Narrative story

Life Is Strange

2014.07.30 17:32 Life Is Strange

Life is Strange is a series of games, published by Square Enix, revolving around a heavily story driven narrative that is affected by your choices. The games are developed by Don't Nod and Deck Nine Games.
[link]


2013.03.18 07:13 speedfreek16 Tales about the extreme fans of Japanese culture

/weeabootales is the place to share your stories of over the top otaku/weeaboo that are neck deep into the Japanese culture, mostly coming in the form of anime and manga fans.
[link]


2008.01.25 08:12 conspiracy

This is a forum for free thinking and for discussing issues which have captured your imagination. Please respect other views and opinions, and keep an open mind. Our goal is to create a fairer and more transparent world for a better future.
[link]


2024.05.22 00:39 brotzyyy So I heard you like dates

Hello everyone! Been an interesting 2 weeks huh, everyone is trying to figure something out, even me! So here’s what I discovered.
So RK came back and I’ve been seeing a lot of discussion about his memes and his likes. We were exited for his return trying to decode memes like the skitzos we are. From trying to figure out the ‘signs’ understanding ‘the plan’. Over the weekend it was theorized that these tweets may be in reverse order. Naturally if you go to someone’s account on X the latest tweet is at the top, viewing these tweets in this order seems to tell the story from him leaving June 2021 to the eventual MOASS. Now I personally did not believe this theory and yes I did watch the reverse order of tweets, it fits loosely and I began to believe it was us making our story fit this narrative. That all changed when I watched RUN LOLA RUN. It wasn’t until I finished the movie it all clicked. The credits are in reverse going down instead of up. If the like was a KEY then this is confirming yes read the tweets in reverse. Okay now on to the movie. See in Run Lola Run a couple things stand out, Lola tries multiple times to reach Manni with his lost cash failing and reliving the day over again with a new plan each time. Finally on the successful attempt she YOLOs all of the money she has left at the casino. (Sound familiar?) She plays roulette and puts it all on $20 (sound familiar?) she wins and doubles down on her winnings (sound familiar?) Okay so she wins the money she needs and finally reaches Manni. Who returned the cash he lost already. Meaning these winnings are theirs to spend. Great. Now stay with me here. On her way to Manni from the casino she jumps in an Ambulance with a dying man, the post-it on the heart monitor has the date. May 23rd.
The movie all takes place on the 23rd.
See you there.
submitted by brotzyyy to Superstonk [link] [comments]


2024.05.22 00:38 Muted_Acanthaceae319 Netflix in hot water

I have been interested watching the criticism of Netflix in relation to Baby Reindeer, from allegedly falsely saying that Martha/Fiona was convicted to not safeguarding her identity. In Take Care of Maya Netflix seemed to have no issue naming Sally Smith, Cathy Bedy etc. Then presenting an incredibly one sided narrative. I know the subject matter is different and Martha/Fiona does seem to have some issues etc. But it does seem that Netflix’s reputation for a true life documentary is slipping (Diane Nyad is another one that was not as it seems https://www.latimes.com/entertainment-arts/movies/story/2023-11-03/netflix-diana-nyad-biopic-fact-fiction-annette-bening).
submitted by Muted_Acanthaceae319 to takecareofmayaFree [link] [comments]


2024.05.22 00:18 Routine-Love-1424 I've had success with SP but stuck in a rut and need help moving forward

Hi :)
Apologies for any grammar errors, English is not my first language. I'm a firm believer of the law since discovering it at the beginning of the year. As soon I discovered this law so much of my life made sense. I have definitely manifested things in the past, from jobs to money to previous relationships ending (I did not want them to end but realise now that I was the cause of them ending by having negative assumptions/self-concept). I know I can be a powerful manifestor and I don't doubt the law, but I feel stuck in a rut right now with a situation I am trying to manifest and would appreciate some insight on how to move forward. Buckle in as it is a long story, but you will hopefully see some successes in this post too if you are doubtful of the law yourself, which I am happy to give my insight on.
I am a woman, and my SP is also a woman. I strongly believe that I manifested her because before we met I was unintentionally manifesting my perfect partner, and bam, along comes this girl who is just my type and ticks every box. It was almost like I dreamt her up. We didn't delve straight into a relationship, we first met on discord (long-distance) just by chance and I was very intrigued by SP from the offset, almost as if I knew she would be important to me. I now know that it's having these beliefs in the first place that created what would later unfold with her. What I used to call intuition I now know was my own power. I knew that SP liked girls because we met on a discord server for the LGBTQ+ community, and we both shared our experiences of being newly out, late-blooming lesbians etc. However, SP did make it clear that she was married to a man, so despite my intrigue towards her I did not actively try and pursue anything. Her marriage and the fact she lives in a different country, I guess she felt out of reach, but I still thought about her a lot. The key is that I didn't think about her in an obsessive way, I wasn't attached or obsessed yet. I believe the barriers I saw between us stopped the attachment from growing. Remember, I didn't know about the law at this time so I didn't have the mindset that circumstances don't matter, there are no barriers etc. But I believe that my thoughts and "gut instinct" about her paired with my detachment did create movement, because she messaged me privately. I felt she was being flirty but again I didn't pursue it as she was married and seemed off limits. At this point she was merely a crush.
Fast forward a year later, I actually have a crush on someone else at this point, someone a lot more "accessible". The crush wasn't a deep one (yet) but an exciting one, but before it has chance to go anywhere my SP came fully into my life. Before this point SP had been somebody who I saw post occasionally on discord and whenever I did I would think about her, I called her my online crush jokingly to my friends etc., but we only talked on occasion and openly on the server. It was nothing deep. But this all changed just as I started crushing on someone else and suddenly SP privately messaged me, and we have never gone a day without messaging since. I'm mentioning this because I wonder if anybody can provide insight as to why my SP coming forward finally manifested when I started crushing on somebody else.
As soon as we started talking the attachment hit. My other crush I forgot about so quickly and all attention was on SP. Now that I knew her on a more personal level my feelings grew stronger and it went from an online crush to falling deeply in love. It all unfolded very naturally and authentically. Remember that SP is married so we had no intentions to fall in love, and I didn't consciously manifest this because I didn't know the law at the time, but I do believe in it because of what happened. I felt so connected to SP and I remember just feeling "intuitively" that SP felt the same. Even though she had a husband I told myself that she must be unhappy as I knew she was a lesbian who had only recently discovered her sexuality 5 years into her marriage. All of this manifested, SP revealed she had developed feelings for me and she told me that not only was she unhappy with her husband, he was very abusive and she was having doubts about her marriage. We got closer and closer and developed a deep friendship, she relied on me a lot for emotional support in her toxic marriage, and when we met in person everything was perfect. She was financially trapped in her abusive relationship but told me that as soon as she could get out she would leave and be with me. Everything between us was pure and beautiful and I had no doubts or insecurities, which is why I think I managed to manifest a perfect relationship between us. When I say perfect I mean in terms of feelings and how she was showing up for me and the fact that our feelings were reciprocated. The not perfect part was her marriage, and on reflection I think I had limiting beliefs about her leaving because I always felt it was financially impossible. I believe this is why she hasn't left. But I did have confidence and security in how she felt about me, and I knew that she was in love with me and was only with her husband due to finances, so her openness and feelings manifested. She affirmed to me many times I was the only one she loved like that. Despite the situation, I had never felt so loved, and I looked forward to our future.
But here is where things started to change, as time progressed (it had been around a year of being close to her at this point) I started to experience doubt and my self-concept started to slip. I started to really worry about the 3P even though this had never been an issue before. Before I had KNOWN she didn't love him and only loved me, but now I started having doubts of "she hasn't left yet, she must be happy with him again" even though I knew logically the reason she hadn't left was due to not being able to financially afford the divorce, scared of him etc. I would flit between that logic and the emotions I had about it all and I also started having this belief that she was going to end any chance of a future with us and say she wanted to just be friends. Well guess what, exactly that happened. I was shocked because we had such a beautiful love that I never imagined ending, but I know now that my insecure thoughts created this reality. I will say that during this time she would still tell me she was unhappy with 3P and still had hopes to be with me one day, but she just couldn't promise a future with me because it felt like emotional cheating on 3P which I understood. We remained close, still talking every day, I would say she seemed a lot more inconsistent with me in terms of the future but has always maintained the feelings are still there (just doesn't like to talk about it as much as we once did because it makes her feel guilty towards 3P). Again, analysing this, I think my own doubts have created this inconsistency because sometimes I would be positive about us, other times negative, and I think this is what was reflected to me in the 3D.
At the beginning of this year things seemed quite bad between us and we were fighting a lot, which is when I discovered the law. I started to apply the teachings and by February time I had major movement. SP was very loving, talking about a future again, things were great between us. The one thing I still haven't cracked I think, is the limiting belief about her actually being able to leave her marriage. A reminder again that she has always told me she wants to leave her marriage, the only reason she stays is logistical and financial difficulties, but sometimes I think the logistical and financial difficulties overwhelm me and cause self-limiting beliefs. I've been trying all the methods, SATS, affirmations, self-concept work and believing I am chosen, and trying to live in the end. As I said I have had some success as recent as 2 months ago, but the past month things are worse than ever and I'm almost in shock over it, which is why I need help.
SP is now telling me that she is happy with her husband, things have improved and she is no longer wanting to leave. The reason I am so shocked is because this has never been the story and it's a complete 360, it almost makes me feel like I'm living in a parallel universe (which maybe I have shifted to that reality from my own thoughts). 3P has always been abusive and I have seen it with my own eyes, so to hear this from her is baffling. I'm trying to affirm that this is just her morals talking or her fears, she is trying to be true to her marriage etc. and she doesn't mean it, but I'm really struggling and I guess I'm reacting to the 3D. I know I shouldn't be doing this but this is why I'm asking for help on how to move forward. I fully believe in the law but I almost can't believe the 360 that's happened. From deeply in love to her cooling things off slightly because of her guilt, to her now saying she wants to stay with 3P. It's almost like I can't believe I could completely flip the narrative here and part of me even feels like the old reality wasn't real.
The only saving grace here is that she has told me that she still loves me, so I don't have to work on that, but the issue is she loves both of us. And she has chosen 3P right now. And I'm shocked because I never thought she would say that. So I guess basically I'm wanting advice on how to move forward in manifesting getting my SP and having her leave the 3P. I know some people are against 3P removal but this 3P is toxic and abusive, I wouldn't want her to be with him regardless of my feelings. It's like I know that I created this but I also feel so hopeless now. I already had limiting beliefs about her leaving just for logistics, now she's saying she is happy again it's making me doubt even more. On top of that we have long distance between us whereas 3P she already has a house and a marriage and a life with him. Any insights and hope and advice to move forward would be so appreciated. Or any techniques/affirmations I could use?
Part of me wonder if this just the bridge of incidents? Weird things have been happening recently too with previous SP's showing up either in my life or in my dreams. But the SP I want, this has happened :(
I'm visiting SP in her country soon and I would love to hear all the things she used to tell me and for 3P to just not be an issue. (SP and I still very close and talk every day regardless)
I know I'm a strong manifestor I just need some help. I would love to be writing a success story in 6 months time about how SP and I made it.
submitted by Routine-Love-1424 to NevilleGoddard2 [link] [comments]


2024.05.22 00:13 somasabi 'Non-duality' as a snag

The nature of self is inconceivable, nobody has ever understood what 'non-duality' points to, and we never will. As Watts puts it so eloquently, it is like 'a knife trying to cut itself'.
The feeling of 'I've figured it out', or 'I've awakened' is another subtle trick of the mind activity. 'I'm enlightened' is the other side of the coin of 'I'm not enlightened'.
The obvious Isness of all phenomena is not an attainable experience, it is inescapable and irreducible, it exists equally within all stories, emotions and experiences. It is lost only when we seek it.
The natural inconclusiveness of this spontaneous present unfoldment is all that must be seen and embodied, nothing needs to be figured out, gained or dissolved.
The ideas of non-duality have become another system for the mind to hook onto for another grasp at seeming security. It could be argued it's worse because it gives a sense of superiority to our fellow humans.
Obsessively thinking about anything, including the best teachings from the most wise lineages, will obscure the natural light at the basis of all experience.
Make a nice meal, hug your friends more, get your toes in the grass.
Everything changed for me when I practiced for the joy of practice itself, not to strive for anything grand.
The narratives of deep philosophy and spiritualism can easily become dangerous, so we must accept deeply that we know absolutely nothing, but it is painfully obvious that we are.
Recognizing 'amness' is all we must do (be).
submitted by somasabi to nonduality [link] [comments]


2024.05.22 00:01 ikieneng My fanfiction - episode 4!

My fanfiction - episode 4!
The next part is here! This episode is so long that I had to split it, and today, you're finally getting part 3 of 3.
You can find the previous episodes in the side bar! (Community info page in the app)
DISCLAIMERS (the same ones as before)
The point of this fanfiction is not to be a straight-up continuation of events with the same themes, intensity, and tone. If you go into it with those expectations, you are probably not going to like it. Rather, it’s supposed to be how I wish things went if these events were real life. The resolution you want for a real-life situation isn’t often the right choice for a show, but it can be incredibly beautiful. Think of what you’re about to read to be a separate show then.
Episode 1 of this fanfiction begins after the episode “2:00” (season 2 episode 4), so it replaces the episode “Cake” and the ones that follow it. This fanfiction expects you to have seen the entirety of seasons 1 and 2, so you should watch those first.
I myself am bursting into the story here. The narrator and me are the same. While my character is like 95% real me, don’t take events about my life described here as facts. Some aspects of my life have been changed for the story. In my head, I started writing like an “alternate me” character in 2016, fulfilling a lot of the things that I wish I had in life, adding that to my story. I’m not really from Ukraine. I speak fluent Ukrainian as a foreign language, I started learning it in 2014, and I’ve talked to tons of people from there, but I’m not from Ukraine. I also don’t have as much money as I do in the story. I wish lmao.
If you want to post your own fanfiction, feel free to do so! To get your own post flair for your fanfic, and to appear in the side bar, please message me.

Part 3 (days 3 and 4)

We’d wake up on day three, and still, nothing would be any different - we’re still locked up. We’d both feel really worried not knowing if we’ll have to forfeit our whole plan because we might run out of food and water and take the risky route - calling the police and getting ourselves into a situation where we’d have to be freed by force, which would be so dangerous because the Turners have proven that there’s nothing they’re not prepared to do to us to “get Jericho back”. Leanne would ask me “What do we do if we call the police, and Mrs. Turner comes up here and tries to hurt us?” At first, I’d insist that we start thinking about that when we do run out of food the next day, but she’d insist we should come up with a plan. I’d point at the corner on the edge of the attic facing Spruce Street, the corner that’s to one’s right when coming up into the attic,
https://preview.redd.it/knoz0zwpou1d1.png?width=975&format=png&auto=webp&s=bd1694f292bb546ea45339ebecea7ffacfe33541
and say “Then you’d curl up and hide over there, and I’d take the radio, you’d take the metronome, and I’d sit down in front of you, shielding you, and if she gets in here before the cops do, we’ll defend ourselves. And we’d record everything on my phone. And we should probably hide behind the sofa. Maybe then, she might not notice we’re still up here at first. She’d probably be in a state of panic.” She’d look at me with sad, but touched eyes and just hug me and say thank you. I’d reply “Of course”. After some silence, I’d tell her “If anything happens to me… Please bring me back”.

She’d be touched by that, but say that if she reanimates me, the Church of Lesser Saints will come after ME as well because they’ll believe that I’ll be obligated to join. With a worried smile, I’d say “I know... But they’re probably already gonna do that, right? Because I won’t let them get to you!” We’d both nod with the same half-happy, half-worried expression. “And if things go terribly wrong and you have to bring me back, we can try again!”

I’d ask if I’m getting it right that the “great sins” they think she’s committing are not spending time with the Church and helping another family from the one that was assigned to her. She’d say yes and add that there’s a lot more they hate her for, like her “disobedient and rebellious streak”, disobeying their instructions, putting curses on people, and now, leaving the Marinos.
https://preview.redd.it/4obn4r9uou1d1.png?width=975&format=png&auto=webp&s=1e77adafbde221c320999ba1169adb0a1c6b2b17
After a few seconds of silence (out of shock that this is how the Church of Lesser Saints frames it), I’d be like “If you disobey so many of their instructions, then...”, look her directly in the eyes, and go “Good! Keep on disobeying them! I’m actually kind of stunned that this is how they frame your actions, because that is so manipulative. Wanting to have a life where you don’t have to worry about your every step being watched and controlled, where you can actually freely explore what you believe – not what they tell you to believe, but what YOU believe, where you can do totally normal human things like listen to music, and where you can go wherever you want and make some basic decisions for yourself and work wherever you want, that doesn’t make you...” (doing the “quote-on-quote” with my hands while I say it) “quote-on-quote ‘disobedient’ or ‘rebellious’, it makes you a normal human being. If they forbid every little thing that people do that makes you happy, if you then look for happiness elsewhere, that’s on them. You can’t take every bit of joy away from people and then expect them to just deal with it. You wanting to run away, that’s the logical result of their bullshit. And you didn’t ‘leave’ the Marinos, you were taken. Don’t let them think you’re at fault in any way!” She might have never heard any verbal confirmation before that her feelings about leaving are valid, and this would be so reassuring to her. She’d tell me that whenever she did things like not be there for meals at the Church, skip assemblies, or curse people without permission, she would be brought before May and the rest of the community, get questioned about her behavior, and she’d have to self-flagellate to receive forgiveness.
https://preview.redd.it/roex7c20pu1d1.png?width=975&format=png&auto=webp&s=32cecf94a41a97e66b1c74967cb074ca89321777
I’d go really still and quiet when she mentions the self-flagellation, which she’d then explain is a frequent punishment. That would freaking break my heart... I’d ask her when was the last time she hurt herself, and it was a little less than two weeks ago, before she was forced to leave the Turners. Very carefully and quietly, I’d ask her if it would be okay if she can show me her scars and add “You do NOT have to if you’re not comfortable, PLEASE don’t do it if you’re not”, and after a second, she’d nod and show me her back. My heart would break for her even more seeing her scars, I’d just express how horrible it is that they made her do that… I’d show her some of my cut wounds from when I self-harmed, which I hadn’t done in like three and a half years at that point. I’d want her to know that way that I get the urge, that I really do, but I’d tell her that hurting oneself achieves nothing. All it does is make you feel horrible mentally and physically, and every time you do it, there’s a risk of infection and even death. I’d just tell her I understand while taking her in my arms. I’d ask her to please look me in the eyes and tell me she won’t hurt herself again, and that when she feels like doing it again, to please talk to me first. She’d quietly say “I promise” while looking me in the eyes, and after some longer embraces, we’d both smile a bit, that would make me really happy to hear! I’d ask that when we’re out of here, if we can call a doctor sometime soon and get them to look at her scars to make sure none of them are infected, if she’s comfortable enough, and she’d nod and smile at me a little bit some more.

We’d eat after that. We’d run out of tomato soup that meal, and I’d tell her that when we’re getting out of there, I’d get her all the tomato soup in the world! “We’re gonna fill a whole hotel fridge with tomato soup!” “And with Ben & Jerry’s?”, she’d ask, and I’d say yes and say that we’re probably gonna need more than one fridge. I’d say we’re gonna pick the nicest and most expensive hotel to stay at, an idea that she’d love! “You still think Allentown is a good idea?”, I’d ask her, and she’d think my reasoning from the day before makes sense and say yes. We’d look for the nicest hotel in Allentown online and see that there are “only” three-star hotels in Allentown. Leanne would ask if getting such an expensive place to stay is really okay, and I’d say “Money is not an issue, don’t worry about it” while reaching across her back and like caressing her right shoulder, looking her in the eyes, and smiling. “And besides, let’s spoil you, you fucking deserve it after all this!” We wouldn’t book anything yet because we wouldn’t know when we can get out of there yet, but looking at all those insanely nice hotels would lift our spirits a bit.

After eating the first half of that day’s rations (only two half day’s rations would be left after that…), we’d think that it would probably be a good idea if we started writing the document for the police right now. Writing it can take hours upon hours, and there’s no point in delaying the rescue to write the document after I leave if we can do it right now, so we’d begin right that moment. It would begin something like “My name is Daria Horenko, born July 30, 1999 in Odesa, Ukraine, residing in 501 Pembroke Ave, Philadelphia 19050, Pennsylvania...” (I don’t live there. I have no idea who does. Please leave them alone lmao) “...I sent this statement to my Facebook friend Liam [...] (residing in Tipperary, Ireland, using Facebook as Liam [...]) as a PDF file and told him to call the Philadelphia police and read this statement to them if I don’t come back online and confirm that I’m okay by 10 PM Philadelphia time / 3 PM London, UK time on December 22, 2022. If he is reading this to you, it probably means that there was no sign of life from me by that time, and that I’m not safe, probably kidnapped and locked up by Dorothy Turner, Sean Turner, Julian (I’m not sure about his surname, but I’m referring to Dorothy Turner’s brother - redhead, not very tall, moderately overweight) in the attic of their residence at 9780 Spruce Street, Philadelphia 19139, Pennsylvania”, and then document everything I’ve seen in chronological order and everything that Leanne has told me, with a link to our video and photographic evidence, references to DNA evidence that can probably be found in the hole in the basement if they haven’t covered it up by now, and a statement at the end saying that I’ve written it together with Leanne to make sure that everything is correct. That would take a really long time, hours for sure. But when it’s done, I’d run spell- and grammar checks on it and send it to my printer at home, to be queued for printing when I get home and turn it on. We’d also know that today (December 21) or tomorrow will be the day when we leave one way or another, so I’d schedule a text message to 911 in 30 hours from that moment. The message would say “This is a scheduled message. If you’ve received it, then Leanne Grayson (born October 13, 2001)...” (We only ever learn Leanne’s birth year from the gravestone. October 13 is Nell Tiger Free’s birthday, so October 13, 2001 being Leanne’s birthday is kind of my headcanon)
https://preview.redd.it/0hr9niq1pu1d1.png?width=975&format=png&auto=webp&s=4dbead2015781ed8beee236188b8273aac1b3fb0
“...and me (Daria Horenko, born July 30, 1999) are probably not safe, abducted and locked up against our will by Dorothy Turner, her brother Julian, and Sean Turner in the attic of their house at 9780 Spruce Street, Philadelphia 19139, Pennsylvania or somewhere else on the property. We need help immediately. The Turners should be considered dangerous and very clearly willing to use violence and intimidation. We need help NOW. Details in our prepared statement: [the link]”. Because we’re holding out hope that we won’t have to call the police from inside the attic, the document would include information on what our plan is to get Leanne (and me) out of there as safely as possible and call the police from the taxi, but that if we run out of rations, we won’t have a choice but to call the police while we’re unarmed and while the Turners still have the upper hand.

We would debate whether we should include information about the Church of Lesser Saints right away or tell the police about them later because we know how that sounds, considering that this would hurt the credibility of our testimony,
https://preview.redd.it/sinvabf3pu1d1.png?width=975&format=png&auto=webp&s=e37811b53eb90cb8a066bfcb30f6244bb9f34ad4
but we’d modify the document and include the most important information about them as well, with more believable explanations - how they forced Leanne and other members to self-harm (meaning that current members or those who recently left), where they’re currently operating from in Lancaster,
https://preview.redd.it/mxbm8445pu1d1.png?width=975&format=png&auto=webp&s=1f9b5f1c671c15afce7149eeb90926c2c29b9bdb
that they faked their deaths, that they forced Leanne to leave the Turners, and the necessary lie that they took the real baby, and that Leanne hasn’t seen it since that day and doesn’t know where they’ve taken it. We’d also include names and stuff, and most importantly, reference the baptism tape and say that it shows May and George watching us from the sidewalk outside the church less than three weeks ago, and that piece of evidence would change everything in regards to investigating the Church of Lesser Saints and make the police believe us. We’d add that it’s probably among the other DVDs in the Turners’ living room, and that I’ll try to get it when leaving the building if our original plan is still going to be an option, rip the DVD at home, and add a link to the video file to the document. We’d modify the scheduled text message as well, and we’d charge both phones, mine first because the scheduled message is so important, but it’s an iPhone, so we could charge it to 100% rather quickly and then charge hers. And we’d add that we’d want the police to get Leanne’s things from the Marino estate. All her stuff being there would be further evidence that she was taken suddenly and against her will. We’d also add what number Leanne can be reached at for now with the Samsung Galaxy phone. And then, I’d send the document to Liam on all platforms where I know how to reach him, followed by a message to alert the authorities if I’m not back online confirming that we’re both okay in what’s now probably more like 29 hours, the phone number of the Philadelphia police, and caps at the beginning saying that it’s an actual emergency.

Out of nowhere, I’d ask her if she’s seen “Titanic” lmao, and with her near total isolation growing up, she wouldn’t have seen it. “I’ve only seen movies on TV”. I’d be like “I can show you lots of movies if you want! I got several subscriptions to streaming services, and also a bunch of stuff offline on an external drive at home.”
https://preview.redd.it/lr58woa7pu1d1.png?width=975&format=png&auto=webp&s=63537b149270faeebb2c3f1be9ba2af0d259e1b7
Back on talking about “Titanic”, I’d tell her it’s wonderful and so freaking romantic, albeit over-the-top at times for sure and a bit overrated. It has that glossy feeling and some superficial characters to it that all James Cameron movies have, but it’s still really wonderful. After explaining the plot to her (since she’s grown up so isolated), I’d tell her about one scene that I’m thinking about a lot from time to time - near the end of the movie, when old Rose is done telling the researchers her story, she says that she doesn’t even have a picture of Jack, and that has hit me so hard from the first time I’ve seen the movie.
https://preview.redd.it/96bgw8s8pu1d1.png?width=975&format=png&auto=webp&s=476c1a4cbee498c26a0be4651ef83258f0aa7748
She has no physical memories of him, she can never see his face again, and she can never show people what he looked like. That just rips my heart. I’d ask Leanne if we can take some pictures together. We’d look pretty horrible because we haven’t been able to shower in days, but we wouldn’t care and take them anyway and really, genuinely smile so hard. I’d send them to her email address (leanne_grayson@icloud.com, that email address is on her resume in the show),
https://preview.redd.it/frfz9e7apu1d1.png?width=975&format=png&auto=webp&s=1b65065ab622e71f52edc6e9b84a2974e7efe9cb
manually sync my gallery with iCloud, and I’d send them to Liam. I’d ask what phone she got back at the Marinos’ and if she’s got any pictures of herself in her iCloud gallery, but she’d tell me she’s rarely ever taken pictures of herself, only for the resume she applied at the Turners’ for, and I’d be like “Whaaaaat? But you’re so beautiful!”, and she’d smile hard, a bit embarrassed. I’d look her straight in the eyes and say it again and say that I mean it for real, she is so incredibly beautiful! It’s probably so rare that anyone’s ever said that to her in her entire life (her mother definitely didn’t, and given that the Church of Lesser Saints believes that anything that feels good is dangerous,
https://preview.redd.it/msylzejbpu1d1.png?width=975&format=png&auto=webp&s=b343bf8d10b86f7c731eed3c8a5204460daec4d4
it’s rather unlikely that they did), Tobe saying it in “Balloon” might even have been the only time ever…
https://preview.redd.it/jdce6tndpu1d1.png?width=975&format=png&auto=webp&s=c9edaacd72634c3dbe7dbf29abcc84f2412a10d4
I’d then add “Inside AND out!”, and she’d smile some more in a bit of embarrassment and then look me in the eyes and say “You, too, Daria!”, and as you’d expect, I’d smile so hard and even with my eyes!

It would be rather late by then, so we’d eat and listen to some more music together from the Spotify playlist I created for her and talk so much about what we’re hearing.

After dinner, she’d bring the topic up on her own (this is kind of making fun of these fan theories) - she’d tell me that some in the Church of Lesser Saints think she’s the Devil or Lilith because of her rebelliousness, and how she’s inspired doubt in some people in the Church. I’d make such a weirded-out face. After realizing she’s serious, I’d say “If you are the Devil, then hail Satan! Like, seriously, if YOU are what God is threatening will happen if we don’t follow him, then that’s literally the weakest threat I’ve ever heard of. Then God is the villain here. We need more people like you in the world!” Shy as she still is, she’d still be almost embarrassed to hear this (she’s so not used to compliments), and I’d make it clear I’m serious, that I really think she’s fricking wonderful and the sweetest, and that she clearly has a huge heart full of so much love, and that she deserves so much better than what she’s ever experienced! Almost in denial, she’d see in my eyes that I really mean it and just smile and hug me, and then, we’d both smile even more! I’d rub her back a lot in that moment and promise her again that everything will be okay. “I’ll make sure of that!”

After some more music together, knowing that tomorrow will be the day we leave, no matter which plan we’ll go with, we’d make sure we haven’t forgotten anything. Looking around, I’d realize I have to give her my earphones with a cord because the internal mic of my Samsung Galaxy S5 Mini is essentially useless. I’d tell her that when I call her the next day to tell her it’s safe to come downstairs now, she should answer the call, plug in the earphones, and then, it will take a few seconds until I can hear her, but then, it should be fine. We’d set a code phrase that I’ll mention to let her know if the Turners got me and it’s NOT safe to come down. She’d suggest “tomato soup”, and I’d smile and say yes, that’s gonna be our code phrase. “And if it IS safe to come down?”, she’d ask, and I’d suggest “ice cream”.

I’d realize that we should probably find her fresh clothes in the attic and a coat right now, so as I said, it’s not too obvious that she’s been locked up for a long time the second she walks out of the door, because if she’s in dirty clothes or nightwear, with it being obvious that she hasn’t showered in days, and I get her out of there and into a taxi to drive off while I got a gun, it would look as if I was kidnapping her, so we’d find her a nice dress and coat up there, and I’d turn around and close my eyes while she puts it on, and when she’s done, I’d tell her again that she looks amazing! 😊
https://preview.redd.it/zp5gbjwfpu1d1.png?width=975&format=png&auto=webp&s=777d2120f72b5002e2d5e5e9ffe4760ab2d5fada
And she’d smile and thank me this time, sort of the way she says it to the makeup artist at the street fair in S3E5 “Tiger” in that typical way of hers that’s so adorable for real,
https://preview.redd.it/fuu6x7ohpu1d1.png?width=975&format=png&auto=webp&s=ec5f23b8de4568996bd6e4c706ab4f95b8f98063
and she’d look in my direction and say “You look really beautiful, too!”, really shy, before peeking me in the eyes for a moment, and we’d just look at each other for a moment. “Can I have your pictures?”, she’d ask me, and I’d say yeah, open my iPhone, and select ALL pictures of myself in my gallery and send them to her email address, and send her those that are too large via a Google Drive link (iCloud isn’t great for sharing files lol), and then, I’d take her Samsung Galaxy S5 Mini, download them all (which would take a while because that phone is ancient), and set one of the pictures we’ve taken together as her wallpaper, and then set it as my wallpaper on my iPhone as well! 😊

We’d consider if there’s anything else we’ve missed. She’d mention that parts of the floor screech, especially one tile, so when I sneak out, I gotta be careful on the stairs, especially with that one tile.
https://preview.redd.it/nijqz08jpu1d1.png?width=975&format=png&auto=webp&s=6f6756ae6c304a5f5133c21ef857e0f91c6c91d7
After a few seconds, she’d ask me if we wanna book a hotel now, and I’d smile and say sure! “Did you like any hotels in particular, out of the ones we looked at?” She’d say “The one with the big jacuzzi looks great” with big eyes and enthusiasm in her voice, like she does during some of her conversations with Tobe in S3E5 “Tiger”. “You’ve ever been in a jacuzzi?”, I’d ask her, and she’d go “Nooo, but I wanna try!” in the same tone,
https://preview.redd.it/6rh2p63lpu1d1.png?width=975&format=png&auto=webp&s=987a19161b85fe5ee6a500f452c168ba7dec961b
and so, after lying down now, we’d look up which hotel she was talking about and book a two-room suite in that hotel in Allentown for three weeks. I’d add “So we can easily look out for each other, and so you’ll also have some privacy.”, and she’d smile and nod, that consideration would probably mean a lot to her.

We’d then get ready for bed. For the next day, I’d get some better clothes as well and put them on while she’s turned around with her eyes closed. I’d take the last ration of food out of my backpack, put the clothes I just took off at the bottom of it, above Leanne’s Bible (the porcelain baby and card are already in one of the other pockets), and put my phone and the chargers in another pocket. I’d look around and ask her if there’s anything else I should take with me to safeguard, and at first, she’d also look around because she wouldn’t know how to answer right away, but she’d then point at Mrs. Barrington with her face,
https://preview.redd.it/amqsh2mmpu1d1.png?width=975&format=png&auto=webp&s=12d0bfe376210a8798671d45f31e96e28037870b
and I’d be like “Well, I think she’s a little too big for my backpack, but I can talk to the police when we’re out of here, maybe we can try to get her!”, and Leanne would nod with a big smile again.

We’d lie down on the mattress and share the covers again. Just like the night before, I’d lie down on the side of the mattress that’s closer to the stairs, in case Dorothy changes her mind and tries to assault Leanne again… On the mattress, she’d suddenly hug me really tight, break into tears, and thank me over and over again, and I’d just hold her tight, say “Of course”, and assure her that everything’s gonna be okay, that we’ll get out of there tomorrow. I’d wipe some of her tears off her face 🥺 On the mattress, we’d just look each other in the eyes and both just smile more and more, and after a minute or two, she’d kiss me on the lips for a tiiiiny moment and then, we’d just smile at each other even harder! She’d say “I’m not supposed to do that” while still smiling just as hard and looking me directly in the eyes! “Says who?”, I’d reply. She goes “My aunts and uncles”, and I’d say “I don’t think they’re a reliable source!”, and we’d kiss each other some more and longer, and both feel each other’s smile on our lips, and peek at each other a few times in between 😊🥰❤️ We’d both put our arms around each other before telling each other good night and before I promise her one more time it’s all going to be okay!
https://preview.redd.it/08fqmdqspu1d1.png?width=975&format=png&auto=webp&s=477498f6f3e6260f2a0429defebf98475b14eda1
At some point during the night, she’d wake me up, and when she does, I’d realize I had a nightmare, like, not from my night terrors, and she’d tell me I had a nightmare, that I was sniffling in my sleep, and that I told her two days earlier to wake me up if this happens. Still feeling terrible (the feeling of immediate dread always takes a while to subside for me), I’d thank her. I’d ask what I was saying, and she’d say that I wasn’t speaking English. I’d consider if I should tell her for a moment, but then, I’d take a deep breath, look up for a second, and with a heavy voice, slowly say “What if we try plan A tomorrow, and I fail? I’m scared… I don’t wanna mess this up… I don’t wanna fail you…” And she’d slowly look at me and just say two words: “You haven’t!” I’d look at her and almost laugh a bit out of joy. I’d smile and just cuddle up to her a bit, and she’d do it back. I’d say I’ll try to listen to music for a while to calm down because doing something else makes it much easier for me to zone out of the feeling of dread again. “Why only you?”, she’d ask. “I don’t wanna keep you awake”, I’d say, “You need the sleep”, and she’d say “It’s okay” and just smile a bit, and so, we’d listen to some music together for about half an hour.

I’d tell her that my sleep is so horrible (she’d say she can tell) because I don’t have my meds, and I’m really fricking looking forward to taking them again. Without them, the quality of my sleep is terrible, and it takes so long for me to fall asleep at all if I don’t take them. She’d ask if I’ve taken them for a long time, and I’d say that I haven’t taken these particular meds for long because whatever I take, my body builds up some resistance to them pretty quickly, so after a while, I always have to get new ones, but I’ve taken sleeping meds for years now. “It sounds like they’re really helping you, right?”, she’d ask, and I’d nod and say “Yeah, they really do. I’m also taking antidepressants, and they were an absolute gamechanger for me. It’s okay if I don’t take them for a few days because they don’t work in the moment, but they like rewire your brain over time, and they’re the best thing that’s ever happened to my mental health. Before I started taking them, it was so hard for me to avoid bad thoughts or resist them, like, it was hell, but ever since then, it got sooo much easier, and not letting things get to me or not letting bad things really take over me is just so much easier now.” After a while, I’d say “I was at a psychiatric clinic voluntarily for six months, but I also had nowhere else to go, and the doctors and employees really abused their power. They only intervened when there was physical violence, they didn’t intervene in any other conflicts, so because of them, the patients constantly bullied each other. My doctor switched to another department while I was there, so I got a new one, and the new one wasn’t perfect, but at least, she cared. I got really lucky to get a place at a living group for mentally ill people, which was when I could finally leave. But honestly, all my experiences with mental health professionals since then have been better. I went to a different clinic for four or five days voluntarily in 2019, and even they were far better. “That sounds scary…”, she’d say. I’d reply “It was. But things got much better after that. I had lots of setbacks, like, you know, but if you get help, it’s always better.”

After the current song’s over, we’d lie down to try and sleep again. We’d smile at each other again in bed, and I’d give her a short-ish kiss before saying good night, and we’d both smile even harder after that 😁 And we would fall asleep for good after a while (it would still take me longer than her).

In the morning, Leanne would wake me up again. She’d show me that the door is unlocked and open by a little bit now (they’re “letting” her out for a few hours…),
https://preview.redd.it/sqql9udupu1d1.png?width=975&format=png&auto=webp&s=b2505bc6f7795639777433a1897f0d31e5753d67
and we’d both just embrace and chuckle in huge joy, as we can go with plan A now, the less risky one! We’d remember to quiet down after a few seconds and whisper from then on out. I’d go to the toilet roll, take eight pieces, rip them into two bands of four pieces each, and roll each of them up into a little bunch. I’d give them to her and tell her to put them into the wall pieces of the door when she gets out (so it looks like the door is closed while it can’t actually lock) and give me an audible signal when the third floor is clear, so I’ll get out with my backpack, take out the toilet paper, and hide in her room.
https://preview.redd.it/bzze2o6wpu1d1.png?width=304&format=png&auto=webp&s=aaa155b611408db6e9960485f6f726125fc2698d
“Is there anything you want me to get from there?”, I’d ask. “No. Everything is here or at the Marinos’.” I’d go “Okay” and move on - since I’m almost definitely unable to come down to the second floor right away (I’m using American English in all of these episodes. “First floor” in American English = “ground floor” in British English; “Second floor” in American English = “first floor” in British English; “Third floor” in American English = “second floor” in British English, etc.), she’d give me a signal when coming back upstairs. We’d agree that when she comes back upstairs, if it’s safe to go to the second floor, she’d shout something, maybe in conversation, maybe some sort of cry, doesn’t matter, and if not, she’d kick something. She’d be locked upstairs again after that, so I’ll have to tell when to get further downstairs myself, which I’d do as soon as I’ve heard absolutely no sounds from inside the house for at least a few minutes. On the first floor, I’d get the DVD from March 11, 2001, and if the baptism tape isn’t clearly labeled among the tapes, I’d unplug the DVD player from the TV, turn on the player, open the DVD slot, and if the tape isn’t in there, I’d take all unlabeled tapes. I’d then listen in on the basement door for a few seconds, and if I hear no sounds from down there, I’d quietly open the basement door and go downstairs, and if no one’s there, I’d get out through the side entrance down there, out through the back gate, walk back to Spruce Street, drive my bike home, take a shower, watch the tape from March 11, 2011 like she told me I could, hide it somewhere at home, print out the document for the police, take it with me in an envelope, print out a second version of it to give to the taxi driver, so I can say “If I’m not back in an hour, please call the police for me and read this to them”. I’d then call a taxi (a taxi with a large trunk whose driver is allowed to drive to Allentown and back), load my gun, and leave for the Turners’ and get Leanne.

We’d see that Liam has replied by now. Of course, he’d be super worried, but he’s got our backs for the plan, and that would be really reassuring. We’d look each other in the eyes, and then, I’d hug her sooo tight for several seconds, and we’d have one loooong kiss (hoping it’s not the last time we see each other…) before she goes downstairs while looking back at me on the way before putting the toilet paper in the door. I’d then put on my backpack. Once Leanne loudly shouts “Mister Turner?”, that would be my signal, and I’d hide in her room for about 45 minutes before she’s “let” back upstairs and shouts “You can lock me in now, Mrs. Turner”,
https://preview.redd.it/uy9loclypu1d1.png?width=975&format=png&auto=webp&s=16abd51170405f1ef3123ff22f4559642a0c0c92
which is when I’d sneak into the storage/guest room and wait. It would take like five hours until I hear nothing for a while, which is when I’d sneak onto the first floor, look around to make extra sure no one’s there, and go to the living room. I’d get the tape from March 11, 2011, and the baptism tape would be among the labeled DVDs, and I’d put it into the box of the March 11, 2011 tape (I’d put the original DVD loose in there and use the spot inside the box for the baptism tape because it’s probably more important. I then wouldn’t hear anything from the basement, so I’d slowly and quietly go down there. No one would be there, so I’d leave as planned and go home and take a shower. I’d watch the March 11, 2011 DVD. I’d be surprised to see the interaction between Leanne and Dorothy for sure, but sort of knowing her, I wouldn’t think anything bad of it. I’d actually get it because of my past celebrity crushes (which I know isn’t what she was feeling for Dorothy) and the desire to meet them, especially with Blanche. I’d get why Leanne wouldn’t want the police to see it, it would look bad for her. I’d wrap up the DVD in a thick piece of paper and tape it to the back of my closet, between the closet and the wall. I’d burn the piece of paper in the DVD case in my bathtub with a bucket of water next to me just in case. I’d test if the DVD of the baptism tape still works (it does), rip it, upload the video file to Google Drive, add it to the document for the police, cancel my printing queue, print the document (two versions of it. The one for the taxi driver would just have a short introduction at the beginning, like, that I’m the person who ordered the taxi), order the taxi, pack my things for the next couple of weeks and anything that Leanne might need, so I’d include any clothes that I think could fit her, and go to the taxi. I’d tell the driver to get me one block away from 9780 Spruce Street (which isn’t actually a real address, by the way) and wait there for me. Before leaving for the Turner house, I’d give him the envelope with his version of the letter for the police and tell him what I said I would tell him. I’d then get my backpack with the gun in it from my luggage in the trunk, and walk to the Turners’ house.

I have already "written" so much more in my head, but I've now reached the end of what I've actually written down, so it will take longer until the next episode is out now! Hope you've enjooooyed this one!
submitted by ikieneng to teamleanne [link] [comments]


2024.05.22 00:01 Mackotron Can’t remember song

The song starts with a kid going HIIIII and then a narrator saying something about hope and darkness and something with like upbeat beat, I’ve never seen a never ending story but I think the sample was from that? I’m pretty sure it’s a DOOM side project but I could be wrong. Any ideas?
submitted by Mackotron to mfdoom [link] [comments]


2024.05.22 00:01 thesunisasupernova 24 [F4M] #USA/Online. In need of a friend or few for gaming, watching movies, chatting, general nerdiness, etc!

Heya! This is F4M because I'm a tomboy and I have always gotten along better with and always have had more in common with guys than with other girls. I'm not looking for dating, (although that could change in the future, no promises) just friends at the moment please!
So, I've been lonely and spending a lot of time by myself lately and I figured I should try and make some new friends (21+ please, I can't relate with teenagers, sorry)! I mostly communicate on Discord and/or Steam through texting and voice chat, being a gamer and all lol. I'm based in Ohio but I'm totally cool with online friendships from anywhere! If it matters, I'm pale, short, and average weight (5'2" and 115lbs.) I'm not a smoketoker and I occasionally will drink socially, but only if the other person/people are comfortable with it.
I have a fair amount of games, mostly singleplayer stuff like Bioshock, Dishonored, Far Cry, Assassin's Creed, Ghostrunner, Skyrim, SOMA, Metro, STALKER, that sort of thing, but I also do some multiplayer ones we can do together like Deep Rock Galactic, Baldur's Gate 3, Risk of Rain 2, Halo MCC, Project Zomboid, Ready or Not, Path of Titans, Golf With Your Friends, Left 4 Dead 2, Dying Light 1&2, No Man's Sky, Project Ascension WoW (a private server basically), and even Warcraft 3 (a childhood favorite of mine!) I also have some I haven't dabbled much in like Rainbow Six, Titanfall 2 MP, Hell Let Loose, Arma 3, Mortal Kombat X, Pavlov VR (yes I have a headset, I use it maybe once or twice a year though lol). I mostly like narrative/story, RTS, roguelike, horror, survival, and co-op games. Sometimes FPS too. I'm an ex-Riot fan and a ex-Blizzard fan (sad trumpets playing Taps, bweh bwehhh.) There's more games I have I'm probably forgetting about, those are just some big examples.
As for movies, I like pretty much everything! Western films, artsy fartsy foriegn films, detective noirs, action movies, horror, romance, historical fiction, documentaries, whatever. Anything from Life Of Brian to The Devil All The Time! I have a soft spot for classics and monster movies (Alien and Godzilla are some of my favorite franchises and I have posters in my room!) Currently I'm in season 2 of Vikings and am waiting for the next season of The Boys, and would love recommendations for other shows to try out, bonus points if you'd watch them with me!
For other interests, I like creative stuff like music, reading, writing, drawing, etc. but I also like dinosaurs/paleontology and history, especially ancient civilizations. Science in general fascinates me and I almost got into quantum physics but turned a different corner in life, lol. I love renaissance festivals and cosplay/LARP (though I haven't gotten into it myself yet, I just attend events as a normal modern person, but I'd love to go in character someday!) And yes, I'm a rootin' tootin' American that thinks guns are Pretty Awesome and I'd love to learn more about them and maybe someday start going to ranges or maybe even hunting one day! I'm also curious about Warhammer 40k and would love to get more into it. I don't know very much about it but I do know the fanspace is kinda imploding right now because of, erm, recent events. Smh they couldn't just let Henry Cavil do his thing, huh?
I did at one point like anime and manga but I've kind of grown out of it. I'm not opposed to dipping my toes back in every once in a while and I do still have my old manga collections, but it's not a big thing I'm into anymore.
I will say that while I'm mostly looking for friends to game together with and watch movies/shows with, I'd prefer if we weren't too different in morals/values since I've tried making friends with opposites all my life and it never went well and was always tense (I'm right-leaning with conservative/traditional values.) I don't generally like talking about politics very much but I would like to finally have a friend that I can relate to, relax around, and feel the same way about political/social issues with.
Lastly, I have a deeper voice because of my personal medical history (I'm fine now, don't worry!), so hopefully that doesn't bother you too much! You're welcome to ask about it, it's just that this post is way too long already lmao.
Send me a message if you dare and let's see if we mesh well! Thanks! :D
submitted by thesunisasupernova to r4r [link] [comments]


2024.05.22 00:01 Gossip-Luv2 Retrieved the content of Tweets on SLB's eccentricities - The Mythmaker’s Legacy - Mirror, Mirror on the Wall, I am the Greatest of Them All!

Thanks to Patron Member u/Entharo_entho - Here is the wiped out Tweet retrieved
Context - Wiped out from Internet
In March, I got a chance to work with filmmaker Sanjay Leela Bhansali right after he made Gangubai Kathiawadi, and Alia Bhatt, playing the titular character in the film, retweeted me.
The headline (in my head) was going to be, ‘The Boy From Kamathipura Goes To Bhansali Mandi.
Then reality struck in April.
One of my closest friends Sweta called me from the Shivapuri National Park near Kathmandu and put me on speaker. Two other friends Mona and Ayush were listening to the WhatsApp call.
How’s it going with Bhansu?’ Sweta asked.
We are not working together anymore,’ I said.
Whaaaaaaaat?’ the three people shrieked, creating a wavy disturbance in audio frequency.
Whyyyyy?’ they cried, collectively anguished.
He said he is not feeling the vibes.’
What?’
Vibes,’ I said aloud, causing a seismic tremor in the audio frequency.
What vibes?’ Sweta jibed, ‘Maybe he can’t feel the vibrator.
Laughter upped the vibes.
First, a little context on how I got that far. Check this, this, this & this.
So my tweets were going viral in February-March.
In the second week of March, a woman DM’d me saying she loves the tweets. I said thank you. She said she works at Bhansali Productions.
Whoopsie Daisy!
I asked if I could be a part of the production. She checked with SLB and team. He said he wants to meet now.
NOW!
How?
I was in Calcutta.
I called an actor friend in Bombay and told him about it.
They will book your tickets and put you up in 5-star,” he said, “Like Hollywood.
This is Bhansaliwood,” I said, “Yahan dhanda hamesha manda hai.
I flew (on my own expense) and met him.
I was ‘prepared’ by his team for the meeting with His High and Mightiness.
I was told:
Arre, then what do I say?
I sashayed in a brown kurta and white linen trousers. Please see Madhuri Dixit-Nene’s brown ghagra for aesthetic reference I used from my very limited wardrobe of the only kurta I had at the time. By the way, the chorus sings ‘Jhanak Jhanak Payal Baaje,’ aesthetically referencing you know what, right?
He was lunching with his minions (strictly calling them minions from his pov) when I arrived in his pristine white dining hall in a building called Magnum Opus. Where else should he reside, no? Both his house, and his office (where I was ‘prepared’ earlier) were tastefully done in creamy white.
It was, as I said to my friend later, like walking into a cumulus cloud, or like sitting on his favourite singer Lata Mangeshkar’s lap. Calm, serene and quite surreal. I was inside his snow globe. Violins from a Bach concerto (in my head) were replaced with say Madan Mohan’s doleful rendition of ‘Mai ri main ka se kahoon peedh apne jiya ki.’ (Side effect of writing this on Mother’s Day.)
I look for books when I enter a house for signs of intelligent life. There were lots of lamps and candelabras but where were the stacks of books they were perched on? The aesthetic was high on film set disposable kitsch. I stared into a cumulative void.
The minions were intensely debating Darjeeling momos. What’s that? I spent my childhood there. Never heard of this GI tag!
SLB relished his meal and said, “I want puranpoli today.
Puranpoli appeared not out of thin air, but a house-help flipping wishes instantly on a griddle on the fifth floor. We were on the first floor. Although the puranpoli is shaped like a flying saucer, it doesn’t fly, perhaps burdened by the weight of excess ghee and crowd-pleasing expectation. It does, however, reach SLB’s plate at the speed of light.
Give him some,’ he asked a minion to serve me while I waited on the sofa.
I’ve had lunch, thank you,’ I said, trying to behave. The plate arrived. I took a mousy bite to exhibit my failing attempt to transform into a champion minion.
When he came to chat, he noticed the unfinished food and gently reminded me how there were days he went hungry. I should have rolled my eyes for my own lean days.
One should not waste food,’ he said.
I don’t,’ I said, ‘I was going to parcel it home in a doggy bag.
Hearing the word doggy, his well-behaved dog came over to inspect me.
He observed me. I petted her perfunctorily. Am a cat person. Stereotypical writer stuff — allergic to undesired petting and attention.
So, what have you done?’ he asked, sitting on a sort of empire-style bergere chair. Full marks for faux-ornate.
A novel, some writing for a series,’ I said nervously, dismissively.
Anything I might have seen?’ he asked.
No, not worthwhile.’
Are you interested in direction also?
No, am not delusional.
A moment passed. I might have displayed an errant repartee.
I mean, I can only write, or am trying to,’ I said. L’esprit de l’escalier.
He gave me a spiel on writing, how screenplay is an art not many understand, etc, et cetera.
I nodded to make his voice disappear.
What are you writing now?
I showed him the cover of my new book, The Last Courtesan, featuring my mother, on my phone.
Oh, this is so fascinating,’ he said.
He spoke rapturously about Calcutta’s great food and colonial architecture when I mentioned growing up in Bowbazar kothas. If you watch any of his interviews now on YouTube you will realise he only speaks in raptures. He’s always explaining things like an impassioned conductor at a dime-store opera. It can exhaust the boorish audience immediately. He spoke about living in the Kamathipura area as a child when I said I had lived there. The mythmaker was interested in exoticising his own legend as an ‘outsider’.
But how will you work here if your mother is in Calcutta?’ he said, ‘I am a maa-ka-bhakt.
Everything is about him or his mother. I have reached that stage too, though only by circumstances unavoidable.
Actually it was my mother who asked me to come here. I told her it would only work out if you understand that I will have to vacillate between the two cities initially. Jaise Sanjay ki Leela hai, waise meri Rekha.
Corny dialogue, but worked. No one calls him by his first name, except perhaps his own mother. He is sir for everyone.
If I am speaking to you for so long means I like you,’ he said. ‘Otherwise, I would have asked you to leave long ago.’
Barely five minutes into the conversation, he asked me to return to his office and inform his team that I was going to be a part of his writer’s room.
I went back to his office and read a script. This is the part I cannot mention. His legal team sits in the adjacent room.
I flew to Calcutta and was to return after a week. I had to make arrangements for my mother’s tri-weekly dialysis sessions at a nearby hospital, figure out a tiffin-delivery service for her, find a house help (she sent four nurses scurrying in the past), all of which is a bit of a task in this retrograde city.
Remember the woman who had DM’d me about my tweets? She messaged. She had met SLB after my meeting. He said this about me: ‘What a wonderful find. That boy has so much potential and is talented. Most importantly, he is sensitive.’
I told her I’d get this engraved on my tombstone.
Like how he wants to take Alia Bhatt’s golchakkar in Dholida to his grave.
It’s a shot that I will take to my grave. If there’s any shot that I want to be played when I breathe my last, it would be Alia doing that shot. It is the best thing I have seen an actor do in a very long, long time.
I was only emulating the high priest of hyperbole in my tombstone comment. Perhaps I was regressing into a minion.
I had only managed a few tasks for mother when I was back in Bombay. It worried me that the old, frail woman with shaky limbs and slurred speech was trying to be brave to send me to work. I hadn’t worked since the pandemic; she was in and out of hospitals so frequently that I had surrendered the thought of getting another job ever again. Taking care of her was my full-time job.
The first day in his office was to chill in my new, aesthetically pleasing kurta I had shopped for in Gariahat. There was a security camera in every corner that was apparently accessible on his phone. My skin tingled with this information. Chilled. He was at home. Probably watching. That’s a great way to create a myth.
The next day, there were more minions on the lunch table in his first floor apartment. The magically appearing steamy and fragrant sheera was delicious. A minion deemed it the best sheera in the city. I nodded to make that statement evaporate.
A courier boy interrupted for a document signature. SLB flared at a spelling mistake in the document papers.
Go wash your face and come back,’ he yelled at the young man.
The minions at the table laughed nervously. I so wished I was wearing a mask to cover my surprise emoji face.
The minions on the table were writers and assistant directors.
Dastavez,’ SLB said, ‘would that be correct to use?’
Kaaghzaat,’ the minion replied.
Kaaghzaat is paper, dastavez is document,’ said the second minion.
You always mislead me,’ SLB sternly reprimanded the first minion. ‘Don’t ever do that again.
Only that minion tried to laugh, offering an apology. He shut the minion down.
My mask, my mask emoji face.
A third minion was sulking in a corner before I arrived for the writing session. This minion had reportedly offered a script suggestion, which he disliked and barked down. I liked this minion the most. Relatable.
A faint noise of a person running or perhaps just a rumbling sound from somewhere outside interrupted the room. He looked up at the ceiling and said, ‘No one lives there. Am certain it is a ghost. I hear running sounds all the time. I have heard sounds of furniture being dragged.
I wondered if he actually believed in half the things he uttered, or was he just saying it to create enigma about himself. Mythical thoughts certainly kept him preoccupied.
Reality bored him. SLB had nothing good to say about the ‘current plague’ of South Indian films upsetting the Bollywood cartel. He compared them to a circus. He wasn’t kind to the actors he had worked with in his last film. He cracked lame jokes about everyone and everything. The minions laughed and kept him busy. I chuckled a few times to blend in. The mythmaker revelled in his prophesies about the impending doom of charlatans with no aesthetics: just crass, commercial peddlers pimping art. It was all said to amuse and bemuse while he fussed over the yellow shade of fabric from several swatches.
When he left for his music session, the minions bitched him out, and how! All the horror stories I had heard over the years about his moods, behaviour, language and violent temper were true. How else will he create myth about himself as a maestro? The Glomar response. Let the plebs indulge in hearsay. I will neither confirm nor deny. The minions sang effigy songs in happy tunes, if I may stretch this part a bit like his penchant for high camp.
That night, when I went to my actor friend’s house, where I was temporarily staying, I said to him, ‘I don’t think I will last a week there.
I was rattled by how he spoke to the courier boy and the minions, with no filter. Well, at least it was clear he had no tact, endearing as that might be of a ‘genius’ if one compromises with his erratic behaviour. The CEO of his company does it beautifully and advises to develop a ‘thick hide’ around him. Cows, essentially.
Verve
The words genius, great, master, maverick, were so loosely bandied by his office staff even in his absence that I was tempted to add auteur, if they could spell or pronounce it. They worked in perpetual fear of him turning up at any hour and checking on their tidiness. A minion whined she wasn’t dressed appropriately for his surprise visit. Once, he even cut pay for unscheduled leave, said another minion. A minion narrated a shot he copied from a photographer in Gangubai Kathiawadi. Another minion recounted how he made her cry on shoot by screaming at her for a silly mistake. Minions couldn’t leave the office till his evenings were scheduled. It was a well-paying job so long as they did not have to see ‘chacha’s’ face and only applaud his cinematic sorcery.
His office team would assign me desk-work and warn me not to inform him about it.
What am I supposed to say if he asks?
Make up something,’ I was told.
Why should I?
You will slowly understand,’ I was told.
His team of assistants would sneak around me. I didn’t know who was reporting what back to him. He would interrogate the management team. They would lash out at me for informing the assistants. The management wanted to control me a certain way because ‘sir’ does not need to know everything. It was quite a guessing game. He had created an ecosystem of complete chaos and loved the hubbub. New people were hired for him to use the ‘new energy’ to rekindle the ‘old energy’ that needed to be reminded it could be snuffed out and replaced. He thrived on confusion because it all boiled down to him to sort out the mess. He was the provider so long as the minions ingratiated and served their grand master.
One time he called me upstairs, what his CEO called the god’s chamber aka the Shahenshah’s durbar: his office on the seventh floor. Walls were lined with giant posters of his films. We minions sat on the fifth floor. I was of course by now a week old in the toady mill. On the seventh floor, production team members, set designer, director assistant, young people sat on the floor, armed with notebooks and laptops, alert and sugar-tongued. He sat on a throne and dictated each one about their duty. A masseur massaged his leg. He asked me what I thought of a script. I said it was lovely. He asked me to elaborate. I said I liked a character’s resolve. He denied it was written. I said that’s my interpretation. A minion promptly backed me.
What changes do you suggest?’ he asked.
We should sit on it collectively and decide,’ I said.
He mumbled something. My suggestion was dismissed. I was dismissed. I bowed out. A minion whispered to me, ‘We all walk on eggshells around him.’ I had to be a chicken in a coop I suppose.
Another time he dismissed my suggestion for a scene saying, ‘That’s not how art is made.’ I had referenced a scene from Bandit Queen to illustrate my point. Just like his entire oeuvre is homage to a classic. How else does he make his art?
Allow me to illustrate with a frame from his first film Khamoshi: The Musical. The second image is from Pakeezah.
Hum Dil De Chuke Sanam references Red Beard, Woh 7 Din.
Devdas references Pakeezah more than once.
Black references The Miracle Worker.
Saawariya references Pyaasa, Awaara.
Guzaarish references Whose Life Is It Anyway?
Goliyon Ki Raasleela: Ram-Leela references Franco Zeffirelli’s Romeo and Juliet, West Side Story.
Bajirao Mastani references Mughal-E-Azam.
Padmaavat references Mirch Masala.
Gangubai Kathiawadi, let’s give him the benefit of doubt is all his own, original artistry.
The American filmmaker Jim Jarmusch once meta quoted the French filmmaker Jean-Luc Godard when he said:
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery — celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from — it’s where you take them to.
SLB believes he takes art and betters it, removing the grubby coat of slime from the sublime, often not concerned with acknowledging the source. He is a master’s master, elevating it to an otherworldly experience, the creator of a mythoverse.
He asked me to rewrite a scene I didn’t agree with. He banged the script folders on the table like a petulant, little child. I watched his posture change into a frump. Tiger Shroff’s ‘Bacchi ho kya,’ dialogue comes to mind.
You are talking like those critics who find fault but don’t know how to write. They should write the film,’ he said.
That argument will never make sense to me but since I write movies now and not just about them, I rewrote the scene in half an hour and showed it to him. He found it rubbish.
I was not called to the writer’s room for a week.
His CEO said I should go to his house; hang around him, like the other assistants whose only purpose in life is to feed his ego. We are slaves to his vision, she said. She thought I was a better writer than the team he had assembled. ‘From whatever I read, only three lines of your work on social media, I could sense it,’ she said.
Either she was encouraging, or bluffing with a perfectly Zen face. From the hundreds of Ganesh idols stacked in her room, it was clear she wasn’t a reader. She was good at reading numbers, data, and stats. She would sense a sign if one of the metal idols sucked milk from a spoon on the day she enquired about box –office figures.
There was more than one right-wing hardliner in his office. Secular staff was invisible. A pretty minion in baby pink t-shirt, whose main grouse was that another minion called him a Barbie doll, said he was happy with the Modi government building roads in his home state Bihar. Another minion countered him by asking: What about the persecution of minorities by the same government? The pretty minion said he didn’t care for that. He was assisting ‘sir’ because he wanted to be an actor. Which lead me to wonder how many Muslim actors has this production worked with? Silly of me to think, right? Given that I myself don’t use my Muslim surname. I’ve now successfully planted a myth in your head. That’s how it works.
In the time that I was in Versova during my brief stint at Bhansali Productions, I met several people with their own SLB horror story. A producer said, ‘He is a difficult man but life changes for good after you work with him. Some people want to go through hell first. Life bann jaati hai.’ I didn’t understand why purgatory was necessary. Another former assistant said, ‘When you work with the worst (SLB) and the best (KJO), you are ready for the rest.
A young woman gave him a thesis she wrote on his films. He asked her to write a book on her. She said she wanted to assist as a director. She never heard from him. A filmmaker said SLB was too friendly with another assistant, suggesting intimacy. A writer wasn’t given credit in a film.
Another writer was promised his script will be turned into a film but it never took off and now he feels his life has been ruined. A young filmmaker’s debut movie SLB produced was delayed, not promoted, and called ‘kachra’ to his face.
The young man said SLB is sexist, homophobe, classist, fat shamer, emotional abuser, and a body shamer. “He is a joyless pit of darkness where happiness goes to die. And those are the nicest words I can think of to describe him,” he said. Another filmmaker said a choreographer was in a relationship with SLB and wanted to marry him but he wouldn’t even touch her, a hotly discussed conversation amongst his minions.
Everything sounds hokum. A successful man is likely to upset a few. The few will talk. Their words may ring true through a gossamer veil of implausibility. Myths magnifying his persona.
There are too many myths about his personal life, aroused by his silence on the subject but all too obvious in his work. When people want to confirm with me, I am equally appalled at their lack of aesthetics. Like the great reader of curtains, Edgar Allan Poe, you only have to look at SLB’s use of billowy curtains in films to guess.
Above stanza, courtesy Poe, poem: The Raven.
Hope you get the drift, or draft, hawa ka jhonka! By the way, am digressing now, is the weirdly named character Sameer Rosselline in Hum Dil De Chuke Sanam the first mainstream Hindi film hero to pass wind? The ruffled curtains are first to be cautioned though.
Unlike most people willing to swallow their pride to work with SLB, few like the eponymous Gangubai character choose izzat. The house-help employed in my actor friend’s house was asked to work as a cook in his house. When she heard the whimsy, dessert-craving demands, she declined the offer. I identify with her no-nonsense style.
In November 2021, a filmmaker read a film script I wrote and said, ‘This is SLB territory. Only he can make it. It is the modern love-story he has been wanting to make for a long time.
Are you sure?’ I asked, somewhat flattered but also bewildered.
Yes, we just have to change the setting from Calcutta-Bombay to Calcutta-New York. It is what he has been trying to crack. I’ll get him to read it.
I never spoke to SLB about my script. I did not want to look like a schemer. I had only got a chance because of my mother’s story. I had come to write courtesan songs. Hindi films are recognised by their songs. His films have show tunes that live on long after the sequins and mirrors reflect a decadent style. He employs the old-fashioned method of making Hindi films, which is to stitch scenes around a song, not the other way round. And when you glean your references from the best of classical melodies, how can you falter?
My own SLB story is that after watching Saawariya in 2007, I wrote a few songs, moved to Bombay, lived in Versova, close to Magnum Opus, and hoped to meet him, but made no effort even though I came in close contact with people who worked directly with him. I never requested for a meeting. Over the years, I too had heard a few horror stories about him. I only believe in what I see. I waited when he would call for me, my work would have to speak for itself.
A day before Good Friday, his CEO sat me down and said it’s not working out.
There’s a mythical story of how Lata Mangeshkar was on her way to record a song for SLB but the heavens poured and she had to turn her car back. A typical SLB frame of hope and hopelessness.
Never work with your idols. You’ll have a better story to imagine and create myths.
I was so relieved to leave. I hadn’t got a moment to read, or write, let alone think since I got here. Why I wanted to work with SLB was to not believe in hearsay. I will either confirm or deny.
Great,’ I said, ‘everyone deserves an off on Good Friday.
The office was unsure about public holidays. SLB’s mood dictated the calendar.
Before returning to Calcutta, I met a friend entrenched in the film business.
When she heard of the fiasco, she said, ‘I’ve heard he is very anal, is he?
The vibrator jokes never stop.
submitted by Gossip-Luv2 to BollyBlindsNGossip [link] [comments]


2024.05.21 23:52 bluer289 A Common argument from that antiwoke is "There is no reason to use a homosexual couple when a heterosexual couple works just as well."

Take this student film for example. It is about a girl who broke up with her girlfriend. Yet the chuds would say that a hetero couple would work just as well (it woukd) and that this fact somehow makes the decision worse and "taints" everything about it in "politics".
When asked why it matters they go "Well why did they chose a gay couple instead of a straight one?" Like they say the couples wouldn't matter yet it offends them because...not straight is political? That it was done to push an agenda?
But with heterosexuals "Hertosexuality is the norm in these situations thus it wouldn't be pushing any agenda!" That is what the chuds say. They think any subversion from the default is political...and honestly progressives have been pushing that narrative. Chuds simply went "oh so wants wring with the default ?" Ignoring how this is a false dilemma. Pro-gay is not anti-straight, it's anti-heteronormative. Same thing when they attack other people "They are pushing an agenda, which means the rest of the story doesn't matter". It lives rent free in their heads,
submitted by bluer289 to saltierthankrayt [link] [comments]


2024.05.21 23:44 TweeMansLeger My short review of the game (some word, location and riddle spoilers)

It is good, just not good enough

I get what the developers are going for and commend them for their hard work and novel idea. However, there is not much meat on this bone. For the 25 USD price point the game has not met my expectations. Combat is lacking, some mechanics are straight up bad and should be removed, and the game can soft lock you repeatedly during random encounters

The 'Wordle' part

The setup of the game is simple. You type words to execute an action or attack. You find new actions or attacks by revealing words one at the time per character. The way the game helps you discover the words is through combat, which reveals 1 letter you choose, or through riddles, where the letters in the answer will apply to all of the characters speeding up the discovery proces.

Combat

The combat is based on the player typing these discovered words.

Exploring

The exploring gets old quickly. All areas start to look the same. Rocks, grass, a wooden door and rampart. It never really changes. The black and white visuals do little to redeem this and perhaps even add to the repetitive look of the dungeon. The rooms you will explore can be quite big. As a dungeon crawler it makes sense you want to explore these rooms, but the game does nothing to reward you for it. You can waste a lot of time navigating all the nooks and crannies of the map, expecting perhaps a chest or puzzle, but instead be rewarded with more black and white walls.

Puzzles and Riddles

The riddles are great and are a nice addition to the game. The mental switch from 'Wordle Dungeon Crawler' to solving riddles is fun and feels good. Not all riddles are equal though, some are unoriginal and you've probably heard before many times whereas others are quite clever and new. The one thing they completely messed up is that not all riddles have the correct answer.
Early on the game acknowledges this in the tombs. The riddle "What has an eye but cannot see" can be given multiple answers and the NPC will reply with "I did not expect that particular answer but it is also correct so here is your prize". You can answer blind, needle or storm and all will be true and counted as such.
Later in the game this completely goes away. For example the riddle "What do you have but never use, and others use all the time" requires the answer "name", but a) you do use your name to introduce yourself and b) In that case something akin to 'your reputation' should also fit. Or Your phone number. There are many riddles that can be given multiple answers to in this game and I was hoping, due to the core mechanic being trial and error inputting words, the game would accommodate this throughout the game.
This makes solving riddles much more frustrating and less fun. It makes it feel abitrary. It highlights the fact that the 'dungeon master' that you interact with has much more limited interactions than you'd expect at first.
The game also has a big difficulty spike at Ulara castle when it comes to riddles. There is one where you straight up need create an algebraic function and solve it. It makes the pacing feel weird and the new area feel like a brick wall which I am sure will discourage a lot of players. You can have the narrator literally give you the answer after 1 or 2 tries, but for a game about solving riddles, where is the fun in that.

The story

You are probably not buying this for the story but rather for the gameplay mechanics described above. If you mainly want a good dungeon crawler story, this is not the game for you. The characters in this story are weak and interchangeable. Your party of heroes consist of mutes. The game tells you to talk to NPCs and interact with them using action keywords like 'talk', 'use' or anything contextual. But 90% of the time you can't talk to the NPCs and the dungeon master gives you the same reply again and again. 'You will talk when I will tell you to' as you roll your eyes and move towards the next door on your map. The fun and interesting parts in the story are few and far between.

Conclusion

The game has an insane amount of potential. It just needs a lot more polish and more thought into the design elements of the game. The gameplay loop could use a review. The combat needs a complete overhaul that caters more towards typing fast while remember the words you unlocked, removing the cooldowns or making them much short will be a great start. Currently the game to me is a 4 or 5 out of 10 because of the reasons mentioned above. With some more TLC it can be a 7 or 8.
submitted by TweeMansLeger to CryptmasterGame [link] [comments]


2024.05.21 23:38 hufflepuffhorcrux Unusual story(telling) recs?

I just finished Lisa: The Painful & The Joyful on my Switch last week and I've felt so empty since. Obviously mostly cause of the story of the game, but also bc I really miss that feeling of desperately wanting to play a game so badly that it's hard to even want to sleep!
I'm looking for something with some kind of unusual storytelling or story to tell. I think video games are an incredible storytelling medium that isn't utilized nearly enough. Sometimes lightning strikes and a video game has the ability to take you on a journey that has so much depth and heart that it changes the way you see the world. It's like a life-changing movie or book, but with you behind the wheel controlling the narrative.
The kind of games I've enjoyed recently like this are: Lisa (as said before), Return of the Obra Dinn, Earthbound, Undertale, Do Not Feed the Monkeys, Night in the Woods, Hypnospace Outlaw, Turnip Boy Commits Tax Evasion, Unpacking, Untitled Goose Game, Edith Finch, and Death & Taxes. Also, just for extra context, my favorite games of all time are Tetris (Im a big puzzle fan), Katamari Damacy, Ghost Trick: Phantom Detective, and Legend of Mana.
I'm not super picky when it comes to gameplay, so throw any recommendations out there that you think may match my taste!
TL;DR - I'm a gal lookin for a story-rich Switch game
submitted by hufflepuffhorcrux to gamerecommendations [link] [comments]


2024.05.21 23:30 M0nt3C4rL05 How I think a Superman horror movie could work (DC Elseworlds fan pitch)

As much as the title seems VERY peculiar (Superman? Horror? Gtfo), I had this idea in my head about it. It might be bad because it's a horror movie take on a character that is far from horrifying, but fuck it.
Just for the heck of it, this story is set in canon to Matt Reeves's Batman universe. But here goes:
The events of this movie happen a few months after the events of "The Batman". Bruce Wayne has held a fundraiser to help rebuild the destroyed dam and reinforce it. He decided to earn Gotham's trust and try to control the narrative behind what Riddler said about Martha Wayne. This, however, isn't as big a news as the fact that Bruce decided to show himself to the world. Perry White from "The Daily Planet" sends his top reporter, Lois Lane, who is slightly jaded in personality, but she puts the story above all else, willing to do anything for a story, even bending the law. Perry does, however, send an intern reporter, Clark Kent, with her, so she could "show him the ropes". Cut to the fundraiser. Lois and Clark hang around at the fundraiser, socialising, getting quotes and stories, etc. That's when Lois eventually crosses paths with the man himself: Bruce Wayne. Lois gets not just an eerie vibe from him, the cologne reminds her of fear. She feels her heart rate rising, her pupils start dilating, she starts sweating when around Bruce, but she pushes that fear away and decides to continue on. They chat each other up and hit it off. Eventually, Bruce offers her to join him in a nightcap and charms her enough with the promise of a much more in-depth interview, just the two of them. Lois accepts and Clark is sent home. During this interview, one thing leads to another, and Lois ends up having sex with Bruce and spending the night with him.
Lois is woken up by Alfred and served breakfast, being informed Bruce has left for Wayne Enterprises. Lois decides to leave and reaches the Daily Planet, where after turning the report in to Perry, heads to the roof for a quick smoke. That's where she sees a man waiting for her, floating in the air. He has blue eyes, he looks straightened and confident, and has straightened hair, with a widow's peak. He's also wearing a blue suit with a weird S on his symbol and a cape. He's floating in the air, petting a stray cat, while giving a warm smile to Lois. Lois is genuinely confused and, weirdly, intimidated by the aura he gives out. Almost like he has the power of a god. She thinks, "Is there yet another freak on this planet? First the monster from Gotham, and now...whoever, no. Whatever, this is?". She has to get a story out of him. She shakes her head out of disbelief, but just like that...he's gone. As if he was never there.
Over the next few days, Lois goes around town, thinking about that man and, at every turn, he's there. Sometimes looking at her from the sky. Sometimes floating, helping a few schoolchildren pass the street. Despite the good she sees him doing, she suspects the man of having an agenda. She starts coining the name: Superman. She tries to ask Perry to give her permission to write a piece on this "Superman", but Perry doesn't let her, claiming no one even knows who this Superman is, and it might all be a hoax. Clark is concerned for Lois and her obsession with this "Superman" and tries to help Lois with her story. Lois starts to suspect Clark of being this "Superman" character she sees throughout Metropolis due to the sheer facial resemblance, even having mental breakdowns over Clark being Superman or not, constantly feeling afraid whether he'll show up or not. Eventually, at night, she sees Superman outside her house and for the first time, he speaks. Using a calm, softer, near deep and melodic voice to talk to Lois Lane. She asks "What do I call you?" to which he replies, "I'm just someone who wants to help around. But I like the name you gave me. Superman. I like it!" She feels nervous, but braves that feeling by getting closer and standing on her tiptoes, kissing Superman.
Throughout the movie, we see more of Lois and Clark trying to figure out the Superman mystery together, getting close enough, but Lois starts to feel even more frustrated, and through seeing Clark, she keeps on thinking he's Superman and even goes through mental episodes. The final scene is Lois standing at the edge of the roof of the Daily Planet, with Clark tearfully pleading her not to jump, but Lois, now fully convinced Clark is Superman, tearfully says "Clark, I know your secret. There's no need to deny it. I know you'll jump and save me. It's okay". She kisses him hard then backs up, closes her eyes, and jumps. Clark tries to reach for her hand, but is a split second too late.
Lois feels herself falling, only for her to gradually slow down. She opens her eyes, only to see Superman again, carrying her in his arms. She kisses him again, and tearfully says "You came." Superman just keeps on smiling, although slightly eerily. "There was no need to be scared of me, Lois. There never was." Lois reaches up to cup his cheek in her hand, but her hand fazes through. She tries again, and again, and again, before realising. "...I'm sorry, Clark." she mutters.
We cut to police sirens, and a silhouette walking over to the body: Batman. He was specially called through the police department via the GCPD, as officers were afraid just going to the body. He slowly walks over: Lois Lane died upon impact when she jumped off the building. Perry was right. "Superman" was a hoax. She hallucinated Superman the whole time. Why? the "cologne" Bruce wore? An unadulterated, raw sample of a gas. "Bruce Wayne" was also just another man posing to be rich, except... he looked very similar to Bruce. Batman checks the body, takes a sample of it, and deduces that she was drugged the night of the fundraiser he held. He simply says to Alfred (listening in via an upgraded cowl) "Whoever did this doesn't want any materialistic things. Given she was drugged in Gotham and did this to herself in another place entirely, our mutual friend wants to undo my work before it even starts." This sets up the sequel for "The Batman Part II"
What do you guys think of this pitch?
submitted by M0nt3C4rL05 to superman [link] [comments]


2024.05.21 23:28 northernmaplesyrup1 New Take on The NCR in the Show (Hopefully)

I havent seen this particular point show up after lurking for sometime, if I’ve missed it I apologize and will accept my downvotes with honor.
The primary reason for the destruction of Shady Sands was more so a decision brought about by the logistical necessities of show production rather than any other lore or writing reason.
LA and the surrounding deserts are usually the cheapest locations to shoot a film, and they are easy to adapt to a nuclear wasteland aesthetic.
In terms of chronology, if the desire is to make the show cannon, or potentially cannon, it’s easier to make it the most recent entry in fallout, making the show a prequel can present more narrative and writing challenges.
A show set in the heart of the NCR, after it’s establishment, would in my opinion, do a worse job at capturing the feeling of the games if the NCR was active and functional.
Presented with the desire to shoot on location, have the story chronologically set after fallout 4, and capture the feeling brought by the worst of the wasteland, eliminating the NCR is the best choice for that particular story.
*Argument aside my personal feelings are an irrational anger at the loss of my favorite faction coexisting with my love of a good adaptation. I’m not going to die on any hills about plot holes and I’m going to fence sit on any debate about contradictions, at the end of the day I enjoyed the show despite raising my eye brow at a chalk board.
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2024.05.21 23:06 Eastern_Repeat3347 My initial thoughts, screenshot by screenshot

My initial thoughts, screenshot by screenshot
  1. The beginning is so grotesque and primordial, this could be the birth of Erdtree / skinning of the gods. We see Marika removing strands of grace which later take the shape of a rune arc (likely the act of Marika creating the Erdtree, also I think it's cool that the golden sunset Marika watches is similar to the grace icon of a sunset.
Marika removes the grace from what looks like something relating to fertility / birth / Godskin / Gloam Eyed Queen. The sky behind her is a dark Gloam color contrasted with the golden sunset, separated by a mountain of skinned corpses. Very cool visual which I think depicts the defeat of the Gloam eyed queen and the transition into the Erdtree era?
I think this location could be the same as the base of the Erdtree, but much farther back in history - back to when the Erdtree was first made by Marika by completing whatever act we see her doing in the trailer. It looks somewhat similar in its presentation to the large door at the base of the Erdtree to me, so maybe I'm crazy, but since we already know the Erdtree consumed bodies (Erdtree burial) and creates new ones (Erdtree birth / sap), could we be seeing the very start of the birth of the Erdtree OUT OF skinned gods? We've already theorized that the gold of the Erdtree is an outer layer illusion, so could the tree itself be made up thousands of bodies?
  1. Maybe it's just for aesthetic reasons, but I find it odd that this city appears in a different location relative to the tree than it does 1) later in the story trailer and 2) in the gameplay trailer. This is fairly clearly the same colosseum-like dungeon we saw. Also stunningly evocative imagery in this whole section of the trailer.
  2. The crucible lion is attacking, but is obviously defeated by, Messmer. We know Marika suppressed and succeeded the crucible era via the creation of the Erdtree, and possibly used Messmer in this plan. Was Messmer the means by which Marika suppressed the crucible, and is this what we are seeing?
  3. What I meant earlier about the location of the city
  4. Narrator: "...even his fate..." When referring to Miquella, and then cutting to a shot of St. Trina falling is likely intentional. Maybe the aspect of himself which either was or became St. Trina was one of the things he cast aside to enter the land of shadow, and that this aspect represents his fate somehow. Maybe this is why St. Trina suddenly vanished. Also, "Saint" typically refers to an already dead individual who is seen as holy - so was Trina being cast aside a sort of death?
  5. The trailer made me fairly confident that these Miquella runes are the sites of grace for the DLC. The "footsteps" of Miquella.
  6. Messmer is obviously victorious in this battle, having impaled what appear to be...well it's hard to tell, but possibly other crucible lions? The horns + robes are a bit similar.
Overall, so fucking beautiful and haunting.
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2024.05.21 23:04 porky11 Game idea: The mangod

Idea

Since I've heard about the abilities and the goals of the mangod I've been thinking about a game where one person plays as the mangod.
It might make sense to use the world of MT, but it's not neccessary for this game.

Thoughts

I wasn't sure how it would work. I thought it would have to be a narrative game. Every character and their stories would have to be set up manually. That's a lot of effort, and it the end you would just finish the game once. Or maybe reach all endings once, and that's it. In the end you would just click all paths. It wouldn't really be strategic.
I thought it would be nice if it was more strategic. Similar to Sudoku, or even more like Minesweeper. You have limited knowledge of the world. There are simple rules. Sometimes you might have to guess. And if you make a mistake it's over.
While reading I always thought of it as huge decision trees. Multiple lines going out from each character, depending on their decisions. And most of them lead to the mangod dying. The mangod would always look at all the paths and try to find one which doesn't lead to his death.
So I thought, it would make sense if for each (important) character a huge decision tree will be generated. And all the decision trees will be connected (so a decision of person A might influence the decisions of person B later).
Depending on the setting it might be possible to see the future of all charactres. But I guess being able to track the future of multiple hundreds of characters would be overkill.
It's was never clear to me why the mangod wasn't able to switch desciples all the time. Maybe I missed it somehow. But if it's possible to look at the future of somebody, he would know his future, and so he wouldn't even have to switch back. So in the end he could just see the future of all characters. And that might be overpowerd. So if his restriction is explained somewhere, I would like to know.
However, I think in a game it would make sense if the mangod never sees all possible paths of the furture of some person. And besides that, it's only possible to switch desciples once per step. An step could be a day, month, year...
I have these basic ideas: - see all possible paths of the person, but only the paths which don't require any interference by other persons - see all paths of the person, but only the paths which can be reached by influencing - only see a few steps in advance, and the likelyhood of important outcomes (especially the death of the mangod, maybe also the death of other characters)
So these huge decision trees for each character might be generated in advance. But they might also be only generated partially.
Generating a decision tree for a single character, who only has two options every year, which would lead to more than one quadrillion (1,000,000,000,000,000) paths. That might be difficult to program, and even more difficult to keep track of when playing as the mangod. So it would be more reasonable if there are only around 10 important events a character might take part in, which also influence the lives of other characters. Most other things are likely rather unimportant.
But there might be different paths to reach one of these important points. For example you want to avoid some characters to get children, there are different paths they could end up together. So you would just have to avoid these if most of your deaths rely in this event. So these unimportant decisions usually add up to become important. But in the end, many decisions don't change a lot and just lead to the same or the same few paths (strong fate).
It would be nice if these trees could be generated automatically. It would still be neccessary to fill them with story I guess. It wouldn't need to be complicated story. Just simple events like "Person A dies", "Person A impregnates person B", "Person A becomes king", "Person A moves from place X to Y", etc. So maybe generating these automatically should work, too. Maybe somehow generating mini stories, which could be used to generate huge stories. I guess using modern AI wouldn't make much sense, though.

Gameplay

The basic game loop might look like this: - you play as the mangod - each step (day, month, year) you select your three deciples - you can look through their possible futures (trees containing around 10 important possible events, and maybe hundreds of unimportant events; not everything might be visible from the beginning) - you can tell each charactre some information you know - then the next step begins - the game ends when the mangod dies - the goal of the mangod might be one of these: - survive for a fixed time - kill some enemy (like Orsted) - ensure there are only paths which don't lead to death (maybe by killing Orsted)
It's probably easier as a single player game where all the characters are NPCs. The NPCs might just always go the same path if the mangod doesn't interfere. But there might also be some randomness instead. Maybe the only "randoness" might come from special characters, which cannot be seen (basically Orsted).
But it might also make sense as a multiplayer game. Either online, or if possible even some kind of table top. But since the mangod would always have three deciples, there should be way more other players (but the rules could also be tweaked so the mangod can only have one desciple at a time). So as a realtime online game it would probably make more sense.
If it's a multiplayer game, the main problem is, that the players already know that the mangod doesn't care about them. So it might be difficult to make them trust the mangod. There would have to be some gameplay mechanic, which makes it reasonable for the mangod to tell the truth. Building trust doesn't work. In the end, the players already know that the mangod would only build trust to betray them one day. Maybe the mangod could explain to somebody that they have the same goals, and the other player might believe it, so they would gladly work together.

Similar game ideas

I already had ideas for similar games before. A game about the mangod would be a mix between the two.

Strategy game

A strategy game, where you follow the stories of multiple charactres (similar to Samurai Warriors 3). Each character has their own story, but depending on which battles you win and lose with each character, or which paths you choose, you might have different paths for other characters.

Demon possesion

You are a demon and always posses one character. You can just live inside them and do nothing, but you can also influence them in various ways. You can communicate to them directly, or you can just give them ideas and feelings. You can be honest or you can lie. You can control their bodies by force or you can make them consent to controlling their bodies.
There might be three ways to switch the person you posses: - you are locked into a magic artifact, like a ring, so the possessed person have to give the ring to the other person - just be close enough - be close and the other person needs to be in a vulnerable state of mind (maybe sad, maybe in love, maybe while being intimate)
It would likely be an episodic game. You would probably start on a small island with only 5 people and have to leave this island at first. And in the end you might get your body back or kill the person who banned you.

Implementation

I doubt I'll actually try to program it for real, but it might be helpful that I've already written a performant perti net simulator in C. Perti nets can be used to represent connected decision trees.

End

So now I've written it down somewhere. Any thoughts?
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2024.05.21 23:01 listen2dotai Trump Campaign Denounces 'The Apprentice' Cannes Premiere as False

The news was brought to you by Listen2.AI. Listen version: HERE
We’re diving into a recent story from the Cannes Film Festival in France, where a movie titled "The Apprentice," depicting former U.S. President Donald Trump, has premiered. This film has certainly stirred the pot by portraying a controversial narrative about President Trump’s rise in the 1980s, closely involving his relationship with defense attorney Roy Cohn.
The Trump campaign has firmly dismissed the film as “pure fiction,” and it's easy to see why they are taking a stand. We're talking about an administration that, while polarizing, undeniably laid a significant footprint on our nation’s political landscape. The film not only fundamentally misrepresents key aspects of President Trump's personal and professional life but sensationalizes and dives into widely debunked allegations. The spokeswoman from the Trump campaign has made it clear that they intend to file a lawsuit to correct these so-called 'blatantly false assertions' made by the filmmakers.
Let's zoom in on the dynamics here. "The Apprentice" stars Sebastian Stan as Donald Trump, showcasing his early business ventures which were catalyzed by lawyer Roy Cohn, a known figure from the McCarthy era. Cohn is presented almost as a svengali figure, steering Trump on a path that would eventually lead to his presidency. This kind of portrayal simplifies the broader, more complex actualities of political and business growth, reducing it to mere cinematic drama.
Addressing the controversy around the film, the director Ali Abbasi has extended an invitation to President Trump to view the film and discuss its contexts—suggesting perhaps a small hope for dialogue. But let’s not be mistaken, Hollywood has a long run of bending realities for what they often claim as creative expression or political commentary. In an environment fraught with biases, this motive doesn't serve the truth but rather, distorts it to feed a specific narrative.
Turning our attention to the backdrop of this release, it’s essential to recognize the timing—amidst ongoing political tensions and during an active presidential campaign season. The Cannes premiere has provided a platform not just for creative showcase but, potentially, for political messaging, intentionally or not. This only emphasizes the need for audiences and voters to critically evaluate the stories being presented on these massive platforms.
So, what does this mean moving forward? We’re likely to see further discussions and perhaps, legal developments as the Trump campaign seeks to challenge what they argue to be glaring inaccuracies. The intersection of film, politics, and media here is palpable and will certainly be a flashpoint in ongoing debates about political figures’ portrayal in media.
(Facts extracted from AP News. Political bias cleaned and rewritten by Listen2.ai.)
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2024.05.21 22:55 MercuryMewMew [Request] [Steam] Like a Dragon: Infinite Wealth

Hello GoG,
I would like to take this opportunity to request Like a Dragon: Infinite Wealth! at -30% off.
If there are 3 things the Yakuza/Like a Dragon developers know how to do:
  • 1) It's how to make a compelling narrative.
  • 2) Make an astonishing amount of mini-games and silly side-content.
  • 3) Somehow manage to refine their combat system even further.
Of course, I did have a fantastic time with Yakuza 0 a few years back. I grew to love the Kamurocho district. It's a densely packed and pleasantly detailed location. So, Hawaii will be an entirely new experience.
Having experience with Yakuza 0 and watching multiple playthroughs of Like a Dragon, you can easily tell there is a tremendous amount of heart and care put into these titles. It did take a little bit to adjust to Ichiban as the new protagonist going forward, but with the change in story direction, the new turn-based combat style and even the location, I found the Like a Dragon series to be heading in a very promising direction.
This time we're going to Hawaii! Expanding to a much larger map and having a plethora of new and old mini-games that we all love and adore. There's blackjack, card games, mahjong, uber eats delivery service (?), sujimon manager simulator, (Totally not Pokemon with real people, I swear.) dating adventures, photography, a whole island management game that is basically Animal Crossing. I haven't even scratched the surface, there is a tremendous amount of content and I don't think the human body can sustain that much sensory stimulation. That's a good thing. Like a Dragon is a marathon, not a sprint, and it is meant to be enjoyed.
Ichiban is a delightful new protagonist and serves as a great foil to Kiryu. They have their common ground, but their personalities create room for interesting interactions with other characters. I'm very fond of Ichiban's sincerity and passion. He is the heart of the party, I love him!
I know Kiryu is the face of the Yakuza series, but passing the torch to Ichiban in Like a Dragon opened up so much more room to experiment with different character archetypes. Like a Dragon took a different approach to the beat-em-up combat in favor of a surprisingly good turn-based combat system that still feels visceral and interesting. It's also a visual treat since everything is so well-animated while also being hilarious and brutal, depending on your actions.
I very much appreciate having an older cast of characters for the main party. It's a nice break to have characters who have a solid grasp on their own identity while grappling with deep-seated flaws from their sheer life experience.
The entire Ichiban crew is odd and interesting. Saeko is a particular favorite of mine. (Don't mess with the bartender.)
The "job" system is great for combat and comedy, and I'm really curious about the direction of the plot. The Yakuza/Like a Dragon series always managed to balance the line between serious, interpersonal crime drama and the absurd shenanigans in the side quests. It's a great palette cleanser if you're in the mood for drama, heartfelt side stories, or silly antics.
I really hope they kept the "summoning" system in the sequel because it equates to you phoning up a friend to call them into battle. It seems like they did! Because I miss that crawfish, Nancy, she's great.
The characters in the party really make up the heart of the story. I can't think of a single character that I didn't like in Like a Dragon. So, I'm really curious to see any new additions and how everyone interacts with one another.
I mean, the established crew is delightful:
  • Ichiban is NUMBER ONE! No, seriously, it's in his name. Our delusional protagonist with the biggest heart is the most versatile character. Sure, everyone in the party can have their jobs changed, but it feels fitting that Ichiban can fulfill any role as he discovers more about himself in his personal journey. Or, at least, that's my interpretation.
  • Nanba is your cynical homeless best friend who can wield the power of pigeons. He's basically the healer or wizard of the party.
  • Adachi is the voice of reason. Your connection to reality and the gruff dad of the team. He fulfills the role of the tank by getting way too hands-on with his riot gear.
  • Saeko (MY FAVORITE!) is the no-nonsense, sane person who happens to be a heavy-drinker. (Around this group, can you blame her?) She gets annoyed easily, but she's probably the most "normal" individual here. She's the debuffer by being an excellent barmaid in combat, or she makes a great healer with the power of...cheer and motivation...through the Idol job?
  • Joongi Han. Well, I can't say too much about him. But he's cool and the assassin of the party.
  • Zhao is a mysterious one. Principled, but a schemer. I'd say he would be the fighter of the party.
  • Eri! Our special secret party member. She's an office lady who uses office supplies like a ninja. No, seriously, she'll strangle you with a lanyard, use thumbtacks as floor spikes, or she can cloak herself by stomping on a bag of flour to create a smokescreen. It's ridiculous, she's great!
Like a Dragon had a great soundtrack and a fantastic performance from the cast, both motion capture and vocal work. I was certainly invested, and I'm definitely curious to see where Infinite Wealth goes!
In terms of content, it's enormous, which is a delight in a single-player game. So, you certainly won't be wasting your time if you want to get invested in that world.
I'm really curious to see where it goes from here. So much happened in the prior game to establish the origins of the new cast and introduce their own development over the course of the game. So, I'm very interested to see how they develop and grow from this point forward.
As you can tell, I'm very much in it for the narrative. As serious, thrilling and silly as it can be.
It really is the complete package.
Like a Dragon: Infinite Wealth
Steam Profile
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2024.05.21 22:51 Koala_Guru Why Hank's villain era didn't work, and how it easily could've (Long Essay)

Hopefully this isn’t downvoted instantly, because I know people seem to get strangely very defensive about Beast’s characterization in this run. I think there is a lot of miscommunication whenever a Beast fan complains about how he was depicted here. Often times people will discount those complaints because they think Beast fans just don’t want him to go bad, when that doesn’t really seem to be the whole truth from what I’ve seen. Ultimately, the complaints I raise and I have seen others raise are more about thinking the writing of his spiral in X-Force 2019 was not done well rather than that said spiral shouldn’t have happened at all. With the Krakoa era coming to an end, and “From the Ashes” having the now-rebooted Beast who is pulled all the way from his time on The Defenders, I don’t see any of the flaws here being addressed beyond characters casually referring to how bad he became. So I wanted to take this time in the in-between, where our new Beast is apparently just chilling on Wonder Man’s couch while the rest of the X-Men fight against Orchis and Nimrod, to once and for all lay out the flaws of Beast’s villainous era, and establish not that it shouldn’t have happened, but that it could have been way better.
Problem 1: A Lack of Pathos:
Most X-Men fans who have been reading for awhile will agree that it’s honestly surprising more mutants haven’t gone down a dark path. Their history is one of striving for acceptance, putting their lives on the line for people who would rather see them dead, and being rewarded with not one but multiple genocides on their population. Some of the most interesting stories can actually come from a formally “upstanding” mutant finally deciding enough is enough. When Cyclops went down his “villainous” path, it made a lot of sense. We’d seen him becoming more disenfranchised with the dream for years. We’d seen his trust in Xavier erode time and time again, and so when he decided to stop asking for acceptance and start demanding it, it was hard to blame him. Even as we saw most of his friends turn against him, that didn’t stop people from declaring “Cyclops Was Right,” because his perspective could easily be understood, and he did achieve results. More recently in X-Men ‘97, we saw Rogue go down a dark path in the wake of Genosha being wiped out, including Magneto and Gambit. Again, this was understood, and it was an interesting direction for her character.
This sort of turn would also make a ton of sense for Hank McCoy. Did you know that back towards the start of the original Uncanny X-Men run, Hank was actually the first X-Men we ever saw to leave the team and say that Magneto was right, after he and Bobby were attacked by an angry mob because Hank used his powers to save a young child? Over the years, one of Hank’s most recurring struggles and arcs is self-loathing and eventual acceptance of his condition. Hank has always been at his darkest when he’s trapped in his spiral of self-loathing, but when he comes out the other side, he tends to be one of the most optimistic mutants when it comes to coexistence with humans. He was out making connections and fighting alongside non-mutants before anyone else. Joining the Avengers and Defenders, speaking on behalf of mutant rights before congress, dating human women who were able to accept his appearance, blue fur and all. Until they weren’t… looking at you, Trish Tilby.
So with all of this in mind, it would honestly be an extremely interesting arc to see Hank, this optimistic mutant who has spent his life building bridges and making connections with humanity, to be slowly beaten down and start to believe peace is not an option. As one of the original X-Men, he has been there through every tragedy that struck the mutant population. And as one of the smartest X-Men, he has usually been at the center of these crises. He has seen advancements in science meant to eradicate the mutants. He has fought against viruses that threaten to drive them extinct. He was there in the wreckage of Genosha. He has seen countless friends killed again and again. He has suffered his own mutation evolving and making him less and less human-looking. He saw the development of a mutant “cure” and was tempted to take it. He has seen it all.
And so that brings us to Krakoa. This is the moment where the mutants as a whole decided enough was enough. If they could not be accepted by humanity, they would pack up and form their own nation, and they would force humanity to accept that they exist by developing life-saving drugs that other nations would have to rely on. And what is one of the first things that happens after the establishment of Krakoa? Hank witnesses assassins infiltrate the island and assassinate Charles Xavier. This right here is honestly the perfect setup for Hank to go darker than he has before. Even after literally segregating the mutant population from humanity, like humanity seemed to want, they still decided to come and kill the man at the forefront of the movement. And Hank, recently placed in charge of mutant black-ops, would likely see that all options are on the table.
Unfortunately, Hank’s actual pathos surrounding the decisions he would go on to make is not explored by the book itself. The book has no interest in detailing Hank’s fall from grace as we saw with Cyclops before him. The book just wants us to accept that Hank has already fallen. And in fact, according to the writing, maybe he never had anywhere to fall from. Any time a character in X-Force tries to ask important questions to understand Hank’s thought process, they are cut off. Usually by Wolverine saying “He’s always been like this.” And then on one occasion, when Wolverine asked Hank why he was doing all this dark shit, Hank said, “Didn’t you read the script? I’ve always been like this.” There is no attempt to examine Hank as a character. We don’t need to know why Hank makes the decisions he does, because this book wants Hank to be a black and white villain and so that’s what he will be. Why? Because he’s always been like this.
Problem 2: Rapid Escalation:
One of the major defenses people have when it comes to Krakoan Hank is that he has apparently been on the road to his villainous self for over a decade. The X-Force run itself loved to have characters spout a list of Hank’s previous “crimes” without any context involved, as justification for why he was acting the way he did in the current run. The problem is, that context is very important. Because it shows the disparity in the Hank of previous stories who made mistakes with good intentions vs the Hank of X-Force who did heinous shit because he wanted to. This was less a plane making a slow descent and more a plane that was slowly descending, but then its engines shut off and it plummeted into a fiery explosion.
To make this case, we need to briefly analyze the previous perceived transgressions of Hank McCoy to show what they actually meant for his character and how they differ from the Bond villain X-Force would present us with. Let’s start with Threnody. Somehow, Threnody became a bit of a buzzword for the beginning of the end for Hank. When people talk about the history of Hank and Threnody, they will usually present it as one of Hank’s worst sins, saying something like “Hank callously handed Threnody over to Mr. Sinister so he could experiment on and abuse her!!!” It kind of makes for some whiplash when you actually read the Threnody story people are talking about. Here is a brief rundown of what actually happens:
Threnody is a young woman who cannot control her powers. It causes her no end of grief, and when we are introduced to her, she is homeless and constantly in danger of hurting herself or others. Beast, Rogue, and Iceman come across Threnody who has been found first by Mr. Sinister. Sinister actually has a vested interest in curing the Legacy Virus, and believes he can help Threnody master her powers, at which point she will prove vital in his efforts to study said Virus. Notably, Threnody wants to go with Sinister here. While Rogue disapproves, Hank does believe that Sinister is actually Threnody’s best option, openly stating Sinister can actually help her gain control and the X-Men cannot, because, as Hank directly says, Sinister is willing to damn parts of his soul in pursuit of scientific enlightenment, and the X-Men are not. A few issues later, when breaking into Sinister’s base, Hank encounters Threnody again. She’s happy. Sinister did indeed help her control her powers, and she has been able to use her abilities to help mutants the world over, while also undermining Sinister’s more evil operations from the inside. Hank expresses relief, saying he was kept up at night by his decision to let her go with Sinister, but Threnody actually thanks him for letting her. And that’s it. That’s Hank’s big “crime” here.
Hank’s other “sins” are also of varying levels of severity. There’s the time “Hank worked with his evil self to cure the Legacy Virus!” when the actual story in question is Hank asserting that he won’t stoop to the levels of Dark Beast and compromise his values in the name of science. There’s the time “Hank sided with the Inhumans against the X-Men!” when the actual story is Storm sending Hank to Attilan to find a way to end the conflict between mutants and inhumans before war broke out. Hank runs out of time to find a cure for the terrigen mist cloud, suggests mutants get off-world in the meantime rather than go to war with the inhumans, is thrown into a cell by the other X-Men for his “betrayal”, and then freed at the conclusion of the war by a repentant Storm when it comes to light that the whole conflict was manipulated by Emma Frost. There’s the time “Hank risked the timestream by bringing the original X-Men to the present day!” A decision that was made on his perceived deathbed with the hopes of bringing his old friend Cyclops back to his side. Hank wants to take the young mutants back right away, but they refuse. And instead of others enforcing that they need to return, we actually see Kitty Pride decide to lead them in the present in memory of Charles Xavier. Notably, Kitty would be one of the many mutants in future issues who would yell at Hank about this.
The point of this post isn’t to absolve Hank of all fault. He has made countless mistakes and bad decisions. Regardless of the culpability of others, the pulling of the O5 to the present was his decision. During Secret Empire, Hank would turn a blind eye to Hydra’s activity simply to keep the mutants under his care safe. During all of this, however, Hank’s character was not compromised. He expressed despair and regret over his worse choices, and struggled with thinking he was a good person any longer. Again, going back to his recurring struggle with self-loathing. He had pathos behind his decisions and how they affected him, and would often reunite with Wonder Man as an opportunity to recenter and declare he would “be better tomorrow than he was yesterday.”
You would think, if the aim of X-Force was to turn Hank into a full-on villain, it would take advantage of the long-form storytelling of comics to chronicle that escalation. Like I said, the assassination of Charles Xavier is a great starting point for Hank to start going darker than he ever has before. The problem is, we don’t get an escalation. Hank starts the run by doing some of the most heinous shit imaginable. Regardless of your thoughts on the severity of Hank’s previous mistakes, none of them compare to his opening volley in this run. Hank uses telefloronics to override and genocide an entire country, leaving various people either completely dead or braindead. We later find out that during this time he also established a space station where he ran unethical experiments on prisoners like Krakoa’s very own Dr. Mengele. He then accuses his old ally Colossus of conspiring with Russia against Krakoa, and calls forth the mutant population to witness as he parades a shamed Colossus through its streets. Then he kills Wolverine and resurrects him as a mindless animal who he uses as an attack dog against his perceived enemies. This isn’t an escalation, this is a different character. And the aforementioned lack of pathos means that we don’t get to see him struggle with these choices. We don’t see his thought process as he becomes darker and darker. Why would we? “He’s always been like this.”
Problem 3: No Personality:
One of the most fun aspects of turning a protagonist into an antagonist is seeing how their personality works with a more villainous mindset. When Cyclops became an “antagonist” to the X-Men, he was still Cyclops. He stuck to his convictions, he was a great leader and tactician, and he was able to turn many mutants to his side because of this. We’ve seen an evil Beast before. The creatively-named Dark Beast is from an alternate future where Beast went down a dark path lacking ethics. The fun of this character, besides comparing his ideologies with our Hank McCoy, is seeing how Hank’s penchant for jokes or quotes now become far more sinister and cutting.
There’s a strange narrative that the jokey Hank is reserved for the Avengers while the Hank with the X-Men is all business and science. This isn’t entirely true. Early on when he was a member of the Defenders, Hank talks about this sort of thing. He essentially says that he wears different hats. While working with the X-Men, he used big words essentially to gain respect from both his teammates and humanity. But with other teams, and in his then-new furry form, he dropped all of that. His speech became more naturalistic and he was much more of a goofball. The thing is, it’s the speech patterns that truly change depending on who Hank is hanging with, not his personality. Hank with the X-Men and Hank with the Avengers are both jovial characters who like to tell jokes and quote philosophy. You can see Hank being a bit of a clown among the X-Men in various runs. So it’s not like it’s a given that Hank is some entirely different dry doctor devoid of any sense of humor when among the X-Men.
But this is how Hank is portrayed in X-Force. Part of why this version of Hank is so hard to reconcile with the rest of his history for fans of the character is that he just doesn’t act like himself, even when he isn’t actively committing war crimes. In one early issue of the run, we get a glimpse at Beast’s journal where he accounts a meeting he had with Forge. Now, Beast has been known to be a very physical character. He is often known to sweep others into a hug, or even plant a big kiss on their face in the case of characters like Wonder Man or Iceman. Meanwhile this one page where we read his thoughts on Forge is clearly pretending this is not the case:
I paid Forge a visit in the Armory – and I must say that he can be, like Logan, rather impossible. There is a certain locker room bravado about him I find perplexing, like a language I only half understand. For instance, he refused to shake my hand but instead dragged me into what he called a “bro hug.” Then he challenged me to a “feat of strength,” asking if I would test out this sappy “muck bomb” he had developed that – or so I gather – glues one in place. He wondered if a “big boy” like me might be able to thrash free of the binding. I refused him and said I very much would prefer to get down to business. He then referred to me as a “bookish peckerwood @#$%” but did so with a friendly laugh and clapped me on the shoulder hard enough to make me stagger. I’m not sure how to process this, honestly. Is he being friendly or cruel? Is it possible to be both?
Needless to say, this doesn’t read like Beast. It reads like an android that has never before felt human emotion. I remember before reading this I was theorizing that Hank had been switched with Dark Beast once more to explain his sudden escalation, but after this I realized that couldn’t be the case. Because this sounds like neither Beast nor Dark Beast. Dark Beast understood how to properly write Hank as a villain. He doesn’t suddenly become your typical made scientist devoid of emotion, humor, or basic human understanding. He still makes jokes that are now cruel. He still quotes literature in a way that paints him as a god among men. Hank going bad can be a fun read, but this run was not.
Problem 4: No One Cares:
Another important angle to consider when writing a story of a good person breaking bad is how it affects those around them. Those who are close friends to the person and find themselves disturbed by their current actions. Again, I return to Cyclops. Regardless of where you stand on if he was right or not, he was very much positioned as an antagonist to the mutants at the Jean Grey School for Higher Learning. Yet we see various friends of Cyclops still caring for him and wanting to pull him back from what they perceive as the dark side. Like I previously said, Beast’s whole reason for messing with the timeline was because he felt he was going to die and wanted to try to appeal to his old friend and bring him back around before he passed on. When someone good goes bad, part of the emotional core is seeing former friends try to appeal to their better nature, and even eventually deciding they’ve gone too far to turn back.
Not so with Hank in X-Force. Like I said, this run posits that this is not any kind of heel turn for Hank. This is how he’s always been. “Hank this isn’t you!” “No, he’s always been like this.” “Hank, turn back before it’s too late!” “Turn back where? He’s always been like this.” None of Hank’s friends give a shit. Hank’s best friend amongst the X-Men is Bobby Drake, Iceman, and we never once see any kind of confrontation there. Cyclops and Angel similarly doesn’t care. Now you could argue this is because X-Force is a secretive organization. Bobby and Scott don’t even know what Hank is doing. There are two issues with this. First, things reach a point where they would know. Hank’s actions become public knowledge, and Wolverine goes off to hunt him down while the rest of the X-Men just kinda look the other way. And second, there is someone with a lot of history with Hank that was a part of X-Force and did see everything that was going on. Jean Grey.
But we never get to see Jean wonder what’s happened to her close friend. Jean who was always incredibly close to Hank. Jean who, it was confirmed during the All-New X-Men era, had mutual feelings for Hank and might have started dating him had things been different. But no, Jean, like every character in this run, accepts that Hank has always been like this. That’s the answer to everything. So instead of some kind of emotional confrontation where she tries to appeal to his better nature, we instead have Jean yell at Hank, use her powers to throw him against a wall, and quit X-Force. And then most recently, we see her tell Firestar without hesitation to throw Hank under the bus for any heat that comes her way from her undercover mission. Because everyone will believe Hank is responsible for all the bad shit. Who the hell cares about Hank? According to this run, no one.
Conclusion:
I hope you can see the larger issue here. When Beast fans complain about his Krakoan era, people assume they just don’t want to see their favorite do bad things. But it’s practically accepted at this point in comics that most heroes will have a villain arc. Hell, Iceman is the only one of the original five X-Men who hasn’t gone down a dark path at this point. The problem is that everything about the writing of Hank during this time was just not done well. There is no exploration of Hank’s descent into villainy, and any questioning down that line is immediately shut down by the assertion that this is just who he’s always been. There isn’t any slow escalation because his first move is genocide. Hank is not even written as himself during this era, but rather as a generic bond villain. And none of Hank’s former close friends even show any emotion about his turn to villainy. An evil Hank story could easily work. We saw it with Dark Beast. A story where the former optimistic member of the X-Men has been beaten down so many times that he takes on a “whatever it takes” mentality could be interesting and emotionally resonant as we both understand what drove him here yet hate the man he’s become. But that isn’t what we got. We got a run that wrote him as a complete stranger and then had all the characters tell the reader that they were wrong for ever thinking he was anyone else.
submitted by Koala_Guru to xmen [link] [comments]


2024.05.21 22:47 simionsimion999999 on questions in or out the cuts in documentaries

I am not a professional filmmaker but my art school professor just gave the class the assignment of working on film** could be anything but with a focus on dialogues..
I recently watched a Chinese author (Hu Jie) documentary about the Spark, an underground publication that emerged in Gansu in 1960.
I don't know which camera was used but what was working well was the cuts and how the texture of the interview came together.
my project is a documentary about a 3-generation nuclear family working on shoe manufacturing in the north of Italy. I found in Hu Jie's documentary a good common sensibility in narrative structure I want to apply too
I also noticed that it was working well because the questions from behind the camera were left out, so you would only hear answers and pieces of stories in medias res (this is a literature term i don't know if this could be used in cinema too).
my question is: do you have something to recommend to watch or read about the question of authorship in this specific manner (theory +)
or, given these points, how would you suggest that I start working on my documentary?
submitted by simionsimion999999 to documentaryfilmmaking [link] [comments]


2024.05.21 22:36 advice_plz_thanks Fallout 4 Fanfiction: Nick Valentine

Synthetic Heart (Nick Valentine X Female Kellogg OC) — SteadfastSoul
(On Wattpad, thinking about posting on A03 later)
I'm excited to share my Fallout 4 fanfiction, which I’m quite proud of. This story is told from the perspective of a female version of Kellogg, Katherine Kellogg. Similar to (but not exactly like) the Kellogg we know, she lost her little sister, whom she raised like a daughter, and her lover. The narrative closely follows the game’s storyline: Nate kills Katherine after she kidnaps his son and murders his wife. However, after delving into her traumatic memories, Nate realizes Kellogg isn't the true villain.
After defeating the Institute, Nate finds a way to give Katherine a second chance at life. He uses an abandoned blueprint to create a synth body and transfers her brain implant into it. Now, Katherine must navigate a new identity crisis, her memories fragmented and incomplete. Nick Valentine, understanding her struggles, becomes her guide. As they journey through the wasteland together, the two synths slowly fall in love, it feels as if they might just be made for each other.
I’m really excited about writing this book, I have so many ideas that I haven’t even started yet. I would really appreciate even if just a small number of people read it, I know that writing a fanfiction nine years after a game’s release date means hardly anyone will find it. But if even 20 people enjoy my story, in my eyes it’s worth it.
submitted by advice_plz_thanks to FalloutFanFiction [link] [comments]


2024.05.21 22:30 Thebrazilianleo We never see the beginnings or endings of most people’s lives...

We just see them in the middle of their story. Every person we meet is living a life as complex and detailed as our own, yet our interactions only capture a small snapshot of their existence. We don’t witness their birth or their final moments. We see them at different points in their journey, with their own pasts shaping who they are and their futures unknown. Each encounter is a fleeting glimpse into a narrative that started long before we arrived and will continue long after we part ways. It’s a humbling reminder of the vastness and interconnectedness of human experiences.
submitted by Thebrazilianleo to Showerthoughts [link] [comments]


2024.05.21 22:29 advice_plz_thanks New Fallout 4 Fanfiction: Nick Valentine

Synthetic Heart (Nick Valentine X Female Kellogg OC) — SteadfastSoul
(On Wattpad, thinking about posting on A03 later)
I'm excited to share my Fallout 4 fanfiction, which I’m quite proud of. This story is told from the perspective of a female version of Kellogg, Katherine Kellogg. Similar to (but not exactly like) the Kellogg we know, she lost her little sister, whom she raised like a daughter, and her lover. The narrative closely follows the game’s storyline: Nate kills Katherine after she kidnaps his son and murders his wife. However, after delving into her traumatic memories, Nate realizes Kellogg isn't the true villain.
After defeating the Institute, Nate finds a way to give Katherine a second chance at life. He uses an abandoned blueprint to create a synth body and transfers her brain implant into it. Now, Katherine must navigate a new identity crisis, her memories fragmented and incomplete. Nick Valentine, understanding her struggles, becomes her guide. As they journey through the wasteland together, the two synths slowly fall in love, it feels as if they might just be made for each other.
I’m really excited about writing this book, I have so many ideas that I haven’t even started yet. I would really appreciate even if just a small number of people read it, I know that writing a fanfiction nine years after a game’s release date means hardly anyone will find it. But if even 20 people enjoy my story, in my eyes it’s worth it.
submitted by advice_plz_thanks to fo4 [link] [comments]


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