SAS Jalen Suggs Devonta Graham Malaki Branham Blake Wessely Kyle Anderson Joe Ingles Victor Wembanyama Zach Collins Rudy Gobert Charles Bassey
MIN Mike Conley Tre Jones Anthony Edwards N Alexander-Walker Keldon Johnson Julian Champagnie Jaden McDaniels Jeremy Sochan Karl Anthony-Towns Naz Reid
ORL Cole Anthony Markelle Fultz Devin Vassell Anthony Black Franz Wagner Jett Howard Paulo Banchero Jonathan Isaac Wendell Carter Moritz Wagner
SAS secures the Twin Eiffel Towers Suggs = Pop's PG of the future
MIN If KAT can guard Jokic what do we need Gobert for?
Keldon has a higher defensive rating than McDaniels
Add Sochan the perfect compliment to Naz Reid's energy off the bench, Naz shoot Sochan rebound.
Tre Jones, Conley insurance. Champagnie cheap bench shooting
ORL This strong defense adds a much needed shooter to the lineup and he's locked up for the longterm. Can focus on resigning the Wagners.

This is late, but my friend and I went to the for-your-consideration event for RWRB. It was a trip.
But it was a work function first. Members of the TV Academy—and their plus-ones, if they received one—gathered in a studio in the sweaty belly button of Hollywood. If you were a normal Angeleno like u/sixfivesteve (the friend), you sat in your car blasting the AC while the valet line bumped forward one car length at a time. If you were from a walking city, you pushed past the slow-moving tourists, hoped the flies circling a mysterious stench didn’t lay eggs on you, and checked in with an attendant who wore a concerning amount of black for someone whose job was to stand in direct sun.
There was a (life-changing) screening of the movie, a panel, and a reception. There was also retail politics. Here’s what happened.

Whoever put together the playlist knew what they were doing

The vibe before the screening was jolly. There was a whole bathroom conversation about 1) therapeutic cannabis, because you’ve gotta, and 2) people everyone has run into.
Ushers handed out mini-servings of popcorn that felt stingy as hell but were probably just nutritionist-recommended serving sizes. Steve grabbed candy and water that came in slightly less environmentally disastrous packaging than the stuff you’d get from most grocery stores.
Whoever put together the playlist had done their homework, by which I mean they’ve spent time on the non-broey part of the internet.
This is where I tell you that the event featured strip club music, by which I mean they played “Pony” by Ginuwine. Before and after the screening. It was as if whoever set up the playlist knew that some attendees’ brains—and bits—might explode, reconstitute themselves, and implode again under stimulus (the movie), work event be damned.

The screening was a case for seeing movies in theaters for the sound. Because…

You could hear the beginning of the blow job.
You could hear the beginning of the blow job.
You could hear the beginning of the blow job.
In the space of about a second, I went from living in a world in which that scene had a lil’ zipper sound to one where the zip was followed by a flat, wet drag. The sound had texture. It almost had temperature.
Y’all, I am forever changed. Always see movies in the theater. Nolan, Tarantino, et al have talked about this. They’re right.
Listen to this man before he teaches you a lesson.
Something else I’d seen but never before heard while watching the movie in home setups: Bea says “no!” when Henry declines Alex’s call in the meeting with Philip, Tommy, and other palace staff. She doesn’t just mouth it.
Her interjection interrupts Philip mid-sentence, who glares at her and says, “As I was saying…”
It’s also just fun to hear the audience’s reactions. Some of the laugh lines:

• “You’ve been wanting him to dick you down for years.”
• “How many guys have you been with?” “Whoa.”
• “He is. 😏” An audience member let out a sound like a hyena choking itself with a belt.
• “I’m down.”
• “I mean, who says ‘make love’ anymore? Are we gonna listen to Lana del Rey while we do it?” You guys, he said do it. Because I'm twelve.
• “The B in LGBTQ is not a silent letter.” Man, politicians’ kids must hear all kinds of pamphlet-speak at home.
• “Little lord fuckleroy.” Sarah Shahi is going from lesbian icon to overall queer icon with this role. Zahra/Sarah got massive applause during the end credits.
• “We have got to get you a book on English history.”

Somehow no one laughed about Stephen Fry’s pronunciation of homosexual. Hummusseggsual. It’s hummus but it’s also seggs-ual.
Speaking of sexual, the crowd held its breath during the sex scenes.
Emmy voters have watched plenty of sex scenes with their colleagues, but after the bravely-repressing-a-wobble acknowledgement of I owe you an explanation, after ~very bad things~ in Alex's room, after the phrase “make love”—which deserves to be not just roasted but incinerated—the Paris sex scene was…relief? Revel? Revelation?
Look at me trying to talk around the effect the scene (may have) had on the room. People were off-gassing oxytocin. Estradiol. Testosterone. Since it was a work event, the weight and texture of the hush was what you’d get if everyone on a group camping trip was trying to discreetly watch porn. (To paraphrase the dad from Easy A, high-end porn—for governors and athletes, but porn nonetheless.) But I project.

Uma Thurman did an Ariana Huffington laugh during the panel

I laughed and laughed and laughed.
What should I say about the panel? That everyone’s features were somehow both full and sharp enough to thin-slice the cured meat of your choice? That Taylor Zakhar-Perez made a small breeze every time he blinked? That Nicholas Galitzine was a diffident dumpling? That Uma Thurman was an intellect? That Rachel Hilson was lithe and and fresh-faced and ready for any cosmetics campaign you threw at her—which, incidentally, has always described Uma Thurman? That Matthew López was extremely cute? That Greg Berlanti was the dad/uncle some of your friends wanted as a mentor and others had wholesome crushes on? That Sarah Schechter was the friend’s cool older sister made good? That if you put the RWRB cast into an early Almodóvar movie, the result would be credible?
Whatever I can say about the panel, you can get more straightforward coverage and footage of it elsewhere, including this subreddit. (Check out the post from the woman who got so horny from watching the movie that she started going after her husband nonstop.) I did a search on Tumblr for “RWRB FYC panel” for you. You’ll get Galitzine saying “the throes of love.” You’ll get TZP talking about matcha. You’ll get Casey McQuiston—that perfectly cast nonbinary creator-god of the RWRB universe—describing their brush with psychological collapse when TZP tried to have a conversation with them while in costume as Alex Claremont-Diaz. Enjoy.

The campaign trail is paved with selfies

Campaigning for nominations—and eventually, awards—is not so different from running for public office. The panel ended and everyone was set loose on the panelists and the “immersive for-your-consideration experience.” (Sure.)
Getting to the cater waiters to pinch mini-tacos, meh crabcakes, fish and chips with tartar sauce instead of vinegar (why?), and tiny cake cubes was like wading upstream. The crowd was moving in the opposite direction. Why?
…oh.
Galitzine was taking photos with people. Elsewhere in the immersive whositwhatsit, TZP was doing the same thing with a swarm of his own.
https://preview.redd.it/rkp916mxzu1d1.jpg?width=1818&format=pjpg&auto=webp&s=e01a4cf99ae5163c766e8bc284f219526b450e3a
https://preview.redd.it/hzco2eev4v1d1.png?width=750&format=png&auto=webp&s=922d4d097f214d4bb9a5747de05b76cfe579d23b
I’d thought they were on display during the panel, but no. This was what they were there for. They were there to shake hands, talk shop briefly—with occasional promises to follow up later—and take selfies. The reward for all this would (theoretically) be nominations and votes. This was a campaign stop. On-theme for RWRB. Cue montage of Alex Claremont-Diaz making fundraising calls.
Can you get a charley horse in your face? I bet the actors had them, but that’s campaign life. Forward Together and all that.
Matthew López and the producers wandered the floor. At one point, I heard Casey McQuiston tell a small group about how they didn’t have any particular in with agents or publishers. It often is about flinging yourself out there, whatever you want to do.

A vote for RWRB is a vote for softness (stop reading here to avoid egghead content)

While we’re speaking in campaign terms, who and what is RWRB for? It’s for people who love love. It’s for people who love fun—who are fun, dammit. It’s for people with uomosexual tendencies (uomo = Italian for “man”). It’s for the occasional lucky straight guy. Most of all, it’s a refuge from straight-guy culture.
Here’s what I mean. The two RWRB panels and the Roast of Tom Brady happened in the same week-long time frame. If you’re reading this, you’re almost definitely in the tank with RWRB. The Roast is straight-guy culture cranked up to eleventy billion by comparison.
If we go by the Roast, straight-guy culture looks like big men the color of medium-rare steak yelling dick jokes from the dais—but using the less funny and more aggressive and self-regarding “cock” instead. It looks like Gronk pretending he can’t read and using Kim Kardashian’s genitalia to make a beef pun. It looks like Nikki Glaser, the token straight-woman comedian, being a good sport while the men in attendance called her ugly.
Don’t get me wrong. I watched and laughed. A good dick joke takes skill, and some of them were damn good. I even thought Julian Edelman was hot for 20 minutes. But the tonal difference between the Roast and the RWRB event—to say nothing of RWRB itself—was jarring. Straight-guy masculine culture is so committed to not being soft. Don’t go soft is basically its motto.
Meanwhile, RWRB is about—among other things—softness. Henry Car-Crash-of-Last-Names gives the object of his attraction the up-and-down, but in a way that’s more endearing than objectifying. He doesn’t do the hard stare. He’s all-in on Byron, Austen, Zadie Smith, and…Streisand. Unlike Gronk, Henry can read, and he reads with relish.
So does Alex, of course. The American is sweet and proactive. When he develops feelings for a friend with (many) benefits, he’s matter-of-fact about it and doesn’t get defensive or evade his emotions.
In other words, Alex and Henry’s masculinity is soft. Soft masculinity acknowledges the dimensions of a person beyond how well they can slam into other men (sporty or sexual) or women (sexual). For a lot of people, soft masculinity is a fantasy and a gift.
It can be a gift to anyone. Look at Steve. He finds that version of masculinity intoxicating, even as someone who’s already a winner of the masculinity lottery, at least as defined by large parts of straight-guy culture. He’s white and tall and strong and has hoes (houses), not in every area code—sorry, rappers who talk about that kind of thing—but some good ones. He loves RWRB. Everything about it. (Lest you thirsty beasts start having big thoughts about him, he’s married.)
Steve even inserted himself into the height contest/debate Galitzine and TZP sometimes have for lulz. He had a “you’re wearing lifts” conversation of his own. Not with TZP. With Galitzine, who joked about wearing lifts himself. It was still not enough to top Steve. (How funny would it be if this is when I reveal that Steve is Conan O’Brien? To be clear, he’s not. Besides, Conan O’Brien is sixfourconan.)
— — — —
The next night, while Steve and I were still catatonic from staying up until alarming hours, another panel took place in front of a crowd of people who didn’t need to consider anything about RWRB. They were already real-ass, excited fans who saw Alex and Henry—and for some of them, Galitzine and TZP—as secular saints of cheerful-romantic-triumphant horniness. Avatars of the kinds of guys you could have a crush on in middle- and high school without raising alarms (unless you were a boy being raised by homophobes, in which case I’m sorry).
The audience on that second night got the news of a sequel from Matthew López, who spoke directly to them from the stage. They cheered and whooped and began their vigil for round two. Sí, se puede.

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Erica Mena Jade Teen Alinity Alexia Rae Bryce Adams Serenity Cox Nala Fitness Sweetie Fox Tessa Fowler DickForLily Violet Myers Jessie Rogers Lady Fyre Gina Valentina Lulu Chu Mia Melona Anny Walker Eliza Ibarra Blac Chyna Frances Bentley Magui Ansuz maplemistyx Naomi Soraya Corinna Kopf Elena Kamperi Michelle Rabbit Seltin Skylar Mae Alina Lopez Mandy Muse Ploy Tiger Elly Clutch Valentina Nappi Makoshake Riley Reid Lana Rhoades Pamibaby Sonja Morgan Rachel Cook Mary Nabokova Helly Valentine Elle Brooke Alina Becker Utah Jazz Miss Alexa Pearl Coconut Kitty Mackzjones Cory Chase Macy Meadows Kiko Baka Avery Cristy Lexi Lore Tanya Bahtina Catarina Paolino Alexis Fawx Gwen Gwiz Emily Willis Mini Diva catkitty21 Shaiden Rogue Mila Sobolov Hidori Rose Cherie Deville Rae Lil Black Rocksy Light Mia Malkova Melody Marks Cece Rose Mia Melano Alana Rose Waifumia Alexa Pearl Lindsey Love Sydney Cole Alex Mucci Lisa Ann Canela Skin Morgpie Amanda Trivizas Reislin Skylar Vox Levi Coralynn Alice Redlips Leticia Shirayuki Skylar Blue Erotic Medusa Danika Mori Karely
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Ruiz Lamar Chairez Dani Daniels Tommie Jo me1adinha Kaylen Ward lewd Sonya Blaze Lily Lou Yanet Garcia IrisGW Love Lilah Kendra Lust Violet Summers Abella Danger Jessica Nigri Kourtney Love Gabbie Carter Bella Rayee Alexis Lust Bella Thorne Sommer Ray Megan Rain Jameliz Paige Spiranac nsfw sexy Blake Blossom Liya Silver Julia Tica Jem Wolfie Sophia Leone Pokimane Angela White Niamh Velvet Valkcy Emily Rinaudo Amirah Dyme Bella Rayee Noturhoneybb Indigo White Layla Lollipop Solomia Maievska Janice Griffith Chloe Lamb Karlee Grey Gia Derze Anne Wünsche Kalinka Fox Daisy Keech Disharmonica Savannah Bond Holly Brougham Mia Khalifa Lena Paul Lauren Burch Alexandra Daddario hot Mary Burke Fran Ramme Mackenzie Jones Luxury Girl erotic Leah Gotti Mikaylah Lily Shaw Sara Jay Aria Lee Jewelz Blu Emma Hix Sofia Gomez TIM Heritage Classic Everton F.C. Nottingham Forest F.C. Premier League AFC Ajax Chandler Bing Geoff Shreeves Luis Díaz Bristol Airport New England Patriots Shami Ybor Real Betis Balompié Taiwo Awoniyi Aston Villa vs Luton
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Town Eintracht Frankfurt Green Bay Packers Manchester United F.C. New Orleans Saints Mats Hummels Daylight savings Friends Dallas Cowboys Aston Villa F.C. Onana Time Trade union Philadelphia Eagles Pickleball Atlanta Falcons Mohamed Salah Saturday Night Live Paris Saint-Germain F.C. Dell Matthew Perry PSV Morgan Gibbs-White Pumpkin Pep Guardiola Romelu Lukaku Liverpool F.C. Ice hockey New York Giants West Ham vs Everton New York Jets Inter Milan Adam Hohnson Luton Town F.C. Juventus Tennessee Titans Maguire Luis Diaz Pittsburgh Steelers David Moyes Sunday Erling Haaland Christopher Walken Mario Balotelli Quebec FC Twente Jets - 3 Liverpool vs Nottm Forest Mine reclamation Richard Dunne Bella Rayee Noturhoneybb Violet Myers Mary Nabokova Alexia Rae April Hills Pokimane Catarina Paolino Julia Tica Leticia Shirayuki Alexa Pearl Kaylen Ward Amanda Trivizas Amirah Dyme Mini Diva Mary Burke Cory Chase Princess Helayna Makoshake Luxury Girl Maru Karv LittleAngelph Kourtney Love Kate Kuray Eliza Rose Watson Gwen Gwiz Frances Bentley
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Love Lilah Alexis Fawx Miss Alexa Pearl Valkcy Anne Wünsche Naomi Soraya Abella Danger Janice Griffith Kissa Sins Lauren Alexis therealbrittfit erotic Holly Brougham Seltin Disharmonica Leolulu Belle Delphine Coconut Kitty Elly Clutch Nala Fitness Mia Malkova Emma Hix Pia Mia Candy Love Malu Trevejo hot Gia Derze Solazola IrisGW Macy Meadows Skylar Mae Shaiden Rogue Alana Rose Nicole Aniston Sophia Leone Lexi Lore Claudia Rivier Kalinka Fox Amouranth Sommer Ray Valentina Nappi Lindsey Love Ava Addams Rae Lil Black lewd Jessica Nigri Sara Jay Layla Lollipop Its Nicki Babe DanyanCat Erotic Medusa Mackzjones Jewelz Blu JasminX Sonja Morgan Adriana Chechik Jem Wolfie Lamar Chairez Mandy Muse Alexis Lust Savannah Bond Elena Kamperi Emmy Corinne Mila Sobolov Aria Lee horny Alex Mucci Sonya Blaze Jessie Rogers me1adinha Niamh Velvet Chloe Lamb baby caroline Nata Lee Mikaylah Fran Ramme Magui Ansuz Angela White Alexandra Daddario Anny Walker Dani Daniels Riley Reid Utah Jazz Tru Kait Sydney Sweeney Lauren Burch sexy Lana Rhoades Solomia
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A Bingo card made entirely from titles by Ursula K. Le Guin!
Some quick background: A little over a year ago I decided I would read everything I hadn’t yet read by Ursula K. Le Guin, and in order of publish date. This includes her novels; her story, essay, and poetry collections; children’s and picture books; chapbooks; and more. Literally everything I could identify that she published, I wanted to include it -- over 100 pieces of writing in total!
I’ve been doing it a little slowly so I'm still going strong, but I am bittersweetly nearing the end. Next up on my list is Lavinia , and I am incredibly excited to read her last novel. I haven’t been updating it as much as I’d like, but if you’re interested in the list I’m reading through you can find it here.
Anyway, since I’ve spent more than a year completely immersed in Le Guin’s work, after this year’s Bingo card came out I began to notice how well some of her books fit the themes, so then I decided to take it a little further and create a Bingo card exclusively with her work. 😀 I know this wouldn't actually be acceptable, since you can't use an author more than once, but I thought it'd be fun to show how expansive her bibliography is. So, without further ado:
https://preview.redd.it/9ytumeo01p1d1.png?width=1077&format=png&auto=webp&s=303c8774442b2fed120aecb0cf03f0461bae1b5c
My main focus was on having no repeats (although I still ended up having one, unfortunately–maybe someone can remind me of a book I’ve missed that also fits for either Dark Academia or Eldritch Creatures), so other books may be a better fit than the ones I’ve chosen for individual themes. But, hopefully this will inspire someone to pick up one of Le Guin’s works for a Bingo square this year. 🙂
The squares/justification:
First in a Series: Orsinian Tales Of course A Wizard of Earthsea and Rocannon's World also fit. Orsinian Tales is a short story collection set in a fictional European country. Her novel Malafrena follows and is also in this setting.
Alliterative Title: The Word for World is Forest Also fits: The Water is Wide, though it’s just a short story.
Under the Surface: The Tombs of Atuan Probably my second favorite Earthsea novel, or maybe tied with Tehanu, and much of it takes place in the titular tombs, underground.
Criminals: Malafrena Minor spoilers, but the main character gets arrested for political sedition. Also, in the novella Old Music and the Slave Women the main character also gets arrested.
Dreams: The Lathe of Heaven The main character’s dreams can alter reality. Written somewhat as a tribute to Philip K. Dick, this is a great choice if you’re a fan of his work.
Entitled Animals: The Eye of the Heron Various short stories also fit, as well as the collection Buffalo Gals and Other Animal Presences.
Bards: Gifts The story partially centers on the main character’s desire to be a storyteller and his journey. The second book, Voices, perhaps would fit this even stronger, but I’m using it for another square.
Prologues and Epilogues: Worlds of Exile and Illusion The short story “Semley’s Necklace” is the prologue to Rocannon's World, or in the recent Tor Essentials reissue it appears simply as “The Necklace”
Self-Published or Indie Publisher: Cheek by Jowl, from Aqueduct Press Depending on your definition, there’s actually a fair amount of Le Guin’s work that’s only been indie-published. She has a few titles through PM Press, Tin House, and others.
Romantasy: The Beginning Place Probably would be considered a very light-on-the-romance romantasy, but it’s probably her book with the most romance, besides Very Far Away from Anywhere Else which isn’t speculative at all.
Dark Academia: A Wizard of Earthsea I don’t know how well this fits the aesthetic. I could argue both ways, so I’ll say it does. 😉 The wizard school is the main part of the book, and I think this is the most academically-inclined of her books. The Dispossessed may slightly fit, but it’s more that the main character is an academic rather than the book centering on academia, if that distinction makes sense.
Multi-POV: Always Coming Home Set up as a sort of collection of works found in the future about a society in the (future time’s) distant past (but our future). Features several stories with different POVs. Searoad also works for this.
Published in 2024: Collected Poems, from Library of America. So this one is possibly cheating. While most of this is a reprint, there are 68 previously-uncollected poems, so it at least partially counts! 😅 And some of her poems are SFF.
Character with a Disability: Voices One of the main characters is physically disabled from torture he endured before the book takes place.
Published in the 1990s: A Fisherman of the Inland Sea Books that also fit: Tehanu, Four Ways to Forgiveness, Unlocking the Air and Other Stories, two Catwings books, three poetry collections, and many novellas, short stories, etc.
Orcs, Trolls, and Goblins: A Ride on the Red Mare’s Back In this charming picture book the main character comes across a troll.
Space Opera: Paradises Lost A novella that takes place on a generation ship.
Author of Color: Selected Poems of Gabriela Mistral, translated and with commentary by Le Guin. One thing that’s been fun about my read-through of Le Guin is being absolutely delighted by her translations. Not only because I get to discover authors I otherwise wouldn’t, as well as discover some of her own favorites, but because of what it reflects on Le Guin. She wasn’t fluent in Spanish but loved this poetry so much she took the time to meticulously translate the poems, getting input from friends and acquaintances. Anyway, many of these poems are speculative and I loved Le Guin’s commentary.
Survival: The Farthest Shore Another one that’s cheating a bit, because only a small portion of the novel is focused on survival but it is a rather memorable part.
Judge a Book By Its Cover: The Language of the Night This one is entirely subjective of course, and I probably would’ve used The Left Hand of Darkness if I wasn’t using it for another square, but I do absolutely love the new cover this reissue got. And it’s a fantastic book of nonfiction on SF&F!
Set in a Small Town: Searoad This entire novel/mosaic of stories takes place in a small coastal town.
Five SFF Short Stories: The Wind’s Twelve Quarters Le Guin has over a hundred short stories and nearly a dozen collections to choose from, but I chose this one because it has my favorite short story of hers: “The Ones Who Walk Away from Omelas.”
Eldritch Creatures: A Wizard of Earthsea Slight spoilers: here’s an uncanny/mysterious/etc. shadow being that is a main antagonist and is, at least initially, seemingly beyond mortal understanding.
Reference Materials: Tales from Earthsea In addition to containing several short stories set in Earthsea, there’s also a map and “A Description of Earthsea” that has various reference materials about the cultures, languages, etc. of Earthsea. Always Coming Home is also a perfect choice for this square.
Book Club or Readalong Book: The Left Hand of Darkness It was a book club selection here: https://www.reddit.com/Fantasy/comments/n2lfc8/classics_book_club_the_left_hand_of_darkness_is/
~~~
And there we have it! So, sure, a few of these are slightly cheating, but mostly this was just a fun exercise and an excuse to say: please read Ursula K. Le Guin, she’s incredible. 🙂

Clare Sentinel 1924-04-11
NEW HOTEL DOHERTY NOW OPEN TO PUBLIC
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Mr. A. J. Doherty, former State Senator, one time member of the State Board of Agricultural and a former director of the Michigan State fair, has completed the best hotel in this part of the state and it is now open to the public. The formal opening is to take place on the evening of May 12th, when the Clare Chamber of Commerce are to give a complimentary banquet to Mr. and Mrs. Doherty, by which the citizens of Clare hope, in a small measure at least, to show appreciation to the man who has done so much for his “own home town”. The banquet will have to be limited to 150 persons and will include some of Mr. and Mrs. Doherty’s friends from different parts of the state and the members of the Chamber of Commerce of Clare. This is to be one of the most elaborate banquets ever held in this part of the state. No expense will be spared and all the plans are in keeping with this beautiful building, which Mr. Doherty has built, not for the financial returns he expects to reap, but rather as a testimonial of his good will toward the community. Three years ago the Clare Chamber of Commerce purchased the site on which had been located for many years the popular “Calkins House”, but which had been destroyed by fire. The consideration was $6,000 and they presented this site to Mr. Doherty with the understanding and agreement that he erect a hotel costing at least $60,000 on that site. Mr. Doherty has gone many times beyond that amount and erected a four story steel, brick and terra cotta structure which is modern in every way and fireproof. An Otis elevator, display rooms for traveling salesmen, complete laundry, billiard room cafeteria, which opened April first, dining room, ballroom, radio, mezz-nine floor, room for two mercantile establishments and spacious quarters for the public library that have been donated by Mr. Doherty are among the features housed under one roof. The equipment throughout the structure is of the very latest and best. The lighting fixtures are exceptionally fine. There are 60 guests rooms, each containing hot and cold running water, and several suites. Thirty-six of the single rooms afford either a tub or shower bath. The furniture is walnut and mahogany and blends neatly with the interior mahogany finish throughout the building. The main floors are of terrazzo. The corridors and the floors of the rooms are of music and are covered with beautiful rugs. All dishes, towels and linen are stamped with the “Hotel Doherty” monogram. More than 100 guests can be accommodated at one time.
When Mr. and Mrs. Doherty came to Clare from New York state in 1878, they had very little money. He engaged in the mercantile business in rather a small way and purchased a home for which he was to pay $750. of this amount he was able to pay $250 down and the balance he paid in installments. He succeeded in business and in 1901 he was elected to the State Senate from the 28th district, and in 1903 he was re-elected and again in 1905. some time later he was appointed a member of the State Board of Agriculture to succeed C. J. Monroe, of South Haven. He took an active interest in the affairs of the Michigan State fair while he was a director. In the senate he was known as “Bellwether” Doherty for his possession of great political sagacity and the added fact that he led the senate roll call, considerations which gave him much influence. He has built eight business blocks and many residences in Clare and has stood ready at any time to do anything to advance the best interests of his town. Residents of Clare are free in their assertions that for its size, there is no better hotel in the state.
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Clare Sentinel 1924-05-16
NEW HOTEL DOHERTY FORMALLY OPENED MONDAY EVENING
Prominent Men from Different Parts of State Attend Event.
MR. PERRY SHORTS GIVES ADDRESS OF EVENING
Mrs. Doherty Presented with a Large Bouquet of Roses. Makes Excellent Response.
The banquet given by the Clare Chamber of Commerce in honor of Mr. and Mrs. A. J. Doherty and the formal opening of the “Hotel Doherty” Monday evening, May 12, is now a matter of history, but will never be forgotten by those who were privileged to attend. No expense or pains had been spared to make this event a complete success. Promptly at the appointed hour, the orchestra under the leadership of Robert Heisman of Midland, began playing and the guests were admitted to the dining room. This room, however was not large enough to take care of the one hundred and sixty-eight guests who were present, and a table had been placed in the lobby so all could be accommodated. The dining room was decorated with palms and ferns together with beautiful silk American flags. The tables were graced with sprays of smilax and large bouquets of carnations. These decorations were in charge of Walter Caple, of Mt. Pleasant, and his work was well and capably done. The food was excellent and well served. The music of the orchestra was enjoyed, especially the old plantation songs many of which the guests joined in singing these in company with the music. Following the serving of the banquet, W. S. McAllister, President of the Board of Commerce, at the beginning of his talk, got himself in right with the ladies present, by calling them beautiful and got in wrong with the men, especially those in dress suits, by calling them ordinary and commonplace. He spoke of the disappointment and discouragement which prevailed in Clare at the time the old Calkins House burned and of the many plans proposed only to be abandoned until Mr. A. J. Doherty undertook the task of erecting this beautiful building. He paid tribute to Mr. Doherty and expressed the appreciation of the Chamber of Commerce and the citizens of Clare. In his usual happy and witty manner “Mac” then introduced Judge Ray Hart, of Midland, as toastmaster for the evening. Judge Hart has appeared in this capacity in Clare before, but never has he or any one else filled that position so acceptably as Judge hart did at this banquet. In his remarks, he spoke of the success of men which often can be attributed in a large measure to the inspiration, faith and co-operation of their good wives and then introduced Rev. H. B. Johnson, who spoke briefly of Clare, the best town, and on behalf of the Board of Commerce, presented a large bouquet of roses to Mrs. Doherty. Although it was a complete surprise to her, she responded in a very wonderful manner, and emotion ran high when she told how she appreciated the love and sympathy of her friends and neighbors expressed by this gift.
Mr. Perry Shorts, vice-president of the Second National Bank, of Saginaw, and graduate of the University of Michigan law school, then responded to the toast, “The successful American Business Man”. His address was a masterpiece. He said, “We hear eulogies of ministers, scientists, statesman and others but seldom does any one speak of the common American business man. He is looked upon as hard headed and coldblooded, but his success is so important to all of us that it is well to consider those qualities which will make him succeed. He must have commanding will power and any man or any army with a fixed determination will win. The successful business man will have a good supply of labor. Hard work is the key used by wealthy men, scientist, surgeons, lawyers and statesmen to unlock success. Good citizenship is one qualification and this means love for country, state and own home town. He obeys the laws and respects the rights of others. Honesty is the foundation of good citizenship. The ideal man of today is a man of good character. A man is at his best when he is lifting his fellow men to a higher and better position of living. We often say that credit is the basis of business, but character is the foundation of credit.” He spoke of the spiritual things, which, while they are invisible, they are the most important. He urged all to be broader, more generous, bigger and wiser.
Ex-Governor A. E. Sleeper then spoke of his acquaintance and friendship with Mr. Doherty which began when they were associated together in the State Senate many years ago. E. V. Chilson, Deputy Secretary of State, in a very feeling and touching manner expressed his appreciation of Mr. and Mrs. Doherty and their friendship.
There was great applause when one of the former Clare citizens, Mr. Dennis E. Alward was introduced. Mr. Alward said, “I arrived in Clare 44 years ago, when pine stumps were in the street. There was a population of about 250 people. Mr. S. C. Kirkbride occupied a residence on the site of this hotel at that time. That day I met for the first time, a young attorney, Mr. C. W. Perry. A young banker, C. H. Sutherland, a merchant, Nathan Bicknell, the father of James S. and William H. Bicknell and the family of Doherty’s. Mr. Doherty and I built our homes side by side, we had no money, but were great neighbors. When I came to Clare that first day, they were building the town hall and there was as much interest manifested by the citizens as if it were the capitol of the state. I was a stranger and all were interested in me and a young man on the roof of that building engaged in nailing on shingles paid too much attention to the stranger and hit his thumb with a hammer. His language was emphatic and sulphurous, but that man has been a builder ever since that time he worked on the town hall and he has always built substantial and well. I count myself fortunate to be able to come back to my home, to the city which will always be my home and pay tribute to what my friend Doherty's have done.”
Hon. James E. Davidson, of Bay City, and Senator Karcher, of Rose City, spoke briefly. Hon. W. W. Potter, of Hastings, who was a former resident of Clare county, was introduced. Judge Hart read telegrams and letters from Congressman Roy Woodruff, Hon. Leonard Freeman, Gov. Alex Groesbeck, Auditor General O. B. Fuller, Regent of the U. of M., Julius Beal, Sec’y. Of State Chas. DeLand, Hon. George Lord and others, who expressed regrets at being unable to be present. After the speaking, the tables and chairs were removed from the dining room and a goodly number of the guests danced until late in the evening.
Guests from out of town were: Mr. and Mrs. E. V. Chilson, Dr. and Mrs. J. B. Roe and Dennis Alward, of Lansing; Hon. Wm. Wallace, Perry Shorts, R. T. Maynard and Herbert Gay, of Saginaw; Mr. A. Reinhart, Dr. McKay, Clifford Olmstead, Judge Hyde, Judge and Mrs. Ray Hart, and Harvey and Mrs. Dudd, of Midland; Mr. and Mrs. H. T. McKerring, of Flushing; Rev. Fr. Flannery, and Mr. and Mrs. Walter Caple, of Mt. Pleasant; James E. Davidson, and Homer Buck, of Bay City; Mr. and Mrs. E. Simons and E. Curtis, of Coleman; Mr. and Mrs. E. Holcomb, of Alma; Mr. and Mrs. Ralph Hughes and Mr. and Mrs. Fred Weatherhead, of Harrison; Ex-Gov. and Mrs. A. E. Sleeper, of Bad Axe; W. E. Currie, of Detroit; Hon. And Mrs. W. W. Potter, of Hastings; Senator Karcher, of Rose City; Mr. O. W. Achard, of Grand Rapids; Mr. and Mrs. Robert Hudson, of Owosso; Mr. and Mrs. James McKay of Detroit; Mr. and Mrs. Fred Doherty, of Lansing; Mr. and Mrs. Floyd Doherty, of Saginaw; and Frank B. Doherty, of Mackinaw Island; Mrs. Wm. Tasker of Detroit.
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Basically what the title says. I know it's a snow layer because when I try to shovel the block, it just removes the layer of snow, and the block isn't transparent anymore. At first I thought it might have been a compatibility issue between Snow Real Magic and Fabric Seasons, but turns out it was not the case. Looked for a solution at the mod author's github page for reporting bugs regarding the mod but, to no avail, I was unable to find anything. I would appreciate any help at this point because honestly this has become very frustrating. The modpack is a custom one, just me messing around and trying different things out. I'll post the mod list down below.
Mod list:

• Enhanced Block Entities
• Epic Knights: Slavic Armory
• Indium
• Towns and Towers
• Animatica
• Forge Config API Port
• AzureLib
• Galosphere
• Create
• MC Dungeons Armors
• Iris
• Mine Cells
• Night Lights
• Resourceful Lib
• Iron Chests: Restocked
• Tiny Item Animations
• Druids of Storm and Spirit
• Wakes
• YUNG's Better End Island
• Formations Nether
• BetterF3
• Jade
• Combat Roll
• Common Network
• InvMove
• Philip`s Ruins
• Fabric API
• Elytra Slot
• YUNG's API
• Better Beds
• [Let's Do] NetherVinery
• ModernFix
• Brewin And Chewin
• oωo
• Auto HUD
• Aquamirae
• Moonlight
• Xaero's Minimap
• YUNG's Better Desert Temples
• YUNG's Better Strongholds
• Bobby
• FirstPerson
• RangedWeaponAPI
• Moog's End Structures
• ChoiceTheorem's Overhauled Village
• Chimes
• Hamsters
• Nature's Compass
• Towers of the Wild Modded
• Inmis
• Noisium
• Epic Knights Mod
• Towers of the Wild: Additions
• TerraBlender
• Trinkets
• Cave Dust
• Chat Heads
• Tierify
• Spell Engine
• Formations Overworld
• Prism
• Archers (RPG Series)
• Drip Sounds
• Spawn
• YUNG's Better Jungle Temples
• ImmediatelyFast
• Better End
• EpicSamurai-Fabric
• Jewelry (RPG Series)
• Debugify
• YUNG's Extras
• Better Combat
• GeckoLib 4
• Carry On
• 3d-Skin-Layers
• Falling Leaves
• You're in Grave Danger
• YDM's Weapon Master
• Continuity
• Structory
• Kiwi Library
• Tidal Towns
• Camera Overhaul
• Obscure API
• What Are They Up To
• Iceberg
• BCLib
• Mod Menu
• Player Animator
• Cosmetica
• Eating Animation
• Immersive Armors
• Snow! Real Magic!
• Creeper Overhaul
• YUNG's Bridges
• More Culling
• Farmer's Delight
• Lavender
• Resourcefulconfig
• Structory: Towers
• Traveler's Backpack
• [Let's Do] HerbalBrews
• Cardinal Components API
• Terralith
• EntityCulling-Fabric
• Load My F***ing Tags
• [Let's Do] Bakery
• Naturalist
• Architectury
• Memory Leak Fix
• YUNG's Better Witch Huts
• Leawind's Third Person
• CICADA
• Structure Pool API
• Wizards (RPG Series)
• Xaero's World Map
• Dynamic Crosshair
• Blossom Blade
• Necronomicon
• Wilder Wild
• Dungeons and Taverns
• Invocations Mod
• AppleSkin
• [Let's Do] Brewery
• Nvidium
• [Let's Do] Candlelight
• Highlighter
• Explosive Enhancement
• Roughly Enough Items
• Epic Knights'n'Mages Fabric
• Paladins & Priests (RPG Series)
• Twigs
• Clumps
• Visuality
• Simply Swords
• Item Borders
• Cristel Lib
• CoroUtil
• Smooth Swapping
• YUNG's Better Dungeons
• Formations
• NotEnoughAnimations
• True Ending: Ender Dragon Overhaul
• The Lost Castle
• WI Zoom
• Lithium
• YUNG's Better Ocean Monuments
• Runes
• Very Many Players
• ThreadTweak
• Sodium
• CIT Resewn
• Sodium Extra
• NiftyCarts
• MC Dungeons: Enchanting
• ${name}
• Spell Power Attribute
• YUNG's Better Nether Fortresses
• Beautify
• Winterly
• Borderless Mining
• Flow
• Immersive Weathering
• [Let's Do] BloomingNature
• Mineblock's Repeated Utilities
• Better Nether
• Thaumon [BETA]
• Fabric Waystones
• Spellblades and Such
• LambDynamicLights
• Presence Footsteps
• Archon
• Knight Quest
• Hearth & Home
• Enderman Overhaul
• Dynamic FPS
• [Let's Do] Meadow
• Tectonic
• Things
• essential-container
• Swampier Swamps
• Lithostitched
• Concurrent Chunk Management Engine
• Fabric Seasons: Terralith Compat
• ChatAnimation
• MC Dungeons Weapons
• Show Me Your Skin!
• Better Archeology
• Entity Model Features
• Extra RPG Attributes
• Icarus
• Explorify
• Traveler's Titles
• FogLooksGoodNow
• [Let's Do] Beachparty
• Entity Texture Features
• FerriteCore
• AzureLib Armor
• Spawn Animations
• Dynamic Surroundings
• Reese's Sodium Options
• MC Dungeons Artifacts
• InmisAddon
• Epic Knights: Addon
• Starlight
• FastChest
• Sooty Chimneys for Fabric
• No Chat Reports
• SeasonHUD
• YUNG's Better Mineshafts
• [Let's Do] Vinery
• Chunky
• [Let's Do] API
• Artifacts
• The Graveyard
• Fabric Seasons
• Fabric Language Kotlin
• Cloth Config v11
• EpheroLib
• Farmer's Knives
• Expanded Delight
• Musket Mod
• Create: Food
• Fabric API
• More Delight
• Fabric Seasons: Croptopia Compat
• Croptopia
• Double Doors
• Storage Delight
• SimpleHats
• Gliders
• Farmer's Delight
• Barbeque's Delight
• Collective
• Delightful Creators
• Haunted Harvest
• Fabric Seasons: Delight Compat

“We must all hang together or we shall all hang separately.”
Thus quipped Benjamin Franklin as the American colonies joined against the tyranny of George III, the phrase hangs heavy in the imaginations of today’s political opposition. Laden with fears of violence, Chairman Osro Cobb of the Progressive-Federalist National Committee announced the cancellation of the party’s presidential primaries and the formal acquiescence of the party to the Committee for the Preservation of the Republic’s call for a joint presidential nominating convention with the American Liberty League. Yet, with the organization’s President Thomas Schall, once seen as the nearly prohibitive favorite for the nomination, dying in an unforeseen car accident and populist contender Eduardo Chibas taking his own life on live radio, the attempt to unite the opposition must find a candidate able to carry both banners in the face of Philip La Follette’s campaign for a third term.
Clare Boothe Luce speaking against the President's support for a moderate socialist government in Indonesia.
Leading Candidates:
The following candidates are seen as frontrunners for the nomination.
Clare Boothe Luce: 49 year old Clare Boothe Luce of Connecticut rose to prominence as Henry Luce’s scandal-ridden yet massively popular First Lady, whose charisma would lead to a popular joke that every Luce voter wished they had voted for Clare despite widely known allegations of mutual marital infidelity. Marrying Henry after divorcing her first husband and entering high society as the author of an all-female play, Luce would become First Lady at the young age of 38 and soon emerge as a face of the American home front amidst the Third Pacific War. Describing the nation as having become a “dictatorial bumbledom,” Luce has echoed the anti-New State ethos of the party and is seen as the candidate of establishment conservatives. Criticizing the very slogan of President La Follette, she has argued that the United States cannot “win the peace” as it has not truly won the war until the defeat of international communism. Clare has supported the Zionist project in Alaska, a unified military command to replace the Department of Peace, and the creation of a defense pact among American allies in the Pacific as the centerpiece of an aggressively interventionist foreign policy declaring “if we are no longer willing to fight for it, our Christian democracy is finished." Yet, Luce has also opposed the creation of a stronger international United Nations to replace the powerless Parliament of Nations.
Driven to Catholicism in 1946 following the death of her daughter, even as her ex-president husband gallivanted about with a girlfriend a thousand miles from his wife’s baptism, Luce has emerged as a changed woman, reportedly abandoning her affairs and entering a career in electoral politics with her 1946 election to the Senate. Though Aaron Burr Houston maintained a private devotion to the Church of Rome, Clare has taken her faith with a zeal heretofore unseen in American politics, using the Senate as a pulpit to preach against “materialism” and a spiritual decline as the root of both communism and fascism, slyly suggesting that the rise of the Pentecostal, Immannuelite, and Mormon faiths has come hand-in-hand with the nation’s fascist surge as she has publicly wished that “the whole world would be Catholic.” Despite defenses from Presbyterian former President Luce, Clare’s faith has weakened her amongst convention delegates fearing the alienation of firmly Protestant voters. Yet her charm, wealth, and ability to attract millions in funding from backers such as Henry Ford II while winning key endorsements such as that of Richard Nixon has catapulted her to the front of the field.
A candid photo of the nation's leading Texan with a fried chicken dinner. Had you asked an observer in 1940 whether Pappy O'Daniel might one day be President the answer would almost certainly be yes, yet many wonder whether the dynamic country singer has waited past his turn.
W. Lee O’Daniel: 62 year old Senator W. Lee O’Daniel, better known as Pappy, rose to prominence in his late 20s as an architect of domestic policy during Aaron Burr Houston’s third term, being largely credited with the introduction of an old age pension system funded by a consumption tax. After making his way to the fore of Texas politics on his own through the integration of musical numbers and a widely popular radio show with his political antics, O’Daniel would turn from an upset gubernatorial defeat in the 1938 midterms to organizing Aaron Burr Houston’s campaign for a fourth term in the White House as the nation’s last hope against Charles Lindbergh. Accused by critics of puppeteering a dementia ridden 86 year old out of his own lust for power, O’Daniel would serve as Secretary of the Treasury for a year before being unceremoniously removed from the cabinet by Henry Luce for his critique of the American attack on Pearl Harbor and opposition to the draft, leaving him in political isolation as the Texan distinguished himself by demanding the execution of striking laborers as crucial to the war effort over his radio show.
A steadfast isolationist, O’Daniel’s foreign policy views have made him a favorite among Liberty League libertarians. Depicting himself as nearly as conservative as Luce on domestic issues with an isolationist foreign policy able to appeal to the Midwest, O’Daniel has emphasized ties to the legendary ABH and anti-alcohol views he claims can over the rural South. O’Daniel has also sought to use Luce’s Catholicism into an issue, seeking the support of Ben Gitlow through their shared membership in the Evangelical Christian Right. Yet, O’Daniel has been seen as the least committed among the candidates to the Committee’s pro-democracy ideals, while others question his fitness for office based on his eccentric manners as a cabinet Secretary and Senator, with Eleanor B. Roosevelt’s 1936 running mate Dan Moody remarking that “Pappy is as lost at the Treasury as I would be in a circus trapeze.”
Lucius D. Clay as an Administrator during the post-war occupation of Korea.
Lucius D. Clay: A distant relative of former President Henry Clay, 54 year old General of the Army turned banker Lucius D. Clay of Georgia has been the subject of a draft movement seeking to secure a candidate with the allure of a war hero after an attack on right wing generals such as Harold George, “some of whom are my own classmates,” accusing them of leading the party astray with the nomination of the ultra-conservative Benjamin Gitlow. Clay has portrayed himself as the candidate of order, supporting, as the others do, the prosecution of Blackshirts and the freeing of prosecuted opposition politicians. However, Clay, a former administrator of Lindbergh-era public works programs, is the only candidate to stop short of supporting the abolition of the New State, with backers instead focusing on the renowned administrative talent that led Douglas MacArthur to quip that Clay “could run General Motors or General Bradley’s army.” Despite his reticence to campaign at the convention, Clay’s moderation, vague platform, connections, and war hero status have won over a significant segment of delegates.
John Sampson Cooper on the cover of Henry Luce's Time magazine.
John Sampson Cooper: Named for martyred Admiral William T. Sampson not long after the First Pacific War dramatically ended with the Second Battle of Hawai’i, 50 year old Kentucky Senator John Sampson Cooper has led an underdog campaign of moderate liberals led by young activists Mark Hatfield and Chuck Mathias and Tannenbaum territorial delegate Jacob Javits. Returning home from Yale to find his father on his deathbed and his beloved Pulaski County burned to the ground amidst the Revolution, Cooper would be elected to county leadership at age 24, famously responding to a legal requirement that he evict the impoverished by personally paying their debts, earning the moniker “the poor man’s judge” as he emerged as a major figure in post-Revolutionary reconciliation in Kentucky. Returning home once more from service as a military attache in the Third Pacific War, Cooper would oust incumbent Farmer-Laborite Jerry Spencer in a 1944 upset, delaying taking his seat to serve as a legal advisor to hundreds of thousands of displaced Indonesians before emerging as a Senate leader in bringing the United States closer to India and other nations newly liberated from colonialism.
While eschewing the isolationism of O’Daniel, Cooper has demonstrated a far more relaxed stand on foreign policy than Luce, opposing aggressive anti-communism abroad while depicting the United States as a great mediator of peace in situations such as the violence in Palestine or partition of India. The reported favorite of Fulgencio Batista despite Cooper’s criticism of Batista as insufficiently committed to democracy, the Kentuckian has managed to maintain a widespread popularity with labor that has led many to speculate that Cooper would be the only candidate able to win the endorsement of organized labor and an imprisoned John L. Lewis. Lacking the celebrity draw of Senator Luce, Cooper has countered with a far more detailed platform, calling for the opening of American borders to the world’s refugees, massively increased federal aid to education, and, in stances that have left him anathema to many party conservatives, support for universal health insurance, coal subsidies, and public housing. A self admitted “truly terrible public speaker," Cooper’s political independence has won him the support of Will Rogers Jr. and made him a favorite of the modern liberal wing of the Liberty League.
Luis A. Ferre's El Dia newspaper, later renamed El Nuevo Dia.
Other Candidates:
The following are seen as major contenders for the nomination, but lag behind the frontrunner candidates.
Luis A. Ferre: Among the most grim results of the 1948 elections emerged from the Caribbean, where states once considered the most loyally anti-Farmer-Labor in America crossed the aisle for the first time in history. With strategists seeing the path to the presidency running through the island states, many among the electorally minded have flocked to 48 year old Puerto Rico Senator Luis A. Ferre, publisher of the nation’s largest Spanish language newspaper, El Nuevo Dia. A classically trained pianist who has focused his senatorial career on securing funding for the arts, Ferre has referred to the United States as the “moral summit of the world,” while aligning himself in the middle on economic policy, calling for “addressing the inequalities of society” by selling off public land at a low price and supporting federal public housing with an emphasis on rural revitalization, in addition to a call for a 4% Christmas bonus on the grounds of the Jesus Amendment.
James A. Rhodes: "Every time I take a position on an issue, I lose two percent of the people. If I do that 50 times, I have everybody mad at me," the quip encapsulates the philosophy of 43 year old Ohio Governor James A. “Jim” Rhodes and his backers. Emerging as the favorite of many convention delegates who have argued that the best path forward for a united campaign is a steadfast focus on bread and butter issues, Rhodes has remarked that “there are only three issues in this campaign: jobs, jobs, and jobs,” and has argued that to win the power necessary to destroy the New State and its legacies, any anti-La Follette campaign must focus on people’s lives and the economy, not vague notions of democracy and American ideals. Born in the hills of Appalachia, Rhodes would be forced out of college after failing every class, only to work his way into the Mayoralty of Columbus, before unexpectedly catapulting himself to the Ohio Governorship before the age of 40, where he has governed with a moderate conservatism focused on local issues such as water rights and a program to "put a college education within 25 miles of every boy and girl” that has been praised as a national model.
The King of Country.
Write-In Candidates:
The following candidates can win the nomination, but are either presently supporting other candidates and thus only subject to draft movements rather than an active campaign or lack adequate first ballot support.
Roy Acuff: 49 year old Roy Acuff of Tennessee was christened “The King of Country Music” for smash hits such as Wabash Cannonball, leading fellow musician Hank Williams to quip “book him and you don’t worry about crowds…for drawing power in the South, it’s Roy Acuff, then God.” Yet, after a rumor that Governor Buford Elington had labeled his music “disgraceful,” Acuff would embrace the label “king of the Hillbillies” in the 1948 election cycle to trade his acoustic throne for the Governor’s chair. Declaring that “any business must be put on a business plan, and so must a state government,” Acuff has cut the budget while requiring the Ten Commandments to be posted in government buildings, increasing state pensions, instituting a free school textbook program, cooperating with the La Follette Administration on the hydroelectric Tennessee Valley Authority, and has controversially called for additional restrictions on firearm ownership. Widely considered a possible frontrunner for his celebrity status if a primary were to have been held, Acuff has supported O’Daniel at the convention, yet has evasively refused to disavow a draft movement arising from his pro-union sympathies that many suspect could bring Fulgencio Batista into the fold alongside John L. Lewis, Jimmy Hoffa, and the opposition Farmer-Laborites.
Joseph H. Jackson: A Mississippi farm boy who taught himself reading and mathematics, 52 year old Joseph H. Jackson, President of the largest predominantly black church in America, the American Baptist Convention, has emerged as the favorite of former Gitlow ally Billy J. Hargis for his right-wing populist views and claim to be able to win millions of black voters back from President La Follette. Calling to “save the nation, in order to save the individual citizen, and the race," Jackson has focused his attacks on La Follette for violating “civil order,” and extended this critique to opposition protests. Making the radical proposal to not merely denationalize the General Trades Union, but to destroy it entirely, Jackson has called for the severing of diplomatic recognition to all communist nations and international intervention to spread “the liberating power of our federal constitution and the supreme law of the land, the American ideals of freedom and democracy.” However, Jackson has fallen from major candidate status after an investigation by the Labor Department into allegedly abusing unpaid labor at a daycare and using church donations to buy himself a mansion and a sports car.
America's chief penny pincher speaks.
Henry S. Breckinridge: The only member of the Liberty League at the fore of presidential consideration, 66 year old New York Congressman Henry Skillman Breckinridge ran alongside Al Capone in 1936 in the campaign that doomed the Commonwealth alliance, but has reinvented his career since by working to ally Federalist and Liberty League causes against La Follette and serving as the organization’s House leader. Advocating a heavily internationalist vision in line somewhere between that of Cooper and Luce, Breckinridge’s commitment to small government classical liberalism and a strict construction of the constitution has made him the favorite of Liberty League loyalists and some party conservatives. However, it is considered unlikely for a Liberty League member to win outright due to Progressive-Federalists comprising a majority of convention delegates.
Eleanor Butler Roosevelt: 63 year old former President Eleanor Butler Roosevelt was promoted for the nomination for months by her former counsel turned the “voice of impeachment,” Richard Nixon, who has noted that her re-election would have stopped the rise of fascism in its tracks. However, content with retirement, the writing of her memoirs, and the promotion of Nixon’s career, Roosevelt has categorically refused to seek the presidency. Nonetheless, she is expected to receive votes on the convention’s opening ballot from admirers.
Benjamin Muse: 54 year old former Virginia Governor Benjamin Muse won an upset victory in 1945 to be elected Governor against the campaigning of President La Follette. An establishment Federalist and charismatic writer, Muse received significant support as a candidate but has declined to contest the convention and worked to promote the nomination of Clare Boothe Luce after a meeting with Henry Luce.
H.R. Gross: 53 year old Iowa Governor and 1948 Progressive vice presidential nominee Harold Royce Gross has gained renown for his steadfast economic conservatism, vetoing every proposed state budget increase throughout his tenure and calling for a complete end to foreign aid in addition to the dismantling of the New State; avoiding moral arguments, Gross has opposed atomic bombings and war on the grounds that both are too financially costly. A hero of the party right, Gross has declined to seek the presidency himself, citing his refusal to attend fundraising parties rather than watch Iowa football games, and is expected to support Pappy O’Daniel or Jim Rhodes on the convention floor.
46 year old Samuel Ichiye Hayakawa has been elected interim Chairman of the Convention.
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As Reddit doesn't allow posts to exceed 40,000 characters, Eastwood's edition had to be split into two parts because his whole career cannot be ignored. The second part will be posted tomorrow.

Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Clint Eastwood's turn.
Eastwood was a troublemaker at school, and he had a bunch of odd jobs such as lifeguard, paper carrier, grocery clerk, forest firefighter, and golf caddy. In 1951, he was drafted into the United States Army during the Korean War and was discharged two years later. Through this, he got into contact with a Hollywood representative, who got him into acting classes and started his acting career. He got his start by starring in the hit show Rawhide, but he said he was exhausted by the experience. This caught the attention of some film producers and he decided to act in films directed by the then-unknown Sergio Leone. His career was on the rise, and then he got the chance to make his directorial debut.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1970s, some of the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

Play Misty for Me (1971)

"The scream you hear may be your own!"
His directorial debut. It stars Eastwood, Jessica Walter and Donna Mills, and follows a radio disc jockey being stalked by an obsessed female fan.
Before his colleague Irving Leonard died, he and Eastwood had discussed the idea of producing a film that was to give Eastwood the artistic control he desired, and his debut as a director. Eastwood said he was ready, "I stored away all the mistakes I made and saved up all the good things I learned, and now I know enough to control my own projects and get what I want out of actors."
The film was a huge success for Eastwood, and it also received positive reviews. So far, his directorial career was off to a great start.

• Budget: $950,000.
  
• Domestic gross: $10,600,000. ($81.7 million adjusted)
  
• Worldwide gross: $10,600,000.
  

High Plains Drifter (1973)

"They'd never forget the day he drifted into town."
His second film. The film stars Eastwood, Verna Bloom and Mariana Hill, and follows a mysterious stranger who metes out justice in a corrupt frontier mining town.
Eastwood reportedly liked the offbeat quality of the film's original nine-page proposal and approached Universal with the idea of directing it, which would make it his first directed Western. The screenplay was inspired by the real-life murder of Kitty Genovese in Queens in 1964, which eyewitnesses reportedly stood by and watched. Holes in the plot were filled in with black humor and allegory, influenced by Sergio Leone.
It was well received, and the film even surpassed Play Misty for Me at the box office. Eastwood was just going up.

• Budget: $5,500,000.
  
• Domestic gross: $15,700,000. ($110.4 million adjusted)
  
• Worldwide gross: $15,700,000.
  

Breezy (1973)

"Her name is Breezy."
His third film. It stars William Holden and Kay Lenz, and follows the relationship between a middle-aged real estate agent and a young hitchhiker.
This was his first directed film without starring on it. And his lack of presence certainly hurt the film; it received mixed reviews and flopped at the box office.

• Budget: $750,000.
  
• Domestic gross: $200,000. ($1.4 million adjusted)
  
• Worldwide gross: $217,753.
  

The Eiger Sanction (1975)

"His lifeline, held by the assassin he hunted."
His fourth film. Based on the novel by Trevanian, the film stars Eastwood, George Kennedy, Vonetta McGee, and Jack Cassidy. It follows Jonathan Hemlock, an art history professor, mountain climber, and former assassin once employed by a secret government agency, who is blackmailed into returning to his deadly profession for one last mission.
The film received mixed reactions for its writing, and it wasn't a box office success either.

• Budget: $9,000,000.
  
• Domestic gross: $14,200,000. ($82.4 million adjusted)
  
• Worldwide gross: $14,200,000.
  

The Outlaw Josey Wales (1976)

"An army of one."
His fifth film. Based on the novel Gone to Texas by Forrest Carter, it stars Eastwood, Chief Dan George, Sondra Locke, Bill McKinney and John Vernon. The film tells the story of Josey Wales, a Missouri farmer whose family is murdered by Union militia during the Civil War. Driven to revenge, Wales joins a Confederate guerrilla band and makes a name for himself as a feared gunfighter. After the war, all the fighters in Wales' group except for him surrender to Union soldiers, but the Confederates end up being massacred. Wales becomes an outlaw and is pursued by bounty hunters and Union soldiers as he tries to make a new life for himself.
Eastwood was fascinated by the novel and he bought the film rights, hoping to star on the film. He got Philip Kaufman involved as screenwriter and possible director, but left after disagreeing with Eastwood in the material adapted to the screen. Kaufman insisted on filming with a meticulous attention to detail, which caused disagreements with Eastwood, not to mention the attraction the two shared towards Locke and apparent jealousy on Kaufman's part in regard to their emerging relationship. This caused Eastwood to take over as the director. Kaufman's firing angered the DGA, as he did most of the pre-production, and sanctioning a $60,000 fine. This resulted in the Director's Guild passing a new rule, known as "the Eastwood Rule", which prohibits an actor or producer from firing the director and then personally taking on the director's role.
The film received critical acclaim, and in subsequent years, is ranked among Eastwood's greatest films. It was also a huge success at the box office, doubling his previous highest grossing film. It was also one of the few Western films to receive critical and commercial success in the 1970s at a time when the Western was thought to be dying as a major genre in Hollywood.

• Budget: $3,700,000.
  
• Domestic gross: $31,800,000. ($174.5 million adjusted)
  
• Worldwide gross: $31,800,000.
  

The Gauntlet (1977)

"The man in the middle of..."
His sixth film. It stars Eastwood, Sondra Locke, Pat Hingle, William Prince, Bill McKinney, and Mara Corday. It follows a down-and-out cop who falls in love with a prostitute, to whom he is assigned to escort from Las Vegas to Phoenix for her to testify against the mob.
While it received mixed reviews, it became another box office success for Eastwood, becoming his now highest grossing film.

• Budget: $5,500,000.
  
• Domestic gross: $35,400,000. ($182.4 million adjusted)
  
• Worldwide gross: $35,400,000.
  

Bronco Billy (1980)

"The most outrageous of 'em all."
His seventh film. The film stars Eastwood and Sondra Locke, and focuses on the financially-struggling owner of a traditional Wild West show and his new assistant.
It became another critical and commercial success for Eastwood, who referred to the film as one of his most affable shoots of his career.

• Budget: $6,500,000.
  
• Domestic gross: $24,265,659. ($91.9 million adjusted)
  
• Worldwide gross: $24,265,659.
  

Firefox (1982)

"The most devastating killing machine ever built... his job... steal it!"
His eighth film. Based on the novel by Craig Thomas, it stars Eastwood, Freddie Jones and David Huffman. The Soviets have developed a revolutionary new jet fighter, called "Firefox". Naturally, the British are worried that the jet will be used as a first-strike weapon, as rumors say that the jet is undetectable on radar. They send ex-Vietnam War pilot Mitchell Gant on a covert mission into the Soviet Union to steal the Firefox.
The film received mixed reviews, but it earned almost $47 million, becoming Eastwood's highest grossing title as director.

• Budget: $21,000,000.
  
• Domestic gross: $46,708,276. ($151.1 million adjusted)
  
• Worldwide gross: $46,708,276.
  

Honkytonk Man (1982)

"The boy is on his way to becoming a man. The man is on his way to becoming a legend."
His ninth film. It's based on the novel by Clancy Carlile, and it stars Eastwood and his son Kyle. It follows Red Stovall, a country music singer and composer. With his nephew Whit by his side, he travels to Nashville to perform at the Grand Ole Opry in the backdrop of the Great Depression.
While the film received acclaim, it earned just $4.4 million, becoming his second worst performer.

• Budget: $2,000,000.
  
• Domestic gross: $4,484,991. ($14.5 million adjusted)
  
• Worldwide gross: $4,484,991.
  

Sudden Impact (1983)

"Dirty Harry is at it again."
His tenth film. The fourth installment in the Dirty Harry series, directed, it stars Eastwood and Sondra Locke. The film tells the story of a gang rape victim who decides to seek revenge on her rapists 10 years after the attack by killing them one by one. Inspector Harry Callahan, famous for his unconventional and often brutal crime-fighting tactics, is tasked with tracking down the serial killer.
The film received mixed reviews from critics, but it earned over $150 million worldwide, Eastwood's first film to pass that milestone. It's also very popular for including the iconic catchphrase, "Go ahead, make my day."

• Budget: $22,000,000.
  
• Domestic gross: $67,642,693. ($212.1 million adjusted)
  
• Worldwide gross: $150,642,693.
  

Pale Rider (1985)

"...And Hell followed with him."
His 11th film. It stars Eastwood, Michael Moriarty and Carrie Snodgress. A couple and their daughter, along with a few others, are driven out of Lahood, California, by goons working for a mining baron. However, a stranger enters their life to assist them in their fight.
There was no stopping Eastwood: another critical and commercial success.

• Budget: $6,900,000.
  
• Domestic gross: $41,410,568. ($120.2 million adjusted)
  
• Worldwide gross: $41,410,568.
  

Heartbreak Ridge (1986)

"The scars run deep."
His 12th film. It stars Eastwood, Marsha Mason, Everett McGill, and Mario Van Peebles. The story centers on a U.S. Marine nearing retirement who gets a platoon of undisciplined Marines into shape and leads them during the American invasion of Grenada in 1983.
The film was inspired by an account of American paratroopers of the 82nd Airborne Division using a pay telephone and a credit card to call in fire support during the invasion of Grenada, and fashioned a script of a Korean War veteran career Army non-commissioned officer passing on his values to a new generation of soldiers. Eastwood was interested in the script and asked his producer, Fritz Manes, to contact the US Army with a view of filming the movie at Fort Bragg. However, the Army read the script and refused to participate, due to Highway being portrayed as a hard drinker, divorced from his wife, and using unapproved motivational methods to his troops, an image the Army did not want.
It received mixed reviews, with some deeming the film as "imperialist propaganda". But it was still another box office success.

• Budget: $15,000,000.
  
• Domestic gross: $42,724,017. ($121.7 million adjusted)
  
• Worldwide gross: $121,700,000.
  

Bird (1988)

"There are no second acts in American lives."
His 13th film. The film stars Forest Whitaker and Diane Venora. It is constructed as a montage of scenes from saxophonist Charlie Parker's life, from his childhood in Kansas City, through his early death at the age of 34.
Eastwood, a lifelong fan of jazz, had been fascinated by Parker ever since seeing him perform live in Oakland in 1946. He approached Chan Parker, Bird's common-law wife on whose memoirs the script was based, for input, and she lent Eastwood and arranger Lennie Niehaus a collection of recordings from her private collection Before Eastwood was involved, Richard Pryor was originally cast as Parker.
Despitive positive reviews, it performed poorly, earning just $2.2 million in North America.

• Budget: $14,000,000.
  
• Domestic gross: $2,181,286. ($5.7 million adjusted)
  
• Worldwide gross: $2,181,286.
  

White Hunter Black Heart (1990)

"An adventure in obsession."
His 14th film. Based on the novel by Peter Viertel, it stars Eastwood, Jeff Fahey, George Dzundza, Alun Armstrong and Marisa Berenson. It follows a famous movie director, John Wilson, who goes to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than take care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else.
Despite positive reviews, it made just $2.3 million domestically, not even 10% of the budget.

• Budget: $24,000,000.
  
• Domestic gross: $2,319,124. ($5.5 million adjusted)
  
• Worldwide gross: $2,319,124.
  

The Rookie (1990)

His 15th film. The film stars Eastwood, Charlie Sheen, Raul Julia, Sônia Braga, Lara Flynn Boyle, and Tom Skerritt. It follows a veteran police officer teamed up with a younger detective, whose intent is to take down a German crime lord in downtown Los Angeles, following months of investigation into an exotic car theft ring.
It received negative reviews for its acting and story, and it became another flop for Eastwood. That's three bombs in a row. Ouch.

• Budget: $30,000,000.
  
• Domestic gross: $21,633,874. ($51.6 million adjusted)
  
• Worldwide gross: $21,633,874.
  

Unforgiven (1992)

"Some legends will never be forgotten. Some wrongs can never be forgiven."
His 16th film. It stars Eastwood, Gene Hackman, Richard Harris and Morgan Freeman. It follows William Munny, a widower with two young kids, who was once a very vicious gunfighter who gave up everything after marriage. Now, a man named Schofield Kid brings him an offer that he cannot refuse, forcing him to come out of retirement for one last job.
David Webb Peoples wrote the script all the way back to 1976, and it was optioned by Francis Ford Coppola, but he lacked the funds needed to helm it. By Eastwood's own recollection, he was given the script in the "early 80s" although he did not immediately pursue it, because, according to him, "I thought I should do some other things first". Eastwood has long asserted that the film would be his last traditional Western, concerned that any future projects would simply rehash previous plotlines or imitate someone else's work. He dedicated the film to his close friends and mentors Sergio Leone and Don Siegel. Hackman initially refused to participate as his daughters were upset that he was starring in too many violent films, but he became fascinated by the script that he agreed.
It opened with $15 million and it legged all the way to $100 million after playing for almost one year, closing with $159 million worldwide, his now highest grossing film. The film received Eastwood's best reviews of his career, with many considering the film as his magnum opus as director. It received 9 Oscar nominations, and won four: Best Picture and Best Director for Eastwood, Best Supporting Actor for Hackman, and Best Film Editing. So Eastwood, on top of being a reliable box office draw, was now a 2-time Oscar winner.

• Budget: $14,400,000.
  
• Domestic gross: $101,167,799. ($225.2 million adjusted)
  
• Worldwide gross: $159,167,799.
  

A Perfect World (1993)

His 17th film. Kevin Costner, Eastwood and Laura Dern, and follows an escaped convict who takes a young boy hostage and attempts to escape on the road with the child, while being pursued by a Texas Ranger.
The film received critical acclaim, and has appeared as one of Eastwood's best films. The film disappointed in North America, but it earned up to $100 million overseas (Eastwood's first film to gross that much) and ended with $135 million worldwide.

• Budget: $30,000,000.
  
• Domestic gross: $31,130,999. ($67.2 million adjusted)
  
• Worldwide gross: $135,130,999.
  

The Bridges of Madison County (1995)

"The human heart has a way of making itself large again even after it's been broken into a million pieces."
His 18th film. Based on the novel by Robert James Waller, it stars Eastwood and Meryl Streep. The film is set in 1965, following a war bride, Francesca Johnson, who lives with her husband and two children on their Iowa farm. That year she meets National Geographic photojournalist, Robert Kincaid, who comes to Madison County, Iowa to photograph its historic covered bridges. With Francesca's family away for a short trip, the couple have an intense, four-day love affair.
It received more critical acclaim, and made over $180 million worldwide, becoming his highest grossing film. For her performance, Streep was nominated for an Oscar for Best Actress.

• Budget: $22,000,000.
  
• Domestic gross: $71,516,617. ($146.5 million adjusted)
  
• Worldwide gross: $182,016,617.
  

Absolute Power (1997)

His 19th film. Based on the novel by David Baldacci, it stars Eastwood, Gene Hackman, Ed Harris, Laura Linney, Judy Davis, Scott Glenn, Dennis Haysbert, and Richard Jenkins. It follows a master jewel thief who witnesses the killing of a woman by Secret Service agents.
It received mixed reviews, and disappointed at the box office.

• Budget: $50,000,000.
  
• Domestic gross: $50,068,310. ($97.4 million adjusted)
  
• Worldwide gross: $92,768,310.
  

Midnight in the Garden of Good and Evil (1997)

"Welcome to Savannah, Georgia. A Ccty of hot nights and cold blooded murder."
His 20th film. Based on the book by John Berendt, it stars John Cusack and Kevin Spacey. It follows the story of antiques dealer Jim Williams, on trial for the killing of a male prostitute who was his lover. The multiple trials depicted in Berendt's book are combined into one trial for the film.
It received mediocre reviews, and flopped at the box office.

• Budget: $30,000,000.
  
• Domestic gross: $25,105,255. ($48.8 million adjusted)
  
• Worldwide gross: $25,105,255.
  

True Crime (1999)

His 21st film. Based on the novel by Andrew Klavan, it stars Eastwood, Isaiah Washington, Denis Leary, LisaGay Hamilton and James Woods. It follows a journalist covering the execution of a death row inmate, only to discover that the convict may actually be innocent.
This was another project that received mediocre reviews and flopped at the box office.

• Budget: $55,000,000.
  
• Domestic gross: $16,649,768. ($31.2 million adjusted)
  
• Worldwide gross: $16,649,768.
  

Space Cowboys (2000)

"Boys will be boys."
His 22nd film. It stars Eastwood, Tommy Lee Jones, Donald Sutherland, and James Garner as four aging former test pilots who are sent into space to repair an old Soviet satellite.
It received very positive reviews, and earned over $128 million worldwide.

• Budget: $60,000,000.
  
• Domestic gross: $90,464,773. ($164 million adjusted)
  
• Worldwide gross: $128,884,132.
  

Blood Work (2002)

"He's a heartbeat away from catching the killer."
His 23rd film. Based on the novel by Michael Connelly, it stars Eastwood, Jeff Daniels, Wanda De Jesús, and Anjelica Huston. It follows a retired FBI agent who recently had a heart transplant but still takes up the job to nab a killer.
It was another film with mediocre reviews and flop status.

• Budget: $50,000,000.
  
• Domestic gross: $26,235,081. ($45.5 million adjusted)
  
• Worldwide gross: $31,794,718.
  

Mystic River (2003)

"We bury our sins, we wash them clean."
His 24th film. Based on the novel by Dennis Lehane, it stars Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden, and Laura Linney. It follows three childhood friends who are reunited 25 years later when one of them suffers a family tragedy.
Michael Keaton was originally cast in the role of Det. Sean Devine, and did several script readings with the cast, as well as his own research into the practices of the Massachusetts Police Department. However, creative differences between Keaton and Eastwood led to Keaton leaving the production. He was replaced by Kevin Bacon. This was the first film in which Eastwood would be credited as composer.
The film had a slow roll-out, but it was aided by strong word of mouth, closing with a wonderful $156 million worldwide. It also received acclaim, and was named as one of Eastwood's greatest films. Sean Penn received universal acclaim for his performance, with some naming it among the best acting of the century, particularly for one scene (if you watched it, you definitely know which scene). It received 6 Oscar nominations, including Best Picture and Best Director for Eastwood. It won two: Best Actor for Penn and Best Supporting Actor for Robbins.

• Budget: $25,000,000.
  
• Domestic gross: $90,135,191. ($153 million adjusted)
  
• Worldwide gross: $156,595,191.
  

Come back tomorrow for Part 2

Don't suggest directors for the next edition here. Save it for tomorrow.