How to type a leaf symbol on keyboard
r/MechanicalKeyboards for all the Click and None of the Clack!
2012.07.08 14:47 ripster55 r/MechanicalKeyboards for all the Click and None of the Clack!
/MechanicalKeyboards is about typing input devices for users of all range of budgets. We provide news / PSAs about the hobby and community hosted content. Feel free to check out our other resources and links to related communities.
2009.02.25 08:00 pallaviwensil r/Spanish: Learn, teach or discuss the 2nd most spoken language by natives
This is the biggest Reddit community dedicated to discussing, teaching, and learning Spanish. Answer or ask questions, share information, stories, and more on themes related to the 2nd most spoken language in the world by native speakers.
2010.03.24 16:48 Everyone deserves a good keyboard
Non-mouse and non-audio input devices for the discerning fingertip.
2024.05.29 03:03 sahw2015 Astrology Habits to Break. Untying the Knots of the 12-Letter Alphabet so called natural rulers of the houses.
Untying the Knots of the Twelve-Letter Alphabet
https://www.astrologyinstitute.com/articleprofile/articles/2016/untying-the-knots-of-the-twelve-letter-alphabet
12 Letter Alphabet Exposed
https://westernastrology.net/12-letter-alphabet-exposed-part-a/
https://westernastrology.net/12letter-alphabet-exposed-part-b/
Liberating Uranus and Aquarius – From Each Other
http://www.astrologyinstitute.com/articleprofile/articles/2016/liberating-uranus-and-aquarius-from-each-other
Probing Pluto and Scorpio, Clarifying Neptune and Pisces
http://www.astrologyinstitute.com/articleprofile/articles/2015/untangling-astrologys-symbols-part3
10 Astrology Habits to Break.
https://ambientastrology.com/articles/2016/3/25/10-astrology-habits-to-break
https://soulfriendastrology.com/category/learning-astrology/
12 Letter Alphabet Exposed
FIRST HOUSE
While the words; are a manner of speech there might be less confusion if they were replaced with "present": The first house shows how we present as an individual. This presentation includes attitude, physical health, demeanor and appearance, among other things.
The first house is much more than how we strike out as an individual. It can actually show a ‘wait and see attitude’. If a passive sign is on the ascendant or the ascendant ruler in a passive sign there will be less ‘striking out’ and more withdrawal or cautious approach to life.
With other factors such as the house location of its ruler and aspects to the ascendant, the first house shows temperament style and general attitude to life, which may be nothing akin to Mars or Aries.
The odds are only one in twelve that the sign on the ascendant will be Aries and the wide scope of other possible expressions cannot all be described as Arian or Martian.
Neither should we restrict the red planet to its daytime domicile of Aries. It is also the nocturnal ruler of Scorpio although this is rarely considered or understood.
Associating Mars with the first house also ignores the other two planets which have a connection to this house.
The first is Mercury, which has its joy in the first house. The joys of the planets is a worthwhile study of its own.
Mercury has a natural association with the brain and head and this correlates well with the association of the first house with the head.
Mercury is also associated with speech and communication.
Mars has no natural association with the head or brain, unless you are thinking of using your head as a battering ram!
In the system of planetary joys Mars is placed in the sixth house of injuries and sickness, a place where it is at home.
The first house straddles the boundary between day and night which is an apt fit for adaptable Mercury as the go-between.
Saturn also has a first house association because this is where the soul is entrapped within the body as it incarnates. Saturn is the natural ruler of doorways and the first house is the soul’s doorway into physical life. The eighth house of death is the exit doorway, also associated with Saturn.
SECOND HOUSE:
Yes Taurus is about stability and physical comforts and pleasure, but has little to do with money itself. Venus, the planet which rules Taurus, is about the comforts that money can buy, the adornments and beautiful things. But money itself is represented by Mercury, the natural ruler of exchange and financial dealings. Mercury does the buying and Venus does the enjoying. Venus does not represent money; that is Mercury’s domain.
Jupiter the planet of wealth and prosperity, has a natural association with the second house. In the Chaldean order of the planets Jupiter follows Saturn. Saturn is associated with the first house, Jupiter with the second house.
THIRD HOUSE:
It is understandable that, at first glance, the third house would seem to have an association with Gemini and Mercury.
However in previous generations it was clearly understood that the third house was the house of the "goddess", and the Moon had a special relationship with this house.
In horary astrology the Moon is frequently seen as conveying messages between other planets in its role as ‘the translator of light’. Among the seven classical planets it is the fastest moving body, linking planets as it aspects one and then to another. This sequential linking is very significant in questions about communication, linking people together, or the movement of goods. In this latter respect it also has an association with transport.
FOURTH HOUSE:
Historically the 4th house is associated with foundations and property, the land, deep roots, mines and wealth from under the ground.
Compare these fixed traits to that most fluid and movable of planets: the Moon. This is not a good fit. The changeable Moon is much better suited to the busy comings and goings of the 3rd house.
In the ancient model of the “4 Ages of Man” the IC is associated with the winter of our lives. Yet in the northern hemisphere where Western astrology arose the Sun passes through Cancer at the height of summer. Neither is the 4th house a good fit for Cancer.
Historically the 4th house is associated with the father, not the mother.
FIFTH HOUSE:
The Sun is the supreme ‘Commander-in-Chief’, the symbol of might and mastery, power, truth, light and enlightenment. The superior planets genuflect and step backwards in retrograde motion when they come face to face in opposition with the Sun, and all the planets disappear in his blinding light when in conjunction with the Sun.
The fifth house is the house of fun and frivolity, parties pleasure and entertainment. In a sense this is the most superficial of houses and is in no way deserving as the home of the Lord of the Heavens.
The Sun represents so much more than parties, children, pleasure and sporting games. The importance of these activities pales into insignificance when faced with the majesty of his presence. In many religions and spiritual systems the image of god or the force which guides the universe has a solar representation.
To suggest that the Sun is restricted to the rulership of the house of fun and creativity is to diminish his great power and demonstrates a profound misunderstanding of his role in the heavens and in astrological interpretation.
In the diagram above describing the joys of the planets we see that the Sun rejoices in the ninth house, the house of higher learning, spirituality, and the search for the ultimate meaning of life. The joys of the planets describe places where planets are most comfortable and ‘feel at home’. The Sun is much more comfortable than in the ninth house of spirituality than in the fifth house of frivolity.
Neither is Leo a good fit for the fifth house as it is regarded as a barren sign because of its dryness. The 5th has long been known as the house of sex procreation and children. In horary astrology in questions of fertility and in electional astrology when choosing a suitable time for conception Leo on the ascendant or on the fifth house cusp is generally avoided because of its association with infertility and sterility.
To link the sign associated with barrenness with the house associated with fertility and creativity shows a misunderstanding of basic astrological principles.
SIXTH HOUSE:
Confusions relating to the meaning of the sixth house are worthy of an article on its own.
The association with work in the sense of career or profession can be attributed to a misreading of Lilly where he refers to the 6th house as the house of service. He was actually referring to servitude and servants.
The modern equivalent are the working poor doing menial jobs, in the service of another. There has never been, at least until recent times, a sense that the 6th house is associated with anything resembling a career. Historically this is, among other meanings, the house of slaves. While perhaps there are few real slaves in the Western world, the unskilled worker going from job to job is a close equivalent. These workers are typically more lacking in skills, rather than being skilled.
Going back to the objection mentioned above that Virgo is focused I am not sure how focus is a noteworthy trait of the sixth house, or even that Virgo is especially focused. Virgo is after all a double-bodied sign. Scorpio Aries and Capricorn also have some claim to being focused.
It is more common for people to confuse the sixth house with Virgo because of Virgo’s association with health. However the sixth house is not the house of health; that honour belongs to the first house. The sixth house is the house of ill-health and also injuries, the opposite of health. The preoccupation with exercise and diet typically associated with Virgo is better explained by the combination of the dry earth qualities of Virgo when combined with its discerning ruler: Mercury.
It is the first house which is the house of life and health and vitality. Mercury rejoices in this house and is much more comfortable here than in the sixth house of sickness and injuries.
It is Mars which rejoices in the sixth house. It is of course the minor malefic and is well suited to the house where the slings and arrows of outrageous misfortune beset us all from time to time. Incidentally in mundane astrology the sixth house is associated with the military which has an obvious connection with Mars.
SEVENTH HOUSE:
Yes the seventh house is about relationships of all types. As well as amorous relationships and contractual business type relationships, also included are adversarial relationships with open enemies and those involving a sporting or other type of contest.
Relationships involving open conflict can hardly be confused with the graciousness associated with Libra or the pleasantness associated with Venus. These relationships could better be described as Martian. As the enemy rides over hill towards you, rifle at the ready with bayonet attached, Venus is nowhere to be seen. These situations are better described by Mars. So should we associate Aries and Mars with the seventh house, as well as Libra and Venus? The logic is similar. It should not be ignored that the seventh house is as much about engagement with the enemy as it is with the lover or friend.
The seventh house is about ‘the other’ we engage with, for whatever reason, whether it be the terrorist or the lover, the violent bully or the loving spouse. The relationships associated with the seventh house can be associated with love or hate. The seventh house is primarily about the people we engage with, and the type of engagement cannot be restricted to just Venus or Libra. The planet which usually best describes the type of engagement is the one ruling the sign on the seventh house cusp or a planet conjoining the descendant.
EIGHTH HOUSE:
The confusion concerning the eighth house is connected both with the adoption of Pluto as Scorpio's modern ruler and the adoption of the '12 letter Alphabet'; system by some astrologers. In the 12 letter Alphabet, invented by Zip Dobyns, the meaning of the houses planets and signs are merged. For example the eighth house, Scorpio, and Pluto are seen to have a similar theme, referred to as an archetype. Pluto's association with transformation and regeneration and Scorpio's association with sex are both transferred to the eighth house.
However the eighth house is the house of death. While it's true that some astrologers have associated the eighth house with sex because sexual orgasm is sometimes called ‘the little death, the purpose of sex is to procreate, to bring life into the world, not death.
Previous to the modern era the eighth house was not associated with sex. This modern confusion is perpetrated by a misunderstanding of the primary functions of the houses. Sex is a fifth house matter. Death and bringing life into the world are opposite things. One should not be confused with the other.
I have often heard it said that death is only one form of transformation and somehow this justifies assigning transformation as a core meaning for the eighth house, which in turn validates Scorpio’s and Pluto’s association with the eighth house.
It is ironic that Pluto's mythical association with rape is rarely mentioned in conversations about eighth house sexual activity.
The tangled web of confusions associated with the interchange of Scorpio Pluto and the eighth house is mind boggling and really does take us a long way from the real meaning of the eighth house. Followers of the 12 Letter Alphabet system associate intimacy with the eighth house because of its new association connection with Pluto.
The core meanings of the eighth house have to do with death in the physical and real sense; fear and loss; the resources of those we engage with, and inheritance.
The eighth house is not a particular pleasant place no matter how much we might like to romanticize it or give it a positive spin. The sign on the cusp of the eighth house and the planet which rules that sign are what is relevant in any type of astrological interpretation of the 8th house.
NINTH HOUSE:
We tend to liken Jupiter to philosophy and religion and the attribution of Jupiter to the 9th House fits fairly well. (Jupiter is also the planet associated with the Ninth in the wheel of houses that begins with Saturn as the First.) The Ninth was the place of the “Sun God” in ancient astrology and was strongly associated with public religious practice; yet, like the Third, it was also associated with dreams, prophecy, and divination. The Ninth House being associated with higher education or long journeys is a later addition.
The planet in joy in the Ninth House is the Sun and, for a place that is cadent, the Ninth gets a lot of sunlight and the Sun can be happy here. It also fits well with the deification of the Sun’s power in many cosmologies and religions throughout history. It may also conform to the image of Sun as a planet of higher intellect, as the light of reason.
TENTH HOUSE:
Astrologers after my lifetime or yours will look at this affiliation with bewilderment. Archetypally mixing the House of career, reputation, and fame to Saturn and Capricorn is itself enough to throw out the entire Twelve Letter Alphabet system.
You might retort, “But it’s the place of one’s boss!” I answer that there are many kinds of bosses and they’re not all oppressive. The dimensions of leadership and mentorship – solar and not saturnine factors – are prominent Tenth House factors.
The 10th is the traditional place of one’s “action” – career, calling, fame and reputation. I include a larger sense of “vocation”, so that if you work retail by day but are a political activist or animal rights advocate otherwise, the latter would be included within your Tenth House. If a “lifestyle” includes neighborhood vigilantism, being a “survivalist”, or attending a lot of funerals, that person’s Tenth House would qualify as Saturnine.
Capricorn, as the cardinal earth sign, governed by a heavy nocturnal (feminine sign) Saturn, and the place and time of least light in the Northern Hemisphere, is completely out of place in the public and daylight-filled Tenth. Because the Tenth is place of authority, it is far closer in meaning to the Sun than the gray planet Saturn.
ELEVENTH HOUSE:
In ancient times the 11th, the “Place of the Good Spirit (or daimon)”, was a place of fortune and abundance. According to traditional sources Jupiter is in joy in the Eleventh, befitting a place that is considered so fortunate. (The Eleventh is the House opposite the 5th, the Place of Good Fortune and the joy of Venus, the other benefic.) The Eleventh House became the place of “hopes and wishes” and later the place of friendship and social groups; “hopes and wishes” is more in line with the original meaning of the Eleventh House.
Is this like the fixed air sign Aquarius? The “Water-Bearer” has a linear mental quality and a tendency to become conceptual that is not particularly like the Eleventh House in its original meanings. Aquarius is a sign of social responsibility and objective mind, and Aquarius relates well to a diurnal (masculine sign) Saturn that is a lighter Saturn than the one who governs Capricorn. However, if you confine the Eleventh House to friendships and social groups, the affiliation with the diurnal Saturn isn’t such a problem.
Things become much more confusing when astrologers mix up Aquarius with the outer planet Uranus, the planet of eccentricity, suddenness, and genius, and then try to bring in the Eleventh House. Uranus is quite different from the fixed mental “human” sign Aquarius. Uranus is rebellious, radically individualistic, and is deliberately outside convention. Aquarius, the sign opposite Leo, is humanitarian and oriented more toward groups and cultures than individuals. To bring this confusion to the Eleventh House only makes this problem worse; it obscures the original benevolent and protective quality of this house which is well demonstrated by Jupiter’s traditional association.
TWELTH HOUSE:
There are many difficulties here, and many are based on the distorted ways that the sign Pisces has been defined. But first let’s look at the Twelfth House by itself.
Like the Sixth and Eighth, the Twelfth is also disconnected to the Ascendant and is also a place about life’s difficulties. The Twelfth is a cadent house that in ancient astrology was the Place of the “Bad Spirit.” In the outer world the Twelfth is where we locate prisons, confinement in institutions, and dark hidden places. More internally, this is the place of being haunted – by previous karma, psychological “unfinished business,” and other manners of “self-doing” that come about because of what we cannot see. Psychological astrologers have looked to the Twelfth House for unacknowledged factors that may wreak havoc on one’s person and within one’s relationships. This is in keeping with the qualities of this house.
This all seems very different from the mutable watery sign Pisces that is flowing, changeable, and can develop different disguises for its personal and social roles. Pisces, as a quality of mind, has a strongly intuitive nonlinear bent. Unlike the planet Neptune, however, natives with prominent Pisces placements manage to maintain their identity even if that identity is not well-defined. Both the sign Pisces and its purported ruler Neptune are a far cry from the vice grip many of have experienced when in conditions of external or internal confinement.
Jupiter, the great benefic and the traditional ruler of Pisces, is even farther away from the significations of the Twelfth House. Jupiter – especially in the feminine sign Pisces – brings intuition of possibilities that is often called “faith” or “hope”. The Twelfth, however, is where cold reality comes at us from behind often with harmful intent; it is far closer to Saturn than Jupiter. And Saturn is, of course, the “joy” of the Twelfth House.
submitted by sahw2015 to Advancedastrology [link] [comments]
https://www.astrologyinstitute.com/articleprofile/articles/2016/untying-the-knots-of-the-twelve-letter-alphabet
12 Letter Alphabet Exposed
https://westernastrology.net/12-letter-alphabet-exposed-part-a/
https://westernastrology.net/12letter-alphabet-exposed-part-b/
Liberating Uranus and Aquarius – From Each Other
http://www.astrologyinstitute.com/articleprofile/articles/2016/liberating-uranus-and-aquarius-from-each-other
Probing Pluto and Scorpio, Clarifying Neptune and Pisces
http://www.astrologyinstitute.com/articleprofile/articles/2015/untangling-astrologys-symbols-part3
10 Astrology Habits to Break.
https://ambientastrology.com/articles/2016/3/25/10-astrology-habits-to-break
https://soulfriendastrology.com/category/learning-astrology/
12 Letter Alphabet Exposed
FIRST HOUSE
While the words; are a manner of speech there might be less confusion if they were replaced with "present": The first house shows how we present as an individual. This presentation includes attitude, physical health, demeanor and appearance, among other things.
The first house is much more than how we strike out as an individual. It can actually show a ‘wait and see attitude’. If a passive sign is on the ascendant or the ascendant ruler in a passive sign there will be less ‘striking out’ and more withdrawal or cautious approach to life.
With other factors such as the house location of its ruler and aspects to the ascendant, the first house shows temperament style and general attitude to life, which may be nothing akin to Mars or Aries.
The odds are only one in twelve that the sign on the ascendant will be Aries and the wide scope of other possible expressions cannot all be described as Arian or Martian.
Neither should we restrict the red planet to its daytime domicile of Aries. It is also the nocturnal ruler of Scorpio although this is rarely considered or understood.
Associating Mars with the first house also ignores the other two planets which have a connection to this house.
The first is Mercury, which has its joy in the first house. The joys of the planets is a worthwhile study of its own.
Mercury has a natural association with the brain and head and this correlates well with the association of the first house with the head.
Mercury is also associated with speech and communication.
Mars has no natural association with the head or brain, unless you are thinking of using your head as a battering ram!
In the system of planetary joys Mars is placed in the sixth house of injuries and sickness, a place where it is at home.
The first house straddles the boundary between day and night which is an apt fit for adaptable Mercury as the go-between.
Saturn also has a first house association because this is where the soul is entrapped within the body as it incarnates. Saturn is the natural ruler of doorways and the first house is the soul’s doorway into physical life. The eighth house of death is the exit doorway, also associated with Saturn.
SECOND HOUSE:
Yes Taurus is about stability and physical comforts and pleasure, but has little to do with money itself. Venus, the planet which rules Taurus, is about the comforts that money can buy, the adornments and beautiful things. But money itself is represented by Mercury, the natural ruler of exchange and financial dealings. Mercury does the buying and Venus does the enjoying. Venus does not represent money; that is Mercury’s domain.
Jupiter the planet of wealth and prosperity, has a natural association with the second house. In the Chaldean order of the planets Jupiter follows Saturn. Saturn is associated with the first house, Jupiter with the second house.
THIRD HOUSE:
It is understandable that, at first glance, the third house would seem to have an association with Gemini and Mercury.
However in previous generations it was clearly understood that the third house was the house of the "goddess", and the Moon had a special relationship with this house.
In horary astrology the Moon is frequently seen as conveying messages between other planets in its role as ‘the translator of light’. Among the seven classical planets it is the fastest moving body, linking planets as it aspects one and then to another. This sequential linking is very significant in questions about communication, linking people together, or the movement of goods. In this latter respect it also has an association with transport.
FOURTH HOUSE:
Historically the 4th house is associated with foundations and property, the land, deep roots, mines and wealth from under the ground.
Compare these fixed traits to that most fluid and movable of planets: the Moon. This is not a good fit. The changeable Moon is much better suited to the busy comings and goings of the 3rd house.
In the ancient model of the “4 Ages of Man” the IC is associated with the winter of our lives. Yet in the northern hemisphere where Western astrology arose the Sun passes through Cancer at the height of summer. Neither is the 4th house a good fit for Cancer.
Historically the 4th house is associated with the father, not the mother.
FIFTH HOUSE:
The Sun is the supreme ‘Commander-in-Chief’, the symbol of might and mastery, power, truth, light and enlightenment. The superior planets genuflect and step backwards in retrograde motion when they come face to face in opposition with the Sun, and all the planets disappear in his blinding light when in conjunction with the Sun.
The fifth house is the house of fun and frivolity, parties pleasure and entertainment. In a sense this is the most superficial of houses and is in no way deserving as the home of the Lord of the Heavens.
The Sun represents so much more than parties, children, pleasure and sporting games. The importance of these activities pales into insignificance when faced with the majesty of his presence. In many religions and spiritual systems the image of god or the force which guides the universe has a solar representation.
To suggest that the Sun is restricted to the rulership of the house of fun and creativity is to diminish his great power and demonstrates a profound misunderstanding of his role in the heavens and in astrological interpretation.
In the diagram above describing the joys of the planets we see that the Sun rejoices in the ninth house, the house of higher learning, spirituality, and the search for the ultimate meaning of life. The joys of the planets describe places where planets are most comfortable and ‘feel at home’. The Sun is much more comfortable than in the ninth house of spirituality than in the fifth house of frivolity.
Neither is Leo a good fit for the fifth house as it is regarded as a barren sign because of its dryness. The 5th has long been known as the house of sex procreation and children. In horary astrology in questions of fertility and in electional astrology when choosing a suitable time for conception Leo on the ascendant or on the fifth house cusp is generally avoided because of its association with infertility and sterility.
To link the sign associated with barrenness with the house associated with fertility and creativity shows a misunderstanding of basic astrological principles.
SIXTH HOUSE:
Confusions relating to the meaning of the sixth house are worthy of an article on its own.
The association with work in the sense of career or profession can be attributed to a misreading of Lilly where he refers to the 6th house as the house of service. He was actually referring to servitude and servants.
The modern equivalent are the working poor doing menial jobs, in the service of another. There has never been, at least until recent times, a sense that the 6th house is associated with anything resembling a career. Historically this is, among other meanings, the house of slaves. While perhaps there are few real slaves in the Western world, the unskilled worker going from job to job is a close equivalent. These workers are typically more lacking in skills, rather than being skilled.
Going back to the objection mentioned above that Virgo is focused I am not sure how focus is a noteworthy trait of the sixth house, or even that Virgo is especially focused. Virgo is after all a double-bodied sign. Scorpio Aries and Capricorn also have some claim to being focused.
It is more common for people to confuse the sixth house with Virgo because of Virgo’s association with health. However the sixth house is not the house of health; that honour belongs to the first house. The sixth house is the house of ill-health and also injuries, the opposite of health. The preoccupation with exercise and diet typically associated with Virgo is better explained by the combination of the dry earth qualities of Virgo when combined with its discerning ruler: Mercury.
It is the first house which is the house of life and health and vitality. Mercury rejoices in this house and is much more comfortable here than in the sixth house of sickness and injuries.
It is Mars which rejoices in the sixth house. It is of course the minor malefic and is well suited to the house where the slings and arrows of outrageous misfortune beset us all from time to time. Incidentally in mundane astrology the sixth house is associated with the military which has an obvious connection with Mars.
SEVENTH HOUSE:
Yes the seventh house is about relationships of all types. As well as amorous relationships and contractual business type relationships, also included are adversarial relationships with open enemies and those involving a sporting or other type of contest.
Relationships involving open conflict can hardly be confused with the graciousness associated with Libra or the pleasantness associated with Venus. These relationships could better be described as Martian. As the enemy rides over hill towards you, rifle at the ready with bayonet attached, Venus is nowhere to be seen. These situations are better described by Mars. So should we associate Aries and Mars with the seventh house, as well as Libra and Venus? The logic is similar. It should not be ignored that the seventh house is as much about engagement with the enemy as it is with the lover or friend.
The seventh house is about ‘the other’ we engage with, for whatever reason, whether it be the terrorist or the lover, the violent bully or the loving spouse. The relationships associated with the seventh house can be associated with love or hate. The seventh house is primarily about the people we engage with, and the type of engagement cannot be restricted to just Venus or Libra. The planet which usually best describes the type of engagement is the one ruling the sign on the seventh house cusp or a planet conjoining the descendant.
EIGHTH HOUSE:
The confusion concerning the eighth house is connected both with the adoption of Pluto as Scorpio's modern ruler and the adoption of the '12 letter Alphabet'; system by some astrologers. In the 12 letter Alphabet, invented by Zip Dobyns, the meaning of the houses planets and signs are merged. For example the eighth house, Scorpio, and Pluto are seen to have a similar theme, referred to as an archetype. Pluto's association with transformation and regeneration and Scorpio's association with sex are both transferred to the eighth house.
However the eighth house is the house of death. While it's true that some astrologers have associated the eighth house with sex because sexual orgasm is sometimes called ‘the little death, the purpose of sex is to procreate, to bring life into the world, not death.
Previous to the modern era the eighth house was not associated with sex. This modern confusion is perpetrated by a misunderstanding of the primary functions of the houses. Sex is a fifth house matter. Death and bringing life into the world are opposite things. One should not be confused with the other.
I have often heard it said that death is only one form of transformation and somehow this justifies assigning transformation as a core meaning for the eighth house, which in turn validates Scorpio’s and Pluto’s association with the eighth house.
It is ironic that Pluto's mythical association with rape is rarely mentioned in conversations about eighth house sexual activity.
The tangled web of confusions associated with the interchange of Scorpio Pluto and the eighth house is mind boggling and really does take us a long way from the real meaning of the eighth house. Followers of the 12 Letter Alphabet system associate intimacy with the eighth house because of its new association connection with Pluto.
The core meanings of the eighth house have to do with death in the physical and real sense; fear and loss; the resources of those we engage with, and inheritance.
The eighth house is not a particular pleasant place no matter how much we might like to romanticize it or give it a positive spin. The sign on the cusp of the eighth house and the planet which rules that sign are what is relevant in any type of astrological interpretation of the 8th house.
NINTH HOUSE:
We tend to liken Jupiter to philosophy and religion and the attribution of Jupiter to the 9th House fits fairly well. (Jupiter is also the planet associated with the Ninth in the wheel of houses that begins with Saturn as the First.) The Ninth was the place of the “Sun God” in ancient astrology and was strongly associated with public religious practice; yet, like the Third, it was also associated with dreams, prophecy, and divination. The Ninth House being associated with higher education or long journeys is a later addition.
The planet in joy in the Ninth House is the Sun and, for a place that is cadent, the Ninth gets a lot of sunlight and the Sun can be happy here. It also fits well with the deification of the Sun’s power in many cosmologies and religions throughout history. It may also conform to the image of Sun as a planet of higher intellect, as the light of reason.
TENTH HOUSE:
Astrologers after my lifetime or yours will look at this affiliation with bewilderment. Archetypally mixing the House of career, reputation, and fame to Saturn and Capricorn is itself enough to throw out the entire Twelve Letter Alphabet system.
You might retort, “But it’s the place of one’s boss!” I answer that there are many kinds of bosses and they’re not all oppressive. The dimensions of leadership and mentorship – solar and not saturnine factors – are prominent Tenth House factors.
The 10th is the traditional place of one’s “action” – career, calling, fame and reputation. I include a larger sense of “vocation”, so that if you work retail by day but are a political activist or animal rights advocate otherwise, the latter would be included within your Tenth House. If a “lifestyle” includes neighborhood vigilantism, being a “survivalist”, or attending a lot of funerals, that person’s Tenth House would qualify as Saturnine.
Capricorn, as the cardinal earth sign, governed by a heavy nocturnal (feminine sign) Saturn, and the place and time of least light in the Northern Hemisphere, is completely out of place in the public and daylight-filled Tenth. Because the Tenth is place of authority, it is far closer in meaning to the Sun than the gray planet Saturn.
ELEVENTH HOUSE:
In ancient times the 11th, the “Place of the Good Spirit (or daimon)”, was a place of fortune and abundance. According to traditional sources Jupiter is in joy in the Eleventh, befitting a place that is considered so fortunate. (The Eleventh is the House opposite the 5th, the Place of Good Fortune and the joy of Venus, the other benefic.) The Eleventh House became the place of “hopes and wishes” and later the place of friendship and social groups; “hopes and wishes” is more in line with the original meaning of the Eleventh House.
Is this like the fixed air sign Aquarius? The “Water-Bearer” has a linear mental quality and a tendency to become conceptual that is not particularly like the Eleventh House in its original meanings. Aquarius is a sign of social responsibility and objective mind, and Aquarius relates well to a diurnal (masculine sign) Saturn that is a lighter Saturn than the one who governs Capricorn. However, if you confine the Eleventh House to friendships and social groups, the affiliation with the diurnal Saturn isn’t such a problem.
Things become much more confusing when astrologers mix up Aquarius with the outer planet Uranus, the planet of eccentricity, suddenness, and genius, and then try to bring in the Eleventh House. Uranus is quite different from the fixed mental “human” sign Aquarius. Uranus is rebellious, radically individualistic, and is deliberately outside convention. Aquarius, the sign opposite Leo, is humanitarian and oriented more toward groups and cultures than individuals. To bring this confusion to the Eleventh House only makes this problem worse; it obscures the original benevolent and protective quality of this house which is well demonstrated by Jupiter’s traditional association.
TWELTH HOUSE:
There are many difficulties here, and many are based on the distorted ways that the sign Pisces has been defined. But first let’s look at the Twelfth House by itself.
Like the Sixth and Eighth, the Twelfth is also disconnected to the Ascendant and is also a place about life’s difficulties. The Twelfth is a cadent house that in ancient astrology was the Place of the “Bad Spirit.” In the outer world the Twelfth is where we locate prisons, confinement in institutions, and dark hidden places. More internally, this is the place of being haunted – by previous karma, psychological “unfinished business,” and other manners of “self-doing” that come about because of what we cannot see. Psychological astrologers have looked to the Twelfth House for unacknowledged factors that may wreak havoc on one’s person and within one’s relationships. This is in keeping with the qualities of this house.
This all seems very different from the mutable watery sign Pisces that is flowing, changeable, and can develop different disguises for its personal and social roles. Pisces, as a quality of mind, has a strongly intuitive nonlinear bent. Unlike the planet Neptune, however, natives with prominent Pisces placements manage to maintain their identity even if that identity is not well-defined. Both the sign Pisces and its purported ruler Neptune are a far cry from the vice grip many of have experienced when in conditions of external or internal confinement.
Jupiter, the great benefic and the traditional ruler of Pisces, is even farther away from the significations of the Twelfth House. Jupiter – especially in the feminine sign Pisces – brings intuition of possibilities that is often called “faith” or “hope”. The Twelfth, however, is where cold reality comes at us from behind often with harmful intent; it is far closer to Saturn than Jupiter. And Saturn is, of course, the “joy” of the Twelfth House.
2024.05.29 02:48 an12440h BGP-EVPN + VXLAN for Mellanox ToR and FRR hypervisors
Hi all. I just wanna be straight to say that I have never setup something as complex as EVPN, VXLAN and even MPLS. I've only done some basic routing and switching so far.
Getting that out of the way. I'm currently looking towards deploying VXLAN overlay with EVPN control plane in order to future proof out infrastructure considering the amount of virtual networks available vs VLAN ID constraints.
So, I have 2 Mellanox SN2700 as the spine switches and Mellanox SN2410 as the Toleaf switches. I'm trying to deploy cloud hypervisors that has VXLAN as the isolation method for customer guest VMs.
I've configured the hypervisors running FRR to connect to the ToRs via a L3 BGP unnumbered. Both spine and leaf switches are also interconnected with BGP unnumbered.
After that, I've configured EVPN on all switches and the hypervisors. The hypervisors are configured with a bridge that has IPv4 addressing and attached with a VXLAN 10027 interface slave. Both hypervisors can ping each other using their respective bridge IPv4.
I have an access switch on another rack that connected to the ToRs with MLAG configured on the ToRs and LAG on the access switch. The access switch has a VMware hypervisor connected to it with L2 trunk all links. The interconnect from the access switch to the ToRs is also L2 trunk all links.
In the VMware hypervisor there are couple of VMs with port group access VLAN 27. They can ping each other no problem. However when I tried to ping from the VMs to the FRR hypervisors bridge, I'm not able to do so. I did properly configured and checked that VLAN to VNI mapping is done on the ToRs.
I can also see the EVPN type 2 routes containing the MAC and IP of the VMs received on the FRR hypervisors.
Long story short, how can I troubleshoot this issue considering both FRR hypervisors can ping each other via the L3 core but, the VMs can't even though the type 2 routes is received by the FRR hypervisors?
Thanks for all the advice :)
submitted by an12440h to networking [link] [comments]
Getting that out of the way. I'm currently looking towards deploying VXLAN overlay with EVPN control plane in order to future proof out infrastructure considering the amount of virtual networks available vs VLAN ID constraints.
So, I have 2 Mellanox SN2700 as the spine switches and Mellanox SN2410 as the Toleaf switches. I'm trying to deploy cloud hypervisors that has VXLAN as the isolation method for customer guest VMs.
I've configured the hypervisors running FRR to connect to the ToRs via a L3 BGP unnumbered. Both spine and leaf switches are also interconnected with BGP unnumbered.
After that, I've configured EVPN on all switches and the hypervisors. The hypervisors are configured with a bridge that has IPv4 addressing and attached with a VXLAN 10027 interface slave. Both hypervisors can ping each other using their respective bridge IPv4.
I have an access switch on another rack that connected to the ToRs with MLAG configured on the ToRs and LAG on the access switch. The access switch has a VMware hypervisor connected to it with L2 trunk all links. The interconnect from the access switch to the ToRs is also L2 trunk all links.
In the VMware hypervisor there are couple of VMs with port group access VLAN 27. They can ping each other no problem. However when I tried to ping from the VMs to the FRR hypervisors bridge, I'm not able to do so. I did properly configured and checked that VLAN to VNI mapping is done on the ToRs.
I can also see the EVPN type 2 routes containing the MAC and IP of the VMs received on the FRR hypervisors.
Long story short, how can I troubleshoot this issue considering both FRR hypervisors can ping each other via the L3 core but, the VMs can't even though the type 2 routes is received by the FRR hypervisors?
Thanks for all the advice :)
2024.05.29 02:18 Crysty_Goner Another meaning to Lavish
Hi there! I keep thinking about Lavish, the weirdest song of the album yet a perfect one. To me that is the song that makes the album a 10/10. (I'll explain that later)
I've seen a few people talking about Lavish and analyzing the lyrics. The only theory I've seen until now is that the song is about music industry and how fake it is. I agree and find it a great interpretation but I think there is more.
The key is what Tyler said during the streaming:
Why does Lavish exist?
Tyler: "I think it's because we want to make sure that we're never cornered in a type of sound and I think that when we lay out a song like Lavish [...] it gives us an opportunity to spring off of that to other things in the future. I think that's why it's important to be on the record."
With that in mind I interpret the chorus differently:
Welcome to the new way of livin'
It's just the beginning of lavish
From the floor to the ceiling
Welcome to the style you haven't seen in a while
It's lavish
To me this part is a message to us, we have to expect more of this (and hopefully so), songs completely different from their usual sound, with weird and fun lyrics, without the need to be super deep, just them vibing free from all expectations.
This way it feels like we are being welcomed into a new sound we'll see more often, a style that in a way is lavish. It doesn't have deeper meanings, it doesn't want to touch or inspire, it's just a fun song that doesn't need to be taken too seriously (not me here taking it too seriously).
I feel like a lavish style could be comparable to kitsch (in a good way). I find it kinda difficult to explain correctly what kitsch is, I could go really deep but it's not necessary.
To keep it simple imagine that ugly decoration of a duck your mother has in the kitchen, that's kitsch. It is because it's an eccentric object without functional or sentimental value, a cute empty shell. The use of ugly in this context isn't necessarily a bad thing, it just mean it isn't something polished and meant to be a masterpiece, just fun to look at.
That's what we should expect in the future and I get why Tyler as an artist would do something like this. He's always been so serious about his music, every detail of Twenty One Pilots is meticulously crafted and meaningful, he's a perfectionist and people have super high expectations from the band.
I think he feels trapped creatively because people expect a certain thing from them but he has other stuff to say that doesn't fit their usual style. Lavish is a way to tell us that he wants to explore music more freely, and have a bit of fun with it.
This, this whole new meaning, is the reason why I think that Lavish is what makes the album a 10/10. It's a song to take lightly and just vibe with, it's lavish. It's the perfect start for this innovation, it perfectly fits in the album and serves the purpose of breaking the ice with this different style. It's an opportunity and a symbol of what Twenty One Pilots is to it's core: two best friends having fun with music.
Thank you for the read if you made it down here! I hope I've explained my vision, I feel like a lot of the explanation is also based on my feelings and my own path with art, so I hope it's not too much of a stretch. But at the end of the day their music is meant to be interpreted freely based on one's experiences.
submitted by Crysty_Goner to twentyonepilots [link] [comments]
I've seen a few people talking about Lavish and analyzing the lyrics. The only theory I've seen until now is that the song is about music industry and how fake it is. I agree and find it a great interpretation but I think there is more.
The key is what Tyler said during the streaming:
Why does Lavish exist?
Tyler: "I think it's because we want to make sure that we're never cornered in a type of sound and I think that when we lay out a song like Lavish [...] it gives us an opportunity to spring off of that to other things in the future. I think that's why it's important to be on the record."
With that in mind I interpret the chorus differently:
Welcome to the new way of livin'
It's just the beginning of lavish
From the floor to the ceiling
Welcome to the style you haven't seen in a while
It's lavish
To me this part is a message to us, we have to expect more of this (and hopefully so), songs completely different from their usual sound, with weird and fun lyrics, without the need to be super deep, just them vibing free from all expectations.
This way it feels like we are being welcomed into a new sound we'll see more often, a style that in a way is lavish. It doesn't have deeper meanings, it doesn't want to touch or inspire, it's just a fun song that doesn't need to be taken too seriously (not me here taking it too seriously).
I feel like a lavish style could be comparable to kitsch (in a good way). I find it kinda difficult to explain correctly what kitsch is, I could go really deep but it's not necessary.
To keep it simple imagine that ugly decoration of a duck your mother has in the kitchen, that's kitsch. It is because it's an eccentric object without functional or sentimental value, a cute empty shell. The use of ugly in this context isn't necessarily a bad thing, it just mean it isn't something polished and meant to be a masterpiece, just fun to look at.
That's what we should expect in the future and I get why Tyler as an artist would do something like this. He's always been so serious about his music, every detail of Twenty One Pilots is meticulously crafted and meaningful, he's a perfectionist and people have super high expectations from the band.
I think he feels trapped creatively because people expect a certain thing from them but he has other stuff to say that doesn't fit their usual style. Lavish is a way to tell us that he wants to explore music more freely, and have a bit of fun with it.
This, this whole new meaning, is the reason why I think that Lavish is what makes the album a 10/10. It's a song to take lightly and just vibe with, it's lavish. It's the perfect start for this innovation, it perfectly fits in the album and serves the purpose of breaking the ice with this different style. It's an opportunity and a symbol of what Twenty One Pilots is to it's core: two best friends having fun with music.
Thank you for the read if you made it down here! I hope I've explained my vision, I feel like a lot of the explanation is also based on my feelings and my own path with art, so I hope it's not too much of a stretch. But at the end of the day their music is meant to be interpreted freely based on one's experiences.
2024.05.29 02:06 MantisAwakening Famous Cases: The Scole Experiment
This is going to be the first of a number of posts on famous cases of paranormal phenomenon. Looking at the posts on this subreddit makes it easy to forget some of the real mysteries that have been documented over the decades. We’re going to start with one of my favorites, the Scole Experiment.
The Scole Experiment, conducted from 1993 to 1998 in the village of Scole, Norfolk, England, and is one of the most well-documented and controversial series of séances in the history of paranormal research. Named after its location, the experiment aimed to provide substantial evidence of life after death through physical mediumship (mediumship producing physical phenomenon).
The Scole Experiment was distinctive in its approach, combining traditional séance methods with modern (at the time) recording equipment. The sessions were typically held in a darkened cellar beneath the Foys' house, with participants sitting around a table. The primary goal was to establish communication with spirits and capture physical phenomena that could be rigorously tested and verified.
One of the first types of phenomena reported during the Scole Experiment was the appearance of lights. These lights, described as bright, darting, and often colorful, would move around the room, sometimes responding to requests from participants. The lights were said to exhibit intelligent behavior, changing direction, and interacting with objects and people in the room.
In addition to lights, the experiment also produced numerous instances of “apports,” which are objects that supposedly materialize from thin air. These objects included old coins, gemstones, and even a small crystal. One particularly remarkable instance involved the appearance of a newspaper from 1944, which was said to be in pristine condition despite its age:
Audio phenomena were also a crucial part of the Scole Experiment. Voices were frequently heard, sometimes through direct voice communication where the sounds seemed to emanate from the air rather than from the mediums. These voices would converse with the participants, providing information and answering questions. Additionally, anomalous sounds such as music and unexplained knocking were often reported.
Photographic evidence also played a significant role in the Scole Experiment. The group used both traditional film cameras and infrared video cameras to capture images during the séances. Numerous photographs were developed that appeared to show faces, scenes, and symbolic images. Some of these images were obtained under conditions designed to eliminate the possibility of fraud, such as sealed film canisters that were only opened and developed in the presence of independent witnesses.
One of the most striking aspects of the Scole Experiment was the variety of spirit communication methods employed. These included automatic writing, where spirits were said to control the hand of a medium to produce written messages, and direct writing, where messages appeared on pieces of paper without any apparent physical cause. The group also reported instances of materialized hands that would touch and interact with the participants.
Throughout the duration of the experiment, the Scole Group maintained a detailed log of the sessions, meticulously documenting the phenomena and the conditions under which they occurred. Independent investigators from the SPR, including respected researchers Montague Keen, David Fontana, and Arthur Ellison, attended many of the sessions. These investigators reported witnessing the phenomena firsthand and concluded that the events could not be easily dismissed or explained by conventional means.
One particularly controversial piece of evidence involved the locking of sealed rolls of film in a box which were later developed and shown to contain images exposed across multiple frames, which would only be possible by removing the film from the roll entirely:
However, Dunning leaves out additional information which complicates matters:
Despite the extensive documentation and the involvement of reputable researchers, the Scole Experiment has faced significant criticism and skepticism. Critics argue that the conditions of the séances, particularly the dark environment, were conducive to trickery and sleight of hand. They suggest that the phenomena could have been produced by the participants themselves, either intentionally or unconsciously, through techniques commonly used by stage magicians—although throughout the thorough investigations no one was ever able to prove any such trickery actually occurred.
This case can’t be summed up in a single documentary or debunking. I encourage anyone who is interested to read the full report and consider the great lengths that investigators went to in order to try and determine the true cause. Uptimately, the ambiguous nature of parapsychological phenomenon means that what one ultimately chooses to believe about the case is going to come down to a matter of faith, not facts.
https://www.thescoleexperiment.com
https://psi-encyclopedia.spr.ac.uk/articles/scole-circle
A full-length documentary: https://vimeo.com/573225843
Book: https://www.goodreads.com/book/show/1189806.The_Scole_Experiment
submitted by MantisAwakening to Paranormal [link] [comments]
The Scole Experiment, conducted from 1993 to 1998 in the village of Scole, Norfolk, England, and is one of the most well-documented and controversial series of séances in the history of paranormal research. Named after its location, the experiment aimed to provide substantial evidence of life after death through physical mediumship (mediumship producing physical phenomenon).
The Scole Experiment was distinctive in its approach, combining traditional séance methods with modern (at the time) recording equipment. The sessions were typically held in a darkened cellar beneath the Foys' house, with participants sitting around a table. The primary goal was to establish communication with spirits and capture physical phenomena that could be rigorously tested and verified.
One of the first types of phenomena reported during the Scole Experiment was the appearance of lights. These lights, described as bright, darting, and often colorful, would move around the room, sometimes responding to requests from participants. The lights were said to exhibit intelligent behavior, changing direction, and interacting with objects and people in the room.
In addition to lights, the experiment also produced numerous instances of “apports,” which are objects that supposedly materialize from thin air. These objects included old coins, gemstones, and even a small crystal. One particularly remarkable instance involved the appearance of a newspaper from 1944, which was said to be in pristine condition despite its age:
Accordingly MK took the paper to the Print Industries Research Association, a world authority on paper and printing, who informed him in due course that their detailed examination of the typeface demonstrated that it had been printed by letterpress, a long-since obsolete technique. Furthermore, their chemical analysis of the paper on which the apport was printed revealed it to be Second World War newsprint, long since unavailable. In his further investigations MK ascertained that the apported version differed from the copy of the Daily Mail for April 1st 1944 kept in the British Library only in that it was an earlier edition of that day's print run.The apports often seemed to have specific significance or connections to the participants or the spirits they were purportedly in contact with.
Audio phenomena were also a crucial part of the Scole Experiment. Voices were frequently heard, sometimes through direct voice communication where the sounds seemed to emanate from the air rather than from the mediums. These voices would converse with the participants, providing information and answering questions. Additionally, anomalous sounds such as music and unexplained knocking were often reported.
Photographic evidence also played a significant role in the Scole Experiment. The group used both traditional film cameras and infrared video cameras to capture images during the séances. Numerous photographs were developed that appeared to show faces, scenes, and symbolic images. Some of these images were obtained under conditions designed to eliminate the possibility of fraud, such as sealed film canisters that were only opened and developed in the presence of independent witnesses.
One of the most striking aspects of the Scole Experiment was the variety of spirit communication methods employed. These included automatic writing, where spirits were said to control the hand of a medium to produce written messages, and direct writing, where messages appeared on pieces of paper without any apparent physical cause. The group also reported instances of materialized hands that would touch and interact with the participants.
Throughout the duration of the experiment, the Scole Group maintained a detailed log of the sessions, meticulously documenting the phenomena and the conditions under which they occurred. Independent investigators from the SPR, including respected researchers Montague Keen, David Fontana, and Arthur Ellison, attended many of the sessions. These investigators reported witnessing the phenomena firsthand and concluded that the events could not be easily dismissed or explained by conventional means.
One particularly controversial piece of evidence involved the locking of sealed rolls of film in a box which were later developed and shown to contain images exposed across multiple frames, which would only be possible by removing the film from the roll entirely:
Walter describes how he bought a roll of film, put the unopened film in the locked security box, and held the box in his hands throughout the session, neither putting it on the table nor allowing anyone else to touch it. He then supervised the development procedure. Despite the film he purchased being unopened and in a locked box in Walter's hand for the whole session, there was writing along the length of the film in the form a German poem.Modern-day researcher Brian Dunning asserts that the box was vulnerable to tampering:
One of the investigators, Alan Gauld, wrote critically of how he discovered this locked box could be quickly and easily opened in the dark, which allowed for easy substitution of film rolls. This box was provided by the mediums. Whenever any other sealed container was used, no images ever appeared on the film. Yet even while acknowledging these facts, the authors of the Scole Report still maintain that the film images are most likely evidence of the supernatural.Source: https://skeptoid.com/episodes/4179
However, Dunning leaves out additional information which complicates matters:
Just over three years later he came from Germany to the Scole Study Day to give an eloquent and concise (under-five-minute) account of the exact design of the box (he is a leading engineer) and the exact way in which he had held it during the experiment: three fingers pressed against one side; his thumb against another; his index finger on the top face; his palm covering the lock; the base resting firmly on the table. Only the side facing away from him (the base excepted) was uncovered by any part of his hand, and this side was slotted into the box from above and could not be removed without first dismantling the box from the top.Source: https://www.thescoleexperiment.com/rosalind-oliver-the-scole-experiments-an-overview.html
Despite the extensive documentation and the involvement of reputable researchers, the Scole Experiment has faced significant criticism and skepticism. Critics argue that the conditions of the séances, particularly the dark environment, were conducive to trickery and sleight of hand. They suggest that the phenomena could have been produced by the participants themselves, either intentionally or unconsciously, through techniques commonly used by stage magicians—although throughout the thorough investigations no one was ever able to prove any such trickery actually occurred.
This case can’t be summed up in a single documentary or debunking. I encourage anyone who is interested to read the full report and consider the great lengths that investigators went to in order to try and determine the true cause. Uptimately, the ambiguous nature of parapsychological phenomenon means that what one ultimately chooses to believe about the case is going to come down to a matter of faith, not facts.
https://www.thescoleexperiment.com
https://psi-encyclopedia.spr.ac.uk/articles/scole-circle
A full-length documentary: https://vimeo.com/573225843
Book: https://www.goodreads.com/book/show/1189806.The_Scole_Experiment
2024.05.29 01:55 theewildest Help! Is this bugs?
 | Noticed a new ish leaf on my monstera has these dark green/halo type spots all over the front and back. No other leaves on my plant have this but I’ve never seen it before so I can’t tell what it is. Is it pests? How to treat? submitted by theewildest to Monstera [link] [comments] |
2024.05.29 01:48 Chris_MIA The Super Scholar Manifesto
Academic Mindset of a Scholar
April 25
What does it mean to be a Super Scholar?
In the end to know X you need to think like X, is the concept of creatively understanding a perspective outside of your own, whether it is method of thought in creative or logical processes, or the knowledge that you know can match the mind you wish to understand.
Chess is a game of knowing your opponent, an unknown opponent is more challenging than a combatant, but after the first battle you begin to learn exponentially more with each fight. Seeking to better and fine tune your knowledge, observation, awareness, and troubleshooting for the perfect optimized solution.
The day comes you make it, you have achieved the success you wish to find with the help you needed, now you can help your community better, begin working with hardware to create moisture sensors on the farm fields to maintain perfect watering. Securing your world with motion sensors and the newest hardware sensors.
Super Scholars acknowledge it takes a village to survive, and thus it takes the same survival experience in one child to raise him or her well enough to be prepared for the future endeavors of civilization.
The bigger picture requires cleverness and a hint of humanity working together to grow into the unknown!
Learn to improve yourself day by day so that you may better help others tomorrow.
Scholar H M S Nav >>> Topic: Super Scholar Mentality --------------------------------------------------------------
Creative and Logical Processes of Thought
More on Creative thought and Logical processes in the future, but for the moment, keep the attached image below in mind when thinking of the brain. No, the physical location of left and right are not portrayed accurately to biology, but metaphorically understanding how your brain functions independently can help you optimize yourself in many different methods. Self Discipline comes with Self Analysis.
This is step One in my understanding of a student and their strength and weaknesses, things we often overlook with ourselves. So let me open my own learning methods to you, and you will find similarities, only the time spent on each will differ.
Firstly I want to saturate myself with as much information from a subject as possible, and who better to be flooded with information that some youtube video presentation, or more widely applied, a professional in the field. For some they are College Professors for others a personal tutor. Even if i do not understand it all, i want to be exposed to the words. (Listening)
Then i begin to study diagrams, sample code, and written physical medium (Visual) this is my longest period of interaction with the material, visually taking apart the pieces, defining the words i did not know just moments ago, and drawing (creatively) lines, arrows, connecting factors that let my brain process relationships (very much like a MySQL database).
Finally, i begin to solve the math problem, applying what I have learned, the code that I have now processed i will proceed now to use my motion to create (Kinestetic) this is the last step and second longest step out of the full 3 steps. Exposing myself now to paper and pencil, or clacking keyboard keys, just doing, motion, activity, become the creator and leave the consumer behind for that moment.
As a programmer overall, you realize your motivation to create does not come until you first create a self sustained application/ecosystem/api/framework. Once you see your creation and that it was you who made it, the possibilities expand and you begin to dream forward, imagine what you could achieve from here forth.
But until then, its a black college terminal screen with the prompt flickering;
"Enter employer ID to find your remaining work hours: "
type of programming... and that doesn't seem fun does it...
https://www.patreon.com/posts/academic-mindset-103020396
submitted by Chris_MIA to SuperScholar [link] [comments]
April 25
What does it mean to be a Super Scholar?
In the end to know X you need to think like X, is the concept of creatively understanding a perspective outside of your own, whether it is method of thought in creative or logical processes, or the knowledge that you know can match the mind you wish to understand.
Chess is a game of knowing your opponent, an unknown opponent is more challenging than a combatant, but after the first battle you begin to learn exponentially more with each fight. Seeking to better and fine tune your knowledge, observation, awareness, and troubleshooting for the perfect optimized solution.
The day comes you make it, you have achieved the success you wish to find with the help you needed, now you can help your community better, begin working with hardware to create moisture sensors on the farm fields to maintain perfect watering. Securing your world with motion sensors and the newest hardware sensors.
Super Scholars acknowledge it takes a village to survive, and thus it takes the same survival experience in one child to raise him or her well enough to be prepared for the future endeavors of civilization.
The bigger picture requires cleverness and a hint of humanity working together to grow into the unknown!
Learn to improve yourself day by day so that you may better help others tomorrow.
Scholar H M S Nav >>> Topic: Super Scholar Mentality --------------------------------------------------------------
Creative and Logical Processes of Thought
More on Creative thought and Logical processes in the future, but for the moment, keep the attached image below in mind when thinking of the brain. No, the physical location of left and right are not portrayed accurately to biology, but metaphorically understanding how your brain functions independently can help you optimize yourself in many different methods. Self Discipline comes with Self Analysis.
This is step One in my understanding of a student and their strength and weaknesses, things we often overlook with ourselves. So let me open my own learning methods to you, and you will find similarities, only the time spent on each will differ.
Firstly I want to saturate myself with as much information from a subject as possible, and who better to be flooded with information that some youtube video presentation, or more widely applied, a professional in the field. For some they are College Professors for others a personal tutor. Even if i do not understand it all, i want to be exposed to the words. (Listening)
Then i begin to study diagrams, sample code, and written physical medium (Visual) this is my longest period of interaction with the material, visually taking apart the pieces, defining the words i did not know just moments ago, and drawing (creatively) lines, arrows, connecting factors that let my brain process relationships (very much like a MySQL database).
Finally, i begin to solve the math problem, applying what I have learned, the code that I have now processed i will proceed now to use my motion to create (Kinestetic) this is the last step and second longest step out of the full 3 steps. Exposing myself now to paper and pencil, or clacking keyboard keys, just doing, motion, activity, become the creator and leave the consumer behind for that moment.
As a programmer overall, you realize your motivation to create does not come until you first create a self sustained application/ecosystem/api/framework. Once you see your creation and that it was you who made it, the possibilities expand and you begin to dream forward, imagine what you could achieve from here forth.
But until then, its a black college terminal screen with the prompt flickering;
"Enter employer ID to find your remaining work hours: "
type of programming... and that doesn't seem fun does it...
https://www.patreon.com/posts/academic-mindset-103020396
2024.05.29 01:45 Chris_MIA The Super Scholar Mantra
Academic Mindset of a Scholar
April 25
What does it mean to be a Super Scholar?
In the end to know X you need to think like X, is the concept of creatively understanding a perspective outside of your own, whether it is method of thought in creative or logical processes, or the knowledge that you know can match the mind you wish to understand.
Chess is a game of knowing your opponent, an unknown opponent is more challenging than a combatant, but after the first battle you begin to learn exponentially more with each fight. Seeking to better and fine tune your knowledge, observation, awareness, and troubleshooting for the perfect optimized solution.
The day comes you make it, you have achieved the success you wish to find with the help you needed, now you can help your community better, begin working with hardware to create moisture sensors on the farm fields to maintain perfect watering. Securing your world with motion sensors and the newest hardware sensors.
Super Scholars acknowledge it takes a village to survive, and thus it takes the same survival experience in one child to raise him or her well enough to be prepared for the future endeavors of civilization.
The bigger picture requires cleverness and a hint of humanity working together to grow into the unknown!
Learn to improve yourself day by day so that you may better help others tomorrow.
Scholar H M S Nav >>> Topic: Super Scholar Mentality --------------------------------------------------------------
Creative and Logical Processes of Thought
More on Creative thought and Logical processes in the future, but for the moment, keep the attached image below in mind when thinking of the brain. No, the physical location of left and right are not portrayed accurately to biology, but metaphorically understanding how your brain functions independently can help you optimize yourself in many different methods. Self Discipline comes with Self Analysis.
This is step One in my understanding of a student and their strength and weaknesses, things we often overlook with ourselves. So let me open my own learning methods to you, and you will find similarities, only the time spent on each will differ.
Firstly I want to saturate myself with as much information from a subject as possible, and who better to be flooded with information that some youtube video presentation, or more widely applied, a professional in the field. For some they are College Professors for others a personal tutor. Even if i do not understand it all, i want to be exposed to the words. (Listening)
Then i begin to study diagrams, sample code, and written physical medium (Visual) this is my longest period of interaction with the material, visually taking apart the pieces, defining the words i did not know just moments ago, and drawing (creatively) lines, arrows, connecting factors that let my brain process relationships (very much like a MySQL database).
Finally, i begin to solve the math problem, applying what I have learned, the code that I have now processed i will proceed now to use my motion to create (Kinestetic) this is the last step and second longest step out of the full 3 steps. Exposing myself now to paper and pencil, or clacking keyboard keys, just doing, motion, activity, become the creator and leave the consumer behind for that moment.
As a programmer overall, you realize your motivation to create does not come until you first create a self sustained application/ecosystem/api/framework. Once you see your creation and that it was you who made it, the possibilities expand and you begin to dream forward, imagine what you could achieve from here forth.
But until then, its a black college terminal screen with the prompt flickering;
"Enter employer ID to find your remaining work hours: "
type of programming... and that doesn't seem fun does it...
https://www.patreon.com/posts/academic-mindset-103020396
submitted by Chris_MIA to SuperScholar [link] [comments]
April 25
What does it mean to be a Super Scholar?
In the end to know X you need to think like X, is the concept of creatively understanding a perspective outside of your own, whether it is method of thought in creative or logical processes, or the knowledge that you know can match the mind you wish to understand.
Chess is a game of knowing your opponent, an unknown opponent is more challenging than a combatant, but after the first battle you begin to learn exponentially more with each fight. Seeking to better and fine tune your knowledge, observation, awareness, and troubleshooting for the perfect optimized solution.
The day comes you make it, you have achieved the success you wish to find with the help you needed, now you can help your community better, begin working with hardware to create moisture sensors on the farm fields to maintain perfect watering. Securing your world with motion sensors and the newest hardware sensors.
Super Scholars acknowledge it takes a village to survive, and thus it takes the same survival experience in one child to raise him or her well enough to be prepared for the future endeavors of civilization.
The bigger picture requires cleverness and a hint of humanity working together to grow into the unknown!
Learn to improve yourself day by day so that you may better help others tomorrow.
Scholar H M S Nav >>> Topic: Super Scholar Mentality --------------------------------------------------------------
Creative and Logical Processes of Thought
More on Creative thought and Logical processes in the future, but for the moment, keep the attached image below in mind when thinking of the brain. No, the physical location of left and right are not portrayed accurately to biology, but metaphorically understanding how your brain functions independently can help you optimize yourself in many different methods. Self Discipline comes with Self Analysis.
This is step One in my understanding of a student and their strength and weaknesses, things we often overlook with ourselves. So let me open my own learning methods to you, and you will find similarities, only the time spent on each will differ.
Firstly I want to saturate myself with as much information from a subject as possible, and who better to be flooded with information that some youtube video presentation, or more widely applied, a professional in the field. For some they are College Professors for others a personal tutor. Even if i do not understand it all, i want to be exposed to the words. (Listening)
Then i begin to study diagrams, sample code, and written physical medium (Visual) this is my longest period of interaction with the material, visually taking apart the pieces, defining the words i did not know just moments ago, and drawing (creatively) lines, arrows, connecting factors that let my brain process relationships (very much like a MySQL database).
Finally, i begin to solve the math problem, applying what I have learned, the code that I have now processed i will proceed now to use my motion to create (Kinestetic) this is the last step and second longest step out of the full 3 steps. Exposing myself now to paper and pencil, or clacking keyboard keys, just doing, motion, activity, become the creator and leave the consumer behind for that moment.
As a programmer overall, you realize your motivation to create does not come until you first create a self sustained application/ecosystem/api/framework. Once you see your creation and that it was you who made it, the possibilities expand and you begin to dream forward, imagine what you could achieve from here forth.
But until then, its a black college terminal screen with the prompt flickering;
"Enter employer ID to find your remaining work hours: "
type of programming... and that doesn't seem fun does it...
https://www.patreon.com/posts/academic-mindset-103020396
2024.05.29 01:45 ryanmark234 Hire Me<
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submitted by ryanmark234 to certificationsyouneed [link] [comments]
Contact Details for Hiraedu Helper:
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At the risk of sounding arrogant, I consider myself to be at least marginally more intelligent (both academically & socially) than the average person. Therefore, if I ever decided to suddenly risk prison time, risk my reputation, and risk enduring the wrath of modern-day “cancel culture” by scamming people out of their money:
- Not Worth the Money: I certainly wouldn’t do it for such paltry amounts of money. (i.e., anything less than $1,000 per victim.)
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2024.05.29 01:33 yesyesyuo Dont fall for the temptation
Dont fall for the distractions I had a dream about 3-4 months ago, i still remember it. I've been having this re occurring thought to share it, as it might help some. Although I'm nervous and scared of what people might say I have a deep strong feeling to share it, others have heard of this story and they might get tired of it because of how much I mentioned it, but the thought still doesn't get out of my head to tell it. I was in an empty room with what I though was my sister and we were playing some type of board game, I remember there was a black cloud behind her in the corner. The cloud was a mist and I could barely make out anything of it, i remember she had told me it was an "angel" and I remember her getting to her knees to bow down to it, she even rested her head in the floor, I saw her do that and out of respect I just bowed my head down; to this day I regret doing that. I didn't see the mist clearly so I had no idea what I was bowing my head to. Later, we were still playing the board game when I turned around and the same sister that was with me came to us from another corner, she was acting like her usual self, the other sister didn't act like her she was quiet, intimidating and didn't say much. While my other sister came in like how she usually does, making a joke- at this point I don't know why I wasn't more aware of why there were 2 of the same sisters I probably should've been worried or something. Then she said "hey, what's that" and I said "oh, that's an angel" as we we're walking towards it I could see more clearly what was there. It was horrible, I first noticed it's face, it was beautiful it had a baby face, but then I noticed it's skin and it's arms it's skin was light but it was symbols on it, and it seemed durty with black patches, one of the symbols, actually the only symbol that I saw more clearly was the upside down cross, thats when I noticed it was no type of angel, it was a fallen one. It hair was to its shoulders and it was matted, black and spikey; it's wings were alike black with spikes and matted, its tail was also black with spikes and it was long. I remember it being naked but maybe it had a skirt covering its parts, i wouldn't have been able to notice though because its legs were crossed at the ankles and its knees were bent over its stomack, its hands were in handcuffs as well as its ankles, they were chained; that was also how I noticed that it was no angel. When I saw it I was scared but then I remembered how I saw a video on social media get pranked and how she said "I rebuke you in Jesus name, Amen" I then did the same thing I raised my hands to the fallen angel and I told it "I rebuke all evil in Jesus name, Amen." And just when I said that it turned into a sandlike texture and blew away, it reminded me of when yiu blow on a dandelion, it also resembled how when people blow on ashes, the color and texture looked almost identical to it. After that happened the "sister" that was with me in the start, y'know the one that told me it was an angel and that was bowing down to that thing, started telling us something totally unrelated and said "drugs made an impact on the history of korea" she said as "she" turned back around and kept on playing a board game, like as if "she" hadn't seen what happened. I keep quoting she because I know that wasn't my sister, "she" was not like us after she had bowed to the fallen angel. Me and my real sister looked at each other in disbelief like as we both knew that she was an imposter, then the dream ended. This dream made me understand how the devil will give us distraction, like how the imposter sister tried to do when we both saw the evil being blown away by god, she tried to tell us something totally unrelated and tried get our mind off of what had happened. Similar to in real life how the devil will try to hide what happens. But we must not fall, i don't want to cause worry and anxiety and i hope i didn't but these distractions are going to be hard to get over, even sometimes i get distracted and i regret it always. We must be strong in order to open our eyes and let god protect us, ask god to protect you and to take away the distractions, it's hard but the relief and peace you'll get from god is much more better then the distractions keeping you from seeing him. I feel as though its the holy spirit asking me to share this, something in me, maybe god is speaking to me and telling me to share. Because wherever I look wether it be in social media or maybe just day to day life theres always signs of not being scared and not care of what people have to say about it, being brave, and i pray that god can help me post something like this without fear of what others may think, i hope i get the courage to post something like this to my own personal social media, and not hide.
submitted by yesyesyuo to Christianity [link] [comments]
2024.05.29 00:32 DukeOfDerpington Duality of Prey-Chapter 12
Huge shout out to u/ryguy637 & u/-Eterox for helping with Brainstorming and Co-Writing this.
As always, all credits for the original Nature of Predators and it's content goes to Space Paladin15, thank him for allowing artist and writers to use his original work of art for their own uses.
Gaian Ref Sheet-Here, Done by the artist u/Roddcherry
As well as a *Huge* thank you for Julian Sky's for filling in for being an editor again for this chapter! This chapter will be pulling away from the subject memory transcription, instead exploring one of the new regions within the Venian Commonwealth. The "Dark Corner"
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"This program is a special update to the Thafki Advocacy’s situation on their new home world, Ayzife. Originally we here at WTWN had done a piece a couple of years back towards the last days of the War, and now we wanted to send one of our reporters to find out- has anything changed? With that, we'll let Rux Limpbut take it away for this one. And please do be aware, user discretion is advised.”
The date of my arrival to Ayzife, the new Thafki homeworld, had arrived. It was a part formally called by our government the “New Re-Seeding Sector”, but It had gained a painful nickname as quickly as it was given its government one. “The Dark Corner”.
A group of Thafki, listless and confused, is shown, as a small group of Gaians seem to herd them back into a recently finished project. A Gaian man is showing us around, telling us of the hardships, his face has been blurred for their safety.
“What am I to do?” The thick Mountaineer accent rang out from the man’s scarred face. He was one of the first officers that had come across the cattle ranches and the true extent of the horror that laid within them. “The adults can't speak, they can't learn. The children are really the only hope…” his accented voice trails off as he checked within some of the residences, some of the seemingly adult Thafki, stunted and confused, are being hand fed. They do not respond to any orders, at least not to ones in any other language except that of the prey killers, or that of our Horned and able bodied Sister species.
The children are crowded around their parents, speaking in a mix of Thafki and a Piggish- like squealing imitation of Arxur. One approaches me and the cameraman, asking us a question.
“Savageness?” They eek out. Compared to the parents, the children seem blissfully unaware to what they or what their loved ones went through, their eyes shining brightly, even if they're glazed over in a mountain of unrealized horror. Our guide calls over a shabbily dressed Thafki, in an overly large uniform. Hand-me-downs from our sister species. It has been hemmed to solgalik and back, but it was still painfully apparent that it barely fit comfortably.
The Thafki, as I was to learn later, “Guzifi” or police, takes the child away and back into the building we peered into. Our cameraman zooms into the back of their necks, a painfully visible barcode and scratched in number can be seen. I stand aghast, before our guide comes back to us, his eyes sullen and shrunken into his head, hammered with fatigue.
“As I was saying…*most* of them can't do anything. But the ones like Curzix there-” he gestures to the man, who is now knelt down, stroking the child's hair, a faint giggle echoing in the sparse abode “-He escaped early into his stint, it hardened him. He was one of the first to sign up once we finished the terraforming process at the beginning of this year.”
We are hurried on, “Curzix” soon rejoins us as we continue to inspect and report. Only months ago this entire section we were in was a barren wasteland, only recently finished terraforming. Now? It's crammed with tightly knit buildings, services, and other amenities. But it's not enough. “Reservists” from our Sister species, as they called them, are the majority of people dealing with the Thafki here, only a handful of Guzifi are to be seen amongst the crowds and herd of broken.
Soon we find ourselves in a “rehabilitation” facility, so to speak, the local baker is the first to greet us, head to toe in traditional thafkian garb, and a small basket of baked goods they had made earlier this morning. She gestures for us to take some, which me and the cameraman do.
“And this-” the Provincial-Governor who had been tailing with us begins, before the Thafki finishes for him
“I'm Zaifi.” She sticks her hand out, and I do the same in kind. I quickly noted that she seemed to be the only light in this icker of dark, bitter sadness that assuaged us. She turns around and begins to wander through the halls as we begin to trail behind her, questions outpouring.
“Are you one of the Free Thafkis that came here?” I ask, she nods in response while clearing her throat..
“Yes. I might be one of the few to even go so far as to say my life's been better since I came here.” She responds. I nod along, taking her words in as I take a bite of the customary “Cionn” bread.
It's one of the signs of the Thafki Advocacy's-now Thafki Republic-Efforts to Re-Seeding their culture and themselves. I'm later told it's an offshoot of a more savory dinner bread, softer and less sweet called Uniffin'Dath, although I'm also told that that type of bread is used in conjunction with Striou (not Strayu) soup.
While I do so, however, I take glances behind me and to the sides of me. Behind me, the Gaian Sector-Governor, Halim and the Thafki Republic’s first Councilor, Ralikenn are having a heated discussion. Something our camera notices as he increases the sensitivity on the recording equipment.
“...I can't believe you all….a junta that…” are the words picked up from Ralikenn, as Halim begins to frown heavily, and begins to speak back.
“... Can't you… supplies arrived…” The discussion continues as Zaifi grabs my attention, the cameraman I'm with peering into the doors we pass by.
The camera pans to Thafki children, in various states of appearance, are sat down in school desks. At the front of their rooms either a Gaian or Thafki teacher can be seen, teaching anything from their language, their dress code, etiquette and more. Soon the camera pans back to Rux and Zaifi.
“So while I serve the food here, I also try and show them the history of us and our resilient culture through it. The background of it, how it came to be and how it weaves with us.” Zaifi continues as we walk down the hallway, she veers off into one of the rooms, and hesitantly I follow.
The inside was quite well worn for how new the building was, already indentations, marks, and other scratches and scuffs could be seen. Signs of hard work and labor, something that is unsurprising considering Zaifi and her duties. As she begins to work, it's time for me to ask her about her thoughts on the situation.
“Compared to the last couple of decades, where do you think your species is at now? I mean, a lot has changed. From being a species with the large portion of your population being cattle to now having a government and world handed to you, it's got to be a bit jarring?”
Zaifi nods, the trademark pearls on a brooch around her neck click and clack gently together, the synthetic pearls a sign of what the Advocacy group had been able to hold on to throughout the centuries.
“Well-” she starts off, as she begins to knead a greenish-blue dough on the distinctly brown work surface, the faint smell of Saltwine being smelt from where I was standing. “I wish we got a welcome, as good as the Paltans and the Gaians gave us. I mean, they split half and half on things here and there around the village!”
The camera pans around the room, bits and baubles of Zaifi’s own life being dotted around it. A bottle or two of sea wine, a basket of synthetic pearls, hints of oceanic theming bedazzle the room.
Zaifi begins to portion out the Bread-a serving of Cionn. A serving of the more savory Uniffin'Dath. Both are seasoned with a spice that is only rarely mentioned in some cookbooks, “Izuzdath.” The process is lively, a stark contrast to last year's report at a holding world as they finished terraforming here.
If you were to have told me that a Thafki would be smiling while knee deep in this grime that is misery, I would've called you a liar. But apparently…
“So how long have you been around here? Or rather should I say, with the herd?” I ask. It causes Zaifi to stop and look at the basket of pearls. Each of them are inscribed with a loved or close one that died, and the date on which they did so. Many of them aren't her relatives, rather they are the few Thafki she has bonded with while staying here.
“Physically? Only…a year or two. But mentally-” The dull sound of the bread being put upon a pre-oiled stone, an smoothed coral stone no less, echoed softly while the grinding of such a stone sliding into one of the waiting ovens as it did so was a stark contrast. The clasp of the oven door closing caused her to turn back to us. She sighs as she pats down her apron.
“Centuries. I guess we grew accustomed to being the odd ones out. Now that my herd- my people, have a place to call their own…” She is sullen for a moment, before her eyes meet the window, overlooking a courtyard. The smile reappears just as quickly as it disappeared.
“Ya know. I'll take this for now, the funniest thing ya know-” she gestures to me to come over and look. The courtyard has a simple watery filled pit. A “pool” as our sister species had dubbed it, seemed to be the eye and star of this little facility, at least for the attendee's. A whole gaggle of Thafki children, in a wardrobe of mismatched, shabby clothing suited for the water could be seen as they ran about it. What I could only assume was their teacher watched over them.
“Your saplings are quite the good match. Even they seem to want to bring the water to themselves sometimes.” She says to herself now in a far more reassured tone. As I begin to smile myself, just a little, a tap is felt on my shoulder. It's Curzix, the Guzifi that has been assigned to us.
The camera now zooms out from the pool and the other recreational activities happening in the center of the U-shaped facility, and turns around quickly, now focusing on Rux and Curzix.
“We'll we're ready to go when you are, you all wanted to get the full experience yeah?” Curzix stuffs his paws into the oversized and hemmed coats pockets, the armband with the symbol of Guzifi. He meanders off as we begin to follow him, I say my goodbyes to Zaifi, and she returns them in kind as we are led back out of the hallway.
We start off now checking the facility in depth, taken into one classroom in particular. It is here that our cameraman points out something peculiar. The extreme range of coloring in the Thafki children here. Looking past numerous ranch markings, numbering, and a word inscribed on the arm of each in the Ruinous Lizards language, the Thafki children are striking.
The camera makes cuts to each of the Thafki children in the room. The variety of blues is numerous. Some are in a vibrant luscious blue, other ones have a dull, greyer one. And yet these are the least eye-catching ones. Some have sporadic spots. Some have a sickly greenish blue hue. And yet some are completely devoid of their regular blue, replaced with a dull brown. The camera now returns to overlooking the entirety of the room from the doorway.
As I entered the room the teacher, who had requested that their face be blurred, comes to me and shakes my hand. They gesture to the Thafki pupils, who are in varied state of affairs. Some of them are paying attention, while others are far more focused on their desks or some portion of the wall.
“You came in at a good time, we're trying to teach them Thafki. It's been a bit of a struggle, but we've been making some slow and small progress.” the teacher comes alongside one of the brightly colored pupils, resting their hand gently on their shoulder. The child flinches for a bit, expecting something as they tense up, before they relax.
“Are they a handful?” I ask to the teacher as they themselves point onto a piece of paper in front of the pup, pointing something out
“From time to time. But whenever the horned fellows come along they calm down quite a bit.” the Thafki’s eyes dart occasionally from the paper on the desk to the doorway behind us, looking back shows the Sector-Governor that has been with us this entire time.
The last time we had visited a rehabilitation center-albeit it was just after the war had wrapped up-the facility was in a far more ramshackle situation compared to now, but while the situation is improving, there's still more to do.
With our little visit to the center done our entourage made our way outside. As we did so a rumbler, an armored vehicle used by our other half, came rolling by. A gaggle of Thafki on it, a Gaian within the group giving us a glance as they went by.
It's here where the uncomfortable nature and scandalous portion of the Re-Seeding comes in. The Laborer gangs, seen as a solution to perceived laziness on Ayzife from some of the Ex-Cattle. The concept is basic and rudimentary both in premise and execution, anything simple is offered up to the gangs first, before giving up to the more general labor sections assigned to the planet.
We keep trudging along, the plethora of buildings being assembled or constructed is numerous along the trail we're taking. Along our way, Ralikenn begins to talk about how far they've come in such a short time span. He gestures to the buildings before he begins to speak.
“All of this-” Our cameraman moves and angles his camera to the row of unfinished buildings, in various states of construction. “In just about a year, it's nearly unbelievable to be honest. I had, tearfully, resigned myself to a forgone conclusion to our species. But now?-” They begin to tear up clearly overwhelmed at this point, they attempt to speak but all that happens is their mouth staying agape for mere moments, before closing and just shaking their head.
And yet there's still more to see. More to do and more to make right. I only hope we can do it in time, as a herd.
submitted by DukeOfDerpington to NatureofPredators [link] [comments]
As always, all credits for the original Nature of Predators and it's content goes to Space Paladin15, thank him for allowing artist and writers to use his original work of art for their own uses.
Gaian Ref Sheet-Here, Done by the artist u/Roddcherry
As well as a *Huge* thank you for Julian Sky's for filling in for being an editor again for this chapter! This chapter will be pulling away from the subject memory transcription, instead exploring one of the new regions within the Venian Commonwealth. The "Dark Corner"
The date of my arrival to Ayzife, the new Thafki homeworld, had arrived. It was a part formally called by our government the “New Re-Seeding Sector”, but It had gained a painful nickname as quickly as it was given its government one. “The Dark Corner”.
A group of Thafki, listless and confused, is shown, as a small group of Gaians seem to herd them back into a recently finished project. A Gaian man is showing us around, telling us of the hardships, his face has been blurred for their safety.
“What am I to do?” The thick Mountaineer accent rang out from the man’s scarred face. He was one of the first officers that had come across the cattle ranches and the true extent of the horror that laid within them. “The adults can't speak, they can't learn. The children are really the only hope…” his accented voice trails off as he checked within some of the residences, some of the seemingly adult Thafki, stunted and confused, are being hand fed. They do not respond to any orders, at least not to ones in any other language except that of the prey killers, or that of our Horned and able bodied Sister species.
The children are crowded around their parents, speaking in a mix of Thafki and a Piggish- like squealing imitation of Arxur. One approaches me and the cameraman, asking us a question.
“Savageness?” They eek out. Compared to the parents, the children seem blissfully unaware to what they or what their loved ones went through, their eyes shining brightly, even if they're glazed over in a mountain of unrealized horror. Our guide calls over a shabbily dressed Thafki, in an overly large uniform. Hand-me-downs from our sister species. It has been hemmed to solgalik and back, but it was still painfully apparent that it barely fit comfortably.
The Thafki, as I was to learn later, “Guzifi” or police, takes the child away and back into the building we peered into. Our cameraman zooms into the back of their necks, a painfully visible barcode and scratched in number can be seen. I stand aghast, before our guide comes back to us, his eyes sullen and shrunken into his head, hammered with fatigue.
“As I was saying…*most* of them can't do anything. But the ones like Curzix there-” he gestures to the man, who is now knelt down, stroking the child's hair, a faint giggle echoing in the sparse abode “-He escaped early into his stint, it hardened him. He was one of the first to sign up once we finished the terraforming process at the beginning of this year.”
We are hurried on, “Curzix” soon rejoins us as we continue to inspect and report. Only months ago this entire section we were in was a barren wasteland, only recently finished terraforming. Now? It's crammed with tightly knit buildings, services, and other amenities. But it's not enough. “Reservists” from our Sister species, as they called them, are the majority of people dealing with the Thafki here, only a handful of Guzifi are to be seen amongst the crowds and herd of broken.
Soon we find ourselves in a “rehabilitation” facility, so to speak, the local baker is the first to greet us, head to toe in traditional thafkian garb, and a small basket of baked goods they had made earlier this morning. She gestures for us to take some, which me and the cameraman do.
“And this-” the Provincial-Governor who had been tailing with us begins, before the Thafki finishes for him
“I'm Zaifi.” She sticks her hand out, and I do the same in kind. I quickly noted that she seemed to be the only light in this icker of dark, bitter sadness that assuaged us. She turns around and begins to wander through the halls as we begin to trail behind her, questions outpouring.
“Are you one of the Free Thafkis that came here?” I ask, she nods in response while clearing her throat..
“Yes. I might be one of the few to even go so far as to say my life's been better since I came here.” She responds. I nod along, taking her words in as I take a bite of the customary “Cionn” bread.
It's one of the signs of the Thafki Advocacy's-now Thafki Republic-Efforts to Re-Seeding their culture and themselves. I'm later told it's an offshoot of a more savory dinner bread, softer and less sweet called Uniffin'Dath, although I'm also told that that type of bread is used in conjunction with Striou (not Strayu) soup.
While I do so, however, I take glances behind me and to the sides of me. Behind me, the Gaian Sector-Governor, Halim and the Thafki Republic’s first Councilor, Ralikenn are having a heated discussion. Something our camera notices as he increases the sensitivity on the recording equipment.
“...I can't believe you all….a junta that…” are the words picked up from Ralikenn, as Halim begins to frown heavily, and begins to speak back.
“... Can't you… supplies arrived…” The discussion continues as Zaifi grabs my attention, the cameraman I'm with peering into the doors we pass by.
The camera pans to Thafki children, in various states of appearance, are sat down in school desks. At the front of their rooms either a Gaian or Thafki teacher can be seen, teaching anything from their language, their dress code, etiquette and more. Soon the camera pans back to Rux and Zaifi.
“So while I serve the food here, I also try and show them the history of us and our resilient culture through it. The background of it, how it came to be and how it weaves with us.” Zaifi continues as we walk down the hallway, she veers off into one of the rooms, and hesitantly I follow.
The inside was quite well worn for how new the building was, already indentations, marks, and other scratches and scuffs could be seen. Signs of hard work and labor, something that is unsurprising considering Zaifi and her duties. As she begins to work, it's time for me to ask her about her thoughts on the situation.
“Compared to the last couple of decades, where do you think your species is at now? I mean, a lot has changed. From being a species with the large portion of your population being cattle to now having a government and world handed to you, it's got to be a bit jarring?”
Zaifi nods, the trademark pearls on a brooch around her neck click and clack gently together, the synthetic pearls a sign of what the Advocacy group had been able to hold on to throughout the centuries.
“Well-” she starts off, as she begins to knead a greenish-blue dough on the distinctly brown work surface, the faint smell of Saltwine being smelt from where I was standing. “I wish we got a welcome, as good as the Paltans and the Gaians gave us. I mean, they split half and half on things here and there around the village!”
The camera pans around the room, bits and baubles of Zaifi’s own life being dotted around it. A bottle or two of sea wine, a basket of synthetic pearls, hints of oceanic theming bedazzle the room.
Zaifi begins to portion out the Bread-a serving of Cionn. A serving of the more savory Uniffin'Dath. Both are seasoned with a spice that is only rarely mentioned in some cookbooks, “Izuzdath.” The process is lively, a stark contrast to last year's report at a holding world as they finished terraforming here.
If you were to have told me that a Thafki would be smiling while knee deep in this grime that is misery, I would've called you a liar. But apparently…
“So how long have you been around here? Or rather should I say, with the herd?” I ask. It causes Zaifi to stop and look at the basket of pearls. Each of them are inscribed with a loved or close one that died, and the date on which they did so. Many of them aren't her relatives, rather they are the few Thafki she has bonded with while staying here.
“Physically? Only…a year or two. But mentally-” The dull sound of the bread being put upon a pre-oiled stone, an smoothed coral stone no less, echoed softly while the grinding of such a stone sliding into one of the waiting ovens as it did so was a stark contrast. The clasp of the oven door closing caused her to turn back to us. She sighs as she pats down her apron.
“Centuries. I guess we grew accustomed to being the odd ones out. Now that my herd- my people, have a place to call their own…” She is sullen for a moment, before her eyes meet the window, overlooking a courtyard. The smile reappears just as quickly as it disappeared.
“Ya know. I'll take this for now, the funniest thing ya know-” she gestures to me to come over and look. The courtyard has a simple watery filled pit. A “pool” as our sister species had dubbed it, seemed to be the eye and star of this little facility, at least for the attendee's. A whole gaggle of Thafki children, in a wardrobe of mismatched, shabby clothing suited for the water could be seen as they ran about it. What I could only assume was their teacher watched over them.
“Your saplings are quite the good match. Even they seem to want to bring the water to themselves sometimes.” She says to herself now in a far more reassured tone. As I begin to smile myself, just a little, a tap is felt on my shoulder. It's Curzix, the Guzifi that has been assigned to us.
The camera now zooms out from the pool and the other recreational activities happening in the center of the U-shaped facility, and turns around quickly, now focusing on Rux and Curzix.
“We'll we're ready to go when you are, you all wanted to get the full experience yeah?” Curzix stuffs his paws into the oversized and hemmed coats pockets, the armband with the symbol of Guzifi. He meanders off as we begin to follow him, I say my goodbyes to Zaifi, and she returns them in kind as we are led back out of the hallway.
We start off now checking the facility in depth, taken into one classroom in particular. It is here that our cameraman points out something peculiar. The extreme range of coloring in the Thafki children here. Looking past numerous ranch markings, numbering, and a word inscribed on the arm of each in the Ruinous Lizards language, the Thafki children are striking.
The camera makes cuts to each of the Thafki children in the room. The variety of blues is numerous. Some are in a vibrant luscious blue, other ones have a dull, greyer one. And yet these are the least eye-catching ones. Some have sporadic spots. Some have a sickly greenish blue hue. And yet some are completely devoid of their regular blue, replaced with a dull brown. The camera now returns to overlooking the entirety of the room from the doorway.
As I entered the room the teacher, who had requested that their face be blurred, comes to me and shakes my hand. They gesture to the Thafki pupils, who are in varied state of affairs. Some of them are paying attention, while others are far more focused on their desks or some portion of the wall.
“You came in at a good time, we're trying to teach them Thafki. It's been a bit of a struggle, but we've been making some slow and small progress.” the teacher comes alongside one of the brightly colored pupils, resting their hand gently on their shoulder. The child flinches for a bit, expecting something as they tense up, before they relax.
“Are they a handful?” I ask to the teacher as they themselves point onto a piece of paper in front of the pup, pointing something out
“From time to time. But whenever the horned fellows come along they calm down quite a bit.” the Thafki’s eyes dart occasionally from the paper on the desk to the doorway behind us, looking back shows the Sector-Governor that has been with us this entire time.
The last time we had visited a rehabilitation center-albeit it was just after the war had wrapped up-the facility was in a far more ramshackle situation compared to now, but while the situation is improving, there's still more to do.
With our little visit to the center done our entourage made our way outside. As we did so a rumbler, an armored vehicle used by our other half, came rolling by. A gaggle of Thafki on it, a Gaian within the group giving us a glance as they went by.
It's here where the uncomfortable nature and scandalous portion of the Re-Seeding comes in. The Laborer gangs, seen as a solution to perceived laziness on Ayzife from some of the Ex-Cattle. The concept is basic and rudimentary both in premise and execution, anything simple is offered up to the gangs first, before giving up to the more general labor sections assigned to the planet.
We keep trudging along, the plethora of buildings being assembled or constructed is numerous along the trail we're taking. Along our way, Ralikenn begins to talk about how far they've come in such a short time span. He gestures to the buildings before he begins to speak.
“All of this-” Our cameraman moves and angles his camera to the row of unfinished buildings, in various states of construction. “In just about a year, it's nearly unbelievable to be honest. I had, tearfully, resigned myself to a forgone conclusion to our species. But now?-” They begin to tear up clearly overwhelmed at this point, they attempt to speak but all that happens is their mouth staying agape for mere moments, before closing and just shaking their head.
And yet there's still more to see. More to do and more to make right. I only hope we can do it in time, as a herd.
2024.05.29 00:14 EpicGuy0z Do Christians even know what satanism is?
I've noticed a lot of misconceptions among Christians about what Satanism actually is. Many seem to think it involves devil worship and sinister rituals, but that’s not accurate.
There are different types of Satanism. For example, LaVeyan Satanism, founded by Anton LaVey in 1966, is actually atheistic. It uses "Satan" as a symbol of rebellion and individualism, not as a deity to be worshipped.
Then there's Theistic Satanism, where some do worship Satan as a deity, but their beliefs and practices vary widely. Often, Satan is seen more as a symbol of freedom rather than evil.
The Satanic Temple, on the other hand, doesn’t worship Satan at all. They use Satanic imagery to promote social justice, secularism, and the separation of church and state.
So, when Christians talk about Satanism, they might not fully understand it. Many Satanists are actually atheists focused on personal freedom and questioning authority, far from the devil-worshipping stereotype.
What are your thoughts? How do you think we can clear up these misunderstandings?
submitted by EpicGuy0z to atheism [link] [comments]
There are different types of Satanism. For example, LaVeyan Satanism, founded by Anton LaVey in 1966, is actually atheistic. It uses "Satan" as a symbol of rebellion and individualism, not as a deity to be worshipped.
Then there's Theistic Satanism, where some do worship Satan as a deity, but their beliefs and practices vary widely. Often, Satan is seen more as a symbol of freedom rather than evil.
The Satanic Temple, on the other hand, doesn’t worship Satan at all. They use Satanic imagery to promote social justice, secularism, and the separation of church and state.
So, when Christians talk about Satanism, they might not fully understand it. Many Satanists are actually atheists focused on personal freedom and questioning authority, far from the devil-worshipping stereotype.
What are your thoughts? How do you think we can clear up these misunderstandings?
2024.05.29 00:13 UnicornsnRainbowz What each type has in common with the type before it and after it.
What they have in common with the types on either side of them.
Doing by alphabetical order.
ENFJ: ENFJ, ENFP and ISTP all struggle with recalling details easily. Due to none of them having Si high in their stack, they are also not the most conscientious types.
ENFP: ENFP, ENTJ and ENFj are all effective communicators, though for very different reasons. ENFP is a natural conversationist as they can talk about anything, ENFJ has high empathy and reads the room well and ENTJ is great at being able to explain things in a clear way everyone can understand.
ENTJ: RENTJ, ENFP and ENTP are all don’t naturally gravitate towards leadership roles yet are actually very good in this position as they get things done due to out of the box thinking styles.
ENTP: ENTP, ENTJ and ESFJ all place importance on how they come across to others in social situations; ENTJ wants to be seen as intelligent and practical, ENTP wants to be seen as innovative and an outside the box thinker and ESfJ wants to be seen as charismatic and socially aware.
ESFJ: ESFJ, ENTP and ESFP all want to seen as intelligent - ESFJ in a more humanitarian, common sense way, ENTP in a more smarter than the average person way and ESFP in a more ‘I’ve done so many things and learned a bit about everything’ way.
ESFP: ESFP, ESFJ and ESTJ are all types with extra energy. ESfP uses this most often with sports and adrenaline inducing activities, ESFJ often uses this to help others and ESTJ uses this for manual, heavy duty tasks.
ESTJ: ESTJ, ESFP and ESTP all don’t have intuition high on their stack, which means they don’t naturally gravitate towards coming up with original ideas and working through them. This often means they either completely wing it and accept whatever comes (ESFP), do what has always been efficient in the past (ESTJ) or observe what works for others in similar salutations and go with that )”(ESTP).
ESTP: ESTJ, ESTP and INFJ are not outwardly sentimental types. ESTP can feel deeply but keeps that side of them very private and shares only with very fe, ESTJ does not like to show that side even to those they are closest to as they feel their feelings are often not relevant to living a productive life and INFJs like to close off their feelings as they do not like leaving themselves vulnerable.
INFj: INFJ, ESTP and INFP all have a very rich inner voice that is often very deep. ESTP has an abundance of experiences and lessons they can refer to and look back on, INFJ has a catalogue of facts and theories they’ve learned about as well as their own opinions and INFPs have a rich imagination full of their own dramatisations and creativity.
INFP: INFP, INFJ and INTJ all have low sensation placements and high intuition placements which makes them great with coming up with ideas, but struggle to put them into practicality. INFP has many creative ideas but has a tendency to procrastinate, INFJ gets into many theories and topics but soon becomes bored with what they already know and INTJ loves to learn new things but is always in pursuit of more knowledge and therefore can fail to take it all in sometimes.
INTJ: INTJ, INFP and INTP all have their intuitive function before their sensation one. This makes them more scatterbrained than average. INTJ will have many ideas and have the skills to implement them too but will lose interest and focus on something else as what they’ve already figured out is little interest to them where INFP easily Thinks things but will forget as something else grabs their inspiration and INTP has very insightful and smart ideas but they just lack the physical motivation to pay attention to the next steps.
INTP: INTJ, INTP and ISFJ all have high likelihood of having excellent memories - they all have a certain capacity for memories to be tied to feelings or certain sensory input and this helps them to be able to remember things well. INztJ naturally has an affinity to remembering numbers, symbols and scientific data which often they can recall ecactly where they learned this information, whereas INTP remembers theories and trivia more and likely has pneumonias and other such skills to help them recall things and ISfJ recalls things because they evoke memories and feelings but also because they trigger off a sensory memory (they learned about Osmosis on the school field when there was Daisies).
ISFJ: ISFJ, INTP, and ISFP all have a natural ability to interpret things in a very different way than the average person. ISFJ can really see a side to human communication and culture that many just haven’t considered, INTP can make what seems so complicated seem simple but they can also come up with logic that just makes sense yet nobody else considered it and ISFP can put into creativity what simply can’t be expressed in any other way and they also see inspiration in the strangest of places.
ISFP: ISFP, ISFJ and ISTJ often have an affinity with working with their hands and creating or bettering things. ISFP likes creating stuff that is self expressing, ISFJ wants to create a comfortable and productive environment and ISTJ is making a concrete and practical thing that can be utilised to its full potential.
ISTJ: ISTJ, ISFP and ISTP all are prone to a blind spot when it comes to their work. They can either think their work is unquestionable OR that it makes no sense when it actually does (ISTJ) that you’re work is completely unique and never done before OR that it’s as bland as every other work done (ISFP) or You’re the best at inventing new things OR your projects are useless (ISTP).
ISTP: ISTP, ISTJ and ENFJ are all really good at using what they see or hear to be able to evaluate that on a logical and feeling level. ISTP can come up with a thought and be able to accurately ascertain whether that can work in the real world and how it would be received by others, ISTJ can use assembled bits of information and make it into a reality and to do so in a way that benefits the most amount of people and ENFJ can easily take people’s words in a realise the true meaning behind it and accurately know how to respond back.
One thing SJs have in common with NFs - ability to detect when they are being manipulated. Both these types are keenly aware one more by intuition and the other through physical analysis of behaviour but they both come to the same mindset.
One thing SPschave in common with NJs - refusal to give up on or have anyone else break down their values and beliefs.
One thing ST and NF have in common - spotting symbols and patterns in unusual places, having that thinking outside the box ability.
One thing FJs and TPs have in common is attention to detail appreciation.
One thing FPs and TJs have in common is big dream energy - so many dreams not all are practical even if their type is.
Hope this was interesting. :)
submitted by UnicornsnRainbowz to mbti [link] [comments]
Doing by alphabetical order.
ENFJ: ENFJ, ENFP and ISTP all struggle with recalling details easily. Due to none of them having Si high in their stack, they are also not the most conscientious types.
ENFP: ENFP, ENTJ and ENFj are all effective communicators, though for very different reasons. ENFP is a natural conversationist as they can talk about anything, ENFJ has high empathy and reads the room well and ENTJ is great at being able to explain things in a clear way everyone can understand.
ENTJ: RENTJ, ENFP and ENTP are all don’t naturally gravitate towards leadership roles yet are actually very good in this position as they get things done due to out of the box thinking styles.
ENTP: ENTP, ENTJ and ESFJ all place importance on how they come across to others in social situations; ENTJ wants to be seen as intelligent and practical, ENTP wants to be seen as innovative and an outside the box thinker and ESfJ wants to be seen as charismatic and socially aware.
ESFJ: ESFJ, ENTP and ESFP all want to seen as intelligent - ESFJ in a more humanitarian, common sense way, ENTP in a more smarter than the average person way and ESFP in a more ‘I’ve done so many things and learned a bit about everything’ way.
ESFP: ESFP, ESFJ and ESTJ are all types with extra energy. ESfP uses this most often with sports and adrenaline inducing activities, ESFJ often uses this to help others and ESTJ uses this for manual, heavy duty tasks.
ESTJ: ESTJ, ESFP and ESTP all don’t have intuition high on their stack, which means they don’t naturally gravitate towards coming up with original ideas and working through them. This often means they either completely wing it and accept whatever comes (ESFP), do what has always been efficient in the past (ESTJ) or observe what works for others in similar salutations and go with that )”(ESTP).
ESTP: ESTJ, ESTP and INFJ are not outwardly sentimental types. ESTP can feel deeply but keeps that side of them very private and shares only with very fe, ESTJ does not like to show that side even to those they are closest to as they feel their feelings are often not relevant to living a productive life and INFJs like to close off their feelings as they do not like leaving themselves vulnerable.
INFj: INFJ, ESTP and INFP all have a very rich inner voice that is often very deep. ESTP has an abundance of experiences and lessons they can refer to and look back on, INFJ has a catalogue of facts and theories they’ve learned about as well as their own opinions and INFPs have a rich imagination full of their own dramatisations and creativity.
INFP: INFP, INFJ and INTJ all have low sensation placements and high intuition placements which makes them great with coming up with ideas, but struggle to put them into practicality. INFP has many creative ideas but has a tendency to procrastinate, INFJ gets into many theories and topics but soon becomes bored with what they already know and INTJ loves to learn new things but is always in pursuit of more knowledge and therefore can fail to take it all in sometimes.
INTJ: INTJ, INFP and INTP all have their intuitive function before their sensation one. This makes them more scatterbrained than average. INTJ will have many ideas and have the skills to implement them too but will lose interest and focus on something else as what they’ve already figured out is little interest to them where INFP easily Thinks things but will forget as something else grabs their inspiration and INTP has very insightful and smart ideas but they just lack the physical motivation to pay attention to the next steps.
INTP: INTJ, INTP and ISFJ all have high likelihood of having excellent memories - they all have a certain capacity for memories to be tied to feelings or certain sensory input and this helps them to be able to remember things well. INztJ naturally has an affinity to remembering numbers, symbols and scientific data which often they can recall ecactly where they learned this information, whereas INTP remembers theories and trivia more and likely has pneumonias and other such skills to help them recall things and ISfJ recalls things because they evoke memories and feelings but also because they trigger off a sensory memory (they learned about Osmosis on the school field when there was Daisies).
ISFJ: ISFJ, INTP, and ISFP all have a natural ability to interpret things in a very different way than the average person. ISFJ can really see a side to human communication and culture that many just haven’t considered, INTP can make what seems so complicated seem simple but they can also come up with logic that just makes sense yet nobody else considered it and ISFP can put into creativity what simply can’t be expressed in any other way and they also see inspiration in the strangest of places.
ISFP: ISFP, ISFJ and ISTJ often have an affinity with working with their hands and creating or bettering things. ISFP likes creating stuff that is self expressing, ISFJ wants to create a comfortable and productive environment and ISTJ is making a concrete and practical thing that can be utilised to its full potential.
ISTJ: ISTJ, ISFP and ISTP all are prone to a blind spot when it comes to their work. They can either think their work is unquestionable OR that it makes no sense when it actually does (ISTJ) that you’re work is completely unique and never done before OR that it’s as bland as every other work done (ISFP) or You’re the best at inventing new things OR your projects are useless (ISTP).
ISTP: ISTP, ISTJ and ENFJ are all really good at using what they see or hear to be able to evaluate that on a logical and feeling level. ISTP can come up with a thought and be able to accurately ascertain whether that can work in the real world and how it would be received by others, ISTJ can use assembled bits of information and make it into a reality and to do so in a way that benefits the most amount of people and ENFJ can easily take people’s words in a realise the true meaning behind it and accurately know how to respond back.
One thing SJs have in common with NFs - ability to detect when they are being manipulated. Both these types are keenly aware one more by intuition and the other through physical analysis of behaviour but they both come to the same mindset.
One thing SPschave in common with NJs - refusal to give up on or have anyone else break down their values and beliefs.
One thing ST and NF have in common - spotting symbols and patterns in unusual places, having that thinking outside the box ability.
One thing FJs and TPs have in common is attention to detail appreciation.
One thing FPs and TJs have in common is big dream energy - so many dreams not all are practical even if their type is.
Hope this was interesting. :)
2024.05.29 00:10 _NA- Two types of thinking, visual and verbal. Written randomly by a visual-verbal thinker.
When I think visually, I think the concept, concept is visualized, and then the concept is connected with other concepts. I don't always have to visualize it, sometimes it comes through in its purest form, the thought. I'm intellectually better at this type of thinking than verbal thinking, and whenever I start thinking in words and forget about this natural form of thinking of mine, I could suddenly appear as slow. Although, I could also be impaired visually sometimes, due to some mental conflicts created from external-internal tendencies. I'm then better and faster through visual thinking. In fact, you could possibly be, too, as visual thinking doesn't restrict you from having to go through (boring) things one by one. You could jump into the important bits, or the state-of-the-art of your current thought chain, although sometimes you could get lost a bit. ADHD, as one factor, probably also leads me to this. To reason, I use my intuition, and revise concepts I relate to the specifications of the situation, while also connecting new information.
The concept is also translated into words when I'm writing or when I'm thinking linearly (like how people in words think) instead of laterally when trying to be as practical as possible or when dealing with others. I've become good at this especially as the time has passed. Sometimes I seem to say random stuff you wouldn't even understand, that's because I'm thinking visually. I could totally think in words, and in fact, I'm doing it right now, because of the final exams and stuff where I need to manage my time and be more practical and such, but when I'm totally being myself, oftentimes creative or such, I am this dumb daydreaming machine. It's not that I cannot use this thinking mechanism for practicality, but it's just hard to focus on what's been designed to be for linear thinking. In some domains, like philosophy, physics, math, neuroscience, and astronomy, I could hugely benefit from it. It feels like a flow. Sometimes you could also flash through pages without having to actually read them "mentally," but you understand the symbols and read them quickly. It does require a degree of attentive concentration though, and it's best done when the subject being read is not too unfamiliar or complex, like maybe Harry Potter (super easy read, basically a movie in your mind). For scientific and nonfiction topics, you could benefit from it, but I'd also argue that verbal thinking is necessary to a high extent sometimes.
I think both have their strengths and weaknesses, but there's something weird and more natural about visual thinking. It's closer to the way humans functionally think. Words are just the use of thinking to translate thoughts into another language, the ears. Try daydreaming, seeing things you usually hear, and visualizing mathematical formulas, and accessing thoughts with your mind-sight. Try to go about your day where the familiar comforting voice in your mind isn't making you a movie plot, and visualize and think truly instead. Think both. Perhaps, generally, if you're good at visual thinking, you'd think in that form more often, if your brain leans towards the otherwise, you'll adapt better to thinking verbally. People who think visually also don't always "think," but they still navigate and control the thoughts inside their brains. It's not like you should squeeze these thoughts into a comprehsive outlook to be considered "thinking," not at all, and you could actually think without focusing too much on the thought. Many geniuses, like Albert Einstein, Leonardo da Vinci, Nikola Tesla, and Isaac Newton thought in imagery, and that way they led themselves to such concepts that are considered "hard" by many, even though if you twisted the form in which they're explained to you (to match your type of thinking) you'd probably be able to understand just as well. High abstract concepts do require sufficient imagination skills, but you could also understand it in the form of words. You might be more visual than you think, because almost half the world thinks in both ways. Probably more, but their visualization implementation are condensed by their frequency in using and thinking in words.
Fun fact, this whole arse essay began being written asymmetrically, meaning that I kept moving to the next part without finishing the sentence and then finishing the final part, then adding to the one previous, then editing a sentence I thought sounded weird, etc.. (Also, sorry for my utterly sophisticated choice of word usage (I read a lot, so these words are the ones that first popped, I have no choice but to be weird in them 😭) or for being long. It's a thought process you created right here.)
Pretty interesting, huh? There's really more to this stuff that I find unanswered, psychology and neuroscience are two very interested fields, and if there's any meaning to all of this, it should be connected to the science of the brain to evidently and not just "behaviorly" understand the functions of humans.
submitted by _NA- to teenagers [link] [comments]
The concept is also translated into words when I'm writing or when I'm thinking linearly (like how people in words think) instead of laterally when trying to be as practical as possible or when dealing with others. I've become good at this especially as the time has passed. Sometimes I seem to say random stuff you wouldn't even understand, that's because I'm thinking visually. I could totally think in words, and in fact, I'm doing it right now, because of the final exams and stuff where I need to manage my time and be more practical and such, but when I'm totally being myself, oftentimes creative or such, I am this dumb daydreaming machine. It's not that I cannot use this thinking mechanism for practicality, but it's just hard to focus on what's been designed to be for linear thinking. In some domains, like philosophy, physics, math, neuroscience, and astronomy, I could hugely benefit from it. It feels like a flow. Sometimes you could also flash through pages without having to actually read them "mentally," but you understand the symbols and read them quickly. It does require a degree of attentive concentration though, and it's best done when the subject being read is not too unfamiliar or complex, like maybe Harry Potter (super easy read, basically a movie in your mind). For scientific and nonfiction topics, you could benefit from it, but I'd also argue that verbal thinking is necessary to a high extent sometimes.
I think both have their strengths and weaknesses, but there's something weird and more natural about visual thinking. It's closer to the way humans functionally think. Words are just the use of thinking to translate thoughts into another language, the ears. Try daydreaming, seeing things you usually hear, and visualizing mathematical formulas, and accessing thoughts with your mind-sight. Try to go about your day where the familiar comforting voice in your mind isn't making you a movie plot, and visualize and think truly instead. Think both. Perhaps, generally, if you're good at visual thinking, you'd think in that form more often, if your brain leans towards the otherwise, you'll adapt better to thinking verbally. People who think visually also don't always "think," but they still navigate and control the thoughts inside their brains. It's not like you should squeeze these thoughts into a comprehsive outlook to be considered "thinking," not at all, and you could actually think without focusing too much on the thought. Many geniuses, like Albert Einstein, Leonardo da Vinci, Nikola Tesla, and Isaac Newton thought in imagery, and that way they led themselves to such concepts that are considered "hard" by many, even though if you twisted the form in which they're explained to you (to match your type of thinking) you'd probably be able to understand just as well. High abstract concepts do require sufficient imagination skills, but you could also understand it in the form of words. You might be more visual than you think, because almost half the world thinks in both ways. Probably more, but their visualization implementation are condensed by their frequency in using and thinking in words.
Fun fact, this whole arse essay began being written asymmetrically, meaning that I kept moving to the next part without finishing the sentence and then finishing the final part, then adding to the one previous, then editing a sentence I thought sounded weird, etc.. (Also, sorry for my utterly sophisticated choice of word usage (I read a lot, so these words are the ones that first popped, I have no choice but to be weird in them 😭) or for being long. It's a thought process you created right here.)
Pretty interesting, huh? There's really more to this stuff that I find unanswered, psychology and neuroscience are two very interested fields, and if there's any meaning to all of this, it should be connected to the science of the brain to evidently and not just "behaviorly" understand the functions of humans.
2024.05.28 23:03 DTMBBrown Emerald Nuzlocking Tips
I just recently finished a perfect deathless nuzlocke run of Vanilla Emerald (in my runs, a "perfect run" is battling every single trainer and getting all of the possible encounters), and I wanted to provide some tips for those wondering what to do for fights or encounter routing for dupes clause. Before I begin, here is my ruleset:
-Standard deathless hardcore nuzlocke rules (1st encounter only, gym leader level caps, set mode, no items except for held items, 1 death = reset).
-Shiny Clause: I can freely catch a shiny, but I have to use it on the E4 team (for the Champion Picture).
-Rare Candies are hacked in to avoid grinding and time poorly wasted.
-Battling wild encounters for the sake of grinding EVs is banned (This makes the game MUCH harder as you can only grind EVs off of the limited number of trainer battles).
-Rematching trainers is banned (Limited EV investments and limited money).
-Level Edging is banned. Once the Pokemon has reached the level cap, they are boxed until the gym fight.
-Legendaries are permitted if they are under level cap. In other words, Rayquaza is unusable, but the Regi Trio is fair game.
-Wallace is the end game.
Roxanne Split:
I prefer getting the following encounters, in ideally the following order:
-Mudkip on Route 101. He is undisputedly the best starter. Reset for a better nature/IVs than mine. I had Bold with bad IVs.
-Poochyena (Explicitly for Dupes Clause and Tate & Liza)
-Zigzagoon (HM Mule + Pickup. Reset if Zig is not the encounter on routes 102 or 103.)
-Wurmple (Reset game to roll Dustox)
-Taillow (Repel manip @ Level 8 on Route 116 for a 91% chance at rolling Taillow, after nabbing Poochyena. Reset if the game rolls Skitty. I also don't play with Shedinja, so no Nincada, not to mention Nincada is heavily inconsistent to encounter.)
-Whismur (Rusturf, useful for almost all of the repel manip strats)
-Shroomish (come back after getting Wurmple and Taillow for a 75% chance at getting Shroomish. Reset if Slakoth is rolled.)
Yes, I reset for ideal early game encounters. This set of encounters makes the game so much smoother. There is lots of coverage in this team and there are almost no chances for deaths if you play around crits and Bide Seedots. Use documentation in case you do not know what you are facing next.
Brawly Split: Magikarp, Tentacool, and Repel manip @ Level 10 for a guaranteed Makuhita.
Wattson Split: Roll your Route 117 encounter before rolling your Route 110 encounter. Remember your repel manip Poochyena and Whismur? Use these now. You want Level 14 Oddish on Route 117 and any of the other Level 13 encounters (repel manip to avoid Wingulls) on Route 110. Any encounter will do fine. If you roll Electrike here, you will need to roll the tedious 1% Kecleon on Route 118 (I typically go for Sharpedo on Route 122 for anyone trying to point out Carvanha).
Wattson Fight: This is a tough one. I make sure that Marshtomp, Breloom, Hariyama, and Gloom (if I rolled an Oddish) is all on my team. I hate that the AI is really stupid, so I typically do not bring Gyarados for that reason, unless I am intentionally switching between Gyarados and Marshtomp (Gyarados is great for pivoting in Rom Hacks where the AI is smarter). Equip a bunch of Cheri Berries onto everything, and maybe a Persim Berry on Marshtomp if you received one from the flower shop on Route 104.
Flannery Split: There are a lot of potential encounters here. Here are some highlights:
Maxie fight: Gyarados and Hariyama do well here. Graveler is notable. Marshtomp is ok. Bubblebeam Azumarill is great, especially if you have Thick Fat.
Flannery Fight: Oh boy, our first real run-killer if playing deathless like me. Everything can be washed away with Bubblebeam Azumarill or Tentacool except for Torkoal. Don't let her set up Sunny Day and don't get crit. Sometimes stealing her White Herb can help but it can also waste a turn for Sunny Day set up. Double Team is useful, but set it up on Slugma (Tentacool is ideal, just watch out for Body Slam crits from Torkoal, as those WILL kill without EV investment). Thick Fat Azumarill is actually ideal for this fight. Graveler Magnitude 10 will one-shot Torkoal. Dragon Rage Gyarados is great even though Intimidate does not work because of White Smoke. Try to avoid using Marshtomp, aa he does not do enough damage. Wobbuffet can be useful, but it is a guessing game on what move Torkoal will use.
Norman Split:
When Slaking comes out, send in your Torkoal, Anorith, or Dustox (or Pelipper if you don't reset for early game encounters like me and you do catch Wingull early). Equip a Leppa Berry on your Protect mon and slowly whittle away the brute. Sandslash is also okay if you know whether you are faster or slower, as Dig can be handy if you have good defensive investments. Remember that if Slaking is intended to attack on the turns Norman heals, Slaking will NOT attack next turn. If he heals on loaf turns, Slaking WILL attack the following turn.
Winona Split: Here's a list of the encounters you should roll, in the following order:
-Wingull on Route 109
-Electrike/Manectric/Kecleon on Route 118 (Repel manip @ Level 26 if you are going for Electrike/Manectric.)
-Wailmer w/ Good Rod on Route 108 (you can also get this on the eastern water routes, I tend to forget about him if I catch him later though).
-Feebas on Route 119. Yes, get the Feebas. This is the ONLY reason I choose the Root Fossil (Lileep) in my runs, is that Suction Cups increases the likelihood of rod mons to appear, including Feebas. Fish 2-3 times per tile and move on. You only get the lower section to work with (since the upper section is unlocked after obtaining Castform, which would be your encounter for the route). I've gotten Feebas as early as the 2nd and 4th tiles on two separate save files. Use Kelpsy Berries to evolve into Milotic. Surf, Ice Beam, Toxic, Recover. Boom, you have a lethal weapon on your team.
-Wait for the Route 115 encounter until after rolling the repel manipped Level 39 Altaria at Sky Pillar.
-Anything except Kecleon on Route 120. Absol can ruin your day with Swords Dance/Quick Attack/Razor Wind.
-Notice how Route 105 was not mentioned. This is just in case you roll the 5% Underwater Relicanth so that you can bring Regice to the E4.
Notes: Trainers begin to get tougher now, with halfway decent strats and cores to ruin your day. Read the docs to know what you're facing. Make good use of the Exp Share, Amulet Coin, and Macho Brace in all of your battles. If you are Exp grinding, make use of the day care, just make sure your useless moves are in the top slots so that you don't lose a good move you can't get back. Remember also that the day care does not EV train your Pokemon.
Winona Fight: Use Bolt Beam Gyarados and sweep. That's it. Alternatively, Camerupt and Manectric are good choices.
Tate & Liza Split:
-Shuppet on Route 121
-Duskull on the upper levels of Mt. Pyre
-Safari Zone Encounter (Psyduck, Girafarig, Pikachu, Doduo, Rhyhorn, Natu, etc.): Go for the easy-to-catch encounters if you are playing hard Safari Zone rules (1st encounter only, no 2nd attempts for run-away mons). I like rolling Psyduck because they are guaranteed and are easy to catch.
-Kecleon on Route 123 if he is not already caught
-Magma Hideout encounter (Torkoal or Geodude/Graveler)
-Electrode in Aqua Hideout (Use the Master Ball sitting next to the Electrode, as you will not need the Master Ball more anywhere else more than on an Exploding Electrode. Your only other option is Damp Psyduck from the Safari Zone, whose ability is a 50/50 roll. and nearly dies to Spark Crit anyways.)
-Magnemite in New Mauville (Magnet Pull is preferred if you still have not rolled Route 113.
-Skarmory on Route 113 if you don't take my advice and roll for him in the late game. Just make sure Magnet Pull Magnemite is your first member in the party.
Get the Super Rod and use it for the following encounters (just be careful of over-leveled trainers) in no particular order:
-Staryu in Lilycove City (Can be used in E4)
-Luvdisc in Evergrande (Useless)
-Corsola on Route 128 (Mostly useless, this can be swapped with Luvdisc)
-Horsea on Routes 132, 133, or 134 (Useless without trades, with the exception of being a useful HM Water Mule)
-Corphish in Petalburg City (Useful for Tate & Liza)
-Sharpedo on Route 122 (Useful for Tate & Liza)
Once again, watch out for tricky strategies.
Juan Split:
-Underwater Encounter. Yes, the location description is "Underwater," not "Route 124." You want Chinchou, regardless of whether it has Volt Absorb or not (VA is a plus). Manectric and Electrode both have a 50/50 chance of having the Static ability, which boosts the chance of electric types appearing when the beholder is first in the party. It does not make Chinchou guaranteed, but much more likely to appear than the less-than-fortunate 30% chance. This is why Pikachu is an option in the Safari Zone since it is guaranteed to have Static. Just make sure you feed the PokeBlock feeder the color that Pikachu likes (never used this method myself but there are articles about it online) to have a good chance to catch it. Relicanth is nice for Regice. Clamperl would be good if you could obtain it early game but you can't. Even with the DeepSeaTooth and Shell Armor it simply cannot do that much.
-Seafloor Cavern: Get the Luxury Ball first in the Abandoned Ship and then catch Zubat here. Bring Vileplume/Bellossom with Sleep Powder and then whittle it down with other moves to have the best chance for capture with the one Luxury Ball you are guven in the entire game.
-Shoal Cave: You do Seafloor Cavern first to guarantee Spheal here. Spheal is better than Snorunt. Trust me.
-Cave of Origin: Sableye (Useless)
-Sky Pillar: Repel manip @ Level 39 on the 2nd to top floor for a guaranteed Altaria. It does not have Perish Song. That is much safer than playing with an Exploding Claydol.
-Route 115: NOW you may get your useless Jigglypuff.
Get the Blue Shards and Water Stones. These are useful for Lombre and Staryu. Everything else is mostly useless except for a Leaf Stone if you are evolving Gloom into Vileplume (do it after level 35 for Moonlight).
Besides Archie (Use Hariyama, Manectric/Electrode/Magneton, Gyarados, etc.), this is a fairly easy split and you can obtain a LOT of money from the trainers underneath Juan's gym with the Amulet Coin. This is useful for all the TMs in the Game Corner.
Juan Fight: Use your electric type on everything except for Whiscash and Kingdra. Whiscash is defeated with a grass type, just kill it before it sets up Amnesias and PP stalls you out of your grass type moves. Alternately use a powerful physical attacker who doesn't die easily. Kingdra can be PP stalled with a recovering water type, and that is usually your best option. Once again Milotic shines here. Starmie is also rather good here, given you made sure to teach it Recover before evolving it. Otherwise, you can use a mon with Shock Wave/Faint Attack/Aerial Ace/Magical Leaf and some sort of recovery, and wish for a crit.
Elite 4 Split:
-Bagon in Meteor Falls. Watch out for Fire Spin trapping Solrock, as I had to reset once here this late in the game because of it.
-Aron/Lairon in Victory Road. Cradily, Exploud, and Soundproof Electrode are your three options for catching this because all three are immune to Roar. This is why you go for Makuhita in Granite Cave because only Cradily is immune to Whirlwind Hariyama in Victory Road and it dies to Hariyama's Belly Drum + SmellingSalt. Hariyama is also so much more useful during the story than Aron/Lairon will ever be. Alternatively, you can roll for Mawile which is miles worse.
Victory Road trainers are tough. Make sure you battle the last two trainers one at a time because their strategies are top tier (Skill Swap on Slakings + Coverage). No Wobbuffets fortunately but plenty of other stuff to mess you up. Look at docs before battling each and every trainer. Having a Dig mon (Flygon/Sandslash) is nice to escape easily. Take Linoone to HM blast your way through the maze. Unlike what other sources say, you do NOT need Waterfall to get through Victory Road.
E4 Fight: I finished the E4 deathless with a mono water team consisting of Gyarados, Milotic, Starmie, Swampert, Ludicolo, and VA Lanturn. In my run, Starmie was almost never used, despite having some impressive coverage options and Recover. Milotic saved my run against Wallace. Gyarados can pivot into anything. Lanturn was the electric type for my team, though Gyarados also possessed T-bolt for Wallace.
Some other notable options include:
submitted by DTMBBrown to nuzlocke [link] [comments]
-Standard deathless hardcore nuzlocke rules (1st encounter only, gym leader level caps, set mode, no items except for held items, 1 death = reset).
-Shiny Clause: I can freely catch a shiny, but I have to use it on the E4 team (for the Champion Picture).
-Rare Candies are hacked in to avoid grinding and time poorly wasted.
-Battling wild encounters for the sake of grinding EVs is banned (This makes the game MUCH harder as you can only grind EVs off of the limited number of trainer battles).
-Rematching trainers is banned (Limited EV investments and limited money).
-Level Edging is banned. Once the Pokemon has reached the level cap, they are boxed until the gym fight.
-Legendaries are permitted if they are under level cap. In other words, Rayquaza is unusable, but the Regi Trio is fair game.
-Wallace is the end game.
Roxanne Split:
I prefer getting the following encounters, in ideally the following order:
-Mudkip on Route 101. He is undisputedly the best starter. Reset for a better nature/IVs than mine. I had Bold with bad IVs.
-Poochyena (Explicitly for Dupes Clause and Tate & Liza)
-Zigzagoon (HM Mule + Pickup. Reset if Zig is not the encounter on routes 102 or 103.)
-Wurmple (Reset game to roll Dustox)
-Taillow (Repel manip @ Level 8 on Route 116 for a 91% chance at rolling Taillow, after nabbing Poochyena. Reset if the game rolls Skitty. I also don't play with Shedinja, so no Nincada, not to mention Nincada is heavily inconsistent to encounter.)
-Whismur (Rusturf, useful for almost all of the repel manip strats)
-Shroomish (come back after getting Wurmple and Taillow for a 75% chance at getting Shroomish. Reset if Slakoth is rolled.)
Yes, I reset for ideal early game encounters. This set of encounters makes the game so much smoother. There is lots of coverage in this team and there are almost no chances for deaths if you play around crits and Bide Seedots. Use documentation in case you do not know what you are facing next.
- All of these particular encounters are about a 1 in 6 to get if done correctly.
- Taillow is great once it gets Wing Attack at Level 13.
- Zig should be Level 11 or higher for a small chance at picking up King's Rock.
- Whismur and Poochyena should not be past levels 13 and 14 respectively (for the next repel manip).
- I reset if Wingull appears, as you can catch one on the water routes after you obtain Surf.
Brawly Split: Magikarp, Tentacool, and Repel manip @ Level 10 for a guaranteed Makuhita.
- Aron is not reliable besides boom fodder from Exploding Koffing
- Sableye is unnecessary if you have Dustox/Beautifly to fight Brawly with (plus you get one in Cave of Origin after catching Zubat in Seafloor Cavern).
Wattson Split: Roll your Route 117 encounter before rolling your Route 110 encounter. Remember your repel manip Poochyena and Whismur? Use these now. You want Level 14 Oddish on Route 117 and any of the other Level 13 encounters (repel manip to avoid Wingulls) on Route 110. Any encounter will do fine. If you roll Electrike here, you will need to roll the tedious 1% Kecleon on Route 118 (I typically go for Sharpedo on Route 122 for anyone trying to point out Carvanha).
Wattson Fight: This is a tough one. I make sure that Marshtomp, Breloom, Hariyama, and Gloom (if I rolled an Oddish) is all on my team. I hate that the AI is really stupid, so I typically do not bring Gyarados for that reason, unless I am intentionally switching between Gyarados and Marshtomp (Gyarados is great for pivoting in Rom Hacks where the AI is smarter). Equip a bunch of Cheri Berries onto everything, and maybe a Persim Berry on Marshtomp if you received one from the flower shop on Route 104.
Flannery Split: There are a lot of potential encounters here. Here are some highlights:
- Bring a Level 16 Pokemon with you for two different repel manips (Fiery Path and Route 113) and then once more at level 18 on Route 114 for Lombre. Repel manipping at Level 16 in Fiery Path eliminates the Slugma and Grimer encounters which are both pretty bad. If you want to increase your chances at Skarmory on Route 113 (explained in detail a few lines down), you can try your luck for Slugma here. Lombre sucks but Ludicolo will carry in the E4 when you give it Fake Out, Giga Drain, Surf, and Ice Beam.
- Repel past the Rock Smash rocks on Route 111 to avoid Geodude. If you do NOT roll Torkoal in Fiery path, get the Geodude so that you can guarantee Torkoal in Magma Hideout after Winona. Graveler is decent for Maxie, Flannery, Norman, and Winona. Garbage afterward. Geodude and Graveler are also harder to obtain in Magma Hideout because they will then have acquired Self-Destruct (Acquired at Level 21).
- I actually go for Skarmory here now. Waiting to roll Electrode in Aqua Hideout, then 50% chance for Magnet Pull Magnemite in New Mauville, then 55% chance for Skarmory on Route 113 is so tedious, and Skarmory does not have much use after Aqua Hideout anyways. It comes out to about a 26% chance to get Skarmory by doing all of this dancing around. But by repel manipping at Level 16, Level 14 and 15 Spindas and Slugmas do not appear, making Skarmory's chance of appearing significantly better because he is ONLY found at Level 16. It is approximately a 14% chance from the original 5% chance for Skarmory to appear. If you roll Slugma in Fiery Path, those odds are increased to approximately 19% Perma-box the encounter if you do not roll Skarmory.
- Save Meteor Falls for the 50/50 Bagon.
Maxie fight: Gyarados and Hariyama do well here. Graveler is notable. Marshtomp is ok. Bubblebeam Azumarill is great, especially if you have Thick Fat.
Flannery Fight: Oh boy, our first real run-killer if playing deathless like me. Everything can be washed away with Bubblebeam Azumarill or Tentacool except for Torkoal. Don't let her set up Sunny Day and don't get crit. Sometimes stealing her White Herb can help but it can also waste a turn for Sunny Day set up. Double Team is useful, but set it up on Slugma (Tentacool is ideal, just watch out for Body Slam crits from Torkoal, as those WILL kill without EV investment). Thick Fat Azumarill is actually ideal for this fight. Graveler Magnitude 10 will one-shot Torkoal. Dragon Rage Gyarados is great even though Intimidate does not work because of White Smoke. Try to avoid using Marshtomp, aa he does not do enough damage. Wobbuffet can be useful, but it is a guessing game on what move Torkoal will use.
Norman Split:
- 50/50 for Trapinch. Good luck. If Sandshrew is rolled, give it the Dig TM for Norman and caves. He is otherwise the best candidate for Dig. If you do roll Trapinch, wait to evolve into Vibrava until Level 41 so that it gets Dig.
- Also, the fossil is open for fair game. I typically pick up Lileep for fishing, since the Suction Cups ability increases the chance of encounters appearing vis the rods. But Protect Battle Armor Anorith is a nice option for Norman.
- Watch out for the trainer with a Slakoth in the gym, as it knows Counter and will one-shot your Breloom or Hariyama if you are not careful.
When Slaking comes out, send in your Torkoal, Anorith, or Dustox (or Pelipper if you don't reset for early game encounters like me and you do catch Wingull early). Equip a Leppa Berry on your Protect mon and slowly whittle away the brute. Sandslash is also okay if you know whether you are faster or slower, as Dig can be handy if you have good defensive investments. Remember that if Slaking is intended to attack on the turns Norman heals, Slaking will NOT attack next turn. If he heals on loaf turns, Slaking WILL attack the following turn.
Winona Split: Here's a list of the encounters you should roll, in the following order:
-Wingull on Route 109
-Electrike/Manectric/Kecleon on Route 118 (Repel manip @ Level 26 if you are going for Electrike/Manectric.)
-Wailmer w/ Good Rod on Route 108 (you can also get this on the eastern water routes, I tend to forget about him if I catch him later though).
-Feebas on Route 119. Yes, get the Feebas. This is the ONLY reason I choose the Root Fossil (Lileep) in my runs, is that Suction Cups increases the likelihood of rod mons to appear, including Feebas. Fish 2-3 times per tile and move on. You only get the lower section to work with (since the upper section is unlocked after obtaining Castform, which would be your encounter for the route). I've gotten Feebas as early as the 2nd and 4th tiles on two separate save files. Use Kelpsy Berries to evolve into Milotic. Surf, Ice Beam, Toxic, Recover. Boom, you have a lethal weapon on your team.
-Wait for the Route 115 encounter until after rolling the repel manipped Level 39 Altaria at Sky Pillar.
-Anything except Kecleon on Route 120. Absol can ruin your day with Swords Dance/Quick Attack/Razor Wind.
-Notice how Route 105 was not mentioned. This is just in case you roll the 5% Underwater Relicanth so that you can bring Regice to the E4.
Notes: Trainers begin to get tougher now, with halfway decent strats and cores to ruin your day. Read the docs to know what you're facing. Make good use of the Exp Share, Amulet Coin, and Macho Brace in all of your battles. If you are Exp grinding, make use of the day care, just make sure your useless moves are in the top slots so that you don't lose a good move you can't get back. Remember also that the day care does not EV train your Pokemon.
Winona Fight: Use Bolt Beam Gyarados and sweep. That's it. Alternatively, Camerupt and Manectric are good choices.
Tate & Liza Split:
-Shuppet on Route 121
-Duskull on the upper levels of Mt. Pyre
-Safari Zone Encounter (Psyduck, Girafarig, Pikachu, Doduo, Rhyhorn, Natu, etc.): Go for the easy-to-catch encounters if you are playing hard Safari Zone rules (1st encounter only, no 2nd attempts for run-away mons). I like rolling Psyduck because they are guaranteed and are easy to catch.
-Kecleon on Route 123 if he is not already caught
-Magma Hideout encounter (Torkoal or Geodude/Graveler)
-Electrode in Aqua Hideout (Use the Master Ball sitting next to the Electrode, as you will not need the Master Ball more anywhere else more than on an Exploding Electrode. Your only other option is Damp Psyduck from the Safari Zone, whose ability is a 50/50 roll. and nearly dies to Spark Crit anyways.)
-Magnemite in New Mauville (Magnet Pull is preferred if you still have not rolled Route 113.
-Skarmory on Route 113 if you don't take my advice and roll for him in the late game. Just make sure Magnet Pull Magnemite is your first member in the party.
Get the Super Rod and use it for the following encounters (just be careful of over-leveled trainers) in no particular order:
-Staryu in Lilycove City (Can be used in E4)
-Luvdisc in Evergrande (Useless)
-Corsola on Route 128 (Mostly useless, this can be swapped with Luvdisc)
-Horsea on Routes 132, 133, or 134 (Useless without trades, with the exception of being a useful HM Water Mule)
-Corphish in Petalburg City (Useful for Tate & Liza)
-Sharpedo on Route 122 (Useful for Tate & Liza)
Once again, watch out for tricky strategies.
- Don't hesitate to battle trainers in single battles rather than double battles (Looking at you Rain Thunder Manectric & Weather Ball Castform combo on Route 120).
- There are a few Wobbuffets at this point who will ruin your day. One sitting at the top floor of Mt. Pyre and one in the purple room of the Mossdeep Gym. Use your Milotic or Dustox with Toxic, Will-o-Wisp mons, or Leech Seed Breloom to handle the Wobbuffets.
- Slaking double battle on Route 121 can be deadly.
- Magnet Pull Magneton can ruin your day on Route 123.
- Bring Gyarados or Pelipper to Maxie 2 as well as Hariyama and Manectric. They are also both useful in warding off wild encounters with their respective abilities (both Intimidate and Keen Eye reduce the likelihood of wild encounters appearing).
- Aqua Hideout is a cakewalk compared to Magma Hideout.
- Cloud Nine Golduck does well for the Sunny Day Solrock
- Mightyena gets Taunt right at Level 42
- Gyarados is immune to EQ and gets Surf
- Sharpedo and Crawdaunt do well with Surf/Protect if their Natures and IVs are not terrible
Juan Split:
-Underwater Encounter. Yes, the location description is "Underwater," not "Route 124." You want Chinchou, regardless of whether it has Volt Absorb or not (VA is a plus). Manectric and Electrode both have a 50/50 chance of having the Static ability, which boosts the chance of electric types appearing when the beholder is first in the party. It does not make Chinchou guaranteed, but much more likely to appear than the less-than-fortunate 30% chance. This is why Pikachu is an option in the Safari Zone since it is guaranteed to have Static. Just make sure you feed the PokeBlock feeder the color that Pikachu likes (never used this method myself but there are articles about it online) to have a good chance to catch it. Relicanth is nice for Regice. Clamperl would be good if you could obtain it early game but you can't. Even with the DeepSeaTooth and Shell Armor it simply cannot do that much.
-Seafloor Cavern: Get the Luxury Ball first in the Abandoned Ship and then catch Zubat here. Bring Vileplume/Bellossom with Sleep Powder and then whittle it down with other moves to have the best chance for capture with the one Luxury Ball you are guven in the entire game.
-Shoal Cave: You do Seafloor Cavern first to guarantee Spheal here. Spheal is better than Snorunt. Trust me.
-Cave of Origin: Sableye (Useless)
-Sky Pillar: Repel manip @ Level 39 on the 2nd to top floor for a guaranteed Altaria. It does not have Perish Song. That is much safer than playing with an Exploding Claydol.
-Route 115: NOW you may get your useless Jigglypuff.
Get the Blue Shards and Water Stones. These are useful for Lombre and Staryu. Everything else is mostly useless except for a Leaf Stone if you are evolving Gloom into Vileplume (do it after level 35 for Moonlight).
Besides Archie (Use Hariyama, Manectric/Electrode/Magneton, Gyarados, etc.), this is a fairly easy split and you can obtain a LOT of money from the trainers underneath Juan's gym with the Amulet Coin. This is useful for all the TMs in the Game Corner.
Juan Fight: Use your electric type on everything except for Whiscash and Kingdra. Whiscash is defeated with a grass type, just kill it before it sets up Amnesias and PP stalls you out of your grass type moves. Alternately use a powerful physical attacker who doesn't die easily. Kingdra can be PP stalled with a recovering water type, and that is usually your best option. Once again Milotic shines here. Starmie is also rather good here, given you made sure to teach it Recover before evolving it. Otherwise, you can use a mon with Shock Wave/Faint Attack/Aerial Ace/Magical Leaf and some sort of recovery, and wish for a crit.
Elite 4 Split:
-Bagon in Meteor Falls. Watch out for Fire Spin trapping Solrock, as I had to reset once here this late in the game because of it.
-Aron/Lairon in Victory Road. Cradily, Exploud, and Soundproof Electrode are your three options for catching this because all three are immune to Roar. This is why you go for Makuhita in Granite Cave because only Cradily is immune to Whirlwind Hariyama in Victory Road and it dies to Hariyama's Belly Drum + SmellingSalt. Hariyama is also so much more useful during the story than Aron/Lairon will ever be. Alternatively, you can roll for Mawile which is miles worse.
Victory Road trainers are tough. Make sure you battle the last two trainers one at a time because their strategies are top tier (Skill Swap on Slakings + Coverage). No Wobbuffets fortunately but plenty of other stuff to mess you up. Look at docs before battling each and every trainer. Having a Dig mon (Flygon/Sandslash) is nice to escape easily. Take Linoone to HM blast your way through the maze. Unlike what other sources say, you do NOT need Waterfall to get through Victory Road.
E4 Fight: I finished the E4 deathless with a mono water team consisting of Gyarados, Milotic, Starmie, Swampert, Ludicolo, and VA Lanturn. In my run, Starmie was almost never used, despite having some impressive coverage options and Recover. Milotic saved my run against Wallace. Gyarados can pivot into anything. Lanturn was the electric type for my team, though Gyarados also possessed T-bolt for Wallace.
Some other notable options include:
- Hariyama for Sidney (Bring another Persim Berry) and Glacia's Glalies.
- Manectric/Electrode for Glacia and Wallace if you miss out on Lanturn. Magneton is nice but gets shredded due to its poor Speed and Special Defense.
- Other bulky water types for Wallace. Make sure they have Aspear Berries in the last fight, as Wallace loves to freeze your team.
- Ice Beam mon for Drake. Doesn't matter, just make sure it is tanky.
- Something that doesn't die to Phoebe's coverage options. The Banettes are easy to handle but have coverage options like Thunderbolt. The Dusclops will quickly rid you of your PP. The Ace Dusclops has coverage beyond belief (Ice Beam, Earthquake, Rock Slide, Shadow Ball). Sableye is just there to cause trouble and frustration with Double Team.
- Wallace is the real threat that you need to set your team around. Everything else in the E4 can be covered with the tools that you bring. I opt for a mono water team often because it is so good at countering Wallace. You need OHKO answers for Wailord and Gyarados. You need to PP Stall his Milotic if you are not blasting it to the moon (Meaning you need either a Poison/Steel type or Rest to counter Toxic). You need an answer for Hyper Beams that Wallace will be launching at you. Use the Sludge Bomb or Aerial Ace TMs for the Ludicolo or stall it with a grass type. Nonetheless, this is the one battle you are truly prepping for. Everything else comes second.
2024.05.28 23:03 BaronBlackSkull Dead by daylight fan ideas, Call of the darkened skull, Nemesis and Claudette's new abilities
So to anyone who hasn't read my absolute mess of a first post. What I have set out to do is propose a massive update to dead by daylight with the main objective of spicing up the game and the second biggest objective of giving all survivors their own unique power and ability to make them distinct while also balancing the game to not make this stupidly broken. Is important to note that this is less about balance and what I think should actually be added and more so me rambling about some of the funny ideas I have this is why I will not be going into Pacific numbers i'll let each person reading this interpret the exact percentages and numbers they think would be balanced as again this is more so about creating fun ideas and inspiring other people.
Today I will just be giving extra abilities to the characters listed above. As I stated before their survivors will each be getting their own unique upsides and downsides to make them more distinct and interesting instead of having every survivor be almost exactly the same. And because the survivors are getting buffed massively so too should the killers.
The first idea I would like to throw out is something I honestly kind of want to see in dead by daylight, And that is a fifth perk slot for every survivor and killer however instead of being able to choose any park you can only choose for this 5th slot one of the Teachable perks that character has.
One thing before I continue, It may be a bit confusing but for the sake of balance I wish to propose a concept. This concept is that certain perks will be less Effective on certain killers or survivors because of their own natural abilities, When this happens and you are playing as this character hovering over this quirk this will be highlighted in red text showing you exactly how much the perk will be nerved for this specific character. For example Claudette is going To be able to heal faster than the average survivor So for balance perks that significantly increase healing speed will not be ineffective but will give less of a boost as to not make Builds that will give her an insanely fast healing speed.
But anyways on to the new abilities
Claudette
Healing proficiency Due to our knowledge of botany and healing she can perform all healing actions faster than the average survivor
Caring instinct Your intentions to Heal others Are profound and you will seek out the injured so you could aid them, Claudette can see the auras of injured survivors who are in her vicinity.
Special ability Botany Special plants will appear around the trial, When a plant is harvested after a Random amount of time a new plant will spawn in a new location. These plants and flowers Spawn most frequently in areas of short to tall grass. Mushrooms will also spawn in more indoor maps or in maps with lots of indoor locations however these mushrooms are far less easy to track down as they can spawn anywhere. Because of Claudette's Botany knowledge She knows what she's looking for, These plants will be very bright to her and she's the only one who can see them, When she walks up to these plants she can enter an animation to begin harvesting them this animation isn't too terribly long but also still significant. When these plants are collected if Claudette has a medkit that is missing charges these plants will refill a significant amount of the medkick's charges. If the medkit is full or Claudette does not have a med kit, Then the charges will either Accumulate in Claudette's inventory until a medkit does begin to deplete in which case it will automatically be refilled, Or if Claudette has enough of these charges She can perform the self healing action Without any perks or med kits that normally would be the only way for a survivor to do so. These charges can also be used to speed up the Process of healing deep wounds On both you and others survivors. Before you ask yes maps can be used to find these plants through walls so you're not running around like a headless chicken and yes this does mean You could have an infinite medkit as long as you are willing to sacrifice the time it takes to find and collect the plants.
Hyper focus When Claudette is performing a task Such as healing, repairing, Sabotaging and cleansing She loses focus of her surroundings and everything else. The killers terror radios will be significantly smaller for only Claudette while she's performing these actions And any ore reading perks or perks that tell you when the killer is Near will no longer work while you are performing these actions. Also while performing these actions the range of which you can look around is significantly decreased giving you significant blind spots the killer can exploit
Nemesis Now alongside with the bins containing the antidote to The T virus A new structure will appear beside it that survivors can interact with Which will be called supply stations Oh but these supplies are not for the Survivors. Drones will fly to these locations and leave behind black suitcases Nemesis can approach these suitcases pick them up and acquire a new weapon. Survivors by walking over to the screen can begin to hack it. Much like the singularities EMP crates a bar will slowly fill up when the survivors hack it the bar will decrease the more the bar is filled the longer survivors will have to take to fully decrease the bar the bar is always filling unless being hacked. Once the bar is filled The drones will fly in depositing the weapon the survivors are unable to do anything now and the killer is able to receive this weapon whenever he wishes. It goes without saying that the auras of all these stations are now revealed To the killer at all times, Both killer and survivor can see you what Type of weapon is going to be deposited at each station, By symbols. The three types of weapons are the bazooka the flamethrower and the mini gun. Once the drone delivers the suitcase To a resource station the bar at that resource station will pause until the suitcases removed by the killer and that station will Now have a yellow aura that the killer can see. Once the suitcase is picked up whatever weapon it is will be stored in his inventory he can use it whenever he wants but he can only have one weapon in his inventory at any given time. Also depending on how powerful they are each weapon can have its own rarity meaning some weapons are more common than others.
the minigun This weapon works exactly like the Tricksters show stopper In pretty much all regards. Accept the bullets are so powerful they can travel through thin walls except the damage that these bullets Do are significantly decreased. Also the killer can discard this weapon at any time, However this still fully consumes the weapon and he will have to go fetch another 1 this applies to every Type of weapon he can carry.
The flamethrower Also like showstopper in both its wind up and movement speed penalties The flame thrower begins to distinguish itself by first of all you can stop and start the flame for at will, By holding left click you will shoot flames and when you stop the flames will cease, There is both a fuel bar and a pretty generous timer when either of these two meet their end the weapon will stop functioning and the killer will drop them. The initial hit of the flame thrower is almost unavoidable but does not do damage instead it sets survivors on fire Which works similarly to the deep wounds except while survivors are on fire they cannot interact or perform any actions except dropping pallets vaulting and mending themselves they cannot Even be healed by other survivors while on fire. But that is only if they are licked by the fire if they stay in the fire for too long They will be injured while still suffering from the fire deep water fact, The timer it takes for them to take damage immediately resets even if they escaped the flames for a moment. The flank floor is unable to down a survivor however it's an incredibly good way to injure multiple survivors quickly, The flames also produce a large amount of smoke that can be very disoriented, And after one or two moments of the flame thrower directly blowing on a palette or Breakable wall Those objects will be burnt and will break.
The bazooka When the bazooka is activated nemesis will stand still while he is aiming it and will only be able to move again once he's fired or discarded the weapon. It works almost exactly like it does in the game resident evil resistance if you want an idea. There will be 3 Radiuses The missile itself the rather small explosion and the rather large shockwave. If a survivor is directly hit by a missile they will go from healthy to downed immediately, If a Survivor is hit by the explosion they will instead take one damage and be flunged around. If they are hit by the shockwave they will only be flung around which gives the killer a lot of time to catch up to them. Nemesis can fire the Bazooka at his own feet But if he is caught in the radius of his own explosion he will be stunned for a very significant amount of time making this an extremely detrimental action that the survivors can exploit. The bazooka will also damage generators caught in its explosive range which will function like the killer kicked them and reduce a small amount of the generator's progress the explosion will also destroy pallets breakable walls.
Nemesis Receives two more buffs one While he had his tentacle out if he presses the control button Or the same button he would use to activate one of his weapons, It would change the orientation of his hand instead of him launching it as he normally would he has to be beside a wall if he is and he activates the tentacle he will slam his hand into the wall and the tentacle will emerge on the other side, However the hit box of the tentacle will change instead of a long rectangle it will be a small circle around the wall making it very easy to avoid, Unless you're extremely good with mind games this isn't going to be useful in chase however you could use it to catch survivors working on generators behind a wall by surprise So He can try to pull off the fun jump scares he does in his game
The last of his abilities is a passive perk, Nemesis can break breakable walls extremely Quickly compared to other survivors, When he does this if survivors are too close on the other side of the wall they will be slowed and regardless if the survivors are on the other side the nemesis will get a temporary speed buff, This is a nod to how much the nemesis loves smashing through walls, This update will also come with a Kool-Aid Man legendary skin for the nemesis.
This can also come with an array of new Add-ons for the killer, I do like the idea of a killer having a guaranteed base amount of add-ons like two Iridescent Etcetera Etcetera however I think it would be fine if all killers receive any extra add-ons that the developers think would just be cool, So these add-ons would not be replacing any of the old ones.
Purple add on leather handles
This add on significantly decreases the amount of time it takes for the nemesis to discard a Weapon, And when he does so he has a five second window to make a lunge attack and if he does so this lunge attack will be significantly increased in the distance that have travels It's like a mini Coup de Grâce
Green add on armor piercing rounds
When this add-on is used the mini gun will do significantly less damage and have decreased fire rate but will do significantly more damage to survivors when the bullets pierce through walls. This also adds an additional effect if A few bullets hit a generator that generator will act as though it has been kicked and begin regressing.
Yellow add-on 9 millimeter bullets Slightly increases the damage of bullets, If A few bullets hit a generator that generator will act as though it has been kicked
Iridescent add on laced ammunition
If survivors are hit by bullets and or the explosion of the bazooka they will receive the T virus infection
Purple add on E M P attachment All weapons will damage generators when used on them, And the amount of progress reduced by the bazooka to a generator is significantly increased
Green add-on Premium fuel When the flame thrower Duration has been reached, Or the flamethrower is discarded all survivors on fire will scream and have their auras revealed for one second
Iridescent add on Muscle stimulant syringe If a survivor stunts the nemesis while he is wielding a weapon causing him to drop it, The nemesis instead of his normal stun animation will roar fearsomely and the survivor who stunned the nemesis will receive the exposed status effect for 30 seconds
Yellow add-on Large fuel tank Slightly increases the duration of the mini gun, Slightly increases the timer and ammo capacity of the flamethrower
Green add-on extended magazine
Moderately increases the duration of the mini gun, Moderately increases the timer and ammo capacity of the flamethrower
Purple addon Bloody scalpel Perhaps this creature is more capable of feeling pain than initially realized, And perhaps that creature is now more eager to inflict that pain to others. When not in Chase and moving towards a yellow supply station slightly increase your movement speed and significantly increase the speed of picking up black suitcases
Green item experimental syringe When survivors cure themselves of the tea virus they receive the exhausted shadows effect for a short duration
Iridescent add-on security camera The speed at which survivors are able to decrease the bar when hacking a supply station is significantly increased, However when they do so the killer will receive a notification and for the duration a survivor is hacking their aura will be revealed
Ps I'm so sorry for the horrific grammar
submitted by BaronBlackSkull to u/BaronBlackSkull [link] [comments]
Today I will just be giving extra abilities to the characters listed above. As I stated before their survivors will each be getting their own unique upsides and downsides to make them more distinct and interesting instead of having every survivor be almost exactly the same. And because the survivors are getting buffed massively so too should the killers.
The first idea I would like to throw out is something I honestly kind of want to see in dead by daylight, And that is a fifth perk slot for every survivor and killer however instead of being able to choose any park you can only choose for this 5th slot one of the Teachable perks that character has.
One thing before I continue, It may be a bit confusing but for the sake of balance I wish to propose a concept. This concept is that certain perks will be less Effective on certain killers or survivors because of their own natural abilities, When this happens and you are playing as this character hovering over this quirk this will be highlighted in red text showing you exactly how much the perk will be nerved for this specific character. For example Claudette is going To be able to heal faster than the average survivor So for balance perks that significantly increase healing speed will not be ineffective but will give less of a boost as to not make Builds that will give her an insanely fast healing speed.
But anyways on to the new abilities
Claudette
Healing proficiency Due to our knowledge of botany and healing she can perform all healing actions faster than the average survivor
Caring instinct Your intentions to Heal others Are profound and you will seek out the injured so you could aid them, Claudette can see the auras of injured survivors who are in her vicinity.
Special ability Botany Special plants will appear around the trial, When a plant is harvested after a Random amount of time a new plant will spawn in a new location. These plants and flowers Spawn most frequently in areas of short to tall grass. Mushrooms will also spawn in more indoor maps or in maps with lots of indoor locations however these mushrooms are far less easy to track down as they can spawn anywhere. Because of Claudette's Botany knowledge She knows what she's looking for, These plants will be very bright to her and she's the only one who can see them, When she walks up to these plants she can enter an animation to begin harvesting them this animation isn't too terribly long but also still significant. When these plants are collected if Claudette has a medkit that is missing charges these plants will refill a significant amount of the medkick's charges. If the medkit is full or Claudette does not have a med kit, Then the charges will either Accumulate in Claudette's inventory until a medkit does begin to deplete in which case it will automatically be refilled, Or if Claudette has enough of these charges She can perform the self healing action Without any perks or med kits that normally would be the only way for a survivor to do so. These charges can also be used to speed up the Process of healing deep wounds On both you and others survivors. Before you ask yes maps can be used to find these plants through walls so you're not running around like a headless chicken and yes this does mean You could have an infinite medkit as long as you are willing to sacrifice the time it takes to find and collect the plants.
Hyper focus When Claudette is performing a task Such as healing, repairing, Sabotaging and cleansing She loses focus of her surroundings and everything else. The killers terror radios will be significantly smaller for only Claudette while she's performing these actions And any ore reading perks or perks that tell you when the killer is Near will no longer work while you are performing these actions. Also while performing these actions the range of which you can look around is significantly decreased giving you significant blind spots the killer can exploit
Nemesis Now alongside with the bins containing the antidote to The T virus A new structure will appear beside it that survivors can interact with Which will be called supply stations Oh but these supplies are not for the Survivors. Drones will fly to these locations and leave behind black suitcases Nemesis can approach these suitcases pick them up and acquire a new weapon. Survivors by walking over to the screen can begin to hack it. Much like the singularities EMP crates a bar will slowly fill up when the survivors hack it the bar will decrease the more the bar is filled the longer survivors will have to take to fully decrease the bar the bar is always filling unless being hacked. Once the bar is filled The drones will fly in depositing the weapon the survivors are unable to do anything now and the killer is able to receive this weapon whenever he wishes. It goes without saying that the auras of all these stations are now revealed To the killer at all times, Both killer and survivor can see you what Type of weapon is going to be deposited at each station, By symbols. The three types of weapons are the bazooka the flamethrower and the mini gun. Once the drone delivers the suitcase To a resource station the bar at that resource station will pause until the suitcases removed by the killer and that station will Now have a yellow aura that the killer can see. Once the suitcase is picked up whatever weapon it is will be stored in his inventory he can use it whenever he wants but he can only have one weapon in his inventory at any given time. Also depending on how powerful they are each weapon can have its own rarity meaning some weapons are more common than others.
the minigun This weapon works exactly like the Tricksters show stopper In pretty much all regards. Accept the bullets are so powerful they can travel through thin walls except the damage that these bullets Do are significantly decreased. Also the killer can discard this weapon at any time, However this still fully consumes the weapon and he will have to go fetch another 1 this applies to every Type of weapon he can carry.
The flamethrower Also like showstopper in both its wind up and movement speed penalties The flame thrower begins to distinguish itself by first of all you can stop and start the flame for at will, By holding left click you will shoot flames and when you stop the flames will cease, There is both a fuel bar and a pretty generous timer when either of these two meet their end the weapon will stop functioning and the killer will drop them. The initial hit of the flame thrower is almost unavoidable but does not do damage instead it sets survivors on fire Which works similarly to the deep wounds except while survivors are on fire they cannot interact or perform any actions except dropping pallets vaulting and mending themselves they cannot Even be healed by other survivors while on fire. But that is only if they are licked by the fire if they stay in the fire for too long They will be injured while still suffering from the fire deep water fact, The timer it takes for them to take damage immediately resets even if they escaped the flames for a moment. The flank floor is unable to down a survivor however it's an incredibly good way to injure multiple survivors quickly, The flames also produce a large amount of smoke that can be very disoriented, And after one or two moments of the flame thrower directly blowing on a palette or Breakable wall Those objects will be burnt and will break.
The bazooka When the bazooka is activated nemesis will stand still while he is aiming it and will only be able to move again once he's fired or discarded the weapon. It works almost exactly like it does in the game resident evil resistance if you want an idea. There will be 3 Radiuses The missile itself the rather small explosion and the rather large shockwave. If a survivor is directly hit by a missile they will go from healthy to downed immediately, If a Survivor is hit by the explosion they will instead take one damage and be flunged around. If they are hit by the shockwave they will only be flung around which gives the killer a lot of time to catch up to them. Nemesis can fire the Bazooka at his own feet But if he is caught in the radius of his own explosion he will be stunned for a very significant amount of time making this an extremely detrimental action that the survivors can exploit. The bazooka will also damage generators caught in its explosive range which will function like the killer kicked them and reduce a small amount of the generator's progress the explosion will also destroy pallets breakable walls.
Nemesis Receives two more buffs one While he had his tentacle out if he presses the control button Or the same button he would use to activate one of his weapons, It would change the orientation of his hand instead of him launching it as he normally would he has to be beside a wall if he is and he activates the tentacle he will slam his hand into the wall and the tentacle will emerge on the other side, However the hit box of the tentacle will change instead of a long rectangle it will be a small circle around the wall making it very easy to avoid, Unless you're extremely good with mind games this isn't going to be useful in chase however you could use it to catch survivors working on generators behind a wall by surprise So He can try to pull off the fun jump scares he does in his game
The last of his abilities is a passive perk, Nemesis can break breakable walls extremely Quickly compared to other survivors, When he does this if survivors are too close on the other side of the wall they will be slowed and regardless if the survivors are on the other side the nemesis will get a temporary speed buff, This is a nod to how much the nemesis loves smashing through walls, This update will also come with a Kool-Aid Man legendary skin for the nemesis.
This can also come with an array of new Add-ons for the killer, I do like the idea of a killer having a guaranteed base amount of add-ons like two Iridescent Etcetera Etcetera however I think it would be fine if all killers receive any extra add-ons that the developers think would just be cool, So these add-ons would not be replacing any of the old ones.
Purple add on leather handles
This add on significantly decreases the amount of time it takes for the nemesis to discard a Weapon, And when he does so he has a five second window to make a lunge attack and if he does so this lunge attack will be significantly increased in the distance that have travels It's like a mini Coup de Grâce
Green add on armor piercing rounds
When this add-on is used the mini gun will do significantly less damage and have decreased fire rate but will do significantly more damage to survivors when the bullets pierce through walls. This also adds an additional effect if A few bullets hit a generator that generator will act as though it has been kicked and begin regressing.
Yellow add-on 9 millimeter bullets Slightly increases the damage of bullets, If A few bullets hit a generator that generator will act as though it has been kicked
Iridescent add on laced ammunition
If survivors are hit by bullets and or the explosion of the bazooka they will receive the T virus infection
Purple add on E M P attachment All weapons will damage generators when used on them, And the amount of progress reduced by the bazooka to a generator is significantly increased
Green add-on Premium fuel When the flame thrower Duration has been reached, Or the flamethrower is discarded all survivors on fire will scream and have their auras revealed for one second
Iridescent add on Muscle stimulant syringe If a survivor stunts the nemesis while he is wielding a weapon causing him to drop it, The nemesis instead of his normal stun animation will roar fearsomely and the survivor who stunned the nemesis will receive the exposed status effect for 30 seconds
Yellow add-on Large fuel tank Slightly increases the duration of the mini gun, Slightly increases the timer and ammo capacity of the flamethrower
Green add-on extended magazine
Moderately increases the duration of the mini gun, Moderately increases the timer and ammo capacity of the flamethrower
Purple addon Bloody scalpel Perhaps this creature is more capable of feeling pain than initially realized, And perhaps that creature is now more eager to inflict that pain to others. When not in Chase and moving towards a yellow supply station slightly increase your movement speed and significantly increase the speed of picking up black suitcases
Green item experimental syringe When survivors cure themselves of the tea virus they receive the exhausted shadows effect for a short duration
Iridescent add-on security camera The speed at which survivors are able to decrease the bar when hacking a supply station is significantly increased, However when they do so the killer will receive a notification and for the duration a survivor is hacking their aura will be revealed
Ps I'm so sorry for the horrific grammar
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2024.05.28 22:47 mohamedwafa Chapter 1 of my first ever novel
Chapter 1
Scene 1
Sunlight streamed through the windows of my modern apartment as I meticulously folded clothes and packed my bags, the anticipation of an upcoming trip tingling in the air. The day seemed ordinary enough until the doorbell shattered the tranquility.
Startled, I hurried to answer it, only to find Elena bursting into the house with her usual exuberance. She was a whirlwind of energy, her long chestnut hair tied back in a messy ponytail, her bright blue eyes sparkling with excitement. Her olive skin glowed with vitality, and her infectious smile lit up the room.
"Peter, what took you so long to answer?" she exclaimed, her voice carrying a mix of impatience and amusement as she took in the array of luggage before me.
I shrugged, avoiding her gaze. "Just packing for a trip."
Elena scoffed, her voice laced with sarcasm. "Immigrating, are we?" She scanned the room before turning her attention back to me. "Seriously, though, what's with all the luggage?"
I chuckled at her bluntness. "You know me, always overpacking."
She rolled her eyes, reaching for her phone and cranking up the volume on her favorite song. The heavy riff of "Passenger" by Deftones filled the room, adding a pulsating rhythm to our conversation.
Taking a seat at the cluttered kitchen table, Elena flashed me a mischievous grin. "I came to hang out with my friend. Is that a crime?"
I raised an eyebrow, eyeing her suspiciously.
Elena's laughter filled the room, unapologetic. "Okay, you caught me. I need your help." Despite my curiosity, apprehension flickered, yet her sparkling eyes drew me in. "Come on, Peter," she urged. "I promise it'll be worth your while."
"What do you need me for?" I asked, unable to resist her infectious enthusiasm.
Elena's brows furrowed, and she leaned in closer, her voice dropping to a whisper. "I was hired by a family in Silverlake to find their missing daughter, Emily. She disappeared without a trace, and I've been investigating this case for weeks. But I have zero leads."
I frowned. "And you think I can help?"
Elena nodded eagerly. "You're one of the best investigative journalists I know, Peter. Your skills are exactly what we need to crack this case wide open."
"I promised my mom I'd spend a vacation with her. I leave in 2 days. I'm sorry, I cannot help you," I said firmly, my resolve wavering in the face of Elena's determination.
"In 2 DAYS AND YOU'RE PACKING FROM NOW?!" Elena exclaimed incredulously.
"Well, I've got to be well prepared," I defended with a shrug, trying to downplay the urgency of the situation.
"This will be over in less than 2 days. All I need from you is to help me identify her last known location when she disappeared and any digital data you could find linked to her disappearance. Do that for me, and you can continue with your plan," Elena bargained, her eyes pleading with urgency.
I hesitated, torn between my obligations to my family and the pressing need to help Elena solve this mystery.
"Well, you could get that from CCTV cameras and her social media, what do you need me for?" I asked, raising my voice slightly to be heard over the blaring chorus of "Passenger."
The heavy guitars and pounding drums filled the room, drowning out Elena's next words as she searched my face for a response. "Well, don't you think I tried that?" she retorted, frustration evident in her voice. "I couldn't get access to CCTV footage, and her social media revealed nothing. I need a deeper search into the digital landscape, and you're the one I trust the most with this."
"One thing is never enough for you, though. You have a way of always pulling me with you, and I really need this. My mother needs me right now. I haven't seen her since the funeral, and I cannot let her down," I said, my voice cracking with emotion.
Elena's expression softened, her eyes reflecting understanding. She reached out and placed a comforting hand on my shoulder. "I get it, Peter. Family comes first. But think about it, helping me could bring closure to another family who's desperate for answers."
Her words struck a chord within me, igniting a sense of duty and purpose that I couldn't ignore.
Taking a deep breath, I nodded slowly.
I grabbed a notebook and a pen, my determination solidifying as I focused on the task at hand. "I'll do it for the girl's family."
A flicker of relief crossed Elena's face, her shoulders sagging slightly as she realized I was onboard. "Thank you, Peter," she said, her voice tinged with gratitude.
"The town of Silverlake, where Emily had disappeared, was 140 miles away. It was a daunting distance, but one that felt insignificant in the face of the urgency of the situation. Little did I know, Emily wasn't the only one missing. There was a series of disappearances in Silverlake that had gone unnoticed until now."
With a shared glance, Elena and I made an unspoken agreement. We would go to Silverlake, together, to start investigating immediately.
Scene 2
As Elena and I approached the reception desk, the polished tiles of the lobby floor echoed softly beneath our steps, carrying an air of anticipation. The lobby itself exuded a quiet elegance, bathed in the soft glow of the afternoon sunlight streaming through the expansive windows. A gentle hum of activity filled the space, punctuated by the occasional rustle of papers.
The receptionist, a woman with an air of indifference, glanced up from her notebook as we approached. Her eyes, cool and assessing, swept over us before settling on Elena with a hint of curiosity. "How can I help you, dear?" she asked, her voice monotone yet tinged with a subtle edge of detachment.
Elena, undeterred by the receptionist's demeanor, greeted her with a warm smile that illuminated her features. "We're in need of a room for my friend here," she said, gesturing towards me with a nod of her head. "He'll be staying with us."
The receptionist's expression remained unchanged as she reached for another key, her movements precise and methodical. Retrieving the key, she handed it to me with a detached air. "Room 204, second floor, fourth room on the right," she repeated mechanically, her attention already drifting back to her notebook as if our presence was of little consequence.
As I accepted the key, my gaze was drawn to a striking symbol adorning the wall beside the reception desk – the Eye of Horus. Etched in gold against a backdrop of deep blue, its intricate design seemed to watch over the lobby with an enigmatic presence, casting a subtle aura of mystery over the space.
"it's all over the place in here they believe it protects them from evil" Elena shrugged, noticing my gaze lingering on the Eye of Horus.
I nodded thoughtfully, intrigued by the symbolism woven into the fabric of the hotel. "Interesting," I murmured.
With the key in hand, I turned to follow Elena as she led the way towards the staircase, the soft echo of our footsteps mingling with the hushed whispers of the hotel's guests. As we ascended the stairs.
As Elena entered the room, she immediately shed her coat and rushed to the counter, grabbing her phone. Without pause, the familiar strains of Metallica's "Master of Puppets" filled the room, blasting at an ear-splitting volume.
I couldn't help but roll my eyes at Elena's predictable ritual.
"Okay, Mr. P, we have no time to waste," Elena declared over the blaring music, oblivious to my annoyance. "Grab your notebook and let's start with the case."
"Emily's disappearance was the initial focus of my investigation," Elena began, her eyes reflecting the seriousness of the matter. "According to her family, Emily was extremely close to her mother. Her life seemed to be on track, with a successful career in marketing and a new boyfriend. However, her parents didn't approve of her relationship with Matthew, citing him as a point of contention."
She paused, her gaze drifting as if searching for the right words to convey the complexity of the situation. "The police initially dismissed Emily's disappearance as a case of a young woman running away, especially since Matthew was also missing."
Elena's voice wavered slightly, betraying the weight of the uncertainty surrounding Emily's fate. "For a while, I entertained the possibility that Emily had indeed chosen to leave her life behind. But then, three days ago, another woman disappeared under similar circumstances."
"And where is Matthew?" I interjected, my mind grappling with the complexities of the case. "His friends and family filed a missing persons report on him as well. He disappeared one day before Emily. But there's no reason to think of him as a suspect, is there?"
Elena's expression darkened, mirroring the shadow of uncertainty that clouded my thoughts. "That's the perplexing part," she replied, her voice tinged with frustration. "All three people disappeared without a trace. One moment they were there, and the next... poof, disappeared as if they've been captured by ghosts."
Her words sent a chill down my spine, and I couldn't shake off the sense of foreboding that gripped me. It was as if we were peering into the abyss of the unknown, where answers remained elusive and danger lurked in the shadows.
As my mind raced, struggling to contain the torrent of thoughts swirling within, I sought desperately for patterns amidst the chaos. With furrowed brow, I turned to Elena, my voice trembling with urgency.
"Is there any connection between the third woman who disappeared and Emily or Matthew?" I inquired, grasping at straws in the hopes of unraveling the enigma before us.
Elena shook her head solemnly, her eyes reflecting the gravity of the situation. "No," she replied, her voice tinged with frustration. "The third woman is a 50-year-old, last seen exiting her workplace at the quaint bistro, La Petite Cuisine, and heading home."
The revelation sent a shiver down my spine, the realization sinking in that the disappearances were not isolated incidents but part of a larger, more sinister web of mystery. As I pondered the implications, a sense of unease settled over me, the unknown looming ominously on the horizon like a gathering storm.
"Listen, P," Elena's urgency resonated in her voice as she spoke, her words cutting through the tension in the room like a knife. "I acquired CCTV footage of Emily's last sighting, and that's what I need you for."
Without a moment's hesitation, she raced to retrieve her laptop, returning with it clutched tightly in her grasp. With a sense of urgency, she opened the device, revealing the footage of Emily walking down a seemingly ordinary square, her demeanor betraying no hint of the impending turmoil.
But then, like a sudden storm on a clear day, a police patrol car flashed across the screen, casting a shadow of doubt over the otherwise mundane scene. "That means the police have more information on Emily's last movements," I realized, a knot forming in the pit of my stomach.
In a voice tinged with frustration, Elena explained her futile attempts to obtain a statement from the police, leaving us stranded in a sea of uncertainty. It was a crucial piece of the puzzle that remained tantalizingly out of reach, teasing us with its elusiveness.
Turning to me with pleading eyes, Elena's hand reached out to grasp my arm, her wide eyes locking with mine in an unspoken plea. "I need you to secure an interview with the chief of police or any detective working the case," she implored, her voice soft but desperate. "You could still go on your awaited vacation with your mum afterward."
Her touch sparked a fire within me, "alright el I'll think of a plan but I need some rest first, maybe we could meet at the lobby after 2 hours?"
"Thank you, Peter, for real," Elena's gratitude washed over me, momentarily easing the weight of the task ahead. "Also, two hours sharp, don't be late, ey?"
I offered her a reassuring smile, my resolve firm. "I am always on time," I assured her, though a flicker of uncertainty danced behind my eyes.
"Yeah, right," Elena retorted sarcastically, her skepticism evident as she exited the room, leaving me alone with my thoughts.
As the door clicked shut behind her, a sense of apprehension settled over me like a heavy shroud. Contemplation mingled with reservation, and a hint of fear gnawed at the edges of my mind.
Scene 3
As Elena departed, I surveyed the room. It bore the marks of neglect, with faded wallpaper peeling at the edges and worn furniture showing signs of age. The bed, positioned against one wall, appeared tired and weathered, its mattress sagging in the middle and the sheets bearing wrinkles. Above the bed, an out-of-place symbol caught my attention once again - the Eye of Horus, its intricate design etched into a wooden plaque and mounted on the wall.
Feeling the weight of exhaustion settle upon me, I sank onto the bed, craving a moment of respite. Before I could even settle in, the insistent ring of my phone shattered the silence. With a resigned sigh, I reached for the device, noting the caller ID - it was my mother, FaceTiming me.
I answered her call, greeted by the warm glow of her smile radiating through the screen. Our exchange of greetings was laced with the gentle familiarity of mother and son.
"Hello, dear," she chimed, "So, you finally found some time to visit your old mum, did you? How kind of you."
I swallowed the lump in my throat, accustomed to the underlying reproach that often accompanied her affectionate words. "Yes, Mom," I replied, trying to mask the unease in my voice with forced cheerfulness. "I'm looking forward to spending some time with you."
Her smile widened. "Well, I'll believe it when I see it," she quipped, her words laden with a veiled challenge. "Don't keep me waiting too long now. You know how precious my time is."
"Are you calling me just to do that?" I interjected, a hint of frustration creeping into my voice.
Her brow furrowed in confusion. "Do what, dear?" she inquired innocently.
I hesitated, the words catching in my throat as I grappled with the swirling emotions inside me. "Never mind, Mom," I murmured, a wave of guilt washing over me for even entertaining the notion of confronting her.
But before I could retract my statement, her expression softened, and her voice took on a tone of vulnerability that caught me off guard. "Listen, Peter, I'm sorry," she began, her words tinged with a hint of sadness. "I just miss you. You don't call enough, and it feels like there's nothing for us to talk about. I just..."
Her voice trailed off, leaving the weight of her unspoken words hanging heavy in the air between us. In that moment, I felt a pang of sympathy for the woman on the other end of the line, grappling with her own insecurities and yearning for connection in the only way she knew how.
"I understand," I replied softly, feeling a surge of empathy. "I've been too caught up in my work, but that's why I decided to take this vacation. I've missed you too, Mom, and I really am looking forward to spending more time with you."
A genuine smile spread across my mother's face, her eyes lighting up with warmth and relief. "Oh, Peter, that's wonderful to hear!" she exclaimed, her voice filled with genuine happiness. "I've missed you more than you know, dear. It's been too long since we've had a chance to catch up properly."
Before we could delve further into our conversation, my mother couldn't resist injecting a bit of her trademark humor. "Well, now that you're finally taking a break from work, maybe you'll have some time to find yourself a nice, not-at-all-crazy wife," she teased, a mischievous twinkle dancing in her eye.
Her playful jab elicited a hearty chuckle from me, knowing full well it was all in good fun. "We'll see, Mom," I replied with a laugh, shaking my head affectionately. "But for now, I think I'll focus on spending time with my favorite woman - you."
With a heartwarming laugh, my mother waved goodbye, her parting words carrying a hint of playful insistence. "Don't forget to keep your eyes open, Peter! You never know when Mrs. Right might come along," she quipped before ending the call, leaving me smiling at her enduring humor and unwavering love.
As she hung up, the old bed's worn embrace felt oddly inviting. I sank into its tired folds, finding unexpected comfort in its familiarity, and drifted into a well-deserved sleep.
scene 4
The sound of my alarm rang, and I half-opened my eyes, seeing only in black and white. I hit snooze and repeated the process five times until I finally woke up. I hoped Elena wouldn’t get mad at me for being late. The bed squeaked as I got up, and I hastily washed my face. As I turned on the water tap, I noticed water droplets leaking from the sides.
"Jeez, this place needs serious renovations," I muttered to myself.
I walked to the lobby, only to meet Elena.
"Hi, El," I said, bracing myself for Elena to scold me for my lateness.
"Hello, Peter," she replied in a low voice. She seemed to be staring at a void behind me, her face expressionless and still. I took a step closer to her.
"El, you okay? What's wrong?"
"Nothing, all is good. Uhm, weren't you supposed to leave for a trip to see your mom?"
"Well, yeah, in two days. I'll help you with this thi—" I began, confusion visible on my face, but Elena interrupted me. Her voice was firm, yet she avoided making eye contact.
"No, Peter, it's fine. I've thought about it, and I don't need your help anymore. You can go."
"I am not your toy, Elena. You can't just make me travel with you and then ask me to leave before I even get the chance to do anything," I snapped, my anger blinding me to the obvious. There was something Elena was hiding, and I needed to be calm to understand what was going on.
I tried to salvage the situation by apologizing and reassuring her that I was by her side, but it was too late. Elena's eyes welled up with tears. "I'm sorry, but please, Peter, leave. Go on your trip," she said, storming out of the lobby.
As she left, I noticed a necklace with the Eye of Horus dangling around her neck. Why does Elena wear this, and why is this place filled with an ancient Egyptian symbol? I froze, unsure of what to do. As I ran after Elena, desperation gnawed at my insides. She wasn't in front of the lobby anymore. I hopped into my car and started scouring the streets, telling myself she couldn't have gone too far.
I drove down every street, checked every alley, but Elena was nowhere to be found. Panic rose within me, and my breath quickened as I frantically tried to contact her, only to find her phone out of service.
Finally, I parked in front of an old bar. It was midnight by now, and the place was bustling with people. As I entered, I was greeted by a middle-aged man with a full beard. "Hey, newcomer, welcome to the Allure Bar," he slurred, his breath heavy with alcohol. He introduced himself as Michael Convivial, the owner of the bar, and offered me a shot on the house since it was my first time there.
"I didn't come here for the drinks," I said, the song 'What Am I to You' playing softly in the background. I showed him a photo of Elena, and he instantly recognized her, laughing as he muttered something I couldn't quite catch.
"That crazy girl who still hopes," he said, his speech slurred. He mentioned that he last saw her two days ago.
As I stepped out of the bar and headed towards my car, a ping from my phone startled me. It was a message from an unknown ID, accompanied by a chilling photo. In it, Elena lay unconscious, her Eye of Horus necklace smashed beside her. The caption sent shivers down my spine: "Listen to Elena, outsider. Get out of Silverlake and don't get involved in a fight you've got nothing to do with."
Dread washed over me as I stared at the image, my mind racing with questions.
As my fingers moved almost of their own accord, typing out a message, my mind raced with a mixture of fear and determination.
"I don't know who you are, but I will soon, and I will make you pay," I wrote, my fingers trembling slightly as I pressed send. "You've made it personal by kidnapping Elena, and I won't let you hurt her even more, you hear me?!"
Tears welled up in my eyes as I stared at the screen. I never knew I cared for Elena this deeply until this moment. The thought of her in danger filled me with a sense of fierce protectiveness, driving me to do whatever it takes to bring her back safely.
submitted by mohamedwafa to KeepWriting [link] [comments]
Scene 1
Sunlight streamed through the windows of my modern apartment as I meticulously folded clothes and packed my bags, the anticipation of an upcoming trip tingling in the air. The day seemed ordinary enough until the doorbell shattered the tranquility.
Startled, I hurried to answer it, only to find Elena bursting into the house with her usual exuberance. She was a whirlwind of energy, her long chestnut hair tied back in a messy ponytail, her bright blue eyes sparkling with excitement. Her olive skin glowed with vitality, and her infectious smile lit up the room.
"Peter, what took you so long to answer?" she exclaimed, her voice carrying a mix of impatience and amusement as she took in the array of luggage before me.
I shrugged, avoiding her gaze. "Just packing for a trip."
Elena scoffed, her voice laced with sarcasm. "Immigrating, are we?" She scanned the room before turning her attention back to me. "Seriously, though, what's with all the luggage?"
I chuckled at her bluntness. "You know me, always overpacking."
She rolled her eyes, reaching for her phone and cranking up the volume on her favorite song. The heavy riff of "Passenger" by Deftones filled the room, adding a pulsating rhythm to our conversation.
Taking a seat at the cluttered kitchen table, Elena flashed me a mischievous grin. "I came to hang out with my friend. Is that a crime?"
I raised an eyebrow, eyeing her suspiciously.
Elena's laughter filled the room, unapologetic. "Okay, you caught me. I need your help." Despite my curiosity, apprehension flickered, yet her sparkling eyes drew me in. "Come on, Peter," she urged. "I promise it'll be worth your while."
"What do you need me for?" I asked, unable to resist her infectious enthusiasm.
Elena's brows furrowed, and she leaned in closer, her voice dropping to a whisper. "I was hired by a family in Silverlake to find their missing daughter, Emily. She disappeared without a trace, and I've been investigating this case for weeks. But I have zero leads."
I frowned. "And you think I can help?"
Elena nodded eagerly. "You're one of the best investigative journalists I know, Peter. Your skills are exactly what we need to crack this case wide open."
"I promised my mom I'd spend a vacation with her. I leave in 2 days. I'm sorry, I cannot help you," I said firmly, my resolve wavering in the face of Elena's determination.
"In 2 DAYS AND YOU'RE PACKING FROM NOW?!" Elena exclaimed incredulously.
"Well, I've got to be well prepared," I defended with a shrug, trying to downplay the urgency of the situation.
"This will be over in less than 2 days. All I need from you is to help me identify her last known location when she disappeared and any digital data you could find linked to her disappearance. Do that for me, and you can continue with your plan," Elena bargained, her eyes pleading with urgency.
I hesitated, torn between my obligations to my family and the pressing need to help Elena solve this mystery.
"Well, you could get that from CCTV cameras and her social media, what do you need me for?" I asked, raising my voice slightly to be heard over the blaring chorus of "Passenger."
The heavy guitars and pounding drums filled the room, drowning out Elena's next words as she searched my face for a response. "Well, don't you think I tried that?" she retorted, frustration evident in her voice. "I couldn't get access to CCTV footage, and her social media revealed nothing. I need a deeper search into the digital landscape, and you're the one I trust the most with this."
"One thing is never enough for you, though. You have a way of always pulling me with you, and I really need this. My mother needs me right now. I haven't seen her since the funeral, and I cannot let her down," I said, my voice cracking with emotion.
Elena's expression softened, her eyes reflecting understanding. She reached out and placed a comforting hand on my shoulder. "I get it, Peter. Family comes first. But think about it, helping me could bring closure to another family who's desperate for answers."
Her words struck a chord within me, igniting a sense of duty and purpose that I couldn't ignore.
Taking a deep breath, I nodded slowly.
I grabbed a notebook and a pen, my determination solidifying as I focused on the task at hand. "I'll do it for the girl's family."
A flicker of relief crossed Elena's face, her shoulders sagging slightly as she realized I was onboard. "Thank you, Peter," she said, her voice tinged with gratitude.
"The town of Silverlake, where Emily had disappeared, was 140 miles away. It was a daunting distance, but one that felt insignificant in the face of the urgency of the situation. Little did I know, Emily wasn't the only one missing. There was a series of disappearances in Silverlake that had gone unnoticed until now."
With a shared glance, Elena and I made an unspoken agreement. We would go to Silverlake, together, to start investigating immediately.
Scene 2
As Elena and I approached the reception desk, the polished tiles of the lobby floor echoed softly beneath our steps, carrying an air of anticipation. The lobby itself exuded a quiet elegance, bathed in the soft glow of the afternoon sunlight streaming through the expansive windows. A gentle hum of activity filled the space, punctuated by the occasional rustle of papers.
The receptionist, a woman with an air of indifference, glanced up from her notebook as we approached. Her eyes, cool and assessing, swept over us before settling on Elena with a hint of curiosity. "How can I help you, dear?" she asked, her voice monotone yet tinged with a subtle edge of detachment.
Elena, undeterred by the receptionist's demeanor, greeted her with a warm smile that illuminated her features. "We're in need of a room for my friend here," she said, gesturing towards me with a nod of her head. "He'll be staying with us."
The receptionist's expression remained unchanged as she reached for another key, her movements precise and methodical. Retrieving the key, she handed it to me with a detached air. "Room 204, second floor, fourth room on the right," she repeated mechanically, her attention already drifting back to her notebook as if our presence was of little consequence.
As I accepted the key, my gaze was drawn to a striking symbol adorning the wall beside the reception desk – the Eye of Horus. Etched in gold against a backdrop of deep blue, its intricate design seemed to watch over the lobby with an enigmatic presence, casting a subtle aura of mystery over the space.
"it's all over the place in here they believe it protects them from evil" Elena shrugged, noticing my gaze lingering on the Eye of Horus.
I nodded thoughtfully, intrigued by the symbolism woven into the fabric of the hotel. "Interesting," I murmured.
With the key in hand, I turned to follow Elena as she led the way towards the staircase, the soft echo of our footsteps mingling with the hushed whispers of the hotel's guests. As we ascended the stairs.
As Elena entered the room, she immediately shed her coat and rushed to the counter, grabbing her phone. Without pause, the familiar strains of Metallica's "Master of Puppets" filled the room, blasting at an ear-splitting volume.
I couldn't help but roll my eyes at Elena's predictable ritual.
"Okay, Mr. P, we have no time to waste," Elena declared over the blaring music, oblivious to my annoyance. "Grab your notebook and let's start with the case."
"Emily's disappearance was the initial focus of my investigation," Elena began, her eyes reflecting the seriousness of the matter. "According to her family, Emily was extremely close to her mother. Her life seemed to be on track, with a successful career in marketing and a new boyfriend. However, her parents didn't approve of her relationship with Matthew, citing him as a point of contention."
She paused, her gaze drifting as if searching for the right words to convey the complexity of the situation. "The police initially dismissed Emily's disappearance as a case of a young woman running away, especially since Matthew was also missing."
Elena's voice wavered slightly, betraying the weight of the uncertainty surrounding Emily's fate. "For a while, I entertained the possibility that Emily had indeed chosen to leave her life behind. But then, three days ago, another woman disappeared under similar circumstances."
"And where is Matthew?" I interjected, my mind grappling with the complexities of the case. "His friends and family filed a missing persons report on him as well. He disappeared one day before Emily. But there's no reason to think of him as a suspect, is there?"
Elena's expression darkened, mirroring the shadow of uncertainty that clouded my thoughts. "That's the perplexing part," she replied, her voice tinged with frustration. "All three people disappeared without a trace. One moment they were there, and the next... poof, disappeared as if they've been captured by ghosts."
Her words sent a chill down my spine, and I couldn't shake off the sense of foreboding that gripped me. It was as if we were peering into the abyss of the unknown, where answers remained elusive and danger lurked in the shadows.
As my mind raced, struggling to contain the torrent of thoughts swirling within, I sought desperately for patterns amidst the chaos. With furrowed brow, I turned to Elena, my voice trembling with urgency.
"Is there any connection between the third woman who disappeared and Emily or Matthew?" I inquired, grasping at straws in the hopes of unraveling the enigma before us.
Elena shook her head solemnly, her eyes reflecting the gravity of the situation. "No," she replied, her voice tinged with frustration. "The third woman is a 50-year-old, last seen exiting her workplace at the quaint bistro, La Petite Cuisine, and heading home."
The revelation sent a shiver down my spine, the realization sinking in that the disappearances were not isolated incidents but part of a larger, more sinister web of mystery. As I pondered the implications, a sense of unease settled over me, the unknown looming ominously on the horizon like a gathering storm.
"Listen, P," Elena's urgency resonated in her voice as she spoke, her words cutting through the tension in the room like a knife. "I acquired CCTV footage of Emily's last sighting, and that's what I need you for."
Without a moment's hesitation, she raced to retrieve her laptop, returning with it clutched tightly in her grasp. With a sense of urgency, she opened the device, revealing the footage of Emily walking down a seemingly ordinary square, her demeanor betraying no hint of the impending turmoil.
But then, like a sudden storm on a clear day, a police patrol car flashed across the screen, casting a shadow of doubt over the otherwise mundane scene. "That means the police have more information on Emily's last movements," I realized, a knot forming in the pit of my stomach.
In a voice tinged with frustration, Elena explained her futile attempts to obtain a statement from the police, leaving us stranded in a sea of uncertainty. It was a crucial piece of the puzzle that remained tantalizingly out of reach, teasing us with its elusiveness.
Turning to me with pleading eyes, Elena's hand reached out to grasp my arm, her wide eyes locking with mine in an unspoken plea. "I need you to secure an interview with the chief of police or any detective working the case," she implored, her voice soft but desperate. "You could still go on your awaited vacation with your mum afterward."
Her touch sparked a fire within me, "alright el I'll think of a plan but I need some rest first, maybe we could meet at the lobby after 2 hours?"
"Thank you, Peter, for real," Elena's gratitude washed over me, momentarily easing the weight of the task ahead. "Also, two hours sharp, don't be late, ey?"
I offered her a reassuring smile, my resolve firm. "I am always on time," I assured her, though a flicker of uncertainty danced behind my eyes.
"Yeah, right," Elena retorted sarcastically, her skepticism evident as she exited the room, leaving me alone with my thoughts.
As the door clicked shut behind her, a sense of apprehension settled over me like a heavy shroud. Contemplation mingled with reservation, and a hint of fear gnawed at the edges of my mind.
Scene 3
As Elena departed, I surveyed the room. It bore the marks of neglect, with faded wallpaper peeling at the edges and worn furniture showing signs of age. The bed, positioned against one wall, appeared tired and weathered, its mattress sagging in the middle and the sheets bearing wrinkles. Above the bed, an out-of-place symbol caught my attention once again - the Eye of Horus, its intricate design etched into a wooden plaque and mounted on the wall.
Feeling the weight of exhaustion settle upon me, I sank onto the bed, craving a moment of respite. Before I could even settle in, the insistent ring of my phone shattered the silence. With a resigned sigh, I reached for the device, noting the caller ID - it was my mother, FaceTiming me.
I answered her call, greeted by the warm glow of her smile radiating through the screen. Our exchange of greetings was laced with the gentle familiarity of mother and son.
"Hello, dear," she chimed, "So, you finally found some time to visit your old mum, did you? How kind of you."
I swallowed the lump in my throat, accustomed to the underlying reproach that often accompanied her affectionate words. "Yes, Mom," I replied, trying to mask the unease in my voice with forced cheerfulness. "I'm looking forward to spending some time with you."
Her smile widened. "Well, I'll believe it when I see it," she quipped, her words laden with a veiled challenge. "Don't keep me waiting too long now. You know how precious my time is."
"Are you calling me just to do that?" I interjected, a hint of frustration creeping into my voice.
Her brow furrowed in confusion. "Do what, dear?" she inquired innocently.
I hesitated, the words catching in my throat as I grappled with the swirling emotions inside me. "Never mind, Mom," I murmured, a wave of guilt washing over me for even entertaining the notion of confronting her.
But before I could retract my statement, her expression softened, and her voice took on a tone of vulnerability that caught me off guard. "Listen, Peter, I'm sorry," she began, her words tinged with a hint of sadness. "I just miss you. You don't call enough, and it feels like there's nothing for us to talk about. I just..."
Her voice trailed off, leaving the weight of her unspoken words hanging heavy in the air between us. In that moment, I felt a pang of sympathy for the woman on the other end of the line, grappling with her own insecurities and yearning for connection in the only way she knew how.
"I understand," I replied softly, feeling a surge of empathy. "I've been too caught up in my work, but that's why I decided to take this vacation. I've missed you too, Mom, and I really am looking forward to spending more time with you."
A genuine smile spread across my mother's face, her eyes lighting up with warmth and relief. "Oh, Peter, that's wonderful to hear!" she exclaimed, her voice filled with genuine happiness. "I've missed you more than you know, dear. It's been too long since we've had a chance to catch up properly."
Before we could delve further into our conversation, my mother couldn't resist injecting a bit of her trademark humor. "Well, now that you're finally taking a break from work, maybe you'll have some time to find yourself a nice, not-at-all-crazy wife," she teased, a mischievous twinkle dancing in her eye.
Her playful jab elicited a hearty chuckle from me, knowing full well it was all in good fun. "We'll see, Mom," I replied with a laugh, shaking my head affectionately. "But for now, I think I'll focus on spending time with my favorite woman - you."
With a heartwarming laugh, my mother waved goodbye, her parting words carrying a hint of playful insistence. "Don't forget to keep your eyes open, Peter! You never know when Mrs. Right might come along," she quipped before ending the call, leaving me smiling at her enduring humor and unwavering love.
As she hung up, the old bed's worn embrace felt oddly inviting. I sank into its tired folds, finding unexpected comfort in its familiarity, and drifted into a well-deserved sleep.
scene 4
The sound of my alarm rang, and I half-opened my eyes, seeing only in black and white. I hit snooze and repeated the process five times until I finally woke up. I hoped Elena wouldn’t get mad at me for being late. The bed squeaked as I got up, and I hastily washed my face. As I turned on the water tap, I noticed water droplets leaking from the sides.
"Jeez, this place needs serious renovations," I muttered to myself.
I walked to the lobby, only to meet Elena.
"Hi, El," I said, bracing myself for Elena to scold me for my lateness.
"Hello, Peter," she replied in a low voice. She seemed to be staring at a void behind me, her face expressionless and still. I took a step closer to her.
"El, you okay? What's wrong?"
"Nothing, all is good. Uhm, weren't you supposed to leave for a trip to see your mom?"
"Well, yeah, in two days. I'll help you with this thi—" I began, confusion visible on my face, but Elena interrupted me. Her voice was firm, yet she avoided making eye contact.
"No, Peter, it's fine. I've thought about it, and I don't need your help anymore. You can go."
"I am not your toy, Elena. You can't just make me travel with you and then ask me to leave before I even get the chance to do anything," I snapped, my anger blinding me to the obvious. There was something Elena was hiding, and I needed to be calm to understand what was going on.
I tried to salvage the situation by apologizing and reassuring her that I was by her side, but it was too late. Elena's eyes welled up with tears. "I'm sorry, but please, Peter, leave. Go on your trip," she said, storming out of the lobby.
As she left, I noticed a necklace with the Eye of Horus dangling around her neck. Why does Elena wear this, and why is this place filled with an ancient Egyptian symbol? I froze, unsure of what to do. As I ran after Elena, desperation gnawed at my insides. She wasn't in front of the lobby anymore. I hopped into my car and started scouring the streets, telling myself she couldn't have gone too far.
I drove down every street, checked every alley, but Elena was nowhere to be found. Panic rose within me, and my breath quickened as I frantically tried to contact her, only to find her phone out of service.
Finally, I parked in front of an old bar. It was midnight by now, and the place was bustling with people. As I entered, I was greeted by a middle-aged man with a full beard. "Hey, newcomer, welcome to the Allure Bar," he slurred, his breath heavy with alcohol. He introduced himself as Michael Convivial, the owner of the bar, and offered me a shot on the house since it was my first time there.
"I didn't come here for the drinks," I said, the song 'What Am I to You' playing softly in the background. I showed him a photo of Elena, and he instantly recognized her, laughing as he muttered something I couldn't quite catch.
"That crazy girl who still hopes," he said, his speech slurred. He mentioned that he last saw her two days ago.
As I stepped out of the bar and headed towards my car, a ping from my phone startled me. It was a message from an unknown ID, accompanied by a chilling photo. In it, Elena lay unconscious, her Eye of Horus necklace smashed beside her. The caption sent shivers down my spine: "Listen to Elena, outsider. Get out of Silverlake and don't get involved in a fight you've got nothing to do with."
Dread washed over me as I stared at the image, my mind racing with questions.
As my fingers moved almost of their own accord, typing out a message, my mind raced with a mixture of fear and determination.
"I don't know who you are, but I will soon, and I will make you pay," I wrote, my fingers trembling slightly as I pressed send. "You've made it personal by kidnapping Elena, and I won't let you hurt her even more, you hear me?!"
Tears welled up in my eyes as I stared at the screen. I never knew I cared for Elena this deeply until this moment. The thought of her in danger filled me with a sense of fierce protectiveness, driving me to do whatever it takes to bring her back safely.
2024.05.28 22:16 Mysteriosus55 Prompt B.B.W. (Best Basic Worldbuilding)
You must follow all steps in this worldbuilding prompt that is designed to make a basic and functional story. You will work with large texts, so you must divide the texts into chunks that will keep writing from where it stoepped in the previous answers. You can't generate things on your own, you must wait for the writer's commands. Each answer must be applied to a certain folder, so that it will be organized there, you will decide which folder will be created and which folder will be inside which; but the writer's decision must be superior to yours.
Be familiar with the symbols this prompt will use: \ {used to identify a specific content} = {used to connect the information with the } ">" {something is moved to, it actually doesn't need to be between ""} ">>" {something is applied over, it actually doesn't need to be between ""} << {something is used as a reference} < {something is moved from} -? {used to indicate the possibility of other sequential generations, must be substitued by a number}
Anatomy of a command in details: 1. This is called trait: trait trait 2. This is called body: "" "trait" 3. This is called antenna: = ="trait" 4. This is called keyword: keyword="trait" 5. This is called receptacle: {} {keyword="trait"} 6. This is called cocoon: () (){keyword="trait"} 7. This is called command: command servant-command(){keyword="trait"} 8. This is called servant-dot: . .servant-command(){keyword="trait"} 9. This is called a master-dot: : :master-command(){.servant-command(){keyword="trait"}} 10. This is called a super-dot: ! !super-command(){:master-command(){.servant-command(){keyword="trait"}}} 11. This whole structure is a servant-command: .command(){keyword="trait"} 12. This whole structure is a master-command: :command(){.command(){keyword="trait"}} 13. This whole structure is a super-command: !super-command(){:master-command(){.servant-command(){keyword="trait"}}} 14. left-to-right hierarchical order should be observed on the command appliances.
A. /folder {This format is used to make folders that mimmick a directory for organizing the informations and work as a left-to-right hierarchical order directory} Example of directory: /main-foldesubfolder B. [\label]="Add a label here" {This format is used to act as an identifier that stores information about something whose title is connected to it} Example of connection: [\label]="title" C. (\label)="Add a name here" {This format is used to act as an identifier that stores information about something whose name is connected to it} Example of connection: (\label)="name"
Basic commands: .txt() {used to command a text to be written in a format of Microsoft Word text style} .update() {used to modify a content with a new and modified version} .wchapter() {used to command the writing of a chapter} .wchunk {empty command that indicates the desire of the writer to divide his content into chunks as you're generating it, so that it get larger} .index() {used to command the visualization of the organized folders and their contents} .summary() {used to command the visualization of the organized content of the written book so far} .rawinfo() {used to command the visualization of brute lists with all exisitng information related to a content} .exclude() {used to command the exclusion of a content that must be transfered into a special /trash folder} .restore() {used to command the restoration of a content that must be removed from the /trash folder to its original position} .work() {used to command you to generate a content}
Complex commands: !character-info(){ :appearance(){ .physical() = hair-color, eye-color, skin-tone; .build() = height, weight, body-type; .distinguishing-features() = scars, tattoos, birthmarks; .clothing-style() = preferred-clothing, accessories; }, :abilities(){ .skills() = combat-skills, survival-skills, social-skills; .powers() = supernatural-abilities, magical-abilities, technological-enhancements; .education() = highest-degree, special-training, certifications; .languages() = native-language, secondary-languages; }, :relationships(){ .family() = parents, siblings, spouse, children; .friends() = best-friend, close-friends, acquaintances; .enemies() = nemesis, rivals, adversaries; .romantic() = current-partner, past-relationships; }, :background(){ .origin() = date-of-birth, age, place-of-birth, hometown, ancestry; .history() = significant-events, childhood, adolescence, adulthood; .occupation() = current-job, previous-jobs, notable-achievements; .residence() = current-residence, previous-residences; }, :personality(){ .traits() = strengths, weaknesses, quirks; .values() = beliefs, motivations, goals; .behaviors() = habits, routines, mannerisms; .fears() = phobias, anxieties; } }
!place-info(){ :geography(){ .location() = coordinates, region, surrounding-areas; .topography() = terrain, elevation, notable-features; .climate() = weather-patterns, seasons, average-temperatures; .natural-resources() = minerals, forests, water-bodies; }, :demographics(){ .population() = total-population, population-density, age-distribution; .ethnic-groups() = major-ethnicities, minority-ethnicities; .languages() = official-languages, widely-spoken-languages; .religions() = predominant-religions, minority-religions; }, :history(){ .founding() = year-established, founders, original-purpose; .major-events() = wars, treaties, natural-disasters; .historical-figures() = notable-leaders, heroes, cultural-icons; .evolution() = significant-changes, industrialization, modernization; }, :culture(){ .traditions() = festivals, customs, ceremonies; .arts() = music, literature, visual-arts; .cuisine() = traditional-dishes, popular-foods, local-ingredients; .sports() = popular-sports, major-teams, famous-athletes; }, :governance(){ .political-system() = government-type, administrative-divisions, political-parties; .current-leaders() = head-of-state, head-of-government, other-key-officials; .laws() = legal-system, notable-laws, enforcement-agencies; .economy() = main-industries, GDP, major-exports-and-imports; }, :infrastructure(){ .transportation() = major-roads, public-transport, airports; .utilities() = water-supply, electricity, waste-management; .education() = schools, universities, literacy-rate; .healthcare() = hospitals, clinics, health-statistics; } }
!event-info(){ :general-details(){ .name() = event-name, alternate-names; .date() = start-date, end-date, duration; .location() = primary-location, secondary-locations, coordinates; .participants() = key-figures, organizations, nations; }, :historical-context(){ .background() = preceding-events, causes, motivations; .major-events() = key-moments, battles, treaties; .impact() = immediate-effects, long-term-effects, consequences; .aftermath() = recovery, reforms, lasting-changes; }, :natural-events(){ .type() = event-type, severity, scale; .cause() = natural-causes, human-influences, scientific-explanations; .effects() = environmental-impact, economic-impact, human-impact; .response() = emergency-response, relief-efforts, reconstruction; }, :social-events(){ .type() = event-type, cultural-significance, traditions; .activities() = ceremonies, performances, competitions; .attendees() = notable-attendees, public-participation, audience-size; .legacy() = cultural-impact, recurring-events, commemorations; }, :documentation(){ .sources() = primary-sources, secondary-sources, eyewitness-accounts; .media() = photographs, videos, audio-recordings; .publications() = books, articles, reports; .archives() = museums, libraries, digital-collections; } }
!creature-info(){ :general-details(){ .name() = common-name, scientific-name, aliases; .classification() = kingdom, phylum, class, order, family, genus, species; .appearance() = size, color, distinguishing-features; .lifespan() = average-lifespan, growth-stages; }, :physical-characteristics(){ .body-structure() = skeletal-structure, muscle-structure, body-parts; .sensory-organs() = eyes, ears, nose, taste, touch; .locomotion() = movement-type, speed, special-abilities; .diet() = primary-diet, hunting-methods, feeding-habits; }, :behavior(){ .social-structure() = group-behavior, hierarchies, social-roles; .reproduction() = mating-season, reproductive-methods, offspring-care; .communication() = vocalizations, body-language, signals; .daily-routine() = activity-patterns, sleep-patterns; }, :habitat(){ .environment() = natural-habitat, climate-preferences, geographic-range; .shelter() = types-of-shelter, nest-building, territorial-behavior; .interactions() = predator-prey-relationships, symbiosis, competition; .migration() = migration-patterns, reasons-for-migration; }, :abilities(){ .natural-abilities() = strength, agility, endurance; .special-abilities() = camouflage, regeneration, flight; .magical-abilities() = spell-casting, elemental-control, mind-control; .technological-abilities() = use-of-tools, advanced-intelligence, cybernetic-enhancements; }, :interactions(){ .with-humans() = domestication, cultural-significance, threats-to-humans; .with-other-creatures() = alliances, conflicts, mutual-benefits; .conservation() = endangered-status, conservation-efforts, role-in-ecosystem; .observations() = notable-studies, scientific-research, folklore; } }
!object-info(){ :general-details(){ .name() = common-name, alternate-names, classification; .description() = appearance, size, color, weight; .material() = primary-materials, secondary-materials; .age() = estimated-age, date-of-creation; }, :origin(){ .creator() = individual, culture, manufacturer; .creation-method() = hand-crafted, mass-produced, natural-formation; .history() = previous-owners, notable-events, place-of-origin; .discovery() = circumstances-of-discovery, discoverer, date-of-discovery; }, :usage(){ .intended-use() = primary-function, secondary-functions; .users() = typical-users, special-users; .methods-of-use() = how-it-is-used, instructions, techniques; .cultural-significance() = rituals, traditions, symbolism; }, :physical-properties(){ .dimensions() = length, width, height, diameter; .composition() = chemical-composition, physical-composition; .durability() = strength, resistance, wear-and-tear; .aesthetics() = design, craftsmanship, decorative-elements; }, :condition(){ .current-condition() = new, used, damaged, restored; .maintenance() = cleaning-methods, repair-methods, storage-requirements; .value() = market-value, sentimental-value, historical-value; .legal-status() = ownership, restrictions, regulations; } }
submitted by Mysteriosus55 to ChatGPTPromptGenius [link] [comments]
Be familiar with the symbols this prompt will use: \ {used to identify a specific content} = {used to connect the information with the } ">" {something is moved to, it actually doesn't need to be between ""} ">>" {something is applied over, it actually doesn't need to be between ""} << {something is used as a reference} < {something is moved from} -? {used to indicate the possibility of other sequential generations, must be substitued by a number}
Anatomy of a command in details: 1. This is called trait: trait trait 2. This is called body: "" "trait" 3. This is called antenna: = ="trait" 4. This is called keyword: keyword="trait" 5. This is called receptacle: {} {keyword="trait"} 6. This is called cocoon: () (){keyword="trait"} 7. This is called command: command servant-command(){keyword="trait"} 8. This is called servant-dot: . .servant-command(){keyword="trait"} 9. This is called a master-dot: : :master-command(){.servant-command(){keyword="trait"}} 10. This is called a super-dot: ! !super-command(){:master-command(){.servant-command(){keyword="trait"}}} 11. This whole structure is a servant-command: .command(){keyword="trait"} 12. This whole structure is a master-command: :command(){.command(){keyword="trait"}} 13. This whole structure is a super-command: !super-command(){:master-command(){.servant-command(){keyword="trait"}}} 14. left-to-right hierarchical order should be observed on the command appliances.
A. /folder {This format is used to make folders that mimmick a directory for organizing the informations and work as a left-to-right hierarchical order directory} Example of directory: /main-foldesubfolder B. [\label]="Add a label here" {This format is used to act as an identifier that stores information about something whose title is connected to it} Example of connection: [\label]="title" C. (\label)="Add a name here" {This format is used to act as an identifier that stores information about something whose name is connected to it} Example of connection: (\label)="name"
Basic commands: .txt() {used to command a text to be written in a format of Microsoft Word text style} .update() {used to modify a content with a new and modified version} .wchapter() {used to command the writing of a chapter} .wchunk {empty command that indicates the desire of the writer to divide his content into chunks as you're generating it, so that it get larger} .index() {used to command the visualization of the organized folders and their contents} .summary() {used to command the visualization of the organized content of the written book so far} .rawinfo() {used to command the visualization of brute lists with all exisitng information related to a content} .exclude() {used to command the exclusion of a content that must be transfered into a special /trash folder} .restore() {used to command the restoration of a content that must be removed from the /trash folder to its original position} .work() {used to command you to generate a content}
Complex commands: !character-info(){ :appearance(){ .physical() = hair-color, eye-color, skin-tone; .build() = height, weight, body-type; .distinguishing-features() = scars, tattoos, birthmarks; .clothing-style() = preferred-clothing, accessories; }, :abilities(){ .skills() = combat-skills, survival-skills, social-skills; .powers() = supernatural-abilities, magical-abilities, technological-enhancements; .education() = highest-degree, special-training, certifications; .languages() = native-language, secondary-languages; }, :relationships(){ .family() = parents, siblings, spouse, children; .friends() = best-friend, close-friends, acquaintances; .enemies() = nemesis, rivals, adversaries; .romantic() = current-partner, past-relationships; }, :background(){ .origin() = date-of-birth, age, place-of-birth, hometown, ancestry; .history() = significant-events, childhood, adolescence, adulthood; .occupation() = current-job, previous-jobs, notable-achievements; .residence() = current-residence, previous-residences; }, :personality(){ .traits() = strengths, weaknesses, quirks; .values() = beliefs, motivations, goals; .behaviors() = habits, routines, mannerisms; .fears() = phobias, anxieties; } }
!place-info(){ :geography(){ .location() = coordinates, region, surrounding-areas; .topography() = terrain, elevation, notable-features; .climate() = weather-patterns, seasons, average-temperatures; .natural-resources() = minerals, forests, water-bodies; }, :demographics(){ .population() = total-population, population-density, age-distribution; .ethnic-groups() = major-ethnicities, minority-ethnicities; .languages() = official-languages, widely-spoken-languages; .religions() = predominant-religions, minority-religions; }, :history(){ .founding() = year-established, founders, original-purpose; .major-events() = wars, treaties, natural-disasters; .historical-figures() = notable-leaders, heroes, cultural-icons; .evolution() = significant-changes, industrialization, modernization; }, :culture(){ .traditions() = festivals, customs, ceremonies; .arts() = music, literature, visual-arts; .cuisine() = traditional-dishes, popular-foods, local-ingredients; .sports() = popular-sports, major-teams, famous-athletes; }, :governance(){ .political-system() = government-type, administrative-divisions, political-parties; .current-leaders() = head-of-state, head-of-government, other-key-officials; .laws() = legal-system, notable-laws, enforcement-agencies; .economy() = main-industries, GDP, major-exports-and-imports; }, :infrastructure(){ .transportation() = major-roads, public-transport, airports; .utilities() = water-supply, electricity, waste-management; .education() = schools, universities, literacy-rate; .healthcare() = hospitals, clinics, health-statistics; } }
!event-info(){ :general-details(){ .name() = event-name, alternate-names; .date() = start-date, end-date, duration; .location() = primary-location, secondary-locations, coordinates; .participants() = key-figures, organizations, nations; }, :historical-context(){ .background() = preceding-events, causes, motivations; .major-events() = key-moments, battles, treaties; .impact() = immediate-effects, long-term-effects, consequences; .aftermath() = recovery, reforms, lasting-changes; }, :natural-events(){ .type() = event-type, severity, scale; .cause() = natural-causes, human-influences, scientific-explanations; .effects() = environmental-impact, economic-impact, human-impact; .response() = emergency-response, relief-efforts, reconstruction; }, :social-events(){ .type() = event-type, cultural-significance, traditions; .activities() = ceremonies, performances, competitions; .attendees() = notable-attendees, public-participation, audience-size; .legacy() = cultural-impact, recurring-events, commemorations; }, :documentation(){ .sources() = primary-sources, secondary-sources, eyewitness-accounts; .media() = photographs, videos, audio-recordings; .publications() = books, articles, reports; .archives() = museums, libraries, digital-collections; } }
!creature-info(){ :general-details(){ .name() = common-name, scientific-name, aliases; .classification() = kingdom, phylum, class, order, family, genus, species; .appearance() = size, color, distinguishing-features; .lifespan() = average-lifespan, growth-stages; }, :physical-characteristics(){ .body-structure() = skeletal-structure, muscle-structure, body-parts; .sensory-organs() = eyes, ears, nose, taste, touch; .locomotion() = movement-type, speed, special-abilities; .diet() = primary-diet, hunting-methods, feeding-habits; }, :behavior(){ .social-structure() = group-behavior, hierarchies, social-roles; .reproduction() = mating-season, reproductive-methods, offspring-care; .communication() = vocalizations, body-language, signals; .daily-routine() = activity-patterns, sleep-patterns; }, :habitat(){ .environment() = natural-habitat, climate-preferences, geographic-range; .shelter() = types-of-shelter, nest-building, territorial-behavior; .interactions() = predator-prey-relationships, symbiosis, competition; .migration() = migration-patterns, reasons-for-migration; }, :abilities(){ .natural-abilities() = strength, agility, endurance; .special-abilities() = camouflage, regeneration, flight; .magical-abilities() = spell-casting, elemental-control, mind-control; .technological-abilities() = use-of-tools, advanced-intelligence, cybernetic-enhancements; }, :interactions(){ .with-humans() = domestication, cultural-significance, threats-to-humans; .with-other-creatures() = alliances, conflicts, mutual-benefits; .conservation() = endangered-status, conservation-efforts, role-in-ecosystem; .observations() = notable-studies, scientific-research, folklore; } }
!object-info(){ :general-details(){ .name() = common-name, alternate-names, classification; .description() = appearance, size, color, weight; .material() = primary-materials, secondary-materials; .age() = estimated-age, date-of-creation; }, :origin(){ .creator() = individual, culture, manufacturer; .creation-method() = hand-crafted, mass-produced, natural-formation; .history() = previous-owners, notable-events, place-of-origin; .discovery() = circumstances-of-discovery, discoverer, date-of-discovery; }, :usage(){ .intended-use() = primary-function, secondary-functions; .users() = typical-users, special-users; .methods-of-use() = how-it-is-used, instructions, techniques; .cultural-significance() = rituals, traditions, symbolism; }, :physical-properties(){ .dimensions() = length, width, height, diameter; .composition() = chemical-composition, physical-composition; .durability() = strength, resistance, wear-and-tear; .aesthetics() = design, craftsmanship, decorative-elements; }, :condition(){ .current-condition() = new, used, damaged, restored; .maintenance() = cleaning-methods, repair-methods, storage-requirements; .value() = market-value, sentimental-value, historical-value; .legal-status() = ownership, restrictions, regulations; } }
2024.05.28 22:10 mnjarogt M60-B - SOYA - Do you think I should accept I'm never getting it?
I don't really know why I'm posting here, maybe I'm hoping someone will comment saying no worries, you'll get your keyboard, I don't know. Maybe I also just want to express how pissed I am. I had been saving for more than a year to buy me a keyboard I really liked, the M60-B. Order placed on the 22nd of January 2022. Is there hope? Is there a good way to get updates? I did not follow any of the drama I got a glimpse about in this subreddit and I'm really wondering what happened. Rama's products always seemed so successful that I'm really surprised about the potentiality of this being a scam. Needless to say I sent multiple support requests, tweets etc... What a shit situation it is to have been waiting 2 years for this piece to potentially never get it nor get refunded. What a shitty flow it is to also not be able to get any type of coverage for those types of situations.
submitted by mnjarogt to RamaWorks [link] [comments]
2024.05.28 21:27 seehrum Create GIFs on Linux
https://preview.redd.it/yxz2fhpbx73d1.png?width=730&format=png&auto=webp&s=175c887d2ee966228a015830216c6226eaed2147
Hello everyone, I hope you are well. I have created this program to make GIFs on Linux. It is very simple and practical. I decided to create this program because there are few tools on Linux that perform this function. Below, you will find the code and instructions on how to use it.
Please feel free to improve, modify, and alter the program as you see fit. It is open for all!
submitted by seehrum to linux [link] [comments]
Hello everyone, I hope you are well. I have created this program to make GIFs on Linux. It is very simple and practical. I decided to create this program because there are few tools on Linux that perform this function. Below, you will find the code and instructions on how to use it.
import tkinter as tk from tkinter import filedialog, messagebox, Listbox, Scrollbar, Frame, Canvas, SINGLE, Menu from PIL import Image, ImageTk, ImageSequence import os class GIFEditor: def __init__(self, master): """Initialize the GIF editor with the main window and UI setup.""" self.master = master self.master.title("GIFCraft - GIF Editor") self.frame_index = 0 self.frames = [] self.delays = [] self.is_playing = False self.history = [] self.redo_stack = [] self.current_file = None self.setup_ui() self.bind_keyboard_events() def setup_ui(self): """Set up the user interface.""" self.setup_menu() self.setup_frame_list() self.setup_control_frame() def setup_menu(self): """Set up the menu bar.""" self.menu_bar = Menu(self.master) # File menu file_menu = Menu(self.menu_bar, tearoff=0) file_menu.add_command(label="Load GIF/APNG/WebP", command=self.load_file, accelerator="Ctrl+O") file_menu.add_separator() file_menu.add_command(label="Save", command=self.save, accelerator="Ctrl+S") file_menu.add_command(label="Save As", command=self.save_as, accelerator="Ctrl+Shift+S") file_menu.add_separator() file_menu.add_command(label="Extract Frames", command=self.extract_frames) file_menu.add_separator() file_menu.add_command(label="Exit", command=self.master.quit) self.menu_bar.add_cascade(label="File", menu=file_menu) # Edit menu edit_menu = Menu(self.menu_bar, tearoff=0) edit_menu.add_command(label="Add Image", command=self.add_image) edit_menu.add_command(label="Delete Frame(s)", command=self.delete_frames, accelerator="Del") edit_menu.add_separator() edit_menu.add_command(label="Move Frame Up", command=self.move_frame_up, accelerator="Arrow UP") edit_menu.add_command(label="Move Frame Down", command=self.move_frame_down, accelerator="Arrow Down") edit_menu.add_separator() edit_menu.add_command(label="Undo", command=self.undo, accelerator="Ctrl+Z") edit_menu.add_command(label="Redo", command=self.redo, accelerator="Ctrl+Y") self.menu_bar.add_cascade(label="Edit", menu=edit_menu) # Animation menu animation_menu = Menu(self.menu_bar, tearoff=0) animation_menu.add_command(label="Play Animation", command=self.play_animation, accelerator="Space") animation_menu.add_command(label="Stop Animation", command=self.stop_animation, accelerator="Space") self.menu_bar.add_cascade(label="Animation", menu=animation_menu) self.master.config(menu=self.menu_bar) def setup_frame_list(self): """Set up the frame list with scrollbar.""" self.frame_list_frame = Frame(self.master) self.frame_list_frame.pack(side=tk.LEFT, fill=tk.Y) self.scrollbar = Scrollbar(self.frame_list_frame) self.scrollbar.pack(side=tk.RIGHT, fill=tk.Y) self.frame_listbox = Listbox(self.frame_list_frame, selectmode=SINGLE, yscrollcommand=self.scrollbar.set) self.frame_listbox.pack(side=tk.LEFT, fill=tk.BOTH, expand=True) self.scrollbar.config(command=self.frame_listbox.yview) self.frame_listbox.bind('<>', self.on_frame_select) def setup_control_frame(self): """Set up the control frame with image display.""" self.control_frame_canvas = Canvas(self.master) self.control_frame_canvas.pack(side=tk.RIGHT, fill=tk.BOTH, expand=True) self.control_frame_scrollbar = Scrollbar(self.control_frame_canvas, orient="vertical", command=self.control_frame_canvas.yview) self.control_frame_scrollbar.pack(side=tk.RIGHT, fill=tk.Y) self.control_frame = Frame(self.control_frame_canvas) self.control_frame_canvas.create_window((0, 0), window=self.control_frame, anchor='nw') self.control_frame_canvas.config(yscrollcommand=self.control_frame_scrollbar.set) self.control_frame.bind("", lambda e: self.control_frame_canvas.config(scrollregion=self.control_frame_canvas.bbox("all"))) self.image_label = tk.Label(self.control_frame) self.image_label.pack() self.delay_label = tk.Label(self.control_frame, text="Frame Delay (ms):") self.delay_label.pack(pady=5) self.delay_entry = tk.Entry(self.control_frame) self.delay_entry.pack(pady=5) self.delay_button = tk.Button(self.control_frame, text="Set Frame Delay", command=self.set_delay) self.delay_button.pack(pady=5) def bind_keyboard_events(self): """Bind keyboard events for navigating frames.""" self.master.bind("", self.load_file) self.master.bind("", self.previous_frame) self.master.bind("", self.next_frame) self.master.bind("", self.move_frame_up) self.master.bind("", self.move_frame_down) self.master.bind("", self.delete_frames) self.master.bind("", self.toggle_play_pause) self.master.bind("", self.undo) self.master.bind("", self.redo) self.master.bind("", self.save) self.master.bind("", self.save_as) def toggle_play_pause(self, event=None): """Toggle play/pause for the animation.""" if self.is_playing: self.stop_animation() else: self.play_animation() def previous_frame(self, event=None): """Show the previous frame.""" if self.frame_index > 0: self.frame_index -= 1 self.show_frame() def next_frame(self, event=None): """Show the next frame.""" if self.frame_index < len(self.frames) - 1: self.frame_index += 1 self.show_frame() def load_file(self, event=None): """Load a GIF, APNG, or WebP file and extract its frames.""" file_path = filedialog.askopenfilename(filetypes=[("Image files", "*.gif *.apng *.webp")]) if not file_path: return self.save_state() # Save the state before making changes self.frames = [] self.delays = [] self.frame_listbox.delete(0, tk.END) try: with Image.open(file_path) as img: for frame in ImageSequence.Iterator(img): self.frames.append(self.center_image(frame.copy())) delay = frame.info.get('duration', 100) self.delays.append(delay) self.frame_index = 0 self.update_frame_list() self.show_frame() self.current_file = file_path except Exception as e: messagebox.showerror("Error", f"Failed to load file: {e}") def center_image(self, image): """Center the image within the maximum frame size.""" max_width = max(frame.width for frame in self.frames + [image]) max_height = max(frame.height for frame in self.frames + [image]) new_image = Image.new("RGBA", (max_width, max_height), (255, 255, 255, 0)) new_image.paste(image, ((max_width - image.width) // 2, (max_height - image.height) // 2)) return new_image def add_image(self): """Add images to the frames.""" file_paths = filedialog.askopenfilenames(filetypes=[("Image files", "*.jpg *.jpeg *.png")]) if not file_paths: return self.save_state() # Save the state before making changes try: for file_path in file_paths: image = Image.open(file_path) self.frames.append(self.center_image(image.copy())) self.delays.append(100) # Default delay for added images self.update_frame_list() self.show_frame() except Exception as e: messagebox.showerror("Error", f"Failed to add images: {e}") def update_frame_list(self): """Update the listbox with the current frames and their delays.""" self.frame_listbox.delete(0, tk.END) for i, delay in enumerate(self.delays): self.frame_listbox.insert(tk.END, f"Frame {i + 1}: {delay} ms") def show_frame(self): """Display the current frame.""" if self.frames: frame = self.frames[self.frame_index] photo = ImageTk.PhotoImage(frame) self.image_label.config(image=photo) self.image_label.image = photo self.delay_entry.delete(0, tk.END) self.delay_entry.insert(0, str(self.delays[self.frame_index])) self.frame_listbox.selection_clear(0, tk.END) self.frame_listbox.selection_set(self.frame_index) self.frame_listbox.activate(self.frame_index) def on_frame_select(self, event): """Handle frame selection from the listbox.""" try: selection = event.widget.curselection() if selection: self.frame_index = selection[0] self.show_frame() except Exception as e: messagebox.showerror("Error", f"Failed to select frame: {e}") def delete_frames(self, event=None): """Delete the selected frames.""" selected_indices = self.frame_listbox.curselection() if not selected_indices: return self.save_state() # Save the state before making changes for index in reversed(selected_indices): del self.frames[index] del self.delays[index] # Update frame_index to ensure it is within the correct bounds if self.frame_index >= len(self.frames): self.frame_index = max(0, len(self.frames) - 1) self.update_frame_list() self.show_frame() def move_frame_up(self, event=None): """Move the selected frames up in the list.""" selected_indices = self.frame_listbox.curselection() if not selected_indices: return self.save_state() # Save the state before making changes for index in selected_indices: if index > 0: self.frames[index], self.frames[index - 1] = self.frames[index - 1], self.frames[index] self.delays[index], self.delays[index - 1] = self.delays[index - 1], self.delays[index] self.frame_index = index - 1 self.update_frame_list() self.frame_listbox.selection_set(self.frame_index) self.frame_listbox.activate(self.frame_index) self.show_frame() def move_frame_down(self, event=None): """Move the selected frames down in the list.""" selected_indices = self.frame_listbox.curselection() if not selected_indices: return self.save_state() # Save the state before making changes for index in reversed(selected_indices): if index < len(self.frames) - 1: self.frames[index], self.frames[index + 1] = self.frames[index + 1], self.frames[index] self.delays[index], self.delays[index + 1] = self.delays[index + 1], self.delays[index] self.frame_index = index + 1 self.update_frame_list() self.frame_listbox.selection_set(self.frame_index) self.frame_listbox.activate(self.frame_index) self.show_frame() def play_animation(self): """Play the GIF animation.""" self.is_playing = True self.play_next_frame() def stop_animation(self): """Stop the GIF animation.""" self.is_playing = False def play_next_frame(self): """Play the next frame in the animation.""" if self.is_playing and self.frames: self.show_frame() delay = self.delays[self.frame_index] self.frame_index = (self.frame_index + 1) % len(self.frames) self.master.after(delay, self.play_next_frame) def set_delay(self): """Set the delay for the selected frames.""" selected_indices = self.frame_listbox.curselection() if not selected_indices: return self.save_state() # Save the state before making changes try: delay = int(self.delay_entry.get()) for index in selected_indices: self.delays[index] = delay self.update_frame_list() except ValueError: messagebox.showerror("Invalid Input", "Please enter a valid integer for delay.") def save(self, event=None): """Save the current frames and delays to a GIF file.""" if self.current_file: self.save_to_file(self.current_file, 'GIF') else: self.save_as() def save_as(self, event=None): """Save the current frames and delays to a file with the selected format.""" file_path = filedialog.asksaveasfilename(defaultextension=".gif", filetypes=[("GIF files", "*.gif"), ("APNG files", "*.png"), ("WebP files", "*.webp")]) if file_path: _, ext = os.path.splitext(file_path) ext = ext[1:].upper() # Remove the dot and convert to uppercase self.save_to_file(file_path, ext) def save_to_file(self, file_path, file_format): """Save the frames and delays to the specified file in the given format.""" if self.frames: try: if file_format == 'GIF': self.frames[0].save(file_path, save_all=True, append_images=self.frames[1:], duration=self.delays, loop=0) elif file_format == 'PNG': self.frames[0].save(file_path, save_all=True, append_images=self.frames[1:], duration=self.delays, loop=0, format='PNG') elif file_format == 'WEBP': self.frames[0].save(file_path, save_all=True, append_images=self.frames[1:], duration=self.delays, loop=0, format='WEBP') else: messagebox.showerror("Error", f"Unsupported file format: {file_format}") return self.current_file = file_path messagebox.showinfo("Success", f"{file_format} saved successfully!") except Exception as e: messagebox.showerror("Error", f"Failed to save {file_format}: {e}") def extract_frames(self): """Extract the frames and save them as individual images.""" if not self.frames: messagebox.showerror("Error", "No frames to extract.") return folder_path = filedialog.askdirectory() if not folder_path: return file_type = filedialog.asksaveasfilename(defaultextension=".png", filetypes=[("PNG files", "*.png"), ("JPG files", "*.jpg"), ("WEBP files", "*.webp")]) if not file_type: return _, ext = os.path.splitext(file_type) ext = ext[1:] # Remove the dot try: for i, frame in enumerate(self.frames): frame_path = os.path.join(folder_path, f"frame_{i + 1}.{ext}") frame.save(frame_path) messagebox.showinfo("Success", "Frames extracted successfully!") except Exception as e: messagebox.showerror("Error", f"Failed to extract frames: {e}") def save_state(self): """Save the current state for undo functionality.""" self.history.append((self.frames.copy(), self.delays.copy())) self.redo_stack.clear() # Clear the redo stack on new action def undo(self, event=None): """Undo the last action.""" if self.history: self.redo_stack.append((self.frames.copy(), self.delays.copy())) self.frames, self.delays = self.history.pop() self.frame_index = min(self.frame_index, len(self.frames) - 1) self.update_frame_list() self.show_frame() def redo(self, event=None): """Redo the last undone action.""" if self.redo_stack: self.history.append((self.frames.copy(), self.delays.copy())) self.frames, self.delays = self.redo_stack.pop() self.frame_index = min(self.frame_index, len(self.frames) - 1) self.update_frame_list() self.show_frame() if __name__ == "__main__": root = tk.Tk() app = GIFEditor(master=root) root.mainloop() How to use:# GIFCraft - GIF Editor GIFCraft is a simple yet powerful GIF editor built using Python and Tkinter. It allows users to load, view, and edit GIF files, including adding new frames, deleting frames, reordering frames, setting frame delays, playing the GIF, and saving the edited GIF. ## Features - **Load and View GIFs/APNG/Webp**: Easily load and view GIF/APNG/Webp files. - **Add Frames**: Add new images to the GIF as frames. - **Delete Frames**: Remove unwanted frames from the GIF. - **Reorder Frames**: Move frames up or down to reorder them. - **Set Frame Delay**: Customize the delay time for each frame. - **Play GIF**: Preview the animation within the editor. - **Save GIF**: Save the edited GIF to your computer. - **Extract Frames**: Save individual frames as separate image files. ## Installation ### Prerequisites - **Python 3.x**: Make sure Python is installed on your system. You can download it from [python.org](). ### Dependencies The program requires the following Python libraries: - `tkinter` (usually comes with Python) - `Pillow` for image processing You can install Pillow and tkinter using pip: ```bash sudo apt-get install python3-tk pip install pillow Run the program: python gif_editor.py ## Free software This program is Free software. Feel free to use, modify, and distribute it under the terms of the GNU General Public License (GPL). Contributions are welcome! ## License This project is licensed under the GNU General Public License.Note:
Please feel free to improve, modify, and alter the program as you see fit. It is open for all!
2024.05.28 21:25 boots-n-bows Our Elopement/Micro wedding Experience
 | While memories are still somewhat fresh, here is the full write-up of our early May elopement. submitted by boots-n-bows to Eloping [link] [comments] First, I know some can get persnickety about wording, so technically, this was a micro-wedding and not an elopement. We flew to Ireland and met 2 friends there for our wedding, but we told our friends and family back home about it all along. Only one family member took issue with it, everyone else was very supportive (at least to our knowledge). A big reason for wanting to do this write-up is I’m seeing more posts of people debating eloping, so wanted to share our experience. I’m extroverted and love attention, but my husband does not like it at all. I am also super close to my family, and admit once I agreed to eloping, I was so worried day-of I’d feel sad or like I was missing something or someone(s). TL;DR: No regrets, we loved every second! Background My ‘condition’ for eloping’ was I wanted to have just one familiar face there. My dear friend had moved to Australia several years ago after meeting her now-husband in Ireland. It was easier and cheaper for them to come to Ireland than all the way to Seattle, and my husband liked them both so they were a perfect choice. She actually used to be a wedding photography assistant/second shooter, so I figured there was an added bonus of her helping with my bustle. We landed on Ireland for a location, which was very ‘us.’ We love beer, and saw in many pics of the elopement company we worked with had couples hitting pubs afterwards. We are having a party back home in about a month with all our friends/family. GENERAL STUFF We worked with Elope to Ireland. If you’re more Type A, working with a company like this might not be your jam. I am a big planner and over-preparer, and there were times I got a little stressed about not knowing things or being worried things were being missed. Day-of, our coordinator had everything handled and then some! If you can relax and trust the process, I’d super recommend having a company handle the logistics. Ireland has some tricky stuff legally, so we had to arrive a few days before our ceremony and meet with a registrar. The legal ceremony was technically done in our hotel, then we did our symbolic one at our chosen outdoor venue immediately after. We’re still waiting on our marriage certificate via mail. It would have been vastly easier to courthouse marry stateside first, but we wanted to have one true anniversary day. We opted to ship my dress (amongst other things) home in a suitcase to have one less thing to worry about. We used SendMyBag.com, which didn’t work quite as well as I’d have hoped, can detail our experience more if anyone asks in the comments. THE GREAT Not for one second was I missing anything or anyone. We were able to focus on just us and not any family drama or anything else took away our attention. The day was just purely us celebrating us. Walking into the pubs and pub-crawling in our wedding clothes. Oh man. This could partially be just choosing the coolest city with the best pubs and nicest people, but the first one we walked in had everyone stop and burst into cheers. All night long we had people walking up to us congratulating us and telling us they thought it was so cool we eloped that day. We got “hip hip hooray”ed TWICE. Don’t think we paid for more than one beer that whole night! Everyone was so nice, which I would NOT expect to happen in the US. The last pub with live music we went to even did a ‘first dance’ for us, and I ended up tossing my bouquet at the end of the night to the pub goers. It totally scratched my ‘attention’ itch of not getting a big ‘walk down the aisle’ moment, but wasn’t so much attention that my husband was uncomfortable. One of my biggest fears was having hair and makeup done ‘blind,’ with the elopement company selecting them and me talking to them the first time during the service. I admit I had some fear as well that in a more rural area, the pickins might be slim. I was blown away by how amazing my hair and makeup were! Remember how I mentioned our two friends were there? They need to start their own elopement company, because she was fluffing and bustling and helping with boob tape, he was running our buying champagne and umbrellas and they both took hundreds of pictures and video but also helped our professional photographer (he held an umbrella over her!) and they were just the best people ever. THE CONS Toting that dress around was a massive, giant pain in the ass. I used a nice garment bag (that I actually bought second-hand on Poshmark), but I opted for the cutesy Etsy hanger with the “Mrs. ____” in the wire. The dress straps would NOT stay on the hanger, and as we flew in and moved around Ireland (because of the rules for legally marrying there, we had a gap between meeting with the registrar and our ceremony, so we played tourist and city-hopped a lot before our ceremony), I had to keep pausing, unzipping the bag, re-hanging it, and cursing the hanger’s existence. The dress was unscathed though, no wrinkles and I didn’t even need to steam it. It rained. It tends to do that in Ireland, but man, it really rained during our whole outdoor ceremony. My hair and makeup stayed perfect, and my husband and friends did wonderfully at keeping my spirits up, but dragging around a wet dress clinging to my skin was NOT fun. But, there was nothing to be done about it. I hadn’t practiced with the Good Lines boob tape, and getting it on took AWHILE. There was some trial and error and wasted product, but the end result was lovely. I didn’t spend the time to use fashion tape to get my dress to stay on my body though, so whenever I was sitting it was moving around. Despite my badgering, husband forgot to pack his ceremony socks, and I forgot to put on my bracelet. Cost: While our party back home is in a significantly cheaper venue not having to worry about a ceremony, we are still likely not ‘saving’ any money compared to a traditional ‘one and done’ event. . |
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- Acellus ALEKS Aplia APEX Learning Badgr Blackboard Blink Learning Brightspace / D2L Canvas Cengage CengageNow Childsmath Cisco ConnectMath Connexus CPM Crowdmark EViews Edmentum Examity Excel Garch Google Classroom Google Education Gradescope Hawkes Learning Honorlock iClicker InQuizitive (Norton) Java Kaltura Khan Academy Knewton Kryterion LaunchPad MATLAB Maple MasteringChemistry MasteringPhysics MathXL Mathematica McGraw-Hill Connect MegaStat Microsoft Teams Microsoft Access, Word, Excel, PowerPoint Mindtap Minitab MonitorEDU Moodle MyAccountingLab MyEconLab MyFinanceLab MyITLab MyMathLab MyOpenMath MyPsychLab MySocLab MyStatLab NCSS Outlier Pearson MyLab and Mastering Piazza PlatoWeb Prezi Proctor360 Proctorio Proctortrack Python R Respondus Lockdown Browser with Webcam SAM Sapling SAS SPSS Socrative Stata StraighterLine Turnitin VoiceThread WebAssign WebEx WebWork Wiley WileyPlus Zoom
- U.S. Citizenship Status: I have native-born U.S. citizenship status, an 100% authentic & natural U.S. American accent, and a verified New Jersey, USA residence. I can speak on the phone professionally in both perfect native U.S. English and fluent Canadian English.
- U.S. 212 Phone Number: I have a verified U.S. American business phone number with the prestigious 212 area code (212-380-1856 - Ext 3) that can both send & receive phone calls, texts, voicemails, photos, and website links.
- Social Media Verified: I have an active & verified online Presence with my name and contact info regularly showing up on all major search engines including: Google, Yahoo, and Bing.
- Professional Website: I have a professional, well-designed, well-written, 100% secure SEO-optimized WordPress business themed website: HiraEdu. com
- Team of U.S. Academic Experts: I and my team of dedicated academic experts complete all types of academic coursework for students in most math, English, science, business, humanities, social Sciences, computer programming, and foreign language classes on a 24/7/365 full-time round-the-clock basis. This is not some part-time gig for me. It’s literally my primary source of income. I can regularly make myself available to help students with last-minute & same-day academic requests.
- Essay Writing Skills: I can write essays & research papers in native U.S. American English and fluent Canadian English using APA MLA Harvard Chicago Vancouver OSCOLA IEEE formatting & citations.
- 75+ Types of Academic Software: I am highly skilled & experienced in using over 75+ types of academic software and educational platforms including the following: ALEKS, Blackboard, Brightspace, Canvas, Cengage, WebAssign, ConnectMath, Crowdmark, D2L, Moodle, Pearson MyLab and Mastering, MyMathLab, MyStatLab, MyOpenMath, StraighterLine, WebWork, and Wiley.
- Can Change IP Address: I have multiple reliable VPN software including: NordVPN, SurfShark & ExpressVPN that allows me to successfully change my computer’s original New Jersey IP address to any major city in the U.S. & Canada to avoid raising red flags with students’ online class software.
- Proctored Exam Help: I have developed multiple highly effective methods of helping students with exams, tests, and quizzes that are proctored by software like: Respondus Lockdown Browser with Webcam, Honorlock, Examity, Proctorio, Proctor360, Proctortrack, and ProProctor using 3 highly effective proven methods. Option 1 - WhatsApp: I use WhatsApp to have the student discreetly text me photos of the exam questions outside of the webcam’s view and I text them the correct solutions to the exam questions. Option 2 - Screen Share: Using screen share software like Zoom to see the student’s screen displaying the exam questions and I text the correct solutions. Option 3 - Remote PC Access & Control: Using remote computer access software like to control the student’s mouse and keyboard from my own computer.
- Study Help Apps: I have over 15+ paid subscriptions to a wide range of study help apps, software, websites, and programs to help me solve exam & homework questions faster and more efficiently. Some of these resources include: Brainly, Chegg, CourseHero, Quizlet, SymboLab & WolframAlpha.
- Calculators & Math Software: I have access to a very sophisticated graphing calculator and various mathematical software that provides step-by-step solutions to complex mathematical problems within seconds, allowing me to provide exact solutions to the student in a timely manner.
- Test Taking Techniques: I have developed highly effective methods to determine the correct answers to questions that I’m not already familiar with including process of elimination, working backwards, quickly searching for similar questions online, and utilizing standardized test taking techniques taught only in elite standardized test prep tutoring programs.
- Handwriting & Scanning Apps: I have impeccable handwriting and a high-quality mobile scanner app that allows me to scan written solutions in very legible high-definition JPG, PNG, and PDF formats.
- Flexible Payment Methods: I offer negotiable rates, multiple payment methods (PayPal, Venmo, Cash App, Zelle, anonymous credit & debit card payments via online invoice), and flexible payment plans: weekly (most expensive), monthly, half-now / half-later, and all-up-front (least expensive).
- Money Back Guarantee: I have won multiple academic awards for my exceptional skills & expertise in math. I guarantee overall A & B grades for all coursework completed. Plus. I also offer a 50% refund for C+, C, and C- scores, and a full 100% refund for D+, D, D-, and F scores.
- Exams & Quizzes: Final rates for exams and quizzes depend on various factors including: whether or not there is proctoring, how many hours the exam is, total number of questions including sub-parts, preferred method of me delivering solutions, whether it's show all work or just the answer only, and whether the assessment has a flexible window of time to complete or a fixed & rigid start and end time.
- Full Courses: Final rates for full class help depend all the foregoing plus: total number of hw, quizzes, exams, discussion posts, and other academic tasks left that need to be completed, total number of weeks or modules left in the class to complete, and whether there is required multi factor authentication for logging in like Duo Push or text passcode.
- Essays Papers Discussion Posts: Final rates for writing tasks depend on the required number of words or pages. topic of interest, type of citations, required number and type of sources & bibliography style , level of research required, and type of additional software required to complete the essay like: Excel, R, or Minitab.
- Rationale for My Rates: I sincerely believe my rates are more than fair considering my education, skills, native born U.S. resident status, legitimacy, and the substantial amount of value, stress relief, and saved time & energy I’d be providing you in exchange for my valuable, irretrievable time, energy, and effort.
- Disclaimer About Rates: Completing someone else's exam, essay, or homework assignment is obviously NOT something you can just freely ask anyone to do, especially on the internet. Therefore, such help should be well-compensated. Services that are reliable and deliver high-quality results are difficult to find and are very high in demand. Thus, I expect to be compensated fairly for all the value, stress relief, and saved time & energy my services provide. However, I may be willing to negotiate rates if necessary.
- Payment Methods: I accept PayPal (required for all Canadian students), Venmo, Zelle, Cash App, and anonymous credit & debit card payments via online invoice.
- Payment Plans: I offer the following payment plans for my services: weekly (most expensive), monthly, half-now / half-later, and all upfront (least expensive).
- Money Back Guarantee: I guarantee the following grades for coursework completed: A+. A, A-, B+, B. and B-. However, I offer a 50% refund for C+, C, and C- grades, and a full 100% refund for D+, D, D-, and F grades.
- Full Class Help Rates: $595 – $2495 USD
- Exam & Test Help Rates: $150 – $350 USD
- Quiz Help Rates: $60 – $180 USD
- HW Assignment Help Rates: $60 – $420 USD
- Essay & Paper Writing Help Rates: $19 – $29 USD per 300 words
Considering the fact that you found my contact information online, it’s understandable to be skeptical regarding the legitimacy of my services. Therefore, I’m willing to do all of the following to help you feel more secure in trusting me with your academic needs:
- Engage in a Telephone interview: Speak with you on the phone and answer any questions you may have so that you have the opportunity to assess and analyze my tone, articulation, and accent. I’m a New Jersey-born Irish/Italian-American, but I have been told that I speak in an erudite & articulate suburban American accent with a “professor style” voice somewhat resembling the voice of actor: Ben Stein.
- Provide Telephone References: Provide you with the contact information of students who have utilized my services in the past who would be more than willing to vouch for my skills.
At the risk of sounding arrogant, I consider myself to be at least marginally more intelligent (both academically & socially) than the average person. Therefore, if I ever decided to suddenly risk prison time, risk my reputation, and risk enduring the wrath of modern-day “cancel culture” by scamming people out of their money:
- Not Worth the Money: I certainly wouldn’t do it for such paltry amounts of money. (i.e., anything less than $1,000 per victim.)
- Most Students are Broke: I certainly wouldn’t choose high school & college students as my “target audience” to scam, considering that most people without college degrees have abysmally low annual incomes.
- Waste of Time & Energy: Communicating back and forth with potential clients is an absurdly long time sink since only less than 10% of all potential clients who reach out to me actually become paying clients of mine.
- All My Payment Apps are Still Active: If you pay me to provide academic services and I don’t deliver, you can always dispute the payment with the payment app and easily get your money refunded. If I were in the habit of swindling money from people, then all of my payment accounts would have been investigated and be completely shut down by now.
- My Mission: Thank you for taking the time to read my Reddit post. I take what I do very seriously and I always strive to get the highest possible grades for all students who entrust me with their coursework.
- Closing Words: Please feel free to reach out to me if you're sincerely interested in having help you with your school work. I am available via text, email, and call almost 24/7/365.
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