4x8 siding missouri

Kansas City: Paris of the Plains

2008.10.13 16:59 Kansas City: Paris of the Plains

Welcome to KansasCity. This is a subreddit for Kansas City, Missouri, surrounding suburbs, and nearby cities on both sides of the state line.
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2015.02.17 03:06 disheris4cb015 Sharp Objects

Subreddit for the HBO show "Sharp Objects", based on the book *Sharp Objects* by Gillian Flynn.
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2015.02.04 20:09 realfaustus Great Or Greatest League

The Greatest NCAA 14 Dynasty League.
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2024.05.22 03:17 Comprehensive-Ad8905 What if Kentucky and Missouri had full on seceded during the American civil war?

So I know that Kentucky and Missouri were under partial Confederate control in the early days of the Civil War, had rival governments, etc. And I also know that it's said that Lincoln said losing Ketucky would be akin to "losing the whole game" BUT from what I gather he said that mostly because it would likely lead to the loss of Maryland, and therefore the Union capital would be surrounded. Suppose that doesn't happen. Suppose the Union successfully prevents secession in Maryland (as in OTL) BUT Kentucky and Missouri succeed in full on secession around the same time as the mid south and Virgina did after Fort Sumter.
Does it alter the outcome of the war? Does the loss of these 2 states from the Union lessen the disadvantages of Confederate industrial output and/or manpower enough to make a difference? Does the western theater being pushed further north possibly prevent the Union from successfully splitting the Confederacy in two?
Or does this merely postpone an inevitable Union victory by a year or 2 and not change anything but more added deaths and bloodshed?
Either way, how does this change the military and political strategy of both sides?
submitted by Comprehensive-Ad8905 to HistoryWhatIf [link] [comments]


2024.05.22 03:06 mrethandunne Best Actress Elimination Game Round 19

ELIMINATED - Brie Larson in Room - 35.9% of all votes. Room was released in 2015. The film had one win, Best Actress for Larson, at the 88th Academy Awards. Larson was selected for Best Actress of the year in a lineup that also included Cate Blanchett in Carol, Jennifer Lawrence in Joy, Charlotte Rampling in 45 Years and Saoirse Ronan in Brooklyn. Larson also garnered wins at the BAFTAs, Critics' Choice Awards, Golden Globes and SAGs for her performance as Joy Newsome.
Feel free to use the comments as an area for discussion. Votes will only be accepted through this Google Form.
• Charlize Theron as Aileen Wuornos (Monster)
• Marion Cotillard as Édith Piaf (La Vie en Rose)
• Natalie Portman as Nina Sayers (Black Swan)
• Cate Blanchett as Jasmine Francis (Blue Jasmine)
• Olivia Colman as Queen Anne (The Favourite)
• Emma Stone as Bella Baxter (Poor Things)
RANKING:
  1. Brie Larson as Joy Newsome (Room)
  2. Michelle Yeoh as Evelyn Wang (Everything Everywhere All at Once)
  3. Frances McDormand as Mildred Hayes (Three Billboards Outside Ebbing, Missouri)
  4. Julianne Moore as Alice Howland (Still Alice)
  5. Helen Mirren as Queen Elizabeth II (The Queen)
  6. Hilary Swank as Maggie Fitzgerald (Million Dollar Baby)
  7. Emma Stone as Mia Dolan (La La Land)
  8. Nicole Kidman as Virginia Woolf (The Hours)
  9. Jennifer Lawrence as Tiffany Maxwell (Silver Linings Playbook)
  10. Kate Winslet as Hanna Schmitz (The Reader)
  11. Halle Berry as Leticia Musgrove (Monster's Ball)
  12. Jessica Chastain as Tammy Faye Bakker (The Eyes of Tammy Faye)
  13. Julia Roberts as Erin Brockovich (Erin Brockovich)
  14. Reese Witherspoon as June Carter (Walk the Line)
  15. Frances McDormand as Fern (Nomadland)
  16. Meryl Streep as Margaret Thatcher (The Iron Lady)
  17. Renée Zellweger as Judy Garland (Judy)
  18. Sandra Bullock as Leigh Anne Tuohy (The Blind Side)
submitted by mrethandunne to Oscars [link] [comments]


2024.05.22 01:15 bbell11 Northwest Missouri. Dog wants to eat.

Northwest Missouri. Dog wants to eat.
Growing off the side of a tree stump after a couple rainy days. Dog in yard wants to eat them… Located Northwest Missouri
submitted by bbell11 to ShroomID [link] [comments]


2024.05.21 22:17 do_not_look_4_door We Were Driving Cross-Country When We Entered A Tunnel. DO NOT TRY TO FIND IT!

My wife, Mia, and I were driving cross-country. It was our first attempt at the “Great American Roadtrip.”
Mia and I rented a small RV; more of a camper than a full blown RV. We packed up a couple suitcases with plenty of room for any souvenirs and we hit the dusty trail.
We started our journey on the “Mother Road”-- Route 66-- driving south from Chicago until we connected to i-70 and shot straight west through Missouri.
The goal was to see those parts of the country we had never seen before, stopping anywhere that seemed interesting. From the plains of Kansas up through the badlands of Wyoming and South Dakota.
In Missouri we saw the world’s largest cap gun. In Kansas we visited the Evel Knievel Museum and the World’s Largest Belt Buckle.
We love all those kitschy, tourist trap places.
Eventually, we made it to Colorado and after a few hours more of driving through amber waves of grain, we saw them... the Rocky Mountains.
We made an exit and headed north through the winding mountain highways.
The Rockies were gorgeous. Snow capped in the middle of summer, some of the peaks pierced through the white fluffy clouds.
We saw a sign that read “Traffic Tunnel - 3 Miles.”
A little further and sure enough, there it was, a large tunnel bored directly through the mountain in front of us.
A large sign read, “Pike Tunnel - Longest Traffic Tunnel in the Nation! - Please turn your headlights on now.”
“How long is it?” asked Mia.
“That’s what she said,” I quipped.
But she was right, there was no information beyond the detail that this was the longest tunnel in the nation.
“Can’t be more than a mile or two,” I said as I watched the little white car ahead of us slip into the darkness. A moment later we joined it.
The tunnel was lit by fluorescents that gave everything a greenish yellow tinge. On the left hand side was a raised walkway behind a railing for maintenance access.
Initially I was struck by the incredible amount of work that went into the construction of this man- made marvel.
“We’re under a million tons of rocky mountain right now,” I said.
“How many years before this caves in?” Mia responded.
I shot her a look--
“Let’s save the cave-in talk until we’re out on the other side.”
“I’m just saying, nature will take this back eventually,” she continued.
I scanned the empty road ahead of us.
“Where did the other car go?” I asked.
We were now alone in the tunnel, no cars ahead of us nor behind us.
“Huh... they must have sped off ahead. Maybe they’re scared of a cave-in?”
My Spotify playlist had stopped playing. Mia looked at the phone.
“No cell service.”
She turned on the radio and spun the dial only to find static.
“You’re not going to be able to pick up a station in here,” I said.
She turned the volume down.
“Just wanted to check... If only we had some CDs. This tunnel really keeps going.”
“I would have thought we’d be through it by now,” I replied.
I looked at the RV’s odometer, 45,600 miles. I picked up speed. I wanted to try and catch up to the little white car.
Up until this point, the tunnel was a straight shot, but now the tunnel started to curve to the right. It may have been my imagination but it also felt as though we were descending…
Mia felt it too and she started to get antsy.
“Where did that other car go? How long is this tunnel?”
There was an urgency in her voice.
I was getting nervous, claustrophobia was not usually a problem for me but when I looked down at the odometer and I saw that it had gone up by 3 miles, my mind began to wander to unsettling places.
We were descending in altitude. I could feel it. I could see a slope in the lights on the ceiling and the railing of the maintenance walkway. I could feel a pressure in my head, and I was getting cold.
“Could you grab me a coke from the back, Mia?”
I couldn’t have Mia getting anxious, that would only start a chain reaction and make me freak out which would then make her freak out.
She unbuckled and ducked into the back of the RV to where we had a cooler stocked with drinks and food.
Just as she stepped into the back, I saw something.
There standing on the side of the road was a MAN wearing a reflective safety vest and a hard hat. He was WAVING to me as I passed him by.
Something about him looked... strange…
I watched him in the side-view mirror as we passed and he was still watching the RV, still waving at the back of our vehicle as he faded into the distance.
Mia reappeared from the back of the RV, Coke in hand. She popped it and handed it to me.
“You look worried.”
“I’m fine,” I smiled and took a sip of the Coke.
“Eric, slow down!”
I slammed on the breaks as I saw what made Mia scream. In the road in front of us was a roadblock.
Two reflective traffic sawhorses blocked both lanes of the tunnel. Beyond the roadblock, the lights of the tunnel were dark. There was nothing but a void of blackness.
Standing in front of the roadblock was another man wearing a reflective vest and a hard hat, only this time his hard hat had a light on top which obscured his face.
We came to a jolting stop.
I turned to Mia
“Are you okay?” I asked.
“I’m fine,” she replied. “It’s a cave-in isn’t it?”
“God, I hope not.”
I rolled down the window, leaned out and yelled to the man in the hard hat.
“Hey! What’s going on?!”
The man was about 5 yards away. He took two steps towards us and then raised a hand to his mouth and yelled.
“Just doing some maintenance!”
“How long is it going to take?!” I yelled back.
The man made a hand gesture as if he didn’t hear me.
“How long is it going to take?!” I called again.
He made the same gesture. I unbuckled my seat belt and grabbed the door release.
“What are you doing?” Mia asked.
“I gotta know what’s going on.”
“Eric, just stay here, it might not be safe.”
“I’ll be just a second,” I said.
I pushed the door open and stepped down from the RV.
“Stay in your vehicle!” the man yelled.
He took a couple steps towards me with his hand out telling me to stop.
“What’s the hold up?!” I shouted.
The man was a bit closer now but I still couldn’t see his face through the shining light on his helmet.
“Please stay in your vehicle!” he shouted.
There was something off about him.
Then I heard it–
“EEEAAAUUUUUUGHHHHHHHH!!!”
A scream, or something, rolled from deep in the tunnel. The worker turned and looked into the darkness. Then he ran past the barricades and soon all we could see of him was the light on his helmet.
The light disappeared a moment later.
“What the hell was that?! Is someone hurt?” Mia asked.
“I have no idea,” I said.
“Should we do something?” Mia asked.
I just sat there and watched the pitch black tunnel in front of me. I had no idea what to tell her. I checked the sideview mirrors. There was still nobody behind us.
“Where are the other cars?” I asked.
“They must have gotten through before the roadblock... Or maybe they caused the roadblock?” Mia replied.
“I saw another worker a little ways back. We could try to go back and talk to him.”
“We’d be going straight into any oncoming cars.”
“There’s a maintenance walkway. We didn’t pass him that long ago. We can probably catch him on foot.”
“Maybe we should just wait for the guy to come back.”
She reached over and grabbed my arm. I squeezed her hand.
She was right.
I looked out at the tunnel ahead of us. I turned on the RV’s high beams but all I could see beyond the roadblock was more tunnel and more road.
I checked my phone. Unsurprisingly, there was no service still.
We waited, but the man never came back.
“It’s been twenty minutes,” Mia said, “How come there hasn’t been another car behind us?
I was having the same thought. I rolled down my window and stuck my head out. I looked back at the road behind us. It went back about 200 yards before curving out of sight.
There was no sign of that first worker I saw on the maintenance walk way. I looked at the roadblock ahead of us and clicked on the RV’s high beams. There was nothing beyond the roadblock but more tunnel. It didn’t look like it was under construction, just very dark.
“I think we should keep going,” I said.
“What about the roadblock?”
“We’ll move those sawhorses out of the way and just drive past,” I said as I opened my door.
Mia looked at me, then she cast her eyes to the dark tunnel ahead of us. I knew she was processing the same limited options that I was.
Driving backwards would be a huge risk in the instance of another car finally coming along.
Getting out and walking would take God knows how long, we could have driven 10 miles at this point.
Forward was our best option.
“Let’s do it,” Mia said.
We jumped out and quickly pulled the two sawhorses out of the right lane. I pulled the RV up past the barriers, then we jumped out again and put the sawhorses back where they were. We didn't need another car to come barreling through.
We were finally moving again, slowly. It was pitch black save for the high beams of the RV.
We crept forward at around 15 miles per hour. As the tunnel turned and twisted, my eyes started to play tricks on me. I kept seeing shapes at the furthest point of the tunnel.
I kept seeing something standing just at the end of the next bend but as we roll forward, there was nothing there.
“Where are the workers?” Mia asked.
“I don’t know.”
I was done rationalizing. This was all wrong. Traffic tunnels are never this long.
My mind started to wander to all the road trip urban legends I’d read about; The Killer in the Backseat, The Disappearing Gas Station, The Pale Man In The Corn Field.
Did we stumble into some strange outlier location? An in-between point on the endless roads that cross this country?
Then I saw it–
“Look! A person! Thank god!” Mia shouted.
As we rounded a curve in the tunnel, a group of maintenance workers entered our view.
The three of them stood on the left side of the road behind two more sawhorses topped with flashing lights.
Two of them faced towards us, the third was facing the other two.
The one with his back to us wore a light on his hard hat. Was this the same guy we saw earlier? How did he get this far away?
I approached slowly and rolled down the window.
“Hey! You left us waiting back there!” I yelled.
There was no response.
In fact, all three men were completely silent, and it was hard to tell in the flashing light of the sawhorses, but they looked to be standing COMPLETELY STILL.
“Hello?!” I yelled again.
I pushed open my door and stepped out onto the pavement.
“Eric wait--”
I held up a finger to Mia.
“Just a second.”
I slowly stepped towards the 3 men.
“Hello?”
No response… What the fuck?
The bright lights of the sawhorses obscured their faces.
I kept moving closer.
“Hey, what’s going on--”
Then I saw it.
Their faces... They were plastic.
In front of me stood three mannequins.
I backed away toward the RV, then I turned and walked hurriedly to the vehicle.
I was seriously freaked out but I didn’t want to alarm Mia. I climbed into the driver’s seat and slammed the door shut.
“They’re mannequins.” I said.
“What?”
“They’re mannequins.”
”Why?... What?...”
“I don’t know…”
I looked back over at the three figures and my blood ran cold…
The Hard Hat Mannequin had somehow TURNED AROUND to face us. All three figures appeared to be watching us now.
Then we heard it--
A loud resonant banging on the side, and then the roof of the RV.
“What the hell was that?” Mia whispered.
We listened, holding our breath. Then--
A shuffling sound--
Something was moving ON or IN the RV.
“Stay here.” I said.
I got up.
“Eric, wait!”
I moved to the back of the RV.
It was dark. I went for a drawer in the kitchenette space and pulled out a flashlight.
I moved to the rear of the RV, the bedroom. My flashlight illuminated an empty room.
“Whoever is back here, I have a gun…”
A shitty bluff. But I didn’t see anything.
I shone the light out of the windows of each side of the RV. Nothing.
Then I heard it–
A shuffling sound, from right above me.
I looked up and screamed–
“Fuck!”
On the roof of the RV, staring through the skylight was a woman with vacuous black eyes and a dead smile.
Her stringy black hair dangled down towards me casting thing black shadows across her horrible pale face.
“Mia, drive! Fast!” I screamed.
Mia JUMPED over to the driver’s seat, shifted into gear and STOMPED on the gas. The RV was clunky but it could move when it needed to.
We lurched forward and I fell back.
I trained my flashlight up onto the skylight again and the woman was gone.
I scrambled to my feet and looked out of the side windows.
Did Mia shake her off? There was no sign of the woman. I moved to the passenger seat, breathing heavily and sweating.
“What happened?” She asked, keeping the RV at a steady 50 mph.
“There was a woman on the roof,” I said flatly.
I realize now that I was in a kind of shock.
“A woman?”
“Her eyes were black.”
Mia just looked at me, then back at the tunnel ahead of us.
“There’s something wrong with this tunnel.” I whispered.
Mia pointed at the road ahead, “Look.”
I looked out at the tunnel. There were more mannequins. A LOT more mannequins. They were positioned on both sides of the road.
They were all facing us and even though I never saw them move, when I looked in the side-view mirror, they were somehow STILL facing us, turning to watch us as we drove past. Watching without eyes.
“Just keep driving.” I said.
As we drove on, the mannequins crowded the sides of the road more and more. There were thousands of them. Eventually they were so close that some of their outstretched arms hit the side of the RV.
They were closing in on us. Squeezing our path forward. One stood in the middle of the road.
“I don’t think i can get around it.”
“Run it over. Don’t stop.”
The RV smashed into the mannequin. Its head shot forward and bounced against the windshield and the vehicle shuddered as it rolled over the body.
Soon there were two in the road. Then three.
I could see where this was going. Pretty soon there would be too many for the RV to ram through, but goddammit we were going to get through as many as we could.
“Speed up, Mia.”
CRASH!
The sound was surreal, smashing into mannequin after mannequin at nearly 60 miles per hour.
Hands, legs, heads and torsos flew.
The windshield cracked, the RV shuddered and screamed and eventually slowed down, despite the screaming engine.
I’m certain the axle was jammed up with lifeless, plastic body parts. Eventually we came to a stop.
“She won’t move,” Mia said.
She pressed on the gas but it was no use, the RV just rocked a little bit.
“Try reverse.”
She shifted and pressed on the gas, we got some decent movement before running into another jam.
“Fuck.”
“Should we get out and look?” Mia asked.
“I’ll go,” I said as I grabbed the flashlight and popped the passenger door. Mia unbuckled her seatbelt.
“We’ll go together.”
We stumbled out of the RV on the passenger side. It was like stepping into Hell.
Countless, lifeless faces stared out at us from the darkness. The only light came from the headlights of the RV and my flashlight.
We clumsily made our way along the side of the RV. The ground was littered with mannequin pieces.
I thought to myself, if we could get a couple yards cleared out behind the rear tires, we might be able to back out and get enough momentum to reverse all the way back out of here.
Instead, when we got to the back of the RV, my stomach flipped and my heart sank.
I was expecting to see a trail of flattened mannequins, instead the RV was now surrounded by thousands of perfectly intact mannequins standing at attention. As if their ranks had some how been replenished after our vehicular assault.
“This is impossible.”
She started to cry. I held her close.
“We’ll keep moving.” I said.
“It will never end. The tunnel makes no sense. It only curves one direction.”
I looked at her.
“What do you mean?”
“This whole time the tunnel has only been curving to the right. it would sometimes straighten out or go left for a few yards but before too long we were curving to the right again. We’ve either been driving in circles or spiraling downwards.”
“So we’ll go back the way we came and hope we’re not going in circles.” I said.
We had been driving for hours at this point. Walking back out the way we came would take days. But now that I thought about it, Mia was right, we’d only been curving to the right.
This tunnel seemed to be very gradually taking us downwards into the earth.
Going forward would not get us any closer to escape.
“We’ll need food from the RV,” Mia said.
I nodded and we stumbled our way back to the front of the RV, the mannequins’ lifeless faces watching us the whole time.
I stepped up to the passenger door and nearly fell back when I looked through the window.
“What the fuck?” I breathed.
What I saw were two mannequins sitting in the driver’s and passenger’s seat.
How they got in there? I have no idea, but what really made my blood run cold was that they were dressed EXACTLY like MIA and I.
They wore identical sets of clothes. The one in the passenger seat had my same New Order T-shirt and black jeans. The one in the driver’s seat had Mia’s green striped sweater and denim shorts.
Their plastic faces stared out through the shattered windshield at the endless crowd of mannequins staring back at them.
Mia stepped up and saw the uncanny display.
“What the fuck?” Mia echoed.
I pulled myself up into the RV and slowly stepped around my mannequin doppelgänger. I avoided looking into its face but I swear i could feel it watching me as I stumbled around it.
Mia followed and we made our way into the back of our dark RV. Luckily we had just stocked our cooler full of deli meat and water not long after crossing the Colorado state line.
I handed Mia the flashlight and pulled open the cooler. I filled a backpack full of food and water.
I turned and saw them–
My mannequin double had somehow moved. It was standing in the aisle watching us.
Mia’s doppelgänger was still seated in the driver’s seat but had turned to peer back at us with its eyeless gaze.
Mia saw the look in my eyes and turned. She screamed when she saw them and backed into me. I put my arm around her and we stood there a moment, letting our skyrocketing heart rates return to Earth.
“Let’s get out of here,” I said.
I slid the backpack onto my shoulders.
Mia joined me at the door. I looked into her eyes. “Are you ready?” She nodded. I kissed her.
“I love you,” I said.
“I love you,” she said.
The look on her face killed me. She was terrified. I’m sure the look on my face was similar.
I opened the door and we stepped out…
We again stumbled to the back of the RV. Once we were clear of the RV and all the crushed mannequin body parts, it became easier to find footing, though weaving through an endless crowd of lifeless people was a slow process.
It was pitch black. Without the flashlight we wouldn’t be able to see a foot in front of us.
As I walked, the beam of light created the illusion of movement in the crowd. At least I hoped it was an illusion.
The limbs of the mannequins seemed to stretch and turn, but the only sound was that of Mia and I shuffling our way through the crowded tunnel.
Things went on like this for what felt like hours. Mia and I were sweating and aching. I was about to suggest we stop and rest, but then I saw it and I froze…
Out in the crowd, beyond rows of blank faces I saw a pale face, black hair and a dead smile.
I saw two vacuous eyes staring right at me.
“Mia, do you see her?” I whispered.
“See who?”
I slowly raised my arm and pointed.
It was the woman, or whatever it was, that stared back at me through the skylight on the roof of the RV.
“Oh my god!” Mia squeaked.
I could see now that the Pale Faced Woman was tall. A few inches taller than the mannequins.
As I pointed, she stared back at me with that terrible grin.
“What do we do?” Mia whispered.
I raised the flashlight and pointed it right at the Pale Faced Woman. I thought maybe this would scare her off.
I was wrong.
The light only made her appear more unsettling as she stared back, unflinchingly.
“What do you want?!” I yelled.
She only stared back at me. She was as still as the mannequins.
“We have to keep going.” I whispered.
Mia didn’t respond. Her body was tense as she held onto me.
“We’ve come this far, we can’t turn back again,” I continued.
I pulled Mia’s hand and we continued on our way through the mannequins, keeping the distance between us and her as wide as possible.
As we moved past, she kept watching us. Though her movements were imperceptible to us, her eyes never left us. Like one of those portraits whose eyes appear to watch you no matter where you stand.
Finally, we got far enough that she was out of sight. But the thought of her being somewhere behind us only unsettled me further and I quickened our pace.
As the hours wore on, there was no sign of the Pale Faced Woman and the crowd of mannequins began to thin out. They still populated the tunnel from one end to the other, but there was more space between them, allowing Mia and I to walk more freely.
The mannequins on the maintenance walkway on the side of the tunnel seemed to thin out as well and I decided it would give us a better vantage if we were walking up there.
I helped Mia climb up the railing that bordered the walkway, then I climbed up behind her. The walkway was elevated 3 or 4 feet above the roadway. We could easily see over the heads of the mannequins in both directions.
There was, of course, no end to the tunnel in sight.
We kept walking.
The mannequins continued to thin out, but they were different now.
There were mannequins dressed as maintenance workers again, but also mannequins dressed as families and businessmen. There was even a group of mannequin nuns standing in a single file line, heads bowed in prayer.
Needless to say, we passed none of this on the way in to the tunnel. I was feeling very hopeless that we were going to be able to find our way out.
I was far beyond speculating how this was at all possible. It’s NOT possible. And even if it were, there is no good reason for someone to do this to us.
The only explanation was the supernatural. Then I saw Her. Rather, I saw THEM.
Arranged in the middle of the tunnel was a circle of mannequins with long black hair and tattered cloth.
They looked exactly like the Pale Faced Woman, minus any facial features. I kept a close watch on them as we passed to make sure they didn’t start following us.
“A door!” Mia shouted.
Mia pointed a few paces ahead of her. There was a door leading into the wall of the tunnel.
We ran towards it. Mia grabbed the handle, turned it and pulled. It was heavy and Mia had to brace her foot on the wall to get it moving.
The metal door groaned as if it hadn’t been opened in years.
Finally, it was open enough to see past.
It was a hallway. It went out about 5 yards then turned right at a 90 degree angle.
The strangest part was the design of the hallway.
It wasn’t cement or pavement like the tunnel.
The walls were wood paneled and the floor was covered in a thick carpet, like a house from the 1970s.
“I say we see where this takes us.” Mia said.
There was no reason to disagree, but I wasn’t going to get us trapped in there.
I opened up my backpack and took out a water bottle. I opened it and handed it to Mia. She drank half, then I drank the other half.
I slowly closed the door, shoving the empty water bottle in the crack to keep it from closing all the way.
I turned to Mia-- “Okay, let’s go.”
We slowly made our way down the quiet hallway. We got down to where the hallway cornered to the right and that’s when we heard it–
KA-CHUNK!!!--
I whipped around. The door had closed behind us. I ran back to it and tried to push it open, but it was no use. There was no way it closed on its own.
Someone had to have removed the water bottle. Our path had been chosen for us.
There was no turning back.
We continued down the hallway. We turned right. The hallway continued, then turned right again. That should have led us right back to the tunnel. But it didn’t. This part of the hallway went on far longer than was possible without running into the tunnel. Then it turned right again.
It went on like this. Sometimes a section of the hallway was 20 feet long, sometimes it was 20 yards long, sometimes it was 3 feet long. But it always turned to the right.
At first it was a relief to be somewhere other than the cold, dark tunnel. But the hallway very quickly became claustrophobic and before too long, I heard someone walking behind us.
We had stopped to take a break and I heard a third pair of footsteps on the carpet coming from behind us. I backtracked to the last corner.
I was terrified as I slowly peeked around the corner, tense and waiting to see the vacuous eyes and inky black hair of the Pale Faced Woman... but there was nothing there. I wasn’t about to backtrack any further.
“There was no one there.” I whispered.
Mia slumped against the wall and slid down to the carpet.
“I think I need to rest.” She said.
I put my backpack down on the ground for Mia to use as a pillow. She laid her head down and was passed out in seconds.
I had no idea how long we had been walking at this point. I stood leaning against the wall. My body was telling me to rest but I couldn’t risk falling asleep. I had to keep watch. I knew SHE was following us.
I took in the details of the hallway for the first time. The carpet was a dull brown and the walls a cheap wood paneling. The hanging lighting fixtures were shaded by stained glass, something you might see in an old diner.
Who built this place? Did someone pick out the carpet and the lighting fixtures? Did a team of workers blast these tunnels into the Earth? Or has this place always existed? Was this Purgatory?
I began to feel dizzy. I was panicking. My heart felt like it was trying to escape my chest. I slumped to the floor and tried to slow my breathing.
I closed my eyes... –
I SHOT up in a panic. I had fallen asleep while I was meant to be keeping watch.
I snapped to my feet and looked around.
Mia was still asleep on my backpack.
Then I noticed that the hallway had changed. A few paces away there was now a plain wooden door in the wall.
I slowly approached it. I put my ear to the door and I could hear what sounded like TV static and the low murmur of voices.
I discreetly grabbed the door handle and turned it slowly. I felt the latch bolt clear and I carefully cracked the door just enough to peek inside.
It was dark, so it took a second for me to register what I was seeing. I saw a small board room. A long table in the center was surrounded by seated men in suits.
At the end of the table stood another man next to an old CRT TV that was playing static. This was the only source of light in the room and all the men around the table were turned towards the tv.
Suddenly the screen flickered from static to a solid dark background. And some warped new age style muzak began playing.
Then the words appeared on the screen that terrified me like nothing else before. In plain text the words read–
“YOU WILL LOSE HER.”
I froze as I knew these words were meant for me I watched with terror as the men seated around the table slowly turned toward me in unison.
They were mannequins.
The TV screen then clicked off and they continued staring at me as I could barely make out their forms through the near pitch darkness.
I quickly pulled the door shut. And whipped around to look at Mia, I had a horrible feeling of dread that when I turned around she would be gone, like the message on the TV promised–
“Eric? What are you doing?” Mia was leaning up and staring at me.
Thank God. There was Mia, right where I left her.
I pointed at the door and said, “This door appeared and I--”
“What door?” she interrupted.
I turned and sure enough, the door was now gone.
I explained what happened to her, but I left out the message that appeared on the screen.
-- YOU WILL LOSE HER –
Those words still burned in my brain. I tried to force them out.
We drank water, ate granola and then got moving again.
Hallways. Endless hallways.
After a couple hours of walking we started to hear music. There were small speakers in the corners of the ceiling.
I recognized it as the same new-age muzak that played on the TV in the board room. The melody drilled into our minds. Combined with the dull aesthetics of the quiet hallways and the endless right turns, the music had a hypnotizing effect.
The lengths of the halls became more uniform. That is to say, the straight section of hallway was about 7 paces, then a right turn, then 7 paces and a right turn.
“I think we’re walking in circles... or a square,” Mia said.
I looked at her and took out a bottle of water. I peeled off the plastic label and dropped it on the floor.
Then we kept walking.
7 paces, right turn. 7 paces, right turn. 7 paces, right turn. And there it was... Mia was right.
The label from my water bottle lay in the middle of the hallway. Somehow we had been led into a loop. I lost it.
“FUUUCK!”
I kicked the wall repeatedly and screamed. Mia just leaned her back against the wall.
This was our dynamic. If one of us lost it, the other became zen and thought of a solution. More often than not, I was the one to lose it.
I finally stopped freaking out
“There has to be a way out. A door,” Mia said.
“We would have seen it,” I replied.
“A hidden door,” she said.
She turned around and ran her hands along the cracks of the wood paneling.
“Most likely on the outer wall,” she said.
She beat her fist on the wall, listening for a change in the sound. I exhaled heavily, sweating and tired, and I started searching the wall as well.
We checked the whole first wall, nothing. We checked the second wall, nothing. The third, nothing.
The final wall... Nothing. I gave up and slumped on the floor. Mia immediately went over to the other side of the hall and started checking the inner wall.
“What are you doing? I thought you said it would be on the outer wall?” I asked.
Then we heard it.
Mia beat the wall and instead of the dead thud, we heard a resonate BOOM –
A door…
I shot up and started tapping the wall with Mia until we found where the door ended. It was the width of about 4 wooden panels. I lined myself up in the center, lowered my shoulder and pushed–
IT MOVED! It barely moved but it was enough to confirm this actually was a door! I re-centered and tried again, lowering my center of gravity, I pushed as hard as I could. The door pushed inward about 3 inches, then Mia joined in. We slowly moved the door, 5 inches, then 10, then 15, then 20.
Then Mia slipped inside.
I had a moment of panic as she disappeared into the darkness and those haunting words came back into my mind, “YOU WILL LOSE HER.”
I darted past the doorway, falling through the threshold and hitting the concrete floor.
I looked up and there was Mia, thank God. I promised myself I’d never let her out of my sight again.
“The exit...” Mia said.
She looked and sounded as if she were a thousand miles away. I got to my feet and followed her gaze. What I saw nearly brought me to tears.
We were back in the tunnel, but there was light. About a mile down was the mouth of the tunnel, and daylight pouring in. Beautiful daylight. I grabbed Mia tight and kissed her.
“Thank God...” she cried.
We started moving. Nothing was going to slow us down this time. We sped up into a RUN down the maintenance walkway towards that beautiful sunlight.
As we approached, something else came into view. Parked in the middle of the roadway was a large vehicle…
It couldn’t be…
It was!
Our RV sat in the road waiting for us. We ran all the way to it, pulled open the passenger side door and climbed in. There were no mannequins to be seen.
I fell into the driver’s seat and Mia handed me the keys. I turned over the engine, the most beautiful sound I’d ever heard. I shifted into gear and floored it towards the sunlight.
As we got closer, I could see the green of trees and the blue of the sky. We were maybe one hundred yards away.
I turned to Mia, tears in my eyes…
And what I saw turned my blood to ice.
Just beyond Mia’s window, that horrifying pale face grinned at me.
The Pale Faced Woman was somehow floating outside of the RV.
Before I could say anything, her hand smashed through the window and gripped Mia by the throat, then in one horrible motion the thing PULLED MIA SCREAMING THROUGH THE WINDOW AND…
Disappeared…
I SLAMMED on the breaks just as the RV passed through the exit of the tunnel and sunlight flooded the cab of the RV. I threw it in park and shot out of the door screaming.
“Mia!? Mia??!!”
I screamed over and over. I rounded the front of the RV and looked back at the tunnel –
-- and what I saw shattered my mind…
The tunnel was gone.
There was only open road.
I had lost her.
submitted by do_not_look_4_door to nosleep [link] [comments]


2024.05.21 16:57 CDown01 Eagles Peak Pt.9

Previous Part
The next day went by in a blur. Rocco was walking the perimeter of the camp, keeping an eye out for Brooke when I woke up. I didn’t really think he’d leave, but it seemed to give Rocco something to do other than being a general menace to society. All of us ate breakfast as normal but no one really said much. I’m not sure if they were still reeling from things they saw yesterday or if they just weren’t in a talking mood. The thought occurred to me that Shaoni may have payed a visit to each of them as well. Prying into what they saw and answering questions they might have. Honestly the whole thing felt like we were guinea pigs. Shaoni didn’t really seem to have a great handle on the trials so far. It was… mildly concerning that the ringmaster of all this didn’t seem 100% in control anymore.
Actually, I’d thought about that a lot last night. Shaoni just sort of left us to our own devices when we went through those “visions” yesterday. It’s not like she backed up her claim that she’d know what we’d seen either. If anything the fact that she came to ask me about it made me even more suspicious that she wasn’t really sure what she was doing. It was the first time I’d ever thought of Shaoni as anything other than in complete control. Slowly but surely it was becoming glaringly obvious that wasn’t the case.
If I was remembering correctly today’s trial was the trial of strength. I sincerely hoped that was a metaphor for something. You’ve got to understand, I’m not a very strong person, not physically anyways. I hoped Shaoni wanted to test mental strength or strength of will something like that. My hopes shattered as we arrived at the coliseum and saw an arena set up. There were several dummies in a corner, the kind you would see used in martial arts or HEMA or something to that effect. At the foot of the dummies were several wooden clubs. I couldn’t see them to clearly but they almost looked clawed from a distance. The real centerpiece was the platform in the middle of the coliseum. It looked like a stage and I’m sure that’s exactly how we were going to use it. The raised wooden platform had been constructed with boards placed across the top. It looked like those boards could be removed and under that was simply the cold hard ground about two feet below.
Katrina’s eyes lit up as she looked over the room.
“Now this is what I’m talking about, a real trial!”
She just about shrieked in excitement, throwing one fist in the air and startling the rest of us to attention. Katrina was the only one that really seemed excited about this. John and Robert just looked accepting and I’m not sure Brooke had put two and two together yet. I’d seen the clubs laid out by the dummies and already figured we’d be sparing with each other.
“Good morning everyone, I hope your ready for today.”
Called Shaoni, emerging unseen from behind us. Anyone who wasn’t fully awake at that point sure was then. There’s just something about Shaoni that makes you really really not want her to show up behind you unannounced. Probably why she kept doing it to us.
“Today I will test your strength, while I’d rather avoid conflict it’s sometimes unavoidable. My ideal candidate not only knows themselves but can handle themselves as well. We will allow you some time to familiarize yourself with the war clubs you’ll be using. Then you will compete against each other to find the strongest, most skilled warrior among you.”
Shaoni explained, Katrina’ excitement growing with every word.
I wasn’t to keen to participate in any of this but, like usual, I didn’t really have much of a choice at this point.
“So will you be sticking around this time then?”
I asked, wondering if Shaoni was going to cut and run again.
“I have other matters to attend to today. While I would like to stay and observe the whole day I need to prepare things for the final trial tomorrow. I’ll be back in time to see you test each other though.”
She replied dismissively, already on her way out. Shaoni seemed almost uninterested in us now. For someone evaluating us she seemed awful happy to pass off the evaluation to her followers. I didn’t say anything else as she walked out of the coliseum and towards the exit.
As I walked over to the little training area I saw the clubs were actually ornate masterpieces. They were carved from a hard dark wood. The handles resembled an eagles talon, curving near the end to grip a wooden orb. Whoever made these was beyond skilled, these things were works of art. I didn’t have much time to admire them before Katrina interrupted me.
“Hey, Keith was it? Want me to show you how to use these things?”
She called over to me, it was more of a command than a question but that’s pretty par for the course with her.
“If you want, sure. I’m uh… I’m kinda a fish out of water with this find of thing.”
I told her, rubbing the back of my neck with one hand in embarrassment. I wasn’t sure why she was singling me out for that but she answered that question for me.
“Good, Those two creep me out and that one has been drooling over me since we got here.”
She said, pointing over at Robert and John who had already started practicing, then at Brooke. Katrina showed absolutely no subtly in any of this, earning us looks from all three of the others.
I was a little afraid of Katrina teaching me anything, if someone was gonna kill me by accident it would be her. That and she still had that gun on her. Despite my misgivings she was actually a pretty good teacher. She was a bit like a drill instructor but I learned a thing or two. By the time we were done I felt like I might stand half a chance in this trial.
“Just remember your footwork, keep your balance and the rest should come natural. Oh, and if we get paired up, take a dive, it’ll be less painful.”
Katrina added with a smirk, walking over towards the group by the stage in the center of the room. Shaoni had just come back in and was up on the balcony. A few of her followers had collected us and informed us we were about to start the, ”practical part”, as they put it.
“There’s five of you so for the first matchup one of my own will serve as the opponent. Anyone what to go first?”
Shaoni asked us, looking down with a raised eyebrow and waiting for a response. Before I realized what I’d done my hand was in the air, my body subconsciously wanting to get this over with as fast as possible. Shaoni actually looked surprised as she gestured for me to take my place on the stage. Two of the boards had been removed on either side leaving us something like six feet of space to work with before falling off the platform. But I was far less concerned about that after I saw the guy walking over. It was the driver from a few days ago when Shaoni had me brought out to the camp. The guy that had his friend stabbed by Bianca, he didn’t look like he’d forgotten about that as they gave him his club.
As I took my place on the stage the only thing I was thinking was exactly how bad it hurt when you got hit with one of these things.
“Begin when you are ready.”
Called Shaoni from her place on the balcony. The guy across from me took absolutely no time to think, charging at me wildly right away. I tried to brace myself and remember Katrina’s training, taking an even stance and angling my club for the coming blow. I did manage to block his strike but the force of it threw me to the ground. My mind went into full survival mode as he swung down at me. He was way less fluid than Katrina had been when she was showing me the ropes. He just seemed like he wanted to hurt me by any means necessary. As I rolled from side to side avoiding his blows I waited for an opening. He took a particularly hard swing at my head and I rolled at the last possible second. He lost his balance, giving me a chance to slip between his legs and get back to my feet. I stood back up narrowly avoiding a swing for my head as my opponent regained his balance and swung back at me. His wide hate fueled swing carried his whole body around with it and gave me another opening. I planted my feet and took one hard swing at the man’s turned shoulder hitting him right on the bone with a sickening crack. He stumbled around towards the edge, turning his back to me. I took one final swing, hoisting the club above my head and bringing it down in between his shoulder blades with a hollow thud. The blow sent him tumbling forward over the edge and off the stage, falling to the floor below.
Katrina shot me a quick thumbs up as I walked off the stage while Shaoni looked down at me and gave me an approving nod. No one else seemed to pay me any mind as I rejoined the group. I felt empowered, I hadn’t expected to get even that far, maybe there was a chance for me in this trial after all. Robert and John fought next and despite their age they each held their own. In the end John forced Robert off the edge, his age and weight throwing off his balance. I was still impressed either of them could move like they had, I guess I shouldn’t judge a book by its cover. Then Katrina fought Brooke in the last… round I guess I’d call it. The smile on her face was unsettling from the moment she realized she’d be paired up with him, like a shark smelling blood in the water. You could just tell that she was going to take pleasure in what happened next.
That smile was still on her face as she walked up onto the stage and took her place across from Brooke.
“I hope you like it rough baby, cause I’m not going easy on you!”
Brooke called to her from the other side of the stage making a point to puff out his chest and flex his muscles. That set her off like a bomb, the smile disappeared and she exploded towards Brooke. I saw the exact moment that false confidence left his eyes and he actually turned to run, he was far to late and way to slow. Her first strike went low, shooting out in front of Brooke and coming back to catch his knee sending him tripping forward. He tried to regain his balance but she had no intention of letting him. Katrina swung out in front of him again, this time catching his neck with the club on its way back. That sent him flat onto his back, the club falling form his hand and rolling off the edge of the stage was the only sound in the whole coliseum. All eyes focused on Katrina as she took a breath then delivered a kick to Brooke’s ribs so hard that he went rolling off the edge, following his club. I returned her thumbs up she had given me as she rejoined the group.
Next, those of us who remained got matched up with each other. Shaoni wanted to use another one of her followers to stand in but Katrina insisted on just going twice. That meant I’d fight her and then the winner would fight John to see who the victor of the day was. As I stood across from Katrina I considered taking her advice from before, “…Just take a dive…” she had said. I thought about it, I really did, but I’d done so well earlier right? Why stop now? While I’d been thinking Katrina had walked up to me and started to swing. I had just enough time to realize my mistake before she cracked me across the head so hard she knocked me out.
I came to an hour later, alone on an animal skin cot. I was still in the coliseum but everyone else had left apparently. The only thing I saw when I got up from the ground was the torchlight illuminating the passage that lead back outside. That and the note scribbled on a scrap of a sticky note taped to my fore head.
“I told you to take a dive.”
Well at least she might feel bad about knocking me out. I figured we must be done for the day given how dead the camp seemed when I emerged back into the light. With nothing better to do, I walked off towards the forest to clear my head. I wondered what Bianca had been up to since I’d been gone as I aimlessly wandered around the forest’s edge.
“No that wouldn’t work! We don’t know what’s up there and we are not just waltzing in through the front gates!”
Stein yelled at me as I went over my most recent idea for breaking Keith out of whatever trials were going on out by the old mine. It had been two days since I watched him get kidnapped in front of me and I was getting drastic, aaaannd maybe a little dramatic.
“But I could do it guys! Remember back at the reservation? Those guys were willing to do anything for me and there can’t be that many guards in one place. Maybe I just convince a small group to lead us in and make an excuse for us.”
“For the last time Bianca, They’re just about cultists far as I can tell. You ain’t gonna be able to fight the kinda conviction they have to that bird, even if ya could its to much of a risk.”
Tuck protested from his seat at the kitchen table.
The kitchen table had become our war room over the past few days. A map of Eagles Peak Frank had made lay across it with dozens of pins stuck in around where the old mine would be.
“I don’t think an approach from the front is a good idea at all. You and Keith got to the mine through the forest once. Could we follow that path, approach without anyone knowing we were there?”
Stein theorized as he paced back and forth at the head of the table.
“Well, we really just wandered around for a bit and ended up there. We didn’t find the mine either, it was a hole that lead down to an old cavern near the mine. They turned out to be connected but that was just dumb luck.”
I explained to the group. Tuck looked like that had given him an idea.
“So you two got some backdoor entrance figured out that you’re only just tellin’ me about? That could be perfect! The four of us could make our way out and drop through that hole, take em all by surprise!”
Tuck exclaimed, leaping to his feet. His enthusiasm was nice but it wasn’t going to be that easy.
“We… kinda made a bit of a scene when we were there, they might be watching for something like that to happen again.”
“True, but it’s the best entrance strategy I’ve heard so far, I think following up on it is worth a try.”
Frank added with a nod. Stein then started pacing up and down the length of the table for a bit. He was coming up with something, that much was obvious.
“So we’ll enter through this hole leading into a cave connected to the old mine. From what you told us about your time there its some sort of staging area for these trials, at least that’s my best guess. Odds are there won’t be many people there overnight so we make our way out there during the night. From there we move through the cave and into the mine but after that we know nothing about what we’re running into.”
Stein lectured to his audience.
“But I think we have a solution for that. Frank do we still have that drone?”
An hour later the four of us were gathered at the edge of town on that path Keith and I had taken into the forest. The trees growing together forming a sort of arch over our head’s were unsettling but I couldn’t decide why. It just didn’t sit well with me, it looked unnatural I guess and that just gave me the creeps. I get that’s rich coming from a literal succubus but its how I felt.
“Alright, just watch the trees as you take it up, I don’t want a repeat of Missouri.”
Stein instructed Frank as he got the drone in the air.
“You’re never going to let me live that down are you?”
Frank chuckled, shaking his head.
“It was the first time we used this thing, there was bound to be a few unexpected variables.”
“If you call “unexpected variables” an itchy finger on the throttle. We had to have Rocco untangle it from the branches.”
Stein joked as he checked to make sure the drones camera was feeding back into the app on his phone.
I hadn’t seen them like this, being friendly with each other. There was never a time where they hated each other or anything like that but they’d been so… business like with for a long time now. It was nice to see them act like real people again. Leaning over Stein’s shoulder I got a birds eye view from the drone.
“ Just go East, its what we did. Just walked East till we stumbled into everything.”
Frank followed my advice and flew the drone due East. Eventually a campsite came into view, there were a bunch of tepees and a bunch of people just walking around.
“What, they just look normal?!”
I blurted out, a little louder and a bit more distressed than I meant to.
“How’re they supposed ta look then?”
Tuck asked
“They’re just people like you n’ me. Nothin to special about em other than the fact they worship some big ass bird.”
He continued with mild annoyance.
“I don’t know, I guess I expected these creepy guys in tarps, like from Keith’s story. These are just… well they’re just people!”
I responded, Throwing my arms out to my sides in exasperation. Tuck was right, I shouldn’t have expected everything to be just as Keith had said. Still, something just didn’t fit together for me about that whole thing. What had the deal been with those people in Imalone then? I shook my head, clearing the question from my mind, it wasn’t important now.
“There! That’s the entrance to the old mine.”
Tuck told Stein as he looked at screen. I looked over myself and felt my entire being freeze. It was Brooke, walking out from the entrance with some bitchy looking girl and two older guys that I’d seen around town before. How could he be here? After all this time why, why was he anywhere near me?
My vision swam, when it came back Frank was standing in front of me. His mouth was moving but I couldn’t hear anything.
“…anca! Are you ok, what’s going on? Bianca!”
I finally heard over the sudden ringing in my ears.
“Him.”
Was the only thing the escaped my lips as I pointed one finger at the screen. I felt warmth coming back into my limbs as that frozen feeling slowly left me.
“He’s here…. Shouldn’t be here… why.”
I mumbled to myself as Frank helped me into the back of the SUV twenty minutes later. I was still nearly catatonic as we headed back into town.
“So… that was him, the one you were running from when we found you.”
Stein said, breaking the silence that had fallen. I could talk normally again but I still only managed a quick “yes”.
“You know you don’t have to come with us, I’d understand.”
Frank said, snapping me to attention again.
“NO! I’ve got to help Keith, I don’t care if… if Brooke’s up there too.”
I tripped over my words just mentioning his name.
“I can do it, I can do this Frank, please.”
I begged, taking deep breaths to try and calm myself down. We pulled into the driveway before Frank said anything back. As we were all getting out he muttered something under his breath. He didn’t mean for me to hear him but I did.
“I’m not sure you can girl.”
I went straight up to my room after that, I didn’t want to be around anyone. All I caught before I left Frank, Stein, and Tuck before running up the stairs was the hard look Stein shot both of them. A look that said “We need to talk” and told me that he finally had a real plan. I spent the rest of that night thinking about the past and what I’d been through. Could I go out to that mine and rescue Keith if I had to face Brooke again? The last time I’d seen him had been as I leapt out of a moving car as my eyes turned to meet his one last time, rolling down that hill to freedom. I’d never seen him since and it was rare for him to even cross my mind. I wanted to go with the rest of them but despite what I said I really wasn’t sure I could do this anymore. Eventually I just decided only time would tell, hopefully Stein’s plan was a good one and we could put this whole thing behind us.
“Ey! Ey Keith!”
Someone yelled out as I came back from my little hike around the edge of the forest. My eyes darted around behind me before they finally focused on a rustling bush. Rocco jumped out of it holding a cigar in his mouth.
“That Brooke asshole hasn’t gone anywhere, I found him out by that trail the trucks drove in on with this.”
He said, tossing the cigar up in the air where it twirled around before he caught it in his mouth again.
“I figured I should frisk him just in case. I took a bite of his pants and stole this little number out of his coat pocket.”
He continued, shaking a silver lighter with a gold inlayed image of a lion in his paw.
“Oh and the cigar, I took that too. Cuban so the guy’s got taste, still a prick. Anyways, it looked like someone got to him before me. The guy was pretty beaten up, had some nasty bruises.”
I couldn’t believe what I was hearing. I was just trying to picture Brooke getting mugged by a raccoon In my head and I burst out laughing. Rocco walked back to the camp in toe with me, only stopping to look up at some weird buzzing sound we both heard above us. Probably some rickety old plane or something way up there. I think I was finally starting to get why Frank and Stein had kept Rocco around. He may be a furry criminal mastermind but when he was motivated he could actually be really helpful. I never would’ve been able to keep any sort of tabs on Brooke without his help.
We made our way back to the long tent that still had remnants of lunch sitting on the table. Usually I would’ve tried to hide Rocco but at this point I figured he deserved the free food. Plus I just didn’t want to argue with him after getting my shit rocked most of the morning. Someone walked up behind me and I heard Shaoni’s voice, of course she was creeping up behind me again.
“Your feeling alright after today I hope?”
She asked me, taking a seat next to me.
“I’ll be alright, I’m sure I’ll have a killer headache in the morning but I’ll manage.”
“Good, good. We’ll be gathering in a few hours so I can announce the final trial. I expect you out by the entrance to the mine by 6.”
“What’s the matter? No cryptic questions this time Shaoni?”
I asked, paying no mind to what was sitting next to me.
“What do you mean?”
“I mean, you always stop by to check in after these trials. You don’t have any questions this time?”
“No, Katrina was the victor today, there is no question about that, the woman is… brutal. I just wanted to make sure she didn’t hit you to hard, you were unconscious for some time.”
She answered, some genuine concern slipping into her voice again.
“Heh careful, I might start to think you actually care.”
I joked, less nervous than I should’ve been.
“I’ll see you tonight with the rest for the announcement.”
She said with a deep sigh, standing up and walking off toward where ever she came from.
I took a nap and just barely managed to wake up in time for this “meeting” Shaoni had planned. I couldn’t find Rocco before I left but I wasn’t all that concerned about that anymore. When I got to the entrance a massive bonfire was lit and Shaoni stood alone in front of it. Robert and John were already there and Katrina showed up a little after me. Brooke hadn’t arrived before Shaoni started her speech.
“I thank all of you for coming here tonight. Regrettably one of you is missing but I won’t be waylaid by his absence.”
She spoke with clear annoyance in her voice.
“Tomorrow marks your final trial, the most important of the three. The trial of justice. Tomorrow there will be a murder in Eagles Peak. I want you all to work together to stop it. Then, succeed or fail, pass judgment on those involved in the murder. Afterwards I will select which among you will receive my gift. But for tonight, talk amongst yourselves, plan, and rest. Prepare yourselves for tomorrow, I will have my eye on each of you.”
With that Shaoni stepped away from the fire and into the night. Not accepting any questions about anything she had said.
“What do you think she has planned?”
Robert asked me as I took a seat by the bonfire to think over everything Shaoni had said.
“I don’t know, a murder apparently. Shouldn’t you know more about it? You’re one of her followers after all.”
I said as I turned my head to see John walking off into the night. That man was weird, really weird. I knew next to nothing about him and he seemed to never speak.
“Usually sure, but she hasn’t said anything to us about this. It’s why she hasn’t directly overseen all the trials, she’s set this last one up all on her own. I guess there’s nothing to do but wait, we’re all in this together for the first part of the trial I guess.”
Robert explained, leaning back and sprawling out on the ground. He was right, there wasn’t much we could do until we were in the middle of it.
I looked around, searching for Katrina in the firelight. I found her leaning against the rocky wall that made up the entrance of the mine. I stood up, leaving Robert to relax and made my way over.
“How’s the head?”
She asked, feigning taking a swing at me again with an evil grin on her face.
“I told you to take a dive.”
“Yeah, I should’ve listened.”
I admitted, rubbing the goose egg that had formed on my head over the course of my nap.
“So what do you thin about this last trial?”
“Well, I can say that If that Brooke guy tries flirting with me one more time the murder won’t be that hard to solve. Seriously though, I think she’s gone off the deep end. How does she know there’s going to be a murder?”
Katrina made a really good point, how was Shaoni so sure?
“That’s… hmmmm, you’re right.”
“Well I’m gonna head to bed then. Something tells me tomorrow is gonna be a headache. Just try to stay out of my way when we’re all forced to work together and you should be fine. All goes well and maybe we’ll be out of here tomorrow, I know I will.”
Katrina said as she pushed herself off the rock wall she’d been leaning against. Something about the way she said that last part, it made me think she was up to something. Like she was leaving no matter what or she had some sort of exit strategy.
As I left Robert relaxing by the fire and hiked back to my own tepee for the night I spied Katrina. She had climbed up a tree and had her legs wrapped around the trunk and one of her arms gripped a branch above her. There was some kind of box in her other hand, a radio maybe. I had no idea what she was saying, she was too far off, but it had to mean something. As far as I knew none of us had any contact with the outside world since we got here. My gut feeling was that she wasn’t meant to be doing that. I wasn’t going to bother her at this point though so I went my own way and settled down for the night.
submitted by CDown01 to AllureStories [link] [comments]


2024.05.21 13:14 GoochMasterFlash Poll: Do you think St. Louis (City + County or all Greater STL) would be better off as an independent state?

(Note: please answer regardless of whether or not you think it is politically feasible to accomplish)
If you have been following the news lately you surely know the state is interested in massively slashing the city budget, exercising control over its police force, etc.
It makes one wonder: if the state hates the city so much is it maybe time we inquire about leaving it?
The majority of Missouri’s revenue comes from personal income tax, followed by sales tax making up almost 1/4th. I dont know exactly to be fair, but I would assume that the 1.3M people who live in St Louis and St Louis County provide over 1/6th of the income taxes (including a lot of high earners its probably more than 1/6th, but no less than 1/6th considering the population). Beyond that, we have a metro region of millions surrounding the city and county who we collect sales taxes from when they come to the area. If the Missouri side of the metro region as a whole were looked at as one entity the numbers would be even more lopsided.
Missouri leans towards being a dependent state, generally taking slightly more from the federal government than we pay into it, federal funds account for half of its budget. The state is literally propped up by STL, KC, and the federal government. Everything else in the state combined can barely scratch what is provided by the other three sources if the vast majority of revenue comes from personal income tax and sales tax. Yet STL and KC are constantly derided by the state and out-voiced by conservative welfare queens in the boonies.
Of course in order to leave the state the state government would have to approve it, which they would never do. Plus the federal government would have to approve the new state. So we are basically stuck in a relationship with an abuser despite providing so much. What could be more American than taxation without representation, right? Is it time for a throwback tea party or what?
Its ironic that the constitution says areas cant leave a state, be added to another, etc, yet our independent city that existed before the state of Missouri, before the territory of Missouri, before the territory of Louisiana, and even before the United States itself does not get the same respect. In 1821 when Missouri became a state the St. Louis area was literally half of its newly minted population figures.
This has become quite a rant, but I dont see why we continue to participate in state politics which give us nothing and debase quality of life in our region. I dont see why the state continues to want its major cities to be a portion outside of the fact that we bankroll much of their existence and we get to be their punching bags in performative politics that help no one. We should cut out the middle man and just work directly with the feds.
Surely people might say “the region is too small to be a state”, but look at Wyoming. Fully functioning as a giant state with only 1/3rd of the population in St Louis. Look at Delaware, operating with 1/3rd the land area and roughly the same population of St Louis county. The metro area GDP is over $200 billion dollars. Higher than the GDPs of Vermont, Wyoming, Alaska, and Montana combined; over 2x that of Delaware, and roughly equivalent to the entire state of Kansas. We would be just fine without the state of Missouri in every way shape and form, and if we left we would take over half of the states GDP with us.
People might say our current local politics are evidence that we could not successfully operate as a state, but our current local politics are largely a direct result of being a part of the dysfunctional state that is Missouri. We waste not only our money sending it to the middle man, but we also waste good politicians who could otherwise remain local instead of wasting their time in a political entity that does nothing for us. Why should they be in Jeff City talking to a wall when they could be here making real change. Why should our money go towards fixing roads in the middle of nowhere when we have major infrastructure issues in our own backyard?
TLDR; Is our relationship with Missouri a 200 year experiment gone wrong?
Express your opinion below; add a comment even if you think its a highly moronic idea! What do you think we would lose if we left MO?
View Poll
submitted by GoochMasterFlash to StLouis [link] [comments]


2024.05.21 03:19 mrethandunne Best Actress Elimination Game Round 18

ELIMINATED - Michelle Yeoh in Everything Everywhere All at Once - 29.1% of all votes. Everything Everywhere All at Once was released in 2022. The film had seven wins, including Best Actress for Yeoh, at the 95th Academy Awards. Yeoh was selected for Best Actress of the year in a lineup that also included Cate Blanchett in TÁR, Ana de Armas in Blonde, Andrea Riseborough in To Leslie and Michelle Williams in The Fabelmans. Yeoh also garnered nominations at the BAFTAs and Critics' Choice Awards, as well as wins at the Golden Globes and SAGs for her performance as Evelyn Wang.
Feel free to use the comments as an area for discussion. Votes will only be accepted through this Google Form.
• Charlize Theron as Aileen Wuornos (Monster)
• Marion Cotillard as Édith Piaf (La Vie en Rose)
• Natalie Portman as Nina Sayers (Black Swan)
• Cate Blanchett as Jasmine Francis (Blue Jasmine)
• Brie Larson as Joy Newsome (Room)
• Olivia Colman as Queen Anne (The Favourite)
• Emma Stone as Bella Baxter (Poor Things)
RANKING:
  1. Michelle Yeoh as Evelyn Wang (Everything Everywhere All at Once)
  2. Frances McDormand as Mildred Hayes (Three Billboards Outside Ebbing, Missouri)
  3. Julianne Moore as Alice Howland (Still Alice)
  4. Helen Mirren as Queen Elizabeth II (The Queen)
  5. Hilary Swank as Maggie Fitzgerald (Million Dollar Baby)
  6. Emma Stone as Mia Dolan (La La Land)
  7. Nicole Kidman as Virginia Woolf (The Hours)
  8. Jennifer Lawrence as Tiffany Maxwell (Silver Linings Playbook)
  9. Kate Winslet as Hanna Schmitz (The Reader)
  10. Halle Berry as Leticia Musgrove (Monster's Ball)
  11. Jessica Chastain as Tammy Faye Bakker (The Eyes of Tammy Faye)
  12. Julia Roberts as Erin Brockovich (Erin Brockovich)
  13. Reese Witherspoon as June Carter (Walk the Line)
  14. Frances McDormand as Fern (Nomadland)
  15. Meryl Streep as Margaret Thatcher (The Iron Lady)
  16. Renée Zellweger as Judy Garland (Judy)
  17. Sandra Bullock as Leigh Anne Tuohy (The Blind Side)
submitted by mrethandunne to Oscars [link] [comments]


2024.05.20 21:42 Sneak_Thief_12 I’m having rental issues and need to know my rights.

Hello! I’m living in Missouri. We signed a lease at the end of march, and I have a lot of problems.
We told the landlord we would not be fully moving in until May, as we wanted to let our kids finish school. When we were showed the house, it was still being worked on (repairs from past tenants I guess) and we were reassured that it would be ready when we were, but since we had signed the lease we could start moving in slowly.
A few things to note, the garage door is destroyed. Unusable, and that was namely one of the issues that we were told would be fixed. There’s been a broken toilet, a hole in the basement to the outside, the weather strip on the door is destroyed, the back and side yard are full or trash from previous tenants, the garage is full of trash from previous tenants, and we just discovered upon our first shower there last night that there is a leak in the basement. So. I’ve addressed all of this with the landlord. On top of it all, the house was gross upon moving in. Like very grimy, lots of trash, just dusty and dirty. I’m heavily pregnant. I hired a cleaner to come and do a deep clean. The landlord did take the fees we paid cleaning off of our rent for May. However. I had to buy the parts for the toilet to be fixed. When I told him about it, he sent someone over without letting anyone know, and it was fixed with the part I bought. I’m uneasy about someone coming over without any notice. The deadbolt is also a code lock, and we don’t have it. Not even sure if he has it to be honest. The garage door still isn’t fixed. I’m just really stressed. We haven’t been able to put the water in our name at this house because we need a copy of the lease, and he hasn’t sent one to us yet. Like how hard is it to email a copy?
I’ve decided that I don’t want to pay rent until the garage is fixed. I’m paying more for rent here than I ever have in my life, and I feel like he hasn’t done anything he’s supposed to as a landlord. My boyfriend has asked him several times about the garage (he won’t reply to me) and he said he’s ordered the part and it’s out of his hands. What are my rights here? Can I withhold rent until it’s fixed? I don’t want to pay him when he can’t take care of any of the issues we’re having.
submitted by Sneak_Thief_12 to legaladvice [link] [comments]


2024.05.20 18:23 Direct_Solution_2590 How would the Civil war have played out, without the emancipation proclamation and if the CSA had more states?

Abraham Lincoln doesn't proclaim the Emancipation proclamation, and California, Delaware, Maryland, Kentucky, and Missouri are all members of the CSA. Edit: to win, neither side needs a complete conquest, the other side doesn't need to just keep all the territory it had at the beginning, but needs to get some enemy territory too.
If the CSA loses
R2:the guy on the horse doesn't drop out his plans when he went to take a leak.
If the Union Loses
R2: Lincoln does proclaim the emancipation, but the CSA still has all those other states I mentioned R3: Union vs CSA just like rl, only Lincoln doesn't proclaim the emancipation proclamation
submitted by Direct_Solution_2590 to whowouldwin [link] [comments]


2024.05.20 17:50 nahimavegan (Selling) Huge List Of 1100+ Movies! Lots Of New And Rare Titles!

**Prices firm, but I take off $1.00 for every $10 spent (multiple items)*\*
**I accept PayPal, Venmo, & Cashapp*\*
**Codes are always split/dual portion where applicable, & have no DMI*\*
**Only redeem the portion you pay for!*\*
**Get 'em before WB expires these titles!*\*
Birds of Prey HD/MA $3.5
Scoob! HD/MA $3.5
Wonder Woman: Bloodlines HD/MA $3.5
New additions
2000s 10-Film Bundle (The Departed 4K, I Am Legend 4K, Pan's Labyrinth 4K, The Hangover 4K, A History of Violence HD, Best in Show HD, A.I. Artificial Intelligence HD, Mystic River HD, Ocean's Eleven HD, Letters from Iwo Jima HD) HD/MA $30
24 Hours to Live HD/VU $3.5
355 HD/MA $4.5
48 Hrs HD/VU $6
65 HD/MA $4.5 or SD/MA $2.5
80 for Brady HD/VU $5
976-Evil HD/MA $5.5
A League of Their Own 4K/MA $5.5 or HD/MA $4
A Most Violent Year HD/VU $4.5
A24 Horror 5-Film Collection (X, Green Room, It Comes at Night, Hereditary, Witch) HD/VU $13.5
Addams Family '19 4K/IT $4.5
Addams Family '91 4K/VU $5.5
Afflicted HD/MA $4
Aliens 4K/MA $6.5
Almost Famous 4K/VU $5
American Psycho 4K/VU $5.5
Angels & Demons 4K/MA $6
Anyone But You HD/MA $7.5
Armageddon Time HD/MA $4.5
As Good as it Gets 4K/MA $6
Asteroid City 4K/MA $6.5
Atlantis Milo's Return HD/MA $5 or HD/GP $4.5
Avatar The Way of Water HD/MA $4.5 or HD/GP $4
Avengers 4K/MA $5.5
Back to the Future Trilogy HD/MA $10
Bad Boys 4K/MA $5.5
Bad Guys HD/MA $4.5
Bad Times at the El Royale 4K/MA $6
Banshees of Inisherin HD/MA $4 or HD/GP $3.5
Barbie HD/MA $6
Battle for Terra HD/VU $4.5
Beast HD/MA $4.5
Beekeeper 4K/VU $9 or HD/VU $7.5
Beguiled HD/IT $3
Beyond Re-Animator HD/VU $4
Big Chill 4K/MA $5.5
Big Eyes HD/VU $4
Billy Lynn’s Long Half Time Walk HD/MA $4
Black Adam 4K/MA $5.5
Black Phone HD/MA $4
Blockers HD/MA $3.5
Blood Father HD/VU $3
Bloodshot HD/MA $4
Body Double 4K/MA $5.5
Book Club Next Chapter HD/MA $5
Book of Life HD/MA $3.5
Bram Stoker's Dracula 4K/MA $6
Broken Hearts Gallery HD/VU $4.5
Bros HD/MA $4.5
Bullet Train 4K/MA $5.5 or HD/MA $4
Burrowers HD/VU $4
Call Jane HD/VU $4.5
Cannibal Cabin 4K/VU $5
Charlie's Angels '00 4K/MA $5.5
Cheech & Chong's Up in Smoke HD/VU or IT $3.5
Christmas Classics 4-Film Set (Miracle on 34th Street '94, A Christmas Carol '84, Home Alone, Jingle all the Way) HD/MA $12
Cinderella '50 HD/MA $4.5
Cinderella 2 HD/MA $4.5
Cinderella 3 HD/MA $4.5
Cobweb 4K/VU $7.5
Cocaine Bear HD/MA $5
Colossal HD/VU or IT $4
Come to Daddy HD/VU $4.5
Contagion 4K/MA $6.5
Creature from the Black Lagoon '54 HD/MA $3.5 or 4K/IT $4
Crouching Tiger Hidden Dragon 4K/MA $6
Counselor HD/MA $4
Da Vinci Code 4K/MA $6
Dagon HD/VU $4
Dark Skies HD/VU $3.5
Dear David 4K/VU $6
Dear White People HD/VU $3.5
Devil's Workshop 4K/VU $5.5
Devil's Workshop HD/VU $4.5
Devotion 4K/VU $6 or HD/VU $4.5
Diary of the Dead HD/VU $4
Dig 4K/VU $5.5
District 9 / Elysium Bundle HD/MA $7.5
Dragon Blade HD/VU $3.5
Dr. Strangelove 4K/MA $5
Dreamland HD/VU $4.5
Dream Scenario HD/VU $7
Dumb Money HD/MA $6
Dune Part 2 HD/MA $9.5
Easy Rider 4K/MA $6
Emperor HD/VU $3.5
Equalizer 3 4K/MA $7 or HD/MA $5.5
Evil Dead '13 4K/MA $5.5 or HD/MA $4
Evil Dead Rise 4K/MA $6 or HD/MA $4.5
Evil Under The Sun HD/VU $4
Exorcist (2-cuts) 4K/VU $6.5
Exorcist Believer 4K/MA $7 or HD/MA $5.5
Expendables 1-3 Set 4K/MA $10 or HD/VU $7
Expendables 1-4 Set 4K/VU $15 or HD/VU $11
F9 Fast Saga (Thea & Ext) HD/MA $4
Fall 4K/VU $6 or HD/VU $4.5
Fast & the Furious 10-film Set 4K/MA $30 or HD/MA $22
Fast X 4K/MA $6.5 or HD/MA $5
Feast (Unr) HD/VU $4
Fifth Element 4K/MA $5.5
Fifty Shades 6-Cut Set (Thea & Unr) HD/MA $12
First Purge HD/MA $3.5
Five Nights at Freddy's HD/MA $6
Fool's Paradise HD/VU $6
Force of Nature '20 HD/VU $3.5
Forger HD/VU $3
Freeheld HD/VU $4
Friendsgiving HD/VU $4
Front Runner HD/MA $4
Frozen '10 HD/VU $4
Funny Girl 4K/MA $5.5
Gandhi 4K/MA $5.5
Gateway 4K/VU $5.5
Gattaca 4K/MA $6
Ghostbusters Afterlife HD/MA $4
Ghoulies Go To College HD/VU $3.5
Glory 4K/MA $6
Godfather 3 Coda HD/VU $4
Good Boys HD/MA $3.5
Good House 4K/VU $5.5
Goodnight Mommy HD/VU $4
Goosebumps 2 HD/MA $3
Gran Turismo 4K/MA $7 or HD/MA $5.5
Grease Trilogy HD/VU $9 or 4K/IT $10.5
Green Knight 4K/VU $5
Green Room HD/VU $4
Groundhog Day 4K/MA $5.5
Guess Who's Coming to Dinner 4K/MA $6
Hail, Caesar! HD/VU or IT $2.5
Hammett HD/VU $4
Halloween Ends HD/MA $4.5
Halloween Kills (Ext) HD/MA $4.5
Harriet 4K/MA $6 or HD/MA $4.5
Hex 4K/VU $5.5
High Tension HD/VU $4.5
Hellbenders HD/VU $4
Hellraiser: Judgment HD/VU $4
Home Alone 1 & 2 Set HD/MA $6.5
Hook 4K/MA $6
Hot Tub Time Machine 2 HD/VU $3.5 or 4K/IT $4
Hunger Games Ballad of Songbirds & Snakes HD/VU $6.5
Ice Age Continental Drift HD/MA $3
I, Frankenstein HD/VU or IT $3
I Saw the Light HD/MA $4
Identity Thief HD/IT $3.5
Imaginary HD/VU $9
Indiana Jones & the Last Crusade HD/VU $4 or 4K/IT $4.5
If Beale Street Could Talk HD/MA $4
Inhabitant HD/VU $4.5
Insidious The Last Key HD/MA $3.5
Insidious Red Door HD/MA $5
Jay and Silent Bob Reboot HD/VU $3.5
Jerry Maguire 4K/MA $6
Jesus Revolution HD/VU $4.5
John Wick 4 4K/VU $6.5
John Wick 4-Film Collection HD/VU $13
Journey to Bethlehem HD/MA $5.5
Jumanji '95 4K/MA $6
Jungle Book '67 HD/MA $4
Jurassic World 6-film Set HD/MA $18
Kandahar HD/MA $5.5
Karate Kid '84 4K/MA $6
Kiss the Girls 4K/VU $6
Knights of the Zodiac HD/MA $5
Kramer vs Kramer 4K/MA $6
Last Action Hero 4K/MA $5.5
Last Christmas HD/MA $4.5
Last Night in Soho 4K/MA $5.5
Leprechaun 8-Film Set HD/VU $15
Lincoln Lawyer 4K/VU $6
Little Mermaid '23 HD/MA $5
Lost Boys 4K/MA $6
Love Again SD/MA $2.5
Lucky Number Slevin HD/VU $4.5
M3GAN (Thea & Unr) HD/MA $5
Ma '19 HD/MA $4
Madame Web 4K/MA $9.5 or HD/MA $8
Mamma Mia Here We Go Again HD/MA $3
Manodrome HD/VU $5.5
Marsh King's Daughter 4K/VU $5.5
Martyrs HD/VU $4.5
May HD/VU $4
Memories of Murder 4K/MA $6.5
Menu HD/GP $3.5
Meryl Streep 8-Film Set HD/MA $22
MIB International HD/MA $4
Midnight Meat Train (Unr) HD/VU $4
Migration HD/MA $6
Miller's Girl 4K/VU $9.5
Miracle on 34th Street HD/MA $4
Missing HD/MA $5
Mission Impossible Dead Reckoning Pt 1 4K/VU $7.5 or HD/VU $6
Mist 4K/VU $6.5
Mitchells vs the Machines HD/MA $4.5
Monster High Electrified HD/MA or IT $2.5
Mortal Kombat Legends Cage Match HD/MA $5.5
Mr. Holmes HD/VU $3.5
Mulan '98 HD/MA $4 or HD/GP $3.5
My Big Fat Greek Wedding 3 HD/MA $5.5
My Girl 4K/MA $6
National Champions 4K/IT $5
New Mutants HD/MA $4 or HD/GP $3.5
Night at the Museum Secret of the Tomb HD/MA $3
Night Swim HD/MA $8
Night Train to Lisbon HD/VU $4
No Good Deed HD/MA $3
No Hard Feelings HD/MA $5.5
Nope HD/MA $4.5
Nun 2 HD/MA $5.5
Ocean's Trilogy 4K/MA $16
Old 4K/MA $6 or HD/MA $4.5
Once Upon a Time in Hollywood HD/MA $3.5
Oppenheimer HD/MA $6
Other Side of the Door HD/MA $4
Out Of The Blue HD/VU $4
Overlord 4K/VU or IT $4.5
Parental Guidance HD/MA $2.5
Parents HD/VU $4
Parasite HD/MA $4
Paw Patrol Mighty Movie HD/VU $6.5
Pet Sematary Bloodlines HD/VU $5.5
Peter Pan Return to Neverland HD/MA $4.5 or HD/GP $4
Philadelphia 4K/MA $5.5
Pick 1 (Black Christmas '18 4K, Dog's Purpose 4K, Sparks Brothers 4K, Raw, Agnes Bourne, Antz, Being Frank, Loving, Don't Let Go, Kicks, Final Account) HD/MA $4
Pitch Perfect 3 4K/MA $5
Pixels HD/MA $3
Plane 4K/VU $5.5
Poor Things HD/MA $7.5
Pope's Exorcist HD/MA $5
Prey for the Devil 4K/VU $5.5
Priscilla HD/VU $6
Punch-Drunk Love 4K/MA $6.5
Queen & Slim HD/MA $4
Quick & the Dead '95 4K/MA $6
Rambo First Blood HD/VU $4
Rambo First Blood Pt 2 HD/VU $4
Rango HD/VU $3
Real Genius 4K/MA $5.5
Red Rocket HD/VU $4
Red Sparrow HD/MA $3.5
Renfield HD/MA $5.5
Requin HD/VU $4.5
Resident Evil Welcome to Raccoon City HD/MA $4
Robin Hood '73 HD/MA $4
Rosemary's Baby 4K/VU $6.5
Rhythm Section HD/VU $3.5
Ruby Gilman Teenage Kraken HD/MA $5.5
Rudy (Dir Cut) 4K/MA $6.5
Rudy 4K/MA $6
Run Lola Run 4K/MA $6.5
Saint Maud HD/VU $4
Samurai Jack Complete Series HD/VU $40
Saw 8-film Set (Unr except Jigsaw) HD/VU $20
Secret Life of Walter Mitty HD/MA $3.5
Shaun of the Dead HD/MA $4 or 4K/IT $4.5
Shrek 6-Film Set (1-4, Musical, Puss in Boots) HD/MA $19
Skiptrace HD/VU $3.5
Scorpion King 4-Film Set (1, 3, 4, Book of Souls) HD/MA $12
Scream 3 4K/VU $5.5
Scream 5 4K/VU $5.5 or HD/VU $4
Scream 6 4K/VU $7 or HD/VU $5.5
Sharktopus HD/VU $3.5
Shazam 2-film Set HD/MA $8
Shazam Fury of the Gods 4K/MA $6 or HD/MA $4.5
She Said HD/MA $4.5
She's the Man HD/VU $3.5
Silver Linings Playbook HD/VU $3 or HD/GP $2.5
Sisu 4K/VU $6
Sixteen Candles HD/MA $3.5 or HD/IT $3.5
Sleepless in Seattle 4K/MA $6
Smile HD/VU $4.5
Social Network 4K/MA $6
Sometimes They Come Back...Again HD/VU $4
Sometimes They Come Back...For More HD/VU $3.5
Sonic the Hedgehog 2 4K/VU $5.5
Spider-Man Across the Spider-Verse 4K/MA $7 or HD/MA $5.5
Split HD/MA $3 or 4K/IT $3.5
Spoiler Alert HD/MA $5
Star Trek First Contact 4K/VU $5.5
Star Trek Generations 4K/VU $5.5
Star Trek Insurrection 4K/VU $5.5
Star Trek Nemesis 4K/VU $5.5
Star Wars A New Hope HD/MA $4 or HD/GP $3.5
Starship Troopers 4K/MA $6
Step Brothers 4K/MA $6.5
Stillwater HD/MA $4
Studio 666 HD/MA $5
Sum of All Fears 4K/VU $5
Supercell HD/VU $4.5
Super Mario Bros Movie HD/MA $5
Super Troopers 2 HD/MA $3.5
Superfly HD/MA $4
Suspiria (2018) HD/VU $4
T2 Trainspotting 4K/MA $6
Talk to Me 4K/VU $6
Talladega Nights 4K/MA $6.5
Taxi Driver 4K/MA $5.5
Thanksgiving 4K/MA $7.5
The Batman 4K/MA $5.5
The Bay HD/VU $4
The Color Purple '23 4K/MA $8 or HD/MA $6.5
The Descent (Unr) HD/VU $4.5
The Flash HD/MA $5
The Marvels HD/MA $6.5
The Natural 4K/MA $6
The Other Guys 4K/MA $6
The Professional (Ext) 4K/MA $6
The Super '17 HD/VU $4
Ticket to Paradise HD/MA $4.5
Titanic 4K/VU or IT $6 or HD/VU $4.5
Top Gun Maverick HD/VU $4
Toy Story 3 HD/MA $4
Trading Places 4K/VU $6
Transformers Rise of the Beasts 4K/MA $7 or HD/VU $5.5
Trolls 3-Film Collection HD/MA $12
Trolls Band Together HD/MA $6.5
Tusk HD/VU $4.5
Umma HD/MA $4.5
Unbearable Weight of Massive Talent 4K/VU $5
Universal Monsters 4-Film Set 4K/MA $17
V for Vendetta 4K/MA $6.5
Vanilla Sky HD/VU $5.5
Velvet Goldmine HD/VU $4.5
Venture Bros Radiant is the Blood of the Baboon Heart HD/MA $5.5
Violent Night HD/MA $5
Walking Dead Season 9 HD/VU $7
Watchmen Ultimate Cut 4K/MA $7.5
Waxwork 2 HD/VU $3.5
We Summon the Darkness HD/VU $4.5
Welcome to Marwen HD/MA $4.5
Welcome to Monster High HD/MA or IT $3
Whiplash 4K/MA $6 or HD/MA $4.5
Whitney Houston I Wanna Dance w/ Somebody HD/MA $4
Wicker Man 4K/VU $5.5
Wish HD/MA $7
Witch HD/VU $3.5
Woman King 4K/MA $5 or HD/MA $4
Woman Walks Ahead HD/VU $4
You're Next HD/VU $3.5
X-Men 1-4 Set SD/MA $7.5
Zombieland Double Tap HD/MA $4
All other movies (A-Z)
10 Cloverfield Lane HD/VU $3 or 4K/IT $3.5
101 Dalmatians '61 HD/MA $3.5 or HD/GP $3
13 Hours HD/VU $2.5 or 4K/IT $3
14 Blades HD/VU $3.5
1917 4K/MA $5 or HD/MA $3.5
2 Guns 4K/MA $4 or HD/MA or IT $2.5
21 Jump Street HD/MA $3
22 Jump Street HD/MA $3.5
3 Extremes HD/VU $4
3 From Hell (Unr) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down Uncaged 4K/VU $4.5 or HD/VU $3
47 Ronin HD/MA $3 or 4K/IT $3.5
600 Miles HD/VU $3.5
71 HD/VU $3.5
A Christmas Story 4K/MA $6
A Dog's Purpose HD/IT $3
A Good Day to Die Hard (Ext) HD/VU $2.5
A Journal For Jordan HD/MA $4
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Walk Among the Tombstones HD/IT $3.5
A Wrinkle in Time HD/MA $3 or HD/GP $2.5
A.C.O.D. HD/VU or IT $3.5
Abominable 4K/MA $5.5 or HD/MA $4
About Last Night HD/MA $3
Action Point HD/IT $2
Ad Astra HD/MA $4
Adaptation 4K/MA $6
Adrift HD/IT $3.5
Adverse 4K/VU $5
After Earth HD/MA $3
Aftermath HD/VU $3
Air Force One 4K/MA $6
Aladdin ‘19 HD/MA $3 or HD/GP $2.5
Aladdin ‘92 HD/MA $3.5 or HD/GP $3
Alien HD/MA $4
Alien Covenant HD/MA $2.5
Alfred Hitchcock 4-Film Set Vol 1 4K/MA $18
Alfred Hitchcock 5-Film Set Vol 2 4K/MA $21
Alien 6-film Set HD/MA $16
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/VU or IT $3
All is Lost HD/VU $3.5
All the Money in the World HD/MA $3.5
Allied HD/VU or IT $3.5
Almost Christmas HD/MA or IT $3
Amazing Spider-Man 2 HD/MA $3.5 or SD/MA $1.5
Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Hustle HD/MA $3.5
American Reunion HD/VU or IT $3
American Ultra HD/VU or IT $4
American Underdog 4K/VU $5.5 or HD/VU $4
Anatomy of a Murder 4K/MA $5
Anchorman 2 HD/VU or IT $2.5
Angel Has Fallen 4K/VU $5 or HD/VU $3.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Angry Birds Movie HD/MA $3.5
Anna Karenina HD/IT $3.5
Annie ‘14 HD/MA $3.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Antlers HD/GP $3
Ant-Man & the Wasp HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apache Junction HD/VU $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arrival HD/VU $2.5 or 4K/IT $3
Art of Self-Defense HD/MA $4
Ash vs Evil Dead S.3 HD/VU $5
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Assignment HD/VU $4
Atomic Blonde 4K/MA or IT $4.5 or HD/MA $3
August Osage County HD/VU $3
Avengers Age of Ultron HD/GP $3
Avengers Endgame HD/MA $2.5 or HD/GP $2
Avengers Infinity War 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Baby Driver HD/MA $4
Backdraft 4K/IT $5.5
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/MA or IT $3
Bandslam HD/VU $4
Bank Job HD/VU $3.5
Barb & Star go to Vista Del Mar HD/VU $4
Barbie & Her Sisters in the Great Puppy Adventure HD/IT $3.5
Bart Got a Room HD/VU $4
Battle Royale HD/VU $4.5
Battleship 4K/MA or IT $4.5 or HD/MA $3
Baywatch HD/VU $2.5 or 4K/IT $3
Beauty & the Beast ‘17 HD/MA $2.5 or HD/GP $2
Beauty & the Beast ‘91 HD/MA $3.5 or HD/GP $3
Bedknobs & Broomsticks HD/GP $3.5
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Beiruit HD/MA $3.5
Belly 4K/VU $5.5
Ben-Hur ‘16 HD/VU $3.5
Between Worlds HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Lebowski 4K/MA or IT $5.5
Big Short HD/VU $3.5
Big Wedding HD/VU or IT $3
Billy Elliot HD/MA or IT $4
Birdman HD/MA $4
Black & Blue HD/MA $4
Black Christmas '19 HD/MA $4.5
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Panther Wakanda Forever HD/MA $3.5 or HD/GP $3
BlackKklansman HD/MA $4.5
Blacklight HD/MA $4
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blair Witch Project ‘99 HD/VU $4
Bleeding Steel HD/VU $3.5
Blindspotting 4K/VU $5.5 or HD/VU $4
Blood Money ‘17 HD/VU $3.5
Blood Ties HD/VU $3.5
Blue Jasmine HD/MA $3.5
Blue Ruin HD/VU $4
Blues Brothers HD/MA $4 or 4K/IT $4.5
Bob's Burgers Movie HD/GP $3
Body Cam HD/VU $4
Bohemian Rhapsody 4K/MA $5 or HD/MA $3.5
Bombshell 4K/VU $5
Book Club HD/VU or IT $2.5
Book of Life HD/MA $3.5
Boss Baby HD/MA $2.5
Bourne Identity 4K/IT $5 or HD/MA $3.5
Bourne Legacy HD/VU $2 or 4K/IT $2.5
Bourne Supremacy HD/MA $3.5 or 4K/IT $4
Bourne Ultimatum 4K/MA or IT $5 or HD/MA $3.5
Boy ‘16 HD/IT $3.5
Boy & the World HD/IT $3.5
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Breakfast Club HD/MA or IT $4
Breakthrough HD/MA $3
Brian Banks HD/MA $3
Bridge of Spies HD/GP $3.5
Brothers Bloom HD/VU $4.5
Bumblebee 4K/VU or IT $5 or HD/VU $3.5
Butler HD/VU $3
Cabin in the Woods HD/VU $2.5 or 4K/IT $3
Cake HD/MA $4
Call of Wild 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Calvary HD/MA $4
Candyman '20 4K/MA $6 or HD/MA $4.5
Candyman 3 HD/VU $4
Captain America Civil War HD/GP $2.5
Captain America First Avenger HD/GP $3.5
Captain America Winter Soldier HD/GP $3.5
Captain Marvel 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Captain Phillips HD/MA $3.5
Captain Underpants First Epic Movie HD/MA $2.5
Carol HD/VU $4
Cars 3 HD/GP $2.5
Casablanca 4K/MA $5.5
Case for Christ HD/MA or IT $2.5
Casper HD/IT $4
Celebrating Mickey HD/MA $3.5 or HD/GP $3
Chaos Walking 4K/VU $5
Chappaquiddick HD/VU $4
Chasing Mavericks HD/MA $3.5
Chicago HD/VU $4
Child 44 HD/VU $4
Children ‘08 HD/VU $4
Christopher Robin HD/MA $4 or HD/GP $3.5
Chronicles of Riddick HD/IT $4
Clerks 3 4K/VU $4.5
Clifford the Big Red Dog HD/VU $4
Cloverfield 4K/VU $5.5 or HD/VU $4
Coco HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collection HD/VU $3.5
Collide ‘17 HD/VU or IT $2.5
Colma The Musical HD/VU $4
Colombiana (Unr) HD/MA $4
Colony 4K/VU $5
Come & Find Me HD/VU $4
Commuter 4K/VU $5 or HD/VU $3.5
Company of Heroes HD/MA $4
Conan the Barbarian ‘11 4K/VU $5
Conspirator HD/VU $4
Contraband HD/IT $3
Contractor HD/VU $4.5
Cooler HD/VU $4
Cool Hand Luke 4K/MA $5.5
Cooties HD/VU $4
Cotton Club Encore 4K/VU $5.5
Countdown ‘16 HD/VU $3.5
Courier 4K/VU $5.5 or HD/VU $4
Craft Legacy HD/MA $4.5
Criminal HD/VU or IT $3
Croods HD/VU $3.5
Cruella HD/MA $3.5 or HD/GP $3
Crypto 4K/VU $5 or HD/VU $3.5
Daddy's Home HD/IT $2.5
Daddy's Home 2 HD/VU or IT $3
Damsel HD/VU $4.5
Dangerous 4K/VU $4.5 or HD/VU $3
Danny Collins HD/IT $3.5
Dark Crimes HD/VU $4
Darkest Minds HD/MA $4
Dark Places HD/VU $4
Dark Tower HD/MA $3.5
Darkest Hour ‘17 4K/MA $5 or HD/MA $3.5
Dawn of the Planet of the Apes HD/MA $3.5
Deadpool 2 (w/Super Duper Cut) HD/MA $4
Deadpool HD/MA $2.5
Death of Me HD/VU $4
Death on the Nile HD/GP $3
Death Wish '18 HD/VU $3
Deepwater Horizon HD/VU $2.5 or 4K/IT $3
Deliver Us From Evil HD/MA $3.5
Dentist 2-Film Set HD/VU $7
Despicable Me 2 HD/VU $3 or 4K/IT $3.5
Despicable Me 3 4K/MA or IT $4.5
Despicable Me 4K/MA or IT $4.5
Detroit HD/MA $3.5
Devil Inside HD/VU $3.5
Devil's Due HD/MA $3.5
Die Hard HD/MA $3.5
Die Hard 5-film Set HD/MA $18
Die in a Gunfight 4K/VU $5
Dilemma HD/VU $3.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Set HD/MA $3.5 or HD/GP $3
Disneynature Monkey Kingdom HD/MA $3
Django Unchained HD/VU $3
Doctor Strange HD/MA $3 or HD/GP $2.5
Doctor Strange Multiverse of Madness HD/GP $3
Dolittle HD/MA $3.5
Dom Hemingway HD/MA $3.5
Don Verdean HD/VU $4.5
Doorman HD/VU $3.5
Doors 4K/VU $5.5 or HD/VU $4
Downsizing HD/VU $2 or 4K/IT $2.5
Downton Abbey A New Era HD/MA $4
Downton Abbey The Movie HD/MA $3.5
Draft Day HD/IT $3.5
Dragged Across Concrete HD/VU $3.5
Dragonslayer 4K/VU $5.5
Dream a Little Dream HD/VU $4
Dreamkatcher HD/VU $4
Dreamworks 10-Film HD/MA $25
Dredd 4K/VU $4 or HD/VU $2.5
Dying of the Light HD/VU $2.5
E.T. Extra Terrestrial 4K/MA or IT $5 or HD/MA $3.5
Early Man 4K/VU $5.5
Earth Girls are Easy HD/VU $4
Eddie the Eagle HD/MA $4
Edge of Seventeen HD/IT $3
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Elysium HD/MA $3.5
Emoji Movie HD/MA $3
Empire of Light HD/MA $3.5 or HD/GP $3
Empire State HD/VU $3
Encanto 4K/GP $3.5
Enough Said HD/MA $3.5
Enter the Dragon 4K/MA $6
Epic HD/MA $3
Equalizer HD/MA $3.5
Equalizer 2 HD/MA $3.5
Escape From Planet Earth HD/VU $3
Eternals HD/MA $3.5 or HD/GP $3
Everest HD/MA $3 or 4K/IT $3.5
Everything Must Go HD/VU $4
Evil Dead 2 HD/VU $3.5
Ex Machina HD/VU $3
Exodus Gods & Kings HD/MA $3.5
Expired 4K/VU $4.5
Fair Game (Dir) HD/VU $4
Fantastic Four ‘15 HD/MA $4
Fast & Furious 4 4K/MA $5
Fast & the Furious 8-film Set HD/MA $17
Fast & the Furious 9-film Set HD/MA $19
Fast Color 4K/VU $5.5
Fatale ‘20 4K/VU $5 or HD/VU $3.5
Fatherhood HD/MA $4
Fault in Our Stars HD/MA $3.5
Fear of Rain 4K/VU $5.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Field of Dreams 4K/MA or IT $5.5
Fifty Shades Darker (Unr) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4
Fifty Shades of Grey (Unr) 4K/MA or IT $4
Finding Dory HD/MA $2.5 or HD/GP $2
Finding Nemo HD/GP $3.5
Finest Hours HD/GP $3
Firm 4K/VU $6
First Man HD/MA $4
Flashback ‘20 HD/VU $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose ‘11 HD/IT $3
Forbidden Kingdom HD/VU $4.5
Ford v Ferrari HD/MA $4
Forest HD/IT $3.5
Forever My Girl HD/IT $3
Fortress HD/VU $3.5
Fortress Sniper's Eye HD/VU $3.5
Fox & the Hound 2 HD/MA $4 or HD/GP $3.5
Foxcatcher HD/MA $4
Frank & Lola HD/VU or IT $3
Free Guy HD/GP $3
French Dispatch HD/MA $4 or HD/GP $3.5
Friday the 13th 4K/VU $5.5
From Here to Eternity 4K/MA $5.5
Frozen (Sing-Along) HD/MA $2 or HD/GP $1.5
Frozen HD/GP $2
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen Ground ‘13 HD/VU $3.5
Fury HD/MA $3.5
Future World HD/VU $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit ‘12 HD/MA $4
Gambler HD/VU or IT $3
Gamer 4K/VU $5.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out 4K/MA or IT $5 or HD/MA $3.5
Ghost in the Shell ‘17 HD/VU $3 or 4K/IT $3.5
Ghost in the Shell ‘95 4K/VU $5
Ghost Rider Spirit of Vengeance HD/MA $4
Ghost Team One HD/VU or IT $3.5
Ghostbusters ‘84 HD/MA $3.5
Ghostbusters (Thea & Ext) ‘16 HD/MA $3
Ghostbusters 2 HD/MA $3.5
Gifted HD/MA $3
Girl in Spider's Web HD/MA $4
Girl on Train HD/VU $3 or 4K/IT $3.5
Girl w/ All Gifts HD/VU $4
Giver HD/VU $3.5
Glass Castle 4K/VU $5.5
Glass HD/MA $4
God Bless The Broken Road HD/VU $3.5
God's Not Dead 2 HD/MA or IT $2.5
God's Not Dead 3 HD/MA $3
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold ‘16 HD/VU $2.5
Good Dinosaur HD/GP $2.5
Good Kill HD/VU or IT $3.5
Grease 2 HD/VU $4
Great Wall 4K/MA or IT $4.5 or HD/MA $3
Greatest Showman HD/MA $3.5
Green Book HD/MA $4
Grey HD/VU or IT $3
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guilt Trip HD/VU or IT $3
Gunman HD/MA or IT $3
Guns of Navarone 4K/MA $5.5
Hacksaw Ridge 4K/VU or IT $4.5 or HD/VU $3
Halloween ‘18 HD/MA $3
Hammer of the Gods HD/VU $2
Hannibal S.1 HD/VU $5
Hansel & Gretel Witch Hunters (Unr) HD/VU or IT $3
Hard Luck Love Song 4K/VU $5.5
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Hate U Give HD/MA $4
Hateful Eight HD/VU $3.5
Heat (Director's Cut) ‘95 4K/MA $5.5 or HD/MA $4
Heaven is for Real HD/MA $3.5
Hercules ‘14 HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hereditary HD/VU $3.5
Hidden Figures HD/MA $3
High Note HD/MA $4
Highlander 4K/VU $5.5 or HD/VU $4
Hitchcock '12 HD/MA $4
Hitman Agent 47 HD/MA $3
Hitman's Bodyguard HD/VU $3.5
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home HD/MA $3
Home Again HD/MA $3
Home Alone 4K/MA $5 or HD/MA $3.5
Homefront HD/MA or IT $3
Homesman HD/VU $3
Honey 2 HD/VU $3
Hostiles 4K/VU $4.5 or HD/VU $3
Hotel Transylvania 3 HD/MA $3.5
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours ‘13 HD/VU $4
House of 1000 Corpses HD/VU $4
House of Gucci 4K/IT $5.5
House w/ a Clock in Its Walls sHD/MA $4
How to Train Your Dragon 2 HD/MA $2.5
Hugo HD/VU $3
Hunt for Red October 4K/VU $5.5 or HD/VU $4
Huntsman Winter's War (Ext) HD/MA $3 or 4K/IT $3.5
I Can Only Imagine HD/VU $3.5
I Feel Pretty HD/IT $2
Ides of March HD/MA $4
I Know What You Did Last Summer 4K/MA $5.5
Imitation Game HD/VU $3
In a Valley of Violence HD/MA or IT $3
In Secret ‘14 HD/VU $4.5
In the Blood HD/VU $4
Incredibles 2 HD/GP $3
Independence Day ‘96 HD/MA $4
Independence Day Resurgence HD/MA $2.5
Indiana Jones & the Raiders of the Lost Ark 4K/VU or IT $5.5 or HD/VU $4
Indiana Jones & the Temple of Doom 4K/VU or IT $5.5 or HD/VU $4
Indignation HD/VU $4
Indivisible HD/MA $3.5
Inferno HD/MA $3
Initiation 4K/VU $5
Initiation HD/VU $3.5
Internship HD/MA $3
Interstellar 4K/VU or IT $5 or HD/VU $3.5
Interview HD/MA $3.5
Into the Woods HD/MA $3 or HD/GP $2.5
Invisible Man '20 HD/MA $3.5
Invisible Man ‘33 HD/MA $3.5
Iron Man 3 HD/MA $2.5 or HD/GP $2
Iron Man & Hulk Heroes United HD/GP $3.5
Iron Mask ‘19 HD/VU $4.5
It Follows HD/VU $3.5
It's a Wonderful Life HD/VU $3
Jack & Jill HD/MA $3.5
Jack Reacher 4K/IT $4.5
Jack Reacher Never Go Back HD/VU $3 or 4K/IT $3.5
Jack Ryan Shadow Recruit 4K/IT $4 or HD/VU $2.5
Jacob's Ladder HD/VU $4
Jane Got a Gun HD/VU $4
Jarhead 3 (Unr) HD/IT $2.5
Jason Bourne HD/VU $2.5 or 4K/IT $3
Jesus Music HD/VU $3.5
Jexi HD/VU $3.5
Jobs HD/MA or IT $3.5
Joe HD/VU $3.5
Joe Kidd HD/IT $4
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5 or 4K/IT $4
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy 4K/VU $13 or HD/VU (#3 4K) $9 or all HD/VU $8
Journey to the West Conquering the Demons HD/VU $3.5
Joy HD/MA $3
Judy 4K/VU $5 or HD/VU $3.5
Juliet, Naked 4K/VU $5.5
Jumanji Welcome To The Jungle HD/MA $2.5
Jungle Book ‘16 4K/MA $4.5 or HD/GP $2.5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 3 HD/VU $3.5 or 4K/IT $4
Jurassic Park 4K/MA or IT $5 or HD/MA $3.5
Jurassic World 5-film Set HD/MA $14
Jurassic World Fallen Kingdom 4K/MA $4.5 or HD/MA $3
Jurassic World HD/VU $2.5 or 4K/IT $3
Justice ‘17 HD/VU or IT $3
Kama Sutra HD/VU $4
Kick-Ass 2 HD/MA $3.5
Kid ‘19 HD/VU $3.5
Kid Who Would Be King 4K/MA $5.5 or HD/MA $4
Kidnap HD/VU or IT $2.5
Kill Zone ‘05 HD/VU $4.5
Killer Elite HD/IT $3
Killing Gunther HD/VU $4
Kin ‘18 4K/VU $4.5 or HD/VU $3
King Kong ‘05 4K/MA or IT $5 or HD/MA $3.5
King of Staten Island HD/MA $4
King's Man HD/GP $3.5
Kingsman The Golden Circle HD/MA $3
Kingsman The Secret Service HD/MA $3.5
Knives Out HD/VU $3.5
Knowing 4K/VU $5.5
La La Land HD/VU $3 or 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lady of the Manor 4K/VU $5
Lair of White Worm HD/VU $4.5
Lake Mungo HD/VU $4
Lara Croft Tomb Raider 4K/VU $5.5 or HD/VU $4
Last Dragon HD/MA $4.5
Last Duel HD/GP $3.5
Last Exorcism HD/VU $4
Last Knights HD/VU $3.5
Last Man ‘19 HD/VU $4
Last Stand HD/IT $2
Last Vegas HD/VU $3
Last Witch Hunter HD/VU $3 or 4K/IT $3.5
Lawrence of Arabia 4K/MA $5.5
Legend of Hercules 4K/IT $3
Legends of Oz Dorothy's Return HD/MA $3.5
Leprechaun 7-film Set HD/VU $12
Let's be Cops HD/MA $3.5
Let Him Go HD/MA $4
Let Me Explain HD/IT $2.5
Life ‘17 HD/MA $3.5
Life of Crime HD/VU $3.5
Life of Pi 4K/MA $5 or HD/MA or IT $3.5
Light of My Life HD/IT $3.5
Lightyear HD/MA $3.5 or HD/GP $3
Like a Boss HD/VU $3.5
Lilo & Stitch 2 HD/MA $4 or HD/GP $3.5
Lion HD/VU $4
Lion King ‘19 4K/MA $4 or HD/GP $2
Lion King ‘94 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Little HD/MA $3.5
Little Mermaid ‘89 HD/MA $4
Live Free or Die Hard HD/MA $4
Locked Down 4K/MA $5.5
Logan HD/MA $3
Logan Lucky HD/MA $3.5 or /IT $4
Lone Ranger HD/MA $3.5 or HD/GP $3
Lone Survivor HD/VU $2.5
Longest Ride HD/MA $3
Longest Week HD/VU $3.5
Looper HD/MA $3.5
Lorax HD/MA or IT $3
Lord of War 4K/VU $5.5
Lords of Salem HD/VU $4
Lost World Jurassic Park HD/MA $3.5
Love & Mercy HD/VU $3.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/GP $3
Lucy 4K/MA or IT $4.5 or HD/MA $3
Lyle, Lyle Crocodile HD/MA $4.5 or SD/MA $2
Madagascar 3 HD/MA $3
Maggie HD/VU $2.5
Magic Mike's Last Dance HD/MA $4.5
Magnificent Seven ‘16 HD/VU $3
Maleficent HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/GP $2.5
Man Who Fell To Earth ‘76 4K/VU $5
Man Who Shot Liberty Vance 4K/VU $5.5
Marauders HD/VU $3.5
Marksman HD/MA $4
Martian HD/MA $3.5
Mary Poppins ‘64 HD/MA $3.5 or ‘64 HD/GP $3
Mary Poppins Returns 4K/MA $4.5 or HD/GP $2.5
Mask of Zorro 4K/MA $6
Mauritanian 4K/IT $5
Max Steel HD/IT $3
Maze Runner HD/MA $3.5
McKenna Shoots for the Stars HD/IT $2
Meatballs HD/VU $4
Megan Leavey HD/VU or IT $3
Memory HD/MA $3.5
Men HD/VU $4
Men in Black 3 HD/MA $3
Men in Black 4K/MA $5.5 or HD/MA $4
MI-5 Spooks '15 HD/VU $4
Mickey & Minnie 10 Classic Shorts HD/GP $4.5
Mid-Century 4K/VU $5
Midnight in the Switchgrass 4K/VU $5 or HD/VU $3.5
Midsommar (CANADA) 4K/IT $3
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 or HD/VU $3
Miracles from Heaven HD/MA $3.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission Impossible 3 4K/VU $5
Mission Impossible 6-film Set HD/VU $17
Mommy HD/VU $4
Moneyball HD/MA $3
Monster High Electrified HD/IT $2.5
Monster Hunter HD/MA $3.5
Money Monster HD/MA $3.5
Monster Trucks HD/VU $2.5 or 4K/IT $3
Monsters University HD/GP $3
Monuments Men HD/MA $3.5
Moon 4K/MA $5.5
Morbius HD/MA $4
Morgan HD/MA $4
Mortal Engines 4K/MA $5.5 or HD/MA $4
Mortal HD/VU $4
Mortal Instruments City of Bones HD/MA $3
Mortdecai HD/VU $3.5
Mother! HD/VU $2.5
Mountain Between Us HD/MA $2.5
Mr. Peabody & Sherman HD/MA $3
Mud HD/VU $2.5
Mulan 2 HD/GP $3
Mulan ‘20 4K/MA $4.5 or ‘20 HD/MA $3 or HD/GP $2.5
Mummy ‘17 4K/MA or IT $4.5 or HD/MA $3
Mummy ‘99 HD/MA $3.5
Mummy 4-Film Set (Mummy 1-3, Scorpion King) HD/MA $12
Mummy Trilogy 4K/MA or IT $14 or HD/MA $9 4K/IT
Muppets Most Wanted HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
My Best Friend is a Vampire HD/VU $4
National Lampoon's Vacation 4K/MA $5.5
Nebraska HD/VU $3
Need for Speed HD/GP $3.5
Needle in a Timestack 4K/VU $5.5
Nerve HD/VU $3.5
News of the World HD/MA $4
Night at the Museum Trilogy HD/MA $11
Night House HD/MA $4.5 or HD/GP $4
Nightmare Alley HD/GP $3.5
Nightmare Before Christmas 4K/MA $5.5 or HD/MA $4 or HD/GP $3.5
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Nobody's Fool HD/IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia ‘18 HD/MA $3.5
Now You See Me 2 4K/IT $4
Now You See Me HD/VU or IT $2.5 or SD/VU $1
Nut Job 2 HD/IT $2.5
Nut Job HD/IT $2.5
Nutcracker & Four Realms HD/MA $3.5 or HD/GP $3
Oblivion 4K/MA or IT $5 or HD/MA $3.5
Occupation ‘18 HD/VU $3.5
Occupation Rainfall HD/VU $4
Office Christmas Party 4K/IT $3.5
Olaf's Frozen Adventure HD/GP $3
Oliver! 4K/MA $5
On Chesil Beach HD/MA $4.5
One Ranger HD/VU $4.5
Onward HD/GP $2.5
Open Water 2 Adrift HD/VU $4
Open Water HD/VU $4
Operation Avalanche HD/VU $4
Other Woman HD/MA $3
Ouija HD/MA or IT $3.5
Our Kind of Traitor HD/MA $4
Outlander S.1 Vol 1 HD/VU $5
Overboard ‘18 HD/VU $3.5
Oz the Great & Powerful HD/MA $3 or HD/GP $2.5
Pacific Rim Uprising HD/MA $4
Paddington HD/VU $3.5
Pain & Gain HD/VU or IT $3.5
Paper Towns HD/MA $3
Paradise Highway 4K/VU $5
Paranormal Activity 3 (Ext) HD/VU or IT $3
Paranormal Activity 4 (Unr) HD/VU or IT $2.5
Paranormal Activity Ghost Dimension (Unr) HD/VU or IT $3.5
Paranormal Activity HD/VU $4
Paranormal Activity The Marked Ones HD/VU or IT $3.5
Passengers HD/MA $3.5
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3
Paul Apostle of Christ HD/MA $3
Peanuts Movie HD/MA $3
Penelope HD/VU $4.5
Peppermint HD/IT $3.5
Percy Jackson Sea of Monsters HD/MA $3
Perfect Guy HD/MA $2.5
Perks of Being a Wallflower HD/VU or IT $3 or SD/VU or IT $1
Pet Sematary ‘19 HD/VU $3 or 4K/IT $3.5
Pet Sematary ‘89 HD/VU $3.5 or 4K/IT $4
Peter Rabbit HD/MA $3.5
Pete's Dragon ‘16 HD/MA $3.5 or HD/GP $3
Phantom Thread HD/MA $4
Philomena HD/VU $2.5
Pirates of the Caribbean 5 HD/MA $3 or HD/GP $2.5
Pirates! Band of Misfits HD/MA $3.5
Pitch Perfect 2 4K/MA $4 or HD/MA $2.5
Pitch Perfect HD/MA $2.5 or 4K/IT $3
Pixar Short Films Set Vol. 3 HD/MA $3.5 or HD/GP $3
Planes Fire & Rescue HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes, Trains & Automobiles 4K/VU $5.5 or HD/VU $4
Playing w/ Fire HD/VU or IT $2.5
Poltergeist ‘82 4K/MA $5.5
Poltergeist (Ext) ‘15 HD/MA $4
Pompeii HD/MA $3.5
Power Rangers ‘17 HD/VU $3 or 4K/IT $3.5
Predator ‘18 HD/MA $3
Predator ‘87 HD/MA $4
Pride & Prejudice & Zombies HD/MA $3.5
Primal HD/VU $3.5
Promise HD/MA or IT $3.5
Protege HD/VU $4
Proud Mary HD/MA $3.5
Psycho 4K/MA $5
Pulp Fiction 4K/VU $5.5 or HD/VU $4
Punisher War Zone 4K/VU $5.5
Purge Anarchy HD/MA $3 or 4K/IT $3.5
Purge Election Year HD/MA $3.5
Purge 4K/MA or IT $4.5 or HD/MA $3 or
Push 4K/VU $6
Quantum of Solace HD/VU $4.5
Quarry 4K/VU $5
Quartet HD/VU $4
Queen of Katwe HD/GP $2.5
Quiet Ones HD/VU $3.5
Rambo ‘08 HD/VU $4
Rambo 5-film Set HD/VU $18
Rambo Last Blood 4K/VU $4.5 or HD/VU $3
Ran ‘85 4K/VU $5.5
Raya & the Last Dragon HD/MA $3.5
Rear Window 4K/IT $3.5
Rebel Without a Cause 4K/MA $5.5
Reclaim HD/VU $3.5
RED 2 HD/VU $2
Red Dawn ‘12 HD/IT $3
Redline ‘10 HD/VU $4.5
Reign of Assassins HD/VU $4.5
Replicant ‘01 HD/VU $3.5
Replicas HD/VU $3.5
Rescuers Down Under HD/MA $4 or HD/GP $3.5
Rescuers HD/MA $4.5 or HD/GP $4
Reservoir Dogs HD/VU $4
Resident Evil Retribution 4K/MA $5 or HD/MA $3.5
Resurrection of Gavin Stone HD/VU or IT $2.5
Retaliation ‘17 HD/VU $4
Revenant 4K/MA $5 or HD/MA $3.5
Ricki & the Flash HD/MA $3
Riddick (Unr) HD/VU or IT $3
Ride Like a Girl HD/VU $4
Right At Your Door HD/VU $4
Right One 4K/VU $5.5
Rings HD/VU or IT $2.5
Rio 2 (Sing-Along) HD/MA $3
Riot HD/VU or IT $3
RIPD HD/IT $2.5
Risen HD/MA $3
Rob Zombie Trilogy (3 From Hell, House of 1000 Corpses, Devil's Rejects) HD/VU $8
Robin Hood ‘18 HD/VU $3
Robocop ‘14 HD/VU $2.5
Rocketman ‘19 HD/VU $3 or 4K/IT $3.5
Rocky Horror Picture Show HD/MA $4
Roman J. Israel Esq HD/MA $3
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Room '15 HD/VU $3.5
Rough Night 4K/MA $5 or HD/MA $3.5
Run The Race HD/MA $3
Runner Runner HD/MA $3.5
Rush HD/IT $3
Safe HD/VU or IT $2.5
Same Kind of Different As Me HD/VU or IT $3
Samson HD/MA $3.5
Santa Clause HD/MA $3.5 or HD/GP $3
Santa Clause 2 HD/MA $3.5 or HD/GP $3
Santa Clause 3 HD/GP $2.5
Sapphires HD/VU $4
Sausage Party HD/MA $3.5
Saving Mr. Banks HD/GP $3
Saw (Unr) 4K/VU $4.5
Saw 7-film Set (Unr) HD/VU $16
Saw HD/VU $3
Scarface HD/MA $4 or 4K/IT $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA or IT $5.5 or HD/MA $4
Scream '96 4K/VU $5 or HD/VU $3.5
Scream Trilogy HD/VU $11
Secret Garden ‘20 4K/VU or IT $5.5
Secret in Their Eyes HD/VU or IT $3
Secret Life of Pets 4K/MA or IT $4.5 or HD/MA $3
See No Evil 2 HD/VU $3.5
Selma HD/VU or IT $2.5
Serenity ‘05 4K/MA $5.5 or HD/MA $4
Seriously Red HD/VU $4
Sex Tape HD/MA $3.5
Shack HD/VU or IT $2.5
Shallows HD/MA $3.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Shape of Water HD/MA $3.5
Sherlock Gnomes HD/VU or IT $2.5
Shivers HD/VU $4
Show Dogs HD/MA $3.5
Sicario HD/VU $2.5 or 4K/IT $3
Sicario Day of the Soldado HD/MA $4
Sicario, Wind River, Hell or High Water HD/VU $7.5
Side Effects HD/IT $3.5
Silencing HD/VU $4
Silent Night, Deadly Night 3-Film Set (3-5 HD/VU $7.5
Silk Road 4K/VU $5
Sing ‘16 HD/MA $3 or 4K/IT $3.5
Sing Street HD/VU $4
Sinister HD/VU $3
Sisters (Unr) HD/IT $2.5
Skeleton Twins HD/VU $4
Skyfall HD/VU $2.5
Skyscraper 4K/MA $5 or HD/MA $3.5
Sleeping Beauty ‘59 HD/MA $4 or HD/GP $3.5
Sleepless HD/IT $2
Sleepy Hollow 4K/VU $6.5
Slender Man HD/MA $4
Smokey & the Bandit HD/MA $3.5
Smokin' Aces 4K/MA $5.5
Smurfs The Lost Village HD/MA or IT $3
Snitch 4K/IT $3 or HD/VU $2.5 or SD/VU or IT $1
Snow White & the Huntsman (Ext) 4K/VU or IT $4.5 or HD/VU $3
Snow White & the Seven Dwarfs ‘37 4K/MA $6 or HD/MA $3.5 or HD/GP $3
Snowden HD/MA or IT $3.5
Snowpiercer HD/VU $4.5
Solo A Star Wars Story HD/GP $3
Son of God HD/MA $3
Sonic the Hedgehog 4K/VU $5 or HD/VU $3.5
Soul HD/MA $3 or HD/GP $2.5
Source Code 4K/VU $5.5
Southpaw HD/VU $3
Spartacus HD/MA $3.5
Spectre HD/VU $3.5
Spider-Man 2 (Thea & Ext) HD/MA $4.5
Spider-Man 3 HD/MA $3.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Thea & Ext) HD/MA $11.5
Spider-Man Far From Home HD/MA $3
Spider-Man Homecoming HD/MA $2.5
Spider-Man Into the Spider-Verse HD/MA $4.5
Spider-Man No Way Home HD/MA $4 or SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spinning Man HD/VU $4
Spiral 4K/VU $5 or HD/VU $3.5
Spongebob Sponge out of Water HD/IT $2.5
Spontaneous HD/VU $4.5
Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek 3 Search for Spock 4K/VU $5
Star Trek 4 Voyage Home 4K/VU $5
Star Trek Beyond HD/VU $3
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Trek The Motion Picture ‘79 4K/VU $5
Steel Dawn HD/VU $3.5
Still Alice HD/MA $4
Straight Outta Compton (Unr) HD/MA $3 or 4K/IT $3.5
Strange World HD/MA $4 or HD/GP $3.5
Suburbicon HD/VU $3 or /IT $3.5
Sundown The Vampire in Retreat HD/VU $3.5
Super 8 4K/VU or IT $5 or HD/VU $3.5
Sword in the Stone HD/MA $4 or HD/GP $3.5
Taken 2 HD/MA $3.5
Taken 3 (Unr) HD/MA $3.5
Tangled HD/GP $3.5
Ted (Unr) HD/MA or IT $2.5
Teen Spirit ‘19 HD/MA $4
Teenage Mutant Ninja Turtles ‘14 4K/VU or IT $4.5 or HD/VU $2.5
Terminator 2 Judgment Day (Special) HD/VU $4.5
Terminator 2 Judgment Day 4K/VU $5 or HD/VU $3.5
Terminator Dark Fate 4K/IT $4
Terminator Genisys HD/VU $3 or 4K/IT $3.5
Texas Chainsaw ‘13 HD/VU $3.5
Thanks for Sharing HD/VU $4
The Heat HD/MA $3
The Impossible HD/VU $3.5
The Sting 4K/MA $5.5
Think Like a Dog 4K/VU $5
This is the End HD/MA $3.5
Thor Dark World HD/MA $4 or HD/GP $3.5
Thor HD/GP $3.5
Thor Love & Thunder HD/MA $3.5 or HD/GP $3
Thor Ragnarok HD/MA $2.5 or HD/GP $2
Three Billboards Outside Ebbing, Missouri HD/MA $3.5
To Kill a Mockingbird HD/MA $3.5
Toll HD/VU $4.5
Tomorrowland HD/GP $3
Top Five HD/IT $3
Top Gun ‘86 4K/VU $5 or HD/VU $3.5
Total Recall ‘90 4K/VU $5 or HD/VU $3.5
Touched w/ Fire HD/VU $4.5
Toy Story HD/GP $3.5
Toy Story 4 4K/MA $4 or HD/GP $2
Training Day 4K/MA $5.5
Transformers Age of Extinction HD/VU $2.5 or 4K/IT $3
Transformers Dark of the Moon 4K/VU $4.5 or HD/VU $3
Transformers The Last Knight 4K/VU or IT $4 or HD/VU $2.5
Trolls HD/MA $2.5
Trust ‘16 HD/VU $4
Tucker The Man & His Dream 4K/VU $5
Tulip Fever HD/VU $4
Tumbledown HD/VU $4
Turbo HD/MA or IT $3
Turning HD/MA $4
Ugly Dolls 4K/VU or IT $5.5
Unbreakable HD/GP $3.5
Unbroken HD/VU or IT $3
Uncharted 4K/MA $5.5 or HD/MA $4
Uncle Drew HD/VU $3.5
Underworld Awakening HD/MA $3
Underworld Blood Wars HD/MA $3
Untouchables 4K/VU $5.5
Us ‘19 4K/MA $5.5 or HD/MA $4
Valerian & the City of a Thousand Planets HD/VU $3.5
Vampire Academy HD/VU $3.5
Vanishing ‘18 HD/VU $4
Venom 4K/MA $5 or HD/MA $3.5
Victoria & Abdul HD/MA $4
Virtuoso 4K/VU $5 or HD/VU $3.5
Vivo HD/MA $4.5
Voices ‘14 HD/VU $4
Voyagers 4K/VU $5
Walk HD/MA $3.5
Walking w/ Dinosaurs HD/MA $3
Wall '17 HD/VU $4
War for the Planet of the Apes HD/MA $3
War of the Worlds ‘53 4K/VU $5.5
War on Everyone HD/VU $4
Warcraft 4K/IT $4.5 or HD/MA $3
Warhunt 4K/VU $4.5
Warm Bodies HD/VU $3 or SD/VU $1.5
Warning HD/VU $4
Watch HD/MA or IT $3.5
Wayne's World HD/VU $4.5
We Die Young HD/VU $3.5
Weekend HD/VU $4
Werewolf The Beast Among Us (Unr) HD/MA or IT $3.5
West Side Story 4K/MA $5 or HD/MA $3.5 or HD/GP $3
What Men Want HD/VU $3 or 4K/IT $3.5
What We Did on our Holiday HD/VU $4
When the Game Stands Tall HD/MA $3
Whiskey Tango Foxtrot HD/VU or IT $3
Why Him? HD/MA $3
Widows HD/MA $3.5
Wild Card HD/VU $3
Willow HD/MA $4 or HD/GP $3.5
Wilson HD/MA $3.5
Winchester HD/VU $3.5
Winnie the Pooh Springtime w/ Roo HD/MA $4 or HD/GP $3.5
Wolf Hound 4K/VU $4.5
Wolf of Wall Street 4K/VU $5 or HD/VU or IT $3.5
Wolverine (Unr) (w/Thea) HD/MA $3.5
Woman in Gold HD/VU $3.5
Won't Back Down HD/MA $3.5
Woodlawn HD/MA or IT $3.5
World War Z HD/VU or IT $2.5
Wraith HD/VU $4
X-Men Apocalypse HD/MA $3
X-Men Days of Future Past HD/MA $3
XXX Return of Xander Cage HD/VU $2 or 4K/IT $2.5
Z for Zachariah HD/VU $4
Zero Dark Thirty HD/MA $3.5
Zeros & Ones HD/VU $4
Zootopia HD/MA $3 or HD/GP $2.5
submitted by nahimavegan to DigitalCodeSELL [link] [comments]


2024.05.20 13:46 Profstein3 GL # 1 Letter Column

GL # 1 Letter Column
Green Lantern # 1 (1960)
Trying something a bit different. I thought there might be some interest in posting the letter columns from the entire silver age GL series. DC has reprinted the comics many times over the years, but never the letter columns.
Because GL had started out as a test over in Showcase, DC already had letters to publish when GL # 1 hit the stands.
In those early days, the column highlighted the memories of those who recalled the days of Alan Scott and Doiby Dickles. It also featured a letter from Roy Thomas, who would of course go on to write at DC years later.
If there is interest in this, I will continue to publish a column a week. (I’m missing a few, so I’ll note where that happens)
Enjoy!
submitted by Profstein3 to Greenlantern [link] [comments]


2024.05.20 05:28 Skywalker420Dabn Best dispensaries bang for your buck

Coming to Missouri and curious what yall think is the best priced and overall enjoyable recreational dispensaries on the eastern side of the state are. St Louis and below
submitted by Skywalker420Dabn to MissouriCannashops [link] [comments]


2024.05.20 02:29 mrethandunne Best Actress Elimination Game Round 17

ELIMINATED - Frances McDormand in Three Billboards Outside Ebbing, Missouri - 27.4% of all votes. Three Billboards Outside Ebbing, Missouri was released in 2017. The film had two wins, including Best Actress for McDormand, at the 90th Academy Awards. McDormand was selected for Best Actress of the year in a lineup that also included Sally Hawkins in The Shape of Water, Margot Robbie in I, Tonya, Saoirse Ronan in Lady Bird and Meryl Streep in The Post. McDormand also garnered wins at the BAFTAs, Critics' Choice Awards, Golden Globes and SAGs for her performance as Mildred Hayes.
Feel free to use the comments as an area for discussion. Votes will only be accepted through this Google Form.
• Charlize Theron as Aileen Wuornos (Monster)
• Marion Cotillard as Édith Piaf (La Vie en Rose)
• Natalie Portman as Nina Sayers (Black Swan)
• Cate Blanchett as Jasmine Francis (Blue Jasmine)
• Brie Larson as Joy Newsome (Room)
• Olivia Colman as Queen Anne (The Favourite)
• Michelle Yeoh as Evelyn Wang (Everything Everywhere All at Once)
• Emma Stone as Bella Baxter (Poor Things)
RANKING:
  1. Frances McDormand as Mildred Hayes (Three Billboards Outside Ebbing, Missouri)
  2. Julianne Moore as Alice Howland (Still Alice)
  3. Helen Mirren as Queen Elizabeth II (The Queen)
  4. Hilary Swank as Maggie Fitzgerald (Million Dollar Baby)
  5. Emma Stone as Mia Dolan (La La Land)
  6. Nicole Kidman as Virginia Woolf (The Hours)
  7. Jennifer Lawrence as Tiffany Maxwell (Silver Linings Playbook)
  8. Kate Winslet as Hanna Schmitz (The Reader)
  9. Halle Berry as Leticia Musgrove (Monster's Ball)
  10. Jessica Chastain as Tammy Faye Bakker (The Eyes of Tammy Faye)
  11. Julia Roberts as Erin Brockovich (Erin Brockovich)
  12. Reese Witherspoon as June Carter (Walk the Line)
  13. Frances McDormand as Fern (Nomadland)
  14. Meryl Streep as Margaret Thatcher (The Iron Lady)
  15. Renée Zellweger as Judy Garland (Judy)
  16. Sandra Bullock as Leigh Anne Tuohy (The Blind Side)
submitted by mrethandunne to Oscars [link] [comments]


2024.05.19 22:37 Hagostaeldmann Okay Wargaming, I hear you loud and clear, "don't play our game today."

Okay Wargaming, I hear you loud and clear, submitted by Hagostaeldmann to WorldOfWarships [link] [comments]


2024.05.19 18:59 CranberryBasket1831 Where to get started?

Where to get started?
So I've started professionally cuddling as a side job. I have a couple clients and it's good. But I'd like to advertise perhaps and I'm just not sure how to go about doing that. I'm in the SE Missouri region and will happily take all suggestions.
submitted by CranberryBasket1831 to professionalcuddling [link] [comments]


2024.05.19 08:23 axidentalaeronautic Moderate churches in or around STL, Missouri?

I’m looking for a moderate church around STL (on the Missouri side). Every time I google, the results are all listed as if I searched“progressive churches.”
I’m not interested in debating, so plz don’t bother.
Idc about denomination all that much, but I do like Wesleyans (free Methodist, Nazarene).
Any options spring to mind?
Thanks
*I’ll be in the CWE, would prefer to not have to take my gas guzzler far!
submitted by axidentalaeronautic to Christianity [link] [comments]


2024.05.19 05:50 FilmGuy97 List of Pizza Huts with Dine-In (2024)

I saw a post here about a year ago asking about Pizza Hut locations that still had dine-in. I fed the replies to AI and got a list broken up by State. Feel free to respond with additions or corrections; I'll update the list.
Heads up, this list is user-generated, so if you know for a fact that Pizza Hut has dine-in, comment below, and it will be added.

Alaska

Alabama

Arizona

Arkansas

California

Colorado

Florida

Georgia

Hawaii

Idaho

Illinois

Indiana

Iowa

Kansas

Kentucky

Louisiana

Maine

Maryland

Massachusetts

Michigan

Minnesota

Missouri

Montana

Nebraska

Nevada

New Hampshire

New Jersey

New Mexico

New York

North Carolina

Ohio

Oklahoma

Oregon

Pennsylvania

South Carolina

Tennessee

Texas

Utah

Vermont

Virginia

Washington

West Virginia

Wisconsin

Alabama

Alaska

Arizona

Arkansas

California

Colorado

Florida

Georgia

Hawaii

Idaho

Illinois

Indiana

Iowa

Kansas

Kentucky

Louisiana

Maine

Maryland

Massachusetts

Michigan

Minnesota

Missouri

Montana

Nebraska

Nevada

New Hampshire

New Jersey

New Mexico

New York

North Carolina

Ohio

Oklahoma

Oregon

Pennsylvania

South Carolina

Tennessee

Texas

Utah

Vermont

Virginia

Washington

West Virginia

Wisconsin

Wyoming

submitted by FilmGuy97 to pizzahut [link] [comments]


2024.05.19 05:02 elev8blyss Bought tickets to attend my first Chiefs home game next season!

Bought tickets to attend my first Chiefs home game next season!
https://preview.redd.it/upwkaw3zta1d1.png?width=1268&format=png&auto=webp&s=1b53f1cd129859ae2c2134dae5c097c5f85faf24
So jacked for my wife and I to attend the October 7th Monday night game against the Saints! We attended an away game in New York last season but this will be our first home game. Decided to splurge on the best tickets I could find since we are flying in from Vancouver, BC. We are sitting in row 7 section 119 behind the team.
submitted by elev8blyss to KansasCityChiefs [link] [comments]


2024.05.19 02:41 mrethandunne Best Actress Elimination Game Round 16

ELIMINATED - Julianne Moore in Still Alice - 20.4% of all votes. Still Alice was released in 2014. The film had one win, Best Actress for Moore, at the 87th Academy Awards. Moore was selected for Best Actress of the year in a lineup that also included Marion Cotillard in Two Days, One Night, Felicity Jones in The Theory of Everything, Rosamund Pike in Gone Girl and Reese Witherspoon in Wild. Moore also garnered wins at the BAFTAs, Critics' Choice Awards, Golden Globes and SAGs for her performance as Alice Howland.
Feel free to use the comments as an area for discussion. Votes will only be accepted through this Google Form.
• Charlize Theron as Aileen Wuornos (Monster)
• Marion Cotillard as Édith Piaf (La Vie en Rose)
• Natalie Portman as Nina Sayers (Black Swan)
• Cate Blanchett as Jasmine Francis (Blue Jasmine)
• Brie Larson as Joy Newsome (Room)
• Frances McDormand as Mildred Hayes (Three Billboards Outside Ebbing, Missouri)
• Olivia Colman as Queen Anne (The Favourite)
• Michelle Yeoh as Evelyn Wang (Everything Everywhere All at Once)
• Emma Stone as Bella Baxter (Poor Things)
RANKING:
  1. Julianne Moore as Alice Howland (Still Alice)
  2. Helen Mirren as Queen Elizabeth II (The Queen)
  3. Hilary Swank as Maggie Fitzgerald (Million Dollar Baby)
  4. Emma Stone as Mia Dolan (La La Land)
  5. Nicole Kidman as Virginia Woolf (The Hours)
  6. Jennifer Lawrence as Tiffany Maxwell (Silver Linings Playbook)
  7. Kate Winslet as Hanna Schmitz (The Reader)
  8. Halle Berry as Leticia Musgrove (Monster's Ball)
  9. Jessica Chastain as Tammy Faye Bakker (The Eyes of Tammy Faye)
  10. Julia Roberts as Erin Brockovich (Erin Brockovich)
  11. Reese Witherspoon as June Carter (Walk the Line)
  12. Frances McDormand as Fern (Nomadland)
  13. Meryl Streep as Margaret Thatcher (The Iron Lady)
  14. Renée Zellweger as Judy Garland (Judy)
  15. Sandra Bullock as Leigh Anne Tuohy (The Blind Side)
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2024.05.18 21:15 SanderSo47 Directors at the Box Office: Clint Eastwood (Part 1)

Directors at the Box Office: Clint Eastwood (Part 1)
https://preview.redd.it/m07tmkxgi81d1.jpg?width=2048&format=pjpg&auto=webp&s=a069dd209bca819edad29814e0bbd2b76eaa50db

As Reddit doesn't allow posts to exceed 40,000 characters, Eastwood's edition had to be split into two parts because his whole career cannot be ignored. The second part will be posted tomorrow.

Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Clint Eastwood's turn.
Eastwood was a troublemaker at school, and he had a bunch of odd jobs such as lifeguard, paper carrier, grocery clerk, forest firefighter, and golf caddy. In 1951, he was drafted into the United States Army during the Korean War and was discharged two years later. Through this, he got into contact with a Hollywood representative, who got him into acting classes and started his acting career. He got his start by starring in the hit show Rawhide, but he said he was exhausted by the experience. This caught the attention of some film producers and he decided to act in films directed by the then-unknown Sergio Leone. His career was on the rise, and then he got the chance to make his directorial debut.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1970s, some of the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

Play Misty for Me (1971)

"The scream you hear may be your own!"
His directorial debut. It stars Eastwood, Jessica Walter and Donna Mills, and follows a radio disc jockey being stalked by an obsessed female fan.
Before his colleague Irving Leonard died, he and Eastwood had discussed the idea of producing a film that was to give Eastwood the artistic control he desired, and his debut as a director. Eastwood said he was ready, "I stored away all the mistakes I made and saved up all the good things I learned, and now I know enough to control my own projects and get what I want out of actors."
The film was a huge success for Eastwood, and it also received positive reviews. So far, his directorial career was off to a great start.
  • Budget: $950,000.
  • Domestic gross: $10,600,000. ($81.7 million adjusted)
  • Worldwide gross: $10,600,000.

High Plains Drifter (1973)

"They'd never forget the day he drifted into town."
His second film. The film stars Eastwood, Verna Bloom and Mariana Hill, and follows a mysterious stranger who metes out justice in a corrupt frontier mining town.
Eastwood reportedly liked the offbeat quality of the film's original nine-page proposal and approached Universal with the idea of directing it, which would make it his first directed Western. The screenplay was inspired by the real-life murder of Kitty Genovese in Queens in 1964, which eyewitnesses reportedly stood by and watched. Holes in the plot were filled in with black humor and allegory, influenced by Sergio Leone.
It was well received, and the film even surpassed Play Misty for Me at the box office. Eastwood was just going up.
  • Budget: $5,500,000.
  • Domestic gross: $15,700,000. ($110.4 million adjusted)
  • Worldwide gross: $15,700,000.

Breezy (1973)

"Her name is Breezy."
His third film. It stars William Holden and Kay Lenz, and follows the relationship between a middle-aged real estate agent and a young hitchhiker.
This was his first directed film without starring on it. And his lack of presence certainly hurt the film; it received mixed reviews and flopped at the box office.
  • Budget: $750,000.
  • Domestic gross: $200,000. ($1.4 million adjusted)
  • Worldwide gross: $217,753.

The Eiger Sanction (1975)

"His lifeline, held by the assassin he hunted."
His fourth film. Based on the novel by Trevanian, the film stars Eastwood, George Kennedy, Vonetta McGee, and Jack Cassidy. It follows Jonathan Hemlock, an art history professor, mountain climber, and former assassin once employed by a secret government agency, who is blackmailed into returning to his deadly profession for one last mission.
The film received mixed reactions for its writing, and it wasn't a box office success either.
  • Budget: $9,000,000.
  • Domestic gross: $14,200,000. ($82.4 million adjusted)
  • Worldwide gross: $14,200,000.

The Outlaw Josey Wales (1976)

"An army of one."
His fifth film. Based on the novel Gone to Texas by Forrest Carter, it stars Eastwood, Chief Dan George, Sondra Locke, Bill McKinney and John Vernon. The film tells the story of Josey Wales, a Missouri farmer whose family is murdered by Union militia during the Civil War. Driven to revenge, Wales joins a Confederate guerrilla band and makes a name for himself as a feared gunfighter. After the war, all the fighters in Wales' group except for him surrender to Union soldiers, but the Confederates end up being massacred. Wales becomes an outlaw and is pursued by bounty hunters and Union soldiers as he tries to make a new life for himself.
Eastwood was fascinated by the novel and he bought the film rights, hoping to star on the film. He got Philip Kaufman involved as screenwriter and possible director, but left after disagreeing with Eastwood in the material adapted to the screen. Kaufman insisted on filming with a meticulous attention to detail, which caused disagreements with Eastwood, not to mention the attraction the two shared towards Locke and apparent jealousy on Kaufman's part in regard to their emerging relationship. This caused Eastwood to take over as the director. Kaufman's firing angered the DGA, as he did most of the pre-production, and sanctioning a $60,000 fine. This resulted in the Director's Guild passing a new rule, known as "the Eastwood Rule", which prohibits an actor or producer from firing the director and then personally taking on the director's role.
The film received critical acclaim, and in subsequent years, is ranked among Eastwood's greatest films. It was also a huge success at the box office, doubling his previous highest grossing film. It was also one of the few Western films to receive critical and commercial success in the 1970s at a time when the Western was thought to be dying as a major genre in Hollywood.
  • Budget: $3,700,000.
  • Domestic gross: $31,800,000. ($174.5 million adjusted)
  • Worldwide gross: $31,800,000.

The Gauntlet (1977)

"The man in the middle of..."
His sixth film. It stars Eastwood, Sondra Locke, Pat Hingle, William Prince, Bill McKinney, and Mara Corday. It follows a down-and-out cop who falls in love with a prostitute, to whom he is assigned to escort from Las Vegas to Phoenix for her to testify against the mob.
While it received mixed reviews, it became another box office success for Eastwood, becoming his now highest grossing film.
  • Budget: $5,500,000.
  • Domestic gross: $35,400,000. ($182.4 million adjusted)
  • Worldwide gross: $35,400,000.

Bronco Billy (1980)

"The most outrageous of 'em all."
His seventh film. The film stars Eastwood and Sondra Locke, and focuses on the financially-struggling owner of a traditional Wild West show and his new assistant.
It became another critical and commercial success for Eastwood, who referred to the film as one of his most affable shoots of his career.
  • Budget: $6,500,000.
  • Domestic gross: $24,265,659. ($91.9 million adjusted)
  • Worldwide gross: $24,265,659.

Firefox (1982)

"The most devastating killing machine ever built... his job... steal it!"
His eighth film. Based on the novel by Craig Thomas, it stars Eastwood, Freddie Jones and David Huffman. The Soviets have developed a revolutionary new jet fighter, called "Firefox". Naturally, the British are worried that the jet will be used as a first-strike weapon, as rumors say that the jet is undetectable on radar. They send ex-Vietnam War pilot Mitchell Gant on a covert mission into the Soviet Union to steal the Firefox.
The film received mixed reviews, but it earned almost $47 million, becoming Eastwood's highest grossing title as director.
  • Budget: $21,000,000.
  • Domestic gross: $46,708,276. ($151.1 million adjusted)
  • Worldwide gross: $46,708,276.

Honkytonk Man (1982)

"The boy is on his way to becoming a man. The man is on his way to becoming a legend."
His ninth film. It's based on the novel by Clancy Carlile, and it stars Eastwood and his son Kyle. It follows Red Stovall, a country music singer and composer. With his nephew Whit by his side, he travels to Nashville to perform at the Grand Ole Opry in the backdrop of the Great Depression.
While the film received acclaim, it earned just $4.4 million, becoming his second worst performer.
  • Budget: $2,000,000.
  • Domestic gross: $4,484,991. ($14.5 million adjusted)
  • Worldwide gross: $4,484,991.

Sudden Impact (1983)

"Dirty Harry is at it again."
His tenth film. The fourth installment in the Dirty Harry series, directed, it stars Eastwood and Sondra Locke. The film tells the story of a gang rape victim who decides to seek revenge on her rapists 10 years after the attack by killing them one by one. Inspector Harry Callahan, famous for his unconventional and often brutal crime-fighting tactics, is tasked with tracking down the serial killer.
The film received mixed reviews from critics, but it earned over $150 million worldwide, Eastwood's first film to pass that milestone. It's also very popular for including the iconic catchphrase, "Go ahead, make my day."
  • Budget: $22,000,000.
  • Domestic gross: $67,642,693. ($212.1 million adjusted)
  • Worldwide gross: $150,642,693.

Pale Rider (1985)

"...And Hell followed with him."
His 11th film. It stars Eastwood, Michael Moriarty and Carrie Snodgress. A couple and their daughter, along with a few others, are driven out of Lahood, California, by goons working for a mining baron. However, a stranger enters their life to assist them in their fight.
There was no stopping Eastwood: another critical and commercial success.
  • Budget: $6,900,000.
  • Domestic gross: $41,410,568. ($120.2 million adjusted)
  • Worldwide gross: $41,410,568.

Heartbreak Ridge (1986)

"The scars run deep."
His 12th film. It stars Eastwood, Marsha Mason, Everett McGill, and Mario Van Peebles. The story centers on a U.S. Marine nearing retirement who gets a platoon of undisciplined Marines into shape and leads them during the American invasion of Grenada in 1983.
The film was inspired by an account of American paratroopers of the 82nd Airborne Division using a pay telephone and a credit card to call in fire support during the invasion of Grenada, and fashioned a script of a Korean War veteran career Army non-commissioned officer passing on his values to a new generation of soldiers. Eastwood was interested in the script and asked his producer, Fritz Manes, to contact the US Army with a view of filming the movie at Fort Bragg. However, the Army read the script and refused to participate, due to Highway being portrayed as a hard drinker, divorced from his wife, and using unapproved motivational methods to his troops, an image the Army did not want.
It received mixed reviews, with some deeming the film as "imperialist propaganda". But it was still another box office success.
  • Budget: $15,000,000.
  • Domestic gross: $42,724,017. ($121.7 million adjusted)
  • Worldwide gross: $121,700,000.

Bird (1988)

"There are no second acts in American lives."
His 13th film. The film stars Forest Whitaker and Diane Venora. It is constructed as a montage of scenes from saxophonist Charlie Parker's life, from his childhood in Kansas City, through his early death at the age of 34.
Eastwood, a lifelong fan of jazz, had been fascinated by Parker ever since seeing him perform live in Oakland in 1946. He approached Chan Parker, Bird's common-law wife on whose memoirs the script was based, for input, and she lent Eastwood and arranger Lennie Niehaus a collection of recordings from her private collection Before Eastwood was involved, Richard Pryor was originally cast as Parker.
Despitive positive reviews, it performed poorly, earning just $2.2 million in North America.
  • Budget: $14,000,000.
  • Domestic gross: $2,181,286. ($5.7 million adjusted)
  • Worldwide gross: $2,181,286.

White Hunter Black Heart (1990)

"An adventure in obsession."
His 14th film. Based on the novel by Peter Viertel, it stars Eastwood, Jeff Fahey, George Dzundza, Alun Armstrong and Marisa Berenson. It follows a famous movie director, John Wilson, who goes to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than take care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else.
Despite positive reviews, it made just $2.3 million domestically, not even 10% of the budget.
  • Budget: $24,000,000.
  • Domestic gross: $2,319,124. ($5.5 million adjusted)
  • Worldwide gross: $2,319,124.

The Rookie (1990)

His 15th film. The film stars Eastwood, Charlie Sheen, Raul Julia, Sônia Braga, Lara Flynn Boyle, and Tom Skerritt. It follows a veteran police officer teamed up with a younger detective, whose intent is to take down a German crime lord in downtown Los Angeles, following months of investigation into an exotic car theft ring.
It received negative reviews for its acting and story, and it became another flop for Eastwood. That's three bombs in a row. Ouch.
  • Budget: $30,000,000.
  • Domestic gross: $21,633,874. ($51.6 million adjusted)
  • Worldwide gross: $21,633,874.

Unforgiven (1992)

"Some legends will never be forgotten. Some wrongs can never be forgiven."
His 16th film. It stars Eastwood, Gene Hackman, Richard Harris and Morgan Freeman. It follows William Munny, a widower with two young kids, who was once a very vicious gunfighter who gave up everything after marriage. Now, a man named Schofield Kid brings him an offer that he cannot refuse, forcing him to come out of retirement for one last job.
David Webb Peoples wrote the script all the way back to 1976, and it was optioned by Francis Ford Coppola, but he lacked the funds needed to helm it. By Eastwood's own recollection, he was given the script in the "early 80s" although he did not immediately pursue it, because, according to him, "I thought I should do some other things first". Eastwood has long asserted that the film would be his last traditional Western, concerned that any future projects would simply rehash previous plotlines or imitate someone else's work. He dedicated the film to his close friends and mentors Sergio Leone and Don Siegel. Hackman initially refused to participate as his daughters were upset that he was starring in too many violent films, but he became fascinated by the script that he agreed.
It opened with $15 million and it legged all the way to $100 million after playing for almost one year, closing with $159 million worldwide, his now highest grossing film. The film received Eastwood's best reviews of his career, with many considering the film as his magnum opus as director. It received 9 Oscar nominations, and won four: Best Picture and Best Director for Eastwood, Best Supporting Actor for Hackman, and Best Film Editing. So Eastwood, on top of being a reliable box office draw, was now a 2-time Oscar winner.
  • Budget: $14,400,000.
  • Domestic gross: $101,167,799. ($225.2 million adjusted)
  • Worldwide gross: $159,167,799.

A Perfect World (1993)

His 17th film. Kevin Costner, Eastwood and Laura Dern, and follows an escaped convict who takes a young boy hostage and attempts to escape on the road with the child, while being pursued by a Texas Ranger.
The film received critical acclaim, and has appeared as one of Eastwood's best films. The film disappointed in North America, but it earned up to $100 million overseas (Eastwood's first film to gross that much) and ended with $135 million worldwide.
  • Budget: $30,000,000.
  • Domestic gross: $31,130,999. ($67.2 million adjusted)
  • Worldwide gross: $135,130,999.

The Bridges of Madison County (1995)

"The human heart has a way of making itself large again even after it's been broken into a million pieces."
His 18th film. Based on the novel by Robert James Waller, it stars Eastwood and Meryl Streep. The film is set in 1965, following a war bride, Francesca Johnson, who lives with her husband and two children on their Iowa farm. That year she meets National Geographic photojournalist, Robert Kincaid, who comes to Madison County, Iowa to photograph its historic covered bridges. With Francesca's family away for a short trip, the couple have an intense, four-day love affair.
It received more critical acclaim, and made over $180 million worldwide, becoming his highest grossing film. For her performance, Streep was nominated for an Oscar for Best Actress.
  • Budget: $22,000,000.
  • Domestic gross: $71,516,617. ($146.5 million adjusted)
  • Worldwide gross: $182,016,617.

Absolute Power (1997)

His 19th film. Based on the novel by David Baldacci, it stars Eastwood, Gene Hackman, Ed Harris, Laura Linney, Judy Davis, Scott Glenn, Dennis Haysbert, and Richard Jenkins. It follows a master jewel thief who witnesses the killing of a woman by Secret Service agents.
It received mixed reviews, and disappointed at the box office.
  • Budget: $50,000,000.
  • Domestic gross: $50,068,310. ($97.4 million adjusted)
  • Worldwide gross: $92,768,310.

Midnight in the Garden of Good and Evil (1997)

"Welcome to Savannah, Georgia. A Ccty of hot nights and cold blooded murder."
His 20th film. Based on the book by John Berendt, it stars John Cusack and Kevin Spacey. It follows the story of antiques dealer Jim Williams, on trial for the killing of a male prostitute who was his lover. The multiple trials depicted in Berendt's book are combined into one trial for the film.
It received mediocre reviews, and flopped at the box office.
  • Budget: $30,000,000.
  • Domestic gross: $25,105,255. ($48.8 million adjusted)
  • Worldwide gross: $25,105,255.

True Crime (1999)

His 21st film. Based on the novel by Andrew Klavan, it stars Eastwood, Isaiah Washington, Denis Leary, LisaGay Hamilton and James Woods. It follows a journalist covering the execution of a death row inmate, only to discover that the convict may actually be innocent.
This was another project that received mediocre reviews and flopped at the box office.
  • Budget: $55,000,000.
  • Domestic gross: $16,649,768. ($31.2 million adjusted)
  • Worldwide gross: $16,649,768.

Space Cowboys (2000)

"Boys will be boys."
His 22nd film. It stars Eastwood, Tommy Lee Jones, Donald Sutherland, and James Garner as four aging former test pilots who are sent into space to repair an old Soviet satellite.
It received very positive reviews, and earned over $128 million worldwide.
  • Budget: $60,000,000.
  • Domestic gross: $90,464,773. ($164 million adjusted)
  • Worldwide gross: $128,884,132.

Blood Work (2002)

"He's a heartbeat away from catching the killer."
His 23rd film. Based on the novel by Michael Connelly, it stars Eastwood, Jeff Daniels, Wanda De Jesús, and Anjelica Huston. It follows a retired FBI agent who recently had a heart transplant but still takes up the job to nab a killer.
It was another film with mediocre reviews and flop status.
  • Budget: $50,000,000.
  • Domestic gross: $26,235,081. ($45.5 million adjusted)
  • Worldwide gross: $31,794,718.

Mystic River (2003)

"We bury our sins, we wash them clean."
His 24th film. Based on the novel by Dennis Lehane, it stars Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden, and Laura Linney. It follows three childhood friends who are reunited 25 years later when one of them suffers a family tragedy.
Michael Keaton was originally cast in the role of Det. Sean Devine, and did several script readings with the cast, as well as his own research into the practices of the Massachusetts Police Department. However, creative differences between Keaton and Eastwood led to Keaton leaving the production. He was replaced by Kevin Bacon. This was the first film in which Eastwood would be credited as composer.
The film had a slow roll-out, but it was aided by strong word of mouth, closing with a wonderful $156 million worldwide. It also received acclaim, and was named as one of Eastwood's greatest films. Sean Penn received universal acclaim for his performance, with some naming it among the best acting of the century, particularly for one scene (if you watched it, you definitely know which scene). It received 6 Oscar nominations, including Best Picture and Best Director for Eastwood. It won two: Best Actor for Penn and Best Supporting Actor for Robbins.
  • Budget: $25,000,000.
  • Domestic gross: $90,135,191. ($153 million adjusted)
  • Worldwide gross: $156,595,191.

Come back tomorrow for Part 2

Don't suggest directors for the next edition here. Save it for tomorrow.

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2024.05.18 16:24 plaanet Various trees on property look sickly, leaves curling

Various trees on property look sickly, leaves curling
Two magnolias and a viburnum planted around the garden center where I work look like this this year, with their leaves curling up. In previous years this has not been an issue. We are in Missouri and these should all be hardy here. Weirdly, where we have two magnolias on the same exposure on either side of the door, one looks completely fine. Those trees are on the west side of the building, the third magnolia is on the east side of the greenhouse and the viburnum is on the north side. I’m not sure if this is a disease that has spread around, since it’s three separate plants exhibiting the same issue. Wondering if anyone has seen this before? Thanks!
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2024.05.18 15:15 como365 Republican infighting marked 2024 legislative session

JEFFERSON CITY — The 2024 legislative session that ended Friday seemed more a referendum on Republican Party loyalty than a collective venture toward policy.
Constant infighting among Republicans over priorities and which ones were truly conservative led to days-long filibusters, name calling and the death of many conservative bills, including a top party priority: making it more difficult to amend the Missouri Constitution.
The divisions were so ingrained that the Senate Democrats, holding 10 seats in a 34-person body, delivered the deciding votes on some of the session's most important bills.
The hard-right Freedom Caucus has said their issue with mainstream Republican leaders in the legislature is a lack of dedication to “big red” policies like reducing personal property tax and preventing foreign countries from owning Missouri land.
Looking back at previous sessions, that argument doesn’t quite stack up. In the last several years Republicans have passed one of the nation's most strict abortion bans, limitations on transgender health care and enacted several income tax cuts.
The Freedom Caucus went to great lengths to disrupt Senate procedure and strong-arm leadership in an effort to pass their highest priority, changes to the initiative petition process. The impact was that they were tossed off Senate committees by the Republican leadership and later in the session failed to convince their Republican colleagues to embrace their priorities.
Less than two weeks before the constitutional deadline for the budget and with an important federal health care reimbursement that creates over $4 billion in revenue, Freedom Caucus members filibustered for 41 hours with the demand that leadership first bring up a resolution changing the approval threshold for state constitutional amendments.
Going into the last week of session, initiative petition reform still had not passed.
This week, the Freedom Caucus supported a motion among Republicans to end the Democratic filibuster on the issue through an extraordinary motion — the previous question — that hasn’t been used in the Senate since 2020. But only 16 Republicans would support that plan, which needed 18 votes, so it was never brought before the floor.
With that failure on Wednesday, the resolution was sent back to the House, which refused to budge on Thursday and sent it back to the Senate. On Friday the Senate adjourned without any further action and the effort died.
The failure to pass the resolution making initiative petition changes showed the inability of even a supermajority to act when splintered on such chaotic, disruptive lines.
Senate President Pro Tem. Caleb Rowden, R-Columbia, said that this session showed that more can get done through compromise than confrontation.
"I'm walking out of here as a guy that has basically accomplished everything I wanted to accomplish and I did it in a way that was respectful and collegial," Rowden said in a press conference after adjournment.
Senate Minority Leader John Rizzo, R-Independence, backed up that point saying, "I don't think Democrats won or Republicans lost (the session), I think decorum won."
Fiscal Year 2025 budget
A set of constitutionally mandated bills that fund the state's operations passed just three hours before the May 10 deadline. The final budget is $51.7 billion, $1 billion less than what the governor proposed, and about $2 billion less than last year's budget.
Three things stuck out in this year's budget: Infrastructure continued to be a major focus, spending was reduced to come in line with revenue projects and numerous members on both sides of the aisle were frustrated by the lack of transparency in the process.
Over the last two years, about $3.5 billion has been put into widening I-70 to six lanes statewide and I-44 in the southwestern part of the state. Both projects are about equally funded through debt and general revenue. The budget that was approved is expected to reduce the state surplus to about $1.5 billion.
Up-to-date numbers from the Office of Administration show a more rosy revenue picture than anticipated. So far Fiscal Year 2024 revenue receipts are up 2.7% year over year. That's far higher than the projected .2% growth in revenue used to craft the budget. If that revenue continues at the same pace and with a current general fund balance of over $4 billion there is a chance the state's surplus will hardly be tapped over the next year.
The declining budget also represents a return to normal state budgeting. Since the pandemic, states have received an unprecedented influx of federal COVID relief and infrastructure cash. That has led to record high appropriations that oftentimes don't get spent. In the FY 2023 budget, $10 billion of the $48 billion appropriated was never used. In 2018, only $2 billion of the $28 billion budget was left unspent.
No public comment was taken during the budget process and meetings between the House and Senate where the final budget package was finalized only existed behind closed doors. Senators only had a few minutes to review the bills before voting on them and House members had little time to debate as they passed the budget just hours before the constitutional deadline.
This backdoor process drew criticism from Democrats, Freedom Caucus members and the governor as many felt out of the loop.
Elections and initiative changes Fighting over changes that would make it harder to amend the Missouri Constitution again put the brakes on normal operating procedures on the Senate floor this session.
The Freedom Caucus has more than once sent the Senate into disarray over a piece of legislation that again failed to cross the finish line after years of attempts.
The legislation, sponsored by Sen. Mary Elizabeth Coleman, R-Arnold, would have asked voters whether the current threshold to amend the state constitution — a simple majority, or 50% plus one — should be raised to also require a majority vote in at least five of the state’s eight congressional districts.
This year’s proposal included two provisions that led the chamber to several lengthy filibusters totaling more than 100 hours. In addition to the threshold requirement, the provisions would ask voters to bar noncitizens from voting on constitutional amendments and to ban constitutional amendments sponsored by foreign governments.
These provisions are already state law and Democrats made a point of filibustering against those provisions.
Republicans this session also pushed a resolution that would ban ranked-choice voting in Missouri. SJR 78 was passed by the House on Friday. The question will now go to voters to decide.
Ranked-choice voting is a practice where voters rank their preferred candidates on a single ballot until a winner is declared after receiving a majority of the vote. The idea is to give voters more options once their top-ranked choice is eliminated by distributing their vote to their next preferred candidates. Opponents said the practice does the exact opposite by splitting the vote.
While it is not in state law, St. Louis practices a version of ranked-choice voting that will be protected if the ban passes.
Education bill An omnibus education bill, SB 727, raising the minimum teacher salary, allowing charter schools in Boone County and providing private school scholarships to low-income students, has already been signed into law by Gov. Mike Parson. The provisions of the bill, approved by the minimum vote required in the House, are estimated to cost the state $468 million.
The new state minimum salary for teachers is set at $40,000 a year beginning with the next school year and includes additional incentives for teachers with longer careers and those with master’s degrees.
The voucher-like scholarship program for private school students offers up to $6,375 per child for expenses such as tuition, textbooks and transportation. The program is funded by private donors who can claim tax credits.
The size of the bill ballooned from 12 pages to more than 150 because of amendments in the Senate. House leaders blocked amendments so that the bill would not have to be returned for another vote in the Senate out of concern it would die because of filibusters on other topics.
The law requires a public vote to approve any switch to four-day school weeks while providing incentives to schools that stick with five-day weeks.
New crime provisions A major public safety bill that passed during the final House session on Friday made changes to how children are viewed in the court system, increased punishment for various crimes and limited the authority of citizen police review boards, among other items.
The bill tracks legislation passed last year, except for two technical provisions that prompted a veto by Parson. The law increases the age under which children could be considered adults in felony offenses from 12 to 14.
On July 4, 2011, Blair Shanahan Lane was killed by reckless celebratory gunfire. A portion of the bill dubbed "Blair's Law" creates penalties for such activity. After the bill passed on a bipartisan basis Friday, House members rose for a round of applause directed at Blair Lane's mother, who was in attendance.
The bill also creates "Valentine's Law" raising punishments for fleeing a law enforcement stop. It is named for St. Louis County Detective Antonio Valentine, who died in a crash pursuing a person fleeing police.
And there is a provision known as "Max's Law" that increases punishment for injuring or killing law enforcement K-9 dogs.
Sludge regulations House Bill 2134, which would create new regulations for wastewater sludge under the Missouri Clean Water Act, gained bipartisan approval and was signed by Parson.
The bill gained traction as concerns about waste lagoons and land application practices by Arkansas-based Denali Water Solutions have been brought to light. The new law prevents companies like Denali from applying waste as fertilizer without a regulatory process and testing.
Denali was previously forced to cease operations in Missouri after 6,000 gallons of slaughterhouse waste spilled into a field, causing residents to complain about the smell and runoff concerns.
Regulatory Sandbox Act The House Friday gave final approval to SB 894 creating an avenue for new companies offering innovative products to be excused from meeting some state regulations for the first 24 months that they begin offering innovative products to consumers.
Companies would be required to apply and meet certain criteria to participate in the program.
The bill also creates an Office of Entrepreneurship within the Department of Economic Development that will promote policies and initiatives to support the growth of entrepreneurship of Missouri-based businesses with less than ten employees.
Eviction moratorium A bill passed on Friday barred any municipality from enacting an eviction moratorium. The bill, SB 865, comes in the aftermath of the COVID-19 pandemic when cities across the country prevented landlords from evicting tenets. Realtors and apartment associations spoke in favor of the bill as they feel moratoriums violate the rights of property owners.
National Guard deployment Parson signed a bill on May 8 approving additional funding for a Missouri National Guard deployment to the southern border. The governor traveled to Eagle Pass, Texas, to sign House Bill 2016 into law and visit with members who have been deployed since March.
“The battle that we’re fighting down here at the border is keeping it from happening in our own borders, in our own state in Missouri,” Parson said before signing the bill.
Members of the National Guard are assisting with Operation Lone Star after being invited by Texas Gov. Greg Abbott. Operation Lone Star is a state-level border security effort at the Texas-Mexico border that began in 2021.
The $2.2 million in funding supports the operations of approximately 200 National Guard members and 22 Missouri State Highway Patrol officers for 90 days. Since the start of their mission, only around 50 guardsmen and 22 members of the highway patrol have served in Texas.
Sports wagering moves ahead After years of failed attempts to get legalization through the Missouri General Assembly, sports gambling appears to have found a more promising path.
Early in May, the Winning for Missouri Education committee along with a coaltion of Missouri professional sports teams submitted over 340,000 signatures for a ballot initiative to the Secretary of State's office desk.
If the Secretary of State verifies that enough signatures are genuine, the question would be put to voters in November. Thirty-eight other states have legalized some form of sports wagering.
The petition proposes a 10% tax on wagers to be collected by the Department of Revenue, deposited into the state treasury and credit to the "Gaming Proceeds for Education Fund," raising a projected $35 million.
Approximately $5 million in funds from the sports wagering tax would go into a fund to help compulsive gamblers and the rest would go to public school and higher education programs.
Child tax credits Bipartisan support and a State of the State address plug by Parson helped two bills, SB 742 and HB 1488, which would add provisions allowing for tax credits related to child care services to reach the Senate floor for consideration.
However, opposition from Freedom Caucus members of the Senate stalled action both in an effort to advance bills they felt deserved more priority and out of a general dislike of tax credits. The Senate version is sponsored by Sen. Lauren Arthur, D-Kansas City, while the House bill is sponsored by Rep. Brenda Shields, R-St. Joseph.
Protecting IVF House and Senate bills to protect in vitro fertilization clinics got a flurry of attention but did not advance following an Alabama state court ruling that relied on a state abortion ban to restrict in vitro fertilization clinics.
The Missouri Court of Appeals in St. Louis ruled in 2016 that IVF-created embryos were a matter of “marital property of special order.” This has provided legal protection for doctors and patients in the IVF field.
However, that court ruling cited abortion protection offered by Roe Vs. Wade, which was overturned in 2022. With Missouri having a similar abortion ban to the one in Alabama, leading advocates and lawmakers alike are concerned about what could lie ahead.
Sen. Tracy McCreery, D-Olivette, filed SB 1486 which would specify that Missouri's abortion ban does not have a definition that includes in vitro fertilization embryos that have not been implanted in a body. Rep. Bill Allen, R-Kansas City, filed House Bill 2845 which states that the IVF process is protected under law and no one can be prosecuted for undergoing or administrating IVF.
Here is what happened to other legislative topics that garnered attention during the session but did not pass:
Protections for pesticide maker: HB 2763, sponsored by Rep. Dane Diehl, R-Butler, would have protected pesticide manufacturers from claims that they failed to warn consumers of possible cancer risks in their products as long as the federal Environmental Protection Agency has approved those products.
Much of the debate before the House approved the bill focused on Bayer, the company with U.S. headquarters in St. Louis that purchased Monsanto, the original manufacturer of RoundUp pesticide. According to The Associated Press, the company is seeking to stem a tide of lawsuits claiming that Bayer’s products cause cancer.
Diehl, a farmer, said he drafted the legislation out of fear that Bayer would be forced to pull RoundUp off of the market, harming farmers ability to grow crops. The bill never made it to the Senate floor for consideration.
Presidential primaries: New voting laws passed in 2022 eliminated the presidential primary in Missouri. Following low voter turnout in this year’s Republican presidential caucus, SB 1120 and HB 2618, which would reinstate presidential primaries, passed out of their respective committees. The House bill passed with amendments that would create new residency restrictions for candidates vying for U.S. Congress. Ultimately, neither bill got floor consideration.
The Taylor Swift Act: Bills in both the House and Senate sought to address the impact of problematic images created by artificial intelligence but did not make it into law. While ten states provide some form of retribution for this type of crime, only Minnesota and New York statutes allow for both civil and criminal relief.
The Taylor Swift Act, House Bill 2573, offered by Rep. Adam Schwadron, R-St. Charles, targeted fake pornographic images. The bill was approved by the Special Committee on Innovation and Technology but never received a floor vote. The name of the bill referred to explicit AI-created images of the singer that went viral in January.
A similar bill, Senate Bill 1424, sponsored by Sen. Travis Fitzwater, R-Holts Summit, did not get a hearing.
Media Literacy: Companion bills, House Bill 1513 and Senate Bill 1311, aimed to teach students about media and digital literacy. Neither bill advanced.
Danny's Law: Legislation that sought to protect 911 callers from prosecution when calling to report a hazing incident stalled in the House. The bill was named after former University of Missouri student Danny Santulli, who suffered irreparable brain damage after drinking too much when pledging a fraternity at MU in the fall of 2021.
Danny’s Law was meant to offer exoneration to those involved in hazing incidents if they’re the first to call for emergency help.
“As the mother of three college-age men, I understand this is a major issue,” said Rep. Jo Doll, D-St. Louis, who spoke during a March 7 committee hearing. “It’s really important to give kids the ability to call 911 without being afraid of the consequences to them.”
Protecting major water users: House Bill 2669, which sought to limit information being released to the public about major water users, was approved by a House committee but failed to get a floor vote. The bill was meant to protect the information of Missouri’s family farmers and would keep information about individually identifiable water users from being disclosed to the public.
Highway Commission changes: A bill, House Bill 2568, that would have changed the makeup of the Missouri Highways & Transportation Commission was voted down in a committee in Apri. Two other bills that would have either changed the makeup of the commission or done away with it altogether failed to move forward after being the subject of public hearings in early February.
Nursing restrictions: Missouri is one of only a few states not to allow nurse practitioners to practice independently without the authority of a physician. A House committee passed an amended version of one bill, HB 1773, sponsored by Rep. Chad Perkins, R-Bowling Green, that would allow nurses to practice independently after 6,000 hours of work under a physician's supervision. The bill was never placed on the House calendar, a roadblock which some nurses point to opposition from House Floor Leader Rep. Jonathan Patterson, R-Lee’s Summit.
Dmitry Martirosov, Molly Miller, Aidan Pittman, Grant Green and Madeline Shannon contributed to this story.
Cover image: State Representative Chantelle Nickson-Clark(cq) throws her papers at the end of the legislative session on Friday, May 17, 2024 at the Statehouse in Jefferson City. Nickson-Clark was the first Black woman elected to represent District 67 in St. Louis County in Nov. 2022.
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