Basically, I was practicing running for the first time, i fully understand the mechanics except for this one thing.
Sometimes i will break an armband, ex. ceiling/triangle hand. Armband shows red/square.
I will proceed to run to get square buff from wall hand, and when i get back to shoot the triangle/ceiling hand, the armband sometimes would change colors/shape to a completely different one than I had originally seen, instead of getting destroyed.
Not totally sure what causes this, I presumed breaking a glyph maybe shakes up the armband symbols/colors? Not sure.

The idea of Musaylima, regardless of his historicity (the idea of prophets before and after Muhammad contemporaneous to him is present in the Quran), is the key to unlocking the Quranic mystery.
Besides the likeliness that Musaylima existed and claimed or was accused of claiming prophethood, there's nothing we can truly establish about his narratives.
But what if, like he accepted a previous prophet according to a tradition, that is, Khaled bin Sinan, Muhammad did not oppose Musaylima, but instead it was Abu Bakr? Or, what if regardless if he was rejected or accepted by him, he essentially became a trope of the ultimate enemy.
Another "figure" that quality is in a way the Kharijites as a group.
Why is this important? The traditional claims, other than a low resolution outline and sense of how the establisment framed things, have little chance of being true. Regarding the teaching and practices of heretics and such.
So it is not an unreasonable research starting point to assume something about the teachings and claims attributed to Musaylima, the Liar, False Prophet and ultimately an archetype of an early villain, and partially the Khawarij, a stereotype catch all term for various rebel tribes and movements stereotyped by their particular portrayal.
The assumption: they are a mixture of the aggregate beliefs of the people they considered most damaging to the state, mixed with ludicrous.
The claim of concurrent prophethood. The claim of qibla being irrelevant and God not needing a house (downplaying the Kaaba as to downplay the qibla). Possible claims of less daily prayers (I'm writing from memory so this might be from the later cult mentioned in the Dabestan).
For the Kharijites, sometimes equated with passionate early qurra, who were thought to have opposed the canonization of the Quran. There's early hadith hinting at Kharijites and proto-"rationalist" (Mu'tazilla) figures rejecting hadith.
The revisionist school is incorrect to doubt the canonization of the Quran. But they are right to wonder about the 20 years before that, between Muhammad's death and the canonization.
It is the meeting point between the al-Hallaj canonization and revisionist / multiple-author theory proponents and the Donner "believers movement" / van Puten / Uthman early canonization camp.
The qibla and Kaaba tradition, likely based on a genuine command for believers in exile to pray toward the Kaaba, became the venue for Quraysh to monopolize the claim to Muhammad's religion. The Quraysh as the powerful force of Mecca and keepers of the Qaaba, could move away from the original "Hanifiyya / Believers / 'Abrahamic'" vision and narrativize the documented migrations in the Quran of Muhammad's earliest believers into one of the centrality of Quraysh lineage, Mecca, and Kaaba, which was ultimately a symbol of the Biblical house of God, the common religious descendance from Abraham, etc., not the equivalent to a universal center of the world that somehow deleted the previous qibla (Jerusalem, or a bit achronistically: Bethel).
The multiple-author theory is explained simply: there is a core of Muhammad's teaching, and Christians, Jewish, local and wider tradition being reinterpreted in a strictly unitarian, Allah-centered fashion -- whether Muhammad authored them or not ulimately not decisive regarding its validity for Muslims, as its precisely the belief that Muhammad could have encountered if he were to live for the conquests and would have likely endorsed most of the beliefs. (Would Jesus be as exalted? Who knows.) This is going beyond the Musaylima point, as if the Kharijite point wasn't enough of going overboard haha.
BUT: Is this mode of thinking at all setting off some light bulbs? Some of it feels like a quite natural explanation that bridges the two opposing camps, and has some parallels in how early orthodoxy and heresy got defined in say Christianity. I also tend to think about the beefy, legislative / liturgative parts of the Quran and the big lineages of Prophets, and also think of Torah and Gospel source criticism and how these lineages and laws are typical of later redactional layers.
I am a complete amateur, but the underexplored aspect of the Kharajites, and especially Musaylima excites. For my point of them being essentially 95% literary characters stereotyping "liars / crazy proto-terrorists" is narratives connecting Musaylima, the other false prophet and alleged wife of Musaylima, Saya, and a Kharajite tribe in Yamamma, where Musaylima's from. Donner believes the Kharajites' apocalyptic readiness might be proof their attitude towards the Quran being most like that of Muhammad's earliest followers.
By building counter narratives about the "worst" enemies of early Islam, and distinguishing bullshit claims meant to embarass and others that seem to contradict government, Quraysh, or Umayyad, or Sunni / Shia ... interests, ... We can get an idea of what the most repressed Islam was: rather than for being heretical, maybe it held too much truth as too the actual teachings of Muhammad. The Kharajites did not believe in Caliphate lineage and are sometimes imagined as more open to women and outsiders (but stereotyped as hyper-strict among believers, contradictorally perhaps?)
See what I'm getting at? Hope it isn't too crazy an idea. I rushed this a bit and didn't cite anything. There's threads about this stuff AcademicQuran already, just not much. Can't wait to hear your thoughts!

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"0402","+","Rudy HQ - Miscellaneous SE"
"0403","+","DB armor retexture 4k"
"0404","+","Immersive Fallen Trees SSE"
"0405","+","Immersive Fallen Trees Patch"
"0406","+","Rally's Solstheim Landscapes 4K"
"0407","+","Skyrim Landscape and Water Fixes"

Title: What Is the Blarney Stone, and How Did It Become a Legendary Symbol of Eloquence and Irish Heritage?
The Blarney Stone, ensconced within the walls of Blarney Castle in Ireland, holds a legendary place in both Irish folklore and global curiosity. Famed for endowing anyone who kisses it with the gift of eloquence, this stone's blend of historical and mythical narratives makes it a compelling subject for both skeptics and romantics alike.
The Goddess Clíodhna and the Stone's Origins
The roots of the Blarney Stone’s story intertwine with Irish mythology, particularly involving the goddess Clíodhna. Legend tells us that Cormac Laidir MacCarthy, who constructed the castle during the 15th century, was advised by Clíodhna to kiss the first stone he found when facing a crucial lawsuit. He followed her advice, and his articulate pleading allegedly secured his victory. Consequently, the stone was integrated into the castle's structure, symbolizing its role as an artifact that could impart the ability to speak both delicately and persuasively.
Diverse Legends and Academic Theories
The origin of the Blarney Stone is subject to various theories and legends. A popular one, though geologically disputed, suggests that the stone was originally from Scotland, gifted to McCarthy by Robert the Bruce after the Battle of Bannockburn as a token of gratitude for McCarthy's support. However, scientific studies by the University of Glasgow point towards the stone being local Irish limestone, debunking its alleged Scottish heritage.
Connection to the Stone of Scone
Another intriguing theory connects the Blarney Stone to the Stone of Scone, used in ancient Scottish coronation ceremonies. Despite the similarities in their legendary statuses tied to speech and authority, geological analysis has confirmed that the two stones do not share the same material properties, putting this theory into question as well.
Tourist Attraction and Cultural Legacy
Regardless of its murky origins, the Blarney Stone is unequivocally ingrained in Irish heritage and continues to attract tourists worldwide. Many flock to the castle, driven by the allure of acquiring the gift of the gab from this enigmatic stone. Its legacy persists, bolstered by the tales that surround it and the cultural value it holds.
Conclusion: A Symbol Steeped in Mystique
The Blarney Stone exemplifies how mythologies can influence cultural perceptions and historical landmarks. While its true origins may remain veiled in mystery, the stone undeniably represents a significant aspect of Irish folklore and heritage. It appeals not only to those intrigued by history and mythology but also to travelers seeking experiences filled with a touch of enchantment.
For those fascinated by the convergence of legend and history, the Blarney Stone is more than just a stone; it's a symbol of Ireland itself, rich with stories that span centuries. Whether kissed for its fabled powers or admired for its historical implications, the Blarney Stone continues to be a cornerstone of Irish cultural identity. https://lovetovisitireland.com/wp-content/uploads/2020/11/no-people-4870916_1920.jpg

this is my modlist

Mod_Priority,#Mod_Status,#Mod_Name

"0000","+","DLC: HearthFires"
"0001","+","DLC: Dragonborn"
"0002","+","DLC: Dawnguard"
"0003","+","Creation Club: ccQDRSSE001-SurvivalMode"
"0004","+","Creation Club: ccBGSSSE037-Curios"
"0005","+","Creation Club: ccBGSSSE025-AdvDSGS"
"0006","+","Creation Club: ccBGSSSE001-Fish"
"0007","+","Creation Club: _ResourcePack"
"0008","+","SkyUI SE - Flashing Savegames Fix"
"0009","+","SkyUI_5_2_SE"
"0010","+","FixNotesForSkyUI Skyrim AE"
"0011","+","SkyUI_SE.esp Plugin with Skyrim.esm Master ESPFE"
"0012","+","ElSopa - Animated Celtic Icons 1.2"
"0013","+","Quest Journal Fixes"
"0014","+","Opt. 4 - Full-screen MCM Menu for SkyUI"
"0015","+","Immersive HUD - iHUD"
"0016","+","(Part 1) SSE Engine Fixes for 1.6.1170 and newer"
"0017","+","All in one Address Library (Anniversary Edition)"
"0018","+","MCM Helper"
"0019","+","Bug Fixes SSE - Anniversary Edition (1.6.629.0 and later)"
"0020","+","Alternate Start - Live Another Life"
"0021","+","ASLAL Voice Pack"
"0022","+","Alternate Start"
"0023","+","Alternate Start - A New Dragonborn Extension"
"0024","+","Dealing with Daedra"
"0025","+","BEES-1_2"
"0026","+","trainwreck"
"0027","+","Player Rotation in ShowRaceMenu v1.0.0 for SkyrimSE"
"0028","+","RaceMenu Anniversary Edition"
"0029","+","Unofficial Skyrim Special Edition Patch"
"0030","+","Stay At System Page"
"0031","+","Better Dialogue Controls"
"0032","+","Better MessageBox Controls"
"0033","+","1st Person Candlelight Fix"
"0034","+","Better Jumping AE"
"0035","+","Equip Enchantment Fix for 1.6.629 and newer"
"0036","+","Major Cities Mesh Overhaul SE"
"0037","+","NPC Water AI Fix for SkyrimAE 1.6.629 and newer"
"0038","+","Assorted Mesh Fixes"
"0039","+","Scrambled Bugs - Anniversary Edition (1.6.629.0 and later)"
"0040","+","Barter Limit Fix"
"0041","+","powerofthree's Tweaks"
"0042","+","Sprint Sneak Movement Speed Fix"
"0043","+","Atlas Map Markers"
"0044","+","Weapons Armor Clothing and Clutter Fixes"
"0045","+","Armor and Clothing Extension"
"0046","+","Complete Crafting Overhaul Remastered"
"0047","+","Navigator - Navmesh Fixes"
"0048","+","CritterSpawn Congestion Fix 1.54"
"0049","+","Unequip Quiver SE"
"0050","+","More Informative Console 1.2"
"0051","+","ConsoleUtilSSE NG"
"0052","+","Fuz Ro D'oh"
"0053","+","Base Object Swapper"
"0054","+","AnimObject Swapper"
"0055","+","Papyrus Extender"
"0056","+","HeadpartWhitelist"
"0057","+","Lightened Skyrim"
"0058","+","Save Unbaker"
"0059","+","Picta Series - Improved Sky Meshes"
"0060","+","ELIF"
"0061","+","ENB Helper SE 2.2 for 1.6.629 and up"
"0062","+","ENB Helper SE for SE 1.6.1170"
"0063","+","ENB Helper Plus"
"0064","+","Auto Parallax"
"0065","+","Skyrim_Particle_Patch_for_ENB"
"0066","+","NORDIC RUINS"
"0067","+","Dear Diary Dark Mode (warm text)"
"0068","+","Paper World Map"
"0069","+","TrueHUD"
"0070","+","Starlit Lakes Loading Screens - SSE"
"0071","+","Dear Diary DM (warm) Fixes"
"0072","+","Sound Record Distributor"
"0073","+","Audio Overhaul for Skyrim (4.1.2)"
"0074","+","Audio Overhaul Skyrim - Immersive Sounds Compendium Integration (1.1.0)"
"0075","+","ISC_drinking_sound_fix"
"0076","+","Immersive Sounds - Compendium"
"0077","+","Lucidity Sound FX - New Sounds"
"0078","+","Acoustic Space Improvement Fixes"
"0079","+","Lucidity Sound FX v2u"
"0080","+","Music Of Skyrim - Loose Files"
"0081","+","Celtic Music In Skyrim SE"
"0082","+","Lux - Via"
"0083","+","Lux"
"0084","+","NAT.ENB - ESP WEATHER PLUGIN v3.1.1C - Fixed"
"0085","+","Berserkyr ENB - Plugin"
"0086","+","Lux Orbis"
"0087","+","Misc. SMIM Fixes"
"0088","+","SMIM Quality Addon 1.5"
"0089","+","Static Mesh Improvement Mod Improvement Mod"
"0090","+","Markarth - A Reflective Experience"
"0091","+","Static Mesh Improvement Mod"
"0092","+","Riekling Barrels SMIM"
"0093","+","2 SMIM UpFurnWeathered4K"
"0094","+","Ruins Clutter Improved SE"
"0095","+","Parallax Spell Impacts"
"0096","+","Deadly Spell Impacts"
"0097","+","BellyAches HD Dragon Replacer 1.4"
"0098","+","MD's Mines - 4K"
"0099","+","Underground - Complex Parallax Addon"
"0100","+","CC's HQ Caves - 4K - 1.1"
"0101","+","Gecko's Dwarven Ruins Textures"
"0102","+","Bellyaches Animal and Creature Pack Revamp"
"0103","+","Underground - a dungeon texture overhaul"
"0104","+","Rudy HQ - Nordic Ruins SE version"
"0105","+","Remove Hanging Moss From Trees"
"0106","+","NOTWL-HangingMossFix.zip"
"0107","+","Folkvangr - Grass and Landscape Overhaul"
"0108","+","Nature of the Wild Lands - Better Harvesting Patch"
"0109","+","Misc. Blended Roads Fixes"
"0110","+","Blended Roads"
"0111","+","Nature of the Wild Lands 2.0"
"0112","+","2k Farmhouse Fences SE Version 2"
"0113","+","HD Remastered Blended Roads 2k"
"0114","+","Enhanced Blood Textures"
"0115","+","aMidianBorn Book of Silence SE"
"0116","+","Book Covers Skyrim - Normal map FIX"
"0117","+","Book Covers Skyrim - USSEP Update"
"0118","+","ESP-FE Plugin"
"0119","+","DustEffectsSSE"
"0120","+","Sanguine - Enhanced Blood Retexture 2K"
"0121","+","Gemling Queen Jewelry SE USSEP Circlet Fix"
"0122","+","Gemling Queen Jewelry SE"
"0123","+","JS Circlet Replacer"
"0124","+","JS Circlet Replacer USSEP Fix"
"0125","+","Book Covers Skyrim SE - Desaturated.7z"
"0126","+","Presets for grass collisions"
"0127","+","JS Unique Utopia SE - Rings - 2k Textures"
"0128","+","Landscape Fixes For Grass Mods"
"0129","+","2K Grass"
"0130","+","Patch for Helgen Reborn"
"0131","+","JK's Skyrim - Towns"
"0132","+","Folkvangr for ENB Complex Grass"
"0133","+","Landscape Seam Fixes"
"0134","+","Complementary Grass Fixes"
"0135","+","A. Noble Skyrim - FULL PACK_2K"
"0136","+","Lost Library 4K - Desaturated"
"0137","+","Skyland AIO"
"0138","+","Dark Brown - 4k"
"0139","+","Skyrim 3D Rocks"
"0140","+","Praedy's Sky AIO - SE"
"0141","+","JK's Skyrim all in one"
"0142","+","JK's Skyrim - USSEP Patch"
"0143","+","Deadly Shadows for JK's Skyrim"
"0144","+","JK's Castle Volkihar"
"0145","+","JK's Solitude Outskirts"
"0146","+","JK's Markarth Outskirts"
"0147","+","JK's Riften Outskirts"
"0148","+","JK's Windhelm Outskirts"
"0149","+","JK's Whiterun Outskirts"
"0150","+","JK's Castle Dour"
"0151","+","JK's The Bards College"
"0152","+","JK's Sinderion's Field Laboratory"
"0153","+","JK's Septimus Signus's Outpost"
"0154","+","JK's Sky Haven Temple"
"0155","+","JK's High Hrothgar"
"0156","+","JK's Jorrvaskr"
"0157","+","JK's Haelga's Bunkhouse"
"0158","+","JK's Temple of Talos"
"0159","+","JK's Temple of the Divines"
"0160","+","JK's Temple of Kynareth"
"0161","+","JK's Temple of Dibella"
"0162","+","JK's Riverwood Trader"
"0163","+","JK's Understone Keep"
"0164","+","JK's The Hag's Cure"
"0165","+","JK's Arnleif and Sons Trading Company"
"0166","+","JK's Silver-Blood Inn"
"0167","+","JK's The Temple of Mara"
"0168","+","JK's Mistveil Keep"
"0169","+","JK's The Ragged Flagon"
"0170","+","JK's The Pawned Prawn"
"0171","+","JK's Elgrims Elixirs"
"0172","+","JK's The Bee and Barb"
"0173","+","JK's Palace of the Kings"
"0174","+","JK's New Gnisis Cornerclub"
"0175","+","JK's Sadris Used Wares"
"0176","+","JK's White Phial"
"0177","+","JK's Candlehearth Hall"
"0178","+","JK's Blue Palace"
"0179","+","JK's Radiant Raiment"
"0180","+","JK's Bits and Pieces"
"0181","+","Jk's Angeline's Aromatics"
"0182","+","JK's Sleeping Giant Inn"
"0183","+","JK's Riverfall Cottage Family Edition"
"0184","+","JK's Dragonsreach"
"0185","+","JK's The Bannered Mare"
"0186","+","JK's The Drunken Huntsman"
"0187","+","JK's Warmaiden's"
"0188","+","JK's Belethor's General Goods"
"0189","+","JK's Arcadia's Cauldron"
"0190","+","JK's The Winking Skeever"
"0191","+","Better ICW Map 1.2"
"0192","+","Immersive College of Winterhold Static Chain Fix"
"0193","+","Immersive College Floating and Clipping Trees Patch"
"0194","+","Immersive College of Winterhold Patch Collection"
"0195","+","LUX x ICOW patch"
"0196","+","Immersive fort dawnguard landscape fixes for grass mods patch"
"0197","+","Imperial Stone Special Edition"
"0198","+","Serenity"
"0199","+","Halted Stream Mine"
"0200","+","Cidhna Mine Expanded 2.3b SSE"
"0201","+","The Ruins"
"0202","+","Northern Scenery - Ysgramor's Tomb"
"0203","+","Northern Scenery - IronBind Barrow"
"0204","+","Northern Scenery - Ansilvund"
"0205","+","Northern Scenery - Angarvunde"
"0206","+","Northern Scenery - Whiterun's Tundra"
"0207","+","Northern Scenery - Bleak Falls Barrow"
"0208","+","Nordic Ruins of Skyrim 2.0"
"0209","+","Camps Re-Covered"
"0210","+","Stave Church of Skyrim"
"0211","+","Unmarked Locations Pack"
"0212","+","Unmarked Locations Pack - Sovngarde"
"0213","+","Unmarked Locations Pack - Forgotten Vale"
"0214","+","Unmarked Locations Pack - Solstheim"
"0215","+","Unmarked Locations Pack - Soul Cairn"
"0216","+","Ryn's Standing Stones"
"0217","+","Ships on the Horizon - Animated"
"0218","+","Beware of the Swamp - Poisonblooms"
"0219","+","Mythical Tundra - Stonehenge and Hilltops"
"0220","+","Flower Fields SE - High Res Loose Files"
"0221","+","KR2's Fairy Circles"
"0222","+","BetterSolstheimLocations.7z"
"0223","+","Nordic Runestones"
"0224","+","Landscape"
"0225","+","Smoking Torches and Candles SSE"
"0226","+","High Poly Project"
"0227","+","HPP Fixes"
"0228","+","HPP - My Fixes by Xtudo - AIO Campfire"
"0229","+","Arctic - Frost Effects Redux"
"0230","+","Peltapalooza - Parallax Occlusion - FULL"
"0231","+","PELTAPALOOZA Special Edition - FULL"
"0232","+","JS Rumpled Rugs SE"
"0233","+","RUGNAROK - Special Edition - 2K"
"0234","+","FleshFX"
"0235","+","Grindstones - 20X Sparks"
"0236","+","Holy Wards - a retexture"
"0237","+","DOOR v2 x2048"
"0238","+","OIL v2 x2048"
"0239","+","SOUL v2 x2048"
"0240","+","Near Vanilla Project - Portal to Sovngarde Redone 4K"
"0241","+","Strange Runes"
"0242","+","Remiros' Statue of Azura HD"
"0243","+","Remiros' Statue of Boethiah HD"
"0244","+","Remiros' Statue of Clavicus Vile HD"
"0245","+","Remiros' Statue of Mehrunes Dagon HD"
"0246","+","Remiros' Statue of Shalidor HD"
"0247","+","RUSTIC RELIEFS"
"0248","+","Stunning Statues of Skyrim"
"0249","+","Less Ugly Tundragrass"
"0250","+","Skyrim SE Improved Puddles"
"0251","+","Better Shape Creature"
"0252","+","Water for ENB - Patch - JK's Ragged Flagon"
"0253","+","Water for ENB - Patch - JKs Solitude Outskirts"
"0254","+","Water for ENB - Patch - Lux - JK's Ragged Flagon"
"0255","+","Water for ENB"
"0256","+","Forgotten Retex Project"
"0257","+","Khonsu - Mist's Shadowmarks 1K"
"0258","+","Clutter"
"0259","+","Ancient Automatons 4K"
"0260","+","Iconic Statues"
"0261","+","Realistic HD Blacksmith Remastered"
"0262","+","Skyland Animated Mead and Ale Bottles"
"0263","+","Retextured SMIM Ingredients"
"0264","+","HalkHogan Rabbit meat cooked FIX"
"0265","+","Realistic HD Food Remastered"
"0266","+","Realistic HD Mushrooms Remastered"
"0267","+","Rally's Crates"
"0268","+","Shrubbery Symphony - Enhanced Greenery"
"0269","+","R's Windmill"
"0270","+","High Quality Ivy"
"0271","+","Nordic Stonewalls"
"0272","+","Nordic Farmhouse Stonefloor"
"0273","+","Medieval Farmhouses"
"0274","+","College of Winterhold - Glowing Symbols"
"0275","+","Gemstones Replacers HD SE"
"0276","+","Realistic Boat Bobbing SE"
"0277","+","Realistic Boat Bobbing - JK's Skyrim"
"0278","+","Realistic Boat Bobbing - USSEP Patch"
"0279","+","better ropes sse"
"0280","+","Realistic Skin and Hair Shaders - Giants"
"0281","+","Ruined Book 2018 2k"
"0282","+","2K Dark Brotherhood tenants"
"0283","+","More Saddles SSE"
"0284","+","High poly campfires"
"0285","+","Unique Dragon Aspect"
"0286","+","Ultimate HD Torch 1_3"
"0287","+","Simple Snow Improvements - Skyrim Fixes"
"0288","+","Simple Snow Improvements - Giant Obelisk Fixes"
"0289","+","Simple Snow Improvements - Snow Forts"
"0290","+","Simple Snow Improvements - Solstheim Ruins"
"0291","+","Unreal 2K Mammoth Skeleton ReTexture"
"0292","+","CG4 Merged Snow Effects SE"
"0293","+","CG4 Trees and Bushes SE - (WOODLAND Version)"
"0294","+","AnimTentacles4GlowingMushroom"
"0295","+","Mudcrabs by Pfuscher"
"0296","+","Wolves of Skyrim"
"0297","+","Thickets to Marsh Plants"
"0298","+","Clams HD"
"0299","+","Animated Coffins"
"0300","+","Animated water lily SE"
"0301","+","ENB lights for Aetherium Shards SE"
"0302","+","XNFRain's Civil War Map Flag Replacer"
"0303","+","Xyn's Elemental Cloak Spells"
"0304","+","Eternal Flames Blue"
"0305","+","SMIM Compatible Meshes"
"0306","+","Night Mummy"
"0307","+","Night mother"
"0308","+","HD Wheat 2K 4K"
"0309","+","High Poly Solstheim Mushroom Trees - Parallax"
"0310","+","Kanjs - Queen Bee 2k"
"0311","+","Kanjs - Queen Bee Meshes Particule light ENB"
"0312","+","Apiaries Beehives - Retexture 1.2"
"0313","+","4K HQ Cowhide"
"0314","+","SavrenX Gore"
"0315","+","Better Dirt Cliffs and Alphas (4K)"
"0316","+","Iconic's Spiders of Skyrim"
"0317","+","Falmers - with 2k textures"
"0318","+","Improved Dwemer Glass"
"0319","+","Nocturnal's Pool HD 4K"
"0320","+","MM REAL ELKS 2K"
"0321","+","Improved Gourds"
"0322","+","Bears of the North"
"0323","+","Ingredients"
"0324","+","Bears of the North Patches"
"0325","+","Ennead Shields - 2K"
"0326","+","RUSTIC WINDOWS - Special Edition - 2K"
"0327","+","4k Textures"
"0328","+","Ennead Banners 2K.7z"
"0329","+","ElSopa HD - Hand Painted Road Signs 2k"
"0330","+","WiZkiD Forgotten Potions and Poisons"
"0331","+","RUSTIC ANIMATED POTIONS and POISONS 2K"
"0332","+","RIS - Blended Roads Patch"
"0333","+","HD Hand Made Signs Project Overhaul 2K"
"0334","+","RIS - Real Ice and Snow"
"0335","+","Animated Ice Floes"
"0336","+","Metallurgy - Ingots Ore and Veins HD 2K (Packed)"
"0337","+","The Grass Must Grow"
"0338","+","Dawnguard Rewritten - Arvak"
"0339","+","Arvak Reborn"
"0340","+","JS Shrines of the Divines SE - 2K"
"0341","+","2K_D.P.M.I_2.0"
"0342","+","Higher Poly Vanilla Dragons"
"0343","+","Alduin's Imprefvicticious and Chapper's Demonic Retexture mashup"
"0344","+","Enhanced Original"
"0345","+","Iconic's Dragon Retexture"
"0346","+","Jormungandr Paarthunax Replacer"
"0347","+","Thunderbolt HD Lightning"
"0348","+","Voltage 4-2K"
"0349","+","Copper SSE"
"0350","+","Real Bows"
"0351","+","Opulent Robe Retexture 2K SE"
"0352","+","Runed Nordic Weapons SSE"
"0353","+","Iconic's Werewolf and Werebear Retexture"
"0354","+","RUSTIC CLOTHING - Special Edition - 4K-2K"
"0355","+","Iconic's Vampire Lord Retexture"
"0356","+","Gargoyles and Death Hound 2K"
"0357","+","Stone Atronach 2K"
"0358","+","Ashman Retexture 2K"
"0359","+","Iconic's Frost - Flame - Storm Atronach Retexture"
"0360","+","Ash Guardian 2K"
"0361","+","Praedy's Staves AIO"
"0362","+","Iconic's Spriggan Retexture"
"0363","+","Daedric"
"0364","+","Dwarven"
"0365","+","Ebony"
"0366","+","Elven"
"0367","+","Glass"
"0368","+","Iron"
"0369","+","Nord"
"0370","+","Nordic Carved"
"0371","+","Orcish"
"0372","+","Steel"
"0373","+","Lean Wolf's Better Shaped Weapons Patch"
"0374","+","Resurgence Armory - Stalhrim Weapons and Armor Overhaul"
"0375","+","Nordic Carved Set - Full Resolution"
"0376","+","Nordic Metalworks 2K"
"0377","+","Lean Wolf's Better Shaped Weapons Patch1"
"0378","+","Lean Wolf's Better Shaped Weapons Patch2"
"0379","+","Daedric Set - Full Resolution"
"0380","+","Lean Wolf's Better Shaped Weapons Patch3"
"0381","+","Base Artifacts - 4K"
"0382","+","Dwarven Set - Full Resolution"
"0383","+","Lean Wolf's Better Shaped Weapons Patch4"
"0384","+","Ebony Set - Full Resolution"
"0385","+","Glass Set - Full Resolution"
"0386","+","Lean Wolf's Better Shaped Weapons Patch5"
"0387","+","Nord Set - CC Fishing Addon - Full Res"
"0388","+","Lean Wolf's Better Shaped Weapons Patch6"
"0389","+","Orcish Set - Full Resolution"
"0390","+","Nord Set - Full Resolution"
"0391","+","Resurgence Armory - Elven Weapons and Armor Overhaul"
"0392","+","Steel Set - Full Resolution"
"0393","+","Resurgence Armory - Iron Weapons and Armor Overhaul"
"0394","+","IWBA All In One SE"
"0395","+","HD Falmer and Chaurus with Glow - xTxVxTx"
"0396","+","Woodcutter Axe Redone - Half Resolution"
"0397","+","KD - Realistic Fireplaces SE"
"0398","+","Animated Embers 2.1"
"0399","+","ENB Lights For Effect Shaders"
"0400","+","Misc Effects ENB Light"
"0401","+","FYX - Sparks of fire reacts to the wind - Embers"
"0402","+","Rudy HQ - Miscellaneous SE"
"0403","+","DB armor retexture 4k"
"0404","+","Immersive Fallen Trees SSE"
"0405","+","Immersive Fallen Trees Patch"
"0406","+","Rally's Solstheim Landscapes 4K"
"0407","+","Skyrim Landscape and Water Fixes"

I been trying to buy this since IPO but finally just seen it on RH. Have a good feeling about this one.
Fly-E Group, which makes and sells electric bikes, motorcycles, and scooters, raised $9 million by offering 2.25 million shares at $4.00, the low end of the range of $4.00 to $5.00. The company had originally filed to offer 3.0 million shares.
Based in Flushing, NY, Fly-E Group designs, installs, and sells smart electric motorcycles, electric bikes, electric scooters, and related accessories under the brand "Fly E-Bike." The company's product portfolio currently consists of 21 E-motorcycle products, 21 E-bike products, and 34 E-scooter products, which it sells both online and through a network of 39 retail stores mainly in the US. Fly-E sources its components from China and the US, and assembles them in a leased facility in Brooklyn. In the fiscal year ended 3/31/24, the company produced 8,390 E-motorcycles, 7,638 E-bikes, and 3,171 E-scooters in this facility.
During the twelve months ended 12/31/2023, the company generated revenue of $29 million.
Fly-E Group plans to list on the Nasdaq under the symbol FLYE. The Benchmark Company acted as sole bookrunner on the deal.

1. Symbolism Exploration:
   
   • Research and write about the symbolic significance of each candle on the Hanukkah menorah. How do these symbols relate to the historical events of Hanukkah?
2. Traditional Foods Investigation:
   
   • Explore the traditional Hanukkah foods, such as latkes and sufganiyot. Investigate their origins, variations, and the cultural importance of consuming these during the festival.
3. Dreidel Origins and Variations:
   
   • Dig into the history of the dreidel game. What are the origins of this Hanukkah tradition, and how has it evolved over time? Are there regional variations in how the game is played?
4. Hanukkah Music and Songs:
   
   • Research traditional Hanukkah songs and music. Explore their origins, lyrics, and the role they play in Hanukkah celebrations. Are there specific melodies associated with the festival?
5. Hanukkah Customs Around the World:
   
   • Investigate how Hanukkah is celebrated in different parts of the world. Are there unique customs or variations in traditions based on cultural influences?
6. Modern Hanukkah Traditions:
   
   • Explore contemporary ways in which people celebrate Hanukkah. How have the traditions evolved or incorporated new elements over time? Are there innovative practices within modern Hanukkah celebrations?
7. Hanukkah Decorations and Art:
   
   • Research the artistic aspects of Hanukkah, including decorations and visual representations. Explore traditional and contemporary Hanukkah art, and consider how it reflects the essence of the festival.
8. Hanukkah and Education:
   
   • Investigate how Hanukkah is incorporated into educational settings. Are there specific lessons, activities, or educational programs designed to teach the significance of Hanukkah?
9. Hanukkah in Literature:
   
   • Explore how Hanukkah is portrayed in literature. Look for Hanukkah-themed books, poems, or stories and analyze how they contribute to the cultural understanding of the festival.
10. Hanukkah Events and Celebrations:
    
    • Research public Hanukkah events, festivals, or gatherings. Explore how communities come together to celebrate Hanukkah on a larger scale and the various activities organized during these events.

Two weeks ago, with the help of my best friend I contacted my twin flame and I sent him some screenshots, which described my love for him and how I will see my twin as my symbol of power snd force. We are currently in separation, so I did not wanted to go and tell it to his face. I wanted to eternalize what I wanted to say to him. I also sent him a photo of a poem I wrote on the back of a photo he originally took with me, him and his best friend. After I sent him those messages, my best friend also said to my twin that if he ever cared about me, he should look for me and contact me. Afterwards my best friend blocked my twin (it was all done on her phone) because if anything I did not want my twin to use my friend afterwards as a way to communicate with me. He has my number and my social media accounts available, all he has to do is contact me on one of them. Normally I would have waited for this moment a bit sooner, but two day prior to this I thought I had seen him at my window, with a friend of his, and two seemed like they were looking for me. At first I thought I might have mistaken the people, because my twin lives nearby my city and his relatives also live on the other side of the city, so he would not have any bussiness around this part of the city I live. That sudden shock motivated me to do this whole thing faster; it was time.
Days went by and I got to the end of my graduation. My twins best friend (a karmic) called me and congratulate me on graduating, saying he wishes the best for me and my life in general. I thanked him and my eyes fixed on my twin. I noticed he was looking embarassed and a bit scared, which is something I had never seen my twin do ever, in like the two years I have known him. He would be confident and happy, not scared, ever. My twins friend notices this and bumps him softly, telling him to "tell me something as well and snap out of whatever is going on in his head". My twin steps back at first afraid and says while stumbling (something new for him):
"Wh-wha... what could I say t-to... anyway, which college you wanna go to".
I answer him while shaking his sweaty hands (again, all of this screamed at me something happened/changed in his psyche cause he acts like a totally different person), then I go back to my friends. During the overall graduation I noticed how my twin locked his eyes on me during almost the entirety of the event. There were lots of people who recorded the moment from different angles and when looking at the videos I got backed up by this: my twin mostly just looked at me/my direction. When my twin and his class started to leave, I looked for their homeroom teacher and I gave her an envelope. The envelope was a parting gift from me to my twin, and probably a gesture many would find only on movies and shows with how cheesy it is.
The envelope had the photo with the poem and a piece of paper with a link to a text file that has a binary code. When decoded the binary code says that I love my twin and I hope he never forgets this.
It was a sweet gesture, knowing his overthinking nature and his fear to attach to people. As the chaser I wanted to make sure my twin knows that there is someone out there who loves him unconditionally so he should never be afraid for what is going to come at him next year: his finals.
After I did this I got bombarded left and right with angel numbers and had dreams with my twin again, mainly about him experiencing his DNOTS and me helping him overcome it. I was ready to accept that I might not see my twin for a long time, months maybe even years. And yesterday the shock came.
I saw him in my neighbourhood, with his friends, seemingly looking for something, or someone. I was taking my dog out for a walk so my dog tried to run at them, knowing my twin and his friends from previous interactions. One of my twins friends looks back, sees me and tells the others. They stop in an alley where I can see them when I pass a nearby street and they were all just staring at me, my twin included... it was close to being late night so I had a chill going down my spine. When I told my best friend about this she reminded me of how she literally told him about how he should "look for me", giving the impression he took it literally....
What are your guys thoughts on this?? I have not seen anyone talk about their twin looking out for them before like this. Two years ago I gave my twin the adress in case he wanted to meet up with me but I never thought it would become relevant again until now. He took it to the next level, as I know my twins adress yet I never thought for a second to look out for him. Is this normal runner behaviour??

"And I saw when the Lamb opened one of the seven seals, and I heard one of the four animals speaking like a voice of thunder: Come and see.
And I saw, and behold, a white horse, and he that sat on it had an arrow; and a crown was given to him, and he went forth conquering, and to conquer.
And when he opened the second seal, I heard another animal saying: Come and see.
And another red horse came out, and it was given to him that sat on it to take peace from the earth, and to kill one another, and a great sword was given to him.
Rev. 6:1-4
The events that are described in the sixth chapter of Revelation represent the beginning of "Daniel's last week" and these events are also called "Jacob's torments".
"Ouch! Because this day is great, there has never been one like it, and it is the time of Jacob's torment, yet he will be delivered from it."
Jeremiah 30:7
Jacob was called Israel only after the victory
"Then he said to him: You will not be called Jacob, but Israel"
1 Moi.32:28
and here we have "Jacob's sufferings" because Israel has not yet won and that is why he is called "Jacob" only when he wins, when they are converted, Israel will be.
According to the Bible, the entire humanity is divided into: Gentiles, the Church and Israel. The great troubles that we started talking about are primarily for Israel and God will use the Gentiles to discipline them for their transgressions, and during that time the Church is safe in heaven so that the one exempted from great troubles. What we have mentioned was prophesied by the prophet Danilo.
"And at that time, Michael, the great prince, who defends your people, will rise up; and there will be a sad time, the like of which has not been since there was a nation until then; and at that time your people will be delivered, everyone who is found written in the book"
Daniel 12:1
and Jesus said the following about this time:
"Because there will be a great tribulation such as has not been since the creation of the world until now and will never be;"
Matt. 24:21
The beginning of this period begins with the opening of the first seal.
"And I saw when the Lamb opened one of the seven seals, and I heard one of the four animals speaking like a voice of thunder: Come and see.
And I saw, and behold, a white horse, and he that sat on it had an arrow; and a crown was given to him, and he went out conquering, and to conquer."
There are opinions here that the rider on the white horse is Christ, but this is not true because Christ is described on a white horse in the nineteenth chapter, but quite differently. Here, let's compare and see the difference:
,, And I saw the sky open, and behold, a white horse, and he who sat on it is called Faithful and True, and he judges righteously and makes war. And His eyes are like a flame of fire, and on His head are many crowns, and He had a name written, which no one knows except Himself. And He was dressed in a robe red with blood, and His name is called: The Word of God. And the armies of heaven went behind Him on white horses, clothed in white and pure silk. And out of His mouth came a sharp sword, to slay the Gentiles with it; and He will strike them down with a rod of iron; and He treads on the cauldron of wine and hearts and the wrath of God Almighty. And he has his name written on his robe and on his bosom: King of kings and Lord of lords."
Rev. 19:11-16
One can clearly see the difference between the description of Christ in the nineteenth chapter and the description of the rider in the sixth chapter.
To make it easier and clearer, we will also use the translation of Čarnić, which says:
"And I saw when the Lamb opened one of the seven seals and I heard one of the four living creatures saying with a thunderous voice: come. And I saw, and behold, a white horse, and the one sitting on it had a bow, and a crown was given to him, so come out victorious and win."
In the passage that we have begun to consider, we have four horses of different colors, and here the emphasis is on the color of the horses and not on the horses that are symbolically used in the vision.
The color of the first horse is white, and it symbolizes peace, and that is what every reasonable person should strive for, but this is a false peace, and this rider on the white horse is the Antichrist, about whom the prophet Daniel wrote:
,,.And in his place will come an insignificant man, to whom the honor of the emperor is not intended; but he will come peacefully and conquer the empire by flattery"
Daniel 11:21
Today, the problem of peace is big all over the world, and Israel is especially problematic, but when the Antichrist is born, he will come with a false solution for peace in the Middle East and in Israel. Prophet Daniel prophesied:
"And he will establish a covenant with many in one week"
Daniel 9:27
True peace can only be brought by Jesus Christ because he is the Prince of Peace. "
Isaiah 9:6
So Jesus is the prince of peace, but the Antichrist wants to imitate Jesus by presenting himself as a peacemaker.
Christ said about the Antichrist:
"I came in the name of my Father and you do not receive me; if another comes in his own name, him you will receive."
John 5:43
We have seen that the Antichrist will be a great rhetorician and flatterer and in this way he will win over many and establish his false peace because it is written that he will receive him and when that happens he will ride on his white horse onto the world stage with false peace "
"I have an arrow" translated by Karadžić and Čarnić as "archery bow" in any case archery bow and arrow are intended for hunting but in ancient times they were used as weapons in wars. In the text we see that this rider has a bow without an arrow, which means that it is harmless because a bow without an arrow does not work. And this is a tactical move because it comes with peace and we know that it is a false peace, it comes as a diplomat and that is why many will accept it because we see that today "everyone" is talking about wars , riots, etc. and then someone will appear who offers a solution in the form of "peace" and of course many are waiting for that, so then it will be easy for him, especially since we know that he will be a great rhetorician and Satan himself will wholeheartedly help him succeed in intentions. And at first he will succeed in "amazing" the world because we read:
"And they worshiped the beast, saying: Who is like the beast?" And who can make war with her? And she will have a mouth that speaks great things..."
Rev. 13:4-5
The Antichrist will appear after the Church is taken and there is a possibility that he will get "points" on that topic, maybe he will talk about how he "saved the world" from "fanatics" or something similar and of course the rest will believe him and he will go towards achieving his goals.
,,Who is the coming of Satan with all power, and signs and false miracles, And with all deception of injustice among those who are perishing: because they do not receive the love of the truth, that they may be saved. And therefore God will send them the power of deception, to believe lies;
2 Thess. 2:9-11
What will happen is with God's permission, because they did not believe the Truth, but preferred flattery and beautiful speeches, and now God gives them what they love, the Antichrist comes and amazes them.
The Antichrist will even have his own church because religion is needed to win over the masses and it will probably be very rich so he will take advantage of everything it offers, otherwise in Revelation she is called a harlot or whore
"And one of the seven angels who have the seven cups came and talked with me, saying to me: Go, let me show you the judgment of the great whore, who sits on many waters." With whom the kings of the earth played the harlot, and those who live on the earth are described with the wine of her harlotry"
Rev. 17:1-2
"and a crown was given to him, and he went out victorious, and to win." here in the original translation and English translations, instead of a crown, it says "crown" and crowns are worn by emperors so that he will declare himself a false emperor, "and he went out victorious, and to win." who will offer peace and will get it through oratory and diplomacy and not through war because at that time many will say, "it is peace and we have nothing to fear" but then another rider appears:
"Because when they say: There is peace, and there is nothing to fear, then he will suddenly attack them and die like pain on a pregnant woman, and they will not escape."
1 Thessalonians 5:3
,, And when he opened the second seal, I heard another animal saying: Come and see.
And another red horse came out, and it was given to him that sat on it to take peace from the earth, and to kill one another, and a great sword was given to him."
And from here on the Antichrist shows his true face and here we have a "red horse" in other words a red horse and here Satan himself will surely intervene because this is "his area" it is written for him:
"And another sign appeared in heaven, and behold, a great red dragon"
Rev. 12:3
here Satan is called the "red dragon" because he:
"he is the executioner of men from the beginning,"
John 8:44
Therefore, since the Antichrist will "take" peace from the earth, there will be a general commotion so that some will love the Antichrist, while others will distrust, and Jesus said about this:
,,. And then many will stumble, and one will betray another, and one will hate one another.
Mt. 24.10
And because lawlessness will multiply, the love of many will grow cold."
Mt. 24.12

Probably not an original thought but: with the focus on balance and alchemy, especially Colin's rant on 'too much mercury, not enough sulphur etc'
What would the Fears be if represented by an alchemical symbol or material?
Could that be coming into play?
Smirke-as-science?

Title: What Makes Irish Street Bread a Traditional Recipe and Cultural Experience?
Irish soda bread is a staple of Irish cuisine, and its rich history and cultural significance make it a must-try when visiting Ireland. This traditional recipe combines the simplicity of quick bread with the unique flavors of Ireland, making it a delightful treat for any visitor. In this post, we will explore the history and cultural significance of Irish soda bread, as well as provide a detailed recipe to make it at home.
History and Cultural Significance
Irish soda bread has been a part of Irish cuisine for centuries, with its origins dating back to the 18th century. The bread was traditionally made with buttermilk, flour, baking soda, and salt, which gave it a distinctive taste and texture. The use of baking soda as a leavening agent instead of yeast was a significant innovation, allowing for a quicker and easier bread-making process.
Irish soda bread played a significant role in Irish culture, particularly in rural areas where it was often made by hand. The bread was a staple food, and its production was often a social event, with families gathering together to make and share the bread. The bread was also a symbol of Irish hospitality, with visitors often being offered a warm loaf fresh from the oven.
Recipe
To make Irish soda bread, you will need the following ingredients:

• 250g plain white flour
• 250g plain wholemeal flour
• 100g porridge oats
• 1 tsp bicarbonate of soda
• 1 tsp salt
• 25g butter, cut in pieces
• 500ml buttermilk

To begin, preheat your oven to 200°C (gas 6/fan 180°C). Dust a baking sheet with flour and mix the dry ingredients in a large bowl. Rub in the butter until the mixture resembles coarse breadcrumbs. Pour in the buttermilk and mix until a dough forms. Handle the dough gently and shape it into a flat, round loaf measuring 20cm (8in) in diameter.
Place the loaf on the baking sheet and score a deep cross in the top. This helps the bread cook evenly and is also a nod to the traditional Irish practice of letting the fairies out of the bread (although this is purely symbolic!).
Bake the bread for 30-35 minutes, or until the bottom sounds hollow when tapped. If the bread is not yet cooked, turn it upside down and bake for a few more minutes. Once cooked, transfer the bread to a wire rack and cover it with a clean tea towel to keep the crust soft.
Tips and Variations

• Use high-quality buttermilk for the best flavor and texture.
• Add a pinch of salt to enhance the flavor.
• Experiment with different types of flour, such as whole wheat or rye, for a unique taste.
• Add nuts, raisins, or other dried fruits for added texture and flavor.
• Serve the bread warm, either on its own or with butter, jam, or cheese.

Experience Irish Soda Bread in Ireland
If you're planning a trip to Ireland, be sure to experience Irish soda bread firsthand. You can take a cooking class in Westport, County Mayo, where you'll learn the traditional methods of making Irish soda bread. Enjoy a cup of tea and a chat while eating your own freshly baked bread, and bring home a traditional brown soda bread made with your own hands. This is a unique and authentic way to experience Irish culture and cuisine.
Conclusion
Irish soda bread is a delicious and culturally significant part of Irish cuisine. With its rich history and simple recipe, it's a must-try for any visitor to Ireland. Whether you're looking to experience Irish culture firsthand or simply want to try a new recipe, Irish soda bread is sure to delight. So go ahead, give it a try, and taste the magic of Ireland in every bite! https://lovetovisitireland.com/wp-content/uploads/2022/01/TO-ALL-MEMBERS-OF-THIS-GROUP-10.png

I have recently been passed down a large chest full of Freemason badges, texts, letters, original books all published by my great great grandfather. I have been trying to decipher what all of it is and some history behind it. Not looking for a value or to sell anything, but some insight on where to look for more info to find background on some of the badges and symbols, and possibly to find if his text was ever used within freemasonry.

I've thought of a cool uno version that is supposed to be a better version of Uno Flex, which I originally named to be Uno Flex Ultimate but now changed the name to be called Uno Charge instead.
Here's how the special mechanic of the game works:
Everyone is provided with three power cards (instead of the original 1 you get) and instead of all facing on the green side, all cards are faced on the red side. These three power cards are your charge bar.
All cards are given a flex side, with a number next to the flex side (explained later). Number cards have a second color flex side while action cards have additional or upgraded abilities.
The flex side in the corner of the card has a number on the side indicating the cost of the flex side. The given number, x, is the amount of power cards facing the green side is needed to in order to utilize the flex side. Once the flex side is utilized, x amount of power cards facing the green side is flipped to the red side. For example, to change a card with a flex side which shows the number 2, you require 2 power card facing the green side. Once changed to its flex side, you must flip 2 power cards facing the green side to the red side to utilize the ability.
Some numbered cards having a small card flip (similar to Uno Flex) beside the number with a number 1 inside of the card flip icon, this means whenever the card is played, you flip one of your red power cards to the green side. If all power cards are green, nothing happens.
Similarly, some wild cards have the same icon but with a 3 instead, indicating all power cards are flipped to the green side. If all power cards are green, nothing happens.
Here's some unique cards in this version: -1 coloured card: The card has a colour and a -1 symbol similarly to a +2 card. This card forces the next player to flip a power card facing green to the red side and for their turn to be skipped. If they have no power cards facing green, nothing happens. (If stacking is allowed, the card stacks and only stackable with other minus cards.)
-2 wild coloured card: Similarly to a +4 wild card, it allows the player to choose the next colour and forces the next player to flip 2 power cards facing green to the red side and skip their turn. If they have no power cards facing green, nothing happens. (If stacking is allowed, the card stacks and only stackable with other minus cards)
Wild Flip card: This card forces the next player to flip all their power cards regardless of red or green side. (If stacking is allowed, this card is not stackable)
Wild All Flip card: This card forces ALL players to flip all their power cards regardless of red or green side. (If stacking is allowed, this card is not stackable)
Below, I provided the type of cards that are given in this version with the power cost:
(Power cost is the number next to the card for which they require a certain number of power cards facing the green side to use)

POWER COST: 1

Bi-coloured Flex: These cards appear only on number cards and provide a flex side with a different colour for which they can be changed to the colour of the flex side.
Bi-numbered Flex: These cards appear only on number cards and provide a flex side with a different number for which they can be changed to the number of the flex side.
Skip and Reverse Combo Flex: These cards appear on either skip or reverse cards and have a flex side which can be used to skip and reverse at the same time. This means the playing order reverses and the next player is skipped.
Double-turned flex: These cards appear on only skip cards and have a flex side which allows you to discard a second card.
Double-skip flex: These cards appear on only skip cards and have a flex side which allows you to skip the next two player's turn.
+3 Flex: These cards appear on only +2 cards and have a flex side which adds an additional +1 to the original +2, making the card into a +3.
Targeted Add Stack: These cards appear on either +2 or +4 cards and have a flex side which allows you to give any player the amount of cards the cards says to give. (If stacking is allowed: this card does not work against stacking)
All +1 Flex: These cards appear only on +2 cards and have a flex side which forces all players to draw 1 card and the player gains a second turn.
Redirect Flex: These cards appear only on skip cards and have a flex side allowing the player to choose any player to start their turn instead.

POWER COST: 2

+6 Flex: These cards appear on only +4 wild cards and have a flex side which adds an additional +2 to the original +4, making the card into a +6
All +2 Flex: These cards appear only on +4 wild cards and have a flex side which forces all players to draw 2 card and the player gains a second turn.
Pass On Flex: These cards appear only on skip cards and have a flex side serving as immunity to minus or add cards and passes the effects to the next player. Flex does not work with effects that affect all such as All Add or All Flip (If stacking is allowed, works with stacks.)
Reversed Pass On Flex: These cards appear only on reverse cards and have a flex side which reverses the order of play and gives the effects to the next player. Flex does not work with effects that affect all such as All Add or All Flip (If stacking is allowed, works with stacks.)
Doubles Flex: These cards only appear on +2 cards and have a flex side that multiplies draw or minus effects by 2 and passes it to the next person. Flex does not work with effects that affect all such as All Add or All Flip (If stacking is allowed, works with stacks.)
Super Discard Flex: These cards only appear on wild cards and have a flex side causing the player to discard all the cards of one colour.
Card Refresh Flex: These cards only appear on reverse cards and have a flex side which makes the player draw the same amount of cards they have in their hand but place all the cards they have before the draw under the draw pile.

POWER COST: 3

Card Draw Flex: These card only appears on +4 wild cards and have a flex side causing the next player to draw the same amount of cards the current player has. (If stacking is allowed, this flex does not work on stacks)
Shuffle Flex: These card only appears on normal or +4 wild cards and has a flex side making the current player shuffle their cards and pass them to every player until they have 3 or less cards. This flex does nothing if player has 3 or less cards.
Targeted Doubles Flex: This card only appears on +4 wild cards and has a flex side that multiplies addition or minus effects by 2 and passes it to any player. This card does not work with effects that affect all such as All Flip or All Draw. (If the game allows stacking, this card works with stacks)
Reflection Flex: This card appears on reverse cards and has a flex side which forces the card to become a wild card and reflects all addition or minus effects back towards the previous player, reverses order of play and skips their turn. When a player plays an effect that affects all, the effect is played back at them. For example, when a player plays All Flip, they only flip their power cards or when a player plays All Draw 2, they draw 2 for every player. (If stacking is allowed, this card works with stacks)
Player Draw Pile Flex: This card appears on normal or +4 wild cards and have a flex side allowing the player to become a draw pile until their next turn. When a player needs to draw a card, they take a card from their hand.
It would be greatly appreciated if you gave your feedback/opinion on this uno version I'm working on and please suggest some balances or new flexs I could potentially add. Thanks.

So in a previous Post I theorized that The D related to the D clan stood for Docking. In animal Terms Relating to Cut Away/Remove the tail. A way that the Original Slave owners used to Brand their Slaves/sacrifices. I saw the D clan being the first slaves/sacrifices as well as Minks. Taking the D as initial To remind them of the pain of the past and remind them that they were already marked for death (so they might as well greet death with a smile). I believe the Original D clan Breed with other and freed more and more slaves/sacrifices branding their descendants and newly rescued with the Initial D. The D clan grew, Evolved, and spread with the majority becoming the ancient Kingdom and Changing the meaning of the D (not the word) to one hopeful and creating the Will of D.
As The Minks started dwindling in number becoming scarcer. The Original slavers changed targets for the slaves to other races changing the way they branded their slaves/sacrifices. The Dragons Foot print became the way the Celestial dragons began to brand their slave.
Now with the Ancient Kingdom being extremely advanced, I believe they had some way of looking into the future. And Looked into the future to see the final battle. This can be possible since we know Roger stated that he was to early and didn't pass any information of the future onto others except what the D stood for to Whitebeard. Whitebeard implied that the one Roger and in turn the Ancient Kingdom was waiting for someone that they saw from their peak into the future. We also Knew that Oden and Toki had an idea of what would come about within the future. This is why Toki sent her kids 20 years into the future knowing that would be the time when Luffy would come around. And Why Oden wanted to prep Wano by breaking the walls.
I believe the People of the ancient Kingdom evolved the Docking term to one of "Mechanical" connection creating the Will of D. I believe the ancient Kingdom saw a future of Luffy Creating The Super Massive Docking Robot 6 Billon. A robot that combined all of the races, species, creatures, ancient weapons, and even the souls of the fallen coming together to destroy the Red Line. A robot that Luffy's full powers turns Rubber unable to take damage ensuring the fates of the future. The Ancient Kingdom created a statue of this Robot that became the last of many treasures of the One Piece along with the truth of the world. So after Roger and his crew learned the truth of everything They saw the statue which was marked as the hope for the future. This is why Roger and his Crew Laughed. I believe this Statue will be what gives Luffy the Idea for the final fight.
Now for anyone wondering how the Robot could be formed Remember that we have a character with a unique devil fruit that will be meeting up with the strawhats soon. Wapol with the Munch-Munch fruit and the Munch Munch Factory. We know that after eating 2 people he was able to literately fuse them together to form one being. now imagine Luffy Turning the Arc Noah with all of the living being on it into a pancake and folding it up like a flag to shove into Wapol's Throat. Forming Luffy's Robot. Now to counter statements I know will come

• "Devil fruit users can't eat 2 devil fruits so what happens if he eats another devil fruit user? We've seen this happen 2 times before the first with Wapol when he ate Chopper (He did spit him out after, but there is still president in the character) And we've seen Kaido eat a devil fruit user in Luffy without dying. So it's totally possible.
• "But won't everyone just stay fused together?" In Stampede (Yes I know it's not Cannon but still shows a president) We see Chess and Kuromarimo unfused.

This theory is very much something I believe Luffy would think of and Oda would create. Oda is very much a guy that tries to go the opposite way that many think he will and create a fun and wacky story. A story with the painful and traumatizing moments that help to build up the future ideas of hope through the story. So the Will of D standing as a mark of Tragedy only to become a symbol of Hope is something I fully believe Oda would do.

So in a previous Post I theorized that The D related to the D clan stood for Docking. In animal Terms Relating to Cut Away/Remove the tail. A way that the Original Slave owners used to Brand their Slaves/sacrifices. I saw the D clan being the first slaves/sacrifices as well as Minks. Taking the D as initial To remind them of the pain of the past and remind them that they were already marked for death (so they might as well greet death with a smile). I believe the Original D clan Breed with other and freed more and more slaves/sacrifices branding their descendants and newly rescued with the Initial D. The D clan grew, Evolved, and spread with the majority becoming the ancient Kingdom and Changing the meaning of the D (not the word) to one hopeful and creating the Will of D.
As The Minks started dwindling in number becoming scarcer. The Original slavers changed targets for the slaves to other races changing the way they branded their slaves/sacrifices. The Dragons Foot print became the way the Celestial dragons began to brand their slave.
Now with the Ancient Kingdom being extremely advanced, I believe they had some way of looking into the future. And Looked into the future to see the final battle. This can be possible since we know Roger stated that he was to early and didn't pass any information of the future onto others except what the D stood for to Whitebeard. Whitebeard implied that the one Roger and in turn the Ancient Kingdom was waiting for someone that they saw from their peak into the future. We also Knew that Oden and Toki had an idea of what would come about within the future. This is why Toki sent her kids 20 years into the future knowing that would be the time when Luffy would come around. And Why Oden wanted to prep Wano by breaking the walls.
I believe the People of the ancient Kingdom evolved the Docking term to one of "Mechanical" connection creating the Will of D. I believe the ancient Kingdom saw a future of Luffy Creating The Super Massive Docking Robot 6 Billon. A robot that combined all of the races, species, creatures, ancient weapons, and even the souls of the fallen coming together to destroy the Red Line. A robot that Luffy's full powers turns Rubber unable to take damage ensuring the fates of the future. The Ancient Kingdom created a statue of this Robot that became the last of many treasures of the One Piece along with the truth of the world. So after Roger and his crew learned the truth of everything They saw the statue which was marked as the hope for the future. This is why Roger and his Crew Laughed. I believe this Statue will be what gives Luffy the Idea for the final fight.
Now for anyone wondering how the Robot could be formed Remember that we have a character with a unique devil fruit that will be meeting up with the strawhats soon. Wapol with the Munch-Munch fruit and the Munch Munch Factory. We know that after eating 2 people he was able to literately fuse them together to form one being. now imagine Luffy Turning the Arc Noah with all of the living being on it into a pancake and folding it up like a flag to shove into Wapol's Throat. Forming Luffy's Robot. Now to counter statements I know will come

• "Devil fruit users can't eat 2 devil fruits so what happens if he eats another devil fruit user? We've seen this happen 2 times before the first with Wapol when he ate Chopper (He did spit him out after, but there is still president in the character) And we've seen Kaido eat a devil fruit user in Luffy without dying. So it's totally possible.
• "But won't everyone just stay fused together?" In Stampede (Yes I know it's not Cannon but still shows a president) We see Chess and Kuromarimo unfused.

This theory is very much something I believe Luffy would think of and Oda would create. Oda is very much a guy that tries to go the opposite way that many think he will and create a fun and wacky story. A story with the painful and traumatizing moments that help to build up the future ideas of hope through the story. So the Will of D standing as a mark of Tragedy only to become a symbol of Hope is something I fully believe Oda would do.

So in a previous Post I theorized that The D related to the D clan stood for Docking. In animal Terms Relating to Cut Away/Remove the tail. A way that the Original Slave owners used to Brand their Slaves/sacrifices. I saw the D clan being the first slaves/sacrifices as well as Minks. Taking the D as initial To remind them of the pain of the past and remind them that they were already marked for death (so they might as well greet death with a smile). I believe the Original D clan Breed with other and freed more and more slaves/sacrifices branding their descendants and newly rescued with the Initial D. The D clan grew, Evolved, and spread with the majority becoming the ancient Kingdom and Changing the meaning of the D (not the word) to one hopeful and creating the Will of D.
As The Minks started dwindling in number becoming scarcer. The Original slavers changed targets for the slaves to other races changing the way they branded their slaves/sacrifices. The Dragons Foot print became the way the Celestial dragons began to brand their slave.
Now with the Ancient Kingdom being extremely advanced, I believe they had some way of looking into the future. And Looked into the future to see the final battle. This can be possible since we know Roger stated that he was to early and didn't pass any information of the future onto others except what the D stood for to Whitebeard. Whitebeard implied that the one Roger and in turn the Ancient Kingdom was waiting for someone that they saw from their peak into the future. We also Knew that Oden and Toki had an idea of what would come about within the future. This is why Toki sent her kids 20 years into the future knowing that would be the time when Luffy would come around. And Why Oden wanted to prep Wano by breaking the walls.
I believe the People of the ancient Kingdom evolved the Docking term to one of "Mechanical" connection creating the Will of D. I believe the ancient Kingdom saw a future of Luffy Creating The Super Massive Docking Robot 6 Billon. A robot that combined all of the races, species, creatures, ancient weapons, and even the souls of the fallen coming together to destroy the Red Line. A robot that Luffy's full powers turns Rubber unable to take damage ensuring the fates of the future. The Ancient Kingdom created a statue of this Robot that became the last of many treasures of the One Piece along with the truth of the world. So after Roger and his crew learned the truth of everything They saw the statue which was marked as the hope for the future. This is why Roger and his Crew Laughed. I believe this Statue will be what gives Luffy the Idea for the final fight.
Now for anyone wondering how the Robot could be formed Remember that we have a character with a unique devil fruit that will be meeting up with the strawhats soon. Wapol with the Munch-Munch fruit and the Munch Munch Factory. We know that after eating 2 people he was able to literately fuse them together to form one being. now imagine Luffy Turning the Arc Noah with all of the living being on it into a pancake and folding it up like a flag to shove into Wapol's Throat. Forming Luffy's Robot. Now to counter statements I know will come

• "Devil fruit users can't eat 2 devil fruits so what happens if he eats another devil fruit user? We've seen this happen 2 times before the first with Wapol when he ate Chopper (He did spit him out after, but there is still president in the character) And we've seen Kaido eat a devil fruit user in Luffy without dying. So it's totally possible.
• "But won't everyone just stay fused together?" In Stampede (Yes I know it's not Cannon but still shows a president) We see Chess and Kuromarimo unfused.

This theory is very much something I believe Luffy would think of and Oda would create. Oda is very much a guy that tries to go the opposite way that many think he will and create a fun and wacky story. A story with the painful and traumatizing moments that help to build up the future ideas of hope through the story. So the Will of D standing as a mark of Tragedy only to become a symbol of Hope is something I fully believe Oda would do.

As with DruidicHart’s essay on the Right to Mental Healthcare, I wrote this for the Dionysus and Politics course. Feel free to use it as you will. I hope it gives you a voice and empowerment.
The Dionysian Right to Tattoo

In many cultures tattooing is seen as a sign of status, coming of age and religious affiliation – in the West it is more often an individualistic expression and reclaiming of the personal agency of one's own body. Tattooing is increasingly becoming more acceptable but, in some societies, even sections in the West, the display of tattoos is still a matter of contention. Tattooed people face discrimination, judgement, and loss of employment. The hospitality sector, for example, is notorious for forcing employees to cover up or not employing visibly tattooed people out of misleading ideas of “health and safety concerns”. Other industries include medical, legal, politics, military and police, airline crew, teachers, banking/finance, and media/performance.
It is my goal here to argue that Dionysians have the right to claim tattooing as their religious expression, an entitlement that is usually protected in most Western nations.
Mainland ancient Greece expressed a particular disdain for tattooed people. They had concepts regarding body purity and part of that purity was a taboo against body modification, including branding, scarification and tattooing (known as stigma). Therefore, most Greek cultures banned marked people from naked public spaces (gyms, sports, baths). Ancient Greece was also a collective of societies dependent on slavery, those slaves were sourced from their surrounding neighbours, these people shared similar religious beliefs but were still considered ‘barbarians’ by Greek standards, especially because tattooing was prevalent in those cultures. Tattoos became synonymous with slavery, (which is why "stigma" is a negative word in English). Romans tattooed slaves with the owner's name or the word ‘slave’ or designation that the state owned them.
Regardless, outside Greek and Roman cultures tattooing was utilised as a means of religious devotion, status and prestige. Egyptians, Thracians, Scythians and other Asian nations tattooed, making Greece and Rome a minority in their opinion of anti-tattooing.
While Dionysos is a Greek god, he was and is often viewed as an outsider, a foreigner, and a barbarian. His cult had strong associations with the emancipation of slaves, and the acceptance of foreigners and Asians. He was also popular in these nations, especially in classical Thrace and later he was the most predominant Greek god in Egypt, the Levant, Middle East and Asia. Through either being slaves, freemen or foreigners Dionysians of antiquity were likely tattooed – with some claims that it was an identifying trait of a devotee.
In academic literature, evidence of Dionysian tattooing is scant and problematic, one of the common citations made regarding Dionysian tattooing comes from Otto “[…] from the Hellenistic period we even hear that initiates had themselves tattooed with the mark of the ivy leaf.” (Otto, Dionysus: Myth and Cult, P153, Citation 7: III Maccabees) This reference is problematic as the Maccabees is a record of the persecution of Jews by Hellenic (Dionysian) colonisers. The accusations are that the Hellenic ruler, Ptolemy IV Philopator, forced Jewish people to convert and be branded with an ivy leaf.
However, Ptolemy IV Philopator is recorded by Plutarch as being tattooed. "The same monarch is also said to have had himself branded with various Dionysiac symbols, including the same ivy-leaf” (C. P. Jones, Stigma: Tattooing and Branding in Graeco-Roman Antiquity). Plutarch’s account also presents issues as this was written after the death of Ptolemy and from a Greek-Roman perspective disparaging towards Ptolemy IV. Yet when we consider the context of Ptolemy’s life and influences, especially as pharaoh of Egypt with Macedonian heritage, it is possible that he was indeed tattooed.
The final example of Dionysian tattoos comes from Christian critics of paganism, Philo of Alexandria is notable for mentioning religious marks on the skin made by ‘idolaters’, “they yearn to enter the service of idols made with hands, confirming it with letters, not (written) in documents as is customary with slaves, but marking the letters on their bodies with heated iron so that they remain indelibly.” (C. P. Jones)
While historical documentation of Dionysian tattoos is limited, evidence of ancient precedence exists. Ultimately, the documentation of tattooing is of little consequence when regarding the sources, they originate from people of privilege with little interest in Dionysian ideals. Dionysians of the past were made up of diverse peoples, which included slaves, minorities, foreigners and women. People not entitled to a voice in antiquity. Either forced or willing, they were tattooed, still able to participate in Dionysian rites, and were granted admittance into temples. It is the inclusiveness of the Dionysian cults that should be truly regarded.
Modern Dionysians are likewise made up of diverse people with varying backgrounds, though many Dionysians hold a belief that Dionysos is part of them, body and soul, thereby connecting with Dionysos physically within themselves through expression and creativity. Tattooing is one such expression that outwardly demonstrates to the world the unique qualities and devotion of the individual.
In Aotearoa (New Zealand) native Māori are reclaiming the right to Tā Moko, traditional/cultural tattoos common in Polynesian nations. This call for the right is largely led by women, who wear Moko kauae a female facial tattoo. These women still face colonial oppression and discrimination but have been able to be represented in public positions such as television and politics. With deep respect for their cause, I wish to highlight the relevance of their argument to their rights in relation to Dionysian right to tattoo. For Māori the Moko is seen as a birthright, the ancestral symbols of their people, a religious symbol and a status/initiation sign. For some, the tattoos are viewed as opposition to the colonial meritocracy against unmarked Māori imposed by white settlers and the last few centuries of imposed shame for displaying their cultural heritage. The motivations for a Dionysian to tattoo are individualistic but we may feel solidarity with the Māori, especially as ancestral and religious symbolism is involved.
As with the Māori, Dionysians have historically faced discrimination, which unfortunately continues to this day. Dionysians exist within a cultural climate that opposes their views and beliefs and discourages outward expression. Tattooing is a personal choice, but one that passively expresses religious beliefs and is potentially a sign of initiation or an ancestral symbol. We have a right to claim ownership of our bodies and to display our religious affiliation, a right that should be protected and accepted.

In the early 1960s, a young track athlete named Phil Knight was studying at Stanford University. Knight had a vision: to create a company that would provide high-quality running shoes at an affordable price, challenging the dominance of German brands like Adidas and Puma. His passion for running and innovative business ideas formed the foundation of what would become a global powerhouse.
After graduating, Knight embarked on a journey to Japan, where he visited the Onitsuka Co., known for its Tiger brand running shoes. He struck a deal to import their shoes to the United States, convinced that these lightweight, high-performance shoes could revolutionize the American market. In 1964, he teamed up with his former track coach, Bill Bowerman, to create Blue Ribbon Sports, the predecessor to Nike.
Bowerman was not only a coach but also an inventor. He was constantly experimenting with ways to improve athletic performance, often using his athletes as test subjects. One of his early experiments involved pouring rubber into his wife's waffle iron, creating a new type of sole that offered better traction and cushioning. This innovation laid the groundwork for Nike's future success.
In 1971, as Blue Ribbon Sports began to gain traction, Knight and Bowerman decided it was time to create their own brand. They needed a name and a logo that would encapsulate their vision and stand out in the competitive market. The name "Nike" was chosen, inspired by the Greek goddess of victory, symbolizing the spirit of triumph and excellence.
The iconic Swoosh logo, designed by a graphic design student named Carolyn Davidson, was created for just $35. Knight initially had mixed feelings about the design but hoped it would grow on him. Little did he know, the Swoosh would become one of the most recognizable logos in the world.
With a new name and logo, Nike released its first line of footwear, including the innovative "Moon Shoe," which featured the waffle sole that Bowerman had developed. These shoes were a hit among runners, and Nike's reputation for innovation and quality began to spread.
The 1970s and 1980s were a period of rapid growth for Nike. The company's breakthrough moment came in 1972 when several top athletes wore Nike shoes at the U.S. Olympic Trials, garnering significant attention. Nike capitalized on this momentum by signing endorsement deals with prominent athletes, most notably Steve Prefontaine, a charismatic and talented runner who became the face of the brand.
Nike's marketing strategy was revolutionary. Instead of focusing solely on product features, they emphasized the athletes who wore their shoes, creating an emotional connection with consumers. This approach was exemplified by their famous slogan, "There is no finish line," which encouraged people to strive for continuous improvement.
In 1984, Nike made a game-changing move by signing a rookie basketball player named Michael Jordan. The Air Jordan line of basketball shoes, launched the following year, was a phenomenal success, transcending the sport and becoming a cultural icon. The partnership with Jordan not only boosted Nike's sales but also solidified its reputation as a brand associated with excellence and aspiration.
Throughout the 1980s and 1990s, Nike continued to push the boundaries of innovation. They introduced groundbreaking technologies like Air cushioning, which used pressurized air in the soles to provide superior comfort and support. The Air Max line, with its visible air units, became a huge hit and remains a staple in Nike's product lineup.
Nike also expanded its product range beyond running and basketball shoes. They ventured into apparel, accessories, and other sports, including soccer, golf, and tennis. By diversifying their offerings, Nike was able to reach a broader audience and solidify its position as a leader in the sportswear industry.
The company's marketing campaigns continued to set new standards. The "Just Do It" campaign, launched in 1988, became one of the most successful and enduring slogans in advertising history. It resonated with consumers by tapping into the universal desire to overcome challenges and achieve personal goals. The campaign featured inspirational athletes like Bo Jackson, Andre Agassi, and John McEnroe, further cementing Nike's association with greatness.
As Nike grew, so did its global presence. The company expanded into international markets, establishing subsidiaries and opening retail stores around the world. Their aggressive marketing strategies and endorsements with international athletes helped them gain a foothold in key markets, including Europe, Asia, and South America.
Nike's commitment to innovation remained unwavering. They invested heavily in research and development, constantly seeking ways to improve their products and stay ahead of the competition. The launch of Nike Shox, a cushioning system that used columns of resilient foam, and Flyknit, a lightweight, form-fitting fabric, showcased their dedication to pushing the boundaries of performance and design.
In addition to technological advancements, Nike also embraced sustainability. They introduced initiatives to reduce their environmental impact, such as using recycled materials in their products and implementing energy-efficient manufacturing processes. The Nike Grind program, which repurposes old shoes into new products, exemplifies their commitment to sustainability and innovation.
Despite its success, Nike faced its share of challenges and controversies. In the 1990s, the company came under fire for its labor practices in overseas factories. Allegations of poor working conditions and low wages led to widespread criticism and calls for boycotts. Nike responded by implementing stringent labor standards and increasing transparency in its supply chain. While these measures helped improve their image, the controversy served as a reminder of the complexities and responsibilities that come with being a global corporation.
Nike also faced fierce competition from other sportswear brands, including Adidas, Under Armour, and Puma. These companies sought to challenge Nike's dominance by introducing innovative products and signing high-profile endorsement deals. However, Nike's relentless focus on innovation, marketing, and athlete partnerships allowed them to maintain their leadership position.
As the world entered the digital age, Nike adapted by embracing technology and digital marketing. They launched Nike+, a platform that connected athletes through a mobile app and wearable devices. This allowed users to track their workouts, set goals, and share their achievements with a global community. The integration of technology and fitness helped Nike stay relevant in an increasingly connected world.
Social media became a powerful tool for Nike's marketing campaigns. They leveraged platforms like Instagram, Twitter, and YouTube to reach a wider audience and engage with consumers directly. Their campaigns, such as the "Equality" initiative and collaborations with artists like Travis Scott and Virgil Abloh, resonated with younger generations and reinforced Nike's status as a cultural influencer.
Today, Nike continues to lead the sportswear industry, driven by a relentless pursuit of innovation and a commitment to excellence. The company remains focused on pushing the boundaries of performance, sustainability, and design. Their partnerships with top athletes and collaborations with designers and artists keep the brand fresh and relevant in an ever-changing market.
Nike's journey from a small startup to a global icon is a testament to the power of vision, innovation, and determination. Phil Knight's dream of creating a company that would challenge the status quo has been realized beyond his wildest expectations. The Swoosh legacy is a story of triumph, resilience, and the unwavering belief that greatness is within reach for those who dare to pursue it.
As Nike looks to the future, they continue to inspire athletes and dreamers around the world, reminding us all that, like the Swoosh, we too can "Just Do It."
Nike's influence extends far beyond the realm of sports. The brand has become deeply embedded in popular culture, influencing fashion, music, and art. Collaborations with renowned designers like Virgil Abloh, founder of Off-White, and artists like Travis Scott have resulted in highly sought-after limited-edition releases that blur the lines between sportswear and high fashion.
The Air Jordan line, in particular, has transcended its origins as a basketball shoe to become a cultural phenomenon. Collectors and enthusiasts eagerly anticipate each new release, and the sneakers are often seen as status symbols. The impact of Air Jordans on sneaker culture is profound, with their influence visible in the designs of many modern sneakers.
Nike's ability to tap into cultural trends and collaborate with influential figures has allowed them to remain relevant and maintain their status as a trendsetter. The brand's marketing campaigns often address social issues and promote messages of empowerment, equality, and diversity. These campaigns resonate with consumers on a deeper level, creating a sense of loyalty and connection to the brand.
Nike's commitment to social responsibility and community engagement is another key aspect of their legacy. The company has established numerous programs and initiatives aimed at giving back to communities and supporting underprivileged youth. The Nike Community Impact Fund provides grants to local organizations that promote physical activity, education, and mentorship.
In addition to financial contributions, Nike encourages its employees to volunteer and engage with their communities. The company also partners with organizations like the Boys & Girls Clubs of America and the Special Olympics to provide opportunities for young athletes and individuals with disabilities.
Nike's efforts to address social and environmental issues are ongoing. They continue to set ambitious sustainability goals, such as achieving zero carbon and zero waste across their entire value chain. By investing in renewable energy, sustainable materials, and circular design, Nike aims to reduce its environmental footprint and inspire other companies to follow suit.
Nike's dedication to innovation extends to the field of sports science. The company collaborates with athletes, coaches, and researchers to develop products that enhance performance and