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2023.04.05 05:57 ttaywgnik Girlswithbobcuts

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2024.05.21 17:59 CIAHerpes In the caverns under Frost Hollow, I found the madness of the ancient gods

I sit alone in my room on the seventh floor, writing what will surely be my last will and testament. The heroin which allowed me to forget and to sleep for the last couple of years has lost its power to keep the screaming terrors away. The drug destroyed my body and mind, gradually eating away at them like a corrosive acid. Now I have become a slave to it. And yet, without it, I do not sleep for weeks, but instead continuously see the scenes from that terrible night running through my head on repeat as worsening waves of madness crash on the shores of my consciousness.
In the caverns under the town of Frost Hollow, I found the meaning of true madness. Ever since I escaped that den of horrors, it is difficult to tell what is real and what is only the feverish delirium of an unhinged mind.
Even now, they wait behind the door to this cheap, bare rented room. They drag their claws over the wood. I hear them hissing in that strange, ancient tongue, the one I first heard in the tombs of rock that had been undisturbed for countless millennia.
***
I had first heard rumors of an unexplored cavern from my friend, an experienced caver named Sonia who had explored caverns all over the world. I had been looking for some excitement in my life, some break from the constant monotony and boredom of simply working and sleeping. I had gone caving quite a few times over the year leading up to the trip, but I was not nearly as experienced and had never explored a supposedly virgin passageway of cavern before.
“How do you know no one’s gone down there?” I asked, curious. We sat across from each other at a local diner, getting some early breakfast before our planned descent. The sunrise was still another half-hour away, the sky flat and dark. We would be joined by Sonia’s husband, Phil, who would meet us there shortly after sunrise. I repressed an urge to yawn, chugging half of the steaming hot coffee in one long swallow. Sonia leaned close to me, her nearly colorless blue eyes reminding me of chunks of ice floating down a muddy stream.
“Phil’s friend just found it randomly,” she whispered before glancing around conspiratorially, as if she feared someone would care enough to eavesdrop on a conversation about a cave. “Well, it’s in the middle of a farm, and Phil’s friend, Jack Graysole, owns the entire property and surrounding woods. Jack says he noticed the cows kept going over to a certain spot in the field when it got really hot during the summertime. They would all gather around this little indentation in the grass. After seeing it a few times, Jack got curious and went to investigate what the cows were doing.
“He found a small hole in the ground, almost entirely covered by weeds and grass. He said he felt a cool breeze constantly blowing out of the hole, a breeze that smelled like burning matches and charred metal. After bringing out some shovels and digging down a couple feet, Jack realized that the hole wasn’t a hole at all, but the beginning of a steep passageway leading deep into the bowels of the earth.”
***
The owner of the land decided to unofficially call the newly-discovered cavern Graysole Caverns. Out of respect for him, this is also the name we all used. This is the story of how I found myself in the bowels of a strange subterranean tunnel, a tunnel where creatures beyond my comprehension slunk and hunted, skittering monstrosities who would be more at home in a nightmare.
After grabbing a couple coffees to take with us, Sonia drove over to Graysole Farms. Cows stood out in the grassy fields, huddled in tight circles as they repetitively chewed. The thin silhouette of Jack Graysole waited for us next to the herd. He had a face like a raisin, I thought to myself. I watched his thin, shaking body standing in the middle of an overgrown grassy field. Jack stared down blankly at something only he could see. Sonia and I started unloading some equipment from the car while we waited for Phil.
Once we had the backpacks loaded with some simple supplies, such as water, food, headlamps, rope, a couple extra batteries, some buck knives, and radios, we headed over to accompany Jack. We weren’t taking much, as we didn’t really expect to be down there for more than six or seven hours at the most.
Jack Graysole’s withered old face was as slack and expressionless as that of a corpse. He stared down at the ground as if he were in a trance, waving back and forth slowly on his feet like a plant in a light breeze.
“Jack?” Sonia called out as we approached. I could hear the man’s teeth chattering as we got nearer.
“Hey, what are you doing over here this early? You interested in accompanying us down there?” Sonia joked. But Jack might as well have been totally deaf for all the reaction he gave. Sonia glanced over at me with an anxious expression. I wondered if the old man was having a stroke.
I quickly walked over to where he stood, staring down at a black circular hole about three feet across directly in front of his feet. The entrance to Graysole Caverns stared up at us like a sightless pupil. As I drew within a few feet of Jack and looked straight into his blank eyes, I noticed something alarming.
His pupils were quickly dilating and constricting before my eyes. They would shrink to tiny pinpoints, then, a couple seconds later, rapidly expand until they became dark and serious. I could see his thready, rapid heartbeat pulsating in a vein on the side of his temple. Alarmed, I reached forward and put my hand on his shoulder.
Instantly, he came to life, like a man waking up from a nightmare. Shrieking, he looked at me with fully dilated pupils, reminding me of a panicked deer surrounded by wolves. His quavering old man’s voice shook with ineffable existential horror and mortal fear.
He took a step back away from us, seeming to realize where he was and what he was doing. He looked around, confused, then straight at me and Sonia. His eyes focused with anger and fear, as if we were demons here to drag him down to Hell. His eyes flicked back and forth between us constantly. Jack raised a trembling hand and pointed it straight at my heart.
“It’s you,” he said, his voice dropping to a harsh whisper. His teeth chattered despite the warm spring air. His skin looked deathly pale. “You’re the one who will bring an end to humanity, who will release the ruler of nightmares upon us.” He continued to point accusingly for a long moment at me, his face turning chalk-white. Then his eyes rolled up in his head. Slowly, he stumbled and fell backwards onto the soft grass of the field.
“Jack!” Sonia cried, running over to the old man. Jack’s breaths had started to come in slow, drawn-out gurgles, like a man with a slit throat trying to breathe. Frothy blood bubbled from his lips as they turned blue. Staring up at the endless expanse of cloudless sky, he exhaled one last shuddering breath and died.
***
Phil showed up only a couple minutes later. He found me and Sonia in a state of utter panic, both of us bent double over the still body of Jack. Sonia was on the phone with 911, and I was trying to give Jack chest compressions. The way his fingernails and lips shone with that cyanotic blue cast made me feel sick and weak. I knew it was futile, that I was simply playing with a corpse at this point, but I didn’t know what else to do. I felt if I didn’t do something, I might explode.
I heard the faint wailing of sirens approaching as Sonia’s panicked voice continued babbling to the 911 operator. Phil stood by her side, his tall, dark features searching and lost.
“Oh God, I think he’s dead!” Sonia cried over and over to the operator, as if she thought the operator could do anything about it. I didn’t hear what the operator said in response. As the ambulance pulled in, I gave up on chest compressions. I stood up and took a step back, looking sadly down on the kindly old man’s dead body.
The paramedics ran over. Phil, Sonia and I stood back while they worked on the corpse, trying to shock the heart back into life. But Jack’s open eyes stayed glazed as they stared sightlessly up into eternity.
***
The paramedics left. A couple police officers stayed behind to ask us a few routine questions. Eventually, after an hour or so, they left, too.
“What a fucked-up day,” Phil said, shaking his head grimly. “Do you guys still want to do this? Maybe it’s an omen from God telling us to go home.” Sonia and I exchanged a glance, then we both nodded at the same time.
“Definitely,” she said. “It’s sad what happened to Jack, but realistically, we don’t know what’s going to happen to this property now that he’s passed away. It might get sold or taken by the bank for all we know. This could be our one and only chance to explore this cave.”
“I don’t believe in omens. I’m still down,” I said, feeling slightly sick from the experience. I still remembered how Jack’s body had cracked under the weight of my chest compressions, how his ribs had snapped like bones shattering in greedy hands. “We’ll do it in memory of Jack. I plan to put this up on YouTube.” I pulled my GoPro out of my bag, turning it on. Phil groaned at that.
“Do we have any idea how far down this cave goes?” Phil asked. I felt a sense of relief now that the topic had changed from the death of the old man.
“I sent a little camera down on a rope, but it only went about a hundred feet,” Sonia responded. “It’s pretty steep at first, then it levels out. I couldn’t really see much after it leveled out, but it looks like it should be easy to climb down. There’s plenty of handholds, lots of jutting rocks.”
Phil put on his headlamp and small pack. As he crawled down into the hole, his tanned face looked up at us and gave us one last devilish grin. Once he had gone down a few dozen feet, Sonia started descending. She looked excited and happy. I noticed how she couldn’t stop smiling as she disappeared from view.
I watched their lights grow smaller and dimmer in the circular tunnel. I marveled at how perfectly circular the entrance was. It almost didn’t even look natural.
Taking a deep breath in, I followed my friends down into the dark.
***
“This isn’t too bad,” I said as I climbed down. The jutting rocks gave plenty of handholds and footholds for us. It wasn’t so tight that it felt like a coffin, either.
“It only gets easier from here!” Sonia called up.
“How do you know?” I asked. “You said you’ve never been here before.” She laughed.
“I know. Probably just wishful thinking,” she said. Far below us, Jack’s voice drifted up, faint and weak. He had already reached the bottom.
“The tunnel really opens up down here, guys,” he called. “It’s somewhat… bizarre, though.”
“What do you mean by that?” Sonia asked. I looked down, seeing Sonia and I would reach the bottom in seconds. “Forget it, I’ll let it be a surprise.” I heard her drop down. Slowly and carefully, I lowered myself down the last few feet. There was a short fall onto a smooth granite floor. I looked up, seeing what Phil and Sonia were so mesmerized by.
“Oh, wow,” I said, speechless. I blinked rapidly, wondering if the image would clear like a mirage. The tunnel was cut into a perfectly triangular shape, each side about seven feet long. The ceiling met in a point above our heads.
All along the smooth walls of gray rock, I saw thousands of black orbs peeking out. They looked similar to obsidian, but they were perfectly smooth and circular, each about the size of an orange. They were formed into interlocking diagonal patterns and followed the tunnel straight down as far as the eye could see.
“What is this place?” Sonia asked, taking a tentative step forward. I looked up, seeing the distant pinpoint of sunlight far above our heads. Our voices continued to echo off down the massive tunnels, disappearing in eerie waves into the thick curtain of shadows.
“Are you recording all this?” Phil asked me. I laughed, giddy.
“Of course! This is internet gold right here,” I said. “No one’s going to believe that this isn’t man-made, however. I can’t even believe it. Do you think Jack was playing a joke on us or something?”
“Jack had the sense of humor of a wet paper towel,” Phil whispered, shaking his head. “No, he wouldn’t do something like this.”
“Well, let’s go check it out,” Sonia said, taking a step forward. Her headlamp bobbed up and down rapidly, throwing dancing shadows through the triangular tunnel. It continued straight ahead, without the slightest deviation or curve, disappearing off into a dark point in the distance.
***
We walked as fast as we could, excited to see where, if anywhere, the strange tunnel led. Phil, always the conspiracy theorist, babbled excitedly.
“This has to be aliens, man,” he said, running his fingers through his dark hair. “I bet that scientists will find out this shit is millions of years old when we get back up and tell everyone. Maybe aliens came to earth in ancient times and made a bunch of stuff underground.” Gradually, as we walked, I noticed the tunnel opening up. The pointed triangular ceiling rose up higher above our heads and the walls moved outwards, as we were walking up a triangular funnel. At first, it was so subtle that I didn’t believe it when Sonia pointed it out.
“No, look,” she said, raising her hand above her head. “When we first started down this weird tunnel, my fingers were only maybe a foot away from the top. Now it’s a couple feet.” I was about to respond when our headlamps illuminated something standing in the middle of the tunnel.
“What the fuck is that?” I whispered, stopping cold in my tracks. Phil and Sonia looked up at the abomination at the same time. Its back was to us. It stood nearly as tall as the tunnel, which was now about twenty feet high.
The bottom half looked black and spidery with dozens of long, jointed legs. A bloody, white spine rose out of the mass of legs. Inhumanly long, skeletal arms stretched out in front of it. Its face was pointed away from us, but the back of its head resembled an enormous pointed skull with deep fissures like the cracks of an earthquake running through the bone. The abomination stayed as still as a statue, and for a long moment, I wondered if we were looking at some macabre work of art.
Then, suddenly, one of its insectile legs twitched. A moment later, the other legs started jerking and twisting. There was a sound like bones shattering as it rose up to its full height, turning around to face us.
Its face was like something from a nightmare, melting and reforming constantly like dripping candle wax. I would see a black eye appear on its forehead, then a grinning mouth on its chin, then the features would get sucked back into the folds of melting flesh. After a few moments, two enormous eyes appeared on its face, dark and cold like craters on the surface of the Moon. The mouths and noses disappeared back into the dripping skin, and only the two lidless eyes remained, emanating a cold, reptilian consciousness beyond the ability of my mind to comprehend. I felt terror radiating from its body like freezing waves.
“Free me,” it cried in a gurgling voice that seethed with insanity. It had a shrieking, metallic ringing behind every word that gave it an alien quality. “Free me, and I will give you the waters of eternal life. Within me, I contain the seeds of immortality. Within the nightmares, we live forever, always together, never alone.”
“Who are you?” I asked, terrified. The black reptilian skin of the enormous beast glistened as it knelt down, its massive face drawing near to mine. A sideways mouth burst out of the liquified flesh, showing hundreds of fangs growing like tumors from its white, bloodless gums. The fangs varied in size from only a couple inches to long, sword-like projections that stabbed into the creature’s flesh, causing white blood glittering with rainbows to fall like raindrops all around me.
“I have many names,” it hissed, its thousand voices rising and falling in crashing waves of sound. “I was present at the beginning, when this planet was no more than dead cliffs and endless freezing oceans. Those holy ones who search for us, the ancient ones, call me Niralahoth.”
“How do we free you?” Phil asked, looking terrified. He held Sonia’s hand tightly.
“By letting me into your mind and body,” Niralahoth cried, shaking the cavern. “I was thrown down here, cursed and forgotten. I cannot leave this place of shadows within this body. But in the body of another, my consciousness can be free, and the seeds of new life can spread beyond this prison.”
“There’s no way anyone’s going to do that,” I said, my eyes widening as Niralahoth’s reptilian skull turned towards me in fury. “I mean, you’re asking one of us to give up our individuality, our lives, right?”
“I am asking you to become one with me and gain power undreamt of by mortals,” it cried. “I have within me the fountain of life, the waters that send death away screaming.” I glanced anxiously at Phil and Sonia, wondering if we would have to run.
“The answer is no,” I said. “I’m sorry.”
“Yeah, we can’t do that,” Phil said, backing me up. “But, anyways, I think our trip has ended. It’s time to turn around…”
“You will never return,” Niralahoth cried, skittering away from us. “If you will not accept salvation, then you must accept death.” Within seconds, it slunk away from us, backpedaling on its many skittering legs into the shadows.
***
All around us, a rumbling started.
There was a pounding that crashed through the rock tunnel, as if an insane blacksmith were hammering on a massive anvil. The ringing of crashing rock started off slowly, with a few stones smashing down around us with heavy blasts of sound. Within seconds, the cacophony sped up, rising into a constant stream of destruction. The black orbs were spinning in place all up and down the tunnel, their glossy obsidian surfaces flashing with sparks of blue light.
“It’s collapsing!” Phil cried, running back in the direction we came, holding Sonia’s hand as she tried to keep up with him. I could only stare for a long moment, not sure what to do. It seemed that the direction Phil was heading stood closer to total collapse.
“Wait!” I cried, but my voice was drowned out in the destruction all around us. I felt a rock smash into my shoulder, sending me down to my feet. I heard Phil give a scream of pain, then another stone came down and smashed into my forehead. I remember seeing everything spinning around me as the world went black.
***
I awoke to find my headlamp still shining straight up in the dusty tunnel. Large chunks of the tunnel had slid out of place and crashed to the stone floor. The granite chunks that had fallen looked unnaturally smooth, most of them in the shapes of cylinders or cubes and varying in size from that of an egg to that of a small car.
My head throbbed. It felt as if a tight belt of fire were wrapped around my temples. Groaning, I put my fingers up to my forehead. They came away slick with blood.
Slowly, I started pushing myself up on my feet. I was relieved that nothing seemed broken. I had a deep gash running from the center of my scalp down to my left temple and some shallower cuts on my shoulders and back, but I knew none of that was life-threatening.
“Sonia?” I whispered, my voice coming out weak and strained. I reached into my pack and found a bottle of water. I chugged it quickly in one long swallow.
“Phil?” I cried again, this time stronger. I heard a soft weeping nearby. Staggering, I followed the sound.
Sonia was bloody and covered in cuts and scrapes, sitting next to Phil’s prone form. I saw Phil’s right arm pinned under a massive slab of granite. His arm disappeared from the elbow down in a spreading puddle of thick, dark blood.
“Oh God, Max, I think he’s hurt really bad,” she wept. Phil’s eyes rolled wildly in his head, his face pale and bloodless. I looked down the way we had come, seeing the entire tunnel blocked by large slabs of stone, many with strange, black orbs peeking out like the lenses of cameras.
***
I don’t know how much time passed. My phone died after a day, and then we were counting the endless darkness in breaths and tears.
Phil swam in and out of consciousness as his arm putrefied and blackened around the crush site. After a couple days, Sonia and I agreed that something had to be done. We told Phil we would need to amputate his arm. He was half-delirious, but he came back long enough to understand us and nod weakly.
We made a fire with Phil’s pack, trying to find fuel to throw in it to get it roaring. As it grew, I saw one of the black orbs near the flames abruptly ignite, as if it had been covered in gasoline. Blue, almost colorless flames rose from its surface. We started throwing the small black orbs on the fire until it rose high in the air. I sanitized the buck knife with the flames and pulled a rope tourniquet tight around Phil’s arm. He was conscious but seemingly insane, talking to himself more than anyone else.
“How are we going to get the car started without a key?” he gurgled to someone only he could see. “We need to look around. It has to be here somewhere.”
“Phil, can you hear me, bud? We need to fix your arm. We need to get you out of this mess. OK?” I said as comfortingly as I could. Phil’s eyes rolled wildly, but they didn’t meet my own. I sighed and looked over at Sonia.
“Let’s do it,” I said, giving a grim nod.
I pulled the buck knife out, slicing quickly down through the flesh next to the tourniquet. His veins throbbed like fat worms as the blackened, necrotic skin split easily under the blade, releasing a rancid-smelling gas that hissed out of the wound.
I couldn’t believe how hard it was to slice all the way through the arm. It felt like I was stuck in that hellish task forever. Phil’s eyes rolled in his head as his skin turned the color of clotted milk.
“God, Jesus, make it stop,” Phil whispered over and over, exhaling ragged, pain-filled breaths. The blood spurted from the blackened, dying tissue all over the dust-covered cavern floor, covering my hands in its warm, slick embrace.
After what was probably only three or four minutes, but felt like hours, I had sliced all the way down to the bone. The infected tissue of his arm spurted great gouts of orange pus mixed with rivulets of blood. The hard part was over.
Standing up, I took my steel-toe sneaker and stomped down on his arm as hard as I could. Phil cried out in a powerful voice, as if all the agony and suffering in the world was contained in that one shriek. The bone snapped under my weight with a sound like a tree branch cracking. A moment later, Phil rolled away from the rock that had pinned me in place for so long. Something alien and spongy was shoved into my face, a mass of destroyed red tissue pulsating in time with a runaway heartbeat. At first, shell-shocked and revolted, my mind couldn’t comprehend that I was looking at the stump of Phil’s mutilated arm. I hardened my heart and forced the giddiness and madness to the back of my mind. The time had come to cauterize the wound.
“Sonia, give it to me,” I said with a tremor in my voice. I reached out a hand towards her, a hand stained with Phil’s blood. It looked as if I were wearing a wet, crimson glove. Sonia only stared blankly at me for a long moment, however. A surge of anger ran up my chest.
“Sonia, toughen the fuck up! He’s going to die if you just sit there!” I swore at her, hearing my deep, angry voice bounce around the caverns. Sonia pulled back, as if she were struck. Inwardly, I cursed having a woman as my only able-bodied companion in this situation. She was a competent enough caver, but what would happen if violence and blood came over us? What would happen if, or more realistically when, we needed to fight?
Grimly, Sonia leaned forward and yanked the burning black orb out of the roaring fire, handing it to me on the end of a buck knife that had just barely pierced its hard, strange exterior. The handle of the knife felt coarse and splintery under my filthy skin. I put it to the spongy stump of Phil’s arm. The stump twitched violently. Phil tried to pull away as black smoke rose from the burning flesh.
There was a smell like bacon sizzling. The searing meat of Phil’s arm blackened and crisped under the heat of the orb, which had become no more than a cylinder of glowing blue embers by this point. I felt simultaneously sick and giddy. I didn’t know if I wanted to laugh or vomit. I felt like I was on the verge of some kind of madness, that the stress and insanity of the experience had started to shatter my mind.
His eyes rolled back in his head and he appeared to go into a seizure for a few seconds. With a long exhalation of breath, he finally, mercifully, lost consciousness. It’s hard to admit it, even this close to the end, but a small, sick piece of me was jealous of Phil. Most likely, he would be dead soon, maybe within hours, while Sonia and I would slowly starve and dehydrate like animals over a period of weeks. I looked at her lithe body and soft skin, seeing the feminine curves of her hips and chest. She was a beautiful woman. I knew Phil to be a lucky man. At least, before this trip, he was.
I watched her body, wondering if I had what it took to eat her or Phil if I had to. Did I have an iron heart that would allow me to slice into my friends and consume their raw, cold flesh? Perhaps, by that point, it would be hunger and madness driving me forward, and I wouldn’t even hesitate. I shuddered at the very thought.
***
I fell asleep that night, having strange dreams of massive gods with melting faces sitting in judgment in a circle around me. We had very little food or water left. No one knew we were down here. Rescue was not coming.
When I awoke, I found myself alone. Phil had died from his injuries while I slept, the black streaks of septic shock spreading up his arm towards his heart. His eyes stared sightlessly up at the rock ceiling.
“Sonia?” I called out, my heart racing as I sat up. “Where are you?” My headlamp was growing dim. I looked in my pack, realizing I was on the last of my batteries. I saw a silhouette walking out of the darkness, the thin, pale form of Sonia. She was trembling badly.
“I saw them,” she said. “Niralahoth and its priests. The priests aren’t human. They look reptilian with sideways mouths and too many eyes.” She shuddered.
“Why would you do that?” I asked. Her eyes grew distant.
“You know we’re not getting out of here alive,” she said. “Not on our own. I wanted to see what it offered. It says that if we take a piece of its nightmare into us, we will gain the power to leave this place, that it simply wants to see the surface and spread its nightmares there.” I shook my head.
“Insanity,” I muttered. “We’d be better off dead.” Sonia nodded.
“My thoughts exactly,” she responded grimly. I didn’t realize what she meant until the next day, when I woke up and found her hanging next to Phil’s body, her tongue swollen and blue as it poked out of her cyanotic lips. And then I was truly alone.
***
Soon after Sonia committed suicide, the last of the batteries for the headlamp died. I had run out of food and had only a small sip of water left. I don’t know how much time passed in the darkness, starving and raving, following the tunnel by running my hands over the walls. I heard many things skittering in the darkness, and a few times, I heard the demonic voice of Niralahoth as it split and distorted.
“You are on death’s door,” it hissed. “Will you not drink from the fountain of life?” I couldn’t tell where the voice came from in the maddening blackness. It seemed to come from everywhere and nowhere. I had lost nearly all of my sanity in that pit of shadows by this point. I tried laughing constantly to keep my spirits up, and when that failed, I simply cried.
“I’ll do it,” I wailed. “I’ll do it. Just let me see the sky again. Get me out of here, Niralahoth.” Everything went deathly silent all around me, then a laugh rang out like the grinding of glass.
In front of me, I saw a tornado of fire descending from the ceiling, surrounding the massive, spidery form of Niralahoth. It rose its skeletal arms upwards, as if it were Zeus calling down lightning. In the sudden brightness, I saw the fiery form of snakes slithering and centipedes skittering forwards in that tornado, each massive creature sculpted from flames in the spinning cyclone of energy. Niralahoth reached into the tornado of fire with its sharp points of fingers and plucked something small from it. The fire instantly dissipated. In its hand, I saw a tiny, swirling orb that looked like it contained a firestorm within it.
“The nightmare seed,” Niralahoth gurgled as it skittered forward towards me. I could only stare, open-mouthed and starving. I hadn’t slept for days, it felt like, and everything seemed slow and unreal.
In a blur, its skeletal arm shot out and forced the orb into my mouth. Despite the fire raging within it, it felt freezing cold. As it touched my tongue, it gave off a sensation like frostbite all throughout my mouth. I screamed and tried spitting it out, but it seemed to have a mind of its own. It started liquifying, dripping down my throat.
I felt something cancerous and sick spreading throughout my body, radiating out from my heart and stomach to every inch of it. I tried to scream, but it caught behind my teeth. I fell to my knees, clawing at my face as that insane, alien laugh continued resounding all down the tunnel. I fell unconscious and woke up under a beautiful sky in the fields of Graysole Farms.
***
Soon after, I realized that my life would never be the same. Everywhere I went, I could hear the wailing voice of Niralahoth. Behind the trees, I always saw skittering shadows, creatures with long, spidery legs that stalked me every day and night. I slept with every light in the house turned on, yet when I woke up, they would all be shut off, and I would find myself in darkness, next to something in the bed with far too many legs and a face that dripped like burning wax.
I sold everything I owned and tried to move far away, to give as much distance between myself and those cursed caverns as I could, but the nightmares followed me like a shadow. I realize what a fool I was in those ephemeral moments of madness. Sonia was much wiser than myself; I should have killed myself or died rather than allowing that thing inside of me.
Even now, I can feel it creeping through my heart, spreading through my blood. I feel it trying to crawl its way out of my throat, the thin, black legs peeking out at the back of my esophagus.
I only hope that, when I finally jump and feel my bones shatter against the concrete far below, I will kill whatever is inside of me. For I fear the consequences for the world if it were to escape.
submitted by CIAHerpes to nosleep [link] [comments]


2024.05.21 12:56 Acceptable_Usual3380 Short Hair with Bangs: How To Achieve A Flattering And Versatile Hairstyle

Short Hair with Bangs: How To Achieve A Flattering And Versatile Hairstyle
https://preview.redd.it/33d3l78cgr1d1.jpg?width=1000&format=pjpg&auto=webp&s=2fa974d13f46519f25339e22106302b650efcfbe
Short hair with bangs is a stylish and versatile choice that can enhance your features and provide a fresh, modern look. This combination offers numerous styling options, making it suitable for various face shapes and personal styles. Here’s how to achieve a flattering and versatile short hairstyle with bangs.

Choosing the Right Bangs:

The first step in achieving a flattering short hairstyle with bangs is selecting the right type of bangs for your face shape. For round faces, side-swept bangs can create the illusion of length and balance. Blunt bangs, cut straight across the forehead, can add a bold, edgy vibe to oval faces. For those with heart-shaped faces, wispy bangs can soften the forehead and draw attention to the eyes. Consulting with a hairstylist can help determine the best bang style to compliment your features.

Finding the Perfect Short Cut

It's important to match a short haircut that complements the right bangs. While a bob with straight-across bangs gives a classic and polished appearance, a pixie cut with choppy bangs can give a playful, textured look. Layered short cuts with bangs are perfect for fine wig styles because they add movement and volume. When selecting the cut, take your lifestyle and hair texture into account. Certain styles demand more upkeep than others.

Styling Tips

Styling short hair with bangs can be quick and easy with the right techniques. Use a round brush while blow-drying to give your bangs volume and shape. A flat iron can help achieve sleek, straight bangs or soft waves for a more relaxed look. Texturizing products, such as mousse or pomade, can add definition and hold to your hairstyle. Experimenting with accessories like headbands or clips can also enhance your look and add variety.

Maintenance and Upkeep

Regular trims are essential to keep short hair with bangs looking fresh and well-maintained. Bangs typically need trimming every few weeks to maintain their shape and prevent them from growing too long and obstructing your vision. Using quality hair care products designed for your hair type will also help keep your style in top condition.

Conclusion

Short hair with bangs is a versatile and flattering hairstyle that can suit various face shapes and personal styles. By choosing the right bangs, finding the perfect short cut, and using effective styling techniques, you can achieve a chic and modern look that is easy to maintain. Embrace the boldness and flexibility of short hair with bangs and enjoy a hairstyle that truly enhances your features.
submitted by Acceptable_Usual3380 to u/Acceptable_Usual3380 [link] [comments]


2024.05.20 08:52 PropRatActual The Black: Ep 118 Informed Decision

What's up all! 4thWall here. Hope you guys have had a fantastic weekend.
If this is your first episode of "The Black", Welcome!! I hope you will join us from the beginning!
First, Previous, Next
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Tense silence greeted Corellus Grarzia. Moments ago, he had stepped off the shuttle sent for him, and now he was standing in the entryway to the main conference room aboard USN Wisconsin. This meeting greatly reminded him of his first meeting after taking captainship of Olyvia. This time however, there were many more players. All but two of the Privateers were present, the latter being simply too deep into a mission, and too far away to make it in time. Both of the missing ships had completed their objectives, and were in transit, but waiting for them was simply not an option. Admiral Grarzia had arrived with Wisconsin and the rest of the Privateers inside of a week from Cory’s transmission, and Admiral stevens had arrived a week after that. Admiral fulmori had retained the USN Texas as his Flag, having grown fond of Captain Gleeson. Unity High Admiral Kawmarin was still currently flagged aboard USN Galveston and was currently using her superior speed to respond to race across unity space in an attempt to rally Unity forces.

Admiral Clint Stevens had arrived with a five-ship battle group. He was flagged aboard USN Tharsis and was escorted by USN Furlong, USN Iowa, a recently retrofitted and upgraded DDS Protectorate, and a newly commissioned Delmar Frigate. The DDS Stormhold was a hybrid vessel. She had been in the early stages of construction when Humanity and Delmar met for the first time, and she had been modified during construction to make use of the recent innovations born of the their budding alliance. She had but half the displacement of an Iowa Class, but she sported two thirds of the weight of fire by destructive potential. Stormhold had struck many human sailors as what a battleship class would have looked like if the Martians had decided to build the class during Humanity’s civil war. Stormhold carried but a pair of super firing Kinetic batteries in dorsal and ventral positions with a single pair of super firing batteries at her midships. Each turret in the battery only boasted a pair of barrels, and they fired the same 1005 projectile. Stormhold was armed to please however, and she carried twice the same number of PAC batteries as USN Tharsis, and she boasted a full-length central weapon that was very uniquely Delmar. The combined minds of the Brothers grem and their research counterparts in Sol had spent years researching and iterating on the Martian Particle Acceleration Cannon, and they had found something.

DDS Stormhold sported a single long low profile blister stretching the length of her ventral hull, set just to the left of centerline to make room for her kinetic batteries. No less than 6 PAC systems were arrayed in parallel, all feeding one focusing array of titanic size. Stormhold could fire up to all 6 at the array, varying the amount of destruction she wished to adjudicate upon her enemy. Bart had dubbed tis weapon the C-PAC, or “Compound Particle Acceleration Cannon”. The discovery however was not that combining Pac beams was doable. Mars had tried and failed to accomplish this. The discovery was how to make it efficient enough to create a viable weapon. This accomplished, something became abundantly clear from the initial testing…. A C-PAC did not scale linearly, but exponentially. A C-PAC could produce the same destructive energy as an Eros, but only within two hundred fifty thousand Kilometers. The rate of fire was still low, and firing all 6 feeder PACs at once was a cautious calculation, as the heat generated was still a problem, but early tests in a long dead system had seen the accidental cracking of the target planet’s crust. The reaction that followed destabilized the planet entirely and said star system was now one interstellar body lighter.

Stevens brought more than just a battle group, having appropriated four troop transports. Each transport carried a detachment of Marines, with the two MACE squads spread between them for heavy support. It was a small number, but they were to be on hand to evacuate any survivors they could. “Alright people, gather round. All of you have seen the brief by now, and I know all of you are ready for this to happen. Let’s not go in halfcocked” Several heads bobbed in acknowledgement and Stevens turned to spear Cory with a gaze, “For those who might not have met yet, this is Corellus Grarzia, Captain of the Privateer that uncovered this little honeypot of horrors. He’s been the closest to this thing the longest.” Stevens waves to Cory, “Captain?”

Cory stepped up and took a long breath, “The situation’s only gotten worse since my first transmission. The prison freighters and the frigates in orbit are just the beginning of the problem. We’ve since discovered camps on the surface of the planet, I’ve marked them in your updated files” Cory flicked his wrist over his data pad, propagating the information to everyone else’s pad and the table in the center of the room, “This is not just a torture camp, it is an indoctrination and training facility. The kissing of the hand is a surrender trigger of sorts. Kiss the hand, and the child is taken from hell, given food, and given a task. Usually something simple and innocuous, but it is rewarded. If a child accepts without instruction, and without question; they are sent to the surface where they are put into an intense indoctrination program.” Cory took a pause, watching the faces of the men and women in the room. Hard eyes and grim expressions waited for him to continue. “The children are eventually taken on hunts…. Hunts of other failed children and adults of their own species… and hunts of the locals… they are creating insurgents. We may and will encounter opposition made of child soldiers and operatives on the surface. We’ve also discovered a fast response system. Attacking one freighter at a time will trigger the destruction of the other freighters, and it appears that the Frigates in the system are in direct communication with someone outside the system every 20 minutes. That is all we know, at this time.”

Cory nodded to the admirals before stepping back from the table. Mac gave Cory a nod before taking a deep breath, “Thank you Captain. Alright people, no idea goes unspoken. No question goes unasked, we only have one shot at this. Let’s get to work.”

____________________________________________________________________________________________

Warren’s eyes slowly fluttered open, aroused from his slumber by soft lips working their way up from the nape of his neck, “Hmm, Good morning.” He whispered as Jezz pulled herself atop him with a smile of her own. She kissed her way up his chin to his ear before responding, “Morning.” She coo’d back at him, her sultry tone lighting his senses on fire. Warren pulled her the rest of the way to his lips, kissing her gently just as his communicator chirped, “UUgghhhh!!” he groaned, breaking their kiss to open the channel, “L.T. Patterson here.” He stated, trying to keep his voice professional as Jezzaria’s lips began to wander again.
*Lieutenant, We’ve received word. The cargo transports finished loading earlier than anticipated. We will be departing in twenty minutes. Captain Yasushi has asked for your presence on the bridge.*

“Understood, I’ll be there… uh…. Momentarily.” Warren responded closing the channel, looking down at a smugly amused Jezzaria, “Jezz! Now how am I supposed to show up on the bridge with that…”

“Hmm” She mused coyly. “Probably shouldn’t, I better take care of that.” Warren never had a chance to respond.

Twenty minutes later, an only slightly breathless Warren arrived on the bridge, receiving a raised eyebrow from Excelsior’s Captain. “Cutting it rather close, Lieutenant?” Yasushi asked as he scanned the last of the information before departure.

Warren kept his face carefully neutral, “Unavoidable, Sir.” He said formally. “You asked to see me?”

“Yes, Is the Elerian delegation settled in?” Yasushi asked first. “We’ve done what we can to give them ample spaces on the ship attuned to their gravity, and signage to prevent accidents, but I’ve heard rumblings.”

“It not… the gravity sir… May we?” Warren responded carefully, nodding to the captain’s ready room. The two of them stepped into the more private setting, and Warren sat heavily into the chair opposite the desk.

Yasushi regarded the young officer with a studious gaze, “Talk to me son. I need to know if something is brewing during this voyage.”

Warren sighed inwardly. The delegation made up about a quarter of the surviving Elerian race, the Oldest of the Children saved from their planet. They had finished catching up in their education and updating on changes wrought while they were asleep. These Oldest had requested, and obviously granted, permission to travel to their home planet to participate in its recolonization. There was only one real problem with the situation. “Jezz wishes to continue to Delmar, but she is the defacto leader of her species. It is, chafing in some area’s.” Warren finally answered.

“Ah, I see.” Yasushi leaned back into his chair. “Has she told them that She is not staying?”

Warren shook his head, “No sir. She knows she has to stay. It’s just…. It’s just obvious that she hates the reality of the situation, that I must continue to Delmar. It does not help that Many of her people see our relationship as hurtful. They see us as narrowing the genetic pool from which they can recover.”

Yasushi’s eyes softened slightly in understanding, “Atticus’ research?”

“Almost complete sir, it’s all but certain that the Corth placed Elerian DNA in the Human genome. He believes that We could be the key to the genetic diversity needed to jumpstart their species, but… They don’t know that.” Warren sighed, “It’s all still heavily classified pending the conclusion. Her people don’t know what she has put herself through to ensure accurate data. They just see me as stealing their future, and her as a love struck girl playing at leadership.”

Yasushi nodded, bringing up the progress synopsis on his consol, “It appears that Atticus requires only one further ‘experiment’ before his conclusions can be reached. Do you know what that is?”

Warren shook his head, “Sorry, Sir. I don’t. We are to meet him in his onboard lab after lunch. He’s fastidious about records, I’m sure you will know by the time we leave his office.”

“Hmm,” Yasushi mused, taking a moment to review the update before closing it, “I know this is hard for you. You two have been thrust into quite a bit above your stage in life. Let me know if there is anything I can do. Dismissed, Lieutenant.”

Warren saluted crisply, following Yasushi out to the bridge just in time to watch the small convoy leap into slip space. His feet slowly guided him back to the quarters he shared with Jezz, feeling the shift in gravity as he passed into the Eleri safe parts of the ship. It would be a two month sail to the Elerian homeworld, and Warren was not looking forward to its conclusion. His thoughts were interrupted by raised voices, one of which he was intimately familiar with, coming from around the corner, and Warren accelerated his gate.

“You know we barely have the numbers to survive! Instead of doing your duty, you’re bedding that heavy worlder!” It was the oldest Elerian male, Bregan, flanked by two other Elerians. They had ambushed Jezz against the door to the quarters Warren and her shared.
“Back up Breg, I don’t care that your father was pappa’s top general. This is not the play you want to make right now. I am Warren’s, and that is not changing.” Jezz’s voice was stern, and she noticed Warren arrive around the corner. The smallest shake of her head kept him from barging in. Elerian female leaders were a prickly thing, and because He was not Eleri, she needed to do this on her own. They had talked about it, expecting something like this once the first complaints had been whispered. Jezz was still kicking herself for not spending more time with her people, but she had also been instrumental in the Gate project that promised to bind the galaxy more tightly than ever before.

Breg openly scoffed at Jezz, “A woman, ordering me around? Maybe Your precious Human will have an accident.” He sneered, blatantly reaching for Jezz’s wingtips, “Then maybe You’s search for a proper m… UGH!” Warren winced as he heard the tale tale cracking of bone. Jez had slapped away Bren’s outstretched hand before driving her fist into his side. She had underestimated her power, having lived for over a year in various gravities that exceed that of her homeworld, and Bren doubled over with eyes wide as he fell to a knee. He clutched his side, glaring at Jezzaria, “Bitch! I’ll have you brought up on charges! Let’s see your precious human get you out of an assault charges, with witnesses.” Bren sputtered, and his two friends nodded angrily.

“Go ahead, but I do not think you will be successful.” Jezz pointed up to the corner of the corridor opposite Warren, “All hallways are rigged for video and audio. Every threat you have made was logged in the ships computer the moment you puked it out of your pathetic mouth.” Warren had to stifle the chuckle that threatened to escape his lips at the pure vitriol in Jezz’s ton. “As for witnesses, you can come on over, hun.”

Warren put on severe expression, locking eyes with Bregan even as the young mans eyes bugged out of his head. “My husband has been watching for quite a while and would make an excellent witness.” Jezz’s smug expression nearly broke Warrens facade as he crossed his arms in front of the three.

“Hmm, threatening the murder of a Naval officer.. Attempted assault on a reigning monarch… Getting recorded doing so, not a good look.” Warren rumbled, and Breg spat at his feet.

“Fuck you.” Bren spat, “If you believe that to be true, why did you wait for your woman to fight instead of protecting her, coward.”

Warren openly laughed in the boy’s face, “you assume my woman needed saving from you. She’s soared on Luna and Conquered the gravity on Ceres.” Warren paused as a profoundly contemplative expression washed over the three boy’s faces, “What makes you think you were anything close to a threat to MY mate.” Warren growled the last part, making the miscreants take an involuntary step back, “Now get out of here. And get that rib checked out, I heard it break from over there.”

The three Elerian boys scrambled down the hallway, unable to flee on wing because of the narrow space. Warren waited for them to round the corner, and felt Jezz collapse into him almost instantly after. Warren quickly opened their door and pulled her in with him, “Hey, hey, hey. Shhhh” He soothed rubbing her down patch between the base of her wings. She melted into him, but continued shaking for a moment. “Their gone, it’s ok now.”

Jezz took a long shakey breath, “I… I don’t know what to do…. My people are so scared… and I can’t tell them that we need Humans to recover our numbers. I… I don’t know what to do…”

Warren kept rubbing her back, “I’ll have lunch brought here. Breg doesn’t need to see that he shook you.” And Jezz nodded, and a few minutes later a pair of cold cut sandwiches arrived. The two of them ate, Jezz curled up in Warren’s lap. Violence was not a natural decision for her, and it had been the first time she had struck anyone outside her occasional sparring with Warren. Warren partially blamed himself for her not knowing her own strength. He always allowed her to strike at him as hard as she could, knowing that she was incapable of hurting him with her bare hands, and she had gained enough speed and technique to occasionally get through his admittedly average hand to hand skills. He had still not taught her to shoot Kinetics. He worried that she would be simply too fragile to shatter bones should she get behind one of his pistols, or even his rimfire rifle.

They were just beginning to leave when a knock at the door interrupted their clean up. And Warren opened the door, his face a serious mask as he prepared to deal with more of the… “Atticus?” He asked as the Androgenous Corth stepped into their quarters. “I thought we were meeting you in your lab?”

“You are correct Warren. However, after word of Jezzaria’s little incident spread across the ship, I thought it best to have this conversation somewhere more comfortable.” Atticus stated in his usual analytical tone, waving to the seating in the pair’s living quarters. Warren raised an eyebrow and the uncharacteristic catering to circumstances from Atticus and settled onto one side of the queen bed in the corner. Their compartment was spacious considering Excelsiors size, but still lacked any major furnishing outside of the bed, a place for clothes and a chair for the desk which held the computer console. Jezz sat down next to him, and Atticus pulled the desk chair to face them.
“What’s this about Att.” Warren asked, picking up on the small tells that told him that Atticus was stalling.

Atticus flashed a smile to Warren before responding, “I’ve completed my research, at least, as much of it I can without more direct observation, and I am unwilling to ask that with so few Elerians left.” He began, holding up a hand to Jezz who was already opening her mouth to protest, “I have already found some remarkable discoveries regarding you. As you are probably aware, being able to adapt to Luna, and even Ceres should not be possible for your species” he continued looking a Jezz as he spoke, “None of your people, who tried anything like that before have succeeded.”

“But Atticus,” Jezz asked in confusion, “I’m fine… I’m better than fine. Warren and I spent a weekend on Luna to say goodbye to his parents. I don’t have to be tossed to fly there anymore.” Atticus raised an eyebrow and Warren nodded in confirmation.

Atticus seemed to freeze for just a split second, as if adding the information to something before his eyes focused on the two of them again, “I’m impressed, but not entirely surprised, Jezz. You’re ability to adapt has an explanation, I simply needed to prove my original findings from Ceres.” Atticus leaned forward slightly, “My dear, you are an anomaly because of your relationship with Warren. I’ve been told that I am too direct, so I will attempt to be… less so” Atticus gave Warren a semi sharp look as he snorted, but continued, “Both of you already know this first part. My people, many many eons ago, used the fledgling Human species as a library of genetic markers meant to be able to save those species and cultures wiped out by the Cataclysm. What I have learned is that Humanity took many of those genetic markers and evolved with them as their own. Almost nothing of what we added to Humanity’s genetic code is how we left it, but some of our library is still capable of interacting with the origin species. That is what has happened with you Jezz.”

Jezz looked shocked for a moment, but then returned to her confused expression, “But, we haven’t done any of those experiments yet. You told me they were too dangerous.” Warren rubbed her shoulders but said nothing, simply waiting for Atticus to explain himself.

Atticus nodded, “I did, and they are; but I failed to account for something that was already happening naturally. To put it… delicately… Your body has been naturally been exposed those same Genetic markers, including the Elerian ones, in significant quantities since you and Warren chose to become life mates. Because those genetic markers include a hormonal component to them, and because of the extra strain your body had been put through on luna and ceres; your body has reacted to them, using them as a template for survival. Your bone mass has tripled since you travelled to Ceres, and your Muscle mass and composition has dramatically changed as well.”

“But how… Oh..” Warren’s face reddened as his mind finally put the pieces together, and Jezz’s cheeks flushed a bright blue upon her own realization. “But that would mean…”

Atticus shook his head, “No, luckily being able to monitor Jezzaria’s health has led me to a much safer way to help jumpstart the Elerian species, but there is a catch… I believe that this level of artificial genetic hybridization can only be done during the embryonic stages of Elerian life to be 100 percent safe, but I wont know until I study a….. natural hybrid.” Jezz’s breath caught in her chest as her eyes widened but Atticus raised his hands quickly, “I cannot ask this… but I know you would be angry with me if I hid this fact from you. I know the two of you desire children, and I will not lie. It is still a great risk. I’ve learned that the two of you prefer to make your own decisions, so I want you to do so with the most recent information. I’ll leave everything here for you to review.” Leaving a data stick on the desk, Atticus stood. He began stepping toward the door as the stunned couple stayed where they were, “I’ll give you some space. I am sorry for the heaviness of my findings.” Atticus opened the door and stepped out.
__________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
If you made it this far, Thank You! I hope you enjoyed the episode. If this if your first time seeing this series, I hope you will join us from the beginning. I do have a patreon that has extra content that is not main story arc, but still cannon shorts, as well as exclusive content from some of my other series. If you believe I've earned it, feel free to give it a look; but know that just coming to hang is already enough.
Have a wonderful rest of your day.
First, Previous, Next Patreon
submitted by PropRatActual to HFY [link] [comments]


2024.05.19 05:34 eleven57pm Differences between R vs TR hairstyles

So if I remember correctly, TRs are specifically recommended long hair. However, I've noticed pure Rs seem to shine in shorter cuts. Not necessarily pixie length (though Drew Barrymore rocked that in the 90s), but like a soft, rounded bob. Think Marilyn in The Misfits.
I made a post in the Romantics sub many moons ago about bangs for Rs vs TRs and noticed from the comments that Rs seemed to love bangs and even considered them a signature hairstyle, while the TRs weren't huge fans of them and found them overwhelming.
Both IDs are recommended face-framing hairstyles, but do they just go about it differently?
submitted by eleven57pm to Kibbe [link] [comments]


2024.05.18 16:21 Independent_Camp_326 The lurker should listen to this post

The lurker should listen to this post
Ok I’ve never posted in here and probably never will again. Honestly, I don’t hate Rhegan. I don’t hate anyone, I’m a girl’s girl and as MUCH as she irks me, which is a lot. . . I really do want to see her love herself (I don’t feel I’m out of bounds to assume she doesn’t by what we see of how she lives her life now). I know she’s always in here and is likely to see this, girl i’m REALLY trying to help you here so please listen, the makeup and dark hair combo ain’t it. She has really naturally pretty features I feel could be accentuated by a shorter, LIGHTER hair color and cut, with long bangs that are more face-flattering, AND much softer “clean girl” makeup with rosy hues instead of loads of caca brown bronzer. So basically exactly the pictures above. Whatever she’s doing now is doing nothing for her natural beauty. Reiterating that this is for Rhegan’s benefit, not meant to be hate.
submitted by Independent_Camp_326 to rhegan777snark [link] [comments]


2024.05.17 08:04 Effective-Ice-2623 What are the best hair styles using remy hair extensions in 2024?

What are the best hair styles using remy hair extensions in 2024?
In 2024, the hair fashion world is embracing innovative and bold styles that leverage the natural beauty and versatility of Remy hair extensions. Here are some unique and trend-setting hairstyles that will make the most of your Remy extensions:
https://preview.redd.it/oldgulmigx0d1.jpg?width=736&format=pjpg&auto=webp&s=2e5b4698fe1bd5fff5f7d760f82aec42b0359b50
Eclectic Waves
Mermaid Waves: Transform your look with cascading mermaid waves using Remy extensions. Achieve this fantasy-inspired style by curling your extensions with a deep waver iron, creating ethereal, ocean-like waves. This look is perfect for festival season or special events.
Modern Shag Waves: Blend your natural hair with Remy extensions cut into a modern shag.
Ultra-Sleek and Straight
Glass Hair: Attain the ultra-sleek, reflective "glass hair" look by using Remy extensions for added length and density. Achieve a mirror-like shine with a flat iron and a high-gloss finishing spray.
Chic Lob (Long Bob): Create a sleek, straight lob using Remy hair extensions for a polished yet trendy style. This mid-length cut is versatile and flattering, combining the sharpness of a bob with the length needed for styling versatility.
Dynamic Layers and Textures
Layered Pixie: Add unexpected volume and length to a pixie cut with strategically placed Remy extensions. This edgy look plays with different textures and lengths, creating a unique, avant-garde style.
Feathered Layers: Incorporate feathered layers with your Remy extensions for a soft, romantic look. This style creates movement and a light, airy feel, perfect for those who love a feminine touch.
Innovative Braids
Hybrid Braids: Combine different braiding techniques, like fishtail, Dutch, and box braids, using Remy extensions. This intricate, mixed-braid style is a head-turner, ideal for showcasing creativity and craftsmanship.
3D Braids: Use Remy extensions to create three-dimensional braids that stand out from traditional styles. This technique adds depth and a sculptural quality to your braids, making them look more intricate and elaborate.
Statement Ponytails and Buns
Bubble Ponytail: Elevate a high ponytail with Remy extensions to create a bubble ponytail. Secure the ponytail with hair ties at intervals, pulling gently on each section to create the "bubble" effect. This playful style is both youthful and chic.
Braided Bun Mohawk: Combine multiple small braids into a single bun mohawk using Remy extensions for added length and volume. This edgy updo is perfect for making a bold statement at any event.
Exquisite Curls and Waves
Goddess Curls: Achieve voluminous, defined curls reminiscent of Greek goddesses using curly Remy extensions. This style celebrates natural curls and adds drama and elegance to your look.
Retro Waves: Use Remy extensions to create vintage-inspired finger waves. This glamorous, old-Hollywood style is perfect for special events and adds a touch of timeless elegance.
Bold and Artistic Color
Rainbow Tips: Experiment with bold color by adding Remy extensions with rainbow-tinted tips. This playful and vibrant style allows you to express your personality without fully committing to permanent color.
Ombre Blends: Create a stunning ombre effect using Remy extensions that transition seamlessly from your natural color to a bold hue. This gradual blend adds depth and interest to your hairstyle.
By incorporating these unique and imaginative hairstyles, you can make the most of your Remy hair extensions in 2024. These styles not only enhance the length and volume of your hair but also allow you to express your creativity and individuality, ensuring you stand out with every look.
submitted by Effective-Ice-2623 to u/Effective-Ice-2623 [link] [comments]


2024.05.17 00:05 BbyD0llGg Want to do more with my locs

I usually opt for a Bob or something like that, but I want some more fun experimental hairstyles! I miss that about when I first loc’d up. Any suggestions?
submitted by BbyD0llGg to blackladies [link] [comments]


2024.05.16 21:58 TheGreaterShade Bob's Tall Tales Stopped Working?

So, I purchased Bob's Tall Tales on Xbox Series X and started up a new single-player game on the Island. Despite purchasing the content, when I try to buy the Bob's Tall Tales engrams or craft any of the items the game won't let me. Saying, "You must own Bob's Tall Tales in order to make this item." So as far as ASA is concerned, I don't own the content I purchased. Meanwhile, if I check the Microsoft store, it says I purchased it.
I have a few mods running in this game, but nothing crazy that completely overhauls how the game works. Currently, I have: all the free Additions Ascended creatures, Cyrus's Magna Geckos, a few of Klinger's building tile sets, Marnii's Hairstyles, Manolo's Death Recovery, and Ghazawl's Upgrade Station. Nothing that I think would cause a conflict with Bob's Tall Tales unless I am wrong.
I'm just curious if anyone else is having this issue and possibly knows how to fix it. Any advice is appreciated. Thanks.
submitted by TheGreaterShade to ARK [link] [comments]


2024.05.16 18:17 Miserable-Menu7251 Steal The Spotlight: Must-Try Lace Front Wig Styles For Every Occasion

Steal The Spotlight: Must-Try Lace Front Wig Styles For Every Occasion
Ability To Effortlessly Transform Your Look With Lace Wigs
In the world of beauty and style, versatility is ideal. The ability to effortlessly transform your look from casual to formal, from day to night, is a coveted asset to any wardrobe. Enter lace front wigs, the ultimate accessory for achieving beautiful hairstyles without dedication. With a seamless blend and natural look, lace front wigs have become a staple in the arsenal of international flavor lovers.

The Glamor Of Lace Front Wigs

Great Look With Lace Front Wigs
Made with meticulous attention to detail, lace front wigs are known for their advanced high quality and craftsmanship. Ensuring a light and breathable feel that is comfortable even for longer wear. Whether made from human hair or the highest quality synthetic fibers, lace front wigs styles provide remarkable realism and versatility.

Lace Front Wig Styles You Must Try

1. Effortless Elegance: Long Wavy Lace Front Wig
Embrace timeless glamor with a long, wavy lace front wig that exudes sophistication and beauty. Whether cascading in loose waves or styled into romantic curls, this flexible option is perfect for formal occasions, weddings or nights out on the town. Elevate your look with diffused highlights or opt for an ombré effect that will accentuate the depth and dimension of your hairstyle.
2. Chic And Elegant: Straight Lace Front Bob
For a swish and polished aesthetic, look no further than a straight lace front bob. This classic hairstyle gives a modern twist to a timeless silhouette, making it perfect for both expert and casual wear. Experiment with blunt cuts or asymmetrical styles to show your personality and elevate your everyday look with minimal effort to style your hairstyles.
3. Boho Beauty: Curly Lace Front Wig
Channel your inner wild spirit with a curly lace front wig that captures the essence of bohemian elegance. Whether they're styled with tousled curls or statement rings, this whimsical style exudes easy charm and renewed elegance. Perfect for musical galas, beach vacations or weekend brunches, the curly lace front wig adds a playful touch to any ensemble.
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Make a statement with a lace wavefront wig that exudes confidence and glamour. Defined with tousled waves and voluminous texture, this glamorous style draws attention and leaves a long-lasting impact. Whether styled in loose waves or glamorous curls, the wavy lace front wig is the epitome of purple carpet glamour, best for special events and formal occasions.

Conclusion: Achieve Your Unique Look With Lace Front Wigs

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From casual elegance to crimson carpet glamour, lace front wigs provide endless options to express your understated style. Whether you're looking for chic elegance or bohemian appeal, there's a lace front wig to liven up every event and mood. Elevate your look and unleash your inner confidence with the transformative energy of human hair wigs lace front
For a glamorous night out, opt for long, cascading curls that exude elegance and sophistication. Channel your inner diva with a sleek, straight style for a professional meeting or formal event. Want to turn heads at a summer soirée? Try a playful bob with beachy waves, perfect for a fun and flirty vibe. Embrace your wild side with a bold, colorful wig for festivals or themed parties. Whether you're attending a wedding, hitting the club, or simply want to switch up your look, lace front wigs offer endless versatility and effortless glamour for any occasion!
submitted by Miserable-Menu7251 to u/Miserable-Menu7251 [link] [comments]


2024.05.16 11:42 Previous-Shower-6785 Curly Wig Hairstyles: BGMgirl Hair

Curly Wig Hairstyles: BGMgirl Hair
https://preview.redd.it/ky7jpp8aer0d1.jpg?width=3024&format=pjpg&auto=webp&s=035bd5cf052bbdc9ca1bdb5dc161ce7f7738b886
  1. Loose Curls: Loose, herbal-searching curls are a conventional desire for a curly wig. This coiffure creates smooth and bouncy curls that supply a romantic and female look. You can choose a shoulder-duration reduce or longer cascading curls, relying for your preference.
  2. Afro Curls: For a ambitious and voluminous look, remember an afro-stimulated curly wig. This fashion functions tight, springy curls that upload peak and fullness for your common appearance. It`s a statement-making coiffure that exudes self assurance and celebrates herbal texture.
  3. Spiral Curls: Spiral curls create an stylish and complicated look. This coiffure functions described, tight curls that shape spirals from root to tip. It's a glamorous desire that works nicely for unique events or while you need to make a statement.
  4. Curly Bob: A curly bob is a elegant and elegant option. This coiffure functions shorter, nicely-described curls that body the face. It's a flexible desire that may be worn casually or dressed up for a extra formal look.
  5. Beachy Waves: If you select a extra comfortable and messed up look, beachy waves are a high-quality option. This fashion mimics the effortless, textured waves you get from an afternoon on the beach. It's a carefree and younger fashion that works nicely for normal wear.
  6. Curly Updo: Don't restrict your self to sporting your curly wig down. You also can test with updo hairstyles like curly ponytails, curly buns, or half-up half-down styles. These hairstyles assist you to show off your curls whilst including an detail of beauty and sophistication.
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2024.05.16 08:33 Effective-Ice-2623 Is it necessary to cut clip-in hair extensions?

Is it necessary to cut clip-in hair extensions?
Clip in hair extensions offer a transformative touch to any hairstyle, but the decision to cut them can depend on personal preference and styling goals. While it's not always necessary, customizing clip-ins can unlock endless styling possibilities and elevate your look to new heights of creativity and individuality. Here's a refreshing perspective on when and why you might consider trimming your clip in human hair extensions:
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  1. Personalized Lengths for Effortless Blending: Instead of conforming to predetermined lengths, consider tailoring your clip-in extensions to match your unique hair length and style. Whether you're rocking a chic bob or luxurious mermaid locks, trimming the extensions to your desired length ensures seamless blending and effortless elegance.
  2. Precision Layering for Natural Movement: Embrace the art of precision layering by strategically trimming your clip-in extensions to mimic the natural layers of your hair. By adding dimension and movement, customized layers create an organic flow that seamlessly integrates with your own locks, resulting in a stunningly authentic finish.
  3. Curated Bangs or Face-Framing Layers: Elevate your hairstyle with the addition of bespoke bangs or face-framing layers crafted from your clip-in extensions. Tailored to suit your facial features and styling preferences.
  4. Sculpted Volume and Texture: Unleash your creativity by sculpting your clip-in extensions to achieve voluminous texture and dynamic shape. Whether you're aiming for cascading waves or tousled curls, precise trimming allows you to sculpt and mold your extensions to perfection, resulting in show-stopping volume and texture that command attention.
  5. Effortless Thinning for Seamless Integration: If your natural hair is fine or thin, trimming your clip-in extensions can help alleviate excess bulk and ensure a seamless blend. By carefully thinning out the extensions, you create a lightweight and natural-looking result that seamlessly integrates with your own hair, enhancing overall volume and density without compromise.
Before embarking on your clipping adventure, consider consulting with a skilled hairstylist to explore unique cutting techniques and styling strategies tailored to your hair type and preferences. With a personalized approach to trimming clip-in extensions, you'll unlock a world of styling versatility and unleash your inner hair artist, celebrating your individuality with every strand.
submitted by Effective-Ice-2623 to u/Effective-Ice-2623 [link] [comments]


2024.05.15 05:04 s0ul555 Haircut advice for fine, wavy hair

Haircut advice for fine, wavy hair
I have fine and wavy hair that is currently in a grown out bob. I’ve been struggling with it for quite a few years now and have had multiple lengths and cuts. Lately, I feel like I’m at a loss with my hair as it’s been very frustrating to deal with because it’s very fine and quite thin and the texture is very uneven. It also gets greasy pretty easily. All of this makes it so my hair feels pretty limp and flat. I’m not quite sure what kind of haircut/hairstyling would suit my hair best, given the circumstances. For reference, I do not do much to my hair, just shampoo and conditioner every other day or 2. I don’t style it because tbh I don’t know how :’) I would love to hear suggestions on what kind of haircuts and/or hair regimens would make my hair less flat and more voluminous and also improve the texture. I would also like to know if my hair is better shorter or longer? When my hair is long, I hate it and want to cut it and when I do cut it, I regret it. 🙃 Any advice would be greatly appreciated!!! 🙏🏻
(First 3 pics are my hair as of right now and the last 2 are when it was longer)
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2024.05.15 02:46 Mindless_Tip_794 Which hairstyle do you prefer for SpongeBob?

Which hairstyle do you prefer for SpongeBob? submitted by Mindless_Tip_794 to spongebob [link] [comments]


2024.05.14 23:56 Outrageous-War-8932 Leonard Skinner

Coach Skinner: The (Unwitting) Namesake of Lynyrd Skynyrd
Leonard Skinner, a Florida gym teacher and basketball coach, may not have known it, but he played a pivotal role in rock music history. Skinner's strict enforcement of a school dress code against long hair in the 1960s directly inspired the now-iconic name of Southern rock band Lynyrd Skynyrd.
Several members of the band, including Ronnie Van Zant, Gary Rossington, and Bob Burns, attended Robert E. Lee High School in Jacksonville, where Skinner was a teacher. Facing disciplinary action for their nonconformist hairstyles, they decided to immortalize Skinner's name in their band, albeit with a playful misspelling to mock his authority.
While Skinner himself might not have intended to be a part of rock and roll lore, his name became synonymous with the band's rebellious spirit and Southern roots. Lynyrd Skynyrd, despite the initial friction, later acknowledged Skinner's influence and maintained a respectful relationship with him.
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2024.05.13 10:22 mmmano4ka Haircut

Haircut
I AM SURE i saw some people discussing her hairstyle couple of days ago, saying, that they hope she won't get a fringe and won't do a short bob haircut, because this length and style now are so good and fit her being mum perfectly.
submitted by mmmano4ka to julieeandcamilla [link] [comments]


2024.05.13 03:49 No_Recognition7135 Help - new blonde

TLDR: I have no idea how to make my hair feel like my hair again now that I've gone blonde. It feels almost sticky on non wash days. Any ideas?

I have enjoyed coloring my hair for many years, but I've always been really lazy about it. I always go darker so when my hair starts to grow, it looks more natural and I don't have to worry so much about upkeep. I've changed my hairstyle a lot over the years, too, but usually end up with the same, chin to shoulder length bob with bangs of some kind.
I never really had any hair care education. I have very straight, fine, medium thickness, medium brown hair. For a long time, my routine was wash, brush, go. I am a single parent of a special needs child with a full time job. I wake up early, shower, make sure my kid is on the bus, go to work, come home, and spend time with my kid until bedtime when I crash. I have no time alone. It also didn't help that I was struggling with mental illness (still am but it's much more controlled) so I really didn't care.
A few years ago, I shaved my head. All the hair on my head now has never been touched by anything stronger than my shampoo. I never blow dried and I never used hairspray. I've also never had any body to my hair.
Fast forward to a couple months ago. I decided I wanted to color my hair again. I looked over pictures, spent time trying to decide what I want. I finally landed on going lighter since I've never done it before, and it would give me a good base to add more "fun" colors (pink tint, orange, something like that). I was fully aware going into it that my routine was going to change. I made the appointment, though I made the wrong kind of appointment, so there wasn't enough time to do the whole thing. She essentially did a partial highlight all over the top layers of my hair. I absolutely love it. I spent most of the appointment asking for some basic tips to help keep my hair as long as possible until my next appointment.
What I was not prepared for was how different my hair was going to feel. I figured it would be drier, but I wasn't entirely sure what that actually meant.
My hair care routine is different. I don't wash as often. I use purple shampoo once a week. I use a hair mask once a week. I wash twice a week. I blow dry most of the way, brush, then finish. In the morning, I brush and use a little texture spray. On non wash days, I use dry shampoo at night. I haven't really gotten much into styling yet, I'm just trying to learn how to keep it looking healthy and keep the color.
The major problem I'm running into is that my hair feels... sticky, I guess, for lack of a better word. On non wash days, it doesn't brush out very well, I try to be gentle and patient about it. I can't run my fingers through my hair like I always used to do, it's a stress tick and it's weird not being able to do it. It's got a lot more body now, which I love, and I love the color. I just wish it FELT better.
Long story long, I am looking for tips to get my hair to feel better on non wash days. Or at least knowing if this is just my life now haha. I have zero frame of reference for even where to begin.
Attached are some photos. The orange blazer is right before I got it colored. The black and white striped shirt is right after washing. The white and pink shirt is day two hair. The black and gray is day four hair. I rarely go out on day four so I don't usually do anything to it, today was my first time actually doing "day four hair."
I'm sorry for the super long post. One of my major flaws is being long winded haha!
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2024.05.12 15:01 749201748291 updo ideas for a sweaty fat woman with thinning on top?

i don't cope well in the warm weather so i need my hair tied up at all times
my hair is gradually thinning on top from PCOS so i can't do high or even mid ponytails or anything that pulls my hair taut because it tugs the sparse patch and hurts, and makes it more visible, and will probably pull out more hair because it can't hold the weight
my side bangs don't stay heat styled for long because as soon as i sweat they just curl back up and stick out weirdly, they look ridiculous. they dont even look like a bad hairstyle, they look like they couldn't be classed as a hairstyle because what they're doing is just not a thing
i mostly end up twisting my bangs loosely and pinning them to the side of my head and tying the rest in a low bun or claw clip
it makes me look like an egg
any suggestions for styles that'd be a bit more flattering? make me look a bit less old and frumpy? less of a pinhead
please don't suggest cutting it; cutting it short would make me more of an egg and cutting it into a bob would make me just as sweaty but it'd be harder to tie up
i'm 30 and have mid length mid brown hair
thanks!
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2024.05.12 01:56 curlywhiskerowl Help me choose, + jewelry?

Help me choose, + jewelry?
Hi! My brother is getting married in Iowa in late July, and the dress code is black tie. I've never been to any black tie event before!
I'm a petite, 35 year old woman and my style is classic and feminine (and a bit quirky day to day, but I don't want to be quirky at a black tie wedding). My hair is a curly bob so a fancy hairstyle would end at "pinned up nicely on one side." My shoes are basic closed toed Clark's heels with an ankle strap and are non negotiable due to foot issues.
My options are:

1: One shouldered gown, jewelry TBD (my husband's fave)—just above floor length

2: V neck gown with the red topaz jewelry set pictured (my fave, and that of the ladies at the dress shop)—a bit longer than floor length

Both fit well with my chosen heels. ☺️ Sorry I don't have pics of them on.
Questions: 1. Which dress do you prefer? 2. What jewelry would you wear with the one shouldered gown? I'm thinking just a bracelet and earrings... Specific search terms would be really helpful.
Thank you so much for any help!
submitted by curlywhiskerowl to Weddingattireapproval [link] [comments]


2024.05.11 22:03 kalebsantos Respect John Schafer (Predator Comics)

Whoevers doing the killings, they've messed with my city, my subway system, and maybe, just maybe, my brother.
Schaefer was an immigrant who was granted an American citizenship in 1975, joined the NYPD in 1978, and made Detective in 1986. During a heatwave Schafer and his partner investigated a serial killer who targeted dangerous gang members he later figured out was the alien hunter. Ever since than he travelled the world from South America to Russia to investigate the mysterious disappearance of his brother Alan Dutch Schafer and fight Predators wherever he finds them. He’s unflappable with an odd sense of humor… and an extraterrestrial big game hunters worst nightmare.
Dark Horse Predator RT

Strength

Striking
Striking with Weapons
Pushing/Pulling
Lifting/Throwing
Other

Speed

Durability

Blunt
Piercing
Other

Intelligence/Skill

GeaEquipment

Guns
Other
Other
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2024.05.11 21:13 SanderSo47 Directors at the Box Office: Wes Craven

Directors at the Box Office: Wes Craven
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Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Wes Craven's turn.
Craven earned a master's degree in philosophy and writing from Johns Hopkins University. He subsequently bought a 16mm film camera and began making short movies. His friend Steve Chapin informed him of a messenger position at a New York City film production co, where his brother, future folk-rock star Harry Chapin worked. He started in the industry as a sound editor, before transitioning as a porn director. He said he made "many hardcore X-rated films" under pseudonyms. And then he transitioned into directing for the big screen.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1970s, some of the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

The Last House on the Left (1972)

"Mari, seventeen, is dying. Even for her, the worst is yet to come."
His directorial debut. The film stars Sandra Peabody, Lucy Grantham, David Hess, Fred J. Lincoln, Jeramie Rain, and Marc Sheffler. The plot follows Mari Collingwood, a teenager who is abducted, raped, and tortured by a family of violent fugitives led by Krug Stillo on her seventeenth birthday. When her parents discover what happened to her, they seek vengeance against the family, who have taken shelter at their home.
Craven, who had no money at the time, was put on the job of synchronizing dailies for Sean S. Cunningham's Together. They became friends, and Hallmark Releasing gave them $90,000 to make another film. Craven considered a hardcore film, but decided to tone it down a bit. The idea for this film came from Ingmar Bergman's The Virgin Spring, and Craven wanted to make a film in which the violence would be shown in detail onscreen, as he felt that many popular films of the era, such as Westerns, glamorized violence and the "vigilante hero", and gave the public a misleading representation of death in the wake of the Vietnam War.
The film attracted negative media attention for its heavy graphic content, and there were calls for some theaters to drop the film. But you know, bad buzz is still buzz and that translated to a pretty good run in theaters, earning up to $3 million in its initial run. Even to this day, the film is polarizing due to its violence and themes. But Craven just made his name well known.
  • Budget: $90,000.
  • Domestic gross: $3,100,000. ($23.1 million adjusted)
  • Worldwide gross: $3,100,000.

The Hills Have Eyes (1977)

"A nice American family. They didn't want to kill. But they didn't want to die."
His second film. The film stars Susan Lanier, Michael Berryman and Dee Wallace. The film follows the Carters, a suburban family targeted by a family of cannibal savages after becoming stranded in the Nevada desert.
Craven wanted to make a non-horror, but he found that his investors only wanted films with graphic content. At the New York Public Library, Craven checked the library's forensics department, and learned of the legend of Sawney Bean - the alleged head of a 48-person Scottish clan responsible for the murder and cannibalization of more than one thousand people. He drew influences from this, The Texas Chain Saw Massacre and The Grapes of Wrath. Craven also had to cut a lot of scenes to avoid getting an X rating.
The film once again drew negative attention for its violence. But it made over $25 million at the box office, which was an even bigger success than House. It subsequently earned a cult following.
  • Budget: $700,000.
  • Domestic gross: $25,000,000. ($128.8 million adjusted)
  • Worldwide gross: $25,000,000.

Deadly Blessing (1981)

"Pray you're not blessed."
His third film. It stars Ernest Borgnine, Maren Jensen, Susan Buckner, and Sharon Stone, and tells the story of a strange figure committing murder in a contemporary community that is not far from another community that believes in ancient evil and curses.
It received negative reviews, but it was another box office success for Craven.
  • Budget: $3,000,000.
  • Domestic gross: $8,279,042. ($28.4 million adjusted)
  • Worldwide gross: $8,279,042.

Swamp Thing (1982)

"Science transformed him into a monster. Love changed him even more!"
His fourth film. Based on the DC Comics character created by Len Wein and Bernie Wrightson, it stars Louis Jourdan and Adrienne Barbeau. It tells the story of scientist Alec Holland who is transformed into the monster known as Swamp Thing through laboratory sabotage orchestrated by the evil Anton Arcane. Later, he helps a woman named Alice Cable and battles the man responsible for it all, the ruthless Arcane.
The film made $2.5 million domestically, despite mixed reviews.
  • Budget: N/A.
  • Domestic gross: $2,500,000. ($8 million adjusted)
  • Worldwide gross: $2,500,000.

A Nightmare on Elm Street (1984)

"If Nancy doesn't wake up screaming, she won't wake up at all."
His fifth film. It stars Heather Langenkamp, John Saxon, Ronee Blakley, Johnny Depp, and Robert Englund. The film's plot concerns a group of teenagers who are targeted by Freddy Krueger, an undead child killer who can murder people through their dreams, as retribution against their parents who burned him alive.
The film was inspired by several newspaper articles printed in the Los Angeles Times in the 1970s about Hmong refugees, who, after fleeing to the United States because of war and genocide in Laos, Cambodia, and Vietnam, suffered disturbing nightmares and refused to sleep. Some of the men died in their sleep soon after. This, along with the song "Dream Weaver" by Gary Wright, motivated Craven to craft a horror film focused on people dying through their sleep.
The film's villain, Freddy Krueger, is drawn from Craven's early life. One night, a young Craven saw an elderly man walking on the sidepath outside the window of his home. The man stopped to glance at a startled Craven and walked off. This served as the inspiration for Krueger. Initially, Fred Krueger was intended to be a child molester, but Craven eventually characterized him as a child murderer to avoid being accused of exploiting a spate of highly publicized child molestation cases that occurred in California around the time of the film's production. He settled on the name Freddy Krueger, which was based on a childhood bully of his.
The process of writing the film went smoothly, the real problem was finding a studio. Craven sent it to most studios, and all rejected it. The first studio to show interest was Disney, but Craven declined their offer as they wanted a more toned-down kid-friendly PG-13 flick. When Paramount and Universal also turned it down, Craven decided to go to the independent studio New Line Cinema. The studio only distributed films, but they agreed in financing the film. As they lacked the financial resources for the production, New Line had to turn to external financiers.
Despite opening in just 165 theaters, the film earned $1.2 million in its opening weekend, making it clear that it would be an immediate box office success. It eventually closed with $25 million domestically, and $57 million worldwide. It received critical acclaim, and has been referred as one of the best and most influential slashers ever made. Freddy Krueger would soon be hailed as one of the most emblematic figures of horror, and Craven quickly earned a reputation as a horror legend. But most importantly, it was the beginning of New Line Cinema as a studio, which is why it's referred as "the house that Freddy built."
The film would later spawn a franchise, although Craven wouldn't direct any of the "sequels." Why the quotation marks? We'll get to that later on.
  • Budget: $1,100,000.
  • Domestic gross: $25,624,448. ($77 million adjusted)
  • Worldwide gross: $57,185,134.

The Hills Have Eyes Part II (1985)

"So you think you're lucky to be alive."
His sixth film. The sequel to The Hills Have Eyes, it stars Tamara Stafford, Kevin Spirtas, John Bloom, Michael Berryman, Penny Johnson, Janus Blythe, John Laughlin, Willard E. Pugh, Peter Frechette and Robert Houston. It follows a group of bikers who become stranded in the desert and find themselves fighting off a family of inbred cannibals who live off the land.
The film was shot on a very low budget, and it simply ended prematurely because they ran out of funds. There are no box office numbers available, but it received awful reviews.

Deadly Friend (1986)

"There's no one alive who'll play with the girl next door."
His seventh film. Based on the novel Friend by Diana Henstell, it stars Matthew Laborteaux, Kristy Swanson, Michael Sharrett, Anne Twomey, Richard Marcus, and Anne Ramsey. Its plot follows a teenage computer prodigy who implants a robot's processor into the brain of his teenage neighbor after she is pronounced brain dead; the experiment proves successful, but she swiftly begins a killing spree in their neighborhood.
Craven wanted to make a PG-rated science fiction film, with a similar tone to Starman, hoping to prove that he could make something that wasn't horror-themed. An unfinished version of the film was screened to a test audience of Craven's fanbase, and it was poorly received for its lack of violence and gore like his previous films. So WB decided to rewrite the film, adding more scenes with tons of gore. This made the final film appear tonally jumbled, and it went from easy PG to struggling to not get an X rating.
The film was poorly received for its story and inconsistent tone. It also marked a huge flop at the box office, not even hitting $10 million. Craven lost interest in the film after WB inserted their own version, and he has since disowned the film.
  • Budget: $11,000,000.
  • Domestic gross: $8,988,731. ($25.6 million adjusted)
  • Worldwide gross: $8,988,731.

The Serpent and the Rainbow (1988)

"Don't bury me, I'm not dead!"
His eighth film. It stars Bill Pullman, and is loosely based on the life of ethnobotanist Wade Davis, recounting his experiences in Haiti investigating the story of Clairvius Narcisse, who was allegedly poisoned, buried alive, and revived with a herbal brew which produced what was called a zombie.
The film received mixed reactions, but it was a much needed box office success for Craven.
  • Budget: $7,000,000.
  • Domestic gross: $19,595,031. ($51.7 million adjusted)
  • Worldwide gross: $19,595,031.

Shocker (1989)

"No more Mr. Nice Guy."
His ninth film. It stars Michael Murphy, Peter Berg, Cami Cooper, and Mitch Pileggi, and follows a serial killer who uses electricity to come back from the dead and carry out his vengeance on the football player who turned him in to the police.
Another mixed bag for Craven, but it was still profitable.
  • Budget: N/A.
  • Domestic gross: $16,554,699. ($41.6 million adjusted)
  • Worldwide gross: $16,554,699.

The People Under the Stairs (1991)

"In every neighborhood, there's one house that adults whisper about and children cross the street to avoid."
His tenth film. It stars Brandon Adams, Everett McGill, Wendy Robie, and A. J. Langer. The plot follows a young boy and two adult robbers who become trapped in a house belonging to a neighborhood's crooked landlords after breaking in to steal their collection of gold coins as the boy learns a dark secret about them and what also lurks in their house.
After a slate of mixed performers, the film received Craven's best reviews since Elm Street. To the surprise of Universal, it was also a box office success.
  • Budget: $6,000,000.
  • Domestic gross: $24,204,154. ($55.5 million adjusted)
  • Worldwide gross: $31,347,154.

Wes Craven's New Nightmare (1994)

"This time, the terror doesn't stop at the screen."
His 11th film. The installment in the A Nightmare on Elm Street franchise, it stars Robert Englund, Heather Langenkamp, Miko Hughes and John Saxon. The film is not part of the same continuity as previous films, and it portrays Freddy Krueger as a fictional movie villain who invades the real world and haunts the cast and crew involved in the making of the films about him.
While Craven co-wrote the franchise's third installment, Dream Warriors, he wasn't that involved with the rest of the franchise. He wanted to make a deliberately more cerebral film than recent entries to the franchise, as he considered them as being cartoonish, and not faithful to his original themes. Specifically, he wanted Freddy to resemble his original vision: far darker and less comical. To reinforce this, the character's make-up and outfit were enhanced, with one of the most prominent differences being that he now wears a long blue/black trenchcoat. In addition, the signature glove was redesigned for a more organic look, with the fingers resembling bones and having muscle textures in between.
The film received high praise, and was considered as the best film in the franchise since the original (it was Englund's favorite). But the franchise has been bleeding interest at the box office, and New Nightmare unfortunately had to suffer. It was profitable, but it became the lowest grossing film in the franchise.
  • Budget: $8,000,000.
  • Domestic gross: $18,090,181. ($38.1 million adjusted)
  • Worldwide gross: $19,721,741.

Vampire in Brooklyn (1995)

"A comic tale of horror and seduction."
His 12th film. It stars Eddie Murphy, Angela Bassett, Allen Payne, Kadeem Hardison, John Witherspoon, Zakes Mokae, and Joanna Cassidy. It follows a Caribbean vampire who seduces a Brooklyn police officer who has no idea that she is half-vampire.
The film had awful reviews, and despite the presence of a huge star like Eddie Murphy, it disappointed at the box office. Craven really needed a hit.
  • Budget: $8,000,000.
  • Domestic gross: $19,751,736. ($40.4 million adjusted)
  • Worldwide gross: $34,951,736.

Scream (1996)

"Someone has taken their love of scary movies one step too far."
His 13th film. It stars David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich and Drew Barrymore. Set in the fictional town of Woodsboro, California, Scream's plot follows high school student Sidney Prescott and her friends, who, on the anniversary of her mother's murder, become the targets of a costumed serial killer known as Ghostface.
As he was trying to make it in the industry, Kevin Williamson watched a Turning Point documentary about serial killer Danny Rolling which he said left him unsettled. Williamson later noticed an open window, armed himself with a knife, and called his friend for support. The pair began discussing horror characters that had resonated with them such as Freddy Krueger and Jason Voorhees. This experience prompted Williamson to start developing a concept wherein a girl is haunted by a caller.
He started writing a film titled Scary Movie, and even left an outline for possible sequels. The concept was part of an era where there was debate over the influence of cinematic violence on audience, with Williamson coming up with a brilliant line "movies don't create psychos, movies make psychos more creative." It was inspired by many 1980s slashers, even though the genre was on decline by that point. His characters were intentionally designed to be knowledgeable about these horror films and their typical elements, with the intention of creating a unique killer who was not only aware of horror film clichés but also exploited them for his own advantage.
While Williamson struggled with his previous films, this script was part of a bidding war with the studios, to the point that Oliver Stone himself wanted to direct it. Miramax (through Dimension Films) bought the script, and Williamson made some rewrites to scale back the violence. Bob Weinstein also wanted to change the name, as he believed the audiences would think the film is a comedy.
The studio considered Danny Boyle, Tom McLoughlin, Sam Raimi, Robert Rodriguez, George A. Romero, Quentin Tarantino, and Anthony Waller as prime candidates to direct the film, but they all preferred to view the film as a comedy. Wes Craven was considered, but the studio believed he couldn't direct a satire. Craven also wasn't planning on directing it, as he wanted to focus on more mainstream films to salvage his career. Craven's assistant Julie Plec (who would collaborate with Williamson on The Vampire Diaries) convinced him in helming the project. By signing, Craven decided to get back some of the gore that was missing in the previous drafts.
A huge contrast to the horror films of the era was that the film had established actors as the leads, as Craven and Williamson wanted to prove that no character was safe. Drew Barrymore had already starred in a few recognizable names, Neve Campbell was on the hit show Party of Five, Rose McGowan was known for Encino Man and The Doom Generation, David Arquette, Matthew Lillard and Skeet Ulrich were recognizable supporting characters, and Courteney Cox obviously was known for Friends. Vince Vaughn and Natasha Lyonne were the preferred choices for Billy and Tatum, but external problems caused them to drop out.
After viewing the dailies raw footage, the Weinsteins criticized the quality of Craven's work as "workmanlike at best", believing it lacked tension and had an inconsistent tone. The Weinsteins also disliked the mask design, and said Barrymore lacked sex appeal because of the pageboy hairstyle she had chosen. While filming the final fight, Campbell's stuntwoman accidentally stabbed Ulrich with an umbrella tip, missing the protective vest he was wearing and hitting the site of an open heart surgery Ulrich had as a child. During post-production, Harvey Weinstein decided to name the film as Scream based on the Michael and Janet Jackson song.
In a surprising move, the Weinsteins decided to release the film during the holiday season as counter-programming, offering teenagers an alternative to more traditional holiday fare. The decision was unpopular with the cast and crew, with Williamson expecting the film to fail. The film opened with $6.4 million and finishing in fourth place, leading analysts to consider the film as a bomb.
But the film just kept growing.
Buoyed by positive word of mouth, the Weinsteins increased marketing and the film managed to increase in its second and third weekends. It closed with $103 million domestically and $173 million worldwide, becoming the highest grossing slasher film ever and Craven's highest grossing film ever. The film received critical acclaim for its characters and writing, and has since been deemed as one of the most influential horror films of all time. It rekindled interest in horror, resurrected Craven's career and launched the careers of Williamson and the cast.
  • Budget: $15,000,000.
  • Domestic gross: $103,046,663. ($245.4 million adjusted)
  • Worldwide gross: $173,046,663.

Scream 2 (1997)

"Someone has taken their love of sequels one step too far."
His 14th film. The sequel to Scream, it stars David Arquette, Neve Campbell, Courteney Cox, Sarah Michelle Gellar, Jamie Kennedy, Laurie Metcalf, Jerry O'Connell, Elise Neal, Timothy Olyphant, Jada Pinkett, and Liev Schreiber. The film takes place two years after the first film and again follows the character of Sidney Prescott, along with other survivors of the Woodsboro massacre, at the fictional Windsor College in Ohio where they are targeted by a copycat killer using the guise of Ghostface.
As Williamson already had plans for sequels, the idea was for Sidney to attend college while being stalked by a copycat Ghostface killer. As filming began, Williamson's script had four killers: Derek, Hallie, Cotton Weary, and Nancy Loomis. But after Williamson transferred his script to the production, it was leaked onto the Internet in full, revealing the identity of the killers and a large amount of the involved plot. This resulted in the production continuing to film with only a partial script while Williamson conducted extensive rewrites, changing much of the film's finale, the identities of the film's killers and drastically altering the roles of other characters such as Randy Meeks and Joel. With a short deadline, Williamson couldn't fully compromise on the final script, forcing Craven to fill in the gaps himself. So the film was one of the very first cases where the Internet leaked major aspects of a film.
As the Weinsteins wanted the film ready for December, it was able to capitalize on the audience's word of mouth to the original. It opened with $32 million in its first weekend, almost five times as big as the original, and the biggest December debut. It didn't hold as great as the original due to the competition, such as Titanic, but it still made $172.3 million worldwide, almost matching the original's gross. It also received very positive reviews, and so a profitable franchise was already underway.
  • Budget: $24,000,000.
  • Domestic gross: $101,363,301. ($237.2 million adjusted)
  • Worldwide gross: $172,363,301.

Music of the Heart (1999)

"She gave them a gift they could never imagine. They gave the system a fight it would never forget."
His 15th film. The film stars Meryl Streep, Aidan Quinn, Angela Bassett, Gloria Estefan, Jane Leeves, Kieran Culkin and Jay O. Sanders. The film is a dramatization of the true story of Roberta Guaspari, who co-founded the Opus 118 Harlem School of Music and fought for music education funding in New York City public schools.
After seeing the documentary Small Wonders, Craven was inspired to make a full-length film about Guaspari. Madonna was originally signed to play the role of Guaspari, but left the project before filming began, citing "creative differences" with Craven. When she left, Madonna had already studied for many months to play the violin. Streep learned to play Bach's Concerto for 2 Violins for the film. The project marked a huge departure for Craven; it was his first and only film to be rated PG, and his only one to not be horror or thriller.
It received generally positive reviews, but it bombed at the box office. It received 2 Oscar nominations for Best Actress and Best Original Song, the only Craven film to get any noms.
  • Budget: $27,000,000.
  • Domestic gross: $14,859,394. ($27.8 million adjusted)
  • Worldwide gross: $14,936,407.

Scream 3 (2000)

"The most terrifying scream is always the last."
His 16th film. The third installment in the Scream franchise, it stars David Arquette, Neve Campbell, Courteney Cox Arquette, Parker Posey, Patrick Dempsey, Scott Foley, Lance Henriksen, Matt Keeslar, Jenny McCarthy, Emily Mortimer, Deon Richmond, and Patrick Warburton. The film's story takes place one year after the previous film's events and follows Sidney Prescott, who has gone into self-imposed isolation following the events of the previous two films but is drawn to Hollywood after a new Ghostface begins killing the cast of the film within a film Stab 3.
The plans for a sequel were already underway since Williamson sold the script, although Williamson still didn't write a script yet. When the Weinsteins approached him to write the film, Williamson was already busy with many projects (including his directorial debut), and was unavailable to perform his duties. He only made a 20-page outline wherein Ghostface would return just as production on a fictional film Stab 3 would be filmed. His plan was to show the killers were part of a Stab fan club (this idea would later be adapted into his show, The Following). With Williamson not available, Ehren Kruger was tasked in writing.
Shortly before production began on the film, the Columbine High School massacre took place, and many parties began looking for reasoning behind the shooters' actions and there came an increased scrutiny on the role of the media in society, including video games and film, and the influence it could have on an audience. With production of Scream 3 not yet underway, there were considerations about whether the film should be made at that time, aware of the potential for negative attention but the studio decided to press forward, albeit with changes.
The Weinsteins demanded to scale back on the gore and emphasize its satiric humor, as well as moving the setting to Hollywood. At one point in the production, the studio went as far as demanding that the film feature no blood or on-screen violence at all, a drastic departure for the series, but Craven directly intervened. One of the aspects changed was that the killer would be revealed to be Stu Macher, having survived the original film. The Weinsteins changed it after Columbine, as they didn't want to associate violence and murder with a high school setting.
The film opened with $34.7 million, a franchise record and the biggest February debut ever. But it had weak legs, although it still made a very profitable $161.8 million worldwide. While the previous films were well-received, this film received negative reviews, who lambasted the film for becoming the very own thing it satirizes.
  • Budget: $40,000,000.
  • Domestic gross: $89,143,175. ($178.2 million adjusted)
  • Worldwide gross: $161,834,276.

Cursed (2005)

"What doesn't kill you makes you stronger."
His 17th film. It stars Christina Ricci, Joshua Jackson, Jesse Eisenberg, Judy Greer, Scott Baio, Milo Ventimiglia, Shannon Elizabeth and Mýa, and follows two orphaned siblings attacked by a werewolf loose in Los Angeles.
Kevin Williamson started working on a script that followed the exploits of a New York City serial killer who discovers that his lethal tendencies are due to his lycanthrope nature. When one of his projects was scrapped, Craven decided to direct, teaming them up again for another Scream reunion. But it wasn't planned like that. Craven was making a film, Pulse, when Bob Weinstein abruptly pulled the movie from the schedule ten days before shooting and cut through all the slow lanes, wanting Craven to get to Cursed as soon as possible. Craven was reportedly not pleased so Weinstein doubled his pay in order for him to direct the film. The director deemed the script too tonally similar to his film Vampire in Brooklyn, but felt pressured by the studio, leading him to ultimately sign on.
The film started filming in January 2003, hoping to get the film released in August. In June, they only had six days left for filming. Suddenly, Dimension Films decided to put the movie on hold because top executives at the company weren't happy with the film's ending or how the special effects were progressing, specifically the look of the film's lead lupine. Rick Baker was preparing the final transformation effects when production stopped and asked Weinstein to let his team finish the work in order for it to be ready for the reshoot, but he refused. Patrick Lussier was brought in for massive rewrites, and the film didn't return to production until November. Baker was fired, and the prosthetic make-up was replaced with CGI. Skeet Ulrich filmed his scene as one of the leads, but chose to drop out following the reshoots as he disliked the new direction. It was also heavily edited to get the R rating down to PG-13. The budget was originally $35 million, yet some reports suggest it ballooned all the way to $100 million, making it one of the most expensive horror films ever.
With that budget, it was clear it was not going to be a box office success. It flopped with just $29 million worldwide, and was panned by critics. Craven himself dislikes the final product, and a director's cut was never an option because his original ending was never filmed.
  • Budget: $100,000,000.
  • Domestic gross: $19,297,522. ($30.8 million adjusted)
  • Worldwide gross: $29,621,722.

Red Eye (2005)

"Fear takes flight."
His 18th film. It stars Rachel McAdams, Cillian Murphy, and Brian Cox. The story follows a hotel manager ensnared in an assassination plot by a terrorist while aboard a red-eye flight to Miami.
The film received Craven's best reviews in years, and was a box office success, earning almost $100 million. While he is fine with people loving it, Cillian Murphy is not really fond of the film, "I love Rachel McAdams and we had fun making it but I don’t think it's a good movie. It’s a good B movie."
  • Budget: $26,000,000.
  • Domestic gross: $57,891,803. ($92.5 million adjusted)
  • Worldwide gross: $96,258,201.

My Soul to Take (2010)

"Only one has the power to save their souls."
His 19th film. It stars Max Thieriot, Denzel Whitaker, Raul Esparza, and Shareeka Epps. It follows Adam "Bug" Hellerman, who is one of seven teenagers chosen to die following the anniversary of a serial killer's death.
This was Craven's first film in almost two decades where he would be directing, producing and writing. But that didn't pan out to a success: it was a critical and commercial dud.
  • Budget: $25,000,000.
  • Domestic gross: $14,744,435. ($21.1 million adjusted)
  • Worldwide gross: $21,500,813.

Scream 4 (2011)

"New decade. New rules."
His 20th and final film. The fourth installment in the Scream franchise, it stars David Arquette, Neve Campbell, Courteney Cox, Emma Roberts, Hayden Panettiere, Anthony Anderson, Alison Brie, Adam Brody, Rory Culkin, Marielle Jaffe, Erik Knudsen, Mary McDonnell, Marley Shelton, Nico Tortorella, and Roger L. Jackson. The film takes place on the fifteenth anniversary of the original Woodsboro murders from Scream and involves Sidney Prescott returning to the town after ten years, where Ghostface once again begins killing students from Woodsboro High.
In 2010, Williamson and Craven confirmed their plans for a new film. Craven said that endless sequels, the modern spew of remakes, film studios, and directors are the butts of parodies in the film. The main characters have to figure out where the horror genre is in current days to figure out the modern events happening to and around them. This was the first film in the franchise to use CGI, with the knife's blade added in post-production.
Even though the franchise was profitable, it seemed like its glory days were long behind it by the time it hit theaters. The film disappointed in its opening weekend with just $18 million, and closed with a weak $97 million worlwide, far less than the previous films. It also received mixed reviews, particularly for its writing and new characters. It was the last film directed by Craven before his death in 2015.
  • Budget: $40,000,000.
  • Domestic gross: $38,180,928. ($53 million adjusted)
  • Worldwide gross: $97,231,420.

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No. Movie Year Studio Domestic Total Overseas Total Worldwide Total Budget
1 Scream 1996 Dimension Films $103,046,663 $70,000,000 $173,046,663 $15M
2 Scream 2 1997 Dimension Films $101,363,301 $71,000,000 $172,363,301 $24M
3 Scream 3 2000 Dimension Films $89,143,175 $72,691,101 $161,834,276 $40M
4 Scream 4 2011 Dimension Films $38,180,928 $59,050,492 $97,231,420 $40M
5 Red Eye 2005 DreamWorks $57,891,803 $38,366,398 $96,258,201 $26M
6 A Nightmare on Elm Street 1984 New Line Cinema $25,624,448 $31,560,686 $57,185,134 $1.1M
7 Vampires in Brooklyn 1995 Paramount $19,751,736 $15,200,000 $34,951,736 $14M
8 The People Under the Stairs 1991 Universal $24,204,154 $7,143,000 $31,347,154 $6M
9 Cursed 2005 Miramax $19,297,522 $10,324,200 $29,621,722 $100M
10 The Hills Have Eyes 1977 Vanguard $25,000,000 $0 $25,000,000 $700K
11 My Soul to Take 2010 Universal $14,744,435 $6,756,378 $21,500,813 $25M
12 Wes Craven's New Nightmare 1994 New Line Cinema $18,090,181 $1,631,560 $19,721,741 $8M
13 The Serpent and the Shadow 1988 Universal $19,595,031 $0 $19,595,031 $7M
14 Shocker 1989 Universal $16,554,699 $0 $16,554,699 N/A
15 Music of the Heart 1999 Miramax $14,859,394 $77,013 $14,936,407 $27M
16 Deadly Friend 1986 Warner Bros. $8,988,731 $0 $8,988,731 $11M
17 Deadly Blessing 1981 United Artists $8,279,042 $0 $8,279,042 $3M
18 The Last House on the Left 1972 Hallmark Releasing $3,100,000 $0 $3,100,000 $90K
19 Swamp Thing 1982 Embassy $2,500,000 $0 $2,500,000 N/A
He made 20 films, but only 19 have reported box office numbers. Across those 19 films, he made $994,016,071 worldwide. That's $52,316,635 per film.

The Verdict

Quite inconsistent, but a very iconic figure in the horror genre. You know you made it big when your creations include Elm Street and Scream. Craven often struggled with difficult productions (you can blame the Weinsteins for that), but he still managed to make competent and scary films, even if some are better than others. Some even see critical re-appraisal as time passes; even Scream 3 and Scream 4 have their fans. We don't know what he would've done with the franchise after the fourth film, but he made it clear he was exhausted by having to film without finished scripts. Rest in Peace to a horror legend.
Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Clint Eastwood. I think I'll have to make two posts, given that he directed 42 films.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. Well, we'll later talk about... Ang Lee. A legendary Asian director.
This is the schedule for the following four:
Week Director Reasoning
May 13-19 Clint Eastwood Great actor. Great director.
May 20-26 Robert Zemeckis Can we get old Zemeckis back?
May 27-June 2 Richard Donner An influential figure of the 70s and 80s.
June 3-9 Ang Lee What happened to Lee?
Who should be next after Lee? That's up to you. And there's a theme.
And that theme is: controversial directors. I'm talking directors who have attained a polarizing response to their films (like Zack Snyder), or the directors themselves are also controversial figures in real life (like Oliver Stone). Basically, a director that has as many fans as haters.
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2024.05.11 11:40 CriticalChest638 Short Black Hair Yuna for next comeback in February 2025.

Short Black Hair Yuna for next comeback in February 2025.
Yuna of ITZY is known for her iconic short black hair, and fans are eagerly anticipating her look for the group's next comeback in February 2025. With her stylish and versatile hair, Yuna always manages to captivate fans with her unique fashion sense and impeccable style. Whether she's rocking a sleek bob or adding some edgy layers, Yuna's short black hair perfectly complements her stunning visuals and adds a touch of sophistication to her overall look. As the comeback date approaches, fans can't wait to see the new hairstyle Yuna will unveil, as she continues to set trends and inspire fashion choices among K-pop enthusiasts worldwide.
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2024.05.10 23:56 Upstairs-Nebula-9375 What to do with shoulder length hair?

I am currently growing my hair out, and I anticipate it will be roughly shoulder length in time for my wedding. I usually have it cut in a short, trendy hairstyle, but I have not cut it lately because I want to maximize options since I have not decided yet.
I am concerned that if I cut it into a trendy style it will look dated in the future. I know nothing is really timeless and most things eventually look dated, but I don't want to look back at something so specific to a particular stylistic era that it makes me go "what on earth was I thinking?" in the future.
However, if I let it grow, I don't know if, at roughly shoulder length, it will really be long enough for most wedding-y styles. Another option would be to cut it short again, but into a more classic pixie cut or bob that is less 2024 specific.
This is my dress: https://catherinedeane.com/products/lita-gown-1
This is my a picture that is similar normal hair (this is a model, not me!): https://cdn-blog.prose.com/1/2022/01/Screen-Shot-2022-01-19-at-4.33.09-PM.png
submitted by Upstairs-Nebula-9375 to weddingplanning [link] [comments]


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