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Power of Ayat karima for love marriage

2024.05.21 14:47 GreedyPersonality390 Power of Ayat karima for love marriage

Power of Ayat karima for love marriage
Ayat karima for love marriage
Choosing the right life partner in marriage or in Matrimony is that dream that seems to be embraced by many people all over the world. According to ISLAM, marriage is not only allowed but also valued and the ISLAMIC people usually do consult the QUR’AN I, on issues concerning marriage. Another verse that you may come across more often and read or suggested for people for marriage or love is Ayat Al-Kursi which means “The Throne Verse” or “The Verse of the Throne”. ”
What is Ayat Al-Kursi? Ayat karima for love marriage
Ayat Al-Kursi is among the verses of the Surah al-Baqarah of the Holy Quran, and its’ number is 255th in the Quran. It has some of the aspects of God, in addition, it is one of the surahs of the Quran that its magical aspects are considered to be very high.
In the second verse of the An Nasriyah Surah, the fact of Tawhid comes into focus again and the status of Allah as the only God, the eternal and existent being who is the creator of whole existence and life is elaborated. I suppose he does not work with someone else, and he is not involved in a team; Ayat karima for love marriage he does not need anything and does not owe anything to anyone. And what he knows, and what he is able to do and what he does control, is not limited to earth but also reaches the heavens. It is used in daily practice where just by reciting this verse, one can prevent the evil from affecting them and may just be blessed with wealth and prosperity.
Why Should There Be Recitation of Ayat ul kursi before Saying A marriage Contract?
There are a few reasons why Ayat Al-Kursi may be recommended for those seeking marriage or love:Said that, there can be a few possible reasons which may make Ayat Al-Kursi useful for those people who look for marriage or love:
  1. Blessing – Through reciting Ayat karima for love marriage and showering the praises to the lord Allah, the muslims get to wish to be intervene or be blessed by the lord Allah and pray so as to get a good husband/wife. The followers of this particular verse help in appreciating understanding that in matters of marriage, all things are in the control of Allah Almighty.
  2. Shelter from the forces of evil – Some scholars they recommend that one should recite Surah Baqarah: 255 or Ayat Al Kursi as a shield from the troubles that are precipitated by Jinns or the evil eye for example, during marriage. It is believed that it will help protect the newlyweds from any bad energies, or people who have envy against the successes that the couple has.
  3. Reinforcing love – Here the chorus thereof asserts the proposition that however much Allah may love a creature or thing, he loves it more than he does the former. According to some people, there is a certain way that ‘A’ can remove the arrogance and replace it with love or mercy and make a man compatible with his wife. It is a way of showering blessings of love in a marriage and is mostly associated with bringing forth good energy in marriage.
It is now common knowledge that reading Ayat karima for love marriage is among the most powerful du’a in the whole of Islam and as such, it can by no means be insignificant to learn when and in what manner to read it.
As to the scenario of when to recite Ayat Al-Kursi, Ayat Al-Kursi can be recite at any time when one wishes to attract more love, blessings or protection in ones life. Some recommended times for reciting it include:As for the proper time to recite it, some of them include:
  • While searching for a marriage partner: Before going to bed or any specific week repeat or whisper in one’s mind that one is asking Allah for a loyal partner. If you hold the opinion that the right partner will arrive if he has intentions of doing so.
    • Before and after the marriage contract/ceremony: It is advisable to read Ayat Al-Kursi before Nikah Contract is signed and then, again when the Nikah Contract is about to be signed, for prosperity, protection, and may the blessings of Allah be showered on the couple and there may be firmness and steadiness on both their sides.
    • During the wedding: It maybe chanted on the wedding day especially before the bride and groom hold hands to bless their union. It may also be played during the ceremony I hope you enjoyed my writings and found this guide helpful for planning your fabulous day.
    • At the beginning of marriage: This, the verse can be recited by both the newlyweds every night of their married life as they prostrate to Allah and beseech divine bounties and protection.
For this reason, Ayat karima for love marriage functions as prayer for the happy marriage that is built upon love and respect within the framework of the Islamic faith in Allah. They also have chords that reflect Tawakkul [Dependence on Allah] which is needed for the journey coming next.
It is somewhat of a poem, you know, and has so many blessings and strengths. Understanding and analysis of the verses and their repetition would also increase spirituality in relations with the Lord and the aspects of the marital relationship during the various phases.
Online Free Consultation With Maulana Ji Please Visit:
https://www.onlinemaulana.com/

AyatKarima #LoveMarriage #MuslimCouples #IslamLove #DuaForLoveMarriage #PowerOfPrayer #MarriageBlessings #IslamicBeliefs #LoveAndFaith #SpiritualGuidance #IslamicRemedies #ManifestLove #CouplesGoals #RelationshipAdvice #WeddingVows #DivineIntervention #SacredUnion #InshaAllah #HalalLove #QuranicVerses #MaritalBliss

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2024.05.21 14:33 adulting4kids Poetry Course Week 11-12

Week 11-12: Epic Journeys and Blank Verse
Day 1: Exploring Epic Storytelling - Activity: Analyze an excerpt from a classic epic poem. - Lecture: Discuss the characteristics and narrative structure of epic poetry. - Discussion: Share thoughts on the enduring appeal of epic journeys.
Day 2: Crafting Epic Narratives - Activity: Break down the process of crafting an epic poem. - Lecture: Explore the use of elevated language and heroic themes. - Discussion: Share and discuss individual ideas for epic narratives.
Day 3: Mastering the Art of Blank Verse - Activity: Analyze a famous work written in blank verse. - Lecture: Explain the structure and rhythmic qualities of blank verse. - Discussion: Discuss the freedom and constraints of writing in blank verse.
Day 4: Writing Exercise - Epic Journey Poem - Activity: Craft a poem exploring an epic journey or heroic theme. - Assignment: Write a blank verse poem on a chosen topic. - Vocabulary Words: Epic, Heroic, Blank Verse.
Day 5: Peer Review and Feedback - Activity: Peer review workshop for epic poems and blank verse. - Lecture: Discuss the enduring appeal of epic storytelling and the rhythmic qualities of blank verse. - Discussion: Share insights gained from reviewing peers' work.
Study Guide Questions for Week 11-12: 1. Discuss the characteristics and narrative structure of epic poetry. What makes a journey "epic"? 2. Explore the use of elevated language and heroic themes in crafting epic narratives. 3. What defines blank verse, and how does its rhythmic quality contribute to the overall impact? 4. Discuss the freedom and constraints of writing in blank verse. 5. Reflect on the process of crafting an epic poem and a blank verse poem. How did you approach the themes and rhythmic qualities?
Quiz: Assessment on the understanding of epic poetry, the characteristics of epic journeys, and the rhythmic qualities of blank verse.
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2024.05.21 11:15 JOWQH The Blending of Luo Shen Fu with Modern Design: Exploring the Art and Craftsmanship of the Varmilo Goddess Luo Keyboard

The Blending of Luo Shen Fu with Modern Design: Exploring the Art and Craftsmanship of the Varmilo Goddess Luo Keyboard
The Goddess Luo keyboard is a unique masterpiece that blends classical Chinese literature with cutting-edge keyboard technology. Drawing inspiration from "Luo Shen Fu(Ode to the Goddess of the Luo River)," a poem composed over 1,800 years ago during China’s turbulent Three Kingdoms era by the poet Cao Zhi(Cao Cao's third son), this keyboard pays homage to Goddess Luo—identified as Zhen Ji, celebrated for her beauty and enigmatic presence. To aid Western consumers in appreciating this deep historical and cultural context, we've integrated symbols and text from the poem, reinterpreted through contemporary technology.

Goddess Luo
Excerpt from Ode to the Goddess of the Luo River
Historical Context and Intrigue
Zhen Ji was historically the daughter-in-law of Yuan Shao, an adversary of Cao Cao(the King of Wei Kingdom), and married Cao Pi(Cao Cao's eldest son), Cao Zhi's brother, after Yuan Shao's defeat. Goddess Luo is one of the most beautiful goddesses in ancient Chinese mythology. Cao Zhi compared Zhen Ji to her to praise Zhen Ji’s beauty and purity. Though "Ode to the Goddess of the Luo River" is Cao Zhi's lyrical tribute to Zhen Ji's beauty, the poet and Zhen Ji were never united, weaving a tale of unrequited love into the poem’s narrative
Keycap Design and Scroll-Style
· Overall Color and Material: Inspired by Jin Dynasty aesthetics of "purity" and "simplicity," the Goddess Luo Keyboard employs a pale aqua reminiscent of light bamboo leaves, symbolizing tranquility and depth, in line with the serene and mystical aura of the Goddess Luo. The keycaps are made from durable PBT material to ensure the longevity of text and designs.
Jin Dynasty: Han Fu
· Scroll-Style: The keyboard is crafted to emulate the form of ancient Chinese scrolls, unfolding from right to left, linearly presenting the story and poetic imagery of "Ode to the Goddess of the Luo River." This layout aligns with traditional Chinese writing and reading directions and allows users to progressively engage with the poem's narrative and aesthetics.
Scroll-style communication, unfolding from right to left
Keycap Details:
· Right Enter Key: Features a mounted scholar symbolizing Cao Zhi's journey and return, linked to the line "Leaving the capital, to return to my fief in the east" expressing the poet's departure from the bustling city back to his roots.
· 2U '0' Key: Depicts distant mountains and rivers, representing the hardships of travel and longing for the distant, associated with "The sun sets in the west, the journey tires the horses," reflecting the weariness of travel and the solitude of dusk.
Keycap Detail 1
· Directional Keys: Embody various natural and poetic themes from the poem.
Keycap Detail 2
· Up Key (Morning Glow): Represents the dawn of a new day and hope, symbolizing Goddess Luo's beauty and vitality akin to the morning sun.
· Down Key (Lotus): The lotus emerging from the water, commonly symbolizing the purity and beauty of women in China, resonates with the noble image of Goddess Luo.
· Left Key (Spring Pine): The pine tree in spring, symbolizing resilience and vitality, reflects the youthful vigor of Goddess Luo.
· Right Key (Autumn Chrysanthemum): The chrysanthemum in autumn, representing noble and solitary beauty, aligns with Goddess Luo's independent and pure character.
· Enter and Shift with Enamel Piece: Correspond to the iconic lines "As elegant like a swan, as graceful as a swimming loong" Here, "loong" refers to the mythical Chinese dragon, distinct from the Western dragon archetype. In Chinese culture, the loong is revered as a symbol of power, strength, and good luck, embodying regality and grace—attributes perfectly mirroring Goddess Luo's portrayed beauty.
Enamel Piece 1
Enamel Piece 2
Integration of Chinese and English Characters
The letter area combines Chinese and English characters, where each Chinese character originates from "Ode to the Goddess of the Luo River," and their initials correspond to the respective English letters, such as "其" (qí) for "Q". Additionally, these characters are styled in semi-cursive and regular script, popular during the Wei and Jin dynasties. Regular script was the preferred choice for official documents and scholarly works due to its orderly appearance, while semi-cursive was favored in personal correspondence and informal documents for its speed and artistic flair.

Font details 1
Font details 2
Top Artistic Illustration and Rear Design
· Top Artistic Illustration: The keyboard's top features an illustration of Cao Zhi gazing toward Goddess Luo, conveyed through modern illustration techniques to express the love and unreachable sorrow within "Ode to the Goddess of the Luo River."
Goddess Luo
Poet Cao Zhi
· Rear Grille Glass and Calligraphy: The rear adjustable grille glass features interactive elements like the opening and closing of lotuses and the shining sun, capturing moments such as "Radiant as the rising morning glow" and "Blazing like the lotus emerging from the water," symbolizing Goddess Luo's sublime beauty at moments when her eyes open.

The moment Goddess Luo opened her eyes
Technological Innovations
· Multi-mode Connectivity and Low Latency: The keyboard supports wired, Bluetooth, and 2.4G wireless connections, equipped with advanced chip technology to ensure response times as low as 1ms, catering to high-end users and gaming enthusiasts.
ST+Nordic Chip
Physical Mode Switch
· Gasket Mount: Incorporates a gasket structure and various layers of sound insulation materials, enhancing key feedback and sound quality for an optimal typing experience. The structure uses silicone pieces to isolate the keycaps from the keyboard base, effectively reducing vibrations and improving the sound of keystrokes.

Internal Structure
Conclusion
The Goddess Luo keyboard is Varmilo's pinnacle product for 2024, blending our reflections on classical culture and art with modern expression and showcasing the best of our current hardware and software technology. After a year of development, we are proud to present this product and hope it will garner the interest and support of our community.
Desktop Matching Picture 1
Desktop Matching Picture 2
Desktop Matching Picture 3
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2024.05.21 04:54 apageinthestacks r/Fantasy Bingo - Ursula K. Le Guin Edition!

Fantasy Bingo - Ursula K. Le Guin Edition!
A Bingo card made entirely from titles by Ursula K. Le Guin!
Some quick background: A little over a year ago I decided I would read everything I hadn’t yet read by Ursula K. Le Guin, and in order of publish date. This includes her novels; her story, essay, and poetry collections; children’s and picture books; chapbooks; and more. Literally everything I could identify that she published, I wanted to include it -- over 100 pieces of writing in total!
I’ve been doing it a little slowly so I'm still going strong, but I am bittersweetly nearing the end. Next up on my list is Lavinia , and I am incredibly excited to read her last novel. I haven’t been updating it as much as I’d like, but if you’re interested in the list I’m reading through you can find it here.
Anyway, since I’ve spent more than a year completely immersed in Le Guin’s work, after this year’s Bingo card came out I began to notice how well some of her books fit the themes, so then I decided to take it a little further and create a Bingo card exclusively with her work. 😀 I know this wouldn't actually be acceptable, since you can't use an author more than once, but I thought it'd be fun to show how expansive her bibliography is. So, without further ado:
https://preview.redd.it/9ytumeo01p1d1.png?width=1077&format=png&auto=webp&s=303c8774442b2fed120aecb0cf03f0461bae1b5c
My main focus was on having no repeats (although I still ended up having one, unfortunately–maybe someone can remind me of a book I’ve missed that also fits for either Dark Academia or Eldritch Creatures), so other books may be a better fit than the ones I’ve chosen for individual themes. But, hopefully this will inspire someone to pick up one of Le Guin’s works for a Bingo square this year. 🙂
The squares/justification:
First in a Series: Orsinian Tales Of course A Wizard of Earthsea and Rocannon's World also fit. Orsinian Tales is a short story collection set in a fictional European country. Her novel Malafrena follows and is also in this setting.
Alliterative Title: The Word for World is Forest Also fits: The Water is Wide, though it’s just a short story.
Under the Surface: The Tombs of Atuan Probably my second favorite Earthsea novel, or maybe tied with Tehanu, and much of it takes place in the titular tombs, underground.
Criminals: Malafrena Minor spoilers, but the main character gets arrested for political sedition. Also, in the novella Old Music and the Slave Women the main character also gets arrested.
Dreams: The Lathe of Heaven The main character’s dreams can alter reality. Written somewhat as a tribute to Philip K. Dick, this is a great choice if you’re a fan of his work.
Entitled Animals: The Eye of the Heron Various short stories also fit, as well as the collection Buffalo Gals and Other Animal Presences.
Bards: Gifts The story partially centers on the main character’s desire to be a storyteller and his journey. The second book, Voices, perhaps would fit this even stronger, but I’m using it for another square.
Prologues and Epilogues: Worlds of Exile and Illusion The short story “Semley’s Necklace” is the prologue to Rocannon's World, or in the recent Tor Essentials reissue it appears simply as “The Necklace”
Self-Published or Indie Publisher: Cheek by Jowl, from Aqueduct Press Depending on your definition, there’s actually a fair amount of Le Guin’s work that’s only been indie-published. She has a few titles through PM Press, Tin House, and others.
Romantasy: The Beginning Place Probably would be considered a very light-on-the-romance romantasy, but it’s probably her book with the most romance, besides Very Far Away from Anywhere Else which isn’t speculative at all.
Dark Academia: A Wizard of Earthsea I don’t know how well this fits the aesthetic. I could argue both ways, so I’ll say it does. 😉 The wizard school is the main part of the book, and I think this is the most academically-inclined of her books. The Dispossessed may slightly fit, but it’s more that the main character is an academic rather than the book centering on academia, if that distinction makes sense.
Multi-POV: Always Coming Home Set up as a sort of collection of works found in the future about a society in the (future time’s) distant past (but our future). Features several stories with different POVs. Searoad also works for this.
Published in 2024: Collected Poems, from Library of America. So this one is possibly cheating. While most of this is a reprint, there are 68 previously-uncollected poems, so it at least partially counts! 😅 And some of her poems are SFF.
Character with a Disability: Voices One of the main characters is physically disabled from torture he endured before the book takes place.
Published in the 1990s: A Fisherman of the Inland Sea Books that also fit: Tehanu, Four Ways to Forgiveness, Unlocking the Air and Other Stories, two Catwings books, three poetry collections, and many novellas, short stories, etc.
Orcs, Trolls, and Goblins: A Ride on the Red Mare’s Back In this charming picture book the main character comes across a troll.
Space Opera: Paradises Lost A novella that takes place on a generation ship.
Author of Color: Selected Poems of Gabriela Mistral, translated and with commentary by Le Guin. One thing that’s been fun about my read-through of Le Guin is being absolutely delighted by her translations. Not only because I get to discover authors I otherwise wouldn’t, as well as discover some of her own favorites, but because of what it reflects on Le Guin. She wasn’t fluent in Spanish but loved this poetry so much she took the time to meticulously translate the poems, getting input from friends and acquaintances. Anyway, many of these poems are speculative and I loved Le Guin’s commentary.
Survival: The Farthest Shore Another one that’s cheating a bit, because only a small portion of the novel is focused on survival but it is a rather memorable part.
Judge a Book By Its Cover: The Language of the Night This one is entirely subjective of course, and I probably would’ve used The Left Hand of Darkness if I wasn’t using it for another square, but I do absolutely love the new cover this reissue got. And it’s a fantastic book of nonfiction on SF&F!
Set in a Small Town: Searoad This entire novel/mosaic of stories takes place in a small coastal town.
Five SFF Short Stories: The Wind’s Twelve Quarters Le Guin has over a hundred short stories and nearly a dozen collections to choose from, but I chose this one because it has my favorite short story of hers: “The Ones Who Walk Away from Omelas.”
Eldritch Creatures: A Wizard of Earthsea Slight spoilers: here’s an uncanny/mysterious/etc. shadow being that is a main antagonist and is, at least initially, seemingly beyond mortal understanding.
Reference Materials: Tales from Earthsea In addition to containing several short stories set in Earthsea, there’s also a map and “A Description of Earthsea” that has various reference materials about the cultures, languages, etc. of Earthsea. Always Coming Home is also a perfect choice for this square.
Book Club or Readalong Book: The Left Hand of Darkness It was a book club selection here: https://www.reddit.com/Fantasy/comments/n2lfc8/classics_book_club_the_left_hand_of_darkness_is/
~~~
And there we have it! So, sure, a few of these are slightly cheating, but mostly this was just a fun exercise and an excuse to say: please read Ursula K. Le Guin, she’s incredible. 🙂
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2024.05.21 03:47 lifefuckingblowsdude One poem in a thirty eight part anthology of my journey. Please tell me what you think of it.

Weakness
Is it weak to bend in the wind?
Cresting to and fro as the Earth demands?
Is it weak to give into peril?
Or to want to?
Would weakness be counting tirelessly the hours, minutes, seconds until the next reprieve?
Or to silently hope to not make it in time to feel the relief?
Is weakness something small, minute, obscure?
Something diminutive enough to be laughable when answered with debilitation?
Would it be weak to surrender to a summer's blister?
Or a winter’s whisper?
To a throbbing phantom pain in the stem of my brain?
Is it weak to suffer with no gain?
Is it weak to love?
Or repress?
Is it weak to regret?
To regress?
Is it weak to feel ashamed?
Or to feel the need to speak but remain unnamed?
Is it weak to wish?
Or to yearn?
To struggle with habits too deep rooted to unlearn?
Is it weak to fantasize but not fulfill?
To evolve but not within?
To be an option but not preferred?
Is it weak to want but not deserve?
Does weakness shape?
Does it break?
Does it root like a tree?
Or does it root like a weed?
If it does, then what do I do with the weakness planted inside of me?
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2024.05.21 01:07 Fredrickthyme Tchaikovsky- A Cultural Phenomenon

The Legacy of Pyotr Ilyich Tchaikovsky: An In-Depth Analysis of His Music and Influence

Pyotr Ilyich Tchaikovsky (1840–1893) was a Russian composer whose works have become some of the most beloved in classical music. Known for his ballets, symphonies, concertos, and operas, Tchaikovsky's music is characterized by its emotional depth, melodic richness, and masterful orchestration. Here’s an in-depth analysis of his musical characteristics, compositional techniques, cultural impact, notable works, and a theoretical doctoral analysis.

Active Years

Tchaikovsky's active years spanned from the early 1860s until his death in 1893. His career included periods of intense productivity and innovation, resulting in a vast and diverse body of work.

Musical Characteristics

Emotional Expressiveness: - Lyrical Melodies: Tchaikovsky’s music is renowned for its beautiful, expressive melodies that convey a wide range of emotions, from joy to despair. - Dramatic Contrast: His compositions often feature stark contrasts in mood and dynamics, heightening the emotional impact.
Rich Orchestration: - Colorful Instrumentation: Tchaikovsky was a master orchestrator, known for his lush, vibrant orchestrations that make full use of the symphony orchestra’s capabilities. - Innovative Use of Instruments: He frequently used instruments in novel ways to achieve unique timbres and effects.
Structural Clarity: - Balanced Forms: Tchaikovsky’s works typically adhere to clear formal structures, such as sonata-allegro form, which he used to great dramatic effect. - Symphonic Development: His symphonic works exhibit sophisticated development of thematic material, blending traditional forms with his own innovations.
Russian Folk Influence: - Folk Melodies and Rhythms: Tchaikovsky often incorporated Russian folk melodies and rhythms into his music, giving it a distinctive national flavor. - Cultural Themes: Many of his works reflect Russian cultural themes and stories, contributing to the development of a national musical identity.

Cultural Impact

Notable Works

  1. Symphony No. 6 "Pathétique" (1893): His final symphony, noted for its profound emotional depth and innovative structure.
  2. Piano Concerto No. 1 (1875): One of the most famous and frequently performed piano concertos, known for its powerful opening and lyrical second movement.
  3. Swan Lake (1876): A ballet score that has become a cornerstone of the ballet repertoire, renowned for its beautiful melodies and dramatic music.
  4. The Nutcracker (1892): Another iconic ballet, especially famous for its suite, which includes the "Dance of the Sugar Plum Fairy" and the "Waltz of the Flowers."
  5. Violin Concerto (1878): A virtuosic and expressive concerto that is a favorite among violinists and audiences alike.
  6. Symphony No. 4 (1877): Known for its dramatic intensity and use of the "Fate" motif, reflecting Tchaikovsky’s personal struggles.
  7. The Sleeping Beauty (1889): A lavish ballet score that showcases Tchaikovsky's gift for melody and orchestration.
  8. 1812 Overture (1880): A concert overture written to commemorate Russia's defense against Napoleon, famous for its use of cannon fire and Russian folk themes.
  9. Romeo and Juliet Fantasy Overture (1880): A symphonic poem based on Shakespeare’s play, noted for its beautiful love theme and dramatic structure.
  10. Serenade for Strings (1880): A graceful and lyrical work for string orchestra, beloved for its elegance and charm.

Doctoral Theory Analysis

Introduction Pyotr Ilyich Tchaikovsky’s music embodies a blend of Western classical traditions and Russian folk elements, characterized by its emotional expressiveness, structural clarity, and masterful orchestration. This analysis explores the theoretical aspects of his compositions and their broader implications.
Harmonic Language - Chromaticism and Modulation: Tchaikovsky's harmonic language often features rich chromaticism and bold modulations, contributing to the dramatic tension in his music. - Dissonance and Resolution: He skillfully uses dissonance to heighten emotional impact, resolving it in ways that amplify the music’s expressive power.
Melodic Structure - Lyrical Melodies: His melodies are long, flowing, and highly expressive, often built on simple, folk-like motifs that are developed in sophisticated ways. - Thematic Transformation: Tchaikovsky employs thematic transformation, where themes are altered in rhythm, harmony, and orchestration to reflect different emotional states.
Rhythmic Techniques - Syncopation and Cross-Rhythms: His use of syncopation and cross-rhythms adds complexity and drive to his music, creating rhythmic vitality. - Dance Forms: Tchaikovsky frequently incorporates dance forms such as the waltz, mazurka, and polonaise, infusing his music with rhythmic variety and national character.
Textural Elements - Orchestral Color: Tchaikovsky’s orchestration is renowned for its rich colors and textures, achieved through inventive use of the orchestra’s sections. - Layered Textures: He often uses layered textures to build intensity, with different instrumental groups playing complementary lines that enhance the overall sound.
Conceptual Innovations - Programmatic Elements: Many of Tchaikovsky’s works are programmatic, telling a story or depicting a scene, as seen in his ballets and symphonic poems. - Emotional Narrative: His music often follows an emotional narrative, taking listeners on a journey through contrasting moods and themes.
Conclusion Pyotr Ilyich Tchaikovsky’s contributions to classical music are monumental, blending deep emotional expression with technical mastery. His innovative use of harmony, melody, rhythm, and orchestration set new standards for composition and influenced countless musicians. Tchaikovsky’s ability to merge Russian folk elements with Western classical traditions helped shape a distinct Russian musical identity. His enduring popularity and the continued performance of his works attest to his lasting impact on the world of music. By examining the theoretical foundations and practical applications of Tchaikovsky’s work, we gain a deeper appreciation of his genius and his pivotal role in the evolution of classical music.
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2024.05.20 23:08 TheBlaringBlue The Art of the Rap Battle in Assassin's Creed: Valhalla

Eivor is a bit of a strange protagonist.
She’s basically flawless and without blame. She’s brash and bold, proud and unashamed — brave and wise far beyond her years, yet able to be soft and compassionate when not brandishing spears. She’s got a knack for leadership, a strong moral compass and an even stronger muscular system with which to enact justice.
And she’s got bars?
As someone not deeply versed in medieval European histories, imagine my shock and confusion upon discovering that Assassin’s Creed: Valhalla included rap battling.
My first experience with Flyting had me asking so many questions about what I just witnessed that I couldn’t wait to begin Googling. I figured flyting probably was historically accurate, but if that’s the case, then what else can it tells us about the medieval warrior and about Eivor’s characterization?
I set off to find out.
--
Wikipedia and howstuffworks combined gave me a robust definition of flyting.
A ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. Examples of flyting are found throughout Scots, Ancient, Medieval and Modern Celtic, Old English, Middle English and Norse literature involving both historical and mythological figures. The exchanges would become extremely provocative, often involving accusations of cowardice or sexual perversion.
The idea behind flyting was to influence public opinion of the participants and raise both of their profiles. And each participant wanted to make himself look better than the other, even if they were friendly.
Not only that, but flyting’s also the first recorded use of shit as an insult. That right there is worth this whole essay and then some.
--
I came away from those definitions with some small Euphoria, as they reinforce what I already expected from Ubisoft — historically accurate and (arguably) immersive side activities grounded in realism.
Unfortunately, none of the flyting foes that Eivor faces in this fantasy are founded in any real-world flyters. I was particularly frustrated when I realized Fergal the Faceless and Borghild the Alewife’s Bane were fictional features, not real historical fiends of rhythm and rhyme.
Two of Eivor’s syntax competitors are “real” in some sense, however.
In Norse mythos, Odin, Thor, Loki, Freyja and more would handle their Family Matters over a flyte from time to time, dueling wits and words as competition and entertainment.
In fact, one flyte we do see in game — Odin as he flytes over the river with Thor in the Asgard Arc — is likely a reference to a real medieval Norse poem; The Hárbarðsljóð.
In it, Thor jaunts back to Asgard after a journey in Jötunheim. He comes to a junction in which he must jump a large river, and thus hunts down a ferryman to shepherd him across. The ferryman, Hárbarðr, is Odin in disguise. He then begins to diss guys.
Ahem. ‘Guys’ being Thor, obviously.
First, Odin drops a yo-mama joke:
Of thy morning feats art thou proud, but the future thou knowest not wholly; Doleful thine home-coming is: thy mother, me thinks, is dead.
He keeps going, taking more shots than a First Person Shooter, this time saying Thor dresses like a girl:
Three good dwellings methinks, thou hast not; Barefoot thou standest and wearest a beggar’s dress; Not even hose dost thou have.
Thor says watch your mouth before I clap back:
Ill for thee comes thy keenness of tongue, if the water I choose to wade; Louder, I ween, than a wolf thou cryest, if a blow of my hammer thou hast.
Odin replies by saying Thor’s wife is fucking another dude:
Sif has a lover at home, and him shouldst thou meet; More fitting it were on him to put forth thy strength.
The version we play out in game isn’t identical to the real-world poem, but carries some similarities; Thor’s threatening to cross the river to fight Odin as well as his boasting of slaying giants are present in each.
Ratatosk is the only other ‘real’ flyting enemy in Valhalla. While Odin doesn’t flyte with Ratatosk in Norse myth to my knowledge, the flyting against the squirrel is thematically accurate, at least.
Ratatosk’s purpose is to scramble up and down Yggdrasil, scurrying spoken messages from the eagle that sits at its peaks to the snake that slithers at its base. The nature of Ratatosk’s messages is in line with the act of flyting — the mischievous rodent carries falsehoods and aggressive statements to stir up drama and distrust between bird and serpent.
Flyting took place not only in poems and folklore, but in town squares and royal court. It was a facet of medieval life and social interaction. This weaving of prose then, in this time period, seemingly was just about as much of an admired skill as the swinging of a sword. It’s no wonder our unbreakable warrior Eivor is so proficient with word.
--
Like, really proficient with word.
I mean, I know it’s me choosing the dialogue options, but sheesh, is there anything she can’t do?
Actually, Eivor’s expertise in flyting is strange to me. It feels random and unearned — out of character, even. It comes more unexpectedly than Kendrick Lamar’s Not Like Us.
It probably only feels out of character, however, due to our modern understanding of proficiency with words versus proficiency with might. Our current interpretation of verbal ability compared to physical ability would perceive verbal ability as the ‘softer’ of the two skillsets. Physical strength is typically interpreted as tough and more dominant. You don’t expect to see an MMA fighter composing poetry, do you? The qualities that modern thought attributes to writing and physicality don’t mesh.
But in reality — and historically accurately in Valhalla — medieval warriors weren’t just blind berserkers. They were actually artists, poets and writers.
We’ve already demonstrated how Odin and Thor — Norse myth’s most famous warriors — carried out flyting. There are plenty more examples of the burly and the brawn, the Viking and the warrior breaking out poetry and song. Other poems and sagas include the same thing, among the most famous of which is Egil’s Saga — Egil, a tough Viking warrior, would frequently break out into prose throughout the saga’s telling.
Beyond Vikings though lie other other examples from around the world. The Illiad contains instances of public, ritualized abuse. Taunting songs are present in Inuit culture while Arabic poetry contains a form of flyting called naqa’id. Further, Japanese Samurai were known to be frequent composers of haiku, while Japanese culture also gave birth to Haikai, poetry in which vulgar satire and puns were wielded.
This historical accuracy ends up eliminating the randomness of Eivor’s flyting ability. Despite her verbal finesse feeling unearned, we can surmise historically that Eivor has practiced the wielding of words plenty in her life before we take over as the player. She’s dedicated time to this.
Now that we know why she has it, we can take a closer look at what it does for her.
--
So, Eivor can rap. She can match you with her axe or she can match you with her words. She’s just about unbeatable.
Her mastery of words demonstrates on some level that she’s not all Push Ups and might is right. She’s not all bruiser and bluster, burn and berserk. She’s an appreciator of the finer things — the more abstract, mental skills that require brain power, deftness and finesse.
This duality of strength and genius rounds out Eivor into a deeper, richer, more admirable character. More than just raw muscle in pursuit of glory, Eivor’s mastery of verse demonstrates her prioritizing not just her body, but her mind.
And it goes a long way for her.
Eivor can use her prowess with prose to progress past pointless plot points throughout Valhalla’s plethora of arcs and missions. It’s just a stat check in the end, but with enough practice flyting and enough charisma gained, Eivor unlocks new dialogue options that bend the world around her to her will.
Witch hunters in Eurvicscire on the brink of terrorizing Moira can be dispersed verbally rather than brawled or killed. There’s an entire riddle-solving fetch quest in Wincestre that can be skipped completely by telling King Aelfred’s abbot fuck off (figuratively). Eivor’s sharpening of her mind protects her body, saves her time, and allows her to frictionlessly fell her endeavors.
Her articulate advances don’t just alter her into admirability, they allow her to influence people and progression. With semantics from her mouth and twists from her tongue, Eivor can have her way whenever she wishes. In a game this large, I’m only left longing that the opportunity to make use of this charisma wasn’t relegated to niches.
Regardless, if medieval England is butter, Eivor’s tongue is the hot knife that behooves her move through her subduing more smoothly.
It all just goes to show that ̶m̶i̶g̶h̶t̶ flyte is right.
submitted by TheBlaringBlue to assassinscreed [link] [comments]


2024.05.20 22:52 Manifestopheles Arvanite Poetry

Mirëmbrema and greetings from Greece, vëllezër. I hope it's ok if I post this here, as I'm not trying to advertise anything commercial, but I would like to point your attention to my latest project: the past year I've finally started doing research into my Arvanite heritage. While my relatives are all mostly convinced we have no relation with the Arvanites, because our grandfather claims that his grandfather changed his name to "Arvanitis" and hence they don't consider it an indication of our origin.
The truth, however, is that my great-great-grandfather's original name, "Kakissis" was even more incriminating, as it's clearly an Arvanite name referring either to the name Kakia (which is an Arvanite nickname for Paraskevi, i.e. it would refer to the children of Kakja), or, maybe ka kishë (has a church, indicating that they didn't want to convert to either Islam or maybe Catholicism, as my family comes from Southwest Morea, so most likely descend from Dredh/Arbëresh stock who fled Italy in the Middle Ages to avoid becoming Catholic). Regardless, all this information pushed me to do my research and try to learn the language on my own. Finding people to teach you Arvanitika is impossible in Greece, as even most native speakers only speak it partially), but, fortunately, there are a few books available (although you won't believe the hoops I had to jump to even get my hands on them), and with the help of modern Albanian textbooks and dictionaries I've actually been making a lot of progress, I think. Nowhere near being able to speak it reliably, but I can at least translate and form coherent sentences in writing, which leads me to the topic of today.
As a way to practice the things I've been learning I've decided to start writing poetry again (I used to write extensively almost a decade ago before stopping) but this time in Arvanitika. I've started simple, writing haiku, senryu (basically a haiku, but not focused on scenery so much as human interaction and/or commentary etc.) and tanka (another japanese form similar to haiku but extended by two more verses), but have already made a major discovery in what could become a new, Arvanite form of poetry, called Ethëna (a saying, basically). Ethëna seems to have been a major social activity among Arvanite communities, by which one would invent a little verse or proverb based on some experience or insight and share it among their peers. In terms of poetry it's still something I'm developing, and, while not all my ideas are groundbreaking by any stretch, I would say it mostly combines attributes of an aphorism with epigrammatic poetry, often with a healthy dose of satire.
Either way, I feel this is probably the most significant journey I've embarked upon, solely motivated by a desire to preserve and, better yet, hopefully enrich a language which has languished in neglect for far too long -- as well as to master it for myself. For example, I wrote a poem about the word faleminderit, inspired by the fact that Arvanitika has no official word for "thank you", while both falem and nderi exist in our vocabulary. So I'm constantly on the lookout for words the Arvanites may have known, either from Albanian, Latin or Medieval Greek, the latter of which probably had the most significant influence on Arvanitika as we know it today, as all the dictionaries available in Arvanitika are woefully incomplete.
So anyway, if anyone's interested, please check out the following link: https://gjuhaezogut.wordpress.com/
I'd love to hear any and all of your feedback, especially since I'm not a native speaker. Faleminderit.
submitted by Manifestopheles to albania [link] [comments]


2024.05.20 16:45 Fredrickthyme Yiheng Chien - A modern legend and innovative composer

The Legacy of Yiheng Chien: An In-Depth Analysis of His Music and Influence

Yiheng Chien is a contemporary composer known for his innovative compositions that bridge Eastern and Western musical traditions. His works often explore themes of cultural identity, spirituality, and human connection. Here’s an in-depth analysis of his musical characteristics, compositional techniques, cultural impact, notable works, and a theoretical doctoral analysis.

Musical Characteristics

Integration of Eastern and Western Elements: - Hybrid Sound: Chien's music seamlessly blends traditional Eastern instruments and scales with Western classical techniques, creating a unique and evocative sonic landscape. - Pentatonic Scales: Chien frequently incorporates pentatonic scales and modes characteristic of traditional Chinese music, adding a distinctive tonal color to his compositions.
Expressive Melody: - Emotional Depth: Chien's melodies are often imbued with a sense of longing, nostalgia, or spiritual transcendence, reflecting his exploration of universal human experiences. - Fluid Phrasing: Melodic lines flow gracefully, weaving intricate patterns that evoke imagery and emotion.
Rich Harmonies: - Modal Harmony: While rooted in traditional tonal harmony, Chien's use of modal inflections and extended harmonies adds depth and complexity to his music. - Chromaticism: Occasional chromatic passages create moments of tension and contrast within the harmonic framework.
Rhythmic Diversity: - Syncopated Rhythms: Chien incorporates syncopation and irregular rhythmic patterns, drawing on both Western and Eastern rhythmic traditions to create dynamic textures. - Pulsating Rhythms: Driving rhythms and pulsating ostinatos often underpin his compositions, propelling the music forward with energy and momentum.

Cultural Impact

Notable Works

  1. "Echoes of the Mountains": A symphonic poem that evokes the majestic landscapes and spiritual traditions of the Taiwanese mountains.
  2. "Dreams of the River": A chamber music cycle inspired by the poetry of classical Chinese literature, exploring themes of love, nature, and the passage of time.
  3. "Beyond the Horizon": A multimedia orchestral work that combines live performance with visual art and electronic soundscapes, offering a multi-sensory experience.
  4. "Songs of the Soul": A choral suite based on ancient Taiwanese folk melodies and Taoist chants, celebrating the spiritual heritage of Taiwan.
  5. "Journey to the East": A concerto for erhu and orchestra that showcases the expressive capabilities of the traditional Chinese instrument within a contemporary classical context.

Doctoral Theory Analysis

Introduction Yiheng Chien's music represents a unique synthesis of Eastern and Western musical traditions, characterized by its expressive melodies, rich harmonies, and cultural resonance. This analysis explores the theoretical underpinnings of his work.
Integration of Eastern and Western Elements - Modal Interchange: Chien seamlessly blends traditional Chinese scales and modes with Western tonal harmony, creating a harmonically rich and culturally resonant sound. - Timbral Exploration: His use of traditional Chinese instruments alongside Western orchestral forces expands the sonic palette and cultural depth of his compositions.
Expressive Melody - Mimetic Phrasing: Chien's melodies often mimic the contours of spoken language or natural sounds, imbuing them with a sense of organic movement and emotional resonance. - Narrative Arcs: Melodic lines unfold with a sense of narrative development, evoking imagery and emotions that transcend cultural boundaries.
Harmonic Complexity - Modal Borrowing: Chien's harmonic language draws on both Western functional harmony and Eastern modal traditions, creating a fluid and dynamic harmonic palette. - Polytonality: Occasional moments of polytonality or bitonality add layers of tension and ambiguity, reflecting the complexity of cultural identity and experience.
Rhythmic Diversity - Cross-Rhythms: Chien incorporates cross-rhythms and polymeter, reflecting the rhythmic complexity of both Western classical and traditional Chinese music. - Ritualistic Rhythms: Certain passages feature ritualistic or ceremonial rhythms, evoking the spiritual traditions and cultural rituals of Taiwan and China.
Conclusion Yiheng Chien's music represents a compelling fusion of Eastern and Western musical traditions, characterized by its expressive melodies, rich harmonies, and rhythmic diversity. Through his innovative compositions, Chien fosters cultural exchange and dialogue, bridging the divide between East and West and offering audiences a glimpse into the rich tapestry of Taiwanese and Chinese musical heritage.
submitted by Fredrickthyme to thirdvienneseschool [link] [comments]


2024.05.20 14:52 adulting4kids Holiday Poetry

  1. Hanukkah Ekphrasis:
    • Write an ekphrastic poem inspired by a piece of Hanukkah artwork, exploring the visual elements and infusing it with poetic interpretations of the holiday's themes.
  2. Diwali Pantoum:
    • Construct a pantoum that reflects the cyclical nature of Diwali, interweaving verses to capture the rituals, lights, and familial warmth associated with the festival.
  3. Kwanzaa Sestina:
    • Create a sestina that delves into the principles of Kwanzaa, allowing the repeated end words to echo the interconnectedness of the seven guiding principles.
  4. Las Posadas Narrative Poem:
    • Craft a narrative poem that tells the story of Las Posadas, exploring the characters, their emotions, and the transformative power of reenacting the journey to Bethlehem.
  5. St. Lucia's Day Rondeau:
    • Write a rondeau that captures the cyclical nature of St. Lucia's Day, emphasizing the themes of light, devotion, and the annual return of the festive traditions.
  6. Winter Solstice Tanka:
    • Express the quiet beauty and contemplation of the Winter Solstice through a series of tanka, focusing on nature, reflection, and the promise of longer days.
  7. Chinese New Year Found Poetry:
    • Create a found poem using excerpts from Chinese New Year traditions, incorporating elements from traditional greetings, myths, and customs to craft a poetic collage.
  8. Ganna Ode:
    • Write an ode that celebrates the Ethiopian Christmas (Ganna), highlighting the spiritual significance, communal joy, and cultural richness of this festive occasion.
  9. Oshogatsu Concrete Poem:
    • Experiment with a concrete poem that visually represents the symbolic elements of Oshogatsu, using the arrangement of words to evoke the essence of the New Year celebration.
  10. Global Celebrations Haiku Sequence:
    • Develop a sequence of haikus that encapsulate the spirit of global holiday celebrations, drawing on diverse imagery and cultural elements to create a mosaic of poetic snapshots.
submitted by adulting4kids to writingthruit [link] [comments]


2024.05.20 14:24 adulting4kids Poetry

  1. Clerihew:
- *Definition:* A whimsical, four-line biographical poem with irregular meter. - *Example:* Craft a clerihew about a famous historical figure or a friend with a humorous twist. 
  1. Quatrain:
- *Definition:* A stanza or poem consisting of four lines, often rhymed. - *Example:* Write a quatrain reflecting on the beauty of simplicity in everyday life. 
  1. Double Dactyl:
- *Definition:* A light, humorous poem with strict structure and two quatrains. - *Example:* Create a double dactyl capturing a comical moment or character. 
  1. Terzanelle:
- *Definition:* A hybrid of the terza rima and villanelle, with 19 lines and a specific rhyme scheme. - *Example:* Craft a terzanelle exploring the cyclical nature of seasons and life. 
  1. Haibun:
- *Definition:* A combination of prose and haiku, often describing a journey or experience. - *Example:* Write a haibun narrating a meaningful travel experience, complemented by haikus. 
  1. Golden Shovel:
- *Definition:* A form where the last word of each line is taken from an existing poem. - *Example:* Create a golden shovel poem using a line from your favorite poem or song. 
  1. Villancico:
- *Definition:* A Spanish poetic and musical form, often festive and celebratory. - *Example:* Craft a villancico capturing the joy of a special occasion or holiday. 
  1. Tercet:
- *Definition:* A stanza or poem consisting of three lines. - *Example:* Write a tercet expressing the beauty of resilience in the face of adversity. 
  1. Sevenling:
- *Definition:* A seven-line poem with a specific pattern and often narrative in nature. - *Example:* Compose a sevenling reflecting on a vivid childhood memory. 
  1. Palindrome Poetry:
- *Definition:* A poem that reads the same backward as forward. - *Example:* Write a palindrome poem exploring the balance between chaos and order. 
submitted by adulting4kids to writingthruit [link] [comments]


2024.05.20 11:08 adulting4kids Dead Sea Scrolls Study Guide -Unedited

The War Scroll, also known as the "War of the Sons of Light Against the Sons of Darkness," is a unique text within the Dead Sea Scrolls that portrays an apocalyptic battle between the forces of good (Sons of Light) and evil (Sons of Darkness). This scroll provides insight into both historical and symbolic elements.
Historical Accuracy:
The War Scroll, while containing detailed military tactics and an epic narrative of the ultimate confrontation, doesn't explicitly reference any specific historical event or timeframe. Some scholars believe it could be a product of the community's anticipation of a future messianic conflict or a reflection of their own community's struggles against opposing forces during their time. Interpreting the historical accuracy of the scroll often involves exploring the context of the Qumran community and the turbulent times in which they lived.
Symbolism and Esoteric Wisdom:
The War Scroll goes beyond a mere description of a physical battle. It portrays a cosmic conflict between the forces of light and darkness, reflecting not just a literal warfare but also a symbolic and spiritual struggle. The text emphasizes righteousness, divine intervention, and the victory of good over evil.
Within the study guide, activities and exercises could involve dissecting the symbolic elements present in the War Scroll, exploring the deeper meanings behind the battle tactics and the metaphysical implications of the conflict. Understanding the symbolism could involve group discussions, comparative analysis with other ancient texts with similar themes, and exploring the impact of this symbolic representation on the community's beliefs and practices.
Here are a few activities and exercises to explore the symbolism and historical context of the War Scroll from the Dead Sea Scrolls:
  1. Symbolism Analysis:
Provide excerpts from the War Scroll and encourage participants to identify and discuss the symbolic meanings behind elements like the "Sons of Light" and the "Sons of Darkness," various weapons, and the strategies outlined for battle. Group discussions or written reflections can help participants explore the deeper layers of meaning.
  1. Comparative Analysis:
Compare the War Scroll's themes with similar apocalyptic or eschatological texts from different cultures or religions, such as apocalyptic passages in the Book of Revelation in the Christian Bible or apocalyptic texts from other ancient traditions. Create worksheets or discussion prompts to highlight similarities and differences in themes, symbols, and beliefs about cosmic battles.
  1. Historical Context Exploration:
Present historical information about the era when the Dead Sea Scrolls were written. Discuss the political, social, and religious climate of that time, including the turmoil in the region, to understand how these factors might have influenced the composition of the War Scroll. Encourage participants to consider the possible motivations behind the text's creation.
  1. Creative Interpretation:
Encourage creative expression by asking participants to create artwork, poems, or short stories inspired by the themes and imagery found in the War Scroll. This exercise allows individuals to engage more deeply with the symbolic elements and interpret them in their own unique ways.
  1. Role-playing or Debates:
    Organize a role-playing activity where participants take on the roles of "Sons of Light" and "Sons of Darkness," debating their ideologies, motivations, and strategies for the ultimate battle. This exercise helps in understanding differing perspectives and interpreting the conflicts presented in the scroll.
Interpretative variations regarding the river's crossing in different ancient texts reflect the unique religious, philosophical, and cultural perspectives embedded within these narratives. These differences in interpretation offer insights into diverse worldviews and varying theological frameworks present in ancient texts:
  1. Mesopotamian Context:
  1. Biblical Context:
  1. Gnostic or Apocryphal Context:
  1. Greco-Roman Interpretation:
These varied interpretations highlight the richness and diversity of religious, philosophical, and cultural frameworks present in ancient texts. The river's crossing serves as a flexible symbol that adapts to different narratives, conveying themes of transition, judgment, liberation, or cosmic transformation based on the unique perspectives of each tradition.
Exploring these interpretative variations allows participants to appreciate the complexity of symbolism within ancient texts and provides insights into how different cultures and belief systems interpreted common motifs like the river Euphrates. It showcases the intricate interplay between religious, philosophical, and cultural elements shaping the symbolism and theological implications embedded in these narratives.
The river Euphrates, a prominent geographic feature in ancient texts, embodies universal themes that transcend specific cultural contexts. Identifying these universal themes helps reveal shared human concepts of transition, boundaries, and transformative events across diverse ancient traditions:
  1. Threshold and Transition:
  1. Boundary and Separation:
  1. Transformative Events:
  1. Symbol of Power and Control:
  1. Metaphor for Spiritual Journeys:
These universal themes associated with the river Euphrates highlight fundamental aspects of the human experience—transitions, boundaries, transformative events, power dynamics, and spiritual journeys. The river's symbolism in ancient texts speaks to shared human aspirations, struggles, and beliefs that transcend cultural boundaries and resonate across different epochs and civilizations.
By identifying and discussing these universal themes, participants gain a deeper appreciation for the profound symbolism embedded in ancient texts and recognize the timeless relevance of concepts such as transition, boundaries, and transformative events in shaping human narratives and aspirations.
  1. Historical Context:
  1. Symbolism and Esoteric Wisdom:
  1. Comparative Analysis:
  1. Parallelism in Biblical Texts:
  1. Community Beliefs and Practices:
  1. Cultural Significance of Cosmic Battles:
  1. Interpretive Variations and Unique Perspectives:
  1. Personal Reflection and Modern Relevance:
  1. Theological and Philosophical Implications:
  1. Literary and Symbolic Analysis:
- Analyze the narrative structure and symbolic elements present in specific passages of the War Scroll. How do these elements contribute to the text's overarching themes and meanings? 
These study questions aim to provoke critical thinking, promote in-depth exploration of themes, encourage comparative analysis, and stimulate discussions on the multifaceted nature of the War Scroll's content and its significance within ancient and contemporary contexts.
  1. Archaeological and Linguistic Analysis:
- How does the physical condition of the Dead Sea Scrolls, including the War Scroll, impact our understanding of their preservation and historical context? - Discuss the linguistic peculiarities or unique textual features found within the War Scroll and their implications for translation and interpretation. 
  1. Apocalyptic Expectations and Messianic Concepts:
- Explore the portrayal of messianic figures or anticipated saviors within the War Scroll. How do these concepts align with or diverge from contemporary expectations of a messianic figure in other ancient texts or religious traditions? 
  1. Impact of Apocalyptic Literature:
- Analyze the enduring influence of apocalyptic literature, such as the War Scroll, on subsequent religious, literary, or cultural traditions. How have these texts shaped later beliefs or inspired artistic and literary works? 
  1. Ethical and Moral Frameworks:
- Discuss the ethical or moral implications of the cosmic conflict depicted in the War Scroll. How do the themes of righteousness and wickedness contribute to the text's underlying moral framework? 
  1. Role of Prophecy and Revelation:
- Explore the role of prophecy and revelation within the War Scroll. How do the prophetic elements contribute to the text's portrayal of future events and cosmic justice? 
  1. Experiential and Ritualistic Elements:
- Investigate potential ritualistic or experiential dimensions associated with the teachings or beliefs conveyed in the War Scroll. How might the community have engaged with these teachings in their religious practices or communal activities? 
  1. Literary Genre and Interpretation:
- Discuss the classification of the War Scroll within the broader genre of apocalyptic literature. How does its classification influence our understanding and interpretation of its themes and symbolic elements? 
  1. Relevance in Modern Scholarship:
- Reflect on the ongoing scholarly debates or discoveries related to the War Scroll. How have modern interpretations evolved, and what implications do these new perspectives have on our understanding of the text? 
  1. Intersection of Faith and Scholarship:
- Consider the interplay between faith-based interpretations and scholarly analyses of the War Scroll. How might religious convictions or theological frameworks influence academic research and vice versa? 
  1. Future Research and Interpretative Avenues:
- Propose potential avenues for future research or areas of exploration concerning the War Scroll. What unanswered questions or unexplored aspects merit further investigation? 
The composition of the War Scroll, along with other Dead Sea Scrolls, was likely influenced by several historical events and societal conditions prevalent during the time of its writing, which is estimated to be between the 2nd century BCE and the 1st century CE:
  1. Hellenistic Rule and Cultural Influence:
  1. Political Turmoil and Resistance Movements:
  1. Religious Sects and Spiritual Expectations:
  1. Anticipation of Cosmic Redemption:
Regarding the historical context of the Dead Sea Scrolls' discovery, its significance lies in multiple facets:
  1. Preservation of Ancient Texts:
  1. Insights into Jewish Sectarianism:
  1. Confirmation of Scriptural Accuracy:
  1. Impact on Biblical Studies and Scholarship:
The historical context of political upheaval, religious expectations, and the preservation of texts within the Dead Sea Scrolls contributes significantly to understanding the milieu in which the War Scroll was written. It provides a backdrop against which the themes of cosmic conflict, eschatological anticipation, and religious fervor within the War Scroll can be comprehended.
submitted by adulting4kids to writingthruit [link] [comments]


2024.05.20 10:30 adulting4kids Famous Writers As Inspiration Part Two

  1. Explore a moment of existential reflection where the protagonist questions the purpose of their existence, echoing the philosophical inquiries found in Albert Camus's works.
  2. Write a scene set in a dystopian society where characters resist against a regime that controls language, inspired by the linguistic manipulations depicted in George Orwell's "1984."
  3. Craft a dialogue between characters that delves into the complexities of identity and societal expectations, echoing J.D. Salinger's exploration of adolescence and authenticity.
  4. Describe a surreal dreamscape where characters confront their deepest fears, capturing the psychological and symbolic richness reminiscent of Clive Barker's dark fantasy.
  5. Write a character-driven narrative set in a vibrant and chaotic urban landscape, capturing the raw and unfiltered observations of city life inspired by Henry Miller's works.
  6. Explore the consequences of a character's encounter with a mysterious artifact that alters their perception of reality, drawing inspiration from Philip K. Dick's exploration of altered states.
  7. Craft a scene where characters navigate a fantastical realm, capturing the whimsical imagination and linguistic inventiveness characteristic of Lewis Carroll's storytelling.
  8. Describe a protagonist's journey through the gritty underbelly of society, where vices and desires lead to self-destructive paths, inspired by Charles Bukowski's unfiltered exploration of the human condition.
  9. Write a satirical and darkly humorous critique of contemporary society, exploring the absurdities of the world through the lens of George Carlin's observational wit.
  10. Explore the intersection of spirituality and social consciousness in a narrative inspired by the mysticism and philosophical musings of Timothy Leary.
  11. Craft a dialogue-rich scene set in a seedy bar or underground club, capturing the gritty realism and dark humor characteristic of Charles Bukowski's works.
  12. Describe a protagonist's journey of self-discovery and rebellion against societal norms, infused with the spontaneous energy and poetic freedom characteristic of the beat generation's spirit.
  13. Write a hallucinatory account of a routine event, infusing the mundane with a surreal twist, capturing the disjointed narrative style reminiscent of William S. Burroughs.
  14. Explore the consequences of a protagonist's encounter with a forgotten language or code, infusing the dialogue with layers of meaning and symbolism, inspired by the unconventional expression found in Allen Ginsberg's poetry.
  15. Craft a poignant and socially charged poem or song addressing issues of racial inequality and systemic injustice, echoing the thought-provoking and emotionally charged style of Tupac Shakur.
  16. Describe a crossroads in your story, exploring the diverging paths available to the characters and the uncertainties, fears, and hopes associated with each choice, inspired by the moral dilemmas found in the works of Ayn Rand.
  17. Write a dark and atmospheric scene set during a severe weather event, capturing the characters' adaptation, struggle, or discovery of unexpected beauty amidst the chaos, drawing inspiration from the elemental and existential themes found in Cormac McCarthy's works.
  18. Explore the consequences of a character's decision that leads to unforeseen challenges and existential reflections, capturing the moral ambiguity and psychological depth found in the works of Albert Camus.
  19. Craft a narrative that delves into the dual nature of identity, where characters grapple with their inner demons and societal expectations, echoing the psychological complexity and philosophical themes found in the works of Fyodor Dostoevsky.
  20. Write a dialogue-heavy scene between two characters with a complex history, capturing the subtleties, unspoken emotions, and underlying tensions that define their relationship, drawing inspiration from the interpersonal dynamics found in the works of F. Scott Fitzgerald.
  21. Explore the consequences of a character's decision to rebel against a dystopian society, capturing the themes of resistance and individualism found in the works of Ayn Rand.
  22. Craft a scene where characters confront the consequences of their actions in a surreal dreamscape, drawing inspiration from the psychological and symbolic richness reminiscent of Salvador Dali's surrealism.
  23. Describe a protagonist's journey through a surreal dreamscape, exploring the intricate details, unspoken emotions, and underlying tensions, capturing the hallucinatory and symbolic richness reminiscent of Salvador Dali's surrealism.
  24. Write a dialogue-rich scene where characters grapple with the consequences of their actions and the elusive nature of meaning, drawing inspiration from J.D. Salinger's exploration of identity and existential angst.
  25. Explore a moment of existential reflection where the protagonist questions the purpose of their existence, echoing the philosophical inquiries found in Albert Camus's works.
  26. Craft a narrative set in a haunted small town, where characters uncover chilling secrets buried beneath the surface, drawing inspiration from the atmospheric horror and psychological twists found in Stephen King's works.
  27. Write a satirical and darkly humorous critique of contemporary society, exploring the absurdities of the world through the lens of George Carlin's observational wit.
  28. Describe a pivotal moment of realization for your protagonist, delving into their thoughts, emotions, and the internal shifts that occur, inspired by the introspective and philosophical style of J.D. Salinger.
  29. Craft a monologue for a character reflecting on the passage of time, capturing the regrets, joys, and lessons learned in a manner reminiscent of Charles Bukowski's raw and unfiltered honesty.
  30. Explore the consequences of a character communicating solely through metaphorical language, infusing the dialogue with layers of meaning and symbolism, inspired by the unconventional expression found in Allen Ginsberg's poetry.
  31. Write a hallucinatory account of a routine event, infusing the mundane with a surreal twist, capturing the disjointed narrative style reminiscent of William S. Burroughs.
  32. Describe an unexpected encounter between two strangers in a bustling city, capturing the nuances of their exchange and the potential impact on their lives, drawing inspiration from the existential exploration found in Albert Camus's works.
  33. Craft a narrative set in a vibrant and chaotic urban landscape, capturing the raw and unfiltered observations of city life inspired by Henry Miller's works.
  34. Explore the consequences of a character's encounter with a mysterious artifact that alters their perception of reality, drawing inspiration from Philip K. Dick's exploration of altered states.
  35. Write a character-driven narrative set in a vibrant and chaotic urban landscape, capturing the raw and unfiltered observations of city life inspired by Henry Miller's works.
  36. Explore the intersection of spirituality and social consciousness in a narrative inspired by the mysticism and philosophical musings of Timothy Leary.
  37. Craft a dialogue-rich scene set in a seedy bar or underground club, capturing the gritty realism and dark humor characteristic of Charles Bukowski's
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2024.05.20 10:13 adulting4kids Allegories

. Allegory:** - Definition: A story, poem, or picture that can be interpreted to reveal a hidden meaning, typically a moral or political one.
submitted by adulting4kids to writingthruit [link] [comments]


2024.05.20 08:50 Xalabasterz Poem of the Day - Ghekon System 0.4 - Dedicated to Purgenum

During my journey's through WH, Null and Low-sec space, I enjoy exploring the different star systems, sometimes leaving a can with some content for those who can find them, replinishing them if I happen to come (and find them) back and to think about Life and how small we all are...
When my mood is up for it, I decide to also write poems, especially for those who try to hunt me down with their probes, DScan, bubbles and other toys.
For those, I dedicate a special poem, as a thank you for the interactions we had, whether they managed to blow me up or if I managed to slip through their fingers. :P
Today's poem is dedicated to Purgenum from the beautiful Ghekon (0.4) system. Not 100% sure if he was hunting for me or not but lack of response on local (after his arrival in the system) and his impressive killmails made me assume so... ;)
Feel free to donate for my contributions to this beautiful game. :0)
Ghekon's stellar golden shade
In the shadowed depths of Ghekon's void, Where silent stars their watch employ, There flies the dreaded Purgenum fierce, A pirate soul, through armor pierced.
No greeting gives he to the new, No friendly hail or crew's adieu; His sabre's cannons, a fearsome sight, Preys on the weak to fuel his flight.
But unknown to this hunter's eyes, Spies hover near in clever guise. In Ghekon, home to many a geek, Their screens aglow, their prospects sleek.
They track each move with quiet glee, With probes and signals, they hold the system's key. While Purgenum thinks he rules the fray, These watching eyes might lead his sway.
So in this cosmic game of cat, And mouse, where pirates tip their hat, The unseen may yet cast their net, In Ghekon's stars, no fate is set...
Let me know if you like such content, happy to become Eve's Bard... :P
submitted by Xalabasterz to Eve [link] [comments]


2024.05.20 07:27 Worldly_Mango3695 Elevating Your Engagement Stage Decoration with Cultural Elements

Your engagement is a unique moment that signals the start of a wonderful adventure with your partner. While the ceremony honors your love and commitment, the ambiance and decor help to establish the tone for the event. Incorporating cultural themes into your engagement decorations can give your celebration a one-of-a-kind and significant touch, making it even more memorable for you and your guests.
When it comes to engagement stage decoration, infusing cultural elements offers a myriad of opportunities to showcase your heritage and traditions. Here are some ideas to inspire you:
Make your engagement event more special and amazing by selecting the best engagement stage decoration themes from Take Rent Pe — an online supplier providing decoration setups on rent. With more than 100+ décor set ideas, pick your ones and let the team do the whole event management for you.
  1. Traditional Textiles and Fabrics: Adorn your engagement stage decoration with traditional textiles and fabrics that reflect your cultural heritage. Whether it's vibrant silk sarees, intricate embroidered fabrics, or rich tapestries, draping them elegantly can instantly transform the stage into a visual masterpiece. Incorporate these fabrics as backdrops, curtains, or even as table runners to add depth and dimension to the decor.
  2. Symbolic Décor Accents: Include symbolic decor accessories with cultural importance. For example, if you have Indian ancestry, add decorations like diyas (traditional oil lights), marigold garlands, or beautiful rangoli designs to give the stage a sense of authenticity. Similarly, if you're celebrating a Persian engagement, use significant things such as mirrors, candles, and vibrant textiles inspired by Persian art and culture.
  3. Cultural Artifacts and Artefacts: Showcase cultural artifacts and artifacts that tell the story of your heritage. This could include antique vases, sculptures, handcrafted pottery, or heirloom pieces passed down through generations. Displaying these treasures on the engagement decoration not only adds visual interest but also creates a sense of nostalgia and connection to your roots.
  4. Traditional Music and Dance: Set the mood for your engagement ceremony with traditional music and dance performances that reflect your cultural heritage. Whether it's a lively Bollywood dance performance, a graceful ballet inspired by classical music, or a spirited folk dance, incorporating these elements can add an enchanting ambiance to the celebration. Consider hiring engagement decorators who specialize in cultural entertainment to ensure an authentic and captivating experience for you and your guests.
  5. Culinary Delights: Treat your guests to a culinary journey through your culture by incorporating traditional dishes and delicacies into the engagement decoration. Create a themed food station featuring regional specialties, street food favorites, and decadent desserts that pay homage to your heritage. From spicy curries and savory snacks to sweet treats and refreshing beverages, the culinary delights will tantalize the taste buds and leave a lasting impression on your guests.
  6. Customized Signage and Calligraphy: Personalize your engagement stage decoration with customized signage and calligraphy that showcases meaningful quotes, blessings, or phrases in your native language. Whether it's a romantic poem, a traditional blessing, or a heartfelt message, incorporating these elements adds a touch of authenticity and sentimentality to the decor. Work with engagement decorators who specialize in calligraphy and design to create bespoke signage that complements the overall theme and aesthetic of your celebration.
In conclusion, incorporating cultural elements into your engagement decoration not only adds a unique and personalized touch to your celebration but also honors your heritage and traditions. Whether it's through textiles, decor accents, music, food, or signage, infusing these elements creates a rich tapestry of experiences that reflect who you are as a couple. So, embrace your cultural identity and celebrate love in style with a decor that truly speaks to your hearts and souls.
submitted by Worldly_Mango3695 to u/Worldly_Mango3695 [link] [comments]


2024.05.20 07:17 Androgynousnerd Gender Dysophoria

Hey, This might be my final post so I want to recite a poem
In a world of confusion and fear A 14 year old with no one near Struggling with a truth inside Gender dysphoria they cannot hide Assigned male at birth, but feeling lost Their true identity comes with a cost Searching for acceptance and understanding In a world that can be so demanding They long to be seen for who they are Not judged or ridiculed from afar Their journey is a difficult one But they will not rest until it's done With courage and strength they face each day Hoping for a world where they can be okay Their spirit shines bright, their heart so true A 14 year old with a gender anew So let's offer our support and love To this teen sent from above Their journey may be long and hard But we stand with them, our hearts unscarred.
written a couple of years ago I hope none has to go through what I have
submitted by Androgynousnerd to SuicideWatch [link] [comments]


2024.05.19 23:21 Ms_Cybil Fiery Skies

Individual poems I have written to tell a story of a journey to purpose. Self narrated.
submitted by Ms_Cybil to PoetrySlam [link] [comments]


2024.05.19 21:41 clydelogan Through the Looking Glass: Taylor and Mirrors

Through the Looking Glass: Taylor and Mirrors
Let me just start out by saying I haven’t read Through the Looking Glass by Louis Carroll in about 10 years and I’ve only read it 3 times (HS AP English Lit, a Lit class in college, and after 1989). I’m by no means as versed in Louis Carroll or Alice’s Adventures as others in this sub.
I’ve talked about numerology 8 [here](https://www.reddit.com/GaylorSwift/s/PQLFND29FR) and how it connects to “Karma”. It’s also been 8 years since when we would have gotten the lost “Karma” album. To briefly recap my other post, Taylor had mentioned before she’s into numerology. In numerology, the number 8 is associated with karma because 8 is ruled by Saturn (love you to the moon and to Saturn) who is the Lord of Karma.
Now let’s get into Through the Looking Glass. Taylor Nation has been hinting at 2016 quite a bit lately. Most notably drawing attention to Taylor in this outfit at Stockholm N2 which is the reversed version of her 2016 Grammy’s outfit. In TTLG, Alice enters through the looking glass and finds a mirror world where everything is reversed.
2016 Grammys ; Eras Tour Stockholm May 18, 2024
Taking it back to 2023, we see the Lover House from the Lover music video as a background visual when she performs Lover. I will side track here to say Taylor released the Lover music video on August 22, 2019 (happy birthday to me ). The same day the music video released, she announced she is re-recording the first 6 albums because of the Masters Heist. The house we see during the Eras Tour visual is slightly different than the music video, notably, we see Taylor leaving the Lover House in her yellow closeting dress through a mirror in the Lover room.
Eras Tour Lover House Visual with Taylor going through the Mirror in the Lover room while wearing a yellow dress
I personally think this visual has many layers to it which I’m just going to lay out here:
  1. If you are a failed comingoutlor, you likely believe she was going to come out during the Lover era, but due to the Masters Heist, her plan was foiled. In the music video, her clothing in each room of the Lover house fits the colors of that room. In the tour visual, she is in a yellow dress which doesn’t fit the theme.
  2. Taylor is climbing through the mirror in a yellow dress, a nod to the first re-record, Fearless.
  3. Taylor is leaving the Lover era to go back in time.
Taylor destroys the Lover house later in the Eras Tour, I personally believe that is because she is rebuilding the Lover house the way she wants it, because it was always fractured by the lost album. I’m a Karma/Lost Album truther and I believe that was her original attempt at a coming out. This leads me to the Through the Looking Glass chessboard
TTLG Chessboard by me
In Through the Looking Glass, the book starts out with Alice playing with a white kitten and a black kitten. She notices a mirror and when she touches the mirror, she realizes she can go through it, which takes her into the mirror world version of her house where everything is reversed.
Two recent examples of Taylor using mirror imagery. In Anti Hero where she’s looking at the Evil!TayloTaylor Swift ™️ in the mirror; On the cover of the WAOLOM Phone Memo touching the looking glass/mirror
She discovers a book of poetry called the Jabberwocky that is written in reverse that you need to hold up to a mirror to be able to read it. (Hello, Tortured Poets Department. There have been posts in the sub on listening to TTPD in reverse as well as the songs from TTPD mirroring other songs). Alice leaves behind her home and enters a garden where she meets the Red Queen who tells her she can become a queen if she can make it across the countryside to the 8th rank/row that is laid out like a chessboard.
So this is where I’ve started out with the image above. I believe we are resetting the chessboard to 2016. The Red Queen places Alice on the second row as a White Queen pawn, thus combining Alice’s need to cover two of the rows (or for Taylor, two years combining Reputation and Karma/Lost Album into one double album).
Alice starts off this quest/journey by getting on a train that skips over the third row (2018) and goes right into the fourth row which is a forest where she meets a Looking Glass Gnat that teaches her about Looking Glass insects (2019, Lover, butterfly mural, butterfly pajamas in Lover MV). She goes through the “woods where things have no names” and forgets her own name and identity. She’s helped by a fawn who also forgets its identity, but when they get to the other side it remembers and leaves her (Masters Heist, *I jump from the train, I ride off alone*, the muse that she breaks up with during the Lover era (?) )
Taylor Alice comes across Tweetle Dee (Scott Brushetta) and Tweetle Dumb (Pooper Scooter) who try to provoke her (their responses to her announcement of re-recording her albums that it wasn’t going to work, etc) and point her direction to the sleeping Red King and telling her she’s a figment of his imagination (my interpretation is pointing at her conservative/homophobic fans and saying they’ll never support an out and queer Taylor or purchase her re-records). But they Tweedles are scared off by a large crow (Taylor’s aesthetic turning black and the support of other people in the industry and her fans to re-record her music).
Alice meets with the White Queen as she gets ready to move into the 5th rank, but as they cross the brook, the Queen is turned into a sheep and Alice has to paddle the boat across on her own (2020, Covid happens, Loverfest is cancelled, Taylor creates Folklore) and struggles with it (Cardigan MV)
https://preview.redd.it/6cvz3p4fqf1d1.jpg?width=4096&format=pjpg&auto=webp&s=28cf5e4b93c77a2d2f4f5c4512a501bd5748b7b7
Alice then crosses into the 6th rank/row by crossing another brook (end of 2020-2021, Evermore, Willow MV)
https://i.redd.it/u70wd6amqf1d1.gif
Where she meets Humpty Dumpty who gives his own interpretation of Jabberwocky before he falls and all the (White) kings horses & all the (White) kings men try to put him together again.
Taylor releases Fearless TV (White Horse) and Red TV in 2021. Which leads to the 7th Rank/Row where Alice crosses a brook into a forest (Lavender Haze MV) and is almost captured by a Red Knight but is saved by the White Knight (1950s shit).
https://preview.redd.it/emjf9evqqf1d1.jpg?width=1198&format=pjpg&auto=webp&s=da2bbc9c45a4e289cad0502d778ce01b7e5501ca
The Knight sings her a poem called Ways and Means to the tune of My Heart and Lute (Thomas Moore). Before she leaves him to cross the brook into the 8th rank/row
https://preview.redd.it/c4qqc0vuqf1d1.jpg?width=1198&format=pjpg&auto=webp&s=fe67ed0386af1046510638cf34cec9b5c30bbba8
Where she automatically becomes a Queen
(2023, Eras Tour, biggest year of her career, many media outlets calling her the 2023 Queen of Pop music and saying it was the year of Taylor)
The story ends with the Red Queen and White Queen showing up and inviting themselves to a party that Alice would be hosting without her knowledge that turns into chaos and Alice shaking the Red Queen who she blamed for the chaos. She then wakes up holding the black kitten (Red Queen) and white kitten (White Queen).
Which takes us into 2024 where we’ve crossed the chessboard and Taylor has given us a black and white album, The Tortured Poets Department which has heavy Red Era/Red Muse theming.
TTLG Chessboard with addition of the rebuilding of the Lover House by re-recordings
But there’s another album with Black and White imagery in Taylor’s discography which still has to be released from the vault: Reputation (the newspaper print album cover) but this time, she’s also bringing 2016 back with her in the form of the Lost Album/Karma, which means the damage that was already existing in the Lover House will be repaired by that album coming into existence. We already knew Taylor was rebuilding the Lover house from the tour visuals and that the house was set up differently than the original one.
Burning Down the Lover House to rebuild it, but it's not complete...yet
The Lover House she sets on fire in 1989 (burning it down because the “Rep Vault is fire” aka the Lost Album/Karma) will be rebuilt with 13 rooms. Those three large rooms in the center I believe will end up turning into two rooms each, making each room equal with her 13th album, the one where she is OUT as the attic/penthouse, completing the Lover house the way she intended it. *This* is Taylor’s Version.
I hope you all enjoy, I actually dug out my laptop to make this which just goes to show how much I felt the need to post lmao bc I haven't used my laptop in over 2 years.
submitted by clydelogan to GaylorSwift [link] [comments]


2024.05.19 13:29 Tharkun140 Odyssey is a political drama, not an adventure story, and you should remember that when discussing ANY popular piece of media

I recently found what I think may just be the single worst Harry Potter essay possible. It has all the classic marks of a shitty Shaun-style Harry Potter video, from fake "magic school maps" to missing the point of every single piece of worldbuilding to just sheer pretentiousness of it all. It doesn't even wait a literal second to be wrong, instantly slapping you in the face with "Harry's half-blood status has Nazi parallels" written in huge letters.
As I watched this... thing with morbid curiosity, I wondered how can anyone possibly be that dumb. Like, Harry Potter is one of the most popular franchises out there, and Harry's parents both being wizards forms the basis of everything that happens in it. Calling Harry a "half-blood" is so obviously wrong anyone can instantly call bullshit on this essay from the very first frame, provided they read even a semi-accurate summary of the first book. How can stuff like this possibly be any popular?
But then I remembered Odyssey exists.

What is Homer's "Odyssey"?

Odyssey is a poem detailing Odysseus return to his home island of Ithaca. Odysseus starts the story as a captive of Calypso, and the story of how he got there is described midway through the poem as a sort of extended flashback. He tells the story, gets kinda sentimental for a while, and then returns to the actual plot. Trojan War, Cyclopses, Circe, all of that is tangential and gets pretty much forgotten for the second half of the story.
But when you watch an explanation, or a "modern retelling" of the Odyssey, chances are it will go something like;
Odysseus swims away from Troy but gets lost in the sea. He has wacky amazing adventures where he tricks Polyphemus and gets horny for the Sirens and has sex with so many women (kinda unfair to his wife tbh) until he finally returns home. He then kills a bunch of people or something.
The "cool adventure" parts, or rather their misrepresented versions, get all the focus. The actual plot, the main conflict, the entire point of the story doesn't just get overshadowed but completely forgotten. And it's been going on since forever—that's how we ended up with the term "odyssey" that's synanymous with an epic journey, rather than anything Odysseus actually does in the damn Odyssey. The story itself gets fairly little discussion, because few people read even a brief summary of it. They just heard of the "cool parts" and so they form their own understanding of the story based on them, effectively writing a fanfic and mistaking it for the actual thing.
Now, I'm not really upset that people misrepresent Odyssey like that. It's inevitable, and honestly, I don't care about the original poem that much. But there's a point to be made there, and that is

If you're discussing a popular story, just assume everyone will misrepresent it

The more popular a story gets, the more people will have read it. But the number of people who just heard about the story without having actually read it will rise even faster, as will the confidence of these people. That's how you get rants about how "Rose from Titanic is a terrible person" and all these youtube essays that barely touch on the actual stories they ineptly attempt to criticize. It's far easier to find a quality take on something less popular; There may not be that many people talking about Cruelty Squad, but the ones that do have usually played the game, or at least have an accurate idea of what the actual product is like.
So yeah. If you wanna talk about something popular, just assume the person on the other side only knows a distorted meme version of the story, and be prepared to either explain the obvious, or argue about that meme version instead. Or just give up and don't mention that popular story at all, if you value your nerves.
If you instead want an honest discussion with no lies or misunderstandings, just talk about that one Dark Eldar BDSM fanfic I found on AO3. It's pretty good too.
submitted by Tharkun140 to CharacterRant [link] [comments]


2024.05.19 08:07 stell_bell72 How I improved my S2 score - from 62 to 80

Hi all,
I wanted to share a little bit about succeeding in S2 from the perspective of someone that is not a 'natural' essay writer nor from a humanities background. Someone that started at a very average S2 score despite lots (and lots and lots) of effort.
I have now sat GAMSAT 5 times in total and I think this underscores a severe lack of exceptional ‘talent’ in any specific area of GAMSAT, and speaks to the fact that you CAN make huge improvements in your scores over time with the *right* type of effort.
(Long post for context but feel free to scroll to TLDR)
Context: I am from a science background and have been out of uni for ~6 years now. I have never been a writer and apart from finding the humanities quite interesting, have never explored its theory in a structured way. I am also not a huge ‘reader’ as many people that seem to do well in this section might be. I am just a person that has opinions on things (as does every one of you!).
My first sitting I signed on with a prep company that had a very structured and formulaic approach to essay writing. They gave students ways to explore topics and ideas to ground them when prompts felt ‘difficult’ + strategies to always be able to ‘write something’. And although I am sure this helped me learn more about the humanities and the fundamentals of classic essay writing - my scores were not great. The first sitting, after ~5 months of intense essay practice critiqued by professionals I came away with a score of 62 and utter confusion about where I had gone wrong. In the few sittings following this I did basically the same thing again and again thinking I just needed more practice (I wrote many ‘classic’ essays, critiqued them and worked on my timing). My scores in subsequent sitings improved slightly however maxed out at around 66 in S2.
I felt myself really confined by the classic essay style most resources espouse. I would find myself spending loads of mental energy thinking about things that I thought were really important for a 'good' essay - like exactly how my topic sentence would link to the next line, or how my analysis would ‘tick the boxes’, if my example was the best one to use or if my concluding statement was linked to my opening one (you get the picture). This would drain my creativity and also created so much friction in my writing.
I knew I could do better, but when it came down to putting my thoughts on paper, it fell apart.
Last year I decided to try to attack S2 differently. I started to dispense with the classical framework and starting writing pieces that were interesting for me to write. That I genuinely enjoyed creating. I often** (refer below) wrote reflectively and explored the prompt in a way that related to my life or my view point. I wrote essays starting with ‘When I was a child…’ or ‘In my life I have …” (whatever felt to me like a nice opening to the topic in my little brain). This way of writing both allowed me to write more clearly (I didn’t hyperfixate as much and therefore it came out less clunky) but also with much more relevance to things I actually knew about! This sort of writing naturally lends itself to be a little more creative or reflective but by no means does it have to be wildly different to a usual essay - it just had a little more flare and less strict* structure. I still wrote something that resembled an introduction (sometimes simply through vignette), I still had 2-3 analysing paragraphs, I still had something that felt conclusive at the end. But by stretching the bounds of each area, I came up with writing that was much less prohibitive and more exploratory.
[** One of my key skills here was being flexible and adaptive - writing a reflective piece is not always possible for certain topics - as one commenter mentioned, writing reflectively about Taxation for example, would be a tough gig. After getting comfortable with not being comfortable (sorry for the cliche) my main guiding light was that I never HAD TO write in a certain way. If a topic stumped me & I didn't know where to go with it from a reflective or personal POV, I might have written something that sounded more like an opinion piece you might see online (toeing the line between essay/article and argumentative style) for example. The key was to know I was never stuck - when I allowed myself to believe that, the writing would flow much easier. Remember, no matter what style of writing you choose in each task - you can not score well if you aren't being insightful - which happens through analysis. This doesn't go away because you decide to make less rigid stylistic choices. I hope this clears that up a little ]
In my first attempt with this less restrictive style, I scored in the 70's, and I think this was truly down to not committing enough to the cause. I didn't know where my strengths and weaknesses were yet, and so I often toed the line between classic essay with a little bit of my own flare, and was not as comfortable with what I needed to do when something felt difficult to make reflective. This took practice and flexibility. This most recent sitting I gave myself permission to write how I wanted and completely forget any of the structural 'rules' of a classic essay. I leant into it completely.
This paid off - I scored an 80, simply through writing in a way that felt true to me in that moment with that prompt set.
By far my greatest and most valuable piece of advice would be to write in a way that feels most natural and enjoyable to YOU. I am sure this has been said before, but I can’t quite underscore how much of a difference this makes to overall execution on the day, as well as ability to grind through essay after essay & continue to make improvements.
I should add here that throughout my S2 journey I worked with a tutor on and off (who became a great friend) throughout my attempts. First few attempts we worked very much by the books writing classic essays, but when I shared with them my desire to try something different they were really supportive and open to working with me to get the best out of it. We used every session from then on to critique my essays. This was really valuable as its important not to cross the line between a personal piece of writing and something that is totally un-relatable to others (after all, we are writing on prompts that are human at their core) - a good piece of writing makes someone think and reflect themselves. My tutor was amazing and their insights gave me feedback on stylistic things that worked or did not. They also checked in at times if It was becoming more of a monologue/train of thoughts rather than a reflective and insightful piece - which I would be cautious of whenever you are writing this way. In saying this, I absolutely DO NOT think having a tutor is necessary to get a good score in S2. I shared my essays with friends and would get feedback on if certain sentences felt clunky or if I was painting a picture that did not come across how I had hoped. I knew I had unlocked something good when I shared an essay with my partner - he was initially reading it slumped on the couch, and suddenly sat up and his eyes widened as he read on. If you can make people feel something, you're a good way there! (And if you're asking yourself if you can - you CAN. You're a human with thoughts and feelings and personal experiences that are unique to you. Use this to your advantage.)
TLDR: 1) Try very hard to quieten the noise around what makes a ‘good’ GAMSAT essay and be selective about which recommendations work well for you (and which do not). There are literally a million ways to create a solid piece of writing and if the ‘classic’ analytical or discursive structured essay does not roll off the tongue for you - take this as a sign that it is OK to explore other styles of writing. This is not to say that every person should try to write poems (I never wrote a poem), or to write creatively. All this means is that *if* you feel the classical structure of an essay is *distracting* you from what the goal of S2 is (to respond thoughtfully to a prompt from your own perspective) then consider stretching the bounds of your writing. 2) No matter the style you choose, *analysis / insight* are still key 3) Get critique on your work (again and again) from various sources - if you can afford tutoring, great use it for critique, if not, friends and family are amazing for this!
**Disclaimer** - this advice won't be for everyone. For some people, writing in a formulaic defined way is the best way to get their thoughts across - and this is fine! I am just sharing my experience of finding a much better way for my brain. I have many friends that I studied for GAMSAT with who wrote great (classic style) essays and scored super well with them! These people probably would have hated/not been comfortable with my style of writing. Choose your own adventure, but make changes if something is not working.
Good luck with your essays everyone!
As requested I have posted links to a few of my essays here. They vary in their general style and the way I attacked the prompts. Importantly, you can see they are all pretty different. The 'Food' essay was the very first essays that I tried to write in this new style. You can see how they generally improved and changed in the way I analysed things. Although this is assumed, please don't copy or replicate these essays or use them as your own - these are my own essays simply to exemplify the general approach I explained. I hope these helps you see it more clearly in action :)
https://docs.google.com/document/d/1Ge3lQhhFpNUADJF2Km0LPjQ9i48rHQPaK6fD-uCBnTw/edit?usp=sharing
https://docs.google.com/document/d/1HkeUgEv8gaad6l7ttiNUO5WcjWB7Wv7s1_dzRHNPFnw/edit?usp=sharing
https://docs.google.com/document/d/1dCKTFDqiCGtvTQNve0GSEagmqIxUlXBMeM5JQH_HvB0/edit?usp=sharing
submitted by stell_bell72 to GAMSAT [link] [comments]


2024.05.19 02:16 Fine-Grapefruit-4193 Tamschei Koschlin

Tamschei Koschlin

Overlaps in Koschei and Tamlin's stories

just reading koschei wiki and wondering why too much of it matches tammy
Koschei ACOwiki:
He is regarded as a powerful sorcerer who has a fondness for imprisoning women. He is the sorcerer who cursed Vassa turning her into a firebird by day, and woman by night and bound her to his lake.
  • Maas goes out of her way to write Tamlin as Feyre's imprisoner
  • We still don't know what the Spring Court pool of starlight does, it could connect to the lake
Koschei wikipedia:
Koshchei often given the epithet "the Immortal", or "the Deathless," is an archetypal male antagonist in Russian folklore.
The most common feature of tales involving Koschei is a spell which prevents him from being killed. He hides "his death" inside nested objects to protect it. For example, his death may be hidden in a needle that is hidden inside an egg, the egg is in a duck, the duck is in a hare, the hare is in a chest, the chest is buried or chained up on a far island. Usually he takes the role of a malevolent rival figure, who competes for (or entraps) a male hero's love interest.
  • Where's Tammy's heart?
  • entrapped male hero's love interest: checks out
In The Tale of Igor's Campaign Konchak is referred to as a koshey (slave). The legendary love of gold of Koschei is speculated to be a distorted record of Konchak's role as the keeper of the Kosh's resources.
  • Spring Court Tithe: love of gold, keeper of resources
Koschei's life-protecting spell may be derived from traditional Turkic amulets, which were egg-shaped and often contained arrowheads (cf. the needle in Koschei's egg).
the needle in koschei's egg?
It is thought that many of the negative aspects of Koschei's character are distortions of a more nuanced relationship of Khan Konchak with the Christian Slavs, such as his rescuing of Prince Igor from captivity, or the marriage between Igor's son and Konchak's daughter. Konchak, as a pagan, could have been demonised over time as a stereotypical villain.
  • Plenty of Tammy apologist posts can back up a reexamining of Tamlin's character distortion, which caused him to read as a demonized villain
Nikolai Novikov also suggested the etymological origin of koshchii meaning "youth" or "boy" or "captive", "slave", or "servant". The interpretation of "captive" is interesting because Koschei appears initially as a captive in some tales.
  • Tam's also technically a slave to Amarantha when we meet him

In folk tales

He usually functions as the antagonist or rival to a hero. Common themes are love and rivalry.
In other tales, Koschei can cast a sleep spell that can be broken by playing an enchanted gusli. Depending on the tale he has different characteristics: he may ride a three- or seven-legged horse; may have tusks or fangs; and may possess a variety of different magic objects (like cloaks and rings) that a hero is sent to obtain; or he may have other magic powers.
  • Tam antagonizes Rhys plenty
  • enchanted gusli: stringed instrument. Harp? Stryga's viol?
  • horse, tusks, fangs, other magic powers: Tam's beast form, wind manipulation, shifting, glamouring, winnowing, healing
  • rings: feyre's engagement ring sounds like aelin's. what king's tomb did aelin steal the rings from? whose sarcophagus would need to be buried that remotely, that deep under an inaccessible mtn, guarded by Little Folk and barrow wights?
The parallel female figure, Baba Yaga, as a rule does not appear in the same tale with Koschei, though exceptions exists where both appear together as a married couple, or as siblings. Sometimes, Baba Yaga appears in tales along with Koschei as an old woman figure, such as his mother or aunt.
In the tale, also known as "The Death of Koschei the Deathless", Ivan Tsarevitch encounters Koschei chained in his wife's (Marya Morevna's) dungeon. He releases and revives Koschei, but Koschei abducts Marya. Ivan tries to rescue Marya several times, but Koschei's horse is too fast and he easily catches up with the escaping lovers. Each time Koschei's magical horse informs him that he could carry out several activities first and still catch up. After the third unsuccessful escape, Koschei cuts up Ivan and puts his body parts in a barrel which he throws into the sea. However, water of life revives Ivan. He then seeks out Baba Yaga to ask her for a horse swifter than Koshei's. After undergoing several trials he steals a horse and finally successfully rescues Marya.
  • Cut up body parts thrown in a barrel and sea water...Jurian in the Cauldron's dark freezing waters being resurrected?
  • idk how Baba Yaga fits, maybe Baba Yaga is "Lorin"
Tsar Bel-Belianin's wife the Tzaritza is abducted by Koschei (the wizard). The Tsar's three sons attempt to rescue her. The first two fail to reach the wizard's palace, but the third, Petr, succeeds. He reaches the Tzaritza, conceals himself, and learns how the wizard hides his life. Initially he lies, but the third time he reveals it is in an egg, in a duck, in a hare, that nests in a hollow log, that floats in a pond, found in a forest on the island of Bouyan. Petr seeks the egg, freeing animals along the way – on coming to Bouyan the freed animals help him catch the wizard's creatures and obtain the egg. He returns to the wizard's domain and kills him by squeezing the egg – every action on the egg is mirrored on the wizard's body.
  • Could easily turn this into a "Elain gets taken, Az goes spying to find her, figures out how to kill Koschei, turns out Koschei was disguised as Tammy, so no one's left to run Spring Court, let's give Spring Court to Elain as a sorry you got kidnapped consolation gift."
In "The Snake Princess" (Russian "Царевна-змея"/%D0%A6%D0%B0%D1%80%D0%B5%D0%B2%D0%BD%D0%B0-%D0%B7%D0%BC%D0%B5%D1%8F)), Koschei turns a princess who does not want to marry him into a snake.
  • Who are you Viper Queen?
  • Who is Syrinx? Where'd Jesiba get him? If Syrinx and Tamlin are both chimera, are there other links btwn their characters?
Koschei hears of three beauties in a kingdom. He kills two and wounds a third, puts the kingdom to sleep (petrifies), and abducts the princesses. Ivan Sosnovich (Russian Иван Соснович) learns of Koschei's weakness: an egg in a box hidden under a mountain, so he digs up the whole mountain, finds the egg box and smashes it, and rescues the princess.
  • 3 beautiful archeron sisters
  • instead of putting the Archerons to sleep, Tam glamours them when he abducts Fefe
  • We still need to find out what's under Ramiel

Opera and ballet

  • [Koschei is the] villain in Igor Stravinsky's ballet The Firebird.
    • Benois recalled that Pyotr Petrovich Potyomkin, a poet and ballet enthusiast in Diaghilev's circle, proposed the subject of the Firebird) to the artists, citing the 1844 poem "A Winter's Journey" by Yakov Polonsky that includes the lines:
And in my dreams I see myself on a wolf's back Riding along a forest path To do battle with a sorcerer-tsar In that land where a princess sits under lock and key, Pining behind massive walls. There gardens surround a palace all of glass; There Firebirds sing by night And peck at golden fruit.
submitted by Fine-Grapefruit-4193 to u/Fine-Grapefruit-4193 [link] [comments]


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