Pozdrav ljudi, Sinoc stizem na aerodrom i nakon sto sam pokupio kofer, zovem drugara da vidim gde me ceka, prolazim kroz onaj deo gde su carinici(skoro nikad) sa onim x-ray aparatima za kofere, nemam nista za prijaviti, salter ne postoji, samo sto nisam krocio kroz vrata napolje, ne vidim znak za zabranu koriscenja telefona(ako se neko seca i zna da postoji nek me ispravi) U jednom trenutku mi prilazi carinik i kaze ugasi taj telefon da ti ne bi pisao kaznu, jako bezobraznim glasom. U soku i posle 8h puta bez zelje za svadjanjem, sam samo spustio telefon i prosao pored njega pa nastavio razgovor van.
Da li neko zna na osnovu cega je on mislio da mi napise kaznu? Uvek kada se vracam u Srbiju sa puta me nasa policija zaustavlja i za najmanju sitnicu, ne nosim brendirano, skup sat niti bilo cime im dajem povode cak stavise jako postujem uniformisana lica ali to izgleda nije uzajamno. Produzeni vikend u italiji? Otvaraj gepek vadi stvari po kisi pokazuj racun svega sto imas.

Salut ! Merci d'être indulgent c'est mon premier post Reddit et merci à Squeezie de m'avoir fait découvrir le LetsNotMeet ! Donc aujourd'hui je vais vous parler de la rue à côté de chez moi. Pour commencer, j'empruntais souvent cette rue quand j'allais au collège pour y entrer et y passais donc environ chaque jour. La première fois qu'il s'est passé quelque chose d'étrange dans cette rue, c'est quand un matin où j'allais au collège, j'ai croisé une femme habillée d'une robe blanche, ce que je trouvais léger comme tenue étant donné qu'on était en hiver. Puis je continue d'avancer sachant qu'elle était juste devant moi et j'entend qu'on m'appelle derrière moi, alors je me retourne : rien. J'ignore et reprends ma route mais je me rends soudain compte que la femme a disparu. C'était la première fois que quelque chose du genre m'arrivait. Ceci est le premier évènement mais aussi le moins étrange. Puis, quelque semaines après, plusieurs choses se passent dans cette rue la même semaine. La première est quand j'ai emprunté cette rue, j'ai eu un sentiment très étrange et l'impression que quelque chose d'inexplicable allait se passer mais je n'y ai pas prêté attention. Puis j'arrive chez moi et sonne à mon immeuble car je n'ai pas de double, ce qu'il faut savoir est que après cinq secondes de sonnerie (d'appel) l'écran qui montre la personne qui sonne à ton appartement s'éteint, ce qui veut dire que ce serait étrange d'ouvrir sans savoir qui sonne. Alors j'attends, et c'est bientôt la fin de la sonnerie, et là surprise, on m'ouvre. Problème, mes parents sont rentrés dix minutes plus tard en me demandant comment je suis rentrée. C'est là que je réalise que le sentiment qui m'est venu en entrant dans la rue était réel. Un autre évènement assez effrayant quand on le vit. Mais ce qui m'a fait vraiment peur dans cette rue et le deuxième évènement qui s'est déroulé dans la semaine, et par ENORME chance, j'étais avec une amie. Pendant qu'on sort du collège en empruntant cette rue, on voit un gars en moto avec une clochette (wtf) autour de son cou, tel un collier. Il passe une première fois et on l'ignore. Moi et ma pote qu'on appellera Mya nous posons sur un banc, et au bout d'environ 30 minutes, Mya me tapote l'épaule. Je lui demande ce qui ne va pas et elle me dit que c'est la cinquième fois qu'un homme en moto passe dans la rue. Je fais le lien avec l'homme à la clochette et commence à être pâle, puis dis à Mya qu'on devrait partir. On commence à s'approcher de la sortie de la rue et qui on croise? L'homme à la clochette, et cette fois il roule quand même vraiment lentement avec sa moto, et le temps de l'observer, il se met à rire. Je comprends que quelque chose ne va pas et descends mon regard sur ses mains. Des mains rouges qui semblent recouvertes de sang et qui tiennent une sorte de petit couteau. J'attrape le bras de Mya et me met à courir avec elle hors de cette rue. Et en partant, par peur que l'homme nous suive, je me retourne. Et c'est là que je l'ai vu nous sourire, en pointant le couteau dans notre direction.
Merci beaucoup d'avoir lu mon histoire! Je tiens à prévenir que je n'ai jamais revu cet homme et que je tente le plus possible d'échapper cette rue mdrr!

Ye bande ne mere dost ki dost ki gaadi thok di aur bhag gya. Bahot mushkil se mila uska number!

Tipičan primjer besćutnosti današnjeg političkog establišmenta, tzv, "elite" koja je sve samo ne to.
Jutarnji list - Rasplamsava se neviđeni politički rat, nema neutralnih, dio javnosti naciljao 'novog krivca': 'Ma kakav Cintula...'
Kaže: Dok je helikopter Ficu vozio u bolnicu u Banskoj Bistrici, slovački se establišment pitao što mu je za činiti te, još važnije, zašto se pokušaj atentata dogodio. Jedan od odgovora na drugo pitanje dala je predsjednica Slovačke Zuzana Čaputová. "Mrzilačka retorika kojoj svjedočimo mora prestati. Molim vas, prestanite!", rekla je Čaputová. S njom se složio ministar unutarnjih poslova Matúš Šutaj Eštok. "Glave su usijane, međutim bilo bi jako loše kada bi se ova opasna situacija rasplamsala", rekao je ministar.
Dakle, kada se to dešava medju običnim gradjanima, boli ih njonjo, ali kada dodje do njih, e, onda nastaje panika. Odmah počinje kmečanje, a tko zna koliko je ta "elita" raspirivala sranja. Vidim uz ovog književnika ni taj Fico nije baš nedužan.
Takvi će bez pardona slati vašu djecu u rat, raditi sranja, dok se god ne praši oko njihove guzice.
I cijeli svijet postaje takav, i ne bu to dobro.....

Bonjour à toutes et tous,
Je vais prendre un nouveau poste et la mutuelle d'entreprise obligatoire coûte 70€ par mois (ma part seulement...).
Ma conjointe a une mutuelle employeur à 33€ par mois, avec de bien meilleures garanties, et elle pourrait me rajouter sur la sienne pour 33€ supplémentaires.
Mais mon employeur me réclame une attestation de l'employeur de ma compagne mentionnant que c'est une mutuelle "familiale obligatoire", or ce n'est pas le cas : c'est une mutuelle obligatoire sur laquelle la famille peut se greffer pour un surcoût. Si j'ai bien compris, ce n'est pas tout à fait la même chose.
Est-ce que j'ai le droit de ne m'affilier que sur celle de l'employeur de ma compagne et refuser celle de mon employeur ? Je crois que non, mais pourriez-vous me le confirmer ? J'ai trouvé l'info, mais pas très claire pour moi.
Par curiosité : qu'est-ce que amène une entreprise à choisir une mutuelle aussi chère (pour elle et ses employés) ? Est-ce que 70€ est un tarif normal ? Ca me paraît énorme. Comment cela se fait que celle de ma conjointe ait de meilleures garanties pour un total employeur + patronal inférieur (130€ vs 170€) alors que c'est une beaucoup plus petite boîte (20 vs 300) ?
Je vous remercie pour vos lumières !

Licenciement Amaz.n
Bonjour a toutes et à tous, j'aurais ne pas aimé poster cela, mais la vie fait que.
Ma douce travaille actuellement chez Amazon dans un grand entrepôt logistique, en tant que équipière polyvalente.
Cela fait un peu plus d'un an qu'elle est la, en CDI, jamais passée par de l'intérim.
Elle a bossé de l'après midi et as pu passer du matin, elle ne pose aucun problème et donne satisfaction (apparemment) les seuls soucis ayant que 1/2 personnes se seraient fait dégager après qu'elle se soit plaint des comportements discriminatoires a son égard.
Elle a par deux fois oublié son badge mais était présente.
Récemment, elle a été arrêtée 3 semaines car elle est passée sur le billard.
Elle vient de recevoir un courrier et m'appelle en pleurs en me disant qu'ils veulent la convoquer a un "entretien disciplinaire avant licenciement" ou une connerie comme ça.
L'entretien a lieu le 30, en attendant elle marine.
Son dernier arrêt maladie aurait posé un souci administratif avec une histoire de 1er arrêt ou prolongation.
Soi disant le RH a qui elle communiquait les documents "les a bien transmis".
Elle n'aurait jamais fait d'absentéisme, elle bosse la bas pour faire de l'argent et une reconversion professionnelle.
Je sais pas que déduire de cette histoire, comment l'aider, comment elle peut s'aider et se faire aider, et comment ça va finir.
Je vous remercie pour votre aide.

It’s another lucid dream where I have the power of the land. This dream continues after the one where I was transformed into a piece of land during a solar eclipse and given the power to manipulate the land itself, the one where I met a teenage girl and botanist in training named Kris and a sentient Darksider flower that joined the group after being defeated. Speaking of the Darksiders, they’ve come along with the solar eclipse, and transformed humans into monsters partially made of wood or steel. With the recap out of the way, onto my dream. Kris and I were wandering through the forest that I was slowly traversing the soil of. I was slowly spreading the part of the land I was transformed into so I can integrate the land in the forest into the piece of land I had become. Essentially I was making my actual body, the land itself, much larger so I have a wider range of land to manipulate. Kris had gotten used to living atop me, but I on the other hand haven’t gotten used to being the land itself despite still having a physical body. Kris told me that she doesn’t see me, at least she doesn’t describe it as seeing per se. She just seems to be able to feel me. “Whenever your presence is near, there’s a heavy and thick sense of security in the land and the surrounding area, Jett,” she told me. “Which is how you know I’m around?” I asked. Kris nodded. I don’t know how it’s possible for her to do that, but I feel seen and heard now. ANYWAY, I am still not used to being the land itself even though it comes with an arsenal of powers. Once I have integrated the land in the forest into the land that’s part of my body, Kris grabbed a bag full of seeds and I then put my hunch of if I can use my power of the land to grow plants to the test. I touched the soil with my finger and began tilling it as I stepped backwards. The tilled soil is perfect for growing plants, and Kris placed the seeds into the tilled soil Then I used my amplified power of the land to make the plants grow. I folded my arms as I admired my handiwork. Then, I felt Kris’s hand on my shoulder as she reminded me of the next task there was to take care of. But just then, I sensed and grabbed a piece of dark essence that was on her shirt, absorbing it. I don’t want her to be transformed into a Darksider too. “Oi, ya know what’s causing people to become Darksiders?” I asked the flower. “The sunlight is the cause,” the flower Darksider responds, “it’s packed with the same dark essence you absorbed from the defeated Darksiders.” Both my eyes and Kris’s eyes widened in realization. This means she’ll have to avoid the sunlight if she wants to stay a human. It’s not a problem for me or the flower though. We’re unaffected by it. The dark essence is what makes Darksiders more powerful, and that applies to me too. It also makes me more powerful. The more Dark Essence I absorb, the more powerful I become. But that unfortunately also goes for the Darksiders too. My mastery over the land is growing during my time with Kris. She was sticking to the shade since the Darksider flower and I are unaffected by the dark essence in the sunlight. We both know that the transformation is a constant occurrence from the Darksider Flower telling me of it. “Jett, do your goggles work?” Kris asked me. To find out, I slide my goggles over my hazel eyes and activated the technological modifications that I have made to them before I had been transformed into a piece of land. I activated the X-ray vision function in them to see past the vegetation so I can keep a lookout for any Darksiders or more survivors. I spotted both, and there are 4 survivors—all of which were girls. The Darksider was once their friend. He had a metal blade where his right hand should be as a Darksider. And just when he was about to swing his blade, the land grabbed the Darksider’s ankle and made him fall over. I slowly rose from the soil, standing with my arms folded. “Get your filthy arse away from them,” I growled, standing behind him. The Darksider turned to face me when he got up, and when he swung his blade it broke against my stony body causing me to narrow my eyes. “Please,” I scoffed, I stomped my boot against the ground and a rippling shockwave traveled through the land itself, throwing the Darksider against the tree. Pointing down, I opened a chasm in the land while he was falling so he’ll land in it. I opened my hand to manifest stone spikes at the bottom and then he was impaled by the spikes. “Rest in peace,” I told him. I clasped my hands together and then the soil devoured the Darksider, dragging him underground and killing him instantly. I absorbed the dark essence, and then the ground looked like nothing happened to it. The four girls were dumbfounded. I have mastery of the land now. Kris approached the girls. “What are your names?” Kris asked them, wanting to know. The girls identified themselves as a blonde girl named Tempest, a short redhead named Star, a white haired teen named Jackie and a brunette named Kendall. “Stick to the shade, ladies,” I advised, “the sunlight from the eclipse is what’s making people become Darksiders.” They joined me and Kris at our safe haven. It’s got plants growing there for food and everything. All of which was my mastery of the land and Kris’s knowledge of botany. It was our handiwork. I headed to the shelter after I rescued four survivors—four girls named Kendall, Star, Tempest and Jackie. All of whom know Kris. In the shelter I made for them, the 5 friends hung out together. They can’t see me even though I’m around, but they can hear my voice and feel my presence. Whenever I’m around, there’s a thick and heavy sense of security in the land. The Darksider flower had appeared before me. “I don’t understand why humans would want to join up in groups,” the flower said to me. I spoke with a thick Australian accent. “That’s ‘cause humans will watch each other’s backs and help each other when they’re in need,” I explained, “I should know ‘cause I useta be one.” The flower seems to understand plant behaviors better than animal or human behaviors. I myself am a Darksider, but what makes me different from the others is that I still have my intellect intact. It didn’t take long for things to change. I sensed something was odd and saw a Darksider coming out. Four of the five teenage girls immediately got a move on right away. Kris slipped out from behind the Darksider and joined her friends in fleeing to safety. I made the stone shelter collapse on the Darksider when the five of them escaped. The Darksider fired off the grappling hook replacing his left arm, and I erected a stone wall to block it and protect Star, who was the last one of the group to flee. He reeled in the grappler and broke the stone wall before he threw the five ladies off the edge of the cliff. Acting fast, I used my power of the land to create a stone slide which safely brought them to the bottom of the cliff. With those five safe, I turned my attention back to the Darksider before me so I can fight him. During the fight, I was getting my ass whooped. My attempt to stop his grappler failed and my right arm got destroyed. The grappling hook also blew a hole through my chest. The problem is that my body needs to be fortified, and I found out soon enough that the answer to my question of bodily reinforcement lied in the same thing that I was in symbiosis with—plant roots. Plant roots started growing on my body and began to close up the hole in my chest as well as replace my destroyed arm. Using the roots, I was able to catch the grappling hook the next time he fired it at me, then I ripped his left arm clean off. I suddenly heard Kris’s voice from behind as he attacked me a second time. “Jett, catch!” Kris called to me, tossing me a pair of garden shears she pulled from her backpack. I caught the garden shears by calculating the trajectory and perfectly timing when their handles will be in range. “Garden shears? Well, it’s better than nothing,” I told her. I improvised and infused the garden shears with my power of the land and the flexibility of plants, which turned them into something far more powerful to wield. “Let me show you the power of the land!” I declared, dashing ahead. I wielded the garden shears, slicing off the Darksider’s right arm and dealing with his wooden tendrils in the process. With no arms to defend himself, I slashed his face and he fell against the ground. The sentient flower gave me advice on how to finish him off, telling me to absorb his nutrients. And then roots started holding him against the ground. “It’s game over,” I told him, and then he was dragged underground to have his nutrients drained—and his dark essence drained along with it. As for Kris and the girls, they felt bad. The Darksider I defeated was once their friend, like all of the other Darksiders were once humans. I defeated the Darksider without regret. After all, every Darksider is a threat that needs to be killed on sight. I gotta hand it to Kris though, this weapon is pretty cool. I never thought about turning garden shears into a combat weapon, but if you know me then you’ll know that I’m good at improvising.

Zdravo ljudi, pitanje u naslovu. Znacilo bi mi svako iskustvo. Ako ne zelite javno da pisete, mozete mi se javiti u privatnim porukama. Hvala <3

Pozdrav,
Ima li neko prijedlog gdje otici na ljetovanje, a da to ne bude nuzno neko primorje? Ili, da bude primorje, ali da nije bas za kupace. U Svedskoj sam bio, ali vise u centralnoj i jako mi se svidja. Hvala 😊

Est-ce que quelqu'un a le bon lien pour se désinscrire des courriels du BRP? Le lien dans leur courriel ne fonctionne pas et je peux pas bloquer l'adresse courriel.
À chaque fois que je vois BRP je penses que j'ai gagné un skidoo, mais finalement c'est juste du spam pour des campagnes et formations qui m'intéressent pas.

Ek mera dost hai, jo abhi central main officer hai, kuch samay pehle voh marriage ke liye ladki dhundh raha, uske parents ne koi ladki dhundhi, unhone baat ki toh ab jab voh usse mila toh usne pehli meet main toh jyada kuch sawal nahi pucha, sab sahi raha, so usne ladki se kaha yadi tumhe aur kuch baat karna hai toh tum mujhe message kar dena, 5 din baad ladki ka message aaya, thodi din baat chali, uske baad ladke ne ladki se past puch liya jispe usne bola mera tha means she is emotional as well as physically activated, mera dost ne kabhi date nahi kiya, toh usne usse bola ki main tumse shaadi nahi kar sakta, yadi mujhe aisi hi ladkiyan milengi toh main job wali prefer karunga, jispe ladki ne usse bahut kuch bola.
Mera ladkiyon se yeh puchna hai, yadi tum log rahe ho toh kam se kam consequences toh jhelne padenge, ispe ladkiyan ka kya kehna hai??

Koliko je istina da se u telekom “upadne” kad se plati cifra odredjena i da li ste upuceni u to? Ako je vec istina da to svi rade spreman sam zemljiste u Hercegovini od cca 50.000-60.000 KM dat za neki posao gdje je plata 2.000 KM 😂 (ne salim se).
Cuo sam da to rade vecinom u posti, telekomu i policiji.

So I joined offline coaching finally kyuki meri mummy ko mujhe bs ghr se bahar dekhna h!!! Pehle kbhi offline nhi Kia aur introvert hu upar se 2 saal se ghr p hu jo thoda bht personality development hua tha 12th m vo bhi ud gya🥲
Kl mera first day h aur batch ka bhi I don't know shitt kya krna hota h kaha Jana hota h kl kuch hoga bhi ya sirf bakchodi? Kisi ne mujhse kuch puch lia to? Mujhe kisi se baat karni pdi to? Khair this is what going inside my head rn...social anxiety at its peak🙂

Säästöjen Avaimet: Kattava Opas Kärkkäinen Alennuskoodien Käyttöön
Mikä Tekee Kärkkäinen Alennuskoodeista Erikoisia?
Verkkokaupan maailmassa Kärkkäinen alennuskoodit toimivat tehokkaina työkaluina, jotka avaavat säästöjen ja etujen aarreaitan viisaille ostajille. Mutta mikä erottaa nämä koodit perinteisistä alennuksista? Syvennytään semanttisiin hienouksiin ja tutkitaan moniulotteista maailmaa Kärkkäinen alennuskoodeissa.
Missä Voit Löytää Kärkkäinen Alennuskoodeja?
Säästöjen etsintä alkaa alennuskoodien metsästyksestä. Mutta mistä tämä matka oikein alkaa? Erikoistuneista kuponkisivustoista yksinoikeuksisiin markkinointikampanjoihin, Kärkkäinen alennuskoodeja voi löytää monista eri kanavista. Jokainen alusta tarjoaa ainutlaatuisen valikoiman koodeja, jotka vastaavat verkkokaupan vaativia ostajien mieltymyksiä.
Kuinka Saat ja Käytät Kärkkäinen Alennuskoodeja?
Säästöjen varmistaminen on vasta puolet taistelusta; todellinen voitto piilee alennuskoodeiden oikeaoppisessa käytössä kassalla. Mutta älä pelkää, sillä prosessi on yksinkertaisempi kuin kuvittelet. Varustettuna voimassa olevalla koodilla ja halulla säästää, käyttäjät navigoivat kassaprosessin taidokkaasti integroimalla alennukset ostosmatkaansa.
Millaisia Kärkkäinen Alennuskoodeja On Olemassa?
Monimuotoisuus on elämän mauste, eikä Kärkkäinen alennuskoodit ole poikkeus. Kiinteistä alennuksista prosenttialennuksiin ja kaivatuista ilmaisista toimituskoodeista, alennusten maisema on rikas ja monimuotoinen. Jokainen koodityyppi palvelee omaa ainutlaatuista tarkoitusta, vastaten verkkokaupan vaativien ostajien moninaisiin tarpeisiin ja mieltymyksiin.
Strategiat Säästöjen Maximointiin Kärkkäinen Alennuskoodeilla
Säästöjen optimoiminen vaatii enemmän kuin sattumanvaraisia kohtaamisia alennuskoodeilla; se vaatii strategista suunnittelua ja toteutusta. Hyödyntämällä ajastusta, kokoamista ja uskollisuuskannustimia käyttäjät voivat avata piilevän säästöpotentiaalin ja nostaa ostoskokemuksensa uusiin korkeuksiin.
Yleisten Ongelmien Navigointi Kärkkäinen Alennuskoodeilla
Verkkokaupan labyrintissa saattaa joskus tulla eteen esteitä. Mutta älä pelkää, sillä jokainen haaste tarjoaa mahdollisuuden kasvuun. Päättymättömiin koodeihin teknisiin ongelmiin käyttäjät varustetaan vianmääritysstrategioilla, joiden avulla he voivat voittaa esteet ja nousta voittajiksi säästöjen etsinnässä.
Usein Kysytyt Kysymykset Kärkkäinen Alennuskoodeista
Uteliaisuus lietsoo kysymyksiä, eikä Kärkkäisen asiakaskunta ole poikkeus. Mitkä ovat käyttöehdot? Kuinka kauan koodit ovat voimassa? Näihin ja muihin kysymyksiin vastataan kattavasti, tarjoten selkeyttä ja vakuutusta käyttäjille, jotka navigoivat alennuskoodimaisemaa.
Käyttäjäkokemukset Kärkkäinen Alennuskoodeista
Käyttäjien todistukset tarjoavat arvokkaita näkökulmia alennuskoodien käytännön vaikutuksiin. Todelliset kokemukset korostavat Kärkkäinen alennuskoodien konkreettisia etuja ja hyötyjä, valmistaen käyttäjiä tekemään informoituja päätöksiä ja maksimoimaan säästöpotentiaalinsa.
Tulevaisuuden Trendit Kärkkäinen Alennuskoodeissa
Verkkokaupan dynaamisessa maailmassa muutos on ainoa pysyvä asia. Siksi on tärkeää pysyä muutoksen aallonharjalla ja ennakoida tulevaisuuden trendejä alennuskooditarjonnassa. Innovaation ja sopeutumiskyvyn omaksumalla Kärkkäinen pysyy valmiina määrittelemään alennuskoodien käytön ääriviivoja digitaalisella aikakaudella.
Lisätuki ja Resurssit
Säästöjen ja ohjauksen tavoittelussa tuki ja opastus ovat korvaamattomia kumppaneita. Olipa kyse koodien lunastamisesta tai käyttöehtojen selvittämisestä, käyttäjät voivat käyttää laajaa valikoimaa resursseja ja asiakastuen kanavia navigoidakseen alennuskoodimaisemaa luottavaisesti.
Yhteenvetona voidaan todeta, että Kärkkäinen alennuskoodit edustavat enemmän kuin pelkästään säästöjen mahdollisuutta; ne ilmentävät sitoutumista ostajien valtuuttamiseen ja verkkokaupan kokemuksen par

Quand je clique sur « Ajouter une enceinte ou un composante »l’application Sonos me demande à tous les fois de lui donner accès à mon réseau local, pourtant l’accès est à « On » mais il ne le détecte pas car il me le demande à tous les fois et je peux pas aller plus loins !! Quelqu’un d’autre a se problème ?? Je suis sur iPhone !!
Merci !!

(continuation of part 3)
Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:

“Sephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a ‘god’ to rule over every soul” (FFVII OG, disk 1, chapter 25).

Sephiroth’s line “Now, let us return [Cloud]. Back to the Promised Land” reveals he wants to return to their shared core world of FFVII, like we established in our review of the Remake timelines theory (see section “I. a) vii.”). Sephiroth wants to go back to FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land. Fatal Calling is setting up Sephiroth’s plans for Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the FFVII OG timeline.
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:

“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Aerith was already important to OG, so what could’ve motivated Nojima to state her importance to Remake? Could it be that she’s even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
~III. e) iii. Promotional Material and Special Features~
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:

“Midgar's Flower Vendor Summons
‘I'm searching for you. I want to meet… you.’
The witch protects the planet, imbues it with power, and leads to the Promised Land.”

A few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerith’s images are attached to the notion of the Promised Land. Cloud’s card asks who awaits there, and Aerith’s evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloud’s true self. Speaking of which, the promo also includes parts of Aerith’s famous gondola date quote from OG:

“Aeris: I'm searching for you.
Cloud: …?
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... you” (disk 1 chapter 24).

In case you’re wondering about the lady in Aerith’s clothes on the left-hand side, that’s Meia, a character in MFF. She is the “witch” being referred to in the promotional material. She’s often called the Azure Witch. Meia is wearing Aerith’s clothes because a Meia-type Job Card called “Flower Girl of Midgar” was created in honor of the MFF x FFVII Remake collaboration:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
~III. e) iv. Cloud’s Promised Land~
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.

IV. The Hidden Plot Point: Mission Theory

~a) Thesis~
Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
~IV. b) Mission Theory Logistics~
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
~IV. b) i. Cloud the Time-Traveler?~
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
~IV. b) ii. Post-OG Cloud’s Amnesia~
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:

“A young woman descended from the Ancients who will forever be engraved in [Cloud’s] heart” (Dirge of Cerberus, Japanese manual, Aerith’s character description).
“I believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day… Its relation with the church scene is… Yup. I’ll leave this part to your imagination. (laughs)” (Nomura interview on Advent Children “Designer’s Note” in Famitsu PS2!magazine, October 24th issue).

So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
~IV. b) iii.~ ~Eclipse Contact~ ~and Cloud’s Memories of Reactor 1~
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
~V. Musical Evidence~
What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
~V. a) Preface: The Basics of the~ ~FFVII~ ~OST~
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
~V. a) i. The World Theme: Cloud’s Troubled Identity~
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
~V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif~
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
~V. a) i. 2) Jenova: Parasite Motif~
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
~V. a) i. 3) Cloud’s True Self~
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
~V. a) ii. Aerith’s Theme~
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
~V. a) iii. Motifs and Timing in~ ~FFVII~ ~OSTs~
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:

“[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big ‘boom’ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We […] had to sequence [each and every sound] to play at exactly the right moment” (Shotaro Shima on track “Midgar, City of Mako”, page 229).

&

“I was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the scene” (Naoyuki Honzawa on track “Smash ‘Em, Rip ‘Em”, page 309).

&

“This is the track that plays during the tour of Shinra’s different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from ‘Aerith’s Theme’ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra theme” (Yasunori Nishiki on track “Stewards of the Planet”, page 313).

~V. b) The~ ~Remake~ ~OST~
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
~V. b) i. MOTF 6 Music~
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:

“The Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.
Aerith: Listen to me. […] Shinra isn’t the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the others’ heads.
Aerith: Somehow, some way, I want to help— all of you… the planet…
For some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”).

Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloud’s chest can be explained as an emergence of post-OG Cloud’s grief, triggered by the slightest allusion to Aerith’s sacrifice.
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
~V. b) i. 1) The Fate Motif~
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
~V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”~
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.

Bonjour a toutes et à tous, j'aurais ne pas aimé poster cela, mais la vie fait que.
Ma douce travaille actuellement chez Amazon dans un grand entrepôt logistique, en tant que équipière polyvalente.
Cela fait un peu plus d'un an qu'elle est la, en CDI, jamais passée par de l'intérim.
Elle a bossé de l'après midi et as pu passer du matin, elle ne pose aucun problème et donne satisfaction (apparemment) les seuls soucis ayant que 1/2 personnes se seraient fait dégager après qu'elle se soit plaint des comportements discriminatoires a son égard.
Elle a par deux fois oublié son badge mais était présente.
Récemment, elle a été arrêtée 3 semaines car elle est passée sur le billard.
Elle vient de recevoir un courrier et m'appelle en pleurs en me disant qu'ils veulent la convoquer a un "entretien disciplinaire avant licenciement" ou une connerie comme ça.
L'entretien a lieu le 30, en attendant elle marine.
Son dernier arrêt maladie aurait posé un souci administratif avec une histoire de 1er arrêt ou prolongation.
Soi disant le RH a qui elle communiquait les documents "les a bien transmis".
Elle n'aurait jamais fait d'absentéisme, elle bosse la bas pour faire de l'argent et une reconversion professionnelle.
Je sais pas que déduire de cette histoire, comment l'aider, comment elle peut s'aider et se faire aider, et comment ça va finir.
Je vous remercie pour votre aide.

Ovo pitanje sam dobio od jednog intervjuera i tu smo se složili da se ne slažemo (pritom me je najviše ispitivao oko Jenkins-a i teorijske Jave, kao da sam konkurisao za DevOpsa, a planirali su da implementiraju Selenium sa Phyton-om - nidje veze).
Verujem da se pitanje svodi na ovo: - Da li prvo treba da kidaš u programiranju i onda savladaš alate za automatizaciju ili - savladaš osnovne koncepte programiranja, kao što su recimo OOP i slično, dok s druge se istovremeno prilagođavaš na alate i framework-e.
Moje mišljenje (a i iskustvo) je druga varijanta. Razlog je jednostavan - ako najviše vremena posvetim Javi recimo, naučim i savladam vremenom više od samih osnova, verovatno će mi karijerni cilj biti BE development.
Kao QA, treba da vladam i nekim drugim konceptima koji su vezani za samo testiranje. Štaviše, preduslov da bi dobio ISTQB sertifikaciju za autom. testiranje je da položiš ISTQB foundation level, što su osnove testiranja.
S obzirom na to, smatram da QA-evi nisu u obavezi da budu neki vrhunski, napredni programeri da bi adekvatno radili svoj posao automatizacije.
Šta ostali ljudi iz naše industrije misle? Zašto jesam / nisam u pravu? 🙂

Licenciement Amaz.n
Bonjour a toutes et à tous, j'aurais ne pas aimé poster cela, mais la vie fait que.
Ma douce travaille actuellement chez Amazon dans un grand entrepôt logistique, en tant que équipière polyvalente.
Cela fait un peu plus d'un an qu'elle est la, en CDI, jamais passée par de l'intérim.
Elle a bossé de l'après midi et as pu passer du matin, elle ne pose aucun problème et donne satisfaction (apparemment) les seuls soucis ayant que 1/2 personnes se seraient fait dégager après qu'elle se soit plaint des comportements discriminatoires a son égard.
Elle a par deux fois oublié son badge mais était présente.
Récemment, elle a été arrêtée 3 semaines car elle est passée sur le billard.
Elle vient de recevoir un courrier et m'appelle en pleurs en me disant qu'ils veulent la convoquer a un "entretien disciplinaire avant licenciement" ou une connerie comme ça.
L'entretien a lieu le 30, en attendant elle marine.
Son dernier arrêt maladie aurait posé un souci administratif avec une histoire de 1er arrêt ou prolongation.
Soi disant le RH a qui elle communiquait les documents "les a bien transmis".
Elle n'aurait jamais fait d'absentéisme, elle bosse la bas pour faire de l'argent et une reconversion professionnelle.
Je sais pas que déduire de cette histoire, comment l'aider, comment elle peut s'aider et se faire aider, et comment ça va finir.
Je vous remercie pour votre aide.

Bonjour a toutes et à tous, j'aurais ne pas aimé poster cela, mais la vie fait que.
Ma douce travaille actuellement chez Amazon dans un grand entrepôt logistique, en tant que équipière polyvalente.
Cela fait un peu plus d'un an qu'elle est la, en CDI, jamais passée par de l'intérim.
Elle a bossé de l'après midi et as pu passer du matin, elle ne pose aucun problème et donne satisfaction (apparemment) les seuls soucis ayant que 1/2 personnes se seraient fait dégager après qu'elle se soit plaint des comportements discriminatoires a son égard.
Elle a par deux fois oublié son badge mais était présente.
Récemment, elle a été arrêtée 3 semaines car elle est passée sur le billard.
Elle vient de recevoir un courrier et m'appelle en pleurs en me disant qu'ils veulent la convoquer a un "entretien disciplinaire avant licenciement" ou une connerie comme ça.
L'entretien a lieu le 30, en attendant elle marine.
Son dernier arrêt maladie aurait posé un souci administratif avec une histoire de 1er arrêt ou prolongation.
Soi disant le RH a qui elle communiquait les documents "les a bien transmis".
Elle n'aurait jamais fait d'absentéisme, elle bosse la bas pour faire de l'argent et une reconversion professionnelle.
Je sais pas que déduire de cette histoire, comment l'aider, comment elle peut s'aider et se faire aider, et comment ça va finir.
Je vous remercie pour votre aide.

Sara time OMR aur Signature Dene aur lene me nikal diya ek ldki ne OMR mark bhi nahi kiya and teacher ne sheet cheen li it's NTA baby Fuck U NTA mere 8 questions chuute jo ki mere ko ate the numerical the vo 😔😔😔 usme kam se kam 2 ya 3 min lagta per numerical but kya he kar sakte h aur Maths bilkul CUET pyq jesi nahi aai lol 😔😔