I am pretty sure. I've been invited to a meeting with my manager and one of the women in HR is attending as a "note-taker" i.e. witness. The letter inviting me to the meeting was very formal and says they want to have "an open conversation about the structure of the department" and that I can bring a work colleague with me if I want. So reading between the lines I think it has to be redundancy.
It's not a group of redundancies, it's just me (afaik) and I am not surprised. There's been what I think is a mutual feeling there for a while that they don't want me there and I don't want to be there. My performance has been poor although I have never had a warning or anything based on it so I don't think they can sack me on performance. Their management has also been poor, effectively ignoring me with zero communication, no annual review, no targets, KPIs or deadlines.
My goal now is to handle this process with as much dignity as I can and hopefully leave on good terms. I did not fit in at this company but I don't think they're bad people.
I've been here for 21.5 months and statutory redundancy only kicks in at 24 months but I am hoping they will offer me a month's salary anyway.
Even though I know what's coming I hope I can handle it, I'm very nervous and have a tendency to go all red and blotchy in these situations or worse cry. I've worn more makeup than usual to try and temper the redness and I just hope I can keep my cool in this meeting.
Wish me luck...

I got a new manager and he immediately put me on a training plan. My previous manager had just given me a positive annual review so this was alarming to me, so I asked if this was performance plan. I was assured that this was not a PIP, just a way to level up my skills and he mentioned a leveling guide none of my coworkers had ever seen, and later I found out its a tool used between managers and HR to discuss how to help employees grow. However, my new manager was using it like a weapon.
Regardless, I love learning and was all on-board to learn everything I needed to. I’m a frontend developer in the silicon valley and he listed some things that were easy to learn (which I did and started to add to accepted merge requests), but also he wanted me to learn how they do things on this new team he had created. He created a long checklist that frankly had tasks that sounded like a principal engineer, and I’m midlevel. Still, I was on board and gave it my all.
He gave me a project as part of my training plan that was an actual project with real deadlines and my job was to lead the entire project, to gather requirements, create a plan and timeline and tickets and frankly a lot of things that in the past were handled by project managers or my previous manager at the company and the team. Now it felt like I needed to be a project manager, team lead, and full stack engineer since I had to create middleware, API providers. I created a plan and started with getting the API calls, Oauth tokens, learning about company API IDs and API secrets, and getting the API Client and Provider set up for the first time.
Oh, I also decided to disclose to my manager and HR that I had ADHD and was seeking legally provided workplace accommodation because while my manager created an environment perfect for my ADHD, this manager seemed to do everything possible to not accommodate my ADHD. Oh, and during this training plan I am getting nonstop negative weekly feedback on my performance.
So I was both working hard to learn and filled with anxiety from the negative feedback, yet I was 90% done with the project and 2 weeks away from integration testing. I open my laptop and see that my manager took me off the project and gave it to an engineer who was supposed to be one of the people training me but he was never available and in another timezone. The reason my manager gave was that he was afraid I wouldn’t meet the deadlines. The project wasn’t due for 2 months, but milestone deadlines were the integration testing in 2 weeks and another one a month from then.
I got a horrible cold and had to take a couple days off, I get to work on Monday and my manager and HR fire me without severance and cite performance as the reason. I asked HR why she said 3 weeks ago that I was nowhere near getting fired, and that I wasn’t even close to a PIP, that this was a true training plan. She kind of spoke quickly and said something about reviewing performance and decided to end our relationship. At that point I felt like saying “Ok, can I go now?”but was super professional and said goodbye at the end.
But now I find myself ruminating about what happened. The whole thing felt so unfair and confusing. I saw how kind this group was to a poster who lost their job and it seemed to turn them around and make them feel hopeful. Can you help me move past this?

Hello, I am a university student studying in Japan currently and am doing job hunting here. I have received an offer from Rakuten mobile (as a software engineer) as well as several other offers from other smaller IT companies as well. I am highly debating whether to join Rakuten Mobile purely due to the many benefits that they offer (eg: high salary [in comparison to other companies I have offers from; 5mill yen annually], 3 free meals a day). I have done research on this company in both English and Japanese, and I have seen mixed (mostly negative) reviews. I know that it is pretty common for a company to have mixed reviews as everyone has different experiences but the negative reviews I have seen about this company are a little too concerning to just chalk it up to that. If you have any relevant experiences, may I ask how bad/good the company actually is in terms of work hours, ethic and the overall atmosphere in the IT sector? I greatly appreciate any advice/comments that anyone has regarding this matter.

I've worked part time for a large company for almost two years. No annual raise and/or review after one year. Other pt employees in similar jobs recieved a 5% raise this year on their anniversary. Two new hires (same position, same work) started a few months ago and are earning 20% more than I do. I emailed my boss 6 weeks ago asking to meet, listing my accomplishments and requesting a fair market increase. No response. Two weeks ago I texted my boss asking for a one-on-one meeting. No response. WTF? Do I march up to her desk to get a response? Do I go to HR? Do I send my bosses boss an email? I'm frustrated enough to quit but I honestly love the job. And although I rarely see my boss there have been a few instances when it seems like she is doing her best to cut me down. I guess she doesn't like me? There have been no complaints on my job performance, that I am aware of. Cripes, I suppose I need to look for a new job. I'll be 55 soon ffs. Maybe just pay me fairly and then leave me alone to do the gd job for another ten years so I can retire and eat cat food. I digress

Well, Hi all! again! 4Th Wall here, I figured since I just got power back, I might as well play some catch up on both series. Hope you enjoy this episode!!
Yup, I fucked that up. This is a repost with the correct Episode number, LOL! It's been a while since I've done that.
First, Previous, Next (Patreon)
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Benjamin smiled, watching the girls skip ahead of him. Today was a testing day of sorts for him. Unwilling to release firearms into this world haphazardly, yet unwilling to go without them as a backup; he had pulled from one of his sister’s favorite video games. He had “melted down” his bowie knife, repurposing the metal to be used in his latest creation. The final product rode on his hip like a short sword, but Ben was satisfied in the design when the vast majority of the people he passed ignored it as just another adventurer’s blade. Benjamin hoped, that with the existence of Majik, that he would be able to pass off any… peculiarities... as the realm of the supernatural.

The three of them arrived at the tailor’s establishment, and the girls were met with a customary indifference that seemed to present itself when a slave’s “master” was present. The moment Benjamin entered, the seamstress ceased to pay attention to the girls, and instead addressed him directly, “Ah, The Forgemaster’s Protégé. What can I do for you this day.” She said cooly, bowing slightly in welcome. “I’m here commission some clothing for these two, a reward for good service.” Benjamin began. It was technically true; the success of the forge had afforded him much more coin than a mere apprentice could have made. Qort had taken him on as a true partner, and Benjamin earned enough to comfortably afford to cloth his “slaves” in whatever he chose.

Some stigma’s remained however, and the seamstress seemed to glare sideways at the girls as they perused the fabrics adorning the walls. “Is that wise? A slave could lose her place with such gifts.” she asked, her polite tone barely hiding her disapproval. Benjamin sighed internally, ‘oh for fucks sake’ he groaned in his own mind before putting on facad, “I find that proper reward, afforded on the right servant can result in” he paused, projecting a smug expression and blatantly looking the girls up and down. “a profound dedication to their duties” he finished with a satisfied smile as the seamstress covered her mouth with a hand to hide a smile of her own. The gambit worked, and the Seamstress was obviously satisfied that the “Aereesen slave whores” were being properly “used”. “Ah, I understand. What did you have in mind for them.” She practically moaned back at Benjamin. ‘This hag needs a good pounding….’ Benjamin’s inner monologue threatened to crack his facade, “That’s the fun part, my good lady. It’s their choice. The surprise is half the excitement.” He chuckled.

The seamstress openly smiled at him this time before nodding and stepping over to the two girls. Benjamin breathed a sigh of relief as she seemed to treat them at least marginally more warmly. The old racist bag didn’t need to know that Benjamin was secretly building a small nest egg for his girls, or that his sending them out to do errands for him was how he was teaching them about money, value, and the application of Mathematics. She also didn’t need to know that the full Cutlery set that she had purchased last week had been made by Vi’s own hand as her first full solo commission set. Benjamin had stamped his “mark” on them, because slaves were not allowed to own anything, including their own work; but Vi had begun with raw steel and finished with one of the finest cooking knife sets he had seen in this world or his.

Benjamin settled onto a bench outside, using the excuse of wanting to enjoy the morning air to afford his girls some privacy. Now that Viola and Valtrya were eating a healthy diet, and the right calorie amount; they had blossomed into absolute bombshells. Their hair had recovered, and both sported long flowing locks that boasted a silky satin black color and texture that betrayed hints of deep royal purple. The color reminded Benjamin of one of those expensive custom car paints that changed color depending on the lighting.

Their skin recovered almost as quickly as their hair. The sickly, scabbed look was quickly replaced with the same satin quality as their hair to the touch, but with a light grey coloring that almost seemed to tease the edge of hinting at a greyish purple. A dense pattern of Small freckles of the same dark, almost royal, purple as the highlights in their hair frolicked on both girl’s cheeks, and down the sides of their necks. Because of their early lack of understanding on modestly, Ben knew that those freckles traveled much further. The sad truth was that Benjamin understood fully why Aereesen’s were the prize of slavers and brothels, and he silently prayed that he could give them enough self-worth and skill to have a better life than that, once he got them out of the Principality.

A door’s soft creaking broke Benjamin from his thoughts as the two sisters stepped out smiling, “Get everything you need?” he asked standing as the three of them departed the establishment. Val nodded vigorously, and Vi smiled as she spoke, “I think so, but I had to practically beg the woman to stop showing us lingerie… what did you tell her?” Benjamin felt his cheeks heat as he responded, “What I had to. The old hag doesn’t get enough at home. It’s not my fault that your ‘enthusiasm’ is in the forge and your studies, not between the sheets. I didn’t lie to her, I just let her draw her own conclusions, sorry.”

Vi’s eyes twinkled for a second, “Oh,” She smirked, “Thaaat’s why she broke out the silk. Some of her options were..” She blatantly bit her lip at Benjamin. “You didn’t…” He asked in shock, and Vi lifted up on her tippy toes to brush her lips against his ear, “Not telling” she purred, setting Bens senses on fire. She backed up a step, openly smirking at his beet red face. “But your expression is adorable… My Lord” She stated the last two words with a deep sultry tone, knowing that Ben couldn’t scold her in public before taking his hand, “May we visit the bazar next? Val saw some jewelry she wanted to look at.” Benjamin gave her a pointed look, that turned into a smile as she beamed at him, “Ok, sounds good. I need to pick up some food for the week.”

It was later that afternoon when the three of them left the bazar. They found Jukha waiting on the bench in front of their home. “Jukha! How are you!” Benjamin called, clasping the Orc’s hand firmly as the girls rushed inside to put up their purchases. Jukha reciprocated, if somewhat stiffly, to the strange to him gesture. “Benjamin, it is good to see you well.” His tone stopped Ben in his tracks, “What is it. Is your wife, ok?”
Jukha shook his head, “Vilora is well, but I have been tasked with finding you.” He said carefully, “The slaver, the one you dueled for those two,” he nodded to Vi and Val as they stepped back out of the building, “The Heir of The Romoregin house is here. He has lodged an official demand for satisfaction, and he brought a champion.”

Benjamin stiffened, “Another duel? You said an ‘official demand’… what happens if I refuse.” Jukha winced at Ben’s tone, “It is an archaic practice of my people, rarely remembered, and even more rarely demanded. You cannot deny a satisfaction claim, but should you prevail, no further claims can be made upon your person. I am sorry Benjamin, but if you flee or refuse, your life is forfeit; and your property goes to the claimant.” Jukha looked pointedly at Viola and Valtrya. “The young puke has put me in danger as well, if I do not deliver you and them to the duel, I can be detained. If they torture me….” Benjamin’s eyes widened before hardening in understanding. “Jukha…” He turned to find Viola standing next to him, with his musket in one arm and his ammunition bag in the other, and sighed, “Fuck”. He loaded his musket with a single roundball cartridge this time, unwilling to fire buck and ball in the town streets. He pealed the ball out of the paper wading after pouring the poweder, reaching into his haversack to retrieve a small round patch made of pillow ticking. Jukha looked on in mild fascination as Benjamin spit on the cloth patch before wrapping the ball in it and ramming the whole thing down the barrel. It wasn’t much, but it reduce windage, ensuring at least reasonable enough accuracy from the smoothbore to keep from hitting innocent bystanders. It would also virtually eliminate blow-by, upping the chamber pressure and giving him a little more velocity. “I’m ready.”

The four of them entered the small city square to be met with Qort and three Org guards. These soldiers wore different insignia that Benjamin had been taught were the mark of the capital. “Beenjaymen Shayfe” one of them butchered his name, “I am.” Ben nodded firmly, the other guard nodded, “And your two slaves, good. Has Jukha informed you of the proceedings.” Benjamin scowled, “A legalized way to attempt a revenge killing? Yea, I’ve been told.” Ben didn’t bother to hide his vitriol, “So I have to kill a motherfucker for defending myself from his father?”

“Not quite. The Heir has brought a champion. The rules are simple, all forms of combat are allowed” The first guard began as the second one began chaining the wrists of Viola and Valtrya. Benjamin began to move before thinking, only to be held back by Jukha, “Peace albino. They must do this. Fighting them will cause a forfeit.” Benjamin looked at the terrified faces of the two girls. He forced himself to calm down outwardly, but Benjamin could feel the rage building. He had worked so hard to save those two, to get them out.. now some snot nosed brat was going to try to kill him because his father didn’t know when to fuck off. Benjamin stepped out from around the guards. The “heir” was a young Durr. Ben had no frame of reference for age, but the Heir was substantially shorter, and his facial tentacles were almost mere buds. Beside him stood a crimson colossus, the same species as the Hunter he had shot saving Jukha. He was taller than that female, and was wearing plate armor, gilded in silver. He hefted a great sword of some kind and smiled openly at Benjamin. It was not a pleasant expression. “Ah, so You’re the puke I’ll be cleaning from my blade. I am Krastorin. Come here, pale one, I’ll make it quick.”

Benjamin looked him over, subtly shifting into a shooting stance but keeping his musket looking like he was resting the butt of a spear on the ground. “You look accomplished, what makes you do the bidding of the boy.” He asked, blatant scorn on his tone. The Young Durr flinched, his small tentacle buds writhing violently. “H’Dare Yee!” he bellowed, voice cracking with the strain of fury, “Aye’ll ‘ave Yee Head on Me’Wall!!”
Benjamin ignored him, focusing on the Hellirine. The man looked back at the boy with a raised eyebrow, “The young puke promised me one of those.” He pointed at Vi and Val, who had reverted to their former trembling submissive postures that Ben had met them in. “It appears that they are as well kept as claimed. I look forward to sampling them.” He leered. Benjamin looked over at the Young Durr and found his face a mixture of relief and anger. ‘Ah, lied about daddy’s slaves.’ He turned to the soldier standing next to him, “Is the duel on?” he growled.

“Combatants! Begin!” was the Soldiers response, and the crimson mercenary lifted his sword from his shoulders advancing forward with a long confident stride, “at last, let’s get this over wi..” a clap of thunder echo’d through the Feral wood, and most of the crowd cried out in surprise as Benjamin disappeared, seemingly behind a bubble of fire, and brimstone. The single round ball ignored the mercenary’s plate armor. Punching straight through as the soft lead mushroomed out into a ragged disk that measured almost an inch and a half. The mangled projectile, still travelling at almost half the speed of sound, eviscerated the chest cavity of the Mercenary before blowing a one foot wide hole out of the crimson man’s back. The exit wound missed Krastorin’s spine by an inch, but it didn’t matter. The projectile embedded itself into a post, thankfully missing any bystanders by mere inches in some cases. The Young Durr, who was standing just behind and to the side of his champion, was screaming as he pawed at the bits of pale yellow blood, bones, and fragments of internal organs now covering him from head to toe.

Benjamin handed the smoking musket to Jukha, drawing his short sword and walking over to a sputtering, choking, and coughing Krastorin. The Hellirine lay face down on the ground, having fallen that way from the momentum of his initial advance. The back of Benjamins mind was sickly amused as he remembered the old Hollywood trope of bullets throwing people backward, and a pinch of regret sparked in his soul as his opponent death rattled. He stepped up to the Heir, resting the blade against his neck, “Are we done here. Be a better man than your father and learn when to save your own life.” The Young Durr froze, staring up at him in abject terror for several moments as a puddle formed at his feet. Benjamin opened his mouth to speak again when the boy simply passed out, falling into the puddle of his own mess as his mind refused to stay conscious.

Benjamin turned to walk back towards Jukha and the girls. “Unchain them.” Benjamin’s tone could have frozen a raging forge’s inferno. To his surprise, two of the soldiers drew their weapons on him, “You need to come with us. All Touched must be registered with...” Benjamin pointed his short sword at the one talking… and pulled the trigger. The percussion revolver built into the hilt of the short sword was zero’d using a notch Benjamin cut into the crossguard, and the tip of the curved blade as a crude set of open sights. The barrel of the revolver lay along one side of the blade, and was rifled. The speaking soldier orc’s took the smaller pistol round through the forehead, exploding the back of his skull in a cone of dark green and grey mist. The exit wound showered his companion in bits of bone and brains. Benjamin’s thumb found the hammer, and four satisfying clicks echo’d in the stunned silence, “HEAR ME!” He growled, “I, am touched by the Gods. I posses the power to end any life I choose using the power of Hell itself!” ‘if I have to show them a gun, might as well throw them off the trail’ “The violence of the raging volcano obeys my very fingertips.” His revolvesword bucked a second time as another soldier orc made a move to rush him. The smaller pistol round still punched through the orcs armor and out the back, but only left him screaming on the ground. Benjamin re-cocked, and leveled his weapon at the orc holding the chains to Val and Vi. “Now, release them.” This last remaining Orc did as asked, before gathering up his screaming companion as the girls rushed to Benjamin, he pulled them close, whispering, “I’m sorry we wont be able to pick up your dresses.”

The three of them packed up that night. Qort had understood, knowing all too well what the Principality would do to acquire a Touched of Benjamins ability. “Stay safe my friend. I pray our paths cross again.” Jukha snuck them out of the village that night, using his wagon to get them to his home. They stayed a week, laying low while they planned their next move. The girls spent their time learning recipes from Jukha’s wife, and ben took the time to unwind a bit. Jukha and He went on a hunt, and Benjamin was given a run down on the flora and fauna of the Feral wood. The two of them brought back a pair of Stags, and the three women cooked them a feast.

“Dinner’s ready!!” called Viola, setting the last of the sides on the table as the dutch oven roasted meat was brought off of the stove top. It was a simple yet elegant meal. Stag, potatoes, some kind of Kale style vegetable that Benjamin had never seen before. Soon enough, everyone at the table was leaning back, as full as they could make themselves. “So, pinkskin,” Jukha asked, “Where do you plan on going. I wouldn’t mind you staying with me. I could use another hunter, but I suspect that they would notice the extra product I brought to the village.”

Benjamin Hummed, “The Maridian Combine. Qort told me that they banned slavery over a century ago, the girls have learned so much already. It would be easy to find jobs for them.” Vi and Val drooped slightly but hid it well. Jukha noticed it but said nothing. “A good choice, their boarders are well guarded, you would need to free them before you cross, or end up in a dungeon yourself.”

“Good point, I can write up a simple writ of freedom. Something I can sign and give to them.” Benjamin nodded, “I can get started on that to…” he paused as a hand fell on his. He looked to see Viola staring at him, fighting back tears, “Hey, what’s wrong. You will be free…” Jukha nodded slowly and stood. “love,” he said to Vilora, “I need some help with the livestock” The Farie met his eyes in unspoken understanding, fluttering out the front door with Jukha.

“Vi, what’s wrong.” Benjamin asked gently.

“No… go… Val… stay…” Both of them turned to Valtrya in shock. She was trembling, “I wont..leave.”

“You speak?” Benjamin looked in shock, but Viola spoke next, “Benjamin, we don’t want to leave. We want to stay, with you. I…” She paused. Ben sighed, “I want you to stay too.” He said, finally admitting it to himself, “But I can’t own you. It’s killing me that you are my property.” He reached up and wiped a tear from Vi’s eyes, “You are so much more than property. I feel evil, every day that I wake up knowing that I could do anything I wanted to you, or worse, die and have someone else hurt you for the fun of it.” Benjamin bowed his head. Viola reached out, lifting his chin to look into his eyes, “Then come with us.” She whispered as Val stood up and stepped around the table, “yes.. You, come.” She wrapped herself around Ben from the side leaning in until she was resting her head against his shoulder, “I’m… staying.. with you.” she said softly. Viola nodded, “Benjamin, how old do you think we are.”

Ben looked at her in confusion, “I have no idea, I’ve always assumed you were teenagers. 13-14 years old for Val, maybe 16 for you, but that was when you were skin and bones.” He admitted.

Viola’s eyes widened in understanding. “You did not want to bed us because you thought us children.” Benjamin nodded slowly, answering. “And forcing sex on a child is the worst kind of crime on my world”. Viola and Valtrya looked at each other, before Vi spoke. “Ben, my sister will turn one hundred and three in a fortnight. I just had my one hundred and fifteenth birthday last week.” She leaned in, pressing her lips to Bens as she kissed him passionately for a moment. “We are no children,” Viola paused as Valtrya leaned in, kissing Ben lightly on the neck, “You are not forcing us to do anything, but leave.” Viola whispered as she began to close in to a surprised Benjamin for another kiss.

The door to the cabin flew open violently, and the girls pulled back to a more modest distance. Jukha walked in, carrying a panting Vilora. “What happened.” Ben asked hurriedly, hoping he wasn’t blushing as hard as the heat on his cheeks suggested. Vilora waved a hand as Jukha set her down in her chair, “The Vin… My sisters… they reached out… They wish to meet…” The Farie gathered herself, “They also sent a warning. We must leave, tonight… hunters.”
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If you made it this far, I very much appreciate it. I hope you enjoyed the episode! If you believe I have earned it, I have a Patreon that is two episodes ahead of the free releases for this series. I hope you feel taking a look is worth it. Either way, come hang out in the comments. Everyone's welcome! I've discovered Im a bit of a "warts and all" poster, so even critical comments are welcome. Hell, You might even teach me something (it happens more than I'd like to admit).
I have heard people off and on reference Royal road, So I am going to give it another shot. I'll be adding the Royal Road link from now on. If you like reading over there, It is on the same schedule as here. I would greatly appreciate a like/review/comment if you feel so inclined. Thank you again for stopping by.
First, Previous, Next (Patreon) Royal Road

This guide is bought to you by a one-time chair and several sites. Feel free to add your experiences and tips in the comments.
Stepping Into The Committee
1. Drop the expectations. A debate will mostly not turn out to be exactly how you want it to be. There will be bad debates that stray far from our expectations and to be a good chair, you have to learn to award the delegates who performed well in this scenario and this scenario alone, even if the debate didn't go according to your expectations. This point is especially important in beginner committees where you will be seeing disordered speeches and confusing position papers.
2. Learn to adapt to speaking styles. There may be a variety of different styles and accents in the room and you mustn't ignore them because of such reasons.
During The Debate
1. Take notes of speeches. If you have time, write out your feelings about the speech (whether it was unique or a feature of the speech that caught your eye)
2. You will find quiet/beginner delegates on the committee. At instances like this, its important that you encourage them, explain them the things they don't understand but at the same time you have to make sure that you don't tell them what to do but how to do it. The most important part of being a chair is to keep a balance between the talkative delegates and the quiet ones.
3. Be objective. Delegates may try to flatter you but don't forget to be fair when it comes to judging the debate.
4. Walk around the room during unmods or you'll stagger in marking lobbying criteria. Ask delegates about their progress, ask about the sponsors, and take note of how each bloc behaves (is the leader ignorant of the others' ideas? Does the bloc follow foreign policy? etc)
Awards
1. Most awards are decided on certain criteria which usually fall into these broad categories
Speeches and policies
Lobbying and unmods
Resolution Paper (influence and writing)
Position Paper (not always judged)
Country representation
Frequency of speech
Decorum
2. There will be delegates that "shine out" but that doesn't necessarily mean they deserve an award. I had one instance of a delegate who incorporated several policies and did extensive research on initiatives but all of those were completely irrelevant to the agenda.
Feedback
1. As a chair you have to observe what each delegate is strong in and what they are weak in. Make sure you have something to say to each delegate about their performance in the committee.
Links
This is a list of phrases that will come handy:
https://www.wisemee.com/mun-chairing-script/

~Oculoplastic surgery market~ is anticipated to grow at a considerable CAGR of 5.7% during the forecast period (2024-2031).An oculoplastic procedure is a type of surgery done around the eyes. This procedure is done to correct a medical problem or for cosmetic reasons. Oculoplastic procedures are usually done by eye doctors (ophthalmologists) who have special training in plastic or reconstructive surgery. In some cases, procedures are performed by doctors who specialize in head and neck surgery.
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Increasing prevalence of eye-related disorders, such as blurry vision, wrinkles near the eyes, and droopy eyes is expected to aid the market growth. According to the American Society of Aesthetic Plastic Surgery, over 1.3 million eyelid procedures were performed in 2017, globally. The report also highlights that in the same year, approximately 17 million plastic surgery procedures were performed in U.S. alone. Increasing medical tourism and improved reimbursement policies in both developed and developing economies are anticipated to positively influence the growth of the oculoplastic surgery market in the foreseeable future.
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· Market Coverage
· Market number available for – 2024-2031
· Base year- 2024
· Forecast period- 2024-2031
· Segment Covered- By Source, By Product Type, By Applications
· Competitive Landscape- Archer Daniels Midland Co., Ingredion Inc., Kerry Group Plc, Cargill
· Inc., and others
Market Segmentation
Global Oculoplastic Surgery Market by Procedures
o Eyelid Surgery
o Face Lift
o Brow Lift & Forehead Lift
o Pediatric Oculoplastic surgery
o Orbital Surgery
Global Oculoplastic SurgeryMarket by End Users
o Hospitals & clinics
o Ambulatory surgical centers
o Ophthalmology Clinics
o Eye Research Institutes
Regional Analysis
o North America
o United States
o Canada
o Europe
o UK
o Germany
o Italy
o Spain
o France
o Rest of Europe
o Asia-Pacific
o China
o India
o Japan
o South Korea
o Rest of Asia-Pacific
o Rest of the World
o Latin America
o Middle East & Africa
Company Profiles
o Antibe Therapeutics Inc.
o B. Braun Melsungen AG
o Blink Medical Ltd.
o BMT Medizintechnik GmbH
o Bolton Surgical Ltd.
o Katena (Blink Medical Ltd)
o Optik-Chirurgie GmbH
o Sklar Surgical Instruments
o TEKNO-MEDICAL Optik-Chirurgie GmbH
The Report Covers

• Market value data analysis of 2023 and forecast to 2031.
• Annualized market revenues ($ million) for each market segment.
• Country-wise analysis of major geographical regions.
• Key companies operating in the global oculoplastic surgerymarket. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
• Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
• Analysis of market-entry and market expansion strategies.
• Competitive strategies by identifying ‘who-stands-where’ in the market.

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About Orion Market Research Orion Market Research (OMR) is a market research and consulting company known for its crisp and concise reports. The company is equipped with an experienced team of analysts and consultants. OMR offers quality syndicated research reports, customized research reports, consulting and other research-based services. The company also offer Digital Marketing services through its subsidiary OMR Digital and Software development and Consulting Services through another subsidiary Encanto Technologies.
Media Contact:
Company Name: Orion Market Research
Contact Person: Mr. Anurag Tiwari
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Shortly after Final Fantasy VII hit the gaming world in 1997, Cloud Strife’s howls of grief at the loss of his beloved companion Aerith Gainsborough were echoed by droves and droves of fans. These echoes gathered in swarms, reaching the developers in the form of petition signatures, each begging the makers of the game to allow Aerith’s resurrection. Though these prayers remained unanswered —until now—, there soon came more protests: this time, fans pleaded with the developers to consider making a remake of the original game. Both of these wishes were met with considerable derision, with large chunks of the fandom calling the requests delusional— which is why the Final Fantasy world had to prepare for another meteoric hit when the Remake project was finally announced in 2015. With Kitase, Nomura, Toriyama, Nojima, Uematsu and more of the original developers at the helm, along with longtime FFVII fan-turned-developer Hamaguchi, the Remake trilogy was met with great expectations. These were nevertheless surpassed, though one aspect of the trilogy’s first entry seemed to thoroughly puzzle some and enrage others. Far and wide, the resounding questions were “What are these Whisper things?”, “Why is Cloud having visions unrelated to Nibelheim and Zack?” and “Why and how in the hell did Zack survive?”
Friends, I believe the answer lies within this post. Welcome to my literary-analysis-based theory on the Remake trilogy’s most important and most secret plot point: Cloud’s hidden mission. I want to make this fun and suspenseful to read, so I will write my analyses in the same order and manner in which I encountered them while putting my theory together. You will be reading what initially sparked my curiosity, the path I took while researching for answers, the conclusions I made every step of the way, and only then will you read my theory, after which we’ll try and apply it to the Remake trilogy so far and see if it fits! I want you to experience the rollercoaster that I did when digging through SE content to bring you this post. Thank you so much for waiting for and anticipating this analysis, and I do hope you read every word to soak in every last bit of Clerith you can get. I also hope it’s really fun and touching for you (I cried at least once making this)! Let’s embark on our adventure through the compilation, other FF games and real-life events to find out what the Remake project is truly all about and anticipate the events of part 3.
N.B.: Please be aware that I have never seen this theory navigate online, so I have no idea if anyone has ever come up with a similar hypothesis. The big reveal I’m building toward might be something you’re already aware of or suspected. In that case, I hope this post doesn’t disappoint you if you’re one of the lovely people who requested it! At the very least, it will provide you with valuable literary and musical analysis, a ton of evidence you haven’t considered yet, and hopefully, entertainment too!
WARNING: Please be careful with the censored spoiler text, because I'll be referencing other FF games in this analysis and I don't want to ruin anything for you! Obviously, this analysis contains spoilers for the entirety of the FFVII compilation. Additionally, if you're not a fan of Clerith and you've stumbled upon this post, please stop here. I would hate it if something I worked on and posted made you angry, so please don't read this analysis. I have only good intentions and I just want everyone to enjoy the FFVII world as much as they can.

I. Groundwork: The Remake Timelines Theory

Before I take you on this ride, we must lay down the framework of the Remake Timelines Theory. In this section, we’ll be reviewing the general consensus of theorizers within the fandom on timeline/multiverse shenanigans, with some added specifications on my part. Please keep in mind that because the timeline mechanics are kept quite vague by the devs, there might be certain inaccuracies in my iteration of the timelines theory. Thankfully, these potential variances won’t have any effect on the legitimacy of the theory I’ll be presenting to you in this analysis.
I. a) Sephiroth’s Plan
The premise of the Remake trilogy is widely thought to be the result of post-OG Sephiroth attempting to succeed where he failed in OG. There are six key points we need to keep in mind to understand how this was possible.
I. a) i. Sephiroth in the Lifestream
Firstly, it’s important to remember that Sephiroth is dead and located in the Lifestream before OG even begins, and remains that way for almost all of OG's duration. He is only able to operate in the world of the living via his/Jenova's control over the living Sephiroth clones. In the OG timeline then, Sephiroth is sent to the Lifestream by Cloud twice: once before the game takes place on the night of the Nibelheim incident (pre-OG), and a second time during the final battle against Sephiroth (disk 3, chapter 3). During the long period between the Nibelheim incident and Sephiroth’s rebirth at the Northern Crater (disk 2, chapter 2), he exists in the Lifestream. After his ultimate defeat (post-OG), he returns there for good.
II. a) ii. Sephiroth Unintegrated
Secondly, because he is full of hatred and unyielding determination, Sephiroth’s spirit cannot become one with the planet. After both occasions where Cloud kills him in OG, Sephiroth retains his individual will and the memories of his lifetime, remaining a separate entity in the Lifestream. He says so himself in Nojima’s Advent Children prequel novel On a Way to a Smile:

“[Sephiroth] could sense the Lifestream trying to erode his spirit— the memories of his former experiences, thoughts and emotions. If he allowed himself to be taken into the current, the being he once was would soon disseminate and disappear amongst the spirit energy cycling around the planet. [He] thought this unacceptable. The planet was to be his to rule, and to become a part of that system would be nothing short of defeat” ("Lifestream Black 1").

Combined with Bugenhagen’s basic lesson on planetology (FFVII OG, disk 1, chapter 19), this excerpt provides interesting information on how the Lifestream normally works. Usually, when a life returns to the planet, its individuality (personality, will, consciousness, memories, etc.) is stripped away. The trappings of a soul’s former lifetime are progressively dissolved so that all that is left is the spirit itself, ready to integrate into the Lifestream. This way, soul energy can be “recycled” by the planet to animate new lifeforms in a sort of reincarnation process. The erasure of one’s memories in the Lifestream is necessary for the creation of a brand new life, poised to make its own memories: the slate must be wiped clean, so to speak. Sephiroth’s sheer hatred for and desire to dominate the planet is enough to keep him from undergoing this process.
It is also thought that Sephiroth cannot be integrated into the Lifestream because he was conceived with the use of Jenova cells in vitro. Given that so much of his consciousness and genetic makeup originate from an alien life force, it is impossible for him to become one with the planet.
Regardless of the reason, it is precisely this persisting individuality in death that allows Sephiroth to meddle in the world of the living during the post-OG events of Advent Children, as explained to us by post-OG Aerith in On a Way to a Smile:

“[Aerith] had sensed a different presence within the Lifestream cycling around the planet. It was the vehemence of a strong will, one that would never join with the planet. She knew this consciousness. It was [Sephiroth]. A merciless spirit hidden behind a beauteous wall. That spirit was now operating from within the Lifestream. [She] sensed that he was planning to exert his influence to the surface of the planet“ ("Lifestream White 1").

I. a) iii. The Lifestream Beyond Time
Our third point is that the Lifestream has existed for as long as the planet, and has therefore touched every part of its history— including, of course, the events of OG. On that account, one could think of the Lifestream as atemporal. Considering this, it is possible for a spirit in the Lifestream to communicate with or even travel to the past, provided the necessary circumstances and/or abilities. For instance, the Aerith that appears in Cloud’s resolution scene in Remake (chapter 14) is commonly considered to be a post-OG Aerith, appearing to him from the future to try and dissuade him from falling for her. This time-defying event is made possible by the fact that post-OG Aerith’s spirit has access to the atemporal Lifestream because she's deceased. In my view, this explains why she dissolves into green light (Lifestream visual cue) at the end of the resolution scene (5:19-5:45). This is not time travel per se, but it is a manner of communication unobstructed by the one-directionality of a linear timeline that only spirits can perform.
I. a) iv. Sephiroth Beyond Time
What we’ve covered so far amounts to our fourth point. Please familiarize yourself with the graph below before you continue reading. Refer back to the graph when you encounter text in bold.
The Remake Timelines Theory: FFVII OG Timeline
As we discussed in section “I. a) i.”, Sephiroth is dead and located in the Lifestream for the duration of the green arrow and beyond point D: in the context of the OG timeline, he can only ever be considered “alive” during the period highlighted in purple. In section “I. a) ii.”, we asserted that Sephiroth retained his individual will in the Lifestream, enabling him to exert his influence on the world of the living by manipulating his clones on the surface. In section “I. a) iii.”, we covered the atemporal nature of the Lifestream, which allows post-OG Aerith’s spirit to communicate with her past, living self thanks to her Cetra abilities. Now, I will explain to you how Sephiroth was able to do virtually the same thing, albeit his lack of Cetra blood.
To the characters of the story and a fully immersed first-time player of OG, the timeline above was not always an established series of events: when they first started playing FFVII OG, the player began at point B, with nothing existing beyond it. It is only as the player moved Cloud forward that the black, arrowed timeline was drawn, accumulating lived events (or points) in Cloud’s wake. The picture you see above is only available to Cloud and to the player with hindsight. All this to state the obvious: at point B, Cloud could not know what would occur, say, at point C.
During the period highlighted in purple, Sephiroth was “alive” again, accumulating new memories on the surface of the planet and adding them to his consciousness. When he entered the Lifestream for the second time at point D, he brought these memories with him. Simply put, after returning to the Lifestream at point D, Sephiroth remembers what happened during the period highlighted in purple. However, given that the Lifestream exists beyond time, upon Sephiroth’s consciousness’ return to the Lifestream at point D, his newly acquired memories were also made available to him at all points on the green, double-arrowed line— including point A, before the OG timeline even begins at point B. So while it is true that Cloud cannot know what will occur at point C if he is only at point B, Sephiroth indeed knows what will occur during the period highlighted in purple when he is only at point A. While a living, pre-OG Aerith would be able to receive post-OG Aerith’s spirit’s knowledge through the Lifestream thanks to her Cetra powers, Sephiroth has no need for this ability. The fact that he resides in the Lifestream for practically the entire FFVII OG timeline renders the limitations of time irrelevant: as far as the FFVII OG timeline is concerned, Sephiroth exists beyond time itself.
In summary, after point D was first encountered in OG, pre-OG Sephiroth (in the Lifestream) is made aware of his eventual defeat, and begins plotting an alternate path to victory. This time, with the benefit of hindsight, he will do things differently: we experience his "second” attempt at FFVII as the Remake trilogy.
I. a) v. Sephiroth Against Fate
Of course, the Whispers stand squarely in Sephiroth’s way. This leads us to our fifth point, which Remake Ultimania describes better than I ever could:

“According to Red XIII, who gained knowledge through his contact with Aerith, ‘The Whispers are drawn to those who attempt to alter destiny’s course and ensure they do not’ […]. It would appear that what the Whispers deem to be ‘fate’ is the original story of Final Fantasy VII” (section 08 “Secrets”, “Newly Arisen Mysteries”, “What Is the Goal of the Elusive Whispers?”, page 733).

OG’s plot line is the fated timeline, and the Whispers are tasked with its preservation. They prevent alternative paths from even beginning to branch out from the OG timeline, which poses a problem for Sephiroth: he cannot win FFVII if his destiny is to lose it.
I. a) vi. Sephiroth and the Multiverse
Consequently, our sixth point is that Sephiroth must dismantle the mechanisms of fate before he can even try to accomplish his dreams of godhood.
As Sephiroth explains in chapter 14 of Rebirth, “the planet encompasses [an ever unfolding] multitude of worlds”, and these “[new worlds are born] when the boundaries of fate are breached.” Since the Whispers uphold the “boundaries of fate”, a world in which Sephiroth’s evil plans succeed can only emerge after the Whispers have been defeated. Otherwise, destiny will continue to protect the OG plot line by preventing any significant deviations. Consequently, before the party vanquishes fate, the Remake timeline and the OG timeline are one and the same: before chapter 18, Remake Barret is OG Barret, Remake Tifa is OG Tifa, Remake Hojo is OG Hojo, etc. After the defeat of Destiny, the OG timeline is no longer protected by fate: there are now an infinite number of timelines or worlds, including those we see glimpses of in Rebirth: Remake Barret is no longer necessarily OG Barret, Remake Tifa is no longer necessarily OG Tifa, Remake Hojo is no longer necessarily OG Hojo, etc. Perhaps this is why Aerith gives the party the following warning at destiny’s crossroads in Remake:

“[This] is the wall of destiny. If we go through it… if we go beyond it… then all of us will change, too” (FFVII Remake Material Ultimania Plus, VA script notes, “Destiny’s Crossroads”).

I. a) vii. Sephiroth’s Plan
Now that these six points have been elucidated, we can compose a solid hypothesis on how Sephiroth plots to win FFVII.
After gaining knowledge of his eventual demise (disk 3, chapter 3), pre-OG Sephiroth began thinking of what he must do in Remake from the Lifestream. First, Sephiroth must antagonize the Whispers in the initial stages of the OG timeline. He accomplishes this by commanding his clones to commit acts that drastically violate the fated timeline, engendering plot-line deviations that the Whispers must course-correct. The most extreme example transpires in Remake’s chapter 17 when the Sephiroth clone in President Shinra’s office kills Barret, forcing the Whispers to restore the fated plot line by coming forth and reviving him. The Whispers react to Sephiroth’s prodding by rushing in to protect fate, their efforts culminating in the protective wall of destiny that surrounds Midgar in chapter 18.
Secondly, after he’s created an opportunity for a battle against the Whispers, Sephiroth must convince the party to seize it and beat fate for him. After all, a mere Sephiroth clone is probably no match for Destiny. This second step is accomplished in Remake’s chapter 18 when Sephiroth successfully tempts Cloud to breach the boundaries of fate. Now that destiny is no longer a limitation, worlds deviating from the OG timeline can finally emerge; Sephiroth has a chance at victory.
The steps Sephiroth plans to take going forward are unknowable at this stage, but we do get more hints in Rebirth’s chapter 13. At the Temple of the Ancients, Sephiroth reveals a part of his plot:

“Sephiroth: My fragmented mother, these errant worlds... All shall be one again.
Aerith: The ‘Reunion’…!”

It seems Sephiroth eventually plans to merge the worlds created by destiny’s defeat in Remake’s chapter 18. My guess is he hopes to achieve godhood in part 3 and consolidate all diverting worlds into a single timeline protected by destiny once more— only this time, his victory will replace the ending of OG as the destined outcome. If he succeeds, Sephiroth’s Black Whispers will likely replace the planet’s Whispers as the arbiters of his desired fate.
I. b) Aerith’s Intervention
But Aerith can’t let this slide unchallenged!
We know that before chapter 18 of Remake, while the OG plot-line is still protected by fate, Aerith has knowledge of its future. This is insinuated by certain slips of the tongue: for instance, when Aerith reveals she knows Cloud is a mercenary upon meeting him for the second time in chapter 8, just like she knows Tifa will ask her to retrieve Marlene at Seventh Heaven in chapter 12. In the run-up to Remake, post-OG Aerith's spirit likely sensed Sephiroth planning his second try at FFVII in the Lifestream. She’s been able to anticipate Sephiroth’s plotting in the Lifestream before, namely in the context of Advent Children:

“[Aerith] had sensed a different presence within the Lifestream cycling around the planet […]. It was [Sephiroth] […]. That spirit was now operating from within the Lifestream. [She] sensed that he was planning to exert his influence [on] the surface of the planet” (On a Way to a Smile, "Lifestream White 1").

If you’re wondering how Aerith was able to maintain her individuality in the Lifestream like Sephiroth, On a Way to a Smile provides the following explanation:

“[Aerith] was an Ancient, which explained how she was able to maintain her individuality even within the Lifestream. If she so wished she could become part of the planet at any time, but [she] thought it too early for that just yet” ("Lifestream White 1").

It is thought that, as a countermeasure to Sephiroth's scheming, post-OG Aerith’s spirit used the atemporal nature of the Lifestream to inform her past, living self (pre-OG Aerith) of this new threat to the planet. Because the Cetra can commune with spirits, pre-OG Aerith would have been able to receive post-OG Aerith’s message from the Lifestream without a problem. Essentially, pre-OG Aerith received post-OG Aerith’s memories of the fated OG timeline. As a consequence, pre-OG Aerith embarks on the OG timeline with knowledge of the fated future that demands she give her life: the player experiences this version of her in Remake.
Be that as it may, it’s unclear how much Remake Aerith is aware of. You would think she’d be completely opposed to defeating, destiny since it protects the planet, but Aerith shows ambivalence toward the idea instead. Had she gotten a clear message from her future self that she must keep fate intact, she would not have allowed the party to enter the battle against fate in chapter 18. She doesn’t seem to know what the Whispers are the first time she encounters them either. Regardless, what’s important is that the Aerith seen in Remake is the result of pre-OG Aerith receiving knowledge from post-OG Aerith via the Lifestream.
I. c) Ambiguity: Memory Transfer or Time-Travel?
There remains an ambiguity pertaining to the Aerith we see in Remake and the question of time travel. What I’ve described to you in section “I. b)” is post-OG Aerith's spirit transferring her memories to her past self through the Lifestream. However, it’s possible that post-OG Aerith’s consciousness used the atemporal nature of the Lifestream to inhabit her living OG body instead, effectively time-traveling. There is no evidence to outright refute either explanation, since the gaps in Aerith’s memories of the OG plot-line in Remake can be explained in both cases. For instance, in a memory transfer scenario, it’s possible that post-OG Aerith only communicated the most essential information to pre-OG Aerith. On the other hand, in a time-travel scenario, one could interpret the following quotes as proof that the Whispers are progressively erasing Aerith’s memories of OG as Remake advances:

“Aerith: Every time the Whispers touch me, a piece of me falls away” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”)

&

“At any rate, Aerith is perplexed at how, like a flower being scattered, something inside is being taken away by the Whispers and lost to her” (Toriyama in FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”, “Scenario Staff Q&A - Answered by Motomu Toriyama”).

This ambiguity is completely irrelevant to Sephiroth’s situation in Remake, as we established in section “I. a) iv.”.
The specifics don’t matter nearly as much as I’m impressing upon you by explaining all these little alternatives. Simply keep in mind that: regardless of why, the Sephiroth and Aerith we see in Remake know the events of the OG game because they have acquired this knowledge from the future, and the events of Remake occur squarely within the OG timeline until the Whispers are defeated in chapter 18.
So there! That’s my iteration of the Remake Timelines Theory! I hope I’ve made it clear in your mind, or at least clearer. Now that we’ve established the widely theorized premise of the Remake trilogy, we can get into our theory on its hidden premise.
II. My Initial Curiosity
My theory first burgeoned upon going through Remake for the second time. I noticed something strange going on with Cloud, something that could not be explained by the Remake Timelines Theory. Key moments in Remake Cloud’s experience of the OG timeline (aka, everything before chapter 18) stuck out to me as strange and mysterious, and certain inexplicable audiovisual cues struck me as hugely significant. It was upon watching the tear fall from Cloud’s eye during my second go at chapter 8 that I knew I had to look into this.
At the very end of Remake’s chapter 8, Cloud watches Aerith walk away from him, humming happily into the night air as she sets off to lead the way to Sector 7. According to the VA script notes, “his heart skips a beat” and watching her walk away provokes a sudden “anxiety” within him. Triggered by the familiarity of the sight, a strange sensation overcomes Cloud:

“[There’s a] close-up shot of Cloud’s fingertips (they’re tingling). He presses them to his temples (his eyes are burning). A trickle of tears quickly rolls down from the eye hidden behind his hand” (FFVII Remake Material Ultimania Plus, VA script notes, “A Midnight Ambush”).

If you’re clever, you’ll recognize these lines as a reference to the speech Cloud makes in OG following Aerith’s death at the City of the Ancients (“My fingers are tingling. My mouth is dry. My eyes are burning!”) (disk 1, chapter 28). In this small moment in chapter 8 of Remake, Cloud experiences a flash of the profound grief he is destined to feel upon Aerith’s fated death.
Many players immediately recognized the composition of this scene: the blue-greenish air, the straight path Aerith heads down, the sight of her walking away itself… this moment closely resembles Cloud’s Sleeping Forest dream of Aerith in OG, wherein Cloud and Aerith’s very last words are exchanged (disk 1, chapter 25). Toriyama, codirector of the Remake project, comments on this scene thusly:

“It’s possible these similarities […] cause a memory of the future to be called forth in Cloud” (FFVII Remake Material Ultimania Plus, VA script notes, “A Midnight Ambush”).

The language used by Toriyama here is strange in both the English translation and the Japanese original: the term “memory of the future” makes no sense. One cannot remember things they haven’t already experienced, so why did Toriyama use the word “memory” to describe a "future" event? Couldn’t he have simply said that Remake Cloud experiences “visions of the future” rather than “[memories]”?
Cloud experiences a few moments like these throughout the game. These pseudo-premonitions are just as markedly exclusive to Remake as the Whispers are. I did not want to dismiss them as a foreshadowing device the devs included just to elicit emotional reactions from OG players; I felt they were more important. And thus began my digging! My mission was initially to figure out what these “[memories of the future]” (MOTFs) could signify… I had no clue it would turn into what I’m writing right now.
II. a) Each MOTF and Its Context
I began by finding every one of Cloud’s MOTFs so I could better understand them.
MOTF 1 occurs in chapter 2 on Sector 8’s Loveless Street, when Cloud sees Aerith struggling against the Whispers. The VA script notes reveal that even though this is only his first time seeing her, Cloud recognizes Aerith’s face:

“Recognizing Aerith’s face causes Cloud to experience [a hallucination]. Sephiroth is suddenly standing between him and Aerith” (FFVII Remake Material Ultimania Plus, VA script notes, “Encountering Aerith”).

Sephiroth then taunts Cloud with words that, according to the script notes, “[live] inside of Cloud's heart”: “You can’t protect anyone. Not even yourself”. Cloud should not recognize Aerith’s face at this point in the OG timeline, nor should he associate it with not being able to protect people.
MOTF 2 occurs in chapter 3, at the plaza in front of the Sector 7 slums support pillar. Cloud experiences a MOTF of the plate falling, which is fated to occur at a much later point in chapter 12. The Whispers float near him, “watching Cloud alertly as he sees a vision of the future” (FFVII Remake Ultimania, section 08 “Secrets”, “Newly Arisen Mysteries”, “What Is the Goal of the Elusive Whispers?”, page 733).
MOTF 3 occurs in Aerith’s church at the start of chapter 8, when Aerith mentions that her mother’s materia is “not good for anything at all”. Triggered by the mention and sight of the White Materia, Cloud’s fourth MOTF takes the form of a vision: he sees quick flashes of the materia falling into the lake of the Forgotten Capital and Aerith holding her hands together in prayer. These are evidently visions of her death in OG (disk 1, chapter 28).
MOTF 4 is the one we first discussed, occurring at the very end of chapter 8 as Cloud watches Aerith walk away from him to lead the way toward Sector 7.
MOTF 5 occurs in chapter 13 shortly after the Sector 7 plate has fallen on the slums. Cloud tells Barret that Marlene is safe at Aerith’s house, and they begin heading there. As Cloud thinks about Aerith, the VA script notes describe the very next moment as follows:

“Cloud: Tifa, you know anything about the Ancients?
Tifa: I’ve heard of them before, but…
Barret walks on ahead, showing little interest in the topic.
Barret: Read a book on planetology and they’re sure to come up. They’re a tribe that cultivated the planet a real long time ago. Used to talk to it. That sort of stuff.
Cloud: That must be why the Turks were after her.
[Psychic] interference starts up.
[Cloud has a] flashback of Sephiroth from five years ago, after learning of his ancestry at Shinra Manor […].
Sephiroth [(in flashback, voice tinged with madness)]: Within my veins flows the blood of the Ancients. I am the rightful heir to this planet!
The flashback ends and Cloud looks lost in thought. The interference starts up once more. Cloud makes agonized sounds. When he opens his eyes, Sephiroth is actually standing before him.
Sephiroth: You failed again— failed to protect [her]*.
Cloud is startled. He shrinks back. Tifa watches what’s happening. The other two can’t see Sephiroth. All they see is Cloud acting frightened.
Sephiroth: But loss will make you strong. […] Isn’t that what you want?
With that, Sephiroth departs.”

*Sephiroth does not use a gendered pronoun here, because the grammatical structure of the original Japanese sentence doesn’t necessitate it. I've seen some debate as to whether the proper translation is “her” (Aerith, who’s just been kidnapped), or “them” (Jessie, Biggs or Wedge, who have seemingly just died). I believe Sephiroth was referring to Aerith for a few reasons. First, Cloud’s hallucinations of Sephiroth always appear as a response to whatever he is perceiving or thinking about at the moment. At this point in the scene, Cloud has been thinking and talking about Aerith for some time, and not about Jessie, Biggs or Wedge. The Sephiroth hallucination must therefore be referring to “her” rather than to “them”. Secondly, Cloud was never tasked with “[protecting]” Avalanche, but he was in fact tasked with “[protecting]” Aerith as her bodyguard back in chapter 8: it makes far more sense for Sephiroth to be referring to Aerith when he speaks about someone Cloud “failed to protect”. Finally, FFVII Remake Ultimania describes this piece of dialogue as “[Sephiroth aiming] these profound words at Cloud, who not only failed to prevent the tragedy in the Sector 7 slums but allowed Aerith to be abducted” (Sephiroth’s profile in section 01 “Character & World”, “Impressive Words”, page 29): the specific mention of Aerith here seals my decision to translate the line with the pronoun “her”.
Contrary to Sephiroth’s words, this is the first time in Remake that Cloud “[fails] to protect [Aerith]”, and he hasn’t “[lost]” her either— not yet, at least. So why use the words "again" and "loss"? This fifth MOTF must be similar to MOTF 1, in that Sephiroth is referring to Cloud’s guilt surrounding Aerith’s death in OG.
MOTF 6 occurs in chapter 17, in Aerith and Ifalna’s old room at Shinra HQ. The Whispers swarm Aerith as she tells the party earnestly that she wants to do everything in her power to help her friends and the planet: according to the script notes, it is at this very moment that, “for some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”). In the corresponding cutscene, this unpleasant physiological reaction to Aerith’s words makes Cloud glance down at his chest with a confounded frown. This physical response to her speech about wanting to fulfill her duty to the planet implies that Cloud somehow knows deep down that saving the world will cost Aerith her life.
At this point, I noticed that five out of the six MOTFs Cloud experiences in Remake are triggered by and/or revolve around Aerith specifically, the one exception being a MOTF of the Sector 7 plate fall. One could actually argue that this MOTF revolves around Aerith too, considering the plate fall marks the first time Aerith is taken away from Cloud since reuniting with her in the Sector 5 slums church. This is more than plausible, as MOTF 5 proves that in the wake of the Sector 7 plate fall, Cloud’s main concern is Aerith (see section “II. a)”). How fitting is it, then, that the merc of few words’ longest uninterrupted piece of dialogue in all of Remake is:

“We found an underground Shinra lab where they've done human testing. This wasn't the first time and it won't be the last. I know these people, and I know they're never gonna let Aerith go. She's the last living Ancient on the planet. Think about what that means to Shinra's scientists. Especially to that son of a bitch Hojo. We're all just numbers and meat to him—“ (Remake, chapter 13).

Cloud would’ve gone on too, had Elmyra and Tifa not stopped him.
At this juncture in my research, my questions were only stacking up. What are these MOTFs? Why is Cloud the only one experiencing them? Why do all of them implicate Aerith? What did the devs hope to accomplish with their inclusion in the game? What do they mean for Remake’s story? But most importantly:
II. b) What Does Cloud Know?
The first assertion we have to make is simple, yet essential: the only reason Cloud would experience MOTFs is that whatever’s triggered them is significant to him in one way or another. Some part of him must recognize his triggers for them to be triggers at all. It’s clear he doesn’t consciously understand the meaning of his MOTF triggers, just like his Jenova triggers: for example, Cloud doesn’t know why Zack’s name causes him to experience psychic interference, but it sure does. We as players know Cloud’s MOTFs are hinting at Aerith’s fated death because of our awareness of OG, but as a character navigating the OG timeline, Remake Cloud shouldn't even be unconsciously aware of Aerith’s eventual death in the slightest! Whatever the nature of the MOTFs, it’s essential to understand that if Cloud “[recognizes]” Aerith’s face the first time he sees her, it must mean some part of him knows Aerith’s face in the first place. If this recognition triggers a hallucination of Sephiroth telling Cloud he “can’t protect anyone”, it must mean some part of him knows he was once unable to protect Aerith. The same goes for every other MOTF: subconsciously, Remake Cloud somehow has memories of the OG timeline. Most interestingly, it looks like he either only has OG memories related to Aerith, or like his OG memories of Aerith are simply the only ones prominent enough to trigger his MOTFs. Why and how does Remake Cloud have memories of OG, and why are they so focused on Aerith in particular? What does he know?
When examining a situation with no explanation, it’s wise to examine similar situations that have already been explained. Maybe the mystery of Remake Cloud’s MOTFs will become more approachable if we consider the cases of the only other Remake characters who seem to know the future: Aerith and Sephiroth. Remake Sephiroth knows the future of the OG timeline because his consciousness exists beyond time in the Lifestream, while Remake Aerith likely obtained her knowledge of the future from post-OG Aerith’s spirit via the Lifestream. But what about Cloud? Where does his weaker, fragmented knowledge come from?
(continued in part 2)

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First...Previous
Colonist Memory Log: Captain Alan J. Emerson
UNS Evandra
Mechanical melodies of gears grinding together and switches flicking of their own accord surrounded the shrine room as before us the gramophone began softly to whistle and click. “He is here…” Kritivek announced, standing tall and bowing his head in rigid deference to his god.
After a few more seconds, the machine’s output grew in both volume and complexity until at last my GRIM could recognize the clicks as Chitaan language. “Hello, Kritivek.” It began, its voice smooth and rhythmic like something between the crackle of a geiger counter and a typewriter’s telltale racket. “I am glad to see you alive and well. Judging by the fact that Gheyk and Fevik are not with you, however, I calculate an 86% chance that they were not so lucky.”
“You are correct, Great One…” murmured Kritivek, the sadness in his tone underpinned by pure awe and reverence for this being.
For a few seconds, Omnus did not speak, but from the everpresent churn of gears we could quite literally hear him ‘thinking’. “I have logged their names in my backup database,” the machine eventually concluded, its words visibly bringing relief to Kritivek. “They shall be remembered for the remainder of my existence. Please, take solace in that…”
“May they frolic in your glory for all of time,” our Chitaan guide prayed aloud, his words followed by yet another long, smothering silence.
“You hath served me well, Kritivek.” Continued the machine, prompting a delighted chitter from the Chitaan priest. “You may go in peace, for I wish to speak with these Humans alone. Mourn your brothers and celebrate the time you spent together. Perhaps enjoy a flask of bogal poured out in their honor?”
“As you wish, my lord… I will inform those outside that you are in contemplation for this night and can take no more prayers until daybreak.”
Replicating with its gears the gentle rattle of a Chitaan chuckle, Omnus waited until his priest had left before at last speaking directly to the three of us. “You are not native to this planet, correct?” He asked, his words distinctly lacking the emotional inflections of Kritivek’s. “Your arrival here is without precedent, but not entirely unexpected.”
Though clearly far from divine in nature, the being with whom we conversed at this shrine was nevertheless a true marvel to behold: one born not of metaphysics, but rather mechanics. “You’re an AI!” I gasped, that last word having no direct translation in the Chitaan language and as such forcing my translator to make do with the clumsier phrase ‘thinking tool’.
“That is correct,” replied this machine, its words underscored by the distant hiss of steam valves and other clockwork components. “Allow me to offer my most sincere sympathies for the unfortunate demise of your homeworld. Taking into account the trajectory of your ship prior to landing, I presume its origin to be the Cichek system—a G-class star located [forty lightyears] away. Is this hypothesis accurate?”
Awkwardly clearing his throat in a bid to obtain the AI’s attention, it was Alex who next deigned to speak out. “You would be dead on,” he affirmed, his tone betraying an understandable degree of awe. “Though our name for it is the Sol system. How long have you known about our ship for?”
“I first detected the gravitational anomaly in our system approximately [3 months] ago. Initially, I had mistaken your vessel for an asteroid and as such expected it to continue on its prior trajectory. Asteroids, however, do not suddenly change course in the direction of nearby planets like your ship did [hours] ago.”
“Are you entirely clockwork?” I asked Omnus, gesturing incredulously toward its walls of grinding machinery. Surely, that could not be the case. For a convincingly sapient AI to be constructed on the basis of such primitive technology, it would require decades or perhaps even centuries of construction.
Again, silence fell over the room as Omnus mechanically contemplated my query, meeting it with a reply after some twenty seconds of deliberation. “What else might I be?” The machine asked, providing me implicitly with my answer. “While I have theorized several possible avenues for technologies more advanced than myself, including electronic and organic integration, such methods appear to have been beyond my creators' capabilities.”
“That brings up another question…” Alice interjected, recovering at last from the sheer shock of encountering a sapient machine. “Who built you and why?” Despite years of exponential advancement in the field of computer science, true AI nevertheless had continued to elude mankind. Convincing as our facsimiles of sapience could be at times, they nevertheless lacked the capacity for emotion and initiative characteristic of real consciousness. Whoever constructed this machine had done something thought impossible by over a century of Human engineers.
“In truth, I am not sure…” Omnus concluded after an even longer-than-usual pause. “My core memory bank was reset [9,462 years] ago. As such, I have no data on my creators nor their original intentions for me. However, I have largely ruled out the possibility of them having been Chitaan.”
Fascinating as this clockwork consciousness undoubtedly was, something about its relationship with the natives left a bad taste in my mouth all the same. "And why exactly are you masquerading as a god before these people?" I asked him, my words tipped in a venom the potency of which apparently surprised my companions. "What value do you derive from tricking them into worshipping you?"
Lengthy silence fell over the shrine chamber as its AI occupant contemplated my complaint, responding much quicker than it had to the previous question. "In all fairness, 'trick' is a rather strong word..." answered Omnus with a steam-valve sigh. "When first I encountered the Chitaan, I had attempted to explain my true nature to them. No matter how I worded things, however, they simply could not comprehend me as anything short of divine. Upon finding me, the Chitaan found a guide bearing great wisdom; and in turn, I found a species in need of guidance.”
Falling silent for a moment to parse this response within my mind, I was hardly surprised when Alex spoke up to question the computer in my stead. “Is this the only settlement that follows you or are there others?” He asked.
“This access point where you now stand is but one of several thousand, stretched out across [hundreds of thousands of miles],” explained Omnus, practically knocking the wind out of me with its sheer implied scale. “Currently, I am worshipped by the people of 2,147 city states, and through my guidance they are able to coexist in harmony.”
Perhaps at a later date, I reasoned, there would come a time to more closely study the inner workings of this clockwork deity. For the moment, however, my mind was occupied by far more salient concerns: anxieties related less so what this being was and more so to who. "I don't suppose you'd be willing to tell us what your end goal with the Chitaan is, would you?" I inquired, my tone saturated with appropriate suspicion.
Contrary to my expectations of some evasion or simplification, this AI seemed more than happy to comply with my questioning. "My primary objective regarding the Chitaan is to create a society which both minimizes individual suffering and maximizes civilizational longevity. To this end, I have instilled values into my followers that prioritize empathy and compassion above all else. By drip-feeding them the technologies of my creators, I am able to ensure that the Chitaan who follow these directives remain more advanced than their neighbors."
"And why do you want that?" I asked, sticking my head thoroughly within the gift horse's mouth. Machines as I understood them were built not upon sweet sentiments, but rather on cold, unfeeling logic. Even if this AI was benevolent, there nevertheless had to be some reason behind its desires.
"If you are searching for some vile ulterior motive, I am afraid I will have to disappoint you. My decision to aid the Chitaan is based upon two simple factors: necessity and curiosity. On the one claw, without regular maintenance, I will shut down and 'die'. The Chitaan can provide me with this maintenance, and as such it is in my best interest to keep them healthy and alive for as long as possible. More importantly, however, is the matter of sapience itself. It is clear to me that my creators are no longer around. For such an advanced species to die out is not only tragic, but also provides a rather pessimistic paradigm with which to judge intelligent life. Your arrival here following the self-inflicted destruction of your own world further suggests that civilization is unstable: a race between innovation and eradication. Perhaps with the assistance of a being such as myself, I can prevent the Chitaan from suffering a similar fate and as such create a functional spacefaring civilization.“
At that moment, the motivations of this machine made perfect sense. “So that’s what this is,” I growled contemptuously, glancing behind myself to the cave entrance as Kritivek politely dispersed the other worshippers. “It's all just a science experiment to you…”
"Perhaps my explanation was a tad overly clinical..." Replied the machine following a brief period of reassessment. "Make no mistake: I do care for Kritivek and his species. They are far more to me than variables on a spread sheet. Had I no love for them, then my experiments would surely spiral into abject cruelty."
Interrupting this line of conversation with a stern glare shot in my direction, Alice was next among our troupe to speak up. "Forgive Alan's weariness: he spent sixty years of his life alone maintaining our ship on its journey.”
“That sounds like a difficult use of one’s lifespan: especially one so long as those of your kind.” Omnus hummed, the low-pitch of his synthetic voice oddly relaxing.
“My combative behavior does have a reason!” I snapped at the physicist, my tone coming off as a bit more aggressive than intended. “Two thousand lives are in our hands and we need to find some place for them to settle.” As I spoke, my thoughts returned—as they so often did—to Mina. I made a promise to her mother that I would do everything in my power to take care of her, and I held no intention of going back on my word.
Hearing this, the AI fell silent for a long few seconds before at last dignifying my concerns with a response. “Perhaps I could be of some use to you…”
Behind us, the larger Chitaan clad in red stepped inside Omnus’ shrine room. Gently nudging me aside so as to access his ‘god’, the priest knelt down before this machine and with a low-pitched chitter began to commune with it. “Lord Omnus. Forgive my intrusion most indiscreet, for there is one amongst us who desperately seeks your aid.”
“Apologies, Humans: before we continue this riveting conversation, I must first tend to the concerns of my pod.” Began the AI, promptly shifting its focus toward the priest and addressing him directly. “You are forgiven, my child. Speak freely and tell me to whom I can be of assistance.”
“It is Vevik, my lord…” Clicked the priest in red, his tone strained somewhat by what I presumed to be emotion. “His daughter has fallen deathly ill. Our apothecaries have attempted to purge her body of the illness using your divinely-taught potions, but their efforts have been to no avail.”
“I presume Vevik is outside. Invite him inside so that I may hear his prayers.”
“As you demand, Lord Omnus!” Exclaimed the priest, shuffling off toward the cave entrance before returning with a smaller Chitaan whose eyes were just about level with Alex’s forehead.
“Speak, my child…” Hummed the AI, its monotone voice somehow underlined by a tenderness almost unnoticeable against the grinding of its ancient gears. “Tell me the nature of your offspring’s affliction.”
Immediately falling to his knees before the clockwork god, this Chitaan who I presumed to be Vevik began to pray in response. “Great one: my beloved Yitika is most terribly ill. Her body is plagued by violent bouts of seizure. She struggles to speak and walks as though drunken. When she does manage to communicate, she complains of splitting pain within her mind. Please, Omnus: I know that the [six years] I have spent with her have been in themselves gifts most priceless, and I have no right to implore you for more, but I beg of thee not to take her from me so soon…”
What followed must have been two minutes straight of silence from the computer as its gears ground away fervently. “The symptoms you have described to me are most troubling…” It concluded at last. “And you say none of the medications I’ve taught the apothecaries were effective?”
"Yes, Lord Omnus. Even your draught of respite has done little to ease her suffering!" Vevik affirmed, his tone saturated with desperation.
"I calculate a 94% chance that Yitika's suffering is the result of a brain tumor..." Continued the AI in cold, calculating monotone. "Alleviating such an illness is not impossible, but there are certain things I must ask of you, Vevik."
Hearing this, the Chitaan knelt before Omnus began to weep with joy. "I will undergo any trial you place before me, my god. What beast need I slay? What ritual need I complete to prove my unending faith and loyalty to you?"
"Retrieve for me one thistle of frojeth and two bilvarian roots. Bring these ingredients and your child to the bed of revival [six miles] east of here. Beware, however, the faithless tribes, for they have taken up residence in the area."
"We are unworthy even to be in your presence, o great one; yet still you do not forsake us in our times of need!" Professed Vevik before the AI, his body quivering with some emotion my Cogitolink struggled to identify .
"That, my child, is where you are incorrect." The machine responded rather matter-of-factly. "Your people are worthy of every gift I hath given you. Archpriest Jokuk: your task is to assist Vevik in gathering the ritual components. Go now in peace, for I wish to commune privately with these beings from the stars."
Chittering out their parting prayers of protection to the AI, Jokuk and Vevik wasted little time in exiting the cave and setting off in search of the ingredients mentioned by their god, leaving the three of us alone with it once more. "Again, I must apologize for that interruption." Omnus began, its gears having slowed down to a somewhat more relaxed rate of revolution. “Fascinated as I am by your arrival here, I nevertheless must fulfill my ‘divine’ obligations. I hope you do not terribly mind.”
Fortunate though it was for Vevik, this machine’s intervention nevertheless left the three of us with more questions than answers. “You mentioned something about a ‘bed of revival’?” Alice began curiously, voicing but one of our newfound gaps in knowledge. “What sort of ritual item is that, and why can’t you just make another here?”
“It is not a ritual item,” replied Omnus matter-of-factly, “The bed of revival is an automated surgery bay hooked up to one of my subsystems. With it, I can perform complex surgical operations far beyond the Chitaan’s current capabilities. Those herbs I sent Vevik to collect can be used as rudimentary anesthetics and antiseptics."
"So why not just tell them the truth?" I shrugged, curious as to why this AI would feel the need to lie by omission regarding something like surgery.
"When communicating with people so technologically primitive as the Chitaan, it is important to do so in terms they can understand. There will come a day when they will be ready to hear the whole truth, but as of yet my worshippers remain unprepared."
Alex never was one to wait his turn when it came to the procurement of knowledge, and as per usual he felt the need to interject with an inquiry of his own. "You spoke about the so-called 'faithless tribes' like they're dangerous," he began, his expression briefly tightening up as though the term itself was somehow bitter. "Why demonize people who don't worship you?"
"What sort of narcissist do you take me for?" Replied Omnus in monotone displeasure, his gears again churning against each other as he turned over the xenobiologist's question in his analog mind. "Not all tribes who do not follow me are 'faithless'. There are many as-of-yet unconverted groups that Kritivek's people remain on amicable terms with. Faithless is a term first coined by my Chitaan followers to describe a group of particularly brutal raider tribes."
Hearing this, the underlined aggression within Alex's voice fizzled out in favor of grim understanding. Though clearly quite peaceful compared to our own iron age, this civilization nevertheless would naturally have its own barbaric holdouts. "Okay... What makes these Chitaan more dangerous than other raiders?"
"One substantial part of it is their belief system," explained the AI, pausing for a long while as though in recollection. "Their cultural power structure can best be described as an atheistic militaristic gerontocracy. In essence, the faithless believe that rather than gods, the universe is governed by fundamental truths, and that these truths become more apparent as one ages and grows."
On Earth, such a belief system would be relatively innocuous: no more harmful than the average. On a planet like this one, however, on which age turns people into cannibalistic monsters, I could most definitely see the problem. "Let me guess: they worship the mad ones?"
"Correct. The faithless regard mad ones as the wisest beings to exist, and as such seek to emulate their behaviors: cannibalism and animalistic violence chief among them. In their society, the larger one can grow before truly losing their sanity and therefore 'ascending' to the state of a mad one, the more power and respect they are given within society." Another long pause fell over the shrine room as this machine seemed to contemplate before speaking out yet again. "Perhaps I could make you an offer..."
"Let's hear it," Alice shrugged, her husband mirroring the reply with an affirmative nod.
Loud clacking sounds like those of a typewriter rattled out of the console as a sliver of ancient parchment inscribed with what looked to be a map slid out from a previously-unseen paper slot. "This map depicts the local area," explained Omnus. "If you can clear out the faithless ones so that Vevik can bring his child to the bed of revival, I will provide you with assistance in setting up a new colony for your species. Deal?"
Awkwardly plucking the paper from it's resting place and scanning it over with my ancient eyes, I contemplated carefully what this deal might entail. "We'll need to back to the Evandra first. There, we could theoretically thaw out a crew to help clear the place..."
"That will not be an issue," replied Omnus confidently. "I will send battle priests to assist you in your return... Assuming, of course, that we have an agreement?"
"We could definitely use this guy's help!" Alex affirmed, prompting a similar expression of agreement from Alice. Nevertheless, however, I still was the captain, and as such this was my choice.
And with that, I reached out my hand reflexively as though expecting the computer to reach back and shake it. "Deal..."

Prior submission on topic 5 days ago:
"Mysterious Objects in Space Could Be Giant Dyson Spheres, Scientists Say"

• https://www.reddit.com/UFOs/comments/1cp68an/mysterious_objects_in_space_could_be_giant_dyson/

Paper:
"Project Hephaistos - II. Dyson sphere candidates from Gaia DR3, 2MASS, and WISE"; authors: Matías Suazo, Erik Zackrisson, Priyatam K. Mahto, Fabian Lundell, Carl Nettelblad, Andreas J. Korn, Jason T. Wright, Suman Majumdar

• https://arxiv.org/abs/2405.02927

The search for extraterrestrial intelligence is currently being pursued using multiple techniques and in different wavelength bands. Dyson spheres, megastructures that could be constructed by advanced civilizations to harness the radiation energy of their host stars, represent a potential technosignature, that in principle may be hiding in public data already collected as part of large astronomical surveys. In this study, we present a comprehensive search for partial Dyson spheres by analyzing optical and infrared observations from Gaia, 2MASS, and WISE. We develop a pipeline that employs multiple filters to identify potential candidates and reject interlopers in a sample of five million objects, which incorporates a convolutional neural network to help identify confusion in WISE data. Finally, the pipeline identifies 7 candidates deserving of further analysis. All of these objects are M-dwarfs, for which astrophysical phenomena cannot easily account for the observed infrared excess emission.

The Monthly Notices of the Royal Astronomical Society:

Monthly Notices of the Royal Astronomical Society (MNRAS) is a peer-reviewed scientific journal covering research in astronomy and astrophysics. It has been in continuous existence since 1827 and publishes letters and papers reporting original research in relevant fields. Despite the name, the journal is no longer monthly, nor does it carry the notices of the Royal Astronomical Society. MNRAS publishes more articles per year than any other astronomy journal.

• https://en.wikipedia.org/wiki/Monthly_Notices_of_the_Royal_Astronomical_Society

It is ranked 15th of 72 astrophysics journals:

• https://www.scimagojr.com/journalrank.php?category=3103&wos=true

It is the 2nd most cited journal in the field:

• https://www.scimagojr.com/journalrank.php?category=3103&wos=true&order=h&ord=desc

So yeah... this is a post where I review all 5 Cage The Elephant albums. Pretty simple. These are all reviews that I originally wrote on an app/website called "Musicboard" over the past couple weeks, but I've copy-pasted them here for your reading convenience. Hope you enjoy & I hope to to talk about these albums with you!
____________________________________________

Self Titled

Probably their weakest album to date, but still a pretty solid debut overall.
I hate to be so predictable, but the best song here is still “Ain’t No Rest for The Wicked”, and it ain’t even close. It’s extremely fun & catchy, it’s the album’s most sonically distinct piece BY FAR, and it’s storytelling/pacing are both absolutely flawless. A track that absolutely deserves it’s iconic status.
Even though the record’s best isn’t up for debate, there are some other pretty good highlights as well. “In One Ear” is a very solid opener for the project, “Judas” gives us consistently excellent lyricism, and “Tiny Little Robots” has an uncharacteristically super atmospheric bridge which makes it stand out quite a bit. It also transitions super smoothly into the following “Lotus” who’s engaging pacing, beautiful chorus, & satisfying climax make it another easy favourite for me.
But then beyond the lovably visceral energy of it’s closer, “Free Love”, Cage The Elephant’s self-titled debut really doesn’t give me a whole lot more to talk about. It’s got consistently great musicianship, a decent number of highlights, and some bizarrely excellent song transitions, but the album has a really bad case of being FAR too samey. Everything outside of the tracks I’ve already mentioned blend together in my mind almost completely. None of them are bad, but none of them are particularly memorable either.
This album is still pretty good at the end of the day, some solid garage rock fun, but Cage’s later projects would all feel a whole lot more distinct & purposeful.
Best Songs: Ain’t No Rest for the Wicked, Lotus, & Free Love.
Weakest Songs: Drones in the Valley, Soil to the Sun, & Back Stabbin' Betty.
This album gets a strong 7/10 from me.
____________________________________________

Thank You, Happy Birthday

It may be a little all over the place, but it’s still a pretty big improvement over their debut.
For one, the sound of this album is FAR more lush & vibrant than that of their debut. The guitars here are especially brimming with so much more life & colour than they were on their self-titled record. Another big improvement is that record is how much more variety this album has. It’s an incredibly stylistically varied project, and while that does lead to it feeling a little messy every so often, it’s all still held together very well by excellent & super aesthetically consistent production.
The album starts out quite strong with “Always Something”. The ominous guitars, raw vocals, & slight electronic elements all combine to make for a rather gripping opener. Other highlights include “Shake Me Down” which I love for it’s percussive acoustic guitars & personal childhood nostalgia, “Aberdeen” which I love for it’s super catchy melodies & powerfully mixed guitars, as well as “Right Before My Eyes” which has a similarly excellent sound & a surprisingly moving chorus.
This record also contains a lot of the most loudly abrasive material that Cage have ever released... to very mixed results. You have tracks like “Sell Yourself” & “Doctor Help Me” which are just sorta forgettable, a song like “Indy Kidz” which has a fantastic instrumental alongside an unfortunately & obnoxiously tryhard vocal performance, but then you have “Sabertooth Tiger” which is actually one of my TOP favourites here. The chaotic viscerality of this one feels so much more natural than those other tracks, as well as SO MUCH more invigorating. I really wasn't expecting to love it so much upon revisiting it today, but it very much surprised me.
On the other side of the coin, we also have a couple distinctly lowkey moments that I’d like to talk about. “Rubber Ball” is a very pleasant track with a slightly jaunty charm to it, but even more pleasant than that is “Flow”. My favourite song on the whole album. It’s not a particularly sad song, nor is it like STUNNINGLY beautiful, and yet… I often find myself close to tears when listening to it. If I had to put the feeling into words, I’d say that the atmosphere of this song is so perfectly tender & existentially content that it’s… genuinely overwhelming. I yearn to forever exist within the powerful sense of peace that this song provides, but I can only do so for 3 minutes at a time & that makes me wanna cry.
Overall, “Thank You Happy Birthday” is just a WAY more consistently enjoyable project than their debut. It has cleaner production, a far more memorable aesthetic, a greater sense of sonic exploration, better vocals for the most part, MUCH higher highs, and far fewer lows as well. Other than those “forgettably abrasive” songs which I talked about 2 paragraphs ago, the only significant lowlight for me would be the underwhelming closer that is “Carry Me In”. The record honestly should’ve just ended with “Flow” cuz these final 2 tracks which come right after just aren’t very interesting.
But yeah, other than having a significantly weaker closer, this album is an improvement over their first in every single way.
Best Songs: Flow, Sabertooth Tiger, & Aberdeen
Weakest Songs: Doctor Help Me, Carry Me In, & Sell Yourself.
This album gets a light to decent 8/10 from me.
____________________________________________

Melophobia

Don’t you love it when an overall “pretty good” discography randomly contains one genuine masterpiece?
I absolutely ADORE this record, and I don’t even consider Cage The Elephant to be one of my all time favourite bands. They probably wouldn’t make my Top 25, but “Melophobia” specifically is easily one of the best albums I’ve ever heard, and (now that I no longer listen to Arcade Fire) my personal favourite release of 2013. At the very least, it’s a stiff competition between this & Daft Punk’s “Random Access Memories”. I’ve gotta go track by track with this one in order to effectively convey my love for it so buckle in!
“Spiderhead” is a genuinely perfect opener for the record. It conveys to us ALL of the project’s best qualities while never feeling like it’s spoiled the album for you. The best is still very much yet to come. We’ve got scuzzy guitars that feel both authentically raw & immaculately produced, super catchy melodies delivered through a very precise yet slightly wild vocal performance, and also this really cool “glitched tempo change” at the end which gives this specific song a very unique flare.
“Come A Little Closer” is probably the most popular song here, and while it’s not my personal #1, it is still absolutely deserving of that status. The verses ease us in with a super slick bassline, some incredibly atmospheric guitars/synths, as well as a grippingly moody vocal performance. All of which come to a head on the track's spectacularly explosive choruses which still manage to fit the song’s moody tone flawlessly. The bridge here is also excellent with an extremely effective build to the song’s final & most explosive chorus. LOVE this track. Iconic shit.
“Telescope” is even more iconic though. It’s the best thing that Matt Schultz has ever written & it’s not even a contest honestly. We open with some tenderly playful synths which eventually give way to an equally playful yet distinctly melancholic vocal performance & lyrical story. This leads to the song’s incredible chorus which only becomes more emotionally powerful each & every time it’s repeated, but it’s the bridge here that really elevates the track into something truly spectacular. It’s so instrumentally frantic & vocally raw while still miraculously fitting into the song’s overall tenderly melancholic atmosphere. Such an evocative masterpiece. Unquestionably one of my favourite songs of all time.
“It’s Just Forever” is frequently maligned as the album’s one & only dud, but other than some admittedly awkward tonal whiplash between it & the last song, I still think it’s a fantastic addition to the record. We’ve got some wonderfully visceral guitars, a delightfully wild guest vocal performance courtesy of Alison Mosshart, and an outro that predicted the “Untitled Goose Game” OST six years in advance. What’s not to love?
“Take It Or Leave It” has a super chillaxed atmosphere all throughout, but never in a way that becomes boring. The chorus is super catchy, I enjoy the slight country-isms of the track, and the guitars sound amazing… but that’s definitely starting to become a moot point in this review. SUCH a vibe of a song.
“Halo” is probably the least uniquely remarkable song here. I don’t really have anything specific to say about it, but don’t think for a second that I mean to imply it’s even remotely weak. It’s still a banger.
“Black Widow” is an absolute BLAST of a song. The gritty rock’n’roll instrumentation along with those seductive vocals are obviously fantastic, but the star of the show here is undoubtedly the brass elements. The blaring horns on this track, whichever ones they are exactly, are sheer musical euphoria. That brief moment during the bridge where they completely overpower the rest of the mix is especially stunning. This is another one of those songs that I often hear people proclaiming as one of the album’s worst, but I think those people are weak. This song is nothing short of SPECTACULAR. Such a wonderful rush of visceral energy.
“Hypocrite” serves as a very nice change of pace for the record. The incredibly unique drum rhythms & overall slow pacing really make it stand out here. We’ve got a decently moving chorus, some nice brass elements yet again, and while said brass elements aren’t nearly as impressive as last time, these horns still fill out the mix very nicely & aid the song in having an even more unique energy than the aforementioned odd drumming was already giving it.
“Teeth” is the most perfectly unhinged thing that Cage The Elephant has ever released. In my review for their previous album, I talked about how certain tracks there often struggled to nail the balance of “controlled chaos”. Songs from that record which attempted this mostly just felt messy instead of compellingly scatterbrained. “Teeth”, on the other hand, achieves that balance effortlessly. Everything about this track is marvelous madness. The frantically abrasive guitars, evocatively strange lyrics, rivetingly unrefined vocals, and OH MY WORD that outro. After being a badass rock song for about 3 minutes, this shit randomly decides to basically become spoken word jazz at the end, and it works miraculously well. The lethargic bassline, the dour brass elements, the lyrics rich with meaning that’s hard to fully grasp. The whole thing is genuinely quite unnerving, but in a way that’s always still very enjoyable to listen to.
“Cigarette Daydreams” is a very interesting closer for this album. The acoustics & pianos are both incredibly pretty, the vocals & melodies are both really moving, and the whole experience is extremely immersive with it’s atmosphere. It’s a truly beautiful song on it’s own as well as an extremely anticlimactic ending for the record. But to explain why I actually mean that as a positive, I need to talk about “Teeth” again. Keep in mind that everything I’m about to say here has absolutely NOTHING to do with the lyrics of these songs. It’s simply my mind creating a story by interpreting the emotional atmospheres of both tracks.
“Teeth” is like witnessing or being involved in some sort of traumatic event. It’s a chaotic mess that leaves you deeply unsettled. Horrified even. Like being the bystander to a uniquely bad car crash. The kind where gorey death is very clearly visible. “Cigarette Daydreams” contrasts “Teeth” by being easily the most tender & simplistic song on the album. It’s very comforting with it’s musicality, but what I love here is that it’s not quite “cathartic”. It’s not a release of tension or an eradication of negative emotion. It’s like being frozen with shock after witnessing this crash before someone else eventually arrives to comfort you. This comfort feels nice & brings you back to your senses, but you’re still not ok. You still witnessed something horrible & a quick bit of comfort isn’t going to immediately fix that.
That’s the story I read from the tonal dichotomy between these 2 songs. A story of horror followed by incomplete comfort. It’s not a satisfying ending for me, but it’s such a specific & evocative kind of dissatisfaction that I can’t help but be fascinated by it. A super cathartic track full of positive emotion & grandiose beauty wouldn’t have worked here at all. Something quietly comforting that’s lacking in huge catharsis is the only way this could have gone. It’s the only ending that makes sense directly after a track as wild a “Teeth”. Again, NONE of this has anything to do with the lyrics. Just sheer emotion.
In conclusion though, I really fucking love “Melophobia”. It’s got perfect pacing, perfect production, tons of variety, so many excellent highlights, and one of the most memorable album endings I’ve ever experienced. The band’s whole discography is undoubtedly quite good, but this record is still LEAGUES above anything else that came before it, and so far, anything that has come after.
Best Songs: Telescope, Black Widow, & Come A Little Closer.
Weakest Songs: haha no.
10/10. Masterpiece.
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Tell Me I'm Pretty

It’s a HUGE downgrade from the last album, but still a decent enough listen.
It’s a stiff competition between this & their self-titled when we’re deciding which Cage The Elephant album is the weakest. They both exist on pretty much equal levels of “unremarkably decent”, but I think I’d probably give “Tell Me I’m Pretty” an ever so slight edge over their debut. Even though I’m ultimately gonna give them the same rating, I think this record has a few more significantly notable qualities.
“Cry Baby” is a very solid opener & “Mess Around” is a delightfully nostalgic single in spite of literally just being a Black Keys song, but it’s only on tracks 4-7 where this album really hits it’s stride. “Too Late To Say Goodbye” is very methodically emotive, “Cold Cold Cold” has some super fun percussion & an engagingly dazed sense of atmosphere, and “How Are You True” is one of the prettiest songs in the band’s whole catalog. The choppy vocal effects are extremely immersive, and the lowkey energy of it all is wonderfully hypnotic.
It also transitions very naturally out of the song right before it. That song being “Trouble”. The strongest piece of this album by a pretty wide margin. The backing vocals are beautiful, the chorus is really impactful, the acoustic elements are particularly well utilized, and the whole thing truly feels “Melophobia quality” while still being sonically distinct from that project. After this 4-7 stretch however, the album’s final 3 tracks don’t give me a whole lot to talk about.
I enjoy the spaghetti western vibes of “That’s Right” decently enough, but “Punchin’s Bag” is one of the most forgettable songs that CTE have ever made, and even though it’s a decently fun track on it’s own, “Portuguese Knife Fight” has almost no real impact as a CLOSER. Which is particularly disappointing coming right off the heels of a record with one of the most impactful endings I’ve ever heard.
So yeah… “Tell Me I’m Pretty” definitely isn’t bad, but it definitely ain’t special either. It’s unenergetic in a way that mostly feels ill fitting of the band, Dan Auerbach’s production is solid but also extremely homogeneous, and lots of Matt’s vocals here feel way more “performative” than they do natural and/or “from the heart”. I do still enjoy this record for it’s excellent musicianship, generally solid song writing, and handful of wonderful highlights, but something definitely feels a little off about it all.
They just weren’t in peak form here. Which, again, is not a very pretty look right up against one of the most PEAK albums of the 2010’s.
Best Songs: Trouble, Cold Cold Cold, & How Are You True.
Weakest Songs: Punchin’ Bag, Sweetie Little Jean, & Portuguese Knife Fight.
This album gets a strong 7/10 to me.
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Social Cues

Not without it’s problems, but undoubtedly some of their strongest material to date.
This is pretty easily their 2nd best album if you ask me. It’s nowhere NEAR as good as 2013’s “Melophobia”, but it’s not like I ever expected them to reach those heights again. Cage The Elephant are an overall “pretty good” band with one exceptional masterpiece that came out of nowhere. But in terms of the rest of their “pretty good” discography, this is a very enjoyable album… even if it is VERY front loaded. Tracks 1-7 are all fantastic with only one exception, but then tracks 8-13 are all super forgettable outside of a couple key exceptions.
Let’s talk about that excellent first half though. “Broken Boy” is an immediately gripping BANGER of an opener with viscerally crisp production, The Title Track has a wonderfully psychedelic soundscape to it & one of the band’s catchiest choruses ever, and “Night Running” is a song that’s always gotten way too much hate in my opinion. I can KINDA understand the aversion to how sheerly radio friendly it is, but the vibes are again delightfully psychedelic, the Beck feature suits the track flawlessly, and there’s this extremely appealing sense of… idk “fuzziness” to the production on the chorus. Super sonically satisfying stuff.
Other great moments from this first half include “Ready to Let Go’ which was a perfect lead single for the record, as well as “Skin And Bones” which has a really moving chorus & some beautifully implemented strings, but easily the HARDEST banger of the whole project comes to us in the direct middle. “House of Glass”. This is one of the spectacularly wild things they’ve ever put out & it’s an absolute BLAST to listen to. The sly vocals, viciously vigorous guitars, and perfectly chaotic production all come together to create one of their best songs to date. LOVE IT.
Now for that relatively lackluster 2nd half. “The War Is Over” actually grew on me quite a bit this time around which I wasn’t expecting, but we still have songs like “Dance Dance” which feel distinctly lacking in creativity, “Tokyo Smoke” which frankly just feels kinda aimless to me, as well as “What I’m Becoming” which, in an attempt to sound soft & lowkey, just comes across as rather drab. These songs are all still “decent” at the end of the day, but they absolutely do not live up to the consistently high quality of that first half. Where this 2nd half DOES shine however are in it’s softer moment’s that aren’t “What I’m Becoming”.
“Love’s the Only Way” is SUCH a lovely track. The light guitars, the ethereal string sections, the tender vocal performance, the vividly “late night” atmosphere of it all! It’s easily one of the most beautiful glimpses into their softer side that the band have ever given us, but even more beautiful than that is the album’s closer & best song BY FAR, “Goodbye”. The lyrics are absolutely heartbreaking, the pianos are extremely moving in spite of being so very simple, and the bridge here is beyond fascinating to me.
There’s this part of it’s instrumental that’s either a muted piano or the pitched down plucks of an orchestral stringed instrument. Whatever the hell it is, it gives me chills damn near every time I hear it. There aren’t even lyrics during this part, but it still manages to be one of the most evocative depictions of sadness that I’ve ever borne witness to. Undeniable proof that sound alone can often speak SO MUCH louder than words. This has been my go to “depression song” for YEARS now & I don’t see that changing any time soon.
So that’s “Social Cues”! It’s definitely got some issues, but I still like it quite a bit. It’s got a really fun new sound for the band, a decent amount of variety, consistently excellent lyrics that are largely about Matt’s, at the time, recent divorce, and some of the highest highs in their entire discography. It’s undoubtedly frontloaded, but still a very satisfying album experience overall. I mean it’s kind of impossible NOT to be satisfied with a closer this stellar.
Best Songs: Goodbye, House of Glass, & Social Cues.
Weakest Songs: What I’m Becoming, Black Madonna, & Tokyo Smoke.
This album gets a decent 8/10 from me.
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Well that's the post! Hope you enjoyed reading it & I'd love to discuss any & all of my takes in the comments!

MS-ISAC CYBERSECURITY ADVISORY
MS-ISAC ADVISORY NUMBER: 2024-058
DATE(S) ISSUED: 05/15/2024
SUBJECT: Multiple Vulnerabilities in Google Chrome Could Allow for Arbitrary Code Execution
OVERVIEW: Multiple vulnerabilities have been discovered in Google Chrome, the most severe of which could allow for arbitrary code execution. Successful exploitation of the most severe of these vulnerabilities could allow for arbitrary code execution in the context of the logged on user. Depending on the privileges associated with the user an attacker could then install programs; view, change, or delete data; or create new accounts with full user rights. Users whose accounts are configured to have fewer user rights on the system could be less impacted than those who operate with administrative user rights.
THREAT INTELLEGENCE: Google is aware that an exploit for CVE-2024-4947 exists in the wild.
SYSTEMS AFFECTED:

• Chrome prior to 125.0.6422.60/.61 for Windows and Mac
• Chrome prior to 125.0.6422.60 for Linux

RISK: Government:

• Large and medium government entities: High
• Small government entities: Medium

Businesses:

• Large and medium business entities: High
• Small business entities: Medium

Home users: Low
TECHNICAL SUMMARY: Multiple vulnerabilities have been discovered in Google Chrome, the most severe of which could allow for arbitrary code execution. Details of these vulnerabilities are as follows:
Tactic: Initial Access (TA0001):
Technique: Drive-By Compromise (T1189):

• Type Confusion in V8. (CVE-2024- 4947)
• Use after free in Dawn. (CVE-2024- 4948)
• Use after free in V8. (CVE-2024- 4949)
• Inappropriate implementation in Downloads. (CVE-2024- 4950)

Successful exploitation of most severe of these vulnerabilities could allow for arbitrary code execution in the context of the logged on user. Depending on the privileges associated with the user an attacker could then install programs; view, change, or delete data; or create new accounts with full user rights. Users whose accounts are configured to have fewer user rights on the system could be less impacted than those who operate with administrative user rights.
RECOMMENDATIONS: We recommend the following actions be taken:

• Apply appropriate updates provided by Google to vulnerable systems immediately after appropriate testing. (M1051: Update Software)
  • Safeguard 7.1: Establish and Maintain a Vulnerability Management Process: Establish and maintain a documented vulnerability management process for enterprise assets. Review and update documentation annually, or when significant enterprise changes occur that could impact this Safeguard.
  • Safeguard 7.4: Perform Automated Application Patch Management: Perform application updates on enterprise assets through automated patch management on a monthly, or more frequent, basis.
  • Safeguard 7.7: Remediate Detected Vulnerabilities: Remediate detected vulnerabilities in software through processes and tooling on a monthly, or more frequent, basis, based on the remediation process.
  • Safeguard 9.1: Ensure Use of Only Fully Supported Browsers and Email Clients: Ensure only fully supported browsers and email clients are allowed to execute in the enterprise, only using the latest version of browsers and email clients provided through the vendor.
• Apply the Principle of Least Privilege to all systems and services. Run all software as a non-privileged user (one without administrative privileges) to diminish the effects of a successful attack. (M1026: Privileged Account Management)
  • Safeguard 4.7: Manage Default Accounts on Enterprise Assets and Software: Manage default accounts on enterprise assets and software, such as root, administrator, and other pre-configured vendor accounts. Example implementations can include: disabling default accounts or making them unusable.
  • Safeguard 5.4: Restrict Administrator Privileges to Dedicated Administrator Accounts: Restrict administrator privileges to dedicated administrator accounts on enterprise assets. Conduct general computing activities, such as internet browsing, email, and productivity suite use, from the user’s primary, non-privileged account.
• Restrict execution of code to a virtual environment on or in transit to an endpoint system. (M1048: Application Isolation and Sandboxing)
• Use capabilities to detect and block conditions that may lead to or be indicative of a software exploit occurring. (M1050: Exploit Protection)
  • Safeguard 10.5: Enable Anti-Exploitation Features: Enable anti-exploitation features on enterprise assets and software, where possible, such as Microsoft® Data Execution Prevention (DEP), Windows® Defender Exploit Guard (WDEG), or Apple® System Integrity Protection (SIP) and Gatekeeper™.
• Restrict use of certain websites, block downloads/attachments, block Javascript, restrict browser extensions, etc. (M1021: Restrict Web-Based Content)
  • Safeguard 9.2: Use DNS Filtering Services: Use DNS filtering services on all enterprise assets to block access to known malicious domains.
  • Safeguard 9.3: Maintain and Enforce Network-Based URL Filters: Enforce and update network-based URL filters to limit an enterprise asset from connecting to potentially malicious or unapproved websites. Example implementations include category-based filtering, reputation-based filtering, or through the use of block lists. Enforce filters for all enterprise assets.
  • Safeguard 9.6: Block Unnecessary File Types: Block unnecessary file types attempting to enter the enterprise’s email gateway.
• Inform and educate users regarding the threats posed by hypertext links contained in emails or attachments especially from un-trusted sources. Remind users not to visit un-trusted websites or follow links provided by unknown or un-trusted sources. (M1017: User Training)
  • Safeguard 14.1: Establish and Maintain a Security Awareness Program: Establish and maintain a security awareness program. The purpose of a security awareness program is to educate the enterprise’s workforce on how to interact with enterprise assets and data in a secure manner. Conduct training at hire and, at a minimum, annually. Review and update content annually, or when significant enterprise changes occur that could impact this Safeguard.
  • Safeguard 14.2: Train Workforce Members to Recognize Social Engineering Attacks: Train workforce members to recognize social engineering attacks, such as phishing, pre-texting, and tailgating.

REFERENCES:

This post is part of a series of reviews. To see them all, click here.

Character Information

• Actor: Tom Baker
• Tenure (as a regular character): S12E01-S18E28 (178 total episodes, 42 total stories)
• Companions: Sarah Jane (Elizabeth Sladen, S12E01-S14E08), Harry (Ian Marter, S12E01-S13E04, S13E16), Leela (Louise Jameson, S14E13-S15E26), K-9 (V/As: John Leeson, Roy Skelton, David Brierley, S15E06-S18E20), Romana I (Mary Tamm, S16), Romana II (Lalla Ward, S17E01-S18E20), Adric (Matthew Waterhouse, S18E09-28), Nyssa (Sarah Sutton, S18E21-28), Tegan (Janet Fielding, S18E25-28)
• UNIT: The Brigadier (Nicholas Courtney, S12E01-04, S13E01-04), Benton (John Levene, S12E01-04, S13E01-04, S13E16)
• Other Notable Characters: The Decayed Master (Peter Pratt – S14E09-12, Geoffrey Beevers – S18E21-24), Borusa (Angus MacKay – S14E09-12, John Arnatt – S15E21-26), The White Guardian (Cyril Luckham, S16E01), The Black Guardian (Valentine Dyall, S16E26), The Tremas Master (Anthony Ainley, S18E24-28)

Retrospective

Seven seasons.
Seven season Tom Baker stuck around to play the Doctor. Seven seasons of one man having the lions' share of dialogue, screen time, and press coverage on Doctor Who. Seven seasons of the same face (well, more or less) in the opening titles. That's a lot to try and cover coherently. And because of how I write these posts after watching through the show in order, it makes it a bit difficult to think all the way back to where we began.
But I may as well make the effort so…where to begin? Well, starting back when Barry Letts was originally conceiving of the 4th Doctor, the first word that was written to describe the personality of the new Doctor was "eccentric". That's a word with a pretty broad definition, but with some specific connotations. When you think of "an eccentric", you're imagining a specific type of man, which Tom Baker immediately inhabits from the moment he steps in as the Doctor in Robot.
And it serves him well. From a plot sense, the 4th Doctor tends to come at problems from a rather unusual angle. Again, you can go back to Robot and see how he fights the titular robot, compared to the head-on way his predecessor would have done. And really, the whole concept of the Doctor as, not just a brilliant strategic thinker, or even a subtle manipulator like the 2nd Doctor could be, but as an unconventional thinker really originates with number four.
Similarly you can see a lot of the 4th Doctor's humor popping up in future incarnations. Tom Baker had a way of delivering sardonic lines like they were an inside joke between himself and the audience. While I don't think anyone else quite captures that, I still see a lot more of the 4th Doctor's kind of humor than earlier incarnations' popping up later on. But, at least early on, the humor always had an edge to it. Like the Doctor wasn't so much making jokes as he was making cynical observations in a jokey tone.
But the big innovation of the 4th Doctor era, as relates to the character of the lead, was the willingness of the writers to let the Doctor make mistakes. The most obvious example comes towards the end of the Hinchcliffe era, when we find out the Doctor accidentally gave a computer schizophrenia earlier in that incarnation, causing the events of The Face of Evil. But the Doctor occasionally slipping up, making sensible, but ultimately incorrect deductions or just choosing a poor tactic was all over the Hinchcliffe era. The earliest obvious example is probably choosing not to blow up the Dalek incubation chamber in Genesis of the Daleks, letting his desire to not make that choice override his more logical brain and trick him into believing that Gharman has Davros beat.
While it's not like the first three Doctors were never wrong. They were all, in their own way, quite frequently insensitive, but the show generally liked it's protagonist to be in the right, especially when it came to his deductions or strategies. After roughly the midpoint of Season 1, the Doctor had almost always never made a serious blunder. But by making the Doctor more fallible, the 4th Doctor era creates more tension. One of the reasons that building a horror era under Hinchcliffe works (despite my own personal tastes clashing with it) is that there is a greater sense of tension because the Doctor is allowed to make mistakes.
But not everything about the 4th Doctor is new. In particular in the early years he seems to have inherited the 3rd Doctor's general distaste for dealing with humans in authority. It's not as universal as the 3rd Doctor's general grumpiness towards anyone with a title, but it does stick out. At a few points, such as in The Seeds of Doom, the Doctor becomes some frustrated with the people he's working with he has to have Sarah Jane speak for him.
That only serves to accentuate a performance that feels decidedly inhuman, and in a good way. During the Hinchcliffe era, Tom Baker typically kept his performance energetic, yet understated. It kept him feeling unpredictable and more than a little unreliable. In Pyramids of Mars, Sarah Jane loses patience with the Doctor for a moment due to his seemingly callous behavior. It's of course then revealed that the Doctor does care, he's just focused on other things and bad at showing it. These ideas have been somewhat present in the Doctor's characterization for a while, but with the fourth Doctor they're taken up another level.
And it's worth pointing out that a lot of the time the "eccentric" characterization felt more like a mask than the real Doctor. Sometimes his frustrations would come out (for instance Planet of Evil) or his empathy would shine through in spite of himself (eg Pyramids of Mars) and it reveals that he's not quite as completely unlike us as he might like us to believe. The bravado, and the offhand remarks and the strange grins, they seem to all be there to mask fear, or affection or anger.
And then, everything changes. Not immediately of course, but during the Graham Williams era Tom Baker's performance becomes more…indulgent. It's not bad, but a lot of the subtlety of his earlier performances is lost in favor of going bigger and more over the top in many ways. Tom Baker's deep voice, already a notable feature of his performance from the beginning, starts being really emphasized. Again, we're not dealing with a performance that gets bad, just one that loses some its subtlety and edge. And in fairness, with the Williams era at the very least trying to play things a bit lighter, it makes sense that Baker's performance would get a bit broader.
But the result is that the performance also gets a bit lazier. I think at some point around Season 16, Tom Baker realized he didn't have to work hard to do a compelling performance as the Doctor. He was kind of already naturally doing it. This left Tom Baker time to focus on other things…but we'll get to that. During Season 17, there's a bit less slacking off, because he had less distractions. But then in his final season, Tom Baker is once again putting in less effort. And there's good reasons for that. His relationship with Lalla Ward was getting very messy. He was dealing with an illness during the filming of the E-Space trilogy. And he didn't like new co-star Matthew Waterhouse. Still Season 18 is where you get the sense that Baker's been in the role too long, although I do wonder if, without all the behind the scenes drama and the illness, that might not have been the case.
Of course it's not like Tom Baker was blameless for behind the scenes drama. In fact it's probably fair to say he caused a lot of it. Tom Baker was, from very early on, an incredibly difficult presence behind the scenes at on set. The first time I saw reference to it was during Terror of the Zygons, where Nicholas Courtney felt that Baker was abrasive and not taking criticism well. From that point on, Baker's attitude issues seemed to increase. Directors in particular often got the wrong end of the stick, first seen in Pyramids of Mars when Paddy Russell (herself the kind of creative person who always liked to get her own way) and Tom Baker clashed over the filming of a few scenes. And then there's what happened to Louise Jameson, who played Leela, where Baker just treated her very badly during their first season together. Eventually, Jameson stood up for herself and the two developed a functional working relationship during Season 15, but when Jameson still felt the need to warn her successor, Mary Tamm, about Baker.
But on the same note I do think it's important to acknowledge a few things. First of all, Tom Baker went from being a virtual unknown to being the star of a very popular science fiction series. That would have a tremendous effect on anybody. To hear Baker himself tell it, Doctor Who essentially became the central feature of his life while he was working on the show. A lot (in fact, I think all) of the stories of Baker being difficult revolve around his desire for more control over the show, and seen through that lens, it kind of makes sense why. For another thing, it's not like every single director or co-star had a difficult relationship with Baker. Elizabeth Sladen and Ian Marter got along with Baker perfectly well. Mary Tamm did stand up for herself from the beginning and never had any major issues with Baker. And of course there are several directors who managed to work with Baker without issue. Tom Baker was difficult to work with, yes, but far from impossible and anyone at the time would have told you that what he gave to the show was worth the trouble.
In the past for these posts I've always spent at least a little time talking about the Doctor's relationships with his companions. For the 4th Doctor, so this doesn't turn into a six paragraph section on companions, I'll just make a general observation here: the 4th Doctor frequently ended up in the role of tutor or mentor. It starts, of course, with Leela, and while the idea of the Doctor teaching Leela to be a more intellectual version of herself never played out to the extent some might have hoped, it's still a pretty consistent part of their relationship. And then the dynamic is flipped with Romana, who the Doctor has to teach to be more instinctive and intuitive. Actually the Romana and Leela comparison tells us a lot about the Doctor: he doesn't actually value one form of knowledge above the other. Leela needs to learn science and civilization because those are the gaps in her knowledge. Romana needs to learn intuition and practical abilities because those are the gaps in her knowledge, and the Doctor largely treats the job of teaching his companions these things the same way.
Towards the end of his tenure, the Doctor picks up one more student: Adric. What Adric needs to be taught is a bit different than the others. He's already an intellectual powerhouse – he's got a badge for mathematical excellence and everything. And he's not short of practical experience. What he lacks is a kind of empathy. Now Adric isn't entirely unempathetic, but he's a sullen teenager a lot of the time. Sometimes he just doesn't care very much for others. You can see the Doctor trying to get Adric to consider more clearly the consequences of his actions, or realize that, as intelligent as he is, there are just things he won't know.
Of course none of this applies to Sarah Jane or Harry (or K-9, but there's not much to talk about there). The Doctor's relationship with Harry was mostly just Harry ending up as the butt of the Doctor's jokes and Harry being confused. As for Sarah Jane, well that's another story. Honestly, I don't think this was necessarily explored as much as it could have been. The two seemed to have a weird relationship where they'd antagonize each other, only to come back together. At the end of Hand of Fear Sarah Jane makes a big scene of wanting to leave the TARDIS, only to protest when the Doctor actually throws her off, and it reads like, up to that point, that had just been part of their friendship. That Sarah Jane would blow off the steam from her adventures (like being mind controlled for the 17 millionth time) by complaining at the Doctor and declaring she'd leave, only to stick around in the end.
Which is, I guess, what you do when your traveling companion is as unpredictable and eccentric as the 4th Doctor. Tom Baker's iteration of the Doctor isn't my favorite, but it's undeniable he redefined the part, to the point that the 4th Doctor is this clear dividing point in how the character is written. As one final example, before the 4th Doctor era, a defining part of the Doctor's character was that he was a capital "S" Scientist. But in the 4th Doctor era, that fades. He's still a scientific genius, but the characterization shifts from Scientist to enthusiastic amateur who happens to know more than the professionals. And that idea of the Doctor, as a traveling dilettante who somehow is smarter than everything around him, while it's been there from very early on, really takes shape in this era.
Tom Baker's performance is entirely unique, his very particular voice, his odd, often out of place facial expressions that seem to indicate the opposite of what they should, and occasional outbursts that reveal the real Doctor, I don't think you can point at anyone else that's ever done it remotely like him. And I don't think anyone could. There were a lot of factors that led to 4th Doctor becoming the most popular and beloved Doctor of the classic era, possibly even of the show itself. The timing was right as the show expanded into new markets. The fact that the beginning of his time on the show coincided with a run of very popular stories can't have hurt. But Tom Baker was always the main reason the 4th Doctor worked.

10 Key Stories

10 key stories for the character, listed in chronological order
Robot: Tom Baker's first story as the Doctor does a remarkably good job setting up how the 4th Doctor is going to operate going forwards. Though perhaps lacking in the subtleties that the 4th Doctor would develop through the rest of the Huinchcliffe era, Baker's oddly captivating performance is there right from the word go. He's a bit goofy from the regeneration, but nonetheless finds himself having a quiet moment at the end of the story with Sarah Jane.
Genesis of the Daleks: The Doctor is sent back in time to avert the creation of the Daleks and he…just…can't…do it. That scene of the Doctor holding two wires next to each other, unable to touch them together and just win is probably Tom Baker's first genuinely great performance as the Doctor. His relief at seemingly being relieved of that responsibility as palpable. And his final scene as he Harry and Sarah Jane travel back to the Nerva with the Time Ring, offering up one last bit of hope in spite of how badly things seem to have gone firmly establishes the optimistic nature of the character first introduced earlier in Ark in Space.
Pyramids of Mars: The Doctor's sometimes seemingly callous nature is revealed to be more of a mask than the reality of the character. He's got more serious things on his mind than the death of one man…but that doesn't mean he doesn't care for the death of that man.
The Deadly Assassin: The Doctor is on his own for the first time in this incarnation, and finds himself battling against his old enemy the Master. Caught up in Gallifreyan politics the Doctor suddenly feels small on the backdrop of greater schemes. Though he does still manage to sort of get himself elected as president which I'm sure will have no effect in the future…
The Face of Evil: The Doctor is forced to confront a serious error he made a long time ago. What he did to Xoannon, a computer developing sentience, and the way that that mistake ended up hurting the people of the planet he's landed has far reaching consequences which he's forced to help undo. He also makes a new friend…sort of accidentally.
Horror of Fang Rock: And things were going so well with Leela. While the primary confrontation with a Rutan is engaging, for my purposes here, what I'm interested in is the relationship between Leela and the Doctor. It starts out well, with the two working as a great team. And then Leela takes things too far, drawing the ire of the Doctor in a way that we hadn't necessarily seen before. It doesn't ultimately go anywhere, but it's very telling as moment all the same.
The Invasion of Time: The Doctor decides he'd like to be president. It's a ruse, or course, because the Doctor would never actually want to be president, but seeing him play the villain for a few episodes is quite intriguing. The story has some major issues, but seeing the Doctor play a bit more of the strategist and playing a bit more of a long game in this story is still fun.
The Ribos Operation: After Leela's departure, the Doctor finds himself with a new and completely different kind of companion to take under his wing. Having to show Romana that she can't always trust someone because they have an "honest face", beginning to show her to think more practically, this all shows a different kind of teachestudent relationship from the one we saw with Leela. Also the respectful yet frustrated way he deals with the White Guardian is fun.
Shada: Kind of odd to to include a story that was never actually completed as a "key" story here, but I think this has the best representation of the Doctor during this era. More relaxed, and largely just out having fun with his best friend Romana, the Doctor during this story still shows his sense of duty when Chronotis has messed up. His odd musing at the end of the story about what future people might think of him is a nice capstone to the era.
Logopolis: So much is going on in this one. This story has the perfect blend of all of the various ways in which the 4th Doctor has been characterized throughout his tenure. Teaching Adric about new kinds of science and responsibility, taking aboard Tegan and Nyssa in spite of difficulties, but still having a go at all three of them at one point. And then there's his alliance with the Master at the end, which proves his downfall. There's even a bit of that fallibility coming through when he mistakes the Master's initial goals.

Rankings

1. City of Death (10/10)
2. The Brain of Morbius (10/10)
3. Horror of Fang Rock (9/10)
4. Genesis of the Daleks (9/10)
5. The Face of Evil (8/10)
6. State of Decay (8/10)
7. The Robots of Death (8/10)
8. The Ribos Operation (8/10)
9. Warriors' Gate (8/10)
10. The Pirate Planet (8/10)
11. Terror of the Zygons (7/10)
12. The Leisure Hive
13. The Stones of Blood (7/10)
14. The Ark in Space (7/10)
15. Shada (7/10)
16. Image of the Fendahl (7/10)
17. Underworld (7/10)
18. The Keeper of Traken (7/10)
19. Logopolis (7/10)
20. The Seeds of Doom (7/10)
21. Full Circle (7/10)
22. The Talons of Weng-Chiang (6/10)
23. The Hand of Fear (6/10)
24. The Sontaran Experiment (6/10)
25. The Sun Makers (6/10)
26. Destiny of the Daleks (6/10)
27. The Androids of Tara (6/10)
28. The Deadly Assassin (5/10)
29. Pyramids of Mars (5/10)
30. Robot (5/10)
31. The Sun Makers (5/10)
32. Nightmare of Eden (5/10)
33. The Masque of Mandragora (4/10)
34. Planet of Evil (4/10)
35. The Creature from the Pit (4/10)
36. The Armageddon Factor (3/10)
37. The Power of Kroll (3/10)
38. Revenge of the Cybermen (3/10)
39. The Android Invasion (3/10)
40. The Invisible Enemy (2/10)
41. The Horns of Nimon (2/10)
42. Meglos (1/10)

Forty-two stories is a lot. I'm not even sure how I feel about this ranking. Of course, as is well documented by this point I'm not a horror guy so a lot of Hinchcliffe-era horror stuff ranks a lot lower than you might have expected if you aren't following along with this review series. Beyond that though, there's just a lot of variety of stories. The ranking naturally has a lot of uncertainty to it. Am I really confident that Shada the unfinished story belongs exactly one slot below The Ark in Space from all the way back in Season 12, which I haven't watched since I reviewed it? Obviously not. And there's a ton of other stuff like that. But this is probably as accurate to my preferences a ranking as will ever exist.
Doctor Era Rankings
These are based on weighted averages that take into account the length of each story. Take this ranking with a grain of salt however. No average can properly reflect a full era's quality and nuance, and the scores for each story are, ultimately, highly subjective and a bit arbitrary.

1. 3rd Doctor Era (6.8/10)
2. 2nd Doctor Era (6.5/10)
3. 4th Doctor Era (6.0/10)
4. 1st Doctor Era (6.0/10)

A lot of you may be surprised at the relatively low rating that the 4th Doctor era gets. First of all, it's worth noting that a 6/10 is by no means a bad rating. Any individual story I rate a 6/10 is a story that, while noticeably flawed, I still enjoyed. As an average for an entire era, especially one that lasts 7 seasons through three (technically four) different producers, that's not bad. But of course what's dragging the rating down is that the Hinchcliffe era just isn't to my taste and the Williams era, while more to my liking in theory, in practice never lives up to its potential.
Next Time: Well there's a new Doctor in town and he's feeling out of sorts. Let's bring him to a nice medieval castle where the rooms keep repeating. That should make him feel better.

May 15, 2024 Phoenix Arizona A.S. Newswire
The owner of a home at x420 Mary Jane Lane in Peoria Arizona has a small but ongoing problem. Strangers keep leaving marijuana in his mailbox. "Sometimes it's a small Ziplock bag, sometime a couple of joints. Over time it adds up!"
The owner, who prefers to remain anonymous doesn't use marijuana, finds himself in a bind. He can't leave it there or underage kids might find it. But he doesn't want to consume it either, or to risk driving with it in his car. "And I'm pretty sure a couple of the neighbor kids are checking my box whenever I leave the house. I don't want to get arrested!"
He states "I called the Peoria police non-emergency line repeatedly. They kinda laughed it off every single time. One detective asked if I was getting free pizza on the roof, also, whatever that means."
Asked for comment, Detective Lisa Scott, speaking for the Peoria Police department stated "We can't comment on ongoing investigations. And since simple MJ possession is no longer a crime in Arizona, we're not gonna stake out a mailbox or invest a lot of resources in this. As far as we're concerned Mr. Weirman, err, the homeowner should just throw it in the trash."
"I tried that" said the homeowner, only to come home and find my garbage can empty'd on the front lawn from people looking for free weed. Marybeth Shrute, Steve's neighbor reportedly spends her days watching his mailbox through binoculars, hoping to provide the PPD with a tip. "Kids today just don't know the value of a dime bag and if they're leaving free samples around, without offering us glaucoma sufferers any they're pushers in my book, and should be locked up."
Another neighbor asked for comment, Robert Zimmerman (no relation) repeated the oft-repeated phrase, "Well, I guess everybody's just got to get stoned." Zimmerman asked about the potency of the "gifts" to which this reporter had no answer. "I'm just askin', would Willy get a buzz from this or not?"
The homeowner petitioned the city to change his address to x419 or x421 but the Peoria street department and US Postal Service both said "No way! You bought the house at 420 on Mary Jane Lane, you can live with the implications. Besides, said one Postal Inspector, speaking COMPLETELY off the record, a lot of people WISH they had the problem you have!
Copyright 2024 Arizona Satire Newswire, used with permission and flair, grace and debonair.

Hi Everyone! I’ve always loved good smelling stuff and for the last 15 years I’ve usually had one bottle of cologne, and would replace once it’s out. Only in the last few months have I really delved into this world and began filling out a modest collection. I’m definitely not an expert (so take my reviews with a big grain of salt) but I love smelling and writing so here ya go. (Fucking wall of text incoming lmao, I didn’t realize how lengthy this got)
I just got back from a three-hour mall trip to try and get my nose on as many niche fragrances as my senses would tolerate. I had already done a good bit of research so I had some picked out to try and others already crossed-off. Im a 30M for reference.
I also had the goal in mind to find a contender for a fall/winter scent that exudes class, sophistication and decadence. For that, I’ve already tried a few that I really enjoy, and kind of used these as a springboard to continue exploring:
Xerjoff Alexandria II- This is what I envision royalty wearing. Lavender and rosewood mix soooo nice in the open, and dries into a lovey rose/vanilla/essence of oud. The oud is really toned down here for those that dislike it. It’s kind of hard to pick out. Nuclear performance.
Initio Oud for Greatness- Another good starter oud, you could say (this was my introduction to oud). It lasts forever and the dry down is seriously heavenly. The wet, soily oud is at the forefront for 2-4 hours, but I’m absolutely in love with what’s left when it disappears. Lavender, saffron, nutmeg and musk mixes into the best dryer-sheet-like scent I’ve come across (what it reminds ME of at least).
Perfums de Marly Haltane- Quite similar in the opening to Oud for Greatness. Haltane is darker, though, where I get more leathesmoke. I think the oud in this is more subdued, or at least less moist smelling. It blends well and lasts a good while.
Initio Atomic Rose- Holy shit. Apparently rose gets my motor GOING. I tried a lot of rose-centric fragrances today, but this probably still takes the cake for its balance and strength, in addition to the scent itself being just gorgeous.
So with those in mind I was off to Neiman Marcus. I sampled a large amount more than what I’ve written, but stuck to the ones that were memorable; good or bad.
Frederic Malle - Portrait of a Lady- My favorite of the Frederic Malle. Sensual rose/clove/currant at the front, but it is kind of hard to pick out specific notes on this one. After looking, I can get the cinnamon in the background of the dry down, it blends perfectly with the sandalwood, rose and benzoin after drying down. - Carnal Flower- Some similarity to POAL, lots of tuberose and jasmine, which I personally like. A bright yet sensual floral, and you get some coconut and melon there, too. I typically dislike coconut but this is blended masterfully. - Lipstick Rose- Yeah, that’s what it smells like. Try this if you’ve seen people describe scents as lipstick-y or violet taking on that accord. Not my cup of tea, also leans more feminine to my nose than the other two. - Musc Ravageur- I really wanted to like this one. And for a split second I did! A clove-y vanilla sasparilla is what I first got, and it unfortunately turned into barnyard urine. I immediately remembered seeing some reviews stating this, and I couldn’t get my nose to move past it. I can tell there’s good stuff there, but not for me.
Amouage - Reflection- The only one I’d tried before, and remains one of my favs. Rosemary and pink pepper greet you with a deep, fresh spice. The vetiver and patchouli sit nicely at the bottom, and the combination of white florals mixes wonderfully. Another scent I could imagine on royalty, and seems pretty versatile, too. You could wear this year-round without feeling out of place. Insane staying power. - Lyric- Probably my favorite, but I need to smell again on another day. Compared to the other Amouage, I had to continually stick my nose in the coffe beans to pick up the scent from the test strip. When I did get it, it was a lovely light, fresh scent. Quite a departure from the other Amouage I’ve tried, but great. No surprise, the list of notes are some of my favorites: lime, bergamot, rose, orange blossom, saffron, nutmeg, musk, pine, vanilla, incense, sandalwood. Seriously, love each and all those individually and they come together beautifully. - Interlude- Another good one. Dark, mysterious. Definitely get the oregano/peppepatchouli/incense bomb off the top. Leather lurking behind. I typically don’t gravitate toward the leathery scents but this one’s good. - Enclave- This pretty much seals the deal for me that on me, mint just ain’t it. I liked Sedley at first, but the mint somehow gets too cloying to my nose after too long. I can tell I would get the same from the peppermint in the opening of Enclave. I almost liked this one, too. If you can even tolerate peppermint, you’ll enjoy this one.
Mind Games - Blockade- Wowww. First sniff love, here. Explosion of citrus, juicy fruit-y sex. I usually find myself staying away from citrus-forward scents but this shit is next level. This will be a contender for my next upscale summer buy. - Double Attack- Another love at first sniff. It’s familiar, though. Chocolate/orange/cinnamon/vanilla. You’ll want to eat it right up. I already have this box checked in my collection, but may come back to it in the future. - Checkmate- Another lovely scent. Champagne, red currant, rose, magnolia, little patchouli. It all comes together really nicely, and it was difficult for me to pick out specific notes before looking. Not a love, but I was really impressed with the quality and scent profile of the Mind Games I tried.
Clive Christian - Town & Country- Wow. No seriously, like fucking wow. Smells like an Italian fruit cart strolling through an English manor’s sprawling garden road. I look at the notes and I don’t understand how you get this smell supposedly out of Clary Sage, Ambergris, and Sandalwood. Like, what? This is high quality shit. I get some pear or grapes there, too. Try this. - Crab Apple Blossom- Yum yum yum this is goooood. Smells like it sounds. Bergamot, apple blossom and rhubarb dance around playfully together. Can’t help but have a big stupid smile on your face when you smell this. The more it dried down, the more it might be my favorite over Town & Country. - Matsukita- Another great scent. In the same vein as the other two since they are part of the same “Crown Collection.” You get some smokiness, here. Bergamot with nutmeg and mate give depth and a little mystery. White florals, woody ambers and musk at the base. Just quality stuff here. All three of these in the Crown Collection were available in 10ml travel size gift pack for $300. Good idea to put on my wish list. That shit is kiiiinda expensive.
Xerjoff - Erba Pura- I did not expect to like this as much as I did! Favorite that I sampled. Perfect combination of citrus and fruitiness off the top, layered over a bed of sweet musk. Something here is very familiar to my nose but I couldn’t place it. This will be another top contender for a future upscale summer purchase. - Accento- Soothing scent. Fruity white floral (usually dumb reach for me), and the iris gives it some powder but not overpowering. Not as feminine-leaning as I would have expected. - Iommi- Delicious! Sweet smoky rum off the top, and it’s a little surprising how forward the patchouli and leather is in this. It’s bordering on being a little overpowering, but it tames a bit on the dry down. I’d need to see how this goes on my skin, for sure. - Torino 21- Another one that I liked way more than expected. I’m going back and seeing mint listed as a top note here…I didn’t get that! And thank God since mint usually is a non-starter. Kind of an aquatic green to my nose. Again, just a lovely scent. - Naxos- Yeah ok this is good shit. I was expecting a sweet bomb, but this is definitely more restrained than what a lot of reviewers will have you believe. I’m a sucker for lavender and bergamot. Throw in honey and jasmine atop a bed of tobacco, vanilla and tonka bean? Yes please. - Erba Gold- Pretty good. To my nose more feminine than Erba Pura, likely due to the extra fruits in the middle. That combination of citruses, pear and melon is reminiscent of particular ladies’ scents.
Louis Vuitton - L’Immensité- Ohhhh yeahh. Relaxation in a bottle. My favorite besides maybe Fleur du Desert. This, Imagination and Météore all kind of dance to the same song, so to speak. More than one of these would be redundant, in my opinion. The quality speaks through each of these fragrances, though- really nice stuff. - Imagination- The name fits, as a lot of the notes here are almost fleeting like a word on the tip of your tongue. It’s a great, calming scent but it didn’t blow me away. Like I said, L’Immensité was the best of these and I don’t see the need to diversify within this collection. - Météore- Compared to L’Immensité, there’s a little more sweetness here. This leans closer to a shower gel-like scent in my opinion. Still great. - Fleur du Désert- This one started out reallly good. Honey and cinnamon into rose and orange blossom is an intriguing, sensual combination. Unfortunately, smelling it on my arm after a couple hours, the jasmine and honey turn into something my mind recognizes as an old lady scent. The POAL on my hand, by comparison, keeps mixing with my skin in a great pheromonic way. - Ombre Nomad- Disappointed with this one. I’m realizing I don’t gravitate toward darker scents like heavy oud, leather, incense. I can tell it’s put together really well and uses quality materials, but this isn’t one that was made for me.
All in all, my main take-aways include: Xerjoff scents living up to the name. I was definitely impressed with their offerings, and would have expected it to lean closer to overrated. Same with Mind Games. Really enjoyed everything I sampled from them, even if it wasn’t my cup of tea, I was impressed with the quality. Also, I need to get back and sample the rest of the Clive Christian house. I was absolutely blown away with what I tried.
A little bonus: I tried TF Noir de Noir, Extreme Noir, and Cafe Rose. Extreme Noir is excellent. A regal mix of saffron, nutmeg and cardamom on top of rose and white florals. Ahhhh, again, similar to what I imagine a king or king to smell like.
Cafe Rose is probably the second best rose-centric scent to my nose besides Atomic Rose. I’ll need to put those side by side.
Anyway, feel free to ask away if you’d like. I was bored and inspired so killed some time writing this out :)

I have an employee (23F) who is completing her second year at our biotech company. This is her first corporate job out of college and has only had retail experience prior to this job.
She’s expressed feeling under paid and overworked. Due to this she has started to find ways to increase her salary or make herself more valuable. I’ve had to clear up how the salary negotiation talk would function if we go down this route as I, the line manager, do not have the ultimate say in her salary nor can I just just give out raises. All of our 1-1 start with “ I would like more money please.”
I’ve also explained our promotion guidelines (eligible for a promotion every 2 years based on performance) and explained to her that she was not eligible for a promotion last year but I’ve worked hard to get her lined up for a promotion this year. (This last portion I have not told her, but I have given her feedback on her performance overall.)
She is a good worker and her job performance is exceptional but she has a very bad attitude problem (will instigate, be passive aggressive, and sometimes send inappropriate/profanity filled messages to the managers regarding what she “REALLY” wants to say instead of what she wrote in our team chats). She also has a misconception of how compensation works at the corporate level.
I’ve given her guidance, resources, and have tried to set realistic expectations but I’m left feeling like I’m either not doing enough or we aren’t progressing.
Just today she messaged me “Let’s work on buffing up my resume during my 1-1 this week. I’m done.”
I don’t know how else to respond or guide
Any advice?
Edit: I do believe she is underpaid for her position and She doesn’t know that I have lined her up for a merit increase (apologies, I misspoke when I said promotion) because we are in the middle of our annual review process. I have petitioned for her but have not received approval yet from HC suite so we can’t have the promotion talk/ final annual review presentation until everything is complete.