Greetings, redditor! If you find yourself here, then hi! I…I guess that’s it-
BUT if you find yourself here wanting to know more about me, then this is the spot! I’ll try to update this frequently to keep it as accurate as possible.
You can call me Steel! I’m mostly here just to participate in communities that are inclusive and revolve around my interests, but I’m very open to talking to others and even making friends!
I'm LGBTQ+ friendly, neurodivergent friendly, so on and so forth. If you're unsure if I'm ok with something, you’re more than welcome to ask me!
I have a wide taste in games! I love Sonic games, Lego games, and story driven games (the Last of Us, God of War, Ratchet and Clank, Halo, Insomniac Spider-Man, etc.). For multiplayer games that I’m open to playing with others, I’m open to Rocket League, Halo Infinite, Overwatch, Brawlhalla, Rec Room, Super Animal Royal, Destiny 2, Minecraft and a few others. I don’t usually play ranked as I try to relax when gaming, but I’m not super opposed to the idea. I play on Xbox, Switch, and PC if it matters; mostly Xbox! (The only games that I can think of that I won’t play at all currently are Fortnite and Roblox, but I have nothing against those who enjoy them!)
I love watching shows and movies! Especially kids shows that are well built in story (Avatar: the Last Airbender, Teen Titans, pretty much any 90’s Marvel or DC show, the Owl House, etc.) I also watch some anime from time to time! Mostly romance such as Clannad, Toradora, Tomo-chan is a Girl - stuff like that. But a little bit of shonen like Fullmetal Alchemist Brotherhood and Bleach also have my heart! I’m open to recommendations as well.
I love creating! I can’t draw for the life of me, but I draw inspiration from everything. I’m kind of a bookworm as well, and I love drafting story and universe ideas, as well as making poems and short stories. On the flip side, I love to make music! My taste is a little bit of everything, so I’m open to music recommendations! I won’t shove my music down your throat, don’t worry, but do feel free to ask.
If none of this matches up with your interests, it doesn't have to, because I love listening and learning new things. I can be very inquisitive, so if you have a hobby I know absolutely nothing about, go ahead and infodump on me!
Just for some extra info about me: I’m an empath, I love helping others through their vents or otherwise, and I’m just generally a supportive person! If you ever need someone to help you feel better, I’ll try my absolute best!
I can talk here, but I also have Discord if that’s preferred. Anyways, that’s pretty much it for me! If you’ve read this far then I hope to hear from you soon!

Classic Literature: 1. "The Hanged Man" in T.S. Eliot's "The Waste Land" (1922): - Reference: Eliot's influential modernist poem references the tarot card "The Hanged Man" in the context of spiritual crisis and renewal. - Significance: The card symbolizes sacrifice and surrender, echoing themes of transformation and rebirth explored in Eliot's work.

1. "The Magician" in Somerset Maugham's "The Magician" (1908):
   • Plot Element: Maugham's novel revolves around an occultist and magician named Oliver Haddo, inspired by the tarot card "The Magician."
   • Symbolism: The character embodies the archetype of the Magician, using mystical powers and symbolism associated with the tarot card to drive the narrative.

Contemporary Literature: 3. "The Night Circus" by Erin Morgenstern (2011): - Tarot Influence: The novel features a magical competition between two illusionists, and tarot cards are used as a divinatory tool by one of the characters. - Symbolic Elements: Tarot motifs, including the Fool's journey and card readings, contribute to the atmospheric and mysterious setting of the story.

1. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016):
   • Character Incorporation: The character Ronan Lynch in this series is associated with tarot cards, particularly "The Magician."
   • Narrative Impact: Tarot symbolism is interwoven into the character's development, reflecting themes of power, transformation, and the manipulation of reality.

Magical Realism: 5. "Like Water for Chocolate" by Laura Esquivel (1989): - Tarot Spread Structure: Each chapter in this magical realist novel is introduced with a tarot card, setting the thematic tone for the narrative. - Symbolic Significance: Tarot cards serve as a creative and symbolic framework, guiding readers through the emotional and magical journey of the protagonist.

1. "The House of the Spirits" by Isabel Allende (1982):
   • Tarot Readings: The novel includes scenes where characters engage in tarot readings, providing insights into their destinies and influencing the unfolding events.
   • Symbolism: Tarot cards become a symbolic and mystical element, enhancing the magical realism inherent in Allende's storytelling.

Dystopian Fiction: 7. "The Handmaid's Tale" by Margaret Atwood (1985): - Tarot Imagery: Tarot cards, particularly the deck known as the "Jezebels Tarot," appear in the novel as a forbidden and subversive element within the dystopian society. - Resistance Symbolism: The use of tarot cards symbolizes resistance and individual agency in a repressive regime.
From classic literature to contemporary works, tarot cards have served as powerful symbols, narrative devices, and sources of inspiration. Their presence in literature often extends beyond mere divination, delving into themes of fate, transformation, and the complexities of human experience. As a rich tapestry of symbolism, tarot continues to weave its way through the realms of imagination and storytelling, adding layers of meaning to literary narratives.
Fantasy and Magical Themes: 8. "Good Omens" by Neil Gaiman and Terry Pratchett (1990): - Prophecy and Tarot: The novel incorporates tarot cards as part of the prophecies, and the card "The Tower" plays a significant role in the narrative. - Humorous Twist: Gaiman and Pratchett infuse humor and irreverence into the use of tarot cards, blending fantasy and satire.

1. "The Night Circus" by Erin Morgenstern (2011):
   • Magical Setting: Beyond using tarot cards as a divination tool, the novel features the Le Cirque des Rêves, a magical circus where each tent is inspired by a tarot card.
   • Atmospheric Influence: Tarot symbolism enhances the enchanting and mysterious atmosphere of the story, contributing to the novel's magical realism.

Mystery and Detective Fiction: 10. "The Hound of the Baskervilles" by Arthur Conan Doyle (1902): - Tarot Card Allusion: The novel contains a reference to a death card that could be interpreted as resembling a tarot card. This adds an element of mystery and foreshadowing to the narrative.

1. "Foucault's Pendulum" by Umberto Eco (1988):
   • Tarot Conspiracies: Eco's complex novel delves into conspiracies and secret societies, incorporating elements of tarot symbolism as characters explore esoteric mysteries.
   • Intellectual Exploration: Tarot cards become part of the intellectual and symbolic tapestry in a narrative that explores the boundaries between reality and imagination.

Science Fiction: 12. "Snow Crash" by Neal Stephenson (1992): - Tarot as Code: In this cyberpunk novel, tarot cards are used as a form of code for a virus that plays a crucial role in the plot. - Futuristic Integration: The novel explores how ancient symbols, like those found in tarot, can find new meaning in a futuristic, technology-driven world.
Romance and Relationship Dynamics: 13. "The Lovers" by Vendela Vida (2010): - Tarot Theme: In this novel, the protagonist becomes involved in a project where she creates a deck of tarot cards to explore themes of love and relationships. - Personal Journey: Tarot becomes a tool for self-discovery and reflection on romantic relationships, adding a unique twist to the exploration of love in the narrative.
In literature, tarot cards emerge as versatile narrative tools, blending seamlessly into various genres and themes. Authors employ them for foreshadowing, symbolism, and to explore the complexities of human existence. Whether in the realms of fantasy, mystery, science fiction, or romance, tarot cards contribute to the richness and depth of storytelling, offering readers a glimpse into the mystical and symbolic dimensions of the human experience.
Historical Fiction: 14. "The Eight" by Katherine Neville (1988): - Quest for a Chess Set: The novel weaves a complex narrative involving a quest for a mystical chess set, with each piece representing a tarot card. The tarot cards play a central role in unraveling the mysteries within the story. - Symbolic Elements: Tarot cards are intricately linked to historical events and characters, providing a symbolic framework for the unfolding adventure.

1. "The Shadow of the Wind" by Carlos Ruiz Zafón (2001):
   • Tarot Card Readings: The novel features a mysterious character who conducts tarot card readings, offering insights into the destinies of the main characters.
   • Atmospheric Symbolism: Tarot cards contribute to the atmospheric and gothic elements of the narrative, adding layers of mystery and intrigue.

Coming-of-Age Narratives: 16. "The Raven Cycle" Series by Maggie Stiefvater (2012-2016): - Tarot Card Symbolism: Tarot cards, especially "The Magician," play a significant role in the character development and coming-of-age themes of the series. - Personal Growth: The use of tarot reflects the characters' journeys of self-discovery, empowerment, and understanding their places in the world.
Philosophical Exploration: 17. "The Castle of Crossed Destinies" by Italo Calvino (1969): - Silent Characters: In this experimental novel, characters communicate solely through laying out tarot cards to tell their stories. The tarot becomes a visual language, and the narrative explores the interconnectedness of stories and destiny. - Symbolic Interpretation: The novel delves into the nature of narrative, choice, and fate through the lens of tarot symbolism.
Memoir and Autobiography: 18. "M Train" by Patti Smith (2015): - Personal Reflections: In her memoir, Patti Smith reflects on her life, travels, and creative process. Tarot cards appear as a recurring motif, offering glimpses into the author's introspective and spiritual moments. - Intuitive Guidance: The author uses tarot as a tool for personal reflection and guidance, highlighting its role in her creative and spiritual journey.
Literary Criticism: 19. "Tarot as a Way of Life: A Jungian Approach to the Tarot" by Karen Hamaker-Zondag (2001): - Psychological Exploration: This non-fiction work explores tarot from a Jungian perspective, delving into the archetypal and symbolic dimensions of the cards. - Integration with Jungian Psychology: The author uses tarot as a means to explore the collective unconscious and the psychological aspects of the human experience.
Tarot cards continue to be a rich source of inspiration for authors across diverse genres. Whether as a narrative device, a symbolic tool, or a means of philosophical exploration, tarot's presence in literature enhances storytelling by tapping into the mystical, psychological, and symbolic facets of the human condition. As authors weave these archetypal cards into their narratives, readers are invited to explore realms of meaning, mystery, and self-discovery.

Welcome to Poetry Corner

Welcome to May!
We have entered the May flowers portion of spring. There certainly is a lot of pollen, but also a lot of rain where I am—Maryland is bouncing between hot and frigid, and I would say it needs to make up its mind, but…. We all know it won't.
However, I have made up my mind about this month's theme! And Im excited to get to it.
I had a suggestion a few weeks ago to include some sources for crit – I don’t have them ready now, but I will get some stuff together for you guys soon, I swear. I am always open to suggestions <3
Let’s face it: poetry is a strange land for many of us. What makes a poem? Does it have to rhyme? Follow a structure and meter? Does it have to be based in emotion? All these are great questions. Poetry comes in all forms and styles, rhyming and non-rhyming, metered and freeform. Some poems even tell a fictional story, like prose does! Some poems don't use any line breaks at all, and Prose-Poems can be tricky yet effective. I'll give you a nudge here to look into them and maybe try them out. Who knows, maybe a constraint is coming our way.
Each month, I provide you with a simple theme and an additional constraint to inspire you. You have 60 - 350 words to write a poem based on that theme. Poetry is often shorter than prose, so word choice is important. Less words mean each word does more. Be sure to read the entire post before submitting!  

This Month’s Challenge

Theme: Gravity IP MP Bonus Constraints:

• Lean into horror, either thematically or narratively.

Gravity, honestly, should be easy. The hardest part might be picking one direction over another.
The gravity of the earth? The gravity of your emotions? The pull of the deep ocean or the urge to explore the stars?
Its really up to you!
Need some help with some horror-themed poems? I got you! An elegy is a poem of serious reflection, and in English literature usually a lament for the dead.
I am encouraging the poets this week to stretch that definition of dead as well, especially since we did just do death last month! Examples:
Déjà Rêvé. BY Avra Margariti
Because I could not stop for Death by Emily Dickinson
These are just a few ideas to get you started. Remember, you can interpret the theme any way you like as long as the connection is clear and you follow all sub and post rules. Don’t forget to leave feedback on at least one other poem by the deadline (it is a requirement)!

Schedule

• Submission deadline: Wednesday, May 1st, at 11:59pm EST
• Feedback & Nomination deadline: Tuesday, May 21st at 11:59pm EST
• Campfire: None scheduled for May. Please leave comments on the post. Check out previous Poetry Corners here!
  

  How To Participate

• Submit a 60 - 350 word poem inspired by the theme as a top-level comment below. You have until next Wednesday at 11:59 p.m. EST. Please note that for this particular feature, poems must be at least 60 words. Low-effort poems will be removed. No pre-written content.
  
• Use wordcounter.net to check your word count. The title is not counted in your final word count. Poems under 60 words or over 350 will be disqualified.
  
• Leave actionable feedback on at least one other poem Each critique is worth up to 10 points, up to 50 points. I really encourage trying, even if you are new to poetry!
  
• Nominate your favorite poems from the thread using this form (it will open after the submission deadline). You get points just for voting!
  
• Please be respectful and civil in all feedback and discussion. We welcome writers of all skill levels and experience here, as we’re all here to improve and sharpen our skills. Uncivil or discouraging comments will not be tolerated and may result in further mod actions.
  
• Be creative and have fun! If you have any questions, feel free to ask them on the stickied comment on this thread or via modmail. Top-level comments are reserved for poem submissions.
  

Point Breakdown

TASK	POINTS	ADDITIONAL NOTES
Use of the Weekly Theme	up to 50 pts	Theme should be present, but the interpretation is up to you!
Use of Bonus Constraint	10 pts	(unless otherwise noted)
Actionable Feedback	up to 10 pts each	1 crit required; you’re welcome to provide more crit, but pts are capped at 50
Nominations your poem receives	20 pts each	No cap
Mod Choice	20 - 50 pts	First- 50 pts, Second- 40 pts, Third- 30 pts, plus regular noms
Voting for others	10 pts	Don’t forget to vote by the deadline!

 
Note: *Actionable feedback should be constructive, something that the author can use to improve. Feedback can also be positive, like what you enjoyed, how it made you feel, parts that flowed particularly well, images that stood out, etc.

Rankings for Echoes

Winners:

• First place by u/Lothli
• Second place by u/SaltedCaramelJedi
• Honorable Mention: by u/Tomorrow_Is_Today1

Subreddit News

• Join our Discord to chat with other authors and prompters! We hold several weekly Campfires, monthly World-Building interviews, and several other fun events!
• We are currently looking for moderators! Apply to be a moderator at any time.
• Nominate your favorite WP authors for Spotlight and Hall of Fame!
• Experiment with fun tropes and genres on the new Fun Trope Friday!
• Serialize your story with Serial Sunday or test your micro-fic skills with Micro Monday on ShortStories! ***

Dear Poetry Fanciers,
Welcome back for a special Victorian edition of Poetry Corner, brought to you by u/NightAngelRogue and a splendid accompaniment for our upcoming read of The Thrilling Adventures of Lovelace and Babbage. Just a reminder, if there is a special poem you would like to feature in Poetry Corner, just send me a message and we'll get it the schedule!
_____________________________________________________________________________________________________________________ Joke:
Q: Nelson Mandela, Tuberculosis and Long John Silver walk in a bar. Who are they talking about as they go in?
A: Probably William Ernest Henley (1849-1903).
____________________________________________________________________________________________________________________
Poet, journalist, literary critic, editor, publisher, translator and Victorian-extraordinaire, Henley, was a good friend to Robert Louis Stevenson, who he inspired to write the character "Long John Silver" in Treasure Island. Stevenson, writing to Henley-" I will now make a confession: It was the sight of your maimed strength and masterfulness that begot Long John Silver ... the idea of the maimed man, ruling and dreaded by the sound, was entirely taken from you". The friendship was a tumultuous and long one.
Henley's sickly daughter, Margaret, was the inspiration of "Wendy" in J.M. Barrie's Peter Pan. She would not live long past her 5th birthday, the only child Henley had with his wife, Hannah "Anna" Johnston Boyle. Tragedy had long painted his life even before this sad event. He was diagnosed with a rare form of tuberculosis at age 12, that affected his bones. His left leg had to be amputated below the knee when Henley was a young man, and he was often in the hospital with various abscesses that need to be drained. Frequent illness kept him out of school and interrupted his professional work. Henley eventually sought out the advice of Joseph Lister, who was pioneering new techniques, including antiseptic operating conditions and doing groundbreaking research on wounds, when his right foot become affected by the tuberculosis. Still, his ill-health did not keep him from practicing his art. While Lister kept him under observation at the Royal Infirmary of Edinburgh, from 1873-75, Henly wrote and published a collection of poems, which includes today's selection, In Hospital (1903). This collection of poems is notable also because it was one of the earliest examples of free verse in English poetry. Henley and others in his group became known as the "Henley Regatta" for their championing of realism, such as the poor working conditions in the Victorian underbelly, in opposition to the Decadent movement in France and the Aesthetic movement closer to home. This would be the last collection of poetry and the most impactful of his work; his death would follow later that year. Unfortunately, a fall from a carriage reawakened the latent tuberculosis hiding inside him, which carried him off age 53. He was buried next to his daughter, in Cockaney Hatley, Bedfordshire. His wife would later also be buried alongside her family.
His legacy is one that is both inspiring and rather dispiriting. His poetry was used for jingoistic and imperialist causes, and to champion war, though much of it was about personal striving and inner resolve-the mythical "Stiff Upper Lip" of the Victorian era. This led to push back in the literary world, as D.H. Lawrence's short story, "England, My England and Other Stories" took flight from one of the lines from "Pro Rege Nostro", which is more patriotic than his usual work. Admittedly, he counted himself as a conservative and supported the imperial effort, as much of Victorian society did at this time. Still, his work fell into obscurity, with the main exception of "Invictus"-Latin for "unconquered". It is well known that Nelson Mandela recited this poem to his fellow inmates in Robben Island as a reminder to stay strong and keep one's dignity. There are also, of course, the Invictus Games, which are held for injured and sick service men and women and veterans in the UK.
_______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
Winston Churchill to the House of Commons, September 9, 1941:
"“The mood of Britain is wisely and rightly averse from every form of shallow or premature exultation. This is no time for boasts or glowing prophecies, but there is this—a year ago our position looked forlorn, and well nigh desperate, to all eyes but our own. Today we may say aloud before an awe-struck world, ‘We are still masters of our fate. We still are captain of our souls.'” (link)
_____________________________________________________________________________________________________________________
Sidney Low, in "Some Memories and Impressions – William Ernest Henley". The Living Age (1897–1941) describing his friend:
"... to me he was the startling image of Pan come to Earth and clothed—the great god Pan...with halting foot and flaming shaggy hair, and arms and shoulders huge and threatening, like those of some Faun or Satyr of the ancient woods, and the brow and eyes of the Olympians." (link)
_____________________________________________________________________________________________________________________
Andrzej Diniejko on Henley as "poet as a patient" and his work predating modern forms of poetry "not only in form, as experiments in free verse containing abrasive narrative shifts and internal monologue, but also in subject matter". (link)
_______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
"Invictus"
by William Ernest Henley
Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
_____________________________________________________________________________________________________________________
This poem is in the public domain.
__________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
Some things to discuss might be the title. How does the defiant spirit of this "Unconquered" opening play throughout the lines of the poem? There is also a reference to the Bible Verse Matthew 7:14 in the poem, "Because strait is the gate, and narrow is the way, which leadeth unto life, and few there be that find it". Why do you think this is included? What lines stand out to you? How do you see him fit into the Victorian literary furniture, if you will? Have you heard this poem before? How does this fit in with the melancholy feel of the Bonus Poem, if you read it? What other poets do you enjoy from this era of literature?
_____________________________________________________________________________________________________________________
Bonus Poem: We'll Go No More a-Roving
Bonus Link #1: "Love Blows As the Wind Blows" (1911) song-cycle by George Butterworth, with Henley's poetry put to music and song.
Bonus Link #2: A literary review of the Victorian Era.
Bonus Link #3: Read the other poems included in the collection, In Hospital.
__________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
If you missed last's month poem, you can find it here.

According to the Blur issue of Mojo, this was what made it to the cutting room floor for Parklife:
“Returning to the studio, the band recorded 14 more songs between December and the middle of February, 10 of which would appear on Parklife. To give an idea of the sheer variety of material being attempted, these 14 tracks included two waltzes; a song that nodded musically to Magazine; another with a rhythm based on the Tom Tom Club (featuring a surging Robert Fripp-style solo from Coxon); a William Blake poem set to music; a samba; an inventory of moons and stars sung by Alex James; a conceptual piece based loosely on the character of Ziggy Star-dust; and an emotional finale to the album with lyrics inspired by a handkerchief showing a map of Britain and its shipping regions. Just as there is much more to Sgt. Pepper than Billy Shears and the band you've known for all these years, there is much more to Parklife than Phil Daniels and dirty pigeons.”

Heya~
I hope that title was enough to get your attention. I’m just curling up on the couch, watching some YouTube, and hoping for someone to keep me company.
Here’s some things about me: I love writing. I don’t do it often as I’d like but I’ll sometimes write a poem when the inspiration strikes me. Similar to that, I also love reading. Anime is also pretty cool and recently I’ve been trying to get into cosplay and baking! Also, bit of a random thing but I’ve been wanting to get a tattoo lately, but I’m not sure where so I’m open to ideas.
If you wanna chat, shoot me a message with your age and pronouns, along with which is better? Coffee or hot tea?

paranoia is common in our common room
for we know that thing is among us
it transforms to match us exactly we assume
no one can be trusted we’re all sus
⠀
my colleague called me to talk
important it is he said with a cry
reluctantly outside i walk
but when we’re alone he caused me to-
⠀
Back insiide I walk, “All’s ok”,
“The Thing’s probablly dead” I sigh with releef.
They all beleeve me, all’s going to plan.
Yet one still has a bitt of grief.
⠀
He remained behind after all else wemt.
But unfortonately for him, and fortunate for me,
He did not know my recently akquired secret.
I ripped and toor him with alien glee.

paranoia is common in our common room
for we know that thing is among us
it transforms to match us exactly we assume
no one can be trusted we’re all sus
⠀
my colleague called me to talk
important it is he said with a cry
reluctantly outside i walk
but when we’re alone he caused me to-
⠀
Back insiide I walk, “All’s ok”,
“The Thing’s probablly dead” I sigh with releef.
They all beleeve me, all’s going to plan.
Yet one still has a bitt of grief.
⠀
He remained behind after all else wemt.
But unfortonately for him, and fortunate for me,
He did not know my recently akquired secret.
I ripped and toor him with alien glee.

paranoia is common in our common room
for we know that thing is among us
it transforms to match us exactly we assume
no one can be trusted we’re all sus
⠀
my colleague called me to talk
important it is he said with a cry
reluctantly outside i walk
but when we’re alone he caused me to-
⠀
Back insiide I walk, “All’s ok”,
“The Thing’s probablly dead” I sigh with releef.
They all beleeve me, all’s going to plan.
Yet one still has a bitt of grief.
⠀
He remained behind after all else wemt.
But unfortonately for him, and fortunate for me,
He did not know my recently akquired secret.
I ripped and toor him with alien glee.

Light TW for DPDR themes of course, nothing too specific; very methaphorical/abstract language that can potentially be disturbing if you’re easily triggered by such themes.
I crafted this poem using 2 different journal entries that I wrote while experiencing episodes of DPDR. I consider it my best work yet. I feel like I was able to truly capture the feelings of what it is like to deal with this disorder, at least for me. Note that I usually experience derealization much more often and intensely than depersonalization. The poem is also not exclusively about DPDR but I would say it is one of its main themes and the main “inspiration” as well.
I’m posting this through the mobile app so hopefully it doesn’t mess up the formatting. I hope some of you find connection with my words.
Deliquesce
The insufficient fondness towards the bleached sunlight piercing through the window blinds holds me on edge of burning sentiments
So inevitably, they burn cold
Icy sunrays devour my room and soul freezing nature while the thermometer explodes
And I love the cold only never when it burns
In a numb flash moments locked in my chest once sinking in a loch of memories now glide over ice treasuries
Empty, and afraid of everything of the sky, the trees, the melody… Faded shades of green interrogate my sanity and birds lure me into fated obscurity
Yet, despite my loath I persist outside as I insist to still loathe the inside
For I’m afraid of everything of my room, and my stupidity.
Unsure, with cold feet I approach the shore.
Inclined to dive into the sea pondering if there’s foolishness in my desire to fall free
Frozen with dismay I inspire to go in and expire to cry away
Breaths of a misty breeze aggravate my foggy brain
Elementally, salty tears and salty waves are equally capable of thawing a Sunday
If I savor this sweetness will I drown in the bay? And if I close the blinds will I blind myself astray?
Blue Eons
—————-
Please do not repost or share without my permission.

I am gobsmacked that season 3 comes out tomorrow. I have had such a blast writing up these rewatch recaps. For anyone that's curious, I'm watching all four episodes when I wake up tomorrow morning (probably around 7AM EST), then heading to lunch to debrief with my cousin before we rewatch a second time.
This is my absolute favorite episode of the series. I've watched it so many times, it's just such a great finale. So, I say this begrudgingly, thank you to Jess Brownell for writing such an excellent episode. If you keep up this energy in seasons three and four, I will gladly eat my words.
"The Viscount Who Loved Me" finds the Bridgerton family recovering from the fallout of Eloise's scandal, Kate recovering from her injury, and the final ball of the season, hosted by the Featheringtons.
Benedict appears for the first time in this episode when he arrives at the Danbury House, his valet having noticed Anthony carrying Kate inside. He asks Anthony if he's alright, and you can really see his concern for his brother. When Anthony says everything is his fault, you can clearly see the look on Ben's face change, and I just love Luke T in this scene.
We see Benedict again in the Bridgerton drawing room, a week having gone by, strewn over his favorite chair, next to Eloise as he sketches away. When Anthony enters, making demands, Ben looks a bit irritated with his brother, especially as he begins to berate Colin, declaring "he is one and twenty, Brother." Anthony dismisses him, saying, "Keep to your doodling," clearly offending Ben, before he leaves along with the rest of the siblings.
Also, non-Benedict related comment, but I never noticed that in the scene where Footman John drops off the parcel with the hidden message inside from Theo, Eloise's dress has a distinct floral pattern on. So I apologize to Theloise truthers, but even in a scene involving Theo, there are obvious signs pointing to Sir Phillip.
We don't see Ben again until about twenty-two minutes, where Ben is happily painting Tessa when Rupert walks in, calling Ben's work "remarkable" and his best yet, before saying that the people at the Academy assumed he'd be "all drink and no paint." Suddenly Ben's confidence washes away, as he asks Rupert to clarify what he means. Rupert admits to Benedict that Anthony has made a large donation to the school, which ultimately secured him a place. He says he thought Benedict knew, but we all know he did not, and you can just see the pain in his face as he realizes he did not in fact get into the Academy based on his skill, but rather based on his last name and the financial support Anthony gave. This would have taken place right after Benedict rattled off his "what is it truly to admire a woman," poem, Anthony having responded, "you should apply yourself more often, Benedict." I often wonder if Anthony had wanted Ben to do exactly that, and apply himself, recognizing his brother's potential, and made the donation so Ben would have the opportunity. But, regardless, this absolutely shatters Benedict's confidence in himself as an artist, and is likely the catalyst for his journey in season three.
Also, more floral patterns on Eloise's dress during the "break up" with Theo.
And we have the swing scene, Benedict approaching his sister looking rather worried for her, obviously knowing of her scandal. He says, "you seem to have the melancholy of heartbreak about you," and Eloise fires back "what would you know of heartbreak?" Benedict kind of scoffs, replying, "I would not, really." We all know what this is: Benedict is probably just eight-ish episodes away from having his heart shattered in a million pieces if I had to guess. This conversation is just so great, both siblings feeling like imposters, both wanting something more out of life and feeling like it's been taken away from them. Benedict tells Eloise that when looking at a Bridgerton painting, one feels "disappointment" and "lack of inspiration." He is, of course, describing how he currently feels about himself. He's disappointed in the fact that his art skills did not get him admitted to the Academy, and is no longer feeling inspired because of that. Perhaps he just needs a muse? I think it's likely he will find that muse very soon, and his underlying story next season will probably revolve around that "lack of inspiration." But, aside from all this, we do have a really lovely moment between these two siblings. I wonder if they will be more at odds next season because of Eloise's friendship with Cressida, or if we will be blessed with more swing set scenes.
Benedict is next seen arriving at the Featherington Ball with Anthony, Violet, and Eloise, looking like he really does not want to be there as he bites his lip and walks off. He then returns, nudging Eloise in the arm, saying, "Steady." Eloise looks to Violet, replying, "And ready," the two walk off, Benedict smiling as they go.
Benedict appears again after Penelope runs off, having heard Colin's words for her, encountering Anthony. Benedict tells him he's leaving the Academy because of his donation. Benedict admits to Anthony that he knows he was trying to help in his own "misguided way," before telling him that he believes Anthony did it because he recognized that Benedict just wasn't good enough. Anthony tells him, "If you want to paint, paint. It is one of your many talents, chief among them your natural girl for seeing what others need, even when they cannot see it themselves." He admits it has taken him too long to realize it, and Benedict brushes off the compliment, his confidence lost entirely, and tells Anthony to enjoy the rest of his evening. This is how the season is wrapping up the kind of back and forth between the brothers, where Benedict is constantly reaching out to Anthony, and Anthony is dismissing him. Finally it's Anthony who is reaching out, telling Benedict he is essentially sorry for not realizing sooner that Benedict was always seeing in him what Anthony himself didn't even realize. But now Benedict is shutting his brother out, in a switch that may give Anthony room to help his brother through this dark period next season.
Finally we see Benedict in his studio, closing his box of art supplies (with four fingers, leading to the season four theory), effectively closing this chapter of his life.
Benedict appears in the epilogue, playing pall mall with the family and Kate after they return from their honeymoon. Six months have gone by. He looks distinctly less happy than he did for most of the second half of this season, part of him missing, but he does smile at Newton running off with Anthony's ball. He grins at Daphne as they watch Anthony so in love, laughing a bit when she declares it means they are cutting out. Benedict makes his last appearance this season, walking off as Anthony and Kate hold up the pall mall game, pleased that his brother has finally found true happiness.
And thus concludes our Benedict-centric rewatch of seasons one and two. His ending is rather sad here, having given up the Academy, which made him so happy throughout this season, but we have a rather good idea where we'll find him in season three. Hopefully he will find his muse when he is least expecting it, but we know he's feeling unconfident and beaten down by the fact that his admission to the art academy was not based on his talent. Colin's travels and Anthony's marriage will likely leave Benedict feeling like he has nothing at all. As Bridgerton likes to beat down their leads before their season begins (Penelope got a one-two punch in the finale, as her friendship with Eloise ends and then she overhears Colin saying he would never court her), so I expect Benedict to be kicked down rather effectively in the season three finale. It will be sad to watch, but worth it knowing what's coming.
I'll probably be muting both this sub and the main one tonight so I don't see any spoilers before I finish season 3 tomorrow morning, but I hope you have all enjoyed going on this ride with me. I'll see everyone tomorrow, when we have more Benedict to analyze!
Best Benedict quote from this episode: "Imposter party of two?"

Lesson Plan: Exploring Cultural Celebrations Across Holidays
Objective: Students will gain an understanding of various cultural celebrations, exploring the unique traditions, symbols, and practices associated with Hanukkah, Diwali, Kwanzaa, Las Posadas, Winter Solstice, Chinese New Year, Boxing Day, Ganna, Oshogatsu, and Global Celebrations. They will appreciate the cultural significance and diversity of these holidays while finding creative ways to express their own cultural heritage through writing and creative activities.
Day 1: Introduction and Research (1 hour)

1. Opening Activity: Holiday Icebreaker (15 minutes)
   
   • Start with a brief discussion about students' favorite holiday traditions.
   • Share a few diverse traditions from different cultures to pique interest.
2. Introduction to Holidays (15 minutes)
   
   • Provide an overview of the ten holidays, briefly explaining their cultural and religious significance.
   • Discuss the importance of cultural diversity and understanding in today's global society.
3. Research Activity (30 minutes)
   
   • Assign each student a holiday to research. Provide resources (books, articles, websites) for them to explore.
   • Instruct them to focus on key elements such as symbols, traditions, rituals, and historical background.
4. Group Discussion (15 minutes)
   
   • Students share their findings in small groups, discussing the uniqueness of each holiday and what aspects resonate with them.

Day 2: Creative Expression and Writing (1 hour)

1. Reflection and Discussion (15 minutes)
   
   • Begin with a brief reflection on the previous day's research.
   • Discuss what aspects of the holidays students found most intriguing or surprising.
2. Creative Writing Exercise (30 minutes)
   
   • Encourage students to choose one holiday and write a short story or poem inspired by its traditions.
   • Emphasize the use of descriptive language to capture the cultural richness and significance.
3. Sharing and Peer Review (15 minutes)
   
   • Students share their creative writing pieces with a partner or small group.
   • Encourage constructive feedback, focusing on how well the cultural aspects are conveyed.
4. Expressing Personal Culture (15 minutes)
   
   • Discuss the importance of expressing one's own cultural heritage.
   • Assign a short homework task: Write about a personal cultural tradition or celebration that is meaningful to them.

Day 3: Presentations and Reflection (1 hour)

1. Individual Presentations (30 minutes)
   
   • Students present their personal cultural writing assignments to the class.
   • Encourage the use of visuals, artifacts, or personal stories to enhance presentations.
2. Group Activity: Cultural Exchange (20 minutes)
   
   • Divide the class into small groups and assign each group a holiday different from the one they researched.
   • Instruct them to discuss similarities, differences, and potential cross-cultural influences.
3. Reflection and Closing (10 minutes)
   
   • Lead a class discussion on the broader themes of cultural appreciation and understanding.
   • Encourage students to reflect on what they've learned and how they can apply this understanding in their lives.

Assessment: - Research participation and group discussions (Day 1) - Creative writing piece (Day 2) - Presentation and cultural exchange activity (Day 3)
Homework: - Reflect on the cultural exchange activity and write a short paragraph about one interesting aspect learned from another group's holiday.
Additional Notes: - Encourage students to use a variety of resources for research, including books, articles, and interviews with individuals who celebrate these holidays. - Foster an open and respectful environment for discussing cultural differences and similarities. - Emphasize the importance of empathy and understanding when exploring diverse traditions.

Course Title: Exploring the Panorama of Poetry
Course Description: This course delves into the rich tapestry of poetic forms, guiding students through the exploration and creation of fifty distinct styles of poetry. From classic sonnets to innovative forms like golden shovel and palindrome poetry, students will gain a comprehensive understanding of poetic expression, learning the nuances of each style and honing their creative skills.
Week 1-2: Introduction to Poetry and Sonnets - Overview of poetry styles - In-depth study of sonnets - Writing Exercise: Crafting a sonnet on personal experiences
Week 3-4: Embracing Haiku and Villanelle - Understanding the elegance of haiku - Exploring the repetitive beauty of villanelles - Writing Exercise: Composing haikus inspired by nature
Week 5-6: Limericks and the Art of Humor - Decoding the humor in limericks - Crafting limericks with wit and wordplay - Writing Exercise: Creating humorous limericks on everyday topics
Week 7-8: Free Verse and Acrostic Poetry - Liberating creativity through free verse - Playing with words in acrostic poems - Writing Exercise: Expressing emotions through free verse
Week 9-10: Ghazal and Tanka Mastery - Unveiling the beauty of ghazals - Crafting tankas with precision - Writing Exercise: Creating a ghazal on themes of love and longing
Week 11-12: Cinquains and Pantoum Prowess - Perfecting the art of cinquains - Embracing the rhythmic challenges of pantoums - Writing Exercise: Developing a pantoum on personal growth
Week 13-14: Sestina and Rondeau Exploration - Mastering the intricacies of sestinas - Crafting rondeaus with musicality - Writing Exercise: Composing a sestina on the theme of time
Week 15-16: Triolets and Kyrielles - Understanding the charm of triolets - Embracing the structure of kyrielles - Writing Exercise: Crafting a triolet on the beauty of simplicity
Week 17-18: Ode to Joyful Ballads - Writing joyful odes - Crafting narrative ballads - Writing Exercise: Creating an ode celebrating personal achievements
Week 19-20: Epic Journeys and Blank Verse - Exploring epic storytelling - Mastering the art of blank verse - Writing Exercise: Composing a blank verse poem reflecting on personal reflections
Week 21-22: Petrarchan Musings and Terza Rima Mastery - Delving into Petrarchan sonnets - Crafting poems using terza rima - Writing Exercise: Writing a Petrarchan sonnet on conflicting emotions
Week 23-24: Renga Collaboration and Prose Poetry - Collaborative renga creation - Experimenting with prose poetry - Writing Exercise: Crafting a prose poem inspired by a vivid memory
Week 25-26: Concrete Poetry and Narrative Art - Creating visual impact with concrete poetry - Mastering the art of narrative poetry - Writing Exercise: Developing a narrative poem based on personal experiences
Week 27-28: Pastoral Elegies and Morning Aubades - Writing pastoral poetry - Crafting mournful elegies - Writing Exercise: Composing an aubade capturing the essence of dawn
Week 29-30: Ekphrastic Marvels and Found Poetry Adventures - Creating poetry inspired by art - Crafting poems through found materials - Writing Exercise: Developing an ekphrastic poem based on a chosen artwork
Week 31-32: Epigrams and Clerihew Laughter - Crafting witty epigrams - Writing humorous clerihews - Writing Exercise: Composing a clerihew about a contemporary figure
Week 33-34: Quatrains and Double Dactyl Delight - Mastering the art of quatrains - Crafting light-hearted double dactyls - Writing Exercise: Creating a quatrain reflecting on the beauty of simplicity
Week 35-36: Terzanelles and Haibun Adventures - Crafting terzanelles with precision - Exploring the combination of prose and haiku in haibun - Writing Exercise: Composing a haibun narrating a meaningful travel experience
Week 37-38: Golden Shovel Challenges and Villancico Celebrations - Creating poems using the golden shovel technique - Crafting festive villancicos - Writing Exercise: Developing a golden shovel poem using a line from a favorite poem
Week 39-40: Tercet Beauty and Sevenling Narratives - Embracing the charm of tercets - Crafting sevenlings with narrative flair - Writing Exercise: Composing a sevenling reflecting on a vivid childhood memory
Week 41-42: Palindrome Reflections and Parallelismus Membrorum Insights - Creating palindrome poetry - Crafting poems using parallelismus membrorum - Writing Exercise: Developing a palindrome poem exploring balance in life
Week 43-44: Rubaiyat Contemplations and Blues Poem Expressions - Exploring Persian poetry with rubaiyats - Crafting poems inspired by the blues - Writing Exercise: Composing a rubaiyat on themes of love or mortality
Week 45-46: Erasure Transformations and Anaphora Intensity - Crafting poetry through erasure - Mastering the use of anaphora - Writing Exercise: Creating an erasure poem using a page from a novel or newspaper
Week 47-48: Tetractys and Sijo Harmonies - Crafting tetractys with specific syllable counts - Exploring traditional Korean poetry with sijo - Writing Exercise: Developing a sijo capturing a moment of beauty or introspection
Week 49-50: Blitz Poem Exploration and Epitaph Conclusions - Crafting blitz poems with rapid expression - Writing poignant epitaphs - Final Project: Compose an original poem using a style of the student's choice, reflecting personal growth throughout the course.
Assessment: - Weekly writing exercises - Participation in collaborative projects - Midterm and final projects showcasing mastery of chosen styles
Materials: - Poetry anthologies - Artworks for ekphrastic exercises - Writing journals - Selected readings for each style
Prerequisites: None. Open to all students with an interest in poetry and creative expression.

1. Sestina:

- *Definition:* A 39-line poem with intricate repetition of end-words in a specific pattern. - *Example:* Write a sestina exploring the challenges and triumphs of personal growth. 

1. Rondeau:

- *Definition:* A 13-line poem with a rhyme scheme and a repeated phrase. - *Example:* Create a rondeau celebrating the joy of creativity. 

1. Triolet:

- *Definition:* An eight-line poem with a specific rhyme scheme and repetition. - *Example:* Craft a triolet expressing the beauty found in simple moments. 

1. Kyrielle:

- *Definition:* A form of rhyming poetry with repeating lines and a specific structure. - *Example:* Write a kyrielle exploring the theme of resilience in the face of adversity. 

1. Ode:

- *Definition:* A lyrical poem praising and glorifying a person, event, or thing. - *Example:* Compose an ode celebrating the power of human resilience. 

1. Ballad:

- *Definition:* A narrative poem often with a musical quality, telling a story. - *Example:* Create a ballad recounting a mythical or historical tale of adventure. 

1. Epic:

- *Definition:* A long, narrative poem that tells the story of heroic deeds. - *Example:* Write an epic poem inspired by a contemporary hero or heroine. 

1. Blank Verse:

- *Definition:* Unrhymed poetry with a regular meter, often iambic pentameter. - *Example:* Craft a blank verse poem reflecting on the passage of time. 

1. Petrarchan:

- *Definition:* A sonnet divided into an octave and a sestet, often exploring conflicting emotions. - *Example:* Write a Petrarchan sonnet exploring the duality of love and loss. 

1. Terza Rima:

- *Definition:* A poetic form with interlocking rhymes, often used in longer works. - *Example:* Compose a terza rima poem contemplating the mysteries of the universe. 

Hello Apes.
Back with another review of all the tweets sent from memelord and cat inspiration, Roaring Kitty.
If you missed my first review for 13th May, you can find it here.
To reiterate, the description of each tweet is to the best of my knowledge the references made and the speculation is pure speculation on my part, this is just for fun and shouldn't be taken as any financial advice, make your own decisions, I just like the stock. If you have anything to add feel free to in the comments and I'll do my best to update the post.
11am - https://x.com/TheRoaringKitty/status/1790396654971224430
Description: The infamous scene from the movie Troy where Achilles rather reluctantly at first, comes forward to fight the mighty Boagrius. Achilles runs at him, defending against a few spear throws then with one epic jump and slide, stabs Boagrius with this blade killing him in one clean strike. The music dubbed on this clip is Counting Bodies Like Sheep To The Rhythm of the War Drums by A Perfect Circle.
Speculation: Chosen warrior blessed by the gods comes forward in front of the masses and takes out the big baddie. You could make the speculation that the song could reference something to do with DRS (A Perfect Circle) and SHFs bleeding out (counting bodies like sheep).
11.30am - https://x.com/TheRoaringKitty/status/1790404203715887238
Description: First of all we have a cat talking to itself in the mirror stating the words, "Don't be the bigger person today, be the person that helps them understand that sometimes when you f**k around, we find out...". We then cut to arrested development where Buster who is portrayed as a bear has something to say, "i wanna shoot down everything you say, so i feel good about myself. cause i'm an uptight [insert copious amounts of swearing].
Speculation: First part DFV knows they (Shorts) have messed around again and have been doing it dirty. The gig is up again, time to close and pay up. The second part is a funny scene from arrested development where Buster, a character who just cannot fit in properly goes AWAL to try and show he has a nasty side, it just comes across as way too far. DFV just poking fun at bears here no doubt.
12:00pm - https://x.com/TheRoaringKitty/status/1790411757120561628
Description: First we have a scene from The Town where Doug says to James, "I need your help. I can't tell you what it is, you can never ask me about it later, and we're gonna hurt some people." and James replies, "Who's car are we going to take?" Then it cuts to Mad Max where there are a load of sand buggy cars going nuts with flame throwers and all sorts of chaos with the song Du Hast by Rammstein playing in the background.
Speculation: I haven't seen the Town but from reading online this scene showed the amazing friendship between Doug and James when James simply replies, who's car are we going to take? in response to what sounds like a risky ask for help from Doug. Then with Mad Max: Fury Road we have a film about a post apocalyptic survivor in Max Rockatansky who eventually brings down a warlords Citadel (hmmm).
12:30pm - https://x.com/TheRoaringKitty/status/1790419301976903884
Description: First we have the whistling of Omar from The Wire, then we have a scene from the Kingsmen where they are locked in a pub with Galahad and the quote "Manners maketh man" and finally we have a scene from Oldboy with a big fight scene cut alongside some anime which is from demon slayer
Speculation: The whistling is synonymous with Omar and is to the tune of a nursery rhyme, "the farmer in the dell", anyone that watched The Wire would know instantly that this means Omar is coming and this means you best get out the way as he is coming with his double-barreled shotgun and he certainly won't hesitate to use it. The Kingsmen scene where they are locked in the pub is a particularly violent scene and it's an interesting film to reference, the plot *Film spoiler here* is essentially about a boy named Eggsy from a lower-class neighbourhood who's father dies and he finds out that his father was part of an elite inner circle of upper class. After trying to be part of this group, Eggsy discovers their secret plot to take over the world and takes it into his own hands to save the day. u/ ThePhenomNoku talks about the last 2 referenced films; "So the anime is demon slayer. It’s about a kid who has everything taken from him and trains to learn how to fight demons. Though as a sidenote he kind of carries one around with him. It’s complicated.The other movie with the guy holding the person, & the fight scene is the original Oldboy, and without giving too much of the plot away it’s about a dude who is falsely imprisoned for a couple of years or so, and then enacts his revenge."
Edit\* As u/ omegs points out: whistle is "The farmer in the dell, Hi-ho, the derry-o" reference to the circle. The movie Kingsmens: The Golden Circle as well
1:00pm - https://x.com/TheRoaringKitty/status/1790426851409817615
Description: Firstly we have the scene from Oceans 11 where Danny Ocean is chatting to Rusty Ryan right in the initial stage of their plan to heist the casino. He talks about how it's never been done before, will need planning and a large crew and Ryan asks if they are going to use guns, he replies "not exactly, there's lots of security" and finally Ryan asks "what's the target?". We then cut to a film i'm not aware (anyone help here?) of where an older gentleman shows a calculator to a young woman and the calculator says "Just up" on it then the woman says "yes that looks correct"
Speculation: In Oceans 11 there was a lot of planning and variables that had to happen for everything to work. It was a high risk high reward plan with a lot set up to go against but it's possible. The target has always been "just up", DFV just reiterating what he said in the first place.
1:30pm - https://x.com/TheRoaringKitty/status/1790434400494116873
Description: First we have a scene from Old School where he states, "A loophole?" "Yes. Well, it's interesting, sir. As stupid as they appear, they're actually very good at paperwork. It's quite an anomaly." then it cuts to a scene from the same film with the C&C factory everybody dance now song and a cheerleading dance attempt
Speculation: Of course with the loophole stuff it could be about all of the DD that has been done on what has gone on over the years but it could equally be about SHFs finding loopholes to get out of the mess they are in with the stock. The second part the judges clearly don't feel the attempt of the cheerleading or gymnastics piece they are portraying is any good but they are giving it a go and it's suppose to a comedy. Note the school is the cougars, cat links again of course.
Edit\* As u/ omegs points out: Loophole is reference to circle. Notice how the mascot is similar to a cat that does backflips into the center of the circle
2:00pm - https://x.com/TheRoaringKitty/status/1790441953659687421
Description: The first part is taken from The Batman and has Batman's monologue running and when the Batman signal is fired into the sky, a kitty shadow is shown instead of the Batman logo. It ends with an emphasis on "Fear is a Tool".
Speculation: Batman was of course a good hero who would rid the streets of criminals, they would scare just at the sight of the batman signal being fired knowing that they were about to get wrecked. In this clip, two years has been replaced with three years in the monologue and the kitty signal is of course a nice touch.
2:30pm - https://x.com/TheRoaringKitty/status/1790449499506192405
Description: This clip is taken from Mr Robot and is where Elliot plays eXit, a text based computer game that requires him to answer a series of questions in a text based game.
Speculation: I think it's best just to give the description of what happens in this scene taken from the fandom page. Elliot chooses to sit down with the friend in the dungeon. He lights a match and reads the note "Don't leave me here." Elliot chooses to stay. The alarm shuts off. An explosion happens nearby. Robot opens the door to find a fire raging outside. He concludes it's too late. Both of them sit down. They each say "I love you." Explosions rage around the room. "It's an exciting time in the world," Elliot says. Fade to red. Take from that what you will.
3:00pm - https://x.com/TheRoaringKitty/status/1790457051115847720
Description: This scene is taken from the movie Scream (2022), a direct sequel to Scream 4. A lot of the text has been changed but to summarize, one person states "he is making a requel" then there is some talk about the squeeze movie that came out last year and how most people in the actual know hated it and how "squeeze mid" pissed on their "covidhood", how the main character is a mary sue? Then a few cuts of Scream and how real squeeze movies have meta slasher whodunnits and that to some people the original is their favorite thing in the world
Speculation: A requel is A movie which revisits the subject matter of an earlier film but is not a remake or a linear continuation of its plot (i.e. a sequel or prequel). So essentially what is happening right now with the stock is not exactly the same of what has happened before but it is essentially a revisit of the same subject regarding squeezes. A mid squeeze implies that it wasn't as high as the squeeze could have gone and the theme of slashers and murdered people really suggests heads will roll (SHFs hopefully).
3:30pm - https://x.com/TheRoaringKitty/status/1790464599575167004
Description: This is a scene from Candyman where he has come for the woman. There is some cat flashes and images going on and the Woman in this is tagged as a bear (that is someone who is down on a stock or market, usually would short). Candyman talks about how there is no need for the bear to leave yet and that he was obliged to come then he says "be my victim" and a bumble bee comes out of the word be.
Speculation: Time is running out for the bear, they can hang around for a while longer but they will be the victim. This is more of the DFV is coming for you as he dresses himself up as a rampaging murderer targeting the bear in this case. Not sure on the bee, whether that is DFV just having some fun or if it's that a sting is coming in some sense.
4:00pm - https://x.com/TheRoaringKitty/status/1790472153470759217
Description: Taken from No Country for Old Men, Carson states he is a day trader and that Anton doesn't have to do this (Anton is going to kill him) tell him he could just go home. Carson continues that Anton could have 14 grand out of an ATM and just walk away before finally stating "do you have any idea how crazy you are?". Anton replies, "you mean the nature of these memes?" to which Carson says "I mean the nature of you!" The scene ends with the phone ringing.
Speculation: DFV putting himself into the mode of Anton from No Country for Old Men is quite the statement. For those who haven't seen this movie, Anton is a wrecking ball of a killer and adheres by his rulebook to seek out different people through the movie to take out. Carson being the desperate short seller here who is not understanding why DFV isn't just playing by the usual financial rules and taking his gains and going. The phone ringing at end could be an implication of margin calls ringing for the desperate short seller.
Edit\* As u/ omegs points out: I think the ATM might be a double meaning "At The Money"
8:00pm - https://x.com/TheRoaringKitty/status/1790532552828289526
Description: This is taken from Braveheart and the prisoner (William Wallace) is asked to say a word in a famous scene where WW shouts "FREEEEDOM" only in this clip its "GAMESTOOOOOOOP".
Speculation: This is the first direct reference to Gamestop word for word and it should be noted that this is the scene where William Wallace is about to be executed. Could mean that DFV is willing to risk it all for Gamestop like William Wallace martyring himself for the freedom of Scotland.
Hope you enjoyed.
Love ya DFV

1. Sonnet:
   A 14-line poem, traditionally written in iambic pentameter, with various rhyme schemes such as Shakespearean (ABABCDCDEFEFGG).
   
2. Haiku:
   

A three-line Japanese poem with a 5-7-5 syllable count, typically capturing a moment in nature.

1. Free Verse:
   Poetry without a fixed rhyme or meter, allowing for greater freedom and natural flow of expression.
   
2. Villanelle
   

: A 19-line poem with a specific structure, containing five tercets followed by a concluding quatrain, using only two rhymes.

1. Acrostic:
   A poem where the first letter of each line, when read vertically, spells out a word or message.
   
2. Limerick
   

: A humorous five-line poem with a specific meter and rhyme scheme (AABBA).

1. Ghazal:

A form of poetry with rhyming couplets and a repeating refrain, often exploring themes of love and loss.

1. Tanka

: A Japanese form of poetry with a 5-7-5-7-7 syllable count structure, focusing on nature and emotions.

1. Sestina:
   A complex poem with six stanzas of six lines each, ending with a three-line envoi; the same six words end the lines in a shifting pattern.
   
2. Cinquain
   

: A five-line poem with a specific syllable count for each line (2-4-6-8-2), often used to capture a moment or emotion.

1. Rondeau:
   A 13-line poem with a rhyme scheme and repetition of specific words, often emphasizing themes of love.
   
2. Pantoum
   

: A form of poetry with repeating lines, where the second and fourth lines of each stanza become the first and third lines of the next.

1. Ode:

A lyrical poem expressing strong emotions or deep feelings, often addressed to a particular person or thing.

1. Elegy:
   A mournful poem, typically written in remembrance of someone who has passed away.
   
2. Ekphrastic
   

: A poem inspired by a work of art, often describing or reflecting on the visual piece.

1. Concrete Poetry:
   Poems where the arrangement of words on the page forms a visual representation of the subject.
   
2. Prose Poetry
   

: A hybrid of prose and poetry, characterized by its free-flowing structure and poetic language within prose form.

1. Epigram:

A short, witty, and often satirical poem or statement, typically with a clever or humorous ending.

1. Quatrain

: A four-line stanza or poem with various rhyme schemes, commonly used in ballads and hymns.

1. Epitaph

: A short poem or inscription on a tombstone in memory of the deceased.

I used to write poems when I felt that I cannot take it anymore. I have to do something, something so massive that all the masses of people notice it. Something which will be helpful to humanity.
I used to write poems to express the pain that I have felt, in hopes to get your reactions that yes, I have felt the same. There was something about your reactions that used to inspire me and guide me.
I used to write poems about the girl that hurt me the most and the girl that loves me the most, it had hate, anger, agony, love, consciousness, most of all consciousness, as we have seen people describe love in various forms. I used to express it through poems and handwritten letters.
Something happened, I turned 21, became a mechanical engineer. Finally, found a new job, at the airport as maintenance engineer. I started to work in shifts and when did the time disappear, my poems became nothing but the rust. A memory all about "I used to write poems".
These are the ruins of my world, come and see them after years to pass. The children would be born and they will grow up, grow old, my poems would be nothing but ruins in the grave that my bones would rest in, forgotten.
That is the curse of me, I want to be forgotten.

The history of tarot is a fascinating journey that spans centuries and traverses various cultures. The origins of tarot cards can be traced back to 15th-century Italy, where they emerged as playing cards. The initial purpose of these decks was purely recreational, serving as a game known as "tarocchi" or "triumphi."

1. Early Playing Cards (15th Century):
   
   • Origin: Tarot cards likely originated in northern Italy in the early 15th century. The oldest surviving complete deck is the "Visconti-Sforza" deck, dating back to the 1440s.
   • Function: Originally used for games, tarot decks were adorned with symbolic imagery, including allegorical illustrations and trump cards.
2. Tarot in France (Late 15th Century):
   
   • Migration: Tarot cards crossed into France in the late 15th century, and the game evolved with the addition of the 22 trump cards, known as the Major Arcana.
   • Symbolism: The Major Arcana introduced iconic characters and archetypal symbols, enhancing the cards' allegorical significance.
3. Occult Associations (18th Century):
   
   • Esoteric Interest: In the 18th century, interest in the occult and mystical arts surged in Europe. Tarot cards gained esoteric significance, with scholars attributing hidden meanings to the cards beyond their gaming purpose.
   • Etteilla: The French occultist Etteilla published influential tarot interpretations, contributing to the transformation of tarot into a tool for divination and self-discovery.
4. The Rider-Waite-Smith Deck (Early 20th Century):
   
   • Revolutionary Design: In 1909, A.E. Waite and Pamela Colman Smith collaborated on the Rider-Waite-Smith deck, featuring vivid illustrations and intricate symbolism. This deck became immensely popular and served as the foundation for many modern tarot decks.
   • Divinatory Focus: The Rider-Waite-Smith deck emphasized the mystical and divinatory aspects of tarot, influencing the widespread adoption of tarot for spiritual and introspective purposes.
5. Tarot in the New Age Movement (20th Century Onward):
   
   • Popularization: The mid-20th century witnessed a surge in interest in mysticism, the occult, and alternative spiritual practices. Tarot cards gained popularity within the New Age movement, becoming a tool for self-reflection, divination, and personal growth.
   • Diverse Decks: The latter half of the 20th century saw the creation of diverse tarot decks, each with unique themes and interpretations, catering to different spiritual traditions and personal preferences.
6. Modern Tarot Practices (21st Century):
   
   • Global Appeal: Tarot has transcended cultural boundaries and gained a global following. The internet has played a significant role in disseminating tarot knowledge, making it accessible to a diverse audience.
   • Integration with Psychology: Many practitioners view tarot through a psychological lens, using the cards as a tool for introspection, therapy, and personal development.

The historical evolution of tarot reflects its transformation from a simple deck of playing cards to a versatile tool for divination, self-exploration, and spiritual guidance. Today, tarot continues to captivate individuals worldwide, offering a unique blend of ancient symbolism and contemporary relevance.

1. Diverse Tarot Systems and Cultural Influences:
   
   • Cultural Adaptations: Tarot has adapted to various cultural contexts, leading to the creation of decks that draw inspiration from different mythologies, traditions, and artistic styles.
   • Themed Decks: Modern tarot enthusiasts can explore decks inspired by Norse mythology, Celtic traditions, Eastern philosophies, and more, allowing for a rich diversity of interpretations and connections.
2. Tarot and Popular Culture:
   
   • Media Exposure: Tarot has found its way into mainstream media, with references in literature, movies, and television series. This exposure has contributed to its widespread recognition and acceptance.
   • Creative Interpretations: Popular culture has inspired artists and creators to produce tarot decks with themes ranging from fantasy and science fiction to contemporary pop culture references, showcasing the adaptability of tarot symbolism.
3. Tarot in Digital Age:
   
   • Online Platforms: The digital age has transformed tarot readings, making them accessible through online platforms and mobile apps. Virtual tarot readings and communities provide a global forum for discussion and learning.
   • Digital Decks: Tarot decks are now available in digital formats, enabling users to explore and engage with the cards through virtual platforms, expanding the reach of tarot practices.
4. Tarot as a Personalized Tool:
   
   • Self-Expression: Many individuals now create their own tarot decks, infusing personal symbols, experiences, and artistic styles into the cards. This personalized approach enhances the connection between the user and the cards.
   • Intuitive Reading: Modern tarot practices often emphasize intuitive reading, encouraging users to trust their instincts and personal interpretations rather than relying strictly on traditional meanings.
5. Scientific and Skeptical Perspectives:
   
   • Psychology and Tarot: Some psychologists view tarot as a projective tool that can tap into the unconscious mind, offering insights into one's thoughts and emotions.
   • Skepticism and Tarot: Skeptics often approach tarot from a psychological or statistical standpoint, exploring the phenomenon through the lens of cognitive biases and the placebo effect.
6. Tarot Communities and Education:
   
   • Learning Resources: The availability of books, online courses, and workshops has contributed to the education and skill development of tarot practitioners. This has empowered individuals to deepen their understanding of tarot symbolism and interpretation.
   • Community Engagement: Tarot communities, both online and offline, provide platforms for sharing experiences, seeking guidance, and fostering a sense of community among practitioners.

As tarot continues to evolve, its rich history merges with contemporary influences, shaping a dynamic and diverse landscape. Whether embraced for spiritual guidance, artistic expression, or personal insight, tarot remains a versatile and enduring tool that resonates with individuals on their unique journeys of self-discovery.

1. Tarot Ethics and Professionalization:
   
   • Code of Ethics: In modern tarot practices, professional readers often adhere to ethical guidelines. These guidelines emphasize confidentiality, client empowerment, and responsible use of divination tools.
   • Certification and Training: Some tarot practitioners pursue formal training and certification programs to enhance their skills and professionalism, contributing to the recognition of tarot reading as a legitimate and ethical practice.
2. Scientific Research on Tarot:
   
   • Psychological Studies: While scientific research on tarot is limited, some studies explore the psychological aspects of tarot reading. Research has investigated how individuals interpret symbols, engage in reflective thinking, and experience a sense of empowerment through tarot readings.
   • Cognitive Science Perspectives: Tarot's intersection with cognitive science has led to examinations of how the mind processes symbolic information and the impact of belief systems on perception.
3. Tarot and Intersectionality:
   
   • Inclusivity: Tarot communities increasingly emphasize inclusivity, recognizing the importance of diverse perspectives, cultures, and identities. Decks that reflect a broader range of experiences and backgrounds contribute to a more inclusive tarot landscape.
   • Intersectional Readings: Practitioners may integrate intersectionality into their readings, acknowledging the complexity of individual identities and experiences within a broader social context.
4. Tarot's Influence on Art and Literature:
   
   • Literary Works: Tarot symbolism has inspired numerous works of literature, poetry, and art. Authors and artists often incorporate tarot themes to explore psychological, spiritual, and philosophical concepts.
   • Tarot in Visual Arts: Tarot continues to be a muse for visual artists, with contemporary artworks reimagining and interpreting the traditional tarot archetypes in new and innovative ways.
5. Tarot and Holistic Wellness:
   
   • Mind-Body-Spirit Connection: Tarot is increasingly integrated into holistic wellness practices that emphasize the interconnectedness of mind, body, and spirit. It complements approaches like meditation, mindfulness, and energy healing.
   • Wellness Retreats and Workshops: Wellness retreats and workshops may incorporate tarot as a tool for self-reflection, personal growth, and stress reduction, aligning with the broader holistic wellness movement.
6. Tarot and Technology Integration:
   
   • Mobile Apps and Online Platforms: Technology has facilitated the accessibility of tarot through mobile apps and online platforms, offering virtual readings, digital decks, and interactive tarot experiences.
   • Augmented Reality and Virtual Reality: Emerging technologies like augmented reality (AR) and virtual reality (VR) have the potential to transform tarot experiences, providing immersive and interactive readings.

The ongoing evolution of tarot reflects its adaptability to societal changes, technological advancements, and a growing understanding of its psychological and symbolic dimensions. As it continues to weave through various aspects of contemporary life, tarot remains a dynamic and versatile tool with enduring relevance.

1. Tarot and Social Media:
   
   • Online Communities: Social media platforms, such as Instagram, TikTok, and YouTube, have become hubs for tarot enthusiasts. Tarot readers share daily card pulls, interpretations, and create educational content, fostering a vibrant online community.
   • Global Connections: Social media has facilitated global connections among tarot practitioners, allowing for the exchange of diverse perspectives, interpretations, and deck recommendations.
2. Tarot in Mental Health Practices:
   
   • Therapeutic Applications: Some mental health professionals incorporate tarot into therapeutic practices, using it as a tool for self-reflection, exploration of emotions, and promoting therapeutic dialogue.
   • Mindfulness and Coping: Tarot readings can be used as a mindfulness practice, helping individuals cultivate self-awareness and coping strategies for managing stress, anxiety, and mental health challenges.
3. Tarot's Evolving Symbolism:
   
   • Living Symbolism: Tarot symbolism is not static; it evolves over time. Modern tarot decks often reinterpret traditional symbols to reflect contemporary values, ensuring that the cards remain relevant and resonant with current cultural contexts.
   • Innovative Decks: Artists continue to create innovative tarot decks that explore diverse themes, introducing new symbols and archetypes that speak to a wide range of experiences.
4. Tarot and Ritual Practices:
   
   • Ritualistic Use: Tarot is incorporated into various ritual practices, from simple daily card pulls to more elaborate ceremonies. These rituals can serve as a form of meditation, intention-setting, or connection with spiritual energies.
   • Seasonal Celebrations: Some practitioners align tarot practices with seasonal changes, using specific spreads or decks to explore themes associated with the solstices, equinoxes, and other significant astrological events.
5. Tarot and Gender Representation:
   
   • Expanding Archetypes: Modern tarot decks often challenge traditional gender roles and expand archetypal representations. Decks may feature diverse gender identities and expressions, offering a more inclusive and fluid understanding of the archetypal energies within the cards.
   • Feminist Tarot: Some decks explicitly adopt feminist perspectives, reimagining traditional tarot symbolism to empower and celebrate the diverse experiences of individuals across the gender spectrum.
6. Tarot as Literary Inspiration:
   
   • Literary Works and Tarot: Tarot continues to inspire literary works, with novels, poems, and plays incorporating tarot themes and archetypes. Authors explore the psychological and symbolic depths of tarot, infusing their narratives with mystical and esoteric elements.
   • Narrative Exploration: Tarot's narrative potential serves as a source of inspiration for storytellers, offering a structure that mirrors the hero's journey or provides a framework for exploring characters' internal and external conflicts.

The dynamic interplay between tarot and contemporary culture reveals its enduring appeal and adaptability. From social media platforms to therapeutic practices, tarot remains a versatile tool that resonates with individuals seeking insight, connection, and personal growth in an ever-changing world.
In conclusion, the history and evolution of tarot reflect its remarkable journey from humble playing cards to a multifaceted tool deeply embedded in modern culture. As tarot continues to weave its way through diverse aspects of society, from online communities to therapeutic practices, its enduring relevance lies in its adaptability, symbolism, and capacity to inspire self-discovery.
From the mysterious origins of the 15th century to its current role as a global phenomenon, tarot has transcended cultural and historical boundaries. As it integrates with technology, influences art and literature, and finds new applications in mental health and wellness, tarot remains a dynamic force that resonates with those seeking spiritual insights, artistic expression, and personal transformation.
Whether approached through a psychological lens, as a form of self-reflection, or as part of broader cultural movements, tarot's journey reflects the human quest for meaning, connection, and the exploration of the inner self. Its rich tapestry of symbolism continues to captivate individuals across the globe, making tarot a timeless and ever-evolving companion on the diverse paths of human experience.

By this, I mean not specific reminders ("hands close to keys"), fingerings, dynamics, but just comments on the piece, whether humorous or not.
I do this rarely, but have done it, mostly to amuse myself. Couple examples: "AAARGH!" over a really treacherous passage in the finale of Beethoven's op. 27/1 sonata, which I never did finish cleanly; "Sorry I killed you, Dad" in Brahms' "Edward" Ballade (op. 10/1) at the return of the opening material (referencing the poem that inspired the Ballade) "HERE BE DRAGONS" over the scary passage in Chopin's Ballade 4 with the torrent of double-notes in the right and octaves in the left (and it doesn't get any easier from there on out) "Bad guys walk into the bar" in the minor-key section of Scott Joplin's "Bethena–A Concert Waltz"
Share your own examples!