Campbell reece ap biology 8th edition chapter notes

Part II: The Anthology - An Analysis of Each Track

2024.06.02 06:51 chocolatecauldrons Part II: The Anthology - An Analysis of Each Track

Thank you guys for all your nice comments on my previous post! Here's my followup post walking through the anthology - I apologize for the delay, but I wanted to sit with this half of the album a bit longer. This analysis will be slightly different: first I’ll go through themes present throughout the anthology, and then walk through each song individually, since it’s not as consecutive of a story as the first album. As with my first analysis, I tend to also stay away from literal details as proof that a song is about a certain subject or muse – to me, it’s easier to understand the album when you think first about what the song’s overarching meaning is, rather than getting caught up in literal details (and I think Taylor often throws these in as red herrings). Moreover, it’s important to note that it’s likely that the literal detail she’s thrown in is one that only she and the muse will understand (i.e. her referencing a lilac skirt in imgonnagetyouback is unlikely to be one we’ve ever seen her wearing in public, so it’s useless to paternity test based on that detail!).
Firstly, the word anthology means a collection of assorted literary works. As a result, I think there are more themes scattered through this album, and it’s meant to be a little harder to parse than the first one. I think this album is what TTPD would have been before it crystallized into a tighter theme – similar to the 3 AM tracks for Midnights, the majority of which were written prior to the standard edition’s tracks.
There are a few themes throughout this album. From a romantic context, to me, this album is primarily about Joe. I’ll walk through why I believe that, but this album feels less muddled to me in terms of its muses, and I think that is in part due to the fact that her self-described mania from the standard edition is not a theme on the anthology. This work also covers her own relationship to celebrity and fame, and how that affects her romantic relationships and her personal life in general. And finally, I think the final theme throughout this collection is the idea of childhood, of formative experiences, and how our author goes about processing events that happen to her.
The Black Dog
What happens when you intimately know someone, when you share every aspect of your life with someone, and then it's over? Six weeks after their breakup, she’s barely holding it together (“I move through the world with the heartbroken”). She even tried to rebound her pain away (“I took the miracle move on drug, the effects were temporary”), and wasn’t able to succeed. Meanwhile, she sees him go to a bar, and she has the sudden realization that he may be able to do what she failed to do – he might be able to move on, with someone new. Reckoning with that realization is horrifying. If he is able to pull it off, what does that mean about the love they shared? When he had told her for years that he was who he was for her, and her alone?
You said I needed a bravе man
Then proceeded to play him
Until I believed it too
And it kills me
How could they go from being so intimate that they shower together, that she’s aware of his every move, to being so distant from each other that she wonders if making her fall in love with him was a hazing? And the cruelest part of it is – she doesn’t want either one of them to be able to move on, and give validity to the fact that they weren’t right for each other, even though she knows they have to. Moreover, she’s already *tried* to move on at this point, and failed – she tried to manufacture a counterfeit version of their intimacy, but what if he’s able to perfectly replicate it? And to really drive in the knife, what if it’s with someone younger than her?
And you jump up, but she's too young to know this song
That was intertwined in the magic fabric of our dreaming
Given that a theme throughout the first album was her feeling like she’d given him so much of her youth, so much of her childbearing years, with nothing to show for it, what does it feel like to know that he can essentially reset time, by being with a younger woman, but she’ll never be able to get that time back?
imgonnagetyouback
We know that her and Joe took a break or two while they were together (see: Hits Different, The Great War, in addition to PR articles). To me, this song is about when you do take that break from your partner, and you’re trying to make a point to them that they’re not going to find anyone better than you (I can tell when somebody still wants me, come clean) – the two of you are too intimately intertwined to find a suitable replacement. You know what to wear, what to say, what to do to bring them back to you:
I, I hear thе whispers in your eyes
I'll make you wanna think twice
You'll find that you were never not mine
This song also has a lot of similarities to So Long, London, which is why I attribute it to Joe. To me, it provides a deeper story to some of the lines she touches on in So Long, London:
I didn't opt in to be your odd man out
I founded the club she's heard great things about
And to some of the lines in Hits Different:
I washed my hands of us at the club
You made a mess of me
I pictured you with other girls in love
Then threw up on the street
//
Bet I could still melt your world
Argumentative, antithetical dream girl
imgonnagetyouback is a story of one-upmanship – of trying to out-jealous your partner, of proving to them that nobody knows them better than you do. And maybe this time when they’re both playing this game, it works:
Push the reset button, we're becomin' something new
Say you got somebody, I'll say I got someone too
Even if it's handcuffed, I'm leavin' here with you
//
We broke all the pieces, but still wanna play the game (Oh)
Told my friends I hate you, but I love you just the same
Pick your poison, babe, I'm poison either way
The spacing to me is a deliberate red herring (the 1975 very famously made a song called fallingforyou), and a way to illustrate that the subject of the song wants space from her – but she’s not going to give it to him. This is another theme that calls back to Joe – in So Long, London, she describes him as constantly pulling away (Pulled him in tighter each time he was driftin' away). Matty didn’t pull away – he was all in for two weeks, until he chose to ghost her, and leave abruptly. There was no slow death, no push and pull to her relationship with Matty – it was a meteoric rise and fall.
The Albatross
This song feels like a sister song to “peace” – she describes what it’s like to love her. It’s a little more twisted, however, as she describes her love for her partner as both a danger, and a rescue from the danger she’s imposing on him by being involved with him:
Wise men once said
"Wild winds are death to the candle"
A rose by any other name is a scandal
Cautions issued, he stood
Shooting the messengers
They tried to warn him about her
She’s described herself as wind and liquor in her relationship with Joe previously, in Mastermind:
I'm the wind in our free-flowing sails
And the liquor in our cocktails
She has empathy for the narrator, but disdain for herself. There’s also acceptance though: she knows that she tried to prevent it, and tried to warn him about the danger she posed. In the end though, he chose this life with her, and he chose the danger – there’s only so much she can protect him from.
The devil that you know
Looks now more like an angel
I'm the life you chose
And all this terrible danger
Chloe or Sam or Sophia or Marcus
This song feels like another sister song to The Black Dog – how does she cope with the idea that her long-time partner might move on? How does she cope with the fact that if she chooses to leave, she also chooses the future in which they both move on? A future in which they don’t know each other? It also touches on her wondering if she should move on with Matty, and how feasible it would be to know someone else instead of her partner:
If you want to tear my world apart
Just say you've always wondered
This song, more than anything else, illustrates that moving on with Matty was nothing but a way to move past Joe – what she really wants, more than anything, is a response greater than indifference from Joe:
As the decade would play us for fools
And you saw my bones out with somebody new
Who seemed like he would've bullied you in school
And you just watched it happen
There’s also the realization that Joe may never love who she is now – who she was at the beginning of their relationship will always be who he prefers:
If you want to break my cold, cold heart
Just say, 'I loved you the way that you were'
She’s trying desperately to find some way to make up for the fact that she had to leave Joe, that there was nothing she could do to stay – she tried changing everything about herself, but still, the need to leave him eventually caught up with her:
I changed into goddesses, villains and fools
Changed plans and lovers and outfits and rules
All to outrun my desertion of you
And you just watched it
And she wonders whether despite his indifference, and the distance between them, she should still stay:
Could it be enough to just float in your orbit
Can we watch our phantoms like watching wild horses
Cooler in theory but not if you force it
To be, it just didn't happen
But now, they are merely ghosts of who they once were – it’s not possible to force the relationship anymore.
How Did It End?
When a long-term relationship ends, you can point to the factors that led to its demise: a difference of opinions on money, on marriage, on children, and so forth. It is easy to determine the “what” and the “why” of an ending. But what is harder to diagnose is how you both became the versions of yourselves that weren’t on the same page, that were unable to discuss these topics, that couldn’t move past these dilemmas. That is much, much harder to pinpoint, and this is the question Taylor asks in this song. She knows what killed them:
We hereby conduct this post-mortem
He was a hot house flower to my outdoorsman
//
We were blind to unforeseen circumstances
We learn the right steps to different dances (ohh)
And fell victim to interlopers' glances
Lost the game of chance, what are the chances?
But what she still doesn't know is how it happened – how did it end? She also finds the empathy from the media and from the public to be false and selfish – they only want to know what happened to feverishly spread the news like wildfire.
Come one, come all
It's happenin' again
The empathetic hunger descends
We'll tell no one
Except all of our friends
We must know
How did it end?
//
Soon they'll go home to their husbands
Smug 'cause they know they can trust him
Then feverishly calling their cousins (ohh)
//
Say it once again with feeling
What the feeding frenzy wants more than anything is gossip, and they don’t care that she is utterly lost – lost as to why this happened, and lost physically and mentally:
Guess who we ran into at the shops?
Walking in circles like she was lost
How does she give an answer to quell the empathetic hunger, when she herself doesn’t understand exactly how it happened?
So High School
In an album that touches so much on feeling like she’s running out of time to have the future that she wants, and running out of youth to give the various men who come into her life, it is interesting and heartwarming that the song about Travis on the anthology is one that describes being with him as regaining her youth:
The brink of a wrinkle in time
Bittersweet sixteen suddenly
Moreover, another detail to note in this song is the difference in how she describes alcohol and drugs – in nearly every other song on TTPD, alcohol is a vice she uses in her moments of despair, and drugs are what her previous partners turn to in their moments of strife (she also describes the influence of drugs on her partners as something she detests – “sinking in stoned oblivion” and “you needed me but you needed drugs more”). With Travis, she’s not imbibing in any substances – instead, his thoughts and jokes are enough for her:
I'll drink what you think, and I'm high
From smoking your jokes all damn night
Travis is giving her back her youth, making sober promises, and the impression that we get is that they’re building this dreamlike reality together – it’s wholesome, all-American, and high-school-inspired, yet still grounded in something tangible, unlike the promise of fate and destiny, which powered her relationship with Joe and her entanglement with Matty.
I Hate It Here
More than anything, I think this song illustrates how Taylor sometimes uses escapism and maladaptive daydreaming to ignore the reality of the situation she’s dealing with. She recognizes that it’s not possible to stay where she is, locked inside this prison of stagnation and boredom:
If comfort is a construct
I don't believe in good luck
Now that I know what's what
She recognizes that this isn’t what she used to be, and that she never intended to choose this life of secrecy, perhaps alluding to all those years she spent “locked inside her house”:
You see I was a debutante in another life but
Now I seem to be scared to go outside
She describes herself as finding hope in the places her mind creates (seemingly alluding to her creation of characters and places for folklore and evermore):
I hate it here so I will go to
secret gardens in my mind
People need a key to get to
The only one is mine
I read about it in a book when I was a precocious child
And her escapism into her past, and imaginings of what could have been:
I hate it here so I will go to
Lunar valleys in my mind
When they found a better planet
Only the gentle survived
I dreamed about it in the dark
The night I felt like I might die
All throughout the song, there’s recognition that she doesn’t want to be here – she doesn’t want to feel as if the only place she can be free is in these imaginary worlds she creates. But there’s also concession – is she perhaps only destined for an eternal consolation prize? For loneliness? For imagined romanticism? For the fantasy of how she imagined her life and her love to be?
I'm lonely but I'm good
I'm bitter but I swear I'm fine
I'll save all my romanticism for my inner life and I'll get lost on
purpose
This place made me feel worthless
Lucid dreams like electricity, the current flies through me,
and in my fantasies I rise above it
And way up there, I actually love it
​​thanK you aIMee
This song, along with a few others in the latter half of the anthology, discusses the loss of innocence she felt in key moments of her life. This one quite obviously alludes to Kim Kardashian, and their infamous feud. I will make a separate post on this, but I think people describing this song as petty may not remember the depth of the hate aimed at Taylor in 2016. Kim and Kanye organized a revenge porn music video for Famous, and held a museum exhibit so that people could take pictures with the naked dolls. The night the snapchat videos were released, every Kardashian family member descended upon social media to gleefully celebrate the #TaylorSwiftIsOverParty. The amount of hate Taylor got was so unprecedented that Instagram actually built their comment filtration system because of this incident. It really was that bad.
And every baby step Taylor took (for example, even just posting that she had a good 2017 was met with immediate media backlash) was quite literally mocked across the internet. People thought the reputation era was cringey, that she was over, and that she deserved everyone’s ire because she was “proven” to be a liar. She describes this in the song:
Each time that Aimee stomped across my grave
And then she wrote headlines in the local paper
Laughing at each baby step I'd take
And it was always the same searing pain
But the whole time, despite the pain and blood, she was dreaming of the day that she would heal, and dreaming of the day that she would climb her way back to to the mountaintop:
And our town, it looks so small from way up here
//
So I pushed each boulder up that hill
Your words were still just ringing in my head, ringing in my head
What still irks her though, is that this bully who created this entire hate train and organized her downfall will pretend as if it never happened – she will undoubtedly reframe things to make our subject seem overdramatic, petty, and unable to move past the incidents of years ago. Taylor, however, has always been clear about one thing: sometimes, no amount of time can heal you from something that deeply traumatized you.
I Look in People’s Windows
This song to me feels like a sister song to The Black Dog, but a few months after the official end of a relationship. A sub theme that runs through Taylor’s songs about the Joe breakup is the loss of being understood – when you are no longer with a long-term partner, how do you cope with the fact that you move the world knowing everything about this person, but at the same time, not knowing them anymore? Would you peek into their windows just to get a glimpse of what their life looks like now? As anyone who has gone through a breakup knows, the hardest part is often not being privy to the mundane details of that person’s world – their dinner parties, their wine, their friends, and so on.
I look in people's windows
Transfixed by rose golden glows
They have their friends over to drink nice wine
I look in people's windows
In case you're at their table
What if your eyes looked up and met mine
One more time
The Prophecy
The prophecy is devastating. More so than any other song Taylor has ever written, it is full of desperation and longing. All she asks for is to be known, to be understood – to not be perceived as an idea of a woman, or a starlet with no humanity:
Please
I've been on my knees
Change the prophecy
Don't want money
Just someone who wants my company
Let it once be me
Who do I have to speak to
About if they can redo
The prophecy?
It’s striking especially considering how much she laments that leaving Joe means she’s giving up being known – it’s also striking given the fact that in the epilogue poem, she states that neither Joe or Matty ever truly knew her:
He never even scratched the surface
of me.
None of them did.
What she desires beyond fame, beyond notoriety, beyond money, is to be loved and to be known. The song also alludes to her being in therapy, and to finding some sort of consolation that she will find someone to share her life with:
I'm so afraid I sealed my fate
No sign of soulmates
I'm just a paperweight
In shades of greige
Spending my last coin so someone will tell me
It'll be ok
Cassandra
This track is a sister song to ​​thanK you aIMee, and continues exploring the theme of fraught public womanhood we see in Clara Bow and Who’s Afraid of Little Old Me. In this song, Taylor discusses how the validation of women is never publicized in the way that the crucifixion of them is:
When the first stone's thrown, there's screaming
In the streets, there's a raging riot
When it's "Burn the bitch, " they're shrieking
When the truth comes out, it's quiet
Moreover, when women speak up about an issue, they’re often viewed as overdramatic, and unserious. Cassandra, in Greek mythology, was cursed by Apollo to always predict the future accurately, but never be believed. We see this happen every day to women in politics, in the media, and in pop culture:
So, they killed Cassandra first 'cause she feared the worst
And tried to tell the town
So, they set my life in flames, I regret to say
Do you believe me now?
And for Taylor, it’s reminiscent of all the times she’s been the first to speak out about something in the industry – for example, against Scooter Braun and his well-established pattern of bullying, or of the exploitation of artists on streaming services – but never been supported broadly by her peers. They believe her later, but at that point, very few people give her the credit for speaking up in the first place. It’s reminiscent of the Kimye scandal. When the news broke originally, the hatred she received was widespread. But when she was acquitted by the long-form video that leaked, it didn’t receive anywhere near the level of coverage that the original scandal received.
Peter
Peter is another song that touches on both the male muses for this album, and in turn, on the promises various men have given her over her life (we’ll circle back to this in The Manuscript!). It also touches on the theme of waiting that’s seen throughout this album, especially on her songs about Joe – how much time is enough time to give?
Both Matty and Joe were 25 when they met her, and it’s abundantly clear that both men made promises to her: promises of marriage, of children, and of a future. But how long can she wait for these promises to be fulfilled? To Joe, she gives six years of her life and youth, and to Matty, she gives him a chance to prove that he was reformed from the time she knew him last: both men eventually fail. Neither man is ready to give up their childish whims, and she has no choice but to lose hope that either of them ever will.
And you said you'd come and get me but you were 25
And the shelf life of those fantasies has expired
Lost to the lost boys chapter of your life
Forgive me Peter, please know that I tried
To hold onto the days when you were mine
But the woman who sits by the window has turned out the light
Another thing to note is the interesting double meaning of the song title. To peter also means to diminish gradually – much like her faith in both men’s promises.
The Bolter
A lot of the songs Taylor has written about Joe in this album deal with the question of “when is the right time to leave?” When you know that things are stagnant, and you know that you’ve given everything you have to a relationship, you know that you have to leave – but it’s easy to convince yourself if you have a history of “leaving before you get left” that you should ride out this wave, and that this pain might just be temporary.
The Bolter, to me, reflects on Taylor’s history – it seems like she prided herself on being able to see the warning signs, and being able to get out in time.
She's been many places with
Men of many faces
First, they're off to the races
And she's laughing drawin' aces
But, none of it is changin'
That the chariot is waitin'
Hearts are hers for the breakin'
There's an escape in escaping
It’s relevant to TTPD, because likely, she saw not bolting as a sign of growth and maturity. You know that you’ve grown as a person when you don’t abandon ship at the first sign of trouble, but what if there are so many signs of trouble that the truly mature thing to do would be to leave?
Robin
Robin leads into this theme of childhood and innocence that we see further in The Manuscript. The track name is also the name of Aaron Dessner’s child. She ponders how beautiful and sweet it is that we work so hard to protect childhood naivete:
Strings tied to levers,
slowed down clocks tethered,
all this showmanship
To keep it, for you,
In sweetness
And there’s an element of wistfulness to it – don’t we sometimes wish that we could also be protected from the worst the world has to offer?
You have no room in your dreams for regrets
You have no idea
The time will arrive for the cruel and the mean
You'll learn to bounce back just like your trampoline
But now we'll curtail your curiosity
The Manuscript
This song is perhaps the most climactic song on the album. It covers her romantic history up until that point, and starts at the moment she feels everything went awry – and it predates Joe and Matty. Instead, it calls back to the first time she experienced a proper heartbreak, and the first time she lost her childlike innocence in the world – her relationship with Jake Gyllenhaal (a time she described as her transition from childhood to womanhood). She describes how they compared licenses, and how he told her that if they had sex, and it was as good as the conversation was, then they would get married, and have a family. He was the first man to make her these promises:
He said that if the sex was half as good as the conversation was
Soon they'd be pushin' strollers
But soon it was over
He tells her that it’s ok that they have an age gap, because she’s so advanced for her age:
She thought about how he said since she was so wise beyond her years
Everything had been above board
She wasn't sure
While dating him, she desperately wants to be older, and starts emulating his behavior:
In the age of him, she wished she was thirty
And made coffee every morning in a French press
And when it’s over, she regresses, and turns back into a child – unable to sleep alone without the comfort of her mother, and unable to eat anything substantial besides the sugary cereal of her youth:
Afterwards she only ate kids' cereal
And couldn't sleep unless it was in her mother's bed
She forces herself to date boys her own age, to not rely on the maturity of an older man to guide her through adulthood, but she can’t help but feel disappointed in their youth:
Then she dated boys who were her own age
With dart boards on the backs of their doors
Finally, as she creates the All Too Well short film, she recognizes the damage he did to her, and how the consequences of that affair have shaped her life since:
And the years passed
Like scenes of a show
The Professor said to write what you know
Lookin' backwards
Might be the only way to move forward
Then the actors
Were hitting their marks
And the slow dance
Was alight with the sparks
And the tears fell
In synchronicity with the score
And at last
She knew what the agony had been for
Everything calls back to this first man, and these original promises – everything she’s been chasing since is reminiscent of this first scar. And just like how releasing All Too Well transformed and healed her, she hopes that by releasing this additional manuscript into the world, it will heal her again. As she describes in the epilogue poem, she is entering all her thoughts, emotions, and pain into evidence – she now asks the audience to process it with her, and thus conclude this process of healing.
The only thing that's left is the manuscript
One last souvenir from my trip to your shores
Now and then I reread the manuscript
But the story isn't mine anymore
If you read all of this - thank you! I enjoyed writing it, and I'm excited to discuss with you all in the replies :)
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2024.06.02 06:51 jellybearxxbean DAT-Avg Sciences, super low RC. Retake?

DAT-Avg Sciences, super low RC. Retake?
I took DAT about a week ago and bombed RC with 17. I’ve been getting AA 24s with high sci scores ranging 25s on Bootcamp and Booster so I’m extremely disappointed. On the actual DAT, their wording just tripped me up so much especially on bio and chem but maybe that’s because my reading comprehension skill sucks hence a 17 on RC lol. At this point, I don’t even know if RC can be studied - been getting 20-21s on Bootcamp and Booster for reading btw but maybe I’m not a good standardized test taker.
My dream schools are UCLA, UCSF (in state resident), USC, Columbia and UPenn.
I have solid ECs and other portions of application and currently doing research at UCLA SoD but I graduated from UCLA 2020 with ~3.6 gpa.
Do I even have a chance for any of those schools? I’ve heard that RC is a big indicator of one’s success at dental schools and ivys or competitive dental schools care so much about RC which makes me so depressed I don’t even know where to even start. I’m thinking of just taking another gap year and retake DAT while taking some upper div recommended classes.
Or should I just lower my standard and apply to private schools and not waste my time anymore?
I appreciate your time and advice. Please please let me know what you guys think. Thank you!
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2024.06.02 06:00 Direct-Caterpillar77 Planning to ghost him after finding out he’s cheating on me

I am NOT The OOP is u/RAkindoflosthere
Planning to ghost him after finding out he’s cheating on me
Originally posted to Infidelity confessions rant self
TRIGGER WARNING: infidelity, property damage, emotional manipulation, mentions of sexual assault
Planning to ghost him after finding out he’s cheating on me March 4, 2022
Found out my boyfriend was cheating a few weeks ago. Been spiraling since. Literally only running off of vengeance and pure disgust.
I got this weird gut feeling and checked his phone while he was asleep. Those 20 minutes locked in the bathroom felt like years, and the shame keeps me from talking to anyone about it. I moved across the country to be with him, so I’m all alone. No friends or family here.
He woke me up the next morning with kisses and breakfast and has been doing so a lot, lately. Probably the guilt.
He even bought me flowers for the first time ever. After me hinting at wanting them for years.
He thought my quiet crying was out of happiness. He even brought up buying a house for us, something with enough space for potential future children.
I’m still going through the motions. Making his breakfast and protein shake everyday, packing his lunch, making sure dinner is almost ready when he comes home from the gym.
What makes me the angriest is that I really, genuinely thought he wouldn’t do something like this. He watched his father cheat on his mother and father children out of their marriage, all while she struggled with infertility her entire life (my partner isn’t her biological son) and never had her own. She dedicated her life to the two of them and passed away of ovarian cancer shortly before we met.
Sometimes I think about whether she regretted staying with her husband or not. We have a small shrine in her honor and something makes me look at and expect guidance. I love the man she raised and hate the one her husband did. But they’re both him, and he’s a grown ass man more than capable of self control, so I decided to walk away.
Next week my car will be picked up and shipped back home, and I got first class tickets for me and my dog on his dime. He’ll come back home from work and everything I brought will be gone, along with me.
The only thing I think I might regret is not somehow being able to see his reaction when he walks through the door and realizes what’s going, lol.
RELEVANT COMMENTS
Future_Ad8467
I'm sorry you're going through this. It's the hardest thing to let go. As hopeless as it can feel sometimes, it does get better. Take your time in the beginning, but I think it's therapeutic to confront him, eventually. Ghosting doesn't provide closure for you. In my experience, confronting the problem, head on, gave me a sense of closure. I try to take everything that happens as a life lesson. Good luck with everything
OOP
I personally don’t believe in closure. I got all that I needed when I realized he was untrustworthy
~
Odd_One_9972
Do you have access to his phone/computer? Install a keylogger, then you can not only see what he's saying to you, but to the other APs as well. I put a keylogger on my ex's phone/computer when I caught him cheating. He was such a dumbass, and seeing the shit he was saying, the lies he was spewing, made me grateful I dropped his ass.
OOP
I do, but I don’t think it would make a difference for me. His entire “relationships” with the APs was lies.
Everything from his name, age, college degree, occupation, city, height, and dick size. He even told one he was married and his wife was pregnant with twins. I almost had a heart attack thinking I was an AP too and he had a family out there somewhere.
~
Suspicious_Bear_6634
If he can go after you, you should probably leave a note or a sign that you're leaving him because of his cheating. Seeing that you up and left without a known reason (from his pov) might push him to follow you home. If he knows the reason and knows that he has no chance in hell in getting you back, it might delay a possible confrontation.
OOP
you’re right. I’ve been considering just leaving a sticky note with a list of all the different girls names and the apartment key beside it. Simple and effective
Suspicious_Bear_6634
Fuck, multiple girls?? Draw a little middle finger beside them while you're at it. And make sure there are little to no supplies (food, toiletries, cleaning stuff) left and leave the house dirty so that he can appreciate how much you did for the asshole.
OOP
7 of them to be precise. I’ll have to rush and get out within a certain time frame but I might just settle for shrimp in the curtain rods. He’s really sensitive to smells lol

I lied to my boyfriend everyday and saved the money he gave me March 4, 2022
Almost every day my boyfriend sends me money for lunch, gas, something. I thought he was just really kind. Turns out he was cheating and giving me $$ made him feel less guilty, as though he didn’t beg me to move across the country with him where I know no one.
Once I found out I wanted to immediately confront him but was scared of the outcome since the apartment was only in his name and again, I know no one here.
Now I just save every dime of what he sends to be able to pay for the $3000 moving fees to go back home without hurting my own pocket too much.
Breaking my heart, destroying my ability to trust & scaring me off from men I can handle, but messing with my finances? Nah. never.
The transport company is coming next wednesday to take my car, and my plane tickets for me and my dog have been bought. Gonna keep up my happy act and do the usual cooking of dinner and scrubbing his back and poof on Wednesday like I never knew him. Its the only form of revenge I could do that wouldnt haunt me. Good riddance!

Edit: A few asked for details. There’s 7+ other women, everything he told them was a lie. Name, age, height, city, occupation. All of it.
The only common denominator was that he bought us all the exact same lingerie set for his birthday in January. 🙃 And specifically requested I hang it up in our closet where it’s viewable. Forgiveness is not on the table. He’ll be surprised, but I doubt he’ll be hurt.
RELEVANT COMMENTS
purejones
I look forward to it, how did you find out if it’s not too personal?
OOP
Woke up randomly in the middle of the night and “he’s up to no good” was all I could think about. I sleep like a literal baby and never, ever wake up like that. Took his phone and locked myself in the bathroom while he was asleep and found it all.
Friendship break ups are so much worse than relationship breakups March 5, 2022
I’ll be single again pretty soon and I’m looking forward to it but also not. Like yay! I finally can cook when/how I want to and don’t have to split chores and can do everything on my own my way.
But thats the only good part.
I’ve been on my own since I was 16 and I’ve turned out (mostly) fine, I have a paid off house and car, cute dog, debt free, and I’m finishing up my masters degree at 25. It could be worse.
But I’m lonely. I’m not on speaking terms with my family and had a huge fall out with my lifelong friends a couple years ago. I haven’t tried making friends since bc part of me hopes one day I can find a way to fix that friendship.
Plus I’m moving around so much that making friends is pointless. I’m not good at long distance anything.
I never prided myself on romantic relationships- sure, they’re cool, but a loving group of women was always where I found the most peace and understanding and that’s what I want the most.
I guess I’m just going through things right now and I really wish I had people I trust to talk to. Friend breakups hurt the most.
RELEVANT COMMENTS
OOP when asked how she had a house at a young age
OOP
Neither. I lived with my friends and their parents until college started. Already had a scholarship. Just worked 3 jobs until I was 22 and lived frugally.
~
Dufusbroth
The maths for time and money aren’t working out on this end but there is also a lot of variable/info that is missing.
It took my 7 years to payoff my house and I was contributing to it like it was an emergency. Qualifying for a home and paying it off in that amount of time without help seems nearly impossible. I’m so curious about the formula here! I need a lesson in finance from OP. When I broke it down on it just doesn’t seem possible except from a financial windfall counting even a frugal cost of living along with an accounting for taxes paid, etc… and that did not include the cost for transportation, medical, groceries, blah blah blah
OOP
The house was a 70k foreclosure and is 4bed/4bath. I was a golf caddy, gentlemen’s club bartender and occasional hostess, and notary signing agent. Along with selling stationary items on etsy. Also my scholarships paid for quite a bit of my home in general- they never specified what kind of housing for them, just housing. I lived in 1 room and rented out the other 3.
Dufusbroth
That’s the info I was looking for- thanks you! That is very smart. Good going! Good luck with your situation- so interested how he reacts to your departure
My current relationship has made me realize the thin line between love and hate. March 9, 2022
I found out my boyfriend of almost 4 years was cheating. We’ve lived together for 2 years and I’m leaving him tomorrow. He just doesn’t know yet. And won’t until after I’m gone.
As mad as I am, as betrayed as I feel, I still love him. All I really want is to wake up tomorrow and this all be a nightmare. I don’t enjoy this slice of reality.. that the person I loved the most has looked me in my eye and lied to me for who knows how long.
and every time I do it I’m left wondering how many times he did it. How many times did he wine, dine, and fuck other women and come home to me? How many times have I been the stupid girlfriend who trusted her boyfriend blindly? How many times have I been some woman’s laughing stock? Did he fuck us back to back? Did his friends know? Did they look me in my fucking eye and really not say anything? Did he love them? How many times did he tell me he loved me and meant it? When did he stop meaning it? Did he ever even mean it the first time?
I’m not a master manipulator. Unlike him. I’m just composed because I’ve never had any other choice. Emotions got you beat or worse when it came to my parents and I’m more than aware I have a shitload of trauma to unpack but I can’t.
Not in the self pity, woe is me, its too hard, but no. I probably just can’t. Therapists here are wildly westernized and once I start with the short list they’ll probably just charge me double. Maybe triple. And the last time I tried he kept trying to convince me I enjoyed my own assault.
Maybe I got cheated on because I’m emotionally inept. My intimacy levels are quite limited. The few times he asked about my childhood I either a) brushed him off or b) told him one thing I thought wasn’t that bad and he was so shocked I held out on the actually bad parts.
And that’s where the hate comes in. He knows what it’s like to grow up feeling unwanted. He knows what it’s like to lose your parents young. He knows what it’s like to feel like your entire life has been horrible event after horrible event.
But he still did this to me and I don’t get how he could. I could never cheat on anyone, let alone someone who’s shared such personal things with me.
I haven’t so much as made eye contact with another man since we met… other people were just other people and we were us.
I don’t know. I just don’t see being able to date again. I had deep seeded trust issues long before this and growing old by myself with 30 cats genuinely sounds nice. Hell, great even. At least I won’t always be wondering when the betrayal will come.

(Update) Leaving partner of 4 yrs after finding out he was cheating March 10, 2022
Transport company came and picked up my car. Sold whatever big furniture I brought for low prices. Took his dog to the park and played with him a bit, got him a dog cupcake and took him back to the apartment.
Movers started coming for the rest of my stuff and I hadn’t prepared for our property manager thinking we were both moving out and we hadn’t given them the required vacancy notice. She came to talk to me right as my uber was coming and I told her what was going.
Unfortunately they had already called him bc only his name on the lease. He’s called and texted me a few times but I haven’t replied. His work day won’t be over for a couple of more hours.
I left my apartment keys, and anything he’s ever bought for me that I hadn’t sold already. Didn’t feel like taking that stuff with me. While packing I remembered we bought a pet camera that shoots treats on the entertainment center and turned it back on. I promised myself I’ll disconnect from it by midnight tomorrow but I have my own predictions about how he’ll react and I just gotta know for sure. Yeah, it’s fucked up. Sue me lol
I actually forgot to leave a note and was running out of time before my uber came and just left the lingerie set he was so obsessed with on the bed. He’ll figure it out eventually. Or not.
I’m at the airport now with my dog and just waiting on my flight. I wish I could say that I feel free but I don’t. Just tired.
Thank you all for the well wishes and thank you more to all of the other women who reached out with similar stories. I think I might’ve caved and stayed if you all hadn’t.
RELEVANT COMMENTS
Suspicious_Bear_6634
What did he say on the text when they informed him that things were being moved out?
*OOP
Just that he got a call from property management and asked if I ordered something big and if anything was going on.

Pet Cam Update March 14, 2022
Update: I turned it on for about ten minutes after I got back to my home and unpacked. He wasn’t there, but everything was a mess. There was a hole in the wall, furniture flipped over, papers everywhere, the kitchen looked like a tornado went through it.
I deleted all of my other social media accounts but didn’t block his number. The first two days he called me over 200 times. Lots of novel ass text messages and him admitting to some shit I didn’t even know about yet. Quite a few calls from his dad and friends too.
I didn’t reply to any of them
THIS IS A REPOST SUB - I AM NOT THE OOP
DO NOT CONTACT THE OOP's OR COMMENT ON LINKED POSTS, REMEMBER - RULE 7
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2024.06.02 05:48 _Mad_Maddy My Take on the Indigo Park Lore Part 2!

PRESENT
This is Part 2 of 3, the Present, in game events we see! Onwards!
The Protagonist is some sort of content creator, one that goes to abandoned or forgotten places and "searches" them, as can be gleaned from the cameras facing the protagonist on his desk, and his conversation with a certain Laura, or LSparks53 (there's also an error in this Harmony tab, with one of the messages from Laura reading as from LauraSparks53 instead of LSparks53. Just a note). This Laura helps our protagonist, who goes by the username of eEnsign. His profile picture are the letters UF, which is weird, since it doesn't match the username, nor what Laura calls eEnsign: Ed. Anyways, I digress. From now on, I'll call the protagonist Ed as well. Laura helps Ed get footage of these places as per the conversation.
eEnsign: "Hey Laura! I'm doing another search this weekend! Wanna come with me?"
LSparks53: "The last few times I've gone with you SUCKED LMAO."
eEnsign: "Remember that old theme park we went to see as kids? Indigo Park?"
LSparks53: "yeah? I kind of forgot about that place? Been closed for a while, right? how would you even get in?"
eEnsign: "Honestly, I don't know. I'm not even gonna bring my equipment. Jump a fence of something? We've done worse lol”
LSparks53: "aight, well just be careful. I'm gonna pass on this one. if you can get in i'll go with you to help record some other time. i'm looking it up now and there's like NO info online about it. probably swarming with cops too."
eEnsign: "I guess we'll find out! I'll check it out, maybe we can go together next week?
Lsparks53: "just be careful, Ed. I don't want to be paying your bail."
And with that conversation, we learn that these two are like a dynamic duo of sorts, having some sort of channel or website where they post footage of places lost to time and "search" them, breaking laws of trespassing and such, apparently also having "done worse", whatever that means. Maybe they took a few things from the place, so burglary? It's never specified. Probably burglary, though, considering that Ed has taken to collecting all sorts of plushies and such from Indigo Park.
What I want to point out is how weird this Laura person acts. As soon as Indigo Park is mentioned, Laura instantly seems to dislike the idea, but never directly says it. Instead, she becomes reluctant to go with Ed, despite having done worse, as Ed puts it. Perhaps she's just cautious, and based on her last sentence, they haven't been caught before, or else she would have said "I don't want to be paying your bail again."
However, I don't think that's the case. Remember when Laura said she looked up Indigo Park and found nothing? Well, we know the website is still up and running, or at the very least, Ed used some sort of service like the Wayback Machine to pull it up on the right most monitor on his desk, which can be seen in the opening cutscene. On it, there's even an option to purchase tickets still, which is incredibly weird, which I'll also go into later on. Why would a defunct theme park need a still running website? After all, if you evacuate everyone from it with no explanation, wouldn't you want to get rid of all evidence of it? If not destroy the property outright, then at least take the website down. Again, digressing, the point is that Laura didn't find this website ... or she did, but didn't say anything.
Again, this is purely speculation at this point; I mean, the two of them have broke into a few places trespassing and recording and documenting abandoned places at least a few times for the internet, and maybe she really is just that cautious, worried about being imprisoned and charged for trespassing, and even attempted burglary.
And it seems like Ed is asking the same questions we are. Behind the Harmony tab is a notes tab with several questions such as "Why did it close?" and "What is left?", among a few others that are cut off. The next question seems to ask "Is it still" something. Seems like Ed and us are in the same boat. Hopefully we can help each other out.
Regardless, Ed ends up climbing the fence and enters the closed off Indigo Park, where dozens of crates stamped with the Indigo Park logo, along with trash, can be seen. Walking around, the main gates are closed off, and one of the doors seem to open on their own, allowing Ed entry into the Registration Center, a desk with a few monitors where a Rangler would sit and check Ed in.
Inside, the Rambley AI comes to life, noting that Ed is the first person there in just over eight years, before directing us to the previously mentioned Registration Center. It is revealed here that AI Rambley has access to the cameras (both computer cameras and CCTV cameras), where he notes that Ed isn’t on the guest list, probably because he snuck in, and didn’t pay for his tickets. However, what stands out as odd is that Rambley doesn’t recognize Ed at all, asking if he was here for the first time. We know that it’s most definitely not Ed’s first time here, but it’s unclear if AI Rambley doesn’t recognize Ed because he grew up, or the registration process requires a photo upload.
Rambley AI: "Hm, I don't seem to have your face in the guest list. Is this your first time here in the park? Or did you just get plastic surgery?"
From here, Ed’s directed to go through the gates, but both AI Rambley and Ed realize that the gates are not open and are instead sending an error message. Going back to the Registration Center, Ed finds and replaces a missing gear, and the gates finally open, from where Ed is free to explore. He’s directed to the Critter Corner, where he receives a Critter Cuff to enter certain areas, and the park, from where he’s directed to Rambley’s Railway to get to know most (poor Salem) of the characters. A massive statue of Isaac Indigo and Rambley can be seen at the entrance.
As Ed makes his way through to Rambley Railway, it’s clear that the park is not in the best condition. Ransacked gift stores, empty cafes with rotting food and festering drinks, tunnels collapsing at the drop of a hat, and weeds spouting everywhere even disconcert the AI Rambley, who tries to shrug off the state of the park by claiming renovations, but it’s clear he’s unsettled with how empty and broken the park is. We’ll cover that later as well.
On this ride, Rambley introduces us to everyone, except for Salem, indicating he’s friends with everyone except her and Lloyd, for whom he has … let’s a bit of distaste for. He’s shown to be sarcastic and snippy with Lloyd, but even his supposed friends aren’t safe from his occasional jabs.
Rambley when speaking to Mollie Macaw: “You sure are [the best pilot you ever saw], Moll! Why, you only crashed into six barns this week!”
Mollie: “I’m not crashin’, Rambley! I’m barnstormin’!”
Rambley: “Haha! What’s barnstorming?”
Mollie: “It’s crashing, with style! I-it barely hurts at all!”
The stutter in Mollie’s audio is what interests me. It could be interpreted as a glitch, which is certainly possible. The park hasn’t been maintained in eight years, and it is falling apart. But it could also be interpreted as Mollie losing her characteristic confidence, upset that Rambley seems to be so keen on pointing out her failures in her hobby sphere.
Rambley, when speaking to Finley the Sea Serpent: “Why the long face? And body? … Oh Finley, you should come out of YOUR shell!”
Finley, in response. “How about YOU come into it instead?”
I would also like to note AI Rambley’s interaction with Finley’s plushie.
AI Rambley: “Ooh, you found my buddy Finley! You know, he’s really shy, like, TOO shy, like OBNOXIOUSLY shy, but he’s got a good heart.”
I want to point out the fact that when Rambley speaks about how shy Finley is, he doesn’t seem to be doing it in a jesting way. In fact, he seems genuinely annoyed with how introverted Finley is, to the point where you can hear it in his voice, and he also uses his annoyed model with slanted eyes when mentioning it.
There’s also a note here that, apparently, Rambley and Finley have known each other for over 100 years, though it’s unclear if this is actually real information, or just something the creators of the ride decided to include for the fun of it.
And another thing. At the very end of the Finley section, Finley hopes that the rider will actually visit him and Oceanic Odyssey, because he’s lonely. Why should he be lonely? He’s friends with Rambley and Mollie, at the very least. Is it because he lives on the bottom of the ocean? Or for other reasons?
Ed then reaches Salem’s area, which is noticeably, horrifically destroyed, a splatter of something bright red front and center. This is where the ride breaks down, and Ed’s required to go and fix it, before continuing onto Lloyd’s area.
I’d like to stop the story to consider the state of Salem’s area; why is it so destroyed? I’m going to avoid thinking of the red splatter as blood, to be honest, but we do know that the Mascots bleed red, thanks to Mollie Macaw. In my mind, there are three potential perpetrators.
The first two are noticeably weak connections, and the reasoning isn’t 100%, so take it with a grain of salt. We know that all the characters received Mascots, so there are three of them that, in my mind, are capable.
The first is, admittedly, a bit weird: the Mascot of Salem. We know she despises Rambley and his friends (her relationship with Lloyd remains a mystery), so it’s possible that Mascot Salem was the one to sabotage her area, as a way of getting back at Rambley. Why her area only is admittedly a bit weird, so she’s not the strongest match. Another piece of evidence would be the smashed animatronic of Mollie. Again, we do know that Salem has used Mollie before by dumping her potions onto her and making Mollie Salem’s minion. Could she also have smashed the animatronic bird?
The second suspect is Mascot Mollie. She can be seen following Ed throughout the ride, and the whole park, for that matter, and we do know there is some bad blood between her and Salem because of the arcade game Rambely Rush. It would give motive for Mascot Mollie to do such a thing, and she’s the only Mascot running about Indigo Park that we know of; Lloyd remained in his theater, not pursuing Ed when he leaves. At the end of the chapter, when Ed enters Oceanic Odyssey, it’s unclear whether a robot or Mascot Finley appears in the aquarium, but he’s likely confined there as well. Mascots Rambley and Salem aren’t even mentioned once.
Now, this one is also kind of a stretch, but the only character that would have more reason to hate Salem more than Mollie is Rambley. They are clear nemeses (again, Rambley Rush), and have been for quite some time. While the AI Rambley is generally benevolent, but still with a sharp tongue, it remains to be seen what exactly the Mascot Rambley is like. His Mascot is still likely here in Indigo Park somewhere, one of the remaining two (Mollie being dead, unless there are several of each Mascot present, in which case this elevates the terror a few notches. Imagine being chased by seventeen Mascot Lloyds) besides Salem. He could very well be the perpetrator. However, I do have a bit of trouble explaining why he would wreck the Animatronic Mollie. Maybe because he knows it’s just a fake, and not the real Mascot Mollie?
However, there is one convenient detail that I have not mentioned. Remember the smashed Animatronic Mollie, and how we were questioning why she was wrecked in the first place? Well, she does offer us one clue. When Ed approaches the bird, Mollie flickers to life momentarily, her voice garbled and distorted until finally, she says this:
Animatronic Mollie: “Not Rambley! He hurts Lloyd! He hurts Lloyd!”
After that, poor Animatronic Mollie finally shuts off for good, her painted eyes devoid of the life she once had. Well, this certainly got interesting, didn’t it? Rambley hurts Lloyd? How? I mean, think about it! How would a raccoon actively hurt a lion? This isn’t like a honey badger situation; raccoons are much more vulnerable and weaker than honey badgers. What’s also interesting is her words themselves. Why would someone program an Animatronic Mollie to say this? We eventually find out that Mascot Mollie will memorize and be able to repeat words or phrases she’s heard, if Ed has the misfortune of being caught by Mascot Mollie later down the line. Is it possible that the same is true for the animatronics? And if so, does that mean that Animatronic Mollie was shouting bits and pieces out of context, or was it supposed to be something she was never meant to hear, and was thusly wrecked?
And even if this was out of context, that still opens up a major can of worms. Even if Rambley never hurt Lloyd, who is this ‘He’ that did hurt Lloyd? Keep this in mind until we reach Lloyd’s attraction.
Anyways, onto Llyod’s area. It’s clear that Lloyd and Rambley both don’t like each other, quite possibly because Rambley hates how Lloyd used to be number one, and Lloyd possibly because he’s not happy that he was replaced by Rambley as head honcho. Rambley, for his part, doesn’t really try to antagonize Lloyd, just wearily going through the ride and trying to get out as fast as possible here.
And that’s essentially it for the ride, AI Rambley suggesting Ed go visit Jetstream Junction. Careful observation would yield the fact that Mascot Mollie has been stalking Ed, studying him from behind the scenes, though she won’t end up being an antagonist until later on.
What’s interesting to note is that at the end, AI Rambley says this: “So, whatddya think? Pretty fun, right? Now you know all about my friends! And Lloyd …”
We know that Rambley cannot stand Salem, Rambley Rush made it quite clear. So, why refer to Salem as a friend? Why is her area so wrecked? Is it possible that AI Rambley has no reason to hate her, because he’s not aware of how often he’s pitted against her in media? But that would also mean that AI Rambley would have to be quite unaware of the media surrounding him, but he seems to know a lot about the history of the park. He still dislikes Lloyd, after all. And then that would beg the question if Mascot Rambley actually dislikes Salem enough to destroy her area in his ride. Too many questions that, unfortunately, there are no answers for. We can’t even see AI Rambley’s thoughts on Salem through a plush or anything, because there are no current collectibles in Chapter 1 that refer to her.
This is actually why I think one of the more intriguing aspects of ‘Birds of a Feather’ is Salem, and her ambiguous presence within the game. There aren’t even any posters in regard to her, unlike Lloyd or Rambley or Mollie or Finley. She’s just so wrapped up in mystery … anyways.
After finding out Jetstream Junction is locked away, AI Rambley sends Ed to Lloyd’s Main Stage Theater, where Ed first catches a glimpse of Mascot Lloyd, dozing on the stage. When Mascot Lloyd notices Ed, he runs into the back, and unfortunately, that’s where Ed has to go.
When Ed reaches the stage himself, AI Rambley tells Ed to be careful, because he has no vision of the backstage area, which is weird. AI Rambley seems to have access to the rest of Indigo Park, why is this area so special? It’s just storage, for the most part … and Mascot Lloyd, but AI Rambley still thinks they’re just as good as they were in their hay day, so he has no reason to be wary of the Mascots themselves until later. It’s true that it’s a Ranglers Only area, and we haven’t really seen AI Rambley in these areas before, so that could be it? Maybe because of his dislike for Lloyd? But then why give AI Rambley access to the stage at all? I don’t know, to be honest. Yet another question. However, AI Rambley does say something interesting.
AI Rambley, to Ed, regarding the behind the stage area: “Hey buddy. I got eyes all over the park, but I can’t see anything behind the stage. If you’re going back there be careful. Your Critter Cuff is not yet able to resuscitate you.”
Why should a Critter Cuff be able to resuscitate a person? From what I understand, it’s supposed to be like those Disney Bands that you can wear at parks, giving you access to different rides and such, even having complementary features of being a pedometer, mood ring, and a heartbeat sensor. This could either be a sort of tease to future upgrades Ed might be able to get in future chapters … or implies something darker. These Critter Cuffs were given to regular guests, for what purpose should they be able to revive someone from being unconscious?
Anyways, as Ed makes his way backstage, Lloyd makes some appearances, even once trying to attack Ed before being foiled by the massive boxes landing on him, causing him to slink away. Along the path, however, is something interesting. Binders, pages, even notebooks are scattered, almost like a bread crumb trail. I was never able to make out what they say besides some months like January, or vague Table of Contents with no explanation. Just thought it was weird. Food for thought. Grabbing the keys, Ed heads back, finding the door locked behind him. Trying to open the door yields an attack by Lloyd, who is strangely repelled by a high-pitched noise.
Now, from all that I have read, there seem to be two theories as for why Lloyd flees. The first cause is that Mascot Lloyd is driven away by the high-pitched beeping from the Critter Cuff. The second, and arguably more intriguing theory, is that someone blows a tamer’s whistle. A tamer’s whistle is a whistle used by tamers to direct animals, usually in settings like circuses where the animal has to perform some sort of trick or feat of athleticism. As it’s used more and more often, the animal learns to recognize the pitch, or duration of the shrill sound, associating it with a certain action that needs to be performed. In this case, the theory states that the tamer’s whistle caused Lloyd to fall back, before fleeing.
Now, while I think the tamer whistle theory is cool in concept, I don’t know who would be able, or more importantly, willing to save Ed from Mascot Lloyd. AI Rambley is not able to see what’s back here, nor should he understand what’s happening, so that removes him from the picture. Mascot Mollie is a possibility, perhaps wanting to save Ed for herself, as she’s seen stalking and watching Ed ever since Rambley’s Railroad, and even appears briefly in the hallway when Ed exits the theater backstage, but why want Ed for herself? They probably don’t need food, else they would have died, sweet pastries and sugary drinks present or not. They were left alone for eight years, after all. The thrill of the hunt would be the only explanation. And then there are our two unknowns, running about the park: Mascot Rambley and Mascot Salem. Could they have been the ones to do it? But why assume they’d act differently towards Ed? Surely they’d still be hostile?
And if the Critter Cuff was the savior, why was it ineffective against Mascot Mollie? Could it be because of the physiological and biological differences between Mascots Lloyd and Mollie? And why did it go off only when Lloyd was nearby? After Lloyd is repelled, the noise stops, after all. Was it the elevated heart rate that tipped off the defense mechanism? But again, surely it would have done the same when Ed would be chased by Mascot Mollie?
Remember what Animatronic Mollie told Ed with her dying breath? ‘Not Rambley! He hurts Lloyd! He hurts Lloyd!’ Could this be what Mollie was referring to? After all, Lloyd didn’t just run away; he collapsed a few feet away from Ed for a brief stint, paws pressing against his ears as Lloyd curled up into a fetal position, only running away when the high-pitched sound ended. Mascot Lloyd genuinely seemed in great pain, and was only able to run away, quite hastily, may I add, once the sound stopped. Was Rambley, AI or Mascot, the one who abused such a feature? Or was it someone else?
Remember, we have no idea why the Mascots turned hostile. Possibly due to a lack of exposure to humans, and thus claiming certain territories for themselves. After all, Mollie didn’t attack Ed until he entered her designated area. But then that brings into question Mascot Rambley. Where was he all this time? Rambley Railroad is his place, after all. But this isn’t Rambley’s only attraction in Indigo Park. At least one other location that we find that bears Rambley’s name is ‘Café de Raton Laveur’, which is French for Raccoon Café. Does that mean that Rambley owns other attractions, and is stalking those? It’s unclear.
Anyways, want to know another possible reason why there was a sudden evacuation with no explanation? What if the Mascots rebelled against the humans because of mistreatment? Think about it, Animatronic Mollie says ‘Not Rambley! He hurts Lloyd! He hurts Lloyd!’ What if Animatronic Mollie wasn’t referring to Rambley hurting Lloyd, but someone else? Someone who would want to design a special feature built into his Critter Cuff that he could activate and subdue, if not straight up hurt Lloyd? And who is the only other male character that we know of besides Rambley, Lloyd, Finley, and Ed?
That’s right, Isaac Indigo himself. This could very well be a case of mistreated creatures rebelling against the horrors they endured. Think about it, when in stressful situations, the mind, both human and not, is much more willing to go into fight or flight, is much more likely to punch first, question later. Is it possible that this Animatronic Mollie caught a snippet of a conflict that arose between the Mascots, when Mascot Mollie was trying to mediate? While this does go against the theory that Animatronic Mollie was destroyed by Mascot Rambley to silence her, it’s still a possible theory, no?
Again, these theories are very much a stretch, I just wished to lay them out on the table and offer them up for people to see and debate.
After grabbing the keys, Ed goes to Jetsream Junction, where Ed goes about exploring and solving some puzzles in order to progress further into the building, as it seems to be the only other place that isn’t falling apart and seems to be in somewhat stable condition. Inside one of the rooms is the Rambley Rush arcade game, and there is something interesting that Salem says in here.
Salem, speaking to Rambley: “Meet the new and improved Marley Macaw! Now with none o’ that ‘friendship’ garbage stopping her from tearin’ you to pieces. I wonder what she REALLY thinks of you now? Have fun finding out!”
Now, this could just be me overanalyzing this thing. It’s our only reference to Salem, and some of the things I cite as evidence could very well just be regular dialogue for an arcade game. However, on the off chance that this means something, I was very interested in what Salem said about what Mollie thought of Rambley. She makes it seem like Mollie is under some sort of illusion in regard to Rambley, like he’s a villain masquerading as a good guy, but has everyone around him convinced he’s good. This could tie in with the broken Animatronic Mollie, as if Mollie found out about some truth in regard to Rambley. After all, her broken, jittering speech made it seem like Rambley was actively hurting Lloyd. Could she have gone to someone to get help, but that other someone suggested Rambley as an ally? That could explain why Mollie felt the need to emphasize that ‘He hurts Lloyd’ twice, like she’s genuinely freaking out that her best friend actively hurt others he didn’t like.
Putting that theory aside, Ed goes through the area, heading up to Mollie’s ride, only to find it inaccessible due to major chunks of broken debris. AI Rambley seems sort of horrified to find the place so broken and calls up a repair technician. It’s no surprise that the line is discontinued, due to most Ranglers likely being laid off after the closure of Indigo Park.
From here, AI Rambley, still somewhat jarred by the wreckage he’s seeing, encourages Ed to go and visit Mollie’s Landing Pad, strangely acting as if Ed had just finished his journey on the attraction, when he couldn’t even step onto it. From there, Ed goes and solves some puzzles, making his way deeper into the building. He spots Mollie a few times as she gets away from him, hiding. What’s an interesting note is that some sort of liquid seems to be dripping from Mollie. When you encounter her in one of the tubes, she leaves behind some sort of reddish grime that disappears once her animation is done. Her eyes, also, aren’t the way they’re usually portrayed. They’re similar to Lloyd’s in that there are white pinpricks of light in dark sockets, Lloyd’s being thin ovals in dark sockets.
As Ed finishes up the puzzles, he goes deeper before he’s attacked by Mascot Mollie herself, fleeing through the numerous tubes and tunnels, before eventually leaving it all behind and entering some sort of Ranglers Only Area.
Before we continue, I’d like to point out something. When being chased, Mascot Mollie occasionally rehearses some lines she once heard, repeating this.
Finely, to Rambley: “You’ve known me for 100 years.”
Reasonable enough; she was there when Ed was in the Rambley’s Railroad attraction. No, what concerns me are two other lines, identified by SuperHorrorBro in his analysis of chapter one.
Mascot Mollie: “Get back in your cage, bird.”
And finally, this.
Mascot Mollie: “Get up you stupid freak!”
Remember, Mascot Mollie only repeats what she has once heard. She doesn’t actively make her own dialogue. Remember the theory I had about the Mascots having enough of their terrible living conditions, and rebelling against the staff? It seems like this is the right direction to go in. Lloyd and Mollie do not attack immediately. While Lloyd runs away, Mollie observes, watching, biding her time. She follows you to Lloyd’s theater, and what does she see, or, rather, hear? Lloyd being pushed further and further back into his domain, the one place he should be happy, before being forced into a corner, and where he lashes out. Even though Ed ends up leaving, he ends up claiming a piece of Lloyd’s territory, and Lloyd goes back onto his instincts, to hunt. However, when he gets too close, that blasted, accursed Critter Cuff lets out its horrible whine, Lloyd collapsing, consumed with nothing but pain. Once the sound ends, he flees, like a terrified animal.
And what does Ed see when he leaves? Mascot Mollie, observing Ed. She’s seen that, yet again, a human encroaches, pushes their bounds, eventually hurting Lloyd to get what he wants. And then, he goes to Mollie’s home, the Jetstream Junction, a place she’s been locked out of due to needing a Critter Cuff, but she wouldn’t dare touch one. She saw what happened to Lloyd, who knew what sort of anguish it would inflict upon Mollie?
She enters behind Ed, stalking him, fury building as she watches Ed run about like he owns the place. How dare this man, this human, walk upon her domain whenever he wants, but she has to wait until she’s let in, like some sort of caged bird. Well, she’s not a caged bird, and she’ll make Ed see that.
At first, when AI Rambley sees Ed, he wishes to stop Ed, but seeing a towering Mascot Mollie chasing him, he opens the door, slamming it shut behind Ed just as Mascot Mollie’s head enters the room, killing the Mascot instantly as blood sprays all over the metallic door and floor. AI Rambley attempts to act like nothing happened, but fails, sighing.
He explains that he didn’t realize the danger of Indigo Park and its inhabitants due to being stuck in that early Reception Center for all of those eight, lonely years, unable to see or interact with anything inside. He was just so excited to finally see an actual person that he pushed Ed into this tour, realizing that, with the way things were, there was no way Ed would come out unscathed, and the AI seems genuine in his sorrow. However, he asks for Ed to help restore the park to the former glory, and, miraculously, Ed agrees. However, before Ed leaves, AI Rambley drops this one last piece of vital information.
AI Rambley: “Whew! That was exhausting to say that whole spiel, but Rambley’s Ranglers (registered) is a registered trademark … that expired yesterday.”
Okay, so couple things. From my impression, I had the feeling that somehow, someway the Indigo Company as a whole was alive and kicking. I mean, look at what Ed has to say when he interacts with the Rambley Raccoon plushy.
Ed: “Ah, there’s my buddy. Kinda feels like Rambley has a whole empire now, being the main man of Indigo and all.”
Ed gives us the distinct impression that not only is Indigo still around, but it’s also positively thriving, yet they allow their trademarks to expire? Trademarks essentially last forever, but you have to fight, in court, to let them continue every ten years or so. If Indigo is based on Disney, the stingiest, largest entertainment company, why would they let their trademark expire, and give access to others? Well, this might have to do with the initial terms.
You see, in order to keep a trademark, you have to defend its usage every ten years. Well, okay, then why didn’t Indigo do so? One of the terms for renewal is that you have to continuously use that trademark. You can’t just claim one and never use it again, that’s basically an infraction upon free speech. Sure, you can fight for its ownership, but there are rules and regulations to these kinds of things, you can’t just trademark something like ‘Oof’ or ‘Lmao’ and keep it without at least saying those phrases occassionally.
And, so far as we know, there are no other places such as Indigo Park owns. Ranglers are synonymous with staff in the park, so obviously, it would be hard to justify keeping a trademark when you never expect to use it. So, that’s my theory on why the trademark did indeed expire the day previously, October 6th, 2023 (apparently, the creator confirmed the game takes place in 2023, so, that means that Ed arrives on October 7th, 2023, and the last person to enter park left on October 7th, 2015).
Anyways, after that, AI Rambley leads Ed to Oceanic Odyssey with the intention to get it back up and running, as it has been closed due to repairs, something that AI Rambley hopes Ed can assist with. As Ed exits, he tries entering a hallway, which AI Rambley blocks.
AI Rambley: “Uh oh. That Rambley’s Ranglers room is only accessible by Royal Ranglers. Maybe you’ll grow up big and strong enough to enter it! But for now, don’t.”
This is the first instance of hierarchy within the Ranglers that Ed has been introduced to so far, and the dark undertone AI Rambley takes when he tells Ed not to go there is somewhat concerning. What exactly is AI Rambley hiding back there? Well, I have a few hunches.
Let’s point out the obvious regarding our friends, the Mascots; they’re not regular animals. Obviously, regular animals don’t have dark orbitals with thin white slits, or have turquoise noses, or have macaws the size of cassowaries. However, they are still animals, creatures of flesh and blood that act like their regular animal counterparts; Lloyd is an ambush predator, stalking until he himself is presented with an opportunity to attack. However, lions are known to just straight up attack if they are discovered by accident, especially if the prey is weaker and slower than them. Lloyd runs away instead of attacking.
Similarly, Mollie follows Ed warily, unsure of what to think of him for most of the time. She never aggresses until he enters her territory, and even then, she’s surprisingly lenient with Ed, straight up until he finishes those color-coded symbol puzzles. Only then does she attack. And even then, this is a behavior reflected in regular macaws as well, as these birds are fiercely territorial of their area.
So, these Mascots didn’t pop up straight from the ground, did they? They had to be bioengineered at the very least, mutated regular animals becoming the Mascots guests once knew and loved. They are, however, animals at their core, animals that do not attack for no reason. They try to deescalate the situation, as Lloyd does when he runs backstage, and when Mollie pulls herself back through the tunnels, away from Ed, and striding through the corridors, until she eventually loses patience and chases after Ed through Jetsream Junction.
I’d like to propose the theory that these Mascots were created in that area of Jetstream Junction, hidden underground and away from prying eyes. This is also where the Mascots were likely mistreated and abused, called horribly names at the very least, and endured beatings and humiliating acts at their worst. This is also likely where the Mascots originally snapped. After all, literally not a single guest understands why they were evacuated. Unless the guests who saw what happened were silenced, there should have been something floating around the Internet, on some obscure forum.
Now, why would AI Rambley hide this? Because he now understands that these Mascots are dangerous, a risk he cannot allow, since he enlisted Ed to bring the park back from the dead. AI Rambley realizes that Ed doesn’t have the tools to survive that area; perhaps because one of the Mascots lurks in there, locked away, or because he doesn’t want Ed to flee, horrified as to the scientific process that allowed for the mutated abominations to roam Indigo Park.
Regardless, Ed finally makes his way to the entrance of Oceanic Odyssey, home of the Mascot Finley. In fact, we actually get to see a glimpse of Finely’s actual size in one of the aquariums as his large head and long torso appear, before the chapter ends. I don’t believe that this is an animatronic, as electricity and water do not mix, especially animatronic with running current of electricity in water.
And that’s where Chapter 1 of Indigo Park, ‘Birds of a Feather’, ends off. Chapter Two will likely revolve mostly, if not totally, around Oceanic Odyssey and Mascot Finley.
So, I have two predictions as for where the next chapter might go. Based on the reactions Mascots previously had to Ed, I believe that Mascot Finley will not be attacking immediately. He’ll likely be observing, like Mollie, at least for a certain amount of time, until he proceeds to attack and harass Ed around his attraction. Ed will eventually get Oceanic Odyssey up and running, and have to leave Mascot Finley behind, as he’s still hostile and very much a danger to Ed.
The alternative to this is that once Mascot Finely realizes what Ed is trying to do, he stops being aggressive, and might instead become a temporary ally, allowing Ed to reach certain locations with his knowledge of the place.
Regardless of Mascot Finley’s ultimate fate, Oceanic Odyssey being powered on will likely catch the attention of Indigo. Based on the information we know so far, Indigo is still a well known, public entity. It’s possible that Indigo abandoned the theme park route, instead focusing exclusively on media such as cartoons, movies, and merch, or they might have other sister locations to Indigo Park. It’s unclear.
Whew. In the words of AI Rambley, this is a lot of information. Almost nine thousand words in, and we finally finish covering Chapter 1. So, let’s proceed to the Conclusion I draw regarding the story Indigo Park tries to tell, and the future events that might transpire.
submitted by _Mad_Maddy to GameTheorists [link] [comments]


2024.06.02 05:48 _Mad_Maddy My Take on the Lore of Indigo Park Part 1!

So, as the title suggests, this is my idea for the Indigo Park Timeline and Lore, including the time before, and the game's events. This will be one of three parts due to character limitations, this part dealing with the time before the events of the game.
BEFORE THE GAME
So, this game is clearly based loosely on Disney, if it wasn't obvious enough: a man by the name of Isaac Indigo opening Indigo Park (Walt Disney, Disney World, self-explanatory), starting out with cartoons in the early 1900s.
Mr. Isaac Indigo started out his business ventures in the cartoon sphere, specifically with Lloydford L. Lion, or more commonly known as Lloyd the Lion. The reason that it's Lloyd specifically, and not anyone else, can be seen when interacting with the Retro Lloyd Plush, both from the protagonist and Rambley the Raccoon, the modern day representative of Indigo Park.
Protagonist in regard to the Retro Lloyd Plush: "Lloyd obviously had an older look in the classic Indigo cartoons, but I'm not sure it looked like this. I guess nostalgia sells..."
Rambley AI in regard to the Retro Lloyd Plush: "Ugh...I don't get why we even have those. And why did they only make one of LLOYD? Is it because he's the loudest? I CAN BE LOUD TOO! WHERE'S MY LIMITED-EDITION THROWBACK PLUSH?! WHERE'S MOLLIE'S? WHERE'S FINLEY'S?"
Protagonist in regard to the Lloyd Plush: “I feel like as a kid, Indigo used Loyd a lot more.”
If it wasn't obvious enough by Rambley's rather frustrated demeanor regarding the plush, only Lloyd received this sort of plush, while none of the others received such a collectible. Well, it's possible Salem the Skunk received one, since Rambley didn't mention her, but that might be more representative of his intense dislike for Salem, something that will be discussed down the line. Another thing to note is that this plush does not look like the original Lloyd Lion, which is a detail I will discuss in depth towards the end.
Anyways, over the years, the other mascots we know and love, Mollie the Macaw, Finley the Sea Serpent, Salem the Skunk, and Rambley the Raccoon are added. I would like to put forth the idea that Mollie, Salem, and Rambley were all added in the same general time period, thanks to the Rambley Rush Arcade Game.
The quick rundown of the game is thus: Mollie Macaw crashes somewhere in the depths of Rambleberry Woods, and Rambley goes to find her. Along the way, he must jump across rivers and pits, collecting Rambleberries, and stomping upon evil purple squirrels, eventually reaching Mollie, who is still near her crashed plane. When she gets up, she claims that she crashed because her vision became rapidly obscured, at which point Salem Skunk appears and takes credit for that, claiming that she needed better test subjects for her potions than a bunch of squirrels. Infecting Mollie with the potion, Salem flees, not before Rambley and Salem exchange some barbs. Rambley eventually knocks Mollie out by stomping on her a few times, and the game glitches and crashes.
This arcade game is important for several reasons, one of which is that it introduces us to the dynamic that Rambley and Salem have: one of enemies, different than with Lloyd, because Rambley is merely jealous of the fact that Lloyd came before him, and was the main character for a long period of time. There is also the fact that Salem's area in the Rambley Railroad is completely destroyed. Not even Lloyd's area is so damaged.
From my basic understanding of early black and white television, based on the Chapter 1 opening cutscene of Isaac Indigo, Indigo Park opens somewhere in the 1940s to 1950s, as the grainy, blurry footage and somewhat muffled audio is reminiscent of such times. All sorts of rides and attractions are available for families to explore, such as Rambley's Railway, Jetstream Junction, Oceanic Odyssey, and Lloyd's Main Stage Theater. Again, interesting to note that Salem doesn't have such an area dedicated to her, though that might just be a way of putting off that area for later in the game. People in costumes (note, not called Mascots themselves, as I will use the term to address the replacements of these costumes) roam about the place, likely acting like modern day Disney Cast Members do today, interacting with guests in character.
After a long period of time, and possibly into the early 2000s, the focus is drawn away from Lloyd and onto Rambley, and specifically after the park was open, and not before, because in that same commercial that I dated to approximately the 1940s or 50s, the front gates are decorated with artwork of Lloyd, which is different than in game, where the Lloyd artwork has been replaced by art of Rambley. The reasoning for this is unclear, though I do have a few speculations. It is noted, both by the Rambley AI and the protagonist when interacting with the limited Golden Rambley Plush, that the idea is kind of cheap.
Protagonist: "So wait. They were so money hungry that they just recolored a regular Rambley plush and called it a new product? Kinda lazy don't you think?"
Rambley AI: "... Seriously, our employees had to clean up SO many stray teeth and nails. Hard to believe that there was all this demand for a regular Rambley Plush we blasted with gold spray paint..."
The idea of cutting corners and lowering costs comes up a fair bit. This might be the reason that they swapped main characters, after all: it's easier to animate a cute, small raccoon with a bandana than a large lion in a full on suit. This might also be the reason that the park transitions from costumed staff members, or "Ranglers", to Mascots.
Another reason for the change could have been growing awareness of animal welfare issues at the time, with many circuses and zoos facing criticism for how they treated their animals, lions and elephants specifically, and is an issue that is still ongoing, so perhaps Indigo Park didn't want the negative press to come to them, so they swapped. However, it is important to note that these are purely my speculations, and no concrete reason for the swap was ever introduced in Chapter 1 (to my knowledge).
A third possible reason could be in reference to what Indigo Park represented, at least in the time that it was built. According to Isaac Indigo:
Isaac Indigo, giving a press conference outside Indigo Park: “Indigo Park offers a slice of the American dream to call your own. In this place, echoes of days gone are brought back to life as a new generation captures a glimpse of the exciting potential of Tomorrow. Indigo Park pays homage to the values, dreams, and unwavering truths that gave rise to our great nation.”
Let’s take a step back. Remember how I dated the opening of Indigo Park to the 1940s or 1950s? If that was true, that means that Indigo Park opened in the shadow of the Second World War, the deadliest human conflict ever recorded, with a death toll of over 50 million people, both soldier and civilian. After the atomic bombs were dropped on Japan, it was eventually public knowledge that the USA still decided to drop the second one, even after Imperial Japan had surrendered after the first one had been cast.
It's entirely possible that Indigo Park was, in some way, propaganda. Think about it, Lloyd the Lion was the mascot. And what do lions represent? Strength, power, unity, leadership. Lloyd could have been a symbol to the American people that proclaimed themselves as leaders, people who thought of the future, while trying to sideline the negative press the USA received.
After a while, however, there was no need to justify their victory. People, for the most part, accepted their victory, and as the world headed into a Cold War, there was no need to justify themselves; many people were afraid of the Communists, the Red, and the influence it may have. Clearly, the USA and its allies were the good guys. Communism was a threat to democracy, everyone knew that! So there was a switch to a more child friendly character, Rambley, as the main man himself.
That might also explain why the retro plushie doesn’t look like how Lloyd did in the old cartoons, as stated explicitly by the protagonist; perhaps that older Lloyd was more mature, older, and signified some much darker. There’s no need to stir up bad memories of WW2, so they changed his design to be softer, younger, much more unassuming.
The Protagonist, regarding the Retro Lloyd Plushie: “I always find it weird when companies make merch that’s supposed to look old. Lloyd obviously had an older look in the classic Indigo cartoons, but I’m not sure Lloyd looked like this.”
There’s also a case to be made that Disney also participated in some good old propaganda of their own, mocking Nazi Germany and their ideals.
Now, disregarding politics, because that thing is a minefield to safely navigate, this is just my theory. I am not trying to radicalize the game, and if you hate this theory, you can go about ignoring it! I personally don’t think it’s the correct answer, just a potential answer.
Another change that soon occurred was the change from costumed "Ranglers" to living, breathing, flesh and bones Mascots, introduced to us in the Rambley AI interaction with the Rambley mask.
Rambley AI, playing an old tape in the database in regard to the costumes: "First Person - Hey Jackson! You hear about the new mascots? Jackson - Yeah, you think it will put us out of a job? First Person - I think so, Old Sport, and right after we got this damn raccoon costume."
An important note to this is that this interaction is considered an Easter Egg to a FNAF fan game called Dayshift at Freddy's, alongside some other references such as the Golden Rambley being a reference to Golden Freddy, and the Poodle Plush being a reference to another FNAF fan game Playtime with Percy. Despite this, these items seem to carry a bit of significant lore in them, something that I think is an interesting way of hiding it. It opens up the possibility to state that it should be disregarded, since it's supposed to be an Easter Egg to something else, but I don't think so.
This quote makes me think that the switch from costumes to Mascots happened quite early on in Indigo Park's lifetime, considering it's said that the Mascots should appear quite soon after the introduction of the costumes, perhaps yet another clue that Indigo Park was looking to cut costs. After all, why pay people when you can have Mascots roaming about, doing just the same, if not better, of a job?
And everything seems to be going fine for quite a while. The protagonist notes several times that his family, and especially his mother and himself, were avid fans of the place and characters, his mother liking Mollie Macaw the most, while the protagonist favored a few, such as Lloyd the Lion, while disliking Finley due to his large size, which was revealed when interacting with a few different collectibles.
When the protagonist interacts with the Lloyd the Lion plush: "I feel like as a kid, Indigo used Lloyd a lot more. He was always one of my favorites."
When the protagonist interacts with the Mollie the Macaw plush: "I remember when my mom took us to the parks one summer. Her favorite was always Mollie, so when they first opened new Mollie Meet & Greet in Jetstream Junction, we were some of the first in line."
When the protagonist interacts with the Rambley Ears: "My dad promised me he'd buy me a pair when we went."
When the protagonist interacts with the Souvenir Rambley Cup: "When I was a kid they used to have free unlimited refills on those things. I once drank so much Bird Up that I got sick and threw up while riding Rooftop Races. That poor kid behind me..."
Anyways, we got the point: the family went there often and were huge fans of the park. What could go wrong?
Well, apparently a huge evacuation and closure of the park with no explanation whatsoever, to the point where the authorities also were not able give any reasoning or answers.
This comes from the newspaper we see in the beginning cutscene, after the old video of Isaac Indigo introducing Indigo Park. So, let's theorize a bit. Out of everything in the park, what could possibly lead to such a drastic evacuation of a place so well loved? Oh, I don't know, maybe the killer Mascots that try to kill you in Chapter 1 ...
What isn't so clear is what happened to them. Clearly, they were well behaved and safe to be around, even for small children, as the park remained open for 50 years (minimum) without issue, and almost as long with the actual mascots themselves. Obviously, they went rogue, as can be seen when the protagonist has to run away from Lloyd the Lion's attempts to attack and have the Rambley AI save the protagonist from the Mollie the Macaw by killing the Mascot with a metal door. I don't think it had to do with resources such as food, since the Mascots remained by themselves in the park for 2920 days, exactly eight years, and only seemed feral. Besides that, we see a bunch of vendor stations and a few cafes, still with food in them. Moldy, perhaps, and expired, but there's still food. There's also water (possibly) available in those self serve drinking fountains. The last time the park was operational was October 7th, 20XX (with the exact year being a mystery), and the reason I say operational is because of an announcement seen on one of the Rangler monitors in the reception area.
Announcement: "Attention Ranglers. The date is October 7th, 20XX. Charge guests the SATURDAY pricing indicated in your Rookie Rangler Handbook! Thanks! - Management."
What jumps out immediately is the way Saturday is so bold. So, what can we assume? The last operational day we have knowledge of was Saturday, October 7th, somewhere in the 2000s. Unless this is the future (which we have no reason to believe), we can assume this Saturday occurred somewhere between 2000 and 2023 (2023 and not 2024 because the creator, in a livestream, ended up giving a vague message of the game taking place in 2023). Looking up old calendars and looking specifically for an October 7th that lands on a Saturday reveals a couple potential years: 2000, 2006, and 2023. We can discount 2023, as we know the park was closed for 8 years. I did try to find a date on those three monitors the protagonist uses in the opening cutscene, but only found the time, 7:32 pm. Unfortunately, Harmony, a knock off of Discord (antonyms) also doesn't have a date, or even a time, for that matter. And besides, we know that we're the first actual person to visit in quite some time. So, we're left with 2000, and 2006. Assuming this game takes place in 2024, I have a feeling the year it closed is actually 2006.
First foremost because of the Rambley AI. Having AI Rambley be as advanced as he is makes it seem like the park was closed in 2023, but again, there is no evidence to say the game takes place in the future. And AI's back in 2000s and 2010s eras were good, but nothing like we have today. They were capable of basic object identification, and navigation, but the capabilities were limited, compared to today. And in 2000, it was much more basic. Image recognition consisted of identifying edges. That's it. Edges, not distinct features, and even then, the accuracy was pretty bad. At the time, AI was mainly used for data retrieval and predictive modeling, mostly for things like language translation, text classification, and such. They were basically office assistants.
Of course, that's assuming that the AI was introduced back then. It is entirely possible, and likely plausible, that the AI was introduced later. After all, the park may have closed, but Ranglers were still visiting the place as late as 2015, which was the last time the AI Rambley notes an actual person arrived. So, if that's true, then I am still not too sure as to which of the two years the park closed.
Any ideas would be greatly appreciated. And the present of the game and my conclusions shall be posted in separate posts, as there is a 40k character limit. Leave any theories of your own in the comments, and I'll be happy to theorize regarding and questions or concerns yall have!
submitted by _Mad_Maddy to GameTheorists [link] [comments]


2024.06.02 03:28 peach_neil Mental health talk with kids

Hi reddit teachers!
So we will have a final test tomorrow with my 3rd and 5th grade, and a lot of my kids are super anxious. I thought maybe I should talk to them about mental health as a concept, since one of my students in 5th grade started hyperventilating last time we had a chapter test. With my 5th graders (which are awesome kids) I even thought of sharing a bit of my personal journey. Not in a lot of details, but just to tell them that if they experience something similar, to not overlook it and get help. And also I just wanted to make a point that they are not worthless even if they get C's for a test.
The question is: is it appropriate? Since I wish someone talked to me about it when I was younger.
Edit: important note is I'm an after-school math teacher, so we don't have any counselors or anything. Kids are spending 2 hours per week doing math and then go home.
(My backstory is classic stuff: always felt the need to prove my worth to my parents, was brutally degraded if I brought home C's, was told that I will be a garbage collector and will end up homeless if I'm not an A+ student. Started developing depression, anxiety disorder, tried to kill myself three times. Having 5 or more panic attacks a day became a normal thing. Was gaslighted into thinking I'm imagining stuff, and got diagnosed only when I was 21 and most of the damage became chronical. I have gray hair since I was 18, and right now Im in an intensive therapy).
submitted by peach_neil to AskTeachers [link] [comments]


2024.06.02 03:17 Financial_Hold5044 Chance me, another typical Indian Kid

(I'd appreciate any suggestions to my application as well)
AP World (5), AP CSP (5), IB History of the Americas, APCSA (5), IB English, AP Environmental Science (5), AP PreCalculus (5), AP Human Geography (5)
Taking IB History II, IB English II, AP Calc BC, AP Chem, IB Psych, AP Physics I, Engineering, AP Stats next year
Dual Credit Philosophy, Macroeconomics, Microeconomics, Art Appreciation, US History (Final grades were 99%)
Honors Algebra 2, Honors Biology, Honors Computer Science/Programming II, Honors English II, Spanish 2 Honors, Honors Chemistry, Computer Science III (AP-like class), Honors Physics. (Took all possible Computer Science classes in my school)
4x National Qualifier in TSA, 1x State Champion in TSA
Qualifying Events in TSA are VR, Webmaster, Manufacturing Prototype and Software Development, while State Champion is VR
Schoolhouse.world Acclaimed Tutor Award
2x Minesweeper.Online Tournament Winner
Hasley Memorial Award Winner (Local Award given to 3 people yearly for experience, impact, distinction, recommendation, and personality by recommendation)
Microsoft Office Associate and Expert Certified
MTA and ITS Java Certified
PCEP (Entry), PCAP (Associate), and PCPP (Professional) Python Certified
USACO Gold Qualifier
AP Scholar with Distinction
3x UT Dallas Battle of the Brains Winner
Congressional App Challenge Winner with my friend
Math UIL 2x State Qualifier in Calculator Applications
Science Olympiad State Qualifier in Disease Detectives and Anatomy/Physiology
2x School Student of the Month
TSA Student of the Month
3x Python Institute Scholar
National Merit (Unknown if Commended or Semi-Finalist yet)
Researched at the University of Texas at Dallas under a professor in Natural Language Processing and Artificial Intelligence/Machine Learning in Python the first year and published a UTD research paper detailing our experiences. In the second year, I mentored new students in the program and participated in further research to amplify my paper to be globally published
Accepted into the competitive HSRA Program at UT Austin in the College of Natural Sciences for Computational Astrophysics, where we use Python and Data Science to analyze databases like GAIA for Astronomy and derive conclusions.
Served as TSA Chapter Committee Leader and Mentor in 3 separate years
Volunteered for 200+ hours of community service throughout high school through Red Cross and Key Club
Interned at numerous companies through the span of 3 years such as Accenture, TATA Quants, and Coforge
Currently in a job with Knowt.io as a member of their Content and Software Development Team, where we work together to address the fast-growing userbase coming to Knowt as an alternative for Quizlet. We have created numerous applications like KnowtAI and expanded our offerings towards all types of global exams. Started in November 2023
Lead Tutor and Content Developer at Schoolhouse.world for its Computer Science department. Through the span of 2 years, I helped thousands of students from over 100 countries learn computing, programming, and artificial intelligence
Competitive coder at hackathons and other events, and mentored hundreds of kids in Python and Java for novice programming
Secretary and Vice President of my school's research club, where I led and supervised a team of 100+ students with a diverse array of scientific interests to write their own research papers and publish it in platforms like RARS
Competitive Player in Minesweeper for tournaments and mentored new players in summer bootcamps to teach them Minesweeper
Volunteered over 400 hours through the span of 5 years at Storehouse (Same place where I got Hasley Award)
Founder of a local non-profit where we work with local governments and companies to not only receive grants but also provide access to technology for under-served areas. I was inspired from my trip to India to teach kids in underprivileged areas the power of programming and Artificial Intelligence just like how I did with Schoolhouse.World. Through the course of 2 years, we now have a strong volunteer base of 25 and have helped over 500 students in our area towards their passion.
Built numerous applications and websites for local companies and for my job at Knowt that required Django, Flask, CSS/HTML/JS, Python, Node.JS, Java, and React
Black Belt in TaeKwonDo
Essays were outstanding, really connected my passion of Minesweeper and programming with my lifelong goals and passions that could be achieved with my Computer Science degree. Supplements were also very well, and I mentioned research and further passion, so I would say 9/10
CEO of Storehouse (Where I got the Hasley Award): 10/10, She was an amazing mentor and leader for me, and we really bonded well during my 5 years of volunteering there
Research Mentor and Professor at UTD: 9/10, he was also very amazing, and as a lead professor of instruction, he really addressed my thoughts and encouraged me to expand
IB History Teacher: 10/10, he was one of the best teachers I could have asked for in high school. The way he taught the class allowed me to grow and develop more than in any other class before.
Software Development Manager and Mentor at Accenture: 10/10, this was the best ever intern experience I had, and without him, I wouldn't even be here
AP CSA Teacher: 9/10, also an amazing teacher just like my IB History Teacher
Counselor: 9/10, one of the best people I met at school
Thinking of applying to:
Safety: UT Dallas, Texas A&M
Target: UT Austin
Reach: UWash, UC System (Berkeley, Los Angeles, San Diego, Santa Barbara, Irvine and Davis), UMD, Stanford, CMU, UIUC, UNC
submitted by Financial_Hold5044 to chanceme [link] [comments]


2024.06.02 02:28 savannahkellen Season 3 Spoiler Round-Up

With so many little filming updates available to us, I've been thinking for a while that we should have a post for a spoiler round-up for anyone who wants a quick reference or doesn't feel like sifting through the extra casting calls and previous threads to see what has been filmed already. I'm trying to only include sourceable material here - so mainly details from casting calls or location notices, set content, or sightings of the actors themselves.
I'm sure that I've missed *something*, so if you know, you can drop it into the comments and I'll edit or add it to this post! I'll try to keep this ongoing if there's interest. ♾️
{TO BE FILMED}
6/25
6/24
6/21
6/18
6/17
6/5-7
6/4
“First week of June”
—-----------
{HAPPENINGS TO DATE}
6/1
5/31
5/30
5/28-29
5/23
5/20
5/18
5/17
5/14
5/13
5/11
5/10
5/8-6/6
5/1-2
4/30
4/29-30
4/29
4/25-26
4/24
4/23
4/22
4/21
4/20
4/19
4/17
4/16
4/13
4/9
4/8
4/6
4/4
4/3
4/2
3/29
3/28
3/26-27
3/25
3/23
3/22
3/21
3/20
3/19
submitted by savannahkellen to TheSummerITurnedPrett [link] [comments]


2024.06.02 02:25 SchwarzBann Convert old laptop to WiFi router / AP... maybe?

Hello everyone and welcome to my TED (Techie Eliciting Designs?) rant!
Given the details and question below, I think this is primarily a homelab post, later I might move it to openwrt ...
Because fate had it for me to end up in the IT sector, I'm basically an admin over a fleet of devices (from girlfriend, my sister, my parents + myself), with the oldeobsolete ones ending up on my hands... As such, I'm looking at a Dell Inspiron 15 N5030 and I'd see its shiny red cover somewhere around the room, being useful.
Sorry for the long post, in essence it shows my enthusiasm...
I've read about OpenWRT for x86, as well as some articles/documentation about *Sense and, all in all, all this screams "don't do it!", as my current requirements are basic - in essence needing mostly access point features (for all WiFi-enabled devices) and some basic router features (currently having my gaming PC and smart TV non-WLAN), plus the need to grant IPs based on MAC addresses (this due to some Delock WiFi power sockets/USB hubs being unreliable in being accessed by name via the Tasmota configuration).
That said, I'm still looking into seeing if this is viable.
Context:
For OpenWRT, I thought I'd have to shift from the Atheros card to something like an Intel Ultimate-N 6300 (which has 3 antenna connections and rookie me thought that would be better suited to the end-goal). Reading more about this, neither the Intel Advanced 6205 nor the Ultimate-N 6300 support AP mode, but the AR9*** should actually work. Across the other computers I got around, I could swap the AR9285 for an AR9565 from a different laptop.
Reading further, AW7915-NP1 (powered by MediaTek MT7915; ~$55 with 4 antennas) / AW7916-NPD (powered by MediaTek MT7916AN; ~$80 with 3 antennas) from AsiaRF caught my eye - if I build a new thing, why not make it a little more suitable for the future, no? They should work with OpenWRT too.
The wrinkle comes in regarding the power consumption:
There's no optical drive at the moment (I took it out a while back to fit an HDD caddy, which has since been repurposed). However, such a drive seems to consume ~1.3A on the slimline SATA port (which offers the 5V rail of the SATA regular cable), so 6.5W.
Based on the specs, the 3 pins of the 5V SATA can each carry up to 1.5A of current, for a total of 22.5W.
I saw there are adapters, like this:
So, the wrinkle might not be a wrinkle, but I cannot find any clear specs on the slimline SATA power, nor can I find anything in the Dell N5030 user guide...
So, while that 22.5W look mighty nice, my gut feeling is that I'd be cutting it short if I'd try to daisy chain the slimline SATA to SATA adapter -> SATA to mini PCIe adapter -> then run the AW7915-NP1 over the slimline SATA port in AP mode with 2 networks (802.11n, one 2.4GHz and one 5GHz, as I think 802.11ac/ax aren't possible via OpenWRT) - that, on the assumption that the 6.5W optical drive indicates a tailor-made setup for the slimline SATA port.
Would this work? I mean, just the part where I fit everything together and switch the laptop on, not the OpenWRT side, that's a step past all this.
If yes, then I'd have to fit the AW7915-NP1 with a heatsink and actively cool it - likely replacing the CPU fan with a 20cm 5V fan (so as to have a comparable level of air flow at a significantly lower noise level; I'd have to hack that and get a suitable 4 pin cable from a donor laptop fan, to make an adapter for that 20cm fan) and diverging a tiny bit of its airflow to the WiFi card, leaving the vast majority pointed at the CPU/GPU heatsink.
Assuming the electrical side is viable, maybe the entire setup could fit in the optical drive bay, with the 3-4 antennas sticking out where the drive tray normally exits, making for a rather acceptable look of the whole thing.
Thank you for the patience and I'm looking forward to your feedback!
submitted by SchwarzBann to homelab [link] [comments]


2024.06.02 02:25 Cher_Aznabal ITS REAL???

ITS REAL??? submitted by Cher_Aznabal to Mcat [link] [comments]


2024.06.02 01:55 specu12 (SELLING) cheap movies - $2 and up

All codes are US, HD/blu-ray unless marked otherwise, all split if applicable
full codes 4k/UHD vudu or MA redeems, with DMI when applicable: Guardians of the Galaxy (2014) $5
sony movie buff, choose 1 of the following, MA redeem, $4 each: Stir Crazy (1980) (HD), Stripes (1981) (UHD), Hancock (Theatrical) (2008) (UHD), Guess Who (2005) (HD), The Blob (1988) (HD), Bye Bye Birdie (1963) (HD), Born Yesterday (1950) (HD), Blue Thunder (1983) (HD), My Girl (1991) (UHD), Untraceable (2008) (HD)
universal rewards, choose 1 of the following, MA redeem, $3 each: Black Christmas (2019) (UHD), Don't Let Go (2019) (HD), A Dog's Purpose (2017) (UHD), Final Account (2021) (HD), Kicks (2016) (HD), The Sparks Brothers (2021) (UHD), Agnes Browne (2000) (HD), Antz (1998) (HD), Backdraft 2 (2019) (UHD), Raw (2017) (HD), Loving (2016) (HD), Being Frank (2019) (HD)
UHD/4k movies, not MA: vudu redemptions only $5 each, unless noted otherwise Highlander UHD
UHD/4k movies, all port UHD/4k to MA: vudu or MA redemptions only $4 each, unless noted otherwise Apollo 13 (1995)
UHD/4k movies: Disney/Marvel, no DMDMI, all port UHD/4k to MA: itunes redemptions only (splits) $4 each, unless noted otherwise Avengers: Endgame (2019) Frozen (2013) Guardians of the Galaxy (2014) Maleficent (2014) Star Wars: The Force Awakens (2015) Star Wars: The Rise of Skywalker (2019)
UHD/4k movies: vudu redemptions only, do not port to MA $4 each or any 3 for $9, unless noted otherwise: 3 From Hell (2019) 3 From Hell (Unrated) (2019) Dredd (2012) Expired (2022) Interstellar (2014) John Wick: Chapter 3 - Parabellum (2019) $2 Lara Croft: Tomb Raider (2001) Last Witch Hunter (2015) Mission: Impossible Rogue Nation (2015) Rocketman (2019) The Last Witch Hunter (2015)
UHD/4k movies: itunes redemptions only, port 4k to MA $3 each, unless noted otherwise Fast & Furious 6 - Extended Edition (2013) Hidden Figures (2017) Jason Bourne (2016) Let's Be Cops (2014) $2 Longest Ride (2015) The Longest Ride (2015)
UHD/4k movies: itunes redemptions only, do not port to MA $3 each, unless noted otherwise 3 From Hell (2019) Interstellar (2014) John Wick: Chapter 3 - Parabellum (2019) $2 Lara Croft: Tomb Raider (2001) Last Witch Hunter (2015) The Last Witch Hunter (2015) Wonder (2017) $2 Wonder Park (2019)
HD movies, MA or vudu redemptions only, port to MA: $2 each, unless noted otherwise Fast & Furious 6 - Extended Edition (2013) Fast and the Furious (2001) Fate of the Furious (2017) Fate of the Furious (Extended Director's Cut) (2017) Fate of the Furious (Theatrical) (2017) Fifty Shades of Grey (Unrated) (2015) Guardians of the Galaxy Vol. 2 (2017) $3 Jurassic World (2015) Pitch Perfect 2 (2015) Saving Mr. Banks (2013) $3 The Fast and the Furious (2001) The Fate of the Furious (2017) The Fate of the Furious (Extended Director's Cut) (2017) The Fate of the Furious (Theatrical) (2017)
HD movies: vudu redemptions only, do not port to MA $2 each, unless noted otherwise Chicago (Diamond Edition) (2003) Hunger Games (2012) The Hunger Games (2012) The Twilight Saga: Breaking Dawn - Part 2 (2012) Transformers: Age of Extinction (2014) Twilight Saga: Breaking Dawn - Part 2 (2012) Wonder Park (2019)
HD movies: itunes redemptions only (splits), port HD to MA $3 each, unless noted otherwise Fast & Furious 6 - Extended Edition (2013) Fifty Shades of Grey (Unrated) (2015) Into the Woods (2014) Kidnap (2017) Planes (2013)
HD movies: itunes redemptions only (splits), not MA $3 each, unless noted otherwise Chicago (Diamond Edition) (2003) Now You See Me (2013)
Disney/Marvel HD movies, no DMDMI, all port HD to MA: google play redemptions only (splits) $3 each, unless noted otherwise Avengers: Age of Ultron (2015) Avengers: Endgame (2019) $1 Avengers: Infinity War (2018) $1 Beauty and the Beast (2017) Big Hero 6 (2014) Captain America: Civil War (2016) Captain Marvel (2019) Dumbo (2019) Finding Dory (2016) $2 Frozen (2013) $1 Guardians of the Galaxy Vol. 2 (2017) Inside Out (2015) Into the Woods (2014) Iron Man 3 (2013) Jungle Book (2016) Lion King (2019) Maleficent (2014) Moana (2016) Pirates of the Caribbean: Dead Men Tell No Tales (2017) Planes (2013) Ralph Breaks the Internet (2018) Raya and the Last Dragon (2021) Rogue One: A Star Wars Story (2016) $2 Spies in Disguise (2019) Star Wars: The Force Awakens (2015) $1 Star Wars: The Last Jedi (2017) $2 Star Wars: The Rise of Skywalker (2019) $2 The Jungle Book (2016) The Lion King (2019) Thor: Ragnarok (2017) Toy Story 4 (2019)
Cineplex HD redemptions (Canada): $2 each Black Panther Death on the Nile Shang-Chi and the Legend of the Ten Rings
vudu SD not MA $1 each Cabin In the Woods (2012) Expendables 2 (2012)
I take paypal f&f and venmo
also check out my For Trade Post on uvtrade
submitted by specu12 to DigitalCodeSELL [link] [comments]


2024.06.02 01:29 thewritegrump Ask and ye shall (sometimes) receive

Last July during the whole ao3 outage, I uploaded some of my longfic onto Wattpad just because I was bored and had nothing better to do with my afternoon. I haven't really looked at it on there since, but a couple days ago someone decided to comment on a bunch of passages they liked in the first volume! Today, they must have gotten to the end of volume 1, so they asked where the rest is. Volume 2 is already uploaded onto Wattpad, but that was as far as I'd gotten in crossposting before ao3 was back up. This fic itself has been finished for a long time, but I never got around to putting the rest on Wattpad because I didn't think there was a demand for it.
Now, I'm spending some time uploading the next set of chapters since there is someone who would like to read them on that site. Had I known there was any interest, I would have finished crossposting the fic ages ago. I guess I don't really have a point to make other than if you like something and want more of it, you've gotta let the author know! Not every author will grant your request, of course, but all it really took was one person letting me know they wanted to read the rest for me to take the time to work on posting the rest onto Wattpad.
EDIT:// Just as a general disclaimer, your mileage will of course vary depending on how you word things if you ask an author something, and some authors just get stressed when asked about any kinds of things relating to updates or posting. In my experience, I find that authors particularly sensitive to these inquiries will make a note of it somewhere, so I would personally check bios first as general practice, just in case.
submitted by thewritegrump to FanFiction [link] [comments]


2024.06.02 01:25 MaxReiger [US-NC] [H] Various Brand New & Sealed 4K Steelbooks & Premium Sales Showcase [W] Paypal/Venmo

Sale Prices Ongoing
~ Each has already been discounted by 20% ~
~ 2 Items or more will drop it by another 5% ~
-1st Photos are Showcasing Different Highlighted Releases-
  • ~ Preview images show off the content within.
 
All Brand New & Sealed
  • Check Out Photos for All Titles - Might Not Be Listed.
  • Message me if you are interested & I’ll send closer images.
  • Each listing is 4K unless otherwise noted Blu-ray/DVD.
  • Prefered Paypal F&F (Paypal G&S & Venmo is acceptable).
  • Shipping isn't included within the prices.
  • USPS Media Mail used for Shipping ( 1 Steelbook = $5) Will ship internationally.
 
Imgur - Photos of All Steelbooks & Physical Media (Ask for Close Ups)
 
 
Brand New & Sealed:
 
  • Manta Lab [HK] :
    • The Matrix Resurrections (Manta Lab DigiBook) (Lenticular Digibook) - $41
 
  • Nova Media [KR] :
    • Everything Everywhere All At Once (Nova Media Exclusive) ([NE#042] / One Click Box (Only Box) [KR] - $27
    • John Wick [FS] (No Steelbook) (4K Ultra HD + Blu-ray) - $35
    • John Wick: Chapter 2 [FS] (No Steelbook) (4K Ultra HD + Blu-ray) - $35
    • John Wick: Chapter 3 [FS] (No Steelbook) (4K Ultra HD + Blu-ray) - $35
    • John Wick (Plain Edition) [FS] (Blu-ray) - $20
    • John Wick: Chapter 2 (Plain Edition) [FS] (Blu-ray) - $20
    • John Wick: Chapter 3 - Parabellum (Plain Edition) [FS] (Blu-ray) - $20
    • No Escape (FS Slipbox) (Limited Edition) (Blu-ray) - $27
    • Peninsula [Slipbox FS] - $36
 
  • WeET [KR] :
    • Bullet Train [Lenti] - $57
    • Bullet Train [FS] - $57
    • Bullet Train [OC] - $98
 
 
  • FR Release:
    • John Wick: Chapter 3 - Parabellum - $29
    • John Wick: Chapter 4 (Collector's Steelbook Edition) [FR] - $67
    • John Wick: Chapter 4 (Limited Edition) [FR] - $40
    • No Time to Die (Limited Aston Martin DB5 Model Edition) - $105
    • Top Gun: Maverick (Metal Pack x Aero Design) (Amazon Exclusive) - $80
 
  • IT Release:
    • Black Hawk Down (SteelBook) - $40
    • Hellboy (2019) (SteelBook) - $20
    • Mortal Kombat (SteelBook) - $21
    • No Time To Die (DigiBook) - $18
    • The Matrix (SteelBook) (Titans of Cult) - $40
    • The Scorpion King (SteelBook) - $22
    • Zack Snyder's Justice League (SteelBook) - $27
 
  • Mixed Releases:
    • Ambulance (Steelbook Slipbox) [TW] - $58
    • Black Hawk Down (Amazon) (Collector's Box) [JP] - $45
    • John Wick Chapter 1-3 (SteelBook) (Limited Edition) [DE] - $50
    • Mission: Impossible II (Steelbook) [Amazon Exclusive] - $27
    • No Time to Die (Steelbook Slipbox) [TW] - $36
    • Spider-Man: No Way Home (Steelbook Slipbox) [TW] - $40
    • The Bourne Identity (FS Steelbook) (Special Steelbook Edition) [DE] - $33
    • Transformers: Age of Extinction (FS SteelBook) (Yes24) [KR] - $45
 
  • UK Release:
    • Argo - $45
    • Avatar: The Way of Water (Steelbook) [HMV Exclusive] - $44
    • Avatar: The Way of Water (Steelbook) (Blu-ray 3D) [HMV Exclusive] - $36
    • Edge of Tomorrow (FS Steelbook) (Ultimate Collector's Edition) (Zavvi) - $60
    • Empire of the Sun (Steelbook) (Blu-Ray) [Zavvi Exclusive] - $18
    • John Wick: Chapter 3 - Parabellum (FS Steelbook) - $37
    • John Wick: Chapter 4 (Steelbook) (Limited Edition) - $43
    • John Wick: Chapter 4 (Lenticular Slipcover Edition) [Amazon Exclusive] - $34
    • King Kong (Steelbook) (1976) - $36
    • London Has Fallen (Steelbook) (Blu-ray) - $19
    • Rampage (Steelbook) (Japanese Artwork Series) - $30
    • Sicario 2: Soldado (Steelbook) - $30
    • Super 8 (Red Carpet Exclusive Steelbook Slip) [Zavvi Exclusive] - $31
    • The Bourne Identity (FS Steelbook) (20th Anniv Steelbook Gift Set) [Zavvi Exclusive] - $45
    • The Matrix Resurrections (Steelbook) [Amazon Exclusive] - $23
    • The Walking Dead: The Complete Series [Limited Legacy Edition] - $113
 
  • US Release:
    • Air Force One (Steelbook) - $26
    • Aladdin - Legacy Cartridge Collection Sega Genesis - $60
    • Ambulance - $11
    • Avatar: The Way of Water (Steelbook) [Wal-Mart Exclusive] (Slipcover) - $31
    • Batman Returns (Steelbook) (Blu-ray) - $14
    • Band of Brothers (Box Set) (DVD) - $14
    • Cowboy Bebop: 25th Anniversary (Limited Edition) (Blu-ray) - $70
    • ET The Extra-Terrestrial (40th Anni.) [Wal-Mart Exclusive] - $31
    • Fast X (Steelbook) (Best Buy Exclusive) - $25
    • F9: The Fast Saga (Steelbook) (Best Buy Exclusive) - $16
    • Fast & Furious 6 (Steelbook) [Best Buy Exclusive] (Blu-ray) - $11
    • Godzilla: The Complete Animated Series (DVD) - $12
    • Halloween Kills (Steelbook) [Best Buy Exclusive] - $29
    • Hellboy (2004) (Steelbook) - $23
    • John Wick / John Wick Chapter 2 (Steelbook) - $41
    • John Wick (Steelbook) [Wal-Mart Exclusive] (Blu-ray) - $18
    • John Wick: Chapter 3 - Parabellum (Steelbook) [Best Buy Exclusive] - $41
    • John Wick: Chapter 4 (Lenti Slipcover) [Amazon Exclusive] - $29
    • John Wick: Chapters 1-3 (Includes Playing Cards) [Wal-Mart Exclusive] - $36
    • John Wick: Chapters 1-3 (Includes Playing Cards) (DVDs) [Wal-Mart Exclusive] - $18
    • John Wick (Dog Slipcover) [Target Exclusive] - $11
    • John Wick Chapter 2 (Dog Slipcover) (Blu-ray) [Target Exclusive] - $14
    • John Wick Chapter 3 (Dog Slipcover) (Blu-ray) [Target Exclusive] - $14
    • John Wick Chapter 4 (Dog Slipcover) (Blu-ray) [Target Exclusive] - $23
    • Jurassic Park (30th Anniversary) (Universal Essentials Collection) (Slipcover) - $34
    • Jurassic World: Dominion (Steelbook) - $23
    • Jurassic World: Fallen Kingdom (Steelbook) [Best Buy Exclusive] (Blu-ray) - $13
    • Jurassic World: Fallen Kingdom (Steelbook) [Wal-Mart Exclusive] (Blu-ray) - $11
    • Miami Vice (Steelbook) (Blu-Ray) [Wal-Mart Exclusive] - $18
    • Mighty Morphin Power Rangers: The Complete Series (DVD) - $30
    • Mission: Impossible - Fallout (Steelbook) - $17
    • Mission: Impossible - Fallout - $11
    • Patriot Games (30th Anniversary Edition) (Slipcover) - $15
    • Rambo: Last Blood (Steelbook) - $20
    • Scarface (Steelbook) (Iconic Art) (Blu-ray) - $14
    • Scarface (Steelbook) [Wal-Mart Exclusive] (Blu-ray) - $23
    • Scarface (Gold Edition) (Slipcover) - $14
    • Spider-Man: No Way Home (Steelbook) (Limited Edition) - $35
    • Spiral: From the Book of Saw (Steelbook) - $23
    • Terminator: Dark Fate (Steelbook) - $16
    • Terminator Genisys (Steelbook) [Target Exclusive] (Blu-ray) - $13
    • Top Gun & Top Gun: Maverick (SteelBook Combo) (Ultimate Collector’s Limited Edition Gift Set) - $90
    • The Big Lebowski (25th Anniversary) (Universal Essentials Collection) (Slipcover) - $33
    • The Bourne Ultimatum (Steelbook) (Limited Edition) (Blu-ray) - $11
    • The Flash (DigiPack / Icon Edition) [Wal-Mart Exclusive] - $34
    • The Flash (Slipcover) [US] - $29
    • The Pacific (Box Set) (DVD) - $14
    • The Shield: The Complete Series (DVD) - $45
    • The Sum of All Fears (20th Anniversary) (Slipcover) - $15
    • The Walking Dead: The Complete Tenth Season (Slipcover) (Blu-ray) - $13
    • Training Day (SteelBook) (Best Buy) - $40
    • Transformers: Age of Extinction (Steelbook) [Best Buy Exclusive] (Blu-ray) - $13
    • Transformers: Revenge of the Fallen (Steelbook) [Best Buy Exclusive] (Blu-ray) - $13
 
submitted by MaxReiger to SteelbookSwap [link] [comments]


2024.06.02 01:01 ultradip New to r/Charity? Read this first!

Welcome to /Charity!

Got a charitable cause you'd like to share! This is the place!

Requirements

For 501c(3) non-profits (US) or a Non-Governmental Organization (aka NGO outside the US)

Please modmail us so that we can flair your post as a registered certified non-profit!

For Everyone Else

You must have both

NOTE: We are specifically looking for COMMENT karma. The karma value you are probably looking at is a COMBINED value, consisting of both Link/Post karma plus Comment karma.

To view your karma breakdown:
The following circumventions will result in a ban:
Comment Karma is directly correlated to how many comments you leave plus/minus any points as people upvote a popular comment or downvote an unpopular comment.

Credibility, Community, and You

AKA, Why Do We Have Account Requirements for Individuals?
In an effort to make your crowdfunding efforts more successful here on Reddit, some background first:
In many of the gifting and fundraising subs, you'll notice that without a certain amount "karma" and an account that's old enough, you'll garner down votes or worse, your posts and comments get automatically removed.
Why?
To many Redditors, this place is a community built on activity. The "coin" of the land here is your account, and how much you've contributed to the Reddit community at large reflected in post and comment karma.
As a general rule, Redditors dislike the creation of accounts specifically to fund raise or to make requests. It makes it seem like these people simply treat Reddit as some sort of magical internet wallet, and that doesn't win many friends.
The other reason why new accounts are so disliked is that they're often alternate accounts of established users, in order to hide their activity from people they know. While we do sympathize with those of you who have valid reasons, this privilege is often abused by those who create disposable accounts to scam people for a quick buck.
This trust issue doesn't exist in the same way with certified non-profit groups, as you can look them up online for verification, and at least in the case of 501c(3)s, their spending is transparent due to their required tax filings which are public information.
So if you're new to Reddit, welcome! Spend some time and look around for something that catches your interest and chat it up with others and become part of the community!
However if you're here for the sole reason of making requests in a hurry, please be aware your pleas for help will likely be ignored.
REMEMBER, CREDIBILITY AND COMMUNITY IS EVERYTHING!
For this reason, the mods will not post anything on behalf of any user that does not meet account requirements.

Rules

  1. Posts must be more than just a link to your campaign. Be descriptive! Show evidence . This includes:
    1. If this is for your pet, photos of your pet in question, with your username on a handwritten note in the picture.
    2. School documentation showing enrollment if you are asking for assistance for school.
    3. Redacted bills showing your situation.
    4. Or other relevant documentation that can help establish credibility.
    5. At minimum, please attach an unobstructed selfie photo of yourself(the submitter) with a handwritten note of your username.
    6. Low effort posts that simply say to the effect of, "everything is listed in the GoFundMe" will be removed.
  2. Please Flair your posts, once created. If you don't know how, just let the mods know and we'll do it for you.
  3. Only 1 campaign per user. We want you have some personal connection to the campaign, and not submit multiples simply because they were in the news.
  4. Reposts are allowed once a week. If a repost comes up too early, the newest one(s) will be removed.
  5. Acceptable transfer methods for individuals are for crowdfunding sites only, such as GoFundme, YouCaring, etc. Individuals should avoid using Paypal, crypto, or direct banking aps (like Chase). 501c(3) and NGOs may use whatever method they wish.
  6. Don't PM people to make requests. If you receive an unsolicited private message, please let us know!
  7. Do not post politically-related campaigns. They're just too divisive.
  8. Trolling will not be tolerated and offending users will be banned.
  9. Don't bug the mods for an exception to the account requirements. None will be given. If you attempt to circumvent the requirement by karma farming or by commenting on someone else's post, your account will be banned.
  10. No posting for other Redditors. No Alts. This is viewed as a circumvention of requirements and both accounts will be banned.
  11. Selling is only allowed by 1st parties directly. We do not allow selling by 3rd parties to benefit another organization, as there's no transparency to verify that the announced percentage of sales actually goes to the beneficiary. Only direct sales by the non-profit organization are allowed.

Supporting Information Requested for Non-501c(3) and Non-NGO campaigns.

We aren't the government. We aren't a court of law. We definitely don't want you to give out information that could lead to identity theft. However, some campaigns are more successful when they have additional documentation.
This includes:
Low effort posts that simply say to the effect of, "everything is listed in the GoFundMe" (or less!) will be removed.

How to Include a Photo or Other Supporting Info Document In Your Post

Because Reddit wasn't initially designed to handle photos when it was created, it has limitations in the implementation of photo support which don't work well for us. So instead we suggest the following:
  1. Upload your photo to Imgur.com or other photo hosting site.
  2. Copy the URL for the photo.
  3. Create a new post or Edit your existing one to include the URL to the photo.
Please make sure to include this, as it is the primary reason why posts that are otherwise fine get removed.

Advice On Making Your Campaign Go Further

Not all crowdfunding campaigns are the same, but here are some suggestions.

Questions?

Please don't hesitate to ask the mods!
... Unless you're trying to ask for an exception to the account requirements.
submitted by ultradip to Charity [link] [comments]


2024.06.02 00:57 ryanmark234 (HIRE ME)<

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submitted by ryanmark234 to nursinghelp2024 [link] [comments]


2024.06.02 00:51 Certifiedninja08 (Selling) Movies 4 Less

F&F Paypal (no notes)/Venmo/Amazon GC
Only redeem what you paid for. Codes are split unless you ask for full codes. Points have most likely already been used.
🔆 PRICES FIRM 🔅
Birds of Prey HD MA $2.50
Adrift HD Itunes $2.50
American Hustle HD MA $2.50
Babylon A.D Unrated SD Itunes $2
Despicable Me 2 4K Itunes $2.50
Die Hard 5 SD Itunes $2
Flashback (2021) HD Vudu $3
Goosebumps HD MA $2.50
Heist HD Vudu $2.50
Hercules (2014) 4K Itunes $2.50
Jingle All The Way 2 HD MA $3
Kingsman: The Golden Circle 4K Itunes or HD MA $2.50
Last Vegas HD MA $2.50
Mission Impossible Ghost Protocol HD Vudu $2
Sisters Unrated HD MA $2.50
Sisters Unrated HD Itunes $2.50
The Expendables HD Vudu $2.50
The Family SD Itunes $2
The Heat HD MA $2.50
1 Direction This is Us SD MA $1
12 Years a Slave SD MA $2
13 Hours HD Vudu $2
21 Jump Street SD MA $2
Action Point HD Vudu $2
After Earth HD MA $2.50
After Earth SD MA $1.50
Aladdin (Live Action) HD GP $2
Alexander and the Terrible, Horrible, No Good, Very Bad Day HD MA $3
Alex Cross HD Vudu $1.75
Alex Cross SD Itunes $1.50
Alex Cross HD Itunes $2
Alien Quadrilogy SD MA (Alien Directors Cut, Aliens Special Edition, Alien 3 Special Edition and Alien Ressurection)$7.50
Alpha SD MA $1.50
Alvin and the Chipmunks Road Chip 4K Itunes or HD MA $2.50
Anchorman 2 HD Vudu $2
Annie (2014) SD MA $2
Assassins Creed 4K Itunes or HD MA $2.50
Avengers Endgame HD GP $2
Bad Grandpa HD Vudu $2
Bad Grandpa 4K Itunes $2.50
Bad Moms HD MA $2.50
Bad Moms HD Itunes $2.50
Battleship HD MA $2
Beasts' of the Southern Wild SD Itunes $2
Beauty and the Beast (Live Action) HD GP $2
Big Eyes HD Vudu $2.50
Big Hero 6 HD GP $2
Black Panther HD MA $2.50
Black Panther HD GP $2
Bohemian Rhapsody HD MA $3
Boyhood HD Itunes $2
Brian Banks HD MA $2
Captain Phillips SD MA $1.50
Chappie HD MA $2.50
Concussion SD MA $1.50
Criminal SD Vudu $1.50
Daddys Home HD Vudu $2
Danny Collins HD Itunes $2
Dead Again in Tombstone HD MA $2.50
Deadpool 4K Itunes or HD MA $2.50
Deadpool 2 HD MA $4
Dead Man Down SD MA $2
Despicable 2 HD MA $2
Dirty Grandpa SD Vudu $2
Divergent HD Vudu $1.50
Don't Breathe SD MA $2
Dracula Untold HD MA $2
Draft Day SD Vudu $1.50
Dredd HD Vudu $2
Dredd SD Itunes $1.50
Dying of the Light HD Vudu $1.25
Elysium SD MA $2
Elysium and District 9 HD MA $4
Ender's Games HD Vudu $1.50
Epic HD MA $2
Epic SD Itunes $1.75
Escape Plan HD Vudu $1.50
Escape Plan: The Extractors HD Vudu $3
Extraction (2015) HD Vudu $2
Family Guy It's a Trap SD Itunes $2
Fast Five Extended Edition HD MA $2
Fast Five SD Itunes $1.50
Fast and Furious 6 Extended Edition HD MA $1.75
Fast and Furious 6 Extended Edition HD Itunes $2
Fifty Shades Darker Unrated HD MA $2
Fifty Shades of Grey Unrated HD MA $1.75
Fifty Shades of Grey Theatrical 4K Itunes $2
Finding Dory HD GP $2
Florence Foster Jenkins HD Vudu $2
Florence Foster Jenkins HD Itunes $2
Frozen HD GP $2
Frozen Sing Along HD GP $2
Furious 7 Extended Edition HD MA $1.75
Furious 7 Extended Edition 4K Itunes $2
Fury SD MA $1.75
Gemini Man HD Vudu $2
Gemini Man 4K Itunes $2.50
Ghost in the Shell (2017) HD Vudu $2
Ghost Team One HD Itunes $2
G.I. Joe The Rise of Cobra SD Itunes $2
Girls Trip HD MA $2.50
Girls Trip HD Itunes $2.50
Gods not Dead A Light in Darkness HD MA $2
Gods Of Egypt SD Vudu $1.50
Goosebumps SD MA $2
Grace Unplugged HD Vudu $2
Grown Ups 2 SD MA $2
Guardians of the Galaxy Vol.2 HD GP $2
Hammer of the Gods SD Vudu $2
Hansel and Gretal Witch Hunters (Unrated) HD Vudu $2
Hardcore Henry HD Itunes $2.50
Hard Target 2 HD MA $2.50
Hard Target 2 HD Itunes $2.50
Haywire SD Itunes $2
Heaven is for Real SD MA $2
Heaven is for Real HD MA $2.50
Hell or High Water SD Vudu $2
Here Comes the Boom SD MA $2
Hidden Figures 4K Itunes or HD MA $2.50
Hillsong Let Hope Rise HD MA $2
Hillsong Let Hope Rise HD Itunes $2
Home HD MA $2
Home Alone/Home Alone 2 SD MA (Bundle) $4
Hope Springs SD MA $1.50
Hotel Transylvania SD MA $2
Hot Tub Time Machine SD Itunes $2
Hours SD Vudu $1.50
Hunter Killer 4K Itunes or HD Vudu $2.50
I, Frankenstein HD Vudu or HD Itunes $2.50
I Feel Pretty HD Itunes $2 (can no longer purchase direct)
I am Wrath SD Vudu $1.50
Ice Age HD MA $2.50
Immortals SD Itunes $1.75
Inside Out HD GP $2
Iron Man 3 HD GP $2
Jack Ryan: Shadow Recruit HD Vudu $1.50
Jack Ryan: Shadow Recruit 4K Itunes $2.50
Jarhead 2 HD Itunes $2.50
John Wick SD Vudu $1.25
John Wick HD Vudu $2
John Wick 1 4K Vudu $2.50
John Wick 1 and 2 (Bundle) HD Vudu $4
John Wick Chapter 2 HD Vudu $2.50
John Wick Chapter 2 4K Itunes $3
Jumanji Welcome to the Jungle SD MA $2
Jurassic World HD MA $2
Jurassic World 4K Itunes $2.50
Kidnap HD Itunes $2
Killer Elite HD Itunes $2
Kingsman: The Secret Service 4K or HD MA $2.50
Last Knights HD Vudu $2
Last Vegas SD MA $2
Lee Daniels The Butler HD Vudu $2
Leprechaun Origins HD Vudu $2
Life of Pi HD MA $2
Lockout (Unrated) SD MA $2
Lone Survivior HD MA $1.75
Maggie HD Vudu $1.50
Maleficent HD GP $2
Mechanic Ressurection SD Vudu $1.50
Megan Leavey HD MA $2
Megan Leavey HD Itunes $2
Men in Black 3 SD MA $1.50
Mickey's Christmas Carol HD MA $3
Mission Impossible Fallout HD Vudu $2
Mission Impossible Fallout 4K Itunes $2.50
Mission Impossible Ghost Protocol SD Vudu $1.25
Mission Impossible Rogue Nation HD Vudu $2
Mission Impossible Rogue Nation 4K Itunes $2.50
Miss Peregrines Home for Peculiar Children 4K Itunes $2.50
Moms Night Out SD MA $2
Mortal Instruments City of Bones SD MA $1.50
Mordecai HD Vudu $2.50
My Big Fat Wedding 2 HD Itunes $2
Nerve SD Vudu $2
Night at the Museum Secret of The Tomb 4K Itunes or HD MA $2.50
No Escape HD Vudu $2.50
Noah HD Itunes $2
Noah 4K Itunes $2.50
Norm of the North HD Vudu $2
Now You See Me HD Vudu $2
Now You See Me HD Itunes $2
Now You See Me 2 SD Vudu $1.50
Now You See Me 2 4K Itunes $2.50
Office Christmas Party 4K Itunes $2.50
Olympus has Fallen HD MA $2.50
Olympus has Fallen SD MA $1.50
Orange is the New Black: Season 1 SD Vudu $1.50
Overdrive HD Itunes $2
Oz the Great and Powerful HD MA $2
Oz the Great and Powerful HD GP $2
Paddington HD Vudu $2.50
Paranormal Activity 3 SD Vudu $1
Paranormal Activity 3 Extended HD Vudu $1.75
Paranormal Activity 3 Extended HD Itunes $1.50
Parental Guidance HD MA $1.50
Parental Guidance SD Itunes $1
Parker HD MA $2.50
Parker SD MA $1.50
Passengers SD MA $2
Paul Blart Mall Cop 2 SD MA $1.50
Peter Rabbit SD MA $2
Percy Jackson The Lighting Thief SD Itunes $2
Percy Jackson Sea of Monsters HD MA $2.50
Percy Jackson Sea of Monsters SD Itunes $1.50
Pixels SD MA $2
Planes HD MA $2
Precious Cargo HD Vudu $2
Ralph Breaks The Internet HD MA $3
Rambo SD Itunes $2
Reclaim SD Vudu $2
Red 2 HD Vudu $1.50
Red Dawn (Newer) SD Itunes $2
Redemption HD Vudu $2
Resident Evil: Retribution HD MA $3
Resident Evil: The Final Chapter SD MA $2
Ride Along HD Itunes $2
Ride Along 2 HD Itunes $2
Rise of the Guardians HD MA $2
Risen SD MA $2
Robin Hood (2010) SD Itunes $2
Robocop (Newer) HD Vudu $2
Rogue Warfare HD Vudu $2
Roman J. Israel Esq SD MA $2
Safe SD Itunes $1.50
Safe HD Itunes $2
Safe HD Vudu $2
Safe House HD MA $2
Safe House HD Itunes $2
Sausage Party SD MA $2
Selma HD Vudu $2
Selma HD Itunes $2
Seventh Son HD Itunes $2
Sex Tape SD MA $2
Sicario: Day of the Soldado SD MA $1.50
Side Effects HD Itunes $2
Sinister SD Itunes $1
Skiptrace SD Vudu $2
Skyscraper HD MA $2
Skyfall HD Vudu $2.50
Skyfall SD Itunes $1.50
Sleepless HD Itunes $2
Snatched 4K Itunes (MA redeemable but HD) $2
Snitch HD Vudu $1.50
Snitch SD Itunes $1
Snow White and the Huntsman Extended Edition HD MA $2.50
Snow White and the Huntsman HD Itunes $2.50
Spectre HD Vudu $2.50
Standoff HD Vudu $2.50
Stand Up Guys HD Vudu $2
Star Trek SD Vudu or Itunes $1.50
Star Trek Beyond HD Vudu $1.50
Star Trek Beyond 4K Itunes $2
Star Trek Into Darkness SD Vudu or Itunes $1.50
Star Trek Into Darkness HD Vudu $2
Star Trek Into Darkness 4K Itunes $2.50
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2024.06.02 00:34 John_Smith_4724 [For Hire] Online History Assignment Help Reddit Essay Writing Help Reddit History Course Help Reddit Accounting & Finance - Physics - English Literature - Statistics - Biology - Spanish Help Reddit US History Homework Help Reddit Psychology Pearson MyLab Math ALEKS Help And More

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2024.06.02 00:13 RiseComprehensive560 The Ultimate Guidebook to Growing Long, Healthy Hair - Self-Help & Self-Improvement Nonfiction

After more than a decade of growing my hair, it has reached my calves! That’s about 140cm or 4.5 feet of hair! How did I manage to do this? All of my tips, tricks, and secrets that I’ve learned over a decade of growing my hair are included in this 135-page (32,400-word) book. Not only will you learn the DIY recipes and weekly hair care routines that us long-hair models follow, but you will also learn the biological science behind hair growth and commercial products supported by 40 peer-reviewed scientific sources.
Triggers: Women's beauty and appearance, body image
Click here to view a 6-page preview! https://drive.google.com/file/d/12aC4Ldfrc4jbw2M20V3ASk1YQdp0i1RI/view?usp=sharing
Please note that though its full length is now completed, this is still undergoing revisions, so there will definitely be typos, awkwardness, and imperfections. Feel free to mark, edit, or remove any mistakes. But it’s also fine if you just want to skim through and simply answer my Google Form at the end. The amount of effort is totally up to you and super appreciated either way!
My only true requirement is that you answer the 11-question Google Form when you’re done - it will literally only take about 2 minutes to complete because it’s mostly multiple-answer questions.
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2024.06.02 00:07 Chelz910 Ok lets talk about quantum physics... for the sciency folks here

I've been doing the work for about 3 months now and I'm in the chapter of Becoming Supernatural where he gets down deep into quantum mechanics and things like e=mc2 and The Bell Test Experiments. I may not necessarily need to prove this to keep doing the work but he included it in his book and I want to grasp all concepts as fully as possible.
Honestly, I think most of his science and testing on what he does is more so on health markers, brain states, immune function, health stuff, etc. but NOT anything to do with quantum science. This area seems more of a metaphor and teaching tool. Please let me know if I am incorrect in saying this! I will continue...
  • The statement: "Finally, since only the eternal present moment exists in the unified field, because there is no linear time (only all time), the consciousness and energy of the unified field that is observing all matter into form is always in the present eternal moment. Therefore, in order for you to connect and unify with it, you will have to be completely in the present moment as well."
I do not see evidence in his work or elsewhere on the internet that the dimension that surpasses this material dimension (speed of light) is a realm of no linear time. I understand that the photons in The Bell Test Experiments vanished at the same time indicating they were connected by a frequency but this does not really indicate to me that they suddenly went to a realm where no linear time exists. Only that time did not exist for a split millisecond and that this incredible experiment was observable to us in our Newtonian reality because of entangled frequencies (quantum entanglement) and who the hell knows where those photons went lol. Furthermore, is it sufficient to access this realm by "becoming consciousness"? (which is a term I am very deeply aware and familiar with) I feel I need to understand more on the science level what this realm is other than what he put in his book with his own diagrams to actually mentally accept that this state can gain a human access into that realm. Thoughts? *Please note I'm not trying to be a skeptical jerk I'm just trying to really apply principles and fully understand them!*
For those who have read Becoming Supernatural and have the intention of understanding and applying his material the fullest how have you navigated this part of his teachings?
EDIT: I keep researching and I think the answers are leading to: We don't know. These experiments began to pave a way to gain more understanding as to what is locally real but I think we still have a long way to go... fascinating stuff. Here's a video from a YouTuber I appreciate who helps explain the concept I'm baffled by:
https://www.youtube.com/watch?v=kiR2Xa40W1g&t=630s
submitted by Chelz910 to DrJoeDispenza [link] [comments]


2024.06.02 00:05 The_Sunhunter The Mythology of the Eikons #9: Leviathan

Leviathan, the Eikon of Water concept art
Leviathan, the lost Eikon of Water, has finally been found! After months of waiting, the Rising Tide downloadable content (DLC) has been released and with it, I am once again rambling about the mythological, religious, and cultural inspirations behind the Eikons of Final Fantasy XVI. If you would like to check out any of my previous posts on the subject of Eikons, you can find them here:

1.) Phoenix

2.) Ifrit

3.) Shiva

4.) Ramuh

5.) Garuda

6.) Titan

7.) Bahamut

8.) Odin

As I’ve said in the past, if you feel that I may have said something wrong, or if you would like to add to what information I have provided; by all means please do so. I absolutely welcome the discussion.
The sea serpent Leviathan, like most of the Eikons, has been a staple of the Final Fantasy series since its introduction as one of the original summons#Summon_Magic) from 1990’s Final Fantasy III. While modern usage of the terms “leviathan” and “behemoth” are often used to denote something large and imposing, these words actually originate as the names of two creatures from the Tanakh (or Hebrew Bible). According to the verses 40:15-41:34 in the Book of Job, Leviathan and Behemoth are two gigantic and nigh indestructible animals born around the same time as the creation of the first two humans Adam and Eve, with Behemoth residing over the wilderness east of the Garden of Eden called Duidain and Leviathan bound to the watery Abyss) as stated in verses 60:7-10 in the apocryphal Book of Enoch. While the term abyss may bring to mind the idea of a bottomless hole or even an underworld such as the Greek Hades, Hebrew Sheol, or Christian Hell; the Septuagint, the earliest Greek translation of the Hebrew Bible, often uses the term abyss to instead refer to deep bodies of water. In fact, Abyss is the translated noun for the Hebrew Tehom, or the “deep” primordial waters from which the god Yahweh formed the world after the creation of light as stated by the verses 1:2-10 in the Book of Genesis; which is but one example of the cosmic ocean motif, whereby existence is conceptualized as originating from a watery void. I find it very interesting then that the Abyss is referenced several times in the Rising Tide DLC, such as in the name of Leviathan’s Eikonic ability Abyssal Tear; the Motes of Water adage “Know that even should you walk Abyss, our hands will guide you home” from the Minwu Arm Ring description; or the description of the Radiant Tidestrike weapon that says “Surge did the tide, the water rising as if it were some mighty whale stranding itself upon the shore. Behold, the Devourer of Worlds. The beast within whose foul belly our hopes are carried unto the Abyss. - Eikonomachy - Book of Currents 15:40-41”.
From the aforementioned verses of the diegetic Book of Currents, as well as one of the Active Time Lore Entries for Leviathan that states “Old writings clearly speak of Dominants past summoning great whale-like creatures capable of swallowing entire cities…”; we can possibly see a reference to Leviathan) swallowing the protagonist Firion and his allies on their way to the Mysidian Tower in Final Fantasy II. However, I would suggest that these quotes go further than mere references to past games and are actually an allusion to the parable of Jonah surviving in the belly of a whale from the eponymous Book of Jonah. For those unfamiliar with the story, the Hebrew prophet Jonah was tasked by God to preach on His behalf to the citizenry of Nineveh in the Neo-Assyrian Empire. Jonah instead refuses the call, and attempts to sail across the sea to Tarshish. On the journey, Jonah and the sailors he is accompanied by are caught in a huge storm, and believing that Jonah’s dismissal of God is the cause, the sailors thus throw him overboard. God then sends a whale to swallow Jonah, with the intention of preventing the Israelite from drowning. Miraculously surviving in the whale’s stomach for 3 days, Jonah vows to do God’s bidding and is thus safely returned to shore, whereby he travels to Nineveh and beseeches the citizens to renounce their wicked ways, lest they be visited by calamity. This story is meant to illustrate that Yahweh is a merciful god who allows for second chances, giving not only Jonah, but also the Ninevites the opportunity to learn from their mistakes and redirect their course of actions.
With this parable in mind, I would like to mention that in 1949, literary professor Joseph Campbell published “The Hero with a Thousand Faces”; a work of comparative mythology in which he proposed his idea of the Monomyth (later called the Hero’s Journey). Campbell’s theory of the Monomyth posits that while most narratives involving a heroic protagonist may have differing contents, these stories also typically follow a similar pattern; that being a three-act structure comprised of 17 subset stages. One such stage in Campbell’s model is the Belly of the Whale (sometimes also referred to as the Abyss), one of the literally or figuratively lowest points in the story for the protagonist in which the hero must engage in introspection and commence a process of self-transformation if they are to be equipped to finish their journey. This stage acts as a symbolic death and rebirth for the protagonist, with some Christians even interpreting Jonah’s story as actually being an allegory for Jesus Christ’s sacrificial death and resurrection.
A prime example of this stage can be seen in Carlo Collodi’s 1883 novel “The Adventures of Pinocchio”, whereby the eponymous puppet Pinocchio and his creator Geppetto are swallowed by the Terrible Dogfish; with the typically irresponsible and selfish Pinocchio instead performing a self-sacrificial act in order to save his “father”, which he is thus rewarded for by being brought back to life as a human by the Fairy with Turquoise Hair. Viewing the Pinnochio narrative as an example of a more modern mythical epic, Thomas J. Morrissey and Richard Wunderlich state in “Death and Rebirth in Pinocchio”; “Gods can die and be reborn, or rise from the dead. Such mythological events probably imitate the annual cycle of vegetative birth, death, and renascence, and they often serve as paradigms for the frequent symbolic deaths and rebirths encountered in literature. Two such symbolic renderings are most prominent: re-emergence from a journey to hell and rebirth through metamorphosis. Journeys to the underworld [Katabasis] are a common feature of Eurasian literary epics: Gilgamesh, Odysseus, Aeneas, and Dante all benefit from the knowledge and power they put on after such descents. Rebirth through metamorphosis, on the other hand, is a motif generally consigned to fantasy or speculative literature… These two figurative manifestations of the death-rebirth trope are rarely combined; however, Carlo Collodi’s great fantasy-epic, The Adventures of Pinocchio, is a work in which a hero experiences symbolic death and rebirth through both infernal descent and metamorphosis”. We as the player also experience this Belly of the Whale stage in Final Fantasy XVI, when our heroes Clive Rosfield and Jill Warwick confront the Dominant of Darkness Barnabas Tharmr on the seafloor of the sundered Naldia Narrow, appropriately labeled as the Abyss, whereby Clive is soundly defeated by Barnabas for a second time. Fleeing their assailant, Clive and Jill consummate their love for one another on the shore of Ash, with Clive acquiring a portion of the Eikon Shiva’s powers from Jill so that he may finally triumph over Barnabas in a battle of physical prowess and ideals; proving to the false prophet and his God that compassion and the desire for freedom will always overcome any adversity.
With all this talk of whales, I should mention that from the descriptions as given in the Book of Job, Behemoth sounds to resemble that of a large ox or hippopotamus, while Leviathan is suggested as being similar to that of the tanninim) or “great whales” mentioned several times in the Hebrew Bible. In fact, Islamic folklore has its own variant of this terrestrial and aquatic duo, that being the large bull Kujata and the even larger whale Bahamut; as outlined by the medieval cosmographer Zakariya al-Qazwini in his seminal work “The Wonders of Creation”. Even though I am going to hazard a guess that the name of the Kuza Beast), a variant of the Behemoth enemy in several Final Fantasy games, is named after Kujata; it is quite obvious on the other hand that the draconic Eikon Bahamut borrows its name from the Islamic whale of the same name as well as the dragon god Bahamut) from the Dungeons & Dragons roleplaying game. While the Book of Job describes Leviathan as being a whale or even a crocodile as suggested by a footnote in the Revised Standard Version of the Bible, verse 27:1 in the Book of Isaiah instead equates Leviathan to a sea serpent or dragon, with the Book of Job description also making it a point to mention Leviathan’s fearsome fiery breath. Given its status as a tutelary god for the Japanese-inspired nation of Wutai in Final Fantasy VII, it could be argued that Leviathan in the Final Fantasy series also shares similarities with Eastern dragons, such as the Chinese Lóng or Japanese Ryū; beneficent, serpentine deities of water and rain.
It is presumed that the figure and name of Leviathan actually originates from the older Canaanite sea monster Lôtān, whose name in the Ugaritic language meant “coiled” and was given the epithets “the fugitive serpent” or “the wriggling serpent”. In the first two tablets of the fragmentary Ugaritic Baal Cycle text, the storm god Baal (Lord) Hadad engages in a feud with the deification of the sea Yammu) to succeed their father El) as the ruler of the gods. At some point in this first chapter of the Baal Cycle, Hadad strikes down the seven-headed serpent Lôtān, who given the missing pieces of the text, could either be a servant of or another name for Yammu, with it also being believed that the monster was a zoomorphic representation of the Lebanese Litani River. Why I bring this up is to illustrate that Hadad’s defeat of Lôtān is but one example of the Chaoskampf mytheme, a pattern found in numerous Indo-European mythologies whereby a younger storm god or culture hero representing order and human civilization slays an ancient serpent or dragon associated with water that represents primordial chaos); perhaps a sentiment held by early agricultural riverine civilizations wishing to triumph over the constant and often devastating threat of floods.
One of the oldest examples of this mytheme is that of the Mesopotamian god Marduk’s dismemberment of Tiamat. According to the Babylonian Enūma Eliš, in the beginning there existed only Tiamat, the female personification of salt water; and Abzu, the male personification of fresh water. From the union of the two primeval waters sprang forth the first generation of gods called the Anunnaki. One such god, Enki (or Ea) would capture and kill Abzu after he plotted to kill his children due to the commotion they were causing. Enraged by Enki’s actions, Tiamat gave birth to eleven monstrous children to wage war against the gods along with her new consort Kingu, who possessed the Tablet of Destinies); the mark of divine rule. Marduk, the son of Enki, challenged Tiamat and her monsters, eventually slaying his opponents with lightning and storm winds. Defeated, Tiamat’s body was sliced in twain, with the two halves becoming the sky and earth. From an earlier promise made with the Anunnaki and the Igigi (lesser gods) as well as the acquisition of the Tablet of Destinies from the beaten Kingu, Marduk was made king of the gods; later mixing the blood of Kingu with clay to also become the creator of mankind.
Through the lens of the Chaoskampf mytheme, we can start to see connections between Tiamat’s dismemberment, the defeat of the multi-headed Lôtān, and Leviathan form. The non-canonical Book of Enoch actually specifies that the land-dwelling Behemoth is male, while the aquatic Leviathan is female; possibly creating an inadvertent association between Leviathan and the sea goddess and mother of monsters Tiamat. This may also be why Leviathan’s Chronolith Trial is named the Hand of Tethys. While still following the moons of Saturn naming convention, it is very fitting that the trial is also named after the Greek Tethys); wife of the world-encompassing river Oceanus and mother to the male river gods and female water nymphs called the Potamoi and Oceanids, respectively. Furthering the connections to Tiamat and Lôtān, several accounts in the Hebrew Bible describe Yawheh triumphing over the forces of the sea, such as in Isaiah 51:9-10 “Awake, awake, arm of the Lord, clothe yourself with strength! Awake, as in days gone by, as in generations of old. Was it not you who cut Rahab) to pieces, who pierced that monster through? Was it not you who dried up the sea, the waters of the great deep, who made a road in the depths of the sea so that the redeemed may cross over?” and Job 26:12-13 “By his power he churned up the sea; by his wisdom he cut Rahab to pieces. By his breath the skies became fair; his hand pierced the gliding serpent”. It is believed that Rahab, while occasionally used as a flowery term for Egypt or arrogance, was also a sea serpent either comparable to or synonymous with Leviathan. While Leviathan’s death at the hands of Yahweh in Isaiah 27:1 is viewed as a metaphor for the enemies of Israel who will submit to the Hebrew God, the Chaoskampf and the connection with the Canaanite Lôtān is further shown in verse 74:14 from the Book of Psalms, which says “Thou brakest the heads of leviathan in pieces, and gavest him to be meat to the people inhabiting the wilderness”; which is where the name of the trophy for beating Leviathan on Final Fantasy mode, Thou Brakest the Head, comes from.
Along with the account of Leviathan’s death in Psalms 74:12, several other Jewish sources, such as the Second Book of Esdras 6:47-52, the Apocalypse of Baruch 29:4, and the Bava Batra tractate in the Talmud state that Yahweh will slay Leviathan and Behemoth so that their flesh shall be given as food and shelter to the righteous during the End of Days and the Messianic Age. This may explain why the Behemoth King in FFXVI has several attacks referencing Christian eschatology from the Book of Revelation, such as the Four Horsemen; personifications of War, Conquest, Famine, and Death that herald the Last Judgment; and the Apocalypse, another term for a revelation which has since become synonymous with a cataclysmic end-time event, like the battle at Armageddon for instance. Leviathan and Behemoth’s statuses as eventual sacrifices is very similar to the role that Leviathan and its Dominant unfortunately play in Final Fantasy XVI.
Both DLCs, the Echoes of the Fallen and the Rising Tide, deal with themes of rectifying the sins of the past; whereby the Fallen and the Motes of Water engaged in questionable behavior in an attempt to create their own Mothercrystals to disastrous effect. The Motes of Water, a central focus of the Rising Tide, are a tribe originating from the southern coast of the continent of Ash and hosts to the Dominants of the Eikon Leviathan. After the loss of their Mothercrystal Drake’s Horn, the tribe migrated across the twin continent of Storm; where they were mercilessly persecuted by several groups, particularly the Greagorian faithful of the burgeoning Holy Empire of Sanbreque, causing the tribe and their Eikon to become “lost” to history. Due to their nomadic nature as well as Sanbreque’s similarities with the Roman and Holy Roman Empires, one could say that the Motes of Water mirror the Jewish Diaspora (exile) and transformation of the faith after the Roman Empire’s siege on Jerusalem) and the destruction of the Second Temple during the First Jewish-Roman War; or perhaps one could say the tribe is treated in a similar fashion to the oft demonized itinerant Romani people of eastern Europe. Either way, the Motes of Water are meant to represent the “Other”; ostracized outsiders to the customs of Storm who hid themselves away from the rest of the world to avoid further religious persecution.
After finding sanctuary in the northern territory of Mysidia, the Motes of Water tried to create for themselves a new Mothercrystal to replace the Northern Territories’ own shattered Mothercrystal called Drake’s Eye. The story of the Motes of Water is one of loss and a constant fight to carve out a place in the world to call their own, so it is no surprise then that they wished to regain something taken away from them so many years ago. However, the tribe would engage in a terrible act, enraging their Eikon Leviathan that laid dormant within the infant Dominant Waljas, and freeze both the baby and the Eikon in time to essentially act as an aether battery. Unsuccessful in turning Waljas into the heart of a Mothercrystal, all the tribe achieved was robbing the poor baby of its life and autonomy, imprisoning the Dominant and the tidal wave it summoned in that moment where the tribe’s greatest sin occurred for 80 years.
This frozen tsunami, dubbed the Surge, is not only a monument to the tribe’s greatest shame, but is also a constant looming threat over the tribe’s village of Haven; a reminder to never again engage in such a transgression, lest they be met with watery doom. This mirrors not only Jonah preaching to the Ninevites to change their ways, but also God’s warnings against individuals sacrificing children to Moloch in the Book of Leviticus 20:2-5. In fact, as ProfNoctis suggests in his video “Final Fantasy XVI Lecture Stream: The Mythos of Leviathan Part 2”; Leviathan and the Surge are symbols of human and divine regret, with Ultima, the creator of mankind and the Mothercrystals, referring to Leviathan as its “most profaned fragment”; due to the Eikon being rested from its creator’s control and the act of creating a man-made Mothercrystal being a repeat of the Fallen’s blasphemous attempts at attaining godhood during the War of the Magi and the Sins of Dzemekys, flagrant displays of mankind’s development of free will which is anathema to Ultima’s collective identity.
As a symbol of divine regret, the Surge could be seen as a parallel to the Flood from the Book of Genesis. Deluge or flood myths are motifs that can often be found amongst cultures residing near the Mediterranean Sea, Black Sea, and Persian Gulf such as Egypt, Greece, and Israel; with these stories usually recounting a tale in which a deity or deities summon a world-wide flood as a form of divine retribution. One of the earliest examples is the Mesopotamian Epic of Atra-Hasis, in which mankind was created by the gods to act as servants and laborers. However, due to overpopulation, the storm god Enlil seeks to reduce their numbers by bringing forth a great flood. Enki, seen as a benefactor of mankind, warns the human Atra-Hasis about the flood, telling him to build a boat to protect himself, his family, and his livestock from the deluge. After seven days, the waters recede and Enki and Enlil agree on other means of maintaining the human population. This story is also thought to have been later adapted in Tablet XI of the Epic of Gilgamesh, where the survivor of the flood is renamed Utnapishtim; though both the Atra-Hasis and Gilgamesh flood accounts seem to originate from an even older source called the Eridu Genesis. Similarly, the Greeks also had a deluge myth, as outlined in the Roman poet Ovid’s Metamorphoses, where Deucalion, the human son of the divine Prometheus, is warned by his father to build a chest for himself and his wife Pyrrha to escape a gigantic flood that the storm god Zeus plans to bring forth as a response to the insufficient offering given to him by Lycaon), the king of Arcadia); with the pair washing up on Mount Parnassus nine days after the storm.
There are several theories, such as the Black Sea Deluge Hypothesis, that propose that the ancient Middle East did indeed experience a large flood at some point in the very distant past. Given that flood myths are thus believed to have originated from Mesopotamia, it should come as no surprise that the Hebrew flood narrative bears similarities to the previously discussed deluge myths as well. According to chapters 6-9 in the Book of Genesis, God grows increasingly distraught over the wicked nature of the humans descended from Adam and Eve and their inadvertent creation of sin, and so decides to reset creation to a state of watery chaos. God warns one of the few moral men, the Antediluvian patriarch named Noah, about His plan to flood the world and instructs him to build an ark to house himself, his family, and two of each animal to be the first creatures to inhabit the new world. After the firmament breaks forth and floods the world for 40 days, Noah’s Ark washes up on Mount Ararat. Noah then builds an altar, with God forming a covenant with Noah whereby He declares to never again summon a flood to devastate the world. As Genesis 9:9-17 states, this promise between Noah and God is commemorated by the rainbow, a symbol of peace; which as ProfNoctis points out, also appears once Clive saves Waljas.
Through a certain perspective, the Flood could be seen as a sort of baptism, a spiritual cleansing of the world through physical water. Baptism is considered one of the 7 sacraments of the Christian Catholic denomination; a rite of initiation whereby the individual joining the faith is either submerged in or sprinkled with water three times, representing the purification of sin and the grace given by the Holy Trinity. This is not unlike the Rite of Immersion that the infant Waljas is granted at the conclusion of the Rising Tide DLC; a ceremony for all babies born into the Motes of Water in which the initiate is sprinkled with mountainous rain water from Maiden’s March, river water from Riversmeet, and sea water from Tailwind Bay. The water used in this rite is used as a metaphor for life’s journey, likened by the tribe to that of a river, with this revealing that the Motes of Water hold a very cyclical view of life in a similar fashion to the Buddhist beliefs in reincarnation or the Lifestream from Final Fantasy VII. As the descriptions for the 3 kinds of water used in the ceremony state; “The rain that falls upon the mountains of Mysidia emerges in the springs of Maiden’s March. Thus the water collected from said springs represents birth-the fountainhead from which the river of life begins”, “In the Riversmeet valley, several tributaries merge into a single stream, where clear currents and roiling eddies swim side by side. Its water represents life-a course complete with myriad meanderings, yet one that runs inexorably from source to sea”, and “The Mysidian river empties into the ocean amid the shallows of Tailwind Bay, and thus its water represents death-the stillness that lies beyond the end of the river of life, and from whence the raindrops are born anew”. In fact, the symbol for the village of Haven is meant to be the combination of Leviathan’s scales and the river called the Ceaseless Rill, “...the circle of life that has neither beginning nor end”, not unlike the serpentine symbol of the Ouroboros. I would thus argue that not only does Leviathan represent regret and retribution, but also the chaotic journey of life.
If it’s not already apparent, I find Leviathan to be very interesting. I want to thank you all for sticking around and reading the whole thing, as I know this was a lot. If you would like to check out some more information about Leviathan, I would recommend checking out the videos “Leviathan of Final Fantasy VS the Leviathan of the Bible - FF16 The Rising Tide” by Country Kratos and “A Brief History of Final Fantasy Summons Final Fantasy Lore” by Alleyway Jack.
With the conclusion of both DLCs, Clive and by extension the player, is granted one additional Eikonic power. As such, I am actually going to do one more essay, which I will post next week. I hope you look forward to it and thank you again for reading this. Have a fantastic day!

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2024.06.01 23:29 champagnepapi111 LOW GPA INSTATE FOR UMICH

Demographics: Asian, Male, Public, No Hooks
Intended Major(s): Biology
ACT/SAT/SAT II: 1570 (W 770, M 800)
UW/W GPA and Rank: 3.4/3.7 -> large upward trend, 4.0 in junior year
Coursework: 2 Honors, 7 APs + 1 Self Study, 3 Dual Enrollment
  • AP Psychology, AP Environmental Science, AP Microeconomics, AP Macroeconomics, AP Statistics, AP Biology, AP English Language and Composition, AP Chemistry (Self-Study)
Awards:
ISEF top 10 regionals -> qualified for internationals
(Placed 1st out of 40 Teams) in State HOSA Competitive Event (State) & one of 3 teams in Michigan sent to ILC
Top 3 Place at International Leadership Conference Competition in HOSA Competitive Event (International)
AP Scholar w/ Distinction - Granted to students who receive an average score of at least 3.5 on all AP Exams taken, and scores of 3 or higher on five or more of these exams
Econ School Award - 5s on Both AP Exams
Honor Roll
Extracurriculars:
Research Poster and Paper on Biotechnology and Next Genome Sequencing - Research to detect how genetic variation could lead to inherited diseases. Also touched upon Nucleotide Hybridization. The Research Poster will compete in SefMed/ISEF, as well as IFoRE. The Research Paper is peer-edited by professors and will compete in JSHS.
  1. 11th and 12th grade, 10hrs/wk, 20wk/yr
    1. Biotechnology and Research Sequencing at the University of Michigan (501c3 research organization) - Explored Nucleotide Hybridization, and led group research linking it to a real-world disease. Analyzed related Thermodynamics, PCR, Advanced Linux, and mapping genomes. Presented a business plan on Biotechnology and Next Generation Sequencing Technology (showing how genetic variation could lead to disease).
  2. 11th and 12th grade, 20hrs/wk, 3wk/yr
    1. Co-Founder of Biomed Club (Only Student-Made Medical Club @ School) (4yrs) - Led in-school Biomedical-Based Medical Club focused on healthcare careers, connecting with licensed doctors and current medical students to inspire youth and teach them about the experience through the medical process. Expanded membership from 4 to 150 in 4 years by organizing talks for younger classmen about life as a doctor.
  3. 9th, 10th, 11th, 12th grade, 8hrs/wk, 35wk/yr
    1. Shadowed Internal Medicine Physician at University of Michigan - Physician has won several awards in America’s top Physicians by Consumers Research Council, as well as is a part of the John Hopkins Delta Omega Honor Society. I worked in the Biomedical Lab analyzing samples and results for patients (in real-time). I shadowed the actual checkups as well.
  4. 11th and 12th grade, 30hrs/wk, 3wk/yr
    1. HOSA (Health Occupations Students of America) Competitor (all 50 states + 11 countries competed) (2yrs) - State Champion (1st out of 40 teams) in my 1st year, Only three teams are sent to ILC from Michigan, Qualified for ILC (International Leadership Conference), and placed Top 3 at ILC. Posted on 10+ nationwide news sites, as well as covered by the media. 260,000 members nationwide.
  5. 11th and 12th grade, 10hrs/wk, 30wk/yr
    1. Goldfish Summer Volunteer connected w/City's Children’s Care Center (most vulnerable kids) - Instructed and taught children who have been impaired with neurological, social, and developmental challenges, as well as kids that have dealt with major trauma at a very young age to swim. Participated in a 3-week long program teaching them the basics of swimming.
  6. 11th, 12th grade, 8-10hrs/wk, 4wk/yr
    1. Swim Instructor at Swim School - Worked for ~1 year, over 400 hours of work, about 8-10 hours weekly on school weeks, and closer to 15 hours during summer, CPR and Lifeguard Certified. Had several classes, weekly, with kids with disabilities, such as Down Syndrome, Autism, and ADHD.
  7. 11th, 12th grade, 8-10hrs/wk, 40wk/yr
    1. Medical Student Shadowing and Cardiac Medicine Exploration at the University of Brown Alpert Medical School - Completed a Medical Interview, a Cardiopulmonary Physical Exam with a patient, reviewed different medical careers, learned about the pathophysiology of the heart, and completed an ethics course on heart transplants.
  8. 11th and 12th grade, 20hrs/wk, 4wk/yr
    1. Student Made Club Tutor Board - Nonprofit focused in middle schools to help struggling middle school students with tutoring. We have tutored in homeless shelters, libraries, as well as all 7 middle schools in our district, K-8th grade. We have also tutored at Child Care centers, affiliated with Rescue Mission Ministries.
  9. 11th, 12th grade, 5-6hrs/wk, 25wk/yr
    1. Michigan Ref Certified - Participated in overall 50+ hours of ref-related activities, played soccer for 13 years and competed in competitive/travel soccer for 10 years.
  10. 9th, 10th, 11th, 12th grade, 2hrs/wk, 13wk/yr (for reffing)
  11. 9th, 10th grade, 8hrs/wk, 35wk/yr (for soccer)
Essays/LORs/Other:
2 strong LORS from ap science teachers, 1 from doctor I shadowed
Really good essays/essay writers, will explain reasons why gpa was so low in additional sections
Schools: (in michigan) applying to a shit ton of reaches but only expecting to get into 1 or 2 that I pass the gpa check on
UPenn (ED)
UMich (EA)
Duke
JHU
Stanford
WashU
Brown
Northwestern
MSU
Wayne State
UNC
Georgetown
Columbia, Yale, Harvard
UCB
NYU
Uchicago
Boston U
Purdue
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2024.06.01 23:13 SanderSo47 Directors at the Box Office: Richard Donner

Directors at the Box Office: Richard Donner
https://preview.redd.it/vy035zlxz04d1.png?width=1920&format=png&auto=webp&s=d0e44d2c15efeb0e4509665368da69df4b50c058
Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Richard Donner's turn.
Initially, Donner wanted to develop a career as an actor. He gained a bit part in a television program directed by Martin Ritt, who encouraged Donner to become a director instead, and he hired Donner as his assistant. Through his connections in Desilu, he started directing commercials. In the 60s, he transitioned into television, directing episodes for shows like The Twilight Zone, The Fugitive, The Man from U.N.C.L.E., Get Smart, and Gilligan's Island. Afterwards, he had his chance to direct films.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1960s, the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

X-15 (1961)

"Actually filmed in space!"
His directorial debut. It stars David McLean, Charles Bronson, James Gregory and Mary Tyler Moore, and presents a fictionalized account of the X-15 research rocket aircraft program, the test pilots who flew the aircraft, and the associated NASA community that supported the program.
There are no box office numbers available, but it is said that it had a short and poor theatrical run. Reviews were mixed, and Moore said she's not proud of the film.

Salt and Pepper (1965)

"Join the club."
His second film. It stars Sammy Davis Jr., Peter Lawford, Michael Bates, Ilona Rodgers and John Le Mesurier, and follows two nightclub owners finding themselves in trouble over a woman's death.
It received mixed reviews, and it earned $1.75 million in rentals.
  • Budget: N/A.
  • Domestic gross: $1,750,000 in rentals. ($17.4 million adjusted)
  • Worldwide gross: $1,750,000.

Lola (1970)

"It may be love... but it's definitely exhausting!"
His third film. It stars Charles Bronson and Susan George, and follows a 38-year-old writer of pornographic novels who meets and falls in love with a sixteen-year-old school girl whilst living in London.
There are no box office figures, but you can be sure of something: it was panned by everyone.

The Omen (1976)

"If something frightening happens to you today, think about it."
His fourth film. It stars Gregory Peck, Lee Remick, David Warner, Harvey Spencer Stephens, Billie Whitelaw, Patrick Troughton, Martin Benson, and Leo McKern. The film's plot follows Damien Thorn, a young child replaced at birth by his father, unbeknownst to his wife, after their biological child dies shortly after birth. As a series of mysterious events and violent deaths occur around the family and Damien enters childhood, they come to learn he is in fact the prophesied Antichrist.
Producer Harvey Bernhard came up with the idea for a film about the Antichrist after talking with one of his friends. WB was on board, but they later pulled out, so 20th Century Fox agreed to distribute the film. Donner favored an ambiguous reading of the script under which it would be left for the audience to decide whether Damien was the Antichrist or whether the series of violent deaths in the film were all just a string of unfortunate accidents. Seltzer rejected the ambiguity favored by Donner and pressed for an interpretation of his script that left no doubt for the audience that Damien Thorn was the Antichrist and that all of the deaths in the film were caused by the malevolent power of Satan, the interpretation that Bernhard chose to go with.
There were some... dark stories over the making of the film. Some aren't confirmed, but others are verified. So take the following with huge grains of salt.
In September 1975, Peck was flying to London, and during the flight, lightning struck the plane. Shortly after, executive producer Mace Neufeld's plane was also struck by lightning while en route to Los Angeles. That's twice in a span of only a few weeks. Then, writer David Seltzer's plane was also struck by lightning. And, while filming in Rome, lightning narrowly missed striking Bernhard. Lightning may never strike twice, but four times, and to different people whose only six degrees of separation at the time was The Omen? Oh, it gets even creepier. A scene was postponed, which meant Peck was not needed on the set, so a private jet that the crew was going to charter to bring Peck in was not necessary. The next day, it was reported that the plane they had intended to book hit a flock of birds and crashed, killing everyone on board.
Neufeld, probably already on edge after his plane was struck by lightning, was planning to eat at a restaurant nearby, but it was hit by an IRA bombing. The day after filming, the hotel that Donner had stayed at was also bombed.
John Richardson, the set designer, created a particularly macabre scene where a character dies from decapitation resulting from an automobile accident. While in Holland in August 1976, Richardson and his assistant, Liz Moore, were struck by a freakishly unfortunate fate. They fell victims to a head-on-collision, where Moore was cut in half, in similar fashion to the one Richardson had designed for the film. It happened in a Friday the 13th, near a road sign which says: “Ommen, 66.6 km.”
Does that send you shivers down your spine?
Is all of this true? I... I'm not sure. I don't fully believe it. But I also don't fully not believe it. Whatever the case, it's truly one of the most insane behind-the-scenes stuff.
After a slate of weak films, Donner finally got his big break here. The film earned $78 million worldwide, becoming a huge box office success. While it initially received mixed reviews, its reputation grew with time and it has been named as one of the best horror films of the 1970s. It would spawn a franchise, but Donner didn't return for the director's chair. Why? He was preparing for something super.
  • Budget: $2,800,000.
  • Domestic gross: $60,922,980. ($335.7 million adjusted)
  • Worldwide gross: $78,722,980.

Superman (1978)

"You'll believe a man can fly."
His fifth film. Based on the DC Comics character, it stars Marlon Brando, Gene Hackman, Christopher Reeve, Jeff East, Margot Kidder, Glenn Ford, Phyllis Thaxter, Jackie Cooper, Trevor Howard, Marc McClure, Terence Stamp, Valerie Perrine, Ned Beatty, Jack O'Halloran, Maria Schell, and Sarah Douglas. It depicts the origin of Superman, including his infancy as Kal-El of Krypton, son of Jor-El, and his youthful years in the rural town of Smallville. Disguised as reporter Clark Kent, he adopts a mild-mannered disposition in Metropolis and develops a romance with Lois Lane while battling the villainous Lex Luthor.
Ilya Salkind had first conceived the idea for a Superman film in late 1973, and he bought the rights with his father Alexander the following year. DC wanted a list of actors that were to be considered for Superman, and approved the producer's choices of Muhammad Ali, Al Pacino, James Caan, Steve McQueen, Clint Eastwood and Dustin Hoffman. The filmmakers felt it was best to film Superman and Superman II back-to-back, and to make a negative pickup deal with Warner Bros. To show how serious he was, Alexander hired Mario Puzo (The Godfather) and paid him $600,000 to write the script.
Francis Ford Coppola, George Lucas, William Friedkin, Richard Lester, Peter Yates, John Guillermin, Ronald Neame and Sam Peckinpah were in negotiations to direct. Ilya wanted to hire Steven Spielberg to direct, but Alexander was skeptical, feeling it was best to "wait until [Spielberg's] big fish opens." His film, Jaws, became the highest grossing film ever, and the Salkinds offered him the job, but by that point Spielberg chose to make Close Encounters of the Third Kind instead. Guy Hamilton was hired, but left before filming due to legal issues. After seeing The Omen, the producers offered the job to Donner. He was planning to direct the Omen sequel, but decided to take Superman instead. Donner was dissatisfied with the campy script and brought in Tom Mankiewicz to perform a rewrite to start from scratch. According to Mankiewicz, "not a word from the Puzo script was used."
Before Donner signed, the film already cast Marlon Brando as Jor-El in 1975. And his terms were insane; top billing, a salary of $3.7 million and 11.75% of the box office gross profits (totaling $19 million), and his scenes had to be filmed in 12 days. He also refused to memorize his dialogue, so cue cards were compiled across the set. Hackman was cast as Lex Luthor days later, getting a $2 million salary. The filmmakers made it a priority to shoot all of Brando's and Hackman's footage "because they would be committed to other films immediately."
The first plan was for a famous star to play Superman, although Robert Redford, Burt Reynolds, Sylvester Stallone and Paul Newman all declined. When Donner signed, he decided to get an unknown actor. Reeve was suggested, but Donner and the producers felt he was too young and skinny. When other actors weren't convincing, they decided to give a screen test to Reeve. They wanted him to wear a muscle suit, but Reeve instead decided to take a strict physical exercise regime headed by David Prowse. After gaining enough weight, he was cast. Compared to Brando and Hackman, Reeve was paid just $250,000 for Superman and its sequel.
Filming began in March 1977, and it lasted 19 months because they were filming two films. The budget was $55 million ($303 million adjusted), which made it the most expensive film by that point. Warner Bros. only planned to distribute the film in North America, but was so impressed by the Krypton sequence, that they decided to distribute it worldwide. It was supposed to last eight months, but there were conflicts on set.
Donner had tensions with the Salkinds and producer Pierre Spengler concerning the escalating production budget and the shooting schedule. Richard Lester, who worked with the Salkinds on The Three Musketeers and The Four Musketeers, was then brought in as a temporary co-producer to mediate the relationship between Donner and the Salkinds, who by now were refusing to talk to each other. On his relationship with Spengler, Donner remarked, "At one time if I'd seen him, I would have killed him." Due to this, they decided to stop filming back-to-back with the sequel, and Donner was assigned to finish the first film. By that point, 75% was already shot by Donner.
The film opened with $7.4 million in its first weekend, despite playing at just 508 theaters, breaking a record for Warner Bros. As it expanded, it earned $10.3 million in its third weekend, which was the biggest weekend in history. Through the December 22-28 week, it earned a colossal $18.5 million, a figure that no film achieved in just 7 days. It eventually closed its domestic run with $134 million. And WB was right in believing in its worldwide prospects, as the film earned a huge $300 million, becoming their highest grossing film.
The film also received critical acclaim, and it has been named as one of the best films of the 1970s. It won a Special Oscar for its Visual Effects. The film was deemed a cultural landmark for comic books, and it has been proclaimed by many as perhaps the most influential comic book film ever. For the world finally believed that, indeed, a man could fly.
With this, Superman was finally an icon on the big screen. While Donner filmed 75% of Superman II, he was controversially fired before resuming his duties. There would be more Superman films in subsequent years (including one next year), but none have captured the cultural zeitgeist that this one achieved.
  • Budget: $55,000,000.
  • Domestic gross: $134,478,449. ($646.7 million adjusted)
  • Worldwide gross: $300,478,449.

Inside Moves (1980)

"It'll make you feel good, and that ain't bad."
His sixth film. Based on the novel by Todd Walton, it stars John Savage, David Morse, Diana Scarwid, and Amy Wright. It follows a man who became crippled after a failed suicide attempt, and he turns to drink, favoring a local dive bar frequented by the handicapped. There, he befriends the bartender, an ex-basketball player saving up for corrective surgery in hopes of returning to the court, and meets a kind young lady who aids him with his physical and mental rehabilitation.
Donner states that he agreed to direct the film only to take his mind off being fired and replaced from Superman II. He referred to the film as "the smallest film I could do that was just very near and dear to me, at that point, and I felt this is going to take my mind totally off that."
It received mixed reviews, and made just $1.2 million at the box office.
  • Budget: N/A.
  • Domestic gross: $1,200,000. ($4.5 million adjusted)
  • Worldwide gross: $1,200,000.

The Toy (1982)

"When Jackie Gleason told his son he could have any present he wanted, he picked the most outrageous gift of all... Richard Pryor."
His seventh film. The film stars Richard Pryor, Jackie Gleason and Scott Schwartz, and follows a janitor at a department store. The owner's son is told that he may have anything in the toy department. He chooses the janitor, who the owner pays to spend a week with the boy.
The film was panned by critics, and was named as one of the worst films of the year. But with $47 million at the box office, it was still a success.
  • Budget: $17,000,000.
  • Domestic gross: $47,118,057. ($153 million adjusted)
  • Worldwide gross: $47,118,057.

The Goonies (1985)

"Join the adventure."
His eighth film. The film stars Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Ke Huy Quan, John Matuszak, Anne Ramsey, Robert Davi, Joe Pantoliano and Mary Ellen Trainor. In the film, a group of kids who live in the "Goon Docks" neighborhood of Astoria, Oregon, attempt to save their homes from foreclosure and, in doing so, they discover an old treasure map that takes them on an adventure to unearth the long-lost fortune of One-Eyed Willy, a legendary 17th-century pirate. During the adventure, they are pursued by a family of criminals who want the treasure for themselves.
Donner noted both the difficulties and pleasures of working with so many child actors. He praised them for their energy and excitement, but also said that they were also unruly when brought together. While Donner is credited as the director, some have referred to producer Steven Spielberg as co-director.
The film received a great response, and after a slate of weak films, Donner bounced back with a much needed box office hit. The film was very influential, and it helped launch the careers of many of its stars.
  • Budget: $19,000,000.
  • Domestic gross: $63,711,145. ($185.6 million adjusted)
  • Worldwide gross: $124,311,145.

Ladyhawke (1985)

"A magical adventure."
His ninth film. The film stars Matthew Broderick, Rutger Hauer and Michelle Pfeiffer. The story is about a young thief who becomes unwillingly involved with a warrior and his lady who are hunted by the Bishop of Aquila. As he learns about the couple's past and secret, he chooses to help them overcome the Bishop's forces, and to lift an infernal curse.
It received mixed reviews, and it failed to recoup its $20 million budget.
  • Budget: $20,000,000.
  • Domestic gross: $18,432,000. ($53.7 million adjusted)
  • Worldwide gross: $18,432,000.

Lethal Weapon (1987)

"Two cops. Glover carries a weapon. Gibson is one. He's the only L.A. cop registed as a..."
His tenth film. It stars Mel Gibson, Danny Glover, Gary Busey, Tom Atkins, Darlene Love, and Mitchell Ryan. The film follows a pair of mismatched LAPD detectives — Martin Riggs, a former Green Beret who has become suicidal following the death of his wife, and veteran officer and family man Roger Murtaugh — who work together as partners.
Recent UCLA graduate Shane Black wrote the screenplay in mid-1985. Black stated that his intention was to do an "urban western" inspired by Dirty Harry where a violent character "reviled for what he did, what he is capable of, the things he believed in" is eventually recruited for being the one that could solve the problem. His first draft was quite different from the final film; it was darker in tone and it included massive action scale sequences. The ending of the script contained a chase scene with helicopters and a trailer truck full of cocaine exploding over Hollywood Hills with cocaine snowing over the Hollywood sign.
The script was rejected by some studios, but Warner Bros. took an interest. Producer Joel Silver was brought in and worked with Black to further develop the script. Donner also brought in writer Jeffrey Boam to do some uncredited re-writes on Black's script after he found parts of it to be too dark. Donner got Gibson involved, while someone else suggested Danny Glover. After a successful screen test, the film was greenlit.
The film was a huge hit, earning $120 million worldwide and continued launching the careers of Gibson and Glover, even if they already had a few recognizable titles by that point. It also received very positive reviews, and was another prime example of the buddy cop genre. Another Donner W.
  • Budget: $15,000,000.
  • Domestic gross: $65,207,127. ($179.9 million adjusted)
  • Worldwide gross: $120,207,127.

Scrooged (1988)

"The spirits will move you in odd and hysterical ways."
His 11th film. Based on the novella A Christmas Carol by Charles Dickens, it stars Bill Murray, Karen Allen, John Forsythe, John Glover, Bobcat Goldthwait, Carol Kane, Robert Mitchum, Michael J. Pollard, and Alfre Woodard. The film is a modern retelling that follows Frank Cross, a cynical and selfish television executive who is visited by a succession of ghosts on Christmas Eve intent on helping him regain his Christmas spirit.
After Ghostbusters, Murray only took a brief appearance in Little Shop of Horrors and chose to take a break. When he did feel a desire to return to acting, he said the "scripts were just not that good", and he returned to the this project as he found the idea of making a funny Scrooge appealing. Murray was paid $6 million for his role. He helped the writers, Mitch Glazer and Michael O'Donoghue, in rewriting.
Murray struggled with a scene where he reveals his redemption live on TV. Wanting a central acting moment, however, Murray gave an emotional and intense performance, deviating from his marked positions and improvising his speech. Glazer and O'Donoghue thought that the actor was suffering a mental breakdown. After he was finished, the crew applauded Murray, but O'Donoghue remarked "What was that? The Jim Jones hour?" Donner turned and punched O'Donoghue in the arm, leaving him bruised for a week.
Despite the commitment, however, there was drama behind the scenes. Murray said that while he was enjoying the experience of the script and having fun as "the meanest person in the world", he found the production "sloppy" and has expressed unhappiness with the final cut. For his part, O'Donoghue later said that Donner did not understand comedy, omitting the script's subtler elements for louder and faster moments. He estimated that only 40% of his and Glazer's original script made it into the final film and the surviving content was "twisted". Murray was also not content with Donner, "Scrooged could have been a really, really great movie. The script was so good... He kept telling me to do things louder, louder, louder. I think he was deaf." Donner, meanwhile, has a much more positive memory of Murray, calling him "superbly creative but occasionally difficult - as difficult as any actor."
The film received polarizing reactions, particularly for the tone. But as it was Murray's follow-up to Ghostbusters, it made $100 million worldwide, making it a box office success. In subsequent years, it has become a Christmas classic.
  • Budget: $32,000,000.
  • Domestic gross: $60,328,558. ($159.8 million adjusted)
  • Worldwide gross: $100,328,558.

Lethal Weapon 2 (1989)

"The magic is back."
His 12th film. The second installment in the Lethal Weapon franchise, it stars Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland, Derrick O'Connor and Patsy Kensit. In the film, Martin Riggs and Roger Murtaugh protect an irritating federal witness, Leo Getz, while taking on a gang of South African drug dealers hiding behind diplomatic immunity.
After the first film's success, Joel Silver asked Shane Black to write a sequel. Although he was struggling with personal issues, Black still managed to write the first draft along with his friend, novelist Warren Murphy. Although many people thought that their script was brilliant, it was rejected by Silver, Donner and the studio for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them.
When his script was rejected, Black felt that he had failed the producers. Black refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs's character was changed. Donner got Jeffrey Boam back to rewrite, and one of the biggest changes was expanding Leo Getz's character.
The film received very great reviews, and saw a big increase from the original, earning $227 million worldwide.
  • Budget: $30,000,000.
  • Domestic gross: $147,253,986. ($372.3 million adjusted)
  • Worldwide gross: $227,853,986.

Radio Flyer (1992)

"Powered by imagination."
His 13th film. The film stars Lorraine Bracco, John Heard, Elijah Wood, Joseph Mazzello, Adam Baldwin, and Ben Johnson and is narrated by Tom Hanks. Two young boys try to transform their toy into an airplane after their stepfather turns abusive. They wish to escape the physical abuse and fly away to safety.
The film received negative reviews, and it barely got 10% of its budget. Luckily for Donner, he had another film for that year.
  • Budget: $35,000,000.
  • Domestic gross: $4,651,977. ($10.3 million adjusted)
  • Worldwide gross: $4,651,977.

Lethal Weapon 3 (1992)

"The magic is back again."
His 14th film. The third installment in the Lethal Weapon franchise, it stars Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, and Stuart Wilson. In the film, Martin Riggs and Roger Murtaugh pursue Jack Travis, a former LAPD lieutenant turned ruthless arms dealer, during the six days prior to Murtaugh's retirement. Riggs and Murtaugh are joined by Leo Getz as well as internal affairs Sergeant Lorna Cole.
Jeffrey Boam's first two drafts of the script were different from the final film. The character of Lorna for example was not a woman in original drafts, but the original character still had the same personality and was just as lethal and crazy as Riggs, making him his match. Riggs also had an affair with Roger's daughter Rianne, and a few parts in the final film where Roger suspects that Riggs and Rianne are interested in each other are only parts left from the original drafts. Donner demanded some big changes on the script which included changing the original character of Lorna into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards.
The film received mixed reviews and was considered as weaker than the previous films. But it still earned $320 million worldwide, becoming the highest grossing film in the franchise and Donner's highest grossing film (although Superman still has that title adjusted for inflation).
  • Budget: $35,000,000.
  • Domestic gross: $144,731,527. ($323.4 million adjusted)
  • Worldwide gross: $321,731,527.

Maverick (1994)

"In their hands, a deck of cards was the only thing more dangerous than a gun."
His 15th film. Based on the 1957–1962 television series, it stars Mel Gibson, Jodie Foster and James Garner (who starred in the original series). The film follows Bret Maverick, a card player and con artist who collects money in order to enter a high-stakes poker game. He is joined in his adventure by Annabelle Bransford, another con artist, and Marshal Zane Cooper, a lawman.
The film received positive reviews, and was another great success at the box office, earning $183 million worldwide.
  • Budget: $75,000,000.
  • Domestic gross: $101,631,272. ($215 million adjusted)
  • Worldwide gross: $183,031,272.

Assassins (1995)

"In the shadows of life, in the business of death, one man found a reason to live..."
His 16th film. The film stars Sylvester Stallone, Antonio Banderas, and Julianne Moore. Professional hit-man Robert Rath wants to fulfill a few more contracts before retiring but unscrupulous ambitious newcomer hit-man Miguel Bain keeps killing Rath's targets.
The film was panned by critics, and was a box office flop.
  • Budget: $50,000,000.
  • Domestic gross: $30,303,072. ($62.3 million adjusted)
  • Worldwide gross: $83,306,268.

Conspiracy Theory (1997)

"Jerry Fletcher sees conspiracies everywhere... one has turned out to be true. Now his enemies want him dead. And she's the only one he can trust."
His 17th film. It stars Mel Gibson, Julia Roberts and Patrick Stewart, and centers on an eccentric taxi driver who believes many world events are triggered by government conspiracies, and the Justice Department attorney who becomes involved in his life.
The film received mixed reviews, and despite earning $137 million worldwide, it wasn't a box office success due to its high budget.
  • Budget: $80,000,000.
  • Domestic gross: $75,982,834. ($148.4 million adjusted)
  • Worldwide gross: $136,982,834.

Lethal Weapon 4 (1998)

"The gang's all here."
His 18th film. The fourth and final installment in the Lethal Weapon franchise, it stars Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Chris Rock, and Jet Li. It follows Martin Riggs and Roger Murtaugh as they investigate a Chinese immigrant smuggling ring. A crime boss named Benny Chan leads them to the Chinatown.
Wanting another film in the franchise, Warner Bros. and Joel Silver tried buying a new spec script titled Simon Says in hopes of rewriting it into a script for Lethal Weapon 4. Written by Jonathan Hensleigh, the story was about a police detective and a shop owner forced to find and stop bombs planted all over a city as part of a mad bomber's revenge plot against the detective. 20th Century Fox then bought the script, and decided to use it as the basis for a new Die Hard film, Die Hard with a Vengeance. Donner was committed to another film, but Gibson was not interested.
The film had a very difficult pre-production, as the script was still being re-written and rejected. Silver ultimately brought in TV writer Channing Gibson to work on the script, after he was impressed by Gibson's rewrite of a spec script titled Sandblast. Gibson took the gig thinking it would be a more relaxed writing job than anything he did for TV. However, much like the previous two sequels, the script kept getting changed and rewritten over and over again. Gibson would end up doing more work and revisions on it than on all of his TV work put together. Production even started with only half of the script.
Something you might have noticed, is that the budget was far larger than the previous films. While the previous two films cost $30-$35 million, Lethal Weapon 4 had a budget of... $150 million ($288 million adjusted). Which means that at that point, it was the most expensive R-rated film ever and the third most expensive film, just behind Titanic and Waterworld. Why? Because the delays kept coming... but Warner Bros. was desperate in greenlighting the film. Realizing they had no big tentpole releases scheduled for summer 1998, Warner Bros. finally greenlit the film in late 1997. So they opened all their wallets and started shooting in January 1998, despite having one third of the film not written yet, including the ending. Due to issues during filming, including the script changes, production ended around mid May, less than two months before its scheduled July release. The ending was not written until it was finally time to film it. Editors had to work very quickly to have the film ready, which is why the trailers feature some deleted and alternate scenes which are not in the film. So the film was greenlit, filmed and released in theaters in the span of just 7 months.
The film received mixed reviews. And if Warner Bros. was confident that spending $150 million to rush a film was worth it, they were in for a rude awakening. The film earned just $285 million worldwide, which meant that the film was a box office flop.
It was the last film in the franchise. Although a gang in a pub in Philadelphia kept the spirit alive by making three sequels, one of which had Danny DeVito as the bad guy.
  • Budget: $150,000,000.
  • Domestic gross: $130,444,603. ($250.9 million adjusted)
  • Worldwide gross: $285,444,603.

Timeline (2003)

"You're history."
His 19th film. Based on the novel by Michael Crichton, it stars Paul Walker, Frances O'Connor, Gerard Butler, Billy Connolly, David Thewlis, and Anna Friel. It follows a team of present-day archaeology and history students who are sent back in time to medieval France to rescue their professor from the middle of a battle.
The film was a critical and commercial failure.
  • Budget: $80,000,000.
  • Domestic gross: $19,481,943. ($33.1 million adjusted)
  • Worldwide gross: $43,935,763.

16 Blocks (2006)

"1 Witness... 118 Minutes."
His 20th and final film. It stars Bruce Willis, Mos Def, and David Morse. The film unfolds in the real time narration method, and follows Jack, who is assigned the task of escorting Eddie, a witness, from police custody to the courthouse. However, when they are attacked on the way, Jack learns that the entire NYPD wants Eddie dead.
The film received mixed reviews, and it marked his fifth bomb in a row. It was his final film before his death in 2021.
  • Budget: $52,000,000.
  • Domestic gross: $36,895,141. ($57.3 million adjusted)
  • Worldwide gross: $65,664,721.

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No. Movie Year Studio Domestic Total Overseas Total Worldwide Total Budget
1 Lethal Weapon 3 1992 Warner Bros. $144,731,527 $177,000,000 $321,731,527 $35M
2 Superman 1978 Warner Bros. $134,478,449 $166,000,000 $300,478,449 $55M
3 Lethal Weapon 4 1998 Warner Bros. $130,444,603 $155,000,000 $285,444,603 $150M
4 Lethal Weapon 2 1989 Warner Bros. $147,253,986 $80,600,000 $227,853,986 $30M
5 Maverick 1994 Warner Bros. $101,631,272 $81,400,000 $183,031,272 $75M
6 Conspiracy Theory 1997 Warner Bros. $75,982,834 $61,000,000 $136,982,834 $80M
7 The Goonies 1985 Warner Bros. $63,711,145 $60,600,000 $124,311,145 $19M
8 Lethal Weapon 1987 Warner Bros. $65,207,127 $55,000,000 $120,207,127 $15M
9 Scrooged 1988 Paramount $60,328,558 $40,000,000 $100,328,558 $32M
10 Assassins 1995 Warner Bros. $30,303,072 $53,000,000 $83,306,268 $50M
11 The Omen 1976 20th Century Fox $60,922,980 $17,800,000 $78,722,980 $2.8M
12 16 Blocks 2006 Warner Bros. $36,895,141 $28,769,580 $65,664,721 $52M
13 The Toy 1982 20th Century Fox $47,118,057 $0 $47,118,057 $17M
14 Timeline 2003 Paramount $19,481,943 $24,453,820 $43,935,763 $80M
15 Ladyhawke 1985 Warner Bros. / 20th Century Fox $18,432,000 $0 $18,432,000 $20M
16 Radio Flyer 1992 Columbia $4,651,977 $0 $4,651,977 $35M
17 Salt and Pepper 1965 United Artists $1,750,000 $0 $1,750,000 N/A
18 Inside Moves 1980 Associated Film Distribution $1,200,000 $0 $1,200,000 N/A
He made 20 films, but only 18 have reported box office numbers. Across those 18 films, he made $2,146,151,267 worldwide. That's $119,230,625 per film.

The Verdict

Despite the inconsistency of his filmography, it's hard to deny Donner as a very influential figure of cinema.
He was an expert in handling many genres; you'd expect the director of The Goonies to make 4 Lethal Weapon films? Or that the guy who made The Omen would make Scrooged? Sure, his last films indicated that he might have lost it, but you can't blame him for trying. The fact that he was willing to make Lethal Weapon 5 before his death show he was very committed. He was never too old for this shit.
And of course, there's Superman. The film that changed comic book films as we know them. It wasn't the first, but it was perhaps the most influential. There's an argument that either Batman, The Dark Knight, Iron Man, The Avengers, Deadpool or Joker are more influential, but those films wouldn't exist today if it wasn't for Donner. It's why Kevin Feige shows the film to all the cast and crew before filming any MCU film. If the film was put in the careless hands of a mediocre director, it would've been forgotten almost immediately. And the genre would be very different today. So it's a testament to the strength of the film of how much it could change the landscape of what was possible. He and Christopher Reeve really offered something fresh and exciting. They truly made the world believe a man could fly.
Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Ang Lee. A very important filmmaker.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. Well, we'll later talk about... Roland Emmerich. Is it Joever for him?
This is the schedule for the following four:
Week Director Reasoning
June 3-9 Ang Lee What happened to Lee?
June 10-16 Zack Snyder RIP Inbox.
June 17-23 Tony Scott Action films have not been the same ever since his death.
June 24-30 Roland Emmerich The King of disaster films.
Who should be next after Emmerich? That's up to you. But there's a catch.
For this week, you'll choose from four options, all picked by me. So we won't accept any other suggestions this week. I'll give you four directors, and the director with the most upvotes will get his own post. And here they are:
  • Joe Dante: Like Donner, a very influential figure of the 70s and 80s.
  • Renny Harlin: One of the most popular directors with the biggest amount of flops. How does he do it?
  • John McTiernan: An important action filmmaker... who literally went to jail.
  • Rob Reiner: Another actor who had an incredible run as a director, before falling with North.
So which one should be next? That's up to you.
submitted by SanderSo47 to boxoffice [link] [comments]


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