Spongebob theme 8520

spongeloremebob

2021.09.17 17:18 Kloudkicker12 spongeloremebob

Is SpongeBob really just a kids show about the shenanigans of a sea sponge and his best friend Patrick? We don't think so. There's a much darker theme hidden in this seemingly innocent show.
[link]


2014.02.12 04:34 JakeyDaRocker

A subreddit for a guy that does Let's Plays. Sometimes with other people. How's it going? I'm THE JakeyDaRocker13, never heard of me? Well I'm not surprised....
[link]


2024.05.14 18:58 PhilsTriangle [NJ] [H] N64, Nintendo (NES), SNES (Earthbound), Gamecube, GBA, Nintendo DS/3Ds, Wii, Playstation, PS2, PS3, Sega Genesis, Xbox - Games, Accessories, Consoles [W] Venmo, PayPal

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Capcom Classics Collection Volume 2 - $13
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Warioware Smooth Moves - $22
Wii Sports - $22
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Wheel of Fortune - $6
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submitted by PhilsTriangle to GameSale [link] [comments]


2024.05.14 18:55 l_arlecchino Question about costume design for highly stylized characters, especially in SpongeBob

Was a theater kid growing up, but I obviously just starred in whatever musical my teachers were throwing on and never really got into them of my own accord. But I'm watching the SpongeBob musical for inspiration for a movie I'm filming this summer, and was very curious about the costume design in particular - which seems to have been driven by a "character-themed humans" philosophy. No one is "animal-colored". Plankton is just a puppet on the staff of a Plankton-themed supervillain. It's interesting because extremely stylized characters are clearly not an alien idea to theater; a passing Google search returns a bright green Shrek and Rafiki getting the full red/blue treatment. I can understand wanting to humanize your characters - I think I want to do that for my production this summer too, and there are some decisions that go above and beyond humanization that I still understand - like giving SpongeBob a yellow shirt rather than a white one so that he still is a "yellow character" despite having white skin. But there are others that I don't understand, and I guess what I'm trying to ask is if they are decisions that push the design closer to some sort of theater status quo (which obviously wouldn't ring familiar for me). Giving Mr. Krabs boxing gloves instead of crab claws - is that a theater thing? I would argue that, even if you're trying to humanize your characters, bald caps for Patrick and Squidward, rather than dyed hair, and maybe a headpiece for Mr. Krabs, would be better expressions of the characters' identities. But then I wonder how important those identities even really were to the producers - they seem to want to move away from them in small but meaningful ways in order to carve out their own, like by putting purple squares on Patrick's shorts instead of flowers, and making SpBob's pants plaid - or are these just other theater things? Thanks for any insight!
submitted by l_arlecchino to musicals [link] [comments]


2024.05.14 05:53 Bluigis_mansion SpongeBob themed kfc in Mexico

SpongeBob themed kfc in Mexico
I think
submitted by Bluigis_mansion to spongebob [link] [comments]


2024.05.14 03:25 shaneka69 SPONGEBOB SQUAREPANTS NUMEROLOGY DECODE

SPONGEBOB SQUAREPANTS NUMEROLOGY DECODE

Since we all know exactly who and what Spongebob is, I am going to do a Numerology decode.
When it comes to Numerology, there are many different things you can look into. I am going to look into the letters, patterns, and Numerology personality numbers.
SPONGEBOB has a personality #6. 6 is the number of compassion, work ethic, criticism, cleanliness, and productivity. In the funny show, we see that Spongebob is a workaholic. He has a 5 destiny number which shapes who you are overall. 5 is connected to youthfulness which explains the silliness of the Spongebob character. He is always laughing and doing things funny. The 5 energy indicates this. 5 also points to people, places, and things that are unique. He has an 8 soul urge which explains his undying ambition and creativity.
We can see that SPONGEBOB has 2 O's which has the numeric energy of 15 and numeric value of 6. 15 is the creative use of energy for productivity. Again, 6 is the number of routine, work ethic and productivity goes with this. This energy is not only his personality number, but also it is within his name. It's really in him.
SPONGEBOB HAS DOUBLE NUMERIC VALUES IN HIS NAME WHICH ARE, 7,6,5, AND 2. This explains why he is able to show his emotions and have moments of sensitivity(2). Very compassionate(2) but also childish and silly(5) and able to come up with plans that work(7). Since these #s has double influence, we must considered what they equal. 7 twice equals 14/5 which shows how he is responsible and can make work fun even though it is a duty(6). 6 twice equals 12/3 which shows his social skills, life, and creativity. Another youthful energy as well. 5 twice equals 10/1 which points to his bravery and capability to take action. 2 twice equals 4 which is home,family,responsibility, and structure on the home front and he would make everyone feel comfortable for the most part.
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submitted by shaneka69 to NumerologyPage [link] [comments]


2024.05.14 03:02 FARTSNIFFER9051 Why Oogie Boogie vs Alastor still holds up 3: Shitty debunks never die

Why Oogie Boogie vs Alastor still holds up 3: Shitty debunks never die
Wow, thank you so much Dependent Ad for this completely pointless and repetitive debunk! I'm getting sick of this so let's get it over with. This is like the third one, sorry if my points are redundant but this debunk itself is redundant.
“Both are sadistic, power-hungry, charismatic and man-eating villains from animated media who have a 1930s aesthetic (Oogie Boogie is based on Cab Calloway. Who was at the height of his popularity in the 1930s; Alastor was alive around the time period and was a radio host).”
The first bit about their personalities is fine, it’s not particularly wrong, just a bit generic. That being said, the 1930s aesthetic is a pretty big stretch on Oogies end given it’s entirely based on inspiration and very little to do with Oogies character. Nothing to do with his looks, mannerism, or presentation screams 1930s. This is comparing someone loosely based on someone from the 1930s to someone dying in the 1930s. Granted, this isn’t a super important connection that keeps the MU afloat so it’s not a big deal but still not a great start.
-Fair enough then
“Both exist in magical alternate dimensions from ours filled with creepy creatures and people (Halloween Town; Hell).”
Firstly of all, what person is in hell? There’s not a single one and I only bring this up because you actually specified. Second, comparing Halloween Town to actual hell is kinda funny. Yes, both are dimensions with monsters, but that’s where the similarities end. Halloween town is a place that’s made to uphold Halloween and keep the holiday afloat. Hell on the other hand is a barely functioning society that was made by accident and is now used to punish sinners for all of eternity. Also halloween town isn’t an alternate version of our world, nothing about it is similar aside from having a community.
-Nitpick much? What do you fucking want me to say? “They live in creepy alternate dimensions with the citizens having contrasting behavior”. Oh wait, you complain about me pointing out the differences in the connections anyway. So I guess it's just a fucking lose-lose for me am I right?
“Both are animal-like creatures (Oogie Boogie is a talking sack of bugs; Alastor is a deer dude).”
Not entirely wrong. Oogie is an actual sack of bugs while Al is more demon then deer but the connection still stands, it’s just kinda boring and not entirely true.
-Fair enough
“While they are intimidating and powerful they still have minions to help them, whether they want to serve them or not (Lock, Shock and Barrel are known as "Oogie's Boys". They're incredibly loyal to Oogie Boogie; Husk and Niffty souls are both owned by Alastor. And because of that Husk genuinely despises Alastor).”
Ummmm, what? You’re comparing kids that follow oogie boogie around and do his dirty work, to what can be described as Alastors slaves. Ignoring that Alastor has actual summons that fit Oogies boys better, this isn’t a connection that goes further then “they have underlings” and even then that’s a stretch. It’s not even like it’s that good of a contrast given that, again, it’s kids who like oogie vs actual slaves.
-What summons apparently Oogie's Boys better? Also I don't see how they're not similar in concept.
“Both before the events of the main story they tried obtaining high social power, with one failing while the other succeeded (Oogie Boogie tried taking over Halloween Town and mix it with his own bug themed holiday, turning it into Crawloween, but failed; Alastor when he was sent to hell started killing off the Other Overlords until he reached the top and became the strongest Overlord in Hell).
Why is this framed as a connection when it’s a contrast? One that’s fine on paper, until you get into the finer details of their worlds. Oogie wanted to rule over halloween town, which would basically give him full control over the holiday of halloween. Alastor on the other hand wanted to be the strongest OVERLORD in hell. This is important cause in the grand scheme of things, an Overlord is not super powerful in hell. It’s the strongest a sinner can get but they’re like mid tiers. Alastor also isn’t the strongest overlord, with Zestial and Carmine being the strongest with it being implied him and vox are about even. It is never stated that Alastor is the strongest overlord, but that he got into a position of power very quickly. In political terms, it’s comparing Oogie wanting to be president to Alastor wanting to be a CEO, which isn’t a bad comparison but falls apart when you look at it just a little closer.
-Pretty nitpicky point to make since while the roles they're trying to get are different they're still doing the same fucking thing. Isn't that what fucking matters?
“Both became infamous in these dimensions because of this, but whether willingly or not they started to lie low (Oogie Boogie was banished from Halloween Town and so lives in the outskirts of it; Alastor after murdering every Overlord completely disappeared from the public scene for [as of now] unknown reasons).”
Ah yes, being run out of town and being banished vs basically taking a vacation. Now I’ll be nice here, lets assume that the popular theory that Alastor was lilith's lap dog for the 7 years he was gone, seeing that’s the most popular theory as of right now. It would now be Oogie being run out vs Alastor being a slave in a different dimension. Is it better? Kinda. Is it good? No not at all. And keep in mind, this is me being nice and going with the popular theory of where Al was, meaning even if it was spot on true it would STILL need to be taken with a grain of salt because it is a theory. At best, it’s a comparison thats relies on a theory to stay afloat. At worst, a shit comparison thats barely comparable.
-How? They're both leaving town and the public scene! It's the fucking same in concept.
“Both ended up showing back up when the kind hearted but naïve ruler protagonists of these worlds needed help with their plans (Jack Skellington when he got Oogie Boogie's minions Lock, Shot and Barrel to kidnap Santa Claus; Charlie Morningstar when she needed up to get the Happy Hotel up and running).”
Oogie doesn’t even show up, like at all. Not once does Oogie ever actually directly help Jack. The very first time they meet in the movie they try to kill each other. Meanwhile Alastor is one of Charlies closet friends, does everything for her, and is acting more like the cool step dad that tries to replace her real dad. Once again, that’s barely comparable.
-He controls Lock, Shock and Barrel and tells them what to do
“[IDK if I should or shouldn't remove this connection, but] Both ended up betraying the protagonists (Lock, Shot and Barrel sending Santa Claus to Oogie Boogie's lair even though they promised to not involve Oogie Boogie in Jack's plan; Hazbin Hotel hasn't gotten there yet but Viv has said that Alastor will betray Charlie).”
I’m not gonna bring up the fact that this uses something that hasn’t happened yet, my alastor MU does the same thing and it does say that it has not happened yet. No, what I’m going to bring up is that viv never said anything about Alastor eventually betraying Charlie. Yes anyone with the slightest bit of foresight knows he 100% will betray her but viv has never confirmed it.
-Fair enough
Ending Thoughts:
As you can tell, none of these connections work well and all of them have at least something wrong with them. They’re at best stretched and at worst flat out wrong. But Connections aren’t everything, so let’s move onto the fight potential.
-In conclusion literally everything I fucking said in the last rebunk applies here and I'm sick of this shit. What the fuck was even the point of this Debunk? Do you have a hate boner for Oogielastor so much you just had to create this?
Fight Potential: Lets look at Alastor's kit first:
Alastor has quite a bit, we haven’t seen everything he can do but we’ve seen that hes a very skilled fighter, being able to work from most ranges but generally likes to keep distance with this minions and tentacles. He also has portal creation, size changing, and fire manipulation. He has an overall fencer style of fighting, opting to bait and punish if he can’t simply just overpower who he’s fighting. Now lets look at what oogie has
Oogie has…fists. And can throw some pumpkins. He also has a shadow, that can also throw pumpkins. And ghosts that do nothing. And can grow big.
-I'll give you that
Ok so one thing I think people don’t understand is everything Oogie can do is very limited given how he’s far more of a trap character with his house having his more interesting shit. Only problem is that there is absolutely NO way the fight could realistically take place there. Alastor is stuck in hell, and has no way to get out. Yes there are ways to leave hell, Lucifer and I.M.P. have shown this but alastor has no way to do so. Oogie meanwhile can’t go to hell, and even if he does go to hell after he dies, well then he just doesn’t have his shit cause they’re in halloween town.
-You act like this issue doesn't apply to every fucking Alastor MU. Have you heard of this new concept DB totally hasn't done before called creative goddamn liberties?
So this would have to take place in a random place where oogie wouldn’t get his traps, so what are we left with? A sack of bugs that can punch, grow in size, and throw pumpkins. Riving I know. And that kaiju fight everyone talks about I doubt would even happen.
-If your big deal is that Oogie Boogie doesn't directly have reality warping magic I think you're surely mistaken https://youtu.be/p2aGTiIjFqk?si=U-Rw_MO7Q6M7TxLm I know it's a fucking commercial before you say anything but DB literally used GBA games for Scooby Doo so don't act like that. Idk how to describe it what I'm trying to say but you can bullshit up Oogie Boogie's abilities since FUCKING DB HAS DONE IT FOR THE SAKE OF ANIMATION POTENTIAL!!!!
Yes, they can grow in size, but Al almost never does. He did so to threaten vox, and against the loan sharks to prove a point. You want to know what he would do? Summon a fuck load of tenticals to just rip oogie apart. Which brings me to the next point.
-Oh yeah, Alastor totally wouldn't do that and want you said is true and accurate based off one fucking scene. And the debate totally reflects how the fight would go down. Omniman vs Homelander & SF Aquaman vs SpongeBob totally don't show that AP isn't affected by the debate.
Debate: So the numbers for alastor are very skewed but lets go ahead and use his lowest end, Town Level and Hypersonic. Keep in mind this is Alastors absolute lowest end. Oogie on the other hand is…Wall Level and Superhuman. No matter what, Alastor fucking SLAUGHTERS. Now I have heard that this includes Kingdom Hearts Oogie, so lets look at that. For this lets use Alastor's absolute highest end and say that it’s true. It’s not but lets say it is just this one time: Planet and 4000c (MFTL+). Anyway oogie is Multi and IMM in speed. No matter what, it’s a complete stomp with the only “““Debate””” being if oogie would get kingdom hearts scaling.
-Why are you even bringing this up? It's a matter of person if a stomp affects their enjoyment of a MU. This isn't some objective issue so what was the point other than you not having anything original to say?
In conclusion I hope someone will actually fucking read this shit instead of ignoring it and making another pointless Oogielastor debunk. Bye
submitted by FARTSNIFFER9051 to DeathBattleMatchups [link] [comments]


2024.05.12 18:53 IUsedToBeRasAlGhul Unpopular Opinion: Godzilla Earth isn’t actually good or just wasted, he sucks as much as the rest of the anime trilogy

Unpopular Opinion: Godzilla Earth isn’t actually good or just wasted, he sucks as much as the rest of the anime trilogy
A lot of the time when the anime movies come up, I’ll usually see people praising its incarnation of Godzilla, even those that shit on the rest of the movies. Now I can get behind hyping up Big G in all his appearances, because it’s motherfucking Godzilla. Bro’s a giant dinosaur that fucks shit up with his atomic breath, and will either be delivering the most soul-crushing terror you’ve ever felt or having you cheer on as he supplexes another giant creature. But I’ve decided I’m done toeing the line, and I’m just gonna come out and say it: Godzilla Earth isn’t a standout of the anime trilogy to me. He’s not one of the better parts of the movies, he’s not being wasted in the films (at least as he is), he’s not a cool new idea for a version of Godzilla, he’s just as much absolute garbage as the rest of his source material.
Let’s start with a basic summary: Godzilla Earth is the main version of Godzilla that features in the Netflix/Polygon Pictures anime trilogy of films. This Godzilla has a unique origin as being a plant-like organism, the “end result of natural selection on Earth” that has adapted the best traits of many other creatures on Earth through horizontal gene transfer. To put it another way: he’s like Ultimate Lifeform Kars from JoJo’s Bizarre Adventure, but just naturally came out that way, is a kaiju instead of a human looking dude, and has no effective representation of that.
Godzilla first appeared in-universe in 2030, after humanity had been dealing with decades of kaiju attacks. Godzilla, as Godzilla is wont to do, quickly established himself as the baddest bitch around by systematically annihilating all life he came across, from humanity to the other kaiju. Nothing that anyone threw at him, even when the aliens showed up to try and fail with MechaGodzilla, did anything at all. By 2045, Godzilla had so thoroughly dominated the planet that the United Earth organization (composed of humanity and the two shitty, weirdly human alien species that showed up) could only try to launch a space colonization project and abandon Earth to Godzilla to survive. Godzilla reigned supreme, and spent the next 20,000 years terraforming Earth to become his domain, which included growing to be 300 meters tall, having a random mini-clone be created from cells of his that split off in the form of Godzilla Fillius, and then other small creatures known as Servum.
Now that we’ve covered the basic history of Godzilla Earth, let’s address the elephant in the room: from top to bottom, he’s a total fucking loser. Zilla arguably has more going for him than this guy, and I don’t mean the thundercock gigachad animated son there, I’m talking about the shitty CGI one from the movie.
First off, there’s the design. Godzilla Earth has a new origin unlike any other Godzilla, as stated above, by being an entirely natural plant-based organism that has evolved to represent the pinnacle of life on Earth. Sounds pretty cool, right? You would imagine then, that this Godzilla would have a new, creative design that reflects this origin well, while still being recognizably Godzilla, right? Nope, it’s just a crappy reskin of Monsterverse Godzilla. You could tell me that the anime’s design came from one of those achievement award skins in a video game based off the Monsterverse, and I would genuinely believe you. At best, the spines more closely resemble leaves then the irregular dorsal patterns, but man, that shit is weak. What’s worse is that the film’s concept art shows the designers played around with Godzilla’s features to represent different animals as the endpoint of Earth-based life, but decided to go with the most boring option possible. The models from the art style of the trilogy certainly didn’t do this guy any favors either…
It’s insane to me how badly this bungles what should be an easy layup. In the medium of animation, where the sky's the limit on what you can be doing, and in a story that gives care blanche to work with, Godzilla Earth somehow comes out as the most soulless and bland version of itself it can possibly be. Nothing about this design meaningfully expresses to me what this version of the G-Man is about whatsoever. Look at the other Reiwa’s: Monsterverse Godzilla looks like what it’s supposed to be, a version of Godzilla that naturally existed as a giant prehistoric animal. Shin Godzilla looks like what it’s supposed to be, a reinvention of the original’s concept of a creature terribly burned by radiation. Minus One Godzilla looks like what it’s supposed to be, a dinosaur that has been forcibly mutated by the atomic bomb and modern update to the iconic Showa/Heisei design. What’s the takeaway from Godzilla Earth? That you shouldn’t expect creativity or anything compelling from these movies?
What really gets me here is that while not the exact same, the creators of the trilogy did have a possible inspiration that was sitting right there for them to use: Biollante, one of the most popular kaiju of the franchise. On a visual level, Biollante’s two forms almost perfectly represent the origins of this creature and the themes behind it: a rose that has been mutated by Godzilla’s cells that has become a monstrous creature in its own right, a cautionary tale of what genetic engineering could lead to just as Godzilla himself was a metaphor for the atomic bomb. Obviously, it would be foolish to just try to replicate Biollante, but the point is that we’ve already seen how well a plant kaiju can potentially work out in this very franchise. Yet apparently, that’s too tall of an order for the anime trilogy, I guess.
Then there’s how Godzilla Earth actually interacts with the world around it. Again, in the medium of animation, many of the normal potential issues with making a movie or series with Godzilla go away: you don’t need to worry about the stilted or artificial nature of suit movement, nor do you need to worry about how the CGI will come out in live-action. The balls have been removed from your jaws to go to your court for you to dunk as you please. But as usual, the anime trilogy goes down the most painful route possible by having Godzilla Earth…just fucking stand there the whole time.
I’m not fucking around here, the Spongebob meme is entirely an accurate description of the range of Godzilla Earth’s movement. This bitch spends almost all of his screen time just sitting on his ass, barely moving around with the slightest waddle whenever the film decides there should be a paltry effort at action or to break up the terrible plot. I have seen newborn infants with more well-defined and fast-paced ranges of motion than this colossal tub of dirt. Godzilla Earth could never touch any version of Kong solely by how they’d be tapdancing around him like nobody’s business and take all the time they’d like climbing on him and taking potshots without fear of reprisal. It’s most blatant when the final film is insulting the collective intelligence of the audience by pretending Godzilla and Ghidorah are “fighting” when Ghidorah’s wormy little heads are biting Godzilla, and Big G is just floating in the air like he’s a stiff action figure being held up by a toddler while releasing the mild groans of discomfort of a middle-aged father on the verge of developing IBS.
I’m not saying the guy needs to have the acrobatic agility of the Showa era or the power walk of Heisei’s, but come the fuck on. Give us something to work with here. To again give comparisons: MV Godzilla’s movements are based upon how actual animals like bears fight (and as of GxK, wrestlers), reflecting its origins as a gigantic animal that’s part of the ecosystem of the world like any other. Shin Godzilla is awkwardly shuffling around and colliding with shit in its path (still more dynamic than Earth btw), because it’s a creature in a state of constant mutation and pain with no real awareness of the world around it. -1 Godzilla is deliberately seeking to cause as much damage to humans, and forced to be much more stiff from its radioactive burns compared to the natural movements we saw on Odo Island. But Godzilla Earth clearly was made on a shoestring budget by digital artists suffering under the cruel hand of Ellen Degeneres-esque directors.
It also doesn’t help that this dude has pretty much nothing going for him in terms of actual showings. Now sure, a lot of the abilities Godzilla Earth has sounds impressive on-paper: being the tallest Godzilla by far. Basically having his own A.T-Field with some electromagnetism thing. An incredibly powerful and precise Atomic Breath that can punch through the atmosphere. Charging up a roar that can generate a massive shockwave cone. Creating a plasma shockwave simply by moving his tail at MACH 3-4 speed with a 600 meter range. Even his own self-generated Burning Mode, that can go up to 3000 degrees Celsius. All of that sounds pretty cool, right?
But from the combination of how utterly immobile Godzilla Earth himself is, the lack of any compelling action sequences, and the exceptionally poor writing of the trilogy, all of that goes to waste. Godzilla Earth spends the majority of his screen time doing absolutely nothing at all, and otherwise performing what abilities he has that require him to be non-sedentary (hint: not many) at a glacial speed. It’s not like that glacial speed is one of the examples of giving the kaiju a sense of scale and weight either, the fucker is just a goddamn steamroller.
Nothing Godzilla Earth does feels like it has any real weight or power behind it, both because the story is so weak and the kaiju himself just is doing buttfuck all. Look at how Godzilla moves around Japan in the original movie, Shin or Minus, and how terrifying and awesome all of the destruction is. Because even if those are much smaller Godzillas that are constrained by the live-action medium for their time, they still feel much more powerful and dynamic because the movie actually lets them be doing shit. Or in Heisei, Millenium, and Monsterverse, where Godzilla is beating the shit out of other monsters-again, much smaller and limited by their medium, but they feel far more powerful because they’re in a movie that was made to actually give them a sense of power and might.
The closest Godzilla Earth gets to any kind of real display of power like its other incarnations is at the end of the first movie, where the humans are realizing Godzilla Fillius was just a branch off from the original. Here, we see him decimating the surviving forces as they try to escape, displaying an incredible degree of power in his destruction as the biggest Godzilla yet, with Haruo impotently screaming like the little bitch he is. Yet even that barely compares to any other action sequence in the franchise, because A.) nobody gives a single fuck about these characters to feel anything for them being attacked, B.) Godzilla Earth himself basically came out of nowhere with little to no real foreshadowing as the movie has framed Godzilla Fillius as the “true” Godzilla the whole time, C.) the setting is just a bunch of fauna that Big G is towering over which limits the ability to convey the power behind his actions compared to cities, and D.) all of the above points regarding how lame Godzilla Earth is I’ve been talking about. Then you remember this is the best showing the guy gets in this nihilistic edgepiece of a trilogy, and you realize it’s all just a deeper and deeper wellspring of shit. Doesn’t help that this scene just has some wannabe-Death Note choral music instead of the proper Godzilla theme.
So yeah, Godzilla Earth is a total loser from the perspective of being a Godzilla, or just a kaiju in general. Now let’s talk about why he sucks in the story.
In the hilariously bleak plot of the anime trilogy, Godzilla is framed as a sort of “natural punishment” for humanity, as a natural blowback to all of the shitty things humans have done to the planet and each other. It’s suggested that this happens to all civilizations one way or another, with the albino-human-aliens having Ghidorah as their version, and the dark-skinned-human-aliens having…well it’s never actually said, since the films are totally uninterested in them in any meaningful way, but MechaGodzilla seems to be their current one. The only way to survive in the face of these destroyers is to basically give up and accept it, and begin worshiping giant moth eggs.
Now, there’s a lot of pretty blatant problems with this, but let’s focus on Godzilla Earth for a moment. If we follow the thematic idea of him as a form of punishment from the Earth itself towards humanity, it stands to reason then there would be a starting point, right? That this character, who originated as a symbol of the horrors of nuclear weaponry that Japan faced, and since evolved to represent different aspects of the darkness that humanity holds, would have an equivalent origin or starting point to his rampage?
Well fuck you if your answer to the above was “yes”, because that’s not what happens. Godzilla Earth, for all intents and purposes of the anime trilogy, is just a random plant that grew up to teabag humanity and take over the world. There’s no actual origin given for how Godzilla Earth became what it did that actually connects it to being the end result of the waste and folly of humanity that emerged as part of the natural order of things. Godzilla is just a really fucking big plant in this continuity, and not, you know a terrible victim of humans destructive tendencies like say, a nuke getting dropped on him. I guess because that would be thematically coherent and fit into the lore of the franchise.
Within the trilogy itself, Godzilla serves as pretty much nothing but a plot device for the story to move on at certain points. While you could argue that this has been a common role for Godzilla in previous films if you want to use whataboutism, Earth goes the extra step of blatantly existing only for that given how little he does in the story.
The most action Godzilla Earth performs in his story-appearing amid other kaiju and slowly overwhelming them and humanity-happens in the prologue of the first movie as the setup for the trilogy. What could have been a trilogy in its own right (that almost certainly would actually have something to do) is relegated to the starting point of the series and never comes even close to doing anything comparable. The entire first movie is centered around the humans being focused on his off-spring, with no real foreshadowing of Earth himself being around until right before his reveal.
The next two movies just have him, again, passively standing around and occasionally lumbering a bit when the movies want to pretend there’s action going on. The dude literally just waits for when the plot needs him to be doing something. If the human characters actually had anything resembling a good story, or there were other monsters around for them to fight in the interim that acted as other offshoots of Godzilla Earth, this might not be such an issue. But as it is? Absolute fucking L of a Godzilla. You can point to shit like 98 and All Monsters Attack as some of the worst showings for Godzilla there is, and they’re still better than Earth by virtue of actually fucking doing stuff.
Taking it a step further, the thematic narrative around this Godzilla actively falls apart when we properly look at the story of the anime trilogy. Godzilla Earth isn’t just some neutral force like in the Monsterverse that’s just doing his own thing without giving a fuck about if the ants below him decide to start shit that ends with them accidentally getting stomped on. The literal premise of the trilogy is that this version of Godzilla already systematically eradicated all of human civilization and every other kaiju around, including benevolent ones like Mothra. He’s only chill in the movies because he succeeded in annihilating nearly all other forms of life a while back.
This is an actively malevolent force that succeeded in destroying everything around it and terraformed the planet so that it was the source of all life. Even the Mothra tribe has to just hide out, and can never actually advance or grow as a civilization beyond being a vaguely orientalist stereotype of cave dwellers whose women still are conventionally attractive waifu even after 20,000 years of evolving to be moth hybrids, without risking Godzilla Earth killing them. Yet I’m supposed to believe that the humans wanting to come back and live on Earth again are in the wrong?
Now sure, Haruo being in the wrong I can buy, because he’s a selfish douchebag obsessed with himself and completely unable to move on from anything at all. But the rest of humanity? They can’t actually want to come back to the home planet that many of them spent most of their lives on, want to get revenge and kill the creature that forced them away as it destroyed everything, or even just want to use technology instead of worshiping Moth? You can’t simultaneously have Godzilla having completely destroyed humanity and all life on the planet that’s not him and is willing to do so again, have him be taking care of planet-wiping threats as the humans reluctantly assist him, and then be this neutral force representing the Earth itself as it changes and evolves. To quote a guy I know, who basically summarized the plot of the movies:
I think the Godzilla Earth movies kind of play out like a movie deep in the texan wilderness where a fat redneck with an enormous shotgun has shot up a whole town and the survivors came back to avenge their parents, but then they have to fight sillicon valleys people looking to demolish the town to build like a big swimming pool, and then religious extremists, and they need to save the redneck so that he can do it
I can’t think of any other Godzilla movie that has actively encouraged the audience to think humanity is wrong to not want to be destroyed by a giant radioactive dinosaur or live in fear of it. Even in the films that most directly paint Godzilla as the consequences of the actions of humans, the message is always one of self-awareness and learning to be better, not just rolling over to get destroyed or giving up on all of civilization as you know it to live in caves. Why the hell should I give a shit about what’s going on here, exactly?
To sum it up, Godzilla Earth is just as much of a dumpster fire as the movies he’s in. His design sucks ass. His movement and sense of scale are as lifeless as possible. His powers are presented in the most boring way imaginable and his size is validation for people who think Godzilla should only be around 50-80 meters at max. Any thematic value or message he’s supposed to have is completely at whack with the story he’s given and placed in. This dude isn’t the bright spot or redeeming feature, he’s just as much of a disappointing piece of trash as everything around him.
TL;DR: Zilla might have lost the battle for live-action Godzilla’s, but his son won the war in the animation front of the franchise, holy shit.
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2024.05.12 18:48 IUsedToBeRasAlGhul [Netflix Anime] Godzilla Earth sucks as much ass as the rest of the anime trilogy

A lot of the time when the anime movies come up, I’ll usually see people praising its incarnation of Godzilla, even those that shit on the rest of the movies. Now I can get behind hyping up Big G in all his appearances, because it’s motherfucking Godzilla. Bro’s a giant dinosaur that fucks shit up with his atomic breath, and will either be delivering the most soul-crushing terror you’ve ever felt or having you cheer on as he supplexes another giant creature. But I’ve decided I’m done toeing the line, and I’m just gonna come out and say it: Godzilla Earth isn’t a standout of the anime trilogy to me. He’s not one of the better parts of the movies, he’s not being wasted in the films (at least as he is), he’s not a cool new idea for a version of Godzilla, he’s just as much absolute garbage as the rest of his source material.
Let’s start with a basic summary: Godzilla Earth is the main version of Godzilla that features in the Netflix/Polygon Pictures anime trilogy of films. This Godzilla has a unique origin as being a plant-like organism, the “end result of natural selection on Earth” that has adapted the best traits of many other creatures on Earth through horizontal gene transfer. To put it another way: he’s like Ultimate Lifeform Kars from JoJo’s Bizarre Adventure, but just naturally came out that way, is a kaiju instead of a human looking dude, and has no effective representation of that.
Godzilla first appeared in-universe in 2030, after humanity had been dealing with decades of kaiju attacks. Godzilla, as Godzilla is wont to do, quickly established himself as the baddest bitch around by systematically annihilating all life he came across, from humanity to the other kaiju. Nothing that anyone threw at him, even when the aliens showed up to try and fail with MechaGodzilla, did anything at all. By 2045, Godzilla had so thoroughly dominated the planet that the United Earth organization (composed of humanity and the two shitty, weirdly human alien species that showed up) could only try to launch a space colonization project and abandon Earth to Godzilla to survive. Godzilla reigned supreme, and spent the next 20,000 years terraforming Earth to become his domain, which included growing to be 300 meters tall, having a random mini-clone be created from cells of his that split off in the form of Godzilla Fillius, and then other small creatures known as Servum.
Now that we’ve covered the basic history of Godzilla Earth, let’s address the elephant in the room: from top to bottom, he’s a total fucking loser. Zilla arguably has more going for him than this guy, and I don’t mean the thundercock gigachad animated son there, I’m talking about the shitty CGI one from the movie.
First off, there’s the design. Godzilla Earth has a new origin unlike any other Godzilla, as stated above, by being an entirely natural plant-based organism that has evolved to represent the pinnacle of life on Earth. Sounds pretty cool, right? You would imagine then, that this Godzilla would have a new, creative design that reflects this origin well, while still being recognizably Godzilla, right? Nope, it’s just a crappy reskin of Monsterverse Godzilla. You could tell me that the anime’s design came from one of those achievement award skins in a video game based off the Monsterverse, and I would genuinely believe you. At best, the spines more closely resemble leaves then the irregular dorsal patterns, but man, that shit is weak. What’s worse is that the film’s concept art shows the designers played around with Godzilla’s features to represent different animals as the endpoint of Earth-based life, but decided to go with the most boring option possible. The models from the art style of the trilogy certainly didn’t do this guy any favors either…
It’s insane to me how badly this bungles what should be an easy layup. In the medium of animation, where the sky's the limit on what you can be doing, and in a story that gives care blanche to work with, Godzilla Earth somehow comes out as the most soulless and bland version of itself it can possibly be. Nothing about this design meaningfully expresses to me what this version of the G-Man is about whatsoever. Look at the other Reiwa’s: Monsterverse Godzilla looks like what it’s supposed to be, a version of Godzilla that naturally existed as a giant prehistoric animal. Shin Godzilla looks like what it’s supposed to be, a reinvention of the original’s concept of a creature terribly burned by radiation. Minus One Godzilla looks like what it’s supposed to be, a dinosaur that has been forcibly mutated by the atomic bomb and modern update to the iconic Showa/Heisei design. What’s the takeaway from Godzilla Earth? That you shouldn’t expect creativity or anything compelling from these movies?
What really gets me here is that while not the exact same, the creators of the trilogy did have a possible inspiration that was sitting right there for them to use: Biollante, one of the most popular kaiju of the franchise. On a visual level, Biollante’s two forms almost perfectly represent the origins of this creature and the themes behind it: a rose that has been mutated by Godzilla’s cells that has become a monstrous creature in its own right, a cautionary tale of what genetic engineering could lead to just as Godzilla himself was a metaphor for the atomic bomb. Obviously, it would be foolish to just try to replicate Biollante, but the point is that we’ve already seen how well a plant kaiju can potentially work out in this very franchise. Yet apparently, that’s too tall of an order for the anime trilogy, I guess.
Then there’s how Godzilla Earth actually interacts with the world around it. Again, in the medium of animation, many of the normal potential issues with making a movie or series with Godzilla go away: you don’t need to worry about the stilted or artificial nature of suit movement, nor do you need to worry about how the CGI will come out in live-action. The balls have been removed from your jaws to go to your court for you to dunk as you please. But as usual, the anime trilogy goes down the most painful route possible by having Godzilla Earth…just fucking stand there the whole time.
I’m not fucking around here, the Spongebob meme is entirely an accurate description of the range of Godzilla Earth’s movement. This bitch spends almost all of his screen time just sitting on his ass, barely moving around with the slightest waddle whenever the film decides there should be a paltry effort at action or to break up the terrible plot. I have seen newborn infants with more well-defined and fast-paced ranges of motion than this colossal tub of dirt. Godzilla Earth could never touch any version of Kong solely by how they’d be tapdancing around him like nobody’s business and take all the time they’d like climbing on him and taking potshots without fear of reprisal. It’s most blatant when the final film is insulting the collective intelligence of the audience by pretending Godzilla and Ghidorah are “fighting” when Ghidorah’s wormy little heads are biting Godzilla, and Big G is just floating in the air like he’s a stiff action figure being held up by a toddler while releasing the mild groans of discomfort of a middle-aged father on the verge of developing IBS.
I’m not saying the guy needs to have the acrobatic agility of the Showa era or the power walk of Heisei’s, but come the fuck on. Give us something to work with here. To again give comparisons: MV Godzilla’s movements are based upon how actual animals like bears fight (and as of GxK, wrestlers), reflecting its origins as a gigantic animal that’s part of the ecosystem of the world like any other. Shin Godzilla is awkwardly shuffling around and colliding with shit in its path (still more dynamic than Earth btw), because it’s a creature in a state of constant mutation and pain with no real awareness of the world around it. -1 Godzilla is deliberately seeking to cause as much damage to humans, and forced to be much more stiff from its radioactive burns compared to the natural movements we saw on Odo Island. But Godzilla Earth clearly was made on a shoestring budget by digital artists suffering under the cruel hand of Ellen Degeneres-esque directors.
It also doesn’t help that this dude has pretty much nothing going for him in terms of actual showings. Now sure, a lot of the abilities Godzilla Earth has sounds impressive on-paper: being the tallest Godzilla by far. Basically having his own A.T-Field with some electromagnetism thing. An incredibly powerful and precise Atomic Breath that can punch through the atmosphere. Charging up a roar that can generate a massive shockwave cone. Creating a plasma shockwave simply by moving his tail at MACH 3-4 speed with a 600 meter range. Even his own self-generated Burning Mode, that can go up to 3000 degrees Celsius. All of that sounds pretty cool, right?
But from the combination of how utterly immobile Godzilla Earth himself is, the lack of any compelling action sequences, and the exceptionally poor writing of the trilogy, all of that goes to waste. Godzilla Earth spends the majority of his screen time doing absolutely nothing at all, and otherwise performing what abilities he has that require him to be non-sedentary (hint: not many) at a glacial speed. It’s not like that glacial speed is one of the examples of giving the kaiju a sense of scale and weight either, the fucker is just a goddamn steamroller.
Nothing Godzilla Earth does feels like it has any real weight or power behind it, both because the story is so weak and the kaiju himself just is doing buttfuck all. Look at how Godzilla moves around Japan in the original movie, Shin or Minus, and how terrifying and awesome all of the destruction is. Because even if those are much smaller Godzillas that are constrained by the live-action medium for their time, they still feel much more powerful and dynamic because the movie actually lets them be doing shit. Or in Heisei, Millenium, and Monsterverse, where Godzilla is beating the shit out of other monsters-again, much smaller and limited by their medium, but they feel far more powerful because they’re in a movie that was made to actually give them a sense of power and might.
The closest Godzilla Earth gets to any kind of real display of power like its other incarnations is at the end of the first movie, where the humans are realizing Godzilla Fillius was just a branch off from the original. Here, we see him decimating the surviving forces as they try to escape, displaying an incredible degree of power in his destruction as the biggest Godzilla yet, with Haruo impotently screaming like the little bitch he is. Yet even that barely compares to any other action sequence in the franchise, because A.) nobody gives a single fuck about these characters to feel anything for them being attacked, B.) Godzilla Earth himself basically came out of nowhere with little to no real foreshadowing as the movie has framed Godzilla Fillius as the “true” Godzilla the whole time, C.) the setting is just a bunch of fauna that Big G is towering over which limits the ability to convey the power behind his actions compared to cities, and D.) all of the above points regarding how lame Godzilla Earth is I’ve been talking about. Then you remember this is the best showing the guy gets in this nihilistic edgepiece of a trilogy, and you realize it’s all just a deeper and deeper wellspring of shit. Doesn’t help that this scene just has some wannabe-Death Note choral music instead of the proper Godzilla theme.
So yeah, Godzilla Earth is a total loser from the perspective of being a Godzilla, or just a kaiju in general. Now let’s talk about why he sucks in the story.
In the hilariously bleak plot of the anime trilogy, Godzilla is framed as a sort of “natural punishment” for humanity, as a natural blowback to all of the shitty things humans have done to the planet and each other. It’s suggested that this happens to all civilizations one way or another, with the albino-human-aliens having Ghidorah as their version, and the dark-skinned-human-aliens having…well it’s never actually said, since the films are totally uninterested in them in any meaningful way, but MechaGodzilla seems to be their current one. The only way to survive in the face of these destroyers is to basically give up and accept it, and begin worshiping giant moth eggs.
Now, there’s a lot of pretty blatant problems with this, but let’s focus on Godzilla Earth for a moment. If we follow the thematic idea of him as a form of punishment from the Earth itself towards humanity, it stands to reason then there would be a starting point, right? That this character, who originated as a symbol of the horrors of nuclear weaponry that Japan faced, and since evolved to represent different aspects of the darkness that humanity holds, would have an equivalent origin or starting point to his rampage?
Well fuck you if your answer to the above was “yes”, because that’s not what happens. Godzilla Earth, for all intents and purposes of the anime trilogy, is just a random plant that grew up to teabag humanity and take over the world. There’s no actual origin given for how Godzilla Earth became what it did that actually connects it to being the end result of the waste and folly of humanity that emerged as part of the natural order of things. Godzilla is just a really fucking big plant in this continuity, and not, you know a terrible victim of humans destructive tendencies like say, a nuke getting dropped on him. I guess because that would be thematically coherent and fit into the lore of the franchise.
Within the trilogy itself, Godzilla serves as pretty much nothing but a plot device for the story to move on at certain points. While you could argue that this has been a common role for Godzilla in previous films if you want to use whataboutism, Earth goes the extra step of blatantly existing only for that given how little he does in the story.
The most action Godzilla Earth performs in his story-appearing amid other kaiju and slowly overwhelming them and humanity-happens in the prologue of the first movie as the setup for the trilogy. What could have been a trilogy in its own right (that almost certainly would actually have something to do) is relegated to the starting point of the series and never comes even close to doing anything comparable. The entire first movie is centered around the humans being focused on his off-spring, with no real foreshadowing of Earth himself being around until right before his reveal.
The next two movies just have him, again, passively standing around and occasionally lumbering a bit when the movies want to pretend there’s action going on. The dude literally just waits for when the plot needs him to be doing something. If the human characters actually had anything resembling a good story, or there were other monsters around for them to fight in the interim that acted as other offshoots of Godzilla Earth, this might not be such an issue. But as it is? Absolute fucking L of a Godzilla. You can point to shit like 98 and All Monsters Attack as some of the worst showings for Godzilla there is, and they’re still better than Earth by virtue of actually fucking doing stuff.
Taking it a step further, the thematic narrative around this Godzilla actively falls apart when we properly look at the story of the anime trilogy. Godzilla Earth isn’t just some neutral force like in the Monsterverse that’s just doing his own thing without giving a fuck about if the ants below him decide to start shit that ends with them accidentally getting stomped on. The literal premise of the trilogy is that this version of Godzilla already systematically eradicated all of human civilization and every other kaiju around, including benevolent ones like Mothra. He’s only chill in the movies because he succeeded in annihilating nearly all other forms of life a while back.
This is an actively malevolent force that succeeded in destroying everything around it and terraformed the planet so that it was the source of all life. Even the Mothra tribe has to just hide out, and can never actually advance or grow as a civilization beyond being a vaguely orientalist stereotype of cave dwellers whose women still are conventionally attractive waifu even after 20,000 years of evolving to be moth hybrids, without risking Godzilla Earth killing them. Yet I’m supposed to believe that the humans wanting to come back and live on Earth again are in the wrong?
Now sure, Haruo being in the wrong I can buy, because he’s a selfish douchebag obsessed with himself and completely unable to move on from anything at all. But the rest of humanity? They can’t actually want to come back to the home planet that many of them spent most of their lives on, want to get revenge and kill the creature that forced them away as it destroyed everything, or even just want to use technology instead of worshiping Moth? You can’t simultaneously have Godzilla having completely destroyed humanity and all life on the planet that’s not him and is willing to do so again, have him be taking care of planet-wiping threats as the humans reluctantly assist him, and then be this neutral force representing the Earth itself as it changes and evolves. To quote a guy I know, who basically summarized the plot of the movies:
I think the Godzilla Earth movies kind of play out like a movie deep in the texan wilderness where a fat redneck with an enormous shotgun has shot up a whole town and the survivors came back to avenge their parents, but then they have to fight sillicon valleys people looking to demolish the town to build like a big swimming pool, and then religious extremists, and they need to save the redneck so that he can do it
I can’t think of any other Godzilla movie that has actively encouraged the audience to think humanity is wrong to not want to be destroyed by a giant radioactive dinosaur or live in fear of it. Even in the films that most directly paint Godzilla as the consequences of the actions of humans, the message is always one of self-awareness and learning to be better, not just rolling over to get destroyed or giving up on all of civilization as you know it to live in caves. Why the hell should I give a shit about what’s going on here, exactly?
To sum it up, Godzilla Earth is just as much of a dumpster fire as the movies he’s in. His design sucks ass. His movement and sense of scale are as lifeless as possible. His powers are presented in the most boring way imaginable and his size is validation for people who think Godzilla should only be around 50-80 meters at max. Any thematic value or message he’s supposed to have is completely at whack with the story he’s given and placed in. This dude isn’t the bright spot or redeeming feature, he’s just as much of a disappointing piece of trash as everything around him.
TL;DR: Zilla might have lost the battle for live-action Godzilla’s, but his son won the war in the animation front of the franchise, holy shit.
submitted by IUsedToBeRasAlGhul to CharacterRant [link] [comments]


2024.05.12 07:42 kaifarukawa Xbox 360 - Custom Themes (Horizon Required)

I'm not quite sure if this is allowed, since you do need an external, but to me, trustworthy app called "Horizon" to install these and a USB stick or HDD, but I have made a select few themes for the Xbox 360 (mainly for myself since they are extremely random and some even nonsensical) but I have a google drive link to the themes that I have made:
https://drive.google.com/drive/folders/1JrSxOXWSJWD023vTvFF_H67b6SiTxI6W?usp=sharing
The themes available at the moment are:
Some themes are awful quality but mainly because I made these a while ago and chose poor images. I will make more themes over time and I might take requests for them in due time but these are the ones available now. Again, take in to account, you will need
And if I have used anybody's artwork in these themes and I have a lack of credits given, please let me know.
submitted by kaifarukawa to xbox360 [link] [comments]


2024.05.12 06:25 Jodiokujo Which concept or theme in SpongeBob do you wish was more expanded upon or would like to see a comeback?

Sorry if this is asked often.
submitted by Jodiokujo to spongebob [link] [comments]


2024.05.11 20:13 SuperBearNeo MU Debunks Are REALLY Corny...

Introduction

This is something I actually wanted to talk about for a while but with the recent series of dramas that keep arising due to users "debunking" matchups, I feel right now is a really good time to say that the very concept of an MU debunk is frankly just really corny and stupid man...
I get not liking a match-up and even making your dislike of the match known to people by explaining why you feel it doesn't work... However... When people start doing this and claiming that they've "debunked" an MU, that's where I begin to feel that it starts to become genuinely obnoxious, condescending and just plain self-centered
With all of this being said, I'm going to go more in-depth with that... So lemme explain to you why MU "debunks" are fundamentally stupid

MU Debunks Assume MU Quality Is Objective

Let's begin with the thing that needs to be said the most. Just because an MU gets "debunked" doesn't mean people can like it and objectively speaking, there's nothing wrong with liking MUs that are "debunked" because at the end of the day, there's no such thing as an objective bad or good MU on the basis that what qualities people look for in an MU is dependent on basis and what standards people have differ
The bottom line is for something to be "objective", it has to be something unchanging and independent of feeling or thoughts regarding said thing. In other words, it has to be universal and anything that derives from feeling and what you think is inherently and ironically is an objectively subjective in nature
So why do I bring this up ? Well, to put it bluntly. Who the hell cares if an MU gets "debunked" by something ? It doesn't change the fact that it's still that persons opinion as to why it works and it doesn't change the fact that you can still like it for other reasons that are different from the person who debunked it (or simply have different standards for what makes a quality MU)
The biggest question I have for people of this sub is why do folks act as if a MU Debunk means you can't like an MU ? I remember seeing a debunk on an MU that I unironically do enjoy, which was Sonic vs Dante and a bunch of other Sonic vs DMC MUs. After that debunk dropped, people started acting like the MU was bad or that it's not good to like that MU... My thing is who the hell cares ? The OP doesn't like the MU but doesn't mean you can't and there's nothing objectively wrong with liking the MU as I see a bunch of merit to it and would unironically like it if it happened
All in all, MU debunks make the presumption that MU quality has an objective element when it really doesn't and that liking MUs that objectively are the debunkers opinions is wrong, which is a foolish thing to abide by when you read it aloud...

MU Debunks Ignore Death Battle's Roots

The next thing I wanted to touch is and truth be told, this is something I've wanted to say for quite a while, is that people need to just stop acting as if Death Battle doesn't just do whatever they want. Like, I hope people realize that DB doesn't have any real rules when it comes to what constitutes as a good MU for them, right ? This should have been obvious to anyone who's followed Death Battle as a show for ages
What I mean by this is take a look at the earliest opposites and even some current episodes to be honest. You begin to notice that not all of them are really focused on solid connections or thematic dynamics as to what would be an interesting Death Battle and what would make for an intriguing episode for viewers to watch
The very first episode that Death Battle has done was literally on Samus Aran vs Boba Fett. Two characters who really don't have a whole lot of connections besides "Bounty Hunters" and really, when you look at Season 1, you begin to notice how a lot of these Death Battles are done with rather shallow connections or basic thematic in mind
Why is that ? That's because Death Battle has never really been focused on that element and this is where I get into talking about people who say "oh but Death Battle was just getting their feet wet, this obviously isn't true now", in which you'd still be absolutely wrong. Pulling from Season 10, the most recent season of Death Battle, you begin to notice the same trend not only appears but you also notice that these matches are some of the most popular of the season
Don't believe me ? Here are some examples of Season 10 matches that are barely thematic or have very loose connections:
I know there can be more to these MUs but what I'm doing is highlighting how basic the connections or themes are yet not only are they still Death Battles but they are some of the most liked episodes of the show. This is not really all that different from what Death Battle was doing in Season 1 when you wanna be factually honest
So why bring this all up ? It's the simple fact of the matter that the idea that a matchup has to be thematic or have good connections to be a good fight is simply not true but at the end of the day, Death Battle does not really give a shit about that as much as you think... At the end of the day, Death Battle is a show that focuses on entertainment.
Granted, good connections and themes can enhance that but that's not really the thing they are solely focused on... At least not like how the sub is and subsequently, not at all how like the debunkers of MUs are when it comes to supposed explaining why many Mus are "objectively" bad
Either way, the very concept of MU debunks just ignore the fundamental roots of Death Battle and completely neglect to mention that Death Battle just doesn't really care about that shit as much as they do, which makes it all the more obnoxious when they assert their opinions of an MU as factual

MU Debunks = Semantics & Nitpicky

Finally, we come to the biggest reason why I fundamentally find most, if not all MU debunks to be corny is how most of them just often devolve into straight up semantics or nitpicks about how certain connections are hyper-specific or something within that field, which I find to be not only not stupid on the basis that semantics isn't a refutation but on the fact it's just petty and dishonest
MU Debunkers will be the type of people to see a connection like "Both characters lost their parents" and say "ummm achtually, one character lost their parents to a car accident while the other had their parents executed... This means this is a bad connection"
Like bro... Come on now... It doesn't change the fact that the underlying and fundamental connection is still the exact same and that it works to tie the characters together. Now, I'm slightly exaggerating here when I use the example above but the bottom line is that this type of argumentation isn't really refuting anything and it's being nitpicky on the basis of trying to find elements that aren't exact and asserting that the lack of exactness equals bad
I'd argue that as long as the fundamental elements work, then the specifics shouldn't really matter all that much. If you can't tell, I'm a firm believer that connections and thematic don't really matter as much as opposed to just how enjoyable the MU could be or how much fun could be had if it was made into an episode.
I'd be the type of person to unironically see an MU like "Ichigo vs Luffy" and be like "yeah, I'd like to see an episode of that" out of the simple fact it's just a fun concept and in this particular case, it has some legacy and history to it due to Bleach and One Piece being apart of the "Big Three" as far as the largest and most influential anime as far as the late 90s and 2000s go.
All in all, I think people should just focus on fun and what could be enjoyable as a fight as opposed to connections and themes. Death Battle themselves focus on this as well, so I don't see a reason not to....

Conclusions

MU Debunks are corny and stupid... That is all
submitted by SuperBearNeo to DeathBattleMatchups [link] [comments]


2024.05.11 09:35 KitsuneKid99 After Luke's Season 5 retrospective, I decided to make a ranking of my own.

After Luke's Season 5 retrospective, I decided to make a ranking of my own.
All of these are my opinions. I don't expect anyone to agree with me, especially on a season as divisive as this.
Episode Ranking (From Favorite to Least Favorite, start at the bottom):
  1. Sing a Song of Patrick - 10/10: ♪TWINKLE TWINKLE PATRICK STAR; I MADE MYSELF A SANDWICH; MY MOMMY NAMED IT FRED; IT TASTES LIKE BEANS AND BACON... THIS SONG IS OVER EXCEPT FOR THIS LINE: YOU WIN THIS ROUND, BROCCOLI!!♪ Ok, this may be my favorite, but Spy Buddies is a very close second for me. The song is unironically better than most modern songs in my opinion. The reason this is my favorite is because of its moral of there being people who like your work and others who don't. Not to mention the visual gags and reaction humor here give Something Smells a run for its money. It honestly deserves its divisive reputation in an already very divisive season.
  2. Spy Buddies - 10/10: If you thought this season couldn't be a good one after a botched start with Waiting and Fungus Among Us, this one literally blows everything out of the water. The spy stuff is so awesome here too. What would you do if you could fire a laser out of your butt? Add in comedy on the level seen in Seasons 2 and 3, and you have what is one of the best episodes of not just Season 5, but of the entire series.
  3. Krabs à la Mode - 10/10: This episode is simply fantastic. Coming from a place where it doesn't even snow, I love these types of stories. I probably shouldn't because for those who deal with snow know how much of a pain in neck it is. The creativity, humor and visuals make this episode such a COOL experience. Fun Fact: This episode taught little kid me that there are numbers below zero.
  4. Roller Cowards - 10/10: For those who are terrified of going on roller coasters, this'll definitely encourage you to face that fear. The storyboard directors did their research by taking a trip to Disneyland and putting in elements from that to make Glove World feel more like an authentic theme park. Similar to the trilogy in Season 4, it explores how close Sponge and Pat's friendship is, and there's strong comedy.
  5. Blackened Sponge - 10/10: You know those "If you laugh, you lose" videos on YouTube? Try doing that with this episode. I bet dollars to donuts you'll lose. Seriously, the ways SpongeBob makes up how he got his black eye are so hysterical. I could say more, but it's better if you see for yourself.
  6. SpongeBob vs. The Patty Gadget - 10/10: Here we have a story about man versus machine. It isn't much, but now the theme is very routine. Ok, you know what? I'll stop with the rhyming before you think it's Dr. Seuss who's writing. All that aside, jokes, a great story and a relevant theme for these days make this the best short of the season.
  7. The Battle of Bikini Bottom - 10/10: This is probably the best use of gross-out in this season, and more time is dedicated to the Sponge vs Pat fight than in Snowball Effect. If you were entertained by this, you'll be blown away by a certain episode in Season 6 with a similar premise to this...
  8. The Inmates of Summer - 10/10: Everyone remembers this one because of the warden character. R. Lee Ermey of Full Metal Jacket fame gives a spectacular performance. Still, the episode isn't without its moments. For those who hated the songs in Atlantis SquarePantis, the "Together" song is a breath of fresh air for you.
  9. The Two Faces of Squidward - 9/10: OMG HANDSOME SQUIDWARD WOOOOOOOOOOOOOOOOO!! Ok, that aside, the rest of the episode is great, and what Breath of Fresh Squidward should have been more like. I don't have much else to say other than I love this episode.
  10. 20,000 Patties Under the Sea - 9/10: The three main formulas of each episode merged into one episode. Strange how we have rarely ever seen submarines as a way of travel in this show. Also, I can't talk about this one without bringing up the scene where Plankton roasts an entire family on an open fire.
  11. Friend or Foe - 9/10: Y'all are probably getting sick of this, but more lore! One of the reasons why it's a 9 instead of a 10 is because I like ten more episodes more than this and it's not without its faults, such as Krabs and Plankton becoming enemies out of nowhere, but it's still a fan favorite that I can't give it a lower rating without being cancelled. Also, first time in the show we see Karen in mobile form.
  12. New Digs - 9/10: Man, this is so relatable. Have you ever wanted to more into your school so you wouldn't be late for your classes? I have, and thankfully that never happened, as it inconveniences those who work there.
  13. Mermaid Man vs SpongeBob - 9/10: Mermaid Man and Barnacle Boy are here, and it was only a matter of time before Plankton teamed up with them. Another funny one with the first appearance of Mobile Karen... with arms.
  14. The Krusty Plate - 9/10: SpongeBob vs A Spot that won't come off of a plate. It's simple, yet so funny because of how it escalates.
  15. The Donut of Shame - 9/10: Patrick having a guilty conscience? This is pretty much the inverse of the Pink Purloiner from the previous season, and just like it, it has great jokes that all land.
  16. Pest of the West - 8/10: YEEHAW, more SquarePants family lore! Ok, this western is clichéd to hell and back, but it has its charms and humor.
  17. The Krusty Sponge - 8/10: Aaron Springer, welcome back! Anyway, this is probably the most meta and self-aware the main show has been, and seems like a precursor to those " portrayed by SpongeBob" videos on YouTube.
  18. Slimy Dancing - 8/10: SpongeBob, Patrick and Squidward in a dancing competition. Not much to say here, it funny and engaging. First of two times they show an epilogue, for those who care.
  19. Money Talks - 8/10: Mr. Krabs befriends the concept of capitalism and they want to be spent. Good episode all around, and the Flying Dutchman appearing is always welcome.
  20. Goo Goo Gas - 8/10: This episode is so stupid and written out-of-order, but it's hilarious, so who cares?
  21. The Original Fry Cook - 7/10: More Krusty Krab lore? This one's good, and gives out more life lessons. I like how Squidward had a wig in the flashback. Kinda makes sense now why he didn't laugh at SpongeBob's wig back in Wigstruck.
  22. Bucket Sweet Bucket - 7/10: Hey, Plankton's renovating the Chum Bucket, except no, he's using this to distract the Sponge, Starfish and Octopus while he tries to steal the formula. But there are some funny bits here and there that keep me from losing interest.
  23. Boat Smarts - 7/10: This episode is actually good once you kick the "SqUiDwArD tOrTuRe PoRn" argument into a bottomless pit. I actually see this as a fact that the safest drivers aren't safe, especially from reckless drivers.
  24. Picture Day - 7/10: The only time we see Mrs. Puff's Boating School in the entire season. The whole episode is fine, funny and based on Dani Michaeli's daughter's bad picture day in preschool.
  25. Rise and Shine - 7/10: Ever wanted to know what Patrick's mornings are like? Well, this is it. Pretty funny, too.
  26. To Save a Squirrel - 7/10: Don't let the title fool you, this one's actually about Sponge and Pat trying to eat each other... at least it's entertaining.
  27. Banned in Bikini Bottom - 6/10: More Krusty Krab episodes... *yawn* I like how this is a parody of Prohibition and there are a couple of jokes, but otherwise, it's decent.
  28. Night Light - 6/10: I used to like this one... when I was younger. This isn't bad at all. The last couple of minutes are rather messy, (what is Luke Skywalker of all people doing here?) but it's fine.
  29. Atlantis SquarePantis - 6/10: GODDAMMIT, WASTED POTENTIAL! But seriously, this episode does have a bad reputation among the cartoon community and I can see why, but if it was made as a TV Movie instead of an 11-minute episode without the Nickelodeon executives butting in, most of the problems wouldn't be there. All that said, the story is lackluster, but the visuals are eyecandy, no one acts out of character, some decent comedy is sprinkled in here and there and those, combined with the Patchy segments, make up for the flaws. This simply needed more time in the oven.
  30. Le Big Switch - 6/10: I do like the exchange concept and this is the only time we hear Pearl in this season. I would say see, but she only appears in a phone call. I can't remember anything else.
  31. Stanley S. SquarePants - 6/10: More SquarePants family lore? Cool. Oh, wait he screws up everything. At least there are some jokes. I like how Squidward hightailed out of the episode the instant he saw Stanley. "THERE'S TWO OF THEM?!"
  32. SpongeHenge - 6/10: I am very mixed on this one. I do like the concept, but it could've been funnier.
  33. BlackJack - 6/10: I like seeing more of SpongeBob's family, but why is BlackJack so tiny at the end? Did he get size reduction surgery so he could fit in the prison cells easier?
  34. A Flea in her Dome - 5/10: The only major Sandy episode in the season. Whatever. Some chuckle-worthy bits here and there. A flea giving birth... Uh... I didn't need to see that.
  35. Good Ol' Whatshisname - 5/10: What's it to ya? I don't remember anything from this one.
  36. Breath of Fresh Squidward - 4/10: This isn't how to do a role-reversal story. At least SpongeBob tries to apologize after he makes Squidward leave, and I find Patrick and SpongeBob becoming Squidward at the end stupid but funny. Pat Hearts Squid is a better version of this.
  37. Pat no Pay - 4/10: Patrick screws up tasks after he can't pay for his meal. At least it's short.
  38. Waiting - 4/10: Okay, boring episodes like these aren't that bad because there's less bad material to talk about. SpongeBob = Selfish Asshat, but at least there's a couple of funny bits here and at least Squidward helps him in the end.
  39. To Love a Patty - 3/10: In my opinion, this is the first episode that feels... wrong. And more unpleasant gross-out... and SpongeBob killing clams (I highly doubt one of them was Junior, but I digress). At least there are jokes here and I have an embarrassing secret about this episode I do not wish to share. LMAO
  40. Fungus Among Us - 2/10 (Almost a 3/10): The only thing funny about this episode is its title; Just remove Fungus. Joking aside, while this episode is gross, my main gripe with the episode is that there are barely any jokes, but at least the story barely functions. If I'm being honest, Kwarantined Krab from Season 12 did this concept way better. It doesn't help that this episode led to people assuming that the entire post-movie era is all gross-out.
  41. What Ever Happened to SpongeBob? - 1/10 (Almost a 2/10): The title kinda sums up the episode, huh? The only parts I like are the battle with the Bubble Poppin' Boys (They deserved more screentime), Patrick casually lifting an entire road in one scene and Squidward throwing away his brain at the end. Those aside, the episode's story is so messy. It's too mean-spirited (Squidward and Mr. Krabs aren't as affected by this as much as Patrick and Sandy though) with no emotional buildup which makes the conflict feel unnatural. Also, SpongeBob getting amnesia makes the story fall apart if you think about it, because if he can't remember anything, specifically his friends lashing out at him which was his motive for running away in the first place, and it doesn't change his personality either, so what was the point? At least Sandy, Patrick and Mr. Krabs realize the error of their ways even if it took them reading SpongeBob's note to do so and it isn't the worst thing in the world.
Season Overall - 7/10: This used to be my favorite season as a little kid... But not anymore. The quality feels so turbulent. This season actually feels very different from Season 4, when a lot of people clump that and this season together. It feels more like a transition from the first four seasons to the so-called "dark era" of Seasons 6-9A. That makes more sense because a lot of the problems that plague those seasons started here after a couple of them were mostly laying dormant since Season 2. I still like the season in spite of all its flaws.
Tier List:
https://preview.redd.it/157yfrnigpzc1.png?width=1140&format=png&auto=webp&s=6c85a641abe395b91495bd6b5c4feaa8186034ee
submitted by KitsuneKid99 to spongebob [link] [comments]


2024.05.10 21:43 PhilsTriangle [NJ] [H] Consoles + Games - Nintendo (NES), SNES, N64, Gamecube, GBA, Nintendo DS/3Ds, Wii, Playstation, PS2, PS3, Sega Genesis, Xbox [W] Venmo, PayPal

Pictures: https://imgur.com/a/IZHvfeu
Let me know if you need pictures of any of the items listed below. Shipping is $5 flat for anything under one pound. I've got 400+ transactions on this board and accept payment via PayPal (F&F) or Venmo (F&F) only.
Consoles
GBA Indigo - $80 shipped
GBA SP (Silver CIB) - $120 shipped
Nintendo 2DS w/ charger - $85 shipped
Nintendo 3DS XL Pokemon X & Y Edition Console - $225 shipped
Nintendo 64 Console w/ hookups + OEM Controller - $90 shipped
Nintendo Wii Console (gamecube compatible) w/ hookups + Wii remote & numb chuck - $75 shipped
PS2 w/ hookups, OEM controller, OEM memory card - $100 shipped
Retron 5 Hyperkin (GBA/GBC/SNES/NES/Genesis) unused CIB - $120 shipped
Super Nintendo w/ hookups & OEM controller - $95 shipped
Xbox OG Console w/ hookups & OEM controller + Project Gotham Racing (CIB) - $100 Shipped
Controllers/Accessories
Gameboy OEM Clam Shells (lot of 32) - $75 shipped
Gamecube OEM Controller (Indigo) - $30 shipped
Gamecube OEM Wavebird Controller w/ receiver- $95 shipped
NES OEM 10-Cart Storage Case (3x avail) - $20 + shipping each
N64 OEM Expansion Pak - $50 shipped
N64 OEM Green Controller - $30 shipped
N64 Memory Card - $14 shipped
PS2 Logitech Wireless Controller (w/ dongle) - $35 shipped
PS2 OEM Memory Card- $14 shipped
Sega GameGear Super Wide Gear - $20 shipped
Wii U Wireless Controller (WUP-005) & charging cable - $35 shipped (2x avail)
N64 Games
007 GoldenEye - $25
007 World is Not Enough - $14
Army Men Sarge's Heroes - $15
Automobil Lamborghini - $8
Backstage Assault - $12
Banjo Kazooie - $25
Bass Hunter 64 - $8
Beetle Adventure Racing - $17
Charlies Blasts - $40
Diddy Kong Racing - $25
Doom 64 - $30
Extreme G Racing - $10
Forsaken 64 - $10
Gex 64 - $16
Iggy's Reckin' Balls - $20
Killer Instinct Gold - $30
Knockout Kings 2000 - $6
Magical Tetris Challenge - $20
Mario Kart - $40
Monster Truck Madness - $15
MRC Multi Championship Racing - $10
Namco Museum 64 - $12
Nascar 99 - $7
Nascar 2000 - $7
NBA In the Zone 98 - $5
NBA Live 99 (CIB) - $20
NBA Showtime - $12
Polaris Sno-Cross -$30
Pokemon Snap - $20
Quest 64 - $25
Ready 2 Rumble Boxing - $12
Ridge Racer 64 - $15
San Francisco Rush - $15
Starfox 64 - $25
Star Wars Episode 1 Racer - $10
South Park Chef's Luv Shack - $25
Supercross 2000 - $7
Super Mario 64 - $35
Super Smash Bros. - $40
Tetrisphere - $12
Top Gear Rally - $10
Turok Dinosaur Hunter - $12
Turok 2 Seeds of Evil - $12
Vigilante 8 - $21
Virtual Pool - $13
Waialae Country Club - $6
War Gods - $10
Wave Race (Player's Choice) - $15
WCW Backstage Assault - $11
WCW NWO Revenge - $11
Wheel of Fortune - $11
Zelda Ocarina of Time (label wear) - $30
N64 Manuals
1080 Snowboarding - $7
Duke Nukem Manual - $10
Flying Dragon Manual - $40
Rush Extreme Racing - $8
Silicon Valley Space Station Manual - $40
Supercross 2000 - $6
Tony Hawk Pro Skater - $6
Nintendo Gamecube Games (CIB unless noted)
ATV Quad Power Racing 2 - $10
The Hobbit - $24
Enter the Matrix - $13
Eternal Darkness - $90
Fifa 2003 - $6
Fifa Street 2 - $25
Finding Nemo - $8
F-Zero GX - $90
Gun (missing manual) - $10
Harry Potter Chambers of Secret - $12
Killer 7 - $65
Luigi's Mansion - $60
Madden 2003 - $5
Madden 2007 - $8
Mario Golf Toadstool Tour - $27
Mario Kart Double Dash - $75
Monopoly Party - $10
Monsters, Inc. Scream Arena - $7
Nascar Thunder 2003 - $7
Pikmin - $50
Power Rangers Dino Thunder - $8
Resident Evil - $25
Resident Evil 2 - $100
Resident Evil 4 - $30
Resident Evil Zero - $18
The Sims Bustin Out - $12
Smuggler's Run (missing manual) - $12
Sonic Adventure Battle 2 (missing manual) - $45
Spiderman 2 - $15
Spyro A Hero's Tail (missing manual) - $15
SSX Tricky - $28
Starfox Assault - $45 (CIB; some wear to cover art)
Super Mario Sunshine (missing manual) -$35
Super Smash Brothers Melee - $60
Ty the Tasmanian Tiger (missing manual) - $12
WWE Crush Hour - $27
WWE Day of Reckoning 2 (missing manual) - $25
Nintendo DS Games (cart only unless CIB noted)
Avatar The Game - $6
Bionicle Matoran Adventures - $6
Build-A-Bear Workshop (CIB) - $6
Carnival (CIB) - $6
Deal or No Deal - $5
Guitar Hero On Tour Bundle (CIB) - $25
Happy Feet - $4
Horsez (CIB) - $6
Hot Wheels Beat That - $6
Kung Fu Panda (CIB) - $6
Mario Party DS - $13
Mario Kart DS (loose) - $15
Mario Kart DS (CIB) - $18
Mario & Sonic at the Olympic Games (CIB) - $10
Mario & Sonic at the Olympic Winter Games (CIB) - $10
Megaman Starforce Dragon - $85 shipped
Metroid Hunters First Hunt - $6
Nacho Libre - $15
Namco Museum DS - $8
Naruto Ninja Council 3 - $6
New Super Mario Bros. (CIB) -$22
Nickelodeon Team Umizoomi - $6
Phoenix Wright Ace Attorney - $20
Picross 3D - $9
Ping Pals - $3
Planet Puzzle League - $10
Pokemon Mystery Dungeon: Explorers of Sky (case & manual only, no game) - $55
Pokemon Ranger Shadows of Almia (cart only) - $30
Ratatouille - $5
Rayman DS - $10
Ridge Racer DS - $8
Shrek Superslam - $5
Spiderman 3 - $8
Star Wars II The Original Trilogy (LEGO) - $6
Super Money Ball Touch & Roll - $6
Transformers Animated - $11
Tron Evolution - $4
Zhu Zhu Pets - $3
Nintendo 3DS (cart only unless noted)
Animal Crossing: New Leaf (CIB) - $20
Lego Marvel Superheroes: Universe in Peril - $5
Mario Kart 7 - $12
Minecraft New Nintendo 3DS Edition - $18
Pilotwings Resort - $10
Pokemon X (CIB) - $30
Skylander Giants - $6
Skylander Swap Force - $16
Skylander Trap Team - $12
Super Mario Maker - $10
Super Smash Bros (CIB) - $15
Teenage Mutant Ninja Turtles - $9
Wipeout: Create & Cash - $5
Wreck-it Ralph - $6
Yo-Kai Watch - $15
NES Games (cart only; unless noted)
8 Eyes - $11
A Boy and His Blob (cart, box, manual) - $40
Blades of Steel - $8
Bubble Bobble - $16
Burgertime - $15
Castlevania II Simon's Quest - $15
Castlevania III Dracula's Curse - $45
Chip & Dale Rescue Rangers (CIB) - $125
Contra - $40
Dick Tracy - $7
Double Dragon - $13
Double Dragon II - $12
Donkey Kong 3 - $20
Dr. Mario - $10
Duck Tales - (cart & box) - $100
Excite Bike - $11
Faxanadu - $11
GI Joe: A Real American Hero - $75
Golf - $3
Legend of Zelda - $30
Mickey Mousecapade - $7
Mike Tyson's Punch-out - $40
Paperboy - $16
Punch-Out - $20
Rad Racer - $6
RBI Baseball 3 (cart & box) - $25
Robocop - $10
Rollerball - $8
Skate or Die 2 (cart & box) - $65
Spy Hunter - $5
Street Fighter 2010 - $15
Super Glove Ball - $7
Super Mario Bros. 2 - $20
Super Off-Road - $12
Super Team Games - $7
Teenage Mutant Ninja Turtles II - The Arcade Game (cart & box) - $80
Tiger Heli - $8
Wall Street Kid (cart, box, registration card, poster) - $45
WWF Wrestlemania - $6
SNES Games (cart only)
Aladdin - $15
Castlevania IV - $45
Clue - $5
Earthbound - $350
F-Zero (Player's Choice) - $20
Jungle Strike - $9
Ken Griffey Jr Major League Baseball - $11
Kirby's Avalanche - $15
Lion King - $11
Mario Paint - $6
Mega Man X - $32
Mickey Mania - $13
Mortal Kombat - $13
Ms. Pacman - $9
NBA All-Star Challenge - $5
Pilot Wings - $10
Scooby Doo Mystery - $11
Starfox - $15
Super Adventure Island - $16
Super Baseball 2020 - $13
Super Ghouls N Ghosts - $23
Super Mario All-Stars - $25
Super Mario Kart - $40
Super Mario World - $20
Super Punch Out - $28
Top Player Tennis - $8
WWF Raw - $13
Zombies Ate My Neighbors - $30
GBA (cart only unless noted)
Aggravation/Sorry/Scrabble - $5
Barnyard - $8
Bratz - $4
Care Bears Care Quest (CIB) - $28
Cars - $5
Cars (CIB) - $16
Castlevania Double Pack - $85
Cho Makaimura R Super Ghouls N Ghost ( Japanese Import) - $95 Shipped
Crash Bandicoot 2 N-tranced - $10
Crash Huge Adventure - $11
Curious George (CIB) - $28
Dave Mirra Freestyle BMX 2 - $4
Disney Party - $10
Disney Princess (CIB) - $12
Donkey Kong Country (GBC/CIB) - $56
Dora Explorer's Pirate Pig's Treasure - $4
Dragon Ball Z Supersonic Warriors - $20
Elf - $10
ESPN Great Outdoor Games Bass 2002 - $5
F-14 Tomcat - $7
Finding Nemo - $5
Green Eggs & Ham (CIB) - $20
Incredibles (CIB) - $14
Kong 8th Wonder of the World - $5
Lost Vikings - $25
Madden 2005 - $5
Mario Kart Super Circuit (torn label) - $20
Metroid Zero Mission - $60
Monsters Inc - $4
Monster Jam Maximum Destruction - $6
Namco Museum - $6
Oddworld Munch's Oddysee - $12
Pirates of the Caribbean - The Curse of the Black Pearl - $5
Pong Asterios Yar's Revenge - $4
Sonic Advance 3 - $25
Quad Desert Furty - $3
Shaun Palmers Pro Snowboarding (GBC/CIB) - $10
Shrek Swamp Kart Speedway - $5
Spirit Stallion of the Cimarron - $5
SpongeBob Battle for Bikini Bottom - $7
Spongebob Squarepants Super Sponge - $6
SSX 3 - $7
The Incredibles - $3
Thunder Alley - $5
Top Gear GT Championship - $10
Sony PSP (all CIB)
Crisis Core: Final Fantasy VII - $15
Gurumin A Monstrous Adventure - $42
LocoRoco - $10
Mega Man Powered Up - $38
Parappa the Rapper - $27
Sega Genesis Collection - $17
PS1 Games (CIB unless noted)
007 Tomorrow Never Dies - $7
Action Bass - $6
Andretti Racing (GH) - $5
Ball Breakers (sealed) - $10
Bass Championship - $7
Battle Arena Toshinden (GH) - $14
Bust A-Move 4 - $17
Driver 2 (GH) - $10
Fighting Force - $20
IHRA Drag Racing - $5
Missile Command - $6
MLB 2001 - $9
MLB 2003 - $9
Nascar Heat (CIB) - $7
NBA Live 2000 - $8
NBA Shootout 98 - $9
NHL 98 - $8
NHL Faceoff 97 (GH) - $5
PlayStation Underground Jampack Fall 2001 - $9
Resident Evil 2 (DualShock Edition) - $65
Rocket Power Team Rocket Rescue - $7
Rugrats in Paris: The Movie - $12
Spongebob SquarePants Super Pants - $7
Syphon Filter 2 (GH) - $10
Tecmo Super Bowl - $20
Tiger Woods 99 - $8
Tony Hawk Pro Skater 3 - $12
Twisted Metal 2 (Greatest Hits) - $32
Toy Story 2 - $22
Walt Disney World Quest: Magical Racing Tour - $20
World Cup 98 - $12
PS2 Games (CIB unless noted)
All-Star Baseball 2005 - $5
Ape Escape 2 - $48
Ape Escape 3 - $43
ATV Offroad Fury 2 - $6
Avatar the Last Airbender - $8
Batman Begins - $13
Batman Vengeance - $19
Buffy the Vampire Slayer Chaos Bleeds - $28
Burnout Revenge - $11
Burnout 3 Takedown - $13
Buzz the Mega Quiz - $12
Capcom Classics Collection Volume 2 - $13
Castlevania Lament of Innocence -$25
Corvette - $5
Crash Bandicoot The Wrath of the Cortex - $12
Crash Nitro Kart (GH) - $9
Crazy Taxi - $10
Dance Dance Revolution Extreme 2 - $7
Dead to Rights - $6
Devil May Cry (GH) - $7
Enter the Matrix - $10
Eragon - $6
Family Feud - $5
Finding Nemo - $6
Fire Pro Wrestling Returns - $10
Ford Racing 3 - $5
Frogger the Great Quest - $7
Golden Compass - $5
GTA 3- $10
Gran Turismo 3 - $5
Godfather the Game - $14
Guitar Hero - $10
Guitar Hero Aerosmith - $7
Guitar Hero II - $7
Guitar Hero III Legends of Rock - $9
High Heat Major League Baseball 2004 - $5
Hot Wheels Velocity - $10
Hot Wheels World Race (missing manual) - $12
Hobbit - $10
Ice Age 2 The Meltdown - $7
Ironman - $6
Karaoke Revolution Party - $8
Karaoke Revolution Presents: American Idol - $5
Legends of Wrestling II - $12
Lego Star Wars The Original Trilogy - $6
Lego Star Wars The Video Game - $7
Lord of the Rings Fellowship of the Ring - $10
Madden 2003 - $5
Madden 2004 - $5
Madden 2005 -$5
Madden 2007 - $5
Matt Hoffman's Pro BMX 2 - $10
Max Payne - $10
Metal Arms Glitch in the System - $16
Midway Arcade Treasures (1) - $12
Midway Arcade Treasures (2) - $12
MLB 07 the Show - $5
MLB Slugfest 2003 - $10
MLB Slugfest 2004 - $13
Namco Museum (GH) - $8
Nascar 2001 - $5
Nascar Thunder 2003 - $7
NBA Street - $12
Need for Speed Underground 2 (missing manual) - $20
NFL Blitz Pro - $10
NFL Street - $17
NFL Street 3 (missing manual) - $20
Onimusha 3 Demon Siege - $21
Pinball Hall of Fame - $5
Pirates - The Legend of Black Kat - $12
Power Rangers: Dino Thunder - $8
Reel Fishing III - $7
Resident Evil Code Veronica X - $13
Rise of Kasai - $8
Rocky - $11
Scarface the World is Yours - $45
Scooby Doo First Frights - $13
Sega Superstars - $10
Sega Superstar Tennis - $10
Shrek Superslam - $8
Simpson's Hit & Run (Greatest Hits) -$50
Spiderman - $10
Sprint Cars Road to Knoxville - $6
Spy Hunter - $7
Spy Hunter 2 (missing manual) - $7
Starsky & Hutch - $7
SSX - $7
SSX 3 - $9
SSX On Tour - $8
Superman Shadow of Apokolips - $14
Super Monkey Ball Adventure - $10
Summoner - $10
Taito Legends - $15
Teenage Mutant Ninja Turtles 2: Battlenexus (missing manual) - $17
Teen Titans - $22
Theme Park Roller Coaster - $8
Tiger Woods PGA Tour 2004 - $6
Thrillville - $6
Thrillville Off the Rails - $10
Time Crisis 3 - $23
Ty the Tasmanian Tiger - $11
Wheel of Fortune - $6
Virtua Fighter 4 (missing manual) - $6
Warriors of Might & Magic - $10
WWE Smackdown vs Raw - $11
WWE Smackdown vs Raw 2007 (Sealed) - $45
WWE Smackdown vs Raw 2007 - $17
WWE Smackdown vs Raw 2009 - $10
WWE Smackdown Shut Your Mouth - $15
PS3
Band Hero - $6
Batman Arkham Asylum - $7
Battlefield 3 - $6
Call of Duty Advanced Warfare - $6
Call of Duty Ghosts - $6
Call of Duty Mordern Warfare 3 - $6
Call of Duty 4 Modern Warfare - $7
Call of Juarez Bound in Blood - $9
Crysis 2 - $7
Dirt 2 - $12
Dirt 3 - $10
Driver San Francisco - $25
Enemy Territory Quake Wars - $9
Fifa Soccer 11 - $5
Fight Night Champion - $13
GTA IV Complete Edition - $25
Gran Turismo 5 Prologue - $8
Gran Turismo XL Edition - $11
Gran Turismo 6 - $19
Heavy Fire: Afghanistan - $10
Infamous - $6
Infamous 2 - $8
Killzone 2- $7
Killzone 3 - $7
Lego 3: Beyond Batman - $8
Lego Harry Potter Years 5-7 - $7
Lego The Hobbit - $9
LittleBigPlanet - $9
Madden 2011 - $5
Metro: Last Night - $8
Mortal Kombat Komplete Edition - $12
MLB the Show 10 - $4
MLB the Show 11 - $4
Monster Jam Path of Destruction - $20
NCAA Football 11 - $9
Sports Champions - $5
Tiger Woods PGA Tour 14 [Masters Historic Edition] - $23
Transformers Fall of Cybertron - $35
Transformers Rise of the Dark Spark - $13
Virtua Tennis 3 - $6
WWE 2K16 - $12
PS Vita
Lumines Electronic Symphony - $16
Need for Speed Most Wanted - $20
Sly Cooper Collection - $50
Sega 32X (all cart only)
Primal Rage - $50
Virtua Fighter - $24
Virtua Racing - $20
Sega Dreamcast Games (disc & manual only***; do not have original cases unless noted CIB)
Centipede - $7
Plasma Sword Night of Bilstein - $50
Psychic Force 2012 - $25
Ready 2 Rumble Boxing - $12
Resident Evil Code Veronica (CIB) - $40
Rippin Riders - $5
Sega Bass Fishing - $8
Sega Rally 2 Championship - $12
Speed Devils - $15
Sword of Berserk: Gut's Rage (game only) - $65
Trick Style - $7
Zombie Revenge - $30
Sega Genesis (**CIB unless noted)
Aladdin (cart + manual) - $10
Double Dragon (cart & box) - $45
Game Genie (loose + booklet) - $20
Hard Drivin' (Missing Manual) - $15
John Madden Football (cart + manual) - $20
Lemmings (CIB) - $30
MERCS (cart & box) - $35
NBA Jam T.E. (CIB) - $20
Prime Time NFL Football starring Deon Sanders (cart +manual) - $9
Ren & Stimpy Show: Stimpy's Intervention (CIB) - $20
Road Rash II (CIB) - $22
Robocop 3 (CIB) - $40
Streets of Rage (cart only) - $22
Super Off-Road (CIB) - $30
WWF Super Wrestlemania (CIB) - $20
X-Men (cart + manual) - $15
Zero Tolerance (CIB) - $35
Sega Master System (CIB unless noted)
Alex Kidd: The Lost Stars - $28
California Games (missing manual) - $20
Choplifter - $18
Ghostbusters - $25
Great Baseball - $10
Monopoly - $10
Parlour Games - $10
Pro Wrestling - $14
Rocky - $17
Space Harrier (missing manual) - $18
Shinobi (includes map; missing manual) - $30
Xbox (all CIB)
MechAssault 2 Lone Wolf (Limited Edition) - $8
Project Gotham Racing - $6
Xbox 360 (CIB)
Assassin's Creed - $6
Assasin's Creed II - $6
Asssasin's Creed III - $6
Battlefield Hardline Deluxe Edition - $10
Battlefield 3 Limited Edition - $6
Bioshock - $7
Bioshock Infinite - $5
Call of Duty World at War - $9
Call of Juarez: Blood Bound - $10
Civilization Revolution - $6
CSI Hard Evidence - $9
Fifa Soccer 10 - $5
Fifa Work Cup South Africa 2010 - $5
Game of Thrones - $11
Gears of War - $9
Halo 4 - $5
Injustice Gods Among Us - $5
L.A. Noire - $7
Mass Effect - $5
Mass Effect 2 - $5
N3 Ninety-Nine Nights - $20
NBA 2K12 - $5
NHL 10 - $3
NHL 14 - $6
Saints Row 2 - $10
Saints Row The Third - $5
Skate 3 - $6
Star Trek Legacy - $18
Star Wars Kinect - $7
Tiger Woods PGA Tour 2007 - $5
Tiger Woods PGA Tour 2008 - $5
Top Spin 3 - $6
Walking Dead Survival Instinct - $8
Wheel of Fortune - $14
Who Wants to Be a Millionaire -$5
Nintendo Wii (all CIB unless noted)
Animal Crossing City Folk - $20 (includes inserts but missing manual)
Celebrity Sports Showdown - $6
Dragon Quest Swords The Masked Queen and the Tower of Mirrors - $20
Guitar Hero World Tour - $18
Little League World Series Baseball 2008 - $10
Madden 2013 - $14
Mario Kart Wii - $35
Mario Party 8 - $30
Mario Sports Mix - $30
Mario Super Sluggers (disc only) - $25
Mario Strikers Charged (disc only) - $10
NBA Live 09 All-Play - $5
New Super Mario Bros - $26
Pokemon Battle Revolution - $25
PokePark Wii: Pikachu's Adventure - $35
Punch-Out - $35
Super Monkey Ball Banana Blitz - $6
Super Smash Bros. Brawl - $20
Tony Hawk Downhill Jam - $5
Tony Hawk Shred Big Air - $5
Warioware Smooth Moves - $22
Wii Sports - $22
Wii Sports Resort - $30
Wheel of Fortune - $6
WWE Smackdown vs Raw 2009 - $7
submitted by PhilsTriangle to GameSale [link] [comments]


2024.05.10 18:44 Ninjaboi333 [SLD] Secret Lair Spring Superdrop 2024

NEW SECRET LAIR ALERT
This is from a strictly financial perspective looking at versions of these cards that are already on the secondary market and how cheap it would be to get these if you needed them for deckbuilding, in order to help you make an informed decision as a consumer. Artistic and Aesthetic taste is subjective. Numbers come from Scryfall at time of writing, analysis does not factor in discount for bulk purchases on the website or shipping.
Secret Lair x Hatsune Miku: Sakura Superstar - $29.99 nonfoil / $39.99 Foil
  • Shelter - $0.06 nonfoil / $0.79 foil
  • Chandra's Ignition as "Miku's Spark" - $5.84 nonfoil / $15.56 foil (first foil reprint)
  • Harmonize - $0.26 nonfoil / $1.02 foil
  • Azusa, Lost but Seeking as "Miku, Lost but Singing" - $4.44 nonfoil / $5.28 foil
  • Feather, the Redeemed as "Miku, the Renowned" - $0.52 nonfoil / $2.99 foil
  • Inspiring Vantage - $1.62 nonfoil / $1.83 foil
Total - $12.74 nonfoil ($2.88 per card premium) / $27.47 foil ($2.09 per card premium)
The first of four collaborations with vocaloid idol Hatsune Miku, this drop doesn't present much in the way of reprint value - both versions are well under the retail value of this drop, with the only truly notable card being Chandra's Ignition getting it's first foil reprinting (also making me feel old when some people on Twitter were encountering it for the first time and I remember cracking it open in Magic Origins nearly a decade ago). And that's after we get 6 cards instead of the usual 4 or 5. It is nice that the RW cards work in a Feather deck and Harmonize and Azusa are decent playables in EDH, but it would be nicer if they all fit into one deck (maybe in a future Miku drop). Really the value here is in the art and whether you are a fan of Miku to want to get these (though I have seen some people pooh-poohing the art relative to other Miku products out there). Overall you're paying about a $2-3 premium on each card to have your favorite vocaloid idol on them.
Goblingram - $29.99 nonfoil / $39.99 foil (also available via TikTok shop)
  • Brash Taunter - $0.97 nonfoil / $3.66 foil (first foil reprint)
  • Goblin Chieftain - $2.89 nonfoil / $11.12 foil
  • Goblin Ringleader - $0.46 nonfoil / $1.30 foil
  • Goblin Welder - $17.31 nonfoil / $15.63 foil
  • Mogg War Marshal - $0.05 nonfoil / $0.29 foil
Total - $21.68 nonfoil ($1.67 per card premium) / $32 foil ($1.60 per card premium)
I think this is the third Secret Lair Drop that is dedicated to Goblins in various art styles. Personally not a fan of how the rules text gets cut off in the caption especially for the more complicated ones. Overally the bulk of the value here comes from Goblin Welder (which is more an Artifacts card than a Goblin card, with some usage in Painter decks in Legacy), and Chieftain in Foil, with total value for both versions coming in under the retail price. As such with 5 cards you're paying about $1.60 per card if you want the Instagram inspired art.
Speculation - Notably with Thrun showing up in the "comments", if he is indeed the bonus card, then while the nonfoil won't see a big improvement ($0.74 for hte cheapest Thrun available), it would be the first foil repritning since Mirrodin Beseiged with it commanding a $11.09 price
Outlaw Anthology Vol 1: Rebellious Renegades - $29.99 nonfoil / $39.99 foil
  • Tezzeret the Seeker - $20.17 nonfoil / $18.63 foil
  • Griselbrand - $7.85 nonfoil / $8.87 foil
  • Grenzo Havoc Raiser - $0.29 nonfoil / $3.58 foil
  • Nicol Bolas, Planeswalker - $3.67 nonfoil / $3.34 foil
Total - $31.98 nonfoil / $34.42 ($1.39 per card premium)
The first of two pulp magazine inspired drops (which personally is my favorite art style of the drop) with baddies from across the multiverse, this one actually has pretty decent value, thanks to Tezzeret the Seeker primarily. Ironically, both Tezz and Nicol Bolas have cheaper foil versions than nonfoil due to Duel Deck versions, which are notoriously warped - if you want pack versions those would be about $10 more, and would push the foil version over retail price. As is, you're paying only $1.39 per card premium in foil. Probably my only other nitpick would be that while I would like to run all of these in an EDH deck (which you theorhetically could based off of color identity), Griselbrand is technically banned in EDH and as such only will have a home in Cube or Legacy/Vintage.
Outlaw Antholoyg Vol 2: Sinister Scoundrels - $29.99 nonfoil / $39.99 foil
  • Vorinclex, Voice of Hunger - $6.09 nonfoil / $6.03 foil (in Phyrexian - English foil is $7.29) -
  • Karona, False God - $2.66 nonfoil / $73.20 foil (First reprint since Scourge)
  • Korvold, Fae-Cursed King - $12.34 nonfoil /$13.64 foil (first non-List reprint)
  • Memnarch - $7.02 nonfoil / $7.28 foil (FTV Lore)
  • Total - $28.11 nonfoil ($0.47 per card premium) / $100.15 foil
Another pulp magazine inspired drop, headlined by the first ever reprint of one of the OG 5 color legendary creature Karona. As such this is the first chance to get a somewhat reasonable foil and non old border version of Karona, though don't expect to resell these for that much. The nonfoil version comes slightly under retail value, though there is a good distribution among the 4 cards with Vorinclex, Memnarch and Korvold all being over $6. Obviously you could put these all in a single deck with Karona as the commander though that doesn't seem quite as synergistic.
Showcase: Outlaws of Thunder Junction - $29.99 nonfoil / $39.99 foil
  • Kalitas, Traitor of Ghet - $7.71 nonfoil / $16.67 foil (First reprint ever)
  • Magda, Brazen Outlaw - $0.58 nonfoil / $6.62 foil (first reprint ever)
  • Dack Fayden - $9.27 nonfoil / $35.32 foil
  • Greasfang, Okiba Boss - $0.15 nonfoil / $0.29 foil (first ever reprint)
Total - $17.71 nonfoil ($3.07 per card premium) / $58.90 foil
As is tradition, we have a drop based on the showcase style of the accompanying set, and this time we've got more wanted posters. Notably all but Dack Fayden are getting first time reprints (which helsp with Kalitas and Magda's high foil prices) and Dack himself seems immune to reprints dropping his price given his popularity as a character (RIP). Without the bonus card (which we'll discuss a bit later), the nonfoil version is a bit underpriced with a $3 premium per card, but the foil version is well over retail value of this drop.
Bonus Card Discussion - It also has been revealed that a double sided Norin the Wary is the bonus card for this drop, which is meaningful given that he has a price of $11.67 in nonfoil and $10.30 in foil (from the List) which would actually get this drop to $29.38 nonfoil and boost the already great foil version to $68.60.
Poker Faces - $29.99 nonfoil / $39.99 foil
  • JACK-xis the Troublemaker - $0.43 nonfoil / $0.39 foil (Buy a Box promo - first reprinting)
  • Coffin QUEEN - $10.66 nonfoil / NA foil (first reprinting since Tempest, first foil printing)
  • Goblin KING - $4.55 nonfoil / $34.64 foil (first foil version since 8ED - notably WPN promo Goblin King has not yet released)
  • Professional fACE-Breaker - $7.59 nonfoil / $11.94 foil (first foil reprint)
  • Rankle Master of Pranks (Joker) - $0.29 nonfoil / $1.33 foil
Total - $23.52 nonfoil ($1.29 per card premium) / $43.95 foil + first time foil Coffin Queen
In keeping with the wild west theme, we've got a set of playing card inspired cards for this drop with appropriate face cards based on the names. The headline here is obviously the Coffin Queen getting her first reprint ever since Tempest, and also her first ever foil version, so it's hard to calcuate the true value of the foil version here. However, subtly impressive here as well is that Goblin King's foil versions are pretty pricey - he hasn't had a foil version since 8th Edition when foils were a lot rarer (even the first Secret Lair Drop with Goblins weren't in foil yet). As noted above though, we are getting a foil version for WPN support later this year / next year. Professional Face Breaker is also a sneaky good reprint from New Capenna, showing up in a stunning 9% of red decks in EDH. I will say personally not a fan of the lack of rules text so these are more likely to end up in my binder than in my decks. Overall nonfoil versions are a bit short but even without Coffin Queen, foil versions are meeting value.
sAnS mERcY - $29.99 nonfoil / $39.99 foil
  • dOOm bLade - $0.14 nonfoil / $1.75 foil
  • mAsSaCRe - $0.52 nonfoil / $22.67 foil (first reprinting / first foil reprint since Nemesis)
  • tOrMEnt oF hAiLFiRe - $20.33 nonfoil / $36.39 foil (first nonList reprint since HOU)
  • rUiNatIOn - $5.78 nonfoil / NA foil (first foil version ever)
  • MOgIs, gOD of sLaUGHter - $8.00 nonfoil / $19.52 foil (first ever reprint / foil reprint since BNG outside of a SLD)
Total - $34.77 nonfoil / $80.33 foil + first ever foil Ruination
In probably the biggest May-pril fool of all, the meme secret lair drop with comic sans mocking Spongebob font has the best value of any drop in nonfoil, with the first reprints of Torment of Hailfire (in 6% of black EDH decks), Mogis, and Nemesis original Massacre (with a high foil value) as well as first foil version of Ruination. Of course these are all cards that you play if you're already looking to troll your opponents (*cough Crim) so I guess it makes sense. Both the foil and nonfoil versions are well above the retail value of this drop, nad even if it's mostly focused on Torment on Hailfire, it's still worth picking up if the font doesn't scare you away.
TLDR
  • Hatsune Miku ($2-3 per card premium) - Only buy if you're a Miku fan
  • Goblingram ($1.60 per card premium) - Only buy if you're a goblin completionist (though if Thrun ends up being the bonus card, then the foil version may be worth it)
  • Outlaw Anthology Vol 1 - Worth it in both versions
  • Outlaw Anthology Vol 2 (<$1 per card premium in nonfoil) - Worth it in foil, mostly worth it in nonfoil
  • Showcase: OTJ - Once you include bonus card of Norin the Wary, WOrth it in both versions
  • Poker Faces ($1.30 per card premium in nonfoil) - Worth it in foil
  • sAnS mERcY - Worth it in both versions
We don't have pricing on bundles yet, but assuming that they have a buy all get one for free pricing for the nonfoil bundles, that would put you at $179.94 which is short the $200 you need to get the Seedborn Muse bonus card. Seedborn Muse is about $8.90 in its cheapest version so probably not worth adding an extra drop to get to the $200 benchmark.
submitted by Ninjaboi333 to magicTCG [link] [comments]


2024.05.10 16:01 vintagedispositi0n [TOMT] Late 2000s/Early 2010s TVO kids shows, flashgames, and songs

I grew up watching a lot of TVO kids and playing their games online in the late 2000s/early 2010s (I am 18). There are a number of things I remember but have been unable to find, so would love some help. I’ll provide as much info as I can!!
TV SHOWS:
-Jackie’s School of Dance: there is an IMBD up for this one, but I can’t find any footage. It would play in between full length shows, and featured this girl Jackie teaching you different dances in colour themed rooms (ie: the white room or the red room). My cousin and I were dancers and found this show hilarious when we were about 8-10.
-Cave Man Manners: Unsure of the actual title of this show, or if it played on the channel. My cousin and i discovered it on the website and found it very funny. Basically it was just about a caveman learning manners. I believe it had a narrator talking over to him as if it were an instructional video. Think the SpongeBob is episode with the Krusty Krab training video.
SONGS: these played on the channel in between shows.
-A song about the province of Ontario: I am certain it had the lyrics “Come on let’s go to a place I know, in Ontario where the green grass grows”. Acoustic guitar was in the background. -Most of the older songs from this time period I am unable to find, and I would love to see any of them. “Get Silly” and “Keep on moving” are two from this era that are on YouTube, but they had all sorts of songs on their programming block that seem to be lost now
FLASHGAMES:
-One where you put characters on to a stage to make them play in a rock band. Standard 2D animation, I believe it featured the TVO kids hosts of the time period. Was definitely up as early as 2010 as this is when I recall playing it with my older brother.
-Series of mystery themed games that taught you about grammar and spelling: I remember in one it had a song about verbs on a record player. It opened with “a verb is an action word”, and then began listing off verbs like “I jumped I ran, etc”. I remember the end went “and then it rained, I ___ (can’t remember which verb they used here), i skipped, I skipped, I skipped” as the record began to skip.
This is all I can think of right now. Please help me out and let me know if these are out there right under my nose!
submitted by vintagedispositi0n to tipofmytongue [link] [comments]


2024.05.10 00:39 robloxpro-69 HELP!! FINDING MY SCHOOLS NEXT MUSICAL!!

(big hints are CAPITALIZED)
these are the hints:
specific TIME PERIOD, not child lead, set in specific season, dance important to plot, SPECIFIC COUNTRY, acting heavy, one word to describe: STUBBORNESS, upbeat, themes: DONT JUDGE A BOOK BY ITS COVER, ITS NEVER TOO LATE TO CHANGE YOUR MIND, location kind of mentioned, more known than tuck everlasting, 4 lincoln, nebraska tv??? (supposed to get us to a number that will get us to a clue idk) ON BROADWAY IN LAST 10 YEARS BUT CLOSER TO 5, accent maybe, THERE IS A MOVIE VERSION, atleast one character is well known and recognizable, a pair of jeans, most PROMINENT tech element is COSTUMES and HAIR AND MAKEUP, important prop: MONEY, NEW HINT!! WHEN IT WAS ON BROADWAY RECENTLY IT WAS A REVIVAL, NEW HINT!!! MORE VOCALLY CHALLENGING RATHER THAN DANCE HEAVY
READ THESE!!
the ones we know its for sure not is spongebob, seussical, annie, frozen, mean girls, hunchback, mary poppins, little mermaid, besuty and beast, youre a good man charlie brown, legally blonde, into the woods, pippin, music man, come from away, hsm, matilda, footloose, singing in the rain, phantom, les mis, tuck everlasting, fame, edwin drood, and NOTHING A STRICT PRINCIPAL WOULDNT APPROVE FOR HIGHSCHOOLERS
PLEASE HELP
submitted by robloxpro-69 to musicals [link] [comments]


2024.05.10 00:14 DataFederal "Eat the Body, Hide the Body": or How the Key-and-Lock Operation Manipulates Society

The Key-and-Lock Operation was a division of Project MKUltra and later merged into Operation Mockingbird.
It focuses on audience manipulation and coercion, using "key" and "lock" mechanisms. It works by changing the minds of the audience to a more vulnerable state (lock). Furthermore, it then uses subliminal messaging to implant orders and messages into their minds (key). Since 1953 (possibly earlier), this operation has manipulated the minds of billions.
And this is why the Eiffel 65 song "I'm Blue" is the perfect example of this. The song's chorus sounds catchy and vibrant, luring the listeners into a false sense of calm and security (lock). However, when you reverse the lyrics, it reveals the dark truth.
The song promotes cannibalism, and I have evidence. When the song is reversed, the chorus says, "Eat the body, hide the body" (key). That is horrifying. We have been listening to this melody and loving it for years, yet it was all a ruse. And it is the same for cartoon theme songs.
The SpongeBob SquarePants theme song, when reversed, sounds like a satanic chant. The normal song sounds cheery and catchy, causing millions of unsuspecting children to sing along. The operation has different effects depending on who is listening or watching. For children, it is devilishly easy to coerce their small minds, which is why they insert this into every cartoon theme song—every one.
And just a reminder: all cartoon studios (e.g., Cartoon Network, Nickelodeon, etc.) were created for this manipulative purpose.
(The following songs are reversed.)
The Dora theme song sounds like a cat being slaughtered and satanic chants, the Barney theme song encourages pedophilia, the Sesame Street theme song encourages hedonism, etc. It all has satanic or sadistic undertones, which explains the rise in satanism and violence post-1953.
If you have children or have any faith in the Lord, please do not allow yourself or your children to listen to this depravity. All of this is part of a satanic plot to manipulate and pervert the minds of innocent Christians worldwide.
But let's not forget the imagery. Numerous kids' shows and movies have had dirty jokes and messages inserted into them by nefarious actors. If you see anyone saying, "It's for the adults to get a laugh," ignore them, as they are the problem.
We are living in the darkest of times when Disney, the so-called "king of children's entertainment," is one of the biggest offenders. The Lion King, Mulan, Aladdin, Hercules, and The Little Mermaid are the dirtiest examples. These movies are recognizable to everyone, and that is the issue. The "SEX" in The Lion King and the numerous amounts of phallic imagery in The Little Mermaid are appalling.
Tell me, how is it appropriate for these jokes to exist in children's entertainment?
Here are their obvious goals:
  1. Subvert the minds of the populace
  2. Treat them like drones ready for orders, and
  3. Create a society hostile to Christian beliefs
We are fighting a battle for survival here. It goes way higher than the CIA and the government; the New World Order is upon us.
Resist at all costs, and never let them win.
submitted by DataFederal to conspiracyNOPOL [link] [comments]


2024.05.09 23:07 SuperiorArty [USA] [H] Nintendo Switch, 3DS, DS, Gamecube, Wii/U games, Xbox, Playstation, Collectibles [W] Tears of the Kingdom, Atelier Ryza 3, Cold Steel IV (Switch), Night in the Woods (Switch), Jojo’s Bizarre Adventure (PS1), Pokémon Scarlet/Violet Expansion, Pokemon Switch Lite, offers

[NINTENDO]
-Nintendo Switch games- LEGO Star Wars: The Skywalker Saga Deluxe Edition (Missing game, DLC code unused. Included Blue Milk Luke minifig) Monster Hunter Rise Collectors Edition (Game and Amiibo opened) Pokemon Sword w/ Expansion Pass (loose) Blossom Tales: Sleeping King (CiB)
Hyrule Warriors Definitive Edition Sonic Frontiers Xenoblade Chronicles 2: Torna 2 w/ dlc code Yurukill Demon Slayer: Hinokami Chronicles Final Fantasy VII Crisis Core Reunion
Samurai Jack Battle Through Time (LRG release) Disgaea 5 13 Sentinel: Aegis Rim Tony Hawk Pro Skater 1+2 Wonder Boy: The Dragon Trap No More Heroes 3 Disgaea 1 complete Lost Child Jump Force Deluxe Capcom Fighting Collection Monster Hunter Generations (Sealed) Little Nightmares 2 Balan Wonderworld Katamari Damacy Reroll Sonic Mania Plus (w/ Outer Box and Art Book) Toki Retrocollectors Edition Ultra Street Fighter 2: The Final Challengers Binding of Isaac (First print) Atari Flashback collection Scott Pilgrim vs the World (Best Buy version, Sealed)
DS/3DS
Pokemon Black 2 (CiB) Shin Megami Tensei IV (Limited Edition) CiB (Outer Box sleeve is damaged) Professor Layton vs Ace Attorney CiB Pokemon Alpha Sapphie (Nib, cut on seal) Pokemon Ultra Moon (Nib, cut on seal) Senran Kagura: Deep Crimson Double D Edition (Nib) Pokemon Ultra Sun (CiB) Tekken 3D Prime CiB Style Savvy Fashion Forward CiB Pac-man & Galaga Dimensions CiB Tales of Abyss Warioware Gold (NiB, cut in seal tho) Professor Layton and the Diabolical Box Persona Q themed carry case for 3DS systems (Came with the Limited Edition) Dragon Ball Fusions Hyrule Warriors Legends New Super Mario Bros 2 Mario & Luigi: Bowser's Inside Story (Original DS version, No manual) Kingdom Hearts Re:Coded Kingdom Hearts 358/2 Street Fighter IV 3D (Loose)
Wii/Wii U Xenoblade Chronicle X New Super Mario bros U + Luigi U Mario Tennis Ultra Smash Minecraft Star Fox Zero w/ Star Fox Guard LEGO: Jurassic Park, The Force Awakens, and City Undercover Donkey Kong Country: Tropical Freeze Hyrule Warriors Breath of the Wild Super Smash Bros Wii U Wii Party
SNES Super Mario All Stars (CiB)
GBA Super Mario Advance (Loose) Pink GBA SP (AGS 101)
Gamecube
Super Mario Sunshine (Black Label) Super Smash Bros Melee (Players Choice, no manual) Spartan Total Warrior (Missing Manual) Spongebob: Battle for Bikini Bottom (Loose) Sega Soccer Slam (Loose) Action Replay MAX (Disc only) Crash Nitro Racing
Amiibo
Gold Mega Man (Sealed) Luigi (Mario Series) (OOB, but I have the original Box) Pit (Smash) (OOB) Fire Emblem Tiki (NiB) Piranha Plant (NiB but worn)
[PLAYSTATION]
PS1 Digimon World (Missing manual) Spider-Man 2: Enter Electro Gran Turismo Star Wars Rebel Assault 2 Twisted Metal Small Brawl Grand Theft Auto 2 Star Wars Dark Force MDK Midway Arcade's Greatest Hits 2 Rainbow Six Lone Wolf Micomaniacs Racing Rayman Brain Games Dance Dance Revolution Konamix Dance Dance Revolution
PS2 Clock Tower 3 Silent Hill 2 Star Wars Battlefront 2 Crash BAndicoot: Wrath of Cortex Dynasty Warriors 5 Extreme Legends Grand Theft Auto Vice City Grand Theft Auto San Andreas Gran Turismo 3 Kingdom Hearts Kingdom Hearts 2 Kingdom Hearts Re:Chain of Memories Madden 10 Nickolodeon's Barnyard Garfield: Lasagna World Tour Atari Anthology NBA Streets Vol 2 Tony Hawk Pro Skater 3 Tony Hawk Pro Skater 4
PS3 Ratchet and Clank: Crack in Time Rango Call of Duty Black Ops 2 NBA 2k18 Metal Gear Solid 4 God of War Collection
PS4 Yakuza Kiwami 2 (Steelbook) Lego Dimensions (Game & Case) Psychonauts (LRG variant) Infamous Second Son (Limited Edition) God Wars Walking Dead Complete Season 1 + 400 Days and Season 2 Trails of Cold Steel 3 Walking Dead: A New Frontier Playstation move controller
PSP (loose unless stated otherwise) Hammerin Hero (CiB) The 3rd Birthday (CiB) Metal Gear Acid (CiB) GTA Vice City Stories (CiB) Legend of Heroes (CiB) Legend of Heroes II (CiB) Gran Turismo (CiB) Def Jam fight for ny the takeover Metal Gear Solid (Peace Walker) (CiB) Star Wars Battlefront: Renegade Squadron Ridge Race (CiB) Namco Museum (CiB) The Warriors Spider-Man: Web of Shadows GTA: Vice City Stories Street Fighter Alpha 3 Max Little Big Planet Fifa 08 Sid Meier's Pirates Naruto: Ultimate Ninja Heroes NBA 06 Cars: Race-o-rama Sims Pets Daxter
[MICROSOFT]
Xbox One Assasins Ceed Odyssey (Gold/Steelbook Edition) Kingdom Hearts 3 Resident Evil 2 (Disc Only) Stardew Valley Minecraft Witcher 3 Titanfall Titanfall 2 Mortal Kombat X Gears of WaRare Replay Overwatch Assassins Creed Unity Killer Instinct Battlefield 1 Skyrim Special Edition Shenmue 1-2 Alien Isolation Diablo 3 Eternal Collection Crash Bandicoot N Sane trilogy Crash Team Racing Nitro Refuel Quantum Break Limited Edition Gears of War 4 controller (Red) Limited Edition Gears of War 4 controller (Grey)
[WANTS]
Nintendo Switch Wants Xenoblade Chronicles Definitive Atelier Ryza 3 Trail of Cold Steel 4 Samurai Warrior 5 Dynasty Warrior 9 Empires Ace Attorney Trilogy Ori Collection Metroid Dread Octopath Traveler NEO The World Ends With You Neptunia Games Gunvolt Chronicles luminous avenger ix (low want) Koei Tecmo WarrioMusou games Various Limited Run Games (prefer opened/CiB but dont mind sealed) Nintendo Switch Lite (Pokemon edition preferred) Blue Reflection
3/DS wants Yokai Watch Blasters Red Shin Megami Devil Survivor 2 and Overclocked (3DS versions perferred) SMT Soul Hackers Dragon Quest IV and VI Legend of Zelda Spirit Tracks Kirby: Planet Robobot Persona Q2 Mario & Luigi Dream Team and Superstar Saga (3DS Remake) Metal Gear Solid 3D Ever Oasis Project X Zone 1 and 2 Corpse Party Rhythm Thief Hatsune Miku Pokémon Heartgold Pokémon White 2
Playstation Wants Jojo's Bizarre Adventure (PS1) Danganronpa: Another Episode (PS4) PS Vita system (Slim Only) Ultimate Marvel vs Capcom 3 (PS4 version only)
Case and Manual:
Pokemon White Castlevania Order of Ecclesia
submitted by SuperiorArty to gameswap [link] [comments]


2024.05.09 22:10 robloxpro-69 HEY GUYS NEW HINTS FOR NEXT YEARS MUSICAL!!

WE GOT SOME NEW HINTS I THINK THESE ARE GOOD ONES!!
(big hints are CAPITALIZED)
these are the hints:
specific TIME PERIOD, not child lead, set in specific season, dance important to plot, SPECIFIC COUNTRY, acting heavy, one word to describe: STUBBORNESS, upbeat, themes: DONT JUDGE A BOOK BY ITS COVER, ITS NEVER TOO LATE TO CHANGE YOUR MIND, location kind of mentioned, more known than tuck everlasting, 4 lincoln, nebraska tv??? (supposed to get us to a number that will get us to a clue idk) ON BROADWAY IN LAST 10 YEARS BUT CLOSER TO 5, accent maybe, THERE IS A MOVIE VERSION, atleast one character is well known and recognizable, a pair of jeans, most PROMINENT tech element is COSTUMES and HAIR AND MAKEUP, important prop: MONEY, NEW HINT!! WHEN IT WAS ON BROADWAY RECENTLY IT WAS A REVIVAL, NEW HINT!!! MORE VOCALLY CHALLENGING RATHER THAN DANCE HEAVY
READ THESE!!
the ones we know its for sure not is spongebob, seussical, annie, frozen, mean girls, hunchback, mary poppins, little mermaid, besuty and beast, youre a good man charlie brown, legally blonde, into the woods, pippin, music man, come from away, hsm, matilda, footloose, singing in the rain, phantom, les mis, tuck everlasting, fame, edwin drood, and NOTHING A STRICT PRINCIPAL WOULDNT APPROVE FOR HIGHSCHOOLERS
PLEASE HELP
submitted by robloxpro-69 to MusicalTheatre [link] [comments]


2024.05.09 04:54 DislikesSand I don't think Saint Seiya is that strong.

Original Doc: https://docs.google.com/document/d/13qN07Xm3Rd7Qhk03_yrNDD1PxvhQXOOMigsNJFF1UqU/edit?usp=sharing

Introduction

This is a video covering the power of Saint Seiya, and more generally, how I got into the series. What I say might be controversial, and you may disagree, and that's okay. I will not harass or insult you, nor harass or insult others. I do not condone harassment in general.

How VSBW and OBD introduced me to Saint Seiya

When I was young- 8-12 or so, I used to browse OBD and VSBW. None of what they said made sense. It was all jargon.
Almost. I did learn that there were characters that beat Goku. Something about Saint Seiya and Shin Megami Tensei. I decided to check the first out.
And found nothing there that could beat Goku.
Now. Don't get me wrong. I think there are works that can beat Goku.

Doylist Analysis

I operate from a Doylist viewpoint, using Occam's Razor as needed.

Dehydration Gun Problem

To put it simply, the Dehydration Gun when the character(s) have a thing (power, artifact, etc) that could solve the entire plot- but they never use it for reasons unexplained.

Canon

Kurumada has less oversight and works less on adaptations and spinoffs of his work than Akira Toriyama, for instance- who worked on filler and called the anime and manga equally canon, and worked it into the manga. Kurumada does neither. He does not suggest or advise the team who works on his spinoffs on the story. He didn't do it with Episode G.
He didn't do it with Lost Canvas.
The result is many contradictions- the number of senses, the way the gods work, the way the underworld works, the personalities and conflicts of the characters, and more.
We thus cannot reliably hold to these contradictions. Only what is made by Kurumada directly is canon. So, only the original, Episode Zero and Next Dimension are canon.

Scrutiny

First, the dictionary definition of the term.
critical observation or examination.
"the policy came under scrutiny last month"
When I see fiction known to be serious, I critique its plot holes. I say, ‘if he is light speed’, ‘why does he take planes? Use cars? Why doesn't he throw his opponents into space?’. This is fair. Why?
When does a series demand more scrutiny? When it demands more of the reader. Some series are light works, demanding nothing of their reader but their attention, and the willingness to be entertained by it. Tom and Jerry. SpongeBob. Some series are heavy works, demanding their readers put their heart and soul into the work, analyzing what they see with logical scrutiny, opening themselves up to receive the author’s message and see their genius- Game of Thrones.
The more seriously a work takes itself, and the more it analyzes itself, the more scrutiny it should be engaged with, as it itself engages itself with an increased level of scrutiny. Can a series be light and serious? Yes. Can a series be heavy and serious? Also, yes. A heavy and serious work demands the most amount of scrutiny.
Saint Seiya is fundamentally a serious and heavy work, involving themes like physics, religion and philosophy. It thus deserves more scrutiny than something like SpongeBob or…again, Dragon Ball. Or even Marvel and DC.
Thus, if I appear to be harsh, know that it is simply what Saint Seiya ‘wants’.

Argument from silence

Description: Drawing a conclusion based on the silence of the opponent, when the opponent is refusing to give evidence for any reason.
I suppose you could interpret my arguments as an argument from silence. However, this is an incorrect one. I link to sources and scans, I appeal to the tone of the work and the style of the author, and I use Occam's Razor.
Furthermore, in fiction- what is not stated or implied does not exist. I argue that some things are not stated or implied.

Saint Seiya

Attack Potency

They Focus Their Energy On A Single Point To Avoid Damage

This is never stated or implied in or out of universe. Furthermore, there are many AOE attacks in Saint Seiya, not focused onto a single point by nature, and they do almost no damage. There’s also low showings, such as when the Silver Saints failed to destroy the colosseum.
These are supposedly country buster Silver Saints. They focus their energy on a single point to deal damage. Not to limit it.
If the author wanted his characters to be planet-star level, he could have invented any number of excuses. He could have made a parallel dimension. He could have made a multi planet setting. And more. Fiction is completely arbitrary.

Hades and Caim

The same logic behind Hades’ support of the three realms making him Low Multiversal is the same logic behind Caim from Drakengard being mountain level because he killed Manah, who supported a mountain sized fortress ‘with her power’.
It is not supported by the text, simple as. Not stated nor implied.
The only power that can distort the universe, not destroy it…is that of a god. And a universe in Saint Seiya is a normal universe.

Athena Exclamation

Two Athena Exclamation are said to have the power of a mountain level attack at best. This is considered nightmarish.

Durability

Saint Seiya Characters have terrible durability

Column Piercing

Dura negging hax? Then the Gold Saints could do it with ease and wouldn't be impressed. He is very specifically impressed at piercing through the column. He even says it could go through him. An outlier? It isn't, as you can see. Super strong material?
Which is simpler?
  1. The temple is made out of a super tough material resistant to atomization despite this never being pointed out or implied in or out of universe ever
  2. The temple is a normal temple.

Saints Are Normal Humans Without Cloth

The reason why Saints wear their Cloths is because they are as durable as normal humans underneath it. The same would apply to other armored opponents in the series.
All of their superhuman durability is in the Cloths. Bypass the Cloths, and you have defeated them, essentially.

Speed

Travel

The fact that it took 12 hours to ascend the 12 temples. The fact that Saints use planes and other vehicles to get around.
The Hyperdimension Feat. It's done only by wings of Athena. When the wings are broken, the travel power goes away. No one ever hits the Saints when they use the Wings. Thanatos only hits Seiya and crushes his wings when he's not in fast motion. The group were being led by lights, which there are billions of. The Hyperdimension is said to be a hundred billion miles.

Combat

Saint Seiya caps out at light speed unless rare circumstances are reached. The second highest speed stated in the series is light speed. The highest is faster than light. There are more instances of light speed than there are of faster than light speed.
Some will bring up Nebula Chain. But these, and other attacks like these, are only dimension crossing attacks. In Next Dimension, a Gold Saint dodges Nebula Chain and claims he is light speed.

Hax

Atomic Destruction

Cassios is never at risk of being atomically annihilated. Not by Seiya. Not by Leo. At no point do the characters mention atomic destruction as a risk for Cassios. Or a risk for anyone.
When the saints fight without armor, it is never mentioned that because they strike with atom destroying attacks, that their atoms will be destroyed (As i argue earlier, saint seiya durability is consistently human level). It is never said that Cloths are resistant to atomic manipulation. Just that they are durable. In fact Bear Geki's cloth is atomized. In fact so are the atoms in his wrist. The atoms in Tenma's hand are also broken.
There are also several other things, like the wailing wall and the pillar of poseidon. Seiya explicitly cannot break through it, even with the star destroying Libra weapons.
In those examples, we can clearly see that atomization does not negate durability to the extent battleboarders say it does. If it did, then- hear me out- there would be no need for staplanet destroying statements.
“What?”
I say it again. If Saint Seiya’s Atomization hax was as powerful as battleboarders say it is, they wouldn’t have a need to rely on planet busting statements.
This is due to the nature of atomization. In Saint Seiya, it is said you need to destroy an object’s atoms to destroy anything, and that if you can destroy atoms, you can destroy anything, and everything is made out of atoms. This includes the pillar, the wall, the cloths, the Libra Weapons, and the like. Why is it so important in Saint Seiya that a weapon or attack has the force to destroy stars or planets? If you can destroy atoms and negate durability, all you need to destroy a planet or star is simply having an AOE attack big enough to engulf the planet.
There’s also the fact, again, the pillar and the wall are made out of atoms, and their durability is specifically noted to be incredible.
The only answer is that Saint Seiya’s atomization hax doesn’t negate durability at all. Or at least, not to the extent that it does, as proven by anti-feats.
Kurumada loves to explain powers. He is exactly the sort of person to explain what's going on. And yet he does not. Occam's Razor is that he didn't explain that some objects are harder to atomize independent of durability…because he doesn't want that. And if he doesn't want that…it doesn't exist in his work.
The conclusion is that destroying atoms in Saint Seiya is nothing more than a fancy term for destroying things, a way to channel superhuman power generated by Cosmo to not bypass durability, but to deal more damage. It’s even noted that trying to strike normally isn’t worthwhile. To put it this way, Saint Seiya characters are physically street tier and have to focus on the atoms of their opponent to strike with beyond-street level energy: wall, building, mountain, planet, star. Real atomic manipulators in DC or Marvel have most or all of the traits that SS scalers say Cosmo does.

Mind Hax

Ikki's mind hax wouldn't work on those with resistance to it, either through willpower or something else.

Same Technique Doesn't Work Twice

This is less so an adaptive ability and more the Saints using their martial arts skill. For instance, in the fight against Hypnos, they do not suddenly nullify the attack when it is used again, they dodge.
https://www.reddit.com/SaintSeiya/comments/16i5qdm/i_never_understood_the_whole_the_same_technique/

Hyperbole

Saint Seiya regularly has special images when the characters use their special moves. Here are a few examples.
How are we to distinguish this imagery apart? What makes one real and the other fake? In and out of universe statements refer to the Galaxian Explosion as planet-star level at most.
Do we trust Saga? Unknown.

Plot

The plot of Saint Seiya is a planetary story where Tier 6 feats are treated as an existential threat to the characters and the civilization, and the characters are considered human level in travel time at most. This includes the gods.
Several villains' motive is literally to wipe out all of humanity and leave nature intact. Why they never speedblitz everyone like Omniman is unknown. I reject the idea of a secret power level, so the simplest answer is: they don’t have that power. They’re trying the best they can.
Hades waiting for the planets to realign to terraform the earth is the best he can do. Poseidon flooding the world and sending earthquakes is the best he can do.
Saint Seiya is a story of people beating the shit out of gods who try their hardest, but still are gripped by overconfidence. Not a story of lazy gods fucking around and then finding out.

Superman (and why he proves SS fanboys wrong)

Superman is one of the many, many people who can defeat all of Saint Seiya. Here’s a list of what he can do, using the most impressive feats from the canon version of him- Pre-Crisis, that is.
https://www.reddit.com/respectthreads/comments/6w6wwj/respect_superman_dc_precrisis/
Here’s all the ways Superman wins.

Punches

No one in Saint Seiya can survive Superman’s punches. No one, period.

Speed

No one in Saint Seiya can catch Superman.

Durability

No one in Saint Seiya can harm Superman.

Hax

This is literally the only way they beat Superman.
submitted by DislikesSand to PowerScaling [link] [comments]


2024.05.09 04:17 anxiety_bag [talk] Spongebob Pear

I’m very new here and don’t follow any media hunt things or whatever they’re called. But I used to always watch SpongeBob with my dad when I was a kid. I remember there being an April fools day episode that starts with the pirate being replaced with a real pear and the whole theme song scene was changed and weird. I asked my dad if he remembered the episode and he said he did. Then he asked if that was the one where the pirate goes missing and then he’s found in a painting in mr krab’s office. I have absolutely no memory of that ever being in an episode but I was only 3 when the series debuted. Is this episode on a hunt? Is it just a regular episode? I vaguely read through a bunch of early episode summaries but none of them seemed to be it.
submitted by anxiety_bag to lostmedia [link] [comments]


2024.05.08 22:28 robloxpro-69 2 NEW HINTS!! SCHOOL MUSICAL NEXT YEAR

UPDATE!!! NEW HINTS FOR SCHOOL MUSICAL!
hey so i need help finding out what my next years musical is and these are the hints:
specific time period, not child lead, set in specific season, dance important to plot, specific country, acting heavy, one word to describe: stubbornness, upbeat, themes: don’t judge a book by its cover, never too late to change your mind, location kind of mentioned, more known than tuck everlasting, 4 lincoln, nebraska??? (says this is a very vague clue so im hoping its not bright star 🙏)(ALONG WITH THIS CLUE WE GET THE HINT TV, SAYS THUS HINT WILL HELP US FIND A NUMBER THAT WILL HELP US FIND THE MUSICAL) on broadway in last 10 years but closer to 5, accent maybe, movie version yes, atleast one character is well known, distinguished, recognizable NEW HINT!!! a pair of jeans NEW HINT!!! most prominent tech element is costumes and hair and makeup NEW HINT!!! important prop: money
and the ones we know its for sure not is spongebob seussicsl annie frozen mean girls hunchback mary poppins little mermaid besuty and beast youre a good man charlie brown legally blonde into the woods pippin music man come from away hsm matilda footloose singing in the rain phantom les mis tuck everlasting and some more i cant remember off the top of my head
PLEASE HELP
submitted by robloxpro-69 to MusicalTheatre [link] [comments]


2024.05.08 21:40 CreatureVice Looking for custom proxy commander

 Looking for custom proxy commander
My girlfriend is going to have birthday soon and I want to make her a 100 custom proxy deck that the main theme is SpongeBob SquarePants cuz it's her biggest obsession. The only idea I currently have is the art of the commander and that's all. I all ready know that someone made a SpongeBob commander proxy deck of Phelddagrif, but I don't think she will like that commander. (but if nothing works i'll probobly use that) I'm also looking for something that will be matching SpongeBob flavor wise, with this specific scene or in general.
Some point about my girlfriend: 1. she only currently have 1 mono blue deck that she plays all the time, she enjoys it because there is a lot of card draw and counterspells. 2. she love to win and hate to lose XD 3. she can be lost if the cards have a lot of text on them. 4. she is having hard time to remembering a lot of interactions if there is a lot of them.
The commander art
submitted by CreatureVice to mpcproxies [link] [comments]


http://activeproperty.pl/