https://archive.is/Fn2ma
With unanimous approval from the Zoning Board of Appeals, Ja’Duke Inc. is one step closer to opening its second performance art, driver’s education and preschool center at the former Greenfield Community College building at 270 Main St.
Ja’Duke owners Kimberly Williams and Nicholas Waynelovich came before the ZBA last week with a detailed plan to transform the 25,000-square-foot building into a facility equipped with a driver’s education classroom on the basement floor, classroom space to hold 35 infants and 45 toddlers on the first floor, and five preschool classrooms and three performance arts educational rooms on the third floor. Williams said she expects the facility will hold between 120 to 150 students per day.
“With a wait list of 120, you can’t just sit on your hands, you’ve got to do something,” Williams said.
Williams confirmed Monday that she plans on closing on the new property for about $655,000 by the end of June, with the goal of opening in 2025. Although Viva Tubes founder Dave Mell purchased the building for $700,000 in January 2023, Williams said it has remained unused since 2020.
Ja’Duke first opened in 2004 in the basement of the Colle Opera House before moving to its current space at 110 Industrial Blvd. in Turners Falls a few years later. It has grown to include driver’s education through the Ja’Duke Driving School, 75 weekly performance art classes under Ja’Duke Center for the Performing Arts, and 14 early education and child care classrooms through Ja’Duke Preschool.
Williams said Ja’Duke’s Turners Falls location will remain open for business as the company expands to Greenfield.
“[Child care and early education] is a much-needed thing in every community right now — I think it’s a no-brainer,” Williams told the ZBA Thursday. “This is mainly an expansion of learning into a more populated area.”
Williams said Ja’Duke expects to pay roughly $1.2 million to make numerous renovations to the Greenfield building, such as roof repairs or replacement, installation of new sprinklers, and upgrades to the heating, ventilation and air conditioning system.
Because the building is in a commercially zoned area, Ja’Duke needed to obtain a special permit from the ZBA to operate a private school.
Before the ZBA’s unanimous vote of approval, member Debra Gilkes noted that the board should consider the new business’ potential impact on traffic in downtown Greenfield, considering the school’s 120-150-student capacity and other large-scale projects being planned in the area, such as the redevelopment of the former Wilson’s Department Store. In response, Williams said student drop-offs and pick-ups at Ja’Duke’s current location typically take place quickly and efficiently, mitigating negative traffic impacts. She said the vehicles come and go “like a stream.”
“[The building] used to be a bank, so it was the same story. ... I don’t think it’s going to increase traffic any more than that,” ZBA Chair David Singer said. “Maybe we’ll be busy downtown, but it’s a thriving community and I assume it can tolerate this.”
When a resident asked how the presence of nearby cannabis dispensaries might impact the driver’s ed and pre-school facets of Ja’Duke’s business, Williams responded that there are not cannabis dispensaries within 250 feet of 270 Main St., and that even if there were, the school would embrace the opportunity to educate drivers ed students on marijuana and the dangers of driving while under the influence.
Following the planned renovations, the company hopes to launch Greenfield-based programming in early 2025.

I will continue to update this post as reviews come in.
Rotten Tomatoes: Certified Fresh
Critics Consensus: A deceptively dark thriller that's also loaded with laughs, Hit Man is an outstanding showcase for leading man Glen Powell -- and one of the most purely entertaining films of Richard Linklater's career.

	Score	Number of Reviews	Average Rating
All Critics	96%	81	8.30/10
Top Critics	93%	27	8.00/10

Metacritic: 82 (21 Reviews)
Sample Reviews:
“Hit Man” is studded with delicious moments, but as amusing as the movie is it has a plot that sprawls forward in a rather ungainly fashion, and it goes on for too long. - Owen Gleiberman, Variety
Smart and steamy screwball fun. - Leslie Felperin, Hollywood Reporter
The comedy is a deliriously entertaining star vehicle for actor Glen Powell. - Ben Croll, TheWrap
“Hit Man,” Linklater’s latest film, falls into the fun-with-a-heart (and brain) category. It’s got a lot going for it. For one thing, there’s Linklater’s deft touch, particularly when juggling comedy and romance (with a little crime drama thrown in). 4/5 - Bill Goodykoontz, Arizona Republic
A smartly written, sublimely comedic, and sexy human-scale relationship story with a touch of just enough suspense and hints of criminality to prove that its title is not a complete misnomer. 4/5 - Cary Darling, Houston Chronicle
In the hands of a lesser director, Hit Man would surely have felt rather thin and disposable. But Linklater is a pro, and he manages to make the film’s fripperies feel borderline profound. 4/5 - Xan Brooks, Guardian
An intelligent comedy that contains plenty of laugh-out-loud moments and references Kant and Nietzsche, it is also a thriller that is darker than it first appears. - Jo-Ann Titmarsh, London Evening Standard
Hit Man trips along on great writing, Linklater’s witty, light-touch direction and a rich sense of place, but what makes it especially pleasurable is Powell and Arjona’s naturally steamy rapport. 4/5 - Robbie Collin, Daily Telegraph (UK)
... An effervescent comedy from Richard Linklater that simultaneously snubs its nose at the entire genre while easily nabbing the honour of most purely entertaining film to grace the Lido so far. 4/5 - Kevin Maher, Times (UK)
Another, crueller writer-director would have pivoted to scenes of bloody violence, but Linklater prefers to ponder the question of whether you can will yourself into becoming a different person. 4/5 - Nicholas Barber, BBC.com
A sorta-true story about an average guy who finds himself caught in a web of crime and deception, Hit Man is a cute and clever (sometimes overbearingly so) showcase for Powell’s magnetic charm. - Richard Lawson, Vanity Fair
The police scenes are just light enough to be funny, the screwball sequences are just dark enough to keep you on the edge of your seat, and Powell... is obviously elated to be handling such twisty material. - Shirley Li, The Atlantic
This genial comedy/noir is a genuine crowdpleaser – funny, sexy, clever and confident in building a low-key humour which hits the target over and over again. - Fionnuala Halligan, Screen International
It’s a genuinely riotous time at the cinema and concrete proof Powell is perhaps our brightest hope when it comes to keeping the notion of the movie star alive. - Hannah Strong, Little White Lies
Hit Man is hot and hilarious, a winning combination amplified by a story that gets knottier at every turn. - Nick Schager, The Daily Beast
Powell’s ability to power through some dull material on charm alone only reaffirms the credibility of his stardom, and the film’s general lack of ambition keeps things from going awry whenever a joke doesn’t land. Aim small, miss small. B- - David Ehrlich, indieWire
I’s just fun to watch good old-fashioned comedy in which love, danger, and happy endings are all part of a damn fine evening at the movies. - Alissa Wilkinson, Vox
With Richard Linklater’s Hitman, the charismatic Glen Powell has been offered a plum opportunity to shape his image into something more complicated and often poignant. 3/4 - Zach Lewis, Slant Magazine
[A] light-and-lively comedy. - Jordan Hoffman, The Messenger
Comfortably Linklater’s best movie since Boyhood, Hit Man stands alongside School of Rock for big laughs and good vibes – albeit with a darker streak that slowly kicks in. 4/5 - Philip De Semlyen, Time Out
Powell and Linklater would have done better to take Johnson’s story as a launching point and then spun off into their far more complicated version of his life without literally tethering the movie to a real person. - Alonso Duralde, The Film Verdict
Linklater has long had a gift with playful humor, and he nails the tone here without turning “Hit Man” into the slapstick it could have become. - Brian Tallerico, RogerEbert.com
A comedy/thriller that’s in equal parts charming, nerve-wracking, and ethically challenging. - Glenn Kenny, RogerEbert.com
Every interesting aspect of the true story and the imagined story are smoothed out. - Drew Gregory, Autostraddle
The smoldering, wily, wild-but-true Hit Man returns Linklater to his loquacious take on romance, with a man using his gift of gab to shrug off himself. - Charles Bramesco, Inside Hook
A witty, relaxed, and cheerfully fictionalized comedy-caper-romance; in the bargain there’s some light philosophical meditations on the impermanence of personality. 4/4 - Ty Burr, Ty Burr's Watch List
It’s as if Linklater is playing posthumous wingman for his subject, giving him the rom-com-slick Hollywood ending he never got in life. - Keith Uhlich, (All (Parentheses))
SYNOPSIS:
Oscar-nominated director Richard Linklater’s sunlit neo-noir stars Glen Powell as strait-laced professor Gary Johnson, who moonlights as a fake hit man for the New Orleans Police Department. Preternaturally gifted at inhabiting different guises and personalities to catch hapless people hoping to bump off their enemies, Gary descends into morally dubious territory when he finds himself attracted to one of those potential criminals, a beautiful young woman named Madison (Adria Arjona). As Madison falls for one of Gary’s hit man personas — the mysteriously sexy Ron — their steamy affair sets off a chain reaction of play acting, deception, and escalating stakes. Co-written by Linklater and Powell and inspired by an unbelievable true story, Hit Man is a cleverly existential comedy about identity.
CAST:

• Glen Powell as Gary Johnson
• Adria Arjona as Maddy Masters
• Austin Amelio as Jasper
• Retta as Claudette

DIRECTED BY: Richard Linklater
SCREENPLAY BY: Richard Linklater, Glen Powell
BASED ON THE TEXAS MONTHLY ARTICLE BY: Skip Hollandsworth
PRODUCED BY: Mike Blizzard, Richard Linklater, Glen Powell, Jason Bateman, Michael Costigan
EXECUTIVE PRODUCERS: Stuart Ford, Zach Garrett, Miguel A. Palos Jr., Shivani Rawat, Julie Goldstein, Vicky Patel, Steve Barnett, Alan Powell, John Sloss, Scott Brown, Megan Creydt
DIRECTOR OF PHOTOGRAPHY: Shane F. Kelly
PRODUCTION DESIGNER: Bruce Curtis
EDITED BY: Sandra Adair
COSTUME DESIGNER: Juliana Hoffpauir
MUSIC BY: Graham Reynolds
MUSIC SUPERVISORS: Randall Poster, Meghan Currier
CASTING BY: Vicky Boone
RUNTIME: 115 Minutes
RELEASE DATE: May 24, 2024 (Limited Theatrical in US; Wide Theatrical in Canada) / June 7 (Netflix)

Hey I'm still new to d&d and never expect my first ever experience to be like this it was my first ever campaign the DM seemed nice enough and the campaign seemed fun it was based on the early medevil times and we had to stop the big bad (never did find out what it was) that was killing everyone and turning them into these undead puppet kinda creature and this constant storm that was on the horizon. Myself and the other party members decided to go explore the town that was a couple miles though the woods, (this seemed to annoy the DM for some unknown reasons) we found out some information about the big bad but not alot before the dm told us that then the storm was approaching and would destroy our base that we where staying at. we decided it would be best if we head back to see if we could protect the camp and the people. (we had another member back at the camp that was afk and a NPC that was helping us) as we were heading back though the rain two of the party members started fighting (I can't remember why) I managed to brake it up and as we were standing in the rain the DM told us to roll a saving throw, one of the people roll 17 and me and the other person both rolled NAT 20s (I rolled a nat20 and with my wisdom it was 22) the DM then decided to do a tpk (total party killed) without telling us what killed us and after the 3rd time of asking he told us "the storm kills you and that you needed to roll a 23 and higher to survive". After that he just disappeared and stopped replying to everyone in the group. I messaged one of the other members of the party to ask about what happend as they were more experienced at playing then me and he was like "we are all level 1 there is no way that we can get 23 and higher for a saving throw unless we put all our stats into wisdom" I messaged the DM a couple of times with no reply until one day when he just deleted the group and told me it would be better if I found another group and that he wasn't continuing because he didn't like one of the players and how they play, I was the only one to get a reply and to be told why he was quitting (i play on discord) i have thankfully found 2 new campaigns that i am a part of that i enjoy playing but as a first experience and first ever campaign it was not an enjoyable experience, also i have been told that most campaign do a session zero to introduce you to the campaign and the world this didn't happen and i was dropped straight into the session and felt very awkward as the campaign had already had two sessions prior to me joining I had no idea what had happened and what's happening and what the group already knew. (Ps sorry for any spelling mistakes or anything I'm dyslexic)

On a rainy Saturday afternoon not so long ago when internet connection was fluctuating in most homes, the 80-year-old Cecile Guidote-Alvarez, widow of the late Senator Heherson Alvarez, carrying a mini iPad, hurriedly alighted from a three-wheeled pedicab Toktok and stormed her way into a popular coffee shop in a mall in Manila.

A senior citizen in panic mode, she told the stunned baristas she’s looking for a Wi-Fi connection because she was about to interview retired Supreme Court Associate Justice Antonio Carpio via Zoom.
The coffee shop, a known world brand, has Wi-Fi exclusive to its employees, so the old lady was told to try other establishments. She went from one coffee shop to another only to be told the same, until a kind stranger led her to a well-known beauty salon with a free internet connection.
The lady salon attendant was very accommodating to the octogenarian, even typing the password on her IPad. Of course, she needed to avail herself of their salon services. Initially, she opted for a haircut, but since she needed to talk and hear clearly who she was talking to, she settled for a foot spa with pedicure.
“They lowered the volume of the piped-in music, and since there were less customers because it’s been raining all day, I was able to do my interview,” Guidote-Alvarez said.
For the next half-an-hour, the hair dressers and manicurists working with their scissors, nail clippers and cuticle removers on their customers’ hair and fingernails, listened to Carpio and Guidote-Alvarez discussed how Filipino fishermen and the Philippine Navy ships helplessly negotiate their ways in Scarborough Shoal amid the territorial disputes in the West Philippine Sea.
“They were all very nice to me. I was able to finish my interview, with newly pedicured nails,” she told The Diarist.
For those who’ve worked with Guidote-Alvarez, her steadfast, almost stubborn, nature to accomplish a task, is nothing out of the ordinary. She would improvise, find alternatives, call up friends and former students, wake them up from sleep, just to get things done.
But now, in her 80s, legally blind and nearly deaf, she has mellowed down.
Cecile Alvarez with her mentors, National Artist for Literature Alejandro Roces, Jr and Fr. James Reuter. SJ
In her twilight years, Guidote-Alvarez has been solely hosting the 57-year-old Radyo Balintataw on DZRH, one of the oldest radio stations in the Philippines, where she tackles a wide range of topics, from climate change, women’s health, theater, culture, dance, to current issues, apart from playing old recordings of classic radio plays she produced and directed, dating back to the late ‘80s.
She shared with TheDiarist.ph how she started and continues to host one of the longest running advocacy programs on AM Radio.
Theater on TV
After founding the Philippine Educational Theater Association (PETA) on April 7, 1967, or exactly 57 years ago, Guidote-Alvarez thought of the need to expose PETA’s members to television, so she started conceptualizing Balintataw, which in Filipino means the pupil of the eye, but in a larger context has something to do with having wild imagination, or what you might see if you have a third eye.

“I designed Balintataw as a bridge between cinema and the stage, where the youth being trained in theater skills can have a ready-made laboratory experience linked with the film and entertainment industry that would likewise have a natural on-the-job training and orientation regarding the theatrical discipline of working with a literary script, whether dramatic or comic—not the regular improvised script done on taping or copycat scripts from foreign themes,” Guidote-Alvarez wrote in her yet-to-be published Memoir of a Freedom Fighter’s Wife.
“A primary goal when I conceived PETA was to initiate and sustain artistic expression that draws meaning and power from the lives of the people, and sharing the literary gems with a greater number of audiences through a Broadcast Theater-Film Program with Balintataw on Channel 5,” she added.
“No matter how little the pay, at least it provided our local writers with a little honorarium. I sought permission for award-winning pieces of the Palanca Playwriting contest to be fleshed out to reach the masses. The much-awarded playwright Bert Florentino served as our literary manager, assisted by Mauro Avena. Eventually, Isagani Cruz took over when Bert left for the US,” she wrote.
“Writers need exposure and encouragement through a regular TV performance that will give them a sense of achievement and inspire them to keep on writing with some kind of honorarium. I was glad Lupita Aquino (now Kashiwahara) agreed to be TV director and Robert Arevalo as TV host.
She got members of the PETA Kalinangan Ensemble to serve as stage directors. “This is to undertake preliminary preparation with a rehearsal with the actors for character development and memorization and preliminary staging,” she wrote.
Five months after PETA was founded, Balintataw TV premiered on Channel 5 on Aug. 19, 1967, coinciding with the Buwan ng Wika birthdate of President Manuel Luis Quezon.
The first play, whose title escapes her now, featured Armida Siguion-Reyna and Maria Eva “Chingbee” Kalaw. She employed photo journalist and award-winning photographedocumentarist/cinematographer, Romy Vitug, to work with her in filming outdoor scenes for Balintataw.

In the pre-Martial Law Balintataw, among those initiated into television were Lino Brocka, Elwood Perez, Nick Lizaso, Maryo delos Reyes, Mario O’Hara, Joey Gosiengfiao, Behn Cervantes, and Frank Rivera.
Among the stage actors who crossed over to television were Lily Gamboa, Angie Ferro, Lorlie Villanueva, Jonee Gamboa, Joy Soler, Sherry Lara, Gardy Labad, Noel Trinidad.
Like with PETA, Guidote-Alvarez directed and managed Balintataw for five years. Because of Martial Law, she and husband Heherson went on exile in the US to escape a military shoot-to-kill order on Heherson, who was tagged as a subversive.
Post-Martial Law
Internationally acclaimed auteur Lav Diaz mentioned in several interviews how he learned writing radio and TV scripts in Balintataw.
This happened in the late 1980s, when the Alvarez couple returned from exile.
Despite its absence on the air in the Martial Law years, Balintataw was honored by Star Awards as among the 20 unforgettable outstanding broadcast programs in the Philippines.
“This encouraged me to consider reviving Balintataw on TV. Another blessing was a FAMAS award for having an important role in the development of cinema recognizing Balintataw as a bridge for synergizing cinema with the stage, providing a pathway of entry of our PETA artists into film and for movie stars to consider enriching their experience by acting on the legitimate stage,” Guidote-Alvarez wrote.
Though she didn’t return to PETA anymore because it had been surviving well and had its own set of officers led by Brocka, she just tapped some of its members for the return of Balintataw.
For 14 years, the Alvarez couple lived in the US as political exiles, shown here during a Ninoy Aquino Movement meeting. Cecile revived Radyo Balintataw upon their return in the late 1980s.
Channel 4 stint
“I arranged to revive TV Balintataw on Channel 4 in 1989. We began with a drama about a rebel returnee, title escapes me now, but I clearly remember it was written by Lualhati Bautista and directed by Maryo de los Reyes. We also had a good story series on the hazing of Lenny Villa, an Aquila Legis Frat neophyte,” she wrote.
At the time, Heherson had been elected senator after having served as Agrarian Reform Minister and eventually Cabinet Secretary during the first year of the Cory Aquino Administration.
“We were able to unravel the deadly hazing process from a fellow neophyte who broke the code of silence as we revealed graphically, acted the cruel process used. I had Jose Mari Avellana direct it. This presentation won all the awards. Lav Diaz was training with us and he started writing teleplays. We also had Nora Aunor in an adaptation of Bert Florentino’s The World Is An Apple, adapted by Frank Rivera, and I had Nick Lizaso direct.”

Emmy Awards
Balintataw TV was selected as one of five soaps for social change recognized by Emmy Awards. The Philippines was one of five countries cited, with Mexico, India, Brazil and Kenya.
“The nomination was made possible by the wonderful support from David Poindexter. It was a supreme honor for our country to be recognized in the Emmy Awards, to be cited among the five Third World countries using soap opera for social change.”
Poindexter was a Methodist minister and TV producer who founded the Population Communications International.
Surviving on radio
“In spite of the cry about how television can be deadening the minds of the people with copied themes with an eternal favorite love triangle story, there was really no funding for Balintataw,” she wrote.
“Sponsors would go naturally to the commercial stations where big stars were paid highly for the starring role. Balintataw may have substance but we could not afford payment of bankable stars,” she added.
“Financial stress forced me to drop TV and remain on radio because I didn’t want to kill Balintataw per se just because we didn’t have funds.”
Creative classroom
“We have focused on Balintataw as a creative classroom on the air. I was able to talk to Fred J. Elizalde of DZRH and the president of the network, Mr. Jun Nicdao,” she wrote.
In the ‘80s, the HIV/AIDS became a global epidemic and in the Philippines, the general populace was still clueless on how to deal with it.
“In order to get funding, the first series I did was about the explosive news regarding AIDS in Asia. I got the DOH Secretary at the time, Dr. Juan Flavier, to act as himself, providing the data. It was easier to start off with an AIDS radio serial.
They did a minimum of 13 episodes to raise awareness about the disease.
“From then on, some of our television scripts we transformed into a radio version. DZRH provided us with our initial production staff, so we used some from the network and some of its resident artists and drama talents. Our time slots were changing but always coming after the long-running horror drama, Gabi ng Lagim.
“We worked on the themes of overseas workers, the drug problem, corruption, aside from portraying contemporary and literary classics serving as social commentaries,” she wrote.
Women playwrights
“We dramatized the works of noted women writers and playwrights like Estrella Alfon, Genoveva Edroza Matute and Marilou Jacob, who is distinguished in being a founding president of Women’s Playwright International.
“Apart from our PETA staple of writers, we involved young, upcoming and budding university and community theater groups.
“We also had a lot of foreign plays, where we could feature theater festivals beyond borders. We could do Shakespeare, we could do Euripides but also the current playwrights in the Arab region we translated in our language.
“We brought in Chinese contemporary plays, Malaysian, Indonesian and from other women writers from ASEAN member countries.”
Virtual history book
“The significance of Balintataw is portrayed as a virtual history book on audio as it unveiled events in the country. Radio is fresh, instant and up-to date,” she added.
When the COVID-19 pandemic struck, Balintataw became Guidote-Alvarez’s outlet and therapy. Having lost her husband on the second month of the pandemic, a widow cocooned at home, she began hosting it six days a week, learning how to use an iPad and interviewing via Zoom.
The word “Balintataw” has been associated with her name.
Visual artist and editorial cartoonist Benjie Lontoc in casual meeting told us how in his younger days, when AM Radio was a national past-time, he was surprised to hear a Filipino adaptation of No Exit by Jean Paul-Sarte. This was when radio was airing soap, fantasy adventures targeting housewives and children.
Another was the airing of Larawan as a radio play in the 1990s, with Guidote-Alvarez as the voice of Candida Marasigan.
Leopoldo Salcedo (left) as Manolo in a confrontation scene with Dante Rivero as Tony Javier in PETA’s 1968 ‘Larawan’ directed by Cecile Guidote-Alvarez. (Photo from PETA archives)
In the 1960s, she directed Larawan, the first Filipino adaptation of Joaquin’s A Portrait of the Artist as Filipino for PETA’s second season. It ran from December 1968 to January 1969 at the Raha Sulayman Theater at Fort Santiago in Intramural. In the cast were Rita Gomez (Candida), Lolita Rodriguez (Paula), Leopoldo Salcedo (Don Manolo) and Dante Rivero (Tony Javier).
Guidote-Alvarez has a funny recollection of the radio play. It was Nick Joaquin himself who told her years ago how his pedicurist suddenly started a conversation about Larawan.

Joaquin was relaxing on the barber’s chair having a post-haircut pedicure and foot spa when the lady pedicurist asked him how the story would end. Joaquin was stunned because he didn’t want to be known in the barber shop as Nick Joaquin the famous National Artist for Literature, but just a regular customer.
“He told me he almost fell out from the chair. He was a very private person and the pedicurist recognized him as the playwright,” Guidote-Alvarez, laughing, told TheDiarist.ph.
When she was first diagnosed with breast cancer in 2000, she was given only three years to live. It’s been more than two decades since then. She has also conquered COVID-19 twice.
Over and beyond her work in theater and various advocacies, Guidote-Alvarez is among the few surviving practitioners of AM Radio broadcasting.
The beauty salon incident wasn’t a first for the octogenarian radio host. She occasionally went back there to interview guests and record her shows whenever Wi-Fi connections in her home fluctuated.
Despite all setbacks, man-made or otherwise, the steadfast Cecile Guidote-Alvarez’s voice continues to be heard in this mass media platform in an era that knows mainly Spotify. As Joaquin wrote, “to remember and to sing, that is her vocation.”
(Except Saturday, Radyo Balintataw airs daily on DZRH 666 Khz AM radio after ‘Gabi ng Lagim’, and live streamed on radio.org.ph. Some episodes have been uploaded on YouTube.)

General
I am looking for a lady between 28 and 35 years old, for a committed monogamous childfree relationship. My goal is to become a true team, supporting each other, caring for each other, nurturing each other and helping each other grow and realise our goals and dreams as much as possible. I'm hoping to find someone that values a relationship as much as I do and takes it seriously. It's not the only thing my life revolves around, but it's also not just something 'nice to have' for me.
I tried to be as concise as possible while still providing what details I think are crucial to know; I realise this post turned out very long, but I prefer those because I can get as good an idea as possible with detailed descriptions, bar actually talking to the person, and find that very valuable, so if that also applies to you, that would be awesome.
Basics
I am 186cm tall, slim/fit built, dark brown hair, brown eyes. Both my arms are tattooed (full sleeve), as are my calves and the areas above my ankles. Regarding pictures see below. I am a runner (ranging from 5k to full marathon), training multiple times a week. I'm also vegan. My love languages are physical touch and words of affirmation. While I am mostly securely attached, withdrawing from me triggers anxiety and I have made a horrible experience with a fearful avoidant partner in the past, so that is something I fear I cannot deal with again.
I am also an atheist.
I am a very warm, soft and sensitive person, I think I am humorous, I am self reflecting a lot and I can also be really passionate and romantic. Those are traits that also are really important to me in a woman.
I can be quite social, I am a good talker, but also love to listen to really get to know someone on a deeper level. I can enjoy an evening out with friends just as much as the silence of sitting at the shores of the river and watching the sunset in solitude (although I've been craving to watch it together with a partner for a really long time now). I can be out in a pub, at a rave, a metal show or in the stadium watching football and have the time of my life, but I cannot do these things every day; I need recharge time (on the sofa, in the woods for a run, a lazy Sunday staying in bed etc.). This should give you an idea; basically, I am a homebody that thoroughly enjoys going out in moderation.
I won't say too much about hobbies; suffice it to say I am into the dark, the obscure, the macabre, the occult, the mysterious, the erotic. It won't surprise you that I had a gothic phase in my youth, bonus points if you did too!
What I am looking for
Although similar hobbies and interests are a plus (and there have to be at least a couple things we have in common), emotional and sexual compatibility are more important to me. I am a very sensitive and emotional person (I do cry easily and by this point I don't think I'll ever be able to change that, sorry), so if you're too, we will definitely understand each other. I need someone who I can open up to (which I do rather quickly, anyway), be myself, bare my soul to and I need these things from you, too. I've had my share of emotionally unavailable women who were afraid of intimacy so I know I can't deal with that again because of the way how those things affect me. I am always emotionally invested with the woman I pursue and in those cases that was to my detriment. But my ability to feel so deep is also something I wouldn't want to change because as of yet, although it's getting harder, I haven't given up on finding someone.
With those emotional needs come two requirements that I found to be vital over the years: First, being able to be silly and cutesy together and to accept each other's inner child and care for it. I am not talking about having to deal with another person's immaturity or inability to perform basic adult skills, rather with the way sadness, hurt, anxiety and being overwhelmed manifests for me (and maybe for you, too?). I need someone who is able to comfort me, to hold me, to allow me to be weak and needy for a while until I've calmed down, and I'm more than ready to offer the same. Your inner child can come out for a while, no problem (: Also in a positive way: Thankfully, today everyone seems to be understanding of the cuteness overload cats (or any animal baby, really) can cause; I need that with a partner. I also still have plushies as comfort animals (some of which in quite a litteral sense as they make for really amazing pillows) and ideally, you do too.
There is a saying that in every relationship, one person is the stronger one. In the past, I have been with women who obviously were stronger than me, but that doesn't mean they always had to be strong, far from it. I certainly, like I said, need to be able to feel protected, but it's not like I'm a particularly needy partner, like everyone, I have my ups and downs, but I can pull my weight and have been told by past partners that I am very caring and that they felt safe and understood with me, and providing that for my partner is really important for me as well – this just to put the picture I'm (somewhat haphazardly) trying to paint into perspective.
Second, sexual compatibility. I have a high libido and I have kinks, so you should, too, in order that we can explore and enjoy them together. I found out how fulfilling living out those fantasies can be after years of never being able to try and in a relationship, sexual fulfillment for both partners is a must for me. Someone on here has coined the term 'filthy best friends and partners' which I have no shame to be stealing because it's such an apt description.
I'm looking for a balance between healthy independence and being emotionally present. A relationship where we 'get' each other; we're both each other's number one and treat each other like royalty. Where a disagreement leads to more intimacy between us as we understand better, not to resentment. Where we're comfortable baring our souls to each other, becoming a safe haven and secure base for each other. I don't like the modern notion that you 'should never feel too safe in a relationship' because that sounds like running from the mafia (and believe me, I love mafia movies); you should always put in effort, yes, but safety is one of the things I always want to experience and provide in a relationship. We shouldn't fear that a disagreement leads straight to breakup. I know ‘self-sufficiency’ is trending right now, but I feel like as partners, we’re partly responsible for each other and not our own but also each other’s happiness. Being dependant and dependable at the same time is important; making each other’s wellbeing a priority. I love the relationship model outlined in Stan Tatkin’s ‘Wired for Love’ and you should, too. If you’re not able to healthily depend on someone and their support while you’re having a hard time, look elsewhere. I know codependency is the latest thing everyone’s afraid of, but experiencing someone you’ve grown very attached to just bailing because they’re counterdependent and can’t stand working on themselves while simultaneously letting you in is something I’d rather not go through again. If I have to be afraid you’ll run at the first major problem that surfaces, even if it’s a ‘you’-problem, it’s not going to work. I think that all things can and need to be talked about. If you think ignoring someone for days is a form of communication, please look elsewhere. If you think’s it’s okay to lovebomb someone and then leave after a couple of months with the minimum amount of information and no proper conversation because you’re not ready to own up to what’s happening to you emotionally, please look elsewhere.
I am looking for someone real. We all have our problems, I don't want or need a 'perfect' person. You don't have everything figured out or 'all your shit' together. Be imperfect. Admit when you feel sad and angry, lonely, hopeless or even helpless – it's all relatable. Don't hide it. Be quirky, be dorky, be witchy, be opinionated, be yourself. Don't pretend.
I'm looking for someone to share romance with. Not great gestures, but small, meaningful ones. Poems for each other, expressing our feelings; cards with heartfelt messages that we put our perfume/cologne on, and a symbol that means something to us only, the print of your lips with lipstick, the way I sign and seal my letters for you.
Just as important to me is agreeing on living a healthy life, staying in shape both for ourselves and for each other, regularly working out and eating healthy. I am drug and disease-free and expect the same of you. I do drink as I love a good beer or glass of wine, rum or whiskey, but I've never really been drinking much and especially during the past year have further reduced it. One vice I have is that I enjoy a couple of cigars a year, but I can definitely accommodate you in this regard.
Another important point is aligned life goals: many childfree people seem to be adventurous, but that is a trait I don't associate with myself at all. I value safety more than adventure. I want to build a home together with my partner, a safespace for the both of us, where we always feel loved and protected, a place that we create together, make it cozy together so we just love to get back home there wherever we might have been, a home we decorate together for Halloween (my favourite holiday) or Christmas or Springtime, as we live in tune with the seasons, seeing them change around us, enjoying nature on a walk or the rain outside, reading in our cozy home. I value stability and harmony.
Appearance-wise, I am into ladies on the smaller side (albeit not regarding height), so I'm looking for someone petite/slim/skinny/healthy-fit. Likewise, I am not really muscular and don't have visible abs; like I said, I'm a runner, so if you're more into the gym-type, I'm not a good fit.
The natural progression for me would be to move from text to voice calls, videochat and then meeting up, all of that rather sooner than later. Not that there’s a need to rush anything, but having my heart broken because I already developed feelings due to a longer timeframe and then everything unexpectedly turning to shit is not something I want to have to live through again. I’d rather see earlier if we’re compatible or not; as someone who catches feelings fast I need to protect myself, I unfortunately had to learn that
Caveats/Possible red flags

• I don't like travelling as it stresses me out; I don't mind being somewhere else for a week or two, but the organisation part of it drains my energy very quickly and dealing with stuff that doesn't work out is overwhelming to me. Smaller trips are ok, but I'm not the right person to travel the world with.
• I am not the most awake person in the morning (i.e. I identify as nightowl)
• I need space for my own projects/time to recharge after social interaction.
• While I feel like I am in tune with my inner child and working on/with it through therapy, I realise this is something that could be a turn-off for people.
• I have been diagnosed with depressive episodes in the past and am taking anti-depressants right now. I realise that I am a work in progress, maybe more so than in times past, but I manage and the fact that I'm putting myself out here is based on me being ready to get to know someone new.
• I want to create a home together here, as I'm firmly rooted where I was born; I realise this is a lot to ask, but I have seen many people here being open to moving, so I want to at least try reaching out to them.

If you're interested, feel free to message me and include some pictures of yourself and I will reply with my own. Have a nice day (:

I am looking for a lady between 25 and 35 years old, for a committed monogamous childfree relationship. My goal is to become a true team, supporting each other, caring for each other, nurturing each other and helping each other grow and realise our goals and dreams as much as possible. I'm hoping to find someone that values a relationship as much as I do and takes it seriously. It's not the only thing my life revolves around, but it's also not just something 'nice to have' for me.
I am 186cm tall, slim/fit built, dark brown hair, brown eyes. Both my arms are tattooed (full sleeve), as are my calves and the areas above my ankles. Regarding pictures see below. I am a runner, training multiple times a week. I'm also vegan. My love languages are physical touch and words of affirmation. While I am mostly securely attached, withdrawing from me triggers anxiety and I have made a horrible experience with an avoidant partner in the past, so that is something I fear I cannot deal with again.
I am also an atheist.
I am a very warm, soft and sensitive person, I think I am humorous, I am self reflecting a lot and I can also be really passionate and romantic. Those are traits that also are really important to me in a woman.
I can be quite social, I am a good talker, but also love to listen to really get to know someone on a deeper level. I can enjoy an evening out with friends just as much as the silence of sitting at the shores of the river and watching the sunset in solitude (although I've been craving to watch it together with a partner for a really long time now). I can be out in a pub, at a rave, a metal show or at a football game and have the time of my life, but I cannot do these things every day; I need recharge time (on the sofa, in the woods for a run, a lazy Sunday staying in bed etc.). This should give you an idea; basically, I am a homebody that thoroughly enjoys going out in moderation.
I won't say too much about hobbies; suffice it to say I am into the dark, the obscure, the macabre, the occult, the mysterious, the erotic. It won't surprise you that I had a gothic phase in my youth, bonus points if you did too!
What I'm looking for
Although similar hobbies and interests are a plus, emotional and intimate compatibility are more important to me. I am a very sensitive and emotional person (I do cry easily and by this point I don't think I'll ever be able to change that, sorry), so if you're too, we will definitely understand each other. I need someone who I can open up to (which I do rather quickly, anyway), be myself, bare my soul to and I need these things from you, too. I've had my share of emotionally unavailable women who were afraid of intimacy so I know I can't deal with that again because of the way how those things affect me. I am always emotionally invested with the woman I pursue and in those cases that was to my detriment. But my ability to feel so deep is also something I wouldn't want to change because as of yet, although it's getting harder, I haven't given up on finding someone.
With those emotional needs come two requirements that I found to be vital over the years: First, being able to be silly and cutesy together and to accept each other's inner child and care for it. I am not talking about having to deal with another person's immaturity or inability to perform basic adult skills, rather with the way sadness, hurt, anxiety and being overwhelmed manifests for me (and maybe for you, too?). I need someone who is able to comfort me, to hold me, to allow me to be weak and needy for a while until I've calmed down, and I'm more than ready to offer the same. Your inner child can come out for a while, no problem (: Also in a positive way: Thankfully, today everyone seems to be understanding of the cuteness overload cats (or any animal baby, really) can cause; I need that with a partner. I also still have plushies as comfort animals and ideally, you do too.
Apparently in every relationship, one person is the stronger one. In the past, I have been with women who obviously were stronger than me, but that doesn't mean they always had to be strong, far from it. I certainly need to be able to feel protected, but it's not like I'm a particularly needy partner, like everyone, I have my ups and downs, but I can pull my weight and have been told by past partners that I am very caring and that they felt safe and understood with me, and providing that for my partner is really important for me as well.
Second, intimate compatibility. I am rather insatiable and love to experiment when it comes to the bedroom, so you should, too, in order that we can explore and enjoy together. I found out how fulfilling living out those fantasies can be after years of never being able to try and in a relationship, this kind of fulfillment for both partners is a must for me. I found the term 'filthy best friends and partners' to be a perfect description.
I'm looking for a balance between healthy independence and being emotionally present. A relationship where we 'get' each other; we're both each other's number one and treat each other like royalty. Where a disagreement leads to more intimacy between us as we understand better, not to resentment. Where we're comfortable baring our souls to each other, becoming a safe haven and secure base for each other. I don't like the modern notion that you 'should never feel too safe in a relationship' because that sounds like running from the mafia (and believe me, I love mafia movies); you should always put in effort, yes, but safety is one of the things I always want to experience and provide in a relationship. We shouldn't fear that a disagreement leads straight to breakup. I know ‘self-sufficiency’ is trending right now, but I feel like as partners, we’re partly responsible for each other and not our own but also each other’s happiness. Being dependant and dependable at the same time is important; making each other’s wellbeing a priority. If you’re not able to healthily depend on someone and their support while you’re having a hard time, look elsewhere. If I have to be afraid you’ll run at the first major problem that surfaces, even if it’s a ‘you’-problem, it’s not going to work. I think that all things can and need to be talked about. If you think ignoring someone for days is a form of communication, please look elsewhere.
I am looking for someone real. We all have our problems, I don't want or need a 'perfect' person. You don't have everything figured out or 'all your shit' together. Be imperfect. Admit when you feel sad and angry, lonely, hopeless or even helpless – it's all relatable. Don't hide it. Be quirky, be dorky, be witchy, opinionated, be yourself. Don't pretend.
I'm looking for someone to share romance with. Not great gestures, but small, meaningful ones. Poems for each other, expressing our feelings; cards with heartfelt messages that we put our perfume/cologne on, and a symbol that means something to us only, the print of your lips with lipstick, the way I sign and seal my letters for you.
Just as important to me is agreeing on living a healthy life, staying in shape both for ourselves and for each other, regularly working out and eating healthy. I am drug and disease-free and expect the same of you. I do drink as I love a good beer or glass of wine, rum or whiskey, but I've never really been drinking much and especially during the past year have further reduced it. One vice I have is that I enjoy a couple of cigars a year, but I can definitely accommodate you in this regard.
Another important point is aligned life goals: I value safety more than adventure. I want to build a home together with my partner, a safespace for the both of us, where we always feel loved and protected, a place that we create together, make it cozy together so we just love to get back home there wherever we might have been, a home we decorate together for Halloween (my favourite holiday) or Christmas or Springtime, as we live in tune with the seasons, enjoying nature on a walk or the rain outside, reading in our cozy home. I value stability and harmony.
Appearance-wise, I am into ladies on the smaller side), so I'm looking for someone petite/slim/skinny/healthy-fit. Likewise, I am not really muscular and don't have visible abs; like I said, I'm a runner, so if you're more into the gym-type, I'm not a good fit.
I’d prefer to move from text to voice calls, videochat and then meeting up, all of that rather sooner than later. Not that there’s a need to rush anything, but I’d rather see earlier if we’re compatible or not; as someone who catches feelings fast I need to protect myself.
Caveats

• I don't like travelling as it stresses me out; I don't mind being somewhere else for a week or two, but the organisation part of it drains my energy very quickly and dealing with stuff that doesn't work out is overwhelming to me. Smaller trips are ok, but I'm not the right person to travel the world with.
• I am not the most awake person in the morning (i.e. I identify as nightowl)
• I don't want children and had a vasectomy
• I need space for my own projects/time to recharge after social interaction.
• While I feel like I am in tune with my inner child and working on/with it through therapy, I realise this is something that could be a turn-off for people.
• I have been diagnosed with depressive episodes in the past and am taking anti-depressants right now. I realise that I am a work in progress, maybe more so than in times past, but I manage and the fact that I'm putting myself out here is based on me being ready to get to know someone new.
• I want to create a home together here, as I'm firmly rooted where I was born; I realise this is a lot to ask, but I have seen many people here being open to moving, so I want to at least try reaching out to them.

If you're interested, feel free to message me and include some pictures of yourself and I will reply with my own. Have a nice day (:

As the title says, what are the best barbers in Southampton in your experience? Based on skill, price, and friendliness.
And also, are there any barbers people should avoid?
Mostly asking because the barber shops are everywhere and it's hard to pin down which ones are the best (or worst) until you go.

After Luds comment on his last stream I did a quick Reddit search and found this post from 9yrs ago in sex by U/LudwigAhgren
Note: It was a funny read and definitely in his charming grammar style.
Note 2: Some of things do not work anymore but, a few still do.
“The Ultimate Guide to Shaving Your Pubes for Beginners (Men)
If you have a bush like Brillo^© , or just want to trim up the forrest so others can pass safely, you're in the right place.
I split groin hair into 5 different groups. Below I have listed the difficulty of each area as well as what kind of shave each area shall receive.
This is what we want the end product to look like. (His pubes look like the mustache of almighty Zeus himself!)

Pubic Hair	Ball Hair	Taint/Gooch Hair	High Thigh Hair	Shaft Hair
Easiest to shave. Needs to be trimmed down (No new-born baby penis look)	Scariest/Most Difficult to shave. This will be a clean shave.	Moderate difficulty. Up to shaver, but I prefer a clean shave.	Easy to shave. This will be a clean shave.	Nicks can happen here easily. This will be a clean shave.

Tools Needed: Shaving cream (MUST - Practice before which shaving cream works best! Sometimes Conditioner can work better),
electric razor (The side that pops out I will refer to as buzzer and the side with the guard I will refer to as electric razor from here on out)
A Women’s! shaving razor (women’s razors have a much higher guard and will protect better than one for men.
 
*PLEASE BE PREPARED!* I mean it’s your balls we’re talking about here…
 
Step 1: The first step will be to shave the pubic hair. Depending on how much hair is down there, you have the option to go at it with scissors like a harbor before throwing the buzzer down there. If you have an average amount (2”>x) then go at it with the buzzer. Hover your family jewels over the toilet, you may even choose to sit like a cool substitute teacher. Brush the square side of the buzzer backwards across your pubes vertically. It may seem as if it isn’t doing anything but trust me you’re losing hair faster than LeBraun James. Continue this until you deem it short enough, I like my pubes around 1/2”.
Note Make sure the pubes length is even throughout, focusing on areas that with longer hair to insure optimum symmetry, bitches love symmetry. Use a mirror!
 
Step 2: Now you’ll want to ‘square’ out your hair and completely shave off any outliers around your pubes. Perhaps you have a leaky happy trail? Or maybe your pubes are ‘fading’ in. Either way you’ll want this instead of this (not penis don’t fret) Use a mirror to make sure it’s not lopsided.
 
Step 3: Here we are going to tackle that upper thigh hair that encompasses the whole male crotch area. Now get all nakey if you aren’t already and hop in that shower. Make sure the water is warm because you’re going to be in there for a while. Whip out you’re shaving cream of choice, I use this because it makes the blade glide across my nuts (phrase of the day!). To be fair I am more metrosexual than most gay men. Anyway(!) lather that shaving cream on to you’re upper thigh, above the pubes and right around the taint (make sure the water isn’t washing it all away) and start shaving those areas. The shaving razor will insure that these areas are hair-free.
Note Make sure the blade follows the surface of the skin. You want max blade to skin contact.
 
Step 4: Here’s my favorite part. Shaving the shaft. Why is it my favorite? It adds an inch to your perceived dick length (now your dick will look like it’s an inch long^rekt. Extend your dick by pulling out your head. It will give a similar surface on the base of the dick to an erect penis. Now with the shaving cream and razor, shave the front part of the base, while always making sure the base is flat. Then do each side, trying your best to make the area being shaved flat. A flat area not only allows the razor to get more hair, it also prevents little nicks that can occur. I’ll refer back to Davidfor how far down the base you should shave.
Note If you look at the pic of David, you’ll notice he shaved the area to the right and left of his penis. That is totally you’re call, I have no opinion I find both to by stylish in their own penis way.
 
Step 5: The balls. AKA Holyshitiamsoscarediamgoingtochopmynutsoff. You may be tempted to skip this part, but trust me, hairy balls do not look good when the rest has been shaved. If you start this, you must to finish it. You are the chosen one. You are supposed to bring balance to your pubes, not leave them in darkness! Do it for the (potential) children.
Back to the balls. We’re going to first start with the outside balls. To do this get in your best captain stance which creates a nice U shape between your thigh and outer left/right ball. This is the kind of U Brett Farve has been talking about. Now, using that handy shaving cream and razor, this should be quite easy. Gently go up that are and always going along the grain. Don’t switch up directions here, that’s too ballsy.
After that’s done we’re going to drift away from the pubes for just a bit. Throw some shaving cream on the taint (this is the area that prevents you from shitting on your balls) and you’ll want to shave from your asshole to the base of your balls. Always going in that direction. IMPORTANT If you touch your taint (ew you’re gross) you’ll notice there is a line. Kind of feels like hair running from your asshole to your balls. It’s actually a vein that controls your orgasms. DO NOT SHAVE ON THIS VEIN Shave to the left and right of it. Don’t go directly on it. I don’t think anything will happen if you do… but better safe than orgasmless.
 
Step 6: Back to the balls and the last part of the shaving in the shower. This part is difficult and to be honest I’m not sure of the best way to approach this. Balls are weird and that they have no fucking shape and 2 million wrinkles. I like to first take my electric razor and use the buzzer part of it. Then I just air swipe my balls getting all the hair about 1/4” short. Then I take the shaving cream and focus on specific parts squeezing my balls to get maximum surface area. This seems to work out for me, but keeping it 1/4 of an inch isn’t that big of a deal. Hair that short is difficult to notice and ladies/men will still suck your nuts.
Note Loosen up before shaving your balls. Take deep breaths and relax. Make sure your asshole isn’t clenched because that raises your balls. And if you’re down there shaving with a clenched asshole, and for any reason your asshole unclenches, you’re balls will drop (again) and hell will break loose. It is better to shave them while they are low and have them clench upwards.
 
Step 7: Clean up all the pubes off of your body. This is no simple task. Water is an adhesive so you’ll have to detach the shower head and put that all up in your business. I like to turn on the bath and use that heavy rush of water to cleanse my body of those clingy cutoff pubes. Hop out the shower, dry off and look at your masterpiece Michelangelo. But you are not done yet!
 
Step 8: Similar to barbers, you will have missed a few hair and you’ll probably have a few 2 inch hairs amongst you’re gently coiffed pubes. Grab a pair of nail scissors or whatever tool you prefer and chop those suckers off. The majority will be on your balls. A fun thing I like to do that is totally fucking weird, is pulling long pubes on my balls and plucking them off. It is surprisingly easy to do so because of the loose ball skin. Don’t yank it out like a band-aid though or you’ll need a band-aid (Ha Ha.. I’m not funny)
 
Voila, you’re done. Get some aftershave on those freshly shaven balls to disinfect your nicks and make those meaty knockers smell like a man. Congratulations and I hope I was of some help!
 
Edit 1: Let't talk about asshole hair, (what a great conversation start^{furiouslyjotsdown)} that area can be shaved and it can look/feel good! But personally, I like to keep my Brown Eye of Sauron to myself. No traveller has dared venture down so I feel no need to shave.
Edit 2: One of my ball shaving colleagues has alerted me that the 'taint vein' is actually, "[A] scar, from where the skin fuses before birth and is called the perineal raphe." (Google it for some nice visuals)
 
Thank you all for the great response! Being on the front page of sex is something all my future employers will be impressed by. I recently shaved and I seriously mistook my junk for King David's jewels (obviously he is miles bigger) and I thought I'd right down exactly what I did.”

Wade held Jasmine in his arms as he flew a low height down the long road to another section of the staryard, Tina on his back and Nathan and F right behind them in the air. Together, the five glided across the base grounds, taking care as to not irritate the aerial security during their search for the meeting room. Being outside for the flight, the group considered it a blessing that Wade's 'enhanced cooling unit' allowed his body to tolerate the breaching sun in the still cloudy sky, which, according to F, was dangerous to drones like her due to the inefficient cooling she and disassembly drones like her suffered from. Given F's physical fault, she had to fly under shady areas in order to safely traverse the base at day.
Originally, Wade and his friends had planned to walk to the meeting zone, but after running into a trooper experiencing a health mishap, the group did what they could to help the distressed officer. By the time he was brought to the medical ward by other soldiers, Wade found that him and his team would be at least a few minutes late if they kept on their way with their walk.
Deciding to speed things up, Wade, understanding the concern for performing such an effort, opted to carry the Fowleys around the base to the meeting area. Reluctantly, F decided to come along, carrying Nathan in a similar manner that Wade was carrying Jasmine. Taking notice of the time on his HUD, which read, "9:47 AM", Wade scouted for the building he and his friends were directed to. "8072" He said to himself, the number being for the building that would house the imminent meeting.
"They said it was down here, right?" Wade asked aloud to Tina before stopping himself in mid-air, the girl holding onto him tightly as he tried to speak over the growing sound of a retrofit Apache flying overhead.
Looking about, Tina nodded as she spotted the target building. "Yes, I believe that's the one over there!" Pointing past his head, Wade followed her finger to a large building ahead at his right. The structure was moderately tall, only about two stories high, with several soldiers and officers going in and out of the building. Wade smiled as he noticed the target number, as well as the big, bold words describing the building's designation. "8072, Briefing Center B"
"Good eye, honey. Hang on!" Continuing his low glide, Wade zoomed towards the building's entrance before stopping just meters above the ground, his two friends close behind as they slowed down as well. The troopers around them initially looked startled by the sudden arrival of Wade and his group, but quickly regained their composure as Wade hovered still above them.
"At ease! Just visitors." One of the soldiers declared as they identified the newcomers, who touched down before Wade let Jasmine down to her feet, Tina hopping onto the ground along with her.
Putting his hands up, Wade apologized for his swift surprise. "Sorry for the scare, we got delayed for a meeting we're invited to."
The soldier gave an understanding nod as he replied to the former worker drone sternly. "I can see that, just be a bit more careful next time, Mr. Carter. You gave the boys here quite a scare."
Wade returned the gesture in embarrassment as F put a hand to his back, chuckling at his efforts as Tina questioned the officer. "Is Mrs. J in there? She's the one who called for us."
The guard gave his reply as Wade and Tina pulled out their IDs for clearance. "Yes she is, Miss. The meeting's set to begin in under ten minutes." Checking the two drones' IDs, Jasmine and the others pulled out theirs as well, the watchman motioning another trooper over to verify the group. Once the guard finished checking the five's cards, he nodded in approval as the watchman spoke once more. "You're clear to enter."
"Thank you Sir, again, sorry about that spook back there." Wade replied with a smile as the trooper gave one of his own, the disassembly drone and his allies making their way towards the office door before stopping upon the call of a voice.
"Hey, Felice!" Wade turned to find the origin of the voice, F doing the same as the two quickly spotted a quartet of soldiers walking excitedly towards F. The disassembly drone glanced to her friends with a smile before turning back to the approaching entourage.
Wade examined the four troops as they got closer: Two human men, one woman, and a male worker drone. One of the male soldiers had short, blonde hair, and a small scar to the right side of their face. The second man bore a tan skin tone and had black hair, with blue strips that went down slightly in a mullet style. The woman bore a set of long, dark green hair, with the hair going down and over her left shoulder. As for the worker drone, he wore the standard green soldier helmet, single eye visor and all. He had no hair on him from what Wade could tell, and bore a pair of whiteish purple eyes on his visor.
As F walked over to the soldiers, the same one that called to her spoke again. "Felicity, I didn't expect to see you around here today! Where you been?"
The girl soldier interrupted his initial chatter. "Hang on Carlos, do you even know if she remembers us?"
"Aye, don't she have one o' them memory locks, or sumthin?" The drone added in a heavy Scottish accent.
F waved her hand as she replied to the group. "Easy, everyone. Thankfully I still got my memories, courtesy of my technician back at Central." Lowering her hand, F let down her usual persona as she gave a wide smirk to the soldiers, clearly pleased to see them. "Good to see you guys around here."
The soldiers gave light cheers to F as they all embraced her, the group having a surprise reunion as Wade and the others watched in surprise. These must've been F's old colleagues from when she was in the service, Wade thought. Quite the coincidence for them to be here at this base of all places.
Not bothering with the convenience of the matter, Wade shook the thought off as he and his friends watched F and her old friends breaking the hug, Tina wrapping an arm around her boyfriend as the second male human spoke to her in what the two discerned as Spanish. "Ay, who your new friends, F?"
"Oh, these guys?" F replied in the same language, quietly startling Wade and the others as they had never heard her speak like that until now. Glancing over to Wade, F motioned him and the others to come over. "Everyone, these are some friends I made in the past few days. Wade, Nathan, Tina, and Jasmine." She pointed her hand to the four as she said each of their names. "I met the boys here during my time on Ceres. Jasmine and Tina here are sisters."
The four soldiers gave various forms of excitement, ranging from hearty laughs to low woops and even a whistle from one of the guys. As F stood next to her old teammates, they each introduced themselves to Wade and his friends. The blonde soldier went first. "Well, it's a pleasure to meet you all, name's Carlos, Lieutenant Marksman."
"I'm Private Alvaros, good with close-range and stealth operations." Said the tan soldier with a salute.
"Sergeant Lucia Vasquez, usually the one who leads this bunch around these days." The female warrior stated with a humorous smirk.
"And Corporal Duncan Wallace, at your service!" The soldier drone stated proudly as he saluted to the bunch in front of him, who gave warm smiles as Wade shook his hand.
"Quite honored to meet you all, seems you have quite the history with F." The former worker drone said as Carlos patted F on her back.
"Oh, we do! She's the one who took charge when we didn't! Did you all hear of the Pasting of Nola VI?" Jasmine and Tina gave nods of affirmation while Wade, not as familiar with such history, held his hand up in a questioning manner.
"I think, wasn't that the battle where the Navy just barely held the outpost in that system? From the Stryker Clan?" Wade asked as Carlos nodded approvingly to him.
"That's right, and if Felice weren't there, WE would've been the ones getting pasted!" Carlos' statement brought victorious cheers and "oorahs" from the group, F letting a blush loose as she chuckled at her team's praise of her efforts.
"Well, that's not wrong." Although she didn't want to break off from her friends and discuss the past few years since they'd last met, F remembered the briefing. Clearing her throat, she continued. "And as much as I'd like to chat about the good times, I've been called to a meeting here, as have Wade and his crew."
The soldier group gave understanding looks to F as Lucia spoke up. "Thought so, Carl here was real eager to see you, though."
"Maybe we can talk after the meeting?" Nathan proposed as the soldiers collectively nodded in agreement, F readying a smartcomm attachment before turning to face her friends again.
"We're probably getting low on time, you all go in, I'll catch up in a sec." Wade nodded in acknowledgement before taking Tina's hand, the lover drones continuing towards the briefing center as Jasmine and Nathan followed behind them.
Passing through the door, the four guests observed a short hallway, which seemed to split into two paths as they came closer to the other end. Looking to a sign on the wall above, they saw arrows pointing to two separate areas, "Primary Briefing Room; Main Lobby + Secondary & Tertiary" Going to the right, they entered the moderately active lobby, several officers walking and standing about in mass chatter. Walking over to the desk up against the wall to their left, Wade and his group waved a hand to the occupying attendant.
"Welcome, what do you need?" The desk attendant asked as Tina raised a finger to reply.
"We're here for a meeting, Mrs. J called us here."
The attendant nodded in understanding before directing an arm towards the other end of the room, where a single door stood. "She should be in the second briefing room down that way."
"Thank you." Tina replied warmly before she and Wade began walking towards the door, their friends behind them as they proceeded into the room.
The room beyond the door was quite sizable, a large circular table occupying the middle with several chairs surrounding it. The walls went up a few meters, with four whiteish blue lights illuminating the room. On the wall opposite to Wade and Tina were three monitor screens, all of which showed the USN in bright blue. In several of the seats were faces both familiar and unfamiliar, several men and women in varying styles of uniforms conversing about quietly or taking notice of the recent visitors. Standing up near the monitors were three people: A decorated officer whom Tina identified as a ship captain, and the so-called operatives, Tessa, albeit as a hologram, and J.
Walking slowly into the room, Wade gave a low wave of his hand as he tried to hide his nervousness. Noticing his shyness in front of the officers, Tina held his hand and rubbed his arm comfortingly while returning a pleasant smile to the staff in the room.
"Ah, Wade, Tina. Glad to see you all here." J stated with a smile as she scanned the group, raising a digital eyebrow as she noticed one missing guest. "Or, most of you, I see. Did F run off somewhere?"
Wade shook his head as he replied to his fellow disassembly drone. "Oh, no. She just ran into some old friends, she should be back-"
"Right now." F finished aloud as she entered the room, seemingly having heard Wade speaking about her absence. The warrior drone fast walked to Wade's team, taking a seat near them as they prepared to do the same. "Not too late, are we?"
"Not at all." The standing officer answered as the group took their seats, Wade and Tina sitting next to each other as they got comfortable. The captain examined the lot for a moment, glancing to J as he asked about them. "So, these are the ones you helped rescue from the Mojave?"
"Yes Captain, and they helped us out greatly in turn. This is Wade Carter, one of the captured drones whom became a disassembly drone before we could mount the rescue. The luckiest one, if you ask me." Motioning her arm over the others, she continued. "And there's his girlfriend, Mrs. Tina Fowley, and her sister Jasmine." Smirking to F and Nathan, she finished her friends' introductions. "And these two are Serial Designation F and Mr. Nathan, whom I've heard were once under your ranks."
The military captain gave a welcoming smile to the five as they returned the gesture, eyeing F and Nathan specifically before speaking to them. "Indeed they were, we still have records on their contributions to the colonies." Eyeing F, he continued. "Though, in Mrs. F's case, I won't blame her if she doesn't remember us. We've been very well aware of JCJenson's 'memory suppression' protocols when it comes to their DDs."
F laid back in her seat with a smug look as she replied to her former superior. "Well, my friend on the station's a good tech gal. She's... waived that hindrance from me."
"I see, that means your still with us, am I right, Mrs. Lee?" Unlike her friends next to her, F was not startled by her original name being said aloud, rather smiling proudly as she saluted to the captain. "Good to see you again."
"Pleased to be here, Sir." F replied as she lowered her arm, glancing to her companions next to her as J spoke up.
"Everyone, I'd like you to meet Captain Preston Mitchell, commander of the USNV Vickers down at the stardock."
Wade gave a respectful salute to Preston as he spoke first. "It's an honor to meet you, Sir."
"Thank you, Mr. Carter. I've heard about your efforts from J, you did an admirable job back there, son." Wade failed to hide an embarrassed blush from the compliment, but it quickly faded as a beep sounded from a small device on the table. It was swiftly silenced by the captain as he tapped a button on the small, pyramid shaped timer, then facing Wade's group before continuing. "Though, as much as we could use some small talk, it'll have to wait till later."
"Indeed, we're running late at this point." Said another officer, a highly decorated member of the base with dark skin, dark grey hair and a thin beard. He immediately won the attention of everyone in the room as he spoke up. "I'm General Hugh Hood, overseer of this base. I'm certain you know some of the reasons you're here with us, correct?"
Wade nodded as he spoke to Hood. "Yeah, it's cause of those rogue agents from the JCJenson corporation." Glancing to J, the corporate drone nodded in affirmation before speaking herself.
"Tessa and I spent the last hours of yesterday evening clearing up the matter with General Hood, along with several other officials stationed here." She stopped as the middle monitor behind her flashed with a banner at the top, reading, "INCOMING TRANSMISSION", and in place of the USN emblem was a textless version of the JCJenson logo. Below the profile image was another two lines of text. "N. Jenson (Company Exec); Comms Source: Yottrite IV"
"And also told our boss about what happened here too, he wanted to give his say on this ordeal." Looking to the general, J asked him, "May I put him on?"
Hood only gave a nod of approval to the corporate drone before she picked up a remote on the table and tapped a button, accepting the call as the picture shifted to show a middle-aged man in a pristine-looking business suit on the screen.
Wade and Tina glanced to each other before J introduced their guest on the screen. "Ladies and Gentlemen, the CEO of JCJenson: Mr. Noor Jenson."
Jenson gave a pleased nod to his subordinate as he spoke to J. "Thank you for the pleasantries, J. I see we are ready to discuss our plans on dealing with this 'recall' disaster I've bore witness to on the news this morning?"
J nodded as she replied to her boss. "Indeed, I've explained to General Hood here about our efforts yesterday, and, as of recent, we've just received a message from a source we believe to be close to the company."
Mr. Jenson looked down to J attentively as he spoke to her. "Well, that's quite intriguing news, J. Do you have this message available for us to view?" J and Hood both nodded in affirmation, but didn't get an immediate reply as Jenson gazed to Wade and his friends. "...And I presume these are some of the drones rescued from one of the factories?"
Again, J nodded to her superior before explaining her colleagues. "Yes Mr. Jenson, the two drones at the front in particular were among those taken by the Administrator and their subordinates." Pointing an arm to Wade and Tina, she introduced the drone couple. "The disassembly drone here is Mr. Wade Carter, a brother to his-technically speaking-owner, the late Ron Carter. The latter helped us recover Wade during an initial raid inside the Nevada facility." When bringing up Ron, J gave an apologetic look to Wade as to show she did not mean to be offending on him and his brother's relationship. "And this is his romantic partner, Mrs. Tina Fowley. I heard she and her sister Jasmine are pilots."
Jenson looked over the two drones as his obedient employee described them to him, quietly sighing as Wade and Tina returned the gaze with nervous smiles. Once J finished, Jenson spoke to Wade. "I... would say it's a pleasure to meet you, Mr. Carter. But, given recent events, I don't hold fault to you for feeling frustrated at me for my... former subordinate's actions."
Wade shook his head lightly, taking Jenson's light apology with a faint smile as he replied to the CEO. "Actually, I don't. The only person I have such feelings put towards is," He hesitated for a moment, his anger at Dr. Halloway returning for a short moment before he eased himself. "..That bastard Halloway."
"The feeling's mutual, Mr. Carter. Dr. Halloway has been trying my patience for years now, especially with you and your fellow disassembly drones." Looking to J, then F, he returned his gaze to Wade before questioning him on his new body. "I don't know if J has told you of this, but if there's one truth my company has admittedly not held up to for a while, it's our quality. Recently, some of my research staff here made blueprints for an upgraded variant of the disassembly drone design. It's intended to fix several faults we expected to be nonexistent previously, most notably that atrocious cooling unit."
As a schematic pulled up on the left monitor, everyone glanced to the improved design before F spoke up about it. "If I may ask, Mr. Jenson, how big of an improvement is this new cooling unit supposed to be?"
"Good question, F. Frankly, it's supposed to do away with the issue entirely. Saves us from sacrificing enormous supplies of oil for the poorly built unit in the previous iterations. We even tested it with a repaired drone just a few days ago, and it worked flawlessly." Then, glancing to Wade again, he questioned the former worker drone on his new form. "Speaking of, how does your enhanced body feel, Mr. Carter? I'm certain it feels better to not have to-"
"Actually, Mr. Jenson," Wade interrupted, pulling out one of his canteens as he answered the CEO on his upgrades. "I guess Halloway changed up the blueprints, cause unfortunately this new cooling unit didn't cure the overheating problem. I... kinda learned that the hard way." Wade glanced to Tina apologetically, still feeling bad from her seeing him eat the corpse of the dead murder drone back at the factory.
The corporate CEO grimaced in frustration as he took in Wade's statement, already intolerant of the head researcher's actions as he replied. "...I was worried about that, Edgar always likes to run things his own way, making excuses for that 'Administrator' he watches over." Taking an agitated breath, he continued on with his spew on the two culprits of yesterday's events. "It was only because of all the very impressive creations and enhancements she and her research team provided that I tolerated them for so long, but this..." Sitting up straight in front of the camera, Jenson finished sternly. "J said the Administrator... Cyn, I believe? She was apparently something worse than we presumed originally, and I'm very inclined to believe so after yesterday."
"As well as the program tied to the Administrator, the AbsoluteSolver." J clarified before receiving an agreeing nod from Mr. Jenson, standing corrected on his placing of blame.
Raising a hand, Nathan asked about the supposed plans. "Yeah, about this "Solver Project", what do we plan to do about that?"
"Good question, Nate." Tessa replied as she crossed her arms before looking to Jenson and beginning her explanation. "Initially, we were going to investigate the other factories spread across Earth in order to get some more info on the Administrator before things get worse. But, just this morning, it seems someone else saved us the trouble." Just as Tessa neared the end of her sentence, J held up the remote again, tapping a few buttons before the left monitor shifted to show a slightly grainy video onscreen.
The video only showed a single being, a worker drone, dressed in a chrome suit and bearing a set of yellow eyes. Behind them was what appeared to be a vacant room, a few shelves holding many books within them standing still in the back. The drone's visage indicated they were filled with immense anxiety, terrified of being caught as they spoke quietly to the camera.
"I can only hope someone gets this in time, they're gonna be on me once they find out the transmitter screens are down!" Turning the camera, he showed what appeared to be a large factory room, several more of the mysterious conveyor belts like at the factory slotted next to each other. It was hard to discern every detail due to not only the window reflection, but also the dark lighting in the inactive conveyor room. Filming the room beyond, the drone continued. "Dr. Halloway's a madman, he's got more of those stolen drones being brought here and he's going to be overseeing it in the afternoon tomorrow! I've seen what happened back in Nevada, I can't take this any longer! I'm at coordinates ##.######, -###.###### Please, send someo-"
The suspicious, partially scrambled transmission immediately cut off to static, leaving Wade, Tina, and their friends with confused expressions as Tessa spoke up. "Yeah, that caught me by surprise too."
"So, that guy says they got more drones being sent 'there', but... where is there, exactly?" Jasmine asked with immense curiosity.
"I was hoping you'd ask that, Mrs. Fowley." The technician replied as she glanced to J, who tapped a few more buttons on the remote before speaking over her boss-friend.
"While the transmission itself isn't much to work off of, our friends from Comms over here managed to intercept the signal earlier, and even better, discern where it originated from." As J started her explanation, the screen shifted once more to show a large city, with one skyscraper highlighted in red as it was zoomed towards on the screen. "That scrambled audio wasn't a simple glitch, it was intentionally done so as to hide key information for us to uncover. Upon cleaning up the message, we managed to recover a set of coordinates, which direct to this structure here, in San Francisco."
Wade and his friends stared at the building in shock, examining the tall structure as it stood over the shorter buildings in the city. Tina broke the silence in her gaze. "So, this is another factory? It looks... terribly different from the one we got out of."
"Not exactly, Mrs. Fowley." Mr. Jenson answered, Tina and the others looking to him as he continued. "THAT is the Administrator's main laboratory, its location was kept on the down low so other authorities and terrorist groups wouldn't find out what the buildings true purpose was." Sighing, Jenson completed his reply. "But, with this recent mistake of Halloway's, that place has lost all purpose for us at the company."
Wade raised a hand to speak. "So, we're going to pounce on that place? Get Halloway before he runs off again?"
"Exactly." General Hood replied as he looked up to Mr. Jenson. "This whole 'recovery/recruitment' effort has gotten out of hand all across Sol. We've gotten countless reports of people being killed because of this, be it the brutal robberies here in Nevada or the bloodbath on Ceres. Even if Mr. Jenson refuses to cooperate, this has become a dire matter for us now. One way or another, this insanity will be stopped with due haste."
The CEO nodded in acknowledgement before explaining his own plans for the mission. "Speaking of cooperation, upon seeing what was happening at Earth, I ordered a detachment of our corporate starships in orbit at the time to depart for Sol in order to help with investigating the situation. They're not warships, but they are well-armed. I'll dispatch them to your authority upon concluding this call." Glancing to Wade and his team for a moment, Jenson continued. "As for the mission, I may not have much of a say, but let it be known that you have my blessing to do whatever it takes to end this madness. I don't care what you do with Halloway or any of his lackeys, or what happens to that facility down there... I want that program shut down."
"Thank you for the extra hands, Mr. Jenson. We'll make sure this Administrator is dealt with." Hood replied gratefully as Wade sat firm in his seat, Tina and the others following suite.
"General?" The former worker drone said aloud, catching Hood's attention before he made his request. "I know I'm not a soldier, but I want to help with dealing with Halloway and his grunts. After what he did, after losing my brother, I can't rest until I see that man stopped."
Tina raised a finger as well. "As do I, Wade could use a hand with those people, and given how we did during our escape run out of that place, I think the two of us make quite the duo." She glanced to Wade with a smirk as she referenced their combat prowess when flying together.
Nathan and F stood up before the latter gave her own request. "Sir, I wish to take part in this mission as well. I can also recommend Wade for you too, as I fought alongside him during the factory raid."
"Wouldn't mind giving a hand myself! And I'm sure my pal Kurtis would love to help, he's here at the base too!" Nathan added with a confident smirk, the group's determination encouraging Jasmine to stand up as well.
"I'd like to help too." She stated simply, a smile on her face as the general and his companions observed the five guests.
Admittedly, Hood knew it would be a bit absurd to allow these people to take part in an operation which would certainly involve bloodshed, especially considering most of them merely had civilian status at the moment. But, upon careful evaluation of the five, their desire to see this problem dealt with, and the fact that some of them had experience on the field...
He paused his train of thought as Captain Mitchell spoke to him. "General? I read up on the Fowleys' files when we recovered Mrs. Jasmine here, they provided service in their early careers." He smirked to the pilot sisters as he finished adding his say. "And to be frank, we need more people like them here. The records we have of them showed them to be damn fine pilots."
Tina blushed at the praise from Mitchell as she spoke to the general. "That is true, we uh... did get discharged for our... 'fancy maneuvering'."
"Sir?" Jasmine said, the general's attention on her as she added to the conversation. "Even if our flying is a bit out of protocol, Tina saved a lot of people on that starjet a few days back. I can promise you, she's an excellent woman to have at the wheel."
Glancing to Wade again, Hood took in his face, one of begging desperation as he spoke once more. "Please, Sir. My brother, the troops he brought from the Coalition, Halloway's gotten them all killed cause of this. I want to do this. I HAVE to do this, at least for them."
The good general took a deep, quiet breath, considering his decision once more before finally revealing it to Wade and his friends. "Mr. Carter, Fowleys? I'm probably making myself a fool for saying this, but you're permitted to assist us in this mission."
The drone couple contained their gratefulness in the form of ecstatic grins as Wade replied to the general. "Thanks, General. We won't let you down."
"And Mrs. Lee?" Hood said as he glanced to F, who returned the gesture as he told her, "You're technically under Mr. Jenson's authority, whatever his answer is, it's mine as well."
Bringing her yellow-orange eyes to her CEO, F awaited Mr. Jenson's answer. "F, yes? I heard Mr. Hood call you by a different name just now, I assume you have some experience with the army?"
The warrior drone nodded as she explained herself. "I once inherited the name of Felicity Lee, Mr. Jenson. I served under the USN Defense Forces before joining the DD Division." Then, glancing to the military staff near her, she finished with, "I had hoped to provide my enhancements to the Force one day."
Jenson gave a hint of a proud smile as he finally gave his decision. "Well, it seems you'll finally get that chance. From now on, even after this mission on Earth is over with, you're hereby dispatched to serve under the USN."
F admittedly couldn't hide her excited smirk as she flung a salute to her now former boss. "Thank you Sir!"
Looking up to Jenson, General Hood asked the CEO, "Mr. Jenson, how long until your ships can reach Earth?"
Jenson glanced down at his communication console as he answered the military leader. "At max speed, their Ion drives should be able to bring them into orbit in as little as one to two days. I believe there should be some ships within the system that could help as well."
"Signal them when you can, Mr. Jenson. We could use all the help we can get from them." The CEO nodded to Hood as he stood firmly to the viewer, the general turning to face Wade and his colleagues. "And Mr. Carter? We'll be mobilizing our forces immediately after this meeting concludes. It'll be a minute, but I want you to gather whatever items and belongings you'll need for this operation. Be ready to head to the flight pads in no more than three hours."
"Understood Sir!" Wade said with a salute, Tina, Jasmine and Nathan giving their own as Jasmine raised a finger.
"What about the area around the lab? That place looks like it's in the middle of the city."
J raised a finger as she told Jasmine and the others about their resolution of the civilian obstacle. "Shortly after reporting our findings on the transmission, Hood told us that they were sending in some teams to clear out the civilian population within several miles of the facility. Once we get there, it should be of no concern."
Jasmine sighed in relief as Tina spoke up. "So the people should be safe from any sort of danger?"
"Correct, Mrs. Tina." Preston answered before continuing. "Given the resistance Halloway and his men showed during the Coalition's raid, they most certainly won't hold back there."
"One more thing, Sir." Nathan asked. "The Coalition's going to help us out with this too, right?"
"You can count on it, Mr. Nathan." The Vickers' captain replied as he looked to J, then to Jenson as he spoke further. "I met the leader of the Coalition's detachment working with us when I was introduced to J and Mrs. Elliott here, they intend to see this conflict finished. I highly doubt they're willing to sit back and let us do this by ourselves."
"And their help will be much appreciated." Hood added, everyone's attention returned to him as he looked to Tessa, curious eyes scanning her holographic form. "And Mrs. Elliott, if I may. Do you mind heading down here to assist us in our investigations later on?"
"Funny you say that, General. I'm almost done with my own snooping around on the JCJ up in orbit, Cyn has some small departments of hers aboard, and I thought I'd gather some more intel before coming down." Glancing to Mr. Jenson, she saw him giving an understanding nod before returning her gaze to the military staff. "I should be down there by the evening, judging by where you're located."
"Do what you must, Mrs. Elliott. We could use whatever you find." Hood replied firmly as he turned once more to the JCJenson CEO. "Thank you for your time, Mr. Jenson. We will get to the bottom of this."
"It's my pleasure, General." Glancing to J and Tessa, he spoke to them once more. "J? Contact me when you've finished with Halloway and his Administrator."
"It'll be done, Mr. Jenson." The obedient servant answered before saluting firmly, receiving a final nod from her boss before he ended the transmission.
With their off-world guest out of the way, Hood looked to Wade and his friends, J, Tessa and Captain Mitchells sharing the gaze with them as the general spoke to them in finality. "Well, you know what comes next everyone. You're all dismissed for now. And remember, landing zone by 1300."
"We'll be there Sir." Wade said with a nod as he and his friends stood up, pushing in their chairs before making their way out to the door.
As they neared it, Wade stopped for a moment as they heard Hood call to one of his friends. "And F?" The soldier drone looked to the general as he continued. "Before we depart, would you mind changing your uniform? I believe it could help with identifying you from the other disassembly drones more easily." Glancing to J, then back to F, he finished with, "I recall hearing about the most formidable drones having clones prepared, yes?"
"Correct, Sir. I'll stop by the nearest barracks while I can." F replied before turning back to the door with her colleagues, Wade opening the door for them all as they passed through. After them, Wade passed through himself, shutting the door to the meeting room as he returned to the lobby.
Walking about together, F spoke to Wade and the others. "Well, that went smoothly. I'll be heading down to the barracks, then head over to your place to help out."
"Actually," Wade replied, raising a finger up as he asked his fellow murder drone, "You think you could bring your friends over? We could get to know each other while we're getting ready."
F glanced to Nathan with a smile before returning her eyes to Wade. "I could see about that. You're gonna like them, I can promise you that."
Taking Tina's hand, Wade walked with his girlfriend alongside Jasmine and the others, nearing the hallway they came through as they prepared for the walk back to the apartment.

Wade's visor beeped to life as his alarm system went off, the murder drone's clock showing the time, "8:00 AM", changing to his green-yellow eyes as he woke up. Tina's visor activated as well, the drone girl's own alarm activating she awakened from slumber with Wade.
Stifling a yawn, Wade looked to Tina as he rubbed her back, easing her as she rose upright. "Good morning, sweetie."
"Morning, Wade." Tina replied quietly as she looked to Wade, the two drones smiling warmly as they took in each other's presence. Noticing they were both almost completely bare of clothing, the two drones blushed as Wade began to move off the bed.
"Well, I should get something on." The former worker drone stated as they touched down on the floor, Tina grabbing her green shirt from the counter as she tried to get dressed as well.
"So should I." Tina said back as she put the shirt on, memories of their recent night together still fluent in her mind as she slowly walked over to the kitchen.
The last hours of the past night had been calm for the most part, Wade and his friends detailing their tragic capture, the loss of his brother Ron, the rescue of the drones, and finally, Tina and Wade's miraculous escape from the factory before returning to the base. After the chatter in the bar, the group split off to go their separate ways for the time being, Jasmine going with Wade and Tina to help them into her place before leaving them to watch it while she went to get some food for the next day. During their quiet stay in the apartment, Wade and Tina made small talk over what to do in the future before having what humans would call a... very pleasant night together.
And now, with the new day approaching, the drone couple had to get ready for whatever came ahead. Walking over to his clothes on one of the vacant chairs in the living room, Wade picked up his shirt, slapping it on him before glancing to Tina, who merely wore her copper brown pants and green shirt from yesterday. Smiling at his girlfriend, Wade spoke to her as he turned back around to continue redressing himself. "Seems Jasmine went out somewhere this morning. I don't see her anywhere."
Tina listened to Wade as she inspected the counter, noticing a small sticky note lying on it as she took hold of it. Tina could tell it was left by Jasmine, given the handwriting. The note said, "Morning you two! Went to get some food I forgot to pick up, I should be back shortly after you wake up. - Jasmine"
The pilot drone smiled as she read her sister's note, then turning to the living room to speak to Wade. "She went to get some breakfast, we should expect her to come back any minute now." Opening the fridge, Tina grabbed two cool cans of oil, one for herself and another for Wade. Setting the cans down on the counter, Tina closed the fridge before taking hold of the cans again, taking them with her to the living room where a fully dressed Wade now resided at.
As Tina took a seat next to Wade on the couch, the disassembly drone examined his built-in smartcomm, trying to add all the still active contacts he remembered off the top of his circuits as he spoke to Tina. "It's gonna be hard, being my own person without Ron." Chuckling, Wade smirked at Tina, finding himself unsure at his own words. "Or maybe I'm just overreacting."
Tina chortled at Wade's inconfidence as she tried to bring him some, handing him one of the oil beverages as she spoke. "I think you'll do fine, honey. I've run into some disrespectful humans in my life too."
Wade nodded in understanding as he took a sip of the oil, the sound of the front door opening catching the drones' attention as Jasmine walked in. Carrying a paper bag full of food items, the human pilot spoke aloud. "Morning, you two! Just had to finish an errand I screwed up last night."
"Oh, it's not a problem for us, Jass." Wade replied as he took a sip of his oil, Tina looking over to the kitchen wall as she listened to her sister.
"How was your night? You lovers passed out on me when I came in, so I just rested on the couch." The lover drones gave looks of apologetic concern as Jasmine walked back into the living room, the woman noticing Wade and Tina's faces as she continued speaking. "It's nothing, though. I slept well."
"I hope so, we didn't mean to take up the whole bed." Tina responded as she gave a blush of embarrassment, Wade nodding in agreement as Jasmine replied back.
"I did, really. Besides, you two deserved the bed after all you put up with yesterday. Gotta have some place to blow some steam."
Wade and Tina smiled at Jasmine's comment, then blushed as Wade questioned about her phrasing. "Wait, you mean that as a euphemism or...?"
A knock at the door shut up the discussion, Wade standing up as he offered to handle the visitors. "I'll get the door." Tina nodded as he walked over to the apartment entrance, checking the small peephole before opening the door. Looking down, he saw two beings: a human and drone soldier whom he assumed were from the Coalition given their specific body gear.
While he took notice of the militia duo, the drone soldier spoke up to him. "Good morning, we're looking for a..." He lifted up what appeared to be an ID card, Wade glancing at the object as he heard the drone continue his question. "...Wade Carter? We heard he resided here since last night." Looking to Wade again, the drone stopped himself upon finishing his sentence, then picking himself up as he spoke further. "Come to think of it, you look like him."
Wade smiled warmly as he spoke to the two guests. "That's right. You need something?"
"Eh, more like the other way around, actually." The drone soldier replied as he handed Wade the ID, the former worker drone taking it in his hands as he glanced over it. The ID showed him from when he was still a worker drone, but was thankfully untarnished from the factory as Wade held it tightly. Before he could speak, the human soldier handed him a pouch carrying what Wade presumed were a few more of his personal belongings. The drone soldier spoke once more as Wade took the pouch. "We found these while scavenging the storage bays at the factory, we've been heading around delivering them back to those they belong to."
Wade smiled brightly before finally speaking in a grateful tone. "Thanks, Sirs. If there's anything I can do to help, just let me know."
The two soldiers nodded as the human one replied. "Just doing our job, Mr. Carter. Have a pleasant morning." With that, the troopers departed the apartment complex, leaving Wade to himself as he shut the door.
Heading back inside, Tina and Jasmine looked to Wade as the former spoke to him. "Who was that?"
"Just some boys from the Coalition, and just like Nathan said, they finally found my ID!" Wade answered before showing the card off, Tina grinned happily as she saw it, Jasmine giving a simple smile as he spoke further. "Feels good to have it back, I think that was what was keeping me down a little yesterday."
"Well, at least you won't have to worry about that anymore." Tina replied as Wade put the card in his pocket, taking his seat again before setting the pouch at his legs. Taking notice of the pouch, Tina asked, "What's in that? Battery candy?"
Wade shook his head as he began pulling out the items inside the bag, speaking to Tina as he examined them. "Oh, no, looks like some more of my belongings." Once he was done, Wade put the pouch on the couch's cup holder, on the space behind the drink holders themselves. The items were other various cards and papers with various personal information of Wades written on them, along with Wade's wallet. Wade found it almost comical that the items were all separated from each other, rather than being inside the wallet after getting cleared out.
Tina seemed to agree with Wade's thoughts as he began reinserting the cards into his wallet. "Well, that's silly. They just put everything in that little pouch instead of putting it all back in that thing."
Wade chuckled as he put his ID into the frontal window pocket of the wallet. "Yeah, guess they had to clear every little part of it before sending it off." As he finished restocking his wallet, Wade glanced to the pouch before continuing. "Besides, that IS a nice pouch."
"It sure is." Tina replied before taking another sip of her oil can, Wade putting his wallet away as she spoke again. "On another subject, however, you think we should go see if Nathan's around? Him and Kurtis could come by and have some small talk."
Wade nodded as he started to speak, but stopped as Jasmine spoke first. "Actually, I ran into F earlier while at the market. I heard from her that Nathan was going to be joining her for a date later this afternoon." Glancing to Wade, she finished with, "So he might be already busy for the moment."
Taking his own oil can, Wade shrugged his arm as he replied. "Eh, no problem with that. Don't wanna kill a growing relationship, now do we?"
Tina chuckled lightly as she agreed with her boyfriend. "Indeed, if it were us, they'd probably do the same fo-"
The chatter stopped as another knock sounded at the door, Wade moving to get up again as he glanced to the ladies in confusion. "Another visitor?"
"You think it could be F?" Tina made a wild guess as Wade approached the door, glancing out the peephole in slight surprise before opening the door.
Wade felt as if their talk about the Ceres couple had been a form of summoning as he saw F and Nathan standing at the door, bearing strangely serious expressions as they were greeted by the former worker drone. "F! Nathan! Funny timing, we were just talking about you. Come on in, have a seat."
As the two walked past Wade, F pat him on the shoulder as she spoke to him. "As much as I'd like to visit Wade, I'm afraid we're not gonna be here long, nor are you and the Fowleys."
Wade raised an eyebrow at her reply as he followed Nathan and F, the two simply standing in front of Tina and Jasmine as Wade returned to the living room. "Oh?"
"We're leaving? Should we get dressed and pack our things ASAP?" Tina asked with mild concern as F replied to her.
"Yep, you're on the ball with getting ready, but we're... not exactly leaving." The disassembly drone's words brought a confused face from Tina as Nathan clarified his crush.
"We got a call from J, just as we were heading to one of the diners here." The two drones paused for a moment, glancing to each other as they almost spewed out about their date, but shook it off as Nathan continued with little hesitation. "She told us that Tessa had intercepted some kind of transmission, one that might help us clear up this situation with the company faster than we initially thought."
F gave an affirming nod on Nathan's explanation before adding to it. "Her and J are playing host to a meeting held by the general stationed here, and she wants us to attend." Glancing over Wade and the Fowley sisters, she finished the explanation with, "They especially want you two to come as well, given what you both went through."
Wade and Tina gave blushes of embarrassment at the news, honored by the invitation but also a little uncomfortable with their elevated status as they glanced to each other. After taking a moment to process what they heard, Wade broke the silence. "Well, I did make that promise at the factory, and to J and Tessa earlier... and I intend on acting on said promise." Looking to Tina, his girlfriend gave an agreeing nod as she stood up with him.
"Glad to hear it. We don't have to be in that much of a rush, though, the meeting doesn't start until 10." F stated, Wade and Tina both glancing at the clock to check the time before looking back to their murder drone friend with nods of acknowledgement.
Standing up from her chair, Jasmine stretched as she announced her goals to the room. "Well, in that case, I should hit the shower."
"Right, I'll get myself fixed up too." Tina replied as she looked to Wade, the two sharing warm smiles before heading to the kitchen. Noticing the still unstored items on the counter, Tina spoke aloud. "Jasmine? You mind if Wade and I help store the groceries in the cabinets here?"
"Sure, thanks!" Jasmine answered in a grateful tone as she went off to the bathroom in the back of the apartment, Tina glancing to Wade as she began to take some food out of the bag.
"I'll get the refrigerated stuff." Wade stated simply as he took some items out of the bag, Tina putting her chosen food stuffs into one of the cabinets as they worked to unload the fresh consumables from Jasmine's errand.

Recently I remembered a video I saw on the internet, specifically on YouTube. I was trying to see what happens when you type "." into yt. Usually there were just these random videos with creepy thumbnails but one caught my eye and that was because it looked pretty real. It was footage from an analog camera (I can't remember the date it was shot) but it was a pretty weird video. The guy with the camera was walking through some dense woods, he was alone and it looked like he was looking for something or was lost. He walked like that for quite a while, once people were seen in the distance but he either didn't notice them or wanted to avoid them. After a while he started to run and then he came across what looked like an old basement. He opened the door from it and went inside there was an old mattress, a table, a chair, a cupboard, a cooker and some old cans of (probably) meat maybe it was beans then he turned off the camera. I can think of a few questions like: Why was he filming? Was he the one who lived there? Could it have been real or was it a very realistic arg? Why did someone upload it to yt? Anyway, does anyone know anything about this I would like to archive it and I can't find it, I archive stuff from yt which due to their increasingly strict rules would soon be deleted. If you have anything you think would belong there too send it to me. Sorry for my English I'm not from an English speaking country.

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Game Information

Game Title: Senua's Saga: Hellblade II
Platforms:

• Xbox Series X/S (May 21, 2024)
• PC (May 21, 2024)

Trailers:

• Senua’s Saga: Hellblade II – Official Trailer The Game Awards 2023
• Senua's Saga: Hellblade II - The Senua Trailer Xbox Games Showcase 2023

Developer: Ninja Theory
Publisher: Xbox Game Studios
Review Aggregator:
OpenCritic - 84 average - 86% recommended - 55 reviews
MetaCritic - 81 average - 34 reviews

Critic Reviews

AltChar - Asmir Kovacevic - 95 / 100

Few games in recent times have been able to do what Senua's Saga: Hellblade 2 has done: make me feel so engaged and immersed that I wish the feeling would never stop. It is a game that will keep you in constant awe throughout the playtime with its fantastic and mysterious story, incredible graphic and sound presentation and realistic and brutal combat that will keep you on the edge of your seat the entire time.

But Why Tho? - Mick Abrahamson - 7.5 / 10

Senua’s Saga: Hellblade II won’t be for everyone. But if you are looking for a brutal continuation of a fantastic story that feels like you’re actually playing a movie, you’ll have a great time here.

CGMagazine - Justin Wood - 7 / 10

Senua's Saga: Hellblade 2 starts incredibly strong in the first half, but after certain revelations, the story speeds up to a point where the conclusion feels rushed and half-baked.

COGconnected - Mark Steighner - 95 / 100

It has been a very long time since I played a game as assured, polished, and emotionally affecting as Senua’s Saga: Hellblade 2.

Cerealkillerz - Steve Brieller - German - 7.9 / 10

If you expect an immersive but not so interactive “game”, Senua’s Saga Hellblade II delivers a short yet intense experience. Ninja Theory has once again skillfully created an impressive atmosphere, as they did in Senua’s Sacrifice. Unfortunately, the issues remain as well: Puzzles and combat are too easy and there is no variety in either. So please keep in mind, that this is more a Hellblade 1.5 than a true sequel.

Checkpoint Gaming - Charlie Kelly - 10 / 10

Senua's Saga: Hellblade II is well worth the wait and is a serious game of the year contender. Senua's follow-up journey is the best exploration of mental health that we've seen in games to date, using incredibly striking visual imagery, metaphors and immersive soundscapes to have you feel right there next to her. In what has to be the most photo-realistic game of all time, you're guaranteed to be constantly taken by the hero's adventure as you take in the beautiful and often haunting Viking Iceland. Through mud and dirt, blood and bones, Senua and Ninja Theory in turn bare all to you, the player. A masterpiece, benchmark and magnum opus, Hellblade II is crucial storytelling you won't soon forget.

Console Creatures - Patrick Tremblay - Recommended

With Senua's Saga: Hellblade 2, Ninja Theory shows that video games can be more than simple entertainment: they can be profound artistic and emotional explorations, capable of touching and transforming those who play them. This is an unforgettable journey into the heart of Iceland's darkness, where every step of Senua is a step towards self-discovery.

Digital Trends - Tomas Franzese - 4 / 5

Senua's Saga: Hellblade 2 is a visual stunner for Xbox even if its gameplay isn't too creative.

Echo Boomer - David Fialho - Portuguese - Essential

Ninja Theory has finally delivered the long-awaited and provocative sequel to Hellblade, with one of the most impressive interactive cinematic experiences of the generation, which makes you question what is real and leaves you dreaming of the graphic potential of future games still on current consoles.

Enternity.gr - Christos Chatzisavvas - Greek - 9.5 / 10

With Senua's Saga: Hellblade II, Ninja Theory builds the game it dreamed of, creating a title on a larger scale than any other.

Eurogamer - Johnny Chiodini - 5 / 5

Hellblade 2 continues Senua's story with grace, confidence, surprising brutality and thundering conviction.

GAMES.CH - Olaf Bleich - German - 89%

The game sucks you skin and hair into its fantasy world and creates such an intense bond with the characters and their stories that you want to know at every second how the adventure ends.

Game Informer - Marcus Stewart - 9 / 10

Senua’s Saga: Hellblade II’s conclusion ends on another strong note, and despite my initial reservations about continuing Senua’s story, I walked away happy to see her conquer new monsters, both literal and metaphorical.

GameSpot - Jess Cogswell - 6 / 10

Hellblade 2 is perhaps the most visually remarkable Xbox title to date, but is ultimately undermined by its emphasis on fidelity over story and gameplay.

GamingTrend - Cassie Peterson - 95 / 100

Senua's Saga: Hellblade II is a stunning and immersive storytelling experience that really puts the player into the mind of its titular character. It's even more narratively-focused than the first game (not to its detriment), with a bigger emphasis on how Senua sees and interacts with the world around her. The whole experience from start to finish has been beyond memorable.

Generación Xbox - Pedro del Pozo - Spanish - 9.3 / 10

Ninja Theory manages to place Senua in the Olympus of videogames with the most visually and sonorously powerful game we have seen so far. A spectacular, stunning and awe-inspiring journey.

IGN - Tristan Ogilvie - 8 / 10

Senua’s Saga: Hellblade II is another Viking-worthy feast for the senses that meets the high bar set by its predecessor, even if it never really manages to clear it.

INVEN - Soojin Kim - Korean - 8.5 / 10

The game's high level of immersion makes you want to play it from start to finish in one sitting. With outstanding audiovisual presentation and effects, it gives the feeling that you're playing a movie, not watching it. However, the gameplay elements, such as combat and puzzles, still lack significant meaning, which leads to rather disappoint feelings.

Kakuchopurei - Jonathan Leo - 80 / 100

While the story & gameplay's broad strokes might be familiar, Senua's Saga: Hellblade 2's execution, perspective, and overall production values are just stellar and highlights Ninja Theory's strengths in delivering what it does best: story-heavy cinematic gaming. The characters are fleshed out and well-written, with proper focus on your main character and her turmoils that carry over from the first game, the fighting feels weighty and challenging without being completely frustrating, and the HUD-less approach to presentation is welcome.

Kotaku - Claire Jackson - Unscored

A spellbinding meditation on anguish and compassion, Hellblade II delivers one of the most gripping interactive and sensory experiences of 2024

Merlin'in Kazanı - Murat Oktay - Turkish - 89 / 100

The chaotic story of Senua continues. We set out to take revenge on the Viking raiders who have inflicted devastating losses on the people of Orkney.

Metro GameCentral - GameCentral - 5 / 10

A joyless slog of barely interactive entertainment and a muddled portrayal of mental illness… that just so happens to have the best graphics ever on a video game console.

MondoXbox - Giuseppe Genga - Italian - 9.5 / 10

Senua's Saga: Hellblade II is a true masterpiece: a deep and highly immersive narrative experience that manages to make us feel all the protagonist's torment within an impressively realistic world. Ninja Theory reveals itself to be one of the most valuable studios in the Xbox stable here, reaching levels of absolute excellence in graphics, audio, narration, and acting. A must-play.

New Game Network - Alex Varankou - 70 / 100

Senua's Saga: Hellblade II keeps the basics intact, and while a strong lead character, great animations, and simple but enjoyable combat continue to deliver, the poor pacing and performance issues prevent this sequel from breaking free of its past.

Nexus Hub - Sam Aberdeen - 8 / 10

Senua's Saga: Hellblade II is the best-looking game we've ever played - a true visual powerhouse backed by an emotionally charged story and gripping dark fantasy setting, if you can look past some of its shortcomings.

One More Game - Chris Garcia - 9 / 10

Hellblade 2 is a triumph in masterful storytelling and impeccable audio design for Ninja Theory. It is an emotionally powerful experience that depicts a sensitive subject that is hardly talked about in the medium.
To achieve this, the game stripped out several features and systems like combat and exploration in favor of a deeper narrative affair. This is not for everyone, but it is something I would encourage everyone to try at least try out.

Oyungezer Online - Onur Kaya - Turkish - 8 / 10

Next gen graphics and presentation is now among us, next gen game design on the other hand, will be running late.

PC Gamer - Robin Valentine - 58 / 100

Despite its greater scale and visual splendour, this sequel fails to escape the shadow of its predecessor with a muddled tale that Senua herself feels out of place in.

PCGamesN - Cheri Faulkner - 9 / 10

Senua's Saga: Hellblade 2 is an impeccable story of coming to terms with trauma and making difficult decisions, punctuated by moments of outstanding beauty and strength.

Pixel Arts - Danial Dehghani - Persian - 9 / 10

Hellblade 2 is a stellar example of a sequel done right, building on the elements that made the original a landmark in gaming. It stays true to its roots, prioritizing depth and atmosphere over broad appeal. Fans of the first game will find much to love here, as it remains a unique and compelling experience. However, if the original didn't resonate with you, Hellblade 2 follows a similar path and might not change your mind.

Polygon - Yussef Cole - Unscored

Where the first game felt like a journey of self-discovery, both for Senua and for the player, Hellblade 2 feels more invested in creating the myth of Senua: Senua as legendary giant slayer, as mystical seer touched by the underworld.

Press Start - Brodie Gibbons - 9 / 10

Senua's Saga: Hellblade II is yet another arresting, artful chapter in an adventure now two games long. Though it might approach iteration with a very safe hand, only going so far as to correct the original's shortcomings, Ninja Theory's clear strengths in story craft, audiovisual design, as well as their care for the dark subject matter manage to shine through brighter than ever before.

Rectify Gaming - Tyler Nienburg - 10 / 10

Senua's Saga: Hellblade II emerges as a visual and storytelling masterpiece, and is unquestionably the best-looking game I've witnessed on Xbox Series X since its launch.

Rock, Paper, Shotgun - Rick Lane - Unscored

A more uncompromising version of the first game, Hellblade 2 offers a well told story and immaculate presentation. But it's also even simpler, to the point where it treats interaction like an inconvenience.

SECTOR.sk - Matúš Štrba - Slovak - 9.5 / 10

Senua's Saga: Hellblade II is, at its core, a short game, but an excellent one. But it's not for everyone. It's a bloody and often disgusting experience based on strong emotions and immersion in a character that just won't let you go. It's more of an artistic experience than a traditional game.

Saudi Gamer - Arabic - 10 / 10

An exceptionally well realized portrayal of Senua's struggle both real and praying on her fears, with brutal and satisfying combat and puzzles that require you to appreciate the world. It successfully continues what the first game started and improves upon almost every aspect.

Seasoned Gaming - Ainsley Bowden - 9 / 10

Senua's Saga is a journey unlike any other. It's fantastical, evocative, and demonstrative of Ninja Theory being masters of their craft.

Shacknews - TJ Denzer - 9 / 10

Hellblade 2 still does incredibly well. The new story is weighty, the audio is exceptional, the scenery is ridiculously dense and rich, and the combat feels intense and impactful in new and interesting ways.

Slant Magazine - Justin Clark - 3.5 / 5

The newest chapter in Senua’s story is powerfully told but feels like it’s missing a few pages.

Spaziogames - Gianluca Arena - Italian - 7.6 / 10

Senua's Saga is as strong as its predecessor, if not more, and delivers both in its storytelling and on the technical side. The gameplay, however, has still a lot of room for improvements and boils down to almost-QTE combat and boring puzzles. An experience more than an actual and so-called video game, but an experience worth living nonetheless.

Stevivor - Jay Ball - 9.5 / 10

Senua’s Saga Hellblade 2 is a video game only on its surface. Scratch that away and you’ll see that it’s a deep, thought-provoking, interactive experience proving games are an art form that demands skill and talent. Ninja Theory should be very proud.

TechRaptor - Robert Scarpinito - 7.5 / 10

Senua’s Saga: Hellblade II features intense audio, beautiful graphics, and wonderful camera work, creating a powerful presentation that’s worth experiencing. However, the narrative doesn’t quite stick the landing.

The Escapist - Unscored

Video Review - Quote not available

The Outerhaven Productions - Jordan Andow - 5 / 5

Senua’s Saga: Hellblade II sets a new bar for performances and presentation. Combined with smart improvements to gameplay, it is arguably the most cinematic, immersive, story-driven experience we’ve ever seen.

TheSixthAxis - Dominic Leighton - Unscored

Just like its forbear, Senua’s Saga: Hellblade II is an oppressive, powerful and haunting example of the power of video games, and one that sets its own parameters for what a digital experience can be. It is a game that must be experienced, not least because, there’s nothing else quite like it.

Tom's Hardware Italia - Andrea Riviera - Italian - 10 / 10

What Ninja Theory has achieved transcends reality, creating a work that is practically perfect for what it aimed to be: an audiovisual adventure with a strong narrative component. Beyond state-of-the-art graphics and sound that will undoubtedly set a standard in the coming years, what truly astonishes is the maturity with which the team has taken an excellent game like the first Hellblade and molded it into something so qualitatively impressive that it becomes difficult to even describe. This elevates the medium to a new communicative level, capable of evoking emotions and surprising players from start to finish. Experiences like Hellblade 2, which leave a lasting impression on the soul, are few and far between in a generation, and we can only rejoice in seeing how the beautiful artistic vision of the Ninja Theory team has become a reality.

Too Much Gaming - Carlos Hernandez - 5 / 5

Hellblade 2 feels like a living, breathing shapeshifter, manipulating its surroundings around the player with precision and consistency, making it one of the most visually stunning video games of this generation. This is an amazing title that carefully balances its artistic and gaming ambitions, a masterpiece that I encourage any gamer to experience.

TrueAchievements - Sean Carey - 9 / 10

Ninja Theory has created an outstanding sequel with Senua's Saga: Hellblade 2. An unforgettable narrative adventure that is brought to life through impeccable sound design, fantastic visuals, and a story that will stick with you long after the final credits roll. Hellblade 2 is one of the best games Xbox has to offer.

TrueGaming - عمر العمودي - Arabic - 8 / 10

Senua's Saga: Hellblade II is a technical achievement for the gaming industry, the visuals are impressive and realistic in a way we haven't seen before and the audio design is very impressive. The game itself though, we think it could've offered more as puzzles are repetitive and combat is quite limited. However, the storytelling is strong in this chapter of Senua's journey, though it feels heavy and depressing.

VideoGamer - Tom Bardwell - 9 / 10

Though uncomfortably bleak and distressing, Helldivers 2 is something truly special.

WellPlayed - James Wood - 6 / 10

Senua's Saga: Hellblade II is an achievement in visual fidelity but fails to define itself amid clumsy retreads and unengaging new ideas.

Worth Playing - Chris "Atom" DeAngelus - 7 / 10

Senua's Saga: Hellblade II is a beautiful but ultimately hollow game. The fantastic presentation props up a story that is less personal and engaging than in the first game, and the gameplay feels like an afterthought. It was great to see Senua again and to see her outside of the grief-misery she was enveloped in during the first game, but beyond that, there's not much to Hellblade II. It's a short and less memorable experience that shows off Ninja Theory's visual craft to its fullest - but it achieves little else.

Xbox Achievements - Dan Webb - 90%

While Senua’s Saga: Hellblade 2 might not set any new standards with its simplistic gameplay mechanics, from an audio-visual experience standpoint, it's frankly quite a stunning experience. Hellblade 2 is as close to playing the leading role in a big budget movie as you’re likely to get, and Ninja Theory’s continued coverage on the complexities of severe mental health issues deserves to be commended once more. Bravo, Ninja Theory. Bravo.

XboxEra - Jon Clarke - 10 / 10

Despite the backing of a company as large and as well-funded as Microsoft, Ninja Theory have, in my opinion, nurtured their independent spirit and kept it well and truly alive in every facet of Senua's Saga: Hellblade II. It's brutal. It's breath-taking. It's brilliant. If this is “Independent AAA”?
Sign me up for more.

ZdobywcyGier.eu - Bartosz Michalik - Polish - 9.5 / 10

Senua's Saga: Hellblade II is undoubtedly one of the best games of this year. Not only does it shine in terms of audio-visual setting, but also in terms of story. The only element that could be considered caveat is at the same time its greatest asset, namely cinematography. Sometimes one gets the impression that the developers, in an effort to achieve the best possible effect, had to make a lot of compromises, which significantly limited the gameplay possibilities. Nevertheless, for a great narrative and immersion, this is something to turn a blind eye to.

Game Information

Game Title: Senua's Saga: Hellblade II
Platforms:

• Xbox Series X/S (May 21, 2024)
• PC (May 21, 2024)

Trailers:

• Senua’s Saga: Hellblade II – Official Trailer The Game Awards 2023
• Senua's Saga: Hellblade II - The Senua Trailer Xbox Games Showcase 2023

Developer: Ninja Theory
Publisher: Xbox Game Studios
Review Aggregator:
OpenCritic - 84 average - 86% recommended - 55 reviews

Critic Reviews

AltChar - Asmir Kovacevic - 95 / 100

Few games in recent times have been able to do what Senua's Saga: Hellblade 2 has done: make me feel so engaged and immersed that I wish the feeling would never stop. It is a game that will keep you in constant awe throughout the playtime with its fantastic and mysterious story, incredible graphic and sound presentation and realistic and brutal combat that will keep you on the edge of your seat the entire time.

But Why Tho? - Mick Abrahamson - 7.5 / 10

Senua’s Saga: Hellblade II won’t be for everyone. But if you are looking for a brutal continuation of a fantastic story that feels like you’re actually playing a movie, you’ll have a great time here.

CGMagazine - Justin Wood - 7 / 10

Senua's Saga: Hellblade 2 starts incredibly strong in the first half, but after certain revelations, the story speeds up to a point where the conclusion feels rushed and half-baked.

COGconnected - Mark Steighner - 95 / 100

It has been a very long time since I played a game as assured, polished, and emotionally affecting as Senua’s Saga: Hellblade 2.

Cerealkillerz - Steve Brieller - German - 7.9 / 10

If you expect an immersive but not so interactive “game”, Senua’s Saga Hellblade II delivers a short yet intense experience. Ninja Theory has once again skillfully created an impressive atmosphere, as they did in Senua’s Sacrifice. Unfortunately, the issues remain as well: Puzzles and combat are too easy and there is no variety in either. So please keep in mind, that this is more a Hellblade 1.5 than a true sequel.

Checkpoint Gaming - Charlie Kelly - 10 / 10

Senua's Saga: Hellblade II is well worth the wait and is a serious game of the year contender. Senua's follow-up journey is the best exploration of mental health that we've seen in games to date, using incredibly striking visual imagery, metaphors and immersive soundscapes to have you feel right there next to her. In what has to be the most photo-realistic game of all time, you're guaranteed to be constantly taken by the hero's adventure as you take in the beautiful and often haunting Viking Iceland. Through mud and dirt, blood and bones, Senua and Ninja Theory in turn bare all to you, the player. A masterpiece, benchmark and magnum opus, Hellblade II is crucial storytelling you won't soon forget.

Console Creatures - Patrick Tremblay - Recommended

With Senua's Saga: Hellblade 2, Ninja Theory shows that video games can be more than simple entertainment: they can be profound artistic and emotional explorations, capable of touching and transforming those who play them. This is an unforgettable journey into the heart of Iceland's darkness, where every step of Senua is a step towards self-discovery.

Digital Trends - Tomas Franzese - 4 / 5

Senua's Saga: Hellblade 2 is a visual stunner for Xbox even if its gameplay isn't too creative.

Echo Boomer - David Fialho - Portuguese - Essential

Ninja Theory has finally delivered the long-awaited and provocative sequel to Hellblade, with one of the most impressive interactive cinematic experiences of the generation, which makes you question what is real and leaves you dreaming of the graphic potential of future games still on current consoles.

Enternity.gr - Christos Chatzisavvas - Greek - 9.5 / 10

With Senua's Saga: Hellblade II, Ninja Theory builds the game it dreamed of, creating a title on a larger scale than any other.

Eurogamer - Johnny Chiodini - 5 / 5

Hellblade 2 continues Senua's story with grace, confidence, surprising brutality and thundering conviction.

GAMES.CH - Olaf Bleich - German - 89%

The game sucks you skin and hair into its fantasy world and creates such an intense bond with the characters and their stories that you want to know at every second how the adventure ends.

Game Informer - Marcus Stewart - 9 / 10

Senua’s Saga: Hellblade II’s conclusion ends on another strong note, and despite my initial reservations about continuing Senua’s story, I walked away happy to see her conquer new monsters, both literal and metaphorical.

GameSpot - Jess Cogswell - 6 / 10

Hellblade 2 is perhaps the most visually remarkable Xbox title to date, but is ultimately undermined by its emphasis on fidelity over story and gameplay.

GamingTrend - Cassie Peterson - 95 / 100

Senua's Saga: Hellblade II is a stunning and immersive storytelling experience that really puts the player into the mind of its titular character. It's even more narratively-focused than the first game (not to its detriment), with a bigger emphasis on how Senua sees and interacts with the world around her. The whole experience from start to finish has been beyond memorable.

Generación Xbox - Pedro del Pozo - Spanish - 9.3 / 10

Ninja Theory manages to place Senua in the Olympus of videogames with the most visually and sonorously powerful game we have seen so far. A spectacular, stunning and awe-inspiring journey.

IGN - Tristan Ogilvie - 8 / 10

Senua’s Saga: Hellblade II is another Viking-worthy feast for the senses that meets the high bar set by its predecessor, even if it never really manages to clear it.

INVEN - Soojin Kim - Korean - 8.5 / 10

The game's high level of immersion makes you want to play it from start to finish in one sitting. With outstanding audiovisual presentation and effects, it gives the feeling that you're playing a movie, not watching it. However, the gameplay elements, such as combat and puzzles, still lack significant meaning, which leads to rather disappoint feelings.

Kakuchopurei - Jonathan Leo - 80 / 100

While the story & gameplay's broad strokes might be familiar, Senua's Saga: Hellblade 2's execution, perspective, and overall production values are just stellar and highlights Ninja Theory's strengths in delivering what it does best: story-heavy cinematic gaming. The characters are fleshed out and well-written, with proper focus on your main character and her turmoils that carry over from the first game, the fighting feels weighty and challenging without being completely frustrating, and the HUD-less approach to presentation is welcome.

Kotaku - Claire Jackson - Unscored

A spellbinding meditation on anguish and compassion, Hellblade II delivers one of the most gripping interactive and sensory experiences of 2024

Merlin'in Kazanı - Murat Oktay - Turkish - 89 / 100

The chaotic story of Senua continues. We set out to take revenge on the Viking raiders who have inflicted devastating losses on the people of Orkney.

Metro GameCentral - GameCentral - 5 / 10

A joyless slog of barely interactive entertainment and a muddled portrayal of mental illness… that just so happens to have the best graphics ever on a video game console.

MondoXbox - Giuseppe Genga - Italian - 9.5 / 10

Senua's Saga: Hellblade II is a true masterpiece: a deep and highly immersive narrative experience that manages to make us feel all the protagonist's torment within an impressively realistic world. Ninja Theory reveals itself to be one of the most valuable studios in the Xbox stable here, reaching levels of absolute excellence in graphics, audio, narration, and acting. A must-play.

New Game Network - Alex Varankou - 70 / 100

Senua's Saga: Hellblade II keeps the basics intact, and while a strong lead character, great animations, and simple but enjoyable combat continue to deliver, the poor pacing and performance issues prevent this sequel from breaking free of its past.

Nexus Hub - Sam Aberdeen - 8 / 10

Senua's Saga: Hellblade II is the best-looking game we've ever played - a true visual powerhouse backed by an emotionally charged story and gripping dark fantasy setting, if you can look past some of its shortcomings.

One More Game - Chris Garcia - 9 / 10

Hellblade 2 is a triumph in masterful storytelling and impeccable audio design for Ninja Theory. It is an emotionally powerful experience that depicts a sensitive subject that is hardly talked about in the medium.
To achieve this, the game stripped out several features and systems like combat and exploration in favor of a deeper narrative affair. This is not for everyone, but it is something I would encourage everyone to try at least try out.

Oyungezer Online - Onur Kaya - Turkish - 8 / 10

Next gen graphics and presentation is now among us, next gen game design on the other hand, will be running late.

PC Gamer - Robin Valentine - 58 / 100

Despite its greater scale and visual splendour, this sequel fails to escape the shadow of its predecessor with a muddled tale that Senua herself feels out of place in.

PCGamesN - Cheri Faulkner - 9 / 10

Senua's Saga: Hellblade 2 is an impeccable story of coming to terms with trauma and making difficult decisions, punctuated by moments of outstanding beauty and strength.

Pixel Arts - Danial Dehghani - Persian - 9 / 10

Hellblade 2 is a stellar example of a sequel done right, building on the elements that made the original a landmark in gaming. It stays true to its roots, prioritizing depth and atmosphere over broad appeal. Fans of the first game will find much to love here, as it remains a unique and compelling experience. However, if the original didn't resonate with you, Hellblade 2 follows a similar path and might not change your mind.

Polygon - Yussef Cole - Unscored

Where the first game felt like a journey of self-discovery, both for Senua and for the player, Hellblade 2 feels more invested in creating the myth of Senua: Senua as legendary giant slayer, as mystical seer touched by the underworld.

Press Start - Brodie Gibbons - 9 / 10

Senua's Saga: Hellblade II is yet another arresting, artful chapter in an adventure now two games long. Though it might approach iteration with a very safe hand, only going so far as to correct the original's shortcomings, Ninja Theory's clear strengths in story craft, audiovisual design, as well as their care for the dark subject matter manage to shine through brighter than ever before.

Rectify Gaming - Tyler Nienburg - 10 / 10

Senua's Saga: Hellblade II emerges as a visual and storytelling masterpiece, and is unquestionably the best-looking game I've witnessed on Xbox Series X since its launch.

Rock, Paper, Shotgun - Rick Lane - Unscored

A more uncompromising version of the first game, Hellblade 2 offers a well told story and immaculate presentation. But it's also even simpler, to the point where it treats interaction like an inconvenience.

SECTOR.sk - Matúš Štrba - Slovak - 9.5 / 10

Senua's Saga: Hellblade II is, at its core, a short game, but an excellent one. But it's not for everyone. It's a bloody and often disgusting experience based on strong emotions and immersion in a character that just won't let you go. It's more of an artistic experience than a traditional game.

Saudi Gamer - Arabic - 10 / 10

An exceptionally well realized portrayal of Senua's struggle both real and praying on her fears, with brutal and satisfying combat and puzzles that require you to appreciate the world. It successfully continues what the first game started and improves upon almost every aspect.

Seasoned Gaming - Ainsley Bowden - 9 / 10

Senua's Saga is a journey unlike any other. It's fantastical, evocative, and demonstrative of Ninja Theory being masters of their craft.

Shacknews - TJ Denzer - 9 / 10

Hellblade 2 still does incredibly well. The new story is weighty, the audio is exceptional, the scenery is ridiculously dense and rich, and the combat feels intense and impactful in new and interesting ways.

Slant Magazine - Justin Clark - 3.5 / 5

The newest chapter in Senua’s story is powerfully told but feels like it’s missing a few pages.

Spaziogames - Gianluca Arena - Italian - 7.6 / 10

Senua's Saga is as strong as its predecessor, if not more, and delivers both in its storytelling and on the technical side. The gameplay, however, has still a lot of room for improvements and boils down to almost-QTE combat and boring puzzles. An experience more than an actual and so-called video game, but an experience worth living nonetheless.

Stevivor - Jay Ball - 9.5 / 10

Senua’s Saga Hellblade 2 is a video game only on its surface. Scratch that away and you’ll see that it’s a deep, thought-provoking, interactive experience proving games are an art form that demands skill and talent. Ninja Theory should be very proud.

TechRaptor - Robert Scarpinito - 7.5 / 10

Senua’s Saga: Hellblade II features intense audio, beautiful graphics, and wonderful camera work, creating a powerful presentation that’s worth experiencing. However, the narrative doesn’t quite stick the landing.

The Escapist - Unscored

Video Review - Quote not available

The Outerhaven Productions - Jordan Andow - 5 / 5

Senua’s Saga: Hellblade II sets a new bar for performances and presentation. Combined with smart improvements to gameplay, it is arguably the most cinematic, immersive, story-driven experience we’ve ever seen.

TheSixthAxis - Dominic Leighton - Unscored

Just like its forbear, Senua’s Saga: Hellblade II is an oppressive, powerful and haunting example of the power of video games, and one that sets its own parameters for what a digital experience can be. It is a game that must be experienced, not least because, there’s nothing else quite like it.

Tom's Hardware Italia - Andrea Riviera - Italian - 10 / 10

What Ninja Theory has achieved transcends reality, creating a work that is practically perfect for what it aimed to be: an audiovisual adventure with a strong narrative component. Beyond state-of-the-art graphics and sound that will undoubtedly set a standard in the coming years, what truly astonishes is the maturity with which the team has taken an excellent game like the first Hellblade and molded it into something so qualitatively impressive that it becomes difficult to even describe. This elevates the medium to a new communicative level, capable of evoking emotions and surprising players from start to finish. Experiences like Hellblade 2, which leave a lasting impression on the soul, are few and far between in a generation, and we can only rejoice in seeing how the beautiful artistic vision of the Ninja Theory team has become a reality.

Too Much Gaming - Carlos Hernandez - 5 / 5

Hellblade 2 feels like a living, breathing shapeshifter, manipulating its surroundings around the player with precision and consistency, making it one of the most visually stunning video games of this generation. This is an amazing title that carefully balances its artistic and gaming ambitions, a masterpiece that I encourage any gamer to experience.

TrueAchievements - Sean Carey - 9 / 10

Ninja Theory has created an outstanding sequel with Senua's Saga: Hellblade 2. An unforgettable narrative adventure that is brought to life through impeccable sound design, fantastic visuals, and a story that will stick with you long after the final credits roll. Hellblade 2 is one of the best games Xbox has to offer.

TrueGaming - عمر العمودي - Arabic - 8 / 10

Senua's Saga: Hellblade II is a technical achievement for the gaming industry, the visuals are impressive and realistic in a way we haven't seen before and the audio design is very impressive. The game itself though, we think it could've offered more as puzzles are repetitive and combat is quite limited. However, the storytelling is strong in this chapter of Senua's journey, though it feels heavy and depressing.

VideoGamer - Tom Bardwell - 9 / 10

Though uncomfortably bleak and distressing, Helldivers 2 is something truly special.

WellPlayed - James Wood - 6 / 10

Senua's Saga: Hellblade II is an achievement in visual fidelity but fails to define itself amid clumsy retreads and unengaging new ideas.

Worth Playing - Chris "Atom" DeAngelus - 7 / 10

Senua's Saga: Hellblade II is a beautiful but ultimately hollow game. The fantastic presentation props up a story that is less personal and engaging than in the first game, and the gameplay feels like an afterthought. It was great to see Senua again and to see her outside of the grief-misery she was enveloped in during the first game, but beyond that, there's not much to Hellblade II. It's a short and less memorable experience that shows off Ninja Theory's visual craft to its fullest - but it achieves little else.

Xbox Achievements - Dan Webb - 90%

While Senua’s Saga: Hellblade 2 might not set any new standards with its simplistic gameplay mechanics, from an audio-visual experience standpoint, it's frankly quite a stunning experience. Hellblade 2 is as close to playing the leading role in a big budget movie as you’re likely to get, and Ninja Theory’s continued coverage on the complexities of severe mental health issues deserves to be commended once more. Bravo, Ninja Theory. Bravo.

XboxEra - Jon Clarke - 10 / 10

Despite the backing of a company as large and as well-funded as Microsoft, Ninja Theory have, in my opinion, nurtured their independent spirit and kept it well and truly alive in every facet of Senua's Saga: Hellblade II. It's brutal. It's breath-taking. It's brilliant. If this is “Independent AAA”?
Sign me up for more.

ZdobywcyGier.eu - Bartosz Michalik - Polish - 9.5 / 10

Senua's Saga: Hellblade II is undoubtedly one of the best games of this year. Not only does it shine in terms of audio-visual setting, but also in terms of story. The only element that could be considered caveat is at the same time its greatest asset, namely cinematography. Sometimes one gets the impression that the developers, in an effort to achieve the best possible effect, had to make a lot of compromises, which significantly limited the gameplay possibilities. Nevertheless, for a great narrative and immersion, this is something to turn a blind eye to.