Foreshadowing and symbolism worksheets

How a beetle and The Fly foreshadowed Jesse’s Story

2024.05.28 23:04 Joyma How a beetle and The Fly foreshadowed Jesse’s Story

I know the fly has been talked to death, and I know we’ve talked about how it foreshadows Gale’s death, the notebook discovery, Walt’s death, etc. but I’ve realized a piece from even earlier.
There’s a scene (I think the ATM episode) where Jesse sees a beetle on the sidewalk. He gingerly let’s it crawl onto his hand and smiles at it before setting it back down. Then one of his buddies (skinny Pete maybe?) walks up and stomps on it. This sets Jesse up as being tender and empathetic to innocent life, hence his care for the kid of the meth addict couple and the crushing of the bug jarring him mirroring the crushing of the head jarring him. BUT It’s also signifying “Jesse wouldn’t even hurt a fly.”
Then we get The Fly episode where Jesse doesn’t see the point in killing the fly, but Walter eventually annoys him/talks him into it. Jesse kills the fly for Walter, “corrupting” him because we’ve seen he doesn’t kill bugs. It’s his first kill in the series after avoiding being the direct cause for someone’s death multiple times. Same thing happens with Gale: Walter guilts/talks Jesse in to killing Gale, and Jesse kills Gale for Walt. I just love that the beetle started the symbolism (in my eyes).
I looked through old posts and never saw mention of the beetle moment so sorry if this has already been discussed.
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2024.05.28 09:01 adulting4kids Plot

Some help with Step Three- Plot Outline
  1. Central Conflict:
  1. Inciting Incident:
  1. Key Plot Points:
  1. Subplots:
  1. Rising Action:
  1. Climax:
  1. Falling Action:
  1. Resolution:
  1. Foreshadowing:
  1. Pacing:
- How do you manage the pacing of the story to maintain reader engagement? - Are there moments of tension and release strategically placed throughout the narrative? 
  1. Twists and Turns:
- Are there unexpected twists or turns that challenge characters and surprise readers? - How do these twists contribute to the unpredictability of the plot? 
  1. Symbolic Elements:
- Are there symbolic elements or motifs that carry through the plot? - How do these symbols enhance the thematic elements of the story? 
  1. Character Choices:
- How do characters' choices drive the plot forward? - Are there moral dilemmas or decisions that significantly impact the direction of the story? 
  1. Setting Integration:
- How is the setting integrated into the plot? Does it play a significant role? - Are there specific locations that have a profound impact on the unfolding events? 
  1. Mystery and Revelation:
- Are there mysteries or secrets that characters uncover as the story progresses? - How are these revelations timed to maximize suspense and engagement? 
  1. Parallel Narratives:
- Do you employ parallel narratives or timelines? How do they intersect or diverge? - How does this narrative structure contribute to the complexity of the plot? 
  1. Genre Considerations:
- How does the plot align with the conventions and expectations of your chosen genre? - Are there genre-blending elements that add a unique flavor to the storyline? 
  1. Emotional Arc:
- How is the emotional arc of the story managed? What emotions do you want readers to experience? - Are there specific scenes designed to evoke particular emotional responses? 
  1. Moral or Ethical Dilemmas:
- Are there moral or ethical dilemmas presented in the plot? - How do characters navigate these dilemmas, and what impact do they have on the story's direction? 
  1. Antagonist's Motivations:
- If there is an antagonist, what motivates their actions? - How does understanding the antagonist's perspective contribute to the depth of the plot? 
These questions aim to guide writers in crafting a well-structured and engaging plot outline that propels the narrative forward while providing opportunities for character development and thematic exploration.
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2024.05.28 04:12 theassassin53035 [Spoilers Part 7] SBR is a masterpiece and i wanna discuss 2 gripes i have

Sandman morality and Hot pants death.
I dont get why araki chose to make the noble tribe man that started sbr to turn greedy and work with the evil president. I was rooting for this dude that was literally running barefoot across america for his people to win no.1 Sounds heroic as hell. But instead he suddenly turns evil and becomes antagonist no 19. And the joke lazy character with a luck stand won the race. That lazy piece of shit didnt deserve it. How is that even suppose to be symbolic or meaningful. The lazy bum dissapointing son was lucky to get a stand and won alot of money to just be more lazy now.
I really dont see why araki couldn't foreshadow valentine's power early by letting sandman keep racing but then pull out soundman from another universe which is the evil sandman to fight johnny. Wouldve have been shocking later on to find the same looking dude alive.
Hot pants is really simple. She just dies with no fight back, no resolving her sin of abandoning her little brother, or anything. I mean even johnny and gyro didnt give a crap. They stole her stand off her body as if they were never allies. Its dehumanising. If she had Little interaction id get it. But she was literally VITAL to the plot in helping disguise the Presidents wife.
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2024.05.27 23:53 a_turtle_apparently Ode to Sleep becomes Trench?

I’ve been listening back through all the Twenty One Pilots albums after listening to Clancy and noticed something pretty wild. Ode to Sleep, the first song of Vessel (and one of the songs first debuted in Regional at Best, that is, something they liked enough to release twice) is basically a perfect description of Clancys journey being used as a vessel by the Bishops, escaping and joining the Banditos, becoming a symbol, and being recaptured and returned to Dema. I don’t think this was written intentionally as Trench stuff, but think perhaps during the creation of Trench and the lore, Tyler was revisiting and perhaps inspired by metaphorical things he’d written in his previous albums, now using them intentionally. It fits scarily well.
Let me break it down. Ok so the letter describing how to “seize” makes specific reference to seizing a vessel, which is typically a dead body. furthermore, TOPs whole discography has pretty well established the ideas of being awake, of sunlight, of nature (trees, forests, treehouses etc), of being outside in general as good. Meanwhile, darkness, nighttime, urban things (cities, highways, cars, etc), and being inside are generally bad. Roughly, these good things represent Trench and the Banditos whereas those bad things are associated with Dema and the Bishops. Also there is lots of speculation about there being multiple “Clancys” in the world of Trench, like it’s a title more than one singular person.
Ode to Sleep begins “i wake up fine and dandy” before he goes “up to the ceiling/then i feel my soul start leaving…/ im pleading ‘please oh please’ i’m on my knees repeatedly asking / why it’s got to be like this, is this living free?” which sounds to me a lot like Clancy, a dema citizen, finding himself seized and used as a vessel despite not being dead. Or maybe an escaped Clancy being seized by the Bishops and recaptured. The I am Clancy video references Clancy being an exception to the rule that all vessels must be dead, and The Outside video shows that escaped Clancy eventually gains this power. So this could be Clancy being seized by the escaped/Bandito Clancy, or more likely, by the Bishops. The Clancy who keeps being seized is slowly realizing that living like this in Dema isnt good.
The pre-chorus discusses him staying awake because of how dangerous the darkness is and how good it is to be free in the morning hours when he can no longer hear the voices, that is, him being free of Dema and the Bishops. They told him he was gone, which is how the bishops control people, by convincing them to kill their unique selves (and sometimes literally themselves).
And then the chorus: “But i’ll tell ‘em, ‘Why won’t you let me go? / Do I threaten all your plans? I’m insignificant’ / Please tell ‘em, you have no plans for me / I will set my soul on fire, what have I become? / I’ll tell ‘em”
Is that not Clancy begging for freedom from the bishops, pleading for his life and trying to say he isn’t the one responsible for the rebellion of the banditos (which seems to fit with Clancy perhaps being several people, some of whom are more confident than others)? He even talks about setting his soul on fire, and flaming souls and flames in general tend to be good, positive, useful things for the Banditos.
The second verse talks about a day that’s forgotten, which is maybe the celebration of the glorified, with the trees and clouds—nature—anticipating and awaiting the start of a day when the citizens escape. The trees wave their arms and the clouds plead for those in Dema to realize they are lacking something, something like creativity and freedom. I’ll admit it gets a little fuzzy with the lines about “a mask that portrays that we don’t need grace” which is probably an artifact of Tyler’s faith/questioning faith based early lyrics. Like I said, I feel like Trench could be retroactively inspired by this rather than Tyler writing this to intentionally tie into Trench eventually, so not everything needs to be strictly relevant. Same goes for the end of the second verse, though him asking for forgiveness three times may foreshadow Clancy being repeatedly recaptured.
I’m still musing about the lines “I don’t wanna be the one, be the one who has the / Suns blood on my hands, I’ll tell the moon / Take this weapon forged in darkness / some see a pen, I see a harpoon” because again, they seem to vibe a lot with later Trench things but it’s not obviously one to one.
Essentially, I’ve had a really great time tracing the potential creative process Tyler went through during his creating of Trench and the lore in general. I focused just on Ode to Sleep here but lots of the early songs are littered with themes and symbols that become very literal or important later, so if you’re interested in this go back and give them a listen, especially those songs they’ve been playing again recently like Trapdoor. I would love anyone else’s thoughts!
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2024.05.27 23:17 Schizochinia Location of the Ancient Civilization

TLDR: The Ancient Kingdom spans the Grandline with Jaya/Shandora (where JoyBoy was born) and Drum Island being the cultural center (poneglyphs) of the Ancient Kingdom, and Balidmore/Sabaody to Marineford being the tech hub/powerplant of the Ancient Kingdom, wherein the capitol of the civilization is submerged between the 3 gates linked by Enies Lobby, Marineford, and Impel Down.
To start, could the submerged ruins in the latest chapter actually be Long Ring Long Land, submerged over centuries?
It was stated the Ancient Civilization spanned the world, and if that’s the case I believe the underground ruins spread to both ends of the Grand Line. Jaya and golden city of Shandora was likely the cultural outskirts of the ancient kingdom, where JoyBoy was born and where the Poneglyph language is natural, blasted up to Skypiea. However this is not the technological city that was fully destroyed during the Void Century. This connects to Muggy Kingdom, Kamabaka Kingdom, and Drum Island which were all likely a part of the ancient kingdom.
It’s interesting Mihawk chooses this random run down kingdom as his home. There is likely significance with Kamabaka Kingdom as well, maybe where the Revs attained the Book of Genesis?
We recruit Chopper with his mysterious human human fruit in Drum island where we meet Kureha who first mentions the will of D, and where both Blackbeard and Luffy symbolically depose the corrupt king of a nation that’s living in a long winter after 20 doctors side with him against their own people (an interesting parallel of 20 kings and Imu rising up against the Ancient Kingdom, which could also be foreshadowing of BB & Luffy vs Imu).
The tech hub of the ancient kingdom was around where Balidmore (Franky 3d2y) and Amazon Lily were and wrapped around to Sabaody, using the Sun Light Tree Eve as a power plant or for some purpose. The Lunarians and other sky people settled on the Red Line after coming down from the moon to renew their resources, and shared their technology with the Ancient Civilization.
The true location of the Ancient Civilization that is currently submerged more than 200m below and hidden from the world physically, is within the whirlpool is surrounded by Enies Lobby, Marineford, and Impel Down.
Enies Lobby was the site of a major fight that resulted in its permanent daylight, infinite hole, and suspiciously floating island. The constant nuking of island which caused the 200m rise was all around that area however for some reason Enies Lobby remained standing (maybe a Frontier Dome type of thing was at play?).
And while we know the general location of the Ancient Kingdom, I believe this has no bearing on the One Piece, which exists somewhere in the New World.
Tell me if I’m cooking or need to get out the kitchen.
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2024.05.27 15:23 Jorjebear Why did Mario get cancer and die at the end of Odyssey 2?

Listen, I get why they did it for the plot and symbolism reasons (definitely didn’t want the nazi metaphor to get out of hand) but it just felt so out of left field. The actual story reason (the pollutants in Seaside Cavern) just felt so forced as well. Like there was no foreshadowing for it. Like they could have easily have just put a screen filter on the kingdom and boom problem solved. But noooooo it’s the microplastics in the hyper-moonettes Mario collects. And also, killing goddamn Mario of all characters in a game that didn’t even sell well wasn’t that good of a choice tbh. I did like the funeral scene though with all the Mario characters from the franchise there in sorrow. Also Mario having a secret son called Mario jr all this time who can just come in and replace him is just so insulting. Do you guys agree?
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2024.05.27 11:08 adulting4kids Dead Sea Scrolls Study Guide -Unedited

The War Scroll, also known as the "War of the Sons of Light Against the Sons of Darkness," is a unique text within the Dead Sea Scrolls that portrays an apocalyptic battle between the forces of good (Sons of Light) and evil (Sons of Darkness). This scroll provides insight into both historical and symbolic elements.
Historical Accuracy:
The War Scroll, while containing detailed military tactics and an epic narrative of the ultimate confrontation, doesn't explicitly reference any specific historical event or timeframe. Some scholars believe it could be a product of the community's anticipation of a future messianic conflict or a reflection of their own community's struggles against opposing forces during their time. Interpreting the historical accuracy of the scroll often involves exploring the context of the Qumran community and the turbulent times in which they lived.
Symbolism and Esoteric Wisdom:
The War Scroll goes beyond a mere description of a physical battle. It portrays a cosmic conflict between the forces of light and darkness, reflecting not just a literal warfare but also a symbolic and spiritual struggle. The text emphasizes righteousness, divine intervention, and the victory of good over evil.
Within the study guide, activities and exercises could involve dissecting the symbolic elements present in the War Scroll, exploring the deeper meanings behind the battle tactics and the metaphysical implications of the conflict. Understanding the symbolism could involve group discussions, comparative analysis with other ancient texts with similar themes, and exploring the impact of this symbolic representation on the community's beliefs and practices.
Here are a few activities and exercises to explore the symbolism and historical context of the War Scroll from the Dead Sea Scrolls:
  1. Symbolism Analysis:
Provide excerpts from the War Scroll and encourage participants to identify and discuss the symbolic meanings behind elements like the "Sons of Light" and the "Sons of Darkness," various weapons, and the strategies outlined for battle. Group discussions or written reflections can help participants explore the deeper layers of meaning.
  1. Comparative Analysis:
Compare the War Scroll's themes with similar apocalyptic or eschatological texts from different cultures or religions, such as apocalyptic passages in the Book of Revelation in the Christian Bible or apocalyptic texts from other ancient traditions. Create worksheets or discussion prompts to highlight similarities and differences in themes, symbols, and beliefs about cosmic battles.
  1. Historical Context Exploration:
Present historical information about the era when the Dead Sea Scrolls were written. Discuss the political, social, and religious climate of that time, including the turmoil in the region, to understand how these factors might have influenced the composition of the War Scroll. Encourage participants to consider the possible motivations behind the text's creation.
  1. Creative Interpretation:
Encourage creative expression by asking participants to create artwork, poems, or short stories inspired by the themes and imagery found in the War Scroll. This exercise allows individuals to engage more deeply with the symbolic elements and interpret them in their own unique ways.
  1. Role-playing or Debates:
    Organize a role-playing activity where participants take on the roles of "Sons of Light" and "Sons of Darkness," debating their ideologies, motivations, and strategies for the ultimate battle. This exercise helps in understanding differing perspectives and interpreting the conflicts presented in the scroll.
Interpretative variations regarding the river's crossing in different ancient texts reflect the unique religious, philosophical, and cultural perspectives embedded within these narratives. These differences in interpretation offer insights into diverse worldviews and varying theological frameworks present in ancient texts:
  1. Mesopotamian Context:
  1. Biblical Context:
  1. Gnostic or Apocryphal Context:
  1. Greco-Roman Interpretation:
These varied interpretations highlight the richness and diversity of religious, philosophical, and cultural frameworks present in ancient texts. The river's crossing serves as a flexible symbol that adapts to different narratives, conveying themes of transition, judgment, liberation, or cosmic transformation based on the unique perspectives of each tradition.
Exploring these interpretative variations allows participants to appreciate the complexity of symbolism within ancient texts and provides insights into how different cultures and belief systems interpreted common motifs like the river Euphrates. It showcases the intricate interplay between religious, philosophical, and cultural elements shaping the symbolism and theological implications embedded in these narratives.
The river Euphrates, a prominent geographic feature in ancient texts, embodies universal themes that transcend specific cultural contexts. Identifying these universal themes helps reveal shared human concepts of transition, boundaries, and transformative events across diverse ancient traditions:
  1. Threshold and Transition:
  1. Boundary and Separation:
  1. Transformative Events:
  1. Symbol of Power and Control:
  1. Metaphor for Spiritual Journeys:
These universal themes associated with the river Euphrates highlight fundamental aspects of the human experience—transitions, boundaries, transformative events, power dynamics, and spiritual journeys. The river's symbolism in ancient texts speaks to shared human aspirations, struggles, and beliefs that transcend cultural boundaries and resonate across different epochs and civilizations.
By identifying and discussing these universal themes, participants gain a deeper appreciation for the profound symbolism embedded in ancient texts and recognize the timeless relevance of concepts such as transition, boundaries, and transformative events in shaping human narratives and aspirations.
  1. Historical Context:
  1. Symbolism and Esoteric Wisdom:
  1. Comparative Analysis:
  1. Parallelism in Biblical Texts:
  1. Community Beliefs and Practices:
  1. Cultural Significance of Cosmic Battles:
  1. Interpretive Variations and Unique Perspectives:
  1. Personal Reflection and Modern Relevance:
  1. Theological and Philosophical Implications:
  1. Literary and Symbolic Analysis:
- Analyze the narrative structure and symbolic elements present in specific passages of the War Scroll. How do these elements contribute to the text's overarching themes and meanings? 
These study questions aim to provoke critical thinking, promote in-depth exploration of themes, encourage comparative analysis, and stimulate discussions on the multifaceted nature of the War Scroll's content and its significance within ancient and contemporary contexts.
  1. Archaeological and Linguistic Analysis:
- How does the physical condition of the Dead Sea Scrolls, including the War Scroll, impact our understanding of their preservation and historical context? - Discuss the linguistic peculiarities or unique textual features found within the War Scroll and their implications for translation and interpretation. 
  1. Apocalyptic Expectations and Messianic Concepts:
- Explore the portrayal of messianic figures or anticipated saviors within the War Scroll. How do these concepts align with or diverge from contemporary expectations of a messianic figure in other ancient texts or religious traditions? 
  1. Impact of Apocalyptic Literature:
- Analyze the enduring influence of apocalyptic literature, such as the War Scroll, on subsequent religious, literary, or cultural traditions. How have these texts shaped later beliefs or inspired artistic and literary works? 
  1. Ethical and Moral Frameworks:
- Discuss the ethical or moral implications of the cosmic conflict depicted in the War Scroll. How do the themes of righteousness and wickedness contribute to the text's underlying moral framework? 
  1. Role of Prophecy and Revelation:
- Explore the role of prophecy and revelation within the War Scroll. How do the prophetic elements contribute to the text's portrayal of future events and cosmic justice? 
  1. Experiential and Ritualistic Elements:
- Investigate potential ritualistic or experiential dimensions associated with the teachings or beliefs conveyed in the War Scroll. How might the community have engaged with these teachings in their religious practices or communal activities? 
  1. Literary Genre and Interpretation:
- Discuss the classification of the War Scroll within the broader genre of apocalyptic literature. How does its classification influence our understanding and interpretation of its themes and symbolic elements? 
  1. Relevance in Modern Scholarship:
- Reflect on the ongoing scholarly debates or discoveries related to the War Scroll. How have modern interpretations evolved, and what implications do these new perspectives have on our understanding of the text? 
  1. Intersection of Faith and Scholarship:
- Consider the interplay between faith-based interpretations and scholarly analyses of the War Scroll. How might religious convictions or theological frameworks influence academic research and vice versa? 
  1. Future Research and Interpretative Avenues:
- Propose potential avenues for future research or areas of exploration concerning the War Scroll. What unanswered questions or unexplored aspects merit further investigation? 
The composition of the War Scroll, along with other Dead Sea Scrolls, was likely influenced by several historical events and societal conditions prevalent during the time of its writing, which is estimated to be between the 2nd century BCE and the 1st century CE:
  1. Hellenistic Rule and Cultural Influence:
  1. Political Turmoil and Resistance Movements:
  1. Religious Sects and Spiritual Expectations:
  1. Anticipation of Cosmic Redemption:
Regarding the historical context of the Dead Sea Scrolls' discovery, its significance lies in multiple facets:
  1. Preservation of Ancient Texts:
  1. Insights into Jewish Sectarianism:
  1. Confirmation of Scriptural Accuracy:
  1. Impact on Biblical Studies and Scholarship:
The historical context of political upheaval, religious expectations, and the preservation of texts within the Dead Sea Scrolls contributes significantly to understanding the milieu in which the War Scroll was written. It provides a backdrop against which the themes of cosmic conflict, eschatological anticipation, and religious fervor within the War Scroll can be comprehended.
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2024.05.27 09:52 adulting4kids Foreshadowing

Examples of foreshadowing
  1. "Romeo and Juliet" by William Shakespeare:
    • Foreshadowing is present in Romeo's dreams and premonitions, hinting at the tragic events to come.
  2. "To Kill a Mockingbird" by Harper Lee:
    • The mention of Boo Radley early in the story foreshadows his eventual role in saving Scout and Jem.
  3. "Harry Potter and the Philosopher's Stone" by J.K. Rowling:
    • The mention of the Philosopher's Stone early in the book foreshadows its significance in the climax.
  4. "Lord of the Flies" by William Golding:
    • The pilot's body hanging in the parachute foreshadows the descent into chaos and violence on the island.
  5. "Macbeth" by William Shakespeare:
    • The witches' prophecies at the beginning foreshadow Macbeth's tragic downfall.
  6. "The Great Gatsby" by F. Scott Fitzgerald:
    • The green light at the end of Daisy's dock is a symbol that foreshadows Gatsby's unattainable dreams.
  7. "The Tell-Tale Heart" by Edgar Allan Poe:
    • The narrator's insistence that he is not mad foreshadows his descent into madness throughout the story.
  8. "Of Mice and Men" by John Steinbeck:
    • Candy's aging dog being shot foreshadows the tragic fate of Lennie at the end of the novel.
These examples showcase how authors use foreshadowing to hint at future events, creating suspense and deepening the overall impact of the narrative.
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2024.05.27 07:31 CrimsonSou1 Marika’s Cursed Children

All of what can be considered the “Cursed children of Marika” seem to follow the naming scheme of their mother Marika, while the otherwise “healthy” children seemed to follow the naming conventions of her consort at the time. And I was beginning to speculate on whether or not that may have any wider lore implications. I find it more interesting in that the first two (Morgott and Mohg) seem to mirror the first issue with Marika’s ideal for the eternal golden order. That being the idea of a “before” with the twins bearing aspects of the crucible. Where the last set of twins (Malenia and Miquella) appear to foreshadow the second issue which is the end of her “eternal” age. Where Malenia symbolizes the Rot that was beginning to settle into Marika’s golden order, as it had to be changed from her original vision with every new ideology incorporated within, and miquella foreshadows the beginning of a new age which has been halted in progression by Marika’s eternal golden order.
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2024.05.27 05:12 Mental-Ad-8756 Lupus Aureus 2 Theory Crafting

Lupus Aureus 2 Theory Crafting
I realized that the past few weekends I kind of accidently have done shit posts in like, a row, and as much as that is helpful to express my, uh, stupid and nerdiness and frustration, that is outside of work Cyno activity, and now I have serious work mode Cyno engaged for a change for the man himself. It's just, I write so much...
Alright dudes, regardless of my own ideas that may “inspire” you to do the same, feel free to use this as a thread to talk about anything regarding Cyno’s 2nd story quest at all, since there’s no where else to really do so and despite that I imagine someone else must be looking for an excuse to say something about it too.
I do want to advise one condition: remember what sub you are on. I’m aware that this quest gave a lot of potential implications for certain ships, but I would prefer we stay civil over it. There are other places that are and will be milking the hell out of it all, don’t worry. If it doesn’t have to do with lore or similar, then chill out about it and consider it’s relevance, or maybe don’t mention it at all. I don’t want to spark arguments here.
That all nicely over with, here are my major working theories and thoughts about the story; for convivence/TL;DR = just read the headers/bolded words:

"Plot Holes"

The following points are the makings of all the theories afterward:
  • Why did Cyno visit Cyrus conveniently when he had gotten the letter? Why did he "force" him to report it if Cyrus tried to make it a small thing?
  • For how long did Cyno and the other matra already know who the threat letter sender was?
  • How did the integration of the student take 20 seconds?
  • Was the the whole arresting the student and all suppose to represent or foreshadow a similar scheme of Cyno's to follow? What I mean is was him pulling a red herring and planning this capture behind the scenes with someone else something we should of been suspicious of him possibly doing again?
  • Why did Cyno even go on a "supply" run? (Hey, hey, get your mind out of the Cynari gutter that was also "happening" at that part)
  • The "haziness" of Cyno's memories doesn't make a lot of sense. He can remember what Hermanubis looks like enough to cosplay him, he can remember how to use him, he can remember where he came from, etc, etc, but he didn't remember the symbol , the temple or Sethos at all?
  • So like, how many fragments of Hermanubis are there total though?
  • Cyrus was all like “no you can’t put both fragments into Sethos what if he can’t handle itttt, it will make him suffer” but then Sethos was like “if u win Cyno, u can have both then” and nobody had a problem with that at all.
  • The duel, the duel, the duel. Aghh...I'll get into it later.
  • So you're gonna introduce a new character, Hoyo, nerf them, change their weapon, and buff a older character, but have it not have any effect on them at all even in the moment?? Was this Cyno story quest 2, or Sethos hangout 1? Haha, I kid, I kid...I'm quite interested with what they will do with them both, but that could be a long time coming. Sethos will likely have more to happen, but if they really just forget about the new fragment in Cyno completely, that is just lame.
  • Cyno said he was going to report everything to Nahida. Out of explanation for his sudden absence or...was this an official mission? Nahida is Nahida, I can't underestimate her knowledge, nor can the people who work for her. It's hard to think he would be telling her to "fill her in" on everything to explain and give details of the whole event like she would have no idea of it happening at all. I'm curious about their work relationship, and the status of selecting new sages and the top head sage because if there is still none, then Nahida would be Cyno's only boss, right?
  • So they just gonna leave the Temple of Silence visible to everyone now? Okay. I mean, that's fine, it's cool in there, but it's not like we can read any of the books. I'm just gonna imagine only people who have memories of it can see it on the outside, I guess. Like. It's suppose to be secret.
  • On that last note, temple of "silence" my ass, lmao, Sethos and the other members be YAPPING when they wanna.
  • Yeah. Uh. We still don't know what the Temple of Silence has done or will actually do, outside of messing with Hermanubis's remains. They didn't tie it in with Cyno's principles at all, such as the six cardinal sins, forbidden knowledge, the ruin machines they were suppose to have taken, and etc, ummm...sure, we got lore, don't get me wrong, but it didn't fit together as many pieces as it could have. But I suppose it's good to still have a future for Sumeru all in all.

Nahida hid Cyno's memories

Weirdly enough, I'm going to bring up the common sense argument to this theory myself: "Cyno probably just repressed his childhood memories; the human mind is weird about trauma, it doesn't always make sense, such as between the patches that are remembered of the past and those that are not."
First of all, you're making an assumption that he has PTSD. Which is a WHOLE other thing to get into. As far as that goes though you're right, but that is in regards to real life. If they truly wanted to be realistic and turn it towards that way, walking through the temple and everything would of had much more of an effect on him, like triggering maybe flashbacks or really just the memories back, giving us some nice angst like, they did with Wanderer when he remembered his past. Additionally, repression of your childhood memories only can last so long, and once you become an adult, you can start to remember or have suspicions about it naturally. We do not see this either for Cyno.
Yet, also, in a world where a god has a direct link to their people's memories and can work with them, though, that would be very lame and not the only possible outcome. Next, in Nahida's character stories, it is said that for children she came across who struggled in their lives for whatever reason, she would comfort them in their sleep, and in the first cute photo we get of baby Cyno?
Look at him. No don't, leave him alone-he's TIRED.
He's sleepin. So IF Nahida did comfort or visit him somehow in his dreams as he undoubtedly struggled to adjust to his new life otherwise, such a connection between them would probably allow Nahida to act on her curiosity about him, look into his memories, and if, as boss girl she is, she felt like they were what were really holding him back, she could of even totally deleted them, if she felt so experimental. Though that's extreme, still, going back to the temple still should of made him remember things, so either A.) it didn't hit him yet, as in he hasn't sat down and thought about it B.) he didn't show it or care, C.)Nahida hid or covered his memories really well, and all expect the ones that were integral.
You now might wonder, so why does Sethos remember everything, or why did Nahida soothe Cyno but not him? Well, firstly, Cyno moved to the city, his "hiding spot" being right next to the building Nahida was caged in, so he would of been a lot easier to "reach" then Sethos. Sethos was also hidden inside an invisible and unknown temple. Also, perhaps Sethos did not believe in her, and Cyno learned to or just did. Or maybe his Ba fragment caused an interference in addition to him being out of reach. Also, Sethos didn't get removed from his past, so there was nothing new to cover it with, and I'm pretty sure he is younger than Cyno, so he is just use to everything, and there was no way he could forget while living in and hearing reminders all of the time of the major things. It's possible if they both were truly traumatized by the experiment, that he did actually repress somethings too, and as if anyone remembers everything from a really young age regardless.
And of course**, if Nahida did indeed see Cyno's memories, then she would of been able to predict this entire story quest with her big brain**. So, that leads me back to more suspicion about the whole ordeal and her potential involvement. I mean, I easily imagine Nahida will be happy to reconnect with the Temple Of Silence in such a peaceful agreement, she has yet to fully extend her help to the desert, and this could very well be her way in to doing so. For more potential evidence on this one, see previous "plot point" #11.

Cyrus took Cyno to appease the sages; he was not a good guy.

  • Lisa and Cyno's conversation during windblume's breath:
“The power of Hermanubis once brought you great suffering” - Lisa
“That’s all in the past now. Besides, professor (Cyrus) thankfully didn’t treat me like a test subject for the priest’s power like the higher-ups had hoped, even though I was a desert-dweller.” - Cyno
  • Why would Cyrus need to "appease the sages"?
Why are we told the Temple of Silence cut off the academia in the first place? Oh, right**,** because the sages were corrupt. And indeed they were! We know what they did to their own literal god, Nahida, so bringing a Ba fragment to them?! And for some mysterious reason Cyrus was stumbling around and dying in the desert before joining the temple. We know that the sages use to expel "crazy scholars"(also known as Aura Village Elder Guardians or w/e) out into the desert. I think Cyrus was also kicked out of the Akademiya, and in order to get back in, he had a hidden agenda for working with the Temple of Silence, aka bringing them a Ba fragment. Even if Cyno said he didn't treat him as test subject for the higher ups(who must of been the sages), still:
  • Cyrus was fully involved in the experimenting of the children in the temple.
Beforehand, I had always assumed that Cyrus saved baby Cyno from the Temple Of Silence (or whoever), and that he needed such saving in order to stop people from experimenting on him. BUT NOOO!? And then all that talk of chasing down the threat letter sender's parents, while he didn't bother to go after Cyno's parents that just SOLD HIM?! And when Cyrus is like "you have a right to despise me...over betraying the temple- like THAT'S ALL I DID." Nahhhhhhh, they messed up Sethos and Cyno if they aren't even gonna think to be even a little mad at their adoptive guardians for the implantations, let alone killing other people before them for the cause. Also, the way Cyno says **"**thankfully, he didn't treat me like a test subject.", implies that he thought he was going to, which is totally fair considering, you know, he was his test subject before.
Another detail is that Cyno never calls Cyrus his father, but just politely professor, nor does Cyrus call him son. That’s fine in hindsight, as Collei calls Tighnari “master”, but it’s never once explicitly stated that Cyrus is his adoptive father despite them making clear what Baomoun was to Sethos. I know how opposing this all is to the fluff and familial goodness we saw on screen, but the facts remain. Sure, it's a cracky theory, but if you can come up with another, just as possible reason, that Cyrus left and took Cyno, please tell me. No, Cyno does not hate Cyrus in anyway, but may I also remind you, that he doesn't remember things?
On top of all this, Cyrus tells Bamoun, in front of everyone and Cyno, "I borrowed your Ba Fragment for a decade or so, and you're seeking justice." SIR?? ECXUSE ME?? Your relationship with your son is giving many mixed signals! I understand that he could just be being sarcastic and speaking matter-of-factly, but put into the context of the previous points- are you kidding? At best, and it does seem this way most of the time, Cyrus had a change of heart at some point, or maybe he felt he had no choice but to support the temple and fool the Akademiya, but the question remains of what did he do to get kicked out of the school or whatever, and if he did get kicked out, he could of done something terrible then, too. Regardless of his reasons, he still is guilty of unethical conduct and messy parenting.

Cyno was the 3D chess master

  • previous "plot holes" 1-8, 10-11, 14.
  • Cyno had to have became the General for a reason, but what was it?
  • Cyno is the "Judicator of Secrets" and his affiliation has always been The Temple of Silence, not the Ackademiya or otherwise. Cyno's also the guy already cosplaying Hermanubis, the only one with the head dress, clothes made of fabrics and things that of King Deshret's technology, with language on his bandages/etc of that ancient script. He even points out that due to his appearance, he could piss people(mostly Sethos, lol) off in the dessert for wearing it all, yet he does anyway.
  • "But you can't lift a finger against Cyno. He is the General Mahamatra. Your actions would be seen as a declaration of war against the Akademiya." - Cyrus
  • "Times have changed!" - many times, regarding the Akademiya
  • "You need this power-Both as the General Mahamatra and for yourself."
  • "This is a sacred duel, and Hermanubis is watching, so bare your soul." - Cyno to Sethos
  • "Each Ba Fragment stands for something different...or one of many secrets that have yet to be revealed...the nature of our fragments is what makes us different from one another. But...maybe, it's that you found your answer and I am still searching for mine." - Sethos to Cyno
  • The duel seemed pretty easy for Cyno, but mostly taking the Ba fragment was too easy, and then once he did, it had no effect on him.
  • *"*I don't think Bamoun looked very surprised by the final result. Perhaps he had an inkling this would happen." - Tighnari
  • "To be honest**, I could not of asked for a better outcome."** - Sethos
  • Cyno kept his job, and let Sethos be the leader of the Temple, this way, it and the Akademiya have a fixed relationship, which has many benefits.
Let me stress that I am NOT thinking Cyno is a liar. I am sure that would be against his principles. But, you do not need to lie to keep secrets, you can just be silent**.** I think his memories are indeed probably hazy, and he uses that and such excuses of "well they just told you everything for me" in order to stay silent. He is a blunt person as is, and Sethos kept up a similar act in the beginning, yet he spills details eventually by demand of Cyno, really with his whole little grand monolouge, he basically bares his soul. But I don't think Sethos is simply an idiot and that's why he did all that, "gave up" the duel, etc. Rather I think Sethos was just aware and sus of their differences of power, and as he reveals, he always preferred Cyno to be the sole vessel anyway, probably because of the gap in their understandings and abilities doing so. And Bamoun also thought this way.
"Yeah, obviously Sethos/Bamoun were the ones playing 3D chess, so.."
Yes, but it takes two people to play. All I'm saying is that Cyno/friends were playing just as well, both sides had hidden advantages and intentions. When he figured out Sethos was playing "Ba fragment for Cyrus's life", Cyno changed his approach and goals to "No that other Ba fragment is mine too", and Sethos was like "fine, because our real goal is just to get both fragments in one person", and so on. But the question is why did Cyno/friends jump to that so confidently without any arguments or concerns? Why would Cyno want or "need" both fragments? This is not answered directly.
"Yes it is, it is because then they would reach a agreement and save Cyrus while Cyno wouldn't have to lose anything."
Yeah, but you need to realize that Cyno could of refused to take it and let Sethos keep it. He could of at least tried to negotiate that, but he didn't, when he's a pretty generous guy, and it seems like he didn't really gain anything out of it personally besides a bit of satisfaction. So, this leads to me to a few theories:
  • There is no "fake" Temple of Silence at the Akademiya, they just go by the organizational name of The Matra these days.
When it is explained to Cyno that The Temple of Silence's part of the Akademiya is a fake placeholder he says he's not surprised. It's also of no loss, because The Matra is and has been the political party that handles basically everything you think The Temple would. And Cyno is already the general/leader of them. So...
  • Cyno has never neglected his role of acting out Hermanubis's will. Rather, being the General Mahamatra is the perfect position for it.
IF he really had been neglecting his role, first of all, Bamoun/Sethos would also be wanting to punish him or would have a least pointed it out, yet the very idea of such is not even threatened or voiced. They don't say anything like that, just that he has been in the rainforests for too long. Which is true, the dessert people have been dealing with neglect. Yet, because of the corruption of the sages, of which he helped get rid of, and the heavy concertation knowledge in the city that comes with the highest risk of further corruption and illegal activity with the knowledge, it is the most major area he logically needs to be, and it also allows him to work with Beur. So yeah, I think him becoming the General was on purpose and actually because he is a vessel, now THE vessel.
  • Cyno has already been collecting other fragments/traces/etc, probably as part of the pact he made with Hermanubis, of which Sethos does not claim he had done, so of course Cyno would beat him.
Or maybe the "nature" of Cyno's fragment by itself was just superior, or he bonded better with Hermanubis than Sethos, whatever it could of been, the power of Hermanubis in general was still only considered "powerful/dark and mysterious even to his followers." Still, I lean towards the bolded statement above, because of other previous details and Cyno's full character. Another thing to support it is the magna. He had a mastery of odd powers already, probably from the temple and the experimentation, all before even getting a vision, and he uses it to seal the spirit in Collei, of which he did with relative ease and confidence, just like how he took Setho's fragment. So, even at this point, he likely already had much experience with spirit remains, so yeah, years later of further development, why would Setho's fragment be a big deal to him?
I have an inkling Cyno had always been a bit more talented than or had an edge over Sethos in their developments with the fragments when they were growing up, and they were not close as a result. It would also explain why Sethos had a bit of an attitude towards him and some passive grudge, and Bamoun just goes on and on about how much of loss Cyno was while Sethos was like an after thought, or at least, just not good enough. And to make matters worse, for Sethos(sorry Sethos), Cyno's freedom from the Temple allowed him to "find all his answers" and become stronger, rather than hurt his potential or make him undeserving of Hermanubis, ...which is kinda what happened to Sethos. Cyno might have always been a role model to Sethos(I think Sethos is younger than him, too), the way he so easily says "please show me the way" and shit to him, meanwhile Sethos was just a normal kid in Cyno's eyes, someone forgettable. (on accident!)

Other things that bother me...

1. When Cyno was all "okay what's weird about this threat letter to you, bro?" My first actual answer was the symbol in the back. Like, looked similar to the symbols on the stone slate and such! But if we had noticed that, Kaveh would of had to of been praised and appreciated some other way, so I can let it go.
2. Personally, especially now, his first story quest was fine and all, but now it's like it was almost unnecessary. It had no clear relevance what so ever to this one as far as what is memorable, as nothing about it was brought up ever again, when his so called matra mentor DIED in it. He could of potentially been as much as a role model or help as Cyrus was, and so they had to have known each other, so this was just dumb in my opinion. I really thought he would of been mentioned, and now I can't even recall the guy's name. Like, I even thought maybe Cyno and Sethos would of had a bonding moment over dealing with loss of mentors, but now? I don't think Cyno told anyone about that loss, and...like I mentioned earlier, the lack of effect things have on him is...strange. So let me tell you, I have crack theories about these deaths of Baomoun and that other guy in relation to Cyno, but since they are far fetched, I'll just list my thought process:
  • In real life culture (Herm)Anubis is the God of Death, and in ancient Egypt, the person wearing his helmet would of had the role of a chief embalmer. Which was the leading priest in the mummification of royalty and such persons, to put dumbly.
  • Baomon is literally put into a tomb/casket right away.
  • There are visually not very many members of the temple in general.
  • The actual ceremony/funeral of Baomon is not shown to us.
  • The temple is stuck to old principles and traditions.
  • Baumun had a large role in Cyno's childhood as well.
  • Cyno laid the guy to rest himself, or at least had a part in it.
  • He was unfazed about it, had more concern for Sethos.
  • He's very used to death, explaining his silence on his lost partner.
Regarding his lost partner:
  • He let him die as it was his choice, or more importantly, his punishment for the guilt he held for his son's own death.
  • Upon hearing what Cyrus had truly done, and with regard to his stubbornness of going to the Temple, blah, blah, blah, IT'S A SET UP OF THE SAME SCENARIO
  • Cyno's very used to death. Or at least accepting of it. He would of let Cyrus pay the price, too, it's just that it didn't end up that way.
3. The magna is not touched on or explained. I mentioned the magna to help support my last "big" theory, but yeah. What I was looking forward to about the Temple was some detail or display of that "witchcraft" from the magna. It's dumb alone they don't bring it up at all much, as it is the root of the reason why Collei, Cyno and Tighnari are a family today in the first place. Also, the reason Cyno is called to help Collei is because Lisa knows he could read the symbols or message...and now he can't even recognize the basic symbol of the temple. Like...okay...or maybe they have a couple of different languages? Faruzaun once said that a graduate had to know 20 languages back in her day, after all. Still. Weird.
4. The ages of everyone are now easier to determine, which doesn't really "bother me", lol, it's just interesting. I just want to point out how young Cyno looks in the photos, and then that it’s said that he has been in the city for 10 years. Idk how young exactly he was obviously, but I think it’s safe to say that when he saved Collei, he was probably just a teenager, a student yet. The letter writer was 16 years old, as a third year student, so despite that I thought the academy was more like a college, it’s actually more like a high school, so now everyone’s in the sumeru crew are in their 20’s at best in the present time. So it would be odd for Collei to consider Tighnari her parent anyway, when he was likely only 16 or something(since he’s younger than Cyno) when he took her in. Which is impressive of him but kinda…odd. Not in a weird way, just in how could he make the time for her while trying to graduate? ​Then Sethos’s age: um he looks younger, Cyno talks about him like he needs to do everything he already did, as in what most teenagers do(finding out who they are, ect) so ima assume he’s older than Collei but younger than Tighnari? Idk. So Cyrus took the older kid only and said “sucks to be you” to baby Sethos lmao(not really, why is Sethos chopped liver to everyone).
5. Really just a side thought, but what if the $10 million mora demand made in the threat letter wasn't as random as it seemed? Sethos told the kid Cyrus had stolen something valuable from the desert, and that wasn't a lie. Cyno had indeed been initially sold for a "small fortune", which over time, and in regards to his current status, would have grown if he were to be "sold" again now in present time. So, the threat letter, in essence, was kind of a "wanted: dead/alive poster" with a reward of $10 million for Cyno's head. That is probably kind of how Cyrus viewed it.
6. The Temple of Silence has so many books, and they even tease that Cyno/freinds will be able to read shit there some day, YET, there is not a SINGLE thing we can actually read. Not a single new book series to collect, not a single weird inscription, how is my lore nerd heart suppose to feel?! However, after the quest, you can read the NPC's minds with Nahida and talk to them, and they say some interesting things. STILL THOUGH, you can't EVEN climb on the temple, forget bringing Wanderer, even he is useless! Hopefully we come back in the future and there is more to interact with, give me the forbidden knowledge! On that, we actually do need to, to see the effects of the deletion of REDACTED, even, okay? I don't care if we open every book and run into an annoying pattern of Paimon saying "what?! the pages are blank?!", because that is still something, and if Paimon is talking, it could be a quest!
"You spelled Bamoun wrong every time" Eh, Bamoun, baboon! He's dead!
OKAY, I think I am done, that's it, that's my WHOLE analysis. I know it's a long post, and I thank you for your time, really, take your time. I didn't feel like making a post for every theory(I can't time that), and, hey, it's not my fault the rest of the sub is sleeping on this quest! So if you been hiding, I've sacrificed myself for you, bro. Express your thoughts, what you thought or stuck out to you, for example, I said nothing about the lore in the cutscene; despite how long the post is, there is no way I covered everything. Like I said in the intro, this can be a thread for the story quest, my theories...are just to get the inspiration going? I'm serious about them though. Like for one, I'm still mad at Cyrus. Welp, I'm tired and everyone probably wants to hit me with a brick, so I'll see what happens. Have a nice one!
Just one little tiny side note: I do not even have Cyno. Deadass. I don't plan to get him any time soon, either. I'm f2p, but still, you can't accurately call me a simp.
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2024.05.27 02:57 IseKai_MC The smile of the Widow - DAL vol 11 cover + some illustrations

The smile of the Widow - DAL vol 11 cover + some illustrations
Hello guys, since I read Date a Live, I realized that the novel has a certain quality that even more popular and cult novels do not have and that seems to go unnoticed by the fandom, the covers. Yes, the covers are spectacular and break away from the standard of most LNs, there is not just fanservice, there is not just a character striking a cool pose, we actually have covers with a certain visual narrative, whether a connection with the highlighted spirit itself or with the story itself and I will be pleased to show this to you, here are the rules:
  • Due to the oriental reading sense being left -> right of the page, the details will be presented respecting this sense.
  • A picture is worth a thousand words, and DAL is a novel so the images are even more valuable, the idea here is to analyze the covers and relevant illustrations to understand hints, references, foreshadowing, and contexts.
  • Pure fanservice images will not be taken into consideration (at least most of them). No, I’m not the type of otaku who says things like: “fanservice is unnecessary, objectification of women, too gratuitous and empty, it only serves to “excite the viewer””, the last one is even plausible and I understand those who think like this, but all the others are nothing more than cheap demagoguery. They will not be taken into consideration because in addition to not actually adding to the plot most of them are posted to exhaustion on this reddit.
  • Major spoilers will be avoided, at least directly.
{LN 11 cover}
https://preview.redd.it/98874rb2av2d1.jpg?width=1000&format=pjpg&auto=webp&s=0ed7b2bf271a192bb09b6767f108b66ce0d3953d
  • The autor´s name, again.
Again and again, Tachibana’s name is the first element on the cover, I’m almost noticing a pattern here.
  • Background.
Regarding the previous volume, the strip changes position, this time it appears at the top of the cover. In a way, it maintains the symbolism of Origami being at the top of the tree of life, because above her is only the scenario we see in the background, let’s talk about that.
The scenario this time is a very starry night sky referring to the place where the divine dwells. Night skies usually refer to Tohka, I can’t deny that it is also today, after all, just look at how Origami is dressed, we’ll talk about that later. However, the color of this sky is quite different from Tohka’s color palette, here it is a kind of greenish blue, as I am not good with colors I went to research, do you believe that the color that fits here the most is ‘ocean color’?
Remembering that the scenarios of the backgrounds follow 3 rules about what they need to be related to: A - Relevant to the highlighted spirit, B - Relevant to the current volume, C - Relevant to the main story.”
  • The Highlighted girl.
The girl of the moment is… certainly Origami but a little different. The first element that catches the eye is the astral dress, we have another super expository dress that is important for the lore, as mentioned in the afterword of volume 7, that’s right this is the revelation of the inverse Origami look.
The pure white dress has become black, the color of mourning, the wife has become a widow, remember this phrase, it is quite ‘didactic.’ As for the face, for the first time Origami is smiling while looking at the viewer, which is strange considering the end of the previous volume, but still emblematic.
As for the pose, Origami extends her arm, she probably wants to hold your hand, which is pretty cool but hey the reference here is an illustration present in this volume itself, which is even better.
Wait, there’s something else different about her… Yes, the hair. The Origami we know has short hair, which is a sign of modernity, maturity and even empowerment, but this Origami here has long hair, which pleases more traditionalist people like me.”
  • Devil Tobiichi.
What would be the inverse of an angel? That’s right, and within this volume we will learn why she has this codename.
  • Spirit Info.
The ‘i’ is back and this time yen press understood that it is something important.
We have relevant information here, as I said before, bearer of the inverse sephiroth 1, that is, Qliphoth 1, codename: Devil, Demon King: Satan.
  • The title.
The composition of the title imitates the previous volume, characters are in front of the spirit, the equivalents to ‘Date’ appear at the bust height and the equivalents to ‘A Live’ in the belly region, always respecting this rule.
The only change here is in the coloring of the title.
{Ilustration 2}
https://preview.redd.it/3jc6z8u7av2d1.jpg?width=1000&format=pjpg&auto=webp&s=827b7264975bc87e0f4eeb31c8a5045eb855c09f
Is Kurumi here? The text confirms that yes, a very different Kurumi appears here, she sports a beautiful smile and points Zaphkiel at Shido, questioning him:
'‘By the way, I forgot to ask, what’s your name?’'
How strange, this Kurumi doesn’t know Shido.
Shido answers, however, he seems quite intrigued, probably because of the eye patch.
Furthermore, we have the following elements: A rooftop, The color of the sky refers to the color of the astral dress of Kurumi that we know, the color also refers to the fire and finally the image shows how Kurumi’s power works, her shadow ‘energizes’ the gun barrel.
This is the best astral dress of Kurumi, in my opinion. For those who don’t know what’s going to happen, it must be quite a shock to see another Kurumi but the puzzle here is pretty cool, a subtle hint of the plot of the volume.
{Illustration 3}
https://preview.redd.it/x1gnznm9av2d1.jpg?width=1000&format=pjpg&auto=webp&s=a20aa959d9c8b53642c2705b911199d00198a6f8
Now let’s talk about a not so subtle hint.
Shido’s classmate, Origami Tobiichi says:
"I’m sorry to bother you, but I’m surprised that Itsuka-kun looks like someone I saw a long time ago’'
Did this image seem familiar? It’s because you saw it in volume 1, it’s the fourth illustration there, Origami’s debut. It turns out that here is also a debut. At that time, in addition to talking about Origami’s thighs, I also mentioned how her gaze seemed sad and painful, here she also seems like that but there is something more, she seems a little embarrassed.
The lighting is a detail to highlight, they are the same colors of the night sky present on the cover of this volume.
This Origami is quite expressive.
{Mono Illustration 1}
https://preview.redd.it/hpfgu9cbav2d1.jpg?width=725&format=pjpg&auto=webp&s=c2367bf22af4b843c75ff4b7b29ba27ca0410700
The last link in the chain of Origami’s Paradox.
In the first volume, Origami recognizes Shido, however, noticing the boy’s confused reaction, Origami asks if he remembers, Shido says no and it is Tonomachi who does us the favor of introducing Origami Tobiichi.
The point is that from the beginning Origami knows Shido and the answer to this is this Illustration. After failing to prevent Origami from meeting Phantom, all that remains is for Shido to save and console young Origami.
Shido says some beautiful things: '‘I will take on your sadness, if you are lost follow me, unload everything on me, You are not alone.’' And you still have the courage to speak ill of this guy.
Origami finally starts crying.
'‘What is your name?’'
'‘Shido Itsuka, I live nearby.’'
Finally, young Origami says: ‘'All my happiness, joy and my smile will be yours (…) This is the last time I cry and also the last time I smile (…) But all anger will be mine (…)’'
This not only explains why Origami knows Shido, it also explains why she is so fanatical about our protagonist and explains the expressiveness of Origami in previous illustrations, hatred is the only emotion she allowed herself to have.
Kurumi was not at all happy with this, what was supposed to be proof that her power would be able to change the history of the world became, nothing more than her being made a clown by this existence.
{Mono Illustration 2}
https://preview.redd.it/05ay21kdav2d1.jpg?width=725&format=pjpg&auto=webp&s=f16bf8c81e9f9d8025989be6c1f144f4e5120ce9
Is this a dream or a utopia?
Shido manages to find a way to go back to the past again, his great plan is to warn Phantom that Origami comes from the future to attack this?
Things start to get strange, Phantom seems to know Shido, Shido also feels something familiar about this walking mosaic and there is Kurumi watching all this, thanks to volume 4 we know that she seems to have something with Phantom.
After moving away a bit, Phantom transforms into '‘a girl with gentle eyes like a mother’s’' and says:
'‘You can’t see who I really am and so forgive me for the indelicacy of using this form.’'
‘Rinne’ gives the impression that she really knows Shido, she somehow knows that he came from the future and also knows that Kurumi is watching.
{Mono Illustration 3}
https://preview.redd.it/yudwqblfav2d1.jpg?width=725&format=pjpg&auto=webp&s=9a03163fe69dfe86d9a3412a75e23557b0907f28
Tohka is worried.
At the last minute, Shido managed to save Origami’s parents, but changing the past has a cost, in the classroom Tama-chan takes roll call and skips the surname Tobiichi, Shido questions the teacher fearing to hear the answer ‘school transfer’, but Tama-chan replies:
'‘Who is Origami Tobiichi?’'
Shido went through the same situation as Okabe Rintarou and Subaru Natsuki, the boy starts to cry.
{Mono Illustration 5}
https://preview.redd.it/9un9njciav2d1.jpg?width=725&format=pjpg&auto=webp&s=d7656e3fc1a513d2da29674fdc95f35f727073b5
Shido wanted to take a nap on the rooftop and when he woke up he was very comfortable using Kurumi’s legs as a pillow.
At this moment, Origami had already transferred to Raizen school, my boy Shido, without delay, invites her to date, he sacrificed a few hours of sleep researching about Origami and that’s why he felt so tired.
Kurumi is here because she also wants to know what made the Origami of this world invert.
{Mono Illustration 6}
https://preview.redd.it/uwzywe3lav2d1.jpg?width=725&format=pjpg&auto=webp&s=7c4fc029a68cac569fcda494db4d171d54fe29d0
Origami catches Shido and Kurumi.
As a consequence of Kurumi being in her astral dress, Origami transforms into her inverse form, the image details this transformation, Origami loses consciousness and is consumed by her own power.
Origami and Kurumi have a short ‘fight’, easily the inverse spirit codenamed Devil kills Kurumi, after that Origami returns to normal but doesn’t seem to have any idea what she did.
{Mono Illustration 9}
https://preview.redd.it/ghig67boav2d1.jpg?width=725&format=pjpg&auto=webp&s=726cb5310a3411388cd507768ecbb61ad57c8a79
Gentlemen, one of the best illustrations of Shido.
Contextualizing, they had the dating, Shido decided, on his own, to test how much the Origami from the old timeline affects the current Origami, which generates some hilarious scenes.
At the end of the day an accident almost occurs, however Shido manages to prevent Origami from falling off a cliff but in the process the boy ends up getting hurt and with that using the healing ability, the consequence of this is Origami transforming again.
Inverse Origami is very powerful but thanks to the help of the girls, especially Yoshino who uses a new ability. Shiryon allows Yoshino to wear Zadkiel as armor and, basically activating the attack mode of the most docile spirit, with this Shido has the way open to reach the 'world' of Origami. As for Origami, perhaps because of seeing Shido use spiritual powers or because the level of affection for him is high, the transformation ended up making the consciousness of the two Origamis take shape within this ‘world’, the current Origami is on a mission to try to make the Origami from the old timeline understand that that world does not exist and did not succeed until Shido appeared.
As for the illustration, Shido is extending his hand and shouting for Origami, besides all this illustration ‘matches’ very well with the cover of this volume, which already indicated…
{Illustration 10}
https://preview.redd.it/c5zhe7drav2d1.jpg?width=1000&format=pjpg&auto=webp&s=c2964e495ec4d67bc6df603cc7b3979c129242c2
…That Origami would finally truly accept Shido.
Let’s let her speak for herself:
'‘What I felt for Shidou was definitely not————— neither love, nor affection. (…) I… just wanted someone to depend on… I just cast this role on you, since you were coincidentally in the place where I lost my parents. I just trusted you so that I could lie to myself about my weakness… just for this selfish emotion, I caused several problems for you… I apologize to you from the bottom of my heart.’'
And finally, Origami smiles and after being sealed says:
'‘Thank you, Tohka, girls. For fighting for me.”
  • Mini review of the volume.
Despite there being fewer plot twists and less inspired illustrations, yes this volume is better than the previous one.
Indeed, although an engaging story and a plot full of twists seem like a good thing, it’s necessary to let the reader breathe a little.
And that’s exactly what this volume does, it starts right where it left off in the last volume, although Shido wasn’t able to change anything we got an answer to one of the mysteries presented in volume 1 ‘'Why does Origami know Shido, but Shido didn’t even know the name of the most talented student in his school?’'
Then Shido borrows Yud Bet from Kurumi 5 years ago, we get more information about Kurumi and Shido manages to score points with both Kurumis for the compliment to the eye patch.
Shido goes back to the past again, the conversation with Phantom really doesn’t change anything however, we get information, hints and many mysteries, Phantom transforming into Rinne besides being a great reference, is also a hint and a decoy to the viewer.
As soon as Shido manages to change the past, the comedy and ecchi come back with everything, they are important elements to lighten the mood, the pause for breath.
And finally, note that some things have changed but what matters remained the same, one of the examples of this is Origami, despite Shido having saved her parents they died a year after the fire in Tenguu-Nankou, even if she didn’t harbor deep hatred for spirits she joined the AST because of the boy who saved her parents. In the end Shido continued to be an important person for Origami which makes her passion basically a canonical event.
As for the anime, I really think that JC Staff did a decent job in this arc, although the animation is bad, the important scenes were there, the only relevant content I missed was about Origami destroying Phantom’s disguise (scene from the previous volume).
This was definitely the best arc so far, everything we saw was an appetizer for what we will see in the final arc, but does this mean that the next volume will be much lighter right? No, the next volume is the main reason I’m doing these posts.
Previous Reviews.
-volume 1 - The color of the Night.
- volume 2 - Yoshinon and the Rain.
- volume 3 - The smile of Kurumi.
- volume 4 - Sister or Girlfriend?
- volume 5 - Yamais
- volume 6 - Lilies, she likes
- volume 7 - The Dark of the Night.
- volume 8 - What do people do on Halloween?
- volume 9 - Natsumi Without Costume
- volume 10 - Origami above (almost) everyone.
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2024.05.27 01:01 DeniceC99 Grades 7-8 Algebra Bundle

Grades 7-8 Algebra Bundle submitted by DeniceC99 to mathstutoraustralia [link] [comments]


2024.05.26 17:51 yussoland The Foreshadowing of Everything (Roger, Strawhat's true Dream) Part 3 A CRACKHEAD THEORY

The Foreshadowing of Everything (Roger, Strawhat's true Dream) Part 3 A CRACKHEAD THEORY
To understand Luffy's true dream, we must dive back to each and everystraw hat's back story.
What made them realize what they want in life as a kid. We need to understand what made them suffer and regret. What is missing ?
The strawhat crew has their own inherited will, but this theory will make you think otherwise. If you follow a person who has a true dream other than what their goal is. You most likey have one as well.
ALWAYS REMEMBER YOU ARE YOUR FRIENDS! and YOU FOLLOW DREAM THAT IS WHAT IS FRONT OF YOU
This is Oda's 3rd favourite panel and everything in here is foreshadowing of their true desire as a kid! The Campfire in Skypeia
You might need to download the image i have made to understand what is written!
It goes like this!
  1. Each of the wolf is also Strawhat's and the ones who also dance with Nika's drum.
  2. Each of them wants to be like who is front them. WHY?
  3. In the circle are Vegapunk-Franky-Sanji-Luffy-Usopp-Nami-Chopper-Yamato. on the outside is Zoro next to Brook and Robin facing the party.
Think about it, or watch their back story/time skip and Wano
BACKSTORY
  1. Vegapunk inventions has self-destruct in case of emergency.
  2. If Franky were only able to destroy his own ships, Tom wouldnt have to be punished for him.
  3. If Sanji has the same modification as his brother's he wont be bullied.
  4. Usopp wants to be the captain real bad.
  5. If Nami can make her lie true, Bell-mere would have been alive (adopted by rich person)
  6. If Chopper can only understand/read human books - Hiriluk would'nt have to be poisoned.
  7. If Yamato is only free to go to the sea, She would have been travelling with Ace.
  8. Both Zoro and Brook has a promise to their old friend.
  9. If Robin was only able to meet a group like Luffy and friends, she would not be demon child.
10.>! And if Only Luffy has no devil fruit he would be able to still learn to swim and Shanks wont lose an arm.!<
THE TIMESKIP ISLANDS
  1. Franky was sent to technology where it can self-destruct. (Vegapunk trait)
  2. Sanji was sent to island where injectiom/modification is widely accepted. (Franky Trait)
  3. Usopp is sent island where he can eat all he wants. (Luffy trait)
  4. Nami is sent to island where she can create a weapon of her own liking. (USOPP trait)
  5. Chopper is sent to an island with unique books. (Nami Trait)
  6. Zoro is sent straight to his dream. he is honest to himself
  7. Brook is sent to where he is needed and useful.
  8. Robin is sent to find her new purpose in life. After she was rescued by Luffy, she need to find a reason to live and that is to protect the weak and her crew.
  9. Luffy is sent to the island where he is known as the first known normal man.
WHAT MAKES WANO SPECIAL? - This is where the realization of each strawhat true dreams came true.
and that travelling the seas makes you think what you really want in life. Once you have grown up.
  1. Franky's invention are just mere weapon.
  2. Sanji's germa cloak is nothing to him. His dreams to become invisble is not he wants - The all blue is not what he wants. THIS IS FLOODING of the world.
3.Usopp's pretending of his conqueror's haki/lie results in big consequenses. Yasue's death and harm to his friends.
  1. Nami made a lie come true. Luffy is not dead.
  2. Chopper cured everyone with a pink blossom.
  3. Zoro is undefeated.
  4. Brook is a worthy of being alive.
  5. Robin embraced her own demons and she protects who can not fight.
  6. Luffy has proven himself brave, truthful, and unselfish and he became a JOYBOY. The Spitting image of Usopp tells us that is Luffy's Dream all along (Pinocchio Story).
Strawhat's reaction to Luffy's dream.
Luffy's Dream is to be able to swim. BE NORMAL HUMAN.
Being able to swim is Child's Dream not something you want to become when became an adult. Luffy can fly but cannot swim.
1. Chopper (a TANUKI who ate human-human fruit) loves it. He had seen it before in Sanji's body at Punk Hazard.
2. Robin ( a DF user) has never done it since she had a devil fruit.
3. Sanji (modified human) is able to swim but thinks Luffy is as human as he is.
4. Franky (a cyborg likes it) might just sink in water, considering how heavy is. Besides he is friend with Senor Pink who can swim.
5. Usopp (a human who likes to have strong powers) thinks it is impossible. No one has ever done it.
6. Brook (who is all bones) would like it, consedering Laboon might not recognize him with just the afro and no skin.
7. Nami (a human, thinks why is this important)
8. Jimbei (a fishman neither likes or hate it) since he will be on equal footing as human if he ever becomes one.
9. Zoro (a human with mostrous power) thinks why would a monster like Luffy would want to become one.
10 Sunny (a spirit). yeah hows that maybe?
  1. Yamato (an Oni and dog df user) looks up to Samurai, in her eyes being a Samurai is cool, and on the peak of being a Samurai is Oden. Thus she wants to be like Oden (a human).
Here is where it all began!
1. Shanks defines a pirate who has freedom, brave and can swim.
2. What good is pirate who can not swim? Specially the pirate king?
3. The Nika fruit choose Luffy because, they are both the same. Nika wants to be a human who can swim.
4. According to Kaido, Roger is only a haki-user and Devil Fruit is not enough to conquer the world.
5. The concept of God becoming a mere-human is something that most Celestial Dragon doesnt want. This is why Joker hates his father the most. and Luffy who has a same dream beats Doflamingo.
6. Luffy looks up to Shanks, and his brother who are just normal human who can do amazing things. Even Ace as a kid can beat up everyone.
7. Joyboy has a promise to Poseidon, which can never be since one of them can not swim on to the sea.
THE TRUTH ABOUT ROGER! theory, i might lost u here
ROGER IS A COD. (he looks like captain hook without the hook)
To be straight. Roger is part of travelling folks, Cirque Du Freak. Roger is a half-mink who has a visible tail just like Goku (OP is inspired by DBZ). Mink thinks human are just lesser minks at all. Where do you think that idea came from?
If you think why Garp and Roger and undestand each other is because Garp likes a pet dog to WG, and Roger is a wild half-wolf or half fox mink. When there is full moon Roger turns to a Golden Werewolf. (take a look at his Jolly Roger- those are whiskers not a moustache)
Being a werewolf doesnt give you the ability to hear the voice of all things, something happened to Roger. An organ transplant was necessary for this to happen. An organ was put on to Roger from a person who has sensory type capabilities like a fishman (a catfish or shark), enhancing his sense of smell. Or it could be the other way around. Roger was a merman and was bitten by werewolf. This is why i believe - Pluton is a Namazu (japanese myth), symbolizing the rise of common man and the rise of man-made technology against the Gods.
Science vs Religion
In all and all Roger is COD , CATfish OR DOGman, foreshadowed by Inuarashi and Nekomamushi and Kawamatsu who arrive in Wano, a hybrid of this trio.
Look again at the top image Campfire in Skypeia. The pre-gold hunting dance is about Gold Roger.
Roger is inhuman. Roger is Chopper who wished to be alive as a human and at the era of Joyboy.
Awakening it requires one thing
a true love's kiss
Source: Swan Lake and The Frog Prince,
Next: Foreshadowing in OP CH 154
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2024.05.26 11:35 adulting4kids Contest Prompt Again

You're going to begin your submission for the contest when you see tomorrow's post, right? Because these are a few important considerations to be making as you start the process tomorrow! Good luck!
We continue to post tools for this even once it begins. Your entery is due by 11:59pm on January 31st! No later than that will be acceptable!
  1. Protagonist's Identity:
  1. Adversarial Force:
  1. Fictional Location:
  1. Temporal Setting:
  1. Inner Dialogue:
  1. Love Story Arc:
  1. Conflict Resolution:
  1. Character Development:
  1. Symbolic Elements:
  1. Moral Dilemmas:
- What moral dilemmas does [Protagonist] face, and how do their unconventional choices influence the story's ethical landscape? - In what ways do these dilemmas contribute to the overall theme of the narrative? 
  1. Unconventional Choices:
- Provide examples of [Protagonist]'s unconventional responses to adversity. - How do these choices set the tone for the story and distinguish [Protagonist] from conventional protagonists? 
  1. Motivations and Goals:
- What drives [Protagonist] to confront [Antagonist], and what are their ultimate goals? - How do these motivations influence [Protagonist]'s decisions and actions throughout the story? 
  1. Twists and Surprises:
- Are there unexpected twists or surprises in the plot that challenge both characters and readers? - How do these elements contribute to the overall narrative structure? 
  1. Cultural Influences:
- Are there cultural elements within [Fictional Location] that influence the characters' perspectives and actions? - How does cultural diversity enhance the richness of the story? 
  1. Relationship Dynamics:
- Describe the relationships between [Protagonist] and other key characters. - How do these dynamics contribute to the overall story and character interactions? 
  1. Historical Context:
- How does the era's unconventional nature impact historical elements within the story? - Are there historical events or changes unique to this timeline that influence the characters' lives? 
  1. Foreshadowing:
- Are there instances of foreshadowing in the narrative, hinting at future events or revelations? - How do these subtle clues contribute to the story's overall suspense and intrigue? 
  1. Parallel Narratives:
- Does the story explore parallel narratives or subplots? If so, how do they intersect with the main plot? - What purpose do these parallel narratives serve in enhancing the overall storytelling experience? 
  1. Narrative Tone:
- Describe the tone of the story—Is it whimsical, poetic, dark, or a blend of various tones? - How does the narrative tone align with [Protagonist]'s character and the overall atmosphere of the tale? 
  1. Open-Ended Possibilities:
- Does the resolution of the story leave room for open-ended possibilities or hints at potential future developments? - How might the events of this short story set the stage for a longer, novel-length exploration of [Protagonist]'s journey? 
These questions aim to guide you in fleshing out the intricacies of the story and characters, allowing for a more detailed and nuanced narrative.
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2024.05.26 06:01 adulting4kids Tips and Tricks for New Writers

  1. Complex Motivations and Flaws: Develop characters with multi-dimensional motivations, flaws, and vulnerabilities for authenticity and relatability.
  2. Distinctive Dialogue and Speech Patterns:
    Create unique speech patterns or catchphrases to give each character a distinctive voice.
  3. Gradual Backstory Reveals:
Introduce character backstories gradually to maintain reader interest and curiosity.
  1. Internal and External Conflicts:
Explore both internal and external conflicts to drive character development and plot.
  1. Relationship Dynamics:
    Portray evolving relationships between characters, showcasing growth or tension.
  2. Symbolic Traits and Objects:
    Attach symbolic meaning to traits, objects, or possessions associated with characters.
  3. Foreshadowing and Pivotal Moments:
    Strategically use foreshadowing and crisis points to build anticipation and facilitate transformative growth.
  4. Cultural Nuances and Environmental Impact:
    Infuse cultural nuances into characters and show how they interact with and are influenced by their environment.
  5. Shared Memories and Parallel Journeys:
    Establish shared memories among characters and explore parallel journeys for intricate connections.
  6. Moral Dilemmas and Unresolved Pasts:
    Confront characters with moral dilemmas and incorporate unresolved elements from their pasts for added depth and tension.
submitted by adulting4kids to writingthruit [link] [comments]


2024.05.25 20:06 changedthebeat Rapping Breakdown of "Lyricism" "Wordplay" "Flows" "Rhymes"

In the past, I wasn't able to figure out what I specifically liked & preferred in rap or why I liked what I heard. And when I went searching online for others' opinions or for definitions around things like "lyricism" or "bars" or "flows," everyone's definitions were different and they were always subjective to the individual about how much they valued each thing.
So in this post I wanted to break down my personal ideas of the categories of rapping and the specific key elements that make up those categories. These overarching categories in my opinion boiled down to: 'Technical Lyricism', 'Wordplay Lyricism', 'Rhyming', 'Content' and 'Flows/Performance'. (The first 4 could each be branches of "lyricism") Things like instrumentals, samples, verse/song structures and choruses are ignored because my focus was strictly on rapping.
I'd like to hear what you think about how each category is separated, and how you think each element fits into them. Like I said, definitionally & personally, everything is subjective and opinionated with how each individual classifies the words they use to express what they mean with these terms.
So below are each of the categories with 1 or 2 examples of rappers that embody the category the most, and a list of what I deemed are the core elements for each one.

Lyricism (Technical)

Creating a connection of words”
ex: Lupe Fiasco & Jay-Z

Wordplay (Lyricism)

"Finding an existing (verbal or phonetic) connection of words”
ex: Eminem & most of battle rap

Rhyming

ex: MF DOOM

Content (Lyrical)

ex: Kendrick Lamar & Tupac

Flow (Performative Parts)

"Strictly just how and what the voice sounds like when rapping"
ex: Young Thug & Kendrick Lamar

That's all. The idea for this post came from a recent twitter spaces from Lupe where he was explaining why he felt Drake was a better rapper than Kendrick because he has more bars, punchlines and entendres because that's his definition of lyricism.
Edit: I may add, remove or change parts of this post based on suggestions and critiques.
submitted by changedthebeat to rap [link] [comments]


2024.05.25 20:01 changedthebeat Rapping Breakdown of "Lyricism" "Wordplay" "Flows" "Rhymes"

In the past, I wasn't able to figure out what I specifically liked & preferred in rap or why I liked what I heard. And when I went searching online for others' opinions or for definitions around things like "lyricism" or "bars" or "flows," everyone's definitions were different and they were always subjective to the individual about how much they valued each thing.
So in this post I wanted to break down my personal ideas of the categories of rapping and the specific key elements that make up those categories. These overarching categories in my opinion boiled down to: 'Technical Lyricism', 'Wordplay Lyricism', 'Rhyming', 'Content' and 'Flows/Performance'. (The first 4 could each be branches of "lyricism") Things like instrumentals, samples, verse/song structures and choruses are ignored because my focus was strictly on rapping.
I'd like to hear what you think about how each category is separated, and how you think each element fits into them. Like I said, definitionally & personally, everything is subjective and opinionated with how each individual classifies the words they use to express what they mean with these terms.
So below are each of the categories with 1 or 2 examples of rappers that embody the category the most, and a list of what I deemed are the core elements for each one.

Lyricism (Technical)

Creating a connection of words”
ex: Lupe Fiasco & Jay-Z

Wordplay (Lyricism)

"Finding an existing (verbal or phonetic) connection of words”
ex: Eminem & most of battle rap

Rhyming

ex: MF DOOM

Content (Lyrical)

ex: Kendrick Lamar & Tupac

Flow (Performative Parts)

"Strictly just how and what the voice sounds like when rapping"
ex: Young Thug & Kendrick Lamar

That's all. The idea for this post came from a recent twitter spaces from Lupe where he was explaining why he felt Drake was a better rapper than Kendrick because he has more bars, punchlines and entendres because that's his definition of lyricism.
Edit: I may add, remove or change parts of this post based on suggestions and critiques.
submitted by changedthebeat to hiphop101 [link] [comments]


2024.05.25 13:25 Eiiiiiro I think i know what luffy's dream is.... [NOCAPS VERSION!!]

--------------------------------------------------[NO CAPS VERSION!!]------------------------------------------------

[SUN THEORY]_V1.TXT

(i will update this post sorry for the poor writing)

HEY. i'll make it quick. i don't have much time. oda is spreading all over the place what luffy's dream is.

Let's go.

Essential Information about Luffy's Dream:

  • Luffy came up with this dream when he was 8 years old, so it must be a childish dream. Roger had the same dream. It's a laughable dream (an impossible goal?). To achieve this dream, he must be the freest person alive.
Anyway, now let's discuss the popular theories about his dream.

Popular Theories:

  • Giant party, with sake and meat, blah blah blah, One Piece. Cool. I love that.
  • Worldwide laughter at the same time. Cool, love that idea too.
I love all of these theories, and I think this is going to happen too, but listen up to this, my friends:

What Can We Expect from That Theory?

  • What is Luffy's dream.
  • What the Mother Flame is.
  • What's going to defeat Im.
  • How the Ancient Kingdom was so powerful.
  • How the Red Line will be destroyed.
  • The solution to the rising seas.
Let's dive more into the abyss...

What is Luffy's Dream? That's the moment where you can leave this post to not be spoiled.

  • I think Luffy's dream is to... GRAB THE SUN!!!

Why I Think That?

  • Reaching the sun is impossible.
  • It's the farthest object visible from Mount Corvo.
  • Shanks told Luffy about the sun and the importance of the new era and the new dawn.
  • "Let's turn the world upside down" - Gol D Roger
  • Gear 5 can grab intangible objects.
  • The seas are rising.
  • Luffy loves his straw hat, which represents the sun.

Foreshadowing:

  • Sunny reaction
  • Mother Caramel sun
  • Luffy Gear 3 vs Kaido showing the moon as the same size as his fist.
  • Luffy on the Sunny head.
  • Luffy Skypiea clouds pose.
  • All openings showing all the crew staring at the dawn.
  • Vegapunk, star shape logo
  • Seraphims/Mother Flame/Lunarians
  • Sun Pirates/Sun God/Elbaf Sun God
  • Gear 5 can grab lightning and light.
  • Gear 5 moon Nika pose.
  • Kaido Boro Breath not affecting Luffy.
  • Enel short story.
  • Luffy RED ROCK

Luffy's Relation with the Sun:

  • Lion
  • Sunflower
  • Thousand Sunny
  • Nika
  • Joyboy, the first Sun Pirate.
  • Luffy stares at the dawn in every ending/opening.
  • Straw hat = Sun/Dawn.

The Ancient Kingdom:

The Ancient Kingdom, more than 900 years ago, was prosperous and had an infinite source of energy. Their energy source came from the sun. A man had managed to grab the sun and use it. It's likely that this man was Joyboy, thanks to the power of the Hito Hito no Mi, Model: Nika. This fruit exists because of the legend of Nika, a comic book character whose hero saves people with a smile; he is the Warrior of Liberation. And as with all things desired in the world of One Piece, this legend became a dream, and this dream became a fruit.
This kingdom had a name. We don't know yet what the name of this Ancient Kingdom was, but I think the name of this kingdom was the "Dawn Kingdom." Dawn like the sounds of the drums. The family of this Ancient Kingdom was the "D" Clan. The kingdom fell to the alliance that would become the future World Government. In an act of ultimate sacrifice, the alliance decided to destroy the energy source of the Ancient Kingdom and managed to capture the holder of the only way to reach the sun. The Hito Hito no Mi, the key to touching the sun, is now extinct... Hope and dreams remain silent, and the void takes its place. The Void Century begins.
The Ancient Kingdom had lost, but there remained a spark of hope. A second, much smaller source of energy was kept secret from the eyes of the World Government. This is Mother Flame. Mother Flame is a small part of the sun, an emergency energy source. Kept hidden for more than 900 years from the World Government, they have since regained control of this emergency energy source, which is now used by Im.

What Will Happen at the End of One Piece?

I think, at one moment at the end of One Piece, Luffy will take a massive hit from Im, sending him very high into the sky. With his Gear 5 powers, Luffy will have the opportunity to realize his dream... to catch the sun, grab a small part of it, and launch it like a gigantic Gear 3 attack at Im, destroying the Red Line, and melting the rising waters thanks to the immense heat of this final attack... Do you want to know the name of this attack?..... "New Dawn!!!!"
Creating a literal new dawn with his hand. Nika the Sun God, Emperor of the Dawn Kingdom. The world will be free from the World Government, the Red Line will be destroyed, All Blue will exist, Fishman's prediction will be fulfilled, the heat will cause the waters to evaporate (hence the importance of steam for Devil Fruit users). Luffy's dream would be to touch the sun, an impossible dream, a dream that only the freest man in the world could achieve, bringing energy and light to this world ruled by shadow, oblivion, and power.

Personal Prediction:

(from most likely to the crazy head ones)
  • Luffy will make the Skypiea pose with the sun.
  • Luffy will use the sun as the Nika pose.
  • With an optical effect, Luffy will use the sun as his straw hat.
  • Steam everywhere when the oceans are evaporating.
  • All Ancient Kingdom will be revealed when the seas are melting.
  • Giant party will take place after Luffy grabs all the islands to make a big one like Wanokuni (foreshadowed by the continental puller).
  • Luffy will play drums on Drum Island, Zunisha will play too.
  • Every island with alcohol name, and food name will be back on the market.
That's all for me folk's
EDIT: I know this theory is clumsily written haha but like i said i don't have enought time dedicated to reddit thing's, but the essential thing is to understand the idea and the symbolism that Oda disperses everywhere, symbols, tattoos, ideas, silhouettes, and many of them relate to the sun. Whether it's Luffy's dream or a step on his journey, I'm sure he has already smiled at the sun, dreaming of reaching it. At least once.
And don't forget to remove the caps lock like me, folks!
I love your feedback! HAVE A GOOD DAY!!
submitted by Eiiiiiro to OnePiece [link] [comments]


2024.05.25 07:13 Shnagenburg Spit it out, its poison

Poison is directly mentioned only a few times though each instance shares common threads we can use to explore the connection between the Frame, Kvothe's story, and the Creation War. The first major scene, where Kvothe poisons the Draccus, very closely foreshadows Kvothe's interaction with the Cthaeh and calls back to Lanre's story. In NotW, the Draccus becomes addicted to the dark resin which comes from a specific tree. The Draccus's craving for denner resin is symbolic of Kvothe's craving for knowledge. Kvothe poisons the Black Scaled Draccus with an overwhelming mass of the dark resin, sending the Draccus on a path of destruction ending with its collision with the Iron Wheel, even though the Draccus didn't intend to do any harm. In WMF, Kvothe's conversation with the Cthaeh at the tree has much the same effect. The "dark resin" is the Cthaeh and its misleading story. The darkness comes in literal and metaphorical: Kvothe can't see the Cthaeh, and the Cthaeh's words intentionally obfuscate the truth, confusing Kvoth. The poisoned words of the Cthaeth sends Kvothe, who's story follows the path of Lanre / Haliax, on a trail of destruction ending with his collision with the Iron Wheel, in the form of the the greystone road / the doors of stone. The analogy is furthered by Kvothe's use of the Lodenstone / Drawstone to bind the Draccus to the wheel (and kill it) where Kvothe too will meet "death" at the Black Drawstone Door (Blac of Drossen Tor). Both events are both Catalyzed by dark poison coming from a specific tree.
Next we have Ambrose dosing Kvothe with the Plum Bob. I think its no coincidence that Plums come from trees and are, most often, a dark color when fully ripe. Also, image search a plum tree. Does the imagery look familiar? The Plum Bob plays on Kvothe's self-assurance that he is right. And don't forget the Nutmeg, which, in high doses, can cause delirium. It refers into Ben's ancedote that a "thoughtless" person is more dangerous the more power they have. It pushes Kvothe to be more careless. The circumstances bear much similarity with Cadecus poisoning the Maer. Cadecus (who has ties to the Jakis family), uses a dark plate to brew an amber colored (same color as tree sap) vial, which is given the Maer (who has familar ties with Kvothe). We can also consider the metaphor of tree representing a family, a common occurance in the books. Both the Plum Bob and Lead poisoning come from the Jakis family tree. However, the effects are clearly differentiated between Kvothe and the Maer. Kvothe describes himself feeling clear and sharp. "What if you give the careless boy a sword?" says Ben, referencing Kvothe's "sharp" nature figuratively and literally. The Maer, on the other hand, is described as "fogged" and "confused" aka delirious from the poison, which contrasts their personalities against each other. I suspect the Jakis origin hints at the motive of the Cthaeh. Ambrose / Kvothe would be analogus to Cthaeh / Lanre. If we consider Kvothe, a boy from low birth who tries to swipe Ambrose's betrothed (Auri who is Princess Aurielle who ends up bethrothed to a Jakis), then we can figure Cthaeh may very well have been jealous of Lanre swiping a wife from them.
Last we have Sheyn's story of the One who Poisoned the Others, forgetting the Lethani. This refers to the Lanre (pushed, perhaps, by Cthaeh) leading the Amyr to betray the empire. The "tree" is the One Family, Ergen, who the Amyr were created to protect. The dark poison is the Black Drawstone Door itself, the door of death. This is the shadow underneath the greystones in their broken state. When the Creation War happened, the Amyr were pulled through the door into the mortal realm, forgetting the Lethani. When Lanre returned from the death, he remembered the Lethani. Lanre ultimately brought the event upon himself with his own carelessness. We see strands of this in two minor cases. Denna carelessly poisons herself when she takes a bite of denner resin, and Kvothe "poisons the well" of nobility against him. Arliden refers to one story where the number of Chandrian are based on cities, "one for each Pontifax in Atur."
Speaking of government officials, what was Mandrag's warning story about the Plum Bob? Simmon recites he had heard it "a dozen times" (referring to how Kvothe hears each culture's version of the same creation story) about how an Alchemist used the Plum Bob poison to "ruin the lives of several government officials in Atur." In Simmon's story, this led to a countess killing a dozen people at a wedding. Sound familiar?
False confidence and unaware confusion are the hallmarks of poison in the Chronicle but also spur the story forward. The circular story is propelled forward by both chemical and alchemical poisons from physical and metaphorical trees, fitting as Alchemy is representative of change. As above, so below. Lanre, Draccus, and Kvothe all become confused by dark sticky poisons from trees which lead them onto paths of destruction / enlightenment ending at the center of a great wheel.
And at the end, in the center of the circle, Kvothe absorbs the final darkest poison: Haliax themselves, "straight through the skin", just like the Plum Bob and poisoned words.
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2024.05.25 02:31 k_ubo I actually like 2-3 (mostly)

With danganronpa 2 being my favourite of the 3 and the series being a genuine hyperfixation of mine I convinced my girlfriend to finally play through! (abt to begin V3)
Before beginning D2, she heard that the third trial was awful and saw this coming. Seemingly everybody hates it.
Yet, I really like it and I will explain why (and ask for specific understanding abt why people hate the daily life aspect of the chapter)
My favourite bit of the chapter is the daily life, the idea of a disease being a danger -not some killer, nothing they can't tie up- is really interesting to me and I loved the situation it puts the cast in where in which they split at the hospital and the motel. The atmosphere when you're in the lobby just alone and with that camera thing, it actually being dark and scary outside matches the hospital setting with it clearly being past its prime. The whole Nagito almost dying, Mahiru shrine foreshadowing the "dark aura" as said by Gundham that will literally manifest in the form of a disease.
Basically what I'm saying is that the daily life of 2-3 imho is really well put together, it has a unique aspect behind it and really has the group working together (despite being physically apart) to maintain their safety.
I can see the issues regarding the actual killing and the circumstances which led Mikan to being the blackened though, but I do feel they are very heavily overhated. Yes the movie, Wizard of Monomi was not really related to the case however the characters pick up on that too? The murder weapon for Hiyoko not being found makes so much sense considering Mikan definitely would have had a scalpel or Knife or any sharp medical instrument on her at all times.
Even cutting Hiyoko's arc short, doesn't that kind of make sense especially considering what type of game and story this is? I'm fully aware it's not as down to earth, even realistic as THH but there are many people who are mid change who aren't able to finish it, I think the death of Hiyoko perfectly puts forward the statement that "not all stories will be finished as they feel is right to". (I'm aware her death was last minute in place of Fuyuhiko's, still believe its good symbolism 😭)
It's not my favourite case out of the whole franchise (stuck between 2-4 and 2-5) as I do still believe it has a big issue and that being how quickly the despair disease was just solved and sidelined. That is something I feel was real big missing potential, I am aware that motives are quickly made redundant however with something that big, genuinely possibly life threatening for everybody included (as opposed to just their secrets being shared) it should have atleast shellshocked somebody? Or the despair disease shouldve atleast presented as a threat to speed up the investigation, being cured upon the trial ending? -that i do have to admit is a massive change to the trial, and would change the whole thing but yeah-
Overall though, please let me know your thoughts too! i'd love to hear some opinions or even just flat out proving me wrong 😭
(also the execution is straight ass, no need to debate that, although i would argue that its on same level as Junko's in THH)
love love!!
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2024.05.24 21:43 Schizochinia Location of the Ancient Civilization

Location of the Ancient Civilization
TLDR: The Ancient Kingdom spans the Grandline with Jaya/Shandora (where JoyBoy was born) and Drum Island being the cultural center (poneglyphs) of the Ancient Kingdom, and Balidmore/Sabaody to Marineford being the tech hub/powerplant of the Ancient Kingdom, wherein the capitol of the civilization is submerged between the 3 gates linked by Enies Lobby, Marineford, and Impel Down.
To start, could the submerged ruins in the latest chapter actually be Long Ring Long Land, submerged over centuries?
It was stated the Ancient Civilization spanned the world, and if that’s the case I believe the underground ruins spread to both ends of the Grand Line. Jaya and golden city of Shandora was likely the cultural outskirts of the ancient kingdom, where JoyBoy was born and where the Poneglyph language is natural, blasted up to Skypiea. However this is not the technological city that was fully destroyed during the Void Century. This connects to Muggy Kingdom, Kamabaka Kingdom, and Drum Island which were all likely a part of the ancient kingdom.
It’s interesting Mihawk chooses this random run down kingdom as his home. There is likely significance with Kamabaka Kingdom as well, maybe where the Revs attained the Book of Genesis?
We recruit Chopper with his mysterious human human fruit in Drum island where we meet Kureha who first mentions the will of D, and where both Blackbeard and Luffy symbolically depose the corrupt king of a nation that’s living in a long winter after 20 doctors side with him against their own people (an interesting parallel of 20 kings and Imu rising up against the Ancient Kingdom, which could also be foreshadowing of BB & Luffy vs Imu).
The tech hub of the ancient kingdom was around where Balidmore (Franky 3d2y) and Amazon Lily were and wrapped around to Sabaody, using the Sun Light Tree Eve as a power plant or for some purpose. The Lunarians and other sky people settled on the Red Line after coming down from the moon to renew their resources, and shared their technology with the Ancient Civilization.
The true location of the Ancient Civilization that is currently submerged more than 200m below and hidden from the world physically, is within the whirlpool is surrounded by Enies Lobby, Marineford, and Impel Down.
Enies Lobby was the site of a major fight that resulted in its permanent daylight, infinite hole, and suspiciously floating island. The constant nuking of island which caused the 200m rise was all around that area however for some reason Enies Lobby remained standing (maybe a Frontier Dome type of thing was at play?).
And while we know the general location of the Ancient Kingdom, I believe this has no bearing on the One Piece, which exists somewhere in the New World.
Tell me if I’m cooking or need to get out the kitchen.
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2024.05.24 12:01 nabluun This frame is just insane!!

This frame is just insane!!
Hear me out, this frame is so rich, I just can’t.
Let’s start with colours.
Interpretation ‘A’: gold refers to Marika and the Golden Order, while the purple-ish refers to the Gloam Eyed Queen, who she had to defeat in order to ascend to godhood from the state of Empyrean. This is further supported by the seemingly skinned people who make up most of the screen, as the Godskins’ hands of work.
Interpretation ‘B’: gold refers to the Lands Between, red and blood refers to Mogh and the purple-ish refers to Miquella/St. Trina.
Interpretation ‘C’: gold refers to Marika herself, purple-ish is for the Gloam Eyed Queen, and the red and blood is for Messmer.
Interpretation ‘D’: the purple-ish refers to Radahn’s gravity magic, as he holds back the stars in the sky and fate itself with it. The red and blood refers to the struggle and sacrifice Marika speaks of, while the gold is for the “greater good” Maika hold onto.
Interpretation ‘E’: the purple-ish sky could be referring to the outerspace species (Astel, Fallingstar Beast, Alabaster Lord, Onyx Lord) using gravity magic. The red and blood could be the Formless MotheMother of Truth or the Blood Star, and the gold is the Greater Will and the Elden Beast.
Moving on to shapes.
The most interesting shape is the towering structure made up of or covered in / filled with dead bodies (notice that on the sides it is smooth). In the middle it seems to be some kind of crevice.
Interpretation ‘A’: it is a tree with a gate in the middle, just like the Erdtree, and is feeding off of the bodies.
Interpretation ‘B’’: it is Miquella’s coccoon from the inside, and in the middle is the crack we see on it in Mogh’s chamber.
Interpretation ‘C’: it can be seen as a pair of legs, symbolically “leaving dead bodies in their footsteps”, which can be tied to Messmer’s massacre we see later in the trailer.
Now, the central figure.
Interpretation ‘A’: it seems to be Marika, based on the flowing gold locks, the fabric, and jewelry. Also, the strands she’s holding take up the form of the rune arc she’s crucified on, foreshadowing her fate.
Interpretation ‘B’: might be Radagon, as the figure does not wear anything on it’s upper body, and it is speczlated before that Radagon has red hair as the curse of the Fire Giants, if he existed in Marika before.
Interpretation ‘C’: could also be a form of Miquella, seen as how the Greater Will intended them to be. Notice that all Empyreans are Female, and Miquella’s fate is indeed to be as such (St. Trina) despite the he/him pronouns used for them.
Concepts.
Interpretation ‘A’: Marika ascends to godhood despite the lingering powers of the Gloam Eyed Queen and the demise of both brethren and foes.
Interpretation ‘B’: Marika ascend to godhood through Radagon, who defeated the Gloam Eyed Queen thourgh seduction and from the affair Messmer was born, who usurped the reign of the GEQ in a great massacre.
Interpretation ‘C’: Miquella’s intended fate ascending to godhood under the Greater Will, through taking advantage of Mogh and leaving behind his true fate as St. Trina.
Interpretation ‘D’: the Greater Will becomes the main world order, triumphant over all other potential world order among in this distorted crucible of life and power, where no structure is present.
Honorable mention: the bodies are eerily similar to those found in Rykard’s arena and the Eternal cities, which might foreshadow the relation between Nox and Numen, also Eaglay and the snakes, next to the ancient hexes and power Rykard redescovered.
Summary. All of the major figures and forces are present we kbow might have a role in the DLC are symbolically present in this picture, while not giving away any solid information. This is true genius in my opinion.
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