Justin bieber quiz about you survey

r/lgbt: Reddit's home for the LGBTQ+ community

2008.03.14 10:41 r/lgbt: Reddit's home for the LGBTQ+ community

A safe space for GSRM (Gender, Sexual, and Romantic Minority) folk to discuss their lives, issues, interests, and passions. LGBT is still a popular term used to discuss gender and sexual minorities, but all GSRM are welcome beyond lesbian, gay, bisexual, and transgender people who consent to participate in a safe space.
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2015.06.03 23:14 ThisAppleThisApple Women with ADHD

Welcome to Women with ADHD, where we have two times the ADHD! We are a community of women with ADHD. We accept all who identify as female.
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2011.12.09 16:44 nikiverse Curly Hair

For all natural curlies, coilies, and wavies! All hair is good hair. Find help with your hair, recommendations on products, technique advice... anything to help embrace your texture!
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2024.05.12 23:20 Nazaninxx It’s all an act 🇵🇸

It’s all an act 🇵🇸
Michelle shared the story in the first slide today. Kinda ironic considering she supports Hailey and Justin Bieber, who are open about being against Palestine. Around October, Michelle got caught deleting and blocking comments about anything in relation to the Palestinian genocide on her videos, even going as far as removing those who used the 🇵🇸 flag emoji. When people questioned her, she posted a video responding with “hmm do I support blue or red???” and continued yapping about a whole lot or nothing (if someone has the video pls upload it!!). People started eating her the fuck up about how she should educate herself on the subject, and then she responds with how she “isn’t educated on the issue hence why she hasn’t said anything this whole time”. Pretty ironic considering she has all the time in the world to censor her comment section, but none to educate herself on the matter. 🙃
Slide two showcases Kevin’s lack of awareness and sensitivity by him reposting a meme about how it’s been “thousands of years”??? Like woah this guy really knows nothing outside of cars. Yeah the genocide has been going on for quite some time, but does that mean we should sweep it under the rug because the Palestinians should be “used to it” by now? 🤡
In slides 3&4, Kevin posted a video of him laughing and using slang, referring to Arabs as “aye-rabs”, and his fanbase going along with it.
Oh and not to mention, she and Kevin kept posting their Starbucks drinks and only stopped doing so after people attacked them for it. The Palestinians don’t want your sympathy Michelle; how about you take meaningful action, such as selling your luxury items and donating the proceeds to those affected. Oh wait you won’t, because this is all solely just for content. 🤡
submitted by Nazaninxx to michellediaztruth [link] [comments]


2024.05.12 17:47 Mister_Ape_1 Since Yulaan is in a band, what are, out of her own genre, her musical tastes ?

Since Yulaan plays in a band, she has a favorite musical genre and follows it, but she would also have to confront herself with other musicians. Could you please make a list about what she thinks about the very popular pop singers listed here ? I guess Pop is far from her thing, but likely pop singers would not be all the same to her...here is the list :
All very famous people in more or less her own age range (she is born in about 1985, is not so ?), all mostly from Pop genre but all mixed with other genres and different from each other, but all very very distant from Death Metal/War Metal.
submitted by Mister_Ape_1 to Yabanverse [link] [comments]


2024.05.12 09:18 Any-Plastic8638 Help me find a young young Hailey Baldwin YouTube video

I know they say when you put something out on the internet it’s out there for forever. I remember being young like 13-14? I’m 27 seeing a young Haley Baldwin YouTube video and her probably being 14-15?, she was in a white living room area with a white couch dancing with a Justin Bieber pic with a Justin Bieber song in the background dancing, going crazy, rolling on the floor, jumping on the couch. maybe a year after her lurking in his paparazzi videos. Has anybody seen this youtube video or know what I’m talking about. It’s her just young young dancing crazy in a white living room to a JB song before anything. How do I look this up on YouTube rewind or whatever it’s is. I want to say it was posted by one of her friends not by HB. Help me find it! She has been stalker since day 1!!!
Edit: I remember the camera quality being low, not terrible and I just say that because the video wasn’t in HD it was more like cell phone camera or digital camera video quality
I also remember the title had her name in it Hailey Baldwin but I don’t exactly remember what the title said something along the lines Hailey Baldwin dancing to Justin Bieber? Not exactly sure, but when I have tried looking up this old video it’s always just videos of her now dancing at his concerts or wherever she’s dancing to his music at
submitted by Any-Plastic8638 to HaileyBaldwinSnark [link] [comments]


2024.05.12 06:03 Important-Tie-4584 How to deal with being genderfluid ? I switch from feeling like my agab to feeling like a nonbinary transmasc.

I'm AFAB, and some days I feel like a girl, some days I feel that i'm actually transmasc or a nonbinary guy. I don't know how to deal with that, because when I feel more masc, people still view me as a girl, BUT I still don't want to go on T or have any surgeries.
When I feel like a guy, I picture myself like a guy who isn't too "manly". What I mean by that is, a guy who doesn't have facial hair or very little facial hair, and who isn't too much muscular. If I was born male, I think I would like to look like young Justin Bieber. I think i'm kinda a "twink" born in a female's body, if that makes sense (not sure if If we could call JB a twink, but I don't have a better example of the style I would like to have). That's why I don't necessarily want to go on T.
I don't think I want to do top surgery neither. I have small boobs, and when I wear a sports bra with a large tshirt, it looks flat and it does it for me.
Currently, I have very long beautiful hair, and I really love it when I feel more feminine, people compliment me all the time about my hair. When I feel more masc, i'm considering cutting my hair short, but I don't do it because I would miss my long hair on feminine days and i'm also scared that it would make me ugly or not suit my face shape. My hair touches my butt, if I cut it, it would take years to grow back. I'm scared I would regret it. So when I feel masc, I tie them, or I just put on a beanie or a cap.
Since I won't really do any big changes to my body, the best I can do is dressing masc, but i'm not perceived as a guy that way. I'm perceived as a tomboy lesbian, not like a guy.
I'm not sure what to do...
Also an another thing that is difficult is that when I dress masc, I have conflicting feelings. I feel more like the guy I feel like I am on those days and it feels great, but at the same time I have this nagging annoying voice in my head that tells me : <> ?
All my life I thought I couldn't be trans because I liked being feminine, and I thought that if I felt like a guy some days, it was just because i'm a lesbian, and I kinda thought that all lesbians feel like that sometimes...
And i'm starting to question if I really like presenting feminine and if I even really feel like a girl on fem days, or if I just like feeling pretty. Like, maybe I just want to be pretty to attract women, and to me pretty/attractive equals being feminine, since I myself am attracted to women and feminity. (Not sure if I make sense).
Sometimes I think that I do really like being cute and feminine, but some days it feels forced or like a performance. It feels like a part of my social camouflage/social masking since I have autism. I'm like : <>. Well, some days it's me, some days it isn't ? What if i'm trans and in denial ? Why am so confused about my gender ?
In summary, some days I want to be perceived as a guy, but I cant really do anything to be perceived other than a tomboy girl, and I'm not even sure if I really feel like a guy, or what the hell is my actual gender identity. It's like it's constantly changing, I'm constantly questioning. I'm tired...
submitted by Important-Tie-4584 to genderfluid [link] [comments]


2024.05.12 05:54 MoodNo9037 Exposingsmg

Since there are some users talking about how "delusional" this sub is, I want to talk about Exposingsmg (who are the definition of miserable people) and their recent video that they made about Justin and Hailey's pregnancy, which they of course had to bring up Selena in some way when she hasn't even said anything. They can never admit when Biebtards and Rodhents are toxic. They claimed Selena was trending because they claimed she is bothered by the Bieber's when really It's because Bieber fans have no life, and they have to make Hailey's pregnancy about Selena in some way. The Bieber fans are reason they are making Selena more and more relevant.
I literally laughed at the end of the video when the said "and Justin and Hailey when you see this, send your girls Angela and Alana a baby shower invite" yeah, when they give zero shits about you and no longer follow you. They are never going to see your video ever. They can enjoy trying to portray Hailey and Justin's marriage as perfect. They can enjoy trashing Selena and acting as if they how Selena is like even though they don't know her personally. Selena will forever live rent-free in their lives.
submitted by MoodNo9037 to HaileyBaldwinSnark [link] [comments]


2024.05.12 04:45 minivatreni We have a fan!

We have a fan! submitted by minivatreni to HaileyBaldwinSnark [link] [comments]


2024.05.12 00:39 Junepero Stories of panem 113 rest of pregames and games

The pair from nine were instantly laughed at by the carrers and the pairs from 4 and 7 causing Keith and particularly Winnow to embarrassingly walk further on. Keith embarked upon the chariot first before Winnow find Mayfair and Julia both from 12 chatting away with there mentor Harley Davidson victor of the 107th hunger games. WInnow soon befriended julia with the 2 bonding over there ridiculous outfits. Mayfair in particular found there conversation quite amusing before joining in. Harley seemed a little annoyed at his tributes lack of attention to what he was trying to tell his tributes but soon smiled before giving a knowing nod to junnius. However Keith remained rooted to the carriage apparently having his “Tough guy persona” wiped from his face as Silca put it. Junnius smirked before asking Keith if he “wanted to listen now?”
As Keith nodded Winnow soon returned as Frida did some final touch ups with the pair’s outfits. Pluto and Ariana were approached by London and Wyoming both from 6 marveling at the pairs outfits. Wyoming even gigled to herself before London complemented Pluto’s and Ariana’s outfits. He smiled before signing ‘thanks”
The boys soon signed to each other about there lives in there own districts London then asked the pair if they would be interested in a potential alliance, After Pluto looked back at Regina she nodded as Ariana and PLuto accepted this. London smiled before returning his loopy district partner back to there own horse carriage as Pluto and Ariana hopped back on there own carriage as the parade then begun.
After the usual fanfare for the carrers and the total contrast of outfits for the pair from 4 viewres seemed entranced with the pair from 5s garud themed outfits with Nico Anderson commentated that “A for effort at the title.” Pluto regaly waved to many audience members as they signed his name. Ariana looked at him before grinning signing “Sorry for the attuide I didnt mean the way I acted.’ Pluto smiled and nodded before taking her hand as they waved to the audience. Further down the parade line up the pairwere very embarrassed at there outfits with there faces of disgust being posted over future “captiol memes” on Golden 24. Still they did there best efforts in making a second impression as few captial citzens through roses and chocolates at the pair out of pure pity. As the parade came to an end president mcaine did his usual speech about the importance of panem before welcoming nico Anderson to the stage. He congratulated the stylists on a good job before crowning district 2 the title of Anderson fashions best dressed with there stunning stonemason inspired outfits.
The next day without to much fanfare from the night prior all mentors and brought there tributes to the training hall at percisly 10 am per usual. Head master Price gave his usual stern greeting before ‘reminding the tributes” about the consequences of tongfouleraly by turning on his taser as the training staff followed before dismissing the tributes to there own stations.
As per there argeement Ariana Pluto Wyoming and London practiced together mainly staying at the camouflage station for most of the first and second day until being ordered to practice at a different station. However when Ariana refused to a training staff member tasered her in the back before being removed from training for a day. Pluto turned to London before signing “She’s gonna get us killed before we even get into the arena.” London laughed before taking him to the toxilogical station as Wyoming somehow remained hidden in the camfolouage station until the end of the second day. When Apollo was shooing the tributes to the accesors room Wyoming jumped out at him causing Apollo to shreik before peacekeepers soon escorted Wyoming to the asscors room alone as most of the other tributes lauhjed.
As for Keith and Winnow Keith mainly practiced with Sailor from 4 at the trident station. However training staff had to break up a fight after Sailor after he angrily accused Keith of purposley distracting him after he coughed rather loudly after sailor missed his trident has it nearly projectiled back at him. Meanwhile Winow mainly stayed with Mayfair and Julia at the medic station watching Mayfair and Julia explain the basics of sowing a wound and cpr. At the end of the 2 days a rather angry training master price then escorted price to the training hall.
After the strong displays of the carrers and the mediocre displays of the outliers Pluto was welcomed in. As he was permitted an interpreter he signed that ‘he'd show his camouflage skills.” The game makers soon groaned before he also signed he’d “Like the lights off”. Curious sounds of intreigue went through out teh accors box as game maker monty allowed this as the assors room went dark. As his interpreter moved close to him as he begun his “camfoluage experties”. After 5 minutes the lights were turned on many of the assorcs were quiet suprised where the only spots that were seen was his white eyes. He then waved as the assecors appluaded. Ariana was welcomed in next unforeanutly for her knife display went poor as the game makers soon dismissed her,
Later on the line up Keith performed a rather decent sword display with poor accuracy. Winnow on the other hand bored the asscors with the typical toxical quiz.
As evening soon falled in the results were displayed on capital tv. WIth the usual good scores of the carrers Keith scored a 8 Pluto scored a 7 . London a 6 and Slip from 8 also scoring a 6 Winnow and Wyoming from 6 both scoring a 4 and at the bottom of the pack Ariana and Ignatia from 3 scoring a 3.
Regina was somewhat pleased with Pluto score but saractsicaly reminded Ariana that “Better scores more sponsors.” Ariana snarled back saying “Bite me im going to be dead in a few days anyway.” Regina grumbled to herself beofre Francis approached the pair with there uniforms for the interviews.
As Junnius he was pleased with both of his tributes scores awarding them with some captial cake before Frida quickly made her tributes interview outfits for her tributes as Junnius soon quizzed the 2 on “Propper interview edicate.”
Silca MOnty welcomed the excited capital audience regally waving and modeling her tropical dress consisting of real palm tree leaves and the top consisting of a light beige and to top it off Silca hair was dyed a light green making her a real life palm tree. After some comedic banterring session with the front audience members she welcomed in the carrers. After there successful interviews and the rather boring interviews from the pairs from3 and 4 Ariana was welcomed in. She walked dimly into the studious fashiong a silver gown with newly dyed silver hair. Even though this was Silca’s one of few years commentating she had to put on a strong face as she was unable to get any word to her as she was shouting obscenities at the capital and Silca in particular nearly tackled Ariana to the ground after she was shouting obscenities about the Monty family. After peace keepers escorted Ariana out Pluto was welcomed to the stage.
He was adorned in a silver suit with a light brown bountier and his reddish brown hair with her hair also dyed a crisp white. He was also allowed an interpreter she was adorned in a similar dress to Silca to commenterate the games. Pluto’s interview went rather dully at first but he soon “came out his shell’ before signing about how his district partner acted like a “Rotten brat’’ and how he’d “want to get the short holiday” done and over with as soon as possible. The audience was in a mix between jeers and cheers as Silca was pleased with the rather quick interview she then shooed the boy off the stage before continuing on. After the interview of Slip from 8 Winnow was welcomed to the stage. Winnow was adorned with a beige gown with corn themed embleshents littering her hair which had been put up into a bun.
Winnow gracefully chatted with Silca about every topic besides the games a fact that “Greatly surprised” many members of the audience. Even Silca tried her best to get a word in about the games Winnow would only talk louder completely erasing her graceful entrance. Soon the interview host shooed the girl of the stage before Keith was also welcomed in sporting the same scowl as Ariana had shown. He mainly insulted Silca through out his interview leading she and the audience to jeer Keith of the stage. After the easy interviews of the pairs from 10 11 12 and the and the popular interviews from the pair from 14 she happily welcomed her husband to the stage. As rapid cheers followed he kissed his wife before she rather “Akwardly” asked her husband for a hint on the arena. Game maker monty sniggered before surprisingly offering a small hint up. ‘An old game character from the time before spent most of his time on this beach trying to save a damsel in distress.’
Curious sounds of intrigue and shouts of “OOOOOOO” sounded as both husband and wife bowed as the audience cheered on. Back at the apartments both mentors seemed rather furious with there tributes Regina in particular became defeated after stopping an argument Ariana started with pluto.
The next day the tributes were given a breif breakfest before being flown to this years arena. This years arena’s outfits featured a light yellow tank top with a short sleeved over coat and shorts. Regina ultmaitley did not want to vist both of her tributes however Francis opted to vist Ariana which made Regina smile. Beofre Pluto got into his tube Regina smiled before signing “Stay out of trouble”. Pluto laughed before nodding as the pair had shock her hand Regina soon stooped him before saying “Love is the worse enemy of them all.” Pluto had become rather confused before he soon walked into his tube. As for Ariana she made on final attempt to escaping the games but Francis imedtlay swooped in and particularly yanked Ariana in her tube before he ordered peacekeepers to garud her tubes as ariana angrily bashed against her tube.
Unforeanutly for the pair from 9 Junnius did not vist them as Keith and Winnow nodded at each other the pair got dressed in there uniforms before being rose into the humid beachy arena.
This years games took place in Delfino Plaza
To many in the excited members in snow square this years arena was a reference to a very popular game from the time before known as “Super Mario Sunshine”. The corncopuia was below the shine sprite tower featuring mini knives swords and blow guns,. With a handful of foods in the heart of the corncopuia however tributes did not know this but these food items were highly vemnous. Outside the cornocpuia small boats were known to slowly go out to the islands that were connected to the arena. The first island featured a large mansion that featured many non venomous foods however every hour a large electric manta ray would regularly swim through the arena which would cause a near fatal electric shock if a tribute were to touch it. On the second island featured a bustling amusement park with rides that would cause a “Quick death” or “Nausea’ if these rides werent handled with care, Many yellow snapping turtles with green shells were also notted to freguent teh arena which these shells were called as “Koppas’ by SIlca.
Back in the main island featured many palm trees and buildings that also had many market places with more poisonous foods. Finally on top of the arena featured a large volcano that would reagulry pour only small amount of lava and “Unwanted Pests”. Such as many long raccoons with sharp teeth and walking bombs
Day 1
As the tributes rose into this years arena winnow imedtlay flagged down Julia from 12. She smiled dimmly pointed at the pair from 2 Marcus and Hera flagging the pair from 1 and surprisingly the pair from 4 as well. Keith was also flagged down by Mayfair from 12. Apparently realizing that the pairs district partners were friends Keith smirked before pointing at Slip from 8 walling loudly. However with the pair from 5 they were put next to each other as Ariana scowled as Pluto became relived seeing London and Wyoming from 6 giving them a careful nod, And as the gong trialed down to the final 10 seconds ariana begun shouting more verbal taunts resulting in many of the audience members to shout “Shut up”.
As the gong sounded the games finally begun. Surprisingly all 24 tributes barrled into the corncopuia building. Ariana darted in first with Wyoming soon following as London signed at Pluto to run in. He did this before pushing aside Slip from 8 as he was stabbed by Brock from 3 in the heart. Pluto soon grabbed a sword before being crashed into by the boy from 1 holding a dager to his throat. London shoutted out before unforenautly becoming the girl from ones target the 2 fighting very vicosuly . Thankfully for Pluto the boy from 1 was soon bashed into the wall by Arogrio from 11. He then got up before running away with Wyoming soon following him rapidly shouting “Come back there still in the hell bath.” Wyoming soon dashed after before being hit with a sword in the back by Hera from 2. Ariana soon grinned at seeing many of the knives before pocketing nearly every one of them resulting in Silca calling her “Selfish.” London gave a grim stare at Wyoming before grabbing Ariana’s hand running toward PLuto but in a diffrent direction nearly being hit with a knife by the furious girl from 1 who had been unable to save her district partner from Agorio. Keith then was the 14th tribute to dash in alongside Mayfair unforeanutly as the remaing tributes started to scatter Both Sailor and AnaMaria from 4 soon through there knives simtaneisouly into there backs as Julia and Winnow grimly looked on. However to avoid being the carrers next targets they only grabbed 2 knives before running away to the near by gondola as it brought them to island 2.
As the blood bath soon dyed out the 5 blood bath cannons sounded signfing the deaths of the boy from 1 Wyoming from 6 Slip from 8 Keith from 9 and Mayfair from 12. Pluto frantically ran into a near by market grabbing many fruits before running further away to the near by buildings climbing to the top of one curling up into a ball and looking concerningly out. However as Ariana and London soon came toward the building they soon yelped seeing PLuto standing toward the edge griping on for dear life. With a heavy effort London soon gripped onto Pluto’s body however as London successfully yanked Pluto down the 3 sat down in a disorganized heep. Ariana soon laughed before signing Pluto should “Not be such a wimp.”
Pluto snarrled back before tossing some fruit to Ariana. As she walked over and looked like she was about to eat some of it many viewers in snow square laughed hysterically with Silca recounting “She must be dnese.”
Before Ariana was about to eat the mango fruit a knife came whistling into Ariana’s shoulder. She winced as she saw Gerogio and Frida both from 10 hurling many near by koopas at the pair. However this idea soon back fired as the koopa Gerogio was holding chomped his hand he ket out a large yelp as Pluto soon barrled into Ariana removing the knife from her shoukder and throwing it into Frida’s heart, Her cannon soon sounded follwoing by his district partner. Ariana soon shouted “are you crazy!”. Pluto rolled his eyes before smiling as London fist bumped him.
The 3 of them soon surveyed the area nearly being found by the carrers however as London had grew hungry he grabbed a near by pineapple fruit. Beofre slicing it cleanly open. He soon was about to drink the liquids of this pinapple however Pluto angrily slapped London in the face. However as London soon was about to sign why he had just slapped him he brought a rather angry Ariana before dumping the liquid on her hand. As Ariana;s hand soon sweled PLuto signed “Put it in water youll be fine”. Ariana scowled as London laughed before signing back “Thanks.”
Pluto smiled before grinning as 2 sponsor gifts then flew down. Pluto smiled before opening his gift a blow gun with a hand ful of darts with a note attached saying “Keep that brat at an arms length” from R. He smiled dimmly before his eyes turned to a shade of suprise seeing Londons sponsor gift some morphine and an assorment of foods.
Pluto turned to London signing “You do this stuff?”
London nodded dully before saying “I have and still kinda do.”
Pluto dully looked forward before London asked “Something wrong.”
The boys did not say much for the next 10 minutes before Pluto signed “I knew someone who did those in the past.” Londons face whitened before pouring most of the context out as he smiled and nodded “ Pluto smiled however Viewers could see London’s face turned a grim shade of grey as he poured the remaining liquid into a near capsule before muttering to hismelf. Pluto soon tapped him on the shoulderi as the boys giggled seeing Ariana angrily fighting with some of the none violet koopas.
The boys soon helped Arianaout before cleaning her wound on her shoulder. Ariana gruffly walked in the other direction sleeping behind a near by palm tree. As Evening fell on the arena the boys soon rejoined there sleeping ally. With Pluto keeping watch for the night. As for Winnow and Julia they succesfuly ran aout the corncopuia fray hoping on the gondola. As the island arrived at the island they heard a sharp scream as Brock and Ignatia both from 3 went screaming in the opposite direction. As both of the girls looked on in horror as teh pair from 2 went running after them with knives at the ready. As Julia encouraged Winnow to hurry up before both girls screamed as the pair from 4 wet chassing after them.
Winnow soon hoped up toward the ferris wheel ride which had suprsingly been going slow. As she successfully boarded one of them Winnow soon shouted for Julia to hurry up. Foretanutly for the girl from 12 she successfully grabbed on to Winnows hand as the girls soon panted in exhaustion both the pair from 4 soon swore as the pair 2 and the girl from 1 angrily yelled at the pair for letting the outliars get away. However as Sailor shoutted at Marcus in particular for chassing down “The geeky brats” Marcus sighed before snapping Salior’s neck. As his cannon sounded Ana maria shoutted out in horror before she to had her neck snapped cleanly by the girl from 1. As 2 cannons sounded Winnow and Julia clinged on to each other for dear life as the carrers continued to search for them.
As the carrers soon gave up some viewers in snow square cheered as a sponsor gift soon flew in for the pair. Winnow and Julia smiled at the small feast that they were provided as they ate and talked about there own home lives with Winnow in particular being quiet surprised hearing about the recent changes that have happened in districts 12 that theyre mentor Harley Davidson had implemented.
As the girls fell asleep on the feris wheel horn of plently played featuring the 9 fallen tributes leaving 17 remaing.
Day 2
As the early morning sunrise entered the arena game maker monty made a live announcement to the arena. He congratulated the 17 remaining tributes on making it too the second day of the games before announcing that the tributes had 5 minutes to arrive at island 1 or 2 before the volcano woulf eurpt killing anyone in its way. As game maker monty signed off the remaining tributes stampeded to the near by gongdelas. Monica from 8 had been the first casuality to the event as the pair from3 enegerneered the walking bombs as Monica picked one up it exploded leaving nothing left.
Ariana Pluto and London soon darted out of there hiding spot as they imedtlay hopped on the gondola to island 1. However as the 3 painted in exhaustion Ashley and the boy from 7 hoped out at the pair with knives at the ready. Ariana soon shoved Pluto out of the way as she through her kife as it landed in the boy from 7s heart. As his cannon sounded Ashley caught London unspectedly off garud as she then threw her kinfe toward London’s head. Luckily fr London the knife only hit him in the lower adomen. Ariana soon charged into Ashley the 2 girls soon begun a viscous fist fight however as the volcano soon euerpted Ariana then got the upper hand pushing Ashley out of the gondola. As her cannon sounded Pluto imedtlay ran over to Lodon before taking out the knife from his adomen,
As London screamed out Pluto signed to him to “SHH”. However as another cannon sounded the three hid behind one of the walls for the time being. Silca explained to the captial audience that this was Daisy from 11 after she had a run in with the pair from 14 as they chased Daisy up into the volcano area as Hanah soon pushed the girl into the lava. As for the aliance of Winnow and Julia both girls stayed hidden on the ferris wheel as the reaming 3 carrers stayed below watching the ferris wheel intently.
As a suspenseful quiet soon crossed the arena and in snow square Julia gently climbed to the top of the box. As she quietly hoped out Winnow noticed before saying “The death pits down there and were 25ft in the air.”
Julia smiled before saying to “trust her”.
Winnow sighed before grabbing Julia’s hand. However unforeanytly for the girls the ferris wheel creaked rather loudly waking Hera. As she rubbed her eyes in a tired heep she alerted her other carrer allys as they begun hurling many of there weapons at the pair.
Winnow then looked back at Julia before pointing at Arogio from 11 who had about to attack Marcus. The girl from 1 soon noticed Arogio and shoutted in a rather horse tone that “he’d pay for killing her district partner.”

Arogio laughed and taunted the girl to try as the carrers soon changed there target to the boy from 11 allowing bith girls to make a mad dash to gongdela 1 with out the carrers noticing. Silca later recounted that “This year may be the werdist year in history.”
As Arogio’s cannon sounded the 2 outliar girls soon jumped off the ferris wheel only having a scraped knee between the both of them. After a short gomgdela ride they had arrived at the island. Due to it being noon and the captial being pleased with the amount of bloodshed teh tributes were allowed to have a rest “For now.”
Julia in particular was rather exhausted for the mormings events so the girls rested in the mansions first floor. The girls kept each other from boredoom by playing a popular childrens game called “Eye spy.” With most of there objects they wanted the other to look for being rather impoosible to find leaving both the girls laughing. However this laughter turned to horror as the manta ray soon mad her hourly appearnce as one cannon sounded.
After the run in the aliance of Ariana Pluto and London with the pair from 7 they imedtlay ran into the mansion and hid hwoever they triggered the next arena event.
As teh 3 went screaming they fell down into a casino room. However the three of them did not what was happening a ghostly voice soon eerily said. “Score 7777 and you’ll be free failure to do so one of you will be dead.”
As many casino machines popped up. PLuto imedtlay grabbed onto his blow gun and darts as London weakly rested on the ground as Ariana went to the near by cassino machine. As London begun to bleed out more Pluto screamed before trying to apply pressure on his friends wound however as London weakly grabbed onto Pluto before screamingas Ariana stabbed London in throat. Pluto screamed out before grabbing his blow gun and huffing 2 darts out. She soon signed and shouted that London would of been “Dead anyway.”
However Pluto then huffed into his blow gun as a dart when whistling into Ariana’s arm. She sighed before getting the 7777 number on the near by machine. As the ghost like figure nodded Ariana grinned before rather vindectively signing “You’’ll be London soon”. As the pair from 5 begun battling many citzens in the captial were shoutting at Pluto to win this “Fight” but unfroeanutly for him Ariana manged to steal the blow gun before pointing it over Pluto’s neck.
As Ariana held the blow gun to Pluto's neck, the tension in the room escalated. The citizens in the Capitol watched intently, their excitement palpable. Pluto's eyes darted around, searching for any possible escape route, but he found himself cornered with nowhere to go.
Suddenly, a loud alarm blared through the casino room, signaling the end of the event. The ghostly voice echoed once again, announcing that time was up and the game was over. Ariana hesitated for a moment, torn between her desire to eliminate Pluto and getting hell out of the casino.
Ariana then sighed in angry huff before helping PLuto up signing “Stop for now.”
However Pluto did not listen and continued teh fight as he held his knife to Ariana’s throat. Hwoever Ariana got the upper hand again as she then huffed into blow gun behind her as an dart flew into Plutos nose. He screamed out in pain before Ariana then blew another dart as it landed in Pluto’s heart.
His cannon sounded as many jeers sounded in snow square with Silca rolling her eyes saying “the girl will never change.”
The ghost soon pushered her back into the manison as Ariana returned to the dock of the island resting in a tired heep.
She then noticed Julia and Winnow making there way back to the main island. Another cannon sounded un the late evening signfing the death of Victente from 14 after he was betrayed by his own ally Hannah.
Julia kept watch as Winnow slept with Horn of plenty playing at midnight featuring the fallen tributes. Pluto from 5 London from 6 the pair from 7 monica from 8 the pair from 11 and Vicente from 14 leaving 8 tributes remaing.
Day 3
Ariana and Winnow awoke rather early making them the first 2 tributes to awake. Ariana in particular spent most of her time traversing the mansion becoming bored as she then tried to re enter the gambling room but she soon given blast area as she tried to open the shut door. She stood around in huff before quietly before rather suprisngly falling bacj to sleep in plain sight. As for the girls Julia smirked as Winnow had appeard to be talking in her sleep.
As she gently placed her hand through WInnow hair she woke up. Julia appokigezed before Winnow saying to “not worry.” As Julia’s face turned bright red Winnow laugehd As a some sponor gifts flew down for the pair they soon fell onto each other in amusment as 3 cannons osunded. This was proven to be the pair from 3. They were ambushed by teh carrers with Ignatia being able to throw a near by raccon at the girl from1 however. As the girls cannon sound the pair from 3 were then taken down by the pair from 2.
The girls soon opted to not move from there location as they rested in each others arms for the remainder of the day, Ariana on the other hand awoke from round 2 of her slumber before notcing one of the near by Koppas wandering near by. She then killed it as she then found a near bomb. After succesfuly diffused it she heard another cannon sound.
This was Marcus from 2 after Hera from 2 betrayed him on the second island while they were running as one of the near by rides when whistling into pair. Hera got to higher ground as she then pushed Marcus off the ride they were on resulting in a rather painful death for the boy from 2.
As Ariana returned to the corncopuia silca sighed in sacrastic manner saying she’d did not want to know what was going through the girls mind.
At midnight the fallen were shown dispkaying the portaits of the girl from 1 Marcus from 2 and both of the tributes from 3 leaving 4 tributes remaing. Hera from 2 Ariana from 5 Winnow from 9 and Julia from 12 remaing.
Day 4
In the early morning one cannon sounded. This was shown to the captial audience to be Hera from 2 after she fell into the shell trap set by Ariana from 5.
Game maker monty congratulated the final 3 tributes on making it to the finally before telling them they had 5 minutes to return to the coroncoupia towere before having there tracker denoated. As Julia and WInnow made there journey to the tower Winnow looked into Julia’s eyes as the gongdela arrived at the main island both of the girls took caution as they saw the sprite shine very brightly. Soon a voice was heard saying “Come closer.” Julia made the rather stupid desscion as she steeped on one of teh many shells that were put up in the corncopuia. Many of her supporters in snow square shoutted at her to walk back it was to late as she soon blasted into the air before landing rather on her back. Ariana laughed before huffing into her blow gun as an arrow flew into the barley conocius Julia’s throat. Her cannon sounded as WInnow looked on in horor.
She grinned saying “You look like you havent been (Alive enough).” Ariana barked out in laughter saying that “this was the time where she could be free from the pure horror room.”
WInnow imedtlay grabbed onto her remaing knife before dogding ,any of the darts ariana was blowing at her. However Ariana soon tackled Winnow to ground before a brutal fust fight took place. Many viewrs in snow square were shoutting at Winnow to get up. Rather surprisingly Ariana suddenly stopped. She looked up at Ariana before laughing horsely before throwing the turtle’s at Winnow.
Winnow sighed and then screamed “Stop throwing your toys at me there explodable.”
Ariana laughed before soon catching her breath in exhaustion shouting at her to come out.
As Winnow was no where to be found viewers in the captial sighed disparingly as many thought she had been exploded. But rather suprsingly Winnow had been right been Ariana before saying “Suprise”.
Ariana yelped as Winnow then hurled her knife into Ariana’s brain. Her cannon sounded imedtlay as Winnow smiled saying “Seeya physco.” As respectable appluse soundded game make rmonty crowned Winnow Fraiser of District 9 to be the victor of the 113th hunger games Winnow smiled before taking the peacekeepers hands as she was escorted out of the arena.
Winnow was delcared to have no major injuries in the arena before being brought to her victors interview with Silca Monty. Silca was adorned in a formal gown which resmbled a chinesse princess. A land that would be captured by the captial. Please see story 138 true history’s begings.
Winnow was also welcomed on with respctable appluse fashioning a heige gown with golden spirtes resmebling the corcnoupia littering the dress. Unforeanutly Winnow had been rather quiet during her victors interview leaving a rather uncomfortable silence within the studios however. Silca managed to gear the interview to a less depressing point by talking about Winnow’s time in the arena.
After going over her time in the arena Silca reavled her victors nickname to be teh sunshine shadow.
Winnow smilled saying she’d “take it.”

She then waved as the audience cheered respectively as Silca welcomed her husband Cyrus to the stage.
Many cheers soon sounded as game maker monty regarly waved at the audience before kissing his wife. She then turned on a complamtion of his past 5 years of game making. Even showing a video of Quintin Mahoney Herminia Gold Ezra Montario Amanda mils Belle Figoura and even Winnow congratulating him on a succesful 6 years of game making. Cyrus smiled before bowing as the capital crowd cheered on as Silca ended the interview there.
Winnow returned home to district 9 the follwoing day, She alledly refused to stay for even party many genrous captial lights had offered to her. However she would return once year to the captial for her suty as an mentor. However she was adorned as hero throught district 9 as she moved into the victors village with her mother and grandmother.
When she became an adult she married a baker named Donmic Tanzi as the pair married and had two kids unforeanutly one of them would be chosen for a later games. She was known to be not to much of an helpful mentor but liked when her tributes “Actually shown the strength she approved of” Leading to have some what of an better track record in the games.
And that is the end of story 113 I hope you all enjoyed . This was one of my longer tales but one of my favorites to write. But yep after 114th games the european chrocnicle files will be out. As this shows what happens with Panems eueropean allies;. So i hope you all have a wonderful morning noon or night or what ever time it is for you and as we always say. Panem today panem tomrow panem forever.
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2024.05.12 00:30 ladyutopia7 Theory about why they tryna finish Drake

Theory about why they tryna finish Drake
  1. Niggas tired of him being on top. You not from here, lightskin and feminine (nail polish/hair beads/lip puckers/fruity drinks). Fuckin with Ja, Common, Harden, Serena’s Husband, Drama, Jorja Smith, Baby Keem girl, Future girls and who knows else. (Budden 52:25). Yet they still used him all these years.
  2. Strategy: He wasn’t outrapped, he was outlapped. Soon as he dropped Family Matters with the visuals, you can tell the nigga put a lotta energy and time into that. That’s probably why he was baiting him to drop. Not knowing he’d drop an hour after. Kendrick came with a strategy, foreshadowed by Q telling Cole fall back. “Oh yall taking it this way? I thought we was playin.” Joe speaks on this 1:25:00. It’s recency bias.
Plus, hating on Drake gets rewarded with likes and engagement online. 95% of people are followers and copy what others do so if I see Johnny get 40k likes off “Drake the type of guy” comment, shit lemme get mines too.
“But he’s a pedophile” Each girl did speak out in his defense.
“Drakes silent policy” Most companies have them. Similar to having assets in a holding company or LLC instead of your personal credit or name in case you get sued.
But I really think it’s the Universal Theory: Drake owns a piece of each artist at Universal and Gamma.
Lucien & UMG ties Cuz I’m lil ain’t no way everybody coming at you so hard. Ain’t that much hate for no nigga in the world. This really Thanos. So I’m like damn. What he do to make these niggas so mad? Then it hit me — a broken clock is right twice a day.
In that Justin LaBoy interview where he displayed equestrian levels of meat riding, Ye said Drake has a rich baby daddy named Lucian and UMG". Even in the Like That (Remix) he said again "Where's Lucian? Serve your master, nigga. You caught a little bag for your masters, didn't ya. Lifetime deal, I feel bad for niggas." And he was obviously left off the album and leaked it himself. But he seemed to eager from jump.
Lucian Grainge is the CEO of Universal Music Group (UMG) and the most influential person in the music industry. Some artists in this beef signed to him like Drake (Republic Records), Metro Boomin (Republic Records), The Weeknd (Republic Records), Kendrick Lamar, Taylor Swift, Billie Eilish, Justin Bieber, Ariana Grande, and Bad Bunny. UMG dropped Kanye in 2021 after his antisemitic remarks.
So what this beef gotta do with Lucian? Might be cause favors Drake. One time, he got asked about Drake's budget and said, "If ever Drake or whenever Drake calls up and says he needs something for his project, I give it to him. He's the greatest." Drake mentioned Lucian and Universal in some songs:
  • "Shit done changed, billionaire talk to me different when they see my paystub from Lucian Grainge" (Having Our Way, Culture 3)
  • Only signin' the gang, we the new Lucian Grainge" (Pussy & Millions, Her Loss)
  • "Who the CEO of Universal? They mistaken. Cause Google sayin' Lucian , but that just doesn't make sense. Who fillin' up the piggy bank? Who bringin' home the bacon?" (Away from Home)
  • “Major distribution, labels call me. Bad Bunny numbers, it's a robbery. Five hundred millions, just for Aubrey" (Major Distribution, Her Loss).
See how that could rub niggas the wrong way? Imagine working a job and your boss says in front of the next staff meeting “He’s my favorite.” Everybody gone hate that nigga and he’s probably gone feel a lil too bigheaded/isolated when dealing with peers. Vice had a luxury hotel manager speak on how they would divide and conquer the cleaning staff by race to better performance. They’d say to the black team “The Mexicans are killing yall today, better catch up!”, saying it was intentional among management to prevent them from banding together. Not only at that hotel but it’s a known strategy in the hotel and other industries. Seem like the same shit, given everyone in this beef are coworkers at Universal.
Now, in late 2021 Drake’s contract was up and that was bad for Universal and the industry. Cuz it’s stick up time.
  • “Drake is about to get the biggest bag in the history of the music business by far,” said Stoute, chief executive of United Masters
  • Russ, who said: “You think that if Drake right now, completely independent … if Drake posts a picture on the ‘Gram of his new album, link in bio — fuck a link in bio, “new album out” — and he was fully independent, Drake will make $10 million a week for fucking 60 weeks.” Added Stoute: “If Drake goes independent, the music business is over.”
  • Says one top music attorney: “Drake has the bargaining power to negotiate a net profit split with the best deal terms and a humongous advance up front.”
The last quote is crucial. Drake and everyone knew it was in the industry’s best interest financially to give him whatever he wants but the thing is — Drake costs a lot. What incentive do you give the biggest artist in an industry where A) labels aren’t really wanted or needed and B) like LeBron, paying what he’s really worth will bankrupt the already downsizing industry? Well, you give him equity. Money on the back end. But from where? Other artists and labels. Keep in mind this was around the time he resigned for the $400m.
  • Under me, I see all the people that claim they over me and above me, I see nobody I'd have to be dead for them to say you took it from me. The 20 percent I own of you that we own is in my tootsie's money." (Champagne Poetry, Certified Lover boy)
  • Please don't google my net worth, the numbers are way off. I mean, if you comparin' it to what I really made off with I'm more like Bernie with all the earings that they came off. Trust me it was nothin' light, holmes **they tried to give me slice of the pie and I took the knife home." (Remorse, Certified Lover Boy)
  • There’s also a bar on the leaked version of Splash Bros that Drake sent the C&D for. “Lucian and me are like Kobe & Shaquille - that’s the reason going independent never had an appeal” (Maybe he sent that cease and desist because he was talking too much and people would catch on. But like the Streisand Effect says, trying to hide something usually makes it bigger).
Larry, Apple & Gamma On Family Feud, Drake raps “somebody get Larry Jackson on the phone, I need some ownership if we pressin go” and Larry was vacationing in the Maldives not doing much career wise and said that was a wake up call and had him asking is there another level to this video game?”
Now, Larry Jackson worked at Apple and was key in signing deals for Apple Music when it launched, mainly Drake and OVO Sound Radio. It was a good deal for both; Drake gave Apple Music exclusives to compete with Jay-Z and friends at Tidal (before they all realized this was dumb af and put their music on every platform) while Apple gave money, visibility and placements. Larry maintained the position at Apple until 2023 when he founded “gamma.” with the previous Interscope (UMG) CFO Ike Youssef.
Yousseff said gamma was an idea from their Interscope days. Larry said he wanted to create something “that will see him acquiring or joining forces with major artists and brands, with endeavors in music, films, merchandise, fashion, web3, and other areas,” Variety reported. But it's not really a label, more like a private equity company who buy shares of artists' publishing. Private equity usually buys companies that are new, or underperforming and find ways to revamp it. It raised a billion dollars with partners like Clive Davis, Apple and majority investor Todd Boehly (remember Todd). Gamma also acquired a distribution platform, Vydia who owns Shade Room, and distribution rights for artists like Usher, Rick Ross. Under gamma is Sexyy Red, 4batz. Which makes sense why he always promoting them. Because why promote Ross and Meek’s album but not Chainz and Wayne’s album?
But the partner Eldridge Industries is the key. Todd Boehly is a very wealthy powerful business owner that has dozens of companies in every sector under his holding company Eldridge Industries. Boehly is the largest investor in gamma followed by A24 and Apple. Eldridge Industries also owns all of the following in music, media, entertainment and sports: eldridge.com/businesses
  • gamma.
  • Billboard/Billboard Music Awards
  • PMC, Billboard’s parent company
  • Rolling Stone
  • Deadline
  • Variety
  • A24
  • SXSW
  • The Shade Room
  • Deadline
  • Daily Hits Double
  • Luminate
  • Dick Clark Productions
  • The Hollywood Reporter
  • VIBE
  • Life is Beautiful
  • Golden Globes
  • Latin Music Awards
  • American Music Awards
  • Streamy Awards
  • ViralNation
  • Los Angeles Dodgers
  • Chelsea FC
You ever wonder why Drake said fuck the Grammys but still showed up every year to Billboard Music Awards? And how A24 got to executive produce Drake’s Euphoria? Remember when Drake “rented” Dodger stadium? And his love for soccer? LeBron too? Same Chelsea team. And notice Drake start hanging around content creators more the same time Boehly invested in Viral Nation? A social media management and brand partnership company based in Toronto. Now see how that meeting happened to call for a truce and articles claiming Kendrick won that feel a lil premature? Look at the sites.
Now It’s funny how the line “Kendrick just opened his mouth. Somebody hand him a Grammy right now.” is true. 6 BBA, 17 Grammys. Drake? 39 BBA, 5 Grammys. Unlike like the Grammys, where a group of artists, producers, songwriters, and engineers vote, the Billboard Music Awards winners are based on album and digital songs sales, streaming, radio airplay, touring, and social engagement. And they use the same data where Drake’s friend owns a part of. Luminate formerly Nielsen, reports music sales after merging with the Rolling Stone charts, now running how charts and data is counted. If Kendrick can buy bots for engagement in this beef to skew public opinion, who’s to say Drake ain’t been doing for a minute? Reminds me of what Russ said on Schulz’s Flagrant about how streaming farms work. Maybe Kendrick was right too when he said “It ain’t just me I’m what the culture feeling. The fact Drake’s peers ain’t voting for him or coming to his defense right now says something.
Now lines like “If your pub was up for sale, I’d buy the whole thing.” make more sense and Kendrick painting him as Mike and himself as Prince given how Michael Jackson bought half of Sony’s catalogue to spite them (and Eminem’s when he dissed him) versus how Prince hated the labels and was set on owning masters, how Kendrick has pGLang. It’s funny because Sony would end up going against Mike, sabotaging his releases, similar to how fans think Universal’s and streaming services are doing to Drake now. Especially if you’re collecting publishing money in a silent recession that the label and other artists could be using, not so far-fetched to think backdoor meetings start happening. Or when you collect hip-hop memorabilia that belongs in the African-American Smithsonian.
Even down to the servicing and Push Ups being mysteriously taken from streaming. It felt like that Not Like Us was proper and mad quick release. Heard it playing on TNT in the playoffs hours later. Then you get the odd dislike ratio…And videos of actual Kendrick bots on Twitter. Listen to Joe’s takes. (1:39:25)
So with all that, you can see how it’s bigger than Drake and Kendrick. Kendrick represents every artist, executive and person who ever felt slighted by or just tired of Drake’s reign. Drake likely has a quiet deal or a cut of gamma thru his relationship and heavily back by Larry Jackson, Lucien and Todd. Some think this is why Todd made Rolling Stone write Kendrick won. Drake 'middle manned’ relationships between corporations and artists, for execs who ain’t have pull with rappers but now, his peers found out Drake been eating off them and ain’t even tryna share the splits.
If that’s true, I can see how they could want this nigga outta here. The casuals gotta chill though. That dick ridin shit corny. Until any legal shit happens, it’s wraps. People always hated Drake but never had the heart to say it until everyone else did. Thats hoe shit to me.
The beef is great for hip hop. It’s similar to Pac and Big, even down to coasts but moreso Nas and Hov how it’s just rap and ain’t gone spill into the streets. Almost like Mase responding to Cam after he kept poking him in the head. Everyone wants to hear from the quiet nigga whether it’s school, work, whatever. And I’m sure Drake’s house getting messed with is XO’s retaliation work or fans looking for likes. But the more time passes, the more truths gone come out. I’m interested to see what music looks like after this. How stingy Drake get with features, who aligns with who. If he replies or if he goes ghost for a minute. Lord Knows.
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2024.05.11 22:31 spiritualqueentarot Selena Gomez on Justin Bieber & Hailey Bieber pregnancy announcement & Vow Renewal Tarot Reading

Selena Gomez on Justin Bieber & Hailey Bieber pregnancy announcement & Vow Renewal Tarot Reading
Celebrity Gossip News, How does Selena Gomez feel about Justin Bieber & Hailey Bieber pregnancy announcement with wedding vow renewal? Selena may have moved on physically but what about emotionally. What's her plan with Benny Blanco? You will be shocked! https://youtu.be/BCfK_pIwtx4
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2024.05.11 22:23 Dixon-726 21[F4A]- #Georgia #Online -Looking to make friends I can hopefully meet

Hey, I'm Alexis. I'm into gaming, watching TV shows/movies/anime, arts and crafts, and listening to music. I used to read, write, garden, and draw, but I don't really do those things anymore. I am trying to get back into drawing and reading though. I'm looking to speak to people who are 19-24.
I just finished my junior year in college and I'm excited for what's in store this summer.
This summer, I'm hoping to do more things that will make me happy and figure myself out more. I'm hoping to learn how to play the guitar, do aerial silks, do jiu jitsu, workout more, and/or learn how to roller skate. I'm also considering trying pottery/taking a class. I wouldn't mind having someone to try one of these things out with, if you're interested.
❗I'm actually going to Momocon in Atlanta and wouldn't mind meeting some people there. I'm not sure what day yet though.❗
I play games like Party Animals, Helldivers 2, Rainbow Six Siege, Chivalry 2, and a few more games I can't think of right now. I'm REALLY excited for Multiversus; It's been gone for too long. I'm kind of tempted to play Fornite (🙃) just to get the Avatar the Last Airbender skins before they go away. lol. I'm open to trying new games. My communication style when gaming: Although I love playing videogames and playing competitively, I don't enjoy being yelled at while playing and I definitely won't yell at you when we game. I feel like being upset and blaming one another just brings the mood down and I don't find videogames THAT serious. I see it as a way to positively bond and have fun with someone/people.
When it comes to anime, I'm currently watching Dragonball Z and trying to get that finished. I need to go back and watch JJBA: Stone Ocean, Fairy Tail, Blue Exorcist, Black Butler, and more. I wouldn't mind having someone to occasionally watch shows with and possibly help me get caught up on movies/TV shows/anime.
When it comes down to shows, I'm currently watching Once Upon a Time, but I'm excited to watch the upcoming seasons of Bridgerton and Heartbreak High, Only Murders in the Building, and more. I love shows like Stranger Things and The Rain though. I would say that my favorite categories for shows would be romance and sci Fi, but if a show has both...Chef's kiss. I wouldn't mind getting some recommendations. :)
Pertaining to movies, my favorite movies are Child's Play and Scream. I absolutely LOVE horror movies. I like other categories of movies too, of course.
The musical artists I like to listen to are Post Malone, Justin Bieber, Bring Me The Horizon, Chris Brown, The Weekend, and more.
When it comes to my values, I don't smoke (anything), drink, or do drugs. When it comes to religion, I would say that I'm agnostic, as of now. I swear I can't decide between being an atheist or agnostic. lol
When it comes to family, I feel like I don't put that much emphasis on it anymore.
Some (hopefully) interesting things about me/my future plans: -I have two kittens, one is named Percy and the other one is named Leela. -I recently got my septum pierced and I'm hoping to get more piercings in the future. -I'm honestly considered getting a tattoo, but I don't know if I can handle the pain of it. IF I were to get one, it would probably be the Joestar birthmark. -I've wanted to get my hair dyed red for years and I'm hoping to get that done in the near future.
I know I wrote a lot, but I want to be as thorough as possible. If you've read up to this point, thanks for taking the time out of your day/night to read my description.
Have a good one! :)
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2024.05.11 08:42 Trick_Minimum3190 About Her Voice: A conversation on Mariah Carey with author and critic Andrew Chan

About Her Voice: A conversation on Mariah Carey with author and critic Andrew Chan
About Her Voice A conversation on Mariah Carey with author and critic Andrew Chan BY DANIELLE AMIR JACKSON DECEMBER 21, 2023
Photo by Raph_PH via Flickr. Artistic rendering by Oxford American. Courtesy Wikimedia Commons This exclusive feature is an online extension of the OA’s annual music issue. Order the Ballads Issue and companion CD here.
Singing is “the most enigmatic of performing arts,” the author, editor, critic, and self-professed “diva lover” Andrew Chan writes. It’s a simple matter of air and anatomy: breath moves through closed vocal folds which then vibrate and resound throughout the throat, chest, head, or sinuses. But when we listen intently, transcendence is available to us. Raised hairs on the upper arm, a tingle on the back of the neck. The irrepressible urge to tap one’s toes. Transcendence is something we can feel–a physical sensation that unleashes the emotions and connects us to the divine. That’s why a host of spiritual traditions embrace the human voice as a conduit for worship, and in secular music, many of the most popular traditions–r&b and its variants, country, even rap—foreground some sort of vocal virtuosity. A skilled vocalist can “seduce us, haunt us, heal us regardless of the text they’re delivering or even the culture that surrounds them,” Chan writes.
In his first book, published just this past fall, Chan highlights the thirty-plus year career of Mariah Carey, whose five-octave vocal range; agile, multisyllabic melisma; and well-honed aptitude for catchy hooks and witty wordplay turned her into one of the most successful pop singer-songwriters of all time. Carey has earned five Grammys and nineteen number ones on the Billboard pop chart—the highest of any act besides the Beatles, surpassing Elvis. Two of her fifteen full-length albums are certified diamond, with sales of ten million or more in the United States alone. Why Mariah Carey Matters, part of the University of Texas Press’s Music Matters series, is the first book-length critical assessment of the artist’s wide-ranging career.
Chan makes the case that from the beginning, Carey’s vocal dexterity and range set her apart—her mastery at blending piercing whistle tones, fluttery, feminine whispers, muscular belts, and “leathery low” notes, often within the same song. “There’s something irrational, bizarre, and hazardous-sounding about the way Mariah hopscotches over and across vocal registers without warning or transition,” Chan writes. She also blended and mixed styles of singing, infusing both big, sentimental ballads and buoyant, weightless bops alike with gospel fervor; in the ’90s, alongside artists like Mary J. Blige and Jodeci, she contributed to the creation and commercial dominance of “hip-hop soul.” In her house remixes, often painstakingly re-recorded versions of her mainstream pop hits, she frequently scatted and improvised in the tradition of Ella Fitzgerald or Sarah Vaughan. Equally impressive, and critical in understanding Carey, Chan says, is her “artistry outside the vocal booth.” She wrote or co-wrote all of her most enduring hits, including “Vision of Love,” “We Belong Together,” and “All I Want for Christmas Is You.” She’s produced herself and other artists, and is one of few women nominated for the Grammy Award for Producer of the Year (Non-Classical). It was an early honor, from 1992, for work on her second LP, Emotions.
Chan is one of my favorite writers and an important voice in contemporary music and film criticism. He’s vivid in his assessment of Carey’s musical gifts. He layers in details of his own upbringing to help us understand why certain songs and singers turned him into a student of the art. I love the way he brings the reader along with him—we’re watching and listening together as Carey delivers her gospel-drenched rendition of “America the Beautiful” on the NBA Finals in 1990, hearing her sing the climactic sea-ahhh as she “evokes rolling vistas and open water.” He acknowledges the blemishes on Carey’s career and the unpredictability of her voice, which he insists is not a recent phenomenon. He situates Carey in refreshing context: with Black singers of the ’80s who influenced her sound, and with other female songwriter-producers like Patrice Rushen, Teena Marie, and Angela Winbush, who don’t often receive credit for their prowess behind the boards.
“So much of the culture and money created during this era is the product of Black female creative energy,” writes Danyel Smith, another of my favorite music writers, in Shine Bright, her sweeping history of Black women in American pop. She’s talking about the middle of the twentieth century, when recordings like the Dixie Cups’ “Chapel of Love” achieved mammoth success that the performers—who came up with the arrangement we all know and love—were not credited for. Carey has received commercial rewards, and, as of late, critical adoration from outlets such as Pitchfork and Rolling Stone.
But Chan suggests we still haven’t absorbed the magnitude of Carey’s genius, that our cultural blinders have hindered our ability to understand the breadth of her labor and mastery. Carey’s upbringing as a biracial daughter of a white mom who raised her largely on her own; her sense of not fully belonging among Black or white people; her insistence on femininity in an industry that privileges masculine presentation when it doles out points for credibility. She used it all in her art—especially in her ballads. Over a long and wide-ranging conversation, Chan and I discussed Carey’s melancholy, artistic lineage, the feeling of singing, r&b, gospel, and transcendence.
Courtesy University of Texas Press Danielle Amir Jackson: Can we start with your background? I know you grew up in some American suburbs and in Malaysia. When did you begin to pay so much attention to Mariah Carey?
Andrew Chan: I moved around quite a bit as a kid. I was born in Minneapolis, in a great music city, but I didn’t live there long. My family moved to Tampa, Florida and then to Malaysia. After moving back to the States, I lived in Atlanta, Georgia and Charlotte, North Carolina—the metropolitan New South.
In the nineties.
In the nineties. I moved to Atlanta… I think in ’97. I remember Butterfly had just come out. And I remember Usher was number one on the charts with “You Make Me Wanna…” Living in Atlanta and Charlotte in the nineties, I was one of the few Chinese Americans in school. For much of middle school and early high school, half of my friends were Black. So, there was a lot of exposure to the music that they were listening to. Hip-hop and r&b were becoming mainstream and dominating the charts. Having friends who were Black exposed me to more than just what was crossing over.
I also felt connected emotionally to Malaysian culture. My parents exposed me to some of the great Asian divas of the eighties and nineties. Mandarin and Cantonese pop were important for me until, maybe, first grade. So, I was listening to people like Anita Mui, Priscilla Chan, and Teresa Teng and was completely obsessed with them before I had much knowledge of American pop music. Even then my ear was attuned to how different they sounded. Anita Mui had this beautiful contralto voice. Teresa Teng was more of a mezzo soprano. And they had different vocal approaches. Even if I didn’t have the language to analyze that or express that at that age, I was really drawn to the variety of women’s singing. That fascination carried over to the period when I started becoming obsessed with American pop music and American divas, mainly through Whitney and Mariah. When I heard “I Will Always Love You” and the whole Bodyguard era, I’d never heard something like that before. That drew me to the soul tradition of American singing.
I don’t often hear people discuss Carey in the lineage of great American interpreters of ballads like Ella Fitzgerald or Frank Sinatra, and I really appreciate that it’s the note you lead with in your book—which parallels the way that Carey started her career. The OA’s annual music issue is a dive into ballads and the elasticity of the form. What’s special about ballads? Why might an artist like Carey launch her career with ballads?
Even though she became frustrated with Tommy Mottola molding her into an adult contemporary ballad singer, the demo was full of ballads. She co-wrote all those songs. She found different ways of making the ballad fresh and interesting for herself.
The ballad has always meant different things across time. If you were to compare Sinatra, singing an old jazz standard ballad like “Angel Eyes” or “In the Wee Small Hours of the Morning,” what does that have in common with Mariah Carey’s “Can’t Let Go?” They’re slow. They’re about passionate love. This does a couple of things for a singer: It gives you space to really milk every note and moment; the listener is drawn into the space of the ballad and is invited to listen very closely in a way that you just aren’t if you’re competing with an up-tempo beat behind you or if you’re singing fast. The feat is more about rhythm than it is about holding out long notes. The ballad accentuates the tone of the singer’s voice. It creates an intimate connection with the listener. It also puts the singer at risk of being uncool because ballads are kind of forbidden. And that is why we love them. They can be uncool. They almost feel like something that we shouldn’t admit we listen to or respect because they, especially the sad ones allow us to wallow, which we’re not supposed to do if we’re grownups and we want to be serious and mature. We’re not supposed to sink into our feelings of longing and despair. But this is one of the places in our culture where we get access to that intensity of emotion, and the slowness of the music mimics the infatuated person’s inability to let go of love or inability to stop thinking about the beloved.
Mariah is an unabashedly sentimental singer, and that’s why it took so long for her to garner any kind of critical respect. She is in that tradition of musical wallowers. She loves her heartache. She loves to long and pine. She’s a bit of a masochist.
Many interesting people are.
Yeah. Ballads can be transportive to sing. The tempos are slower; you can really get your mouth around the words and feel each one of them. Because the song isn’t whizzing by at a crazy pace, you can build to a satisfying climax. You can go from low to high in this drawn-out, dramatic way. That shows the full capabilities of your voice.
When you say ballads are transportive, are you talking about a transcendent experience? The Holy Ghost?
A little bit. It’s to the point where you’re moving with your own performance, which is why singers sometimes get choked up when they’re singing their ballads, because it is such a vulnerable place to be. In karaoke, which most people don’t take seriously, if I’m singing a particular song and I’m really feeling it, I can get so lost in it.
“She loves her heartache. She loves to long and pine. She’s a bit of a masochist.”
ANDREW CHAN
I like what you said about ballads being almost contraband. I remember when people realized Beyoncé was starting the Renaissance tour with slow songs. It seemed almost like an anachronism.
Yeah, for her big house record. She’s a great ballad girl too. In terms of them being contraband, back in the Maoist era in China, love ballads were banned because they were seen as counterrevolutionary. If you were part of the revolution, you wouldn’t indulge in these individualistic displays of your own personal emotions. I do get into that a little bit in the book where I even had a moment in my teenage years where I was just like, These are pathetic. They’re a distraction from the real business of politics and liberation and revolution, you know?
We include a song by Fannie Lou Hamer on our compilation accompanying the issue. You made me think of Elaine Brown, who was chair of the Black Panther party and recorded songs and some of them are balladlike. They’re propagandist, one-note songs.
There is the political ballad too. I think there’s something about love ballads where it’s like surrendering and succumbing to feelings of longing, loss, yearning, desire. Of course, there’s misogyny involved in that too, because these are “feminized” emotions. Ideas about feminine hysteria are built into this hyperbolic style of singing as well. People forget that Whitney was booed and disrespected for much of her career. It’s funny that she and Mariah had a reappraisal where they’re legends now, but at the beginning of their careers, they were criticized for over-singing and being excessive.
I wonder why people didn’t say that about Luther Vandross. He’s super indulgent.
He’s so indulgent. “A House is Not a Home” or “Superstar”—those songs are seven minutes long or something. He had some pop crossover appeal, but he never hit it as big as Whitney and Mariah. But also, there’s a bit of misogyny in that, the difference between women doing it and men doing it. I mean, Al Green is a show-off. They’re all show-offs.
Let’s talk about the eighties. You say that “Can’t Let Go,” is a revision of “Make It Last Forever” by Keith Sweat and Jacci McGhee and compare Carey’s work as a songwriter-singer-producer to Teena Marie and Angela Winbush. And you go into quite a bit of depth into all her references and homages in Glitter: Indeep, Zapp, Cherrelle. I’m having a moment right now—perhaps I’m where Mariah was back in ’99 and 2000—but I’m so obsessed with the sounds and sights of the Black ’80s. Miki Howard, whom you also mention, has been heavy on my mind, alongside Anita Baker, Patrice Rushen, Regina Belle. In your opinion, what was special about that era in music, particularly in Black pop, and how was it connected to Carey’s debut?
I didn’t come into writing this book as an expert in eighties Black music. That is one of the areas where I felt a bit insecure because I felt I knew sixties and seventies r&b and nineties onward in terms of r&b, but for some reason the eighties were an area that I hadn’t explored sufficiently. I knew the major names and their works, but it is a decade that, when it comes to Black popular music, it’s so defined by one-hit wonders. Aside from the Whitneys and the Michael and Janet Jacksons and Lionel Richies, there weren’t a lot of a long-lasting careers that crossed over to non-Black audiences in a major way. Sometimes, DeBarge would have a pop hit, but for most of their significant catalog, mostly Black listeners were listening. I had to do a lot of catching up to get those sounds into my ears and really hear how they influenced Mariah. I think part of it is because eighties r&b is less canonized than the seventies and nineties. Even the nineties have experienced this resurgence of critical interest, but the eighties are almost like a blip. Part of it is where it came in the history of popular music—after the demise of disco, which really was a shaming of Black music by the white rock establishment. I’m sure it’s more complex than that, but that was certainly a dimension to that whole culture war. In the eighties, you have r&b coming out of the ashes of disco and utilizing the electronic elements that disco had been criticized or seen as superficial for. You get a lot of experimentation like Zapp—so kooky and goofy. The use of the talk box to manipulate vocals. You get club music, like Cherrelle, a sort of post-disco dance music, people having a lot of fun. Just like really deep grooves that went on for like six minutes. Gap Band, all that kind of stuff.
There’s the kind of fun side of eighties r&b, but then on the other side you have this luxuriousness, the plush textures of Quiet Storm, which began in the seventies, but really came into its own commercially in the eighties with people like Luther, Anita Baker—who sort of took the slow-roasted, slow-jam, boudoir sound of Isaac Hayes and Al Green and Smokey Robinson—and pushed it to a whole new level. Even when they were singing at the tops of their lungs, it was still smooth.
I hesitate to just generalize all eighties r&b, but I see those as the two parallel tracks. I think they both deeply informed Mariah’s aesthetic. I think Aretha is a huge influence on pretty much all r&b women singers. I think Mariah would cite her as the ultimate female influence, but I think when it comes to sonics, the luxuriousness, the Quiet Storm sound is so evident in songs like “Underneath the Stars” and “Fourth of July.” Those are what you would think of as Quiet-Storm Mariah, but you [also] hear it in the stuff that’s more hip-hop like “The Roof.” The way she’s stacking her vocals, the way she’s creating texture with her voice. It’s very Luther. The way she is manipulating her voice, the way she’s showing it off but not for its own sake, but to create an environment that you sort of wrap yourself in. When I think of Luther showcases like “Superstar” or “Forever, for Always, for Love,” it’s very much like some kind of texture that you can wrap yourself.
This is quite different from the approach of the belters of the sixties and seventies, like Aretha or even Gladys or Chaka, powerful singers who really prioritized the belt. Mariah is a phenomenal belter—one of the greatest. Where she really distinguishes herself from other divas of her time is the subtler parts of her voice. I think a lot of that is influenced by Quiet Storm. When it comes to the zanier side of eighties r&b, you hear it in her sense of humor, her effervescence, especially as she became more of a jokester lyrically in her later years. You can sort of hear the lyrical experimentation and the kind of devil-may-care attitude of eighties Black music.
One of my favorite live performances of Carey’s is where she sings “Somewhere Over the Rainbow” and “If Only You Knew,” her Patti Labelle homage. I love that era in her voice where there is that level of rasp.
That performance—it’s very eighties Patti. “If Only You Knew” is so eighties. I think Mariah’s samples, too, are so interesting and root her in the time of her youth. She’s such a radio-head, the way she talks about listening to the radio in her memoir and her devotion to soaking up all those sounds. That was before streaming, where you really had to be glued to the radio. I don’t know if she had MTV back in the day, but the radio was the thing. And she wasn’t just listening to r&b. She was listening to Pat Benatar. The range of her musical references is so fascinating.
I’d love to discuss Carey’s gospel moments. You spend a great deal of time on her rendition of Dottie Peoples’ “Jesus, Oh What a Wonderful Child” and note that while Carey didn’t grow up in the Black church, she joined one as an adult. What’s Mariah’s connection to the gospel of the ’90s? I’m thinking of artists like BeBe and CeCe Winans or Commissioned?
I love gospel music, but I would never claim to know it. I love gospel music because that’s where r&b comes from. R&b is my portal into gospel music. It remains the source of so much great singing, even today. Le’Andria Johnson is one of my favorite singers alive. In terms of Mariah and gospel, I think it is so interesting to me that she didn’t grow up in a Black church and yet was so committed to singing in a gospel style, even from the beginning. There may not be songs that feel explicitly gospel on the debut album, but you do have moments. “There’s Got to Be a Way” has a gospel choir that feels kind of in the style of BeBe and CeCe Winans. That pop, commercial gospel that was happening in the late eighties and nineties—the kind of gospel that you would hear in Sister Act 2. Then she employs background singers like Kelly Price and Melonie Daniels—virtuosos of that sound.
In the book, you note that Kelly Price had been trained by Mattie Moss Clark.
Yes, I found that in a video of Kelly Price. She talked about doing some kind of workshop with Mattie Moss Clark when she was younger. [Carey’s] commitment to surrounding herself with not just skilled r&b background vocalists, who could do a commercial sound, but vocalists like Kelly Price and Melonie Daniels, who could bring a church sound, specifically a COGIC sound to her music is completely fascinating to me. The Clark Sisters were playing on r&b radio back in the seventies. Gospel had been having these kinds of crossover moments, but Mariah’s knowledge of the music surpasses just knowing “Oh, Happy Day” or “You Brought the Sunshine.” She was listening to Vanessa Bell Armstrong. From the very first album in interviews, she is citing Vanessa Bell Armstrong and the Clark Sisters as influences.
I have to think that in her teens, she had been exposed to gospel music. I’m fascinated that she came to the music and absorbed its influence without having a longstanding background in the Black church. I bring this up, not so much as a point about appropriation, but more as another example of Mariah being someone obsessed with records and listening to music and soaking up any influence she could find, whether it was Journey—when she covers “Open Arms”—or gospel or hip-hop or what have you.
To go back to gospel and “Jesus, Oh What a Wonderful Child,” she has moments where she wears her gospel influence on her sleeve even before that. “Anytime You Need a Friend” was one of the most significant gospel moments; she’s singing with a choir behind her and doing a lot of riffing and running and belting in the way of the great COGIC singers. “Jesus, Oh What a Wonderful Child” is significant because it sounds live. I read somewhere that it was recorded live in a church. The vamp is unlike anything that had come in her discography before. It is a gesture toward a kind of gospel authenticity. It’s no longer just gospel-pop. It’s going there and trying to recreate the spirit and the atmosphere and the feeling of a live gospel setting.
I’m interested in her study of gospel as an example of her being a constant and abiding student of different forms of Black music. I love her later gospel songs like “Fly like a Bird,” “I Wish You Well,” and “Heavenly” where she combines a James Cleveland song with a Mary Mary song. There is a song called “I Understand” that’s one of those multi-megastar performances. There’s Rance Allen, Kim Burrell, and Mariah does just whistle at the very end.
Do you think Mariah is fundamentally an r&b artist?
We first have to acknowledge that genres are constructs. These terms have historical origins that are usually rooted in marketing and promotion. Most people track [r&b] to the 1940s. It replaced race music as the designation or the category for whatever African Americans listened to that was popular music. It’s a shifting signifier. The idea that there is a commonality between the music of Ray Charles and Lavern Baker and Fats Domino and Mariah and SZA—all these artists sound so different. I think there is something a little bit unhelpful about these genre markers.
That being said, constructs take on their own reality for people who engage with them. For Mariah, and her listeners who gravitate to the r&b side of her catalog, r&b represents something. It’s as different as the music has become over the decades. There are still certain stylistic and sonic continuities. It’s very improvisational. There is melisma, runs. In classical music, you perform it as its notated. Melisma defies notation. You can sing so many notes so fast that you can’t really even transcribe it. It’s rooted in gospel. It’s rooted in a certain passion for delivery, a centrality of the voice and individual expression. An idea about struggle and transcendence, because it’s rooted in the Black experience and an acknowledgement that life is sometimes totally unbearable, and music is a vehicle to help you get over, to get through. People who gravitate to r&b are connecting with that.
Of course, not every r&b song is about that. But even in a slow jam, you can hear that whining, that struggle, that tension. You hear all these elements in Mariah’s discography. For her, r&b became, at a certain point in her life, a way of expressing her Black identity, which had been dismissed or misrepresented or misunderstood. She was constantly asked about her race in interviews, constantly having to remind people of what she had said from the very beginning, that her father was Black and Venezuelan, and her mother was Irish American. Embracing r&b as her heritage was an important part of her owning her identity as a Black woman. R&b is so interesting as a cultural and political marker, because now we’re in an age where white artists like Justin Bieber or Justin Timberlake, or whoever, say that they’re r&b. I’m less interested in saying, “This person’s not r&b; this person is,” and more interested in what is it that makes people so desperate to align themselves with this genre. I think it’s the historical lineage—the gravity of the heritage. It’s the connection to the idea of soul, which is a spiritual idea.
I’m not sure if any artist can be definitively anything when it comes to genre. But I think certainly Mariah perceives herself as an r&b artist and has conducted her artistic life in a way that shows that she’s committed to a certain ideal of what r&b is—passionate, soulful singing; a connection to music as a form of spirituality.
“Even in a slow jam, you can hear that whining, that struggle, that tension.”
ANDREW CHAN
You have this part of the book where you’re talking about her covers of power rock anthems. You don’t say that she’s reappropriating, but you say she’s showing how permeable rock and r&b boundaries are. They have a shared origin, and they come together in her choices of what to cover and what to sing and how to sing them and her arrangements.
For sure. If you think about Foreigner’s “I Want to Know What Love Is” that she covers, that’s an instance of a white band bringing gospel influence into a rock song. These boundaries are always permeable. Rock at one point was called r&b when it was sung by Black artists. What she demonstrates with her music is the variety within r&b and that the music is not a monolith. She’s giving you quiet storm. She’s giving you girl-group songs. She’s giving you New Jack Swing. She’s giving you hip-hop soul. She’s giving you power ballads. She’s giving you deep soul, in the tradition of Aretha with “Mine Again.” She is committed to a vision of herself as an r&b artist, but for her it is many things.
All the things you were saying about the struggle and resilience r&b signifies—I think that’s also reflective of the queerness that many sense in a lot of Mariah’s songs.
Absolutely. One song I want to write about is “Ain’t No Way.” Carolyn Franklin wrote that. I don’t know if we know definitively if she was queer, but I think all the history kind of shows that she was. There’s definitely a [queer] reading of that song. You have Luther as a queer artist and Sylvester, so many of the pioneers of the r&b. Little Richard. It makes sense because gospel was pioneered by queer people. Otherness and survival, the longing for transcendence is something so baked into the music. That’s certainly what I was responding to as a young closeted gay child, who’s experiencing racial otherness in the American South as well. Obviously, my experience is very different from Mariah’s, but I think there’s a longing to transcend the arbitrariness of what oppresses us through sound.
And she does transcend and break through.
She achieves it. What is beautiful about a Mariah Carey ballad is that she takes you into the depths of despair, sorrow, but through the sheer beauty and power and mastery of her voice, she is carrying us over. No matter how sorrowful or despairing it gets—and some of them really are quite dark and fatalistic—there’s something about the voice. The voice can be the vehicle that carries you over.
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2024.05.11 03:11 flippenphil (Offer) 50 rare & uncommon additions (Request) Bodies Bodies Bodies, the Marvels 4K, Poor Things, Priscilla, Sound of Freedom, the Untouchables, the whale, wish 4k, Devotion, Easter Sunday, the machine, redeeming love, Tin Cup, Trick r' Treat xml, Young Sherlock Holmes, New Releases & OFFERS

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2024.05.10 21:18 ToadsUp Pregnancy timing and blind items on Hailey’s affair.

Yesterday I made a post about this but the title was a bit confusing and I said almost nothing about it.
For months there were blind items that Hailey and Bieber essentially lived separately and that Hailey was having an affair with some billionaire.
These rumors that circulated for months on end during the exact window that Hailey would’ve gotten pregnant, were so abundant that active blind item readers and celebrity gossipers (like Kyle Marisa Roth, RIP) were absolutely certain there was an affair and that the Biebers were separated. I’m surprised that I don’t see many people mentioning this.
If you want to dismiss these rumors that’s understandable. But if you’ve followed celebrity gossip as long as I have, you’d know that so many of these “rumors” end up being true, especially if they’re reported a lot over time.
Yeah, this is a band-aid baby and that’s not a good thing. Everyone is talking about it.
But what we should be discussing is whether Justin is even the biological father.
🤷‍♀️
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2024.05.10 20:05 shaneka69 Numerology Of Hailey Bieber

Hailey Bieber Numerology Reading

Before becoming the wife of Justin Bieber, she went by the name of Hailey Rhode Baldwin. Firstly, her first name being her main name and being Hailey, let's see what that usually indicates on a general level.
Being someone who holds the first name, Hailey means that you appear either quiet, mature, or shy amongst others. You likely have an impression that can strike others as strong, serious, mean, or relaxed, depending on other factors. The name Hailey holds no double numbers, so it is a good balance of energies, but there are still general lessons people with the name Hailey has. This name holds the energy of 8,1,9,3,5,and 7. The numbers we don't see is 2,4 and 6. This could be why people with the name Hailey may not seem easily approachable by many people, but certain people may be drawn to this energy and won't notice anything off balance. Hailey names give people naturally embedded strength and some form of power, even if it is subtle. They may not always have a simple love life because with 2, 4, and 6 missing, these women/females can struggle sometimes with commitment or close intimacy and could have been too independent or avoidant at one point when someone was trying to love them. The name Hailey makes someone complex because on one hand, they a serious regarding their disposition(8) because they want to appear structured and well received by the public (1) or it makes them feel good to be well put together. They are naturally independent which could sometimes come off as distant(9), but they just want to explore and learn continuously(3). These are not initially people who place importance of romance.
Even if she is into relationships, she would likely not trust easily because of her name ending with the energy of 7 from Y which equals 25 before it is reduced to seven. This can make her a little cautious or strategic with her approach to any type of connections in her life because she want to make sure she can trust these people before she fully opens up.
Now as we look into her being Hailey Rhode Baldwin, this give her a lot of 5 energy. She has a few repeating numbers in her full name which are 8 twice which is good because she isn't overbearing, bossy, or mean, but she has tenacity and ambition most likely. Her capability of dedicating herself could be very strong. She can be obsessive, but it won't be too intense with the 2 8's balancing each other out. In other cases, this could cause her to overthink sometimes or have trust issues.
1 twice as well which emphasizes her not being a bratty type of woman because 1 and 8 can give someone a mean complex if there is enough of it. 1 is about being bold and taking the initiative.
9 three times in Hailey Rhode Baldwin's name which gives her emphasized 9 energy which is about power, authority, popularity, maturity, and travel. One thing she will likely always make time for is travel and learning. Could be into cultural knowledge as well.
Skipping to the fact that she has four 5's in her name, this is the energy emphasized the most. This equals 20 and then 2 making her appear soft, calm, loving, or sensitive. She could be very emotional with this energy and most likely have to perfect her emotional well-being.
Being HAILEY RHODE BALDWIN gives her the Destiny #4, soul urge #9, and Personality #4
Destiny #4 is the same as Halle Bailey. Destiny 4 people are private, especially about things they value and things they see as important and dear to them. It's serious. These types of people are naturally capable of withstanding or handling responsibility. They are evolving into mastering a life that is in order. Don't force these types of people out of their shell if they are not ready. Once these Destiny 4 types feel safe around you, their personality expands and show clearer.
As a soul urge 9, Hailey Bieber is a natural at quick learning and experience. She may be someone who could see something once and would know the ins and outs after that first time learning or practicing. 9 is mastery and wisdom.
As a personality #4, this makes Hailey a cautious person. She will not do or say anything if she isn't feeling comfortable to do so. She takes calculated steps and won't do anything she considers risky or stupid. She has to warm up to environments before she allows herself to be part of the festivities. Likely not too big on parties as an importance.
April and May of 2024 were very romantic times for Hailey Bieber which makes sense that she is now pregnant with Justin Bieber's baby.
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submitted by shaneka69 to NumerologyPage [link] [comments]


2024.05.10 16:39 Diligent_Yogurt1326 Maybe I’m reaching?

Okay does anyone else see the hypocrisy of Taylor saying “I’m having his baby, no I’m not but you should see your faces” while it’s a huge no no to joke about pregnancy. Like a few years ago Justin Bieber made a fake pregnancy announcement on April fools day and he got so much shit for it but queen Taylor says it permanently in a song and people think it’s hilarious. Idk maybe I’m reaching but it doesn’t sit right with me
submitted by Diligent_Yogurt1326 to travisandtaylor [link] [comments]


2024.05.10 13:59 PsychResearchCov Acting intuition is supported by immersion and awareness

Hi all,
Some time ago, I posted on this subreddit with a request to participate in one of my studies (thanks to all who participated!).
I promised to report back the results as a thank you, and I am now happy to report that this research has been published in the academic journal Psychology of Aesthetics, Creativity, and the Arts.
Unfortunately, that article is behind a paywall now, as is often the case with academic publications, but I have done a popular science write-up in the Conversation too (openly accessible!).
It was a really broad research project, so it's hard to summarise here (and for that reason I recommend reading the popular science write-up above), but let me give a quick overview here too:
Finally, I am currently running an online experiment investigating imagination in acting students (finishing soon!). So if you are interested in this, it takes about 15 minutes, and should be fun! It can be found here: https://coventryhls.eu.qualtrics.com/jfe/form/SV_cABsOdUqCD8vmbY
Thanks very much for your interest and time! It really is much appreciated.
All the best,
Valerie
submitted by PsychResearchCov to ActingNerds [link] [comments]


2024.05.10 06:20 dickeyclubhouse family saying the same weird things

today, my brother and sister and my mom and sister all separately said the same weird things to me. they weren’t around each other when they said it and didn’t know the other said it. my brother and sister both at separate times told me “did you hear justin bieber is pregnant?”
and i told my mom and sister at different times about a class im taking over the summer called “Women and Madness in Literature” and they both said “oh so it’s about me”
just thought it was silly that they kept matching each other in weirdness.
submitted by dickeyclubhouse to PointlessStories [link] [comments]


2024.05.10 01:53 MaximumAntagonizer Be honest

Be for fucking real anyone living here or not arguing about toronto NOT being on top of the music industry is smoking food. Drake, Justin Bieber, the weeknd and Tory lanez. Not saying they are all #1 no matter what all the time, but nobody except taylor fucking swift and maybe lil baby can really touch them. (Free tory lmao 🙅🏽‍♂️) If you dont agree hold my nuts and touch google for once.
submitted by MaximumAntagonizer to Torontology [link] [comments]


2024.05.09 23:41 Throbbingprepuce I don’t think this thing ends with just Drake and P-Diddy

I’m thinking with all the evidence that has come to light with Drake that this shit runs deeper than just him being a pedo. I think this is an epidemic in the music industry and I think Kendrick has only sparked the flame on something much, much bigger. Here are a couple examples I came across feel free to add to it.
Here is a link to a twitter video where Rubi Rose talks about being younger when she hooked up with 21 Savage and Travis Scott. The age is in question but it definitely seems odd:
https://x.com/joshybesloshy/status/1788298308462501918?s=46&t=VcF-3xuGxeNxeer_IM-JVg
Y’all remember the whole Tyga and Kylee Jenner thing? Well if you don’t here is a full timeline of their relationship:
https://www.google.com/amp/s/www.billboard.com/music/rb-hip-hop/kylie-jenner-tyga-a-complete-timeline-of-their-relationship-6693303/amp/
This has been going on for decades but nobody ever mentions it. There are artists including Taylor Swift, Justin Bieber, Prince and countless others that have had public relationships with minors yet it seems like nobody has cared. Until now. Pdiddy is being investigated, more and more dirt is coming out about Drake, people are doing more research and digging up dirt on other people. I think Kendrick Lamar has started a movement and I think this year is going to be interesting.
submitted by Throbbingprepuce to hiphop101 [link] [comments]


2024.05.09 22:26 Okay_MissGirl1893 Claudia’s Obsession with Ppl

Since Hailey Bieber and Justin Bieber have announced that they’re having a kid and posting about it. You already know that she mentally taking notes and talking to Jesse about how they will announce their future child…. 🤨🤨🤨
submitted by Okay_MissGirl1893 to Walshfamilysnark [link] [comments]


2024.05.09 13:23 OmarD1021 Rating my classes I took this year (fall 2023-spring 2024) as a civil engineer.

I just want to say before I start rating the classes that everyone is different in a way, some people find some classes easier than others and I just want to give a rating that reflects on what I think was hardest classes I’ve taken to ones where I think were the easiest. This can give you a general understanding of what you can expect from the class. I’ll also be sharing what professors I’ve had and rate the class on a scale from 1-10 in terms of difficulty and list the from the hardest to the easiest. I’ll also list when I took the class (fall 23 or spring 24), credits hours, core class or not, and say whether it a full semester class or half a semester class.
Alright here are my rankings:
  1. Civil engineering 274 (Statics), core class, 3 credits, full semester, fall 23, professor: Harntaro Wibowo. Difficulty: 9.5/10 All I can say is listen to the rumors about this class. When I was in CE 160 everyone was saying that statics is going to be the hardest class you’ll ever take at ISU, even the TA’s were telling us that. I have always been optimistic and never really thought of it until I took the class. I mean what can I say, first 80% of your grade are the exams and the other 20 is homework, Top-hat etc. Second the material of this class especially in the beginning is kind of hard to keep up with as everything builds up with each other but you do get used to it. When I tell you that you can’t fuck up one exam you really can’t, it’s almost impossible to get a good grade if you fuck up one of them. You’ll have 3 midterms and 1 final, 4 questions on each exam and 90 minutes. The exams are not impossible to solve obviously but they do try to trick you by for example finding the mass instead of weight, unit conversions, and complex wording. Pros about this class is platoons are really helpful for this class (TA’s giving out examples and showing you how to solve them, once per week for 50 min) and if you do go to all of the platoons you do get 2% extra on your final grade. Also SI was helpful as she did give out a lot of examples from previous exams and would recommend going to them. Wibowo wasn’t a bad professor he does recommend printing out the practice example sets before each class because that’s what he goes over the whole class period but I wouldn’t say he is the best at all in terms of 1 on 1 conversations. Also the graders of this class in my opinion are kind of harsh when grading your exams, they can deduct you up to like 5 points for wrong units or wrong answers which I found ridiculous. Overall be prepared for this class, get up to date with 3D related material,Fy,Fx, and moment equations, and a lot of trigonometry.
  2. Civil Engineering 206 (Engineering economic analysis and professional issues in civil engineering), core class, 3 credits, full semester, spring 24, professor: Jon Matthews Rouse, difficulty: 8.7/10 If you told me back when I was applying for this class at the end of fall that CE 206 was going to be hard as fuck I would’ve laughed at you, but holy fuck it is. Firstly I want to get this out of the way, I wanna say that some classes are hard not because the material is hard but because the professor makes it hard. CE 206 falls into that category where the material is basically high school maths with plugging and chugging numbers into formulas but holy fuck does Matt make it ridiculously hard in his exams. Matt is a great guy and an excellent professor (top 5 coolest professors I’ve ever met), gives dad vibes when you meet him, but he is no joke in his exams. Some of his questions are ridiculous where he really tries to trip you up with the wording and his work out problems are really long and tedious. He also admitted that he does plug numbers into a calculator to see where students might trip up (like squaring your answer when you’re supposed to multiply) and puts the number as one of the multiple choices. He also doesn’t post anything on canvas at all which I found ridiculous since the first page of each exam is solving true and false questions, full in the blank, definitions, etc..Oh yeah you only got 55 minutes for the midterm exams, which I found hard to even see how you could ever finish both the midterm exams (especially the second one) on time. His second exam was so bad, 60-70% failed the exam, and had to curve it by 10%. The homework’s weren’t bad but his graders are really tough graders, I mean I never got a full mark on any of the homework’s and I had 13 homework sets. No wonder why this class is the 5th dropped class at ISU, it’s literally impossible to finish both midterm exams on time, graders for the homework are tough, and no room for extra credit (beside doing only extra credit homework but still).
  3. Engineering mechanics 324 (mechanics of material), core class, 3 credits, full semester, spring 24, professer: Oleg Zarechnyy, difficultly: 7.7/10 The content in this class is arguably way harder than what you take in statics but when it comes to grading and overall the class structure, this class is not bad. If you take it with Oleg (great professor) his method of teaching is TBL (team base learning) and the class structure is to watch the lecture videos before attending the class, as what you do in class is 2 top-hat questions on the material you watched at home. He also recommends to do the homework before each lecture but I never did and it was fine. The team you are with the whole semester are picked at random and you sit in the same place during the semester. The top hat questions aren’t tricky but if you did not watch the videos you won’t get the answers right. Each question is about 25 min, the first 12 min you do it alone, then the remaining 13 min you discuss your answers with your teammates and submit them together. You do also submit your answers when you do it alone. Exams are easier than statics exams by a mile, I mean some of the questions they give you the moment of inertia, sometime they give you the forces, etc… basically all the calculations that you might trip up they will give you. The formula sheet is essential to this class, so understand where everything is. There are 3 midterm exams, 3 questions, and 90 min (30 min avg each question), very doable. They never try and trick in any of the questions like in statics and it’s pretty straight forward. The final will have 4 questions but you got 120 min so again doable. You have also 3 homework’s each week due Monday, Tuesday, and Friday on Willyplus. Overall a very doable class (class avg on each exam was about 75-80%) and shouldn’t be hard to pass.
  4. Deferential equations 266 (differential equations), not a core class, 3 credits, half a semester, spring 24, Professor: Domenico D’Alessandro, difficulty: 7/10 Out of the math classes I’ve taken so far at ISU, Calc1, calc2, and Def eq 266, I would say that def eq is definitely the easiest out of the 3 I have taken. This class is supervised by the one and only Steve butler so I already knew it wasn’t going to be batshit hard like the calc department but don’t think it’s a walk in the park type of class. For me this class is all about proving that a certain problem is right by proving it with a set of equations. What I like about this class is 3 things, first and most importantly is that the exams are fair not ridiculously hard like the calc exams but not easy to the point where you didn’t have to study, second you could theoretically not attend a single lecture like I did 99% of the time and just go to the quiz review (more on that in a moment) and try and understand what they are talking about (which wasn’t hard to comprehend) and do well enough on the quizzes to be ready for the exams, and thirdly there’s a fucking formula sheet thank god. If it wasn’t for the formula sheet I promise you this class would be 10x harder cause you do need a lot of equations for this class. Exam wise there will be 2 for 266, 6 questions each, and 75 minutes, which I think is fair considering some questions are really easy and fast to solve and some do take time but I wouldn’t say it’s like a 20 minute question more like 7-8 minute question. For me quizzes were the best as like in calculus you have a weekly quiz 25 min, 2 random questions from the practice quiz you have to solve, and as I said if you go the quiz review and understand what is happening it’s Literally a free 10/10. Exams are 60%, quizzes are 25%, Homework are 12% (you only need to do 3 questions form the sample set to get full credit), and the remaining 3% is basically free points if you do the weekly review where it asks how are doing in class, recommendations, etc. overall very doable class with a lot of chances to get a good grade as he does drop your lowest 2 exam questions, 1 quiz, and 4 homework sets. I can’t tell you if the professor is solid or not as I rarely went to class besides doing the quizzes but from what I gathered he is ok.
  5. Statistics 305 (Engineering statistics), not a core class, 3 credits, full semester, spring 24, instructor: Troy Meyers, difficultly: 6.7/10 This is the exact reverse of CE 206, the content here is hard, in my personal opinion, but Troy makes his exams really easy. First off I wanna say that Troy is one the funniest professors I’ve ever met, he tells us cool and funny stories, he really wants you to succeed in this class by helping and asking questions, and he really is passionate about statistics. The material is hard but his exams are literally the example material he posts on canvas along with of the homework questions. I mean if you can memorize the practice material on canvas you’ll be just fine as most of the time he doesn’t even change the numbers in the exam (keeps it the same). The first 2 exams were really easy, the third exam I failed it just because I stoped going to lecture and didn’t even go to the exam, but the avg was really high just don’t be a dumbass like me, the final is recycled material from the 3 midterms along with questions from post 3rd exam. The homework is really easy if you understand what you are doing. Honestly this class could be hard if you don’t take it with Troy. Oh yeah DO NOT TAKE THIS CLASS ONLINE! I heard they make the online sections of this class ridiculously hard, just take it with Troy he teaches like 7 sections of this class, so you should find more than enough seats to be in his sections.
  6. Chemistry 167 L (chemistry 167 lab), not a core class, 1 credit, full semester, fall 23, Instructor: Krishna Suresh, difficulty:6.2/10 This class for 1 credit is absolutely bullshit. Firstly the “professor” for this class is named Sarah Pistolesi but you never actually meet her or even talk to her ever, even if you tried to send an email she will never respond. So what you have is a post graduate instructor and about 15 other students in a laboratory doing chemistry. What I was hoping for this class is to do dope ass chemistry experiments and overall have a chill and easy time but nope this class is the literal definition of aids. You do about 13 experiments throughout the semester and I would classify 1 experiment as cool and rest absolutely ass, you have to do a fat ass report on your experiment, and you also have 3 in class experiment exams throughout the semester, you have a pre lab quiz, post lab quiz, and post lab EXAM each fucking week (all online though). I mean all that for 1 credits is insane and they weren’t easy quizzes or exams nah they were the ones where you actually had to read the lab manual thoroughly and do the labs precisely to do well on them. The pain in ass really was the lab reports, some of my lab reports were like 8-13 pages long as they ask you a shit ton of questions about the experiment you did that week along with a review on what you did, you had to make graphs from excel, and solve stoichiometric questions which as I said before is insane for a 1 credit class. I mean I put more effort into this class than fucking Calc 1 and that’s not even a joke. Now the instructor (Krishna Suresh) is really cool though and does understand our pain for this class I mean this was her first time teaching this class and was astonished by the amount of work you had to put for 1 credit. She did her best and did sometimes allow us to go early because for some reason there is no fucking chairs to sit on and the lab was 3 hours long so you had to stand up to 3 hours straight with no breaks at all. Smh that class was a joke on god and unless you are a chem major you aren’t going to get an A on this class, also some of the questions were ridiculously hard to solve unless you know chemistry for real for real.
  7. Speech com (Speech communication), not a core class, 3 credits, full semester, fall 23, Professor: Michael Wettengel, difficulty: 5/10 Out of all the classes on this list this class is the dullest class I’ve taken so far. In fact it’s so dull I can’t even tell you how the grades were distributed because he goes off by points, and not by percentage but what I can tell about this class is that you have to put effort into your speeches. In this class you will have 3 major speeches, 3 or 4 mini speeches, lots of homework, and in class activities. For your mini speeches all you have to do is write a speech 2-4 min long on a index card-s and read it to your fellow classmates, obviously it’s not that straightforward as you need to come up with the plot and stuff but that wasn’t bad. For the major speeches you had to make a PowerPoint for your first two speeches along with references and research to prove on what you are taking about and obviously a rehearsed speech you have to prepare and present to the class. You got a lot of homework you have to do but honestly they were just stepping blocks for the presentation and speech you were going to give for your major speeches so it wasn’t bad. Finally the in class activities weren’t bad but they were silly especially at the beginning. Oh yeah for this class you have attend as there is attendance points and also for the in class activities you had basically each class. The main speeches were an informative, persuasive, and special occasion. The first one (informative) was in my opinion the most annoying one as you had to do a lot of research for your topic along with pictures, slides, references, etc. The second (persuasive) was actually not bad as you would want to keep the same topic from the informative one and just persuaded on why your topic is important. For the third one (special occasion) it was the easiest as no research was needed and you can really talk about anything you want. For the first two speeches you had to get your topic approved by the professor but the third one you don’t have to as long as you and another class mate aren’t talking about the same topic. Michael wasn’t a bad professor at all, he actually made the class quit fun it was just the material and over overall speech com is boring. He is a tough grader though and does take the speeches seriously and will deduct points accordingly to the speeches rubric. Honestly the only reason I give this class a 5/10 in difficulty is the amount of effort you have to for this class and not because the material is hard.
  8. Civil engineering 170 (Graphics for civil engineers), core class, 2 credits, full semester, fall 23, professor: Stuart Nielsen, difficulty 4.25/10 What made this class instantly easier than the rest of the civil engineering classes is that the class is online and even if it wasn’t I think it would easier than the other civil engineering classes. Firstly no exams in this class which is already great, secondly it’s easy to follow up in this class meaning you don’t have to watch the lecture videos multiple time to understand what’s happening you can watch it once and easily see what he is talking about. There are 12 homework sets, and 2 projects that’s it. The homework sets are: first 2 weeks you do sketches, 2D, and 3D drawings with building objects. You also learn how to draw thing on a side view, top view, etc in 2D and 3D. The next 5 weeks you will use AutoCAD learning how to use it and using its tools, a bit surveying, etc.., then 1 week to do the final project on AutoCAD which is literally what you did on the app for the last 5 weeks compressed into a final project. The the next 5 weeks you do Revit which was actually really fun in my opinion, you learn how to design and build a building on Revit, floor plans, put objects, sceneries, etc…, and then 1 week to the final project which was basically to build a house with a few requirements. Honestly this class is really easy and I would say the hardest thing about this class was the AutoCAD final project was a bit tricky but once you get used to AutoCAD it’s only honestly cake. Revit is in my opinion easy and simple to understand, its tools are not complex and the rendering on the app is great. Stuart is a great guy and although you don’t really meet him he does put a lot of effort into his videos and does respond to emails.
  9. History 202 (Introduction to western civilization), not a core class, 3 credits, half a semester, spring 24, professor: John Monroe, difficulty: 3.6/10 I never thought I would enjoy learning about history and this class did not disappoint. It’s a fun class to learn about European history (Napoleon, French Revolution, WW2) and John’s videos are fun to watch. It does get boring sometimes but that’s when some of the history was boring but I wouldn’t say I slept or anything like that. You do quizzes weekly but honestly if you do watch the lecture videos then you shouldn’t have any problems. You might not take an A on this class as some of the questions are detailed (you need to read the questions carefully) but you will definitely enjoy the class.
  10. Anthropology 230 (globalization, and the human condition), not a core class, 3 credits, half a semester, fall 23, professor: Sedi Azirani, difficulty: 2.8/10 Im going to make this short and simple, watch the lecture videos, do the weekly quizzes, do a essay every 2 weeks, review the course for the final exam, take the final exam and you’ll get an easy A. The only tricky part about this class is the essays as you have to watch a video (usually there will be 2 to choose from) get a reference source and write an essay about the video topic. Quizzes are easy if you watch the videos and look at the slides, and the final exam is easy if you review the material. Honestly an easy A.
  11. English 250 (written, oral, visual, and electronic composition), not a core class, 3 credits, full semester, fall 23, professor: Paul Kimumwe, difficulty: 1/10 If you have taken any english class from ISU you should know that they are an easy A. I put literally 0 effort into this class and still got a 98% on it. You literally do 4 or 5 major essays of your liking as long as you follow their simple requirements and you do 1 power point slide towards the end of the semester explaining your future plans with your degree and I would say thats about it. I mean the only way to fail this class is literally not to submit anything but you really do need a free A from time to time to boost your gpa and luckily this class is a requirement for any degree you take here.
Final thoughts:
This year, I tried to get out of the way the bullishit classes like my SSH electives, and the easy classes so I can get to the good stuff in the future without a annoying and unnecessary class that I’m forced to take that literally isn’t a engineering class, so I would say that this year was a smooth sailing but probably won’t be next year as I’m going to take some tough ass classes. I hope I have given y’all some insight to these classes if y’all ever gonna take them especially for future Civil engineers.
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2024.05.09 00:58 Heavensrock Justin googling Selena in 2019

Justin googling Selena in 2019
I know this is old tea but I think it’s absolutely hilarious and I have to bring it up. What do you guys think aboutJustin being caught googling selena and watching her Coachella performance in 2019 do you believe his explanation? Do you think Hailey cares? Do you think he still keeps tabs on sel?
Let’s discuss!
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