Ryan dungey and jamie lynn spears

Zoey 101

2014.10.20 20:32 shootinq Zoey 101

Drippin'
[link]


2024.05.21 00:25 Moocao123 Vertical integration of the healthcare insurance and service without PBM or analytics support - the case of Bright Health Group (now known as NeueHealth)

Vertical integration of the healthcare insurance and service without PBM or analytics support - the case of Bright Health Group (now known as NeueHealth)
Good evening fellow Healthcare_Anon members
As previously discussed, we will go ahead and review a case study of the vertical integration of the various services of the healthcare industry, which if done correctly, does indeed pose a very big beast and will be difficult to compete against. In this case for Bright Health Group (BHG), the hydra died before the heads sprouted properly. While BHG carcass continues to rot, one of its investors Cigna has completely exited Medicare Advantage in 2024 - Cigna lost $750 million dollars to prop up BHG in 2021 and will sell its MA division for $3.7B.
Bright Health banks $750M investment from Cigna Ventures, New Enterprise Associates Fierce Healthcare
Cigna inks deal to sell Medicare business to HCSC in $3.7B deal (fiercehealthcare.com)
We therefore wonder, what went wrong? Again, let us review the following paper as our point of reference:
Rooke-Ley H, Brown E, Grumbach K, Hoffman A, Ryan A, Roy V, Grogan C, Appelbaum E, Lipschutz D. Medicare Advantage and Vertical Consolidation in Health Care. American Economic Liberties Project, April 2024. Available: https://www.economicliberties.us/our-work/medicare-advantage-and-vertical-consolidation-in-health-care/#, accessed 05/19/24 (for this subreddit post)
Which stemmed from a discussion post thanks to u/ Fabulous-airport-273.
Without further ado, let us proceed.
" Next, consolidation allows vertical conglomerates to steer revenue to their sister subsidiaries, such as primary and specialty care, post-acute care, and pharmacies. This not only enables them to skirt federal regulations intended to cap profits; it also drives out independent providers and allows conglomerates to steer patients away from expensive yet medically necessary care. Steering care generates “captive revenue” for vertical conglomerates. Bright Health, an MA insurance company that recently sold to Molina, depicted this strategy to investors. As shown in Figure 2, insurers see provider ownership as the “margin accelerator.” This is because ownership of the practice unlocks revenue from all third-party payers (i.e., other insurance companies and government payers with patients served by that provider), and it allows the insurance companies to retain more of their capitation payments through captive revenue. "
This paragraph is highly important, which we will further discuss within a separate post.
https://preview.redd.it/o0ltokpkhn1d1.png?width=1014&format=png&auto=webp&s=06b67c47816c26282211ffa62d2fd0e8d14f71cb
Bright Health Group's business plan is basically a similar copy of UNH without Optum Rx and Optum Insight, however it failed in 2 parts - it didn't do the insurance part properly, and it didn't have the service section up and running. Do note that both Optum Rx and Optum Insight provided a large part of UNH profits and has considerable profits/revenue ratio. Therefore if Bright is unable to leverage the insurance section and create appropriate margins within the service section, then the whole edifice collapses.
Let us review their 10K prior to the end of its existence:
Source:
  1. neue-20231231 (sec.gov)
  2. bhg-20221231 (sec.gov)
https://preview.redd.it/pn3vnva2yo1d1.png?width=759&format=png&auto=webp&s=cb9f4292e98b62134140193d2a1fa975c67a400c
As you can see, Bright Health Groups insurance segment did NOT do well, and did not leverage the insurance section. Even worse, if you look at the revenue YoY of the service section in comparison to the cost section, the cost of generating the revenue is much higher within segment while did not generate ANY service revenue return as a YoY basis. In fact operating cost in % of revenue increased from 2022 to 2023, and total revenue decreased. MCR is also atrocious overall, with no year at < 90%.
If you recall in my previous BHG Bankruptcy DD, you will also note that BHG was very busy building clinics and eating a big hole in investor pockets doing so, including Cigna's $750 million dollars. The reason why this was needed was it is part of BHG's business plan. Ultimately it failed, because it neither had the expertise in managing its insurance segment (with MCR consistently north of 90%) and it did not have an adequate baseline infrastructure for the service section under NeueHealth, nor was it optimized. This is in contrast with UnitedHealthcare group and its subdivision of United Health group and Optum.
Financially, Bright was strapped for cash by end of 2023, and somehow didn't notice it overdrew its credit facility from JP Morgan Chase. As Hoyt so eloquently put it - you don't owe JPM money, Jamie Dimon isn't known to be charitable (how else did he eat the Vampire Squid's lunch? If you aren't sure what I am talking about, you haven't read Matt Taibbi at his prime). Therefore Bright Healthgroup had to amputate itself from its Bright Healthcare division, with only Neuehealth remaining.
NeueHealth is still alive, but on life support. It claimed it had positive adjusted EBITDA, which may be true, but it still owes CMS a lot of money for risk adjustment revenue from Bright in 2023. Its investor relation page will show you the nice adjusted EBITDA section, but you have to look at its debt and liabilities as well.
https://preview.redd.it/9uw9i0g6on1d1.png?width=1856&format=png&auto=webp&s=501ae4bcdec6385c94003c74964a554d67b7ec68
https://preview.redd.it/a0ns5bmzon1d1.png?width=1849&format=png&auto=webp&s=3b453fcdbffcd0857f4280a46033110446d04e7d
This last chart is actually the most important one: net decrease in cash of $126 million dollars, with $250 million dollars left in the bank. That gives 2 more quarters of cash burn at the same rate of cash burn. NeueHealth's life support is ending soon? Who gets to take a piece of this and inherit all the bad liabilities?
In conclusion - the failure of BHG is in direct relation to its failure in cost containment within the insurance segment, and at the same time, having inefficient or not optimized service division that can staunch the bleeding. In contrast, UNH is leveraging its UHG insurance segment and supplementing the Optum segment, delivering impressive EPS.
Thank you for taking the time to read through this. I hope this provides you with a better perspective on a glimpse of the landscape that I am personally aware. Please submit your comments below on your thoughts
Sincerely
Moocao
submitted by Moocao123 to Healthcare_Anon [link] [comments]


2024.05.20 18:05 yuritopiaposadism Hmm, yes, it's the videos that are the problem, not the abuse itself

Hmm, yes, it's the videos that are the problem, not the abuse itself submitted by yuritopiaposadism to lostgeneration [link] [comments]


2024.05.20 17:50 nahimavegan (Selling) Huge List Of 1100+ Movies! Lots Of New And Rare Titles!

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Fall 4K/VU $6 or HD/VU $4.5
Fast & the Furious 10-film Set HD/MA $25
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Fool's Paradise HD/VU $6
Force of Nature '20 HD/VU $3.5
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Freeheld HD/VU $4
Friendsgiving HD/VU $4
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Frozen '10 HD/VU $4
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Gandhi 4K/MA $5.5
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Gattaca 4K/MA $6
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Good House 4K/VU $5.5
Goodnight Mommy HD/VU $4
Goosebumps 2 HD/MA $3
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Green Room HD/VU $4
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Hook 4K/MA $6
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Overlord 4K/VU or IT $4.5
Parental Guidance HD/MA $2.5
Parents HD/VU $4
Parasite HD/MA $4
Paw Patrol Mighty Movie HD/VU $6.5
Pet Sematary Bloodlines HD/VU $5.5
Peter Pan Return to Neverland HD/GP $4
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Poor Things HD/MA $7.5
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Rambo First Blood Pt 2 HD/VU $4
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Robin Hood '73 HD/MA $4
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Saw 8-film Set (Unr except Jigsaw) HD/VU $20
Secret Life of Walter Mitty HD/MA $3.5
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Shrek 6-Film Set (1-4, Musical, Puss in Boots) HD/MA $19
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Scorpion King 4-Film Set (1, 3, 4, Book of Souls) HD/MA $12
Scream 3 4K/VU $5.5
Scream 5 4K/VU $5.5 or HD/VU $4
Scream 6 4K/VU $7 or HD/VU $5.5
Sharktopus HD/VU $3.5
Shazam 2-film Set HD/MA $8
Shazam Fury of the Gods 4K/MA $6 or HD/MA $4.5
She Said HD/MA $4.5
She's the Man HD/VU $3.5
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Sixteen Candles HD/MA $3.5 or HD/IT $3.5
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Smile HD/VU $4.5
Social Network 4K/MA $6
Sometimes They Come Back...Again HD/VU $4
Sometimes They Come Back...For More HD/VU $3.5
Sonic the Hedgehog 2 4K/VU $5.5
Spider-Man Across the Spider-Verse 4K/MA $7 or HD/MA $5.5
Split HD/MA $3 or 4K/IT $3.5
Spoiler Alert HD/MA $5
Star Trek First Contact 4K/VU $5.5
Star Trek Generations 4K/VU $5.5
Star Trek Insurrection 4K/VU $5.5
Star Trek Nemesis 4K/VU $5.5
Star Wars A New Hope HD/MA $4 or HD/GP $3.5
Starship Troopers 4K/MA $6
Step Brothers 4K/MA $6.5
Stillwater HD/MA $4
Studio 666 HD/MA $5
Sum of All Fears 4K/VU $5
Supercell HD/VU $4.5
Super Mario Bros Movie HD/MA $5
Super Troopers 2 HD/MA $3.5
Superfly HD/MA $4
Suspiria (2018) HD/VU $4
T2 Trainspotting 4K/MA $6
Talk to Me 4K/VU $6
Talladega Nights 4K/MA $6.5
Taxi Driver 4K/MA $5.5
Thanksgiving 4K/MA $7.5
The Batman 4K/MA $5.5
The Bay HD/VU $4
The Color Purple '23 4K/MA $8 or HD/MA $6.5
The Descent (Unr) HD/VU $4.5
The Flash HD/MA $5
The Marvels HD/MA $6.5
The Natural 4K/MA $6
The Other Guys 4K/MA $6
The Professional (Ext) 4K/MA $6
The Super '17 HD/VU $4
Ticket to Paradise HD/MA $4.5
Titanic 4K/VU or IT $6 or HD/VU $4.5
Top Gun Maverick HD/VU $4
Toy Story 3 HD/MA $4
Trading Places 4K/VU $6
Transformers Rise of the Beasts 4K/MA $7 or HD/VU $5.5
Trolls 3-Film Collection HD/MA $12
Trolls Band Together HD/MA $6.5
Tusk HD/VU $4.5
Umma HD/MA $4.5
Unbearable Weight of Massive Talent 4K/VU $5
Universal Monsters 4-Film Set 4K/MA $17
V for Vendetta 4K/MA $6.5
Vanilla Sky HD/VU $5.5
Velvet Goldmine HD/VU $4.5
Venture Bros Radiant is the Blood of the Baboon Heart HD/MA $5.5
Violent Night HD/MA $5
Walking Dead Season 9 HD/VU $7
Watchmen Ultimate Cut 4K/MA $7.5
Waxwork 2 HD/VU $3.5
We Summon the Darkness HD/VU $4.5
Welcome to Marwen HD/MA $4.5
Welcome to Monster High HD/MA or IT $3
Whiplash 4K/MA $6 or HD/MA $4.5
Whitney Houston I Wanna Dance w/ Somebody HD/MA $4
Wicker Man 4K/VU $5.5
Wish HD/MA $7
Witch HD/VU $3.5
Woman King 4K/MA $5 or HD/MA $4
Woman Walks Ahead HD/VU $4
You're Next HD/VU $3.5
X-Men 1-4 Set SD/MA $7.5
Zombieland Double Tap HD/MA $4
All other movies (A-Z)
10 Cloverfield Lane HD/VU $3 or 4K/IT $3.5
101 Dalmatians '61 HD/MA $3.5 or HD/GP $3
13 Hours HD/VU $2.5 or 4K/IT $3
14 Blades HD/VU $3.5
1917 4K/MA $5 or HD/MA $3.5
2 Guns 4K/MA $4 or HD/MA or IT $2.5
21 Jump Street HD/MA $3
22 Jump Street HD/MA $3.5
3 Extremes HD/VU $4
3 From Hell (Unr) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down Uncaged 4K/VU $4.5 or HD/VU $3
47 Ronin HD/MA $3 or 4K/IT $3.5
600 Miles HD/VU $3.5
71 HD/VU $3.5
A Christmas Story 4K/MA $6
A Dog's Purpose HD/IT $3
A Good Day to Die Hard (Ext) HD/VU $2.5
A Journal For Jordan HD/MA $4
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Walk Among the Tombstones HD/IT $3.5
A Wrinkle in Time HD/MA $3 or HD/GP $2.5
A.C.O.D. HD/VU or IT $3.5
Abominable 4K/MA $5.5 or HD/MA $4
About Last Night HD/MA $3
Action Point HD/IT $2
Ad Astra HD/MA $4
Adaptation 4K/MA $6
Adrift HD/IT $3.5
Adverse 4K/VU $5
After Earth HD/MA $3
Aftermath HD/VU $3
Air Force One 4K/MA $6
Aladdin ‘19 HD/MA $3 or HD/GP $2.5
Aladdin ‘92 HD/MA $3.5 or HD/GP $3
Alien HD/MA $4
Alien Covenant HD/MA $2.5
Alfred Hitchcock 4-Film Set Vol 1 4K/MA $18
Alfred Hitchcock 5-Film Set Vol 2 4K/MA $21
Alien 6-film Set HD/MA $16
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/VU or IT $3
All is Lost HD/VU $3.5
All the Money in the World HD/MA $3.5
Allied HD/VU or IT $3.5
Almost Christmas HD/MA or IT $3
Amazing Spider-Man 2 HD/MA $3.5 or SD/MA $1.5
Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Hustle HD/MA $3.5
American Reunion HD/VU or IT $3
American Ultra HD/VU or IT $4
American Underdog 4K/VU $5.5 or HD/VU $4
Anatomy of a Murder 4K/MA $5
Anchorman 2 HD/VU or IT $2.5
Angel Has Fallen 4K/VU $5 or HD/VU $3.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Angry Birds Movie HD/MA $3.5
Anna Karenina HD/IT $3.5
Annie ‘14 HD/MA $3.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Antlers HD/GP $3
Ant-Man & the Wasp HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apache Junction HD/VU $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arrival HD/VU $2.5 or 4K/IT $3
Art of Self-Defense HD/MA $4
Ash vs Evil Dead S.3 HD/VU $5
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Assignment HD/VU $4
Atomic Blonde 4K/MA or IT $4.5 or HD/MA $3
August Osage County HD/VU $3
Avengers Age of Ultron HD/GP $3
Avengers Endgame HD/MA $2.5 or HD/GP $2
Avengers Infinity War 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Baby Driver HD/MA $4
Backdraft 4K/IT $5.5
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/MA or IT $3
Bandslam HD/VU $4
Bank Job HD/VU $3.5
Barb & Star go to Vista Del Mar HD/VU $4
Barbie & Her Sisters in the Great Puppy Adventure HD/IT $3.5
Bart Got a Room HD/VU $4
Battle Royale HD/VU $4.5
Battleship 4K/MA or IT $4.5 or HD/MA $3
Baywatch HD/VU $2.5 or 4K/IT $3
Beauty & the Beast ‘17 HD/MA $2.5 or HD/GP $2
Beauty & the Beast ‘91 HD/GP $3
Bedknobs & Broomsticks HD/GP $3.5
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Beiruit HD/MA $3.5
Belly 4K/VU $5.5
Ben-Hur ‘16 HD/VU $3.5
Between Worlds HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Lebowski 4K/MA or IT $5.5
Big Short HD/VU $3.5
Big Wedding HD/VU or IT $3
Billy Elliot HD/MA or IT $4
Birdman HD/MA $4
Black & Blue HD/MA $4
Black Christmas '19 HD/MA $4.5
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Panther Wakanda Forever HD/MA $3.5 or HD/GP $3
BlackKklansman HD/MA $4.5
Blacklight HD/MA $4
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blair Witch Project ‘99 HD/VU $4
Bleeding Steel HD/VU $3.5
Blindspotting 4K/VU $5.5 or HD/VU $4
Blood Money ‘17 HD/VU $3.5
Blood Ties HD/VU $3.5
Blue Jasmine HD/MA $3.5
Blue Ruin HD/VU $4
Blues Brothers HD/MA $4 or 4K/IT $4.5
Bob's Burgers Movie HD/GP $3
Body Cam HD/VU $4
Bohemian Rhapsody 4K/MA $5 or HD/MA $3.5
Bombshell 4K/VU $5
Book Club HD/VU or IT $2.5
Book of Life HD/MA $3.5
Boss Baby HD/MA $2.5
Bourne Identity 4K/IT $5 or HD/MA $3.5
Bourne Legacy HD/VU $2 or 4K/IT $2.5
Bourne Supremacy HD/MA $3.5 or 4K/IT $4
Bourne Ultimatum 4K/MA or IT $5 or HD/MA $3.5
Boy ‘16 HD/IT $3.5
Boy & the World HD/IT $3.5
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Breakfast Club HD/MA or IT $4
Breakthrough HD/MA $3
Brian Banks HD/MA $3
Bridge of Spies HD/GP $3.5
Brothers Bloom HD/VU $4.5
Bumblebee 4K/VU or IT $5 or HD/VU $3.5
Butler HD/VU $3
Cabin in the Woods HD/VU $2.5 or 4K/IT $3
Cake HD/MA $4
Call of Wild 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Calvary HD/MA $4
Candyman '20 4K/MA $6 or HD/MA $4.5
Candyman 3 HD/VU $4
Captain America Civil War HD/GP $2.5
Captain America First Avenger HD/GP $3.5
Captain America Winter Soldier HD/GP $3.5
Captain Marvel 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Captain Phillips HD/MA $3.5
Captain Underpants First Epic Movie HD/MA $2.5
Carol HD/VU $4
Cars 3 HD/GP $2.5
Casablanca 4K/MA $5.5
Case for Christ HD/MA or IT $2.5
Casper HD/IT $4
Celebrating Mickey HD/MA $3.5 or HD/GP $3
Chaos Walking 4K/VU $5
Chappaquiddick HD/VU $4
Chasing Mavericks HD/MA $3.5
Chicago HD/VU $4
Child 44 HD/VU $4
Children ‘08 HD/VU $4
Christopher Robin HD/MA $4 or HD/GP $3.5
Chronicles of Riddick HD/IT $4
Clerks 3 4K/VU $4.5
Clifford the Big Red Dog HD/VU $4
Cloverfield 4K/VU $5.5 or HD/VU $4
Coco HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collection HD/VU $3.5
Collide ‘17 HD/VU or IT $2.5
Colma The Musical HD/VU $4
Colombiana (Unr) HD/MA $4
Colony 4K/VU $5
Come & Find Me HD/VU $4
Commuter 4K/VU $5 or HD/VU $3.5
Company of Heroes HD/MA $4
Conan the Barbarian ‘11 4K/VU $5
Conspirator HD/VU $4
Contraband HD/IT $3
Contractor HD/VU $4.5
Cooler HD/VU $4
Cool Hand Luke 4K/MA $5.5
Cooties HD/VU $4
Cotton Club Encore 4K/VU $5.5
Countdown ‘16 HD/VU $3.5
Courier 4K/VU $5.5 or HD/VU $4
Craft Legacy HD/MA $4.5
Criminal HD/VU or IT $3
Croods HD/VU $3.5
Cruella HD/MA $3.5 or HD/GP $3
Crypto 4K/VU $5 or HD/VU $3.5
Daddy's Home HD/IT $2.5
Daddy's Home 2 HD/VU or IT $3
Damsel HD/VU $4.5
Dangerous 4K/VU $4.5 or HD/VU $3
Danny Collins HD/IT $3.5
Dark Crimes HD/VU $4
Darkest Minds HD/MA $4
Dark Places HD/VU $4
Dark Tower HD/MA $3.5
Darkest Hour ‘17 4K/MA $5 or HD/MA $3.5
Dawn of the Planet of the Apes HD/MA $3.5
Deadpool 2 (w/Super Duper Cut) HD/MA $4
Deadpool HD/MA $2.5
Death of Me HD/VU $4
Death on the Nile HD/GP $3
Death Wish '18 HD/VU $3
Deepwater Horizon HD/VU $2.5 or 4K/IT $3
Deliver Us From Evil HD/MA $3.5
Dentist 2-Film Set HD/VU $7
Despicable Me 2 HD/VU $3 or 4K/IT $3.5
Despicable Me 3 4K/MA or IT $4.5
Despicable Me 4K/MA or IT $4.5
Detroit HD/MA $3.5
Devil Inside HD/VU $3.5
Devil's Due HD/MA $3.5
Die Hard HD/MA $3.5
Die Hard 5-film Set HD/MA $18
Die in a Gunfight 4K/VU $5
Dilemma HD/VU $3.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Set HD/MA $3.5 or HD/GP $3
Disneynature Monkey Kingdom HD/MA $3
Django Unchained HD/VU $3
Doctor Strange HD/MA $3 or HD/GP $2.5
Doctor Strange Multiverse of Madness HD/GP $3
Dolittle HD/MA $3.5
Dom Hemingway HD/MA $3.5
Don Verdean HD/VU $4.5
Doorman HD/VU $3.5
Doors 4K/VU $5.5 or HD/VU $4
Downsizing HD/VU $2 or 4K/IT $2.5
Downton Abbey A New Era HD/MA $4
Downton Abbey The Movie HD/MA $3.5
Draft Day HD/IT $3.5
Dragged Across Concrete HD/VU $3.5
Dragonslayer 4K/VU $5.5
Dream a Little Dream HD/VU $4
Dreamkatcher HD/VU $4
Dreamworks 10-Film HD/MA $25
Dredd 4K/VU $4 or HD/VU $2.5
Dying of the Light HD/VU $2.5
E.T. Extra Terrestrial 4K/MA or IT $5 or HD/MA $3.5
Early Man 4K/VU $5.5
Earth Girls are Easy HD/VU $4
Eddie the Eagle HD/MA $4
Edge of Seventeen HD/IT $3
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Elysium HD/MA $3.5
Emoji Movie HD/MA $3
Empire of Light HD/MA $3.5 or HD/GP $3
Empire State HD/VU $3
Encanto 4K/GP $3.5
Enough Said HD/MA $3.5
Enter the Dragon 4K/MA $6
Epic HD/MA $3
Equalizer HD/MA $3.5
Equalizer 2 HD/MA $3.5
Escape From Planet Earth HD/VU $3
Eternals HD/MA $3.5 or HD/GP $3
Everest HD/MA $3 or 4K/IT $3.5
Everything Must Go HD/VU $4
Evil Dead 2 HD/VU $3.5
Ex Machina HD/VU $3
Exodus Gods & Kings HD/MA $3.5
Expired 4K/VU $4.5
Fair Game (Dir) HD/VU $4
Fantastic Four ‘15 HD/MA $4
Fast & Furious 4 4K/MA $5
Fast & the Furious 8-film Set HD/MA $17.5
Fast & the Furious 9-film Set HD/MA $20
Fast Color 4K/VU $5.5
Fatale ‘20 4K/VU $5 or HD/VU $3.5
Fatherhood HD/MA $4
Fault in Our Stars HD/MA $3.5
Fear of Rain 4K/VU $5.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Field of Dreams 4K/MA or IT $5.5
Fifty Shades Darker (Unr) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4
Fifty Shades of Grey (Unr) 4K/MA or IT $4
Finding Dory HD/MA $2.5 or HD/GP $2
Finding Nemo HD/GP $3.5
Finest Hours HD/GP $3
Firm 4K/VU $6
First Man HD/MA $4
Flashback ‘20 HD/VU $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose ‘11 HD/IT $3
Forbidden Kingdom HD/VU $4.5
Ford v Ferrari HD/MA $4
Forest HD/IT $3.5
Forever My Girl HD/IT $3
Fortress HD/VU $3.5
Fortress Sniper's Eye HD/VU $3.5
Fox & the Hound 2 HD/MA $4 or HD/GP $3.5
Foxcatcher HD/MA $4
Frank & Lola HD/VU or IT $3
Free Guy HD/GP $3
French Dispatch HD/MA $4 or HD/GP $3.5
Friday the 13th 4K/VU $5.5
From Here to Eternity 4K/MA $5.5
Frozen (Sing-Along) HD/MA $2 or HD/GP $1.5
Frozen HD/GP $2
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen Ground ‘13 HD/VU $3.5
Fury HD/MA $3.5
Future World HD/VU $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit ‘12 HD/MA $4
Gambler HD/VU or IT $3
Gamer 4K/VU $5.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out 4K/MA or IT $5 or HD/MA $3.5
Ghost in the Shell ‘17 HD/VU $3 or 4K/IT $3.5
Ghost in the Shell ‘95 4K/VU $5
Ghost Rider Spirit of Vengeance HD/MA $4
Ghost Team One HD/VU or IT $3.5
Ghostbusters ‘84 HD/MA $3.5
Ghostbusters (Thea & Ext) ‘16 HD/MA $3
Ghostbusters 2 HD/MA $3.5
Gifted HD/MA $3
Girl in Spider's Web HD/MA $4
Girl on Train HD/VU $3 or 4K/IT $3.5
Girl w/ All Gifts HD/VU $4
Giver HD/VU $3.5
Glass Castle 4K/VU $5.5
Glass HD/MA $4
God Bless The Broken Road HD/VU $3.5
God's Not Dead 2 HD/MA or IT $2.5
God's Not Dead 3 HD/MA $3
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold ‘16 HD/VU $2.5
Good Dinosaur HD/GP $2.5
Good Kill HD/VU or IT $3.5
Grease 2 HD/VU $4
Great Wall 4K/MA or IT $4.5 or HD/MA $3
Greatest Showman HD/MA $3.5
Green Book HD/MA $4
Grey HD/VU or IT $3
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guilt Trip HD/VU or IT $3
Gunman HD/MA or IT $3
Guns of Navarone 4K/MA $5.5
Hacksaw Ridge 4K/VU or IT $4.5 or HD/VU $3
Halloween ‘18 HD/MA $3
Hammer of the Gods HD/VU $2
Hannibal S.1 HD/VU $5
Hansel & Gretel Witch Hunters (Unr) HD/VU or IT $3
Hard Luck Love Song 4K/VU $5.5
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Hate U Give HD/MA $4
Hateful Eight HD/VU $3.5
Heat (Director's Cut) ‘95 4K/MA $5.5
Heaven is for Real HD/MA $3.5
Hercules ‘14 HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hereditary HD/VU $3.5
Hidden Figures HD/MA $3
High Note HD/MA $4
Highlander 4K/VU $5.5 or HD/VU $4
Hitchcock '12 HD/MA $4
Hitman Agent 47 HD/MA $3
Hitman's Bodyguard HD/VU $3.5
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home HD/MA $3
Home Again HD/MA $3
Home Alone 4K/MA $5 or HD/MA $3.5
Homefront HD/MA or IT $3
Homesman HD/VU $3
Honey 2 HD/VU $3
Hostiles 4K/VU $4.5 or HD/VU $3
Hotel Transylvania 3 HD/MA $3.5
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours ‘13 HD/VU $4
House of 1000 Corpses HD/VU $4
House of Gucci 4K/IT $5.5
House w/ a Clock in Its Walls sHD/MA $4
How to Train Your Dragon 2 HD/MA $2.5
Hugo HD/VU $3
Hunt for Red October 4K/VU $5.5 or HD/VU $4
Huntsman Winter's War (Ext) HD/MA $3 or 4K/IT $3.5
I Can Only Imagine HD/VU $3.5
I Feel Pretty HD/IT $2
Ides of March HD/MA $4
I Know What You Did Last Summer 4K/MA $5.5
Imitation Game HD/VU $3
In a Valley of Violence HD/MA or IT $3
In Secret ‘14 HD/VU $4.5
In the Blood HD/VU $4
Incredibles 2 HD/GP $3
Independence Day ‘96 HD/MA $4
Independence Day Resurgence HD/MA $2.5
Indiana Jones & the Raiders of the Lost Ark 4K/VU or IT $5.5 or HD/VU $4
Indiana Jones & the Temple of Doom 4K/VU or IT $5.5 or HD/VU $4
Indignation HD/VU $4
Indivisible HD/MA $3.5
Inferno HD/MA $3
Initiation 4K/VU $5
Initiation HD/VU $3.5
Internship HD/MA $3
Interstellar 4K/VU or IT $5 or HD/VU $3.5
Interview HD/MA $3.5
Into the Woods HD/MA $3 or HD/GP $2.5
Invisible Man '20 HD/MA $3.5
Invisible Man ‘33 HD/MA $3.5
Iron Man 3 HD/MA $2.5 or HD/GP $2
Iron Man & Hulk Heroes United HD/GP $3.5
Iron Mask ‘19 HD/VU $4.5
It Follows HD/VU $3.5
It's a Wonderful Life HD/VU $3
Jack & Jill HD/MA $3.5
Jack Reacher 4K/IT $4.5
Jack Reacher Never Go Back HD/VU $3 or 4K/IT $3.5
Jack Ryan Shadow Recruit 4K/IT $4 or HD/VU $2.5
Jacob's Ladder HD/VU $4
Jane Got a Gun HD/VU $4
Jarhead 3 (Unr) HD/IT $2.5
Jason Bourne HD/VU $2.5 or 4K/IT $3
Jesus Music HD/VU $3.5
Jexi HD/VU $3.5
Jobs HD/MA or IT $3.5
Joe HD/VU $3.5
Joe Kidd HD/IT $4
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5 or 4K/IT $4
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy (Parabellum 4K) HD/VU $9 or all HD/VU $8
Journey to the West Conquering the Demons HD/VU $3.5
Joy HD/MA $3
Judy 4K/VU $5 or HD/VU $3.5
Juliet, Naked 4K/VU $5.5
Jumanji Welcome To The Jungle HD/MA $2.5
Jungle Book ‘16 4K/MA $4.5 or HD/GP $2.5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 3 HD/VU $3.5 or 4K/IT $4
Jurassic Park 4K/MA or IT $5 or HD/MA $3.5
Jurassic World 5-film Set HD/MA $14
Jurassic World Fallen Kingdom 4K/MA $4.5 or HD/MA $3
Jurassic World HD/VU $2.5 or 4K/IT $3
Justice ‘17 HD/VU or IT $3
Kama Sutra HD/VU $4
Kick-Ass 2 HD/MA $3.5
Kid ‘19 HD/VU $3.5
Kid Who Would Be King 4K/MA $5.5 or HD/MA $4
Kidnap HD/VU or IT $2.5
Kill Zone ‘05 HD/VU $4.5
Killer Elite HD/IT $3
Killing Gunther HD/VU $4
Kin ‘18 4K/VU $4.5 or HD/VU $3
King Kong ‘05 4K/MA or IT $5 or HD/MA $3.5
King of Staten Island HD/MA $4
King's Man HD/GP $3.5
Kingsman The Golden Circle HD/MA $3
Kingsman The Secret Service HD/MA $3.5
Knives Out HD/VU $3.5
Knowing 4K/VU $5.5
La La Land HD/VU $3 or 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lady of the Manor 4K/VU $5
Lair of White Worm HD/VU $4.5
Lake Mungo HD/VU $4
Lara Croft Tomb Raider 4K/VU $5.5 or HD/VU $4
Last Dragon HD/MA $4.5
Last Duel HD/GP $3.5
Last Exorcism HD/VU $4
Last Knights HD/VU $3.5
Last Man ‘19 HD/VU $4
Last Stand HD/IT $2
Last Vegas HD/VU $3
Last Witch Hunter HD/VU $3 or 4K/IT $3.5
Lawrence of Arabia 4K/MA $5.5
Legend of Hercules 4K/IT $3
Legends of Oz Dorothy's Return HD/MA $3.5
Leprechaun 7-film Set HD/VU $12
Let's be Cops HD/MA $3.5
Let Him Go HD/MA $4
Let Me Explain HD/IT $2.5
Life ‘17 HD/MA $3.5
Life of Crime HD/VU $3.5
Life of Pi 4K/MA $5 or HD/MA or IT $3.5
Light of My Life HD/IT $3.5
Lightyear HD/MA $3.5 or HD/GP $3
Like a Boss HD/VU $3.5
Lilo & Stitch 2 HD/MA $4 or HD/GP $3.5
Lion HD/VU $4
Lion King ‘19 4K/MA $4 or HD/GP $2
Lion King ‘94 4K/MA $5 or HD/GP $3
Little HD/MA $3.5
Little Mermaid ‘89 HD/MA $4
Live Free or Die Hard HD/MA $4
Locked Down 4K/MA $5.5
Logan HD/MA $3
Logan Lucky HD/MA $3.5 or /IT $4
Lone Ranger HD/MA $3.5 or HD/GP $3
Lone Survivor HD/VU $2.5
Longest Ride HD/MA $3
Longest Week HD/VU $3.5
Looper HD/MA $3.5
Lorax HD/MA or IT $3
Lord of War 4K/VU $5.5
Lords of Salem HD/VU $4
Lost World Jurassic Park HD/MA $3.5
Love & Mercy HD/VU $3.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/GP $3
Lucy 4K/MA or IT $4.5 or HD/MA $3
Lyle, Lyle Crocodile HD/MA $4.5 or SD/MA $2
Madagascar 3 HD/MA $3
Maggie HD/VU $2.5
Magic Mike's Last Dance HD/MA $4.5
Magnificent Seven ‘16 HD/VU $3
Maleficent HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/GP $2.5
Man Who Fell To Earth ‘76 4K/VU $5
Man Who Shot Liberty Vance 4K/VU $5.5
Marauders HD/VU $3.5
Marksman HD/MA $4
Martian HD/MA $3.5
Mary Poppins ‘64 HD/MA $3.5 or ‘64 HD/GP $3
Mary Poppins Returns 4K/MA $4.5 or HD/GP $2.5
Mask of Zorro 4K/MA $6
Mauritanian 4K/IT $5
Max Steel HD/IT $3
Maze Runner HD/MA $3.5
McKenna Shoots for the Stars HD/IT $2
Meatballs HD/VU $4
Megan Leavey HD/VU or IT $3
Memory HD/MA $3.5
Men HD/VU $4
Men in Black 3 HD/MA $3
Men in Black 4K/MA $5.5 or HD/MA $4
MI-5 Spooks '15 HD/VU $4
Mickey & Minnie 10 Classic Shorts HD/GP $4.5
Mid-Century 4K/VU $5
Midnight in the Switchgrass 4K/VU $5 or HD/VU $3.5
Midsommar (CANADA) 4K/IT $3
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 or HD/VU $3
Miracles from Heaven HD/MA $3.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission Impossible 3 4K/VU $5
Mission Impossible 6-film Set HD/VU $17
Mommy HD/VU $4
Moneyball HD/MA $3
Monster High Electrified HD/IT $2.5
Monster Hunter HD/MA $3.5
Money Monster HD/MA $3.5
Monster Trucks HD/VU $2.5 or 4K/IT $3
Monsters University HD/GP $3
Monuments Men HD/MA $3.5
Moon 4K/MA $5.5
Morbius HD/MA $4
Morgan HD/MA $4
Mortal Engines 4K/MA $5.5 or HD/MA $4
Mortal HD/VU $4
Mortal Instruments City of Bones HD/MA $3
Mortdecai HD/VU $3.5
Mother! HD/VU $2.5
Mountain Between Us HD/MA $2.5
Mr. Peabody & Sherman HD/MA $3
Mud HD/VU $2.5
Mulan 2 HD/GP $3
Mulan ‘20 4K/MA $4.5 or ‘20 HD/MA $3 or HD/GP $2.5
Mummy ‘17 4K/MA or IT $4.5 or HD/MA $3
Mummy ‘99 HD/MA $3.5
Mummy 4-Film Set (Mummy 1-3, Scorpion King) HD/MA $12
Mummy Trilogy 4K/MA or IT $14 or HD/MA $9 4K/IT
Muppets Most Wanted HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
My Best Friend is a Vampire HD/VU $4
National Lampoon's Vacation 4K/MA $5.5
Nebraska HD/VU $3
Need for Speed HD/GP $3.5
Needle in a Timestack 4K/VU $5.5
Nerve HD/VU $3.5
News of the World HD/MA $4
Night at the Museum Trilogy HD/MA $11
Night House HD/MA $4.5 or HD/GP $4
Nightmare Alley HD/GP $3.5
Nightmare Before Christmas 4K/MA $5.5 or HD/MA $4 or HD/GP $3.5
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Nobody's Fool HD/IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia ‘18 HD/MA $3.5
Now You See Me 2 4K/IT $4
Now You See Me HD/VU or IT $2.5 or SD/VU $1
Nut Job 2 HD/IT $2.5
Nut Job HD/IT $2.5
Nutcracker & Four Realms HD/MA $3.5 or HD/GP $3
Oblivion 4K/MA or IT $5 or HD/MA $3.5
Occupation ‘18 HD/VU $3.5
Occupation Rainfall HD/VU $4
Office Christmas Party 4K/IT $3.5
Olaf's Frozen Adventure HD/GP $3
Oliver! 4K/MA $5
On Chesil Beach HD/MA $4.5
One Ranger HD/VU $4.5
Onward HD/GP $2.5
Open Water 2 Adrift HD/VU $4
Open Water HD/VU $4
Operation Avalanche HD/VU $4
Other Woman HD/MA $3
Ouija HD/MA or IT $3.5
Our Kind of Traitor HD/MA $4
Outlander S.1 Vol 1 HD/VU $5
Overboard ‘18 HD/VU $3.5
Oz the Great & Powerful HD/MA $3 or HD/GP $2.5
Pacific Rim Uprising HD/MA $4
Paddington HD/VU $3.5
Pain & Gain HD/VU or IT $3.5
Paper Towns HD/MA $3
Paradise Highway 4K/VU $5
Paranormal Activity 3 (Ext) HD/VU or IT $3
Paranormal Activity 4 (Unr) HD/VU or IT $2.5
Paranormal Activity Ghost Dimension (Unr) HD/VU or IT $3.5
Paranormal Activity HD/VU $4
Paranormal Activity The Marked Ones HD/VU or IT $3.5
Passengers HD/MA $3.5
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3
Paul Apostle of Christ HD/MA $3
Peanuts Movie HD/MA $3
Penelope HD/VU $4.5
Peppermint HD/IT $3.5
Percy Jackson Sea of Monsters HD/MA $3
Perfect Guy HD/MA $2.5
Perks of Being a Wallflower HD/VU or IT $3 or SD/VU or IT $1
Pet Sematary ‘19 HD/VU $3 or 4K/IT $3.5
Pet Sematary ‘89 HD/VU $3.5 or 4K/IT $4
Peter Rabbit HD/MA $3.5
Pete's Dragon ‘16 HD/MA $3.5 or HD/GP $3
Phantom Thread HD/MA $4
Philomena HD/VU $2.5
Pirates of the Caribbean 5 HD/MA $3 or HD/GP $2.5
Pirates! Band of Misfits HD/MA $3.5
Pitch Perfect 2 4K/MA $4 or HD/MA $2.5
Pitch Perfect HD/MA $2.5 or 4K/IT $3
Pixar Short Films Set Vol. 3 HD/MA $3.5 or HD/GP $3
Planes Fire & Rescue HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes, Trains & Automobiles 4K/VU $5.5 or HD/VU $4
Playing w/ Fire HD/VU or IT $2.5
Poltergeist ‘82 4K/MA $5.5
Poltergeist (Ext) ‘15 HD/MA $4
Pompeii HD/MA $3.5
Power Rangers ‘17 HD/VU $3 or 4K/IT $3.5
Predator ‘18 HD/MA $3
Predator ‘87 HD/MA $4
Pride & Prejudice & Zombies HD/MA $3.5
Primal HD/VU $3.5
Promise HD/MA or IT $3.5
Protege HD/VU $4
Proud Mary HD/MA $3.5
Psycho 4K/MA $5
Pulp Fiction 4K/VU $5.5 or HD/VU $4
Punisher War Zone 4K/VU $5.5
Purge Anarchy HD/MA $3 or 4K/IT $3.5
Purge Election Year HD/MA $3.5
Purge 4K/MA or IT $4.5 or HD/MA $3 or
Push 4K/VU $6
Quantum of Solace HD/VU $4.5
Quarry 4K/VU $5
Quartet HD/VU $4
Queen of Katwe HD/GP $2.5
Quiet Ones HD/VU $3.5
Rambo ‘08 HD/VU $4
Rambo 5-film Set HD/VU $18
Rambo Last Blood 4K/VU $4.5 or HD/VU $3
Ran ‘85 4K/VU $5.5
Raya & the Last Dragon HD/MA $3.5
Rear Window 4K/IT $3.5
Rebel Without a Cause 4K/MA $5.5
Reclaim HD/VU $3.5
RED 2 HD/VU $2
Red Dawn ‘12 HD/IT $3
Redline ‘10 HD/VU $4.5
Reign of Assassins HD/VU $4.5
Replicant ‘01 HD/VU $3.5
Replicas HD/VU $3.5
Rescuers Down Under HD/MA $4 or HD/GP $3.5
Rescuers HD/MA $4.5 or HD/GP $4
Reservoir Dogs HD/VU $4
Resident Evil Retribution 4K/MA $5 or HD/MA $3.5
Resurrection of Gavin Stone HD/VU or IT $2.5
Retaliation ‘17 HD/VU $4
Revenant 4K/MA $5 or HD/MA $3.5
Ricki & the Flash HD/MA $3
Riddick (Unr) HD/VU or IT $3
Ride Like a Girl HD/VU $4
Right At Your Door HD/VU $4
Right One 4K/VU $5.5
Rings HD/VU or IT $2.5
Rio 2 (Sing-Along) HD/MA $3
Riot HD/VU or IT $3
RIPD HD/IT $2.5
Risen HD/MA $3
Rob Zombie Trilogy (3 From Hell, House of 1000 Corpses, Devil's Rejects) HD/VU $8
Robin Hood ‘18 HD/VU $3
Robocop ‘14 HD/VU $2.5
Rocketman ‘19 HD/VU $3 or 4K/IT $3.5
Rocky Horror Picture Show HD/MA $4
Roman J. Israel Esq HD/MA $3
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Room '15 HD/VU $3.5
Rough Night 4K/MA $5 or HD/MA $3.5
Run The Race HD/MA $3
Runner Runner HD/MA $3.5
Rush HD/IT $3
Safe HD/VU or IT $2.5
Same Kind of Different As Me HD/VU or IT $3
Samson HD/MA $3.5
Santa Clause HD/MA $3.5 or HD/GP $3
Santa Clause 2 HD/MA $3.5 or HD/GP $3
Santa Clause 3 HD/GP $2.5
Sapphires HD/VU $4
Sausage Party HD/MA $3.5
Saving Mr. Banks HD/GP $3
Saw (Unr) 4K/VU $4.5
Saw 7-film Set (Unr) HD/VU $16
Saw HD/VU $3
Scarface HD/MA $4 or 4K/IT $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA or IT $5.5 or HD/MA $4
Scream '96 4K/VU $5 or HD/VU $3.5
Scream Trilogy HD/VU $11
Secret Garden ‘20 4K/VU or IT $5.5
Secret in Their Eyes HD/VU or IT $3
Secret Life of Pets 4K/MA or IT $4.5 or HD/MA $3
See No Evil 2 HD/VU $3.5
Selma HD/VU or IT $2.5
Serenity ‘05 4K/MA $5.5 or HD/MA $4
Seriously Red HD/VU $4
Sex Tape HD/MA $3.5
Shack HD/VU or IT $2.5
Shallows HD/MA $3.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Shape of Water HD/MA $3.5
Sherlock Gnomes HD/VU or IT $2.5
Shivers HD/VU $4
Show Dogs HD/MA $3.5
Sicario HD/VU $2.5 or 4K/IT $3
Sicario Day of the Soldado HD/MA $4
Sicario, Wind River, Hell or High Water HD/VU $7.5
Side Effects HD/IT $3.5
Silencing HD/VU $4
Silent Night, Deadly Night 3-Film Set (3-5 HD/VU $7.5
Silk Road 4K/VU $5
Sing ‘16 HD/MA $3 or 4K/IT $3.5
Sing Street HD/VU $4
Sinister HD/VU $3
Sisters (Unr) HD/IT $2.5
Skeleton Twins HD/VU $4
Skyfall HD/VU $2.5
Skyscraper 4K/MA $5 or HD/MA $3.5
Sleeping Beauty ‘59 HD/MA $4 or HD/GP $3.5
Sleepless HD/IT $2
Sleepy Hollow 4K/VU $6.5
Slender Man HD/MA $4
Smokey & the Bandit HD/MA $3.5
Smokin' Aces 4K/MA $5.5
Smurfs The Lost Village HD/MA or IT $3
Snitch 4K/IT $3 or HD/VU $2.5 or SD/VU or IT $1
Snow White & the Huntsman (Ext) 4K/VU or IT $4.5 or HD/VU $3
Snow White & the Seven Dwarfs ‘37 4K/MA $6 or HD/MA $3.5 or HD/GP $3
Snowden HD/MA or IT $3.5
Snowpiercer HD/VU $4.5
Solo A Star Wars Story HD/GP $3
Son of God HD/MA $3
Sonic the Hedgehog 4K/VU $5 or HD/VU $3.5
Soul HD/MA $3 or HD/GP $2.5
Source Code 4K/VU $5.5
Southpaw HD/VU $3
Spartacus HD/MA $3.5
Spectre HD/VU $3.5
Spider-Man 2 (Thea & Ext) HD/MA $4.5
Spider-Man 3 HD/MA $3.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Thea & Ext) HD/MA $11.5
Spider-Man Far From Home HD/MA $3
Spider-Man Homecoming HD/MA $2.5
Spider-Man Into the Spider-Verse HD/MA $4.5
Spider-Man No Way Home HD/MA $4 or SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spinning Man HD/VU $4
Spiral 4K/VU $5 or HD/VU $3.5
Spongebob Sponge out of Water HD/IT $2.5
Spontaneous HD/VU $4.5
Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek 3 Search for Spock 4K/VU $5
Star Trek 4 Voyage Home 4K/VU $5
Star Trek Beyond HD/VU $3
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Trek The Motion Picture ‘79 4K/VU $5
Steel Dawn HD/VU $3.5
Still Alice HD/MA $4
Straight Outta Compton (Unr) HD/MA $3 or 4K/IT $3.5
Strange World HD/MA $4 or HD/GP $3.5
Suburbicon HD/VU $3 or /IT $3.5
Sundown The Vampire in Retreat HD/VU $3.5
Super 8 4K/VU or IT $5 or HD/VU $3.5
Sword in the Stone HD/MA $4 or HD/GP $3.5
Taken 2 HD/MA $3.5
Taken 3 (Unr) HD/MA $3.5
Tangled HD/GP $3.5
Ted (Unr) HD/MA or IT $2.5
Teen Spirit ‘19 HD/MA $4
Teenage Mutant Ninja Turtles ‘14 4K/VU or IT $4.5 or HD/VU $2.5
Terminator 2 Judgment Day (Special) HD/VU $4.5
Terminator 2 Judgment Day 4K/VU $5 or HD/VU $3.5
Terminator Dark Fate 4K/IT $4
Terminator Genisys HD/VU $3 or 4K/IT $3.5
Texas Chainsaw ‘13 HD/VU $3.5
Thanks for Sharing HD/VU $4
The Heat HD/MA $3
The Impossible HD/VU $3.5
The Sting 4K/MA $5.5
Think Like a Dog 4K/VU $5
This is the End HD/MA $3.5
Thor Dark World HD/MA $4 or HD/GP $3.5
Thor HD/GP $3.5
Thor Love & Thunder HD/MA $3.5 or HD/GP $3
Thor Ragnarok HD/MA $2.5 or HD/GP $2
Three Billboards Outside Ebbing, Missouri HD/MA $3.5
To Kill a Mockingbird HD/MA $3.5
Toll HD/VU $4.5
Tomorrowland HD/GP $3
Top Five HD/IT $3
Top Gun ‘86 4K/VU $5 or HD/VU $3.5
Total Recall ‘90 4K/VU $5 or HD/VU $3.5
Touched w/ Fire HD/VU $4.5
Toy Story HD/GP $3.5
Toy Story 4 HD/GP $2
Training Day 4K/MA $5.5
Transformers Age of Extinction HD/VU $2.5 or 4K/IT $3
Transformers Dark of the Moon 4K/VU $4.5 or HD/VU $3
Transformers The Last Knight 4K/VU or IT $4 or HD/VU $2.5
Trolls HD/MA $2.5
Trust ‘16 HD/VU $4
Tucker The Man & His Dream 4K/VU $5
Tulip Fever HD/VU $4
Tumbledown HD/VU $4
Turbo HD/MA or IT $3
Turning HD/MA $4
Ugly Dolls 4K/VU or IT $5.5
Unbreakable HD/GP $3.5
Unbroken HD/VU or IT $3
Uncharted 4K/MA $5.5 or HD/MA $4
Uncle Drew HD/VU $3.5
Underworld Awakening HD/MA $3
Underworld Blood Wars HD/MA $3
Untouchables 4K/VU $5.5
Us ‘19 4K/MA $5.5 or HD/MA $4
Valerian & the City of a Thousand Planets HD/VU $3.5
Vampire Academy HD/VU $3.5
Vanishing ‘18 HD/VU $4
Venom HD/MA $3.5
Victoria & Abdul HD/MA $4
Virtuoso 4K/VU $5 or HD/VU $3.5
Vivo HD/MA $4.5
Voices ‘14 HD/VU $4
Voyagers 4K/VU $5
Walk HD/MA $3.5
Walking w/ Dinosaurs HD/MA $3
Wall '17 HD/VU $4
War for the Planet of the Apes HD/MA $3
War of the Worlds ‘53 4K/VU $5.5
War on Everyone HD/VU $4
Warcraft 4K/IT $4.5 or HD/MA $3
Warhunt 4K/VU $4.5
Warm Bodies HD/VU $3 or SD/VU $1.5
Warning HD/VU $4
Watch HD/MA or IT $3.5
Wayne's World HD/VU $4.5
We Die Young HD/VU $3.5
Weekend HD/VU $4
Werewolf The Beast Among Us (Unr) HD/MA or IT $3.5
West Side Story 4K/MA $5 or HD/MA $3.5 or HD/GP $3
What Men Want HD/VU $3 or 4K/IT $3.5
What We Did on our Holiday HD/VU $4
When the Game Stands Tall HD/MA $3
Whiskey Tango Foxtrot HD/VU or IT $3
Why Him? HD/MA $3
Widows HD/MA $3.5
Wild Card HD/VU $3
Willow HD/MA $4 or HD/GP $3.5
Wilson HD/MA $3.5
Winchester HD/VU $3.5
Winnie the Pooh Springtime w/ Roo HD/MA $4 or HD/GP $3.5
Wolf Hound 4K/VU $4.5
Wolf of Wall Street 4K/VU $5 or HD/VU or IT $3.5
Wolverine (Unr) (w/Thea) HD/MA $3.5
Woman in Gold HD/VU $3.5
Won't Back Down HD/MA $3.5
Woodlawn HD/MA or IT $3.5
World War Z HD/VU or IT $2.5
Wraith HD/VU $4
X-Men Apocalypse HD/MA $3
X-Men Days of Future Past HD/MA $3
XXX Return of Xander Cage HD/VU $2 or 4K/IT $2.5
Z for Zachariah HD/VU $4
Zero Dark Thirty HD/MA $3.5
Zeros & Ones HD/VU $4
Zootopia HD/MA $3 or HD/GP $2.5
submitted by nahimavegan to DigitalCodeSELL [link] [comments]


2024.05.20 17:47 yuritopiaposadism Hmm, yes, it's the videos that are the problem, not the abuse itself

Hmm, yes, it's the videos that are the problem, not the abuse itself submitted by yuritopiaposadism to boringdystopia [link] [comments]


2024.05.20 07:34 Shehas-concerns Sebastián Fassi is an Idiot

He really let a good one go and instead kept a fake immature brat that loves starting drama if it means taking away her opponent.
Jackie J deserves a good man.
It’s just so funny that he says he doesn’t want any drama, he wants someone that sees him for him and that will understand him. Yet he picked, Brittany. The girl that only landed herself a spot in the house by playing Marco, is highly insecure, and is nothing but drama drama drama. I know he only picked her because she is a blonde and deep down that’s all he cares about. It’s likely why he was so quick to decline Asian Jackie.
You know what I call that? His karma.
You won, Jackie J. They both deserve each other. They will give each other the same energy. And I don’t mean that in a good way.
Best wishes to Ryan and Marco. They’re the only ones that seeker out exactly what they were looking for. Jamie too I guess but then again he only landed the exact kind of woman he was trying to avoid outside his fame.
submitted by Shehas-concerns to LoveUndercover [link] [comments]


2024.05.20 06:18 Odd-Hand-2026 What are the odds "Comet Pizza Man" is into Spirit Cooking with Podesta, Abramovic, and the Roths

What are the odds submitted by Odd-Hand-2026 to TartarianAR [link] [comments]


2024.05.20 02:07 SanderSo47 Directors at the Box Office: Clint Eastwood (Part 2)

Directors at the Box Office: Clint Eastwood (Part 2)
https://preview.redd.it/va70nf0l3h1d1.png?width=1920&format=png&auto=webp&s=021d936ee0a724ca428d8559f5823592404d1822

As Reddit doesn't allow posts to exceed 40,000 characters, Eastwood's edition had to be split into two parts because his whole career cannot be ignored. The first part was posted yesterday.

Million Dollar Baby (2004)¨

"Beyond his silence, there is a past. Beyond her dreams, there is a feeling. Beyond hope, there is a memory. Beyond their journey, there is a love."
His 25th film. Based on stories from the 2000 collection Rope Burns: Stories from the Corner by F.X. Toole, it stars Eastwood, Hilary Swank and Morgan Freeman. The film follows Margaret "Maggie" Fitzgerald, an underdog amateur boxer who is helped by an underappreciated boxing trainer to achieve her dream of becoming a professional.
Paul Haggis wrote the script on spec, and it took four years to sell it. The film was stuck in development hell for years before it was shot. Several studios rejected the project even when Eastwood signed on as actor and director. Even Warner Bros., Eastwood's longtime home base, would not agree to a $30 million budget. Eastwood persuaded Lakeshore Entertainment's Tom Rosenberg to put up half the budget (as well as handle foreign distribution), with Warner Bros. contributing the rest.
The film had an incredible run in limited release, breaking many records for Eastwood's career. It eventually earned a fantastic $216 million worldwide, becoming his highest grossing film ever. It received critical acclaim, and it was named as one of his greatest films. It won four Oscars: Best Picture, Best Director, Best Actress (for Swank), and Best Supporting Actor (for Freeman). Eastwood became one of the very few directors to make two films to win both Best Picture and Best Director.
  • Budget: $30,000,000.
  • Domestic gross: $100,492,203. ($166.8 million adjusted)
  • Worldwide gross: $216,763,646.

Flags of Our Fathers (2006)

"A single shot can end the war."
His 26th film. Based on the book written by James Bradley and Ron Powers, it stars Ryan Phillippe, Jesse Bradford, Adam Beach, John Benjamin Hickey, John Slattery, Paul Walker, Jamie Bell, Barry Pepper, Robert Patrick and Neal McDonough. The film follows the 1945 Battle of Iwo Jima, the five Marines and one Navy corpsman who were involved in raising the flag on Iwo Jima, and the after effects of that event on their lives.
The film received positive reviews, but it bombed at the box office with just $65 million against its huge $90 million budget.
  • Budget: $90,000,000.
  • Domestic gross: $33,602,376. ($52.2 million adjusted)
  • Worldwide gross: $65,900,249.

Letters from Iwo Jima (2006)

"The completion of the Iwo Jima saga."
His 27th film. Based on Picture Letters from Commander in Chief by Tadamichi Kuribayashi, it stars Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryō Kase and Shidō Nakamura. It's a companion film to Flags of Our Fathers, and portrays the Battle of Iwo Jima from the perspective of the Japanese soldiers.
In the process of reading about the Japanese perspective of the war for Flags of Our Fathers, in particular General Tadamichi Kuribayashi, Eastwood decided to film a companion piece with this film, which was shot entirely in Japanese. The film was shot back-to-back, starting filming just one month after Flags of Our Fathers wrapped filming.
Despite being seen as the least accessible of both films, this film was much more successful at the box office than the previous film (including a colossal $42 million in Japan alone). It also received critical acclaim, particularly for how it handed the depiction of good and evil from both sides. It received 4 Oscar nominations, including Best Picture and Best Director.
  • Budget: $19,000,000.
  • Domestic gross: $13,756,082. ($21.3 million adjusted)
  • Worldwide gross: $68,673,228.

Changeling (2008)

"To find her son, she did what no one else dared."
His 28th film. It stars Angelina Jolie and John Malkovich, and is based on real-life events, specifically the 1928 Wineville Chicken Coop murders in Mira Loma, California. It follows a woman united with a boy who she realizes is not her missing son. When she tries to demonstrate that to the police and city authorities, she is vilified as delusional, labeled as an unfit mother and confined to a psychiatric ward.
The film earned $113 million worldwide, barely breaking even at the box office. The film received mixed reviews, but Jolie received praise for her performance. She was nominated for the Oscar for Best Actress.
  • Budget: $55,000,000.
  • Domestic gross: $35,739,802. ($52 million adjusted)
  • Worldwide gross: $113,398,237.

Gran Torino (2008)

"Ever come across somebody you shouldn't have messed with?"
His 29th film. It stars Eastwood, and follows Walt Kowalski, a recently widowed Korean War veteran alienated from his family and angry at the world, whose young neighbor, Thao Vang Lor, is pressured by his cousin into stealing Walt's prized Ford Torino for his initiation into a gang. Walt thwarts the theft and subsequently develops a relationship with the boy and his family.
The film received great reviews, as well as praise from the Hmong community. It ended up becoming a sleeper hit, and it earned $270 million worldwide, becoming his highest grossing film.
  • Budget: $25,000,000.
  • Domestic gross: $148,095,302. ($215.6 million adjusted)
  • Worldwide gross: $269,958,228.

Invictus (2009)

"His people needed a leader. He gave them a champion."
His 30th film. It stars Morgan Freeman and Matt Damon. Following the aftermath of the apartheid, President Nelson Mandela decides to unite his people by supporting a rugby team in their bid to win the 1995 Rugby World Cup.
The film earned $122 million worldwide, barely breaking even. It received positive reviews, and Freeman and Damon received Oscar nominations for their performances.
  • Budget: $50,000,000.
  • Domestic gross: $37,491,364. ($54.7 million adjusted)
  • Worldwide gross: $122,426,792.

Hereafter (2010)

"Touched by death. Changed by life."
His 31st film. It stars Matt Damon, Cécile de France, Bryce Dallas Howard, Lyndsey Marshal, Jay Mohr and Thierry Neuvic. An American with a special connection to the afterlife, a woman with a near-death experience and a young English boy, who lost his loved ones, cross paths in an effort to find closure in their lives.
Despite mixed reviews, it managed to earn $107 million, turning a small profit.
  • Budget: $50,000,000.
  • Domestic gross: $32,746,941. ($47 million adjusted)
  • Worldwide gross: $106,956,330.

J. Edgar (2011)

"The most powerful man in the world."
His 32nd film. The film stars Leonardo DiCaprio, Armie Hammer, Naomi Watts, Josh Lucas, and Judi Dench, and follows the career of FBI director J. Edgar Hoover, focusing on Hoover's life from the 1919 Palmer Raids onward.
The film received mixed reviews; while DiCaprio received praise, the technical aspects of the film were criticized. It earned $84 million, making it a box office success, but far below what DiCaprio usually makes at the box office.
  • Budget: $35,000,000.
  • Domestic gross: $37,306,030. ($52 million adjusted)
  • Worldwide gross: $84,920,539.

Jersey Boys (2014)

"Everybody remembers it how they need to."
His 33rd film. Base on the 2004 jukebox musical, it stars John Lloyd Young, Erich Bergen, Michael Lomenda, Vincent Piazza and Christopher Walken, and tells the story of the musical group The Four Seasons.
It received mixed reviews, with praise for the musical numbers but criticism for the narrative and runtime, and failed at the box office.
  • Budget: $40,000,000.
  • Domestic gross: $47,047,013. ($62.3 million adjusted)
  • Worldwide gross: $67,647,013.

American Sniper (2014)

"The most lethal sniper in U.S. history."
His 34th film. It is based on the memoir by Chris Kyle, Scott McEwen and Jim DeFelice, and stars Bradley Cooper and Sienna Miller. The film follows the life of Kyle, who became the deadliest marksman in U.S. military history with 255 kills from four tours in the Iraq War, 160 of which were officially confirmed by the Department of Defense. While Kyle was celebrated for his military successes, his tours of duty took a heavy toll on his personal and family life.
In 2012, Cooper and Warner Bros. bought the rights to the memoir. Cooper wanted Chris Pratt to star as Kyle, but WB told him they would only greenlight the film if he stars in it. After Kyle's murder in 2013, Steven Spielberg signed to direct. Spielberg had read Kyle's book, though he desired to have a more psychological conflict present in the screenplay so an "enemy sniper" character could serve as the insurgent sharpshooter who was trying to track down and kill Kyle. Spielberg's ideas contributed to the development of a lengthy screenplay approaching 160 pages. Due to Warner Bros.' budget constraints, Spielberg felt he could not bring his vision of the story to the screen. So Eastwood was brought in to direct.
The film attained a solid, but not extraordinary response from critics. It also attracted some controversy over its portrayal of both the Iraq War and Kyle himself.
The box office though?
To say that the film had a fantastic run would be selling it short.
It opened on Christmas Day in 4 theaters, and it earned a huge $633,456 ($158,364 PTA). But the following weekend, it actually increased despite playing at the same amount of theaters, adding $676,909. That translated to a $169,227 PTA, becoming the highest second weekend PTA in history for a live-action film. And on its third weekend, it earned $579,518 ($144,879 PTA), becoming the first film to have three weekends above $100,000 PTA. In the 22 days it played in just 4 theaters, it earned $3,424,778.
On its first wide weekend, the film shook the industry by opening with a colossal $89 million. That was almost as much as the other 2014 blockbusters, and given that the film didn't have 3D pricing, it's very likely it sold far more tickets than them. It broke the January opening weekend record by twice as much, and the second biggest for an R-rated title. With insane word of mouth ("A+" on CinemaScore), this film had the legs. In less than one week, it became Eastwood's highest grossing film domestically. On its second weekend, it dropped just 28% and made $64 million, which was the biggest second weekend for an R-rated film (a record it still maintains) and crossed $200 million domestically. And by March, the film overtook The Hunger Games: Mockingjay – Part 1 ($334 million) as the highest grossing 2014 film in North America.
After an insane run in theaters, it closed with a gigantic $350 million domestically, which made it the second highest grossing R-rated film in North America. Overseas, it was also very strong, and it made a huge $547 million worldwide. It was easily Eastwood's highest grossing film, even adjusted for inflation. One of the greatest box office runs in recent memory. It received six Oscar nominations, including Best Picture, Best Adapted Screenplay, and Best Actor for Cooper, ultimately winning one for Best Sound Editing.
The biggest surprise of the 2010s? Perhaps. Cause let's face it, when 2014, did any of you had this as the top film of the year? Or even in the Top 20? Please.
  • Budget: $59,000,000.
  • Domestic gross: $350,159,020. ($463.7 million adjusted)
  • Worldwide gross: $547,659,020.

Sully (2016)

"The untold story behind the miracle on the Hudson."
His 35th film. Based on the autobiography Highest Duty by Chesley "Sully" Sullenberger and Jeffrey Skiles, it stars Tom Hanks, Aaron Eckhart, Laura Linney, Anna Gunn, Autumn Reeser, Holt McCallany, and Jamey Sheridan. The film follows Sullenberger's 2009 emergency landing of US Airways Flight 1549 on the Hudson River, in which all 155 passengers and crew survived and the subsequent publicity and investigation.
The film received strong reviews, and earned over $240 million worldwide, becoming one of his highest grossing films.
  • Budget: $60,000,000.
  • Domestic gross: $125,070,033. ($163.3 million adjusted)
  • Worldwide gross: $243,870,033.

The 15:17 to Paris (2018)

"The real heroes."
His 36th film. Based on the autobiography by Jeffrey E. Stern, Spencer Stone, Anthony Sadler, and Alek Skarlatos, it stars Stone, Sadler, and Skarlatos as themselves and follows the trio through life leading up to and including their stopping of the 2015 Thalys train attack.
Despite choosing Kyle Gallner, Jeremie Harris and Alexander Ludwig as the leads, Eastwood decided to cast the heroes to play themselves, which was met with confusion as they lacked acting experience. And that was reflected on the final film; it received negative reviews for its acting, and it bombed at the box office.
  • Budget: $30,000,000.
  • Domestic gross: $36,276,286. ($45.2 million adjusted)
  • Worldwide gross: $57,176,286.

The Mule (2018)

"Nobody runs forever."
His 37th film. Based on the 2014 The New York Times article The Sinaloa Cartel's 90-Year-Old Drug Mule by Sam Dolnick, it stars Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, and Andy García. Due to financial issues, horticulturist Earl Stone becomes a courier for a drug cartel. Slowly, he grows closer to his estranged family, but his illegal activities threaten much more than his life.
It received good reviews (although some questioned its story and tone), and earned over $173 million worldwide.
  • Budget: $50,000,000.
  • Domestic gross: $103,804,407. ($129.6 million adjusted)
  • Worldwide gross: $174,804,407.

Richard Jewell (2019)

"The world will know his name and the truth."
His 38th film. The film stars Paul Walter Hauser, Sam Rockwell, Kathy Bates, Jon Hamm, and Olivia Wilde. The film depicts the July 27 Centennial Olympic Park bombing and its aftermath, as security guard Richard Jewell finds a bomb during the 1996 Summer Olympics in Atlanta, Georgia, and alerts authorities to evacuate, only to later be wrongly accused of having placed the device himself.
The film received positive reviews, but several journalists criticized the critical portrayal of the reporter that first accused Jewell: Kathy Scruggs (specifically for trading sex for stories). The film marked another commercial failure for Eastwood.
  • Budget: $45,000,000.
  • Domestic gross: $22,345,542. ($27.4 million adjusted)
  • Worldwide gross: $44,645,542.

Cry Macho (2021)

"A story of being lost and found."
His 39th film. Based on the novel by N. Richard Nash, it stars Eastwood and Dwight Yoakam. Set in 1979, it follows a former rodeo star hired to reunite a young boy in Mexico with his father in the United States.
Nash tried to get this film made all the way since 1970s, but no studio was willing to pick it up. He restructured his films as a novel, was successful and studios were now interested. There were a few candidates for the leading role; Robert Mitchum, Roy Scheider, Arnold Schwarzenegger and Eastwood himself. Arnie was willing to star in the film back in 2003, but put it on hold when he was elected Governor. He was set to star after leaving office, but the project was scrapped after his affair scandal was made known. In 2020, Eastwood signed to return.
The film received mixed reviews, particularly for its writing and acting. It was also a huge flop at the box office, and marked Eastwood's least attended film as leading man. David Zaslav criticized the studio's decision to finance the film. Warner executives allegedly said that although they knew the film was unlikely to turn a profit, they felt indebted to Eastwood for his decades-long relationship with the studio and his consistent ability to deliver films under budget and on time.
  • Budget: $33,000,000.
  • Domestic gross: $10,310,734. ($11.9 million adjusted)
  • Worldwide gross: $16,510,734.

The Future

He recently wrapped post-production on his 40th film, Juror No. 2. It stars Nicholas Hoult, Toni Collette, Zoey Deutch, Leslie Bibb, Chris Messina, J. K. Simmons and Kiefer Sutherland, and follows a juror serving on a murder trial who realizes he may be at fault for the victim's death.

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No. Movie Year Studio Domestic Total Overseas Total Worldwide Total Budget
1 American Sniper 2014 Warner Bros. $350,159,020 $197,500,000 $547,659,020 $59M
2 Gran Torino 2008 Warner Bros. $148,095,302 $121,862,926 $269,958,228 $25M
3 Sully 2016 Warner Bros. $125,070,033 $118,800,000 $243,870,033 $60M
4 Million Dollar Baby 2004 Warner Bros. $100,492,203 $116,271,443 $216,763,646 $30M
5 The Bridges of Madison County 1995 Warner Bros. $71,516,617 $110,500,000 $182,016,617 $22M
6 The Mule 2018 Warner Bros. $103,804,407 $71,000,000 $174,804,407 $50M
7 Unforgiven 1992 Warner Bros. $101,167,799 $58,000,000 $159,167,799 $14.4M
8 Mystic River 2003 Warner Bros. $90,135,191 $66,460,000 $156,595,191 $25M
9 Sudden Impact 1983 Warner Bros. $67,642,693 $83,000,000 $150,642,693 $22M
10 A Perfect World 1993 Warner Bros. $31,130,999 $104,000,000 $135,130,999 $30M
11 Space Cowboys 2000 Warner Bros. $90,464,773 $38,419,359 $128,884,132 $60M
12 Invictus 2009 Warner Bros. $37,491,364 $84,935,428 $122,426,792 $55M
13 Heartbreak Ridge 1986 Warner Bros. $42,724,017 $78,975,983 $121,700,000 $15M
14 Changeling 2008 Universal $35,739,802 $77,658,435 $113,398,237 $55M
15 Hereafter 2010 Warner Bros. $32,746,941 $74,209,389 $106,956,330 $50M
16 Absolute Power 1997 Sony $50,068,310 $42,700,000 $92,768,310 $50M
17 J. Edgar 2011 Warner Bros. $37,306,030 $47,614,509 $84,920,539 $35M
18 Letters from Iwo Jima 2006 Warner Bros. $13,756,082 $54,917,146 $68,673,228 $19M
19 Jersey Boys 2014 Warner Bros. $47,047,013 $20,600,000 $67,647,013 $40M
20 Flags of Our Fathers 2006 Warner Bros. $33,602,376 $32,297,873 $65,900,249 $90M
21 The 15:17 to Paris 2018 Warner Bros. $36,276,286 $20,900,000 $57,176,286 $30M
22 Firefox 1982 Warner Bros. $46,708,276 $0 $46,708,276 $21M
23 Richard Jewell 2019 Warner Bros. $22,345,542 $22,300,000 $44,645,542 $45M
24 Pale Rider 1985 Warner Bros. $41,410,568 $0 $41,410,568 $6.9M
25 The Gauntlet 1977 Warner Bros. $35,400,000 $0 $35,400,000 $5.5M
26 The Outlaw Josey Wales 1976 Warner Bros. $31,800,000 $0 $31,800,000 $3.7M
27 Blood Work 2002 Warner Bros. $26,235,081 $5,559,637 $31,794,718 $50M
28 Midnight in the Garden of Good and Evil 1997 Warner Bros. $25,105,255 $0 $25,105,255 $30M
29 Bronco Billy 1980 Warner Bros. $24,265,659 $0 $24,265,659 $6.5M
30 The Rookie 1990 Warner Bros. $21,633,874 $0 $21,633,874 $30M
31 True Crime 1999 Warner Bros. $16,649,768 $0 $16,649,768 $55M
32 Cry Macho 2021 Warner Bros. $10,310,734 $6,200,000 $16,510,734 $33M
33 High Plains Drifter 1973 Universal $15,700,000 $0 $15,700,000 $5.5M
34 The Eiger Sanction 1975 Universal $14,200,000 $0 $14,200,000 $9M
35 Play Misty for Me 1971 Universal $10,600,000 $0 $10,600,000 $950K
36 Honkytonk Man 1982 Warner Bros. $4,484,991 $0 $4,484,991 $2M
37 White Hunter Black Heart 1990 Warner Bros. $2,319,124 $0 $2,319,124 $24M
38 Bird 1988 Warner Bros. $2,181,286 $0 $2,181,286 $14M
39 Breezy 1973 Universal $200,000 $17,753 $217,753 $750K
Across those 39 films, he has made $3,536,687,297 worldwide. That's $90,684,289 per film.

The Verdict

Insanely profitable.
Even the bombs do not taint this kind of reputation. Eastwood has made all these films under budget and never past its deadline. That's something that has to be treasured for studios, no wonder he's been staying with Warner Bros. since 1976. His ability to get films ready in short notice is impressive; Richard Jewell started filming in June and it was on theaters in December. One of the most impressive actors who transitioned into directors. You can tell that Sergio Leone and Don Siegel taught him well.
Now of course, his method of directing can also have its setbacks: he's often known for not asking for multiple takes and he skips rehearsals. So that means the performances of his actors aren't always the best they could've done. Which is why, despite making some masterpieces or fantastic films, he's also made a few films with weak technical aspects: poor lighting (J. Edgar), questionable logic (Cry Macho), obvious props (the fake baby in American Sniper), and some bad acting (Gran Torino and The 15:17 to Paris). At the same time, it's clear he can also get extraordinary performances through these methods; Gene Hackman, Sean Penn, Tim Robbins, Hilary Swank and Morgan Freeman won Oscars for starring in his films.
He also proved old age doesn't prevent you from continuing to work. He's turning 94 in a few weeks, and he's still directing films. Manoel de Oliveira directed films until he was 104, so perhaps we still have a few more years with Eastwood behind the camera.
P.S. Ever since I started this series, there's been suggestions that I should do "Actors at the Box Office" multiple times. While the idea is intriguing, that doesn't seem feasible for me. I'd have to categorize whether the actor is leading, supporting, original IP, adaptation, remakes, etc. Besides, with the continuing decline of star power, it's tough to decide what actor is truly moving the needle at the box office. That's why I'm making solely "Directors at the Box Office", because the director is responsible for the production. If the film succeeds, the director will get credit. And if the film flops, the director will be blamed. So this is the closest you'll get to "Actors at the Box Office".
Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Robert Zemeckis. One of the biggest falls from grace.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. It had to be a controversial filmmaker. Well, we'll later talk about... Zack Snyder. Oh, BoxOffice chose fuego 🔥
This is the schedule for the following four:
Week Director Reasoning
May 20-26 Robert Zemeckis Can we get old Zemeckis back?
May 27-June 2 Richard Donner An influential figure of the 70s and 80s.
June 3-9 Ang Lee What happened to Lee?
June 10-16 Zack Snyder RIP Inbox.
Who should be next after Snyder? That's up to you.
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2024.05.20 00:39 Chen_Geller Season Two and The Great Weta Conundrum

Season Two and The Great Weta Conundrum

Why I don't THINK Weta Workshop Worked on Season Two

Around July 2022, Sir Richard Taylor had this to say about The Lord of the Rings: The Rings of Power: "Our company worked on the first series, we're very proud of the fact that we did." This use of the past tense does seem to imply working only on the first season, but its by no means a definitive reading of the interview. This was shortly BEFORE the show's move to the UK, which we know came to the Kiwi crew by complete surprise, although it remains possible that by that point the showrunners had made the decision, and told Weta that their services will not be required for season two without necessarily going into details.
Again, I want to stress that Sir Richard's choice of words by no means guarentees that Weta sat season two out. Then again, we know many of the Kiwi contractors have either stopped working for the show - costumier Kate Hawley and the music ensemble Plan 9, for instance - or radically downscaled their involvement, like caligrapher Daniel Reeve. Where crew from season one stayed on - like John Howe and dialect coach Leith McPherson - they were usually based in Europe or the UK to begin with. Its thus only reasonable to assume Weta will do the same.
Weta were good sports to share the lead-up to the Season Two teaser on their Twitter handle, but hadn't commented nor shared the teaser itself, suggesting that they were merely (and characteristically) being gracious to a project they HAD worked on previously, rather than setting-up their own involvement, as they had done in their steadfast embracing of Season One.
One of the two major departments Weta worked on for the show in Season One - that being prosthetics - had perforce been put out of their hands for Season Two, with the prosthetics supervisor Barrie Gower replacing Weta's Jamie Wilson. Its unrealistic to expect to ship prosthetics - which have a limited shelf life - from halfway around the world, and ideally you'd want the same studio to be responsible for design, fabrication and on-set application.
Although they also worked on Celebrimbor's pressure forge and some of the Numenorean and Elven symbols - including the High-Elven star, practically lifted from their version of Gil-galad's emblem for the New Line films - Weta's other main prerogative was the weapons (but NOT the armour). This included bows, quivers, arrows, shields (including straps) and some props that aren't really used as weapons like Feanor's hammer.
The High-Elven Star: essentially a homage Weta's Daniel Falconer snuck into the show
While it remains possible that they had kept that department under their belt - at least in terms of concept design rather than fabrication - I find it unlikely. Its true that Weta does provide concept art, without fabrication, for off-shore productions: see their erstwhile work for Denis Villenueve's Dune: Part One as an example.
However, the recent teaser shows High-Elven swords and bows that are a notable departure from Weta's High-Elven weapons from Season One. It, of course, remains entirely permissible that the showrunners commissioned new designs from the workshop, and in fact the new, more katana-like Elven swords are closer to Weta's previous iterations of Elven swords (cf. Hadhafang or Thranduil's twin swords) than to their High-Elven weapons for Season One, although they're admittedly not too far off Arondir's sword.
Having said that, elsewhere in the trailer we see the same Hawley costumes and armour retained, as well as the same Weta-made weapons from Season One: Arondir is still sporting his daggers, quiver and bow, Pharazon draws his gorgeous, bejewelled sword before the Eagle of Manwe, flanked by guards carrying the same ol' spears. We see Lindon guards with their Battersea-esque shields and spears, Durin III with his ax, Durin IV with his dagger, Adar with his Zweihander, and Isildur still with the confusingly-Rohan-like Numenorean cavalry sword.
The similarities would thus make it unlikely to expect for new designs - for the same culture and from the same studio - to be such an aesthetic departure from Season One, especially something as insignificant as a quiver. My educated guess - and that's all it is, a guess - is that its a local workshop emulating the Weta style of old.
This emulation can also be seen in other departments, like the new Elven shields - with the same hourglass-like shape as Weta's High-Elven shields for the New Line films, but NOT for the show - and the helmets with the more overt blade-like crests, again in the style of Weta's work for New Line rather than Hawley's more subtle nod to that style in Season One. Not to mention the seemingly greater prevalence of Elves with long manes.
Galadriel and company, and their quivers: a design unlikely to be revised from Weta's Season One design (below) unless a new, local Workshop entered the fray. The company's bows, seen elsewhere, are also different to this, more closely resembling Tauriel's bow.
https://preview.redd.it/w8da7widcg1d1.png?width=3840&format=png&auto=webp&s=ff7a19e093a8008fbae7a0977a2e52617c18bec9

The OTHER Weta

Here it is important to distinguish between Weta Workshop, and WetaFX (nee Weta Digital). Although founded by the same people - Sir Peter Jackson, Sir Richard Taylor and Jamie Selkirk - they're two separate companies: Roughly speaking, Weta Workshop does practical effects, WetaFX does digital effects. While they do some projects - notably Tolkien films - together, its by no means a condition sine qua non that the involvement of the one entails that of the other.
In the context of the Tolkien projects, Workshop mostly did weapons, armour and creatures, so not too far off of what they did in the show. Set, props and character designs usually fell to another Jackson company, Six-Foot-Seven, but even then Weta did the bigatures and shared the costume design credit with Ngilla Dickson, Bob Buck and Ann Maskrey (Hawley is credited, too, being that she was the costume designer for the aborted Del Toro Hobbit).
WetaFX are working on Season Two, in a capacity at least as big as they did in Season One, where they were the main VFX vendor alongside ILM. Moreso than the Workshop, WetaFX (being one the leading VFX houses in the world), provides services for films and shows all over the world, and frankly a show with the VFX requirements of The Rings of Power couldn't avoid WetaFX if they tried, although "giving them point" so to speak is definitely a meaningful gesture.
Strictly speaking, WetaFX is not a design studio: previously in Tolkien pictures, creature design tended to be provided by Weta Workshop, and then rendered by WetaFx. However, sometime before The Rings of Power went into production, one of the Workshop's designers, Nick Keller, became WetaFX' in-house designer, and for Season One had worked on (among other things) Durin's Bane, and so WetaFX' continued involvement in Season Two is meaningful to the look of the show.
An (unused) Nick Keller-Weta FX design for Season One: all that remains of it in the show are the spear and the Fell Beast
The showrunners entrusted to WetaFX in Season One mostly with places and creatures that had been depicted in the live-action films: Khazad dum as Moria, the view of the Southlands from Ostirith as Mordor, as well as Durin's Bane and the Fell Beasts: its therefore reasonable to assume that the design of Shelob will again be entrusted to WetaFX, although since New Line became stricter with their copyright she's unlikely to resemble the previous depiction of Shelob, no doubt to be excused away by the fact that she's younger.

My thought

So, where does this leave us? I've long written about the show's audiovisual identity crisis: it would be wrong to assume that, going to New Zealand, the showrunners were compelled to hire Weta and thus fell headlong into a similar aesthetic: rather, there was a concerted effort - the filming in New Zealand and the hiring of Weta being two of its symptoms rather than its causes - to model the show on the live-action films. Nevertheless, dispensing with Weta for Season Two COULD keep this issue at bay.
All the same, its clear that if Weta was indeed substituted by another studio, as is likely the case, that studio did their darndest to emulate Weta's style, and in some respects harkened even more heavy-handedly to the style of the New Line films. Perhaps it is a case of, having moved out of New Zealand, wanting to still show they "got it" and overdoing it? The same trend is evident in the digital splicing of Kiwi landscapes into the British countryside, and in the trailer's shameless appropriation of beats (but not lines, presumably with New Line cracking the whip on that end) from the live-action films.
All the same, Season Two and on could have been another noteworthy "notch" in Weta's enviable Tolkien belt, which only in this year also entails Tales of the Shire and The War of the Rohirrim. It would have been a good preparation for their forthcoming involvement in The Lord of the Rings: The Hunt for Gollum. I do regret, specifically, that they probably didn't get a crack at the weapons of the Eregion Elves: a new Elven culture they had not touched before, unless some of the designs we see were made for Season One and not shown therein.
Beyond that, its useful to keep the same team in place in the interest of season-to-season continuity. Nevertheless, the teaser shows a greater emphasis on such continuity that I had previously believed they would go for. Some early scenes seem to be picking up immediately from the end of Season One, with Galadriel and Elrond - still in the same costumes - catch up to Gil-galad's convoy back on the same Lindon set. Even in other scenes, many of the Numenorean extras seem to be in the same clothes, and while the green Eregion guards got a lot of attention in the teaser, they actually already appeared in season one.
A tale of two Narsils, both by Weta but for different companies.
As a side-note, it may well be that the Weta designers felt limited by the lega situation surrounding Season One, which required them to recreate different versions of some of their most celebrated props, namely a new, subtly redesigned Narsil. Sir Richard Taylor, in the above interview, said he didn't work on the series because he "didn't feel I had anything new to contribute to the television series." This is curious since he had by then already jumped onboard The Lord of the Rings: The War of the Rohirrim, and in an appearance only shortly thereafter, said of the project that "there's so much that's fresh and exciting." This in spite of the fact that, at first blush, Rohirrim would seem to offer far less by way of new design opportunities than did Rings of Power.
In truth, not all of Weta's work on Season One was up to their otherwise-inimitable standards: I'm reminded of a making-of featurette about the making of Orcrist, which required a lot of back and forth between the Weta designers and Sir Peter Jackson. Says designer Paul Tobin: "A lot of our designs were falling into 'I've seen it with Glamdring, I've seen it with Sting." An even more egregious example is for Shadow of Mordor, where a design of an armoured Celebrimbor is almost one-for-one of a design for an armoured Thranduil, a year or two prior by the same artist, although in fairness both designs went unused.
I don't want to imply that the showrunners weren't equally forthright in their design process: from listening to John Howe, there was certainly a lot of back-and-forth with his concept art. Even in examing Weta's work its clear that in the case of some of the designs - namely, the Elven Zweihanders, which previously appeared in some Howe concept art - the showrunners came to Weta with their own ideas, rather than just giving them free reign.
Nevertheless, it does seem that in a couple of instances, Weta were allowed (perhaps on purpose?) to essentially recycle some old designs: almost all the Dwarven and many of the Silvan and Orc designs are like this. Its cool that Weta got to imagine what Durin's legendary Ax looked like, but they basically took a design for an ax that Dwalin finds in the Erebor armoury and made a subtle variation on it. The Mystics' weapons also betray a similarity, but rather to Weta's work on James Cameron's Avatar!
Even less appropriately, a spear designed for the Lindon Elves but not seen in Season One, seems derivative not of previous High-Elven designs, but off of the designs for the Woodland Realm, which would have been the freshest in the memory of the Weta designers. The main difference is the Woodland design abstracts the tree-branch shapes to avoid them seeming, to quote Keller, "too fairytale." Worst still, the Numenorean cutlasses (seen briefly at Elendil's side prior to his promotion) are inappropriately akin to the Laketown swords (again, a design surely fresh on the designers' minds) of all things!
Corporate needs you to find the differences between this picture, and this picture...[aside]: They're the same picture.
In other cases, the similarities are more abstract and work quite well: both Aranruth and the Elven broadswords - wielded by Galadriel to the Battle of the Southlands and carried by Theo into Season Two but also also brandished by the prologue Elves - feature a similar leaf-like profile to the blade: they would be more-or-less contemporaries of Glamdring, which has a similar shape. Medhor carries (but sadly doesn't get to use) a Silvan version of the Elven Great-sword from the Fellowship prologue.
Elsewhere in the film industry, of course, companies like Lucasfilm had turned this kind "reuse, reduce, recycle" mentality into a usual practice, although usually with unused designs, a-la the Shadow of Mordor example: discarded McQuarrie and Cantwell artwork from the 1975 thus ended-up in Star Was projects all the way between 1978 and 2023, where it started feeling increasingly like someone picking through the carcass of a dead movie.
In a limited extent, however, it is a useful device in terms of "tapping" into the same, initial sensibility, and as such its been used in Tolkien projects before: The White Council chamber was part of some early Rivendell designs, and similar practices are deployed in Rohirrim and are sure to be used in The Hunt for Gollum. In all these examples, however, it didn't normally involve jumping through the legal hoops that The Rings of Power had to leap through.
Neverthelss, there are a great many illustrious designs - from Elendil's Captain sword and Finrod's Dagger, through Feanor's Hammer and Dramborleg (the first Elven hammer and axe in Weta's output) to Aranruth and Medhor's Silvan Great-Sword - all represent wortwhile entries in Weta's oeuvre, and some of the best designs in the whole of the show thus far. Still, it wasn't in vain, being that several such key props are going to stay the distance in the show.
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2024.05.19 23:23 ManufacturerThese505 These Men are Mid & Immature

This show is SO entertaining don’t get me wrong lol but the fact that the boys try to disclose that they are looking for “real love” is laughable. If they were, they wouldn’t have sent home gabby, etc etc. the girls in this game admit that they have a certain lifestyle they want to maintain and those are the girls who are left. Merely transactional.
Marco is seemingly a good guy and humble but let’s be honest, he’s loving the public recognition a lil too much lol, He couldn’t wait to tell Abby he’s famous so he could try to continue to convince her that he’s worth it! And Lloyd is hot physically but too indecisive. He’ll and up with Jaclyn most likely just because she requires the least amount of effort from him lol. Brittany and Sebastian are on another level of toxic, they are going to crash and burn. Jamie is cool and him and Renee seem like a good match since it’s obvious she only wants money lol. Ryan is my favorite. What do yall think? Am I wrong for judging them so harshly?
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2024.05.19 21:00 chanma50 'Horizon: An American Saga - Chapter 1' Review Thread - Cannes Film Festival

I will continue to update this post as reviews come in.
Rotten Tomatoes: Rotten
Critics Consensus: N/A
Score Number of Reviews Average Rating
All Critics 27% 11 5.30/10
Top Critics % 0 /10
Metacritic: 49 (10 Reviews)
Sample Reviews:
As a stand-alone film (which it isn’t, but let’s pretend for a moment), “Horizon” is by turns convoluted, ambitious, intriguing, and meandering. But it’s never quite moving. - Owen Gleiberman, Variety
At least Horizon accomplishes one staggering feat: it makes one wonder if we were maybe a little too hard on The Postman. - Richard Lawson, Vanity Fair
These aren’t characters so much as the spokes of a plot in human form, each of their storylines moving as if being pulled by horses across the entire span of the American West. C- - Ryan Lattanzio, indieWire
While the first film in the possible “Horizon” series does well in setting up future pictures, this single film is a chore to sit through. 2/4 - Robert Daniels, RogerEbert.com
SYNOPSIS:
In the great tradition of Warner Bros. Pictures’ iconic Westerns, “Horizon: An American Saga” explores the lure of the Old West and how it was won—and lost—through the blood, sweat and tears of many. Spanning the four years of the Civil War, from 1861 to 1865, Costner’s ambitious cinematic adventure will take audiences on an emotional journey across a country at war with itself, experienced through the lens of families, friends and foes all attempting to discover what it truly means to be the United States of America.
CAST:
DIRECTED BY: Kevin Costner
STORY BY: Jon Baird, Kevin Costner, Mark Kasdan
SCREENPLAY BY: Jon Baird, Kevin Costner
PRODUCED BY: Kevin Costner, Howard Kaplan, Mark Gillard
EXECUTIVE PRODUCERS: Robert J. Scannell, Danny Peykoff, Marc DeBevoise, Armyan Bernstein, Rod Lake, Charlie Lyons, Barry M. Berg
DIRECTOR OF PHOTOGRAPHY: J. Michael Muro
PRODUCTION DESIGNER: Derek R. Hill
EDITED BY: Miklos Wright
COSTUME DESIGNER: Lisa Lovaas
MUSIC BY: John Debney
RUNTIME: 181 Minutes
RELEASE DATE: June 28, 2024
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2024.05.19 15:21 CarnivalSorts Senior and National Cup Round One Thread

It's the opening weekend of the cups!

Find Saturday's round ups here:

Lalor lights up Irish Cup
Rush and North County through in National Cup

Senior Cup Results:

Bready lost to Phoenix by 258 runs
Phoenix 374/5 (50 overs; Jack Lalor 201\*, Shane Getkate 77; Pearce Ryan 2-63)
Bready 116 (26 overs; Gavin Roulston 45, Kyle Magee 28; Theo Dempsey 2-7, Tyrone Kane 2-23)
Merrion beat Donemana by 10 wickets
Merrion 190 (40.4 overs, Raymond Curry 78, Gary McClintock 25; Melvin Devaraj 5-35)
Donemana 191-0 (27.2 overs, Stephen Doheny 106\, Swapnil Modgill 72\)
Brigade beat Woodvale by 119 runs
Brigade 314/8 (50 overs; Scott Macbeth 123, Adam McDaid 61; Aditya Adey 4-69)
Woodvale 195 (40.1 overs; Ruhan Pretorius 103, Andy Britton 4-25)
Pembroke beat Coleraine by 284 runs
Pembroke 394-7 (50 overs: Nick Stapleton 144, Tim Tector 124; Lee Ritchie 2-56)
Coleraine 110 (25 overs: Scott Campbell 36; Paul Lawson 4-34, Gavin Hoey 3-17)
Killyclooney lost to Clontarf by 10 wickets
Killyclooney 171 (31.1 overs: Mark Gordon 61, Kenzie Hall 45; David Vincent 4-36, David Delany 3-52)
Clontarf 176/0 (19.4 overs: Eoghan Delany 76*, David Vincent 73*)
Instonians beat Eglinton by 142 runs
Instonians 307/5 (50 overs: Robert McKinley 107, Nikolai Smith 89; Mark Averill 2-71)
Eglinton 165 (33.2 overs: Andy Millar 55, Ross McLaughlin 39; Cian Robertson 4-21, Ben Rose 4-52)
Carrickfergus lost to The Hills by 4 wickets
Carrickfergus 217 (49.1 overs; Michael Gilmour 72, Jake Egan 55; Febin Manoj 3-22, Matthew Weldon 3-60)
The Hills 218-6 (46.5 overs; Andrew Kavanagh 61, Tomas Rooney Murphy 61; Prince Sharma 4-49)
CSNI beat Newbuildings by 76 runs
CSNI 252-4 (50 overs: Stuart Thompson 87*, Jordan Neill 73; Ross Hunter 2-46)
Newbuildings 176 (40.3 overs; Gareth McKeegan 65, Ryan Hunter 38; Adam Leckey 3-28, Jordan Neill 2-30)
Ardmore lost to North Down by 14 runs
North Down 185 (48 overs; Ani Chore 79, Mohammed Aahil 24; Harry Zimmermann 3-40, Rachit Gaur 3-42)
Ardmore 171 (39.1 overs; Ciaran Roundtree 87, Rachit Gaur 27; Liam Hayman 3-27, Kerwin Mungroo 3-28)
Malahide beat Lisburn by 2 wickets
Lisburn 229 (49.4 overs; Faiz Fazal 81, Neil Whitworth 72; James Newland 3-45, Jeremy Martins 3-34)
Malahide 231/8 (49.2 overs; Jeremy Martins 73, Mohit Sane 43; Faiz Fazal 3-30, Neil Whitworth 2-47)
Railway Union beat Cliftonville Academy by 74 runs
Railway Union 224 (49.1 overs; Hedayat Ullah Khogiana 103; Andrew Forbes 2-16, Matty McCord 2-43)
Cliftonville Academy 150 (41.2 overs; Tommy Orr 33, Varun Chopra 27; Srihan Karpe 3-32, Sean O'Brien 3-33)
Cork County v Balbriggan - postponed

National Cup results

The Nedd beat Belfast by 76 runs
The Nedd 289 (40 overs; Stevie Moore 87, Neal Stewart 57, Jason Mills 48*)
Belfast 213 (Ferhan Saeed 52; Neal Stewart 5-36, Johnny Young 4-53)
Limerick lost to County Galway by 70 runs
County Galway 143 (38.5 overs; Thomas Mahon 41, Lewis Randell 31; Angvesh Bogavelly 3-23, Arslan Anwar 2-29)
Limerick 73 (33.2 overs; Arslan Anwar 28*; S Singh 4-13, Iliff Sumit 3-8)
St Johnston beat Wexford Wanderers by 6 wickets
Wexford Wanderers 119 (34.5 overs; James Harmse 41; David Anthony 3-20, Ryan McAuley 3-30)
St Johnston 120-4 (29.5 overs; Michael Rankin 33*, Graeme McCarter 29*; James Harmse 2-36)
Sandyford beat Midleton by 45 runs
Sandyford 240-8 (40 overs; V Adhikari 71*, R Potluri 50; J George 2-24, K Khan 2-55)
Midleton 195 (39.5 overs; M Khan 54, F Khan 50; V Kotnala 3-23, A Pandey 2-24)
Cork Harlequins lost to Strabane by 5 wickets
Cork Harlequins 85 (28.3 overs; Zubair Hasan Khan 26; John Mooney 5-8, Ryan Gallagher 2-26)
Strabane 86-5 (23.5 overs; Nasir Nawaz 38, Rhys Logue 29*)
North Kildare lost to Templepatrick by 87 runs
Templepatrick 278-8 (40 overs; Sam O'Mahony 152; A Ahmad 2-54)
North Kildare 191 (26.5 overs; A Taniwal 65, W Azmat 28; Levi Cave 2-17, Ben Cave 2-32)
Bonds Glen lost to Donacloney Mill by 136 runs
Donacloney Mill 232-9 (40 overs; Atish Varape 61, Shane Warren 42; Sam Kincaid 3-35, David Robinson 2-32)
Bonds Glen 96 (19.4 overs; David Cooke 25, Divan Posthumus 25; Aaron Kennedy 6-41, Atish Varape 2-3)
Ballymena lost to Fox Lodge by 161 runs
Fox Lodge 232-7 (40 overs; Gayan Maneeshan 90, Jason Milligan 58; Owen Dick 3-21)
Ballymena 71 (20.1 overs; Jamie McIntyre 4-25, Levi Kerr 2-11, Adam Walker 2-14)
Cregagh lost to North County by 138 runs
North County 230 (39.2 overs; Alan Mathew 60, Niall McGovern 52; Adam Beattie 4-51, Danny Cooper 2-30)
Cregagh 92 (30.3 overs; Nikhilesh Ravihrishnan 29*; Tanvir Hasan 2-7, Abdul Ghaffar 2-17)
Burndennett lost to Rush by 5 wickets
Burndennett 170 (39.3 overs; Niall McDonnell 50, Andrew Barr 22; Jared Barnes 3-26, Gary Smith 2-32)
Rush 171-5 (32.5 overs; Jack McGee 53, Nasir Totakhiel 34; Derek Curry 5-49)
Terenure beat Glendermott by 7 wickets
Glendermott 87 (24.1 overs; Dylan Cleary 4-13, Raghav Grover 3-40)
Terenure 90-3 (21.5 overs; Henry Dall 28)
Civil Service walkover versus Armagh
University of Galway lost to Ballyspallen by 68 runs
Ballyspallen 286-8 (40 overs; James Cusack 100, Tevyn Walcott 37; A Mohammad 3-42, A Sharma 2-51)
University of Galway 218 (34.4 overs; S Mishra 46, S Pidugu 42; Tevyn Walcott 4-14, Stephen Kennedy 3-43)
Adamstown beat County Kerry by 118 runs
Adamstown 224 (39.1 overs; H Harshit 64, A Gupta 39; S Bacha 4-36, Y Ali 2-33)
County Kerry 106 (28.1 overs; K Igbal 37, I Pathan 25; Prabhanshu Kamal 5-5, N Padmaprabhu 4-30)
submitted by CarnivalSorts to irishcricket [link] [comments]


2024.05.19 02:53 bcmGlk The championship list is the all time GOAT list

The championship list is the all time GOAT list submitted by bcmGlk to supercross [link] [comments]


2024.05.19 02:15 TexasTrooper My adventures reading in a post-Abercrombie world

Do your tastes in fiction run a bit darker than most? Do you find yourself rooting for the bad guys in movies? Do you enjoy a good tragedy over a happy ending? If the answer to any of these questions is yes, this post is for you.
If you're anything like me, you've probably found yourself chasing the Abercrombie dragon after completing The First Law, standalones, and The Age of Madness trilogy, only to find that nothing else quite scratches that grimdark itch. Whether it's Joe's unforgettable characters, sharp dialogues, or epic battles, there's just something missing from other offerings in the genre.
So, as a thanks to all the authors of various recommendation threads from which I've picked up some wonderful books, I've put together this list to share where my wanderings have taken me and to hopefully point others like me in the right direction.
In no particular order:
  1. Assassin's Apprentice - Robin Hobb (fb: Royal Assassin, Assassin's Quest)
  2. Dune - Frank Herbert (fb: Dune Messiah, Children of Dune, God Emperor of Dune...)
  3. The Road - Cormac McCarthy
  4. Blood Meridian - Cormac McCarthy
  5. The Shadow of the Torturer - Gene Wolf (fb: The Claw of the Conciliator, The Sword of the Lictor, The Citadel of the Autarch)
  6. The Black Company - Glen Cook (fb: Shadows Linger, The White Rose, Shadow Games, Dreams of Steel, The Silver Spike, Bleak Seasons, She Is the Darkness, Water Sleeps, Soldiers Live...)
  7. Heroes Die - Matthew Stover (fb: Blade of Tyshalle)
  8. Theft of Swords - Michael J. Sullivan (fb: Rise of Empire, Heir of Novron)
  9. The Darkness That Comes Before - R. Scott Bakker (fb: The Warrior Prophet, The Thousandfold Thought, The Judging Eye, The White-Luck Warrior, The Great Ordeal, The Unholy Consult)
  10. Prince of Thorns - Mark Lawrence (fb: King of Thorns, Emperor of Thorns)
  11. Gardens of the Moon - Steven Erikson (fb: Deadhouse Gates, Memories of Ice, House of Chains, Midnight Tides, The Bonehunters, Reaper's Gale, Toll the Hounds, Dust of Dreams, The Crippled God)
  12. Blood Song - Anthony Ryan (fb: Tower Lord, Queen of Fire)
  13. Metro 2033 - Dmitry Glukhovsky (fb: Metro 2034, Metro 2035)
  14. Red Rising - Pierce Brown (fb: Golden Son, Morning Star, Iron Gold, Dark Age, Lightbringer...)
  15. The Winter King - Bernard Cornwell (fb: Enemy of God, Excalibur)
  16. The Traitor Baru Cormorant - Seth Dickinson (fb: The Monster Baru Cormorant, The Tyrant Baru Cormorant...)
  17. Horus Rising (Warhammer 40k) - Dan Abnett (fb: False Gods, Galaxy in Flames)
  18. Xenos (Warhammer 40k) - Dan Abnett (fb: Malleus, Hereticus, Ravenor...)
  19. Red Sister - Mark Lawrence (fb: Grey Sister, Holy Sister)
  20. The Ember Blade - Chris Wooding (fb: The Shadow Casket)
  21. Priest of Bones - Peter McLean (fb: Priest of Lies, Priest of Gallows, Priest of Crowns)
  22. The Conspiracy Against the Human Race (this was the basis for True Detective - Thomas Ligotti (fb: Songs of a Dead Dreamer)
  23. Kings of Paradise - Richard Nell (fb: Kings of Ash, Kings of Heavan)
  24. Empire of Silence - Christopher Ruocchio (fb: Howling Dark, Demon in White, Kingdoms of Death, Ashes of Man, Disquiet Gods)
  25. We Are the Dead - Mike Shackle (fb: A Fool's Hope, Until the Last)
  26. The Black Prism - Brent Weeks (fb: The Blinding Knife, The Broken Eye, The Blood Mirror, The Burning White)
  27. Sixteen Ways to Defend a Walled City - K.J. Parker (fb: How to Rule an Empire and Get Away with It, Practical Guide to Conquering the World)
  28. Blackwing - Ed McDonald (fb: Ravencry, Crowfall)
  29. A Game of Thrones - George R. R. Martin (fb: A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons.......pls George)
  30. The Way of Shadows - Brent Weeks (fb: Shadow's Edge, Beyond the Shadows)
  31. Chasing Graves - Ben Galley (fb: Grim Solace, Breaking Chaos)
  32. Soul Hunter (Warhammer 40k) - Aaron Dembski-Bowden (fb: Blood Reaver, Void Stalker)
  33. Berserk (Manga) - Kentaro Miura
  34. Beyond Redemption - Michael R. Fletcher (fb: The Mirror's Truth, Swarm and Steel)
  35. The Warded Man - Peter V. Brett (fb: The Desert Spear, The Daylight War, The Skull Throne, The Core)
  36. The Barrow - Mark Smylie (fb: Black Heart)
  37. Winterbirth - Brian Ruckley (fb: Bloodheir, Fall of Thanes)
  38. Scourge of the Betrayer - Jeff Salyards (fb: Veil of the Deserters, Chains of the Heretic)
  39. The Lies of Locke Lamora - Scott Lynch (fb: Red Seas Under Red Skies, The Republic of Thieves...
  40. The Name of the Wind - Patrick Rothfuss (fb: The Wise Man's Fear...)
If you enjoyed this list, please drop some recommendations! I'm always hunting for more quality books.
EDIT:
Thread Recommendations:
  1. Cahokia Jazz - Francis Stupford
  2. Tomorrow's Children - Daniel Polansky
  3. Between Two Fires - Christopher Buehlman
  4. Pale (web serial) - Wildbow
  5. The Band - Nicholas Eames (Kings of the Wyld, Bloody Rose)
  6. Firefall - Peter Watts (Blindsight, Echopraxia)
  7. The Faithful and the Fallen - John Gwynne (Malice, Valor, Ruin, Wrath)
  8. The Bloodsworn Trilogy - John Gwynne (The Shadow of the Gods, The Hunger of the Gods, The Fury of the Gods)
  9. The Chronicles of Thomas Covenant the Unbeliever - Stephen R. Donaldson (Lord Foul's Bane, The Illeath War, The Power that Preserves, The Wounded Land, The One Tree, White Gold Wielder, The Runes of the Earth, Fatal Revenant, Against All Things Ending, The Last Dark)
  10. The Gap Cycle - Stephen R. Donaldson (The Real Story: The Gap Into Conflict, Forbidden Knowledge: The Gap Into Vision, A Dark and Hungry God Arises: The Gap into Power, Chaos and Order, This Day All Gods Die)
  11. The Chronicles of Amber - Roger Zelazny (Nine Princes in Amber, The Guns of Avalon, Sign of the Unicorn, The Hand of Oberon, The Courts of Chaos, Trumps of Doom, Blood of Amber, Sign of Chaos, Knights of Shadows, Prince of Chaos)
  12. The Broken Earth Trilogy - N.K. Jemisin (The Fifth Season, The Obelisk Gate, The Stone Sky)
  13. Dungeon Crawler Carl (Lit RPG) - Matt Dinniman (Dungeon Crawler Carl, Carl's Doomsday Scenario, The Dungeon Anarchist's Cookbook, The Gate of the Feral Gods, The Butcher's Masquerade, The Eye of the Bedlam Bridge)
  14. Gnomon - Nick Harkaway
  15. The Gone-Away World - Nick Harkaway
  16. Lonesome Dove, Streets of Laredo, Dead Man's Walk (Western/Abercrombie influence) - Larry McMurtry
  17. The Blacktongue Thief - Christopher Buehlman
  18. Forges of Mars (Warhammer: 40k) - Graham McNeill (Priests of Mars, Lords of Mars, Gods of Mars)
  19. The Green Bone Saga - Fonda Lee (Jade City, Jade War, Jade Legacy)
  20. Winterlands - Barbara Hambly (Dragonsbane, Dragonshadow)
  21. The Poppy War - R.F. Kuang (The Poppy War, The Dragon Republic, The Burning God)
  22. Joe Pitt Casebooks - Charlie Huston (Already Dead, No Dominion, Half the Blood of Brooklyn, Every Last Drop, My Dead Body)
  23. The Expanse - James S.A. Corey (Leviathan Wakes, Caliban's War, Abaddon's Gate, Cibola Burn, Nemesis Games, Babylon's Ashes, Persepolis Rising, Tiamat's Wrath, Leviathan Falls)
  24. The Nevernight Chronicle - Jay Kristoff (Nevernight, Godsgrave, Darkdawn)
  25. Empire of the Vampire - Jay Kristoff (Empire of the Vampire, Empire of the Damned...)
  26. Futu.re, Text, The Outpost (3 individual works) - Dmitry Glukhovsky
  27. The Witcher Series - Andrzej Sapkowski (The Last Wish, Sword of Destiny, Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of The Swallow, The Lady of the Lake, Season of Storms)
submitted by TexasTrooper to TheFirstLaw [link] [comments]


2024.05.18 12:15 jaztinax I Ranked Every Glee Song: Part 7

Hi friends! I've made the slightly unhinged decision of sharing my ranking of all (well, close to all) the songs that were featured on Glee. This is part 7 out of... probably like, 50. Because Glee has a lot of songs. A LOT.
4 years ago, I also hosted a very extensive ranking where the sub got to participate in ranking the entire Glee soundtrack, and you can see the results here! Let me know if you guys want a redo of this, and I'll find a less consuming way to make this happen, because that ish was HARD.
If you coincidentally also have ranked all of the Glee songs, you are more than welcome to join and reveal your rankings as well!! Or share your opinions, everything is welcome :)
Just a quick reminder of what I've had in mind while ranking these so you guys understand more: I scored them based on vocal performance, context of the show, how it compared to the original song and how much I liked the actual production/arrangement of the Glee version. So a song could be really good, but if it was used in a bad or cringy scene, it'll affect the score negatively or the other way around!
We are still in the good tier, which are songs that I think are good, but not great. They've made it just within my range of songs that I'm okay with.

GOOD TIER

584. It Must Have Been Love

Performed by New Directions, with Kitty Wilde and Spencer Porter as leads.
This whole storyline of them finding Sue's kryptonite songs so that she wouldn't sabotage them yet again is so unhinged. I like this song a lot and they do a good job with it, although I don't think it's the best song for either of them.
Score: 59,75/100

583. Don't Cry For Me Argentina (Kurt solo version)

Performed by Kurt Hummel.
I've always found this song one of the more skippable songs, but I can't deny that they sound good in it. If we have to compare vocals though, Kurt definitely is weaker in this than Rachel, and it suits Rachel more.
Score: 60/100

582. Don't Make Me Over

Performed by Mercedes Jones.
Me finding out that this was Amber's favorite song to sing was mind-blowing because this has always been my least favorite Mercedes solo. I guess I understand why she enjoyed singing it so much, but for me it falls flat compared to her other songs. But, it's Mercedes so it can never be bad or even subpar.
Score: 60,1/100

581. Don't Cry For Me Argentina (Rachel solo version)

Performed by Rachel Berry.
I already said everything I needed to say two spots over.
Score: 60,15/100

580. What Happened To Saturday Night?

Performed by Carl Howell (with New Directions).
A very fun performance by a pretty cool character. Can't complain.
Score: 60,2/100

579. Don't Cry For Me Argentina

Performed by Kurt Hummel & Rachel Berry.
But nothing beats Hummelberry together!
Score: 60,2/100

578. Everybody Talks

Performed by Jake Puckerman & Kitty Wilde.
I don't think their voices usually go well together, but they do here.
Score: 60,25/100

577. Love Is A Battlefield

Performed by Blaine Anderson & Kurt Hummel.
Another good duet that feels balanced between the two - they both sound equally good here.
Score: 60,3/100

576. Hey, Soul Sister

Performed by the Warblers, with Blaine Anderson as lead.
They sound great and I used to like this song, but now I don't, so this is lower than I would've put it, say, 12 years ago.
Score: 60,33/100

575. Outcast

Performed by New Directions, with Jake Puckerman, Kitty Wilde, Marley Rose, Ryder Lynn and Unique Adams as leads.
I love season 4 group numbers, they are always so wholesome and there's this nostalgic yet fresh feeling to them. I really liked that the newbies did the leads on this one too. Also, does anyone else ask themselves how Artie got up on that stage so quickly??
Score: 60,4/100

574. Help!

Performed by Blaine Anderson and Sam Evans (with all the show choirs in Ohio).
And the most unrealistic scene goes to... I just get so caught up in the logistics of this, because there's just no way they would travel all around Ohio in one day like that and like, how is each show choir randomly practicing whenever they get there? And do they have time to just tag along? Anyway. Good song.
Score: 60,45/100

573. It's Too Late

Performed by Blaine Anderson and Kurt Hummel.
The way this feels like the 20th Klaine duet I'm writing about already, but I know there's still so much more to come. I didn't care for this song much during the time season 6 was on, but I've since learned to love the original and then realized that the Glee version isn't all that bad either.
Score: 60,5/100

572. Piano Man

Performed by Blaine Anderson.
To be honest, I prefer the Will Schuester and Bryan Ryan scene, but their version isn't included in this ranking, so I wanna take this opportunity to give a shoutout to them. Blaine doesn't do a bad job, though.
Score: 60,55/100

571. Shout It Out Loud

Performed by Artie Abrams, Finn Hudson and Noah Puckerman.
A solid song and solid vocal performances from all of them. I've never had a problem with this song, but it's always been one of those songs I skip more often than I don't.
Score: 60,6/100

570. As If We Never Said Goodbye

Performed by Kurt Hummel.
I really liked that this wasn't just a choir room song, but that there was a montage of him in different places of McKinley, and I really liked how this scene captured how happy everyone was to have him back, but also how happy Kurt was to be back.
Score: 60,67/100

569. Fire

Performed by April Rhodes and Will Schuester.
Not gonna lie, their season 1 duets always hit. This one is the least interesting out of them imo, but they still sound great and it's a cute song.
Score: 60,7/100

568. Chasing Pavements

Performed by New Directions, with Marley Rose as lead.
I love the actual scene/performance of this because I remember how new it all seemed when this aired. Marley starting off the song and watching the rest of the group rehearse was so different, but it really set the tone for season 4. It was also really rare to see Schue actually directing them and rehearsing choreography with them, so that was fun as well. I don't think she measures up to Adele with this song, her voice is a little too... plain? But she does a decent enough job.
Score: 60,75/100

567. Bridge Over Troubled Water

Performed by Mercedes Jones.
Usually I think gospel covers of songs are great or make the original better, but this one I've never been particularly fond of. Mercedes' vocals are really pulling the weight on the score here.
Score: 60,8/100

566. Raise Your Glass

Performed by the Warblers, with Blaine Anderson as lead.
The Warblers sounded the best doing pop songs when Blaine was doing them. A pretty fun competition number, it's one of their best competition numbers imo.
Score: 60,85/100

565. Torn

Performed by Rachel Berry.
Usually, I don't think these type of songs suit her very well, but I think this one does.
Score: 60,9/100
That's it for now! Are any of your favorites here?
submitted by jaztinax to glee [link] [comments]


2024.05.18 02:45 LukaPamo The cast only proves the prejudice against football players

I found most of the male cast unwatchable—immature and full of themselves. Every time Jamie says, “we are all famous soccer players,” I want to puke. He’s much less than he claims; when he still played, he was mostly benched on one of the only major teams he ever worked with. And don’t get me started on Marco—soccer in the Olympics is a joke. Sebastian is the epitome of male chauvinism. Don’t care about Llll…something guy. Ryan is the only a bit more decent one. At least he actually plays in major games, called the World Cup.
submitted by LukaPamo to LoveUndercover [link] [comments]


2024.05.17 20:05 rugbykickoff Match Thread: Edinburgh vs Munster - United Rugby Championship

Comp: United Rugby Championship
Venue: Hive Stadium
View TV providers, weather info and previous results
London Paris Jo'burg New York Sydney Auckland
19:35 20:35 20:35 14:35 04:35 06:35

Drinking Rules from u/BillHicksFan:

Half your drink - any talk of play offs.
Finish your drink - any talk of bonus points.
Edinburgh Pos Munster
Wesley Goosen 15 Mike Haley
Matthew Currie 14 Calvin Nash
Mark Bennett 13 Antoine Frisch
James Lang 12 Alex Nankivell
Duhan van der Merwe 11 Shane Daly
Ben Healy 10 Jack Crowley
Ben Vellacott 9 Craig Casey
Pierre Schoeman 1 Jeremy Loughman
Ewan Ashman 2 Niall Scannell
WP Nel 3 Oliver Jager
Sam Skinner 4 Fineen Wycherley
Grant Gilchrist 5 Tadhg Beirne
Jamie Ritchie 6 Jack O Donoghue
Hamish Watson 7 Alex Kendellen
Viliame Mata 8 Gavin Coombes
Dave Cherry 16 Eoghan Clarke
Boan Venter 17 Mark Donnelly
Javan Sebastian 18 John Ryan
Marshall Sykes 19 RG Snyman
Luke Crosbie 20 Thomas Ahern
Ali Price 21 Conor Murray
Cameron Scott 22 Rory Scannell
Chris Dean 23 Brian Gleeson
submitted by rugbykickoff to rugbyunion [link] [comments]


2024.05.17 16:46 Sad-Extreme-4413 Review of New Top Gear Australia: Initial Impressions and Concerns

I binge watched the first two episodes of the new Top Gear Australia, and my initial impressions can be summed up in one word: sceptical. As a huge car enthusiast and a lifelong fan of the original Top Gear trio (Clarkson, Hammond, and May) and Mighty Car Mods, I was eagerly anticipating this reboot. However, while the show had its highlights, I have some significant reservations.
The Good:
The Concerns:
  1. Lack of Car Knowledge from Beau Ryan and Johnathan LaPaglia (JLP): Unfortunately, it was evident that Beau and JLP lack the necessary depth of knowledge about cars, which led to cringeworthy moments. Beau came across as a self-centred idiot, and JLP didn't fare much better. Blair seems to be the only one capable of keeping the show relevant in terms of automotive expertise.
  2. Choice of Hosts: I can't help but wonder why Beau and JLP were chosen as hosts when there are numerous other Australian figures who could have been better suited. From retired motorsport drivers like Jamie Whincup to other actors or personalities with a genuine passion for cars, there were missed opportunities here. Alternatively, sticking to the original formula of three knowledgeable journalists, as seen in the original Top Gear, might have been a safer bet.
Looking Ahead:
While it's only two episodes in, I'm already questioning the future of the show. I doubt it will be renewed for a second season if these issues persist, echoing the fate of the original Top Gear Australia. However, I'm still curious to see what mischief and shenanigans the hosts will get up to in future episodes.
Overall, the new Top Gear Australia has potential, but it needs to address its shortcomings quickly if it hopes to succeed in the long term. I'm open to discussing and hearing others' thoughts on the show and how it can improve moving forward.
submitted by Sad-Extreme-4413 to TopGear [link] [comments]


2024.05.17 16:09 Sad-Extreme-4413 Review of New Top Gear Australia: Initial Impressions and Concerns

I watched the first two episodes of the new Top Gear Australia, and my initial impressions can be summed up in one word: sceptical. As a huge car enthusiast and a lifelong fan of the original Top Gear trio (Clarkson, Hammond, and May) and Mighty Car Mods, I was eagerly anticipating this reboot. However, while the show had its highlights, I have some significant reservations.
The Good:
The Concerns:
  1. Lack of Car Knowledge from Beau Ryan and Johnathan LaPaglia (JLP): Unfortunately, it was evident that Beau and JLP lack the necessary depth of knowledge about cars, which led to cringeworthy moments. Beau came across as a self-centred idiot, and JLP didn't fare much better. Blair seems to be the only one capable of keeping the show relevant in terms of automotive expertise.
  2. Choice of Hosts: I can't help but wonder why Beau and JLP were chosen as hosts when there are numerous other Australian figures who could have been better suited. From retired motorsport drivers like Jamie Whincup to other actors or personalities with a genuine passion for cars, there were missed opportunities here. Alternatively, sticking to the original formula of three knowledgeable journalists, as seen in the original Top Gear, might have been a safer bet.
Looking Ahead:
While it's only two episodes in, I'm already questioning the future of the show. I doubt it will be renewed for a second season if these issues persist, echoing the fate of the original Top Gear Australia. However, I'm still curious to see what mischief and shenanigans the hosts will get up to in future episodes.
Overall, the new Top Gear Australia has potential, but it needs to address its shortcomings quickly if it hopes to succeed in the long term. I'm open to discussing and hearing others' thoughts on the show and how it can improve moving forward.
submitted by Sad-Extreme-4413 to CarsAustralia [link] [comments]


2024.05.17 04:49 NewWays91 Why Anastasia Worked as a Film, But Not on Stage (LOOOONG POST)

Adaptation is a game of give and take. Especially when you're adapting something from film to the stage, you have to be aware of what you are losing by removing from the piece when placing all of it in real time in front of the actors. With film you can use close-ups, montages, quick editing, lighting tricks, visual effects etc to create your world. The suspension of belief in film can be harder to keep in tact because we expect a degree of realism from it. In the theater, we know everything we're watching is an artifice. We know the sets are made of cardboard. We know the ocean is shiny plastic. We know that's not real blood or a real knife. You're going into this with a much higher suspension of belief than in film where the goal is often to mimic real life as much as humanly possible. One bad visual effect can break the whole movie. Think of how many reviews, good and bad, couldn't help but mention the less than great visuals in the final battle in the first Black Panther film. On stage, you have the benefit of actors being able to respond in real time to anything that goes wrong and because that person is right in front of us, we have that connection with them and we can go along for the ride much easier than with film. That give and take can make or break an adaptation because for whatever you take away you have to justify that choice by adding something to it. Many adaptations, regardless of the medium, don't always do this and if they do they don't fully understand why what they removed worked. Anastasia is one such example of this because while they do try to add new elements to the story, it almost feels like an entirely different show. But to explain the intricacies of that we need to go back, all the way back.
Don Bluth made a name for himself primarily in the 80's after leaving Disney and creating his own animated films. His work was seen by many as anti-Disney because of the complexity of themes, darker subject matter and animation style that wasn't afraid to be uncomfortable or ugly. That's the general perception of his work but I'd also argue that the relationships between the characters in his films were much more fleshed out and complex than a lot of the stuff Disney was releasing at the time or after. Bluth wasn't afraid to have his characters be rude or mean or cowardly or insecure. The protagonist wasn't always a hero in the purest sense and oftentimes characters would act in a way we'd consider realistic. If they were in a scary situation, they'd run away or try to get out of it. If it was a situation that could benefit them, they'd try to profit to the fullest. Bluth placed his characters in worlds that were very mean and cruel but this only served to heighten the moments of joy and levity. As the 90's rolled on and Disney managed to climb back to the top of the mountain, Bluth did what he could to try to keep up. He didn't see a ton of success in the 90's largely because while at times he tried to ape the Disney formula, they still felt like watered down Don Bluth films.
Enter Lynn Arhens and Stephen Flathery.
In the 90's, these two were some of the biggest names in musical theater with projects like Once On This Island and Ragtime under their belts, to name a few. Lynn Arhens is actually a personal hero and inspiration of mine and oddly enough not for her theater work, although I'm a huge fan of that as well. I grew up watching Schoolhouse Rock as a kid and I actually learned how to write songs while watching those videos. Laugh all you want but you tell me how'd you explain something as complex as parts of grammar or the solar system or the revolutionary war in three minutes or less, for children no less. Her superpower is being able to explain a lot of information in a very short amount of time while having you sing along. Another thing she excels at is making songs the audience can actually leave the theater humming. That being said, it's worth contextualizing the world in which the bulk of their success was born.
Much like Democrats shell shocked by the Republican successes of the 90's, everyone not named Andrew Lloyd Webber was still in a state of awe and envy due to the massive success of Phantom of the Opera, Cats and Evita. The mega musical was born in the 80's and as we tap danced into the 90's, everyone else was trying to catch up. A characteristic of musicals from this era was that they all had that one big song they could perform just about everywhere to pull people in who otherwise may have never given the show a second glance. This was often the catchiest song in the show, oftentimes the opener, and the rest of the songs could range from equally good to songs you'd skip on the soundtrack. This is very much an approach that Arhens and Flathery would use and while I wouldn't say any of their songs were outright bad, there's often quite a bit of fluff. On the flip side, the 90's Disney animated musicals maybe had 5 to 7 songs and there was definitely an economy of time at play here. Today an animated film can be two hours, in the 90's this was far from the case. Every song needed to have a specific function within the story and character development. Rarely would you get songs that are just there to be there. Les Poissons is an example of this. The court of miracles and gargoyles number from Hunchback are also examples. But usually the stronger films like Aladdin, Beauty and the Beast, The Lion King etc were very careful about how many songs and where they were placed. In theater, you can cut and remove songs during previews or even during the run of the show. Outside of doing test screenings, film doesn't really afford you this unless you're early enough in production that the changes can be done in a reasonable amount of time. It's not like Disney could've released a new version of Hunchback as it was in theaters if audiences weren't responding to A Guy Like You. All of this is important because while Don Bluth was very much aping Disney's style at the time, it was clear he was trying to bring elements of the theater to the film as well.
Anastasia the film for all its flaws, and we'll get to those, is a pretty tight narrative and nearly every single song serves some sort of narrative or character based purpose. If a character is singing there is a reason why and that character is important in some way. A big part of the reason why it works is because while it's definitely inspired by The Mouse's then current offerings, it still very much feels like a Don Bluth film. The concept of even turning this story into a musical is very off-beat and in-tune with what Bluth would normally make. I can't imagine Disney making The Secret of Nimh but I can imagine Bluth trying and succeeding at making The Black Cauldron. I really don't see Disney ever making a film like All Dog's Go to Heaven but I can definitely see Bluth doing something really interesting with The Great Mouse Detective. His style is dark and evocative and isn't afraid to make you deeply uncomfortable or sad. Anastasia definitely toes the line but there's sequences in there I just cannot imagine Disney ever doing. The sequence for Once Upon a December is so haunting, melancholy, deeply sad and yet hopeful. Anything having to do with those weird demon things, especially when they try to get Anya to commit suicide, is something Eisner would never let his animators do. At the same time, the relationship between Anya and Demitri feels less like a fairytale romance but honestly like a 90's Meg Ryan romcom. They argue like normal people. They joke with each other like an actual couple would. They feel very realistic and realistic relationships between characters is something Bluth excels at. Because the worlds he creates are usually pretty ugly in some ways, it allows for the relationships to be more grounded. You wouldn't but Anya falling for Demitri in a day like Ariel did for Eric because the world the former couple inhabits feels harsher and therefore the characters have more grit. That being said the film does have flaws that become very relevant once we start talking about the stage version:
1) The villain does not feel properly integrated into the story. Most Disney villains had some kind of relationship with the protagonist that sets the main conflict into motion. Ursula is the one who conducts the spell. Scar is both Simba's uncle and kills Mufasa. Jafar is the first main character we ever see and he's the one who finds Aladdin. Rasputin is in the opening and he does set up the main conflict but there's no relationship between him and the protagonists. They don't even know he's alive until the last ten minutes of the film. He impact the narrative but he definitely could have been woven into the narrative more. I think confining him to the underworld was a mistake. With some slight reworking, you could have had him appearing as some of the randos Anastasia meets along her journey or even have the orphanage owned by him a la Mister Sinister. The setting and time period feels more like a suggestion than any sort of adherence to historical accuracy so they could've gone wild.
2) Most of the stuff in Paris feels like a completely separate movie. The last song we get is Key to Your Heart, which is also the closest we get to fluff, and there's no song within the film proper until after that. At the Beginning absolutely slaps but it should've been in the actual film. Everything after Sophie's song is fine but the film takes on a much more serious and grounded tone until Rasputin decides to remind us he's in the movie. The somewhat surreal tone and the momentum the film had comes to a screeching halt once we get to Paris. That being said, it's still a very good portion of the film but it doesn't really match with anything else in the first two acts.
3) Rasputin's motivations aren't entirely clear. He's still alive because the curse hasn't been fulfilled, I think. He wants to die forreal but that only happens if Anya is offed and even then that's ambiguous. Does he wanna die? Does he wanna be human again? Did he want power of any sort? If he wants to fulfill the curse to move on, we see he bites the dust quite literally once Anya breaks the glowing thingy anyway. It's a cartoon so you could say don't think too hard about it but the logic falls apart the exact second you analyze it. Why not have Bartok just smash the thing once he realizes it's still active? Why does Rasputin want the Romanovs dead so damn badly? His reasonings aren't explained well in the beginning so his actions feel more like an act of interia that anything else.
4) The side characters are kinda annoying. Vlad is mostly okay because he serves a definite role in the story as playing the more level headed one to Demitri's more fiery personality. Sophie starts to grate on my nerves but whenever she does they shunt her out of the film. The mandatory cute animal sidekicks range from irritating to please make it stop.
For what it's worth, the stage adaptation exercises both animal sidekicks largely be consequence of this version trying to be more historical fiction rather than a Disney Renaissance style musical. That brings us to one of the biggest and most controversial changes in the stage version, Gleb. He's a Russian officer who is torn between his feelings for Anya and his duty to the cause. He replaced Rasputin as the main threat. With Gleb, they do rectify points 1 and 3 but this is not without losing much of the energy Rapustin injects into the piece. For all his faults, Rasputin and his weird demon things move shit from Point A to Point B while also being very entertaining at the same time. Gleb has more of a motivation than Rasputin but the story comes to a screeching halt whenever we have to focus on him. He is in love with Anya because she's hot I guess and we get so many songs of this dude belting for the gods about how much he wants her but he can't pursue her. There are a total of three songs counting reprises that are dedicated to this and they're basically all the same. Gleb wants to bone, he has daddy issues and we move on. He interacts with her more but there is no reason he should be this blue balled over a chick he does not know. Anya and Demitri still have great chemistry and the plot is reworked to give them more time together. I like their dynamic more in the film but the musical does this fine but just differently. Anya doesn't really even know Gleb nor that he wants to see if the curtains match the drapes. So we're stuck in this completely unnecessary lopsided love triangle that makes Wolverine, Scott and Jean Grey's bullshit seem like Shakespeare. There is almost zero evolution within Gleb's many croons about how much he wants to bang this chick. He comes to basically the same revelation every single time so whenever he gets a song it's basically time for a pee break. Unlike Rapustin who at least gets an entertaining last fight and death, Gleb doesn't really even get that. He corners her, she goes full on Malala and tells him to do what he's gotta do, he chickens out and dips. They try to give it some weight by having Anya comfort him but she doesn't know this man and she certainly doesn't know he's in love with her. It feels even less powerful than the original ending because at least Rasputin actually killed her family so there's some connection there. Gleb is the son of the guy who was involved so his connection to any of this is nebulous at best. Why not just make him an ex-boyfriend or orphan she grew up with? Why not actually just make him the dad Gleb keeps referring to? Rasputin actually wants her dead and the story moves mostly because of his machinations behind the scenes. Gleb feels shoehorned into this narrative and he's not even entertaining while he's there. His songs are slow, repetitive and he has no real personality.
This is not the only change they made to the story. Vlad now has a mini subplot where he's trying to get back Sophie, now named Lily. This means she's in the story a lot more than she was previously and they don't succeed in making her less annoying. In film, a character can bounce in and out of the narrative without us questioning why they're not there. Theater is a bit different because you can't really have characters that just show up and never appear again. It's been done but usually they'll have the actor play a dual role in the story as well. Lily gets a lot more to do and I'm sorry but almost every song she gets besides the one from the film are also pee break songs. Land of Yesterday just feels like a Russian version of If I Knew Then from Beetlejuice but with much less relevance to the story. The Empress also gets a song now and while it's more memorable than any of the stuff Gleb or Lily get, there's no reason for it to be there. Some composers feel the compulsion to make every single emotional beat a song and while I understand that desire, you don't need it. Honestly my first time seeing the show, I started laughing when she busted out singing because it's so random. The original film got the point across without this and the musical does not expand on her character in any way so there's nothing new to communicate here. Maybe they felt the character should sing more but even without Close the Door, she gets some parts in other songs. This is an example of the fluff I was referring to earlier.
But for everything they added, they removed a lot of stuff but tried to play it down the middle. For example, in the film Rasputin tries to get Anastasia to kill herself by giving her an enchanting dream that turns into a nightmare. Demetri saves her life, she now has learned to trust him more and we move on. In the musical, Rapustin no longer exists but the scene does in a way. Now she has a nightmare about her family being killed where she Demetri comforts her as he does before but there's no narrative reason for this scene to be here. By this point, they've had more moments to build the romantic connection so it feels redundant. They also want to give us a reason to lead into the song where they realize they both know each other and that she's really Anastasia. It's a very flimsy setup and the film did this much better by having Demetri be the one who saved her life. It also undercuts his character development by a lot. There's no scene where he rejects the money. He doesn't have a personal connection to Anya or her grandmother like he did before. His character is neutered a lot in this version and doesn't come off as selfless as he did before. He turns down the money but not only does he have less of a reason to that now, that reveal feels much less powerful. His character isn't even involved in saving her life towards the end. While they do get more time to bond in this version, I just don't feel like they added enough to justify some of these changes.
I don't quite understand why they chose to go the route of realism with the musical. Maybe they're responding to people who thought the more fantastical elements were out of place but as we can see without that, the story doesn't have much of a reason to be a musical. There's an older movie version of this story with Ingrid Bergman that hits a lot of the same beats as the 90's version. That version is decidedly not a musical and also isn't that great of a film either. This isn't the easiest story to make compelling and the 90's version threaded the needle as best as it could. By using the story of Anastasia as more of a jumping off point for the type of fairytale musical audiences had become used to, it managed to make the story more removed from the actual real life Anastasia who did in fact die, although that was not known back then. The musical leans too much into the history and it just doesn't work. There are dark shows that deal with heavy subject matter. The Color Purple is basically just Beat My Ass: The Musical. But that show isn't also trying to be a romantic whimsical experience, Anastasia very much is. I wish they had just kept Rapustin, weaved him into the story more naturally and gave him a stronger personal connection to Anastasia and kept the darker non-history related elements in the show. The movie is plenty dark at times but the history and political struggle is given a passing mention in the opening and is rarely ever brought up again unless to refer to actual murders. The musical felt like Bridge of Spies set to music with how much focus they put on the political aspect of the story. That does not mesh and I think it's part of the reason why this show doesn't have as strong of a following as the film. It's not ungodly awful, but it doesn't justify its existence.
submitted by NewWays91 to Broadway [link] [comments]


2024.05.17 00:51 forest-of-ewood What do you meme? Roaring Kitty Twitter roundup 16th May

Hey everyone,
I've had to do this whole post again (absolutely gutted) as the draft function let me down so sorry if I skip through a bit quicker...
Another day, another set of memes to look through. As always, you can catch my previous day round ups below:
13th May
14th May
15th May
To reiterate, the description of each tweet is to the best of my knowledge the references made to allow you to make your own view in context and the speculation is pure speculation on my part. If you just want to look at the descriptions and not the speculation then just ignore the speculation part.
This is just for fun and shouldn't be taken as any financial advice, make your own decisions, I just like the stock.
If you have anything to add feel free to in the comments.
Let's begin:
10am - https://x.com/TheRoaringKitty/status/1791106334517010680
Description: First we have Jigsaw from Saw, "Hello, Do you want to play a game?", it then cuts to The Prestige with the quote "are you watching closely?" and then it cuts to Lucky Number Slevin talking about the Kansas city shuffle and finally it's Nas with Made you look.
Speculation: Jigsaw used to capture people who were not looking to live their life and play games with them to show them that they actually do care about their lives in the end. Maybe DFV is referring to shorts desperately trying to get out of their position and showing they will do whatever it takes to do it. The Prestige quote comes from the scene here and shows a magic trick of money appearing. The Kansas City Shuffle is "In order for a confidence game to be a "Kansas City Shuffle", the mark must be aware, or at least suspect that he is involved in a con, but also be wrong about how the con artist is planning to deceive him. The con artist will attempt to misdirect the mark in a way that leaves him with the impression that he has figured out the game and has the knowledge necessary to outsmart the con artist, but by attempting to retaliate, the mark unwittingly performs an action that helps the con artist to further the scheme" and the Made you Look songs full line is "They shootin', Aw made you look" maybe referring to what is happening to the stock right now.
10.15am - https://x.com/TheRoaringKitty/status/1791110102797172804
Description: Here we have a scene from Kill Bill where the bride is about to take on the crazy 88 gang and the music Nobody but Me by The Human Beinz.
Speculation: On the theme of ultimate revenge, The Bride in Kill Bill was on a mission to well.. kill bill. Lots of to go through in order to get to the final boss and the song is maybe making a point that Nobody but DFV could have seen this coming or maybe he is saying RCEO can do it
10.30am - https://x.com/TheRoaringKitty/status/1791113879684325383
Description: This is taken from Inside Man, i think it's the opening scene and has the music Chaiyya Chaiyya, also taken from the original clip. DFV has imposed a cat looking over and listening to the monologue which reads "Pay strict attention to what I say because I choose my words carefully and I never repeat myself".
Speculation: Inside man is about an elaborate heist turned hostage movie on Wall Street. Don't think there is much more to say about that other than GME is most likely the hostage in this situation.
10.45am - https://x.com/TheRoaringKitty/status/1791117652276195516
Description: The first part of this meme is taken from The Office and Michael pulls up in a car with Lady Gaga - Let's Dance playing and states "it's Britney Bitch". We then cut to Britney Spears in her music video Hit Me Baby One More Time and the part "give me a sign" has the movie logo for Signs on it (much more of that to come)
Speculation: First part is a joke from DFV keeping the just dance theme going but then we go to hit me baby one more time and most importantly a reference to a "Just give me a sign". There are signs coming that something big is going to happen.
11am - https://x.com/TheRoaringKitty/status/1791121430836584789
Description: This is the intro to Goosebumps and follows a lot of the original clips theme, you can watch that here. Some key changes that have been made though, R.K Gill is on the briefcase, something has definitely been edited with the man's head holding the briefcase, the billboard shows a morph to Ryan Cohen, Ryan's dog is brought in and then it's "Bear Beware" and "Goosebumps, based on the memes by R.K Gill"
Speculation: This is a really fun meme, we see some more of RC and Roaring Kitty Gill all over this. Is there a partnership or does DFV just know that RCEO is about to do something big that will send goosebumps down the bears necks.
11.15am - https://x.com/TheRoaringKitty/status/1791125203147428066
Description: Next we have Broad City and the song Best Friend by Sofi Tukker. The meme basically just has lots of scenes around new york with friends just doing a lot of dancing. Just a fun meme of dancing really and a lot of it centers around the two best friends the sitcom is about.
Speculation: DFV and RCEO are best pals and with everything that is going on with the stock they are just dancing and having a great time. Essentially owning New York which of course is where the finance bros hang out.
11.30am - https://x.com/TheRoaringKitty/status/1791128976632459643
Description: The first scene is taken from Devil Wears Prada with the models hanging out in New York for a shoot and the song Crazy by Seal plays with the lyrics "we're never gonna survive, unless we get a little crazy" it cuts to the official music video then back to Devil wears Prada where they say "oh i get it, the piece is called urban jungle right?", "yes the modern investor unleashes the animal within to take on the big city" Roarrr
Speculation: Another meme from New York with predominantly girls hanging out. DFV maybe noting that we all unleash a little roaring kitty by taking on his thesis with Gamestop, dunno about you but I just like the stock. Things might get a little crazy, at least to people on the outside when they are asking you why you aren't selling.
11.45am - https://x.com/TheRoaringKitty/status/1791132751976120778
Description: This scene is taken from the movie Signs and the Rev Graham here is woken and staring at something on the roof that spooks him.
Speculation: There will be many more references to this movie, in this case the Rev Graham (who weirdly looks like Ken G) is getting spooked at something he thought he saw. Scary stuff if you are short on GME.
12.00pm - https://x.com/TheRoaringKitty/status/1791136527801807077
Description: This is also taken from the movie Signs and it's a quote, "See what you have to ask yourself is what kind of person are you? Are you the kind that sees signs, that sees miracles? Or do you believe that people just get lucky? Or, look at the question this way: Is it possible that there are no coincidences?"
Speculation: Something big is coming, what kind of person are you? Is it possible there are no Cohencidences?
12.15pm - https://x.com/TheRoaringKitty/status/1791140301895352325
Description: Again from Signs, this shows the scene where the kid takes out his baby monitor and claims he can hear the aliens talking to each other. There's two of them talking he states and again we see the sign logo flash up. We then see an overlay of alien writing that isn't in the original clip so that's been dubbed on purposely.
Speculation: Things starting to get real interesting now. This looks to be a sign that something is happening behind the scenes. A baby monitor, what's RCEO got stored up? Maybe he is pregnant? Maybe GME is pregnant? Is there a merger happening? A split of some sort?
12.30pm - https://x.com/TheRoaringKitty/status/1791144075963298165
Description: This is the scene in Signs where they go to the crop fields and there are alien crop circles everywhere, only in this meme DFV has replaced those circles with GME logos. Many GME logos some with long running lines.
Speculation: Really looking like something big is on the horizon and DFV thinks he has seen the signs. This meme would suggest maybe its a merger with multiple gamestop logos but that's just my opinion. One thing for sure is that Gamestop has something on the horizon.
12.45pm - https://x.com/TheRoaringKitty/status/1791147851466047673
Description: This is the scene in Signs where the news start reporting sightings of aliens and they show a load of kids in a different country looking down an alley way only for an alien bearing Roaring Kitty as a face to walk by, scary stuff!
Speculation: This was actually the first scene from this film that made me realize i had seen the film before and a younger me was pretty freaked out by that scene. It could imply that they have landed, they are here and or DFV is at least. Certainly a they are coming sort of message.
1.00pm - https://x.com/TheRoaringKitty/status/1791151631259574559
Description: This is taken from the animated film Luca, where one kid says "what does it mean, the thing you just said?" and the other kid goes "Come on Ill show you more stuff"
Speculation: I think this is aimed at me writing this right now and whoever is reading this right now. Ultimately i have no idea what DFV is saying i can only speculate and DFV knows that, he can't outright say what he thinks but he can show us more and more cool memes.
1.15pm - https://x.com/TheRoaringKitty/status/1791155401091596494
Description: This is taken from 500 days of summer and DFV has changed a lot of the words here but essentially he is asked what he does and he says he makes Gamestop memes, the woman says he could be a really great investor if he wanted to be, he is asked why he went from being a great investor to making gamestop memes and he says "why make something disposable, like an investment thesis, when you can make something that lasts forever like a Gamestop meme"
Speculation: DFV having more meme lols here but really why would he need to do anymore investing, he already has his favourite company shares and the thesis is done, he knows what's going on and he is happy to stick with what he has. That doens't mean his thesis on Gamestop doesn't evolve, I just think he is done looking for other deep value plays.
1.30pm - https://x.com/TheRoaringKitty/status/1791159177785770273
Description: This is taken from The Shining and the song dubbed on is Matter of Time by Vandelux. The main protagonist and author in the movie, Jack is sat writing and it seems it is DFV and he is writing memes.
Speculation: Anyone that has seen The Shining knows that Jack goes to a secluded house with no distractions to write his book. Turns out it actually just makes him go completely mental and he ends up killing his family. I think DFV is just having some fun showcasing the time he has spent focusing on making Gamestop memes.
1.45pm - https://x.com/TheRoaringKitty/status/1791162950373527857
Description: We have Put Your Hands Where My Eyes Could See by Busta Rhymes and his music video. The lyrics he has chosen for this clip are emphasized and they are:
Flipmode Busta Bus (Uh, what?) Nine-seven (Come on, what?) Hot shit (Ha-hah) Check it out
Hit you with no delayin' so what you sayin', yo? (Uhh) Silly with my nine milli, what the deally, yo? (What?)
Do you really wanna party with me? Let me see (Uh) just what you got for me (Come on) Put all your hands where my eyes can see (Put 'em up, yo) Straight buckwildin' in the place to be (Wildin', nice, ha)
It then ends with If you really wanna party with Roaring Kitty
Speculation: More fun and dancing. Some interesting lyrics, Flipmode (reverse uno card anyone), Silly with my nine milli (could relate to shares, does RCEO have that much?) Could just be a fun meme without much else to it.
2:00pm - https://x.com/TheRoaringKitty/status/1791166726891061749
Description: This is taken from Sicario and it starts with the quote "so you wanna be a Sicario" and then shows the blonde reddit icon from the other sub tied up and then a guy looking pretty pissed off.
Speculation: The Sicarios were hitmen, that's basically what it means when it asks if you want to be a Sicario, do you want to be a hitman or assassin. The blonde icon from other sub tied up is in the place of a kid who was tied up in the film and certainly WAS NOT a friend of the Sicarios. Take from that what you will but I can't comment to much as it's about another sub.
2.15pm - https://x.com/TheRoaringKitty/status/1791170783277949042
Description: First we have a scene from No Country for Old Men with the quote "you can't stop what's comin" then we cut to a train tearing it up in Chicago and also taking out a double deck chair with a Chicago Bears logo on it then finally we go to a WWE smackdown with Stone Cold Steve Austin.
Speculation: No Country for Old Men has cropped up a few times before but it's about a killer who is pretty much unstoppable mowing these people down. The train wrecking Chicago and the Chicago Bears (as a Packers fan i liked that), well option contract writers are in Chicago I believe but also it's the original home of Citadel. The chair maybe is an answer to a Cramer tweet and the smackdown i'm not sure other than it being just a fun thing to watch.
2.30pm - https://x.com/TheRoaringKitty/status/1791174276604699013
Description: This is the music video for Punkrocker by Teddybears. It basically follows a man who is being chased by the police, the cops are coming but the guy seems pretty chill about it. He listens to the music with no fear and you can too. The words are in Gamestop white and red.
Speculation: I think that this could indicate that Gamestop isn't doing anything wrong with what's going to happen, they have warned again and again in their financial postings that the stock is being manipulated and is subject to squeezes. It could also indicate a GME investor has nothing to worry about legally either, just like the stock.
2.45pm - https://x.com/TheRoaringKitty/status/1791178049939182048
Description: This is taken from The School of Rock where Jack Black is trying to ask what it takes to rock out. If you wanna rock its not about scoring chicks, it's not about getting wasted, its about sticking it to the man, and you can't just say it man you gotta FEEL it it in your blood and guts.
Speculation: Only you can decide what sticking it to man means yourself in relation to having GME stock during a big squeeze event but for me personally it's been a long 3 and a half years of having crap tossed at me just for owning this stock and i certainly pissed with the amount of corruption and cheating that has and continues to go on. If shorts never closed and still have that position, that's their mess not mine.
3.00pm - https://x.com/TheRoaringKitty/status/1791181824754106742
Description: The main scene in this meme is taken from the film Stand By Me. You have two cars on both sides of the road. The good guy in this is driving on the wrong side of the road and the other gang are on the right side, it's a game of chicken with a truck coming towards the good guy as they both drive side by side. It then cuts to Bojack Horseman trying to do some comedy and being asked to get off stage, he states "I'm not done hold on" - it cuts back to the scene and the truck bails last second. The good guy just keeps on driving and goes in front of the other car having a victory sip.
Speculation: If you take DFV to be the good guy in this car scene then he just carries on with what he believes which is in GME regardless of trying to be chickened out of it in the face of adversity. You could also say he is Bojack and wanting to continue with his memes, he ain't done telling his memeroirs yet.
3.15pm - https://x.com/TheRoaringKitty/status/1791185600453783688
Description: This is taken from Everything Everywhere All At Once and shows a woman showcasing her awards, DFV has imposed some cat photos on her desk and also 3 awards that read
"The quote is Do you see these? You don't get one of these unless you've seen a lot of bullshit. Excuse my French. Now you may only see a pile of boring forms and numbers, but I see a story."
Speculation: DFV is a fucking dude, the guy has a meme trophy cabinet. To us or others we just don't quite see it like he does. If DFV thinks something big is going to happen you have the choice to believe it too or not, that's completely up to you. The awards are lol.
3.30pm - https://x.com/TheRoaringKitty/status/1791189376195854606
Description: The first scene is taken from Garden State, he asks her "what are you listening to", she goes "you gotta hear this one song" and you then hear Dont Fear the Reaper by Blue Oyster Cult and the opening lyric "all our times have come"
Speculation: Don't fear the reaper, if you hold GME you don't have to as it's not going bust. The company is not going to die. There are certainly some shorts that should be fearing the reaper though.
3.45pm - https://x.com/TheRoaringKitty/status/1791193149408223306
Description: This is a hilarious meme and i'm not sure where this is taken from but i'll try my best to describe it (really you should just watch it though). Two men are in a rich guys house, the host writes a note and then has to leave tearing the note off and taking it with him, the other sneaks up to the notepad, labelled Cohen, and tries to sketch the next page to work out what he wrote. What is revealed is a cartoon man with a huge dick.
Speculation: RCEO has a big slong, what else is there to say? Ok I think that he is going to do something big and it's an exciting thing to think about. Does make you think of the tweet of Steve Smith he posted with the erect penis too.
4.00pm - https://x.com/TheRoaringKitty/status/1791196925619789864
Description: A more recently made meme shows Jay Clayton talking about Roaring Kitty showing his first meme and saying "is this something that we should be tolerating in our markets, whether it's legal lalallull" then it goes to a clip of a guy saying "i mean what did he say fuck me for"
Speculation: DFV basically saying as we would say in the UK, "whatever mate". The guy is talking a load of bullshit and to bring up legality after all the stuff he has let slide as former SEC chairman, i mean bitch please!
Edit\*
8.00pm - https://x.com/TheRoaringKitty/status/1791257325451493396
Description: First scene is taken from the car chase in The Bourne Identity, DFV has imposed a load of pictures of himself on the sheet of paper and then the car chase from the police proceeds (original clip here) There is a part in the middle of this car chase where the footage has been mirror flipped which means the steering wheel that would read Mini reads INIM then it finishes the chase and moves on to the opening scene of the movie Drive (original clip here).
Speculation: I think that the mirror flip of the video shows the steering wheel just at that point to sort of read "IM IN", surely not a coincidence given that is the only part of the whole clip that is flipped. The movie drive as someone suggested in the comments is about, "Ryan Gosling plays the unnamed Driver, a near-silent, methodical, mysterious, professional, highly competent getaway driver." - DFV has also tweeted about this movie before here.
Hope you enjoyed, still pissed i had to write this twice, my original had a lot more links to original clips and each Superstonk post as well! I'm off to bed, i'll update with the 8pm tweet tomorrow.
Love ya DFV x
submitted by forest-of-ewood to Superstonk [link] [comments]


2024.05.16 22:38 Natashaley93 Ewww, what are these boys dating histories like

I am honestly perplexed. Ain’t no way that they actually think that these girls are actually good options, even if they aren’t looking for something real. Like how bad were the girls you dated before that these are good options.
Marco: He is by far the biggest catch but he keeps ending up with the girls that don’t like him. Like there is zero way at his big age he doesn’t see when someone doesn’t actually see a connection with him.
Ryan: I know Sofia is the only option he but… I don’t think the accent is the only thing that is fake about her. Something about her is super off.
Sebastian: yes, Brittney is absolutely your type. Fake, I get it. You are okay with a girl who used someone else to get to you and causes drama with everyone else, talks behind everyone else’s back and makes ish up but the ones who talk about their business are a problem?
Lloyd: Lloyd himself said he has only had one serious relationship. Obviously, he is the best looking one of the bunch to the girls and has gotten a ton of attention in his time but man it is obvious that his maturity level stopped growing when he started playing professionally at 15.
Gabby isn’t putting it on you enough. Sophie is putting it on you but you pay it no mind. Ariana is throwing it at you so you like her more for it. Jackie isn’t paying attention to you romantically so are head over heels for her. Honestly, I am not a fan of any of his girls except Gabby in reality though the biggest thing wrong with his girls are is being into him.
Jamie: is perfect with Renee honestly. That relationship is going to be tumultuous though. One minute Jamie is too on for her the next she is upset that he isn’t all up on her.
I just don’t know that there has ever been a reality show cast that has been as unlikable as the cast of this show.
submitted by Natashaley93 to LoveUndercover [link] [comments]


2024.05.16 22:10 Hefty_Fix_8416 WBW Spectactle Season 1, Episode 1 - Surprises after Surprises

Tuesday May 7th 2024
Wolstein Center, Cleveland, OH
WBW Presents: Tuesday Night Spectactle
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This theme plays as KO comes down to the ring. Kevin grabs a microphone and says “CLEVELAND! 2 nights ago I had a classic match with my best friend Sami Zayn.. Then the Nemeth Brothers decided to get involved and for whatever reason chose me to win. Now tonight I am in the main event against Drew Mc-”.This theme plays and Drew McIntyre comes down to the ring with a microphone. Drew says “Kevin would you please stop worrying about my friend Nic. This is going to be your downfall my friend. Focus on our match tonight. We are supposed to have a 5 star classic but instead you're worrying about a cheerleader. But if you want to keep focusing on the Nemeth’s they are here!”. Drew exits the ring much to KO’s confusion. Nic and Ryan hop the barricades and surround KO on both sides of the ring. KO throws a strike at Ryan first but the number’s game catches up to him fast. Sami runs down but is intercepted by Claymore from Drew. Drew hits Sami with a Futureshock DDT on the ramp and throws him into the ring. Drew says “Get a referee down here. I got confirmation already its Sami Zayn vs my boy Nic Nemeth next!”. A referee comes running down to the ring as Drew gets on commentary for the match.
This segment takes 10 minutes (2:50 left of show time)
Sami Zayn w/ Kevin Owens vs Nic Nemeth w/ Ryan Nemeth
Sami is still down after the vicious attack from Drew McIntyre. Nic hits his 10 Elbow Drops going for the pin right off the bat. Sami kicks out at 2. Nic hits the ground in frustration expecting an easy win. Nic sets up in the corner for a Sweet Chin Music connecting! Nic falls into a pinfall. Sami kicks out at 2 and a half. Sami finally begins to fight back with a few strikes and goes for an Exploder Suplex. Nic lands on his feet. Sami turns around right into a superkick. Nic sets up in the corner connecting with another superkick. Nic then climbs the turnbuckle and goes for a big Elbow Drop. Sami gets to his feet and connects with a Blue Thunder Bomb out of nowhere going for the pin. Nic kicks out at 2 and 3/4 much to Sami’s shock. Sami lifts Nic up and hits a Exploder Suplex into the corner. Nic stumbles into the corner and Sami backs into the other corner for a Helluva Kick. Ryan grabs his legs and drags Sami into the turnbuckle. The referee was busy checking on Nic! KO grabs Ryan and hits him with a powerbomb onto the apron. KO turns around right into a Claymore Kick from Drew. Drew taunts KO and Sami as Sami turns his attention to Drew upset at him. Nic sneaks up behind Sami and hits him with a Zig Zag going for the pin. Nic gets the 3! Nic slips out of the ring as Drew joins him on the ramp. Ryan holding his back joins them laughing. KO checks Sami, staring up the ramp at Drew pissed off.
This match takes 10 minutes (2:40 left of show time)
Sami is seen backstage with KO. KO is pissed off saying how he is going to make Drew pay for this. Sami calms KO down and tells him to just be prepared for his match. KO agrees and walks off. Sami walks up to Mark Steel’s office door and knocks. Mark yells “Come in”. Sami walks in and Mark ushers for him to sit down. Sami says “Mr Steel you have to realize that if nothing is done the Nemeth Brothers will get involved in the main event”. Mark looks at Sami and says “I've already dealt with that. They were asked to leave the arena. And as such you will too. That way neither Drew nor KO will have unnecessary help tonight. Do I make myself cl-”. Drew bursts into the room and says “Mark I don't care if the Nemeth Brothers are there or not. Unlike Kevin I don't need their help to win”. Drew walks out as Mark and Sami stare at each other in shock.
This segment takes 5 minutes (2:35 left of show time)
Seth Rollins vs Carmelo Hayes - Round 2 of Winners Bracket for World Title Tournament
Seth and Carmelo begin circling each other. Seth offers a handshake and Melo takes it. Seth quickly rolls Hayes up for a quick kick out at 1. Melo and Seth both get to their feet at the same time and Seth laughs. Hayes throws a right fist sending Seth right to the ground. Hayes lifts Seth up and hits a Suplex into the Spinning Back Elbow combo. Hayes climbs the turnbuckle and hits a Fedora Frog Splash going for the pin. Seth kicks out at 2. Hayes climbs the turnbuckle again going for a Nothing But Net. Seth gets to his feet and hits Hayes with a Revolution Knee in mid air. Hayes hits the ground with a thud and Seth takes advantage with a Pedigree going for the pin. Hayes kicks out at 2. Seth backs into the corner stomping and preparing for a Curbstomp. Hayes throws Seth up into the air and hits a Samoan Drop on the way down. Hayes follows up with a Fedora Frog Splash going for the pin and getting a 2 and a half on Seth. Hayes doesn't stop as he climbs again and hits Nothing But Net going for the pin again. Seth kicks out at 2 and 3/4 which makes Hayes hit the ground in frustration. Hayes backs into the corner with his eyes glazed. He sets up to hit Seth’s curbstomp. Seth rolls out of the way and Hayes turns around right into a Spinning Elbow. Seth drops into the corner and hits a Curbstomp. Seth connects and goes for the pin. Hayes kicks out at 2 and a half. Seth hits the ground before throwing Hayes up the Turnbuckle going for a Falcon Arrow followed by a second Falcon Arrow. Seth climbs again going for a Frog Splash but Hayes rolls out of the way. Hayes quickly climbs the ropes going for a Nothing but Net but Seth rolls out of the way before connecting with a Superkick to Hayes while he was on his knees. Seth climbs to the second Turnbuckle and hits a super curb stomp right then and there going for the pin and getting the 3. Seth sits on his knees as the announcer announces his victory! Seth is going on to Round 3!
This match takes 15 minutes (2:20 left of show time)
Austin Theory and Grayson Waller ambush Seth from behind. MJF jumps the barricade and joins the assault when Laredo Kid, Myzteziz and Artemis come running down to the ring. They chase off MJF and A-Town Down Under before helping Seth to his feet. Seth grabs a microphone and says “Hey Max. I'll see you next week”. Seth stands tall with the Air Riders as MJF and A-Town Down Under retreat up the ramp!
This segment takes 5 minutes (2:15 left of show time)
This theme plays and out comes AJ Styles. AJ grabs a microphone and says “Last Sunday in Pittsburgh I lost everything. The Judgement Day attacked me before my match and broke my arm. Now I make no excuses cause at the end of the day I am the one who tapped out. But now I must focus on whoever wins next week to decide who will face me next week as well in the Second Round of the Losers Bracket. Whoever it is just know I will walk through the fucking fi-”. This theme plays and Finn Balor comes down to the ring with JD and Dom. Finn says “Next week I have to face the winner of the main event but before that. Thought I would pay you a visit. To make sure you remember.. THE JUDGEMENT DAY RUN WBW”. Out of nowhere AJ is attacked from behind by Chris Ridgeway. Judgement Day has a new member! This theme plays The Calamari Catch Kings theme plays and Chris Brookes runs down to the ring with the Lykos Gym. The Lykos Gym and Chris Brookes even the numbers and chase the Judgement Day up the ramp. AJ puts out a Bullet Club forever sign and CCK joins him! Judgement Day has bigger worries now as Chris Ridgeway’s first round opponent in the Battleground Tournament is in the ring with Judgement Day’s biggest rival!
This segment takes 10 minutes (2:05 left of show time)
The Riott Squad vs Shafir and Duke - Qualifier for 6 team Ladder Match for Women's Tag Titles
There are currently 3 titles without champions crowned. The World Championship, The Battleground Championship and the Women's Tag Championship. The latter is the only one not in a tournament. Instead there will be 6 qualifiers, 2 per spectacle. Where the winners are added to a 6 team ladder match. Tonight we get the first of 6 qualifiers as Liv Morgan and Ruby Soho team up once more in WBW to take on 2 enforcers of the ring in Marina Shafir and Jessamyn Duke. It starts with Liv Morgan and Ruby Soho on top. They have slightly more chemistry and experience allowing them to take the early edge. However as the match goes on it gets more balanced as the technical duo begin to roll in the later half. The match reaches its boiling point when Shafir locks Liv in an arm bar. Liv manages to get out, tossing Shafir into the ropes. Duke tags in but gets off the apron. Liv doesnt know as she hits a ObLIVion followed by a tag to Soho. Soho sets up and hits Shafir with the Soho Kick going for the pin. Duke comes out of nowhere and hits Liv with a German right onto Soho. Liv and Shafir both roll out of the ring as Duke drops into the corner. Soho stirs to her feet and Duke connects with a spear. Duke falls into the pin and gets the 3 on Soho. Shafir joins her in the ring as they celebrate one step closer to the Women's Tag Titles!
This match takes 15 minutes (1:50 left of show time)
After the match The Riott Squad attack Shafir and Duke from behind clearly upset about their loss. Lola Vice runs down to the ring with a steel chair and chases them off. Liv and Ruby retreat up the ramp as Lola grabs a microphone. Duke and Shafir stand at either side of her and she says “WE ARE THE HORSEWOMEN” to a massive cheer from the crowd!
This segment takes 5 minutes (1:45 left of show time)
This theme plays and the Rated R Superstar makes his WBW debut! Edge comes out to a loud pop. He enters the ring with a microphone and says “CLEVELAND OHIO! I HAVE BEEN ALL AROUND THE WORLD. I HAVE BEEN IN COMPANY AFTER COMPANY. AND NOW I'M HERE IN WBW. Man it feels good to be here. A Lot of great men in that locker room. The Judgement Day, Seth Rollins, Matt Cardona and Brian Myers. All these men I have history with. And all these men I suspect I will have a match with at some point in my tenure here. But enough talking cause I'm itching to step in that ring once again. So if anybody in the back wants a shot at beating one of the greatest to ever step in the ring, come out right now.. THIS IS AN OPEN CHALLENGE!”. This theme plays and out comes WBW’s newest star, A little less massive but still a great get, the ever talented Cara Noir!
This segment takes 10 minutes (1:35 left of show time)
Edge vs Cara Noir
Edge offers his hand for a handshake but Cara bats it away. Edge looks shocked and before he can react Cara hits him with an uppercut. Cara Noir begins hitting aerial offense in hopes to put Edge on the back of his feet. It works at first until he goes for a springboard knee and gets speared out of mid air. Edge stomps into the corner and prepares hitting a second more impactful spear going for the pin. Edge gets the 3 over Cara and stands tall after a 5 minute match!
This match takes 5 minutes (1:30 left of show time)
Edge stands up after getting the 3 on Cara Noir to a load of cheers! His head then turns to the ramp as This theme plays. The crowd pops once again as Randy Orton slowly descends down the ramp. He begins circling the ring like a shark. Edge prepares for a fight as Orton reaches the front of the apron. Orton acts like he's gonna jump up but backs off laughing at Edge. Orton turns and returns up the ramp and the only question of Edge, and the crowds, mind.. What is Randy Orton up to?
This segment takes 5 minutes (1:25 left of show time)
The System are backstage celebrating their title win when The Premiere Athletes walk up to them. Woods says “Moose I could care less what you think I want my rematch”. Moose just starts laughing at him and then says “You just lost the Scramble Match you're gonna have to earn that rematch”. Woods responds with “Oh don't worry i'm well aware which is why I came back here to inform Brian Myers. It's me vs him next, sanctioned by WBW Owner Mark Steel himself. Cya out there Champ”. Josh Woods puts his hand on Brian’s shoulder for a second before walking off. Daivari and Nese follow him out.
This segment takes 5 second (1:20 left of show time)
Josh Woods vs Brian Myers w/ Eddie Edwards
Josh Woods and Brian Myers circle each other as the bell is rung. They quickly get into a technical lockup which Woods gets the better of pushing Myers into the corner. Woods backs up as the referee tells him too and Myers takes advantage with a low knee. The referee yells at him but Myers doesn't care going for an early pin. Woods kicks out at 1. Brian continues his assault for a little bit before climbing the ropes going for a Heat Seeking Elbow. Woods rolls out of the way and tries to lock in a Knee Bar. He cant get it in properly and Myers escapes with a Enzuigiri followed by a Roster Cut going for the pin. Woods kicks out at 2. Myers climbs the turnbuckle and hits a Heat Seeking Elbow. He climbs up one more time to hit a second one once again going for the pin. Woods kicks out at 2 and a half. Myers hits the ground and is frustrated. He then lifts Josh up looking for a Taste the Danger. Woods drops down behind him and catches him in the Knee Bar. Myers screams in pain as he's in the hold for well over a minute before finally tapping out. Woods has just gotten a massive win!
This match takes 10 minutes (1:10 left of show time)
After the match Moose hits Woods from behind with his belt. Daivari and Nese try to intercept but the tag champs get in their way and the 2 teams begin brawling through the crowd and out of the arena. Moose now has Woods all to himself as he sets up Game Changer. This theme plays and the Monster Among Men runs down to the ring. He hits Moose with a shoulder tackle sending him flying. Moose quickly slides out of the ring and retreats up the ramp as Braun helps Woods to his feet. Braun and Woods stand tall as Moose stands at the top of the ramp outraged.
This segment takes 5 minutes (1:05 left of show time)
Mark Steel is backstage talking to KO. KO says “Why did you tell Sami to go home, It was the Nemeth Brothers and Drew getting involved not him”. Mark responds with “It is my job to focus on safety and wellbe-”. Moose interrupts him, as KO storms off, “Wellbeing my ass. Braun just showed up and attacked me. I demand retribution”. Mark says “That's funny cause he only came out to protect Josh Woods who you attacked first. Instead i've decided it's going to be Josh Woods and Braun Strowman next week to decide who will be the #1 contender for your WBW Intercontinental Championship. Oh and if you or any other member of the System show up.. You will be forced to vacate your title immediat-”. Josh Woods walks up interrupting “Next week I'm gonna beat Braun Strowman and then I'm going to make you regret attacking me tonight”. Woods walks off as Mark takes a deep breath clearly annoyed about being interrupted yet again.
This match takes 10 minutes (0:50 left of show time)
Stupid Youth Project vs Paige Sisters w/ Ella Envy - Qualifier for 6 Team Ladder Match for Women's Tag Titles
Alice Crowley and Billie Starkz team up to take on Pretty Empowered’s Kylie and Kenzie Paige. Alice and Kenzie have a powerhouse display while Billie and Kylie use their high-flying ability. Both teams wanted to win badly. In the end it comes down to a last second ditch effort from Billie to connect with a frog splash and pin Kenzie for the 3 count. They will be joining The Horsewomen in the 6 team Ladder Match!
This match takes 10 minutes (0:40 left of show time)
Drew Gulak and Alpha Academy w/ Maxxine Dupri vs Legado Del Fantasma w/ Elektra Lopez
This match is a very chaotic match so like the Women's Tag Qualifiers I decided to just give it a basic description. All potential encounters happen as everyone from each team fought everyone from the other team. In the end Maxxine and Elektra argue and Elektra lays Maxxine out. This takes Otis’ attention for one second and the Los Lotharios take advantage with double chopblocks. Garza forces Otis to his feet and hits a Wingclipper as Humberto hits a Suicide Dive wiping out the rest of the Academy. Garza goes for the pin and Gulak attempts to get involved when he's hit with a Canadian Destroyer by Aeroboy. Gable gets to his feet and attempts to slide in but Escobar grabs his legs as Garza gets the 3! Legado Del Fantasma stood tall together in the ring celebrating.
This match takes 15 minutes (0:25 left of show time)
Chad Gable begins yelling at Otis. Drew Gulak gets in the way and tells Gable that's not how you treat your student. Gable shoves him and Gulak delivers a stiff kick before locking in an arm bar. Otis gets to his feet dejected as Gable yells out “Remember No Matter What”. Otis mutters under his breath “No Matter What” before lifting Drew off Gable and sending him crashing through the barricade. The rest of Alpha Academy meet them on the ramp as LDF watches the chaos in awe.
This segment takes 5 minutes (0:20 left of show time)
Drew McIntyre vs Kevin Owens - Round 2 of Winners Bracket for World Title Tournament
We finally reach the main event. Sami Zayn isn't allowed to show up, nor are the Nemeth Brothers. It's just Drew and KO. The match starts with KO lunging at Drew with a stiff kick before hitting him in the back sending him to the ground. Drew rolls out of the ring but KO follows persisting on the attack as the count starts. KO bangs Drew’s head off the announce table before throwing him into the steel steps. KO follows and Drew manages to get to his feet connecting with a Claymore. Drew quickly ducks in the ring looking for an easy 10 count. Kevin gets in at 9. Drew persists on the attack hitting a Futureshock DDT going for the pin. Kevin kicks out at 1. Drew looks shocked and backs into the corner. Drew begins counting down from 3 and goes for the Claymore. Kevin catches him mid air and hits a Powerbomb on the spot going for a pin. Drew kicks out at 1. KO hits the ground in frustration as Drew stumbles into the corner. KO kicks Drew in the midsection before backing up. He turns around and goes for the cannonball but Drew moves out of the way just in the nick of time! Drew connects with a Claymore going for the pin. KO kicks out at 2. Drew gets in the referee's face and asks him why it wasn't a 3. KO takes advantage pushing Drew into the referee knocking the referee out. KO then hits Drew with the Stunner followed by a Powerbomb. KO goes for the pin but Drew kicks out at 2.. Not that the referee was up anyway. KO climbs the turnbuckle and goes for a frog splash. Drew rolls out of the way and connects with a second claymore as the referee gets to his feet. Drew goes for the pin but KO kicks out at 2 and a half. Drew hits the ground in frustration, confused how it wasnt a 3. Drew lifts KO up for a Futureshock when KO reverses into a stunner. KO then lifts Drew up but his knee gives out and Drew lands in front of him connecting with a Glasgow Kiss followed by a Futureshock DDT going for the pin. KO kicks out at 2 and 3/4 and Drew goes absolutely crazy dropping back into the corner and connecting with another Claymore. Drew isn't done as he drops into the corner a second time hitting yet another Claymore. Drew doesn't care as he drops into the corner for a third time and begins counting down from 3. KO gets to his feet and hits a pop up powerbomb out of nowhere going for the pin. 2 masked men jump the barricade with “3MB” shirts on and pull the referee out of the ring. KO gets the 3 before he realizes the referee is gone. The 2 men remove their masks and climb onto the apron on both sides, thus revealing themselves to be Heath Slater and Jinder Mahal! The crowd pops as Drew’s buddies enter the ring and go after KO. At first KO does alright but then the Numbers Game catches up to him when Drew gets involved. Drew drops into the corner and begins counting down from 3 as Jinder and Heath force the referee up and toss him into the ring. Drew connects with the Claymore for a 6th time in this match going for the pin. This time Kevin cannot answer the 3 count! Jinder and Heath join Drew in the ring as 3MB celebrate together!
This match takes 20 minutes (Show Finish)
submitted by Hefty_Fix_8416 to fantasybooking [link] [comments]


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