard of this whole scam until after it happened to me, ofcourse you can guess the usual… talked to a girl on instagram casually, ‘she’ (lol) got abit frisky & ofcourse I returned the same energy thinking it was some harmless fun.
Then BOOM a scripted paragraph saying i’ll be exposed, with the 🍆 pics, face pics & my list of followers blah blah blah…
They asked for $ which i payed out of pure compliance (how stupid) then afterwards it was ‘over’, pics allegedly deleted with video proof.
A few weeks later after not responding, lo and behold i’m back too square 1…they still have the pics and trying to put fear into my heart.
Let me tell you this…
NO ONE scares me.
I called his bluff & told him to post it wherever and too whoever, I couldn’t care less!
The realisation i had was: The moment they had the photos, it was all over & they will always hang that over my head if i let them…so the only real straightforward strategy is too give them no hope of squeezing anything out of you. Play boring, broke & dumb.
Yes obviously there is still an element of concern as too what they’ll do with the photos but I’ve accepted that it’s uncontrollable…the mistake has been made.
As much as it’s typical & probably not what you want to hear… in the bigger picture, it means absolutely nothing…even if the whole world seen my 🍆, in 1 month, 6 months, 1 year, 3 years, 5 years, 10 years…no one will care. Plus my life goal is too raise an organic family not involved in the social media world & ofcourse meet a women with those same values. So if the ‘worst’ happens & it’s leaked too all people i know then it doesn’t change my overall goals regardless.
As difficult as it is, just take it on the chin.
Just remember that regardless of who you are and your situation, there’s good people in this world who will help and listen! Your seriously not alone & PLEASE don’t do anything silly like ending your life! It’s not worth it over something like this.
Ofcourse the main thing is preventing your personal family from seeing anything, so for their sake just tell them briefly that a scammer tricked you & has some inappropriate photos of you and tell them too not engage with any accounts they don’t know.
Put all accounts on private & change your account names or better yet create new ones, change any other links like phone numbers or emails…& the most obvious, never ever send your 🍆 too anyone online! Keep it in person lol.
(Bonus points: Get antivirus security software for all your devices, get a vpn service, pay for extra security on your wifi network (from your provider) & block ALL bot accounts you come across)
& you could also pay for a blackmail advisor consultation with a professional but that’s if you have the money to do so.
I’m not trying to say my experience will reflect identically to yours but sharing my experience could give you that extra information you need to make a strategic decision or possibly reassure you.
Good luck & remember in the massive timeline of your life…non of this will matter too you.
You just got to stay mentally resilient & remember they’re just trying to get paid…but there is rare cases of more evil people that will just do it for fun, so like i said…make a strategic plan based on your specific situation.
Understand scammer psychology, understand basic human instinct & you may get an edge to put a lid on the issue.
It’s ashame this exists but it’s happened! Your here! And now you need to adapt to fix it.
(One last point…they could be 1 step ahead and go through reddit to see the advice people give eachother. Not saying it’s true but I wouldn’t leave out the possibility! So be careful with the information and amount of detail you share regarding your experience & strategy.)

Discount is $1 off per every $10. .
Payments via Venmo, Cashapp or Paypal family and friends. All HD except for some 4K at the top, and one SD at the bottom. . . 4K (MA unless noted) $4.25 unless noted
The Abyss $6 Anne (1982) Captain Marvel Clear and Present Danger (iTunes /Vudu) Cool Hand Luke Dumbo (Burton) Ghost in the Shell (anime, iTunes /Vudu) Holiday Inn (1942) Jack Ryan Shadow Recruit (iTunes /Vudu) Jurassic World $4 Lightyear Shazam Fury of the Gods $5 The Sum of All Fears (iTunes /Vudu) The Hitman's Bodyguard (Google/iTunes /Vudu) To Kill a Mockingbird To Sir, With Love (1967) . . MA (HD) $2.50 unless noted 1917 21 Jump Street 47 Ronin A Beautiful Day in the Neighborhood $3 Alien Alien Covenant The Amazing Spider-Man The Amazing Spider-Man 2 American Hustle Atomic Blonde Avengers Endgame $3 Bad Words $3 Battleship Bohemian Rhapsody The Bourne Identity $3 Deadpool Dr. Seuss' The Lorax Dracula Untold Enough Said $4 Epic (Blue Sky, animated) Evil Dead Rise $3 Fifty Shades Freed $2 Fifty Shades of Grey (unrated) $2 Furious 7 extended Fury $3 Guardians of the Galaxy vol. 2 Hail, Caesar! Independence Day Resurgence $3 Jumanji Welcome to the Jungle Jungle Cruise $3.50 Jurassic Park Jurassic World Jurassic World Fallen Kingdom Justice League X RWBY Super Heroes & Huntsmen part 2 $3 Kingsman The Secret Service Life of Pi Logan $3 The Longest Ride $2.50 Looper Lucy Mr. Peabody & Sherman Mulan (live action) Parental Guidance Prometheus Riddick (director's cut) $3.50 Ride Along 2 Secret in Their Eyes Spider-Man No Way Home $4 Spider-Man Homecoming $3 Star Wars The Force Awakens $2 Ted (unrated) The Purge Election Year Thor Ragnarok $3 Trolls Venom $3 X-Men Apocalypse . . iTunes /Vudu (HD) $2.50 unless noted A Quiet Place Chicago $3 Fences G.I. Joe Retaliation Jack Ryan Shadow Recruit Pet Sematary (1989) $3.50 Star Trek Beyond Star Trek Beyond (might be 4K) $3 . . Vudu only (HD) $2.50 unless noted All is Lost $4 Begin Again $3 Escape From Planet Earth (animated) Little House on the Prairie season 2 $4 Standoff (Fishburne) $3 Tucker The Man and his Dream $3.50 Valerian . . Vudu/Google (HD) $2.50 unless noted The Hateful Eight $3 Men (A24) $3.50 Siberia Skyfall $2.50 Wild Card . . iTunes/Vudu/Google (HD) $2.50 unless noted The Cabin in the Woods Hell or High Water $3 The Hunger Games (all four movies) $9 The Hunger Games Mockingay part 1 $3 The Hunger Games Mockingay part 2 $3.50 Mechanic Resurrection $3 Now You See Me The Shack Twilight Breaking Dawn 2 $2 What to Expect When You're Expecting . . iTunes only (HD) $2.50 unless noted Captain America The First Avenger Cowboys & Aliens No Time to Die $3.50 Wall Street Money Never Sleeps . . Movie Spree Ultraman Ultra Q Complete Series $5 Ultraman Neo Ultra Q Complete Series $5 Night of the Living Dead $4 . . SD titles
Fast Five $1

TL;DR Legions have a faulty fan design that will break every six months, so don’t waste your money.
I bought a Legion Pro 7i last May. It worked great for six months. Then the fan started dying: it made chirping noises for a few days, then escalated to blaring like a horrendously loud woodchipper. The fan blades were grinding against the inside of the case. After a week the laptop would no longer stay on for more than a few minutes, so I sent it in for depot repair.
About a month without my laptop later, I got it back and it was fixed; they had replaced the thermal unit.
Now, almost exactly six months later, the same problem happened again. The same symptoms, the same exact noise. At this point it’s clear to me that the fan has a severely flawed design, and it’s totally unsustainable to have to send the laptop in for a month twice a year. While the repairs are free for as long as you have the warranty, it’s unreasonable to pay $2200 for a laptop and then only have it working for 10/12 months per year.
So I contacted Lenovo support and tried to return the defective unit with a refund. Two hours of calling later and there is no progress. The support agents just read their script about how you can send the laptop in for repair again, and clearly the company doesn’t give a crap about the blatant unusability of their products. “No returns after 30 days”—read, Lenovo won’t stand behind the quality of their products for more than a month of use.
So at this point I’m stuck with an overpriced laptop that I can’t even rely on being functional.
I’m not going to be buying Lenovo again. And I recommend that anyone interested in buying a Legion look elsewhere. You will regret buying this product.
FAQ

• The fan is supposed to be loud, that’s not abnormal.

I know what a fan sounds like; I’ve owned high-end computers for nearly a decade. This noise was completely absurdly loud and it killed the fan system within a week. Absolutely not normal.

• Well that sounds unusual; you must have been misusing the laptop or dropped it.

No. The laptop has been almost completely stationary the whole time I’ve used it. I keep it clean of dust and treat it with care. I didn’t even do as much gaming with it as your typical Legion target user, so fan overuse is not the explanation here. It’s just a faulty design.

• Your Legion is a year old, the new models are probably better.

You really going to wager $2200 on that being the case?

• You probably just got unlucky.

Browse this subreddit and you will find tens of people with similar problems.

Paramount: Deal Rumors Aside, What About The Operations? Can The Company Turn A Profit?
May 21, 2024 2:41 PM ET
Summary
Paramount Global remains my worst investment, but I still believe in its potential for success.
Paramount's "lack of scale" is not the reason for its underperformance as it spends about as much on content as industry leader Netflix.
Paramount's loss last year was largely the result of one-off writedowns, both domestically and internationally. These losses will not repeat going forward.
Paramount's streaming operation suffers not from lack of scale, but an abundance of overload waste, which may be alleviated under new management.
The sports slate remains best-in-class, and CBS is still the leader in broadcast scripted. CBS Television City in Los Angeles, Ca, USA. JHVEPhoto/iStock Editorial via Getty Images
Paramount Global (NASDAQ:PARA) (NASDAQ:PARAA) remains my worst investment. Let's just get that clear from the start. I said two years ago it was madness not to buy Paramount. That was wrong, wrong, wrong. The fact that I recommended against buying the new Warner Discovery at the same time, and heeding that warning saved a lot of money, makes me feel a little better, but not much.
And no, the fact that Warren Buffett made the exact same mistake as me doesn't help much, either. Mr. Buffett and I are about to part ways, anyway. He is now completely sold out of Paramount, while I am hanging in. Yes, I am still buying. Get all the ribbing out of your systems, and then read on.
Although a few rounds remain to be played in the game, it is no longer inconceivable that none of the various deal permutations that have been put forward for Paramount will pan out, and that it will continue as an independent company. Essentially, Redstone will block a deal with Apollo Global Management, Inc. (APO) and Sony Group Corporation (SONY) and the 'B' shareholders will litigate a Skydance deal to death.
Because so many Seeking Alpha articles are already offering a blow-by-blow analysis of the deal talks - and I absolutely encourage you to read them - I wanted to turn back for just a minute to a more in-depth look at Paramount's actual operations. If it stays independent, can it turn itself around?
Scale Is Not The Issue I'm angry. Usually, when an investment goes wrong, I can manage to be philosophical or even dispassionate about it. Risks of the trade, can't win 'em all, pick your maxim.
But this one is really getting to me. I'm sure part of that is simply the sheer amount of my portfolio that has suffered - I bet a lot more on Paramount than I did on my typical investment, so sure was I that it had the tools needed for success. Fortunately, some of my other media investments have worked out much, much better, or I'd really be hurting. In fact, my Netflix buy has repaired all the damage my Paramount buy has done.
Still, I'm unusually angry, partly because of the sheer amount lost. But it's also that I still don't believe there is anything wrong with Paramount, at its core. It has become quite commonplace to speak of Paramount's "lack of scale" as the reason for its apparent impending demise, or at least subsumption. But I would still argue that that isn't born out by the numbers. Paramount spent roughly $16 billion on content in 2023, the same total as 2022, when $4 billion of it was spent on streaming. That is only slightly less than Netflix, Inc. (NFLX) which leads the industry in market cap and performance, if not in spending. While the gap with other studio peers is larger, I'm not sure spending at Netflix levels equals a "lack of scale."
What's more, a lot of that extra spending by other traditional industry players like Warner Bros. Discovery, Inc. (WBD) and The Walt Disney Company (DIS) is not spending that investors should necessarily cheer. As I've explained before, Paramount's lower spending total is almost entirely accounted for by its far more profitable approach to sports rights; a lot of that extra spending that Disney and Warner are doing isn't particularly profitable or even sensible.
What then, does account for Paramount's underperformance?
Stock Performance That depends on which underperformance you're talking about. First, the stock price. Paramount cut its dividend in spring 2023. That announcement, with its Q1 earnings, was enough to cause half of the past-year decline in a single day. Paramount went from $21 to $16 with the dividend cut and was still at $16 as late as December.
Since then, the other half of the decline has reflected the increasing evidence that Paramount is more or less ready to throw in the towel, and intends to be a distressed seller to another studio or private equity firm soon. More specifically, it is actually Shari Redstone, who exercises control over Paramount through her 77.3% share of Paramount's Class A voting stock, who is ready to call it quits. The perception that she has no leverage and will be forced to accept a fire sale offer has driven the stock lower.
Operations All that, however, merely explains the stock market decline; what is the operational explanation for Paramount's troubles? The company reported a $600 million loss for full year 2023. How is it that one of the Big Five movie studios, with the most popular of the Big Four broadcast networks, the most popular show on cable (Yellowstone) and the only profitable sports slate in American television, can't make money?
Accounting Element First, we need to acknowledge that there are some accounting factors in that 2023 loss. Paramount took a "programming charge," i.e., a write-down of the value of programming assets, of roughly $2.4 billion in Q1 and Q2 last year. That is money that would ordinarily be amortized over a period of years - it's mostly streaming originals, which Paramount usually amortizes over a 4-year period - that instead saw its red ink taken all at once. Had it been amortized normally, Paramount would have reported an operating profit of roughly $1.2 billion, more or less identical to 2022, instead of reporting an operating loss of the same amount.
Still, that write-down reflects the fact that the content isn't performing well, so those losses were always going to happen, and they're quite real; the accounting change is simply a timing issue. So Paramount is operationally deficient, even if perhaps not quite as operationally deficient as this one-time write-down makes it look. We cannot dismiss Paramount's operational issues by putting them down to accounting distortions.
TV Scripted Content Difficulties Paramount did not break down the programming charge, but outside reports have about half of it owing to the integration of Showtime in Paramount+ as a single service. It's not entirely clear which side of the ledger those losses are coming from; one of the less understood things about merging services is that it potentially makes content on both sides less valuable as it is replaced by more popular content from the other side. Showtime's Q1 2023 viewership was very top-heavy, with just two shows, Yellowjackets and Your Honor constituting 30% of all viewership. Presumably, those two shows reduced the value of some Paramount+ existing content while the rest of Showtime's library may have suffered from competition with P+ content.
Regardless of the exact source, Paramount's content is not performing. That's a little surprising considering that, as I said, CBS content is actually quite popular on the linear side. In fact, in the earnings call following the annual report now-former CEO Bob Bakish reported that CBS had the top 16 scripted programs and 18 of the top 20 in the first week of post-strike broadcasts. Paramount has disclosed in the past that CBS content makes up roughly half of the viewership on Paramount+; and this is despite the fact that P+ isn't even the sole beneficiary of CBS content; roughly $600 million per quarter of Paramount's licensing revenue comes from CBS shows as well.
One possibility that I perhaps did not consider sufficiently was the chance that the unique characteristics of CBS would make it harder for that channel to transition to streaming than its other broadcast peers. CBS is the most popular of all broadcast networks, but that popularity owes disproportionately to more elderly viewers; in the demo, it is actually Comcast Corporation's (CMCSA) NBC which takes the top crown.
With elderly viewers both less appealing to advertisers and less likely to make the transition to streaming, it is perhaps not so surprising that CBS is continuing to perform well on linear but having trouble translating that to streaming.
International Shortfall The damage isn't through yet, either. Paramount disclosed that it took another $1.2 billion impairment charge on content in the first quarter. This one has to do with the international side; a few years ago Paramount commissioned 150 new, original international shows and movies to try to boost international growth. Now, Paramount reveals that even international consumers spend no less than 90% of their time streaming Hollywood content; the local originals aren't doing very much for growth or retention.
About the only good thing that can be said about this complete and utter debacle is that it is a one-off; unlike Paramount's US content spending, which is ongoing and therefore must be made more efficient if Paramount is to survive and thrive, Paramount is gradually exiting International production. In fact, to help cover the losses on its international originals it is selling its share in Viacom18, the network that formerly served as Paramount's onshore operation in India, to its partner Reliance for a little over $500 million.
Where Are The Children? Yet another factor is children's programming. While many have essentially written off Paramount's entire cable channel group, and I agree the prognosis for MTV and Comedy Central is rather grim, I have argued that Nickelodeon remains a real asset, as one of the top two children's channels in linear TV. I believed that would be a powerful subscriber acquisition tool, alongside sports, as the streaming transition continued.
It hasn't worked out. Surveys consistently show the Big 3 for parents with children are Netflix, Disney, and the third is Amazon.com, Inc. (AMZN) of all things. Neither Paramount+ nor Warner Discovery's Max make the cut, despite ownership of top children's linear platforms/libraries Nickelodeon and Looney Tunes, respectively.
The prognosis here isn't entirely grim. Paramount has reported that half of their streaming subscribers touch kids' content regularly, so clearly Nickelodeon does mean something to the subscribers. It's possible it helps with retention, even if it doesn't drive acquisition. Paramount owns the number one brand for pre-school kids, Paw Patrol.
Paramount has shut down the separate Noggin streaming service and will presumably be amplifying the kids content on P+ as a result, so perhaps this trend will yet turn around. With so many other things going wrong, though, the inability to make kids content more central to the strategy is a painful blow.
The Mismanagement Of Streaming I suspect, however, that Paramount's single biggest defect over the past few years has been the competency of its management. In a streaming world, success hinges overwhelmingly on the efficiency with which a content budget is deployed. That efficiency, in turn, requires avoiding the trap of "overload," something cable doesn't have to worry about but which can kill a streaming service.
What Is Overload? In brief, overload is when a streaming service spends money on content that appeals primarily to those subscribers who were already subscribed and intending to remain subscribed, even without that content. Because revenue does not increase with more viewership, such spending is essentially wasted money. I have been arguing for several years that some economic models of streaming profitability fail to take account of this significant element.
Paramount seems to have had a lot of overload in the last few years. Specifically, its single most broadly appealing piece of content is the NFL, which Paramount is an anchor broadcaster for. Because NFL fans are accustomed to spending upwards of $100 a month on cable just to watch the NFL - over 10% of cable subscribers say that the NFL is the only reason they're still subscribing - Paramount's $6-$12 a month fee for streaming really doesn't need anything more than NFL games to attract these 40-50 million fans.
The Earnings Jaw-Dropper And yet, it seems that's where a lot of the extra streaming money has been going. On the Q2 earnings call last year, CEO Bob Bakish, watching the stock price steadily decline, seemed to be eager to reassure he had a handle on the situation and began describing some of the changes he'd be making. It started out well enough, really; he told investors that NFL viewers churn drops dramatically if they also engage with entertainment titles, which is what you'd expect.
But then, he stunned me and I expect just about everyone listening when he said, "we probably need to do less for [the NFL viewer] in the fall, and more outside the fall because we can rely on the NFL." Compounding the almost Looking Glass-feeling, he then went on to reassure everyone he would be "fine-tuning" the content strategy to address that point in the years to come.
It was, frankly, stunning. Both me and I suspect just about every analyst who was modeling Paramount had just assumed it went without saying that of course, any entertainment content targeted at retaining NFL viewers should drop in the other half of the year when the NFL wasn't playing on TV. My own calculations of the profit margin on CBS's NFL deal had always incorporated that.
And while that was bad enough, it also raised the concern that a management team that didn't understand that going in might have put a lot of other overload in other categories as well. Suddenly, it wasn't so hard to see how the best-scripted shop with the most profitable sports contracts was having trouble making money. Double-loading for 50 million households would be a major drag on the financial performance for streaming.
Light At The End Of The Tunnel Despite all of this, I still think there are bright spots in the Paramount picture, even without a merger. Its operations, as well as its merger discussions, don't seem to lack potential.

1: My Usual Paramount Bull Argument: Sports Profits

One thing that continues to go right is sports content. A few years ago, I wrote that Paramount was a strong contender to become a sustainable streaming business because it had the only profitable sports slate in the business. The stock hasn't gone where I wanted it to go, but that is the one part of my thesis that has been definitively borne out. In fact, many now say that it is CBS's sports deals, at least as much as Paramount's film/TV studio, that the prospective buyers of Paramount are after.
I've covered these in other articles already. The March Madness deal runs until 2032 and the NFL deal runs until 2033, although the NFL has an opt out after 2029 that it will probably exercise given the utterly ludicrous bids the NBA is receiving, so the last four years of that deal might have to be chopped off the profit projections. Even so, Paramount can probably generate $1.25 billion a year in profit just off of those two deals for the next six years.
Those are probably the biggest, but it doesn't stop there. Almost every sports deal Paramount has is profitable. For all the flak management has deservedly taken, Paramount continues to show discipline and focus on sports. You won't find Paramount throwing $2.5 billion a year at the NBA's 'B' package, which is more money than the NFL gets for its 'B' package despite having 10x the viewership.
For all its many, many missteps, a Paramount that can just manage to stay afloat long enough for some of these ludicrous sports bets at other companies to blow up may yet find itself with cards to play later in the decade.

2: Recouping Write-downs Via Preferred Conversion

Another small boon has been the official conversion of the preferred shares. The Paramount mandatory convertible formerly trading under the PARAP ticker was capped at 0.85 shares per common share. Given the initial price of the convertible at $100 per share, that effectively means that a preferred share that was carrying a $100 liquidation value has just been converted into 1.1765 shares of a common stock currently trading around $12. A total value per preferred share of around $14.
And they sold for $1 billion, so that's basically $860 million back into the common equity that management was able to get at the peak of the boom. That actually repairs almost all of the red ink from Paramount's doomed international originals push on its own.

3: An End To Streaming Waste

Finally, a lot of the waste in streaming may soon be ending. Bob Bakish was finally fired a few weeks ago, and while I never want someone to lose their job, he frankly had looked overmatched for a while. Bakish was a lifetime cable executive who seemed to be having trouble making the transition to a streaming-world mindset. Frankly, if I knew about it in 2021, the CEO has no business fine-tuning it into the strategy in 2023.
With international originals no longer draining the coffers and overloaded entertainment programming shifted to months of the calendar where it can be more productive, streaming may yet turn the corner.
Investment Summary I recognize fully that each fall in Paramount stock makes my bullish optimism seem ever more out of step. I do believe, however, that Paramount's failures are more failures of execution than lack of scale or structural disadvantage. Paramount CEO Bob Bakish simply wasn't up to the job. Ironically that wasn't what got him fired; Bakish was almost certainly fired for opposing Redstone's plan to enrich herself at the expense of other shareholders, probably the most competent thing he did in the last few years of his whole tenure.
Paramount has everything it needs to be successful; profitable sports contracts, which is just unbelievable in this day and age, a thriving scripted TV operation, and a viable, if recently somewhat mismanaged, streaming service. An end to overload waste, the continued exploitation of its favorable sports slate, throttling back unhelpful international originals and boosting kids content engagement may yet produce a different streaming picture going forward. Should older viewers start to get more comfortable with streaming going forward and following their favorite programs to Paramount+, that would just be icing on the cake.
It's been a depressing ride the last few years, but I'm sticking with Paramount.

I’m already over this season of RHONJ. How much Teresa side vs Melissa side can we handle?! How is Jenn Fessler having one pleasant convo with Teresa the main storyline. Everyone agrees this cast is not sustainable the cast needs a shake up) but there is still so much potential of stories we are not really following:
1) Marge - More about the dynamic with her stepchildren now than Jan has died. We have seen her film with one of them, the other stopped talking after the affair. What is the dynamic now? A divorced grieving stepmother that raised the children at one time storyline is interesting to me.
2) Dolores- Why isn’t Paulie divorced? Is it a Visa thing? There is a story there. Also, the Gabby and Paulies dynamic
3) Melissa - Joe Gorgas ongoing lawsuits that somehow NEVER make the show. We do not need anymore scripted family scenes with Melissa’s sisters
4) Danielle- The brother drama. I am fascinated by the development she stopped talking to the dad over the present return. I need more details. I need the dad and mom (and a reach but the bother) on camera sharing their side. This is the type of petty drama I watch HW for
5) Jennifer A- Check in with her family. She is probably my favorite family scene HW on this franchise, as there is a lot going on. How are her mom and dad? Their relationship? How is her brother and his wife? Her kids? Her and Bills dynamic ?
6) Jackie - a reach but I would love some 4th wall breaking and asking how she feels about the demotion to friend of. Is that the big shift in her friendships with the group? Did Marge, Melissa, and Rachel stop reaching out as much since the demotion? I sense weird energy with that.
7) Teresa- I actually am enjoying her home scenes, not much more I need. Her and Louie are naturally so chaotic just following them a story will appear
8) Jenn Fessler- Similar to Teresa I think the show is doing a good job following her just being herself
9) LESS FUDA SCENES, especially JOHN FUDA scenes
What do you guys think? What do you want to see?

Here's a short list of complaints i have about this otherwise fantastic game.
1) In japanese audio, there's no subtitles for idle chatter or anything not directed at you, in a quest capacity. Even when following a person as part of a quest, they'd turn around and say something but it was not subtitled, so I don't know what!
2) you really can't sequence break for shit. More than once i've been following a trail and ended up at the right spot, but didn't follow the prompts to get there, so it's just empty and there's nothing for me to do. This has also happened when i've cleared a shrine, and had to return to it - so, I'm kinda hitting a 'don't bother free roam exploring' point and just follow direct prompts. Adding to this, I also was listening to a conversation, and on their last line i went too far ahead, and they called for me. When I went backwards, they started the entire conversation over.
3) there's clearly a memory leak or something pc and performance starts to drop after a couple hours and a restart fixes it. Not a big deal, just mild annoyance.
Otherwise, I love the game. And the music, noises, soundtrack etc. are stellar. what a fantastic game.

Offers:

All codes below are split where possible unless noted; please only redeem at the place agreed upon; please let me know if you don’t plan on redeeming the code right away.
Thanks for looking!
Have multiples of some codes.

4k Titles

• Avengers: Endgame, 4k iTunes (ports to MA in 4k)
• Big Hero 6, 4k MA (ports to MA in 4k)
• Captain America: Civil War, 4k iTunes (ports to MA in 4k)
• Cinderella (2015), 4k iTunes (ports to MA in 4k)
• Death on the Nile, 4k MA (ports to MA in 4k)
• Finding Dory, 4k iTunes (ports to MA in 4k)
• Finding Nemo, 4k MA (ports to MA in 4k)
• The Good Dinosaur, 4k iTunes (ports to MA in 4k)
• Hook, 4k MA (ports to MA in 4k) (Comes with Sony Rewards Points)
• Inside Out, 4k iTunes (ports to MA in 4k)
• Interstellar, 4k iTunes or 4k vudu
• Lara Croft: Tomb Raider (2001), 4k iTunes or 4k vudu
• The Last Witch Hunter, 4k iTunes or 4k vudu
• Maleficent, 4k iTunes (ports to MA in 4k)
• Maleficent: Mistress of Evil, 4k iTunes (ports to MA in 4k)
• Pitch Perfect, 4k iTunes (ports to MA in 4k) (Comes with 500 Universal Rewards Points)
• Ralph Breaks the Internet, 4k iTunes (ports to MA in 4k)
• Snitch, 4k iTunes
• Toy Story 4, 4k iTunes (ports to MA in 4k)
• Wonder (2017), 4k iTunes
• Wonder Park, 4k iTunes

8 Film High On Your Watch List Collection (1 Code for all 8 Movies, Redeemable via Movies Anywhere)

• Due Date, HD
• Friday, HD
• ⁠Harold & Kumar Go to White Castle, HD
• House Party, HD
• ⁠Inherent Vice, HD
• ⁠Project X, HD
• ⁠Tenacious D in The Pick of Destiny, HD
• ⁠We're the Millers, HD

May Universal Rewards Code

Good for one of the following movies, redeemable via Movies Anywhere.

• Backdraft 2, 4k
• Black Christmas, 4k
• A Dog's Purpose, 4k
• The Sparks Brothers, 4k
• Agnes Browne, HD
• Antz, HD
• Being Frank, HD
• Don't Let Go, HD
• Final Account, HD
• Kicks, HD
• Loving, HD
• Raw, HD

HD MA or iTunes Disney Movie Codes

• Atlantis: Milo's Return, HD MA (ports to MA)
• Brother Bear, HD MA (ports to MA)
• Brother Bear 2, HD MA (ports to MA)
• The Fox and the Hound 2, HD MA (ports to MA)
• Hocus Pocus, HD MA (ports to MA)
• The Little Mermaid (1989), HD MA (ports to MA)
• The Lone Ranger, HD iTunes (ports to MA)
• Mary Poppins (1964), HD iTunes (ports to MA)
• Mulan (1998), HD MA (ports to MA)
• The Nightmare Before Christmas, HD MA (ports to MA)
• Oz the Great and Powerful, HD MA (ports to MA)
• Queen of Katwe, HD MA (ports to MA)
• Turning Red, HD MA (ports to MA)

HD MA, vudu, or iTunes Movie Codes

• Assassination Nation, HD MA (ports to MA)
• Boyhood, HD vudu
• Boyhood, HD iTunes
• Chicago (Diamond Edition), HD iTunes or HD vudu
• Danny Collins, HD iTunes (ports to MA) (Comes with 500 Universal Rewards Points)
• The Expendables 2, HD vudu
• Florence Foster Jenkins, HD iTunes
• The Gunman, HD iTunes (ports to MA) (Comes with 500 Universal Rewards Points)
• Home Again, HD MA (ports to MA)
• The Hunger Games, HD vudu
• I Feel Pretty, HD iTunes
• Ice Age: A Mammoth Christmas, HD MA (ports to MA)
• Indivisible, HD MA (Canada only)
• Megan Leavey, HD iTunes (ports to MA) (Comes with 500 Universal Rewards Points)
• The Nut Job 2: Nutty by Nature, HD iTunes (ports to MA) (Comes with 500 Universal Rewards Points)
• Paranormal Activity 3, HD vudu
• Paranormal Activity 3, HD iTunes
• The Purge, HD MA (ports to MA)
• Rio 2, HD MA (ports to MA)
• Same Kind of Different As Me, HD iTunes
• Selma, HD vudu
• Selma, HD iTunes
• Sinister, HD iTunes
• Snitch, HD vudu
• Super 8, HD vudu
• Tremors 5: Bloodlines, HD MA (ports to MA)
• The Twilight Saga: Breaking Dawn Part 2, HD vudu
• Tyler Perry's Madea's Witness Protection, HD vudu
• Wonder Park, HD vudu

HD Disney/Marvel/Star Wars Google Play Movie Codes (All Port to Movies Anywhere)

• Aladdin (2019), HD gp (ports to MA)
• Avengers: Endgame, HD gp (ports to MA)
• Beauty and the Beast (2017), HD gp (ports to MA)
• Big Hero 6, HD gp (ports to MA)
• Black Panther, HD gp (ports to MA)
• The Call of the Wild, HD gp (ports to MA)
• Captain America: The Winter Soldier, HD gp (ports to MA)
• Captain America: Civil War, HD gp (ports to MA)
• Cinderella (2015), HD gp (ports to MA)
• Coco, HD gp (ports to MA)
• Doctor Strange, HD gp (ports to MA)
• Finding Dory, HD gp (ports to MA)
• Frozen, HD gp (ports to MA)
• Frozen (Sing-Along Edition), HD gp (ports to MA)
• The Good Dinosaur, HD gp (ports to MA)
• Guardians of the Galaxy, HD gp (ports to MA)
• Incredibles 2, HD gp (ports to MA)
• Inside Out, HD gp (ports to MA)
• The Lion King (2019), HD gp (ports to MA)
• The Little Mermaid (Animated), HD gp (ports to MA)
• Maleficent, HD gp (ports to MA)
• Mary Poppins (1964), HD gp (ports to MA)
• Moana, HD gp (ports to MA)
• Monsters University, HD gp (ports to MA)
• The Nightmare Before Christmas, HD gp (ports to MA), HD gp (ports to MA)
• Star Wars: The Force Awakens, HD gp (ports to MA)
• Star Wars: The Last Jedi, HD gp (ports to MA)
• Star Wars: The Rise of Skywalker, HD gp (ports to MA)
• Thor: The Dark World, HD gp (ports to MA), HD gp (ports to MA)
• Thor: Ragnarok, HD gp (ports to MA)
• Toy Story 4, HD gp (ports to MA)
• Zootopia, HD gp (ports to MA)

SD Movie Codes

• The Divergent Series: Allegiant, SD vudu
• Hugo, SD vudu
• Rio, SD iTunes (ports to MA)

Requests:

Your lists and offers!

The Big List

Prices are firm. Please only redeem the portion of a code you are paying for. All codes are for immediate redemption. All Disney & Sony codes include points unless otherwise noted. As of 4/01/2024 all Google Play options have been removed from Disney codes.
I accept Cashapp, Venmo, Zelle & PayPal F&F without any notes. Comment & pm if interested. Thanks!

🦝

MISC

X-Men Trilogy HD [X-Men, X2 & The Last Stand] $8 (MA)

🦝

$5 4K UHD

John Wick 1-3 (iTunes)

🦝

$4 4K UHD

Big Lebowski, The (iTunes/ports)
Black Panther (MA + 200 points)
Captain Marvel (MA + 200 points)
Despicable Me [2010] (iTunes/ports)
Expendables 4 (Vudu or iTunes)
Frozen 2 [2019] (MA + 200 points)
Gone Girl [2014] (iTunes/ports)
Guardians Of The Galaxy [2014] (MA + 200 points)
Halloween [2018] (MA)
Jungleland [2020] (iTunes)
Maleficent: Mistress Of Evil (MA + 200 points)
Scream [2022] (Vudu or iTunes)
Tangled [2010] (iTunes/ports + 150 points)
Titanic [1997] (iTunes)

🦝

$5 HD

Adventures Of Ichabod & Mr. Toad, The [1949] (MA + 150 points)
Banshee season 2 (iTunes)
Fear The Walking Dead season 2 (Vudu)
Fear The Walking Dead season 4 (Vudu)
Fear The Walking Dead season 5 (Vudu)
Fear The Walking Dead season 6 (Vudu)
Fear The Walking Dead season 7 (Vudu) or all 5 for $20
Five Nights At Freddy's [2023] (MA)
Groundhog Day [1993] + Stripes [1981] double feature (MA)
Hunchback Of Notre Dame, The [1996] (MA + 150 points)
Hunchback Of Notre Dame 2, The [2002] (MA + 150 points)
Lady & The Tramp II: Scamps Adventure [2001] (MA + 150 points)
Rob Zombie Trilogy [House Of 1,000 Corpses, The Devil's Rejects [Unrated] & 3 From Hell [Unrated] (MA)
Silent Night, Deadly Night 3,4 & 5 (Vudu)
Veep season 5 (iTunes)
Veep season 6 (iTunes)

🦝

$4 HD

300 Spartans, The (MA)
BFG, The [2016] (MA + 150 points)
Color Purple, The [2023] (MA)
Fox & The Hound 2, The [2006] (MA + 150 points)

🦝

$3️⃣ Movies

$3 4K UHD

Angel Has Fallen (Vudu or iTunes)
Baywatch (Vudu)
Bourne Identity, The [2002] (iTunes/ports)
Cabin In The Woods, The (Vudu)
Doctor Strange (iTunes/ports + 150 points)
Dredd (Vudu)
Frozen 2 [2019] (iTunes/ports + 150 points)
Guardians Of The Galaxy [2014] (iTunes/ports + 150 points)
Logan Lucky [2017] (iTunes/ports)
mother! [2017] (iTunes)
Prometheus [2012] (iTunes/ports)
Robin Hood [2018] (Vudu)
Sicario (Vudu)
Spy Who Dumped Me, The (Vudu or iTunes)
Top Gun (iTunes)

🦝

$3 HD

Avatar: The Way Of Water (MA + 150 points)
Baby Driver [2017] (MA + Sony points)
Bloodshot [2020] (MA + Sony points)
Bridge Of Spies [2015] (MA + 150 points)
Call Me By Your Name (MA + Sony points)
Candyman: Day Of The Dead (Vudu or Google Play)
Cats & Dogs 3: Paws Unite (MA)
Disneynature: Bears [2014] (MA + 150 points)
Divergent Series Trilogy, The [Divergent, Insurgent & Allegiant] (Vudu or Google Play)
Fruitvale Station (Vudu)
Glass [2019] (MA)
Goosebumps [2018] (MA + Sony points)
Grand Budapest Hotel, The (MA or Google Play/ports)
Grown Ups 2 (MA + Sony points)
Hocus Pocus (MA + 150 points/no iTunes option)
Hundred Foot Journey, The [2014] (MA + 150 points)
Into The Woods [2014] (MA + 150 points)
Kill Bill: Vol. 1 (Vudu)
Killing Gunther (Vudu)
Lion King, The [1994] (MA + 150 points)
Little House On The Prairie season 5 (Vudu)
Midsommar [A24] (Vudu or Google Play)
Mindcage (Vudu or iTunes)
Money Monster [2016] (MA + Sony points)
Nurse Jackie season 7 (Vudu)
Orange Is The New Black season 1 (Vudu)
Percy Jackson: Sea of Monsters (iTunes/ports)
Pete's Dragon [2016] (MA + 150 points)
Planes: Fire & Rescue [2014] (MA + 150 points)
Pride + Prejudice + Zombies [2016] (MA + Sony points)
Public Enemies [2009] (MA)
Punisher, The [2004] (Vudu or Google Play)
Queen Of Katwe [2016] (MA + 150 points)
Robin Hood [1973] (MA + 150 points)
Scoob! [2020] (MA)
Secret Life Of Pets 2, The [2019] (MA)
Snow White & The Seven Dwarfs [1937] (MA + 150 points)
Spider-Man: Into The Spiderverse (MA + Sony points)
Secret: Dare To Dream, The (Vudu, iTunes or Google Play)
Super Mario Bros. Movie, The [2023] (MA)
Tyler Perry's Madea Goes To Jail (Vudu or Google Play)
Us [2019] (MA)
Vanishing, The [2019] (Vudu or Google Play)
Venture Bros: Radiant Is The Blood Of The Baboon Heart [2023] (MA)
Walking Dead season 9, The (Vudu or Google Play)
Walking Dead season 10, The (Vudu or Google Play)
Way Way Back, The [2013] (MA or Google Play/ports)
Whiplash [2014] (MA + Sony points)

🦝

$2 CODES

💲2 HD

13 Hours: The Secret Soldiers Of Benghazi (iTunes 4K)
31 [2016] (Vudu)
3 From Hell [Unrated] (Vudu 4K or iTunes 4K)
About Last Night [2014] (MA + Sony points)
Abraham Lincoln: Vampire Hunter (MA)
Action Point [2018] (Vudu)
Admission [2013] (iTunes/ports)
Adventures Of Tintin, The (Vudu or iTunes)
After Earth [2013] (MA + Sony points)
Age Of Adaline, The (Vudu, iTunes or Google Play)
Alien Covenant (iTunes/ports 4K or HD MA/GP)
Allied [2016] (iTunes 4K)
Aloha [2015] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Alpha & Omega 2: A Howl-lday Adventure (Vudu)
Alvin & The Chipmunks: The Road Chip (iTunes/ports 4K or HD MA)
American Girl: Isabelle Dances Into The Spotlight (MA)
American Hustle [2013] (MA + Sony points)
American Reunion [Unrated] (MA or iTunes/ports)
Anchorman 2: The Legend Continues (Vudu or iTunes)
Annie [2014] (MA + Sony points)
Arrival [2016] (Vudu)
Assassin's Creed (iTunes/ports 4K or HD MA)
Atomic Blonde (MA)
Avengers: Infinity War (MA + 150 points/no iTunes option)
Battleship [2012] (iTunes/ports 4K)
Baywatch (iTunes 4K)
Beauty & The Beast [2017] (MA + 150 points/iTunes option is expired)
Beirut [2018] (MA)
Ben-Hur [2016] (Vudu)
Best Man Holiday, The [2013] (MA or iTunes/ports)
Blackhat [2015] (iTunes/ports)
Bohemian Rhapsody (MA or Google Play/ports)
Book Club [2018] (iTunes 4K)
Boss Baby, The [2017] (MA)
Bourne Legacy, The (iTunes/ports 4K)
Boy, The [2016] (MA or iTunes/ports)
Boyhood [2014] (iTunes)
Boy Next Door, The [2015] (iTunes/ports)
Breakthrough [2019] (MA or Google Play/ports)
Bridesmaids [Theatrical] (iTunes/ports)
Broken City [2013] (MA)
Bumblebee (Vudu)
Cabin In The Woods, The (Vudu/GP HD or iTunes 4K)
Captain America: Civil War (MA only/no points or iTunes option)
Captain Phillips [2013] (MA + Sony points)
Captain Underpants: The First Epic Movie (MA)
Case For Christ, The [2017] (MA)
Choice, The [2016] (Vudu or iTunes)
Company Of Heroes [2013] (MA)
Contraband (iTunes/ports)
Curse Of Chucky [2013] [Unrated] (MA or iTunes/ports)
Daddy's Home (iTunes 4K)
Dark Tower, The [2017] (MA + Sony points)
Dead Again In Tombstone [2017] (MA)
Dead In Tombstone [Unrated] (MA or iTunes/ports)
Dead Man Down [2013] (MA)
Deepwater Horizon (iTunes 4K)
Despicable Me 2 (iTunes/ports 4K)
Devil's Due [2014] (MA or Google Play/ports)
Diary Of A Wimpy Kid: Dog Days (MA, iTunes or Google Play/ports)
Django Unchained (Vudu)
Downton Abbey [2019] (MA)
Dracula Untold (iTunes/ports 4K)
Dragonheart 3: The Sorcerer's Curse (iTunes/ports)
Dredd [2012] (Vudu)
Dr. Seuss’ How The Grinch Stole Christmas [2000] (MA)
Duff, The (iTunes or Google Play)
Emoji Movie, The [2017] (MA + Sony points)
Ender's Game (iTunes 4K or Vudu/GP HD)
Epic [2013] (MA)
Equalizer, The [2014] (MA + Sony points)
Equalizer 2, The (MA + Sony points)
Escape From Planet Earth (Vudu)
Ex Machina (Vudu)
Exodus: Gods & Kings (iTunes/ports 4K or HD MA)
Fate Of The Furious [F8] [Theatrical] (MA 4K)
Fences [2016] (iTunes 4K or Vudu HD)
Fifty Shades Darker [2017] [Unrated] (MA 4K)
Fifty Shades Of Grey (iTunes/ports 4K)
Finding Dory (iTunes/ports 4K or HD MA + 150 points)
Flight [2012] (Vudu or iTunes)
Fortress [2021] (Vudu or Google Play)
Frozen [2013] (iTunes/ports 4K+ 150 points)
Fury [2014] (MA + Sony points)
Get Out [2017] (MA)
Ghost Team One [2013] (Vudu or iTunes)
Gifted [2017] (MA or Google Play/ports, iTunes option is expired)
God Bless The Broken Road (Vudu or Google Play)
Gods Not Dead 2 [2016] (MA or iTunes/ports)
Gods Of Egypt (Vudu/GP HD or iTunes 4K)
Grey, The [2012] (MA or iTunes/ports)
Guardians Of The Galaxy Vol.2 (MA + 150 points/no iTunes option)
Guilt Trip, The [2012] (Vudu)
Hacksaw Ridge (Vudu or Google Play/iTunes option expired)
Hail, Caesar [2016] (MA or iTunes/ports)
Halloween [2018] (MA)
Hansel & Gretel: Witch Hunters [Unrated] (iTunes)
Hateful Eight, The (Vudu or Google Play)
Heat, The [2013] [Theatrical] (MA or Google Play/ports)
Hell Or High Water (Vudu or Google Play)
Hercules [2014] (iTunes 4K or Vudu HD)
Hitman's Bodyguard, The (Vudu or Google Play/iTunes option is expired)
Home [2015] [DreamWorks] (MA)
Homefront [2013] (iTunes/ports)
Honey 2 [2011] (MA)
How To Train Your Dragon 2 (MA)
Hunger Games: Mockingjay Part 1, The (iTunes 4K or Google Play HD)
Hunger Games: Mockingjay Part 2, The (Vudu)
Instant Family (iTunes 4K)
Internship, The [2013] (MA or Google Play/ports)
Interstellar (Vudu or Google Play)
Invisible Man, The [1933] (MA)
It Follows [2015] (Vudu)
Jackass 3 [Theatrical] (Vudu or iTunes)
Jack Reacher (Vudu)
Jack Reacher: Never Go Back (Vudu)
Jack Ryan: Shadow Recruit (iTunes 4K)
Jason Bourne [2016] (iTunes/ports 4K)
John Henry [2020] (Vudu)
John Wick (iTunes 4K)
John Wick 1 & 2 (Vudu or Google Play)
John Wick: Chapter 2 (iTunes 4K)
John Wick Chapter 3: Parabellum (iTunes 4K) or all 3 for $5
Joy [2015] (iTunes/ports 4K or HD MA)
Jumanji: Welcome To The Jungle (MA + Sony points)
Jurassic World (iTunes/ports 4K)
Jurassic World: Fallen Kingdom (MA)
Justice [2017] (MA or iTunes/ports)
Kick-Ass 2 [2013] (MA)
Kidnap [2017] (iTunes/ports)
Killer Elite (iTunes/ports)
Kingsman: The Secret Service (iTunes/ports 4K or HD MA)
Last Knights [2015] (Vudu)
Last Vegas [2013] (MA + Sony points)
Last Witch Hunter, The [2015] (iTunes 4K or Google Play)
Let's Be Cops [2014] (iTunes/ports 4K)
Life Of Pi (iTunes/ports 4K)
Lockout [2012] [Unrated] (MA + Sony points)
Lone Survivor [2013] (iTunes/ports 4K)
Longest Ride, The (iTunes/ports 4K or HD MA)
Lorax, The [2012] (MA or iTunes/ports)
Love, Simon [2018] (MA)
Lucy [2014] (iTunes/ports 4K)
Maleficent (iTunes/ports 4K + 150 points)
Mamma Mia! Here We Go Again [2018] (MA)
Marauders (Vudu)
Martian, The [2015] [Theatrical] (iTunes/ports 4K)
Mary Poppins [1964] (MA + 150 points)
Maze Runner, The [2014] (iTunes/ports 4K or HD MA)
Mechanic: Resurrection (Vudu/GP HD or iTunes 4K)
Men In Black 3 (MA + Sony points)
MI-5 [2015] (Vudu)
Mindgamers [2017] (MA)
Miracles From Heaven (MA + Sony points)
Mission Impossible: Fallout (iTunes 4K)
Miss Peregrine's Home For Peculiar Children (iTunes/ports 4K or HD MA)
Monuments Men, The [2014] (MA + Sony points)
Mortal Instruments: The City Of Bones, The [2014] (MA + Sony points)
Mother's Day [2016] (MA)
Murder On The Orient Express [2017] (MA or Google Play/ports)
My Big Fat Greek Wedding 2 (iTunes/ports)
Neighbors [2014] (iTunes/ports)
Night At The Museum: Secret Of The Tomb (iTunes/ports 4K or HD MA)
Noah [2014] (Vudu)
Non-Stop [2014] (MA or iTunes/ports)
Norm Of The North (Vudu or iTunes)
Now You See Me 2 (iTunes 4K)
Nut Job, The [2014] (MA or iTunes/ports)
Oblivion [2013] (iTunes/ports 4K)
Ouija [2014] (MA)
Overlord [2018] (Vudu)
Oz: The Great & Powerful (MA + 100 points)
Paddington (Vudu)
Paranormal Activity [2009] [Theatrical] (iTunes)
Paranormal Activity 2 [Unrated Director's Cut] (Vudu or iTunes)
Paranormal Activity 3 [Extended] (Vudu or iTunes)
Paranormal Activity 4 [Unrated] (iTunes)
Paranormal Activity: The Marked Ones [Theatrical] (iTunes)
Passengers [2016] (MA + Sony points)
Percy Jackson: Sea Of Monsters (MA or Google Play/ports)
Pet Sematary [2019] (iTunes 4K or Vudu HD)
Pitch Perfect (iTunes/ports 4K)
Predator, The [2018] (MA or Google Play/ports)
Prometheus (MA or Google Play/ports, no iTunes option)
Proud Mary [2018] (MA)
Quiet Place, A [2018] (iTunes 4K)
Ralph Breaks The Internet (MA + 150 points/no iTunes option)
Red Dawn [2012] (Vudu or Google Play)
Redemption [2013] (Vudu)
Replicas [2019] (iTunes 4K or Vudu/GP HD)
Riddick [Unrated] (MA)
Rings [2017] (Vudu)
R.I.P.D. Rest In Peace Department (iTunes/ports 4K)
Rise Of The Guardians [2011] (MA)
Risen [2016] (MA + Sony points)
Robin Hood [2018] (iTunes 4K or Vudu/GP HD)
Rock Dog (iTunes)
Rogue One: A Star Wars Story (iTunes/ports 4K + 150 points)
Roman J. Israel, Esq [2017] (MA + Sony points)
Rush [2013] (MA) PENDING
Saban's Power Rangers (iTunes 4K or Vudu/GP HD)
Savages [2012] [Theatrical] (iTunes/ports)
Scorpion King 3: Battle For Redemption (iTunes/ports)
Secret Life Of Pets, The (MA 4K or iTunes/ports 4K)
Seventh Son [2015] (iTunes/ports)
Sex Tape [2014] (MA + Sony points)
Show Dogs [2018] (MA)
Silver Linings Playbook (Vudu or Google Play)
Sing [2016] (iTunes/ports 4K)
Sinister (Vudu, iTunes or Google Play)
Sisters [2015] [Unrated] (MA or iTunes/ports)
Skyscraper [2018] (MA)
Sparkle [2012] (MA)
Spider-Man: Homecoming [2017] (MA + Sony points)
Spider-Man: No Way Home [2021] (MA + Sony points)
Split [2017] (MA)
Spy [2015] [Unrated] (MA, iTunes or Google Play/ports)
Star Trek [2009] (iTunes 4K)
Star Wars: The Force Awakens (iTunes/ports 4K or HD MA + 150 points)
Step Up All In [2014] (Vudu)
Step Up Revolution (Vudu or Google Play)
Straight Outta Compton [Unrated] (iTunes/ports 4K)
Super 8 (Vudu)
Super Buddies (MA without points)
Teenage Mutant Ninja Turtles [2014] (iTunes 4K or Vudu HD)
Terminator: Genisys (iTunes 4K)
Top Gun (Vudu)
Total Recall [2012] [Theatrical & Director's Cut] (MA + Sony points)
Tower Heist [Theatrical] (iTunes/ports)
Tremors: A Cold Day In Hell (MA)
True Blood season 4 (iTunes)
True Grit [2010] (Vudu or iTunes)
Tyler Perry's A Madea Family Funeral (Vudu, iTunes or Google Play)
Twilight: Breaking Dawn Part 1 (iTunes 4K)
Underworld: Blood Wars (MA + Sony points)
Vendetta [2016] (Vudu)
Venom [2018] (MA + Sony points)
Walk Among The Tombstones, A (iTunes/ports)
Walking With Dinosaurs: The Movie (MA, iTunes or Google Play/ports)
War Room [2015] (MA + Sony points)
Why Him? [2016] (iTunes/ports 4K or HD MA)
Wolf Of Wall Street, The (Vudu)
Woman In Black, The [2012] (MA)
Wonder [2017] (Vudu/GP HD or iTunes 4K)
Wonder Park [2019] (iTunes 4K or Vudu HD)
Woodlawn [2015] (MA or iTunes/ports)
X-Men: Apocalypse (iTunes/ports 4K or HD MA)
Your Highness [2011] [Unrated] (iTunes/ports)
Zootopia (MA without points)

🦝

💲2 SD

127 Hours (iTunes/ports)
12 Rounds [2009] [Extreme Cut] (iTunes/ports)
Aliens In The Attic (iTunes/ports)
Amelia (iTunes/ports)
Beasts Of The Southern Wild (iTunes/ports)
Black Swan (iTunes/ports)
Date Night [Unrated Extended Edition] (iTunes/ports)
Dr. Seuss’ Horton Hears A Who! (ITunes/ports)
Jumper [2008] (iTunes/ports)
Percy Jackson double feature [Lightning Thief & Sea of Monsters] (MA)
Ramona & Beezus (iTunes/ports)
Street Kings (iTunes/ports)
Three Stooges: The Movie, The [2012] (iTunes/ports)

🦝

$1 Codes

$1 HD

Alex Cross (Vudu)
Bad Grandpa [Theatrical] (Vudu or iTunes)
Bad Moms (iTunes/ports)
Battleship [2012] (MA)
Big Hero 6 (Google Play/ports)
Book Club (Vudu)
Bourne Legacy, The (MA)
Bring It On: Worldwide Cheersmack [2017] (iTunes/ports)
Deadpool (iTunes/ports 4K or HD MA/GP)
Despicable Me 3 (MA)
Divergent (iTunes 4K or Vudu/GP HD)
Divergent Series: Insurgent, The (iTunes 4K or Vudu/GP HD)
Duff, The [2015] (Vudu)
Everest [2015] (MA)
Expendables 2, The (iTunes 4K or Vudu/GP HD)
Expendables 3, The [Theatrical] (iTunes 4K or Google Play HD)
Fast & Furious 6, The [Extended] (iTunes/ports 4K)
Fast & The Furious, The [2001] (MA)
Fast & The Furious: Tokyo Drift, The (MA)
Fast Five [Extended] (MA)
Fate Of The Furious, The [8] [Theatrical or Extended] (MA)
Frozen: Sing Along Edition (MA without points)
Furious 7 [Extended] (iTunes/ports 4K)
Ghost In The Shell [2017] (Vudu)
G.I. Joe: Retaliation (Vudu)
Girls Trip [2017] (MA)
Hillsong: Let Hope Rise [2016] (MA or iTunes/ports)
Hunger Games, The [2012] (iTunes 4K)
Hunger Games: Mockingjay Part 1, The (Vudu)
Huntsman: Winter's War, The [2016] [Extended] (MA)
Identity Thief [2013] [Theatrical] (iTunes/ports)
I, Frankenstein (Vudu, iTunes or Google Play)
Jack Ryan: Shadow Recruit (Vudu)
Jason Bourne (MA)
Leprechaun: Origins (Vudu)
Les Misérables [2012] (MA)
Minions [2015] (MA)
Mission Impossible: Fallout (Vudu)
Mission Impossible: Ghost Protocol (Vudu)
Mission Impossible: Rogue Nation (Vudu) or both for $2.50
Mummy, The [2017] (MA)
Mummy: Tomb Of The Dragon Emperor (MA)
Now You See Me [Extended] (iTunes)
Oblivion [2013] (MA)
Parental Guidance [2012] (MA)
Perks Of Being A Wallflower, The (Vudu or Google Play)
Pitch Perfect (MA)
Quiet Place, A (Vudu)
Ride Along 2 (MA)
RIPD Rest In Peace Department (MA)
Safe [2012] (Vudu or Google Play)
Secret Life Of Pets, The (MA)
Selma (iTunes)
Shack, The [2017] (iTunes)
Skyfall (Vudu or Google Play)
Snitch (iTunes 4K or Vudu/Google Play HD)
Star Trek: Beyond (Vudu)
Ted [Unrated] (MA) or [Theatrical] (iTunes/ports)
Terminator: Genisys (Vudu)
Transformers: Age Of Extinction (iTunes 4K)
Transformers: Dark Of The Moon (Vudu)
Trolls [2017] (MA)
Twilight: Breaking Dawn Part 2 (iTunes 4K)
Tyler Perry's Madea's Witness Protection (iTunes)
Tyler Perry's Temptation: Confessions Of A Marriage Counselor (Vudu or Google Play)
Unbroken [2014] (MA)
Warm Bodies (Vudu)
What To Expect When You're Expecting (iTunes)
World War Z (Vudu)
Zootopia (Google Play/ports)

🦝

💲1 SD

21 Jump Street (MA + Sony points)
Act Of Valor (iTunes)
After Earth [2013] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Amazing Spider-Man 2, The [2014] (MA + Sony points)
American Hustle [2013] (MA + Sony points)
Bad Boys For Life [2020] (MA + Sony points)
Big Mommas Like Father, Like Son (iTunes/ports)
Captain Phillips (MA + Sony points)
Charlie's Angels [2019] (MA + Sony points)
Concussion [2015] (MA + Sony points)
Dirty 30 (Vudu)
Dog's Way Home, A [2019] (MA + Sony points)
Evil Dead [2013] (MA + Sony points)
Forbidden Kingdom, The (iTunes)
Glee: The Concert (iTunes/ports)
Goosebumps 2 [2018] (MA + Sony points)
Grown Ups 2 (MA + Sony points)
Hangover, The [2009] [Theatrical] (iTunes/ports)
Haywire (iTunes)
Heat, The [2013] (iTunes/ports SD)
Here Comes The Boom [2012] (MA + Sony points)
Hotel Transylvania 3 (MA + Sony points)
Ice Age: Dawn Of The Dinosaurs (iTunes/ports)
Immortals [2011] (iTunes)
Insidious: Chapter 3 (MA + Sony points)
Insidious: The Last Key (MA + Sony points)
Insidious: The Red Door [2023] (MA + Sony points)
Journey To Bethlehem [2023] (MA + Sony points)
Jumanji: The Next Level (MA + Sony points)
Knight & Day (iTunes/ports)
Men In Black III [2012] (MA + Sony points)
Mirror Mirror [2012] (iTunes)
Mortal Instruments: The City Of Bones (MA + Sony points)
Night At The Museum: Battle Of The Smithsonian (iTunes/ports)
Once Upon A Time In Hollywood [2019] (MA + Sony points)
Overcomer [2019] (MA + Sony points)
Parker [2013] (MA + Sony points)
Percy Jackson & The Olympians: The Lightning Thief (iTunes/ports)
Perfect Guy, The [2015] (MA + Sony points)
Perks Of Being A Wallflower, The (iTunes SD only)
Peter Rabbit [2018] (MA + Sony points)
Predators [2010] (iTunes/ports)
Public Enemies [2009] (iTunes/ports)
Rise Of The Planet Of The Apes (iTunes/ports)
Robin Hood [2010] [Unrated] (iTunes/ports)
Safe Haven (iTunes)
Scoob [2020] (MA)
Shallows, The [2016] (MA + 150 points)
Sparkle [2012] (MA)
Spider-Man: Far From Home [2019] (MA + Sony points)
Spider-Man: Into The Spiderverse (MA + Sony points)
Spider-Man: No Way Home [2021] (MA + Sony points)
Star, The [2017] (MA + Sony points)
Taken [2009] [Extended Cut] (iTunes/ports)
Thousand Words, A [2012] (Vudu)
Twilight: Breaking Dawn Part 1 (Vudu SD only or iTunes SD only)
Tyler Perry's Madea's Tough Love (Vudu)
Underworld: Awakening (MA + Sony points)
Venom: Let There Be Carnage (MA + Sony points)
Vow, The [2012] (MA + Sony points)
Zombieland: Double Tap (MA + Sony points)

🦝

Super Cheap SD & HD Codes

All movies are 3 for $1 each/must spend at least $1 on total order.
Cabin In The Woods, The (Vudu SD only)
Croods, The (iTunes/ports SD)
Diary Of A Wimpy Kid: Dog Days (iTunes/ports SD)
Expendables 2, The (Vudu SD only or iTunes SD only)
Expendables 3, The [Unrated] (iTunes HD only)
Fast Five [Extended] (iTunes/ports HD)
Hunger Games, The (Vudu SD or iTunes SD only)
Hunger Games: Catching Fire, The (Vudu HD only)
John Wick 3 (Google Play HD only)
Jurassic World (MA ports HD)
Life Of Pi (iTunes/ports SD)
Mechanic: Resurrection (Vudu SD only)
Now You See Me 2 (Vudu SD only)
Star Trek: Into Darkness (Vudu HD only)
Star Wars: The Force Awakens (Google Play/ports HD)
Transformers: Age Of Extinction (Vudu HD only)
Twilight: Breaking Dawn Part 1 (Vudu SD only)
Twilight: Breaking Dawn Part 2 (Vudu SD only)

"You should go to Hallett. We went last year and it was fun. A good track for Miata's"
My friend Gerry the Texan who along with his team brings several Miata's to races all over from Road America to Houston to Seibring. It's a great bunch of people who are having a blast racing Lemons. He told me that and it got me to thinking. We wanted to go to a new track this year and after the disappointment at Barber going somewhere and having some fun sounded good. Also Hallett is noted for having a smaller field so we could be competitive. I always say that Barber is more like a pro level Lemons race in that it attracts the faster and better prepped teams. Road America was like that too.
But first we have to fix the car. As typical, we wait until the race is almost upon us to start. There's the matter of how bad the car is bent from the last race where Manny hit the wall. They thought it was good but we need to check this.
After pulling the rear sub frame in hopes of replacing it we learn that a 90 is a bit different than a 91 subframe or a 2001 subframe. Supposedly it all interchanges but after looking over the differences, Youngest adds a few reinforcements at places the internet gurus say are the weak points and we put the rear end together and put it back in the car. Then we check the alignment. To my great surprise the rear camber and caster is spot on. I was shocked, but the crew did a great job that night fixing the car while it was up on jack stands. Using just a tape measure they got the car really close. Toe was out but the borrowed porta powers got the bent subframe where it needed to be.
We changed the oil and brake fluid, bled the system where we took the rear apart to drop the subframe.
Another project we attempted was to swap in a larger fuel tank. Manny who has been helping with the repairs found a article on the internet that said you could bolt in a NB fuel tank out of a 2001 or so Miata and gain a gallon of fuel capacity. Yeah, that is not possible. The tank has a hump where the car does not and would involve cutting a hole in the car which would be a bit noticeable. Not worth it for such a little gain. Good news is I now have two extra NB tanks if anyone needs one. A gallon would not seem to be that much but we are still dreaming of two stopping the car at certain tracks, stretching our mileage to only stop every two hours and 25 minutes and make a seven hour day with one less stop. It's not all about raw speed, strategy can make a difference. One less stop per day could potentially add ten laps in a weekend of racing at certain tracks.
After we got the subframe in and the car aligned Youngest pulled it all apart again. He was not happy with the bushings holding the rear differential in place. The rear has to move a bit so it is not solid mounted, it actually can pivot a slight bit. He felt the bushings holding it were letting it move too freely.
Once again we put the car back together.
All during this time Manny and FabGuy have been working hard on a new car. Manny got a little crazy on Co-part. First one Miata shows up at our shop. Then another. Then another. I started joking with the guys "Hi I'm Manny, I might have a Miata addiction". Yeah. So after a lot of looking we have three wrecked cars, one being a automatic that was absolutely destroyed. It had zero good body panels and even the front subframe was pushed back where it had got up on something in a wreck. I think the only things we saved off that car was a rear axle, engine, transmission and the hard top which was cracked but usable.
We then robbed enough body parts off of one to put on the other so we ended up with a mostly maroon car with a drivers side red fender, red door and silver hardtop. I say we but all we did at the shop was to take the cars apart, everything else went to Manny's garage where he and FabGuy installed the cage and built the car. They did bring it over a time or two to put in the air to install a few parts or when we aligned it. The build and fitment were top notch on the car, lots of nice parts went in, like a better seat and belts than we use on our Miata. Like most builds they were literally bolting parts to it the night before we loaded the car to head west.
Finally both cars are prepped and it's time to get on the road. Manny has a business where he uses two rollbacks and moves cars mostly to and from car lots and auction lots. So he gets the newer one of the two trucks and shows up at the shop Thursday morning. RacerGuy and I are already there and have hooked our camper to RacerGuys truck. I am leaving my trucks at home, but taking our race trailer and our camper. The plan is to hook the camper to RacerGuys diesel F250 and hook the race trailer to Manny's newish Chevy 4500.
The plan nearly goes off the rails when Manny shows up and I get to looking at his truck. Being in the business I can't not help but look at tires. His drives are terrible, two are bald, one is soft and one showing wire. I go to air up one of the bald ones and it's not having it. Air is leaking out as fast as it was going in. In Manny's defense his employee was driving this truck and Manny had not seen it in weeks. I had already loaded tire tools and extra spare tires for every truck and trailer in the caravan except RacerGuy's truck and I would have got a spare for it too if I had thought about it. With nothing else to do, we all jump in and start busting tires. Forty five minutes later we have four new drives on the truck and we are in a much better spot to make the long drive. I hadn't done any big truck tires for a long time, sold that part of the business. Still got it, just like riding a bike.
We find I40 and start clicking off miles. Manny has already told us the limiting factor which is that GM put a really tiny fuel tank in his truck so we are forced to stop every 160-180 miles for fuel. It slows us down but it's not all bad, we find a roadside BBQ joint that looks like a camper up on blocks that has a huge parking lot and a ton of customers lining up. Of course we try it out, the best BBQ comes from little places like that, not the ones with massive buildings.
We cross Arkansas and I think it was the first time I ever went that way westbound on 40. Came back the other side when we brought the box truck back where we bought it in California. We finally make Oklahoma and bent north to go to Tulsa. Did not see the Tulsa King anywhere, stopped in a Super Walmart and stocked up on groceries for the weekend. Hallett is in the middle of nowhere, so we are planning on eating at the track.
We get there and make our way into the paddock. This will be the first time we have every camped inside the track. They have a cross over with gates that close during when the track is hot and a tunnel for access when the gates are closed. The tunnel looks kind of tight, I'm happy to not test the posted height limits. It says our trailers should fit. Yeah we will wait.
We hustle to get the camper leveled and the generator cranked up. For the next three days it will run non-stop to keep the fridge cold and our lights on. We run the a/c but for the most part temps are very nice.
The next morning we are up and on the road after the drivers meeting. We go to Pawnee, take in some sights then hit Stillwater for some parts and pieces at a hardware store. We also gas up all our empty gas cans so we are ready for race day.
Back at the track Manny and Fabguy are unloading their car off the back of the rollback. It was nice carrying one and towing one car. They go out and practice a bit, come in and make some changes then go out again. It's a new build and everyone has realistic expectations about the car. We are all expecting issues as it takes a while to find the weak spots and fix them.
We get our car out and practice. We send three of the four drivers out and have them run a few laps. I'm about to get ready and go out when RacerGuy comes in and says he felt something pop. We get to looking and the adjuster is gone off the alternator. Look a little more and the bolt has broken off in the alternator. So we have a spare motor in the trailer but it is missing the adjuster. Looks like we need the adjuster, the bolt and the alternator. We make a few visits around the paddock to look for parts but none of the other Miata teams have what we need. Youngest goes into the trailer and in a small miracle finds the adjuster laying under the spare motor loose. He and Coach head into Tulsa on a parts run while Manny agrees to put me into their car for a few laps so I can get a feel for the track. I've watched a hundred laps on Youtube but nothing is like actually driving the track. I go out and don't push things too hard. It is a very worn surface with some patches, particularly in the groove of turn two. Manny's car drives a lot different than ours, you can really tell you have more power and grip. Their tires are a lot wider as well as having 30-40 more hp. They have been working on the car all day and just finished taking off the lines where they installed a remote oil filter, they were not Lemons grade and were leaking.
Just before dark Youngest gets the parts on the car. We also install a helmet blower, we are going to try to use the air to defrost the windshield. All reports indicate rain is coming Sunday.
Then it's dinner time. Our friends from Minnesota have brought pure Lemons art down in the form of a Chrysler Magnum wagon powered by a slant 6 that is mid mounted. It is a engineering feat and runs out nicely. Adam the team leader and I have been planning and they are cooking for us for tonight and we are cooking for them Saturday night. They show us up by putting on a feed with steaks and salad. I'm feeling bad about the fact we are serving hamburgers, coleslaw and potato salad the next night. It was great.
Saturday morning dawns and we are up and moving around. I give up waiting on a shower as the line is too long inside and try the outdoor shower. It has no roof, just walls. It was ok. The next morning I tried it again and it was freezing, no hot water!
I skip breakfast and get ready to get in the car. I want to get on the grid early as I still am not feeling great about the track. The laps in Manny's car did not give me much to make me feel really attuned to the track as I was learning both the car and the track at the same time. I want all the practice laps I can get in our car. The line up is me, Youngest, Coach and then RacerGuy bringing up the finish for the day. FabGuy is gridded about ten cars behind us and he is under team orders to take it easy to start the race.
We get out and start doing pace laps. Soon enough it's green and the race is on. A few laps in Fabguy blasts by me. So much for taking it easy. Going into turn 2 I see a car off track. I mean he's not a little off the racing surface, he's 150 feet off the corner and just about in the tree line. I wonder what happened there. I am starting to get the hang of the track and pick up some speed. Then I mess up early on and miss the line completely going into turn 9 from 8 and run off the track. I fire the car back up and quickly exit and head to the penalty box.
"what happened?'
"I missed the line and ran out of asphalt and talent all about the same time"
The judge kind of laughs, "keep it on the track" and sends me back out. Youngest has made it to penalty and looks the car over from my adventure in the dirt and grass and gives the go ahead. If you are going to mess up do it right at the entrance to pit road, it really cuts down your time off track!
I run clean the rest of the stint. I tiptoe around the corner I went off but run hard the rest of the track without pushing so hard I get off again. Then Youngest, then Coach. We are having one of the best days we have ever had at the track. Besides my adventure off track no one else has messed up. Our stops are clean and quick. Our times top to bottom are very similar and consistent. Something strange is happening. We are in the top 15 overall and since we managed to get put in B class we are doing very well. Only 50 cars at Hallett this weekend, the smallest Lemons field we have ever competed against.
Fabguy pulls off to go to the gas pumps. We are fueling on pit road but they are going to just fuel at the pumps this race. They aren't planning on winning anything so why go to all the trouble of getting all your gear on and doing hot pit stops? Fabguy comes off a little hot and the officials come over to tell them they were over the ten mph paddock limit. Manyy drives the car up to the penalty and Fabguy comes up and they are told they are good to go. Later Manny gets off the track and goes to penalty. They start in on him not serving the penalty for going too fast in the pits. "we served that penalty" The judge goes off "do you really want to argue about this" Later when they realize the team was right and the previous judge had not marked it off the offenders list before going on break. In a first the judge apologizes to them.
With about two hours left in the day their Miata is towed off. The engine is super hot and will not crank. All signs look bad. Later it cools off and will crank, but cranks with ease, signs of a engine that has lost all compression. Their weekend is done and Fabguy heads out to get a headstart on getting to work early Monday. The rest of us will pull an all nighter after the race Sunday.
I start doing the math and realize it's going to be very tight. We make our calcuations based on a normal 7 hour race day. Today is a 7.5 hour day which is a bit longer than normal when racing Lemons. I figured out the stints and got it wrong. We realize our mistake and run Coach a bit longer before we put in RacerGuy. It's going to come right down to the limit of our fuel mileage. We start planning dinner and cleaning up the paddock with about ten minutes to go when all the sudden we realize the car is not out there. We run to the pumps and find Racerguy there. He ran out and limped the car to the pumps but could not get all the way there. By the time we get the car pushed around to get fuel the race is over for the day. I feel like a total idiot, I could have ran another five minutes easily in the car in the morning and not had this problem.
But the good news is that somehow even after I went off the track and and then we ran out of gas was that we were still very good on the day. We had enough of a lead on the car behind us in Class B that we still had a 7 lap lead even after running out of gas. Even better our paddock mates in the Chrysler are putting a shellacking on Class C as well. Their Magnum wagon is running a Richard Petty scheme, they all have uniforms and the requisite trademark Petty cowboy hat and STP logos, only this time it means "Slow Through Paddock" signs and all. They actually shouted this out when doing the morning driving meeting when they were going over the rules. "STP, Slow through Paddock!" every time the officials discussed that rule in the drivers meeting.
We put everything away, rain is moving in. We are in shock about how well everything is going. Surely we will find a way to loose this race tomorrow. Will other cars be faster in the rain? Will we shoot ourselves in the foot and have poor driving and get multiple black flags? Will something break on the car which has been running great all day long? And who the heck is this Coach guy? All that and more when we wrap up this in the next part of this story. Stay tuned!

I have a 2007 EX-L with only 107k miles on it. I love the car, but over the last year, I have spent $7200 on needed repairs/maintenence. Some of that was new tires, a new battery, and a new alternator (Jan 2024). The rest was parts breaking and things like spark plug replacements and such.
The car is back in the shop today having the power steering high pressure hose replaced after it ruptured and leaked out all the PS fluid onto my garage floor. Looking at a $900 bill for that. During the initial inspection of the vehicle, a leaking rear strut was also discovered. Quote to change the pair of rear struts and perform wheel alignment is another $1400.
I am SO frustrated at this point. I know the car is 17 years old, but I feel like I got a lemon almost. I have spent SO much money on this car since about 2015 on repairs of random things that I don't feel should have failed at such low mileage.
So, I told them not to fix the struts today. I need time to think about what I am going to do. I don't drive much, only about 5k miles a year. Theoretically, this car SHOULD last me another 15 years, but it's become a money pit. It also only gets like 17 MPG at this point and gas is $5.50/gal where I live.
I'm considering just trading it in and getting a new CR-V Hybrid.
WWYD? Repair and keep driving it (and gamble that it won't need any more pricey repairs) or get rid of it?

I’m rewatching breaking dawn part 2 and seeing Charlie and Bella reunite and how much he genuinely wants to know what happened, I wish they had given him a chance to turn. Without even telling him anything they could’ve just left the option at “you can’t know the truth unless you change like Bella did”. I just wish Charlie had the option to stay with his daughter.

WWE Heat Wave: The Birth of a Rivalry

Event: WWE Heat Wave
The newly introduced WWE Women's European Heavyweight Championship is unveiled by Becky Lynch, who declares herself the first champion due to her status and accomplishments. However, Lyra Valkyria interrupts, challenging Becky’s self-proclaimed championship reign and questioning her legitimacy. This leads to a heated exchange, with Becky mocking Lyra's inexperience. The tension escalates to a brawl, setting the stage for their first official match.
Match: Becky Lynch (c) vs. Lyra Valkyria for the WWE Women's European Heavyweight Championship
The match is intense, showcasing Lyra's resilience and Becky's veteran skills. Despite a valiant effort from Lyra, Becky retains her title through underhanded tactics, using the ropes for leverage during the pin.

WWE Extreme Rules: Proving Ground

Event: WWE Extreme Rules
Becky continues to taunt Lyra, calling her a "one-hit wonder." Lyra demands a rematch under Extreme Rules conditions. Becky, confident in her abilities, accepts, eager to humiliate Lyra further.
Match: Becky Lynch (c) vs. Lyra Valkyria in an Extreme Rules Match
The no-holds-barred environment sees both women pushing their limits. Lyra showcases her toughness, taking Becky to the edge. However, Becky retains once more, this time utilizing a steel chair to secure the win.

WWE Survivor Series: Team Warfare

Event: WWE Survivor Series
The rivalry spills into the Survivor Series, where both are named captains of their respective teams. Becky’s team includes veterans, while Lyra’s team comprises hungry up-and-comers.
Match: Team Becky Lynch vs. Team Lyra Valkyria in a Traditional Survivor Series Elimination Match
The match sees back-and-forth action, with eliminations on both sides. In the end, it comes down to Becky and Lyra. Lyra gets the pin on Becky, proving she can best her in a team environment, further stoking the rivalry.

WWE TLC: Tables, Ladders, and Chairs

Event: WWE TLC
Lyra demands another shot at Becky’s title, this time in a TLC match. Becky, infuriated by her loss at Survivor Series, agrees, wanting to put Lyra in her place once and for all.
Match: Becky Lynch (c) vs. Lyra Valkyria in a TLC Match for the WWE Women's European Heavyweight Championship
The bout is brutal, with both women using ladders, tables, and chairs to their advantage. Lyra has several near wins, but Becky ultimately retains by powerbombing Lyra through a table from the ladder’s top.

WWE Royal Rumble: The Underdog's Rise

Event: WWE Royal Rumble
Despite her losses, Lyra enters the Women’s Royal Rumble match, determined to earn another shot at Becky. Becky, confident and cocky, focuses on her upcoming title defense, mocking Lyra’s chances.
Match: Women's Royal Rumble
Lyra enters early and fights through incredible odds, eventually winning the Rumble. Becky is visibly shocked as Lyra points to the WrestleMania sign, signaling her intent to challenge Becky once more.

WWE Elimination Chamber: The Final Obstacle

Event: WWE Elimination Chamber
Becky sets up a gauntlet for Lyra, forcing her to compete in the Elimination Chamber for her WrestleMania title shot, claiming she needs to prove herself.
Match: Elimination Chamber Match for Lyra's WrestleMania Title Shot
Lyra faces five other competitors. Despite being targeted, she fights valiantly and emerges victorious, solidifying her place at WrestleMania and proving her resilience.

WWE Fastlane: Contract Signing

Event: WWE Fastlane
A contract signing for the WrestleMania match is scheduled. The segment turns chaotic as both women exchange verbal barbs, culminating in a table-breaking brawl.

WWE Backlash: The Champion’s Desperation

Event: WWE Backlash
Becky faces a formidable challenger in a non-title match, while Lyra watches closely from ringside. Becky wins, but the match leaves her visibly worn out. Lyra enters the ring post-match, staring down Becky, indicating the tides might be turning.

WWE Money in the Bank: A Preview

Event: WWE Money in the Bank
Both women compete in separate matches. Becky defends her title in a grueling contest, while Lyra wins a high-stakes ladder match for the Money in the Bank briefcase, securing a potential future title shot even if she loses at WrestleMania.

WWE WrestleMania: The Climactic Battle

Event: WWE WrestleMania
Match: Becky Lynch (c) vs. Lyra Valkyria for the WWE Women's European Heavyweight Championship
The stage is set for their ultimate showdown. The match is a wrestling clinic, with near falls, submission escapes, and high-risk maneuvers. Lyra taps into her warrior spirit, and the crowd is firmly behind her. Becky’s desperation grows as Lyra counters her every move.
In the climax, Becky attempts a final Manhandle Slam, but Lyra counters into a devastating finisher, finally pinning Becky to become the new WWE Women's European Heavyweight Champion. The arena erupts in cheers as Lyra stands tall, clutching the title she fought so hard to win.
Becky, visibly emotional, offers a handshake. Lyra accepts, cementing their rivalry with mutual respect as fireworks light up the WrestleMania sky, marking the end of an epic journey and the dawn of a new champion’s reign.

Hi, as part of a university assignment I have to identify the charachteristics of this work and explain the manufacturing process so I would be happy for any feedback or analysis from your side :)
As far as I can tell it is an uncoursed square rubble masonry although it could also be called uncoursed random rubble masonry. Executed in limestone, it is most likely a retention wall of a kind, for example for channelling water to the subsurface in terraces.
First the stones were sized to a relatively square shape with e.g. a breaking hammer and then they were dressed in 3 different ways. Most were left with a rough surface achieved with e.g. a quarry hammer, some were flattened with a drove and one stone (top, middle) was dressed using a tooth axe. Finally the space between the bigger rocks were filled up with snecks (or small rubble?). In very few places you can see round mortar rubble in-between the bigger rocks which I assume was used for maintenance works on the wall during the years to prevent water leaks.
I would be very happy for any comments especially if you could expand on the stone manufacturing techniques.
Thanks in advance :)

Hopefully this isn’t downvoted instantly, because I know people seem to get strangely very defensive about Beast’s characterization in this run. I think there is a lot of miscommunication whenever a Beast fan complains about how he was depicted here. Often times people will discount those complaints because they think Beast fans just don’t want him to go bad, when that doesn’t really seem to be the whole truth from what I’ve seen. Ultimately, the complaints I raise and I have seen others raise are more about thinking the writing of his spiral in X-Force 2019 was not done well rather than that said spiral shouldn’t have happened at all. With the Krakoa era coming to an end, and “From the Ashes” having the now-rebooted Beast who is pulled all the way from his time on The Defenders, I don’t see any of the flaws here being addressed beyond characters casually referring to how bad he became. So I wanted to take this time in the in-between, where our new Beast is apparently just chilling on Wonder Man’s couch while the rest of the X-Men fight against Orchis and Nimrod, to once and for all lay out the flaws of Beast’s villainous era, and establish not that it shouldn’t have happened, but that it could have been way better.
Problem 1: A Lack of Pathos:
Most X-Men fans who have been reading for awhile will agree that it’s honestly surprising more mutants haven’t gone down a dark path. Their history is one of striving for acceptance, putting their lives on the line for people who would rather see them dead, and being rewarded with not one but multiple genocides on their population. Some of the most interesting stories can actually come from a formally “upstanding” mutant finally deciding enough is enough. When Cyclops went down his “villainous” path, it made a lot of sense. We’d seen him becoming more disenfranchised with the dream for years. We’d seen his trust in Xavier erode time and time again, and so when he decided to stop asking for acceptance and start demanding it, it was hard to blame him. Even as we saw most of his friends turn against him, that didn’t stop people from declaring “Cyclops Was Right,” because his perspective could easily be understood, and he did achieve results. More recently in X-Men ‘97, we saw Rogue go down a dark path in the wake of Genosha being wiped out, including Magneto and Gambit. Again, this was understood, and it was an interesting direction for her character.
This sort of turn would also make a ton of sense for Hank McCoy. Did you know that back towards the start of the original Uncanny X-Men run, Hank was actually the first X-Men we ever saw to leave the team and say that Magneto was right, after he and Bobby were attacked by an angry mob because Hank used his powers to save a young child? Over the years, one of Hank’s most recurring struggles and arcs is self-loathing and eventual acceptance of his condition. Hank has always been at his darkest when he’s trapped in his spiral of self-loathing, but when he comes out the other side, he tends to be one of the most optimistic mutants when it comes to coexistence with humans. He was out making connections and fighting alongside non-mutants before anyone else. Joining the Avengers and Defenders, speaking on behalf of mutant rights before congress, dating human women who were able to accept his appearance, blue fur and all. Until they weren’t… looking at you, Trish Tilby.
So with all of this in mind, it would honestly be an extremely interesting arc to see Hank, this optimistic mutant who has spent his life building bridges and making connections with humanity, to be slowly beaten down and start to believe peace is not an option. As one of the original X-Men, he has been there through every tragedy that struck the mutant population. And as one of the smartest X-Men, he has usually been at the center of these crises. He has seen advancements in science meant to eradicate the mutants. He has fought against viruses that threaten to drive them extinct. He was there in the wreckage of Genosha. He has seen countless friends killed again and again. He has suffered his own mutation evolving and making him less and less human-looking. He saw the development of a mutant “cure” and was tempted to take it. He has seen it all.
And so that brings us to Krakoa. This is the moment where the mutants as a whole decided enough was enough. If they could not be accepted by humanity, they would pack up and form their own nation, and they would force humanity to accept that they exist by developing life-saving drugs that other nations would have to rely on. And what is one of the first things that happens after the establishment of Krakoa? Hank witnesses assassins infiltrate the island and assassinate Charles Xavier. This right here is honestly the perfect setup for Hank to go darker than he has before. Even after literally segregating the mutant population from humanity, like humanity seemed to want, they still decided to come and kill the man at the forefront of the movement. And Hank, recently placed in charge of mutant black-ops, would likely see that all options are on the table.
Unfortunately, Hank’s actual pathos surrounding the decisions he would go on to make is not explored by the book itself. The book has no interest in detailing Hank’s fall from grace as we saw with Cyclops before him. The book just wants us to accept that Hank has already fallen. And in fact, according to the writing, maybe he never had anywhere to fall from. Any time a character in X-Force tries to ask important questions to understand Hank’s thought process, they are cut off. Usually by Wolverine saying “He’s always been like this.” And then on one occasion, when Wolverine asked Hank why he was doing all this dark shit, Hank said, “Didn’t you read the script? I’ve always been like this.” There is no attempt to examine Hank as a character. We don’t need to know why Hank makes the decisions he does, because this book wants Hank to be a black and white villain and so that’s what he will be. Why? Because he’s always been like this.
Problem 2: Rapid Escalation:
One of the major defenses people have when it comes to Krakoan Hank is that he has apparently been on the road to his villainous self for over a decade. The X-Force run itself loved to have characters spout a list of Hank’s previous “crimes” without any context involved, as justification for why he was acting the way he did in the current run. The problem is, that context is very important. Because it shows the disparity in the Hank of previous stories who made mistakes with good intentions vs the Hank of X-Force who did heinous shit because he wanted to. This was less a plane making a slow descent and more a plane that was slowly descending, but then its engines shut off and it plummeted into a fiery explosion.
To make this case, we need to briefly analyze the previous perceived transgressions of Hank McCoy to show what they actually meant for his character and how they differ from the Bond villain X-Force would present us with. Let’s start with Threnody. Somehow, Threnody became a bit of a buzzword for the beginning of the end for Hank. When people talk about the history of Hank and Threnody, they will usually present it as one of Hank’s worst sins, saying something like “Hank callously handed Threnody over to Mr. Sinister so he could experiment on and abuse her!!!” It kind of makes for some whiplash when you actually read the Threnody story people are talking about. Here is a brief rundown of what actually happens:
Threnody is a young woman who cannot control her powers. It causes her no end of grief, and when we are introduced to her, she is homeless and constantly in danger of hurting herself or others. Beast, Rogue, and Iceman come across Threnody who has been found first by Mr. Sinister. Sinister actually has a vested interest in curing the Legacy Virus, and believes he can help Threnody master her powers, at which point she will prove vital in his efforts to study said Virus. Notably, Threnody wants to go with Sinister here. While Rogue disapproves, Hank does believe that Sinister is actually Threnody’s best option, openly stating Sinister can actually help her gain control and the X-Men cannot, because, as Hank directly says, Sinister is willing to damn parts of his soul in pursuit of scientific enlightenment, and the X-Men are not. A few issues later, when breaking into Sinister’s base, Hank encounters Threnody again. She’s happy. Sinister did indeed help her control her powers, and she has been able to use her abilities to help mutants the world over, while also undermining Sinister’s more evil operations from the inside. Hank expresses relief, saying he was kept up at night by his decision to let her go with Sinister, but Threnody actually thanks him for letting her. And that’s it. That’s Hank’s big “crime” here.
Hank’s other “sins” are also of varying levels of severity. There’s the time “Hank worked with his evil self to cure the Legacy Virus!” when the actual story in question is Hank asserting that he won’t stoop to the levels of Dark Beast and compromise his values in the name of science. There’s the time “Hank sided with the Inhumans against the X-Men!” when the actual story is Storm sending Hank to Attilan to find a way to end the conflict between mutants and inhumans before war broke out. Hank runs out of time to find a cure for the terrigen mist cloud, suggests mutants get off-world in the meantime rather than go to war with the inhumans, is thrown into a cell by the other X-Men for his “betrayal”, and then freed at the conclusion of the war by a repentant Storm when it comes to light that the whole conflict was manipulated by Emma Frost. There’s the time “Hank risked the timestream by bringing the original X-Men to the present day!” A decision that was made on his perceived deathbed with the hopes of bringing his old friend Cyclops back to his side. Hank wants to take the young mutants back right away, but they refuse. And instead of others enforcing that they need to return, we actually see Kitty Pride decide to lead them in the present in memory of Charles Xavier. Notably, Kitty would be one of the many mutants in future issues who would yell at Hank about this.
The point of this post isn’t to absolve Hank of all fault. He has made countless mistakes and bad decisions. Regardless of the culpability of others, the pulling of the O5 to the present was his decision. During Secret Empire, Hank would turn a blind eye to Hydra’s activity simply to keep the mutants under his care safe. During all of this, however, Hank’s character was not compromised. He expressed despair and regret over his worse choices, and struggled with thinking he was a good person any longer. Again, going back to his recurring struggle with self-loathing. He had pathos behind his decisions and how they affected him, and would often reunite with Wonder Man as an opportunity to recenter and declare he would “be better tomorrow than he was yesterday.”
You would think, if the aim of X-Force was to turn Hank into a full-on villain, it would take advantage of the long-form storytelling of comics to chronicle that escalation. Like I said, the assassination of Charles Xavier is a great starting point for Hank to start going darker than he ever has before. The problem is, we don’t get an escalation. Hank starts the run by doing some of the most heinous shit imaginable. Regardless of your thoughts on the severity of Hank’s previous mistakes, none of them compare to his opening volley in this run. Hank uses telefloronics to override and genocide an entire country, leaving various people either completely dead or braindead. We later find out that during this time he also established a space station where he ran unethical experiments on prisoners like Krakoa’s very own Dr. Mengele. He then accuses his old ally Colossus of conspiring with Russia against Krakoa, and calls forth the mutant population to witness as he parades a shamed Colossus through its streets. Then he kills Wolverine and resurrects him as a mindless animal who he uses as an attack dog against his perceived enemies. This isn’t an escalation, this is a different character. And the aforementioned lack of pathos means that we don’t get to see him struggle with these choices. We don’t see his thought process as he becomes darker and darker. Why would we? “He’s always been like this.”
Problem 3: No Personality:
One of the most fun aspects of turning a protagonist into an antagonist is seeing how their personality works with a more villainous mindset. When Cyclops became an “antagonist” to the X-Men, he was still Cyclops. He stuck to his convictions, he was a great leader and tactician, and he was able to turn many mutants to his side because of this. We’ve seen an evil Beast before. The creatively-named Dark Beast is from an alternate future where Beast went down a dark path lacking ethics. The fun of this character, besides comparing his ideologies with our Hank McCoy, is seeing how Hank’s penchant for jokes or quotes now become far more sinister and cutting.
There’s a strange narrative that the jokey Hank is reserved for the Avengers while the Hank with the X-Men is all business and science. This isn’t entirely true. Early on when he was a member of the Defenders, Hank talks about this sort of thing. He essentially says that he wears different hats. While working with the X-Men, he used big words essentially to gain respect from both his teammates and humanity. But with other teams, and in his then-new furry form, he dropped all of that. His speech became more naturalistic and he was much more of a goofball. The thing is, it’s the speech patterns that truly change depending on who Hank is hanging with, not his personality. Hank with the X-Men and Hank with the Avengers are both jovial characters who like to tell jokes and quote philosophy. You can see Hank being a bit of a clown among the X-Men in various runs. So it’s not like it’s a given that Hank is some entirely different dry doctor devoid of any sense of humor when among the X-Men.
But this is how Hank is portrayed in X-Force. Part of why this version of Hank is so hard to reconcile with the rest of his history for fans of the character is that he just doesn’t act like himself, even when he isn’t actively committing war crimes. In one early issue of the run, we get a glimpse at Beast’s journal where he accounts a meeting he had with Forge. Now, Beast has been known to be a very physical character. He is often known to sweep others into a hug, or even plant a big kiss on their face in the case of characters like Wonder Man or Iceman. Meanwhile this one page where we read his thoughts on Forge is clearly pretending this is not the case:

I paid Forge a visit in the Armory – and I must say that he can be, like Logan, rather impossible. There is a certain locker room bravado about him I find perplexing, like a language I only half understand. For instance, he refused to shake my hand but instead dragged me into what he called a “bro hug.” Then he challenged me to a “feat of strength,” asking if I would test out this sappy “muck bomb” he had developed that – or so I gather – glues one in place. He wondered if a “big boy” like me might be able to thrash free of the binding. I refused him and said I very much would prefer to get down to business. He then referred to me as a “bookish peckerwood @#$%” but did so with a friendly laugh and clapped me on the shoulder hard enough to make me stagger. I’m not sure how to process this, honestly. Is he being friendly or cruel? Is it possible to be both?

Needless to say, this doesn’t read like Beast. It reads like an android that has never before felt human emotion. I remember before reading this I was theorizing that Hank had been switched with Dark Beast once more to explain his sudden escalation, but after this I realized that couldn’t be the case. Because this sounds like neither Beast nor Dark Beast. Dark Beast understood how to properly write Hank as a villain. He doesn’t suddenly become your typical made scientist devoid of emotion, humor, or basic human understanding. He still makes jokes that are now cruel. He still quotes literature in a way that paints him as a god among men. Hank going bad can be a fun read, but this run was not.
Problem 4: No One Cares:
Another important angle to consider when writing a story of a good person breaking bad is how it affects those around them. Those who are close friends to the person and find themselves disturbed by their current actions. Again, I return to Cyclops. Regardless of where you stand on if he was right or not, he was very much positioned as an antagonist to the mutants at the Jean Grey School for Higher Learning. Yet we see various friends of Cyclops still caring for him and wanting to pull him back from what they perceive as the dark side. Like I previously said, Beast’s whole reason for messing with the timeline was because he felt he was going to die and wanted to try to appeal to his old friend and bring him back around before he passed on. When someone good goes bad, part of the emotional core is seeing former friends try to appeal to their better nature, and even eventually deciding they’ve gone too far to turn back.
Not so with Hank in X-Force. Like I said, this run posits that this is not any kind of heel turn for Hank. This is how he’s always been. “Hank this isn’t you!” “No, he’s always been like this.” “Hank, turn back before it’s too late!” “Turn back where? He’s always been like this.” None of Hank’s friends give a shit. Hank’s best friend amongst the X-Men is Bobby Drake, Iceman, and we never once see any kind of confrontation there. Cyclops and Angel similarly doesn’t care. Now you could argue this is because X-Force is a secretive organization. Bobby and Scott don’t even know what Hank is doing. There are two issues with this. First, things reach a point where they would know. Hank’s actions become public knowledge, and Wolverine goes off to hunt him down while the rest of the X-Men just kinda look the other way. And second, there is someone with a lot of history with Hank that was a part of X-Force and did see everything that was going on. Jean Grey.
But we never get to see Jean wonder what’s happened to her close friend. Jean who was always incredibly close to Hank. Jean who, it was confirmed during the All-New X-Men era, had mutual feelings for Hank and might have started dating him had things been different. But no, Jean, like every character in this run, accepts that Hank has always been like this. That’s the answer to everything. So instead of some kind of emotional confrontation where she tries to appeal to his better nature, we instead have Jean yell at Hank, use her powers to throw him against a wall, and quit X-Force. And then most recently, we see her tell Firestar without hesitation to throw Hank under the bus for any heat that comes her way from her undercover mission. Because everyone will believe Hank is responsible for all the bad shit. Who the hell cares about Hank? According to this run, no one.
Conclusion:
I hope you can see the larger issue here. When Beast fans complain about his Krakoan era, people assume they just don’t want to see their favorite do bad things. But it’s practically accepted at this point in comics that most heroes will have a villain arc. Hell, Iceman is the only one of the original five X-Men who hasn’t gone down a dark path at this point. The problem is that everything about the writing of Hank during this time was just not done well. There is no exploration of Hank’s descent into villainy, and any questioning down that line is immediately shut down by the assertion that this is just who he’s always been. There isn’t any slow escalation because his first move is genocide. Hank is not even written as himself during this era, but rather as a generic bond villain. And none of Hank’s former close friends even show any emotion about his turn to villainy. An evil Hank story could easily work. We saw it with Dark Beast. A story where the former optimistic member of the X-Men has been beaten down so many times that he takes on a “whatever it takes” mentality could be interesting and emotionally resonant as we both understand what drove him here yet hate the man he’s become. But that isn’t what we got. We got a run that wrote him as a complete stranger and then had all the characters tell the reader that they were wrong for ever thinking he was anyone else.

So I’m currently writing the very first draft of my very first script and this is something that has been bugging me. Is it frowned upon? Is it looked at as amateurish rule breaking?
For example:
“Shut ya mouth! Get outta here!”
Would professional readers get the ick? Would I be better off writing proper punctuation and leave the rest up to interpretation through character description?
As always, any advice is greatly appreciated.

I found a notebook with writing which looks like it was formatted to be a movie script. I handed the book in to the staff at the library. Anyway i went back to the library to check if had been collected and it hadnt so i thought id post a bit of it here hoping whoever wrote it is on here? Long shot but whatever.
EXT. AZKABAN. NIGHT
The perpetual storm outside rages: lashing at the dark prism which protrudes from the restless ocean.
Lightening cracks and chips the blackened bricks on the corners of the equilateral roof.
A dark, hooded figure floats above the frothing sea towards the prison. His face is hidden but his pale, scarred hands can be seen protruding from his tattered robe. The audience think he must be some sort of dementor by the cloak, the nature of his travel and the destination of his journey.
However when the figure approaches an upper third of a rectangular side of Azkaban, he raises a scarred hand towards the brickwork: a spiraling red stream of electricity shoots out from his fingers and hits the blackened brickwork. The wall of the prison explodes outward, the shattered bricks falling into the dark waters below.
The hooded figure glides into Azkaban and steps lightly onto the cobbled passageway inside the building.
CUT TO:
INT. AZKABAN
A group of similarly hooded guards float inches off the floor facing the intruder standing at the edge of the blasted hole in the wall he had made.
Seven feet tall, with a dark boney figure, they are similar in appearance to the man, and the dementors seem confused by his arrival. More dementors gather as the crowd approach the man, their rattling breaths create a horrifying chorus of sickness.
Before the crowd reach within 6 feet of the man, he lazily extends an arm: this time, a pale blue mist falls gently before a contorting shape forces it's way out from the man's hand. It grows, bones cracking uncomfortably, taking the shape of a ghostly bear. The patronus of the bear is formidable in size, however it's scarred and manged. The bear is hardly covered in any translucent blue fur, the few patches left protrude randomly across it's body. It's face is scarred and disfigured, one eye is fused shut. The bear snarls and growls deeply at the crowd of dementors and breaks into the crazed run at the figures. It barks as it runs, contorts it's body as it chases. Foamed spit falls out it's mouth as it lunges to bite the dementors. The crowd fall back down the dark corridor, chased by the man's patronus.
On the right, all the way down the corridor, are a series of adjacent cells, the fourth wall facing the corridor being thick wrought iron bars. The occupants of each cell had wildly different reactions to this intruder. Some rattled the bars of their cages and exclaimed wildly, some rocked in the center of their damp cells, quietly rocking and muttering to themselves. All were decidedly mad.
The hooded man looked down the corridor at the barred cells, by raising his arm, each inmate levitate off the floor, then with a sudden jerk of his arm, the figures fly to the barred wall of their cell their bodies do not fit naturally through the gaps in the bars, but they continue going through, their bones snapping and twisting to allow this.
The deafening screams of the prisoners echo down the dark corridor as they go through the bars and then float in a neat line in the center of the corridor. The hooded man then turns out to the open sea and floats up, the parade of contorted bodies follow.
The hooded man rises up and turns back to face the side of the building. He subtlety flicks his hands and the group of broken bodies line up horizontally against the black wall. With another motion, a large wall stone pushes out from the flush brickwork. Creating a small ledge for the prisoners to stand on. Their broken feet and legs crumble and they begin to collapse and fall off the ledge, however before falling to the sea below the floating man raises both his hands, a thin green mist shoots out and the inmates broken bodies begin snapping back into proper place, the ensemble of bone fixing and ligament reattachment is sickening but doesn't last more than a few moments.
There is a combination of wails, crying and laughing from the lineup.

HOODED MAN:< Quiet!<

He has a deep rattling voice.
The air infront of his words vibrates and the column of air reaches out to the lineup of prisoners. Think black cords wrap threw their lips and sew their mouths shut. Some grasp at their mouths. Their moans can still be heard.

HOODED MAN:< You may be hoping I've come to free you. I have not.<

Some of the people laugh manically through their sewn mouths.

HOODED MAN:< You hide behind veils of madness. To shield yourselves from your circumstance. Perhaps remorse would lead you here, more likely you'd rather laugh here than cry. But it's a façade, you do not know true madness, your insanity is a flimsy curtain to hide your true self from the realities of your situation, no. This pathetic pretence will not do. I want you to beg for mercy. It would be easier if you did so now. But I know you will not. I will take these veils from you and you will see the world as it is. And then you will beg.<

The hooded man rushes towards a hysterically laughing women in the center of the lineup.

HOODED MAN:< And I will kill you.<

She laughs even harder through her sewn mouth.
The man reaches out a hand and grabs the woman's forehead, her and all other inmates in the line throw their back. Their eyes glow white as they look up to the dark sky.
CUT TO:
INT. INMATE'S MIND
The hooded man stands in a large hall. The enclosed black hall is the shape of the inside of a skull. The walls of this room glow faintly white. The man stands on a ledge where the prefrontal cortex is.
He stands in a thin pool of water which gently splashes as he walks to the ledge of the platform. Once there he looks down to see a small naked figure crouching at the base, where the spinal cord leads out.
The man looks down and reaches out, his arm is stopped by an invisible wall, brown rotted strings which run top to bottom vibrate revealing the barrier. The man steps back and inspects the barriers edges and it's construction. He steps back up and plucks a rotted string. When he turns around he pulls a large medieval sword from his cloak and begins to slice as the edges of the veil. The tattered rope falls down the ledge to the platform where the naked figure sits. The figure looks up at the falling ropes infront of her.
The hooded man sheaths his sword into nothing and looks back down at the woman over the ledge. He beckons for her and she stands up.
She begins to float up to the man with increasing speed until:
CUT TO:
EXT. ASKABAN. NIGHT
The inmates whip their heads back forwards, groaning and grasping their heads in pain.

HOODED MAN:< (With satisfaction) There.<

The groaning of the inmates has stopped and now they stare terrified at the man, in silence. Waiting for his next word.
The man surveys his work looking up and down the lineup, some of the prisoners realize their predicament of standing 300 feet over a cold ocean and back up as far as they can, flush with the wall.
He waits for a moment.

HOODED MAN:< Now-<

He rushes in to the side of the central woman, his hood flies off as he does so, revealing a scarred face with a mop of short black hair. Lines of black spider like veins run up his face, scars and burned markings adorn his face, little runes and symbols. The marks look self inflicted, like he's tried to shove foreign objects into his face, and presumably body. It's grotesque to look at.

HOODED MAN:< - you will beg.<

There is an eruption of begging and pleading from the group who have dropped any pretence of not caring about living.

CROWD OF INMATES:< Please. No- I can change- I didn't mean to, you have to understand.<

The hooded man falls back and begins to laugh.

HOODED MAN:< Yes, yes YES!<

He laughs louder and louder as their pleas become louder and more desperate.

HOODED MAN:< (Quietly, barely a whisper) Now, you die.<

He snaps his head to look at a small man at the left end of the lineup. A large brick to the right of the man's head slides slowly out of the wall, the pleading of the crowd has stopped to watch what happens to the man. When the first brick slides all the way out, the brick next in line to the left, behind the man's head slides to take the place of the first brick.
The floating brick then lines up in the empty spot, right in front of the man's face, and slams back into the wall, taking the man's head with it. His headless body crumbles and begins to fall, before the hooded man gestures and the corpse is suspended limply on the platform.
A tall woman next in line stumbles back from seeing this and falls off her platform. She falls out of frame before being brought back up by the man. She crys hysterically.

WOMAN:< Please, no you don't understand PLEASE!<

The process happens more quickly this time, the brick movement happening more fluidly, ending with the crunching thud.
People in the lineups scream and crouch to try and avoid the flying bricks, but they are held up by invisible strings, and stare screaming as the black bricks come crashing back.
This happens twelve times going down the line, but skipping the ragged woman in the center who starts sobbing when's she's skipped.
Once all the others in the lineup are dead, their limp bodies standing on the platforms, and a bloody rim to the bricks behind where their heads should be, the man approaches the woman slowly.

HOODED MAN:< Do you know who I am?<

She shakes her head.

HOODED MAN:< No I wouldn't expect you to. But I remember you.<

He laughs and points at her.

HOODED MAN:< That's why I'm here. For closure.<
WOMAN:< I don't understand.<
HOODED MAN:< And that's how it'll end.<

He floats back for a last time, and orchestrates the same brick movement, sliding out and replacing, however this time it happens at chest level, and when the brick slams back into the wall, it creates a rectangular gap in her chest, which she looks down at as she dies. She moans and coughs weakly, before going limp.
The hooded man sighs.
He gestures and cords appears from his hands and tie around the 13 figures to hold them up once he leaves. He goes back and looks at the puppet like scene he leaves, and he nods. Then, and quietly as he came, he flys off into darkness, putting back on his hood.
MATCH CUT TO:
EXT. AZKABAN. DAY
The storm has cleared and the sky is a bright blue with few white clouds dotted around.
A group of well dressed men and women sit suspended on broomsticks, looking at the wall.

DETECTIVE 1:< What the fuck is this.<
DETECTIVE 2:< It's sick. I mean they deserved it, but it's sick.<
DETECTIVE 1:< (as he tugs on one of the strings) Fucking hell. So this guy, broke through the protective barriers, and enchantments on the walls, pushed off the entirety of the Azkaban guard force, took out the whole floor of prisoners and then did this?<
DETECTIVE 2:< Looks like it.<

So for context and recap, here's what happened: So yall, I massively f*cked up.(I'm a teen btw.) About 5 days ago, A scammer stole my discord account, And I asked why. In a panic, I said I would "do anything" for my account back. (Rookie mistake...) He said he wanted to see my chest, and at first, I hesitated. I was so scared and in a panic that he was gonna go to my friends and do what they did to me, so I gave in and finally agreed. I did NOT send any pictures/videos. Instead, He called me and I flashed him my chest for about 15 seconds. After, I requested my account back and it turns out he unfriended me. He said he he was 15 and from the U.S, but on call he sounded between Spanish or Indian, I couldn't tell.(He was NOT 15.) The next morning, He added me again. I told him that if he ever tried anything like that again, I would call the cops on him. He said and I quote "I don't want to doxx your nudes ," and proceeded to send me a screenshot from the call of my OWN chest. He proceeded to ask me for a selfie, I said no. I reacted neutrally, and asked what his goal was, and blocked him. Then my OWN account messaged me, and started sexually harrasing me, and eventually asked "Do you have money?" I said "Nope, I refuse to continue this conversation." And blocked it. I've heard nothing since, but I'm so worried. This person has access to my account, pictures of me, and dms to my friends. I'm full of regret and I'm so angry with myself, because I was naive, vulnerable, and too trusting. I wanna reach out to authorities but I don't wanna get in legal trouble, and I got in legal trouble last year and it's supposed to expire in June. What if I break that? Should I bite the bullet and reach out to to my mom and authorities? I'm scared, and I feel terrible about everything. I'm not worried about seeing them, there's practically nothing there anyways. I'm so worried, and I'm an anxious person so it makes it worse. Advice?
So yeah. They haven't reached out, and I'm worried that if I take my account back, they'll leak them. Should I let the account go and let it message people, or still fight for it back? They haven't spoken to me since.

I sat in our dark bedroom, the computer screen glaring with a harsh, white light. A banner flashed before my eyes: “Seek wisdom by understanding yourself.”
“Chloe, check this out,” I called over my shoulder to my girlfriend playing The Sims on her laptop.
She glanced up, her brow furrowing in confusion before giving me a bemused look. “What the hell are you looking at?” she asked.
“It’s some cult,” I replied, unable to hide my fascination. “I fell down a rabbit hole and found this local place downtown. It's a derivative of Aleister Crowley and Golden Dawn bullshit.” I pointed to the Google Street View image of a dilapidated storefront in an ethnic shopping center.
She smirked, a hint of amusement in her eyes. “I never pegged you as the religious type.”
“Check this out,” I continued, clicking through the site. “They have some photos.”
We spent some time going through the albums celebrating various solstices. Most were taken in an odd room with black and white checkered floors, adorned with Egyptian pseudo-artifacts, bathed in the glow of red and purple lights that transformed the scene into a surreal dreamscape.
The people certainly had an alternative vibe. Tattoos were plentiful, but other than that they looked like they came from all different walks of life. Many of them looked like they had their fair share of bullying in high school - no shortage of that. But most of them looked relatively normal aside from the occasional piercing.
One photograph in particular caught my eye. A woman, sitting in a bright red room, sat on an altar, holding a staff in her right hand, wearing nothing. A man was kneeled before her, his arms tied behind him, rope anchored to the ceiling. They were sliding a knife down his back, a small trickle of blood dripping to the floor.
“Damn,” Chloe started. “She’s butt-ass naked.”
“You wanna go?” I asked. “They’re having a get together tonight.”
“You know what, fuck it. Why not? It’s not like we’re doing anything.” she replied.
“Good,” I smiled, standing up. “Because I already ordered an Uber.”
She sighed before opening a drawer and pulling out a small pipe. “I’ll go, but i'm not going sober.”
It was a cold, shitty Seattle winter night. We got dropped off in the parking lot and spent a few minutes looking for the storefront. We finally found it next to a dog groomer and Pho restaurant with some pun for the name I can’t seem to remember.
We entered the shop, which consisted of two narrow isles separated by wood shelves barely big enough for me to fit down. We spent some time looking at the various items, my attention diverting to a vial of elk blood. I remember wondering if they were even allowed to sell this without some type of medical certification they definitely did not have while Chloe shuffled through a bowl of mix and match crystals.
“Can I help you?” I heard a woman say from the back as she emerged from a beaded curtain. She was a short, overweight woman wearing what I could only describe as a sports bra and hula skirt.
“Hi, uh,” I stuttered. “I’m George and this is Chloe. We’re here for the… winter solstice celebration?”
“Oh, goodie! Newcomers!” she said with an out of place, overjoyed expression as she clapped her hands. Chloe and I laughed nervously.
“The door is in the back, but you can come through here just this time.” she said with a smile, arm holding the beaded curtain open.
We walked through a dark hallway, somehow more cramped than the shop, into a rather large room. A gaggle of people were huddled in the back, which Chloe and I quietly shuffled into.
A bearded man paraded around the room, white robes and red headdress cascading into a cloak, knuckles adorned with several large rings gripping a spear, held vertically in front of him. Behind him, another bald man, white robes and yellow cloak, followed behind, white sleeves crossed over his chest.
I glanced at Chloe’s bloodshot eyes, THC clearly flowing through her system. I gave her a knowing look, as if to say Having fun yet? She returned a slow smile.
Without warning, the entire crowd clapped their hands together over their heads as a woman in blue robes walked past, waving a censure leaking white smoke. We awkwardly followed to match the group.
The blue curtains on the back wall opened to reveal an older Asian woman sitting perched on the altar I saw in the photos, again, completely naked. And before you ask, no. She wasn’t attractive. It’s never the ones you hope it is. The red robed man kneeled down and softly kissed her knees.
I glanced back at Chloe. Her smile was so big I was afraid she was going to laugh at any moment. I pinched her on the side and whispered into her ear “Do. Not. Fucking. Laugh”. Honestly, I think I just made it worse. Her face turned beet red as she bit her cheeks.
The ritual went on for another half hour or so. They must’ve said “Do what thou wilt shall be the whole of the law” at least a dozen times.
We were getting kind of bored and were ready to leave before the woman in the blue robes wandered in with a caged chicken.
"No fucking way" I thought. Surely enough, the man in the yellow robes held the chicken high in the air, before slitting its throat and draining blood into a large metallic basin. The man winced as the chicken flailed violently, scratching up his arms, before eventually succumbing to blood loss.
One by one, each person there stood between a white and black pillar saying love and intention in Greek before eating a piece of something, taking a sip of blood, and saying “There is no part of me that is not of the Gods.”
Chloe and I hung back, and politely declined when our turn came. Once all was said and done, they busted out some alcohol and started celebrating. We slipped out into the street, bursting out laughing. After we finally collected ourselves, Chloe whipped out her phone and showed me she took dozens of pictures of the ritual.
We laughed our asses off the entire way home. First thing she did was open her laptop and post the pictures on Twitter, tagging the lodge with the caption “me and the boys chilling right now”.
We returned to the usual rhythm of our lives. I went to work, conducting meetings and answering emails, while Chloe went back to her classes. A few days later, Chloe checked her Twitter and saw that she had gained a few thousand likes. The whole ordeal became a running joke between us.
I would eat fruit snacks and sip on my soda, saying, “There is no part of me that is not of the Gods”. A few weeks later, we had mostly forgotten about it, except for the occasional recounting as a funny story to regale our friends.
One night while Chloe and I were spending our evening the usual way with me on the computer and her on her laptop, I felt her furiously tap my shoulder while staring wide eyed at the window. Confused, I took my headphones off and walked over, pulling back the curtain to reveal 6 people standing in black robes and animal masks watching us from the hillside.
“What do we do, should I call the cops?” Chloe whimpered.
“No, they’re just a bunch of larpers. They’re not going to do shit! Just trying to scare us.” I said angrily as I closed the blinds and hopped back on my computer.
Chloe sat there for a few minutes in a tense pose with her arms folded together. She went to double check the door was locked, before we continued our night as normal.
The next day I got a text from Chloe frantically telling me to come home immediately. When I arrived, there was a squad car parked outside our building. I ran up the stairs to see two officers standing by Chloe in the doorway. I nearly shouted asking what was going on. They lead me inside to show me a massive black symbol drawn on our wall, a six-pointed star made from one continuous line.
We finished our police report and they told us they’d get back to us if they find anything. I’ve been robbed often enough to know that means they’re going to forget about this before they’ve even gotten back into their squad car.
Furious, I stormed over to the shop and banged on the window. The hula skirt woman came over and cracked the door open just enough for me to see one of her eyes.
“What the fuck do you think your little posse is doing!?” I screamed at her. “Breaking into my apartment like that!? You all are fucking psychos!”
“I haven’t any idea what you’re talking about”, she said with a sly grin.
“Oh, yeah?” I said pointing a finger in her face. “If anyone tries any shit like that again I’m going to burn your goddamn shop to the ground, do you hear me?”
She looked at the ground, clearly nervous. I have never blown up at a stranger like this but I could tell my threats were working.
After a moment of silence I stormed off again, back towards home.
“You meddle with forces you do not understand!” she called out from the shop.
I picked up a glass bottle from the sidewalk and chucked it, smashing against her shop window, forcing her to close the door and disappear into the shadows. I’m not particularly proud of how I behaved in this moment, but unless you’ve had someone break into your home and draw shit on the walls, hold on to your judgment.
The next few days passed without so much as a peep from them. Chloe and I began to relax, convincing ourselves that the cult had been scared off. Life seemed to be returning to normal, and the unsettling incident became just another story.

Wanted a few opinions on this situation: moved out of a rental at the end of march and did a walkthrough where the landlord said everything looked great and we (my husband and I) were the best tenants he'd ever had. We only lived there 11 months (left 1 month early due to military orders). At the walkthrough, he said 'he didn't have the funds to return our security deposit because he thought he would have found a new tenant by then and would have given us their security deposit. We gave him nearly double the notice required to terminate a lease due to military orders. He said he had 30 days to get it to us. We moved away out of state.
31 days after we move out we receive a horrible letter accusing us of all sorts of things and saying we aren't allowed to break the lease so he's keeping the deposit. Unless he never hears of this again, he'll be charging us for various things (one is a retroactive increase in rent). The only thing fathomable that could actually be charged to us is he is claiming water damage from a wall ac unit and a months rent for not being able to rent the home due to repairs. The home was listed for rent and the listing updated every few days during the month it wasn't rented. He lowered the rent and the listing has been down now for about a week so I doubt he did any repairs but just couldn't find a tenant. 100% we had absolutely no knowledge of a leak from the ac unit. He is claiming the ac, wall, door, doorframe, and front porch light are all not repairable. The ac was above what should have been the front door but he lived in the garage of this house so we were basically not allowed in the front yard and used the back door as our front door and exited to the street behind the street this house was actually on. He put large plants and other of his items on the porch essentially blocking us from coming out as well. It's a very long story regarding our backwards house but essentially we did not use the front door at all, under 10 times in that year. We did clean the filter for all of the acs monthly (I have extremely severe asthma) and never noticed any water issues. There was no water on the floor or dripping. I have a picture from the day we moved out and in the picture there is no visible water damage. The ac was working on the day we moved out.
Before we moved in, he told us he was going to replace all 4 wall units. That didn't happen and he told us he was going to do it while we lived there and that didn't happen. All of the acs were horrible and we used to make passing remarks of how hot it was to the landlord. He eventually said he's not replacing them until the one above the door stops working completely. I also have texts from him saying that particular ac can't be turned down past 76 or it will break. He literally lived right below it and heard it running (it was on 76). Basically, I am certain there were problems with that ac and he was aware of it but I was not aware at all that it was causing water damage, if it actually was. I wish I had known because I would have insisted he replace it. I'm thinking he either did actually get around to replacing it and discovered it or is making it up.
I have contacted a lawyer to send him a demand letter but my husband is now worried about what if he does actually try to sue us? What if he decides to rip out the whole wall and sue us for tens of thousands? Doesn't he need to prove we were aware of this water damage? In his letter he stated he asked for entry into the house each month to service the ac but we denied him and broke the ac by never cleaning the filter in 12 months. He never asked us once to service the ac and entered the house on several other occasions, once to fix a plumbing issue and once to replace the dishwasher. Plus a few other times we invited him in. There is no clause in our lease saying anything regarding reporting damages, water damages, or we are responsible for maintaining the ac. My parents also came to stay with me for nearly 2 months while my husband was away and they are willing to write a statement that they never saw any water damage whatsoever. My husband doesn't want to send the demand letter at all because the letter we received we full of just bizarre untrue statements and he feels like he will make up a huge lawsuit. Even appearing for a lawsuit would cost us a ton in travel so we really don't want to get involved with that. I do want my deposit back but I feel like this water damage thing is totally made up or can't reasonably be blamed on us?

Chapter Seven: To what do I owe this honor?
I now have access to 15 potential spawners, of which six are actually in use, the others haven't been made yet. At this rate, I'll have so many spawners available to me that it will take me forever to go through them. However... none of my spawners were made from creatures much larger than your typical house cat so maybe as the size and complexity of creatures that enter my domain increases it may effect that in the future. Time will tell I guess. I wonder a little bit about that and I really hope that more complex creatures will be more difficult to acquire spawners from. This all seems too easy. Oh well, it is what it is for now.
It's been interesting though. I now have three rooms. Almost enough mana to upgrade both the owl and slime spawners to level two if I forgo creating a new Scion, and it's only been a few days since I became myself. Things seem to be moving pretty quickly for me. I go ahead and upgrade my owl spawner to level two. It has a 2 hour timer on it now. As well as a shorter 1 hour timer for normal owls. That's interesting. It's the same duration as my mountain cat spawner so far. Looking into my cave I pull up the slime spawner. This one I want to do something different. Paging through the menus I find the area on magic and then to illusion magic. I want my slimes to be illusionists. My slimes spawn at 10 minutes for a base slime, and I want a magic slime. Now that I know it can be done. I upgrade the spawner to level two, the timer flickers and changes to 20 minutes. Huh... ok it doubled the time for a level two slime to be born. Interesting. I then upgrade my slime spawner to spawn Illusion magic using slimes, and the timer changes again. It now has THREE timers running. One for base slimes. One for non-magical level two slimes, and a new one for the level two illusion magic slimes at 40 minutes. So it doubled again.
As the day winds down. I decide my best bet is to just relax and let the night flow past me. By dawn I should have enough mana gained to create an Owl Scion, and maybe do my next expansion. Or maybe only one of them. Hard to say as it will totally depend on how many random invaders come through my domain. So with that thought I go back to paging through the menu and learning as much as I can about what I can or may be able to do. The night passes without me noticing it. But come mid morning I do notice the presence of a delver and it's NOT Sebastian.
My attention snaps to my perimeter and I see a garden variety Dwarf. About four and a half feet tall, ruddy red hair, a beard that is intricately braided that goes down to her belly. They are staring intently directly at me. Ok I know they can't see me, but they are staring at my cave, so at me. I alert my Scions and they begin moving my minions into ambush positions. I don't want to kill this dwarf, but I'll try real hard to discourage them from exploration. I am not at all ready for that yet. They unsling their backpack and remove a clipboard and what I can only guess is a pencil or pen and start writing. I can't understand the script, but they are writing something down anyway.
*-*-*-*-*-*-*
Inspector Ingrid Emberhart.
Yohhan was right. It is a new dungeon. How he sensed this thing from the city still baffles me but it is a dungeon and it knows I am here. I'm not picking up any malevolence though. I can sense it's minions moving around. Very organized. It's also stronger than Yohhan said it was. At least a level two core, if not a level three core. That doesn't worry me much. I'm a level 12 steel warrior. Nothing this dungeon has should even be able to scratch me. But caution is still the watch word of the day. I begin looking around. An Owl spawner in an oak. Looks to be level two. It's not being aggressive yet, so I walk slowly towards the entrance. As I do so a Massive Mountain Cat steps out of the cave. Barring my entrance. It's a Scion, it has to be.
“Hello Scion. I am Inspector Ingrid Emberhart of the Dungeoneers Guild. It is my duty to inspect dungeons to clear them for delvers to enter. May I inspect your dungeon?” To my shock the Scion shakes it's head no. Ok this dungeon doesn't want an inspection. Why? Maybe it doesn't want delvers? That is odd for a dungeon. I need to figure out what is going on here. “Is that no to the inspection?”
The Scion shakes it's head no. Ok.. so I am not barred from inspecting it. Could it not want delvers? That would be extremely strange. Potentially dangerous as well. A dungeon that doesn't want delvers, may put accidental delvers at risk of death. “You don't want delvers?” I ask..
The Scion does something I didn't expect. It nods yes and shakes it's head no. That doesn't answer the question. Or does it? Let me see... “Ok, correct me if I am wrong here please? You don't want delvers right now, but maybe in the future?” To my great relief the Scion nods yes. Now I understand. The dungeon isn't ready for delvers yet. It must want to either be stronger to kill them, or stronger to protect itself from harm. Ok lets ask the questions then. Goddess be with me.
“Right, so you do want delvers, but not yet. You want to be stronger for them? To prevent them from entering?” The Scion shakes it's head no. Hmmm... “Ok, so you are ok with them entering. Do you intend to harm them?” The Scion shakes it's head no, and looks vaguely nauseous. That's encouraging. It seems that this dungeon is at least not murderous.
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