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𝐀𝐁𝐎𝐔𝐓 𝐌𝐘 𝐑𝐀𝐓𝐄𝐒 & 𝐏𝐀𝐘𝐌𝐄𝐍𝐓 𝐎𝐏𝐓𝐈𝐎𝐍𝐒:

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(continuation of part 2)
III. e) The Mobius FF x FFVII collaboration
Alright, back to our suspension world-hopping! Let’s visit the realm of Mobius FF, —more specifically, the collaboration between Mobius FF and FFVII—, where I found the most substantial evidence for my theory.
In case you’re unfamiliar with the Mobius FF (MFF) world and games, let’s begin with a bit of a summary of the parts relevant to us. The story takes place in a world called Palamecia, to which people from other worlds are inexplicably summoned. The vast majority of those who are brought there don’t remember anything from their worlds of origin or their lives before Palamecia except their names: these amnesiac people are called Blanks. The main character is Wol, accompanied by a guiding fairy of Palamecia named Echo. Echo knows a lot about the mechanisms of Palamecia, as she’s tied to the realm. The leader of this world is Vox, a being who manifests only as a voice. The first thing all Blanks remember before they wake in Palamecia is Vox telling them the rules of the realm. Incidentally, the crystals of the MFF world are teleportation crystals.
III. e) i. Devs’ Statements
Let’s review some of the MFF x FFVII Remake collaboration devs’ statements before diving into its story.
For both the MFF x FFVII Remake collaboration and the Remake project, Kitase took on the role of producer while Nojima supervised the screenplay and wrote the scenario. The project leader was none other than the Remake trilogy’s Hamaguchi, who told a SE interviewer the following:

“We would love for you to play the [MFF x FFVII] collaboration event as you look forward to [Remake’s] release” (“Celebration of the Overseas Release of the Steam Version and FINAL FANTASY VII REMAKE Collaboration Event”, Square Enix).

He later hints at the collaboration’s storyline:

“This collaboration is focused on Cloud, so the other characters will not make an appearance. Players will join Cloud, who has gone astray in Palamecia, on his adventures and see how the story unfolds based on his decisions. Content-wise, FINAL FANTASY VII fans will surely become fraught with emotion as events unfold in-game (laughs).”

Kitase concurs on the emotional aspect of the collaboration in the same interview:

“When it comes to the story, I seek two things– ‘mystery’ and ‘[…] emotional impact’.”

Clearly, fans of FFVII are supposed to react emotionally to the events of the collaboration. With these statements in mind to give us perspective, we can get into the plot points relevant to our analysis. MFF x FFVII Remake comes in two parts, the relevant plot points of which I will describe and analyze one at a time.
III. e) ii. Eclipse Contact
1) Fact-Finding
Part one of the MFF x FFVII Remake collaboration event is called Eclipse Contact. It came out in 2017 on Aerith’s birthday, February 7th, and its release campaign ran until March. In Eclipse Contact, Palamecia welcomes someone new: Cloud Strife appears in the realm with very little recollection of his core world of FFVII.
Cloud isn’t a Blank, since he recalls the mako reactors in Midgar upon his arrival in Palamecia, and also remembers that he was hired by Avalanche to blow them up:

“Echo: How did you end up in Palamecia?

Cloud: I… That day... I remember now. A job. I had taken a job. I was hired muscle protecting clients. They wanted to stop the reactor... We used a train to get past security... Was it at night? Something happened... Next thing I knew, I was floating through darkness. Then [I woke up here]”.

This piece of dialogue reveals that Eclipse Contact Cloud’s memories end at the very moment when Avalanche arrives at reactor 1 in OG (disk 1, chapter 1): the very beginning of the game. Consequently, Cloud does not remember anything that happened from the beginning of the OG timeline onwards.
Wol and Echo are intrigued by Cloud’s strange case: non-Blanks rarely arrive in Palamecia. The following text appears on the screen shortly after they meet:

“Perhaps he is not truly who he thinks he is.
Perhaps everything is illusory, a dream.
Only one thing is certain, that he must press on, one step at a time, toward the light that shines from the promised land.”

Just like he did in FFT’s Ivalice, Cloud feels the need to find the Promised Land in MFF x FFVII, despite the fact that he lacks memories of the OG timeline. Though Cloud doesn’t remember anything beyond the train ride to reactor 1, he does remember the Promised Land (at least somewhat). This is odd, given that in OG, Cloud didn’t learn about the Promised Land until several chapters into the game.
Wol and Echo agree to help Cloud figure out why he’s here, since there’s clearly something strange going on with his presence in Palamecia. In fact, Cloud brought Midgar’s mako reactors with him somehow, transplanting them onto the landscape of Palamecia. The group decides to bomb these reactors, following Cloud’s instincts in the hopes that it will jog his memory.
Now for my favorite part. After blowing up another reactor, the group is surprised by the appearance of a crystal. A piano rendition of Aerith’s theme begins. When Wol tries to touch the crystal, something akin to a force field rejects him. When Cloud approaches it, however, the crystal responds to his hand by flashing with light. As it begins to glow, Wol concludes that the crystal is linked to Cloud and Cloud alone. Let’s examine the resulting dialogue:

“Echo: This is the light in your memories. The light of home.

Cloud: Home? But I don’t—

Echo: If you don't remember… then your home is lost to you.

Cloud: Then my memories are gone.

Wol: Do you want to reclaim your past?

Cloud: Not interested... I am what I am now. Not what I was.

Wol: Then tell me… This light. If you can’t remember it, what does it mean to you?

Cloud: It's a warm light... I feel at peace. If this place —home— is as warm and peaceful as this light, then I want to go there.

Echo: You can't go there... Not back to the past.

Cloud: I see.

Echo: But even if you can't go back to the past, you can go forward. If you wish for it strongly enough, the crystal will show you the way. The way to a new world. The way to your Promised Land. […]

Cloud: So... Should [I] take [my] chances and make a wish to this crystal?

Wol: Go ahead. It’s your crystal.

Echo: I should warn you that once you start on this journey, there's no coming back.

Cloud: The past is the past. I want to go to a place where everything is new. I’m ready.“

What follows is a moment I call the wishing scene (13:43-14:34). Cloud closes his eyes and wishes on the crystal. It flashes, and suddenly, rainbow-colored ripples of light appear around it. Aerith’s theme is replaced by a slightly modified version of “Midgar, City of Mako”, the track that plays during the opening cutscene of Remake. You can recreate the modification by listening to “Midgar, City of Mako” from 2:00 to 2:23, then skipping to 3:00 and listening until 3:18. You may recognize the musical motif that kicks off the wishing scene as the Lifestream motif, which has become symbolic of the mysteries of the Remake trilogy, as it often plays during scenes where unexplainable plot deviations from OG occur— more specifically, deviations involving multiverse shenanigans. For instance, it plays during MOTF 4. It also plays in Rebirth after Cloud blocks masamune as Aerith is shown dying anyway.
Cloud disappears with his crystal, after which Echo speaks to Wol about Cloud’s journey:

“Echo: Each person gets the Promised Land they justly deserve, not the one they really need. If you’re a bad person, you go to a bad place. If you expect nothing, you get nothing. Even the journey there makes you look deep within yourself to find out who you really are. Cloud should be facing his own past as we speak. It’s cruel, but necessary. That battle was a long time coming”.

Apparently, at least in the context of this collaboration event, the Promised Land can be a reward or a punishment, depending on which you deserve. Echo explains that Cloud will have to face himself and his past on his way to his Promised Land. This means that the Cloud that appears in Eclipse Contact must next embark on a journey that will confront him with his past, test his mettle, and ultimately lead him to the Promised Land he justly deserves.
III. e) ii. 2) Fact Analysis
There’s a lot of vital information to dig into here, mostly provided by Echo. She claims that the crystal’s light is linked to Cloud’s memories of home; Cloud has to have known this home in the past, as it could not otherwise exist in his memories. MFF Cloud must be a post-OG Cloud. Unfortunately, Echo indicates that whatever Cloud’s home is, he’s lost both it and his memories of it. Despite this, Cloud describes his home as warm and peaceful, concluding that he wishes to find it. Though Cloud can’t return to the past, Echo tells him that if he wishes it strongly enough, the crystal can guide him toward a new world, where his home and his Promised Land exist in the future. The fact that Aerith’s theme is playing all throughout these descriptions of Cloud’s lost home, his Promised Land and the past that he can’t return to makes it extremely obvious that these concepts all point to Aerith. Aerith is Cloud’s lost home. Wherever Aerith is, that’s his Promised Land. The time spent with Aerith before her loss is the past he tragically can’t return to. You might have clocked the similarities between Eclipse Contact’s mention of Cloud’s lost home and DFF’s mention of Cloud’s lost dream: in both these titles, Cloud’s home and dream are equivalent to his Promised Land. It’s confirmed yet again that Aerith is the one Cloud hopes to return to, just like every soul returns to the Lifestream. At this juncture of my research, I was curious as to why the last thing Cloud remembers before waking in Palamecia is the run-up to the Reactor 1 bombing mission in OG (disk 1, chapter 1). This mystery will have to persist for a while longer.
The alarm bells in your head might’ve been triggered by the mention of the wishing scene’s rainbow ripple effects— and rightfully so. This visual cue has sparked passionate debate in the fandom since its appearances in Rebirth, as seen in these pictures:
Zack Choosing To Get A Cure For Cloud, Rebirth Chapter 14; Creating a New World/Timeline
Aerith Pushing Cloud Out of that World/Timeline, Remake Chapter 14
Cloud Blocking Masamune, Rebirth Chapter 14; Creating New World/Timeline
You might have read or heard that this rainbow effect signifies that a character has entered another timeline, created a portal to another timeline, created a new timeline or is being shown different timelines. Indeed, whenever the OG timeline is deviated from in a significant way, this effect appears. The pictures above present multiple examples of these shifting realities.
One might propose that the rainbow ripples in Eclipse Contact and Rebirth are unrelated because of the long period between their respective release dates. This long in-between period indeed makes it likelier that the effect was used without forethought in Eclipse Contact, forgotten over the years, and incidentally reused in Rebirth as a plot-important visual cue with no connection to Eclipse Contact. I’m inclined to disagree since the crystal is specifically described as a vessel that can take Cloud “to a new world” by Echo, which is a bit on the nose. Regardless, it’s plausible that there’s no connection. That is, it would be, if the rainbow effect didn’t show up in Remake too.
When the Whispers are finally defeated in chapter 18 of Remake, a burst of the rainbow ripple effects indicate the emergence of multiple worlds, newly freed from the restrictive clutches of fate (1:16:36-1:16:47). Shortly thereafter, Sephiroth takes Cloud to the Edge of Creation and invites him to join forces with him. Cloud refuses, and Sephiroth says the following:

“Seven seconds till the end. Time enough for you. Perhaps. But what will you do with it? Let's see.”

The question “What will you do with it?” implies that the answer is unknown, meaning Cloud is no longer bound to the OG timeline by fate: many alternate futures lay ahead. Sephiroth is telling Cloud and the audience that now, the mystery of the Remake trilogy has become “Which future will Cloud bring into existence? Which among the infinite possible timelines will his choices result in?” After pondering this aloud, Sephiroth leaves Cloud alone to consider the rainbow effects in the sky (1:19:23-1:19:36). Because they generally represent alternate or changing timelines, it’s safe to assume that the rainbow ripples here represent the myriad of possible worlds that Cloud’s actions in those seven seconds could generate. After all, Sephiroth was just talking about them, and chapter 18’s description in Remake reads as follows:

“In a world beyond, Sephiroth shows Cloud a vision of the planet seven seconds before its demise. Having strayed from the course destiny set for them, they strike out on a path towards an unknown future."

This explains why the player is shown Cloud staring at those colors in the apocalyptic sky at world’s end, directly after hearing Sephiroth’s cryptic words: those are all the alternate “unknown future” timelines ahead of him, now unravelled from fate. Amongst those rainbow ripples lies the answer to the question “What will you do with [the seven seconds]?”
Given that Remake was released in 2020 and Eclipse Contact came out in 2017, the major story elements of the Remake trilogy —including the eventuality of alternate timelines— had to have been planned out at the time of Eclipse Contact’s release: while the MFF x FFVII Remake collaboration was being made, Remake was also in production. Also recall that the collaboration event and the Remake trilogy share a codirector in Hamaguchi, a writer in Nojima and a producer in Kitase. Based on all this, it’s more than likely that the rainbow ripples in the Remake trilogy and inEclipse Contact represent the very same thing: alternate worlds and timelines. All this to say that when the rainbow effect appears around the crystal in the Eclipse Contact, it means the crystal is acting as a vessel to another world, just like Echo said.
But that’s not all Echo said: she also mentioned that this other world would take Cloud to his home, to his Promised Land. We’ve already established what that means for Cloud, what it’s meant since two whole decades at the time of Eclipse Contact’s release: this crystal will take Cloud to Aerith. So, where exactly did the crystal take Cloud? In what world can he meet Aerith again?
The music that plays during the wishing scene gives us a huge hint. As I noted before, the track playing in the background is a slightly modified version of Remake’s “Midgar, City of Mako”, which plays in the introduction cutscene of Remake. This is a musical cue that the ending of Cloud’s journey in Eclipse Contact and the very beginning of the Remake trilogy are closely related. Add the fact that the devs wanted players to experience this collaboration event before playing Remake, and it becomes undeniable: the crystal that appeared to Cloud in Palamecia —which offers to lead him to his home and Promised Land, meaning to Aerith—, took him to the world of the Remaketrilogy.
Eclipse Contact is huge. The whole crux of my theory lives and dies right here. However, we still have part two of the MFF x FFVII Remake collaboration event to analyze as well as its promotions to look into before I can drop the thesis on you, so bear with me in order to receive the most thorough analysis of all this possible! I want to give you every drop of proof I can!
III. e) ii. MFF x FFVII Remake Fatal Calling
1) Fact-Finding
Fatal Calling came out February 1 of 2018, and its release campaign ended in March. The game opens with a cutscene: Cloud is floating, seemingly unconscious, through a sparkling, green current of light. The current flows into a circle of bright, white light, surrounded by rainbow ripple effects as Cloud is driven toward and into it. An orb floats along with him. The Advent Children theme “The Promised Land” plays, a choir of mournful, aching, mutedly desperate souls engaged in a lamenting prayer. Sephiroth’s voice echoes:

“Sephiroth: It’s time. You may turn your back on the past, lock your memories away. Hide reality beneath a layer of illusion. But destiny will not die so easily. Yes. At memory’s end you may plead for it all to go away. But the past is a curse, binding your soul. It’s time. Wake to your fate. Rise to your destiny.

Cloud: (In a half-conscious grunt) Reunion…

Sephiroth: The light will lead you. Wake to your fate. Rise!”

Sephiroth’s mentions of Cloud hiding under an illusion and repressing his memories are no doubt allusions to Cloud’s past, which was complicated and darkened by Hojo’s experiments. It makes sense, then, that Cloud responds with “Reunion”. Fatal Calling indeed focuses on Cloud’s relationship to his past, his identity and Sephiroth. Everything involving Nibelheim —where everything started—, Sephiroth’s manipulation, and Hojo’s experiments are on the table. Also noteworthy if not out of place is Sephiroth’s evocation of fate.
Cloud enters a battle with Sephiroth with the help of Wol and Echo, who are surprised to see him back in Palamecia. Cloud tells them about the orb seen floating along with him in the opening cutscene: though he calls it a materia, he doesn’t know how or when he acquired it. Based on his behavior, it appears that Cloud remembers just as little about the events of OG as he did by the end of Eclipse Contact. Wol informs Cloud that whoever he heard speaking to him on his way here was probably Vox pretending to be Sephiroth.
As the group advances, Cloud recalls Midgar and decides they should go there next. At one of Midgar’s mako reactors, the group encounters Sephiroth, who speaks to himself:

“It's still not enough. This... this is but a pale imitation of the power I desire.”

Once Sephiroth has disappeared, Cloud explains what he remembers: Sephiroth was the greatest SOLDIER of all and a hero to Cloud, though Cloud can’t remember what exactly ended this admiration. As players of FFVII OG, we know the event in question is the Nibelheim incident, wherein Sephiroth slaughtered the town’s residents, including Cloud’s mother, after learning of his past. The former war hero also severely injured Tifa, whom Cloud presumed dead when he found her in the old mako reactor with a vicious slash on her chest. Cloud is agitated by the gaps in his memory, so the group resolves to follow Sephiroth for answers. When they find him again, Sephiroth causes Cloud to experience a piercing headache with the mere mention of the Reunion. They fight, but Sephiroth is too powerful— he skewers Cloud with the masamune and taunts his unconscious body:

“Sephiroth: A puppet. I won’t kill you. Not yet. Not until you know true despair.
Wol: If you want despair, we got plenty to go around. Palamecia’s full of it.
Sephiroth: Yes, this planet knows suffering. But it is not the world that was promised to me. I must go home. Tell Cloud, if he wants to see me again, he should face his memories. I will await him there, in the land of memory, where it all began. In Nibelheim.”

Sephiroth darkens Cloud’s materia, turning it black. Later, Wol explains to Cloud that Sephiroth stole the light from his materia, taking Cloud’s strength along with it.
Once Cloud has woken up, the group travels to Nibelheim to uncover the truth about Cloud’s memories. Cloud slowly gathers pieces of his past, shown to the player as titled, diary-like text written from various perspectives. Cloud learns the truth about SOLDIER, Jenova cells, Sephiroth, and what happened in Nibelheim. Let’s examine a few of these diary entries:

“A Warrior’s Tale: There's a girl in Nibelheim I think about. Warm. Cheerful. More grown-up than a child. Haven't talked to her much, but she seems nice. She's going to be leading the SOLDIERs to the mountain reactor. Maybe if I get into the survey team I'll get a chance to talk to her? Nah. She's out of my league.”

Young Cloud’s crush on Tifa is on full display! This must be a memory from his time as an infantryman accompanying Zack and Sephiroth to Nibelheim.

“Tale of the Nameless: I drift along in the mako, asleep. Who am I? Who am I? Who am I? Who am I? Give me a number. I… I… I am… The Reunion. The Reunion must happen.”

This entry could be taken from any one of the Nibelheim survivors’ perspectives, as they were all bathed in mako and turned into Sephiroth clones. I would venture to say this is Cloud’s perspective though, given the reference to this iconic line from OG:

“Cloud: Professor... please give me a number. Please, Professor...
Hojo: Shut up, miserable failure.” (disk 2, chapter 2).

The trio encounters Sephiroth near the old Mt. Nibel mako reactor. Because Sephiroth stole the light from his materia earlier, Cloud goes into the confrontation already drained of his strength. However, when Cloud lifts the materia in his hand, it lights up and creates rainbow ripples in the air around him, similar to those seen in Eclipse Contact and Rebirth. Cloud is healed of his injuries: he closes his eyes for a moment, wearing a peaceful expression. Sephiroth is displeased, but recovers quickly:

“Sephiroth: The guiding light… it healed you.

Wol: […] here, near the mako reactor, the materia regained its light. And your strength returned […]. [Sephiroth]’s here so he can steal the power you've stored inside that materia.

Sephiroth, with a short laugh: I have all the power I need. Cloud. What strength you’ve regained is yours. Use it to fight me. It’s time. Let’s decide this, in this land lost to despair. The prize is home. The Promised Land. There to answer the call of destiny.”

With this second evocation of fate, Sephiroth disappears.
Cloud, Wol and Echo find Sephiroth at the Northern Crater. He mocks Cloud for believing the orb in his possession is materia. Sephiroth waves a hand and his signature black and purple fog surrounds Cloud, immobilizing him. Sephiroth claims that the power Cloud regained at the Mt. Nibel reactor was Sephiroth’s all along. Now that it courses through Cloud’s veins, Sephiroth controls him. He calls Cloud his puppet and finishes with the following before the two vanish, leaving Wol and Echo alone:

“Now, let us return. Back to the Promised Land. The time of the Reunion has come.”

After Cloud finally breaks free and defeats Sephiroth with the help of Wol and Echo, the villain makes a final threat:

“Very good, Cloud. You’ve destroyed an illusion. But the time will come to abandon your illusions and face reality. Then, you will know true pain.”

Sephiroth disappears for the last time, his body surrounded by his signature dark fog and the rainbow ripples. A piano rendition of Tifa’s theme begins. Cloud’s orb rises into the air and becomes a crystal, with the same shape and glow as the one we see in Eclipse Contact. The following dialogue is illuminating:

“Cloud: I will fight. The light will lead me where I need to go.

Wol: You sure? Wasn’t that [crystal] Sephiroth’s?

Cloud: I heard Sephiroth's voice, at the end. Inside me. Whatever he put in me, it’s still in there. Someday I’ll settle that score. If I can't avoid destiny, I might as well face it head-on.

Wol: Yeah. That was quite a speech, Cloud. Surprised you made it through without laughing.

Cloud: Yeah, forget I said it. I will too.

Echo: Forgetting won’t make it go away. Even if the words fade from memory, your dream will never disappear. Not until it becomes real.“

The crystal shines as though in response.

“Echo: See? See, that's how the light of hope works. Hope can turn your dreams into reality.

Cloud: Yeah. I guess so. I might forget this world, but I won’t forget hope. And my reality, that’s for me to live.”

Tifa’s theme ends. Cloud approaches the crystal, and disappears in a beam of blinding light. Once Cloud has vanished with the crystal, Aerith’s theme begins playing. A few pale feathers with a slight orange tint (the color of MFF) float down onto the floor where he stood seconds before. The image fades to black. The credits roll, and Aerith’s theme continues all the way through.
Once both the final name in the credits and Aerith’s theme fade, we’re surprised by a sudden, troubling image: Sephiroth appears in a frightening flash, standing amidst the flames of Nibelheim. When his image fades to black, the collaboration title *“Final Fantasy VII x Mobius Final Fantasy”*appears on the screen. The FFVII title is surrounded by the 1997 meteor logo. Then, a flash of light: the titles reappear, except this time, they read “Final Fantasy VII REMAKE x Mobius Final Fantasy”. The new Remake Meteor logo replaces the 1997 version. As soon as these changes to the FFVIItitle and meteor logo occur, Aerith’s theme returns. It plays on until the game ends a few seconds later, the screen fading to black.
III. e) ii. 2) Fact Analysis
The introduction cutscene shows that MFF Cloud travelled from Eclipse Contact to Fatal Calling via Lifestream. It’s unclear how much time has passed in between, but the atemporal nature of the Lifestream makes the question irrelevant. My theory that MFF Cloud has died is corroborated by the way he’s depicted in the opening cutscene: his eyes are closed and his body is limp as the Lifestream carries him.
Eclipse Contact ended with Echo’s claim that Cloud will face his true self and confront his past while he journeys to his Promised Land. This description resembles what Cloud experienced in the OG Lifestream sequence (disk 2, chapter 8). Indeed, Fatal Calling revolves around the same topics the Lifestream sequence addresses: the truth about the Nibelheim incident, Hojo’s experiments, young Cloud’s crush on Tifa, etc. The opening cutscene shows Cloud being transported to his Promised Land and facing his past on the way there, just like Echo said he would.
Let’s now take a long detour to examine the song that plays during the opening cutscene of Fatal Calling: “The Promised Land” theme from Advent Children. The title and general subject of this song are obviously relevant to the cutscene, but there must be more to its inclusion than that. Perhaps the lyrics can help us understand its appearance in the opening cutscene of Fatal Calling. Here are the unofficial English lyrics (translated from the original Japanese lyrics by an anonymous fan and verified by me via DeepL):

“Why do we cling together?
Why do we give punishment to lesser hearts?
The planet did not forgive us
Did not forgive us
The planet did not forgive us
Did not forgive us
The pulse of veins flows through the earth
A faint, faint pulse
Of a heart drawn to death
A gentle life returns to the planet
Is it necessary to sacrifice souls?
Why do we cling together?
Why do we beg for forgiveness
In the Promised Land?” (“‘The Promised Land’ (theme)” by Final Fantasy Wiki).

The song appears to be a regretful lament of human behavior, expressed by the repetition of “Why do we […]?” questions. The behaviors listed are all typically human ones: the terms “[clinging] together” and “[giving] punishment to [the] lesser” express the uniquely human nature of tribalism and the consequences of the fear and hatred it can generate, and “[begging] for forgiveness in the Promised Land” is likely a reference to the human hypocrisy of only feeling sorry for one’s crimes when judgement day arrives. This last line describes a scenario where someone remains passive or ignorant in the face of something important, only to realize its essentiality once it’s too late. The repeated“The planet did not forgive us” lines reflect the fear of being condemned forever because of one’s mistakes, as though the planet is a deity one has sinned against. The lyric describing a pulse in the earth is obviously about the planet being alive— a reference to the Lifestream. But the pulse is faint and weak and the planet is dying, perishing because of mankind’s greed. This is an indictment of mako energy. The line “A gentle life returns to the planet” refers to an innocent’s soul returning to the Lifestream after death, while the next lyric “Is it necessary to sacrifice souls?” protests the “sacrifice” of the planet’s soul energy for mako production. In all this darkness, this song’s mention of “forgiveness in the Promised Land” leaves a modicum of hope for a better place, however meek, even though mankind might not deserve it. The song “The Promised Land” is both a lament of mankind’s ways and a plea for mercy, with religious and/or spiritual undertones. The song’s themes seem to be: the Promised Land itself, regret and shame, the sins and foolishness of mankind, the death of innocents, grief, Cetra spirituality, and a meek, quiet hope despite it all. The most interesting aspect of the song is its antithetical portrayal of death as a thing of both despair and hope, condemnation and salvation, cruelty and mercy, suffering and relief. Maybe we can glean more information about this theme’s significance in the world of FFVII if we examine the contexts in which it appears.
Importantly, the song plays in Marlene’s introductory narration of Advent Children, meaning its themes are related or similar to the film’s. I highly recommend listening and watching it again, even if you remember this iconic segment. Marlene references Aerith’s sacrifice as the image of Cloud lowering her into the water is shown. Note that Marlene says “Sadness was the price to see it end” (2:36) after we are shown Aerith’s death and her subsequent unleashing of the Lifestream (1:49-2:24): Aerith’s innocent life was sacrificed for the planet’s survival. The lyrics “A gentle life returns to the planet” and “Is it necessary to sacrifice souls?” suit Aerith’s situation quite well.
The theme also plays in Advent Children as Kadaj dies in Cloud’s arms (1:45:00-1:47:55), hearing Aerith’s gentle voice and reaching up to take her invisible hand. Here is what Aerith says to him in his dying moments as “The Promised Land” plays:

“Aerith’s voice: Kadaj?
Kadaj: Huh?
The dark sky has gone with Sephiroth. Healing rain starts falling from bright clouds. The rain no longer hurts Kadaj.
Aerith’s voice: You don’t have to hang on any longer.
Kadaj: Mother! Is that…?
Aerith’s voice: Everyone’s waiting, if you’re ready.
Kadaj nods his head slightly in acceptance. He holds out his hand, and slowly evaporates into the Lifestream. Cloud watches […]” (Advent Children).

Kadaj is brought into the Lifestream by Aerith as she provides rain from the Lifestream. All those with geostigma are healed by the rain, and Tifa feels Aerith’s presence as the party celebrates:

“Tifa, looking out at the falling rain […]: Somehow, I knew you were there. Thank you” (Advent Children).

Cloud stands in the rain with a smile —his first in the whole film—, closes his eyes and basks in Aerith’s healing with his face upturned. He is finally at peace:

“Cloud’s expression is one of peace as the [Lifestream] rain patters against him” (Final Fantasy VII Advent Children English script, “[83] Atop the Shinra Building”).

One thing is clear: the track “The Promised Land” accompanies Aerith. It only makes sense, since we’ve seen overwhelming evidence that she is Cloud’s Promised Land, and since she occupies the Lifestream —which some consider the Promised Land as it is where souls go after death— during the events of Advent Children. Note that when the piece plays, Cloud is shown either mourning Aerith and releasing her into the river at the Cetra capital, or basking in her presence, smiling with relief at the peaceful feeling that she’s somewhere near: these two opposing scenes reflect the song’s antithetical portrayal of death.
Additionally, the song’s themes of regret, shame concerning one’s sins and a small hope perfectly describe Cloud’s character arc and feelings in Advent Children. Cloud regrets his inability to save Aerith, which he considers a sin. Further, he only realized how important she is to him once it was too late to tell her. And of course, he harbors a fragile yet important hope that he’ll be reunited with her in the Promised Land:

“‘Can sins ever be forgiven?’ — Cloud asks this to Vincent, who mutters a brief answer. For both of them, ‘I couldn't protect my loved one’ is the sense of guilt that they carry, so their words resonate with weight” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVIIWorld”, “Vincent Valentine”, “In Advent Children”, page 72).

&

"’It is my sin that I couldn't protect my loved one’ — under this assumption, Cloud closes off his heart. What will the reunion with Aerith bring him? ‘I... think I want to be forgiven. Yeah, I just want to be forgiven’” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVIIWorld”, “Cloud Strife”, “In Advent Children”, page 40).

&

“Cloud, after seeing Aerith’s hand reach for him through the Lifestream: … I think I'm beginning to understand.
Tifa: What?

Cloud: An answer from the Planet… the Promised Land... I think I can meet her... there” (disk 3, chapter 3).

Just as the song and Marlene express in the introduction of the film, Aerith was innocent, and her sacrifice generated great grief. Cloud finally experiences peace when he feels her presence in the healing rain, and he smiles: he’s glad to be with her again, even if it’s only for a brief moment of tangential respite.
The scene depicts Aerith guiding Kadaj into the Lifestream as the song plays, tying her to the concept and theme song of the Promised Land once more. This connection is later solidified by Tifa’s thanks to the late flower girl. All of this evidence shows us that this musical theme is intimately linked to Aerith, as it never plays in her absence. After all, the song speaks of sins, the death of innocents, forgiveness, grief, a small sense of hope, regret and the afterlife: all themes relevant to Cloud’s feelings surrounding Aerith’s death in and outside of Advent Children.
The Remake OST also includes a version of this piece called “The Promised Land - Cycle of Life”. This iteration of the theme begins playing in the wake of the first bombing mission, right after Sephiroth taunts Cloud with his mother’s dying words in Sector 8 (chapter 2). Sephiroth appears to Cloud surrounded by flames, evoking the Nibelheim massacre, and the theme begins playing in the background once he disappears, continuing (13:17-15:30) as Cloud walks through the sector, encountering fires and destruction all around him. This version of the Promised Land theme is meant to emphasize the deaths of the innocent Nibelheim townsfolk and the innocents in Sector 8. This dreadful atmosphere is amplified by the cries of despair that ring all around as Cloud passes by NPC Sector 8 residents. Perhaps the themes of tribalism and mankind’s sin are relevant to this scene as well, since Shinra and Avalanche are two distinct and warring groups whose quarrels, regardless of their necessity, result in the deaths of innocents. The theme of guilt also emerges, reflecting the Avalanche members’ feelings upon seeing the unintended collateral damage of the explosion. “The Promised Land - Cycle of Life” plays until Cloud encounters Aerith on Loveless. So it seems in this scenario, the heavy weight of death and despair is lifted when Cloud meets the lively, cheery Aerith. Once more, Aerith is central to the musical theme of the Promised Land, as well as to the concept itself.
I also noticed that a version of the song plays as Cloud and the party ready to enter the Forgotten Capital to save Aerith in Rebirth’s chapter 14: it truly adds the weight of her upcoming death to the scene.
Back to Fatal Calling, the scene where Cloud regains his strength is quite mysterious. Wol says Cloud’s orb regained its “guiding light” light because of its proximity to the mako reactor. In the moment his strength is replenished, Cloud is shown tilting his head back and closing his eyes: this is reminiscent of the scene in Advent Children when he stands under Aerith’s healing Lifestream rain, feeling at peace. The rainbow ripples shining from the orb indicate that something is crossing the boundaries of worlds. Since the mako reactor pumps up the Lifestream, being near a reactor also means being physically near the Lifestream. This means Aerith’s spirit is within proximity. In my opinion, Aerith was able to heal Cloud from the Lifestream, just like in Advent Children. However, Aerith is not in Palamecia with him: her healing had to travel there through the Lifestream, transcending the boundaries of worlds, hence the rainbow ripples.
Let’s now address the appearance of Tifa’s character theme in Fatal Calling. Since Fatal Calling is all about discovering Cloud’s past in Nibelheim and then in Hojo’s lab, it makes lots of sense for Tifa’s theme to play as the crystal appears. In OG’s Lifestream sequence (disk 2 chapter 8), she’s the one there helping Cloud sort through his past instead of Wol and Echo. Cloud even picks up a piece of his childhood crush on Tifa in Fatal Calling as a shard of his memory. After all, this crush was the catalyst for him joining SOLDIER, and everything that transpired in consequence:

“Cloud: That was the first time I heard about Sephiroth. If I got strong like Sephiroth, then everyone might... If I could just get stronger... Then even Tifa would have to notice me” (FFVII OG, disk 2, chapter 8).

Additionally, it’s fitting that her theme should begin right after Sephiroth speaks of “[abandoning] your illusions and [facing] reality”, considering that Cloud’s false persona was concocted by Jenova using Tifa’s mistaken impressions of Cloud:

“While being tended to by a station worker in the Sector 7 Slum train station, [Cloud] was reunited with Tifa, and using the abilities of Jenova’s cells, formed a new personality” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVII World, “Cloud Strife”, “Cloud Behavior Record, Compilation of FFVII”, page 40).

&

“(Image caption:) A new personality takes shape the moment he sees Tifa” (FFVII Story Playback, “Story Check: Tifa’s Flashback”).

&

“Tifa (to Cloud): Deep down, you're a pretty nice guy. Didn't see it when we were kids, but...” (Remake, chapter 14).

Abstract: This thesis presents a practical framework for traders under 5 years in the markets to identify potentially profitable stocks. By combining fundamental and technical analysis, along with tracking the float and daily volume, traders can make informed trading decisions. The analysis focuses on stocks with a minimum daily volume of 2 million and a market capitalization of at least 500 million.
Introduction: Successful trading requires a systematic approach to finding growth stocks. This thesis explores the use of fundamental and technical analysis methods to assess investment potential.
Methodology: The study focuses on stocks with a daily trading volume of 2 million and a market capitalization of at least 500 million. This is done because market caps under 500 million can be easily manipulated. The 2 million in trading volume shows the stock is a mover and interest is in that particular stock. The float is tracked and compared to average volume, along with an assessment of company profitability and cash position.
Results: The methodology generates a list of uptrending and downtrending tickers, representing potential trading opportunities based on the identified criteria. The list is subject to change, and prices may vary depending on execution timing.
Discussion: Considerations when seeking trading plays include premarket volume, volume compared to the previous day, and other factors mentioned in the methodology. Thorough research is necessary before making trading decisions.
Conclusion: By integrating fundamental and technical analysis approaches and considering the float, daily volume, and company financials, traders under 5 years in the markets can enhance their ability to identify profitable trading opportunities. The thesis provides a comprehensive approach to trading decisions, with the understanding that the presented list of tickers may vary, and prices may differ based on execution timing and market conditions.
Uptrending Tickers

• FCEL 6/21/24 1C .10
• PACB 6/21/24 2C .40
• SPCE 6/21/24 1.5C .19
• CLOV 6/21/24 1.5C .10
• LCID 6/21/24 3.5C .28
• ONON 6/21/24 37.5C 1.46
• BB 6/21/24 3.5C .75
• DNA 6/21/24 1C .05
• ASTS 6/21/24 3C .15
• ME 6/21/24 1C .05
• MP 6/21/24 20C .85
• BLUE 6/21/24 1C .15
• SANA 7/21/24 10C .90
• RUN 6/21/24 12.5C 11C
• BLDP 6/21/24 4C .05
• ODD 7/19/24 50C 1.45
• BFLY 6/21/24 1C .10
• HOOD 6/21/24 19C 1.08
• VERU 7/19/24 1.5C .21
• ERJ 6/21/24 30C 1.00
• RXRX 6/21/24 11C .80
• TLRY 6/21/24 2.5C .17
• FSLY 6/21/24 10C .34
• DM 8/16/24 1C .05
• JOBY 6/21/24 6C .15
• GEVO 6/21/24 1C .05
• ACB 6/21/24 7C 1.00
• RKLB 6/21/24 5C .15
• TDOC 6/21/24 15C .25
• ROKU 7/19/24 75C 1.50
• CERS 6/21/24 2C .20
• SIRI 7/19/24 3C .26
• TUP 7/19/24 2C .44

Downtrending Tickers

• WOLF 6/21/24 20P .45
• ACHR 6/21/24 4P .35
• ORCL 7/19/24 110P 1.96

Shalom everyone.
I'm a European Jewish student in the Netherlands where the environment has turned incredibly toxic and aggressive. I am part of the Jewish Student Union in the Netherlands and frequently go into (futile) discussions with the University about Jewish issues on campus. I am sick of having to support Israeli or Jewish students that want to drop out because they lost all their friends. I organize commemorations, monitor protests in the country and events for Jewish students. This, next to trying to find a job whilst finishing my degree... It got me burnt out and I can't seem to get to write my Thesis. I am active as 'Jewish activist' in W-Europe so that world is my family and social circle at the moment.
I went to Israel in November to attend the funeral of someone I knew at NOVA. Somehow, this got out among students and 'Students for Palestine' that I went to Israel. I was painted as "Zionist" that went to support the IDF. The SfP chapter went to my friends and threatened them to cut ties with me or they would also be painted as Zionist. I have one non-Jewish friend left in my life. One. The others stand like zombies screaming for intifada and resistance. It hurts me because I have always, ALWAYS, tried to become friends with non-Jews so I could heal my ignorance and I could heal theirs. Now, nothing matters. I find myself waking up in cold sweat, believing someone breaks into my appartment. A few years ago at another University, someone ripped off my mezuzah and put a small swastika in my door with a knife.
I don't find another alternative than to work professionally in the Jewish world. I am deeply uncomfortable with this generation at University and how they have twisted our identity. If you're a Jew supporting Israel, you suddenly aren't Jewish, only a Zionist, in their minds.
Why on earth should I take pride of having a degree at a University that bends down to pressure from pro-Palestinians that are not for peace?
Do you guys somehow feel similar?
After being hit by a fire extinguisher last week at Amsterdam's encampment, I have reached a breaking point. I want to return to my Jewish bubble, but I also want to continue my interfaith projects. I want to feel ignorant again.
I am trying my best to get closer to Hashem again yet I feel awful for returning to G-d only in my lowest points. Since October 7, I have gained a lot of weight, don't spend a second on hobbies anymore. Instead, I am glued to my screen watching reels of antisemitism and engaging in substance abuse to quell my pain.
Sorry for the extensive rant. In brief, I want to know. Do you guys experience something similar or am I the only shmuck unable to handle the challenges? I have a BA degree but would love to start working already. I do NOT feel comfortable in my surroundings at all.
Would love to hear some experiences and thoughts.
TLDR: Jewish student in Netherlands. Burnt out due to the War, activists and losing all my friends. Can't get any motivation to write my Thesis. Desiring to retreat to the Jewish bubble.
Thank you. Hazak Ve'Ematz.
EDIT: Hey everyone! Thanks so much for your support and care ❤️ I'll get through the comments and reply soon but I really appreciate our community and the uplifting. I'm gonna do my best for the Thesis and to get out of the negativity. Mindset on getting out and starting fresher. Shavuah tov and be safe!

So, it’s been suggested that we present a simplified overview of the recent essays (linked below) that I co-wrote with respected analyst Hanna Kahlert, of renowned London-based MIDiA Research, which covered so much territory of interconnected concepts that all affect the current and future viability of the music industry. This summary eschews the essays’ “$10 words,” (with the exception of using “eschews” here!) with which some have struggled, and is shared in the bite-sized, more digestible form of a survey and petition in combination with this summary/bullet point preface of some of the most salient points. The survey and petition presents the essence of our thesis in the uncomplicated context of a proactive social impact campaign format.
First, let me explain. I grew up in a Long Island suburb town (about thirty miles outside New York City) during the “English Invasion” of music. I’d first hear new releases on my FM clock radio tuned to stations that prided themselves on finding the “cool stuff” first. It was a time when we were met almost every day with another astounding, mind-blowing record and artist to discover, often with something worth thinking about and culturally significant. Sometimes these releases would even be life-changing. Many of these recordings would become iconic — classic evergreens with songs covered endlessly. Yes, like today, there were also dismissable records then. The difference would seem to be that there are more songs about nothing today, replete with de rigeur profanity that only further detracts and is anything but “cool." While there are some very imaginative productions and impressive singers, there are few records now that demand a cerebral, emotional response, and there is a dearth that will be remembered as moving the needle at all, so to speak. Even customary love themes are largely just recycled imitations of the greats.
Since I also relate to the sensitivity of empaths — someone attuned to the deep feelings of those around them at a personal level — I tend to gravitate to music with a message that connects with us viscerally, that which touches the soul. Especially in our currently fraught times, there clearly is a need for thought-provoking music and for more attention given to the evolution of this genre of what was once deemed “protest songs.” Socially poignant music is a category that disguises protest in metaphors and yet is just as potent. It will create community and superfans, lift spirits, and engender a large movement of positive social advocacy. I established Socially Driven Music to develop and market #Music4APurpose. The concept resonated with Hanna Kahlert and we set about to co-write what we envision.
While developing our conclusions towards offering actionable, viable value-propositions for the music industry, we took several months to sort our ideas, research, digest and assimilate the daily deluge of information about changes battering the music industry. While I wasn’t aware that Mark Mulligan, MIDiA’s Founder and Managing Director, was developing his “Bifurcation Theory,” it is validating to be in sync with his thinking and to be presenting what I consider to be the roadmap to implementing that theory. I am excited about offering takeaways that will hopefully propel many away from feelings of helpless, hopeless despair and towards optimism and positive activism through the enrapture we seek from our music and the communities built around it.
Socially driven music has traditionally been a powerful way to raise awareness about issues across the board, such as Discrimination, Climate, Democracy, Mental Health, Bullying, Substance Abuse, Antisemitism, Equality, Homelessness, Veterans, Suicide,Terrorism, Gun Control, Women’s Productive Rights, Food and Clean Water Insecurity, Cancer and other illnesses, Animal Rights/Protection, Environmental Justice, Oceans, LGBTQ+ rights, etc. Our mandate recognizes the crucial difference of a sustained campaign animated by a song.
Above all, we must always remember and honor “The Greatest Generation” (and all Veterans) who fought and died upholding ideals that they expected us to continue to respect. Political affiliation is most often indoctrinated and not questioned individually. Support traditional Republican philosophy if you must, but #MAGA is not the antidote to Democrats and is authoritarian and dangerous to our democracy!
All causes, including music rights, are affected by the influence of a common denominator — politics. Each social cause group is a large community which can be further grown and energized with the natural evolution of fans to music superfans. Compelling socially thematic music enraptures and beckons fans to demonstrate their proud commonality and membership in a next generation fan club that can actually impact society with its fervor and political influence.
Socially Driven Music, the #Music4APurpose consultancy brand, powers extraordinary reciprocal benefits for artists and songwriters when integrated with the community of fans, causes, supportive brands and empathetic politicians ! [info@sociallydrivenmusic.com](mailto:info@sociallydrivenmusic.com)
A list of many social impact causes can be found in the dropdown menu here.
We are thrilled and very appreciative to have been invited to talk with some of the most highly regarded podcast and webinar programs which will include delving into why major record labels discouraging artists espousing political views is anachronistic, irrelevant and no longer a barrier.
As you work through the survey and petition in this post, you’ll likely have an “aha moment.” We look forward to working with you and our fast growing interactive coaltion who share a passion for energizing positive changes in causes that matter to us all.

Join us. Democracy is a big issue in 2024 and one we can influence together! (The correct local and national choices will influence the rest.)

ONE:
The Survey
TWO:
The Petition
THREE:
Connect With Your Senators and Representatives
Identify your Senators and Congressional Representatives with this link and website tool, below, and let us know in the above survey for what purpose you’d like to collaborate with them. Socially Driven Music’s mandate is to facilitate a potent music-fan-cause-brand-political influencer consortium for positive social impact.
Raise your hand in the survey if you are an artist who might want to volunteer at a voting polling station or actually volunteer to help a campaign with calling voters (and meet some new fans).
PS: Although this piece is focused on how music can influence American politics and the fraught issues it impacts, this same template can be applied worldwide. Talk to us!
And here is the epitome example of what we aspire to create:
Paul Simon wrote the masterpiece “American Tune” in 1973 and it applies 51 years later even more to today’s troubled times. This is one of the best examples of the socially poignant music that we contend is so important to create again today, and a brilliant example of a copyright that will live on forever.
The first link is Rhiannon Giddens with Paul at the Grammy Salute evening for him. The second link is Paul’s original.
The song will bring the listener to tears as it describes a societal hopelessness and yet compels the listener to fight through the despair. It perfectly summarizes the emotion powering Socially Driven Music and I hope helps convey what this written summary is trying to articulate.
https://youtu.be/67pyIglP79U?si=ICl2pDKJgTMwcXTT&t=85
Democracy, #Election2024, #MAGA, #MusicIndustry, #MusicBusiness, #Music, #SocialImpact, #SocialGood, #Biden, #Trump, #Vote2024, #ActBlue, #Veterans, #JohnLennon, #YokoOno

Abstract: This thesis presents a practical framework for traders under 5 years in the markets to identify potentially profitable stocks. By combining fundamental and technical analysis, along with tracking the float and daily volume, traders can make informed trading decisions. The analysis focuses on stocks with a minimum daily volume of 2 million and a market capitalization of at least 500 million.
Introduction: Successful trading requires a systematic approach to finding growth stocks. This thesis explores the use of fundamental and technical analysis methods to assess investment potential.
Methodology: The study focuses on stocks with a daily trading volume of 2 million and a market capitalization of at least 500 million. This is done because market caps under 500 million can be easily manipulated. The 2 million in trading volume shows the stock is a mover and interest is in that particular stock. The float is tracked and compared to average volume, along with an assessment of company profitability and cash position.
Results: The methodology generates a list of uptrending and downtrending tickers, representing potential trading opportunities based on the identified criteria. The list is subject to change, and prices may vary depending on execution timing.
Discussion: Considerations when seeking trading plays include premarket volume, volume compared to the previous day, and other factors mentioned in the methodology. Thorough research is necessary before making trading decisions.
Conclusion: By integrating fundamental and technical analysis approaches and considering the float, daily volume, and company financials, traders under 5 years in the markets can enhance their ability to identify profitable trading opportunities. The thesis provides a comprehensive approach to trading decisions, with the understanding that the presented list of tickers may vary, and prices may differ based on execution timing and market conditions.
Uptrending Tickers

• ENVX 5/17/24 9C .24
• BIG 6/21/24 5C .30
• BILI 5/17/24 16C .57
• DNA 5/17/24 1C .05
• PLUG 5/17/24 3C .11
• AKRO 6/21/24 22.5C
• BE 6/21/24 12C .70
• COMP 6/21/24 4C .40
• JBLU 6/21/24 6C. .40
• IONQ 6/21/24 7.5C 1.03
• AVDL. 6/21/24 17.5 C .80
• NVAX 6/21/24 15C. 1.90
• MPW 5/17/24 6C .10
• RXRX 5/17/24 10C .25
• LPSN 6/21/24 1C .05
• WW 6/21/24 2C .35
• HE 6/21/24 12.5C .52
• VFS 6/21/24 4C .51
• RDFN 6/21/24 8C 1.05
• LMND 7/19/24 22C 1.60
• CHPT 7/21/24 1.5C .55
• BEAM 6/21/24 25C 1.55
• QS 6/21/24 7C .33
• CERS 7/21/24 2C .20
• KSS 7/19/24 30C 1.69
• RIVN 6/21/24 12.5C .76
• BBAI 6/21/24 2C .10
• VYTX 6/21/24 2C .10
• AAOI 6/21/24 12.5C .45

Downtrending Tickers

• NTRA 5/17/24 92.5P .50
• DNUT 5/17/24 12.5P .25
• HD 7/19/24 300P 1.61
• EBS. 6/21/24 5P .60
• IRBT 6/21/24 14P 1.55
• UPST 7/19/24 25P 1.87
• RDDT 7/19/24 45P 1.30
• SEDG 6/21/24 45P 1.37

Account Starting Balance this Week: $4,085.15
Back with another week with the iron condors, lazy plays on earnings. It worked out well during the first week (catch the wrap up here). Let's see if we can repeat the adventure this week.

Lack of Earnings To Start the Week

We are nearing the end of the quarter earnings sessions. There are a few names left, including the big guns Nvidia, however that won't be until next week. This week we have a lot of consumer driven companies.

Gamestop Rally

Did anyone notice the subtle moves Gamestop was making last week? It started around Wednesday and quietly crept into the close of the week. I had heard about it but to be honest, I don't really pay much attention to meme stocks lately so I didn't really think anything of it.
Then we get the return of u/DeepFuckingValue to Twitter on Sunday night and it completely changed the stock market for retail traders.
I watched it in the morning, pre-market made a big move on Monday but then opened up rather weak so I just figured I would watch. Really kicking myself on that one for not jumping in, because we saw a massive pull up, 5-6 market halts and a hold the line into the close. I made a play, but I thought it'd be a loser since I joined in "late"
Then today.... wake up to one of the most beautiful pre-market charts I've ever seen lol. GME top ticks hitting $80 three times. It's a ton weaker now as I write this post, having shrunken to about $45 a share. But... there's a lingering feeling of revenge coming. I can't even remember how many times GME was halted today. And I think we are having a standoff between retail traders who see maybe another market maker enemy in sight. I wouldn't be surprised if the meme stocks explode in after hours and pre market trading again. As for me, my play got stopped out at a nice profit level so I'm happy where I am. But I'm considering another play at market close because of the thesis above. I don't think it's done just yet.

The Plays

Ticker	Max Risked (Price)	Premium or P/L (% RoR)
*GME $30 Call May 17, '24	($900; 1 contract)	+$1,100 (222%)
**GME $20 Put May 17, '24	($414 total; 3 contracts)	Open
HD	$250	$53.76 (21.5% RoR)
BABA	$100	$25.76 (25.8% RoR)
ONON	$100	$23.76 (23.8% RoR)
*LAZR $3 Call May 17, '24	($48 total; 16 contracts)	-$32.75
***AMC	$2,000	$29.52 (1.5% RoR)
MNDY	$1,000	$219.76 (22.0% RoR)
TOTALS	$4,812	$1,419.81 (29.5% RoR)

\ stopped out of trade*
\* took this short-term short when I opened up the yolo call just as a hedge. Pretty much worthless as it stands now, however, I'm planning to vertical spread this one either at open Friday or closer to the end of day to try and recoup some of the losses and/or even make a profit. We'll see)*
\** Took a very long-term short position here and opened a vertical spread this week with a closer to the money strike. That's why the max risked is so high because there are numerous contracts at a $4 spread in between legs. If it works out, I have some long term puts completely free. If not... just a bit of position management will get through it.*
I'm a little out of my entire budget for the week already. Which to me, is ok because without this meme stock rally I wouldn't have been so tied up. But, opportunities only come knocking a few times a year, so I figured I would take a chance with this one.

Good evening y'all (it's 11 pm EST)
I'm currently a college student pursuing an IT degree and I was speaking with my father in law about an idea for a writing skills development program. The basis of the program/website is to teach students from Elementary school to the highschool and collegiate level on how to write essays. He posits that his students he has worked with do not have a good grasp on how to format their essays and papers, which then falls short in their future academic courses and he wants to make a program that will help them step by step.
My general layout right now is that it will be split into different levels of writing. From Levels 1 through 5: Elementary, Middle School, High School, College Prep, and Collegiate level writing skills. Within each level, I'll have writing tips and exercises to help the students learn the proper way to write their essays, with the Five Paragraph Essay as the format they will be learning.
Level 1: Sentence Structure, Formatting, and Composition. This includes things like spelling, capitalization, punctuation, etc.
Level 2: Adding in proper grammar, sentence continuation, paragraph structure, readability and comprehension, editing skills (rereading to make sure it is grammatically correct, has proper punctuation, sounds academically thought out, etc). We'll introduce how to write and connect multiple paragraphs as well as intro, body, and conclusion.
Level 3: Here we'll reinforce sentence structure for Intro, body, and conclusion paragraphs as well as citation and source material research. We'll start on how to properly write a Five paragraph essay with the hourglass/pyramid format (Broad introduction that gets more specific when it gets to the thesis sentence, body paragraphs with point evidence and example sentences, and then specific reintroduction of main points to a broad conclusion of the thesis). [I may have this in the Middle school Level 2 section as this is something I learned in middle school] We will also introduce different types of essays such as Argumentative, Systhesis, Compare and Contrast, Narrative, Persuasive, etc.
Level 4: In this level we will introduce the importance of rough draft, revise and polish, editing and formatting, and college entrance essays and college application questions. This section will mostly be open to Junior (11th) and Senior (12th) grade students who are preparing for their academic life outside of Highschool. We will also be introducing how to write cover letters, resumes, and exploring the other side of life outside of High school.
Level 5: Collegiate level writing will focus on precision writing, using the fewest words necessary to accurately convey an idea. Objectivity, using accurate, clear and relevant information. Logical Structure, using precise word choice and structure. Researching, Formatting, time management, and consistence and conciseness. We will also go back to resume and cover letter writing for those who are looking for a career after a degree. We will be adding a section to help students with term paper writing as well as advancement (Masters and Doctorate level) writing.
I wanted to reach out to former, current, and aspiring English Teachers to ask for feedback on this idea. Is this something that you would use in your class as a teaching tool for your students? What can be done for this to be implemented in your classes if this website/program gets published? What things should be added, removed, improved, or changed in the current idea to make it go alongside the current English course curriculum in your school district? What else should be included to facilitate user interaction with this website?
Please give me as much feedback as you can think of, whether that is directly on this post or in a direct message. My hope and goal is to be able to develop the future generation and to move away from using AI as a writing tool because it takes away the practical skills that is severely lacking in some, if not most, of the students today.

Good evening, all!
Hopefully, I have created a quick and interesting survey to make you think about Generative AI in the field.
I, John, am an American Public University (APUS) graduate student. With the guidance of my instructor, Dr. Small, I have been approved by the APUS Institutional Review Board to perform a research study on generative AI (GenAI) for my capstone thesis. The study is 3-5 minutes long via Survey Monkey, and participation is anonymous, including masking of all IP addresses.
I really appreciate your time and hope you all have a good week!
Generative AI Survey Link
https://www.surveymonkey.com/JRSQZ6G

Good evening, all!
Hopefully, I have created a quick and interesting survey to make you think about Generative AI in the field.
I, John, am an American Public University (APUS) graduate student. With the guidance of my instructor, Dr. Small, I have been approved by the APUS Institutional Review Board to perform a research study on generative AI (GenAI) for my capstone thesis. The study is 3-5 minutes long via Survey Monkey, and participation is anonymous, including masking of all IP addresses.
I really appreciate your time and hope you all have a good week!
https://www.surveymonkey.com/JRSQZ6G

Abstract: This thesis presents a practical framework for traders under 5 years in the markets to identify potentially profitable stocks. By combining fundamental and technical analysis, along with tracking the float and daily volume, traders can make informed trading decisions. The analysis focuses on stocks with a minimum daily volume of 2 million and a market capitalization of at least 500 million.
Introduction: Successful trading requires a systematic approach to finding growth stocks. This thesis explores the use of fundamental and technical analysis methods to assess investment potential.
Methodology: The study focuses on stocks with a daily trading volume of 2 million and a market capitalization of at least 500 million. This is done because market caps under 500 million can be easily manipulated. The 2 million in trading volume shows the stock is a mover and interest is in that particular stock. The float is tracked and compared to average volume, along with an assessment of company profitability and cash position.
Results: The methodology generates a list of uptrending and downtrending tickers, representing potential trading opportunities based on the identified criteria. The list is subject to change, and prices may vary depending on execution timing.
Discussion: Considerations when seeking trading plays include premarket volume, volume compared to the previous day, and other factors mentioned in the methodology. Thorough research is necessary before making trading decisions.
Conclusion: By integrating fundamental and technical analysis approaches and considering the float, daily volume, and company financials, traders under 5 years in the markets can enhance their ability to identify profitable trading opportunities. The thesis provides a comprehensive approach to trading decisions, with the understanding that the presented list of tickers may vary, and prices may differ based on execution timing and market conditions.
Uptrending Tickers

• TMC 6/21/24 2C .05
• SENS 6/21/24 .05C .05
• GME 6/19/24 27C 1.61
• AMC 6/21/24 3.5C .85
• BROS 6/21/24 36C 1.70
• SMR 6/21/24 6C .75
• MRVI 6/21/24 10C .55
• HBI 6/21/24 4.5C .55
• SGMO 6/21/24 .05C .10
• VSCO 6/21/24 19C 1.9
• BW 5/17/24 1.5C .05

Downtrending Tickers

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Hi! I am a third-year student from Poland at the Faculty of Management at the University of Gdansk. As part of my bachelor's thesis, I am conducting a study of the training preferences of young generation Z, who are just entering the labor market.
Here's link: https://forms.gle/p9cd4dQxqZ6RRjju9
Thank you for your time!

Hi! Hope all are doing fine!.I am first time using Reddit! I am Non-EU master student in Data Science.I am currently in 4th sem and will be planning to do master thesis next semester.I have around 2.5 years of experience (in machine learning,ETL and DataWareHousing) in my home country. In my University there is no mandate internship/Pratikum that I need to do. I tried for full-time as well working student positions from last semester, but unfortunately, I didn't get any interview call (most of them were rejections from the auto-generated mails) even after maintaining the standard German CV format. I am still applying and there seems to be no hope. So I decided to complete my credits and do my master's thesis next semester (either in Uni or company).I am little confused and overwhelmed at the moment.I know that german is very important as well, so currently I am A2 and during my thesis, planning to do this B1 (which is the basic criteria for most of jobs).My areas of interest are in Machine Learning,Deep Learning and in NLP. can you please answer the below questions?
What is the current situation for Job Search and will there be any positive change next year?
Is it mandate to do an internship before getting a full time job after my graduation ?( As this seems to be a trend as I observed in most of the LinkedIn profiles) Following up with the 1st one, what is the probability of getting my first job here in Germany after my graduation without doing any internship or working student job prior getting my first job even though I have 2.5 years of experience back in my country.? What is the probability of getting English-speaking jobs in 2025 ? please share your honest thoughts on the same.

Hello everyone. I'm a graphic designer student and I'm writing my thesis for the final degree.
My thesis is about Artificial Intelligence, and I'm arrived to the topic of text-image and I wanted to know some information about Midjourney how it works, I don't mind the guide about how to generate images on Discord, I just wanted to know how the actually process works, I searched for it and mostly I found out that somewhat related to Stable Diffusion but it's another AI text-image isn't it?
If you can try to get in details, for a better understanding. I'm the first student in my university bringig this theme, and my relator has much expectations on me, mostly because other professor are really reluttant to these arguments.
Thank you everyone and sorry my bad english

Hi!
Hope all are doing fine!.
I am Non-EU master student in Data Science.I am currently in 4th sem and will be planning to do master thesis next semester.I have around 2.5 years of experience in my home country. In my University there is no mandate internship/Pratikum that I need to do. I tried for full-time as well working student positions from last semester, but unfortunately I didn't get any interview call (most of them were rejections from the auto-generated mails) even after maintaining the standard German CV format. I am still applying and there seems to be no hope. So I decided to complete my credits and do my master's thesis next semester (either in Uni or company).I am little confused and overwhelmed at the moment.I know that german is very important as well, so currently I am A2 and during my thesis, planning to do this B1 (which is the basic criteria for most of jobs) can you please answer the below questions?

1. Is it mandate to do an internship before getting a full time job after my graduation ?( As this seems to be a trend as I observed in most of the LinkedIn profiles)
2. Following up with the 1st one, what is the probability of getting my first job here in Germany after my graduation without doing any internship or working student job prior getting my first job even though I have 2.5 years of experience back in my country.?
3. What is the probability of getting English-speaking jobs in 2025 ?

please share your honest thoughts on the same.

TLDR at bottom. Not sure if this is right flair but it feels right.
For my final thesis in college this semester (yay me!), I was able to choose any research topic and execute collection of data and analysis. My topic? “How does the Baby Boomer Generation and beyond (ages 65+) use social media to convey a sense of superiority over young generations?”
Listen. When I tell you the essay basically wrote itself, I mean it. I was able to study how boomers online use comment sections and their own posts as a way to bash everyone else who isn’t them…. Even if the post had NOTHING to do with being negative!
Highlights: - every comment would start off normal, then turn into a drag session. Example of an actual comment: “I used to go outside and play with other neighborhood kids. (Normal so far) That is something children these days refuse to do since they have TV and iPads (there is it)” - Many comments noted that spanking children should be more common, despite the posts having nothing to do with discipline - Any woman commenter that doesn’t look entirely geriatric in her profile picture would always get a reply comment from a horny man telling her how beautiful she is - As an attempt to facilitate where the middle ground is, I created a post that asked “what is something you’ve taught your kids/grandkids from the old days?” I was met with absolute spitting anger about how even their own grandkids don’t appreciate x,y, or z. Truly heartbreaking. - Any post that talked about being outdoors or similar, there would always be a comment from an older man who added a picture of him in his early 20s holding a gun and some sort of dead, bloodied animal - Any post that featured keywords such as: mom, family, love, etc.. always had comments from mothers who were complaining they hadn’t seen their kids in x amount of years and how it’s not their fault.
Facebook community groups are a breeding ground of hatred and anger towards younger generations for boomers, after a month and a half of research, and sorting through over 1,000 comments, I can say I was only able to sort less than 50 in a “positive” pile— meaning there was no hint of negativity or anger towards a younger generation…. And that’s being generous.
And, please, don’t get me started on absolutely terrible situation the spam is in these communities. They are relentless, and boomers seem to be falling for exclusively the comments that say you can “triple your money” or “find your true love now”.
As sad as this thesis was to do once I compiled all of my data, it was still interesting. I’d like to explore more on where this sense of hatred comes from eventually.
TL;DR- final thesis paper this year focused on how boomers get angry about younger generations online. They are aggressive towards iPads, kids these days, and even their own kids and grandchildren, for seemingly no reason.

Hello everyone!
I would really appreciate it if you could help fill out my questionnaire for my thesis. My topic is Understanding the Aspirations of Generation Z. If you were born between 1995 until 2010, I would really appreciate it if you fill out my survey! Thank you a lot <3 Also, it takes about 5 minutes to fill out the survey and the responses are fully anonymous. Here is the link: https://vub.fra1.qualtrics.com/jfe/form/SV_b2be3oxjsRK9tuS
Thank you!

Hello everyone!
I would really appreciate it if you could help fill out my questionnaire for my thesis. My topic is Understanding the Aspirations of Generation Z. If you were born between 1995 until 2010, I would really appreciate it if you fill out my survey! Thank you a lot <3 Also, it takes about 5 minutes to fill out the survey and the responses are fully anonymous. Here is the link: https://vub.fra1.qualtrics.com/jfe/form/SV_b2be3oxjsRK9tuS
Thank you!

We are always seeking out thesis and ideas that are different/contrarian to that of market consensus. Consensus suggest that net income will come in at 100M, but upon research we see that net income is likely to come out at 120M for a myriad of possible reasons (e.g. better capital utilisation, pass-through costs to consumer, durable cost savings etc) ex ante.
There are two possible scenarios when earnings result come out, 1) everything is in-line with consensus and theoretically the stock price is perfectly flat (assuming forward expectations remain the same) and 2) a beat of 120M (vs 100M consensus) and the stock pops +5%.
The question here is whether this pop of +5% is purely idiosyncratic alpha, or can it be decomposed into X% factor(s) and (1-X)% alpha returns. Intuitively, I would think that the +5% pop can be a mix of both factors and residual returns OR pure residual depending on the underlying fundamental.
Let's say we're looking at LVMH and LVMH pops +5% due to increased China demand. In this example, all luxury brands would similarly benefit from increasing China demand, and the "idiosyncratic" component is that LVMH is able to capture more of this China demand (as compared to peers due to brand name etc). In this example, the +5% pop can be ex post attributed to both factor(s) and idiosyncratic returns.
Now let's say that we look at a copper mining company and the +5% pop is due to the copper mine's greater than expected copper yield. In this example, the +5% pop is arguably pure idiosyncratic returns.
In these two contrasting examples, the +5% pop from the copper mine is "better" than the +5% pop from LVMH as the former as more idio returns than the latter. If we do a Long LVMH/Short Dior vs Long Copper Mine / Short Other Copper Mine, the latter will tend to outperform.
Of course in the Copper Mine example, we assume that revenues are supply constrained rather than a demand-side problem.
When we look at Axioma or Barra's risk model, their factor regression models would break down the returns into factor and idio. But it doesn't quite "accurately distribute" the factor and idio components. Using the pod's model of playing earnings, most of the idio returns are generated around earnings whereas the risk models assumes that returns (both on normal days and earnings days) are a mix of factor and idio returns. Probably have to re-read how Barra decompose their returns.
Essentially this whole rambling is just a question on: Whether returns from being different from consensus necessarily mean idiosyncratic returns.

Writing an essay is not easy, especially when you have a tough deadline and are limited with one topic and sources. I like writing, really. But when I have an exact topic I'm feeling emptiness. My head is empty and I can't even start a page. Generating essays by AI is easy but not okay. Because almost all teacher use detectors to check texts. So, I found out a perfect way out - to use your own creativity and AI tools. This combination of tools saves much time!
- Make sure you understand the topic. Ask questions if needed. Many teachers even like such questions because you show your own interest (my own experience)
- Use AI for initial ideas like creating an outline or generation a text with relevant keywords. There're many tools for this option. You can find best ai essay generators even here on reddit.
- If your tool offers sources, check them for credibility. Or just use tools that don't provide false references like ChatGPT. I like using AcademicHelp for help with a list of reliable citations.
- You can also use your own sources if needed. For instance, my pro gives them very often. In that case, I use Textero becase this app provides uploading your own sources and using them in the essay.
- You can use thesis statements created by AI but it should show your unique attitude towards the topic. If you don't agree with it, add your own thoughts.
- Use paraphrasing tools to change sentence structure. There're built-in features in many tools or use can use Quillbot.
- Don't forget to add a hook an the beginning of the essay and to the conclusion. You can try tools for it like CopyAI. My favorite hook is a thought-provoking question in the conclusion and an anecdote in the introduction (if it is possible to use humour)
- Don't forget about proofreading. You can do by yourself. Then use AI to find grammar or punctual mistakes. Then reread it again to add your own touch.