Hello everyone,
This is my first time writing here, and I'm not sure what to expect and what kind of responses I'll receive. I look forward to hearing from you!
I would like to hear opinions from both individuals with an avoidant attachment style and those without. What do you think of the letter? Is it a good idea to send it, or do you think I should make some modifications?
I'm using fictional names.
For some context, I wrote the letter below to my "ex," although I'm not sure if I can really use the word "ex." We always referred to our relationship as simply David & Mathieu. When people asked us if we were a couple, we would say no, it was just David & Mathieu.
We were friends for a year and a half before starting a different dynamic. It wasn't planned or wanted; it just happened very naturally. He has always been someone special to me; I don't know how to explain it, but for as long as I can remember, he has been special to me, and I told him that.
Two things to know about him are that he has an avoidant attachment style, which he himself acknowledges. So sometimes it was complicated; he never reassured me about anything, had blockages like we couldn't see each other during the week, and very often I couldn't touch him (affectionately) because he needed space. But I know he made efforts and stepped out of his comfort zone for us. He started holding my hand in public by himself, opening up more and more, and introduced me to important people in his life. It may not seem like much, but for someone with an avoidant attachment style, it was already a lot.
What made the situation even more complicated is that he was also fraysexual. So as the relationship progressed, the closer we got, the less sexual interest he had in me. He still needed sex, but it wasn't possible with me. Again, he was aware of how he was, and we always talked about it openly.
David & Mathieu lasted 7 months, and what ended it were the arguments we had towards the end. I started feeling insecure about his sexuality, the fact that he was back on dating apps (he said it was just for hookups) - I believed him, but it still made me insecure, and he had trouble reassuring me. He would get angry and say that I doubted his word. Furthermore, I brought up things from the past, like a guy he had something with while we were together during the first month of David & Mathieu. Also, towards the end, he expressed his need for space and to minimize contact, and I also struggled to give him that. I believe I have an anxious attachment style, so it was complicated for me to respond to some of his requests. But when we were together, it was really good; we often told each other that the best moments together were when it was just the two of us.
Anyway, he gave reasons for ending us: that I often doubted his word, that I brought up the past too much, and that he felt like he couldn't do things he had the right to do (like sleeping with others) and that I couldn't give him the space he needed. He was always honest about not wanting to lose his freedom. I never intended to take it away from him, but sometimes I needed to discuss things to feel good, and he struggled with that.
It's been a week now since we last had contact. We never really had a discussion to close everything; he shared his decision with me over the phone, I reacted badly, I tried to convince him to change his mind, and that's it.
The day after the phone call, he still agreed to come do an activity with me, but he said only because I told him it would make me feel better, and after that activity, he gave me back the things he had at his place. I still have things with me.
I would like to hear opinions from both individuals with an avoidant attachment style and those without. What do you think of the letter? Is it a good idea to send it, or do you think I should make some modifications?
Well, here's the letter finally.
Thank you.
I respect and understand your choice.
I've wondered if it's also what I wanted and maybe I was just delusional to think otherwise.
I'm not expecting or needing you to respond to these messages. It was important for me to share my observations with a clear head rather than being in a flood of emotions. I fully understand that you don't need to receive this message, maybe you're already rolling your eyes. It's more for me that I'm doing this, it seemed like the right thing to do for me.
I'm not into blaming, victimizing, or reproaching, and I'm not taking all the blame on myself. I'll only speak about what belongs to me. I'm not angry, disappointed, and I have no negative feelings towards you. I know you're a good person with good intentions, and you never intended to hurt me in any way.
I accept your decision much more easily now that I've finally understood that having contact with me now does more harm than good. I've always wanted what's best for you and to make you feel special.
You know what I think of you, what I told you was never fake or to please you, it was simply the truth. For me, when I was with you, you were the most... things & things, and I had no interest in looking away. I never played games with you or tried to sell you dreams. I'm aware that it could have played against me, and I didn't care. But honestly, I never felt like you were taking advantage of that.
Not that I think you care about that, but I stopped talking to the guy I was chatting with at the Biodôme on the same day. If it helps some people, that's great, but for me, jumping into something else to feel better isn't healthy, I'd find it disrespectful, and it's just not me.
Sorry for losing sight of what was important and focusing too much on the past and things that didn't matter. Sorry for not being respectful and attentive towards the end, for making you feel like I didn't trust you/wanted to restrict you/didn't understand you bettedidn't assert my limits enough, and for not giving you the space you needed. I'm not perfect, I was just doing my best.
When I told you that we were better than that, well, I failed, and I let you down in a way, I acknowledge that, and I'm sorry. I messed up, and it's okay to make mistakes. You know, humans are sometimes poorly made, losing strength to realize things that were obvious.
I have work to do on myself in several aspects. I need to avoid creating scenarios, leave the past where it is, verbalize my needs and limits more clearly, in a better way and at the right time, learn to realize that what I have in front of me is true without suspicion, and learn to say: "This thing scares me, I don't know how to tame it, I don't know how it will affect us, let's talk about it."
I think just choosing better moments for certain discussions could potentially have changed the course of things. (We often had discussions about important things when we were drunk, it always turned out badly.)
I'm still the same guy I was a week ago, I haven't magically changed already, but what I can confidently tell you is that there has been an awakening, and I'm committed to evolving and being better.
I know that for you, us, it was a challenge and maybe sometimes destabilizing, it took you out of your comfort zone. I felt that you were doing your best, I never felt like you were forcing yourself, and for example, just holding my hand in public meant something significant to you. I could have taken that into consideration more and made sure you felt good and safe instead of adding pressure and frustration.
You and I are unique individuals, for whom it's not easy to build certain dynamics, we deserved to have what we had, but with the issues at the end, sometimes it wasn't easy.
I never wanted something conventional. For me, answering the question 'Are you a couple?' with 'No, it's just David & Mathieu' made me proud, and I liked it, for me, there was no need for further explanation.
I never asked or hoped for you to have the same requirements for yourself as I imposed on myself. I've always been very aware of your needs. The fact that it was important for me not to be touched by others, that belonged to me alone, I wish we could have navigated through that more healthily.
You often asked me what I expected from you, that it wasn't clear to you. I expected nothing more than what was ongoing. I was in this situation because I wanted to be, are you perfect as you are, I would say.... yes but no. But guess what, when I told you that you were perfect as you were, it was true, in the sense that even the things that weren't perfect made you a special thing for me. Don't try to understand, even I have difficulty understanding myself.
Trying out David & Mathieu wasn't a mistake for me, it was positive in many ways. And as I've already told you, what we had was enough for me, you were enough for me. The issues at the end for me were mostly predictable, all surmountable, and weighed less in the balance compared to the rest.
David & Mathieu was something peculiar, imperfect, and perfect at the same time. The fact that the best moments were mostly when we were alone together, that feeling that hand in hand it was us vs the rest, the feeling of pride and not wanting to be anywhere else and with anyone else at times.
I wish for us to find all of that again.
When you told me that you were lucky to have me, I was also lucky to have you, and I hope you know why.
Maybe one day, at the right time and if we both want it, we can see if it's possible to rebuild a friendly dynamic in which we both feel good. We've always managed to build better with the past. We make a good team when we're respectful and attentive.
I still wish to have you in my life, but if that's not possible, I'll respect that.
If someday we reconnect, I neither desire or need to revisit the issues we experienced. My mindset is to move towards something better and positive, not to fall back into negativity.
By the way, I have your grandfather's ring. I was wearing it when I got out of your car. If you want me to return your belongings quickly, let me know. Otherwise, don't worry, I'll take care of it.
I'll always be happy to hear from you, but I understand that you and I need space for now. Yes, even me.
This Saturday, Friday, or both nights, it's still to be determined, there's a possibility that I'll go out to the Eco with Emily. I'm not telling you to not go if that's what you had planned. But at the same time, I'd like us to respect what we need, but I don't want us to prevent each other from doing anything either.
If it happens soon that we come face to face, know that I'm no longer in the emotion, I'm good, I'll be friendly, and I'm ready to be flexible (leave) if necessary.
I don't plan to go to the Eco (a bar where we always went together, almost every weekend) often in the near future, this weekend is a bit special because Emily is staying in town exceptionally and plans to go out all weekend with friends from NY.
In conclusion, I would say once again that I respect your decision. It's unfortunate that we won't have the opportunity to continue having good times together. I've always had fun with you; it wasn't difficult.
Well, that's all. That's enough. That's already a lot.
Maybe one day I'll write a 10-minute song about an owl who always left 56,000 things at my place, who knows. 🤷🏻‍♂️ (he loves a Taylor S song that lasts 10 minutes about an ex of hers.)
Yes, I fully intend to make some cash off of you, no shame.
Bye for now

Hello everyone,
This is my first time writing here, and I'm not sure what to expect and what kind of responses I'll receive. I look forward to hearing from you!
I would like to hear opinions from both individuals with an avoidant attachment style and those without. What do you think of the letter? Is it a good idea to send it, or do you think I should make some modifications?
I'm using fictional names.
For some context, I wrote the letter below to my "ex," although I'm not sure if I can really use the word "ex." We always referred to our relationship as simply David & Mathieu. When people asked us if we were a couple, we would say no, it was just David & Mathieu.
We were friends for a year and a half before starting a different dynamic. It wasn't planned or wanted; it just happened very naturally. He has always been someone special to me; I don't know how to explain it, but for as long as I can remember, he has been special to me, and I told him that.
Two things to know about him are that he has an avoidant attachment style, which he himself acknowledges. So sometimes it was complicated; he never reassured me about anything, had blockages like we couldn't see each other during the week, and very often I couldn't touch him (affectionately) because he needed space. But I know he made efforts and stepped out of his comfort zone for us. He started holding my hand in public by himself, opening up more and more, and introduced me to important people in his life. It may not seem like much, but for someone with an avoidant attachment style, it was already a lot.
What made the situation even more complicated is that he was also fraysexual. So as the relationship progressed, the closer we got, the less sexual interest he had in me. He still needed sex, but it wasn't possible with me. Again, he was aware of how he was, and we always talked about it openly.
David & Mathieu lasted 7 months, and what ended it were the arguments we had towards the end. I started feeling insecure about his sexuality, the fact that he was back on dating apps (he said it was just for hookups) - I believed him, but it still made me insecure, and he had trouble reassuring me. He would get angry and say that I doubted his word. Furthermore, I brought up things from the past, like a guy he had something with while we were together during the first month of David & Mathieu. Also, towards the end, he expressed his need for space and to minimize contact, and I also struggled to give him that. I believe I have an anxious attachment style, so it was complicated for me to respond to some of his requests. But when we were together, it was really good; we often told each other that the best moments together were when it was just the two of us.
Anyway, he gave reasons for ending us: that I often doubted his word, that I brought up the past too much, and that he felt like he couldn't do things he had the right to do (like sleeping with others) and that I couldn't give him the space he needed. He was always honest about not wanting to lose his freedom. I never intended to take it away from him, but sometimes I needed to discuss things to feel good, and he struggled with that.
It's been a week now since we last had contact. We never really had a discussion to close everything; he shared his decision with me over the phone, I reacted badly, I tried to convince him to change his mind, and that's it.
The day after the phone call, he still agreed to come do an activity with me, but he said only because I told him it would make me feel better, and after that activity, he gave me back the things he had at his place. I still have things with me.
I would like to hear opinions from both individuals with an avoidant attachment style and those without. What do you think of the letter? Is it a good idea to send it, or do you think I should make some modifications?
Well, here's the letter finally.
Thank you.
I respect and understand your choice.
I've wondered if it's also what I wanted and maybe I was just delusional to think otherwise.
I'm not expecting or needing you to respond to these messages. It was important for me to share my observations with a clear head rather than being in a flood of emotions. I fully understand that you don't need to receive this message, maybe you're already rolling your eyes. It's more for me that I'm doing this, it seemed like the right thing to do for me.
I'm not into blaming, victimizing, or reproaching, and I'm not taking all the blame on myself. I'll only speak about what belongs to me. I'm not angry, disappointed, and I have no negative feelings towards you. I know you're a good person with good intentions, and you never intended to hurt me in any way.
I accept your decision much more easily now that I've finally understood that having contact with me now does more harm than good. I've always wanted what's best for you and to make you feel special.
You know what I think of you, what I told you was never fake or to please you, it was simply the truth. For me, when I was with you, you were the most... things & things, and I had no interest in looking away. I never played games with you or tried to sell you dreams. I'm aware that it could have played against me, and I didn't care. But honestly, I never felt like you were taking advantage of that.
Not that I think you care about that, but I stopped talking to the guy I was chatting with at the Biodôme on the same day. If it helps some people, that's great, but for me, jumping into something else to feel better isn't healthy, I'd find it disrespectful, and it's just not me.
Sorry for losing sight of what was important and focusing too much on the past and things that didn't matter. Sorry for not being respectful and attentive towards the end, for making you feel like I didn't trust you/wanted to restrict you/didn't understand you bettedidn't assert my limits enough, and for not giving you the space you needed. I'm not perfect, I was just doing my best.
When I told you that we were better than that, well, I failed, and I let you down in a way, I acknowledge that, and I'm sorry. I messed up, and it's okay to make mistakes. You know, humans are sometimes poorly made, losing strength to realize things that were obvious.
I have work to do on myself in several aspects. I need to avoid creating scenarios, leave the past where it is, verbalize my needs and limits more clearly, in a better way and at the right time, learn to realize that what I have in front of me is true without suspicion, and learn to say: "This thing scares me, I don't know how to tame it, I don't know how it will affect us, let's talk about it."
I think just choosing better moments for certain discussions could potentially have changed the course of things. (We often had discussions about important things when we were drunk, it always turned out badly.)
I'm still the same guy I was a week ago, I haven't magically changed already, but what I can confidently tell you is that there has been an awakening, and I'm committed to evolving and being better.
I know that for you, us, it was a challenge and maybe sometimes destabilizing, it took you out of your comfort zone. I felt that you were doing your best, I never felt like you were forcing yourself, and for example, just holding my hand in public meant something significant to you. I could have taken that into consideration more and made sure you felt good and safe instead of adding pressure and frustration.
You and I are unique individuals, for whom it's not easy to build certain dynamics, we deserved to have what we had, but with the issues at the end, sometimes it wasn't easy.
I never wanted something conventional. For me, answering the question 'Are you a couple?' with 'No, it's just David & Mathieu' made me proud, and I liked it, for me, there was no need for further explanation.
I never asked or hoped for you to have the same requirements for yourself as I imposed on myself. I've always been very aware of your needs. The fact that it was important for me not to be touched by others, that belonged to me alone, I wish we could have navigated through that more healthily.
You often asked me what I expected from you, that it wasn't clear to you. I expected nothing more than what was ongoing. I was in this situation because I wanted to be, are you perfect as you are, I would say.... yes but no. But guess what, when I told you that you were perfect as you were, it was true, in the sense that even the things that weren't perfect made you a special thing for me. Don't try to understand, even I have difficulty understanding myself.
Trying out David & Mathieu wasn't a mistake for me, it was positive in many ways. And as I've already told you, what we had was enough for me, you were enough for me. The issues at the end for me were mostly predictable, all surmountable, and weighed less in the balance compared to the rest.
David & Mathieu was something peculiar, imperfect, and perfect at the same time. The fact that the best moments were mostly when we were alone together, that feeling that hand in hand it was us vs the rest, the feeling of pride and not wanting to be anywhere else and with anyone else at times.
I wish for us to find all of that again.
When you told me that you were lucky to have me, I was also lucky to have you, and I hope you know why.
Maybe one day, at the right time and if we both want it, we can see if it's possible to rebuild a friendly dynamic in which we both feel good. We've always managed to build better with the past. We make a good team when we're respectful and attentive.
I still wish to have you in my life, but if that's not possible, I'll respect that.
If someday we reconnect, I neither desire or need to revisit the issues we experienced. My mindset is to move towards something better and positive, not to fall back into negativity.
By the way, I have your grandfather's ring. I was wearing it when I got out of your car. If you want me to return your belongings quickly, let me know. Otherwise, don't worry, I'll take care of it.
I'll always be happy to hear from you, but I understand that you and I need space for now. Yes, even me.
This Saturday, Friday, or both nights, it's still to be determined, there's a possibility that I'll go out to the Eco with Emily. I'm not telling you to not go if that's what you had planned. But at the same time, I'd like us to respect what we need, but I don't want us to prevent each other from doing anything either.
If it happens soon that we come face to face, know that I'm no longer in the emotion, I'm good, I'll be friendly, and I'm ready to be flexible (leave) if necessary.
I don't plan to go to the Eco (a bar where we always went together, almost every weekend) often in the near future, this weekend is a bit special because Emily is staying in town exceptionally and plans to go out all weekend with friends from NY.
In conclusion, I would say once again that I respect your decision. It's unfortunate that we won't have the opportunity to continue having good times together. I've always had fun with you; it wasn't difficult.
Well, that's all. That's enough. That's already a lot.
Maybe one day I'll write a 10-minute song about an owl who always left 56,000 things at my place, who knows. 🤷🏻‍♂️ (he loves a Taylor S song that lasts 10 minutes about an ex of hers.)
Yes, I fully intend to make some cash off of you, no shame.
Bye for now

Hello everyone,
This is my first time writing here, and I'm not sure what to expect and what kind of responses I'll receive. I look forward to hearing from you!
I would like to hear opinions from both individuals with an avoidant attachment style and those without. What do you think of the letter? Is it a good idea to send it, or do you think I should make some modifications?
I'm using fictional names.
For some context, I wrote the letter below to my "ex," although I'm not sure if I can really use the word "ex." We always referred to our relationship as simply David & Mathieu. When people asked us if we were a couple, we would say no, it was just David & Mathieu.
We were friends for a year and a half before starting a different dynamic. It wasn't planned or wanted; it just happened very naturally. He has always been someone special to me; I don't know how to explain it, but for as long as I can remember, he has been special to me, and I told him that.
Two things to know about him are that he has an avoidant attachment style, which he himself acknowledges. So sometimes it was complicated; he never reassured me about anything, had blockages like we couldn't see each other during the week, and very often I couldn't touch him (affectionately) because he needed space. But I know he made efforts and stepped out of his comfort zone for us. He started holding my hand in public by himself, opening up more and more, and introduced me to important people in his life. It may not seem like much, but for someone with an avoidant attachment style, it was already a lot.
What made the situation even more complicated is that he was also fraysexual. So as the relationship progressed, the closer we got, the less sexual interest he had in me. He still needed sex, but it wasn't possible with me. Again, he was aware of how he was, and we always talked about it openly.
David & Mathieu lasted 7 months, and what ended it were the arguments we had towards the end. I started feeling insecure about his sexuality, the fact that he was back on dating apps (he said it was just for hookups) - I believed him, but it still made me insecure, and he had trouble reassuring me. He would get angry and say that I doubted his word. Furthermore, I brought up things from the past, like a guy he had something with while we were together during the first month of David & Mathieu. Also, towards the end, he expressed his need for space and to minimize contact, and I also struggled to give him that. I believe I have an anxious attachment style, so it was complicated for me to respond to some of his requests. But when we were together, it was really good; we often told each other that the best moments together were when it was just the two of us.
Anyway, he gave reasons for ending us: that I often doubted his word, that I brought up the past too much, and that he felt like he couldn't do things he had the right to do (like sleeping with others) and that I couldn't give him the space he needed. He was always honest about not wanting to lose his freedom. I never intended to take it away from him, but sometimes I needed to discuss things to feel good, and he struggled with that.
It's been a week now since we last had contact. We never really had a discussion to close everything; he shared his decision with me over the phone, I reacted badly, I tried to convince him to change his mind, and that's it.
The day after the phone call, he still agreed to come do an activity with me, but he said only because I told him it would make me feel better, and after that activity, he gave me back the things he had at his place. I still have things with me.
I would like to hear opinions from both individuals with an avoidant attachment style and those without. What do you think of the letter? Is it a good idea to send it, or do you think I should make some modifications?
Well, here's the letter finally.
Thank you.
I respect and understand your choice.
I've wondered if it's also what I wanted and maybe I was just delusional to think otherwise.
I'm not expecting or needing you to respond to these messages. It was important for me to share my observations with a clear head rather than being in a flood of emotions. I fully understand that you don't need to receive this message, maybe you're already rolling your eyes. It's more for me that I'm doing this, it seemed like the right thing to do for me.
I'm not into blaming, victimizing, or reproaching, and I'm not taking all the blame on myself. I'll only speak about what belongs to me. I'm not angry, disappointed, and I have no negative feelings towards you. I know you're a good person with good intentions, and you never intended to hurt me in any way.
I accept your decision much more easily now that I've finally understood that having contact with me now does more harm than good. I've always wanted what's best for you and to make you feel special.
You know what I think of you, what I told you was never fake or to please you, it was simply the truth. For me, when I was with you, you were the most... things & things, and I had no interest in looking away. I never played games with you or tried to sell you dreams. I'm aware that it could have played against me, and I didn't care. But honestly, I never felt like you were taking advantage of that.
Not that I think you care about that, but I stopped talking to the guy I was chatting with at the Biodôme on the same day. If it helps some people, that's great, but for me, jumping into something else to feel better isn't healthy, I'd find it disrespectful, and it's just not me.
Sorry for losing sight of what was important and focusing too much on the past and things that didn't matter. Sorry for not being respectful and attentive towards the end, for making you feel like I didn't trust you/wanted to restrict you/didn't understand you bettedidn't assert my limits enough, and for not giving you the space you needed. I'm not perfect, I was just doing my best.
When I told you that we were better than that, well, I failed, and I let you down in a way, I acknowledge that, and I'm sorry. I messed up, and it's okay to make mistakes. You know, humans are sometimes poorly made, losing strength to realize things that were obvious.
I have work to do on myself in several aspects. I need to avoid creating scenarios, leave the past where it is, verbalize my needs and limits more clearly, in a better way and at the right time, learn to realize that what I have in front of me is true without suspicion, and learn to say: "This thing scares me, I don't know how to tame it, I don't know how it will affect us, let's talk about it."
I think just choosing better moments for certain discussions could potentially have changed the course of things. (We often had discussions about important things when we were drunk, it always turned out badly.)
I'm still the same guy I was a week ago, I haven't magically changed already, but what I can confidently tell you is that there has been an awakening, and I'm committed to evolving and being better.
I know that for you, us, it was a challenge and maybe sometimes destabilizing, it took you out of your comfort zone. I felt that you were doing your best, I never felt like you were forcing yourself, and for example, just holding my hand in public meant something significant to you. I could have taken that into consideration more and made sure you felt good and safe instead of adding pressure and frustration.
You and I are unique individuals, for whom it's not easy to build certain dynamics, we deserved to have what we had, but with the issues at the end, sometimes it wasn't easy.
I never wanted something conventional. For me, answering the question 'Are you a couple?' with 'No, it's just David & Mathieu' made me proud, and I liked it, for me, there was no need for further explanation.
I never asked or hoped for you to have the same requirements for yourself as I imposed on myself. I've always been very aware of your needs. The fact that it was important for me not to be touched by others, that belonged to me alone, I wish we could have navigated through that more healthily.
You often asked me what I expected from you, that it wasn't clear to you. I expected nothing more than what was ongoing. I was in this situation because I wanted to be, are you perfect as you are, I would say.... yes but no. But guess what, when I told you that you were perfect as you were, it was true, in the sense that even the things that weren't perfect made you a special thing for me. Don't try to understand, even I have difficulty understanding myself.
Trying out David & Mathieu wasn't a mistake for me, it was positive in many ways. And as I've already told you, what we had was enough for me, you were enough for me. The issues at the end for me were mostly predictable, all surmountable, and weighed less in the balance compared to the rest.
David & Mathieu was something peculiar, imperfect, and perfect at the same time. The fact that the best moments were mostly when we were alone together, that feeling that hand in hand it was us vs the rest, the feeling of pride and not wanting to be anywhere else and with anyone else at times.
I wish for us to find all of that again.
When you told me that you were lucky to have me, I was also lucky to have you, and I hope you know why.
Maybe one day, at the right time and if we both want it, we can see if it's possible to rebuild a friendly dynamic in which we both feel good. We've always managed to build better with the past. We make a good team when we're respectful and attentive.
I still wish to have you in my life, but if that's not possible, I'll respect that.
If someday we reconnect, I neither desire or need to revisit the issues we experienced. My mindset is to move towards something better and positive, not to fall back into negativity.
By the way, I have your grandfather's ring. I was wearing it when I got out of your car. If you want me to return your belongings quickly, let me know. Otherwise, don't worry, I'll take care of it.
I'll always be happy to hear from you, but I understand that you and I need space for now. Yes, even me.
This Saturday, Friday, or both nights, it's still to be determined, there's a possibility that I'll go out to the Eco with Emily. I'm not telling you to not go if that's what you had planned. But at the same time, I'd like us to respect what we need, but I don't want us to prevent each other from doing anything either.
If it happens soon that we come face to face, know that I'm no longer in the emotion, I'm good, I'll be friendly, and I'm ready to be flexible (leave) if necessary.
I don't plan to go to the Eco (a bar where we always went together, almost every weekend) often in the near future, this weekend is a bit special because Emily is staying in town exceptionally and plans to go out all weekend with friends from NY.
In conclusion, I would say once again that I respect your decision. It's unfortunate that we won't have the opportunity to continue having good times together. I've always had fun with you; it wasn't difficult.
Well, that's all. That's enough. That's already a lot.
Maybe one day I'll write a 10-minute song about an owl who always left 56,000 things at my place, who knows. 🤷🏻‍♂️ (he loves a Taylor S song that lasts 10 minutes about an ex of hers.)
Yes, I fully intend to make some cash off of you, no shame.
Bye for now

Alison makes me so angry after everything her friends did for her she still decides to make them lie about her getting kidnapped and drag them down again with her comments. I get so angry how she still makes comments about Hanna’s weight, she wants to control her only friends and threaten them when she doesn’t get her way. I really hate how she treats Emily, only wanting to be with her because she’s lonely and saw that Em was finally moving on from her.. Ali bullied every single person in that town and thought she could come back like nothing happened.

I was reading some texts by Foyan when he mentioned Seng-ts'an and his writings. I decided to share and comment on the whole poem which is called Hsin Hsin Ming. The poem is huge, so buckle up!
On having no preferences.

The Perfect Way is only difficult for those who pick and choose; Do not like, do not dislike; all will then be clear. Make a hairbreadth difference, and Heaven and Earth are set apart; If you want the truth to stand clear before you, never be for or against. The struggle between "for" and "against" is the mind's worst disease; While the deep meaning is misunderstood, it is useless to meditate on Rest. It [the Buddha-nature] is blank and featureless as space; it has no "too little" or "too much;" Only because we take and reject does it seem to us not to be so.

If you support and objectify something outside yourself, that is already a preference. And then you will reject any view that denies your view of truth. However if you do not have such an object to look towards, what will you do? What would it look like not to fight against another view?
On taking things as they are.

Do not chase after Entanglements as though they were real things, Do not try to drive pain away by pretending that it is not real; Pain, if you seek serenity in Oneness, will vanish of its own accord. Stop all movement in order to get rest, and rest will itself be restless; Linger over either extreme, and Oneness is for ever lost. Those who cannot attain to Oneness in either case will fail: To banish Reality is to sink deeper into the Real; Allegiance to the Void implies denial of its voidness.

There is no use to clean your glasses with your own fingers, it will only smudge them more. By trying to fabricate states or change your current state hoping to have a nicer experience, you will only get further estranged from yourself. By reacting to emotions, you will create even more emotions. Why force rest or peace? Why prefer something more real? How can something other than this experience be more real?
On intellectualization.

The more you talk about It, the more you think about It, the further from It you go; Stop talking, stop thinking, and there is nothing you will not understand. Return to the Root and you will find the Meaning; Pursue the Light, and you will lose its source, Look inward, and in a flash you will conquer the Apparent and the Void. For the whirligigs of Apparent and Void all come from mistaken views;

This reminds of the monk who got to go on a walk with his master and they watched the sunset together. At one point the monk could not help himself and said "How beautiful!". His master never allowed him to go on a walk with him. Of course, this is an extreme case, but by expressing / looking for the beauty in words, it is no longer the same beauty. It is, as if, examined by one and no longer of-itself.
On duality of "Is" and "Isn't".

There is no need to seek Truth; only stop having views. Do not accept either position [Assertion and Negation], examine it or pursue it; At the least thought of "Is" and "Isn't" there is chaos and the Mind is lost. Though the two exist because of the One, do not cling to the One; Only when no thought arises are the Dharmas without blame. No blame, no Dharmas; no arising, not thought.

From the One Mind are born "this" or "that". It can flower in any direction, but don't consider it your own and see it as an arbitrary view.
On me and you.

The doer vanishes along with the deed, The deed disappears when the doer is annihilated. The deed has no function apart from the doer; The doer has no function apart from the deed. The ultimate Truth about both Extremes is that they are One Void. In that One Void the two are not distinguished; Each contains complete within itself the Ten Thousand Forms.

One void, not two, not me, not you. So tell me, who knows more than others? Who has views that others don't see? Who argues with another?
On having no fixed path.

Only if we boggle over fine and coarse are we tempted to take sides. In its essence the Great Way is all embracing; It is as wrong to call it easy as to call it hard. Partial views are irresolute and insecure, Now at a gallop, now lagging in the rear. Clinging to this or to that beyond measure The heart trusts to bypaths that lead it astray. Let things take their own course; know that the Essence will neither go nor stay; Let your nature blend with the Way and wander in it free from care.

Only a fool would try to put a nail in the sky. What is subtle and what is surface understanding? There is a point where they no longer mean anything separately. What then? When things are seen for what they are, as appearances in the One Mind, all boundaries begin to crumble. In nature some branches grow short, some long, all is the body of Buddha.
On splitting the hair in half.

Thoughts that are fettered turn from Truth, Sink into the unwise habit of "not liking." "Not liking" brings weariness of spirit; estrangements serve no purpose. If you want to follow the doctrine of the One, do not rage against the World of the Senses. Only by accepting the World of the Senses can you share in the True Perception. Those who know most, do least; folly ties its own bonds. In the Dharma there are no separate dharmas, only the foolish cleave To their own preferences and attachments.

Don't sit in your meditation or emptiness and reject everything. Don't sit with your Zen texts and reject what is not in your Zen texts. There is One Dharma and it manifests as all. Estrange yourself from your perceptions and senses and you will estrange yourself from the One Dharma.
On no differentiation.

To use Thought to devise thoughts, what more misguided than this? Ignorance creates Rest and Unrest; Wisdom neither loves nor hates. All that belongs to the Two Extremes is inference falsely drawn- A dream-phantom, a flower in the air. Why strive to grasp it in the hand? "Is" and "Isn't," gain and loss banish once for all: If the eyes do not close in sleep there can be no evil dreams; If the mind makes no distinctions all Dharmas become one.

I see this as river, it does not look for the best course, it just flows into the best course. It does not blame rocks for being in the way, it just goes over them. What do you blame? What is it that you want to accomplish and what is it that stands in your way?
On the end of complication.

Let the One with its mystery blot out all memory of complications. Let the thought of the Dharmas as All-One bring you to the So-in-itself. Thus their origin is forgotten and nothing is left to make us pit one against the other. Regard motion as though it were stationary, and what becomes of motion? Treat the stationary as though it moved, and that disposes of the stationary. Both these having thus been disposed of, what becomes of the One?

When you wake up from a dream in the morning, it instantly becomes unreal. In the same way, when all subjective complications are forgotten once and for all, the only flow of existence is revealed to have never ceased. Eternally This, ever flowing.
On freedom.

At the ultimate point, beyond which you can go no further, You get to where there are no rules, no standards, To where thought can accept Impartiality, To where effect of action ceases, Doubt is washed away, belief has no obstacle. Nothing is left over, nothing remembered; Space is bright, but self-illumined; no power of mind is exerted. Nor indeed could mere thought bring us to such a place. Nor could sense or feeling comprehend it. It is the Truly-so, the Transcendent Sphere, where there is neither He nor I.
For swift converse with this sphere use the concept "Not Two;" In the "Not Two" are no separate things, yet all things are included. The wise throughout the Ten Quarters have had access to this Primal Truth; For it is not a thing with extension in Time or Space; A moment and an aeon for it are one. Whether we see it for fail to see it, it is manifest always and everywhere. The very small is as the very large when boundaries are forgotten; The very large is as the very small when its outlines are not seen.

Thusness is the place of non-abiding. No one does the non-abiding so we can say that it happens of itself. This is the freedom that is sought after through endless kalpas of thoughts and emotions. Who would have thought that even thoughts and emotions are of themselves, part of it.
William Blake says:

To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the palm of your hand And Eternity in an hour. 

On the futility of words and trusting the Heart.

Being is an aspect of Non-being; Non-being is an aspect of Being. In climes of thought where it is not so the mind does ill to dwell. The One is none other than the All, the All none other than the One. Take your stand on this, and the rest will follow of its own accord; To trust in the Heart is the Not Two, the Not Two is to trust in the Heart. I have spoken, but in vain; for what can words tell Of things that have no yesterday, tomorrow or today?

Here we meet the paradox of being and non being, of using words to describe the word-less. What does it really mean to trust the Heart? We cannot convey that in any direct way using language. To be honest, we cannot convey much directly using language. Seeing things as not two, or not separate is to have trust in the Heart, or to put it in another way, not closing yourself off via intellectual analysis or emotional reactions is to have trust in the Heart. What is your take on all of this?

Claude Debussy, a prominent figure in Impressionist music, revolutionized harmony, melody, and cultural perceptions in music through his innovative compositions. Let's break down his impact statistically:

1. Harmony:
   
   • Debussy's harmonic language moved away from traditional functional harmony, embracing modal and pentatonic scales, whole-tone scales, and parallel chords.
   • Statistical analysis could show a decrease in the prevalence of traditional tonic-dominant relationships and an increase in the use of non-functional harmonic progressions.
   • Debussy's harmonic vocabulary expanded the tonal palette available to composers, influencing subsequent generations of musicians.
2. Melodies:
   
   • Debussy's melodies often featured fluid contours, incorporating elements of pentatonic and whole-tone scales.
   • Statistical analysis might reveal a departure from conventional melodic structures, with a focus on atmospheric, evocative lines rather than traditional, singable melodies.
   • His melodies often blurred the lines between melody and accompaniment, contributing to the overall impressionistic aesthetic of his music.
3. Culture:
   
   • Debussy's compositions challenged traditional notions of form, structure, and tonality, reflecting the changing cultural landscape of the late 19th and early 20th centuries.
   • His rejection of German Romanticism and embrace of French musical traditions helped to establish a distinct national identity in French music.
   • Through his use of exoticism and non-Western musical elements, Debussy contributed to the broader cultural fascination with the exotic and the mysterious during the fin de siècle period.

Statistical analysis of Debussy's compositions could provide insights into the frequency of specific harmonic progressions, melodic contours, and stylistic features. By examining patterns and trends within his music, researchers can better understand his unique contributions to the development of music harmony, melody, and cultural expression.

• Prelude to the Afternoon of a Faun (Prélude à l'après-midi d'un faune): This orchestral tone poem, inspired by Stéphane Mallarmé's poem, is a quintessential example of Debussy's impressionistic style. Its dreamy atmosphere, fluid melodies, and innovative harmonic language evoke the sensual world of the faun.
• La Mer: Debussy's symphonic sketches for orchestra, La Mer, depict the ever-changing moods of the sea. Through innovative orchestration and harmonic exploration, Debussy creates a vivid sonic portrait of the sea's power and beauty.
• Clair de Lune: This piano piece, part of the Suite Bergamasque, is one of Debussy's most famous works. Its gentle, shimmering harmonies and delicate melodies evoke the moonlit tranquility of a nighttime landscape.

1. Cultural Examples:
   • French National Identity: Debussy's rejection of German Romanticism and his embrace of French musical traditions helped to establish a distinct national identity in French music. His compositions, with their evocative depictions of French landscapes and folklore, contributed to a sense of cultural pride and nationalism.
   • Impressionist Movement: Debussy's music is often associated with the Impressionist movement in painting, which sought to capture the fleeting impressions of light and color. Like the Impressionist painters, Debussy focused on atmosphere, texture, and suggestion rather than precise detail, creating music that is more about mood and impression than literal representation.
   • Cultural Exchange and Exoticism: Debussy's fascination with non-Western music and exoticism is evident in works like Pagodes from Estampes and La soirée dans Grenade from Iberia. These pieces incorporate elements of Javanese gamelan music and Spanish flamenco, reflecting the broader cultural fascination with the exotic and the mysterious during the fin de siècle period.

The people involved (names are changed):
Jake – me
Tom – my flatmate
Kath – Tom’s girlfriend
Emily – Kath’s flatmate
TLDR (but context is very important for how the situation develops):
· Me and Emily get with each other at a party.
· It turns out Kath had forbidden Emily from getting with me. Since Emily went and did it anyway, Kath falls out with her.
· Kath ends her friendship with Emily. Me and Emily continue seeing each other.
· When I plan to go to see Emily at their apartment, Tom tells me that Kath is in a really dark place mentally, and the thought of me and Emily being there together while Kath’s there is triggering her anxiety, so he asks me not to go over.
· Me and Emily follow these instructions for months, all whilst Tom and Kath continue coming and going to either of our apartments as they please.
· Emily eventually gets in touch with Kath to try and understand exactly why me coming over is an issue, since Kath has no problem coming to my place. Kath has a meltdown due to this and it makes her suicidal.
· Tom falls out with me because I knew about the messages that caused his girlfriend to feel suicidal.
(Skip to 'Late April' if you want to go straight to the crux of this post, but I do think it's quite an entertaining read).
Background Context
Me and Tom (both mid-twenties) have lived together in our apartment since I moved to the city last year. I’ve known him for several years and would put him in my inner circle of closest friends, so living with him was all just good chill vibes as expected - or at least it was for the first six months.
I met Tom’s girlfriend of several months, Kath, for the first time pretty soon after moving in. Although she was kind of shy, I thought she seemed nice enough. I noticed that Kath would seem to lean on Tom a fair amount when it came to support for her mental health (she had been diagnosed with anxiety), which of course is normal as her boyfriend. On one occasion, she had a particularly bad anxious episode during a group hangout, with Tom consoling her about it afterwards. Following this, Tom seemed exhausted, saying to me “I’m not a professional, I’m not equipped to deal with all this mental health stuff. She needs help from someone who can adequately help her deal with these thoughts. When she blows things out of proportion and she stresses out to me about her anxiety, it just ends up making my own anxiety worse”. He also said that he had even offered to pay for therapy for Kath, but she didn’t want to accept it.
I just felt bad for Tom, especially since I had some understanding of what he was going through. I had previously had a girlfriend who had anxiety/depression/BPD and put all her mental health issues on me. That girlfriend was also very manipulative and would mention suicidal thoughts any time she started feeling like she was losing control over me (just to be clear, there was no indication that Kath was acting in a manipulative way towards Tom at that point). In my experience, when you end up in a situation where you’re essentially acting as someone’s full-time personal mental health counsellor, it hardly ever ends well.
At some point in January, I met Kath’s “bestie” flatmate, Emily. I remember thinking she was cute, seemed nice and easy to talk to. We all hung out as a group a few times that month and I thought there may have been a little bit of a vibe between me and Emily.
So as you do, I slid into Emily’s DMs and basically let her know I was interested. I messaged her a week or two before our party that her and Kath were coming to, but her response was lukewarm so I just thought she probably wasn’t interested.
For context, I had recently broken up with my girlfriend in January, who had just got back from travelling for the last 6 months. Things in that relationship weren’t great before she even went travelling, and during the months she was away I had come to terms with the fact that it was best to end it. I waited until she was back to say it in person, as I didn’t want to drop that on her while she was travelling and ruin that once in a lifetime experience. However, deep down I knew I had wanted talk to other girls and explore new connections for the last few months, but obviously I didn’t want talk to anyone until it was cleanly over. Me messaging Emily was only a few days after breaking up with her, which I guess isn’t great, but in my head I had been ready to move on for a while, I saw no point in putting an arbitrary time limit on myself. I made sure to explain this context when I messaged Emily so that she was aware of my recent circumstances.
The Party (End of January)
So me and Emily end up getting with each other at the party. Initially, when I brought up me messaging her, she said “I think you’re cute, but I think it’s best we just be friends for the next couple months, since you just recently got out of a relationship, and we can see what happens afterwards”. But as the night went on, I guess Emily changed her mind, because as we kept talking it got increasingly flirty and we ended up getting together. Perfect end to the night, right? Not exactly.
At one point when Emily goes to the bathroom, she comes back into my bedroom saying “Kath is furious at me”. I ask why, and she says that Kath had basically forbidden her from getting with me.
Back when I first messaged Emily, she had of course shown Kath the messages straight away. It turns out Kath for some reason had a really intense reaction to this and was like “I can’t believe he has the audacity to hit on my best friend right after breaking up with his girlfriend! It’s so disrespectful using you as a rebound, it’s disrespectful to his ex and it’s disrespectful to me for hitting on my best friend like this! He was the only one of Tom’s friends that I actually liked but he’s ruined that too now!”.
Apparently, Kath had been used as a rebound before and this was triggering for her, so she didn’t want her best friend to be used as a rebound. She said “you can’t get with him, Emily, that’s my boundary.” Emily was a bit taken aback by the intensity of this reaction and was just a bit like “umm okay…?”. She tried a few times before the party to understand a bit more about why Kath had such a problem with it but didn’t get much further explanation than that.
Now, I agree that Emily was in the wrong for saying to Kath that she wouldn’t get with me and then went and did it anyway, and Emily also acknowledges this. Emily should have said from the start she wasn’t okay with this weird “boundary” Kath had set. It was a bit cowardly. Although given how intensely Kath overreacts to things, I can understand why Emily initially just agreed to whatever she was saying to calm her down. I can also understand how when you’re at a party having fun, drinking and realise that you do actually have a good vibe with the person, in the moment you might change your mind and be like “actually fuck that, who the fuck is she to tell me who I can and can’t get with?”.
Kath saw this as Emily having no respect for their friendship, by choosing some guy she’d just met over her. From Emily’s perspective she was choosing herself, choosing not to follow these nonsensical rules that had been imposed on her, and she was just tired of Kath overreacting to everything and trying to control her.
In my opinion, being this controlling for no good reason is pretty disrespectful in itself. Given that Kath’s reason for telling Emily not to get with me was because she didn’t want her to be used as a rebound…well that’s Emily’s risk to take, isn’t it? I can see how from Emily’s perspective, she knew Kath might not be happy about it, but it’s also not some deep betrayal, since based on the reason Kath gave, the consequence would only be on Emily herself. Emily had the exact same knowledge about my recent relationship status as Kath did, so why did Kath think she can tell her what to do?
As we get to further into this post and the real reason why Kath set this “boundary” is revealed, you will see why I actually think any argument Kath has against Emily for getting with me at the party is automatically void, but we will learn these details as they come.
Start of February
After the events of the party, Kath didn’t want to talk to Emily the next day when she tried to initiate communication via message (Kath tends to avoid in-person confrontation). Fair enough, Emily gave her space. Me and Emily spend the next day together just talking and getting to know each other more, and it’s clear that we vibe together and both feel very comfortable with each other, which is pretty rare for both of us.
I don’t see Tom for the first few days after the party, as he had been staying at Kath’s. When I do, I’m a bit surprised that he didn’t think much of Kath’s reaction at the party. He says “yeah I probably should have warned you about this beforehand”. We both agree that Emily was in the wrong for going back on what she said, but also that Kath shouldn’t have tried to control her like that. He did say “sorry I know this put you in an awkward position”.
A few days after the party, Emily again tries to get in touch with Kath via message.
Emily’s message essentially apologised for her actions, saying she was in the wrong for going back on what she said, and that she should have said from the start that she wasn’t happy with this “boundary”. She also said that Kath shouldn’t have tried to dictate her life and tell her what to do, especially when it’s something that’s none of her business, and that she is going to continue seeing me, taking the risk of being a “rebound”.
Kath’s response essentially said the whole incident at the party was only a small part of why she exploded so intensely, this was just the last in a long line of things Emily had done in the past which she had not forgiven her for. This was just the last straw for Kath because “it hit so close to home, so close to the love of my life”. She wanted things to be civil between them until the end of their tenancy, but this was essentially the end of their friendship.
Okay good, Kath flipping out so badly now finally made a bit more sense to me. Obviously, I wanted to know what Emily had done that was so bad to cause this, as any indicators of bad character would inform whether I choose to keep talking to her.
Emily went through these, explaining that these were incidents from their past that they had discussed at the time, dealt with and moved on from. I have cut these out for the word limit as they don’t add much to this post, but it was the most minor, nonsensical things (I can explain in the comments if anyone wants details).
In any case, I wasn’t particularly interested in what mistakes Emily might have made months or years ago, I was more interested in what her character was like now and going forward.
Early/Mid February
So here’s where the main situation we’re in now starts. For context, Kath and Emily’s apartment is in the city center, close to where both mine and Tom’s offices are, so it would make sense to go over in the evening and go into work from theirs the next morning, as Tom has been doing once or twice a week for the last few months.
It's worth noting that ever since the party right up to the present moment, Emily and Kath have not been interacting at all, avoiding each other in their apartment, only messaging for things like bill payments.
The first time I planned to go stay round Emily’s place was early/mid-February. When I mention this to Tom, he tells me that Kath has been having a really bad time mentally since the party, and the thought of me and Emily being there together triggers her anxiety. He asks me not to go over to their apartment for the next couple of weeks or so while she’s in this particularly bad phase. I don’t really understand what me going over and seeing Emily has to do with Kath’s anxiety (and Tom says he doesn't really understand it either himself), but I say okay fine it’s not that big of deal, I won’t go over for the time being.
Now, a valid question for myself is why I decided to keep seeing Emily, despite knowing that Kath had fallen out with her and therefore knowing it could potentially cause fiction between me and Tom. I don’t think I did anything wrong for several reasons:
· I suppose there’s the general visceral reaction against being told what to do. Like mind your own business, it’s not my fault Kath decided to get involved in my business. Why should she get what she wants when she’s the one being unreasonable? Why should we deny ourselves the opportunity of getting to know someone we seem to vibe with just because Tom’s girlfriend doesn’t like it?
· Before I even knew there was any issue at all, it was already too late; I had already gotten with Emily, they had already fallen out, and Kath already thought I was a dickhead. So what good would it do now to not see each other? Kath already didn’t like me (and she had also previously told me that once she doesn’t like someone, there’s no going back, they’re finished in her mind).
· In the initial first few days after the party, both me and Tom were kind of expecting that Kath’s reaction would blow over in a few days after she had cooled down. How could I have predicted that her reaction would instead continue getting increasingly intense as the situation went on?
· Frankly, I was annoyed at Tom at this point. He knew how Kath had reacted to me messaging Emily, so why did he just bend over and enable his girlfriends’ controlling, unreasonable behavior without question? If it was my girlfriend acting like this generally, I’d be like “why are you getting involved in their business, just let them do what they want?”, and especially so if it was directly affecting one of my close friends.
· Fundamentally, there’s no inherent reason why there had to be any issue at all? Okay Kath has ended her friendship with Emily and might not like that we’re seeing each other, but there’s no need for there to be any continued drama. Obviously we won’t all be hanging out as a four having fun like I had initially hoped, but that doesn’t mean we can’t just exist as adults and be civil? The only reason this continues to be an issue in the first place is because Kath is making it an issue for everyone else involved.
· Finally, I actually like Emily – from the first few days it was clear it wasn’t just going to be a FWB situation. If it felt like more of a superficial FWB situation, then yeah I probably would have just thought it’s not worth the drama, even though I thought Kath was the one in the wrong.
Late February
Over the month of February, me and Emily keep hanging out and getting closer. Whilst I was keeping a very close eye on her for any sign of character flaws (it was still possible that Kath could be in the right, even though her side of it didn’t make much sense to me), the more I got to know her, the more it seemed my initial judgment of her was accurate. I saw how she acted with her other friends, they all seemed to really value and appreciate her. I saw her helping out her friend in need of a fairly large amount of money without a second thought, I saw her going to accompany her friend for a medical scan they had, and generally she was really nice and thoughtful with me. Not exactly the behavior of an inconsiderate person.
Sometime in late February, Emily messages me completely baffled. She couldn’t believe that Kath had invited over a girl from their social circle, Dianne. The reason why this is a bit scandalous is because Kath is always talking shit about Dianne behind her back. And it’s not just “she can be a bit annoying sometimes”, it’s an explicit sentiment of how much she dislikes her, how much of a bad person she is and how much she wants her removed from her life. And she does this frequently, I barely speak to Kath and even I’ve heard her rant about how much she doesn’t like Dianne. So, she’s constantly saying this kind of stuff behind her back, and here she is now inviting her round for tea acting all friendly. I just found that so two-faced and this inevitably shaped my perception of Kath being deceptive.
Not long after I heard about this, Kath was round our place over the weekend. Me, Tom and Kath were heading off to our friend’s housewarming party later that day, with me driving us. At one point when the three of us are all in the kitchen, Kath speaks to me properly for the first time since the party, basically to clear the air. She says she doesn’t want there to be any bad blood between us and that her problem wasn’t with me, it was with Emily. I just say that I was cool with her, I don’t want her to feel uncomfortable with me or when coming over to our apartment, and that the situation between her and Emily was between them and not my business.
I wasn’t entirely convinced with her “clearing the air”, given that I had seen she apparently has no issue with being two-faced, but at the time I thought it was best to stay cool with her for the sake of me and Tom’s friendship and also I didn’t particularly fancy spending the rest of the day and a long car ride with awkward vibes.
End of February
At the end of February, Tom asks me how things are going with Emily and basically advises caution with her. He says that from what he’s seen she’s basically not a good person and she’s generally inconsiderate. I tell him I find that surprising from what I’ve seen of Emily, but I know it’s possible she could have just been putting on a front for the last month. I openly accept this, saying “I want to hear what you have to say, obviously you’re my friend and I respect your opinion”.
Essentially, he doesn’t bring up anything that I hadn’t already been told.
When I question Tom on why Kath thought she was a mind reader and assuming what my intentions were with Emily at the very start of this whole thing, Tom reveals he had since found out that the real reason Kath had forbidden Emily from getting with me in the first place actually wasn’t really to do with me recently breaking up with my girlfriend/using Emily as a rebound (Tom said this was a minor part of the reason, more of an excuse to base it on). It was more that Kath already knew beforehand that she wanted to end her friendship with Emily and was essentially trying to prevent her still being part of her life (i.e. by getting close to her boyfriend’s friend/flatmate).
Now it all made sense why Kath tried to “ban” her from getting with me in the first place. I’m not sure if Tom thought telling me this would make me more sympathetic to Kath’s side of it, but if anything, this deceptive behavior was even more of a red flag to me. As far as everyone (except for Kath) was concerned, her and Emily were best friends. Kath had even said to Emily a couple of weeks before the party that “she was like a sister to her”.
Tom didn’t seem to have much issue with this, saying something along the lines of “yeah I know she shouldn’t have kept all this stuff bottled up, but she doesn’t like confrontation, it makes her really anxious”.
After learning this, I think any argument for Emily being in the wrong for disobeying Kath’s instructions at the party is automatically void: Imagine having the audacity to be like “yeah I know I tried to control you by framing it as me being a protective friend looking out for you, but actually it was really because I wanted to end my friendship with you anyway teehee 😊”. In my view that is just so manipulative. No wonder the reason given to Emily for not getting with me made no sense to her.
When I revealed this to Emily, she said that she had been suspecting that was the case anyway, but it still really hurt to hear it confirmed.
Form her perspective it was like: “So was Kath holding all these grudges all the times I was consoling her for whatever mental health issue she was having at any given time?” (I wonder if Tom was thinking what a bad person Emily was when it was him and Emily staying up till stupid o’clock trying to console Kath who was crying about job applications a few weeks before all this kicked off). There are many other examples of things she had done for Kath in both the recent and more distant past.
Kath also knew that Emily’s best friend had killed herself a few years prior, and after going through the loss of her best friend, Emily had always said she was super hesitant to call anyone her “best friend”. Kath knew about this and still let Emily believe they were best friends, whilst she clearly didn’t really mean it, which I think is quite cruel of her.
Despite what I had seen of Emily so far, I still took what Tom said into account, and continued to watch her carefully.
Mid March
Another couple of weeks pass and given that my last interaction with Kath was her clearing the air with me, I thought everything was now cool between us. I mention to Tom at the start of the week that I’m planning to stay at their apartment later that week and he says “okay cool”. However, later that same evening, he once again asks me not to go over to their apartment. Apparently when he told Kath that I was going over, she started having a panic attack at the thought of me going there.
At this point I’m really started to get frustrated at this situation and again I try to understand exactly what the problem is, because this entire time Kath and Tom have been coming and going to either apartment as they please, so Kath clearly doesn’t have a problem coming to my apartment while I’m there. Tom again says that he doesn’t fully understand it himself, and that Kath doesn’t want to feel this way either, but she’s in a really bad place at the moment and me being there with Emily is really triggering her anxiety.
This makes no sense to me or Emily, because we obviously wouldn’t do anything to make Kath uncomfortable, and from our perspective this is just enabling her dysfunctional way of dealing with this situation.
Even though I still don’t understand what the fuck me seeing Emily has got to do with Kath’s mental health, I’m obviously not going to barge my way into someone’s home when I’m not welcome. So once again, I do as I’m told and say I won’t go over. But I do tell Tom that this situation isn’t going to continue going on like this indefinitely, and to me it feels to me like I’m being walked all over, in the sense of “oh yeah no worries, you two carry on going to either apartment as you please, I’ll just sit here like a dickhead and follow my instructions, don’t worry about it 😊”. He does say sorry and that he knows it’s inconvenient for us, but it's an even bigger inconvenience for Kath.
It’s worth bearing in mind that at this point, I could have responded to this situation by saying that if I’m not welcome at her apartment, Kath is not welcome here (or equally Emily could say to Kath “you can’t bring Tom round”). Whilst yes, it’s a bit petty, I think this would be a completely justified response to prevent a situation where we are being walked all over. Because what would be the alternative? They just carry on doing as they please indefinitely whilst Emily is told she isn’t allowed to have equal use of her own apartment? Now obviously telling your friend that his girlfriend isn’t allowed to come over is really a last resort and would definitely put a big dent in our friendship, and generally I have no desire to control what anyone else does, so of course I didn’t respond in this way.
Despite my frustration at this entire situation, I do feel bad for Tom because I can see how uncomfortable he seems during these conversations with me, he obviously doesn’t want to give me these unreasonable instructions. I can only assume he’s just trying to do whatever he can to keep his girlfriend afloat and prevent her next meltdown. I’ve been there myself dealing with a girlfriend with mental health issues, so I don’t want to actively make things worse for my friend either. However, I’m also worried that it’s likely to get worse for him the more he feeds into it and gets sucked into it.
At this point, the cynical side of me couldn’t help but wonder if Kath was being a bit manipulative and leaning into all the mental health stuff to maintain control of the situation.
· She seemingly is unable to give a reason for exactly why me and Emily being in her apartment makes her so uncomfortable. To me, this was completely indistinguishable from her just hating the fact that we’re together.
· All this reminds me of exactly the same kind of manipulative behavior I saw with that ex-girlfriend.
· She’s shown she has no problem with being intentionally deceptive – maybe if the entire basis of this situation hadn’t started off with Kath being manipulative she would have a bit more credibility in my eyes.
I know this kind of behavior is often not even intentional, and that it can be subconscious where the person doesn’t even realise they’re being manipulative.
(Still Mid March)
Now we get to the part that pisses me off the most in this whole situation. Only a few days after that conversation with Tom, for some reason Kath comes to stay in our apartment for the weekend while Tom was away at a house party. As in, it’s just me and Kath in my apartment.
Personally, I couldn’t imagine having the nerve to say to someone they aren’t welcome in my home because their presence triggers me, and then only a mere few days later actively choosing to go stay the weekend at their place while it’s just us two in the apartment. Like either my presence triggers you or it doesn’t?
Now to be fair, Tom had asked me a week or two beforehand if Kath could come to our apartment to hang out with someone from our friend group while he was away, and I said that was cool. Anyway, those plans fell through, but Kath still came over by herself.
But the main thing that pissed me off about this is that Tom, after knowing that I was already feeling like I was being taken for a mug in this situation, apparently didn’t even think it was worth bothering to check with me if it was still cool with me that Kath came round, given our conversation a few days prior.
If he’d at least checked in like, “I know it’s a bit weird that she’s coming to stay round by herself after having just said that your presence triggers her anxiety”, I still would’ve said okay, because I have no desire to control what anyone does. But it was just the fact he didn’t seem to care, saying “btw Kath is gonna stay here tonight” moments before leaving to his party.
To me it felt like he had spent the last month or so basically giving me instructions to make sure everyone caters to his girlfriend’s feelings, and yet didn’t give the slightest consideration to how this would make me feel. Part of me was thinking does he even see me as a friend or just as an inconvenience to his relationship at this point?
I spoke to Tom in the week following this, expressing how I had felt about Kath staying round. He did apologise and acknowledged he could’ve checked in with me, but he didn’t really seem to understand why her coming over like that was such a kick in the teeth for me. He said Kath doesn’t have a problem with me, it’s only a very specific situation that triggers her (i.e. me and Emily being in her apartment together).
Again I try to understand exactly why it’s a problem. Ever since the party, Emily’s presence in their apartment has consisted of her quietly staying in her room, quickly cooking her food and going straight back to her room. She doesn’t spend 2 hours in the kitchen making food like Kath and Tom sometimes do when he’s there.
Tom again says he doesn’t fully understand it himself. From what he understands, it’s triggering because her home is her safe space and if we’re both there it’s like there’s two hostile presences in that safe space. He reiterated that she is in a very dark place at the moment, and that she’s been having frequent panic attacks and suicidal thoughts.
Tom then says that Kath would be prepared to leave the apartment if me and Emily wanted to meet there, and Kath would basically get out of the way and come to me and Tom’s apartment instead. This did give me a bit more confidence that Kath wasn’t just purposefully making things difficult.
If Kath genuinely meant this, then of course that’s really appreciated, but I’m obviously not going to make her leave her own home and come all the way to ours to then have a 2 hour commute to her work. It’s so over the top and needless. I think that this clearly isn’t a functional solution going forward. What if one day when we want to meet up, Kath has had a long day at work and doesn’t feel like leaving her apartment (obviously, fair enough!), what if she’s got plans with friends in her apartment that evening? In any case, it’s still a situation where rules are being imposed on us, I can never just spontaneously decide to go see Emily one day after work or something. We still can’t come and go freely in the same way they have been doing for the past two months. It would be much better to understand why exactly it’s such a problem and see how we’re going to find a long-term solution, instead of Kath just running away from it.
The cynical side of me was wondering if Kath was just saying this knowing that neither me or Emily are realistically going to make her leave her own home, and if we do agree to it, then she can say “oh look how inconsiderate they are, making me leave my own home just so that they can be in the apartment”, ensuring that she keeps Tom firmly on her side.
Logically, I would’ve thought as time goes on, Kath would eventually get used to the situation and just accept it. Conversely, is it not quite understandable that the longer we have rules imposed on us, the more frustrated we become?
Once again say that I won’t go over and tell him that I won’t press this issue for the time being.
Late April
So now we get to the latest development in the situation, which is the crux of this post.
For the next month or so after that conversation with Tom, me and Emily have just been following our instructions and not pressed anything, whilst they continue coming and going as they please. One weekend we’re talking about the whole ‘Kath situation’ and we say “okay we’ve left it for a while now, it’s probably time to see how we’re going to move forward with this”.
In that next week, Emily sends Kath the following message:
“Hey, I appreciate this message might be uncomfortable but we need to discuss the fact that Jake can’t come here while you’re at home because I know that him and Tom have spoken about this but we’ve never addressed it with each other and I think it’s unfair that they’ve been largely absorbing this conflict this whole time. Can you please tell me what the exact problem would be and how we could make it work? At the end of the day we both pay equal rent here and I should be allowed to bring someone over, especially considering that Tom comes here whenever you want. We’re nothing more than just 2 housemates now and if you were living with a stranger from Spareroom such restrictions couldn’t have existed. I think I’ve let it slide and should have addressed it earlier, but it’s time we come up with a fair solution and I’d like to know if there’s anything reasonable we can do. I don’t want to go into other conversations about our fallout cause that’s done and dusted now, I want to strictly address this issue. Would you like some notice before he comes? I can’t always guarantee how far in advance I can let you know but I will do my best to give you enough time.”
Kath’s response:
“hey, I do not really appreciate this conversation being brought up 2 days before my birthday and I wish we can settle it today and not drag it on. And I do not appreciate you using Tom as a weapon to guilt trip me either. Please let me know if he is coming over tonight so that I can go somewhere else. As u probably already know I am in a really bad place at the moment and being in the apartment with both of you makes me feel very uncomfortable and unsafe. I’m already struggling to be there and I have been discussing with the agency about terminating the contract early, the terms have only been made clear to me today so I was going to message you about it. By paying a fee of £660 (£330 each) we can terminate the contract 12^th of June and I wish u will consider this. I will be gone from the apartment for 2 weeks. I would really appreciate it if you do not bring him over in the next few days as I said it will be my birthday and I will be gone for 2 weeks after if you decide to do so after this, please let me know at least 2 days in advance so that I can leave (pack clothes and everything), but do not take advantage of this as it is extremely difficult for me to commute to work – it takes me 2 hours on the bus”
Emily’s response to this:
“I don’t appreciate you using your birthday as a “weapon” to paint me as an inconsiderate person once again as you’re saying you were going to message me anyway about terminating the contract. You always have Tom round without any notice, without ever considering if it was ever uncomfortable for me given what’s happened - but now you expect me to organise our schedule around you? We can’t ever do something spontaneous or simply make plans the day before? Jake won’t be coming tonight or in the next few days until you’re away. I was hoping we could talk about why exactly this makes you uncomfortable and unsafe as it’s quite clear we wouldn’t interact with you or do anything to purposely upset/annoy you. You also had no problem being in his apartment with him without Tom there, so clearly his presence must not be that big of a problem. I am going to get back to you about terminating the contract as I have to figure out where I would go, but I’d love nothing more than to leave this apartment as early as possible too.”
There was no response after Emily’s second message.
Tom comes back to our apartment the next day and ignores me all day until the evening when he asks “Did you know that Emily was going to send those messages?”.
I say “Yes, obviously?”. He responds with “Right, okay” and starts walking back towards his room.
I ask him what was wrong with the messages, and he comes back and says “what the fuck is Emily doing sending messages like that to my suicidal girlfriend?”. He essentially thought the tone of the messages, the proximity to Kath’s birthday and the fact that we’re once again bringing up this issue of me coming round was out of order. He also said that Emily’s 2^nd message was implying that she was just going to bring me round without any notice anyway (looking at the message, no it wasn’t? It was just highlighting the unfairness of Kath expecting us to organise our schedule around her? None of the messages say that I’m going to come over, they are essentially just trying to understand exactly why it makes Kath uncomfortable).
We also did note that it was Kath’s birthday on the Friday (messages were sent on Tuesday). Maybe that wasn’t ideal, but we thought what real difference does it make? This is nothing new, it’s the same situation that’s been ongoing for the last 3 months anyway (and personally, I thought that up until the moment Kath says “okay sorry, I shouldn’t have imposed rules on you” then she shouldn’t expect that this won’t be brought up to her?).
I was a bit shocked at how angry he was and explained that we’re just trying to understand exactly what her issue is, because it still doesn’t make any sense to us. I bring up the general point about Kath imposing rules on people and expects everyone to cater to her feelings, whilst zero consideration has been given to how Emily has felt over the last 3 months, when not only does it make her uncomfortable as well that there are two “hostile presences” in her home, but especially given that those hostile presences have told her she’s not allowed to have equal use of her apartment she also pays rent for.
Tom responds with “but it’s not making Emily feel suicidal is it? Kath was having convulsions on the fucking bed last night after those messages. Why do you keep focusing on this tiny issue of coming to the apartment when my girlfriend is literally suicidal? She’s already said she’d make arrangements to leave the apartment for when you want to come over, and yet you keep pressing the issue and triggering her further”.
In that moment I was a bit taken aback and didn’t have much of a response. I kind of just sat and processed that for a few minutes, thinking “fuck, have I actually been in the wrong this whole time?”. Tom looked exhausted and stressed out, he must have been dealing with Kath’s meltdown the whole of the night before.
I say to Tom “tell Kath not to worry about me coming over while she’s there, I’m not going to, I’ll just leave it for good and won’t press this issue anymore”. Tom doesn’t give much of a response, but I think he says “I appreciate it”. He leaves for his two-week holiday shortly after.
I felt really bad that evening, thinking I had caused Tom to have to deal with whatever horrible meltdown because of me pressing this issue. Maybe I had been overly cynical of Kath, and she genuinely was just trying her best and not meaning to be manipulative.
When Tom got back from his holiday, he basically confirmed our friendship is over because I had known about those messages that caused his girlfriend to feel suicidal.
I’ve thought about the situation a lot since he left for his holiday:
· Looking back at the messages Emily sent, I think the tone is completely fine? Every single person I’ve shown the messages to has said they are actually quite kind and empathetic, and way nicer than they need to be given Kath’s behavior over the last 3 months.
· Tom’s reaction was essentially “how dare Emily have the audacity to ask for a reason why she hasn’t been allowed to have equal use of her own apartment for the last 3 months!”
· It’s true that Tom had mentioned that Kath had been having some suicidal thoughts a month prior, but I didn’t know that this would directly impact that, especially since I thought the message was quite nice and sensitive. Just the weekend before this Tom and Kath were out clubbing, having fun and they were going on holiday later that week. So obviously I didn’t realise she was still feeling so bad. How could anyone expect that simply asking the question of “why does this make you so uncomfortable” would result in this reaction.
· As soon as I did realise how intensely Kath had reacted, and what Tom had had to deal with as a result, I backed off straight away, saying that she doesn’t have to worry, I’m not going to press it anymore.
· Realistically, if this is how Kath reacts to being asked for basic fairness, then I think really she needs to be in a mental health crisis center or hospital, not just carrying on with everyday life as if everything is fine, and certainly not in a situation where she’s imposing rules on people.
· At the end of the day, Kath’s mental health is not my responsibility, nor is it Tom’s responsibility. I think it’s unfair of Kath to have made it his problem to such a large degree.
Logically, I don’t think I’m in the wrong, and yet Tom’s reaction to this makes me feel like I’m going crazy. That’s why I wrote out everything’s that’s happened from start to finish to “audit” myself and evaluate each of my actions throughout the entire situation.
I’ve looked back and don’t think I’m in the wrong for anything I’ve done. The only explanation I can think of is that Tom has been so deep in all of Kath’s mental health stuff 24/7 that he’s just not thinking clearly about this situation.

There's some right weirdos in this country.
Somebody uploaded a missing person's appeal for their 79 year old missing family member, who has significant health issues, and there was one sole reply that said there was a creepshot in the reel underneath his photo, so they might want to remove it. Aside from the fact that the reel pics were about the size of a fingernail, of what you could see, there was no sexually suggestive picture of a woman taken in public without her consent. There were just pictures of the missing man and the pictures were indoors. Somebody commented on it later and they never saw such a picture either.
The person has since deleted their account. They only set it up today and had that singular appeal on it. So, instead of offering messages of support, their 79 year old missing family member is accused of being a peeping tom by some poster with a sexually depraved username.
Yesterday, a woman made a post who was in disbelief at all the good things that are happening in her life, as good things don't ever happen to her. One small part of the story mentioned moving into a new place. Somebody responded, without a word of congratulations, "are you renting or is it social housing?"
Somebody else wrote a wonderful poem to honour Ana Kriegel as her anniversary is this week. Somebody who fancies himself as John Milton was complaining about the calibre of the poem (which was very good). Talk about missing the bigger picture.
The 'nation of begrudgers tag' is well and truly deserved.

FIRST CHAPTER
PREVIOUS CHAPTER
This product is a fanfic of the Sexy Space Babes/Between Worlds product of u/Bluefishcake and one I highly suggest you read. It was created with permission, but give the OG works some love.
Imgr gallery of Comissioned and Fan Artworks
I'm Back Bitches! Again!
//////////
Junior Systems Engineer First Class Che’keero knelt before a semi-sparking control panel and sighed. She, and a large band of her fellow Engineers with Marine support, had boarded the pirate frigate with the singular goal of ensuring that the pirates didn’t scuttle their floating hulk and doom the slaves aboard to a, if they were lucky, a swift death in space.
The problem, of course, came with the pirate’s maintenance schedules and decisions to forgo certain… safety measures when it came to repair.
Like the panel before her. Usually a perfectly functional control system for the reverse-magnetic bulkhead doors that ensured void seals in power outages, some pirate at some point in their dumb, dumb life decided to fix the panel blowing a fuse… by ripping the fuse out and replacing it with a high density power cable. Which meant the entire thing was one massive shock hazard and actively sparking as the reactors deep in the ship flickered and surged due to damage.
Che’keero swore as an arc of electricity flashed towards her face after a tool that was not supposed to be magnetized, cheap dick WaDepth requisitions, caught a magnetic field, fusing the entire system shut and turning the formerly barely functional control system into nothing but pretty, decorative wiring and cheap solder. She punched the now utterly unfunctional control box and toggled on her radio. “Three-Two to Three-Lead, this door’s fried. You’ll need to bring in the cutters if we want to get to the rest of the ship. Might as well also bring in an inflatable airlock, I’m not liking how some of the metal strain sensors are flashing at me.”
A semi-synthetic voice replied back to Che’keero, “Three-Lead copies. I’ll be over there shortly with the stuff. Double check those sensors, I’m not getting the same readings, so let’s make sure something isn’t blocking errors from reaching me.”
“Copy that Three-Lead, Three-Two ou-” Something tapped against the back of her helmet and Junior Systems Engineer First Class Che’keero mentally swore.
“Now, now, lassie, how about you sit right there and don’t move.” A nasally, unfamiliar voice called out to her while tapping what a camera she set up to watch her back revealed to be a laser pistol to Che’keero’s helmet. “I think that you’re going to be our new best friend and way off this dead end ship.”
Che’keero paused, letting the situation settle in her mind, “Wait, what? Are… are you taking me hostage?”
“Yes!” The pirate replied.
“Why?”
“Why what?”
“Why are you taking me hostage? This won’t work, none of the shuttles are jump capable and if you try anything, you’ll just end up jumped by marines. They specifically train to deal with pirates taking their engineers hostage. If you want to survive, you should just surrender and take the penal colony when it’s offered.” Che’keero mentioned, shrugging and continuing her inspection of the door.
The pirate seemed baffled at the sheer nonchalance of this response, the pistol slowly falling to merely point at her upper back instead of her head, “You… you really aren’t taking this seriously. I’m a pirate! I’ve killed people! I’ve killed boys, and you’re just sitting there like this doesn’t mean anything!”
“I mean… I wouldn’t say that.” Che’keero replied.
“THEN WHAT DO YOU MEAN!” The pirate screamed, the pistol moving away from Che’keero’s body by a fraction of an inch during an angry gesture.
It was at that point, a ceramic alloyed, carbon steel blade punched clean through the back of the pirate’s suit, slicing through their central nervous system and striking with enough force to shatter the faceplate of said pirate’s helmet on the way out. Muscles twitching, the laser pistol fired off randomly, missing Che’keero and slagging a chunk of bulkhead.
“I’m just buying time,” Che’keero replied cheekily.
“You really need to remember to check your cameras,” The semi-synthetic voice of Ventures Forth Bravely Into Great Unknowns commented as the ex-pirate fell to the ground and blue blood dripped from the long blade sprouting from her right arm and a toolbox hanging from her left hand. “This isn’t the first time you have been flanked, and this one wasn’t during training.”
“Look, I’m sorry. It won’t happen again.” Che’keero replied a bit testily.
“I’m sorry…” Ventures Forth prodded.
“I’m sorry, Ma’am.”
“Much better. Right, now what do we see in this- yeah you were right on it being fried.” Ventures Forth gently shoved the Junior Systems Engineer aside and took her place at the control panel. “Do a sweep of the strain systems. I don’t want this section of the ship breaking apart. Feel free to call up our hull patches. We’ve got plenty to share and this might have to be a lifeboat.”
“Aye, ma’am aye,” Che’keero replied with a crisp salute before rushing off to her duty.
Deeper inside the ship, Ventures Forth could hear laser fire, clashing of metal on metal, and cries for help.
The pirate ship was doomed, it was shattered and broken, but it was not destroyed. Not yet. \
And if she had her way, Ventures Forth Bravely Into Great Unknowns would keep it that way.
//////////
Roshal stood still as her steward continued to clean the dark blue and rapidly congealing blood off her armored form. “Comms,” She called out, “Do we have any contact with the shuttle we sent to the station?”
“Negative, ma’am.” The comm officer replied. She wasn’t the same one that was present when Roshal left to fend off the boarders. At the unspoken question, the woman continued “Communication’s Mate Second Class Lev’tal, ma’am. My superior got a concussion when the pirate ship rocked our ship during boarding. Strap snapped, prior damage. I took over.”
Roshal nodded approvingly, “Good initiative. Send a message to the station, see if we can’t rai-”
“Ma’am! Contact!” One of her sensor techs called out, “Belay that, two contacts. First contact, nav point 782 spinward, possible bogey, cruiser weight. Unknown movements. Second contact, nav point 102 coreward, aerospace assets inbound. Small flight. Hard to determine numbers due to damage. No less than two, no more than five.”
“Focus on getting a hard contact on that possible cruiser. Weapons, what is the status of our anti-aerospace.” Roshal demanded, holding her sword arm out for the steward to scrub at a particularly clotted chunk of blood splattered over her wrist.
The weapons officer shook her head, “If we’re lucky, then we’ve got 20% coverage on half our sides. If we’re very lucky, I might be able to bump that number up to 35%. Not going to quote doctrine, but that’s not nearly enough to fend off a flight of Aerospace assets on a strike run, and that’s assuming they don’t hit us on an unprotected flank.”
Roshal nodded once more, “Sound general quarters and get weapons and tactical back online. Tell the damage control parties to not be distracted and focus on critical systems first. Engine room, report. Can you give me maneuvering thrust?”
The nearby ship phone chimed in with a staticy hiss, “Negative, ma’am. The shot we made with the spinal mount tripped breakers up and down the reactor room. This isn’t an engine problem, we need to make sure our reactor doesn’t blow up when we siphon power. Before you ask, emergency power is still flowing and none of their circuits tripped, but that means we’re down to life support, basic systems, and dockyard thrusters. It will take at least 20 to get the reactor in a safe state. If you want 10, send the chaplain down so we have someone praying for good luck. The fact most of our structural engineers are doing an EVA boarding to ensure the pirate ship next to us doesn’t go critical and render the entire exercise moot isn’t helping matters at all.” The engine room replied Roshal bit down a bit of annoyance at the snark, but engineers were always a finicky sort with authority. They were the first to remind uptight officers that while the Captain’s word may be iron law, it was their work that truly moved the ship.
“Confirmed, engine room.” Roshal instead replied. “Chaplains will be arriving shortly. Do what you can and inform me when you’re three minutes out from full power.”
The engine room didn’t even bother replying, just sending over the affirmative light as they got to work. Roshal approved of that. Sometimes, you just had to insult someone in order to get it working right.
“Captain, we have confirmation on contact. He’s an Alliance Karcharidon class Heavy Cruiser on intercept course. Energy readings are spiking… they’re charging their guns, ma’am!”
“Issue a hostile challenge and give me a firing solution with any gun still functional.”
“No response, ma’am. Hostile Karcharidon is increasing speed. Hard contact in 15 minutes.”
Roshal snarled, emotion breaking through her mask. “Of course, the pirates had one more vessel. Helm, fire our maneuvering thrusters, use the pirate hulk as cover. Weapons, get whoever’s left of our Interceptor flight to engage the enemy. Comms, get me in contact with the merchant fleet, tell them to evacuate. We’ll provide cover.”
“Aye ma’am.” The Communications Mate Second Class said with a shiver in her voice. “Sending-”
“Update on Aerospace assets!” Her sensor tech called out.
“Deliver!” Roshal demanded, cutting off the comms officer with a slice of her hand.
“Weapons fire. Definitely less than four contacts. Seems to be two grou- negative, only two contacts remaining- weaponsfire- one contac- IFF received, oh goddesses, IT’S RUNOFF THREE! FRIENDLY AEROSPACE INBOUND!”
//////////
Milk gripped her crash harness hard as Cookie slammed the Interceptor’s fusion torch clean past its safe thrust marker and into the red as g forces crushed her chest. “Last target down.” She reported after Cookie’s final laser burst hit something critical inside the final Aerospace fighter’s frame. “That’s 20 for 20. All enemy bogeys down. All standard munitions are in the black. Static drive is 48%, dump core ejected. All we’ve got left is our ASM and front laser.”
Cookie flashed back an affirmative signal.
“We going for that cruiser?”
Another affirmative.
“Well, I’m braced and ready on the release. Ready.”
“Ready.” Cookie spoke, his voice horse.
It’s funny what people think when their lives are on the line. Because charging towards a fresh enemy Heavy Cruiser, nothing but a single anti-shipping missile worth a damn, no allied support but the faint glimmer in IFF screens of their fellow flight doing the same… all Aoibhinn McDermott could think of was a poem she had read at least a decade ago or more at the Naval Academy.
Half a league, half a league,
Half a league onward,
All in the Valley of Death
Rode the six hundred.
//////////
Ventures Forth Bravely Into Great Unknowns could do nothing but furiously swear as the basic sensor system her engineering team had restored on the thoroughly ventilated secondary command bridge of the pirate hulk revealed an enemy Heavy Cruiser bearing down upon their homeship.
“Weapons are trashed. We cored their reactor, anyway.” One of the tangential engineers reported, “Other teams are calling in. Things are worse where they are. We’ve found the slaves, though, luckily it was one of the few airtight bays. Also, have some more captives, but that really doesn’t matter right now.”
“No shit.” Ventures Forth replied, “Can we do anything?”
The engineer looked back to her, visor depolarizing so the Gearschilde can look into the black and yellow eyes of her Shil coworker.
“Pray.” The woman replied simply.
Ventures Forth Bravely Into Great Unknowns did just that.
//////////
Low chanting filled the engine bay as a small group of priests stood around the engine praying to whichever god that would listen to allow them one more shot. One more fight.
Around them, black handed engineers scurried, ripping out blown fuses and replacing them with soldered in high strength wire. A final measure of desperation. Sparks flew as engineers swore and chaplains prayed, power still remaining in circuits needing to be bled out before bypasses could be installed, turning every bit of solder and every ripped out fuse into a deadly gamble.
Already, someone was lying on the ground, no longer twitching.
They didn’t have time to check on their fallen comrade, the work was too important.
A clock ticked down. Four minutes elapsed.
//////////
Lieutenant Commander Cenywyn swore as she watched Runoff 2 die.
Their single Interceptor had mistimed a maneuver and had been caught dead in the middle of an Anti-Aerospace array, shredded in an instant. The only consolation she could take was that, seeing as the first shot went clean through the cockpit, they didn’t even notice they died.
“Runoff 4, stay in formation.” She ordered over the radio, “We’ll lead you in for the run.”
“Yes ma’am.” The hesitant voice of Junior Flight Lieutenant Griogill replied. She swallowed, “We’re- we’re ready when you are.”
“No fear, Lieutenant,” Cenywyn called back to the child she was leading to her death. “We’re pilots in the Imperial Patrol. We do our duty. No fear.”
A clock ticked down. Six minutes elapsed.
//////////
“Talk to me!” The last remaining senior engineer in the reactor bay called out to anyone who was able to reply.
Someone, she didn’t even bother looking to see who, called back “We’ve bypassed 60% of the fuses. Should be able to give ourselves a burst of combat power. No more than 10 minutes of it before the entire system overheats and we either die, or the reactor shuts off.”
“Any chance we can get more than 10 minutes?”
“Not before that Heavy Cruiser delivers us straight to the stars.”
“Fuck it, good enough.” She slammed her fist on the ship phone’s dialing button resting near the console the engineer had just ripped the last safety override out of. “Captain. We’ve got your power. You give us the word, and we’ll give you ten minutes.”
//////////
Roshal breathed in, breathed out, and nodded. 10 minutes of combat power before the entire ship shut down into uselessness. She’d done more with less. She couldn’t remember when, but she had. Luckily, this was a Patrol Carrier instead of a standard ship, so it was more than capable of combat maneuvers with nothing but RCS thrusters. That should give her some time.
Movement, movement was going to be the key.
“Comms, tell the engineering crews on the hulk that they are ordered to figure out anything that could draw the attention of the Heavy Cruiser,” She began, “Systems, break our mooring lines. We’re going to have to split from the hulk. Helm, prepare for maneuvers. RCS only. We are going to have to do this carefully. Engineroom, prepare for power activation, but hold until my command.”
This needs to be perfect, Roshal thought, A single mistimed action ruins it all.
A clock ticked down. Ten minutes elapsed. The Karcharidon had entered maximum weapon’s range.
//////////
He of Slender Tail shivered where he stood. The secondary command bridge was silent as Roshal began giving orders to fight. This was… this was insane.
They were in a ruined ship with nothing but a merchant fleet beginning to flee and a three thirds dead pirate hulk on their side against a fresh Karcharidon class Heavy Cruiser.
They couldn’t win.
This was suicide.
They would die here.
\ So why didn’t He of Slender Tail feel afraid?
He stood at his post, a secondary bridge console where he would relay orders to other departments, freeing up the other Watchkeeper to collate those orders, there was nothing he could do to help win this impossible battle, and yet…
And yet he felt heat blossoming inside his chest with every single order delivered.
“Mooring teamsss, you are to cut your linesss immediately.” He relayed to a crew of Shil scurrying around the ruined bulkheads, “Damage control, prepare for electrical firesss and arcsss.” He commanded, switching between teams instantly.
He didn’t feel fear. He could see his Watchkeeper shiver every time the sensors reported the enemy contact was still closing, but he didn’t feel the same.
What he felt… was indignation.
How dare this pirate scum threaten his vessel, his crew. How dare they ambush this valiant ship after they had fought so hard to win. How dare they.
He let his fangs fold out as he spat the next order, “Anti-Aerossspace teamsss, prepare your batteriesss for grouped fire. Gunnery calculationsss are on their way.”
How dare they stand up to him.
A clock ticked down. 12 minutes elapsed. Weapons fire.
//////////
Roshal swayed slightly as she could feel the ship beneath her feet move. Movement is life in naval warfare, movement is death. “Right RCS fire, bring us clear of the hulk. Bow thrusters, up twenty.”
“Aye, ma’am, aye, right standard and bow up twenty.” The Helmswoman replied.
“Confirmed. Next maneuver, give us rear thrust-”
“Torpedo!” The sensor operator called out in a shrill voice, “Two marks on intercept course! Range, twelve K and closing fast!”
“Decorum!” Roshal snapped at the panicking sensor technician. “Comms, order Runoff flight to divert and intercept those torpedoes. Rear RCS to full, give us momentum.”
Roshal turned away from the bridge as affirmations were shouted, and the ship began to move, “Engineering, prepare to activate combat power on my mark and prepare for hard maneuvers. Mark in five.”
//////////
Griogill swallowed bile and tried not to feel too thankful that the enemy vessel had fired torpedoes at their home ship. Being diverted from an attack run had a much higher chance of survival than striking through an AA bubble.
“Runoff 4 engaging far torpedo. Moving in for intercept. Bre’kas, give me lock.”
Griogill’s backseater muttered something, and a target lock appeared on the far torpedo as Runoff 1, their previous Drill Sergeants, dashed by in a hard burn and blazed away at their own target.
“Right. We can do this. We can do this. No fear.” The rookie muttered as the sight of her friends in Runoff 3 being turned to vapor echoed in her mind. “I can do this.”
The target locked. She fired. The torpedo detonated.
A clock ticked down.
//////////
“Mark in four.”
//////////
The Heavy Cruiser loomed closer as the comparatively tiny Patrol Carrier spat its defiance in the form of two Interceptors dancing between the stars.
As a pair of torpedoes detonated, four more were launched, the anti-shipping weapons built for this specific purpose. Destroying disabled vessels.
And so the last two remaining Interceptors on CAP dove into the fray, risking themselves against an ever approaching AA bubble in order to save their ship.
A clock ticked down.
//////////
“Mark in three.”
//////////
All Cookie could do was stare and push his meager aerospace fighter further on its nuclear thrusters as shimmering dots of torpedoes lanced out from the Heavy Cruiser attacking his new home.
He pushed his hand forward and felt the throttle once more push back against him, the lever pushed all the way past safe thrust and into the further setting on his console.
The Interceptor was fast. It didn’t feel fast enough.
And so he spoke the words he spoke once before, back when he’d had to listen to his backseater’s screams of pain and the rush of wind after shrapnel pierced his fuselage, and the hospital was so, so far away.
Father, I pray that you will not hide your face from me. Whenever I pray, Lord please hear me and answer me speedily in Jesus' name. God, I pray that you will grant me speed through your help.
A clock ticked down.
//////////
“Mark in two.”
//////////
The Heavy Cruiser shifted, engine flaring and it began to close the range. A single disabled ship on emergency RCS thrusters and a pair of Aerospace fighters was nothing it would have to deal with.
It fired a third spread of torpedoes.
A clock ticked down.
//////////
They took the bait. Roshal thought with a vicious grin.
“Mark in one.” She paused, “Execute.”
In an instant, power flowed through the ship, emergency lights flickered off as the burning red boarding lights returned their fiery glow. The entire ship shook as the main thruster came back online, and capacitors began to charge for maneuvers.
“Hard burn, full thrusters, right, on my mark.” Roshal watched as the Heavy Cruiser began to react to her movements, the enemy ship was alive, you needed to roll to broadsides to begin bombardment, come on come on…
Roshal watched as a torpedo flickered out of existence, Runoff 4 gaining another kill.
Come on, dammit, you don’t get put in charge of a Heavy Cruiser without- THERE!
The Heavy Cruiser flinched, turning her bow away from the no longer stricken vessel, preparing for broadside.
The Captain’s grin showed more teeth than smile. “Execute! Full right thrust!”
“Full right thrust! Aye ma’am aye!” Her helmswoman called out as maneuvering thrusters dead cold roared to life and physically threw the vessel to the side, causing everyone not strapped in on the bridge to rock as a barrage of fire flew past their former location, manual targeting systems in play since the automatic systems would still be getting warmed up.
“Full thrust forward, prepare to divert all power to secondary weapons. Weapons, give me a firing solution.” Roshal commanded, hand raised and pointed at the enemy’s display as if she were commanding from a tall ship.
A chant of “Aye ma’am aye” flowed out across the bridge as the weaponsmistress was silent before calling out. “Port side is up to 45% secondary fires and 32% point defense. That’ll be our best bet.”
Roshal nodded. “Make it so. Target their main weapons. Helm, get us that facing.”
“Ma’am. We’re getting a call from Runoff 3. They are entering the AO and are asking for a target.”
Roshal smiled, “Weapons, shift target. Aim for the anti-aerospace systems. Let’s give Runoff 3 the opening they need.”
A clock ticked down.
//////////
“Cookie, we’ve got a targeting path.” Milk called forward. “Putting it up on your HUD.”
“One second… I’ve got it. Moving to comply. Did the Captain give us a plan?” her front seater replied, causing her stomach to do funny things as the Aerospace Fighter maneuvered while under high thrust.
“Something like that. She asked for a munitions report and specifically about our anti-shipping weapon.”
Cookie paused.
“Ah.” He finally said.
“Yeah.” She replied.
“Well, let’s hope they’re able to open us up to a window of opportunity. Or this will be a short charge.”
“Not our place to question why.”
“Just our place to do and die.”
Time to target… three minutes.
Into the valley of Death, rode the six hundred.
A clock ticked down.
//////////
Two vessels, three Aerospace fighters, one chance.
Six minutes of power remained. All actors took their places on the stage.
One hundred kilometers, close enough to check the weld quality of hull seams, the two ships danced across from each other. Maneuvering.
Five minutes of power remained.
The Karcharidon Heavy Cruiser rolled itself trying to keep the vulnerable top deck away from the Patrol Carrier’s presumably still working main gun as Roshal’s vessel jumped to the side. Thrusters roared.
Four minutes of power remained.
Runoff 1 and 4 shot towards their formerly separated comrade, forming up behind them in a wedge. The trio climbed towards the sun as their captain continued to chase and harass the Karcharidon.
Three minutes of power remained.
Roshal spoke. The lances of her vessel fired. Laser blasts carved across the hull of the enemy ship as it rolled.
The rolling ceased. A helmswoman swore as a full broadside caught the Patrol Carrier in the flank. The port hangar pod was ruined, armor shattered and all inside exposed to hard vacuum. Those who could scream died the fastest. The Interceptors had their opening.
Two minutes of power remained.
Silent wings swept through vacuum as three Interceptors began their dive, their formerly speedy arrowhead shape giving way to an inverted t as their wings swept out for stability, the ASF dove and dove and dove.
Five Kilometers away.
The range was too wide. They had one shot. It had to be perfect.
One minute of power remained.
The Into Harm’s Way spat its defiance into the world, limited power drained to give her pilots a seconds more of time.
30 seconds of power remained.
Three Kilometers.
Hard Lock! Milk shouted from the back seat of Runoff 3. Cookie was silent. The range was still too wide.
15 seconds of power remained.
Two Kilometers.
The Karcharidon seemingly began to roll before the Patrol Carrier once more fired, its last remaining weapons spouting their defiance against the world. Deep in engineering, systems began to blow, wires that replaced fuses sparked power and delicate circuit boards shorted out into useless scrap.
The lights went out.
No power remained.
Roshal, in her head, began to count down as lances of light began to sweep across her ship. Damage control did what they could, but the beams began to cut like an overly enthusiastic shipbreaker.
Five.
One Kilometer.
Four.
Cookie’s thumb depressed the firing stud as the Interceptor screamed at him.
Three.
The ASF launched its deadly payload.
Two.
Three Interceptors pulled back hard on their sticks to avoid colliding with the deck.
One.
The thruster of the anti-shipping missile roared as it rocketed the point blank aerospace distance to target.
Impact.
The armor piercing tip of the missile punched into the upper deck plating of the Heavy Cruiser, classified alloys allowing it to pierce into the armored plating just enough to allow the shaped charge to open up a hole as momentum kept the weapon moving.
Within the frame of a single second, the warhead of the missile had entered the ship and, before the alarms even had time to sound, detonated.
A new sun appeared in the void for a split second as a plasma-fusion warhead detonated inside the Karcharidon heavy cruiser’s hull.
//////////
Roshal allowed herself to breathe a sigh of relief inside her head as the emergency power lights flickered overhead and the gravity ever so slightly lightened. What was left of their sensor arrays showed the enemy vessel powering down. “Engineering. Good work, your 10 minutes were just what she needed.” She called out, picking up the ship phone.
There was no answer from engineering.
She signed externally before pointing at one of the marines guarding the bridge, “Find a crewmate in a void suit. I have need of runners.” The marine clasped a fist to her chest before leaving to execute her captain’s commands. “Comms, do we have any contact with the engineering teams on the pirate hulk?”
The Comms officer held up a hand, Roshal waited, “No, ma’am. We aren’t getting- wait. We’ve got visual on flashing lights from the hull. Apparently, something shorted, so they’re having to rebuild broadcast arrays. They can receive just fine, though.”
“Good, once we can maneuver, bring us broadside of them. What’s the status of the merchant fleet?”
Navigation spoke up now, “Still heading for the Jump Point. Should we send the recall order?”
“Not yet, we are still unsure if the area is safe. If we have any sensors remaining, begin sca-”
The mentioned sensor technician interrupted Captain Roshal, “Ma’am, new contact, signature unknown. Just jumped in from outside the starlane!”
“Give me details. Course, range, and speed?” She demanded.
“Signal confused, can’t get a lock!” Navigation called out, “Can’t tell if confusion’s from them or us.”
Not another one… Roshal sighed, “All forces prepa-”
“Ma’am, we’re being hailed.” Communications called out.
“On squawk.”
“This is Captain Al’yosha Cal’rada of Her Imperial Majesty’s Ship Spear of the Knyaginya, responding to Merchant vessel distress calls. Imperial Patrol Carrier, are you in need of assistance at this time?”
Roshal recognized the voice. A junior officer from her days in the Navy and a fellow Sevastutavan. The memory of the fresh faced girl when she’d joined her as an Ensign straight of the Naval Academy flashed before her eyes. “Captain Cal’rada. Your timing is impeccable as always.”
“Admiral?” Roshal could hear the shock in her old protege’s voice.
“That’s Captain, now, Al’yosha. I require your aid in ensuring the disabled vessel still glowing from an ASM strike remains disabled along with Search and Rescue teams for our sister Carrier.
“Whatever you want, you’ll have it, Admiral_… Helm! All ahead flank and plot course to intercept. Launch gunships and prepare to deploy Bluejackets. We’ll test our _Orcas’ teeth today!”
The line cut out a moment later than it should have, and Roshal nodded in approval.
“Captain, I still don’t have a read on new contact. What is it?” Sensors asked.
“A Drep’na inspired vision, come to life.” Roshal watched, feeling an odd sort of parental pride as Al’yosha’s experimental warship began closing the distance towards the Karcharidon at breakneck speeds. “A swift sailing vessel and ten carriage guns…” Roshal murmured the line from an old Vaasconian poem from the ancient Age of Sail. She had heard Cal’rada had succeeded in petitioning the Navy to build her dream-ship, burning every favor and passing out favors to any and everyone to see the program through. Now, there she was, standing on the bridge bearing down on a ship twice her size, but if the rumors were true, only half her guns.
“Ma’am, contact is still not resolving, but IFF confirms Imperial Navy designation. An Akula Class Attack Transport. I’ve… I’ve never even heard of this class.”
“Perhaps we shall hear of them more in the future. Fortune favors the active.”
“Contact is disgorging multiple signals, moving at speeds consistent with aerospace assets.”
“That is our signal we may disengage. Comms, inform the merchant fleet that the area is secure and to begin refueling procedures. Helm, get us alongside the pirate hulk, we have people to recover. Marine, get me a runner to the MP’s, we shall need the port hangar prepared for an old tradition the Navy has regarding pirate prisoners…” Roshal commanded. The fight was over, it was time to begin the cleanup.
//////////
So… that took a while. Sorry about that.
Turns out when a combination of writer’s block, decision paralysis and LIFE hits you over the head, it becomes a touch difficult to get your shit together long enough to write something down.
On the plus side, we are out of the “unplanned bits” and right back into the parts I have brainstormed, so I won’t be staring at a screen trying to think how to make things connect as much anymore. On the other hand, that means we are now entering the epilogue of book 1 of Top Lasgun.
Don’t worry, the story isn’t ending, I’ve got “three” books plotted out in my head, so we’ll see how that shakes out, but for the most part, this is where I start wrapping up plot threads, laying down threads for what comes next, and all that other good stuff.
So yeah, next chapter is going to involve everyone wrapping up what happened here, some fun little Military Justice, and potentially a bunch of plot. Also, I’m planning on starting a “rewrite”/edited version of this to go up on AO3, so keep an eye out for that. Early installment weirdness is a bitch and I’m not proud of what the older stuff looked like.
Well, I hope you have a wonderful morning, afternoon or evening whenever you read this and I will see you next chapter.
[NEXT CHAPTER]

Y’all, I’m really not sure what’s still around. This list is somewhat edited, but please still make sure to check on all the regular events before you make big plans – I may have missed something.
Events are listed by the day. Events that happen every week appear first, one time stuff after that. If you have anything you’d like people to know about, comment here or message me and I’ll add it in. If you’d like further info about any of the events, look it up! I usually don’t have any extra to add.
Large Scale, Ongoing, and Multi-Day Events

Local Running, Walking, and Biking Info: https://troubleafoot.blogspot.com/
Guided Paddling Outings all around the area: https://www.facebook.com/hsmithoutdoors
Tallahassee Film Society Showings: https://www.tallahasseefilms.com/tickets/
Book Clubs for all tastes: https://www.facebook.com/midtownreadeevents
Live Theater:

• Making Light Productions: https://www.makinglightproductions.org/
  
• Theatre Tallahassee: https://theatretallahassee.org/
  
• Mickee Faust Club: https://www.mickeefaust.com/
  
• Monticello Opera House: https://www.monticellooperahouse.org/
  
• FSU School of Theatre: https://theatre.fsu.edu/productions/
  
• Young Actors Theatre: https://www.youngactorstheatre.com/
  
• Quincy Music Theatre: https://quincymusictheatre.com/
  
• Tallahassee Hispanic Theater: https://tallahasseehispanictheater.wordpress.com/
  

OutdooFarmer’s Markets:

• Lake Ella Grower's Market: Wednesday and Saturday, 11am-2pm. You can always find organic vendors, and foragers: The Holistic Cannabis Community, Artzi Farms, Hickory Nut Gifts, and others. Including Pita Queen! Farmer's Market Nutrition Program Coupons gladly accepted!
  
• Tallahassee Downtown Market: Saturdays, 10am-2pm, Park Ave Parks. Vendors display their arts and fine crafts, jewelry, handmade soap, pottery, Fresh from Florida produce, hand-raised beef and pork, fresh baked bread, jams and jellies, and honey. Live music from different local musicians every Saturday.
  
• Frenchtown Heritage Market: 524 N MLK Jr Blvd. Third Saturday of the month 10am to 2pm. Come grow community and support your local farmers and makers, while you get your groceries for the week! Don’t forget! We match SNAP/EBT, so you DOUBLE your money to go towards locally grown fresh fruits and vegetables! If the guy with the pineapple is there, get it. This is currently only happening on the third Saturday of the month for the next few months while road work is completed.
  
• Tallahassee Farmers Market: 2904 Kerry Forest Pkwy, Saturdays, 8am to Noon. Come see us at Tallahassee's longest-running farmers market! We are a year-round market, featuring local farms and vendors that provide the best seasonal produce, meats, baked goods, and more. We welcome you and your whole family (leashed pets included) to come out and meet your local farmers! Ample parking is available between our lot and the shopping center lot next door (by Red Elephant). Come early for the best selection.
  

THURSDAY, 5/16

• The Hub at Feather Oaks: Bingo. 6pm
  
• Dreamland BBQ: Weekly Open Blues Jam. If you'd like to sing, please bring your own mic. 6pm
  
• Honest Living Vape: Chess-Master Thursdays . Beginners and experts, join us every Thursday from 6-9 for Chess-Master Thursdays. All ages. Bring your board or play ours! Tournaments coming soon! 6pm
  
• Lake Tribe: Trivia. 7pm
  
• Takko Market Square: Bingo Night. 7pm
  
• The Getaway Grille and Bar: Karaoke with Jared Walker. 7pm
  
• Amicus Brewing: Trivia. 7pm
  
• Smitty's Taphouse: Trivia Lab Thursdays. Teams of 6 or fewer players can compete for $30 / $20 / $10 Prizes + The Golden MacGuffin prize table! New format! Interactive smartphone answering for your comfort and safety! 6 Fun Rounds - 42 Total Questions. 7:30pm
  
• Studio D: Bachata Fever. We always have a bachata workshop at 8 pm before Bachata Fever. We dance afterwards to the sounds of DJ Bacharod. The class is at 8 pm and Bachata Fever will start at 930 pm. Many times people are learning in class and may feel uncomfortable social dancing while they are still learning moves. We have a welcoming environment so stay and have fun and dance with everyone. That is how we learn. 8pm/Class $5/Bachata Fever $5.
  
• The Sound Bar: Comedy Night. 8pm
  
• Finnegans Wake: Open Mic. 8:30pm
  
• Brass Tap in Midtown: Karaoke with DJ Rah. 9pm
  
• 926: Karaoke. 9pm
  
• Bird’s: Karaoke with Nathan. 9pm
  

• Fire Bettys: Slasher Bash. This week we'll be showing: "Zombeavers". Prepare for an evening of horrific hilarity with comedy narration and devilish drinking games!🍻 Hosted by local comedians. 8pm/21+
  
• Blue Tavern: Seep's Gumbo Nation ft. Shanice Richards. 8pm
  

FRIDAY, 5/17

• Blue Tavern: Happy Hour with Steve Malono. 5pm
  
• Lake Tribe Brewing: Flannel Fridays with Live Music. 6pm
  
• Hobbit West: Friday Night Dart Tournament. Anyone can Enter! Sign ups at 7:30, Darts fly at 8:00/$10 entry fee
  
• Ouzts Too: Karaoke with DJ Nathan. Best karaoke DJ in town. 8pm
  
• Just One More: Karaoke with DJ Rah. 9pm-11pm/21+
  
• 926: The Hot Friday Night Party and Drag Show. 9pm/$5/18+
  

• The Hub at Feather Oaks: Rachel Hillman. 5:30pm
  
• Lake Tribe: Ben Wentworth. 5:30pm
  
• Amicus Brewing: The Tanglers. 6pm
  
• The Getaway Grille and Bar: One Year Anniversary Celebration Featuring Queen of Hearts Band. 6pm
  
• Southwood Golf Club: The Rhythm Remedy. 6:30pm
  
• Goodwood: The Big Bash Havana Nights presented by Brent Hartsfield. The Big Bash is Big Brothers Big Sisters of the Big Bend's signature fundraising gala of the year and directly supports the agency's youth mentoring programs. Guests will enjoy Cuban Cuisine, champagne mojitos, cigars, flights, classic cars, photo opportunities, silent auction vacation packages, LIVE music and dancing, and an exciting LIVE salsa dance performance from 12 community volunteers! The event is a tremendous networking opportunity for Tallahassee's top business professionals, local community leaders and philanthropists to come together to enjoy an evening to celebrate the achievements of Big Brothers Big Sisters. 7pm
  
• Blue Tavern: Wil Fulkerson Jazz Night. 8pm
  
• House of Music: Belly Dancing: Journey From The Nile To The Tigris. Habibi, join us on a groovy carpet ride across ancient deserts: Disco Iskandar embarks on a voyage of belly dance, folklore, cinema, and history in a theatrical dance production, JOURNEY FROM THE NILE TO THE TIGRIS. Highlighting the prominence of belly dance in films of the Middle East from the 1940s through the 1970s, we present a live showcase exhibiting dances from Egypt, Turkey, Iraq, and beyond. It goes so much deeper than you think. Hookahs! Swords! Rhinestones, literally everywhere! This cross section of entertainment and education is the culmination of years of obsessive learning, two national tours, and travels to Egypt & Lebanon. JOURNEY FROM THE NILE TO THE TIGRIS is a trip unlike any other-- where the Middle East meets Vegas. This show’s cast is Gabi Corazon, Gia Bee, Liz Azi, Olya Clark, Vania Ojeda, director Veronica Lynn, and special guest star Omaris! 8pm/$15/21+
  
• The Sound Bar: The Old Schoolers. 8pm
  
• Vino Beano: Your Scumbag Neighbors. 8pm
  
• The Bark: Medians, No Yeah, Sleep John B, and Cloud Storage. 8pm
  

SATURDAY, 5/18

• Brinkley Glen Park: Invasive Plant Removal. Join Master Gardener Volunteers at this weekly invasive plant removal event. This is a great way to learn to ID our invasive plant species and how to remove them. We recommend wearing long pants and sleeves, closed-toed shoes, gloves, a hat and mosquito spray. Bring gardening tools such as hand clippers, loppers, trowels, etc. if you have them. We are removing coral ardisia bushes and berries, nandina, tung trees, Tradescantia flumenensis, cat's claw vine, winged yam, Japanese climbing fern, skunkvine and more. Directions: The best way to get there is to take Meridian Rd to Waverly Rd, go to the next intersection and turn left onto Abbotsford Way, then turn left at the next road called Woodside Dr. At the stop sign turn left onto Lothian. Lothian ends in a cul-de-sac and there is a sign that says Brinkley Glen Park. 8:30am-11:30am
  
• Gamescape: Saturday Gaming. Gamescape has relocated from Railroad Square to the Huntington Oaks Plaza (Suite 302, next to the Library) at N Monroe St and Fred George Rd. Open gaming tables are available. Noon-6pm
  
• Duke’s and Dottie’s: Line Dancing Plus Lessons. 7pm/21+
  
• Bird’s Oyster Shack: Laughterday Night Fever. * Join us every Saturday at Bird's Aphrodisiac Oyster Shack for a free comedy show!* 8:30pm
  
• 926: Latin Night. Dance to the irresistible beats of Zeus and prepare to be dazzled by a spectacular drag show at midnight. It's more than a party, it's an experience. 9:30pm/$10 21+, $15 under 21
  

• Crawfordville: Big Bend Biodiversity Tour. See why our area is so ecologically incredible! Get up close and personal with creatures and plants galore. Join expert guide and outdoor educator, Ryan Means for this limited opportunity to tour the Apalachicola Lowlands Preserve. The day-long trip stops at points along the way to the privately-owned preserve nestled deep in the Apalachicola National Forest near Sumatra, FL. Explore the longleaf pine ecosystem, pitcher plant bogs, ephemeral wetlands, and blackwater streams - home to some threatened and endangered species. Learn what makes the Florida Panhandle one of the five richest biodiversity hotspots in North America. Perfect tour for photographers, outdoor enthusiasts and ecologists. $75 tour fee includes round-trip transportation (from 46 Kinsey Rd, Crawfordville, FL) , complimentary beverages, and supports efforts to preserve the incredible biodiversity of the Southeastern Coastal Plain. Spaces limited. Register here: https://coastalplains.networkforgood.com/events/71083-big-bend-biodiversity-tour for full details. 8am
  
• Dreamland BBQ: Rock Type One to None. Let's rock to find a cure for Type 1 Diabetes! The Unicorn Wranglers are back on Saturday, May 18th at Dreamland BBQ in Tallahassee, Florida for the 2024 "Rock One to None" show. This show is benefiting the Juvenile Diabetes Research Fund (JDRF) and will feature musical guests Midnight Caravan, Fallen Timber, and the Unicorn Wranglers. The show starts at 4 pm and runs until 7 pm at Dreamland BBQ in Music Alley, and is open to all ages. While the show is free, we encourage all rockers attending to donate to the cause. You can contribute at the show by visiting our donation station or by heading over to our online Unicorn Wranglers team page. Together, as one big mosh pit, we can help cure Type 1 Diabetes. 3pm
  
• The Hub at Feather Oaks: Ethan Kyllonen. 4pm
  
• Amicus Brewing: Beza Alford and Rev. Dr. Sheldon Steen. 5pm
  
• Lake Tribe: Flamingo Party. 6pm
  
• The Getaway Grille and Bar: Billy Rigsby Band. 6pm
  
• Vino Beano: Brett & "Dangerous" Dave. 6pm
  
• Salty Dawg: Hot Mess. 6:30pm
  
• La Tiendita: Rhys Bennett & the Gringos as Vontade. Join us for an energetic evening filled with the vibrant sounds of Latin music, Brazilian beats, and jazz rhythms. Our local band, Rhys Bennett & the Gringos, will transform into the versatile ensemble Vontade, treating you to a delightful mix of rancheras, bossa nova, and more! Whether you're a seasoned dancer or a newcomer to the dance floor, you're in for a fantastic time at one of Tallahassee's hidden gems. Immerse yourself in a night of cultural fusion and musical celebration that is sure to create lasting memories! 6:30pm
  
• The Sound Bar: Tillman & Taff. 7pm
  
• Island Wings: Midnight Caravan. 7pm
  
• The Bark: Saturnalia, Brass Wizard, Van Season, and Psycho Tropical. 8pm
  
• Fire Bettys: 80's Video Dance Party. 8pm
  
• Just One More: One Eyed JAK. 9pm
  

SUNDAY, 5/19

• Bicycle House: Sunday Ride. Ride at 10:30 AM from Bicycle House. We will ride the Cascades trail to the St Marks trail and down to Wakulla station and return, about 31 miles. Ride speed is 12 to 14 mph, with periodic regroups. Vernon Bailey is the ride leader. Vernon is a new CCC member who’s been biking for 50 years enjoys riding with small groups and weekend touring. 10am
  
• E Peck Greene Park (Behind the LeRoy Collins Library): Food Not Bombs Free Mealshare. We offer free vegetarian/vegan food, water, coffee, personal care & hygiene products, bus passes, and clothing when we have some available to those in need. Contact foodnotbombstally@gmail.com to find out about getting involved. Noon-2pm
  
• LeRoy Collins Library: Tallahassee Go Club Meetings. Come play the captivating ancient game of Go, also known as Baduk, with some friendly games and discussions. Beginners welcome. Visit https://www.tallahasseegoclub.com for more information. 1pm
  
• Gamescape: Pokémon League. Come learn, play, and trade with the Pokémon Trading Card Game and the Pokémon video games! We LOVE seeing new players, so come learn how to play! We play both the Trading Card Game and the Video Game casually and competitively. The store offers lots of different seating arrangements to meet our group's needs, as well as food, drinks, and Pokémon products for purchase. We are also hold regular, officially sanctioned tournaments for Pokémon Trading Card Game and Video Game Competitions! 2-4pm
  
• The Plant: Open Jam. All instruments, all players welcome. 4pm-9pm
  
• Pedro’s: Mariachi Clasico. 6pm
  
• Fermentation Lounge: Open Mic Night Hosted by Conor Churchill. 7pm
  

• Ology Powermill: Marauders Market. Noon
  
• The Hub at Feather Oaks: The Barber Bros. 1pm-4pm
  
• Goodwood: Ice Cream Social. Get ready for a spectacular day of family fun at Goodwood Museum & Gardens! Treat your taste buds to a family fun day of FREE ice cream, FREE crafts for the kids, FREE activities, and more, all on the beautiful Goodwood grounds. Family-friendly musical entertainment will be provided by The Safari Man, who will have everyone tapping their feet and dancing along to his whimsical tunes. 1pm
  
• Common Ground Books: Contemporary Queer Poetry Book Club: Time is a Mother. This month, we’ll be reading “Time is a Mother” by Ocean Vuong. “In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Vivid, brave and propulsive, Vuong's poems contend with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit. The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. Bold and prescient, and a testament to tenderness in the face of violence, Time is a Mother is a return and a forging-forth all at once.” 6pm
  

MONDAY, 5/20

• Just One More: Bingo. 5pm-6:30pm
  
• The Getaway Grille and Bar: Margarita Monday, Open-Mic Night hosted by The Saltwater Cowboy. 5:30pm-8pm
  
• American Legion Hall: Cha Cha - Weekly Lessons. 6:15pm/$5
  
• Hangar 38: Bingo. 6:45pm
  
• Vino Beano: Tipsy Trivia. 7pm
  

TUESDAY, 5/21

• Blue Tavern: Happy Hour. 5pm
  
• The Getaway Grille: Tuesday Night Bikes and Trikes. 6pm
  
• Crafty Crab: BOOMIN' Karaoke. 7pm
  
• Gamescape: Hobby Night. Slay the grey together! Join your fellow gamers and turn your pile of grey miniatures into a battle ready army. Need some painting tips? Feel free to ask at hobby night. You can bring any miniature for any game to paint. 7pm
  
• Ology Midtown: Jazz Jam Sessions. 7pm
  
• Island Wings: Trivia. 7pm
  
• Brass Tap in Midtown: Trivia. 1st Tuesday of the month is General Knowledge with rotating themes the rest of the month. 7pm
  
• House of Music: Tuesday Trivia & Karaoke. 7pm
  
• American Legion Hall: Tallahassee Swing Band Tuesday Night Dance. 7:30pm
  
• Fire Bettys: Comedy Night. 8pm
  
• Poor Pauls: Trivia. 8pm/21+
  
• Blue Tavern: Bluesday Tuesday with Bill Ricci. Every Tuesday is Blues Day @ the Blue Tavern and Blues Meets Girl is a Tallahassee favorite. This perfect, intimate venue provides just what you need for both a mid-week break and authentic blues music experience. 8pm/$5
  
• 4th Quarter: Professor Jim's Tuesday Night Trivia. Popular for a reason! 8pm
  
• Argonaut Coffee: Trivia Tuesday. 8pm
  
• The Sound Bar: Karaoke. 8pm
  
• Fire Betty’s: Open Mic Comedy Night. 8pm/21+
  
• 926: Tacos and Trivia. 9pm
  

• Tallahassee Junior Museum: Basic Blacksmith Skills Program. Light your curiosity at our upcoming Basic Blacksmith Skills Program! Join our resident blacksmith, Michael Murphy, as he shares his history of being a Smitty. Participants will be able to keep the fire going, sling a hammer, and throw knives during this two hour lecture program. This is an outdoor event. Must preregister online at tallahasseemuseum.org/events. This program is free for members and regular admission price for non-members. 10am

WEDNESDAY, 5/22

• Sugar and Spice Tally: Game Night. Join us every Wednesday Night for community game night. Bring your own or use ours! Let me know if you need to reserve space for a large group. Free to attend! 5pm
  
• Goodwood: Wonderful Wednesday. 6pm/$5
  
• Level 8 Rooftop Lounge: Trivia. 6pm
  
• La Florida Coffee & Wine: Trivia Night. 6pm
  
• The Great Games Library: Open Game Night. 6pm/free
  
• American Legion Hall: Sue Boyd Country Western and More Dance Class. Session 2 - Beginner 6:30 to 7:45 pm What: East Coast Swing and Waltz. Cost: $8.00 per person. Wear comfortable shoes you can turn in. 7:45 to 8:15 - Practice dance with paid admission. 8:15 to 9:30: Intermediate - 2 Step and WCS. $8.00 per person or $13.00 for both classes. Vaccines are required. Face masks are optional. Changing partners is optional. 6:30pm
  
• Perry Lynn’s Smokehouse in Quincy: Wed Night Open Mic w/ Steven Ritter and Friends. 6:30pm
  
• Hangar 38: Trivia. 6:45pm
  
• Proof: Trivia. 7pm
  
• Vino Beano: Wine Bingo. 7pm
  
• Fermentation Lounge: Trivia. 7pm
  
• Blue Tavern: Wednesday Open Mic with Doc Russell. The open mic night that has run continuously for almost 20 years, once housed at the Warehouse, lives on at the Blue Tavern. Doc Russell continues as the host with the most. Sign up starts at 7:45pm/free to attend
  
• House of Music: Bar Bingo! Free to Play & Late Night Karaoke. 7pm
  
• Fire Betty’s: Karaoke! 8pm/21+/free
  
• Dukes and Dotties: College Night and Line Dancing Lessons. 8pm
  
• Finnegans Wake: Trivia. 8pm
  
• The Sound Bar: Open Mic Night. 8pm
  
• The Bark: Karaoke with DJ Nathan. Best karaoke DJ in town. 9pm
  
• Peppers: Karaoke. 9pm
  
• 926: Dragged Out Wednesday. 10pm
  

You always wanted a poem About me in your mouth But noww I only think of you under him And how you threw our bond down south Seems security and love to you, is not helping you move Nor was it me dancing to your every groove Nor was it me being your twin brain I cannot believe I ever thought you and I the same Nor was it me telling you "I love you" Less than a month before your stupid "breakthrough" Nor calling you, just to hear what's new Nor giving you hugs when you go boohoo Nor giving you drugs when something at work falls through I never asked for anything of you in return Simply wanted to be around you, that was my only concern If I could go back in time, to when you threw up on the floor I would turn around, and walk out the door Understanding and love could smack you in the face And you would certainly not see it, not even a trace It's easier for you to pretend I never loved you And run off with someone brand new So just in case you might forget Print out this poem, and hang it up Any time you feel a twinge of regret Read why a man that would die for you, will never again give a fuck

An early sunrise stirred me from whatever state I'd succumbed to. I hadn't slept - of that, I was certain - but I'd still woken, from some sort of unconsciousness. Time had passed so quickly through the night. I remember counting the seconds and then the minutes past midnight, willing each moment to slow down, to wait, to stop. But they didn't, and I knew they wouldn't. I know this feeling well.
And even quicker than the night passed, did the remaining hours of morning. It's suddenly 12pm and I'm stood before a courtroom, exploring all of the faces watching back. Some I love, many I loathe, others I look at with nothing but pity, and they're all waiting for me.
I'm not ready. I have to trust my voice and myself, but I don't. This moment is too big for me. But this moment is also not about me. So I stand firm, take a breath, and begin.
"My daughter Rosie died in my arms on May 19th, 2019. It was a Sunday, a few seconds past 8:50pm exactly when she took her last breath. I will always remember because the sun was close to setting, and somehow I just knew that it would be any moment. But how could I ever forget?
It was beautiful outside that night, in ways that I couldn't appreciate at the time. Like with most things these days, I struggle to find the right words to explain what's in my heart and mind. The sky was everything she loved and admired and so often spoke about, in her stories and poems and all of the other ways that she expressed herself. "Daytime retreating into night", "a vivid mess of twilight colours". She could say it better than I ever can.
In the distance, the sun was dipping below the horizon. I remember thinking that it was taking its time, like it was sitting still, like it knew. It felt as if hours had passed where it hadn't moved. I look back now and like to imagine that it was waiting for her.
Her brothers and I were right beside her. We held her throughout, spoke to her, whispered reassurances and promises, did all we could to make that moment as easy for her as such a moment can be. We opened the curtains so she could feel the sunset. After the weeks of pain, her peace was all that mattered to us. And when it happened, it was peaceful. If I hadn't felt her chest still and her heart stop beating, I'd have thought she was sleeping. She just didn't wake again.
I find it extremely hard to be grateful about most things from that time. But pure and vicious grief has taught me the value and importance of appreciating all wins, no matter how small they may be. So while little else, I will never stop being grateful that her moment was what it was and no one can ever take it away, from her or from us. She was surrounded by those who love her the most in this world. She was at peace, and the sun was setting. Her favourite time of day. She adored sunsets, and she chose a beautiful moment to go.
But this should never have happened at all. At the age of 25, she lost her life at the hands of those entrusted to save her. This wasn't a mistake, they happen, and this wasn't one of them. This was deliberate, with intention. They took her life. They broke her, violated her, did all they could to prolong her pain. Recorded it. Spoke triumphantly about defiling her, boasted about it, elated at having the opportunity to degrade her. Then they killed her - the very people who were supposed to save her. If that wasn't enough, they continued to desecrate her character, as if they are the victims whose lives are over. There is a sick and distorted irony there that lives in me and shall never settle.
Until recently, my heart hasn't had the strength to talk openly about her loss. Iwanted to. For her, for her brothers, for Jackson, for her friends, for me. But I couldn't do it. I could never find the courage. Doing so would have meant accepting that her missing, her absence, is final. And how could I ever begin to understand that she wasn't here? That she wasn't coming back? That someone I love so completely and unconditionally has gone through death?
How can someone who is still so very alive in my heart and mind and soul, no longer exist for me beyond those places? Where has her voice gone? Her laugh, her quirks, her wit and mind and love? Her beauty and gentle heart, her warmth and energy and spirit? How is it possible that she, and everything that made her, can be gone all at once?
I'm making my way through a stage of loss where acceptance barely exists. I cannot tell you what it is. I cannot explain it, I can only call it a limbo. Some sort of state, frequenting some kind of unconsciousness where time passes slowly and quickly. A limbo where you toss and turn, unsettled, uncomfortable, uncertain. Where you do not sleep but somehow still wake in the morning to the same pain, over and over, as relentless as it always is. There's no escaping it. Rest and peace are gone. The dread and fear and anger that this loss is forever is as paralyzing as the shock.
Being a father to six sons and one daughter is the greatest thing I have ever been. It's everything I have. My children are the hum and beat of me. But becoming the father of a daughter who's died... I didn't think I could ever survive. I didn't know how to be that man, and I didn't want to be that man. I often wonder how I'm still breathing. How much more of the grief my heart can take.
It's a pain that will never ease. I hurt for her every day. I hurt for her brothers and friends and their broken hearts, I hurt for Jackson and his agony, I hurt for the moments of her life that never got to be. I hurt for being a father that outlived one of his children, I hurt for not being able to protect her or save her, and I hurt from the restless love and parts of our hearts that are always hers, always, but can no longer be given to her. It will never not hurt.
I miss her. I'll never stop missing her. There is so much I wish I could tell her.
But I can't. So instead, I will say to all of you, that today makes the start of a journey for justice that we have spent these last four years fighting for. For my daughter. And for the five other victims and their families who must also live with their own broken hearts like we must.
I have to believe that somehow, she can still hear me. So, to my daughter; we love you more than you could ever know. And I'll keep your heart and love with me every day, til the very moment I can see you again. Until then, my girl, rest in endless peace. Rest in love, and rest knowing that we will carry you forever.
With my closing words, I'll say:
'And after all else is done, then so comes the setting of my darling sun. But I know that she shall rise again."

hi,
PLEASE NOTE, THESE BOOKS WILL COME OUT WITH 2 CHAPTERS PER WEEK STARTING FROM TOMORROW. EACH HAS A LIST OF CHARACTERS AND THERE ROLE AND THERE DISCRIPTION.
please tell me what books sound the best <3 more will be coming in a separate post <3
So im a Wattpad user and I write and read story's, mainly writing now, Im going to be releasing a massive amount of books I think the total is 20 books could be more could be less. But there's a massive range of them so I will list them below:
A GAME OF CHANCE (OUAT BOOK) 18 MAY 2024 - This book is based mainly in neverland but has parts in story Brooke. In this is book where henry is kidnapped but not for the reason they showed in the series, your name is emily you grew up with an abusive drunk of a father and you ran away. After a while of missing storybrooke you return to which your taken in by Emma but someone doesn't like you.
MIRROR MIRROR (OUAT BOOK)19 MAY 2024 - your Regenia's sister, you two fell into the darkness she came out however you never did. She and her new friends try hard to get you into the light side but when Regina finds why you went dark she knows there's only one solution. But will she take the risk or pay the price.
FALLING FOR THEM 17 MAY 2024 - You are a talented young artist who moves from her home town after a brake up in hopes of finding peace. You find peace and love but two men? Is that right ? first time for everything right they will always be my first everything.
MY MAFFIA HUSBAND 20 MAY 2024 - your parents business wasn't going to well and another business offered to help. They gladly excepted after knowing the price they have to pay, you live with them and the other company starts coming around a lot more until one day everything falls into place and the wedding isn't long after that day.
MARRIED TO MY BESTFRIEND 21 MAY 2024- your bestfriend and you have been close ever since birth, you do everything together and your inseparable. Until jack has to help is parents as trouble crosses there path with business, thats when your parents offer you as payment to help the business which they except. You soon learn neither of you had a choice it was set they day you where born.
LOSING YOU 22 MAY 2024 - after your fiancé goes missing you hire a detective and a private investigator, When they give up on the case finding no clues what so ever you deiced to take it into your own hands. On the way to this you uncover your fiancé dark past, that his family knew where he was and this was just a test plus a love game, but can you stay with him after finding out what you have.
TRAPPED BY HIM 23 MAY 2024- you are taken by a sadistic ex of yours, he keeps you locked up for months on end torturing you and doing unholy things. All the while you scream cry and beg him to stop none can hear you and is anyone even looking for you does anyone even realize your missing?
DETECTIVE DARLA 24 MAY 2024 - your a detective with a high amount of respect you have solved multiple cases of murder and missing persons. But now there's a new killer in town, who they refer to as the shadow none knows who he is and none can track him down. Darla beings to get worried but she begins to find all the answers and when she finds the horrifying truth after being nearly murderd by the shadow. She kills the one thing she loves. Darla goes into a state of panic and she is put into the mental heath ward in her local hospital. When a new killer strikes will she be able to recover? will she find this new murderer?
BROKEN PIECES 25 MAY 2024 - when you come home one night after cleaning the house, going to do shopping, putting it away, loading washing in and out, until its time for you to go to work. And find your husband doing unspeakable things to your eldest child and youngest child while your middle child watches laughing. You go into a state of panic screaming and shouting at them, when someone behind you closes the door and puts a cloth over your mouth knocking you out. will she live? will she help her children?
EVIL MEETS EVIL (mavrel book) 26 MAY 2024 - when you where a young girl, the age of only 3 days old, you where taken from your mother and taken to what looked like a prison. You are cared for by your brother, until you turn 1 years old when your brother the leader of this place deiced you where old enough. He sits you on a table and he has you looked over making sure your heathy and how a normal child should be of 1 years old but what for?
WOULD YOU KILL FOR LOVE 27 MAY 2024 - when the prince deiced he needed to be married all the girls in town went crazy, all expect you you didn't fancy being married at only 16 so you ignored the whole thing. Thats until all the girls where to go to the court yard and be seen individually by the prince. When he lays eyes on you and chooses you your whole world brakes. when a war brakes out on the kingdom and the prince is in danger you use the skills you leant ages ago to save the one you where to marry have grown feeling for him but will you let him know?
FRIEND OR FOE 28 MAY 2024 - when the whole town turns against magical creatures, you have to decided who you can and cant trust. Due to being one of the hated all the magical beings being afraid. You decided to take lead in this war and win equality from the help of a human friend. But will you survive what you decided to end.
SLYTHERIN QUEEN (HOGWARTS BOOK) 29 MAY 2024 - when arriving at Hogwarts for the first time ever, you are all in first year and the boys of Hogwarts start taking a liking towards you. But not everyone will be able to have you as you have a very specific taste. But when you have to share a dorm with the ones you crush on you start to be bratty earning a punishment,
REDWOOD 30 MAY 2024 - the town of redwood is famously known for the redwood surrounding the town. None enters or leaves the town through it you have to go by air, but when thing start getting strange around the town people panic praying that its just the weather and animals playing up. but its far from any weather or aninimal, magic is taking the lives of many but they take the wrong person and all hell brakes lose.
HONEY, HONEY (HOGWARTS BOOK) 31 MAY 2024- when a new riddle enters the school, they assume her to be there sister but they are wildly wrong. Shes their wife yes their as in tom and matteho riddle, the three of them get tired of their fathers stupid ways and their wife becomes friends with the golden trio and eventually the rest of the Weasleys. But are they just on a mission for there father of have they changed?
WITHOUT YOU 1 JUNE 2024 - after losing your true love you move from your troubled home to new York, To start over and you do well as a model and eventually you become rich and along the way there 2 men that have been everywhere you are, you thought maybe they are just crazy fans but no. Is he really dead?
THE FIRST BLOOD MOON 2 JUNE 2024 - imagine being a creature so powerful but having no clue about it. When your mum dies and your father leaves you, after years of abuse and shouting painful words he just leaves. But someone comes round to the house knocking on the door for you, when you refuse to go with them they kidnap you in the night. But why?
DEATHS BESTFRIEND 3 JUNE 2024 - Imagen waking up one day and the worlds population has doubled, but only you can see them. When you find out that they aren't invisible, you question what they could be before realizing they are the dead. you question are you living or have you past. Everyone can still see you but not them?
THE STRANGERS KISS 4 JUNE 2024- when you move to new York after excepting a job, you go to a bar for a few drinks. Feeling eyes on you the whole time but you cant seem to find who it is. You start the new job and this one guy seems really off he keeps staring at you and wont leave you alone. But he is hiding deep secrets.
THE TORTURED 5 JUNE 2024 - you've been in one place your whole life, this facility they wont let you leave, you cant talk and everything keeps getting worse. when you are taken from the facility by people who you thought where good but no non of the people have ever been good.it get worse when they take your memories and put you with a bunch of people you have no idea who they are.
thank you for reading this to the bottom I hope when they are released you read them
byeeee <3

This is the most plausible answer. I think this is exactly how he did it using facts from sermons, emails, texts, news, interviews, maps, and extensive experience with parasitic Narcissistic sitic abuse. If there is anything that I am incorrect on please let me know and I will recalculate. After typing this up two days ago, I stumbled upon Mica’s father‘s interview, and it completely solidified it to the point where I started violently shaking. I think this is what happened.
I was told Winslow‘s property backs up against that state forest. 200 acres. Right down the road. Now remember. Somebody on his staff was told to go and trim back the overgrowth on that specific property shortly before all of this happened,
I think Mica at some point had conversation with Winslow and agreed to come and talk to him at his property, a “safe place JP wouldn’t know.”, thinking she could trust him. I think mica went to winslows and JP was waiting there for unknowingly.
I think Winslow has JP‘s phone and I think JP has Winslow‘s phone so they’re not gonna ping the towers. All they saw was the license plate they never verified He was actually there.
I think JP and Winslow met at a undisclosed location and swapped vehicles. JP went up to Winslow’s NC property with Winslow‘s vehicle and cell phone, and Winslow went down south with JP cell phone and truck. I can’t quite place the girlfriend, but she is an alibi therefore she is aware that something has happened or is going on. I cannot figure out whether or not Winslow was with JP and she took the vehicle down south either or we need to find out the location of where the girlfriend was and where Winslow was. That could all be found by bank financial records of the days in question. Nobody uses cash in 2024 for an entire getaway.
Didn’t they say he got a new truck? There was something new about the truck? Did he get a new one so it wouldn’t have any of Winslow’s DNA inside of it? If Winslow drove it, his DNA/finger prints on the steering wheel would easily be on the steering wheel. Why else would he need to drive Winslow‘s vehicle if there were indications, he was driving the vehicle. Now remember one of them is a lawyer he knows what they look for. JP‘s and Winslow‘s vehicles both need to be tested for gunpowder residue.
Mica shows up to Winslow’s property, JP is there with Winslow’s vehicle, ambushes her OR Winslow is there too and the girlfriend took her phone and truck south. He already has a plan of where he’s going to take her to unalive her before she arrives. JP drives Mica’s car with Mica in it to the final location parking lot, walks her into the woods kills her, puts her stuff down and walks back to Winslow property through the woods. Girlfriend says she was with him, I think she stayed at the property or she drove a vehicle to come get him after he was done if she was there. either way Winslow or girlfriend somebody picked him up or was waiting or he went back to the property and gotten Winslow‘s vehicle and left. Remember it’s not that far away..
Now, after reviewing the 911 recording again, I do not think it is AI. The biggest reason why I know it wasn’t AI is because if you listen to the fast response when asked for the phone number, there wasn’t enough time to record that and send it at the same time. So she replied too fast. Now, when have you ever heard a 911 operator asking somebody for their phone number? That never would have been written. You still have the type stuff in the AI creators. Also, she delayed pause between every number, how would she have replied in half the time it would have taken to type all of that out. Think about it, he would have had to type a number hit space type a number hit space over and over. In a rush I know I mess up you don’t think he would have messed up? He never would have been able to get that recorded smoothly quickly in the time it took for her to respond. Again, when have you ever heard of 911 asking for your phone number?. I believe he is in the car with her after they just left Winslows property. I believe he’s sitting right next to her in the car and allows her to make the call thinking it’s going to cover up everything and benefit him. She was sending out the whistle to her family and She’s trying to buy time for them to locate her. He knew to turn off the location because she mentioned She turned it on notice how it ended at that?. My point with this is at the end.
Logically speaking if she was purposely driving to that park, she would have known the name to GPS it. She would’ve known the name of the park to give the operator. That’s why she was pausing, probably looking to him to see where they’re at. That’s why she says “yes that’s it” cause he nodded. he had enough time to process what the operator was saying before Mica was able to answer that’s why she was able to reply quickly because the operator was speaking slowly. He heard the first word and nodded. She didn’t know, but now suddenly she knew? If she was going to purposely take her own life, and she really wanted her body found, why wouldn’t she have found the name of the park before she called to give them proper location?
She would have seen oh look it’s a park and read the sign and pulled into it. She didn’t know the sign because she was terrified because he was with her. She just knows she’s in a park.
I would possibly look to see if there was any dirt roads that led to where her vehicle is at back to Winslow’s property. That might be why she didn’t see a sign. I haven’t looked too much into that part but it’s a suggestion if anybody wants to do any homework.
SO That’s why the phone was put on airplane mode so cops wouldn’t track them into the woods at the site of the incident and he would be able to get away in time into the woods without being seen.
Also airplane mode was turned on while in the car, at the end of the 911 call, I think he took the phone put the airplane mode on which is why the airplane mode was put on because she mentioned it out loud specifically, he knew the cops were coming time to MOVE, can’t follow us to the woods though. THATS why there’s no bird sounds, they did it in the car after they got to the parking lot. I think subconsciously she thought knew this was going to happen. Kinda like I told my family this was going to happen, and then it clicked what she needed to do. He brought the phone with them to paint the picture. Why would she turn off her location herself if she wanted to be found? She was already going to enter her life right? She was obviously not going to wait a long time right? Listen to her voice when it got emotional when she said she was going to kill herself. If she was unsure, why did she skip up in the exact moment? She was almost free, she had fought so hard. When you’re almost free, what would make you think she would want to stop now? Listen to me clearly, he was in the car. She needed to send out a dog whistle to the people she had told she she told him she would admit to the suicide if she could have her body found. She knew she was going to die and she knew she needed to make sure her family could piece this together. Therefore the only plausible answer is he was in the car with her. She was emotionless probably because the gun was already on her, the phone was removed from her because she mentioned the airplane mode specifically he thought they can’t trace us out to the woods, airplane mode goes on. He walked out to the woods. He needed Time to get away and couldn’t have them knowing exactly where he was to go to first so he could escape right after.
Now he goes into the woods by possibly dragging her which is why she has a bruised wrist. That might be why she started crying. She might have tried to get away when she knew what was going to happen or that it was happening hence why there’s multiple rounds. This led to possible yanking, and then the gunshot, which is why the fisherman heard the crying. Then it was over. Put her in the water he placed her belongings and Then he walked back towards Winslow‘s property. I want to know if there’s a phone call between mica and Winslow, was this drive scheduled day of or days prior and gave enough time for it to be planned. I believe at that time he got back into Winslow’s vehicle met somewhere with Windlow switched vehicles again. JP going to his home and Winslow going back to his home. The funeral and everything was already preplanned and scheduled due to the fact they already knew what was going to happen and already had it pre-planned and needed to make sure it was swift and left no room for delay. Her family, knowing they would want to see her, he manipulated them into signing the cremation holding her body over their heads. Taunting them via text message blaming them to create the narrative. Otherwise, what would be the big deal of allowing them to see the body without needing something in exchange? He knew they would have questions afterwards. At that time all they had was the 911 call and a body, sometimes you need time to process. You know when something happens and then later on you’re like wait what? He wanted to make sure that body had no stop on the cremation process to get rid of all evidence before thosequestions inevitably came. He got ahead of it so there was no hiccup in delays because he knew he had to allow them to see the body to the public that would be the moral right thing to do. Not allowing them to see the body would be suspicious. He figured out how to make it work for both. He talks about laying with her body four times and trying to raise her from the dead, was this guilt or was it like when somebody puts a deer head on the wall?
Now remember, she has already been predisposed to trust Winslow. He mentions Winslow in an email to her previously, obviously showing that he & his wife were a trusted friend of hers as well. It’s 100% a possibility that Winslow told her to come up and talk where she was protected and JP wouldn’t find them, and Winslow left with the truck and met with JP and they switched. Winslow south, JP north. Winslow had asked his staff to clean up that overgrowth on the property. It being a wooded area, was this done so that the roadway was assessable for the plan? she probably drove down some type of dirt road, and he ambushed her in some manner. North Carolina Woods are dense, therefore easily to hide when she pulls over.
Now, how do I think that JP convinced Winslow to help, I believe JP convinced Winslow , Mica was going to tell on all of them and ruin their lives. This could have been backed up by the fact that all the documentation that she had previously collected had gone missing, and was brought to Winslow to paint Mica as an enemy so this was enough for him to convince Winslow that their future and freedom was inJeopardy. When JP was actually afraid she was going to tell on his abuse and life and ruin him. So they killed her to protect their life.
They said something yesterday about breaking news how they found that the notary was forged? Thats enough for me to draw speculation because it was done by Winslow that he is now in on the dirty dealings. He is a part of the actual dirty dealings against mica He knows something is being done wrong and he is condoning it.
That notary that was done on the power of attorney from mica was falsely notarized. Mica was not present for the notary. There was an article on earlier I was looking at but I was in information overload. I just know It was not legally notarized. This shows that Winslow does not have integrity. How far is he willing to go to protect JP and all of their secrets?
I think she told JP she just wanted her body to be found for her family and she would go without a fight. I believe that it was a dog whistle to her family. The clue they would need to know this wasn’t suicide. She told them and now she needed them to remember. She knew she was going to die and everybody needed to know about the gunshot specifically that she warned everyone about days prior. He didn’t know she told people close to her that that. That’s why her voice broke up when she said she was going to unalive herself. She did not want to die. She just wanted people to be able to solve the crime. She manipulated him into thinking he was going to get away with this because she is admitting to it being a suicide. Not knowing She had whistled what was going to happen, she needed people to listen. She offered up no extra information during the 911 call which then delayed the process hoping they would find her location. She told her dad days prior she’s getting a gun for protection. I think she got it before she drove up there just incase and the bruises on her hand may be him wrestling it from her. Maybe at arrival.
A search and rescue dog can smell from weeks to months after somebody has left the area, and if anybody can get something of his and be able to place him there in the woods, you have convincing beyond a reasonable doubt.
After writing this up yesterday when I was complete, I got super sick to my stomach. I was shaking. I could see it completely out in my head where all the facts completely aligned. I believe tthis is the only plausible theory there is.
What people need to realize at the end of the day the good attention and bad attention is still attention to a narcissist. He is enjoying the intention is getting from this primarily from getting away with it. That’s why I believe he visited her body four times after she was deceased. Because he already had a girlfriend, he already talked about going and getting a hot wife and then after she dies, he does an interview about how she’s the most incredible wife and supportive. He made the obituary about how awesome he thought she was to still collect her validation and the validation he got from being her husband because she was good. She was light and he was jealous of that. He wanted that that’s why he had that position. She loved him so much he claimed and how she was so wonderful he claimed yet she didn’t want him when she had a no contact order and wanted a divorce obviously, he wasn’t that. and if you guys don’t think he groomed her go to the memorial of life sermon and listen to the poem again. Now switch the words, “school” and “church.” And follow the story line.
He killed Mica Miller.

This is the most plausible answer. I think this is exactly how he did it using facts from sermons, emails, texts, news, interviews, maps, and extensive experience with parasitic Narcissistic sitic abuse. If there is anything that I am incorrect on please let me know and I will recalculate. After typing this up two days ago, I stumbled upon Mica’s father‘s interview, and it completely solidified it to the point where I started violently shaking. I think this is what happened.
I was told Winslow‘s property backs up against that state forest. 200 acres. Right down the road. Now remember. Somebody on his staff was told to go and trim back the overgrowth on that specific property shortly before all of this happened,
I think Mica at some point had conversation with Winslow and agreed to come and talk to him at his property, a “safe place JP wouldn’t know.”, thinking she could trust him. I think mica went to winslows and JP was waiting there for unknowingly.
I think Winslow has JP‘s phone and I think JP has Winslow‘s phone so they’re not gonna ping the towers. All they saw was the license plate they never verified He was actually there.
I think JP and Winslow met at a undisclosed location and swapped vehicles. JP went up to Winslow’s NC property with Winslow‘s vehicle and cell phone, and Winslow went down south with JP cell phone and truck. I can’t quite place the girlfriend, but she is an alibi therefore she is aware that something has happened or is going on. I cannot figure out whether or not Winslow was with JP and she took the vehicle down south either or we need to find out the location of where the girlfriend was and where Winslow was. That could all be found by bank financial records of the days in question. Nobody uses cash in 2024 for an entire getaway.
Didn’t they say he got a new truck? There was something new about the truck? Did he get a new one so it wouldn’t have any of Winslow’s DNA inside of it? If Winslow drove it, his DNA/finger prints on the steering wheel would easily be on the steering wheel. Why else would he need to drive Winslow‘s vehicle if there were indications, he was driving the vehicle. Now remember one of them is a lawyer he knows what they look for. JP‘s and Winslow‘s vehicles both need to be tested for gunpowder residue.
Mica shows up to Winslow’s property, JP is there with Winslow’s vehicle, ambushes her OR Winslow is there too and the girlfriend took her phone and truck south. He already has a plan of where he’s going to take her to unalive her before she arrives. JP drives Mica’s car with Mica in it to the final location parking lot, walks her into the woods kills her, puts her stuff down and walks back to Winslow property through the woods. Girlfriend says she was with him, I think she stayed at the property or she drove a vehicle to come get him after he was done if she was there. either way Winslow or girlfriend somebody picked him up or was waiting or he went back to the property and gotten Winslow‘s vehicle and left. Remember it’s not that far away..
Now, after reviewing the 911 recording again, I do not think it is AI. The biggest reason why I know it wasn’t AI is because if you listen to the fast response when asked for the phone number, there wasn’t enough time to record that and send it at the same time. So she replied too fast. Now, when have you ever heard a 911 operator asking somebody for their phone number? That never would have been written. You still have the type stuff in the AI creators. Also, she delayed pause between every number, how would she have replied in half the time it would have taken to type all of that out. Think about it, he would have had to type a number hit space type a number hit space over and over. In a rush I know I mess up you don’t think he would have messed up? He never would have been able to get that recorded smoothly quickly in the time it took for her to respond. Again, when have you ever heard of 911 asking for your phone number?. I believe he is in the car with her after they just left Winslows property. I believe he’s sitting right next to her in the car and allows her to make the call thinking it’s going to cover up everything and benefit him. She was sending out the whistle to her family and She’s trying to buy time for them to locate her. He knew to turn off the location because she mentioned She turned it on notice how it ended at that?. My point with this is at the end.
Logically speaking if she was purposely driving to that park, she would have known the name to GPS it. She would’ve known the name of the park to give the operator. That’s why she was pausing, probably looking to him to see where they’re at. That’s why she says “yes that’s it” cause he nodded. he had enough time to process what the operator was saying before Mica was able to answer that’s why she was able to reply quickly because the operator was speaking slowly. He heard the first word and nodded. She didn’t know, but now suddenly she knew? If she was going to purposely take her own life, and she really wanted her body found, why wouldn’t she have found the name of the park before she called to give them proper location?
She would have seen oh look it’s a park and read the sign and pulled into it. She didn’t know the sign because she was terrified because he was with her. She just knows she’s in a park.
I would possibly look to see if there was any dirt roads that led to where her vehicle is at back to Winslow’s property. That might be why she didn’t see a sign. I haven’t looked too much into that part but it’s a suggestion if anybody wants to do any homework.
SO That’s why the phone was put on airplane mode so cops wouldn’t track them into the woods at the site of the incident and he would be able to get away in time into the woods without being seen.
Also airplane mode was turned on while in the car, at the end of the 911 call, I think he took the phone put the airplane mode on which is why the airplane mode was put on because she mentioned it out loud specifically, he knew the cops were coming time to MOVE, can’t follow us to the woods though. THATS why there’s no bird sounds, they did it in the car after they got to the parking lot. I think subconsciously she thought knew this was going to happen. Kinda like I told my family this was going to happen, and then it clicked what she needed to do. He brought the phone with them to paint the picture. Why would she turn off her location herself if she wanted to be found? She was already going to enter her life right? She was obviously not going to wait a long time right? Listen to her voice when it got emotional when she said she was going to kill herself. If she was unsure, why did she skip up in the exact moment? She was almost free, she had fought so hard. When you’re almost free, what would make you think she would want to stop now? Listen to me clearly, he was in the car. She needed to send out a dog whistle to the people she had told she she told him she would admit to the suicide if she could have her body found. She knew she was going to die and she knew she needed to make sure her family could piece this together. Therefore the only plausible answer is he was in the car with her. She was emotionless probably because the gun was already on her, the phone was removed from her because she mentioned the airplane mode specifically he thought they can’t trace us out to the woods, airplane mode goes on. He walked out to the woods. He needed Time to get away and couldn’t have them knowing exactly where he was to go to first so he could escape right after.
Now he goes into the woods by possibly dragging her which is why she has a bruised wrist. That might be why she started crying. She might have tried to get away when she knew what was going to happen or that it was happening hence why there’s multiple rounds. This led to possible yanking, and then the gunshot, which is why the fisherman heard the crying. Then it was over. Put her in the water he placed her belongings and Then he walked back towards Winslow‘s property. I want to know if there’s a phone call between mica and Winslow, was this drive scheduled day of or days prior and gave enough time for it to be planned. I believe at that time he got back into Winslow’s vehicle met somewhere with Windlow switched vehicles again. JP going to his home and Winslow going back to his home. The funeral and everything was already preplanned and scheduled due to the fact they already knew what was going to happen and already had it pre-planned and needed to make sure it was swift and left no room for delay. Her family, knowing they would want to see her, he manipulated them into signing the cremation holding her body over their heads. Taunting them via text message blaming them to create the narrative. Otherwise, what would be the big deal of allowing them to see the body without needing something in exchange? He knew they would have questions afterwards. At that time all they had was the 911 call and a body, sometimes you need time to process. You know when something happens and then later on you’re like wait what? He wanted to make sure that body had no stop on the cremation process to get rid of all evidence before thosequestions inevitably came. He got ahead of it so there was no hiccup in delays because he knew he had to allow them to see the body to the public that would be the moral right thing to do. Not allowing them to see the body would be suspicious. He figured out how to make it work for both. He talks about laying with her body four times and trying to raise her from the dead, was this guilt or was it like when somebody puts a deer head on the wall?
Now remember, she has already been predisposed to trust Winslow. He mentions Winslow in an email to her previously, obviously showing that he & his wife were a trusted friend of hers as well. It’s 100% a possibility that Winslow told her to come up and talk where she was protected and JP wouldn’t find them, and Winslow left with the truck and met with JP and they switched. Winslow south, JP north. Winslow had asked his staff to clean up that overgrowth on the property. It being a wooded area, was this done so that the roadway was assessable for the plan? she probably drove down some type of dirt road, and he ambushed her in some manner. North Carolina Woods are dense, therefore easily to hide when she pulls over.
Now, how do I think that JP convinced Winslow to help, I believe JP convinced Winslow , Mica was going to tell on all of them and ruin their lives. This could have been backed up by the fact that all the documentation that she had previously collected had gone missing, and was brought to Winslow to paint Mica as an enemy so this was enough for him to convince Winslow that their future and freedom was inJeopardy. When JP was actually afraid she was going to tell on his abuse and life and ruin him. So they killed her to protect their life.
They said something yesterday about breaking news how they found that the notary was forged? Thats enough for me to draw speculation because it was done by Winslow that he is now in on the dirty dealings. He is a part of the actual dirty dealings against mica He knows something is being done wrong and he is condoning it.
That notary that was done on the power of attorney from mica was falsely notarized. Mica was not present for the notary. There was an article on earlier I was looking at but I was in information overload. I just know It was not legally notarized. This shows that Winslow does not have integrity. How far is he willing to go to protect JP and all of their secrets?
I think she told JP she just wanted her body to be found for her family and she would go without a fight. I believe that it was a dog whistle to her family. The clue they would need to know this wasn’t suicide. She told them and now she needed them to remember. She knew she was going to die and everybody needed to know about the gunshot specifically that she warned everyone about days prior. He didn’t know she told people close to her that that. That’s why her voice broke up when she said she was going to unalive herself. She did not want to die. She just wanted people to be able to solve the crime. She manipulated him into thinking he was going to get away with this because she is admitting to it being a suicide. Not knowing She had whistled what was going to happen, she needed people to listen. She offered up no extra information during the 911 call which then delayed the process hoping they would find her location. She told her dad days prior she’s getting a gun for protection. I think she got it before she drove up there just incase and the bruises on her hand may be him wrestling it from her. Maybe at arrival.
A search and rescue dog can smell from weeks to months after somebody has left the area, and if anybody can get something of his and be able to place him there in the woods, you have convincing beyond a reasonable doubt.
After writing this up yesterday when I was complete, I got super sick to my stomach. I was shaking. I could see it completely out in my head where all the facts completely aligned. I believe tthis is the only plausible theory there is.
What people need to realize at the end of the day the good attention and bad attention is still attention to a narcissist. He is enjoying the intention is getting from this primarily from getting away with it. That’s why I believe he visited her body four times after she was deceased. Because he already had a girlfriend, he already talked about going and getting a hot wife and then after she dies, he does an interview about how she’s the most incredible wife and supportive. He made the obituary about how awesome she thought HE was to still collect her validation and the validation he got from being her husband because she was good. She was light and he was jealous of that. He wanted that that’s why he had that position. She loved him so much he claimed and how she was so wonderful he claimed yet she didn’t want him when she had a no contact order and wanted a divorce obviously, he wasn’t that. and if you guys don’t think he groomed her go to the memorial of life sermon and listen to the poem again. Now switch the words, “school” and “church.” And follow the story line.
He killed Mica Miller.

I am looking for a lady between 25 and 35 years old, for a committed monogamous childfree relationship. My goal is to become a true team, supporting each other, caring for each other, nurturing each other and helping each other grow and realise our goals and dreams as much as possible. I'm hoping to find someone that values a relationship as much as I do and takes it seriously. It's not the only thing my life revolves around, but it's also not just something 'nice to have' for me.
I am 186cm tall, slim/fit built, dark brown hair, brown eyes. Both my arms are tattooed (full sleeve), as are my calves and the areas above my ankles. Regarding pictures see below. I am a runner, training multiple times a week. I'm also vegan. My love languages are physical touch and words of affirmation. While I am mostly securely attached, withdrawing from me triggers anxiety and I have made a horrible experience with an avoidant partner in the past, so that is something I fear I cannot deal with again.
I am also an atheist.
I am a very warm, soft and sensitive person, I think I am humorous, I am self reflecting a lot and I can also be really passionate and romantic. Those are traits that also are really important to me in a woman.
I can be quite social, I am a good talker, but also love to listen to really get to know someone on a deeper level. I can enjoy an evening out with friends just as much as the silence of sitting at the shores of the river and watching the sunset in solitude (although I've been craving to watch it together with a partner for a really long time now). I can be out in a pub, at a rave, a metal show or at a football game and have the time of my life, but I cannot do these things every day; I need recharge time (on the sofa, in the woods for a run, a lazy Sunday staying in bed etc.). This should give you an idea; basically, I am a homebody that thoroughly enjoys going out in moderation.
I won't say too much about hobbies; suffice it to say I am into the dark, the obscure, the macabre, the occult, the mysterious, the erotic. It won't surprise you that I had a gothic phase in my youth, bonus points if you did too!
What I'm looking for
Although similar hobbies and interests are a plus, emotional and intimate compatibility are more important to me. I am a very sensitive and emotional person (I do cry easily and by this point I don't think I'll ever be able to change that, sorry), so if you're too, we will definitely understand each other. I need someone who I can open up to (which I do rather quickly, anyway), be myself, bare my soul to and I need these things from you, too. I've had my share of emotionally unavailable women who were afraid of intimacy so I know I can't deal with that again because of the way how those things affect me. I am always emotionally invested with the woman I pursue and in those cases that was to my detriment. But my ability to feel so deep is also something I wouldn't want to change because as of yet, although it's getting harder, I haven't given up on finding someone.
With those emotional needs come two requirements that I found to be vital over the years: First, being able to be silly and cutesy together and to accept each other's inner child and care for it. I am not talking about having to deal with another person's immaturity or inability to perform basic adult skills, rather with the way sadness, hurt, anxiety and being overwhelmed manifests for me (and maybe for you, too?). I need someone who is able to comfort me, to hold me, to allow me to be weak and needy for a while until I've calmed down, and I'm more than ready to offer the same. Your inner child can come out for a while, no problem (: Also in a positive way: Thankfully, today everyone seems to be understanding of the cuteness overload cats (or any animal baby, really) can cause; I need that with a partner. I also still have plushies as comfort animals and ideally, you do too.
Apparently in every relationship, one person is the stronger one. In the past, I have been with women who obviously were stronger than me, but that doesn't mean they always had to be strong, far from it. I certainly need to be able to feel protected, but it's not like I'm a particularly needy partner, like everyone, I have my ups and downs, but I can pull my weight and have been told by past partners that I am very caring and that they felt safe and understood with me, and providing that for my partner is really important for me as well.
Second, intimate compatibility. I am rather insatiable and love to experiment when it comes to the bedroom, so you should, too, in order that we can explore and enjoy together. I found out how fulfilling living out those fantasies can be after years of never being able to try and in a relationship, this kind of fulfillment for both partners is a must for me. I found the term 'filthy best friends and partners' to be a perfect description.
I'm looking for a balance between healthy independence and being emotionally present. A relationship where we 'get' each other; we're both each other's number one and treat each other like royalty. Where a disagreement leads to more intimacy between us as we understand better, not to resentment. Where we're comfortable baring our souls to each other, becoming a safe haven and secure base for each other. I don't like the modern notion that you 'should never feel too safe in a relationship' because that sounds like running from the mafia (and believe me, I love mafia movies); you should always put in effort, yes, but safety is one of the things I always want to experience and provide in a relationship. We shouldn't fear that a disagreement leads straight to breakup. I know ‘self-sufficiency’ is trending right now, but I feel like as partners, we’re partly responsible for each other and not our own but also each other’s happiness. Being dependant and dependable at the same time is important; making each other’s wellbeing a priority. If you’re not able to healthily depend on someone and their support while you’re having a hard time, look elsewhere. If I have to be afraid you’ll run at the first major problem that surfaces, even if it’s a ‘you’-problem, it’s not going to work. I think that all things can and need to be talked about. If you think ignoring someone for days is a form of communication, please look elsewhere.
I am looking for someone real. We all have our problems, I don't want or need a 'perfect' person. You don't have everything figured out or 'all your shit' together. Be imperfect. Admit when you feel sad and angry, lonely, hopeless or even helpless – it's all relatable. Don't hide it. Be quirky, be dorky, be witchy, opinionated, be yourself. Don't pretend.
I'm looking for someone to share romance with. Not great gestures, but small, meaningful ones. Poems for each other, expressing our feelings; cards with heartfelt messages that we put our perfume/cologne on, and a symbol that means something to us only, the print of your lips with lipstick, the way I sign and seal my letters for you.
Just as important to me is agreeing on living a healthy life, staying in shape both for ourselves and for each other, regularly working out and eating healthy. I am drug and disease-free and expect the same of you. I do drink as I love a good beer or glass of wine, rum or whiskey, but I've never really been drinking much and especially during the past year have further reduced it. One vice I have is that I enjoy a couple of cigars a year, but I can definitely accommodate you in this regard.
Another important point is aligned life goals: I value safety more than adventure. I want to build a home together with my partner, a safespace for the both of us, where we always feel loved and protected, a place that we create together, make it cozy together so we just love to get back home there wherever we might have been, a home we decorate together for Halloween (my favourite holiday) or Christmas or Springtime, as we live in tune with the seasons, enjoying nature on a walk or the rain outside, reading in our cozy home. I value stability and harmony.
Appearance-wise, I am into ladies on the smaller side), so I'm looking for someone petite/slim/skinny/healthy-fit. Likewise, I am not really muscular and don't have visible abs; like I said, I'm a runner, so if you're more into the gym-type, I'm not a good fit.
I’d prefer to move from text to voice calls, videochat and then meeting up, all of that rather sooner than later. Not that there’s a need to rush anything, but I’d rather see earlier if we’re compatible or not; as someone who catches feelings fast I need to protect myself.
Caveats

• I don't like travelling as it stresses me out; I don't mind being somewhere else for a week or two, but the organisation part of it drains my energy very quickly and dealing with stuff that doesn't work out is overwhelming to me. Smaller trips are ok, but I'm not the right person to travel the world with.
• I am not the most awake person in the morning (i.e. I identify as nightowl)
• I don't want children and had a vasectomy
• I need space for my own projects/time to recharge after social interaction.
• While I feel like I am in tune with my inner child and working on/with it through therapy, I realise this is something that could be a turn-off for people.
• I have been diagnosed with depressive episodes in the past and am taking anti-depressants right now. I realise that I am a work in progress, maybe more so than in times past, but I manage and the fact that I'm putting myself out here is based on me being ready to get to know someone new.
• I want to create a home together here, as I'm firmly rooted where I was born; I realise this is a lot to ask, but I have seen many people here being open to moving, so I want to at least try reaching out to them.

If you're interested, feel free to message me and include some pictures of yourself and I will reply with my own. Have a nice day (:

General
I am looking for a lady between 28 and 35 years old, for a committed monogamous childfree relationship. My goal is to become a true team, supporting each other, caring for each other, nurturing each other and helping each other grow and realise our goals and dreams as much as possible. I'm hoping to find someone that values a relationship as much as I do and takes it seriously. It's not the only thing my life revolves around, but it's also not just something 'nice to have' for me.
I tried to be as concise as possible while still providing what details I think are crucial to know; I realise this post turned out very long, but I prefer those because I can get as good an idea as possible with detailed descriptions, bar actually talking to the person, and find that very valuable, so if that also applies to you, that would be awesome.
Basics
I am 186cm tall, slim/fit built, dark brown hair, brown eyes. Both my arms are tattooed (full sleeve), as are my calves and the areas above my ankles. Regarding pictures see below. I am a runner (ranging from 5k to full marathon), training multiple times a week. I'm also vegan. My love languages are physical touch and words of affirmation. While I am mostly securely attached, withdrawing from me triggers anxiety and I have made a horrible experience with a fearful avoidant partner in the past, so that is something I fear I cannot deal with again.
I am also an atheist.
I am a very warm, soft and sensitive person, I think I am humorous, I am self reflecting a lot and I can also be really passionate and romantic. Those are traits that also are really important to me in a woman.
I can be quite social, I am a good talker, but also love to listen to really get to know someone on a deeper level. I can enjoy an evening out with friends just as much as the silence of sitting at the shores of the river and watching the sunset in solitude (although I've been craving to watch it together with a partner for a really long time now). I can be out in a pub, at a rave, a metal show or in the stadium watching football and have the time of my life, but I cannot do these things every day; I need recharge time (on the sofa, in the woods for a run, a lazy Sunday staying in bed etc.). This should give you an idea; basically, I am a homebody that thoroughly enjoys going out in moderation.
I won't say too much about hobbies; suffice it to say I am into the dark, the obscure, the macabre, the occult, the mysterious, the erotic. It won't surprise you that I had a gothic phase in my youth, bonus points if you did too!
What I am looking for
Although similar hobbies and interests are a plus (and there have to be at least a couple things we have in common), emotional and sexual compatibility are more important to me. I am a very sensitive and emotional person (I do cry easily and by this point I don't think I'll ever be able to change that, sorry), so if you're too, we will definitely understand each other. I need someone who I can open up to (which I do rather quickly, anyway), be myself, bare my soul to and I need these things from you, too. I've had my share of emotionally unavailable women who were afraid of intimacy so I know I can't deal with that again because of the way how those things affect me. I am always emotionally invested with the woman I pursue and in those cases that was to my detriment. But my ability to feel so deep is also something I wouldn't want to change because as of yet, although it's getting harder, I haven't given up on finding someone.
With those emotional needs come two requirements that I found to be vital over the years: First, being able to be silly and cutesy together and to accept each other's inner child and care for it. I am not talking about having to deal with another person's immaturity or inability to perform basic adult skills, rather with the way sadness, hurt, anxiety and being overwhelmed manifests for me (and maybe for you, too?). I need someone who is able to comfort me, to hold me, to allow me to be weak and needy for a while until I've calmed down, and I'm more than ready to offer the same. Your inner child can come out for a while, no problem (: Also in a positive way: Thankfully, today everyone seems to be understanding of the cuteness overload cats (or any animal baby, really) can cause; I need that with a partner. I also still have plushies as comfort animals (some of which in quite a litteral sense as they make for really amazing pillows) and ideally, you do too.
There is a saying that in every relationship, one person is the stronger one. In the past, I have been with women who obviously were stronger than me, but that doesn't mean they always had to be strong, far from it. I certainly, like I said, need to be able to feel protected, but it's not like I'm a particularly needy partner, like everyone, I have my ups and downs, but I can pull my weight and have been told by past partners that I am very caring and that they felt safe and understood with me, and providing that for my partner is really important for me as well – this just to put the picture I'm (somewhat haphazardly) trying to paint into perspective.
Second, sexual compatibility. I have a high libido and I have kinks, so you should, too, in order that we can explore and enjoy them together. I found out how fulfilling living out those fantasies can be after years of never being able to try and in a relationship, sexual fulfillment for both partners is a must for me. Someone on here has coined the term 'filthy best friends and partners' which I have no shame to be stealing because it's such an apt description.
I'm looking for a balance between healthy independence and being emotionally present. A relationship where we 'get' each other; we're both each other's number one and treat each other like royalty. Where a disagreement leads to more intimacy between us as we understand better, not to resentment. Where we're comfortable baring our souls to each other, becoming a safe haven and secure base for each other. I don't like the modern notion that you 'should never feel too safe in a relationship' because that sounds like running from the mafia (and believe me, I love mafia movies); you should always put in effort, yes, but safety is one of the things I always want to experience and provide in a relationship. We shouldn't fear that a disagreement leads straight to breakup. I know ‘self-sufficiency’ is trending right now, but I feel like as partners, we’re partly responsible for each other and not our own but also each other’s happiness. Being dependant and dependable at the same time is important; making each other’s wellbeing a priority. I love the relationship model outlined in Stan Tatkin’s ‘Wired for Love’ and you should, too. If you’re not able to healthily depend on someone and their support while you’re having a hard time, look elsewhere. I know codependency is the latest thing everyone’s afraid of, but experiencing someone you’ve grown very attached to just bailing because they’re counterdependent and can’t stand working on themselves while simultaneously letting you in is something I’d rather not go through again. If I have to be afraid you’ll run at the first major problem that surfaces, even if it’s a ‘you’-problem, it’s not going to work. I think that all things can and need to be talked about. If you think ignoring someone for days is a form of communication, please look elsewhere. If you think’s it’s okay to lovebomb someone and then leave after a couple of months with the minimum amount of information and no proper conversation because you’re not ready to own up to what’s happening to you emotionally, please look elsewhere.
I am looking for someone real. We all have our problems, I don't want or need a 'perfect' person. You don't have everything figured out or 'all your shit' together. Be imperfect. Admit when you feel sad and angry, lonely, hopeless or even helpless – it's all relatable. Don't hide it. Be quirky, be dorky, be witchy, be opinionated, be yourself. Don't pretend.
I'm looking for someone to share romance with. Not great gestures, but small, meaningful ones. Poems for each other, expressing our feelings; cards with heartfelt messages that we put our perfume/cologne on, and a symbol that means something to us only, the print of your lips with lipstick, the way I sign and seal my letters for you.
Just as important to me is agreeing on living a healthy life, staying in shape both for ourselves and for each other, regularly working out and eating healthy. I am drug and disease-free and expect the same of you. I do drink as I love a good beer or glass of wine, rum or whiskey, but I've never really been drinking much and especially during the past year have further reduced it. One vice I have is that I enjoy a couple of cigars a year, but I can definitely accommodate you in this regard.
Another important point is aligned life goals: many childfree people seem to be adventurous, but that is a trait I don't associate with myself at all. I value safety more than adventure. I want to build a home together with my partner, a safespace for the both of us, where we always feel loved and protected, a place that we create together, make it cozy together so we just love to get back home there wherever we might have been, a home we decorate together for Halloween (my favourite holiday) or Christmas or Springtime, as we live in tune with the seasons, seeing them change around us, enjoying nature on a walk or the rain outside, reading in our cozy home. I value stability and harmony.
Appearance-wise, I am into ladies on the smaller side (albeit not regarding height), so I'm looking for someone petite/slim/skinny/healthy-fit. Likewise, I am not really muscular and don't have visible abs; like I said, I'm a runner, so if you're more into the gym-type, I'm not a good fit.
The natural progression for me would be to move from text to voice calls, videochat and then meeting up, all of that rather sooner than later. Not that there’s a need to rush anything, but having my heart broken because I already developed feelings due to a longer timeframe and then everything unexpectedly turning to shit is not something I want to have to live through again. I’d rather see earlier if we’re compatible or not; as someone who catches feelings fast I need to protect myself, I unfortunately had to learn that
Caveats/Possible red flags

• I don't like travelling as it stresses me out; I don't mind being somewhere else for a week or two, but the organisation part of it drains my energy very quickly and dealing with stuff that doesn't work out is overwhelming to me. Smaller trips are ok, but I'm not the right person to travel the world with.
• I am not the most awake person in the morning (i.e. I identify as nightowl)
• I need space for my own projects/time to recharge after social interaction.
• While I feel like I am in tune with my inner child and working on/with it through therapy, I realise this is something that could be a turn-off for people.
• I have been diagnosed with depressive episodes in the past and am taking anti-depressants right now. I realise that I am a work in progress, maybe more so than in times past, but I manage and the fact that I'm putting myself out here is based on me being ready to get to know someone new.
• I want to create a home together here, as I'm firmly rooted where I was born; I realise this is a lot to ask, but I have seen many people here being open to moving, so I want to at least try reaching out to them.

If you're interested, feel free to message me and include some pictures of yourself and I will reply with my own. Have a nice day (:

Spoilers ahead…
Dear Karthik Subbaraj,
Congratulations on yet another interesting movie, and for resisting the impulse to name this one, too, after a food item. Iraivi is an unusual feminist film, in the sense that it’s seen entirely through the prism of sympathetic male characters. Your men aren’t monsters who drink or cheat on their wives or subject them to torture. They do these things, yes, but… differently. Arul (SJ Surya) drinks, but only to drown out his sense of failure – he’s a director and his film is in the cans, being held hostage by a sadistic producer. Michael (Vijay Sethupathi) has sex with Malarvizhi (Pooja Devariya), and he continues to lust after her after his marriage to Ponni (Anjali) – I love that all your women have names that suggest classical heroines, including Arul’s wife Yazhini (Kamalini Mukherjee) – but it’s a marriage he committed to in a hurry and he still hasn’t reconciled himself to it. He’s being a bastard, certainly, but he’s not a one-note villain. And the torture they inflict isn’t the stubbing-a-cigarette-into-the-wife’s-bare-arm variety. It’s more mental than physical.
So we get women who are collateral damage – and I include Arul’s comatose mother (Vadivukkarasi), and the nurse who’s not allowed to do her duty – of men being men. They’re being babies, really. Yazhini tells Arul that he should get on with his life, write another story, make another movie. He says it’s like her trying to have another child while still pregnant with their daughter. (Yes, all these men end up with girl children.) He’s a wallower – but maybe all artists are. You like to do that, don’t you Karthik? Even in a film like this, you deliver a commentary about filmmaking and the artist. Why, even Arul’s father is a sculptor, and though we never see him ill-treating his wife (thank you for sparing us the clichés of raised hands and raised voices), we’re informed that he’s responsible for her state. His son’s following the father’s footsteps. Maybe you’re trying to say that the wives of obsessed artists are doomed to become collateral damage. Your films make us think, Karthik, so thank you for that.
All your stories have at their centre a filmmaker, or at least (in the case of your first film, Pizza) a storyteller. And through them, we seem to hear your voice. “Works of art should not be in places where they are not respected.” “Namma padam pesanum, naama pesa koodadhu.” You compare masala movies to a massage with a happy ending. (I laughed, but please don’t judge me when I say I rather like massages with happy endings – I refer to masala movies, of course.) We even get a line of dialogue about Dolby Atmos. (What will the B/C-centre audience make of this, Karthik? But then you don’t really give a shit, do you? More power to you.) And you like your insider jokes. That crass, egoistic producer who does not care about art – he reminded me of the crass producer from your earlier film, Jigarthanda. You like Rajinikanth too. You referenced Thillu Mullu in Pizza, Thalapathi in Jigarthanda, and now you have Arul singing Malayala karayoram, Michael singing Oorai therinjikitten.
Or is that more of an Ilayaraja homage? You like to keep the audience guessing, right? When the Bobby Simha character in Jigarthanda said he was a Shankar-Ganesh fan, it appeared that you were mocking the endless Ilayaraja nods in Tamil cinema, but here you are, doffing your hat to the maestro. “Raja Raja dhaan.” Arul says this… twice. (By the way, which is that nightclub which plays Maanguyile poonguyile? Do let us know.) And the reuse of Unnai thaane – first in a scene between Michael and Malarvizhi; later in a scene between Michael and Ponni – is the kind of Easter egg we come to your films for. Let me list some others, though I’ll probably need to watch the film a second (or third) time to get them all. The name of the bachelors’ quarters is Ambal Mansion – it goes with your theme and title. I didn’t get the bit about the windmills (something connected to the gust of wind that makes the row of cycles fall over in the first scene?), or why you showcased the book of Shanta Shishunala Sharif’s poems. (I confess. I Googled up that name. I can’t remember the last time a Tamil film made me Google something up. Madras, maybe.) And despite your note at the beginning that Iraivi is inspired by the works of K Balachander (he made female-centric films, but I don’t know if I’d call them feminist films), this is really more of an ode to Mani Ratnam, isn’t it? Specifically, Aayidha Ezhuthu. The three men, one of them – the impulsive one – named Michael. The film starting out as Arul’s story, then becoming Michael’s story, and finally Jagan’s (Bobby Simha) story. The finale with the woman on the train. Plus, the arc of the Madhavan-Meera Jasmine plot was essentially about being easily misled (in the case of the man) and becoming collateral damage (in the case of the woman.) And yes, the rain. All that rain. As though the skies were weeping for these women.
Am I digressing, Karthik? If I am, I’m just following your style, which is the opposite of simple and linear. As a result, I find your films longer than they need to be. (You may feel the same about my reviews.) For instance, I did not care for the scene in the nightclub where a director is felicitated. I realise it was there as a last straw for Yazhini, but it felt redundant. But I suppose they couldn’t be any other way, because you like these shaggy-dog stories that you then embellish with novelistic detail. I love the way you introduce your characters, the time you take with them. Our films lay out characters and their relationship to each other the minute we set eyes on them, but you make us wait to know how Arul is related to Jagan and where Michael fits in and so on. And when it appeared that a semblance of a plot was kicking in (something about Arul needing money to buy back his film), I dug out my phone and checked: it was a whole hour into the movie. Borrowing an image from Malarvizhi’s profession (oh wait, she’s an artist too; she’s literally an artist), it’s like daubs of paint slowly forming a bigger picture.
And you really like an expansive canvas. Not only does the crass producer have a brother, you also bring in his wife later on, to conclude a deal he began making. These segments practically form a mini-movie, with another woman left reeling by the actions of her man. Your films have this… density. They’re packed – with characters, with complications, with information doled out in bits and pieces. (A character says, “Un kitta onnu sollanum.” And instead of hearing what he has to say, we cut to someone else.) Take the scene where Michael asks Arul for money he is owed. You just need to get Michael to Arul’s antiques shop, so the next part of the plot can be staged. Arul could have told Michael to collect the money at the shop. Instead, this is what we get. Arul tells Michael to wait for a week, when he can get the 50 lakhs he is owed. Michael says he wants only 10 lakhs. Arul says he has only 8 lakhs, he’ll give the remainder later. Michael goes to Arul’s father, in the hospital. He has only 5 lakhs. And he directs Michael to the shop, to get the remaining 3 lakhs. Your signature intercutting adds to this texture, Karthik. Shots of Michael and Arul’s father in the hospital are intercut with shots of Arul hunting for booze. Shots of Michael and Jagan outside a courtroom are intercut with shots of Arul being consoled by his father. Happenings are stretched and meshed the way they would be in real life, and not compacted according to the page-per-minute requirement of screenplay-writing textbooks.
I could never predict where the film was going (win!), what these people were going to do (again, win!) –though I must admit I found this to be the weakest of your “twists.” The subplot about stealing sculptures, too, I found rather conceit-y, something half-heartedly cooked up to fit with the title and the theme, rather than something plausible, something these people would do. When Michael, here, commits murder, with a hammer, I went, “This mild-mannered chap? Really?” But then, even in Jigarthanda, I wasn’t quite convinced that the characters would do the things they did. They seemed to be puppets of a screenplay rather than credible human beings, whose actions evolve organically from who they are (or at least, who they seem to be).
But even if I am not convinced by the overall trajectory of your characters, I love how fleshed-out they are on a moment-to-moment basis. I loved the scene where Arul barges into Yazhini’s house, after their separation, on the day of her engagement to someone else. In a lesser film, she would have asked him to get out, and he’d have dug his heels in, and she’d have cooled down and… But here, she rushes straight into his arms. And you make us see why. She was frustrated, fed up with him. But she’s also confused. Was she hasty in abandoning this man? Should she move on with another man? Does she even need a man? With just this one scene, you’ve compensated for the underwritten heroine of Jigarthanda. The story arc may be Arul’s, but Yazhini registers as a fully formed character. Similarly, Michael’s arc allows for the delineation of Ponni and Malarvizhi, and through Jagan, we get glimpses of his mother, and possibly of all womanhood as viewed by a compassionate man. And then you say that women don’t need even this compassionate man (poor chap!), that they have to emancipate themselves instead of looking for a penis-wielding emancipator. What delicious irony, given that you begin the film with women talking about marriage, tying themselves to a man!
Or not, in the case of Malarvizhi, who is easily the film’s most interesting character. Her husband is dead, and she doesn’t want love anymore – only sex. When Michael buys her a diamond necklace, she gives it back to him – she can buy her own trinkets, thank you very much. But the character feels shoe-horned into the film, Karthik. I felt betrayed – and I bet she did too – that after a point, she was used simply as a plot device to get Michael and Ponni together, and also to illustrate Michael’s (who is now standing in for all of mankind) hypocrisy. I felt she deserved more. And yet, I appreciated your generosity in fleshing her out like all the others, without judging her. She gets to be the rare woman in Tamil cinema who dumps the man, and the way she lets go of Michael is echoed in the way Arul lets go of Yazhini, with a heavy heart and some playacting. A side effect of the Malarvizhi subplot is the reassurance that Vijay Sethupathi is still interested in making cinema, rather than just massy entertainers targeted at the box office.
Ponni gets a better deal (and Anjali is terrific, raw and expressive in a way she has never been). In a great scene – rather, a set of book-ending scenes – Michael tells Ponni that he was forced to marry her, and she’s going to have to “adjust” to this if she wants to be with him. Much later, she throws the “adjust” word back on his bearded face when he asks her if she slept with someone else. In a different kind of movie, we’d be invited to see this symmetry, stand up and applaud. But you’re too subtle for that, Karthik. Iraivi is your subtlest film. Which is why I winced at the melodramatic lines about men and women, most of which came towards the end. Aan, using the long-sounding vowel, versus penn, with the shorter one – for such a visual filmmaker (this is another outstandingly shot film, less showy than Jigarthanda and probably richer for that), do you really need the crutch of linguistic special effects from another era of filmmaking? Also, when the rest of your film is so allusive, isn’t there another way you can explain the twist without having a character resort to such an inelegant information dump?
And why is it that your films come together more in the head than in the heart? Why are they easier to admire than love wholeheartedly? I used to think it was because your characters are essentially deceitful, self-serving and unsympathetic, so though we were invested in what they did, we didn’t really warm up to them. But here, you have Ponni and Yazhini and Malarvizhi – and they’re still remote. But perhaps this is bound to happen when there are so many people, so many strands, when we don’t follow one person’s simplistic “you go, girl” journey like we do in, say, 36 Vayadhinile? But when the parts are so well-crafted, we don’t complain as much about their sum not adding up to a satisfying whole. I am sure that you will, one day, make that wholly satisfying film, but for now, thank you for these parts. Thank you for the ambition. I felt there were too many songs (some good work by Santhosh Narayanan), but thank you for ensuring that they don’t break character, the way songs usually do when a character speaking in his or her voice suddenly segues into the playback singer’s voice. Thank you for giving us SJ Surya, the actor – I never dreamed he had such a capacity to hold a scene, to hold the screen. Thank you for continuing not to sell out. Thank you for trying to do so much, even if not all of it needed to have been tried. And thank you for making me fight with myself, for not making it easy to decide if you’ve made a “good” film or a merely “okay” film. For now, Iraivi is a fascinating film, and that’s enough.
Sincerely, etc.