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2013.02.01 01:33 Fearink Everything about Tinder
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2024.05.16 15:51 SinginGidget How to deal with someone that calls in all the time?
I've just recently been "promoted" to team leader of a small group of just 3 coworkers between two different stores. One is high volume and has two employees, the other is low volume and has the remainging employee. And they call in all the time, leaving that store without someone in that position and no way for me to cover since I'm in a completely different building. I don't know the circumstances outlined when they were hired, if they mentioned any kind of chronic condition that might require them to call in as often as they do. (But I doubt it.) They're just young and it's always a Friday or Monday... Except yesterday, a Wednesday. Due to a family tragedy. But because they've called in so often before, the management simply doesn't believe the reason given. They've been in that position only about 6 months, and they want to terminate them. Which I understand, because what's the point of having someone in a position if they're not going to be there to do it a good chunk of the time? But we aren't even fully staffed right now, and the volume of what we are doing keeps growing due to other unrelated issues, and I'm pissed off because they're being inconsierate of everyone else's time, I'm tired due to my expanded work load, and I have no idea what to do.
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2024.05.16 15:50 Ekrixphobia-Muhammad Roth vs Traditional TSP?
 | Currently 6 years in. 100% of my TSP contributions are traditional. My logic is that in retirement, my income would only consist of pension, TSP, and maybe social security, thus I should be taxed less than I am currently. submitted by Ekrixphobia-Muhammad to ThriftSavingsPlan [link] [comments] If it makes a difference, the wife is also a fed that does 100% traditional. I also wanted to get some ideas on current TSP status to see if I/we are on track, or need to make some changes. I have 6 years as a fed and 27 years to go to MRA (my understanding is that even with 30+ years fed, I have to be 57.5 to retire). Currently contributing $750/pp, but am going to try to bump that up. I am 100% C, she is 80/10/10 C/S/I. When we hit 57.5, we should be able to withdraw from TSP with no penalty correct? Me Year 1 GS 9, 10% Year 2 GS 11, 10% Year 3 GS 9, 10% Year 4 GS 11, $600pp Year 5 GS 12, $600pp Year 6 GS 13, $750pp Wife Year 1 GS 9, $500 Year 2 GS 11, $600 |
2024.05.16 15:50 Anglicanpolitics123 Old Testament social principles relevant for our time(Part 2). Interconnectedness, Intersectionality and social justice.
This is part 2 of a series that I have done on the relevance that Old Testament social principles have to our times. In the first part I looked at the OT's critique of lesser of two evils politics. In this one I will be looking at the Old Testament understanding of the relationship between social justice and intersectionality. Intersectionality was a term popularised in the late 80s and 90s by scholar and activist Kimberlee Crenshaw. In her analysis she says the following:
1)The justice precepts of the OT:
It's the same thing in Nathan's parable at a different angle. If we see the see the gendered limits of hospitality in the Concubine episode, we see it's class limits in this parable. The rich man is willing to show hospitality to a wayfarer. And he does it at the expense of the man who is poor. His hospitality is built on economic exploitation. Now the twist is that Nathan is telling this Parable both as an irony and to expose King David's hypocrisy. Because David did an injustice to Uriah the Hittite. He had him murdered to take his wife. And Uriah because he is a "Hittite" is a stranger, a foreigner. Murder is the most inhospitable act you can do to a stranger. Nathan breaks us out of a single axis analysis of things by making the point that the same norms that allow a rich man to exploit the poor are the same ones that allow a King to murder an outsider to take his wife. Xenophobic violence and class oppression are intertwined. Which is why in the precepts of the Prophets care for the poor and the widows and orphans is coupled with care for the alien and stranger. And it is couple in the rhetoric of Jeremiah to not shed innocent blood. The structures built on violence are the same ones that marginalise the poor and target the orphan and the outsider. Many of the people who are poor under these structures are also widows and aliens as well. And as the Prophet Ezekiel points out, which ties back to the story of the concubine, the same people with power that shed innocent blood and oppress and extort the poor are also the ones who normalise and perpetuate a culture of sexual violence. These are definitely relevant for our times because the Old Testament's ethical framework breaks us out of a single axis view of social justice to view things in a multidimensional perspective. We have to look at the lives of migrants and refugees from a multidimensional perspective. We have to look at the experiences of black and indigenous communities from a multidimensional perspective when in these communities women have to endure the multiple burdens of racial violence coupled with patriarchal and sexual violence. We cannot speak of an identity politic that does not look at class oppression and violence. All of these intersect. All of these are multidimensional. And in that multidimensional reality Jeremiah's voice rings as true back then as today. Stand up for the poor, the orphan, the widow and the oppressed who has been robbed. And shed no innocent blood in this place.
submitted by Anglicanpolitics123 to SocialChristianity [link] [comments]
- "One of the very few Black women's studies books is entitled All the Women Are White; All the Blacks Are Men, But Some of Us are Brave. I have chosen this title as a point of departure in my efforts to develop a Black feminist criticism because it sets forth a problematic consequence of the tendency to treat race and gender as mutually exclusive categories of experience and analysis...this tendency is perpetuated by a single-axis framework that is dominant in antidiscrimination law and that is also reflected in feminist theory and antiracist politics.I will center Black women.... in order to contrast the multidimensionality of Black women's experience with the single-axis analysis that distorts these experiences"(Demarginalising the intersections of race and sex, pg 139)
- "I observed the dynamics of structured intersectionality during a brief field study of battered women's shelters located in minority communities in Los Angeles. In most cases the physical assault that leads women to these shelters is merely the most immediate manifestation of the subordination they experience. Many women who seek protection are unemployed or underemployed and a good number of them are poor. Shelters serving these women cannot afford to address only the violence inflicted by the batterer; they must also confront the other multilayered and routinised forms of domination that often converge in these women's lives"(Mapping the Margins: Intersectionality, Identity Politics and Violence against Women of Color)
1)The justice precepts of the OT:
- "Thus says the Lord: Act with justice and righteous, and deliver from the hand of the oppressor anyone who has been robbed. And do no wrong or violence to the alien, the orphan and the widow, nor shed innocent blood in this place"(Jeremiah 22:3)
- "The princes of Israel in you everyone according to his power, have been bent on shedding blood. Father and mother are treated with contempt in you; the alien residing within you suffers extortion; they orphan and widow are wronged in you. You have despised my holy things, and profaned my sabbaths. In you are those who slander to shed blood, those in you who eat upon the mountains, who commit lewdness in your midst. In you they uncover their father's nakedness; in you they violate women in their periods."(Ezekiel 22:6-10)
- "And the Lord sent Nathan to David.He came to him and said to him 'There were two men in a certain city, one rich and the other poor. The rich man had very many flocks and herds; but the poor man had nothing but one little ewe lamb, which he had bought. He brought it up, and it grew up with him and with his children; it used to eat of is meagre fare, and drink from his cup, and lie in his bosom, and it was like a daughter to him. Now there came a traveller to the rich man, and he was loath to take one of his own flock or herd to prepare for the wayfarer who had come to him, but he took the poor man's lamb, and prepared that for the guest who had come to him'. Then David's anger was greatly kindled against the man. He said to Nathan, 'As the Lord lives, the man who has done this deserved to die;"(2 Samuel 12:1-5)
- "Nathan said to David 'You are the man! Thus says the Lord, the God of Israel: I anointed you king over Israel, and I rescued you from the hand of Saul; I gave you your master's house, and your master's wives into your bosom, and gave you the house of Israel and of Judah; and if that had been too little, I would have added as much more. Why have you despised the world of the Lord, to do what is evil in his sight? You have struck down Uriah the Hittite with the sword, and have taken his wife to be your wife, and have killed him with the sword of the Ammonites"(2 Samuel 12:7-9)
- "In those days when there was no king in Israel, a certain Levite residing in the remote parts of the hill country of Ephraim, took to himself a concubine from Bethlehem in Judah. But his concubine became angry with him and she went away from him to her father's house at Bethlehem in Judah and was there for some four months. Then her husband set out after her to speak tenderly to her and bring her back. He had with him his servant and a couple of donkeys. When he reached her father's house the girl's father saw him and came with joy to meet him"(Judges 19:1-3)
- "When they were near Jebus, the day was far spent and the servant said to his master(the Levite) 'Come now, let us turn aside to this city of the Jebusites, and spend the night in it'. But his master said to him, 'We will not turn aside into a city of foreigners, who do not belong to the people of Israel; but we will continue on to Gibeah'. Then he said to his servant 'Come let us try to reach one of these places, and spend the night at Gibeah or at Ramah'. So they passed by and went on their way; and the sun went down on them near Gibeah, which belongs to Benjamin. They turned aside there, to go in ans spend the night at Gibeah. He went in and sat down in the open square of the city, but no one took them in to spend the night. Then at evening there was an old man coming from his work in the field. The man was from the hill country of Ephraim and he was residing in Gibeah...The old man said 'Peace be to you. I will care for your wants; only do not spend the night in the square'. So he brought him into his house and fed the donkeys; they washed their feet and ate and drank"(Judges 19:11-16/20-21)
- "While they were enjoying themselves the men of the city, a depraved lot, surrounded the house and started pounding on the door. They said to the old man, the master of the house 'Bring out the man who came into your house so that we may have intercourse with him'. And the man, the master of the house, went out to them and said to them 'No, my brothers, do not act so wickedly. Since this man is my guest, do not do this vile thing. Here are my virgin daughter and his concubine; let me bring them out now. Ravish them and do whatever you want to them; but against this man do not do such a vile thing'. But the men would not listen to him. So the man seized his concubine, and put her out to them. They wantonly raped her, and abused her all through the night until morning. And as the dawn began to break, they let her go"(Judges 19:22-25)
It's the same thing in Nathan's parable at a different angle. If we see the see the gendered limits of hospitality in the Concubine episode, we see it's class limits in this parable. The rich man is willing to show hospitality to a wayfarer. And he does it at the expense of the man who is poor. His hospitality is built on economic exploitation. Now the twist is that Nathan is telling this Parable both as an irony and to expose King David's hypocrisy. Because David did an injustice to Uriah the Hittite. He had him murdered to take his wife. And Uriah because he is a "Hittite" is a stranger, a foreigner. Murder is the most inhospitable act you can do to a stranger. Nathan breaks us out of a single axis analysis of things by making the point that the same norms that allow a rich man to exploit the poor are the same ones that allow a King to murder an outsider to take his wife. Xenophobic violence and class oppression are intertwined. Which is why in the precepts of the Prophets care for the poor and the widows and orphans is coupled with care for the alien and stranger. And it is couple in the rhetoric of Jeremiah to not shed innocent blood. The structures built on violence are the same ones that marginalise the poor and target the orphan and the outsider. Many of the people who are poor under these structures are also widows and aliens as well. And as the Prophet Ezekiel points out, which ties back to the story of the concubine, the same people with power that shed innocent blood and oppress and extort the poor are also the ones who normalise and perpetuate a culture of sexual violence. These are definitely relevant for our times because the Old Testament's ethical framework breaks us out of a single axis view of social justice to view things in a multidimensional perspective. We have to look at the lives of migrants and refugees from a multidimensional perspective. We have to look at the experiences of black and indigenous communities from a multidimensional perspective when in these communities women have to endure the multiple burdens of racial violence coupled with patriarchal and sexual violence. We cannot speak of an identity politic that does not look at class oppression and violence. All of these intersect. All of these are multidimensional. And in that multidimensional reality Jeremiah's voice rings as true back then as today. Stand up for the poor, the orphan, the widow and the oppressed who has been robbed. And shed no innocent blood in this place.
2024.05.16 15:50 ElectronicSquirrel30 What I've learned from my first "big" class (positive post)
I just finished teaching my first large (80-person) class. For references, I'm in a private R1, STEM; the class was on the softer side of STEM.
It was a version of a class I've taught before that was 40 students that was turned into a "general education" requirement. It was stressful, but finally a positive experience. Here are my words of wisdom.
submitted by ElectronicSquirrel30 to Professors [link] [comments]
It was a version of a class I've taught before that was 40 students that was turned into a "general education" requirement. It was stressful, but finally a positive experience. Here are my words of wisdom.
- When you double the class, you double the number of problems. You need very clear, explicit boundaries for assignments, lateness, policy, etc. Having a boilerplate e-mail that is firm but polite saves a lot of emotional energy. e.g., "I'm sorry to hear that you're struggling right now. Per syllabus, [THE ANSWER THEY DON'T WANT]."
- Have a separate e-mail folder for student e-mails and move everything there. Wait a day before replying to any student e-mail.
- Engagement is much harder to manage. If the students need to do X to learn, X has to have a grade attached. Intrinsic motivation can't be sustained when students can't connect with you one-on-one.
- Low engagement means more procrastination; for big assignments, have at least one prior (graded) stage that might be, e.g., a plan of work. This can be gently graded (e.g., "if you submit a good faith attempt, you get at least a B") — it's just to reality-check students about what they have to do.
- Detailed rubrics for all assignments are crucial. You can't rely on explaining a requirement in class.
- Group work works really well, but the students have to choose their own groups for this to work effectively.
- You will probably need to be a harsher grader (unfortunately) on the key assignments — you will get far more sub-standard work, and your rubrics need to include the various conditions for receiving a C, D, and F on any piece of work. (I messed this up, and had conditions for A, B, and F... did not expect stuff that was above F, but well below B.)
- Do not have any assignment where failing to turn it in means a B-level student will fail the class. (This was my main source of pain — I ended up accepting late assignments on the final because I didn't want to fail students.)
2024.05.16 15:50 AutoModerator IF YOUR NAME IS JONATHAN, YOU SHOULD SPEND YOUR MONDAYS DOING THIS
https://www.youtube.com/shorts/DdJxUSevYf0
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submitted by AutoModerator to globalpromo [link] [comments]
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2024.05.16 15:50 Affectionate_Cost504 32 hour fast results
Well, I just completed a 32 hour fast (refeed included). Well my total weight loss was 2.3 pounds. My refeed include an acai bowel in the morning, 4 hotdogs and 64 oz of pepsi for lunch (too many hot dogs), and a piece of cake for dinner (don't judge me!). My weight loss before the refeed was 3.6 pounds. I miss the days when the 32 hour fast resulted in a (before refeed) 5ish pound loss of weight.
submitted by Affectionate_Cost504 to intermittentfasting [link] [comments]
2024.05.16 15:50 Goldman-Ballsacks [QC] Cartier Panthere Secrete 27mm
![[QC] Cartier Panthere Secrete 27mm](https://b.thumbs.redditmedia.com/LFSeUM38J96Ub21fFhxvp3sOswnS8_TeE7cU1d7akpM.jpg "[QC] Cartier Panthere Secrete 27mm")
2024.05.16 15:50 No_Platform5981 Needing help with my contributions.
Unfortunately I wasn’t blessed with anyone in my family who knows how to invest or even were able to retire.
I am 28 years old and currently make 53,400 gross in Texas. With an expected 3-5% increase annually based on performance and a bonus of up to 16% of my salary not based on personal performance but how well the company does.
I’m not sure how much I was putting in when I started. But I did select the annual increase. I looked today and I have just under 19k saved and I feel like that’s not enough.
I saw I had 10% in contributions this morning and I feel like it’s definitely not enough.
So I just upped my contribution to a total of 15%. My company offers dollar per dollar match for your 401k up to 6% of your salary. So I chose to move that up to 6% to max it out and I have 9% in the Roth. This brings me to a total of 15% contribution
I currently have 100% invested in Vanguard 2060 but I don’t even know if that’s right..
Can anyone offer guidance?
submitted by No_Platform5981 to Retirement401k [link] [comments]
I am 28 years old and currently make 53,400 gross in Texas. With an expected 3-5% increase annually based on performance and a bonus of up to 16% of my salary not based on personal performance but how well the company does.
I’m not sure how much I was putting in when I started. But I did select the annual increase. I looked today and I have just under 19k saved and I feel like that’s not enough.
I saw I had 10% in contributions this morning and I feel like it’s definitely not enough.
So I just upped my contribution to a total of 15%. My company offers dollar per dollar match for your 401k up to 6% of your salary. So I chose to move that up to 6% to max it out and I have 9% in the Roth. This brings me to a total of 15% contribution
I currently have 100% invested in Vanguard 2060 but I don’t even know if that’s right..
Can anyone offer guidance?
2024.05.16 15:49 Aulani97 Washington roadtrip help needed!!
Hello everyone,
We have started planning our summer trip again, and this time we have decided to explore the northwest of America.We have created a first draft of the trip ourselves, but we would like to receive your feedback based on your experiences. For us, it's the first time in this area, so everything is new to us. You might notice immediately that we haven't included any cities in the itinerary. This is because we are not really interested in city visits and usually end up disappointed when walking through American cities, haha. We prefer to spend our time in nature and national parks. Besides visiting the highlights, our daily activities mainly consist of hiking trails, with no limit on the number of kilometers or difficulty level, as long as we can do it in one day. We are not fans of camping and therefore stay in hotels, etc. Advice on beautiful trails in this region is very welcome.
Based research online, I’ve adjusted my route slightly, but I still have a few questions and doubts:
submitted by Aulani97 to Washington [link] [comments]
We have started planning our summer trip again, and this time we have decided to explore the northwest of America.We have created a first draft of the trip ourselves, but we would like to receive your feedback based on your experiences. For us, it's the first time in this area, so everything is new to us. You might notice immediately that we haven't included any cities in the itinerary. This is because we are not really interested in city visits and usually end up disappointed when walking through American cities, haha. We prefer to spend our time in nature and national parks. Besides visiting the highlights, our daily activities mainly consist of hiking trails, with no limit on the number of kilometers or difficulty level, as long as we can do it in one day. We are not fans of camping and therefore stay in hotels, etc. Advice on beautiful trails in this region is very welcome.
Based research online, I’ve adjusted my route slightly, but I still have a few questions and doubts:
- Do you think Staircase & Eastern Olympic National Park are worth visiting? Or can I skip this area without regret?
- In my plan, I’ve allocated 2 full days for the Northern Olympic National Park (Hurricane Ridge, Lake Crescent, etc.) area, 1 full day for the Pacific Coastline, and 1 full day for the Temperate Rainforest. Is this enough time for each area?
- I have read that Bellingham is worth adding to the trip, but it seems to me that it’s just a small town without many activities. What do you think?
- I read online that Leavenworth is beautiful, especially combined with the Lake Colchuck trail. I’ve added this to my trip, but I could change the night in Leavenworth to a night at Mount Baker or Mount St. Helens. What do you think is the best and most beautiful option? And where do you have the most beautiful trail..
- My current route includes a drive from Mount Rainier (Paradise) to Forks that takes 4 hours and 50 minutes. Do you think this is feasible?
- At the moment, I have 4 nights in Mount Rainier National Park, with 2 nights in the Sunrise Area and 2 nights in the Paradise Area. I could choose to sacrifice 1 night in the Sunrise Area and spend a night in Carbon River to be able to hike the Tolmie Peak Trail.
| Day | Place start | Driving time | Place to go | Activity |
|---|---|---|---|---|
| 1 | Amsterdam | 1:39 | Mount Rainier NP, Crystal Mountain | Sunrise area |
| 2 | Mount Rainier NP, Crystal Mountain | Mount Rainier NP, Crystal Mountain | Sunrise area | |
| 3 | Mount Rainier NP, Crystal Mountain | Mount Rainier NP, Paradise Inn | Sunrise/ Paradise area | |
| 4 | Mount Rainier NP, Paradise Inn | Mount Rainier NP, Paradise Inn | Paradise area | |
| 5 | Mount Rainier NP, Paradise Inn | 4:50 | Olympic NP, Forks | Paradise area |
| 6 | Olympic NP, Forks | Olympic NP, Forks | Temperate Rainforest area | |
| 7 | Olympic NP, Forks | Olympic NP, Port Angels | Pacific Coastline area | |
| 8 | Olympic NP, Port Angels | Olympic NP, Port Angels | Northern Olympic Area | |
| 9 | Olympic NP, Port Angels | 4:00 | North Cascade NP, Winthrop | Northern Olympic Area |
| 10 | North Cascade NP, Winthrop | North Cascade NP, Winthrop | North Cascade NP | |
| 11 | North Cascade NP, Winthrop | 2:15 | Leavenworth | North Cascade NP |
| 12 | Leavenworth | 2:16 | Seattle | Lake Colchuck trail |
| 13 | Seattle | Amsterdam |
2024.05.16 15:49 Jenk1905 Kobani (6-8 Ekim olayları) davasında karar açıklanıyor: Demirtaş’ın da yargılandığı davada sanık avukatları salonu terk etti
 | Ahmet Türk'e silahlı terör örgütü üyeliğinden 10 yıl hapis cezası verildi. submitted by Jenk1905 to Turkey [link] [comments] Mahkeme, Eski HDP eş Genel Başkanı Selahattin Demirtaş'a 28 yıl 6 ay hapis cezası verdi. Figen Yüksekdağ için 19 yılı "devletin birliğini ve ülkenin bütünlüğünü bozma" suçlamasından olmak üzere yedi ayrı suçtan toplam 30 yıl 3 ay hapis cezası ve tutukluluğunun devamına karar verildir. |
2024.05.16 15:49 Jhonjournalist Asia is seeing a surge in Biden’s efforts to restructure global supply chains
 | https://preview.redd.it/g5dp9t6kms0d1.jpg?width=800&format=pjpg&auto=webp&s=f25fb2f00bb14c3fdfade80680b8edb90eaefe1d submitted by Jhonjournalist to u/Jhonjournalist [link] [comments]
The adjustments, which are a part of a larger trade revamp for important Asian allies of the United States, including significant countries like South Korea and Japan, are anticipated to have an impact on around $18 billion in current annual imports. A greater proportion of exports from both nations are going to the US at China’s disadvantage. Supply chainsThe move is being driven by the US campaign, whereby multinational corporations are investing in Southeast Asia to evade US tariffs on China, and companies from Taiwan, Korea, and Japan are establishing plants in the US to benefit from subsidies for high-tech industries. According to Natixis economist Trinh Nguyen, this is a regional issue that reflects the trade war and subsequently the investment war, which will likely pick up speed.China is not losing out entirely, as its own companies are investing more quickly in Southeast Asia to avoid tariffs and maintain their portion of supply chains. Still, the US is one of Asia’s major importers of goods. The reluctance of foreign businesses to grow in China is growing; only 13% of European businesses that are now operating there consider it to be a top investment destination, which is less than half of the percentage for 2021. Taiwan is at the epicenter of Cold War-style tensions between Washington, which has promised to defend the island in the event of an invasion, and Beijing, which sees the island as part of its sovereignty. China and Taiwan have historically had strong economic relations, but these links now seem to be eroding. Taiwan’s export orders have long demonstrated that the US is the primary source of final demand for its produced goods; yet, the manufacturing process frequently passed through China, where early in this century, a wave of investment saw the establishment of factories by Taiwanese businesspeople. According to recent data, Taiwan’s exports are beginning to completely avoid the second-biggest economy in the world. Additionally, new Taiwanese investment in China has drastically decreased, from a peak of $14.6 billion in 2010 to just $3 billion last year, despite record-breaking investments made elsewhere by island-based businesses. In light of the pandemic and the trade war that US President Donald Trump started, this shows how global supply networks are realigning themselves. Learn More: https://worldmagzine.com/world/asia-is-seeing-a-surge-in-bidens-efforts-to-restructure-global-supply-chains/ |
2024.05.16 15:49 Competitive_Diet_591 IT consultant doing admin
Hello, consultant here, we lost the contract with our client about the IT part, so I'm doing administrative tasks while being on the bench, they promised me a new project before July but I don't know what will happen to be honest.
Trying to look on the market but I don't think I will find the same package with my limited experience. I feel a bit stuck, and those past 4 month didn't really let me earn a lot of experience. And 2023 was sabbatical.
Leave with a significant loose of money but more xp, or stay and hope that they will not forgot me...
PERSONALIA
submitted by Competitive_Diet_591 to BESalary [link] [comments]
Trying to look on the market but I don't think I will find the same package with my limited experience. I feel a bit stuck, and those past 4 month didn't really let me earn a lot of experience. And 2023 was sabbatical.
Leave with a significant loose of money but more xp, or stay and hope that they will not forgot me...
PERSONALIA
- Age: 29
- Education: Bachelor IT infrastructure & network
- Work experience : 4.5
- Civil status: officially single
- Dependent people/children: 0
- SectoIndustry: Consulting
- Amount of employees: 900
- Multinational? Yes
- Current job title: IT System engineer
- Seniority: 5 months
- Official hours/week : 40
- Shiftwork or 9 to 5 (flexible?): service 8 to 16:30, flexible.
- On-call duty: yes (500€ gross per week)
- Vacation days/year: 20 days +10 (compensation days)+ 4 bonus
- Gross salary/month: 4000
- Net salary/month: 2500 (with all netto compensation ~3350 + on call )
- Netto compensation: 125
- Mobility budget & bicyle: 700€ netto + ~145€ bicycle allowance
- 13th month (full? partial?): Full
- Meal vouchers: 8 (1 Euro contribution)
- Ecocheques: 250
- Group insurance: Included
- Other insurances: ambulatory (medications, doctors, etc.)
- Other benefits (bonuses, stocks options, ... ): no
- City/region of work: border of Brussels
- Distance home-work: 22km with motorcycle
- 19km with ebike
- How do you commute?: depends on my mood
- How is the travel home-work compensated: company car OR mobility budget
- Telework days/week: sensitive sector, telework for exceptional situations
- How easily can you plan a day off:easy
- Is your job stressful? A bit, because I'm doing something which is not my scope of knowledge, but otherwise chill
- Responsible for personnel (reports): team of 2, we do both reporting.
2024.05.16 15:49 mochiixcheeks Early morning luck ?!
 | A few weeks ago I went villages hunting and was very unsuccessful. I spent 60 nmt and then just fell asleep and let it autofill submitted by mochiixcheeks to acnh [link] [comments] As I had another villager move out … today was the day for villager hunting .i never used to do this , I used to just let it autofill or pick whoever was there so this is really my first time I had a list of about 10 villagers i wanted to fit my island . I have 4 permanent residents but the list of 10 are basically a few of each of the personality types Im missing . Just giving myself a few options I got rid of a normal villager since I have 3 and I was hoping to find a sisterly I woke up at 6 am and decided to do one hunt before I went back to sleep … since I’d have to wait until coming home from work … And on my first nmt I found one of my dreamies ! |
2024.05.16 15:49 haygurlhay123 “This Time, I Will Never Let You Go”: Cloud’s Mission and the Hidden Purpose of the Remake Trilogy - Literary and Musical Analysis of FFVII - Part 4
(continuation of part 3)
Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
~III. e) iii. Promotional Material and Special Features~
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
~III. e) iv. Cloud’s Promised Land~
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.
Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
~IV. b) Mission Theory Logistics~
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
~IV. b) i. Cloud the Time-Traveler?~
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
~IV. b) ii. Post-OG Cloud’s Amnesia~
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:
So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
~IV. b) iii.~ ~Eclipse Contact~ ~and Cloud’s Memories of Reactor 1~
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
~V. Musical Evidence~
What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
~V. a) Preface: The Basics of the~ ~FFVII~ ~OST~
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
~V. a) i. The World Theme: Cloud’s Troubled Identity~
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
~V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif~
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
~V. a) i. 2) Jenova: Parasite Motif~
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
~V. a) i. 3) Cloud’s True Self~
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
~V. a) ii. Aerith’s Theme~
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
~V. a) iii. Motifs and Timing in~ ~FFVII~ ~OSTs~
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:
~V. b) The~ ~Remake~ ~OST~
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
~V. b) i. MOTF 6 Music~
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
~V. b) i. 1) The Fate Motif~
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
~V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”~
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
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Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:
“Sephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a ‘god’ to rule over every soul” (FFVII OG, disk 1, chapter 25).Sephiroth’s line “Now, let us return [Cloud]. Back to the Promised Land” reveals he wants to return to their shared core world of FFVII, like we established in our review of the Remake timelines theory (see section “I. a) vii.”). Sephiroth wants to go back to FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land. Fatal Calling is setting up Sephiroth’s plans for Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the FFVII OG timeline.
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:
“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).Aerith was already important to OG, so what could’ve motivated Nojima to state her importance to Remake? Could it be that she’s even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
~III. e) iii. Promotional Material and Special Features~
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:
“Midgar's Flower Vendor SummonsA few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerith’s images are attached to the notion of the Promised Land. Cloud’s card asks who awaits there, and Aerith’s evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloud’s true self. Speaking of which, the promo also includes parts of Aerith’s famous gondola date quote from OG:
‘I'm searching for you. I want to meet… you.’
The witch protects the planet, imbues it with power, and leads to the Promised Land.”
“Aeris: I'm searching for you.In case you’re wondering about the lady in Aerith’s clothes on the left-hand side, that’s Meia, a character in MFF. She is the “witch” being referred to in the promotional material. She’s often called the Azure Witch. Meia is wearing Aerith’s clothes because a Meia-type Job Card called “Flower Girl of Midgar” was created in honor of the MFF x FFVII Remake collaboration:
Cloud: …?
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... you” (disk 1 chapter 24).
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
~III. e) iv. Cloud’s Promised Land~
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.
IV. The Hidden Plot Point: Mission Theory
~a) Thesis~Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
~IV. b) Mission Theory Logistics~
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
~IV. b) i. Cloud the Time-Traveler?~
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !
~IV. b) ii. Post-OG Cloud’s Amnesia~
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:
“A young woman descended from the Ancients who will forever be engraved in [Cloud’s] heart” (Dirge of Cerberus, Japanese manual, Aerith’s character description).
“I believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day… Its relation with the church scene is… Yup. I’ll leave this part to your imagination. (laughs)” (Nomura interview on Advent Children “Designer’s Note” in Famitsu PS2!magazine, October 24th issue).
So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
~IV. b) iii.~ ~Eclipse Contact~ ~and Cloud’s Memories of Reactor 1~
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
~V. Musical Evidence~
What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
~V. a) Preface: The Basics of the~ ~FFVII~ ~OST~
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
~V. a) i. The World Theme: Cloud’s Troubled Identity~
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
~V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif~
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
~V. a) i. 2) Jenova: Parasite Motif~
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
~V. a) i. 3) Cloud’s True Self~
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
~V. a) ii. Aerith’s Theme~
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
~V. a) iii. Motifs and Timing in~ ~FFVII~ ~OSTs~
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:
“[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big ‘boom’ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We […] had to sequence [each and every sound] to play at exactly the right moment” (Shotaro Shima on track “Midgar, City of Mako”, page 229).&
“I was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the scene” (Naoyuki Honzawa on track “Smash ‘Em, Rip ‘Em”, page 309).&
“This is the track that plays during the tour of Shinra’s different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from ‘Aerith’s Theme’ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra theme” (Yasunori Nishiki on track “Stewards of the Planet”, page 313).
~V. b) The~ ~Remake~ ~OST~
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
~V. b) i. MOTF 6 Music~
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:
“The Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloud’s chest can be explained as an emergence of post-OG Cloud’s grief, triggered by the slightest allusion to Aerith’s sacrifice.
Aerith: Listen to me. […] Shinra isn’t the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the others’ heads.
Aerith: Somehow, some way, I want to help— all of you… the planet…
For some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”).
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
~V. b) i. 1) The Fate Motif~
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
~V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”~
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
2024.05.16 15:48 Anglicanpolitics123 Old Testament social principles relevant for our time(Part 2). Interconnectedness, Intersectionality and social justice.
This is part 2 of a series that I have done on the relevance that Old Testament social principles have to our times. In the first part I looked at the OT's critique of lesser of two evils politics. In this one I will be looking at the Old Testament understanding of the relationship between social justice and intersectionality. Intersectionality was a term popularised in the late 80s and 90s by scholar and activist Kimberlee Crenshaw. In her analysis she says the following:
1)The justice precepts of the OT:
It's the same thing in Nathan's parable at a different angle. If we see the see the gendered limits of hospitality in the Concubine episode, we see it's class limits in this parable. The rich man is willing to show hospitality to a wayfarer. And he does it at the expense of the man who is poor. His hospitality is built on economic exploitation. Now the twist is that Nathan is telling this Parable both as an irony and to expose King David's hypocrisy. Because David did an injustice to Uriah the Hittite. He had him murdered to take his wife. And Uriah because he is a "Hittite" is a stranger, a foreigner. Murder is the most inhospitable act you can do to a stranger. Nathan breaks us out of a single axis analysis of things by making the point that the same norms that allow a rich man to exploit the poor are the same ones that allow a King to murder an outsider to take his wife. Xenophobic violence and class oppression are intertwined. Which is why in the precepts of the Prophets care for the poor and the widows and orphans is coupled with care for the alien and stranger. And it is couple in the rhetoric of Jeremiah to not shed innocent blood. The structures built on violence are the same ones that marginalise the poor and target the orphan and the outsider. Many of the people who are poor under these structures are also widows and aliens as well. And as the Prophet Ezekiel points out, which ties back to the story of the concubine, the same people with power that shed innocent blood and oppress and extort the poor are also the ones who normalise and perpetuate a culture of sexual violence. These are definitely relevant for our times because the Old Testament's ethical framework breaks us out of a single axis view of social justice to view things in a multidimensional perspective. We have to look at the lives of migrants and refugees from a multidimensional perspective. We have to look at the experiences of black and indigenous communities from a multidimensional perspective when in these communities women have to endure the multiple burdens of racial violence coupled with patriarchal and sexual violence. We cannot speak of an identity politic that does not look at class oppression and violence. All of these intersect. All of these are multidimensional. And in that multidimensional reality Jeremiah's voice rings as true back then as today. Stand up for the poor, the orphan, the widow and the oppressed who has been robbed. And shed no innocent blood in this place.
submitted by Anglicanpolitics123 to RadicalChristianity [link] [comments]
- "One of the very few Black women's studies books is entitled All the Women Are White; All the Blacks Are Men, But Some of Us are Brave. I have chosen this title as a point of departure in my efforts to develop a Black feminist criticism because it sets forth a problematic consequence of the tendency to treat race and gender as mutually exclusive categories of experience and analysis...this tendency is perpetuated by a single-axis framework that is dominant in antidiscrimination law and that is also reflected in feminist theory and antiracist politics.I will center Black women.... in order to contrast the multidimensionality of Black women's experience with the single-axis analysis that distorts these experiences"(Demarginalising the intersections of race and sex, pg 139)
- "I observed the dynamics of structured intersectionality during a brief field study of battered women's shelters located in minority communities in Los Angeles. In most cases the physical assault that leads women to these shelters is merely the most immediate manifestation of the subordination they experience. Many women who seek protection are unemployed or underemployed and a good number of them are poor. Shelters serving these women cannot afford to address only the violence inflicted by the batterer; they must also confront the other multilayered and routinised forms of domination that often converge in these women's lives"(Mapping the Margins: Intersectionality, Identity Politics and Violence against Women of Color)
1)The justice precepts of the OT:
- "Thus says the Lord: Act with justice and righteous, and deliver from the hand of the oppressor anyone who has been robbed. And do no wrong or violence to the alien, the orphan and the widow, nor shed innocent blood in this place"(Jeremiah 22:3)
- "The princes of Israel in you everyone according to his power, have been bent on shedding blood. Father and mother are treated with contempt in you; the alien residing within you suffers extortion; they orphan and widow are wronged in you. You have despised my holy things, and profaned my sabbaths. In you are those who slander to shed blood, those in you who eat upon the mountains, who commit lewdness in your midst. In you they uncover their father's nakedness; in you they violate women in their periods."(Ezekiel 22:6-10)
- "And the Lord sent Nathan to David.He came to him and said to him 'There were two men in a certain city, one rich and the other poor. The rich man had very many flocks and herds; but the poor man had nothing but one little ewe lamb, which he had bought. He brought it up, and it grew up with him and with his children; it used to eat of is meagre fare, and drink from his cup, and lie in his bosom, and it was like a daughter to him. Now there came a traveller to the rich man, and he was loath to take one of his own flock or herd to prepare for the wayfarer who had come to him, but he took the poor man's lamb, and prepared that for the guest who had come to him'. Then David's anger was greatly kindled against the man. He said to Nathan, 'As the Lord lives, the man who has done this deserved to die;"(2 Samuel 12:1-5)
- "Nathan said to David 'You are the man! Thus says the Lord, the God of Israel: I anointed you king over Israel, and I rescued you from the hand of Saul; I gave you your master's house, and your master's wives into your bosom, and gave you the house of Israel and of Judah; and if that had been too little, I would have added as much more. Why have you despised the world of the Lord, to do what is evil in his sight? You have struck down Uriah the Hittite with the sword, and have taken his wife to be your wife, and have killed him with the sword of the Ammonites"(2 Samuel 12:7-9)
- "In those days when there was no king in Israel, a certain Levite residing in the remote parts of the hill country of Ephraim, took to himself a concubine from Bethlehem in Judah. But his concubine became angry with him and she went away from him to her father's house at Bethlehem in Judah and was there for some four months. Then her husband set out after her to speak tenderly to her and bring her back. He had with him his servant and a couple of donkeys. When he reached her father's house the girl's father saw him and came with joy to meet him"(Judges 19:1-3)
- "When they were near Jebus, the day was far spent and the servant said to his master(the Levite) 'Come now, let us turn aside to this city of the Jebusites, and spend the night in it'. But his master said to him, 'We will not turn aside into a city of foreigners, who do not belong to the people of Israel; but we will continue on to Gibeah'. Then he said to his servant 'Come let us try to reach one of these places, and spend the night at Gibeah or at Ramah'. So they passed by and went on their way; and the sun went down on them near Gibeah, which belongs to Benjamin. They turned aside there, to go in ans spend the night at Gibeah. He went in and sat down in the open square of the city, but no one took them in to spend the night. Then at evening there was an old man coming from his work in the field. The man was from the hill country of Ephraim and he was residing in Gibeah...The old man said 'Peace be to you. I will care for your wants; only do not spend the night in the square'. So he brought him into his house and fed the donkeys; they washed their feet and ate and drank"(Judges 19:11-16/20-21)
- "While they were enjoying themselves the men of the city, a depraved lot, surrounded the house and started pounding on the door. They said to the old man, the master of the house 'Bring out the man who came into your house so that we may have intercourse with him'. And the man, the master of the house, went out to them and said to them 'No, my brothers, do not act so wickedly. Since this man is my guest, do not do this vile thing. Here are my virgin daughter and his concubine; let me bring them out now. Ravish them and do whatever you want to them; but against this man do not do such a vile thing'. But the men would not listen to him. So the man seized his concubine, and put her out to them. They wantonly raped her, and abused her all through the night until morning. And as the dawn began to break, they let her go"(Judges 19:22-25)
It's the same thing in Nathan's parable at a different angle. If we see the see the gendered limits of hospitality in the Concubine episode, we see it's class limits in this parable. The rich man is willing to show hospitality to a wayfarer. And he does it at the expense of the man who is poor. His hospitality is built on economic exploitation. Now the twist is that Nathan is telling this Parable both as an irony and to expose King David's hypocrisy. Because David did an injustice to Uriah the Hittite. He had him murdered to take his wife. And Uriah because he is a "Hittite" is a stranger, a foreigner. Murder is the most inhospitable act you can do to a stranger. Nathan breaks us out of a single axis analysis of things by making the point that the same norms that allow a rich man to exploit the poor are the same ones that allow a King to murder an outsider to take his wife. Xenophobic violence and class oppression are intertwined. Which is why in the precepts of the Prophets care for the poor and the widows and orphans is coupled with care for the alien and stranger. And it is couple in the rhetoric of Jeremiah to not shed innocent blood. The structures built on violence are the same ones that marginalise the poor and target the orphan and the outsider. Many of the people who are poor under these structures are also widows and aliens as well. And as the Prophet Ezekiel points out, which ties back to the story of the concubine, the same people with power that shed innocent blood and oppress and extort the poor are also the ones who normalise and perpetuate a culture of sexual violence. These are definitely relevant for our times because the Old Testament's ethical framework breaks us out of a single axis view of social justice to view things in a multidimensional perspective. We have to look at the lives of migrants and refugees from a multidimensional perspective. We have to look at the experiences of black and indigenous communities from a multidimensional perspective when in these communities women have to endure the multiple burdens of racial violence coupled with patriarchal and sexual violence. We cannot speak of an identity politic that does not look at class oppression and violence. All of these intersect. All of these are multidimensional. And in that multidimensional reality Jeremiah's voice rings as true back then as today. Stand up for the poor, the orphan, the widow and the oppressed who has been robbed. And shed no innocent blood in this place.
2024.05.16 15:48 austereien Am I doing something wrong?
I come seeking the wisdom of men better than myself.
I made a low health commando build using a fixer. Absolutely shredding things, but ammo consumption is slightly annoying for daily travel. Did research, and was made to believe going Rifleman with a non-auto Handmade was equally as potent, just nowhere near as FAST (i.e. I have to press the shooty button 2 or 3 times to kill but I won’t lose 8 bullets in the process, whereas commando automatic Fixer kills in 0.5 seconds at the cost of half a mag)
So cut to my surprise when I try it out- similar gun mods, same enemies as before, nothing different aside from my commando cards changed for rifleman- and my Handmade is taking like 6 or 7 shots and missing in VATS (95 hit chance at damn near melee range). Am I doing something aggressively wrong? Or is it really just the Fixecommando is the only gun/setup worth a shit?
submitted by austereien to fo76 [link] [comments]
I made a low health commando build using a fixer. Absolutely shredding things, but ammo consumption is slightly annoying for daily travel. Did research, and was made to believe going Rifleman with a non-auto Handmade was equally as potent, just nowhere near as FAST (i.e. I have to press the shooty button 2 or 3 times to kill but I won’t lose 8 bullets in the process, whereas commando automatic Fixer kills in 0.5 seconds at the cost of half a mag)
So cut to my surprise when I try it out- similar gun mods, same enemies as before, nothing different aside from my commando cards changed for rifleman- and my Handmade is taking like 6 or 7 shots and missing in VATS (95 hit chance at damn near melee range). Am I doing something aggressively wrong? Or is it really just the Fixecommando is the only gun/setup worth a shit?
2024.05.16 15:47 TalariaWingfoot Oops message - any solution?
I am so frustrated, I'm ready to scream. When I try an interaction with a pet (feed, read, play, etc.), try to buy from a shop, try to donate or discard or move an item to the closet or my shop, pretty much any action taken on my Inventory page, I get a popup "Oops" with this message "Error: You have been directed to this page from the wrong place! If you KEEP getting this error, chances are you have some security settings enabled that are not letting you play Neopets correctly. Click here to see some tips that might help you fix this problem" The link is to an old outdated useless tips page. Eventually, sometimes, after trying from 3 to 7 or 8 times, the action finally goes through, but sometimes I just have to give up. Quick Stock does work, but that doesn't let me buy from a shop or interact with a pet from Inventory.
I am on a 6-month-old laptop running Windows 11, using my preferred Edge browser, and running the same security settings and protection programs that were running before this started happening a few weeks ago., no changes, and I am not using an adblocker. Before that, everything worked smoothly. Now it's so frustrating that I'm thinking of putting my pets in the Lodge and just stopping by now and then to see if the issue has been finally identified and fixed by the Neopets IT people.
submitted by TalariaWingfoot to neopets [link] [comments]
I am on a 6-month-old laptop running Windows 11, using my preferred Edge browser, and running the same security settings and protection programs that were running before this started happening a few weeks ago., no changes, and I am not using an adblocker. Before that, everything worked smoothly. Now it's so frustrating that I'm thinking of putting my pets in the Lodge and just stopping by now and then to see if the issue has been finally identified and fixed by the Neopets IT people.
2024.05.16 15:47 HoustonFoReal Why has Chet been so passive with his 3’s?
Early in the season, he was so confident in his 3 ball and he was insane offensively and defensively. After a while, he began pump faking instead of pulling em, which made his offensive output go down. After all star break, he went back to letting them fly and once again, put up huge numbers offensively. This series, he’s deferred to pump faking unless he is completely wide open. So many times he’s had a good bit of space and still pump fakes and it drives me crazy. At the same time tho, it feels like he knows he needs to shot 3’s, because you can tell he forces some, like his whole plan was to shoot it no matter what. Chet plays so much better when he lets the game come to him and takes what he’s given and I wish he’d be more confident in his ability because he’s such a gifted player on both sides. Hopefully we get takeover Chet in game 6 and take it to game 7, I’m confident our boys get it done!!!
submitted by HoustonFoReal to Thunder [link] [comments]
2024.05.16 15:46 Short_Algo $SNX Awaiting Buy Signal based off 6 signals $3,620 net profit 4.35 profit factor 83% win rate on a 15-min chart. Free trial at https://www.ultraalgo.com/?afmc=46 #trading #stocks #investing #money
 | submitted by Short_Algo to StockTradingIdeas [link] [comments] |
2024.05.16 15:46 Low_Air_1774 Leaving job in probation
Hi I've been offered a job which is good money, but has the catch of them wanting me to work 6 days every 2 weeks, the contract also is a 6 month probation, and I'm not sure if the 6 day week will grind me down to much, if I left in my job during probation (for example 3 months in) would that have any issues for me ? This is providing i work my notice period
submitted by Low_Air_1774 to uaelaw [link] [comments]
2024.05.16 15:45 LatetotheGameAdora How to account for outliers in data
I'm 6 months into my BA/DA role. Simple ratio, customer payments/writeoff. However, my question is, my company has some bad debt write offs for customers which are in the cents. So if they had a years worth of bills/cents, that's going to be an extremely high ratio which is masking other trends that I want to see. So I had an excel formula that says =IF(writeoff=0, 15, IF(writeoff<20, 10, revenue/writeoff)). 4 and under is considered bad, 10 is considered great. Is my excel correct to account for smaller writeoff amounts, and how do I determine that "sweet spot" of "hey, they have minimal or no writeoff, let's put them to an automatic 10 when usually they could be considered a 400". (Most of the ratios are between 3 and 10). Or does this not even matter, because regardless, the trends will be the same, just not as pronounced? Thanks!
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2024.05.16 15:45 angel1813 Am I overreacting by thinking my friends are ditching me because I got married?
Long Post Warning:
My best friends are twins and we have been friends since we were 8. We are all 24 now. I love them with all of my heart. We were inseparable all throughout middle and high school. There was nothing I would do without them and vice versa. When we went to college, we split up. I decided to go to college near home and they went about 2-3 hours away. That didn't stop us from being best friends though. We would talk everyday freshman year. During the summer after freshman year, I went on an internship to Atlanta. They came and visited for a week and we had a blast. The following summer I went to Florida, again, they came down and we went to Disney together. After that summer, I fell hard for a guy who I worked with. I remember my friends and I went on a trip with the guy. I got us an airbnb to share, but instead of staying in the room with the girls, I slept in the room with him. I think this was a turning point in our relationship because I can see now that it bothered them. They weren't very fond of him and I understand why...now.
Eventually I realized that he wasn't going to be anything more than a friend, so I finally moved on. But I felt like our friendship had taken a toll because of it. Fast forward to about a year and a half later and I met my now husband. At this point, they were wrapping up college in the spring of 2021. Because of my internships, I was graduating a semester late, in the fall of 2021. Once my husband and I started dating, we obviously did everything together. At one point, we went on a group trip. It was me, my husband (boyfriend at the time), the twins, a boy who was (kinda) dating one of the twins, and another couple. I had a great time, but my husband didn't. He's never really been a fan of any of them. After that trip, the other couple ended up breaking up. The girl in the relationship was one of our other good friends from high school. It was kind of a messy breakup and she was, in my opinion, unfair to her boyfriend. I never loved the way she spoke to him disrespectfully. After they broke up, I didn't really want to hang out with her anymore. And the twins knew this. But they were still good friends with her, and that was fine. I told them they were obviously more than welcome to be her friend because she lived close to them, but I just would prefer to not do things with her there.
Anyways, I end up getting engaged right after I graduated. They were in on the surprise and the main distraction for me before he proposed. I love that they were so involved in this process because it made it extra special for me. They were both my maids of honor, they planned my bachelorette trip, helped me pick out my dress, everything. I am so grateful for them. After I got married about a year later, I fell into this HUGE depression. I was struggling with my job which left me with no real time off on the weekends to hang out with them. I had to say no to doing stuff constantly because of my job. I was miserable. I didn't want to do anything with anybody because I felt trapped by my job. I still saw them some, but not as much as I wanted.
I ended up leaving my job this past November. I have never been happier. I have weekends off and I am way more available to do things. But now I feel like I hardly talk to them. We snapchat everyday, but I probably have 1 real conversation with them a week. Today I saw that they are going on a girls trip. To be fair, the girl I don't like is on the trip, but I didn't even get a pity offer to go. They travel constantly with two other girls and I am always left out. I know before I left my job, I would have to say no over and over again, but now that I am in my new position I am free to hang out with them!
I feel like I've lost my best friends. I can't help but feel like they think I don't want to see them now that I'm married. For reference, we never had boyfriends growing up. My first serious relationship was with my husband and of course, I spent of a lot of time with him. The boy mentioned above who "kinda" dated one of the twins, is now fully dating her. It took them a while to be official, but they are so cute and I love that she has someone. I want them to be my best friends again. I want to come visit them and spend a weekend together. But after seeing them go on two trips back to back, I am scared to ask. I feel like they don't love me like they used to. I miss them. I know I haven't been a good friend, but I also think they are just mad that I got married young and maybe make them feel like I don't need them anymore. That couldn't be further from the truth. They will always be my sisters, I just want to go back to us being close like we were when we were young.
TLDR: My best friends from childhood live about 2 hours away from me now. I am married and was busy with work until about 6 months ago. During that time, I wasn't able to see them as much or do fun things. Now, I have more free time with my new job, but they won't ask me to go on trips. I think they think since I'm married, I don't need them anymore. Am I overreacting?
submitted by angel1813 to AskWomenNoCensor [link] [comments]
My best friends are twins and we have been friends since we were 8. We are all 24 now. I love them with all of my heart. We were inseparable all throughout middle and high school. There was nothing I would do without them and vice versa. When we went to college, we split up. I decided to go to college near home and they went about 2-3 hours away. That didn't stop us from being best friends though. We would talk everyday freshman year. During the summer after freshman year, I went on an internship to Atlanta. They came and visited for a week and we had a blast. The following summer I went to Florida, again, they came down and we went to Disney together. After that summer, I fell hard for a guy who I worked with. I remember my friends and I went on a trip with the guy. I got us an airbnb to share, but instead of staying in the room with the girls, I slept in the room with him. I think this was a turning point in our relationship because I can see now that it bothered them. They weren't very fond of him and I understand why...now.
Eventually I realized that he wasn't going to be anything more than a friend, so I finally moved on. But I felt like our friendship had taken a toll because of it. Fast forward to about a year and a half later and I met my now husband. At this point, they were wrapping up college in the spring of 2021. Because of my internships, I was graduating a semester late, in the fall of 2021. Once my husband and I started dating, we obviously did everything together. At one point, we went on a group trip. It was me, my husband (boyfriend at the time), the twins, a boy who was (kinda) dating one of the twins, and another couple. I had a great time, but my husband didn't. He's never really been a fan of any of them. After that trip, the other couple ended up breaking up. The girl in the relationship was one of our other good friends from high school. It was kind of a messy breakup and she was, in my opinion, unfair to her boyfriend. I never loved the way she spoke to him disrespectfully. After they broke up, I didn't really want to hang out with her anymore. And the twins knew this. But they were still good friends with her, and that was fine. I told them they were obviously more than welcome to be her friend because she lived close to them, but I just would prefer to not do things with her there.
Anyways, I end up getting engaged right after I graduated. They were in on the surprise and the main distraction for me before he proposed. I love that they were so involved in this process because it made it extra special for me. They were both my maids of honor, they planned my bachelorette trip, helped me pick out my dress, everything. I am so grateful for them. After I got married about a year later, I fell into this HUGE depression. I was struggling with my job which left me with no real time off on the weekends to hang out with them. I had to say no to doing stuff constantly because of my job. I was miserable. I didn't want to do anything with anybody because I felt trapped by my job. I still saw them some, but not as much as I wanted.
I ended up leaving my job this past November. I have never been happier. I have weekends off and I am way more available to do things. But now I feel like I hardly talk to them. We snapchat everyday, but I probably have 1 real conversation with them a week. Today I saw that they are going on a girls trip. To be fair, the girl I don't like is on the trip, but I didn't even get a pity offer to go. They travel constantly with two other girls and I am always left out. I know before I left my job, I would have to say no over and over again, but now that I am in my new position I am free to hang out with them!
I feel like I've lost my best friends. I can't help but feel like they think I don't want to see them now that I'm married. For reference, we never had boyfriends growing up. My first serious relationship was with my husband and of course, I spent of a lot of time with him. The boy mentioned above who "kinda" dated one of the twins, is now fully dating her. It took them a while to be official, but they are so cute and I love that she has someone. I want them to be my best friends again. I want to come visit them and spend a weekend together. But after seeing them go on two trips back to back, I am scared to ask. I feel like they don't love me like they used to. I miss them. I know I haven't been a good friend, but I also think they are just mad that I got married young and maybe make them feel like I don't need them anymore. That couldn't be further from the truth. They will always be my sisters, I just want to go back to us being close like we were when we were young.
TLDR: My best friends from childhood live about 2 hours away from me now. I am married and was busy with work until about 6 months ago. During that time, I wasn't able to see them as much or do fun things. Now, I have more free time with my new job, but they won't ask me to go on trips. I think they think since I'm married, I don't need them anymore. Am I overreacting?