Everything has been tested and works properly except where noted! Additional pics/timestamps available on request. Forgive me if I'm slow to respond, I'll do my best to get back to any comments in a timely manner. The person with lower rep sends first. Willing to add/accept PayPal to fill in any gaps in value, especially for my higher priority wants.
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Switch

• Legend of Zelda: Tears of the Kingdom (sealed, SEA variant)
• Monster Hunter Rise Pro Controller (w/ box only)
• VORI Black Foam Carrying Case
  • includes strap, case is better for stationary storage than transportation though

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Wii

• Black Nintendo Wii Box ONLY
  • Nintendo & American Heart Association Edition (link to page on ConsoleVariations)
  • overall fantastic condition, been in storage since the console was opened
  • comes with inserts and sleeves only, no console/cords/Wiimotes, manuals, or games included
• Star Wars: The Force Unleashed (disc and box)
• Legend of Zelda: Twilight Princess (CIB)
• Super Smash Bros. Brawl (no manual)

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Nintendo 3/DS

• Super Mario 3D Land (CIB, Nintendo Selects)
• Super Smash Bros 3DS (loose)
• Pokemon Y (loose)
• Pokemon White (CIB)
• Kingdom Hearts 358/2 Days (loose)

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PS2

• All games include their box unless noted, any that include a manual/inserts are noted. All stickers are on the outside of the box plastic, not on the cover art!
• Driver 3 (w/ manual)
• DT Racer (w/ manual, back of cover art punctured)
• Fight Night 2004 (w/ manual)
• Fight Night Round 2 (w/ manual)
• Fight Night Round 3 (w/ manual)
• God of War 2 (Greatest Hits, w/ manual, no bonus disc)
• Gran Turismo 4 (w/ manual and insert)
• Heroes of the Pacific (w/ manual)
• History Channel Civil War: A Nation Divided (w/ manual)
• Hitman: Blood Money (w/ manual and bonus disc)
• Knockout Kings 2002 (w/ manual)
• Madden 06 (w/ manual)
• MLB 2k5 (loose disc only)
• Mortal Kombat: Deception (loose disc only, many scratches)
• Nascar 06: Total Team Control (w/ manual)
• Nascar 07 (w/ manual)
• Nascar: Dirt to Daytona
• NBA Live 2005 (w/ manual)
• NFL Head Coach (w/ manual and insert)
• Pro Race Driver (w/ manual)
• Red Dead Revolver (Greatest Hits)
• Rock Band (no instruments)
• Scarface: The World is Yours (Collector's Edition, CIB)
• Short Track Racing: Trading Paint (Gamestop case)
• SOCOM US Navy Seals Combined Assault (w/ manual and insert)
• Spartan Total Warrior
• Sprint Cars: Road to Knoxville (w/ manual)
• Sprint Cars 2: Showdown at Eldora (w/ manual)
• Suzuki TT Superbikes (w/ manual)
• Tiger Woods PGA Tour 2003 (w/ manual)
• Tom Clancy's Rainbow Six 3 (Greatest Hits)
• Tom Clancy's Splinter Cell
• Tom Clancy's Splinter Cell: Pandora Tomorrow (w/ manual and insert)
• UFC Sudden Impact (w/ manual)
• UFC Throwdown (w/ manual)
• World Series of Poker: Tournament of Champions (w/ manual)
• World Soccer: Winning Eleven 9 (w/ manual)

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Other

• PC - Dungeon Siege 2: Deluxe Edition (w/ map and game keys)
• PC - Battle Realms (loose)

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Accessories/Merch

• Accessory - NYKO Xbox One Direct Console Charge Base w/ batteries
  • fits flush with Xbox One when plugged in, batteries are well used but still hold a decent charge
• Guide - Prima Games Official Pokemon Diamond & Pearl Scenario Guide (no poster, fair condition)
• Merch - 2007 Diamond & Pearl Box Tin - Holiday Empoleon
• Merch - 2016 Triple Power Tin - Shiny Gyarados
• Battery - 3x OEM GBA SP batteries
  • all tested and working, all have small bloat

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Free w/ Any Trade

• Wii - The Bigs (loose, heavily scratched)
• PS4 - Fallout 76 (PAL, CIB)
• PSP - Syphon Filter: Logan's Shadow (loose, no casing, untested)
• Headset - OEM PS4 Mono Headset (never used)
• Accessory - 2x Nintendo Switch Lite Tempered Glass Screen Protector
• Accessory - 3x Unbranded GBA Cartridge Holders
• Battery - Non-OEM GBA SP battery (working fine)
• Battery - Dead OEM GBA SP battery (tested & not working)
• Other - Replacement GBA SP buttons & membranes
  • from RetroGameRepairShop, not OEM, buttons are clear black

Wants

Higher Priority	Lower Priority
Pokemon XD: Gale of Darkness (CIB or box w/ all inserts only)	Pokemon Let's Go Eevee (w/ box)
Pokemon SoulSilver CIB or Big Box only (great condition, few signs of damage)	Bayonetta 2 for Switch (sealed)
Pokewalker stuff: two foam slips for Pokewalkers, will consider Pokewalkers in good condition (lower priority than the foam slips)	Pokemon Stadium 2 Box w/ Inserts (any condition, little to no tears preferred)
Pokemon Black or White edition DSi console (loose or CIB)	Cases/boxes/inserts/games to complete my loose items listed
JFC Brand Grip for PS Vita 1000 (new/used)	PS2 game offers (Current specific wants: Bully, Prince of Persia: Sands of Time, Kingdom Hearts, Fullmetal Alchemist: Curse of the Crimson Elixir)
"New" 3DS OEM Faceplates (preference for Pokemon but feel free to offer me any)	BoxyPixel Unhinged Shell (Black or Purple preferred, open to offers on other colors)
GameBoy Micro OEM Faceplates (any except 20th Anniversary)	Xenoblade Chronicles 2 Switch Pro Controller (w/ box)
GameBoy Micro OEM Charger	Special Edition 2DS Consoles (slate model)
OEM PS2 Compatible Component cables (NOT composite cables)	Phat NDS (screens must be in great shape, very few/no scatches, no dead pixels)
LoZ: TotK Pro Controller (w/ box)	Pokemon GB/A with dead batteries
Waterfield City Slicker Case for "New" 3DS	Pokemon Merch (plushies, pins, etc, just show me what you got)
Pokemon Crystal (any condition)	Black Joy Con wrist strap (only need one)
Broken/Non-working handhelds (GB, GBC, GBA, PSP, etc), broken Nintendo consoles (old to new), non-working GBC/GBA cartridges (namely Pokemon, Zelda, etc)	Offers/Lists

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Ultraman: The Complete Series HD $10 (Movie Spree code)

$5 codes

Anomalisa HD (vudu only) (2 codes available)
Dr. strange & the multiverse of madness 4K
The Flash 4K
Gattaca 4K
Indiana Jones & The Last Crusade 4K
Indiana Jones & The Raiders of the Lost Ark 4K
Us 4K

$4 codes

Fast & Furious 8 Theatrical 4K (iTunes)
Fast & Furious 8 Theatrical 4K (MA/vudu)
Jurassic World 4K (MA/Vudu)
My Fair Lady 4K iTunes / HD elsewhere
Thor Love & Thunder HD

$3 codes

21 Jump Street HD
American Gangster HD
Ex Machina HD (vudu)
Get Out 4K (iTunes)
Ghostbusters 2 HD (3 codes available)
Logan HD (or 4k via iTunes)
Mission impossible ghost protocol HD (iTunes)
Mission impossible: rogue nation HD (vudu)
Paranormal Activities 3 HD (iTunes option may be 4k, not sure)
Wolf of Wall Street (4K via iTunes, HDX others) (2 codes available)

$2 codes; 3 for $5; 4+ at only $1.5 each

Divergent HD (vudu)
Divergent Series: Insurgent 4K (iTunes) (3 codes available)
Divergent Series: Insurgent HD (vudu) (4 codes available)
Expendables 3 HD
2 Fast 2 Furious HD (MA/vudu)
Fast & Furious 5 HD (MA/vudu) (3 codes available)
Fast & Furious 6 HD (MA/vudu) (2 codes available)
Fast & Furuous 7 Extended Edition HD (iTunes)
Fast & Furious 8 Extended HD (2 codes available)
Fast & Furious 8 Theatrical 4K (iTunes) (2 codes available)
Fast & Furious 8 Theatrical 4K (MA/vudu) (2 codes available)
Fast & Furious 8 Theatrical HD (MA/vudu) (2 codes available)
Frozen HD (2 codes available)
Jurassic World HD (MA/vudu) 2 codes available)
Jurassic World 4K (iTunes)
Lone Survivor HD
Pitch Perfect 4K (iTunes)
Pitch Perfect HD (MA/vudu)
Pitch Perfect 2 HD (MA/vudu) (2 codes available)
Star Wars: The Force Awakens HD (MA)
Super 8 HD (vudu only)
Transformers Age of Extinction (4k via iTunes, HDX Vudu)

Previous Part
The next day went by in a blur. Rocco was walking the perimeter of the camp, keeping an eye out for Brooke when I woke up. I didn’t really think he’d leave, but it seemed to give Rocco something to do other than being a general menace to society. All of us ate breakfast as normal but no one really said much. I’m not sure if they were still reeling from things they saw yesterday or if they just weren’t in a talking mood. The thought occurred to me that Shaoni may have payed a visit to each of them as well. Prying into what they saw and answering questions they might have. Honestly the whole thing felt like we were guinea pigs. Shaoni didn’t really seem to have a great handle on the trials so far. It was… mildly concerning that the ringmaster of all this didn’t seem 100% in control anymore.
Actually, I’d thought about that a lot last night. Shaoni just sort of left us to our own devices when we went through those “visions” yesterday. It’s not like she backed up her claim that she’d know what we’d seen either. If anything the fact that she came to ask me about it made me even more suspicious that she wasn’t really sure what she was doing. It was the first time I’d ever thought of Shaoni as anything other than in complete control. Slowly but surely it was becoming glaringly obvious that wasn’t the case.
If I was remembering correctly today’s trial was the trial of strength. I sincerely hoped that was a metaphor for something. You’ve got to understand, I’m not a very strong person, not physically anyways. I hoped Shaoni wanted to test mental strength or strength of will something like that. My hopes shattered as we arrived at the coliseum and saw an arena set up. There were several dummies in a corner, the kind you would see used in martial arts or HEMA or something to that effect. At the foot of the dummies were several wooden clubs. I couldn’t see them to clearly but they almost looked clawed from a distance. The real centerpiece was the platform in the middle of the coliseum. It looked like a stage and I’m sure that’s exactly how we were going to use it. The raised wooden platform had been constructed with boards placed across the top. It looked like those boards could be removed and under that was simply the cold hard ground about two feet below.
Katrina’s eyes lit up as she looked over the room.
“Now this is what I’m talking about, a real trial!”
She just about shrieked in excitement, throwing one fist in the air and startling the rest of us to attention. Katrina was the only one that really seemed excited about this. John and Robert just looked accepting and I’m not sure Brooke had put two and two together yet. I’d seen the clubs laid out by the dummies and already figured we’d be sparing with each other.
“Good morning everyone, I hope your ready for today.”
Called Shaoni, emerging unseen from behind us. Anyone who wasn’t fully awake at that point sure was then. There’s just something about Shaoni that makes you really really not want her to show up behind you unannounced. Probably why she kept doing it to us.
“Today I will test your strength, while I’d rather avoid conflict it’s sometimes unavoidable. My ideal candidate not only knows themselves but can handle themselves as well. We will allow you some time to familiarize yourself with the war clubs you’ll be using. Then you will compete against each other to find the strongest, most skilled warrior among you.”
Shaoni explained, Katrina’ excitement growing with every word.
I wasn’t to keen to participate in any of this but, like usual, I didn’t really have much of a choice at this point.
“So will you be sticking around this time then?”
I asked, wondering if Shaoni was going to cut and run again.
“I have other matters to attend to today. While I would like to stay and observe the whole day I need to prepare things for the final trial tomorrow. I’ll be back in time to see you test each other though.”
She replied dismissively, already on her way out. Shaoni seemed almost uninterested in us now. For someone evaluating us she seemed awful happy to pass off the evaluation to her followers. I didn’t say anything else as she walked out of the coliseum and towards the exit.
As I walked over to the little training area I saw the clubs were actually ornate masterpieces. They were carved from a hard dark wood. The handles resembled an eagles talon, curving near the end to grip a wooden orb. Whoever made these was beyond skilled, these things were works of art. I didn’t have much time to admire them before Katrina interrupted me.
“Hey, Keith was it? Want me to show you how to use these things?”
She called over to me, it was more of a command than a question but that’s pretty par for the course with her.
“If you want, sure. I’m uh… I’m kinda a fish out of water with this find of thing.”
I told her, rubbing the back of my neck with one hand in embarrassment. I wasn’t sure why she was singling me out for that but she answered that question for me.
“Good, Those two creep me out and that one has been drooling over me since we got here.”
She said, pointing over at Robert and John who had already started practicing, then at Brooke. Katrina showed absolutely no subtly in any of this, earning us looks from all three of the others.
I was a little afraid of Katrina teaching me anything, if someone was gonna kill me by accident it would be her. That and she still had that gun on her. Despite my misgivings she was actually a pretty good teacher. She was a bit like a drill instructor but I learned a thing or two. By the time we were done I felt like I might stand half a chance in this trial.
“Just remember your footwork, keep your balance and the rest should come natural. Oh, and if we get paired up, take a dive, it’ll be less painful.”
Katrina added with a smirk, walking over towards the group by the stage in the center of the room. Shaoni had just come back in and was up on the balcony. A few of her followers had collected us and informed us we were about to start the, ”practical part”, as they put it.
“There’s five of you so for the first matchup one of my own will serve as the opponent. Anyone what to go first?”
Shaoni asked us, looking down with a raised eyebrow and waiting for a response. Before I realized what I’d done my hand was in the air, my body subconsciously wanting to get this over with as fast as possible. Shaoni actually looked surprised as she gestured for me to take my place on the stage. Two of the boards had been removed on either side leaving us something like six feet of space to work with before falling off the platform. But I was far less concerned about that after I saw the guy walking over. It was the driver from a few days ago when Shaoni had me brought out to the camp. The guy that had his friend stabbed by Bianca, he didn’t look like he’d forgotten about that as they gave him his club.
As I took my place on the stage the only thing I was thinking was exactly how bad it hurt when you got hit with one of these things.
“Begin when you are ready.”
Called Shaoni from her place on the balcony. The guy across from me took absolutely no time to think, charging at me wildly right away. I tried to brace myself and remember Katrina’s training, taking an even stance and angling my club for the coming blow. I did manage to block his strike but the force of it threw me to the ground. My mind went into full survival mode as he swung down at me. He was way less fluid than Katrina had been when she was showing me the ropes. He just seemed like he wanted to hurt me by any means necessary. As I rolled from side to side avoiding his blows I waited for an opening. He took a particularly hard swing at my head and I rolled at the last possible second. He lost his balance, giving me a chance to slip between his legs and get back to my feet. I stood back up narrowly avoiding a swing for my head as my opponent regained his balance and swung back at me. His wide hate fueled swing carried his whole body around with it and gave me another opening. I planted my feet and took one hard swing at the man’s turned shoulder hitting him right on the bone with a sickening crack. He stumbled around towards the edge, turning his back to me. I took one final swing, hoisting the club above my head and bringing it down in between his shoulder blades with a hollow thud. The blow sent him tumbling forward over the edge and off the stage, falling to the floor below.
Katrina shot me a quick thumbs up as I walked off the stage while Shaoni looked down at me and gave me an approving nod. No one else seemed to pay me any mind as I rejoined the group. I felt empowered, I hadn’t expected to get even that far, maybe there was a chance for me in this trial after all. Robert and John fought next and despite their age they each held their own. In the end John forced Robert off the edge, his age and weight throwing off his balance. I was still impressed either of them could move like they had, I guess I shouldn’t judge a book by its cover. Then Katrina fought Brooke in the last… round I guess I’d call it. The smile on her face was unsettling from the moment she realized she’d be paired up with him, like a shark smelling blood in the water. You could just tell that she was going to take pleasure in what happened next.
That smile was still on her face as she walked up onto the stage and took her place across from Brooke.
“I hope you like it rough baby, cause I’m not going easy on you!”
Brooke called to her from the other side of the stage making a point to puff out his chest and flex his muscles. That set her off like a bomb, the smile disappeared and she exploded towards Brooke. I saw the exact moment that false confidence left his eyes and he actually turned to run, he was far to late and way to slow. Her first strike went low, shooting out in front of Brooke and coming back to catch his knee sending him tripping forward. He tried to regain his balance but she had no intention of letting him. Katrina swung out in front of him again, this time catching his neck with the club on its way back. That sent him flat onto his back, the club falling form his hand and rolling off the edge of the stage was the only sound in the whole coliseum. All eyes focused on Katrina as she took a breath then delivered a kick to Brooke’s ribs so hard that he went rolling off the edge, following his club. I returned her thumbs up she had given me as she rejoined the group.
Next, those of us who remained got matched up with each other. Shaoni wanted to use another one of her followers to stand in but Katrina insisted on just going twice. That meant I’d fight her and then the winner would fight John to see who the victor of the day was. As I stood across from Katrina I considered taking her advice from before, “…Just take a dive…” she had said. I thought about it, I really did, but I’d done so well earlier right? Why stop now? While I’d been thinking Katrina had walked up to me and started to swing. I had just enough time to realize my mistake before she cracked me across the head so hard she knocked me out.
I came to an hour later, alone on an animal skin cot. I was still in the coliseum but everyone else had left apparently. The only thing I saw when I got up from the ground was the torchlight illuminating the passage that lead back outside. That and the note scribbled on a scrap of a sticky note taped to my fore head.
“I told you to take a dive.”
Well at least she might feel bad about knocking me out. I figured we must be done for the day given how dead the camp seemed when I emerged back into the light. With nothing better to do, I walked off towards the forest to clear my head. I wondered what Bianca had been up to since I’d been gone as I aimlessly wandered around the forest’s edge.
“No that wouldn’t work! We don’t know what’s up there and we are not just waltzing in through the front gates!”
Stein yelled at me as I went over my most recent idea for breaking Keith out of whatever trials were going on out by the old mine. It had been two days since I watched him get kidnapped in front of me and I was getting drastic, aaaannd maybe a little dramatic.
“But I could do it guys! Remember back at the reservation? Those guys were willing to do anything for me and there can’t be that many guards in one place. Maybe I just convince a small group to lead us in and make an excuse for us.”
“For the last time Bianca, They’re just about cultists far as I can tell. You ain’t gonna be able to fight the kinda conviction they have to that bird, even if ya could its to much of a risk.”
Tuck protested from his seat at the kitchen table.
The kitchen table had become our war room over the past few days. A map of Eagles Peak Frank had made lay across it with dozens of pins stuck in around where the old mine would be.
“I don’t think an approach from the front is a good idea at all. You and Keith got to the mine through the forest once. Could we follow that path, approach without anyone knowing we were there?”
Stein theorized as he paced back and forth at the head of the table.
“Well, we really just wandered around for a bit and ended up there. We didn’t find the mine either, it was a hole that lead down to an old cavern near the mine. They turned out to be connected but that was just dumb luck.”
I explained to the group. Tuck looked like that had given him an idea.
“So you two got some backdoor entrance figured out that you’re only just tellin’ me about? That could be perfect! The four of us could make our way out and drop through that hole, take em all by surprise!”
Tuck exclaimed, leaping to his feet. His enthusiasm was nice but it wasn’t going to be that easy.
“We… kinda made a bit of a scene when we were there, they might be watching for something like that to happen again.”
“True, but it’s the best entrance strategy I’ve heard so far, I think following up on it is worth a try.”
Frank added with a nod. Stein then started pacing up and down the length of the table for a bit. He was coming up with something, that much was obvious.
“So we’ll enter through this hole leading into a cave connected to the old mine. From what you told us about your time there its some sort of staging area for these trials, at least that’s my best guess. Odds are there won’t be many people there overnight so we make our way out there during the night. From there we move through the cave and into the mine but after that we know nothing about what we’re running into.”
Stein lectured to his audience.
“But I think we have a solution for that. Frank do we still have that drone?”
An hour later the four of us were gathered at the edge of town on that path Keith and I had taken into the forest. The trees growing together forming a sort of arch over our head’s were unsettling but I couldn’t decide why. It just didn’t sit well with me, it looked unnatural I guess and that just gave me the creeps. I get that’s rich coming from a literal succubus but its how I felt.
“Alright, just watch the trees as you take it up, I don’t want a repeat of Missouri.”
Stein instructed Frank as he got the drone in the air.
“You’re never going to let me live that down are you?”
Frank chuckled, shaking his head.
“It was the first time we used this thing, there was bound to be a few unexpected variables.”
“If you call “unexpected variables” an itchy finger on the throttle. We had to have Rocco untangle it from the branches.”
Stein joked as he checked to make sure the drones camera was feeding back into the app on his phone.
I hadn’t seen them like this, being friendly with each other. There was never a time where they hated each other or anything like that but they’d been so… business like with for a long time now. It was nice to see them act like real people again. Leaning over Stein’s shoulder I got a birds eye view from the drone.
“ Just go East, its what we did. Just walked East till we stumbled into everything.”
Frank followed my advice and flew the drone due East. Eventually a campsite came into view, there were a bunch of tepees and a bunch of people just walking around.
“What, they just look normal?!”
I blurted out, a little louder and a bit more distressed than I meant to.
“How’re they supposed ta look then?”
Tuck asked
“They’re just people like you n’ me. Nothin to special about em other than the fact they worship some big ass bird.”
He continued with mild annoyance.
“I don’t know, I guess I expected these creepy guys in tarps, like from Keith’s story. These are just… well they’re just people!”
I responded, Throwing my arms out to my sides in exasperation. Tuck was right, I shouldn’t have expected everything to be just as Keith had said. Still, something just didn’t fit together for me about that whole thing. What had the deal been with those people in Imalone then? I shook my head, clearing the question from my mind, it wasn’t important now.
“There! That’s the entrance to the old mine.”
Tuck told Stein as he looked at screen. I looked over myself and felt my entire being freeze. It was Brooke, walking out from the entrance with some bitchy looking girl and two older guys that I’d seen around town before. How could he be here? After all this time why, why was he anywhere near me?
My vision swam, when it came back Frank was standing in front of me. His mouth was moving but I couldn’t hear anything.
“…anca! Are you ok, what’s going on? Bianca!”
I finally heard over the sudden ringing in my ears.
“Him.”
Was the only thing the escaped my lips as I pointed one finger at the screen. I felt warmth coming back into my limbs as that frozen feeling slowly left me.
“He’s here…. Shouldn’t be here… why.”
I mumbled to myself as Frank helped me into the back of the SUV twenty minutes later. I was still nearly catatonic as we headed back into town.
“So… that was him, the one you were running from when we found you.”
Stein said, breaking the silence that had fallen. I could talk normally again but I still only managed a quick “yes”.
“You know you don’t have to come with us, I’d understand.”
Frank said, snapping me to attention again.
“NO! I’ve got to help Keith, I don’t care if… if Brooke’s up there too.”
I tripped over my words just mentioning his name.
“I can do it, I can do this Frank, please.”
I begged, taking deep breaths to try and calm myself down. We pulled into the driveway before Frank said anything back. As we were all getting out he muttered something under his breath. He didn’t mean for me to hear him but I did.
“I’m not sure you can girl.”
I went straight up to my room after that, I didn’t want to be around anyone. All I caught before I left Frank, Stein, and Tuck before running up the stairs was the hard look Stein shot both of them. A look that said “We need to talk” and told me that he finally had a real plan. I spent the rest of that night thinking about the past and what I’d been through. Could I go out to that mine and rescue Keith if I had to face Brooke again? The last time I’d seen him had been as I leapt out of a moving car as my eyes turned to meet his one last time, rolling down that hill to freedom. I’d never seen him since and it was rare for him to even cross my mind. I wanted to go with the rest of them but despite what I said I really wasn’t sure I could do this anymore. Eventually I just decided only time would tell, hopefully Stein’s plan was a good one and we could put this whole thing behind us.
“Ey! Ey Keith!”
Someone yelled out as I came back from my little hike around the edge of the forest. My eyes darted around behind me before they finally focused on a rustling bush. Rocco jumped out of it holding a cigar in his mouth.
“That Brooke asshole hasn’t gone anywhere, I found him out by that trail the trucks drove in on with this.”
He said, tossing the cigar up in the air where it twirled around before he caught it in his mouth again.
“I figured I should frisk him just in case. I took a bite of his pants and stole this little number out of his coat pocket.”
He continued, shaking a silver lighter with a gold inlayed image of a lion in his paw.
“Oh and the cigar, I took that too. Cuban so the guy’s got taste, still a prick. Anyways, it looked like someone got to him before me. The guy was pretty beaten up, had some nasty bruises.”
I couldn’t believe what I was hearing. I was just trying to picture Brooke getting mugged by a raccoon In my head and I burst out laughing. Rocco walked back to the camp in toe with me, only stopping to look up at some weird buzzing sound we both heard above us. Probably some rickety old plane or something way up there. I think I was finally starting to get why Frank and Stein had kept Rocco around. He may be a furry criminal mastermind but when he was motivated he could actually be really helpful. I never would’ve been able to keep any sort of tabs on Brooke without his help.
We made our way back to the long tent that still had remnants of lunch sitting on the table. Usually I would’ve tried to hide Rocco but at this point I figured he deserved the free food. Plus I just didn’t want to argue with him after getting my shit rocked most of the morning. Someone walked up behind me and I heard Shaoni’s voice, of course she was creeping up behind me again.
“Your feeling alright after today I hope?”
She asked me, taking a seat next to me.
“I’ll be alright, I’m sure I’ll have a killer headache in the morning but I’ll manage.”
“Good, good. We’ll be gathering in a few hours so I can announce the final trial. I expect you out by the entrance to the mine by 6.”
“What’s the matter? No cryptic questions this time Shaoni?”
I asked, paying no mind to what was sitting next to me.
“What do you mean?”
“I mean, you always stop by to check in after these trials. You don’t have any questions this time?”
“No, Katrina was the victor today, there is no question about that, the woman is… brutal. I just wanted to make sure she didn’t hit you to hard, you were unconscious for some time.”
She answered, some genuine concern slipping into her voice again.
“Heh careful, I might start to think you actually care.”
I joked, less nervous than I should’ve been.
“I’ll see you tonight with the rest for the announcement.”
She said with a deep sigh, standing up and walking off toward where ever she came from.
I took a nap and just barely managed to wake up in time for this “meeting” Shaoni had planned. I couldn’t find Rocco before I left but I wasn’t all that concerned about that anymore. When I got to the entrance a massive bonfire was lit and Shaoni stood alone in front of it. Robert and John were already there and Katrina showed up a little after me. Brooke hadn’t arrived before Shaoni started her speech.
“I thank all of you for coming here tonight. Regrettably one of you is missing but I won’t be waylaid by his absence.”
She spoke with clear annoyance in her voice.
“Tomorrow marks your final trial, the most important of the three. The trial of justice. Tomorrow there will be a murder in Eagles Peak. I want you all to work together to stop it. Then, succeed or fail, pass judgment on those involved in the murder. Afterwards I will select which among you will receive my gift. But for tonight, talk amongst yourselves, plan, and rest. Prepare yourselves for tomorrow, I will have my eye on each of you.”
With that Shaoni stepped away from the fire and into the night. Not accepting any questions about anything she had said.
“What do you think she has planned?”
Robert asked me as I took a seat by the bonfire to think over everything Shaoni had said.
“I don’t know, a murder apparently. Shouldn’t you know more about it? You’re one of her followers after all.”
I said as I turned my head to see John walking off into the night. That man was weird, really weird. I knew next to nothing about him and he seemed to never speak.
“Usually sure, but she hasn’t said anything to us about this. It’s why she hasn’t directly overseen all the trials, she’s set this last one up all on her own. I guess there’s nothing to do but wait, we’re all in this together for the first part of the trial I guess.”
Robert explained, leaning back and sprawling out on the ground. He was right, there wasn’t much we could do until we were in the middle of it.
I looked around, searching for Katrina in the firelight. I found her leaning against the rocky wall that made up the entrance of the mine. I stood up, leaving Robert to relax and made my way over.
“How’s the head?”
She asked, feigning taking a swing at me again with an evil grin on her face.
“I told you to take a dive.”
“Yeah, I should’ve listened.”
I admitted, rubbing the goose egg that had formed on my head over the course of my nap.
“So what do you thin about this last trial?”
“Well, I can say that If that Brooke guy tries flirting with me one more time the murder won’t be that hard to solve. Seriously though, I think she’s gone off the deep end. How does she know there’s going to be a murder?”
Katrina made a really good point, how was Shaoni so sure?
“That’s… hmmmm, you’re right.”
“Well I’m gonna head to bed then. Something tells me tomorrow is gonna be a headache. Just try to stay out of my way when we’re all forced to work together and you should be fine. All goes well and maybe we’ll be out of here tomorrow, I know I will.”
Katrina said as she pushed herself off the rock wall she’d been leaning against. Something about the way she said that last part, it made me think she was up to something. Like she was leaving no matter what or she had some sort of exit strategy.
As I left Robert relaxing by the fire and hiked back to my own tepee for the night I spied Katrina. She had climbed up a tree and had her legs wrapped around the trunk and one of her arms gripped a branch above her. There was some kind of box in her other hand, a radio maybe. I had no idea what she was saying, she was too far off, but it had to mean something. As far as I knew none of us had any contact with the outside world since we got here. My gut feeling was that she wasn’t meant to be doing that. I wasn’t going to bother her at this point though so I went my own way and settled down for the night.

Taken from: https://www.theringer.com/movies/2024/5/21/24161120/greatest-movie-car-chase-scenes-ranked-furiosa-mad-max-saga
In honor of the imminent ‘Furiosa: A Mad Max Saga,’ we’re shifting into high gear to determine the best chase scene in cinema history
By Miles Surrey May 21, 2024, 6:30am EDTGetty Images/Ringer illustration
After wowing audiences with Mad Max: Fury Road, director George Miller returns to the franchise’s post-apocalyptic wastelands for Furiosa, the epic origin story of the eponymous heroine (now played by Anya Taylor-Joy), premiering on Friday. As the follow-up to one of the greatest action films ever made, it’s hard to overstate the hype for Furiosa, and that was before word got out about a showstopping 15-minute sequence that required nearly 200 stuntpeople and took 78 days to shoot. While Furiosa will have its own distinct flavor, as is true of every Mad Max movie, there’s one thing that unites these projects: intense, jaw-dropping scenes of vehicular mayhem. And what better way to honor the franchise than by celebrating what it does best?
Ahead of Furiosa’s release, we’ve put together our definitive ranking of the best car chases in cinema. There weren’t any strict rules in place, other than capping the list at 20—mostly for my own sanity—and limiting every franchise to one entry. (Apologies to Fury Road’s kickass predecessor The Road Warrior.) We also won’t discriminate against scenes that feature motorbikes, so long as cars (and/or trucks) remain part of the equation. As for what, exactly, constitutes a good car chase? Like list making, it’s bound to be subjective, but I tend to gravitate toward two key elements: the skill of the stuntwork on display and the ways in which a filmmaker conveys the action in relation to the story. (Also, the less CGI, the better.) Buckle up, ’cause we’re not wasting any time shifting into high gear.

20. Quantum of Solace (2008)

There have been some memorable car chases in the James Bond franchise: the first sequence featuring the iconic Aston Martin DB5 in Goldfinger, the corkscrew jump in The Man With the Golden Gun, the Lotus Esprit submarine in The Spy Who Loved Me. But I’m going with a somewhat controversial pick here: Quantum of Solace. There are many issues with Quantum of Solace—namely, it was one of the most high-profile blockbusters affected by the 2007-08 writers strike—but its opening scene isn’t one of them. Picking up right where Casino Royale left off, we find Bond (Daniel Craig) evading henchmen through the narrow roads around Italy’s Lake Garda. The frenetic, furious chase mirrors Bond’s sense of anguish after losing Vesper Lynd (Eva Green), the woman he opened his heart to, and his relentless quest for answers. It’s a thrilling tone-setter for Quantum of Solace and one that doesn’t overstay its welcome, capped off by Bond sending his final pursuers flying off a cliff:
If we’re being honest, though, it feels like James Bond has yet to create a franchise-defining car chase. Perhaps that’s a mission the newest 007, whoever it ends up being, can undertake.

19. Mission: Impossible—Rogue Nation (2015)

The Mission: Impossible franchise is no stranger to electrifying chase scenes, the best of which find Tom Cruise’s Ethan Hunt working up his heart rate. When it comes to action behind the wheel, though, Fallout tends to dominate the discussion—even on this very website. But I think the vehicular chase in Rogue Nation is being slept on. What we have is effectively two sequences for the price of one: The first finds Hunt pursuing Ilsa Faust (Rebecca Ferguson) by car through the narrow streets of Casablanca alongside some nefarious henchmen; the second sees him continue the chase outside the city on motorbike. (Adding to the chaos: Hunt had only just been resuscitated, and he’s clearly not all there.) In terms of death-defying stunts for the audience’s entertainment, a helmetless Cruise taking corners like a MotoGP racer is child’s play compared to his other exploits, but the actor’s authentic reaction to scraping his knee on the road underlines that there’s no one else in Hollywood doing it like him:
We’ll be sure to update this ranking if and when Cruise does something even more dangerous down the road, pun unintended.

18. Vanishing Point (1971)

A movie that counts the likes of Steven Spielberg and Quentin Tarantino among its biggest fans, Vanishing Point is the first of a few entries on this ranking that’s essentially one extended car chase. The film stars Barry Newman as Kowalski, a man tasked with delivering a Dodge Challenger T 440 Magnum from Colorado to California while eluding police across four states. One of Kowalski’s most memorable run-ins comes when a guy driving a Jaguar E-Type convertible challenges him to an impromptu race. Incredibly, we’re expected to believe the man in the Jag comes out of this crash in one piece:
Vanishing Point might not boast the impressive production values of other movies on this list, but considering Tarantino would go on to feature a white Challenger in Death Proof, its influence in the car cinema canon is undeniable.

17. Fast Five (2011)

Let’s face it, Fast & Furious has seen better days. Some believe the franchise’s dip in quality coincided with the death of Paul Walker; others are dismayed by the pivot from street racing to absurd feats of superherodom—emphasis on the Dom. Perhaps it’s a bit of both, but the very best movie in the series, Fast Five, manages to strike the perfect balance: It’s a relatively grounded heist thriller that nevertheless takes the franchise to ridiculous new heights. After Dominic Toretto (Vin Diesel) and his crew steal $100 million from a Brazilian kingpin, they drag the entire bank vault holding the money through the streets of Rio de Janeiro, all while being pursued by authorities. It’s a delightfully destructive sequence that does untold damage to Rio’s infrastructure and features some of the most bone-crunching crashes committed to film:
If the Fast franchise is going to break out of its recent slump, it would do well to remember that there’s nothing better than letting its heroes live their lives a quarter mile at a time—no detours to outer space required.

16. The Blues Brothers (1980)

A good car chase isn’t reserved just for action flicks: Comedies can get in on the act, too. In The Blues Brothers, starring the recurring Saturday Night Live characters played by John Belushi and Dan Aykroyd, the beloved bandmates must prevent the foreclosure of the orphanage where they were raised by scrounging together $5,000. Naturally, that’s easier said than done: Along the way, the Blues Brothers draw the attention of neo-Nazis, a country-and-western band, and local police. While The Blues Brothers has amusing gags and musical numbers, its chase sequences with the Brothers behind the wheel of a 1974 Dodge Monaco are what really steal the show—and none are better than a climactic pursuit across Chicago. More than 60 old police cars were used in the film, some of which are wrecked in a comically over-the-top pileup:
The sheer scale of The Blues Brothers’ final set piece is commendable in and of itself—as is the movie’s commitment to treating real-life cars like a bunch of Hot Wheels.

15. Baby Driver (2017)

For good and for ill, Edgar Wright’s movies exude an abundance of style, and Baby Driver is no exception. Baby Driver is centered on a clever gimmick: The action works in tandem with its soundtrack because the film’s protagonist, Baby (Ansel Elgort), suffers from tinnitus and constantly plays music to drown out the ringing. When everything’s clicking into place, Baby Driver feels like a supersized series of music videos, and nothing hits quite like its opening sequence. Baby acts as the getaway driver for a bank robbery while listening to the Jon Spencer Blues Explosion’s “Bellbottoms.” The ensuing chase works around rhythms of the song, as if Baby’s Subaru WRX were the star of its own dance number. Take nothing away from the actual driving, either, which puts the rally car to good use:
Baby Driver’s gimmick stretches a little thin by the end, but it’s hard to deny the crowd-pleasing power of Wright’s film when it’s firing on all cylinders.

14. The Raid 2 (2014)

With a trio of kickass Indonesian martial arts films under his belt, Gareth Evans has established himself as one of the most exciting action directors on the planet—someone who seems most in his element staging positively brutal hand-to-hand combat. In The Raid 2, however, Evans also brought his signature brand of carnage to the road. While there’s some cleverly executed close-quarters fighting within the confines of an SUV, courtesy of Iko Uwais’s hard-hitting protagonist, what really cements this sequence’s greatness are the moments when Evans turns the cars into an extension of the characters’ fists:
This belongs in an entirely new category of combat: car fights. There are so many action scenes in The Raid 2 worth writing home about—the kitchen showdown is an all-timer—but the fact that Evans casually tossed in an unforgettable car chase shows why he’s one of one.

13. The Driver (1978)

I’ll say this for Walter Hill’s The Driver: It sure lives up to its title. In this stripped-down thriller—one where none of the characters have a name—we follow the Driver (Ryan O’Neal), a getaway driver who has become a thorn in the side of the LAPD. In the film’s best scene, we see its taciturn protagonist living up to his reputation. With the Driver behind the wheel of a 1974 Ford Galaxie, a cat-and-mouse game unfolds when a handful of police cars are hot on his tail. What I love about this sequence is the pared-down nature of it all: The Driver outwits the cops as much as he outraces them. (Though, ironically, that wasn’t entirely by design: As Hill later explained, an accident on the last night of shooting meant they had to cobble together what had already been filmed.) Frankly, you’d never know the difference from the finished article:
If the general vibes of The Driver seem familiar, that’s because it was a major inspiration for Nicolas Winding Refn’s Drive, which just so happened to feature an unnamed protagonist (Ryan Gosling) evading police through the streets of Los Angeles.

12. The Bourne Supremacy (2004)

The shaky-cam style of the Bourne franchise isn’t for everyone—just ask John Woo—but credit where it’s due: These movies know how to deliver a good chase scene. (A friendly reminder that The Bourne Legacy is an underrated gem with an awesome motorbike sequence to boot.) But there’s one Bourne chase that stands above the rest: the Moscow getaway in The Bourne Supremacy. After being wounded by the Russian assassin Kirill (Karl Urban), Jason Bourne (Matt Damon) hijacks a taxi, with both the police and Kirill in hot pursuit. This isn’t the kind of sequence that lingers on any one shot; instead, what makes it work is the frenetic nature of the editing, which allows the viewer to feel like they’re in Bourne’s fight-or-flight headspace:
If I’m being honest, I’m usually one of those people who doesn’t like the Bourne movies’ shaky-cam style, but when it’s executed with such craftsmanship, you can’t help but get caught up in its adrenaline-pumping power.

11. The Seven-Ups (1973)

Philip D’Antoni was the producer of two movies featuring Hall of Fame car chases, Bullitt and The French Connection, the latter of which won him an Oscar for Best Picture. And with his lone directorial feature, The Seven-Ups, D’Antoni sought to craft an iconic sequence of his own. The film stars Roy Scheider as NYPD detective Buddy Mannuci (elite Italian American name; I can practically smell the gabagool), who commands a unit handling major felony cases that lead to seven-plus-year prison sentences; that’s why they’re known as the Seven-Ups. Midway through the movie, when one of the team members is killed by two shooters who flee the scene, Buddy chases after them. The 10-minute sequence, which starts in the Upper West Side before moving out of the city, is thrillingly immersive, alternating between close-ups of the characters and wider shots of all the damage they’ve caused. But the chase’s defining moment comes right at the end, when Buddy narrowly avoids a grisly death:
The sequence isn’t quite at the level of Bullitt or The French Connection—very few are—but D’Antoni still manages to leave an unmistakable imprint on the car chase canon.

10. Death Proof (2007)

If you ask Quentin Tarantino, Death Proof, his knowingly trashy tribute to exploitation cinema, is the worst movie he’s ever made. But that doesn’t mean there isn’t a lot to admire about the film, which honors the unsung heroes of Hollywood: stunt performers. The first half of Death Proof follows three female friends who cross paths with Stuntman Mike (Kurt Russell), a misogynistic serial killer who takes them out in his “death-proof” Chevy Nova. Fourteen months later, a group that includes stuntwoman Zoë Bell, playing herself, also lands on Mike’s radar. As Bell and her friends test out a ’70s Challenger, she performs a “ship’s mast” stunt, clinging onto the hood of the car with fastening belts. Unfortunately, when Mike pursues the women, it puts Bell in a precarious situation. Most of the entries on this list celebrate some next-level driving skills, but Death Proof’s inclusion is all about Bell pulling off one of the wildest stunts you’ll ever see. She’s quite literally hanging on for dear life:
If the Academy handed out Oscars to stunt performers—and let’s hope it does happen one day—Bell would’ve won in a landslide.

9. To Live and Die in L.A. (1985)

William Friedkin was already responsible for an all-time great car chase in The French Connection (more on that later), but the filmmaker made a commendable bid to outdo himself with To Live and Die in L.A. In this neo-noir thriller, Secret Service agent Richard Chance (William L. Petersen) is hell-bent on arresting an expert counterfeiter, Rick Masters (Willem Dafoe), who kills Chance’s partner days before his retirement. To capture Masters, Chance and his new partner, John Vukovich (John Pankow), attempt to steal $50,000 from a jewelry buyer for an undercover operation. The sting goes bad when the buyer, who is later revealed to be an undercover FBI agent, is killed and a group of gunmen goes after Chance and Vukovich. It’s a clever inversion of the usual car chase formula—this time, it’s the lawmen running away from the criminals. The outside-the-box thinking extends to the film’s most astonishing stretch, in which Chance evades the gunmen by driving into oncoming traffic:
The fact that Friedkin shot the chase at the end of filming—in case anything disastrous happened to the actors—underscores just how risky the endeavor was. The pulse-pounding results speak for themselves.

8. The Matrix Reloaded (2003)

The Matrix sequels have never been held in high esteem, but I’m ready to live my truth: The Matrix Reloaded fucking rules. (If anyone’s got a problem with this take, file your complaints with the Architect.) What’s more, the film happens to boast the finest action set piece of the franchise: the highway chase. After Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) free the Keymaker (Randall Duk Kim), a program capable of creating shortcuts within the Matrix, they’re pursued by the Twins (Neil and Adrian Rayment). Morpheus once warned that going on the freeway was “suicide,” and it doesn’t take long to see why: The chase draws the attention of several Agents, who repeatedly take over the bodies of other drivers on the road. The scene is the best of both worlds: There’s some incredible stuntwork on display, including when Moss weaves around on a Ducati, and CGI augments some feats of superhuman strength. But the most jaw-dropping aspect of the sequence is how it came together, as the production spent $2.5 million to construct its own highway (!) on California’s Alameda Island. If that weren’t unique enough, I’m pretty sure Reloaded is also the only movie in existence in which a katana takes out an SUV:
The Matrix remains the Wachowskis’ masterpiece, but don’t get it twisted: The filmmakers were still cooking with gas in the sequel.

7. Gone in 60 Seconds (1974)

Size isn’t everything, but for H. B. Halicki, who produced, wrote, directed, and starred in Gone in 60 Seconds, it’s certainly part of the package. The indie action flick follows Maindrian Pace (Halicki), a Los Angeles insurance investigator who has a lucrative side hustle jacking high-end cars. The plot kicks into motion when a South American drug lord enlists Pace to nab 48 cars within five days in exchange for $400,000. Of course, Gone in 60 Seconds is best known for what happens after Pace is caught stealing a 1973 Ford Mustang Mach 1, when he leads police on a chase that lasts a whopping 40 minutes. (More than 90 cars were destroyed in the process.) Halicki, for his part, did all the driving himself, including a spectacular jump off a makeshift ramp of crashed cars:
While Halicki wound up making a few more indies after Gone in 60 Seconds, he died in an accident on the set of its sequel. His legacy as a do-it-all daredevil, however, lives on.

6. Terminator 2: Judgment Day (1991)

Long before James Cameron immersed himself in the world of Pandora, he was a pioneer of state-of-the-art visual effects. Case in point: Terminator 2: Judgment Day is credited for having the first CGI character in a blockbuster, the T-1000 (Robert Patrick), a killing machine composed of a futuristic liquid metal. But Cameron also understood that the CGI of that era shouldn’t be the main attraction: It worked best as a complement to the practical effects, as seen in Judgment Day’s epic viaduct chase. When the T-1000 tracks down a young John Connor (Edward Furlong) in a shopping mall, he’s saved at the last minute by the Terminator (Arnold Schwarzenegger), giving John a chance to escape on his dirt bike. As the T-1000 gives chase, the David and Goliath vibes between man and machine are further epitomized by the T-1000’s commandeering of a truck. The sequence already has a terrifying sense of urgency, but it hits another level when the T-1000 crashes through the viaduct like the Kool-Aid Man:
Big Jim is still revolutionizing what can be achieved with visual effects in the Avatar franchise, and while I cherish those movies, nothing beats his old-school showmanship.

5. Duel (1971)

The feature-length debut of Steven Spielberg—perhaps you’ve heard of him—the TV movie Duel is essentially one extended chase sequence between salesman David Mann (Dennis Weaver) and a sinister trucker determined to drive him off the road. I’ve attached a clip from the ending of the film, but that doesn’t do Duel justice. What cements this movie’s greatness is how it sustains an unbearable level of tension across its 90-minute running time—with a budget under $500,000, no less. Spielberg’s masterstroke is never once showing us the other driver, anthropomorphizing the truck itself as a monster. (You can see a lot of similarities with how he would build suspense in Jaws.) When Mann finally gets the upper hand, tricking his adversary into driving off a cliff, it feels like you can breathe again:
Spielberg would move on to bigger and better things after Duel, but considering how much the director accomplished with so little, you can’t help but wonder what else he could conjure up with limited resources.

4. Mad Max: Fury Road (2015)

Like Duel, Fury Road is basically one long car chase—the difference is Miller got to work with a blockbuster budget, and made every cent of it count. It’s hard to pick a single standout sequence in Fury Road, but if I had to choose, I’d go with the first attack on the War Rig after Furiosa (Charlize Theron) flees with the wives of Immortan Joe (Hugh Keays-Byrne). Here’s why: Think back to when you saw Fury Road for the first time, before you fully grasped the vehicular carnage that was in store. And then stuff like this kept happening:
To quote Steven Soderbergh’s thoughts on Fury Road: “I don’t understand how they’re not still shooting that film and I don’t understand how hundreds of people aren’t dead.” Whether or not Miller manages to one-up the action in Furiosa, the director is already in the pantheon.

3. The French Connection (1971)

We return to the Friedkin-verse for what may be his best film, The French Connection, the crime thriller based on Robin Moore’s 1969 nonfiction book of the same name. The story concerns two NYPD detectives, Jimmy “Popeye” Doyle (Gene Hackman) and Buddy “Cloudy” Russo (Roy Scheider), and their tireless pursuit of a French heroin smuggler. But while there’s plenty to admire about how The French Connection illustrates the thin line between police and criminals, its greatest claim to fame is its car chase. After Popeye narrowly survives a sniper attack, he goes after the shooter, who escapes on an elevated train. The ensuing sequence is true daredevil filmmaking that Friedkin shot without permits, leading to real crashes with New Yorkers that made the final cut. But Friedkin’s finest touch was mounting a camera to the front of the car, making the audience feel like they’re part of the action:
My Ringer colleague Justin Sayles believes The French Connection’s chase should’ve landed at no. 1, and I’m sure many folks will agree with him. Being the only film on this list to win Best Picture, however, is a solid consolation prize.

2. Bullitt (1968)

When it comes to modern car chases, all roads lead back to Bullitt. A Dad Cinema classic, the film stars Steve McQueen as Frank Bullitt, a San Francisco detective who pursues a group of mobsters after a key witness is killed in protective custody. In his search for answers, Bullitt realizes he’s being tailed by a couple of hitmen, and then turns the tables on them. From there, the chase is on. Aside from McQueen doing most of his own stunts behind the wheel of a Ford Mustang GT 390 Fastback, what’s so impressive about the sequence is how timeless it is. Even the little imperfections, like hubcaps repeatedly coming off the wheels, work to the film’s advantage, stressing just how much these drivers are living on a razor’s edge. It’s been more than 50 years since Bullitt revolutionized the car chase, and yet few movies since have felt like they’re pushing the envelope to such an exhilarating degree:
That the car driven by McQueen was recently sold at auction for $3.74 million, a then-record price for a Mustang, underlines Bullitt’s enduring legacy.

1. Ronin (1998)

“If I’m going to do a car chase,” filmmaker John Frankenheimer said in an interview with the American Society of Cinematographers, “I’m going to do a car chase that’s going to make somebody think about whether or not they want to do another one!” Boy, did he ever. In Frankenheimer’s late-career masterpiece, Ronin, the director actually incorporated several chases, but it’s the climactic sequence that stands alone as the greatest ever filmed. The movie concerns an international group of mercenaries who are hired to steal a mysterious briefcase; a series of double-crosses and double-bluffs ensue. But for the final chase, all you need to know is that Sam (Robert De Niro), a mercenary with ties to the CIA, is in pursuit of Deirdre (Natascha McElhone), an IRA operative in possession of the case. Winding through the streets and tunnels of Paris, what’s most striking is just how fluid it all feels. You’re completely engrossed in the chase’s forward momentum, captured from every conceivable angle; a symphony of controlled chaos. The driving styles even reflect the characters: Deirdre is reckless and impulsive, while Sam remains calm and controlled.
There are many worthy car chases in this ranking, but in my view, Ronin takes pole position. And while I can’t imagine a movie ever topping what Frankenheimer achieved, I’d love nothing more than to be proved wrong.

Previous Part
At some Point Bianca and I both fell back asleep. It was all I could do at this point, getting whisked away back to those mines seemed inevitable so I might as well sleep. The morning did not go well, largely due to Bianca, who threw me off the couch with a scream when she woke up.
“What’re you doing!”
Bianca squeaked, hand darting towards her pants pocket where her dagger would usually be. I woke up very quickly somewhere between the couch and the floor. I was fully awake by the time I was pushing myself back to me feet, raising my hands in a gesture of surrender.
“What’s going on?! You’re fine you just fell asleep on my couch!”
“Why were you… why was I?”
“Hey, calm down alright. We had a few drinks last night and I guess we both fell asleep on the couch together, that’s all that happened.”
I explained, leaving out the part where she pulled me back when I tried to go to my own room earlier.
“Yeah… yeah ok. Ugh my head is killing me.”
Bianca groaned, taking a breath or two then putting her head in her hands. I didn’t have the heart to tell her she was probably hungover so I just went to the kitchen to make something for her.
I decided on toast and some bananas, it was always a go to for me after a long night. In hindsight I probably should’ve seen her reaction coming. Look at what she did in the caves because that guy grabbed her, it can’t be that much better waking up on someones shoulder and not quite remembering it. The whole thing did give me second thoughts though. If she was such a live wire did I really want her stressing out over the trials and whatever that would bring? I suppose it was too late for that though, she’d already moved herself into my house so she could keep watch, for all the good that did seeing as Shaoni waltzed right in last night.
I still had a lot on my mind when the smell of burning toast sobered me up. I swore and ran over to salvage what I could of the blackening toast.
“What’s burning in here?”
Bianca asked a little worry creeping into her voice. She still had her head clasped firmly between her hands as she walked into the kitchen.
“Breakfast”
I replied flatly, holding my arms out to either side gesturing to the mild chaos I was causing. Bianca gave me an questioning, “thanks” and grabbed the plate I had made for her while I tried to think of what to do next. Like it or not, Shaoni had people coming to pick me up and take me back out to those caves today. I had to come up with some kind of game plan and right now, it seemed letting Frank and Stein know was the best idea.
Bianca stayed back at my place nursing her hangover when I left to visit the mad scientist duo. I had no problem with that, in fact it was probably best because I’m sure she would’ve insisted on going with me if she heard I planed to take Shaoni’s “invitation”. I wasn’t sure if Shaoni would let me take Bianca with me and personally I’d rather not push her buttons and try to negotiate bringing a plus one.
“Have you seen Bianca at all?”
Frank asked hurriedly as I came in. I was afraid of this, She hadn’t told them anything and just disappeared.
“Yeah, she pretty much moved the contents of her room to my couch yesterday. Something about keeping an eye on me, she’s fine though, I wouldn’t worry.”
I answered, a little worried myself that I’d catch hell from them if they knew she was currently working her way through her first hangover on that same couch. Frank seemed to calm down at that and finally got to asking the important questions like why was I back in the house… again.
“So let us get this straight, you just plan to go right to Shaoni?”
Frank and Stein said together in disbelief as the three of us sat at the kitchen table.
“It’s not like I really have a choice in the matter, besides I can’t really fight her if she wants me to go somewhere. If I try a stunt like that things go from bad to worse for me.”
They both shook their heads in solemn agreement, recognizing I was right.
“Anyways, I had a thought on the way over here, Thunderbirds are something from native American legend right? Well, if we’ve found a real one wouldn’t she have ties to a tribe or something in the area? She was sleeping here when they woke her up in the mine, maybe there was a reason for that, maybe she was close to home?”
I explained, hoping g they’d catch on to what I was asking.
“What exactly are you getting at then Keith?”
Frank questioned, furrowing his brow with an intrigued look on his face. Stein just remained silent but I could tell he was thinking, maybe even coming to the same conclusion as I had.
“What I’m thinking, is we check reservations in the area. Maybe they know something about the creature from their legends that just so happened to be sleeping nearby. I know it’s a stretch but maybe we could learn something useful. I’d go myself but I’m not going to have the chance. You guys though, you guys could take Bianca and Rocco with you and ask around.”
I explained, hoping I was onto something. I was pulling at straws but it was the best idea I had at a moments notice. Plus it would get Bianca out of town for a little while when I was figuring out what exactly Shaoni’s trails would mean for me.
“Keith that’s… no that actually makes sense let me check some maps.”
Stein agreed, walking away and into the basement. He came back a few minutes later with a map in his hand.
“There’s a Seneca reservation not to far from here, maybe 30 miles. That’s not the only one but I have a friend there from years ago, someone I helped. There’s a good chance he’d be willing to return the favor.”
“Great, then I’ll count on you. I’ll let Bianca know, I’m sure she won’t be happy about it but I’ll feel better if she’s with all of you.”
I walked out in a rush to get back home, almost stepping on Rocco on my way to the door. He made a frightening chittering hissing sound at me as he leapt out of my path. I briefly wondered where he was going and what he was up to, probably better I didn’t know though. As I got onto the bike and headed back towards home I hoped I’d be able to talk Bianca into going along with this plan. I was sure she’d rather come with me but after this morning I wasn’t sure she was ready for that. Don’t get me wrong I’m sure she wants to help and I know she means well but she’s jumpy and snaps at the littlest things. I didn’t want her to make things worse by accident or get hurt because she froze up again. My mind was made up as I drew nearer to my house but as it turned out I’d never have the chance to talk to Bianca. As soon as I rounded the corner I saw the rusty pick up waiting in front of my house, I’d arrived just in time to meet Shaoni’s “helpers”.
The men looked normal, just like the people in the cave. Come to think of it they could very well be those same people. I waved them over as I came to a stop in-front of the house.
“Can I just go in and grab a few things?”
I asked the three men sheepishly as I walked up.
“No, your late as it is, we’ve got to get going.”
A scruffy looking man with a gruff voice said from the drivers seat. Two men got out from the back of the truck and grabbed my arms, pulling me into the back seat. They weren’t rough with me but they were very firm. Like they wanted to hurt me but were ordered not to so they just made a show of force. After I was loaded into the back I saw the reason for their demeanor. One of the men, the one in the front passenger seat, was wrapped in bandages. The bandages covered his abdomen and snaked up around the back of his neck. It was pretty obvious to me that this was the man Bianca had stabbed. It wouldn’t be a stretch to say these four were probably the same ones we had encountered in the cave. As I turned and looked out the window I saw Bianca’s face peaking out of it. She looked angry and scared, like she knew exactly what was happening but she didn’t move. Bianca just sat there, watching me be taken away and I cursed myself for not being just a little bit faster on the ride back.
We took a way out of town I’d never seen before, turning away from the road leading to the dirt path we had biked down on our expedition into the forest. Instead we drove back through town, past Bianca’s house and the Eagle’s Roost before hanging a right onto a road I’d never been down. Eventually the road made its way into the forest and ended at a wooden sign warning that the road was impassable ahead. The driver stopped the truck and got out as another man emerged from the woods, holding up his hand and opening it to reveal the eagle tattoo I’d become so familiar with. The driver rolled up his sleeve and showed his own similar tattoo. Without a word he got back into the truck and the other man moved the sign off the road. It didn’t fill me with confidence to see the entrance to this place watched in such a way. It would make sense to have it hidden but being so brazenly out in the open meant they didn't really care who saw it. Not that anyone would think anything other than that the road was impassable but still. The truck eventually pulled off the road and into the woods, following a newly made track that lead to the entrance of the old mine that we escaped from just 2 days ago.
“I think you know your way in.”
The driver growled at me, parking the truck and signaling me to step out.
“Your just letting me walk myself in? Couldn’t I just run?”
“You could but do you think you could outrun her?”
He asked threateningly, pointing up at the sky. I knew exactly who he was talking about and no, I didn’t like my chances of running from Shaoni.
“She gave us all orders to leave any runners to her.”
At that moment I decided it may be good idea to be on my best behavior.
“Yeah that’s what I thought.”
The driver barked back at me as I obediently walked towards the entrance.
Walking into the mine I realized it had undergone a huge transformation in a very short time. The walls were now host to several torches that lit the pathway back down to the coliseum. It felt like I was walking into the dark ages as I made my way down into this pit by torchlight. Although I had to admit it was homey in an “evil layer” kind off way. The coliseum was lit up with torchlight as well but its not what drew my attention. Where the awful metal structure met the stone roof of the cave I looked into a brewing storm. Lightning flashed across the roof but there was no sound of thunder. Raindrops shown in the shadows cast by the lightning but I felt none of them on my skin. I had to admit, it was a pretty impressive trick. Paintings adorned the walls, all of them seeming to be tribal in nature. Many seemed to be various depictions of the thunderbird.
“Well at least she doesn’t have an ego”
I chuckled to myself as I walked into the center off the coliseum.
There were four other people waiting in the center of the floor. A clean shaven, well dressed man relaxed against the wall of the arena. He had perfectly trimmed slicked back blonde hair and a chiseled face. His rippling muscles seemed to be for vanity rather than strength. Just by looking at him I could tell I wasn’t going to like him. The only one of the bunch I knew, Robert, stood on the far side of the coliseum, watching me approach. He looked about the same as he had from the brief glance I got at the Eagle’s Roost. Balding white hair and a unkempt beard hung off his sagging face. Despite his age he carried himself with purpose, like he deserved to be there and wanted everyone else to know it. Then there was the blonde bombshell that was making her way towards the chiseled blonde guy. She seemed incredibly confident in herself but none of it was a show. Her confidence came from a place that made her absolutely sure of it. The final person stood in the corner and seemed to be talking to himself. He was a middle aged man of native American descent with a mess of black hair atop his head. He carried a look in his eyes that spoke of wisdom beyond his years.
I walked past all of them and took a seat on the floor, trying my hardest to ignore them. The effort was ultimately wasted as the muscular blonde guy walked over and held out a hand.
“Hey, my names Brooke, you are?”
My blood turned to ice as he said that, it couldn’t be the same Brooke Bianca told me about, could it? I stared dumbly at him for a moment before I responded.
“I’m… uh… Keith. Any idea what we’re doing here?”
“No clue, only know that the thunderbird wanted us here so we came. Hopefully she makes good on her promise, to me at least.”
His voice sounded like the “to cool for you” bully from any 80’s movie, it was almost annoying to listen to him.
“So you’ve met everyone else I take it?”
“Yeah, the weird guy in the corner is John, we don’t know much about him but apparently him and that Robert guy, the old one with the beard, worked for the thunderbird. Katrina, that beauty over there is a wild card, no-one seems to know anything about her but she looks like she’s hot shit and well, just plain hot.”
As Brooke gave me the run down of everyone in the room I quietly wondered to myself if Shaoni had given everyone the same offer as me. The way Brooke had said it, “promise”… that wasn’t how I would’ve phrased it. Maybe Shaoni cut everyone here a unique deal.
“…Anyways, I’m gonna go see if I can’t figure out that bombshell’s deal, I’ll see ya later Keith.”
Apparently Brooke had been talking to me the whole time but I only tuned in for the tail end of it as he walked off toward Katrina. I wondered where exactly Shaoni was, I had expected her to be here already but, as it turned out I wouldn’t have to wait long.
A thunderous boom cracked out above our heads and we all looked up at once, but the sound was coming from outside. I heard the flap of wings as Shaoni came in for a landing somewhere above our heads. It went so silent we could’ve heard a mosquito cough, then Shaoni stepped into the room. Not from either entrance but from a balcony above us I hadn’t seen before. She was wearing the same thing she had been when I ran into her in the cave, once again looking like a hardened, tattooed Pocahontas.
“Welcome everyone! I take it you’ve gotten to know each other?”
She thundered down to us as we all shot to attention.
“I’ve gathered you here to give a gift to one of you, but you must prove yourselves deserving. I’ve told some of you what I intended to do here and others may be hearing it for the first time. So for those of you who are gathering here for the first time pay attention. There will be three trials held here, one to test your morals, one to test your strength, and one to test your judgement.”
At this point Brooke spoke up in the way only a spoiled little shit like him could.
“You made me a promise! You never said anything about trials! I got all the way out here to this shitty little backwater and now your telling me I’ve got to compete to earn what you owe me?! Sorry, but I’m going to need more than that.”
Shaoni looked like she could’ve ended him right there. She was the judge and jury here, if Brooke wasn’t careful she’d become the executioner too.
“What you asked me for is in this town, that’s all I will say on the matter.”
Shaoni responded with less venom than I had expected judging by her expression. She didn’t actually seem to care that she had to tell him something to shut him up. It was the insult of being interrupted that struck a nerve. I was a little concerned by what she said, if he was looking for something that was in town and Bianca was there… could he be looking for her? “…Today though, just enjoy the company of one another. You’re all welcome to stay here at the camp I’ve had prepared for you outside. If you wish to return to town you may but you will be watched. No-one is to leave town until the trials are completed.”
Shaoni finished, I hadn’t really been listening to her welcome speech. She said everything I cared about when she told us what the trials where going to test for, after that I kind of tuned out. Shaoni disappeared in a flash, just like she had back at my house the day before and with that the five of us were alone again. I left, heading back outside to see this camp she mentioned. The others talked with each other but I really had no desire to. That didn’t stop Robert from running to catch up with me, wheezing when he got there.
“Hey you’re the one who ran out of the bar the other night! She’s said a lot about you, I’d almost think she had a favorite.”
Robert huffed out between breaths, punching me in the arm in a friendly but wholly unwelcome way.
“I’ve heard you know nothing about the supernatural, I’d be happy to tell you what I’ve seen working with Shaoni.”
Robert offered, fishing for any reason to hold a conversation with me.
“No, that’s alright really, I’ll manage. What do you guys do anyways, working for her I mean? I get the sense she could really run this whole operation on her own if she wanted.”
“She probably could do this alone. Most of the time we don’t work directly with her, this is a special case for those of us she’s got helping with the trials. There’s maybe 50 of us total and not just here, I mean 50 of us overall. She’s very selective with the followers she keeps so there isn’t many of us. We tend to sit around up-holding her ideals till she asks something of us through dreams, like the ones that brought you here.”
Robert explained, confusing me a little bit. I found it hard to believe a crew of 50 people got everything here done. I guess it wasn’t to outlandish when put in perspective though. If you told me Shaoni got all this done herself I probably would’ve believed you so 50 people organized by her, yeah I could see that.
“Wait, so you guys barley ever actually work with her, and what are her ideals exactly?”
“Have you heard the legends of the thunderbird? A lot of it depicts the thunderbird as a spirit of justice that fights evil spirits from the underworld, that’s really watered down but you get the point. I’ve never seen her do anything like that but she does uphold a certain sense of justice and that’s what she expects of us. Sure, she seems really intimidating but she wants to right wrongs that no one else will, it makes her a little harsh but she has to be. We just do that same thing when we aren’t getting orders right from her. Maybe you think she’s in the wrong here because she pulled you into this but we really want to help, sometimes there’s a price for that.”
Robert lectured, you could tell he really believed in what he was saying though. He may have been older but when he was telling me about the thunderbird and what she stood for he was filled with vigor again. Maybe he’s not as bad as I thought, I wanted all these people working for her to be some kind of weird cult like in Imalone. The more I heard the more I doubted that. They were people who followed her for a reason, not just because she gave them some kind of power. In reality I think what she really gave them was purpose. That sort of thing is more than enough for most people to follow someone.
When I broke away from Robert and got outside I found a huge camp had been set up while we were in the cave. Tepees of various sizes had been constructed all around the entrance to the old mine and one big canvas tent had a huge table running through it filled with food. For 50 people these followers of the thunderbird sure worked fast. I hadn’t decided if I wanted to go back to town yet. I hoped Frank and Stein had convinced Bianca to go with them, at least then they could get some answers while I was stuck here. If they were gone though what reason did I have to go back? As long as I was out here surrounded by people who work with Shaoni maybe I could get some answers of my own. I wasn’t really sure what information about Shaoni would do for us but she was a mystery to me. Everyone was here for a reason, I agreed to take on a burden, Brooke was here because of some promise Shaoni made, and I’m sure the rest had similar stories. Shaoni gained nothing from any of that though, besides this burden I had agreed to take. I’m not sure why, but it felt like figuring out what She stood to gain from this was important. If I could do that maybe I could put the pieces to this puzzle together. Two people had pointed out I knew nothing about the supernatural as well, Shaoni and Robert. That didn’t seem to matter to much to me but if all the others here had some experience in it maybe it should. It seemed like we were all on a level playing field though, Brooke hadn’t heard about the trials and neither had I. Robert and that strange John guy probably had some idea but they worked with Shaoni, I would expect them to know. Katrina, the blonde was probably just as surprised as Brooke, if I had to guess. None of us knew exactly what the trials would test for, so why did everyone keep brining up not knowing about the supernatural like it put me at a disadvantage?
“Why indeed.”
A familiar voice said, sending lightning through my veins and breaking my train of thought. I just about tossed the turkey leg I’d been eating directly at the source of the noise.
“Shaoni, you have got to stop doing that.”
I said, crawling back into my skin after she scared me out of it. Shaoni still looked just as she had when she addressed us earlier, adorned in her animal skins and feathers. It took me a second but it finally clicked that she had said something strange when she sat down next to me.
“Hang on a minute, can you read my mind? Was I thinking out loud or something?”
“No, you just looked lost in thought and I figured I’d chime in.”
“Oh, alright… why?”
I squeaked out, abruptly realizing that this was Shaoni, the thunderbird who was sitting next to me. There was a second there where I wasn’t as intimidated by her as I normally was but it had passed quickly.
“I wanted to know how your doing, I know all this can’t be easy to take in.”
“I’m doing fine, I think I’m adjusting pretty well but I did want to ask you some questions.”
An amused look ran across Shaoni’s face at this. She wasn’t being as commanding as before either, she almost seemed to genuinely care about my well-being.
“Would you walk with me, I’ll answer your questions on the way.”
Shaoni asked, standing and waiting for me to follow her. Not seeing any better options I stood up and left alongside her.
We walked around the perimeter of the camp, out of ear shot of anyone else. I’m sure she did that on purpose, though I wasn’t sure if it was so no-one could hear my screams if I asked a question she didn’t like or if she just wanted privacy.
“Why me Shaoni? Why chose me out of everyone, was it just a coincidence?”
“Straight to the point hmm. Think Keith, when I found you in the position you were in you needed my help. Sure, I planned to dispose of the cultists that were threatening you anyways but I stopped to help you. You saw me descend from the sky, swoop down, and bring them to their knees, I extended an offer to you and you just took it. You didn’t bargain or ask for anything more after I shattered your perception of what does and doesn’t exist, just accepted my offer. Most people would have bargained, tried to look for a better deal for themselves but you saw what the price of my help would be and paid it, no second thoughts. That interested me Keith, you recognized what had to be done and didn’t try to avoid the cost, that’s why I chose you.”
“So I appealed to whatever sense of justice you have? That’s it, that’s the only reason?”
She looked almost hurt as I asked this and she stopped walking. I definitely stepped on a nerve, I expected her to snap but she didn’t, She just asked very quietly,
“Do you think I’m a monster Keith?”
I was stunned by the question. Could I really say she was a monster? What had she done so far? Save me, that’s what, was that really so monstrous? Sure it may have come at a cost but nothing is ever free. Shaoni even came to warn me about the trials ahead of time, just barely ahead of time but it was something.
“No Shaoni, you’re not a monster just… someone with the powers you have… it’s terrifying for a normal person. Can you really say I’m in the wrong for being afraid of you?”
Even as I said it I knew it was a lie, at least partially. I wasn’t just afraid of her, I wanted her to be evil and she just wasn’t, not really. Maybe she was a bit intense but everything she had done to me so far couldn’t be called evil.
“Fear is only natural when you see something like me, but I’m not a monster. The thunderbird has always stood for justice. That’s what I represent, I can’t be everywhere but I make it a point to uphold justice where I am. Those who I’ve chosen to follow me hold my justice in their own town, in their own lives. I can be harsh but I am just.”
She said this with such intensity I had no choice but to believe her. Her conviction to justice was zealous but I still wanted to pry a little bit more.
“So what does justice mean to you then? I don’t mean to be disrespectful but I want to hear it from you,”
I asked, growing a little more confident in talking to Shaoni. For once I didn’t feel like she would kill me on a whim. Give her a reason, and Shaoni would do it without a second thought but I don’t think she cared that much about my questioning.
“Justice is black and white, right and wrong. Normally there’s a pretty good system in place to punish those that deserve it but sometimes things slip through the cracks, that’s where I come in. I take care of the heinous acts people get away with, people that think they’ve gotten away with murder, so to speak.”
“So your a vigilante then? That’s what I’m hearing here.”
“I wouldn’t be so crass but yes, I suppose you could call me a vigilante but I promise you that’s an oversimplification. Suffice it to say my opinion on matters of serving justice is respected.”
Shaoni seemed a little uncomfortable at the word “respect”, I think a better word would’ve been “feared”. I wasn’t going to say it to her but I knew she suspected it. I could see something about that really hurt her. I couldn’t put my finger on it, the reason Shaoni didn’t want to be feared. Despite being the scariest thing I’d seen so far she didn’t want to be known for that.
We talked for a while longer about a whole lot of nothing. Eventually we got back around to the camp and she bid me goodnight despite the fact it was 3 in the afternoon at the time. She was probably right though, I was going to need the rest if I wanted to be ready for the first trial tomorrow. I found my way to a tepee conveniently marked with my name. I didn’t remember it being marked before and I didn’t understand the point of giving us specific tepees, privacy I guess? The fur sleeping bag was a rustic but welcome touch and despite lacking the amenities of a usual home the tepee was quite comfortable. As I settled in for the night I heard a rustling on the far side of the tepee, then a voice, one whose heavy accent I recognized immediately.
“So, turns out they don’t check under the truck. Ya got me here with you now.”
Rocco said, emerging from a blanket in the corner. That revelation didn’t exactly set my mind at ease. Rocco must’ve sensed my apprehension to the fact that he was anywhere near me right now.
“What?! I’m here to help out! I heard you going on about a trial or somethin’ so I figured I’d tag along under that truck when they picked you up, can’t have enough back up ya know.”
He continued, pulling a belt with several tools out from under the blanket as he spoke. I wasn’t pleased to have him here but maybe I could make use of him.
“I was hoping you’d go with Bianca and the other two but honestly, it might be nice to have a friendly face around here. Just… try to stay out of trouble.”
“Trouble? When do I ever get into trouble?”
I hoped he was being sarcastic, you can never tell with him. I bit my tongue as Rocco walked out into the camp, silently praying no-one would see him. With that I settled into my sleeping bag and tried to think of what I could expect from the first trial tomorrow.

We've decided to do a bit of redecorating and I want to add to my art wall - does anyone have any trans or lgbtq+ artists they recommend the works of? The work doesn't have to be related, I just would prefer to support my trans brothers and sisters when possible.

https://www.cnn.com/2024/05/21/politics/trump-unified-reich-video/index.html
https://www.nbcnews.com/politics/2024-election/trump-shares-video-unified-reich-social-media-rcna153214
https://www.nytimes.com/2024/05/20/us/donald-trump-reich-video.html
https://www.theguardian.com/us-news/article/2024/may/21/donald-trump-video-unified-reich
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I have been desperately informing people for more than 8 fucking years, since 2016 when trump ran for office...
How close the republican party resembles Nazi Germany and how much Trump resembles Hitler.
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"I was told it was hyperbolic to even consider it" "absolutely insane" and "I was crazy"
Fuck. All. Of. You.
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flash forward 8 years in 2024 may 21st, and trump is calling for a Fourth Reich in his own campaign ads and running with his own nazi manifesto ^{(project 2025})
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What is it gonna take for people to realize republicans are just the American Nazi party. This shit is a global threat, it's happening in every country.
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What do you guys think it's a coincidence that every country running an election suddenly has a Donald Trump equivalent now that ALWAYS WINS???
No. This is so obviously a coordinated attack on global governments, they're trying to globally install nazism. But I'm getting off track
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just talking about trump specifically, there's been red flags every day for years... And each and every time people give some dumb fucking excuse on why it's hyperbolic to suggest that republicans are Nazis.
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I mean for fuck sake people, HISTORIANS were calling this shit out since 2016, American needs to wake the fuck up, honestly the WORLD needs to wake the fuck up to how obvious it is that

Conservatives are Nazis

that entire ideology is a parallel to nazism
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like fuck the kiddie gloves to the wind, conservatives are NAZIS!!!!!
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You know what we used to do to nazis?!?! SHOOT THEM!!!! Because they were so unruly, violent, bigoted and uncontrollable that they considered multiple genocides to be a valid option to run a country.
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THESE GUYS ARE NOT GOOD PEOPLE, FUCK DONALD TRUMP AND EVERY REPUBLICAN ^{(and most conservatives})

So I was listening to a podcast by comedian Andrew Heaton (X), and he had a very interesting episode examining people's nostalgia for the American 1950's complete with humorous skits. For illustration's sake he assumed 50's America was another country called "Fiftiesland" and compared it's stats like GDP or live expectancy to Modern America. He conclude that a lot of the nostalgia came from how many astonishing improvements happened between 1900-1950 vs 1950-2024, even though Modern America is superior in almost every metric.
At the end he had a long monologue where he was trying to explain to his fictional Grandma Edna Bickle, born in 1889 and elderly by the 50's, what it'd be like in the future compared to how she grew up. Imagine trying to explain Netflix to someone who grew up with a radio.
It really demonstrates, in a lighthearted way, just how far we've come in ~125 years.
So imagine how astonishing the world will be in another 100, 300, or 500 years...
Anyway, it's a bit of a read, but I thought some of you all might enjoy it and Mr Heaten was nice enough to send me the transcript. Enjoy!

My great grandmother, Edna, was born in 1889. My Dad and I were recently reminiscing about her, and he said, “Gramma Bickle, tough old bird, tough old bird. Went blind at ninety-two, quit driving at ninety-four, died at ninety-six. Almost lived in three different centuries.” I have some immediate questions about that chronology, and the realization that Gramma Bickle apparently drove her car blind for two full years before handing her keys in, but I digress.
In 1954 my great gramma Bickle was sixty-five years old. Think about how the country changed from her childhood to her golden years. From when she was born, to a little younger than my parents are today, she saw an entire country go from horse and buggies and pretty much nobody owning a car, to almost everybody has a car. Only six percent of the homes in America had electricity when she was a teenager. By the mid nineteen fifties, the whole country is throbbing with electricity.
In her lifetime, the country went from basically no light bulbs, radios, telephones, refrigerators, or washing machines, to a country where all of that stuff is ubiquitous.
In the year 1900, only ten percent of American households had a stove in them. By 1960,--when my great grandmother is the same age as my parents are now—95% of households do. When she was born, anti-biotics didn’t exist, and polio could cripple your baby. By the time she’s my age, penicillen—a miracle drug!—has been invented. By the time she’s my parents’ age, penicillen is widely available and some genius has recently invented a polio vaccine.
So, if we’re looking at Fiftiesland as a country around today, here’s what’s going on. All of the old people in this country, in their lifetime, went from a horse-and-buggy 19th century third world economy with polio and no electricity—something that, if it existed today, we would be sending anthropoligsts to—to a more modern second world economy perhaps akin to contemporary Guatemala. Which is no small jump.
And the people my age who live in Fiftiesland are still celebrating kicking the crap out of the Nazis, inventing the atom bomb, and enjoying an economy which is comparatively booming—because all of the neighboring economies are rubble.
If Gramma Bickle, at forty years old, my age now, could somehow visit me in contemporary America—she would think I made a pact with Lucifer, the Prince of Darkness. Or maybe, maybe her progeny somehow goes on to conquer Oklahoma as warlords, and all her great grandchildren become opulant Oriental sultans.
I have an icebox in my kitchen that’s powered by lightning that lives in my wall. I have another smaller box that makes my food hot by shooting it with invisible particles like the ray gun from War of the Worlds.
Not only do I let my dog sleep in a tiny bed inside my house, like a toddler, we just finished up a round of antiobitics from when he cut his foot. My great-grandfather—this is true—lived with tuburculosis for years before it finally killed him. Anyway, see that dog I make wear a necktie for my amuesment? Yeah, my dog takes miracle drugs unavailable to John D. Rockefeller. Last year Wallace got elbow cancer but the doctor fixed that, no problem, took a couple of months. Wallace literally has better medical treatment available to him a mile from my house than any human being alive in 1950.
Gramma, you wanna watch Netflix, Paramount Plus, HBO, Peacock, or Amazon Prime? It’s television. Well, television is sort of like radio, only much better, and with images, and I can watch it whenever I want, and there are thousands of options. Like, imagine Broadway, only, like, a few thousand of them, and they’re all inside of that rectangle.
Huh, yeah, I’m not explaining that very well. Right. Okay, so you know how in your time you know multiple people who were literally slaves at some point in their life? Like, you personally know some older people who were, at one point, legally a form of property?
So basically, I have this glass rectangle on my wall that a million of the world’s greatest comedians and dramatists live inside of as my slaves, and they put on plays for me when I’m tired after work. Except I don’t have to feed them or pay them because I use my friend Nick’s HBO account. They just eat the lightning that lives in my wall.
What? Oh yes, I get very tired from work, Gramma. Really get [sigh] worn out, you know? Well, you know how your dad was a wheatfarmer, who spent hours and hours plowing through dust and boneshards in Indian Territory, where he might literally be shot by a Commanche, and the threat of looming starvation for the entire family was never more than one drout away?
Right, so I… I talk for a living. Yeah, that’s right. No, a bunch of strangers just sort of send me money every month cause they enjoy hearing me talk. It’s actually very challenging. Because! Gramma, I do a lot research, you see. Like for this episode, I had to read a lot, and I had to do a lot of math. No, I did not personally do the math.
I have another magical rectangle that has several thosuand math slaves trapped inside that do the actual math for me. When I was a kid I had to perssonally punch the equations in myself, and the rectantle would crunch the numbers. Those were hard times. Now I have a smarter glass rectangle that I can just talk to. I just type in, “Hey, average these ten numbers, okay” and there’s, I dunno, like translater slaves that talk to the math slaves, and they all figure out whatever I’m trying to say, increasingly in lower case and with minimal punctuation, and then give me the answer.
But I have to do the research. Like, I have to read a lot. No, I don’t go to a library. I have another rectangle that has all of the world’s libraries inside of it, and also a lot of pornography, so I just stay at home and look at that particular rectangle, alteranting between research and pornography depending on my mood.
It sure is tough, Gramma. I don’t have any coworkers to keep me company. I’m all by myself here in my well-lit, smokeless, air conditionined home. That’s right, air conditioning! Not just in my house, either—in my camper—which is a tiny extra house I tow behind my armored, self-propelling buggy, which I feed fermented dinosaur juice they pump out of the ground. Oh yeah. It has a rectangle in it that plays music. I’d say I have roughly… three to eight million musician slaves who live in the rectangle in my car, so I don’t get bored when driving to the movies, which is a very large rectangle I go to when I’m tired of watching rectangles on my couch.
What? Good question. It’s called a “camper” because I go camping in it. It’s sort of my hobby. You see, Gramma, my life is so stupidly cushy and comfortable that I amuse myself by going out into the woods to forego wall lightning, air conditioning, and even pornography sometimes, when I can’t get a signal, and instead I sit in a hammock and shit in holes I dig for fun. We call that “roughing it.” For sport, I spend hundreds if not thousands of dollars doing what your entire family did their entire lives until they finally got indoor plumbing, except of course my camper has a propane stove built in, whereas your pioneer family had to dig a hole in the side of a hill and cower in it from the weather like cavemen while burning cow dung for warmth. I dunno where propane comes from. Probably dinosaur farts or something.
Anyway, I prefer to travel around in my camper rather than fly—that’s right, fly—yeah, like a spitfire pilot—which I do multiple times a year using frequent flier points. Which are sort of free, imaginary coupons that banks give me to thank me for using their credit cards, which are also rectangles, but these particular rectangles are small and flat and full of slave bankers that live in my pocket, next to my nine-billion dollar super computer I mostly use as a map, so I don’t have to go through the hassle of folding and unfolding maps, and also to send funny pictures to people in Scotland, in between watching porn in the woods.
I digress. Let’s all take a deep breath. Somebody from my great grandmother’s generation, who lived long enough to be an adult in Fiftiesland, would rightly think: We live in a golden age! We live in the future!
Back in contemporary America, my parents are in their early seventies. My parents today are about how old Gramma Bickle was at the end of the 1950s. And the jump isn’t bad, but it’s not nearly as mind-blowing. The developments they’ve seen since childhood are very impressive in terms of computers and telecommunications and medicine, but otherwise, the world they live in is a more efficient, clever version of the world they grew up in. Cars are safer and more comfortable and fuel efficient, but they’re still basically cars. LED lights are cheaper than incandescent bulbs, but they’re still essentially electric lights. Penicillan is better, but it’s still just clinical mold that strategically murders errant bacteria.
If Fiftiesland were a country, rather than our own history, we would pretty much look at it sort of how we see the poorer parts of Latin America or Eastern Europe: a very nice place with lovely people, wonderful to visit, try the food. Get some funky vintage clothes while you’re there.
But a comparatively poor economy to America or Western Europe. You wouldn’t want to immigrate there for the money. And also, not surprisingly, some views about gender, sex before marriage, having kids really young, having lots of kids, and skepticism about homosexuality that a globetrotter and even quite a few conservatives today might be tempted to call “quaint” or “traditional.”
Basically, if Fiftiesland were a country today, we would view it like Honduras or Moldova, or maybe Czechoslavkia after the wall came down.

To note, this is a continuation of the sagas I wrote that took place after the Cell Saga. The two sagas were written with inspiration taken from MCU Peter Parker's arcs in Far from Home and No Way Home. The goal was to develop Son Gohan into a proper lead for the show. If you'd like to check them out, here are the links!
Bojack (Far From Home) Saga: https://www.reddit.com/fixingmovies/s/sK5zOnJ0oU
Broly (No Way Home) Saga: https://www.reddit.com/fixingmovies/s/R3sGOqdbIv
There are many things I find wrong in the Buu saga:

1. Goku coming back: This derails the narrative tremendously as he snatches back the torch from Gohan. He's going to play a role, but he will stay dead.
2. Gohan's writing: In canon, we ended up with a rusty, goofy, badly written character who lost all the development from the previous sagas. He became a useless disappointment and did not uphold his role as a protector of the earth. This won't go anywhere near that direction.
3. SSJ3 and fusions: These elements were unnecessary as they did nothing to solve the plot and only provided fluff. This can be introduced in Super, but that's another story.
4. Goten and Trunks SSJ: I wasn't a fan of how they easily transformed, treating it as an easy power-up. Here, it will be earned.

What I want to do here is combine the Buu saga with Fusion Reborn. For that movie, there are tons of elements at play that can be used to make the grand finale of Dragon Ball Z, more grand. The goal here is to increase the stakes, trim all the unnecessary fat, give everyone a chance to shine, and keep the main focus on Gohan. I also want to replace Buu with Janemba, as I find him much more threatening due to his unique abilities which would be perfect to challenge Gohan. It's also here that we avoid the rinse-and-repeat problem that came with Buu and his many forms.

Without further ado, here is the...... Janemba Saga!

Seven years have passed since the climactic battle against Broly. Gohan, now a young adult, has diligently pursued a delicate balance between his studies and training. During this time, he has honed his Super Saiyan 2 form and significantly elevated his combat skills. However, he deliberately restrains his power, refusing to succumb to the depths of his inner rage. Gohan believes that his technical prowess alone will suffice, opting to suppress the primal fury within him. Despite his reservations, Gohan attends a prestigious private school on an academic scholarship, alongside his steadfast companion Videl and their circle of friends. Gohan has embraced the responsibility of preserving peace on Earth as a valiant hero, adopting the mantle of Saiyaman. His suit has undergone a sleek redesign, shedding the theatrical poses in favor of a more streamlined appearance. Functioning as a dynamic duo reminiscent of Superman and Batman, Gohan and Videl tackle the city's crime wave together. Videl, having mastered her ki abilities under the tutelage of Piccolo, has grown stronger over the years. Glimpses of their everyday lives reveal the struggles of Gohan as he endeavors to balance the demands of school, training, and personal relationships. Amidst the challenges, he harbors a subtle resentment towards his duty, as it often encroaches upon his cherished personal time. Nevertheless, Gohan persists, fueled by his unwavering determination to live up to his father's legacy.
However, the tranquil facade is shattered when a harrowing turn of events unfolds. The narrative transitions to an otherworldly realm, distinctly separate from Earth. A mysterious figure cloaked in darkness materializes, none other than the malevolent wizard Babidi. Harnessing the unholy power of dark magic, Babidi establishes a sinister connection with his loyal minion Dabura, the King of the Demon Realm. United in their nefarious purpose, they orchestrate an audacious invasion of Otherworld, intent on freeing the formidable demon Janemba. Ages ago, Janemba had been sealed away in this celestial realm by the Supreme Kais. Babidi's malevolent ambition revolves around shrouding the universe in eternal darkness. To achieve this nightmarish vision, he plans to infect the denizens of Earth using the insidious Majin spell, thereby expanding his dominion across countless planets.
In the midst of this burgeoning chaos, Gohan, disguised as Saiyaman, finds himself investigating a peculiar incident involving the possession of one of his dearest friends. Videl, resolute and fearless, engages in a fierce battle against the malevolent puppeteer controlling Sharpner. With unwavering confidence, she urges Gohan to let her confront the threat alone. Sharpner, his strength unnaturally augmented, puts up a formidable resistance, but Videl's experience enables her to subdue him without resorting to fatal measures. As Sharpner awakens from his trance, Gohan seeks answers regarding the enigmatic force that had seized control of his friend. Sharpner reveals that a voice called Babidi had whispered malevolent commands into his mind. Armed with this critical information, Gohan summons Vegeta and Piccolo to join him in unraveling the unfolding crisis, embarking on a journey towards the epicenter of the ominous power emanating from a series of potent and wicked ki signatures, ultimately leading them to Babidi and Dabura.
Meanwhile, Earth becomes a battleground, besieged by an onslaught of resurrected zombies, soldiers, and former villains who once terrorized its populace. Though the trio finds themselves torn between aiding their beleaguered planet and confronting the imminent threat directly before them, they know their immediate priority lies in thwarting Babidi's scheme. Distracting them with his grandiose monologue, Babidi probes their minds, seeking susceptible individuals to manipulate. Initially targeting Vegeta, Babidi redirects his attention toward Piccolo, sensing his inherent duality as a being born of both good and evil. With a combination of Babidi's insidious spell and the lingering malevolence of Piccolo Daimao, the Namekian warrior struggles to resist the overwhelming influence. His powers surge exponentially beyond their previous limitations, clouding his judgment and driving him to confront his former student, Gohan. Amidst the shock of this unforeseen twist, Gohan assumes the responsibility of awakening Piccolo from his trance-like state, determined to restore his mentor's clarity. As the battle rages on, they sense a tremor that reverberates throughout the planet, an unmistakable ki signature brimming with icy coldness, signifying the presence of a singular entity—Janemba.
Bracing himself for the impending clash with this malevolent force, Gohan prepares to face Janemba head-on, while Piccolo embarks on a personal mission to neutralize Babidi. Meanwhile, Vegeta remains locked in a fierce struggle against Dabura, the Prince of Saiyans confronting the King of the Demon Realm. The confrontation unfolds with brutal intensity, and Vegeta finds himself teetering on the edge of defeat. Sensing his adversary's advantage, Dabura unleashes a legion of demons to tip the scales further in his favor. Pushed to his limits, Vegeta fights valiantly, but the odds appear insurmountable. Dabura, consumed by arrogance, revels in his imminent triumph, announcing his intention to unleash the full might of the demon horde upon Earth. Faced with the dire consequences of such a cataclysm, Vegeta musters every ounce of desperation within him. In a moment of self-sacrifice, he unleashes a devastating attack upon Dabura and his minions. The resulting explosion weakens Babidi's forces, repels the encroaching Demon Realm, and safeguards their dimension from untold chaos and devastation.
(Note: I wanted to keep Vegeta's sacrifice but make it matter and count. In canon, it didn't stop Buu, and he sent himself into cold oblivion on a lie. Here, he makes a difference in the long run and has a definitive redemptive moment. )
Startled by the sudden disappearance of Vegeta's powerful ki, Trunks defies the protests of his comrades on the Lookout and rushes towards the chaotic battleground. His heart pounds with trepidation as he races through the smoke-filled air, only to be confronted with the lifeless body of his father lying motionless on the ground. Overwhelmed by a torrent of despair and seething rage, Trunks' trembling hands reach out to shake his father awake, his desperate pleas echoing through the desolate landscape. But his efforts prove futile, and a profound sense of loss engulfs him.
In the midst of this heart-wrenching moment, a surge of raw energy courses through Trunks' veins, igniting a transformation that surpasses the boundaries of his mortal self. Radiating an aura of vibrant golden light, Trunks ascends to the legendary state of the Super Saiyan. His eyes ablaze with determination and fury, he is now ready to face the battle that lies ahead.The scene shifts, revealing the remaining Z-Fighters locked in a perilous struggle against hordes of relentless zombies. Fatigue weighs heavily upon their weary bodies as they fend off the relentless onslaught. Suddenly, a streak of intense power streaks across the sky, and Trunks descends before his comrades, newly transformed and brimming with indomitable strength. A burst of energy erupts from his fingertips, shattering a ki blast launched by one of the zombies, diverting it harmlessly away. In the eyes of his adversaries, astonishment mingles with mockery as they behold the sight of a mere child standing before them.Unfazed by their taunting laughter, Trunks addresses his comrades with unwavering resolve. He declares that he will shoulder the burden of the battle, vowing that not a single life will be lost on this day. With unparalleled speed and precision, he charges towards the encroaching horde, obliterating each zombie with astonishing ease. Their forces crumble beneath the might of his wrath, and the battlefield is transformed into a graveyard of defeated foes.As the last of the zombies falls, Trunks relinquishes his Super Saiyan form, his energy spent and body drained. Collapsing to the ground, he succumbs to exhaustion, his breathing ragged and labored. In this moment of vulnerability, Yamcha, recognizing the young warrior's valor, rushes to his side and gently lifts him from the battlefield, cradling his battered form with utmost care.
(Note: Kid Trunks' transformation is a direct reference to when Future Trunks found Gohan dead after the battle with the androids, and then he transformed. )
While this tumultuous event unfolded, the responsibility of safeguarding the Lookout fell upon the young shoulders of Goten. As time passed, a sudden intrusion disrupted the tranquility of the platform, as a malevolent henchman, infused with the dark power of King Cold, materialized before him. Though momentarily shaken, Goten summoned his courage and engaged in a valiant struggle against his formidable adversary.Initially, it appeared that Goten held his ground admirably, skillfully countering the attacks launched by the nefarious duo of Salza and Dore. However, their sinister coordination gradually began to overpower the young warrior. In a devastating display of force, Salza executed a malicious kick that sent Goten hurtling towards the precipice of the Lookout, teetering on the brink of unconsciousness.
Witnessing her son's battered and vulnerable state, Chi-Chi, consumed by a mixture of horror and fury, lunged at Salza in a desperate attempt to defend her child. Yet, her efforts proved futile as Salza callously seized her by the throat, mercilessly constricting the life from her. From his weakened position, Goten, wide-eyed and mouth agape, struggled to remain conscious, his mind besieged by the conflicting emotions of impending death and the weight of disappointment.
In that critical moment, he closed his eyes, his teeth sinking into his lip until blood stained his mouth. His trembling hands clenched into tight fists. And then, something within him snapped, unleashing a primal force that lay dormant within.Goten vanished, replaced by an embodiment of unbridled rage. Transformed into a Super Saiyan, his furious aura radiated with an intensity that defied comprehension. With a surge of unrestrained power, he propelled himself towards Salza, obliterating his malevolent foe with a devastating blast that eradicated him from existence. Undeterred by the remaining henchmen who sought to avenge their fallen comrade, Goten engaged them with a newfound ferocity.In a breathtaking display of combat prowess, it took mere moments for Goten to dispatch his adversaries, consigning them to the depths of the afterlife. Unaware of his mother's watchful gaze, Chi-Chi bore witness to the astonishing transformation of her once-innocent son, her heart filled with awe at the unfathomable power he now wielded.
(Note: This is a reference to when Superman had attacked Zod for attacking Martha in Man of Steel. With this, Goten is able to break out of his shell and experience some development. I also did not want Chi-Chi to die, but to have it be close. This way, she can witness firsthand her son fighting to avenge her and realizing that his saiyan blood kicked in to save them all, which would lead to some development towards her accepting that they have the natural power to fight, but also protect. )
Simultaneously, amidst the chaos, Piccolo found himself embroiled in a fierce battle of magic. His objective was to shatter the impenetrable barrier erected by his adversary, Babidi, to halt the relentless proliferation of Majin-infused beings. The odds were stacked against him, but with unwavering determination, Piccolo summoned the strength to rupture the barrier, ultimately delivering a fatal blow to Babidi. In doing so, he succeeded in halting the insidious spread of the Majin curse.Meanwhile, Gohan, driven by an overwhelming surge of power in his Super Saiyan 2 form, charged headlong at the formidable Fat Janemba, intent on swiftly ending the confrontation. Displaying remarkable valor, Gohan engaged his adversary with all his might, momentarily gaining the upper hand in fleeting bursts of fury. However, Janemba's energy continued to surge unabated, gradually overpowering Gohan and relegating him to a defensive stance.With the battle reaching its climax, Janemba unleashed a devastating onslaught aimed at obliterating the planet. In a desperate bid to protect all that he held dear, Gohan fearlessly interposed himself between Janemba's lethal assault and the world, extending his arms wide as he summoned the last vestiges of his ki to create a resolute energy shield. The technique demanded one final act of defiance, compelling Gohan to redirect the unleashed energy back towards Janemba, propelling the malevolent entity backward and teetering on the precipice of annihilation. Yet, the maneuver exacted a heavy toll on Gohan, leaving him grievously injured and drained of consciousness, hurtling through the sky and crashing deep into the untamed wilderness.
(Note: This maneuver is a mix of what Gohan did against Broly in Movie 10, and what Future Gohan did in his last battle against the androids.)
Subsequently, Supreme Kai, recognizing the dire condition of the young warrior, transported Gohan to the realm of the Kais. As Gohan gradually regained consciousness, he found himself surrounded by the presence of Supreme Kai, Kibito, and his father, Son Goku. Unbeknownst to Gohan, while the realms beyond had been engulfed in pandemonium, Goku had valiantly sought to subdue numerous formidable adversaries, most notably Broly. Upon learning of Gohan's presence on that distant planet, Goku implored for the opportunity to visit his son, a request that was granted amidst the bittersweet reunion.During their heartfelt meeting, they shared the weight of overseeing the turmoil ravaging Earth, realizing that Janemba still lingered, amassing the remnants of malevolent ki left unvanquished. Panic washed over Gohan as he urgently expressed his need to return to Earth, but his pleas were met with cautionary words from his loved ones. They acknowledged his unpreparedness to face Janemba anew, warning of the potential consequences should he engage the foe prematurely. Supreme Kai disclosed his true intention in bringing Gohan to this realm—to unlock the dormant power lying dormant within him. However, the process demanded a profound reconciliation of Gohan's dual nature as both human and Saiyan. To initiate this transformative ritual, Gohan would be immersed in a meditative trance within the sacred confines of a cascading waterfall, which would serve as a mirror reflecting his true self. Only then would he embark upon the arduous journey of unlocking his latent potential, fully aware that failure could result in dire consequences, even death.
Nervously, Gohan steeled himself for the imminent trial, drawing strength from the unwavering support of his father. With resolute determination, he approached the cascading waterfall, where Supreme Kai initiated the trance, enveloping Gohan in an ethereal aura of introspection.As the ritual commenced, Gohan's gaze fixated grimly upon vivid recollections of his past battles, struggling to reconcile the moments when he had succumbed to his own wrath. Before long, a projection materialized, representing his suppressed Saiyan essence—a separate entity demanding to be acknowledged. A tumultuous clash ensued between the two facets of Gohan's being, with the young warrior faltering in his attempts to gain the upper hand, for each surge of anger only fueled his other self. Finally, a profound realization washed over Gohan, piercing through the haze of conflict. He ceased resisting and, instead, extended a hand of acceptance and understanding to his Saiyan counterpart, embracing the essence of his true nature. In that transformative instant, the boundaries dissolved, merging into a harmonious unity. Gohan's eyes fluttered open as he awakened from the trance, reborn in his newfound Ultimate Form, his essence finally whole and indomitable.
(Note: Yes, this is a direct reference to Naruto obtaining true mastery of his nine tails form in Shippuden. I did not like Gohan's canon mystic ritual because it did not feel earned. He just sat around for a long time doing nothing and gained nothing from it. I wanted to fix that. So here, he went through a more direct ritual at the risk of death to be able to unlock his true abilities. )
In the midst of these events, Trunks and Goten find themselves under the tutelage of Piccolo within the formidable Hyperbolic Time Chamber. News reaches Piccolo that Gohan is undergoing a transformative process to unlock his latent potential, but the looming return of Janemba threatens to disrupt their plans. Exiting the chamber, Trunks and Goten emerge stronger than ever, having mastered their Super Saiyan forms and honed their teamwork to near perfection, compensating for their inherent power limitations.As Janemba crosses paths with them, the clash erupts in a spectacular display of martial prowess. Individually, they stand little chance against the overwhelming might of Janemba, but when united, a different narrative unfolds. Their combined efforts aim to sustain the battle long enough, providing Gohan with the precious time he needs to complete his ritual. Piccolo assumes leadership, valiantly holding his ground, although it becomes increasingly evident that Janemba possesses a distinct advantage. Piccolo strategically diverts Janemba's attention, creating openings for Goten and Trunks to launch coordinated assaults that vex their adversary, even if their impact is minimal. Nonetheless, every second counts.
In a fateful turn of events, Janemba unleashes an assault that overwhelms Piccolo, incapacitating him and leaving only Goten and Trunks to face the malevolent entity. Swift as a phantom, Janemba materializes in front of Trunks, delivering a devastating blow to his abdomen, leaving Goten as the lone defender. Standing tall, Goten defiantly assumes a battle stance, mustering his courage. However, before Janemba can unleash a devastating attack upon him, an unknown figure delivers a powerful kick to Janemba's head, hurtling him towards the distant mountains.
The camera pans, revealing the figure to be none other than Gohan, resplendent in his newfound form.
(Note: This entrance directly mirrors that of Future Gohan when he was about to begin his final battle against the Androids!)
A wave of elation washes over Goten as he beholds the return of his beloved elder brother, while Trunks and Piccolo visibly exhale with relief. Gohan and Piccolo exchange a brief but meaningful exchange, Gohan acknowledging his newfound strength while Piccolo recognizes that Gohan has ascended to an entirely different echelon. Janemba regains his footing, reemerging before them, demanding their attention and focus. Gohan asserts that he will confront Janemba directly, urging the others to evacuate. Though reluctant, Piccolo and the young warriors comply, dispersing to various parts of the world to address the chaos that plagues their surroundings.
With an air of fury, Janemba charges at Gohan, his fist extended menacingly. Yet Gohan intercepts the attack, seizing Janemba's fist in a vice-like grip, and in a flash of teleportation, they are transported to the dreaded realm of H.F.I.L. (Home For Infinite Losers).
(Note: I have Gohan teleport Janemba because at least this way their battle will not damage Earth. Also we will assume Gohan has figured out some sort of Instant Transmission movement like Goku.)
The eyes of Earth's denizens, the Kais, and the denizens of the Otherworld are fixated on this pivotal moment, the culmination of a battle that will determine the fate of the universe. And so, the clash commences, a cataclysmic struggle that echoes through the very fabric of existence.
In a breathtaking display of power, Gohan initially dominates the battle, effortlessly overpowering Janemba with his newfound might. However, the tables turn when Janemba unveils unexpected abilities: space-time manipulation and a formidable sword. Gohan is caught off guard, unsure of how to counter such unorthodox tactics. Desperation and frustration consume him, causing his control over his own power to slip away.Amidst the chaos, Gohan experiences a moment of revelation, a surge of understanding regarding his opponent's abilities. He realizes that in order to anticipate Janemba's next move, he must heighten his senses by channeling his ki, allowing for precise timing and swift reactions. With this newfound clarity, Gohan regains his composure, closing his eyes and taking a deep breath. Seizing an opportunity, Janemba materializes before him, poised to strike with his sword. Yet, in a stunning display of strength, Gohan catches the blade with both hands, shattering it into pieces.
The tide of the battle begins to shift, albeit slightly, in Gohan's favor. Frustrated and bewildered, Janemba exclaims, "Just what...are you?!" Gohan responds with unwavering resolve, proclaiming, "I am the hope of the universe. I am the answer to all living things that cry out for peace. I am the protector of the innocent. I am the light in the darkness. I am truth. Ally to good! Nightmare to you!"
(Note: I'm taking Goku's dubbed speech against Frieza and repurposing it for Gohan. As he's inherently more the justice-driven hero archetype rather than the fighting maniac that is Goku, it makes more sense. We'll just assume Goku gave Frieza the manga version of his speech. This is also the most pivotal moment of Gohan's journey as he comes to terms with being a protector. Throughout the show, he's been struggling between his desire to be a scholar and his responsibility to be a hero. That dubbed speech is exactly the moment that Gohan's arc comes full circle. Here, he finally embraces what he was always meant to be..... the hero.)
With renewed determination, Gohan launches various assaults in a bid to defeat his formidable adversary. However, his attacks fail to inflict lasting damage, and Gohan himself begins to exhaust his ki. It is then that he realizes the true nature of Janemba's existence—he is an embodiment of pure evil ki, unlike any opponent Gohan has faced before. A desperate plan takes shape in Gohan's mind. Mentally reaching out to his friends and even Videl, he calls upon them to gather their ki, reminiscent of the Spirit Bomb technique. Initially, only the Z-Fighters respond, but their combined energy proves insufficient.As Gohan valiantly defends against Janemba's onslaught, he mentally pleads with the people of Earth to lend their aid. Uncertainty and doubt cast a shadow over the crowd until Hercule steps forward, berating them for refusing to support the man who once saved them during the Cell Games. Revealing the truth of Gohan's identity as the Delivery Boy turned hero, the tide of public opinion shifts. People extend their hands, offering their energy to their savior. Shocked by the sudden turn of events, Gohan is relieved by the surge of ki coursing through him, providing a momentary opening to kick Janemba away. The collective assistance grants Gohan a substantial reservoir of energy, which he then summons forth, infusing it with the very essence of his soul—a daring and perilous maneuver.
Driven to his breaking point, a furious Janemba ascends into the sky, conjuring a colossal sphere of malevolent ki capable of obliterating the entire universe. Gohan remains calm, his gaze fixed upon the impending cataclysm. With unwavering resolve, he declares, "This is the end for you, Janemba." Closing his eyes, Gohan raises his left hand above his head, conjuring a radiant sphere of rainbow light. Seizing the opportunity, Janemba hurls his devastating attack towards Gohan. Sensing the imminent danger, Gohan's eyes snap open as he crushes the ball of energy in his palm. Swiftly pivoting, he hurls the fragmented energy towards the oncoming attack, effortlessly piercing through it, and hurtling towards Janemba, finally eradicating the universe's peril once and for all.
(Note: This is the same technique as Kid Buu's Planet Burst move, the one that destroyed Earth. I also repurposed Gogeta's stardust breaker technique for Gohan as I feel it makes sense for him to have it. It also makes him stand out from Goku even more in this case.)
As the dust settles, Gohan maintains his energy long enough to witness Janemba's demise. A triumphant smirk graces his face as he remarks, "Heh, looks like I finally did it." Exhausted, he collapses to the ground, almost completely drained. The onlookers erupt into joyous cheers, celebrating Gohan's hard-fought victory. Supreme Kai teleports Gohan from the depths of H.F.I.L back to Earth, specifically to the Lookout, where his family and friends eagerly await his return. In a heartwarming scene, Gohan is enveloped in embraces and expressions of relief. It is here, amidst the warmth of their loved ones, that Gohan and Videl share their first kiss—a tender moment of connection and celebration.Meanwhile, the Dragon Balls work their magic, rectifying the chaos caused by Babidi's dark influence. The majority of those who perished are revived, yet there are exceptions, including Vegeta. Accepting his fate and determined to atone for his past deeds, Vegeta expresses his desire to continue growing stronger in the afterlife, entrusting the protection of his family to his son. Tearfully, Trunks vows to make his father proud, with Goten stepping forward to support his friend in this emotional moment. Fond farewells are exchanged as everyone prepares to return to their respective homes.
Gohan and Goten engage in a heartfelt conversation, their bond as brothers strengthening. However, their exchange is interrupted by Chi-Chi, who unexpectedly interrupts their conversation. To their astonishment, she expresses pride in their valiant efforts to safeguard the world, finally relenting and granting them permission to train and protect. The three embrace, their family united and resolute.In a different realm, Vegeta stands before King Yemma, awaiting judgment. To his surprise, he is granted an Otherworldly body, a result of Goku's recommendation and Vegeta's ultimate sacrifice that tipped the scales of justice. With this second chance, Vegeta is granted the opportunity to train ceaselessly and, more importantly, to settle his unfinished business with Goku. The final scene between Goku and Vegeta unfolds, their fists colliding in a charged confrontation, their image freezing .( mirroring the intensity of Rocky and Apollo in Rocky III, leaving their ultimate showdown to the imagination.)
A decade passes, marked by a time skip. Tien and Krillin have established their own martial arts schools, dedicated to passing on their unique styles to the next generation. Goten and Trunks, under the tutelage of Piccolo, diligently train to harness their extraordinary powers. Gohan, now a respected scholar, has married Videl, and together they have a daughter. At home, Videl imparts the basics of combat to their daughter, Pan. Gohan, having just finished delivering a lecture on energy at the university, senses a disturbance reverberating across the planet. Instinctively, he rushes to the rooftop, pressing a button on his wrist. In an instant, he transforms into his iconic Saiyaman costume, soaring into the horizon with a mischievous grin. He breaks through the fourth wall, symbolizing his unwavering resolve to protect and inspire.
The screen fades to black.
The End.
There we have it! My final wrap-up of the MCU Peter ParkeGohan development journey! Honestly, I did have thoughts of just going straight into revising the Buu arc, but I felt there was more to be done before that. Gohan needed to go through the development I gave him in my two written arcs as there were lessons there that shaped him.
I also felt that a trained Gohan, who is naturally intellectual, would be a perfect antagonist in Janemba. He had to learn to outsmart him, and not just have it be a straight-up slugfest.
What do you guys think? Share your thoughts below!
u/fatherandyriley
u/dgenerationmc

The RCG games are quest-based beat em ups with a pretty deep combo system. The music, skill system and humor are all great assets to the series.
Beginning with music, they recruited an artist (Megan McDuffee) to crush the vocals on several of their tracks. While beating the crap out of baddies, chill synth pop guides your rhythm and pacing. Side opinion: Would love to see more vocals in video game soundtracks.
The skill upgrade system is pretty deep compared to others. It'll initially feel stiff compared to arcade-like beat 'em ups but you'll learn it's because of carefully implemented combos. RCG requires practicing a 3 button-attack input system, and, once you understand the input timing, you'll eventually juggle enemies in a super satisfying manner.
Nothing beats a coop sesh that carries a good sense of humor. RCG pretty frequently breaks the 4th wall in fun ways connecting to us as players. High quality games acting goofy reminds us it's about having fun.
The art design rotates constantly between gameplay sprites, hand drawn anime still-frames, and full motion cut-scenes. It's a great way to keep players satisfied with new, visually appealing content.

just wondering if anyone knows where I can find Islamic Calligraphy/ art? near Gujrat. Islamabad and Lahore is okay too.

I (20f) have only been practicing witchcraft and Wicca for a year but I’ve always had this crazy connection to the moon. Since I was 6 years old I used to love things related to the moon and constantly look at the moon. I learned the moon phases from a young age and was always interested with it. Before I found Wicca I bought a ton of triple moon jewelry, wall art, etc. I’m just obsessed with the moon so it was crazy when I started learning Wicca and realized its significance to the religion. It feels like I was drawn to Wicca. My grandma (I used to live with her age 7-8) was my best friend until she passed away in 2021 and she also LOVED the moon. She also bought me moon jewelry, watched the moon with me, and always said “I love you to the moon and back”. I’m not sure if I was holding onto it because it was a joy we shared or if I was drawn to it for magical reasons. What do you think?