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2013.01.16 09:36 trotsak Learning Russian with Russians

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2024.05.21 11:25 The_Way358 Essential Teachings: Understanding the Atonement, the Content of Paul's Gospel Message, and Justification

"Why Did Jesus Die on the Cross?"

The main reason Jesus died on the cross was to defeat Satan and set us free from his oppressive rule. Everything else that Jesus accomplished was to be understood as an aspect and consequence of this victory (e.g., Recapitulation, Moral Influence, etc.).
This understanding of why Jesus had to die is called the Christus Victor (Latin for “Christ is Victorious”) view of the atonement. But, what exactly was Christ victorious from, and why? To find out the answers to these questions, we have to turn to the Old Testament, as that's what the apostles would often allude to in order to properly teach their audience the message they were trying to convey (Rom. 15:4).
The OT is full of conflict between the Father (YHVH) and false gods, between YHVH and cosmic forces of chaos. The Psalms speak of this conflict between YHVH and water monsters of the deeps (an ancient image for chaos) (Psa. 29:3-4; 74:10-14; 77:16, 19; 89:9-10; 104:2-9, etc).
The liberation of Israel from Egypt wasn’t just a conflict between Pharaoh and Moses. It was really between YHVH and the false gods of Egypt.
Regardless of whether you think the aforementioned descriptions are literal or metaphorical, the reality that the Old Testament describes is that humanity lived in a “cosmic war zone.”
The Christus Victor motif is about Christ reigning victorious over wicked principalities and Satan's kingdom, and is strongly emphasized throughout the New Testament. Scripture declares that Jesus came to drive out "the prince of this world” (John 12:31), to “destroy the works of the devil” (1 John 3:8), to “destroy him that had the power of death, that is, the devil” (Heb. 2:14) and to “put all enemies under his feet” (1 Cor 15:25). Jesus came to overpower the “strong man” (Satan) who held the world in bondage and worked with his Church to plunder his "palace" (Luke 11:21-22). He came to end the reign of the cosmic “thief” who seized the world to “steal, and to kill, and to destroy” the life YHVH intended for us (John 10:10). Jesus came and died on the cross to disarm “the principalities and powers” and make a “shew of them openly [i.e., public spectacle]” by “triumphing over them in [the cross]” (Col. 2:15).
Beyond these explicit statements, there are many other passages that express the Christus Victor motif as well. For example, the first prophecy in the Bible foretells that a descendent of Eve (Jesus) would crush the head of the serpent (Gen. 3:15). The first Christian sermon ever preached proclaimed that Jesus in principle conquered all YHVH's enemies (Acts 2:32-36). And the single most frequently quoted Old Testament passage by New Testament authors is Psalm 110:1 which predicts that Christ would conquer all YHVH’s opponents. (Psalm 110 is quoted or alluded to in Matthew 22:41-45; 26:64, Mark 12:35-37; 14:62, Luke 20:41-44; 22:69, Acts 5:31; 7:55-56, Romans 8:34, 1st Corinthians 15:22-25, Ephesians 1:20, Hebrews 1:3; 1:13; 5:6, 10; 6:20; 7:11, 15, 17, 21; 8:1; 10:12-13, 1st Peter 3:22, and Revelation 3:21.) According to New Testament scholar Oscar Cullman, the frequency with which New Testament authors cite this Psalm is the greatest proof that Christ’s “victory over the angel powers stands at the very center of early Christian thought.”
Because of man's rebellion, the Messiah's coming involved a rescue mission that included a strategy for vanquishing the powers of darkness.
Since YHVH is a God of love who gives genuine “say-so” to both angels and humans, YHVH rarely accomplishes His providential plans through coercion. YHVH relies on His infinite wisdom to achieve His goals. Nowhere is YHVH's wisdom put more on display than in the manner in which He outsmarted Satan and the powers of evil, using their own evil to bring about their defeat.
Most readers probably know the famous story from ancient Greece about the Trojan Horse. To recap the story, Troy and Greece had been locked in a ten-year-long vicious war when, according to Homer and Virgil, the Greeks came up with a brilliant idea. They built an enormous wooden horse, hid soldiers inside and offered it to the Trojans as a gift, claiming they were conceding defeat and going home. The delighted Trojans accepted the gift and proceeded to celebrate by drinking themselves into a drunken stupor. When night came and the Trojan warriors were too wasted to fight, the Greeks exited the horse, unlocked the city gates to quietly let all their compatriots in, and easily conquered the city, thus winning the war.
Historians debate whether any of this actually happened. But either way, as military strategies go, it’s brilliant.
Now, there are five clues in the New Testament that suggest YHVH was using something like this Trojan Horse strategy against the powers when he sent Jesus into the world:
1) The Bible tells us that YHVH's victory over the powers of darkness was achieved by the employment of YHVH’s wisdom, and was centered on that wisdom having become reality in Jesus Christ (Rom. 16:25, 1 Cor. 2:7, Eph. 3:9-10, Col. 1:26). It also tells us that, for some reason, this Christ-centered wisdom was kept “secret and hidden” throughout the ages. It’s clear from this that YHVH's strategy was to outsmart and surprise the powers by sending Jesus.
2) While humans don’t generally know Jesus’ true identity during his ministry, demons do. They recognize Jesus as the Son of God, the Messiah, but, interestingly enough, they have no idea what he’s doing (Mark 1:24; 3:11; 5:7, Luke 8:21). Again, the wisdom of YHVH in sending Jesus was hidden from them.
3) We’re told that, while humans certainly share in the responsibility for the crucifixion, Satan and the powers were working behind the scenes to bring it about (John 13:27 cf. 1 Cor. 2:6-8). These forces of evil helped orchestrate the crucifixion.
4) We’re taught that if the “princes of this world [age]” had understood the secret wisdom of YHVH, “they would not have crucified the Lord of glory” (1 Cor 2:8 cf. vss 6-7). Apparently, Satan and the powers regretted orchestrating Christ’s crucifixion once they learned of the wisdom of YHVH that was behind it.
5) Finally, we can begin to understand why the powers came to regret crucifying “the Lord of glory” when we read that it was by means of the crucifixion that the “handwriting of ordinances that was against us, which was contrary to us [i.e., the charge of our legal indebtedness]” was “[taken] out of the way [i.e., canceled]” as the powers were disarmed. In this way Christ “triumph[ed] over” the powers by "his cross” and even “made a shew of them openly” (Col. 2:14-15). Through Christ’s death and resurrection YHVH's enemies were vanquished and placed under his Messiah's feet, and ultimately His own in the end (1 Cor. 15:23-28).
Putting these five clues together, we can discern YHVH's Trojan Horse strategy in sending Jesus.
The powers couldn’t discern why Jesus came because YHVH's wisdom was hidden from them. YHVH's wisdom was motivated by unfathomable love, and since Satan and the other powers were evil, they lacked the capacity to understand it. Their evil hearts prevented them from suspecting what YHVH was up to.
What the powers did understand was that Jesus was mortal. This meant he was killable. Lacking the capacity to understand that this was the means by which YHVH would ultimately bring about the defeat of death (and thus, pave the road for the resurrection itself), they never suspected that making Jesus vulnerable to their evil might actually be part of YHVH's infinitely wise plan.
And so they took the bait (or "ransom"; Matt. 20:28, Mark 10:45, 1 Tim. 2:5-6). Utilizing Judas and other willing human agents, the powers played right into YHVH’s secret plan and orchestrated the crucifixion of the Messiah (Acts 2:22-23; 4:28). YHVH thus brilliantly used the self-inflicted incapacity of evil to understand love against itself. And, like light dispelling darkness, the unfathomably beautiful act of YHVH's love in sending the willing Messiah as a "ransom" to these blood-thirsty powers defeated them. The whole creation was in principle freed and reconciled to YHVH, while everything written against us humans was nailed to the cross, thus robbing the powers of the only legal claim they had on us. They were “spoiled [i.e., disempowered]” (Col. 2:14-15).
As happened to the Trojans in accepting the gift from the Greeks, in seizing on Christ’s vulnerability and orchestrating his crucifixion, the powers unwittingly cooperated with YHVH to unleash the one power in the world that dispels all evil and sets captives free. It’s the power of self-sacrificial love.

Why Penal Substitution Is Unbiblical

For the sake of keeping this already lengthy post as short as possible I'm not going to spend too much time on why exactly PSA (Penal Substitutionary Atonement) is inconsistent with Scripture, but I'll go ahead and point out the main reasons why I believe this is so, and let the reader look further into this subject by themselves, being that there are many resources out there which have devoted much more time than I ever could here in supporting this premise.
"Purge out therefore the old leaven, that ye may be a new lump, as ye are unleavened. For even Christ our passover is sacrificed for us:"-1 Corinthians 5:7
The Passover is one of the two most prominent images in the New Testament given as a comparison to Christ's atonement and what it accomplished, (the other most common image being the Day of Atonement sacrifice).
In the Passover, the blood of the lamb on the door posts of the Hebrews in the book of Exodus was meant to mark out those who were YHVH's, not be a symbol of PSA, as the lamb itself was not being punished by God in place of the Hebrews, but rather the kingdom of Egypt (and thus, allegorically speaking, the kingdom of darkness which opposed YHVH) was what was being judged and punished, because those who were not "covered" by the blood of the lamb could be easily identified as not part of God's kingdom/covenant and liberated people.
Looking at the Day of Atonement sacrifice (which, again, Christ's death is repeatedly compared to throughout the New Testament), this ritual required a ram, a bull, and two goats (Lev. 16:3-5). The ram was for a burnt offering intended to please God (Lev. 16:3-4). The bull served as a sin offering for Aaron, the high priest, and his family. In this case, the sin offering restored the priest to ritual purity, allowing him to occupy sacred space and be near YHVH’s presence. Two goats taken from "the congregation” were needed for the single sin offering for the people (Lev. 16:5). So why two goats?
The high priest would cast lots over the two goats, with one chosen as a sacrifice “for the Lord” (Lev. 16:8). The blood of that goat would purify the people. The second goat was not sacrificed or designated “for the Lord.” On the contrary, this goat—the one that symbolically carried the sins away from the camp of Israel into the wilderness—was “for Azazel” (Lev. 16:8-10).
What—or who—is Azazel?
The Hebrew term azazel (עזאזל) occurs four times in Leviticus 16 but nowhere else in most people's canon of the Bible, (and I say "most people's canon," because some people do include 1 Enoch in their canon of Scripture, which of course goes into great detail about this "Azazel" figure). Many translations prefer to translate the term as a phrase, “the goat that goes away,” which is the same idea conveyed in the King James Version’s “scapegoat.” Other translations treat the word as a name: Azazel. The “scapegoat” option is possible, but since the phrase “for Azazel” parallels the phrase “for YHVH” (“for the Lord”), the wording suggests that two divine figures are being contrasted by the two goats.
A strong case can be made for translating the term as the name Azazel. Ancient Jewish texts show that Azazel was understood as a demonic figure associated with the wilderness. The Mishnah (ca. AD 200; Yoma 6:6) records that the goat for Azazel was led to a cliff and pushed over, ensuring it would not return with its death. This association of the wilderness with evil is also evident in the New Testament, as this was where Jesus met the devil (Matt. 4:1). Also, in Leviticus 17:1-7 we learn that some Israelites had been accustomed to sacrificing offerings to "devils" (alternatively translated as “goat demons”). The Day of Atonement replaced this illegitimate practice.
The second goat was not sent into the wilderness as a sacrifice to a foreign god or demon. The act of sending the live goat out into the wilderness, which was unholy ground, was to send the sins of the people where they belonged—to the demonic domain. With one goat sacrificed to bring purification and access to YHVH and one goat sent to carry the people’s sins to the demonic domain, this annual ritual reinforced the identity of the true God and His mercy and holiness.
When Jesus died on the cross for all of humanity’s sins, he was crucified outside the city, paralleling the sins of the people being cast to the wilderness via the goat to Azazel. Jesus died once for all sinners, negating the need for this ritual.
As previously stated, the goat which had all the sin put on it was sent alive off to the wilderness, while the blood of the goat which was blameless was used to purify the temple and the people. Penal substitution would necessitate the killing of the goat which had the sin put on it.
Mind you, this is the only sacrificial ritual of any kind in the Torah in which sins are placed on an animal. The only time it happens is this, and that animal is not sacrificed. Most PSA proponents unwittingly point to this ritual as evidence of their view, despite it actually serving as evidence to the contrary, because most people don't read their Old Testament and don't familiarize themselves with the "boring parts" like Leviticus (when it's actually rather important to do so, since that book explains how exactly animal offerings were to be carried out and why they were done in the first place).
In the New Testament, Christ's blood was not only meant to mark out those who were his, but also expel the presence of sin and ritual uncleanness so as to make the presence of YHVH manifest in the believer's life. Notice how God's wrath isn't poured out on Christ in our stead on this view, but rather His wrath was poured out on those who weren't covered, and the presence of sin and evil were merely removed by that which is pure and blameless (Christ's blood) for the believer.
All this is the difference between expiation and propitiation.

The Content of Paul's Gospel Message

When the New Testament writers talked about “the gospel,” they referred not to the Protestant doctrine of justification sola fide–the proposition that if we will stop trying to win God’s favor and only just believe that God has exchanged our sin for Christ’s perfect righteousness, then in God’s eyes we will have the perfect righteousness required both for salvation and for assuaging our guilty consciences–but rather they referred to the simple but explosive proposition Kyrios Christos, “Christ is Lord.” That is to say, the gospel was, properly speaking, the royal announcement that Jesus of Nazareth was the God of Israel’s promised Messiah, the King of kings and Lord of lords.
The New Testament writers were not writing in a cultural or linguistic vacuum and their language of euangelion (good news) and euangelizomai would have been understood by their audience in fairly specific ways. Namely, in the Greco-Roman world for which the New Testament authors wrote, euangelion/euangelizomai language typically had to do with either A) the announcement of the accession of a ruler, or B) the announcement of a victory in battle, and would probably have been understood along those lines.
Let’s take the announcements of a new ruler first. The classic example of such a language is the Priene Calendar Inscription, dating to circa 9 BC, which celebrates the rule (and birthday) of Caesar Augustus as follows:
"It was seeming to the Greeks in Asia, in the opinion of the high priest Apollonius of Menophilus Azanitus: Since Providence, which has ordered all things of our life and is very much interested in our life, has ordered things in sending Augustus, whom she filled with virtue for the benefit of men, sending him as a savior [soter] both for us and for those after us, him who would end war and order all things, and since Caesar by his appearance [epiphanein] surpassed the hopes of all those who received the good tidings [euangelia], not only those who were benefactors before him, but even the hope among those who will be left afterward, and the birthday of the god [he genethlios tou theou] was for the world the beginning of the good tidings [euangelion] through him; and Asia resolved it in Smyrna."
The association of the term euangelion with the announcement of Augustus’ rule is clear enough and is typical of how this language is used elsewhere. To give another example, Josephus records that at the news of the accession of the new emperor Vespasian (69 AD) “every city kept festival for the good news (euangelia) and offered sacrifices on his behalf.” (The Jewish War, IV.618). Finally, a papyrus dating to ca. 498 AD begins:
"Since I have become aware of the good news (euangeliou) about the proclamation as Caesar (of Gaius Julius Verus Maximus Augustus)…"
This usage occurs also in the Septuagint, the Greek translations of the Jewish Scriptures. For instance LXX Isaiah 52:7 reads, “How beautiful upon the mountains are the feet of him who brings good news (euangelizomenou), who publishes peace, who brings good news (euangelizomenos) of salvation, who says to Zion, ‘Your God reigns.'" Similarly, LXX Isaiah 40:9-10 reads:
"…Go up on a high mountain, you who bring good tidings (ho euangelizomenos) to Sion; lift up your voice with strength, you who bring good tidings (ho euangelizomenos); lift it up, do not fear; say to the cities of Ioudas, “See your God!” Behold, the Lord comes with strength, and his arm with authority (kyrieias)…."-NETS, Esaias 40:9-10
This consistent close connection between euangelion/euangelizomai language and announcements of rule strongly suggests that many of the initial hearers/readers of the early Christians’ evangelical language would likely have understood that language as the announcement of a new ruler (see, e.g., Acts 17:7), and, unless there is strong NT evidence to the contrary, we should presume that the NT writers probably intended their language to be so understood.
However, the other main way in which euangelion/euangelizomai language was used in the Greco-Roman world was with reference to battle reports, announcements of victory in war. A classic example of this sort of usage can be found in LXX 2 Samuel 18:19ff, where David receives word that his traitorous son, Absalom, has been defeated in battle. Euangelion/euangelizomai is used throughout the passage for the communications from the front.
As already shown throughout this post, the NT speaks of Jesus’s death and resurrection as a great victory over the powers that existed at that time and, most importantly, over death itself. Jesus’ conquest of the principalities and powers was the establishment of his rule and comprehensive authority over heaven and earth, that is, of his Lordship over all things (again, at that time).
This was the content of Paul's gospel message...

Justification, and the "New" Perspective on Paul

The following quotation is from The Gospel Coalition, and I believe it to be a decently accurate summary of the NPP (New Perspective on Paul), despite it being from a source which is in opposition to it:
The New Perspective on Paul, a major scholarly shift that began in the 1980s, argues that the Jewish context of the New Testament has been wrongly understood and that this misunderstand[ing] has led to errors in the traditional-Protestant understanding of justification. According to the New Perspective, the Jewish systems of salvation were not based on works-righteousness but rather on covenantal nomism, the belief that one enters the people of God by grace and stays in through obedience to the covenant. This means that Paul could not have been referring to works-righteousness by his phrase “works of the law”; instead, he was referring to Jewish boundary markers that made clear who was or was not within the people of God. For the New Perspective, this is the issue that Paul opposes in the NT. Thus, justification takes on two aspects for the New Perspective rather than one; initial justification is by faith (grace) and recognizes covenant status (ecclesiology), while final justification is partially by works, albeit works produced by the Spirit.
I believe what's called the "new perspective" is actually rather old, and that the Reformers' view of Paul is what is truly new, being that the Lutheran understanding of Paul is simply not Biblical.
The Reformation perspective understands Paul to be arguing against a legalistic Jewish culture that seeks to earn their salvation through works. However, supporters of the NPP argue that Paul has been misread. We contend he was actually combating Jews who were boasting because they were God's people, the "elect" or the "chosen ones." Their "works," so to speak, were done to show they were God's covenant people and not to earn their salvation.
The key questions involve Paul’s view(s) of the law and the meaning of the controversy in which Paul was engaged. Paul strongly argued that we are “justified by the faith of Christ, and not by the works of the law” (Gal. 2:16b). Since the time of Martin Luther, this has been understood as an indictment of legalistic efforts to merit favor before God. Judaism was cast in the role of the medieval "church," and so Paul’s protests became very Lutheran, with traditional-Protestant theology reinforced in all its particulars (along with its limitations) as a result. In hermeneutical terms, then, the historical context of Paul’s debate will answer the questions we have about what exactly the apostle meant by the phrase "works of the law," along with other phrases often used as support by the Reformers for their doctrine of Sola Fide (justification by faith alone), like when Paul mentions "the righteousness of God."
Obviously an in-depth analysis of the Pauline corpus and its place in the context of first-century Judaism would take us far beyond the scope of this brief post. We can, however, quickly survey the topography of Paul’s thought in context, particularly as it has emerged through the efforts of recent scholarship, and note some salient points which may be used as the basis of a refurbished soteriology.
[Note: The more popular scholars associated with the NPP are E.P. Sanders, James Dunn, and N.T. Wright. Dunn was the first to coin the term "The New Perspective" in a 1983 Manson Memorial Lecture, The New Perspective on Paul and the Law.]
Varying authors since the early 1900's have brought up the charge that Paul was misread by those in the tradition of Martin Luther and other Protestant Reformers. Yet, it wasn't until E.P. Sanders' 1977 book, Paul and Palestinian Judaism, that scholars began to pay much attention to the issue. In his book, Sanders argues that the Judaism of Paul's day has been wrongly criticized as a religion of "works-salvation" by those in the Protestant tradition.
A fundamental premise in the NPP is that Judaism was actually a religion of grace. Sander's puts it clearly:
"On the point at which many have found the decisive contrast between Paul and Judaism - grace and works - Paul is in agreement with Palestinian Judaism... Salvation is by grace but judgment is according to works'...God saves by grace, but... within the framework established by grace he rewards good deeds and punishes transgression." (Paul and Palestinian Judaism, p. 543)
N.T. Wright adds that, "we have misjudged early Judaism, especially Pharisaism, if we have thought of it as an early version of Pelagianism," (Wright, What Saint Paul Really Said, p. 32).
Sanders has coined a now well-known phrase to describe the character of first-century Palestinian Judaism: “covenantal nomism.” The meaning of “covenantal nomism” is that human obedience is not construed as the means of entering into God’s covenant. That cannot be earned; inclusion within the covenant body is by the grace of God. Rather, obedience is the means of maintaining one’s status within the covenant. And with its emphasis on divine grace and forgiveness, Judaism was never a religion of legalism.
If covenantal nomism was operating as the primary category under which Jews understood the Law, then when Jews spoke of obeying commandments, or when they required strict obedience of themselves and fellow Jews, it was because they were "keeping the covenant," rather than out of legalism.
More recently, N.T. Wright has made a significant contribution in his little book, What Saint Paul Really Said. Wright’s focus is the gospel and the doctrine of justification. With incisive clarity he demonstrates that the core of Paul’s gospel was not justification by faith, but the death and resurrection of Christ and his exaltation as Lord. The proclamation of the gospel was the proclamation of Jesus as Lord, the Messiah who fulfilled Israel’s expectations. Romans 1:3-4, not 1:16-17, is the gospel, contrary to traditional thinking. Justification is not the center of Paul’s thought, but an outworking of it:
"[T]he doctrine of justification by faith is not what Paul means by ‘the gospel’. It is implied by the gospel; when the gospel is proclaimed, people come to faith and so are regarded by God as members of his people. But ‘the gospel’ is not an account of how people get saved. It is, as we saw in an earlier chapter, the proclamation of the lordship of Jesus Christ….Let us be quite clear. ‘The gospel’ is the announcement of Jesus’ lordship, which works with power to bring people into the family of Abraham, now redefined around Jesus Christ and characterized solely by faith in him. ‘Justification’ is the doctrine which insists that all those who have this faith belong as full members of this family, on this basis and no other." (pp. 132, 133)
Wright brings us to this point by showing what “justification” would have meant in Paul’s Jewish context, bound up as it was in law-court terminology, eschatology, and God’s faithfulness to God’s covenant.
Specifically, Wright explodes the myth that the pre-Christian Saul was a pious, proto-Pelagian moralist seeking to earn his individual passage into heaven. Wright capitalizes on Paul’s autobiographical confessions to paint rather a picture of a zealous Jewish nationalist whose driving concern was to cleanse Israel of Gentiles as well as Jews who had lax attitudes toward the Torah. Running the risk of anachronism, Wright points to a contemporary version of the pre-Christian Saul: Yigal Amir, the zealous Torah-loyal Jew who assassinated Prime Minister Yitzhak Rabin for exchanging Israel’s land for peace. Wright writes:
"Jews like Saul of Tarsus were not interested in an abstract, ahistorical system of salvation... They were interested in the salvation which, they believed, the one true God had promised to his people Israel." (pp. 32, 33)
Wright maintains that as a Christian, Paul continued to challenge paganism by taking the moral high ground of the creational monotheist. The doctrine of justification was not what Paul preached to the Gentiles as the main thrust of his gospel message; it was rather “the thing his converts most needed to know in order to be assured that they really were part of God’s people” after they had responded to the gospel message.
Even while taking the gospel to the Gentiles, however, Paul continued to criticize Judaism “from within” even as he had as a zealous Pharisee. But whereas his mission before was to root out those with lax attitudes toward the Torah, now his mission was to demonstrate that God’s covenant faithfulness (righteousness) has already been revealed in Jesus Christ.
At this point Wright carefully documents Paul’s use of the controversial phrase “God’s righteousness” and draws out the implications of his meaning against the background of a Jewish concept of justification. The righteousness of God and the righteousness of the party who is “justified” cannot be confused because the term bears different connotations for the judge than for the plaintiff or defendant. The judge is “righteous” if his or her judgment is fair and impartial; the plaintiff or defendant is “righteous” if the judge rules in his or her favor. Hence:
"If we use the language of the law court, it makes no sense whatsoever to say that the judge imputes, imparts, bequeaths, conveys or otherwise transfers his righteousness to either the plaintiff or the defendant. Righteousness is not an object, a substance or a gas which can be passed across the courtroom. For the judge to be righteous does not mean that the court has found in his favor. For the plaintiff or defendant to be righteous does not mean that he or she has tried the case properly or impartially. To imagine the defendant somehow receiving the judge’s righteousness is simply a category mistake. That is not how the language works." (p. 98)
However, Wright makes the important observation that even with the forensic metaphor, Paul’s theology is not so much about the courtroom as it is about God’s love.
Righteousness is not an impersonal, abstract standard, a measuring-stick or a balancing scale. That was, and still is, a Greek view. Righteousness, Biblically speaking, grows out of covenant relationship. We forgive because we have been forgiven (Matt. 18:21-35); “we love" because God “first loved us” (1 John 4:19). Love is the fulfillment of the law (Rom. 13:8, 10, Gal 5:14, Jam. 2:8). Paul even looked forward to a day when “we must all appear before the judgment seat of Christ; that every one may receive the things done in his body, according to that he hath done, whether it be good or bad” (2 Cor. 5:10), and he acknowledged that his clear conscience did not necessarily ensure this verdict (1 Cor. 4:4), but he was confident nevertheless. Paul did in fact testify of his clear conscience: “For our rejoicing is this, the testimony of our conscience, that in simplicity and godly sincerity, not with fleshly wisdom, but by the grace of God, we have had our conversation [i.e., behavior] in the world, and more abundantly to you-ward” (2 Cor. 1:12). He was aware that he had not yet “attained” (Phil. 3:12-14), that he still struggled with the flesh, yet he was confident of the value of his performance (1 Cor. 9:27). These are hardly the convictions of someone who intends to rest entirely on the merits of an alien righteousness imputed to his or her account.
Wright went on to flesh out the doctrine of justification in Galatians, Philippians, and Romans. The “works of the law” are not proto-Pelagian efforts to earn salvation, but rather “sabbath [keeping], food-laws, circumcision” (p. 132). Considering the controversy in Galatia, Wright writes:
"Despite a long tradition to the contrary, the problem Paul addresses in Galatians is not the question of how precisely someone becomes a Christian, or attains to a relationship with God….The problem he addresses is: should his ex-pagan converts be circumcised or not? Now this question is by no means obviously to do with the questions faced by Augustine and Pelagius, or by Luther and Erasmus. On anyone’s reading, but especially within its first-century context, it has to do quite obviously with the question of how you define the people of God: are they to be defined by the badges of Jewish race, or in some other way? Circumcision is not a ‘moral’ issue; it does not have to do with moral effort, or earning salvation by good deeds. Nor can we simply treat it as a religious ritual, then designate all religious ritual as crypto-Pelagian good works, and so smuggle Pelagius into Galatia as the arch-opponent after all. First-century thought, both Jewish and Christian, simply doesn’t work like that…. [T]he polemic against the Torah in Galatians simply will not work if we ‘translate’ it into polemic either against straightforward self-help moralism or against the more subtle snare of ‘legalism’, as some have suggested. The passages about the law only work — and by ‘work’ I mean they will only make full sense in their contexts, which is what counts in the last analysis — when we take them as references to the Jewish law, the Torah, seen as the national charter of the Jewish race." (pp. 120-122)
The debate about justification, then, “wasn’t so much about soteriology as about ecclesiology; not so much about salvation as about the church.” (p. 119)
To summarize the theology of Paul in his epistles, the apostle mainly spent time arguing to those whom he were sending letters that salvation in Christ was available to all men without distinction. Jews and Gentiles alike may accept the free gift; it was not limited to any one group. Paul was vehement about this, especially in his letter to the Romans. As such, I will finish this post off by summarizing the letter itself, so as to provide Biblical support for the premises of the NPP and for what the scholars I referenced have thus far argued.
After his introduction in the epistle to an already believing and mostly Gentile audience (who would've already been familiar with the gospel proclaimed in verses 3-4), Paul makes a thematic statement in 1:16: “For I am not ashamed of the gospel of Christ: for it is the power of God unto salvation to every one that believeth; to the Jew first, and also to the Greek.” This statement is just one of many key statements littered throughout the book of Romans that give us proper understanding of the point Paul wished to make to the interlocutors of his day, namely, salvation is available to all, whether Jew or Gentile.
In 1:16 Paul sets out a basic theme of his message in the letter to the Romans. All who believed, whether they be Jew or Gentile, were saved by the power of the gospel. The universal nature of salvation was explicitly stated. The gospel saved all without distinction, whether Jew or Greek; salvation was through the gospel of Jesus Christ. Immediately after this thematic declaration, Paul undertakes to show the universal nature of sin and guilt. In 1:18-32 Paul shows how the Gentile is guilty before God. Despite evidence of God and his attributes, which is readily available to all, they have failed to honor YHVH as God and have exchanged His glory for idolatrous worship and self-promotion. As a consequence, God handed them over in judgment (1:18-32). Paul moves to denunciation of those who would judge others while themselves being guilty of the very same offenses (2:1-5) and argues that all will be judged according to their deeds (2:6). This judgment applies to all, namely, Jew and Greek (2:9-10). This section serves as somewhat of a transition in Paul’s argument. He has highlighted the guilt of the Gentiles (1:18ff) and will shortly outline the guilt of the Jew (2:17-24). The universal statement of 2:1-11 sets the stage for Paul’s rebuke of Jewish presumption. It was not possession of the Law which delivered; it was faithful obedience. It is better to have no Law and yet to obey the essence of the Law (2:12-16) than to have the Law and not obey (2:17-3:4). Paul then defends the justice of God’s judgment (3:5-8), which leads to the conclusion that all (Jew and Gentile) are guilty before God (3:9).
Paul argues that it was a mistaken notion to think that salvation was the prerogative of the Jew only. This presumption is wrong for two reasons. First, it leads to the mistaken assumption that only Jews were eligible for this vindication (Paul deals with this misunderstanding in chapter 4 where he demonstrates that Abraham was justified by faith independently of the Law and is therefore the father of all who believe, Jew and Gentile alike). Second, it leads to the equally mistaken conclusion that all who were Jews are guaranteed of vindication. Paul demonstrates how this perspective, which would call God’s integrity into question since Paul was assuming many Jews would not experience this vindication, was misguided. He did this by demonstrating that it was never the case that all physical descendants of Israel (Jacob) were likewise recipients of the promise. In the past (9:6-33) as in the present (at that time; 11:1-10), only a remnant was preserved and only a remnant would experience vindication. Paul also argued that the unbelief of national Israel (the non-remnant) had the purpose of extending the compass of salvation. The unbelief of one group made the universal scope of the gospel possible. This universalism was itself intended to bring about the vindication of the unbelieving group (11:11-16). As a result of faith, all (Jew and Gentile) could be branches of the olive tree (11:17-24). Since faith in Christ was necessary to remain grafted into the tree, no one could boast of his position. All, Jew and Gentile alike, were dependent upon the mercy and grace of God. As a result of God’s mysterious plan, He would bring about the vindication of His people (11:25-27). [Note: It is this author's belief that this vindication occurred around 66-70 AD, with the Parousia of Christ's Church; this author is Full-Preterist in their Eschatology.]
submitted by The_Way358 to u/The_Way358 [link] [comments]


2024.05.21 05:29 Original_Exercise968 Bright Ideas for Non-illuminated to Stand Out

While digital signs are currently quite popular, non-illuminated signs can be just as noticeable and effective with the right design choices. On top of this, non-illuminated signage will cost less, you won’t have to fiddle with complicated LED boards, there’s no need for electricity, and there are fewer restrictions governing their installation.
Non-illuminated signs come in many forms, but unlike digital signs, they will not have an internal light source.

Types of Non-Illuminated Signage

Reasons to Use Non-Illuminated Signs

Where Are Non-Illuminated Signs Found or Used?

Since non-illuminated signs are known for being versatile and cost-effective, you will find them used in dozens of ways. The most popular places you will see non-illuminated signage includes:
Really, there is no limit to what you can do with non-illuminated signage. Making effective signage, however, comes down to a few key practices that will be discussed in the following section.

Tips for Making Non-Illuminated Signs Stand Out

1. Consider the Material
Non-illuminated signs can be made from a wide variety of materials depending on the placement and purpose. Here are some of the more popular options to consider.
2. Sign Placement
Consider the height and angle of your sign. Signs should be placed so as to align with customer viewing angles, which are typically around 45 degrees above or below average eye level.
If you’re mounting a sign outdoors, you’ll want to choose a spot that gets plenty of sunlight during the day. Without an interior light source on the sign itself, you will need to consider the available light sources in and around your business. If well-lit areas do not exist around your building, consider adding additional spot lighting for the sign.
3. 3-Dimensional Signs
Creating a sign with dimension will help it pop. Our eyes are drawn to depth and contrast, and a well-designed dimensional signage can be as effective as an illuminated sign.
Dimensional signs are useful on storefronts, as well as any other indoor or outdoor locations. There are many three dimensional options, but the main types include
4. High Contrast
High contrast in sign design is always important, but especially so with non-illuminated signage. Contrasting colors are more likely to be seen at a distance or on a cloudy day. A sign’s readability owes a lot to the contrast of the text color against the background. Choose light or bright colors on a dark background or dark text against a white or light background.
You should also consider the building itself where the sign will hang. It needs to be in contrast with its surroundings. When hanging a storefront sign on a black building, a black or dark-colored sign is never going to be noticed.
5. Font Choice
Choice of font will also affect a sign’s readability, particularly when it comes to non-illuminated signs. You may wish to choose a unique and stylish complicated font to set your business apart, but simple fonts are the easiest to read. A swirly cursive font may not be legible to potential customers walking by.
Quality signage does the job of bringing attention to your business, attracting customers, and sharing helpful information and directions. If you decide to go with non-illuminated signs, keep these tips in mind to make sure your signs shine just as bright as illuminated options.
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submitted by Original_Exercise968 to u/Original_Exercise968 [link] [comments]


2024.05.21 03:55 travelling_witch Writing Scripts (cursive versions)

Hi,
I have my eye on a couple of amazing looking journals to be my Grimoire for a collection of my work and research to be put in, a passion project as I want to make it look really good with calligraphy and drawings.
Anyhow,
I really like the idea (still an idea mind) to use a script, I know it won't be Theban, mainly as it's very well known. But I have others I am contemplating.
(I say it's an idea in mind because as much as I love the idea of the Grimoire being fully in scripts, main, one for spells, runes, and alchemy symbols [I said it was a passion project XD but I also recognise it's going to take time, esp. not to make errors, I understand that no matter how well I memorise, it could take me time to translate what I wrote, reducing the efficiency.)
So to the actual point (professional rambler), I love the ones I've found, but I actually am interested in having at least one that's cursive friendly. Like the Theban alphabet I've failed to join them up, and I get it, practically, they look more like runes/ sigils, but does anyone know of alphabets that can be learnt to be cursive with examples, or how to potentially learn to make any cipher alphabet script to be cursive with a how-to guide & tips? I'd like to continue practicing before I can finally afford my Grimoire, to help be a step ahead skills wise.
I tend to generally write far more with cursive and it feels far more fluid and natural than just putting down each symbol without any linking, and for me it just looks really pleasing, and helps me get in the zone when I'm writing my notes. It feels faster to use cursive too, than writing letters out individually.
Thank you for reading (what surely could have been written more concisely.) ✨
submitted by travelling_witch to Grimoires [link] [comments]


2024.05.21 02:22 Cosmic_Quill Line variation for small handwriting?

Hi everyone,
I have a few fountain pens but all of them have round nibs. I'm coming from mechanical pencils as my usual writers, and sometimes with my wider nibs (a Jowo #6 F and a Pilot Kakuno M) I find myself trying to turn or rotate my pen to try to get a narrower line. Obviously, this doesn't work with my current pens.
Because of this, I'm trying to find a pen that would give me some line variation; I'd be open to try a stub, cursive italic, oblique, or maybe something with flex. However, I have small handwriting, and all the nibs I can find are either 1.1mm stubs at minimum, or come on very expensive pens. I've seen recommendations for Nemosine's stubs, but they no longer seem to be available, and it seems like obliques and flex are hard to come by outside very expensive or vintage pens. I'm hesitant to spend money on something like a Franklin-Kristof SIG or a custom grind to start with, but I also don't want to purchase a nib so wide it won't accomodate my handwriting. I definitely don't know what I'm doing enough to try buying vintage pens.
The only pen I have been able to find that might work is a Pilot Prera with a CM nib, but it seems like reviews of the nib are mixed with regard to everyday writing. Is it still a viable option? What are people's recommendations for getting into these sorts of nibs if a 1.1 mm stub isn't going to be useful to me?
submitted by Cosmic_Quill to fountainpens [link] [comments]


2024.05.21 02:18 Gazooonga Wayward

Inspired by a writing prompt. I figured I'd take a crack at a fantasy litRPG. If you like it, and if you like more frequent, shorter chapters, thenet me know. I mostly use this as a second account to try out ideas.
I woke up with a pounding headache, as if I had been beaten over the head with a mallet. The first thing I noticed was the smell of mildew and dust assaulting my senses, and the dim light cast down by a single, rusted chandelier swinging gently side to side. There was no noise, no signs of life, but plenty of inhabitation: stained cots and bunks, dirty dishes strewn about, and an old longsword leaning on some lockers placed next to the only exit in the room. I stood up and groaned as I stretched and popped my back, a disgruntled growl escaping my thin lips. I didn't usually growl like that... Did I growl like that? I had no idea. It was all fuzzy, and I couldn't really make out who I was, where I was from, or even a name. At points I could almost imagine something, a name starting with an M, but it dissipated as fast as I had imagined it, as if it was being kept from me.
I thumped my scaly tail against the floor in agitation as I looked around some more. There was nothing that really made this place stand out from some poorly-kept cellar or prison cell. The more I noticed, however, the more I was starting to believe that I was in the latter: there were no glass dishes, merely wooden bowls and pewter utensils, and the cots seemed to have been used by many. No food, no furniture beyond that, just a bucket in the corner that I really didn't want to inspect and some lockers that could have contained anything. The door was a heavy iron rectangle with a barred semicircular window from which no light appeared to escape from, and beyond that was unknown. I was alone here, utterly alone.
I walked up to the door and attempted to open it, but there was no handle or wheel to interact with, nor was there anything else that could feasibly open it. I slammed my broad shoulder against it, only to hiss in pain as my shoulder ached. The door did not budge. I tried again, with a shout, and while the door did not budge the room seemed to shake just a little, as if I had some kind of immense strength. Something from the lockers fell down and hit the floor, shattering and causing me to jump. I spun around, claws extended (claws?) and growled at whatever made that noise, only to see what remained of a mirror that I knew hadn't been on the lockers before scattered across the ground.
I grumbled and sighed, walking over to clean it up so as to not step in it later like a fool when I suddenly saw my reflection… if it was even mine to begin with. I wasn't what I was supposed to be, although I didn't know exactly what I was supposed to be, but I knew that it wasn't this. My skin was made of thick, silver scales and my eyes were a bright deep marine blue through with pitch black slits in the center. My pointed maw was filled with razor-sharp teeth, and my head was adorned with long and curly horns. I also realized I was wearing nothing but a pair of linen undergarments, which was a bit annoying.
Something was wrong. Something was horribly wrong. This wasn't the person I was supposed to be, I knew that, but I also couldn't remember who I was before and that scared me even more. All that was left of my identity was my apprehension, my reflection, and the constraints of this room.
I gulped and turned back to the door, eyes darting to and fro. Then, as I placed my hand on the wall next to the door absentmindedly to balance myself as I could feel my head spin. Then I felt it; a piece of paper stuck to the wall with a simple dagger. Now I really knew that the paper or the knife hadn't been there before, and all these little details were starting to freak me out. I yanked the knife out of the wall and held the paper in my head. Before I could even read the note, the small hole in the wall quickly closed up as if the whole room was alive, which it absolutely could have been for all I knew. I turned back to the note and read it, eager to see what it said.
Don't open the door.
That's all it said: No name, no location, and no explanation or details. Just this vague warning. I sighed and set it down before staring at the door again, perplexed. Nothing about it changed.
Then I looked at the note again, hoping to see some kind of change, maybe some kind of guidance. To my surprise, it did.
Open the locker.
Now I knew that I wasn't imagining things: this place was changing, and maybe it was responding to my psyche. It wasn't the craziest idea. Where am I? I thought, hoping to try and direct my thoughts towards the note. I looked back down and noticed a minor change.
The Labyrinth. Open the locker.
The Labyrinth? What the hell did that mean? What labyrinth? That didn't answer any questions I had. Where is the labyrinth?
It is here. Open the locker.
Okay, so the note was a smartass, that was good to know. I let out a resigned sigh and stepped over to the grimy lockers next to the door, the pair of them stuck together with rust and other grime. This whole room made me feel dirtier than it had any right to, especially with the cool, damp stone floor somehow feeling sticky against my raptorial feet. With enough force and a frustrated grunt, I yanked the first locker open, revealing something I hadn't expected: clothing. Carefully and intentionally folded clothing. I quickly began pulling it all out, and organizing the haul. There was a wool undershirt, a patched gambeson, stitched leather trousers, socks and hose, and worn rawhide boots. That's what excited me the most: the cold and the dampness of the room was starting to seep into my bones and I wanted something to cover up with immediately. I set down the note on top of the locker and quickly dressed, then searched the other locker.
In the other was more useful supplies, but of a different nature: a large traveling pack, a faded breastplate, a plain bronze necklace, a hide-covered heater shield, a short bow along with a leather quiver of barbed arrows, and a flanged mace. There was also the longsword next to the lockers, which I would be keeping: it'd rust away here if I didn't take it. Inside the sack was some carefully packed rations, mainly of salt pork, hardtack, a quart of cheap ale, a tin of lard, a big slice of hard cheese, and some dried apple. It wasn't anything to write home about, but it was good and that was much better than the alternative. There was also a bedroll attached to the bottom, and a little mess kit hanging from the side, stored in a leather tub.
I dressed fully and strapped on the armor before consulting the note again. Why am I here?
_To be tested. _
I didn't like that. I didn't like that at all. I didn't feel like being tested. Why am I being tested?
It has been written.
That didn't explain anything. I simply balled my free fist, my new claws digging into my scaly palm. What now.
Open the door.
“But I… can't,” I spoke as I turned around to the sealed door, only to find that it had changed, revealing a metal pressure wheel I needed to spin to unlock it. The barred window was still pitch black, but it was a start. I quickly jogged over and gripped the wheel, easily opening it and revealing a hall that was pitch black. After a few seconds, wall sconces lit up in rows down the hall ominously, as if beckoning me further. I lifted up the note to consult it again, but it felt weightier in my hands, as if it too had changed. When I looked at it, it had transformed into a thick, leather bound notebook, and attached to the front was an ink quill for writing. I opened the book and looked at our entire conversation, including my thoughts, inscribed within the first few pages in elegant cursive, all the handwriting identical. I lifted the quill and gulped before writing one last question.
What will happen to me?
My handwriting was identical to the rest. In seconds, the notebook responded, my hand moving without my control or consent and scribbling down a response in my exact same handwriting.
You will be tested. Do not fail.
submitted by Gazooonga to HFY [link] [comments]


2024.05.21 01:14 No-Tomatillo-5294 Handwriting today has changed for the first time!?

Handwriting today has changed for the first time!?
Turns out (personally speaking) WRITING IN ALL CAPS ACTUALLY MAKES HANDWRITING FUN AND NO LONGER TORTURE TO WRITE (Heres a sample of a knitting pattern. still practicing though its only been a few hours)
submitted by No-Tomatillo-5294 to Handwriting [link] [comments]


2024.05.21 00:11 atticus-shep Interesting handwriting in an old deed index

Interesting handwriting in an old deed index
This is the handwriting of Rhoda J. Dool (1887-1923), a Deputy Register in Cass County, Michigan, c.1912- c.1916 (or thereabouts - hard to tell exactly what years as there appear to have been multiple Deputies at the time). I have been intrigued by this squared cursive style ever since I first saw it about a year ago, but my own research about it has yielded little in the way of results. Does anyone here know about this style of handwriting, where it came from, or how she would have learned to write this way? It seems to be a very unique style for the early 20th century.
submitted by atticus-shep to Handwriting [link] [comments]


2024.05.20 23:37 Physical_Carpenter50 Writing by hand helps people learn, could this be why a lot of students are so far behind these days when compared to previous generations?

https://www.npr.org/sections/health-shots/2024/05/11/1250529661/handwriting-cursive-typing-schools-learning-brain
Excerpt:
“In kids, studies show that tracing out ABCs, as opposed to typing them, leads to better and longer-lasting recognition and understanding of letters. Writing by hand also improves memory and recall of words, laying down the foundations of literacy and learning. In adults, taking notes by hand during a lecture, instead of typing, can lead to better conceptual understanding of material.”
Since a lot of students use computers to type out their work, hand writing is not focused on as much. So maybe that’s why a lot of students are behind previous generations at the same age.
The article talks about bringing back teaching cursive writing which would be great in my opinion.
Edit: the article also says writing with a stylus on something like an iPad works as well as writing on paper with a pencil
submitted by Physical_Carpenter50 to Teachers [link] [comments]


2024.05.20 23:15 mini_Oppa My normal all caps handwriting vs my cursive.

My normal all caps handwriting vs my cursive.
I made myself write in cursive when journaling during my college days and it really improved the look of it but that was a decade ago and I’m out of practice. First two are writing at normal speed and the second is taking my time.
submitted by mini_Oppa to Handwriting [link] [comments]


2024.05.20 21:04 loyaleling We have a cursive test tmrw so we were being good students and practicing our cursive.

We have a cursive test tmrw so we were being good students and practicing our cursive. submitted by loyaleling to TeenagersButBetter [link] [comments]


2024.05.20 20:18 emgra43 Spelling errors with cursive, and hand cramps

For years I have printed when writing, because I don't feel like I have very good handwriting. But recently I got my first fountain pen so I want to start writing in cursive. But for some reason when I write in cursive my spelling becomes atrocious! I either leave letters out completely, or make silly mistakes, like turning ‘n’ into ‘m’. I think my hand moves faster than my brain. 😊 Does anyone else have this issue, or found a way to improve spelling while writing in cursive?
Also, when using my fountain pen I have been getting a cramp on the top of my hand - like on the opposite of my palm. I wonder if I'm gripping my pen too tightly, but I don't think so, as I have been consciously trying to lighten my grip. I'm left handed, and write with my hand under my pen, if that makes any difference.
Thanks for your thoughts or suggestions!
submitted by emgra43 to fountainpens [link] [comments]


2024.05.20 19:31 Old_Bad_7188 First time sharing my handwriting

First time sharing my handwriting
I used to be so jealous of people who write cursive because i was never a cursive gal. Happy with how my handwriting look now tho
submitted by Old_Bad_7188 to Handwriting [link] [comments]


2024.05.20 19:04 masgrimes Seeking moderator applications — 2024

Hey y'all,
The last few weeks, we've gained about 70k new account here on /handwriting. With those accounts has come a slew of new problems. I am once again looking for additional moderating help with the sub.
The goal of this sub is to provide a positive place where people can come to discuss their own handwriting, receive helpful tips for improvement, and find inspiration from the posts shared by others.
Without better moderation practices, I don't think we can live up to this goal. If you have event one hour a week that you can dedication to checking and removing rule-breaking posts and comments, I would welcome an application via mod mail.
Requirements:
  1. Account must be at least 2 years old.
  2. You must have posted in handwriting before.
  3. You must be willing to set aside personal biases when enforcing the rules.
  4. You must be able to write and communicate clearly and effectively in English.
Please send a message with a short introduction to yourself and why you think you'd be a good mod. I'm hoping to bring a couple of folks on by the end of the month.
Thank you!
—David
P.S. If you don't want to be a mod, but have any ideas about how we might adjust the rules or do things differently that would better help us meet the above goal, I'd love to hear it!
submitted by masgrimes to Handwriting [link] [comments]


2024.05.20 16:24 EquesInferi the handwriting I've had since 9th grade

the handwriting I've had since 9th grade
this sub kept getting recommended to me for some reason. I don't practice handwriting, this is just my normal one. although it does get a bit crappier when I'm taking notes very fast.
submitted by EquesInferi to Handwriting [link] [comments]


2024.05.20 13:54 ConsequenceSure3063 Best Civivi Pen

Best Civivi Pen
https://preview.redd.it/e6snvf3nlk1d1.jpg?width=720&format=pjpg&auto=webp&s=4cd4f6405c4f879117f5798d70a0698439bb6816
Prepare yourselves for a pen-tastic adventure as we round up the most outstanding Civivi Pens on the market! Whether you're a stationery enthusiast, a graphic designer, or just someone who appreciates the art of writing, we've got you covered. Get ready to discover the perfect writing companion that will elevate your note-taking, doodling, and creative endeavors to new heights!

The Top 20 Best Civivi Pen

  1. Stylish and Durable Civivi P01B C-Quill Pen for Safety and Convenience - Upgrade your safety gear with the sleek and durable CIVIVI C-Quill black pen, perfect for on-the-go protection and a stylish addition to your daily use items.
  2. Civivi CP-02B Coronet Titanium Spinner Pen with Glass-Breaker Tip - The CIVIVI CP-02B Coronet Spinner Black Pen is a sleek and durable EDC spinner pen made primarily of high-quality 6AL4V titanium, featuring a glass-breaker tip and a 127.4mm standard length.
  3. Long-Lasting Civivi CIVCP01A C-Quill Pen, Grey - The Civivi CIVCP01A C-Quill Pen, a must-buy for any EDC enthusiast, boasts anodized aluminium and grey color, portability, and a powerful clip for easy attachment.
  4. Affordable and Streamlined TWSBI Eco Fountain Pen - Affordable, sleek, and stylish, the TWSBI Eco fountain pen combines functionality and design for a smooth writing experience without breaking the bank.
  5. TWSBI ECO-T Fountain Pen: Saffron Extra Fine - Smooth, Lubricated Writing Experience - Experience the smooth, effortless writing with the TWSBI ECO-T Fountain Pen, featuring a brass build, piston-filling mechanism, and 5 nib sizes, all beautifully packaged for the perfect gift.
  6. Luxury Brass Fountain Pen for Daily Writing - Inspired by the complexity of human civilization, IWI's Civilization Fountain Pen features a brass body and premium Bock Extra Fine nib, delivering unparalleled writing comfort and performance for everyday use.
  7. Classic TWSBI Eco Black Fountain Pen - Stylish and Durable Writing Instrument - The TWSBI ECO Black Fountain Pen offers a smooth-writing experience, with a sleek design and a piston-filling system, available in various nib sizes and an impressive black and clear finish.
  8. Scrivi Luxury Fountain Pen Set - Unlock the Power of Meaningful Expression - Experience the harmonious marriage of classic craftsmanship and modern innovation with the SCRIVI PENS luxury fountain pen set, featuring smooth extra fine nibs and refillable ink cartridges for a timeless writing experience.
  9. Stainless Steel Vacuum-Filled Mini Fountain Pen - Smoke - Experience the smooth writing gradation of the TWSBI VAC Mini fountain pen in Smoke with its vacuum filler system, stainless steel nib, and transparent polycarbonate body, all backed by TWSBI's commitment to traditional fountain pen ownership.
  10. TWSBI Diamond Mini Stub Fountain Pen: Modern, Reliable, and Versatile - Experience the luxury of a TWSBI Diamond Mini Classic Fountain Pen, featuring a 1.1mm stub italic nib and a sleek, pocket-friendly design, perfect for calligraphy or adding elegance to your writing.
  11. Sleek Navy Blue Nib Fountain Pen with Durable Aluminum Grip - Experience the elegance and precision of the TWSBI Diamond 580ALR Fountain Pen in Navy Blue, perfect for discerning writing enthusiasts who appreciate a smooth-writing, scratch-resistant acrylic barrel.
  12. IWI Civilization Fountain Pen Brown - Brass Body, Bock Extra Fine Nib, and Standard International Cartridges - This IWI Civilization fountain pen is crafted from brass, inspired by human civilization and history, boasting a comfortable grip for diverse tasks and outfitted with a premium German-made Bock Extra Fine nib.
  13. Transparent Purple TWSBI Eco Fountain Pen - The TWSBI Eco Fountain Pen offers a sleek transparent purple design, extra fine steel nib, plunger loading system, and disassemblable parts, making it an ideal choice for both traditionalists and modernists.
  14. Copper Finish BIGiDESIGN Ti Mini Pen with Included Refills - The Big Idea Design Ti Mini Pen is a sleek, durable pen crafted from solid copper, perfect for everyday carry and featuring a twist-style mechanism with impressive Schmidt 635 D1 refills.
  15. TWSBI Vac700R Iris Extra-Fine Fountain Pen: Vacuum-Filled, Smooth Writing, Clear Design - The TWSBI Vac700R Fountain Pen offers a unique vacuum filling system, refilling with ease and making it a standout choice for smooth writing and ink management.
  16. Glow in the Dark TWSBI Eco Fountain Pen: Sleek and Functional Writing Instrument - Experience the glow of tradition with the TWSBI ECO Glow Green Fountain Pen, featuring a dazzling neon ink and sleek design that outshines the norm.
  17. Luxury Brass Fountain Pen Set with Schmidt Nib and Gift Box - Scriveiner Stainless Steel Fountain Pen: A mesmerizing blend of sophistication, luxury, and smooth writing experience.
  18. Star Wars Chewbacca Limited Edition Civivi Fountain Pen - Bring the iconic character Chewbacca to life with this exclusive limited-edition Townsend Star Wars Fountain Pen, featuring intricate engravings, a Swarovski crystal top, and a lifetime mechanical guarantee, making it a unique gift for any Star Wars fan.
  19. TWSBI VAC Mini Fountain Pen: Portable Vacuum Filler with Smooth Steel Nib - The TWSBI Vac Mini fountain pen in Clear offers a vacuum filler design, pocket-sized convenience, and smooth writing with a sleek and stylish appearance, making it a top-rated writing instrument for fountain pen enthusiasts.
  20. Stylish TWSBI Eco Indigo Blue Fountain Pen with Bronze Trim and Extra Fine Nib - Dive into the world of elegant fountain pen writing with the TWSBI Eco Indigo Blue, boasting a sleek, sophisticated design, smooth ink flow, and convenient features for all skill levels.
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Reviews

🔗Stylish and Durable Civivi P01B C-Quill Pen for Safety and Convenience

https://preview.redd.it/505kfw8yjk1d1.jpg?width=720&format=pjpg&auto=webp&s=20d5bead9e38d12e7a3d17042c2c09037153a345

I had the pleasure of trying out the Civivi P01B C-Quill Pen Black, and I must say, it's a real treasure. The moment I held it, I was impressed by its sleek, sophisticated design. The pen is lightweight yet sturdy, making it a great companion for daily use.
One of my favorite features was the smooth, comfortable grip, which felt perfect for both right- and left-handed writers. The bold ink flow was impressive, and I appreciated the fact that it's refillable, meaning I won't need to buy a new pen anytime soon.
However, there was one aspect that could be improved - the clip, which seemed a bit fragile and didn't hold onto my pocket as securely as I would have liked. But overall, this pen is a steal for the price, and it certainly stands out among other pens in the market.

🔗Civivi CP-02B Coronet Titanium Spinner Pen with Glass-Breaker Tip


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Lately, I've been using the Civivi CP-02B Coronet Spinner Black Pen as my EDC (every day carry) pen. This sleek black pen is a true marvel for a spinner enthusiast. Its spinner feature is compact at 14.33mm, adding to its portability while still providing a satisfying fidget element. The main body is made of 6AL4V titanium, providing both durability and a premium feel.
The pen is surprisingly lightweight at just 28.4 grams, which makes it comfortable to hold while writing. My favorite part? The glass-breaker tip on the end. It's not just a stylish addition - it provides a functional element that one can appreciate in this day and age. There's something almost comforting about having a pen that can potentially protect you in any situation.
However, there's one downside to this pen: the clip. It's made of the same titanium material and seems a bit fragile compared to other pen clips I've used. Despite that, the Civivi CP-02B Coronet Spinner Black Pen still stands out as a solid choice for both daily use and as an emergency spinner. It's not easy to find a pen that combines both style and function, but the Civivi CP-02B does just that.

🔗Long-Lasting Civivi CIVCP01A C-Quill Pen, Grey

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I recently added the Civivi C-Quill Pen to my daily essentials, and after using it for a while, I'm quite impressed with what it has to offer. The sleek grey anodized aluminum body gives it a modern look that's perfect for my urban lifestyle. It's not just pretty, though; it's also built to last, as I found out after subjecting it to a few rough encounters without any visible damage.
One of the standout features of this pen is its practicality. Whether I'm scribbling notes at my desk, jotting down ideas during a brainstorming session, or signing documents at the office, the C-Quill Pen has proven to be a reliable and efficient tool. Its fine point ensures smooth and precise writing, and the strong clip makes it easy to attach to various surfaces, so I never misplace it.
While I've had a positive experience with the C-Quill Pen, it's not without its minor drawbacks. It might be a bit too subtle for those looking for a pen with more vibrant colors. Also, there's one area that could use some improvement: the size of the pen might be a bit too small for some hands, making it slightly awkward to grip.
Overall, though, the Civivi C-Quill Pen has earned its spot in my EDC (Everyday Carry) bag. It's a stylish, durable, and practical choice for anyone looking for a high-quality pen that won't break the bank. Just remember to tighten the snap closure properly to prevent ink leaks, and you'll be all set for a smooth writing experience.

🔗Affordable and Streamlined TWSBI Eco Fountain Pen


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A few weeks ago, I decided to try the TWSBI Eco Fountain Pen and let me tell you, it was love at first use! This pen is a sleek and stylish writing instrument that's perfect for those who appreciate a mix of functionality and affordability. One of the things that stood out to me right away was the clear, transparent barrel that allows you to see the inner workings of the pen and monitor your ink levels. The pen is a piston filler, which means you can fill it with your preferred ink color.
Not only does it look great, but it also feels great in your hand thanks to its comfortable grip section. The pen has a cap that posts, and it writes wonderfully with its stainless steel nib. The highlight of the pen is its sleek design that combines style and functionality, as well as its affordability. The only downside is that it may not be the best option for those who prefer a thinner nib, but overall, I'm quite impressed with this pen.

🔗TWSBI ECO-T Fountain Pen: Saffron Extra Fine - Smooth, Lubricated Writing Experience


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I recently got my hands on the TWSBI ECO-T Fountain Pen in Saffron Extra Fine and it's been an absolute delight to use. The solid brass construction gives it a sturdy feel, while the piston-filling mechanism makes refilling hassle-free.
I particularly enjoy the smoothness when writing, the pen flows effortlessly on the page. The pen also comes with a tool and silicone grease, which is quite helpful in re-lubricating the piston if needed. Another standout feature is the inner cap that ensures a perfect seal and prevents my ink from drying out.
I love the fact that this pen is available in five different nib sizes, making it a perfect fit for everyone. The gift box it comes in is a thoughtful touch, making it a great present for any occasion. Overall, I'm very pleased with my TWSBI ECO-T and don't see myself putting it down any time soon.

🔗Luxury Brass Fountain Pen for Daily Writing


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The Civilization pen by IWI is a piece of history in the palm of your hand. Crafted from the same brass used in ancient civilizations, this pen oozes class and sophistication, making it an ideal writing instrument for daily use. Its hexagonal body, inspired by the strength and wealth of past eras, and the castle engraved at one end are both visually striking and a nod to the societal structures of yesteryears.
The Civilization fountain pen, a product of German precision, comes equipped with a Bock Extra Fine nib, perfect for a wide array of tasks - be it note-keeping, daily writing, or even drawing and architecture. And it's as comfortable to use as it is beautiful to look at, ensuring your notes are taken in style.
However, nothing in this pen is perfect. It does require the use of standard international cartridges or mini converters, which can be seen as an inconvenience by some users. Yet, it's a small price to pay for the elegant and historic pen design, making it a worthwhile addition to everyone's desk.

🔗Classic TWSBI Eco Black Fountain Pen - Stylish and Durable Writing Instrument


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I recently added the TWSBI ECO Stub 1.1 to my collection of fountain pens, and I've been thoroughly pleased with the experience. The clear acrylic body makes it easy to monitor ink levels, and the smooth-writing steel nib is a pleasure to use. I appreciate the piston filling system, as it only requires bottled ink and allows for ample ink capacity.
However, I did encounter a small issue with the pen cap. It has a tendency to wobble slightly when posted onto the back of the pen. This wobbling made me concerned about the longevity of the pen, as it didn't seem to sit securely.
Overall, the TWSBI ECO Stub 1.1 has been a welcomed addition to my daily writing routine. With its sleek, industrial design and reliable writing performance, it's a great pen for both beginners and seasoned fountain pen enthusiasts alike.

🔗Scrivi Luxury Fountain Pen Set - Unlock the Power of Meaningful Expression


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I recently got my hands on the Scrivi Pens Luxury Fountain Pen Set in a luscious blue hue. The first thing that struck me was its design; it's a subtle blend of timeless elegance and modern touch, with a wide-barrelled body that fits comfortably in my hand. The ink flows smoothly on the page, guided by an extra fine nib that glides effortlessly.
I must say, writing with this pen feels like a luxurious experience. The balance is perfect, and while it exudes understated confidence, it doesn't scream 'look at me'. It's like a companion on my creative journey, extending itself to make every word I write meaningful and unforgettable. It's not just a pen, it's an extension of me.
However, I did notice that refilling the ink can be a bit of a hassle. But considering the overall experience it provides, I'm more than willing to deal with a little inconvenience. Overall, the Scrivi Pens Luxury Fountain Pen Set is a beautiful fusion of classic craftsmanship and modern innovation, and it definitely lives up to its promise - unlocking the power of meaningful expression.

🔗Stainless Steel Vacuum-Filled Mini Fountain Pen - Smoke


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If you're looking for a fountain pen that won't let you down, the TWSBI Vac Mini fountain pen in Smoke is the one for you. Unlike its larger siblings, this pen is a departure from the piston filler fountain pens typically found in the TWSBI lineup.
The first thing you'll notice about the TWSBI Vac Mini is its clear acrylic body. It makes checking the level of ink a breeze, and the black grip section and turning knob adds a touch of elegance. The smooth writing stainless steel nib, silver clip, and trim accents make this pen a true workhorse.
This vacuum filler pen holds a large amount of ink and fills by unscrewing the end cap, pulling it out, and then the pen fills on the downstroke. Be sure to hold the pen in the ink for several seconds after pushing the end cap in, and for best results, you should do this twice. The TWSBI Vac Mini fills with bottled ink only, and for best filling results, the TWSBI Vac 20A ink bottle is a fantastic option.
TWSBI believes that users should be able to disassemble and reassemble the pen to fully experience the traditional aspects of owning and using a fountain pen. The pen packaging includes a wrench and silicone grease, although they are not intended for immediate use. Use extra care when disassembling the pen to avoid breakage or cracking.
The TWSBI Vac Mini fountain pen in Smoke is a fantastic choice for those seeking a reliable, stylish, and easy-to-use fountain pen. Whether you're using it for everyday writing or for special occasions, this pen will not disappoint. Give it a try and see for yourself why it's a favorite among fountain pen enthusiasts!

🔗TWSBI Diamond Mini Stub Fountain Pen: Modern, Reliable, and Versatile


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I recently added the TWSBI Diamond Mini Classic Fountain Pen to my daily writing routine, and let me tell you, it's a game-changer. This pen is a perfect blend of affordability and high-quality craftsmanship, making it a great addition to any stationery enthusiast's collection.
One of the most notable features of this pen is its piston filler mechanism. It's a feature typically found in much more expensive fountain pens, but TWSBI has managed to make it accessible to everyone. This system allows you to directly draw ink from the bottle without the need for cartridges or a converter, providing a seamless and mess-free experience.
The pen's design is modern and eye-catching, with a transparent body that showcases its inner workings. The faceted barrel not only adds a touch of elegance but also helps prevent the pen from rolling away when placed on a surface. I especially appreciate the fact that it's about the same height as an iPhone, making it a convenient size to carry around.
The pen's balance is impressive when posted, and the piston filling mechanism holds a decent amount of ink. However, be cautious when operating the piston while the pen is filled with ink, as it may leak.
I do have one minor complaint, which is the clip on the pen. While it's secure enough to hold the pen in place, it has a bit of side-to-side movement when opened and closed, making it feel less secure.
Overall, the TWSBI Diamond Mini Classic Fountain Pen is an excellent choice for anyone looking for an affordable and stylish fountain pen. The piston filling mechanism, modern design, and great balance make this pen a standout in my daily routine.

🔗Sleek Navy Blue Nib Fountain Pen with Durable Aluminum Grip


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I've been using the TWSBI Diamond 580ALR Fountain Pen for a while now, and I have to say, it's been an interesting ride. The thing that stands out the most is the pen's capacity - I absolutely love it. It's not every day you find a pen that can hold so much ink, and it's been a game-changer for me.
Now, let's talk about the grip. It's got a 10.4 mm diameter, which is pretty comfortable in my hand. The aluminum grip section is a cool touch, adding a bit of modern flair to this otherwise classic pen. However, the textured pattern of the grip did give me a bit of a hard time at first, but I eventually got used to it.
The pen's filling mechanism is another highlight, with a piston-filling system that's smooth and easy to use. The nib size chart is a nice touch too, making it easy to find the right size for your writing needs.
But, as with any product, there are pros and cons. The main downside I found is the inconsistency in the nibs. I've had some that are smooth and write beautifully, while others have been scratchy and hard to use. It's a bit frustrating, to be honest.
Another minor issue I encountered was with the cap. At first, it was a bit difficult to remove, requiring a bit of effort. But, after a while, it got easier.
Overall, the TWSBI Diamond 580ALR Fountain Pen is a solid choice for anyone looking for a well-made, stylish, and functional writing instrument. Just be prepared for the occasional inconsistency in the nibs.

🔗IWI Civilization Fountain Pen Brown - Brass Body, Bock Extra Fine Nib, and Standard International Cartridges


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IWI's Civilization fountain pen is not just a pen, but a symbol of human history and civilization. Made of brass, this pen truly captures the allure and importance of past civilizations. Its sleek design, reminiscent of a castle under a sky of clouds, adds a touch of elegance and comfort to note-taking, daily writing, and even drawing.
Despite its sophisticated appearance, the Civilization fountain pen remains practical and versatile, suitable for a plethora of uses. Thanks to the Bock Extra Fine nib, the writing experience is smooth and effortless. It is capable of producing precise strokes for architectural or artistic detail, as well as clear handwriting for day-to-day tasks.
The Civilization fountain pen can be filled with either standard international cartridges or a mini converter, offering flexibility and convenience. Overall, this pen is an exquisite piece that combines beauty and functionality, making it a worthy addition to any writer's or historian's arsenal. While some may find the pen slightly heavy, its ornate craftsmanship overshadows this minor issue. In the end, the IWI Civilization fountain pen is a testament to the beauty and resilience found in the heart of past societies, inspiring awe and admiration in anyone who holds its pen in hand.

🔗Transparent Purple TWSBI Eco Fountain Pen


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I recently started my fountain pen journey, and one thing I truly appreciate is having the ability to disassemble and reassemble my pen. The TWSBI Eco Fountain Pen in Transparent Purple is a perfect fit for me in that regard. The traditional fountain pen design combined with modern aesthetics is a combination that I find quite captivating.
The clear acrylic body not only showcases the ink inside, but it also adds a touch of elegance. The silver trim and piston ink-filling system ensure a smooth writing experience. The smooth-writing steel nib is definitely a standout feature of this pen, as it glides effortlessly across the paper. It's an ideal pen for those who enjoy lettering or for those who are looking to transition from a different nib size.
One of the unique aspects of the TWSBI Eco is its disassembling feature. It is considered important by the manufacturer, as it allows users to experience the full aspects of owning and using a traditional fountain pen. The packaging for this pen is a thoughtful touch, as it includes a wrench and silicone grease for long-term care and maintenance.
However, there are a few drawbacks. The nib and feed are quite fragile, so extra care is necessary to avoid any potential damage. Also, this pen may not be the best fit for those who prefer a removable nib unit or those who enjoy interchangeable barrels and nib units.
Overall, the TWSBI Eco Fountain Pen in Transparent Purple is an excellent choice for those who appreciate the elegant combination of traditional design and modern aesthetics. Its ink-filling system, smooth-writing steel nib, and unique disassembling feature make it a valuable addition to any pen collection.

🔗Copper Finish BIGiDESIGN Ti Mini Pen with Included Refills


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The BIGiDESIGN Ti Mini Pen is a stylish and functional addition to your everyday carry. It's made with durable construction, giving you confidence while using it. The copper finish adds a touch of elegance to this pen, and the lightweight design makes it perfect for carrying around in your pockets.
Refilling the pen is easy, and it takes D1 refills, with six included for your convenience. They come in both gel and ballpoint options, so you can choose your preferred writing style. The pen's mechanism is twist style, ensuring it's easy to engage and use as needed.
The provided length of cord with a titanium bead makes it convenient to secure your pen and prevent it from getting lost or misplaced. Overall, the BIGiDESIGN Ti Mini Pen is a well-rounded choice for anyone looking for a reliable, eye-catching pen to add to their EDC kit.

Buyer's Guide

Welcome to our comprehensive buyer's guide for Civivi pens. This section will help you understand the essential features, considerations, and advice for choosing the right Civivi pen that fits your needs and preferences. Let's dive right in!

Material and Durability


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When it comes to Civivi pens, you'll want to consider the materials used and their durability. Civivi pens are typically made of high-quality materials such as aluminum, stainless steel, or brass. These materials not only offer a premium feel but also excellent durability for long-lasting use. You can expect your Civivi pen to withstand daily wear and tear without showing signs of wear and tear quickly.

Design and Build

The design and build of a Civivi pen are crucial factors to consider. A well-designed pen should be comfortable to use, with a sleek and ergonomic grip that fits effortlessly in your hand. The build quality should be sturdy and durable, with no loose or wobbly parts. Additionally, pay attention to the pen's overall aesthetics, as some Civivi pens feature unique designs and finishes.

Ink and Refill System

The ink and refill system of your Civivi pen play a significant role in its performance. Civivi pens typically use standard ink cartridges, which are easily accessible and affordable. Look for a pen with a reliable and easy-to-use refill system – some models may require a special tool or technique to replace the ink, while others offer a simple twist-to-refill mechanism.

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Consider Your Writing Style

Think about your writing style and the type of pen you'll find most comfortable. If you prefer a smooth and flowing writing experience, look for a Civivi pen with a fine or medium-fine nib. On the other hand, if you prefer a more aggressive writing style, you may prefer a pen with a broad or calligraphy nib. Additionally, consider the length of your writing sessions, as some Civivi pens may be better suited for long writing sessions than others.

Price and Value

Lastly, consider your budget when shopping for a Civivi pen. While there are premium Civivi pens that can be quite expensive, there are also plenty of high-quality and affordable options available. Look for a balance between price and value, considering factors such as build quality, ink performance, and overall durability.
By considering the essential features, considerations, and advice outlined in this buyer's guide, you'll be well-equipped to choose the perfect Civivi pen for your needs. Happy shopping!

FAQ


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What is the Civivi Pen?

The Civivi Pen is a high-quality fountain pen manufactured by Civivi, a reputable producer of writing tools. It is designed to provide a smooth writing experience and is known for its durability and sleek design.

What materials are used in the construction of the Civivi Pen?

The Civivi Pen is made from a combination of metal and high-quality resin, providing both strength and style. The pen is available in various colors, allowing users to choose one that suits their personal taste.

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What kind of nibs does the Civivi Pen come with?

The Civivi Pen comes with a stainless steel nib that offers a smooth and consistent writing experience. The nibs are available in various widths, including fine, medium, and broad, to accommodate different writing styles.

Is the Civivi Pen compatible with other ink cartridges?

Yes, the Civivi Pen is compatible with standard international ink cartridges. This allows users to choose from a wide range of ink colors and styles to suit their preferences.

What is the ink capacity of the Civivi Pen?

The ink capacity of the Civivi Pen depends on the size of the ink cartridge being used. Generally, a standard international ink cartridge offers approximately 1.3 ml of ink, which can be used for an estimated 300-500 words of writing.

How do I maintain the Civivi Pen?

To maintain the Civivi Pen, it is recommended to clean the nib and body of the pen regularly. After each use, rinse the nib with water and gently blot it with a soft cloth. To prevent ink from drying out, store the pen with the cap off or use an ink reservoir when not in use.

What is the warranty period for the Civivi Pen?

The Civivi Pen comes with a limited warranty, covering manufacturing defects for a period of 12 months from the date of purchase. If you experience any issues with your pen during this time, contact the Civivi customer support team for assistance.

Where can I purchase the Civivi Pen?

The Civivi Pen is available for purchase from various retailers, both online and in-store. You can also visit the Civivi website or contact their customer support team to find a list of authorized dealers in your area.

Are replacement parts available for the Civivi Pen?

Yes, replacement parts, including nibs, ink cartridges, and pen bodies, are available for the Civivi Pen. Visit the Civivi website or contact their customer support team to inquire about the availability of replacement parts and how to order them.
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submitted by ConsequenceSure3063 to u/ConsequenceSure3063 [link] [comments]


2024.05.20 11:11 NambiarAshish My preparation journey to achieve a 2-digit rank in GATE CS

Hello everyone. In my recent post, a few aspirants asked me about my GATE prep journey, so I decided to make a post about it. I am a chem engg graduate from 2021 batch. I realised it around my final year of engg that I am not interested in Chemical at all. So after completing my BTech, I joined Cognizant at an entry level position. Obviously, the work was really boring and I saw no growth in it, so after more than 1.5 years of working, I decided to quit.
I submitted my resignation on July 21st, 2023 and at the same time I paid for a Live Online Coaching from ACE Academy. Now, Cognizant being the kind people they are /s, they made sure that I work for the entire 3 months of Notice Period. So managing my online classes and job was tough for those 3 months and I somehow managed for those months. Classes used to go for about 6-7 hours at that time.
Once I was out of my Job on September 21st, I switched gears. I had more time in my hand, so I committed most of it (other than my classes) to going through my notes and solving PYQs and improving my already written notes. Trust me, updating your already written notes can help a lot. I am absolutely proud of my notes, because they are notes that are not for everyone but just for me. Remember, note-making is important so that "Future YOU" can understand it in an instant during your revision. So make sure that you highlight things that YOU are more likely to forget. Your handwriting does not matter to you, but what you write and how you explain it does.
Time was around December, the exam was closing in but classes were still going on (obviously because I joined the latter batch). So I had classes for almost 12-14hours a day. It was absolutely horrible because it sucked all my energy to do self-study. Therefore, all I could do was solve PYQs of my incomplete subjects for about 1-2 hours a day.
By mid-December, my classes were over and I started solving full-length Test Series. This was the time when I got to know about GateOverflow and GO Classes. GateOverflow website is an absolute Godsent for GATE CS aspirants. You can find great solutions for PYQs in that website because both GO Classes faculty and other students contribute to solving problems in that website. So if one solution does not suit your style, you can always read another one that came up with the same answer from a different approach. Anyway, I enrolled for the GO Full Length Test series. I think it had about 15 full length tests, one releasing every week. After each test, GO classes faculty will discuss the questions live in their youtube channel, they will also refer to videos in their channel if you struggle with a particular topic of a question.
I believe their questions are well curated and you can actually catch a few of them in the final paper. Enough d-riding, by mid-January, I was doing full length tests from both GO Classes and ACE(because it was included in their full course). I used to score 65+ in ACE tests, and about 50+ in GO Classes. So, I was not the most confident individual at that time. I thought that I might get newer IITs at best. But that didn't concern me at that time. My purpose was to prepare and get better, so I stuck with that. I started going through my notes more carefully, and started byhearting things that needs to be memorized, like the theory part in Compiler, OS, DBMS, etc..
Few days passed, and it was the exam day. I was anxious yet confident, I know it sounds oxymoronic, but that's the best I can describe that emotion. I entered the exam hall. The exam starts and I start solving, and I keep solving, and I keep solving. After almost 2 hours, I realised that this is going surprisingly smooth. During the last few minutes since I couldn't solve any more question, I just counted the number of questions I had solved just for a rough estimate, I solved 61 questions out of 65. The exam was over and I had only one thought in mind, "I fucking devoured the paper". But then I tried to calm myself down saying that maybe this is my overconfident self speaking, maybe I am counting the chickens before they even hatch. After a few days, I tally my marks with the official answer key and the rest is known.
TLDR: I graduated in Chemical Engineering in 2021, but realized I wasn't interested in it. After working at Cognizant for over 1.5 years, I quit in July 2023 to prepare for GATE with ACE Academy's online coaching, balancing classes and work during my notice period. Post-resignation in September, I focused on revising notes and solving previous years' questions (PYQs). Discovered GateOverflow and GO Classes for additional test series, which helped a lot. By mid-January, I was doing well in mock tests but was still anxious. On exam day, I felt confident and performed well.
Tips: 1. Join coaching if you are on time crunch. Sometimes a person understands the depth of the situation only after they spend money. 2. Make the best version of your notes. They are your best friend, reading other people's notes will only get you so far. 3. (Subjective) Do not follow anyone else's strategy, there's no guarantee that it will work for you. Try to find what works for you and stick to it. 4. Maintain consistency. Even if you happen to be busy on some days, just study for 30min to an hour just so you don't lose that streak that you have made with yourself. 5. Feel free to look for other sources if you are not comfortable with someone's teaching. I made this mistake, the DM faculty in ACE was not that good, but I forced myself to learn from him. Obviously it felt incomplete I had to learn from somebody else on youtube again, which wasted my precious time. 6. Test series are for practice, they do not directly reflect your result. Feel free to use your notes during initial days of your test series solving, it will build your confidence on your notes. But of course, stop using notes after a few tests, it will only hinder your speed and ability to memorize concepts. 7. (Not Shilling) Check out GateOverflow if you haven't already. It's just so valuable.
This is the best version of 'strategies' I could come up with. I know most of it is just basic knowledge, but sometimes you just need to hear it from someone else to actually work on it. So, good luck for your exams :)
submitted by NambiarAshish to GATEtard [link] [comments]


2024.05.20 02:40 Purple_Ad3714 29 ways demons Enter

Common Channeling- 29 Ways Demons Enter

  1. Ouija Board-Reputable spiritual leaders and experts have long warned against using Ouija Boards and their variants, as they can potentially expose individuals to malevolent forces. The idea of “safe” communication with angels through these boards is often a deceptive marketing ploy.
  2. Angel Boards—While proponents may claim that Angel Boards provide a safe and spiritual way to connect with the divine, these devices can open the door to potential dangers. The use of such boards has been linked to occult practices and the summoning of entities that may not have our best interests in mind.
  3. Consulting spiritual mediums—Spirit mediums claim to communicate with the dead. In a world of uncertainty, many people turn to spirit mediums for guidance, closure, and a connection to the beyond. These individuals claim to be able to communicate with the dead, see into the future, and uncover hidden truths. But are these abilities genuine or merely an elaborate illusion? However, the validity of these claims has long been a subject of skepticism and debate.
  4. Consulting psychics – Delving into the realm of the occult, where demonic forces are said to hold sway, carries with it a weight of spiritual and moral consequence that should not be taken lightly. As rational beings, we must carefully examine the claims made by those who purport to possess the ability to peer into the future and question the true source of their knowledge.
  5. Demon Teleaphaty – The mechanics of this demonic telepathy are not fully understood, but it is believed to operate on a metaphysical level beyond the normal bounds of the physical world. The demon’s consciousness somehow intertwines with the host’s, allowing for the seamless injection of foreign thoughts and urges. This creates an intimate, parasitic connection that the victim may be powerless to resist or expel.
  6. Spells – These carefully crafted incantations are more than words – they are the fabric of enchantment, woven together to manifest desired outcomes.
  7. Curses – These spoken words of harm or punishment, imbued with the power of magic, have the potential to wreak havoc on the lives of their targets
  8. Fortunetelling – Whether through interpreting dreams, reading tarot cards, or analyzing astrological patterns, the art of foretelling offers a unique perspective on the unfolding of events.
  9. Spirit guides – Through channeling, we can summon spirit guides that are aligned with our unique needs and highest good. These guides come in many forms – from departed loved ones to angelic beings to ascended masters – each offering a distinct perspective and specialized knowledge.
  10. Satanism – Satanism is not about worshipping a literal Satan but rather an extreme form of individualism and self-worship. Satanists believe in taking responsibility for their own actions and pursuing their desires without guilt or shame.
  11. Witchcraft involves harnessing the natural energies of the world around us and using them to manifest our desires. Whether casting a spell to attract abundance, performing a ritual to enhance personal growth, or simply connecting with the earth’s rhythms.
  12. Automatic handwriting involves the spirit or energy of a deceased individual taking control of the subject’s hand and guiding the pen across the page to convey their thoughts and wisdom.
  13. Astral Projections -This out-of-body experience allows the astral body to explore the spiritual dimensions beyond our physical world.
  14. Generational Demons – These “generational demons” are dark patterns and destructive tendencies that seep into our lives through our bloodline. While it may feel like an inescapable fate, we have the power to break these cycles of darkness.
  15. Spiritual Husband or Wife plaguing unsuspecting individuals – the rise of the “spirit spouse” or “spirit husband/wife.” This demonic entity assumes the identity of a person’s spouse, infiltrating their lives and relationships with the sole purpose of spiritual and emotional destruction. Sexual demons
  16. Physical sex-straight or gay

Negative Emotions

Negative emotions can serve as a gateway for demonic influences to take hold in our lives. It’s essential to be aware of how these toxic feelings can open the door for malevolent forces to infiltrate our existence.
Emotions like anger, fear, resentment, and jealousy can act as conduits for demons to enter and wreak havoc. Unresolved trauma, addictions, and unhealthy attachments also make us vulnerable to potential demonic possession.
We must be vigilant in addressing and overcoming these negative emotional states. Failure to do so can pave the way for dark energies to take root and cause untold damage. By cultivating positivity, self-awareness, and spiritual fortitude, we can safeguard ourselves against the insidious influence of demonic forces that seek to prey upon our weaknesses.

Understanding the Connection Between Demons and Negative Emotions

By understanding the connection between negative emotions and demonic presence, individuals can take proactive steps to safeguard their mental and spiritual well-being. Cultivating positive thoughts and emotions is crucial to creating a protective shield against these malevolent forces. Through forgiveness, mindfulness, self-reflection, and spiritual practices, we can fortify our defenses and reclaim our lives from the grip of these unwanted entities.
Anger, fear, resentment, jealousy, and other toxic feelings open the door for these malevolent forces to infiltrate our lives. Unresolved trauma, addictions, and unhealthy attachments also make us vulnerable to demonic possession.
By understanding the connection between negative emotions and demonic presence, individuals can take proactive steps to safeguard their mental and spiritual well-being. Cultivating positive thoughts and emotions is crucial to creating a protective shield against these malevolent forces. Through mindfulness, self-reflection, and spiritual practices, we can fortify our defenses and reclaim our lives from the grip of these unwanted entities.

Common types of negative emotions intensified by demons:

  1. fear (all types)
  2. Suicide
  3. Jealousy
  4. Bitterness
  5. Strife
  6. Depression
  7. worry
  8. pride
  9. fatigue
  10. Addictions
  11. Gluttony
  12. Generational bloodline Detecting these generational bloodline demons is no easy task as they remain hidden, subtly shaping one’s emotional state over time. The transfer of these demons through bloodlines perpetuates a cycle of negativity that persists until confronted and cast out. Understanding and addressing these vulnerable moments is crucial in breaking free from their grip and reclaiming emotional well-being for oneself and future generations.

Christians Can Have a Demon

Christians have a Demon because they sin. What are some other reasons Christians can have a demon?
In addition, Christians can have a demon if they invite a demon to direct communication. Christians participating in channeling activities can have demons because they have violated a very important spiritual law. This spiritual law states God does not want anyone to communicate with other spirits.
This is a common reason that all Christians have a demon because they sin and do not repent. In reality, many Christians can have demons because they do not believe in the devil or know how to protect themselves from the devil.
God does not force Christians to follow Him alone. If a Christian invites a demon to communicate, God will permit the demon’s entrance. Even if the person wants the demon to leave, the demon will stay unless it is cast out by self-deliverance (for Christians), self-exorcism, or exorcism with a deliverance team.
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2024.05.19 23:19 flashnl Help me improve a bit!

Help me improve a bit!
Hi reddit!
My handwriting has always been quite bad and recently i got fond again of pens and fountainpens. How to best go abouts improving my handwriting in several fonts? I have some time every evening to practice but i dont know what i should write and if and where i should get examples. I have several fountainpens and inks though. Does paper matter? Any reccomendations? I’d also like to get into writing hiragana/katakana at some point to improve my Japanese. Please drop your tips here for me🙈
submitted by flashnl to Handwriting [link] [comments]


2024.05.19 22:28 PopeyeBlaster Cursive for italics?

Cursive for italics?
My handwriting is atrocious, I’m well aware of this. I haven’t written much in my life, but I’ve recently tried my hand (no pun intended) at writing a light fantasy story just for fun.
I’ve found that, when I want a character put a little stank on a word, I write the word in cursive instead of my usual print. Whenever I tried to actually slant the word like you’re supposed to, it ended up looking and feeling awkward to write, so I just kinda did my own thing. I like it though!
Anybody else do this when they’re writing?
submitted by PopeyeBlaster to Handwriting [link] [comments]


2024.05.19 22:23 thedarkrobot Day 4: Catching Up and Making Progress in My Handwriting Journey

Hey everyone,
Here's my Day 4 update on improving my handwriting while managing dyslexia. I missed practicing yesterday, but I made up for it by doing extra work today. I focused on a few more sentences and I'm starting to see some improvement. It's still a challenge, but I'm committed to working on this daily. Your support and tips mean a lot to me!
Today's progress
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2024.05.19 20:52 TheGoldenSnake_ What's your OC's handwriting like?

What's your OC's handwriting like?
https://preview.redd.it/ujkh3fatff1d1.png?width=1000&format=png&auto=webp&s=e83f29748c960ccd3e22830c5380d9c2517d65b1
Since I actually worked out my OCs' handwriting for that f-list joke, I'm curious on how others would write!
PJ is the type of person who writes letters just enough to where you can understand them as English.
And Jean would write mostly in cursive since they would write relatively fast, and the loops in cursive would be natural and also Jean is a nerd lmao.
submitted by TheGoldenSnake_ to HazbinHotelOCArt [link] [comments]


2024.05.19 20:13 PageTurner627 My Dad and I Hunted Down the Dogman that Killed My Sister

I’ve always hated the smell of gun oil. It clings to everything it touches, soaking deep into the fibers of my clothes, the lining of my backpack, the coarse hair on the back of my hands. Yet here I am, kneeling on the cracked linoleum of our mudroom, a Remington .308 laid across my thighs, and the stench of gun oil sharp in my nostrils. The early morning light barely scratches at the edges of the blinds, dim and gray like the belly of a dead fish.
My dad Frank is in the kitchen, clattering around with the coffeepot and mumbling under his breath. Today we’re heading up to the woods of Northern Michigan, same as we did every year before Leah… before we lost her.
I can’t help but feel the old scars throbbing as I load bullets into the magazine. It’s been ten years since that hunting trip, the one that tore my family into before and after. Before, when Leah's laughter was a constant soundtrack to our lives; after, when every silence was filled with her absence.
We were just kids back then. I was ten, Leah was eight. It was supposed to be a typical hunting trip, one of those bonding experiences Dad was always talking about. But things went wrong. We got separated from Dad somehow. One minute we were following him, the next we were lost, the dense woods closing in around us.
Dad says when he found me, I was huddled under a fallen tree, my eyes wide, my body frozen. All I could mutter through chattering teeth was "Dogman."
It was only later, after the search parties had combed through every thicket and hollow, that they found her. What remained of Leah was barely recognizable, the evidence of a brutal mauling undeniable. The authorities concluded it was likely a bear attack, but Dad... he never accepted that explanation. He had seen the tracks, too large and oddly shaped for any bear.
As I load another round, the memory flashes, unbidden and unwelcome. Large, hairy clawed hands reaching out towards us, impossibly big, grotesque in their form. Yet, the rest of the creature eludes me, a shadow just beyond the edge of my recall, leaving me with nothing but fragmented terrors and Leah’s haunting, echoing screams. My mind blocked most of it out, a self-defense mechanism, I guess.
For years after that day, sleep was a battleground. I'd wake up in strange places—kitchen floor, backyard, even at the edge of the nearby creek. My therapist said it was my mind's way of trying to resolve the unresolved, to wander back through the woods searching for Leah. But all I found in those sleepless nights was a deeper sense of loss.
It took time, a lot of therapy, and patience I didn't know I had, but the sleepwalking did eventually stop. I guess I started to find some semblance of peace.
I have mostly moved on with my life. The fragmentary memories of that day are still there, lurking in the corners of my mind, but they don’t dominate my thoughts like they used to. I just finished my sophomore year at Michigan State, majoring in Environmental Science.
As for Dad, the loss of Leah broke him. He became a shell of himself. It destroyed his marriage with Mom. He blamed himself for letting us out of his sight, for not protecting Leah. His life took on a single, consuming focus: finding the creature that killed her. He read every book, every article on cryptids and unexplained phenomena. He mapped sightings, connected dots across blurry photos and shaky testimonies of the Dogman.
But as the tenth anniversary of Leah’s death approaches, Dad's obsession has grown more intense. He’s started staying up late, poring over his maps and notes, muttering to himself about patterns and cycles. He’s convinced that the dogman reappears every ten years, and this is our window of opportunity to finally hunt it down.
I’m not nearly as convinced. The whole dogman thing seems like a coping mechanism, a way for Dad to channel his guilt and grief into something tangible, something he can fight against. But I decided to tag along on this trip, partly to keep an eye on him, partly because a small part of me hopes that maybe, just maybe, we’ll find some kind of closure out there in the woods.
I finish loading the rifle and set it aside, standing up to stretch my legs. I wipe my greasy hands on an old rag, trying to get rid of the smell. The early morning light is starting to seep into the room, casting long shadows across the floor.
Dad comes out of the kitchen with two thermoses of coffee in hand. His eyes are bleary and tired.
“You ready, Ryan?” he asks, handing me a thermos, his voice rough from too many sleepless nights.
“Yeah, I’m ready,” I reply, trying to sound more confident than I felt.
We load our gear into the truck, the weight of our supplies and weapons a physical reminder of the burden we carry. The drive from Lansing across the Lower Peninsula is long and quiet, the silence between us filled with unspoken memories and unresolved grief.

The drive north is a blur of highway lines and the dull hum of the engine. I drift off, the landscape outside blending into a haze. In my sleep, fragments of that day with Leah replay like scattered pieces of a puzzle. I see her smile, the way she tugged at my sleeve, eager to explore. The sunlight filters through the trees in sharp, jagged streaks.
Then, the memory shifts—darker, disjointed. Leah's voice echoes, a playful laugh turning into a scream that pierces the air. The crunch of leaves underfoot as something heavy moves through the underbrush. I see a shadow, large and looming, not quite fitting the shapes of any creature I know.
Then, something darker creeps into the dream, something I’ve never allowed myself to remember clearly.
Before I can see what it is I wake up with a start as the truck jerks slightly on a rough patch of road. Dad glances over. "Bad dream?" he asks. I nod, rubbing the sleep from my eyes, the remnants of the dream clinging to me like the cold.
"Yeah, just... thinking about Leah," I manage to say.
As we drive, Dad attempts to bridge the silence with small talk. He asks about my finals, my plans for the summer, anything to keep the conversation going. His voice carries a forced cheerfulness, but it’s clear his heart isn’t in it. I respond when necessary, my answers brief, my gaze fixed on the passing scenery.
The landscape changes as we head further north, from flat expanses to rolling hills dotted with dense patches of forest. It's beautiful country, the kind that reminds you how vast and wild Michigan can be, but today it just feels oppressive, like it’s closing in on us.

We finally arrive at the cabin, nestled deep in the woods, its weathered wood blending seamlessly with the surrounding trees. The place hasn't changed much since the last time I was here—a relic from another time, filled with the echoes of our past. I can still see Leah running around the porch, her laughter ringing out into the forest.
Dad parks the truck, and we step out into the crisp air. The smell of pine and damp earth fills my nostrils. We start unloading our gear, the tension between us palpable.
“Let’s get this inside,” Dad says, his voice gruff as he hefts a duffel bag onto his shoulder.
I nod, grabbing my own bag and following him to the cabin. Inside, it’s a mix of old and new—the same rustic furniture, but with new hunting gear and maps strewn across the table. Dad’s obsession is evident in every corner of the room, a constant reminder of why we’re here.
As we unpack, we exchange strained attempts at normalcy. He talks about the latest cryptid sightings he’s read about, his eyes lighting up with a fervor that both worries and saddens me.
“Did you hear about the sighting up near Alpena?” he asks, laying out his maps on the table.
“Yeah, you mentioned it,” I reply, trying to muster some enthusiasm. “Do you really think there’s something to it?”
Dad’s eyes meet mine, and for a moment, I see a flicker of doubt. But it’s quickly replaced by grim determination. “I have to believe it, Ryan. It’s the only thing that makes sense.”
We finish unpacking, the silence between us growing heavier with each passing minute. I step outside to clear my head, the cool air a welcome relief. The sun is starting to set, casting long shadows across the clearing. I can’t shake the feeling of unease.
"You can take the upstairs room," Dad mutters. His voice is strained, trying to sound normal, but it's clear the weight of the past is heavy on him. I nod, hauling my backpack up the creaking stairs to the small bedroom that I used to share with Leah. The room feels smaller now, or maybe I've just grown too much since those innocent days.
I unpack silently, setting my things aside. The bed is stiff and cold under my touch. As I settle in, I can't help but glance at the corner where Leah and I would huddle together, whispering secrets and making plans for adventures that would never happen. I push the thoughts away, focusing on the practicalities of unpacking.
After settling in, I go back downstairs to find Dad loading up a backpack with supplies for our hunt. The intensity in his eyes is palpable, his hands moving with practiced precision. I know this routine; it's one he's perfected over countless solo trips since that fateful day.
"We'll head out early," he says, not looking up from his task. "Gotta make the most of the daylight."
I nod, though unease curls in my stomach. I'm not just worried about what we might find—or not find—out there. I'm worried about him. Each year, the obsession seems to carve him out a bit more, leaving less of the Dad I knew.

The morning air is sharp with the scent of pine and wet earth as Dad and I head into the deeper parts of the forest. The terrain is rugged, familiar in its untamed beauty, but there’s a tension between us that makes the landscape feel alien. Dad moves with a purposeful stride, his eyes scanning the woods around us. Every snap of a twig, every rustle in the underbrush seems to draw his attention. He’s on edge, and it puts me on edge too.
As we walk, my mind drifts back to that day ten years ago. I can almost hear Leah’s voice echoing through the trees, her high-pitched call as she darted ahead, "Catch me, Ryan!" I remember how the sunlight filtered through the leaves, casting dancing shadows on the ground. Those memories are so vivid, so tangible, it feels like I could just turn a corner and see her there, waiting for us.
Dad suddenly stops and kneels, examining the ground. He points out a set of tracks that are too large for a deer, with an unusual gait pattern. "It’s been here, Ry. I’m telling you, it’s close," he whispers, a mixture of excitement and something darker in his voice. I nod, though I’m not sure what to believe. Part of me wants to dismiss it all as grief-fueled obsession, but another part, the part that heard Leah's scream and saw something monstrous in the woods that day, isn’t so sure.
As we continue, Dad's comments become increasingly cryptic. "You know, they say the dogman moves in cycles, drawn to certain places, certain times. Like it’s tied to the land itself," he muses, more to himself than to me. His fixation on the creature has always been intense, but now it borders on mania.
We set up a makeshift blind near a clearing where Dad insists the creature will pass. Hours drag by with little to see but the occasional bird or distant deer.
The sun rises higher in the sky, casting long, slender shadows through the dense canopy. I shift uncomfortably in my spot, the forest floor hard and unyielding beneath me. My eyes dart between the trees, hoping to catch a glimpse of something, anything, to break the monotony. Dad, on the other hand, remains steadfast, his gaze fixed on the treeline as if he can will the dogman into existence by sheer force of will.
A bird chirps nearby, startling me. I sigh and adjust my grip on the rifle. I glance over at Dad.
“Anything?” I ask, more out of boredom than genuine curiosity.
“Not yet,” he replies, his voice tight. “But it’s out there. I know it.”
I nod, even though I’m not sure I believe him. The forest seems too quiet, too still. Maybe we’re chasing ghosts.
As the sun begins its descent, the forest is bathed in a warm, golden light. The air cools, and a breeze rustles the leaves. I shiver, more from anticipation than the cold. The long hours of sitting and waiting are starting to wear on me.
“Let’s call it a day for now,” Dad says finally, his voice heavy with disappointment. “We’ll head back to the cabin, get some rest, and try again tomorrow.”
I stand and stretch, feeling the stiffness in my muscles. We pack up our gear in silence and start the trek back to the cabin. The walk is long and quiet, the only sounds are the crunch of leaves underfoot and the distant calls of birds settling in for the night.

Dinner is a quiet affair, both of us lost in our thoughts. I try to make small talk, asking Dad about his plans for tomorrow, but it feels forced. We clean up in silence.
After dinner, I retreat to the small bedroom. The fatigue from the day's hike has settled into my bones, but sleep still feels like a distant hope. I lie down, staring at the ceiling, the room cloaked in darkness save for the sliver of moonlight creeping through the window. Downstairs, I hear the faint sound of Dad moving around, likely unable to sleep himself.
I drift into sleep, but it's not restful. My dreams pull me back to that fateful day in the woods. Leah's voice is clear and vibrant, her laughter echoing through the trees. She looks just as she did then—bright-eyed and full of life, her blonde hair catching the sunlight as she runs ahead of me.
"Come on, Ry! You can't catch me!" she taunts, her voice playful and teasing.
I chase after her, but the scene shifts abruptly. The sky darkens, the woods around us growing dense and foreboding. Leah's laughter fades, replaced by a chilling silence. I see her ahead, standing still, her back to me.
"Leah?" I call out, my voice trembling. She turns slowly, her eyes wide and filled with fear. "Ryan, you have to remember," she says, her voice barely a whisper. "It wasn't what you think. You need to know the truth."
Leah’s words hang in the air, cryptic and unsettling. Before I can respond, she turns and starts running again, her figure becoming a blur among the trees. Panic rises in my chest as I sprint after her, my feet pounding against the forest floor.
“Leah, wait!” I shout, desperation lacing my voice. The forest around me seems to close in, the trees towering and twisted, shadows dancing menacingly in the dim light. I push forward, trying to keep her in sight, but she’s too fast, slipping away like a wisp of smoke.
Suddenly, there’s a rustle, a flash of movement in the corner of my vision. Leah screams, a sound that pierces through the heavy silence. It happens too quickly—I can’t see what it is, only a dark blur that snatches her up.
“Leah!” I scream, my voice breaking. I stumble, falling to my knees as the forest spins around me. My heart races, and the terror is so real, so visceral, that it pulls me back to that awful day, the one that changed everything.
I jolt awake, my breath coming in ragged gasps.
I sit up, wiping the cold sweat from my forehead as I try to steady my breathing. The room is still dark, the shadows cast by the moonlight seem to flicker and dance on the walls. My heart is still racing from the nightmare, the echo of Leah's scream lingering in my ears.
As I struggle to calm down, the floorboards outside my room creak. The door opens slowly, and I see the silhouette of my dad in the doorway, a Bowie knife in his hand, his posture tense.
“Dad, what the hell are you doing?” I whisper, my voice shaking.
“Shh,” he hisses, holding up a hand to silence me. “I heard something. Something moving around in the cabin. Stay quiet.”
I swallow hard, my mouth dry. I glance at the clock on the nightstand—it’s just past three in the morning. The cabin is silent, the kind of deep, oppressive silence that makes every small sound seem louder. I can’t hear anything out of the ordinary, but Dad’s expression is deadly serious.
He motions for me to get up, and I do, moving as quietly as I can. My heart is racing, a mix of lingering fear from the dream and the sudden, sharp anxiety of the present moment. Dad leads the way, stepping cautiously out of the bedroom and into the hallway, the knife held ready in front of him.
We move through the cabin, checking each room in turn. The living room is empty, the furniture casting long shadows in the dim moonlight. The kitchen is just as we left it, the plates from dinner still drying on the counter. Everything seems normal, untouched.
We finish our sweep of the cabin without finding anything amiss. The silence is heavy, punctuated only by our soft footfalls. I can see the tension in Dad’s frame, his grip on the knife unwavering. After checking the last room, we pause in the dimly lit hallway, the air thick with unspoken questions.
“There’s nothing here,” I say, my voice low. “Are you sure you heard something?”
He looks at me, his eyes searching for something in my face. “I heard growling. Deep and close. It was right outside the window.”
“Maybe it was just an animal outside, a raccoon or something?” I suggest, although the certainty in his voice makes me doubt my own reassurance.
“No, it wasn’t like that. It was different,” he insists, his voice tense.
I nod, not wanting to argue, but the seeds of worry are planted deep.
The look in his eyes sends a chill down my spine. It’s not just fear—it’s desperation. The kind of desperation that comes from years of chasing shadows and finding nothing. I can see the toll this hunt has taken on him, the way it’s worn him down, turned him into a man I barely recognize.
We head back to our rooms. As I lie down, my mind races with thoughts of my dad. I can’t help but wonder if he’s losing it, if the years of grief and guilt have finally pushed him over the edge.
Dad wasn’t always like this. Before Leah’s death, he was the kind of father who took us fishing, helped with homework, and told terrible jokes that made us groan and laugh at the same time. He was solid, dependable. But losing Leah changed him. The guilt twisted him into someone I barely recognize, someone driven by a need for answers, for closure, that may never come.
I try to sleep, but my thoughts keep me awake. I can hear Dad moving around downstairs, probably pacing or double-checking the locks. His paranoia has become a constant presence, and I don’t know how to help him. I don’t even know if I can help him.

The next morning, the sunlight filters weakly through the cabin windows, casting a pale light that does little to lift the heavy mood. I drag myself out of bed, feeling the exhaustion of another restless night. Dad is already up, hunched over his maps at the kitchen table, his eyes bloodshot from lack of sleep.
“Morning,” I mumble, rubbing the sleep from my eyes as I pour myself a cup of coffee. “Did you sleep at all?”
He shakes his head, not looking up from his notes. “Not much. I couldn’t stop thinking about what I heard last night.”
I sip my coffee, trying to shake off the remnants of my nightmare. “Maybe it was just an animal, Dad. We’re deep in the woods, after all.”
He finally looks up, his eyes intense. “Ryan, I know what I heard. It wasn’t just an animal. It was something else.”
I sigh, not wanting to argue. “Okay, fine, Dad. What’s the plan for today?”
“We’re going back out. I found some tracks yesterday, and I want to follow them. See where they lead.”
I nod, feeling a mix of apprehension and resignation. I can see how much this means to him, how desperate he is for any kind of lead. “Alright. Let’s get packed and head out.”
We spend the morning preparing, loading up our gear and double-checking our supplies. Dad is meticulous, going over everything with a fine-toothed comb. I try to match his focus, but my mind keeps drifting back to Leah and the dream I had. Her words echo in my head, cryptic and unsettling: “You need to know the truth.”
We set off into the woods, the air crisp and cool. The forest is alive with the sounds of birds and rustling leaves, but it all feels distant, like background noise to the tension between us. Dad leads the way, his eyes scanning the ground for any sign of the tracks he found yesterday.
As we walk, I can’t help but notice how erratically he’s acting. He mutters to himself, his eyes darting around as if expecting something to jump out at us. His grip on his rifle is tight, his knuckles white.
“Dad, are you okay?” I ask, trying to keep my voice steady.
He glances at me, his expression unreadable. “I’m fine. Just focused.”
He stops frequently to examine the ground or the bark of trees, pointing out marks and signs that seem meaningless to me.
“Look at this,” he says, crouching down to examine a broken branch. “See how it’s snapped? That’s not a deer or a bear. That’s something bigger. Stronger.”
I crouch next to Dad, squinting at the broken branch. To me, it just looks like a regular broken branch, the kind you see all over the forest. "I don't know, Dad. It just looks like a branch to me," I say, trying to keep my voice neutral.
Dad's eyes flicker with frustration. "You're not looking close enough. It's the way it's snapped—too clean, too deliberate. Something did this."
I nod, not wanting to argue. "Okay, sure. But even if you're right, it could be anything. A storm, another hunter..."
His expression hardens. "I know what I'm looking for. This is different."
I sigh, feeling the weight of the past and the tension between us pressing down on me. "Dad, I had a dream last night. About Leah." The words hang in the air between us, heavy and fraught with unspoken emotions.
Dad's eyes widen, and he straightens up, his entire demeanor shifting. "What kind of dream? What did you see?" His voice is urgent, almost desperate.
"It was... strange. We were in the woods, like we are now, but everything felt different. Leah was there, running ahead of me, laughing. Then she stopped and told me I needed to know the truth, that it wasn't what I thought."
Dad grabs my shoulders, his grip tight. "What else did she say? Did she tell you anything specific? Anything about the creature?"
I shake my head, feeling a chill run down my spine. "No, that was it. She just said I needed to know the truth, and then she was gone."
Dad’s grip on my shoulders tightens, and his eyes bore into mine with a mixture of desperation and hope. “Ryan, you have to try to remember. Think hard. What did the creature look like? Did you see anything else?”
I pull back slightly, uneasy with his intensity. “Dad, I told you. I don’t remember. It was just a dream. A nightmare, really. My mind’s probably just mixing things up.”
He lets go of me and runs a hand through his hair, looking frustrated and lost. “Dreams can be important. They can hold memories we’ve buried deep. Please, try to remember. This could be a sign, a clue.”
I rub my temples, feeling the beginnings of a headache. “I’ve tried, okay? I’ve tried for years to piece together what happened that day. But it’s all just fragments, like pieces of a puzzle that don’t fit. The dream… it felt real, but I don’t think it’s telling me anything new.”
Dad’s face falls, and he looks older than I’ve ever seen him. He turns away, staring into the forest as if it holds all the answers.

As we make our way back to the cabin, the sun begins to set, casting long shadows through the trees. The air grows colder, and I shiver, pulling my jacket tighter around me. Dad is silent, lost in his thoughts, his face drawn and haggard.
Back at the cabin, we unload our gear once again in silence. Dad disappears into his room, muttering something about going over his notes. I decide to explore the cabin, hoping to find something that might help me understand what’s going on with him.
In the attic, I find a box of old family photos and documents. As I sift through the contents, I come across a worn journal with Dad’s handwriting on the cover. Curiosity gets the better of me, and I open it, flipping through the pages.
The journal is filled with notes and sketches, detailing his obsession with the dogman. But there’s something else—entries that talk about Leah, about that day in the woods. His handwriting becomes more erratic, the words harder to read. One entry stands out, dated just a few days after Leah’s death:
“June 15, 2013 – It was supposed to be a normal trip. Keep them close, Frank, I kept telling myself. But I failed. Leah is gone, and it’s my fault. I heard her scream, saw the shadows. I tried to get to her, but… the thing, it was there. Too fast. Too strong. My hands… blood everywhere. No one will believe me. I can’t even believe myself. I have to find it. I have to protect Ryan. I have to make it right. God, what have I done?”
Before I can read further, the attic door creaks open, and Dad’s voice slices through the stillness.
“What are you doing up here?” His tone is sharp, almost panicked.
I turn to see him standing in the doorway, his face pale and his eyes wide with something between anger and fear. I clutch the journal to my chest, my mind racing. “I found this… I was just trying to understand…”
In an instant, he crosses the room and snatches the journal from my hands. His grip is tight, his knuckles white. “You had no right,” he growls, his voice trembling.
“Dad, I just wanted to know the truth!” I shout, frustration boiling over. “What really happened to Leah.”
His eyes flash with a mix of rage and anguish, and before I can react, he slaps me across the face. The force of it knocks me off balance, and I stumble backward, my cheek stinging.
For a moment, there’s a stunned silence. We both stand there, breathing hard, the air thick with tension.
“I’m sorry,” Dad says finally, his voice barely a whisper. “I didn’t mean to… I just…” He trails off, clutching the journal to his chest like a lifeline.
I touch my cheek, feeling the heat from the slap, and take a deep breath, trying to steady myself. “Dad, what aren’t you telling me? What really happened that day?”
“Stay out of it, Ryan,” Dad growls, his eyes dark with anger. “You don’t know what you’re messing with.”
He turns and storms out of the attic. I’m left standing there, my cheek throbbing, my mind racing. What the fuck is going on? What really happened to Leah? And what is Dad so afraid of?

That night, I sleep with my rifle within arm's reach, more afraid of my dad than any dogman. The slap still burns on my cheek, and the look in his eyes—rage, fear, something darker—haunts me. I lie awake, listening to the creaks and groans of the old cabin, every sound amplified in the stillness. Eventually, exhaustion pulls me under, and I fall into a restless sleep.
The dream returns, vivid and unsettling. I'm back in the woods, chasing after Leah. Her laughter echoes through the trees, a haunting reminder of happier times. This time, though, I push myself harder, refusing to let her slip away.
"Ryan, catch me!" she calls, her voice playful.
"I'm coming, Leah!" I shout, my legs pumping, my breath coming in ragged gasps.
The forest around us is a twisted, shadowy maze, the trees seeming to close in on us. Leah's figure becomes clearer, her blonde hair catching the dim light filtering through the canopy. She stops suddenly, turning to face me, her eyes wide with fear.
"Leah, what is it?" I ask, my voice trembling.
"Look behind you," she whispers, her voice barely audible.
I turn slowly, dread creeping up my spine. In the shadows, I see a figure, its form indistinct and shifting. It’s not quite animal, not quite human—something in between. The sight of it sends a jolt of terror through me, and I wake up with a start, my breath coming in ragged gasps.
I’m not in my bed. The ground beneath me is cold and hard, the smell of damp earth filling my nostrils. Panic rises as I realize I’ve sleepwalked into the woods. I scramble to my feet, my eyes adjusting to the dim light. The moon casts a pale glow over the surroundings, revealing what looks like a long-abandoned animal lair.
The walls are covered in giant claw marks, deep gouges in the wood and earth. The air is heavy with the scent of decay, and a chill runs through me. I can’t shake the feeling that I’m being watched.
Carefully, I start to move, my eyes scanning the ground, desperate for a familiar landmark. That's when I see them—faded scraps of fabric caught on the jagged edges of the underbrush. My steps falter, a sense of dread washing over me as I bend down to examine them. The fabric is torn, weathered by time and the elements, but unmistakably familiar. It's part of Leah's jacket—the bright pink one she wore on the day she disappeared.
As I strain to make sense of it all, a rustling sound behind me snaps my focus. My heart leaps into my throat. I spin around, my hand instinctively reaching for the rifle I don't have—because, of course, I didn't bring it in my unconscious state.
The shadowy figure that emerges from the trees is unsettlingly familiar, mirroring the menacing forms of my nightmares. But as it steps into the moonlight, I recognize the worn jacket, the weary posture. It's Dad.
"Ryan!" he calls out, his voice a mix of relief and stern concern. "I've been looking everywhere for you. What the hell are you doing out here?"
I exhale slowly, the terror ebbing away as reality sets back in. "I—I don't know, Dad. I must've sleepwalked again." My voice is shaky, my earlier dream still clinging to the edges of my consciousness.
Dad stares at me in disbelief. "You haven't sleepwalked since you were a kid, Ry. This... this isn't just a coincidence." His eyes dart around, taking in the surroundings—the eerie, claw-marked den, the unsettling quiet of the woods. "How did you even find this place?"
I shake my head, struggling to find an answer. "I don't know, Dad. I just... I woke up here." The uncertainty in my voice does nothing to ease the tension.
His eyes lock onto the tattered remains of Leah's jacket in my hands, and something inside him snaps. The color drains from his face as he stumbles a few steps backward. "This... this is where it happened," he murmurs, his voice barely a whisper. “This is where we found Leah."
“I thought you said you don’t remember anything from that night,” he says accusingly.
"I swear, Dad, I don't know anything about this place," I insist, my own heart pounding.
“It was you, wasn’t it? You’ve been hiding this from me.” His voice is frantic. “You... last night, the growling, it was you.” His voice rises, tinged with hysteria.
I step back, my pulse racing, feeling the chill of the night and the weight of his accusation. "Dad, I don't know what you're talking ab—”
"No!" he interrupts, his voice breaking as he points a trembling finger at me. "You knew, you always knew. It was you, Ryan. All these years, the evidence was right there, but I refused to see it. You were the dogman. You killed Leah!"
His words hit me like a physical blow, absurd and horrifying in their implications. "Dad, you're not making any sense. You're talking crazy! I was just a little kid! How could I–" I protest, my voice shaky.
He steps closer, his presence looming over me, the outline of his figure distorted by the shadows of the trees. "Think about it! It all makes sense now. You led us here, to this place, because you remember. Because you did it."
"Dad, stop it!" I shout, my heart pounding in my chest. "You're scaring me. You need help, professional help. This isn't you."
But he's beyond reason, his eyes wild with a haunted grief. "I have to end this," he mutters, more to himself than to me, his hand tightening around his rifle.
His finger hovers dangerously over the trigger of his rifle. My instincts kick in, and I know I have to act fast.
I lunge toward him, trying to knock the weapon away, but he's quicker than I expected. We struggle, our breaths heavy in the cold night air, the sounds of our scuffle the only noise in the otherwise silent woods. His strength surprises me, fueled by his frantic emotions. He shoves me back, and I stumble over a root, my balance lost for a crucial second. That's all he needs. He raises his rifle, his intentions clear in his wild, pained eyes.
I dive to the ground just as the shot rings out, a deafening blast that echoes ominously through the trees. The bullet whizzes past, narrowly missing me, embedding itself in the bark of an old pine. I scramble to my feet, my heart pounding in my ears, and I start running. The underbrush claws at my clothes and skin, but I push through, driven by a primal urge to survive.
"Dad, stop! It's me, Ryan!" I shout back as I dodge between the trees. Another shot breaks the silence, closer this time, sending splinters of wood flying from a nearby tree trunk. It's surreal, being hunted by my own father, a man tormented by grief and lost in his delusions.
I don't stop to look back. I can hear him crashing through the forest behind me, his heavy breaths and muttered curses carried on the wind. The terrain is rough, and I'm fueled by adrenaline, but exhaustion is setting in. I need a plan.
Ahead, I see a rocky outcrop and make a split-second decision to head for it. It offers a chance to hide, to catch my breath and maybe reason with him if he catches up. As I reach the rocks, I slip behind the largest one, my body pressed tight against the cold, damp surface. I hear his footsteps approaching, slow and cautious now.
As I press against the rock, trying to calm my racing heart, I can hear Dad's footsteps drawing closer, each step crunching ominously on the forest floor. He's methodical, deliberate, like a hunter stalking his prey.
“Come out, Ryan!” Dad’s voice is ragged, filled with a blend of fury and pain.
My heart pounds against my chest, the cold sweat on my back making me shiver against the rough surface of the rock. I know I can't just sit here; it's only a matter of time before he finds me.
Taking a deep breath, I peek around the edge of the rock, trying to gauge his position. I see him, rifle raised, scanning the area slowly. This might be my only chance to end this madness without further violence. I need to disarm him, to talk some sense into him if I can.
As quietly as I can, I move out from behind the rock, my steps careful to avoid any twigs or leaves that might betray my position. I'm almost upon him when a branch snaps under my foot—a sound so trivial yet so alarmingly loud in the quiet of the woods.
Dad whirls around, looking completely unhinged. "Ryan!" he exclaims, his rifle swinging in my direction. Panic overtakes me, and I lunge forward, my hands reaching for the gun.
We struggle, the rifle between us, our breaths heavy and erratic. "Dad, please, stop!" I plead, trying to wrestle the gun away. But he's strong, stronger than I expected.
In the chaos, the rifle goes off. The sound is deafening, a sharp echo that seems to reverberate off every tree around us. Pain explodes in my abdomen, sharp and burning, like nothing I've ever felt before. I stagger back, my hands instinctively going to the wound. The warmth of my own blood coats my fingers, stark and terrifying.
Dad drops the rifle, his eyes wide with horror. "Oh my God! What have I done?" he gasps, rushing to my side as I collapse onto the forest floor.
As the pain sears through me, a strange, overpowering energy surges within. It's wild, primal, unlike anything I've ever experienced. Looking down in horror, my hands are no longer hands but large, hairy, clawed appendages. The transformation is rapid, consuming—my vision blurs, senses heighten, and a raw, guttural growl builds in my throat.
In that moment, a flood of understanding washes over me, mingling with the horror of realization. These are the hands of the creature from my nightmares, the creature whose face I can never fully recall because, as I now understand, it is me.
What happens next feels detached, as if I'm no longer in control of my own actions, watching from a distance as my body moves on its own. I turn towards my dad, his face a mask of terror. He stumbles back, his eyes wide with the dawning realization of what his son has become.
The forest around us seems to fall silent, holding its breath as the nightmarish scene unfolds. I can hear my own growls, guttural and deep, filling the air with a sound that's both foreign and intimately familiar. The pain in my abdomen fuels a dark, violent urge, an urge that's too strong to resist.
With a ferocity that feels both alien and intrinsic, I move towards him. My dad, paralyzed by fear and shock, doesn't run. Maybe he can't. Maybe he doesn't want to.
The encounter is brutal and swift, a blur of motion and violence. My dad barely puts up a struggle, as though resigned to his fate.
Not that there is anything he can do. The creature that I’ve become is too powerful, too consumed by the wild instincts surging through me. I tear him apart, limb from bloody limb, my hands—no, my claws—rending through fabric and flesh with disgusting ease.
The sound of my dad’s screams, of tearing fabric and flesh is drowned out by the animalistic growls that echo through the trees.
When it’s all over, the red mist that had clouded my vision begins to fade, and the fierce, uncontrollable rage that drove my actions subsides. I'm left standing, my breaths heavy and erratic, in the eerie stillness of the forest. The transformation reverses as quickly as it came on, and I find myself back in my human form. My clothes are ripped to shreds, hanging off my frame in tattered remnants. At my feet lies what’s left of my dad, his body torn and unrecognizable.
I glance down at my abdomen, expecting agony, but instead find my wound miraculously healed. No sign of the gunshot remains, just a faint scar where I expected a bloody mess.
Shock sets in, a numbing disbelief mixed with a gut-wrenching realization of what I've become and what I've done. My hands, now human again, tremble as I look at them, half-expecting to see the claws that had so effortlessly ripped through flesh and bone. But there's only blood, my father's blood against my skin.
I stand there for what feels like an eternity, trapped in a nightmare of my own making.
Eventually, the shock wears thin, and a cold practicality takes hold. I need to get out of here. I need to cover my tracks, to disappear. Because who would believe this? Who would understand that I didn't choose this, that I'm not a monster by choice?
With trembling hands, I do what’s necessary. I bury my dad in a shallow grave, the physical act of digging strangely grounding. I cover him with leaves and branches, a pitiful attempt to hide the brutality of his end. I take a moment, whispering apologies into the wind, knowing full well that nothing I say can change what happened.
I leave the forest behind, my mind a whirl of dark thoughts. As I walk, the first hints of dawn brush against the horizon, the sky bleeding a soft pink. It’s hauntingly beautiful.
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