Who has edexcel ial biology unit 2 tomorrow aswell? pls dm

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(continuation of part 4)
I already considered this piece the second greatest musical evidence for Clerith after the London Symphony Orchestra’s Final Fantasy VII Symphony’s second movement “Words Drowned by Fireworks” and its guide, but now that I know about the Clerith reunion that was baked into the ending, the gap between the two is narrower. Each time I hear Cloud begin to call out for Aerith in part 3 (3:04), I immediately start crying. It sounds so much to me like Cloud’s voice in the dark saying “Aerith…?”, meek and scared. If you’ve read everything so far, you know how long Cloud has been looking for Aerith, lost without her, searching relentlessly for decades in real-life time. Through FFT, DFF, Advent Children, MFF x FFVII… all of it spent looking for his Promised Land. In OG, Cloud was so tormented by Jenova’s manipulation and so consumed by the chase for Sephiroth that he could not realize what or how much he felt for her until she was taken away forever. The piece we’ve just analyzed tells the story of Cloud and Aerith intertwining and separating against their will, and you can truly feel Cloud’s anxiety as he struggles to wrench Aerith out of fate’s cruel grasp. Perhaps it is because of Aerith’s ultimately fatal responsibility, inherited from her mother, that this iteration of her theme is called “The Cetra”.
Though in part 5, Cloud and Aerith reunite… could this reunion symbolize their meeting again in Remake, or something more permanent? I think it’s meant to leave us wondering.
I’m very sensitive to music, and as I’m typing this, I’m crying a bit. I wanted to share my interpretation of “Aerith’s Theme - The Cetra” with you very badly, because it makes me feel so much and really enhances Clerith’s story. I’m overjoyed to have found out about the reunion at the very end. And it’s all because you guys showed love for my last analysis! You guys are giving me gifts every day.
V. b) i. 3) Combined Analysis
Please listen to and watch the scene of Cloud’s MOTF 6 (4:21-8:46) again, and consider section “V. b) i. 2)”. What is Uematsu telling us? Similarly to how main world theme of FFVII informs us that Jenova is sabotaging Cloud’s identity far before it becomes a plot point in OG, “Aerith’s theme - The Cetra” is telling us what not even Remake Cloud consciously knows at this point: he’s been searching desperately for her, and fears losing her once more.
As if that wasn’t proof enough, the timing of the shots and musical phrases is absolutely damning. Recall that part 3 of “Aerith’s theme - The Cetra” specifically symbolizes Cloud’s anxiety surrounding Aerith’s safety. It is this particular part of the piece that plays for the entirety of Aerith’s allusions to her murderers and her death (7:25-7:54), including the very moment where “Cloud feels his chest constrict tightly” (7:51-7:54). What’s more, part 5 the piece, which specifically Cloud freeing Aerith from the restraints of fate, coincides with the moment Tifa grabs Aerith’s hand and pulls her out from the circle of Whispers closing in on her (8:42-8:45). This moment leads me to believe that the reunion in part 5 of the piece indeed symbolizes Cloud succeeding (perhaps with Tifa’s help) in saving Aerith from her tragic fate and reuniting with her for good.
It’s heart-wrenching and brilliant. Our theory stands strong.
V. b) ii. Credits: Piece Inclusion
I find it very telling that the character themes included in the credits of Remake are Cloud’s “Hollow” (0:00-5:24), an orchestral arrangement of Aerith’s theme (5:24-9:24), and an orchestral arrangement of the main world theme, (9:24-14:27) which of course includes Cloud’s true theme. No other character themes appear during the rest of the credits (14:27-18:09). This is telling: the credits are communicating to us that Remake is about Cloud and Aerith. Our Mission Theory only gets stronger.
V. b) iii. Showing Relationships Through Music: Intermingling Character Themes
This doesn’t have to do with the Mission, but here’s a pretty good anti-Cloti argument while we’re here.
As shown in section “V. a) i.” where we explored the roles of Cloud, Jenova and Sephiroth’s themes within the FFVII world theme, the way character themes interact in a piece can tell you a lot about those characters’ relationships. This is certainly the case in “Aerith’s Theme - The Cetra” as well (see section “V. b. ii. 2)”).
I’d like to mention that in all of my listening to the Remake OST and rewatching playthroughs of Remake, I’ve never encountered a single piece that united Cloud and Tifa’s themes. Not once. Let alone a piece that depicts them as intimately or emotionally as “Aerith’s Theme - The Cetra” depicts Cloud and Aerith. Even the most Cloti cutscenes in Remake aren’t supported by pieces mixing or even juxtaposing Cloud and Tifa’s themes. I can’t find any of Cloud’s motifs anywhere during the orchestral arrangement of Tifa’s theme that plays during her resolution scene in chapter 14. I can’t find either of their motifs in the track the plays when Cloud calls Tifa beautiful at Seventh Heaven in chapter 3. A motif from Tifa’s theme does appear in the track that plays during the childhood promise scene in chapter 4, (0:00-0:25), but it never plays at the same time as or even near Cloud’s motifs (1:23-1:47 and 2:03-2:29). They’re distant or otherwise unaffiliated.
The only exception is that an altered version of Cloud’s theme’s section A phrase 1 appears in the background of Tifa’s theme (1:17-1:23). This symbolizes her connection to Cloud and how much of her attention and worry revolve around him— a reference to how she cares so much that it borders on dependency. Of course, it doesn’t go both ways: Tifa isn’t in Cloud’s theme at all. To me, this lack of reciprocity concerning the inclusion of Cloud’s motif in Tifa’s theme signifies that the only time Cloud and Tifa are together is in her head. She does think about him a lot, which we witness in her chapter of Trace of Two Pasts. Tifa loses sleep over him even two years after he left Nibelheim, despite the fact that she barely knew him at all:

“The moment she heard the word “Soldier”, the few memories she had with Cloud Strife came flooding back. He never contacted her after they parted ways two years ago […]. She tossed and turned all night. When she counted them again, her memories with Cloud were so surprisingly few that others might find it hard to believe that they grew up as next-door neighbors” (Trace of Two Pasts, translated by pekotranslates on Tumblr).

FFVII Remake Ultimania also comments on the superficial nature of Cloud and Tifa’s water tower promise, and how regardless of its naïveté, it became fundamental to Tifa:

“Though rooted in a jejune heroine fantasy of being rescued in a pinch by her hero, this promise is clearly etched in Tifa’s memory” (Tifa’s profile in section 01 of “Character & World”, “An Enduring Childhood Promise” in “Topics of Tifa” page 20).

You could argue that “Aerith’s Theme - The Cetra” is only one song wherein Cloud and Aerith’s themes interweave, but you’d be proven wrong by the Rebirth OST…
V. c) The Rebirth OST
Unfortunately, the full Rebirth OST isn’t out and available where I can listen to it right now. However, based solely on the incomplete OST that’s available to me right now, I can tell you with certainty that the composers were told to incorporate Clerith into the musical storytelling: Cloud and Aerith’s themes intermingle in multiple pieces. I can’t imagine what else I’ll discover once I listen to the full OST. For now, I checked out what was available on YouTube and listened to cutscene audios. This section would be eternal if I included every time Cloud and Aerith’s motifs interact, especially in chapter 14. Trust me, I’d love to talk about every single one, but this thing is long enough already, so let’s just address what pertains to our Mission Theory specifically rather than stopping at every single Clerith reference in the OST.
V. c) i. Ending Cutscene Music
Ending cutscenes are often used to address the next step the characters will be taking as well as their emotional and mental state. They also open up new questions to make the player curious. Indeed, Rebirth’s ending cutscene (18:56-25:00) gives us an impression of how the party members feel by the end of the game: everyone misses Aerith. Barret looks upset and confused at the mention of her (19:35-19:45), the girls are crying and Nanaki is mourning (19:58-20:35). Additionally, we are shown the empty White Materia and Black Materia in Cloud’s possession (20:40-21:24), foreshadowing that they will come to be important in part 3. Cloud and Aerith share a warm goodbye, and exchange promises: Aerith will send smoke signals if something happens to her so a worried Cloud can remain updated on her well-being and she will stop Meteor, and Cloud will stop Sephiroth (23:00-25:00). The fact that this scene is animated in CGI is enough to tell us that the devs consider it narratively important, just like they do Bugenhagen’s observatory and the party’s advance into the Forgotten Capital CGI cutscenes. What did the composers decide to communicate with us about the end of Rebirth and the plot going forward?
Big surprise: Clerith.
During the entire cutscene, only two themes play: Cloud’s and Aerith’s. The cutscene’s music begins only when Cloud notices Aerith among the party members and begins watching her (19:21). She interacts with the rest of the party without their knowledge, different segments of her theme playing one after another. Her theme only stops when Cloud finally looks away from her and to the empty White Materia in his hand (20:45). The music focuses on the mystery and ominousness of these materia, only returning to Aerith once Cloud hears her voice and repeats her message to the party (21:30).
Cloud’s theme appears when he asserts that Barret needn’t worry about him (section A of Cloud’s true theme, 22:41), though soft and tentative, only swelling when Barret and Tifa climb aboard the Tiny Bronco and Cloud finds himself alone with Aerith again (22:57). As he asks Aerith if “[she’ll] be okay getting back” (23:08), the final phrase of section A of his theme plays, but without its concluding note, the tonic. He waits for her to answer him as his theme waits for hers to complete and answer it, that final note dragging long over the seconds (23:09-23:13). She answers with a teasing remark that references their unwillingness to part from each other back in Remake’s Evergreen Park:

“[Cloud has] a chat with Aerith, from whom he’s reluctant to part” (chapter 9 in section 04 “Scenario”, “Main Story Digest”, “4. Saying Goodbye”, page 275)”.

As soon as Aerith answers Cloud’s question with this romantic callback, her theme answers his too: section C of Aerith’s theme begins with the key’s tonic, resolving Cloud’s incomplete phrase (23:13): she gives him resolution. He chuckles, getting her reference, and the music swells (23:16). The music ebbs and flows thusly, following the rhythms and underlying emotions of their conversation. Finally, the piece ends with phrase 2 of of section A of Cloud’s true theme, following a strong repetition of the first half of Aerith’s theme’s section A. The two make their promises to each other, and “No Promises to Keep” begins, leading us to the credits. This is most definitely a Clerith song, but more on that later.
What this shows us is that Cloud and Aerith’s relationship is fundamental to the plot of Rebirth and will also be fundamental to the plot of part 3: they are isolated one one-on-one in this cutscene, and the music depicts their warm, sweet interaction as well as the strength of Aerith’s character to contrast with Cloud’s somewhat meek personality. The composers are telling us that these two, specifically, together alone, are hugely important to the plot here. This was already true in OG, but no such emphasis was ever placed on their interactions and relationship in its music. Something is different, deeper, more intense now. The Mission Theory explains why. It also suits our theory that the composers are emphasizing the centrality of Clerith in the plot of the Remake trilogy. Cloud’s love for Aerith is the reason for the trilogy’s existence, and it will be the greatest motivator for Cloud in part 3. It’s a grand announcement.
Just like in Remake, I could not find a single instance of Cloud and Tifa’s themes interacting in Rebirth, apart from at the end of the intimate Skywheel date— but every girl receives this treatment in their intimate dates, so each of these instances can be crossed out. Additionally, the Tifa date is not the canon one, but I digress…
V. c) iii. Credits

1. Piece Inclusion

Once more, I find it very telling that of all the pieces included in the credits of Rebirth, the only character themes are Cloud’s and Aerith’s. We start with a song about Aerith’s point of view to mirror *Remake’*s “Hollow”, “No Promises to Keep” (5:18-11:10), followed by the FFVII world theme (11:10-16:12) which of course contains Cloud’s true theme, then we move into a piece whose unofficially translated title is “Parade Battle Ceremony - The Dawn of a New World” as an arrangement of the parade ceremony theme from chapter 4 (16:12-19:03), followed by a theme for the Lifestream springs whose name I don’t have (19:03-21:38), “Junon - Fortified Metropolis” (21:38-24:28), and finally, a gorgeous arrangement of Aerith’s theme (24:28-28:47). No other character is referenced in the credits music: the credits are telling us Rebirth is about Clerith. Our Mission Theory explains why.
V. c) iii. 2) “No Promises to Keep”
At the very end of this song written and performed by Aerith, we’re treated with a sweet little piano conclusion (10:46-11:10): it begins with a variation on Aerith’s theme’s section A (10:46-11:01), and concludes with two ascending arpeggios, each four notes long (11:01-11:10). Each of these ascending arpeggios is a variation of the phrase 1 of Cloud’s true theme’s section A. The differences are minimal. The phrase is usually five notes long rather than four, the first arpeggio ends on the tonic rather than Cloud’s iconic subtonic, and the second arpeggio starts on the subtonic rather than the tonic. The song Aerith wrote concludes with Cloud’s most famous motif. This is also the case in her Gold Saucer performance (3:31-3:41).
V. c) iii. 3) Arrangement of Aerith’s Theme
The final piece in the credits is an arrangement of Aerith’s theme (24:28-28:47) which has noticeably similar elements to the version of her theme that plays during the Jenova Lifeclinger battle in chapter 14 (0:12-3:36), such as the female choirs. Since these female choirs are only heard in the Forgotten City version of Aerith’s theme, and since the credits arrangement of her theme plays at the same time as clips from her chapter 14 pseudo-death roll across the screen, I estimate that this credits arrangement specifically reflects the event of Aerith’s pseudo-death. Recall that composers had access to the credits video as they composed, meaning this piece is specifically written for Aerith’s pseudo-death in Rebirth.
What I find fascinating is that, just like the arrangements of her theme that play during Aerith’s pseudo-death and the Jenova Lifeclinger battle, this credits arrangement contains the sound of Cloud’s pain, rage and protest. Phrase 1 and the first three notes of phrase 2 of Cloud’s true theme section A play on the strings and brass quite loudly and insistently, just as Cloud blocking masamune appears on the credits screen (25:11-25:21). Sephiroth’s dissonant, high and screechy violins appear just as his face comes onto the screen (26:33), and almost as a protective response, phrases 1 and 2 of Cloud’s true theme’s section A return (26:47-27:00). Finally, similarly to what we hear in part 5 of “Aerith’s Theme - The Cetra”, a slightly modified section A phrase 1 of Cloud’s true theme play along with section C phrase 3 of Aerith’s theme (oh wow section A and C section Aerith for Cloud’s theme and section Cloud for Aerith’s theme I just realized that’s such a cute coincidence), though unfortunately they do not meet in the middle like last time since they start two octaves apart (28:20-28:25). I’ve recreated it for you once more here so you can really appreciate it. The fact that their motifs don’t truly reunite like in “Aerith’s Theme - The Cetra” is sad, but the very last thing you see onscreen is Aerith’s goodbye to the Tiny Bronco (27:10-27:42), so it makes sense that this piano conclusion implies that Cloud and Aerith aligned, but not yet reunited for good. That’s exactly what you get from the ending cutscene. It does seem to imply that they will be reunited in part 3, as both the ending cutscene and this piano conclusion read as a “till we see each other again” rather than a “farewell”.
VI. Textual Evidence
Now that the musical evidence is done, let’s compile some textual story evidence that supports our theory!
VI. a) Remake Trilogy (Thus Far) Handholding Explained?
As I’m sure you’ve noticed, handholding is a motif in Cloud and Aerith’s relationship— and an extremely symbolic one at that! When researching for info to validate my theory, I found that this Clerith motif was extremely helpful! Its inclusion in the Remake trilogy, and especially in Rebirth, is hugely significant in my eyes.
VI. a) i. Pre-Remake Trilogy: Aerith’s Initiative
Before examining the significance of Clerith handholding in Remake and Rebirth, we should establish the meaning of this motif in OG and Advent Children.
Cloud and Aerith have reached out to take each other’s hands many times since 1997. Aerith used to literally drag him by the hand a lot, shocking the cold and distant merc, before she left. After her death in OG, Cloud surely longed to be able to feel her hand take his again, cursing himself for not enjoying it while she was alive, and for never being the one to grasp her hand first: he never got to tell her how he feels about her, or to save her. It was always her reaching out for him, saving him.
This is why the scene in OG when Aerith reaches for him from the Lifestream after Cloud defeats Sephiroth in chapter 3 of disk 3 is so touching: Cloud sees her hand and reaches out to take it, so close to finally establishing that mutual connection, but she soon fades, and replaced by Tifa’s hand in the tangible world. He doesn’t get to hold Aerith’s hand again.
That is, not until Advent Children, where near the end of his battle with Bahamut Sin, he sees Aerith reach out to him once again (1:08-1:30). Cloud finally gets to hold her hand for the first time in two years when he lost her. This moment was given extra importance by the devs. In fact, Nojima told us the following:

“The ending scene of the battle with Bahamut, the scene where Aerith reaches out her hand, is an homage to the last scene from a previous production. It was [Nomura]'s idea” (FFVII Reunion Files, “Story Digest”, “Summoned Beast”, page 113).

VI. a) ii. The Remake Trilogy (Thus Far): Cloud’s Initiative
As I’ve said before, if I’m right that Remake is all about Cloud stepping up to be more attentive and active in his relationship with Aerith in order to save her, there should be concrete evidence of this in the Remaketrilogy thus far. If OG Cloud’s memories of and love for Aerith exist somewhere within Remake Cloud’s subconsciousness, then Remake Cloud should be far more active in the Clerith dynamic than OG Cloud was— after all, he’s supposed to know better this time around. Thankfully, the motif of handholding can help us evaluate this. Since we know pre-Remake Cloud was quite passive when it comes to handholding, Cloud initiating handholding in the Remake trilogy would be a strong indication that our theory has validity. Keeping this in mind, let’s see what we can find thus far in the Remake trilogy in relation to handholding, and if Cloud is indeed more active than he was in OG.
VI. a) ii. 1) Hollow Hands
Remake’s theme song “Hollow” makes allusions to the handholding motif: “This time, I will never let you go” is pretty clear. And so is “No Promises to Keep”, wherein Aerith speaks of Cloud “[taking her] hand and never [letting her] go” multiple times. Interestingly, these theme song lyrics seem to suggest that Cloud will be much more active in the Remake trilogy than in OG. “Hollow” even promises that Cloud will come to his senses and take charge of the situation: “this time, [he] will” be the one to offer his hand to Aerith, unlike in OG and Advent Children. This makes a lot of sense with our theory: now that Cloud has lost Aerith once, “this time for sure, [he]’ll” be the one to reach for Aerith’s hand, take initiative and save her the way she saved him.
Even though theme songs are extremely telling of a game’s main themes and intentions, lyrics are still all talk and no proof. What about the game itself? Do Remake and Rebirth deliver on this promise? Let’s see!
VI. a) ii. 2) Resolution Hands
The only significant time Cloud initiates handholding in Remake is during Cloud’s resolution scene in chapter 14 (5:18-5:40), wherein he tries to grab Aerith’s hand but is unable to keep her with him. He fills with determination and tells her in no uncertain terms that he’s coming for her. Just as we predicted, Cloud is the active participant in this iteration of the Clerith handholding motif: he’s even explicitly insisting against Aerith’s wishes that he should “get a say in all this” and that he’s “coming for [her]”. Let’s not forget that Cloud’s resolution is meant to reflect not only Aerith’s kidnapping by Shinra, but also her fated death. Nojima implied this by commenting the following on Aerith’s “Even if you think you have, it’s not real” line:

“Those who know what befalls Aerith later on will find the line really heart-wrenching” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Given this note by Nojima, it looks like we’re supposed to watch Cloud’s resolution scene with Aerith’s fated death in mind. Considering this, Cloud’s “I’m coming for you” line sure seems like an subconscious promise that he will save Aerith from her tragic fate. This subconscious promise could be the result of post-OG Cloud’s feelings and intentions rising to the surface. Nevertheless, he’s absolutely determined and he’s staying true to the promise he made in “Hollow”. I think it’s fair to say that this instance of the handholding Clerith motif does indeed fit perfectly with our theory. This is only one strong example though, and we need a pattern in order to pat ourselves on the back on this. So, let’s keep looking! There isn’t any handholding initiated by Cloud beyond that point in Remake. At this point in my research, I moved on to Rebirth to go digging for handholding there.
Hoo boy. I was not disappointed.
VI. a) ii. 3) Golden Hands
Let’s begin with the obvious. In their high-affinity gondola date in chapter 12, Cloud bravely interlaces his fingers with Aerith’s: Cloud’s taken charge not only of handholding, but the most intimate kind of handholding. I’m sure you’ve encountered the phrase “こいびとつなぎ” or “koibito tsunagi by now (literally translates to “lovers’ tie” or “lovers’ connection”); this is the term used in Japanese to refer to the type of handholding Cloud initiates with Aerith on the Skywheel. It’s considered the most intimate form of handholding. In Japan, skinship is normally considered quite significant and indicative of the closeness between two people— you could say it’s a big deal. Cloud also offers Aerith his hand when they step off the Shywheel, once more making the first move. Though some might say that the Skywheel dates shouldn’t be counted as canon, I believe Aerith’s date is indeed canon (I have my reasons but this post is long enough). Even if we discount the Skywheel date however, Clerith's use of the koibito tsunagi returns in a non-optional scene we will touch on later.
For what it’s worth, Alfreid offers Rosa his hand in the Loveless play too. I can prove that Aerith is the canon Rosa too, but I’m going to save that for my next analysis! You can take my word for it now, or just wait for that analysis to drop. Take it or leave it!
VI. a) ii. 4) Meta Hands
However, the narrative weight of these Clerith handholding instances doesn’t even come close to my very favorite iteration of the handholding motif in Rebirth. I’m referring to what I consider a severely underrated Clerith moment in chapter 13. First, some context: Sephiroth manipulates Cloud into giving over the Black Materia. Cloud seems to be firmly under Sephiroth’s control. However, the sight of Aerith being swarmed by Black Whispers snaps Cloud back into the driver’s seat: he breaks out of Sephiroth’s grasp to run to her and save her. Aerith gets knocked off into a fatal free-fall by a Black Whisper before Cloud can reach her, but he won’t have it: he lunges forward, hand extended. What results is a beautiful shot of their outstretched hands (56:25-56:27).
Let’s analyze this great shot. Notice how the seconds where Cloud is reaching downwards to grasp Aerith’s hand are treated. This key moment is stretched longer by a slow-mo effect, building up the tension and drawing the audience’s focus to the distance between their hands before Cloud actually catches Aerith’s in his, fulfilling the promise he made in “Hollow”. Their hands take up the whole screen in a deliberate close-up shot. All the ambient noises of the scene go quiet: Aerith’s theme is all we hear as Cloud reaches desperately for her. These are blatant audiovisual cues, signalling to the audience that whatever is happening on screen is especially significant. We should therefore examine this specific instance of the Clerith handholding motif to see what the devs are trying to tell us, and maybe it will fit with our theory!
We should begin by comparing this Clerith hand-reach shot to previous ones. If you compare it to the Advent Children’s hand-reach that occurs during Cloud’s battle against Bahamut Sin, it’s evident that Cloud and Aerith’s roles are reversed: just as our theory states, Cloud gets out from inside his head and reaches for Aerith this time. She saved him and the world in OG, and now it’s his turn to save her. This change becomes especially evident when you juxtapose the two scenes and notice how their hands have switched places, reaching from above and below, from left and right. I think the Rebirth hand-reach was deliberately made to look like the Advent Children one —and even the OG one in disk 3, chapter 3—, just to highlight this role reversal.
This Rebirth hand-reach is my favorite out of all because it shows that Cloud is much more conscious and attentive toward Aerith in Rebirth than he was in OG. At this point in OG (disk 1, chapter 25), Cloud is meant to be beating Aerith up at Sephiroth’s command, to the horror of the rest of the party. In fact, a few minutes before Cloud rushes to save Aerith in Rebirth, he has absolutely no problem violently shoving Tifa to the ground when she gets in Sephiroth’s way (53:27-53:33). This shove and Cloud’s earlier attack on Tifa in Gongaga (Rebirth, chapter 9) proves that Sephiroth is just as capable of making Cloud hurt his party members as he was in OG… though Sephiroth can’t seem to make Cloud hurt Aerith. Why is this? Why is it that Cloud beats Aerith in OG, but doesn’t even lay a finger on her —and snaps out of Sephiroth’s control at the mere sight of her in trouble— in Rebirth?
Our theory provides the answer. In disk 1, chapter 25 of OG, Cloud had not yet realized he loved Aerith. Sephiroth was therefore able to make him hurt her. But things are different in Rebirth. The Cloud we see in the Remake trilogy has gone through the OG timeline and traveled back in time, kicking off Remake as his second try at the OG timeline— and he did this precisely because he loves Aerith. His love for her is clearer and stronger in the Remake trilogy than in OG because Remake Cloud is an amnesiac, post-OG, time-traveler Cloud. He’s been through the OG before, has fallen in love with Aerith and realized it before, so this time around, he can’t even lay a finger on her. This is made evident by how closely the moments where Cloud pushes Tifa and saves Aerith are juxtaposed, separated by mere seconds of gameplay. Merely seeing Aerith in trouble wrenched control from Sephiroth and put it in Cloud’s hands again— Sephiroth probably couldn’t have gotten Cloud to attack Aerith if he tried.
This isn’t the only time we get evidence of this though! As Cloud approaches Aerith’s praying form in the Forgotten City, Sephiroth’s Black Whispers swirl around the buster sword: Sephiroth is trying to kill Aerith with it, while Cloud’s struggle to wrench it away plays out visibly on his face. Interestingly, Cloud is not being controlled by Sephiroth here. We know this because we can quite literally see the Black Whispers trying to move his sword, but also because every time Cloud is being controlled by Sephiroth in Rebirth, he has an empty-eyed, zombie-Cloud look on his face. Either that or he laughs or smiles somewhat maniacally. There is never any resistance on his part. To see an example, simply pay attention to Cloud’s blank face as he attacks Tifa in Gongaga in chapter 9 (19:20-20:30). You’ll see the very same expression on his face if you watch this video of Cloud following Sephiroth’s orders in chapter 13 (53:36-54:15). Additionally, look at how strangely Cloud smiles (41:01) as he grasps the Black Materia. Cloud makes none of these faces as the Black Whispers try to take control of his sword: quite the opposite. Cloud looks like he’s trying his hardest to pull his weapon back down and away from Aerith, a horrified look on his face as he grunts from the effort. Once more, Sephiroth is unable to make Cloud hurt Aerith.
Back to my favorite handholding moment. Think about this devs intention for this shot for a minute. The devs have been teasing us as to whether or not Cloud will succeed in saving Aerith in the Remake trilogy since it was first announced, and this slow-mo shot of Cloud catching Aerith’s hand as she falls to her death is a reflection of this tension. The audience holds their breath during those slow-moed seconds, all that hope and fear hanging in the balance. This instance of the handholding motif is a meta way for the devs to reassure us that Cloud will indeed save Aerith. I firmly believe this.
VI. a) ii. 5) Self-Sacrificing Hands
Alright, alright, enough about my favorite! Let’s move to chapter 14 of Rebirth! There’s evidently a lot going on with Clerith in this chapter. Let’s address the Sector 5 date. The handholding is first initiated by Aerith as she tugs him toward the candy vendor and Cloud reacts with a quiet gasp (4:07-4:17). Soon, it becomes a reciprocal embrace: Cloud holds his hand out for Aerith’s and tightens his fingers around hers, smiling at her before they head to the photographer (7:07-7:17).
Then of course, when Aerith pushes Cloud into a portal in her church, you can see Cloud reach his hand up toward her desperately as he falls (17:38-17:58). What I find particularly emotional about this moment is that Aerith pushing Cloud away from her is kind of the opposite of reaching for his hand: it symbolizes Aerith accepting her fate and giving up on a life where she can be with him. This Aerith seems to be a post-OG Aerith who exists separately from the main world we experience in Rebirth, meaning she knows all too well that her fate is to die. In fact, it looks like she is the very same or a similar Aerith to the one who appeared to Cloud in his resolution scene in Remake. By literally pushing Cloud away, just like she figuratively did in Cloud’s resolution scene, she is sacrificing both herself and the happiness she could share with Cloud. She’s going against her heart’s wishes, just like she did in Cloud’s resolution scene when she would not let Cloud take her hand. Indeed, post-OG Aerith seems to be resigned to her fated death and completely devoid of hope: she only wants to ensure the planet’s survival, because she thinks she knows there is no way she can or should be with Cloud. In contrast, Cloud reaches his hand out toward Aerith as he falls into the portal, and even though he does not know that her push symbolizes her self-sacrifice, his outstretched hand represents his protest. So far, our theory is fitting beautifully.
VI. a) ii. 6) Grieving Hands
Later in chapter 14 of Rebirth, after Aerith’s death/non-death, there is more handholding. As Cloud cradles Aerith’s body close to him at the Forgotten Capital, Aerith places her hand on his cheek. Cloud covers it with his, curling his fingers around it (1:03:33-1:03:53). Before he leaves her lying down on her back to go fight Sephiroth, he squeezes her hand as he tells her “I got this”— or, per the Japanese version, “Wait for me”, meaning he’ll reunite with her once he’s done (1:04:56-1:05:10).
VI. a) ii. 7) Hero-Heroine Hands
Next, the koibito tsunagi returns as Cloud and Aerith interlace fingers back to back in a classic hero-heroine pose, right after their two-versus-one fight against Sephiroth. This time, they both reach for each other simultaneously (7:42-8:18), without even having to look down at their hands or talk to each other, as though perfectly in sync. As you can see, Aerith and Cloud are now on the same page. This is different from post-OG Aerith’s attitude in the Sector 5 church earlier in chapter 14, as well as in Cloud’s resolution scene in Remake— my interpretation of this mutual koibito tsunagi is that both of them are agreeing to hold onto each other now, with neither of them pulling back or being inattentive of the other: their priorities are now the same. It seems now they are aligned, and hopefully this means that Aerith will be working together with Cloud so they can reunite again in part 3. Even if she doesn’t prioritize her life and happiness though, we know for sure Cloud will.
VI. b) Blocking Masamune Explained?
Another piece of evidence that Cloud has been through the events of OG before is the fact that he is able to block masamune. Cloud looks up and sees Sephiroth descending with his blade poised to kill Aerith. Screaming, Cloud instantly rips the buster sword from the Black Whispers’ hold and successfully blocks masamune. Hatred and determination fill his eyes as he rallies his strength and successfully pushes Sephiroth away, saving Aerith’s life (6:00-7:26)— at least, in one reality.
Obviously, something about Cloud is different in Rebirth from in OG, otherwise, the events of Rebirth’s chapter 14 would be the same as the events of OG’s disk 1 chapter 28. In my opinion, what happened here is that upon seeing Sephiroth swoop down with masamune, Cloud remembered Aerith’s death in OG, and the post-OG Cloud’s determination to stop it came surging up from within him. This is frankly the very best proof there is that Cloud is far more ready, stable, determined, and clear-headed about Aerith in the Remake trilogy than in OG. Our theory explains why! In fact, this very moment is what our entire theory banks on: Cloud saves Aerith in one reality, as is shown by the rainbow effect produced by the event, and just like that, the promise made in “Hollow” has been fulfilled! However, now we face the question of how to make sure that Aerith is alive and by Cloud’s side when the multiverse converges again into one protected timeline. I’m sure it will be done; we will see how in part 3.
VI. c) Theme Song Lyrics
What the theme songs’ texts have to say about the trilogy so far is quite important, as they summarize the feelings of the characters they represent: Cloud and Aerith. We can glean a lot from their perspectives that could help support the Mission Theory.
VI. d) i. “Hollow” Lyrics
“Hollow”, Remake’s theme song, was written about Cloud’s feelings and rumination. Nojima confirmed that, when he was given directives for the lyric-writing, “Nomura just gave [Nojima] the keywords: ‘told from Cloud's point of view’ and ‘standing in the rain’. [Nojima] interpreted that as ‘a ballad for a man who lost something/someone important’” (Nojima and Uematsu interview “‘I wanted to put the word ‘empty’ in the theme song of Remake. That was how it started’ - Music-Related Interview Part 6: Kazunari Nojima”, by Famitsu). Our theory is about Cloud’s motivations and mission to save Aerith, so “Hollow” is especially relevant.
Let’s run through the lyrics and analyze, starting with the song’s first verse:

“I would be lost, drifting along
Floating up high, time after time
And there you'd be, shining brightly
Your smiling face to guide my way
Bloody and bruised, brought to my knees
When beaten down, when broken up
You would appear, reach out to me
Heal every wound and make me whole”

Makes sense with our theory in mind, doesn’t it? This is post-OG Cloud remembering Aerith and what she means to him. “Hollow” seems to be told from the perspective of the post-OG Cloud hidden somewhere in Remake Cloud: a suppressed or eroded part of him that remembers Aerith clearly. Or maybe it’s told by Cloud after the events of the MFF x FFVII Remake collaboration and before the start of Remake, asserting his mission to save Aerith.
Next, here are the pre-choruses:

“Was it all, a dream? Will I never know?
Foolish and blind to everything
Had I realized, had I thought it through
Would you be here in my embrace?”

&

“With your every smile, hiding something more
Dark mysteries lurking beneath
But I was consumed with this emptiness
This selfishness, this void to fill”

(continued in

My Battle Brothers — I wanted to share this list that I’ve had a ton of success with just in case anyone is struggling to find some solid synergy in the army.
Game Plan: - Infiltrators take the home objective and deny 12” deep strike - Eliminators forward deploy/screen but stay hidden turn 1 - Techmarine supports the Gladiator Lancer somewhere in the backfield and helps screen - Terminator Chaplain (with T-Bones) runs his unit directly up the middle to a center objective - Grimaldus and lieutenant take the PCS to one of the most important side objectives - Helbrecht and his Sword Brethren ride in the Land Raider and can go for another side objective or support the middle if needed - Eradicators I usually hold in reserves to come in and light up an enemy vehicle/monster
I realize there aren’t many units for action secondaries, but who needs those if you can outlive your opponent with multiple 5+++ and max primaries every turn.
Let me know if you have any feedback or things I should consider or if you try a similar list and have success with it!
++ Army Roster (Imperium - Adeptus Astartes - Black Templars) [1,995pts] ++

• Configuration +

Battle Size: 2. Strike Force (2000 Point limit)
Detachment: Righteous Crusaders
Show/Hide Options: Agents of the Imperium are visible, Imperial Knights are visible, Legends are visible, Titans are visible, Unaligned Forces are visible, Unaligned Fortifications are visible

• Epic Hero [240pts] +

Chaplain Grimaldus [120pts]: Warlord . 3x Cenobyte Servitor: 3x Close Combat Weapon . Chaplain Grimaldus: Artificer Crozius, Plasma Pistol
High Marshal Helbrecht [120pts]: Ferocity, Sword of the High Marshals

• Character [245pts] +

Chaplain in Terminator Armour [110pts]: Crozius Arcanum, Relic Shield, Tannhauser's Bones [35pts]
Lieutenant [80pts]: Perdition's Edge [15pts] . Neo-volkite pistol, Master-crafted Power Sword & Storm Shield: Master-crafted Power Weapon, Neo-volkite Pistol, Storm Shield
Techmarine [55pts]: Forge Bolter, Grav-pistol, Omnissian Power Axe, Servo-arm

• Battleline [280pts] +

Primaris Crusader Squad [280pts] . 7x Primaris Initiate w/Chainsword & Heavy Bolt Pistol: 7x Astartes Chainsword, 7x Heavy Bolt Pistol . 4x Primaris Initiate w/Power Fist & Heavy Bolt Pistol: 4x Heavy Bolt Pistol, 4x Power Fist . 8x Primaris Neophyte w/Astartes Chainsword: 8x Astartes Chainsword, 8x Bolt Pistol . Primaris Sword Brother: Power Weapon, Pyre Pistol

• Infantry [800pts] +

Eliminator Squad [85pts] . 2x Eliminator: 2x Bolt Pistol, 2x Close Combat Weapon, 2x Las Fusil . Eliminator Sergeant: Bolt Pistol, Close Combat Weapon, Las Fusil
Eradicator Squad [95pts] . Eradicator: Bolt Pistol, Close Combat Weapon, Melta Rifle . Eradicator Sergeant: Bolt Pistol, Close Combat Weapon, Melta Rifle . Eradicator with Multi-melta: Bolt Pistol, Close Combat Weapon, Multi-melta
Infiltrator Squad [100pts]: Helix Gauntlet, Infiltrator Comms Array . Infiltrator Sergeant: Bolt Pistol, Close Combat Weapon, Marksman Bolt Carbine . 4x Infiltrators: 4x Bolt Pistol, 4x Close Combat Weapon, 4x Marksman Bolt Carbine
Primaris Sword Brethren [150pts] . Primaris Sword Brother: Pyre Pistol, Thunder Hammer . Primaris Sword Brother: Power Weapon, Pyre Pistol . Primaris Sword Brother: Plasma Pistol, Power Weapon . Primaris Sword Brother w/Twin Lightning Claws: Twin Lightning Claws . Sword Brother Castellan: Combi-weapon, Master-crafted Power Weapon
Terminator Assault Squad [370pts] . Assault Terminator Sergeant . . Thunder Hammer & Storm Shield: Storm Shield, Thunder Hammer . 9x Assault Terminators w/ Thunder Hammer & Storm Shield: 9x Storm Shield, 9x Thunder Hammer

• Vehicle [430pts] +

Black Templars Gladiator Lancer [170pts]: 2 Storm Bolters, Armoured Hull, Icarus Rocket Pod, Lancer Laser Destroyer, Multi-melta
Land Raider Redeemer [260pts]: Armoured Tracks, 2x Flamestorm Cannon, Hunter Killer Missile, Multi-melta, Storm Bolter, Twin Assault Cannon
++ Total: [1,995pts] ++
Created with BattleScribe (https://battlescribe.net)

Hello,
My partner, roommate, and I have done our own fair amount of research on this, but our situation is a little different so we can't find a straight answer.
To sum it up, we got a notice that the owner of our house has decided to sell, and we cannot renew at the end of our lease (8/31/24). Because of this, we went ahead and started househunting and found a new place to rent so we want to end our lease next month (6/16/24).
We contacted our property management about this, and they told us we have to pay out the remaining three months upfront, a little under 10k.
Our confusion with this is that we found that under Washington law 59.18.310, if we as the tenants break the lease for any reason, the landlord must make reasonable efforts to re-rent the unit rather than charges for the total remaining rent due under the lease. So essentially if the landlord rents the property quickly, we are only responsible for the amount of time that the unit is vacant, NOT the full 3 months.
Obviously, our situation is a little different though because the owner is selling. Is this law still valid? Instead does the owner have to make efforts to sell the property and if they sell in under 3 months, we only have to pay for the time it was vacant?
Some other, not as important info, but gives background: 1. Our property management is also my ex-employer and I did not leave on the best terms. I was a property manager for them, and was how I was able to find our current house. 2. Because of some debt that I acquired during the pandemic, my credit is pretty poor. Most places in Seattle want you to have a credit score over 700 to rent to you, so when we found the new house and the owner was willing to work with me, we really didn't want to miss out on this opportunity. Hence, why we are trying to get out of this lease with minimal damage.

Good morning my witches and wizards.
I'd like to inject some very niche nuance into the discussion surrounding Supergiant's presentation of the Greek Gods in Hades 1 and 2. This will post will be a little long, but I believe context will be helpful when explaining my argument. If you need to get back to kicking [REDACTED]'s ass ASAP, there's a TLDR at the bottom.
I will preface this by saying Hades 2 may be my favorite game of all time, beating out the first by a wide margin (despite me logging over a hundred hours in the original). I've followed Supergiant since the original release of Bastion, played each of their games extensively, and I think I have a passable understanding of the studio's vision. As a result, I view their design choices in good faith.
That being said, I have a few very minor concerns. While they are nowhere near enough to sour the experience for me, I would like to express the thoughts that have been banging around in my head. Spoilers below.
Table of Contents

1. Why do you care?
2. What's your problem?
3. What does your smelly uncle have to do with this?
4. Giving props for the small details.

1 - Why do you care?

For context, I am a Greek man who was the first generation born and raised in the United States. Greek was my first language, I was raised by a Greek community, and I've been heavily involved in our customs since birth. While many people think ancient culture is completely disconnected from modern Greek beliefs, this is inaccurate. No, I don't pray to a shrine of Poseidon when I go fishing. However, many of the stories, beliefs, and morals that were described by the ancient Greek pantheon remained key parts of our culture throughout the transition into modernity.
For example, a common theme in ancient Greek mythology is that of a god secretly traveling on earth, being offered hospitality by unsuspecting mortals, and then rewarding them for their generosity. This is represented in modern culture by the term "philoxenia" which represents our value of being friendly towards strangers. Relationships like these represent the fact that we still value our ancient culture, albeit through modern representation of its ideas. I see many moral, theological, and literary threads that connect the time of the pantheon with the time of modern christianity. As a result, I am passionate about how our ancient culture is represented. In many small ways, it is still a part of me.

2 - Whats your problem?

I started thinking deeply after a recent post on the subreddit (rightfully) condemning racist remarks towards the characterization of Hermes. I think the general consensus of correct - the design of the gods are amazing, and they do a great job representing how many different cultures were involved in worshiping the Pantheon in ancient times. Ancient Greeks traded with others, spread their beliefs far and wide, and often praised the virtues of other cultures (such as Ethiopia) through art and literature. This is represented well by diverse design in-game.
However, despite the fact that the characters in Hades visually represent the variety of people who engaged with the pantheon, I sometimes feel that their traits and voices don't represent Greekness. To put it in other words, the gods are fantastic at giving off the aura of Greek mythology, but less so at giving off the aura of Greek culture.

3 - What does you smelly uncle have to do with this?

My primary complaint is Supergiant's approach when choosing character voices. To preface - THE VOICE ACTING IS AMAZING! There's not a single character whose voice doesn't fit their design and personality. I'm still amazed that Darren Korb managed to nail both Skelly and Zag. However, what interferes with my immersion the most is the choice not to use Greek accents at all.
Hephaestus in the sequel looks exactly like my immigrant uncle in real life. However, every time he speaks, I'm left wondering why he sounds Scottish. Judy Alice Lee did an amazing job voicing Melinoe, but when she speaks Greek (ie. Kataskion Aski) during her incantations, it sounds more like a British classics student practicing her Greek lines. Greek-speakers are a vast minority of the player base, and I get that this is something only someone in my position can notice and complain about. However, it feels like voices were chosen based on what Americans think sounds "regal and godly" as opposed to what characters would sound like in the context of the culture.
I don't think this was done intentionally, and there are definitely limitations when casting voices that don't come in common accents. However, I do think it is a missed opportunity to create a work of art that represents our culture far more deeply than other media has in the past.
Another small example is the use of Roman numerals when marking the doors in Tartatus and Chronos' clock attacks. In the context of the story, these symbols are being used a few centuries too early. Why not use Greek letters as the numerical system, counting down doors through ε, δ, γ, β ,α until the end? It may be confusing on the first run, but people learn quickly - they may even walk away understanding more about the Greek alphabet. I'm sure the creative minds at Supergiant could come up with other ways to represent "time" in a way that fits the cultural context.

4 - Props for the small details

I'd like to give props to some of the amazing tiny details that did make me feel represented in-game.

• Frinos and Toula are incredible names for familiars - if I don't get a dog named Osto next, I'll riot.
• The music, as usual, is magically done. Darren's use of culturally relevant instruments alongside his own flair proves that he is among the most thoughtful and skilled in the entire industry.
• Polyphemus' design is so Greek. The chest hair, the evil eye, his desire to eat and sleep, all of it.
• While pronunciation and accents can be bizzare, including Greek phrases when Melinoe is doing her incantations is an incredible touch. I would love to see more spoken Greek included in future updates.

Thank you for reading my rant. I understand that much of what I would have preferred is out of the scope of the team's vision, but I wanted to get my thoughts out so I can finally put them to rest. I hope my argument about cultural representation can be separated from the more negative and insensitive discourse about racial traits in character design.
Ν'αστε καλά. Θάνατοσ στο Χρόνοσ.
TLDR: The discourse around Supergiant's presentation of Hades characters has been bipolar - either "It's Perfect" or "It's Horrible". I think it is much closer to perfect than not, but as a Greek myself, I find myself begrudgingly accepting some very minor details (such as dubbing and pronunciation) that could have been executed a tad more thoughtfully. That being said, I think Supergiant did their best considering the resources available to them.

What would one to expect to pay for new Lennox 18 seer unit installed in Orlando, FL? Not sure if matters but 2 story house as indoor unit on 2nd story.

I have a SYS-5018D with the X10SLM-F motherboard. I actually acquired 10 units on a facebook post. I have several servers deployed at various locations and all are working, except for the IPMI. While not necessary, I thought I'd give it a try and plug in the IPMI. I went into the bios and configured the IPMI to grab a DHCP address, as well as setting it static with no luck. My router is seeing the IP of the IPMI, but I cannot ping it, or load it in with any browser(I've tried chrome, IE, etc). The supermicro page for the motherboard says it supports IPMI 2.0, however the "version" it shows on bios is 1.35. I have searched high and low on the web for info on this solution with no luck. My only though here would be to update the IPMI version with the latest, however I have seen some people try that with this variant of the board and got stuck in a boot loop due to old bios firmware.
I have learned in order to update my bios(only if i have to) I would need to short a few pins on a header that isn't soldered on the motherboard.
What would be the next logical step in diagnosing the IPMI issue?
Any help is greatly appreciated. Thank you for your time.
-D

the ap physics 1 final is tmr, our teacher this year didn’t even finish the last 2 units and i have been studying them but i still don’t feel prepared to take it. i am also a senior and taking with my college counselor even if i pass with won’t transfer as a credit over for my engineering major. so why take it? the school got a grant to cover everyones ap test so i didn’t pay for it. i will need physics in college obv. but calculus based not algebra based. is there like a fee i have to pay for not taking the test?

Rules.

1. The character can not be from the united states, characters who arrived on the US and became citizens like Superman, for example, also do not count.
   
2. The character must from a setting where "earth" has the same nations that real life earth has. So Marvel/DC earth count but dragon ball earth does Not because it has completely unique history and nations that are different then real life.
   
3. The characters must be an official citizen of a nation from earth.
   

So 2 months ago I have bought picopresso. From the beginning I had a water leak through the pump. Described it here: https://www.reddit.com/picopresso/comments/1b9m11p/is_water_leak_from_the_pump_a_normal_thing_first/
In the end I have got a new unit under the warranty. When it arrived I had only some few months old medium quality coffee at hand, tried it is it working OK (18g, exagrind grinder on 14 & 15 clicks) and espressos were OK.
Switched to a better coffee (few weeks old, dark roast, more oily) and I was unable to get an espresso on 14 clicks (there was some presure and hissing sound). Went back to 15 & 16 clicks and... nothing! I am tampering only with the funnel (to not go to hard). Was using 18g portion always, tried also 17.5g.
The result is always the same (tried around 10 times):

• hissing sound during the pumping.
• flow is minimal.
• I can feel some presure but not 'rock hard', I can continue pumping without any issues.
• getting 2-4g of espresso within ~30s.
• depending on the try and grind I can get 30-35g of espresso in 2 minutes...

Am I doing something wrong? Did my 2nd picopresso unit went south already?

My mental health is in the toilet. I have been an RPN for a year. I received a call at 12:30 yesterday and have been upset since.
A gentleman's CBG was 21.8 (392) - he was going into the 30s (over 540) this week. He has a sliding scale pen for Trurapi. The EMAR wanted me to give him 140 units. That seemed crazy to me so I questioned it. 1. His wife told me that she's given him 120 before. I know this isn't a reliable source. 2. The doctor's order stated this to be true. It didn't look like a trailing zero at the end of the numbers. 3. The RN on duty told me to proceed. I took his blood sugar hours later and it was 5.0 (90). He was not ill and he was fine the next day.
I received a call yesterday and was told that I was "probably" supposed to administer 14 units. The Director of Care was very cruel to me on the phone and made me feel awful. She told me that she would call me back with her findings. I cannot get in touch with anyone in the office to find out what is going on. How nervous should I be about this?

Trades Only! DM If Interested

1. 7 Days (Alex Wann X Sparrow & Barbossa Remix) Craig David
2. 7 Seconds (Da Capo) " Coco, Joezi, Pape Diouf"
3. 7nationChris IDH
4. AFRICA (RAMPA EDIT) ToTo
5. All I Got (Original Mix) " Mas_h, Ninae"
6. All I Got (Original Mix) Massh ft. Adam Port "Mas_h, Ninae"
7. Amana (Original Mix) " Maz, VXSION"
8. Another Hallelujah (Mont Rouge Private Edit)Ankhoi_
9. Apologize [Hoax (BE) Extended Remix] Timbaland ft. OneRepublic
10. Arabic PianoTwo Lost Kings
11. Around The World (JEAN PHILIPPE EDIT) A.T.C
12. Aura Vs. Diamond Life (Robin Tordjman Remix)
13. AyaMozambo
14. BambolaHugel
15. Bécane (KIMOTION X Quentro & Tuna)Yamê
16. BelsunceMont Rouge
17. Boa Sorte (Rockin Moroccin Edit)
18. Butterfly Effect (&ME Remix) Travis Scott
19. By Myself (Adam Port Chris IDH) ADASSIYA
20. Caught In A Wave (&ME Remix)"Simian Mobile Disco, Deep Throat Choir"
21. Collateral Damage (Moon J) Burna Boy
22. Could You Be Loved (Bill Browne Edit) Bob Marley
23. Dana Dana (Mont Rouge) " Avö, Guapo, Rayan"
24. Darling feat. Aloe Blacc (Extended Mix) Shimza
25. Day N Night (Jamy Nox Remix) [VULTÜRE Edit's]Kid Cudi
26. Day N Night (Jamy Nox Remix) [VULTÜRE Edit's]Kid Cudi
27. Drive (Da Capo Edit)Black Coffee & David Guetta
28. Ella Elle L'a (Rampa Edit)France Gall
29. "Ella, Elle l'a (Mont Rouge Remix) " France Gall
30. Ephomnia Saralina Darmon Edit
31. Eu Vou Pra Bahia (Extended Mix)DOT & Rachel Reis
32. Everybody Get Up Samm & Maxi Meraki
33. Faded (Alex Wann Remix) Zhu
34. Faded (Consoul Trainin Afro Edit)Consoul Trainin
35. Father Stretch (CS Remix)
36. Finder (Matador Remix) Ninetoes
37. Finesse (Antdot Remix)Drake
38. Forever In My Mind " HUGEL, Alex Wann"
39. Freed From Desire (Choujaa & Sasson Remix) Gala
40. Fukumean (PISSI touch)Gunna
41. GiantMoojo
42. Girassol (Tato Remix)Ivyson
43. Give It 2 Me (MOON J EDIT) "Busta Rhymes, Mariah Carey"
44. Goodmorning V2Virgil x Rampa
45. Goosebumps Vs. Yums (SiiNA EDIT) Travis Scott
46. Gypsy Woman (Rampa Edit) Crystal Waters
47. Hallelujah Anyway (Larse 2024 Edit)Candi Stanton
48. Havana " Moojo , Carlita"
49. Healing Confusion (Claes Sommer Private Edit)Moojo x Keinemusik feat. Ali Love
50. Helwa Elbedayat (Shami Remix) Amr Diab
51. Hey Hey (Capo & Comes Private Edit) " Dennis Ferrer vs Privatti, Placencia"
52. Hey Hey (Da Capo & Kitty Amor Extended Remix) Dennis Ferrer
53. I Feel Love (Donna Summers) VXSION
54. I'll Be Missing You (HOAX BE EDIT) Puff Daddy X Fauth Evans X 112
55. "It Goes Like Nanana (Alex Wann, Sasson Remix) " Peggy Gou
56. It's Not Right (Moojo Remix) " Gianni Romano, Emanuele Esposito, Helen Tesfazghi"
57. King feat. Xander Pratt (Extended Mix) " The Deepshakerz, Black Savan"
58. La Travesia (Samm Touch) Juan Luis Guirra
59. Lean Into The Sunshine " Sparrow & Barbossa, Young Saab"
60. Little Things (Jorja Smith) Peace Control
61. Locked Out Of Heavan - [Hoax (BE) & David Mackay Remix]Bruno Mars
62. Lose Your Love (Extended Mix)Nico de Andrea & Rony Seikaly
63. Love is GoneKlement Bonelli Feat. Jinadu
64. Love Lockdown (Matt Sawyer vs Sasson Edit)Kanye West
65. Love Lockdown (Vidojean X Oliver Loenn Afro Remix)Kanye West
66. Macaron Moojo & Carlita FEAT. GABSY
67. Makalu UVITA & Sasson
68. "Malive, Luiza Gogoia, Morgado " Quinta
69. Mamakusa"Busta, Rampa, Black Coffee"
70. Mas Que Nada (Ahmed Spins Edit) Ahmed Spins
71. More Love (Rampa &ME Remix) " Moderat, Keinemusik"
72. More That You Know (Mont Rouge Edit) Axwell X Ingrosso
73. Mossolou (Wilson Kentura Remix) Salif Keita
74. Ms. Jackson (Moojo Remix)Outkast
75. My Love (Alex Wann rework) " ROUTE 94, Jesse Glynne"
76. Never Leave You (JAQUET EDIT) Lumidee
77. O Amor Te Da_ (VXSION & Sone. Remix)Amanda Magalhães
78. One Dance (Peace Control Remix)Drake
79. Out Of Touch (Kashovski & Abel Ray PRIVATE)Daryl Hall & John Oates
80. Oye Como Va Extended Demo
81. Papaoutai (Franci Mercier REWORK) STROMAE
82. Peperuke (Original Mix)Alex Wann feat. Nes Mburu
83. Pjanoo (APE DRUMS EDIT) Eric Prydz
84. Pump Up The Jam (Kimotion)Technotronic
85. Queimar (Guapo remix)
86. Ray Of Solar (Alex Wann & Sasson Remix) Swedish House Mafia
87. Relax My Eyes (Mr. Moudz AFRO EDIT) MASTER EDIT ANOTR
88. Save Your Tears (Alex Wann Remix) The Weeknd
89. She Asked me to Dance Arodes & Fahlberg
90. Shik Shak Shok (Kimotion Remix) Hassan Abu El So'oud
91. Silencio (Extended Mix) GROSSOMODDO
92. Super Flu Lovesong
93. "Sweet Disposition (DSF, CHRIS IDH & DINO MFU Remix) "Temper Trap
94. Take Care (Mili Edit)Drake Ft. Rihana
95. Take Me Deep (Original Mix) RBØR
96. Tanzania (Rampa Remix) Uncle Waffles
97. Too Much " Hugel, Darmon"
98. Touch Me (Peace Control Remix) Rui Da Silva
99. Troy Samm(BE)
100. True StoryLiva K
101. Tuesday (GROSSOMODDO EDIT) Burak Yeter
102. United In Grief (Bostjan Edit)Kendrik Lamar
103. Vertigo (Carlita Remix)ANOTR
104. Virgil Forever (Instrumental) Drake & Rampa
105. Voulez-Vous (Madzoni Remix)Abba
106. "Voyage, Voyage (Mont Rouge Remix)"Desireless
107. WAIT FOR U (Montrouge Remix) " Future, Montrouge"
108. Waiting for Tonight (Alex Wann Remix) v4J.LO
109. Walking on a Dream *VXSION
110. War Cry Mont Rouge x Sasson
111. Water (Laureano Remix) Tyla
112. Water (Vanco Remix) Tyla
113. Water ft Travis Scott (Moojo Remix) Tyla
114. Where Are You Now (&friends Remix) Justin Bieber
115. World Hold on (Soubeiran & Sasson Remix) Bob Sinclar
116. Ya Me Voy (Ft. Fuzzy Cufflinxxx) Gettoblaster Franklyn Watts
117. Zulumke (Da capo's Dub)Lemon & Herb ft. Toshi
118. ZurnaBadbox

any predictions for topics ??

Just to help some players for this 1.5 UTTU, these are, in my opinion, some of the best FAME cards to get, and you should also try getting multiple copies if possible:
For Beast unit/team: Always use [Red Land Rush] Vertin card, it's the best for Beast Team unit

1. Shamane Fame Card - Glimpse of the Wild

Basically allows your team to gain additional moxie everytime you use your ultimate, works extremely well with Darcy and Leilani since giving them meaning you'll have +3 moxie every time they use their ultimate. You can cycle between them and have your dps (Spathodea/Melania/Shamane) to constantly use their ultimate easily. Can get up to 4 to have your whole team generate moxie to each other so you can constantly use ultimate even without Darcy/Leilani.

1. Centurion Fame Card - Focus on the Lights

Only if you're using at least 3 Beast unit in the team, this allows +45% on your dps unit. Recommend to get 1 or 2.

1. Sonata

Mainly equipped this on your support/non dps unit, can get 3 for maximum effect.

1. Fire Worship (only if you have Spathodea)

Apply 6 stacked Burn on all enemies every turn. You can equipped this on your support if you have additional slot, basically makes it easier to stack the burn up to 15 stacks so Spathodea can deal more DMG, it also heals your team to increase survivability.
For Plant/Poison team: again, [Red Land Rush] is the best for poison team as well.

1. Inevitable Side Effect

Inflict one 1T [Poison] every 2 rounds, can get multiple cards for this. Recommend to get 1 or 2 for your non-dps.

1. A knight Fame Card - Another Sound

Inflict three 2T [Poison] everytime you use ultimate. Recommend to get at least 2

1. The Night Show

Give more genesis DMG, mainly for Sotheby and Jessica. Recommend to get 1 or 2.
For Mineral Team: debatable, if you have Babel, then [Intermission] may be a better option, otherwise [Red Land Rush]

1. Kaalaa Baunaa Fame Card - Boating Tiger

Mainly for your DPS, but can be equipped on support/secondary DPS too for DMG and survivability. Recommend to get 2 or more.

1. Inevitable Side Effect (only for KB)

If you have other dps, this can be used as well, but it's especially useful mainly for KB so she can gain her orb quicker especially if you're running Babel moxie generator strats. Recommend to get 1.

1. Another Sound

Mainly for your support unit, since they will then provide even more buffs to your dps, if you're running [Red Land Rush], the DMG you will get with this card combo with Boating Tiger are gonna be insane. Recommend to get 2.
For Toothfairy:

1. Toothfairy Fame Card - Revenger 369

Only if your TF is not P2, this basically helps in survivability and ensure your debuffs always stay, also your leftmost unit (mostly your dps) will always gain 1 moxie with this. You only need 1.
For Ms New Babel:

1. Kanjira Fame Card - Art of Driving

Ms New Babel with her counter becomes a freaking moxie generator! Coupled this with Vertin's card (Intermission) and Babel will always gain moxie for everyone including herself, works extremely well with 37 too for star affiliated stages. You only need 1.

1. Warm Advocate

Basically [Intermission] but it's a FAME card! Extremely useful since it allows you to not use Intermission and opts for [Red Land Rush] instead! You only need 1.
For generic dps:

1. The "Multilinguist"

Basically +DMG Dealt for every card used.

1. What Lightning Is to the Tempest

Same but it's crit rate and crit DMG instead.
Hope it helps! Good luck with your run and remember that you can always skip UTTU if it's too hard, no need to stress yourself up, the main rewards are just skin... And it's for Darley lol.

Trades Only! DM If Interested

1. 7 Days (Alex Wann X Sparrow & Barbossa Remix) Craig David
2. 7 Seconds (Da Capo) " Coco, Joezi, Pape Diouf"
3. 7nationChris IDH
4. AFRICA (RAMPA EDIT) ToTo
5. All I Got (Original Mix) " Mas_h, Ninae"
6. All I Got (Original Mix) Massh ft. Adam Port "Mas_h, Ninae"
7. Amana (Original Mix) " Maz, VXSION"
8. Another Hallelujah (Mont Rouge Private Edit)Ankhoi_
9. Apologize [Hoax (BE) Extended Remix] Timbaland ft. OneRepublic
10. Arabic PianoTwo Lost Kings
11. Around The World (JEAN PHILIPPE EDIT) A.T.C
12. Aura Vs. Diamond Life (Robin Tordjman Remix)
13. AyaMozambo
14. BambolaHugel
15. Bécane (KIMOTION X Quentro & Tuna)Yamê
16. BelsunceMont Rouge
17. Boa Sorte (Rockin Moroccin Edit)
18. Butterfly Effect (&ME Remix) Travis Scott
19. By Myself (Adam Port Chris IDH) ADASSIYA
20. Caught In A Wave (&ME Remix)"Simian Mobile Disco, Deep Throat Choir"
21. Collateral Damage (Moon J) Burna Boy
22. Could You Be Loved (Bill Browne Edit) Bob Marley
23. Dana Dana (Mont Rouge) " Avö, Guapo, Rayan"
24. Darling feat. Aloe Blacc (Extended Mix) Shimza
25. Day N Night (Jamy Nox Remix) [VULTÜRE Edit's]Kid Cudi
26. Day N Night (Jamy Nox Remix) [VULTÜRE Edit's]Kid Cudi
27. Drive (Da Capo Edit)Black Coffee & David Guetta
28. Ella Elle L'a (Rampa Edit)France Gall
29. "Ella, Elle l'a (Mont Rouge Remix) " France Gall
30. Ephomnia Saralina Darmon Edit
31. Eu Vou Pra Bahia (Extended Mix)DOT & Rachel Reis
32. Everybody Get Up Samm & Maxi Meraki
33. Faded (Alex Wann Remix) Zhu
34. Faded (Consoul Trainin Afro Edit)Consoul Trainin
35. Father Stretch (CS Remix)
36. Finder (Matador Remix) Ninetoes
37. Finesse (Antdot Remix)Drake
38. Forever In My Mind " HUGEL, Alex Wann"
39. Freed From Desire (Choujaa & Sasson Remix) Gala
40. Fukumean (PISSI touch)Gunna
41. GiantMoojo
42. Girassol (Tato Remix)Ivyson
43. Give It 2 Me (MOON J EDIT) "Busta Rhymes, Mariah Carey"
44. Goodmorning V2Virgil x Rampa
45. Goosebumps Vs. Yums (SiiNA EDIT) Travis Scott
46. Gypsy Woman (Rampa Edit) Crystal Waters
47. Hallelujah Anyway (Larse 2024 Edit)Candi Stanton
48. Havana " Moojo , Carlita"
49. Healing Confusion (Claes Sommer Private Edit)Moojo x Keinemusik feat. Ali Love
50. Helwa Elbedayat (Shami Remix) Amr Diab
51. Hey Hey (Capo & Comes Private Edit) " Dennis Ferrer vs Privatti, Placencia"
52. Hey Hey (Da Capo & Kitty Amor Extended Remix) Dennis Ferrer
53. I Feel Love (Donna Summers) VXSION
54. I'll Be Missing You (HOAX BE EDIT) Puff Daddy X Fauth Evans X 112
55. "It Goes Like Nanana (Alex Wann, Sasson Remix) " Peggy Gou
56. It's Not Right (Moojo Remix) " Gianni Romano, Emanuele Esposito, Helen Tesfazghi"
57. King feat. Xander Pratt (Extended Mix) " The Deepshakerz, Black Savan"
58. La Travesia (Samm Touch) Juan Luis Guirra
59. Lean Into The Sunshine " Sparrow & Barbossa, Young Saab"
60. Little Things (Jorja Smith) Peace Control
61. Locked Out Of Heavan - [Hoax (BE) & David Mackay Remix]Bruno Mars
62. Lose Your Love (Extended Mix)Nico de Andrea & Rony Seikaly
63. Love is GoneKlement Bonelli Feat. Jinadu
64. Love Lockdown (Matt Sawyer vs Sasson Edit)Kanye West
65. Love Lockdown (Vidojean X Oliver Loenn Afro Remix)Kanye West
66. Macaron Moojo & Carlita FEAT. GABSY
67. Makalu UVITA & Sasson
68. "Malive, Luiza Gogoia, Morgado " Quinta
69. Mamakusa"Busta, Rampa, Black Coffee"
70. Mas Que Nada (Ahmed Spins Edit) Ahmed Spins
71. More Love (Rampa &ME Remix) " Moderat, Keinemusik"
72. More That You Know (Mont Rouge Edit) Axwell X Ingrosso
73. Mossolou (Wilson Kentura Remix) Salif Keita
74. Ms. Jackson (Moojo Remix)Outkast
75. My Love (Alex Wann rework) " ROUTE 94, Jesse Glynne"
76. Never Leave You (JAQUET EDIT) Lumidee
77. O Amor Te Da_ (VXSION & Sone. Remix)Amanda Magalhães
78. One Dance (Peace Control Remix)Drake
79. Out Of Touch (Kashovski & Abel Ray PRIVATE)Daryl Hall & John Oates
80. Oye Como Va Extended Demo
81. Papaoutai (Franci Mercier REWORK) STROMAE
82. Peperuke (Original Mix)Alex Wann feat. Nes Mburu
83. Pjanoo (APE DRUMS EDIT) Eric Prydz
84. Pump Up The Jam (Kimotion)Technotronic
85. Queimar (Guapo remix)
86. Ray Of Solar (Alex Wann & Sasson Remix) Swedish House Mafia
87. Relax My Eyes (Mr. Moudz AFRO EDIT) MASTER EDIT ANOTR
88. Save Your Tears (Alex Wann Remix) The Weeknd
89. She Asked me to Dance Arodes & Fahlberg
90. Shik Shak Shok (Kimotion Remix) Hassan Abu El So'oud
91. Silencio (Extended Mix) GROSSOMODDO
92. Super Flu Lovesong
93. "Sweet Disposition (DSF, CHRIS IDH & DINO MFU Remix) "Temper Trap
94. Take Care (Mili Edit)Drake Ft. Rihana
95. Take Me Deep (Original Mix) RBØR
96. Tanzania (Rampa Remix) Uncle Waffles
97. Too Much " Hugel, Darmon"
98. Touch Me (Peace Control Remix) Rui Da Silva
99. Troy Samm(BE)
100. True StoryLiva K
101. Tuesday (GROSSOMODDO EDIT) Burak Yeter
102. United In Grief (Bostjan Edit)Kendrik Lamar
103. Vertigo (Carlita Remix)ANOTR
104. Virgil Forever (Instrumental) Drake & Rampa
105. Voulez-Vous (Madzoni Remix)Abba
106. "Voyage, Voyage (Mont Rouge Remix)"Desireless
107. WAIT FOR U (Montrouge Remix) " Future, Montrouge"
108. Waiting for Tonight (Alex Wann Remix) v4J.LO
109. Walking on a Dream *VXSION
110. War Cry Mont Rouge x Sasson
111. Water (Laureano Remix) Tyla
112. Water (Vanco Remix) Tyla
113. Water ft Travis Scott (Moojo Remix) Tyla
114. Where Are You Now (&friends Remix) Justin Bieber
115. World Hold on (Soubeiran & Sasson Remix) Bob Sinclar
116. Ya Me Voy (Ft. Fuzzy Cufflinxxx) Gettoblaster Franklyn Watts
117. Zulumke (Da capo's Dub)Lemon & Herb ft. Toshi
118. ZurnaBadbox

Trades Only! DM If Interested

1. 7 Days (Alex Wann X Sparrow & Barbossa Remix) Craig David
2. 7 Seconds (Da Capo) " Coco, Joezi, Pape Diouf"
3. 7nationChris IDH
4. AFRICA (RAMPA EDIT) ToTo
5. All I Got (Original Mix) " Mas_h, Ninae"
6. All I Got (Original Mix) Massh ft. Adam Port "Mas_h, Ninae"
7. Amana (Original Mix) " Maz, VXSION"
8. Another Hallelujah (Mont Rouge Private Edit)Ankhoi_
9. Apologize [Hoax (BE) Extended Remix] Timbaland ft. OneRepublic
10. Arabic PianoTwo Lost Kings
11. Around The World (JEAN PHILIPPE EDIT) A.T.C
12. Aura Vs. Diamond Life (Robin Tordjman Remix)
13. AyaMozambo
14. BambolaHugel
15. Bécane (KIMOTION X Quentro & Tuna)Yamê
16. BelsunceMont Rouge
17. Boa Sorte (Rockin Moroccin Edit)
18. Butterfly Effect (&ME Remix) Travis Scott
19. By Myself (Adam Port Chris IDH) ADASSIYA
20. Caught In A Wave (&ME Remix)"Simian Mobile Disco, Deep Throat Choir"
21. Collateral Damage (Moon J) Burna Boy
22. Could You Be Loved (Bill Browne Edit) Bob Marley
23. Dana Dana (Mont Rouge) " Avö, Guapo, Rayan"
24. Darling feat. Aloe Blacc (Extended Mix) Shimza
25. Day N Night (Jamy Nox Remix) [VULTÜRE Edit's]Kid Cudi
26. Day N Night (Jamy Nox Remix) [VULTÜRE Edit's]Kid Cudi
27. Drive (Da Capo Edit)Black Coffee & David Guetta
28. Ella Elle L'a (Rampa Edit)France Gall
29. "Ella, Elle l'a (Mont Rouge Remix) " France Gall
30. Ephomnia Saralina Darmon Edit
31. Eu Vou Pra Bahia (Extended Mix)DOT & Rachel Reis
32. Everybody Get Up Samm & Maxi Meraki
33. Faded (Alex Wann Remix) Zhu
34. Faded (Consoul Trainin Afro Edit)Consoul Trainin
35. Father Stretch (CS Remix)
36. Finder (Matador Remix) Ninetoes
37. Finesse (Antdot Remix)Drake
38. Forever In My Mind " HUGEL, Alex Wann"
39. Freed From Desire (Choujaa & Sasson Remix) Gala
40. Fukumean (PISSI touch)Gunna
41. GiantMoojo
42. Girassol (Tato Remix)Ivyson
43. Give It 2 Me (MOON J EDIT) "Busta Rhymes, Mariah Carey"
44. Goodmorning V2Virgil x Rampa
45. Goosebumps Vs. Yums (SiiNA EDIT) Travis Scott
46. Gypsy Woman (Rampa Edit) Crystal Waters
47. Hallelujah Anyway (Larse 2024 Edit)Candi Stanton
48. Havana " Moojo , Carlita"
49. Healing Confusion (Claes Sommer Private Edit)Moojo x Keinemusik feat. Ali Love
50. Helwa Elbedayat (Shami Remix) Amr Diab
51. Hey Hey (Capo & Comes Private Edit) " Dennis Ferrer vs Privatti, Placencia"
52. Hey Hey (Da Capo & Kitty Amor Extended Remix) Dennis Ferrer
53. I Feel Love (Donna Summers) VXSION
54. I'll Be Missing You (HOAX BE EDIT) Puff Daddy X Fauth Evans X 112
55. "It Goes Like Nanana (Alex Wann, Sasson Remix) " Peggy Gou
56. It's Not Right (Moojo Remix) " Gianni Romano, Emanuele Esposito, Helen Tesfazghi"
57. King feat. Xander Pratt (Extended Mix) " The Deepshakerz, Black Savan"
58. La Travesia (Samm Touch) Juan Luis Guirra
59. Lean Into The Sunshine " Sparrow & Barbossa, Young Saab"
60. Little Things (Jorja Smith) Peace Control
61. Locked Out Of Heavan - [Hoax (BE) & David Mackay Remix]Bruno Mars
62. Lose Your Love (Extended Mix)Nico de Andrea & Rony Seikaly
63. Love is GoneKlement Bonelli Feat. Jinadu
64. Love Lockdown (Matt Sawyer vs Sasson Edit)Kanye West
65. Love Lockdown (Vidojean X Oliver Loenn Afro Remix)Kanye West
66. Macaron Moojo & Carlita FEAT. GABSY
67. Makalu UVITA & Sasson
68. "Malive, Luiza Gogoia, Morgado " Quinta
69. Mamakusa"Busta, Rampa, Black Coffee"
70. Mas Que Nada (Ahmed Spins Edit) Ahmed Spins
71. More Love (Rampa &ME Remix) " Moderat, Keinemusik"
72. More That You Know (Mont Rouge Edit) Axwell X Ingrosso
73. Mossolou (Wilson Kentura Remix) Salif Keita
74. Ms. Jackson (Moojo Remix)Outkast
75. My Love (Alex Wann rework) " ROUTE 94, Jesse Glynne"
76. Never Leave You (JAQUET EDIT) Lumidee
77. O Amor Te Da_ (VXSION & Sone. Remix)Amanda Magalhães
78. One Dance (Peace Control Remix)Drake
79. Out Of Touch (Kashovski & Abel Ray PRIVATE)Daryl Hall & John Oates
80. Oye Como Va Extended Demo
81. Papaoutai (Franci Mercier REWORK) STROMAE
82. Peperuke (Original Mix)Alex Wann feat. Nes Mburu
83. Pjanoo (APE DRUMS EDIT) Eric Prydz
84. Pump Up The Jam (Kimotion)Technotronic
85. Queimar (Guapo remix)
86. Ray Of Solar (Alex Wann & Sasson Remix) Swedish House Mafia
87. Relax My Eyes (Mr. Moudz AFRO EDIT) MASTER EDIT ANOTR
88. Save Your Tears (Alex Wann Remix) The Weeknd
89. She Asked me to Dance Arodes & Fahlberg
90. Shik Shak Shok (Kimotion Remix) Hassan Abu El So'oud
91. Silencio (Extended Mix) GROSSOMODDO
92. Super Flu Lovesong
93. "Sweet Disposition (DSF, CHRIS IDH & DINO MFU Remix) "Temper Trap
94. Take Care (Mili Edit)Drake Ft. Rihana
95. Take Me Deep (Original Mix) RBØR
96. Tanzania (Rampa Remix) Uncle Waffles
97. Too Much " Hugel, Darmon"
98. Touch Me (Peace Control Remix) Rui Da Silva
99. Troy Samm(BE)
100. True StoryLiva K
101. Tuesday (GROSSOMODDO EDIT) Burak Yeter
102. United In Grief (Bostjan Edit)Kendrik Lamar
103. Vertigo (Carlita Remix)ANOTR
104. Virgil Forever (Instrumental) Drake & Rampa
105. Voulez-Vous (Madzoni Remix)Abba
106. "Voyage, Voyage (Mont Rouge Remix)"Desireless
107. WAIT FOR U (Montrouge Remix) " Future, Montrouge"
108. Waiting for Tonight (Alex Wann Remix) v4J.LO
109. Walking on a Dream *VXSION
110. War Cry Mont Rouge x Sasson
111. Water (Laureano Remix) Tyla
112. Water (Vanco Remix) Tyla
113. Water ft Travis Scott (Moojo Remix) Tyla
114. Where Are You Now (&friends Remix) Justin Bieber
115. World Hold on (Soubeiran & Sasson Remix) Bob Sinclar
116. Ya Me Voy (Ft. Fuzzy Cufflinxxx) Gettoblaster Franklyn Watts
117. Zulumke (Da capo's Dub)Lemon & Herb ft. Toshi
118. ZurnaBadbox

Article: https://www.useyourbrainforex.com/post/gold-prices-near-monthly-high-amid-stabilizing-us-inflation-and-fed-rate-cut-prospects
Gold prices are currently soaring, reaching near-monthly highs. This surge is primarily driven by stabilizing inflation in the United States, which has increased the likelihood of the Federal Reserve implementing interest rate cuts as early as September. 📊💵
On Thursday, gold prices rose to $2,397 per ounce, the highest level since April 19. This marks a continuation of the gains seen on Wednesday when gold appreciated by more than 1%. This consistent rise reflects growing investor confidence in gold as a safe haven amid economic uncertainty. 🌟💰
Ole Hansen, head of commodity strategy at Saxo Bank, highlighted that stabilizing inflation and weakness in other economic data, such as retail sales, create favorable conditions for gold and silver. Last month, US retail sales were unexpectedly flat, and consumer prices showed signs of cooling. Additionally, weak labor market data from last week added to the positive sentiment for precious metals. 📉🏦
Supporting gold prices further, the dollar index remains near its lowest level in over a month, and ten-year Treasury yields are at their lowest since April 5. This makes gold more attractive as a safe investment. Tim Waterer, chief market analyst at KCM Trade, noted that as inflation stops rising, gold benefits significantly, potentially reaching $2,400 per ounce. 📉💵
However, a potential rebound in the dollar or Treasury yields could pose challenges for gold prices. Meanwhile, silver is also gaining traction, driven by strong fundamentals and rising gold prices, likely spurring investor interest. 🥈📈
Stay informed about the latest trends in gold and silver prices, and understand how economic indicators influence these markets. Join the discussion and share your thoughts! 💬🌐

In the ever-evolving world of cryptocurrencies, where innovation meets culture, a new token has captured the attention of the internet: IGOMEOW. Inspired by the latest viral sensation, a video of a cat singing, IGOMEOW is more than just a meme token—it's a community-driven project with a fun and engaging premise.

The Meme That Started It All

If you've been online recently, you might have come across the delightful video of a cat "singing" in a surprisingly melodic fashion. This video quickly went viral, captivating audiences with its charm and humor. Memes often serve as the cultural pulse of the internet, and this particular video resonated with millions, inspiring laughter and joy.

What is IGOMEOW?

IGOMEOW is a new cryptocurrency token that leverages the popularity of the singing cat meme. The project aims to blend the whimsical nature of internet culture with the robust technology of blockchain. By doing so, IGOMEOW creates a unique investment opportunity that is both entertaining and potentially lucrative.

The Vision Behind IGOMEOW

The creators of IGOMEOW saw an opportunity to harness the viral power of the meme and translate it into a crypto project that could unite a community of like-minded individuals. Their vision is to create a token that not only capitalizes on the meme’s popularity but also builds a supportive and enthusiastic community around it.

Key Features of IGOMEOW

1. Solana-Based Token: IGOMEOW is built on the Solana blockchain, known for its high speed and low transaction costs. This ensures that transactions are fast, efficient, and scalable, making it easier for users to trade and interact with the token.
2. Community-Driven: At its core, IGOMEOW is about community. The token thrives on the participation and engagement of its holders. From voting on new features to contributing to marketing efforts, the community plays a crucial role in the token’s development.
3. Charitable Initiatives: A portion of the transaction fees collected from IGOMEOW transactions is allocated to animal shelters and rescue organizations. By investing in IGOMEOW, holders are also contributing to the well-being of animals in need.
4. Fun and Engagement: IGOMEOW isn’t just a token; it’s a movement. Regular contests, meme competitions, and community events keep the spirit of the singing cat alive and foster a sense of camaraderie among holders.

How to Get Involved

Getting started with IGOMEOW is straightforward:

1. Purchase IGOMEOW on Raydium: The token is available on Raydium, a popular decentralized exchange on the Solana network. Simply create a Solana wallet, connect it to Raydium, and swap your preferred cryptocurrency for IGOMEOW.
2. Join the Community: Follow IGOMEOW on social media platforms like Twitter, Telegram, and Reddit to stay updated on the latest news, participate in discussions, and join community events.
3. Spread the Word: As a community-driven project, IGOMEOW relies on the enthusiasm of its holders to grow. Share the meme, create your own content, and invite friends to join the fun.

The Future of IGOMEOW

With its roots in one of the internet’s most beloved memes, IGOMEOW has a bright future ahead. The team behind the token is continuously exploring new ways to enhance its utility and value. Upcoming features include NFT integrations, partnerships with other meme tokens, and further charitable endeavors.

Conclusion

IGOMEOW is more than just a crypto token; it's a celebration of the internet's creative spirit. By combining the viral charm of a singing cat with the transformative power of the Solana blockchain, IGOMEOW offers a unique and enjoyable way to participate in the world of cryptocurrencies. Whether you're a seasoned investor or a meme enthusiast, IGOMEOW invites you to join its vibrant community and be part of a project that’s as entertaining as it is innovative.
So, why not take a leap and let IGOMEOW bring a bit of joy and potential profit to your crypto portfolio? After all, in the world of digital currencies, sometimes it’s the memes that make the most memorable marks.

My roommate and I are nearing the end of our lease (Wisconsin). We’ve been good tenants, always paying on time and being very flexible with our landlords whenever we’ve had to interact. They’re private landlords and we’re one of 2 units they own, the other being our neighbors. Neither of us have ever renewed in a non-college area before, so we’re getting a little anxious as we get closer to the end of the lease. I’ve found online that it’s typical to be offered to resign at around 90 days out from the end of your current lease. We’re at about 75 days out. Is it too much to reach out to ask if they’re going to offer us the option to resign? Should we just start looking for another place now? Our unit isn’t posted anywhere that I can find online and they haven’t started having people tour, so maybe they just haven’t gotten around to it, seeing as how they both have full time jobs and young kids as well. Am I just freaking out too much? Help please!