Shape poems templates
One notebook, cover to cover, in 30 days
2015.10.03 17:39 J0j2 One notebook, cover to cover, in 30 days
Introducing "The Notebook Project" or NoBoPro for short. Pick a notebook (of any size and shape!) and fill it from cover to cover during the month of November.
2024.05.14 01:53 toyAlien Best method for making multiples of the same shape without using a custom cutter?
Hello! I wanted to make a series of small air dry clay pins, but I haven't been able to find that bendable aluminum google suggests to use to form my own cutter shape. Plus, I don't want to buy an entire roll of this stuff just for a single project. I also don't want to spend a lot of money on making a mold. I'm just wondering if anyone has any suggestions, or if I should just make a paper template, trace it, and cut them out by hand?
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2024.05.13 22:58 burhanyilmaz_ WoMob - Word Press to Mobile App
| đą Transform Your Website into a Mobile App with WoMob! đ đ§ Utilize the WordPress REST API: Smoothly integrate your WordPress website into a mobile app environment. đ Easy Conversion Process: With just a click of a button, your WordPress site converts into a functional mobile application. đ Blog Template Available: Start with a simple blog template to showcase your content on mobile devices. đ Native Components: All components are native without iframe content. Some post content includes an iframe element. App using web view for displaying part of this content. đĄ Open for Contributions: We believe in community-driven development! Contribute your ideas and skills to enhance WoMob and improve it for everyone. đŹ Get Started Today: Simply add your WordPress website URL and gain access to your personalized mobile app. It's that easy! đ Join the WoMob Community: Join us in shaping the future of WoMob. Your input matters, and together, we can create something truly exceptional. Github: https://github.com/burhanyilmaz/womob Product Hunt: https://www.producthunt.com/posts/womob https://preview.redd.it/8xl5st1ec90d1.png?width=1488&format=png&auto=webp&s=a920300afcfd1439f6fbc4799786bfc71dbcbc55 submitted by burhanyilmaz_ to reactnative [link] [comments] |
2024.05.13 22:40 Rigorous_Threshold This is wild
2024.05.13 22:25 SnailArms Machine calibration screen won't load?
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2024.05.13 21:16 cruzg443 Cellica Angelic Novice
2024.05.13 20:19 Opposite-Witness2834 Exploring the Dynamic Relationship Between Literature and Society
Introduction: Welcome to our multimedia research project delving into the fascinating interplay between literature and society. As we embark on this exploration, consider the profound impact that literature has on shaping our world. From ancient myths to contemporary novels, literature serves as a reflection of societal values, beliefs, and aspirations. Join us as we uncover the ways in which literature both mirrors and influences the norms and values of the societies in which it emerges.
Body: Main Point 1: Literature as a Reflection and Catalyst for Change Literature serves as both a mirror reflecting societal norms and values and a catalyst for societal change. It provides a platform for discussing and challenging existing norms, sparking conversations that lead to social transformation. Through the power of storytelling, literature inspires empathy, fosters understanding, and ignites movements for social justice. From the works of Shakespeare challenging notions of power and hierarchy to contemporary dystopian novels critiquing modern society, literature continues to shape and reshape our collective consciousness.
Main Point 2: Historical Influence of Literature on Societal Norms Throughout history, literature has played a significant role in shaping and influencing societal norms and values. From epic poems recounting heroic deeds to philosophical treatises questioning the nature of existence, literature has provided a lens through which to view the world and our place within it. By examining the historical context in which literary works were produced, we gain insight into the cultural dynamics of the past and the enduring legacy of literature in shaping our present reality.
Conclusion: In conclusion, our exploration of the relationship between literature and society highlights the transformative power of storytelling. Literature serves as a bridge connecting individuals across time and space, fostering empathy, understanding, and social change. As we continue to navigate an ever-changing world, let us recognize the enduring significance of literature in shaping our identities, challenging our assumptions, and inspiring us to envision a more just and equitable society.
Multimedia Elements: - Text: Engaging and informative prose to convey key ideas and arguments.
- Images: Visual representations of literary works, historical contexts, and societal dynamics.
- Graphs/Charts: Data visualization illustrating historical trends or literary impact on societal norms.
- Interactive Elements: Quizzes, polls, or discussion forums to engage readers in critical thinking and reflection.
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2024.05.13 19:52 WDKilpackIII Kilpack Launches Dystopian Military Sci-Fi Trilogy with Battle Calm
| W.D. Kilpack III, a native of West Jordan, Uta., had his sixth novel, Battle Calm, published on Amazon.com. This is the first book in a trilogy called the Battle Calm Cycle, set in a dystopian future. It is Kilpack's first hardcover release, but is also available in eBook and on Kindle Unlimited. https://preview.redd.it/uypg3kt5f80d1.jpg?width=807&format=pjpg&auto=webp&s=6106b31b716bafc8414bf53a110d47d85e30e61c Battle Calm centers around Badger, a Keeper, who is the greatest soldier alive. He knows to never celebrate victories, no matter how hard-won, because the enemy never stops. When Badger succeeded his father, Red Skin, as Keeper Base Leader, he was well prepared, raised to handle anything the enemy threw at him. He was the best killer, and the most respected tactician. He knew Red Skinâs Laws like he wrote them himself. Most importantly, he was always calm, no matter how frenzied the combat. These were only some of the reasons why he still had all his original parts. His two closest friends are Trinity, who would die for him, and Korry, who would follow him without question. They are all Keepers. They fight, they kill, they live to kill another day, even when it means bugging out to another Base ... and another. That is life when life is war. They know nothing else. But even war cannot last forever, regardless of the infallible truth of Red Skinâs Law #35: âUnder conditions of peace, men attack themselves; thus, there never has been, and there never will be a time without war. It is the greatest, most perfect thing men can do.â Kilpack said, "I wrote the very earliest drafts of these books when I was 14. Don't worry, they've been revised many, many times since then. I'm very happy with the state they're in now. The military aspect is much more authentic in a lot of ways, despite being a fictional branch of the military. Research and Q&A with some veterans went into restructuring that aspect of the story both through direct feedback and pointing me to the right places to dig and find out for myself." Kilpack is an award-winning and critically acclaimed internationally published writer, with works appearing in print, online, radio and television, starting with his first publication credit at the age of nine, when he wrote an award-winning poem. He has since won 23 book awards, including The International Firebird Book Award, The BookFest Award, International Impact Book Award, both Editor's Choice and Top Pick from BooksShelf and Honorable Mention from L. Ron Hubbard's Writers of the Future Contest for his novella, Pale Face, which was recently optioned for development for a Hollywood movie. He has been editor and/or publisher of 19 news and literary publications, both online and in print, with circulations as high as 770,000. He received both his bachelor's and master's degrees from Westminster University. As an undergrad, he double-majored in communication and philosophy, while completing the Honors Program. As a graduate student, he earned a master of professional communication with a writing emphasis. He was also a high-performing athlete, qualifying for international competition in Greco-Roman wrestling. For 25 years, he was a communication professor and a nationally recognized wrestling coach. He is an accomplished cook and has cooked nearly every type of food on a grill. He is happily married to his high-school sweetheart and is father to five children, as well as helping to raise five step-children. He was born in Salt Lake City, Utah, where he continues to live, consult and educate. For more information www.Kilpack.net Praise for Pale Face Pale Face is "pretty darned good. I like it. I love how [Hector] sees the aliens and the white men in the same light. A nice, brutal, ironic twist ... this is good stuff." â Dave Wolverton, international best-selling author Praise for Crown Prince: Book One of New Blood "Author W.D. Kilpack III presents an atmospheric and immersive journey into a richly crafted fantasy world, balancing a strong character-led adventure with a wider web of plots, setting up a highly complex and enjoyable fantasy saga to follow. Thereâs a clear flair for character, dialogue, and attitude from the start, with Natharr's intense presence affecting all who encounter him and making for some really dynamic clashes. The weightiness of his responsibilities and the depth of the world-building immediately gripped my attention and, as the story unfolded, the way the charactersâ attitudes and actions were shaped by the realism of the worldbuilding was totally compelling. This book delivers on every promise of pulse-pounding adventure â thanks to the swift pacing of the plot, coupled with dark storytelling, strong descriptive skills, and captivating character development that balances emotion with duty well. Overall, I would certainly recommend Crown Prince as an incredible opener to an exciting new fantasy series, and Iâm all the more eager to continue exploring this fantastical realm." â USA Today best-selling author K.C. Finn Praise for Order of Light: Book Two of New Blood "W. D. Kilpack III's Crown Prince captivated me. His vivid descriptions plunged me into a kaleidoscope of sights, sounds, and emotions. I devoured the first book in the New Blood Saga, desperate to see where the tale would lead. So, it was with bated breath that I cracked open Order of Light, the series' second instalment. Kilpack doesn't disappoint. The themes that resonated in Crown Prince deepen and twist in Order of Light. He has a way of making words just flow vividly on the page. On page 106 of my Australian paperback version, a revelation about Natharr, the Guardian of Maarihk, floored me! His journey of self-discovery weaves flawlessly with the Crown Prince's own remarkable growth. New fantastical creatures emerge from Kilpack's boundless imagination. The Quiet One and Bu, meticulously detailed in all their wonder, are testament to his storytelling prowess. But fear not, I won't spoil the magic! Suffice it to say, fans of epic fantasy, your search is over. Kilpack is your new literary lord. From exhilarating battle sequences to poignant moments of reflection, Order of Light is a masterpiece. If I could, Iâd give it a six! Both it and Crown Prince deserve a place on your bookshelf. Trust me, you won't regret immersing yourself in Kilpack's world." â Jose F. Nodar, author of Books, Pens & Larceny (South Wales, Australia) Praise for Demon Seed: Book Three of New Blood "Demon Seed is the thrilling and fast-paced third book in the New Blood Saga ... Kilpack does not disappoint! Demon Seed is a shocking and brilliant tale that will reintroduce readers to characters we have come to love/be invested in. In this third book, the stakes are as high as ever and the story the reader is taken on will enthrall, captivate and excite its readers ... Kilpack from the beginning hooks his readers and keeps them enchanted to the very end. I have to recommend Demon Seed to readers that love epic fantasy! Demon Seed is one that is full of shocks, thrills, and twists and turns galore that will keep you on edge from beginning to end. [It] is an incredibly suspenseful novel and this is thanks to the wonderful author, whose work I love ... [Demon Seed] did not let me down, this saga has not lost its momentum or uniqueness. Kilpack is an exceptional author [who] knows how to flawlessly transport his readers into the story ... the descriptions are phenomenal ... Demon Seed is a magnificent and entertaining book that will easily entertain its readers for many hours! That is why I of course have to award this incredible book five stars!" â RedHeadedBookLover.com Praise for Rilari: Book Four of New Blood "Embark on a captivating journey with W.D. Kilpack III's Rilari: Book Four of New Blood, a tale that expertly weaves tension, mystery, and awe-inspiring heroism. Kilpack's world-building skillfully combines politics, magic, and ancient lore, creating a rich tapestry for readers to explore. The characters, especially Natharr and the Knights of Ril, are well-developed, and the dynamic between Nathan and his summoned companion adds depth and heart to the story. Kilpack successfully incorporates profound themes of resilience and unity into the gripping plot, leaving readers emotionally connected. Riliari is a triumph, offering an enthralling adventure filled with courage and the enduring spirit of humanity." â BooksShelf.com author #authorlife #authorscommunity #bookaddict #bookworms #dystopian #fiction #FSFWritersAlliance #indieauthor #newbloodsaga #newrelease #kilpack #militaryscifi #postapocalyptic #readers #readersareleaders #readersgonnaread #scifi #sciencefiction #WritingCommunity #ian1 #writerslift submitted by WDKilpackIII to u/WDKilpackIII [link] [comments] |
2024.05.13 18:46 basddo unfortunately he doesn't have a name
2024.05.13 18:27 temporarysecretary2 [Offer] Beta reader for your short stories, poems, books, etc.
Hi, Iâll read the book (or any other writing piece) youâre working on and give you my critiques on overall plot and its structure and development. Iâll also give you my notes on characters and their development. If you only have a few chapters written, Iâll read them and give you my notes on the things mentioned above.
Any genre is fine. Some of my favorite genres are sci-fi, adult fiction, the classics, YA, fantasy, âchick-litâ, and what I usually refer to as âslice of life fictionâ. I like creepy books as well. Iâm not the biggest fan of hardcore horror books, but Iâll still read them for you.
I love the art of storytelling. I watch a lot of movies, and I write about them occasionally. I also took a few courses in literary analysis in college, so I do have experience with criticism and analysis. I, of course, love to read. Iâd say Iâm not a total speed reader, but I can read relatively quickly. I also enjoy writing poetry and was doing that for a bit for money before chat gpt shut that down.
This goes without saying, but I will not share your work with anyone. Itâs yours, and Iâm not out here trying to take ideas. Iâm only trying to help you shape it into the best version it can be and something that youâre completely satisfied with. I can also help you if youâre stuck and give you suggestions.
$5 for short stories, poems, 60 page books
$10 for books longer than 60 pages
If you can only do PayPal friends and family then I can do that, but I prefer Venmo. Thank you.
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2024.05.13 18:23 temporarysecretary2 [Offer] Beta reader for your short stories, poems, books, etc.
Hi, Iâll read the book (or any other writing piece) youâre working on and give you my critiques on overall plot and its structure and development. Iâll also give you my notes on characters and their development. If you only have a few chapters written, Iâll read them and give you my notes on the things mentioned above.
Any genre is fine. Some of my favorite genres are sci-fi, adult fiction, the classics, YA, fantasy, âchick-litâ, and what I usually refer to as âslice of life fictionâ. I like creepy books as well. Iâm not the biggest fan of hardcore horror books, but Iâll still read them for you.
I love the art of storytelling. I watch a lot of movies, and I write about them. I also took a few courses in literary analysis in college, so I do have experience with criticism and analysis. I, of course, love to read. Iâd say Iâm not a total speed reader, but I can read relatively quickly. I also enjoy writing poetry and was doing that for a bit for money before chat gpt shut that down.
This goes without saying, but I will not share your work with anyone. Itâs yours, and Iâm not out here trying to take ideas. Iâm only trying to help you shape it into the best version it can be and something that youâre completely satisfied with. I can also help you if youâre stuck and give you suggestions.
$5 for short stories, poems, 60 page books
$10 for books longer than 60 pages
If you can only do PayPal friends and family then I can do that, but I prefer Venmo. Thank you.
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2024.05.13 16:25 qwertygnu Making setup blocks yourself
I just got a router and I'm reading about all sorts of jigs and accessories. I'm interested in setup blocks, the -- shaped ones, they seem super useful for router and table saw setup. But I couldn't find any DIY videos or even templates to print out. Only the option buy some. I get that the metal, machined blocks are gonna be super accurate and not get chipped or whatever. But like, I think I'll be fine with some self-measured mdf blocks.
Is there something I'm missing? Anyone made them before?
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2024.05.13 15:05 nomass39 I found an old recording of the most gruesome TV show ever broadcast
Me and Lila always carved dozens of jack oâ lanterns every October, so theyâd absolutely saturate our lawn on Halloween night. It was our thing. But looking back on it, now that Iâve lost her, I just feel bad for the pumpkins. I almost relate to them, somehow. The way they were carved up, had everything of substance inside of them torn out, and left as hollow, rotting shells with forced smiles.
Needless to say, I didnât cope with her death well. I didnât want to cope with it. I wanted the world to drown in the black sludge of my grief. I loathed the people I saw going about their lives, unaware that the world had already ended the moment Lila died. The Earth shouldnât keep spinning. Life shouldnât go on. Not without her.
Even my relatives bringing me along on a trip to Kauai only made it worse. The most gorgeous place on Earth, and it made me sick with hatred. Nothing that beautiful deserved to exist if Lila wasnât ever going to get to see it. It wasnât fair.
I thought Iâd never enjoy or care about anything again. Then I discovered media preservation.
It started with taking some of Lilaâs old VHS tapes to a video repair place to fix some issues with the footage before itâs digitized. The job fascinated me. In a universe based on entropy, where everything inevitably fades away and is forgotten⌠restoring something lost is like snatching it from the jaws of death, right? Like flipping the bird to the universe and its so-called ânatural orderâ. People die, but information doesnât have to.
Now, it doesnât matter how small â be it some god-awful plug-and-play licensed game, or a cereal commercial from 80âs â itâs my mission to recover it in as high a quality as Iâm able, and make sure itâs freely available online for as long as possible.
A couple weeks ago, I came across a big haul. Four boxes of old VHS tapes offered up on E-Bay for dirt cheap. Most of the tapes were just recordings of Cheers episodes already preserved in higher qualities, but one Maxell E-240 caught my interest.
First of all, Iâd never seen one so melted. Sure, sometimes they were left in an attic too long, and the colors and audio start to degrade. But this one looked like it had survived a house fire. It was covered in soot and the smell of smoke, and had the overall shape of a chocolate bar left out in the sun a little too long.
Second was the label, which read in neat sharpie: á´á´ÉŞęąá´á´
á´ 4,679,329 á´á´Ę 8 2035.
The casing was so disfigured, I had to bust it apart just pull out the tapes and respool them in a fresh cassette. I tried to iron out the creases in the tape as best I could, but I had no illusions about it accomplishing much â the mylar surface had been irreparably warped in places by whatever fire had half-melted the thing.
Imagine my despair at the sight of that dreaded âÉ´á´ ęąÉŞÉ˘É´á´Ęâ. I could clearly see the tape wasnât blank, yet no amount of adjusting the tracking or trying different TVs or VCRs accomplished anything. Just as I was about to give up, though, the thing just suddenly started playing properly at the exact instant the clock struck 3 AM, as if it had only now decided to work. My all-nighter had paid off.
I didnât dwell on the fact that this âmiracle fixâ had been impossible. If Iâd had any sense, Iâd have torn the horrid thing out of my VCR and buried it beneath holy ground. Instead, fool I was, I sat down and watched.
At first, the thing seemed unwatchable. The audio was so distorted that the showâs theme song emerged as a low, crackling, staticky wail that made my head throb, and the logo was completely indistinguishable through the flickering and interference. I thought it was a lost cause for a moment. But then a figure appeared and cleared away the static, like Noah parting the Red Sea.
It was the sight of the showâs host that hooked me. He was just⌠perfect. Perfect in every way. I knew it just looking at him. Infinitely handsome and likable and charismatic, and he always said the exact perfect thing. The only issue is, I donât remember a single thing about him now, in the same way you canât remember a dream that seemed so clear to you while you were experiencing it. He just appears in my memory as this abstract blur in a sharp suit. Yet at the time, I was awestruck, even before he said a single word.
I canât even remember a word he said. It was like he was speaking another language, one I felt as opposed to heard. Iâll try and transcribe it as best I can into words, but know that itâs only a pathetic imitation.
â... for another night of laughs, prizes, and fun for the whole family, with your host, #####!â I noticed that the audio and visual distortion seemed to suddenly intensify the instant he said his name, rendering it completely illegible. Idiot I was, I figured that was a coincidence. âTonight is a night of celebration, folks, because thanks to the support of loyal viewers like you, we have just been approved for, get this: two hundred thousand more seasons!â
The âlive studio audienceâ went wild with applause. I put that in scare quotes because, as far as I could tell, besides the host, the studio seemed completely empty. As if he was standing on a plain white stage that extended outwards into infinite darkness on all sides.
âFor those just joining us, the game here is simpleâŚâ He explained that this was some sort of a trivia show. Every time a guest got an answer wrong, it brought them a little closer to some sort of unspecified âpunishmentâ. And if they got it right? He smirked. âWell, they get to delay the inevitable.â
I wondered what he meant by âinevitableâ. I didnât have to wonder long.
The host gestured to a curtain that hadnât been there moments ago, which raised to reveal a middle-aged man. You know the type â bushy mustache, gray hair, round-rimmed glasses. Kind of guy youâd have doing your plumbing. He couldnât look any more out of place stood up and restrained in that â what the hell is that?
I recognized that metal coffin-looking thing from a medieval torture museum I went to once. The iron maiden. The lid hung open, countless long, needle-like blades poking inwards, threaten to poke a million new holes in him if it was shut.
His situation was not lost on him. âWhere⌠where am I? What the hell is this!?â
âOh, lucky guess!â The host âjokedâ. More canned laughter. âI know you always loved watching those trivia shows, Malcolm? Werenât you always sitting there, grinding your teeth, seething that it wasnât fair? That you should be the one up on stage, winning big?â
The man paused. Even he seemed mesmerized by the unreal perfection of the host before him. âI⌠this is a⌠game show?â
âAll you have to do is answer a few questions! Think you can handle that, Malcolm?â He pulled out a cue card without waiting for an answer. âAnd our first question! What were you doing the night of February 18th, 1998?â
The man seemed baffled. âJust⌠sat on my couch watching the NFL, I think? Iâm not sure how Iâm supposed to remember ââ
He let out a startled squeal as a horrid buzzer sounded. On cue, the lid slid a third of the way closed, making him flinch. âOooh, Iâm afraid thatâs the wrong answer, Frank! But you know what? Iâll give you one more chance. What were you ââ
âFollowing a girl home!â The man cried out. âF-from the bar. There, are you happy?â
âCor-rect!â The canned audience began cheering! âSuch honesty! Now, our second question: just what were you carrying while you followed her?â
He hesitated for a little too long. And then the buzzer sounded again, and the lid slid so near to closing that its blades began poking uncomfortably against his skin. He tried to press himself against the back of the maiden as well as his restraints would allow. âJesus! Okay! A knife, a knife!â
âAwww, if only youâd said that just a second earlier!â Another big question. âOur third question: why, Malcolm? Why did you do it?â
That set Malcolm off. He started thrashing, clawing, screaming. âLet me out of this thing, you maniac! You canât do this to me! Do you know who I am? Is this some sort of sick joke? My lawyers will have your head for this, youââ
And then the buzzer. All of a sudden, the lid slammed shut full-force, and the man was utterly silenced save for an unnatural, drawn-out wheeze. âAnother wrong answer, Malcolm! Iâm afraid I was looking for: âbecause if I canât have her, no one canâ!â
I admit it. I laughed. Out of shock more than anything. How was this allowed on TV? I took it as some sort of dark comedy show, and it was kind of satisfying to see that freaky character get his comeuppance. Still, there was something unnerving to me, seeing the manâs eyes through the openings in the maiden. Wide and red and terrified. They just looked a little⌠too real.
But the maiden disappeared as quickly as it came, before I could dwell on it too much. âOh, envy! Definitely one of my favorite sins.â More laughter. âStay tuned, folks! Weâve still got a night of fun and games in store for you! But first⌠howâs about a word from our sponsors?â
Cut to a corporate logo which I again couldn't recognize.
âThis segment was made possible by Buer Health, which has recently announced a brilliant new initiative to protect our citizens from skin cancer by removing their skin completely.â
The camera cut to a massive industrial building, resembling a solid concrete cube around 50 meters in width and height. Its surface bore arcane symbols etched using carvings of wailing, tormented faces. The host would occasionally be rendered inaudible by a deafening metallic scraping from within, though he didnât seem to notice. The only protrusion from the buildingâs cubic shape was a single smokestack, belching a scarlet red smoke into the atmosphere. A queue of gaunt figures waited at the entrance, herded and coerced by their grim overseers, and there were no words to describe the procession of scarlet ghouls limping out the buildingâs other end.
âOwing to the nonlinearity of time, the brand new Grand Skinpeeling Machine has spontaneously appeared several years before construction deadlines, and indeed, before it was even conceived of by anyone in our timeline. People have rushed all the way from Malebolge just to try this miracle of technology out on opening day, and so far, the reviews have been stellar!â
He shoved his microphone in the face of a shambling thing that could only scarcely be called a human. Tatters of flesh clung to its exposed musculature, blowing in the wind. Its eyes were the only hint of color in that sea of bloody red, and they were wide, white and terrified. The thing screamed and wailed for as long as it could before the last tendons connecting its jaw to its face snapped, and it was left to choke and gurgle.
âAn amazing wail! The results speak for themselves, folks. The Grand Skinpeeling Machine is a hit!â
So far, I was still laughing along and having a good time. The sight of the next âguestâ, however, started making me nervous.
It was an old lady.
She couldnât be a day younger than sixty, the sort of sweet elderly woman who in a just world would be cooking chocolate chip cookies for her grandchildren in a comfy cottage somewhere. But here she was, tied to a metal chair, eyes wide, shaking like a leaf. Unlike the last contestant, she seemed to know exactly what was happening.
âIn exchange for our loving endorsement, theyâve agreed to loan us one of their star employees. Ladies and gentlemen, put your hands together for: the Liqisma!â
Something slunk from the darkness far behind her â or perhaps itâd be more apt to say that the darkness birthed it whole-cloth. It was like a living shadow, and it took my eyes a moment to register what I was even seeing.
How do I even begin describing this creature? I could say it looked almost human, or at least like something that may have been human long ago. Or I could start with its skin, which was all black and shiny as latex and seemingly smooth on first glance, but if you looked closer youâd realize it was covered in a million tiny reptilian scales, almost like a shark. Its head was a bald manâs, utterly devoid of any distinguishing features, like the basic stock template for a human being. It was notable only for a complete lack of pupils and irises, its eyes a pure white.
Its body defied basic biology in so many key ways, I had to stare it at for what felt like an eternity just to wrap my mind around its physiology. It was at least five or six meters long, by my estimate, composed of multiple human torsos stacked one on top of the other like segments of a centipede, each melding with the ones around it at the waist and shoulders. Each torso sported a pair of short, stubby arms that propelled it with terrifying grace. It ended with a pair of human legs, perpetually bent on their knees, beneath a âtailâ that looked more like its coccyx was poking free from its body.
The old last could clearly hear it, and kept futilely trying to turn her head around enough to get a peek at what stood behind her. I mouthed uselessly, donât. You donât want to know.
âGlad you could join us again, Miss Wethersby! Judging by our ratings last week, you seemed to have been a fan favorite!â
Her voice was so soft, I could barely hear it below the static. âOh, God. Please, why wonât you people let me go? Iâve told you, Iâve never done anything, never hurt anybody. There must be some sort ofââ
He waved a hand over her, and it seemed to forcefully snap her mouth shut. âPlease, Miss Wethersby, save your breath for our questions!â Another cue card. âYour first question, my friend: where did you and your husband buy your first home?â
She had to think about it for a long time. Eventually, she cried out, âAlabama! Tuscaloosa, Alabama!â
âDing ding ding! Why, youâre already doing better than our first contestant! Next question: what breed of dog was your childhood pet?â
She had a pained look on her face as she thought. Eventually, a timer started ticking down. It wasnât visible, so it wasnât clear how much time she had left exactly, but the sound it made got more shrill and high-pitched with every second. âMiss Wethersby, need I remind you that we have a time limit on this show?â
A tear ran down her cheek. âI⌠I keep telling you people, I donât know. I have dementia, I canât remember, pleaseââ
That buzzer again. âIâm afraid that was the wrong answer! Liqisma?â The old lady shuddered at the sounds of hundreds of feet drawing a little closer to her. âNow, your first grandchild. What did he look like? What color were his eyes? His hair?â
She was crying harder now, like it hurt her that she couldnât remember something so dear to her. âI told you I canât remember! Why are you doing this to me!?â
âIf you donât remember them, why would they remember you?â The host mocked as the buzzer sounded, and the beast drew a little closer. âReally, do you believe they still even think about you? Or do you think theyâre glad that the old bag of bones isnât there sucking up their inheritance?â
This went on for⌠God, it could have been an hour. I was glued to the screen all the while, frozen with terror, praying for this nightmare to just end, for her to make it out okay somehow. He poured over every little detail of the life she lived and the people she loved, delighting in how little of it she could still recall.
And the thing grew closer, and closer⌠until she finally felt multiple pairs of hands resting upon her shoulders. The thing was looming over her now, and a long, black tongue a few feet in length emerged from its mouth and ran trails of dark saliva over the back of her head. She looked broken down, eyes raw from crying, and I could tell by the dampness of her dress that sheâd wet herself.
âNow, Miss Wethersby, our time here has been fun, but I do believe it is time for our final question. Tell me, what is the name⌠of your only son?â
She couldnât even answer anymore. She just stared ahead, like her mind was a million miles away. He cackled as the buzzer sounded one final time, and threw his cue cards aside. âThank you for playing, Miss Wethersby. Better luck next time.â
I would say the thing unhinged its jaw like a snake, but thatâd be an understatement. The way the thingâs face malformed and wrinkled and stretched as it opened its maw, it no longer looked even remotely human. Its jaws must have parted at least thirty centimeters apart, revealing a second, pharyngeal pair of jaws that lashed out and gripped the womanâs skull, pulling her headlong into that darkness.
I could hear bones crunching and snapping as its throat constricted down around her body, peristaltic muscles compacting her into a meat slurry, bit by bit. Yet she just wouldnât die. Even as her skull and upper body were already crushed and compacted, organs and muscles pressed into mulch, she still kicked her legs, twitched her fingers, let out a gurgling that must have been some attempt at screaming. She was squirming even as the beast snapped its jaw shut around the last of her, condemning her to whatever torments awaited her inside the creature.
And all the while, that horrible laughter. âDonât worry, folks! Sheâll be back next week! And the next. And the nextâŚâ
Needless to say, I wasnât having fun anymore. In fact, I had to turn away and fight the urge to throw up. I stood, about to turn the TV off and â
âAh, ah, ah! Donât touch that dial, now!â I froze. There was something chilling about the way he said that, staring right into the screen as if reacting to what I was doing. I hated that grin on his face. âThe real show is just beginning.â
And with the barely restrained excitement of a child on Christmas morning, he yanked back another curtain, and I recognized everything.
I recognized that crappy bootleg knockoff Always Sunny in Philadelphia jacket that was so gaudy and terrible it instantly became her favorite thing in her wardrobe. I recognized those subtle hints of slight acne she disguised as fake freckles. I recognized the way her gray eyes would remind me of those overcast mornings at the beach at Hilton Head and pointing out all the cannonball jellyfish washed up on the sands. I recognized that tattoo of the name Ęá´á´á´Ę, how Iâd held her all night long as she cried into my shirt after her childhood cat had died.
It was Lila.
I shuddered, gasped, fell from my seat as if Iâd been punched in the stomach and the air had been knocked out of me. I couldnât breathe. This couldnât be real. I was dreaming right now. I must be. I just had to wake up.
But I couldnât wake up. Nothing I could do dispelled the sight of her curled up in that⌠that thing. That bronze statue of a bull, horns jutting on either side of a head that roaring silently up at the heavens, all while the love of my life was locked in its hollowed out belly, visible only through a pane of glass. I could hear her cry out in shock at where sheâd found herself, and every whimper felt like it drove a knife through my chest.
The host soaked in the moment. It was ecstasy for him, the suffering of it all. He stared dead into the camera like he was looking right at me as she called, âWhat is this? Where am I?â
âWhy, I have good news, my dear Lila! Youâre exactly where every American dreams of being: youâre on TV.â He pointed to the camera. âAnd we have a very special guest in the audience tonight. Your very own beloved Jackson!â
I shuddered, hearing my own name ooze from his fetid lips. His façade of perfection was slipping, and there was something so profoundly ugly beneath it. Her eyes snapped to the camera, confused, despairing. âJackson? Baby? What â whatâs happening? What is this?â
I donât know, I thought, gripping the sides of the TV so hard my knuckles turned white, but Iâm going to get you out of there, baby. Iâm going to find whoever did this and Iâm going to bury them all so far beneath that studio that theyâll never-
âIâm afraid Jackson hasnât joined us quite yet, my dear. But if you truly love him, surely youâll give him a show to remember, wonât you?â He taunted her. âAll I want, after all, is to ask you a few questions! In fact, Iâll offer you a special deal: get even a single answer right, and Iâll let you go free! But get one wrong and, wellâŚâ
On cue, a fire was lit beneath her. Small, smoldering for now, but she whimpered as she noticed the heat. We both realized in that instant what this was. By now, I was screaming things I canât repeat here, and slamming my hands against the TV screen as if I could reach through and save her.
She bit her lip and acquiesced. Not like she had any room to argue. The host grinned and readied a cue card. âYour first question: where are you, Lila?â
âI⌠I donât know. How am I supposed to know?â
âYou do know, Lila. You know exactly where you are.â He smirked at her. âHereâs a free hint: whatâs the last thing you remember, before you woke up here?
She thought about it⌠and choked back a sob, visibly shaking as the realization slowly settled in. âBut⌠but why? I⌠IâŚâ
The horrible wail of the buzzer cut her off. âOooh, too bad! Iâm afraid youâve run out of time!â
Seemingly as if on its own, the fire doubled in size. Sparks licked the belly of the bronze bull, and began to ever-so-slowly heat the surface. She pawed around in the tight confines, searching for any reprieve from the scalding heat all around her as the metal grew hot like itâd been left out in the sun on a summerâs day. âPlease! Oh, God, let me out of this thing! It hurts! It hurts!â
The host seemed to breathe in her pain as if stealing a momentâs indulgence. âNow that there is no doubt about where you are, my dear, let us proceed to the second question.â He switched to his next card. âDid you believe in God, in the end?â
âO-of course!â She pled her case as if she was being tried in court. âMy entire life⌠every day I gave to the poor, helped the sick, did whatever I could to honor Hi-â
âIâm afraid you misunderstood my question. I asked, did you believe in him at the end? The very moment your pitiful little life was snuffed out?â
âI always believed! Iâd never forsake Him!â
âYes, yes, I know. You lived a good and holy life, didnât you?â He cackled. âBut what of the very end? You and your little husband were so excited to deliver your first little baby boy. But o, tragedy! It all went wrong, didnât it? Your precious little boy didnât make it through childbirth⌠and you followed closely behind.â
âThat whole business with the botched pregnancy, it was⌠what do you call it? Ah, yes. A âtest of faithâ. And Iâm afraid you failed. In your final moments, you watched the light fade from your childâs eyes, and you assumed â wisely, in my humble opinion â that no âkindâ and âlovingâ God would allow something like that to happen.â He laughed. âFunny how after a lifetime of dutiful service, all it takes is one little mistake at the end⌠to bring you here. To us.â
Iâd never seen such depths of despair in a personâs eyes. Such emptiness. Like with every word, heâd been scooping out another piece of her until she was hollow. And then that buzzer roared again, more shrill than ever, and I could barely see her little window through the smoke and flames. The belly of the bull was turning orange in places, and I could hear her flesh start to sizzle like meat on a grill. There are no words for the noises she made. No words at all.
âAnd our last, final question,â he continued. âWhat were your last words to your poor, beloved Jackson?â
âI love you!â I called out the answer. Bloody fingerprints stained the TV screen from my slamming my hands against it, as I screamed the answer over and over. âI love you, I love you, I love you!â At some point, I forgot that there was ever a question. I was just screaming it at her as if hoping that she could hear it, that it could bring her a modicum of comfort in that place.
The buzzer sounded again. I couldn't bring myself to look. All I could hear was the roaring of the bull, and the steam rising from its bronze nostrils.
The curtain fell. Silence drowned the sound. The host dropped all pretense that he hadnât been speaking directly to me. âNow, Jackson. You just might be one of my new favorite audience members this show had ever had. I know this must have been hard for you. But if youâll just stay tuned, I have one more show I know youâre certain to love!â
I didnât bother to touch the remote. After all, nothing could be worse than what Iâd just seen, right?
Wrong. Horror wracked me as the curtain rose, and I saw the man chained to a chair. I pulled away like a caveman witnessing fire, cringing and stuttering, face wet with sweat. It was the sort of fear that worked its way into your bones like a bad chill, that left you shaking, teeth chattering.
It was me.
An older me, sure. But not by much. Ten years, maybe. A gaunt and hollow version of me, one twisted by ten years of depression and hard drugs. But it was unmistakable.
His eyes widened as he recognized the host. âOh â oh God, God please no! It canât be â oh Christ, let me out of this chair, you ââ
âCome, now! We wouldnât want to use the lordâs name in vain, would we? I mean, that would be a sin!â The host laid a hand on the other meâs shoulder. âIt may have been a few years since you watched our program, but Iâm sure you remember the rules, donât you, old friend?â
The other me was wordless, on the verge of hyperventilating, just as I was. The host was giddy with delight. âNow! Our first and only question is one Iâm sure our viewer will be very interested in: what sins, exactly, do you think landed you here?â
The other me tried to speak, but the words caught in his throat. I could see it in his eyes. The years of self-destruction, the bitter hopelessness, the whirlpool of nihilism and vice and decay. The suffocating depths of a man. The darkness. How could he put it into words?
The sound of the buzzer was like a pigâs squeal. âMmm, Iâm afraid that our viewer is going to have to figure that out for himself! In the meantime, your punishment? Well, we wouldnât want to spoil anythingâŚâ
The curtains slowly began to fall just as a couple other of those black, grotesque monstrosities emerged from the darkness. The curtain covered them all before I could get a good look at their obscene, twisted, asymmetrical figures. All I could hear was the crunching, the sound of skin tearing like paper, the screaming that went on for longer and louder than a human throat or vocal chords could endure.
The image and audio were beginning to distort, glitch, burn away. The tapes were physically melting as they played. My VCR was starting to overheat, sparks pouring from its front panel. The host voice jumped around in tone, his voice fading into the static blur as the tapes bubbled and boiled and distorted. âBut, my friends, Iâm afraid that concludes tonightâs episode of our show! So, with a final farewell to our dear, beloved viewer, JacksonâŚâ
Just before the image melted away, the camera seemed to jump forward until his face filled the screen, his eyes piercing into mine as he cackled in that singsong voice.
âSee you sooooon~â
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nosleep [link] [comments]
2024.05.13 12:15 JG98 Shiv Kumar Batalvi, the most prolific Panjabi poet in modern history.
| Shiv Kumar Batalvi (July 23 1936 - May 6 1973) was a Panjabi poet, writer, and playwright who left an undeniable mark on Panjabi literature despite his short life. He was born in Bara Pind Lohtian, situated in the Shakargarh Tehsil of Gurdaspur (now Narowal District). His father, Pandit Krishan Gopal Sharma, served as the village tehsildar in the revenue department, while his mother, Shanti Devi, was a homemaker. From a young age, Shiv displayed a unique personality. He would often vanish for entire days, only to be found lying under trees by the riverbank near the local Mandir outside the village. He was deeply connected to nature. This fascination with the natural world, along with exposure to local renditions of the Hindu epic Ramayana, would later find expression in his poetry's rich imagery. Batalvi appears to have been captivated by the sights and sounds of his rural surroundings. Wandering minstrel singers, snake charmers, and the like left a lasting impression on him. These elements would later become recurring metaphors in his poetry, imbuing it with a distinctly rural flavor and a deep connection to the Panjabi cultural landscape. His idyllic childhood in rural Panjab was disrupted by the trauma of Partition in 1947. At the tender age of 11, he was uprooted from his birthplace and relocated with his family to Batala, Gurdaspur district in India. Here, his father continued his work as a patwari, a revenue official. Following Partition, Shiv received his primary education in Batala. Though a bright student, his education lead him down an unconventional path. He completed his matriculation exams at Panjab University in 1953, showcasing his academic potential. However, his passion for writing and a restless spirit clashed with the confines of formal education. He embarked on a series of college enrollments, seeking an outlet for his creativity. First, he enrolled in the F.Sc. program at Baring Union Christian College in Batala. However, his artistic temperament soon led him to S.N. College in Qadian, where he joined the Arts program, a better fit for his literary aspirations. Yet, even this program couldn't hold his attention for long, and he left in his second year. Batalvi's search for the right educational path continued. He enrolled in a school at Baijnath, Himachal Pradesh, to pursue a diploma in Civil Engineering, seeking a more practical skillset. This venture also proved short-lived. Finally, he attempted to continue his studies at Govt. Ripudaman College in Nabha, but eventually left there as well. Through these educational explorations, it's evident that Batalvi struggled to find a balance between societal expectations and his own artistic calling. Despite the lack of a traditional degree, his literary pursuits during this period flourished. He found his voice within the literary community and began composing and performing his emotionally charged ghazals and songs. These works, characterized by raw talent and deep emotion, captivated audiences and laid the foundation for his future success. While still at Baijnath, Shiv had a life changing event that would shape the rest of his poetic career. At a fair, he met a young woman named Maina. Deeply affected by her, he later sought her out in her hometown, only to be met with the tragic news of her death. This profound loss inspired his elegy "Maina" and became a recurring theme in his work. The experience of separation and grief would fuel many of his future poems. The 1950s saw Batalvi fully immerse himself in the world of poetry. He honed his craft, experimenting with different styles and gaining recognition for his romantic verses. By the 1960s, he had become a rising star. His magnum opus, the epic verse play "Loona" based on the legend of Puran Bhagat, was released in 1965. "Loona" became a masterpiece, establishing a new genre of modern Panjabi kissa (narrative poem). This critical acclaim culminated in 1967 when, at the young age of 31, Batalvi became the youngest recipient of the prestigious Sahitya Akademi Award. While Shiv Kumar Batalvi's poetry wasn't just about heartbreak, it was a prominent theme. One of his most celebrated poems, "Main ik shikra yaar banaya" ("I made a hawk, my beloved"), was inspired by his unrequited love for the daughter of writer Gurbaksh Singh Preetlari. This young woman Panjab and married someone else. The poem's creation was sparked by the bittersweet news of her first child's birth. Interestingly, when asked if another poem would follow her second child's birth, Batalvi displayed his wit: "Have I become responsible for her? Am I to write a poem on her every time she gives birth to a child?" This anecdote highlights his artistic independence. Batalvi's talent transcended language barriers. "Main ik shikra yaar banaya" is a Panjabi masterpiece, but its translations retain their beauty. Legendary singers like Nusrat Fateh Ali Khan and Jagjit Singh were drawn to his work, bringing his poetry to life through song. Despite the themes of separation and longing in his poems, Batalvi found personal happiness. He married Aruna, a woman from Kiri Mangyal, Gurdaspur, in 1967. Shortly after his marriage, in 1968, Shiv relocated to Chandigarh where he began working as a professional for the State Bank of India. The couple would go onto have two children, named Meharban (1968) and Puja (1969). Eager for a break from his routine life in Chandigarh, Batalvi eagerly accepted an invitation to visit England in May 1972. Upon arrival, he was met with celebrity status within the Panjabi community. Local Indian newspapers announced his visit with fanfare, and a series of public functions and private parties were organized in his honor. Dr. Gupal Puri hosted the first major event in Coventry, attracting fans, fellow Panjabi poets, and even renowned artist S. Sobha Singh who traveled specifically to see Batalvi. The BBC even interviewed him during his stay. While these events provided opportunities for the Panjabi community to connect with Batalvi, his health unfortunately took a turn for the worse. This trip, highlighted the struggles with alcoholism that had plagued him for some time. Late nights fueled by alcohol at parties and gatherings became a pattern. Despite waking up early and attempting to resume his day with "a couple of sips of Scotch," his habits seemed to exacerbate his existing health issues. This glimpse into his struggles in England foreshadowed the tragic toll his drinking would take on him soon thereafter. Shiv Kumar Batalvi's return from England in September 1972 marked a turning point. His health had visibly deteriorated, and he became increasingly critical of what he perceived as unfair criticism of his poetry by some writers. Financial troubles added to his woes, and he felt a sense of abandonment from some friends. Despite attempts to get medical treatment in Chandigarh and Amritsar, his health continued to decline. Unwilling to die in a hospital, he left against medical advice, seeking solace first in his family home in Batala and then in his wife's village, Kiri Mangial. Tragically, Shiv Kumar Batalvi succumbed to his illness, likely liver cirrhosis, in the early hours of May 6, 1973, in Kiri Mangial. Even after his passing, Shiv Kumar Batalvi's legacy continued to grow. One of his poetry collections, titled "Alvida" (Farewell), was posthumously published in 1974 by Guru Nanak Dev University in Amritsar. His enduring impact is further reflected by the "Shiv Kumar Batalvi Award" for Best Writer, presented annually. In Batala, the Shiv Kumar Batalvi Auditorium was constructed to commemorate the 75th anniversary of his birth. This world-class facility serves as a lasting tribute to his influence and aims to inspire future generations of Panjabi artists. submitted by JG98 to punjab [link] [comments] |
2024.05.13 11:08 adulting4kids Dead Sea Scrolls Study Guide -Unedited
The War Scroll, also known as the "War of the Sons of Light Against the Sons of Darkness," is a unique text within the Dead Sea Scrolls that portrays an apocalyptic battle between the forces of good (Sons of Light) and evil (Sons of Darkness). This scroll provides insight into both historical and symbolic elements.
Historical Accuracy: The War Scroll, while containing detailed military tactics and an epic narrative of the ultimate confrontation, doesn't explicitly reference any specific historical event or timeframe. Some scholars believe it could be a product of the community's anticipation of a future messianic conflict or a reflection of their own community's struggles against opposing forces during their time. Interpreting the historical accuracy of the scroll often involves exploring the context of the Qumran community and the turbulent times in which they lived.
Symbolism and Esoteric Wisdom: The War Scroll goes beyond a mere description of a physical battle. It portrays a cosmic conflict between the forces of light and darkness, reflecting not just a literal warfare but also a symbolic and spiritual struggle. The text emphasizes righteousness, divine intervention, and the victory of good over evil.
Within the study guide, activities and exercises could involve dissecting the symbolic elements present in the War Scroll, exploring the deeper meanings behind the battle tactics and the metaphysical implications of the conflict. Understanding the symbolism could involve group discussions, comparative analysis with other ancient texts with similar themes, and exploring the impact of this symbolic representation on the community's beliefs and practices.
Here are a few activities and exercises to explore the symbolism and historical context of the War Scroll from the Dead Sea Scrolls:
- Symbolism Analysis:
Provide excerpts from the War Scroll and encourage participants to identify and discuss the symbolic meanings behind elements like the "Sons of Light" and the "Sons of Darkness," various weapons, and the strategies outlined for battle. Group discussions or written reflections can help participants explore the deeper layers of meaning.
- Comparative Analysis:
Compare the War Scroll's themes with similar apocalyptic or eschatological texts from different cultures or religions, such as apocalyptic passages in the Book of Revelation in the Christian Bible or apocalyptic texts from other ancient traditions. Create worksheets or discussion prompts to highlight similarities and differences in themes, symbols, and beliefs about cosmic battles.
- Historical Context Exploration:
Present historical information about the era when the Dead Sea Scrolls were written. Discuss the political, social, and religious climate of that time, including the turmoil in the region, to understand how these factors might have influenced the composition of the War Scroll. Encourage participants to consider the possible motivations behind the text's creation.
- Creative Interpretation:
Encourage creative expression by asking participants to create artwork, poems, or short stories inspired by the themes and imagery found in the War Scroll. This exercise allows individuals to engage more deeply with the symbolic elements and interpret them in their own unique ways.
- Role-playing or Debates:
Organize a role-playing activity where participants take on the roles of "Sons of Light" and "Sons of Darkness," debating their ideologies, motivations, and strategies for the ultimate battle. This exercise helps in understanding differing perspectives and interpreting the conflicts presented in the scroll.
Interpretative variations regarding the river's crossing in different ancient texts reflect the unique religious, philosophical, and cultural perspectives embedded within these narratives. These differences in interpretation offer insights into diverse worldviews and varying theological frameworks present in ancient texts:
- Mesopotamian Context:
- In Mesopotamian mythology and literature, the Euphrates River often held symbolic significance as a boundary between the known civilized world and the wild, unknown realms. The crossing of the Euphrates could symbolize journeys into unexplored territories or transitions between order and chaos. This perspective reflects a worldview rooted in the physical and geographical division of lands.
- Biblical Context:
- In biblical texts, such as those in the Book of Revelation or Old Testament prophecies, the crossing of the Euphrates carries eschatological significance. It may represent a divine intervention or a decisive moment in God's plan, marking the commencement of apocalyptic events. This interpretation aligns with the biblical narrative of divine judgment and the unfolding of God's ultimate purpose in history.
- Gnostic or Apocryphal Context:
- Gnostic or apocryphal texts often interpret the river's crossing as a symbolic liberation or awakening. It might signify the release of spiritual forces or the ascent to higher consciousness, reflecting a philosophical perspective emphasizing spiritual enlightenment and liberation from material constraints.
- Greco-Roman Interpretation:
- In Greco-Roman literature, crossings of rivers were often associated with mythological journeys or transitions between realms. The crossing of the Euphrates might symbolize a transition from mundane existence to a realm of mystery or spiritual significance, reflecting a cultural perspective rooted in mythology and cosmology.
These varied interpretations highlight the richness and diversity of religious, philosophical, and cultural frameworks present in ancient texts. The river's crossing serves as a flexible symbol that adapts to different narratives, conveying themes of transition, judgment, liberation, or cosmic transformation based on the unique perspectives of each tradition.
Exploring these interpretative variations allows participants to appreciate the complexity of symbolism within ancient texts and provides insights into how different cultures and belief systems interpreted common motifs like the river Euphrates. It showcases the intricate interplay between religious, philosophical, and cultural elements shaping the symbolism and theological implications embedded in these narratives.
The river Euphrates, a prominent geographic feature in ancient texts, embodies universal themes that transcend specific cultural contexts. Identifying these universal themes helps reveal shared human concepts of transition, boundaries, and transformative events across diverse ancient traditions:
- Threshold and Transition:
- The Euphrates often symbolizes a boundary between known and unknown territories. Its crossing represents a transition from one state to another, signifying a pivotal moment of change or passage. This theme of crossing a threshold echoes the human experience of transitions in life, moving from familiar to unfamiliar realms.
- Boundary and Separation:
- As a geographical boundary, the Euphrates signifies separation between distinct territories or civilizations. This concept of demarcation resonates with universal human experiences of setting boundaries, delineating spaces, or marking divisions between different aspects of life.
- Transformative Events:
- Crossing the Euphrates is often associated with cosmic or transformative events in ancient texts. This universal theme reflects the human fascination with the concept of epochal change, cosmic upheavals, or moments of divine intervention that reshape the course of history.
- Symbol of Power and Control:
- The river might represent a symbol of power, control, or geopolitical significance. Crossing it could signify shifts in dominance, challenges to established authority, or the assertion of influence. This theme resonates with human narratives of power struggles and shifts in societal dynamics.
- Metaphor for Spiritual Journeys:
- Across cultures, rivers are often used metaphorically to represent spiritual journeys or quests. The crossing of the Euphrates might symbolize the pursuit of enlightenment, the passage to higher realms of understanding, or the quest for spiritual transformation.
These universal themes associated with the river Euphrates highlight fundamental aspects of the human experienceâtransitions, boundaries, transformative events, power dynamics, and spiritual journeys. The river's symbolism in ancient texts speaks to shared human aspirations, struggles, and beliefs that transcend cultural boundaries and resonate across different epochs and civilizations.
By identifying and discussing these universal themes, participants gain a deeper appreciation for the profound symbolism embedded in ancient texts and recognize the timeless relevance of concepts such as transition, boundaries, and transformative events in shaping human narratives and aspirations.
- Historical Context:
- What historical events or societal conditions might have influenced the composition of the War Scroll?
- How does the historical context of the Dead Sea Scrolls' discovery contribute to our understanding of this text's significance?
- Symbolism and Esoteric Wisdom:
- How does the War Scroll use symbolism to convey spiritual or cosmic themes?
- What esoteric wisdom or deeper spiritual insights can be derived from the portrayal of cosmic conflict and divine intervention within the text?
- Comparative Analysis:
- Compare the themes and symbolism of the War Scroll with other apocalyptic texts from different cultures (e.g., Book of Revelation, The Book of Daniel). What common motifs or differences in interpretation do you observe?
- Parallelism in Biblical Texts:
- Explore connections between the War Scroll and other biblical texts. How does the language, imagery, or themes in the War Scroll intersect with passages from the Hebrew Bible or New Testament?
- Community Beliefs and Practices:
- How might the apocalyptic expectations depicted in the War Scroll have influenced the beliefs and practices of the community that produced it?
- Discuss the impact of such intense anticipation of cosmic conflict on communal life and religious rituals within the community.
- Cultural Significance of Cosmic Battles:
- Across various ancient cultures, why do you think depictions of cosmic battles and eschatological events were significant? What might these narratives represent in a broader cultural context?
- Interpretive Variations and Unique Perspectives:
- Explore the diverse interpretations of specific passages or symbols within the War Scroll. How do different scholars or traditions interpret these elements, and what underlying factors might influence their interpretations?
- Personal Reflection and Modern Relevance:
- Reflect on how the themes of cosmic conflict, righteousness, and spiritual warfare in the War Scroll might resonate in contemporary society or personal belief systems.
- Theological and Philosophical Implications:
- Discuss the theological and philosophical implications of a cosmic battle between forces of light and darkness. How does this theme intersect with broader philosophical inquiries or theological doctrines?
- Literary and Symbolic Analysis:
- Analyze the narrative structure and symbolic elements present in specific passages of the War Scroll. How do these elements contribute to the text's overarching themes and meanings?
These study questions aim to provoke critical thinking, promote in-depth exploration of themes, encourage comparative analysis, and stimulate discussions on the multifaceted nature of the War Scroll's content and its significance within ancient and contemporary contexts.
- Archaeological and Linguistic Analysis:
- How does the physical condition of the Dead Sea Scrolls, including the War Scroll, impact our understanding of their preservation and historical context? - Discuss the linguistic peculiarities or unique textual features found within the War Scroll and their implications for translation and interpretation.
- Apocalyptic Expectations and Messianic Concepts:
- Explore the portrayal of messianic figures or anticipated saviors within the War Scroll. How do these concepts align with or diverge from contemporary expectations of a messianic figure in other ancient texts or religious traditions?
- Impact of Apocalyptic Literature:
- Analyze the enduring influence of apocalyptic literature, such as the War Scroll, on subsequent religious, literary, or cultural traditions. How have these texts shaped later beliefs or inspired artistic and literary works?
- Ethical and Moral Frameworks:
- Discuss the ethical or moral implications of the cosmic conflict depicted in the War Scroll. How do the themes of righteousness and wickedness contribute to the text's underlying moral framework?
- Role of Prophecy and Revelation:
- Explore the role of prophecy and revelation within the War Scroll. How do the prophetic elements contribute to the text's portrayal of future events and cosmic justice?
- Experiential and Ritualistic Elements:
- Investigate potential ritualistic or experiential dimensions associated with the teachings or beliefs conveyed in the War Scroll. How might the community have engaged with these teachings in their religious practices or communal activities?
- Literary Genre and Interpretation:
- Discuss the classification of the War Scroll within the broader genre of apocalyptic literature. How does its classification influence our understanding and interpretation of its themes and symbolic elements?
- Relevance in Modern Scholarship:
- Reflect on the ongoing scholarly debates or discoveries related to the War Scroll. How have modern interpretations evolved, and what implications do these new perspectives have on our understanding of the text?
- Intersection of Faith and Scholarship:
- Consider the interplay between faith-based interpretations and scholarly analyses of the War Scroll. How might religious convictions or theological frameworks influence academic research and vice versa?
- Future Research and Interpretative Avenues:
- Propose potential avenues for future research or areas of exploration concerning the War Scroll. What unanswered questions or unexplored aspects merit further investigation?
The composition of the War Scroll, along with other Dead Sea Scrolls, was likely influenced by several historical events and societal conditions prevalent during the time of its writing, which is estimated to be between the 2nd century BCE and the 1st century CE:
- Hellenistic Rule and Cultural Influence:
- The region where the Dead Sea Scrolls were found was under Hellenistic influence due to the conquests of Alexander the Great and the subsequent control by the Seleucid Empire. This era saw a clash between Hellenistic culture and Jewish traditions, leading to cultural tensions and a desire to preserve religious and cultural heritage.
- Political Turmoil and Resistance Movements:
- The Jewish people experienced political unrest, particularly during the Maccabean Revolt against Seleucid rule. This period was characterized by resistance movements, attempts to preserve Jewish identity, and fervent anticipation of a messianic figure to deliver them from foreign oppression.
- Religious Sects and Spiritual Expectations:
- Various religious sects existed within Judaism, each with its own interpretations and expectations of messianic redemption, purity laws, and theological doctrines. The community associated with the Dead Sea Scrolls, often believed to be the Essenes, likely had distinctive theological beliefs and a strong apocalyptic worldview.
- Anticipation of Cosmic Redemption:
- There was a widespread belief in the imminent arrival of a messianic figure or a divine intervention that would bring about cosmic redemption, ushering in an era of righteousness and divine rule. This anticipation of apocalyptic events and a cosmic battle between forces of light and darkness is reflected in the War Scroll's themes.
Regarding the historical context of the Dead Sea Scrolls' discovery, its significance lies in multiple facets:
- Preservation of Ancient Texts:
- The discovery of the Dead Sea Scrolls, including the War Scroll, provided an invaluable collection of ancient manuscripts that significantly expanded our understanding of ancient Jewish texts, religious beliefs, and the diversity of Jewish thought during the Second Temple period.
- Insights into Jewish Sectarianism:
- The scrolls shed light on the diversity of beliefs and practices among Jewish sects during that time. Understanding the beliefs and expectations of the community associated with the Dead Sea Scrolls helps contextualize the theological and apocalyptic themes present in the War Scroll.
- Confirmation of Scriptural Accuracy:
- The Dead Sea Scrolls' discovery contributed to confirming the accuracy and preservation of certain biblical texts, highlighting the continuity of textual transmission across centuries and supporting the authenticity of biblical manuscripts.
- Impact on Biblical Studies and Scholarship:
- The discovery of the Dead Sea Scrolls revolutionized biblical studies, providing scholars with invaluable primary sources for studying ancient Judaism, the development of biblical texts, and the context in which these texts were composed.
The historical context of political upheaval, religious expectations, and the preservation of texts within the Dead Sea Scrolls contributes significantly to understanding the milieu in which the War Scroll was written. It provides a backdrop against which the themes of cosmic conflict, eschatological anticipation, and religious fervor within the War Scroll can be comprehended.
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2024.05.13 09:26 funeraltemplate PROGRAM FUNERAL TEMPLATE
| https://preview.redd.it/fq984p1jb50d1.png?width=1648&format=png&auto=webp&s=4a11fbf8ba3105d916407ca86048a4d5d011d491 Losing a loved one is a deeply emotional experience, and planning a funeral can be overwhelming. A program funeral template is a vital service element, serving as a guide for attendees and a tribute to the deceased. Crafting a thoughtful program requires attention to detail and a focus on honoring the life and legacy of the departed. Here, we present a template for a meaningful funeral program that can serve as a starting point for your planning process. 1. Cover Design and Title The cover of the funeral program sets the tone for the service and should reflect the personality and spirit of the deceased. Consider using a favorite photo of the departed, along with their name and dates of birth and death. The title should be simple yet meaningful, such as "In Loving Memory of [Name]." 2. Order of Service The order of service outlines the flow of the funeral and includes key elements such as prayers, readings, and musical selections. Begin with a welcome message or opening prayer, followed by a brief biography or obituary. Include hymns or songs that were meaningful to the deceased, along with any special tributes or eulogies. 3. Poems and Readings Incorporating poems and readings can add depth and meaning to the funeral program. Choose readings that resonate with the life and values of the departed, such as favorite poems, religious verses, or personal reflections from family and friends. 4. Photos and Memories Including photos and memories in the funeral program can create a sense of connection and celebration of life. Consider including a photo collage or a memory page where attendees can write down their favorite memories or messages for the family. 5. Closing Thoughts and Thank You End the program with a message of gratitude to attendees for their support and presence. You may also include information about any post-funeral gatherings or memorial services. 6. Printing and Distribution Once you have finalized the content of the funeral program, ensure that it is printed on quality paper and distributed to all attendees. Consider creating additional copies for those who may not be able to attend the service but wish to have a keepsake. submitted by funeraltemplate to u/funeraltemplate [link] [comments] |
2024.05.13 07:48 Sausage_fingies Space Struck by Paige Lewis
Space struck is a debut collection of poetry from Paige Lewis, and also my first time reading an entire book of poetry.
I just read Space Struck in its entirety one last time, this is my 3rd time. I listened to the audiobook while reading the book in tandem, and omg it was so immersive. I honestly would be content to read this book over and over again for months, it's just so good. And I'm not going to fully "finish" it, Space Struck gives me something I need so dearly and I will revisit many of these poems over and over again until I understand them as I understand my own heart beat. So it's not goodbye, not really. Just time to move on.
This was the first collection of poetry I've ever read and I'm, well, space struck. It was gorgeous. Paige's use of language is just incredible, it's so seemingly simple and minimalistic and yet their imagery is extremely inventive and they manage to say so so much. These poems really really struck my soul. Every one just means so damn much to me, I've let this book become a part of my heart for the past week and I'm so incredibly glad I did.
Another thing that was really cool was the formatting. Most of the poems have a specific shape to each stanza that they adhere to throughout the poem, and I just find that so interesting. It really redirects the flow of the reading, and also gives it such a cool sense of structure.
The heart. The love. The meaning and the depth. Every one of these works I felt so deeply, and I feel like I've come out of reading this book with more of myself than when I went into it. I bathed in Paige's words, I let them infiltrate my mind and unpack their suitcase. Several poems inspired my own work, and the narrative voice really deepened my own, I think.
It's rather crazy just how personal this poetry is to me. I wouldn't feel the same way sharing a paragraph from my favorite book as I do sharing a poem from this. They resonated with me so deeply and changed me and I feel so...not differentâI feel so much more. I never knew words could have this much power.
I'm so so happy I read this. It was my first book of poetry, but it will most certainly not be the last I read. Poetry is going to become a part of my life now, I can't believe it hasn't been for so long.
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2024.05.13 07:13 cruzg443 Thessalia Counselor of Elegance
2024.05.13 05:43 twindigital Cangkir Kopi Stainless, Aman Nggak Sih untuk Minum?
| https://preview.redd.it/bxw2rv4o740d1.jpg?width=8000&format=pjpg&auto=webp&s=6effa496eb1beda3faaa0c162fe8289ee0b3e1cd Cangkir kopi stainless menjadi favorit cup sebagian besar orang. Alat minum ini biasa digunakan saat bersantai sambil minum kopi, susu, ataupun teh. Cup custom ini semakin banyak dikreasikan dengan desain-desain yang menarik. Tapi, seberapa banyak sih kamu tahu tentang produk stainless steel? Apakah cangkir kopi dari bahan stainless cukup aman bagi manusia? Apa kekurangan bahan stainless steel? Dan apa sih yang bikin cangkir stainless begitu menarik? Lanjutin bacanya untuk tahu jawabannya ya. Gelas Stainless Apakah Aman? Produk cangkir Kopi terbuat dari bahan apa? Umumnya cangkir kopi dibuat dari bahan stainless steel. Bahan ini banyak dipilih karena tidak akan membuat produk berkarat. Cangkir stainless steel sudah pasti dilengkapi lapisan logam seperti stainless. Mengutip Klikdokter, jika gelas sudah dilapisi logam seperti stainless atau nikel, maka gelas tersebut aman untuk digunakan. Oleh karena itu, cangkir berbahan stainless aman digunakan sebagai alat minum. Seperti produk Custom Egg Shaped Cup Print UV, Custom Coffee Cup Print UV yang ditawarkan Twin Digital. Produk ini terjamin keamanannya. Sebab, produk ini menggunakan bahan stainless steel SUS201 double wall. Dengan lapisan yang dobel, produk drinkware ini dapat menjaga ketahanan suhu panas ataupun dingin sampai dengan 4 jam. Material stainless steel dapat menyerap panas dengan baik. Bukan hanya itu, produk stainless steel dapat mendistribusikan suhu panas secara lebih rata. Apa Kekurangan Stainless Steel? Setiap produk pasti memiliki kekurangan dan keunggulan. Lalu, apa kekurangan cangkir kopi stainless steel? Salah satu kekurangan cangkir stainless adalah harganya yang cenderung mahal daripada jenis cangkir lainnya. Namun kamu tidak perlu khawatir, sebab Twin Digital menghadirkan berbagai produk drinkware dengan harga yang super terjangkau. Produk drinkware custom di sini dijamin deh nggak bikin dompet kamu menangis. Kekurangan lain dari produk stainless steel dari segi perawatan. Produk yang terbuat dari material stainless steel cenderung membutuhkan perawatan yang lebih butuh effort. Jika ada noda, produk cangkir kopi stainless akan lebih sulit dihilangkan. Meskipun proses mencuci produk tergolong lebih sulit, namun produk custom desain di Twin Digital tidak akan mudah terkelupas. Mengapa? Karena metode cetak yang kami gunakan adalah cetak print UV. Mengapa Cangkir Stainless Bagus? Desain yang unik dan estetik semakin membuat cangkir kopi stainless banyak dilirik. Apalagi jika tersedia custom desain favorit sesuai keinginan. Dalam setiap produknya Twin Digital menyediakan template desain yang pastinya menarik untuk dilihat. Di samping itu, cangkir stainless memiliki material terbaik dan paling aman dari semua jenis perlengkapan makan lainnya. Hal ini salah satunya karena produk stainless steel tidak berpori. Selain itu, cangkir stainless juga tidak mudah tergores, bahkan retak. Berbeda dengan bahan plastik yang mudah retak permukaannya, sehingga bisa menyebabkan bakteri tertampung di permukaan cangkir. Rekomendasi Cangkir Kopi Stainless Terbaik Sedang mencari produk cangkir kopi stainless yang bagus? Twin Digital punya dua rekomendasi produk cup custom yang super keren. Penasaran nggak produk apa aja? Kamu bisa cek koleksinya dengan klik link di sini! Temukan Twin Digital di: Situs Web: twindigital.id Situs Blog : twindigital.co.id Facebook. : twindigital.id Instagram: twindigital.id Tiktok: twindigital.id Shopee: twindigitalprinting dan twin_creative Tokopedia: twin digital dan digital printing indonesia submitted by twindigital to u/twindigital [link] [comments] |
2024.05.13 04:38 authorwebsites Looking for cofounder with experience in book publishing industry & working with authors.
Intro
My name is David, a software engineer with 7 years of experience, and a new writer. I am currently building a
free Wordpress/Wix alternative for authors that involves 0 design efforts. No drag n dropping, no more spending hours to design a site. Authors can add their books, links to amazon, writing samples..etc. I already built the app, and have some users using it. I am in the product market fitting stage. Would love to find a co-founder with deep experience in the book publishing who has worked with authors, and someone who is an author.
The Problem
All authors create their websites in the following ways:
- Pay web development agencies $600 to $3000 to build their website.
- High cost investment upfront
- Agency charges $25-50 each time author needs to make a change
- Agency would use Wordpress under the hood, so author would still need to pay the WP hosting fees.
- Author DIY - build a website themselves using WP, WIX, or Squarespace.
- Low cost, $8 - $25 / month
- Need to spend 10+ hours, learning how to get domain name, choose a template, drag and dropping, and designing the author website.
- Each future update requires more time spent.
What's missing is a low cost (free) solution, that also requires low (or non) design efforts involved. Niche catered to authors, as opposed to building a platform for everyone. When you build for everyone, you end up building for no one.
The Solution
I built
Myauthor.space for this purpose. Currently I have some users, and have been improving the app based on their feedbacks. The app does not have drag and drop. Instead, you just have to select a template, color, and input book info, and author bio. I can build a site within 5 minutes. In the future, I will create streamlined marketing tools, auto populate book page by scraping Amazon book links, to make it even easier for authors.
Ideal Customer Profile
Best selling successful authors will be able to easily afford the high cost of hiring a web agency to handle their website. The ideal customer would be an author with 1 - 5 books published, creating their first author website, age 25 to 65.
Challenges - Competing with WP, WIX is tough
I am not going to lie, WP is pretty amazing, especially given their ecosystem of plugins. The problem is the amount of time investment required to create a WP site, and constantly updating it. The plugins, though powerful, does require some technical skills. For example.. integrating mailchimp. I think we can win if we offer something extremely streamlined, easy, and no brainer.
Monetizing
Currently, I am offering everything for free, since the cost is low, and I am in the product market fitting stage. I am trying to follow the Linktree playbook of freemium organic growth. In the future, we can charge for more premium features, such as marketing tools. If you're a qualified co-founder who is interested, you can help shape this part!
Next Steps
I need a cofounder that's passionate about the literary industry. Someone who is an author, who loves working with authors, and enjoys marketing. Together we can further identify author pain points, find a strong product market fit, and serve the author community.
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2024.05.13 04:35 authorwebsites [USA][TECH][7] Looking for cofounder with experience in book publishing industry working with authors.
Intro
My name is David, a software engineer with 7 years of experience, and a new writer. I am currently building a
free Wordpress/Wix alternative for authors that involves 0 design efforts. No drag n dropping, no more spending hours to design a site. Authors can add their books, links to amazon, writing samples..etc. I already built the app, and have some users using it. I am in the product market fitting stage. Would love to find a co-founder with deep experience in the book publishing who has worked with authors, and someone who is an author.
The Problem
All authors create their websites in the following ways:
- Pay web development agencies $600 to $3000 to build their website.
- High cost investment upfront
- Agency charges $25-50 each time author needs to make a change
- Agency would use Wordpress under the hood, so author would still need to pay the WP hosting fees.
- Author DIY - build a website themselves using WP, WIX, or Squarespace.
- Low cost, $8 - $25 / month
- Need to spend 10+ hours, learning how to get domain name, choose a template, drag and dropping, and designing the author website.
- Each future update requires more time spent.
What's missing is a low cost (free) solution, that also requires low (or non) design efforts involved. Niche catered to authors, as opposed to building a platform for everyone. When you build for everyone, you end up building for no one.
The Solution
I built Myauthor Space for this purpose. Currently I have some users, and have been improving the app based on their feedbacks. The app does not have drag and drop. Instead, you just have to select a template, color, and input book info, and author bio. I can build a site within 5 minutes. In the future, I will create streamlined marketing tools, auto populate book page by scraping Amazon book links, to make it even easier for authors.
Ideal Customer Profile
Best selling successful authors will be able to easily afford the high cost of hiring a web agency to handle their website. The ideal customer would be an author with 1 - 5 books published, creating their first author website, age 25 to 65.
Challenges - Competing with WP, WIX is tough
I am not going to lie, WP is pretty amazing, especially given their ecosystem of plugins. The problem is the amount of time investment required to create a WP site, and constantly updating it. The plugins, though powerful, does require some technical skills. For example.. integrating mailchimp. I think we can win if we offer something extremely streamlined, easy, and no brainer.
Monetizing
Currently, I am offering everything for free, since the cost is low, and I am in the product market fitting stage. I am trying to follow the Linktree playbook of freemium organic growth. In the future, we can charge for more premium features, such as marketing tools. If you're a qualified co-founder who is interested, you can help shape this part!
Next Steps
I need a cofounder that's passionate about the literary industry. Someone who is an author, who loves working with authors, and enjoys marketing. Together we can further identify author pain points, find a strong product market fit, and serve the author community.
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authorwebsites to
cofounder [link] [comments]
2024.05.13 02:49 Xgnardprime re: Azgaar's fantasy map generator. How do I change the color scheme of the height or elevation color code maps?
2024.05.13 02:48 Beginning_Mood_9803 Iâve waited decades for HRT and itâs very surreal it is starting in a week
(*I did my makeup here but used FaceApp for the skin and hair!)
I was raised conservative and Christian. I even went to a private Christian high school. I had written a very dark poem that I donât even remember what it saidâŚbut I do remember how I accidentally left it in class and someone anonymously turned it in which triggered a meeting w me, my parents and the principle. My dad was so upset that my mom was so sad that I learned early on to âkeep up appearancesâ.
Some of the usual suspects: Sneaking into moms shoes at a young age, when older I was sneaking into my sisters wardrobes. When one got married, I hated what I was wearing and was so envious of her wedding dress. I played video games as female characters (and still do even at 53 now). I was jealous of the cheerleaders in high school, as an adult I almost always went as a female character for Halloween like Elsa from frozen, Supergirl or Alice in WonderlandâŚthe list goes on.
It was probably that last costume listed that I started thinking it was more than just cross dressing. I remember coming home from that and crying (again, adult) as I didnât want to take that look off my face. I didnât know it at the time but that was gender dysphoria.
I rarely dated as although I liked women and still do, there was something different in how Iâd relate with them. I pushed things down, binged and purged clothes and makeup more than I can remember. Eventually about 20 yrs ago I started almost exclusively going out with women who were trans. I know there are a lot of creepy chasers out there but in my case, looking at all the signs over the years, I was clearly trying to see THEIR life, and sadly kind of live my life vicariously through them I guess. I even ended up marrying a woman that is trans and still am after five years. She knew about my background beforehand but I was still trying to convince myself and her that it was just sporadic cross dressing.
At my work, I am allowed to wear nail polish and at first I felt paranoid about this and only did a few days a week and by now itâs pretty much 24/7 where I often forget Iâm even wearing it. My dysphoria starting shooting up drastically then and I suddenly started really (allowing?) getting jealous of womenâs clothes and body shapes. Iâd feel awful about it but it was and is relentless. Around this time my wife was getting breast implants and I found myself happy for her but almost immediately I got extremely envious. Once again the person I married was essentially living the life I wish I started DECADES ago and I hadnât even started HRT. I wouldnât allow myself to even consider it.
Well there was an unrelated crisis months ago where we both went into individual therapy. And one thing, the main thing, that came out of mine is that to no surprise at all getting diagnosed with gender dysphoria.
I have an appointment that was made MONTHS ago (Florida, enough said) and itâs finally a week away as of tomorrow. To say that I am excited, scared, worried and so many other adjectives is a huge understatement. Iâm not going to chicken out but man my wife and I will likely be getting divorced (still be friends) and my family still doesnât even know as they will likely be blindsighted. I predict my mom will cry and my older sister will get mad but maybe Iâm wrong. My brother cut me off five years ago when he found out I was marrying someone trans. The one person in my family who DOES know this about me is my younger sister who Iâm closest to. Fortunately she and I are the same politically and culturally.
Have any of you that are on HRT actually waited a certain number of months (or even a year or more?) to tell family so that you could tell how it was making you feel mentally while on it so you could know 100% you werenât one of the rare people that STOPS taking HRT? I just donât know when and how to break something so life changing to them. And they are in California so I canât exactly have a face to face meeting unfortunately. Did any of you get on a video call and tell your mom or dad? My younger sister has agreed to support me in this way if I do it when she is available to be at my moms for a call. Originally I was going to call May 1. Then I thought day of the first injection on May 20âŚbut again now Iâm wondering if I should wait at least two or three months to see how Iâm feeling and looking. But Iâm also afraid if I wait too long that they will next see me and I will look androgynous or something. I donât usually see them more than once every 2-3 years and I will likely look VERY different by then.
Thank you for those that made it to the end of this, Iâm sorry it was so long. Iâm very excited but very stressed about all the likely fallout from this too. I can only hope that because I had married someone who is trans that they donât think she suddenly made me this way but instead that maybe it will soften the shock with it being closer in the family than a transgender daughter in law or sister in law when they essentially always had another daughtesister in our family.
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http://rodzice.org/