2008.05.26 23:39 Meme: New and Improved (coming soon)
2018.10.07 07:32 AJDx14 Shared BPM
2015.10.19 10:56 ZadocPaet Mildly Vandalised: Images of mild vandalism
2024.05.16 09:32 eggplantsarerad So over this BS
2024.05.16 09:32 Synthtoast_za Relationship Anxiety
2024.05.16 09:28 CuriousFilm9994 I express well yet struggle to find a date 🌹
Sharing few prompts which I wrote myself. While i was able to break the ice, allmost all ended up ghosting. I guess, Rule 1 & 2 is indeed essential in today's world for dating. submitted by CuriousFilm9994 to Indiangirlsontinder [link] [comments] |
2024.05.16 09:28 haygurlhay123 “This Time, I Will Never Let You Go”: Cloud’s Mission and the Hidden Purpose of the Remake Trilogy - Literary and Musical Analysis of FFVII - Part 3
(continuation of part 2) submitted by haygurlhay123 to cloudxaerith [link] [comments] III. e) The Mobius FF x FFVII collaboration Alright, back to our suspension world-hopping! Let’s visit the realm of Mobius FF, —more specifically, the collaboration between Mobius FF and FFVII—, where I found the most substantial evidence for my theory. In case you’re unfamiliar with the Mobius FF (MFF) world and games, let’s begin with a bit of a summary of the parts relevant to us. The story takes place in a world called Palamecia, to which people from other worlds are inexplicably summoned. The vast majority of those who are brought there don’t remember anything from their worlds of origin or their lives before Palamecia except their names: these amnesiac people are called Blanks. The main character is Wol, accompanied by a guiding fairy of Palamecia named Echo. Echo knows a lot about the mechanisms of Palamecia, as she’s tied to the realm. The leader of this world is Vox, a being who manifests only as a voice. The first thing all Blanks remember before they wake in Palamecia is Vox telling them the rules of the realm. Incidentally, the crystals of the MFF world are teleportation crystals. III. e) i. Devs’ Statements Let’s review some of the MFF x FFVII Remake collaboration devs’ statements before diving into its story. For both the MFF x FFVII Remake collaboration and the Remake project, Kitase took on the role of producer while Nojima supervised the screenplay and wrote the scenario. The project leader was none other than the Remake trilogy’s Hamaguchi, who told a SE interviewer the following: “We would love for you to play the [MFF x FFVII] collaboration event as you look forward to [Remake’s] release” (“Celebration of the Overseas Release of the Steam Version and FINAL FANTASY VII REMAKE Collaboration Event”, Square Enix).He later hints at the collaboration’s storyline: “This collaboration is focused on Cloud, so the other characters will not make an appearance. Players will join Cloud, who has gone astray in Palamecia, on his adventures and see how the story unfolds based on his decisions. Content-wise, FINAL FANTASY VII fans will surely become fraught with emotion as events unfold in-game (laughs).”Kitase concurs on the emotional aspect of the collaboration in the same interview: “When it comes to the story, I seek two things– ‘mystery’ and ‘[…] emotional impact’.”Clearly, fans of FFVII are supposed to react emotionally to the events of the collaboration. With these statements in mind to give us perspective, we can get into the plot points relevant to our analysis. MFF x FFVII Remake comes in two parts, the relevant plot points of which I will describe and analyze one at a time. III. e) ii. Eclipse Contact 1) Fact-Finding Part one of the MFF x FFVII Remake collaboration event is called Eclipse Contact. It came out in 2017 on Aerith’s birthday, February 7th, and its release campaign ran until March. In Eclipse Contact, Palamecia welcomes someone new: Cloud Strife appears in the realm with very little recollection of his core world of FFVII. Cloud isn’t a Blank, since he recalls the mako reactors in Midgar upon his arrival in Palamecia, and also remembers that he was hired by Avalanche to blow them up: “Echo: How did you end up in Palamecia?This piece of dialogue reveals that Eclipse Contact Cloud’s memories end at the very moment when Avalanche arrives at reactor 1 in OG (disk 1, chapter 1): the very beginning of the game. Consequently, Cloud does not remember anything that happened from the beginning of the OG timeline onwards. Wol and Echo are intrigued by Cloud’s strange case: non-Blanks rarely arrive in Palamecia. The following text appears on the screen shortly after they meet: “Perhaps he is not truly who he thinks he is.Just like he did in FFT’s Ivalice, Cloud feels the need to find the Promised Land in MFF x FFVII, despite the fact that he lacks memories of the OG timeline. Though Cloud doesn’t remember anything beyond the train ride to reactor 1, he does remember the Promised Land (at least somewhat). This is odd, given that in OG, Cloud didn’t learn about the Promised Land until several chapters into the game. Wol and Echo agree to help Cloud figure out why he’s here, since there’s clearly something strange going on with his presence in Palamecia. In fact, Cloud brought Midgar’s mako reactors with him somehow, transplanting them onto the landscape of Palamecia. The group decides to bomb these reactors, following Cloud’s instincts in the hopes that it will jog his memory. Now for my favorite part. After blowing up another reactor, the group is surprised by the appearance of a crystal. A piano rendition of Aerith’s theme begins. When Wol tries to touch the crystal, something akin to a force field rejects him. When Cloud approaches it, however, the crystal responds to his hand by flashing with light. As it begins to glow, Wol concludes that the crystal is linked to Cloud and Cloud alone. Let’s examine the resulting dialogue: “Echo: This is the light in your memories. The light of home.What follows is a moment I call the wishing scene (13:43-14:34). Cloud closes his eyes and wishes on the crystal. It flashes, and suddenly, rainbow-colored ripples of light appear around it. Aerith’s theme is replaced by a slightly modified version of “Midgar, City of Mako”, the track that plays during the opening cutscene of Remake. You can recreate the modification by listening to “Midgar, City of Mako” from 2:00 to 2:23, then skipping to 3:00 and listening until 3:18. You may recognize the musical motif that kicks off the wishing scene as the Lifestream motif, which has become symbolic of the mysteries of the Remake trilogy, as it often plays during scenes where unexplainable plot deviations from OG occur— more specifically, deviations involving multiverse shenanigans. For instance, it plays during MOTF 4. It also plays in Rebirth after Cloud blocks masamune as Aerith is shown dying anyway. Cloud disappears with his crystal, after which Echo speaks to Wol about Cloud’s journey: “Echo: Each person gets the Promised Land they justly deserve, not the one they really need. If you’re a bad person, you go to a bad place. If you expect nothing, you get nothing. Even the journey there makes you look deep within yourself to find out who you really are. Cloud should be facing his own past as we speak. It’s cruel, but necessary. That battle was a long time coming”.Apparently, at least in the context of this collaboration event, the Promised Land can be a reward or a punishment, depending on which you deserve. Echo explains that Cloud will have to face himself and his past on his way to his Promised Land. This means that the Cloud that appears in Eclipse Contact must next embark on a journey that will confront him with his past, test his mettle, and ultimately lead him to the Promised Land he justly deserves. III. e) ii. 2) Fact Analysis There’s a lot of vital information to dig into here, mostly provided by Echo. She claims that the crystal’s light is linked to Cloud’s memories of home; Cloud has to have known this home in the past, as it could not otherwise exist in his memories. MFF Cloud must be a post-OG Cloud. Unfortunately, Echo indicates that whatever Cloud’s home is, he’s lost both it and his memories of it. Despite this, Cloud describes his home as warm and peaceful, concluding that he wishes to find it. Though Cloud can’t return to the past, Echo tells him that if he wishes it strongly enough, the crystal can guide him toward a new world, where his home and his Promised Land exist in the future. The fact that Aerith’s theme is playing all throughout these descriptions of Cloud’s lost home, his Promised Land and the past that he can’t return to makes it extremely obvious that these concepts all point to Aerith. Aerith is Cloud’s lost home. Wherever Aerith is, that’s his Promised Land. The time spent with Aerith before her loss is the past he tragically can’t return to. You might have clocked the similarities between Eclipse Contact’s mention of Cloud’s lost home and DFF’s mention of Cloud’s lost dream: in both these titles, Cloud’s home and dream are equivalent to his Promised Land. It’s confirmed yet again that Aerith is the one Cloud hopes to return to, just like every soul returns to the Lifestream. At this juncture of my research, I was curious as to why the last thing Cloud remembers before waking in Palamecia is the run-up to the Reactor 1 bombing mission in OG (disk 1, chapter 1). This mystery will have to persist for a while longer. The alarm bells in your head might’ve been triggered by the mention of the wishing scene’s rainbow ripple effects— and rightfully so. This visual cue has sparked passionate debate in the fandom since its appearances in Rebirth, as seen in these pictures: Zack Choosing To Get A Cure For Cloud, Rebirth Chapter 14; Creating a New World/Timeline Aerith Pushing Cloud Out of that World/Timeline, Remake Chapter 14 Cloud Blocking Masamune, Rebirth Chapter 14; Creating New World/Timeline You might have read or heard that this rainbow effect signifies that a character has entered another timeline, created a portal to another timeline, created a new timeline or is being shown different timelines. Indeed, whenever the OG timeline is deviated from in a significant way, this effect appears. The pictures above present multiple examples of these shifting realities. One might propose that the rainbow ripples in Eclipse Contact and Rebirth are unrelated because of the long period between their respective release dates. This long in-between period indeed makes it likelier that the effect was used without forethought in Eclipse Contact, forgotten over the years, and incidentally reused in Rebirth as a plot-important visual cue with no connection to Eclipse Contact. I’m inclined to disagree since the crystal is specifically described as a vessel that can take Cloud “to a new world” by Echo, which is a bit on the nose. Regardless, it’s plausible that there’s no connection. That is, it would be, if the rainbow effect didn’t show up in Remake too. When the Whispers are finally defeated in chapter 18 of Remake, a burst of the rainbow ripple effects indicate the emergence of multiple worlds, newly freed from the restrictive clutches of fate (1:16:36-1:16:47). Shortly thereafter, Sephiroth takes Cloud to the Edge of Creation and invites him to join forces with him. Cloud refuses, and Sephiroth says the following: “Seven seconds till the end. Time enough for you. Perhaps. But what will you do with it? Let's see.”The question “What will you do with it?” implies that the answer is unknown, meaning Cloud is no longer bound to the OG timeline by fate: many alternate futures lay ahead. Sephiroth is telling Cloud and the audience that now, the mystery of the Remake trilogy has become “Which future will Cloud bring into existence? Which among the infinite possible timelines will his choices result in?” After pondering this aloud, Sephiroth leaves Cloud alone to consider the rainbow effects in the sky (1:19:23-1:19:36). Because they generally represent alternate or changing timelines, it’s safe to assume that the rainbow ripples here represent the myriad of possible worlds that Cloud’s actions in those seven seconds could generate. After all, Sephiroth was just talking about them, and chapter 18’s description in Remake reads as follows: “In a world beyond, Sephiroth shows Cloud a vision of the planet seven seconds before its demise. Having strayed from the course destiny set for them, they strike out on a path towards an unknown future."This explains why the player is shown Cloud staring at those colors in the apocalyptic sky at world’s end, directly after hearing Sephiroth’s cryptic words: those are all the alternate “unknown future” timelines ahead of him, now unravelled from fate. Amongst those rainbow ripples lies the answer to the question “What will you do with [the seven seconds]?” Given that Remake was released in 2020 and Eclipse Contact came out in 2017, the major story elements of the Remake trilogy —including the eventuality of alternate timelines— had to have been planned out at the time of Eclipse Contact’s release: while the MFF x FFVII Remake collaboration was being made, Remake was also in production. Also recall that the collaboration event and the Remake trilogy share a codirector in Hamaguchi, a writer in Nojima and a producer in Kitase. Based on all this, it’s more than likely that the rainbow ripples in the Remake trilogy and inEclipse Contact represent the very same thing: alternate worlds and timelines. All this to say that when the rainbow effect appears around the crystal in the Eclipse Contact, it means the crystal is acting as a vessel to another world, just like Echo said. But that’s not all Echo said: she also mentioned that this other world would take Cloud to his home, to his Promised Land. We’ve already established what that means for Cloud, what it’s meant since two whole decades at the time of Eclipse Contact’s release: this crystal will take Cloud to Aerith. So, where exactly did the crystal take Cloud? In what world can he meet Aerith again? The music that plays during the wishing scene gives us a huge hint. As I noted before, the track playing in the background is a slightly modified version of Remake’s “Midgar, City of Mako”, which plays in the introduction cutscene of Remake. This is a musical cue that the ending of Cloud’s journey in Eclipse Contact and the very beginning of the Remake trilogy are closely related. Add the fact that the devs wanted players to experience this collaboration event before playing Remake, and it becomes undeniable: the crystal that appeared to Cloud in Palamecia —which offers to lead him to his home and Promised Land, meaning to Aerith—, took him to the world of the Remaketrilogy. Eclipse Contact is huge. The whole crux of my theory lives and dies right here. However, we still have part two of the MFF x FFVII Remake collaboration event to analyze as well as its promotions to look into before I can drop the thesis on you, so bear with me in order to receive the most thorough analysis of all this possible! I want to give you every drop of proof I can! III. e) ii. MFF x FFVII Remake Fatal Calling 1) Fact-Finding Fatal Calling came out February 1 of 2018, and its release campaign ended in March. The game opens with a cutscene: Cloud is floating, seemingly unconscious, through a sparkling, green current of light. The current flows into a circle of bright, white light, surrounded by rainbow ripple effects as Cloud is driven toward and into it. An orb floats along with him. The Advent Children theme “The Promised Land” plays, a choir of mournful, aching, mutedly desperate souls engaged in a lamenting prayer. Sephiroth’s voice echoes: “Sephiroth: It’s time. You may turn your back on the past, lock your memories away. Hide reality beneath a layer of illusion. But destiny will not die so easily. Yes. At memory’s end you may plead for it all to go away. But the past is a curse, binding your soul. It’s time. Wake to your fate. Rise to your destiny.Sephiroth’s mentions of Cloud hiding under an illusion and repressing his memories are no doubt allusions to Cloud’s past, which was complicated and darkened by Hojo’s experiments. It makes sense, then, that Cloud responds with “Reunion”. Fatal Calling indeed focuses on Cloud’s relationship to his past, his identity and Sephiroth. Everything involving Nibelheim —where everything started—, Sephiroth’s manipulation, and Hojo’s experiments are on the table. Also noteworthy if not out of place is Sephiroth’s evocation of fate. Cloud enters a battle with Sephiroth with the help of Wol and Echo, who are surprised to see him back in Palamecia. Cloud tells them about the orb seen floating along with him in the opening cutscene: though he calls it a materia, he doesn’t know how or when he acquired it. Based on his behavior, it appears that Cloud remembers just as little about the events of OG as he did by the end of Eclipse Contact. Wol informs Cloud that whoever he heard speaking to him on his way here was probably Vox pretending to be Sephiroth. As the group advances, Cloud recalls Midgar and decides they should go there next. At one of Midgar’s mako reactors, the group encounters Sephiroth, who speaks to himself: “It's still not enough. This... this is but a pale imitation of the power I desire.”Once Sephiroth has disappeared, Cloud explains what he remembers: Sephiroth was the greatest SOLDIER of all and a hero to Cloud, though Cloud can’t remember what exactly ended this admiration. As players of FFVII OG, we know the event in question is the Nibelheim incident, wherein Sephiroth slaughtered the town’s residents, including Cloud’s mother, after learning of his past. The former war hero also severely injured Tifa, whom Cloud presumed dead when he found her in the old mako reactor with a vicious slash on her chest. Cloud is agitated by the gaps in his memory, so the group resolves to follow Sephiroth for answers. When they find him again, Sephiroth causes Cloud to experience a piercing headache with the mere mention of the Reunion. They fight, but Sephiroth is too powerful— he skewers Cloud with the masamune and taunts his unconscious body: “Sephiroth: A puppet. I won’t kill you. Not yet. Not until you know true despair.Sephiroth darkens Cloud’s materia, turning it black. Later, Wol explains to Cloud that Sephiroth stole the light from his materia, taking Cloud’s strength along with it. Once Cloud has woken up, the group travels to Nibelheim to uncover the truth about Cloud’s memories. Cloud slowly gathers pieces of his past, shown to the player as titled, diary-like text written from various perspectives. Cloud learns the truth about SOLDIER, Jenova cells, Sephiroth, and what happened in Nibelheim. Let’s examine a few of these diary entries: “A Warrior’s Tale: There's a girl in Nibelheim I think about. Warm. Cheerful. More grown-up than a child. Haven't talked to her much, but she seems nice. She's going to be leading the SOLDIERs to the mountain reactor. Maybe if I get into the survey team I'll get a chance to talk to her? Nah. She's out of my league.”Young Cloud’s crush on Tifa is on full display! This must be a memory from his time as an infantryman accompanying Zack and Sephiroth to Nibelheim. “Tale of the Nameless: I drift along in the mako, asleep. Who am I? Who am I? Who am I? Who am I? Give me a number. I… I… I am… The Reunion. The Reunion must happen.”This entry could be taken from any one of the Nibelheim survivors’ perspectives, as they were all bathed in mako and turned into Sephiroth clones. I would venture to say this is Cloud’s perspective though, given the reference to this iconic line from OG: “Cloud: Professor... please give me a number. Please, Professor...The trio encounters Sephiroth near the old Mt. Nibel mako reactor. Because Sephiroth stole the light from his materia earlier, Cloud goes into the confrontation already drained of his strength. However, when Cloud lifts the materia in his hand, it lights up and creates rainbow ripples in the air around him, similar to those seen in Eclipse Contact and Rebirth. Cloud is healed of his injuries: he closes his eyes for a moment, wearing a peaceful expression. Sephiroth is displeased, but recovers quickly: “Sephiroth: The guiding light… it healed you.With this second evocation of fate, Sephiroth disappears. Cloud, Wol and Echo find Sephiroth at the Northern Crater. He mocks Cloud for believing the orb in his possession is materia. Sephiroth waves a hand and his signature black and purple fog surrounds Cloud, immobilizing him. Sephiroth claims that the power Cloud regained at the Mt. Nibel reactor was Sephiroth’s all along. Now that it courses through Cloud’s veins, Sephiroth controls him. He calls Cloud his puppet and finishes with the following before the two vanish, leaving Wol and Echo alone: “Now, let us return. Back to the Promised Land. The time of the Reunion has come.”After Cloud finally breaks free and defeats Sephiroth with the help of Wol and Echo, the villain makes a final threat: “Very good, Cloud. You’ve destroyed an illusion. But the time will come to abandon your illusions and face reality. Then, you will know true pain.”Sephiroth disappears for the last time, his body surrounded by his signature dark fog and the rainbow ripples. A piano rendition of Tifa’s theme begins. Cloud’s orb rises into the air and becomes a crystal, with the same shape and glow as the one we see in Eclipse Contact. The following dialogue is illuminating: “Cloud: I will fight. The light will lead me where I need to go.Tifa’s theme ends. Cloud approaches the crystal, and disappears in a beam of blinding light. Once Cloud has vanished with the crystal, Aerith’s theme begins playing. A few pale feathers with a slight orange tint (the color of MFF) float down onto the floor where he stood seconds before. The image fades to black. The credits roll, and Aerith’s theme continues all the way through. Once both the final name in the credits and Aerith’s theme fade, we’re surprised by a sudden, troubling image: Sephiroth appears in a frightening flash, standing amidst the flames of Nibelheim. When his image fades to black, the collaboration title *“Final Fantasy VII x Mobius Final Fantasy”*appears on the screen. The FFVII title is surrounded by the 1997 meteor logo. Then, a flash of light: the titles reappear, except this time, they read “Final Fantasy VII REMAKE x Mobius Final Fantasy”. The new Remake Meteor logo replaces the 1997 version. As soon as these changes to the FFVIItitle and meteor logo occur, Aerith’s theme returns. It plays on until the game ends a few seconds later, the screen fading to black. III. e) ii. 2) Fact Analysis The introduction cutscene shows that MFF Cloud travelled from Eclipse Contact to Fatal Calling via Lifestream. It’s unclear how much time has passed in between, but the atemporal nature of the Lifestream makes the question irrelevant. My theory that MFF Cloud has died is corroborated by the way he’s depicted in the opening cutscene: his eyes are closed and his body is limp as the Lifestream carries him. Eclipse Contact ended with Echo’s claim that Cloud will face his true self and confront his past while he journeys to his Promised Land. This description resembles what Cloud experienced in the OG Lifestream sequence (disk 2, chapter 8). Indeed, Fatal Calling revolves around the same topics the Lifestream sequence addresses: the truth about the Nibelheim incident, Hojo’s experiments, young Cloud’s crush on Tifa, etc. The opening cutscene shows Cloud being transported to his Promised Land and facing his past on the way there, just like Echo said he would. Let’s now take a long detour to examine the song that plays during the opening cutscene of Fatal Calling: “The Promised Land” theme from Advent Children. The title and general subject of this song are obviously relevant to the cutscene, but there must be more to its inclusion than that. Perhaps the lyrics can help us understand its appearance in the opening cutscene of Fatal Calling. Here are the unofficial English lyrics (translated from the original Japanese lyrics by an anonymous fan and verified by me via DeepL): “Why do we cling together?The song appears to be a regretful lament of human behavior, expressed by the repetition of “Why do we […]?” questions. The behaviors listed are all typically human ones: the terms “[clinging] together” and “[giving] punishment to [the] lesser” express the uniquely human nature of tribalism and the consequences of the fear and hatred it can generate, and “[begging] for forgiveness in the Promised Land” is likely a reference to the human hypocrisy of only feeling sorry for one’s crimes when judgement day arrives. This last line describes a scenario where someone remains passive or ignorant in the face of something important, only to realize its essentiality once it’s too late. The repeated“The planet did not forgive us” lines reflect the fear of being condemned forever because of one’s mistakes, as though the planet is a deity one has sinned against. The lyric describing a pulse in the earth is obviously about the planet being alive— a reference to the Lifestream. But the pulse is faint and weak and the planet is dying, perishing because of mankind’s greed. This is an indictment of mako energy. The line “A gentle life returns to the planet” refers to an innocent’s soul returning to the Lifestream after death, while the next lyric “Is it necessary to sacrifice souls?” protests the “sacrifice” of the planet’s soul energy for mako production. In all this darkness, this song’s mention of “forgiveness in the Promised Land” leaves a modicum of hope for a better place, however meek, even though mankind might not deserve it. The song “The Promised Land” is both a lament of mankind’s ways and a plea for mercy, with religious and/or spiritual undertones. The song’s themes seem to be: the Promised Land itself, regret and shame, the sins and foolishness of mankind, the death of innocents, grief, Cetra spirituality, and a meek, quiet hope despite it all. The most interesting aspect of the song is its antithetical portrayal of death as a thing of both despair and hope, condemnation and salvation, cruelty and mercy, suffering and relief. Maybe we can glean more information about this theme’s significance in the world of FFVII if we examine the contexts in which it appears. Importantly, the song plays in Marlene’s introductory narration of Advent Children, meaning its themes are related or similar to the film’s. I highly recommend listening and watching it again, even if you remember this iconic segment. Marlene references Aerith’s sacrifice as the image of Cloud lowering her into the water is shown. Note that Marlene says “Sadness was the price to see it end” (2:36) after we are shown Aerith’s death and her subsequent unleashing of the Lifestream (1:49-2:24): Aerith’s innocent life was sacrificed for the planet’s survival. The lyrics “A gentle life returns to the planet” and “Is it necessary to sacrifice souls?” suit Aerith’s situation quite well. The theme also plays in Advent Children as Kadaj dies in Cloud’s arms (1:45:00-1:47:55), hearing Aerith’s gentle voice and reaching up to take her invisible hand. Here is what Aerith says to him in his dying moments as “The Promised Land” plays: “Aerith’s voice: Kadaj?Kadaj is brought into the Lifestream by Aerith as she provides rain from the Lifestream. All those with geostigma are healed by the rain, and Tifa feels Aerith’s presence as the party celebrates: “Tifa, looking out at the falling rain […]: Somehow, I knew you were there. Thank you” (Advent Children).Cloud stands in the rain with a smile —his first in the whole film—, closes his eyes and basks in Aerith’s healing with his face upturned. He is finally at peace: “Cloud’s expression is one of peace as the [Lifestream] rain patters against him” (Final Fantasy VII Advent Children English script, “[83] Atop the Shinra Building”).One thing is clear: the track “The Promised Land” accompanies Aerith. It only makes sense, since we’ve seen overwhelming evidence that she is Cloud’s Promised Land, and since she occupies the Lifestream —which some consider the Promised Land as it is where souls go after death— during the events of Advent Children. Note that when the piece plays, Cloud is shown either mourning Aerith and releasing her into the river at the Cetra capital, or basking in her presence, smiling with relief at the peaceful feeling that she’s somewhere near: these two opposing scenes reflect the song’s antithetical portrayal of death. Additionally, the song’s themes of regret, shame concerning one’s sins and a small hope perfectly describe Cloud’s character arc and feelings in Advent Children. Cloud regrets his inability to save Aerith, which he considers a sin. Further, he only realized how important she is to him once it was too late to tell her. And of course, he harbors a fragile yet important hope that he’ll be reunited with her in the Promised Land: “‘Can sins ever be forgiven?’ — Cloud asks this to Vincent, who mutters a brief answer. For both of them, ‘I couldn't protect my loved one’ is the sense of guilt that they carry, so their words resonate with weight” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVIIWorld”, “Vincent Valentine”, “In Advent Children”, page 72).& "’It is my sin that I couldn't protect my loved one’ — under this assumption, Cloud closes off his heart. What will the reunion with Aerith bring him? ‘I... think I want to be forgiven. Yeah, I just want to be forgiven’” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVIIWorld”, “Cloud Strife”, “In Advent Children”, page 40).& “Cloud, after seeing Aerith’s hand reach for him through the Lifestream: … I think I'm beginning to understand.Just as the song and Marlene express in the introduction of the film, Aerith was innocent, and her sacrifice generated great grief. Cloud finally experiences peace when he feels her presence in the healing rain, and he smiles: he’s glad to be with her again, even if it’s only for a brief moment of tangential respite. The scene depicts Aerith guiding Kadaj into the Lifestream as the song plays, tying her to the concept and theme song of the Promised Land once more. This connection is later solidified by Tifa’s thanks to the late flower girl. All of this evidence shows us that this musical theme is intimately linked to Aerith, as it never plays in her absence. After all, the song speaks of sins, the death of innocents, forgiveness, grief, a small sense of hope, regret and the afterlife: all themes relevant to Cloud’s feelings surrounding Aerith’s death in and outside of Advent Children. The Remake OST also includes a version of this piece called “The Promised Land - Cycle of Life”. This iteration of the theme begins playing in the wake of the first bombing mission, right after Sephiroth taunts Cloud with his mother’s dying words in Sector 8 (chapter 2). Sephiroth appears to Cloud surrounded by flames, evoking the Nibelheim massacre, and the theme begins playing in the background once he disappears, continuing (13:17-15:30) as Cloud walks through the sector, encountering fires and destruction all around him. This version of the Promised Land theme is meant to emphasize the deaths of the innocent Nibelheim townsfolk and the innocents in Sector 8. This dreadful atmosphere is amplified by the cries of despair that ring all around as Cloud passes by NPC Sector 8 residents. Perhaps the themes of tribalism and mankind’s sin are relevant to this scene as well, since Shinra and Avalanche are two distinct and warring groups whose quarrels, regardless of their necessity, result in the deaths of innocents. The theme of guilt also emerges, reflecting the Avalanche members’ feelings upon seeing the unintended collateral damage of the explosion. “The Promised Land - Cycle of Life” plays until Cloud encounters Aerith on Loveless. So it seems in this scenario, the heavy weight of death and despair is lifted when Cloud meets the lively, cheery Aerith. Once more, Aerith is central to the musical theme of the Promised Land, as well as to the concept itself. I also noticed that a version of the song plays as Cloud and the party ready to enter the Forgotten Capital to save Aerith in Rebirth’s chapter 14: it truly adds the weight of her upcoming death to the scene. Back to Fatal Calling, the scene where Cloud regains his strength is quite mysterious. Wol says Cloud’s orb regained its “guiding light” light because of its proximity to the mako reactor. In the moment his strength is replenished, Cloud is shown tilting his head back and closing his eyes: this is reminiscent of the scene in Advent Children when he stands under Aerith’s healing Lifestream rain, feeling at peace. The rainbow ripples shining from the orb indicate that something is crossing the boundaries of worlds. Since the mako reactor pumps up the Lifestream, being near a reactor also means being physically near the Lifestream. This means Aerith’s spirit is within proximity. In my opinion, Aerith was able to heal Cloud from the Lifestream, just like in Advent Children. However, Aerith is not in Palamecia with him: her healing had to travel there through the Lifestream, transcending the boundaries of worlds, hence the rainbow ripples. Let’s now address the appearance of Tifa’s character theme in Fatal Calling. Since Fatal Calling is all about discovering Cloud’s past in Nibelheim and then in Hojo’s lab, it makes lots of sense for Tifa’s theme to play as the crystal appears. In OG’s Lifestream sequence (disk 2 chapter 8), she’s the one there helping Cloud sort through his past instead of Wol and Echo. Cloud even picks up a piece of his childhood crush on Tifa in Fatal Calling as a shard of his memory. After all, this crush was the catalyst for him joining SOLDIER, and everything that transpired in consequence: “Cloud: That was the first time I heard about Sephiroth. If I got strong like Sephiroth, then everyone might... If I could just get stronger... Then even Tifa would have to notice me” (FFVII OG, disk 2, chapter 8).Additionally, it’s fitting that her theme should begin right after Sephiroth speaks of “[abandoning] your illusions and [facing] reality”, considering that Cloud’s false persona was concocted by Jenova using Tifa’s mistaken impressions of Cloud: “While being tended to by a station worker in the Sector 7 Slum train station, [Cloud] was reunited with Tifa, and using the abilities of Jenova’s cells, formed a new personality” (FFVII 10th Anniversary Ultimania Revised Edition, “Chapter 2: Character in FFVII World, “Cloud Strife”, “Cloud Behavior Record, Compilation of FFVII”, page 40).& “(Image caption:) A new personality takes shape the moment he sees Tifa” (FFVII Story Playback, “Story Check: Tifa’s Flashback”).& “Tifa (to Cloud): Deep down, you're a pretty nice guy. Didn't see it when we were kids, but...” (Remake, chapter 14). |
2024.05.16 09:10 SlainJayne What is with US guests have long phone conversations during quiet hours? [Ireland]
2024.05.16 09:05 AutoModerator /r/NintendoSwitch's Daily Question Thread (05/16/2024)
2024.05.16 09:03 BetKings 🎉 WEEKLY FREE FOR ALL FLIPOUT QUIZ 🎉
Please be sure to check the rules before participating! submitted by BetKings to BetKings_World [link] [comments] Question: »Which hand granted the Main Event WSOP bracelet in the year 2012?« HOW TO PARTICIPATE: Write the right answer along with your BetKings - username (please do note: USERNAME, not nickname) in the comments below. Tag a friend and share the Quiz! You have time till Monday (20th of May)- 18:00 PM CET. All who will have answered correctly, tag a friend and share the Quiz in time, will get a ticket to the Free Flipout, where the prizes will be: 1st prize: T$ 100 2nd prize: T$ 50 3rd prize: T$ 30 4th prize: T$ 20 5th prize: T$ 15 6th to 10th prize: T$ 5 11th to 15th prize: T$ 2 You don't have an account yet? Well, then register on BetKings now and join the action! 🔥 Flipout Quiz |
2024.05.16 09:03 doomslayer30000 Trinity Focus: Puppeteer Organization (Leader: Academist Council, Government: Secret Society)
Trinity Focus Tree submitted by doomslayer30000 to BlueArchive [link] [comments] Gehenna is in Top 3 schools of Kivotos beside Trinity and Millenium. However, the leader Hanuma Makoto brought many terrible conquest plans and the approval of chaotic activities to follow the nature of the school. Only under the order by Sorasaki Hina that the school didn't fall and still kept the place. "Puppeteer"- An underground organization including academist elite students from Trinity - decided to create a plan to weaken their rival. They sent secret fund and weapons to Makoto and delinquent in Gehenna. They predicted that instead of use these godsend effectively, The students will continue causing chao with a bigger scale. And they were not wrong, Trouble spread outside of Gehenna and Other schools have to mobilize force to repel. Not only that, destruction inside school got nastier. Not being strong as Prefect, the rising number was enough to make Hina restless. Hina requested for action but Makoto was too focused on building a bigger statue than Cherino with the new money. Hina is a persistent student. It finally took her many weeks to reach her limit with hellish schedule and decided to leave Gehenna with the Prefect Team. The pressure at that time outweighed her patriotism. About a third of Gehenna students didn't find the school safe anymore so they also left to smaller schools or found some empty land, settling there as Frankish tribes. After leaving, Hina got many offers from other schools including Millennium, She was fine with every choice except Trinity as long as no school didn't get corrupted by Makoto. Without Hina and some of the students. Gehenna got seriously weakened but Makoto didn't realize that. She really thought her ideal finally prevailed and continued her reign without knowing a potential invasion threat. The truth is Puppeteer couldn't declare invasion as long as Nagisa still ruled. But they didn't think that was necessary. Pulling strings was so much more interesting. They could turn Trinity into the strongest school in Kivotos without arms. (Imagine the confusion from Nagisa's face when she didn't understand why every school except Trinity had crisis). Against Millenium, they steal technology. Against Shanhaijing and Hyakiyakko, they made business rivalry between two schools more fierce and contain less sportmanship which can damage both. When no school is strong enough to oppose them even if they are united, they can publicly declare the Great Conquest. When they triumph, Kivotos city is no more, It will be Trinity General City. Hope that day won't come. https://preview.redd.it/294h1q6ulq0d1.png?width=988&format=png&auto=webp&s=a5a83672ec33d3823132cba02f09f04f19f5e487 p/s: -This is one of the hardest focuses to achieve since Hina's loyalty is hard to break and if u can somehow make her leave. There is no guarantee that Gehenna can't bounce back with a new leader or the return of Hina.
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2024.05.16 09:00 AutoModerator NC/NP Trade/Sell & Pet UFA/UFT Thread! - May 16, 2024
2024.05.16 08:57 Yurii_S_Kh St. Theodosius of the Kiev Caves
https://preview.redd.it/sq9ob43vkq0d1.png?width=450&format=png&auto=webp&s=00f9b50b4221afd75c3ba40d6bc078bded8781e1 submitted by Yurii_S_Kh to SophiaWisdomOfGod [link] [comments] Theodosius, whose name means "gift of God," grew up in the small cities of Vasilkov and Kursk where his father was a judge. Although his parents were Christian and gave him an education directed primarily at the study of Scripture, they were astonished to see his heart so completely overtaken by love for God. His father died when Theodosius was 13, and this caused the boy to retreat still further from the world common to one of his age and social rank. He gave away his good clothes, preferring to dress like the poor, and found pleasure in helping the peasants with their work. He often went to church, and when he learned that Divine Liturgy was sometimes not celebrated due to a lack of prosphora, he undertook to bake them himself. His mother loved him dearly, but she did not share her son's life-encompassing Christian outlook; she was very conscious of her social standing and felt that by engaging in such lowly occupations Theodosius brought shame upon the family. She tried cajoling, then threatening and even physically beating him to make him change his ways, but Theodosius stood firmly on the path of the Gospel commandments. His zeal for the things of God inspired Theodosius to slip away with a band of pilgrims bound for the Holy Land. Three days later his mother tracked him down, berated the pilgrims for having taken the boy along, and dragged Theodosius home where she kept him in chains until the youth promised not to leave her again. The humility of the youth and the sufferings he endured at the hands of his mother came to the attention of the governor who requested that the youth attend him in church. This served to calm the domestic drama, but Theodosius' heart yearned for a more concentrated spiritual atmosphere, for monastic life. Standing in church one day, he was struck by the words of the Gospel: "He who loves father or mother more than Me is not worthy of Me." With fixed resolve, he took advantage of his mother's departure into the country for a few days to set out for Kiev, taking with him nothing but some bread for the road. The monks in the established monasteries, however, turned him away because he had no money. Then he heard about the righteous Anthony. Coming to his cave, Theodosius fell to his knees and begged the holy ascetic to accept him. "My son," said Anthony, "you see my cave; it is cramped and dismal, and I fear you will not endure the difficulties of life here." "Know, O blessed father," replied Theodosius. "that God Himself has led me to your holiness that I might find salvation. I shall do all that you enjoin." Foreseeing his future greatness, the blessed Anthony accepted the determined aspirant and bade the priest monk Nikon tonsure him. Theodosius was 23 years old. It was a few years before his distraught mother finally discovered her son’s whereabouts. With great reluctance Theodosius went out to her. At first she vowed that she would die if he did not come home with her. But gradually God softened her heart and she came to see the wisdom of her son's patient admonitions. Following his advice she entered the St. Nicholas convent there in Kiev where she ended her days in peace. https://preview.redd.it/h10jlboxkq0d1.png?width=225&format=png&auto=webp&s=0b0cf8272c80cf80377438120ecc92fb8624389c When Theodosius became abbot, he saw need for a common rule to unite the growing community--which by that time was living above the ground; only a few hermits were left in the caves--and he sent one of his monks to Constantinople to copy out the rule of the Studite Monastery. The rule governed the daily life of the monk: it set the hours of prayer and work; monks were forbidden to have any personal possessions, everything was held in common; all monks were together for common meals: time, apart from prayer, was to be spent in working; all activity was begun with a blessing from an elder and with prayer. The monks were to reveal their thoughts to the abbot, a practice which roused them to constant spiritual vigilance and helped to check manifestations of the passions before they took root in the heart. Above all things, have fervent charity among yourselves (I Peter 4:8). It was St, Theodosius' choice of the Studite Rule, with its emphasis on the duty of charity and the common good, which served to revive the ancient ideal of strict cenobitism and gave Russian monasticism its characteristic warmth. "What is principally necessary," taught Theodosius, "is that the youngest should love their neighbor and listen to their elders with humility and obedience. The elders should lavish on the young love and instruction; they should teach them and comfort them." This attitude created an atmosphere eminently suitable for missionary work, and it was thanks to the monasteries that Christianity was so successfully propagated in Russia. Of a strong constitution, Theodosius was a model of industriousness. Even as abbot, he felled trees, carried water, and ground wheat, often helping the other brethren with their obediences. Once, the cook came to ask if he would assign a monk to cut firewood, as the kitchen supply was depleted. "I am idle," replied the Saint, and he set to chopping wood himself. He worked through the dinner hour and the brethren, when they came out and saw their abbot hard at work, were inspired to do likewise. Knowing the great benefit of good books upon the soul, Theodosius instituted the reading of spiritually profitable texts during meals, and sought to augment the number of such books in the monastery. Books were still a rarity at that time, and one of the valued occupations of the monastery was the copying and binding of manuscripts. Theodosius himself helped in this work. At first, life in the Caves Monastery was very austere indeed. The monks lived principally on rye bread and water with the addition of a few vegetables which they cultivated themselves; they wove their own cloth and sewed their own garments. When the brethren murmured about some deficiency, Theodosius exhorted them to place their trust in the Lord Who knew their needs. And his faith was often miraculously rewarded. The reputation of the monks as 'angels on earth' began attracting pilgrims; princes and peasants ca me for spiritual counsel and left donations. Grand Prince Izyaslav, who became very attached to St. Theodosius and frequently came to visit him, was a great benefactor of the monastery, as also was the Viking Prince Shimon who was baptized into the Orthodox Church together with his entire household, numbering some 3,000 members. With increased mean s, Theodosius was able to build a guest house for pilgrims where the poor and sick also found refuge. No beggar was ever turned away from the monastery without being given a meal. Weekly a cart was sent from the monastery laden with bread to be distributed among those in prison. The Saint's compassion was boundless. Once there were brought to him some robbers who had been apprehended in the act of stealing monastery property. With tears the Saint entreated them to mend their ways. Then, having fed them, he let them go. The robbers were so moved by the Saint's mercy that they repented and became honest, God-fearing men. Like St. Anthony, Theodosius also endured the effects of the princes' quarrels. At the same time he maintained his independence and did not fear risking the displeasure of his royal benefactors if he felt called as a spiritual father to admonish them. When, for example, Svyatoslav unjustly took the throne from Izyaslav, the Saint wrote a strong letter to Svyatoslav, reproving his action and urging him to restore power to his older brother. This angered Svyatoslav, and Theodosius was warned of possible consequences, but he calmly replied: "Nothing could be better for me in this life than to suffer for the sake of the truth." Mindful of the Saint' s popularity, Svyatoslav took no action against him and even went to visit him. He was surprised when Theodosius received him with the respect due to one of authority. "I was afraid you'd be angry with me," said the Prince. "Our duty," replied the Saint, "is to say what is beneficial for the soul's salvation; and you would do well to listen." Although Svyatoslav could not be persuaded to give up the throne and Theodosius continued to commemorate the pious Izyaslav as the lawful ruler, their relationship was peaceful and it was Svyatoslav who gave land for the building of the new stone church. Work had just begun on this church when St. Anthony reposed. Neither did St. Theodosius live to see its completion. It was his custom to retire to a cave for the course of Great Lent, and it was during this time, in 1074, that the Lord revealed to him his imminent departure from this world. On Bright Week, having joyfully celebrated the radiant feast of Pascha in the monastery, he fell ill. Summoning the brethren, he informed them that his time had come, and foretold the very day and hour of his repose. By common consent of the brotherhood, he blessed his disciple Stefan to take his place as abbot, exhorting him not to change the tradition s of the monastery, "but follow in all things the law and our monastic rifle." May 3,1074. The divinely appointed hour arrived and the bright soul of the Saint took leave of its earthly tabernacle. As he had willed, his body was laid to rest in the cave which alone with the angels had witnessed his ascetic labors. Eighteen years after the Saint's blessed repose, the monastery brethren decided to transfer his relics to the new cathedral church. The abbot, together with monk Nestor the chronicler, went to the cave to dig up the relics and discovered them to be incorrupt. Accompanied by a large crowd of people, the relics were solemnly transferred to the Dormition Cathedral on August 14, 1092. And in 1106 Saint Theodosius was added to the list of canonized saints. True to their promise, the holy founders of the Caves Monastery continued to watch over its existence even after their repose. There is, for example, the story written by Bishop Simon (+1226), a former monk of that monastery and principal author of the Kiev Caves Patericorn of how the stone church was completed. Sts. Anthony and Theodosius had been gone from this world some ten years when a group of Greek iconographers came to the Caves Lavra demanding to see the two monks who had hired them to adorn the new church with frescoes. They were rather angry inasmuch as the church standing before them was considerably larger than they had been led to believe and would consequently require more work than was covered by the sum of gold they had received there in Constantinople upon signing the agreement. Abbot Nikon, confessing his ignorance of the matter, asked who it was that had hired them. "Their names were Anthony and Theodosius," "Truly," said the abbot, "I cannot summon them, for they departed this life ten years ago. But as you yourselves testify, they continue to care for this monastery even now." https://preview.redd.it/k3vsiyu1lq0d1.png?width=172&format=png&auto=webp&s=a3408a2561adad1709eba7009c45d9ef7497f068 The Greeks, scarcely believing this possible, called some merchants traveling with them, who had been present at the signing of the agreement, and asked that they be shown an image of the deceased. When this was done the Greeks bowed low, for they recognized in the saints the exact likeness of the two men who had commissioned them to paint the frescoes and given them the gold. Acknowledging the supernatural power of the saints, they decided not to cancel the agreement after all, and set about with heightened inspiration to embellish the church. The iconographers never returned to Constantinople; they became monks and ended their days there in the Caves Monastery. The Dormition Church, rebuilt in 1470, was destroyed in 1941 by an explosion which the Soviets attribute to the Germans. Witnesses, however, state that it was the communists themselves who set delayed action explosives just before the German occupation of the city. Orthodox America |
2024.05.16 08:55 Anon100101010 hanuman ji's footprints , ashoka vatika , ram setu
2024.05.16 08:45 JadedApartment2576 I was tortured as a child. I want to move on
2024.05.16 08:44 Otissmilburnn TL Rachin Ravindra should be our NO 3 from next season onwards.
2024.05.16 08:41 ryni_abella Backup Strategies of your laptop: How Do You Keep Files Safe?
2024.05.16 08:33 Parking_Ride222 The Teflon Queen Janelle AKA Queen Takes No Sh*t Janelle
2024.05.16 08:29 HappyHiker88 My Surgery Experience
2024.05.16 08:21 Yurii_S_Kh How the Mercy of God, Not the Mongolian Mountains, Helped a Couple Become Parents After Twenty Years of Childless Marriage
https://preview.redd.it/csbwskojeq0d1.png?width=400&format=png&auto=webp&s=ce0f712f424b4ca1fa27a330b8963ae615654808 submitted by Yurii_S_Kh to SophiaWisdomOfGod [link] [comments] It is not uncommon for people to come to the faith through sorrow or joy. I would like to share with readers a vivid story from my childhood, which made a strong impression on me and afterwards helped me come to the faith, get baptized and become a church-goer. Our family was on a business trip to Mongolia in the 1980s. It was in the small town of Erdenet. We had a lot of friends there who we would visit regularly. Among my parents’ acquaintances there was a married couple, both pediatricians—Mikhail and Lyudmila. They were a beautiful and interesting couple, but childless. One day Mikhail and Lyudmila invited some close friends to their home; they said they would reveal a secret to all of them… Everyone was intrigued. They imagined various things, but no one hit the nail on the head. Mikhail, an adult man who went in for sports, laughed and cried like a child. He now stood up, now sat down while sharing the secret with us: “Lyudmila and I have been married for over twenty years now. We got married in our first year at university. We have always dreamed of a big, closely-knit family, with both daughters and sons, with a lot of noise and fun at home. We so wanted to hear children's laughter! But the doctors diagnosed infertility. We went to various sanitariums, underwent mud therapy and all kinds of other procedures. We saw the most famous doctors, and my wife courageously did various tests, some of which were painful—but it was all in vain. “Three years ago we moved to Mongolia. Before that, there had been business trips to Latin America and Africa. And now Lyuda1 is in her first trimester. We didn’t tell anyone earlier because we couldn't believe it and were afraid it was a mistake. The first months of pregnancy are very sensitive and complicated. The gynecologist said that if we managed to get through the first three months, then we wouldn't have to worry anymore.” Silence began to reign after such a speech. Even we, the children, stopped joking and laughing, somehow feeling the importance of what had been said, intuitively realizing that we had come into contact with a miracle. After a few minutes the hospitable hosts were bombarded with questions. Lyudmila was shining with happiness: “I had never thought that I, a physician and the author of several scientific articles, would utter the word ‘miracle’. But I can't call it otherwise! I have a grandmother who is a long-liver. Twenty years ago she said that she would pray for me in front of an icon of the Most Holy Mother of God. She believed in the mercy of the Lord and His Most Pure Mother. I showed understanding, thinking that she was an elderly woman and these were remnants of the past… “But what has happened to us demonstrates that my religious grandmother was right: the mercy and love of the Lord are always with us. So many years of treatment and hope... Now we are both almost forty years old, and in six months we will become the happiest mother and father.” Everyone congratulated the couple, saying kind and beautiful words. Then the guests tried to “figure out” what exactly had helped Lyudmila get pregnant. They suggested many different explanations: One of them assumed that a change of climate had had a wholesome effect on the woman's body, another one supposed that the presence of mountains and a slightly high radioactivity level had played a role, while others believed that the treatment, albeit belatedly, had borne fruit at last. Lyudmila put a crystal glass of homemade fruit drink on the table and said seriously: “I see only one explanation: It’s neither the mountains, nor the climate, nor the Gobi Desert. It’s a miracle. My grandmother turned out to be much smarter than me. She always said that we would have a child, because the Lord and His Most Pure Mother are merciful. But until recently I stubbornly believed that since the doctors had diagnosed infertility, no prayers could help. Foolishly, I equated my grandmother’s earnest prayers with the spells of various psychics who ‘cure’ childlessness with a decoction of a cat’s tail or by sprinkling ashes on the bed! As soon as my pregnancy was confirmed, we immediately called my grandmother. I cried with joy and then, of course, I apologized for being skeptical about her words about God and faith. I thanked her. “But, nevertheless, my Komsomol upbringing affected me. At the end of the conversation, I asked my grandmother why the Lord had sent us a baby only twenty years later, if she had started praying earlier. My wise grandmother replied that I would understand it myself. Now I know that getting ready to become a mother at my age (over thirty-five), when all attempts to cure infertility did not help; when, according to all biological laws, the chances of getting pregnant even for a very healthy woman decline, is a miracle of God. This is the power and mercy of the Lord. I recall how my grandmother once told me a chapter from the Gospel about how the elderly holy Prophet Zachariah and the holy Righteous Elizabeth became the parents of the holy Prophet John the Baptist, and how the Archangel Gabriel announced the Good News to the Virgin Mary… Before confirming my pregnancy, the doctors had ruled out uterine fibroids and cancer, re-examining everything and repeating tests many times, and only then did they tell me the good news: ‘Believe it or not, but marvel—you will be a mother.’ When I asked them how it was possible, they smiled and said that such a phenomenon could only be called a miracle, as they could not explain it from a scientific point of view.” The whole town of Erdenet followed the events in their family. Everyone offered their help, gave children’s clothes and toys. Lyudmila’s husband walked with her before going to bed, bought groceries himself and cooked only healthy food intended for expectant mothers. After a while, the couple went to Moscow for the birth. In due time, a beautiful, healthy boy was born. Later, the happy parents sent us a long letter: after a month and a half, the baby was baptized with the name Zakhary (Zachariah). At that time, the authorities began to return monasteries and churches to the Russian Orthodox Church, and many people began to go to church for confession and Communion. Mikhail and Lyudmila converted to the faith as well. Alexandra Gripas |
2024.05.16 08:18 haygurlhay123 “This Time, I Will Never Let You Go”: Cloud’s Mission and the Hidden Purpose of the Remake Trilogy - Literary and Musical Analysis of FFVII - Part 2
“When is my knight in shining armor going to take me away from here...?”Later, Ramza and his companions encounter a mysterious machine that can summon people from across universes. The machine is activated, and a rather rude young man with spiky blonde hair appears. Cloud claims he used to be in SOLDIER, and says the last thing he remembers is “getting stuck in the current”. He looks to be disoriented and lost, and suffers from piercing headaches. Mere moments after being summoned to Ivalice, Cloud rambles:
“What’s this? My fingers are tingling… My eyes… they’re burning… Stop… stop it [Se]phiroth…”He dashes out of the room, but not without announcing:
“I must go… must go to that place…”Outside, Cloud encounters the brunette flower girl Ramza met earlier. She offers Cloud a flower, but he only stares at her wordlessly:
“Flower girl: Buy a flower? Only 1 gil.As soon as Cloud leaves, a gang of ruffians surround the flower girl and start harassing her, demanding payment that’s apparently overdue. One of them finally calls her by her name: “Aeris”. He grabs her, insinuating that he might sexually assault her in lieu of payment. Aeris is not strong enough to push him away. That’s when Cloud returns:
Cloud: …
Flower girl: Something wrong? Do I resemble someone?”
Cloud: No… it’s nothing.”
“Cloud: Get your hand off her!Aeris heeds Cloud’s advice, fleeing the scene before a fight between Cloud and the thug can break out. After Cloud scares the ruffians off with the help of Ramza and his companions, he speaks once more:
Thug: What did you say!?
Cloud: Didn't you hear me? Get your dirty hand off her!
[…]
Cloud, to Aeris: Go… now.”
“I lost… something very important… Ever since, I’ve been lost […]. What should I do? What about this pain [?] Must go… to the Promised Land.”III. b) ii. Fact Analysis
“[The flower seller’s] name is Aeris, and she has the same appearance and tone of voice as the Aeris of FFVII. However, when she comes across Cloud, she does not recognize him. Could she really be the same Aerith who appears in FFVII but with memory loss, or is she a completely different character?” (“#4 Proof of Omega”, “FFVII in Other Games”, “Final Fantasy Tactics”, page 560).Regardless of her unknown identity and inability to recognize Cloud, FFT Aeris’ fantasy of a “knight in shining armor” is quite reminiscent of the flower girl/bodyguard dynamic we’ve come to know and love. Cloud’s armor doesn’t shine, but in my opinion, if you’re looking for the dystopian, corporatocratic equivalent of a knight, you can’t get much closer than a supposed-former-SOLDIER-turned-bodyguard. Additionally, despite his rude and cold attitude toward Ramza’s gang, the urgency with which Cloud swoops in to save the flower girl from the ruffians betrays a softer, warmer side to him: the flower girl/bodyguard dynamic strikes again!
“Cait Sith, reading Cloud’s fortune: You will find [what] you pursue. However, you will lose the most precious thing” (disk 1, chapter 16, English translation by Kotaku’s “Let’s Mosey: A Slow Translation of Final Fantasy Seven: Part Eight” by Tim Rogers, 9:42-9:52).&
“Cloud, after seeing Aerith’s hand reach for him through the Lifestream: … I think I'm beginning to understand.Finally, let’s try to understand where on the OG timeline Cloud was summoned to this suspension world from and what he remembers. His comment about getting stuck in a current has to be about the Lifestream; apparently, on top of its atemporal nature, it can act as a conduit to other worlds. One only enters the Lifestream if they’ve somehow fallen into the core of the planet or once they’ve passed away and returned to the planet. Both scenarios merit consideration.
Tifa: What?
Cloud: An answer from the Planet… the Promised Land... I think I can meet her... there” (disk 3, chapter 3).
“Tifa: The way you showed up and fought that guy off. It was a pretty cool thing to watch. You were like a hero, charging in to save the girl.On another note, Cloud knows he will have to fight Tifa once the Cosmos-Chaos conflict comes to a head, as they are on opposing teams. He thinks to himself:
Cloud gasps at her words. She doesn’t notice” (Dissidia 012: Treachery of the Gods, report 5: “Unexpected Fulfillment 2”).
“Once [her] memories return, [she]’ll lose the will to fight just like I have. So... Before that can happen, I have to act...” (Dissidia 012: Treachery of the Gods, report 5: “Unexpected Fulfillment 2”).In order to end the cycle of the conflict and to avoid fighting Tifa, Cloud decides to try and defeat Chaos himself. Predictably, Cloud is no match for the deity. As he dies, Cloud pleads the following to the goddess Cosmos:
“Cosmos, goddess of harmony. If you can hear me, listen to my plea. I beg you. Save her. Save my friend… Tifa.”Cosmos hears him and responds immediately:
“Cosmos: An end to this conflict, and a life spared? This is your heart's desire? If your will remains unchanged, I shall bring you here when the battle draws to a close. Cloud. My chosen" (Dissidia 0.13: Treachery of the Gods, report 7: “Unexpected Fulfillment 3”).Cloud’s wish is granted by Cosmos: the first phase of the conflict ends without Tifa getting hurt, and she is sent away from the suspension world of DFF before the second phase begins. Cloud is saved from death, and Cosmos enlists him into her team of warriors for phase two: this time, Cloud is fighting on the good side.
“Cosmos: The crystals embody the strength to face despair. With ten gathered, there is hope yet to save the world. The path to your crystal will be perilous... and different for each and every one of you. But you must believe in and follow your own path. Even if you know not where that path leads" (Dissidia 013: Light to All, prologue: “A Final Hope”).From this exposition, simply keep in mind that: Cloud must find his crystal by overcoming a personal trial, and his crystal may have the appearance of an object in OG that’s important to him.
“Cloud: I've looked, but I'm still empty-handed. And without a dream, what do you suppose I should do? […] Maybe what I'm looking for... isn't here” (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Gateway of Good and Evil”).Another fellow warrior, Cecil, expresses worry for Cloud, whose response evokes the main theme of FFVII OG:
“Cecil: Everyone's worried, Cloud. But... Do you shoulder a larger concern?Whatever Cloud is looking for “isn’t [there]”, and he feels “a sense of loss”: Cloud’s motivating dream has been lost to him. This is later reasserted in a conversation with Terra, another warrior of Cosmos:
Cloud: Concern... Maybe a sense of loss" (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Beyond the Continent”).
“Terra: And you, Cloud... What's your dream?Later, Cloud encounters and fights Sephiroth, who is still a part of Chaos’ team. Sephiroth is defeated, but not before he’s taunted Cloud with his habitual puppet talk. However, Cloud remains strong and refutes Sephiroth’s manipulation, asserting that only he can determine his own path. This must’ve been Cloud’s personal trial, because his crystal appears at that very moment: it is a small, light green orb that looks like materia from his core world. Having pocketed his crystal, Cloud decides he must find his own reason to fight. Interestingly, his search is depicted as intertwined with Fate:
Cloud: I've lost mine" (Dissidia 0.13: Light to All, chapter 3: “The Chosen Battle”, “Gateway of True Intent”).
“Cloud: Even if I have my doubts... I have to find my own answer […] Until then, I'll keep fighting.Later, the nemeses meet again in a segment called “Recurring Tragedy”. Their interactions here are particularly interesting. Sephiroth speaks of making Cloud suffer through despair and pain as though referencing their history together:
Narration: The warrior has vowed to keep fighting— and keep fighting he will […]. Etched in destiny, his quest for answers continues on” (Dissidia 0.13: Light to All, chapter 1: “Beyond Doubt”, “Gulg Gateway”).
"Sephiroth: This disease called hope is eating you alive. The world of suffering was born out of such half-baked ideals.This final line suggests Cloud has finally found a reason to fight: he wants to meet someone unspecified.
Cloud: If that's the case, I have to endure the suffering. There's no moving on if I run from it.
Sephiroth: If that is what you wish for, you shall drown in the pain. I'll lead you to true despair. [My] shadow is burned into your heart. We'll meet again, Cloud. I'll keep coming back— as long as you are who you are."
Sephiroth disappears. Cloud looks out into the distance before the scene ends.
“Cloud: No thanks. The one I really want to meet is…” (Dissidia 013: Light to All, epilogue: “Conclusion of a Cycle”, “Recurring Tragedy”).
“[The] heroes are all standing together in a grassy field with a forest behind them. Birds are chirping, the sun is shining brightly, and the wind is blowing gently. The heroes look around them in awe. They're all holding their crystals.As you can see, everyone’s crystal is very important to the story of their core world, and in the cases of at least Tidus, Squall, Terra and Cecil, the crystals represent something very personal. What about Cloud and his crystal, then? What about the dream he lost and the person he wants to meet? Let’s begin analyzing to answer these questions.
WoL: The battle has come to an end...
Tidus notices that his crystal has begun to emanate a blue glow.>! His crystal is a movie sphere from his core world of FFX: a capsule containing sounds and images that people record for later viewing. Tidus’ crystal likely represents the specific movie sphere recorded by his love interest Yuna, which revealed that she’d loved him from the beginning.!<
Tidus: Gotta go, huh...
The blue glow transfers to him as well. He turns to look at the others
[…] Tidus grins at the others, then turns and runs toward a nearby lake. He leaps into it in a manner reminiscent of [the events] of FFX. He vanishes as he descends toward the lake.
Zidane: We're not vanishing. We're returning—
Zidane is sitting on a tree limb as he says this. His crystal begins to glow gold, as does he. His crystal is shaped like a highly important ‘progenitor of all life’ crystal from his core world of FFIX.
Zidane: — to where we're supposed to be.
Zidane spins around the tree limb with the use of his tail and launches toward the sun. He's lost to view.
A white feather then drifts down from that direction and Squall catches it. The feather is reminiscent of his love Rinoa Heartilly, whose character symbol is a white feather. In fact, Squall’s crystal looks like a mix of his revolver gunblade from FFVIII and Rinoa’s feather motif. [Squall glows blue.]
Squall: Perhaps we can go on a mission together again.
Squall vanishes.
Cloud is then visible, standing in [a] flower field. The flowers are white and yellow. Cloud has his crystal, a light green materia from his core world of FFVII, in hand.
Cloud: [(Chuckles shortly, like a scoff)] Not interested.
Cloud walks off into the flower field, gaining a green glow. He vanishes.
A snowflake then falls into Terra's right hand as her crystal begins to glow pink. The flames drawn on her crystal represent her power, which is connected to the element of fire: her character arc in FFVI.
Terra: I think I've learned how to keep going. Thank you— and take care.
Terra glows pink and then vanishes. Bartz throws a stick. He's glowing pink as well.
Bartz: When you're having the most fun, that's when time always flies. His crystal is the Adamantite from his core world of FFV.
Bartz vanishes.
Cecil: It's mine to pass on—
A moon appears behind Cecil and goes through its phases as he begins to glow blue. His crystal has shadowed and illuminated parts, representing the duality of his character, which is central to his personal arc in his core world of FFIV. It also represents his brother Golbez, who has chosen the darkness. Cecil considers his familial bond with Golbez his guiding light and hopes to be with him someday.
Cecil: — this strength I've gained from everyone.
Cecil vanishes.
Onion Knight hugs his crystal and looks up toward the sky. His crystal is shaped like those found in his core world of FFIII.
Onion Knight: Everyone... thank you!
OK briefly glows blue and then vanishes.
There are wild roses at Firion's feet. He and WoL are looking toward the sky. WoL suddenly begins walking away while Firion looks down and sees the roses.
Firion: This isn't the end. Another dream is waiting to begin.
His crystal is the color of the wild roses that were at the center of his dream and of his motivation to fight Chaos. The roses are also the emblem of the Rebel Army he was a part of in his core world of FFII. His crystal is shaped like Pandaemonium, the final dungeon of his core world story. Firion gains a violet glow and then vanishes.
WoL is walking through the field and then comes to a stop. He's looking at something.
WoL: May the light forever shine upon us.”
"[...] we filmed the video for the ending credits in Hawaii. There are fields of flowers on both sides of the road, and the colors —yellow and white— are the same as the flowers in Aerith's church […]. With Aerith, 'flowers' have been her image throughout the series” (FFVII Reunion Files, “Countdown to Reunion”, “Stories from CG Production”, page 87).Even in the Advent Children Complete cut of the film, where Aerith is not shown standing in the field, the flowers and their symbolism of Aerith remain. That being so, it’s more than fair to say that the white and yellow flowers in DFF’s ending cutscene serve as yet another confirmation that Cloud’s dream is to be with Aerith.
“Bugenhagen: If [the prayer] reaches the planet, the White Materia will begin to glow a pale green” (FFVII OG, disk 2, chapter 15).Here are pictures of the White Materia in OG and Advent Children, and two pictures of Cloud's DFF crystal (in order) so you can compare for yourself:
“She was gone in the blink of an eye. But the pain never went away.Conveniently enough for us, the expo’s tagline is “Who is the person you want to meet again?” Given that Aerith holds the spotlight in the FFVII section of the expo, it’s clear who SE is telling us Cloud wants to reunite with. Recall Cloud’s unfinished line in DFF: “The one I really want to meet is..." (Dissidia 013: Light to All, epilogue: “Conclusion of a Cycle”, “Recurring Tragedy”). We theorized that he must be referring to Aerith, and now, we are certain.
Aerith awoke the ultimate magic to protect the planet and the people she loved. Yet her life came to a sudden end at the hands of Sephiroth, a man bent on seeing the world destroyed. Even the usually stoic Cloud couldn’t hide his grief at the unexpected death of an irreplaceable companion. ‘My fingers are tingling. My mouth is dry. My eyes are burning.’ True words, revealing Cloud’s deep sorrow” (Final Fantasy 30th Anniversary Exposition).
“The story follows the lead character Cloud, but it is the heroine, Aerith, who opens Cloud’s eyes and helps bring him closer to understanding the mystery that is his past. Through her, we draw closer to the truth of the story.It’s interesting that SE would mention the rumors of Aerith’s revival circulated by players back in 1997, especially as fans were awaiting Remake’s release…
This scene, in which the heroine Aerith is lost, is easily the most shocking and tragic in the story. No one expected to say goodbye to such a major character in the middle of the story. Rumors of a secret way to revive Aerith spread, and it was clear players were having a hard time saying goodbye to her too. Even now, twenty years later, it still feels like a shocking turn of events” (Final Fantasy 30th Anniversary Exposition Pamphlet, page 36).
2024.05.16 08:17 itzyy_piee Follow subreddit rules