Free full mp3 songs of film zindagi ek jua
Sailor Moon - 美少女戦士セーラームーン
2011.06.07 08:13 chibijennifer Sailor Moon - 美少女戦士セーラームーン
A subreddit for fans of the Sailor Moon franchise. Please remember to read the rules in the sidebar, and please read The Sailor Moon FAQ There, too before asking common questions such as 'Where can I watch Sailor Moon' or 'Where can I read the Manga'.
2022.01.27 02:14 Dr-Hannibal-Lecter Anime Dubs
This is a subreddit dedicated primarily to the North American music tracks used in Dragon Ball. Mainly Bruce Faulconer, but also Mark Menza, Nathan Johnson, Scott Morgan, Mike Smith & Julius Dobbos. Discussion of anime dubs in general is welcome however, including other shows / languages / composers. Fan edits welcome also!
2012.06.30 22:59 SlimSt Savant
This subreddit is dedicated to the norwegian music producer Aleksander Vinter, known otherwise as Savant, Blanco, Vinter in Vegas and many more.
2024.05.22 04:40 Wonderful-Maize-7140 [Online] [5e] The Mists of Fate: Strahd’s Legacy 🌑 Dare to Defy Fate in this Cinematic CoS Adventure!
Hi there! 👋
I'm
Gonçalo "Eugini" Oliveira, a passionate Dungeon Master who brings cinematic storytelling to every session, and I'm currently trying to achieve the most immersive TTRPG experience out there – and I would love your help in doing it!
I'm looking for players to join the below campaign in order to hone it, work out some kinks and test some capabilities! I'll be sharing the link below to SPG only for more info on the campaign, as I'm looking for players to start a new one for free on the side.
A bit about Eugini – the Dungeon Master:
🎬 F
ilm & TV Professional: Years of working as a Producer and Writer in the entertainment industry have given me a passion for creating worlds and making them a reality. Check out my credits and see if you (unknowingly) might've seen my work before!
📚 B
it of a Bookworm: My love for D&D started with my love for books! My first book was T
he Little Prince, and that book is to this day my first love. You might catch this passion during sessions, where my style tends to focus on the narrative side of things, in both NPCs, storylines, descriptions – you name it!
😂 G
oofball: I'm a sucker for a laugh. I value serious topics as well as great dramatic character arcs. However, it's my outgoing and carefree charisma that allows me to run NPCs as highly nuanced performances, usually doing voices and acting for the sake of story. When I perform during a session, I try to live each character as they are – serious or not!
About the Campaign:
Step into Barovia, a land ensnared by a vampiric curse. In
The Mists of Fate: Strahd’s Legacy, your actions and decisions will shape the narrative in a player-driven saga full of deep storytelling and rich role-play. This Curse of Strahd campaign promises an immersive and cinematic experience like never before.
By taking advantage of Foundry VTT and other tools, such as AI-modules for highly personalized character creation, and creating a short-animated film featuring your characters after each section of the story, I aim to make your character feel real and ready for its own show! 🎥
Why Join Us?
🎬 C
inematic Storytelling: Experience D&D like a blockbuster movie where immersion is king. State-of-the-art automation and cinematics paired with Foundry VTT will make the Theatre of the Mind feel alive on your screen every session.
🚀 E
xperience Innovation: Never before seen use of AI for TTRPG will allow you to see your character come alive. After each chapter of the campaign, an animated short-film will let you relive your actions and their impact on the story.
🤝 C
ollaborative Gameplay: Your choices will significantly impact the story. The way you make friends or foes ultimately decides your fate in this dreary land of shadows.
🌈 W
elcoming Environment: Ideal for both newcomers and seasoned players. Our goal is to give you the most fun experience possible!
If you're ready to defy fate and venture into the unknown, join us by clicking below!
GoogleDoc to sign up if you'd like to join! Sharing the below just for info on the campaign!
🔗
Info Working to make your stories come alive!
Best, Eugini
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lfg [link] [comments]
2024.05.22 04:35 EclosionK2 The Horrify Film Festival Yxperience
The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming
thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you
really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually
want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see
“Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the
craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were
‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being
‘found.’ These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these
‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The
‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “
Many Drownings.” It made my face hot and uncomfortable, but it still didn’t stop me from yelling “
excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us? People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“
Three…” “
Two…” “
One…” The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … and
fallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck. All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible? I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal? I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“
Three…” “
Two…” “No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white
shape. It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface.
God bless ground. God bless this filthy, popcorn-strewn ground. Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’
dude!”
submitted by
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Odd_directions [link] [comments]
2024.05.22 04:34 EclosionK2 The Horrify Film Festival Yxperience
The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming
thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you
really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually
want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see
“Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the
craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were
‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being
‘found.’ These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these
‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The
‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “
Many Drownings.” It made my face hot and uncomfortable, but it still didn’t stop me from yelling “
excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us? People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“
Three…” “
Two…” “
One…” The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … and
fallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck. All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible? I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal? I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“
Three…” “
Two…” “No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white
shape. It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface.
God bless ground. God bless this filthy, popcorn-strewn ground. Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’
dude!”
submitted by
EclosionK2 to
TheCrypticCompendium [link] [comments]
2024.05.22 04:33 EclosionK2 The Horrify Film Festival Yxperience
The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming
thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you
really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually
want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see
“Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the
craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were
‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being
‘found.’ These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these
‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The
‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “
Many Drownings.” It made my face hot and uncomfortable, but it still didn’t stop me from yelling “
excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us? People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“
Three…” “
Two…” “
One…” The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … and
fallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck. All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible? I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal? I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“
Three…” “
Two…” “No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white
shape. It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface.
God bless ground. God bless this filthy, popcorn-strewn ground. Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’
dude!”
submitted by
EclosionK2 to
scarystories [link] [comments]
2024.05.22 04:32 EclosionK2 The Horrify Film Festival Yxperience
The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming
thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you
really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually
want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see
“Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the
craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were
‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being
‘found.’ These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these
‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The
‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “
Many Drownings.” It made my face hot and uncomfortable, but it still didn’t stop me from yelling “
excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us? People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“
Three…” “
Two…” “
One…” The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … and
fallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck. All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible? I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal? I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“
Three…” “
Two…” “No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white
shape. It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface.
God bless ground. God bless this filthy, popcorn-strewn ground. Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’
dude!”
submitted by
EclosionK2 to
DarkTales [link] [comments]
2024.05.22 04:31 EclosionK2 The Horrify Film Festival Yxperience
The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming
thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you
really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually
want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see
“Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the
craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were
‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being
‘found.’ These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these
‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The
‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “
Many Drownings.” It made my face hot and uncomfortable, but it still didn’t stop me from yelling “
excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us? People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“
Three…” “
Two…” “
One…” The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … and
fallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck. All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible? I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal? I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“
Three…” “
Two…” “No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white
shape. It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface.
God bless ground. God bless this filthy, popcorn-strewn ground. Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’
dude!”
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2024.05.22 04:18 EclosionK2 The Horrify Film Festival Yxperience
The HRRFY.
It’s the horror movie festival where something genuinely fucked happens every year. And I mean every year.
Like, there are some screenings that unleash hordes of bats while the movie is playing. You're free to leave whenever you want, but the movie will still play for 2 hours and 15 minutes.
Other screenings hire actors to turn at you and scream at some point in the movie. You have no idea when, or how many times.
It's a festival where the word "illegal" can't even begin to describe what happens. You'd only attend if you were a young, stupid edgelord like me who was trying to prove he was hardcore to his friends.
Trust me. DO NOT GO.
You have nothing to prove to anyone. Don't be stupid.
Wait for the lamer film versions to come out streaming. That's what everyone else does. They're neutered edits but they're fine.
All they lack is the real gleaming
thing everyone wants to see at HRRFY, but who cares. At least you don’t get traumatized. At least you’re not risking your life.
Anyway, if you
really want to know what attending HRRFY is like. I’ll be quick and summarize the one screening I went to. It was the 20th anniversary, and I was lucky enough to get in.
***
I had signed up for the HRRFY mailing list, and joined the subreddit. Through a series of cryptic online emails I solved a sequence of riddles and was entered in the lottery for a HRRFY entry.
Lady Luck took a shine to me, because one day in my mailbox, I received a physical ticket. I had done it.
I was going.
The actual ‘ticket’ was a black USB key that announced the location of the festival the night before (which I won’t disclose here) and it did force me to pay for a very expensive flight in order for me to make it on time.
You see, to prevent getting shut down, the location of HRRFY changes every year. Some years the local police have managed to stop it, but for the most part, authorities have given up. What’s the point of arresting or charging anyone, if all the organizers and attendees actually
want to be there?
Upon arrival, I had to pick between three participating theaters.
Based on title alone, I decided to go see
“Many Drownings” (directed by Oleksander Gołański.) It was in the theater that was furthest away from the downtown core, which meant it was likely the one where the
craziest shit was bound to happen.
That’s what I came here for right?
I lined up a solid two hours before the screening like everyone else. The entire line was jittering, just vibrating with excited twenty-somethings. Rumors flew left and right.
“I heard they’re going to force everyone to take acid.”
“I heard an actor’s gonna run in and shotgun the ceiling.”
“I heard they’re going to disappear like four more people this year. At this screening!”
Each year people disappeared. And each year the same people were
‘found.’ And yes this is the worst part, and why should never, ever, ever go to this event.
Again I will repeat myself. DO NOT GO.
No one has ever truly gone 'missing' at HRRFY in any legal or physical sense, because every missing person always shows up a day later, convinced that they are fine—refusing to elaborate further.
There are some small support groups for people who have family members who had gone to HRRFY, and came back irrevocably changed after being
‘found.’ These few unlucky people lose all semblance of personality. They don’t want interviews, or help, or therapy, or contact of any kind. And they never, ever want to talk about what they saw.
Some HRRFY fans think that these
‘found’ people were body-snatched. Cloned in a lab or replaced by a cyborg, or something stupid like that.
But I think there’s a far simpler explanation. The
‘found’ are still the same people. They're just terrified. They got shaken by something that shattered the foundation of their mind, body and soul. They got too scared.
They got HRRFY’d.
***
I should mention I had a cough the day I went. And I was worried my sickly appearance might give me trouble at the airport.
So I invested in an intense double N95 mask which I wore for the whole flight, and continued to wear even at the screening of “
Many Drownings.” It made my face hot and uncomfortable, but it still didn’t stop me from yelling “
excuse me, excuse me!” as I ran to snag a seat in the back of the theater.
I always preferred sitting in the far back. You get a good view of the whole screen, and a good view of the whole audience.
Beside me sat a big dude named Sylvester, who apparently flew all the way from Australia to attend HRRFY.
“Worth the full Seventeen hours mate! It’s gonna be epic!” he dropped a massive camping backpack beside me, which I assume contained all of his luggage.
The lights dimmed, and the production company logos started to play.
The whispering, giggling and suspense all stacked upon each other to create an electric feeling in the air. I was giddy. It's like the entire audience was embarking on a massive roller coaster.
The anticipation was the best part for sure. It might have been the only good part.
Then the movie started.
It was a wide shot of a gray, stormy sea. The waves were massive, and the thunderclouds were looming. There was no land visible in any direction.
All we could hear was the sound of waves foaming, swirling, and crashing over and over. Lightning crackled. Rain poured. The camera held perfectly still over this storm as if it was mounted on a perfectly hovering drone. A drone so resilient that it didn’t waver at all.
I thought it had to be CGI.
The shot held like this for the next few moments. Everyone sat glued to their seats. Everyone was thinking the same thing.
What’s going to happen? How are they going to scare us? People chuckled. People cheered. People wanted to tease whatever was going to happen—to happen already.
But nothing did.
Five, ten, maybe fifteen minutes went by without any change. People started snoring.
I looked beside me and saw that Sylvester—the most excited audience member of them all—had fallen totally asleep. The jet lag must’ve gotten to him.
Then I peered beyond the rest of the audience members and saw other people snoozing too. Heads were keeled over, some people were curled in their seats, some had even spilled out into the aisle and were dozing on the floor.
I looked above the bright screen, at the huge vents in the corner of the theater. I saw a faint white gas emerging from the vents.
Holy shit. What have we been breathing? I tightened the straps on my N95 mask, and made my breathing shallower.
The gas must have been pumping since the opening credits—because how else would an audience of two hundred people all fall asleep?
As I moved my hand through the air in front of me, I could sense the thickness. It was definitely hazier than usual. I took the scarf off my neck and wrapped it around my mouth as well.
Then I spotted movement in front of the screen.
It was a tall blonde man, wearing a black trenchcoat and military-grade gas mask. Beside him arrived six hazmat suits who started pointing at various audience members.
I slunk in my chair, pretending to sleep like everyone else.
Two hazmats walked over to the front row and picked out a sleeping guy in flannel. They lifted flannel up, under the armpits and by his ankles, carrying him between them both like a hammock.
The hazmats walked back up to the stage, where the blonde leader inspected the flannel man and tapped his head. Something was approved?
The hazmats began to swing flannel back and forth, as if they were getting ready to toss him. Despite their masks, I could hear a very muffled, very distant countdown.
“
Three…” “
Two…” “
One…” The flannel audience member was tossed into the screen.
I literally watched him fly into the image of stormy waves … and
fallinto them. The flannel man sank into the gray water like a rock, leaving a few bubbles and foam. A wave came crashing down. All trace of him was gone.
What the fuck. All six hazmats began grabbing more audience members with much more urgency. It became a minute-long process where they would pick the sleeping person up, bring them beside the screen, and then swing-toss them into it.
How was this possible? I turned slightly to see if there was a projector above me, and realized there was none. Which meant maybe there was no screen on stage.
Which meant … maybe it was a portal? I tried to wake Sylvester by shaking him. I pinched his leg and arm a bunch.
He was out cold.
The hazmats started grabbing audience members from the middle rows now. They were emptying the whole theater. What the hell was I supposed to do?
I waited until they grabbed another batch, only a few rows down from me. When all hazmats had their backs turned—I broke into a run.
With my left arm, I tightly gripped my mask and scarf against my face, while my right arm vaulted me over seat after seat.
I had never breathed so hard—through so much fabric—in my life.
The hazmats all turned to me. “Hey! Hey!” But their hands were full with their next victims.
I ran all the way down the aisle, to the big exit sign on the left. My heartbeat filled my head. My plan was to dropkick through the exit door.
I imagined myself breaking through like some flying gazelle.
I jumped.
I angled my kick.
It might as well have been a brick wall. I fell ass-first to the ground, followed by my head. Of course the door was locked.
Through a muffled mask I heard a sneering scoff.
“Where do you think you’re going?”
Above me stood the one wearing a trenchcoat. I could see his piercing gray eyes through his gas mask.
I rolled aside and tried to run by him. He lifted a foot and tripped me without effort.
My forehead bashed into an empty seat. It dazed me.
The blonde leader bent down and grabbed me by the neck, tearing away my scarf and mask.
“No! No!”
A sweet, ether-like smell filled my nostrils. I did my best to hold my breath, but I could already feel myself getting light-headed.
The other hazmats joined in, grabbing me from all sides. Even if I had the strength to struggle, there was no escape now.
Above me, all I could see was the dark theater ceiling, and some of the light behind me from the cinema screen.
“
Three…” “
Two…” “No. Please. Don’t do thi—”
SPLASH.
I was plunged deep into cold, wet chaos. My head was completely underwater.
Gagging. Bubbles. Spinning.
I fought for dear life, dog-paddling like a maniac.
Churning. Freezing. Panic.
For a second, my head popped above the water. I inhaled all the air my lungs could muster. I stared across a vast, violent ocean.
An enormous thirty foot wave came in my direction.
My whole body lifted higher and higher as the wave approached. I did my best to tread water. It seemed to be working.
Then a series of smaller waves arrived and smacked my chest.
SPLASH.
Spinning. Kicking. Flipping.
My view alternated between the pitch dark ocean beneath me, and the moonlit night sky above.
Again I swam to the surface, popped my head out. Ravenously sucked in air.
There was a small lull in the water.
Around me I now registered the other theater goers. Most of them were lying face-down or sinking … but a few were flapping about like me, fighting for their life.
And above all of us, a floating white
shape. It was painfully bright, I had to lift one hand to look at it.
My jaw dropped.
It was the movie screen, hanging completely still in the air. It showed a dark, empty theater. The exact same theater we all occupied moments ago.
It was tremendously high, above all of our heads. There was no way of reaching it.
Then I saw another thirty foot wave come our way. It grazed the bottom of the screen.
I knew what had to be done.
***
One of the theater goers happened to be on a college swim team. She was the first one able to traverse one of the giant waves and climb into the screen.
Once she was up there, she found a firehose in the theater and reeled it out to us like a rope.
One by one, we swam as hard as we could, praying to God we could reach the rope. Everyone’s energy was sapped. Your body can only sustain itself on adrenaline and fear for so long.
By some miracle, five of us got out.
I was the last.
I climbed the rope coughing and vomiting. I had swallowed so much water that my stomach felt swollen.
When I reached the top and they pulled me into the screen, I sobbed. I couldn’t stop crying.
My life had flashed countless times before my eyes. In bubbling, suffocating visions, I saw both my parents and my brother. I saw my highschool graduation. I saw my favorite Christmas from when I was six years old.
I had almost lost all of that. I had lost almost everything.
On the dirty, carpeted theater floor, I lay with my face down, savoring the fact that I now lay on a hard surface.
God bless ground. God bless this filthy, popcorn-strewn ground. Beside me I heard bantering, hugging, the wringing of wet clothes. Sylvester was the second last to be saved, and he was particularly vocal.
“Wooooooaaaaahh!” He came and drummed me on the back, lifted me up. “Oh my god dude! Holy shit!”
I sat on my knees, wiping the tears and snot off my mouth.
Sylvester clapped his hands, held his face and screamed some more.
“Holy shit dude! That was so fucking scary! Like literally people were dying beside us. Like I SAW people die!”
I nodded, shivering in my drenched clothes. “ I know it was—”
“—That was craaaaazy!”
He laughed and stood up, patting everyone on the back. He kept clapping his hands like this was some sports event.
“That was sick! That was siiiiiiiiick!”
He ruffled someone’s hair then ran up to me with an open palm.
“High five dude! WE MADE IT! High five!
“Don’t leave me hangin’
dude!”
submitted by
EclosionK2 to
nosleep [link] [comments]
2024.05.22 03:43 litLizard_ Searching meme song
I'm searching a meme song found here from 0:04 to 0:05
https://youtube.com/watch/RPphwwf7FiM?si=Byu-UTzEkEdfskO8 I can write out the full part of the melody that I remember: F#,G#,A#, A#,G#, F#,E#,F#, F#,F#,D#, D#,C#,C#,C#,H,A#
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2024.05.22 01:53 PocketFoods Song I cant find
Looking for this song I Shazam in 2019 the video leads nowhere. I have google and search youtube but haven't found an artist with is name and song tittle.
Does anyone know this song or artist?
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PocketFoods to
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2024.05.22 01:36 IcyIndependence2526 A theory that gives way to new ideas hopefully.
| https://preview.redd.it/g3r8x9cu7v1d1.png?width=800&format=png&auto=webp&s=af7337d5360baf0a3fc32480dba4f931abdf4369 I've tried to post this theory so many times. This theory was made before the spoilers. It was made before the Kendrick Lamar and drake beef. Please excuse my grammar I wrote this theory several times changing many things and going back into the draft to add many ideas. I added one detail then realized if I kept adding stuff I'd have to write a fanfic at this point. The theory isn't about getting it right It's about the romance that breeds curiosity and new concepts that will hopefully be explained later. Thank you. I think the sea devil was the creator of devil fruits and they were in the ancient kingdom. The ancient kingdom was evil they created the ancient weapons but could only use Uranus. The species like: Fishmen, Lunarians, Buccaneers, Giants, Winged Human, Giant Elephants, and Etc were used by the ancient kingdom to oppress the 20 Kingdoms. Pirates of the one-piece world were established from ancient or recent history just like in our world, so the oppressed people in the 20 kingdoms became like pirates. Not all became pirates just some, but that impressed Joy boy or Nika because Nika is his actual name or maybe it's Binks? Anyways Binks or Nika wanted to venture out to the seas to join the pirates and the kingdoms, but the ancient kingdom were like the celestial dragons so once you leave the noble status behind you can't rejoin. As punishment for him leaving they turned him into rubber believing it was a cruel joke and a good punishment for him, but it impowered him. He began to play jokes on the ancient kingdom his antics reached the lives of many around the world. His power transformed islands just like long ring long land, he freed the oppressed, and he told the secrets of the ancient kingdom to the people because without his influence they would have stayed a non-advanced kingdom so they could compete with the ancient kingdom somewhat. Haki was introduced to people's lives, and it gave them power to believe in themselves to change the world and become free from tyranny in a world that these "Humans" Could live in. They became stronger and their numbers were Colossal, but something began to change, something that the ancient kingdom could never account for. The same "Creatures" the ancient kingdom used to oppress the people began to want a will of their own. Joy Boy introduced this to them, and that changed Everything. Zuniesha, The Giants, The Mink Tribe, The Lunarians, and Etc began to turn on the ancient kingdom. The Invincible Enormous Brilliant Ancient Kingdom was losing a war that a rejected joke of a rubbery man started then turned the tides against them using laughter, hope, love, and will for a better tomorrow. The ancient kingdom began using the weapons but wait one of the weapons didn't respond. Poseidon now had a will of their own and they wanted to be free, so they helped Joy Boy, but the ancient kingdom still had Pluton, and Uranus. The weapons were a real problem Joy Boy had to think fast so he had a certain clan build the Ark for not just humans, but for all the species that don't survive underwater like the fishmen. Joy Boy told his comrades about the weapons and that helped them identify the weapons. During the war one clan was so wreck less they managed to pull off a huge heist. The Kozuki Clan managed to steal Pluton before it could cause huge damage to the world, they took it off the battlefield and returned to the allied kingdoms. Uranus was used during the war and was a death sentence to unsuspecting parts of world it decimated continents leaving remnants behind. With only one of the ancient weapons in use Joy Boy and his allies had to confront the person using it, and that was the SEA DEVIL. Joy Boy and Saint Nerona Imu confronted the Sea Devil, but something was off about him. It seemed like he was different from regular humans it looked like he hasn't slept in a long time, and his body appeared weird. The Sea Devil took damage from both combatants, and even though it damaged the sea devil they kept fighting until it was revealed that it was the Sea Devil that gave Binks or Nika the Rubbery powers. The Sea Devil began using their Powers. The two barely beat the Sea Devil through their own will they managed to defeat The Sea Devil, but The Sea Devil had a plan. If the ancient kingdom were to ever fall, they would rather sink into the bottom of ocean selfishly keeping their treasure than to give it to the rest of world and with that The Sea Devil began to use Uranus to destroy the ancient kingdom. With that Joy Boy and Saint Nerona Imu escaped and the Sea Devil was cast to the bottom of the ocean selfishly keeping their treasure. Parts of ancient kingdom was cast to the depths of the ocean, but some parts of it floated above still. The war was over, and people had to do some Greving. After the war Nika or Binks was exhausted forever from that war. Nika or Binks had been given the name Joy Boy, and he was recognized across the world. In light of the tragedy that occurred Joy Boy proposed something. He said, "LETS THROW A PARTY!" His allies rejoiced and they had fun. The species that the ancient kingdom created had nowhere to go and now had a will of their own. They came to Joy Boy and wanted to know what to do, and Joy Boy said do what you want. The Created Species began to occupy different islands, and they created their own kingdoms, and cultures, but they had the knowledge of the ancient kingdom with them still. The 20 Kingdoms didn't realize that Joy Boy had supported the created species in the past so that fueled their anger. The 20 Kingdoms history with the ancient kingdom was embarrassing, and now the one man that gave them hope is the same man who helped the creatures. The same creatures that oppressed them? The kingdoms began to plot a plan against Joy Boy and all that oppressed them. The kingdoms found that there was a castle was found in the middle of the ocean a massive castle. They began to go inside, and they learned that it was from the ancient kingdom. The castle held untold knowledge, but the text was unreadable to them. They enlisted the help of ancient kingdom remnants, and the kingdoms learned the language. They learned some of their technology, about the history of the world, the creation of the species, the Eve tree, and some taboo methods, and etc. Most of all they learned that there was a devil fruit index containing information of all devil fruits and their functions, also they learned that devil fruits recycle after the user dies, but they also learn the weakness of it. The information is handed down to Imu. The Kozuki Clan learns the language, and the information inside the castle. They also learn about the ancient weapons, and how to use them. The 20 Kingdoms began to use the Castle as their place of importance, then they began to have a discussion on how they're going to betray Binks this includes Lily and the Kozuki clan members. The idea of becoming a world government is introduced and they plan to go along with it, but Binks is all that stands in the way. Lili sneaks away with the information, and contacts Binks and his crew to tell them about the betrayal. Binks unafraid challenges the world to a fight. Binks and his crew go around the world adventuring and meets new people and establishes a bond with people as well, one of those is Poseidon. Binks and his crew are welcomed in Poseidon's kingdom. Binks explores the kingdom. Binks meets a woman who can fortune tell like madam Sharley. He's amazed so he asked her about the future, and she says in 800 you'll return. He laughs and thanks her. Poseidon and Binks talk as he tells Poseidon that he's going to be betrayed, but he promises that he'll win, and when Poseidon comes up to see the sun it'll be Binks and his crew welcoming them. During or after this period in time the 20 Kingdoms have the first reverie before they become the world government. At the Reverie Imu goes into detail about how they are going to defeat Binks, and that is with Uranus. Imu wants to cleanse the earth of their history and those who oppressed them, but some of the kingdom reject the idea not because of good morale value, but because they can be used. Imu hears them out and allows them that usage. Lili is present there also, and she's scared because Uranus caused huge problems to the world like making the sea level rise, not only that but, although the ancient kingdom oppressed them, she doesn't want to destroy all of the created species. A specific sea monster cat she and her kingdom has taken a liking to. So, she sneaks away once again, and tells Binks what is about to happen. Binks is horrified that Imu would use Uranus after what they saw the ancient kingdom do. He then thinks that The Noah needs to be used again. Poseidon asks Binks if they could do anything, and He responds that they could help deliver the Noah for it needed to be used again, so Poseidon orders the sea to bring the Noah to the fishman Kingdom. Binks tells Poseidon that when the time is right Binks will count on Poseidon to bring the Noah back up to surface to save the people that no longer have a home to return to, and Poseidon says they'll wait for Binks's word. Binks wants to play a prank on the 20 kingdoms now. Binks and his crew play prank after prank on the 20 kingdoms. Binks and his crew travel across the world building allies. A specific Giant asks the Kozuki clan to craft a sword for them. That sword would be named the Kietsu. Binks then told the Kozuki the history of world, the function/history of the weapons, and the and told them to write it and spread it across the world. While that was happening a clan in Wano decided to betray Binks and the kozuki clan, and that clan was the kurozumi clan. They leaked the information to the 20 kingdoms. Imu then tasked Lili to stop them. The sea monsters, the sky people, The Mink tribe and etc all helped deliver the Poneglyffs. During this time, they created the song binks sake. Binks and his crew personally want to deliver the Poneglyff to Lili. They sailed all the way to her kingdom but was met with a military obstacle. They were conflicted because to them Binks was Joy Boy the one who freed them. Joy Boy bulldozed his way through the army because their will wavered, and he met with Lili with tears in her eyes. They talked and Joy Boy successfully delivered the Poneglyff to her kingdom. Binks and his crew traveled the seas also delivering poneglyffs until they came across a remnant of the ancient kingdom. a remnant that shouldn't exist but here it is. He delivered his tale about the truth of the world and told his tales across the seas as a pirate. His message was kept there. He and his crew prepared for war. The 20 Kingdoms did the same. Joy Boy and his allies traveled to the Castle to stop the 20 Kingdoms from Using Uranus. Imu meets him on seas and told him challenging them is like challenging the world. The war began as Joy Boy said he wasn't afraid, and He screams at the top of his lungs "BRING IT ON" His hearted pumped and produced the sound of war. The battle was fierce each side losing members, but the 20 kingdoms still had numbers, despite that the Joy Boy alliance was still putting up a fight and if it wasn't stopped the 20 kingdoms would lose. Imu then started to use Uranus recklessly, it took out his allies and Joy Boys. The war came down to wire and despite all odds Joy Boy was going to win, but he got exhausted. He used up his life during the war, and the Joy Boy alliance and the 20 Kingdoms watched as Joy Boy was dying. Imu came to Joy Boy as he was dying. Joy Boy laughed and got back up his heart beating like a drum he awakened, and in a scene like from the one-piece movie film Z he gets back up and fights Imu and the 20 Kingdom while laughing and smiling giving some of his allies' time to escape while some of his crew stayed. In the end the 20 Kingdom crying watched him lose his distinctive look and he lost all energy and started to die. Imu bloodied once again appeared to Joy Boy thinking about their past together sharing moments and fighting against the ancient kingdom and the sea devil together. Imu closed their eyes and walked away and said goodbye Joy Boy it was fun while Joy Boy lied there smiling as wide as the sky. After the war the 20 Kingdoms established the world government. They go around enslaving people and cover up the history of their embarrassing past. They enslaved the giants that helped Joy Boy and make them Pull continents together. This creates the Grand Line. A specific giant with the kietsu named Oars was forced to do this. It took nearly their entire lifetime, but they do it. Not wanting to be a slave anymore they revolt and managed to flee. but Oars is hurt. They hunt him down, but he makes it back to Wano where he begins to die from his injuries while remembering Joy Boy he smiles and then dies. The Tontatta's are enslaved by doflamingo's ancestor. Zuniesha who aided Joy Boy is forced to roam the earth forever because he aided Joy Boy. Lili is soon found out to have helped Joy Boy and before she disappears, she delivers a message that Joy Boy gave her. The ancient Robot who helped Joy Boy soon shuts down because he no long has the will to carry on without the one who gave him freedom. Wano keeps Pluton hidden from the world government and creates a border between them and the world. The sky people leave earth and go to the moon with ancient kingdom technology balloons while crying because the world government rejected them. They write about the ancient weapons and what they did to the world. They long to return one day when they can put their feet back on the soil. The Giants remember Joy Boy and tell his tale whenever they can. Etc Etc Etc Etc You Get the point now. I'd been thinking of this theory for a while. I had to choose between this one and two others. One where Loki is Usopp and he has belief powers not lying powers, also another one that Luffy is literally Joy Boy from the same void century. But it takes so long to write these. The point of my theory is to hopefully provide a new idea to the Era just before the Void Century. https://preview.redd.it/5s43wmav7v1d1.png?width=661&format=png&auto=webp&s=e8473ec6472f1957679b2f277ce7310592210fef submitted by IcyIndependence2526 to u/IcyIndependence2526 [link] [comments] |
2024.05.22 00:31 hipriestess56 [QCrit] Adult LitFit - TERMS OF SERVICE (95k words/1st attempt)
Hi all, longtime listener, first-time caller. Please see my query and first 300 below.
My biggest question is this: 95% of the story takes place in 2014, but the book opens in 2020 when my main character receives a letter from the California Dept of Fair Housing & Employment informing her of an investigation into behavior at Chatpic. Receiving the letter spurs her to tell the story of what happened back then. The book checks back into 2020 in the middle as my MC tries to get more information about the investigation, and then it ends back in 2020 again when she decides what she wants to do about the letter.
The reason the story takes place in 2014 is because the time period--pre #MeToo/Donald Trump/the workplace reckoning of 2020--informs the decisions the MC makes back then, and she's looking back at it from a wiser perspective. If you've read The Rachel Incident, Caroline O'Donoghue does a similar thing as she retells a 2008 abortion story from the perspective of present day.
In the end, the investigation is not a driving force of the plot--so my question is how important is it that it's mentioned in the query? I ask because I've found that trying to add that piece to what I've already written starts to get convoluted, though obviously I can work at it. I think it's very clear once you read the first 300, but for agents who don't want a sample, is it clear in the blurb that this story is looking back to a time gone by?
Mostly looking for insight on this question specifically, but if you have further feedback about the letter for first 300, open to that as well. Thanks!
___________________________________________________________________________________________________________
Dear [Agent],
Thank you for the opportunity to submit my query for TERMS OF SERVICE, a true-ish fictional story about a young woman in a nearly impossible workplace a la UNCANNY VALLEY meets THE DEVIL WEARS PRADA (with shades of 9 TO 5). TERMS OF SERVICE is complete at 95,000 words.
It’s 2014 and down-and-out celebrity blogger Maggie Clarke is desperate for a fresh start. Not only is she broke in New York City, but at 31, she thought she’d be writing something a little less embarrassing than Justin Bieber listicles by now. When her longtime internet friend Aron York–recently named the world’s youngest billionaire–offers her a lucrative position at his massively popular social media app Chatpic that puts her at the center of his inner circle in Los Angeles, it’s exactly the step-up she’s been waiting for. As Maggie learns to manage the always-on hours, the slew of acronyms, and the unlimited access to free cold brew, she encounters another more complicated problem–the boys’ club. Except this isn’t the typical ham-fisted sexism she’s used to–this is the tech bro variety: insidious, inexorable, and infuriating. When she meets an ambitious young reporter who encourages her to speak out, Maggie has a shot at revenge. But in a world before mansplaining and microaggressions, is blowing the whistle worth the risk? And is anyone ready to hear it?
Like Maggie, I was also plucked from internet obscurity by the world’s (then) youngest billionaire, [redacted], to come work at his massively popular social media app, [redacted company]. I was a founding member of the company’s content team, and all I have to show for it is six footnotes in the [redacted company] biography [redacted title] and the brutal feminist awakening that inspired me to write this manuscript. Before that, I was a full-time writer in New York whose work has appeared on MTV, Rolling Stone and Elle. Currently I’m a content and editorial consultant in Chicago, and I’m also on TikTok where 21,000 people watch me rant about work and office culture. (It’s also where 2M people enjoyed my show-and-tell video about the “sentimental” stock certificates [redacted company previously mentioned] gave a few early employees–that were worth exactly $0.00.)
As the agent who represents [Author 1] and [Author 2], you have a strong list when it comes to complex female characters embroiled in complicated social dynamics. TERMS OF SERVICE would be a great addition to this track because, while similar themes of class and workplace are explored, my flavor of levity and sarcasm makes my work distinct from [Author 1] and [Author 2], bringing a new facet to your program.
If you are interested in reading TERMS OF SERVICE, I would be happy to forward a sample of any length you suggest. Thank you for your consideration!
___________________________________________________________________________________________________________
First 300:
Chapter 1
2020
A lot of people might revel in the idea of receiving a letter announcing an investigation into their ex-employer.
One might, for example, envision draping themselves in a mink stole, lighting the cigarette at the end of their old-timey cigarette holder, and dialing the investigator’s number from a rotary phone atop a solid wood desk under shadowy, film noir lights. One might then imagine whispering I knew this day would come into the receiver between bursts of psychotic, hysterical laughter as they rejoiced in the long overdue arrival of the long arm of the law.
But me, I wasn’t so sure. Maybe because I didn’t have a mink stole.
No, I was crouched on the ground of my parents’ musky basement in Des Plaines, Illinois, knee-deep in piles of old diaries and CDs when I received notice of one such letter. It was month four of COVID, and Dad and I were only halfway through his cleaning list. He was already a germaphobe so a global pandemic was all he needed to justify a top-to-bottom disinfection of the entire house. And since my routine trip home in the middle of March turned into a hapless extended stay when the world shut down, it was the perfect excuse to put me to work. Just like the good old days.
We wiped down every square inch of the place. We soaked the faucet heads in lemon juice, we scrubbed the coffee mugs with baking soda. We vacuumed the damn fridge.
Reorganizing the basement shelves was a beast. Every box was like a Russian nesting doll of useless crap: old TV Guides, corroded double-A batteries, dried-out cans of paint primer, an unsettling number of hand saws. I made decent headway through the “tools” and “electronics,” but I lost all steam when I got to my high school stuff—faded Polaroids and folded-up notes stopped me in my tracks.
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2024.05.22 00:11 Brilliant_Maddy Online Stat Math Helper for Hire Reddit Online Help for algebra trigonometry Equations inequalities Functions (domain, range, composition) Graphs graphing Trigonometric functions and identities Reddit Assignment Exam Quiz Course Class Test Homework Help Reddit do my online homework Reddit
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2024.05.22 00:01 ikieneng My fanfiction - episode 4!
| The next part is here! This episode is so long that I had to split it, and today, you're finally getting part 3 of 3. You can find the previous episodes in the side bar! (Community info page in the app) DISCLAIMERS (the same ones as before) The point of this fanfiction is not to be a straight-up continuation of events with the same themes, intensity, and tone. If you go into it with those expectations, you are probably not going to like it. Rather, it’s supposed to be how I wish things went if these events were real life. The resolution you want for a real-life situation isn’t often the right choice for a show, but it can be incredibly beautiful. Think of what you’re about to read to be a separate show then. Episode 1 of this fanfiction begins after the episode “2:00” (season 2 episode 4), so it replaces the episode “Cake” and the ones that follow it. This fanfiction expects you to have seen the entirety of seasons 1 and 2, so you should watch those first. I myself am bursting into the story here. The narrator and me are the same. While my character is like 95% real me, don’t take events about my life described here as facts. Some aspects of my life have been changed for the story. In my head, I started writing like an “alternate me” character in 2016, fulfilling a lot of the things that I wish I had in life, adding that to my story. I’m not really from Ukraine. I speak fluent Ukrainian as a foreign language, I started learning it in 2014, and I’ve talked to tons of people from there, but I’m not from Ukraine. I also don’t have as much money as I do in the story. I wish lmao. If you want to post your own fanfiction, feel free to do so! To get your own post flair for your fanfic, and to appear in the side bar, please message me. Part 3 (days 3 and 4) We’d wake up on day three, and still, nothing would be any different - we’re still locked up. We’d both feel really worried not knowing if we’ll have to forfeit our whole plan because we might run out of food and water and take the risky route - calling the police and getting ourselves into a situation where we’d have to be freed by force, which would be so dangerous because the Turners have proven that there’s nothing they’re not prepared to do to us to “get Jericho back”. Leanne would ask me “What do we do if we call the police, and Mrs. Turner comes up here and tries to hurt us?” At first, I’d insist that we start thinking about that when we do run out of food the next day, but she’d insist we should come up with a plan. I’d point at the corner on the edge of the attic facing Spruce Street, the corner that’s to one’s right when coming up into the attic, https://preview.redd.it/knoz0zwpou1d1.png?width=975&format=png&auto=webp&s=bd1694f292bb546ea45339ebecea7ffacfe33541 and say “Then you’d curl up and hide over there, and I’d take the radio, you’d take the metronome, and I’d sit down in front of you, shielding you, and if she gets in here before the cops do, we’ll defend ourselves. And we’d record everything on my phone. And we should probably hide behind the sofa. Maybe then, she might not notice we’re still up here at first. She’d probably be in a state of panic.” She’d look at me with sad, but touched eyes and just hug me and say thank you. I’d reply “Of course”. After some silence, I’d tell her “If anything happens to me… Please bring me back”. She’d be touched by that, but say that if she reanimates me, the Church of Lesser Saints will come after ME as well because they’ll believe that I’ll be obligated to join. With a worried smile, I’d say “I know... But they’re probably already gonna do that, right? Because I won’t let them get to you!” We’d both nod with the same half-happy, half-worried expression. “And if things go terribly wrong and you have to bring me back, we can try again!” I’d ask if I’m getting it right that the “great sins” they think she’s committing are not spending time with the Church and helping another family from the one that was assigned to her. She’d say yes and add that there’s a lot more they hate her for, like her “disobedient and rebellious streak”, disobeying their instructions, putting curses on people, and now, leaving the Marinos. https://preview.redd.it/4obn4r9uou1d1.png?width=975&format=png&auto=webp&s=1e77adafbde221c320999ba1169adb0a1c6b2b17 After a few seconds of silence (out of shock that this is how the Church of Lesser Saints frames it), I’d be like “If you disobey so many of their instructions, then...”, look her directly in the eyes, and go “Good! Keep on disobeying them! I’m actually kind of stunned that this is how they frame your actions, because that is so manipulative. Wanting to have a life where you don’t have to worry about your every step being watched and controlled, where you can actually freely explore what you believe – not what they tell you to believe, but what YOU believe, where you can do totally normal human things like listen to music, and where you can go wherever you want and make some basic decisions for yourself and work wherever you want, that doesn’t make you...” (doing the “quote-on-quote” with my hands while I say it) “quote-on-quote ‘disobedient’ or ‘rebellious’, it makes you a normal human being. If they forbid every little thing that people do that makes you happy, if you then look for happiness elsewhere, that’s on them. You can’t take every bit of joy away from people and then expect them to just deal with it. You wanting to run away, that’s the logical result of their bullshit. And you didn’t ‘leave’ the Marinos, you were taken. Don’t let them think you’re at fault in any way!” She might have never heard any verbal confirmation before that her feelings about leaving are valid, and this would be so reassuring to her. She’d tell me that whenever she did things like not be there for meals at the Church, skip assemblies, or curse people without permission, she would be brought before May and the rest of the community, get questioned about her behavior, and she’d have to self-flagellate to receive forgiveness. https://preview.redd.it/roex7c20pu1d1.png?width=975&format=png&auto=webp&s=32cecf94a41a97e66b1c74967cb074ca89321777 I’d go really still and quiet when she mentions the self-flagellation, which she’d then explain is a frequent punishment. That would freaking break my heart... I’d ask her when was the last time she hurt herself, and it was a little less than two weeks ago, before she was forced to leave the Turners. Very carefully and quietly, I’d ask her if it would be okay if she can show me her scars and add “You do NOT have to if you’re not comfortable, PLEASE don’t do it if you’re not”, and after a second, she’d nod and show me her back. My heart would break for her even more seeing her scars, I’d just express how horrible it is that they made her do that… I’d show her some of my cut wounds from when I self-harmed, which I hadn’t done in like three and a half years at that point. I’d want her to know that way that I get the urge, that I really do, but I’d tell her that hurting oneself achieves nothing. All it does is make you feel horrible mentally and physically, and every time you do it, there’s a risk of infection and even death. I’d just tell her I understand while taking her in my arms. I’d ask her to please look me in the eyes and tell me she won’t hurt herself again, and that when she feels like doing it again, to please talk to me first. She’d quietly say “I promise” while looking me in the eyes, and after some longer embraces, we’d both smile a bit, that would make me really happy to hear! I’d ask that when we’re out of here, if we can call a doctor sometime soon and get them to look at her scars to make sure none of them are infected, if she’s comfortable enough, and she’d nod and smile at me a little bit some more. We’d eat after that. We’d run out of tomato soup that meal, and I’d tell her that when we’re getting out of there, I’d get her all the tomato soup in the world! “We’re gonna fill a whole hotel fridge with tomato soup!” “And with Ben & Jerry’s?”, she’d ask, and I’d say yes and say that we’re probably gonna need more than one fridge. I’d say we’re gonna pick the nicest and most expensive hotel to stay at, an idea that she’d love! “You still think Allentown is a good idea?”, I’d ask her, and she’d think my reasoning from the day before makes sense and say yes. We’d look for the nicest hotel in Allentown online and see that there are “only” three-star hotels in Allentown. Leanne would ask if getting such an expensive place to stay is really okay, and I’d say “Money is not an issue, don’t worry about it” while reaching across her back and like caressing her right shoulder, looking her in the eyes, and smiling. “And besides, let’s spoil you, you fucking deserve it after all this!” We wouldn’t book anything yet because we wouldn’t know when we can get out of there yet, but looking at all those insanely nice hotels would lift our spirits a bit. After eating the first half of that day’s rations (only two half day’s rations would be left after that…), we’d think that it would probably be a good idea if we started writing the document for the police right now. Writing it can take hours upon hours, and there’s no point in delaying the rescue to write the document after I leave if we can do it right now, so we’d begin right that moment. It would begin something like “My name is Daria Horenko, born July 30, 1999 in Odesa, Ukraine, residing in 501 Pembroke Ave, Philadelphia 19050, Pennsylvania...” (I don’t live there. I have no idea who does. Please leave them alone lmao) “...I sent this statement to my Facebook friend Liam [...] (residing in Tipperary, Ireland, using Facebook as Liam [...]) as a PDF file and told him to call the Philadelphia police and read this statement to them if I don’t come back online and confirm that I’m okay by 10 PM Philadelphia time / 3 PM London, UK time on December 22, 2022. If he is reading this to you, it probably means that there was no sign of life from me by that time, and that I’m not safe, probably kidnapped and locked up by Dorothy Turner, Sean Turner, Julian (I’m not sure about his surname, but I’m referring to Dorothy Turner’s brother - redhead, not very tall, moderately overweight) in the attic of their residence at 9780 Spruce Street, Philadelphia 19139, Pennsylvania”, and then document everything I’ve seen in chronological order and everything that Leanne has told me, with a link to our video and photographic evidence, references to DNA evidence that can probably be found in the hole in the basement if they haven’t covered it up by now, and a statement at the end saying that I’ve written it together with Leanne to make sure that everything is correct. That would take a really long time, hours for sure. But when it’s done, I’d run spell- and grammar checks on it and send it to my printer at home, to be queued for printing when I get home and turn it on. We’d also know that today (December 21) or tomorrow will be the day when we leave one way or another, so I’d schedule a text message to 911 in 30 hours from that moment. The message would say “This is a scheduled message. If you’ve received it, then Leanne Grayson (born October 13, 2001)...” (We only ever learn Leanne’s birth year from the gravestone. October 13 is Nell Tiger Free’s birthday, so October 13, 2001 being Leanne’s birthday is kind of my headcanon) https://preview.redd.it/0hr9niq1pu1d1.png?width=975&format=png&auto=webp&s=4dbead2015781ed8beee236188b8273aac1b3fb0 “...and me (Daria Horenko, born July 30, 1999) are probably not safe, abducted and locked up against our will by Dorothy Turner, her brother Julian, and Sean Turner in the attic of their house at 9780 Spruce Street, Philadelphia 19139, Pennsylvania or somewhere else on the property. We need help immediately. The Turners should be considered dangerous and very clearly willing to use violence and intimidation. We need help NOW. Details in our prepared statement: [the link]”. Because we’re holding out hope that we won’t have to call the police from inside the attic, the document would include information on what our plan is to get Leanne (and me) out of there as safely as possible and call the police from the taxi, but that if we run out of rations, we won’t have a choice but to call the police while we’re unarmed and while the Turners still have the upper hand. We would debate whether we should include information about the Church of Lesser Saints right away or tell the police about them later because we know how that sounds, considering that this would hurt the credibility of our testimony, https://preview.redd.it/sinvabf3pu1d1.png?width=975&format=png&auto=webp&s=e37811b53eb90cb8a066bfcb30f6244bb9f34ad4 but we’d modify the document and include the most important information about them as well, with more believable explanations - how they forced Leanne and other members to self-harm (meaning that current members or those who recently left), where they’re currently operating from in Lancaster, https://preview.redd.it/mxbm8445pu1d1.png?width=975&format=png&auto=webp&s=1f9b5f1c671c15afce7149eeb90926c2c29b9bdb that they faked their deaths, that they forced Leanne to leave the Turners, and the necessary lie that they took the real baby, and that Leanne hasn’t seen it since that day and doesn’t know where they’ve taken it. We’d also include names and stuff, and most importantly, reference the baptism tape and say that it shows May and George watching us from the sidewalk outside the church less than three weeks ago, and that piece of evidence would change everything in regards to investigating the Church of Lesser Saints and make the police believe us. We’d add that it’s probably among the other DVDs in the Turners’ living room, and that I’ll try to get it when leaving the building if our original plan is still going to be an option, rip the DVD at home, and add a link to the video file to the document. We’d modify the scheduled text message as well, and we’d charge both phones, mine first because the scheduled message is so important, but it’s an iPhone, so we could charge it to 100% rather quickly and then charge hers. And we’d add that we’d want the police to get Leanne’s things from the Marino estate. All her stuff being there would be further evidence that she was taken suddenly and against her will. We’d also add what number Leanne can be reached at for now with the Samsung Galaxy phone. And then, I’d send the document to Liam on all platforms where I know how to reach him, followed by a message to alert the authorities if I’m not back online confirming that we’re both okay in what’s now probably more like 29 hours, the phone number of the Philadelphia police, and caps at the beginning saying that it’s an actual emergency. Out of nowhere, I’d ask her if she’s seen “Titanic” lmao, and with her near total isolation growing up, she wouldn’t have seen it. “I’ve only seen movies on TV”. I’d be like “I can show you lots of movies if you want! I got several subscriptions to streaming services, and also a bunch of stuff offline on an external drive at home.” https://preview.redd.it/lr58woa7pu1d1.png?width=975&format=png&auto=webp&s=63537b149270faeebb2c3f1be9ba2af0d259e1b7 Back on talking about “Titanic”, I’d tell her it’s wonderful and so freaking romantic, albeit over-the-top at times for sure and a bit overrated. It has that glossy feeling and some superficial characters to it that all James Cameron movies have, but it’s still really wonderful. After explaining the plot to her (since she’s grown up so isolated), I’d tell her about one scene that I’m thinking about a lot from time to time - near the end of the movie, when old Rose is done telling the researchers her story, she says that she doesn’t even have a picture of Jack, and that has hit me so hard from the first time I’ve seen the movie. https://preview.redd.it/96bgw8s8pu1d1.png?width=975&format=png&auto=webp&s=476c1a4cbee498c26a0be4651ef83258f0aa7748 She has no physical memories of him, she can never see his face again, and she can never show people what he looked like. That just rips my heart. I’d ask Leanne if we can take some pictures together. We’d look pretty horrible because we haven’t been able to shower in days, but we wouldn’t care and take them anyway and really, genuinely smile so hard. I’d send them to her email address (leanne_ grayson@icloud.com, that email address is on her resume in the show), https://preview.redd.it/frfz9e7apu1d1.png?width=975&format=png&auto=webp&s=1b65065ab622e71f52edc6e9b84a2974e7efe9cb manually sync my gallery with iCloud, and I’d send them to Liam. I’d ask what phone she got back at the Marinos’ and if she’s got any pictures of herself in her iCloud gallery, but she’d tell me she’s rarely ever taken pictures of herself, only for the resume she applied at the Turners’ for, and I’d be like “Whaaaaat? But you’re so beautiful!”, and she’d smile hard, a bit embarrassed. I’d look her straight in the eyes and say it again and say that I mean it for real, she is so incredibly beautiful! It’s probably so rare that anyone’s ever said that to her in her entire life (her mother definitely didn’t, and given that the Church of Lesser Saints believes that anything that feels good is dangerous, https://preview.redd.it/msylzejbpu1d1.png?width=975&format=png&auto=webp&s=b343bf8d10b86f7c731eed3c8a5204460daec4d4 it’s rather unlikely that they did), Tobe saying it in “Balloon” might even have been the only time ever… https://preview.redd.it/jdce6tndpu1d1.png?width=975&format=png&auto=webp&s=c9edaacd72634c3dbe7dbf29abcc84f2412a10d4 I’d then add “Inside AND out!”, and she’d smile some more in a bit of embarrassment and then look me in the eyes and say “You, too, Daria!”, and as you’d expect, I’d smile so hard and even with my eyes! It would be rather late by then, so we’d eat and listen to some more music together from the Spotify playlist I created for her and talk so much about what we’re hearing. After dinner, she’d bring the topic up on her own (this is kind of making fun of these fan theories) - she’d tell me that some in the Church of Lesser Saints think she’s the Devil or Lilith because of her rebelliousness, and how she’s inspired doubt in some people in the Church. I’d make such a weirded-out face. After realizing she’s serious, I’d say “If you are the Devil, then hail Satan! Like, seriously, if YOU are what God is threatening will happen if we don’t follow him, then that’s literally the weakest threat I’ve ever heard of. Then God is the villain here. We need more people like you in the world!” Shy as she still is, she’d still be almost embarrassed to hear this (she’s so not used to compliments), and I’d make it clear I’m serious, that I really think she’s fricking wonderful and the sweetest, and that she clearly has a huge heart full of so much love, and that she deserves so much better than what she’s ever experienced! Almost in denial, she’d see in my eyes that I really mean it and just smile and hug me, and then, we’d both smile even more! I’d rub her back a lot in that moment and promise her again that everything will be okay. “I’ll make sure of that!” After some more music together, knowing that tomorrow will be the day we leave, no matter which plan we’ll go with, we’d make sure we haven’t forgotten anything. Looking around, I’d realize I have to give her my earphones with a cord because the internal mic of my Samsung Galaxy S5 Mini is essentially useless. I’d tell her that when I call her the next day to tell her it’s safe to come downstairs now, she should answer the call, plug in the earphones, and then, it will take a few seconds until I can hear her, but then, it should be fine. We’d set a code phrase that I’ll mention to let her know if the Turners got me and it’s NOT safe to come down. She’d suggest “tomato soup”, and I’d smile and say yes, that’s gonna be our code phrase. “And if it IS safe to come down?”, she’d ask, and I’d suggest “ice cream”. I’d realize that we should probably find her fresh clothes in the attic and a coat right now, so as I said, it’s not too obvious that she’s been locked up for a long time the second she walks out of the door, because if she’s in dirty clothes or nightwear, with it being obvious that she hasn’t showered in days, and I get her out of there and into a taxi to drive off while I got a gun, it would look as if I was kidnapping her, so we’d find her a nice dress and coat up there, and I’d turn around and close my eyes while she puts it on, and when she’s done, I’d tell her again that she looks amazing! 😊 https://preview.redd.it/zp5gbjwfpu1d1.png?width=975&format=png&auto=webp&s=777d2120f72b5002e2d5e5e9ffe4760ab2d5fada And she’d smile and thank me this time, sort of the way she says it to the makeup artist at the street fair in S3E5 “Tiger” in that typical way of hers that’s so adorable for real, https://preview.redd.it/fuu6x7ohpu1d1.png?width=975&format=png&auto=webp&s=ec5f23b8de4568996bd6e4c706ab4f95b8f98063 and she’d look in my direction and say “You look really beautiful, too!”, really shy, before peeking me in the eyes for a moment, and we’d just look at each other for a moment. “Can I have your pictures?”, she’d ask me, and I’d say yeah, open my iPhone, and select ALL pictures of myself in my gallery and send them to her email address, and send her those that are too large via a Google Drive link (iCloud isn’t great for sharing files lol), and then, I’d take her Samsung Galaxy S5 Mini, download them all (which would take a while because that phone is ancient), and set one of the pictures we’ve taken together as her wallpaper, and then set it as my wallpaper on my iPhone as well! 😊 We’d consider if there’s anything else we’ve missed. She’d mention that parts of the floor screech, especially one tile, so when I sneak out, I gotta be careful on the stairs, especially with that one tile. https://preview.redd.it/nijqz08jpu1d1.png?width=975&format=png&auto=webp&s=6f6756ae6c304a5f5133c21ef857e0f91c6c91d7 After a few seconds, she’d ask me if we wanna book a hotel now, and I’d smile and say sure! “Did you like any hotels in particular, out of the ones we looked at?” She’d say “The one with the big jacuzzi looks great” with big eyes and enthusiasm in her voice, like she does during some of her conversations with Tobe in S3E5 “Tiger”. “You’ve ever been in a jacuzzi?”, I’d ask her, and she’d go “Nooo, but I wanna try!” in the same tone, https://preview.redd.it/6rh2p63lpu1d1.png?width=975&format=png&auto=webp&s=987a19161b85fe5ee6a500f452c168ba7dec961b and so, after lying down now, we’d look up which hotel she was talking about and book a two-room suite in that hotel in Allentown for three weeks. I’d add “So we can easily look out for each other, and so you’ll also have some privacy.”, and she’d smile and nod, that consideration would probably mean a lot to her. We’d then get ready for bed. For the next day, I’d get some better clothes as well and put them on while she’s turned around with her eyes closed. I’d take the last ration of food out of my backpack, put the clothes I just took off at the bottom of it, above Leanne’s Bible (the porcelain baby and card are already in one of the other pockets), and put my phone and the chargers in another pocket. I’d look around and ask her if there’s anything else I should take with me to safeguard, and at first, she’d also look around because she wouldn’t know how to answer right away, but she’d then point at Mrs. Barrington with her face, https://preview.redd.it/amqsh2mmpu1d1.png?width=975&format=png&auto=webp&s=12d0bfe376210a8798671d45f31e96e28037870b and I’d be like “Well, I think she’s a little too big for my backpack, but I can talk to the police when we’re out of here, maybe we can try to get her!”, and Leanne would nod with a big smile again. We’d lie down on the mattress and share the covers again. Just like the night before, I’d lie down on the side of the mattress that’s closer to the stairs, in case Dorothy changes her mind and tries to assault Leanne again… On the mattress, she’d suddenly hug me really tight, break into tears, and thank me over and over again, and I’d just hold her tight, say “Of course”, and assure her that everything’s gonna be okay, that we’ll get out of there tomorrow. I’d wipe some of her tears off her face 🥺 On the mattress, we’d just look each other in the eyes and both just smile more and more, and after a minute or two, she’d kiss me on the lips for a tiiiiny moment and then, we’d just smile at each other even harder! She’d say “I’m not supposed to do that” while still smiling just as hard and looking me directly in the eyes! “Says who?”, I’d reply. She goes “My aunts and uncles”, and I’d say “I don’t think they’re a reliable source!”, and we’d kiss each other some more and longer, and both feel each other’s smile on our lips, and peek at each other a few times in between 😊🥰❤️ We’d both put our arms around each other before telling each other good night and before I promise her one more time it’s all going to be okay! https://preview.redd.it/08fqmdqspu1d1.png?width=975&format=png&auto=webp&s=477498f6f3e6260f2a0429defebf98475b14eda1 At some point during the night, she’d wake me up, and when she does, I’d realize I had a nightmare, like, not from my night terrors, and she’d tell me I had a nightmare, that I was sniffling in my sleep, and that I told her two days earlier to wake me up if this happens. Still feeling terrible (the feeling of immediate dread always takes a while to subside for me), I’d thank her. I’d ask what I was saying, and she’d say that I wasn’t speaking English. I’d consider if I should tell her for a moment, but then, I’d take a deep breath, look up for a second, and with a heavy voice, slowly say “What if we try plan A tomorrow, and I fail? I’m scared… I don’t wanna mess this up… I don’t wanna fail you…” And she’d slowly look at me and just say two words: “You haven’t!” I’d look at her and almost laugh a bit out of joy. I’d smile and just cuddle up to her a bit, and she’d do it back. I’d say I’ll try to listen to music for a while to calm down because doing something else makes it much easier for me to zone out of the feeling of dread again. “Why only you?”, she’d ask. “I don’t wanna keep you awake”, I’d say, “You need the sleep”, and she’d say “It’s okay” and just smile a bit, and so, we’d listen to some music together for about half an hour. I’d tell her that my sleep is so horrible (she’d say she can tell) because I don’t have my meds, and I’m really fricking looking forward to taking them again. Without them, the quality of my sleep is terrible, and it takes so long for me to fall asleep at all if I don’t take them. She’d ask if I’ve taken them for a long time, and I’d say that I haven’t taken these particular meds for long because whatever I take, my body builds up some resistance to them pretty quickly, so after a while, I always have to get new ones, but I’ve taken sleeping meds for years now. “It sounds like they’re really helping you, right?”, she’d ask, and I’d nod and say “Yeah, they really do. I’m also taking antidepressants, and they were an absolute gamechanger for me. It’s okay if I don’t take them for a few days because they don’t work in the moment, but they like rewire your brain over time, and they’re the best thing that’s ever happened to my mental health. Before I started taking them, it was so hard for me to avoid bad thoughts or resist them, like, it was hell, but ever since then, it got sooo much easier, and not letting things get to me or not letting bad things really take over me is just so much easier now.” After a while, I’d say “I was at a psychiatric clinic voluntarily for six months, but I also had nowhere else to go, and the doctors and employees really abused their power. They only intervened when there was physical violence, they didn’t intervene in any other conflicts, so because of them, the patients constantly bullied each other. My doctor switched to another department while I was there, so I got a new one, and the new one wasn’t perfect, but at least, she cared. I got really lucky to get a place at a living group for mentally ill people, which was when I could finally leave. But honestly, all my experiences with mental health professionals since then have been better. I went to a different clinic for four or five days voluntarily in 2019, and even they were far better. “That sounds scary…”, she’d say. I’d reply “It was. But things got much better after that. I had lots of setbacks, like, you know, but if you get help, it’s always better.” After the current song’s over, we’d lie down to try and sleep again. We’d smile at each other again in bed, and I’d give her a short-ish kiss before saying good night, and we’d both smile even harder after that 😁 And we would fall asleep for good after a while (it would still take me longer than her). In the morning, Leanne would wake me up again. She’d show me that the door is unlocked and open by a little bit now (they’re “letting” her out for a few hours…), https://preview.redd.it/sqql9udupu1d1.png?width=975&format=png&auto=webp&s=b2505bc6f7795639777433a1897f0d31e5753d67 and we’d both just embrace and chuckle in huge joy, as we can go with plan A now, the less risky one! We’d remember to quiet down after a few seconds and whisper from then on out. I’d go to the toilet roll, take eight pieces, rip them into two bands of four pieces each, and roll each of them up into a little bunch. I’d give them to her and tell her to put them into the wall pieces of the door when she gets out (so it looks like the door is closed while it can’t actually lock) and give me an audible signal when the third floor is clear, so I’ll get out with my backpack, take out the toilet paper, and hide in her room. https://preview.redd.it/bzze2o6wpu1d1.png?width=304&format=png&auto=webp&s=aaa155b611408db6e9960485f6f726125fc2698d “Is there anything you want me to get from there?”, I’d ask. “No. Everything is here or at the Marinos’.” I’d go “Okay” and move on - since I’m almost definitely unable to come down to the second floor right away (I’m using American English in all of these episodes. “First floor” in American English = “ground floor” in British English; “Second floor” in American English = “first floor” in British English; “Third floor” in American English = “second floor” in British English, etc.), she’d give me a signal when coming back upstairs. We’d agree that when she comes back upstairs, if it’s safe to go to the second floor, she’d shout something, maybe in conversation, maybe some sort of cry, doesn’t matter, and if not, she’d kick something. She’d be locked upstairs again after that, so I’ll have to tell when to get further downstairs myself, which I’d do as soon as I’ve heard absolutely no sounds from inside the house for at least a few minutes. On the first floor, I’d get the DVD from March 11, 2001, and if the baptism tape isn’t clearly labeled among the tapes, I’d unplug the DVD player from the TV, turn on the player, open the DVD slot, and if the tape isn’t in there, I’d take all unlabeled tapes. I’d then listen in on the basement door for a few seconds, and if I hear no sounds from down there, I’d quietly open the basement door and go downstairs, and if no one’s there, I’d get out through the side entrance down there, out through the back gate, walk back to Spruce Street, drive my bike home, take a shower, watch the tape from March 11, 2011 like she told me I could, hide it somewhere at home, print out the document for the police, take it with me in an envelope, print out a second version of it to give to the taxi driver, so I can say “If I’m not back in an hour, please call the police for me and read this to them”. I’d then call a taxi (a taxi with a large trunk whose driver is allowed to drive to Allentown and back), load my gun, and leave for the Turners’ and get Leanne. We’d see that Liam has replied by now. Of course, he’d be super worried, but he’s got our backs for the plan, and that would be really reassuring. We’d look each other in the eyes, and then, I’d hug her sooo tight for several seconds, and we’d have one loooong kiss (hoping it’s not the last time we see each other…) before she goes downstairs while looking back at me on the way before putting the toilet paper in the door. I’d then put on my backpack. Once Leanne loudly shouts “Mister Turner?”, that would be my signal, and I’d hide in her room for about 45 minutes before she’s “let” back upstairs and shouts “You can lock me in now, Mrs. Turner”, https://preview.redd.it/uy9loclypu1d1.png?width=975&format=png&auto=webp&s=16abd51170405f1ef3123ff22f4559642a0c0c92 which is when I’d sneak into the storage/guest room and wait. It would take like five hours until I hear nothing for a while, which is when I’d sneak onto the first floor, look around to make extra sure no one’s there, and go to the living room. I’d get the tape from March 11, 2011, and the baptism tape would be among the labeled DVDs, and I’d put it into the box of the March 11, 2011 tape (I’d put the original DVD loose in there and use the spot inside the box for the baptism tape because it’s probably more important. I then wouldn’t hear anything from the basement, so I’d slowly and quietly go down there. No one would be there, so I’d leave as planned and go home and take a shower. I’d watch the March 11, 2011 DVD. I’d be surprised to see the interaction between Leanne and Dorothy for sure, but sort of knowing her, I wouldn’t think anything bad of it. I’d actually get it because of my past celebrity crushes (which I know isn’t what she was feeling for Dorothy) and the desire to meet them, especially with Blanche. I’d get why Leanne wouldn’t want the police to see it, it would look bad for her. I’d wrap up the DVD in a thick piece of paper and tape it to the back of my closet, between the closet and the wall. I’d burn the piece of paper in the DVD case in my bathtub with a bucket of water next to me just in case. I’d test if the DVD of the baptism tape still works (it does), rip it, upload the video file to Google Drive, add it to the document for the police, cancel my printing queue, print the document (two versions of it. The one for the taxi driver would just have a short introduction at the beginning, like, that I’m the person who ordered the taxi), order the taxi, pack my things for the next couple of weeks and anything that Leanne might need, so I’d include any clothes that I think could fit her, and go to the taxi. I’d tell the driver to get me one block away from 9780 Spruce Street (which isn’t actually a real address, by the way) and wait there for me. Before leaving for the Turner house, I’d give him the envelope with his version of the letter for the police and tell him what I said I would tell him. I’d then get my backpack with the gun in it from my luggage in the trunk, and walk to the Turners’ house. I have already "written" so much more in my head, but I've now reached the end of what I've actually written down, so it will take longer until the next episode is out now! Hope you've enjooooyed this one! submitted by ikieneng to teamleanne [link] [comments] |
2024.05.22 00:01 Gossip-Luv2 Retrieved the content of Tweets on SLB's eccentricities - The Mythmaker’s Legacy - Mirror, Mirror on the Wall, I am the Greatest of Them All!
Thanks to Patron Member
u/Entharo_entho - Here is the wiped out Tweet retrieved
Context -
Wiped out from Internet In March, I got a chance to work with filmmaker Sanjay Leela Bhansali right after he made Gangubai Kathiawadi, and Alia Bhatt, playing the titular character in the film,
retweeted me.
The headline (in my head) was going to be, ‘
The Boy From Kamathipura Goes To Bhansali Mandi.’
Then reality struck in April.
One of my closest friends Sweta called me from the Shivapuri National Park near Kathmandu and put me on speaker. Two other friends Mona and Ayush were listening to the WhatsApp call.
‘
How’s it going with Bhansu?’ Sweta asked.
‘
We are not working together anymore,’ I said.
‘
Whaaaaaaaat?’ the three people shrieked, creating a wavy disturbance in audio frequency.
‘
Whyyyyy?’ they cried, collectively anguished.
‘
He said he is not feeling the vibes.’ ‘
What?’ ‘
Vibes,’ I said aloud, causing a seismic tremor in the audio frequency.
‘
What vibes?’ Sweta jibed, ‘
Maybe he can’t feel the vibrator.’
Laughter upped the vibes.
First, a little context on how I got that far. Check
this,
this,
this &
this.
So my tweets were going viral in February-March.
In the second week of March, a woman DM’d me saying she loves the tweets. I said thank you. She said she works at Bhansali Productions.
Whoopsie Daisy! I asked if I could be a part of the production. She checked with SLB and team. He said he wants to meet now.
NOW!
How?
I was in Calcutta.
I called an actor friend in Bombay and told him about it.
“
They will book your tickets and put you up in 5-star,” he said, “
Like Hollywood.”
“
This is Bhansaliwood,” I said, “
Yahan dhanda hamesha manda hai.”
I flew (on my own expense) and met him.
I was ‘
prepared’ by his team for the meeting with His High and Mightiness.
I was told:
Arre, then what do I say? I sashayed in a brown kurta and white linen trousers. Please see Madhuri Dixit-Nene’s brown
ghagra for aesthetic reference I used from my very limited wardrobe of the only kurta I had at the time. By the way, the chorus sings ‘
Jhanak Jhanak Payal Baaje,’ aesthetically referencing you know what, right?
He was lunching with his minions (strictly calling them minions from his pov) when I arrived in his pristine white dining hall in a building called Magnum Opus. Where else should he reside, no? Both his house, and his office (where I was ‘
prepared’ earlier) were tastefully done in creamy white.
It was, as I said to my friend later, like walking into a cumulus cloud, or like sitting on his favourite singer Lata Mangeshkar’s lap. Calm, serene and quite surreal. I was inside his snow globe. Violins from a Bach concerto (in my head) were replaced with say Madan Mohan’s doleful rendition of ‘
Mai ri main ka se kahoon peedh apne jiya ki.’ (Side effect of writing this on Mother’s Day.)
I look for books when I enter a house for signs of intelligent life. There were lots of lamps and candelabras but where were the stacks of books they were perched on? The aesthetic was high on film set disposable kitsch. I stared into a cumulative void.
The minions were intensely debating Darjeeling momos.
What’s that? I spent my childhood there. Never heard of this GI tag!
SLB relished his meal and said, “
I want puranpoli today.”
Puranpoli appeared not out of thin air, but a house-help flipping wishes instantly on a griddle on the fifth floor. We were on the first floor. Although the puranpoli is shaped like a flying saucer, it doesn’t fly, perhaps burdened by the weight of excess ghee and crowd-pleasing expectation. It does, however, reach SLB’s plate at the speed of light.
‘
Give him some,’ he asked a minion to serve me while I waited on the sofa.
‘
I’ve had lunch, thank you,’ I said, trying to behave. The plate arrived. I took a mousy bite to exhibit my failing attempt to transform into a champion minion.
When he came to chat, he noticed the unfinished food and gently reminded me how there were days he went hungry. I should have rolled my eyes for my own lean days.
‘
One should not waste food,’ he said.
‘
I don’t,’ I said, ‘I was going to parcel it home in a doggy bag.’
Hearing the word doggy, his well-behaved dog came over to inspect me.
He observed me. I petted her perfunctorily. Am a cat person. Stereotypical writer stuff — allergic to undesired petting and attention.
‘
So, what have you done?’ he asked, sitting on a sort of empire-style bergere chair. Full marks for faux-ornate.
‘
A novel, some writing for a series,’ I said nervously, dismissively.
‘
Anything I might have seen?’ he asked.
‘
No, not worthwhile.’
‘
Are you interested in direction also?’
‘
No, am not delusional.’
A moment passed. I might have displayed an errant repartee.
‘
I mean, I can only write, or am trying to,’ I said.
L’esprit de l’escalier. He gave me a spiel on writing, how screenplay is an art not many understand, etc, et cetera.
I nodded to make his voice disappear.
‘
What are you writing now?’
I showed him the cover of my new book,
The Last Courtesan, featuring my mother, on my phone.
‘
Oh, this is so fascinating,’ he said.
He spoke rapturously about Calcutta’s great food and colonial architecture when I mentioned growing up in Bowbazar kothas. If you watch any of his interviews now on YouTube you will realise he only speaks in raptures. He’s always explaining things like an impassioned conductor at a dime-store opera. It can exhaust the boorish audience immediately. He spoke about living in the Kamathipura area as a child when I said I had lived there. The mythmaker was interested in exoticising his own legend as an ‘outsider’.
‘
But how will you work here if your mother is in Calcutta?’ he said, ‘
I am a maa-ka-bhakt.’
Everything is about him or his mother. I have reached that stage too, though only by circumstances unavoidable.
‘
Actually it was my mother who asked me to come here. I told her it would only work out if you understand that I will have to vacillate between the two cities initially. Jaise Sanjay ki Leela hai, waise meri Rekha.’
Corny dialogue, but worked. No one calls him by his first name, except perhaps his own mother. He is sir for everyone.
‘
If I am speaking to you for so long means I like you,’ he said. ‘
Otherwise, I would have asked you to leave long ago.’
Barely five minutes into the conversation, he asked me to return to his office and inform his team that I was going to be a part of his writer’s room.
I went back to his office and read a script. This is the part I cannot mention. His legal team sits in the adjacent room.
I flew to Calcutta and was to return after a week. I had to make arrangements for my mother’s tri-weekly dialysis sessions at a nearby hospital, figure out a tiffin-delivery service for her, find a house help (she sent four nurses scurrying in the past), all of which is a bit of a task in this retrograde city.
Remember the woman who had DM’d me about my tweets? She messaged. She had met SLB after my meeting. He said this about me: ‘What a wonderful find. That boy has so much potential and is talented. Most importantly, he is sensitive.’
I told her I’d get this engraved on my tombstone.
Like how he wants to take Alia Bhatt’s
golchakkar in
Dholida to his grave.
“
It’s a shot that I will take to my grave. If there’s any shot that I want to be played when I breathe my last, it would be Alia doing that shot. It is the best thing I have seen an actor do in a very long, long time.”
I was only emulating the high priest of hyperbole in my tombstone comment. Perhaps I was regressing into a minion.
I had only managed a few tasks for mother when I was back in Bombay. It worried me that the old, frail woman with shaky limbs and slurred speech was trying to be brave to send me to work. I hadn’t worked since the pandemic; she was in and out of hospitals so frequently that I had surrendered the thought of getting another job ever again. Taking care of her was my full-time job.
The first day in his office was to chill in my new, aesthetically pleasing kurta I had shopped for in Gariahat. There was a security camera in every corner that was apparently accessible on his phone. My skin tingled with this information. Chilled. He was at home. Probably watching. That’s a great way to create a myth.
The next day, there were more minions on the lunch table in his first floor apartment. The magically appearing steamy and fragrant sheera was delicious. A minion deemed it the best sheera in the city. I nodded to make that statement evaporate.
A courier boy interrupted for a document signature. SLB flared at a spelling mistake in the document papers.
‘
Go wash your face and come back,’ he yelled at the young man.
The minions at the table laughed nervously. I so wished I was wearing a mask to cover my surprise emoji face.
The minions on the table were writers and assistant directors.
‘
Dastavez,’ SLB said, ‘would that be correct to use?’
‘
Kaaghzaat,’ the minion replied.
‘
Kaaghzaat is paper, dastavez is document,’ said the second minion.
‘
You always mislead me,’ SLB sternly reprimanded the first minion. ‘
Don’t ever do that again.’
Only that minion tried to laugh, offering an apology. He shut the minion down.
My mask, my mask emoji face.
A third minion was sulking in a corner before I arrived for the writing session. This minion had reportedly offered a script suggestion, which he disliked and barked down. I liked this minion the most. Relatable.
A faint noise of a person running or perhaps just a rumbling sound from somewhere outside interrupted the room. He looked up at the ceiling and said, ‘
No one lives there. Am certain it is a ghost. I hear running sounds all the time. I have heard sounds of furniture being dragged.’
I wondered if he actually believed in half the things he uttered, or was he just saying it to create enigma about himself. Mythical thoughts certainly kept him preoccupied.
Reality bored him. SLB had nothing good to say about the ‘current plague’ of South Indian films upsetting the Bollywood cartel. He compared them to a circus. He wasn’t kind to the actors he had worked with in his last film. He cracked lame jokes about everyone and everything. The minions laughed and kept him busy. I chuckled a few times to blend in. The mythmaker revelled in his prophesies about the impending doom of charlatans with no aesthetics: just crass, commercial peddlers pimping art. It was all said to amuse and bemuse while he fussed over the yellow shade of fabric from several swatches.
When he left for his music session, the minions bitched him out, and how! All the horror stories I had heard over the years about his moods, behaviour, language and violent temper were true. How else will he create myth about himself as a maestro? The Glomar response.
Let the plebs indulge in hearsay. I will neither confirm nor deny. The minions sang effigy songs in happy tunes, if I may stretch this part a bit like his penchant for high camp.
That night, when I went to my actor friend’s house, where I was temporarily staying, I said to him, ‘
I don’t think I will last a week there.’
I was rattled by how he spoke to the courier boy and the minions, with no filter. Well, at least it was clear he had no tact, endearing as that might be of a ‘genius’ if one compromises with his erratic behaviour. The CEO of his company does it beautifully and advises to develop a ‘thick hide’ around him. Cows, essentially.
Verve
The words genius, great, master, maverick, were so loosely bandied by his office staff even in his absence that I was tempted to add auteur, if they could spell or pronounce it. They worked in perpetual fear of him turning up at any hour and checking on their tidiness. A minion whined she wasn’t dressed appropriately for his surprise visit. Once, he even cut pay for unscheduled leave, said another minion. A minion narrated a shot he copied from a photographer in
Gangubai Kathiawadi. Another minion recounted how he made her cry on shoot by screaming at her for a silly mistake. Minions couldn’t leave the office till his evenings were scheduled. It was a well-paying job so long as they did not have to see ‘
chacha’s’ face and only applaud his cinematic sorcery.
His office team would assign me desk-work and warn me not to inform him about it.
‘
What am I supposed to say if he asks?’
‘
Make up something,’ I was told.
‘
Why should I?’
‘
You will slowly understand,’ I was told.
His team of assistants would sneak around me. I didn’t know who was reporting what back to him. He would interrogate the management team. They would lash out at me for informing the assistants. The management wanted to control me a certain way because ‘sir’ does not need to know everything. It was quite a guessing game. He had created an ecosystem of complete chaos and loved the hubbub. New people were hired for him to use the ‘new energy’ to rekindle the ‘old energy’ that needed to be reminded it could be snuffed out and replaced. He thrived on confusion because it all boiled down to him to sort out the mess. He was the provider so long as the minions ingratiated and served their grand master.
One time he called me upstairs, what his CEO called the god’s chamber aka the Shahenshah’s durbar: his office on the seventh floor. Walls were lined with giant posters of his films. We minions sat on the fifth floor. I was of course by now a week old in the toady mill. On the seventh floor, production team members, set designer, director assistant, young people sat on the floor, armed with notebooks and laptops, alert and sugar-tongued. He sat on a throne and dictated each one about their duty. A masseur massaged his leg. He asked me what I thought of a script. I said it was lovely. He asked me to elaborate. I said I liked a character’s resolve. He denied it was written. I said that’s my interpretation. A minion promptly backed me.
‘
What changes do you suggest?’ he asked.
‘
We should sit on it collectively and decide,’ I said.
He mumbled something. My suggestion was dismissed. I was dismissed. I bowed out. A minion whispered to me, ‘
We all walk on eggshells around him.’ I had to be a chicken in a coop I suppose.
Another time he dismissed my suggestion for a scene saying, ‘
That’s not how art is made.’ I had referenced a scene from
Bandit Queen to illustrate my point. Just like his entire oeuvre is homage to a classic. How else does he make his art?
Allow me to illustrate with a frame from his first film
Khamoshi: The Musical. The second image is from
Pakeezah.
Hum Dil De Chuke Sanam references
Red Beard, Woh 7 Din.
Devdas references
Pakeezah more than once.
Black references
The Miracle Worker.
Saawariya references
Pyaasa, Awaara.
Guzaarish references
Whose Life Is It Anyway? Goliyon Ki Raasleela: Ram-Leela references Franco Zeffirelli’s
Romeo and Juliet, West Side Story.
Bajirao Mastani references
Mughal-E-Azam.
Padmaavat references
Mirch Masala.
Gangubai Kathiawadi, let’s give him the benefit of doubt is all his own, original artistry.
The American filmmaker Jim Jarmusch once meta quoted the French filmmaker Jean-Luc Godard when he said:
“
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery — celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from — it’s where you take them to.”
SLB believes he takes art and betters it, removing the grubby coat of slime from the sublime, often not concerned with acknowledging the source. He is a master’s master, elevating it to an otherworldly experience, the creator of a mythoverse.
He asked me to rewrite a scene I didn’t agree with. He banged the script folders on the table like a petulant, little child. I watched his posture change into a frump. Tiger Shroff’s ‘
Bacchi ho kya,’ dialogue comes to mind.
‘
You are talking like those critics who find fault but don’t know how to write. They should write the film,’ he said.
That argument will never make sense to me but since I write movies now and not just about them, I rewrote the scene in half an hour and showed it to him. He found it rubbish.
I was not called to the writer’s room for a week.
His CEO said I should go to his house; hang around him, like the other assistants whose only purpose in life is to feed his ego. We are slaves to his vision, she said. She thought I was a better writer than the team he had assembled. ‘
From whatever I read, only three lines of your work on social media, I could sense it,’ she said.
Either she was encouraging, or bluffing with a perfectly Zen face. From the hundreds of Ganesh idols stacked in her room, it was clear she wasn’t a reader. She was good at reading numbers, data, and stats. She would sense a sign if one of the metal idols sucked milk from a spoon on the day she enquired about box –office figures.
There was more than one right-wing hardliner in his office. Secular staff was invisible. A pretty minion in baby pink t-shirt, whose main grouse was that another minion called him a Barbie doll, said he was happy with the Modi government building roads in his home state Bihar. Another minion countered him by asking:
What about the persecution of minorities by the same government? The pretty minion said he didn’t care for that. He was assisting ‘sir’ because he wanted to be an actor. Which lead me to wonder how many Muslim actors has this production worked with? Silly of me to think, right? Given that I myself don’t use my Muslim surname. I’ve now successfully planted a myth in your head. That’s how it works.
In the time that I was in Versova during my brief stint at Bhansali Productions, I met several people with their own SLB horror story. A producer said, ‘
He is a difficult man but life changes for good after you work with him. Some people want to go through hell first. Life bann jaati hai.’ I didn’t understand why purgatory was necessary. Another former assistant said, ‘
When you work with the worst (SLB) and the best (KJO), you are ready for the rest.’
A young woman gave him a thesis she wrote on his films. He asked her to write a book on her. She said she wanted to assist as a director. She never heard from him. A filmmaker said SLB was too friendly with another assistant, suggesting intimacy. A writer wasn’t given credit in a film.
Another writer was promised his script will be turned into a film but it never took off and now he feels his life has been ruined. A young filmmaker’s debut movie SLB produced was delayed, not promoted, and called ‘
kachra’ to his face.
The young man said SLB is sexist, homophobe, classist, fat shamer, emotional abuser, and a body shamer. “
He is a joyless pit of darkness where happiness goes to die. And those are the nicest words I can think of to describe him,” he said. Another filmmaker said a choreographer was in a relationship with SLB and wanted to marry him but he wouldn’t even touch her, a hotly discussed conversation amongst his minions.
Everything sounds hokum. A successful man is likely to upset a few. The few will talk. Their words may ring true through a gossamer veil of implausibility. Myths magnifying his persona.
There are too many myths about his personal life, aroused by his silence on the subject but all too obvious in his work. When people want to confirm with me, I am equally appalled at their lack of aesthetics. Like the great reader of curtains, Edgar Allan Poe, you only have to look at SLB’s use of billowy curtains in films to guess.
Above stanza, courtesy Poe, poem:
The Raven.
Hope you get the drift, or draft,
hawa ka jhonka! By the way, am digressing now, is the weirdly named character Sameer Rosselline in
Hum Dil De Chuke Sanam the first mainstream Hindi film hero to pass wind? The ruffled curtains are first to be cautioned though.
Unlike most people willing to swallow their pride to work with SLB, few like the eponymous
Gangubai character choose
izzat. The house-help employed in my actor friend’s house was asked to work as a cook in his house. When she heard the whimsy, dessert-craving demands, she declined the offer. I identify with her no-nonsense style.
In November 2021, a filmmaker read a film script I wrote and said, ‘
This is SLB territory. Only he can make it. It is the modern love-story he has been wanting to make for a long time.’
‘
Are you sure?’ I asked, somewhat flattered but also bewildered.
‘
Yes, we just have to change the setting from Calcutta-Bombay to Calcutta-New York. It is what he has been trying to crack. I’ll get him to read it.’
I never spoke to SLB about my script. I did not want to look like a schemer. I had only got a chance because of my mother’s story. I had come to write courtesan songs. Hindi films are recognised by their songs. His films have show tunes that live on long after the sequins and mirrors reflect a decadent style. He employs the old-fashioned method of making Hindi films, which is to stitch scenes around a song, not the other way round. And when you glean your references from the best of classical melodies, how can you falter?
My own SLB story is that after watching
Saawariya in 2007, I wrote a few songs, moved to Bombay, lived in Versova, close to Magnum Opus, and hoped to meet him, but made no effort even though I came in close contact with people who worked directly with him. I never requested for a meeting. Over the years, I too had heard a few horror stories about him. I only believe in what I see. I waited when he would call for me, my work would have to speak for itself.
A day before Good Friday, his CEO sat me down and said it’s not working out.
There’s a mythical story of how Lata Mangeshkar was on her way to record a song for SLB but the heavens poured and she had to turn her car back. A typical SLB frame of hope and hopelessness.
Never work with your idols. You’ll have a better story to imagine and create myths.
I was so relieved to leave. I hadn’t got a moment to read, or write, let alone think since I got here. Why I wanted to work with SLB was to not believe in hearsay.
I will either confirm or deny. ‘
Great,’ I said, ‘
everyone deserves an off on Good Friday.’
The office was unsure about public holidays. SLB’s mood dictated the calendar.
Before returning to Calcutta, I met a friend entrenched in the film business.
When she heard of the fiasco, she said, ‘
I’ve heard he is very anal, is he?’
The vibrator jokes never stop.
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2024.05.21 23:22 John_Smith_4724 Pay someone to take my nursing assignment online Reddit
If You're struggling to handle your Online Exams, Assignments or any other coursework, get help from Hiraedu and pay after the exam. Contact details for Hiraedu is:
WhatsApp: +1 (213) 594-5657 OR Call: +1 727 456 9641 ASSESSMENTS I CAN COMPLETE: - Online Courses (1 - 20 Weeks Long)
- Homework Assignments
- Exams Quizzes Tests
- Excel Projects
- Discussion Forum Posts
- Research Papers Term Papers Essays
- Employment Assessments
MY MATH SUBJECTS OF EXPERTISE: I am very knowledgeable and proficient in assisting students in a wide range of mathematics classes. I can help students complete their homework assignments and other projects get an A on quizzes, tests, and exams (including proctored assessments) answer online discussion posts write essays & papers in MLA APA Chicago format and provide general overall academic help in each math course listed below:
- Advanced Placement Honors High School Level Math
- AP Calculus AB A.P. Calculus BC
- AP Statistics
- Biostatistics Bio-Statistics
- College Algebra Intermediate Algebra
- Business Calculus
- Business Statistics
- Business Math
- Calculus I Calculus II Calculus III (Calc)
- Geometry
- International Baccalaureate (IB) Maths
- Liberal Arts Math
- Logic & Reasoning
- Multivariable Calculus Multi variable Calculus
- Precalculus Pre-calculus
- Probability & Statistics
- Psychology Statistics Psych Stats
- Quantitative Reasoning Quantitative Methods Quantitative Literacy (Quant)
- Statistics (Stats)
- Statistics for Social Sciences
- Trigonometry (Trig)
STATISTICS HELP (MY BEST SUBJECT): - I have a master's degree in Applied Statistics from a university in New Jersey, USA. As a result, I am very proficient in helping students with various types of Statistics courses including Biostatistics Business Statistics Elementary Statistics Probability & Statistics Psychology Statistics.
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- ANOVA Bar Graph, Boxplot, Dot Plot, Histogram, Pie Chart Bias Binomial, Exponential, Poisson, Gamma, Uniform Distribution Central Limit Theorem Chi-Square Test Coefficient of Determination (R^2) Conditional & Relative Probability Confidence Interval Correlation Coefficient (r) Critical Region Critical Value Descriptive & Inferential Statistics Effect Size Expected Value Experiment vs Observation Goodness of Fit Test Hypothesis Testing Interpolation & Extrapolation Interquartile Range (IQR) Kurtosis Left, Negative, Right, Positive Skewed Distribution Logistic Regression Mean, Median, Mode, Midrange Multiple Regression Nominal, Ordinal, Interval, Ratio I Population Parameter Normal, Symmetric & Bell Shaped Distribution Null & Alternate Hypothesis One & Two Sample T-Test One & Two Sample Z-Test Ordinary Least Squares Outliers P-Value Pooled Variance (Equal Variances) Proportion R^2 Range Regression Regression Line Reject & Fail to Reject Ho Relative & Cumulative Frequency Distributions Relativity & Reliability Right, Left, One, Two Tailed Tailed Hypothesis Test Sample Statistics Sampling Methods (Convenience, Stratified, Simple, Cluster, Systematic) Significance Level (1%, 5%, 10%) Skewness Standard Deviation& Variance T-Score Test Statistic Time Series Type I & Type II Errors Unbiased Estimators Z-Score
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- Absolute Values Circle Equation Domain Exponents Graphing Horizontal & Vertical Asymptotes Inequalities, Equations & Functions Inverse Functions Linear, Exponential, Logarithmic, Quadratic Equations Logarithms Maximum & Minimum Values of a Graph Number Lines One-to-One Functions Parallel & Perpendicular Lines Plotting Points & Ordered Pairs Point-Slope Form Polynomial Division Polynomials Radicals Range Rational & Irrational Expressions Rational Functions Real Roots Real Zeros Relations & Functions Slope Slope-Intercept Form Square Roots Standard Form of a Line System of Equations System of Inequalities Variables X and Y Intercepts
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- Absolute & Local Maximum and Minimum Antiderivative Area & Volume Chain Rule Concavity Continuity Convergence Test Critical Points Curvature Curve of Rotation Curve Sketching Derivatives Divergence Test First & Second Derivative Test Fourier Series Implicit Differentiation Increasing / Decreasing Functions Infinite Series Integrals Integration by Parts Jacobian Matrix Limits L’Hopital’s Rule Maclaurin Series Mean Value Theorem Partial Derivative Product & Quotient Rule Reiman Sum Related Rates Simpson’s Rule Solid of Revolution Substitution Rule Taylor Series
Paid Help from Hiraedu: If You're struggling to handle your Online Exams, Assignments or any other coursework, get help from Hiraedu and pay after the exam. Contact details for Hiraedu is:
WhatsApp: +1 (213) 594-5657 OR Call: +1 727 456 9641 ATTRIBUTES THAT SET ME APART FROM OTHER TUTORS: - I firmly believe that I have many attributes and skills that set me apart from other tutors. Below is a list of qualities that makes me an ideal fit to help you master your coursework:
I CAN AID STUDENTS TAKING PROCTORED ASSESSMENTS: - Proficient in CollegeBoard AP Calculus AB, AP Calculus BC & AP Statistics exams.
- Skilled with International Baccalaureate Math Exams: IB Maths HL & IB Maths SL
- Can intentionally answer a few problems incorrectly at the student's request.
- Can text solutions to the student while they are taking a proctored exam.
- Upon request, can purposely obtain grades below an A (ex: B+, B, C+, C-).
- I can stretch out the time to a plausible length for timed exams and assignments before submitting them.
- Have reliable software that can change my IP address to match the closest major city near the student.
- I have exceptional multiple-choice exam-taking skills. I have mastered the various techniques to make calculated guesses for the correct option in standardized exams such as the SAT & GRE.
I CAN VERIFY MY ACADEMIC KNOWLEDGE & SKILLS: - I have no problem with requests to solve sample problems upfront to prove my knowledge & proficiency of the course concepts.
- I can provide glowing references & strong examples of work done for past clients to verify my academic skills.
- I can also provide, upon request, complete detailed calculations with explanations for solutions to the problems worked on.
- I am quite skilled and adept in using multiple modernized educational platforms and software, including but not limited to: Brightspace MyStatLab D2L WebAssign Canvas MyMathLab Blackboard ALEKS
- Can format term papers and discussion posts in APA MLA Harvard Chicago Vancouver OSCOLA IEEE format.
I HAVE PAID ACCESS TO OVER 15 STUDY-HELP WEBSITES AND MATHEMATICAL SOFTWARE: - I have multiple paid subscriptions to a wide range of academic tutoring resources, including Chegg, Quizlet, CourseHero, Brainly, Grammarly, Study. com, Bartleby, Slader, Transtutors, Slideshare, StudocU, Turnitin, Academia, SymboLab, WolframAlpha, and Scribd to help guide to solve exam & homework questions that I may not immediately know.
- However, I am smart enough not to blatantly plagiarize solutions online but instead write them in my own unique words, formatting, & mathematical terminology.
- I have access to a very sophisticated graphing calculator and various mathematical software that provides step-by-step solutions to complex mathematical problems within seconds, allowing me to provide exact solutions to the student in a timely manner.
- I have impeccable handwriting and a high-quality mobile scanner app that allows me to scan written solutions in very legible high-definition JPG, PNG, or PDF formats.
MY AVAILABILITY & RELIABILITY: - Depending on my availability, I can accommodate immediate tutoring requests, 1-24 hour, and 1-30-day deadlines.
- I can schedule live real-time online sessions and meet deadlines in an impressively timely fashion.
- I can provide quick notifications and updates of progress made in the student's class via email text phone calls.
- I can also be available to tutor students for Fall 2021 Spring 2022 Summer 2022 semesters.
MY EDUCATIONAL SOFTWARE OF EXPERTISE: - I am very knowledgeable and well-versed in a wide range of educational software to tutor students in including but not limited to: Acellus ALEKS APEX Learning Aplia Blackboard Brightspace Canvas Cengage CengageNow Connect ConnectMath Connexus CPM D2L Discord Edmentum Eviews Examity Excel Hawkes Learning Honorlock Khan Academy Knewton LimeSpring Lumen Maple MasteringChemistry MasteringPhysics MathXL (XL) MATLAB McGraw-Hill Microsoft Word Minitab Moodle MyAccountingLab MyEconLab MyITLab MyLab My Lab MyMathLab My Math Lab MyOpenMath MyPsychLab MySocLab MyStatLab My Stat Lab NCSS Open Source Software Pearson PERT PlatoWeb PowerPoint Prezi R Respondus Lockdown Browser with Webcam Sapling SPSS Stata StraighterLine Straighter Line WebAssign Web Assign Webex (Cisco) WebWork Wiley WileyPlus Wonderlic Zoom
SCHOOLS FROM WHICH I'VE HELPED STUDENTS IN : As of 2021, I have tutored and helped students enrolled at the following U.S. universities community colleges county & city colleges schools for-profit institutions listed below in alphabetical order:
- A - C: American Public University System (APUS) Arizona State Ashford Brigham Young Brown Broward California State (Fullerton) Capella Chamberlain (Illinois) Colorado Technical Columbia Columbia Southern Cornell
- D - K: Dallas College Dartmouth DeVry Excelsior College Florida International Florida State Full Sail Georgia State Grand Canyon Harvard Houston Community College Ivy Tech Community College Kaplan Kennesaw State Kent State
- L - T: Liberty Lone Star College System Kaplan Miami Dade Michigan State CUNY State University of New York (SUNY) Northern Virginia Ohio State University of Phoenix (UOP) Penn State Princeton Purdue (Davenport) San Diego State San Francisco State San Jose State Southern New Hampshire Southern Nevada Stanford St. Petersburg Strayer Texas Tech
- UNIVERSITY OF: Alabama Arizona California (UC) Central Florida Chicago Cincinnati Florida Houston Illinois (Urbana-Champaign) Iowa Maryland Minnesota Michigan North Texas Pennsylvania Southern Florida Texas Toronto
- U - Z: UCLA Extension Utah State Utah Valley Valencia Walden U Wake Technical Western Governors Wilmington Yale
Paid Help from Hiraedu: If You're struggling to handle your Online Exams, Assignments or any other coursework, get help from Hiraedu and pay after the exam. Contact details for Hiraedu is:
WhatsApp: +1 (213) 594-5657 OR Call: +1 727 456 9641 I OFFER FLEXIBLE PAYMENT PLANS: - I offer several unique payment plans, including a weekly plan, a discounted monthly plan, a discounted half-now / half-later plan, and highly discounted up-front rates.
- I can accept the following payment methods for my services: PayPal Debit Cards Square Cash Credit Cards Cash App Venmo.
- Only people located in North America have access to Venmo Cash App Zelle.
- This is an excellent way to determine if the person you're dealing with is from the United States.
- Within reason, I offer a partial or full money-Back guarantee if the student is very unsatisfied with my academic services.
TUTORING AVAILABLE FOR OTHER SUBJECTS: - For other subjects, you can reach out to me, and I can connect you with one of my tutoring partners who can provide general academic assistance for the following subjects:
- Art & Design: Art History Design Film Studies
- Business: Accounting (Acc) Biz Courses Business Administration (Biz Admn) Business Calculus Business Law Business Statistics Corporate Finance Economics (Econ) Finance (Fin) Financial Accounting Intermediate Accounting Intermediate Microeconomics (Micro) Macroeconomics (Macro) Management (Mgmt) Managerial Accounting Marketing MBA
- Computer Science: C C++ Computer Programming (Comp) Java Python R (Introduction & Intermediate Level Only)
- Humanities: Communications (Comm) English Literature Essay & Term Paper Writing, Editing, Proofreading Essays History Papers Philosophy (Phil) Religious Studies Theology (Theo)
- Mathematics: A.P. Calculus AB & BC Psychology Statistics AP Statistics Bio statistics Calculus I (1) Calculus II (2) Calculus III (3) College Algebra Differential Equations Discrete Math Finite Math Functions General Math Geometry Liberal Arts Math Linear Algebra Multi-variable Calculus Partial Differential Equations Precalculus Probability Quantitative Reasoning Real Analysis Statistics Trigonometry (Trig) Vector Calculus
- Science & Medicine: Anatomy & Physiology (A & P) Biochemistry Biology (Bio) Biostatistics Earth Science Environmental Science General Chemistry (Chem) Healthcare Medicine Nursing Nutrition Organic Chemistry Physics (Phys)
- Social Sciences: Anthropology Economics (Econ) Geology Law & Justice Liberal Arts Liberal Studies Political Science Psychology Sociology
THE OBLIGATORY "IS THIS A SCAM?" QUESTION: Considering the fact that you found my contact information online, it’s understandable to be skeptical regarding the legitimacy of my services. Therefore, I’m willing to do all of the following to help you feel more secure in trusting me with your academic needs:
- 1) Speak with you on the phone and answer any questions you may have so that you have the opportunity to assess and analyze my tone, articulation, accent, diction, dialect, regionalisms, pitch, vocabulary, word choice, intonations, and inflections.
- NOTE: I’m a New Jersey-born Irish/Italian-American, but I have been told that I speak in an erudite & articulate suburban American accent with a “professor style” voice somewhat resembling the voice of actor: Ben Stein.
- 2) Agree to do some homework questions of yours upfront with the work fully shown in real-time to prove my mastery of the course content.
- 3) Send you screenshots of at least five past scores I attained from completing exams & homework assignments for other students in the same type of class you need help with.
- 4) Send you full screenshots of written exam solutions I wrote up by hand for students in the past in the same course that you need help with so that you can see my neat handwriting.
- 5) Provide you with the contact information of students who have utilized my services in the past who would be more than willing to vouch for my skills.
MY REBUTTAL TO THE OBLIGATORY “IS THIS A SCAM?” QUESTION: At the risk of sounding arrogant, I consider myself to be at least marginally more intelligent (both academically & socially) than the average person. Therefore, if I ever decided to suddenly risk prison time, risk my reputation, and risk enduring the wrath of modern-day “cancel culture” by scamming people out of their money:
- I certainly wouldn’t do it for such paltry amounts of money. (i.e., anything less than $1,000 per victim.)
- I certainly wouldn’t choose high school & college students as my “target audience” to scam, considering that most people without college degrees have abysmally low annual incomes. Why choose low-income victims when it would be much more profitable to target high-income, high-net-worth individuals earning at least six figures a year? I have knowledge in business consulting, and I promise you that a business owner would be a MUCH more lucrative mark than a low-income college student.
- I wouldn’t choose such a time & energy-draining method of scamming people. Also, communicating back and forth with potential clients is an absurdly long time sink since only less than 10% of all potential clients who reach out to me actually become paying clients of mine. This means that 90% of my time communicating with potential clients ultimately proves to be a colossal waste of my irretrievable time & energy.
- If you pay me to provide academic services and I don’t deliver, you can always dispute the payment with the payment app and easily get your money refunded. If I were in the habit of swindling money from people, then all of my payment accounts would have been investigated and be completely shut down by now. And I would have been permanently banned from opening new accounts. Therefore, the fact that all my payment apps have been fully active for years should be sufficient proof that I haven’t had people consistently disputing payments sent to me.
HOW TO CONTACT ME: Paid Help from Hiraedu: If You're struggling to handle your Online Exams, Assignments or any other coursework, get help from Hiraedu and pay after the exam. Contact details for Hiraedu is:
WhatsApp: +1 (213) 594-5657 OR Call: +1 727 456 9641 - I take my work as a tutor very seriously, and I always aim to do my best to help my students excel in school. I have a solid and sincere passion for academic achievement, and with my help, I am positive that I can help students obtain very high grades with minimal stress and effort.
- Please feel free to contact me if you're interested in my services and would like to learn more. I'm available 24/7 via phone call, email, and text. Again, thank you for taking the time to read my Reddit tutoring ad, and I hope to hear from you soon!
My contact details: WhatsApp: +1 (213) 594-5657 Call: +1 727 456 9641 Website: hiraedu. com Email: [info@hiraedu](mailto:info@hiraedu)
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2024.05.21 22:55 juliunicorn314 Ghosts Survivor: Round 11
Round 11 deadline: Wednesday 22nd May, 9pm GMT
Hi peopleee! Sorry it's been so long since I last posted, I've been pretty busy with stuff. But anyway, let's find out which episodes got the most votes in round 10...
...
Perfect Day. There wasn't really anything interesting about the results this time, but Perfect Day got
4 votes.
Which episode will be eliminated next?
It's up to youuuuu. Vote for the episode that you like *the least
. The episode that gathers the most votes will be eliminated with the **22nd place in this game. Make sure you have watched all episodes before voting and don't vote more than once. (I don't think you can anyway)*
Round 10 results Perfect Episodes: (SPOILERS!!!) S1E1 - Who Do You Think You Are?:
- Alison and Mike inherit Button House
- Ghosts haunt them
- Captain annoyed at Fanny screaming
S1E2 - Gorilla War:
- Mike starts renovating house
- Ghosts annoy Alison
- Alison accepts ghosts as real
S1E3 - Happy Death Day:
- Pat's death day, family visit
- Kitty asks where babies come from
- Captain & Julian try to get rid of builders
S1E5 - Moonah Ston:
- Beg-Chetwyns visit for dinner party
- Captain & Mary help kill/prepare pheasant
- Ghosts do Moonah Ston ritual & watch Friends
S2E3 - Redding Weddy:
- Captain flashback
- A&M clear garden
- Fanny fancies Mike
- Pat keeps ghosts occupied (moon landing video, volleyball)
S2E4 - The Thomas Thorne Affair:
- Thomas death flashbacks
- Mike worries about meeting Alison's ex
S2E5 - Bump in the Night:
- Alison goes out
- Burglars break into house
- Ghosts try to warn Mike
S2E7 - The Ghost of Christmas:
- Mike's family visit for Xmas, parents help too much
- Julian feels guilty about avoiding family at Xmas
- Alison gets presents for ghosts
S3E1 - The Bone Plot:
- TV crew making documentary about Humphrey (death flashback)
- Julian thinks Barclay is having heart attack
- Pat tries to make Fanny & Captain laugh
- Thomas prepares Alison for interview
S3E2 - A Lot to Take In:
- Alison meets Lucy
- Julian remembers first day as ghost
- Mike starts new job
- Kitty & Pat dance
S3E3 - The Woodworm Men:
- A&M camp outside during fumigation
- Kitty watches Grease
S3E4 - I Love Lucy:
- Captain spies on Lucy
- Julian changes Mike's emails
- Fanny has affair with Humphrey's body
S3E5 - Something to Share?:
- Kitty shares story about ball
- Mike tries to find way to see ghosts
S3E6 - Part of the Family:
- Mike films promotional video
- Ghosts find out Lucy is lying
- Ghosts do drama/improvisation club
S4E2 - Speak as ye Choose:
- Annie teaching Mary to say what she wants flashback
- Kitty shows Captain how to live in moment
- Thomas goes cold turkey on Alison addiction
- Mike's old friends stay at gatehouse
S4E3 - The Hardest Word:
- A&M try to have relaxing day
- Ghosts make apology song
S4E4 - Gone Gone:
- Pat cheers Kitty up over Mary moving on
- Mike organises children's birthday party last minute
- Alison helps ghosts deal with their feelings about Mary
S4E6 - Not Again:
- Robin's death flashback
- Mike buys giant bear
- Kitty starts talking by saying opposite of what she means
S4E7 - It's Behind You:
- Ghosts put on panto
- Alison shows Pat old VHS recordings
- A&M get stuck in traffic on way to parents
S5E1 - Fools:
- Alison does April Fool's pranks on ghosts
- Insurance company person investigates insurance claim for fire
S5E3 - Pineapple Day:
- Ghosts figure out how Kitty died
- Mike discusses selling land with Barclay
- Thomas, Julian & Humphrey want blue plaque
- Kitty watches 'Is It Cake?'
S5E5 - Carpe Diem:
- A&M have spontaneous night out
- Robin thinks someone will move on before midnight
- Fanny & Julian make most of possible last day
- Captain's death flashback
Eliminated Episodes:*
34th place: S5E7 - A Christmas Gift
33rd place: S3E7- He Came!
32nd place: S2E1 - The Grey Lady
31st place: S2E2 - About Last Night
30th place: S4E5 - Poached Guests
29th place: S4E1 - Happy Holiday
28th place: S1E4 - Free Pass
27th place: S5E2 - Home
26th place: S1E6 - Getting Out
25th place: S5E4 - En Français
24th place: S5E6 - Last Resort
23rd place: S2E6 - Perfect Day
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2024.05.21 22:43 jravitz [WTS] 280+ Bottles - USA SELLER - Niche, Designer, Vintage, Discontinued and Hard to Find (Bottle)
Post here and/or PM me with any questions.
Shipping is $5.
International is available, please discuss. Free samples with every purchase!
Payment is by Venmo, CashApp or Zelle, PayPal must inquire. Only swapping for 200mL Baccarat Rouge 540 Extrait and Louis Vuitton Symphony at this time. All of my contact info as well as
all of my bottles for sale, are available in my spreadsheet which you should bookmark and look at for a more updated inventory
Spreadsheet | HOUSE | FRAGRANCE | SIZE | REMAINING | Notes/Condition | Price | Type |
1 | Amouage | Amber Sogara | 12mL | 100% Full | Brand New, Sealed | $335 | Niche |
2 | Amouage | Incense Rori Attar | 12mL | 100% Full | Brand New, Sealed | $299 | Niche |
3 | Amouage | Orris Wakan Attar | 12mL | 99% Full | Full Presentation | $299 | Niche |
4 | Amouage | Rose Aqor Attar | 12mL | 99% Full | Full Presentation | $299 | Niche |
5 | Amouage | Saffron Hamra Attar | 12mL | 100% Full | Brand New, Sealed | $299 | Niche |
6 | Andy Tauer | Cologne du Maghreb | 50mL | 99% Full | First Release, Rectangular Clear Bottle; With box | $95 | Niche |
7 | Bond No. 9 | Central Park West | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
8 | Bond No. 9 | Dubai Jade | 100mL | 100% Full | Tester with Cap (No Box) | $200 | Niche |
9 | Bond No. 9 | Hamptons | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
10 | Bond No. 9 | Madison Square Park | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
11 | Bond No. 9 | New York Nights | 100mL | 100% Full | Tester (No Cap, No Box) | $165 | Niche |
12 | Bond No. 9 | NOMAD | 100mL | 100% Full | Tester (No Box or Cap) | $169 | Niche |
13 | Bond No. 9 | Riverside Drive | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
14 | Bond No. 9 | So New York | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
15 | Bond No. 9 | Sutton Place | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
16 | Bond No. 9 | Wall Street | 100mL | 100% Full | Tester (No Box or Cap) | $149 | Niche |
17 | By Kilian | Bamboo Harmony | 100mL | 100% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
18 | By Kilian | Black Phantom | 100mL | 100% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
19 | By Kilian | Can't Stop Loving You | 50mL | 100% Full | Brand New, Sealed | $185 | Niche |
20 | By Kilian | Forbidden Games | 50mL | 98% Full | Tester Refill (No Spray, No Box) | $125 | Niche |
21 | By Kilian | Gold Knight | 100mL | 100% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
22 | By Kilian | Gold Knight | 50mL | 98% Full | Tester Refill (No Spray, No Box) | $145 | Niche |
23 | By Kilian | Good Girl Gone Bad | 250mL | 99% Full | Decanter; No Box | $650 | Niche |
24 | By Kilian | Good Girl Gone Bad | 50mL | 98% Full | Tester Refill (No Spray, No Box) | $135 | Niche |
25 | By Kilian | Good Girl Gone Bad Eau Fraiche | 50mL | 100% Full | Brand New, Sealed | $180 | Niche |
26 | By Kilian | Intoxicated | 100mL | 100% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
27 | By Kilian | L'Heure Verte | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
28 | By Kilian | Moonlight In Heaven | 100mL | 99% Full | Tester Refill (No Spray, No Box) | $199 | Niche |
29 | By Kilian | Roses on Ice | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
30 | Byredo | Eyes Closed | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
31 | Byredo | Infloresence | 100mL | 100% Full | Tester; No Box | $135 | Niche |
32 | Byredo | Lil Fleur | 100mL | 100% Full | Tester; No Box | $135 | Niche |
33 | Byredo | Sunday Cologne | 100mL | 100% Full | Tester; No Box | $135 | Niche |
34 | Chanel / Chanel Exclusif | Misia EdT | 200mL | 90% Full | Tester with Cap (No Box) | $325 | Niche |
35 | Chanel / Chanel Exclusif | No. 22 EdT | 200mL | 95% Full | Tester with Cap (No Box) | $325 | Niche |
36 | Christian Dior / Dior Privee | 7 Mini Set as Pictured | 7x 5mL | 100% Full | 7 Official Minis from 2010-2011... Mitzah, Milly-A-La-Foret, Granville, Cologne Royale, Eau Noire, New Look 1947 | $180 | Niche |
37 | Christian Dior / Dior Privee | Bois D'Argent | 5mL | 100% Full | Official Mini - Batch Code 0V01 (2010 Production Date) - Price includes shipping | $35 | Niche |
38 | Christian Dior / Dior Privee | Cologne Royale | 5mL | 100% Full | Official Mini - Batch Code 1X01 (2011 Production Date) - Price includes shipping | $30 | Niche |
39 | Christian Dior / Dior Privee | Diorissima | 7.5mL | 100% Full | Official Mini; No Cannister - Price includes shipping | $30 | Niche |
40 | Christian Dior / Dior Privee | Eau Noire | 5mL | 100% Full | Official Mini - Batch Code 1R01 (2011 Production Date) - Price includes shipping | $35 | Niche |
41 | Christian Dior / Dior Privee | Eden Roc | 7.5mL | 100% Full | Official Mini - Price includes shipping | $30 | Niche |
42 | Christian Dior / Dior Privee | Granville | 5mL | 100% Full | Official Mini - Batch Code 0V01 (2010 Production Date) - Price includes shipping | $35 | Niche |
43 | Christian Dior / Dior Privee | Milly-La-Foret | 5mL | 100% Full | Official Mini - Batch Code 0W01 (2010 Production Date) - Price includes shipping | $30 | Niche |
44 | Christian Dior / Dior Privee | New Look 1947 | 5mL | 100% Full | Official Mini - Batch Code 1R01 (2011 Production Date) - Price includes shipping | $30 | Niche |
45 | Clive Christian | C for Men | 50mL | 95% Full | Tester (No Box) | $169 | Niche |
46 | Clive Christian | I Pour Femme (Woody Floral with Vintage Rose) | 50mL | 99% Full | Tester (No Box) | $169 | Niche |
47 | Clive Christian | Rock Rose | 50mL | 100% Full | Tester (No Box) | $229 | Niche |
48 | Clive Christian | X Pour Femme | 50mL | 100% Full | Tester (No Box) | $169 | Niche |
49 | Creed | Aventus - 19P21 (Decant) | 50mL | 100% Full | Magnetic Cap Decant | $169 | Niche |
50 | Creed | Aventus - F Batch | 100mL | 100% Full | BNIB, Sealed | $235 | Niche |
51 | Creed | Aventus Cologne - F Batch | 100mL | 100% Full | BNIB, Sealed | $235 | Niche |
52 | Creed | Aventus for Her - F Batch | 75mL | 100% Full | Tester with Plastic Cap (No Box) | $175 | Niche |
53 | Creed | Bois du Portugal | 100mL | 100% Full | Tester (No Box) | $185 | Niche |
54 | Creed | Carmina - F1449 | 75mL | 100% Full | Tester (No Cap or Box) | $199 | Niche |
55 | Creed | Erolfa | 100mL | 100% Full | Tester with Plastic Cap | $185 | Niche |
56 | Creed | Green Irish Tweed | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $195 | Niche |
57 | Creed | Himalaya - F Batch | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $185 | Niche |
58 | Creed | Millesime Imperial | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $185 | Niche |
59 | Creed | Original Santal | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $185 | Niche |
60 | Creed | Original Vetiver | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $185 | Niche |
61 | Creed | Queen of Silk | 75mL | 100% Full | Tester with Metal Cap | $275 | Niche |
62 | Creed | Refillable Atomizer (5mL Leather Wrapped) Blue | 5mL | 100% Full | Brand New, Sealed | $85 | Niche |
63 | Creed | Refillable Atomizer (5mL Leather Wrapped) Grey | 5mL | 100% Full | Brand New, Sealed | $85 | Niche |
64 | Creed | Royal Oud - F Batch | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $260 | Niche |
65 | Creed | Royal Water - F238 | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $180 | Niche |
66 | Creed | Silver Mountain Water - 21V01A | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $180 | Niche |
67 | Creed | Viking - F BATCH | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $190 | Niche |
68 | Creed | Viking Cologne | 100mL | 100% Full | Tester with Plastic Cap | $185 | Niche |
69 | Creed | Virgin Island Water | 100mL | 100% Full | Tester with Plastic Cap (No Box) | $195 | Niche |
70 | Creed | White Amber - 17R01 | 75mL | 100% Full | Tester (No Box or Cap) | $155 | Niche |
71 | Diptyque | Ombre Dans L'eau EdT | 100mL | 100% Full | Tester (No Box) | $100 | Niche |
72 | Diptyque | Oyedo EdT | 100mL | 100% Full | Tester (No Box) | $100 | Niche |
73 | Fragrance Du Bois | Brume du Matin | 100mL | 100% Full | New, No Box | $180 | Niche |
74 | Fragrance Du Bois | Cannabis Blue | 100mL | 100% Full | New, No Box | $180 | Niche |
75 | Fragrance Du Bois | Cannabis Intense | 100mL | 100% Full | New, No Box | $180 | Niche |
76 | Fragrance Du Bois | HERITAGE | 100mL | 100% Full | New, No Box | $330 | Niche |
77 | Fragrance du Bois | Lovers | 100mL | 100% Full | Brand New, Sealed | $325 | Niche |
78 | Fragrance Du Bois | New York Fifth Avenue | 100mL | 100% Full | New, No Box | $180 | Niche |
79 | Fragrance Du Bois | SAHRAA | 100mL | 99% Full | Full presentation with Box | $399 | Niche |
80 | Fragrance Du Bois | Siberian Rose | 100mL | 100% Full | New, No Box | $180 | Niche |
81 | Frederic Malle | Cologne Indellible | 100mL | 85% Full | Full presentation with Box | $175 | Niche |
82 | Frederic Malle | Eau de Magnolia | 10mL | 100% Full | Official Travel Spray | $55 | Niche |
83 | Frederic Malle | Heaven Can Wait | 100mL | 100% Full | Brand New In Box | $255 | Niche |
84 | Frederic Malle | Monsieur | 10mL | 95% Full | Official Travel Spray | $55 | Niche |
85 | Frederic Malle | Promise | 100mL | 100% Full | Brand New (Not Sealed) | $315 | Niche |
86 | Gallagher | Bergamot Silk | 100mL | 99% Full | No Box | $79 | Niche |
87 | Giorgio Armani / Armani Prive | Pierre de Lune | 100mL | 100% Full | Tester; No Box | $155 | Niche |
88 | Giorgio Armani / Armani Prive | Rose Alexandrie | 100mL | 100% Full | Tester; No Box | $155 | Niche |
89 | Guerlain | Angelique Noire | 30mL | 100% Full | Mini Bee Bottle Decant | $215 | Niche |
90 | Guerlain | Angelique Noire | 10mL | 100% Full | Tall Glass Decant | $55 | Niche |
91 | Guerlain | French Kiss | 75mL | 98% Full | Tester (No Box or Cap) | $450 | Niche |
92 | Guerlain | Frenchy Lavende | 200mL | 100% Full | Brand New, Sealed | $399 | Niche |
93 | Guerlain | Herbes Troublantes | 200mL | 100% Full | Tester (No Box) | $339 | Niche |
94 | Guerlain | Jasmin Bonheur | 200mL | 100% Full | Tester (No Box) | $369 | Niche |
95 | Guerlain | Neroli Outrenoir | 200mL | 100% Full | Tester (No Box) | $339 | Niche |
96 | Guerlain | Spiriteuse Double Vanille | 200mL | 100% Full | Tester with Cap | $399 | Niche |
97 | Guerlain | Tobacco Honey | 200mL | 100% Full | Brand New, Sealed | $399 | Niche |
98 | Hermes / Hermessence | Agar Ebene | 100mL | 100% Full | Tester (No Box or Cap) | $150 | Niche |
99 | Hermes / Hermessence | Cedre Sambac | 100mL | 100% Full | Tester (No Box) | $165 | Niche |
100 | Hermes / Hermessence | Epice Marine | 100mL | 100% Full | Tester (No Box) | $170 | Niche |
101 | Hermes / Hermessence | Myrrhe Eglantine | 100mL | 100% Full | Tester (No Box) | $185 | Niche |
102 | Hermes / Hermessence | Poivre Samarcade | 100mL | 100% Full | Tester (No Box) | $170 | Niche |
103 | Hermes / Hermessence | Santal Massoia | 100mL | 100% Full | Tester (No Box) | $170 | Niche |
104 | Hermes / Hermessence | Vetiver Tonka | 100mL | 100% Full | Tester (No Box) | $175 | Niche |
105 | House of Sillage | Nouez Moi | 75mL | 99% Full | Tester (No Box or Cap) | $120 | Niche |
106 | I Profumi di Firenze | Caterina De Medici | 50mL | 99% Full | No Box | $35 | Niche |
107 | Initio | High Frequency | 90mL | 100% Full | Tester (No Box) | $180 | Niche |
108 | Initio | Oud for Happiness | 90mL | 100% Full | Tester; No Box | $189 | Niche |
109 | Jo Malone | English Pear & Freesia | 30mL | 100% Full | No Box | $50 | Niche |
110 | Le Labo | Bigarade 18 - Hong Kong Exclusive | 50mL | 100% Full | Full Bottle, Retail Label | $299 | Niche |
111 | Le Labo | Mousse de Chene 30 - Amsterdam City Exclusive | 50mL | 99% Full | Sprayed Once to Test / Brand New; No Box | $259 | Niche |
112 | Le Labo | Oud 27 | 50mL | 99% Full | Full presentation with Box | $169 | Niche |
113 | Le Labo | Santal 33 | 50mL | 100% Full | Full Bottle, Retail Label | $135 | Niche |
114 | Liquides Imaginaires | Bloody Wood | 100mL | 100% Full | Tester; No Box, No Cap | $85 | Niche |
115 | Liquides Imaginaires | Desert Sauve | 100mL | 99% Full | Tester; No Box, No Cap | $85 | Niche |
116 | Liquides Imaginaires | Fleur de Sable | 100mL | 99% Full | Tester; No Box, No Cap | $85 | Niche |
117 | Liquides Imaginaires | Fleuve Tendre | 100mL | 100% Full | Tester; No Box, No Cap | $85 | Niche |
118 | Liquides Imaginaires | Sancti | 100mL | 100% Full | Tester; No Box, No Cap | $85 | Niche |
119 | Loewe | 7 EdT | 100mL | 100% Full | Tester (No Box) | $90 | Niche |
120 | Loewe | Aire Anthesis | 100mL | 100% Full | Tester (No Box) | $100 | Niche |
121 | Loewe | Esencia EdP | 100mL | 100% Full | Tester (No Box) | $120 | Niche |
122 | Loewe | Esencia Elixir | 100mL | 100% Full | Tester (No Box) | $200 | Niche |
123 | Loewe | Man 001 EdP | 100mL | 100% Full | Tester (No Box) | $120 | Niche |
124 | Louis Vuitton | Contre Moi | 100mL | 99% Full | Tester (Bottle may show some damage, Cap has no paint/is peeling) | $385 | Niche |
125 | Louis Vuitton | Sun Song | 100mL | 98% Full | Tester (Bottle is scratched, may have an engraving, and Cap has no paint/is peeling) | $425 | Niche |
126 | Louis Vuitton | Sun Song | 200mL | 98% Full | Dummy Bottle, filled with real juice. I don't think it's refillable. | $750 | Niche |
127 | Maison Crivelli | Bois Datchai | 100mL | 100% Full | Brand New, Sealed | $169 | Niche |
128 | Maison Francis Kurkdjian | 724 | 200mL | 100% Full | Tester with Cap (No Box) | $355 | Niche |
129 | Maison Francis Kurkdjian | 724 | 70mL | 100% Full | Tester with Cap (No Box) | $165 | Niche |
130 | Maison Francis Kurkdjian | A la Rose | 200mL | 100% Full | Tester with Cap (No Box) | $315 | Niche |
131 | Maison Francis Kurkdjian | Amyris Femme EdP | 70mL | 100% Full | Tester with Cap (No Box) | $150 | Niche |
132 | Maison Francis Kurkdjian | Amyris Femme Extrait | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
133 | Maison Francis Kurkdjian | Amyris Homme EdT | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
134 | Maison Francis Kurkdjian | Aqua Celestia | 70mL | 100% Full | Tester with Cap (No Box) | $135 | Niche |
135 | Maison Francis Kurkdjian | Aqua Celestia Cologne Forte | 70mL | 100% Full | Tester with Cap (No Box) | $145 | Niche |
136 | Maison Francis Kurkdjian | Aqua Celestia Forte | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
137 | Maison Francis Kurkdjian | Aqua Universalis | 70mL | 100% Full | Tester with Cap (No Box) | $135 | Niche |
138 | Maison Francis Kurkdjian | Aqua Universalis Cologne Forte | 70mL | 100% Full | Tester with Cap (No Box) | $125 | Niche |
139 | Maison Francis Kurkdjian | Aqua Universalis Cologne Forte | 200mL | 100% Full | Tester with Cap (No Box) | $225 | Niche |
140 | Maison Francis Kurkdjian | Aqua Universalis Cologne Forte | 35mL | 100% Full | Tester with Cap (No Box) | $90 | Niche |
141 | Maison Francis Kurkdjian | Aqua Universalis Forte | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
142 | Maison Francis Kurkdjian | Aqua Vitae | 200mL | 100% Full | Tester with Cap (No Box) | $215 | Niche |
143 | Maison Francis Kurkdjian | Aqua Vitae | 70mL | 100% Full | Tester with Cap (No Box) | $135 | Niche |
144 | Maison Francis Kurkdjian | Aqua Vitae Cologne Forte | 70mL | 100% Full | Tester with Cap (No Box) | $125 | Niche |
145 | Maison Francis Kurkdjian | Aqua Vitae Cologne Forte | 70mL | 100% Full | Tester with Cap (No Box) | $215 | Niche |
146 | Maison Francis Kurkdjian | Aqua Vitae Forte | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
147 | Maison Francis Kurkdjian | Aqua Vitae Forte | 70mL | 100% Full | Tester with Cap (No Box) | $160 | Niche |
148 | Maison Francis Kurkdjian | Baccarat Rouge 540 EdP | 70mL | 100% Full | Tester with Cap (No Box) | $209 | Niche |
149 | Maison Francis Kurkdjian | Baccarat Rouge 540 EdP | 200mL | 100% Full | Tester with Cap (No Box) | $399 | Niche |
150 | Maison Francis Kurkdjian | Feminine Pluriel | 200mL | 100% Full | Tester with Cap (No Box) | $335 | Niche |
151 | Maison Francis Kurkdjian | Feminine Pluriel Special Edition Extrait | 70mL | 100% Full | Full Presentation With Mirror Display | $499 | Niche |
152 | Maison Francis Kurkdjian | Gentle Fluidity Gold | 200mL | 100% Full | Brand New, Sealed | $365 | Niche |
153 | Maison Francis Kurkdjian | Gentle Fluidity Gold | 70mL | 100% Full | Tester with Cap (No Box) | $165 | Niche |
154 | Maison Francis Kurkdjian | L'eau a La Rose | 35mL | 100% Full | Tester with Cap (No Box) | $90 | Niche |
155 | Maison Francis Kurkdjian | L'Homme a la Rose | 70mL | 100% Full | Tester with Cap (No Box) | $165 | Niche |
156 | Maison Francis Kurkdjian | Masculin Pluriel | 70mL | 100% Full | Tester with Cap (No Box) | $165 | Niche |
157 | Maison Francis Kurkdjian | Oud EdP | 70mL | 100% Full | Tester with Cap (No Box) | $170 | Niche |
158 | Maison Francis Kurkdjian | Oud Extrait | 70mL | 100% Full | Tester with Cap (No Box) | $190 | Niche |
159 | Maison Francis Kurkdjian | Oud Silk Mood EdP | 70mL | 100% Full | Tester with Cap (No Box) | $170 | Niche |
160 | Maison Francis Kurkdjian | Oud Silk Mood Extrait | 70mL | 100% Full | Tester with Cap (No Box) | $190 | Niche |
161 | Maison Francis Kurkdjian | Petit Matin | 70mL | 100% Full | Tester with Cap (No Box) | $145 | Niche |
162 | Maison Francis Kurkdjian | Petit Matin | 35mL | 100% Full | Tester with Cap (No Box) | $80 | Niche |
163 | Maison Lancome | Orange Bigarades | 100mL | 100% Full | Full presentation with Box | $229 | Niche |
164 | Mark Birley | Charles Street | 75mL | 97% Full | Travel Version | $90 | Niche |
165 | Memo Paris | French Leather | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
166 | Memo Paris | Italian Leather | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
167 | Memo Paris | Lailabella | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
168 | Memo Paris | Marfa | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
169 | Memo Paris | Moon Fever | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
170 | Memo Paris | Oriental Leather | 75mL | 100% Full | Tester (No Box or Cap) | $115 | Niche |
171 | Mind Games | As-Suli's Diamond | 100mL | 100% Full | Brand New, Sealed | $249 | Niche |
172 | Mind Games | Gardez | 100mL | 100% Full | Brand New, Sealed | $249 | Niche |
173 | Mind Games | Vieri | 100mL | 100% Full | Brand New, Sealed | $249 | Niche |
174 | Mizensir | Bois de Mysore | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
175 | Mizensir | Cologne de Matte | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
176 | Mizensir | Ideal Oud | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
177 | Mizensir | Rose Exaltante | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
178 | Mizensir | Tonic Water | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
179 | Mizensir | Vert Empire | 100mL | 100% Full | Tester (No Box) | $155 | Niche |
180 | Oh Mon Dieu! | L'objet | 100mL | 100% Full | Full presentation with Box | $125 | Niche |
181 | Oliver and Co. | M.O.U.S.S.E. | 50mL | 99% Full | Limited Edition 87/133 | $110 | Niche |
182 | Parfums de Marley | Haltane | 125mL | 100% Full | BNIB, Sealed | $165 | Niche |
183 | Parfums de Marley | Layton | 125mL | 100% Full | BNIB, Sealed | $199 | Niche |
184 | Parfums de Marley | Valaya | 75mL | 100% Full | Tester with Cap (No Box) | $175 | Niche |
185 | Penhaligon's | Elixir | 100mL | 90% Full | No Box | $250 | Niche |
186 | Penhaligon's | Petra | 100mL | 100% Full | Tester (No Box) | $200 | Niche |
187 | Penhaligon's | Cairo | 100mL | 100% Full | Brand New, Sealed | $220 | Niche |
188 | Pomare's Stolen Perfume | Angel's Share | 9mL | 70% Full | No Box | $40 | Niche |
189 | Precious Liquid | Iced Juniper | 75mL | 95% Full | Full presentation with Box (Limited Edition) | $135 | Niche |
190 | Roja Dove | Creation-E Essence de Parfum | 100mL | 100% Full | Tester; No Box | $165 | Niche |
191 | Roja Dove | Danger Pour Femme | 50mL | 100% Full | 99% Full with Box | $275 | Niche |
192 | Roja Dove | Elixir | 100mL | 100% Full | Brand New, Sealed | $175 | Niche |
193 | Roja Dove | Elixir Essence Pour Femme | 100mL | 100% Full | No Box | $175 | Niche |
194 | Roja Dove | Qatar | 50mL | 99% Full | Full Presentation | $339 | Niche |
195 | Roja Dove | Scandal Essence de Parfum | 100mL | 100% Full | Tester; No Box | $165 | Niche |
196 | Roja Dove | United Arab Emirates (UAE) | 50mL | 100% Full | Brand New, Sealed | $300 | Niche |
197 | Roman Monegal | L'eau de Rose | 50mL | 97% Full | | $70 | Niche |
198 | Santa Maria Novella | Sandalo | 100mL | 95% Full | No Box | $80 | Niche |
199 | Sospiro | Deep Amber Ocean | 100mL | 100% Full | Brand New, No Box | $170 | Niche |
200 | Sospiro | Deep Amber Ocean | 100mL | 100% Full | Brand New, Sealed | $180 | Niche |
201 | Sospiro | Vibrato | 100mL | 100% Full | BNIB, Sealed | $265 | Niche |
202 | Spirit of Dubai | Bahar | 50mL | 100% Full | Tester with Cap and Travel Case | $175 | Niche |
203 | Spirit of Dubai | Rimal | 50mL | 100% Full | Tester with Cap and Travel Case | $175 | Niche |
204 | Tiziana Terenzi | Attar Cas | 13mL | 100% Full | Tester (No Box) | $225 | Niche |
205 | Tiziana Terenzi | Chiron | 100mL | 100% Full | Tester (No Box) | $165 | Niche |
206 | Tiziana Terenzi | Draconis | 100mL | 100% Full | Tester (No Box) | $135 | Niche |
207 | Tom Ford | Azure Lime - A71 | 50mL | 99% Full | Original Formula | $349 | Niche |
208 | Tom Ford | Beau de Jour | 1000mL | 100% Full | Sealed Dramming Bottle | $700 | Niche |
209 | Tom Ford | Ebene Fume | 50mL | 100% Full | Brand New, Sealed | $165 | Niche |
210 | Tom Ford | Fleur de Portofino | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
211 | Tom Ford | Fougere Platine | 1000mL | 100% Full | Sealed Dramming Bottle | $700 | Niche |
212 | Tom Ford | Neroli Portofino | 50mL | 100% Full | Brand New, Sealed | $140 | Niche |
213 | Tom Ford | Noir de Noir | 100mL | 100% Full | BNIB, Sealed | $185 | Niche |
214 | Tom Ford | Plum Japonais | 50mL | 100% Full | Decant (No Box) | $215 | Niche |
215 | Tom Ford | Rive Ambre - A63 | 50mL | 99% Full | Original Formula | $225 | Niche |
216 | Tom Ford | Rose de Amalfi | 50mL | 100% Full | Brand New, Sealed | $135 | Niche |
217 | Tom Ford | Santal Blush | 50mL | 100% Full | Brand New, Sealed | $140 | Niche |
218 | Tom Ford | Soleil Neige | 1000mL | 100% Full | Sealed Dramming Bottle | $700 | Niche |
219 | Tom Ford | Tobacco Vanille | 100mL | 100% Full | Brand New, Sealed | $245 | Niche |
220 | Tom Ford | Tubereuse Nue | 50mL | 100% Full | BNIB, Sealed | $125 | Niche |
221 | Tom Ford | Vanille Fatale | 50mL | 100% Full | Brand New, Sealed | $180 | Niche |
222 | Tom Ford | White Suede | 1000mL | 100% Full | Sealed Dramming Bottle | $700 | Niche |
223 | Washington Tremlett | Black Tie | 100mL | 95% Full | | $125 | Niche |
224 | Widian | II Black | 50mL | 99% Full | Tester (No Box) | $149 | Niche |
225 | Yves Saint Laurent | Babycat | 125mL | 100% Full | Brand New, Sealed | $300 | Niche |
226 | Acqua di Parma | Magnolia Nobile | 100mL | 100% Full | Tester (No Box) | $95 | Designer |
227 | Brunello Cucinelli | Pour Homme | 100mL | 100% Full | Tester (No Box) | $90 | Designer |
228 | Caron | Pour un Homme de Caron Le Matin | 125mL | 100% Full | Opened to test, sprayed once | $69 | Designer |
229 | Caron | Pour un Homme de Caron Le Soir | 125mL | 100% Full | Opened to test, sprayed once | $69 | Designer |
230 | Caron | Pour Un Homme Impact Parfum | 75mL | 97% Full | No Box | $175 | Designer |
231 | Chanel | Allure Pour Femme EdT | 100mL | 100% Full | Tester; No Box | $65 | Designer |
232 | Chanel | Bleu de Chanel - Aftershave Balm | 100mL | 99% Full | No Box, Minor Cosmetic Damage | $55 | Designer |
233 | Chanel | Bleu de Chanel - Aftershave Lotion | 100mL | 99% Full | No Box, Minor Cosmetic Damage | $55 | Designer |
234 | Chanel | Coco EdP | 100mL | 100% Full | Tester; No Box | $85 | Designer |
235 | Chanel | Coco Mademoiselle - Moisturizing Body Lotion | 200mL | 99% Full | No Box | $55 | Designer |
236 | Chanel | Coco Noir | 100mL | 100% Full | Tester; No Box | $100 | Designer |
237 | Chanel | Cristalle Eau Vert EdT Concentree | 100mL | 100% Full | Tester; No Box | $135 | Designer |
238 | Chanel | Cristalle EdP | 50mL | 95% Full | Tester; No Box | $135 | Designer |
239 | Chanel | Gabrielle Essence | 100mL | 100% Full | Tester; No Box | $100 | Designer |
240 | Chanel | No. 19 | 100mL | 100% Full | Tester; No Box | $115 | Designer |
241 | Chanel | No. 5 Eau Premiere | 100mL | 100% Full | Tester; No Box | $85 | Designer |
242 | Chanel | No. 5 EdP | 100mL | 100% Full | Tester; No Box | $95 | Designer |
243 | Chanel | Platinum Egoiste | 75mL | 99% Full | SPLASH, NOT SPRAY Older Formulation | $125 | Designer |
244 | Christian Dior | Dior Homme Parfum | 100mL | 100% Full | Brand New, Sealed (Packaging may be slightly damaged) | $175 | Designer |
245 | Christian Dior | J'adore in Joy EdT | 100mL | 100% Full | Tester with Cap, No Box | $60 | Designer |
246 | Floris | Cefiro | 100mL | 100% Full | Tester with Cap, No Box | $59 | Designer |
247 | Gucci | Gucci Guilty Absolute | 90mL | 100% Full | Tester; No Box | $70 | Designer |
248 | Guerlain | Habit Rouge Parfum | 100mL | 100% Full | Brand New, Sealed | $130 | Designer |
249 | Guerlain | L'Homme Ideal Parfum | 100mL | 100% Full | Brand New, Sealed | $130 | Designer |
250 | Guerlain | L'instant de Guerlain Pour Homme EXTREME | 10mL | 100% Full | VINTAGE BLACK RIM - DECANT | $50 | Designer |
251 | Guerlain | Vetiver Parfum | 100mL | 100% Full | Brand New, Sealed | $130 | Designer |
252 | Hermes | Twilly | 80mL | 100% Full | Tester; No Box | $65 | Designer |
253 | Jo Malone | Amber & Lavender | 30mL | 90% Full | No Box | $52 | Designer |
254 | Jo Malone | English Oak & Redcurrant | 30mL | 80% Full | No Box | $49 | Designer |
255 | Jo Malone | English Pear & Freesia | 100mL | 100% Full | Brand New with Gift Box and Gift Set (Body Wash, Body Lotion) | $180 | Designer |
256 | Jo Malone | Rose & White Musk Absolu | 100mL | 100% Full | No Box | $180 | Designer |
257 | Jo Malone | Scarlett Poppy Cologne Intense | 100mL | 100% Full | Tester; No Box | $130 | Designer |
258 | Lalique | Ombre Noire | 100mL | 100% Full | Sealed | $100 | Designer |
259 | Maison Martin Margiela | Replica - Jazz Club | 100mL | 100% Full | Tester (No Box) | $80 | Designer |
260 | Thierry Mugler | A*MEN | 100mL | 99% Full | Rubber Flask; No Box | $75 | Designer |
261 | Amouage | Cristal and Gold Ladies | 50mL | 95% Full | Vintage, Incredibly hard to find. Full presentation in nice condition | $399 | Vintage |
262 | Cartier | Santos EdT | 100mL | 100% Full | Spray; Refill. | $299 | Vintage |
263 | Chanel | Gardenia EdT | 100mL | 100% Full | Vintage; Sealed | $350 | Vintage |
264 | Crabtree & Evelyn | Crabtree & Evelyn Extract of West Indian and Sicilian Limes | 125mL | 100% Full | Full presentation with Box | $209 | Vintage |
265 | Dunhill | Cologne | 125mL | 99% Full | Vintage; Splash | $100 | Vintage |
266 | Ermenegildo Zegna | Haitian Vetiver | 125mL | 99% Full | No Box | $300 | Vintage |
267 | Escada | Pour Homme Aftershave | 75mL | 100% Full | BNIB Sealed | $165 | Vintage |
268 | Escada | Pour Homme Aftershave | 125mL | 100% Full | BNIB Sealed | $240 | Vintage |
269 | Floris | Special 127 | 100mL | 98% Full | Vintage; Dark Blue Box., 2 Royal Warrants, Vintage Version | $70 | Vintage |
270 | Fragonard | Zizanie | 240mL | 80% Full | Shaker bottle (Splash, not spray) no box. At least 80% Full. | $240 | Vintage |
271 | Geo F Trumper | Ajaccio Violets | 100mL | 99% Full | | $40 | Vintage |
272 | Gucci | Envy Aftershave | 50mL | 100% Full | BNIB Sealed | $140 | Vintage |
273 | Gucci | Envy Aftershave | 100mL | 100% Full | BNIB Sealed | $215 | Vintage |
274 | Gucci | Rush for Men | 50mL | 100% Full | Full Presentation; These do not come fully filled | $190 | Vintage |
275 | Gucci | Rush for Men Aftershave | 100mL | 100% Full | BNIB Sealed | $140 | Vintage |
276 | Guerlain | Heritage EdT | 200mL | 100% Full | New; Vintage; Splash. 1991 Bottle. | $225 | Vintage |
277 | Guerlain | Samrasa EdP | 50mL | 100% Full | No Box | $109 | Vintage |
278 | Guerlain | Samsara EdT 1992-1993 Formulation | 100mL | 100% Full | Tester; No Cap; No Box | $109 | Vintage |
279 | Jean Desprez | Bal a Versailles | 9 Oz | 70% Full | Vintage; Splash; No Box Open to offers on this enormous bottle. | $135 | Vintage |
280 | Lacoste | Eau de Sport Vivifiante | 100mL | 99% Full | No Box | $110 | Vintage |
281 | Lacoste | Land | 100mL | 99% Full | | $130 | Vintage |
282 | Nino Cerruti | Fair Play Pour Homme | 100mL | 99% Full | Full presentation with Box | $275 | Vintage |
283 | Paco Rabanne | Eau de Metal | 20mL | 100% Full | Vintage; Mini | $15 | Vintage |
284 | Revillon | Pour Homme Eau de Toilette Super Concentrate | 60mL | 99% Full | Atomizer | $190 | Vintage |
285 | Revillon | Pour Homme Eau de Toilette Super Concentrate | 90mL | 99% Full | Atomizer | $290 | Vintage |
submitted by
jravitz to
fragranceswap [link] [comments]
2024.05.21 22:40 Still_Performance_39 An Introduction to Terran Zoology - Chapter 37
Credit to
u/SpacePaladin15 for the NOP Universe.
Hey, I hope everyone's doing well!
Today we return to the namesake of this fic, an actual lesson about animals. This one focuses on Koalas! One of Australia's most recognisable critters. I hope you enjoy.
It's hardly worth mentioning, seeing as I'm an infrequent poster at the best of times, but I'll not have another chapter out for a few weeks due to limited free time and devoting most of my writing time to an upcoming ficnapping. Be sure to look out for that!
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Memory transcription subject: Rysel, Venlil Environmental Researcher Date [Standardised human time]: 8th September 2136 “Koalas!”
Bernard’s energised voice boomed through the air as the classroom's monitor flickered into life, images of this paws lecture topic popping up one after the other until the entire screen was filled with a collage of furry quadrupeds.
Squee! I’ll never get tired of this, it’s all so cool! As usual the sight of something new stirred immediate discussion, hushed murmurs swelling into vibrant discourse in little more than a heartbeat. Most of the class swiftly huddled together into small herds to bounce ideas around while the rest opted to stick to the solace of their own thoughts as they took in the display.
I’d be quite happy in either situation, though seeing as Sandi had already sunk into deep concentration and Kailo had peeled off to talk with Ennerif and Solenk, it seemed the decision had been made for me on this occasion. Wasting no more time on idle inspection of the people around me, I focused my full attention forward, eager to form first impressions before the lesson began in earnest.
Now then, time to make some educated guesses. What traits does this animal have? I wonder if I’ll get any right this paw? Professional assumptions went paw-in-paw with the lectures, examining and coming up with hypotheses about the specimens was only natural. Recently however, I’d started to make a little game of it to make things even more interesting than usual. A veritable bonfire of ideas had been set ablaze within me, fueled by my newfound knowledge of Earthen wildlife. Every flash and spark of the flame was a fresh theory I could try to apply to the lectures. It was an invigorating exercise that further stoked my unceasing wonderment.
So far I’d only done this once during the previous class and, to my disappointment, I’d not done too well.
I was right when I guessed that chickens were omnivores, but wrong in my assumption that they could fly. And that red thing on their head, the um… what was it called? The comb! Yes, the comb. I thought that was to attract mates, but it regulates body heat instead. It’s fascinating. Oh! Stars damn it I’m rambling! I bapped my tail against my leg, the soft thud being just enough to snap me back from my runaway thoughts before I went completely wall-eyed. I was becoming more and more accustomed to getting lost in my own head while remaining conscious of the fact; it was happening so frequently now that it was pretty much impossible not to. Now I was able to pull myself back to the world around me without having to rely on someone else shaking me out of it. Most of the time anyway.
Sandi still keeps an eye on me, and Kailo even decided to help out once without being too snide about it. Anyway where was I? Oh yeah, Koalas. Glancing at the furred animals, two things immediately stood out. Firstly, their eyes were in a more central position on their face. And second, all the images showed them being on or close to trees. There were other noteworthy observations of course, such as the Koala’s prominent nose and rounded features, but they fell to the wayside as I honed in on these points first.
Hmmm… ok. I already know to discount the idea that they’re predators just from eye position, so let’s get that thought out of here. Maybe omnivorous? Herbivore? Agh no, I can’t just guess that for the sake of guessing, that’s the same problem! Hrm, it’s tough making these assumptions now that everything I thought I knew has been turned on its head. Nevermind, I’ll focus on the other thing. All the trees make me think they’re arboreal, that seems to be a reasonable assumption. I wonder what else they- Clearing his throat, Bernard broke my concentration, his call for attention silencing the murmuring conversation and redirecting everyone's focus to the lecturer's podium.
His gaze panned across the room as he waited for everyone to settle, a beaming smile lighting up his face, “As ever I’m delighted to see you all get so into the subject matter from the get go. I’m looking forward to hearing what you were discussing should you wish to share. For now though, how about we get started, hm?”
A chorus of merry bleats rang out from across the audience, ears and tails flicking happily in agreement. Bernard's grin grew in tandem with the class's fervour, clasping his hands together enthusiastically as he launched into the lesson, “Excellent! Then let’s get started.”
The pictures on screen dissolved away until only one remained, enlarging to cover the entire monitor with the fluffy grey face of a Koala peacefully reclining in the crook of a tree.
“Ah, there we are,” Bernard’s baritone timbre drifted through the room as he looked up at the image, his own tone reflecting the relaxed attitude of the animal on screen, “He looks so comfortable doesn’t he? Perfectly at peace with the world, not too surprising considering they sleep almost 20 hours a day. A full paw!”
A wave of beeps and gasps rippled through the herd, punctuated by a single yawn-dressed comment from Rova, “A full paw? Hwuuu… jealous.”
Her drowsy remark elicited several whistling giggles from the herd, Bernard's own jovial chortle joining them as he turned to face her, “Late evening Rova?”
I twisted a little in my seat, panning an eye in Rova’s direction just in time to see her bleary eyes bulge open and her ears shoot up, now intensely aware of the fact she hadn’t been as quiet as she thought she had.
Sitting up abruptly, she hastily tapped down errant tufts of wool that’d flared in surprise as she composed herself, though her nervousness at becoming the centre of the class's attention was still plain for all to hear, “Uh- I um… achem, a little bit yes, um- …sorry. Lokki dragged me out to a movie viewing in the rec centre. It went on pretty late.”
A melodramatic bray from the other side of the room drew everyone's ears away from Rova to the now
aghast Lokki, paw splayed across his chest in faux indignation, “
Dragged you? Well excuse me for trying to broaden your horizons with human movies. That’ll be the list time I-
…Ahaaaa…”
Lokki’s theatrics were cut short by a heavy yawn of his own, a swell of whistling laughter rolling through the herd as vibrant bloom lit up his snout, a sight that elicited a particularly amused bleat from Rova.
Turning away from the duo I looked back at Bernard, pleased to see that he was chuckling along with us. Behaviour like Lokki’s would never have been tolerated in my school and university days but, in stark contrast, Bernard revelled in it, the liveliness of his students fueling his own bombastic style of teaching. It was a pleasant change of pace having a teacher who let us all be ourselves in class; provided we weren’t
too disruptive to the lesson plan.
Speaking of which. His laughter still rumbling through the air, Bernard clapped his hands to pull everyone's focus back to him, “Ok, ok, let’s get back to it then shall we? Rova. Lokki. Hopefully the two of you can stay awake long enough until you can grab yourselves a coffee.”
As the class settled down and the last few giggling beeps petered out, Benard pointed a hand to the screen, “So, the Koala. Let’s start simple shall we? They are herbivorous marsupials native to the eastern and southern coasts of Australia. Easily recognised the world over, they are a well known and beloved symbol of their homeland, along with other animals such as the Kangaroo and the Emu. The former of which you might remember from one of our earlier lectures.”
Indeed I did remember, along with how angry Bernard had gotten after some speh-head had derided the Yotul after he explained how he held specific disdain for such attitudes.
Uuuggghh… I never want to see him angry again. So chilling. I shook my ears in an effort to dismiss the unpleasant memory, panning my eyes back to the monitor to try and distract myself by inspecting the Koala’s physical appearance once more. Thankfully, by some Star's blessed intervention, Bernard had the exact same idea.
“Koala’s are rather squat in stature, ranging around sixty to eighty-five centimetres in length and weighing little more than fifteen to sixteen kilograms at their full size. As you can see, the fur of this fellow before you is a lovely silvery grey, but their fur can also sport a chocolaty brown hue as well. Arguably the most distinctive part of their appearance is their head, being rather large for their body size and having rounded ears, a large nose, and a pair of small eyes. These are often brown but variations do occur.”
It didn’t slip past my notice that Bernard didn’t bother to point out that the Koala’s eyes were forward facing. I didn’t think he’d simply forgotten, so perhaps he just felt it wasn’t necessary given that he’d already stated it was herbivorous. Either way, no one stuck up a paw or tail to question him.
“Now this will hardly be surprising considering how long they sleep, but Koala’s are largely sedentary and it’s rather easy to see why when you have a look into the contents of their diet.”
With the press of a button the Koala on screen was replaced by images of vibrant green vegetation. Soaring trees and flowering shrubbery weaved together across landscape framed pictures pulled admiring trills from the herd, the diversity of the plant life being shown standing as a reminder that it wasn’t only animal life that flourished on Earth.
After giving everyone the chance to take in the picturesque scenes, Bernard casually hammered that point home, “This is eucalyptus or, more accurately, a choice selection of more than 700 plants belonging to the eucalyptus genus, though the Koala itself favours 30 of them in particular.”
700!? Stars… Realising that my ears had drooped in my momentary awe, I twisted them back to tune into the lesson, only for them to splay out in shock at the next words to come out of Bernard's mouth.
“The leaves of these plants are the primary food source of the Koala and there are a couple things worth mentioning when talking about these plants. For starters they do not have much nutritional or caloric value, leading to the Koala’s low-energy lifestyle. Additionally, they contain toxic compounds.”
A shiver instantly ran through the herd, ears flicking rapidly in confusion and alarm followed by a few quizzical whispers. It didn’t take long for someone to decide to give a proper voice to the murmuring.
“Excuse me Doctor. Did we hear that right? Their diet is made up of toxic flora?” Vlek’s grumbling incredulity cut through the herd's mutterings with ease. Until Kailo’s recent change of heart, the fifty something rotation old blonde Venlil had been a close second in terms of scepticism. Mercifully his rebuttals had always been relevant questions as opposed to ranting diatribes, so he at least remained on topic if nothing else.
Bernard nodded in confirmation, smiling back at Vlek while absentmindedly twirling the end of his moustache, “You heard me right, they do indeed consume plants that are toxic. Just not to
them.”
Any worry or uncertainty still clinging to the herd was swept away by the provision of the glaringly obvious answer, leaving me chuckling inwardly at the oversight.
Ah of course! The plant might be poisonous but they’ll have evolved to deal with that. Stars… I’m so used to expecting the unexpected with Earth that I didn’t even consider the simplest solution. “I see, thank you Doctor,” Vlek replied, a tinge of interest still audible in his tone, “I assume they’ve developed some adaptation to become immune to the harmful effects?”
The question immediately evoked a smirk from our teacher, but he hurriedly suppressed it while bobbing his head, “They have indeed. There are several factors that aid in their digestion of eucalyptus leaves without succumbing to the plant's baleful properties. The first is a part of the intestinal tract called the cecum. It contains a microbiome that allows the Koala to digest the eucalyptus. Coupled with this is an enzyme in the Koala’s liver that helps them break down the toxins. They are also capable of sniffing out the plants with the least amount of toxins, ensuring that they ingest as little as possible.”
Pausing for a breath Bernard looked back at the screen before turning to face us, another grin curling at the edges of his mouth as he continued with his explanation, “This is mostly for adult Koala’s, because while their young also possess these same adaptations, they don’t just go straight to munching through foliage right after being born. No, they need a little help making that jump and getting a stomach full of all that good gut bacteria. It’s nothing bad, but those of a sensitive stomach may wish to prepare themselves for this next part.”
Bernard’s assurances did little to assuage the concern that his warning had foisted upon us. Having been exposed to so much of the weirdness Earth had to offer everyone always ended up on edge whenever Bernard gave advice like this, even if he did say it in jest.
What strange nonsense thing do Koala pups do then? Judging by the way he’s acting it probably isn’t something as simple as drinking milk from the mother. Hmmm… “So,” Bernard began, snapping us from our pensive stupor, “Young Koala’s, known as joeys, have a gestation period of thirty-five days on average, which is approximately forty-two paws. Once born they travel from the birth canal to a pouch in their mother so that they can continue to develop and grow. In the pouch the joey finds and latches onto one of two teats and these provide the newborn with a steady stream of nourishing milk. It spends the next six to seven months growing in the pouch, its eyes, ears, and fur all developing as time goes on.”
Okay, interesting. But this is exactly how I thought it’d go. What’s different? The unexpected normalcy of the Koala’s birth and growth cycle had calmed everyone's nerves, only to be replaced with an air of suspicion as we waited with rapt attention for Bernard to drop the other claw and upend our expectations like he always did.
Not wanting to keep us in further suspense he forged ahead, the tempo of his voice picking up as the smile started to crease his face once more, “Now to make the switch from milk to eucalyptus, the mother also feeds the joey a substance called pap. It comes from the cecum I mentioned earlier, and contains all the gut bacteria required to help the young Koala in making the switch to eucalyptus.”
He stopped and looked around, searching us for a reaction to what I felt was a rather bland statement of fact. What was it he was saying without actually saying? Koala pups drink milk to mature and then include this pap substance so that they can start eating plants. I don’t see what-
The cecum is part of the intestine. I blinked.
I blinked again, the intrusive interruption scouring my brain clean of any other thought bar the one it’d just implanted itself in the forefront of my mind.
Oh stars. They- “They eat their own poop!?”
The shocked bleat shattered the peace of the room to reveal that most if not all of us had come to the same tail curling conclusion. As the hall filled with unrestrained vocalisations of disgust, an ‘Ugh’ over here and a ‘Blegh’ over there, Bernard’s own bellowing laughter joined the throng of voices.
“
Ha! Everytime!
Each and every time. Clearly it doesn’t matter if my students are Human or Venlil. Whenever someone learns about the Koala’s dietary development the reaction is the same!”
Pleased with himself beyond reason, Bernard chuckled away while the rest of us grappled with this ghastly reality. While there were plenty of animals that feasted on things that ranged from simply unappealing all the way to the stomach churningly grotesque, I’d never heard of an animal that actively consumed the excrement of its own species.
Benefits aside, the prospect of having to do that to survive to adulthood sent a shiver of revulsion down my spine.
Ewww… Stars, I hope I forget this feeling by 2nd meal. They’re serving sturen and magamroot stew later. I was really looking forward to it. With the herds mood beginning to temper Bernard tapped the podiums controls, removing the verdant collage of eucalyptus to display several similar yet distinct environments, still chortling merrily to himself in the process, “Ok then, with that little foray into their diet complete, why don’t we look at their habitat in more detail? As you might imagine given their diet and arboreal nature, Koala’s live in forested regions, and can be found in tropical and temperate zones. About a century ago they were classed as a vulnerable species, however efforts were made to turn this around and increase their numbers. Sadly the largest factor in their decline was human activity, as the fertile lands that gave rise to their bountiful forests were coveted farm land for our settlements.”
It was strange to hear Bernard so matter of factly admit to humanity's negative impacts on other species. He’d alluded to such things in the past but always with an air of caution, carefully pawing the line between honestly answering a question while not painting humanity as uncaring and destructive. AKA, the ‘predators’ we’d all initially expected them to be.
Perhaps his comfort in making such admissions was a reflection of the class's comfort with him, for no one so much as batted an ear. Even Kailo, who I would’ve expected to jump at the chance to use this as a prime example of predatory danger, only flicked an ear in stern yet silent concern.
A cough from Bernard drew my attention back, a new picture on screen that showed a forest from a bird's-eye view. Drawn across the image were around a dozen ringed areas, some bordering one another while others overlapped to some degree. It took me a moment, but I soon recognised that what I was looking at was a map, the rings representing what I assumed to be territories. And it didn’t take much effort to guess who each one belonged to.
“From habitats we move onto behaviours, so let’s start with territories. Koala’s are solitary animals. Yes, despite being herbivores. Considering they’re only awake for roughly four hours of the day I can hardly blame them. Lots to do and not a lot of time to do it. Jokes aside, once they mature they are quite independent, carving out a little slice of land for themselves, as displayed in this example, called a Home Range. That is not to say they go it alone and leave everything else behind however. Rather, as shown in the map behind me, they live in their own space while still being part of a larger social group.”
With another press of his pad the picture was updated to show one of two symbols in each segment, along with a key to the side of the map displayed in helpful Venlang. A quick glance told me that the symbols were representing whether the territory belonged to a male or female of the species.
“As you can see there is quite a bit of overlap between different Koala’s territories. It is in these areas that most of the socialising takes place between neighbours. The trees in these locations represent the few areas where intrusion across territories is acceptable for the sake of social interaction. Outside of that the Koala’s stick to their own territories for the most part, with the exceptions of Koala’s who are passing through, attempting to become part of the social group themselves, or dominant males who sometimes go off into another Koala’s range. But how do they know where one range begins and another range ends you might ask? Well, this brings us onto the next part of the lecture. How do Koala’s communicate?”
Wiping away the map from the monitor, Bernard loaded up a video of a Koala sitting in a tree and pressed play. Head held high, the Koala’s body shook as it belted out a reverberating call into the wilderness that could only be described as a garbled combination of a car engine failing to turn over mixed with the hiccups of someone with a particularly sore throat.
That’s how they sound? Oof that must be rough on the lungs. I clearly wasn’t the only one to share such a thought, because I clocked Sandi tracing a paw along her neck as the noise went on, ears fluttering in discomfort at the noise.
Bernard himself cleared his own throat as the video came to an end, minimising it and replacing it with another image of a tree with a Koala rubbing up against the bark, “I think they’ve got me beat on who’s got the deeper voice!”
His joke garnered several amused beeps, a rare reaction that caused a beaming smile to shine across his face at lighting speed, “Oh you’re too kind. I’ll be here all week. Now where were we? Oh yes! Communication. As you’ve just heard, Koala’s are capable of loud low pitched bellows that can carry over vast distances. These express everything from ‘Hello I’m over here’ to ‘This is my turf, stay away’. Bellowing is more common in the males than the females, opting for shouting matches as opposed to outright fights when it comes to asserting dominance. Other vocal expressions include grunts, wails, and snarls if they’re acting particularly angsty. Mother and joey pairs also communicate through gentle clicking, squeaking, and murmuring sounds. And there’s one more thing worth mentioning. Something they have in common with Humans and Venlil when it comes to emoting.”
Really? They do something we do? Curious, I pressed myself against the desk, straining as close as I could to once more scrutinise the Koala’s features. Not a lot stood out to me at first, the grey marsupial not sharing many similarities with a Venlil that I could identify.
Ok think. We show emotion with our ears, tails, and our wool on occasion. They don’t have tails so it’s obviously not that. Wool standing on end is more a reaction than a conscious expression. So it must be the ears then. To my quiet satisfaction, my hunch was soon validated by Bernard, “As well as their vocalisations, Koala’s are very emotive through their facial features. Just like humans, they use their mouths and lips to show how they feel, but these tend more towards the aggressive side of the scale than what you might see on a human. Regarding yourselves however, Koala’s utilise their ears in tandem with their mouth movements when showing strong emotion.”
I was delighted to hear that my assumption was correct, a little happy flick twisting out through my tail and bapping against my chair with a muted thump against the plastic.
Hehe yes! Got one right! “Now then, we are getting close to lunchtime so I’ll finish this segment off with something I think you’ll find particularly interesting. Diplomacy.”
Perplexed mutterings followed in the wake of the bizarre inclusion to the lecture, my own thoughts being dominated by bewilderment as I tried and failed to make sense of how the two could possibly be related.
Why would Koala’s, or any animal for that matter, be linked to diplomacy? Hmmm... I could understand dispatching exterminators to deal with a predator issue as a show of goodwill, that at least includes animals, but Humans aren’t like that so I think I can safely scratch that off the list. Maybe the humans who live in that region benefited from Koala’s in some way. Could they have gotten something from them? But what? Hopefully not what the pups get from their mothers. Agh no! Begone awful intrusive thoughts. Blegh! I don’t need that in my head. As I wrestled with the short-lived revulsion inflicted upon me by my Star's damned subconscious, Bernard placed a new image on screen, one that was decidedly different from all that had preceded it.
On screen were more than a couple dozen pictures of humans. Some were pictured alone while others congregated in large groups while cameras surrounded them from all angles. Across all the images, I noted two common themes. First of all, a solid majority of the humans were wearing formal wear similar to what I’d seen worn by UN representatives on TV. If the gaggle of journalists in the background of the photos didn’t already confirm my suspicions, then it was this similarity which made me conclude they were all people of some importance. Likely politicians judging from context clues.
Secondly, each of the individuals was interacting with a Koala in some form. Some cradled one against their chests while others were feeding it eucalyptus leaves or pellets of some kind. One of the assumed politicians had become an impromptu bed for a snoozing bundle of fur, a gleeful smile spread across their face as they lovingly gazed down at the sleeping Koala in their lap.
As I continued to stare at the assorted photos something clicked into place, a sudden spark flickering into life. A burgeoning light of comprehension that flared and swelled with every wide-eyed breath I took. Some things still escaped me, things I hoped would soon be explained, but in staring at all of the humans happy smiling faces, I was struck with an instant of pure understanding.
If someone, say a Nevok for instance, offered to gift me a creature that was common to them but which might exotic and breathtaking to a Venlil, how could my feelings not be swayed? How could I walk away from that encounter and not have grown closer to them as a result?
“Koala diplomacy,” Bernard waved his hand up at the monitor, a slight reverence in his tone, “My favourite kind of soft power diplomacy. Where political leaders take photo ops with Koala’s and, on occasion, the Australian government loans Koala’s to other nations for a time to bolster positive relations. It certainly helps that Koala’s are a beloved animal worldwide, drawing large crowds and revenue for countries fortunate enough to host the adorable critters.”
The truly alien concept predictably sparked instant discussion in the herd, two polar opposite schools of thought swiftly cementing themselves as the most popular opinions. Simultaneously, I heard one voice trill excitedly while another scoffed at what they clearly saw as a ridiculous and offensive notion.
“
Squee! That’d be so cool! I’d love to get the chance to see a Liri from Coila. Remember the Rainbow Boa? Think of that shimmering effect and colour but put it on a bird!
Ah! I’ve only heard their song on video. It’d be a treat to hear it in person!”
Ooo! I’ve read about them! I’d love to get up close to one. “
Loaning. As if animals are property to be hoarded and traded?
Pugh! Another predatory trait the humans don’t want to acknowledge for what it is.”
Ugh, typical. Jump right to the worst possible option. However, despite my dismissal of their disparaging fumings, an uncomfortable thought pressed upon my mind. While it was plain to see how much humans cared for the Koala, it didn’t change the fact that humans did keep animals as property just as the scornful herd member had said.
This begged a rather important, disquieting question. Aside from keeping some animals as cattle, a stomach tightening minefield I had no desire to step a claw onto right now, how else did humans
keep other creatures. And how did they treat them?
Before I was fully conscious of doing it my paw was in the air, the question primed on my tongue.
Noticing my elevated paw Bernard pointed at me, smiling warmly, “Yes Rysel? What’s on your mind?”
Sorry Bernard. I hope this one’s not too awkward for you to answer. Flicking my ear in appreciation, and waiting for everyone to settle enough so that I could be heard, I voiced my concerns as neutrally as possible, “Thank you Doctor. I uh, just had a thought. We know that humans keep certain animals for…
particular reasons, and we know why. From how you’ve spoken about Koala’s I think it's fair to say that the same cannot be said for them. However, this makes me wonder, what other reasons do humans have for keeping animals and how do you treat them?”
A flash of surprise blinked across Bernard's eyes but vanished so quickly that it felt like I’d imagined it. Had he not expected such a question? Maybe he was just shocked that it’d been me who’d ended up asking it?
Stars, am I so predictable that no one expects me to ask difficult questions? Unfortunately, a quick glance at my deskmates seemed to prove that to be the case, as both Sandi and Kailo were looking at me with differing degrees of astonishment flapping in their ears.
Well speh. “A very good point Rysel, certainly one that’s worth raising. Yet another example of you all anticipating what I have to say before I can bring it up myself.” Bernard tapped the podium, switching off the monitor before returning his focus to me, “We won’t be needing that. I’ve nothing prepared that I can show you and we’re heading to lunch in a few minutes anyway. Still, that’s plenty of time to give you a bit of an answer.”
A bit? What does he mean just a bit? Made even more curious by Bernard's preempted admission that he wasn’t going to fully answer my query, I dialled both my ears on him, fixing him with an inquisitive stare as he started to explain with a tone that was noticeably more nonchalant than any of his previous explanations.
“So, animals in captivity for reasons other than what you already know. Honestly I would love to delve into other reasons regarding why we keep animals. However, I have a lesson plan in the works that I hope to share with you all in the not too distant future. Some of it touches upon this very topic and I’d quite like to bundle it all together. That said, I can tell you how animals in captivity are treated. In short, the answer is very well. There are a mountain of laws both on private and public interests that govern the standards and ethical treatment of animals, and breaches of these laws are quite severe even for relatively minor infractions.”
While I’d be lying if I said I wasn’t disappointed by the vague answer to what was really the bulk of my question, I was at least satisfied by Bernard’s assurances that animals in captivity, such as the Koala, were well looked after. Considering the barely subdued grumbling coming from some corners of the audience it was clear that several of the herd didn’t believe Bernard outright, but I trusted him to be honest. Additionally, the mention of an upcoming lecture focused on humans keeping animals caused quite the buzz.
I felt a mix of excitement and trepidation at exploring the topic further. He’d pretty much confirmed we wouldn’t be talking about cattle farms, for which I was relieved, but that still left a huge amount of uncertainty in what was to come.
Humans keeping animals as cattle was a forgone conclusion. As horrifying as that reality was, it was one I could understand from a detached and strictly clinical point of view. Being predators they ate meat and therefore they kept cattle. But the concept of keeping animals for any other reason baffled me.
What could be the purpose? The diplomacy thing makes sense now that I have context, but what other reasons could they have. The class's discussions were interrupted by the recognisable ring of the break bell, the shift in attention eliciting a change in conversation from confused hypotheses to peppy conversation on how everyone was planning to spend their break and what they had in mind for 2nd meal.
“Well I can see everyone’s excited for lunch, and who am I to disappoint,” chuckling Bernard waved us all up from our seats, pocketing his pad from the podium and heading to open the classroom door for us, “Enjoy your break, get a good rest along with a hearty meal, and I’ll see you all back here at the usual time.”
As everyone else filed out I stayed behind, waving at Sandi and Kailo as they left, and pawing over to Bernard once he and I were the only ones left in the room.
Ears folded down and with an apologetic tinge in my voice I greeted him as I sidled up to him, “Hey Bernard, I uh… sorry if that last question was unexpected.”
Chortling in reply, Bernard waved a hand through the air in a sign I’d come to understand meant ‘not a problem’.
“No need to apologise Rysel. It was a good question and most certainly not a problem.”
Heh, called it. I sighed, allowing tension I didn’t realise I’d been holding to relax itself from my shoulders, “Phew, that’s a relief. I’m glad. I’m curious to hear what this new lesson is you’ve got in store for us by the way.”
Bernard wagged a finger at me, throwing up his eyebrows in mock amazement, “Oh are you now? Well I’m afraid you’ll have to remain curious for the time being. It’s going to be quite the surprise if all goes to plan. But…”
He trailed off, glancing at me before looking to the door like he was making sure no one else was around.
Wait, is he going to tell me? Oh please yes let me know now! Stopping myself from jumping on the spot in excited anticipation, and trying my damndest to stop my tail from wagging in equal measure, I stared up at Bernard as he stewed in his thoughts before turning back to face me.
“I can’t tell you the specifics, but I’m working with Alejandro and Tolim to get something together. A trip that’s not a trip as it were. And when it happens, I’m going to need a few of the more
accepting members of the class to lend me a hand. I’m hoping you and a couple others will be able to help with that?”
A trip that’s not a trip? What does that mean? Agh who cares about that right now! Bernard’s relying on me to help out! Still trying not to keep myself from bouncing around with pup like glee I swished my tail and nodded my head in joint agreement, happy to help with whatever Bernard had in store for us, “Of course! Anything you need I’ll be there to lend a paw. You can count on me!”
A broad warm smile lit up Bernard's face, a hand patting me on the shoulder in appreciation, “Thank you Rysel. I knew I could rely on you but it still warms my heart to hear it. And, as thanks for this and for the many times you’ve shown your support, the surprise includes a little something special I think you’d appreciate the most.”
If my earlier enthusiasm had been at a nine, then the implication of a supposed gift sent it rocketing all the way to a hundred in a heartbeat.
“Wait…
WHAT!? What do you mean? What are you doing?”
As impossible as it seemed, Bernard's grin grew even wider as I almost lost myself in wool shaking exhilaration, “Call it my own form of Koala diplomacy. But I’m afraid that’s all I can say for now. Wouldn’t want to ruin the surprise even for you!”
“Oh you ass!” Whistling jovially I bapped my tail against Bernard’s leg in fake indignation, evoking a barking bellowing laugh from the man himself.
Still laughing, the two of us departed the class and made for the canteen, my rumbling stomach leading me on while my mind spun with fantastical thoughts as to what Bernard had prepared for us.
And what specifically he had in store for me.
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2024.05.21 22:33 adriancha Golazo de Cristiano Ronaldo impresionante de Chilena en la AL–Nassr Saudí Pro League
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2024.05.21 22:15 toolshome How to Watch Furiosa: A Mad Max Saga Online now
Where to Watch Furiosa: A Mad Max Saga Online for Free
The highly anticipated new installment in the Mad Max franchise, Furiosa: A Mad Max Saga, hit theaters last weekend amid tons of buzz and hype. The post-apocalyptic action film serves as both a prequel to 2015's Mad Max: Fury Road and the beginning of a new trilogy set in that harsh, desert wasteland world.
Starring Anya Taylor-Joy in the title role originated by Charlize Theron, along with Chris Hemsworth and Tom Hardy reprising his Fury Road character, Furiosa has been praised by critics as a visual spectacle and thrilling ride. If you missed catching it on the big screen this opening weekend, you may be wondering where to watch Furiosa online and how to stream the new Mad Max movie from home.
Unfortunately, as a brand new theatrical release, there is no legitimate way to stream Furiosa for free online yet. The only way to watch it right now is to buy tickets at your local movie theater. It will likely be several months before Furiosa becomes available to rent or purchase on digital platforms like Amazon Prime, iTunes, Vudu, etc.
However, there are always shady websites claiming to allow you to watch Furiosa online or stream the full movie for free. These sites are extremely unreliable and often spread malware or viruses. Most don't actually have the movies they claim to offer. Typing phrases like "watch Furiosa online free" into search engines is a surefire way to encounter these scam sites.
When and Where Can I Stream Furiosa at Home?
So when and where will Furiosa actually become available to stream online? The typical theatrical window for new releases is around 90 days (about 3 months) before movies become available for digital rental/purchase. So if Furiosa follows a similar timeline, you could expect to see it on-demand sometime in early September 2024.
After that, it will likely become available for streaming subscription on services like HBO Max, Hulu, or Netflix around 5-7 months after its theatrical premiere. So subscribing to one of those platforms by October or November will allow you to stream Furiosa from home with no extra rental fee.
Of course, Warner Bros could always change up the release strategy. But in general, your best way to watch new movies online is waiting patiently and avoiding those sketchy "free streaming" websites that promise the impossible. Trust me, it's worth the wait to watch Furiosa: A Mad Max Saga at home the legitimate way later this year. The explosive action and stunning visuals deserve to be seen properly.
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2024.05.21 22:13 newmusicrls Weekend Picks 20 (May 2024)
https://minimalfreaks.co/2024/05/weekend-picks-20-may-2024/ - GMJ, Jiminy Hop – Caladan (Original Mix) 07:30 122bpm 6A
- Latmun – Play The Music (Original Mix) 06:21 129bpm 12B
- Arude – Who You Are (Original Mix) 05:42 124bpm 12B
- Magenta, Skore – Dubplate (Original Mix) 04:29 88bpm 10A
- Pvlomo – Infraworld (Original Mix) 05:10 127bpm 7B
- Frank Storm, Francis De Simone – Quarterback (Original Mix) 06:25 130bpm 8B
- Oscar Mulero – The Sweat And The Salt (Original Mix) 05:05 140bpm 10A
- DESIREE (RSA), Selaelo Selota – Selaelo Selota – Thrrr… Phaaa! (DESIREE Remix) (Original Mix) 06:55 122bpm 9A
- Atlas – Particles (Original Mix) 09:01 132bpm 12B
- Radio Slave – Strobe Queen (Original Mix) 12:02 120bpm 5A
- Patrik Berg – Nothing But Love (Original Mix) 06:53 133bpm 6B
- Traumer – Nectar (Original Mix) 06:51 129bpm 8A
- PACH. – Body Control (Original Mix) 05:58 129bpm 5A
- Mathys Lenne – H23 (Original Mix) 05:13 138bpm 8A
- Dan Laino – Take A Trip (Original Mix) 04:56 125bpm 4A
- EeQue, Don Edward, Ez Maestro, ToooValid, SY.SHIN – Ba Kene (Original Mix) 05:19 112bpm 8A
- Jamie Stevens, Kasey Taylor – Ochre (Original Mix) 08:08 126bpm 4A
- Miishu, Nyadollar, Nyamal Nyang – Cheza (Original Mix) 05:16 122bpm 9A
- Lance DeSardi, Jesse Rennix – Higher feat. Jesse Rennix (Extended Mix) 06:37 124bpm 6B
- Mendo – I Like That (Original Mix) 05:46 128bpm 6A
- Tuccillo – Frames (Original Mix) 07:24 123bpm 1A
- Whitesquare – Ephemeral Eyes (Original Mix) 06:54 127bpm 5B
- Lionayve – Mmetho (Original Mix) 06:33 118bpm 11A
- UNKLE, &ME, Keinemusik – Only You (&ME Remix) 08:34 120bpm 4A
- Space Motion – Ludo (Original Mix) 05:34 124bpm 3B
- AC Soul Symphony, Dave Lee ZR – I Want To See You Dance (Art Of Tones Remix) 06:05 127bpm 7A
- Braille – Suntime (Original Mix) 03:08 127bpm 1A
- Armonica, Zamna Soundsystem, ROZYO – Summertime Sadness feat. Blu (Original Mix) 05:31 124bpm 3B
- MoRsei – From Earth (Original Mix) 08:10 108bpm 12B
- Ariel Zetina – Slab of Meat (L-Vis 1990 Remix) 04:27 138bpm 6B
- Monty, En:vy – INLOVE (Original Mix) 04:34 87bpm 8A
- Anonimat, Soulmac – Brainwash feat. Sensitive (It) (Original Mix) 07:21 122bpm 4A
- Visage Music, Ragie Ban – Time After Time (Extended Mix) 05:29 124bpm 9A
- Brassic – Antagonist (Original Mix) 02:45 140bpm 9A
- Claudio PRC – Zenith (Original Mix) 07:47 129bpm 12A
- Adonis – Few Times (Original mix) 06:49 95bpm 6A
- Fulltone – Alba (Original Mix) 08:57 122bpm 8B
- Digital Base, Andy Vibes – 30 YEARS (Original Mix) 05:10 130bpm 8A
- Bruno (HU) – I Am Here (Original Mix) 06:09 128bpm 5B
- Decadance – Saoirse (Original Mix) 06:18 163bpm 3A
- Hector Couto – Flufly’s House (Original Mix) 05:48 131bpm 6A
- Yanamaste – Dance (Original Mix) 05:02 140bpm 3A
- Julian Liander – Sukuru (Extended Mix) 05:28 120bpm 4A
- Javi Bora – Yes To All (Original Mix) 05:53 123bpm 5A
- Avis Vox, A*S*Y*S – Body Mind & Soul (Original Mix) 05:23 132bpm 9B
- Danner (US) – State Of Mind (Original Mix) 05:39 130bpm 4A
- Jungle Rootz – Midnight Skunk (Original Mix) 04:39 140bpm 7B
- Dokho – Balao (Extended Mix) 05:26 120bpm 3A
- Wingz – Ghost (Original Mix) 05:07 107bpm 2A
- Apparel Wax – MINI003A (Original Mix) 04:41 122bpm 8A
- Bombossa Brothers – Destino (Extended Mix) 07:10 121bpm 8A
- A08 – Nineoneone (Dengue Dengue Dengue Remix) 04:40 163bpm 5B
- Fdh – Spion Kopje (Original Mix) 05:51 145bpm 9B
- Timboletti – Kava (Original Mix) 06:33 119bpm 12A
- Jou Nielsen, Paul Ikky – Mentalism (Extended Mix) 05:31 124bpm 3A
- Mance – Checkpoint (Original Mix) 05:24 133bpm 9A
- Lyktum – Enlightened (Introspect Remix) 08:16 144bpm 5B
- Michel De Hey – Hot Like That (Original Mix) 05:26 127bpm 4A
- Viikatory – Cartesian Space (Original Mix) 04:55 138bpm 9A
- Chunky Jackson – What You Do To Me (Gass Klubb Remix) 05:12 68bpm 5A
- Castion – Higher Place (Extended Mix) 05:47 128bpm 3A
- Alexny – Shake It (Original Mix) 05:12 124bpm 4A
- Pakard – Forbidden Pleasure (SYEP024) 05:07 145bpm 11B
- Layton Giordani, Anyma (ofc), Loofy – Last Night (Anyma x Layton Giordani Extended Remix) 05:14 129bpm 5B
- Ben Graves – Do It Like That (Original Mix) 07:05 128bpm 4B
- You Man – Birdcage (Theus Mago Version) 04:38 93bpm 10A
- Byron Stingily – Why Can’t You Be Real (Danny’s 12″ Version) 07:25 125bpm 6A
- MOREKI, Sims Noreng, F3 Dipapa, Gift Tonic, Jozi WA Meropa, Deco the voice – Simunye (Original Mix) 02:52 113bpm 4A
- Mincy – Simulation Conversation (LO’99 Remix) 03:30 138bpm 10A
- Luca Agnelli – Game Over (Extended Mix) 05:39 155bpm 1A
- Blaze – Lovelee Dae (Seth Troxler Extended Remix) 06:48 127bpm 7A
- Stocked Up – No Data Access (Original Mix) 07:08 131bpm 4A
- T.M.A_Rsa, Frozen Deep, B6 Rider – Impilo Yam feat. B6 Rider feat. Frozen Deep (Original Mix) 07:34 112bpm 11A
- Noon – SNOOZE (Original Mix) 02:48 145bpm 5B
- DJ Physical, Olympe4000 – Free access to nothing (Original Mix) 05:15 153bpm 8B
- Starving Yet Full, The Spirit Project – Find Your Way (Monkey Safari Extended Remix) 06:03 92bpm 2B
- Ferra Black – Titan (Original Mix) 05:30 128bpm 10A
- Ximena, Ali X, Pvlomo – Pastillitas (BadWolf Remix) 05:59 120bpm 12B
- Tom Kench, Balsamic Vin – Love Song of Mine feat. Balsamic Vin (Extended Mix) 04:36 126bpm 1A
- Cyclops – Tear Jerker (VIP) 02:25 140bpm 7A
- Lua, Isaac Carter, Callum Asa – Drift (Original Mix) 07:38 128bpm 5A
- FJAAK, Skee Mask – Black Ice (Original Mix) 04:51 143bpm 6A
- Sandro Puddu – Get Right (Original Mix) 04:11 126bpm 5A
- Leo Bufera – Here We Go (Original Mix) 05:30 150bpm 11B
- Atmos, Jakes – Hypnosis (Original Mix) 04:28 87bpm 7A
- Eli Brown – Trick Daddy (Extended Mix) 05:08 138bpm 8B
- Aiden Francis – Sundancer (Original Mix) 06:58 105bpm 11B
- Acerbic – Spitfire (Original Mix) 05:46 147bpm 4B
- Lars Bartkuhn – Everymorning I Meditate (Original Mix) 04:38 104bpm 1B
- Felipe Gordon – My Legs Are Numb (Original Mix) 06:03 120bpm 9A
- Benales – Sorrow (Original Mix) 05:19 140bpm 6A
- Matt Caseli – R.O.A.R (Extended Mix) 05:23 126bpm 12B
- DAN-E-MC – Musica House (Eddie Amador Club Mix) 06:50 126bpm 8B
- Robytek, Emmanuel Jal, SAMBA MAPANGALA, Shield (IT) – Shuka (Original Mix) 05:38 122bpm 9B
- Sinego – Mujer (Yulia Niko Remix (Extended)) 05:41 126bpm 8A
- joshE – Lets Go (Original Mix) 04:55 130bpm 7A
- Anthony Godfather, Elilluminari, Alvaro Varen – La Blanca y la Rosa (feat. Elilluminari) (Remix) (Remix) 04:55 130bpm 11A
- Shimza, Rachel Chinouriri – Parachute (Extended Mix) 05:35 118bpm 7A
- Dr Packer – You Got The Love (St. Croix Extended Remix) 05:31 128bpm 7A
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