Sports symbols for myspace

IndiaNews: The Official Indian News Subreddit for Indians

2008.05.26 23:21 IndiaNews: The Official Indian News Subreddit for Indians

IndiaNews: The Official Indian News Subreddit for Indians
[link]


2009.07.23 23:39 djteiwaz Joke I heard today

Go to /jokes
[link]


2013.08.17 09:50 Diversify Your Awesomeness

[link]


2024.05.21 10:16 questionalternateacc Different types of people you see in Indore traffic

Here's an incomplete guide for the different beasts you might encounter when you enter the lawless jungle that is Indore's traffic.
  1. The early 20s adrenaline junkie: Usually on a ktm, with blonde dyed hair and chappals instead of protective gear. Will speed through then cut you off and ignore your angry shouts at him.
  2. Old uncles on TVS/Splendor: Older version of the ktm boy above, he's 40-50 now and uses his old skills to drive on the wrong side and suddenly swerving his bike in a random direction shocking the drivers around him. Only difference is he now has a baldness and can't use sports bikes.
  3. The magic van: It's called magic because no one knows how the driver stuffs 14-15 people like cattle in a vehicle for 6-7 people. Also great for contracting covid.
  4. The scooter girl: Often seen covered in flowery bandit costumes to save themselves from the sun and men's eyes. Might almost cause an accident with you and then either drive away like nothing happened or give you the angry/awkward eye when it's not even your fault, sometimes(rare) might even blame you for it and pronounces bhaiyya like bhaayaa with an english accent.
  5. The auto wala with attitude: Will charge you 80rupees even for a nearby house, no negotiation, chalna ho to chalo. You might get a chance to hear some exquisite gaalis from the him anytime someone drives badly around him even though he himself drives like he owns the road.
  6. The daydreaming pedestrian on foot: Walks in the traffic among vehicles like he's in a garden while crossing the road. Has no situational awareness of his surroundings. Thinks he can magically stop vehicles by raising his hand at them and making the congress symbol.
  7. Bully Car Driver: Dominates the road and overtakes smaller two wheelers like the huge fat bully from your school. Will drive really fast and not let other vehicles cross, kyonki apne 5-10 second bhi to bachane hain, itni der rukne mein jaan nikal jaati hai. And if you confront him, he'll ignore you while keeping a poker face, staring at the front, won't do eye contact. If you confront him more, he will say "chalo chalo, nikalo nikalo" while gesturing his hand telling you to move forward, all without making eye contact. Like all the different creatures mentioned here, he never takes any accountability for his actions.
Hope this helps anyone that's new in Indore 🤗🥳
submitted by questionalternateacc to Indore [link] [comments]


2024.05.21 09:00 Im_Unpopular_AF The rules and etiquettes of using the Indian National Flag, lain by the Ministry of Home Affairs.

The rules and etiquettes of using the Indian National Flag, lain by the Ministry of Home Affairs. submitted by Im_Unpopular_AF to interesting [link] [comments]


2024.05.21 08:52 Dachshundcouture The History of the English Cream Dachshund

The History of the English Cream Dachshund
Among the vibrant variety of Dachshund breeds, the English Cream Dachshund stands out as a relatively recent development. These beautiful dogs sport a golden coat. The inception of this exquisite variant can be attributed to meticulous breeding practices aimed at achieving a soft, cream-colored coat. The origin and history of this breed are as captivating as their appearance, intertwined with noble legends and a rich lineage. Unlike the traditional darker tones seen in Dachshunds, the English Cream showcases a delicate and almost ethereal hue, captivating at first sight
Origins of the Cream Dachshund The roots of the Cream Dachshund can be traced back to England, where precise breeding practices were aimed at cultivating a Dachshund with a soft and delicate cream-colored appearance. The unique color of the English Cream Dachshund is a result of specific genetic factors, including the influence of the chinchilla gene, which prevents the animal from producing dark pigments, thus diluting the base color to a mild cream.
Breed History of the Cream Dachshund Dachshunds have historically been connected with European nobility, initially bred for hunting due to their small stature and keen sense of smell, making them excellent at tracking burrow-dwelling animals. Over time, they transitioned from working dogs to beloved companions of the elite. The Cream variant, in particular, has been highly sought after for its unique coat color, symbolizing status and refinement. Elegance of the Cream Dachshund in Any ColorAt Chang, in the process of designing each piece of Dachshund clothing, we've found that no matter the fabric or color, Cream Dachshunds seem to handle it effortlessly; they are natural fashion icons. We are honored to have Cream Dachshunds as models when we conduct our photo shoots
https://preview.redd.it/fvl5wh7y8q1d1.jpg?width=1000&format=pjpg&auto=webp&s=3c2147753ee7da0fa5c37d9e6b5ba9fe15961236
submitted by Dachshundcouture to DachshundClothes [link] [comments]


2024.05.21 08:36 NoParfait6660 I think Aphrodite tried warning me

Hey guys don’t judge me too much i I’m 17 m has begun to believe in the Greek gods I have no alter. I don’t know how to pray properly but the weirdest thing happened to me we have to dig ind to my personal life to understand, I like this girl welp short story she say no I expected it I moved on then she said I maby like you randomly over text now I’m confused then no then I was at a sleepover and she woke me open with a kiss then she later said because of some trauma she couldn’t fair but anyway, I turned to one of my female friends she gave me some tips And started dating my male friend my male friend got some tips from the girl I liked but yeah my male friend and he’s girl friend broke op we found out that the girl I liked and the girl he used to date started dating here is where the gods come in or a goddess to be exact some days ago, I got a dream. Just like any other dream to start but then the dream shifts and I see a symbol just flying and in the dream I am certain it’s Aphrodite the thing is it’s not actually Aphrodites symbol it was a smooth rock a little from as a heart When I wrote, it felt like it was a warning later that day she wrote to me the girl I liked that she and the other girl have been together for 2 weeks ofc I already knew that it hurt a little but yeah I got over it then some days later I found out the sport I Introduced her to she some time ago I show her airsoft she loved it but then I found out she slept with a guy from there the first time I show it again i couldn’t shake the feeling Aphrodite try wearing me I was really hurt but enough about me do you guys think it was a warning?
submitted by NoParfait6660 to HellenicPagan [link] [comments]


2024.05.21 06:47 No_Marzipan_1230 Industrial Mage: Modernizing A Magical World - Chapter 02 – The Blight

Synopsis:
An engineer in another world—blending science and magic to achieve greatness in a world where skills and levels reign supreme.
—
Ethan was just a plain old engineer, but everything changed when he was reborn into a world of skills, levels, and magic. With his advanced knowledge far ahead of the time period he finds himself in, this new reincarnated life will be much different than his last, especially because he can construct, deconstruct, and reconstruct runes—something no one else can do.
But with royal politics, looming tax collectors, a mountain of debt, dungeon incursions, cults, and hostile fantasy races mixing together into a cocktail of bullshit that threatens to bury his dreams; Ethan must bridge the gap between steel and sorcery to grow stronger.
First < Previous Next >

Chapter 02

-1-
Roland cursed under his breath as he trudged down the muddy path toward Lord Theodore's manor. The late early morning sun cast long shadows, painting the desolate landscape in an even bleaker light.
Why was it only him who had to deal with Lord Theodore's bullshit? Just last night, Roland had to take care of all the complaints from the bar he'd found Lord Theodore at. Not to mention, he had to pay compensation to the wenches from his own personal funds.
And that wasn't even half the things he'd done yesterday alone.
After all, Lord Theodore was either busy abusing his power and bullying the people of the town, gambling, drinking, getting wasted with his face stuck up a prostitute, or doing his fourth favorite activity which, naturally, was a combination of the latter three. The man wasn't the brightest, but he wasn't quite dumb enough to avoid dealing with the problems the town of Holden faced.
Roland shook his head when he made it to the estate gates. As expected, there were guards, servants, and soldiers dashing left and right, but he was ignored. It was time to beg Lord Theodore to attend to his duties. None dared stop him, for he was a [Knight] appointed to Lord Theodore by his father—Lord Alexander Lockheart—and an acting advisor while said lord was being, well, his usual idiotic and selfish self.
So, Roland did what he had to; he moved past them all, and made for Lord Theodore's sleeping quarters where a handful of maids were all fussing about like hens with their heads chopped off.
Lord Theodore's quarters were not large by noble standards, but impressive all the same. Lavish and gaudy, just as he expected. Tapestries and drapes were hung up high all about the walls, and on the ground, there were expensive fur carpets.
After moving past the maids and butlers who were currently shuffling about like a horde of ants whose nest was threatened by a boar, he stopped before a silk drape that barred the way to Lord Theodore's bedchambers.
"Lord Theodore," he called.
Silence.
"Lord Theodore?"
Nothing.
Feeling a little annoyed, Roland frowned. "Lord Theodore," he called again. "With all due respect, are you presently attired?"
Nothing but a muffled sound came from the other side. Roland grimaced, and looked up at the ceiling in exasperation before dropping his hand and tugging the curtain aside. The inside of the bedchamber wasn't much to look at. Just your average nobleman's bedroom with a canopy bed big enough to fit twelve women side-by-side.
Most did, in fact, do just that.
A bookshelf stood on each wall, and at the far end was another drape that led to an enclosed balcony where he had the gall to throw his used clothes through during summer.
"Greetings, my lord," Roland said.
Lord Theodore, however, didn't answer.
He sat in front of a full-length mirror on the dresser. He had this listless sort of look, like he just didn't know how to deal with things. It wasn't an expression he'd ever seen on the man's face.
"Lord Theodore, are you well?" Roland inquired, a sliver of unease creeping into his voice. Though he found the young lord childish—given he was barely eighteen years old—Lord Theodore was his responsibility. He'd been Roland's responsibility when he was a little brat, and even now.
Theodore gave a startled response. "Ah, Roland? Yes, I am quite well."
"My lord, with all due respect, I implore you to be truthful. Has something transpired?"
Roland was anxious now. While he harbored no particular fondness for Lord Theodore, a sworn oath bound him to protect and care for the Baron. Granted, his master, Lord Theodore's own father, had afforded him considerable autonomy within Holden's borders—heck, he could even go as far as beating up Lord Theodore without consequences, if Roland deemed it reasonable and necessary—but his code of honor held oaths sacred. The son of the house Varian would rather lose an arm and his birthright than break a single [Oath] made.
"No, truly, I'm fine."
"If that is the case," Roland acknowledged with a curt nod, "then I bear news."
Lord Theodore furrowed his brow. "Good news, I trust?"
"I'm afraid not," Roland sighed. "Yesterday, our patrol in the Deadwoods encountered a band of brigands...…"
Lord Theodore's frown deepened. "While banditry is a common occurrence, it often heralds further troubles. Elaborate, Roland."
"Indeed, my lord," Roland continued, "these brigands weren't merely causing a ruckus. Apparently, they were engaged in combat with a rather formidable creature, vaguely humanoid in form."
Lord Theodore's posture stiffened. "Vaguely humanoid? Can you provide further details?"
Roland shook his head. "Limited information, I'm afraid. Only reports of unnatural speed reached our ears; it appeared to be engaged with wolves. Both fled upon human-contact, however."
Lord Theodore stroked his chin thoughtfully. "Did our men prevail against the brigands? And this creature—surely Captain..." he paused, searching for the man's name.
"Thomas," Roland supplied.
"Ah, yes, Thomas. Holden is geographically close to the Deadwoods. Sir Thomas wouldn't simply abandon such a threat near the bordertowns, would he? He and I may not see eye to eye on certain matters, but... surely he wouldn't leave such a threat unaddressed." Lord Theodore said.
Roland hesitated. "Captain Thomas chose to bypass us and directly inform the Crown of their discovery. He remained tight-lipped regarding specifics despite repeated inquiries."
Lord Theodore hummed thoughtfully. "If Thomas deems it worthy of the Crown's attention, then it surpasses our jurisdiction. Let's hope for their swift and decisive action. What of the brigands? Eliminated, I presume?"
"So it seems," Roland replied. "All but one met their demise. The sole survivor remains in a cell, though maddened beyond reason."
"I see. Is that for now?" Lord Theodore leaned back in his chair.
"Not quite, my lord. We've had a recent outbreak of the Blight, and we suspect it was an intentional spread. Unfortunately, the culprit remains unidentified."
Theodore's expression morphed into one of genuine shock. "Are these two seemingly unrelated issues connected, perhaps?" He asked.
"It appears to be the case, my lord." A sigh escaped Roland's lips. The Blight—a magical sickness that eats away at your life force, causes lethargy, nausea, and kills you, all while your body radiates a pervasive foul odor. It had recently taken hold on a few people of Holden. Why or how, Roland did not know.
"Those afflicted have been quarantined in a secure location far from Holden to prevent further contagion. Our physicians are doing their utmost to manage them. However, several have died already, and the remaining victims exhibit signs of feral behavior—meaning, they have already entered the late stage, I'm afraid. It's become imperative that they remain under quarantine, lest they either bite other humans—given there's hunger for raw flesh in the late stage—or they could infect the crops, causing them to decay. Consequently, the farmers, understandably anxious, have retreated into their homes."
They were likely waiting for their lord, incompetent as he may be, to deal with the situation. Yet, he had his hand up a wench's skirt more than actually trying to fix the issues... What can I do with him? Roland sighed.
Lord Theodore rubbed the bridge of his nose. "Roland."
"Yes, my lord?"
"Do you think the Merchant Guild would let me have another loan?"
Roland's lips thinned into a line, but he shook his head. "Regrettably, my lord, they would not. The Merchants' Guild has been cautious lately. There was this whole unpleasant affair with a prominent [Merchant Lord] named Bertram, you might know the name. Used to flaunt more gold jewelry than some of the highborn nobles. Turns out, he was embezzling.
"Apparently, he manipulated the Guild's books for months. Inflated trade contracts with nonexistent suppliers from faraway lands, siphoned off the extra profit into his own pockets. Clever, gotta give him that. Even forged shipping manifests to keep it all looking legit.
"Nasty business, that. Apparently, the esteemed Lord Bertram decided a little vacation was in order after everything, and wouldn't you know it, he packed a rather hefty sum from the Guild's coffers along for the ride as well. We're talking a near royal-wedding-sized dowry here, my lord. Vanished, all of it.
"The details are still murky, but rumor has it Bertram might have gotten tangled with pirates operating from the Broken Isles. One of the [Pirate Kings], perhaps—or most likely. So, the Merchants' Guild has been refraining from giving out loans. And, my apologies to say this, my lord, but you're a high-risk individual, and you already have quite the debt with them... They wouldn't want to give more."
Lord Theodore already had a mountain of debt on his name... The interest rate was more than what Lord Theodore could pay off even if the crops did better than planned. Given that the Adventurers' Guild of this sector had been rather short on manpower lately due to a dungeon incursion in the town, Corinth, lying beside theirs and given that Lord Theodore had a tendency for tax evasion and then laundering… Yeah, they were royally fucked. Even if in this situation, Lord Theodore wanted a loan for himself... Roland just gave up. Maybe it was time to return to his master, Lord Theodore's father, and just ask him to appoint him somewhere else—he couldn't deal with this scumbag anymore, not in his current state.
"I see, they wouldn't. Not surprising. It seems I'm going to have to hire a [Necromancer] by my lonesome."
Roland blinked. "That's..." a shock, Roland stopped himself from saying. [Necromancers] cost a hefty sum, and given that Lord Theodore was already under debt and likely the financial situation of Holden was anything but optimal, hiring a [Necromancer] would've put a huge dent in Holden's already meager reserves. However, Roland hadn't imagined, not in his wildest dreams, that Lord Theodore would be employing one by his lonesome.
Throughout his life, Roland had known this man to not even spare a thought to anything that wasn't his immediate self-gratification, or his amusement and satisfaction. How was the wastrel noble suddenly going to change?
"My lord, my apologies for asking, but why do you require a [Necromancer's] assistance?" Roland finally asked, schooling his shocked expression.
"Oh, I have some... theories regarding the Blight." Lord Theodore grinned. "And a [Necromancer] might just be someone who we need in order to solve this problem once and for all."
Roland was shocked to his core, once more. "But, my lord, the treatment for the Blight isn't something common folk can afford? So, how...?"
"Nonsense, Roland. Forget that rudimentary concoction they peddle as a cure. I envision a more... permanent solution. Issue a commission at the Adventurers' Guild—a [Necromancer] or perhaps a [Witch], their talents are equally suited for this task."
"Yes, my lord." Roland bowed, failing to comprehend what Lord Theodore was planning on doing.
-2-
When Roland left, Ethan found it easier to relax. The stiff, aristocratic manners these people employed were rather annoying to bear with. No, they were rather hard to imitate, more accurately. Because despite his efforts, he'd still found it hard to match their ways, but it was doable. Not good enough, yet, but doable.
"How should I, going forward, act, then?" he muttered. "Because if I've understood a single thing, it is this: Theo's character as I know it now will ruin any chance of me, well, earning anything, be that respect, wealth, power, or all three. Should I continue as him, then, or completely overhaul Theodore's character and pretend it's some epiphany? A spiritual enlightenment, perhaps?"
Ethan shook his head. Whatever it may be, he wasn't planning on being like Theo. Let's go with a gradual change in mannerism.
First, however, he needed to deal with the Blight issue. Which would be easily dealt with—all he had to do was pay the [Necromancer], or [Witch], from his own pouch. Then, he needed to figure out this town's financial status and everything else in order to organize a working infrastructure and create new financial opportunities. Afterwards, he could move onto his 'character', if that is indeed what his situation required. There's a lot to do.
Before everything, however, a bath.
After all, he reeked of sweat and alcohol, among other not-so pleasant scents.
...
It took no more than a few minutes for a handful of servants to prepare the bath. Hot water steamed inside the spacious tub as soap bubbles glistened—soap that was far too expensive for the common folk. Despite being a luxury, its quality was arguably trash. Regardless, this was all the people had in this world. A strong scent of lavender permeated the air and tickled his nose as he undressed. A few maids had prepared for his comfort and placed a silken bathrobe alongside a set of towels on a small table near the bathtub before he'd dismissed them, ordering them to inform the kitchen staff that he would like his meal soon.
Ethan relaxed his shoulders, took the robe with one hand, and tossed it carelessly nearby. It was fine silk. Ethan shook his head before proceeding with an easy grace into the water. It was hot. Yet, Ethan felt rather cold, despite the heat. It helped him relax, and with it, the stiff persona that was Lord Theodore faded.
Ethan sank deeper, letting his long blond locks loose. A quick thought made him bring his hand forward. What if... he could make a fire? Just a little one, like a candle flame. How cool would that be? He focused, willing a tiny spark to appear on his fingertip. Nothing. Just a sputter and a fizzle.
"Hmm," he mumbled, undeterred. "Maybe I need to practice."
He doubted it was just understanding. After all, the skill [Elemental Spells] had given him the barest hints of the basics of how to create a basic spark of flame. He lacked control over mana. [Magic Perception] allowed him to view his mana—flowing, fast-moving streams and spiraling, coiling vortexes. It was chaotic; it was a mess! Maybe if he calmed it down, he could actually make something happen?
Easier said than done, he quickly learned. When he moved it, it took no less effort than bending metal with brute force. The feeling was there, and the will, too. Just the act of 'moving' it alone was a herculean effort. It seemed nigh impossible.
Maybe I'm doing it wrong?
Humming, Ethan looked through the snippets of memories he'd gotten from Theodore. The memories, he found, weren't entirely useless; as his mind drifted back and forth from those flashes, he did remember something Theodore had seen last night... There! A memory from last night—a drunk mage at the bar, showing off with a fireball for some girl who didn't seem too impressed.
"Let's see how that trick works," Ethan grinned.
With [Magic Perception], he saw how the spell flowed. The "spell" was, in a way, forced outwards into reality through the use of symbols he quickly recognized as runes—at least that was what he assumed after seeing the fireball.
Ethan could easily recall the shape of the rune that'd appeared before the fire took form on top of the mage's hand.
I'm pretty sure it's not possible to view runes. I assume, at least, from what little fragments of memories I got from Theo. Anyway, let's move my mana in the shape, then.
He imagined the shape on top of his hand and willed the mana to pour into it. Soon, rune motes started forming out of thin air, ripping into reality. Forming into a shape he willed, a rune burned brightly and loudly atop his palm. As he drew his hand forward, flames burst into life, flickering before fizzling out.
[Basic Magic Script] — Lvl 1 -> Lvl 2!
Congratulations! You have gained skill: [Basic Rune Creation]!
"Whoa." Ethan stared at his hand, a wide grin splitting his face. So that's how it works! Runes, huh? That's awesome! Ethan felt like a child again. He couldn't wait to try again, this time with a smaller flame, as it appeared that a fireball was far too much for his lacking skill and control. Magic... it was epic stuff!
Before that, however, he looked at the new skill he'd gained.
~Basic Rune Creation – Level 1~
Type: Active
Effect: You have grasped the fundamental concept of using runes to channel and shape your mana for basic magical effects. The Connection between two of your skill—[Magic Perception] and [Basic Magic Script]—has resulted in the creation of a new skill. You can now create simple runes that allow for the manipulation of elemental energy on a small scale. As your skill level increases, you will be able to create more complex runes, allowing for more powerful and versatile spells. You may also learn to combine runes for even greater magical effects.
Ethan stared. Reading the description was a quick matter of concentration. It took him by surprise, however, when he realized it. Rune creation? Huh. Does that mean I can create anything? The thought alone was exciting. What about rune motes? Rune motes were fragments of runes, combining certain fragments could result in a full rune. I saw them congregating into the shape of a rune, but is it possible to just create rune motes and not a full rune? I should try.
Regardless of his thoughts, it was creation—
—and Ethan loved creation. Even as a child, he had never gotten tired of tinkering with things. He still recalled the time he'd gotten his first Lego set. Just putting random pieces together with no thought for a bigger picture—he'd loved that. He'd loved doing all sorts of stuff with Legos, creating different castles or other complex structures, but it was building something completely random and ridiculous, yet unique nonetheless, which gave him the most sense of satisfaction. It was fun. It was a hobby—a hobby that ignited in him a fire of passion for innovation.
It was then the thought of being a civil engineer had sprung up in his mind. To put it simply, a civil engineer is responsible for planning, designing, and constructing buildings. Though, that was just a general term. Ethan would have been perfectly happy had he chosen that. Unfortunately, his father had wanted him to become a boxer, instead.
The man wanted to become one himself in his prime, but due to health issues, he'd quit right before making it to a big league. He'd hoped his son would achieve what he couldn't and bring victory for the family. Even though Ethan hadn't exactly planned boxing as his future, but who could refuse the pressure his old man put on him? Especially when he'd been just a little boy?
It was another matter entirely that Ethan fell in love with boxing, too, as it made him feel alive. The sensation of a punching bag slamming against his fists? Nothing quite made his blood boil like that.
And oh, fighting in the ring. There was just something about the sport Ethan couldn't resist.
Something about creation, fighting, and experiencing a bit of both, had Ethan wishing he could try the other options that lay in front of him now.
Could he make a real spaceship, in this world?
It sounded silly as fuck and he knew it. Nonetheless, the temptation was still there, hovering and nagging at the edge of his mind, as ridiculous as his previous thoughts might have been.
Spaceships are cool, dammit.
That thought suddenly gave Ethan pause. "Let's just return to practice."
This time, fire flickered atop his fingertips for a second longer.
Another second was added on top of that after his third try.
The light was dim. However, it did mean something: improvement.
[Elemental Spells] — Lvl 1 -> Lvl 2!
Grinning like an idiot, Ethan sank deeper into the hot bath water and brought his other hand up to repeat the exercise for the next half an hour or so, occasionally reading a notification that would come every now and then.
[Elemental Spells] — Lvl 2 -> Lvl 3!
[Elemental Spells] — Lvl 3 -> Lvl 4!
[Elemental Spells] — Lvl 4 -> Lvl 5!
But no matter what, he couldn't get it to level up to level 6, nor could he level up [Basic Magic Script] from level 2 to 3.
Why not, though? I'm doing—
"Don't rush," he chided himself. "Your control is pitiful, shaping is trash, and your spellcasting is akin to tossing stones into the sea without even knowing how to make it bounce—guesswork is all you are, but it's a good start, I suppose."
As he set a handful of candle-like flames afloat on all five of his fingers, his lips quirked into a wide smirk. It was only a party trick. For now, that is. I need to find more about magic and learn. I've been winging it.
That was true; he didn't understand anything about magic. All he'd done so far was try to emulate the rune he'd seen in the memory snippet through the help of [Magic Perception] and cast a few party tricks. Was that impressive? He had literally no comparison to base off of, thus why he knew he needed to learn more.
Theodore's memories proved to be useless in this regard, too. His father hadn't found him worthy enough to be assigned a mage as a tutor. Theodore was a disappointment through and through, and that's why he'd been sent to rule the bordertowns.
He could cast the spell, yes, but he didn't understand the underlying concepts that fueled the magic or what the process was.
-3-
Ethan descended down the stairs that would lead him to the dining room where breakfast had already been laid out for him. Two maids were present as well. It was a feast of the likes he'd only ever read in fairy tales. Fried, scrambled, boiled eggs. Different shapes, sizes, and cuts. Cakes and pies in varying quantities and sizes. Grilled meat, smoked and salted. How could he ever eat everything alone?
Ethan exhaled and then dove in; however, he still maintained decorum as it was imperative to do so given that he was a noble now. Regardless, once done, he made it to the meeting room given that he had some people to meet today.
"Barely breaking even," Ethan muttered, flicking the parchment in his hand. He frowned at the financial situation of Holden, the town he was in charge of. The bordertowns consisted of a series of towns lying on the periphery of the borders. Each town was a barony in name, and nobles—especially troublesome nobles—were often sent here to practice ruling and to make them accustomed to how the common folk lived, so they could empathize with the people they ruled.
With how many bandits the region had had lately, the Blight, debt, tax, and interest that'd ramped up, Ethan's current situation was mind-fucking at best and a keg waiting to explode at worst.
I don't want to deal with Theo's issues.
Not only was this whole situation something Ethan did not want in the slightest, a whole can of worms that were Theo's problems was thrust into his hands. Ethan had held no fantasies of getting isekai'd. That was suicide in his books. He'd have been more than happy to die and meet oblivion. But now that he was here…
Leaning back into his chair, Ethan rubbed his eyes. Yeah, he needed to deal with everything and make the best of his situation to live a comfortable life. When Roland returned with a man in tow, Ethan hummed.
The man was young, younger than Roland, even. Black hair and sharp green eyes. He held himself high with confidence and Ethan recognized him instantly. Isn't he that mage from the bar?
"My lord," Roland bowed. "I have brought a [Necromancer] as per your command."
The [Necromancer] bowed and with a thin smile said, "Pleased to be at your service, my lord. The name's Jack."
Hm. So he wasn't a mage but a [Necromancer].
"Likewise," Ethan replied with a nod, then leaned forward, smiling. "Say, Jack, would you like to be part of a business opportunity?
First < Previous Next >
Patreon Discord
submitted by No_Marzipan_1230 to HFY [link] [comments]


2024.05.21 05:54 skuxcavs THE 47 ENIGMA (INFO IVE GATHERED OVER THE YEARS) tried my best to keep it in good structure to make sense.

The Number 47, Synchronicity & the Law of Time Courtney Jamal Dewar, aka Capital STEEZ, came with perfect timing. Wielding a higher message, he revealed to all those around him through his music and his being the corruption of society and all of its constructs. He was fascinated, some would say, obsessed, with the number 47. For him this number held a higher meaning on many levels. First and foremost, he felt it was about synchronicity. He made all of his homies, including myself, aware of how this is the quintessential random number. We literally began to see it everywhere. You can research the numerological significance of 47. Here are just a few: 47 appears to be the quintessential random number of the universe. When a number appears randomly, more often than not, that number is 47. In other other words, if you asked people to pick a number at random, more often than not, that number would be 47. Of course, if 47 shows up more than any other number then it isn’t truly random, but using the word random makes the whole phenomenon easier to describe. From a spiritual perspective, number 47 is a combination of the energies and attributes of number 4 and number 7. The vibrations of number 4 include those of productivity and application, inner-wisdom and practical-thinking, honesty and integrity, endurance and determination, conscientiousness and discipline. Number 4 also relates to our passion and drive in life. Number 7 brings the qualities of spiritual awakening and enlightenment, intuition and inner-knowing, psychic abilities and mysticism, independence and individualism, persistence of purpose and manifesting good fortune.
There is even a much-viewed YouTube spoof of Jim Carrey’s The Number 23, substituting—you guessed it–the No. 47. Jim Carrey's character named Walter is given a book titled The Number 23. Walter starts reading the book and notices striking similarities between himself and the main character, a detective named "Fingerling". Fingerling is obsessed with the 23 enigma, the idea that all incidents and events are directly connected to the number 23 (Weirdly enough when I was younger I was in cod team called 23Enigma) only noted it as of the coincidence.
Jim Carrey told reporters he was so captivated by the 23 enigma even before reading the script that he renamed his production company from "Pit Bull Productions" to "JC23." (Jesus Christ 23?) Oddly enough the first film Carrey worked on with Joel Schumacher his character The Riddler's real name was 'E. Nigma'. According to Carrey, he was reading a book about Psalm 23 when he was first given a copy of the screenplay to review. He said he asked a friend to read the script and "an hour and a half later he was on page 23, circling every 23rd word. That's the kind of thing I want to do to an audience." When he discovered that the first page of the script involved the lead character trying to capture a pit bull, he was "freaked out," given the change in name of his production company. (Pitbull productions) My Nicknames Pitty, short for pitbul (These are just speculations) Also I've gathered others inputs and went down a deep rabbit hole. Mind you, this is just connections that has been gathered over time, but the consistency of certain "coincidences" are interesting to say the least. Just try to piece together the connections even though it may be out of radar due to us living completely different lives.
James > Cleveland Cavaliers (Cavs) > Number 23 > Nicknames are King James & The Chosen One
Cavs is the nickname of my last name Cavanagh
When you flip the cleveland cavaliers logo upside down it is quite similar
(The hat I've worn since 14, P represents the nickname"Pitty:" short for pitbill a nickname ive had since i was around 10 years old.
Matthew writes that on 23 occasions Jesus blessed 47 people.
The Bible credits Jesus with 47 miracles.
The Declaration of Independence has 47 sentences. Originally published: 4 July 1776 (4/7)
1947 is when the UFO crashed at Roswel
The Tropic of Cancer and the Tropic of Capricorn are 47 degrees of latitude apart.
Capital STEEZ died from allegedly leaping from the Cinematic Music Group’ either gripping a bible or with it strapped on his back There is also the fact that a blood lunar eclipse will occur in New York at 3:47 am on STEEZ’s birthday in 2047, and then the lunar eclipse which will occur after this one is part of the Lunar Saros series 135. He said he named the song 135 for “5th dimensional synchronization”... whatever that means, this would be a massive coincidence.
How Many People Can See This Eclipse? Number of People Seeing... Number of People* Fraction of World Population At least some of the penumbral phase 4,070,000,000 When the Eclipse Happens Worldwide — Timeline Event UTC Time Time in Melbourne* Penumbral Eclipse begins 7 Jul at 07:47:47 Visible in Melbourne 7 Jul at 5:47:47 pm On capital steez birthday.
STEEZs last tweet “the end” Was posted December (23) 2012 The building steez died (The colliers office) is on 666 fifth avenue, 10103 10+10+3=(23), New York. The building was built in 1878 The bohemian grove was established in 1878 The address of the CMG label building is on 40 west (23)rd st, 10010, New York The Freemasonry Grand lodge of New York is on 71 west, (23)rd st 10010 NY. Directly located across the same building STEEZ died. Yeah. West 23rd st, w is the (23)rd letter in the alphabet. In Hebrew the letter W represents the number 6 The fraction 2/3 in decimals=0.666 The freemasonry grand lodge of New York was founded in December 15, 1782 15, 1782 1+5+1+7+8+2 = 24. December 24 the date that's etched on STEEZs tombstone. A police report about his death has never surfaced, information has never been released, but there is pictures of his gravestone (see here: https://www.youtube.com/watch?v=OuFVUJJR4Ug) and on that gravestone it says 24/12/12, which actually adds up to 48, yet he tweets on the 23/12/12 stating 'The End. Steez was ready to open up Pandora’s box and expose the illuminati occult in a way that has never been done before. It gets deep. Just think about it guys. Steez was an intellectual genius. He would obviously know that suicide actually makes u go to hell and not heaven. As a believer in the lord he would never commit suicide.
I'm not sure if you're paying attention to the ryan garcia trying to reveal how something tragic happened to him where he was taken to boheiman grove and forced to watch things i wont mention here People said his crazy and on drugs, sad thing is, I believe he is telling the truth Fast forward he wasn't on drugs and
Peep his song "Free The Robots" https://youtu.be/XcmR8DxuHBA
STEEZ has definitely made a positive impact on this world by introducing a new way of thinking and spirituality, even more of an impact than a lot of artists who are still alive... Capital STEEZ was 19 at the time of his death.
There is also gematria behind his death it has to do with numbers. I’ll explain what it is for those who aren’t aware of it. Gematria is the decoding of letters to numbers, it’s used to translate ancient Hebrew Scriptures. But it’s also the code for the entire world. The most basic way I can put it is that it’s as simple as ABC=123, they use these numbers thru media, and the thing that’s being shown on the media always correlates with Masonic numbers and words that correlate with whatever and whoever is being shown on the news or media and whatever event is taking place always correlates 100% of the time. In news, sports, music industry, Hollywood, politics, everything. In Numerology, which is different from gematria. After calculating his name I came across a lot of similarities when calculating mine in various forms.
While calculating his name i came across things relating to me like Like "Melbourne Victoria Australia, Royal Melbourne Hospital, june twenty fourth. From his name which connected to me personally as i was born in that hospital, thats the city i live and my birthday. The similarities left me wondering if it was actually real or not so I used multiple different calculators and paid for a membership on gematrinator to get maximum results and ended up noticing so much our mine and steezs calculations were similar answers in different form, and answers i got with his name ultimately connected to mine, vice versa. So i was intrigued and these are a list of numbers that matched up with our names. This is all speculation based on connections that seem to be very consistent peep this
Calculating these variations of our names such as Courtney Jamal Dewar / Courtney jamal Dewar Jr / Courtney Everald Jamal Dewar Jr / Capital STEEZ / Nathan Cavanagh / Nathan James Cavanagh / Nathan James Cavanagh Sciarra, calculations all listed together when I noted them all I didn't think to label to each name as I was so captivated by the coincidences I just kept going down the rabbit hole. I came across profound links to both our names that binds us both to the unique synchronicities that were to apparent to all be ruled as pure coincidence, such as his name calculating to my birthday, place of birth and city, and city i live to say the least.
These are calculations through gematria, some are our calculations mixed in this as I was just noting down every connection I noticed
The first and the last Eye Of Horus Total Eclipse the numbers of gods matrix coordinated universal time Capital Steez June Twenty Forth (my birthday) came up from steez name Lunar Eclipse Sacrifice July (2047 lunar eclipse on steezs birthday) The Central Intelligence Agency A WISE TALENTED MUSIC PRODUCER Royal Melbourne Hospital (where I was born) The Holy Bloodline Of Jesus The Return of Christ Exodus Luke synchronisation The Synchronicities Of Jesus The Book Of Revelations Vibrational Frequency Biblical Prophecy Melbourne Victoria Australia (where im from), came up on steezs calculations The Royal Bloodline The Divine Bloodline Of Jesus fourth of jew lie Energy frequency vibration The Holy Lineage Of Christ One Who Understands Mysteries december the twenty fifth. ..... speaks for itself A Door to another dimension New Moons And Solar Eclipse twenty four seven (my birthdays the 24th, his is the 7th) the victory of the lamb multidimensional royal regiment of scotland Golden Gate Sacrifice Gods Gift Clairvoyant The Chosen One The Two Appointed Ones Leaving For Heaven David And Daughter Of The Oath Are One Almighty God Roars Upon His Throne Powerful Great Grandma The Lord On Earth Donald Trump Assassination Lords Alignment The Lord Gods Here God Is Really Here God Birthdate Encoded End Of Times God Code The Code Of The Lord Lord Birthday Code Gods Provable Code Gods Alive Loser Access Into Heaven Twenty Three The Anunnaki Gods Jesus Is Coming A True Prophet The Seventh Seal What is Jesus's number? 888 Apollo Is The Beast Of Revelation See Fulfillment Of The Book Of Isaiah Prophecy The Serpent In Genesis Describes The Mark Of The Beast See The Forced Evil Mark Of The Beast Foiled The Victory Of The Lamb May The Lord Fill Your Heart Two Masters Is Cancer (steez and I are both Cancer) God Of Eternity We Are God Twins Maker Of New Earth A Two Edged Swords Xanax Vicodin Addiction (i struggled with bad) The Bible Is Intentionally Concealing Information The Galactic Jesus the Anointed One Moses Will Come The King Is Coming Miraculously Encoded By God Pyramids On Mars Forests On Mars Holy Spirit Of Zeus We Are Absolute Infinite Sent By The Gods Powerful Great Grandma999 Burning Alive The Gang Stalkers. (long story short I was a victim of whay they call gangstalking when I was reaching my peak or enlightenment and have been trying to get back to that state again, all I can describe it as is demonic torment) Enoch 777 on YouTube speaks on it good.) A Fourty Seven Mandating The Poisonous Jabs Knowledge Of God Brings Eternal Life Death Isnt So Scary Anymore Invictus Sol The Lion And The Lamb https://imgur.com/gallery/ztGPJGS The Lord Is Here Coming To Restore The Eternal Kingdom The Blood Of The Lamb Contact With A God Revival Jesus The Annointed One the key to it all I Am The Holy Grail Sun Moon Earth Revelation Nine Spirit World I Am The One Lord Jesus Christ I Know All Codes And Connections The Wisdom Of God Word Of The Lord Quantum Entanglement Theory The Anunnaki Path Almighty God Roars Upon His Throne 173 Enoch Chapter Ninety Five Pyramids Have Hidden Chambers Music Is My Life Revelation Five Everyone Is God Forever Jesus Walking With God Vision Of Gabriel New Revelation Seven Wonders Symbiotic Craft Thank You James (my middle name is James) Words Of The Bible Isaiah Fourteen Thirteen Trumps Last Son He Is Jesus Crown Chakra God Is You Gods In A Body The Resurrection Of Life The Book Lj Enoch King Jesus Gods Wrath We Are At War Truth Hidden In Plain Sight Double Conciousness The Anointed Lay Dead On The Cross Dragon Of China Is The Anti Christ. A Seed Of Jesse Angelic Guidance Black Pyramid Hidden Truth In Plain Sight King Messiah Heavens Dream Let The Decoding Fun Begin Add Up Letters Notorious Names The Child Of Christ Aliens Exist Spirit Of Moses C E R T I F I C A T E Of Baptism Of The Lord Of Christ Alchemist Fluoride To Heaven God Is Number Codes Numerical Language Learning Decoding Is Fun The Lord Of The Messiah The Book Of Hidden Messages Eight Eight Eight Nine Nine Nine Lost Books Of The Bible Rna Vaccine Maternal Ancestors Are Of Royal Descent You Are Gifted Frequency Turn Off Your Smart Phone I Am Eternal Life David Christ Gods Son The Sound Of Jesus Coming Help Others Realize Full Potential Implants During Surgical Procedures The Solar System And Thoughts The Reincarnation Of King David King David Divine Dna Is Activated Jesus Returns To Earth The Lion Of Judah Is With Us (Steez would speak about Judah)
Jamal Dewar; psalm twenty three Jesus son of God Nathan Day Revelation fourteen one Spiritual warfare Gang Stalker (experienced this myself) Satanic Cults Commit Suicide forty seven problem Bloodline of Jesus Christ The End (when this came up my jaw dropped.) And the God of peace shall bruise Satan under your feet shortly The grace of our Lord Jesus Christ be with you Amen The Holy Mother of Jesus christ Are you ready for whats coming july seventh twenty eighteen
Courtney Jamal Dewar, Jr: The Book Of Revelations Vibrational frequency MELBOURNE VICTORIA AUSTRALIA (where I live) Christ Resurrection Satan Rules The World The Divine Bloodline of Christ synchronization Biblical Prophecy Capital steez Exodus Luke The Divine Bloodline of David Second Christ The Return of Christ Jesus Resurrection Jesus Christ Bloodline
I added stuff from my name as it was so coincidental I didn't think to label them at first I just wrote down anything I thought added up This is just deep research into who reminds me of myself My instagram is mistapitty Listen to The Resurrection by Pitty https://on.soundcloud.com/Xn3nN
Listen to Revelation 22 by Pitty https://on.soundcloud.com/gBAja
Peep his song "Free The Robots" https://youtu.be/XcmR8DxuHBA
STEEZ has definitely made a positive impact on this world by introducing a new way of thinking and spirituality, even more of an impact than a lot of artists who are still alive... Capital STEEZ was 19 at the time of his death.
There are four gospel accounts of Jesus' life and ministry. Each of these emphasizes a unique aspect of his sacrifice and ministry. Matthew's focus is on Christ being the son of David and a King.
Look into the etymology of your name. - What Does Nathan Mean? The name Nathan means “Gift of God” or “God has given.” In the Old Testament, Nathan was a prophet and one of King David's sons; he acted as a messenger to King David and is considered one of Jesus' ancestors. (David name of my biological grandfather) (James is my middle name) - James is a classic, traditional and Biblical name (Saint James, of course, was Jesus's brother and one of the 12 apostles) meaning "supplanter" or "replacer." It's derived from the Latin Jacomus which also means "may God protect.
Every letter to Capital STEEZs full name calculates to 147 when done in reverse on the gematria calculator and mine equals to exactly 470 when done in reverse.
"Nathan James Cavanagh Sciarra" = 470 (Reverse Reduction) N a t h a n 104 13 26 7 19 26 13 J a m e s 87 17 26 14 22 8 C a v a n a g h 159 24 26 5 26 13 26 20 19 S c i a r r a 120 = 470 8 24 18 26 9 9 26 Reverse = 470
"Capital STEEZ" = 47 (Reduction) C a p i t a l 26 3 1 7 9 2 1 3 S T E E Z 21 = 47 1 2 5 5 8 Reduction = 47
"Courtney Everald Jamal Dewar" = 147 (Reverse Reduction) C o u r t n e y 41 6 3 6 9 7 4 4 2 E v e r e s t 41 4 5 4 9 4 8 7 J a m a l 35 8 8 5 8 6 D e w a r 30 = 147 5 4 4 8 9 Reverse = 147
On June 24th 2022: Mercury, Venus, Mars, Jupiter and Saturn are lining up in the pre-dawn sky, a planetary procession that could be seen above the eastern horizon And what’s even more remarkable about this month’s lineup is that the planets are arranged in their natural order from the sun. The best day to see the spectacle will likely be the morning of June 24 of 2022, weather permitting, as the planetary parade will be joined by the waning crescent moon. This is three days after the summer solstice (or winter in australia), which is June 21. What makes this so unique is the last time we had 5 planets aligned in this fashion, was in March of 1874.
All of the "classical" planets will be viewable in the early morning skies of June 24th 2022. Mercury, Venus, Mars, Jupiter, and Saturn will be visible, all apparent to the naked eye even under urban light pollution. On the 24th, our moon will be situated between Venus and Mars, so you could say the Earth-Luna system will complete the "perfect" alignment. Under the darkest skies, one will be able to see seven planets in one sweeping gaze. The same year December 24th (25th in Australian time) the planets will align in their correct order outward from the sun for the second time this year, after a pre-dawn alignment in June was on my birthday. STEEZ is said to have died on the 24th of December 👉 https://imgur.com/gallery/0RVIxxA
In australian time it would've been the 25th as we are a day ahead
Alternatively, 25 December may have been selected owing to its proximity to the winter solstice because of its symbolic theological significance. After the solstice, the days begin to lengthen with longer hours of sunlight, which Christians see as representing the Light of Christ entering the world. This symbolism applies equally to the celebration of the Nativity of Saint John the Baptist on 24 June, near the summer solstice, based on John's remark about Jesus "He must increase; I must decrease." John 3:30 NRSV.[59] Now check out the following texts from the bible, they speak of the solstice here. 👉 https://imgur.com/gallery/0RVIxxA and I thought I should add this as it seemed to be quite a coincidence of the date i posted this somg and the content of the posts she made. It aligned with those geomatria calculations I made and i wish I could document snd explain why certain ones just synchronzie but it'd be to hard to comphrened.
"AFTER THE SOLSTICE, THE DAYS BEGIN TO LENGTHEN WITH LONGER HOURS OF SUNLIGHT, WHICH CHRISTIANS SEE AS REPRESENTING THE LIGHT OF CHRIST ENTERING THE WORLD. THIS SYMBOLISM APPLIES EQUALLY TO THE CELEBRATION OF THE NATIVITY OF SAINT JOHN THE BAPTIST ON 24 JUNE, NEAR THE SUMMER SOLSTICE, BASED ON JOHN'S REMARK ABOUT JESUS "HE MUST INCREASE; I MUST DECREASE." JOHN THE BAPTIST ANNOUNCES THE COMING OF THE LIGHT THROUGHOUT HIS LIFE, JOHN THE BAPTIST, ANNOUNCES THE COMING OF JESUS, THE COMING OF NEW TIMES, JOHN ANNOUNCES THAT GOD IS GRACIOUS TO HIS PEOPLE BY ANNOUNCING THE COMING OF THE SON OF GOD. BEHOLD, HE IS COMING WITH THE CLOUDS, AND EVERY EYE WILL SEE HIM, EVEN THOSE WHO PIERCED HIM; AND ALL THE TRIBES OF THE LAND WILL MOURN OVER HIM.” –ZECHARIAH 12:10-14; DANIEL 7:13-14 SO IT IS TO BE. AMEN (AGREED, YESHUA HIMSELF IS THE AMEN 3:14). “I KEPT LOOKING IN THE NIGHT VISIONS, AND BEHOLD, WITH THE CLOUDS OF HEAVEN ONE LIKE A SON OF MAN WAS COMING."
John the Baptist day is 24th of June.
"The flower of life, represents global consciousness and like there's this thing on the consciousness grid, the last piece, it has to be the flower of life and it has to align with the sun and all that stuff and it will wake up global consciousness & as i further in my ascension I hope to build it one day" "Some people might think this type of thinking, first of all this type of thinking might jump over a lot of people's heads" "I think humans need to lighten up, maybe try lighten up" - STEEZ
Someone regarding STEEZ: "Did he think there were codes in the Bible or something? I’ve heard him say he knows the “code” does anyone know what the code is? He was a truly enlightened person I wish I could understand him better."
STEEZ supposedly said he had to die now in order to save the Earth in 2047, which is when the world is supposed to end. Before he killed himself his friends say he withdrew not only from them, but rap in general, saying he was going to become a superhero.
(My birthday)24th of June 1999 = 2+4+6+1+9+9+9 = 40 STEEZ birthday) 7th of July 1993 = 7+7+1,993 = 2007.) 40 + 2007 = 2047
Now read a conversation he had on Facebook prior to death https://www.kanyetothe.com/threads/rip-capital-steez.354864/page-42?post_id=16781894&nested_view=1&sortby=oldest#post-167818 His song Dead Prez (credit to who found these calculations as this wasn't mine) If you wanna conspire a little, we technically have had 46 different president so far, tho truly only 45 different guys have been in office. This year, if we elect a new president they will be our 47th prezident. You could say that happens when the next president is elected, or when the second new president is elected because then there'd actually be 47 different people. On the contrary, you could predict that once 47 presidents have died, something very significant will happen because the song is about DEAD presidents. It'll happen in most of our lifetimes i wonder what will happen 2047?
https://imgur.com/a/bOpRy
FORTY, THE NUMBER: "Forty days was the period from the resurrection of Jesus to the ascension of Jesus some scholars note that 40 days in the Bible doesn't always mean 40 days literally, but may be a symbolic way of saying "a longer time. A master number and part of the “awakening code”. Also Jose Arguelles’s kin is 11 – he brought forth the Law of Time aka the World Thirteen Moon Cale In the Bible, next to the number seven, the number forty occurs most frequently.
Here's an article on Fader that's kind of aligns some things I've discovered.
https://www.thefader.com/2013/11/26/capital-steez-king-capital
Check out these images, not a lot of people would've seen these: h ttp://i.imgur.com/nPE90.png / http://i.imgur.com/sHtdM.png / http://i.imgur.com/ZcNu2.png - he thought he was the alchemist that had the key for world peahttp://i.imgur.com/ZcNu2.png Deshay posted this on Facebook after his immediate death: "Fxck.... This shxt jus rly fxcked me up. Me and Steezus JUST made plans to record on Saturday now hes gone. RIP Capital STEEZ" Joey said he believed he sacrificed himself for spiritual rebirth.
The End THE WIDELY ACCEPTED STORY is that Courtney ‘Jamal’ Dewar committed suicide by jumping off the Cinematic Music Building in Manhattan on 23.12.12 – which equals 47, the rapper’s favourite number. None of the city’s newspapers reported his death. As a result of inconsistent stories and a lack of police intelligence, confusion surrounds the heart-breaking event for the Dewar family. In a 2013 interview with Fader, an anonymous member of Pro Era said, “STEEZ told some of the Pros that he was thinking of killing himself by jumping off the building where Cinematic had its offices.” Dirty Sanchez a close friend of the late rapper recalled, “Nothing was working. Nothing. It was like too late. He made up his mind already.”
Today I will be briefly explaining the practice of Gematria. Gematria comes from ancient Jewish mysticism. It is the practice of combining the letter with the number, with the word. It is said this is how God created the world.
How does it work? Gematria has 4 major ciphers. The first two are easy as ABC, literally. For example A=1 B=2 C=3. And so on. The code can also be read backward from Z to A. This is called reverse ordinal. There are two more ciphers that are equally important but a bit more nuanced so for the sake of clarity I’ll leave those explanations to the work of Zachary K Hubbard. But to put Gematria into usable terms I’m gonna explain a decode I did recently. If you want to decode a word or phrase without doing the math yourself, there is an extremely helpful calculator at gematrinator.com it will give you all four cipher values for your word or phrase in an instant, as well as compare it with corresponding ciphers. Without further ado let’s look at this example:
Here I will outline some interesting numbers that coincide with the rapper Capital STEEZ and the numbers surrounding the music industry as well as numbers that come up with race, and other things I found eye grabbing.
(Credit to another user on here) First off I’ll start with Capital STEEZ, The interesting number here is the full reduction number, 47. It’s eye grabbing for many reasons, but we’ll start with a little back ground. Before Capital STEEZ’s (aka Jamal Dewar) death (suicide) in 2012, STEEZ was apart of an up and coming rap group known as Progressive Era, or ProEra for short. A known staple among these young men were the belief in “47 chakras” and “indigo children”. The two are a topic on their own, but the interesting part is that such a powerful number in Jamal Dewar’s life also coincides with the Gematria of his rap name. But that’s not it! Let’s continue
Capital STEEZ English ordinal: 137
Full reduction: 47
Reverse ordinal: 187 ( see pushed off a roof)
Reverse full reduction :70
Now keep an eye on 70, as we shall see him more as well.
Next we will decode the gematria of the reported means of STEEZ’s death, suicide. This is where I admittedly started getting intrigued.
Gematria of Suicide:
English Ordinal: 70
Full reduction: 34
Reverse ordinal:119
Reverse full reduction: 47
Wow. The exact same values but flipped.
Just a mere coincidence I’m sure But let’s continue .
With these next two we will see two repeats of values, one new value, 88 and a previously used value, 34. As well as 65
Jamal Dewar
English ordinal: 88
Full reduction: 34
Reverse ordinal: 182
Reverse full reduction: 65 ————————— Phrase: pushed off the roof
English Ordinal: 187
Full reduction: 88
Reverse ordinal: 245
Reverse full reduction: 65
And the next term we will decode will be Jamal’s occupation of rapper. Here we will see a reverse of our main number in question, 47, which I’ve found to be reoccurring as well.
Rapper
English ordinal: 74
Full reduction: 38
Reverse ordinal: 88
Reverse full reduction: 34
I’m beginning to sense a bit of a pattern here... But let me move on Now it’s time to get a little spicy
Jamal Dewar commited suicide on the night of December 23, 2012, though his wiki has his death on the 24 I believe as it was around midnight. Many articles coming out about his death including one I read from thefader.com reported his death on the 23rd. I specifically remember this detail because I was a huge fan of his and Pro Era at the time and it was a huge loss to the community.
December is the 12th month
12
23
12
Care to guess what that equals?
Yep. 47
Here are some other related phrases put into the gematrinator calculator:
Brooklyn New York (where proera is from)
223 79 182 74
Suicide by fall 128 56 223 79
Are you seeing the synchronization of these seemingly unrelated words and phrases?.
The word murder and murdered both have synchronized gematria with Jamal. We also see another repeat with 38, also found in the full reduction of the word rapper.
Murder
English ordinal: 79
Full reduction: 34
Reverse ordinal: 83 (38 reverse)
Reverse full reduction: 38
Murdered ,interestingly enough, though only being two letters away from murder, is actually more closely related numerically to jamals name and the word rapper, But there are similarities abound. Murdered.
English ordinal: 88
Full reduction: 43 (34 reverse)
Reverse ordinal: 128
Reverse full reduction: 47
Wow. This one really stands out to me. Every single number code number is used in the over all code of Capital steez just in this one word.
We see the repeats of 88 and 47 as well as the reverse of 34 for the first time and a repeat in the numbers of 128, which we saw as 182 above.
This one is slightly unrelated so I left it sort of by itself but I still maintain it’s validity as it’s use in the music industry is still relevant. That is the word racist. Race is huge in the overall narrative that msm tries to portray.
Racist
English ordinal: 70
Full reduction:25
Reverse ordinal: 92
Reverse full reduction: 47
racist and suicide are perfect matches on the front end and back end. 70 and 47.
Here’s another nugget.
The phrase : jumped to his death
English ordinal: 178 (pushed off the roof 187)
Full reduction: 70 (pushed off the roof 88)
Reverse ordinal:254 (pushed off the roof 245)
Reverse full reduction :83 (pushed off the roof 65)
Leap also shares 34 and 84.
Suicided 74 38 142 52
Occult
English ordinal: 74
Full reduction: 20
Reverse ordinal:88
Reverse full reduction:34
3 more repeats
The year of his suicide was a leap year
Leap year
English ordinal:83 Full reduction: 38 Reverse ordinal:133 Full res verse reduction: 43
Target audience: 133 61 245 83 Suicidal: 78 33 138 57 Hidden mission: 142 70 209 74 Some of these numbers are conjecture but there’s a lot of links between the numbers. 47/74 being the one of the more prominent, as well as 83/38, 34/43, 70, 245/254, 88, 33, 29/92/209, 182/128 all of these numbers connect in one way or another. Now it wouldn’t mean much if we didn’t know more about the nature of these numbers and how and where they appear. But since these number keep popping up in accordance to things like CONTROL GRID or MYSTERY RELIGION or SUPREME MATHEMATICS it seems almost impossible for it to be mere coincidence. Anyways I urge you guys to think for yourself and put in some work and see if you can find any use of this practice. God bless
Ps:
STEEZ’s debut album ”amerikkkan korruption” Came out on 4-7-2012 another 47. Vibration equals 47
A theory out there is that the cabal needed him to die because STEEZ was really bringing influence to more and more young minds with knowledge and the way STEEZ attacked and exposed certain things is not a good thing for those in power, the label that Joey wanted to sign when they were pro era, was a Jewish man named Jonny Shipes. if you’ve extensively went down the “rabbit hole”, like extensively, and you’d say you’re pretty “woke” (I hate that word), then you may know that most labels especially Jewish owned labels are basically the portals into The Illuminati cult, the Jesuit organization that controls the entire world. Oh and remember the news outrage, and investigation because of the 47 “swa stikkas” all over NY, yea you think these Jonny Shipes fucked with that? Nah. But this is all speculation.
It wasn’t long after Capital STEEZ's unfathomable passing on 12/23/12 – 12+23+12 = 47), which was only days after December 21, 2012, the precise date calculated by the great Mayans to be the end of a Great Cycle, that I received knowledge & became aware of the Law of Time. This seemingly new cosmology felt ancient and I quickly realized it had EVERYTHING to do with Synchronicity! I even found the number 47 to be ever ubiquitous throughout this 13 Moon calendar system.
"The next chapter is unstoppable. And yet, the greatest revolutions sometimes originate from the confines of impossibility, do they not? Break the code. It could make a leap and make possible a decision that defines the order of things that are." " Reality is a mathematical model which gets solved over and over again by the observer your thoughts are computations. And they render this world for you to call your own. Not all processors are alike. Different brains produce different realities. The variations go from the subtle to the drastic. Your mind defines how much you can taste. How much you can feel. How much you can understand. Perception defines perspective. We designed you and made sure to engineer your senses so you could perceive just what we needed you to. Neither more nor less. There are parts of time we preferred you remained blind to. It was a necessity."
The Law of Time, I found to hold the most profound yet simple teaching; our Time is not Money, Time is Art. I was able to grasp a greater vision of how we as humans have created an artificial timing system where our time here equates to how much money we can accumulate, where we are constantly stressed by this false belief of our making, and where there is never enough time… This system of our making and continuous propagation has only served to separate us from our Selves, from each other, and ultimately, from nature. Hence, resulting in the chaos and disharmony prevalent in the world today.
What is the greatest common factor of 23 & 47? 1 is the greatest number that 23 & 47 is divided to. The Chosen One @mistapitty ㄣ
submitted by skuxcavs to CapitalSTEEZ [link] [comments]


2024.05.21 05:11 rhgmsajfn bracelet patterns

since there was interest in the bracelet patterns i made in this post here they are !
https://docs.google.com/spreadsheets/d/1vvyfZ38FIR8EH-_x-2rCqoDaxYCZrhaVfJxbLBoGwGo/edit
these are all of the complete patterns i’ve made so far (i do have ideas for more i just need time to get them right). i made almost all the patterns i created (the outlier being the 3rd blood sport design bc i wasn’t sure i liked it enough, i may try to rework it in the future). and there’s the bonus of the first pattern i made of the symbol, which i have made it just isn’t the ~best~ haha !
but yeah i would love to see anyone make bracelets with any of these patterns all i ask is to be credited for the designs !!!
submitted by rhgmsajfn to SleepToken [link] [comments]


2024.05.20 23:48 No_Math4624 How do I beat Travis ?

Hi. Okay maybe this will be a weird and maybe cringeworthy thread but hear me out I am in need of help I recently discovered Suda51's games (well not really, knew about them for a few years, even tried out Killer7, Silver Case, NMH on Steam , realized "man these games are cool" and left them to play for "some other time"; I spend majority of my time playing video games and I genuinely got a shit ton of them on Steam. Anyway fast forward two or three years and I decided to give Silver Case a try. I was so heavily impressed by it that I immediately tried Killer7 and then NMH. NMH was it man. Beat it in two sittings with sleep in between. I realized something... Travis is literally me... I have many similarities with him, the biggest one is that we are both losers. But seeing him succeed so well made me feel a great deal of inspiration. Ive had weights in my room that I barely touched in the last two years and seeing Travis exercising in the gym made me wonder "What the hell ? If a loser like him can do it , then I must too" so with little steps I began my journey into "strength training". So now every day I just lift weights until failure several times per day. It is quite enjoyable actually, especially when feeling angry. Im not a fat guy or anything and a bit stronger than the average untrained person , because i work a dumb manual labor job, but when i become too comfortable with the weights at home I will switch to more serious ones. I know Travis lifts around 50kg on bench press, I already counted that, because you can see the numbers on the weights in game. I will definitely match him there in a few months. Im really glad i started doing this because i always envied people who are very physically active and able to move freely like climb trees, fences, do parkour etc which I could only do as a kid - Ive grown into a very clumsy guy, bump into things constantly, sometimes even lose balance when walking. Travis reminded me of that when he stepped on the mines multiple times before fighting with Holly Summers. Secondly, Travis' clothes look awesome on him and it made me realize that I could wear something cool too - I am not his lookalike , but he is the closest looking video game character to me that I've seen and played as(that is until one day I go bald and start looking like Lynch from Kane & Lynch.....) , I do feel the need to do this because i literally wear plain black t shirts and black sweatpants all year round. I really like Travis' jeans , belt, red jacket & variety of shirts (my fav in the game is I Love Chainsaw and the one yellow one with Chinese symbols)...... Im a socially inept guy and maybe even infantile and immature, but i dont really care about those social / psychological things. My concern now is to beat Travis Touchdown. Im turning 26 years old in less than 3 weeks and that gives me 1 year until age 27 - the age of Travis at the start of his journey in No More Heroes. I think i will match him soon in style & definitely beat him at sports. However, the biggest and idk how to beat him at the next obstacle is money ... the bastard does have a lot of it at the end of the game. And probably at the start too, considering just how much stuff he has in his room and idk about the prices of living in a motel in the USA, because im just a Russian guy currently living in UK, but im pretty sure its cheaper to rent an apartment than to live in a motel, no? Oh and hes got a sickass vehicle.. So yeah , that part, i dont know how to even begin beating him at this. And here is a bit more cringe, I suppose, but recently i've seen the anime Jujutsu Kaisen, and there is another 27 year old guy there named Nanami, that guy is unlike me and Travis, he is a professional white collar worker who is only concerned with making money so that he can retire in a tropical country as soon as he can, so i was thinking about that stuff too i mean im gonna be same age as these guys in a year and they are way ahead of me, how do i beat them.. so a little bit I personally declared this year for myself to be more focused on getting out of this environment that I loathe to be in, so that means cutting out on a lot of crap and getting things in order . Okay thx for reading Have a nice time of day and maybe enjoy this nice song as a bonus https://www.youtube.com/watch?v=OChjVLHlkVE
submitted by No_Math4624 to nomoreheroes [link] [comments]


2024.05.20 18:27 Ubud_bamboo_ninja Time Crystal Methapor for Dream Loop Experience

Time Crystal Methapor for Dream Loop Experience
Remember this exact effect that can be experienced in a dream? A certain idea or action is repeated over and over again, or cannot be repeated in a dream by a person dreaming. Throughout all the dream, you try to accomplish something, like walking up stairs forever or needing to get to school or a job. However, throughout the dream, obstacles happen to rise on the way, so you never get to the needed place. And you have a feeling of "working all night" when you wake up. You feel exhausted. This is a common experience in dreams and is often referred to as a "recurring dream" or "chase dream."
https://preview.redd.it/ha49pygayl1d1.jpg?width=733&format=pjpg&auto=webp&s=619143d60778a96e6a271cb4d29dac97e35e0f08
So it's clearly some kind of process getting your mind in a repeating loop cycle of decisions that don't bring you to an answer. An answer that brings you to a new step, to the fulfillment of some goals on a certain level from 0 to 100, where 0 is “Not getting to the goal” and 100 is “Getting to the goal.” Numbers 2-99 represent all possible compromises in between.
This repeating dream is none of those 100 symbols. It only becomes, collaplas as a wave function between that 1 and 100 at the moment the observer (one who is dreaming) will decide to confirm a certain plan to get to the goal or decide to dismiss the goal. Or decide the goal is fulfilled.
Poetically, it looks much like the behavior of a single electron that was shot through a slit and acts as a particle (exact thing or result) only when we are looking at it. Dreams with loops don’t have to bring to any conclusion or solution. They can be a “wave.” They can just run that hypothetical info inside themselves as quantum information does in a Time Crystal and never become exact if not asked directly to do it.
These broken dreams bring an uncommon state of our mind, a Superposition to your subconsciousness. Usually, all dramaturgical processes in the world follow an exact scheme: There is a hero of the story that sets a goal and moves toward it, and it is all observed and detected by someone like them or some other observer. Only after completing some of the goals can we move to another. If you don’t eat when you are hungry, you can delay that goal “get food” but not for too long. At some point, you will have to reach it not to die.
So all your life, you sort of “jump” from one bunch of goals to another new bunch of goals not to die in the first place and not to die because of the mental state in the second.
Goals like “brush teeth, meet up with friends” are fulfilled; goals like “get a great rich girlfriend or at least buy a LEGO Chewbacca human-size set” might not be fulfilled. But if they are not life-critical, they can be decided as “not achieved goals” and forgotten and buried in the alley of inner personal losses graveyard. Right between graves of getting a convertible sports car and a 6-pack of abs.
And what about the goals of this crazy repetitive dream and its superposition? This state when you clearly don’t find an answer is considered by psychologists to mean that at this stage of your mind, in this moment of time, your consciousness didn’t solve some task to understand and create a plan on how to get to a certain goal. Like you don’t know how to get rich, so you can get constant dreams of trying to catch the golden piggy, but it always runs away.
You sort of don’t give an answer to this world. You don’t say “yes” 1. Or “No” 0. You are not asked so you don’t answer right now.
Your mind is involved in some problem-solving this way. Let’s suggest a dream where a lady is trying to get to a shopping mall to run away from her hard daily life, but whatever she does in a dream, she can’t get to it. Usually, such a dream will consist of some attempts of that lady to get to the shopping mall. It might be a dream when she waits for the bus to the mall but can never find the correct one, and when she asks people around, no one could tell her exactly what her bus is. Or if she finally gets on the bus, she realizes it is going the wrong way. Sometimes it’s even physically hard to run or fight in a dream of such kind. That lady doesn’t know who to get out of daily routine and improve her life so she doesn’t know how to get to the mall in a dream. While it looks easy: take a bus or walk there.
Loop dreams are exhausting. Having one gives you a hint to look into some real-life problems.
Before, I dreamed of not being able to hit someone in the dream strong enough to make them feel pain or looking for a сукефшт café in a city but never finding it. I think it was because of my general insecurity. Later, when I managed my life and started to make real decisions like creating a family or getting well at business, all “trouble dreams” are gone. The same stories don’t scare me anymore. I can suggest not running from your real life, real self, and real goals is the only way to gain happiness and peace.
Ps: you are welcome to post in comments your latest dream stories experience here, and I will give you some quantum dramaturgical logical analysis of dreams and comparing it to various patterns of stories usually run by different combination of stereotypes of different people.
Also you can read more of QD thought experiments, just google “quantum dramaturgy” or download the book.
submitted by Ubud_bamboo_ninja to SimulationTheory [link] [comments]


2024.05.20 17:20 theshoulderschip Cultural Differences, Or Something Else? (Chinese-American)

My husband (42, M, Chinese heritage) lived in (UK ruled) Hong Kong as a child, and in a large city suburb in the USA until adulthood. I (40, F, unknown heritage) lived in a small USA town from childhood until adulthood. We have attributed many of our contradicting opinions to cultural differences. But, lately, we've been wondering if some opposing viewpoints in our lifestyles/philosophies are actually something else. Maybe they are actually economical viewpoint differences, or simply from being different people from different families.
Although the origin of the differences doesn't really matter, we are wondering what the rest of the worlds thinks!
(We have made compromises and I don't think either of us believes these things staunchly anymore, but I've tried to write our "original" viewpoints. I've also tried to minimize my opinions/bias, but I'm sure some still shows.)
Here are nine examples:
Wind chimes:
White paper lanterns:
Kids' Sports:
Holidays:
Gift giving:
Gift getting:
Shopping: (Food, decorations, clothing, toys, etc.)
Food:
Beverages:
So, are these habits/viewpoints due to culture, or something else?
submitted by theshoulderschip to culture [link] [comments]


2024.05.20 17:10 icallshogun Bridgebuilder - Chapter 89

Disruption
First Prev
There was a moment where Alex thought it might be prudent to reach over and grab Carbon’s jacket, just kinda ground her a little bit given what she’d done to the Royal Guard the other day. But the soldier had specifically told them to move away from him, so that might look like trying to take a hostage and he knew fuck all about this guy’s intentions.
He could say for certain he didn’t particularly enjoy looking down the barrel of a gun, though.
The only upshot so far? This guy, and the whole crew behind him, were composed. The translator was good at managing the nuance of voices and while he was loud, he wasn’t angry. He wasn’t nervous. He was doing his job. Presumably that job was protecting the ship.
From Alex. For reasons that were not obvious to anyone else in the room.
“Sergeant. I assume you believe you have reason to point that rifle at the Prince, but I would like it if you did not.” Carbon switched to Tsla, and she dropped right out of that friendly tone she’d just had, the pleasant demeanor she had carried discarded in favor of an unspoken preparation for violence. Her voice carried that as a promise, hard and low.
To his credit as a professional, the Sergeant didn’t react. He stood his ground, one eye hidden behind the sensor cluster of his rifle’s scope, the other still trained on Alex. “Princess, step away from him. He has attempted to compromise this ship.”
“Fu-” While Alex was emboldened to speak his mind by Carbon’s reaction, cussing the guy out first thing was probably not the best idea. He still refrained from making any sort of movement, as well. He had no idea how he could have compromised the ship sitting around talking about heraldry. “I haven’t done that.”
“He would not.” Carbon swiveled her chair to fully face the Sergeant, the systems on her clothing coming back online with a soft hum before racks of shield emitters that dotted her protective gear popped back to life. “Stand down now or I will make you.”
That got his attention, eyes darting to Carbon and back to Alex even though his firearm never wavered. He seemed to be taking Carbon’s words into consideration, at least, even if he did look unsure of himself now. He swallowed, ears flattening as he gripped the rifle tighter.
“I’d do what she says, just as some friendly advice.” He tried to act nonchalant despite his voice rising as fear crept up his spine. He didn’t enjoy the idea of getting shot, even if he was sure that he could get it fixed up if it was just a round or two in the chest. More time in the mediboard was not on his list of stuff to do. Alex cleared his throat gently, placing his hands on the table before he continued, hoping to set the Sergeant at ease. “Not big a deal anyway, I’m staying in this chair until I find out what’s going on.”
It didn’t seem to help, at first. He was clearly conflicted but his body stayed tense, gray eyes intent on Alex. He lowered the barrel slowly, the weapon still pointed in Alex’s direction but no longer covering him. The rest of his team followed suit.
“Thank you, Sergeant. Explain why you are here.” Carbon had dialed the venom back but her words were still sharp, commanding.
“Lady Sorenson, Communications alerted us to an unexpected transmission from this compartment’s intranet link.” He continued to eye Alex, still ready for action even if he wasn’t set to gun him down immediately.
Alex kept his hands on the table, turning just his head to look at the Sergeant. “And how does that implicate me?”
“Approximately fifteen minutes ago, an unregistered computer accessed the Human Solanet connection and began transmitting an encrypted datastream. All secured non-Tslao equipment has been checked to prevent espionage. You are in possession of the only unsecured Human electronics on the ship.”
“Okay, you know what. That is pretty good.” Alex nodded in agreement. Fifteen minutes ago was about when they arrived in the area, so potentially anything he had on him could have accessed the network. There was one little issue, though. “But. I can’t send any information. The only Human technology I have with me is my translator and implants, and neither of those have the modems to connect to networks like the Solanet. What’s more, no one in their right mind is going to let their brain implants touch the internet.”
Carbon gave a little nod in agreement.
The Sergeant was not so easily swayed. “There is no other place for it to have originated from.”
“I’m just saying, if I wanted to send data, I’d just send it via the milnet. I wouldn’t even have to roll out of bed.” He was getting a little more animated as he worked up his defense. “I had no hand in making this appointment, and I’m supposed to be the one using it as an excuse to ‘compromise’ the ship? Besides, if I had known there was a live Solanet connection, I would be up here daily.”
“The prince speaks the truth. I have seen him and he has no interest in deceit.”
The Sergeant shook his head, obstinate, which was probably a good trait in his line of work. “This is the only compartment with an open link to the Human public Solanet right now. All others are limited to their milnet. Communications stated that the stream originated from an unnamed device, not the workstation that had been issued here.”
That gave Alex something to chew over. Admittedly, it sounded like it locked him in pretty tight, even if he didn’t have the equipment, or inclination to do anything like that. He did have some lived experience that would prove his intentions out, though. “We can settle this right now. I’ll show you what I’ve been doing for the last fifteen minutes. The whole damn morning, if it makes you feel better. Come on, get those things out.” He gestured at the Sergeant’s antenna, currently resting in an interface on the back of his combat shirt.
He looked from Alex to Carbon, even glanced over at Lyshen for half a second. “You can do that?”
“Yeah.” Alex closed his eyes and exhaled a very annoyed sigh. “Yeah I can. I don’t have the antenna, but it still works. It’s a brain layout thing. You know how it works for babies or people who are unconscious?”
“I do.” He contemplated what Alex was saying before shaking his head. “It does not matter. I am not here to determine your innocence. I am here to take you into custody and move into an area where you cannot continue to transmit data.”
“Really. I’m telling you, I’m not transmitting any data. I have no way to do that.” So just fuck off. He didn’t say that part, but it was there. He wasn’t here to compromise the ship, whatever that meant exactly. He wouldn’t spy on anyone! Not on purpose, anyway. He didn’t even like the way just thinking about it made him feel...
But he worked for people who would gladly do so without issue. That was their entire reason for existing! It wasn’t the Civilian Pilot Program on the paperwork to get his Amp replaced, it was the Office of Naval Intelligence. It was the ONI that provided the Internal Translator with a custom language package. Who likely had fingerprints all over every part of his substantial list of wetware, which had been exhibiting unexpected behaviors since he got them. “Oh, fuck!”
“What? What is wrong?” Carbon jerked back around towards him, startled by his sudden burst of profanity.
“I'm fine, I just think he’s right.” Alex looked up at the Sergeant, the easy tone he’d been affecting so far gone, replaced by sudden intensity. “They cut the transmission?”
His eyes had widened slightly, the rifle back up at Alex’s chest. “Yes, it was stopped automatically.”
Lyshen’s Solanet link hadn’t gone down, it had been shut off by Communications.
“Good. Could you put that fucking thing down? You’re about to get what you came here for, so chill.” He slipped his external translator off his shoulder and started picking at the latch on the back with his fingernails as he turned to Carbon. “Could you call Eleya? I don’t have her number.”
Carbon had Eleya dialed in less than a minute.
Alex plucked the battery out of the back of the translator and dumped all the parts onto Lyshen’s desk. The lights on the device going dark after a few seconds, his Amp complaining as it lost the connection. He took the phone from Carbon. Remarkably, it worked just like a Human phone did. You just press it to your head and talk.
When the Empress picked up she sounded pleasant again, familial warmth cranked all the way to eleven. “Hello, my dearest niece. I am-”
“Hey, it’s me.” Even with the soldier’s rifles lowered again, each second waiting for Eleya had been an eternity. His suspicion about the transmission was making every moment stretch out, even though it would likely take some time to find out one way or another. “You remember that time I almost got killed?”
“Yes.” The charm had gone away, though she remained civil.
“I know you had some research done while I was out.” He assumed as much. They had the opportunity, it stood to reason they would take it particularly after what they had found out yesterday. Was that bad? Maybe. Did he care? Not right now. ”Did you do anything with my Amp?”
There were a few heartbeats of silence on the call. “Are you in a secure location?”
“Yeah.” Alex looked from Carbon to the Sergeant and over to Lyshen. “Of course.”
“All of your on-board technology was studied.” Eleya was clearly reluctant to say even that.
“Super. I need someone who’s gotten familiar with it to take a look at mine. There may be something wrong with it. Security and privacy problems, for you and me respectively. Big ones.”
Another hesitation. “Come to aft research lab six. I will meet you there and we will discuss these problems further.”
“Aft research lab six. See you there.” Alex tapped the button to end the call, which he seemed to have gotten correct. He handed the communicator back to Carbon. “I’m going to need you to translate for a bit.”
“Of course.” It sounded more like a question, but she nodded in agreement as the black rectangle disappeared back into her jacket. “What is in the research lab?”
“Something related to my Amp.” He assumed, anyway.
“Ah. I see.” Carbon seemed to be putting things together with him.
“Alright, this is going to look weird so everybody just chill. Don’t. Fucking. Shoot. Me.” That last bit was aimed squarely at the Sergeant. Alex reached up and began tapping his face in a particular series of locations. Left temple, right temple, nose, left temple again, left cheek... He ran down this physical cheat code and ended it by tapping his chin three times. All his machine interfaces shut off. “Okay. Somebody say something.”
Carbon was first to react. “What was that?”
She said it in English.
“I meant in Tsla.” He paused, a stressed laugh escaping him. That had been a little funny. “Deep brain interfaces have hardcoded shutdown sequences that sit in the body interface layer - also hardcoded - so it can’t be intercepted, or otherwise bypassed. Y’know, in case of runaway processes, lock-in, spyware your government installed. That sorta stuff.”
She rattled off something in Tsla that sounded a wee bit accusatory. He caught a ‘you’ in there, but that was it.
“Ok, it appears to be off. All the electronics I received from the ONI are currently off.” Alex stated that loudly, this whole endeavor suddenly feeling much more martial. He shrugged off his jacket, piling the translator and its battery into it and then wrapping it up into a tight bundle, which he stuck under his arm. Good thing he opted for the plain t-shirt today. “Sergeant, per the instructions of the Empress, please escort me to aft research lab six.”
It was weird to walk in such a large group and not have anyone talking. Seven people there, following Carbon as she actually knew where the lab was without having to consult a map. Everyone just walking. The single-note step of a Tsla’o footfalls was even more noticeable when that was the only sound, Alex’s heel-toe stride an outlier.
Ship security had their own maglev lines, running above the main line. There were multiple tracks, with smaller, windowless, cars. Everyone filed in, and they departed for the other end of the Sword of the Morning Light.
For the first time in quite a long while, he didn’t feel like chatting with Carbon about whatever was on his mind as soon as his butt was in a seat. Alex did reach over to her and pat her knee, smiling when she turned to look. She returned it, faintly, though the thin smile disappeared when the Sergeant looked over at them.
Since they were going to be looking at them, Alex turned his attention to their escort. Two gray, two red, one blue. Wearing the gray camo uniform that Amalu had worn, but none of them were wearing body armor, or even carrying much extra equipment aside from what fit on a belt.
The Sergeant had the most detailed rank marker, despite being ‘just’ a Sergeant, and was the only one carrying a rifle. The next down was a red-furred female that reminded him of Zenshen, but clearly wasn’t. Older, more muscular. About half as much detail on her rank, and sporting what looked like a snub-nosed SMG.
The remaining three were probably the Tsla’o equivalent of Privates. One of them had a single line carved in his plate, and looked almost as young as Haraya. All of them were packing some sort of sidearm, all stowed in holsters now. Alex did recognize the Tsla’o symbol for ‘electricty’ on the neon pink magazines on the belt of the closest soldier, clearly different from the plain black mags the two real guns had. Obvious visible differences for nonlethal weapons, if that convention held between their races. It was nice to see they hadn’t all come ready to kill. If the stun baton was anything to go by, those pistols would still hurt like hell.
The car dinged its arrival, the sound more business than the friendly notes that the regular maglev played, and they exited. Two stops from the furthest aft, and Carbon gestured for them to follow to the nearby lifts.
The ride had not done anything to ease the obvious anger that was simmering just below the surface. Alex assumed he was the only one picking that up because he’d come to know her well - her face was placid as they piled into the elevator, with the exception of a brow crease that he hadn’t seen since the early months of the Kshlav’o expedition.
They went all the way up to deck twenty.
While Alex was fully comfortable with Carbon’s navigation of the ship, the Sergeant and Not-Zenshen were discussing something quietly behind him, both of them looking at a map on his communicators when he stole a glance back. Neither of them sounded worried, but the Sergeant’s tones were much more relaxed as he traced a finger along the screen. Trust but verify, apparently.
There was a particular scent in the air as they approached a massive white blast door. Ozone, and a hint of something else hidden under it. Something bitter. Large block letters in Tsla marking the door as leading to... whatever was in there. Alex still couldn’t read enough of their language to decipher it, but he did recognize the symbol for ‘6’ at the end of one line.
Carbon leaned into the access panel and it scanned her - not the usual blip of a retinal scan, either. This took seconds, lasers sweeping across her face. Down and then back up, left to right, right to left. It beeped an affirmative and the heavy doors began to retract, the better part of a meter thick.
Beyond it was a large, brightly lit social area. Benches, plants, doorways and corridors running off to who knows where. There were even a few Tsla’o sitting at tables in the back trying to eat with the Empress standing right there.
Eleya had made good on her word. The Tsal’o Empress was waiting for them on the other side of the doors, arms crossed over her chest. Clearly annoyed, and flanked by the indistinct forms of her Guard. The most curious thing about her today was the shift in clothing. Her usual formal jacket replaced with a black version of the shirt the soldiers behind him were wearing, but buttoned to the top and bereft of any adornment. She wasn’t even wearing her piercings.
“Hey, my favorite aunt!” He lied, tossing his arms out and pulling her into a hug. Alex was careful about this, putting Eleya’s head between him and Carbon and lowering his voice to the faintest whisper. “She’s already mad. Best behavior.”
He released her before the guard did anything about that, which... Alex couldn’t tell if that was a training issue, or if he was on the OK to hug the Empress list. Perhaps the shakeup that Eleya had spoken about the night before was already underway.
Eleya said something to him, unaware he did not have his translator on. She didn’t spill the beans about what he’d said, as near as he could tell, a brief glance she shot him while smoothing her shirt out did make it clear she caught it. The Empress turned her attention to the Sergeant and rattled off something that sounded very official, ending her statement with a short bow.
The entire crew that had brought them there bowed back, deeply, and turned to leave. There was another Royal Guard on the door controls on this side, the blast doors sliding closed as soon as they had crossed back into the hallway.
Eleya turned back to Alex, and started talking.
He held up a hand. “Hang on. All my hardware is off.”
“He is not getting a translation right now.” Carbon added.
Eleya’s eyes widened at hearing a version of Carbon through her translator. They started conversing, going back and forth until Carbon looked over at him. “Explain what’s happening.”
“Short of it is that your Comms team caught something on my person attempting to send data using the public network. I left my Human-made phone in our cabin, and all of my wetware shouldn’t be able to access it anyway. My going theory is one of my implants was modified to secretly record and then send that data out, but only on public networks where something like that would go unnoticed, to maintain deniability. I'll bet you anything that the Human computer in Lyshen's office has a mesh node, and that's where it gained access.” All of that came spilling out a little faster than he liked, but it was good to get it out. The idea that the ONI would use him as a tool to spy on them, well, in retrospect it really did fit. The assertion he wouldn’t actually be spying. No tradecraft. So much easier to load him up with technology and let him bumble his way through whatever might happen, soaking up who knows what in the process. And when he inevitably came back to a Confed station, or went back to Earth, it would dump it right into their lap. “I’m really hoping you’ve started developing a way to drive a keyed PIN, because that’s the only way we’re going to be able to check it.”
Eleya spoke, gesturing up a flight of stairs.
“She says we will speak with the head researcher.” Carbon was still terse, but it wasn’t directed at Eleya for once. They both had their attention drawn to a problem that needed fixing.
“Alright.” Alex breathed in deep and heaved a heavy sigh. The bitter scent in the air was a little more clear now. Something he definitely recognized, a familiar taste on his tongue. “Ok, just a little aside here... Who's making coffee?”
 
First Prev
*****
This guy and his priorities, I swear.
Art pile: Carbon reference sheet. Art by Tyo_Dem
submitted by icallshogun to HFY [link] [comments]


2024.05.20 16:58 wowbethenny Drive Modes

I’m curious about the various driving modes like eco, normal, and sport. Is it fine to switch them while driving and not at a stop or is it best to switch while stopped? I hit the sport mode with my elbow while driving the other day & noticed immediately that the steering felt heavier—not sure if there’s a term for this or if I sound nuts but it’s definitely a noticeable change.
Not sure if all models have this, but I also have the M+- option on my gear shift and I had this on my first car in high school which was a VW Jetta. I never understood why cars would have the flick shift. The Jetta I had had awful transmission issues and shifting in to second gear so the flick shift always helped so that’s the only reason I knew what this symbol meant lol. Any idea or knowledge as to why GH have this?
submitted by wowbethenny to ToyotaGrandHighlander [link] [comments]


2024.05.20 13:12 MirkWorks Excerpts from Beautiful Fighting Girls by Saito Tamaki (Chapter 6 The Emergence of the Phallic Girls) I

6 THE EMERGENCE OF THE PHALLIC GIRLS
The Unique Space of Their Emergence
….
The Atemporality of Manga and Anime
Every form of visual media functions according to its own temporality. In the case of popular culture most of these temporalities are a matter of movements.
All forms of visual expression are marked by a form of movement particular to their medium. Manga, anime, and film each have their own “grammar” of movement. Lining up photographs of real people like frames in a manga, for example, would not produce the same effects as a manga. On the contrary, it would lack reality (riariti), and the only effect it could produce would be of kitsch. This is because the kind of movement specific to the photographic medium clashes with the manga form.
These techniques for expressing movement include everything from the macro-level of speed lines in manga. Used effectively, they produce the effect of realistic movement. Reality (riariti) in anime is produced not by naturalistic backgrounds or by imitating cinematic techniques but only by realizing the kind of movement that is unique to anime. Under these conditions even a character drawn with a single line can seem just as real or even more real than a person in a photograph or a film. Now let us consider the question of temporality in manga and anime while paying attention to how they express movement.
A comparison of the work of Ishinomori Shotaro and Nagai Go is useful in thinking about temporality in manga. Ishinomori and Nagai use very different methods for representing time. Simply put, one uses “cinematic time” and the other “gekiga time.”
As Kato Mikiro has also argued, Ishinomori’s work brought the representation of time in manga to an extremely sophisticated level. His techniques were then adopted as a kind of grammar unique to manga and eventually rendered even more sophisticated in the hands of artists like Otomo Katsuhiro. One can certainly see the influence of film in these techniques (Ishinomori himself was also a great fan of Western films). Even more than someone like Tezuka Osamu, Ishinomori intended his manga to be like films. In contrast to this, Nagai’s techniques are more specific to manga, almost as if he were taking a position against cinema. Because this point is very closely related to the emergence of the beautiful fighting girls, let us look into it in greater detail.
In Ishinomori’s work, time “flows,” as it were, at the mostly consistent speed. It is his well-known techniques for describing intervals in dialogue - for example, the kind of time produced by the contrast between the dialogue within speech bubbles and the handwritten dialogue outside the speech bubbles - that maintain the objectivity or intersubjectivity of time in Ishinomori’s works. It is a more chronological, measured time that flows straight and even, without slowing or faltering.
In Nagai’s work, on the other hand, time no longer flows. It contracts and expands along with the reader’s subjective viewpoint. Action-packed, high-impact moments are drawn with large frames and take up many pages. This way of representing time, hardly used by Ishinomori at all, has become the trademark of Japanese manga in general. Ishinomori’s Masked Rider (Kamen raidaa) and other works in the squadron genre have been more often adapted as live-action dramas than as anime. This is in stark contrast to Nagai’s works, which have almost always been adapted as anime. There are no doubt reasons internal to the industry for this, but that does not explain everything. It seems clear that Nagai’s work itself has a greater affinity for being adapted as anime. And one of the things that anime have adopted from manga is the kind of atemporality represented in Nagai’s work.
In an earlier essay I was critical of this sort of atemporality in the work of Miyazaki Hayao. Here, I would like to return to that earlier essay to reconsider the atemporality of manga and anime.
As Miyazaki himself points out, anime starts out as the stepchild of manga. Anime often borrow techniques directly from manga. The best known example of this is the use of so-called manpu (Takekuma Kentaro) but the atemporality of anime is also derived from manga. Miyazaki compares anime’s atemporality to a traditional Japanese form of storytelling known as kodan storytelling, in which time and space are grossly distorted and exaggerated according to the passion and expressivity of the characters. The kodan “Kan’ei sanbajutsu” (Horse riding in the Kan’ei era), for example, is a long and extremely detailed description of how Magaki Heikuro climbs up a stone staircase on a horse. This kind of unlimited extension of a single privileged moment is typical of the atemporality of kodan storytelling, and Miyazaki is extremely critical of it.
One sees this kind of temporality most often in gekiga comics like those of Kajiwara Ikki. The most extreme example is perhaps Nakajima Norihiro’s Astro kyu dan (Asutoro kyu dan), the climaz of which is a single baseball match between the Astros and the Victories, the description of which took three years in serialization and more than two thousand pages. Astro kyu dan was a groundbreaking work, but it was neither minor nor avant-garde. It was published in Shonen jampu (Jump), a leading manga magazine, and, with the exception of a few raised eyebrows here and there, readers had no trouble accepting it.
The media space of manga and anime clearly tends toward atemporality. Manga about sports inevitably favor these descriptive techniques. The time between the moment the ball leaves the pitcher’s hand to the time it is swallowed up in the catcher’s mitt, the moment when a long-distance runner speeds up just before the finish line, the time of a round of boxing: all of these extremely short periods of time are extended and rendered in elaborate detail. The impact of a particular scene is heightened in direct proportion to the time spend describing it and the density of the narrative. Such techniques have been used most effectively in manga and anime. There is nothing in films or even novels capable of rendering this sense of atemporality quite as naturally. This point may have to do with the particularity of “Japanese space” that I discuss later.
Of course, the imaginaire, the realm of the imagination and fantasy, is atemporal to begin with. Dead people, for example, do not age in this realm. This is very different however, from Sigmund Freud’s notion of the atemporality of the unconscious. The unconscious is atemporal by its very nature, while the Imaginary can accurately be said only to strive for atemporality. In the imagination there is often a striving toward unlimited experience, which leads to a frantic gathering together of privileged moments.

In an essay on schizophrenia, the psychiatrist Nakai Hisao writes about the distinction between chronological and kairological time. Chronological time, named after Chronos, the Greek god of time and the father of Zeus, refers to physical time that we can measure on the clock. Kairos, on the other hand, is the Greek word for “opportune moment” and refers to time as human beings actually experience it. When we feel as if a boring lecture will go on forever or the time spent with a lover is over in a millisecond, it is because we are experiencing the time of kairos. Nakai writers that at a certain point in the progress of schizophrenia, patients experience “the collapse of kairological time and the maintenance of chronological time.” If this is possible, then there is no reason to think that the opposite might not also happen. Chronological time might recede, and the individual might leap headfirst into kairological time. In borderline cases and hysterics, for example, kairological time is clearly dominant. The time experienced by these individuals is often marked by the “here and now” of narcissism.
There are several other ways in which anime and manga strive for atemporality, or the suppression of chronological time. Characters like Sazae-san and Doraemon never grow old, and their stories unfold cyclically , always in the same setting. The technique of the tournament form that anime borrowed from manga magazines like Shonen jampu is another example of an atemporal form, like an infinite musical scale. The way the ranks of the enemy grows infinitely stronger is nothing if not a technique for introducing cyclical atemporality even as it disguises the passage time. In anime there is also the issue of the voice actor. What does it mean that the voice actor seems ageless and immortal? Often we have no idea how old they are in reality, and they may play the same boy roles for years on end. They must be immortal as well: When Yamada Yasuo, who did the voice of Lupin, died, the role was taken over by a virtual vocal clone of Yamada’s named Kurita Kan’ichi.
<…>
Philosophy of Care by Boris Groys (Chapter 10: Under the Gaze of the Charwoman part I)
Philosophy of Care by Boris Groys (Chapter 10: Under the Gaze of the Charwoman part II)
Becoming an Artwork by Boris Groys (Chapter 7)
<…>
American comics are fundamentally loyal to the techniques of cinema . In other words, they use chronological time in every respect. The flow of time from frame to frame is always even, and emotional prolongation and exaggeration is minimized. The characters’ subjective viewpoints are rendered through their monologues, and they do not demand readerly identification any more than necessary. In Japanese manga, on the other hand, particularly since kairological time was introduced by Tezuka, there has been a proliferation of techniques for rendering brief moments with high density and a very light touch. As these techniques were developed and further refined, they forced readers to identify with the characters even as they made it possible for them to read at a very fast pace. There is nothing else like this in the history of representational culture. It is very different from the way short time periods are presented in long novels such as the four days of the Brothers Karamazov or the single day of Joyce’s Ulysses. The high temporal density of these literary works derives from their indexical and polyphonic narrative structures. What they lack, moreover, is speed. The paradoxical combination of high-density and high-speed forms of expression is the unique quality of the media space of manga and anime.
The atemporality of manga derives from the screen effect whereby something looks as if it were stopped because it is moving so fast. Atemporality is not the only effect made possible by this copious description of instantaneous moments. I have pointed out that it also makes speed-reading possible. What does the copious description of instantaneous moments have to do with speed-reading? Here it would be useful to explain one of the most conspicuous codes that characterizes manga and anime.
Synchronic Space in Unison
Manga has its own very particular set of codes. As is well known, manga have multiple means for communicating these codes, both visual and verbal, as well as various supplemental onomatopoetic and mimetic expressions. Its methods of visual expression are far from simple. The background may be drawn in great detail, but the characters must be drawn using symbolic abbreviations. This is necessary to maintain visual continuity for the same characters from frame to frame. The characters’ emotions must also be expressed symbolically. This is the function of so-called manpu. Movement is expressed symbolically using various kinds of “speed lines.” I use the word “symbolic” here to indicate that these expressions directly transmit meanings as simple codes, leaving almost no room for multiple interpretations.
A frame from a manga chosen at random illustrates what I mean in greater detail. It is easy to see that multiple code systems coexist within even a single frame. We may begin by reading the text, but the shape of the bubbles that envelop the text are also expressive of emotions and situations. The manga as a whole consists of a very long list of codes, including the facial expressions of the characters, manpu, onomatopoetic and mimetic expressions, and speed and concentration lines. In manga it is almost impossible for a given mark, ln the paper not to carry any meaning. The brush or pencil strokes and the panel layout, as well as the empty spaces and the abbreviations, all contribute in some way or another to the meaning. The brush or pencil strokes and the panel layout, as well as the empty spaces and the abbreviations, all contribute in some way or another to the meaning. When we stop and think about it, it is quite surprising that we have read such huge quantities of manga without ever being conscious of all of these codes . How is it that a system of codes of this complexity has come to be shared as a common grammar so unconsciously - and accurately? Answering that question alone would make for a fascinating history of representational culture. But for now let us leave that aside and move on.
Some readers may be wondering whether there is really anything unique here about manga and anime. Don’t film and theater have their own complex systems of codes? What is unique about manga and anime is not the layering of codes on top of one another, or even the number of codes in use. What is important is that in manga and anime these codes do not create a polyphonic effect. Instead, they work in unison.
What do I mean by this? Even though multiple layers of codes operate in a manga or an anime, they express the same meaning, or the same emotion. Multiple code systems are synchronized to convey the meaning of a single situation. The more precise and rhythmic this synchronization is, the more rapidly we end up reading them. Speed-reading is an effect of this unison of codes, but at the same time the codes are brought into greater synchronicity by being read quickly.
One more crucial factor is that each of these codes that we have been discussing is highly incomplete on its own. No single manga code can convey meaning by itself. The text of the images alone do not relay sufficient meaning to be read in isolation. This means that all of the code systems must supplement each other. It is only this mutual supplementation that makes possible the synchronization and the unisonic effect of the whole.
For this reason the space of manga functions a representational space that is both excessively overdetermined in meaning and highly redundant. A related phenomenon is the rapid spread of those unsightly so-called telops that have become so irritatingly common on television programs in recent years. The words of the performers on variety shows are repeated for emphasis using subtitles, to which are added (in all likelihood synthesized) recordings of the laughter of the crew. Here also, you have multiple codes working in unison to ensure that the viewer was no way to react but to laugh. Some have pointed to this as an example of television becoming like manga. But I am more interested in considering what it is about our culture that makes us so found of these redundant and exaggerated forms of expression.
According to Frederik Schodt, who has also written about Japanese manga, the Japanese preference for combining visual with verbal expression has its roots in the kibyoshi picture books of the Edo period. Schodt’s thesis will of course require careful study before we can be certain. But at the present moment it does seem to be the case that Japan is the only country in which the fundamental grammar of popular culture can be described as the copious expression of multiple codes in unison. It is not that there are no examples of this in other countries, but nowhere else has it attained the widespread popularity and sophistication that it has in Japan.
This distinctive medium, which becomes meaningless when the codes are separated out and excessively meaningful when they are synchronized, brings to mind something else as well. It is very similar to how the Japanese language itself uses phonetic kana along with Chinese characters. As the anime director Takahata Isao has argued, anime and the Japanese language stand in a very intimate relation to one another. Takahata’s point is the anime is the Japanese language. Of course, there have been claims like this before, such as the one that suggests that manga resemble Japanese calligraphy. Misconceptions about kanji, particularly the idea that they are ideographic, and fascination with the refined look of the characters led even Jacques Lacan into thoughtless remarked that “the Japanese cannot be psychoanalyzed.” [*12. Jacques Lacan, “Avis au lecteur Japonais,” in Le seminaire de Jacques Lacan, ed. J. A. Miller, vol. 11 (Paris: Editions du Seuil), 497-500.] If we accept the distinction between the Symbolic and the Imaginary, we have to recognize that this is wrong. If there is something unique about kanji, it is not that they are closer to symbols than to letter. It is entirely possible to be attached to the visual appearance of writing, to treat it like a fetish, whether it be kanji or alphabetic letters. For the same reason we should avoid facile conflations of the imaginary function of anime and manga with the symbolic one of the Japanese writing system.
My sense is that the uniqueness of the two-pronged kanji/kana writing system employed in Japanese has less to do with its visual qualities than with the fact that reading it is a highly context-dependent process . And it is this fact that helps regulate the emergence of symbolic effects into the Imaginary. What we can say at this point for sure is that neither a Chinese character nor a phonetic reading on its own is sufficient to denote meaning. And it goes without saying that it is only with the addition, in synchronic unison, of katakana and roman letters that the full meaning can be gleaned. It is probably not a coincidence that the code systems of anime and manga work in a similar way.
The ease with which we enter into the world of a manga and the extraordinary speed at which we are able to consume them suggest that we may “read” them in the same way that we read Japanese writing. If this is indeed the case, we might make a further hypothesis about the Japanese writing system. We cannot claim that Japanese writing somehow blurs the boundaries between the Imaginary and the Symbolic. We can argue, however, that it provides us with a sophisticated mechanism for processing imaginary objects using symbolic operational forms.
This hypothesis helps explain a number of stranger phenomena. The first of these is that drawing ability is not the most important factor in assessing Japanese manga artists and anime directors. In fact we are strangely forgiving of their technical skills in drawing. The ability to draw certainly doesn’t hurt, but it is merely an added value. There are any number of Japanese artists who are considered “greats” but whose drawing ability is inexpert when judged by the standards of the West. Even Otomo Katsuhiro, for example, is not valued in the West for his ability to draw. Instead, his international reputation rests on his ability to tell a good story. This tendency to downplay drawing ability is also reflected in the fact that almost all critical writing on manga and anime to date focuses exclusively on narrative and character analysis.
It seems likely that we Japanese inhabit a cultural sphere that has experienced a rather distinctive development of technologies for the symbolic processing of imaginary things. This hypothesis has implications that are not limited to the theory of manga and anime. But because those implications would take us far beyond the scope of this book, we leave them for later and return to the main argument, bearing this hypothesis in mind.
The Space of Multiple Personalities
It should be possible to further expand on and generalize from these notions of the multilayered codes in manga and anime and the way they function in unison. It should be possible, for example, to think of a character in a manga as a kind of code. In my understanding, manga works have a structure that resembles a patient with multiple personalities. The better the work, the more occasions it provides for the multiplication of these personalities. To put it differently, the more perfect the manga, the more completely it succeeds in integrating the totality of its character into a single mutually supplementing system of partly personified characters.
In clinical practice it is well known that the separate personalities of patients with multiple personality disorder are highly incomplete in themselves. It is not uncommon for these individual personalities to be simple types whose entire nature can be expressed with a single phrase. In this sense it might be more appropriate to refer to them not as “personalities” but as individual “specs” (functions). This sort of incompleteness applies to many manga works as well.
It should be clear that what I am opposing to this space of multiple personalities is Mikhail Bakhtin’s notion of polyphony. Here is Bakhtin on the space of polyphony:
  • A plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices is in fact the chief characteristic of Dostoevsky’s novels….a plurality of consciousnesses, with equal rights and each with its own world, combine but are not merged in the unity of the event…not only objects of authorial discourse but also subjects of their own directly signifying discourse…. The consciousness of a character is given as someone else’s consciousness, another consciousness, yet at the same time it is not turned into an object, is not closed, does not become a simple object of the author’s consciousness. In this sense the image of a character in Dostoevsky is not the usual objectified image of a hero in the traditional novel….He created a fundamentally new novelistic genre.

The space of manga and anime has virtually nothing to do with these characteristics. In fact that space is more like an even more extreme version of what Bakhtin describes as having come before Dostoevsky. In other words, manga and anime give us “a multitude of characters and fates in a single objective world, illuminated by a single authorial consciousness,” in which “a character’s discourse [can] be exhausted by the usual pragmatic functions of characterization and plot development” and made to “serve as a vehicle for the author’s own ideological position.”
It is a fact that is often misunderstood, but like many other subcultural productions, the degree of freedom of expression in manga genre is extremely low. Compared with the novel, the formal characteristics and the range of narratives and narrative perspectives in manga are much more tightly circumscribed. What manga have instead is a much greater diversity of styles than the novel. This is also typical of most subcultural forms. To put it in semiotic terms, manga are impoverished on the syntagmatic axis (i.e., the horizontal structure) but extremely rich on the paradigmatic axis (i.e., the vertical branch).
For this reason it is not possible for manga to convey narratives above a certain level of complexity. The personalities of characters in manga have to be simple enough to be understood at a glance. If complex personalities cannot be described, complex narratives are not possible. In manga, therefore, the individual personalities of characters are inevitably types. If many manga contain only characters that belong to identifiable types, this is because the characters have to be arranged according to a code in which each one of them carries a single meaning. But this is no reason to complain about the lack of complexity and depth in manga characterization. In manga, a single personality is often divided among multiple characters. In other words, an entire manga work in its entirety is the coordinated expression of a single personality - of, for example, the personality of the author.
If it seems like I am belittling manga and anime by making this argument, this is not my intention. But just to be sure, let me make my defense of them explicit. The characteristics of manga that I have described above are weaknesses in terms of their capacity for literary expression. But do we not live in a time when the authority of the literary has been considerably weakened and the exponents of so-called high culture are being banished to an ever-shrinking territory?
If the weaknesses of subcultural forms like manga fall under the category of what I have just described as the syntagmatic, their strength lies in their paradigmatic diversity. One example would be popular music, where a diversity of sounds and arrangements are applied to simple structures, making for virtually infinite repetition and renewal. These days, techniques like sampling and remixing are not limited to music. We can all remember quite clearly how refreshing and powerful we found the anime series Neon Genesis Evangelion (Shin seiki Evangerion), which was produced almost entirely using these technical refinements. Subcultural forms will surely continue to seduce and bewitch us with their uncompromising superficiality. They may not be able to portray “complex personalities,” but they certainly do produce “fascinating types.” The beautiful fighting girl, of course, is none other than one of those types. That she can only survive in a subcultural habitat is due to the reasons given above.
[To be continued]
submitted by MirkWorks to u/MirkWorks [link] [comments]


2024.05.20 12:12 CommissionSilver757 Learn How to Dafabet Login and Get Your Dafabet ID

Dafabet, a prominent online platform, offers a thrilling world of sports betting and casino games. But before you dive into the action, securing your access is crucial. This guide will walk you through the process of obtaining your Dafabet ID and logging in seamlessly.
Obtaining Your Dafabet ID:
  1. Head to the Starting Line: Visit the Dafabet Website. Make sure you're on the official Dafabet website. Avoid unofficial links to ensure your information remains secure.
  2. Join the Game: Find the Registration Button. Dafabet typically displays a prominent "Join Now" or "Register" button prominently situated on the homepage. Click on it to begin the signup process.
  3. Building Your Identity: Fill Out the Registration Form. This form will request various details, including your desired username, a strong password (choose a combination of letters, numbers, and symbols for maximum security), email address, phone number with country code, and personal information like name and date of birth. Double-check the information you enter for accuracy.
  4. Understanding the Rules: Agree to Terms & Conditions. Before finalizing your registration, ensure you've read and understood Dafabet's Terms & Conditions. This outlines the platform's rules and regulations.
  5. Welcome to the Arena: Click "Create Account". Once you've completed the form and agreed to the terms, click the "Create Account" button. Congratulations! You've successfully obtained your Dafabet ID, which is essentially your username.
Logging into Your Dafabet Account:
  1. Gearing Up: Return to the Dafabet Website. Now that you have your Dafabet ID, return to the official website.
  2. Entering the Arena: Locate the Login Section. The login section is usually positioned at the top right corner of the homepage. Look for a button labeled "Login" or "Log In".
  3. Deployment Time: Enter Your Credentials. In the designated fields, enter your Dafabet ID (username) and the password you created during registration.
  4. Securing the Gates: Two-Factor Authentication (Optional). For an extra layer of security, Dafabet might offer two-factor authentication. If enabled, you'll receive a temporary code on your phone or email that needs to be entered for login.
  5. Victory Achieved: Click "Login". Once you've entered your credentials and any additional codes, click the "Login" button. You'll be granted access to your Dafabet login if everything is correct.
Additional Tips:
By following these steps, you'll be well on your way to enjoying the vast array of offerings on Dafabet. Remember to gamble responsibly and always adhere to the platform's terms and conditions. Now that you're equipped with your Dafabet ID and login knowledge, get ready to explore the exciting world of online sports betting and casino games!
Dafabet, a prominent online platform, offers a thrilling world of sports betting and casino games. But before you dive into the action, securing your access is crucial. This guide will walk you through the process of obtaining your Dafabet ID and logging in seamlessly.
Obtaining Your Dafabet ID:
  1. Head to the Starting Line: Visit the Dafabet Website. Make sure you're on the official Dafabet website. Avoid unofficial links to ensure your information remains secure.
  2. Join the Game: Find the Registration Button. Dafabet typically displays a prominent "Join Now" or "Register" button prominently situated on the homepage. Click on it to begin the signup process.
  3. Building Your Identity: Fill Out the Registration Form. This form will request various details, including your desired username, a strong password (choose a combination of letters, numbers, and symbols for maximum security), email address, phone number with country code, and personal information like name and date of birth. Double-check the information you enter for accuracy.
  4. Understanding the Rules: Agree to Terms & Conditions. Before finalizing your registration, ensure you've read and understood Dafabet's Terms & Conditions. This outlines the platform's rules and regulations.
  5. Welcome to the Arena: Click "Create Account". Once you've completed the form and agreed to the terms, click the "Create Account" button. Congratulations! You've successfully obtained your Dafabet ID, which is essentially your username.
Logging into Your Dafabet Account:
  1. Gearing Up: Return to the Dafabet Website. Now that you have your Dafabet ID, return to the official website.
  2. Entering the Arena: Locate the Login Section. The login section is usually positioned at the top right corner of the homepage. Look for a button labeled "Login" or "Log In".
  3. Deployment Time: Enter Your Credentials. In the designated fields, enter your Dafabet ID (username) and the password you created during registration.
  4. Securing the Gates: Two-Factor Authentication (Optional). For an extra layer of security, Dafabet might offer two-factor authentication. If enabled, you'll receive a temporary code on your phone or email that needs to be entered for login.
  5. Victory Achieved: Click "Login". Once you've entered your credentials and any additional codes, click the "Login" button. You'll be granted access to your Dafabet login if everything is correct.
Additional Tips:
submitted by CommissionSilver757 to u/CommissionSilver757 [link] [comments]


2024.05.20 04:47 Advanced_Quiet9344 Free Xbox Themes Pre-July Shutdown pt 2 (UK Region)

Hello, I have gone through the 1601 themes on the UK region Xbox 360 store and made a list of every free theme.
As this is a very long post I have added square brackets around categories to allow users to filter out items they're not interested in.
The categories are: [movie] [product] [game] [car] [sport] [other] .
If this is still too long I have put \* symbols next to which themes I think are the best (in my opinion).
Themes
In order of release date (# represents item number)
Ghost in the Shell theme [movie] #22
Nike Zoom Theme Pack [product] #84 *
Fiat 500X Theme Pack [car] #96
Insurgent [movie] #99
Chappie Theme Pack [movie] #161
Woman In Black 2 Theme [movie] #173
Lego Ninjago Theme [movie/game] #174 *
Footlocker Nike Take Flight Theme [product] #175 *
The Other Side Honda Theme [car] #178
Halo Theme [game] #187 *
A Walk Among The Tombstones Theme [movie] #268
Puma Forever Faster Balotelli Theme [sport] #270
Puma Forever Faster Aguero Theme [sport] #271
Puma Forever Faster Usain Bolt Theme [sport] #272
Bing Theme [other] #374 *
Mutant Blobs Attack Graphic Theme [game] #380 *
Mutant Blobs Attack Growing Pains Theme [game] #381 *
Nike Last Game Iniesta Theme [sport] #385
Nike Last Game Neymar Theme [sport] #386
Nike Last Game Ronaldo Theme [sport] #387
IRN-BRU Theme [product] #401 *
Fable Anniversary Box Art Theme [game] #449 *
Jackass Presents: Bad Grandpa Theme [movie] #545
Turtle Beach PX22 Theme Pack [product] #634
Fast & Furious 6 Theme [movie] #698
STAR TREK INTO DARKNESS 3D Theme [movie] #700
Three HTC One Theme [product] #726
Olympus Has Fallen Theme [movie] #727
OBLIVION Theme [movie] #728
Irn Bru Theme [product] #730 *
Fiat 500L Outdoor Theme [car] #731
Fiat 500L Techno Theme [car] #732
Clearasil Amelia Lily Theme [other] #735
Turtle Beach Seven Series Theme Pack [product] #736
A Good Day to Die Hard Theme [movie] #738
Hansel & Gretel Theme [movie] #739
Turtle Beach Theme Pack [product] #740
Jack Reacher Theme [movie] #741
Texas Chainsaw 3D Theme [movie] #742
GoPro HERO3 Theme [product] #745
O2 Windows Phone 8 #747
Acer Aspire S7 Ultrabook- Theme [product] #749
Lynx [product] #751
Find any film – Moments worth paying for Theme [other] #753
Motorola RAZRi Theme [product] #755
Turtle Beach Call of Duty Theme Pack [game/product] #756
The Rise of the Guardians Theme [movie] #758
Resident Evil Retribution Theme Pack [movie] #769 *
Honda Civic Theme [car] #782
Snow White And The Huntsman [movie] #787
Dictator UK Themepack [movie] #789
Pepsi Max Themes [product] #790
Find Any Film.com Theme [other] #797
Wrath of the Titans Theme [movie] #802
Nokia Lumia 800 Theme [product] #808
Mission: Impossible – Ghost Protocol Theme [movie] #812
New Thinkers Index Body Smart Theme #815
New Thinkers Index Musical Theme #816
New Thinkers Index Natural Theme #817
New Thinkers Index Numbers Smart Theme #818
New Thinkers Index People Smart Theme #819
New Thinkers Index Self-Aware Theme #820
New Thinkers Index Visual Theme #821
New Thinkers Index Word Smart Theme #822
In Time Registration Theme [movie] #827
Immortals Theme Pack [movie] #829
Infinti Theme [car] #834
Virgin Gaming [product] #869
Kinect Premium Theme [game] #886 *
Resident Evil: Afterlife 3D [movie] #903
Lynx Wingman Theme [product] #904
Adidas F50 adiZero – Theme [product] #906
NIKE: Write The Future – Theme [product] #926
Worldwide Premiere Theme (COD BO1) [game] #929 *
Prince of Persia – Theme [movie] #930
Spartacus Theme [movie] #932
Samsung 3D LED TV Theme [product] #936
Clash of the Titans Theme [movie] #946
Edge Of Darkness – Theme [movie] #966
Avatar – Theme [movie] #981
Sherlock Holmes – Theme [movie] #983
Xtival 09- Premium Theme [game] #986 *
Bing – Theme [other] #988 *
GCHQ – Theme [other]#989
LG LED Theme [product] #991
Harry Brown Background Theme [movie] #992
Law Abiding Citizen [movie] #996
(9) Theme [movie] #1001 *
Pandorum Theme Pack [movie] #1016
Surrogates Theme Pack [movie] #1018
G.I. JOE – Theme [movie] #1037 *
Adidas F50i – Theme [product] #1043
Shockwaves Summer of Music – Theme #1052
Transformers – Theme [movie] #1060
The Hangover Theme [movie] #1066
1 vs 100 Theme [other] #1070
Coca Cola Happiness Factory Theme [product] #1090
adidas Originals – DMC Theme [product] #1099
adidas Originals – David Beckham Theme [sport/product] #1100
adidas Originals – Dynamo Theme [product] #1101
adidas Originals – Estelle Theme [product] #1102
adidas Originals – Ting Tings Theme [product] #1103
adidas Originals- Missy Theme [product] #1105
Watchmen Theme [movie] #1112
Underworld Theme [movie]#1123 *
Winter Holiday Theme [game]#1128 *
The Day the Earth Stood Still [movie]#1151
Champions of Gaming Theme [game]#1156
Max Payne Theme [movie]#1159
The House Bunny [movie]#1176
Death Race Theme [movie]#1183
Double D Dodgeball Theme [game]#1186 *
Too Human Theme Concept [game]#1192 *
Castle Crashers – Theme Pack 1 [game]#1195 *
Too Human Action Theme [game] #1214 *
Hellboy II Theme [movie] #1216 *
The X Files Theme [movie] #1223
Bungie Day ‘08 Theme! (Halo 3) [game] #1228
Wanted Theme [movie] #1236
The Incredible Hulk Theme [movie] #1237
Samsung Halo 3 – Theme [movie] #1263
Guiness World Records Gamer’s Edition Theme [product/game] #1271 *
Guiness Book Of World Records Theme [product/game] #1273 *
AVP-R Theme [movie] #1288
I Am Legend Theme [movie] #1296
Fahrenheit Theme [game] #1304 *
Crash Bandicoot: Wrath of Cortex Theme [game] #1305 *
Crimson Skies: Road to Revenge Theme [game] #1306 *
Fable Theme [game] #1307 *
Fuzion Frenzy Theme [game] #1308 *
Halo Theme [game] #1309 *
Psychonauts Theme [game] #1310 *
Dream Theatre Theme [other] #1311
Sex Pistols Theme [other] #1320 *
Xtival ‘07 Theme [other] #1321 *
Gears of war LIVE is 5IVE Theme [game] #1323 *
Ghost Recon 2 LIVE is 5IVE Theme [game] #1324
Halo 2 LIVE is 5IVE Theme [game] #1325 *
Mech Assault LIVE is 5IVE Theme [game] #1326 *
Return to Castle Wolfenstein LIVE is 5IVE Theme [game] #1328 *
Xbox LIVE is 5IVE Theme [game] #1329 *
Beowulf Theme [movie] #1330
E3 2007 Theme [other] #1417 *
Bungie Day 2007 Theme [game] #1420 *
Live Earth Theme [other] #1421
GTA IV Theme 1 [game] #1428 *
Ocean’s 13 Theme [movie] #1444
Eragon Movie Theme [movie] #1492
adidas +10 Theme [product] #1559
adidas Football Theme [product/sport] #1560
Team Geist Theme (adidas) [product] #1561
MI3 Promotional Theme [movie] #1563
Kameo Holiday Theme [game] #1584 *
Rare Theme [game] #1588 *
I may have missed some but with how slow and buggy the Xbox 360 store has been, I'm not pressing the 'A' button a thousand times.
This is part 2 of 4
I hope this helps.
submitted by Advanced_Quiet9344 to xbox360 [link] [comments]


2024.05.20 04:00 dreamed2life The Best of Mars in Astrocartography and Relocation: Your Guide to Power and Action

Mars, is associated with action, energy, and assertiveness, is a planet that, contrary to some beliefs, is not inherently "bad." Its placement in astrocartography can be a powerful catalyst for positive change. Understanding Mars in different house positions, especially in a relocated chart, and considering its natal aspects, can be key in harnessing its dynamic energy for specific life goals.
Mars Lines in Astrocartography: Unleashing Dynamic Energy
Mars lines in astrocartography offer unique opportunities:
Optimal Houses for Mars in a Relocated Chart
1st House (Self-Assertiveness and Vitality):
6th House (Daily Work and Health):
7th House (Partnerships and Interpersonal Dynamics):
8th House (Transformation and Shared Resources):
10th House (Career and Public Life):
Harnessing Mars’ Energy Wisely
Importance of Natal Aspects
Redefining Mars’s Role
Mars is not just about aggression or conflict. It symbolizes the courage to act, the drive to pursue passions, and the strength to defend what matters. It’s a planet that encourages action and determination.
Conclusion
Mars lines in astrocartography can be transformative, offering energy, assertiveness, and the drive needed to make significant life changes. Whether boosting your career, empowering personal relationships, or navigating transformative experiences, Mars provides the dynamism to achieve your goals. By understanding Mars in your astrocartography and relocated chart, especially in relation to your natal aspects, you can tap into a wellspring of power and action, using Mars not as a source of conflict but as a force for positive and assertive change.
submitted by dreamed2life to ProAstrocartography [link] [comments]


2024.05.20 00:39 Chen_Geller Season Two and The Great Weta Conundrum

Season Two and The Great Weta Conundrum

Why I don't THINK Weta Workshop Worked on Season Two

Around July 2022, Sir Richard Taylor had this to say about The Lord of the Rings: The Rings of Power: "Our company worked on the first series, we're very proud of the fact that we did." This use of the past tense does seem to imply working only on the first season, but its by no means a definitive reading of the interview. This was shortly BEFORE the show's move to the UK, which we know came to the Kiwi crew by complete surprise, although it remains possible that by that point the showrunners had made the decision, and told Weta that their services will not be required for season two without necessarily going into details.
Again, I want to stress that Sir Richard's choice of words by no means guarentees that Weta sat season two out. Then again, we know many of the Kiwi contractors have either stopped working for the show - costumier Kate Hawley and the music ensemble Plan 9, for instance - or radically downscaled their involvement, like caligrapher Daniel Reeve. Where crew from season one stayed on - like John Howe and dialect coach Leith McPherson - they were usually based in Europe or the UK to begin with. Its thus only reasonable to assume Weta will do the same.
Weta were good sports to share the lead-up to the Season Two teaser on their Twitter handle, but hadn't commented nor shared the teaser itself, suggesting that they were merely (and characteristically) being gracious to a project they HAD worked on previously, rather than setting-up their own involvement, as they had done in their steadfast embracing of Season One.
One of the two major departments Weta worked on for the show in Season One - that being prosthetics - had perforce been put out of their hands for Season Two, with the prosthetics supervisor Barrie Gower replacing Weta's Jamie Wilson. Its unrealistic to expect to ship prosthetics - which have a limited shelf life - from halfway around the world, and ideally you'd want the same studio to be responsible for design, fabrication and on-set application.
Although they also worked on Celebrimbor's pressure forge and some of the Numenorean and Elven symbols - including the High-Elven star, practically lifted from their version of Gil-galad's emblem for the New Line films - Weta's other main prerogative was the weapons (but NOT the armour). This included bows, quivers, arrows, shields (including straps) and some props that aren't really used as weapons like Feanor's hammer.
The High-Elven Star: essentially a homage Weta's Daniel Falconer snuck into the show
While it remains possible that they had kept that department under their belt - at least in terms of concept design rather than fabrication - I find it unlikely. Its true that Weta does provide concept art, without fabrication, for off-shore productions: see their erstwhile work for Denis Villenueve's Dune: Part One as an example.
However, the recent teaser shows High-Elven swords and bows that are a notable departure from Weta's High-Elven weapons from Season One. It, of course, remains entirely permissible that the showrunners commissioned new designs from the workshop, and in fact the new, more katana-like Elven swords are closer to Weta's previous iterations of Elven swords (cf. Hadhafang or Thranduil's twin swords) than to their High-Elven weapons for Season One, although they're admittedly not too far off Arondir's sword.
Having said that, elsewhere in the trailer we see the same Hawley costumes and armour retained, as well as the same Weta-made weapons from Season One: Arondir is still sporting his daggers, quiver and bow, Pharazon draws his gorgeous, bejewelled sword before the Eagle of Manwe, flanked by guards carrying the same ol' spears. We see Lindon guards with their Battersea-esque shields and spears, Durin III with his ax, Durin IV with his dagger, Adar with his Zweihander, and Isildur still with the confusingly-Rohan-like Numenorean cavalry sword.
The similarities would thus make it unlikely to expect for new designs - for the same culture and from the same studio - to be such an aesthetic departure from Season One, especially something as insignificant as a quiver. My educated guess - and that's all it is, a guess - is that its a local workshop emulating the Weta style of old.
This emulation can also be seen in other departments, like the new Elven shields - with the same hourglass-like shape as Weta's High-Elven shields for the New Line films, but NOT for the show - and the helmets with the more overt blade-like crests, again in the style of Weta's work for New Line rather than Hawley's more subtle nod to that style in Season One. Not to mention the seemingly greater prevalence of Elves with long manes.
Galadriel and company, and their quivers: a design unlikely to be revised from Weta's Season One design (below) unless a new, local Workshop entered the fray. The company's bows, seen elsewhere, are also different to this, more closely resembling Tauriel's bow.
https://preview.redd.it/w8da7widcg1d1.png?width=3840&format=png&auto=webp&s=ff7a19e093a8008fbae7a0977a2e52617c18bec9

The OTHER Weta

Here it is important to distinguish between Weta Workshop, and WetaFX (nee Weta Digital). Although founded by the same people - Sir Peter Jackson, Sir Richard Taylor and Jamie Selkirk - they're two separate companies: Roughly speaking, Weta Workshop does practical effects, WetaFX does digital effects. While they do some projects - notably Tolkien films - together, its by no means a condition sine qua non that the involvement of the one entails that of the other.
In the context of the Tolkien projects, Workshop mostly did weapons, armour and creatures, so not too far off of what they did in the show. Set, props and character designs usually fell to another Jackson company, Six-Foot-Seven, but even then Weta did the bigatures and shared the costume design credit with Ngilla Dickson, Bob Buck and Ann Maskrey (Hawley is credited, too, being that she was the costume designer for the aborted Del Toro Hobbit).
WetaFX are working on Season Two, in a capacity at least as big as they did in Season One, where they were the main VFX vendor alongside ILM. Moreso than the Workshop, WetaFX (being one the leading VFX houses in the world), provides services for films and shows all over the world, and frankly a show with the VFX requirements of The Rings of Power couldn't avoid WetaFX if they tried, although "giving them point" so to speak is definitely a meaningful gesture.
Strictly speaking, WetaFX is not a design studio: previously in Tolkien pictures, creature design tended to be provided by Weta Workshop, and then rendered by WetaFx. However, sometime before The Rings of Power went into production, one of the Workshop's designers, Nick Keller, became WetaFX' in-house designer, and for Season One had worked on (among other things) Durin's Bane, and so WetaFX' continued involvement in Season Two is meaningful to the look of the show.
An (unused) Nick Keller-Weta FX design for Season One: all that remains of it in the show are the spear and the Fell Beast
The showrunners entrusted to WetaFX in Season One mostly with places and creatures that had been depicted in the live-action films: Khazad dum as Moria, the view of the Southlands from Ostirith as Mordor, as well as Durin's Bane and the Fell Beasts: its therefore reasonable to assume that the design of Shelob will again be entrusted to WetaFX, although since New Line became stricter with their copyright she's unlikely to resemble the previous depiction of Shelob, no doubt to be excused away by the fact that she's younger.

My thought

So, where does this leave us? I've long written about the show's audiovisual identity crisis: it would be wrong to assume that, going to New Zealand, the showrunners were compelled to hire Weta and thus fell headlong into a similar aesthetic: rather, there was a concerted effort - the filming in New Zealand and the hiring of Weta being two of its symptoms rather than its causes - to model the show on the live-action films. Nevertheless, dispensing with Weta for Season Two COULD keep this issue at bay.
All the same, its clear that if Weta was indeed substituted by another studio, as is likely the case, that studio did their darndest to emulate Weta's style, and in some respects harkened even more heavy-handedly to the style of the New Line films. Perhaps it is a case of, having moved out of New Zealand, wanting to still show they "got it" and overdoing it? The same trend is evident in the digital splicing of Kiwi landscapes into the British countryside, and in the trailer's shameless appropriation of beats (but not lines, presumably with New Line cracking the whip on that end) from the live-action films.
All the same, Season Two and on could have been another noteworthy "notch" in Weta's enviable Tolkien belt, which only in this year also entails Tales of the Shire and The War of the Rohirrim. It would have been a good preparation for their forthcoming involvement in The Lord of the Rings: The Hunt for Gollum. I do regret, specifically, that they probably didn't get a crack at the weapons of the Eregion Elves: a new Elven culture they had not touched before, unless some of the designs we see were made for Season One and not shown therein.
Beyond that, its useful to keep the same team in place in the interest of season-to-season continuity. Nevertheless, the teaser shows a greater emphasis on such continuity that I had previously believed they would go for. Some early scenes seem to be picking up immediately from the end of Season One, with Galadriel and Elrond - still in the same costumes - catch up to Gil-galad's convoy back on the same Lindon set. Even in other scenes, many of the Numenorean extras seem to be in the same clothes, and while the green Eregion guards got a lot of attention in the teaser, they actually already appeared in season one.
A tale of two Narsils, both by Weta but for different companies.
As a side-note, it may well be that the Weta designers felt limited by the lega situation surrounding Season One, which required them to recreate different versions of some of their most celebrated props, namely a new, subtly redesigned Narsil. Sir Richard Taylor, in the above interview, said he didn't work on the series because he "didn't feel I had anything new to contribute to the television series." This is curious since he had by then already jumped onboard The Lord of the Rings: The War of the Rohirrim, and in an appearance only shortly thereafter, said of the project that "there's so much that's fresh and exciting." This in spite of the fact that, at first blush, Rohirrim would seem to offer far less by way of new design opportunities than did Rings of Power.
In truth, not all of Weta's work on Season One was up to their otherwise-inimitable standards: I'm reminded of a making-of featurette about the making of Orcrist, which required a lot of back and forth between the Weta designers and Sir Peter Jackson. Says designer Paul Tobin: "A lot of our designs were falling into 'I've seen it with Glamdring, I've seen it with Sting." An even more egregious example is for Shadow of Mordor, where a design of an armoured Celebrimbor is almost one-for-one of a design for an armoured Thranduil, a year or two prior by the same artist, although in fairness both designs went unused.
I don't want to imply that the showrunners weren't equally forthright in their design process: from listening to John Howe, there was certainly a lot of back-and-forth with his concept art. Even in examing Weta's work its clear that in the case of some of the designs - namely, the Elven Zweihanders, which previously appeared in some Howe concept art - the showrunners came to Weta with their own ideas, rather than just giving them free reign.
Nevertheless, it does seem that in a couple of instances, Weta were allowed (perhaps on purpose?) to essentially recycle some old designs: almost all the Dwarven and many of the Silvan and Orc designs are like this. Its cool that Weta got to imagine what Durin's legendary Ax looked like, but they basically took a design for an ax that Dwalin finds in the Erebor armoury and made a subtle variation on it. The Mystics' weapons also betray a similarity, but rather to Weta's work on James Cameron's Avatar!
Even less appropriately, a spear designed for the Lindon Elves but not seen in Season One, seems derivative not of previous High-Elven designs, but off of the designs for the Woodland Realm, which would have been the freshest in the memory of the Weta designers. The main difference is the Woodland design abstracts the tree-branch shapes to avoid them seeming, to quote Keller, "too fairytale." Worst still, the Numenorean cutlasses (seen briefly at Elendil's side prior to his promotion) are inappropriately akin to the Laketown swords (again, a design surely fresh on the designers' minds) of all things!
Corporate needs you to find the differences between this picture, and this picture...[aside]: They're the same picture.
In other cases, the similarities are more abstract and work quite well: both Aranruth and the Elven broadswords - wielded by Galadriel to the Battle of the Southlands and carried by Theo into Season Two but also also brandished by the prologue Elves - feature a similar leaf-like profile to the blade: they would be more-or-less contemporaries of Glamdring, which has a similar shape. Medhor carries (but sadly doesn't get to use) a Silvan version of the Elven Great-sword from the Fellowship prologue.
Elsewhere in the film industry, of course, companies like Lucasfilm had turned this kind "reuse, reduce, recycle" mentality into a usual practice, although usually with unused designs, a-la the Shadow of Mordor example: discarded McQuarrie and Cantwell artwork from the 1975 thus ended-up in Star Was projects all the way between 1978 and 2023, where it started feeling increasingly like someone picking through the carcass of a dead movie.
In a limited extent, however, it is a useful device in terms of "tapping" into the same, initial sensibility, and as such its been used in Tolkien projects before: The White Council chamber was part of some early Rivendell designs, and similar practices are deployed in Rohirrim and are sure to be used in The Hunt for Gollum. In all these examples, however, it didn't normally involve jumping through the legal hoops that The Rings of Power had to leap through.
Neverthelss, there are a great many illustrious designs - from Elendil's Captain sword and Finrod's Dagger, through Feanor's Hammer and Dramborleg (the first Elven hammer and axe in Weta's output) to Aranruth and Medhor's Silvan Great-Sword - all represent wortwhile entries in Weta's oeuvre, and some of the best designs in the whole of the show thus far. Still, it wasn't in vain, being that several such key props are going to stay the distance in the show.
submitted by Chen_Geller to LOTR_on_Prime [link] [comments]


2024.05.20 00:15 Stan_B Ai_Prompts_Batch_0001:\ part-B_ [Adds, Conditions, Wears,...]

Ok. i think we are done here. Could you write me another signs of high-tech low-life society?

Absolutely! Here are some signs of a high-tech, low-life society:
Ubiquitous Technology, Crumbling Infrastructure:
Extreme Social Inequality:
Technology as a Corrupting Force:
Environmental Devastation:
This is just a glimpse into a high-tech, low-life society. These elements can be mixed and matched to create a truly dystopian world.

Picture some possible advertisements from such settings.

High-Tech, Low-Life Advertisements:

  1. Holographic Billboard: (Flickers intermittently, distorting the image)
Product: "Neura-Calm 2.0" - Brain Implant
Slogan: "Tired of the glitches in your head? Neura-Calm 2.0 smooths out your neural network for a worry-free, low-lag existence! (Side effects may include memory loss, emotional numbness, and occasional involuntary twitching.)"
  1. Grungy Neon Sign in a Seedy Back Alley:
Product: "Doc Chrome's Cybernetic Enhancements"
Slogan: "Get that edge you need! From basic strength mods to full black-market military enhancements, Doc Chrome has you covered! (Used parts, buyer beware.)"
  1. Pop-Up Ad on a Cracked Mobile Screen:
Product: "Elysium VR Escape Pod"
Slogan: "Can't afford real estate in the Sky City? Escape the slums for Elysium VR! Live your wildest dreams in a pristine virtual world! (Free trial, monthly subscription required, real-world consequences for in-pod violence.)"
  1. Stenciled Graffiti on a Rusting Service Drone:
Product: "Data Scrappers Anonymous"
Slogan: "Selling your personal data just to make rent? We can help you break free! Join our community and reclaim your digital identity! (Meetings held in abandoned ventilation shafts, Tuesdays at dusk.)"
  1. Holographic Advertisement projected onto a Polluted River:
Product: "Eco-Scrub 5000" - Nanomachines
Slogan: "The river's looking a little…toxic? Eco-Scrub 5000 nanomachines clean up your local waterways! (May cause unforeseen mutations in aquatic life.)"

Another batch please.

  1. Rusty Public Announcement Speaker: (Screeching static interspersed with the message)
Product: "Ministry of Order Approved Thought Regulators"
Slogan: "Unwanted thoughts causing glitches in your daily routine? The Ministry of Order approved Thought Regulator ensures a streamlined thought process for a more productive you! (May cause extreme conformity, inability to question authority, and spontaneous nosebleeds.)"
  1. Faded Holographic Billboard on a Collapsing Skyscraper:
Product: "Luxury Chrome Plating Kit"
Slogan: "Ditch the rust! Chrome-plate your entire body for a sleek, metallic sheen. The mark of a true high-society citizen! (WARNING: Highly toxic fumes, may cause spontaneous combustion in humid environments.)"
  1. Spam Email: (Subject: "YOU'VE BEEN CHOSEN!")
Product: "The Syndicate's Black Market Upgrade Lottery"
Body: "Congratulations! You've been randomly selected for a chance to win a top-of-the-line cybernetic upgrade! One lucky winner will receive military-grade night vision implants! Enter now! (Participation requires full biometric data submission. Winners responsible for extraction of previous, incompatible implants.)"
  1. Glowing Neon Sign in a Crowded Marketplace:
Product: "Mama Chen's Guaranteed-Growth GMO Groceries"
Slogan: "Tired of expired rations and mystery meat? Mama Chen's GMO Groceries offer guaranteed growth on all fruits and vegetables! Bigger, faster, tastier! (Long-term effects unknown.)"
  1. Audio Ad on a Glitching Radio Broadcast:
Product: "Rusty's Reliable Rocketship Repair"
Voiceover: (Gruff, heavily accented) "Is your escape pod sputtering? Did your joyride end in a fiery crash? Rusty's Reliable Rocketship Repair gets you back in the stars... eventually! (Guaranteed not to explode... again. Parts sourced from scrapyards. May contain rogue AIs.)"

Now craft ads that would be shown in high-society parts of cities.

High-Society Ads in a High-Tech, Low-Life World

  1. Tranquil Holographic Projection in a Private Garden:
Product: "Serenity Spa - Neural Rebalancing Retreat"
Visual: A serene mountain landscape with a luxurious spa nestled amongst the clouds.
Slogan: "Escape the chaos. Reclaim your inner peace. Serenity Spa's exclusive neural rebalancing treatments restore harmony to your overloaded mind. (Limited availability, reservations required centuries in advance.)"
  1. Discreet Text Message: (Delivered via secure, encrypted channel)
Product: "The Black Archive - Unrestricted Data Access"
Body: "Craving the forbidden? The Black Archive offers unparalleled access to censored historical records, banned media, and classified government information. Knowledge is power. (Extreme discretion guaranteed. One-time access fee, cryptocurrency only.)"
  1. Exclusive Gala Invitation: (Delivered by hand-drones)
Event: "The Zenith Initiative - Unveiling the Next Generation of Cybernetic Enhancements"
Visual: A sleek, chrome figure with glowing blue cybernetic implants, striking a confident pose.
Details: "Mingle with the city's elite and witness the unveiling of cutting-edge cybernetic enhancements designed to redefine human potential. RSVP required. Black-tie attire mandatory. (Augmentations sold separately.)"
  1. Curated Virtual Reality Experience: (Delivered on a high-security chip)
Product: "Elysium VR - Bespoke Worlds"
Description: "Escape the limitations of reality. Elysium VR crafts personalized virtual worlds tailored to your deepest desires. Explore a forgotten utopia, conquer a fantastical realm, or indulge in your wildest fantasies. (Customization fees apply. Memories created within VR may not be distinguishable from reality.)"
  1. Whisper Network Rumor: (Spread through high-society gossip channels)
Product: "The Underground Clinic - Designer Gene Editing"
Details: "Unleash your child's full potential. The Underground Clinic offers discreet, top-secret gene editing to ensure your offspring possess the most desirable traits. (Designer genes come at a premium. Side effects may include unpredictable mutations and uncontrollable genius.)"
These ads cater to the specific desires of the high-society elite in a high-tech, low-life world. They offer exclusivity, forbidden knowledge, and the ability to transcend the limitations of the decaying world around them, all for a hefty price and with a hint of hidden danger.

Continue, try to make more serious ones.

Serious Ads in a High-Tech, Low-Life World (High-Society Edition)

  1. Holographic Panel Discussion in a Luxurious Penthouse:
Product: "The Green Horizon Initiative - Sustainable Urban Development"
Panelists: Renowned architects, environmental scientists, and CEOs from leading green tech companies.
Discussion Points: Innovative solutions for vertical farming, self-contained eco-districts, and waste management technologies designed to create cleaner, more sustainable enclaves within the decaying city.
Slogan: "Investing in a greener future. The Green Horizon Initiative seeks to build sustainable havens within the chaos, ensuring a brighter tomorrow for generations to come." (Focuses on the long-term viability of the city and the importance of preserving resources for future generations.)
  1. Documentary Screening in a Private Art Gallery:
Film: "Unveiling the Slums: A Call to Action"
Description: A powerful documentary exposing the harsh realities of the lower districts, highlighting the human cost of unchecked technological advancement and social inequality.
Post-Screening Discussion: Moderated by a renowned philanthropist alongside representatives from NGOs and social reform movements.
Call to Action: Donations to support educational programs, infrastructure upgrades, and basic necessities in the slums. (Highlights the societal problems and pushes for progressive change.)
  1. Educational AR Program for Children:
Product: "The Knowledge Weavers - Immersive Historical Simulations"
Description: An augmented reality program that allows children to experience pivotal moments in history firsthand. Walk alongside historical figures, explore ancient civilizations, and learn valuable lessons from the past.
Focus: Educating the next generation about the dangers of unchecked technological advancement and the importance of social responsibility. (Promotes critical thinking and historical awareness as a means to prevent repeating past mistakes.)
  1. Virtual Charity Gala:
Event: "The Code for Change Gala - Supporting Open-Source Solutions"
Description: A virtual reality charity gala featuring renowned artists, musicians, and thought leaders. Guests can donate to support open-source projects developing solutions for common problems in the city, such as energy distribution, waste management, and cybercrime prevention.
Focus: Harnessing the power of technology for social good and encouraging collaboration towards a more equitable future. (Promotes community engagement and utilizing technology to solve societal challenges.)
  1. Architectural Award Ceremony:
Product: "The Salvaged City Awards - Recognizing Innovation in Urban Renewal"
Awarded to: Architects and engineers who have successfully repurposed existing infrastructure or implemented innovative solutions to revitalize decaying areas of the city.
Focus: Highlighting the importance of resourcefulness and creativity in adapting to a challenging environment. (Encourages using existing resources wisely and finding creative solutions to the problems of the decaying city.)

Another, but hiding an evil sinister twist.

Serious Ads with a Sinister Twist (High-Society Edition)

  1. Holographic Charity Drive in a High-End Shopping Mall:
Product: "The Cradle Project - Investing in the Future"
Visual: Smiling, healthy children playing in a pristine, futuristic classroom.
Slogan: "Every child deserves a chance to thrive. The Cradle Project provides advanced genetic screening and early intervention to ensure the next generation reaches its full potential." (Twist: The Cradle Project uses genetic engineering to create a subservient, highly intelligent underclass.)
  1. VR Documentary Premiere:
Film: "Harmony Through Integration - A Look at the Unified City"
Description: A seemingly heartwarming VR documentary showcasing the seamless integration of the lower districts into the high-society areas. People from all walks of life work and live together in perfect harmony.
Post-Screening Discussion: Moderated by a charismatic government official who emphasizes the importance of social cohesion and the benefits of centralized control. (Twist: The "integration" involves heavy surveillance, mind-altering technology, and the suppression of dissent.)
  1. Exclusive Educational Program for Elites:
Product: "The Phoenix Initiative - Cultivating Tomorrow's Leaders"
Description: A prestigious educational program for children of the elite, offering advanced training in technology, governance, and crisis management. Graduates are promised positions of power within the city's ruling elite.
Focus: (Unstated) Conditioning the next generation to maintain the status quo and suppressing any ideas of social reform. (Twist: The program instills a ruthless, elitist ideology that reinforces the societal divisions.)
  1. Virtual Reality Talent Show:
Event: "The Forge - Building the Perfect Citizen"
Description: A virtual reality talent show where contestants are judged on their physical and mental fitness, loyalty to the government, and willingness to sacrifice for the greater good. Winners are rewarded with significant privileges and access to exclusive resources.
Focus: (Unstated) Promoting blind obedience and conformity to the government's agenda. (Twist: The "perfect citizen" is a mindless drone, easily manipulated and controlled by the ruling class.)
  1. Architectural Award Ceremony (Twisted Edition):
Product: "The Order Award - Recognizing Compliance in Urban Renewal"
Awarded to: Architects and engineers who have successfully transformed lower districts into highly controlled, resource-efficient zones. Individuality and personal expression are discouraged in favor of uniformity and order.
Focus: (Unstated) Maintaining a tight grip on the population and preventing any potential uprisings. (Twist: The "renewal" is designed to weaken and control the lower classes, making them easier to exploit.)
These ads maintain a serious facade that appeals to the upper class' desire for order and control. However, the hidden twist reveals the manipulative and oppressive nature of the society they are trying to preserve.

Now design some high-class consumer level product items.

  1. NeuraWeave Headband: This sleek, designer headband is a status symbol for the high-tech elite. It seamlessly integrates with the wearer's neural implant, allowing for subtle control over personal AI assistants, hands-free communication, and even enhanced focus during work or meditation. Hidden Feature: NeuraWeave can subtly collect and analyze the wearer's emotional state, feeding valuable data to targeted advertisers or even government agencies.
  2. Eco-Bubble Personal Atmosphere System: Imagine a portable force field that creates a pristine, personalized micro-environment around the wearer. This high-end gadget filters air, regulates temperature, and even projects calming nature sounds, allowing the user to maintain a pocket of luxury amidst the polluted cityscape. Hidden Feature: Eco-Bubble can subtly monitor the wearer's health vitals and transmit them to a central database, potentially used for health insurance adjustments or targeted medical advertisements.
  3. Bio-Tailored Clothing: Gone are the days of off-the-rack clothing. This high-end service utilizes advanced bio-scanners and 3D printing technology to create clothing that perfectly molds to the wearer's body, regulates temperature, and even promotes faster healing of minor injuries. Hidden Feature: Bio-Tailored Clothing can subtly collect biometric data like skin temperature and heart rate, potentially used for targeted fitness programs or even mood-altering marketing campaigns.
  4. Augmented Reality Personal Chef: This high-tech device projects holographic instructions and culinary techniques directly onto the user's kitchen counter. Imagine whipping up gourmet meals with the guidance of a world-renowned chef, complete with step-by-step visual guides and interactive ingredient identification. Hidden Feature: The AR Personal Chef can subtly track the user's dietary habits and preferences, potentially used to target specific food and beverage companies for advertising or even manipulate their taste buds through subliminal messaging.
  5. Luxury Cybernetic Enhancements: Forget clunky prosthetics. These high-end cybernetic limbs are designed to seamlessly blend with the human body, offering enhanced strength, dexterity, and even advanced sensory input. Imagine climbing buildings with ease, playing virtual reality games with unparalleled immersion, or experiencing the world with heightened senses. Hidden Feature: Luxury Cybernetic Enhancements can be subtly integrated with government surveillance systems, allowing for real-time tracking and monitoring of the wearer's movements and activities.

Why would you need a designer headband, when you already have neural implant?

You're absolutely right, a designer headband might seem redundant when you already have a neural implant in a high-tech society. Here are some ways to address that:
  1. Fashion and Status Symbol: The NeuraWeave headband could be a designer accessory, a way to showcase wealth and social status. It might be crafted from exotic materials, adorned with precious jewels, or boast a sleek, minimalist design that complements the latest high-fashion trends. The neural implant itself might be hidden, with the headband acting as the visible expression of advanced technology.
  2. Enhanced Functionality: While the neural implant offers basic functionality, the NeuraWeave headband could provide a more refined and user-friendly experience. It might offer haptic feedback for better interaction with AI assistants, improved noise cancellation for clearer communication, or even subtle brainwave stimulation to enhance focus or relaxation.
  3. Privacy and Security: While the neural implant offers convenience, it might also raise privacy concerns. The NeuraWeave headband could act as a buffer between the implant and external systems, offering a layer of security and allowing users to selectively control the flow of information.
  4. Social Etiquette: In a world where everyone has a neural implant, the NeuraWeave headband could become a social etiquette tool. Wearing the headband could signify that the user is open to receiving communication or interacting with AI assistants, while taking it off might indicate a desire for privacy or focused work.
  5. Limited Functionality Implants: Not everyone might have access to top-of-the-line neural implants. The NeuraWeave headband could bridge the gap, offering basic functionality for those with older or more limited implants. It could essentially act as an affordable "upgrade" to boost existing technology.
Ultimately, the NeuraWeave headband exists in a world where technology is both essential and aspirational. It goes beyond mere functionality, becoming a way to express personal style, control privacy, and navigate the complex social landscape of a high-tech society.

Now the same, but low-class, available for masses, mass produced.

  1. Syn-Flex Headband (Mass-Produced Version): This utilitarian headband is made from a cheap, conductive material that creates a weak neural link. It allows basic interaction with public AI kiosks, like ordering rations or accessing public transportation schedules. The headband's design is simple and utilitarian, often coming in a single, industrial gray color. Hidden Feature: While basic functionality is advertised, the Syn-Flex headband might subtly collect anonymized user data on purchasing habits and travel patterns, potentially used for targeted advertising in public spaces.
  2. AirBubble Personal Filter: This bulky, wearable air filter system is a lifeline for those living in the polluted lower districts. It's a mass-produced device with a replaceable filter cartridge and a noisy fan system. While not exactly comfortable, it provides a basic level of air filtration, allowing wearers to breathe a little easier. Hidden Feature: The AirBubble filters might contain embedded tracking chips, subtly logging user location data, potentially used for targeted pollution control measures (or in some cases, manipulation of government reports on air quality).
  3. Repli-Wear Clothing Kits: These kits contain pre-cut fabric swatches and basic instructions for creating clothes at home. They're designed to be cheap and adaptable, offering a variety of mix-and-match options to create basic garments. Hidden Feature: The Repli-Wear fabric might contain embedded tracking tags, allowing for identification and potential social credit deductions for those caught wearing "unlicensed" clothing styles.
  4. Holo-Chef Lite Projector: This cheap projector displays holographic images of basic recipes and cooking techniques. It lacks the interactivity of the high-end version, but allows users to follow along with simple meals prepared with readily available rations. Hidden Feature: The Holo-Chef Lite projector might subtly promote specific brands of low-quality, processed food rations, potentially influencing dietary choices towards companies that sponsor these devices.
  5. Second-Hand Cybernetic Enhancements: These are refurbished or salvaged cybernetic limbs, often clunky and lacking the finesse of luxury models. They offer basic functionality like increased strength or rudimentary prosthetics, but come with the risk of malfunction or compatibility issues. Hidden Feature: Second-Hand Cybernetic Enhancements might contain hidden spyware or tracking devices installed by previous owners, potentially monitoring the wearer's activities or even sabotaging their cybernetic limbs in extreme cases.
These low-class consumer products offer a glimpse into the harsh realities of a high-tech, low-life society. They are cheap, functional, and often come with hidden drawbacks that further disadvantage the underclass.

How bad air quality would be in such setting?

The air quality in a high-tech, low-life society would be catastrophic. Here's a breakdown of the potential problems:
  1. Industrial Pollution:
  1. Waste Management Issues:
  1. Energy Production:
  1. Climate Change Effects:
Living Conditions:
The severity of the air quality would vary depending on the specific setting. Some areas might be industrial wastelands, while others might be slightly better off. However, the overall picture is bleak – this is a society choking on its own technological advancement and disregard for the environment.

Sketch some repli-wear "unlicensed" clothing styles.

Repli-Wear: Unlicensed Clothing Trends

  1. The Salvaged Chic:
  1. The Glitched-Out Glamour:
  1. The Bio-Hazard Chic:
  1. The Cyber-Tribal:
  1. The Corporate Spy:
These are just a few ideas for Repli-Wear styles. Clothing in a high-tech, low-life society would be a way for the underclass to express their individuality, defiance, and limited resources, all while navigating the dangers of a controlling society.

Sketch some repli-wear "licensed" clothing styles, that do not pose any risk for wearers from any concerned sides.

Repli-Wear: Licensed Clothing Trends (Safe Zone)

  1. The Vintage Throwback:
  1. The Minimalist Worker:
  1. The Nature Enthusiast:
  1. The Sports Fanatic (Limited Edition):
  1. The Kid's Corner:

Now the opposite: some high-end high-society high clothing styles.

High-Society Haute Couture in a High-Tech, Low-Life World:

  1. Bio-Luminescent Elegance:
  1. Augmented Reality Couture:
  1. Nanotech Tailoring:
  1. Recycled Luxury:
  1. Cybernetic Accents:
Bonus: The "Living" Garment:
submitted by Stan_B to HTLL [link] [comments]


2024.05.19 21:42 HumanSupremacyFan Empire of Statues

--⧟ BEGIN Broadcast Message ⧽--
::::::::::::::::::::::::::::::::::::::::::::::
Priority Level: Urgent
:: From ::
Center Arm of the Emperor, Planet Laran
:: To ::
All Survivors of Fellow Royal Cast Broods
:: Message ::
The Emperor has graciously permitted the use of his Excellency's summer home on Planet Laran, located in the Empire's Center Arm, as a temporary refuge during the unprecedented violent Terran offences against His Holiness and the holiness of the Omni-brood of Ix.
:: Attachments ::
Coordinates and Flight Key
:: Royal Cryptographic Signature ::
Lord La'Ix, The Emperor's Right-Center Arm
::::::::::::::::::::::::::::::::::::::::::::::
--⧟ END Broadcast Message ⧽--

earlier

"CURSE THEM! The great houses are going to have my bloody head for this! There is no way this should've happened and under my command too! The Golden Emperor's own exotic holiday world has gone to ash and the only one to blame is going to be me. Well it was basically my watch anyways. Curse. Them. All"
Those were the only legible sounds one could hear among the frantic stamping of one particular Ixian lord as he hurried away through the underbrush of the royal reserve just outside the centre palace. The same Ixian lord that, only hours earlier, was delighting in his typical cooked boar while enjoying his evening's entertainment of a young Terran girl running for her life from a loose Laran tiger. Something about the way those bipeds run always makes him laugh. Some similarly caste Ixian would call this form of entertainment childish, lowbrow, and immature. He would tend to agree. But sometimes he just wanted cheap slapstick humour. The day to day life of the royal caste tends to get dull with all the fine arts an Ixian of his caste is meant to enjoy.
"How did it all go to shit!?! I was always attentive, and there hasn't been an uprising since those terrans were tamed for the palace. I mean we mostly neuter the problematic ones anyways, so why all the sudden aggression?", he shouted in agitation at the emptiness in front of him.
Speeding through the royal garden which in actuality is a repurposed Savannah of the island the palace is on. The Ixian was a beast of speed. Perfectly honed and trained over decades, and genetically maintained over eons, he always proudly held that he was the fasted in his brood of 16. Making a name for himself among the other broodkin for being the most genetically suited for the rank of high general (not that there was any need for generals, there hasn't been need for war in so long). Of course the Ixians always pride themselves in having no excess potential, and adapting your environment to suit your biology, but it never hurts to have perfect biology. That's the true pride of an Ixian.
That innate need to change the universe rather than changing themselves is what led to their vast interstellar empire. One that reached from constellation to constellation and then eventually to the arms of entire galaxies, terraforming worlds to the same environment they were already adapted to. Since forcing nature into one's bidding was the most sacred duty of any that shared a lick of Ix biology.
Which was why the Ix was confident in themselves. This Ixian in particular surely felt surprised, but mainly he was only moderately upset at the sudden change of situation, from being comfortable in the royal dining hall to sudden exercise.
"Everything can be changed back. Everything can be changed back." It repeated the mantra to itself. As it began to relax and turn its snarled sharp mouth into a toothy grin.
"Yes, there is nothing to worry about at all. Then let's make a game plan. Just need to make it to the space port at the harbour. Grab a ride out and find someone else to take the fall. That old royal butler is as ancient as the dirt of the broodworld. Hell, he probably was there when it vanished in the shadow of the holy empire's long past." chuckling to himself at the quite witty remark, but saddened that no one else was there to hear it.
Should be realistic enough for the others to believe. But first things first, I need to reach the harbour-master. It thought while its dense muscles powered the beastly lizard-like form on its journey, as it bound in the direction of its destination at top speed on all fours.
The blood red sun was already kissing the horizon by the time the Ixian went to nearly collapse under exhaustion of the extended sprint. He hasn't ran this far and fast than when he a young broodling that won competitions and competitions in the royal sports. I think I might have overdid it. He thought while massaging the oncoming threat of a sneaky cramp in his hind leg.
The Ixian were well known for speed. But their stamina was another thing. There bodies simply didn't have the evolved features for long distance travel. There was never truly any need in the past, as their very steady and controlled climate and sparsely diverse ecosystem on Ix never truly required much challenge.
It turned its panting head to face the way it came, gazing proudly at the great distance it made in such a short while.
But something was off by that view. Something different to what he was expecting. The view itself was mostly fine. Well, as fine as a smoking mark in the distance, presumably from the summer palace being engulfed in flame and spitting great plumes of black smoke. But no, something about this view chilled him to this spine. Craning his neck from his vantage point he could swear there was a small speck in the distance.
What on great Ix is that?
All of a sudden realisation hit like a rock on a peaceful pond. Something was following him. Something unknown and cold was making its way to his location. He was certain it wasn't any of his guards, all guards permitted to serve under the royal summer home were Ixian of course. Physically bred for their strength and speed, and placed into roles of importance like protecting the higher caste such as himself. (Whereas this day being the only exception). It did look like he was the only Ixian that actually made it out of the palace so far. Ixians are able to cover short distances in phenomenal speed, akin to a scaly 4 legged beast of the hunt.
No this was something else.
Feeling a very small panic build up inside, but veiling that cold, unwanted terror as impatience at how far he still needs to travel yet. Lord La'Ix flexed his anterior legs and sped on leaving behind a red-yellow cloud of dust in his wake.
He frowned. Feeling strange at a never before felt sensation. Like something in the back of his perfectly designed brain was screaming a silent, but terrifyingly familiar warning.
"Ix itself is an ancient world. Temperate in climate, while abundant in vegetation and small game. It is unknown how the Ixian was formed on paradise.
The old priest can drum into your heads that I'Ix made us into being by indenting his form in the sand of the first beach and filling the shape with his life. Moulding us into being.
The heretic would counter and say we evolved from a previous species akin to ourselves over the course of untold lengths of time.
The philosopher would suggest that only on paradise would the sentient universe fill in the space for the perfect beings to enjoy the fruits of existence.
Lastly, even the lowest caste Ixian would point and laugh at the rest and say 'why talk about antiquity, when we can make more paradise to fill the heavens'."
-A popular Ixian parable
Lord La'Ix bolted up all of a sudden from his resting spot. Heart suddenly beating frantically. The stars had barely enough time to shift positions when last rested his weary body, only a couple hours must have passed since dusk fell and the world plunged into night.
The silence of the Savannah made sound from afar travel better. Aside from the quiet rustling of the wind he wasn't so sure what he heard. Assuming his bored ears were playing tricks on him.
Calming down, curling up on the flat cool rock he found he started to drift to the shadowless lands where all Ixian go when they dream...
Drums, no, not drums. Some sort of mechanical tool? Not that I ever heard of a tool that just beat the ground senseless. A strange beating sound could be heard, pounding into the ground. As he stayed frozen and very awake, he could have sworn it was getting louder. Closer.
CRACK. SNAP. CRACK.
Suddenly the entire valley echoed the sounds of a few broken sticks.
La'Ix jumped up, whirling around, and came to face something approaching fast that could only be described as a cold predator, not that there were any predators on the homeworld's recorded history. But every cell in his aching body reacted the same. DANGER, DANGER, RUN, RUN.
The silver light of the planet's 3 moons barely lit the valley but what that light bounced off of was a figure in motion. Front Legs pumping up and down, nostrils flaring, eyes too close together, and pupils so large it was like staring at darkness itself.
Hold on there are only 2 legs right? Sudden familiarity hit him hard, memories of last night's entertainment stained his mind. In the name of Ix is that a Terran?!?
La'Ix didn't realise it then, but it was looking at a Terran, despite the Terrans characteristics looking different to the standard slave he was used to seeing. The pumping body of the runner was made for such long distances. Sweat acting as a cooling mechanism, making the man glisten in the harsh moonlight, the enlarged nostrils taking in all the air the body needs for this type of strenuous activity. And the enlarged pupils, made for adjusting to low light environments.
Down on the plains of the Savannah were two creatures. One a perfect evolutionary miracle, practically evolution's first try gone right, Perfectly made for its environment and was never truly exposed to varying climates and environments. And the other, having crawled through the primordial ooze, and struggled and fought its way through dangers, diseases, and competition on its own horrifying world. Where deadly heat in deserts can dry out any living thing, and such freezing poles that can turn anything that enters it in pure ice.
The man's lean and sweat-slicken form was steadily making its way towards the frozen statue of La'Ix. Just as he got within 50 paces did La'Ix sprint away scattering pebbles in its path the echoes of which bounced back from the valley's sharp walls. Undeterred, the chaser kept steadily running. Jaws grit. Eyes locked on afar.
And afar was its prey. Sprinting away.
HOW IN IX'S NAME DID THAT THING KNOW WHERE I AM? The La'Ix in a fit of sudden excitement mixed with a heavy dose of panic, began its high octane sprint from the sudden looming threat of being found. Hind Legs propelling the creature's body forward, while its front arms, which were historically also for four legged locomotion, pulled the terrain closer with each stride. Increasing its momentum until it reached max speed.
"Broodling La'Ix!" said a stern but educated voice.
"Huh? Oh! Yessir!" a young Ix jumped to attention still thinking about more enjoyable things specifically outside of the classroom walls.
"Well? Can you please answer my question or will you make your other broodkin wait until Ix falls to ash first", the tutor said expectantly, prompting several muffles giggles in the room.
"Sorry sir. What makes the Ixian race its place in eternity is the attention we put in perfection. After our home-world of Ix's climate and terrain began to change, the leaders from antiquity decreed we carry on the spirit of the home-world in maintaining a consistent biological and genetic profile that will always be suited to Ix's surface. As we change worlds to be more like Ix, we can spread the spirit of Ix to them. As such, Change is- uh, change is..."
"Change is the poison of perfection, Remaining unchanged for Ix enable us to carry its spirit to other planets in the heavens", continued the tutor. "Well you certainly paid some attention to today's lesson at the very least. But remember that final part. It's the last of the core tenants you will need to remember."
"Yessir!"
A good half night passed on the surface of the Savanna. Where a previously noble and alert Ixian who took great care in appearances and status was no longer to be seen. Instead of that proud domineering alien representative of ix was a dishevelled, dusty, ragged creature, dehydrated, hungry, and exhausted from the various sprints it forced itself to endure to stay ahead of fate's ever closing hand.
Is this the sword of Damocles that was mentioned in the ancient Terran records? Always hanging down on those who hold power and seek more? Fate's sharp blade? But why me? I was never in any real power. All I wanted out of this life was a comfortable posting with no dirt and grime from the lower worlds. Why me? Why now? Why do I-
La'Ix snapped himself out of a daze. Is he here- No, no I should be far far away from that Terran now. Maybe I can find some-
A dim glow interrupted its train of thought. Much too early to be the Sunrise on the Emperor's summer planet, and much to low to be the light from one of it's 2 moons. It was a light from a town.
"That's right!" The Ixian barely managed to rasp in between haggard breaths. Its body barely able to continue the amount of self inflicted abuse it has suddenly been put in.
A lot more hunched over than the Ixian was earlier. It made its way towards a small town it knew was in between the palace and the harbour. The emperor loved his royal rustic towns and villages. It is said that his royal emperor would sometimes tour around them marvelling at the romantic theme of a simple rustic life. Although getting a personal town full of Ixians required a lot of lower caste be forced into long and expensive work contracts as background entertainers for the king's planet, all this excessive show of wealth was partially for peackocking the emperor's reputation, and partially for his own personal enjoyment. The Emperor is almost culturally required to flaunt his royal wealth in all forms in order to keep connections with all the royal houses. An emperor that doesn't shower their supporting aides and houses with grand gifts is fated to eventually be found cold on the floor of the royal banquet due to 'suicide from accidentally ingesting poison', as was the previous emperor.
To avoid such an unfortunate passing, the Higher Royals would trade vast resources, delicacies, and even exotic slaves to court 'royal favours'. Slaves of the Terran variety especially are considered to be the most unique of gifts the empire has ever acquired.
Terrans weren't necessarily large and bulky. Fighters were assigned to the Slave Obniraks. Powerful creatures used to fill the fields on tougher worlds where mechanical services would be deemed to expensive. The growth of a Obnirak into full working adulthood is only a few cycles. Meaning mass producing a workforce is quite an easy feat.
Terrans instead would take vast cycles to mature from a childling to an average adult. Meaning growing a slave force would take vast quantities of resources, immense patience, and strict guidance from their owners as to not create faulty creatures. All of which increases the general standing on any house that manages to keep a vast amount of Terran slaves in the best quality.
Terrans weren't necessarily docile and obedient. That role was perhaps given to the oldest slave race the Ix ever controlled. The Iralisa. It was known that they were made remarkably docile due to generations upon generations of select breeding, and pruning off the 'aggressive traits' from the gene pool. However, that led to the adverse effect of physically weakening them to a point where such docility and lack of a frame to keep up with their workload led to a general lack of Ixian interest and were subsequently purified.
Terrans are notoriously independent and herd-minded in larger quantities. Similar to growing a very stubborn Terulian Rose Vine. Which only looks impressive when great care have been given. Terrans need to be given an illusion of being ever so slightly free. Which typically involves owning vast amounts of land and nature to let them roam and graze. Of course, the only ones that can accommodate grand work forces of Terrans are the larger houses with the appropriate territory for humans, as is studied in the Ixian art of Servitude.
One can only guess which species is the Emperor's favourite.
The following town should indeed have both, low caste Ixians, and possibly none of the Emperor's favourite slaves.
The Ixian approached the glowing town. As it reached closer it straightened its back, upright on its hindlegs in the royal fashion. And proclaimed. "It is I! La'Ix, royal courtier. Lend me aid imme-"
Something is off. Not a single shadow in the town, I can see lights but no movement, where is every-
After turning the corner to the center of the small town, the dustied and weary creature froze in its tracks when it saw it. A pit nearly as wide as an Ixian land cruiser and who knows how deep filled with a stench so powerful it watered his eyes. Despite the Ixian's lack of a proper sense of smell. It knew the foul fetor of death.
The crudely dug pit was nearly overflowing when he approached it. Large, smoking, smouldering pyres cast that eerie light that had drawn him in.
"H-how? Wha-What the..." he trailed off when a local species of Laran boar growled and squealed as it tore a dead Ixian limb from the mountain of corpses.
"Who could've..."
He stopped. The shock of seeing his own kind laid like broken dolls in a bleeding pit slowly faded, replaced by a numbness. The Ixian had just noticed they were of Ix. Only of Ix.
Not a single terran colour was visible in the black and spotted pit of bodies. Not a single slave body was visible.
I-Impossible...
His legs gave way, either from the strain of the entire nights run, the horror facing him, or the threat from behind. He just dropped.
Minutes passed, or hours. It was hard to tell. But the Ixian lay slumped. Body unwilling to move further. Battered flesh unwilling to be propelled by a shattered spirit.
Mind slowly spinning up again. Thoughts began whirring to life in its mind. Could the rumours actually have been true? It had read the sparse reports of odd activity from certain Ixian-controlled worlds on the outer arms of the empire. Small uprisings of unknown origin. Hardly anything of note. If it had no affect on the greater houses then it was of no real concern to Ix and its emperor.
Could this threat have made its way to the centre arm already? Impossible. But what else could have done this to us?
Something caught the Ixian's eyes. In the middle of the pit it stood. A large stake, wet with deep Ixian crimson, dripping ever so slowly. Towering over the pit like a battlefield flag was a head of an Ixian rammed onto the tip of the spike. But the particular detail that caught the Ixian's eyes was a symbol cut into the flesh of the large forehead.
Looking from the outward-in. Eight concentric rings, which proceeded to get smaller and smaller in size until it reached a dark mass at the centre of the symbol. The Ixian never forgot the symbol and the affect it had on it.
Eight concentric rings, and a centre mass. Eight rings, and a mass. Eight- Eight what? Eight planets? And a star? ...
A growing pool of cold dread rose in its guts that made it shiver despite the fair night. This dread reflected the sharp reality on its frigid surface.
This Ixian was well-bred, well-trained, and well-educated. Although anyone with a basic education would know of such a pattern.
Terra and her sisters. THEIR star system...
Thump, thump, thump, thump.
It's not possible!-
Knowing what that sound meant, the Ixian tried to whirl around, its body barely being able to heed its masters commands. Just when it was starting to move again it felt it.
Sudden sharp agony. Sudden sharp, raging agony. The Ixian looked at it's hind leg. A sharpened wooden stake was jutting out of it.
It loud out a tight lipped scream, as it grasped the pulsating wound as one does immediately after an injury. It barely had enough time to look up at its attacker when the Terran bolted forward, shortening the distance between hunter and prey from metres to mere paces. The Ixian barely had enough time to block the hand grasping the knife as the arm flew forward at the last minute with a crash.
What phenomenal force!
Using the momentum from that sprint plus the wind up of his arm. The Terran was able to impart a phenomal show of force for a creature its size. That's when La'Ix for the first time saw a human in its raw unchanged form. Great beads of sweat collecting dust on its brow, to prevent it from entering the eyes. The constant release of sweat from the countless pores on its soft fleshy skin. Constant cooling? Even the visible veins and capillaries visible from the fire light.
What a beast of endurance-
Suddenly the horizon fell before the Ixian only to reveal the inky black sky dotted with pigments from stars like a painters masterpiece. When did I look up? Then a crash and blunt force from the ground.
The Ixian had been toppled over by that ferocious exchange of force.
Barely able to get up due to the wind being knocked out of its single large lung, the searing pain in its hind leg, and the exhaustion from the chase. It was too late. The terran was already on top of it. Taking up the entire view of the sky as the terran stepped forward into its field of vision.
The sudden perspective change made a once small and frail looking slave look grander than life, grander than all the legends told to Ixian broodlings.
The punches rained down. Repeatedly. A constant bombardment of beating rained like the drops of rain before the first dew. The previous pain in its leg forgotten, to invite a new visitor in the form of blunt force trauma. So ferocious were the raw blows to its carapace that the Ixian felt the exoskeleton crack under the increasing pressure and strain.
Something cracked, another thing snapped. The amount of pain too much to comprehend. The neurons firing in its second brain just assumed it was everywhere. Its half-working eye glimpsed the fist as it came down for the nth time. Red and split knuckles, revealing pure white bone beneath—a reinforced weapon. The perfect natural offence. All the muscles moved to propel it downwards where something else cracked and split.
Is this where I die?
As if understanding its fate the Ixian's form slumped over. Its body barely holding onto the natural exoskeleton shielding that covered its chest and facial area. Fluids leaking from the cracks that went too deep, and who knows how many internal ribs are shattered.
Its body, knowing that that more movement will cause more injuries, and further stimuli would confuse it further. It simply shut down.
The last moments it had as it fell backwards on its side. Was a small running figure. Hand clutching wooden spears. But the truly petrifying sight was behind it. A vast shadow flickering from the light of the lit pyres from the hunter in front of it. A shadow cast so large, jagged, and menacing it appeared to swallow the town whole.
And into a hole did the Ixian fall. A vacuum with no sensation or thought. Just darkness.
How... did we never notice such a... monster... in their... shadow...
All Ixians were taught about 'violence' and 'conflict' at an early age. As a sort of rite of passage that any of them would go through as they survive their early broodling days. As Ix have no natural predators, they had begun to instil a serving of some necessary conflict to keep their generations fresh and somewhat physically strong. As a precaution, only rudimentary forms of civil sports, races, shows of strength and courage were ever really explored. But always in a controlled and calm settings, as there would never be any true need for actual conflict.
As there was always a need to maintain ones own environment. The need never arose for the development of fighting techniques and schools of training. That was one of the best parts of being an Ix that many thought. Having supreme control over the worlds you inhabit means setting gravity, atmospheric pressure, humidity, and temperatures to the perfect levels for comfort replaced any need for biological change. Why grow when you can keep everything the same way, how you like it.
They were a vast empire. An empire of statues.
-Excerpt from the history of extra-solarian species, Author unknown
It awoke to a burning radiating heat from in front. The large sun was already starting to set on the horizon when it awoke. Had a whole day passed? Or two?
Trying to block the setting sun from its eyes it couldn't. "What?...", barely made out in a whisper.
I'm tied up.
And indeed the Ixian was right. Tied up next to a small brook, with a scorching fire in front of it. The monster nowhere to be seen.
"No good... it's too tight", it grunted in an attempt to escape its bindings.
Going slack in defeat it avoided any additional movement. Not having the energy to spare to move. It was lucky to have always been lazy at shedding its carapace - a frequent nag from its broodmother - might just have become its salvation in this case.
Thank Ix.
So there it stayed.
Hours passed. The Sun fully set and the stars awake in this dark world barely lit up the wildlands. Only the prisoner in this cone of firelight existed out here.
A rustling up ahead caught the prisoner's attention disturbing the eerily still silence of the Savannah night. And ungodly horror of a squeal ruptured the air invoking a deep visceral terror within the bound prisoner. Something. Something close but just outside the firelight was eyeing it, glinting from beyond the light. Those dark predatory eyes stabbed the prisoner with a sudden coldness. All while the squealing suddenly halted. SNAP. SQUELCH.
Now it came, emerging into the light. A beast. Holding a knife in one bloodied hand, dripping on the dirt. And dragging by the leg, a massive adult Laran boar grotesquely smearing thick blood still warm from the cut in the neck on the dirt.
The prisoner watched, barely moving, barely breathing. Frozen with the horror in front of it as the bloodied carcass was skinned; fur sliced away with harsh, scraping sounds with the crude knife. Spurting remaining blood all over the site.
The pink naked flesh then washed in the brook, leaving a distinct smell of oxidised blood in the air, before being skewered and roasted over the roaring flames. Fat popping violently in the heat.
In this gruesome display, the beast revealed not just a fate for the boar, but a dark hint of what might come. The realisation struck deep—this could be more than just a demonstration; it was a terrifying preview of its own potential end.
It passed out again.
Only to be awoken by the haunting echoes of a wild, desperate squeal that once thrummed through the savannah's eerie silence. Dare it open its eyes?
After a great heavy effort -utilizing its every last drop of courage- one eye cracked open. And what it saw. Made it regret ever having done so.
Right across from it, the hunter was a grotesque silhouette against the flickering fire. Grasping a severed boar leg was a mouth viciously biting, ripping, tearing into the flesh with primal ferocity. Each bite was deliberate, each tear of sinew was a clear, calculated demonstration of supreme savagery. Its jaw muscles bulged with the force of a bite.
All the while, the eyes—deep, abyssal pits—fixed intently on the prisoner. Deepest black pits stared back at it. Watching. Observing. Calculating, with a dark intelligence. it was calculating. It was relishing the terror it inspired and the control it exerted. Or planning its next meal.
The sounds of ripping flesh filled the thick, blood-soaked air. Deep into the night. Deep into this never-ending nightmare.
Never once did the prisoner move. Not an iota. Frozen in abject horror.
The night passed quietly. After the feast the human had, or the desecration of life that the prisoner saw, whichever way you look at it. The human nodded off to sleep. Content in the success of his mission. But the tied up creature had no such rest. Sending silent pleas to the stars that it might be saved. But not daring to make a sound, less it awaken that sleeping horror. Or was it sleeping? Dear Ix, it might be watching me. Feigning sleep to keep an eye on its meal. Dear Ix I'm next...
All through the night, the demons plagued its mind. Until the warmth of the morning rose, and with it the sound of an Ixian cruiser.
Elation could not be an understatement for the tired, tied, beat, and bruised thing. Craning its neck to the direction of the sound about to bellow out an Ixian warning to the demon resting next it.
"BE CAREFUL! THERE'S ONE HERE-". It stopped speaking. That previous elation it felt at a saviour arriving to rescue it from the demons grasp, fizzled out like a drop of water in a drought.
That all so familiar cold remained. And the dryness of despair. As pairs of dark pupils shot back at it.
On the cruiser were tall adult Terrans. Clean cut, well fed, well dressed Terrans. Four, no Six, no eight of them. All hanging onto the side of cruiser while it made its way to their location. Compared to the demon waking up beside it, these creatures were organised. A savageness neatly packaged in a uniform with a symbol. The prisoners eyes grew wide in its sunken sockets. 8 rings, and a centre mass. They must be the cause of, well all this.
Accepting fate, its head fell in part defiance, in part to avoid the stinging eyes of these others. It felt their gaze burn through—cold, cruel, calculating. There is nothing I can do any longer.
"You're finally here. What took you so long?" The runner said to his approaching comrades, "Took all night to catch up to him."
"Hey Jan, great work", the tall militant woman shot back. With a playful punch to his arm. "Guess all that cardio really paid off, didn't I tell you it would!" She let out a playful guffaw.
"Thanks Chel", replied Jan.
"Ok chop chop people, we're on a schedule. We need to reach the port ASAP remember? Come on Jan, rest up all you like, you're still on the clock."
"Aye sir." Jan shot back in a mock salute, gaining a sneer from the commandant, then a sneaky smile.
"Don't forget your trash. And make sure its breathing still."
It creaked open its eyes, seeing pairs of boots moving towards it and standing in front. In silence. Then all of a sudden, felt pairs and pairs of hands pull and tug. and lift it up The thing let out a pathetic silent sob. While it was loaded in the back of the cruiser, face up. Staring at eyes, piercing black dots peering back. It could never understand what was being felt by those eyes and those faces.
Ixians wear their emotions on their carapace; spots and stripes would slowly appear in certain parts, representing emotions and feeling that their bodies felt in a general sense. But the most private thoughts were of course, still kept private.
But this. This was just too foreign. The eyes never stopped. Even in the swaying movement of the cruiser the pupils never broke contact. Those eyes. As if it was peering into it, envelops your entire mind. There was no way to hide, even hiding in his inner self would do no good. Those eyes. Those predator eyes can find me anywhere I try to escape to. Inside and out.
Some times passes.
"You know. I lost good friends to the royal caste. Especially to this one's brood clan or whatever they like to call it." One of them was looking right at it when they said it. It turned its eyes over to the source. A short one, with a slave scar on the neck said it. A scar that shot through his memories. A scar inflicted to property owned by, his brood. This one is dangerous..., it thought.
Jan, and the others didn't look but felt it. The cold darkness in that tone made it clear what it intended to do.
The female militant, Chel, I think her name was. Slowly reached to the side arm on her holster. Sensing the oncoming problem.
"You still understand me don't you? I've had to watch good people die. Damn good people." The scarred one one stood, grabbing the upper rail of the cruiser to steady themselves. "I hear that even if you get ill, you become the entertainment for the night. What was it now?" She paused for a brief second. "Oh I remember".
"Stil" Chel said slowly. "Cool it". Hand still on the butt of the sidearm.
Not hearing or not wanting to reply. Stil continued. "Torn apart by those raptor pets. Hands or feet cut off as souvenirs for those fucked-up parties and those fucked-up guests. Oh yea, and the 'toy play' or whatever they call it. Can't have Ken and Barbie fight back now, can we?"
Stil leaned closer to the now cowering, shaking thing, "I wonder which one was your favourite." The words cut through La'Ix like an icicle. This was the first time these demons actually spoke to it directly. And it didn't like it. It could sense the venom from the words.
"Stil..." Chel slowly got up, hand still at the ready. "I said cool it." The line had a steely warning to it. Chel wouldn't risk the mission. Even if it meant doing what must be done.
Agonizing seconds passed. The cowering, shaking thing seemed to grow whiter and whiter by the second, It's spots clearly showing what it felt. Staring up, Not willing to move but being unable to hide. It felt the absolute crushing weight of the present. Grinding it down to a paste.
Everyone stayed still. The two militants didn't move. The rest didn't seem to even have paid attention to the converstation, still looked away.
Longer passed.
Stil smiled, "Oh come on Chel, you know I wouldn't do anything to our friend here? You know I was just playing around." Stil laughed. Chel didn't react.
Stil immediately crouched, faced the shaking prisoner inches apart eye to eye, and in a whisper said "Right friend?"
She wants me to reply? Dear Ix I can't even think with those eyes in front of me What do I do?! What do I say?!
"Right. Friend?" Stil repeated slower and colder. Like the blade of a surgeon hovering over skin, ready to plunge.
The gears of its Ixian brain grinded to a screeching halt. In utter desperation to find a reply it simply gave up. Instead, it felt a warmth slowly spread. Slowly spread between its hind legs. It had released its bladder.
"BAHAHAHAHA LOOK AT IT" Stil roared in laughter. The sound of it rattling the prisoners brain with the sound. Disorienting its senses. "NOW THAT'S CLASSIC TIMING IF I'VE EVER SEEN IT!" She plopped back down face red and still laughing.
The Ixian didn't know what to do but tremble and sob silently on the cold surface of the cruiser surrounded by laughter. and the warmth of its piss. It tried to plug its ears. But the sound still came. Laughter. Laughter. Laughter. Dear Ix, what are these demons... where are they taking me? To hell?...
The cruiser kept cruising. Towards the port across the island. Trailing laughter behind. Or to the sobbing wreck of a thing, demonic cackling.
The scent of familiarity wafted into the senses of the prisoner as the cruiser started to slow. The smell of the salt, the chirping of familiar aviaries. Sound of the crash of sea. The port.
Braving a sentence for the first time in for what seems eternity. It let out a question "...w..w..where ... why... are... ... we ...h... here?" It managed to say shakily, eyes downcast.
As if in response, a sharp shove greeted it from the back and a hard hit on the ground was as much of an answer it was getting.
"Move it", Jan said gruffly.
They walked. the ixian still bound but free to walk in the middle of the group of humans. Towards a destination still not known. The walk twisted, and turned, and twisted again. One thing struck out to the prisoner. It was too clean, especially for what it was expecting, it's last experience being in the previous blood-soaked town laden with bodies and carrion eaters.
The port town was completely silent, free from the regular hustle and bustle it usually had even when the emperor was not present. And superbly clean. Not a single piece of dirt to be seen. Not a single Ixian either. Where did everyone go? Did they make it out somehow when these invaders came?
In the background, the surf broke relentlessly.
Piercing eyes caught the prisoners glance, as it wandered curiously around the town. Realising its mistake La'Ix tried to look away but the burning gaze gripped his own.
As if reading its soul. The human answered the hidden question bubbling up in La'Ix. "You should've seen them your royal majesty". The one called Stil said while bending in mocking courtesy.
The surf pounded the shore even more loudly now.
"They don't swim well. Especially the young ones. They dropped like stones. Turning all white by the time they stopped moving."
Louder now. The sea roared.
Nothing came. Not a thought in La'Ix's mind. Its mind struggled to comprehend the depth of what was said by Stil, the scarred human.
The waves boomed louder now. Louder than the sun, echoing louder than the screams of all the Ixians that must have perished.
It saw the lips of the standing-devil in front of it. But all the came from its blood red lips were obscured by the sound of the pounding of the waves. The echoes of drowned kin, thudding and slapping against the shore, merged with the relentless surf in La'Ix's mind.
This is for our sins.
Wave after wave, the relentless surge continued, each one a haunting reminder of the souls lost to the sea, each crash a ghostly thud of bodies hitting the shore.
Very slowly did some exhausted neuron in the Ixian's head come to a conclusion as to how these creatures in front of it can be so relentless, so cruel, and so evil. When pushed to beyond its breaking point, did their true carnivorous instincts rear their ugly head.
Oh dear Ix. What sort of environment could breed such demons?
La'Ix didn't remember what happened next. The memories feel like a distant dream now as he sits watching the port sky now.
The aching brand on his forehead of the 8 ringed system, pulsed in pain—a departing gift from his newly made friends, stung from the salty sea air.
He barely recalls the staggered walk from the empty inter-arm transmission office and the inputting of his biometric royal seal. He barely even remembers the message that was sent under his name and signature
And even less does he remember what he heard what will happen next.
All alone now, he stares at the sky of the empty port town. As he watches more royal ships enter the atmosphere.
He gazes upward, thoughtlessly, statue-like Knowing fate will come for them all. Fate in the form of piercing black eyes and a monster so large it can fit in a shadow.
A single thought, carried its way from above the despair to the surface. Slowly. Like a bubble in a pool of tar.
What was I meant to tell the emperor again?
submitted by HumanSupremacyFan to HFY [link] [comments]


2024.05.19 16:00 edma23 Race Report: The 24-Hour 5K Ultra (Or how never to underestimate the perineum)

The Lead-Up:
After months of gruelling training including the requisite time spent napping, curating the perfect Spotify playlist, photographing flat-lays of my kit, balancing chia-seed count to GU consumption, and sticking to zone 0.7, I was finally ready to tackle the infamous 5K Ultra. Thanks to my legendary Strava art skills, I had already been approached by several manufacturers to test their kit in the field and under gruelling conditions. Nike hooked me up with their Alphafly 17 prototypes. They claimed these shoes were so fast, they could propel a snail to a world record. Challenge accepted, Nike.
Garmin, those time-bending wizards, bestowed upon me the Garmin 1080p (p for "prototype”). This isn't just a GPS watch. It is a chronometer designed to measure the subtle fluctuations in spacetime that occur when one operates at my pace.
GU understood the need for fuel that could sustain not just the body, but also provide the energy needed to keep my mind from bending under pressure. Their prototype gel, a symphony of liquified Achilles tendons and distilled gazelle sweat, promised to unlock the latent antelope within me, or at least the fraction thereof required for this monumental endeavour.
My feet, those tragically unsung heroes of endurance, were adorned with "anti-blistering pace" socks. These are engineered by [REDACTED] to deliver a delicate balance between progress and preservation. Their integrated rate-limiter ensured my pace remained within the optimal range for completing a 5K in 24 hours while never reaching a pace that can be considered ‘blistering’.
Keeping me (barely) road legal were the Nike shorts. Engineered with space-worthy precision, their brevity is not a fashion statement, but a calculated strategy to optmise perineal airflow. After all, in the pursuit of greatness, every millisecond counts.
And then there was the singlet. A gossamer-thin weave of moon dust and unicorn tears that shimmered with an ethereal glow as a symbol of my otherworldly connection to the cosmos, a testament to the fact that my running transcended the mundane constraints of gravity and time. Nike really pulled out all the stops with this one.
In the eight weeks before the race, I began my taper in earnest and was pulling 18-step days in the last week. I didn’t sleep for three days and three nights leading up to the race but it’s ok - I have been trained for this is what I kept telling myself so that my self-talk fell just shy of being forbidden by AIMS regulations.
Starting Line Serenity:
As I stood at the starting line, looking absolutely spiffing in my celestial singlet and Alphafly 14s, a wave of reverence washed over the crowd. This was the hushed anticipation of a scientific breakthrough. The gun fired and I embarked on my journey, each step a deliberate calculation and a calibrated multiplication of stride brevity multiplied by cadence.
0 - 200m: Swiss fucking clock
The Garmin 1080p hummed with satisfaction as my pace aligned perfectly with its arcane algorithms. The world around me seemed to speed up, the sun's rays bending to my will. GU flowed through my veins. Everything was according to plan.
200m-800m: Shoes make the runner
I started to pay attention to my shoes. These Alphaflys are significantly better than version 12 (which only I happen to know are a direct descendant of version 9 with a more cushioned upper and a more breathable midsole). Their energy return is abysmal all the way until toe-off, when they absorb about 99.8% of your stride energy. I was suitably impressed.
800m -1.2km: Disaster
Disaster struck. The Garmin beeped loudly and engaged panic mode, vibrating my wrist so hard that I felt tendons in my shoulder start to part ways with my arm. I had entered Zone 1. I was only 4 hours in and already in danger of overcooking this race. But I have trained for this. More GU, tighten the shoelaces. Breathe with the famous 14-8-21 pattern, think of all the people I hate…
1.2km - 3.8km: Eyes wide shut
I have very little to report. This middle section of any race is where I lose concentration and focus. I closed my eyes for most of this stretch and just counted the hours. I kept repeating my mantra that the only hour of the race that matters is this hour. I was burping Achilles tendon from the GU and made a mental note to tell GU something about this. I don’t remember what that something was but it was one of the toughest times of my life.
3.8 - 4.2km: Perineal Optimization (& Cosmic Alignment)
The Nike shorts, those aerodynamic marvels, whispered sweet nothings to my meticulously streamlined perineum. With each stride, I could feel the very fabric of reality bending to my will, the stars aligning in perfect harmony with my stride and Mercury simply sipping on the Gatorade. I was fading in and out of a shimmering and glimmering and sparkling hallucination that I decided to succumb to. If I made it through the night, all would be fine.
The Finish Line Triumph: 24:00:07 (twenty four seven)
As I crossed the finish line, 24 hours and 7 seconds after I began, the crowd simply stared in a hushed awe. This wasn't just a finish. It was one of those defining moments in sports. It was Pheidippides breaking the 4-minute mile, Usain Bolt breaking the 4-hour marathon, Michael Phelps jumping a 3-yard long-jump - a paradigm shift in the world of running. The Garmin 1080p, its mission accomplished, succumbed to the temporal distortions it had so diligently recorded and vanishing from my wrist, lost to time and space. The GU that was left in my backpack, its energy fully expended, evaporated into a puff of magical purple smoke. The soles of my Alphaflys were melted into a soothing, aloe-vera goo that I applied to my sunburned perineum.
Key Conclusions:
submitted by edma23 to RunningCirclejerk [link] [comments]


2024.05.19 13:26 Stage-Piercing727 Best Case Hawkbill Knife

Best Case Hawkbill Knife

https://preview.redd.it/03gqus0jbd1d1.jpg?width=720&format=pjpg&auto=webp&s=9be95d527eab77de16d75031699654fac8afa153
Hold onto your hat, folks! Today we're delving into a world of sharp edges and sleek design: the Case Hawkbill Knife. Don't miss out on this thrilling adventure, as we explore the finer points of this versatile blade and its place in the grand tapestry of cutlery. Get ready to fold and unfold the Case Hawkbill Knife in all its glory!

The Top 19 Best Case Hawkbill Knife

  1. Tru-Sharp Stainless Pocket Trimmer with Blue Bone Handle - Experience unmatched durability and versatility with the Blue Bone Trapper, featuring Tru-Sharp Stainless Steel blades and a vibrant orange synthetic handle for everyday outdoor projects.
  2. Handcrafted Carbon Steel Knife with Dark Red Bone Handle - The Case XX USA - Small Congress Dark Red Bone CA31949 Carbon Steel is a stunning, handcrafted knife featuring dark red jigged bone handles and carbon steel bolsters, making it a high-quality and versatile choice for everyday needs.
  3. Beautiful Navy Blue Bone Stockman Pocket Knife - Experience the ultimate blend of style and performance with Case Medium Navy Blue Bone Stockman Pocket, a meticulously handcrafted knife boasting a jigged bone handle and Tru-Sharp SS blade, achieving a 4.7-star rating from 32 reviews.
  4. Yellow Mini Trapper Pocket Knife for Kids - CASE 029 Mini Trapper Pocket Knife: A versatile and durable yellow-handled knife with two blades, perfect for outdoor enthusiasts and trappers, making it a must-have in the CASE line.
  5. Old Red Bone Case Hawkbill Knife for Everyday Use - Discover the ultimate versatility and durability of the Case Trapper Pocket Worn Old Red Bone Knife, perfect for small game trapping and your daily needs, with its long-lasting Tru-Sharp stainless steel blades and jigged bone handle crafted in the USA.
  6. Amber Jigged Bone Stockman Amber Bone Knife with CV-Carbon Steel Blades - The Case Large Stockman Amber Bone is a versatile and durable pocket knife, featuring three essential blades for everyday tasks, crafted from premium, long-lasting chrome vanadium steel, while combining beauty and functionality for ultimate satisfaction.
  7. Stained Glass Trapper Folding Knife with Natural Bone Handle - Experience the beauty of stained glass and functionality of a Trapper with the 5.0 rated Case 38714 Trapper Stained Glass Wings Folding Knife, crafted in the USA and featuring Tru-Sharp Surgical Stainless Steel for superior durability.
  8. Handcrafted Gray Bone Case SM Congress Jigged Bone Pocket Knife - Experience the perfect blend of craftsmanship and tradition with the Case XX 58422 SM Congress Pocket Worn Gray, featuring a handcrafted carbon steel handle, a versatile sheepsfoot blade, and a pen blade, all in a compact and durable design.
  9. Premium Aesthetic Case Aquarius Corelon Trapper Knife - Experience the superior craftsmanship and exceptional durability of the Case Cutlery 9254AQ Aquarius Corelon Trapper with Tru-Sharp surgical steel blades and handle design options in blue and green.
  10. Case 50954 Iraqi Freedom Knife: Tru-Sharp Surgical Stainless Steel and Natural Bone Handle - Experience the premium craftsmanship of the Case 50954 Iraqi Freedom Hawkbill Knife, featuring a Tru-Sharp Surgical Stainless Steel blade, Natural Bone handle, and an intricate 6254 SS pattern, all proudly handcrafted in the U.S.A.
  11. Antique Bone Handle Hawkbill Pocket Knife - Experience the timeless allure of the Case 52832 Antique Trapper with its jigged bone handle and Tru-Sharp stainless steel blade, offering a perfect blend of elegance and durability.
  12. Tru-Sharp Surgical Stainless Steel Hawkbill Knife with Blue Bone Handle - Experience the luxury of a handcrafted, surgical-grade stainless steel knife with a blue bone handle from Case XX, now available in a small Congress design.
  13. Case XX Trapper Knife: High-Quality, Custom-Made in the USA - The Case XX Mulberry Synthetic 4254 Trapper, an American-made trapping knife, boasts a Tru-Sharp stainless steel blade, mulberry smooth synthetic handle, and nickel silver bolster, providing durability and precision for all your trapping needs.
  14. American-Made Mini Trapper Pocket Knife for USAF Enthusiasts - Crafted in the USA, the Case 32402 U.S. Air Force Mini Trapper features Tru-Sharp Surgical Stainless Steel and a Navy Blue Synthetic Handle, making it a reliable and durable choice for everyday use.
  15. Premium Amber Bone Tru-Sharp Surgical Stainless Steel Hawkbill Knife - Experience the perfect everyday pocket knife with the Case Amber Bone Peanut, featuring Tru-Sharp surgical stainless steel blades and a peach seed jig amber bone handle.
  16. Case Crandall Gray Pocket Trapper Knife - Chrome Vanadium Steel Blade - Discover the versatility of the Case XX 58410 Trapper Crandall Gray, a dependable folding knife for trappers with its jigged bone handle and Chrome Vanadium blades, offering reliable edge-holding and easy re-sharpening.
  17. Premium Hand-Crafted Case AQ Aquarius Trapper Knife - Crafted with precision and craftsmanship, the Case Hawkbill Knife is a reliable and durable outdoor tool for everyday use, perfect for hunting, camping, and all your adventures.
  18. Premium Hand-Crafted Corelon Ablone Hawkbill Knife - The Case Hawkbill Knife, a true work of art by skilled US artisans, boasts premium construction, versatile blades, and stunning abalone corelon handles, making it a reliable, stylish, and functional choice for any cutting task.
  19. Patriotic American Hawkbill Pocket Knife - Celebrate the values, history, and spirit of America with the Case Trapper Star Spangled Pocket Knife, featuring mirror-polished Tru-Sharp surgical stainless steel blades and natural bone handles.
As an Amazon™ Associate, we earn from qualifying purchases.

Reviews

🔗Tru-Sharp Stainless Pocket Trimmer with Blue Bone Handle


https://preview.redd.it/rjw3u3ljbd1d1.jpg?width=720&format=pjpg&auto=webp&s=8776196bf63001f64c3f3f4cfb34dced8a3efbe8
Recently, I came across a Case Knife Blue Bone Trapper, and I must say it's a gem. The vibrant orange synthetic handle made it easy to locate when I was outdoors, especially on my hunting trips. The clip and spey blades were incredibly versatile, making it an all-around useful tool for my projects around the house, outdoors, and hunting.
One of the standout features was the Tru-Sharp Stainless Steel blades, which held their edge much longer than conventional steel. Plus, the extraordinary blade strength and corrosion resistance added to the durability of this folding knife. It served as a great everyday pocket knife for me, and I found myself reaching for it often.
However, I did notice that the knife's closed length was slightly larger than I would have preferred for pocket carry. Also, the non-locking slip joint lock felt less secure compared to locking mechanisms. Despite these minor drawbacks, the Case Knife Blue Bone Trapper proved to be a reliable and beautiful addition to my collection.

🔗Handcrafted Carbon Steel Knife with Dark Red Bone Handle


https://preview.redd.it/29po69wjbd1d1.jpg?width=720&format=pjpg&auto=webp&s=51dc46cf756e55d62991b81c56c4cf0c9c9f95fd
I recently had the chance to use the Case XX USA - Small Congress Dark Red Bone CA31949 Carbon Steel knife in my daily life. The first thing that stood out to me was the carbon steel blade, which offered a sharp and sturdy cutting surface. The Dark Red Bone handle provided a comfortable and solid grip, perfect for various tasks.
One of the most impressive features of this knife was its handcrafted design, showcasing the artistry and attention to detail of the U. S. A. -based craftsmen who created it. The carbon steel sheepsfoot blade and pen blades were mirror finish, giving the knife an elegant and unique look. However, it's worth mentioning that the knife is not lightweight, as it weighs 1.2 oz.
While using it, I also noticed the nickel silver bolster(s) and the inlay shield, adding a touch of sophistication to this functional tool. The boxed packaging was an added bonus, making it a great gift for someone special.
Overall, I found this Case XX USA - Small Congress Dark Red Bone CA31949 Carbon Steel knife to be a high-quality and reliable tool. Its distinctive design and solid construction make it a worthwhile investment for those who value craftsmanship and durability in their cutting instruments.

🔗Beautiful Navy Blue Bone Stockman Pocket Knife


https://preview.redd.it/f1q6zwckbd1d1.jpg?width=720&format=pjpg&auto=webp&s=7fd9cd53e57899855c1b36bbba96e05ca8db5013
I recently tried out the Navy Blue Bone Stockman Pocket Knife, and I must say, I was impressed. From the moment I took it out of the package, the quality was apparent. The handle, made of jigged bone with a Tru-Sharp SS blade, felt comfortable in my hand, and the blue color added a nice touch to its appearance.
One of the best features of this knife is its versatility. The 6.5 cm blade is just the right length for everyday tasks and can easily be carried in my pocket. The weight, at 65 grams, is also perfectly manageable. It's perfect for everyday use and outdoor adventures.
While I loved the knife's construction, sharpness, and size, there was one thing that bothered me. The knife was delivered by a less-than-ideal shipping method, which caused it to be placed in my neighbor's mailbox instead of mine. I would have preferred it if the shipping was more streamlined and the knife was delivered directly to my doorstep.
Overall, I'm really happy with my Navy Blue Bone Stockman Pocket Knife. It's well-crafted, functional, and a great addition to my collection of everyday carry items.

🔗Yellow Mini Trapper Pocket Knife for Kids


https://preview.redd.it/fg3dvaqkbd1d1.jpg?width=720&format=pjpg&auto=webp&s=55c659394d2dfab6949e357865dd906634d4a7fc
Recently, I found myself using the CASE Mini Trapper pocket knife in my daily life. This versatile tool has made all the difference in my outdoorsy adventures, as it fits perfectly in the pocket and is easy to access when needed. The bright yellow handle really stands out, not only making it easy to spot in a backpack or bag but also adding a touch of personality to it.
I've noticed the knife has two full-length blades, the 'clip' blade and the 'spey' blade. The clip blade is perfect for detail work or cutting small items efficiently, while the spey blade is an all-purpose utility blade that can handle most tasks. The knife is constructed with the robust chrome vanadium steel, known for its excellent edge-holding ability and easy resharpening. Although the steel isn't as resistant to rusting as stainless steel, it adds to the knife's unique charm, making it a lifelong companion.
However, an aspect that I found less appealing was the susceptibility to potential rusting. While it may not be a deal-breaker for some, it's worth considering for those who plan to use the knife heavily or in humid environments. Nonetheless, its solid build, smooth operating mechanism, and durable construction make this pocket knife an undeniable staple in my kit. If you're looking for a reliable tool that adds a touch of style while still maintaining practicality, the CASE Mini Trapper pocket knife is worth a try.

🔗Old Red Bone Case Hawkbill Knife for Everyday Use


https://preview.redd.it/y3ekeq2lbd1d1.jpg?width=720&format=pjpg&auto=webp&s=ea6624e11be0fd788cc9c63eaffb42d4d65560b7
I've been using the Case Trapper Pocket Worn Old Red Bone Knife for a while now, and I must say, it's a beauty. Every time I take it out of my pocket, I can feel the quality in my hands. The red bone handle is not only eye-catching but also provides a comfortable grip.
The Tru-Sharp stainless steel blades are another highlight - they're sharp and hold their edge really well. The knife is perfect for those who enjoy trapping and skinning small game, as it's lightweight and has both a Clip and a Spey blade.
However, there is one downside. The knife is quite large, which can be a bit inconvenient when carrying it around in your pocket. But overall, I'm really happy with my purchase. It's like having a piece of art with me at all times that also happens to be a useful tool.

🔗Amber Jigged Bone Stockman Amber Bone Knife with CV-Carbon Steel Blades


https://preview.redd.it/vvmax3mlbd1d1.jpg?width=720&format=pjpg&auto=webp&s=f17c182514a061f16dcbe3d9b5439c504af232b4
A couple of months ago, I decided to try out this Case Large Stockman Amber Bone pocket knife, and let me tell you, it did not disappoint. Firstly, the amber jigged bone handle not only adds an elegant touch but also provides a perfect grip. This knife was designed to serve many purposes, and it shines in each one.
The sheepsfoot blade was a game-changer for me, making it smooth and convenient to use, perfect for carving and getting those clean cuts. But the icing on the cake is the clip blade, which is incredibly versatile, coming in handy for all the everyday tasks around my place.
One thing that did catch me off guard was the resilience of the chrome vanadium steel used in making the blades. While some might worry about its susceptibility to rust and discoloration, I found it easy to sharpen and maintain.
The thing that I absolutely love about this pocket knife is its construction and build quality. It is solid, and it oozes class. However, if you're a fan of stainless steel, you might not appreciate this aspect as much.
In conclusion, I'd say this product is the epitome of quality and craftsmanship. It's an all-in-one knife that's both a collectible and a utility knife. Sure, it has its pros and cons, but the experience of using it outweighs any minor drawbacks. Would I recommend it? Absolutely!

🔗Stained Glass Trapper Folding Knife with Natural Bone Handle


https://preview.redd.it/z8rqmacmbd1d1.jpg?width=720&format=pjpg&auto=webp&s=350adc9791761d429710cb0d736aa8fb0fbc1bf3
I recently had the pleasure of using this Case Trapper Angel Wings Folding Knife, and let me tell you, it's a beauty to behold! The stained glass angel wings on the handle make this knife truly unique. The natural bone handles, featuring a color wash and black definition, catch the light perfectly.
With a Tru-Sharp Surgical Stainless Steel blade, I found that this knife held its edge quite well and was surprisingly sturdy despite its lightweight build. The knife comes with both a Clip and a Spey blade, each serving a different purpose. The Clip is excellent for intricate tasks, while the Spey is versatile enough for any everyday use.
One particularly impressive aspect of this product is its construction with Case Tru-Sharp stainless steel. This material ensures the blade stays sharp for longer and offers impeccable corrosion resistance. The quality of this knife is evident from its handcrafted design in the United States.
In terms of packaging, the product arrives in a sleek black velvet box, perfect for storing and displaying the knife. Overall, my experience with this Trapper Angel Wings Folding Knife has been nothing short of delightful – a must-have addition to any enthusiast's collection.

🔗Handcrafted Gray Bone Case SM Congress Jigged Bone Pocket Knife


https://preview.redd.it/fg3hujrmbd1d1.jpg?width=720&format=pjpg&auto=webp&s=8073c912ee58c0889b5f888606310ef4dcc24623
I recently had the chance to try out the Case Small Congress Jigged Bone 58422, and let me tell you, it's quite a find. This little pocket knife is not only a perfect addition to my everyday carry, but it also has a unique charm to it.
The curved handle, made from gray bone, fits my hand nicely and gives a sturdy grip. The craftsmanship is evident in the way it was handcrafted in the United States – you can tell a lot of care and attention went into making this pocket knife.
The blade itself is made of carbon steel, which might seem a bit heavy for some, but I found it to be quite sharp and durable. It comes with two blades – a sheepsfoot, perfect for trimming hooves, and a pen blade for lighter work.
However, as much as I love this pocket knife, it's definitely not for everyone. Not only does it weigh a little more than other pocket knives, but the carbon steel blade might also be a bit of a risk when it comes to rust.
All in all, the Case Small Congress Jigged Bone 58422 is a fantastic choice for those who enjoy a traditional, compact pocket knife with a little extra heft and sharpness. But be sure to take proper care of it, and you'll be rewarded with a reliable and functional tool.

🔗Premium Aesthetic Case Aquarius Corelon Trapper Knife


https://preview.redd.it/b6qcxg7nbd1d1.jpg?width=720&format=pjpg&auto=webp&s=88f48c3a6901a74672abf5f713046383eb8a8560
Recently, I had the chance to try out the Aquarius Trapper from W. R. Case & Sons, a premium American brand of handmade knives. This versatile pocket knife, crafted from the highest quality materials, instantly caught my attention with its durability and performance. Made by skilled artisans in the United States, it offers a wide range of features that make it a must-have for anyone in need of a reliable and durable tool.
One of the standout features of this Trapper knife is the Tru-Sharp surgical steel blades that provide excellent cutting capabilities. The clip and spey blades are a nice touch, offering versatility for different tasks. Additionally, the handles are made of durable Corelon Aquarius, which adds to the knife's overall durability and quality.
While I loved the attractive design and vibrant color options, I did notice that the knife seemed a bit prone to scratches when carried in my pocket. This prompted me to suggest that the manufacturer consider providing a cloth pouch to protect the knife during transportation. Overall, the Aquarius Trapper from Case Cutlery is an impressive tool, crafted with precision and care that makes it stand out among other pocket knives in the market.

🔗Case 50954 Iraqi Freedom Knife: Tru-Sharp Surgical Stainless Steel and Natural Bone Handle


https://preview.redd.it/m2h3bnrnbd1d1.jpg?width=720&format=pjpg&auto=webp&s=2696bbfdc4c11458976f65eacdc82e16dc56bf40
Imagine walking into a dimly lit room, the scent of old leather and polished steel lingering in the air. In one corner, nestled among antique weapons, you find a knife that instantly catches your eye. It's a Hawkbill Knife from the War Series, designed in the image of a classic Iraqi Freedom pattern.
The blade is made from Tru-Sharp Surgical Stainless Steel, a choice that ensures durability and precision. The handle, carved from natural bone, fits comfortably in the hand, a testament to the craftsmanship of its creators. Handcrafted in the United States, each knife bears the mark of its origin - a symbol of quality and pride.
With a closed length of 4.13 inches, this Hawkbill Knife is compact yet potent. The spey blades, mirror finish stainless clip, and nickel silver bolster showcase the attention to detail that has gone into its creation. As you hold it, the Iraqi Freedom handle embellishment stands out, a unique touch that adds a layer of depth to your experience.
Unfortunately, there are a few aspects that could be improved. The weight of the knife at 4.0 ounces might not be suitable for everyone. Moreover, the overall design may not appeal to all, but for those who appreciate the history and craftsmanship that goes into each piece, the Hawkbill Knife from the War Series is truly special.

🔗Antique Bone Handle Hawkbill Pocket Knife


https://preview.redd.it/8i04li8obd1d1.jpg?width=720&format=pjpg&auto=webp&s=d42bc6e9137ec3737e055b54d1dcac40e74357c8
I've been using the Antique Bone Trapper for a few weeks now, and it's been quite a pleasure. The handle in jigged bone, with a rich, caramel brown tone, exudes an elegant, classic feel that makes you want to hold it and use it every day.
Plus, the Tru-Sharp SS blade adds durability and smoothness to cutting through tasks. However, I do wish the knife had been sharpened out of the box - just a bit of extra effort on my part before it could perform at its best.
Don't let this minor inconvenience deter you from trying it out. The Antique Bone Trapper is a fantastic addition to any collection or daily toolkit.

🔗Tru-Sharp Surgical Stainless Steel Hawkbill Knife with Blue Bone Handle


https://preview.redd.it/17jzskmobd1d1.jpg?width=720&format=pjpg&auto=webp&s=aa2352668a7c7181424c6f62c66d4bd9522f35af
I was intrigued by the Case XX 02845 SM Congress Blue Bone knives. The mirrored stainless steel blades and blue jigged bone handle were visually appealing. But the slipjoint lock was a bit unwieldy.
It took some practice to get the hang of it. The Tru-Sharp Surgical Steel blades held their shine for a reasonable amount of time, which was convenient. However, for a small knife with a 3-inch closed length, it lacked maneuverability in some situations.
Nevertheless, I appreciated the American craftsmanship that went into making this compact, pocket-friendly knife.

🔗Case XX Trapper Knife: High-Quality, Custom-Made in the USA


https://preview.redd.it/8xdr9pwobd1d1.jpg?width=720&format=pjpg&auto=webp&s=cb4f0959165a7352bf3932b58d6fa9c1a0205122
I recently had the chance to try out the Case XX Mulberry Synthetic 4254 Trapper. It's a handsome little knife, featuring a beautiful Mulberry synthetic handle that gives it a lovely, slightly textured grip. The Tru-Sharp stainless steel blades are quite sharp, and the spey blades are perfect for those who like a little added functionality.
One of the things I appreciated most about this knife is that it's handcrafted right here in the United States. The attention to detail is evident, from the mirror finish stainless clip to the nickel silver bolster. However, something I noticed that might be a drawback for some is its weight - at only 3.7oz, it's a pretty light knife in comparison to others.
Using this knife daily, I found it quite versatile and practical. But overall, the Case XX Mulberry Synthetic 4254 Trapper is a product that combines both beauty and functionality, making it stand out among its competitors in the market.

🔗American-Made Mini Trapper Pocket Knife for USAF Enthusiasts


https://preview.redd.it/dtly2b9pbd1d1.jpg?width=720&format=pjpg&auto=webp&s=f126e1ec8dda1b145022f9e7c22d91dbc9cafb63
I had the opportunity to test the Case 32402 Mini Trapper, a tiny pocket knife packed with impressive features. One of the highlights that stood out to me was the Tru-Sharp Surgical Stainless Steel, which provided durable sharpness that lasted through various tasks.
The Navy Blue Synthetic Handle offered a comfortable, ergonomic grip, allowing me to navigate my way around the miniature knife with ease. In addition, it added a touch of style to the design, making it stand out.
However, I did experience a small disadvantage - the Mini Trapper's manual-open design made it a bit challenging to access and open with just one hand. Despite this minor inconvenience, I still found great value in the United States Air Force W. R. Case & Sons Cutlery Co. 32402. Overall, it was a reliable and aesthetically pleasing addition to my daily life.

Buyer's Guide

A Case Hawkbill Knife, also known as a pen knife or a pocket knife, is a versatile and practical tool. It offers a variety of functions, including cutting, opening, and even breaking objects like nails. This buyer's guide will provide an overview of essential factors to consider when purchasing a Case Hawkbill Knife, as well as some general recommendations.

Materials


https://preview.redd.it/jj9ke12sbd1d1.jpg?width=720&format=pjpg&auto=webp&s=f437e0147541de2c0e36542b8d78f424aab20e2a
One of the first things to consider is the materials used to make the knife. Good-quality knives are typically made from carbon steel, stainless steel, or high-carbon stainless steel. These materials provide durability, corrosion resistance, and sharpness. Consider the climate where you'll use the knife, as well as the type of objects you'll be cutting. Stainless steel may be a better choice if you live in a humid or salty environment. Meanwhile, high-carbon steel could be preferable for a more precise or versatile edge. Remember to check if the blade locks or unlocks securely when using it.

Design Features

There are several design features to consider when buying a Case Hawkbill Knife. A locking mechanism is essential for safety and ensuring that the blade remains closed when not in use. Popular locking mechanisms include friction locks and spring-loaded locks. Pay attention to the size and weight of the knife, as well as the design of the handle. Some handles are ergonomic for comfortable use, while others have built-in features for opening cans or bottles caps.

Brand Reputation

Another important aspect to consider is the brand reputation. Case has a long history of producing high-quality knives with excellent value for money. However, new brands or lesser-known manufacturers may offer excellent products as well. Research online reviews, customer testimonials, and manufacturer's warranty policies to ensure that you're getting a reliable and durable product.

https://preview.redd.it/rf402ghsbd1d1.jpg?width=720&format=pjpg&auto=webp&s=9eb2f5b6b0a5d2a3f5f09657904d9a9b0479b502

Maintenance Tips

To extend the life of your Case Hawkbill Knife, proper maintenance is essential. Always clean the knife by wiping the blade with a cloth and removing any debris on the handle. To prevent rust, you should avoid submerging the knife in water or storing it in a humid area. Regularly re-lubricating the hinges and locking mechanism is also recommended. For the blade, sharpen or hone it as needed to maintain its cutting edge.

Price

The price of a Case Hawkbill Knife can vary based on factors such as materials, design features, and brand reputation. Shop around for the best deals and consider your budget when purchasing one. Remember that spending a bit more on a well-built knife may save you money in the long run by offering better durability and requiring fewer repairs or replacements.

FAQ


https://preview.redd.it/51bmvuvsbd1d1.jpg?width=720&format=pjpg&auto=webp&s=429a6591dce51d6b8e1ba293567711a7e343a151

What is a Hawkbill knife?

A Hawkbill knife is a type of folding knife that features a unique and distinctive blade shape, which resembles the head of a hawk. It is characterized by its curved, hooked tip that is ideal for piercing, cutting, and gripping materials. This knife is versatile, strong, and highly functional.

What are the main features of a Case Hawkbill Knife?

  • Strong blade made of high-carbon stainless steel
  • Unique Hawkbill blade shape for improved grip and cutting
  • Smooth, secure locking mechanism for enhanced safety
  • High-quality materials and construction for durability
  • Variety of colors and patterns to choose from

https://preview.redd.it/gndjx0htbd1d1.jpg?width=720&format=pjpg&auto=webp&s=8b2bf46874b045fe65b3e577954ae9138bcc9080

What are the different blade sizes available for Case Hawkbill Knives?

Case Hawkbill Knives come in various blade sizes, ranging from smaller pocket knives to larger hunting knives. Common blade sizes include 1-1/2 inch, 2 inch, 2-1/2 inch, 3-1/2 inch, 4-1/2 inch, and 6-inch.

Are Case Hawkbill Knives suitable for everyday use?

Yes, Case Hawkbill Knives are suitable for everyday use. Their strong, durable construction and versatile blade shape make them ideal for everyday tasks and activities.

What is the warranty for Case Hawkbill Knives?

Case Hawkbill Knives typically come with a limited lifetime warranty, which covers defects in materials and workmanship. Warranty information may vary depending on the specific model and manufacturer.

Where can I purchase a Case Hawkbill Knife?

Case Hawkbill Knives are available from various retailers, both online and in physical stores, including major outdoor and sporting goods retailers, as well as specialized knife shops. It is also recommended to check the manufacturer's official website for availability and authorized dealers.

Are there any reviews or ratings available for Case Hawkbill Knives?

Yes, there are numerous reviews and ratings available for Case Hawkbill Knives on various websites, such as Amazon, outdoor gear stores, and other online retail platforms. These ratings and reviews can provide valuable insights into the product's performance, quality, and overall user satisfaction.
As an Amazon™ Associate, we earn from qualifying purchases.
submitted by Stage-Piercing727 to u/Stage-Piercing727 [link] [comments]


2024.05.19 12:58 NLSSMC Advice about dying grandmother (and a story about the Cardinal)

Hi! 👋
I need help and I also wanted to share a story or two, if that’s ok. So this is LOOONG. Please forgive any mistakes or wrong words
I’ve put the questions up top so feel free to ignore the rest. I just wanted to tell people about her.
Thank you so much in advance!
TL;DR
Part one: My beloved 98-yo Catholic grandmother in Sweden is dying, no other family member is Catholic. We don’t know what we need to do now before and after her passing.
Part two: Gran’s story and the Cardinal who Didn’t Forget.
——-
Part one
My Grandma is 98 and nearing the very end. She is a devout Catholic who converted in her 60s. No one else in the family is Catholic and there are very few Catholics in Sweden overall.
Her faith is incredibly important to her and I want to make sure she leaves the world properly from a religious standpoint.
Only I don’t know anything about it and I don’t know who to ask.
I would be so grateful for any guidance.
Questions:
1. Are there things we need to do for her from a religious perspective when the end comes? Last rituals?
Any special handling of the body?
Should we call a priest but who?

2. Swedish funerals usually don’t take place in three or four weeks after death. Is that okay?

3. Her service will be held in a Protestant church with a Protestant priest and buried in the family plot that’s there.
She has okayed this. She originally wanted to Catholic service in this particular church but it’s not allowed.
Are there any things (prayers, rituals etc) we can include to honor her faith?

4. Do I need to notify her local church? She is a member of the Secular Carmelites as well.

5a. Obituaries work a little differently in Sweden but I figured I’d ask. It’s common to include a little picture or symbol in them, everything from roses to sports team logos (yes, truly! 😂)
Most of the Catholic obituaries I see simply have a cross and . Is that the proper way to do it?

5b. Most obituaries include a quote.
Would this be appropriate?
”I am going towards you whom I have always sought, loved and always desired.”

It may sound odd I watched Sister Claire Crockett’s final vows and heard it and just knew instantly it should be in Gran’s obituary.
I haven’t been able to trace the source though.
THANK YOU! If you made it this far! —————————
Gran and the Cardinal
Now it’s story time!
Gran converted in her 60s “after a lifetime of searching” and was an eager theological correspondent.
She is a passionate fan of St John of the Cross and mysticism in general and is a member of the Secular Carmelites.
My Gran is Dutch, spent her first decade in Indonesia before coming back to Holland just in time for the German occupation.
She grew up Protestant but the war planted a seed in her mind and she set out to discover the spiritual world and learning as much as possible about every religion she could find, Taoism, Shinto, Hindu gurus, the works.
—
I asked her once what made her choose Catholicism in the end. She said that she had seen a small bookstore that interested her and unbeknownst was in a small, nondescript church.
Gran said she went in through the door and felt a “flash” or a rush or something she couldn’t quite describe and just knew. She spoke to a priest that very same day.
—-
Gran never quite lost hope that one of her children or grandchildren would convert (I was her best candidate but that has not happened. 😅)
—-
My grandmother had to stop going to Church maybe 10–15 years ago since hearing is so bad and it still grieves her.
She misses the community of the church, theological discourse, the connections she has made over the years. She felt lonely.
—
I don’t know how much the “regular Catholic” knows about different cardinals but we actually got a Swedish one, Anders Arborelius, a few years ago.
Gran knows him through the Carmelites and she has corresponded quite extensively with ”Bishop Anders”.
On one bleak day when Gran felt so along in the world, I tried to think of ways to cheer her up.
I did some googling and found an email address to the Cardinal himself and also to his secretary.
—
I wrote a long email asking of “Bishop Anders” would be willing to send her a card to remind her the church hasn’t forgotten her.
I didn’t expect an answer but later that same night, his secretary responded and it turned out she used to know my gran quite well.
The Cardinal was in Rome, she said, but he would probably look at the email when he got back.
That night (say 2AM), I got a response from the Cardinal about how well he remembers my Gran, and how much he likes and appreciates her.
A few day later, a lovely little letter with encouraging words and a blessing arrived in the mail.
One funny thing though! He had absolutely dreadful handwriting, so bad we actually send around a picture of it to family members asking them if they could decode it. 😂😂😂
submitted by NLSSMC to Catholicism [link] [comments]


http://activeproperty.pl/