Dr clarence mclenddon

Captain America: Civil War (1996):
Brad Pitt as Steve Rogers/Captain America (Leader of Team Cap)
Kevin Kline as Tony Stark/Iron Man (Leader of Team Stark)
Demi Moore as Natasha Romanoff/Black Widow (Team Stark)
Johnny Depp as James Buchanan "Bucky" Barnes/Winter Soldier (Team Cap)
Wesley Snipes as Sam Wilson/Falcon (Team Cap)
Danny Glover as James "Rhodey" Rhodes/War Machine (Team Stark)
Michael Biehn as Clint Barton/Hawkeye (Team Cap)
Denzel Washington as T'Challa/Black Panther (Team Stark)
Doug Jones as Vision (Team Stark)
-Alan Rickman as the voice of Vision
Winona Ryder as Wanda Maximoff/Scarlet Witch (Team Cap)
Michael Keaton as Scott Lang/Ant-Man (Team Cap)
Tobey Maguire as Peter ParkeSpider-Man (Team Stark)
Robin Wright as Sharon CarteAgent 13 (Team Cap)
Robert Duvall as General Thaddeus "Thunderbolt" Ross (Team Stark)
Gary Busey as Brock Rumlow/Crossbones
Susan Sarandon as May Parker
Robin Williams as Everett K. Ross
Helen Mirren as the voice of F.R.I.D.A.Y.
Rupert Everett as Helmut Zemo
Director: Richard Donner
Distributed by Touchstone Pictures (Buena Vista Pictures Distribution)
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Doctor Strange (1996):
Pierce Brosnan as Dr. Stephen Strange/Doctor Strange and Dormammu (Dual Role)
Laurence Fishburne as Karl Mordo
Michelle Pfeiffer as Christine Palmer
Chow Yun-fat as Wong
Bill Murray as Dr. Nicodemus West
Dirk Benedict as Jonathan Pangborn
Jeff Speakman as Lucian
Rutger Hauer as Kaecilius
Sally Kirkland as The Ancient One
Director: Tim Burton
Distributed by Touchstone Pictures (Buena Vista Pictures Distribution)
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Guardians of the Galaxy Vol. 2 (1997):
Matthew Broderick as Peter Quill/Star-Lord
Rae Dawn Chong as Gamora
Terry "Hulk" Hogan as Drax the Destroyer
Frank Oz as Groot
Tony Cox as Rocket Racoon
-Ray Liotta as the voice of Rocket Racoon
Bruce Dern as Yondu Udonta
Uma Thurman as Nebula
Kelly Hu as Mantis
Cate Blanchett as Ayesha
Brad Garrett as Taserface
Dennis Quaid as Kraglin Obfonteri
William Shatner as Stakar Ogord/Starhawk
James Coburn as Ego the Living Planet
Director: Joe Dante
Distributed by Touchstone Pictures (Buena Vista Pictures Distribution)
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Spider-Man: Homecoming (1997):
Tobey Maguire as Peter ParkeSpider-Man
Roy Scheider as Adrian Toomes/Vulture
Randy Quaid as Harold "Happy" Hogan
Kim Basinger as Virginia "Pepper" Potts
Naomie Harris as Michelle "M.J." Jones-Watson
Damon Wayans Sr. as Aaron Davis
Lark Voorhies as Liz Toomes
Dante Basco as Ned Leeds
Freddy Rodriguez as Eugene "Flash" Thompson
Clarence Gilyard as Herman Schultz/Shocker
Dixie Carter as Anne Marie Hoag
Susan Sarandon as May Parker
Kevin Kline as Tony Stark/Iron Man
Director: Joe Johnston
Distributed by Columbia Pictures: A Sony Pictures Entertaiment Company (Sony Pictures Releasing)
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Thor: Ragnarok (1997):
Dolph Lundgren as Thor
Gary Oldman as Loki
Sigourney Weaver as Hela
Michael Dorn as Heimdall
Christopher Plummer as Grandmaster
Halle Berry as Scrapper 142/Valkyrie
Alfred Molina as Skurge
Mark Harmon as Dr. Bruce Banner
-Lou Ferrigno Sr. as Hulk
John Rhys-Davies as Volstagg
Koji Yakusho as Hogun
Cary Elwes as Fandral
Kevin Nash as Korg
-Jeff Daniels as the voice of Krog
Alec Guinness as Odin (Last role before retirement)
Director: Robert Zemeckis
Distributed by Touchstone Pictures (Buena Vista Pictures Distribution)
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Black Panther (1998):
Denzel Washington as T'Challa/Black Panther
Michael Jai White as N'Jadaka/Erik "Killmonger" Stevens
-Aldis Hodge as Young N'Jadaka
Whitney Houston as Nakia
Angela Bassett as Okoye
Robin Williams as Everett K. Ross
Morris Chestnut as W'Kabi
Sanaa Lathan as Shuri
Adewale Akinnuoye-Agbaje as M'Baku
Tina Turner as Ramonda
Jim Brown as Zuri
Iman as Ayo
Delroy Lindo as N'Jobu
Ossie Davis as T'Chaka
-Michael Ralph as Young T'Chaka/Black Panther
Tim Curry as Ulysses Klaue
Director: John Singleton
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Distributed by Buena Vista Pictures Distribution (Touchstone Pictures)
Avengers: Infinity War (1998):
Kevin Kline as Tony Stark/Iron Man
Brad Pitt as Steve Rogers/Captain America
Dolph Lundgren as Thor
Mark Harmon as Dr. Bruce Banner
-Lou Ferrigno Dr. as Hulk
Demi Moore as Natasha Romanoff/Black Widow
Winona Ryder as Wanda Maximoff/Scarlet Witch
Doug Jones as Vision
-Alan Rickman as the voice of Vision
Danny Glover as James "Rhodey" Rhodes/War Machine
Wesley Snipes as Sam Wilson/Falcon
Johnny Depp as James Buchanan "Bucky" Barnes/Winter Soldier
Denzel Washington as T'Challa/Black Panther
Tobey Maguire as Peter ParkeSpider-Man
Pierce Brosnan as Dr. Stephen Strange/Doctor Strange
Matthew Broderick as Peter Quill/Star-Lord
Rae Dawn Chong as Gamora
Terry "Hulk" Hogan as Drax the Destroyer
Frank Oz as the voice of Groot
Tony Cox as Rocket Racoon
-Ray Liotta as the voice of Rocket Racoon
Uma Thurman as Nebula
Kelly Hu as Mantis
Ron Perlman as Thanos
Gary Oldman as Loki
Michael Dorn as Heimdall
Chow Yun-fat as Wong
Kim Basinger as Virginia "Pepper" Potts
Angela Bassett as Okoye
Sanaa Lathan as Shuri
Adewale Akinnuoye-Agbaje as M'Baku
Frank Langella as Stonekeeper (Formerly Johann Schmidt/Red Skull)
Michael J. Anderson as Eitri
Dante Basco as Ned Leeds
Robert Duvall as General Thaddeus "Thunderbolt" Ross
Edward James Olmos as Taneleer Tivan/The Collector
Helen Mirren as the voice of F.R.I.D.A.Y.
Sandra Bullock as Maria Hill (Cameo)
Sidney Poitier as Nick Fury (Cameo)
Director: Steven Spielberg
Distributed by Touchstone Pictures (Buena Vista Pictures Distribution)
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Ant-Man and the Wasp (1998):
Michael Keaton as Scott Lang/Ant-Man
Geena Davis as Hope van Dyne/Wasp
Michael Rooker as Sonny Burch
Treat Williams as Jim Paxton
Glynn Turman as Gale
Sophie Okonedo as Ava StarGhost
Steven Bauer as Luis
Tracy "Ice-T" Marrow as Dave
Rita Wilson as Maggie Lang
Mara Wilson as Cassie Lang
John Lone as FBI Agent Jimmy Woo
Bill Paxton as Kurt
Jane Fonda as Jane van Dyne
Clarence Williams III as Dr. Bill Foster
Dick Van Dyke as Hank Pym
Director: Stephen Sommers
Distributed by Touchstone Pictures (Buena Vista Pictures Distribution)
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Captain Marvel (1999):
Cameron Diaz as Carol Danvers/Captain Marvel
Sidney Poitier as Nick Fury
Peter Stormare as Talos/Keller
Bill Duke as Korath
Christopher Lambert as Ronan the Accuser
Regina King as Maria Rambeau
Joan Chen as Minn-Erva
Sally Kellerman as the Supreme Intelligence/Mar-Vell/Dr. Wendy Lawson
Scott Glenn as Phil Coulson
Ralph Fiennes as Yon-Rogg
Director: Kathryn Bigelow
Distributed by Touchstone Pictures (Buena Vista Pictures Distribution)
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Avengers: Endgame (1999):
Kevin Kline as Tony Stark/Iron Man
Brad Pitt as Steve Rogers/Captain America
Dolph Lundgren as Thor
Mark Harmon as Dr. Bruce Banner (voice of Smart Hulk)
-Lou Ferrigno Sr. as Smart Hulk
Demi Moore as Natasha Romanoff/Black Widow
Michael Bihen as Clint Barton/Hawkeye (Five Years Later)
Danny Glover as James "Rhodey" Rhodes/War Machine
Michael Keaton as Scott Lang/Ant-Man
Cameron Diaz as Carol Danvers/Captain Marvel (1975; 28 Years Later in 2003)
Tony Cox as Rocket Racoon
-Ray Liotta as the voice of Rocket Racoon
Uma Thurman as Nebula
Angela Bassett as Okoye
Chow Yun-fat as Wong
Halle Berry as Valkyrie
Kevin Nash as Korg
-Jeff Daniels as the voice of Krog
Dennis Quaid as Kraglin Obfonteri
Randy Quaid as Harold "Happy" Hogan
Kim Basinger as Virginia "Pepper" Potts/Rescue (Iron Man MK 49 Armor)
Sab Shimono as Akihiko
Ron Perlman as Thanos (1998 Version death and 1994 Version)
Pierce Brosnan as Dr. Stephen Strange/Doctor Strange (Blip)
Denzel Washington as T'Challa/Black Panther (Blip)
Tobey Maguire as Peter ParkeSpider-Man (Blip; with Iron Spider Armor)
Wesley Snipes as Sam Wilson/Falcon (Blip)
Johnny Depp as James Buchanan "Bucky" Barnes/Winter Soldier (Blip)
Geena Davis as Hope van Dyne/Wasp (Blip)
Winona Ryder as Wanda Maximoff/Scarlet Witch (Blip)
Matthew Broderick as Peter Quill/Star-Lord (Blip)
Rae Dawn Chong as Gamora (2004 Version)
Terry "Hulk" Hogan as Drax the Destroyer (Blip)
Frank Oz as Groot (Blip)
Kelly Hu as Mantis (Blip)
Sanaa Lathan as Shuri (Blip)
Adewale Akinnuoye-Agbaje as M'Baku (Blip)
Gary Oldman as Loki (Flashback)
Vanessa Redgrave as Frigga (Flashback)
Elizabeth Hurley as Peggy Carter (1945)
Sam Elliott as Howard Stark (Flashback)
Robert Duvall as General Thaddeus "Thunderbolt" Ross (Flashback)
Kirk Douglas as Alexander Pierce (Flashback)
Miguel Ferrer as Jasper Sitwell (Flashback)
Frank Langella as Stonekeeper (Formerly Johann Schmidt/Red Skull) (Flashback)
Billy Campbell as Jack Rollins (Flashback)
Liam Neeson as Edwin Jarvis (Flashback)
Gary Busey as Brock Rumlow/Crossbones (Flashback)
Sally Kirkland as The Ancient One (Flashback)
Sandra Bullock as Maria Hill (Blip)
Sidney Poitier as Nick Fury (Blip)
Naomie Harris as Michelle "M.J." Jones-Watson (Blip)
Dante Basco as Ned Leeds (Blip)
Diahann Carroll as Ramonda (Blip)
Jane Fonda as Jane van Dyne (Blip)
Dick Van Dyke as Hank Pym (Blip and Flashback)
Susan Sarandon as May Parker (Blip)
Mimi Rogers as Laura Barton
Holliston Coleman as Morgan Stark
Rita Wilson as Maggie Lang
Natalie Portman as Cassie Lang (Five Years Later; Teenager)
Kieran Culkin as Harley Keener (10 Years Later)
Helen Mirren as the voice of F.R.I.D.A.Y.
Director: Steven Spielberg
Distributed by Touchstone Pictures (Buena Vista Pictures Distribution)
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Spider-Man: Far From Home (1999):
Tobey Maguire as Peter ParkeSpider-Man
Sidney Poitier as Nick Fury
Naomie Harris as Michelle "M.J." Jones-Watson
Sandra Bullock as Maria Hill
Randy Quaid as Harold "Happy" Hogan
George Wallace as Mr. Julius Dell
Dante Basco as Ned Leeds
Freddy Rodriguez as Eugene "Flash" Thompson
Julia Stiles as Betty Brant
Lillo Brancato as Jason Ionello
John Cho as Brad Davis
Steve Carell as Dr. Roger Harrington
Susan Sarandon as May Parker
Bruce Campbell as Quentin Beck/Mysterio
Burt Reynolds as J. Jonah Jameson (Special Appearance)
Director: Joe Johnston
Distributed by Columbia Pictures: A Sony Pictures Entertaiment Company (Sony Pictures Releasing)

For those unfamiliar, Cecil Kelley was a scientist working with nuclear material. He suffered a severe criticality accident and was hospitalized, and later died. During his hospitalization, they claimed that they were going to collect bone tissue samples from him to see if he could potentially be saved with bone marrow transplants - but this turned out to be an outright lie, as later during a legal case they admitted that he had received such a large dose that they knew from the get-go there was no chance of a transplant saving him. Instead, they merely wanted to see what had happened to his bone tissue, finding it 'jellylike'.
Upon his death, Dr. Clarence Lushbaugh, during the autopsy, removed eight pounds of his organs, muscle tissue, brain and bone, which went into mayonnaise jars for study. This was done without the knowledge or consent of his family, and they didn't find out that such actions had been taken until MUCH later. The knowledge they gained from studying his body and the removed tissues caused them to create a new study wherein they would obtain tissue samples from all bodies they autopsied - without familial knowledge or consent - to study the effects of radiation on the body, in both low and high doses, with samples obtained from the public as a control group. They even did a study where, during other routine medical procedures, they would inject plutonium into the patients to observe it's effects on their bodies.
When questioned during the court case about who gave him permission to take the tissues from Kelley, Dr. Clarence answered "God gave him permission."
Personally, even with the knowledge they obtained, I found it to be a gross violation of patient trust and bodily autonomy, and that anyone who claims they get permission from god should be dissected themselves and have their brains studied to see what's wrong with them. I don't have any real attachment to my own body - I'm likely going to donate to science when I die, skip the funeral and all that nonsense entirely and hopefully my meat sack can do some good for the scientific community - but I know for some people, the posthumous treatment of family members and friends is very important.
What are your thoughts on cases like these? The knowledge they gained from the experiments and tissue harvesting was quite impressive, they learned a lot that they could later use to protect people, and since he was already dead I wouldn't blame someone who saw it as a victimless crime that his family would never have known about without the papers being discovered, but all the same, his family found it very violating and the knowledge that parts of Kelley are still in mayo jars in various schools and labs must bother them a great deal.

Hi There,
About 9 months ago, or so, I made a list of all of the villains I predicted the Vile Eye would cover for the remainder of 2023, and I ended up getting a good many of them correct. I have once again made a list of all the characters I suspect will be covered this year. So far I have been right on all of the picks this year save for the Late Night with the Devil movie and John Wick Chapter 1. Here's my picks for the rest of the year and most of the picks in 2025.
Characters:

• Nyarlathotep (Lovecraftian Mythos)
• God of War
• Pablo Escobar (Narcos)
• Captain Walker (Spec Ops The Line)
• Vecna (Stranger Things)
• Rameses (The Prince of Egypt)
• Biff Tannen (Back to the Future)
• Parasite
• Eric Cartman (South Park)
• Death (Puss in Boots: The Last Wish)
• Chrollo Lucilfer (Hunter x Hunter)
• Mason Verger (Hannibal Rising)
• William Afton (Five Nights at Freddy’s)
• Daemon Targaryen (House of the Dragon)
• Tom Ripley (The Talented Mr. Ripley)
• Homelander (The Boys)
• Napoleon (Animal Farm)
• Sephiroth (Final Fantasy)
• Howard Ratner (Uncut Gems)
• Whiterose (Mr. Robot)
• Saruman (Lord of the Rings)
• Drive
• Franklin Saint (Snowfall)
• Howard Payne (Speed)
• Boyz n the Hood
• Pearl from X
• Chucky from Child’s Play
• Inspector Javert from Les Miserables
• Samara Morgan from The Ring
• Princess Mononoke
• Jax Teller from Sons of Anarchy
• Micah Bell from Red Dead Redemption 2
• Do The Right Thing
• Frank Underwood from House of Cards
• John Fitzgerald (The Revenant)
• Count Dracula (Bram Stroker’s Dracula)
• The Bedlam (Coraline)
• The NFFA from The Purge)
• Petyr Baelish (Game of Thrones)
• Hisoka (Hunter x Hunter)
• Prisoners
• The Green Mile
• Nucky Thompson (Boardwalk Empire)
• Silco (Arcane)
• Lamar Burgess (Minority Report)
• Oogie Boogie (A Nightmare Before Christmas)
• Lancaster Dodd (The Master)
• Cutler Beckett (Pirates of the Caribbean)
• Spot (Spider-Man Across the SpiderVerse)
• Shao Khan (Mortal Kombat)
• Humbert (Lolita)
• Leto II Atreides (Children of Dune)
• Gollum (Lord of the Rings)
• Jake LaMotta (Raging Bull)
• Errol Childress (True Detective)
• Ryomen Sakuna (Jujutsu Kaisen)
• Omni Man (Invincible)
• Shane Walsh (The Walking Dead)
• Vought International (The Boys)
• Ivan Drago (Rocky)
• Zeke Yeager (Attack on Titan)
• Clarence Boddicker (RoboCop)
• Magneto (X-Men)
• Gaius Helena Bonhaim (Dune)
• Dr. Martin Brenner (Stranger Things)
• James Moriarty (Sherlock Holmes)
• Dracula (Castlevania)
• Neil McCauley (Heat)
• Wilson Fisk (Daredevil)
• Ex Machina
• Shogu Makishima (Psycho-Pass)
• Idi Amin (The Last King of Scotland)
• Pyramid Head (Silent Hill 2)
• Ketheric Thorm (Baldur’s Gate 3)
• Ivar the Boneless (Vikings)
• Grindewald (Harry Potter)
• Soldier Boy (The Boys)
• T-Bag (Prison Break)
• James Coughlin (The Town)
• Grand Theft Auto V
• Once Upon A Time in America
• Alejandro (Sicario)
• Vern Schillinger (Oz)
• MacBeth
• Slade Wilson (Teen Titans)
• Aemond Targaryen (House of the Dragon)
• Hector Salamanca (Better Call Saul) 
• The Lich (Adventure Time)
• Nate Jacobs (Euphoria)
• Bojack Horseman
• Harga (Midsommar)
• Rattlesnake Jake (Rango)
• Abby Anderson (The Last of Us Part II)
• Luke Castellan (Percy Jackson)
• The Qu (All-Tomorrows)
• Mass Effect
• Lord of the Flies
• Christopher Moltisanti (The Sopranos)
• Joe Goldberg (You)
• Le Chiffre (Casino Royale)
• Donquixote Doflamingo (One Piece)
• Khotun Khan (The Ghost of Tsushima)
• Marty & Wendy Byrde (Ozark)
• Adrian Griffin (Invisible Man)
• Knives Out
• John Du Pont (Foxcatcher)
• Martin Lang (Killing of a Sacred Deer)
• Captain Smith (LA Confidential)
• Whitey Bulger (White Mass)
• Norma Desmond (Sunset Blvd)
• Mr. Hyde (Jekyll & Hyde)
• Villanelle (Killing Eve)
• The Commandant (Beasts of No Nation)
• Ben Wade (3:10 to Yuma)
• Widows
• Edwin Epps (12 Years a Slave)
• Stuntman Mike (Death Proof)
• Squid Game
• Benjamin Linus (Lost)
• Tai Lung (Kung Fu Panda)
• Georges Rutaganda (Hotel Rwanda)
• Colonel Tavington (The Patriot)
• Frank Gallagher (Shameless)
• Martin Vanger (The Girl With the Dragon Tattoo)
• Wilford (Snowpiercer)
• Scorpio (Dirty Harry)
• Dr. Christian Szell (Marathon Man)
• Leonard Shelby (Memento)
• Frank Lucas (American Gangster)
• Jordan Belfort (The Wolf of Wall Street)
• Lotso Huggin Bear (Toy Story 3)
• Nicky Santoro (Casino)
• Aaron Stampler (Primal Fear)
• Aku (Samurai Jack)
• Andrew Detmer (Chronicle)
• Frank Fontaine (BioShock)
• Doctor Octopus (PS4 Spider-Man)
• Mickey & Mallory Knox (Natural Born Killers)
• Rick Sanchez (Rick and Morty)
• Connie Nikas (Good Time)
• Rose the Hat (Doctor Sleep)
• Lavrentiy Beria (The Death of Stalin)
• Twin Peaks
• Rupert Pupkin (The King of Comedy)
• Boyd Crowder (Justified)
• Top Dollar (The Crow)
• John Kreese (Karate Kid)
• King Edward I (Braveheart)
• The Assassination of Jesse James by the Coward Robert Ford
• Frank White (The King of New York)
• Handsome Jack (Borderlands)
• Frank Butterman (Hot Fuzz)
• The Trinity Killer (Dexter)
• Senator Armstrong (Metal Gear Solid)
• Kent Mansley (The Iron Giant)
• Vladimir Makarov (Modern Warfare)
• Eastern Promises
• Frank Sheeran (The Irishman)
• Sully (Top Boy)
• Berlin (Money Heist)
• Monkey Man
• Les Grossman (Tropic Thunder)
• Ghost (Power)
• Ordell Robie (Jackie Brown)
• Thrawn (Star Wars)
• Amon (Legend of Korra)
• The Hateful Eight
• Alec Trevelyan (Golden Eye)
• Doctor Octopus (Spider-Man 2)
• Shang Tsung (Mortal Kombat)
• Eyes Wide Shut
• Nino Brown (New Jack City)
• Grand Theft Auto San Andreas
• GLaDOS (Portals)
• Kevin Katchadourian (We Need to Talk About Kevin)
• Paprika
• Chthulhu (The Call of Cthulhu)
• Sheriff Teale (First Blood)
• Cersei Lannister (Game of Thrones)
• Sweeney Todd: The Demon Barber
• Sonny Wortzik (Dog Day Afternoon)
• Rene Belloq (Raiders of the Lost Ark)
• John Lark (Mission Impossible Fallout)
• Jinx (Arcane & League of Legends)
• Tojamaru (Rashomon)
• Civil War
• Abijah Fowler (Blue Eyed Samurai)
• Negan (The Walking Dead)
• Lestat de Lioncourt (Interview with the Vampire)
• Memories of Murder
• Loki (MCU)
• Luv (Blade Runner 2049)
• Full Metal Jacket
• Us
• Sheriff of Nottingham (Robin Hood)
• Dr. Strangelove
• Niko Bellic (Grand Theft Auto IV)
• Scarecrow (Batman Begins)
• Major Strasser (Casablanca)
• Gyp Rosetti (Boardwalk Empire)
• Arthur Shelby (Peaky Blinders)
• Vault Tech (Fallout Series)
• Smaug (The Hobbit)
• Thelma & Louise
• Kai (Kung Fu Panda 3)
• Megatron (Transformers)
• Sosuke Aizen (Bleach)
• Otto Hightower (House of the Dragon)
• Stormfront (The Boys)
• Nelson Van Alden (Boardwalk Empire)
• Rorscach (Watchmen)
• Pagan Minh (Far Cry 4)
• Kilgrave (Jessica Jones)
• Jim Moriarty (Sherlock Holmes)
• Al Swearengen (Deadwood)
• Reverse Flash (The Flash)
• The Master (Doctor Who)
• Paul “Mua’dib” Atreides (Dune)
• Jurassic Park
• King Aerys Targaryen (A Song of Ice and Fire)
• Charles Foster Kane (Citizen Kane)
• Bonnie & Clyde
• Auric Goldfinger (Goldfinger)
• Khan Singh (Star Trek)
• Colonel Quaritch (Avatar)
• Joker: Folie a Deux
• The Grinch (How the Grinch Stole Christmas)
• The Tri-Solarans (Three Body Problem)
• Hazbin Hotel
• It’s Always Sunny in Philadelphia
• Trainspotting
• Count Olaf (A Series of Unfortunate Events)
• Thrax (Osmosis Jones)
• Hopper (A Bug’s Life)
• The Master (Fallout)
• Vince McMahon (WWE)
• Phil Leotardo (The Sopranos)
• Don Draper (Mad Men)
• Jimmy Conway (Goodfellas)
• Iago (Othello)
• Bellatrix LeStrange (Harry Potter)
• Bodhi (Point Break)
• Abduwali Muse (Captain Phillips)
• David (Alien: Covenant)
• Kylo Ren (Star Wars)
• Tighten (Megamind)
• Ma-Ma (Dredd)
• Mike Ehrmentraut (Breaking Bad/Better Call Saul)
• Hereditary
• Reverend Harry Powell (Night of the Living Hunter)
• Randall Flagg (The Stand)
• Omar Little (The Wire)
• Mother!
• Emperor Belos (Owl House)
• The Elephant Man
• Uncle Ruckus (Boondocks)
• Shogun
• Bloodraven (A Song of Ice and Fire)
• Koko Hekmatyar (Jormungand)
• Will Graham (Hannibal)
• Askelandd (Vinland Saga)
• White Witch (Chronicles of Narnia)
• Alexia (Titane)
• Kliner Family (Reacher)
• Rhaenyra Targaryen (House of the Dragon)
• Dolores Umbridge (Harry Potter)

I actually didn't think all of these would fit looking back. Anyways, there you go.

Like the title says, I'm working on a novel at the moment. It's basically a retelling of the Scopes Monkey Trial with a premise similar to Hannah Capin's The Dead Queens Club; historical figures as teenagers in a school or school-adjacent setting. It's Clarence Darrow as a fourteen-year-old girl called Clara Darrow and William Jennings Bryan as a fifteen-year-old boy called Will Bryan, with H.L. Mencken as a fifteen-year-old girl called Harriet Mencken. Darrow and Bryan are "lawyers" in the county teen/youth court, where they argue cases involving other teenagers, similar to real-life teen courts. Darrow is an open and proud agnostic while Bryan is the same but Christian. Mencken is an aspiring news columnist with a sarcastic sense of humor. Scopes is...Scopes, who believes in academic freedom and wants to defend his right to teach evolution.
The main issue is the Scopes trial is a culturally and historically-specific event that couldn't really happen in modern-day America. The whole reason there was a trial about teaching evolution - staged to benefit Dayton, Tennessee, but still a trial - and a law against teaching it was because in 1925, high school education was just getting popular and before about the 1900s most Americans didn't go to high school. If they were lucky they went to school until they were about 13 and went on to work, and if they were unlucky they probably didn't go at all. Evolution was an issue because urbanization meant that education became a way of improving your life by preparing you for a future in a more industrialized society. Part of it meant expanding and changing the curriculum by focusing more on practical skills rather than just literacy, numeracy and history. The anti-evolution crusade was part of a backlash against these changes and their political implications and for some people it was tied to white supremacist ideology. American society doesn't really find evolution controversial anymore because it's changed and the controversies are now about different things. That means for this premise to work, cultural values would have to be different, which means it couldn't be set in this 21st century and would have to be set in an alternate universe. It would need to be set in America, because it wouldn't make any sense in another legal and cultural context.
The other issue's representation. I'm a Chinese-Australian woman with Singaporean and Malaysian relatives and I remember how I felt when I was the same age as my protagonist and I read a book with a Singaporean protagonist immigrating to Australia, by a white author. The culture was accurate to what I know and the family dynamics felt real. Even the protagonist's voice sounded plausible and familiar. The author could do all that extensive research because she got a government grant to go on a research trip, but I still like the idea of possibly making someone else feel the same way I did. (Admittedly the book was published in 2014, so a while ago, and the author is established, so it might not be published now or as at least not as easily, and Capin's book was published in 2019, but it has a Chinese protagonist).
I'm interested in the role of race in anti-evolution, particularly in how black Americans responded to the antievolution movement and the Scopes trial itself, and in homage to that the Darrow and Mencken characters are African American, even though in 1925 Jim Crow meant Southern schools were segregated and outside of the South, even if a school wasn't technically segregated, non-white students could still end up in segregated classes. My setting isn't historical, but its aesthetic and values are early 20th century, and as a non-white person I feel weird about borrowing parts of a historical era but ignoring racism, since even if it isn't historical fiction the general period and its values and assumptions are still important. I've left a number of details about the story and project out because they aren't relevant and they'd just complicate the question more. I'll say I've done my research, though. I'm not an expert or a historian, but I've been researching this for about a year and a half by now, so I think I know quite a bit at least on the historical side. And I'm not African American or American, so obviously there are things I wouldn't know about, but having any kind of serious beta reader, let alone sensitivity reader(s) is probably a bit of a way off since I'm not out of the first draft stage yet. I haven't spent a lot of time finding out what's going on in the publishing industry, but I know three years ago We Need Diverse Books said it wasn't using the term #OwnVoices anymore, because of the issues around it.
I don't know if I'm looking for feedback or advice. I'm not even sure I'd consider this YA, beyond the characters' ages and the setting. I'd consider it more literary fiction/courtroom drama that just happens to have teenage protagonists and also some fantasy/SF elements, even though I'm pretty sure if it got to the stage where it might actually be published, publishers would consider it YA. And at that point their opinions would matter as much as mine. Does anyone have opinions on if: 1) this premise could work in a way that sounds plausible, 2) I could have representation in this type of setting without erasing real people's historical experiences while still commenting on educational politics, which is part of the point of the story, and 3) this kind of semi-historical setting actually could make sense? Could it be confusing to readers?
I'm thinking especially hard about the last one because like I said, the Scopes trial couldn't happen now. I put "modern" in quotes because it's technically set in contemporary times but the setting looks like the early 20th century with steampunk elements. Edited to make my questions clearer.
TL:DR writing book inspired by Scopes trial with teenage characters inspired by the historical figures involved, Worried about the setting not making sense.

(all airtimes E.S.T.)
WED MAY 01
(1:15AM) The Children's Hour (1961/1h 47m/Drama/William Wyler)
(3:15AM) The Apartment (1960/2h 5m/Comedy/Billy Wilder)
(6:00AM) From the Earth to the Moon (1958/1h 40m/Science-Fiction/Byron Haskin)
(7:45AM) The Snow Devils (1965/1h 18m/HorroAntonio Margheriti)
(9:30AM) The Green Slime (1969/1h 30m/HorroKinji Fukasaku)
(11:15AM) Moon Zero Two (1969/1h 40m/Roy Ward Baker)
(1:15PM) Countdown (1968/1h 41m/Drama/Robert Altman)
(3:00PM) Toward the Unknown (1956/1h 55m/Drama/Mervyn Le Roy)
(5:00PM) Plan 9 from Outer Space (1959/1h 19m/HorroEdward D. Wood, Jr.)
(6:30PM) The Thing from Another World (1951/1h 27m/HorroChristian Nyby)
(8:00PM) Laura (1944/1h 28m/Film-NoiOtto Preminger)
(9:45PM) Rebecca (1940/1h 55m/Suspense/Alfred Hitchcock)
THU MAY 02
(12:15AM) Marnie (1964/2h 10m/Suspense/Alfred Hitchcock)
(2:45AM) Agatha (1979/1h 38m/Mystery/Michael Apted)
(4:30AM) Penelope (1966/1h 37m/Comedy/Arthur Hiller)
(6:30AM) The Angry Hills (1959/1h 45m/Suspense/Robert Aldrich)
(8:30AM) The Pride and the Passion (1957/2h 12m/Adventure/Stanley Kramer)
(11:00AM) Sweet November (1968/1h 54m/Romance/Robert Ellis Miller)
(1:00PM) My Fair Lady (1964/2h 50m/Musical/George Cukor)
(4:00PM) I Want To Live! (1958/2h 0m/Drama/Robert Wise)
(6:15PM) The Defiant Ones (1958/1h 37m/Drama/Stanley Kramer)
(8:00PM) No Greater Glory (1934/1h 57m/Drama/Frank Borzage)
(9:00PM) Man’s Castle (1933/1h 6m/Romance/Frank Borzage
(11:00PM) Secrets (1933/1h 30m/Western/Frank Borzage)
FRI MAY 03
(12:30AM) A Farewell to Arms (1932/1h 18m/Romance/Frank Borzage)
(2:15AM) Stranded (1935/1h 16m/Romance/Frank Borzage)
(3:30AM) **Desire (1963/1h 31m/Romance/Frank Borzage)
(5:15AM) The Circle (1925/1h 0m/Silent/Frank Borzage)
(6:30AM) The Half Naked Truth (1933/1h 7m/Comedy/Gregory La Cava)
(7:45AM) Texas Carnival (1951/1h 17m/Comedy/Charles Walters)
(9:15AM) Maisie Was a Lady (1941/1h 19m/Comedy/Edwin L. Marin)
(10:45AM) Flamingo Road (1949/1h 34m/Drama/Michael Curtiz)
(12:30PM) The Unholy Three (1930/1h 12m/Crime/Jack Conway)
(1:45PM) The Mind Reader (1933/1h 9m/Drama/DirectoRoy Del Ruth)
(3:00PM) Lili (1953/1h 21m/Musical/Charles Walters)
(4:30PM) The Wagons Roll At Night (1941/1h 24m/Drama/Ray Enright)
(6:00PM) Carnival Story (1954/1h 35m/Drama/Kurt Neumann)
(8:00PM) Dead Men Don't Wear Plaid (1982/1h 28m/Comedy/Carl Reiner)
(10:00PM) Dirty Rotten Scoundrels (1988/1h 50m/Comedy/Frank Oz)
SAT MAY 04
(12:00AM) Father of the Bride (1991/1h 45m/Comedy/Charles Shyer)
(2:00AM) Pennies From Heaven (1981/1h 47m/Musical/Herbert Ross)
(4:00AM) Robin and the 7 Hoods (1964/2h 3m/Musical/Gordon Douglas)
(6:15AM) Maya (1966/1h 31m/Adventure/John Berry)
(8:00AM) MGM CARTOONS: Grin and Share It (1957/0h 6m/Comedy/Michael Lah)
(8:07AM) Believe It or Not #10 (1932/0h 7m/Short/?)
(8:15AM) Glimpses of Peru (1937/0h 8m/Short/?)
(8:24AM) The Walking Dead (1936/1h 6m/HorroMichael Curtiz)
(9:30AM) Brush Roper (1955/0h 30mWestern/Stuart Heisler)
(10:00AM) POPEYE: Never Kick a Woman (1933/0h 6m/Animation/Dave Fleischer)
(10:07AM) The Falcon Takes Over (1942/1h 3m/Mystery/Irving Reis)
(11:30AM) Buzzin' Around (1933/0h 20m/Comedy/Alfred J. Goulding)
(12:00PM) Tonight and Every Night (1945/1h 32m/Musical/Victor Saville)
(1:45PM) Angels in the Outfield (1951/1h 42m/Drama/Clarence Brown)
(3:45PM) The Liquidator (1966/1h 44m/Suspense/Jack Cardiff)
(5:45PM) Billy Budd (1962/1h 52m/Drama/Peter Ustinov)
(8:00PM) A Face in the Crowd (1957/2h 6m/Drama/Elia Kazan)
(10:15PM) Ace In The Hole (1951/1h 59m/Drama/Billy Wilder)
SUN MAY 05
(12:15AM) Dark Passage (1947/1h 46m/Film-NoiDelmer Daves)
(2:15AM) Yentl (1983/2h 14m/Musical/Barbra Streisand)
(4:30AM) Portnoy's Complaint (1972/1h 41m/Drama/Ernest Lehman)
(6:15AM) Harlan County, USA (1976/1h 43m/Documentary/Barbara Kopple)
(8:15AM) Black Fury (1935/1h 32m/Drama/Michael Curtiz)
(10:00AM) Dark Passage (1947/1h 46m/Film-NoiDelmer Daves)
(12:00PM) Random Harvest (1942/2h 4m/Romance/Mervyn Le Roy)
(2:30PM) Raintree County (1957/3h 7m/Drama/Edward Dmytryk)
(5:30PM) Gypsy (1962/2h 29m/Musical/Mervyn Le Roy)
(8:00PM) The Big Trail (1930/1h 50m/Western/Raoul Walsh)
(10:15PM) White Heat (1949/1h 54m/Crime/Raoul Walsh)
MON MAY 06
(12:15AM) The First Auto (1927/1h 15m/Silent/Roy Del Ruth)
(2:00AM) A River Called Titas (1973/2h 39m/Drama/Ritwik Ghatak)
(5:00AM) Busses Roar (1942/0h 58m/Drama/D. Ross Lederman)
(6:00AM) I Loved a Woman (1933/1h 30m/Drama/Alfred E. Green)
(7:45AM) The Keyhole (1933./1h 9m/Drama/Michael Curtiz)
(9:00AM) Age of Indiscretion (1935/1h 18m/Drama/Edward Ludwig)
(10:30AM) My Past (1931/1h 23m/Romance/Roy Del Ruth)
(11:45AM) Mannequin (1938/1h 35m/Romance/Lew Borzage)
(1:30PM) The Common Law (1932/1h 15m/Drama/Paul L. Stein)
(3:00PM) His Brother's Wife (1936/1h 30m/Romance/W. S. Van Dyke)
(4:30PM) Man On Fire (1957/1h 35m/Drama/Ranald Macdougall)
(6:15PM) One is a Lonely Number (1972/1h 37m/Drama/Mel Stuart)
(8:00PM) The Cheat (1915/0h42m/Silent/Cecil B. De Mille )
(9:15PM) The Dragon Painter (1919/0h 53m/Silent/William Worthington)
(10:15PM) The Tong Man (1919/0h 58m/Crime/William Worthington)
(11:30PM) Yellowface: Asian Whitewashing and Racism in Hollywood (2019/0h 54m/Documentary/Clara Kuperberg and Julia Kuperberg)
TUE MAY 07
(12:30AM) China Sky (1945/1h 18m/WaRay Enright)
(2:00AM) Sayonara (1957/2h 27m/Romance/Joshua Logan)
(6:00AM) Bed of Roses (1933/1h 7m/Drama/Gregory Lacava)
(7:15AM) Honeysuckle Rose (1980/1h 59m/Drama/Jerry Schatzberg)
(9:30AM) The Subject Was Roses (1968/1h 47m/Drama/Ulu Grosbard)
(11:30AM) The Blue Gardenia (1953/1h 30m/Suspense/Fritz Lang)
(1:00PM) Inside Daisy Clover (1965/2h 8m/Drama/Robert Mulligan)
(3:15PM) Brooklyn Orchid (1942/0h 50m/Comedy/Kurt Neumann)
(4:15PM) Brother Orchid (1940/1h 30m/Crime/Lloyd Bacon)
(6:00PM) Black Narcissus (1947/1h 39m/Drama/Michael Powell)
(8:00PM) North by Northwest (1959/2h 16m/Suspense/Alfred Hitchcock)
(10:30PM) A Matter of Life and Death (1947/1h 44m/Romance/Michael Powell)
WED MAY 08
(12:30AM) Forbidden Planet (1956/1h 38m/Science-Fiction/Fred Mcleod Wilcox)
(2:15AM) Citizen Kane (1941/1h 59m/Drama/Orson Welles)
(4:30AM) The Fountainhead (1949/1h 54m/Drama/King Vidor)
(6:30AM) The Shoes of the Fisherman (1968/2h 42m/Drama/Michael Anderson)
(9:30AM) Lone Star (1952/1h 34m/Western/Vincent Sherman)
(11:30AM) Rio Bravo (1959/2h 21m/Western/Howard Hawks)
(2:00PM) The Westerner (1940/1h 40m/Western/William Wyler)
(4:00PM) The Life and Times of Judge Roy Bean (1972/2h 0m/Western/John Huston)
(6:15PM) A Big Hand for the Little Lady (1966/1h 35m/Western/Fielder Cook)
(8:00PM) Shane (1953/1h 58m/Western/George Stevens)
(10:15PM) Hud (1963/1h 52m/Western/Martin Ritt)
THU MAY 09
(12:15AM) Spartacus (1960/3h 2m/Drama/Stanley Kubrick)
(3:45AM) Heidi (1937/1h 28m/Drama/Allan Dwan)
(5:30AM) Kim (1951/1h 53m/Adventure/Victor Saville)
(7:30AM) Dance, Fools, Dance (1931/1h 21m/Drama/Harry Beaumont)
(9:00AM) Possessed (1931/1h 12m/Romance/Clarence Brown)
(10:30AM) Laughing Sinners (1931/1h 11m/Romance/Harry Beaumont)
(11:45AM) Dancing Lady (1933/1h 22m/Musical/Robert Z. Leonard)
(1:30PM) Forsaking All Others (1934/1h 24m/Romance/W. S. Van Dyke)
(3:00PM) Chained (1934/1h 11m/Romance/Clarence Brown)
(4:30PM) Love on the Run (1936/1h 20m/Romance/W. S. Van Dyke)
(6:00PM) Boom Town (1940/1h 56m/Adventure/Jack Conway)
(8:00PM) History Is Made at Night (1937/1h 37m/Romance/Frank Borzage)
(10:00PM) Smilin' Through (1941/1h 40m/Romance/Frank Borzage)
FRI MAY 10
(12:00AM) Seven Sweethearts (1942/1h 38m/Musical/Frank Borzage)
(1:45AM) Flirtation Walk (1934/1h 37m/Musical/Frank Borzage)
(3:30AM) Shipmates Forever (1935/1h 49m/Musical/Frank Borzage)
(5:30AM) Hearts Divided (1936/1h 27m/Romance/Frank Borzage)
(7:00AM) No Other Woman (1933/0h 56m/Drama/J. Walter Ruben)
(8:00AM) Little Lord Fauntleroy (1936/1h 38m/Drama/John Cromwell)
(10:00AM) The Prisoner of Zenda (1937/1h 41m/Adventure/John Cromwell)
(12:00PM) Viva Villa! (1934/1h 55m/Western/Jack Conway)
(2:00PM) A Star Is Born (1937/1h 51m/Romance/William A. Wellman)
(4:00PM) Reckless (1935/1h 36m/Romance/Victor Fleming)
(5:45PM) A Tale of Two Cities (1935/2h/Drama/Jack Conway)
(8:00PM) Rebel Without a Cause (1955/1h 51m/Drama/Nicholas Ray)
(10:00PM) The Loneliness of the Long Distance Runner (1962/1h 44m/Drama/Tony Richardson)
SAT MAY 11
(12:00AM) Rumble Fish (1983/1h 34m/Action/Francis Ford Coppola)
(2:00AM) Wild Boys of the Road (1933/1h 17m/Drama/William A. Wellman(
(3:30AM) Crime School (1938/1h 26m/Drama/Lewis Seiler)
(5:00AM) Haunted Gold (1932/58m/Western/Mack V. Wright)
(6:00AM) Jungle Book (1942/1h 49m/Adventure/Zoltan Korda)
(8:00AM) MGM CARTOONS: Little Buck Cheeser (1937/0h 7m/Animation/Rudolf Ising)
(8:08AM) Believe It or Not #11 (1932/0h 7m/Documentary/?)
(8:16AM) India on Parade (1937/9m/Short/?)
(8:26AM) Attack of the 50 Foot Woman (1958/1h 5m/HorroNathan Hertz)
(9:30AM) Tom and Jerry (1955/0h 30m/Drama/Leo McCarey)
(10:00AM) POPEYE: Little Swee' Pea (1936/0h 7m/Animation/Dave Fleischer)
(10:08AM) The Falcon's Brother (1942/1h 3m/Mystery/Stanley Logan)
(11:30AM) Forbidden Passage (1941/0h 20m/Short/Fred Zinnemann)
(12:00PM) Sweet Charity (1969/2h 29m/Musical/Bob Fosse)
(2:45PM) Point Blank (1967/1h 32m/Crime/John Boorman)
(4:30PM) Roadblock (1951/1h 13m/Film-NoiHarold Daniels)
(6:00PM) American Graffiti (1973/1h 49m/Comedy/George Lucas)
(8:00PM) The Fisher King (1991/2h 17m/Dramedy/Terry Gilliam)
(10:30PM) Synecdoche, New York (2008/2h 4m/Dramedy/Charlie Kaufman)
SUN MAY 12
(12:45AM) Follow Me Quietly (1949/0h 59m/Film-NoiRichard O. Fleischer)
(2:15AM) Murder, She Said (1961/1h 26m/Mystery/George Pollock)
(4:00AM) Murder at the Gallop (1963/1h 21m/Mystery/George Pollock)
(5:30AM) MGM Parade Show #11 (1955/0h 25m/Documentary/?)
(6:00AM) Three Daring Daughters (1948/1h 55m/Musical/Fred M. Wilcox)
(8:00AM) Please Don't Eat the Daisies (1960/1h 51m/Comedy/Charles Walters)
(10:00AM) Follow Me Quietly (1949/0h 59m/Film-NoiRichard O. Fleischer)
(11:15AM) So Big (1953/1h 41m/Romance/Robert Wise)
(1:15PM) Pocketful of Miracles (1961/2h 16m/Comedy/Frank Capra)
(3:45PM) Mildred Pierce (1945/1h 53m/Drama/Michael Curtiz)
(5:45PM) Imitation of Life (1959/2h 5m/Romance/Douglas Sirk)
(8:00PM) I Remember Mama (1948/2h 14m/Drama/George Stevens)
(10:30PM) Yours, Mine, and Ours (1968/1h 51m/Comedy/Melville Shavelson)
MON MAY 13
(12:30AM) The Merry Widow (1925/1h 51m/Silent/Erich Von Stroheim)
(3:00AM) Unknown Pleasures (2002/1h 52m/Comedy/Jia Zhang-ke)
(5:00AM) The World (2004/2h 19m/Adventure/Jia Zhang-ke)
(7:30AM) Night Flight (1933/1h 24m/Drama/Clarence Brown)
(9:00AM) Sadie McKee (1934/1h 30m/Romance/Clarence Brown)
(10:45AM) Song of Love (1947/1h 59m/Western/Clarence Brown)
(12:45PM) Intruder in the Dust (1949/1h 29m/Drama/Clarence Brown)
(2:15PM) White Cliffs Of Dover (1944/2h 6m/Romance/Clarence Brown)
(4:30PM) Edison, the Man (1940/1h 47m/Drama/Clarence Brown)
(6:30PM) Wife Vs. Secretary (1936/1h 28m/Romance/Clarence Brown)
(8:00PM) Tokyo Joe (1949/1h 28m/Suspense/Stuart Heisler)
(9:45PM) The Geisha Boy (1958/1h 38m/Comedy/Frank Tashlin)
(11:45PM) Daughter of the Dragon (1931/1h 10m/Crime/Lloyd Corrigan)
TUE MAY 14
(1:00AM) Daughter of Shanghai (1937/1h 3m/Crime/Robert Florey)
(2:15AM) Escapade in Japan (1957/1h 33m/Adventure/Arthur Lubin)
(4:00AM) Bridge to the Sun (1961/1h 52m/Drama/Etienne Périer)
(6:00AM) Key Largo (1948/1h 41m/Crime/John Huston)
(8:00AM) Wind Across the Everglades (1958/1h 33m/Adventure/Nicholas Ray)
(9:45AM) Sweet Bird of Youth (1962/2h 0m/Drama/Richard Brooks)
(12:00PM) Bright Road (1953/1h 9m/Drama/Gerald Mayer)
(1:15PM) Good-Bye, My Lady (1956/1h 35m/Drama/William A. Wellman)
(3:00PM) Louisiana Story (1948/1h 17m/Documentary/Robert Flaherty)
(4:30PM) Cry of the Hunted (1953/1h 20m/Drama/Joseph H. Lewis)
(6:00PM) The Drowning Pool (1975/1h 46m/Mystery/Stuart Rosenberg)
(8:00PM) Rancho Notorious (1952/1h 29m/Western/Fritz Lang)
(9:45PM) Beach Party (1963/1h 41m/Musical/William Asher)
(11:30PM) Breathless (1983/1h 40m/Drama/Jim McBride)
WED MAY 15
(1:30AM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
(3:30AM) Querelle (1982/1h 48m/Drama/Rainer Werner Fassbinder)
(5:30AM) The Boy Friend (1971/1h 48m/Musical/Ken Russell)
(7:30AM) Design for Scandal (1941/1h 25m/Romance/Norman Taurog)
(9:00AM) Live, Love and Learn (1937/1h 18m/Comedy/Geo. Fitzmaurice)
(10:30AM) The Kid from Kokomo (1939/1h 35m/Comedy/Lewis Seiler)
(12:15PM) Tender Comrade (1943/1h 42m/Drama/Edward Dmytryk)
(2:15PM) A Guy Named Joe (1943/2h 0m/Romance/Victor Fleming)
(4:30PM) We Who Are Young (1940/1h 19m/Romance/Harold S. Bucquet)
(6:00PM) Our Vines Have Tender Grapes (1945/1h 45m/Drama/Roy Rowland)
(8:00PM) Gigi (1958/1h 56m/Musical/Vincente Minnelli)
(10:15PM) Lili (1953/1h 21m/Musical/Charles Walters)
THU MAY 16
(12:00AM) Oliver! (1968/2h 33m/Musical/Carol Reed)
(2:45AM) Roberta (1935/1h 25m/Musical/William A. Seiter)
(4:45AM) Mame (1974/2h 12m/Musical/Gene Saks)
(7:15AM) The Pitfall (1948/1h 24m/Film-NoiAndre De Toth)
(9:00AM) The Set-Up (1949/1h 12m/Drama/Robert Wise)
(10:15AM) The Maltese Falcon (1941/1h 40m/Mystery/John Huston)
(12:00PM) Lady in the Lake (1947/1h 43m/Mystery/Robert Montgomery)
(2:00PM) They Live by Night (1948/1h 35m/Crime/Nicholas Ray)
(4:00PM) The Strange Love of Martha Ivers (1946/1h 56m/Film-NoiLewis Milestone)
(6:00PM) The Postman Always Rings Twice (1946/1h 51m/Film-NoiTay Garnett)
(8:00PM) The Mortal Storm (1940/1h 40m/Drama/Frank Borzage)
(10:00PM) Three Comrades (1938/1h 40m/Romance/Frank Borzage)
FRI MAY 17
(12:00AM) Flight Command (1940/1h 50m/Adventure/Frank Borzage)
(2:15AM) The Spanish Main (1945/1h 40m/Adventure/Frank Borzage)
(4:15AM) Strange Cargo (1940/1h 45m/Drama/Frank Borzage)
(6:15AM) The Shining Hour (1938/1h 20m/Drama/Frank Borzage)
(7:45AM) One of Our Spies Is Missing (1966/1h 0m/Adventure/E. Darrell Hallenbeck)
(9:30AM) Where the Spies Are (1965/1h 53m/Comedy/Val Guest)
(11:30AM) The Prize (1963/2h 16m/Mystery/Mark Robson)
(2:00PM) The Venetian Affair (1967/1h 32m//Mystery/Jerry Thorpe)
(3:45PM) How to Steal the World (1968/1h 26m/Adventure/Sutton Roley)
(5:15PM) 36 Hours (1964/1h 55m/WaGeorge Seaton)
(7:15PM) MGM Parade Show #11 (1955/0h 25m/Documentary/?)
(8:00PM) Separate But Equal (1991/3h 10m/History/?)
(11:30PM) The Murder of Mary Phagan (1988/4h 11m/Drama/?)
SAT MAY 18
(4:00AM) Freedom on My Mind (1994/1h 45m/Documentary/Connie Field)
(6:00AM) Gunga Din (1939/1h 57m/Adventure/George Stevens)
(8:00AM) MGM CARTOONS: Old Smokey (1938/0h 7m/Animation/William Hanna)
(8:08AM) Believe It or Not #12 (1932/0h 8m/Documentary/?)
(8:17AM) Natural Wonders of the West (1938/0h 8m/Documentary/James H Smith)
(8:27AM) Devil's Island (1940/1h 2m/Drama/William Clemens)
(9:30AM) Rookie Of The Year (1955/Comedy/John Ford)
(10:00AM) POPEYE: Hold the Wire (1933/0h 6m/Animation/Dave Fleisher)
(10:07AM) Falcon in Danger (1943/1h 13m/Mystery/William Clemens)
(11:30AM) The Song of Fame (1934/0h 21m/Short/Joseph Henabery)
(12:00PM) The Great Ziegfeld (1936/3h 0m/Musical/Robert Z. Leonard)
(3:15PM) The FBI Story (1959/2h 29m/Crime/Mervyn Le Roy)
(6:00PM) Cahill, U.S. Marshal (1973/1h 43m/Western/Andrew V. McLaglen)
(8:00PM) Jailhouse Rock (1957/1h 36m/Musical/Richard Thorpe)
(10:00PM) Forty Guns (1957/1h 18m/Western/Samuel Fuller)
SUN MAY 19
(12:00AM) Take Aim at the Police Van (1960/1h 19m/Film-NoiSeijun Suzuki)
(1:45AM) The Cowboys (1972/8m/Western/Mark Rydell)
(4:00AM) Chisum (1970/1h 50m/Western/Andrew V. McLaglen)
(6:00AM) Behind Office Doors (1931/1h 26m/Drama/Melville Brown)
(7:30AM) The Boss Didn't Say Good Morning (1937/10m/Short/Jacques Tourneur)
(8:00AM) Executive Suite (1954/1h 44m/Drama/Robert Wise)
(10:00AM) Take Aim at the Police Van (1960/1h 19m/Film-NoiSeijun Suzuki)
(11:45AM) The Roman Spring of Mrs. Stone (1961/1h 44m/Drama/José Quintero)
(1:45PM) Sex and the Single Girl (1964/1h 54m/Comedy/Richard Quine)
(3:45PM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(5:45PM) Some Like It Hot (1959/2h 0m/Comedy/Billy Wilder)
(8:00PM) The Muppets Take Manhattan (1984/1h 34m/Musical/Frank Oz)
(10:00PM) Little Shop of Horrors (1986/1h 28m/Musical/Frank Oz)
MON MAY 20
(12:00AM) The Kiss (1929/50m/Silent/Jacques Feyder)
(12:50AM) Love (1927/1h 22m/Silent/Edmund Goulding)
(2:30AM) No End (1985/1h 44m/Drama/Krzysztof Kieslowski)
(4:30AM) Blind Chance (1981/2h 2m/Drama/Krzysztof Kieslowski)
(6:45AM) Athena (1954/1h 36m/Musical/Richard Thorpe)
(8:30AM) The Last Days of Pompeii (1935/1h 36m/Drama/Ernest B. Schoedsack)
(10:15AM) The Slave (1962/1h 32m/Adventure/Sergio Corbucci)
(12:15PM) Land of the Pharaohs (1955/1h 46m/Adventure/Howard Hawks)
(2:15PM) The Silver Chalice (1954/2h 24m/Drama//Victor Saville)
(4:45PM) Quo Vadis (1951/2h 51m/Drama/Mervyn Le Roy)
(8:00PM) House of Bamboo (1955/1h 42m/Crime/Samuel Fuller
(10:00PM) Green Mansions (1959/1h 44m/Romance/Mel Ferrer)
TUE MAY 21
(12:00AM) Hell to Eternity (1960/2h 12m/WaPhil Karlson)
(2:30AM) Grand Prix (1966/2h 59m/Adventure/John Frankenheimer)
(6:00AM) Mr. Chump (1938/1h 1m/Comedy/William Clemens)
(7:15AM) Mr. Hex (1946/1h 3m/Comedy/William Beaudine)
(8:30AM) Mr. Dodd Takes the Air (1937/1h 26m/Musical/Alfred E. Green)
(10:00AM) Mr. Doodle Kicks Off (1938/1h 17m/Comedy/Leslie Goodwins)
(11:30AM) Mr. Imperium (1951/1h 27m/Romance/Don Hartman)
(1:00PM) Mr. And Mrs. North (1941/1h 7m/Mystery/Robert B. Sinclair)
(2:15PM) Mr. Skeffington (1945/2h 7m/Drama/Vincent Sherman)
(4:45PM) Mr. Blandings Builds His Dream House (1948/1h 34m/Comedy/H. C. Potter)
(6:30PM) Mister Cinderella (1936/1h 15m/Comedy/Edward Sedgwick)
(8:00PM) The 5,000 Fingers of Dr. T (1953/1h 28m/Musical/Roy Rowland)
(9:45PM) The Red Shoes (1948/2h 14m/Romance/Michael Powell)
WED MAY 22
(12:15AM) Donkey Skin (1970/1h 30m/Drama/Jacques Demy)
(2:00AM) The Glass Slipper (1955/1h 34m/Musical/Charles Walters)
(3:45AM) Brigadoon (19541h 48m/Musical/Vincente Minnelli)
(5:45AM) Thief of Bagdad (1940/1h 46m/Adventure/Ludwig Berger)
(7:45AM) Lord of the Flies (1963/1h 30m/Drama/Peter Brook)
(9:30AM) Tunes of Glory (1960/1h 45m/WaRonald Neame)
(11:30AM) Tom Jones (1963/2h 11m/Comedy/Tony Richardson)
(1:45PM) The Lady Vanishes (1938/1h 37m/Suspense/Alfred Hitchcock)
(3:30PM) Oliver Twist (1948/1h 56m/Drama/David Lean)
(5:30PM) Sense and Sensibility (1995/2h 15m/Romance/Ang Lee)
(8:00PM) Marty (1955/1h 31m/Romance/Delbert Mann)
(9:45PM) Harvey (1950/1h 44m/Comedy/Henry Koster)
THU MAY 23
(12:00PM) Alice (1990/1h 25m/Comedy/Woody Allen)
(2:00AM) Tommy (1975/1h 51m/Musical/Ken Russell)
(4:00AMP Lenny (1974/1h 51/Drama/Ken Russell)
(6:00AM) Marriage on the Rocks (1965/1h 49m/Comedy/Jack Donohue)
(8:00AM) The Tender Trap (1955/1h 51m/Comedy/Charles Walters)
(10:00AM) Big City (1948/1h 43m/Crime/Norman Taurog)
(12:00PM) Neptune's Daughter (1949/1h 33m/Musical/Edward Buzzell)
(2:00PM) On the Town (1949/1h 38m/Musical/Gene Kelly)
(4:00PM) Take Me Out to the Ball Game (1949/1h 33m/Musical/Busby Berkeley)
(5:45PM) Words and Music (1948/1h 59m/Musical/Norman Taurog)
(8:00PM) How Green Was My Valley (1941/1h 58m/Drama/John Ford)
(10:15PM) Seven Samurai (1956/2h 40m/Drama/Akira Kurosawa)
FRI MAY 24
(2:00AM) The Battle of Algiers (1966/2h 0h/WaGillo Pontecorvo)
(3:15AM) Lust for Life (1956/2h 2m/Drama/Vincente Minnelli)
(5:30AM) MGM Parade Show #11 (1955/0h 25m/Documentary/?)
(6:00AM) A Day at the Races (1937/1h 45m/Comedy/Sam Wood)
(8:00AM) I Love You Again (1940/1h 39m/Comedy/W. S. Van Dyke II)
(10:00AM) The Loved One (1965/1h 56m/Comedy/Tony Richardson)
(12:15PM) The Awful Truth (1937/1h 30m/Comedy/Leo McCarey)
(2:00PM) No Time For Sergeants (1958/1h 59m/Comedy/Mervyn Le Roy)
(4:15PM) The Sunshine Boys (1975/1h 51m/Comedy/Herbert Ross)
(6:15PM) The Producers (1967/1h 28m/Comedy/Mel Brooks)
(8:00PM) The Caine Mutiny (1954/2h 5m/Drama/Edward Dmytryk)
(10:15PM) Platoon (1986/2h 0m/WaOliver Stone)
SAT MAY 25
(12:30AM) Men in War (1957/1h 44m/WaAnthony Mann)
(2:15\AM) The Steel Helmet (1951/1h 24m/WaSamuel Fuller)
(4:00AM) Go for Broke! (1951/1h 32m/WaRobert Pirosh)
(5:45AM) The Human Comedy (1943/1h 58m/Drama/Clarence Brown)
(7:45AM) Merrill's Marauders (1962/1h 38m/WaSamuel Fuller)
(9:30AM) They Were Expendable (1945/2h 15m/WaJohn Ford)
(12:00PM) Thank Your Lucky Stars (1943/2h 7m/Musical/David Butler)
(2:15PM) Onionhead (1958/1h 50m/Comedy/Norman Taurog)
(4:15PM) The Story of G. I. Joe (1945/1h 49m/WaWilliam A. Wellman)
(6:15PM) A Farewell to Arms (1932/1h 18m/Romance/Frank Borzage)
(8:00PM) Attack (1956/1h 47m/WaRobert Aldrich)
(10:00PM) Captains of the Clouds (1942/1h 53m/WaMichael Curtiz)
SUN MAY 26
(12:00AM) Bad for Each Other (1954/1h 23m/Film-NoiIrving Rapper)
(1:45AM) Men Of The Fighting Lady (1954/1h 20m/WaAndrew Marton)
(3:15AM) The Red Badge Of Courage (1951/1h 9m/Drama/John Huston)
(4:45AM) Wings For The Eagle (1942/1h 23m/WaLloyd Bacon)
(6:15AM) The Fighting 69th (1940/1h 30m/WaWilliam Keighley)
(7:45AM) Mister Roberts (1955/2h 3m/Comedy/John Ford)
(10:00AM) Bad for Each Other (1954/1h 23m/Film-NoiIrving Rapper)
(11:45AM) The Naked and the Dead (1958/2h 11m/WaRaoul Walsh)
(2:15PM) The Dirty Dozen (1967/2h 29m/WaRobert Aldrich)
(5:00PM) The Great Escape (1963/2h 48m/WaJohn Sturges)
(8:00PM) The Memphis Belle: A Story of a Flying Fortress (1944/40m/Documentary/Lt. Col. William Wyler)
(9:00PM) The Cold Blue (2018/1h 41m/Documentary/Erik Nelson)
(11:00PM) The Best Years Of Our Lives (1946/2h 52m/Drama/William Wyler)
MON MAY 27
(2:00AM) The Flying Fleet (1929/1h 27m/Silent/George Hill)
(2:15AM) The Flying Fleet (1929/1h 27m/Silent/George Hill)
(3:45AM) The Burmese Harp (1956/1h 56m/WaKon Ichikawa)
(4:00AM) The Burmese Harp (1956/1h 56m/WaKon Ichikawa)
(6:00AM) The Cranes Are Flying (1957/1h 34m/Romance/Mikhail Kalatozov)
(7:45AM) Appointment in Tokyo (1946/0h 55m/Documentary/Maj. Jack Hively)
(8:45AM) The McConnell Story (1955/1h 47m/Drama/Gordon Douglas)
(10:45AM) War Nurse (1930/1h 20m/WaEdgar Selwyn)
(12:15PM) Cry 'Havoc' (1944/1h 37m/WaRichard Thorpe)
(2:00PM) Bataan (1943/1h 54m/WaTay Garnett)
(4:00PM) The Rack (1956/1h 40m/Drama/Arnold Laven)
(5:45PM) Darby's Rangers (1958/2h 1m/WaWilliam A. Wellman)
(8:00PM) Three Came Home (1950/1h 46m/WaJean Negulesco)
(10:00PM) The Bridge on the River Kwai (1957/2h 41m/Drama/David Lean)
TUE MAY 28
(2:00AM) Assignment in Brittany (1943/1h 36m/Drama/Jack Conway)
(3:45AM) Sergeant York (1941/2h 14m/WaHoward Hawks)
(6:15AM) Mummy's Boys (1936/1h 8m/Comedy/Fred Guiol)
(7:30AM) My Demon Lover (1987/1h 27m/Comedy/Ted G, Vujovich)
(9:00AM) The Smiling Ghost (1941/1h 11m/Suspense/Lewis Seiler)
(10:30AM) Singapore Woman (1941/1h 4m/Drama/Jean Negulesco)
(11:45AM) The Reptile (1966/1h 30m/HorroJohn Gilling)
(1:30PM) Death Curse of Tartu (1966/HorroWilliam Grefé)
(3:00PM) Curse of the Demon (1958/1h 35m/HorroJacques Tourneur)
(4:30PM) The Curse of the Mummy's Tomb (1964/1h 21m/HorroMichael Carreras)
(6:00PM) Sphinx (1981/1h 58m/Adventure/Franklin J. Schaffner)
(8:00PM) Jason And The Argonauts (1963/1h 44m/Adventure/Don Chaffey)
(10:00PM) King Kong (1933/1h 40m/HorroMerian C. Cooper)
WED MAY 29
(12:00AM) Metropolis (1926/2h 23m/Silent/Fritz Lang)
(2:45AM) Modern Times (1936/1h 27m/Silent/Charlie Chaplin)
(4:15AM) Eraserhead (1977/1h 40m/HorroDavid Lynch)
(6:00AM) Beauty and the Beast (1946.1h 35m/Romance/Jean Cocteau)
(7:45AM) The Merry Widow (1934/1h 39m/Musical/Ernst Lubitsch)
(9:30AM) The Red Danube (1949/1h 59m/Drama/George Sidney)
(11:45AM) Conquest (1937/1h 52m/Romance/Clarence Brown)
(1:45PM) National Velvet (1944/2h 5m/Drama/Clarence Brown)
(4:00PM) Invitation to the Dance (1956/1h 33m/Musical/Gene Kelly)
(5:45PM) The Sea of Grass (1947/2h 11m/Drama//Elia Kazan)
(10:00PM) Ninotchka (1939/1h 50m/Comedy/Ernst Lubitsch)
THU MAY 30
(12:00AM) Camille (1937/1h 48m/Romance/George Cukor)
(2:00AM) Suzy (1936/1h 39m/Drama/Geo. Fitzmaurice)
(3:45AM) Marius (1931/2h 5m/Comedy/Alexandre Korda)
(6:00AM) British Agent (1934/1h 21m/Suspense/Michael Curtiz)
(7:30AM) Crossroads (1942/1h 24m/Suspense/Jack Conway)
(9:00AM) Mission to Moscow (1943/2h 3m/Drama/Michael Curtiz)
(11:15AM) Princess O'Rourke (1943/1h 34m/Comedy/Norman Krasna)
(1:00PM) A Majority of One (1961/2h 33m/Comedy/Mervyn Le Roy)
(3:30PM) The Notorious Landlady (1962/2h 3m/Comedy/Richard Quine)
(5:45PM) The Ugly American (1963/2h 0h/Drama/George Englund)
(8:00PM) The Front Page (1974/1h 45m/Comedy/Billy Wilder)
(10:00PM) The Front Page (1931/1h 41m/Comedy/Lewis Milestone)
FRI MAY 31
(12:00AM) His Girl Friday (1940/1h 32m/Comedy/Howard Hawks)
(2:00AM) Switching Channels (1988/1h 45m/Comedy/Ted Kotcheff)
(4:00AM) Hooper (1978/1h 39m/Comedy/Hal Needham)
(6:00AM) Wild Rovers (1971/1h 50m/Western/Blake Edwards)
(8:30AM) The Great Bank Hoax (1977/1h 33m/Comedy/Joseph Jacoby)
(10:15AM) Larceny, Inc. (1942/1h 35m/Comedy/Lloyd Bacon)
(1:30PM) Going in Style (1979/1h 37m/Comedy/Martin Brest)
(3:30PM) The Getaway (1972/2h 2m/Crime/Sam Peckinpah)
(5:45PM) Dog Day Afternoon (1975/2h 10m/Crime/Sidney Lumet)
(8:00PM) The Public Enemy (1931/1h 14m/Crime/William A. Wellman)
(9:30PM) Brian's Song (1971/1h 30m/Drama/Buzz Kulik)
(11:00PM) The Bingo Long Traveling All-Stars and Motor Kings (1976/1h 50m/Comedy/John Badham)

My dad called me the other day asking for my help
Am here looking at it. Clicking the X to close it doesn't work, nor does selecting US English.
When I clicked UK English, it went away. Upon closing & restarting the browser, it pops up again with US English selected but not allowing you to close it thus cutting off a lot of yahoo's viewing area, even if I say, click one the articles I can see on the main page. It still covers most of the screen.
I even tried disabling ublock on the browser but that didn't help either.
It is running on Windows Vista SP1.
Not sure if that would be valuable info or not.

These are organized by how many times they appeared by name in the text, though it skips some as you go later into the list, such as the members of the Ferenc family. Why a voice cast instead of a live action cast? Because a few of these actors are a bit old to portray these characters in live action, but are otherwise great for the roles. And I don't have every main character cast, so if anyone's still hanging out in this barren sub, I'd love to hear ideas. And you'll also see, a fair few of these are running it back from playing these characters before.

Character	Voice Actor Choice
Mary Jekyll	Emma Watson
Diana Hyde
Catherine Moreau	Hannah John-Kamen
Justine Frankenstein	Clémence Poésy
Beatrice Rappacini
Alice/Lydia Raymond	Not a well known actress
Sherlock Holmes	Eddie Redmayne
Mrs. Poole	Olivia Colman
Lucinda Van Helsing	Not a well known actress, preferably someone Dutch or Flemish
Dr. John Watson
Dr. Henry Jekyll/Edward Hyde	Mads Mikkelsen
Mina Murray	Winona Ryder or Keira Knightley
Helen Raymond	Cate Blanchett
Irene Norton	Paget Brewster (This is the single choice that I think is the best.)
Ayesha
Carmilla Karnstein	Vica Kerekes (only Hungarian actress I could think of)
Professor Abraham Van Helsing	Christoph Waltz
Dr. John Seward	Jason Isaacs
Queen Tera	Angela Bassett
Margaret Trelawny	(If Emma Watson wouldn't want to be Mary, I'd love to cast her here to disguise how villainous Margaret is to the audience)
Edward Prendick
Laura Jennings
Count Dracula	Christian Bale
Clarence Jefferson	John David Washington
Charlie Sutton	Not a well-known actor
Professor James Moriarty	David Thewlis
Adam Frankenstein	Rami Malek
Inspector Lestrade	Rupert Graves
Hannah and Greta	Not well-known actresses, but they should be Austrian or German
Dr. Moreau	Willem Dafoe
R.M. Renfield	Elis James
Queen Victoria	Maggie Smith
Archibald	Nick Frost
Joe Abernathy	Josh Herdman (Goyle from Harry Potter)
Bill Wiggins
Victor Frankenstein
Madam Zora	Indira Varma
Eva Gottlieb/Nurse Adams	Theodora Goss
Dr. Raymond	Paul Freeman (Belloq from Raiders of the Lost Ark, he gets to have his face melted again)
Leo Vincey/Kallikrates	Freddie Stroma (Cormac McLaggen from Harry Potter)
Dr. Sigmund Freud	Mark Rylance
Lorenzo the Magnificent
Molly Keane	Don't think you need a voice actor for her
Mrs. Van Helsing
Marvelous Martin	David Bradley
Jonathan Harker	Keanu Reeves
Heinrich Waldman
Mrs. Polgarth	Lorraine Hilton
Mrs. Hudson	I would've cast Una Stubbs from Sherlock here if she were still alive.
Professor Petronius	Tim Roth
Sasha the Dog Boy
Arthur Holmwood, Lord Godalming	Carey Elwes
Arminius Vambery
Lucy Westenra
Sister Margaret/Matron McTavish
Horace Holly
Ernestine Jekyll	Michelle Fairley (running it back from Deathly Hallows as Emma Watson's mom)
Isaac Mandelbaum
Kate Bright-Eyes	Bonnie Wright
Atlas the Strongman/Matthew Taylor
Lady Crowe/Madame Corbeau/Frau Krahe
Dorian Gray	Michael Sheen
Colonel Sebastian Moran
Mycroft Holmes	Mark Gatiss
Magda
Giovanni Guasconti
Quincy Morris	Jesse Plemons
Dr. Giacomo Rappacini

Proof & Pictures
https://imgur.com/a/st3iPRK?s=sms
2022 Royal Mint 1 oz silver Music Legends Series - Rolling Stones w/ mint capsule (8) - $28.50 each or buy all 8 for $230 shipped Priority FRB.
https://imgur.com/a/4M0svwa?s=sms
1921 Pilgrim MS66 - $440
1935 Arkansas MS66 - $250
1935-D Arkansas MS66 - $275
1937 Arkansas MS66 - $300
https://imgur.com/a/J2UjHaY?s=sms
2017 Royal Mint 1 oz silver Landmarks Series - Big Ben w/ mint capsule - SOLD
Maples Various Years - Some Milk and Toning (10) - SOLD. https://imgur.com/a/R87iFQO?s=sms
2015 Canadian Polar Bears 1.5 oz - SOLD. https://imgur.com/a/drZeWnI?s=sms
Bull of Clarence & Seymour Unicorn 2 oz - SOLD https://imgur.com/a/eQPe9qH?s=sms
Payment via Zelle, Venmo or PPFF. Please add $5 for shipping via USPS. Although I find the USPS to be very reliable and have never lost a tracked package with them, I can only be responsible for properly packing, applying the correct mailing label, and getting the items to the Post Office safely.
Please message or chat. Happy to provide additional photos or videos via chat or answer any questions you have about the items listed for sale.
Shipping insurance or signature confirmation can be added at buyers request but buyer will have to pay the extra cost and be familiar with the details of the shipping insurance policy.

Proof & Pictures
https://imgur.com/a/st3iPRK?s=sms
2017 Royal Mint 1 oz silver Landmarks Series - Big Ben w/ mint capsule - SOLD
2022 Royal Mint 1 oz silver Music Legends Series - Rolling Stones w/ mint capsule (8) - $28.50 each or buy all 8 for $230 shipped Priority FRB.
https://imgur.com/a/4M0svwa?s=sms
Maples Various Years - Some Milk and Toning (10) - SOLD. https://imgur.com/a/R87iFQO?s=sms
2015 Canadian Polar Bears 1.5 oz - SOLD. https://imgur.com/a/drZeWnI?s=sms
Bull of Clarence & Seymour Unicorn 2 oz - SOLD https://imgur.com/a/eQPe9qH?s=sms
1921 Pilgrim MS66 - $440
1935 Arkansas MS66 - $250
1935-D Arkansas MS66 - $275
1937 Arkansas MS66 - $300
https://imgur.com/a/J2UjHaY?s=sms
Payment via Zelle, Venmo or PPFF. Please add $5 for shipping via USPS. Although I find the USPS to be very reliable and have never lost a tracked package with them, I can only be responsible for properly packing, applying the correct mailing label, and getting the items to the Post Office safely.
Please message or chat. Happy to provide additional photos or videos via chat or answer any questions you have about the items listed for sale.
Shipping insurance or signature confirmation can be added at buyers request but buyer will have to pay the extra cost and be familiar with the details of the shipping insurance policy.

I (23M) met my friend Priya (23F) 5 years ago in first year of college and we became very close. After college, she moved all the way from Boston to California for a great career opportunity. Since then, we have kept in touch but haven't seen each other in person in almost a year.
This past week, Priya came to stay with me, arriving last Sunday night and leaving this morning. We planned to have a party last night, with 3 of our other friends attending (all of whom I also met 5 years ago). One friend (23F) cancelled on us last minute, which was very disappointing for Priya. Our friend Jack (23M) arrived on time as planned at 7. Our other friend Clarence (23M) (who I haven't seen in person since college either) said the traffic was terrible on his drive from NYC and finally got there around 8.
I let Clarence in the door and I could see that he was looking at Priya a little funny. He was sneaking glances at her chest but also looking disturbed. He asked if she was seeing anyone since her breakup last month. She said she was "talking to a few guys." He asked her what she liked to wear on first dates, and whether she liked to "show a lot up front."
Eventually, Clarence asked her to dance with him and she got up and started dancing with him. Within a couple minutes he said "I got something for you, Priya. Let me get it from my car." He went outside, and drive off.
A few minutes later, he sent me a long text message, explaining why he left, bashing Priya. His list of complaints included her haircut, which he said was short and ugly. He said she had gained a "shocking amount of weight." He said her outfit was "a disgrace" because she was wearing a tiny cheerleader skirt with nothing underneath and showing too much cleavage. I showed Priya and Jack the text and they were furious. The rest of the party was fun with the three of us. At 11 I went to bed while Priya went to go see Jack's new place.
I dropped Priya off at the airport today. She told me she had a great time with me and Jack but she never wanted to speak to Clarence again, even though she would consider returning to Boston if she were ever laid off. Afterwards, I decided to contact Clarence. I asked if he was feeling alright the night before. He told me that he was greatly disappointed by Priya and that she was not the classy woman he remembered from college. I told her I spent the week with her and she was exactly the person I remembered, and he scoffed at me.
My opinion on Clarence has become a lot worse because of last night. I had maintained regular contact with him but I'm now wondering if I should continue. He was good friends with me and Priya in college, and I have never seen him behave like this before. Do I cut contact with him once and for all?
TL;DR! - He criticized her clothing for being too revealing, criticized her weight and haircut. She never wants to speak to him again and I'm not sure I do either.

[UPDATE: Hopefully the lack of any comments with corrections means I was in the clear and it was OK to go ahead and drop the episode, because I just did: https://open.spotify.com/episode/6u1RUWNONClUGfaZSaslot?si=Oos4uRB6Q7yaZC5o9ELhdQ ]
I host a radio-DJ-style podcast called, you guessed it, Songs of the Years. Last fall I started doing monthly episodes doing deep dives on my favorite recording artists, starting with the Beatles, then Dylan, the Stones, etc. On each of these episodes I play ten songs from the artist or group in question, and in between tracks I talk about their biography.
With a month to work on each one, I was able to take my time and be careful with meticulously fact-checking each one. But then a few weeks ago, Spotify announced that they were ending their "experiment" with the Music + Talk format in June. Well, that's the foundation of my whole deal! If I can't play tracks from the album I'm talking about, it becomes just talking about music, but taking away the music part. Which, to slightly repurpose the possibly apocryphal Martin Mull quote, is like dancing about architecture.
But I still had dozens of artists and groups I wanted to cover in these deep dives, so I started cranking up the pace, releasing multiple episodes per week. Unfortunately, this inevitably meant sacrificing some of that rigor when it came to fact-checking, and the result was that a few days ago I heard from someone on the Fleetwood Mac sub that I had gotten some important facts wrong about that band's early days.
I felt sick about this, since I can't go back and change the pod once it's released. So I resolved that going forward, I'm going to post my podcast scripts to Reddit once they are finished, and ask the people best situated to know this history inside out to help crowdsource the error checking.
Now, I can't pay anybody anything for this, as I don't get paid myself. No ads, no Patreon. Just a labor of love. But if you spot a goof and give me a citation from a solid source showing the correct information, I can (if you wish) credit you on the show for "research assistance provided by ________", using your Reddit handle or your real name, as you prefer. And you'll have the satisfaction of knowing the episode dedicated to Bruce will not spread false info like the Fleetwood Mac episode unfortunately has. (Spotify has said that although once June comes we can no longer create Music + Talk episodes, they will keep the ones already created up indefinitely, so this may well be the last podcast of this type, including full music tracks, you'll ever see dedicated to the Boss.)
Thanks in advance for your help. Below you'll find the full script. It's okay if you share portions of it with others, as long as you credit me, Alan Thomas, as the writer:
Bruce Springsteen, "The Boss," isn't just a musical icon: he is a blue-collar poet laureate, a voice for the working class. His music was born from the gritty streets of New Jersey and the vast expanse of the American dream. With a raspy voice, soaring melodies, and lyrics that pulsated with both hope and despair, he paints vivid portraits of everyday heroes, forgotten towns, and the struggle for something better.
His music isn't background noise; it is a freight train barreling down the tracks, carrying the hopes, heartbreaks, and resilience of the American working class. He chronicles factory closures and dead-end streets, but also the flicker of defiance and the yearning for a brighter horizon. Springsteen isn't just a singer; he is a bard of the blue-collar world, a champion for the forgotten, offering a flicker of hope in the face of hardship.
Bruce emerged from a hardscrabble Jersey town, the shadow of the American Dream flickering at its edges. Born into a blue-collar world with Dutch, Irish, and Italian blood flowing through his veins, his mother was the family's mainstay while his father was haunted by demons. His was a Catholic childhood, where rebellion against the nuns simmered even as something bigger whispered on the radio – Elvis, Sinatra, a raw power crackling with promise. His cheap rented guitar became a beacon, a pathway into the neon heart of the Jersey Shore. He haunted those boardwalk towns, absorbing characters and stories as the specter of Vietnam loomed. Then, in a stroke of luck, or maybe fate, a motorcycle accident kept him grounded while others went to fight.
The Beatles exploded onto the scene, upending everything, sparking that first ragged chord. His mom saw a flicker of something special, a fire worth feeding--the Kent guitar was a benediction, a baptism into rock'n'roll. From there, it was smoky Elks Lodges, beach bars, guys like Vinnie Roslin by his side – the apprenticeship years of the Jersey Shore. Names like Steel Mill and Dr. Zoom weren't just bands, they were battle scars. That raw Jersey sound, born on the Stone Pony's stage, rippled outwards. A San Francisco critic, Philip Elwood, caught the fire, proclaiming Springsteen a poet and composer with a blazing future. He wasn't wrong: the Boss was a fuse burning short.
His parents sought a new start out West, but the young rebel stayed behind. The restlessness wouldn't quit, though. The words flooded out, rough and urgent, attracting hustlers like Mike Appel, hungry for that spark. It was enough to get him in front of John Hammond, the legendary talent scout--the same man who unearthed Dylan years earlier. That audition was it: the last brick laid before the explosion.
Greetings from Asbury Park, N.J. was a calling card, a bolt of raw, unfiltered energy. Springsteen, restless and prolific, recorded most of the album at a shoestring studio, backed by his band of hungry Jersey misfits: the sax wail of Clarence Clemons, the relentless thump of Vini "Mad Dog" Lopez's drums. It was a whirlwind of youthful hopes and hard-luck stories, blending boardwalk bravado and poetic ambition.
Columbia Records boss Clive Davis saw potential but wanted a hit. Springsteen, with his rhyming dictionary and inexhaustible drive, obligingly whipped up "Blinded By the Light":
["Blinded By the Light" plays]
That tune's a kind of Dylanesque word salad: madmen drummers, teenage diplomats, summertime car chases. It defies easy explanation, but the energy was undeniable. There was something special in the air, even if its initial release barely registered.
Critics took notice, hearing echoes of Dylan, but also a voice all Springsteen's own. Words tumbled out, a torrent of vivid imagery set against rockabilly rhythms and Clarence Clemons' soaring sax breaks. Even with its grand ambition, it never lost that Jersey Shore grit. Maybe the world wasn't fully ready in 1973.
Manfred Mann's Earth Band later covered the song, scoring a massive hit and forever altering the popular understanding of the lyrics. Legacy? It's complicated. Greetings from Asbury Park, N.J. is a time capsule, a portrait of an artist on the verge. "Blinded by the Light" remains its most famous--or infamous--track, proof that the journey from rough-hewn gem to pop phenomenon can be as unpredictable as the boardwalk scene Springsteen once chronicled.
In these lean years, the nameless group of musicians that would become the E Street Band took shape. Springsteen, handling the band's finances and forever ready for a Monopoly game, earned the nickname "The Boss"--a title that became synonymous with his leadership and their shared ambition.
They were back at 914 Sound Studios, the same cramped room where they'd cut Greetings from Asbury Park, N.J. But this time felt different. The E Street Band, though still unnamed, had gelled during those lean months. They were Springsteen's partners, not just sidemen. The music reflected this: it was bolder, the street corner poetry set ablaze by Clemons's saxophone and Danny Federici's organ swells. The Wild, the Innocent, & the E Street Shuffle was a testament to ambition, to dreaming big even with empty pockets.
The embodiment of that spirit was a seven-minute-long whirlwind of teenage yearning called "Rosalita":
["Rosalita" plays]
That is Springsteen at his most joyous and unrestrained. The lyrics, a playful tangle of boardwalk bravado and doomed romance, are pure Jersey, but the band brought a touch of epic grandeur, a sonic wall of sound that begged to be played at maximum volume. It was as if Springsteen was daring the world to ignore them this time.
No wonder it became a staple of those legendary multi-hour shows.
FM radio latched onto "Rosalita" even without an official single release, a testament to Springsteen's slow-burning breakthrough. Critics adored its energy and lyrical depth, understanding that beneath the raucous surface was a heart yearning for escape, for something greater. It wasn't a chart-topper in '73, but with time, its legend has only grown. "Rosalita" isn't just a song, it's the embodiment of youthful rebellion, a promise that the best nights, the best adventures, are always just down the road.
Springsteen's raw, unfiltered energy was undeniable, but fame remained elusive. Then came the Harvard Square Theater, that sweatbox of a venue where destinies change. Jon Landau, the critic with the power to make or break careers, was in the crowd. And that night, he saw more than just a skinny kid with a guitar and a heart full of dreams. "I saw rock and roll's future," he wrote, "and its name is Bruce Springsteen." It was more than praise; it was prophecy, a proclamation that the world was about to catch up to the fire that burned so brightly on those Jersey backstreets.
Born to Run wasn't just willed into existence – it was forged in the fires of frustration. Springsteen was coming off the modest success of his first two albums, but he knew he had something bigger inside him. The sessions were grueling, the pressure intense. Springsteen wrote and discarded songs relentlessly, demanding perfection from himself and the E Street Band. Stories abound of battles fought in the studio over the relentless wall-of-sound production, Springsteen's vision clashing with the band's desire for a rawer vibe.
From this struggle emerged what are, in my and many other people's estimation, Springsteen's best songs. I've managed to narrow the list down to three selections to share with you today. Let's start with the evocative harmonica and piano that open "Thunder Road":
["Thunder Road" plays]
"Thunder Road" went through countless iterations, Springsteen endlessly tweaking the lyrics and melody. But at its core, it always held that yearning for something more, that plea for escape that resonated deeply with his own restlessness. It wasn't just his story; it was a universal feeling painted in vivid detail. The band matched that intensity, crafting a musical landscape that felt like it could burst at any moment.
Next up is another beast entirely, a sprawling, ten-minute epic that showcases Springsteen's ambition and lyrical prowess in equal measure. This time we're opening again with piano, but with a sweet string accompaniment, as we listen to a tale of a barefoot girl sittin' on the hood of a Dodge, drinkin' warm beer in the soft summer rain, down in..."Jungleland":
["Jungleland" plays]
With "Jungleland", the Boss traded the open road of "Thunder Road" for the gritty underbelly of city life. Clemons recalled marathon sessions focused solely on that now-iconic sax solo, Springsteen demanding a performance that transcended notes on a page, something that cut to the emotional core of the song.
And of course we can't leave this album behind without spinning the iconic, anthemic, title track! This is "Born to Run":
["Born to Run" plays]
"Born to Run" came late in the recording process, and seemed to encapsulate the album's themes. It was a declaration of independence, the soundtrack for any kid who dreamt of escaping their small-town life to chase a better future. The recording was a testament to obsession: six months were reportedly spent perfecting that single track alone. Yet, even when the mix was finished, Springsteen's struggle wasn't over. Dissatisfied, he tossed the initial version into a hotel pool, nearly scrapping the entire album. It took the persuasive powers of Jon Landau to bring him back to the project, ultimately approving a final mix amidst the chaos of touring.
Commercially, the album was a breakthrough, peaking at number 3 on the Billboard charts and eventually achieving multi-platinum status. Critics hailed it as a masterpiece, with Rolling Stone later placing it at number 18 on its "500 Greatest Albums of All Time" list. They praised its scope and raw emotion, calling it "a furious, romantic statement of youthful hopes". Born to Run remains an iconic work, the album that catapulted Springsteen into the upper echelon of rock stardom and proved that desperate dreams, fought tooth and nail for, sometimes really do come true.
August 1975 marked a turning point. The Bottom Line shows were proof that the hype was real, Springsteen playing with a raw, hungry energy that transcended the small stage. The press went wild, Newsweek and Time placing him front and center. It was the breakthrough he'd craved, but fame had a bite. Critics started circling, questioning the authenticity of this blue-collar poet turned rock star. Springsteen felt the sting, a flash of doubt amidst the whirlwind. The E Street Band was his anchor, the road his refuge. But the legal battle with Appel raged on, a creative prison when he was bursting with songs. The struggle was real, and it would shape the darkness that lay ahead.
Darkness on the Edge of Town wasn't a victory lap – it was a hard right turn. The legal battles may have stalled his recording career, but Springsteen's creative wellspring overflowed with frustration and a newfound maturity. Gone was the wide-eyed optimism of Born to Run; Darkness was a meditation on blue-collar ennui, the American Dream seen through a cracked windshield.
One track stands out as a stark centerpiece. It's "Factory":
["Factory" plays]
The opening lines paint a picture wearied by familiarity: "Early in the morning factory whistle blows / Man rises from bed and puts on his clothes." It's a scene dripping with resignation, a script handed down through generations. The factory isn't a symbol of progress; it's a relentless machine, stealing more than sweat – "takes his hearing," Springsteen sings, "gives him life." That dark bargain hangs heavy in the air.
This isn't a romanticized vision of the working class. Springsteen doesn't shy away from the grime and desperation. When he sings of "mansions of fear / through the mansions of pain," the anger feels like a physical force. You hear the echoes of his father's struggle, the frustration of a life spent chasing a dream that keeps receding into the distance.
Critics hailed Darkness on the Edge of Town as a masterpiece, a stark portrait of the working class grappling with a tarnished American Dream. "Factory" is a microcosm of that struggle – a song that burrows deep, leaving behind a gritty truth and the lingering sense that the relentless grind of factory life leaves scars that etch themselves onto the soul.
The late Seventies saw Springsteen's influence spread, a testament to his songwriting prowess. Patti Smith took the bones of his unreleased "Because the Night" and transformed it into a dark, desperate anthem that shot up the charts. The Pointer Sisters found similar success with his fiery "Fire." He fueled the Asbury Jukes' rise, penning hits like "The Fever" and collaborating with his E Street lieutenant Stevie Van Zandt.
Then came the No Nukes concerts, where Springsteen and the band unleashed their legendary live energy on a wider stage. It was his first foray into political activism, but the live album and later documentary gave audiences who had only heard the records a taste of his electric, sweat-soaked shows. These weren't just side projects; they were sparks from a creative engine that refused to slow down, a reminder that even as he grappled with his own demons, Springsteen had plenty of fuel left in the tank.
The River was a product of ambition and restlessness. Released in 1980, it was Springsteen's attempt to reconcile the exuberance of his previous work with the darker themes of Darkness on the Edge of Town. The double-album format allowed him to indulge his creative appetite for contrasting narratives and sonic experimentation, but it also presented a challenge.
The album's title track emerged from a batch of songs Bruce had been working on intermittently, initially written as a stark, acoustic ballad. Here's "The River":
["The River" plays]
The story of the unnamed protagonist and his girl Mary, with its themes of lost innocence and unfulfilled dreams, resonated deeply with Springsteen's own grappling with the conflicting desires for freedom and stability. As the recording sessions progressed, the song grew in scope. Roy Bittan's piano became a key element, adding a layer of melancholy. The band's arrangement straddles the line between rock energy and poignant introspective balladry, a testament to Springsteen's expanding musical palette.
Commercially, The River was a blockbuster, reaching number one on the Billboard album chart and eventually going multi-platinum. Though the title track wasn't a major hit, critical acclaim was overwhelming. Rolling Stone later placed the album at number 250 on its "500 Greatest Albums of All Time" list. The title track became a Springsteen signature, its themes of yearning and regret amplified by the energy of his marathon shows. It remains a potent reminder of the transformative power of music, its ability to capture the complexities of the human experience.
The 1982 album Nebraska was born from a creative detour. Inspired by a book about the Starkweather murders, Springsteen began crafting a series of bleak acoustic demos. There was a raw intimacy to these recordings, a sense that he was tapping into a new and unsettling source. The decision to release the demos in their stark form was a bold one, defying conventional record label wisdom. He kept the E Street Band at arm's length, instead capturing the songs alone, using a four track cassette recorder. He even carried the cassette around in his pocket for a while, not even in a protective case, before he realized this wasn't just a demo, it was basically the master for the actual album!
The title track evolved from its initial form as a chilling portrait of a killer into a meditation on American violence and desperation. Springsteen recorded multiple takes, searching for that chillingly understated vocal delivery, a counterpoint to the brutality of the lyrics. Take a listen, this is "Nebraska":
["Nebraska" plays]
Bruce's guitar is sparse, almost skeletal, mirroring the empty highways and isolated towns his characters inhabit, accompanied by that mournful harmonica. That line about how "me and her, we had some fun" gives me chills.
I've got one more cut from this brilliant album to play for you today. It's a song that also began as a stark acoustic sketch. But as Springsteen honed the lyrics, the arrangement grew in subtlety. Hear for yourself, it's "Atlantic City":
["Atlantic City" plays]
The jangly guitar and shuffling rhythm create a false sense of hope, only adding to the pathos of the narrator's doomed gamble, somewhat reminiscent of the desperate scenario laid out in the earlier composition "Meeting Across the River", on Born to Run. The contrast between the upbeat sound and the bleak lyrics is disarming, a testament to Springsteen's increasing sophistication as a songwriter.
Critics hailed Nebraska as a stark, uncompromising masterpiece. It landed at number 224 on Rolling Stone's "500 Greatest Albums of All Time" list. The record's stripped-down sound and relentless gaze into the darkest corners of human experience were an artistic risk, but one that paid off. Commercially, the album was a modest success, but its impact extended far beyond sales figures.
Nebraska is a testament to Springsteen's ability to inhabit characters far removed from his own life, to use music as a means to examine difficult truths about American society. These aren't feel-good songs; they're songs that force you to confront the bleak corners of the American Dream, a reminder that sometimes the most powerful journeys are those we take into the shadows.
Born in the U.S.A. arrived in 1984 with the force of a sonic hurricane. More than just another album, it was a cultural phenomenon, catapulting Springsteen into the realm of stadium-rocking superstar. Its anthems of blue-collar struggle wrapped in a flag-waving package resonated with a nation hungry for a new kind of patriotism. But beneath the arena-ready choruses and radio-friendly hits lay a restless heart, an undercurrent of dissatisfaction that hinted at the darkness of Springsteen's previous work. This tension--between populist anthems and a critical examination of the American Dream--created a fascinating and often overlooked subtext to the album, as exemplified by the titular track "Born in the U.S.A.", whose message of struggle and disillusionment was often misinterpreted by those swept up in jingoistic fervor.
I don't love this album like I do his earlier releases, but my favorite track on it harkens back to his older records with a slightly updated sound, standing as a stark contrast to the record's fist-pumping anthems. It's a haunting ballad, propelled by a repetitive minimalist synth riff and throbbing drumbeat reminiscent of a heartbeat. Here's "I'm On Fire":
["I'm On Fire" plays]
Bruce Springsteen originally wrote that song for Roy Orbison, but it resonates uniquely with his own voice--a tense, almost whispered confession of forbidden desire. The lyrics are a study in frustrated yearning, all unspoken longing and suppressed heat. The narrator is consumed by a desire he can't contain, the imagery crackling with sensual tension: "Sometimes it's like someone took a knife baby / edgy and dull and cut a six-inch valley / through the middle of my soul."
The song's production enhances its simmering intensity. Springsteen and his team experimented with synth sounds amidst the otherwise sparse arrangement, as the E Street Band provided a subtle pulse, creating a sonic backdrop that's both disquieting and strangely alluring.
The Born in the USA album was a commercial juggernaut, spawning seven Top-10 singles and going multi-platinum. Critics were largely swept up in the fervor, praising Springsteen's undeniable talent for crafting anthems that tapped into the American psyche. However, a more nuanced reading of the album reveals a streak of social commentary beneath the anthems, a critical eye turned towards the American experience. "I'm On Fire," with its hushed intensity and dark undertones, exemplifies this complexity. Though not one of the record's hit singles, the song remains a testament to Springsteen's ability to tap into universal emotions that lie beneath the surface of his larger-than-life tales.
In 1985, Bruce found himself shoulder-to-shoulder with pop royalty for "We Are the World." The charity single was a world away from gritty Jersey bars, the studio filled with stars at the height of their fame. Still, amidst the glitz, his raspy plea cut through with raw urgency. He may have later called it a "corny" song, but Bruce understood its power: even a simple song, sung by a chorus of voices, could spark a global movement. After all, it wasn't every day The Boss himself got to belt out a harmony with Stevie Wonder and Ray Charles, not to mention being able to hang out with Huey Lewis and Cyndi Lauper. That kind of camaraderie, for a cause like this, transcended any reservations about the music itself.
Bruce Springsteen wrestled with fame's burdens during the late Eighties. The downbeat Tunnel of Love album found him probing love's rough edges, and as Berlin Wall fissures began appearing, his 1988 East Berlin show helped pry it open, proving that rock 'n' roll could be a force for liberation. But the E Street Band had to go in '89.
He cut "Human Touch" and "Lucky Town" in LA in 1992, risking accusations of going soft, and indeed these records didn't stick the landing like prior classics. Even a brave unplugged set did little to quiet growing dissent within Springsteen's ever-loyal fanbase.
Still, Hollywood came knocking: Springsteen snagged an Oscar in '94 for "Streets of Philadelphia". A brief E Street reunion led to a sprawling greatest hits collection. Then, inspired by Steinbeck, Springsteen hit the road with just an acoustic guitar for '95's "The Ghost of Tom Joad", a stark homage to the American downtrodden. But by decade's end, even he was confessing the Nineties had been a musical wasteland for him.
But the Boss came roaring back in 1999, reuniting with the E Street Band for a triumphant tour. 2002's The Rising was a gut-punch reaction to 9/11, reaffirming his gift for capturing the nation's pulse through rock. That led to stints on high-profile benefit tours and even an appearance honoring Joe Strummer.
A stark solo turn came with 2005's Devils & Dust, tackling America's growing anxieties. Then, Bruce dug into Pete Seeger's songbook in 2006, leading a giant folk ensemble on a tour many hailed as a creative rebirth. 2007's Magic was another E Street revival; then in 2008, Springsteen threw his weight behind Barack Obama's history-making campaign. He serenaded the crowd on Obama's inauguration night, his music the soundtrack to that dawn of a new era. Sure, his Super Bowl halftime show in 2009 was a nod to the mainstream, but the marathon sets on the 'Working on a Dream' tour, plus a Kennedy Center Honor, proved the Boss was more than a nostalgia act.
After 2012's fiery Wrecking Ball, Bruce found a new gear. No longer just a stadium hero, he got intimate with his autobiography, then even hit Broadway in a stark one-man show. He wasn't above campaigning for Obama or a Super Bowl romp, but that Springsteen on Broadway special? It was a reminder that he wasn't merely fueled by anthems: the Boss was a storyteller at his core.
But even when he dug into Americana on Western Stars or revisited old demos with High Hopes, Bruce refused to get nostalgic. He was too damn restless. So, covers albums felt inevitable, Springsteen putting his spin on the soul classics that shaped him on Only the Strong Survive.
And then came 2020: Springsteen's intimate Letter to You, a gut-level reflection during a bleak year, felt like a lifeline tossed from rock's elder statesman. It hinted that his hunger for connection hadn't faded at all. He even popped up on podcasts, bantering with Barack like old times. Proof that the Jersey bard still had a few tricks up his denim sleeve.
Sure, there have been pauses for health scares, and the decision to cash out his catalogue struck some as the final act. But Bruce kicked off an E Street Band mega-tour in 2023, proving he's far from the retirement home stage of rock 'n' roll. Hell, he's even promising more outtakes and soul covers on the way. The man who once raged against the dying light is now finding a thousand different ways to keep burning.
Few artists have captured the American spirit quite like Bruce Springsteen. For over five decades, he's been a tireless chronicler of its complexities: the grit, the glory, the shadows, and the unwavering hope. From anthemic stadium singalongs to introspective confessions whispered on Broadway, his music resonates across generations. He's a storyteller who paints vivid portraits of ordinary lives, reminding us of our shared humanity. He's a social conscience, unafraid to grapple with injustice and inequality.
More than just a rock star, Bruce Springsteen embodies a fundamental American mythology: the promise of hard work, the pursuit of freedom, the aching beauty of ordinary lives. His songs, belted out in sweat-soaked stadium concerts, evoke both a nostalgic longing for a simpler past and a fierce belief in the future. With his mix of gritty realism, yearning romanticism, and a profound faith in the human spirit, Springsteen's music is a soundtrack to both the American dream and the struggle to make it real.

Sega vs Cartoon Network Characters
​
Sega:
Sonic the Hedgehog
Miles "Tails" Prower
Knuckles the Echidna
Amy Rose
Cream the Rabbit
Shadow the Hedgehog
Rouge the Bat
Blaze the Cat
Silver the Hedgehog
Chaos
Emerl
Zavok
Infinite
Metal Sonic
Dr. Eggman
Eggman Nega
Ukyo Tatsumi (Original)
Toshi Shingeru (Original)
Akari Riyeko (Original)
Hiroto Kanzaki (Original)
Ellen Tachibana (Original)
Maemi Kishi (Original)
Akane Yutaka (Original)
AiAi (Super Monkey Ball)
MeeMee (Super Monkey Ball)
Amigo (Samba de Amigo)
Akira Yuki (Virtua Fighter)
Pai Chan (Virtua Fighter)
Jacky Bryant (Virtua Fighter)
Sarah Bryant (Virtua Fighter)
Kage Maru (Virtua Fighter)
NiGHTS
Reala (NiGHTS into Dreams)
Ulala (Space Channel 5)
Pudding (Space Channel 5)
Beat (Jet Set Radio)
Gum (Jet Set Radio)
Billy Hatcher
Chuih (ChuChu Rocket!)
Axel Stone (Streets of Rage)
Blaze Fielding (Streets of Rage)
Adam Hunter (Streets of Rage)
Eddie "Skate" Hunter (Streets of Rage)
Max Thunder (Streets of Rage)
Shiva (Streets of Rage)
Mr. X (Streets of Rage)
Vyse (Skies of Arcadia)
Aika (Skies of Arcadia)
Fina (Skies of Arcadia)
Ryo Hazuki (Shenmue)
Joy (Shenmue)
Lan Di (Shenmue)
Gilius Thunderhead (Golden Axe)
Death Adder (Golden Axe)
Centurion (Altered Beast)
Neff (Altered Beast)
Joe Musashi (Shinobi)
Hotsuma (Shinobi)
Hibana (Shinobi)
BD Joe (Crazy Taxi)
Alex Kidd
Ristar
Kaiser Greedy (Ristar)
Vectorman
Alis Landale (Phantasy Star)
Lassic (Phantasy Star)
Max (Shining Force)
Pulseman
Gunstar Red (Gunstat Heroes)
Toejam & Earl
Mobo & Robo (Bonanza Bros)
Tomtom (Wonder Boy)
Sketch Turner (Comix Zone)
Arle Nadja (Puyo Puyo)
Amitie (Puyo Puyo)
Ringo (Puyo Puyo)
Kazuma Kiryu (Yakuza)
Goro Majima (Yakuza)
Opa-Opa (Fantasy Zone)
Harrier (Space Harrier)
Duke Oda (E-SWAT)
Kid Chameleon
Astal
Sir. Pepperouchau (Clockwork Knight)
Bahn (Fighting Vipers)
Candy (Fighting Vipers)
Sakura Shinguji (Sakura Taisen)
Culet (Columns)
Thomas Rogan (The House of the Dead)
Agent G (The House of the Dead)
Bayonetta
Hatsune Miku (Vocaloid/Hatsune Miku Project Diva)
Joker (Persona 5)
Ann Takamaki (Persona 5) [wears light blue bandana]
Welkin Gunther (Valkyria Chronicles)
Alicia Melchiott (Valkyria Chronicles)
Chuck D. Head (Decap Attack)
Tempo
Temjin (Virtual On)
Segata Sanshiro
​
Cartoon Network:
Ben Tennyson (Ben 10)
Gwen Tennyson (Ben 10)
Kevin Levin (Ben 10)
Julie Yamamoto (Ben 10)
Rook Blonko (Ben 10)
Charmcaster (Ben 10)
Vilgax (Ben 10)
Albedo (Ben 10)
Chowder
KO (OK K.O. Let's Be Heroes)
Courage (Courage the Cowardly Dog)
Johnny Bravo
Rex Salazar (Generator Rex)
Agent Six (Generator Rex)
Van Kleiss (Generator Rex)
Shota Kamata (Original)
Princess Aneko (Original)
Tsubasa Sarasota (Original)
Naiara Suzuki (Original)
Rikuto Llamamoto (Original)
Leika Minamoto (Original)
Lili Zukamani (Original)
Flapjack (The Marvelous Misadventures of Flapjack)
Captain K'nuckle (The Marvelous Misadventures of Flapjack)
Finn the Human (Adventure Time)
Jake the Dog (Adventure Time)
Princess Bubblegum (Adventure Time)
Marceline (Adventure Time)
Ice King (Adventure Time)
Gumball Watterson (The Amazing World of Gumball)
Darwin Watterson (The Amazing World of Gumball)
Clarence
Robotboy
Cow & Chicken
Samurai Jack
Aku (Samurai Jack)
Mordecai (Regular Show)
Rigby (Regular Show)
Benson (Regular Show)
Pops (Regular Show)
Skips (Regular Show)
Muscle Man & Hi Five Ghost (Regular Show)
Margaret (Regular Show)
Eileen (Regular Show)
Steven (Steven Universe)
Garnet (Steven Universe)
Amethyst (Steven Universe)
Pearl (Steven Universe)
Blossom (The Powerpuff Girls)
Bubbles (The Powerpuff Girls)
Buttercup (The Powerpuff Girls)
Mojo Jojo (The Powerpuff Girls)
HIM (The Powerpuff Girls)
Dexter (Dexter's Laboratory)
Dee Dee (Dexter's Laboratory)
Mandark (Dexter's Laboratory)
Numbuh One (Codename: Kids Next Door)
Numbuh Two (Codename: Kids Next Door)
Numbuh Three (Codename: Kids Next Door)
Numbuh Four (Codename: Kids Next Door)
Numbuh Five (Codename: Kids Next Door)
Billy (The Grim Adventures of Billy & Mandy)
Mandy (The Grim Adventures of Billy & Mandy)
Grim Reaper (The Grim Adventures of Billy & Mandy)
Ed, Edd & Eddy
Ami & Yumi (Hi Hi Puffy AmiYumi)
Mac & Bloo (Foster's Home for Imaginary Friends)
Frankie Foster (Foster's Home for Imaginary Friends)
Lazlo (Camp Lazlo)
Raj (Camp Lazlo)
Clam (Camp Lazlo)
Adam Lyon & Jake Spidermonkey (My Gym Partner's a Monkey)
Juniper Lee (The Life and Times of Juniper Lee)
Buck Tuddrussel (Time Squad)
Bugs Bunny (Looney Tunes)
Daffy Duck (Looney Tunes)
Porky Pig (Looney Tunes)
Lola Bunny (Looney Tunes)
Taz the Tasmanian Devil (Looney Tunes)
Sylvester & Tweety (Looney Tunes)
Marvin the Martian (Looney Tunes)
Tom & Jerry
Shaggy Rogers (Scooby-Doo!)
Scooby-Doo (Scooby-Doo!)
Fred Jones (Scooby-Doo!)
Daphne Blake (Scooby-Doo!)
Velma Dinkley (Scooby-Doo!)
Fred Flintstone (The Flintstones)
Penelope Pitstop (Wacky Races) [wears white mask]
Superman (DC Comics)
Batman (DC Comics)
Wonder Woman (DC Comics)
Green Lantern (DC Comics)
The Flash (DC Comics)
Supergirl (DC Comics) [wears light blue mask]
Robin (Teen Titans)
Raven (Teen Titans)
Cyborg (Teen Titans)
Beastboy (Teen Titans)
Starfire (Teen Titans)
​
​
[ Sega vs Cartoon Network 2 - Newcomers ]
​
Sega:
Classic Sonic (Sonic the Hedgehog)
Classic Tails (Sonic the Hedgehog)
Doppelganger Arle (Puyo Puyo)
Dr. Zan (Streets of Rage)
Sam Gideon (VanQuish)
Jack Cayman (MadWorld)
Jeanne (Bayonetta)
Kids Stars (Original)
Tylor Yami (Original)
Satomi Kimura (Original)
​
Cartoon Network:
Young Ben (Ben 10)
Young Gwen (Ben 10)
Thomas (Regular Show)
Elmer Fudd (Looney Tunes)
Spike Bulldog (Tom & Jerry)
Butch Cat (Tom & Jerry)
The Hex Girls (Scooby-Doo!)
Top Cat (Original)
Reijiro Miura (Original)
Miyu Miani (Original)
​
​
​
[ Sega vs Cartoon Network 3 - Newcomers ]
​
Sega:
Espio the Chameleon (Sonic the Hedgehog)
Charmy Bee (Sonic the Hedgehog)
Vector the Crocodile (Sonic the Hedgehog)
Ax Battler (Golden Axe)
Tyris Flare (Golden Axe)
Shou Amabane (Burning Rangers)
Rent-a-Hero (Rent a Hero)
Selvaria Bles (Valkyria Chronicles)
Tsukasa Hanji (Original)
Miu Arino (Original)
​
Cartoon Network:
Schnitzel (Chowder)
Red Guy (Cow & Chicken)
Robot Jones (Whatever Happened to... Robot Jones?)
Grizz, Ice Bear, and Panda (We Bare Bears)
Wile E. Coyote (Looney Tunes)
Black Adam (DC Comics)
The Joker (DC Comics)
Mike Zamora (Original)
Mikuru (Original)
Yurikka (Original)
​
​
​
[ Sega vs Cartoon Network 4 - Newcomers ]
​
Sega:
Big the Cat (Sonic the Hedgehog)
Mighty the Armadillo (Sonic the Hedgehog)
Ray the Flying Squirrel (Sonic the Hedgehog)
Fang the Sniper (Sonic the Hedgehog)
Bean the Dynamite (Sonic the Hedgehog)
Bark the Polar Bear (Sonic the Hedgehog)
Tangle the Lemur (Sonic the Hedgehog)
Whisper the Wolf (Sonic the Hedgehog)
Cherry Hunter (Streets of Rage)
Floyd Iraia (Streets of Rage)
Morgana (Persona)
Ryuji Sakamoto (Persona)
Yusuke Kitagawa (Persona)
Makoto Niijima (Persona)
Futaba Sakura (Persona)
Haru Okumura (Persona)
Rock Hiroshi (Original)
Haru Satsuki (Original)
Dawson Harukane (Original)
Chuzaru Mazuba (Original)
​
Cartoon Network:
Enid (OK K.O.: Let's Be Heroes!)
Radical (OK K.O.: Let's Be Heroes!)
Sedusa (The Powerpuff Girls)
Delightful Children (Codename: Kids Next Door)
Yosemite Sam (Looney Tunes)
Roadrunner (Looney Tunes)
Scrappy-Doo (Scooby-Doo!)
Yakko Warner (Animaniacs)
Wakko Warner (Animaniacs)
Dot Warner (Animaniacs)
Wilma Flintstone (The Flintstones)
Barney Rubble (The Flintstones)
Betty Rubble (The Flintstones)
George Jetson (The Jetsons)
Harley Quinn (DC Comics)
Daishin (Original)
Yoshiki (Original)
Yukito (Original)
Saki Wakaba (Original)

U.S. Version. All Airtimes E.S.T.
MON APR 01
(12:45AM) The Conquering Power (1921/1h 29m/Silent/Rex Ingram)
(2:30AM) A Slightly Pregnant Man (1973/1h 35m/Comedy/Jacques Demy)
(4:15AM) Summer with Monika (2007/1h 37m/Romance/Ingmar Bergman)
(6:00AM) Ben-Hur (1925/2h 13m/Silent/Fred Niblo)
(8:30AM) The Big Parade (1925/2h 22m/Silent/King Vidor)tb
(11:15AM) The Unholy Three (1925/1h 26m/Silent/Tod Browning)
(1:00PM) The Cameraman (1928/1h 18m/Silent/Edward Sedgwick)
(2:30PM) The Crowd (1928/1h 35m/Drama/King Vidor)
(4:15PM) The Broadway Melody (1929/1h 42m/Musical/Harry Beaumont)
(6:00PM) Flesh and the Devil (1926/1h 37m/Silent/Clarence Brown)
(8:00PM) Grand Hotel (1932/1h 45m/Drama/Edmund Goulding)
(10:00PM) MGM: When The Lion Roars Part I: The Lion Roars (1992/2h 0m/Documentary/Frank Martin)
TUE APR 02
(12:15AM) Dinner at Eight (1933/1h 53m/Comedy/George Cukor)
(2:15AM) The Divorcee (1930/1h 20m/Drama/Robert Z. Leonard)
(3:45AM) Bombshell (1933/1h 31m/Comedy/Victor Fleming)
(5:30AM) The Thin Man (1934/1h 20m/Mystery/W. S. Van Dyke)
(7:00AM) Three on a Match (1932/1h 4m/Drama/Mervyn Leroy)
(8:15AM) The Strange Love of Molly Louvain (1932/1h 13m/Drama/Michael Curtiz)
(9:30AM) Friends of Mr. Sweeney (1934/1h 8m/Comedy/Edward Ludwig)
(10:45AM) Heat Lightning (1934/1h 3m/Crime/Mervyn Le Roy)
(12:00PM) Side Streets (1934/1h 3m/Romance/Alfred E. Green)
(1:15PM) Dr. Socrates (1935/1h 10m/Crime/William Dieterle)
(2:30PM) 'G' Men (1935/1h 25m/Crime/William Keighley)
(4:00PM) We Who Are About to Die (1936/1h 22m/Drama/Christy Cabanne)
(5:30PM) The Case of the Stuttering Bishop (1937/1h 10m/Mystery/William Clemens)
(6:45PM) Racing Lady (1937/0h 59m/Drama/Wallace Fox)
(8:00PM) Sense and Sensibility (1995/2h 15m/Romance/Ang Lee)
(10:30PM) The Remains of the Day (1993/2h 14m/Drama/James Ivory)
WED APR 03
(1:00AM) In the Name of the Father (1993/2h 7m/Biography/Terry George)
(3:30AM) Much Ado About Nothing (1993/1h 51m/Comedy/Kenneth Branagh
(5:30AM) MGM Parade Show #8 (1955/25m/Documentary/?)
(6:00AM) The Fugitive Kind (1960/2h 15m/Drama/Sidney Lumet)
(8:15AM) The Teahouse of the August Moon (1956/2h 3m/Comedy/Daniel Mann)
(10:30AM) Mutiny on the Bounty (1962/3h 5m/Drama/Lewis Milestone)
(1:45PM) Reflections in a Golden Eye (1967/1h 49m/Drama/John Huston)
(3:45PM) Julius Caesar (1953/2h 1m/Drama/Joseph L. Mankiewicz)
(6:00PM) Viva Zapata! (1952/1h 53m/Western/Elia Kazan)
(8:00PM) On The Waterfront (1954/1h 48m/Drama/Elia Kazan)
(10:00PM) The Wild One (1953/1h 19m/Crime/Laslo Benedek)
(11:30PM) A Streetcar Named Desire (1951/2h 2m/Drama/Elia Kazan)
THU APR 04
(1:45AM) The Chase (1966/2h 15m/Drama/Arthur Penn)
(4:15AM) The Formula (1980/1h 57m/Suspense/John G. Avildsen)
(6:15AM) Nobody Lives Forever (1946/1h 40m/Romance/Jean Negulesco)
(8:00AM) Lucky Partners (1940/1h 42m/Comedy/Lewis Milestone)
(10:00AM) Two Smart People (1946/1h 33m/Comedy/Jules Dassin)
(12:00PM) The Treasure of Pancho Villa (1955/1h 36m/Western/George Sherman)
(1:45PM) I Like Your Nerve (1931/1h 10m/Comedy/William McGann)
(3:00PM) Love on the Run (1936/1h 20m/Romance/W. S. Van Dyke)
(4:30PM) Please Believe Me (1950/1h 27m/Romance/Norman Taurog)
(6:00PM) Yolanda And The Thief (1945/1h 48m/Musical/Vincente Minnelli)
(8:00PM) Annie Hall (1977/1h 33m/Comedy/Woody Allen)
(10:00PM) Diner (1982/1h 50m/Drama/Barry Levinson)
FRI APR 05
(12:00AM) Dodsworth (1936/1h 41m/Romance/William Wyler)
(2:00AM) Scandal: The Trial of Mary Astor (2018/1h 2m/Documentary/Alexa Foreman)
(3:15AM) Upper World (1934/1h 12m/Crime/Roy Del Ruth)
(4:30AM) Paradise for Three (1938/1h 18m/Comedy/Edward Buzzell)
(6:00AM) The Great Sinner (1949/1h 50m/Drama/Robert Siodmak)
(8:00AM) Designing Woman (1957/1h 58m/Comedy/Vincente Minnelli)
(10:15AM) Woman of the Year (1942/1h 52m/Comedy/George Stevens)
(12:15PM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
(2:00PM) Dark Victory (1939/1h 46m/Romance/Edmund Goulding)
(4:00PM) Now, Voyager (1942/1h 57m/Romance/Irving Rapper)
(6:15PM) The Letter (1940/1h 37m/Drama/William Wyler)
(8:00PM) Double Indemnity (1944/1h 46m/Film-NoiBilly Wilder)
(10:00PM) The Major and the Minor (1942/1h 40m/Comedy/Billy Wilder)
SAT APR 06
(12:00AM) Mauvaise Graine (1934/1h 26m/Drama/Billy Wilder)
(1:30AM) Five Graves To Cairo (1943/1h 36m/WaBilly Wilder)
(3:30AM) Rumble Fish (1983/1h 34m/Drama/Francis Ford Coppola)
(5:30AM) Alice in Movieland (1940/0h 21m/Short/Jean Negulesco)
(6:00AM) The Tunnel of Love (1958/1h 38m/Comedy/Gene Kelly)
(8:00AM) MGM CARTOONS: Abdul the Bulbul Ameer (1941/0h 8m/Animation/Robert Allen)
(8:09AM) Believe it or Not #6 (1932/0h 7m/Short/?)
(8:16AM) Along the Cactus Trail (1944/0h 9m/Documentary/James A. Fitzpatrick)
(8:26AM) The Fargo Kid (1941/1h 3m/Western/Edward Killy)
(9:30AM) Arroyo (1955/Western/George Waggner)
(10:00AM) POPEYE: Bridge Ahoy! (1936/0h 6m/Animation/Dave Fleischer)
(10:08AM) Babbitt (1934/1h 14m/Drama/William Keighley)
(11:30AM) Money to Loan (1939/0h 21m/Crime/Joseph Newman)
(12:00PM) Beat Street (1984/1h 46m/Drama/Stan Lathan)
(2:00PM) Honeysuckle Rose (1980/1h 59m/Drama/Jerry Schatzberg)
(4:15PM) Ride Lonesome (1959/1h 14m/Western/Budd Boetticher)
(5:45PM) The Treasure of the Sierra Madre (1948/2h 6m/Adventure/John Huston)
(8:00PM) Blood on the Moon (1948/1h 28m/Western/Robert Wise)
(9:45PM) One Touch of Venus (1948/1h 22m/Comedy/William A. Seiter)
SUN APR 07
(12:00AM) Violence (1947/1h 12m/Film-NoiJack Bernhard)
(1:45AM) Summer of '42 (1971/1h 42m/Romance/Robert Mulligan)
(3:45AM) Class of '44 (1973/1h 35m/Drama/Paul Bogart)
(5:30AM) Roof Tops of Manhattan (1935/0h 21m/Short/Joseph Henabery)
(6:00AM) Two on a Guillotine (1965/1h 47m/HorroWilliam Conrad)
(8:00AM) Susan Slade (1961/1h 56m/Romance/Delmer Daves)
(10:00AM) Violence (1947/1h 12m/Film-NoiJack Bernhard)
(11:30AM) April in Paris (1952/1h 41m/Comedy/David Butler)
(1:15PM) The Great Race (1965/2h 37m/Comedy/Blake Edwards)
(4:00PM) Pride and Prejudice (1940/1h 57m/Romance/Robert Z. Leonard)
(6:15PM) The Secret Garden (1949/1h 32m/Drama/Fred M. Wilcox)
(8:00PM) Young Man with a Horn (1950/1h 52m/Romance/Michael Curtiz)
(10:00PM) New Orleans (1947/1h 29m/Musical/Arthur Lubin)
MON APR 08
(12:00AM) The Circle (1925/1h 0m/Silent/Frank Borzage)
(2:00AM) All My Good Countrymen (1968/2h 6m/Comedy/Vojtech Jasný)
(4:15AM) Courage for Every Day (1964/Drama/Evald Schorm)
(6:00AM) Mutiny on the Bounty (1935/2h 12m/Adventure/Frank Lloyd)
(8:15AM) Born to Dance (1936/1h 48m/Musical/Roy Del Ruth)
(10:15AM) Love Finds Andy Hardy (1938/1h 30m/Comedy/George B. Seitz)
(12:00PM) Goodbye, Mr. Chips (1939/1h 54m/Drama/Sam Wood)
(2:00PM) The Mortal Storm (1940/1h 40m/Drama/Frank Borzage)
(3:45PM) Lassie Come Home (1943/1h 28m/Adventure/Fred M. Wilcox)
(5:15PM) Bathing Beauty (1944/1h 41m/Musical/George Sidney)
(7:00PM) Some of the Best (1944/0h 48m/Short/?)
(8:00PM) The Wizard of Oz (1939/1h 42m/Fantasy/Victor Fleming)
(10:00PM) MGM: When the Lion Roars Part 2: The Lion Reigns Supreme (1992/2h 0h/Documentary/Frank Martin)
TUE APR 09
(12:15AM) The Philadelphia Story (1940/1h 51m/Comedy/George Cukor)
(2:15AM) A Woman's Face (1941/1h 45m/Drama/George Cukor)
(4:15AM) Cabin in the Sky (1943/1h 38m/Musical/Vincente Minnelli)
(6:00AM) MGM Parade Show #8 (1955/0m 25m/Documentary/?)
(6:30AM) Young Dillinger (1965/1h 42m/Biography/Terry O. Morse)
(8:15AM) Young Catherine (1991/2h 0m/Drama/Michael Anderson)
(11:30AM) Young Winston (1972/2h 37m/Drama/Richard Attenborough)
(2:15PM) Young Tom Edison (1940/1h 22m/Drama/Norman Taurog)
(4:00PM) Young Cassidy (1965/1h 50m/Romance/Jack Cardiff)
(6:00PM) Young Bess (1953/1h 52m/Romance/George Sidney)
(8:00PM) Picnic at Hanging Rock (1975/2h 0m/Drama/Peter Weir)
(10:00PM) So Long at the Fair (1950/1h 26m/Suspense/Terence Fisher)
(11:45PM) Agatha (1979/1h 38m/Suspense/Michael Apted)
WED APR 10
(1:30AM) The Seventh Victim (1943/1h 11m/HorroMark Robson)
(3:00AM) The Vanishing (1988/1h 47m/HorroGeorge Sluizer)
(5:00AM) The Metro-Goldwyn-Mayer Story (1950/0h 56m/Documentary/Herman Hoffman)
(6:00AM) The Appointment (1968/1h 40m/Drama/Sidney Lumet)
(8:00AM) Lawrence of Arabia (1962/3h 46m/Adventure/David Lean)
(12:00PM) Funny Girl (1968/2h 35m/Musical/William Wyler
(2:45PM) MGM Parade Show #18 (1955/0h 25m/Documentary/?)
(3:30PM) THE POWER OF FILM: Popular and Memorable (2023/Documentary/Laura Gabbert and Doug Pray)
(4:15PM) THE POWER OF FILM: Trapped (2023/Documentary/Laura Gabbert and Doug Pray)
(5:00PM) THE POWER OF FILM: Character Relationships (2023/Documentary/Laura Gabbert and Doug Pray)
(5:45PM) THE POWER OF FILM: Heroes and Villains (2023/Documentary/Laura Gabbert and Doug Pray)
(6:30PM) THE POWER OF FILM: The Power of Paradox (2023/Documentary/Laura Gabbert and Doug Pray)
(7:15PM) THE POWER OF FILM: Love and Meaning (2023/Documentary/Laura Gabbert and Doug Pray)
(8:00PM) The Godfather (1972/2h 55m/Crime/Francis Ford Coppola)
(11:15pm) The Freshman (1990/1h 42m/Comedy/Andrew Bergman)
THU APR 11
(1:15AM) Last Tango In Paris (1972/2h 5m/Drama/Bernardo Bertolucci)
(3:30AM) The Missouri Breaks (1976/2h 6m/Western/Arthur Penn)
(6:00AM) Love Crazy (1941/1h 40m/Comedy/Jack Conway)
(7:45AM) Down to Their Last Yacht (1934/1h 4m/Musical/Paul Sloane)
(9:00AM) The Last Gangster (1937/1h 21m/Crime/Edward Ludwig)
(10:30AM) Little Caesar (1930/1h 20m/Crime/Mervyn Leroy)
(12:00PM) Abe Lincoln in Illinois (1940/1h 50m/Drama/John Cromwell)
(2:00PM) Dr. Ehrlich's Magic Bullet (1940/1h 43m/Drama/William Dieterle)
(3:45PM) Edge of Darkness (1943/h 59m/WaLewis Milestone)
(5:45PM) Inside Daisy Clover (1965/2h 8m/Drama/Robert Mulligan)
(8:00PM) My Favorite Year (1982/1h 32m/Comedy/Richard Benjamin)
(10:00PM) That's Entertainment! (1974/2h 12m/Documentary/Jack Haley, Jr.)
FRI APR 12
(12:30AM) To Be or Not to Be (1942/1h 39m/Comedy/Ernst Lubitsch)
(2:15AM) The Producers (1967/1h 28m/Comedy/Mel Brooks)
(3:45AM) The Great Dictator (1940/2h 9m/Comedy/Charles Chaplin)
(6:00AM) A Farewell to Arms (1932/1h 18m/Romance/Frank Borzage)
(7:30AM) The Candidate (1972/1h 49m/Drama/Michael Ritchie)
(9:30AM) The Golden Arrow (1964/1h 31m/Adventure/Antonio Margheriti)
(11:15AM) Giant (1956/3h 21m/Drama/George Stevens)
(2:45PM) Somebody Up There Likes Me (1956/1h 53m/Drama/Robert Wise)
(4:45PM) Purple Noon (1961/1h 58m/Crime/René Clément)
(6:45PM) Indiscretion of an American Wife (1954/1h 3m/Romance/Vittorio De Sica)
(8:00PM) Bullets or Ballots (1936/1h 17m/Crime/William Keighley)
(9:30PM) The Sea Hawk (1940/2h 7m/Adventure/Michael Curtiz)
(11:45PM) The Music Man (1962/2h 31m/Morton DaCosta)
SAT APR 13
(2:30AM) Kings Row (1942/2h 7m/Drama/Sam Wood)
(4:45AM) It's a Great Feeling (1949/1h 25m/Comedy/David Butler)
(6:15AM) Romance on the High Seas (19481h 39m/Musical/Michael Curtiz)
(8:00AM) Billy Boy (1954/0h 6m/Animation/Fred “Tex” Avery)
(8:07AM) Believe It or Not #7 (1932/0h 7m/Documentary/?)
(8:15AM) Calling on Costa Rica (1947/0h 9m/Short/James A. FitzPatrick)
(8:25AM) The Hired Gun (19571h 3m/Western/Ray Nazarro)
(9:30AM) Want Ad Wedding (1955/Comedy/0h 30m/William A. Seiter)
(10:00AM) POPEYE: What--No Spinach? (1936/0h 6m/Short/Dave Fleischer)
(10:08AM) Bad Little Angel (1939/1h 17m/Drama/William Thiele)
(11:30AM) No Contest! (1934/0h 21m/Musical/Joseph Henabery)
(12:00PM) Singin' in the Rain (1952/1h 43m/Musical/Gene Kelly)
(2:00PM) Seven Brides for Seven Brothers (1954/1h 43m/Musical/Stanley Donen)
(4:00PM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(6:00PM) Indiscreet (1958/1h 40m/RomCom/Stanley Donen)
(8:00PM) Auntie Mame (1958/2h 23m/Comedy/Morton DaCosta)
(10:30PM) Grey Gardens (1976/1h 34m/Documentary/Ellen Hovde)
SUN APR 14
(12:15AM) Breaking Point (1950/1h 37m/Film-NoiMichael Curtiz)
(2:15AM) Wild Bill Hickok Rides (1942/1h 21m/Western/Ray Enright)
(4:00AM) The Guardsman (1931/1h 23m/Comedy/Sidney Franklin)
(5:30AM) The Pirate (1948/1h 42m/Musical/Vincente Minnelli)
(7:30AM) North by Northwest (1959/2h 16m/Suspense/Alfred Hitchcock)
(-10:00AM) The Breaking Point (1950/1h 37m/Film-NoiMichael Curtiz)
(12:00PM) An American in Paris (1951/1h 53m/Musical/Vincente Minnelli)
(2:00PM) Mr. Skeffington (1945/2h 7m/Drama/Vincent Sherman)
(4:30PM) Cyrano De Bergerac (1950/1h 52m/Drama/Michael Gordon)
(6:30PM) Private Screenings: Robert Osborne (2014/?/Documentary/?)
(8:00PM) Gone With the Wind (1939/3h 39m/Drama/Victor Fleming)
MON APR 15
(12:00AM) The Wind (1928/1h 15m/Silent/Victor Seastrom)
(1:30AM) Robert Osborne's 20th Anniversary Tribute (2015/0h 47m/Documentary/?)
(2:30AM) Diabolique (1955/1h 47m/HorroHenri-Georges Clouzot)
(4:30AM) The Petrified Forest (1936/1h 23m/Drama/Archie L. Mayo)
(6:00AM) Bataan (1943/1h 54m/WaTay Garnett)
(8:00AM) Marsha Hunt's Sweet Adversity (2015/1h 37m/Documentary/Roger C Memos)
(9:45AM) The Postman Always Rings Twice (1946/1h 51m/Film-NoiTay Garnett)
(11:45AM) Meet Me in St. Louis (1944/1h 53m/Musical/Vincente Minnelli)
(1:45PM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
(3:30PM) On the Town (1949/1h 38m/Musical/Gene Kelly)
(5:30PM) Silk Stockings (1957/1h 57m/Musical/Rouben Mamoulian)
(8:00PM) Singin' in the Rain (1952/1h 43m/Musical/Gene Kelly)
(10:00PM) MGM: When the Lion Roars Part 3: The Lion in Winter (1992/2h 0h/Documentary/Frank Martin)
TUE APR 16
(12:15AM) Cat on a Hot Tin Roof (1958/1h 48m/Drama/Richard Brooks)
(2:15AM) Ben-Hur (1959/3h 32m/Drama/William Wyler)
(6:00AM) A Carol for Another Christmas (1964/1h 25m/Drama/Joseph L. Mankiewicz)
(7:30AM) Soldier in the Rain (1963/1h 28m/Comedy/Ralph Nelson)
(9:00AM) Touch of Evil (1958/1h 35m/Crime/Orson Welles)
(11:00AM) The Great Race (1965/2h 37m/Comedy/Blake Edwards)
(2:00PM) Bachelor in Paradise (1961/1h 49m/Comedy/Jack Arnold)
(4:00PM) Dear Heart (1964/1h 54m/Romance/Delbert Mann)
(6:00PM) Days of Wine and Roses (1962/1h 57m/Drama/Blake Edwards)
(8:00PM) The Pink Panther (1964/1h 53m/Comedy/Blake Edwards)
(10:15PM) Breakfast At Tiffany’s (1961/1h 55m/Dramedy/Blake Edwards )
WED APR 17
(12:30AM) Two For The Road (1967/1h 51m/Dramedy/Stanley Donen)
(2:30AM) Charade (1963/1h 54m/Suspense/Stanley Donen)
(4:30AM) Wait Until Dark (1967/1h 48m/Suspense/Terence Young)
(6:30AM) Blackboard Jungle (1955/1h 41m/Drama/Richard Brooks)
(8:15AM) Rebel Without a Cause (1955/1h 51m/Drama/Nicholas Ray)
(10:15AM) Il Posto (1961/1h 38m/Drama/Ermanno Olmi)
(12:00PM) A Taste of Honey (1961/1h 40m/Drama/Tony Richardson)
(1:45PM) A Summer Place (1959/2h 10m/Drama/Delmer Daves)
(4:00PM) Splendor in the Grass (1961/2h 4m/Drama/Elia Kazan)
(6:15PM) Badlands (1973/1h 35m/Crime/Terrence Malick)
(8:00PM) Guys and Dolls (1955/2h 30m/Musical/Joseph L. Mankiewicz)
(10:45PM) Sayonara (1957/2h 27m/Romance/Joshua Logan)
THU APR 18
(1:30AM) The Ugly American (1963/2h 0m/Drama/George Englund)
(6:00AM) Three Faces East (1930/1h 11m/Adventure/Roy Del Ruth)
(7:15AM) The Animal Kingdom (1932/1h 25m/Romance/Edward H. Griffith)
(8:45AM) The Man In Possession (1931/1h 19m/Comedy/Sam Wood)
(10:15AM) Irene (1940/1h 41m/Musical/Herbert Wilcox)
(12:00PM) Four's a Crowd (1938/1h 31m/Comedy/Michael Curtiz)
(1:45PM) Make Your Own Bed (1944/1h 22m/Comedy/Peter Godfrey)
(3:15PM) The Ex-Mrs. Bradford (1936/1h 20m/Mystery/Stephen Roberts)
(4:45PM) Personal Property (1937/1h 24m/Comedy/W. S. Van Dyke II)
(6:15PM) Merrily We Live (1938/1h 30m/Comedy/Norman Z. McLeod)
(8:00PM) The Thin Man (1934/1h 20m/Mystery/W. S. Van Dyke)
(9:45PM) Killer’s Kiss (1955/1h 7m/Suspense/Stanley Kubrick)
(11:00PM) Real Life (1979/1h 39m/Comedy/Albert Brooks)
FRI APR 19
(1:00AM) Zelig (1983/1h 24m/Comedy/Woody Allen)
(2:30AM) Simon (1980/1h 37m/Comedy/Marshall Brickman)
(4:15AM) Penn & Teller Get Killed (1989/1h 29m/Comedy/Arthur Penn)
(6:00AM) A Global Affair (1964/1h 24m/Comedy/Jack Arnold)
(7:30AM) Hold That Baby! (1949/1h 4m/Comedy/Reginald Le Borg)
(9:00AM) Boy Meets Girl (1938/1h 20m/Comedy/Lloyd Bacon)
(10:45AM) Brother Rat and a Baby (1940/1h 27m/Comedy/Ray Enright)
(12:30PM) Bachelor Mother (1939/1h 20m/Comedy/Garson Kanin)
(2:00PM) Four Mothers (1941/1h 26m/Drama/William Keighley)
(3:30PM) 3 Godfathers (1949/1h 45m/Western/John Ford)
(5:30PM) Father's Little Dividend (1951/1h 22m/Comedy/Vincente Minnelli)
(7:00PM) The Kid (1921/52m/Silent/Charles Chaplin)
(8:00PM) The Great Escape (1963/2h 48m/WaJohn Sturges)
(11:00PM) Escape (1940/1h 38m/Adventure/Mervyn Le Roy)
SAT APR 20
(1:00AM) Escape From East Berlin (1962/1h 34m/Drama/Robert Siodmak)
(3:00AM) Escape from the Iron Curtain (1957/57m/Drama/Denis Kavanagh)
(4:00AM) I Escaped From the Gestapo (1943/1h 15m/Spy/Harold Young)
(5:30AM) MGM Parade Show #8 (1955/0h 25m/Documentary/?)
(6:00AM) Please Don't Eat the Daisies (1960/1h 51m/Comedy/Charles Walters)
(8:00AM) MGM CARTOONS: Doggone Tired (1949/0h 7m/Animation/Fred “Tex” Avery)
(8:08AM) Believe It or Not #8 (1932/0h 7m/Documentary/?)
(8:16AM) Copenhagen "City of Towers" (1953/0h 8m/Short/?)
(8:25AM) The Omaha Trail (1942/1h 4m/Western/Edward Buzzell)
(9:30AM) The Life Of Vernon Hathaway (1955/Comedy/Norman McLeod)
(10:00AM) POPEYE: I Wanna Be a Lifeguard (1936/0h 6m/Short/Dave Fleischer)
(10:08AM) Burn 'Em Up O'Connor (1939/1h 10m/Adventure/Edward Sedgwick)
(11:30AM) Patrolling the Ether (1944/0h 20m/Drama/Paul Burnford)
(12:00PM) The Magic Flute (1975/2h 14m/Drama/Ingmar Bergman)
(2:30PM) The Seventh Cross (1944/1h 50m/WaFred Zinnemann)
(4:30PM) Lady in the Lake (1947/1h 43m/Suspense/Robert Montgomery)
(6:15PM) The World, the Flesh and the Devil (1959/1h 35m/HorroRanald Macdougall)
(8:00PM) Bugsy Malone (1976/1h 33m/Musical/Alan Parker)
(10:00PM) The Bad News Bears (1976/1h 42m/Comedy/Michael Ritchie)
SUN APR 21
(12:00AM) Born to Kill (1947/1h 32m/Film-NoiRobert Wise)
(2:00AM) The Abdication (1974/1h 43m/Drama/Anthony Harvey)
(4:00AM) Queen Christina (1933/1h 37m/Romance/Rouben Mamoulian)
(6:00AM) Crime and Punishment, USA (1959/1h 36m/Drama/Denis Sanders)
(7:45AM) Love Me or Leave Me (1955/2h 2m/Musical/Charles Vidor)
(10:00AM) Born to Kill (1947/1h 32m/Film-NoiRobert Wise)
(12:00PM) Madame Bovary (1949/1h 46m/Drama/Vincente Minnelli)
(2:15PM) Gigi (1958/1h 56m/Musical/Vincente Minnelli)
(4:15PM) The Awful Truth (1937/1h 30m/Comedy/Leo McCarey)
(6:00PM) The Goodbye Girl (1977/1h 50m/Comedy/Herbert Ross)
(8:00PM) Portrait of Jennie (1948/1h 26m/Romance/William Dieterle)
(9:45PM) Love Letters (1945/1h 41m/Romance/William Dieterle)
MON APR 22
(12:00AM) La Boheme (1926/1h 33m/Epic/King Vidor)
(2:00AM) The Woman Next Door (1981/1h 46m/Drama/François Truffaut)
(4:00AM) Swann in Love (1984/1h 51m/Adaptation/Volker Schlöndorff)
(6:00AM) Forbidden Planet (1956/1h 38m/Science-Fiction/Fred Mcleod Wilcox)
(7:45AM) Cimarron (1960/2h 20m/Western/Anthony Mann)
(10:15AM) Doctor Zhivago (1965/3h 17m/Drama/David Lean)
(1:45PM) Ice Station Zebra (1968/2h 28m/Adventure/John Sturges)
(4:30PM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(6:00PM) The Cincinnati Kid (1965/1h 53m/Drama/Norman Jewison)
(8:00PM) How the West Was Won (1962/2h 35m/Western/John Ford)
(11:00PM) 2001: A Space Odyssey (1968/2h 40m/Science-Fiction/Stanley Kubrick)
TUE APR 23
(1:45AM) Shaft (1971/1h 38m/Crime/Gordon Parks)
(3:45AM) Network (1976/2h 1m/Drama/Sidney Lumet)
(6:00AM) Playmates (1941/1h 36m/Comedy/David Butler)
(8:00AM) Romeo and Juliet (1937/2h 7m/Romance/George Cukor)
(10:15AM) Hamlet (1948/2h 35m/Drama/Laurence Olivier)
(1:00PM) Master Will Shakespeare (1936/0h 10m/Short/Jacques Tourneur)
(1:15PM) A Midsummer Night's Dream (1935/2h 12m/Comedy/Max Reinhardt)
(3:30PM) Henry V (1944/2h 16m/Drama/Laurence Olivier)
((6:00PM) Throne of Blood (1957/1h 50m/Drama/Akira Kurosawa)
(8:00PM) The Sundowners (1960/2h 13m/Drama/Fred Zinnemann)
(10:30PM) All Mine to Give (1957/1h 50m/Drama/Allen Reisner)
WED APR 24
(12:30AM) The Card (1952/1h 31m/Adaptation/Ronald Neame)
(2:15AM) Vacation From Marriage (1945/1h 32m/Drama/Alexander Korda)
(4:00AM) 49th Parallel (1941/2h 2m/WaMichael Powell)
(6:15AM) Goodbye, Mr. Chips (1969/2h 31m/Musical/Herbert Ross)
(9:00AM) Finian's Rainbow (1968/2h 40m/Musical/Francis Ford Coppola)
(11:30AM) Camelot (1967/2h 59m/Musical/Joshua Logan)
(2:45PM) Man of La Mancha (1972/2h 10m/Musical/Arthur Hiller)
(5:00PM) The Great Waltz (1972/2h 15m/Musical/Andrew L. Stone)
(7:30PM) MGM Parade Show #8 (1955/25m/Documentary/?)
(8:00PM) Apocalypse Now (1979/2h 33m/WaFrancis Ford Coppola)
TBD
THU APR 25
(1:15AM) The Young Lions (1958/2h 47m/WaEdward Dmytryk)
(4:15AM) Burn! (1969/1h 52m/WaGillo Pontecorvo)
(5:15AM) Masks and Memories (1934/0h 32m/Short/Roy Mack)
(6:00AM) Laugh and Get Rich (1931/1h 13m/Comedy/Gregory La Cava)
(7:30AM) Smart Woman (1931/1h 8m/Comedy/Gregory La Cava)
(9:00AM) Symphony of Six Million (1932/1h 25m/Drama/Gregory La Cava)
(10:45AM) The Age of Consent (1932/1h 5m/Romance/Gregory La Cava)
(12:00PM) The Half Naked Truth (1933/1h 7m/Comedy/Gregory La Cava)
(1:30PM) Bed of Roses (1933/1h 7m/Drama/Gregory La Cava)
(3:00PM) Stage Door (1937/1h 23m/Drama/Gregory La Cava)
(4:45PM) Fifth Avenue Girl (1939/1h 23m/Comedy/Gregory La Cava)
(6:15PM) Primrose Path (1940/1h 33m/Drama/Gregory La Cava)
(8:00PM) Woman of the Year (1942/1h 52m/Comedy/George Stevens)
(10:00PM) The In-Laws (1979/1h 43m/Comedy/Arthur Hiller)
FRI APR 26
(12:00AM) Christmas in Connecticut (1945/1h 41m/Comedy/Peter Godfrey)
(2:00AM) Breakfast for Two (19371h 5m/Comedy/Alfred Santell)
(3:15AM) The Bride Walks Out (1936/1h 15m/Comedy/Leigh Jason)
(4:45AM) Gambling Lady (1934/1h 6m/Suspense/Archie Mayo)
(6:00AM) Boys Town (1938/1h 36m/Drama/Norman Taurog)
(7:45AM) I Confess (1953/1h 35m/Drama/Alfred Hitchcock)
(9:45AM) Black Narcissus (1947/1h 39m/Drama/Michael Powell)
(11:45AM) Stars in My Crown (1950)1h 29m/Western/Jacques Tourneur)
(1:30PM) Angel Baby (1961/1h 37m/Drama/Paul Wendkos)
(3:30PM) The Night of the Iguana (1964/2h 5m/Drama/John Huston)
(5:45PM) The Sandpiper (1965/1h 56m/Romance/Vincente Minnelli)
(8:00PM) Tootsie (1982/1h 56m/Comedy/Sydney Pollack)
(10:15PM) Kramer vs. Kramer (1979/1h 45m/Drama/Robert Benton)
SAT APR 27
(12:15AM) The Graduate (1967/1h 45m/Comedy/Mike Nichols)
(2:15AM) Lenny (1974/1h 51m/Biography/Bob Fosse)
4:15AM) Agatha (1979/1h 38m/Mystery/Michael Apted)
(6:00AM) My Dream Is Yours (1949/1h 41m/Musical/Michael Curtiz)
(8:00AM) MGM CARTOONS: Honeyland (1935/0h 10m/Animation/Rudolf Ising)
(8:11AM) Believe It or Not #9 (1932/0h 7m/Short/?)
(8:19AM) Exotic Mexico (1942/0h 8m/Short/James A. Fitzpatrick)
(8:28AM) Robbers of the Range (1941/1h 1m/Western/Edward Killy)
(9:30AM) The Final Tribute (1955/Comedy/0h 30m/Andrew L. Stone)
(10:00AM) POPEYE: Let's Get Movin’ (1933/0h 6m/Animation/Dave Fleischer)
(10:07AM) Caught Plastered (1932/1h 10m/Comedy/William Seiter)
(11:30AM) The Skull Murder Mystery (1932/0h 21m/Mystery/Joseph Henabery)
(12:00PM) The Harvey Girls (1946/1h 41m/Musical/George Sidney)
(2:00PM) Big Leaguer (1953/1h 10m/Comedy/Robert Aldrich)
(3:15PM) Kings Row (1942/2h 7m/Drama/Sam Wood)
(5:45PM) Harper (1966/2h 1m/Mystery/Jack Smight)
(8:00PM) Trouble in Paradise (1932/1h 21m/Comedy/Ernst Lubitsch)
(10:00PM) Jewel Robbery (1932/1h 10m/Romance/William Dieterle)
SUN APR 28
(12:00AM) The Big Knife (1955/1h 51m/Film-NoiRobert Aldrich)
(2:00AM) Super Fly (1972/1h 36m/Crime/Gordon Parks, Jr.)
(4:00AM) Hit Man (1973/1h 30m/Crime/George Armitage)
(6:00AM) Carnival in Paris (1937/0h 21m/Comedy/William J. Thiele)
(6:30AM) Gay Purr-ee (1962/1h 26m/Musical/Abe Levitow)
(8:00AM) Made in Paris (1966/1h 43m/Comedy/Boris Sagal)
(10:00AM) The Big Knife (1955/1h 51m/Film-NoiRobert Aldrich)
(12:15PM) Kiss Me Kate (1953/1h 51m/Musical/George Sidney)
(2:15PM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(4:00PM) The Americanization of Emily (1964/1h 57m/WaArthur Hiller)
(6:00PM) Guess Who's Coming to Dinner (1967/1h 48m/Comedy/Stanley Kramer)
(8:00PM) The Taking of Pelham One Two Three (1974/1h 44m/Suspense/Joseph Sargent)
(10:00PM) White Lightning (1973/1h 41m/Adventure/Joseph Sargent)
MON APR 29
(12:00AM) Sunnyside (1919/0h 27m/Silent/Charles Chaplin)
(12:28AM) A Dog's Life (1918/0h 32m/Silent/Charles Chaplin)
(01:00AM) The Knockout (1914/0h 26m/Silent/Roscoe "fatty" Arbuckle)
(2:00AM) The Seventh Continent (1989/1h 51m/Drama/Michael Haneke)
(4:00AM) Benny's Video (1992/1h 45m/Crime/Michael Haneke)
(6:00AM) The Big Parade of Comedy (1964/1h 29m/Documentary/Robert Youngson)
(7:45AM) Westworld (1973/1h 31m/Science-Fiction/Michael Crichton)
(9:30AM) The Sunshine Boys (1975/1h 51m/Comedy/Herbert Ross)
(11:45AM) My Favorite Year (1982/1h 32m/Comedy/Richard Benjamin)
(1:30PM) Clash of the Titans (1981/1h 58m/Fantasy/Desmond Davis)
(3:30PM) The Year of Living Dangerously (1982/1h 55m/Drama/Peter Weir)
(5:30PM) That's Entertainment! (1974/2h 12m/Documentary/Jack Haley, Jr.)
(8:00PM) Moonstruck (1987/1h 42m/Comedy/Norman Jewison)
(10:00PM) VictoVictoria (1982/2h 14m/Musical/Blake Edwards)
TUE APR 30
(12:30AM) Pennies from Heaven (1981/1h 47m/Musical/Herbert Ross)
(2:30AM) Fame (1980/2h 14m/Musical/Alan Parker)
(5:00AM) Diner (1982/1h 50m/Drama/Barry Levinson)
(7:00AM) Hollywood: The Dream Factory (1972/1h 0m/Documentary/Mark Woods)
(8:00AM) The Biggest Bundle Of Them All (1968/1h 50m/Crime/Ken Annakin)
(10:00AM) Until They Sail (1957/1h 35m/Drama/Robert Wise)
(11:45AM) Ivanhoe (1952/1h 46m/Adventure/Richard Thorpe)
(1:45PM) Out of the Past (1947/1h 37m/Film-NoiJacques Tourneur)
(3:45PM) Night Must Fall (1937/1h 57m/Suspense/Richard Thorpe)
(5:45PM) Inside Daisy Clover (1965/2h 8m/Drama/Robert Mulligan)
(8:00PM) Sweet Charity (1969/2h 29m/Musical/Bob Fosse)
(10:45PM) Irma la Douce (1963/2h 22m/Comedy/Billy Wilder)