I had just started TikTok affiliate and 2-3 videos promoting products and I wonder if its time for me to started getting samples since I already have 8k+ followers, then I keep getting rejected or not getting a response.
Is it that my sales are low or I jusr got started? Can you drop a tip in the comments please.

About feather64
feather64 has been operating since 2011.
F64 is a Raiding-Survival server with very little moderation. Raiding and griefing are allowed. On feather64 you cannot protect/claim land. Lapis is used as a currency. Players can sethome and tpa. Play your way on feather64. Grief & raid, hide & collect, travel & explore, automate & farm, enchant & pvp, design & construct, it's up to you.
Rules

1. Do not use hacks, macros, or mods beyond the Permitted Modifications Guide.
   
2. Do not use duplication exploits except TNT, rail, carpet, string, and tripwire hooks.
   
3. Follow the directions of administrators and moderators.
   

Rule details available on our website: feather64.net.
Community
Most of our active players are located in North America however all are welcome. Many of our players are friendly and supportive however because we provide very limited moderation, you may find some toxic players. You are able to use type "/ignore " for anyone that bothers you.
We have an active Discord server for feather64. Discord is where we give out important information about the server. You'll find voice channels with active players and text channels with memes etc. If you join the Minecraft server and decide to stick around, please join the discord. INVITE LINK You will not be able to send messages or join voice channels on the discord server until you link your Minecraft account to your Discord account.
Information
No Staff Nonsense Environment
IP: feather64.net
Website: feather64.net
Version: 1.20.2
Difficulty: Hard
Jar: purpur
Server Features

• Teleportation - You are able to teleport to a few warps ^{/warp, /warp} , spawn ^/spawn, a private home location set by you ^{/sethome, /home}, and other players if they accept ^/tpa .
  
• World - The world generation is default vanilla.
  
• The End - The End resets on the 1st of every month. The reset occurs at 6"00 PM ^ET. This makes The End a very poor choice for a base location.
  
• Spawners - All players are able to collect spawners by mining them with a silk touch enchanted pickaxe.
  
• Discord - As mentioned above, discord is the main source of server information and keeps our players connected. Please link your Discord by typing "/discord link" on the Minecraft server.
  

If you have any questions please comment below or contact Zerek through Discord INVITE LINK.

This is going to sound very odd and if you are here to judge than you can go ahead and leave, anyways thanks to anyone who reads this and responds.
For the sake of my and her privacy I will give her the name “Mandy” and me the name “Jack”
3 years ago I was a 17 year old kid in the mix of Covid trying to get girls attention, I ended up on discord, I had a year long relationship with a girl named Sophia, and we just broke up, I was devastated, I could not eat, drink, sleep, anything. But I got through it, through this girl I met a guy named Sam, Sam has been one of the best friends of my life, a few weeks after the breakup Sam introduced me to Mandy, Mandy and me clicked immediately, it was like we knew each other forever yet we knew nothing about another, Mandy is the most loving, compassionate, caring, worrying, mom mode, pretty, smart, funny girl I have ever me, and I was simply drawn to her. We stared texting everyday and from that point to now I am haven’t gone more than a week without texting. Mandy is from Denver CO, and I am from Charlotte North Carolina.
This is where things get crazy. We fell in love, or so we thought in summer 2022, but we only lasted 3 months. We decided for each others mental health and sleep schedule (2 hour time zone difference) that we would go back to being best friends, at this point we were incredibly close. And we stay close and she doesn’t date anyone for a long time, summer 2023 roles around, I am 19 and she is 18, I fly by myself since I am of age to fly alone, with the help of both our parents I visited her for a week. Before, then, I genuinely have never felt so in love with anyone my whole entire life. I have severe ADHD, I was so shy when I first saw her when I got off my flight, I didn’t hug her, smile, nothing, I was numb. She gave me a giant bear hug that kind of woke me up out of it. I still regret not hugging her back, we leave the airport and go to McDonalds, and jus like over text and FaceTime we clicked, once I got out of my shell it’s like I’ve lived near her my entire life. She was so stunning. We both smiled at each other 24/7 all day everyday. We effortlessly made eachother laugh, and it was perfect.
Fast forward to now and I think it’s clear I will never stop loving this girl. She admitted to me that I am her soulmate that she can’t be with because it just wouldn’t work. She tells me she loves me every night when I go to bed, she always makes sure that I tell her when I get home from places, and I do the same, I deeply feel loved by this girl, I didn’t mention it before but I will now, Mandy is the most mature girl I have ever met for her age, it’s insane. She’s the type of girl that if anything bad happens type of girl that if anything bad happened to her to her I would fly there and be by her bed all day everyday as long as she’s there I’m there.
I plan fly there again in July and stay for another week, this time around, I’m giving her the bear hug, I cannot wait to see her, she calls me her rock, and she is my rock.
So here’s the question, what do I do from here?
I want to spend the rest of my life by her side, but I don’t know if I can, I would move across the country for her in a heart beat.
I want to reinforce to you all how strong our bond and relationship is. I know I can only write so much but I’m closer to this girl than my brothers and sisters.
I love her enough to know that I want her to be happy above all, and if that means not being with her and watching another man marry her than I can live with that. But I’ll never, ever love another woman like I love Mandy.
Every guy she’s dated has broke her heart. Every girl that I have dated have broken mine. But she is always right there by my side. And I will never be able to thank her enough for that. She is the one who got me through my teenage years without losing control. And I could say the same for her as well.
I turn 21 in October and she turns 20, 19 days after I turn 21.
Thank you to those who read all the way through. And I am open to absolutely any advice or conversation anyone would like to give me.
—-
TL;DR;: This is a sample summary of the TLDR rule, all things are bold. Is this going the right way?
To summarize she is perfect in my eyes and I want to be with her but don’t think I can, we have been best friends for years and I would like advice on what to do.

Hi
My previous post was removed due to code formatting problem.
I hope previous person who helped me on my previous post to help me again.
Thank you for your help.
I am quite new to Ahk. Below is the script found in Reddit Although I am able to create multi level menu after read Ahk documentation sample https://www.autohotkey.com/docs/v1/lib/Menu.htm#Examples
However the method used in below script is totally different from Ahk official documentation sample.
I want to do 2 things 1) How to Add another level for Menu1 ? 2) How to link action to the menu items ?

Menus :=

( LTrim Join Comments

{

"Menu1": {

"Title": "Notes",

"SubMenus": "New,Open...,Save,Save As...,,Page Setup...,Print...,,Exit",

"Icon":"",

"IconSize": ""

},

"Menu2": {

"Title": "Text Manipulation",

"SubMenus": "Undo,,Cut,Copy,Paste,Delete",

"Icon": A_WinDir . "\system32\notepad.exe",

"IconSize": "32"

},

"Menu3":{

"Title": "Format",

"SubMenus": "Font,Word Wrap",

"Icon":"",

"IconSize": ""

},

"Menu4":{

"Title": "View",

"SubMenus": "Zoom,StatusBar",

"Icon":"",

"IconSize": "32"

},

"Menu5":{

"Title": "Help",

"SubMenus": "",

"Icon":"C:\Windows\HelpPane.exe",

"IconSize": "32"

}

}

)

new ContextMenu(Menus)

ContextMenu.MenuShow()

Exit

MenuHandler(MenuTitle) {

MsgBox % "User Has Clicked Menu Item: " MenuTitle

}

Class ContextMenu

{

__New(Menus){

Static

this.Menus := Menus

This.CreateMenu()

}

CreateMenu() {

Static

; Use ObjBindMethod if the MenuHandler resides within the Class

BoundFunc := "MenuHandler" ; BoundFunc := ObjBindMethod(this,"MenuHandler")

For each, Item in this.Menus {

If (This.Menus[each]["SubMenus"] != "") {

Array := StrSplit(This.Menus[each]["SubMenus"] , ",")

Loop % Array.Length() {

Menu, % each, Add, % Array[A_Index], % BoundFunc

}

}

}

For each, Item in this.Menus {

If (This.Menus[each]["SubMenus"] != "")

Menu, % "ContextMenu", Add, % This.Menus[each]["Title"], % ":" . each

Else

Menu, % "ContextMenu", Add, % This.Menus[each]["Title"], % BoundFunc

}

For each, Item in this.Menus {

MenuName := this.Menus[each]["Title"]

IconPath := this.Menus[each]["Icon"]

IconSize := this.Menus[each]["IconSize"]

if (MenuName != "") and (IconPath != "")

This.AddIcon(MenuName,IconPath,IconSize)

}

}

AddIcon(MenuName,IconPath,IconSize){

Menu, % "ContextMenu", Icon, % MenuName, % IconPath,, % IconSize

}

MenuShow(){

Menu, ContextMenu, Show

}

}

When it comes to music players, most people expect to listen to full tracks from start to finish. So why would we introduce a feature that allows random play and start times? Arcade Convoy Radio is here to challenge the norm and offer a fresh approach to how you experience music, especially while gaming.
1. Maintaining High Energy Levels:
Traditional music players can sometimes get monotonous, but Arcade Convoy Radio keeps the energy high. By randomly starting and stopping songs, it creates the feel of a dynamic, fast-paced arcade environment, keeping your listening experience exhilarating and unpredictable—ideal for those intense gaming sessions.
2. Discover Hidden Gems:
Random play and start times allow you to sample a broader range of your music library in a shorter span. With a vast collection of tracks, this feature increases the opportunity to encounter different songs, rhythms, and snippets that might otherwise get lost in the shuffle. It’s a fantastic way to uncover new favorites and appreciate parts of songs you might have skipped over or forgotten.
3. Reducing Monotony:
Listening to entire tracks of game music can sometimes feel repetitive, especially since these tracks often lack lyrics and are designed to loop. After about a minute, you’ve likely heard the core elements of the song. Random play times inject variety, breaking the continuity and allowing you to enjoy a constantly evolving soundtrack. Game music is meant to be catchy, so even short, random segments will likely be engaging and enjoyable.
4. Maintaining Musical Freshness in Gaming:
Games with limited tracks can become repetitive, often making the music one of the main focuses during play. Random play and start times provide refreshing bursts of variety, ensuring your audio experience stays engaging and dynamic. This approach keeps the music interesting and prevents it from becoming monotonous, even when it takes center stage during gameplay.
5. Seamless Transitions:
Arcade Convoy Radio utilizes cross-fading between songs to ensure smooth transitions, even with random start and stop points. This keeps the flow uninterrupted and avoids the jarring stops and starts you might expect.
6. Highly Customizable:
Not a fan of too much randomness? No problem. The player allows you to set minimum and maximum play times, giving you control over how much of each song you hear. Tailor the experience to your liking and find the balance that works best for you.

Experience Music in a New Way:

Arcade Convoy Radio pushes the boundaries of traditional music listening with its unique random play and start times. Dive into a varied, exciting, and dynamic audio journey that perfectly complements the thrill of gaming.
Embrace the unexpected—your next favorite musical moment could be just a random play away!

Introduction

The Moschitta Framework is a cutting-edge, modular, and asynchronous Python framework designed for modern application development². While Python is great for rapid development, certain performance-critical components can benefit from Rust's memory safety, concurrency, and low-level control. In this guide, we'll explore how to create a Rust library that complements the moschitta-core module.

Why Rust?

• Memory Safety: Rust's ownership model ensures memory safety without a garbage collector. This is crucial for robust and secure code.
• Concurrency: Rust's lightweight threads (async tasks) allow efficient concurrent programming.
• Performance: Rust provides zero-cost abstractions and efficient memory management.

Creating the Rust Library

Step 1: Set Up Your Rust Project

1. Install Rust by following the instructions on the official Rust website.
2. Create a new Rust project: bash cargo new moschitta_rust_lib cd moschitta_rust_lib

Step 2: Define Structs

In Rust, we'll use structs to create custom data types. These will serve as the basis for our functions. Let's define some example structs:
```rust // src/lib.rs
pub struct AuthService { secret_key: String, }
impl AuthService { pub fn new(secret_key: &str) -> Self { Self { secret_key: secret_key.to_string(), } }

pub fn start(&self) { println!("AuthService started with secret key: {}", self.secret_key); } pub fn stop(&self) { println!("AuthService stopped"); } 

}
pub struct JwtUtils { // Add fields relevant to JWT handling }
impl JwtUtils { pub fn generate_token(&self, user_id: u64) -> String { // Implement JWT token generation logic // ... "sample_token".to_string() } } ```

Step 3: Implement Functions

1. AuthService:
   
   • new(secret_key: &str): Creates a new AuthService instance.
   • start(): Starts the authentication service.
   • stop(): Stops the authentication service.
2. JwtUtils:
   
   • generate_token(user_id: u64) -> String: Generates a JWT token for a given user ID.

Step 4: Build and Test

1. Build your Rust library: bash cargo build
2. Write tests for your functions in the tests directory.

Step 5: Python Bindings

To use your Rust library in Python, create Python bindings using the pyo3 crate. Add the following to your Cargo.toml:
toml [dependencies] pyo3 = { version = "0.15", features = ["extension-module"] }
Then, create a Python module in src/lib.rs:
```rust // src/lib.rs
use pyo3::prelude::*;

[pymodule]

fn moschitta_rust_lib(_py: Python, m: &PyModule) -> PyResult<()> { m.add_class::()?; m.add_class::()?; Ok(()) } ```

Step 6: Use in Python

1. Build your Python extension module: bash cargo build --release
2. Import your Rust library in Python: ```python import moschitta_rust_lib
   auth_service = moschitta_rust_lib.AuthService("my_secret_key") auth_service.start() ```
   

Conclusion

By integrating Rust into the Moschitta Framework, the framework can achieve better performance, memory safety, and concurrency.
Feel free to customize the Rust structs and functions according to your specific needs. Remember to adapt the examples to the actual functionality you want to implement.
Note: This post assumes basic familiarity with Rust and Python. If you're new to Rust, check out the official Rust book.
Source: Conversation with Copilot, 6/2/2024 (1) Overview of the Moschitta Framework : MoschittaFramework - Reddit. https://www.reddit.com/MoschittaFramework/comments/1cv9rloverview_of_the_moschitta_framework/. (2) Interaction of moschitta-core with Other Moschitta Modules. https://www.reddit.com/MoschittaFramework/comments/1cyx3mf/interaction_of_moschittacore_with_other_moschitta/. (3) Moschitta Framework Module Proposal Template : MoschittaFramework. https://www.reddit.com/MoschittaFramework/comments/1cz16g0/moschitta_framework_module_proposal_template/.

I'm trying to implement proximity chat using Pun 2 voice. I followed the tutorial
https://youtu.be/yjUltw6eypQ?si=hRr5aFZbOVRDZ0YI
But I have these errors:
[Warning] [Recorder] [PhotonVoiceManager] [PV] MicWrapper: microphone does not support suggested frequency 48000 (min: 44100, max: 44100). Setting to 44100
[Warning] [PunVoiceClient] [PhotonVoiceManager] [PV] Local voice #2 audio source frequency 44100 and encoder sampling rate 48000 do not match. Resampling will occur before encoding (FramerResampler, interp).
The mic ends up not working, how could I fix this?

Just bought a new Framework 13 with an AMD chip in it, and installed Kubuntu 24.04 on it. Downloaded the AppImage from GitHub, but when executing, it won't get past the loading screen. If I run from the terminal, I get this output to stdout:

me@framework-13:~/Downloads$ ./FreeCAD-0.21.2-Linux-x86_64.AppImage FreeCAD 0.21.2, Libs: 0.21.2R33771 (Git) © Juergen Riegel, Werner Mayer, Yorik van Havre and others 2001-2023 FreeCAD is free and open-source software licensed under the terms of LGPL2+ license. FreeCAD wouldn't be possible without FreeCAD community. ##### #### ### #### # # # # # # # ## #### #### # # # # # #### # # # # # # # ##### # # # # #### #### # # # # # # # # # # # # # # ## ## ## # # #### #### ### # # #### ## ## ## MESA-LOADER: failed to open radeonsi: /uslib/dri/radeonsi_dri.so: cannot open shared object file: No such file or directory (search paths /uslib/x86_64-linux-gnu/dri:\$${ORIGIN}/dri:/uslib/dri, suffix _dri) failed to load driver: radeonsi MESA-LOADER: failed to open radeonsi: /uslib/dri/radeonsi_dri.so: cannot open shared object file: No such file or directory (search paths /uslib/x86_64-linux-gnu/dri:\$${ORIGIN}/dri:/uslib/dri, suffix _dri) failed to load driver: radeonsi MESA-LOADER: failed to open swrast: /uslib/dri/swrast_dri.so: cannot open shared object file: No such file or directory (search paths /uslib/x86_64-linux-gnu/dri:\$${ORIGIN}/dri:/uslib/dri, suffix _dri) WebEngineContext used before QtWebEngine::initialize() or OpenGL context creation failed. QGLXContext: Failed to create dummy context Failed to create OpenGL context for format QSurfaceFormat(version 2.0, options QFlags(), depthBufferSize 24, redBufferSize -1, greenBufferSize -1, blueBufferSize -1, alphaBufferSize -1, stencilBufferSize 8, samples 0, swapBehavior QSurfaceFormat::DefaultSwapBehavior, swapInterval 1, colorSpace QSurfaceFormat::DefaultColorSpace, profile QSurfaceFormat::NoProfile) 

I checked /uslib/x86_64-linux-gnu/dri and I see radeonsi_dri is there in my system. So I don't know why the AppImage can't find it? Or is it missing from the AppImage itself? Does anyone know how to fix this?

So to gather more information and build confidence in previous hypothesis/assumptions, I'm running the test bigger and bettemore granular. Though the sample size is still small, with hopefully repeated tests in the future, we can get some good learnings out of them. Speaking of learnings, based on the current findings; I am rather surprised by the results. Previously, I was lead to believe based on the testing that there was indeed a weighting, but test #2 seems to display otherwise. On with the numbers...
The testing was done with a lvl 100 rogue, 100 lvl 925 gauntlets, max temper rank, 600 straight attempts tempers. The available tempers include Critical Strike Damage (CSD), Markmanship Damage (MMD), Marksmanship Critical Strike Chance(MMCS), and Rain of Arrows damage(RoA).
In 600 attempts, the follow appeared X number of times:
CSD: 143
MMD: 159
MMCS: 150
RoA: 148
The ratio is quite different from the previous test where the distribution was about 20%/25%/ 25%/30% or (55,77,74,92). The current numbers breakdown to a much closer ~24%/26%/25%/25%. The part I find weird is that even if I looked at the data at 300 attempts of the current experiment, the distribution is still much more even than the previous test(79/70/74/77 or 26%/23%/25%/26%). The variance doesn't seem to make sense to me, but if any of the math/statistics people from the previous thread would like to chime in, I'd love to hear some possible reasonings. The only thing different in this test is the scale and that it was after the patch, but I somewhat doubt they touched tempering without saying anything.
On to the feel bads(back to back often unwanted affixes):
CSD: 19
MMD: 22
MMCS: 22
RoA: 15
With a much more equal number of overall appears of each affix roll, it would make sense the amount of repeated rolls would be similar, but it seems much more often than it should to me personally as the previous experiment had 5/11/9/10 of the back to back rolls respectively for each affix.
And the feels really bad back to back to back rolls:
CSD: 5
MMD: 6
MMCS: 4
RoA: 6
Another set of numbers I personally can't quite wrap my head around because while it makes sense the numbers would be fairly equal because of the near equal distribution, the frequency going up as much as it does seems really high to me. The previous numbers for 3 consecutive appearances were 1/1/2/2 respectively.
And an instance I did not see in the previous test, the big middle finger back to back to back to back rolls:
MMD: 2
MMCS: 1
These I find these surprising because given the distribution is actually pretty close to a flat 25% each affix, the chance of hitting 4 in a row is actually about .3 of a percent.
More granular observation #1:
The number of times each affix didn't appear in a roll for an item(out of 100 item):
CSD: 19
MMD: 17
MMCS: 15
RoA: 14
This one is interesting and also a headscratcher as the numbers don't align with the number of appearances as you would expect the affixes that appear the least would have more instances of this situation, so logically it should be CSD, RoA, MMCS, and then MMD from most instances to least.
more granular observation #2:
The max number of rolls in a row where the an affix does not appear(out of 600 rolls):
CSD: 24
MMD: 21
MMCS: 16
RoA: 15
This one is also interesting because it reflects the previous observation almost exactly as it goes against what would normally be expected as something to correlate with the number of overall appearances.
Overall, the results are quite interesting since they're in a stark contrast to the last test. The numbers this time around seem to reflect an almost even weight to all affixes(at least based on number of appearances). Though with the more granular observations, there does appear to be some bias involved. However, that's speculation as there is a lot we don't know like if there is a pity system or other factors involved in rolling. If there is some other pattern or information I should be looking for, let me know and I'll go over it again. Also, this testing is a pain in the ass since I right before I started; I realized I needed 4200 veiled crystals for it. So, if I run it again, it'll be in a bit as the farming part was way more tedious than the recording of the information.

Set 1 Aiming at ya head (get ya freak on sample) Id? (run the jewels so you should pump this shit sample) Id? Id? Id? (Gorillaz sample clint eastwood) Id? (Troyboi sample) Still night Id Id Id (it's tricky sample)
Set 2 Let the world hurry by Total fascination Id Id Id but josh knows it spilling over every side Id (ive got a beat inside my heart sample) Sunshine sample Id (shaggy angel sample) Id (mac miller Derek rendition) I can see it in your face Id Timbaland sample Hot like sauce Finally moving
Was doing my best to keep up while in the crowd but there was a ton of stuff I didn't recognize. Feel free to chime in and I'll edit. I also think he played forever lost at some point in set 2.
EDIT: SEE TOP COMMENT

I'm looking to identify this vocal sample in Shakatak's Music in the Air at 2:59 (link should be timestamped). It sounds to me like "that's how we're doin' it" tho I could be wrong. I'm guessing that it's part of a larger sound library as I couldn't find anything on websites like WhoSampled.com Does it sound familiar to anyone?

Today's anniversaries are:
1937

• Alban Berg - Lulu (opera)

2009

• Jordan Rudess - Notes on a Dream (Rock)

2010

• Té - 敢えて、理解を望み縺れ尽く音声や文字の枠外での『約束』を。 (Aete, rikai o nozomi motsure kotogotoku onsei ya moji no wakugai de no “yakusoku” o.) (Asian Music, Pop)

2012

• Sean Archibald - Sean but Not Heard (electronic, ambient, bass, bass music, beats, experimental, experimental electronic, microtonal, numbers, split-notes, United Kingdom)

2015

• Codas - Currents (experimental, metal, drone, drone ambient, heavy, industrial, instrumental, mathcore, progressive metal, New York)
  
• Consider the Source - World War Trio (Parts Ⅱ & Ⅲ) (experimental, rock, world, instrumental, jazz, progressive, New York)
  
• Leprous - The Congregation (Rock, Hard Rock, Metal)
  
• Pyrrhon - Growth without End (extreme metal, metal, death metal, progressive death metal, progressive metal, technical death metal, New York)
  
• Sein zum Tode - Siamese Second Cousins Never Removed (metal, avant-garde metal, circus music, Columbia) Read our review.
  
• The ILY's - I've Always Been Good at True Love (Alternative, Rock, Indie Rock/Rock pop)
  

2016

• Féroces - Juliette (rock, new wave, post-rock, Besançon) Read our review.
  
• Instar - Instar (metal, ambient, progressive, Austin)
  

2017

• '68 - Two Parts Viper (hard rock, noise punk, punk, rock, blues rock, math rock, noise rock, post-hardcore, post-punk, Atlanta)
  
• A Trust Unclean - Parturition (death metal, djent, metal, progressive metal, technical metal, heavy metal, United Kingdom)
  
• Art Contest - Two Songs (rock, indie rock, math rock, noise, pop, probability & statistics, Georgia)
  
• Dark Matter Secret - Perfect World Creation (technical death metal, progressive metal, Nashville)
  
• Dougmore - Outerboros (folk, art folk, avant-folk, banjo, chamber folk, dreamfolk, indie, indie folk, lush, mythic, progressive bluegrass, psychedelic, psychedelic folk, singer-songwriter, storytelling, New York)
  
• Dystopian Future Movies - Time (alternative, garage rock, hard rock, post-rock, prog-rock, psychedelic rock, Nottingham)
  
• Eidola - To Speak, to Listen (experimental rock, groove rock, post-hardcore, progressive metal, Provo)
  
• Elder - Reflections of a Floating World (rock, armageddon shop, doom, heavy psychedelic rock, prog, progressive rock, stickman records, Berlin)
  
• Emperor of Mind - Resistance (atmospheric, experimental, metal, progressive metal, djent, mathcore, Salem)
  
• Fabian Almazan & Rhizome - Alcanza (jazz, chamber music, cuba, piano, New York)
  
• Gentiane Michaud-Gagnon Trio - Eternal Cycle (jazz, Montreal)
  
• Ghost - Everything We Touch Turns to Dust (ambient, denver, electronica, experimental, idm, electro, electro-acoustic, Oakland)
  
• Gravetemple - Áthatolhatatlan félelmek (Impassable Fears) (experimental, drone, experimental, free rock, metal, ritual, New York)
  
• Hands that Lift the Oceans - Impetus (black metal, experimental, metal, post black metal, Würzburg)
  
• Hot Flash Heat Wave - Soaked (dream pop, oakland, pop, rock, bedroom pop, dreampop, new wave, post-punk, psychedelic rock, San Francisco)
  
• Human - Fractured Lands (improvisation, improvised, jazz, new music, London)
  
• Inertia - The Process (alternative, metal, pop, rock, alternative rock, ambient, dark, darkpop, djent, post-hardcore, post-rock, radio rock, Apple Valley)
  
• Miss Cantaloupe - Miss Cantaloupe (alternative, avant rock, enchanting, ethereal, fairytale, psychadelic, Philadelphia)
  
• Mutoid Man - War Moans (rock, metal, punk, New York)
  
• Orchestre national de jazz de Montréal - Under the Influence Suite (Jazz)
  
• Sikth - The Future in Whose Eyes? (Metal)
  
• Thunkfish - Renegades (jazz, experimental, funk, fusion jazz, pthronk, rock, sample-based, Edinburgh)
  
• Time Lurker - Time Lurker (black metal, atmospheric black metal, metal, atmospheric, France)
  
• Völur - Ancestors (ambient folk, metal, doom metal, folk, Toronto)
  

2018

• Spectral Wound - Infernal Decadence (black metal, metal, power pop, Montreal)

2019

• Alex Fournier Sextet - Triio (jazz, canada, canadian jazz, creative music, free jazz, improv, jazz, new music, toronto, Toronto)
  
• Bitter Lake - New Branches on Old Trees (metal, avant-garde metal, black metal, jazzcore, post black metal, United Kingdom)
  
• The Pen Club - Data Retrieval (contemporary jazz, jazz, free jazz, Sydney) Read our review.
  
• Άντη Σκορδή (Andys Skordis) - In… Se… (gamelan opera) Read our review.
  

2020

• Hex Wound - Averse to the Universe (blackened death metal)
  
• Pixel Archipelago - Intervallic Prism (experimental rock, microtonal)
  

2021

• Clément Janinet - La Litanie des cimes (contemporary classical)
  
• Ivy to Fraudulent Game - 再生する (Saisei suru) (math rock)
  
• Skeletonized Quartet - Future Shock (avant-garde jazz)
  

2022

• Black Particles - Loss Function (post-metal)
  
• Etno histeria World Orchestra - 2021 (folk)
  
• Neperia - Ptesmata (symphonic death metal)
  
• Nito - Awakening (post-rock)
  

2023

• A Fool's Errand - The Art of Leaving Things Behind (post-rock)
  
• Adjy - June Songs, Volume 1 (progressive folk rock)
  
• Æffect - Theory of Mind (progressive death metal)
  
• After Ours - Music for Cats (nu jazz)
  
• Ash Trio - Ash (jazz fusion)
  
• Cloutchaser - Metallica (mathcore)
  
• David T Little - Black Lodge (contemporary opera)
  
• Depuis l'abîme - L'Incendie (post-hardcore)
  
• Einar Solberg - 16 (pop)
  
• Gorgeous - Sapsucker (avant-prog)
  
• Goyard Ibn Said & غيث (Ghais Guevara) - Goyard Comin': Exordium (experimental hip-hop)
  
• Hills like White Lions - Meander (progressive metal)
  
• Illegal Crowns - Unclosed (free improvisation)
  
• Jack Cooper - Arrival (contemporary classical)
  
• John Liberatore, played by Zohn Collective - Catch Somewhere (chamber music)
  
• Joshua Jaswon Octet - Polar Waters (modern jazz)
  
• Kid Millions & Sarah Bernstein - Forest Park Live (free improvisation)
  
• Knower - Knower Forever (pop)
  
• Koningsor - Death Process (mathcore)
  
• Lars Fredrik Frøislie - Fire fortellinger (progressive rock)
  
• Lausch - Love & Order (alternative rock)
  
• Linda May Han Oh - The Glass Hours (modern jazz)
  
• Mary Ancheta Quartet - Level Up (jazz fusion)
  
• McKinley Dixon - Beloved! Paradise! Jazz‽ (hip-hop)
  
• Moral Collapse - Divine Prosthetics (progressive death metal)
  
• Nōn serviam - Death Ataraxia (experimental black metal)
  
• OK Goodnight - The Fox & the Bird (progressive rock)
  
• Phonem - Geometriks (modern jazz)
  
• Pupil Slicer - Blossom (mathcore)
  
• Quiet Sonia - Quiet Sonia (slowcore)
  
• Risin Sabotage - Macabre (stoner rock)
  
• Sarah Pagé - Voda (ambient classical)
  
• Sébastien Parent - Projet Seb Parent (big band jazz)
  
• Signe Emmeluth's Onomatopoesia - Syntax (modern jazz)
  
• Solarium - Aube/Nocturne (jazz fusion)
  
• Sophie Ellis-Bextor - 花 (Hana) (pop)
  
• Surema - Surema (post-metal)
  
• Thantifaxath - Hive Mind Narcosis (avant-garde black metal)
  
• Travis Orbin - Travis Orbin (progressive metal)
  
• Unfurl - Ascension (blackened post-hardcore)
  
• Vacuous - Katabasis (death metal)
  
• Void of Nihility - Above the Stars of God (avant-garde black metal)
  
• Vulfmon - Vulfnik (funk)
  
• Yoni Mayraz - Dybbuk Tse! (nu jazz)
  

2 years as an SEO Specialist/project manager na but I don't have a proper portfolio. I made na my own website using sites.google.com but it doesn't look like a portfolio to me. Can someone give me samples on how to properly do it, wala tlga sa google and yt. My website doesn't highlight my SEO skills. Help 🤣🙏