"Greatness" when it comes to music, is discography, influence, longevity, hits, impact, Versatility
These all things Rihanna ticks boxes in, Michael Jackson ticks these boxes, as does Led Zeppelin, Beatles, Rolling Stones, Prince, Bob Marley, Queen, Pink Floyd and many more, hence making these some of Music's greatest Acts, Rihanna belongs up there
While Rihanna does not write or Produce her music, she still curiates, Michael Jackson did not play instruments or write a lot of his songs however that doesn't take away from his Artistry
https://youtu.be/n6N1_sxlBU8?si=VjyeCyuO-xG9KsM2 "We Found Love" by Rihanna (2011) one of the 2010s greatest songs with a Beautiful and Haunting EDM Instrumental, emotionally compelling narrative and Catchy hook with good Vocals
https://youtu.be/2IzNKRg5uZs?si=rRWMisrFSP1Jv084 "Man Down" (2010) a Reggae song, already showing how Versatile Rihanna is, however it's a dark song about a Young Woman taking revenge on a Man who Sexually Assaulted her, her Vocals are amazing here and this song proves her Vocal Range as she blends into Reggae so easily
https://youtu.be/pHQvdENN8GM?si=imvUQP-VBSy0Isan "SOS" (2006) an Amazing R&B hit that Samples the classic 80s hit "Tainted Love" showing Rihanna paying homage to the classics
https://youtu.be/C75J03JXz24?si=cQde35TtjryXuyTf "Dont Stop the Music" (2007) one of the Greatest Dance and Club songs of the last 20 years, where she samples Michael Jackson's "Wanna Be Startin Something" with a Futuristic and Electronic update which sounds amazing, a Classic Sensual Banger
https://youtu.be/xXD5tltX9Pg?si=bP6K2WYobO1N1m5z "Umbrella" (2007) I mean I don't have a lot to say, it's one of the most iconic Pop Songs of all time
https://youtu.be/wmGjajXDHKo?si=QOGaoK4Se0v7GlwV "Disturbia" (2007) a Horrorcore Genre song that WENT BILLBOARD NUMBER 1, what kinda Horrorcore songs goes number 1? This song displays Rihanna's influence by Michael Jackson's "Thriller" and was one of the most groundbreaking songs of the 2000s Popularising Autotune as an artistic effect
https://youtu.be/AjLD4ufmSlE?si=KgR8msbKyoQCRlg- "Shut Up & Drive" (2007) another Classic, this is one of thr greatest Pop Rock songs of the last 20 years, its a great Sensual song that is inspired by a Classic like "Whole Lotta Love" by Zeppelin, and it samples "Blue Monday" which Is a Masterpiece, Shut Up & Drive even has a hint of Grunge influence, again showing Rihanna leaving her comfort zone musically
https://youtu.be/QMP-o8WXSPM?si=WmqZlvMg7GVsJeVI "Love on the Brain" (2016) a brilliant song on Rihanna's last Album, it is influenced by 60s Soul & Blues ballads
Rihanna is one of the most Popular and influential Artists of all time, despite only having an 11 year music Career from 2005 to 2016, Rihanna has managed to become one of the top 10 highest selling Artists in history, the 2nd highest Female Artist ever behind Madonna despite Madonna having a 25 year headstart and Rihanna is creeping up in sales, she has 14 Billboard Number 1s, Beatles in comparison had 21, she's versatile, boundary pushing, has great vocal Range. I feel it's only fair she is worthy of a "Greatest Artists of all time" list
I'm not even sure if this is that unpopular IRL, most people I talk to in real life agree Rihanna is a Musical Legend, but Reddit is not Real Life, Reddit shits on anything Pop that isn't Michael Jackson lol
If I was to rate Rihanna's top 5 Albums

1. Good Girl Gone Bad (2007) is a 9/10
   
2. Loud (2010) is a 9/10
   
3. ANTI (2016) is a 8.5/10
   
4. Rated R (2009) is a 8/10
   
5. Talk That Talk (2011) is a 8/10
   

She doesn't have a 10/10 Album, like Thriller, Bad, Purple Rain, Led Zeppelin 1, Zeppelin IV, Abbey Road, Dark Side of the Moon and so on, but two 9/10 Albums is insanely impressive, someone like Ed Sheeran has never even made a 7/10 Album

i am so thrilled that a 1972-2023 morris family vacation tradition senior trip shirt now belongs to me! cant wait to wear this everywhere i go.

Answer this question if you are CR7 fan. what do you prefer, Manchester t-shirt from 2008 or Real Madrid t-shirt from 2011/2012 ?

Cigarettes and rebellion have always gone hand-in-hand, and in an age of cigarette packet-sized health warnings, now more than ever, smoking a fag says: 'I do not give a fuck.' But if Brandon Flowers is hoping to strike a seditious pose by sparking up at the start of the interview, it's not going according to plan. The Killers' frontman is on all fours rooting through the junk that carpets the anteroom at the band's rehearsal space. "Has anyone seen my lighter?" he asks, rocking back on his heels. The question hangs in the air while Brandon cocks his head, waiting for an answer like a meerkat listening for a predator. Twenty-five years old and with a delicate bone structure, there's something almost dainty about him. Receiving no response, he returns to his search. "Oh, Jeez," he sighs. "I had it just a minute ago."
It's a scene that emphatically does not suggest a rebel without a cause. The mess isn't helping. The Killers' HQ - an industrial unit sandwiched between a construction supplier and the offices of a housing development just off Dean Martin Drive in West Las Vegas - is ankle-deep in designer clothing. A Dior Homme suit lies crumpled by the door; there's a pile of shoes topped like a sundae by a pair of Marc Jacobs trainers; and anyone wishing to enter the shoebox room the band use as an office must negotiate a mountain of discarded jeans. Many items are identifiable as coming from the wardrobe of Hot Fuss, The Killers' hugely successful 2004 debut album - triple platinum in the UK with two weeks at Number One and five million sold worldwide. Look! There are the shirts, ties and suit jackets they wore when they thrilled Glastonbury 2005 with indie rock anthems Mr Brightside and Somebody Told Me. That was the crowning moment of a two-and-a-half year tour that finally concluded in October of last year. It seems that after playing that final date in Miami, they returned to Vegas and shrugged off their image onto the floor of this bland white box.
Now a fine layer of dust covers the dead clothes. The Killers have no further use for white tuxedos on their second album, Sam's Town. Today, Brandon wears a black polo shirt, black pin-stripe waistcoat, black jeans and black boots. Where there used to be a layer of foundation, there is now a beard - an untrimmed beard at that. Dave Keuning (30, guitar), Mark Stoermer (29, bass) and Ronnie Vannucci (29, drums) all echo Brandon's black ensemble. Ronnie has added Aviator shades and a handlebar moustache for a dash of motorcycle cop, Dave's frizzy bubble of hair gives him a Marc Bolan-ish air, and there's something very teenage about Mark's scuffed Vans.
Short of walking around wearing sandwich boards saying, "Our new record is a bit heavier than the last one," The Killers couldn't hope to communicate that message more effectively. And they have gained some musical girth on Sam's Town. The pop hooks that made Hot Fuss so irresistible survive intact - see the ringing guitar riffs on first single When You Were Young - but there's a newfound punchiness, coupled with an epic sweep. The minor-to-major uplifts on Bones are fabulously dramatic, the coda to Why Do I Keep Counting? thrillingly intense. Comparisons to Bruce Springsteen have been made. If they overstate the case a little, they are at leaset qualitatively accurate. The Killers are back and this time it's serious - they've got the bootlace ties to prove it.
"Hey, it says here that Springsteen's headlining Glastonbury next year," shouts Ronnie, who's flicking through the NME. He nods sagely at the page without looking up.
"Really?" asks Dave, nicknamed Crazy Dave on account of his alledgedly volatile nature.
"The Boss is headlining one night, we're playing second on the bill the next night and Kylie's headlining the Sunday," says Brandon, charging like a bull through Michael Eavis' as-yet-unannounced line-up with what subsequently proves to be a characteristic gaucheness.
But that lighter is proving elusive. This being America, none of the people hurrying to-and-fro prepping the world for the release of Sam's Town smokes. Manager Robert Reynolds - Bobby Rey to the band - barks into his mobile, booking his band onto eye-wateringly demanding tours. "We're going to make a lot of money," he cackles to himself before switching calls to make a series of stern pronouncements on legal matters. Dave, Mark and Ronnie disappear for a jam session. Artwork is approved, B-sides are decided on and schedules are hammered out.
"I can't find it," Brandon says, finally. But he's not going to be denied the opportunity to underline The Killers reinvention with a puff of smoke. "Let's go to the gas station. I'll have to buy one. It's too busy to talk here anyway."
+
Brandon's black (of course) Volkswagen Touraeg four-wheel drive is barrelling down West Flamingo Road into town. "I was a bell boy there," he says, pointing out of the driver's window at the stucco facade of the Gold Coast casino. "I was working there when we were signed."
Coming from Las Vegas, it is perhaps inevitable that casinos play a big part in The Killers' story; not only is Sam's Town named after one, it was recorded in one, too.
The band began writing songs while on the road with Hot Fuss, turning up early for soundchecks to run through new ideas. On a trip home to Vegas, George Maloof, a hotelier known for cultivating famous friends, invited them to record the album in the new studio he'd built at The Palms, his flagship hotel-cum-gambling den. When the tour finished in October 2005, they returned to Vegas and spent five month finessing the songs they'd sketched out on the road. Then, in February, they decampled to the third floor studio at The Palms and recorded Sam's Town over 11 weeks.
Producer Flood (U2, Depeche Mode) encouraged them to experiment. They overdubbed, fiddled with synthesizers and played with new equipment. It took them five weeks to get the backing vocals right. The band sang the harmonies, then double-tracked them four times. The end result recalls Queen wondering, "Is this is the real life? Is this just fantasy?" When Ronnie, a trained classical percussionist, brought some kettledrums down, eyebrows were raised; but the fabulously bombastic coda on Why Do I Keep Counting? vindicates his indulgence.
"That's kind of the Ben Hur of the album," he says. He's not wrong. Sam's Town is a record on an epic scale. "Yeah, it has drama," he continues. "But, at the same time, I think it's a little more exposed than Hot Fuss. It's a little more naked. Last time it was about a lot of fictional things." By "fictional", Ronnie means that Hot Fuss wore its predominantly British influences for all to see. Brandon's taste in music is rabidly Anglophile - he constantly references The Smiths, The Cure and Joy Division - and it showed. By contrast, Sam's Town is an unequivocally American record. The lyrical imagery is pure American dream - cars, girls, wide-open spaces and escaping to a better life. "We're burning down the highway skyline/On the back of a hurricane that started turning/When you were young," sings Brandon on When You Were Young. That's the basis of the Springsteen comparisons then, though the lack of pathos more closely recalls another blue-collar rocker from New Jersey - Jon Bon Jovi.
The phrase "this town" recurs throughout the album, and it's always receding into the distance as The Killers escape to a new life. "This town was made for passing through/I never did get along with everybody else," sings Brandon on This River Is Wild. On Read My Mind he "never really gave up on breaking out of this two-star town", while on the title track he offers something of an explanation: "Nobody ever had a dream round here."
"With the first record, there was this feeling that there was this world out there that we didn't know," says Mark later in the day. Before The Killers, he studied philosophy: now he's their quiet one. "We wanted to get out and away from this and be somewhere else. We hadn't had a lot of experience - hadn't travelled much - then we were gone for three years. We didn't sit down and say that we wanted to make a record about how we're glad to be home, but that's what happened naturally."
It's not an angsty record. The Killers have already escaped with Hot Fuss, and, having done so, they view the experience fondly now they're back. There's a mistiness to Brandon's eyes as he explains how the album got it's name.
"Sam's Town is a casino on the edge of Vegas," he says. "I grew up in Henderson, which is out on the way to the Hoover Dam. My mom and dad lived in a trailer park, and my dad used to hitchhike up and down Boulder Highway, which is the only way you could get to Vegas. Sam's Town was the first thing you saw on your way in to town. So, when you're driving down Boulder Highway from Henderson, I always thought you finally knew you were getting somewhere when you saw Sam's Town. It was kind of like a beacon."
"It's not a completely American album," contines Brandon. "We still have our English influence, but we're also from the Wild West. Somehow we've managed to unify all that on this album. it's just such a perfect resemblence of what we are."
At the petrol station, Brandon rummages through the glove box looking for change to buy a lighter. "This is a great album," he says, pointing at Highway Companion, the latest from iconic American rocker Tom Petty. "I've always been a big fan of his. He's such a great American artist."
Yes, Brandon: we get the point.
+
When Brandon finally lights his cigarette, he smokes it awkwardly, like a child mimicking something he's seen the grown-ups doing. However, when he cheerfully admits that, "I feel the same mentally as I did when I was 12," it's not a knowing nod to the fact that he sometimes behaves like a loveably precocious child, but a reference to an unusually comprehensive grounding in pop music at an early age.
When Brandon sings about "this town", he doesn't mean Las Vegas. He means Nephi, Utah or Henderson, Nevada, where he spent his childhood. His parents are Mormon and he is the youngest of six children. "I was a surprise," he says. "I've got a 42-year-old sister." If he was issues about his "surprise" status, he chooses to gloss over them. "It turned out perfect because my brother was a teenager when I was a kid," he says. "He would bring home things like Rattle And Hum by U2 and I would watch it. I remember he bought Live In Dallas by Morrissey. It was always him watching these things, or his door was shut and you'd hear The Head On The Door by The Cure blasting through the house and rattling the walls."
The Killers were formed when Brandon answered an advert Dave had placed in a local paper in late 2002. Dave cited Oasis as a big influence; Brandon had seen them play recently and responded; and, as Dave has said in previous interviews: "He was the only person to reply to my ad who wasn't a complete freak." However, the band was born in Brandon's brothers bedroom.
"His room was like a shrine," enthuses Brandon. "It was a holy place. I wish I could show you a picture of it. It was covered in posters. There'd be a big picture of Elvis wearing a bow tie that just said 'The Smiths' [the artwork for The Smiths 1987 single Shoplifters Of The World Unite]. You had The Cure wearing face paint [the artwork to The Cure's 1985 single In Between Days] - all that kind of stuff. I remember Morrissey being on the cover of the NME, with the halo [from 1985] - stuff like that. You just wanted to know about these people 'cause they were so cool. My brother seemed like such a cool person. But he was a teenager, so he wasn't going to be that nice to me, a kid."
Brandon was fascinated by his brother's collection of music, magazines and posters, but he was denied access to them - officially, at least. "I would sneak in," he says. "I knew he'd be angry if he found out, but I would go in as soon as he left the house." For a long time Brandon was too scared to actually play anything. "That didn't come 'til later. I just used to go in there because I liked it. Then I got to the point where I'd actually take a tape out and put it in. It took more guts to do that."
It was a life-changing moment. "I was ten and the first song I played was Sing Your Life by Morrissey. I remember dancing about to it."
The lyrics to Sing Your Life include the lines, "Sing your life/Just walk right up to the microphone/And name all the things that you love/All the things that you loathe." It's intriguing to wonder what Morrissey makes of the neophyte he inspired with these lines.
Eventually, Brandon inherited his brother's tape collection. "It was around the same time CDs started coming out in a big way. He started buying CDs and gave me his tapes. And that was it: it took off from there. I got a hundred of the best albums - all the New Order, all the Morrissey, all The Smiths, The Beatles. I started buying posters. I went to see The Cure in concert. It was just kind of a continuation of my brother. And it was nice because, though my parents were strict, they were already used to it from him. There was no, 'My dad doesn't understand me,' or any of that kind of stuff. My mum likes The Smiths."
Brandon was 13 and his favourite band was late-'70s/early-'80s American new wavers The Cars, and particularly their jaw-droppingly catchy 1979 single Just What I Needed.
"I wouldn't exist without that song," he says. "That was the one. I remember driving around with my mum when I was 13, and we're living in Nephi - a really small town - and I felt so cool when I put that song on. Like: 'I have something that none of these kids I'm going to middle school with tomorrow have.' That excitement is what music's about, isn't it? That's why I understand the mentality of people that don't like us because we've sold so many records. I used to like it when no one else knew about a band. So I get that - I do."
+
Brandon's first band was called Blush Response. It was never going to work out. Not because he refused to move to Los Angeles with them, but because he is utterly - comically - shameless. He's given to making outrageously boastful statements like: "It's not like the '60s, '70s and '80s now. There are only a few bands around that are really good, that just do it. I mean, there's what, five or six of us?"
For the record, in Brandon's estimation, those bands are Franz Ferdinand, Razorlight, The Strokes, The White Stripes, Yeah Yeah Yeahs and, of course, The Killers.
"I don't want people to think I'm lumping myself with other people just to make us sound cool," he says. Really? It sort of sounds like you are. But he just steamrolls through it. "Yeah, but you know what I mean," he says, grinning at his own cheekiness. He's so disgracefully forward you can't help but laugh along with him - Oh you are awful, Brandon! But joking aside, The Killers are the most commercially successful of all the bands he mentions.
Later, back at the rehearsal space, the band run through Sam's Town at deafening volume in preparation for the forthcoming tour - first the US, then the world. The infectious, almost contagious, chorus of When You Were Young sounds fabulous, as do the U2-like guitars and Twin Peaks synths of Read My Mind. Meanwhile, Smile Like You Mean It and Somebody Told Me benefit from the newfound harder edge.
They somewhat heavy-handedly underline the new direction by playing Paranoid by Black Sabbath and Get It On by T Rex. That's the thing: The Killers are not a subtle band. Their songs are like a wet kiss from a girl who's a bit too drunk. They are big and brash, and not everyone loves them for it. Mr Brightside and Somebody Told Me might go down as well at hip nightclubs as they do on the festival circuit, but the DJs play them with the same guilty look they wear when playing a pop record.
"I hate that," says Brandon. "Like writing a song you can hum somehow cheapens it? It makes me think of this quote by Morrissey. Everybody knows how he read Oscar Wilde, Keats and Yates when he was growing up and that he wanted to be a writer. He was talking to this journalist who asked why he hadn't become a writer, and Morrissey said: 'What I do is more powerful than what you do because I can write down these words and you get it to a melody. How can you beat that?' I'm of the same opinion. I don't understand why a good melody that's memorable is a bad thing."
Being dismissed as pop particular aggrieves Ronnie. "When we first came out we got compared to Duran Duran all the time. Jesus Christ! We got a keyboard player now all of a sudden he's Nick Rhodes! Come on!"
"The people who criticise us for being too poppy don't get it," agrees Mark. "I think that's the problem with a lot of rock music. People are afraid to write a song any more. Either that or they can't. And that attitude hurts music in general. The best bands ever have all written great songs. You can still do it and do it intelligently and it can be original. This isn't a studio creation with a producer writing these songs for us. We're not Avril Lavigne, or something like that. We're a real band writing real songs, just like a punk band would do, except that we write pop songs."
You get the impression that The Killers knack for showboating pop hooks that border on vulgar is inextricably tied up with the brazen side of Brandon's personality. But while his ebullient charisma, not to mention the songs themselves, mitigates his outrageousness, there is a less attractive side to his ego. He has a combative streak. He can't resist taking pot shots at emo bands, notably Fall Out Boy, whith whom The Killers share an A&R man.
Has he heard how many emo kids it takes to change a light bulb? "No." None. They just sit in the dark and cry. It's a full 30 seconds before he stops laughing. When he does he admits: "Yeah, we've had problems with other bands. You know, when you walk in the room it's like..." He whistles the theme to The Good, The Bad And The Ugly. "We're like gangs."
And while the other members of the band are diplomatic on the subject of Brandon, you don't have to read too deeply between the lines to conclude that there have been internal issues, too.
"Some people will think Brandon's the big genius," says Dave, visibly bridling. "There are songs, such as Why Do I Keep Counting?, where he's written every note. But there are others, like When You Were Young, that were more of a collaboration - like Mr Brightside, where I had some of the music and Brandon came up with the lyrics. We always have arguments about who wrote what. The truth is that we all help in that process."
When asked how success affected them, Ronnie says: "There were certain things that needed adjusting. When you're on tour for two years, people can get a little needy. It doesn't help that you're surrounded by yes men and everybody's working for you. At times we've had to say, 'Who do you think you are?' to people. No one wears the trousers, but some people would like to. I think if it wasn't for the people in the band kicking each other in the ass... Let's just say there was some ass-kickin'."
It doesn't take a genius to work out whose ass needed kicking most often.
+
It's the following day and The Killers are back at their rehearsal space. The topic of discussion is what to wear in the video for Bones, the second single. It's a big deal: the director is Tim Burton. "I feel like Frank Sinatra when I sing it," announces Brandon. "With maybe a little bit of Morrissey and a little bit of Elvis, too."
Of course he does. But if securing the services of Tim Burton tells you one thing, it's that The Killers are about to get even bigger, perhaps even make the leap to the same level as Coldplay et al. Already stars, they are about to become superstars. Brandon can hardly wait.
"Do you know that Rolling Stone didn't want to put us on the cover last time," he says indignantly. "They didn't think we were stars. We sold five million albums! What more do they want from a band?"
Whatever was required, Brandon would be happy to do most things. "I'll do stuff that some people don't want to do, 'cause I want people to hear the music," he says. However, even he has limits. "The Rolling Stone thing made the record label think: 'What can we do to make them stars?' If I go on vacation with my wife, do they have to send somebody to be there to take pictures of me? Is that how you become a star? I don't want that. I walked down the red carpet one time and I realised I don't like it. But you don't have to walk down the red carpet for people to hear your music. We do still have some of that indie blood running through our veins."
He heads off at a tangent: "When you walk around Liverpool, you think of The Beatles, or you go to Manchester and you think of The Smiths or Oasis. I want you to come to Las Vegas and think of Sam's Town. And I think we've started to capture that, which is a truer version of The Killers, 'cause that's where we're from."
He pauses.
"I used to live across the street from Sam's Town. Maybe it'll be like our Abbey Road where people go to take pictures."
Is that what he'd like?
"I wouldn't mind it," he says, desperately hoping it will come true.
He puts a cigarette between his lips, looks down at his trouser pockets and pats them in search of the lighter he bought yesterday.
"Hey, I don't suppose you've got one?"

Great movements are organized. This subreddit is excellent and has made a huge difference, so we need to continue the movement on other platforms. I will be tweeting a shit ton tomorrow on this subject with the idea of driving more engagement and giving a catchy slogan to this movement.

FFIEDOM

Hello everyone this is my first reddit post but I am literally that mad. This lady just came into my store wanting to pick up an order that she had placed 2 hours before literally 15 minutes before closing. I told her that it would be ready tomorrow (as the confirmation said) or we could cancel the order and she could buy it now. She got all kinds of pissed off and called me a b**** and walked off saying she was going to get the shirts anyway and when she got back I was going to have to figure it out. She then demanded a manager when she got back (I'm a keyholdeassistant manager) and when I told her I was a manager she told me to get a "f***ing better one. So I called over the more senior keyholder who freaking rolled over for her! I was minutes from telling her she needed to leave and try again tomorrow. And in the end they still ended up canceling the order and just buying the shirts. I am so angry and I feel like I don't get paid enough to be spoken to like that ya know? I also feel like Joanns attracts these types of people. I have been yelled at before but this is the time that may have just broken the camels back. Anyway thanks for listening to my rant!

Okay I really like this one boy at school (we’re both seniors in HS). We have no classes together and we haven’t talked since last year (jr year we sat together and had a good time). We’re still friends?!?!?(sort of like i said we haven’t talked in a while). And whenever i see him i don’t say hi or wave or even smile. I act like he doesn’t exist to me. Sometimes i feel like i catch him looking(but i could very much just be delusional)I really like him and i really want to talk to him but idk what to say. Especially since we haven’t talked and he’s a pretty reserved and quiet guy ( I am not. I’m very chatty, maybe too chatty) I don’t know if he likes me( even as a friend) and i don’t want to ask for him number because i’m scared ( i already have his IG he followed me back) but like i said i rlly like him. We are both graduating soon and i was thinking he wait until then, but i want to do it now?!!? I guess i just don’t know what to say to even be friends when we haven’t talked all year and i’ve acted like he doesn’t exist( because he makes me nervous and i’m scared) somebody help, pleaseeee. Write me a script or something and tell me how to deal with rejection. I’m not ugly i think if i were to be honest with myself i’m prettier than average but not pretty enough to be gorgeous. He’s a skinner guy and ima thicker girl(wear a M-Xl depending on the shirt) My body isn’t the best i know that, it’s been through a lot because of some medical issues i’ve had since childhood. I feel like i’m not his type either and if i were to date him i’d be an experiment. I’ve seen his type and his type isn’t me but he’s never lasted with any of them so….. idk. maybe it means something. I just need some advice. Everyone tells me to just go for it but i’m scared of rejection because of past experiences.

The whole white shirt thing. I grew up at a time when people used to wear colored shirts to church. The fact that general authorities enter a room based on seniority, The whole hero worship of the beloved profit, Don't stand up until Bednar stands, Then of course the temple!

I’m very depressed and low currently - I don’t need Reddit Cares or a referral. I need solid advice from post-menopausal women and other folks 50+ I have asked for advice in some subs and being a relatively regular Redditor I did not expect the anger and mean responses. If you have a mean response, please choose instead not to respond.
For those willing to give solid advice: I am on the verge of what could be a new chaptephase of life and I want to prepare now to enter it well and rebuild myself through it.
I am currently unemployed, this most recent period of unemployment has been 5 months. I am in week 3 of a 6 week recovery from a total abdominal hysterectomy. The week prior to my surgery I took a 5 day in person Level 1 RV tech service class co-sponsored by RV Technical Institute & RV Women’s Alliance - both of which I learned about via Reddit. Apparently there is high demand for RV techs and while the entry salary is $40-50K when you are certified you can make 6 figures (entry and later have 401K match - this is important to know later on). They work M-F 40 hours, no weekends. Day 4 of class I was verbally offered a job - they are waiting on my doctors clearance to work. I loved my time meeting these folks and learning the industry. I passed the class and its exam, and the job offer company offered to pay for the remainder of my certification.
I applied to take the Level 1 class because I want to RV part-time. I don’t yet own an RV, I watch a lot of YouTube & camped about 3 times in my adult life. I love being outdoors, I wanted this to become a post-retirement hobby. I’m thinking Class B van. When I became unemployed, I considered what are the best opportunities of things I enjoy to make lifelong income?
As this was happening a statewide nonprofit offered me a job right away - I applied for one job and they considered me for 3 roles, they are putting me in the highest paying role of the 3 (about $80K, 401K employer match, fully remote but must reside in-state). I am happy they are excited about hiring me but super leery due to my recent past. This job is in my career field and a very different role. 2024 is my 31st year in my career. Almost 4 years ago, the onset of severe perimenopause symptoms upended my entire life. I had just left my job of longest employment of 8 years (began at 55K, left at $68K) for another job in the same organization that paid $115K and seemed like a reach. It was, I wasn’t a good fit and I quit 8 months later. Over my 8 months unemployment without benefits I decided to sell my house I’d owned & lived in 7 years to a broker, allowing me to break even and move out quickly (I had no help moving & moved myself). I took another job as I moved in with family, that job ($70K) would have been perfect but the org foundemy boss was not willing to do what was needed and necessary to make the job manageable and practical. I quit 8 months later and was able to secure unemployment benefits.
The new statewide nonprofit job asked me candidly about my last job -I was honest about my shortcomings & contributions, as well as the environment. I encouraged them to contact my references, who know my shortcomings and how a truly developmental environment would aid me in finally overcoming them. They are still excited to finalize the job offer. I expect they will by this Friday & then I will contact the RV company declining their job offer. But, I want to stay close to RV’ing.
I also am launching a lifelong side business based off of lessons learned from what I most enjoyed about my career in community development - I will soft launch in June with a hard launch planned in early 2025, it’s a virtual space as I want my work from now on to be home-based and/or fully remote; and I am getting through these tough baby “how to start an LLC in my state” baby steps.
I am never married, no kids. I last dated in 2004. I had a 17 year FWB 2004-2022. I tried an international non-denominational church on and off from 1996-2002, 2011-2014, and 2020-2023. I found that church isn’t really prepared to serve or engage older folks so I am not sure I’ll return & I am doubting joining any church as a senior single.
I am the youngest sibling but the one charged with being responsible for my immediate family. My parents, divorced, are 80 & 82. My next oldest sibling is 58. The three of them are chronically ill. I am healthy & trying my best to stay that way and improve it. My older sibling has lived with one parent for about 4-5 years. I’ve been here just over 1 year. I plan to move out into a housing cooperative apartment ASAP (if approved, their “rent” is a fraction of traditional rent).
I spent my life’s savings & retirement the past 4 years to now. I believe having a community of support will be crucial as I age - if I become sick where I cannot work, there is no one to support me. I never have had friends - I have many acquaintances & 1 friend of 30 years. I have never dated more than 2 years but almost all my exes tried to befriend me after apologizing to me about our relationship. I can think of 3 men whom if I said yes to dating them my life would have been different but I simply did not want to & it’s hard to regret that. I do not believe someone will emerge to date now whom I will be attracted to, who actively wants to be healthy & will be with me in my healing into my best self. That makes me sad and holds me back.
I do not want to be sad so much or depressed so often - it comes from never belonging. I am not perfect, I know my flaws & I try to be honest about them as I work on them (learned that as I began my career & never stopped). But I failed in my view, I don’t have a life where I feel whole & fulfilled. All I have written here are my attempts in progress to rebuild not just my income and life’s savings, but to do so as I build my best life. I tried my best and nothing worked out. I’m taking things slower than I have and I ask myself if what I am doing brings me freedom, peace & joy.
How should I change my view/my mindset as I rebuild? Other specific advice?

I’m thinking of getting a new 1911/2011 carry pistol and trying to decide between the ported version and the non ported version. How many of you have a ported pistol and do close quarters work or firing close to the body. I have the Bul armory 4.25 tac pro which is ported and when in a short sleeve shirt I can sometimes feel stuff hitting my arm. Firearm comes with ports at the 2-3 and 10-11 position.

This is a long story. Sorry in advance.
Here's a little background. I'm 20 Male, and living in the US. I've been in the truth since I could remember. Some of my memories aren't the best. Some are good as well.
I think being a witness is hard especially when we're kids. When I was 7, I wanted a action figure set of ben 10 toys. It was around Christmas time and I had a glimmer of hope for a big Christmas tree with presents. I know it sounds dumb, but I was 7. I had went to the mall and just wanted a Christmas miracle. I woke up on Christmas day and ran downstairs. There was nothing there except a gray light from the windows.
Another time when I was 8 was when I got invited to a birthday party. It was to a trampoline park, and I was excited. I ran home and handed the invitation to my parents. The invite came in a nice goodie bag with sweets. My parents took the bag, threw all the contents inside, ripped the invite up and threw it away too. I got a lecture about birthdays and such. As time grew, my love of birthdays died slowly and painfully. Like someone took my joy and slit its throat, my hope in birthdays and such died a painful death, slowly bleeding out.
When I was at school, parties sucked. I couldn't celebrate birthdays. When my classmates had birthdays, I wasn't allowed to have any of the snacks. I couldn't have cake, brownies, or cookies if it was associated with the birthday. I grew up not being excited for it at all. I felt numb on my last birthday. All I did was drive around aimlessly while doing errands. I think I got a new shirt? But I just stopped loving birthdays. When the class had any holiday party, I wasn't allowed to be there. I was sent away to one of the following places:

1. Hallway
2. School Library
3. Cafeteria
4. Front office

A small consolation was that the librarian would let me play on the computers, but most of the time I did homework early or just read books. I slowly saw more of the world, and it opened my eyes. I think that woke me up was when I was starting middle school. I met people who were LBGTQIA+, and I saw that not all people who weren't witnesse were bad. I questioned it more and more over the years.
When I was in high school, I got in trouble for unkept facial hair every week. I would get scolded every Wednesday and Sunday. When I was a senior, I discovered I am pansexual. I've had it hidden for years now. I'm afraid my parents will kick me out when I tell them I don't want to be a witness anymore. Do you know how bad it has gotten? I have done the following this in secret:

1. Got a new cellphone with my own phone plan and transferred all my stuff over so I won't have to worry when I move out.
   
2. Gotten an apartment that's insured. Paid the deposit and rent no problems.
   

2.B. I got the apartment partially furnished and with utilities on.

1. Looking for a car and insurance so I can fully move out.

Being a witness sucked. I had no life. Endless Saturdays of me preaching stuff. I hated myself for speaking against the LBGTQIA+ community. I spent most of my Saturdays and Sundays in a suit, handing brochures. All I wanted was to make my parents proud, but all I've done is gotten bits of praise with scorn. I'm not a Saint by any means. I've done dumb things, and I can acknowledge that. But to tear the spirits of others...its unforgettable. When I was 19, I was talking to a friend who was a witness. When we talked, she admitted to being sexually assaulted by fellow witnesses. When she tried to tell, it fell on deaf ears.
My advice to all witness kids wanting to leave? Run. Save up and become who you are meant to be. Because if you stay, a apart of you will die, and it's not coming back. I personally saved up money from my job and had decided to move out by summers end. Thank you.

Has anyone left the industry and returned?
I have been licensed since 2011 and worked as an esthetician at a day spa, hotel casino spa, and wax studio for 2 years following that. I went back to a 9-5 and have been climbing the ranks ever since. I went from making 24,000 at a 9-5 in 2016 to 57,000 a year…but I hate it. I feel so unfulfilled. What I LOVED about esthetics is working with the clients (when the senior esthi’s weren’t moving them from my books!) what I disliked, and made me leave the industry were the other therapists, so bitter, catty, and just straight up mean. I’ve the last 3 years I have been going back and forth with myself on whether or not I should dip my toe back in and return to the treatment room. Money is a big factor in that, it’s not like I am making gobs of money, I just feel like I have worked so hard to get where I am that I am afraid to let that go.
Has anyone experienced anything similar? Did you return? How did it go?
Any advice would be helpful.

FYI, this is a story COLLECTION. Lots of standalones technically. So, you can basically start to read at any chapter, no pre-read of the other chapters needed technically (other than maybe getting better descriptions of characters than: Adam Vir=human, Krill=antlike alien, Sunny=tall alien, Conn=telepathic alien). The numbers are (mostly) only for organization of posts and continuity.
OC Written by Charlie Stastarrfallknightrise,
Typed up and then posted here by me.
Proofreading and language check for some chapters by u/Finbar9800 u/BakeGullible9975 u/Didnotseemecomein and u/medium_jock
Future Lore and fact check done by me.
Caution swearing!
Also, god I love you Conn… please never change!
Previous First [Next](link)
Want to find a specific one, see the whole list or check fanart?
Here is the link to the master-post.
"Both of you get your suits back on."
"What the hell is going on!?”
Richards demanded, Adam took a deep breath,
"Captain Richards that was not an opening for a discussion, that was an order. Now put the damn suit on, or I swear I will knock you out and do it myself!”
The three of them were floating in the module staring at each other, hands resting against what must have been no more than a few millimeters of aluminum.
He stared at them, and they stared back.
Adam did not break eye contact with the two, willing them to do as they were told. Chavez was the first to move, hurrying over to her space suit and struggling to pull it on in a near panic as bright lights flashed from outside. Inside his heart was pounding but he tried to remain calm for the two standing before him.
He hurried over to help Chavez pull on her gear, finally sealing the helmet in place as Richards finally moved to do the same.
Adam helped pull the hard torso over the man's head and link it to the waist before helping him pull on his gloves and, eventually the helmet. Before he let go, he kept hold of Richards by either side of the helmet staring at him through the glass,
"I promise, if you listen to me, I will keep you safe."
He kept eye contact with the other man until Richards finally nodded, and Adam let him go to float over and put on his own suit. His hands were steady, for now, but he knew as soon as the crisis was over he'd be shaking like a leaf.
If he survived…
He gritted his teeth, cursing himself for thinking like that.
He was Admiral Vir for crying out loud. He had survived far too much to go and die now.
He returned to the helm of the command module as he looked out the thick window at the lights flashing on either side of them. Despite the war that was raging around them, everything seemed so strangely quiet. There was no sound no rumbling, not even a vibration as one of the jets flew past. Despite being at the controls of the vehicle, there was nothing he could do. They only had a certain amount of fuel to get them to the lunar surface, and if he wasted any of it at all, they would be either caught in orbit, or miss the moon entirely.
He had to keep his cool.
Another bright burst of light lit the window to his right. This one was closer this time.
His heart leaped up into his throat.
Richards and Chaves joined him buckling into their seats.
"What is going on?”
Richards demanded again, his mike distant and tinny with the sound of very old technology.
"I believe Anti-Alliance forces are attempting to assassinate me. They have been trying for months now, and I think they are being encouraged by very powerful members of the government."
They watched as another set of ships zoomed past.
He saw a flash of a silhouette, just enough to know that one of them was a Thunderhawk and the other was a silver Rundi drone.
It confirmed his worst fears. The Chairwoman had been behind this the whole time!
[…]
Red nearly collided with the rocket. The Thunderhawk had pulled up the last minute, but he had almost been too late. He jerked the stick to the side, throwing up his wing just in time to avoid hitting the rocket as it made its slow way through space. He dove down on the other side forced to break off pursuit and cut in front of another Thunderhawk coming in from above. He made to look like he was going to ram them, playing a dangerous game of chicken, which he won at the last second as the other pilot panicked and cut to the left.
There were too many of them. Only five out of the original twenty had been destroyed, and he and the rest of their pilots were busy just keeping the thunder hawks away from the rocket, much less to have any time of firing at them. He had sent one of his people down to earth and one of them off towards the moon for backup. The moon was still hours away yet, so the hope that some help would be sent from them was unlikely, and even the woman he had sent down to earth's surface was cutting it close.
He didn't have much hopes that they would be able to hold out that long.
Inside the cockpit his warning lights began to blink and blair as one of the other jets got a lock on him. He rolled right to avoid them and dove down, cutting off the lock but still being pursued by those behind him. Up ahead he saw one of the silver balls erupt into flames as it was targeted by an expert hit from one of the Thunderhawk pilots.
He rolled right.
Someone else rolled left. He cut up just in time to avoid being hit and raced forward to cut off another Thunderbird that was heading directly towards the rocket.
[…]
Eris hurried down the hallway, her knees screaming as she did her very best to sprint, but despite her human anatomy, she was a little too much like a starborn.
With a cry of frustration she reached up and tore off her hoodie, throwing it to the ground and engaging her anti-gravity belt. The ribbons on her back billowed out behind her.
Light spilled in from the windows on either side of the catwalk she was now on, filling her with a buzzing energy that she could feel radiating through the ribbons like electricity. She knew from her study of starborn that they could travel at thousands of miles an hour in the vacuum of space, especially when under the power of a star. She didn't think she needed to go THAT fast, but anything would be better than what she was doing now.
As if in response to her will, she suddenly began to glide forward, picking up speed as she swooped towards the end of the hall, wind catching her in the face and roaring along her cheeks. With her starborn skin, she barely felt a thing as she raced around the corner and out of the waiting door. Two men dressed in military ACUs dived to the side as she blew past them crying out in alarm and confusion as the "Alien" floated by.
Somewhere distantly, she could sense Conn racing in the opposite direction towards the base.
Sunny and Admiral Kelly had Admiral Massie in their custody and were dragging him out into the hallway.
She blew across the open ground her ribbons snapping and billowing behind her as she did. She didn't even have time to imagine what she looked like as she roared over the open field and towards the waiting news vans which were just beginning to pack up their things. They were close to leaving, but she set out a sharp hard telepathic pulse ordering them to stop.
Compelling them to stop.
They froze in their tracks and looked up to see her coming.
Someone scrambled to turn on their camera, not sure what was going on but sure it had to be something good.
She tried not to think about what they would see as the camera flared to life following her approach.
"Make us live."
She ordered,
The news people glanced between each other in confusion,
"But no… we aren’t-"
"What are-"
She came to a sudden jolting stop before them, her billowing black hair fanning out behind her like a curling halo.
"I said, put us on air."
This time the telepathic pulse was too strong to resist. Mostly that, paired with the fact that none of them were sure they really wanted to resist. She was way too interesting to pass up.
They hurried to do what they were doing, and Eris was given just enough time to feel nervous before the camera was turned to her.
They were live.
She read it in the minds of those behind camera who she cut off as she began to speak,
"Citizens of Earth, there has been a horrible conspiracy against you. The UN president has ordered the assassination of Admiral Adam Vir and has continually attempted to sabotage the mission. Just now General Massie was taken into custody after ordering the deployment of twenty Thunderhawk’s to harass the rocket and make its destruction look like some sort of collision with space debris."
The group gawked at her as she raised her hand with the small silver device and began playing the recording.
She knew something like this would never be admissible in court. She was pretty sure it would be considered entrapment of some kind, which is why it must be heard now, before everyone, so that the actions of the president could be judged by a jury of the world where it could not be hidden by political machinations.
"Communications have been lost with Apollo 11. And it is... Well... It is likely that he is already dead..."
Her voice broke,
"No matter what happens, I need you, and this nation to understand what is happening before it gets swept under the rug. I saw it with my own eyes, heard it with my own ears and experienced their meeting in the thoughts of a man who is both xenophobic and hateful to his own humankind."
She kept talking trying to give them all the information she could, spilling thoughts she had heard in the head of the UN president and General Massie alike. Every meeting, every liaison, every name until her voice was beginning to crack.
[…]
The UN president was just standing to enter her vehicle when a slow muttering began in the crowd behind her. She turned as the ground before her went silent.
She watched as a wave ran through the people. A wave of nudging and whispering and showing off news feeds they had pulled up on their wrist implants. It wasn't long before the entire crowd was either staring down at their arms or clustered around someone else for viewing.
"What is going on?”
She wondered, turning to one of her men who was staring down at her own wrist.
"Madame president?"
He said with a look of confusion.
She could hear it now.
"Her and General Massie have ordered members of the UNSC to adjust funds in order to hide the twenty Thunderhawk’s they were squirting away for just such an event."
She hurried forward, grabbing the secret serviceman by the arm, staring at it as she watched the streaming newsfeed and the freaky white alien with the large dark eyes and flowing black hair.
"She is afraid of aliens, she wishes to isolate and eventually use humanity's superior forces to overtake trade in the galaxy, forceful if need be."
The muttering behind her had turned into an angry grumbling, and she turned to see the eyes of hundreds that turned towards her.
"Get me out of here."
She hissed. the Secret Serviceman took a step back with a look of confusion and indecision on his face.
"It's your job."
She snarled, but he just stared at her.
She hurriedly ran over to her car as the crowd began to filter in around them pressing close. A few of the secret service men pulled guns, but a large majority of them were frozen with indecision and were taken over by the crowd. She scrambled into the back seat of her vehicle and slammed the door shut screaming at the driver to get moving.
The crowd was surrounding them now, pounding at the glass.
She could hear their angry voices raised for her to be heard behind bullet proof glass.
Outside, she watched a lone figure step onto the platform where the lectern was and stare at her with its beady black eyes. The Chairwoman of the GA stood over the crowd like it's filthy alien lord.
And even though Rundi could not smile, she could swear it was smiling.
[…]
Baby K hit a rough patch of turbulence coming down from the atmosphere. She struggled with the controls as she was thrown left and right inside the cockpit of her rickety shuttle.
Donovan Red had ordered her down here to grab the UNSC, but she was so scared and full of adrenaline that she had dropped it at too steep an angle. The ride was much bumpier than it was supposed to be, and her teeth were rattling inside her head.
Just then two Jets suddenly cut in behind her out of nowhere, and she heard her console beep and warn her about a lock on, making it clear that she was just one click of a trigger away from imminent doom.
"This is Eagle Dispatch One, unidentified vessel, you have crossed into restricted UNSC airspace, identify yourself or be destroyed! You have ten seconds to comply, over."
She scrambled for her communications, but her fingers felt as stiff as wood as she scrambled for the button.
"I repeat, this is Eagle Dispatch One, unidentified vessel, you have entered restricted UNSC airspace, you are ordered to identify yourself or be destroyed. Five seconds remaining. Over."
She slammed her first into the comms button nearly panicking,
"UNSC!"
Her voice was rattling,
"This is B-baby K, and I... The Apollo 11 is under attack!"
She was breathless as she forced the words out.
There was silence over the coms,
"Say again? Uhm I mean please repeat over.”
"Apollo 11 is under attack!"
”…”
”…”
More silence,
”Roger that. Please stand by. Over."
The lock lifted and the two jets pulled up to the side of her, staying close now.
She recognized those jets as two F-90 Darkfires.
They stayed by her side for a moment, and as close as they were she could see one of the pilots fidgeting with the coms, talking and wildly gesticulating, while his copilot was beginning to wildly flip switches.
Meanwhile, a second voice came in over the coms.
"On your left! Eagle Dispatch Two here, unidentified vessel, please land on UNSC base airstrip one. Just contact the control tower once you get close for guidance and instruction."
Baby K looked over into the other jet, just to see the pilot adjusting his helmet and clicking an oxygen tube to the front of his helmet. His co-pilot had already put the additional oxygen mask on and was also flipping switches.
”Uhm aren’t you going to escort me?”
Baby K managed to blurt out in confusion,
”Godspeed Baby K, Eagle Dispatch Two over and out.”
Both men in the jet to her left had apparently finished their preparations and gave her a quick salute.
Then suddenly, both jets adjusted their angle and cut engines, before switching to their big fusion engines, rocketing them up and out of sight within seconds.
[…]
So far it had been a relatively quiet day at the Ellington Field Joint Reserve Base. Most of the air traffic had been canceled due to the launch of the Apollo mission, so there was not much to do, leaving much of the Airport less staffed than normal.
In the Air Traffic Control tower of the base, only two men were working. Though “working” was stretching it, considering Senior Controller M. Fredrick was currently in the middle of his book (though he was at least in front of his station) and his comrade Senior ATC Instructor A. Millard was currently sitting in a corner, watching a movie on his implant.
”So what are you watching? One of those old Star Wars movies?”
”You bet! Those are the best! By the way any info on that “lost civilian” who got into our airspace?”
”No not yet, though I sent Eagle Dispatch and told them to be extra unfriendly, that will scare these civilians off for sure!”
”Pffft, why couldn’t they watch the start like any other person? There is always some dumb rich kid doing dumb stuff with daddies private shuttle… I don’t understand why we always let them off with a warning…”
The console started beeping,
”Oh look that’s them now!”
”Put ‘em on speakers!”
”Will do!”
…
”ATC this is Eagle, come the FUCK in!”
Fredrick rolled his eyes,
”Ahem… This is Elling Field ATC, calling Eagle Dispatch One. We hear you, over.”
”ATC what the FUCK took you so long!?”
”Ellington Field ATC, to Eagle Dispatch one, firstly: language, secondly: please follow standard radio rules, over.”
”THE APOLLO IS UNDER ATACK BY HOSTILE ELEMENTS!”
”Ellingt-WHAAAAT!? Repeat please! Over!”
”THE APOLLO IS BEEING ATACKED BY HOSTILE ELEMENTS! REQUETING IMMEDIATE ASSIST!”
Fredrick just stared at Millard dumbfounded. As the senior officer Millard was quick to collect himself and jumped up and towards his console.
”What are you waiting for Fredrick! Are we blind!? DEPLOY THE GARRISON!”
Fredrick ignored all protocol and just flipped the switch to connect his comms to every recipient available.
”ATC to all personnel and everyone who can hear me, the Apollo is under attack, I repeat, the apollo is under attack. I want all available planes that can reach the outer atmosphere ready ASAP! Get the darkfires on the runway I want them in the air yesterday!”
[…]
Conn raced towards the airstrip, feeling the wind in the ribbons at his back. He couldn't go nearly as fast as he wanted to with air resistance.
Why the hell did Adam always have to get into so much trouble, why did he always have to be the center of attention!?
Everyone either hated him or loved him, but the problem was people who hated him also wanted to kill him.
Why did he have to be so controversial!?
Why did he have to be hated for something that was such a big deal. Why couldn't he be hated for having controversial political opinions. Conn paused…
On second thought, controversial political opinions were kind of what had gotten them here in the first place, so he guessed that was kind of a useless comparison. How about being the kind of guy who liked to talk too much about fishing. That was a great way to make people hate you for being boring, but it didn't usually mean that people wanted to kill you.
Maybe they could get the man a hobby doing something that wasn't so controversial…
Like…
Kicking small Animals or…
Cannibalism.
He came roaring to the stop at the edge of the airfield just in time to watch an entire platoon of pilots racing towards jets. He could hear their minds and looked up to see a rather dinky shuttle descending from the sky. He floated forward towards one of the jets as two pilots leaped inside.
He was going to need a ride.
The pilots turned to look at him, but Conn just shook his head.
The pilots decided to ignore him in the confusion and Conn grabbed on tight.
Starborn, he had come to learn, were a very interesting species in comparison to others. Vertically, as in from the top down he was very fragile and likely to break his neck or collapse his spine if there was any kind of pressure, but with horizontal forces, he was practically indestructible. Below him the ship roared to life and soon they were gathering speed along the runway.
His grip was tight, and he used the extra energy from his ribbons to speed himself up along with the jet to reduce the pull on his arms.
His grip wasn't that strong.
They went vertical almost immediately, and he made sure to orient his body in the correct direction as they went hurtling into the sky.
[…]
Red's right wing had been hit. If there had been atmosphere around him he would have been a goner, but there was no air resistance here, so once he regained control of his roll, he pulled back into position and fired one last shot as the opportunity arose. The sixth Thunderhawk was destroyed in an eruption of debris, which he dodged only with difficulty, limping without the aid of the maneuvering jet on the end of his one wing. Things were only speeding up now, the Rundi were almost gone and the pressure was being laid thick on his people. They were hard to hit but the pursuit made it almost impossible for them to do any real maneuvering of their own. He was almost hit again as another Thunderhawk sped underneath him. They rolled this way and that rocking from one side to the other. Flying through debris and over strips of silver metal.
Below them the earth hung as a glowing orb.
Red cut in a wide circle coming in with the sun at his back, using it to blind one of the enemy Thunderhawk’s as he came in. He watched the group of them form up suddenly as a ring around the slow moving rocket, intending quite certainly to rush it all at once. He screamed into the comm trying to order his men around, but it was going to be too late, he could already see it coming.
The jets rushed forward, and he did too, screaming inside his helmet as they went to broadside Apollo 11.
And then with all the silence of space, sixteen F-90 Dark Fires came spitting overhead all at once, raining down a line of ordinance that cut through the group of unsuspecting Thunderhawk’s.
Space around them was filled with a myriad of silent explosions as each and every one of them was ripped to shreds.
All except one…
He saw it at the last moment.
It had been hit in the tail and had gone wildly off course.
It turned sideways, but had just enough force... For its wing to tear straight through the aluminum siding of the rocket.
FUCK!
[…]
Chavez and Richards had been ordered to strap into their seats.
Adam had taken it upon himself to lock down the rest of the main cabin. Outside the flashing lights were like a fireworks display without sound. He grabbed onto one of the rails, forcing equipment back into place, so that if anything happened it wouldn't fly out.
His legs were kicked up behind him as he floated forward reaching for some of the controls as a sudden bright wash of light filtered in through the windows. He heard a scream over his com, and then the air around him was rent with a horrific tearing noise, which suddenly went silent. There was a rush, and he jerked forward as he was sucked back... And out of the ship entirely.
His hands and legs kicked and flailed as he tried to right himself, hearing his own breathing as the only sound as he watched the rocket begin to spin, debris erupting around him as air, and whatever wasn't strapped down was sucked through the small opening.
The rocket was spinning wildly but still on course, while he was spinning wildly in a silent abyss.
Grunting against the force of his spin, he reached down for the controls to the CO2 canister built into the pack of his spacesuit.
He groaned, not sure which way was up or down or back. He tried to right himself against the spin by firing in the opposite direction to slow his spin.
He could see the rocket now spinning in the opposite direction with the sudden loss of oxygen. He hoped the other astronauts were ok. He saw the silhouette of a jet fly past in the distance making its way towards the spinning rocket.
At least there was someone here to help.
Maybe the others would survive-
And then he just… stopped, coming to a confusing halt in the middle of space.
That shouldn't have been right!
He should have kept going forever!
He tried turning his head, but he felt like the pillsbury doughboy in this two thousand year old suit.
What was happening?
"Did you miss me Baby?”
Well shit, now he sort of wished he could keep spinning.
There was a tugging on the outside of his suit, and Conn floated into view in front of his helmet.
"Hey sweetheart."
"You are probably the last person I wanted to see."
He said, though he didn't entirely mean it, and unfortunately Conn knew that too, the mindreading asshole that he was.
”I could hardly let the father of my child go spinning off into space without taking accountability for his family. After al child support is paying way more than widows pension."
"Shove it up your ass Conn."
"No really, not even the vacuum of space is going to save you from your responsibilities. Now, about custody, I was thinking you could have every other weekend and a couple of major holidays…”
He gave a rueful sort of smile as Conn grabbed him by the life support pack and started floating them towards the rocket.
The F-90s had somehow managed to slow the spin of the rocket, and pull it back on course with grappling magnets.
All around them space was filled with debris. No more working Thunderhawk’s were present and those that were were quickly being grappled. One sleek racing jet slowly cruised past them. One of its wings was damaged, but whoever was inside waved with one hand as he rolled past.
Adam lifted a hand as Conn brought him the last few hundred feet to the torn opening in the side of the ship, allowing him to step through.
Conn patted him on the side of the helmet,
"Make sure to be home by dinnertime sweetie."
Before blowing him a kiss and vanishing back out the hole.
Adam floated there, a bit nonplussed for a moment before turning back to the front of the ship where Chaves and Richards were still strapped into their seats staring at him and after Conn. He floated over to strap himself in.
"Admiral! You're ok!”
"Yes, it seems that I am, thanks to a... Friend of mine."
Just then Conn appeared again just before their right side window, and like the classy gentlemen that he was began rubbing his butt up against the glass.
He sighed,
"Friend is kind of stretching it."
"Apollo 11 this is Houston, do you copy!"
The man on the other end of the line sounded close to tears, and Adam hurried to respond,
"Houston this is Apollo 11."
On the other side he thought he heard the sound of voices cheering in relief.
"What is your status, over?”
"We are a bit beat up Houston, we have a tear in our hull, but our suits are ok, and we have help."
"Prepare to abort mission."
Adam frowned,
"Now wait a second there Houston! I didn't get sucked out the side of my own rocket to just quit now. Tell the boys to come up here and patch us up and we can finish the mission. All systems are still functioning, and we are back on course."
He glanced over at the others,
”That is, if the crew wants to continue."
There was a pause and then Chavez timidly piped in,
"I'd be ok with that."
Richards sighed,
"Roger Houston, patch us up."
Granted it may have been cheating. Apollo 11 hadn't had support with special tools that could just patch up a spaceship within ten minutes, but then again the original Apollo 11 hadn't been in the middle of a firefight while on their journey to the moon.
So it was with some trepidation that Houston allowed it, and before long they had air back inside the cabin back up to pressure, but they also had a sixteen-man rotating escort for the rest of the way.
The group of them were even shocked to see Rundi drones join the formation, only to learn that it had been the UN president who had allegedly called the hit on him. It was hard to believe, but they were only getting snippets here and then from over radio and from Conn, who floated around occasionally to rub another part of his anatomy against the window and give them teasing updates.
The moon was growing slowly in their vision.
"Hehe, I can see my house from here."
Adam remarked as they prepared to detach the lunar module from the rest of the ship.
They landed without incident, observed by mobile camera crews and news reporters as he made his own footprint on the never changing dust of the moon's surface. He gave them a thumbs up to let them know he was fine and hesitated only once before setting up the UN flag in the dirt. He refused to let his enthusiasm be dampened by the day's events and hopped around dancing and leaping for joy as another one of his childhood dreams was fulfilled.
…
That was before he plowed face first into the moon's surface and required help from Richards to stand back up again.
They left soon after taking another three days of escort back to earth before strapping themselves in for final entry.
Conn left them just as they were entering orbit with a very big and very drawn out middle finger for all three of them.
"Your friend is super delightful isn't he?”
"You don’t know the half of it, try having a child with him."
Adam muttered, refusing to elaborate even as they stared at him in confusion.
They fell from the sky and landed somewhere in the Pacific Ocean, picked up by the waiting navy vessel who was within nine miles of their landing site. They were fished from the water and returned safe and sound to the ship to cheers and cameras. Adam's legs felt a little like jelly after days of not using them, and he was finally able to relax lying on the deck of the ship under the sun as people ran around them on either side.
His hands shook slowly building up after the stress of the last week. He took long deep breaths and closed his eyes.
The next few days were going to be a real shit show.
And somehow it wasn’t because he was now known as the man who faceplanted on not one, but TWO interstellar bodies…
The media was way to busy with the other story, a massive net of deceit and corruption that would now be uncovered.
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Want to find a specific one, see the whole list or check fanart?
Here is the link to the master-post.
Intro post by me
OC-whole collection
Patreon of the author
Thanks for reading! As you saw in the title, this is a cross posted story written by starrfallknightrise and I'll just upload some of it here for you guys, if you are interested and want to read ahead, the original story-collection can be found on tumblr or wattpad to read for free. (link above this text under "OC:..." ) It is the Empyrean Iris story collection by starfallknightrise. Also, if you want to know more about the story collection i made an intro post about it, so feel free to check that out to see what other great characters to look forward to! (Link also above this text). I have no affiliations to the author; just thought I’d share some of the great stories you might enjoy a lot!
Obviously, I have Charlie’s permission to post this and for the people already knowing the stories, or starting to read them: If you follow the link and check out the story you will see some differences. I made some small (non-artistic) changes, mainly correcting writing mistakes, pronoun correction and some small additional info here and there of things which were not thought of/forgotten or even were added/changed in later stories (like the “USS->UNSC” prefix of Stabby, Chalar=/->Sunny etc). As well as some "biggemajor" changes in descriptions and info’s for the same stringency/continuity reason. That can be explained by the story collection being, well a story collection at the start with many standalone-stories just starring the same people, but later on it gets more to a stringent storyline with backstories and throwbacks. (For example Adam Vir has some HEAVY scars over his body, following his bones, which were not really talked about up till half the collection, where it says it covers his whole body and you find out via backflash that he had them the whole time and how he got them, they just weren't mentioned before. However, I would think a doctor would at least see these scars before that, especially since he gets analyzed, treated and goes shirtless/in T-shirts in some stories). So TLDR: Writing and some descriptions are slightly changed, with full OK from the author, since he himself did not bother to correct these things before.

Context I Avery 19 year old female and Lucy (Not her real name) 18 year old female have been friends for a year. I am a grade above her and we are in the same fine art activity. We are both on the colorguard team at my school.
Our team isn’t necessarily good, but we aren’t bad. (To the people who know Scholastic AA). For some reason Lucy is obsessed with the idea she looks like me. All because of a comment someone made to her. They walked up to her thinking it was me from a far. She has made it her life mission to make herself me.
She was a primary flag on my team and I am a primary rifle. Since I am a senior in school I’m not getting ready for next season. However, my director is making all members who have done at least one season try rifle. Lucy was excited to try rifle saying she can be like me. I thought this was sweet cause she looked up to me, but I was very wrong.
Lucy happened to be really good at rifle. Nothing against her she’s a great person to have on the team, but her ego has gone way up. She’s been making fun of people who drop their rifle or use the wrong technique and she always comes in for reassurance saying things like “Right Avery she needs to slow down her toss or right Avery she needs to put her left hand completely to the side.” It puts me in a position that makes me uncomfortable and i’ve told her to stop.
Lately she’s been dressing like me. She always used to wear a Tee shirt, shorts, and her hair down to rehearsal, but lately she’s been wearing Sports bras, leggings, and pulls her hair into a braid. Just like me. She used to march around saying she hates the color pink (She’s a major tom boy), but now she wears it saying it suits her. She even bought my perfume. I thought it was weird, but I didn’t say anything cause I’ll be gone within a week anyways because of Graduation.
She was starting to really piss me off when she would make comments like “Avery look we both have a pimple on our cheek.” I’m extremely insecure about acne. She knows this. She would say things like “our cycles are synced it’s like our bodies are the same person.” “We’re both on our 15th set of invisalign. Our teeth are getting straighter together.”
Yesterday I was getting ready for a banquet with Lucy and some other girls from the team. It’s all fun and games till Lucy pulls out almost the exact same dress as me. There is no way she wasn’t trying to copy. I was going for a Audrey Hepburn look with a black dress, gloves, pearls, and Prada sunglasses. Lucy pulls out a shorter black dress, gloves, pearls, black sunglasses. She then exclaimed “Omg twin we’re gonna look so good. It’s almost like great minds think alike or something. People won’t even be able to tell us apart.”
I was livid to say the least. She knew I had been planing on that outfit since last banquet. I let it go it was my senior banquet it was fine. I take photos with everyone and she’s doing her thing when she puts her arm around my boyfriend’s shoulder. I immediately stand up from our banquet table and grab her arm swinging it off him. She said “Sorry I thought it would be a cute picture cause he’s dressed to match us.” I cut her off and said “No Lucy he’s dressed to match me. I’m not sure what you think your doing wanting to become me and comparing yourself to me, but it needs to stop.” She then rolls her eyes and slumps in her chair. She mumbled under her breath “I don’t look like you. You look like me. Get it right. You’re so obsessed.”
I started to yell at her “You don’t look like me. Not even a little bit. Your eyes are blue and mine are green. Your hair is brown while mine is blonde. Your nose slopes down and mine slopes up at the end. Your chin is slightly pointed and my sticks out. My eyes are almond while yours are hooded. I’m 5’11 and you’re 5’3. Your boobs are bigger than mine. My feet are bigger than yours. We do not look alike.”
At this point everyone is looking at us. Most people know what i’m getting at cause they asked me days ago why she was copying me. Lucy starts to cry called me some names and ran off. I cut the night short and went home. I told my mom in the morning and she told me I should’ve let Lucy live out her fantasy for a week till I graduate. A couple of friends of Lucy have texted me and called me an Asshole. But I don’t think I am.
Am I the Asshole?

Hello everyone so for starters I’m F19 and my younger (half) sister is 14. She is promoting from 8th grade to high school next month and my mom is getting so excited and buying her so many things and throwing her a big party which is all fine except for the fact that she didn’t even go this hard for my high school graduation… I’m not trying to downplay my little sisters achievements not by a long shot I’m so proud of her and I’ll always support her no matter what. My mom has always treated us differently though. When I promoted in 8th grade we were struggling and we were just flat out broke… cut to the end of my senior year we are living in a nice ass house with a huge backyard and a pool and I can’t complain. But still something inside me is just lingering with negativity. My sisters and I have different dads, their dad is a much more involved dad and he also has a fuck ton of money, while my dad doesn’t, he never rlly cared enough to show up for any of my birthdays or graduations or anything important in my life. Which is why I think my mom favors my younger siblings over me. She’s talking abt getting her a taco truck and printing shirts out with her face on it and ik many people find that type of stuff cringey but I would’ve loved that for my grad. I’m Mexican so a month before my graduation I asked her if she could get me one of those Mexican stoles so that I could wear. She said would and by the time my graduation day came I had no stole. I wasn’t gonna make a big deal but it is something I rlly wanted (she ended up buying me one afterwards) which is totally fine at least I got it. I appreciate everything my mom has done for me because she goes above and beyond but then little things like this get me. Like why couldn’t I just have the stole or have the big party. Graduating hs was kind of hard for me as well, I went through a lot and I didn’t even think I’d make it past 16 years old and graduating was my biggest goal at the time. I just thought she would’ve went more out being that she didn’t graduate nor did my older brother, so I was essentially the first person in the family to graduate. It’s fine I understand but I wish for once I wouldn’t have to understand.
Sorry this is so long but thank you if you read it all the way through :)

There is an approved mark, "Swipe Right" owned by a large corporation here: https://tsdr.uspto.gov/#caseNumber=86680927&caseSearchType=US_APPLICATION&caseType=DEFAULT&searchType=statusSearch
Does this mean that any additional name would be infringement of this trademark? I want to start a business selling physical shirts, called "SwipeRightShirts", and I'd like to trademark that name. If my product name is in in the same arena, i.e. dating, would that be considered a violation, because it contains as a subset, a registered, approved trademark?
Does my product being primarily physical help me at all here?
Their 'goods and services' is listed as "Dating services; internet-based social networking, introduction and dating services"
Further, under status it states: "Status: An appeal of a final refusal to register the mark is pending before the Trademark Trial and Appeal Board. For further information, see TTABVUE on the Trademark Trial and Appeal Board web page."
Does this mean the USPTO has already rejected this mark, the petitioner has appealed and we're in stasis about what the final outcome is? Can they enforce their mark in its current state?
Finally, it looks like they have already issued a final action, readable here. How likely is an appeal to succeed in these circumstances? "Registration is refused because the applied-for mark is a slogan or term that does not function as a trademark or service mark to indicate the source of applicant’s services and to identify and distinguish them from others."

I accidentally posted this to my username instead of my subreddit so here is is:
The Mortgage, Part 3
“Fuck,” I said as I drove to work in the old beater that only started on the fourth try because it could tell that I was pissed off. Ray’s case started at two o’clock, and I was heading to the office to get ready. “Fuck fuck fuckity fucking fuck. Fuck.” I’d wanted to tell Angela about Ray’s case, and how I was sorry that I hadn’t wanted to help him, but now I would, I would help him, and I would win, but then I’d gotten her all riled up on something else, something totally different, something way more serious.
My wife had given me a triple ultimatum: fix things up with her father, save idiot Ray from Sy-Co Corp., and somehow find a downpayment for the place she wanted to buy, in the little townhouse infill project in Bixity. It was like demanding I do a double bank shot, and then run over to the baseball diamond and hit a home run after first pointing to where it would land, Babe Ruth style.
Angela was mad at me, seriously mad. She’d slipped out that morning before I was even awake, sliding quietly past me on the couch. I didn’t realize she was gone until I heard the faint click of the front door closing. I jumped up, tripped over a blanket, and by the time I got up and my robe on, the elevator down the hall dinged, and Angela was gone before I opened the apartment door.
I swore at myself some more and pounded the steering wheel, “I fucked up,” I said, several times as I hit the wheel over and over again, until I accidentally honked it, and then looked all sheepish when the guy in front of me gave me the finger. I reached my office without further incident, but instead of walking in the front door, I went further down the hall, and into the office of Mark Cecil-Rowe, Barrister, LL.D, the man with the finest speaking voice I ever heard. When I entered his office I forgot for a minute about Angela and her father and sleeping on the couch the night before. I forget about everything, except the reason that I had come to Cecil-Rowe’s office: to stump him with a legal problem that I had solved, but which I was pretty sure he could not. In other words, I had come to preen and to brag and to boast. No one likes a showoff, and I had come to show off. I put my hand on the door and turned the knob. After a brief pause, I flung open the door.
“I’m a goddamn genius,” I said as I strolled into the older man’s office.
I noticed the echo of a hastily closed desk drawer hanging in the air. In Aaron’s office, where I rented space, a sudden act of concealment implied cocaine, but with Cecil-Rowe, the item in question was probably a mickey of vodka. I had the sense that he’d been drinking a bit before I arrived, but his powers of observation were unimpaired, and when he looked into my face, his expression showed sympathy, and actual pain.
“What have you done now?” he said, as set the papers before him to one side, and readied himself to hear my latest tale of legal brilliance.
“I’m a genius,” I said.
“Oh dear. Have a seat.”
“No really, I am. I’m a genius. I got this case that everyone says you can’t win, but I’m gonna win it, and when I do, I’m gonna look like a genius.” Cecil-Rowe gave me a sad indulgent smile.
“Whenever you tell me you’re a genius, I am always concerned about what is to follow. When you get wrapped up in what you call your genius, you tend to ignore the more mundane things we lawyers have to do to win a case. You think you’re going to win by genius alone.”
“Let me tell you why I’m a goddamn genius.” With effort I wiped the smug, self-satisfied expression that was on my face.
“Tell me why you’re a genius,” Cecil-Rowe said, “while I pour us a coffee.” He heaved his bulky body up from his chair and shuffled over to a counter. He picked up a carafe of hot coffee sitting on a hot plate, and poured two cups. “Speak,” he said, handing me one. I took a sip of the coffee, and told Cecil-Rowe the tale of Cousin Ray: his purchase of a franchise from Sy-Co Corp, its swift demise, the crash and burn in Commercial Court, the Minutes of Settlement, the seventy-one kilometer limit, and lastly, Sy-Co’s motion scheduled for two p.m. that very day, seeking an interim injunction shutting down Ray’s place.
Cecil-Rowe absorbed all this without the need to take notes. Instead, he sat back while he eyed me, taking the occasional sip of coffee, and smiling at the extravagant flourishes and details that brought out Ray’s story to full effect.
“Obviously Ray is dead on arrival,” he said, “but I guess this is the part where you tell me how you’re going to win.”
So I told him how I was going to win, but it didn’t have the desired effect. “I told ya I’m a genius, Mr. C,” cueing him to applaud, to admit what a brilliant lawyer I was. But there was no applause from Mark Cecil-Rowe. He looked at me without so much as a smile.
“You can cling to that genius notion as a consolation prize, after you get whipped this afternoon in court.”
“No way,” I said, “not a chance. I got this thing won hands down. I’m gonna kick ass in court today and--”
“And how exactly do you plan to do that, if you don’t have evidence?”
“What?”
“Evidence, Calledinthe9os. It’s what lawyers like me use to beat geniuses like you.”
“But I’m gonna win without proof. I don’t need proof. The argument I’m gonna make, relies on simple facts that are totally obvious, so the judge is gonna--” Cecil-Rowe stuck up his hand.
“Stop right there. I know what’s coming. You’re going to ask the judge to take *judicial notice.”
And he was right. That was exactly what I was going to do.
There are some things so obvious that you didn’t have to prove them, things that everyone knew. You didn’t have to prove that water froze at zero degrees and boiled at a hundred, or that Bixity was between West Bay and East Bay.
“You got it,” I said, “judicial notice all the way.”
“You’re going to tell the judge that the centerpiece of your argument, the lynchpin of your case is a fact known to pretty well everyone, and so you don’t need proof.”
“Exactly,” I said. Cecil-Rowe took another sip of his coffee, and left me hanging in the silence for a while before he spoke.
“If that’s true, then why does coming up with that argument make you a genius?”
“Oh, I said,”I didn’t think of that.”
“It is acceptable to rely on judicial notice for minor, ancillary points. But you never should walk into court thinking that the court will take judicial notice of your entire defence. It’s just too risky.”
“But how am I going to rustle up a witness in time for this afternoon?”
“Worry about that after you leave my office. I can’t help you with that. What I want to know, is why you’re doing this at the last minute.”
“What makes you think I’m doing this at the last minute?”
“Because you never would have resorted to judicial notice if you were properly prepared. If you’d opened this case a bit earlier, you’ve have everything lined up. But you got to work on it late, and so you want to rely on judicial notice. You’ve messed up, Calledinthe90s, and you know what my rule is when you mess up.” Cecil-Rowe didn’t extend aid to me, until I admitted the error of my ways. It was infuriating, but he was inflexible. So I fessed up.
“My idiot cousin Ray’s been trying to retain me for almost two weeks, but I was putting him off because I was mad at him. So now my wife’s mad at me, and if I don’t win this case, I’m dead. Plus her dad’s mad at me too and --” My brain roared into overdrive, a mess of family and law and fear, and at the centre of it, thoughts of Angela’s anger and her father. My mind took off, and then came to an instant halt at a helpful destination.
“Yes?” Cecil-Rowe said.
“Sorry. I just realized how to solve the evidence problem. Look, can I ask you about the thing I actually came here to ask you about?”
“You have a problem that’s worse than having no evidence? What could be worse than -- oh. You don’t have a retainer. Your client doesn't have any money.”
“Exactly. How do I get paid? That’s the problem.” I explained that Ray had no money, as in none, and that if he did have money, he wouldn’t spend it on me. Instead, he’d go back downtown and throw his cash at some big firm, who would take on his case, and proceed to lose it in a calm, careful, sober manner, ending in a reporting letter to Ray telling him that he’d lost.
“Now that’s a problem I can solve,” Cecil-Rowe said.
“Really? ‘Cause I can’t see a way around it. I think I’m gonna have to do this for free, and that really pisses me off.” Cecil-Rowe shook his head.
“You may or may not get paid, but you can set things up so that if you win, you’ll win pretty good.”
“How? Ray’s a deadbeat. Tapped out.”
“But is he desperate?”
“Totally. The first time he failed, he lost his own money, but if he goes under this time, he’s taking family money with him, and he’ll be the black sheep forever.”
“And he’s using family to emotionally blackmail you into helping him?’
“Like no shit. That’s the part that pisses me off the most. I’m like a goddamn slave, being forced to work for free.”
“Never fear, young apprentice. I have just the thing in mind.” He reached into a drawer, and pulled out a form. “Fill in the blanks, and have him sign.”
I looked it over, and saw that the document was a retainer agreement. I whistled. “Holy shit. If he signs this, he’s almost my slave.”
“Close, but not quite” Cecil-Rowe said, “the Latin term for this is "contractus pro venditione animae"”. It’s the ultimate retainer agreement. Once Ray signs that, you own any cause of action he has against the person suing him. You can settle the case on any terms you like, and you get to keep whatever proceeds there are.” Cecil-Rowe placed the folder back in a drawer, and from his manner you could tell that the interview was over.
“Awesome, Mr. C. I’ll call you from Commercial Court when we’re done.”
“Commercial Court?” he said.
“Yeah, Commercial Court.”
“This just keeps getting worse. Take notes, Calledinthe90s, while I school you on Commercial Court. Commercial Court is a jungle, and without preparation, you’ll get savaged.”
“That’s what happened to Ray when--”
“Take notes, young apprentice,” he said, tossing me a pad and a pen. He started to lecture, and I took notes that I have with me to this day, in a safe deposit box downstairs in the vault at Mega Bank Main Branch.
* * *
By the time Cecil-Rowe finished schooling me, it was close to ten, and the case started at two. I didn’t have much time. I ran down the hall to my office, and called Ray’s restaurant. No answer. Then I called Ray’s house. I expected to get Ray’s wife, but the man himself answered.
“You’re not at work. Why aren’t you at work?”
“Sy-Co Corp served all my employees with a cease and desist letter. They all got scared and took off. The place is shut down.”
“You gotta fax machine at home?” He did, and asked why.
“I’m taking your case, but only if you sign the paper I’m about to send and fax it back.” I sent the fax, and five minutes later it came back signed, and it was official: Ray had sold me his legal soul.
I went out to the parking lot, got into my beater and drove fast. In less than thirty minutes I reached my destination. I knocked on the door, and when it opened, my diminutive mother-in-law poked out her head. “What a pleasant surprise,” she said.
“Sorry, Mrs. M, but I’m in a super hurry. I gotta rush to get to court to help Ray. But first, I gotta speak to Dr. M.”
“He’s not here,” she said.
“Not here?”
“He’s on his way to his bridge game. He left just a few minutes ago.”
“Where’s the club?”
“He’s walking there,” she said, and pointed down the street.
“Thanks.” I got into my car and headed where Mrs. M had pointed, passing big houses and new project with an “Opening Soon” sign. And walking past it was the figure of Dr. M.
“Hey, Dr. M,” I called out the window. He stopped and looked around, startled. But he didn’t see me, not at first.
“It’s me, Dr. M. Me, Calledin90s.” He leaned forward as if to see me better. I got out of the car.
“Is something wrong with Angela? Or the baby?”
“No, no not at all, sorry to scare you, it’s nothing like that. I need your help.”
“Oh.” He started walking again, and now it was my turn to be a bit stunned, watching my father-in-law walk away from me. I caught up with him in a few quick strides.
“Listen, I really need your help.”
“And I really need to get to a bridge game.”
“This isn’t about me. It’s about Ray.” That brought him to a halt. He turned to me, angrier even than he’d been the night before.
“Did you drive all the way out here just to make fun of me? To remind me of how you won, distracting me with nonsense about Ray’s case?”
“I mean it,” I said, “I can win Ray’s case. I can prove it in a few words.”
“Prove it, then.” So I did. I spoke words, only a few words, but they were the right words to speak to Dr. M, for the words I spoke were in his language, words that he understood perfectly.
“I understand,” he said, “you’ve come to boast some more, to prove that you were right after all.”
“I want to win Ray’s case, but I don’t have any proof of what I’m saying.”
“You don’t need to prove that two plus two is four.”
“This, I gotta prove, and I need you to help me prove it. I need you to come to court with me, as my witness.”
“I can’t do that. I didn’t witness anything.”
“As my witness. My expert witness.” Unlike a normal witness, an expert witness can give an opinion. An expert is there not to advocate, I explained to Dr. M but to instruct, to teach.
“My bridge partner won’t be very happy,” he said.
“But Ray will, and so will Mrs. M and Angela and--”
“Very well. Do you have a cell phone? We can call the bridge club from my car.”
* * *
We were on the highway getting close to the downtown exit, when my wife called my cell phone. Back then cell phone service was super expensive and my wife only used it for emergencies. Or when she was really angry. I picked up the phone, wondering which it would be.
“I’m so happy that you made things up with my father,” she said.
“How did you know?”
“My mother called. She says you took him with you, that you went out together.”
“He’s with me right now,” I said.
“Where are you going?”
“To court. Going to court to win Ray’s case for him.”
“And you brought my father with you to watch?” She was so happy, I could hear in her voice that she was smiling. “That’s a great way to bond with him, Calledinthe90s. Look, I’m sorry I got so mad at you earlier, I really am. My dad’s a bit too sensitive and--”
“Sorry, Angela, your dad’s not coming to watch me.”
“Why is he with you, then?”
“He’s my witness,” I said.
“What?”
“His expert witness,” Dr. M said, loudly enough for Angela to hear.
My wife’s anger exploded into the phone. She wanted to know how I could expose her elderly, vulnerable father to the stress of a court case. I tried to tell her how I needed him, how there was literally no one else I could turn to, that her father was an expert, a true expert, and the judge was legally bound to believe him, but Angela heard none of this.
“Look,’ I said, “I promise you that--” And then I lowered the phone and pushed the red button, terminating the call. I’d learned that the best way to hang up on someone, was to do it when I was doing the talking. That way it looked like the call had dropped.
“I’m going to steal that move,” Dr. M said.
We rolled into the parking lot. I grabbed the cloth bag out of the back of my car, the bag that held my law robes and shirt and tabs, plus the other stuff I needed for court. It was one-thirty, still thirty minutes to go, not a lot of time to get robed and ready for court. It was just past one-forty five when I, with Dr. M in tow, opened the door to a courtroom on the eighth floor of an old insurance building that had been converted into a courthouse, the home of Commercial Court.
“Commercial Court is an exclusive club,” Cecil-Rowe had explained to me earlier that day, “the legal playground of the rich and powerful. They’ll know instantly that you’re not one of them.” And he was right. It was clear from the moment I walked in that I did not belong, for I was the only lawyer in robes. Everyone else was wearing a suit, and not some cheap thing off the rack like I wore.
There were a half-dozen lawyers present, and after they saw me, they exchanged knowing looks about the stranger amongst them. I ignored them, and walked up to the Registrar. I told him the case I was on, and he signed me in.
“First time in Commercial Court?” he said, eyeing my robes. “You know you don’t have to be robed in Commercial Court.” In other Superior Courts, you always had to bring your robes and get all dressed up. But Commercial Court had its own set of rules, and in the court for rich people, their lawyers did not have to wear robes.
“You’re here on the Sy-Co case?” a young woman asked. She was a junior like me, give a year or two either way. She was dressed in the finest downtown counsel fashion, some designer thing that Angela would know if she saw it.
“Just got retained,” I said.
“You know there’s no adjournments, right? We don’t do adjournments in Commercial Court. I’m just trying to be helpful, because I don’t think you've been here before. You know you don’t have to be robed, right?
“So I heard.”
“So where’s your material? You haven’t served anything, so how do you plan to argue your case?”
“I gotta witness,” I said.
She smiled. “There’s no viva voce evidence, either. Affidavit only.”
“We’ll see what the judge says.” There was a knock from the other side of the door to the judge’s chambers, and then the man himself entered.
I was amazed to see that even the judge wasn’t wearing a robe; instead, he was wearing a light coloured suit and a bright blue bow tie. He was dressed as good as the lawyers, all part of the downtown Commercial Court club, the playground of the richest and most powerful corporations in the City.
“Commercial Court’s not like other courts,” Cecil-Rowe told me earlier that day, explaining that most cases were over in fifteen minutes or less. A plaintiff showed up with some papers, and had a short consultation with the judge. The judge signed an order granting an injunction, or taking away a man’s business, or freezing his money. Commercial Court is where you went to get quick and simple court orders that eviscerated your opponent before the case even got going.
Defendants would appear sometimes in Commercial Court, Cecil-Rowe explained, but it was usually their last time up. Defendants always died a quick death in Commercial Court.
The judge took his seat, and then looked over the lawyers before him. His eyes moved along, and then stopped when they reached me, the one lawyer who was not like the others.
“You don’t need robes in Commercial Court,” the judge said to me.
“I’ll remember that for next time,” I said.
“What case are you on?”
I told him.
“He’s filed no responding materials,” my opponent said, “nothing at all.”
“I’m just vetting the list,” the judge said, “I’ll circle back to you two in a few minutes.” I listend while the judge vetted the rest of the afternoon list: a Mareva, plus a Norwich order, with counsel on those cases sent away in a matter of minutes.
Now the courtroom was almost empty, just the judge, two lawyers, the registrar and my star witness and father-in-law, Dr. M, who sat in the back of the courtroom dressed in an old business suit, put on hastily at his place two hours earlier, when I urged him to hurry it up, to not waste so much time on picking a suit.
“Back to you,” the judge said, addressing my opponent, “I thought this was an uncontested matter. That’s what your confirmation sheet said.”
“I’m sorry, Your Honour, but I didn’t know until I got here that the case was defended.”
“I got retained at the last minute,” I said, “barely three hours ago, the day after I read the papers. But I’m ready to go, ready to argue the case on the merits, so long as you grant me an indulgence, and let me call my witness, to let him testify in person instead of by affidavit, there being no time for me to draft anything.”
Opposing counsel was on her feet. “That’s not how things are done in Commercial Court,” she said, “or any court that I know of, for that matter. My friend (that’s what they make lawyers call each other in court, ‘my friend,’ even though you might hate the other guy’s guts),” the lawyer said, “my friend should have served his responding materials and filed them with the court. Instead, he’s taken us totally by surprise.”
“I’m sorry my friend is surprised by opposition,” I said, “but then consider, it’s my client’s livelihood that’s at stake. If my friend gets her injunction, Ray Telewu’s business is dead, and he loses everything. So yes, my client opposes the injunction, and yes, I’d like to call evidence.”
The judge didn’t consult the papers before him nor the books, but instead, he looked up at the big white clock on the courtroom wall. Its hands said two-fifteen.
“How long will your witness take, counsel?”
“In chief, ten minutes.” I’d practiced with Dr. M on the way in, and I was pretty sure he could do it in five, but I gave him a bit of extra time, just in case.
“We’ve got about two hours,” the judge said, “but I want to be fair to you and your client. Let’s take a fifteen minute recess so you can get instructions. Either we go ahead today with viva voce evidence, or we adjourn, and that will give Calledinthe90s time to file responding materials.”
When everyone came back, the junior’s boss was there, Senior Counsel, a heavy weight, one of those big guys downtown. Plus they brought this guy from Sy-Co Corp, the head of some bullshit division, with some bullshit title, Head of whatever, so that’s the title I’ll give him here. He was The Head. He was the man, the big cheese, the signer of the affidavit on which Sy-Co relied that day.
“What’s he doing here?” I asked Senior Counsel.
He stared at me, all lean and steel grey, looking every inch the hard hitting lawyer that commanded the biggest fees. “If you’re calling a live witness, then so can we. The Head will give evidence today, in advance of your client, so that the judge hears it from him first.” His junior smirked at me, and the two of them sat down, delighted that they’d thought of a way to one up me.
Except that they’d done it by exposing their client to cross-examination. The judge came in, allowed the Head to testify, and when he was done, I stood up.
“Just a few questions,” I said. Senior Counsel was stunned for an instant, and then he stood.
“This serves no purpose, Your Honour. The witness has confirmed the simple facts of his affidavit, and there’s no disputing it. Ray Telewu opened a restaurant less than seventy-one kilometres from Bixity City Hall, and that’s in breach of the Minutes of Settlement he signed.”
I did not bother to respond. Instead, I just stood, and I started to ask questions.
“Have a look at that map in your affidavit,” I said, and he did. I picked up my copy, and tore the map out of it. I passed it up to him.
“What do you notice about this map?”
“That it’s accurate,” the Head said, repeating his evidence in chief, amplifying it, talking about how the map contained perfect measurement.
“You will notice that the map is flat,” I said, laying it on the witness box before him.
“Of course it’s flat. That’s what maps are. Maps are flat.”
“But the earth is round,” I said, “or more properly, a sphere.” Senior Counsel was on his feet in an instant.
“What difference does that make?” he said.
“What you’ll hear from my expert witness, is that a flat map cannot accurately show Earth’s curves. A flat map distorts distances, and in this case, reduces them.”
“But that can’t be by very much.”
“In this case, by just over twenty meters,” Dr. M said from the back of the court.
“That’s my expert witness, the esteemed Dr. M.” I didn’t actually say Dr. M. Instead, I said his real name. But I’m not going to use the real names of my family here, so I’ll just keep calling him Dr. M. “Dr. M was a professor of Physics at the University of Bixity for almost thirty years. He has published numerous papers on particle physics, and is the first Canadian winner of the Wolf Prize for physics.”

• * * *

It went downhill after that for Sy-Co Corp. My father-in-law testified, explaining in simple language, language that even a child could understand, that the Earth was a sphere, that the shortest distance between two points on Earth was a curve, not a straight line. He summarized his calculations in plain English, dumbing down the math, so that everyone present imagined, if only for the moment, that they shared his understanding of a difficult mathematical equation.
Senior Counsel tried to cross-examine Dr. M, but it did not go well, my father-in-law indulging him, gently chiding him, continuing his explanations until the lawyer sat down, defeated by Dr. M’s mastery of the subject,his own lack of preparation and his inability to improvise. When counsel said that he had no further questions, the judge addressed us all.
“I’m not going to reserve, and I don’t think I need to tell everyone why. I think it will take about a minute for me to write a decision saying that the Earth is not flat. I’ll give you some more time after that, but after fifteen minutes, I”ll be back to render my decision.” He rose, everyone bowed, and he disappeared behind the door to judge’s chambers.
I pulled a piece of paper out of my file, and slammed it on the desk before Senior Counsel and his junior. “Fill in the blanks, and sign,” I said.
Dr. M’s head shot up at the commotion, and he shuffled over to see what was going on.
“What’s this?” Senior Counsel said, picking up the paper I gave him..
“Minutes of Settlement. You fill in a number, a big number, for the costs you gotta pay me. Your client signs, and then we’re done.” Senior Counsel opened his mouth to bargain, but I overrode him.
“You know your client’s going to lose; the judge made that obvious. Hurry up if you want to settle; we don’t have much time.”
At the end of most Canadian court cases, the loser has to pay at least part of the winner’s legal fees. That’s the way it’s been since forever, and I think it’s a good rule. Sy-Co Corp had lost, so it had to pay a good chunk of Ray’s costs, and Ray’s costs were somewhere between whatever bullshit figure I claimed they were, and where they actually ought to be. Senior Counsel took the paper over to his client. There was a brief discussion, and then they came back, with the form signed, and a number written in the blank space.
I’ll give it to Sy-Co Corp and their lawyer. It wasn’t a bullshit number, a low ball number. They gave me a real number, a number more like something I’d actually accept, a number that made sense to pay me in costs, in light of the success I’d had, and how I got it. It was a respectful number, a common sense number, and I appreciated it an awful lot.
I tossed the paper back at them.
“Add a zero,” I said, continuing on when Senior Counsel blanched, and his junior retreated a step. “I know what’s going on here. Your client sold mine a bullshit franchise, one with a history of failing.” The franchise had opened up again under a new owner not long after Ray had lost it and then it promptly failed again. Like I said at the start of this story, it’s an old story. It’s how some franchise companies make money. “Your client makes more money selling bullshit franchises doomed to fail, then it does from the honest ones that make money. So add a zero to that number, or Ray’s gonna sue you, class action and all that, for all the people you’ve fucked.”
The Head stepped forward from the benches and spoke to me.
“We get threats like that all the time, but no one follows through. They don’t have the money to fight us, and neither does your client. So go ahead and sue.”
“It’s true that Ray doesn’t have jack shit,” I said, “not a pot to piss in, but he’s my cousin, Ray is, and even if he doesn’t have money, he’s got me. Ray’s family, and for Ray, I’ll sue you guys for free. Hell, I’ll even pay the expenses. Plus I’m gonna put a jury notice in, too, come to think of it, ‘cause juries--”
Senior Counsel cut me off, and moved his client to the back of the courtroom. There was a brief discussion, and then they came back. I watched as Senior Counsel wrote a single digit on the Minutes, a zero, written right where I wanted it.
“You’ll have to initial the change,” I said to the Head of Sy-C0, and it gave me great satisfaction to watch him sign.
“Don’t forget,” I said the moment his pen stopped moving, “for the settlement to be valid, I need to get the money today. Right now.”
“Can’t it wait until tomorrow?” the Head said.
“Not if you want the settlement to stay in place. I’ll follow you back to your office, and you can put a cheque in my hands.”

• * * *

“What’s this?” my wife said when I entered the apartment later that day, after I’d driven Dr. M home, stopping first at a local pub for beers.
“It’s an absurdly expensive bunch of flowers,” I said, “although no flowers, however beautiful, however expensive, could expiate my--”
She took the flowers, and gave a kiss.
“My mom called. She told me what happened. You fixed things with my dad.”
“Yup,” I said. I had certainly done that. I’d made Dr. M a professor again, if only for a few minutes. Not only a professor, but an expert witness. The judge had declared him an expert in plain terms and Dr.M had beamed when he’d heard those words.
“And you won Ray’s case, too. But my mom didn’t know how, and I don’t know how you did it either.”
“I’ll tell you over dinner tonight,” I said.
“But we agreed no more dinners out; we have to save money, now that a baby’s coming.”
I passed her the envelope that I’d received a few hours before. She opened it, and took out a cheque, a cheque drawn up for an amount I specified, made payable to Mr. and Mrs. Calledinthe90s.
The moment I got that cheque, all I could think about was how my wife would react when I put it into her hands. I could not wait to see her eyes bulge, to hear her voice say “oh my god,” to hear her laugh.
She did none of these things. Instead, she cried.
“Does this mean we can buy a house?” The money wouldn’t be enough to buy a house, not nowadays, with prices being so crazy. But things were different back then in the 90s. Sure, the internet was barely a thing and cell phones were super expensive and a lot of things sucked, but I’ll give the nineties one thing: houses were cheap.
“I think so,” I said.

Hey everyone,
I’ve spent the last couple months overhauling my work attire to be a little more formal (got too used to quarter zips/sweaters during hybrid work). Keep in mind my office is far from a formal environment, but at least I’ve gone from jeans/loose trousers to tapered Lululemon ABC trousers and slim fit, tucked in shirts. It’s made a big difference as I’m gunning for a senior director role and folks have comments more times than I can count (perhaps a testament that I dressed like shit before lol).
I’ve turned my attention to shoes and my thus far I’ve been wearing Amberjack dress shoes and Chelsea boots. Kicker is that I travel a lot for work, as in 3-4 cross country (6 hour) flights a month between offices. For this reason the Amberjacks seems liked a good option and have been thus far.
Looking for a pair of slip ons and curious if anyone has tried both the Amberjack slip on or Thursday Lincoln?
https://thursdayboots.com/products/mens-lincoln-penny-loafer-rich-mahogany
https://www.amberjack.shop/collections/the-slip-on/products/the-slip-on-obsidian