The anti-Pact picture \"Casablanca\" helped to create public sympathy for the Grand Alliance and promoted war bonds through various scenes
Even though the American public voted for an interparty coalition of politicians who supported intervention in varying degrees (along with a noticeable minority of voters who opposed any and all intervention) and behind the scenes the federal government has been silently working for years to intervene in Europe and the Far East, the vast majority of the American public did not at all expect the outright declaration of war on Japan the 76th Congress managed to produce. As a result, there was opposition from the start to the war effort through strikes despite the partial success of President Hayes in preventing the miners' strike. Although the brutality and scale of the attack on San Diego succeeded in temporarily uniting the American people (indeed, along with most of the American continents joining to the Grand Alliance), the divisive elections of 1940 along with the stubborn opposition of the SWP to President Hughes in the constitutional crisis of 1941 led to fear among most Americans of defeat on the battlefield and civil war at home. Together with the speed of President Hughes' handling of the crisis (by ordering the return of all forces from North Africa to deal with the escalating domestic insurgency), Hollywood entered the picture.
The basis for the creation of the cinema was a variety of new technologies and inventions mainly through the ability to photograph and record images and sound. In the United States, in 1893, the inventor Thomas Edison together with his assistant William Kennedy Dixon introduced the kinetoscope; A device through which films could be watched by inserting a coin and the viewing was done using a "peek box" - a rectangular box that contained the projection mechanism, when the viewer saw the film through a glass lens at the top of the device. Edison's shady conduct in his business and legal issues will also be the motive for the migration of those involved in the fields of cinema from the New York state to the Los Angeles area, and for the establishment of Hollywood (along with a favorable weather for shooting outdoor scenes most of the year).
During humble beginnings of the Post-Grant's New America when the film industry was still in its infancy, many immigrants, mainly Jews, found employment field as a result of not being accepted in other more established industries in the competition for the job market and therefore even though the pioneers of American cinema such as D.W. Griffith were American directors who for the most part represented a sentimental southern and traditional Grantist world view there were already those who opposed Integralist concepts like Charlie Chaplin. After the Great War, various filmmakers and actors such as Marlene Dietrich immigrated from Europe. They joined a long line of film actors born in the United States, most of whom flocked to Southern California from Western New York after the first talking motion pictures were shown there as the new industry slowly but gradually took on an image of glamor and investments from various tycoons.
A typical motion projector during the \"classic Hollywood\" era
In the period called the "classic era of Hollywood" or the "golden age" from approximately right before the start of the 1930s all the way to the start of America's involvement in World War II, different high-budget studios already competed in films with complex and long plots and produced westerns, "film noir" films, musicals, animated cartoons and biographical films. At that time, thousands of people were employed by the film studios - actors, producers, directors, writers, stuntmen, and technicians. The movie studios owned hundreds of movie theaters in different cities across the United States where their realized products were shown to the public, who was eager to pay the entrance fee. Thus by the beginning of the fifth decade of the 20th century, Americans had long since become accustomed to the culture of viewing news broadcasts about the state of the world through screenings at the local cinema before the start of the motion picture for which they had come for their leisure.
As soon as the Japanese bombing of California began, it seemed that the industry would collapse or at the very least shut down for a long period of time until it could be rebuilt in New York. However, President Hughes understood its potential and insisted that filming continue despite the situation in the state. He ensured that funds and federal technical equipment poured in (both directly and indirectly) with direct instructions for directors to begin the production of propaganda films to mobilize public opinion in support of the war. Nevertheless, prestigious film premieres were indeed often canceled, even though these films that were shot in California got distributed with haste all across America.
Therefore, Hollywood underwent another transformation and a new variety of films were created which hinted (and some of them did not hint at all but were in fact a blatant propaganda product) the importance of the fight against the Pact.
The history of collaboration between the US military and Hollywood was long-standing at this point. The first collaboration between the Army and Hollywood took place in 1923 in the Mitchel era (that was also a certain indirect tribute to the former president who was fond of the world of aeronautics) with the production of the film "Wings" that aimed to encourage recruitment to the Army Air Corp. The film, which was shot on a huge budget for its time dealt with a triangle involving two pilots and the girl they are in love with - a combination of the romantic and heroic genres without any criticism of the military and its actions. However, it paled in comparison to World War II and the sense of "what is at stake" by both the federal government and Hollywood. This period brought the cooperation to a new level. The military recruited Hollywood stars such as James Stewart Clark Gable and Henry Fonda, and used them in propaganda films for the US military and the war effort. For this purpose, some of the most important Hollywood directors were also recruited - John Ford, Howard Hawks and Frank Capra. Capra particularly excelled: Between the years 1942 to 1946 he directed a series of eight propaganda masterstrokes called "Why We Fight" in which each episode presented in length the audience a different enemy combatant nation of America while actors went on tours of different fronts around the world to boost morale and present their film works to the soldiers.
With the end of the war, Hollywood tried to adapt to a brave new world, but the cessation of the flow of funds and equipment was something it was not ready for. Combined with the beginning of the television era, Hollywood had to reduce the number of its film production, although quite soon in the strong post war economy, tycoons even allowed directors to increase their quality of film production. As a result of the changes, the studios began to focus mainly on the production of entertainment content that the television medium could not provide to viewers – an even bigger and more spectacular show for the eyes. Although television broke the hegemony that the American film industry had in the American entertainment industry, as a result of the direct competition there were many changes that benefited the film industry. That was due to public opinion beginning to see cinema as a more serious artistic medium worthy of respect compared to home Television.

NYPD Releases Name of Man Who Sucker Punched ‘Boardwalk Empire’ Star
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https://manhattanvoiceny.blogspot.com/2024/05/bronx-voice-steve-buscemi-attacker-named-clifton-williams.html
By Dan Gesslein
Manhattan Voice
May 14, 2024
MANHATTAN - Cops now have a name to go with the face of their main suspect in the violent assault on actor Steve Buscemi in Kips Bay.
The NYPD has identified their main suspect as 50-year-old Clifton Williams. Investigators did not detail if Williams has prior arrests.
Last week, the NYPD issued a report looking for the suspect in a random attack in Kips Bay. However, this week published reports confirm that the victim was the “Fargo” star.
At around 11:48 am on May 8, Buscemi, 66, was in front of 369 3rd Avenue in Kips Bay. Cops said a man dressed in a blue shirt and baseball cap walked up to him and, without warning, punched him in the face.
The attacker just walked off.
EMS transported Buscemi to Bellevue Hospital where he was treated for bleeding to his left eye as well as bruising and swelling.
Anyone with information in regard to this incident is asked to call the NYPD's Crime Stoppers Hotline at [1-800-577-TIPS](tel:1-800-577-TIPS) (8477) or for Spanish, 1-888-57-PISTA (74782). The public can also submit their tips by logging onto the CrimeStoppers website at https://crimestoppers.nypdonline.org/ or on Twitter @NYPDTips.
All calls are strictly confidential.

I left neopets 10 ish years ago because I thought it was too grindy especially the PBs. I remembered obtaining transmorg potion from random event iirc. Instead of selling it, I used it on my Bori because it was (supposed to be) hard to get. And when I left, Mutant pets can’t even wear anything. And my only hope to get none basic coloured pets was via Pound (Glowing Buzz, Cookie Chomby, Cloud Jubjub). IIRC I got the Kiko during Kiko day and received Darigan PB from events. Two of the pets was sitting in my side account. Now that I can have six I transferred them to my Main.
I never thought of coming back. But, I keep having chowdersays youtube videos recommended and after watching her, I was intrigued to revisit. So here are my Pets. Their styles are basically amalgamation of what I’ve hoarded before I left and things I stumbled in shops. Some items, like Iridescent Buzz set, Mutant wearables and Kiko exclusive wearables, I bought after scrolling in JN’s wardrobe and lurking using Shop Wizard.
My goal used to be to style and Paint my pets. But I’m pretty content with how they are right now (except for the Chomby, WIP). Right now, I’m aiming for Secret laboratory maps, and maybe train my Gnorbu for any battledome events. I read that Defenders of Neopia was disabled. So I don’t know if there’s any other plot to follow.

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Game Information

• Game Name: Halo Infinite
• Release Date: December 8, 2021
• Story Length: 9 Hours
• Completionist Length: 25 Hours
• Setting/World-Type: Sci-Fi Open World
• Genre/Sub-Genre: First-person shooter
• Perspective: First-person
• Development Engine: Slipspace Engine

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Game Publisher and Developer Information

• Developer: 343 Industries
• Publisher: Xbox Game Studios
• Headquarters Location: Redmond, Washington, United States
• Director: Pierre Hintze
• Lead Producers: Chris Hager, Brian Lemon, and Casey Marissa Wu
• Writers: Dan Chosich, Paul Crocker, Jeff Easterling, Aaron Linde
• Technical Director: David Berger
• Design Director: Max Szlagor

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STORY ATMOSPHERE LORE - 100/100

During the boarding of the UNSC Infinity supercarrier, Master Chief is thrown into space by Atriox, leader of the Banished. The Banished are a mercenary group that was previously part of the Covenant but broke away due to disagreements with the Covenant leadership. You’re eventually rescued by the Pilot, a survivor of the attack, who reluctantly assists the Master Chief in his mission to take down Atriox and the Banished. After destroying the warship, Chief is picked up by the Pilot, and they head down to Zeta Halo to search for a “weapon” in the mysteriously damaged portion of the ring. With these two introductory missions out of the way, you’re introduced to Halo Infinite’s vibrant yet dangerous open world. Across the 16-story missions, you will find yourself going across Zeta Halo and into the depths of the Forerunner installation.
The campaign features wide and sprawling open fields, claustrophobic underground facilities, and everything in between. The pacing of missions in Infinite is well done and isn’t too fast or slow. Missions are not too long, and you can expect to spend about 11 and a half hours on Zeta Halo when focusing on the main objectives, making it the longest campaign to date, according to HowLongToBeat. When looking to see everything the game has to offer, it’s estimated to take around 27 and a half hours to finish.
Knowing the lore behind the factions only adds to how enjoyable it is to fight against each enemy. For example, Brutes are always looking to fight opponents of noteworthy strength, so they approach battles with the Master Chief with bravado and are often happy to battle with the Spartans. Jackals, on the other hand, are typically pirates and mercenaries and will remark about claiming the bounty on Master Chief during combat. They go as far as commenting on canon events during combat, which is a first for the series. For example, Grunts will sometimes taunt you with a remark about the events of Halo: Reach by saying, “Hey Spartan, Reach called! Just kidding - ha!” Sometimes, Grunts dab after killing you, making them even more hilarious to fight. The colorful personalities that make up the Banished mercenaries make them feel more alive and like real characters you’re battling against. Previous Halo games had less personality-oriented enemies whose combat chatter became repetitive and didn’t make for a marginally more interesting battle.

GAMEPLAY - 95/100

WEAPONS

Since Halo: Combat Evolved, a damage system consisting of Kinetic and Plasma has been in place. Hardlight didn’t make a place for itself until Halo 4 and Shock Damage had its inception in Halo Infinite. Most human-made weapons deal Kinetic damage, which is effective at taking down unshielded enemies like Grunts, while Plasma works best against shields. Hardlight is good against any enemy regardless of their shield status, but the weapons and ammo are few and far between. Shock damage arcs between targets and is great for groups of Banished and their vehicles. As the newest addition to the weapon ecosystem, it makes a powerful statement when used in the midst of battle. Much like previous Halo installments, having only two weapon slots forces you into giving encounters some forethought since you’ll want to be properly prepared for the skirmish. It also makes you have to sacrifice certain weapons and pick up others to gain the upper hand in a fight, especially when facing a boss. Ammo resupplies aren’t new to Halo, but the ability to refill certain ammo like rockets without picking up a duplicate of the weapon is new to the series.
As a first for the series, the open-world design makes the open-battlefield style fights from previous games even more exciting by allowing different approaches to fights to be more viable. Previous installments of the series pitted Master Chief against enemies in arena-style fights, which had a repeating cycle of short battles and then exposition. Infinite has a different sense of balance between combat and exposition. One minute, you’re riding along through the ring, and suddenly you stumble upon a battle between Banished forces and surviving Marines. All hell breaks loose. In prior installments, you knew when combat would start due to the layout of an area, but in Halo Infinite, it’s less predictable but in the best way possible. It brings the ringworld to life and has a sense of curiosity as to what you’ll find yourself in next, similar to random encounters in other RPGs.

ENEMIES

In a first for the series, boss fights also make an appearance in the campaign. The boss fights in the story force you to take the damage system seriously because, without them, you’re bound to have a hard time. The bosses come with their own special fighting style. For example, the Spartan Killers, Hyperius and Tovarus, are both battled at the same time in the mission ‘Pelican Down.’ Hyperius wields a unique Ravager, S7 sniper, and rides a Chopper, while his brother Tovarus has a Scrap Cannon and spike grenades. Fighting both at the same time proves to be a mighty challenge since you’re in an open area with limited weaponry. Each boss has an arena that puts you at a disadvantage, like when you fight the invisible, energy sword-wielding Elite, Chak ’Lok, in a small room full of smoke. Another example would be fighting against the lightning-fast Harbinger in the final mission, along with her incredibly difficult waves of enemies. The bosses come in all forms of Banished and remain a constant threat in both main missions and side objectives.
Although the bosses are difficult, Halo Infinite’s standard enemies pose their own threats and must be handled differently. For example, Jackals have to be dealt with quickly since they often show up with marksman rifles that deal heavy damage. Elites are easily recognized by their tall stature and signature mandibles. They’re honor-bound Captains of the Banished whose inspiring presence makes their soldiers more emboldened and less fearful. Taking them out makes the rest of the battle much more manageable. Grunts are the small and frightened cannon fodder of the Banished who often run in fear when their higher-ups are defeated.

UPGRADES

One of the other new additions to the campaign is an upgrade system. Master Chief can now upgrade parts of his kit to make his gadgets much more powerful by finding and acquiring Spartan Cores. Become a walking tank by upgrading your shield to absorb more damage before breaking or greatly improve the agility of Chief by reducing the cooldown between uses of the Grappleshot. Reduced cooldown is an absolute must if you plan on playing around with the grappling hook during combat since waiting for it to recharge can mean life or death. All of the upgrades play their parts and can be integral to having a battle go your way. The Threat sensor can be upgraded to have a permanent mark on the enemy along with a visible health bar. The Drop Wall can have its strength increased and add shock damage to projectiles you fire through it. Finally, the thruster can increase its dodge distance and give you a cloak effect after use. Each ability upgrade plays into how well you’ll perform during a fight since not using them can cause you to take a lot more damage.

OUTPOSTS

Those aren’t the only new changes Infinite brings to the table. Forward Operating Bases (FOBs) are another new addition to the map. They appear as outposts you can claim during your fight against the Banished and serve as fast travel points. Alongside these FOBs comes a currency known as Valor. Valor is earned through completing the various side missions available across Zeta Halo. The currency allows you to unlock supplies and weapons to aid you in dominating the Banished and the battlefield. Your hard-earned Valor needs only to be spent once for unlimited access to the requisitions. From the simple yet reliable Sidekick sidearm all the way to the big bad behemoth of ground warfare, the Scorpion, Valor enables you to bring out any sort of weapon or vehicle for any scenario.

SIDE OBJECTIVE

The open world of Zeta Halo also has many side missions available, such as hunting down high-value targets (HVTs), rescuing UNSC Marines, and capturing abandoned outposts. These missions can be a great break from the story or provide much-needed Valor to help during the story. Undertaking a High-Value Target mission is as simple as going to the marked location and killing the target. The bosses appear as various types of Banished, and each has its own dossier with backstory and potentially useful information, such as strengths, weaknesses, and potential combat strategies. The HVTs also carry a unique weapon that drops when their wielder is defeated and can be purchased with valor for use during missions. When you’re not taking Banished lives, you can instead save those of the survivors of the UNSC Infinity’s crash. The Marine survivors will usually be engaging Banished troops, and it’s your job to make sure they survive. Upon saving the Marines, you’ll be rewarded with Valor as well as some new comrades who are willing to ride in vehicles and fight with you. Aside from the HVT hunting and marine distress signals, outposts are also available. Each Outpost offers several different objectives that need to be completed in order to shut down the facility. The objectives vary depending on the function of the Outpost, and completing a task can cause enemy reinforcement. Similarly to FOBs, the Outposts act as fast travel points after they’re finished and can be used to call in supplies unlocked through Valor.

FIRST-PERSON SHOOTER - 80/100

As a first-person shooter, Halo Infinite’s campaign excels at the traditional formula while adding new gameplay elements like boss fights. In these additions, Infinite delivers a fun and memorable combination of well-paced storytelling and solid gameplay. The RPG elements, like armor upgrades, make for a more engaging experience by giving an enticing reason to explore the levels and open world of Zeta Halo. All of these elements come together and deliver an amazing FPS game that doesn’t disappoint.

GRAPHICS ART DIRECTION - 95/100

Halo Infinite is the most graphically advanced Halo to date thanks to the new Slipspace engine, which allows it to outshine the previous installments by providing new and updated visuals. The engine enables excellent use of volumetric lighting, giving the interiors beautiful rays of light that shine through cracks and around objects. Each of these components lends itself to the world of Zeta Halo and makes it a true marvel to look at. Indoor sections feel realistic through their use of volumetric lighting and high-resolution textures. These elements make the walk through Forerunner facilities feel strange and alien as the lights twist and turn while you maneuver through the halls. Master Chief's damaged armor looks amazing in the cutscenes, where it looks battered and beat from the various battles the suit has seen. Compared to Halo 5, it’s far more appealing in the lighting and detail while remaining much more realistic with its high-resolution textures. It’s small things like this that make all the difference in how you perceive the game and the time put into it.
The art design of the levels works great in conjunction with the Forerunner plot elements introduced in Halo 4 as the beginning of the Reclaimer Saga. We see a lot of the Forerunner technology at work through things like bridges appearing as you approach and the Forerunner Sentinels flying overhead and working on repairs within facilities. These seemingly small details play a big role in making the factions more believable while also allowing the world to feel unique. While some levels in other Halo games felt a little too similar to one another in some cases, each level in Infinite feels completely different while retaining the identity of Halo Infinite. Compared to the first mission, where the halls of the Banished ship are claustrophobic and limit movement while eliciting the feeling of having a daunting task ahead, ‘Silent Auditorium’ brings you within a massive Forerunner facility that feels larger than life and has a feeling of finality to it.
The larger-than-life buildings of the Forerunners combined with the shiny silver exterior that makes up their facilities make for very regal settings. When paired with the grand and open interiors, the areas provide a majestic feeling and truly make the sci-fi notion come to life. The Banished forces come with their own unique looks as well, with their scarlet armor providing a contrast to the environment that allows for them to be easily distinguished from the background. The scarlet of their armor compliments their ferocity in battle since the Banished aren’t ones to run away from conflict, even with Master Chief.

REPLAYABILITY - 85/100

One of the best parts of Halo campaigns is how replayable they are. Whether you’re playing alone or with a friend at your side, the story of Halo Infinite is captivating and gripping enough to make it worth a few extra playthroughs. The side missions and the optional bosses are plentiful enough that you may not be able to complete the extra objectives in a single run. Aside from a completionist run, you can also try your hand at the infamous LASO challenge. LASO, standing for Legendary All Skulls On, is the ultimate test of your Halo skills and can be as infuriating as it is gratifying once you make it through a section. LASO is just one of many challenging ways the community has made Halo replayable and always a fresh experience. Master Chief’s journey on Zeta Halo is easy to jump back into even after beating it and is great if you’re looking to experience a quality storyline in a fan-favorite universe.

FUN FACTOR - 95/100

The Halo Infinite campaign is incredibly fun and makes for a memorable experience with all of its new additions. Between the classic and new formula for Halo, it finds itself in the middle, where new gameplay elements mesh together with the traditional style seamlessly. The game succeeds at giving you fun new things to play around with while remaining true to the original Halo style. You’ll find the most fun moments when the gameplay finally ‘clicks’ and you manage to pull off that awesome sniper shot or kill that boss that’s been giving you trouble. It’s such a satisfying feeling when you manage to latch onto a Brute chopper with the Grappleshot and yank the Banished out of their vehicles. It feels straight out of a movie and makes you truly immerse yourself in the incredible feats Master Chief is known to pull off. These moments of triumph are what add up to making the campaign so fun and can keep you coming back for more.

TECHNICAL PERFORMANCE - 97/100

Through the time played on both Xbox One and Xbox Series X, the game was incredibly well optimized. The graphics were noticeably different between the two generations, but it’s to be expected with the hardware differences. The game ran as smoothly as ever from the beginning to the end of the campaign. The Xbox One had some intermittent lag and stutter, but it wasn’t enough to impact gameplay significantly. The game ran very consistently throughout the campaign experience and made for a very enjoyable experience since it suffered no crashes.

CREATIVE REVIEW

Halo Infinite, released on December 8, 2021, is an ambitious follow-up to 2015’s Halo 5: Guardians. The game began development by 343 Industries just three years later. This sci-fi first-person shooter is the third installment in the Reclaimer Saga that began with Halo 4 and was published by Xbox Game Studios. Infinite was intended to be a launch release for the Xbox Series XS but was delayed due to internal conflict on development decisions. This installment utilizes the new Slipspace engine in conjunction with Faber, a set of developer tools with some of its components dating back to the early 2000s. Since its release, the campaign has been the subject of critical acclaim, with many praising the innovations the new story brought with it. An open world, new armor abilities, and a new faction all come with the installment’s 28-hour story mode. On the other hand, the free-to-play multiplayer was heavily criticized for its lack of content at launch. Since then, Infinite’s multiplayer has gone through several seasons, each of them introducing new content and different cosmetics to obtain through battle pass progression.
When I booted up the campaign for the first time, I couldn’t help but reminisce on all the good times I had both solo and with friends in previous installments. Memories like Grifball on Halo: Reach, dying four thousand times to Jackal Snipers on Halo 2, and Arbiter saving Chief with a flamethrower in Halo 3. I went in expecting something at least a little better than the catastrophe of Halo 5, but instead, I was met with something very different and unique for the series. Let’s start from the beginning: the opening cutscene and mission one. While Chief is known to be one of gaming’s coolest characters, he got humbled extremely quickly. The scene opens with pure chaos ensuing. There’s fire, plasma, and bullets flying everywhere, and Chief is at the center of it all. I felt like a kid in a candy shop, watching him skillfully maneuver and take down several opponents. That is until the big baddie of the Banished came along. The following encounter between Atriox and Master Chief was absolute humiliation for the mean green killing machine. Atriox grabs him, beats him with his admittedly cool hammer, drags Master Chief through the hangar, and then throws him into space. I was in pure shock as to how Chief just got beaten like nothing. Isn’t he a ‘hyper-lethal’ class Spartan? Maybe it was because he got caught off guard. Regardless, I just watched my childhood get thrown to his presumable death, and I wanted revenge.
Mission one sees us go in a Banished Warship to free the Pelican that Echo-216 saved us with from certain doom. It was straightforward, and I got a good glimpse of that classic Halo gameplay loop so many of us loved: Exploration, combat, and then some exposition. It’s a simple yet effective formula that kept me engaged the whole game. In this opening mission, we get introduced to the newest piece of equipment: the Grappleshot. While simple, it plays a huge role in every aspect of this game. As I got the hang of using it, I found that I could use it for more effective maneuverability in combat, something I did the entire game, which saved me many times. I got to the control room and promptly blew the ship to Smithereens, which left me feeling a lot of satisfaction as I mentally recovered from seeing Chief beaten up by Atriox. After the Banished Warship and one other mission, we get to explore the open world of Zeta Halo.
The world is exciting and fun to explore while supporting characters and cutscenes only add to the already gripping story. I quickly fell in love with the campaign and its characters in a way I hadn’t felt since Halo 4. When I wasn’t doing one of the story missions, I was out, causing a ruckus with the side missions. The High-Value Target missions were personal favorites that you’ll love if you’re a fan of boss fights, something Infinite doesn’t shy away from and has plenty of. Each fight feels like a real challenge since they all put you at a distinct disadvantage, like the Pelican Down mission, where you fight Hyperius and Tovarus at the same time with limited space and weaponry. This challenge translated well into a stark contrast between regular enemies and bosses. It made the bosses really feel threatening, a feeling I felt most games lacked since the fight with General Raam way back in the first Gears of War. There were countless battles, a lot of dying, and tons of fun to be had.
By the time I reached the Silent Auditorium, I had amassed an arsenal of weapons that I thought would make it a piece of cake. Spoiler alert: it was far from easy. I struggled on this mission quite a bit and had to take a break and tackle it again the next day. There were tons of enemies of varying calibers and carrying a lot of guns, but that was nothing new for a final Halo mission. It feels like enemy AI was much better this time around due to technological improvements and level designs largely being in favor of the Banished. The Silent Auditorium is a beautiful but deadly level that kept me on my toes and gave me a real sense of finality and importance as I made my way through the Banished army, protecting the final boss. It really makes you utilize every bit of tech and upgrade you’ve gotten up to this point. I had to throw down many Drop Walls, use a lot of Grappleshots to run away and heal, and use more Threat Sensors than I could count. Eventually, I got to the final boss with little ammo and very small amounts of optimism about the upcoming fight. The reasoning is spoiler-heavy, so I won’t say much, but when you get ready for this mission, come prepared to die a lot.
Halo Infinite had a rocky beginning but has a bright future ahead of it so long as 343 Industries keeps up the amazing work they’ve been doing during the past and current seasons. The campaign is on par with the original trilogy, which many consider to be the pinnacle of the series. It manages to define itself as a fantastic third entry to the Reclaimer Saga that had a rough start with the release of Halo 4 and the negatively received Halo 5: Guardians. While the campaign introduces some things that may initially turn away long-time fans, the gameplay and new additions make the story able to be experienced in a new and unique way. This is only furthered by a fantastic upgrade system that keeps you in the fight against an enemy that hits hard and can take a punch. The level design choices utilize the new gameplay additions like the Grappling Hook to their full extent and encourage you to play around with your new toys, see what strikes your fancy, and master their uses. Likewise, the multiplayer has a lot of charm. The addition of new weapons, new maps, and new modes add up and make for an awesome bout of fun with friends or even by yourself. The seasonal releases and cosmetics for the multiplayer only add to the fun with what many consider to be the best customization received since Halo: Reach. It may have been roughly criticized in the beginning, but it’s clear that 343 Industries took the criticism and set out to give Infinite the makeover of a lifetime. Halo Infinite surpasses expectations while remaining humble in its delivery of an unforgettable campaign and an equally addicting multiplayer that keeps many of us coming back for more. It’s amazing to see how far the game has come since its beta, and it’s hard to contain the excitement that comes with pondering what comes next.

SCORE SUMMARY - 92/100

Halo Infinite is a fantastic entry into one of the most well-known gaming series, and it delivers on nearly every front in its campaign. The cutscenes are beautiful, the RPG elements are prevalent but not overpowering, and the core gameplay is reminiscent of classic Halo. The campaign is easily one of the best entries in the series and delivers a stellar game in all aspects.
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Roland Martinez
Reviewer
Favorite Game: Gears of War