(continuation of part 3)
Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:

“Sephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a ‘god’ to rule over every soul” (FFVII OG, disk 1, chapter 25).

Sephiroth’s line “Now, let us return [Cloud]. Back to the Promised Land” reveals he wants to return to their shared core world of FFVII, like we established in our review of the Remake timelines theory (see section “I. a) vii.”). Sephiroth wants to go back to FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land. Fatal Calling is setting up Sephiroth’s plans for Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the FFVII OG timeline.
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:

“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Aerith was already important to OG, so what could’ve motivated Nojima to state her importance to Remake? Could it be that she’s even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
III. e) iii. Promotional Material and Special Features
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:

“Midgar's Flower Vendor Summons
‘I'm searching for you. I want to meet… you.’
The witch protects the planet, imbues it with power, and leads to the Promised Land.”

A few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerith’s images are attached to the notion of the Promised Land. Cloud’s card asks who awaits there, and Aerith’s evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloud’s true self. Speaking of which, the promo also includes parts of Aerith’s famous gondola date quote from OG:

“Aeris: I'm searching for you.
Cloud: …?
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... you” (disk 1 chapter 24).

In case you’re wondering about the lady in Aerith’s clothes on the left-hand side, that’s Meia, a character in MFF. She is the “witch” being referred to in the promotional material. She’s often called the Azure Witch. Meia is wearing Aerith’s clothes because a Meia-type Job Card called “Flower Girl of Midgar” was created in honor of the MFF x FFVII Remake collaboration:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
III. e) iv. Cloud’s Promised Land
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.

IV. The Hidden Plot Point: Mission Theory

a) Thesis
Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
IV. b) Mission Theory Logistics
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
IV. b) i. Cloud the Time-Traveler?
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
IV. b) ii. Post-OG Cloud’s Amnesia
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:

“A young woman descended from the Ancients who will forever be engraved in [Cloud’s] heart” (Dirge of Cerberus, Japanese manual, Aerith’s character description).
“I believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day… Its relation with the church scene is… Yup. I’ll leave this part to your imagination. (laughs)” (Nomura interview on Advent Children “Designer’s Note” in *Famitsu PS2!*magazine, October 24th issue).

So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
IV. b) iii. Eclipse Contact and Cloud’s Memories of Reactor 1
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.

V. Musical Evidence

What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
V. a) Preface: The Basics of the FFVII OST
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
V. a) i. The World Theme: Cloud’s Troubled Identity
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
V. a) i. 2) Jenova: Parasite Motif
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
V. a) i. 3) Cloud’s True Self
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
V. a) ii. Aerith’s Theme
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
V. a) iii. Motifs and Timing in FFVII OSTs
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:

“[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big ‘boom’ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We […] had to sequence [each and every sound] to play at exactly the right moment” (Shotaro Shima on track “Midgar, City of Mako”, page 229).

&

“I was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the scene” (Naoyuki Honzawa on track “Smash ‘Em, Rip ‘Em”, page 309).

&

“This is the track that plays during the tour of Shinra’s different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from ‘Aerith’s Theme’ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra theme” (Yasunori Nishiki on track “Stewards of the Planet”, page 313).

V. b) The Remake OST
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
V. b) i. MOTF 6 Music
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:

“The Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.
Aerith: Listen to me. […] Shinra isn’t the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the others’ heads.
Aerith: Somehow, some way, I want to help— all of you… the planet…
For some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”).

Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloud’s chest can be explained as an emergence of post-OG Cloud’s grief, triggered by the slightest allusion to Aerith’s sacrifice.
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
V. b) i. 1) The Fate Motif
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
(continued in part 5)

emito ee jeevitham, oka Vyardam, Bhatuku oka anavasara yuddam, deniko ardam kaadu ee vyadha yokka yadardam.
bathukulaatalo.., padatham, lestam.., munduki veltuntam.., aah matram ke kastam aipoinda.., kondaru saafi konasagistey., kondaru sukam lo kuda kasta lu chustaru.., mari kondaru kastalalo kuda thoti vallaki soukyam panchutaru., aah vedana vallu chendutaru.., vitlo manam ye rakamo manam mundey aneskuntam.., kani manam atyadika rakam., entha kasta padina kastalu nake unnaye anukune rakam.
avunu enno paddam.., Inka na valla kadu.., deniki ee sangharshana.., evari kosam ee Manasthapana.., enno anukunna.., anni vifalam avtunnai.., prathi vaifalyam ki Karanam ga evarini chupettali.., badi lo thoti vaadu Baga chadivadu ani nindha vaani medha., kalashalalo andaru churuku ga unnaru Ani aparadha akkada vari medha.., baaga udgyogam lo ranincharu ani saha udgyogula paina., Baga sampadincharu ani snehithula paina.., ilaga nindani neduthu., manam aparadame cheyani nindhitulam ga nilabadatam manaki alavtu yega., avunu paddam ento ksta paddam..., intlo vari kosam nachina chaduvu odilesam.., nanna kosam prayogalu manesi udgyam lo sthira paddam., Amma kosam nachina ammaini odilesi tyga pelli ki sidda paddam.., nannamma, ammama lakosam pilla Lani kani yavvanam tyagam chesam., bharya kosam samayam.., umpudugathe kosam jeethamm., ilaga manasuki sukam. lekunda jeevitam anta aparadham lekunda nindalu chestha tyagam ki gurtimpu lekundaa batikesam.
Aina ivvani nakem telusu, inta inta tiruguthu.., intlo jarigi kastalu vinta undhaa.., illa badha lu vinalekaa..,
Oka taadu kattukoni, daniki unna Baruvu ni pai nundi kindaku dimpaa..,
hamma pranam haiga poindi.., unna Baruvu odilii poindi.., dimpi auto lo sardandiraa., next fridge, biruva lu ostunnai.., Edo kooli kosam illu marepudu ochey koololam., see kastala venka badha makem yeruke.., pranam potey ochey haiyi villakem yerukee

PSA #1: u/pep-- is going to post a weekend live thread for the weekend, we think the weekend definitely deserves it. He just needs to finish his homework first.
PSA #2: We now have a new fancy very very blue RAUM flair. I know some of you are sporting an improvised RAUM flair so now you can grab a real one. Apologies, should have done this way earlier.

I'm gonna keep this one short, I'm gonna keep this one short, I'm gonna...

Helllllooooooo bbs, I'd like to announce that THE WINTER IS OVER, the sun is out, we are getting new sunglasses because we lost all of them at parties last year (no? just me? goddamn berghain took like 3 pairs, alongside my dignity), we are showing skin, sweating balls, getting hornier again, annnd.... Entering festival season, so let's talk about that.
This weekend we have three festival contenders:
Awakenings Upclose (timetable)
Big, big up to Awakenings programming/booking and marketing team. Awakenings until now felt like a festival to avoid, but somehow, Upclose seems to be the place to be. Everyone I know and their mother will be there, including me, but not my mother. She's coming to Lofi for Die Rakete in two weeks, but that's another story.
My plan for Awakenings is:

• a low dose of acid
  • haha for legal purposes I swear that was a joke
• turn off my phone
  • this I very much recommend
• Polar Inertia (Sat)
  • there's a chance you haven't heard about Polar Inertia (and your hardtechno friends definitely haven't), because it's one of those projects that are half-dormant, rare to catch, and you kinda have to know to know.
  • keywords are ambient, experimental, deep, elegant, I also hope for cold and creepy but that might be just me
  • they recently (ish) released a set with Monument, go get a taste
• Sandwell District (Sat)
  • Sparkles fangirling over Sandwell District - Exhibit A
  • Sparkles fangirling over Sandwell District - Exhibit B
  • more than a 20 year old label/group/act responsible for my currently favourite track ever that woke up from hibernation last year, and started releasing new stuff that I also love
  • also known as mainly Function and Regis, but other names floating around are Rrose, and Silent Servant... that one isn't floating around anymore, unfortunately 💔
• otherwise fuck around and find out
  • I mean walk around without expectations and see where I end up

Some other maybe noteworthy things in my opinion:

• check out the hard techno stages
  • Vera Grace is actually good , and so is Somniac One
  • I'd check out Rebekah and SNTS out of nostalgia, I like how they used to play and I have a tiny sliver of hope that they might bring some of that to Upclose, yes, but also, probably not, oh well
  • I wish I could say the same about 9x9 because they used to play awesome live acid (bitches love livesets), but I have zero hope they will pull that out again, oh well
• Colin Benders x Speedy J
  • two total legends from the NL, they are known to deliver ✨education✨
  • Colin is a joy to watch playing, also I think it's gonna be a hybrid / live (and bitches love livesets), because I have never seen Colin DJing ever - does he even know how to mix? I don't think you should know how to mix if you can just conjure tracks out of thin air and a big bunch of cables...
  • Speedy J
    • Speedy J with Colin Benders
  • They could theoretically play quite hard, both are very well capable of it, don't come crying if they do, also check out this set of Speedy's violent alias Public Energy at Unpolished 2020, because that's the education I'm talking about
    • I mean even Speedy J as Speedy J is violent
• CEM & MCMLXXXV
  • fun, banging, fun, cute

Lente Kabinet (lineup)
Not my thing, know like 2 and a half names on the lineup, someone hype something in the comments please I'm lost, it's not techno, ugh.
Draaimolen Island x Sustain-Release (timetable)
Looks cute, is sold out, please write thorough reviews in the afters, I'm curious with a slight tinge of FOMO 😇

You can also go check out the May Festival Monthly from u/Motionez to see their take on these.

Let's look into pre-parties on Friday now:
DINA, KI/KI & Nelly at Club RAUM
Sold out (tickets at the door though), but I need to fangirl here anyway, because fuck damn, this is RAUM finally bringing a lineup that finally really speaks to me, and it's not even about KI/KI for me, let me explain:

• I am still haunted by memories of what Nelly did to me at Ratherlost NYD, one person I don't want to publicly shame (I miss you u/bleepbloopbarbatruc, and btw I finally kinda learn to spell your username) said "Nelly is a warmup DJ, can't really imagine her in a different slot" - SO DAMN WRONG. She absolutely killed the preclosing slot with a a tense, organic/tribal, deep, terrifying set that just filled the air in the room with something. Yeah yeah, going that deep is not everyone's thing, but hey, house isn't either, blabla.
• I haven't heard DINA play in person yet but I did my research and I'm excited. She can definitely pull off a wormhole, but isn't afraid to step out of it as well and play something actually euphoric, or heavy hitting borderline tekno, and yeah, she just has 🔥range🔥 and definitely knows how to use it, I don't know who decided to book her there but THANK YOU.
• and of course, KI/KI. It's always a treat to get someone so big/popular, talented and good to play in an intimate venue, and on top of this, KI/KI and RAUM go way way wayyyyy back and you can just feel the love there.

See ya there bbs, all the other Friday events can go home. (Garage with Fever Dream might be cool in a signature-garage-weird way, and there's one other event that I avoid mentioning, and people always come after me with wHY DiDN't You MeNtiOn THaT OnE... so yeah, that one)

That's done, let's talk about afters:
Awakenings Upclose After Hours at Radion and Bret (RADION timetable, Bret so far unannounced)
Nice blend of the locals like Thoms Traxx and Hashashin and infamous Berliners like Function and Quelza in Radion, I mean, can't really go wrong there, can you. But yeah, not much else to say.
I would have absolutely loved if they did some non-standard stuff like one of the big hard techno names playing a surprise, unnanounced sunrise house set in Bret (can you please take a moment and imagine SNTS doing it), or do open decks w/ the Funk Assault babes and Beau Didier, Isaiah, and idk Flits and Hitam? Not gonna happen, but a girl can dream, right.
131bpm, Marie Malarie, Naone & Lola Edo at Club RAUM on Saturday
If you're done with techno for the day and want to go shake your ass, wave your spine and wiggle your elbows, this is the one. I really like Naone here, she recorded a set for Harmony Rec, a label I will always simp for, and generally I like her take on house, where she sometimes dives deeper than you would expect from a house set, and you can generally hear interesting sounds in her sets, which is not really a a thing in that... genre. It's like someone forced DJ MARIA. to play house. Did I just offend two artists with one sentence? Sorry dears, I love you both.
DJ Nobu, Cobahn, Nelly at PERRON on Saturday
I don't want to mention this one, but kinda can't not bc Nobu. Done.
Vibrant with Nur Jaber at Melkweg on Saturday
u/sinacuk slid into my DMs asking politely and nicely for a shoutout, so here it goes 💖

Hellooo! As Vibrant we have another event on the night of 18th of May with Nur Jaber, Bours?, and 7Circle. It will be at the OZ room of melkweg, with an intimate atmosphere and no phone policy. We are designing own lights once again with Kraft Und Licht as well. Also we are going to have art exhibitions.

I'll just add that I saw Nur Jaber closing Berghain once, and it sounded like forks in a high speed mixer while your aggressive neighbor is trying to kick your front door in. This was a compliment. Nur Jaber is cool, because she also does this.
Talismann b2b Makam all night long at Levenslang on Sunday
Rumor has it that if he plays without a shirt, it's Talismann, if with, then it's Makam. Playing a b2b with yourself all night long feels like a recipe for a personality disorder, or you already have to have one to come up with this idea. Jokes aside, Talismann is good, so is Makam, this is a cool, novel, and deranged idea, I can get behind this.
UNUSUAL at Radio Radio on Sunday
First party from a project of one cool person from the former DS team, doorsale only, unannounced lineup (released podcasts may or may not betray some of it though), they clearly trust their network, friends, and people-who-just-know to show up. Respectable, good luck, godspeed.
Slapfunk at Bret on Monday
If you STILL want to party the fourth day in the row, Slapfunk gotchu. Lineup TBA, but it's probably gonna be boom tsaa boom tsaa boom tsaa or papm papm papm pupururu. Ideal for your last remaning braincell to bounce around.

Unrelated to the weekly, but important - if you have been an active part of this sub also last summer / fall, and feel close to the other notorious shitposters here, slide into my DMs, I might have something for you.

That's all folks, I made a long one again.

Here's a list of some recent Wizard101 YouTubers (Wiztubers) that I've put together to help introduce the community to new content creators. Keep in mind, this isn't an exhaustive list, and if you have any channels you'd like to recommend, please share them in the comments below! Also, feel free to vouch for any of these Wiztubers if you're a fan. Remember, these are just my descriptions, so I encourage you to explore each channel for yourself:
AwesomeTheSauce (PvP/Commentary/Guides) - I'm sure most of you guys know this but ATS is one of the largest wiztubers that has been making content for several years and shows no sign of slowing down. He primarily makes PvP content and livestreams daily. He streams himself covering new updates/releases and commentary videos on upcoming updates, feedback, etc.
Faeriequeens (PvE/Commentary/Community Events) - Faeriqueens has been with the wiz community for a while. She has a ton of videos which are very humorous to watch and she does also livestream occasionally as well. Although her channel is not exclusively wizard101, she does post majority wiz content and her non wizard101 content are still great to watch.
Zerritt (PvE/Commentary/Speedruns & Challenges) - Zeritt is a newer wiztuber and has been growing pretty quick in the wizard101 community with a ton of really insightful and great videos. He does occasionally livestream questing and unique questing challenges for his videos. Good at making wiz memes.
Goomay (PvE/PvP/Commentary/Community Events/Speedruns & Challenges) - Goomay is a goated wiztuber although he mainly livestreams on twitch rather than make youtube content. His streams are very fun to watch and he does a lot of engaging activities with his community. Also good at making wiz memes.
LiahmIsaVibe (PvE/PvP/Commentary/Guides) - Liahm is popular PvPer that also has a lot of interesting commentary videos that I love to watch. Does doompost frequently but overall has valuable insights to offer.
Kaiser Noah (PvE/Commentary/Guides) - Kaiser Noah is definitely my top pick for youtubers because his commentary videos are such calm and great content to watch while playing the game. He stated that he quit but recently has came back a little for his commentaries & reviews but I hope he sticks around because his videos are addicting to watch.
Zaepha (PvE/Commentary/Guides) - Zaepha is a great wiztuber that helps the community out with guides and a ton of insightful commentary videos. She has a great sense of humor and definitely makes it great to binge watch her content.
DaRealAlmond (PvE/Commentary/Guides) - DaRealAlmond one of my favorites because his videos are such a vibe to listen to and he does give a lot of great insights and feedback to the game. He recently unfortunately made a video of him going to slow down content creation but hopefully he still sticks with us.
JamesTheAce (PvP/Commentary/Guides) - James has been making wiz content for a while now and although he hasn't been posting much, his videos are definitely a recommendation to watch for those into PvP, althoiugh he can also doompost like Liahm sometimes.
Froggys (PvE/Commentary/Speedruns & Challenges) - Froggys doesn't upload as much as the others, but definitely pushed out a lot of great commentary and challenge pieces on wizard101. Has some sarcastic humor in his videos which definitely makes his videos fun to watch!
Gladrocker (Beastmoon & Deckathalon/Commentary) - Gladrocker is not a youtuber with a lot of wizard101 content, but still recently surfaced with amazing videos such as the iceberg series, beastmoon guides, and some intriguing game related stuff. Definitely a choice to watch as you quest through the game.
Cheervalx (PvE/Commentary/Guides) - Cheervalx has a ton of wiz content you can watch and also participate in with her livestreams. She's another great wiztuber to watch for guides, tips, and tutorials. She also does a lot of commentary videos and covers all the updates and releases.
Kore & Boar Tech (PvE/Commentary/Guides) - Kore and Boar are definitely great guys that make a ton of amazing videos with a great sense of humor added to it. They are definitely worth to binge watch their content.
Tntosion (PvE/Commentary/Guides) - Tntosion is a great wiztuber for her commentary videos on wizard101 and what makes her videos addicting is how well edited they are. Great channel I recommend.
WOWKay (PvE/Commentary) - WOWKay is new to wizard101 and her walkthrough videos are hilarious to watch. She's very casual to the game and her unhinged commentaries are definitely great to watch.
Cizorj & Richard Unicorn Caller (PvE/Commentary/Guides) - Great channel to get wiz news from and he also makes a lot of great commentary videos overall!
Genevie Moongarden (PvE/Commmentary/Guides) - Genevie is definitely the go to wiztuber for review and updates on wizard101. She also does make a lot of other wizard101 content that's great to watch!
Wenius (PvE/Commentary/Guides) - Wenius has been making wizard101 walkthroughs that are great and fun to watch and has made a lot of guides for the wiz community.
Ice Gold (PvE/PvP/Commentary/Guides) - Ice Gold has a lot of great content for the more advanced players and does frequently livestream as well.
King Phaestus (PvE/Commentary) - Not only is he a KI dev, but Cam also does play the game a lot during his free time. He streams a lot on twitch and also puts clips of his streams on his YT channel. A very friendly dev that is great to watch!

kuuteh saleh bhen ke laudeh teri maa ki chut bosdiwaleh teri mayiaa ka bur chodu badwa salaa madar chood ka pilla randi ka baal machr ki jhaat chipkili ke taate gobar putr kuttiya ka pila baapchoda betichod chachi chod mama chod randi ka aulaad sala haram zada suur jahnt ke baal bakri chod chua chod randhwa raand ja jaamai chut marikeh lavda lavdeh ke baal kutaa ke luli bakri ki chut chipkili ke aand randi baaz kukur chod maai ka choda tera bhen ka choda bur phtleh chud ke 100 baap ka chuda hua kutta ka pila hua naali ka keeda taateh massina bur ke chatel chodu bhagat chut mari ka chut ka pilaa gaand ka sodagar chucci chusneh waleh jhaat ka bhaaji land peh chdeh ja kuuteh saleh bhen ke laudeh teri maa ki chut bosdiwaleh teri mayiaa ka bur chodu badwa salaa madar chood ka pilla randi ka baal machr ki jhaat chipkili ke taate gobar putr kuttiya ka pila baapchoda betichod chachi chod mama chod randi ka aulaad sala haram zada suur jahnt ke baal bakri chod chua chod randhwa raand ja jaamai chut marikeh lavda lavdeh ke baal kutaa ke luli bakri ki chut chipkili ke aand randi baaz kukur chod maai ka choda tera bhen ka choda bur phtleh chud ke 100 baap ka chuda hua kutta ka pila hua naali ka keeda taateh massina bur ke chatel chodu bhagat chut mari ka chut ka pilaa gaand ka sodagar chucci chusneh waleh jhaat ka bhaaji land peh chdeh ja kuuteh saleh bhen ke laudeh teri maa ki chut bosdiwaleh teri mayiaa ka bur chodu badwa salaa madar chood ka pilla randi ka baal machr ki jhaat chipkili ke taate gobar putr kuttiya ka pila baapchoda betichod chachi chod mama chod randi ka aulaad sala haram zada suur jahnt ke baal bakri chod chua chod randhwa raand ja jaamai chut marikeh lavda lavdeh ke baal kutaa ke luli bakri ki chut chipkili ke aand randi baaz kukur chod maai ka choda tera bhen ka choda bur phtleh chud ke 100 baap ka chuda hua kutta ka pila hua naali ka keeda taateh massina bur ke chatel chodu bhagat chut mari ka chut ka pilaa gaand ka sodagar chucci chusneh waleh jhaat ka bhaaji land peh chdeh ja kuuteh saleh bhen ke laudeh teri maa ki chut bosdiwaleh teri mayiaa ka bur chodu badwa salaa madar chood ka pilla randi ka baal machr ki jhaat chipkili ke taate gobar putr kuttiya ka pila baapchoda betichod chachi chod mama chod randi ka aulaad sala haram zada suur jahnt ke baal bakri chod chua chod randhwa raand ja jaamai chut marikeh lavda lavdeh ke baal kutaa ke luli bakri ki chut chipkili ke aand randi baaz kukur chod maai ka choda tera bhen ka choda bur phtleh chud ke 100 baap ka chuda hua kutta ka pila hua naali ka keeda taateh massina bur ke chatel chodu bhagat chut mari ka chut ka pilaa gaand ka sodagar chucci chusneh waleh jhaat ka bhaaji land peh chdeh ja kuuteh saleh bhen ke laudeh teri maa ki chut bosdiwaleh teri mayiaa ka bur chodu badwa salaa madar chood ka pilla randi ka baal machr ki jhaat chipkili ke taate gobar putr kuttiya ka pila baapchoda betichod chachi chod mama chod randi ka aulaad sala haram zada suur jahnt ke baal bakri chod chua chod randhwa raand ja jaamai chut marikeh lavda lavdeh ke baal kutaa ke luli bakri ki chut chipkili ke aand randi baaz kukur chod maai ka choda tera bhen ka choda bur phtleh chud ke 100 baap ka chuda hua kutta ka pila hua naali ka keeda taateh massina bur ke chatel chodu bhagat chut mari ka chut ka pilaa gaand ka sodagar chucci chusneh waleh jhaat ka bhaaji land peh chdeh ja kuuteh saleh bhen ke laudeh teri maa ki chut bosdiwaleh teri mayiaa ka bur chodu badwa salaa madar chood ka pilla randi ka baal machr ki jhaat chipkili ke taate gobar putr kuttiya ka pila baapchoda betichod chachi chod mama chod randi ka aulaad sala haram zada suur jahnt ke baal bakri chod chua chod randhwa raand ja jaamai chut marikeh lavda lavdeh ke baal kutaa ke luli bakri ki chut chipkili ke aand randi baaz kukur chod maai ka choda tera bhen ka choda bur phtleh chud ke 100 baap ka chuda hua kutta ka pila hua naali ka keeda taateh massina bur ke chatel chodu bhagat chut mari ka chut ka pilaa gaand ka sodagar chucci chusneh waleh jhaat ka bhaaji land peh chdeh ja kuuteh saleh bhen ke laudeh teri maa ki chut bosdiwaleh teri mayiaa ka bur chodu badwa salaa madar chood ka pilla randi ka baal machr ki jhaat chipkili ke taate gobar putr kuttiya ka pila baapchoda betichod chachi chod mama chod randi ka aulaad sala haram zada suur jahnt ke baal bakri chod chua chod randhwa raand ja jaamai chut marikeh lavda lavdeh ke baal kutaa ke luli bakri ki chut chipkili ke aand randi baaz kukur chod maai ka choda tera bhen ka choda bur phtleh chud ke 100 baap ka chuda hua kutta ka pila hua naali ka keeda taateh massina bur ke chatel chodu bhagat chut mari ka chut ka pilaa gaand ka sodagar chucci chusneh waleh jhaat ka bhaaji land peh chdeh ja

/worldnews
https://www.theguardian.com/environment/article/2024/may/14/fossil-fuel-investment-treaties-lobbying-climate-mary-robinson-ban-ki-moon-ect

Since after World War II, linguists, due to lack of interest in Kurdish studies, have often neglected the pre-Iranic substratum in Kurdish and focused merely on the Irano-Kurdish layer. Of the Urartian language is not much known either (about 300 words), however, a strong majority of its known words have a identical or at least close equivalent in Kurdish. Urartian though closely related to Hurrian, sound more similar to Kurdish than does Hurrian; this may depend on the fact that Hurrian was spoken at an earlier time period. Mannaean was another Hurro-Urartian-related dialect spoken south of lake Urmia.
It is also worth noting that Armenian scholars have found a few Urartian words in Armenian, which appear to be borrowings via Kurdish.
Urartian: Ale (he says) Kurdish: Ale ئەڵێ (he says)
Urartian: Shuri (sword) Kurdish: Shur شوور (sword) Armenian: Sowr
Urartian: Kuri (foot, leg) Kurdish: Qul قول (foot, leg)
Urartian: xur (deep) Kurdish: xuqul/kur خووڕ/قوول/کوور (deep),
Hurrian: agul (carve) Kurdish: 'kol-[în]' کۆڵین : (to digg), kêla: (plow)
Urartian: shini (you, plural) Kurdish: hin هین/هون (you, plural, cf. sh>h a regular sound change in Kurdish)
Urartian: apa (he/she/it) Kurdish: awa, aw/ava, av cf. Kurdish p>w and p>v ئەوە (he/she/it)
Urartian: Sale (kid) Kurdish: Zaro زارۆ (kid) Armenian: jar (he-goat)
Urartian: tali (stick) Kurdish: têla (stick, cf. Kurdish a>ê)
10) Urartian: papi/bab/babani (mountain top) Kurdish: pope پۆپە (head)/ bani بانی (mountain top)
Urartian: qal/kar (kill/slay, subjugate) Kurdish: qir قڕ (kill, slay, cf Kurdish a>i)
Hurrian: shur (war) Kurdish: sher شەڕ (war)
Urartian: bidia (turn) Kurdish: bada-n بادان (turn)
Urartian: da (give) Kurdish: da, دا (give, Iranic and other IE languages have a similar lexeme)
Urartian: xus/hush (throw) Kurdish: xis-[tin]/hawish-[tin] خستن/هاویشتن (throw, cf Kurdish u>i)
Urartian: karbe (rock, stone) Kurdish: karra کەڕا (rock, stone) Armenian: qar (rock, stone)
Urartian: quira (earth, dust) Kurdish: qur, xol قوڕ/خۆڵ (earth, dust)
Hurrian: arte (earth, soil) Kurdish: ard ئەرد/هەرد (earth, soil, cf Kurdish rt > rd)
Urartian: $erab (dry) Kurdish: chora چۆڕا (dry) Armenian: caraw (dry)
20) Urartian: eue (and) Kurdish: u ئوو (and) but see even Iranic ''ut''
Urartian: tur ( to leave) Kurdish: tor-[an], تۆران to leave
Urartian: ul (to go) Kurdish: lu-wan لوان (to go)
Urartian: ulhu (order) Kurdish: ol ئۆل (religion)
Urartian: bura (slave, servant) Kurdish: bora بۆرە (commoner, low-class)
Urartian: xarxar (destroy) Kurdish: xirxal خرخاڵ (destroyed)
Urartian: ale (but) Kurdish: lê لێ (but)
Urartian: duli (grape) Kurdish: trê, tirî ترێ (grape, cf. l>r and u>i) Armenian: toli (grape)
Urartian: kapi (capacity measure) Kurdish: kap/qap کاپ/قاپ (capacity measure)
Urartian: nah (to bring) Kurdish: hên-an/han-în هانین/هێنان (to bring)
30) Urartian: pare (toward) Kurdish: pîr پیر (toward),
Urartian: pile (water canal) Kurdish: pil-û-sk پلووسک (rain canal)
Urartian: tan (lay down) Kurdish: dan-[an] دانان (lay down)
Hurrian: id- (hit, strike) Kurdish: -d- (hit strike); ([lê] d-[an])
Urartian: teq- (to thump, to break) Kurdish: teq-[în] تەقین (to thump, to break)
Urartian: uzgi (power, strength) Kurdish: wuze وزە (power, strength, cf. Kurdish u- > w-)
Urartian: mari (lord, horseman) Kurdish: mir میر (lord, compare also with the Semitic ''Amir'')
Urartian: shu/shia (to go) Kurdish: chu, چوو (to go, cf. also Iranic ''shiyaw'')
Urartian: euri (lord) Kurdish: hêwir هێور (brave)
Urartian: xarari (calm) Kurdish: oqre ئۆقرە (calm), Armenian:
40) Urartian: zar (orchard) Kurdish: zar زار (orchard) Armenian: car (tree)
Urartian: ur (to place down) Kurdish: wer-[in], وەرین (to place down, cf. Kurdish u-> w- )
Urartian: wal, (to win) Kurdish: wêr-an وێران (to dare)
Urartian: zelbi (descendant) Kurdish: zol زۆڵ (bastard)
Urartian: zeld, (to shatter the enemies) Kurdish: zal زاڵ (to shatter the enemies)
Urartian: qarqar (throat) Kurdish: qurg قورگ (throat, compare also with the Irano-Kurdish garû, and Persian galu, there is also another word in Kurdish: qurquroska)
Hurrian: kut/kud (to make fall, to kill) Urartian: qot (piece) Kurdish: kut کوت (piece), kut-a کوتان (to smash), kud (to kill)
Urartian: xubi (valley) Kurdish: qopi قۆپی (valley, vale, plain)
Urartian: xare (to march, to raid) Kurdish: xar غار (to march, to raid)
Hurrian: Hiuri (smoke) Kurdish: Hulm هوڵم (steam)
50) Urartian: $ue (river, lake) Kurdish: chom/gom چۆم/گۆم (rive lake) Armenian: cov (lake)
Hurrian: tiv (word) Urartian: tiw (to speak) Kurdish: diw-an دوان (to speak)
Urartian: abeli/aweli (attach, increase) Kurdish: awale/awela ئاواڵە/ئاوەڵا (open)
Urartian: an, (no) Kurdish: na, نا (no; there is also a similar equivalent in Iranic)
Urartian: ari-beri Kurdish: birin برن (to carry, there is also a similar equivalent in Iranic)
Urartian: ewani/ebani (land) Kurdish: -wan وان (suffix used after place-names)
Urartian: kulune (side) Kurdish: qulin-chk قولینچک/ qurne قوڕنە (side, corner) Armenian: koln
Urartian: man (to stay) Kurdish: man مان (to stay), (resembles even Iranic, cf. New Persian ''mandan'')
Urartian: mana Urartian: me (prohibitive particle) Kurdish: me مە (prohibitive particle)
60) Urartian: pahi (cattle) Hurrian: pedari (cattle) Kassite: badar (bull, cattle) Kurdish: patal پاتاڵ (cattle) Armenian: paxre
Urartian: par, to take off Kurdish: pirr [-dan] پڕ (to take off, cf. Kurdish a>i)
Urartian: kamn (old, earlier) Kurdish: kavn/kawn کەڤن/کەون (old, cf. m>v but also Iranic ''kohan'' which has led to Kurdish ''kon'')
Urartian: pe? (under) Kurdish: pe? پێ (under, foot, cf. even Iranic pey)
Urartian: shid (build) Kurdish: chê-[kirin], چێ (build cf, kurdish d>nil)
Hurrian: awari Kurdish: awari ئەواری (land, country, field, cf. kurdawari, کوردەواری / warê me وارێ مە) (Armenian agarak has been suggested as an Armenian loan from 'awari'. Kurdish has even 'garak' with the same meaning). Urartian: ur (territory)
Urartian: qapqari Kurdish: gamaro (p>w>m cf Kurdish ziman Urartian: sher (hide) Kurdish: sheshar شێر/وەشارتن (hide)
Urartian: quldi (uninhabited) Kurdish: kawil (کاول) (annihilate,destruction)
Urartian: ar- (give) Kurdish: ar- (give, dialectal as in Slêmanî, for example: ''bi-ar-ê'': بیەرێ ''give him'')
70) Urartian: ture (destroy) Kurdish: ture تووڕە (angry)
Urartian: aba (desire) Kurdish: awat ئاوات (desire), aw-in ئەوین (to love)
Urartian: ada (again) Kurdish: idi ئیدی (another, anymore)
Urartian: shal-i (year) Kurdish: sal ساڵ (year, but Iranian ''sard'', New Persian has also ''sal'') Armenian: tari
Urartian: šeh-i/eri/e, living Kurdish: zhiyar ژیار (living)
Urartian: arnu-ia (come to the aid of) Kurdish: hana هانا (come to the aid of, cf Kurdish a- >ha- )
Urartian: lak- (to destroy) Kurdish: Rûx-[an] رووخان (to destroy)
Urartian: 'are (granary) Kurdish: harr هاڕ (granary, cf Kurdish ha-<-a, notice 'zimharr' زمهاڕ, meaning 'winter granary')
Urartian: ieshti (here) Kurdish: hêsthte هێشتە (now)
Urartian: meshe (part, tribute, share) Kurdish: mûche مووچە (part, tribute, share)
80) Urartian: pi$ushe (joy) Kurdish: pishû پشوو (holyday, vacation)
Hurrian: sheshe (six) Kurdish: shesh شەش (six, but it is the same even in Iranic)
Urartian: izidu (admonish, command) Kurdish: ezidi ئێزیدی (name of a native religion in Kurdistan)
urartian: yarani (kind of cultic building, altar) Kurdish: yari یاری (name of a native religion in Kurdistan)
Urartian: aleu (dignity) Kurdish: alewi ئالەوی (name of a native religion in Kurdistan)
Urartian and Hurrian: /-i/, /-iye/ (his, her, its) Kurdish: /-i/, /-y/ ی (his, her, its)
Hurrian: /-v/ (your) Kurdish: /-w/ و (your)
Urartian: ushanu (award, bestow, feel affection for ) Kurdish: wuchan وچان (rest, reprieve)
Urartian: napahia (submission, bondage, domestication) Kurdish: nawi نەوی (low, a low level, position or degree), (p>w)
Urartian: tur (defeat, destroy) Kurdish: dor- دۆڕ (defeat)
90) Urartian: sal-zi (steep, abrupt) Kurdish: sila سڵا (height)
Urartian: sil-e (woman, doughter) Kurdish: selar سەلار (mistress of the house, beautiful woman) (note ''Selardi'', a lunar goddess of Urartu)
Urartian: lutu (woman) Kurdish: lute لووتە (quoquettish woman)
Urartian: uldie (vineyard) Kurdish: lote لۆتە (grapes hanged in order to be sun dried in a vineyard)
Urartian: nikidu (water) Kurdish: niqdo/niqût نقووت/نقدۆ (water infiltration, water dropping, water penetration), (plus some other cognates of the word)
Urartian: kan/kain (in front of) Kurdish: kin کن (in front of, near) (but cf. also Iranic ''kenar'')
Urartian: haš-ia: (be interested in) Kurdish: haz حەز (be interested in, love, like)
Urartian: d-u-: (do, cause to do) Kurdish: da/di: ده/د (do, cause to do, used as a preffix for verbs)
Urartian: shalur (medlar) Kurdish: shalor شەلۆر (nectarine) Armenian: salor (plum) (clearly borrowed via Kurdish)
Urartian: mure (house) Kurdish: mal ماڵ (house)
100) Urartian: urishi (weapon) Kurdish: hereshe هەڕەشە (threat), /(there is also ''huruzhim'': هوروژم attack)
Hurrian: shini (two) Kurdish: shingil شنگڵ (twin, twin fruit)
Urartian: egur-hu (free) Kurdish: xorayi خۆرایی (free)
Urartian: bad-gul (surround) Kurdish: bawe-xulê باوەخولێ (turn around, also a kids game)
Urartian: aish-ti (leap, jump) Kurdish: hej-an هەژان (quake)
Urartian: ibirani (whole, complete, full) Kurdish: pirani پڕانی (majority)
Hurrian: hinzur (apple? pear?) Kurdish: hencor هەنجۆر (unripe melon)
Urartian: kut-u (reach) Kurdish: (geh<*ged) گەهشتن/گەیشتن (reach)
Urartian: ai/ay: (look, take care) Kurdish: aw-ir ئاوڕ (look)
Urartian: di/erasia (fear) Kurdish: tirs ترس (fear, but cf. also Iranic ''tars'')
110) Urartian: Ti/er-usi, measure for liquid Kurdish: Telîs?تەلیس measure of unit
Hurrian: ben Kassite: ban Kurdish: minal مناڵ (child)
Kassite: nadz (shade) Kurdish: nisê نسێ (shade)
Kassite: ulam (son, child) Urartian: alaue (man) Kurdish: law لاو (young boy)
Hurrian: çugi Kassite: tsugi Kurdish: chuk چووک (small)
Hurrian: ewri (dog) Kurdish wer-în وەرین (barking of dog)
Hurrian: shiye (watery) Kurdish: she شە (moisture)
Urartian: zainua (high) Kurdish: zinar زنار (high cliff, high boulder)
Hurrian: shalmi (ashes, to burn) Kurdish zhilemo ژیلەمۆ (burning ashes)
Urartian: amash (burnt) Kurdish mêsh مێش (burnt ashes) (cf. ê 120) Hurrian: puhi (nose) Kurdish: (kepû) کەپۆ (nose)
Urartian: shepuiaru (spoil) Kurdish: sheprêwشپڕێو (disorderly)
Urartian: mesh- (distribute, share) Kurdish: wesh-[an] وەشان (distribute, share)
Urartian: teribi (monument) Kurdish: tirb ترب (monument, grave) (not be confused with Arabic 'turbat': soil)
Hurrian: fur-i (viw) Urartian: wur-i (view) Kurdish: wuria وریا (viewer, careful), awur ئاووڕ (sight), (even the Kurdish verb ''ruwan''-[in] (view) is likely connected to the Urartian ''wur'', rarther than being a metathesis for Iranic ''negar'')
Hurrian: halv- (enclose) Kurdish: hal- هاڵ (enclose)
Urartian: kul-me (wealth, prosperity) Kurdish: kel-k کەڵک (profitable, usefulness)
Hurrian: pâl (false) Kurdish: fêl فێڵ (fraud)
Hurrian: tapsh- (destroy) Kurdish: tawjm تەوژم (pressure), tapi (destroy)
Hurrian: apxe (louse) Kurdish: aspe ئەسپێ (louse)
130) Hurrian: kapp- (fill) Kurdish: kipp کپ (filled)
Hurrian: azhoge (meal) Kurdish: azhge/zig (stomach)
Hurrian: kul- (to speak) Kurdish: qul- قوول (to speak aloud)
Hurrian: timeri (black) Kurdish: tem تەم (darkness)
Urartian: tara-gie (powerful, strong) Kurdish: daraqat دەرەقەت (to be powerful, to be strong)
Urartian: tam-hu (eliminate separate) Kurdish: toq-[andin] Urartian: shi-u (carry away) Kurdish: shi-[andin] (send)
Urartian: anda-ni (right) Kurdish: and ئاند (right)
Urartian: irb-u (take away grab) Kurdish: rev-[andin]/rif-[andin] (take away, grab) (but cf. also Iranian 'robudan', take away, grab)
Urartian: pit- (beat apart, destroy) Kurdish: pis-/pichr- (beat apart, destroy)
140) Urartian: tishni (heart) Kurdish: dine دنە (encourage) (cf. t > d & sh > nil)
Urartian: ti-ni (name) Kurdish: deng دەنگ (voice)
Urartian: bauše (word) Kurdish: wuše وشە (word)
Urartian: durba (revolt, rebel) Kurdish: tola (revenge)
Urartian: hut-ia (to ask) Kurdish: qut-abî (student)
Hurrian: fir (remove, untie) Kurdish: fir, firê (throw)
Hurrian: halme (singing) Kurdish: hore هۆرە (singing)
Hurrian: havur (heaven) Kurdish: hawr (cloud), (note also Indo-Iranic abra)
Urartian: agu (lead away) (of IE origin?) Kurdish: ajo-[tin] ئاژۆتن (lead away, drive)
Hurrian: asti (woman) Kurdish: astê (name of a beloved woman in Kurdish folklore)
150) Hurrian: tav/(-b) (to cast metal) Kurdish: taw (thaw, melt)
Hurrian: ai (if) Kurdish: ai (if)
Hurrian: alilan (lament) Kurdish: lalan (lament)
Hurrian: çabalgi (fault) Kurdish: çapal چەپەڵ (dirty)
Hurrian: xiyari (all) Kurdish: xir (all)
Hurrian: çere (donkey) Kurdish: ker (donkey)
Hurrian: çik- (break) Kurdish: shik- (break)
Hurrian: xîri (hour, time, moment) Kurdish: xêra خێرا (soon, hurry)
Hurrian: xizli (coiled) Kurdish: cexiz جەخز(coiled)
Hurrian: xub- (to break, to destroy) Kurdish: qup- (to break, to destroy)
160) Hurrian: istani (between, among) Kurdish: astang ئاستەنگ (obstacle)
Hurrian: izikun- (to wail) Kurdish: zikan- (to wail)
Hurrian: kakari (sort of ritual bread) Kurdish: kullêre, kellane (sort of ritual bread)
Hurrian: magunni (desire) Kurdish: magirani (desire)
‌Hurrian: shakari or sagari (sprout, bud) Kurdish: chakara چەکەرە (sprout, bud)
Hurrian: arushal (hurry) Kurdish: halasha هەڵەشە (stressful)
Hurrian: heni (now) Kurdish: henu-ke, niha, neha (now)
Hurrian: parili (crime) Kurdish: palamar پەلامار (attack)
Hurrian: adi (thus) Kurdish: dai (thus)
Hurrian: ak-i/u (other) Kurdish: -ka (other)
170) Hurrian: we (thou) Kurdish: ê-we (you)
Hurrian: buru (strong) Kurdish: wure ورە (strength)
Hurrian: çam (rip) Kurdish çam (bend)
Hurrian: zurgi (blood) Kurdish: zûx (blood), (compare, xwênaw=zûxaw)
Hurrian: xahli (cheek) Kurdish: kulm (cheek)
Hurrian: halwu (fence made with stones) Kurdish: hêl هێڵ (fence)
Hurrian: xawirni (lamb) Kurdish kawir کاوڕ (young sheep)
Hurrian: xamaz- (oppress) Kurdish chaws- (oppress)
Hurrian: hendz (constrain) Kurdish: hêndj (constrain)
Hurrian: xerari (sinew) Kurdish: kiroje (sinew)
180) Hurrian: xeshmi (bright) Kurdish: gesh (bright)
Hurrian: kalgi (weak) Kurdish qals/qirj (weak)
Hurrian: nali (deer) Kurdish: nêrî (male adult goat)
Hurrian: nawn- (pasture) Kurdish: naw- (pasture)
Hurrian: ul- (to, eat, to devour) Kurdish: lawar( la-war-) (to devour)
Hurrian: ubi (stupid, insane) Kurdish: hapa (stupid, insane)
Hurrian: ashxu (high) Kurdish: shax (mountain), also 'asê' means: uppward, high.
Hurrian: kaziari (high mountains of the Mesopotamian valley) Kurdish: kazh (high mountain)
Hurrian: kewiranna (the senate, the old men) Kurdish: gewran (the big ones, the adult ones)
Hurrian: kuzh- (to keep, to retain) Kurdish: kush- (to hold in hands, to press in hands), alt: Kurdish qoz- (to catch)
190) Hurrian: nekri ( Hurrian: shalhi (to listen) Kurdish: shil (listen)
Hurrian: siba (dry) Kurdish: zuwa زوا (dry)
Urartian: dibi (building, room) Kurdish: diw دیو (room)
Hurrian: shu (day) Kurdish: shawa-ki (morning, day)
Hurrian: shirat (narrate) Kurdish: shirove (narrate)
Hurrian: tishan (very much) Kurdish: tizha تژە (full)
Urartian: sutug (tear away, unjoin) Kurdish: shetek (knot)
Urartian: gey (anything) Kurdish gi گ (anything)
Hurrian: baz (enter) Kurdish: baz (pass by)
200) Hurrian: xeban-: (to set moving) Kurdish: xebi- خەبتین (to be active)
Hurrian: hamadz-: (to oppress) Kurdish: chaws- (to oppress)
Hurrian: haz- (to hear) Kurdish: bihiz-: (to hear)
Hurrian: xaz (to oil) Kurdish: xiz (oily, slippery)
Hurrian: pas- (to send somebody) Kurdish: pas- (to send, as in 'hal pasardin': 'to send into exile')
‌Hurrian: shagari (ram) Kurdish: shak (young sheep)
Hurrian: pal (know, understand) Kurdish: fêr (learn)
Urartian: -kai (position, in place) Kurdish: -ka (location suffix)
Urartian: muš- (true, fair) Kurdish: mušur موشوور (fairness)
Hurrian: abi (in front of) Kurdish: ba (in front of, near)
210) Hurrian: shimi (sun) Kurdish: shem (sun) (focilized in shemshemekwere, ''blind for the sun'': ''bat''.
Urartian: derzu/derju (order, arrangement) Kurdish: darêj- (order, arrangement)
Urartian: tep- (throw down) Kurdish: tep- (throw down)
Urartian: atqan: (to consecrate) Kurdish: tarxân (to consecrate)
Urartian: shuki (as) Kurdish: waki < hoki Hurrian: hur (drink) Urartian: xurishe (irrigator) Kurdish: qurishke قوریشکە (cup)
Urartian: ulx (flow out) Kurdish: bilqبڵق (b Urartian: alga-ni (mountain) Kurdish: Lêj لێژ (abrupt, steep)
Urartian: auiei (somewher) Kurdish: awê ئەوێ (there)
Urartian: puluse (inscription, stele) Kurdish: psule (voucher, receipt)
220) Urartian: niribe (herd) Kurdish: ran (herd)
Urartian: iese/ieshe? (I, pronoun) Kurdish: ez ئەز (I, resembles also the old Iranian 'azm', but which one is 'az' actually derives of? Armenians claim Armenian 'yes' (I) is derived of Ur. 'iese
Urartian: armuzi (family, clan, generation) Kurdish: hoz هۆز (clan) + rama (seed, from to-rama)
Hurrian: hemz (surround) Kurdish: amêz, hembêz ئامیز (hug)
Urartian: zani (cry out) Kurdish: zhan, jan, ژان (agony)
Hurrian: karshi (lips) Kurdish: kalpa کەڵپە (animal lips)
Hurrian: wirwir (loosen) Kurdish: wilwil ولوڵ (loosen)
Kassite: ash (earth, soil) Hurrian: esh (earth, soil) Kurdish: ax ئاخ (earth, soil)
Urartian: qarmexî (gift, present, sacrifice, celebration) Kurdish: qelin قەلین (gift, dowry)
Urartian: -atuhi (-ness) Kurdish: -ati (-ness)
230) Urartian: aman- (vessel, pot) Kurdish: aman- ئامان (vessel, pot)
God of lightning and storm Hurrian: Teshup Urartian: Tesheba Kassite: Tishpak Kurdish: Tishk تیشک (light, radiance)
Hurrian: shu (hand) Kurdish: shop (hand palm)
Hurrian: chilman- (to break, vanish) Kurdish: chilmis- (fade)
Urartian: shur (wall around a castle, fence, borders of the kingdom) Kurdish: shure (wall around a castle, fence)
Hurrian: xalwu (fence made with stones) Kurdish: xal خەڵ (fence made with stones)
Hurrian: ya/ye (who, which, what) Kurdish: ya/ye (who, which, what)
Hurrian: tun- (to win) Kurdish: tuna توونا (defeated, destroyed)
Hurrian: taridi (pot) Kurdish: tirar (pot)
Hurrian: kol (let off) Kurdish: kol (let off) (as in ''le kol bunewe'')
240) Hurrian:shir (to be suffiecent) Kurdish: têr (to be suffiecent)
Hurrian: ha (take) Kurdish: ha
Hurrian: tijari (spindle) Kurdish: teshi (spindle)
Hurrian: ábri (stock of wood-logs) Kurdish: awirdu (stock of wood-logs), awirig (oven)
Hurrian: baq- (destroy) Kurdish: baq- بەقین (explode)
Hurrian: bashi (mouth)Armenianlake Urmia Kurdish: bêj (to say), (common a>ê)
Hurrian: pashixi (message) Kurdish: pazhux (answer)
Hurrian: tad- (love) Kurdish: dalal (beloved) (common d>l)
Hurrian: tagi (beatiful) Urartian: taugi (clean) Kurdish: daq دەق (cheerful)
Hurrian: hild-/held- (high, raise, elevate) Kurdish: hild-/held- هەڵدان/هڵدان (rasie, elevate)
250) ‌Hurrian: kabli (copper) Kurdish: paqir پاقڕ (copper)
Kassite: kukla (slave) Kurdish: kukla (doll), kukm (homeless)
Hurrian: kumdi (tower) Kurdish: kumadj کۆماج (column)
Hurrian: kubakhi (hood) Kurdish: kumik (hood)
Urartian: korde (uncultivated, desolate) Kurdish: kode (uncultivated, desolate)
Hurrian: kundzi (to kneel) Kurdish: kudik (knee)
Hurrian: Xiríti (trench) Kurdish: Xir (trench)

Bc kitni bhi koshish Karu ,nhi bhul paa rhi use .Uski smell , uske saath padhe hue chapters ,uski baaten ,sb yaad hai .1.5 years ho gye uski shakal dekhe , use mujhse ghanta kabhi koi fark pda , uski kuch antics se vaapas delusion me aa jati thi ki probably vo bhi kuch sochta hoga ,well , mat Mari gyi thi meri.Insta pe use stalk kar kar ke usse ajeeb sa parasocial attachment bna liya hai where I know his entire kundali without him telling me ,his taste in women(jisse main koson dur hu), everything about his college(I've become an expert at iit now). Neet khatm ho gya, use batane ki formality bhi kr li(aur bekar ke 1 ghante ki baaten🤡) ,ab khatm ho jaye ye .I can't listen to the music I like cause it reminds me of him , bhul jana chahu to bhi papa bhi use ek fortnight me mention kr hi dete hai (vhi in sab fasad ki jad hai) , universe hi har cheez mujhe use bhulne hi nhi deti .I wish vo kbhi mujhse aise baat nhi krta .Uske compassion aur empathy ne meri maar li . College jaungi is sal to shayad koi aur mil jaye ,but I still wish to eradicate his memories forever .

70 rojulu gadichindhi Jarigina katha : Sadhinchedham .. .. gattiga kodadham e sari .. ... unnadhi okkate life, so nachindhi chedham ... kaneesam one year spend cheyalena nenu kavali anukunna dhanikosam? ****************Cut chesthe 70 days gadichindhi**************** Starting lo konchem time reddit lo gadipevadini but.. too much information nannu bhayapettesindhi. So chala days dooram ga vellipoya. Social media konni days off chesesa but madhya madhyalo friends em chestunnaro ento instagram storeis lo chudatam kosam open chesa. Guitar start chesa annanu kadha, adhi konchem track lo padindhi., finger exercises chesthu rojulo konni minutes dhani kosam spend chestunnanu, fingers ki calluses kuda vachaayi. Ok.. adhi pakkana pedithe.. main thing, naa GATE preparation. Learning anedhi oka separate pani la naaku anipinchatledhu, slow ga chadavatam enjoyment la maarindhi, aa madhya endhuko early morning lechi oka leetcode problem chesa., adhi nachi roju lechi brush chesaka chestunna modhati pani.. leetcode streak problem cheyadam, streaks are real addiction, erojuku 39 days complete aindhi. Konni rojulu solution chusi chesesa le adhi vere vishayam.
Sare antha edho smooth ga vellipothunnattu ga undhe.. but kaadhu. Friends andharu jobs lo hike lu.. promotion lu.. trip lu.. pub lu.. anni bhale unnaye.. mari nenenti Linear algebra.. Combinatorics .. aa digital logic concepts lectures chusthuu.. aa problems solve chesthuu.. fundamentals nerchutunna enti .. vaallantha edho pedha pedha project lu chesesi deploy chestuntee.. idhenti ila undhi?? ***********************The real problem************************** Thokka lo comparision.., adhi lekunda prapanchame ledhemo anipistundhi. English lo dhanine envy ani kuda antaranta. Naa dhaari lo neenu velthu, pakka vadi dharini chusi badha padutunna ani anipinchindhi. But ee life lo evadi daari vadidhe ani simple logic ni accept cheyadanike chala courage and strength kaavali. Adhi ala unchithe, okka year nenu anukunnadanikosam spend chedham antee.. naa mind ki nenu answer cheppukovadam intha kastam ani nenu anukoledhu. Konni sarlu anipistundhi... ee cinema vallu inni years oka cinema meedha yela spend chestharo ani. Kanisam vallu compare cheskoremo inkokaritho, andhuke valla dharilo vallu veltharu. But prathi roju naaku nenu answer chepukuntunna.. endhukante nenu nadustunna dharini nenee nammakapothe inka evaru nammutharu? ***********************Katha konasagutundhi*********************** So ikkada problem ekkada ledhu.. naa mind lo undhi. Actually dhanini problem antunte edho la undhi, but inko word naku ravatledhu vere la cheppadaniki. But nenu chestunna dhantlo naku nachindhi enti ante., now I'm feeling alive, morning levagane idhivaraku unna aa lazy badhakam naku ravatledhu. While doing what i'm doing, i'm more into it, maatallo cheppaleni, rayaleni oka feeling undhi.. adhi eppudaina edhaina nachindhi chesthe vastundhi ani anukunna .. but adhi konni sarlu experience chestunna. Clear ga cheppali ante Soul movie lo oka state of mind kosam chepthadu, while we completely involve in something we do, we feel it ani.. aa feeling undhi chudu, adhi real kick istundhi.
Malli eppudaina naaku budhi putinapudu vachi inko page ikkada rasukunta. Evadaina ikadavaraku chadivunte...... Hey.. take my hug !

Movie ko best banati hai Rajkumar Rao ki acting❤️. movie ki first minute nhai mujhe emotional kardia tha. ya movie nahi hain ya ek inspiring story hain. Mujhe thoda bor kadia tha romantic drive wala song nhai. Movie ko highly recommend hai🍿 Mari tarafsa 4/5⭐

https://preview.redd.it/g8qy28q3c20d1.png?width=1028&format=png&auto=webp&s=cb4c660aef8abb99d99cef369bd3a11f57e58cfa
Hi all! I am doing the cross country road trip from LA to Charlotte in the next couple of months. I have started planning out the trip on this Google Maps My Map (see image). Because the first half of the trip falls along Route 66 I have found great places to stay and things to see, but the second half of the trip I haven't found much for yet. Would love any tips and or suggestions for this roadtrip. Thanks!

Idk em cheppali Ani... So there's this person nenuuu chalaa miss avvuthunnaaa Em cheshna ediki poina gurthu osthundhi.. Adhedho cinema dialogue anukokndi it's true... Mari 24/7 kaadhu nen ontariga unpduuu.... Last ki phn chusthey kuda gurthu osthundhi Ani phn vadadameyy apeshna... Distraction kosam Ani dating app lo join ayya oka mnth back (workout avvuthundhi bhyyooo....) 1week vaadi pakkaki pettta manaki online set avvadhu Ani eeroju indhaka endhuko open chesa akda kudaa thaneyy bro ipd nunchi aa app open cheshna prathi sari thaney gurthosthadhi... So enti anteyy nen idhi evrtho cheppalenuu not even to my closest andru max maa iddrki mutuals or almost andrki thlsu thanuu. .. andhukey ikda share cheskuntunnaaa....
Meeku motham stry kavali antey adhi chaala pedhdhadhi... Na benifit kosam nen thanani dhuram pettesaa..ofc it was not an easy task chaala ayindey. (There were lot of fights... nen undali antadhi kani pattinchukodhu nka meek theliyandhi em undhii ley)I knew future lo nak Ila avvuthundhi Ani kani mari inthala anukoledhu... So thittakndi abba em rasav ra maak em ardam avvatley Ani... Edho baadha lo knchm alaaa Sorryyyyyy Em Aina seppali suggestions ivvali antey Mee istam andi thank you

Idk em cheppali Ani... So there's this person nenuuu chalaa miss avvuthunnaaa Em cheshna ediki poina gurthu osthundhi.. Adhedho cinema dialogue anukokndi it's true... Mari 24/7 kaadhu nen ontariga unpduuu.... Last ki phn chusthey kuda gurthu osthundhi Ani phn vadadameyy apeshna... Distraction kosam Ani dating app lo join ayya oka mnth back (workout avvuthundhi bhyyooo....) 1week vaadi pakkaki pettta manaki online set avvadhu Ani eeroju indhaka endhuko open chesa akda kudaa thaneyy bro ipd nunchi aa app open cheshna prathi sari thaney gurthosthadhi... So enti anteyy nen idhi evrtho cheppalenuu not even to my closest andru max maa iddrki mutuals or almost andrki thlsu thanuu. .. andhukey ikda share cheskuntunnaaa....
Meeku motham stry kavali antey adhi chaala pedhdhadhi... Na benifit kosam nen thanani dhuram pettesaa..ofc it was not an easy task chaala ayindey. (There were lot of fights... nen undali antadhi kani pattinchukodhu nka meek theliyandhi em undhii ley)I knew future lo nak Ila avvuthundhi Ani kani mari inthala anukoledhu... So thittakndi abba em rasav ra maak em ardam avvatley Ani... Edho baadha lo knchm alaaa Sorryyyyyy Em Aina seppali suggestions ivvali antey Mee istam andi thank you

I decided to post more. Right up front, I want to clarify that this isn't intended as dissing the game or calling it bad, but I renamed all the rivals because, well, I'm not a big fan of their current names. If I could, I would make all the current names nicknames and give the rivals these new names as their real names. In fact, I would actually suggest doing so, with these or other names. I want the game to be the best version of itself and in my mind that means names that aren't just google translated words. Besides, Japanese names are so much fun to create, you can pack a lot of meaning into them if you spend some time researching. Anyways, once again I used japanese-names.info and jisho.org to come up with these and they probably all lean towards the kira kira end of names

Osana Najimi

Her name comes from osananajimi, the Japanese word for childhood friend. I would rename her Sana Nagatomo, written 咲 (sa) meaning to bloom or to blossom, 愛 (na) meaning joy or to love, 長 (naga) meaning long time or eternity, 友 (tomo) meaning friend. Her last name reflects her status as Senpai's childhood friend while her first name is a reference to her growing feelings towards him. Because there are already multiple voiced lines using her name, I would change her introduction from Info-chan to say "Her name is Sana Nagatomo. Everyone calls her Osana."

Amai Odayaka

Amai means sweet (as in the flavor) and odayaka means gentle. I would name her Mikan Odanaka, written 美 (mi) meaning beautiful, 甘 (kan) meaning sweet or pleasant tasting, 小 (o) meaning small, 田 (da) meaning rice field, 中 (naka) meaning inside. The last name was chosen because it's only a letter off from her current last name which is on the side of the bakery in town, so it only has to be slightly edited to fir the new name. An obviously the first name references sweet foods, which are her specialty

Kizana Sunobo

Kizana means something like smug or pompous and sunobu is the English word snob in Japanese. I would name her Yukari Sunaga, written 優 (yu) meaning outstanding or superior, 華 (ka) meaning splendid or flower, 璃 (ri) meaning jewel, 寿 (su) meaning auspiciousness, 永 meaning long time. So she's a splendid, outstanding jewel who will have success for a long time. Sounds like a smug name to me.

Oka Ruto

I know, I know, we all love Oka-chan, so do I, she's perfect. But her name is just the English word occult in Japanese (okaruto). So I'd go with Mariya Kanno, written 魔 (ma) meaning demon or evil spirit, 璃 (ri) meaning glass or crystal (like a crystal ball!), 夜 (ya) meaning night or midnight, 神 (kan) meaning deity or soul, 呪 (o) meaning curse or spell. Yeah, leaning hard into the magic and demons here

Asu Rito

Asu actually is a name! But none of the kanji had anything to do with her character. Anyways, asurito is the English word athlete. I'd name her Eimi Rinko, 泳 (ei) meaning swim, 美 (mi) meaning beautiful, 輪 (rin) meaning circle, 湖 (ko) meaning lake. The character 輪 is also used in the word for the Olympics, so that's a neat bonus for our wanna-be Olympian

Muja Kina

Her name is derived from mujaki which means innocent or simple minded, plus the modifier na to make it an adjective. I'd call her Kiyomi Sekka: 健 (ken) meaning healthy or strong, 美 (mi) meaning beautiful. 拙 (setsu) meaning clumsy or unskilled, 家 (ka) meaning home or lineage. There aren't many kanji that relate to her gimmick of being klutzy and getting into accidentally suggestive situations, 拙 was the best I could get. Also I wanted to reference her being a nurse, so 健.

Mida Rana

Genuine question: does anyone like Mida? All the other rivals I've seen people say they love them, but no one ever seems to say anything positive about Mida. Which I get lol she's my least fave rival. Anyways. Midarana means lewd. I came up with Noriko Hoshiga: 教 (nori) meaning to teach or to guide, 子 (ko) meaning girl or child, 欲 (hoshii) meaning crave or desire, 賀 (ga) meaning celebration. Shockingly there aren't many kanji related to lust or sex that are used in peoples' names, 欲 was the best I could find and I'm reasonably sure it doesn't have any sexual connotations. As for her first name, I wanted to reference that she's a teacher, and 子 is a very common suffix for names, especially from the 80's and 90's.

Osoro Shidesu

As far as I can tell, osoroshidesu means terrifying or "it's scary". I named her Ran Hazaki: 乱 (ran) meaning disorder or chaos, 破 (ha) meaning destroy or defeat, 崎 (saki) meaning steep or rugged land. Real talk, this is my favorite name I came up with, I love how it sounds. Her first name references her delinquency, while 崎 is meant to reflect how the game is getting more difficult (think a "steep" difficulty curve).

Hanako Yamada

Much like her brother, Hanako already sorta has kanji for her name. Hanako Yamada is the Japanese equivalent of Jane Doe: a placeholder name given to unidentified or unknown women. As far as I can tell, it's typically written 花 (hana) meaning flower, 子 (ko) meaning girl or child, 山 (yama) meaning mountain, 田 (ta) meaning rice paddy. Obviously she has the same last name as her brother

Megami Saikou

Megami is a word for Goddess, saikou means best. Her initials, if you haven't ever noticed, are MS as in Mary Sue, and I want to keep that. Saikou is already all over the game, so there's no changing it. Which is fine, I like the name. I would change her first name to Mikami: 美 (mi) meaning beautiful, 神 (kami) meaning deity or excellence. Basically the same as her current name. As for Saikou, I think you could write it as 斎 (sai) meaning purification, 侯 (koh) meaning lord, nobleman or target. Which is a combination I really like

[Update]: Delivery abbai ochi delivery echi velladu. At peace
M cheyyali? Delivery person phone chesinapdu phone lift cheyyaled - meeting lo unnina. Trvtha delivery failed message ochindi. Daani trvtha night 8pm (May 8) ki app lo open chesi chusinte - delivered ani padindi.
Ah delivery vaadiki next day call chesa (May 9) osta sir annadu. mari nduku naaku delivered ani chupistaandi ante, m kaadhu lendi sir antunnadu. May 10th same edhe jargindi.
Epudu (May 11) call chestunte lanja koduku lift cheyyatledhu. Naak chala kopam ostandi. Eroju chusi vaadu m reply evvakunte doxing or bomb chesi padesta number ni.
M cheyyalo cheppandi meek elan jargunte.