Penelope menchaca turning

I'm not really enjoying the end of Junior year so far (only part way through the latest episode). I feel like we have enough evidence that the Rat Grinders were at least half corrupted by the teachers (specifically porter), and I cant really justify killing them all on the basis of teen envy BS.
Maybe I've not paid enough attention, or maybe I've just gotten so annoyed at some of the stupider stuff that the BKs got up to earlier in the year that they're not looking all that shiny to me any more, but I don't feel like the RG's deserve the level of nasty that this fight is turning into.
I kinda hope that after the battle, if & when Ankarna & Cassandra are back to their old selves, the RGs can be bought back uncorrupted by the shatter-stars, and at least a couple of them reformed in some later season. I don't feel like this is a Dayne/Penelope situation, but then again maybe its just cause I think Osin is cute and im a bit tired of there being no positive scalies in D20 so far (personal pet peve XD)
Anyway, i just had to get that off my chest. battlemap design is baller as always.

I'm really disappointed with how the Lord Debling storyline and courtship with Penelope turned out. It would have been more intriguing if they had portrayed Debling as obsessed and pining for Penelope for a while, keeping Colin on his toes. I wanted to see Colin distraught and upset over his jealousy and infatuation with Pen. Initially, the audience was led to believe that Debling could actually be falling in love with Pen, but it was later revealed that he was more in love with his line of work and traveling.
Watching Colin beg for Penelope, especially after what he put her through with Marina Crane in season 1, was satisfying. It left Pen emotionally destroyed, and I think the writers gave up on the Debling/Pen storyline too early in the season.
In Part 2, I speculate that news of Pen's identity as Lady Whistledown might reach Cressida, possibly through Eloise. Under parental pressure, particularly from her mother, Cressida might expose this secret to gain an advantage or seek revenge and the reward for revealing LW's identity. I believe that under pressure from Eloise, Pen will try to tell Colin herself about her identity as LW. This revelation could lead to Colin reacting with anger and finding it hard to forgive Pen, especially since he explicitly expressed his hatred towards LW. As a result, we might see a few episodes of Pen pleading and trying to apologize to Colin, given that she has lost two potential high-ranked matches. I wouldn't like to see Pen begging and pining over Colin again, as I feel she has suffered enough. However, I do believe that in the end, Colin's true feelings will overpower his resentment, and he will forgive her.
As for Eloise and Pen, I don't think Eloise would be the one to reveal Pen's identity as LW to the queen; I think she still has too much respect for Pen. However, she may let it slip to Cressida out of anger over her engagement with Colin. I also believe that Eloise will learn why Pen decided to write that terrible column about her in order to save her family's reputation, but maybe by then, it would be too late, and the news about Pen and LW's identity might have already reached Cressida out of anger from Eloise.
My only concern with this scenario is the potential fallout from Pen's exposure as Lady Whistledown. If the Ton discovers her identity, it could jeopardize the entire show, as the Ton relies on Lady Whistledown for their weekly dose of scandal.
Thoughts??

For prompt twelve:
Title: The Bookstore's Whimsical Odyssey
In a charming town square, a quaint bookstore stood as a portal to infinite literary realms, guarded by a whimsical cat with emerald-green eyes. Meet Penelope, the bookstore owner, and her feline companion, Serendipity, as they embarked on an unexpected odyssey that transcended the boundaries of reality and imagination.
As Penelope rearranged the shelves, she discovered an ancient book tucked away in a forgotten corner. Its leather-bound cover seemed to shimmer with secrets, and as she opened its pages, the air around her filled with a magical energy. Serendipity, the ever-watchful cat, purred in recognition of the mystical aura that enveloped the bookstore.
Penelope delved into the book's enchanting tales, realizing that it held the power to transport her and Serendipity into the very stories she read. The once ordinary bookstore became a gateway to literary worlds, where the duo experienced adventures ranging from swashbuckling pirate escapades to whimsical encounters in fantastical realms.
Word of the bookstore's magical odyssey spread through the town, attracting curious readers and dreamers eager to witness the extraordinary. Penelope and Serendipity, now accompanied by a diverse group of literary enthusiasts, embarked on a journey through the pages, each story unveiling new wonders and challenges.
The bookstore's odyssey became a celebration of imagination and the shared joy of storytelling. Characters from different tales crossed paths, creating unexpected alliances and friendships that transcended the confines of their original narratives. As the group ventured deeper into the literary realms, the line between fiction and reality blurred.
In the climactic moment, the ancient book revealed its true nature—a magical artifact entrusted to Penelope and Serendipity to protect the balance between the worlds of fiction and reality. The bookstore's whimsical odyssey, once a delightful adventure, now carried the weight of a cosmic responsibility.
And so, as the bookstore returned to its charming normalcy, Penelope and Serendipity watched over the mystical artifact, their emerald-green eyes reflecting the wisdom gained from the whimsical odyssey. The town square, forever touched by the enchantment of the bookstore, continued to inspire readers to embark on their own literary adventures, knowing that within the pages of a book, the extraordinary awaited those willing to turn the next chapter.

Resolution! To that lil' cliffhanger I left off on last time. Thanks for reading! Hope you enjoy! : )
Move?
Don’t move?
Run?
Scream?
Gareth didn’t know what to do. He suddenly realized that that the forest around him had gone very quiet. In fact the only sounds were the burbling river and the crack-hiss of the open fire.
Oh Lumin, quiet…
Understanding bloomed. Quiet was bad because the life that’s evolved in this environment can easily recognize a threat and go into hiding. The information shot through his mind at a million miles an hour, not that it was much use anymore.
The creature seemed poised to strike but sat as still as he was. What was it doing? It had him dead to rights. The ambush was perfect. There was nothing he could do. He certainly wasn’t faster than it. He had no means of fighting it off. Even his biosuit would do little against such sharp teeth. At most it would buy him a few more seconds of agony.
Pen.
His companion came to mind in a flash. Perhaps he should scream. Fleeting was the hope of her saving his life, again. More than that he thought of her own safety. If shouting wouldn’t save his own life, he could at least warn her of the danger. He might give her the advantage of not being ambushed.
Its eyes moved, then its ears. The glowing spheres shot upward, locking onto something behind Gareth. Its ears twitched, aligning to more perfectly take in sound from wherever its eyes were peering.
A voice, as beautiful a voice as he ever did hear, came from behind him. Pen’s voice. She was closer to the fire than to him but still only about fifteen or twenty feet away.
“Look it in the eye. Don’t shake or yell. Just look it in the eye and back away slowly. Don’t turn. Don’t run. Move slowly and deliberately.”
How am I supposed to see where I’m going? What if I fall? Does it even recognize my eyes as eyes? What…
Gareth silenced the questions and did as he was instructed. He magnetized his gaze onto it praying for kind dawns. Slowly he tore his body from its frozen state and began to move. It was awkward. His legs weren’t built for such movement but he managed.
The creature’s eyes shot back to him. White hot fear ripped through him. The urge to freeze again was as intense as anything he’d ever felt but he forced it down, overwriting instinct with logic. Any field has its experts. In situations that deal with said field, you listen to the expert. Specialization. Pen was the expert in this field. Do what she says.
It twitched forward, teeth bared.
“AY!” Pen roared so loud it almost hurt.
The creature jumped back. Its attention shot back to Pen. Gareth kept backing up. Ten feet to where she’d originally been but she’d moved forward. She was right behind him now. A graceful, reassuring hand came to rest on where a shoulder might have been had he had one. He brought a hand of his own up to hers, an attempt to reinforce his increasingly shaking legs.
The thing still sat poised and ready. Watching them. Its glowing eyes darted between them.
“Uhm what now.” Gareth whispered.
“Behind. Me.”
Without breaking her locked gaze on the wolf, she used her hand to push him gently but firmly around her right side. She took another step to position herself directly between them.
“Back. Slowly. Same as before.”
Gareth acquiesced and matched her pace as they both began slowly moving back towards the fire. He noticed he could feel her heartbeat through her wrist. It drummed a rapid but rhythmic tempo against his hand.
A few steps went without movement from the beast but suddenly it started forward. Immediately Pen jolted a bluff forward as she let out another hard and quick yell.
“AY!!”
It twitched back. Its head went down with its front paws and hind legs cocked ready to respond to an attack that never came.
Pen then continued to back the two of them up slowly. Step by step until she came to a stop just within the light of the fire.
“Wait.”
Its reflexive poise had relaxed but it still eyed them, though it made no attempt to close the distance. Its glossy eyes still glowed with reflected firelight.
“What-”
“Just keep watching it.”
The wolf started to move, not forward but to the side. It lead with its head which, again, came low to the ground but its gaze never left them. Its ears twitched around for any hint of sound as it started to circle to its left.
Gareth followed Pen’s lead as she clearly turned her entire body to match its movement. It started to turn and circle back the way it had come. Again, Pen followed it. Gareth spared a second to glance at her face. He was of two minds on what he saw. Partly surprised and partly not at the cold steely stare she was levying on the creature. She almost imparted a tangible weight with just her gaze and the wolf seemingly sensed it. The two hadn’t broken their locked eyes for some time now but as the wolf reached a position back nearer to the berry bush it stopped suddenly. An ear twitched, then twitched again. It still held its gaze, but its head came up. It stuck its nose in the air and sniffed.
Without warning it bounded away into the dark of the forest. The only mark of its position the fast fading crunch of its paws on the dead twigs of the forest floor. In only moments not even that sound could be heard. Pen didn’t move. As such, neither did Gareth. She kept her gaze of the place where its form had melted into tree truck and shadow.
A moment passed.
Then another.
Gareth only waited for her.
Finally, he noticed the small life around them start to pipe up. A squirrel chittered at the base of a tree off to their right. An owl hooted from high branches up to their left. The buzz of insects joined the croaking of frogs by the river.
Pen’s shoulders relaxed. She let out a sigh.
“You good?”
Penelope I have been blown up, thrown out the back of my ship, plummeted to the surface of an unknown planet and now attacked by a wild animal four times my size. All in the span of 48 hours. I'm cursed. There's no other explanation.
“I'm… alive?”
She smacked him on the back a little harder than he could handle. He tumbled forward a step as she spoke.
“That’s victory.”
His nerves finally started to calm.
“Was that a bear?”
She laughed as she sat down.
“Ha! No, not quite. That was a wolf. Basically, the other forest predator to watch out for. Smaller but they hunt in packs.”
“I’m sorry, smaller?”
That thing was five or six times his size. In some respects it was even bigger than Pen, though their differing constructions made comparison difficult.
“Yea. Bears are hefty fuckers.”
“About how much more than that thing, the wolf?”
“Depends on the bear but I dunno, twice? Maybe a bit less maybe a bit more?”
“And your people survived by having to fight something like that?”
“Mm? Oh no. You don’t fight a bear. You leave, expeditiously. I suppose there are a few stories here and there but the lucky few belie an unlucky many.”
“Wait did you say those wolf things hunt in packs? If that’s the case, why was it…?”
“A loner perhaps? They’re social creatures like humans but there are various reasons for finding just one. Ostracized from the pack for whatever reason. Lost. Might have been an old one who decided not to burden their kids, packs tend to be families. Either way, likely not lasting long.”
“Why is that?”
“Lone wolves die. Simple as that. Their strength is in pack strategy. Without it he isn’t going to find much success hunting. He’ll starve. Almost makes you feel bad for the poor guy. It’s not a guarantee though. If he finds another pack and they accept him. Not that I know the situation, keep in mind I’m speculating.”
“If he was starving why’d he wait so long. I couldn’t have stopped him if he tried to bite me.”
“You may have known that, but he didn’t.”
“I didn’t think it was that unclear.”
“For you or me sure but its an animal. You froze staring right at him. To him that’s a display of confidence. You didn’t run, you didn’t turn away. Which would have told him you we’re prey. It’s a gamble on his part. If he attacked and was wrong, it’s the end of the line. So, he wasn’t going to strike unless he was certain we weren’t a threat… or so much of a threat that he felt it was kill us or be killed.”
“So, we kept up the façade and in turn he wasn’t going to risk taking damage that could be fatal. And he ran because he heard or smelled an easier meal somewhere else?”
“Nah he heard me, but the lady were spot on about the old part.”
Gareth whipped around lamenting the strain this constant stress was putting on his body. A gruff looking human strode out from behind a tree. He blended into the surroundings terrifyingly well but now made no attempt to hide himself.
Gareth turned back to Pen who seemed completely nonplussed.
The man chuckled.
“Suppose he weren’t the only one who heard me?”
“He definitely heard you before I did but I know what boots on wet clay sounds like.”
The man looked Pen over.
“Mmmm,” He offered with a respectful nod, “Well you’s definitely the ones they’re lookin’ for.”
“They?” Gareth asked standing.
“Yuh. That Captain Deag. Dog lookin, friendly? Said they were missing a little one and a big human woman. And if you ain’t a scrawny little fella and she ain’t an imposing som’bitch then I’m blind.”
Pen smirked.
“How far are we?”
“Bout twenty minutes that way.” He stuck a fat thumb behind him.
“Is everyone okay?” Gareth asked.
“I think so. Wasn’t no talk of casualties. I’ll say you gave us a helluva’ scare soaring right over the town. Landed just past us.”
“Thank goodness… and apologies if we-”
The man held up a hand.
“Was plenty of that already.”
“Alright…” Gareth turned a bit sheepish.
An awkward silence stirred for a few second before the man broke it.
“Well? You want to go see your friends or would ya rather sleep in the dirt another night?”
Previous
First

My Goodness, I really can't imagine that we've made it to the penultimate episode of season 2. We're just two days away from the premiere, we've seen the first five minutes of the episode which feature Benedict heavily, and the red carpet was last night. I really did not think we'd ever get here.
"Harmony" finds the Bridgertons and the Sharmas embroiled in scandal and ousted by society after the fallout from Anthony and Edwina's aborted wedding. Eloise is falsely accused of being Lady Whistledown by the Queen herself, leaving Penelope between a rock and a hard place. With that in mind, let's get into it.
Benedict makes his first appearance in this episode seated in the Bridgerton drawing room with his sketchbook. He groans loudly when his mother suggests the family all promenade together. He asks Anthony if there is something more he should know regarding his brother's situation when Anthony grumbles that a respectable family is headed by a gentleman, but Anthony rebuffs his brother's offer to help. I feel like we see this all the time in the show: Benedict offering to lend a hand to Anthony, or attempting to connect with him, but Anthony doesn't often accept his brother's help.
Benedict later promenades with the family, looking tight-lipped, like he knows before the rest of his family what's coming. Still though, he smiles, because Benedict I've learned in this rewatch is a master at not letting things get to him. This comes to a boiling point in the finale, and I believe we will see it continue in season three as well (but... more on that tomorrow). After Eloise's stand off with the Queen, we see Benedict again, always at Anthony's side as they walk together through Hyde Park, looking just lovely as he often does.
Just shy of the twenty minute mark, we find Benedict enjoying the revelry of his art school life, sitting next to Tessa, when Anthony stops by to see him. Anthony appears disappointed to find Benedict partying rather than studying, and when he inquires if Benedict does this every night, he groans and asks, "Did you come to admonish me?" before pouting. Anthony reminds Benedict that being the second son doesn't completely exempt him from duty, and Benedict catches on that his brother's attitude has something to do with Kate. Benedict finally admits out loud that he notices how Anthony looks at her. He tells Anthony that he should do with his life what Benedict does with his art: remember that it's simply a matter of perspective. Anthony coldly accuses Benedict of "taking the tea" again before leaving his brother behind. This scene is very telling of their relationship. It seems they can never really get on the same page: when Benedict offers help, Anthony doesn't want to hear it, and when Anthony seeks him out, he's in an inebriated state that leads Anthony to wave off anything his brother says. It's a tale as old as time, the ballad of the heir and the spare. One honor bound by responsibility, the other merely waiting on the sidelines for the day he might be needed. It's obvious that Benedict is confident Anthony isn't going anywhere in how he leans into the parties, drugs, drinks, and women (or, really, woman, singular, as we discussed yesterday). But underneath it all is in fact the soul of an artist who sees more than he lets on, and may even be better at managing society than Anthony himself.
Later, as Violet discusses her Harmony Ball in the drawing room, Eloise and Benedict play chess off to the side until Eloise sticks her head out the window, sweating from stress. Benedict then suggests Violet change the theme of the ball.
Finally the day of the Harmony Ball arrives. Benedict descends the steps of Bridgerton House, not exactly looking surprised that the plan has failed. He approaches Anthony, insisting he doesn't want to be around the misery and decides to head to his studio. Though, Anthony finally takes his advice, saying he's looking at things with a new perspective, and tells Benedict to stay for a dance. We get the lovely moment where the Bridgertons and Sharmas engage in the country dance. Benedict first dances with Eloise, looking quite happy, and this may be the first time Eloise is happy to be dancing as well. Benedict's next partner is Hyacinth, followed by Violet. I love that he dances with his two younger siblings and his mother, because it just shows how much he does care for his family, ultimately seeking them out more than the others in the room. This is only the second time in the show that we see Benedict dancing in full clarity, and it's such a wonderful moment, one of my favorites from the series. When the Bridgertons learn why no one is at the ball following the Whistledown paper arriving, Benedict looks worried for his sister and his family in the background. When Eloise runs from the room, he and Colin exchange worried looks, and when Anthony goes as well, Benedict turns to him, lifting his arms in question of exactly what is happening.
This is the last we see of Benedict before the season two finale, and while he didn't necessarily have a lot of screen time here, the time he does have is telling. Benedict's word for this episode is "perspective." We learn that Benedict is always taking perspective into consideration when working on his art, but also that perhaps Benedict's perspective on his family and brother is a bit wider than we originally thought. We learn in this episode that Benedict suspected Anthony's feelings for Kate all along, and we also see him being a bit more privy to the fact that Violet's plans to right the family's reputation may not work they way they wish it to. It's Benedict who finally gets Anthony to see things differently, if only for a moment, and in turn, it's because of Benedict that the Bridgertons and Sharmas have a mere moment of pleasure when they all dance together. It's a lovely notion that Benedict is kind of a harbinger of joy in that sense. But as we enter the finale, we do so with the awareness that Benedict's happiness as we've seen it the last three episodes is fleeting.
Tomorrow is the very last day of our Benedict focused rewatch, and I really don't have words to explain how crazy it is that we're so close to having more Benedict scenes to break down soon! And who knows... we may be merely eight episodes away from meeting Sophie! Even if Benedict himself doesn't meet her yet. See everyone tomorrow for "The Viscount Who Loved Me."
Best Benedict quote from this episode: "Things may seem bleak now, Brother. But if I'm learning anything from my art studies, it's that it is almost always a matter of... perspective. I look at my art, and if I do not like what I see, I may always alter the color palette, but I certainly do not toss the entire design aside. Perhaps you, too, could do the same in your own life."

Dearest gentle readers, did you miss me? it’s time for season 2! I’m gonna try to do all 8 episodes before s3 drops
Episode 1

• Daphne’s bangs have transformed from pringles mustache to a lovely diadem of hair
• I love lady danbury’s structural lace collar capelet
• The featherington mourning wear is twice as unflattering
• Lol @ gregory rolling his eyes about anthony’s list
• The art in the opening credits is interesting. The texture of it reminds me of a video game
• Ah penelope knows her worth and raised her prices. We love to see it
• Sharpening my knives for all of you damn girl
• pen’s fake irish accent is somehow different than nic’s real irish accent
• “Theyre the ones running around while you sit on your arse” get ‘im girl
• “All the young ladies looked the same” rude
• Violet: you want to give my treasured ring to just some girl? Do you have no respect for love? for me?
• The brothel scenes always crack me up because its just a bunch of big velvet curtains and some candelabras in the background. but Ive never been to a brothel so maybe thats accurate
• Anthony’s perfect lady: independent, intelligent, agreeable, no mama drama. May i suggest a golden retriever
• Anthony did not come off as this heavy-headed, overly burdened with responsibility tortured poet soul in season 1
• Kate!!
• Anthony is surprised and turned on
• It sounds like kate says “Oh fuck it” when he pulls up next to her but the captions say [speaks hindi] does anyone know what shes saying?
• Anthony is absolutely smitten. The stubborn dumbass
• Newton! LD is not a dog person
• The mature age of “six and twenty” keels over as an elderly 31yr old
• Eloise has a new ribbon hat contraption. This one has a round felt disc a la a beret
• Pens face as el talks shit about LW >:(
• Potatoes again?? Yes please
• Favorite fun fact: potatoes are an excellent source of vitamins and minerals, and adding cheese adds calcium/vitamin d and makes it a complete vitamin source. My daily intake of cheesy potatoes is like a flintstone vitamin
• Lol the feather’s maid is like why dont you try selling some of this fancy shit if you need money so bad
• Kate has a blue ribbon braided in her hair. Its so pretty. This cerulean shade looks stunning on her. She’s wearing the bridgerton blue from day 1 ♥️
• Edwina’s perfect match: charming, handsome, a duke or a prince. Might i suggest a king charles spaniel?
• Kate’s perfect match: someone who understands her on a deep spiritual level. Might i suggest anthony
• As the sharmas walk into the ball, theres a horse pulling a carriage that looks like its feet are tied together or something. Its doing the strangest walk
• I love the classical version of material girl
• QC like hi mary still hate you bitch ok bye
• Benedict stealing el away from the gentleman version of chucky
• You know, the gossipy quality of the ton is a great way to give viewers background info
• Fake tears always work
• Phili and finch will make beautiful cheese babies
• LD: anthony is a perfect suitor Edwina: dibs Kate: goddamn it
• Anthony’s smile when he sees kate again 😍
• I want to reach through the tv and smoosh their faces together right now. This annoying adorable banter is too much “You find my smile pleasing?”
• LD and violet like shall we do it again this year? pick another perfect match together?
• Pen is an excellent business woman. 10 pounds for 1 LW edition? Thats more than a thousand bucks in todays money. Girliepop is a girl boss. A true she-e-o
• Aw regency chucky has a crush on eloise
• I sympathize with kate. I am also dreadful and unpleasant
• Benedict trying to get it in with madame delacroix again
• Anthony can dish it out but sure cant take it
• Lower those expectations and settle for someone - violet
• Pen writing to colin. THREE MORE DAYSSS
• LD dressing kate down like girl. I opened my home to you. You really gonna stand here and lie to my face
• Love that kate comes clean and LD is like okay good now that thats out in the open lets get this girl hitched. I can scheme too
• Agan kate in blue here is so beautiful
• I love QCs laugh
• I would rather die! Well well how the turntables
• Pen: i have managed to find joy in this whole spectacle Eloise: WOW so you hate feminism
• LD really looked at kate like watch this and then got edwina diamond-ed
• Edwina: i love a man who knows what he wants and is direct Anthony: doesn’t know what he wants and sniffs kate
• LW: suddenly writing feminist rhetoric Eloise: wow what coincidence i was JUST talking to penelope about this
• I love that QCs wigs have natural textured hair in them

okay good night! thanks for reading

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Evil Under The Sun HD/VU $4
Exorcist (2-cuts) 4K/VU $7.5
Exorcist Believer 4K/MA $7 or HD/MA $5.5
Expendables 1-3 Set 4K/MA $10 or HD/VU $7
Expendables 1-4 Set 4K/VU $15 or HD/VU $11
F9 Fast Saga (Thea & Ext) HD/MA $4
Fall 4K/VU $6 or HD/VU $4.5
Fast & the Furious 10-film Set HD/MA $25
Fast X HD/MA $5
Feast (Unr) HD/VU $4
Fifth Element 4K/MA $5.5
Fifty Shades 6-Cut Set (Thea & Unr) HD/MA $12
First Purge HD/MA $3.5
Five Nights at Freddy's HD/MA $6
Fool's Paradise HD/VU $6
Force of Nature '20 HD/VU $3.5
Forger HD/VU $3
Freeheld HD/VU $4
Friendsgiving HD/VU $4
Front Runner HD/MA $4
Frozen '10 HD/VU $4
Funny Girl 4K/MA $5.5
Gandhi 4K/MA $5.5
Gateway 4K/VU $5.5
Gattaca 4K/MA $6
Ghostbusters 1 & 2 Set HD/MA $6.5
Ghostbusters Afterlife HD/MA $4
Ghoulies Go To College HD/VU $3.5
Glory 4K/MA $6
Godfather 3 Coda HD/VU $4
Good Boys HD/MA $3.5
Good House 4K/VU $5.5
Goodnight Mommy HD/VU $4
Goosebumps 2 HD/MA $3
Gran Turismo 4K/MA $7 or HD/MA $5.5
Grease Trilogy HD/VU $9 or 4K/IT $10.5
Green Knight 4K/VU $5
Green Room HD/VU $4
Groundhog Day 4K/MA $5.5
Guess Who's Coming to Dinner 4K/MA $6
Hail, Caesar! HD/VU or IT $2.5
Hammett HD/VU $4
Halloween Ends HD/MA $4.5
Halloween Kills (Ext) HD/MA $4.5
Harriet 4K/MA $6 or HD/MA $4.5
Hex 4K/VU $5.5
High Tension HD/VU $4.5
Hellbenders HD/VU $4
Hellraiser: Judgment HD/VU $4
Home Alone 1 & 2 Set HD/MA $6.5
Hook 4K/MA $6
Hot Tub Time Machine 2 HD/VU $3.5 or 4K/IT $4
Hunger Games Ballad of Songbirds & Snakes HD/VU $6.5
Ice Age Continental Drift HD/MA $3
I, Frankenstein HD/VU or IT $3
I Saw the Light HD/MA $4
Identity Thief HD/IT $3.5
Indiana Jones & the Last Crusade HD/VU $4 or 4K/IT $4.5
If Beale Street Could Talk HD/MA $4
Inhabitant HD/VU $4.5
Insidious The Last Key HD/MA $3.5
Insidious Red Door HD/MA $5
Jaws 2 4K/MA $5.5
Jay and Silent Bob Reboot HD/VU $3.5
Jerry Maguire 4K/MA $6
Jesus Revolution HD/VU $5
John Wick 4 4K/VU $6.5
John Wick 4-Film Collection HD/VU $13
Journey to Bethlehem HD/MA $5.5
Jumanji '95 4K/MA $6
Jungle Book '67 HD/MA $4
Jurassic World 6-film Set HD/MA $18
Kandahar HD/MA $5.5
Karate Kid '84 4K/MA $6
Kiss the Girls 4K/VU $6
Knights of the Zodiac HD/MA $5
Kramer vs Kramer 4K/MA $6
Last Action Hero 4K/MA $5.5
Last Christmas HD/MA $4.5
Last Night in Soho 4K/MA $5.5
Leprechaun 8-Film Set HD/VU $15
Lincoln Lawyer 4K/VU $6
Little Mermaid '23 HD/MA $5
Lost Boys 4K/MA $6
Love Again SD/MA $2.5
Lucky Number Slevin HD/VU $4.5
M3GAN (Thea & Unr) HD/MA $5
Ma '19 HD/MA $4
Madame Web 4K/MA $11 or HD/MA $9.5
Mamma Mia Here We Go Again HD/MA $3
Manodrome HD/VU $5.5
Marsh King's Daughter 4K/VU $5.5
Martyrs HD/VU $4.5
May HD/VU $4
Memories of Murder 4K/MA $6.5
Menu HD/GP $3.5
Meryl Streep 8-Film Set HD/MA $22
MIB International HD/MA $4
Midnight Meat Train (Unr) HD/VU $4
Migration HD/MA $6
Miller's Girl 4K/VU $9.5
Miracle on 34th Street HD/MA $4
Missing HD/MA $5
Mission Impossible Dead Reckoning Pt 1 HD/VU $6
Mist 4K/VU $6.5
Mitchells vs the Machines HD/MA $4.5
Monster High Electrified HD/MA or IT $2.5
Mortal Kombat Legends Cage Match HD/MA $5.5
Mr. Holmes HD/VU $3.5
Mulan '98 HD/MA $4 or HD/GP $3.5
My Big Fat Greek Wedding 3 HD/MA $5.5
My Girl 4K/MA $6
National Champions 4K/IT $5
New Mutants HD/MA $4 or HD/GP $3.5
Next Goal Wins HD/MA $7.5
Night at the Museum Secret of the Tomb HD/MA $3
Night Swim HD/MA $8
Night Train to Lisbon HD/VU $4
No Good Deed HD/MA $3
No Hard Feelings HD/MA $5.5
Nope HD/MA $4.5
Nun 2 HD/MA $5.5
Ocean's Trilogy 4K/MA $16
Old 4K/MA $6 or HD/MA $4.5
Once Upon a Time in Hollywood HD/MA $3.5
Oppenheimer HD/MA $6
Other Side of the Door HD/MA $4
Out Of The Blue HD/VU $4
Overlord 4K/VU or IT $4.5
Parental Guidance HD/MA $2.5
Parents HD/VU $4
Parasite HD/MA $4
Paw Patrol Mighty Movie HD/VU $6.5
Pet Sematary Bloodlines HD/VU $5.5
Peter Pan Return to Neverland HD/GP $4
Philadelphia 4K/MA $5.5
Pick 1 (Black Christmas '18 4K, Dog's Purpose 4K, Sparks Brothers 4K, Raw, Agnes Bourne, Antz, Being Frank, Loving, Don't Let Go, Kicks, Final Account) HD/MA $4
Pitch Perfect 3 4K/MA $5
Pixels HD/MA $3
Plane 4K/VU $5.5
Poor Things HD/MA $7.5
Pope's Exorcist HD/MA $5
Prey for the Devil 4K/VU $5.5
Priscilla HD/VU $6
Punch-Drunk Love 4K/MA $6.5
Queen & Slim HD/MA $4
Quick & the Dead '95 4K/MA $6
Rambo First Blood HD/VU $4
Rambo First Blood Pt 2 HD/VU $4
Rango HD/VU $3
Real Genius 4K/MA $5.5
Red Rocket HD/VU $4
Red Sparrow HD/MA $3.5
Renfield HD/MA $5.5
Requin HD/VU $4.5
Resident Evil Welcome to Raccoon City HD/MA $4
Robin Hood '73 HD/MA $4
Rosemary's Baby 4K/VU $6.5
Rhythm Section HD/VU $3.5
Ruby Gilman Teenage Kraken HD/MA $5.5
Rudy (Dir Cut) 4K/MA $6.5
Run Lola Run 4K/MA $6.5
Saint Maud HD/VU $4
Samurai Jack Complete Series HD/VU $40
Saw 8-film Set (Unr except Jigsaw) HD/VU $20
Saw X 4K/VU $7
Secret Life of Walter Mitty HD/MA $3.5
Shaun of the Dead HD/MA $4 or 4K/IT $4.5
Shrek 6-Film Set (1-4, Musical, Puss in Boots) HD/MA $19
Skiptrace HD/VU $3.5
Scorpion King 4-Film Set (1, 3, 4, Book of Souls) HD/MA $12
Scream 3 4K/VU $5.5
Scream 5 4K/VU $5.5 or HD/VU $4
Scream 6 4K/VU $7 or HD/VU $5.5
Sharktopus HD/VU $3.5
Shazam 2-film Set HD/MA $8
Shazam Fury of the Gods 4K/MA $6 or HD/MA $4.5
She Said HD/MA $4.5
She's the Man HD/VU $3.5
Silver Linings Playbook HD/VU $3 or HD/GP $2.5
Sisu 4K/VU $6
Sixteen Candles HD/MA $3.5 or HD/IT $3.5
Sleepless in Seattle 4K/MA $6
Smile HD/VU $4.5
Social Network 4K/MA $6
Sometimes They Come Back...Again HD/VU $4
Sometimes They Come Back...For More HD/VU $3.5
Sonic the Hedgehog 2 4K/VU $5.5
Sound of Freedom HD/VU $6
Spider-Man Across the Spider-Verse 4K/MA $7 or HD/MA $5.5
Split HD/MA $3 or 4K/IT $3.5
Spoiler Alert HD/MA $5
Star Trek First Contact 4K/VU $5.5
Star Trek Generations 4K/VU $5.5
Star Trek Insurrection 4K/VU $5.5
Star Trek Nemesis 4K/VU $5.5
Star Wars A New Hope HD/MA $4 or HD/GP $3.5
Starship Troopers 4K/MA $6
Step Brothers 4K/MA $6.5
Stillwater HD/MA $4
Studio 666 HD/MA $5
Sum of All Fears 4K/VU $5
Supercell HD/VU $4.5
Super Mario Bros Movie HD/MA $5
Super Troopers 2 HD/MA $3.5
Superfly HD/MA $4
Suspiria (2018) HD/VU $4
T2 Trainspotting 4K/MA $6
Taken HD/MA $4
Talk to Me 4K/VU $6
Talladega Nights 4K/MA $6.5
Taxi Driver 4K/MA $5.5
Thanksgiving 4K/MA $8 or HD/MA $6.5
The Batman 4K/MA $5.5
The Bay HD/VU $4
The Color Purple '23 4K/MA $8 or HD/MA $6.5
The Descent (Unr) HD/VU $4.5
The Flash HD/MA $5
The Marvels HD/MA $6.5
The Natural 4K/MA $6
The Other Guys 4K/MA $6
The Professional (Ext) 4K/MA $6
The Super '17 HD/VU $4
Ticket to Paradise HD/MA $4.5
Titanic 4K/VU or IT $6 or HD/VU $4.5
Top Gun Maverick HD/VU $4
Toy Story 3 HD/MA $4
Trading Places 4K/VU $6
Transformers 4K/VU $5.5
Transformers Rise of the Beasts 4K/MA $7 or HD/VU $5.5
Trolls 3-Film Collection HD/MA $12
Trolls Band Together HD/MA $6.5
Truth or Dare (Unr) HD/MA $3.5
Tusk HD/VU $4.5
Umma HD/MA $4.5
Unbearable Weight of Massive Talent 4K/VU $5
Unhinged HD/VU $3.5
Universal Monsters 4-Film Set 4K/MA $17
V for Vendetta 4K/MA $6.5
Vanilla Sky HD/VU $5.5
Velvet Goldmine HD/VU $4.5
Venture Bros Radiant is the Blood of the Baboon Heart HD/MA $5.5
Violent Night HD/MA $5
Walking Dead Season 9 HD/VU $7
Watchmen Ultimate Cut 4K/MA $7.5
Waxwork 2 HD/VU $3.5
We Summon the Darkness HD/VU $4.5
Welcome to Marwen HD/MA $4.5
Welcome to Monster High HD/MA or IT $3
Whiplash 4K/MA $6 or HD/MA $4.5
Whitney Houston I Wanna Dance w/ Somebody HD/MA $4
Wicker Man 4K/VU $5.5
Wish HD/MA $7
Witch HD/VU $3.5
Woman King 4K/MA $5 or HD/MA $4
Woman Walks Ahead HD/VU $4
You're Next HD/VU $3.5
X-Men 1-4 Set SD/MA $7.5
Zombieland Double Tap 4K/MA $5.5 or HD/MA $4
All other movies (A-Z)
10 Cloverfield Lane HD/VU $3 or 4K/IT $3.5
101 Dalmatians '61 HD/MA $3.5 or HD/GP $3
13 Hours HD/VU $2.5 or 4K/IT $3
14 Blades HD/VU $3.5
1917 4K/MA $5 or HD/MA $3.5
2 Guns 4K/MA $4 or HD/MA or IT $2.5
21 Jump Street HD/MA $3
22 Jump Street HD/MA $3.5
3 Extremes HD/VU $4
3 From Hell (Unr) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down Uncaged 4K/VU $4.5 or HD/VU $3
47 Ronin HD/MA $3 or 4K/IT $3.5
600 Miles HD/VU $3.5
71 HD/VU $3.5
A Christmas Story 4K/MA $6
A Dog's Purpose HD/IT $3
A Good Day to Die Hard (Ext) HD/VU $2.5
A Journal For Jordan HD/MA $4
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Walk Among the Tombstones HD/IT $3.5
A Wrinkle in Time HD/MA $3 or HD/GP $2.5
A.C.O.D. HD/VU or IT $3.5
Abominable 4K/MA $5.5 or HD/MA $4
About Last Night HD/MA $3
Action Point HD/IT $2
Ad Astra HD/MA $4
Adaptation 4K/MA $6
Adrift HD/IT $3.5
Adverse 4K/VU $5
After Earth HD/MA $3
Aftermath HD/VU $3
Air Force One 4K/MA $6
Aladdin ‘19 HD/MA $3 or HD/GP $2.5
Aladdin ‘92 HD/MA $3.5 or HD/GP $3
Alien HD/MA $4
Alien Covenant HD/MA $2.5
Alfred Hitchcock 4-Film Set Vol 1 4K/MA $18
Alfred Hitchcock 5-Film Set Vol 2 4K/MA $21
Alien 6-film Set HD/MA $16
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/VU or IT $3
All is Lost HD/VU $3.5
All the Money in the World HD/MA $3.5
Allied HD/VU or IT $3.5
Almost Christmas HD/MA or IT $3
Amazing Spider-Man 2 HD/MA $3.5 or SD/MA $1.5
Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Hustle HD/MA $3.5
American Reunion HD/VU or IT $3
American Ultra HD/VU or IT $4
American Underdog 4K/VU $5.5 or HD/VU $4
Anatomy of a Murder 4K/MA $5
Anchorman 2 HD/VU or IT $2.5
Angel Has Fallen 4K/VU $5 or HD/VU $3.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Angry Birds Movie HD/MA $3.5
Anna Karenina HD/IT $3.5
Annie ‘14 HD/MA $3.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Antlers HD/GP $3
Ant-Man & the Wasp HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apache Junction HD/VU $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arrival HD/VU $2.5 or 4K/IT $3
Art of Self-Defense HD/MA $4
Ash vs Evil Dead S.3 HD/VU $5
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Assignment HD/VU $4
Atomic Blonde 4K/MA or IT $4.5 or HD/MA $3
August Osage County HD/VU $3
Avengers Age of Ultron HD/GP $3
Avengers Endgame HD/MA $2.5 or HD/GP $2
Avengers Infinity War 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Baby Driver HD/MA $4
Backdraft 4K/IT $5.5
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/MA or IT $3
Bandslam HD/VU $4
Bank Job HD/VU $3.5
Barb & Star go to Vista Del Mar HD/VU $4
Barbie & Her Sisters in the Great Puppy Adventure HD/IT $3.5
Bart Got a Room HD/VU $4
Battle Royale HD/VU $4.5
Battleship 4K/MA or IT $4.5 or HD/MA $3
Baywatch HD/VU $2.5 or 4K/IT $3
Beauty & the Beast ‘17 HD/MA $2.5 or HD/GP $2
Beauty & the Beast ‘91 HD/GP $3
Bedknobs & Broomsticks HD/GP $3.5
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Beiruit HD/MA $3.5
Belly 4K/VU $5.5
Ben-Hur ‘16 HD/VU $3.5
Between Worlds HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Lebowski 4K/MA or IT $5.5
Big Short HD/VU $3.5
Big Wedding HD/VU or IT $3
Billy Elliot HD/MA or IT $4
Birdman HD/MA $4
Black & Blue HD/MA $4
Black Christmas '19 HD/MA $4.5
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Panther Wakanda Forever HD/MA $3.5 or HD/GP $3
BlackKklansman HD/MA $4.5
Blacklight HD/MA $4
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blair Witch Project ‘99 HD/VU $4
Bleeding Steel HD/VU $3.5
Blindspotting 4K/VU $5.5 or HD/VU $4
Blood Money ‘17 HD/VU $3.5
Blood Ties HD/VU $3.5
Blue Jasmine HD/MA $3.5
Blue Ruin HD/VU $4
Blues Brothers HD/MA $4 or 4K/IT $4.5
Bob's Burgers Movie HD/GP $3
Body Cam HD/VU $4
Bohemian Rhapsody 4K/MA $5 or HD/MA $3.5
Bombshell 4K/VU $5
Book Club HD/VU or IT $2.5
Book of Life HD/MA $3.5
Boss Baby HD/MA $2.5
Bourne Identity 4K/IT $5 or HD/MA $3.5
Bourne Legacy HD/VU $2 or 4K/IT $2.5
Bourne Supremacy HD/MA $3.5 or 4K/IT $4
Bourne Ultimatum 4K/MA or IT $5 or HD/MA $3.5
Boy ‘16 HD/IT $3.5
Boy & the World HD/IT $3.5
Boyhood HD/VU or IT $2.5
Braven HD/VU $4
Breakfast Club HD/MA or IT $4
Breakthrough HD/MA $3
Brian Banks HD/MA $3
Bridge of Spies HD/GP $3.5
Brothers Bloom HD/VU $4.5
Bumblebee 4K/VU or IT $5 or HD/VU $3.5
Butler HD/VU $3
Cabin in the Woods HD/VU $2.5 or 4K/IT $3
Cake HD/MA $4
Call of Wild 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Calvary HD/MA $4
Candyman '20 4K/MA $6 or HD/MA $4.5
Candyman 3 HD/VU $4
Captain America Civil War HD/GP $2.5
Captain America First Avenger HD/GP $3.5
Captain America Winter Soldier HD/GP $3.5
Captain Marvel 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Captain Phillips HD/MA $3.5
Captain Underpants First Epic Movie HD/MA $2.5
Carol HD/VU $4
Cars 3 HD/GP $2.5
Casablanca 4K/MA $5.5
Case for Christ HD/MA or IT $2.5
Casper HD/IT $4
Celebrating Mickey HD/MA $3.5 or HD/GP $3
Chaos Walking 4K/VU $5
Chappaquiddick HD/VU $4
Chasing Mavericks HD/MA $3.5
Chicago HD/VU $4
Child 44 HD/VU $4
Children ‘08 HD/VU $4
Christopher Robin HD/MA $4 or HD/GP $3.5
Chronicles of Riddick HD/IT $4
Clerks 3 4K/VU $4.5
Clifford the Big Red Dog HD/VU $4
Cloverfield 4K/VU $5.5 or HD/VU $4
Coco HD/MA $3 or HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collection HD/VU $3.5
Collide ‘17 HD/VU or IT $2.5
Colma The Musical HD/VU $4
Colombiana (Unr) HD/MA $4
Colony 4K/VU $5
Come & Find Me HD/VU $4
Commuter 4K/VU $5 or HD/VU $3.5
Company of Heroes HD/MA $4
Conan the Barbarian ‘11 4K/VU $5
Conspirator HD/VU $4
Contraband HD/IT $3
Contractor HD/VU $4.5
Cooler HD/VU $4
Cool Hand Luke 4K/MA $5.5
Cooties HD/VU $4
Cotton Club Encore 4K/VU $5.5
Countdown ‘16 HD/VU $3.5
Courier 4K/VU $5.5 or HD/VU $4
Craft Legacy HD/MA $4.5
Criminal HD/VU or IT $3
Croods HD/VU $3.5
Cruella HD/MA $3.5 or HD/GP $3
Crypto 4K/VU $5 or HD/VU $3.5
Daddy's Home HD/IT $2.5
Daddy's Home 2 HD/VU or IT $3
Damsel HD/VU $4.5
Dangerous 4K/VU $4.5 or HD/VU $3
Danny Collins HD/IT $3.5
Dark Crimes HD/VU $4
Darkest Minds HD/MA $4
Dark Places HD/VU $4
Dark Tower HD/MA $3.5
Darkest Hour ‘17 4K/MA $5 or HD/MA $3.5
Dawn of the Planet of the Apes HD/MA $3.5
Deadpool 2 (w/Super Duper Cut) HD/MA $4
Deadpool HD/MA $2.5
Death of Me HD/VU $4
Death on the Nile HD/GP $3
Death Wish '18 HD/VU $3
Deepwater Horizon HD/VU $2.5 or 4K/IT $3
Deliver Us From Evil HD/MA $3.5
Dentist 2-Film Set HD/VU $7
Despicable Me 2 HD/VU $3 or 4K/IT $3.5
Despicable Me 3 4K/MA or IT $4.5
Despicable Me 4K/MA or IT $4.5
Detroit HD/MA $3.5
Devil Inside HD/VU $3.5
Devil's Due HD/MA $3.5
Die Hard HD/MA $3.5
Die Hard 5-film Set HD/MA $18
Die in a Gunfight 4K/VU $5
Dilemma HD/VU $3.5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Set HD/MA $3.5 or HD/GP $3
Disneynature Monkey Kingdom HD/MA $3
Django Unchained HD/VU $3
Doctor Strange HD/MA $3 or HD/GP $2.5
Doctor Strange Multiverse of Madness HD/GP $3
Dolittle HD/MA $3.5
Dom Hemingway HD/MA $3.5
Don Verdean HD/VU $4.5
Doorman HD/VU $3.5
Doors 4K/VU $5.5 or HD/VU $4
Downsizing HD/VU $2 or 4K/IT $2.5
Downton Abbey A New Era HD/MA $4
Downton Abbey The Movie HD/MA $3.5
Draft Day HD/IT $3.5
Dragged Across Concrete HD/VU $3.5
Dragonslayer 4K/VU $5.5
Dream a Little Dream HD/VU $4
Dreamkatcher HD/VU $4
Dreamworks 10-Film HD/MA $25
Dredd 4K/VU $4 or HD/VU $2.5
Dying of the Light HD/VU $2.5
E.T. Extra Terrestrial 4K/MA or IT $5 or HD/MA $3.5
Early Man 4K/VU $5.5
Earth Girls are Easy HD/VU $4
Eddie the Eagle HD/MA $4
Edge of Seventeen HD/IT $3
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Elysium HD/MA $3.5
Emoji Movie HD/MA $3
Empire of Light HD/MA $3.5 or HD/GP $3
Empire State HD/VU $3
Encanto 4K/GP $3.5
Enough Said HD/MA $3.5
Enter the Dragon 4K/MA $6
Epic HD/MA $3
Equalizer HD/MA $3.5
Equalizer 2 HD/MA $3.5
Escape From Planet Earth HD/VU $3
Eternals HD/MA $3.5 or HD/GP $3
Everest HD/MA $3 or 4K/IT $3.5
Everything Must Go HD/VU $4
Evil Dead 2 HD/VU $3.5
Ex Machina HD/VU $3
Exodus Gods & Kings HD/MA $3.5
Expired 4K/VU $4.5
Fair Game (Dir) HD/VU $4
Fantastic Four ‘15 HD/MA $4
Fast & Furious 4 4K/MA $5
Fast & the Furious 8-film Set HD/MA $17.5
Fast & the Furious 9-film Set HD/MA $20
Fast Color 4K/VU $5.5
Fatale ‘20 4K/VU $5 or HD/VU $3.5
Fatherhood HD/MA $4
Fault in Our Stars HD/MA $3.5
Fear of Rain 4K/VU $5.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Field of Dreams 4K/MA or IT $5.5
Fifty Shades Darker (Unr) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4
Fifty Shades of Grey (Unr) 4K/MA or IT $4
Finding Dory HD/MA $2.5 or HD/GP $2
Finding Nemo HD/GP $3.5
Finest Hours HD/GP $3
Firm 4K/VU $6
First Man HD/MA $4
Flashback ‘20 HD/VU $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose ‘11 HD/IT $3
Forbidden Kingdom HD/VU $4.5
Ford v Ferrari HD/MA $4
Forest HD/IT $3.5
Forever My Girl HD/IT $3
Fortress HD/VU $3.5
Fortress Sniper's Eye HD/VU $3.5
Fox & the Hound 2 HD/MA $4 or HD/GP $3.5
Foxcatcher HD/MA $4
Frank & Lola HD/VU or IT $3
Free Guy HD/GP $3
French Dispatch HD/MA $4 or HD/GP $3.5
Friday the 13th 4K/VU $5.5
From Here to Eternity 4K/MA $5.5
Frozen (Sing-Along) HD/MA $2 or HD/GP $1.5
Frozen HD/GP $2
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen Ground ‘13 HD/VU $3.5
Fury HD/MA $3.5
Future World HD/VU $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit ‘12 HD/MA $4
Gambler HD/VU or IT $3
Gamer 4K/VU $5.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out 4K/MA or IT $5 or HD/MA $3.5
Ghost in the Shell ‘17 HD/VU $3 or 4K/IT $3.5
Ghost in the Shell ‘95 4K/VU $5
Ghost Rider Spirit of Vengeance HD/MA $4
Ghost Team One HD/VU or IT $3.5
Ghostbusters ‘84 HD/MA $3.5
Ghostbusters (Thea & Ext) ‘16 HD/MA $3
Ghostbusters 2 HD/MA $3.5
Gifted HD/MA $3
Girl in Spider's Web HD/MA $4
Girl on Train HD/VU $3 or 4K/IT $3.5
Girl w/ All Gifts HD/VU $4
Giver HD/VU $3.5
Glass Castle 4K/VU $5.5
Glass HD/MA $4
God Bless The Broken Road HD/VU $3.5
God's Not Dead 2 HD/MA or IT $2.5
God's Not Dead 3 HD/MA $3
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold ‘16 HD/VU $2.5
Good Dinosaur HD/GP $2.5
Good Kill HD/VU or IT $3.5
Grease 2 HD/VU $4
Great Wall 4K/MA or IT $4.5 or HD/MA $3
Greatest Showman HD/MA $3.5
Green Book HD/MA $4
Grey HD/VU or IT $3
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guilt Trip HD/VU or IT $3
Gunman HD/MA or IT $3
Guns of Navarone 4K/MA $5.5
Hacksaw Ridge 4K/VU or IT $4.5 or HD/VU $3
Halloween ‘18 HD/MA $3
Hammer of the Gods HD/VU $2
Hannibal S.1 HD/VU $5
Hansel & Gretel Witch Hunters (Unr) HD/VU or IT $3
Hard Luck Love Song 4K/VU $5.5
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Hate U Give HD/MA $4
Hateful Eight HD/VU $3.5
Heat (Director's Cut) ‘95 4K/MA $5.5
Heaven is for Real HD/MA $3.5
Hercules ‘14 HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hereditary HD/VU $3.5
Hidden Figures HD/MA $3
High Note HD/MA $4
Highlander 4K/VU $5.5 or HD/VU $4
Hitchcock '12 HD/MA $4
Hitman Agent 47 HD/MA $3
Hitman's Bodyguard HD/VU $3.5
Hitman's Wife's Bodyguard 4K/VU $5.5
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home HD/MA $3
Home Again HD/MA $3
Home Alone 4K/MA $5 or HD/MA $3.5
Homefront HD/MA or IT $3
Homesman HD/VU $3
Honey 2 HD/VU $3
Hostiles 4K/VU $4.5 or HD/VU $3
Hotel Transylvania 3 HD/MA $3.5
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours ‘13 HD/VU $4
House of 1000 Corpses HD/VU $4
House of Gucci 4K/IT $5.5
House w/ a Clock in Its Walls sHD/MA $4
How to Train Your Dragon 2 HD/MA $2.5
Hugo HD/VU $3
Hunt for Red October 4K/VU $5.5 or HD/VU $4
Huntsman Winter's War (Ext) HD/MA $3 or 4K/IT $3.5
I Can Only Imagine HD/VU $3.5
I Feel Pretty HD/IT $2
Ides of March HD/MA $4
I Know What You Did Last Summer 4K/MA $5.5
Imitation Game HD/VU $3
In a Valley of Violence HD/MA or IT $3
In Secret ‘14 HD/VU $4.5
In the Blood HD/VU $4
Incredibles 2 HD/MA $3.5 or HD/GP $3
Independence Day ‘96 HD/MA $4
Independence Day Resurgence HD/MA $2.5
Indiana Jones & the Raiders of the Lost Ark 4K/VU or IT $5.5 or HD/VU $4
Indiana Jones & the Temple of Doom 4K/VU or IT $5.5 or HD/VU $4
Indignation HD/VU $4
Indivisible HD/MA $3.5
Inferno HD/MA $3
Initiation 4K/VU $5
Initiation HD/VU $3.5
Internship HD/MA $3
Interstellar 4K/VU or IT $5 or HD/VU $3.5
Interview HD/MA $3.5
Into the Woods HD/MA $3 or HD/GP $2.5
Invisible Man '20 HD/MA $3.5
Invisible Man ‘33 HD/MA $3.5
Iron Man 3 HD/MA $2.5 or HD/GP $2
Iron Man & Hulk Heroes United HD/GP $3.5
Iron Mask ‘19 HD/VU $4.5
It Follows HD/VU $3.5
It's a Wonderful Life HD/VU $3
Jack & Jill HD/MA $3.5
Jack Reacher 4K/IT $4.5
Jack Reacher Never Go Back HD/VU $3 or 4K/IT $3.5
Jack Ryan Shadow Recruit 4K/IT $4 or HD/VU $2.5
Jacob's Ladder HD/VU $4
Jane Got a Gun HD/VU $4
Jarhead 3 (Unr) HD/IT $2.5
Jason Bourne HD/VU $2.5 or 4K/IT $3
Jesus Music HD/VU $3.5
Jexi HD/VU $3.5
Jobs HD/MA or IT $3.5
Joe HD/VU $3.5
Joe Kidd HD/IT $4
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5 or 4K/IT $4
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy (Parabellum 4K) HD/VU $9 or all HD/VU $8
Journey to the West Conquering the Demons HD/VU $3.5
Joy HD/MA $3
Judy 4K/VU $5 or HD/VU $3.5
Juliet, Naked 4K/VU $5.5
Jumanji Welcome To The Jungle HD/MA $2.5
Jungle Book ‘16 4K/MA $4.5 or HD/GP $2.5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 3 HD/VU $3.5 or 4K/IT $4
Jurassic Park 4K/MA or IT $5 or HD/MA $3.5
Jurassic World 5-film Set HD/MA $14
Jurassic World Fallen Kingdom 4K/MA $4.5 or HD/MA $3
Jurassic World HD/VU $2.5 or 4K/IT $3
Justice ‘17 HD/VU or IT $3
Kama Sutra HD/VU $4
Kick-Ass 2 HD/MA $3.5
Kid ‘19 HD/VU $3.5
Kid Who Would Be King 4K/MA $5.5 or HD/MA $4
Kidnap HD/VU or IT $2.5
Kill Zone ‘05 HD/VU $4.5
Killer Elite HD/IT $3
Killing Gunther HD/VU $4
Kin ‘18 4K/VU $4.5 or HD/VU $3
King Kong ‘05 4K/MA or IT $5 or HD/MA $3.5
King of Staten Island HD/MA $4
King's Man HD/GP $3.5
Kingsman The Golden Circle HD/MA $3
Kingsman The Secret Service HD/MA $3.5
Knives Out HD/VU $3.5
Knowing 4K/VU $5.5
La La Land HD/VU $3 or 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lady of the Manor 4K/VU $5
Lair of White Worm HD/VU $4.5
Lake Mungo HD/VU $4
Lara Croft Tomb Raider 4K/VU $5.5 or HD/VU $4
Last Dragon HD/MA $4.5
Last Duel HD/GP $3.5
Last Exorcism HD/VU $4
Last Knights HD/VU $3.5
Last Man ‘19 HD/VU $4
Last Stand HD/IT $2
Last Vegas HD/VU $3
Last Witch Hunter HD/VU $3 or 4K/IT $3.5
Lawrence of Arabia 4K/MA $5.5
Legend of Hercules 4K/IT $3
Legends of Oz Dorothy's Return HD/MA $3.5
Leprechaun 7-film Set HD/VU $12
Let's be Cops HD/MA $3.5
Let Him Go HD/MA $4
Let Me Explain HD/IT $2.5
Life ‘17 HD/MA $3.5
Life of Crime HD/VU $3.5
Life of Pi 4K/MA $5 or HD/MA or IT $3.5
Light of My Life HD/IT $3.5
Lightyear HD/MA $3.5 or HD/GP $3
Like a Boss HD/VU $3.5
Lilo & Stitch 2 HD/MA $4 or HD/GP $3.5
Lion HD/VU $4
Lion King ‘19 4K/MA $4 or HD/GP $2
Lion King ‘94 4K/MA $5 or HD/GP $3
Little HD/MA $3.5
Little Mermaid ‘89 HD/MA $4
Live Free or Die Hard HD/MA $4
Locked Down 4K/MA $5.5
Logan HD/MA $3
Logan Lucky HD/MA $3.5 or /IT $4
Lone Ranger HD/MA $3.5 or HD/GP $3
Lone Survivor HD/VU $2.5
Longest Ride HD/MA $3
Longest Week HD/VU $3.5
Looper HD/MA $3.5
Lorax HD/MA or IT $3
Lord of War 4K/VU $5.5
Lords of Salem HD/VU $4
Lost World Jurassic Park HD/MA $3.5
Love & Mercy HD/VU $3.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/GP $3
Lucy 4K/MA or IT $4.5 or HD/MA $3
Lyle, Lyle Crocodile HD/MA $4.5 or SD/MA $2
Madagascar 3 HD/MA $3
Maggie HD/VU $2.5
Magic Mike's Last Dance HD/MA $4.5
Magnificent Seven ‘16 HD/VU $3
Maleficent HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/GP $2.5
Man Who Fell To Earth ‘76 4K/VU $5
Man Who Shot Liberty Vance 4K/VU $5.5
Marauders HD/VU $3.5
Marksman HD/MA $4
Martian HD/MA $3.5
Mary Poppins ‘64 HD/MA $3.5 or ‘64 HD/GP $3
Mary Poppins Returns 4K/MA $4.5 or HD/GP $2.5
Mask of Zorro 4K/MA $6
Mauritanian 4K/IT $5
Max Steel HD/IT $3
Maze Runner HD/MA $3.5
McKenna Shoots for the Stars HD/IT $2
Meatballs HD/VU $4
Megan Leavey HD/VU or IT $3
Memory HD/MA $3.5
Men HD/VU $4
Men in Black 3 HD/MA $3
Men in Black 4K/MA $5.5 or HD/MA $4
MI-5 Spooks '15 HD/VU $4
Mickey & Minnie 10 Classic Shorts HD/GP $4.5
Mid-Century 4K/VU $5
Midnight in the Switchgrass 4K/VU $5 or HD/VU $3.5
Midnight Sun HD/MA $3.5
Midsommar (CANADA) 4K/IT $3
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 or HD/VU $3
Miracles from Heaven HD/MA $3.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission Impossible 3 4K/VU $5
Mission Impossible 6-film Set HD/VU $17
Mommy HD/VU $4
Moneyball HD/MA $3
Monster High Electrified HD/IT $2.5
Monster Hunter HD/MA $3.5
Money Monster HD/MA $3.5
Monster Trucks HD/VU $2.5 or 4K/IT $3
Monsters University HD/GP $3
Monuments Men HD/MA $3.5
Moon 4K/MA $5.5
Morbius HD/MA $4
Morgan HD/MA $4
Mortal Engines 4K/MA $5.5 or HD/MA $4
Mortal HD/VU $4
Mortal Instruments City of Bones HD/MA $3
Mortdecai HD/VU $3.5
Mother! HD/VU $2.5
Mountain Between Us HD/MA $2.5
Mr. Peabody & Sherman HD/MA $3
Mud HD/VU $2.5
Mulan 2 HD/GP $3
Mulan ‘20 4K/MA $4.5 or ‘20 HD/MA $3 or HD/GP $2.5
Mummy ‘17 4K/MA or IT $4.5 or HD/MA $3
Mummy ‘99 HD/MA $3.5
Mummy 4-Film Set (Mummy 1-3, Scorpion King) HD/MA $12
Mummy Trilogy 4K/MA or IT $14 or HD/MA $9 4K/IT
Muppets Most Wanted HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
My Best Friend is a Vampire HD/VU $4
National Lampoon's Vacation 4K/MA $5.5
Nebraska HD/VU $3
Need for Speed HD/GP $3.5
Needle in a Timestack 4K/VU $5.5
Nerve HD/VU $3.5
News of the World HD/MA $4
Night at the Museum Trilogy HD/MA $11
Night House HD/MA $4.5 or HD/GP $4
Nightmare Alley HD/GP $3.5
Nightmare Before Christmas 4K/MA $5.5 or HD/MA $4 or HD/GP $3.5
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Nobody's Fool HD/IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia ‘18 HD/MA $3.5
Now You See Me 2 4K/IT $4
Now You See Me HD/VU or IT $2.5 or SD/VU $1
Nut Job 2 HD/IT $2.5
Nut Job HD/IT $2.5
Nutcracker & Four Realms HD/MA $3.5 or HD/GP $3
Oblivion 4K/MA or IT $5 or HD/MA $3.5
Occupation ‘18 HD/VU $3.5
Occupation Rainfall HD/VU $4
Office Christmas Party 4K/IT $3.5
Olaf's Frozen Adventure HD/GP $3
Oliver! 4K/MA $5
On Chesil Beach HD/MA $4.5
One Ranger HD/VU $4.5
Onward HD/GP $2.5
Open Water 2 Adrift HD/VU $4
Open Water HD/VU $4
Operation Avalanche HD/VU $4
Other Woman HD/MA $3
Ouija HD/MA or IT $3.5
Our Kind of Traitor HD/MA $4
Outlander S.1 Vol 1 HD/VU $5
Overboard ‘18 HD/VU $3.5
Oz the Great & Powerful HD/MA $3 or HD/GP $2.5
Pacific Rim Uprising HD/MA $4
Paddington HD/VU $3.5
Pain & Gain HD/VU or IT $3.5
Paper Towns HD/MA $3
Paradise Highway 4K/VU $5
Paranormal Activity 3 (Ext) HD/VU or IT $3
Paranormal Activity 4 (Unr) HD/VU or IT $2.5
Paranormal Activity Ghost Dimension (Unr) HD/VU or IT $3.5
Paranormal Activity HD/VU $4
Paranormal Activity The Marked Ones HD/VU or IT $3.5
Passengers HD/MA $3.5
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3
Paul Apostle of Christ HD/MA $3
Peanuts Movie HD/MA $3
Penelope HD/VU $4.5
Peppermint HD/IT $3.5
Percy Jackson Sea of Monsters HD/MA $3
Perfect Guy HD/MA $2.5
Perks of Being a Wallflower HD/VU or IT $3 or SD/VU or IT $1
Pet Sematary ‘19 HD/VU $3 or 4K/IT $3.5
Pet Sematary ‘89 HD/VU $3.5 or 4K/IT $4
Peter Rabbit HD/MA $3.5
Pete's Dragon ‘16 HD/MA $3.5 or HD/GP $3
Phantom Thread HD/MA $4
Philomena HD/VU $2.5
Pirates of the Caribbean 5 HD/MA $3 or HD/GP $2.5
Pirates! Band of Misfits HD/MA $3.5
Pitch Perfect 2 4K/MA $4 or HD/MA $2.5
Pitch Perfect HD/MA $2.5 or 4K/IT $3
Pixar Short Films Set Vol. 3 HD/MA $3.5 or HD/GP $3
Planes Fire & Rescue HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes, Trains & Automobiles 4K/VU $5.5 or HD/VU $4
Playing w/ Fire HD/VU or IT $2.5
Poltergeist ‘82 4K/MA $5.5
Poltergeist (Ext) ‘15 HD/MA $4
Pompeii HD/MA $3.5
Power Rangers ‘17 HD/VU $3 or 4K/IT $3.5
Predator ‘18 HD/MA $3
Predator ‘87 HD/MA $4
Pride & Prejudice & Zombies HD/MA $3.5
Primal HD/VU $3.5
Promise HD/MA or IT $3.5
Protege HD/VU $4
Proud Mary HD/MA $3.5
Psycho 4K/MA $5
Pulp Fiction 4K/VU $5.5 or HD/VU $4
Punisher War Zone 4K/VU $5.5
Purge Anarchy HD/MA $3 or 4K/IT $3.5
Purge Election Year HD/MA $3.5
Purge 4K/MA or IT $4.5 or HD/MA $3 or
Push 4K/VU $6
Quantum of Solace HD/VU $4.5
Quarry 4K/VU $5
Quartet HD/VU $4
Queen of Katwe HD/GP $2.5
Quiet Ones HD/VU $3.5
Rambo ‘08 HD/VU $4
Rambo 5-film Set HD/VU $18
Rambo Last Blood 4K/VU $4.5 or HD/VU $3
Ran ‘85 4K/VU $5.5
Raya & the Last Dragon HD/MA $3.5
Rear Window 4K/IT $3.5
Rebel Without a Cause 4K/MA $5.5
Reclaim HD/VU $3.5
RED 2 HD/VU $2
Red Dawn ‘12 HD/IT $3
Redline ‘10 HD/VU $4.5
Reign of Assassins HD/VU $4.5
Replicant ‘01 HD/VU $3.5
Replicas HD/VU $3.5
Rescuers Down Under HD/MA $4 or HD/GP $3.5
Rescuers HD/MA $4.5 or HD/GP $4
Reservoir Dogs HD/VU $4
Resident Evil Retribution 4K/MA $5 or HD/MA $3.5
Resurrection of Gavin Stone HD/VU or IT $2.5
Retaliation ‘17 HD/VU $4
Revenant 4K/MA $5 or HD/MA $3.5
Ricki & the Flash HD/MA $3
Riddick (Unr) HD/VU or IT $3
Ride Like a Girl HD/VU $4
Right At Your Door HD/VU $4
Right One 4K/VU $5.5
Rings HD/VU or IT $2.5
Rio 2 (Sing-Along) HD/MA $3
Riot HD/VU or IT $3
RIPD HD/IT $2.5
Risen HD/MA $3
Rob Zombie Trilogy (3 From Hell, House of 1000 Corpses, Devil's Rejects) HD/VU $8
Robin Hood ‘18 HD/VU $3
Robocop ‘14 HD/VU $2.5
Rocketman ‘19 HD/VU $3 or 4K/IT $3.5
Rocky Horror Picture Show HD/MA $4
Roman J. Israel Esq HD/MA $3
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Room '15 HD/VU $3.5
Rough Night 4K/MA $5 or HD/MA $3.5
Run The Race HD/MA $3
Runner Runner HD/MA $3.5
Rush HD/IT $3
Safe HD/VU or IT $2.5
Same Kind of Different As Me HD/VU or IT $3
Samson HD/MA $3.5
Santa Clause HD/MA $3.5 or HD/GP $3
Santa Clause 2 HD/MA $3.5 or HD/GP $3
Santa Clause 3 HD/GP $2.5
Sapphires HD/VU $4
Sausage Party HD/MA $3.5
Saving Mr. Banks HD/GP $3
Saw (Unr) 4K/VU $4.5
Saw 7-film Set (Unr) HD/VU $16
Saw HD/VU $3
Scarface HD/MA $4 or 4K/IT $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA or IT $5.5 or HD/MA $4
Scream '96 4K/VU $5 or HD/VU $3.5
Scream Trilogy HD/VU $11
Secret Garden ‘20 4K/VU or IT $5.5
Secret in Their Eyes HD/VU or IT $3
Secret Life of Pets 4K/MA or IT $4.5 or HD/MA $3
See No Evil 2 HD/VU $3.5
Selma HD/VU or IT $2.5
Serenity ‘05 4K/MA $5.5 or HD/MA $4
Seriously Red HD/VU $4
Sex Tape HD/MA $3.5
Shack HD/VU or IT $2.5
Shallows HD/MA $3.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Shape of Water HD/MA $3.5
Sherlock Gnomes HD/VU or IT $2.5
Shivers HD/VU $4
Show Dogs HD/MA $3.5
Sicario HD/VU $2.5 or 4K/IT $3
Sicario Day of the Soldado HD/MA $4
Sicario, Wind River, Hell or High Water HD/VU $7.5
Side Effects HD/IT $3.5
Silencing HD/VU $4
Silent Night, Deadly Night 3-Film Set (3-5 HD/VU $7.5
Silk Road 4K/VU $5
Sing ‘16 HD/MA $3 or 4K/IT $3.5
Sing Street HD/VU $4
Sinister HD/VU $3
Sisters (Unr) HD/IT $2.5
Skeleton Twins HD/VU $4
Skyfall HD/VU $2.5
Skyscraper 4K/MA $5 or HD/MA $3.5
Sleeping Beauty ‘59 HD/MA $4 or HD/GP $3.5
Sleepless HD/IT $2
Sleepy Hollow 4K/VU $6.5
Slender Man HD/MA $4
Smokey & the Bandit HD/MA $3.5
Smokin' Aces 4K/MA $5.5
Smurfs The Lost Village HD/MA or IT $3
Snake Eyes G.I. Joe Origins HD/VU $4
Snitch 4K/IT $3 or HD/VU $2.5 or SD/VU or IT $1
Snow White & the Huntsman (Ext) 4K/VU or IT $4.5 or HD/VU $3
Snow White & the Seven Dwarfs ‘37 4K/MA $6 or HD/MA $3.5 or HD/GP $3
Snowden HD/MA or IT $3.5
Snowpiercer HD/VU $4.5
Solo A Star Wars Story HD/GP $3
Son of God HD/MA $3
Sonic the Hedgehog 4K/VU $5 or HD/VU $3.5
Soul HD/MA $3 or HD/GP $2.5
Source Code 4K/VU $5.5
Southpaw HD/VU $3
Spartacus HD/MA $3.5
Spectre HD/VU $3.5
Spider-Man 2 (Thea & Ext) HD/MA $4.5
Spider-Man 3 HD/MA $3.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Thea & Ext) HD/MA $11.5
Spider-Man Far From Home HD/MA $3
Spider-Man Homecoming HD/MA $2.5
Spider-Man Into the Spider-Verse HD/MA $4.5
Spider-Man No Way Home HD/MA $4 or SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spinning Man HD/VU $4
Spiral 4K/VU $5 or HD/VU $3.5
Spongebob Sponge out of Water HD/IT $2.5
Spontaneous HD/VU $4.5
Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek 3 Search for Spock 4K/VU $5
Star Trek 4 Voyage Home 4K/VU $5
Star Trek Beyond HD/VU $3
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Trek The Motion Picture ‘79 4K/VU $5
Steel Dawn HD/VU $3.5
Still Alice HD/MA $4
Straight Outta Compton (Unr) HD/MA $3 or 4K/IT $3.5
Strange World HD/MA $4 or HD/GP $3.5
Suburbicon HD/VU $3 or /IT $3.5
Sundown The Vampire in Retreat HD/VU $3.5
Super 8 4K/VU or IT $5 or HD/VU $3.5
Sword in the Stone HD/MA $4 or HD/GP $3.5
Taken 2 HD/MA $3.5
Taken 3 (Unr) HD/MA $3.5
Tangled HD/GP $3.5
Ted (Unr) HD/MA or IT $2.5
Teen Spirit ‘19 HD/MA $4
Teenage Mutant Ninja Turtles ‘14 4K/VU or IT $4.5 or HD/VU $2.5
Terminator 2 Judgment Day (Special) HD/VU $4.5
Terminator 2 Judgment Day 4K/VU $5 or HD/VU $3.5
Terminator Dark Fate HD/VU $3.5 or 4K/IT $4
Terminator Genisys HD/VU $3 or 4K/IT $3.5
Texas Chainsaw ‘13 HD/VU $3.5
Thanks for Sharing HD/VU $4
The Heat HD/MA $3
The Impossible HD/VU $3.5
The Sting 4K/MA $5.5
Think Like a Dog 4K/VU $5
This is the End HD/MA $3.5
Thor Dark World HD/MA $4 or HD/GP $3.5
Thor HD/GP $3.5
Thor Love & Thunder HD/MA $3.5 or HD/GP $3
Thor Ragnarok HD/MA $2.5 or HD/GP $2
Three Billboards Outside Ebbing, Missouri HD/MA $3.5
To Kill a Mockingbird HD/MA $3.5
Toll HD/VU $4.5
Tomorrowland HD/GP $3
Top Five HD/IT $3
Top Gun ‘86 4K/VU $5 or HD/VU $3.5
Total Recall ‘90 4K/VU $5 or HD/VU $3.5
Touched w/ Fire HD/VU $4.5
Toy Story HD/GP $3.5
Toy Story 4 HD/GP $2
Training Day 4K/MA $5.5
Transformers Age of Extinction HD/VU $2.5 or 4K/IT $3
Transformers Dark of the Moon 4K/VU $4.5 or HD/VU $3
Transformers The Last Knight 4K/VU or IT $4 or HD/VU $2.5
Trolls HD/MA $2.5
Trust ‘16 HD/VU $4
Tucker The Man & His Dream 4K/VU $5
Tulip Fever HD/VU $4
Tumbledown HD/VU $4
Turbo HD/MA or IT $3
Turning HD/MA $4
Ugly Dolls 4K/VU or IT $5.5
Unbreakable HD/GP $3.5
Unbroken HD/VU or IT $3
Uncharted 4K/MA $5.5 or HD/MA $4
Uncle Drew HD/VU $3.5
Underworld Awakening HD/MA $3
Underworld Blood Wars HD/MA $3
Untouchables 4K/VU $5.5
Us ‘19 4K/MA $5.5 or HD/MA $4
Valerian & the City of a Thousand Planets HD/VU $3.5
Vampire Academy HD/VU $3.5
Vanishing ‘18 HD/VU $4
Venom HD/MA $3.5
Victoria & Abdul HD/MA $4
Virtuoso 4K/VU $5 or HD/VU $3.5
Vivo HD/MA $4.5
Voices ‘14 HD/VU $4
Voyagers 4K/VU $5
Walk HD/MA $3.5
Walking w/ Dinosaurs HD/MA $3
Wall '17 HD/VU $4
War for the Planet of the Apes HD/MA $3
War of the Worlds ‘53 4K/VU $5.5
War on Everyone HD/VU $4
Warcraft 4K/IT $4.5 or HD/MA $3
Warhunt 4K/VU $4.5
Warm Bodies HD/VU $3 or SD/VU $1.5
Warning HD/VU $4
Watch HD/MA or IT $3.5
Wayne's World HD/VU $4.5
We Die Young HD/VU $3.5
Weekend HD/VU $4
Werewolf The Beast Among Us (Unr) HD/MA or IT $3.5
West Side Story 4K/MA $5 or HD/MA $3.5 or HD/GP $3
What Men Want HD/VU $3 or 4K/IT $3.5
What We Did on our Holiday HD/VU $4
When the Game Stands Tall HD/MA $3
Whiskey Tango Foxtrot HD/VU or IT $3
Why Him? HD/MA $3
Widows HD/MA $3.5
Wild Card HD/VU $3
Willow HD/MA $4 or HD/GP $3.5
Wilson HD/MA $3.5
Winchester HD/VU $3.5
Winnie the Pooh Springtime w/ Roo HD/MA $4 or HD/GP $3.5
Wolf Hound 4K/VU $4.5
Wolf Man ‘41 4K/MA $5.5
Wolf of Wall Street 4K/VU $5 or HD/VU or IT $3.5
Wolverine (Unr) (w/Thea) HD/MA $3.5
Woman in Gold HD/VU $3.5
Won't Back Down HD/MA $3.5
Woodlawn HD/MA or IT $3.5
World War Z HD/VU or IT $2.5
Wraith HD/VU $4
X-Men Apocalypse HD/MA $3
X-Men Days of Future Past HD/MA $3
XXX Return of Xander Cage HD/VU $2 or 4K/IT $2.5
Z for Zachariah HD/VU $4
Zero Dark Thirty HD/MA $3.5
Zeros & Ones HD/VU $4
Zootopia HD/MA $3 or HD/GP $2.5

Today marks day 6 of our Benedict emphasized rewatch, and honestly I am just so stunned at how quickly this all went. Rewatching one episode a day is something I highly recommend for y'all next season, it really helped close the gap these last two weeks. Without sounding preachy, I'll also say that it helped me gain some perspective on some things, like yesterday's rant about people always calling Benedict a rake when he really isn't. Sometimes I feel like when we binge, plots move quicker and things that feel like happened "fast," aren't happening as fast as we think they are. It's part of the reason I do miss the days when one episode of a show would come out every week, and I love that The Summer I Turned Pretty over on Amazon does this. Apple TV+ does it too, and I know Netflix won't soon be moving to that format (they seem to really like the two part splits), I would be among those who wouldn't hate that TBH. I know I'm in the minority, but it's just my opinion!
Alright, after that long preamble, "The Choice" follows the day of Anthony's wedding to Edwina, Eloise treading on dangerous waters regarding her relationship with Theo, and Penelope worrying about her friend's choices. Recalling what I remember of this episode, which like I said yesterday isn't a favorite of mine, I'm worried this may not feature a ton of the second Bridgerton son. But, all that being said, let's dive in.
We see Benedict for the first time this episode and Anthony's "bachelor party," poking fun at Anthony for many things, including but not limited to: how he rushed the wedding along, proclaiming his duties, and little Anthony's running around who also proclaim their duties. He lifts a toast to Kate, who he calls "The Gatekeeper." I wonder if Benedict had an inclination about Anthony's feelings for Kate, and was trying to prod the information out him. As I said yesterday, you can see the difference in Benedict after his acceptance to the art academy; he just seems so much lighter and happier, like nothing in the world could touch him or trouble him. While I'm sure the libations in this scene help the fact, it's important to note that Benedict "distinguishing" himself has certainly made an impact.
Next Benedict sighting is in the Bridgerton foyer as they await to leave for Anthony's wedding. He is drinking, again, this time sitting close to Eloise. When Violet asks him to "undo" whatever he has done to Colin, Benedict offers the third brother his flask so he can get drunk again to avoid his hangover. Again, Violet requests that her second son check on another sibling when she asks Ben to check in on Anthony, but he emerges before Ben can seek him out. It's obvious that Violet depends on Benedict to be the one to kind of "calm" Anthony, likely because he is the calmest and most level-headed sibling.
Serving as Best Man to Anthony, Benedict is next found brushing Anthony like a prize pony. When Daphne enters the room, expressing her doubts over whether the day would really come (notably without her husband which will never not be so obvious), Benedict watches his siblings like a tennis match or a telenovela, asking Anthony if Daphne doesn't like his bride. However, Anthony kicks him out, and we get the sassiest Benedict moment in recorded history, where he throws his head back and groans, placing the brush on the counter as he glares at Daphne, and sassily strides out of the room. Before being ejected, however, he was enjoying the drama so much it's hilarious.
Benedict stands at Anthony's side during the ceremony as his best man. If you watch his face as the archbishop is speaking, he looks like he's actually considering the words. Particularly over the bit about "satisfying men's carnal lusts," he looks like he's actually taking the words in. He looks so upset for Anthony when Edwina runs off, it's so sweet.
When Anthony convenes with the rest of the Bridgertons following Edwina's departure, Benedict is actually doing his best to hold it down, offering Anthony a drink to calm down, and insisting to his family that maybe he needs some space, which he gratefully takes. Benedict, again, shows his level-headedness, being calm in a crisis moment and knowing when his siblings need space. Also, where is Francesca meant to be this season? Last year she was off practicing piano with Aunt Winnie, but did they really give no explanation for her not being at Anthony's wedding?
This is the last time we see Benedict significantly in this episode, which I'm sorry, just drags. There is little action in "The Choice," almost entirely conversation between characters who have unresolved feelings: Colin and Pen, Violet and Lady Danbury, the Sharmas, Bridgertons, and QC, Kate, Edwina, and Mary, Edwina and Anthony, and finally, Anthony and Kate. It's just so much talking and not a lot happening, it always bores me. And plus, there's so little Benedict! The moments we do get of him are, as they always are, lovely.
Tomorrow we revisit the penultimate episode of season two, "Harmony," which is a favorite of mine! See you all then as we wind this series down to a close.
Best Benedict quote from this episode: "It's a simple remedy, if you continue to drink, there can be no after effects."

I've never really explored the shops near the airport outside of that Costco, and happened to have time after my flight came in today to poke around since I was in that part of town.
Tower Liquor - Don’t bother, anything good is marked up behind the counter. Half convenience store half liquor store. Rest of whiskey selection is primarily shelfers.
Solomon - standard shelfer selection with Wellers in the 300 range.
Tower Liquors (with an Liquors with an 's') - Ok. 129 horse juice. 150 (?) EHT Small Batch. Both just out on the shelf that peasants can look at and even touch. Gasp. Blue / Black (and maybe one more) Wellers 200-250 in the case.
Prices all over on other stuff... like TinCup 14 for close to $100 - that didn't really make sense to me but whatever. Other stuff was solidly MSRP. Several Little Books in close to 200, but hey, they were present. If I was local to that area, I wouldn't mind occasionally passing through after a King Soopers run in the same lot, but don't really see myself going back regularly.
Green Valley - overpriced Weller green and Blantons for 200 something. Immediate turn off. Mixed selection with meh pricing otherwise. Would not make return trip.
DIA Warehouse - Evans & Pike 100-130 (haven't seen this before, seems to be old primarily sourced/blended stuff from the same group as Mashbuild?), Sagamore Reserve Cask Finishes 80ish, Several RY3 60-120, Kings County selection, Bardstown standards, EC a124 80. As long as you want standard stuff, prices aren’t too bad. Like, I could see if you were an out of state-er coming in for a vacation and wanted to hit a store near the airport before you really got going... wouldn't be bad. Allocated, however, requires dumb points system. If that’s what you are looking for, unless you are local and that’s your shop, then I'd move on... which is what I did.
Green Valley - EC a123 80, various Penelopes, decent variety range mostly msrp, except Buff 36, EW SiB 34 - almost picked this up.
DIA Costco - Old Elk SB 7 years - 70, Leopold Dickel Collab 74.97 with a death star. I feel like that one has been death starred for a while but somehow it's still around. Perhaps the .97 is the true end of stock? I've heard it's more Dickel than Leopold, is that your experience?
At this point, I got tired of the torrential rain and called it quits.
Happy Hunting!

There it was, on the table in Nicola Coughlan’s apartment — a microscopic undergarment that loomed large in the actor’s mind.
The “Bridgerton” costume department had sent Coughlan home with a piece of intimacy wear that was essentially a strapless thong that would cover the bare essentials of her body during an upcoming love scene.
It would be her first time ever acting in such a scene, in a series known globally for its sexy yet empowering bedroom romps, and it would require her to be almost totally naked in front of people she’d worked with for years. Coughlan was understandably terrified. One night, she poured herself a margarita and summoned the liquid courage to try on the tiny sliver of fabric.
“I went to the bathroom and looked in the full-length mirror. I was like, ‘Absolutely not.’ I hid it down the bottom of the laundry basket,” Coughlan recalled on a cold morning in January at Netflix’s offices in Manhattan. “I was like, ‘How am I going to do this?’”
Coughlan eventually got over her nerves. Much to her surprise, she found the process of filming the scenes with her co-star Luke Newton creatively satisfying — liberating, even. “By the end of the day, we were both lying under a blanket, not clothed, just chillin’. We were like, ‘This is why nudists do it,’” said Coughlan, who speaks in a rapid, melodious accent that only adds to her natural exuberance.
While discussing the arc of her career, she goes on joyful digressions, praising everything from Mrs. Renfro’s salsa to Ryan Gosling’s performance in the forgotten teen series “Breaker High” to “Saturday Night Live,” which she’s just attended for the third time and hopes to host one day (are you listening, Lorne Michaels?).
She is nothing if not enthusiastic, and she brings this level of passion to Season 3 of “Bridgerton,” the first half of which will return to Netflix on Thursday. Until now, her character, Penelope Featherington, has been content to be a wallflower in the ballrooms of Regency London, allowing her to observe and secretly write a society scandal sheet under the pseudonym Lady Whistledown.
But this season will focus on Penelope as she — spoiler alert — consummates her long-simmering crush on Colin Bridgerton (Newton) in a friends-to-lovers storyline with distinct rom-com overtones. Penelope’s move into the center of the narrative also meant that Coughlan faced new pressures as the lead in one of the most watched and dissected shows on Netflix.
“With Penelope this season, it felt like there were so many things that were reflected in real life. The whole theme of her stepping out of the shadows and into the light, and not feeling quite ready — I felt like I had to do that,” said Coughlan.
“It was really challenging. It was terrifying. It was cathartic. It was a million and one things,” she added. “I loved it.”
She juggled “Bridgerton” with an edgy turn in “Big Mood,” a “Fleabag”-esque dark comedy released last month on Tubi. On top of that, she also had a small role in the biggest box office hit of 2023, “Barbie” — she wanted to do more but, alas, her schedule was too packed — and filmed a guest appearance in the “Doctor Who” Christmas special to be released later this year.
It amounts to a long-simmering breakout moment for Coughlan, who is 37 but thanks to a preternaturally dewy complexion often plays characters who are much younger than she is, like a Catholic high school student in the Troubles-themed sitcom “Derry Girls.”
“It was very exciting to play grown women. But I was like, ‘Can I do that?’ Even in drama school, they would always cast me as the random kid, like, there was an Ibsen play called ‘Little Eyolf,’ and I had to play Eyolf. I was like, ‘This is gonna be me forever.’”
Raised in County Galway on the western coast of Ireland, she grew up liking whatever her older siblings were into — whether it was Nirvana or “Wayne’s World.” When her sister starred in the school play, Coughlan showed up in a sequined vest, looking like a little Liza Minnelli — as if she knew she also wanted to be onstage. (She still has a taste for eccentric glamour: Despite the wintry gloom, she’s decked out in a gold spangled dress and a cloud-like ruffled bolero.)
At age 9, she scored her first professional gig, a movie called “My Brother’s War” starring James Brolin. She got the day off from school, but she wanted more. “I used to look at the Olsen twins. I was like, ‘God, look, look at where they are,’” she joked. As a teenager, she did regular voice work in cartoons. Her father, who was in the Irish army (as a teenage cadet, he took part in U.S. President Kennedy’s funeral in 1963), and mother, a stay-at-home parent, were supportive but also baffled by their youngest child’s dramatic streak. “It’s really not in my family at all,” Coughlan said.
After graduating from the National University of Ireland Galway, Coughlan enrolled in a foundational course at the Oxford School of Drama in England, where she quickly bonded with fellow student Camilla Whitehill.
“We were the only people there that really cared about things being funny,” said Whitehill, a playwright who would go on to create “Big Mood” as a vehicle for her old drama school friend. “Everyone else just wanted to do plays where their family had died, or whatever.”
There it was, on the table in Nicola Coughlan’s apartment — a microscopic undergarment that loomed large in the actor’s mind.
The “Bridgerton” costume department had sent Coughlan home with a piece of intimacy wear that was essentially a strapless thong that would cover the bare essentials of her body during an upcoming love scene.
It would be her first time ever acting in such a scene, in a series known globally for its sexy yet empowering bedroom romps, and it would require her to be almost totally naked in front of people she’d worked with for years. Coughlan was understandably terrified. One night, she poured herself a margarita and summoned the liquid courage to try on the tiny sliver of fabric.
“I went to the bathroom and looked in the full-length mirror. I was like, ‘Absolutely not.’ I hid it down the bottom of the laundry basket,” Coughlan recalled on a cold morning in January at Netflix’s offices in Manhattan. “I was like, ‘How am I going to do this?’”
Coughlan eventually got over her nerves. Much to her surprise, she found the process of filming the scenes with her co-star Luke Newton creatively satisfying — liberating, even. “By the end of the day, we were both lying under a blanket, not clothed, just chillin’. We were like, ‘This is why nudists do it,’” said Coughlan, who speaks in a rapid, melodious accent that only adds to her natural exuberance.
While discussing the arc of her career, she goes on joyful digressions, praising everything from Mrs. Renfro’s salsa to Ryan Gosling’s performance in the forgotten teen series “Breaker High” to “Saturday Night Live,” which she’s just attended for the third time and hopes to host one day (are you listening, Lorne Michaels?).
Luke Newton and Nicola Coughlan hold champagne glasses on "Bridgerton."
Colin Bridgerton (Luke Newton) and Penelope Featherington (Nicola Coughlan) go from friends to lovers in Season 3 of “Bridgerton.” (Liam Daniel / Netflix)
She is nothing if not enthusiastic, and she brings this level of passion to Season 3 of “Bridgerton,” the first half of which will return to Netflix on Thursday. Until now, her character, Penelope Featherington, has been content to be a wallflower in the ballrooms of Regency London, allowing her to observe and secretly write a society scandal sheet under the pseudonym Lady Whistledown.
But this season will focus on Penelope as she — spoiler alert — consummates her long-simmering crush on Colin Bridgerton (Newton) in a friends-to-lovers storyline with distinct rom-com overtones. Penelope’s move into the center of the narrative also meant that Coughlan faced new pressures as the lead in one of the most watched and dissected shows on Netflix.
“With Penelope this season, it felt like there were so many things that were reflected in real life. The whole theme of her stepping out of the shadows and into the light, and not feeling quite ready — I felt like I had to do that,” said Coughlan.
“It was really challenging. It was terrifying. It was cathartic. It was a million and one things,” she added. “I loved it.”
She juggled “Bridgerton” with an edgy turn in “Big Mood,” a “Fleabag”-esque dark comedy released last month on Tubi. On top of that, she also had a small role in the biggest box office hit of 2023, “Barbie” — she wanted to do more but, alas, her schedule was too packed — and filmed a guest appearance in the “Doctor Who” Christmas special to be released later this year.
It amounts to a long-simmering breakout moment for Coughlan, who is 37 but thanks to a preternaturally dewy complexion often plays characters who are much younger than she is, like a Catholic high school student in the Troubles-themed sitcom “Derry Girls.”
“It was very exciting to play grown women. But I was like, ‘Can I do that?’ Even in drama school, they would always cast me as the random kid, like, there was an Ibsen play called ‘Little Eyolf,’ and I had to play Eyolf. I was like, ‘This is gonna be me forever.’”
Raised in County Galway on the western coast of Ireland, she grew up liking whatever her older siblings were into — whether it was Nirvana or “Wayne’s World.” When her sister starred in the school play, Coughlan showed up in a sequined vest, looking like a little Liza Minnelli — as if she knew she also wanted to be onstage. (She still has a taste for eccentric glamour: Despite the wintry gloom, she’s decked out in a gold spangled dress and a cloud-like ruffled bolero.)
At age 9, she scored her first professional gig, a movie called “My Brother’s War” starring James Brolin. She got the day off from school, but she wanted more. “I used to look at the Olsen twins. I was like, ‘God, look, look at where they are,’” she joked. As a teenager, she did regular voice work in cartoons. Her father, who was in the Irish army (as a teenage cadet, he took part in U.S. President Kennedy’s funeral in 1963), and mother, a stay-at-home parent, were supportive but also baffled by their youngest child’s dramatic streak. “It’s really not in my family at all,” Coughlan said.
After graduating from the National University of Ireland Galway, Coughlan enrolled in a foundational course at the Oxford School of Drama in England, where she quickly bonded with fellow student Camilla Whitehill.
“We were the only people there that really cared about things being funny,” said Whitehill, a playwright who would go on to create “Big Mood” as a vehicle for her old drama school friend. “Everyone else just wanted to do plays where their family had died, or whatever.”
Nicola Coughlan holds her fingers against her cheek. Yellow orbs float behind her.
Nicola Coughlan on playing Penelope this season: “The whole theme of her stepping out of the shadows and into the light, and not feeling quite ready — I felt like I had to do that.” (Evelyn Freja / For The Times)
Coughlan, ever the pop culture connoisseur, introduced Whitehill to the sitcom “Arrested Development.”
“She’s one of those people who, if she thinks you will like something, she will make you watch it. And she is — annoyingly — usually right,” added Whitehill. (More recently, Coughlan urged her friend to catch up on “The Real Housewives of Salt Lake City.” “It’s such an easy one to sell to people. I’m like, ‘One of them is a cult leader who’s married to her granddad; are you in or are you out?’” Coughlan said.)
They both eventually landed in London, where “neither of us was successful at all for our whole 20s,” said Whitehill, who would often cast Coughlan in “my bad unpaid short plays at pubs,” including one where Coughlan played a cat.
“You leave drama school, which is a lovely, cozy bosom where you get to do the thing you love every day. Then you go, ‘Hang on. Thousands of people leave drama school every year, and they want to do the exact job I do.’ It seems so improbable that you’ll make a living doing it,” said Coughlan. “I felt like a loser at so many points.”
One such nadir came when she was working at a frozen yogurt shop at a mall in West London and the cheap jeans she wore as part of her uniform tore “right up the butt crack.” It was sobering, she said. “I was like, ‘This is not the life I wanted.’”
By the time she was in her late 20s, she’d moved back home and was working for an optician in Galway. Then she saw a listing for an open casting call for a festival of plays being put on by the Old Vic Theatre. Even though she was broke, she flew back to London for the audition and landed a part in a play called “Jess and Joe Forever.”
It marked a turning point for Coughlan, who was soon cast as studious teen Clare Devlin in Channel 4’s “Derry Girls,” a project she was drawn to because of its vividly drawn female characters.
“They were all really distinct — young women who were ballsy and foul-mouthed,” she said. She convinced herself that the show would flop because “people hate women trying to be funny.” Instead, the show was a massive hit in the U.K. and earned a devoted following in the U.S. when it was picked up by Netflix.
Then, Shonda Rhimes came calling about “Bridgerton.” After a single audition, Coughlan was cast as Penelope, a thoughtful, sharp-witted young woman with an overbearing mother and tacky, dim-witted sisters. Season 1 was released in late 2020, when much of the world was staying home because of the COVID-19 pandemic-related closures, and it became a sensation.
Whitehill recalls going out with her friend once restrictions had lifted in the U.K. and sensing how much had shifted. “It’s such a weird, un-put-into-words-able experience to watch someone you know for such a long time become globally famous,” she said. The fact that Coughlan didn’t find success straight out of school “has grounded her significantly, which means that she doesn’t let it go to her head.”
Success has not come without complications, however, like the relentless media scrutiny around Coughlan’s physical appearance. “It’s really hard and feels [like] s—,” she said.
In 2018, she wrote an essay for the Guardian responding to a theater critic who described her character in a London production of “The Prime of Miss Jean Brodie” as “an overweight little girl.” Coughlan is determined to push back against this kind of casual body-shaming because, she said, “I grew up at a time where it was so overt. There was the circle of shame for cellulite [in magazines] — just horrific, horrific messaging.”
It’s also why this season of “Bridgerton,” which celebrates the allure of a character often overlooked as a wallflower, is so meaningful to Coughlan — and why she suspects it will resonate with so many viewers. Rhimes and showrunner Jess Brownell decided Season 3 should deviate from the timeline in Julia Quinn’s novels and focus on Penelope and Colin — a couple known to fans as “Polin.”
“We’ve watched Colin not quite understand that Penelope has a crush on him for two seasons. You can only play that dynamic out for so long before it gets frustrating,” said Brownell.
Stepping into the lead meant Coughlan would need to be on set nearly every day for eight months straight. But if she was overwhelmed at first, she didn’t let on. “She just seemed so game and ready for anything on set,” said Brownell. “If anything, I just noticed how seriously she was taking her preparation.”
Coughlan was insightful and collaborative, said Brownell, sharing an endless stream of ideas about her character in a WhatsApp group chat with Newton and Brownell. She had suggestions for specific music cues and for Penelope’s makeover, which sees her ditching her tight red poodle curls and garish citrus-hued gowns for loose waves and cool blues and greens. Coughlan is also very plugged into the fandom, and she advocated for including a scene, important to novel readers, in which Penelope calls Colin “Mr. Bridgerton.”
As if that weren’t enough, she even found time to bake fresh Irish soda bread and bring it to set.
This season is “a lot lighter and more playful than we’ve been able to be in the past,” Brownell added. The writing leans into Coughlan’s strengths as a comedic performer, particularly her knack for awkward banter, a skill she deploys as Penelope throws herself into the London social season in a bid to find a husband.
Coughlan, who enjoyed being, as she put it, “the weirdo in the background” for the first two seasons of “Bridgerton” and who idolizes women like Tina Fey, Amy Poehler and Kristen Wiig, said it was a thrill “to play Penelope as goofy and terrible with men.”
Like Coughlan, Newton was nervous about filming the love scenes but found the anxiety quickly dissipated after the first take. “We both had a similar outlook — it’s like doing comedy because you’re having to put yourself out there and feel exposed and risk something,” said Newton (who watched “Hamilton” at Coughlan’s recommendation and loved it, just as she predicted.) Because of how these moments focus on consent and emotional intimacy, “It was essential that we were friends,” he said.
The co-stars were especially heartened to hear from a burly security guard named Dave who has worked on “Bridgerton” since Season 1 and was moved by the romance he watched them act out on set.
“He came to Luke and I and said, ‘I don’t normally watch shows like this. Something about this season is very special, and I’m very proud of you,’” Coughlan recalled.
For several weeks, Coughlan was filming “Bridgerton” and “Big Mood” at the same time. She coped with the stress by watching “Vanderpump Rules” from the beginning.
“It’s a testament to how nosy I am that I heard people talking about Scandoval, had no frame of reference and was like, ‘Well, I need to know,’” said Coughlan, now a superfan who recently threw a “Vanderpump”-themed housewarming party and made a beeline to take a selfie with Ariana Madix when she was at “SNL.” It’s not just escapism: She also finds creative inspiration in reality TV personalities, channeling some of Lala Kent’s mannerisms into her character in “Big Mood.” “You forget how f— weird people are, how bizarre they can be,” she said.
In January, Coughlan had not yet seen the new season of “Bridgerton.” But by phone in early May, she said she’d finally watched the episode in which Colin and Penelope sleep together, nervously, by herself in a hotel room. Once again, the anticipation was worse than the thing itself.
“I laughed and cried and I was like, ‘Oh, my God, it’s amazing,’” she said. “They’re not titillating just to be titillating, even though we hope they are sexy. There’s so much about female pleasure and positive sexual experiences, and we don’t get enough of that onscreen.”
Coughlan has reached a bittersweet crossroads on “Bridgerton,” now that her character’s big season has wrapped and she will soon return to being “the weirdo in the background.” But she has no regrets.
“We left it all on the pitch. There’s nothing I wanted to do this season that I didn’t get to do,” she said. “And that’s a rare thing.”
Source: https://www.latimes.com/entertainment-arts/tv/story/2024-05-12/nicola-coughlan-bridgerton-season-3
It seems some people are having trouble accessing it. There's no paywall for me, and I'm in the USA.

We had so much Roger Corman content we wanted to play that we've derailed May's plans, luckily nobody was getting much out of that. Corman was more than a writedirector, he was also a prolific producer who fostered young talent -- if it could be done cheap and under budget. He mentored so many well-known filmmakers (aka put them through the wringer of churning out crap) in their early years that it became known as the "Roger Corman Film School".
We've recently done films from Jonathan Demme (Crazy Mama), Martin Scorsese (Boxcar Bertha), Ron Howard (Grand Theft Auto), Penelope Spheeris (Suburbia), Jim Wynorski (Big Bad Mama II), and Peter Bogdanovich (The Wild Angels), and James Cameron (Battle Beyond the Stars) so tonight we've got...

• First up, Joe Dante and Allan Arkush present the tale of a group of rock-music-loving students, with the help of The Ramones, taking over their school to combat its newly installed oppressive administration. James Cameron got his start as a PA on this one.
  
• Then, Steve Carver cut trailers for New World and let him direct this tale of exploitation about female slaves turned into gladiators against their wills, with Pam Grier and Margaret Markov returning from the success of "Black Mama, White Mama" as the pair of women who must work together to survive... The Arena.
  
• Finally, Francis Ford Coppola chance to write and direct his first feature is this low-budget horror movie about a scheming widow's bold plan to acquire her late husband's inheritance, unaware that she is being targeted by an ax murderer who lurks in the family's estate. Gary Kurtz was one of Corman's assistants had to shoot a "stupid prologue" for this which made it to theaters but left off of home video cuts.
  

We are starting at 8:00pm Central.
All Links Here

• Rock 'n' Roll High School (1979 run 1:33:17)
  
• The Arena (1974 run 1:20:45)
  
• Dementia 13 (1963 run 1:14:56)
  

Fusion Friday: your home of lazy programming!

This post will allude to spoilers from Season 3 episode 1 per the Bowral screenings! Proceed with caution.
I'm supposed to be working on an assignment for college but I am of course thinking about Polin instead lol, so here's just a theory I thought of while procrastinating.
I recently saw some discussion theorising that the Lady Whistledown reveal (to Colin specifically) might be linked to Penelope's confession that she has in fact loved him all of these years, and that the latter might be want prompts Colin to forget his anger and forgive her for the former.
It got me thinking about the showrunners decision to insert this highly antagonistic dynamic between Colin and Lady Whistledown into the show, which I've been wondering about since getting the episode 1 spoilers. Colin's feelings towards Whistledown iirc have been fairly neutral so far. Yes she torpedoed his relationship with Marina, but I don't remember getting the feeling that he held much anger specifically towards Whistledown for that. His anger and hurt was (rightfully) directed at Marina. And as for Eloise, I'm sure he was upset on her behalf but seemingly no more than the rest of the family.
So why does he suddenly hate her so much? Yes she does land a huge hit to his ego. And yes it's for drama's sake, and I also agree with others that it cleverly sets up a kind of enemies to lovers romance plot between Colin and Whistledown that will run parallel to the main friendship to lovers story. But I'm also thinking it may turn out to be a red herring of sorts.
As I said, Colin's grudge against Whistledown is mostly new. Regardless, it's not the big 'reveal' that viewers have been fixating on when watching Colin and Pen's interactions throughout Seasons 1 and 2. It is undoubtedly something important that she is keeping from him, and it definitely matters, but the real big secret that has been the elephant in the room behind all of Colin and Penelope's interactions so far, is Penelope's feelings for Colin, and how long she's had them. That's the reveal viewers have been waiting for all this time. That's the big secret that people have been waiting to see Colin react to since Season 1. Which is why I'm theorising that part of the purpose of building up the Whistledown reveal to Colin so much is actually a clever way of distracting the us from the real reveal that we have been waiting for, and therefore will make it hit that much harder when we finally get it.
Which is why I think that the two will be directly linked. Yes, Colin is going to have a very strong initial reaction to the Whistledown reveal, he is going to be furious, as per what Luke has said. But I think that particular angst may be more quickly resolved than we might think, as it will lead directly to the real emotional denouement, which I think will be Penelope confessing her love, and how long she's had it. The latter will serve as a catalyst to resolve the former, as Colin realises that every decision Penelope has made, while not always right, has been made out of love.
Anyway, that's just something I thought of, could be completely off the mark, but feel free to let me know your thoughts of you like. We're nearly there folks, so excited!

So NPC's are considered married to each other when they get engaged and the wedding ceremony is only a formality, AND you can only have 1 funeral/wedding ceremony per day.
Which means sometimes there can be a small delay between them getting married and having the ceremony. So every now and then you'll see the bride/groom-to-be walking around around with a pregnant belly and I find it funny every time I notice it.
Poor Rowland Smith and Penelope Lloyd had such a big delay between getting married and their wedding that Rowland gave birth to their second kid the day of their ceremony. (They got engaged just after smallpox killed like 10 people and there was a couple of weddings planned so there was already a big wait for them, but then the day before when their wedding was supposed to happen my character got engaged. Turns out when you get engaged your ceremony will happen the next day and if someone else is already supposed to be married that day (in this case Rowland & Penny) you will take over their slot and they will be delayed to the next available day... which in happened to be 3? days later I think. Whoops.)
Anyway I'm really loving this game.

I just keep thinking about how it makes perfect sense why Book Colin takes way longer to fall for Penelope than show Colin. Book Penelope was on the marriage mart for 12 years, while Show Pen just 3.
Book Polin has a 5 year age gap. They met when Penelope was 15 and Colin was 21. This is their largest initial obstacle. Penelope is literally just a baby, and even though she immediately turns 16, she still thought she was too young to debut in society and felt like she needed more time. So you have an adult man meeting a kid who still considers herself a kid. It takes time to overcome that association and see her as an adult. I can see the show giving us a young Polin meet cute, but Colin getting over the childhood associations should be faster with a 3 year age gap and both being kids when they met vs adult/minor.
Book Polin are not close friends. They are family friends and acquaintances, but the beginning of the story is really the first time Colin spends extended time with Penelope. Book Colin knew Penelope had a crush on him, so he intentionally went out of his way to not lead her on and play with her feelings- keeping her at a distance. He put a wall up in their relationship, and it only starts to fall at the beginning of the story when they start building a true friendship, and then speed runs into lovers when Colin starts to fall.
Book Polin actually don't see each other as much as we think. These twelve years have them apart more than together, with Penelope mostly sustaining a one sided crush without much actual interaction from Colin. They see each other during the social season only, which already means they spend more of the year apart than together, and then on top of that Book Colin travels way more than Show Colin does, being gone for a whole entire year and missing the season completely sometimes. And important to consider in all this- Book Colin does not write Penelope letters.
Add on proximity to this as well. Even when they're both in London, Book Polin were not neighbors like they are in the show (unfortunately book Colin cannot stalk the Featherington garden) for the entire 12 years Pen was out. The Featherington's home is close to *Violet's* house, not the Bridgerton house, and book Book Colin actually didn't live with any of his family anymore for years until the beginning of RMB when he moved back in with his mother when the lease lapsed on his bachelor lodgings while he was traveling. So even the friendly scenes that are based on him running into her in their shared neighborhood across Berkeley Square, trying to walk her home or running into her having tea at his mother's house, are specific to the season they fell in love, and not something Colin was ignoring for 12 years running. There are reasons why that year was THE year for them over any other.
All this is important because one thing is true for any version of Colin- book or show- will fall in love with Penelope if he's able to spend quality time with her while she's being herself. Her honesty pulls him in like a magnet.
So by the show changing their relationship to make them far closer friends to start off with than book Polin, putting them in each other's orbit more and removing the age gap that would make it weird until they get old enough for their ages to even out, they've made it so inevitable that they had to make Colin recognize his feelings faster. Book Colin is completely understandable for not seeing Pen for all those years- he literally wasn't around her- but Show Colin doesn't have the same excuse, and THAT is why waiting that long would seem like it was dragging out the obvious. And I know the show has added in some artificial ways to egg Colin along, but like... given the nature of how they've developed their relationship in the show, Show Colin doesn't need a big push to fall.

(Tagged for spoilers in case they pop up in the comments) I have to say the Odyssey was one of the only books I actually read in high school, so I still remember bits of it, even in my old age. I recently started watching the Fallout series, and certain story arcs have left me reminiscing. Without mentioning any spoilers, I’m noticing parallels between the Odyssey and the Fallout tv series. For one example, Penelope is inundated with suitors at the beginning of the poem, and there is a similar theme in the first episode. If the writers are drawing inspiration from the Odyssey, I think they’ve done a good job of not plagiarizing it. coughO’ Brother Where Art Thoucough Has anyone else made this connection, or possibly noticed a different connection? I’m curious to hear people’s thoughts.
Photo Source:
https://www.shmoop.com/study-guides/odyssey/chart-plot-summary.html

I think they should bring back the cane. What if I bought the Penelope skin just for the cane?? What now Feeshintendo??? Vampiric Touch HP restoration wasn’t OP! I don’t care that she can turn into a mammoth now! If I wanted to play a rushdown I’d play Sentorn!
REVERT ERIS CHANGES!