2019.11.23 04:51 jrfranz aflockofseagulls
2019.11.23 15:58 BECKYISHERE Needing help with wild creatures you found ask here
2024.05.15 05:30 delibirdguy Top 500 Songs Ever (Subjective)
2024.05.14 14:39 Federal-Banana4798 Too subtle?
Any half baked PR consultant would've had Rishi; chew some straw/clutch a baby animal/be trailed by a flock of seagulls. submitted by Federal-Banana4798 to ClarksonsFarm [link] [comments] |
2024.05.14 07:21 ottodidakt A Sock of Fleagulls
2024.05.13 15:28 GreenUserper A Literal Detail Monster! The 7Hz Aurora
Review Of The 7Hz Aurorahttps://preview.redd.it/lwlkfadp370d1.png?width=4032&format=png&auto=webp&s=ba87b5da1004937e7b26a380354d7fa58dd3a10ePros
7Hz, a Chinese firm, has been creating electroacoustic products, specifically IEMs. The business has created several IEMs prior to the release of the Timeless, a full-range planar IEM that catapulted them to prominence. Many people admired and appreciated Timeless for its sound quality and tuning; following their success, they developed several IEMs that were highly accepted in the budget market, including the Zero, Dioko, Sonus, and Zero 2. The business has expanded into inexpensive dongle DACs, releasing 71. Since 7Hz teased the release date for the Timeless II last year, they have instead produced another IEM, their flagship known as the Aurora. Fortunately, I was able to obtain a pair for review, but before I go any further, I'd want to clarify a few points. Price: $399 https://preview.redd.it/c8kree4r370d1.png?width=4032&format=png&auto=webp&s=796683887665545554e51e6872ae4f57026f8616 Disclaimer *Since this unit tour was organised by the kindly people at Linsoul, I am grateful to them. As I've said in all of my evaluations, the same is true for this one: all of the concepts I've expressed below are entirely my own, original ideas that haven't been influenced by anyone else. If interested, go to this link. *I am not associated with the connection, and I receive no financial assistance from anyone. *For the remainder of the review, I will refer to these IEMs as “Aurora.” *I am using different Ear-tips for convenience and better versatility. *Finally, I will only evaluate the Aurora based on their performance, even though I will explain how it feels and seems physically and aesthetically. Specification The Aurora has a tribrid arrangement with four drivers on each side: one 12mm dynamic driver for bass, two bespoke full-range balancing armatures for mids, and a special micro planar for highs. The shells are on the larger side and composed of resin, while the faceplate is constructed of damascus titanium. It is a little troubling for persons with small ears because the shells are large, and the nozzle adjustment made it difficult for me to establish a suitable seal and comfort while wearing them, but after tip rolling, I was able to find comfort and an isolating fit with Azla Sedna Fit Crystals. The cable given is a modular 2-pin cable made of single-crystal copper. The cable feels nice and plasticky, yet it isn't heavy in your hands. The other included accessories include an elegant storage box, a selection of eartips, and modular plugs (4.4mm and 3.5mm). According to the technical specs, the impedance is 30 Ohms and the sensitivity is 105dB. The frequency response ranges from 5Hz to 40kHz, and overall harmonic distortion is less than 0.2 percent. https://preview.redd.it/1qlue8js370d1.png?width=4032&format=png&auto=webp&s=4179f8d74f8c3f28909d68488450ce55c132188d Sound Trust me when I say that Aurora is a literal detail monster, as every aspect of the presentation oozes out details and clarity with a versatile tuning that allows the intricacies and nuances to shower over the mix, bringing excellent clarity and transparency to the presentation. Though I notice that the existence of such notes results in sharp characteristics, I have never experienced a metallic nature. The crispness and air in the treble area, as well as the lively tone of the midrange, combined with a large stage that allows notes to breathe and sound full, result in remarkable detail retrieval. The nicest thing of the entire response is that the definition and tonal balance are nicely established, resulting in a lean yet coherent-sounding presentation. If I look at the graph, it appears frightening with peaks and dips over the treble area, however, such a presentation produces a vibrant and enticing response that isn't overly bright while also including crisp and sparkling aspects of the notes. On the other side, the midrange sounds broader and clearer without adding hotness or peakiness to the mix, while the bass may become a touch too controlled but still present enough to make the response feel full-bodied. Let's go further into the sound and learn more about it. https://preview.redd.it/4d0t3bxu370d1.png?width=4032&format=png&auto=webp&s=29ee4ce4b8b9227fb134eea5ffa9a1889f18c52e Treble The treble area is really funky, whether literally or figuratively, with peaks and dips that enact a new profound feeling of clarity and revelation, and while it does its job, I still find it a touch weak at times while revealing at others. When it comes to the upper treble, the sound is crisp, sharp, and detailed, with strong extension and airy presentation, but in certain sections it is suppressed, which I believe brings out some portions of the songs extremely effectively while subduing others and providing a perplexed response. The lower treble appears to be quite active and exciting to listen to, with voices that sound upfront and bright, while the instruments feel a touch subdued, with subtle nuances. Tracks like Kenka by Kuijira Yumemi feature vocals that may come over as peaky, but that is not the case in Aurora. In truth, the vocals sound completely clear and well established, as do the backing vocals, but an array of instruments sounds a touch subdued, with the nuances suppressed, particularly between 4kHz and 7kHz. However, tracks like Spiral by LONGMAN sound incredibly refreshing and tonally pleasing because they enable guitars and percussion to sound distinctive and prominent without interfering with the vocals; the whole response is engaging.As a result, the overall presentation of the treble area sounds crisp, clear, and revealing, despite being slightly inconsistent in tone. Mid Range In the mid-range, I feel custom-tuned balanced armatures were the best decision; the response in this region does not sound metallic or hot in any manner, but rather tonally agreeable. Whether they are vocals or instruments, both provide a lifelike presence to the mix, making the overall response more revealing and calming without taking away the enjoyment. The upper mid-range is full of vitality, allowing the voices and instruments to take a forward approach that is vivid and detailed without sounding abrasive or rough. The intricacies are highly noticeable in this range, which sounds refreshing and intriguing to the listener. Even though the graph represents the upper mid-range feels very much prominent in the mix and the lower mid-range subdued, but when listening to it, the upper mid-range is well controlled but it shows a forward approach, while the lower mid-range brings a clean response without any vague or weighty response but dense enough to sound thick as instruments like bass guitars or vocals, especially male vocals sounds heavy and rich in terms of natural tone of each note arising. Tracks such as Kizuna No Kiseki by MAN WITH A MISSION and Lead Me On by FLETCHER, whether male or female vocals, have a very rich and full-bodied response even when they sound open and spacious, and the instruments sound as revealing as the vocals and distinct from vocals, allowing nuances to come across and fill the response completely. The forwardness of the vocals allows for an engaging and immersive experience. As a result, the mid-range area is presented in a natural, compelling, and comprehensive manner. Bass Let me tell it honestly. The bass is excellent, and the potential for scaling is very astounding. The bass is quite comprehensive and precisely adjusted to deliver an assertive, noticeable and definite response without feeling ineffective since it subdues the warmth of the mid-bass. The majority of IEMs in this price range offer either highly playful/fun-sounding bass or well-controlled and clear bass. In terms of bass quantity, Aurora's bass lacks weight and organic heft to the notes; yet, the bass is highly textured and detailed, and its impact and power are solidly established. The focus is on the sub-bass, with the bass being deep enough to produce a rumbling sensation when necessary, and the punches being forceful enough to create a full response as well as a sense of resolve. The bass notes are very distinct, allowing for a smooth yet detailed response, but at the expense of warmth and a heavy presence of mid-bass, the slams and thumps lack the characteristics that contribute to a weightless response, but this has little effect on the lower mid-range thanks to the custom dual mid-frequency BAs. In songs like The Reason by Hoobastank, the drums can seem lacking in presence compared to the vocals and other instruments, with the toms and kick drums feeling light and lacking weight. Conversely, in Somewhere I Belong by Linkin Park, the bass has a clear and articulate response, though the impact and heaviness of the bass notes could be stronger. Overall, the bass region is controlled, detailed, and well-articulated. Technical Performance In terms of details, speed, and resolution, I don't believe any other IEMs, such as the Hype 4 or Blessing 3, are even comparable. I'll have to test the Pilgrim to provide comment, but for now, I believe it's the finest in its class. It does not fall short in terms of stage imaging or separation, but it is comparable, if not superior, than the IEMs stated above. Let's be more specific. https://preview.redd.it/08ryi36x370d1.png?width=4032&format=png&auto=webp&s=87b4d81ef6c3158a19672b89c4045e35fef70b6f Soundstage, Sound Imaging & Separation The stage features a holographic presentation that is big enough to create an open and airy atmosphere; the notes are crisp and lucid, demonstrating excellent imaging. The distinctness of the notes creates an excellent feeling of separation between the notes, allowing you to determine the source of the sound with ease. Speed & Resolution As I previously stated, the resolution and detail retrieval are among the greatest I have heard; macro and micro nuances are readily revealed, and the attack and decay of notes is extraordinarily fast-paced, almost unnaturally so, but it still sounds authentic. Sound Impressions Sources Sony WM1A - While listening to WM1A, response spreads out further in the left and right directions, resulting in a more expansive and airy response. The treble sounded smoother and more coherent, while the mid-range sounded more open, allowing the bass to sound more lively and, with warmth added, making the overall bass sound organic and genuine. The details were a little suppressed, delivering a more rounded response, which caused the vocals a touch off-toned on several tracks like Sukinishinayo by ANLY, Kamihitoe by URU, etc. https://preview.redd.it/557nuxny370d1.png?width=4032&format=png&auto=webp&s=824165ac808d4b36c45a2f41bd4c04eae82e6ad6 SIMGOT DEW4X - while listening to the DEW4X, the response sounded a little crisper but not sharp, The stage depth was affected while the width felt more spread out. The treble sounded airy and extensive with pumping details, and the mid-range sounded a little less forward. The bass also felt more centred but had the same impact and physicality. https://preview.redd.it/5z1om160470d1.png?width=4032&format=png&auto=webp&s=936e8628f63b138de16cb77558c869ad6fe890ba QUESTYLE M15i - When listening to this pairing, the response sounds calm, allowing for an expressive and open-sounding response with better control over the revealing nature of the notes, allowing the notes to sound as natural as possible with a presentation spread out far and wide, where the upper mid-range pours everything while remaining airy and spacious. Listening to tracks like Gotye's Somebody That I Used To Know and Love Will Come Through, the vocals sounded incredibly real and detailed while yet being open and light without disrupting the tonal balance. In the end, what may have sounded analytical and impartial came off as well balanced and resolved. The bass felt a touch light but more textured. https://preview.redd.it/6r94gub1470d1.png?width=4032&format=png&auto=webp&s=a3d46bd5e8966c867d31bdaebeccd96f8ee6fa5b QUESTYLE CMA18 - Aurora's response was able to have the appropriate breadth and depth when listening to this pairing since the response was presented more frontally and backward. The vocals and instruments sounded more expressive than previously; with CMA18, the refinement in the notes increased in terms of details and contrast, providing more transparency and linearity throughout the response. The notes were clearer and revealed certain elements. https://preview.redd.it/3qo3n6h2470d1.png?width=4032&format=png&auto=webp&s=431a578629a80eeaae866b375de71aed518d2234 Tracks Millet - Anytime Anywhere Anri - I can’t stop the loneliness Kohana Lam - A Few Sentimental Kohana Lam - Loving Me, Loving You Uru - Kimino Shiawasewo Uru - Kamihitoe Kujira Yumemi - Kenka Majiko - Kokoronashi Anly - Sukinishinayo Kohama Lam - A Few Sentimental Kohana Lam - Loving Me, Loving You Miliyah - Kono Yumega Samerumade Rokudenashi - The Flame Of Love Yu-Peng Chen - A New Day with Hope Yu-Peng Chen - Another Hopeful Tomorrow Yu-Peng Chen - For Riddles, for Wonders Valentino Khan - Satellite Kai Wachi - Happier By Now Jawns - Erotica ISOxo - how2fly Kai Wachi - Happier By Now Weeknd - Popular YUNGBLUD - When We Die(Can We Still Get High) Bring to Horizon - Kool-Aid Middle Kids - Bend FLETCHER - Leads Me On Loathe - Aggressive Evolution The Weeknd - Save Your Tears Sigrid - Burning Bridges AURORA - Black Water Lilies AURORA - Runaway X Ambassadors - Renegades Lupe Fiasco - Words I Never Said Macklemore & Ryan Lewis - Can’t Hold Us Goyte - Somebody That I Used To Know Jay-Z - Run This Town Lady Gaga - Poker Face Lady Gaga - Just Dance Ladytron - Ghost Travis - Love Will Come Through LINKIN PARK - Somewhere I Belong DJ Shadow - Six Days (Remix) Hoobastank - The Reason Ricky Martin - I Don’t Care Tool - 7empest Tool - Vicarious A Flock Of Seagulls - Space Age Love Song Zack Hemsey - Vengeance Elton John - I’m Still Standing The Moody Blues - Nights In White Satin Micheal Sembello - Maniac Guns N’ Roses - Sweet Child O’ Mine A.R. Rahman - Kun Faya Kun Conclusion To conclude this review, I have nothing else to say except that the Aurora is a literal detail monster, not by sounding sharp, lean, or offensive in any way, but by thoroughly and carefully tuning it to sound more natural and professional in terms of technical and tonal performance, which it does flawlessly. I'm completely captivated by the sound signature and the detailed focus presentation, which allows for clear vocals and instrument presentation while being expansive and airy and not affecting the bass's effect on the overall mix. This IEM has my wholehearted approval for anyone who does not want to spend more for details like TOTL IEM but at a third of the price; nevertheless, folks who want warm and more coherent or smooth sounding IEMs ought to try these first before making a decision. https://preview.redd.it/cc4vbq54470d1.png?width=4032&format=png&auto=webp&s=617e2cb3107e155cd28c5c51cdd18b97cd6aa5df |
2024.05.13 13:31 omepiet Both the N01 and BASF4 tapes contain some tracks that likely share a history with TMS. This narrows down the broadcast window.
tape | track | speed | dip freq | 14kHz dip % | dip freq adjusted | Δ phase in ms | possible broadcast dates |
---|---|---|---|---|---|---|---|
N01 side A | Nik Kershaw - The Riddle | 101.19% | 10,062.70 | 100.41% | 9,943.97 | -0.9 | Nov 15, 17, 20, 22, 23, 24, 28, Dec 11, 15, 16, 22, 27, 1984 |
The Psychedelic Furs - Heartbeat | 100.38% | 10,023.70 | 100.29% | 9,986.15 | 0 | 1984-12-02 | |
[snippet] Miquel Brown - Black Leather | 10,027.70 | 0 | 1984-12-02 | ||||
Sad Lovers & Giants – Clint | 99.27% | -0.9 | ?, album relase week of Nov 11, 1984 | ||||
Sad Lovers & Giants – Alice (Isn't Playing) | 99.30% | -0.9 | ?, album relase week of Nov 11, 1984 | ||||
Sad Lovers & Giants – 3 Lines | 99.06% | -0.9 | ?, album relase week of Nov 11, 1984 | ||||
TMS | ? | 9,951.70 | -0.18 | ? | |||
Screaming Dead - Serenade of Suicide | 99.57% | 9,950.40 | 99.56% | 9,993.87 | -0.14 | 1984-09-28 | |
Sean Heyden - Party Boy | 101.34% | 10,066.80 | 100.62% | 9,933.98 | 0 | Nov 28, Dec 13, 31, 1984 | |
Death In June - She Said Destroy | 99.75% | 9,847.40 | 9,872.08 | -0.2 | 1984-09-28 | ||
The Gun Club - Watermelon Man | 98.57% | 9,847.40 | 9,990.16 | -0.2 | 1984-09-28 | ||
The Gun Club - Eternally is Here | 98.39% | 9,859.50 | 98.34% | 10,021.34 | -0.2 | 1984-09-28 | |
[snippet] The Cult - Go West | 9,841.30 | -0.2 | 1984-09-28 | ||||
The Teardrop Explodes - Treason | 98.43% | -0.16 | ?, single release 1981 | ||||
XTC - You're the Wish You Are I Had | 102.72% | -0.2 | ?, album release 1984-10-15 | ||||
N01 side B | The Barracudas - I Can't Pretend | 100.50% | -0.45 | ?, album 1981, single 1982 | |||
Private Lives - No Chance You'll Pay | 99.34% | -0.18 | ?, album release week of July 7, 1984 | ||||
Soft Cell - Torch | 99.41% | -0.18 | ?, commercial release 1982 | ||||
Heaven 17 - And That's No Lie (maxi) | 98.83% | 9,887.10 | 10,003.74 | -0.25 | Sep 21, 22, Oct 4, Dec 28, 1984 | ||
The Icicle Works - Hollow Horse | 99.18% | -0.25 | ?, single release Sep 25, 1984 | ||||
Blue Murder - Gone With The Wind | 98.81% | -0.25 | ?, album release Aug 1984 | ||||
Tears For Fears - Shout | 99.40% | -0.23 | ?, single release Nov 23, 1984 | ||||
Lloyd Cole and The Commotions - Charlotte Street | 100.30% | -0.23 | ?, album release Oct 12, 1984 | ||||
Blaine L. Reininger - Birthday Song | 97.51% | 9,814.40 | 10,064.71 | -0.27 | ?, album 1984, other album track on NDR May 21, 1984 | ||
The Barracudas - I Ain't No Miracle Worker | 99.16% | 9,916.00 | 10,000.00 | -0.23 | Jul 23, 1984 | ||
Simple Minds - Someone Somewhere | 98.80% | -0.05 | ?, single release 1982 | ||||
BASF 4 side A | Heaven 17 - Sunset Now (Extended) | 100.60% | 10,083.60 | 100.65% | 10,023.06 | -0.05 | Sep 22, 1984, Oct 1, 1984 |
Depeche Mode - Master & Servant (Extended) | 100.14% | 10,082.90 | 100.78% | 10,068.80 | -0.05 | Oct 2, 4, 6, 12, 13, 20, 27, 1984 | |
Malcolm McLaren - One Fine Day/Madame Butterfly | 102.41% | 10,078.90 | 100.55% | 9,842.00 | -0.05 | Sep 7, Nov 14, Dec 3, 1984 | |
Simple Minds - Up on the Catwalk (Extended) | 100.76% | 10,081.60 | 100.84% | 10,005.95 | -0.11 | Mar 22, 24, 31, Apr 7, 1984 | |
Corey Hart - Sunglasses at Night | 100.12% | 10,083.00 | 100.55% | 10,070.91 | -0.05 | Aug 9, 21, 24, Sep 2, 26, Oct 1, 5, 6, 22, 27, Nov 9, 1984 | |
Ray Parker Jr. - Ghostbusters (Extended) | 101.84% | 9,938.20 | 100.55% | 9,758.35 | 0.14 | Sep 8, 23, 1984 | |
Golden Earring - Twilight Zone | 100.79% | 10,042.50 | 100.87% | 9,964.18 | 0 | Sep 3, 1984 | |
TMS | ? | 10,160.30 | 0 | ? | |||
Captain Sensible - Wot | 101.01% | 10,031.10 | 100.59% | 9,930.80 | 0 | Sep 4, 1984 | |
Dominatrix - The Dominatrix Sleeps Tonight | 99.82% | 10,060.00 | 101.34% | 10,078.14 | 0 | ||
BASF 4 side B | The Legendary Pink Dots - Love Puppets | 102.35% | 10,160.30 | 100.81% | 9,927.02 | 0.09 | 1984-09-17 |
Level 42 - Hot water | 101.39% | 10,070.80 | 101.44% | 9,932.83 | 0 | Aug 30, Sep 23, Oct 10, 13, 15, 1984 | |
A Flock of Seagulls - The More You Live, The More You Love | 101.37% | 10,112.50 | 101.13% | 9,975.83 | 0 | Aug 17, 22, 27, Sep 1, 1984 | |
Silent Running - Young hearts | 101.85% | 10,270.70 | 102.01% | 10,084.14 | 0.09 | Aug 25, Sep 20, Oct 9, 1984 | |
Private Lives - Living in the world | 101.25% | 10,134.00 | 101.36% | 10,009.38 | -0.09 | ?, commercial release (UK) Jan 16, 1984 | |
David Bowie - Neighborhood threat | 101.34% | 10,134.70 | 101.32% | 10,000.89 | -0.09 | ?, album release Sep 29, 1984 | |
XTC - Seagulls screaming kiss her, kiss her | 101.52% | -0.07 | 1984-10-18 | ||||
XTC - This world over | 100.11% | -0.07 | 1984-10-18 | ||||
XTC - I remember the sun | 100.11% | -0.07 | 1984-10-18 | ||||
The Cure - A forest | 100.09% | -0.07 | 1984-10-18 | ||||
The Cure - Charlotte sometimes | - | -0.07 | 1984-10-18 |
2024.05.11 13:18 wunderwitch met a flock of seagulls on the beach
submitted by wunderwitch to birding [link] [comments] |
2024.05.11 07:14 -elemma- ¿Alguien de aquí escucha la banda "A Flock Of Seagulls" ?
submitted by -elemma- to AskRedditespanol [link] [comments]
2024.05.11 00:05 rcampbel3 80's karaoke - sharing my list; what other 80s songs am I missing?
2024.05.10 08:01 yonBonbonbon A flock of seagulls
submitted by yonBonbonbon to Scrubs [link] [comments] |
2024.05.08 17:57 GreenUserper Definitely A Killer But For Some! The Kiwi Ears X Crinancle Singolo
Review Of The Kiwi Ears X Crinacle Singolohttps://preview.redd.it/as0e58wm58zc1.png?width=4032&format=png&auto=webp&s=3effe2c93587ab50e5f30e08e13a8198ba9ddf69Pros:
Kiwi Ears is a brand that has successfully established itself in the audiophile industry, receiving high accolades for its products and the value they provide. As I previously stated, with the exception of the original Orchestra, I have reviewed every single product that Kiwi Ears sells and they have never disappointed me in terms of sound quality. People already appreciate offerings like the Quintet and Cadenza for their favorable and balanced tuning. However, I believe they have delved further into different styled tunings to appeal to a broader range of audiophiles, which they accomplished well. Not only did they manufacture IEMs, but they also released the Allegro, a reasonably priced dongle dac that was well-received. They recently collaborated with Crinancle to create a one-of-a-kind release under $80 that employs a distinctive but not new method. The IEM is called as Singolo, and I was fortunate enough to receive a pair for review; but, before starting, I would like to clarify a few facts. https://preview.redd.it/vwaimeho58zc1.png?width=4032&format=png&auto=webp&s=ba9fa51294f6be5744db58136c8b743b238610d7 Disclaimer *Since this unit tour was organised by the kindly people at Linsoul, I am grateful to them. As I've said in all of my evaluations, the same is true for this one: all of the concepts I've expressed below are entirely my own, original ideas that haven't been influenced by anyone else. If interested, go to this link. *I am not associated with the connection, and I receive no financial assistance from anyone. *For the remainder of the review, I will refer to these IEMs as “Singolo.” *I am using different Ear-tips for convenience and better versatility. *Finally, I will only evaluate the Singolo based on their performance, even though I will explain how it feels and seems physically and aesthetically. Specification The Singolo features a large 11mm custom Japan-made LCP dynamic driver on each side, and Kiwi Ears has implemented their new K.A.R.S technology, which appears to have introduced an elongated tubing structure for pressure release and airflow, with the understanding of Helmholtz resonance to regulate the tuning and manipulate the air pressure release to deliver the favourable bass response Kiwi Ears was achieving. The Shells are entirely manufactured of medical resin, specifically to apply their K.A.R.S technology and custom-built drivers. The shells are tiny and simple to slip into the ears, and the comfort is excellent even after extended listening sessions, however the nozzle adjustment may cause fit issues, as one of my friends experienced until he changed ear tips to ensure sufficient isolation. The bundled accessories are of lower quality than those offered by competing IEMs in this price range. As a result, I feel that the majority of the funding was spent on collaboration and IEM development. The accessories include a variety of eartips and a two-pin connection cable with an L-shaped 3.5mm termination plug. According to the technical specs, the impedance is 32 Ohms and the sensitivity is 108dB. The frequency response ranges from 20Hz to 20kHz. https://preview.redd.it/n8rjeccq58zc1.png?width=4032&format=png&auto=webp&s=07f1825bb0af745683a0c243053acc90d80b22b0 Sound The SIngolo's tuning tends toward a naturally warm tone that becomes increasingly pleasurable to listen to with each second. The bass response is optimized to sound larger, bodied, and genuine. Whatever I said, it wouldn't have mattered if the technology that the corporation was pleased to deliver to us wasn't effective. But, after giving it a good amount of time to understand and find logic, the only thing I was able to understand was that the driver used is of high quality, as is the use of the K.A.R.S technology, which is the implementation of acoustic tuning from the back of the driver to accentuate the air pressure, allowing for a dip around 200Hz-400Hz without affecting the natural tone that resides in that region. The whole response sounds genuine, lively, and right in every manner conceivable. The only issue I have is with the treble, yet it is what makes the Singolo sound great. Let's go further into the sound and learn more about it. https://preview.redd.it/f6rhp4xr58zc1.png?width=4032&format=png&auto=webp&s=a84ba3ace2fb59225dc42beb6ca4e80927e88b26 Treble To be honest, the SIngolo's treble area lacks excitement and sparkle in the mix, but ample air and extension compensate for this, giving the treble region a solid presence. The response is also not the best in terms of note clarity or sharpness; however, the tuning tends to follow a natural and soothing response; personally, I don't like such a response dipping around 9kHz to 15kHz, subduing the tingling nuances and crispness of the notes, but it does make it sound more friendly and full-bodied while also keeping the listener engaged with a wholesome and natural sound. The upper treble extends sufficiently to provide enough air and space for the singers and instruments to breathe, making them seem open and alive. The lower treble, on the other hand, creates a pleasant interaction that the listener will find engaging. The lower treble contains enough energy to make the singers and instruments seem lively and upfront without being too hot or peaky, nor does it introduce any sibilance or tinniness. The notes have a more complete responsiveness and depth, sounding pleasing and melodic. As a result, the overall presentation of the treble range is soothing, natural, and enjoyable to listen to. Mid Range In addition, the way the treble is adjusted harmonizes the bass and mid-range response balance, resulting in a clear and distinct response, if I were to examine the response as a whole. The mid-range enhances the voices and instruments enough to make them feel present and easy, while also providing a large sound with an open response. The treble and bass are adjusted in such a way that they never interfere with the midrange's clear and natural sound. The upper mid-range resonates with the lower treble, resulting in a more weighty and prominent response; the vocals, whether male or female, have a vivid and fuller response; and the instruments have a rich and rounded response with a distinct quality that enhances the vocals' presence, making the response musical and pleasant. I should also point out that the slightly shy response of roughly 1kHz to 3kHz region contributes to the spacious sound. The lower mid-range has a strong presence, allowing for good note weight and density, making the response sound thick and solid without becoming muddy or mumbly. Both the voices and the instruments sound rich and distinct, lending weight to top frequencies while compensating for the natural tone quality. Maybe the spike between 300 and 600Hz brings that warmth to the tones. As a result, the mid-range response sounds full-bodied, rich, and open. Bass When it comes to bass, I have three key points to discuss: the technology employed, tuning, and the quality of the driver. Starting with the technology used, Kiwi Ears refers to it as K.A.R.S technology, which is the implementation of air pressure through elongated tubes to produce a more enhanced yet effortless bass response without interfering with any other region's natural quality of notes, essentially a cheat code that impresses me because no matter how many times I hear the Singolo, the region that is affected is not actually affected. The bass is tuned properly Harman, with sub-bass focus and enough mid-bass intensity to compensate. The sub-bass digs deep and hits hard, with plenty of rumble and power. The mid-bass has enough presence to make slams and thumps effective and engaging. Even if the notes aren't particularly precise, their number makes the response feel genuine and substantial. The rounded and weighted notes offer positive properties, allowing for a dynamic and engaging response. To be honest, I was skeptical at first and then perplexed since, while the response is packed with a powerful presence and each note conveys considerable differentiation without compromising integrity, it does not sound detailed or clear. I experimented with EQ and discovered that even when the sub-bass response was heavily emphasized, the driver did not distort or lose its composure. The best part is that even after heavily emphasizing the bass response, the mids remained completely clean and unaffected by the bass impact. This discovery finally led me to the conclusion that the driver utilized was of high quality and maybe wasn't intended to serve such a purpose. Overall, the bass area has a robust, forceful, and dense sound. Technical Performance So when it comes to technical agility, I am afraid to say that Singolo is not a remarkable IEM, mostly audiophiles search for clarity and details around this price range and there are many IEMs around this saturated segment. Therefore I believe this pair produce a more tonally pleasing sound. However do not get me wrong, due to such saturation and spreading information across the globe doesn’t make it fair for me to say that Singolo suffices and has decent technical quality as I do find them on par with its peers. The areas where I find it interestingly different are the imaging, layering and separation. Let’s discuss in specifics. https://preview.redd.it/v4f9mwut58zc1.png?width=4032&format=png&auto=webp&s=38505f64cf5b4af049489f616082618c2cf98813 Soundstage, Sound Imaging & Separation The stage is spread out enough to sound spacious and open, due to the fact that the response is spread out from more in the left and right side rather than front or back. The impressive part is the imaging which brings precision and clarity with great distinction between the notes which overall produces a very potent and strong sense of the presentation. The separation between the notes is accurate and allows me to effortlessly pinpoint where the sound is coming from. Speed & Resolution Coming to the adequate resolution and details, the macro details are easy to surface yet the micro details suffer to come across. The attack and decay of the notes resolves at a natural pace which makes it sound more realistic even after not much refinement in the mix. Sound Impressions Sources Sony WM1A - While listening to the Singolo with WM1A, the response seemed more expansive, with stronger treble extension and less emphasis on bass presence in the mix, resulting in a more dynamic and large sound with hint of warmth. The female vocals were given more importance, while the instrumentation complemented them. The stage felt more equally distributed across the surrounds, making it sound more lively and expansive with correct note placement. The mid-range notes, however, sounded slightly thin and were presented lightly. https://preview.redd.it/0eu558dv58zc1.png?width=4032&format=png&auto=webp&s=4be42d3d2093e71bc41be28eed0a8ad6ab513a87 Tempotec V6 - While listening to the Singolo with V6, the midrange response seemed significantly accentuated, and the bass was well-controlled yet weighty. The treble was a tad hazy in presence but nonetheless thriving. The whole presentation conveyed an intimate, direct, and engaging tone. https://preview.redd.it/rhh0vj5z58zc1.png?width=4032&format=png&auto=webp&s=75f2ea47a625ca8390f3b6a60b58501298408248 Simgot DEW4X - While listening to the Singolo with DEW4X, the response appears cleaner and tonally leaner, while the notes sound closer, bringing the details and resolution to a higher level. The control over the vocals improves the overall tone of the response. The instruments also sound more engaged, with an overall open and energetic tone. Another component to consider is the treble, which sounds more polished and linear. Overall, the response sounds more lively and balanced in terms of detail, positioning, and staging. https://preview.redd.it/xlta0c2168zc1.png?width=4032&format=png&auto=webp&s=f1ea6b0861e2a41cc41e6b838c73de230d6e4b8a Quloos MUB1 - While listening to Singolo with MUB1, The overall response had a distinct and resolved sound, with a significant focus in the mid-range area, which enhanced the voice impression and delivered a more clear, crisp, and transparent sound; the same can be said for the instruments, albeit the impact of the notes was not as powerful. The treble was more present, with finer details, yet the air and extension felt the same. In contrast, the bass seemed less lively in the mix, but it was accurate and well-controlled. The intricacies were easily revealed, but their effect lacked the brightness of the notes and their strong presence. https://preview.redd.it/qrsiwxk268zc1.png?width=4032&format=png&auto=webp&s=4ad57802b2bda247f15f960ee17510080f227fa2 Tracks Millet - Anytime Anywhere Anri - I can’t stop the loneliness Kohana Lam - A Few Sentimental Kohana Lam - Loving Me, Loving You Uru - Kimino Shiawasewo Uru - Kamihitoe Kujira Yumemi - Kenka Majiko - Kokoronashi Anly - Sukinishinayo Kohama Lam - A Few Sentimental Kohana Lam - Loving Me, Loving You Miliyah - Kono Yumega Samerumade Rokudenashi - The Flame Of Love Yu-Peng Chen - A New Day with Hope Yu-Peng Chen - Another Hopeful Tomorrow Yu-Peng Chen - For Riddles, for Wonders Valentino Khan - Satellite Kai Wachi - Happier By Now Jawns - Erotica ISOxo - how2fly Kai Wachi - Happier By Now Weeknd - Popular YUNGBLUD - When We Die(Can We Still Get High) Bring to Horizon - Kool-Aid Middle Kids - Bend FLETCHER - Leads Me On Loathe - Aggressive Evolution The Weeknd - Save Your Tears Sigrid - Burning Bridges AURORA - Black Water Lilies AURORA - Runaway X Ambassadors - Renegades Lupe Fiasco - Words I Never Said Macklemore & Ryan Lewis - Can’t Hold Us Goyte - Somebody That I Used To Know Jay-Z - Run This Town Lady Gaga - Poker Face Lady Gaga - Just Dance Ladytron - Ghost Travis - Love Will Come Through LINKIN PARK - Somewhere I Belong DJ Shadow - Six Days (Remix) Hoobastank - The Reason Ricky Martin - I Don’t Care Tool - 7empest Tool - Vicarious A Flock Of Seagulls - Space Age Love Song Zack Hemsey - Vengeance Elton John - I’m Still Standing The Moody Blues - Nights In White Satin Micheal Sembello - Maniac Guns N’ Roses - Sweet Child O’ Mine A.R. Rahman - Kun Faya Kun Conclusion To summarize this review, I believe Singolo is a uniquely introduced in-ear monitor that will appeal to a wide variety of audiences who can acquire it without hesitation to supplement their collection or for the first time test a really well tuned IEM from a highly complicated driver and its implementation. Singolo is a very well-tuned IEM based on a remarkable driver and genuine technology. Though I would stir away if I were searching for clarity and the details in this pair, I would still ask to give it a shot like I did. So, Kiwi Ears has once again earned my recommendation. https://preview.redd.it/jsy7cla468zc1.png?width=4032&format=png&auto=webp&s=92a495de3c7db0855432ec311336f1ab4ea5ed4f |
2024.05.08 00:07 11B-E5 Vintage tapes
Came across these gems the other day while cleaning out my parennt’s house. The Talking Heads, Tears for Fears and Howard Jones definitely saw the most wear. submitted by 11B-E5 to GenX [link] [comments] |
2024.05.07 21:27 This_Requirement9339 Zunesday Tuesday
Happy zunesday to all my audiophiles out there hope your all enjoying your Zunes as much as I am🎶🎶🎶🎧🎧🎧 submitted by This_Requirement9339 to Zune [link] [comments] |
2024.05.06 01:25 xtremexavier15 TMA 4
2024.05.02 12:20 kwentongskyblue A Flock Of Seagulls (With the Prague Philharmonic Orchestra) - Space Age Love Song
submitted by kwentongskyblue to synthpop [link] [comments] |
2024.05.02 01:36 Boggercrisp1 A Flock Of Seagulls - The More You Live, The More You Love
Great intro🤩🤩 submitted by Boggercrisp1 to newwave [link] [comments] |
2024.05.01 07:13 tgs7633 Does the guitar in The Adults Are Talking sound a lot like the guitar in Space Age Love Song by A Flock of Seagulls?
2024.04.29 23:47 alienhunter1015 Judas Priest Live - You've Got Another Thing Comin' [US Festival 1983]
Anyone else watch the US Festival on MTV? It had everyone from Priest to Flock of Seagulls to U2 to Joe Walsh and Van Halen. submitted by alienhunter1015 to 80smusic [link] [comments] |
2024.04.29 21:25 Deesmateen What “one hit wonder” had other songs you liked maybe even more than the hit
2024.04.28 22:03 GreenUserper The One Destined To Become Legendary! The Symphonium Crimson
Review Of The Symphonium Crimsonhttps://preview.redd.it/580hw69i0axc1.png?width=4032&format=png&auto=webp&s=14b8c30f820adde859a716989e762a4a367c5610 Introduction This may be the first time I am assessing an audio product outside of the Chi-Fi business, but the company and their product, which I have previously been pleased with, are not new to me. Symphonium Audio is a Singaporean company founded in 2016 by three entrepreneurs who want to convey the delight of sonic bliss to the entire globe while also creating something special and unique. Many audiophiles, like myself, have previously praised their efforts and quality in producing such excellent products. I've already tested several of their offerings, including Helios and Meteor, which both astounded me with how easy they sounded. Though I wasn't able to evaluate them, I was fortunate enough to review one of their newest releases, the Symphonium Audio Crimson, but before I go any further, I want to clarify a few points. https://preview.redd.it/d8yr74hj0axc1.png?width=4032&format=png&auto=webp&s=bd44cee0f21f566e019f0b1962d6b9ac17ecbca5 Disclaimer *This is a review unit, courtesy of Pritam from Audio Store. All thanks to them for providing. And as I've said in all of my evaluations, the same is true for this one: all of the concepts I've expressed below are entirely my own, original ideas that haven't been influenced by anyone else. If interested, go to this link. *I am not associated with the connection, and I receive no financial assistance from anyone. *For the remainder of the review, I will refer to these IEMs as “Crimson.” *I am using different Ear-tips for convenience and better versatility. *Finally, I will only evaluate the Crimson based on their performance, even though I will explain how it feels and seems physically and aesthetically. Specification The Crimson is equipped with an all-balanced armature driver made up of four BAs and three in-house created technologies. TrueX 4-way crossover is used for driver integration and employs two distinct but complementary technologies: FLAT and PHAT. FLAT ensures low impedance and immunity from impedance mismatch, while PHAT ensures no unnecessary frequency inversions or phase cancellation. The Crimson shell is made of high-grade T6 heat-treated AL6061 aluminium alloy, with a new colour scheme over the faceplate including a premium carbon fibre in the centre that pays homage to the brand's origins and resilience. The shell's design and feel are highly premium and minimalist in appearance, giving it a professional and distinctive vibe. The shape is also not an issue for my ears because they fit and isolate properly; nevertheless, people with small ears should be aware that the shells are on the larger side. The included cable is an Altalune Audio Novaron 26AWG Type 2 Litz copper cable with a modular termination on one end and a spring-loaded 0.78mm two-pin connector on the other. In my perspective, the cable appears substantial but feels light in my palm; it also combines nicely with the Crimson. The cable is also available in two variants: 4-core or 8-core unique offerings. The bundle also includes three different sizes of Azla Sednafit standard eartips, three different sizes of Divinus Velvet eartips, and a 3.5mm and 4.4mm termination plug. According to the technical parameters, the IEM's impedance is 6.05 Ohms and its sensitivity is 106dB. The frequency response spans 10 Hz to 24 kHz. The cable impedance for the 4-core cable is 0.12 Ohms. Sound I have come across the Crimson IEMs and I have to say that they are a cut above my best-sounding IEM, the Prestige LTD. The Crimson provides an incredibly enjoyable experience, surpassing any other IEMs I have heard, whether they are top-of-the-line or not. The Crimson’s presentation is expressive yet smooth, with a balanced and warm response that accurately reproduces the quality of the notes while providing a playful presentation of the vocals and instruments. The newer BA IEMs can sound less metallic or artificial, but Symphoniom has gone above and beyond in this regard. I have previously thought that the Helios offered better detail retrieval than the Thieaudio Monarch MKII, but I preferred the Monarch MKII’s pleasing tonality, which became my favourite at the time. However, the Crimson has now generously offered everything I wanted and more, including the weight and impact of the bass, and the musicality in the presentation of the vocals and instruments in the upper frequencies while retaining a pleasing tonality. I truly enjoy these IEMs and would like to explore their sound further to find out more about their exceptional quality. https://preview.redd.it/it0r6m3l0axc1.png?width=4032&format=png&auto=webp&s=9cf2dc20365c1911be9dce77bdf168280a917bd2 Treble Upon careful consideration, I must admit that the LTD has a more vibrant and lively treble region than the Crimson. While the Crimson's response strikes me as somewhat crazy, its sound is airy and expansive, with both vocals and instruments possessing a comforting, nuanced quality that never compromises their tonal integrity. The passive, cohesive response maintains a mesmerising quality of the presentation. The upper treble offers a hint of zing, allowing cymbal crashes or chimes to stand out in the overall mix, which adds distinction and favourability for the listener. Songs like Kujira Yumemi's "Kenka" showcase the chimes in a stunning, expressive way, without overwhelming the listener and losing fidelity. The lower treble also offers a similar experience, with a direct, forward approach that does sacrifice the lean adequacy and sharpness of the notes yet brings vibrancy to the presentation. The notes have great energy, which is spread evenly over the entire region to bring each note to life for the listener. The separation between vocal notes and instruments is impressive, creating a clear and defined soundstage. Despite this, the soundstage never feels too wide or vast, allowing for a more nuanced, intimate listening experience. Additionally, the 4k dip creates a safer approach for the notes while maintaining a linear response. To sum up, the treble region's overall response is extensive, airy, and detailed, with a pleasing balance between expressiveness and fidelity. Mid Range The Symphonion Crimson offers a truly captivating experience when it comes to the mid-range notes of both vocals and instruments. The vocals are rendered with full-bodied emotion and realism, while the instruments stimulate the senses and bring the entire soundscape to life. Listening to Miller’s “Anytime Anywhere” with the Crimson is truly a treat, with multiple vocals coming across close, clear, and full of character. The upper mid-range is well-rounded and tonally balanced, with forward vocals that draw the listener in and playful instruments that make the presentation enjoyable and welcoming. Compared to the Monarch MKII, the Crimson’s response is even better, with superior revelation of both vocals and instruments, albeit at the expense of some openness and spaciousness. The response is still lively, keeping the listener engaged and interested. The impact of the high and low notes is naturally occurring and true to life, with a dense quality that is particularly impressive for a response that relies solely on BAs. While the lower notes can sometimes feel hollow, the lower mid-range maintains a heftiness without becoming muddy or mumbly. Overall, the mid-range presentation of the Crimson is authentic, expressive, and truly captivating. Bass When it comes to the bass response of this particular IEM, it is truly remarkable. It is the best bass I have heard from an all-BA IEM that falls under this price range. The tuning is such that it follows a neutral with sub-bass boost tuning, which results in an exceptional listening experience. What is particularly impressive is how the BA bass can deliver such quality and flexibility that is on par with what a dynamic driver can produce. However, what sets it apart is the cleanliness and accuracy of the impact of the notes. It is different from the natural decay that a dynamic driver produces but in an admirable way. The impactful notes are truly a delight for my ears, and I enjoy the weight and quality of the sound. The bass response is well-balanced and emphasises the sub-bass region, while also allowing for the mid-bass presence to be sustained. The deep rumble and punch of the bass have a noticeable impact on the response, making it an effective occurrence. The mid-bass presence brings a warmer response to the sound and delivers nice slams and powerful thumps in the mix. The mid-bass does leak into the lower mid-range, but it is not enough to detract from the overall quality of the sound. As you listen, you can feel the air pressure filling up your ears, giving you a sense of thumps and heaviness, while still resolving fast to keep the upper frequencies clean and clear. All in all, this IEM delivers an exceptional bass response that is sure to impress. Technical Performance As an avid audiophile, I must say that the technical prowess of the Crimson IEM is truly marvellous in my eyes. However, I must admit that I haven’t given as much time to other IEMs around this price range, which makes it a bit difficult for me to evaluate it fairly. That being said, when it comes to comparisons, I can only truly compare it to the Thieaudio Monarch MKII or Thieaudio Prestige LTD. In terms of sound response, the Crimson IEM is more intimate and better expressed in terms of forwardness and involvement in the mix. To be more specific, the sound quality is simply outstanding and the level of detail and clarity is unmatched. https://preview.redd.it/dau6zw8m0axc1.png?width=4032&format=png&auto=webp&s=53d36898d8f399f5f1f727cec64055ba51e9c4be Soundstage, Sound Imaging & Separation Although the stage gives a more holographic response, it falls short in the closer approach, where the notes sound fuller and more complete. The sharpness and cleanliness of the notes, however, do provide great imaging capabilities. Even with such a response, the separation between the notes is surprisingly distinctive, which helps to better understand the direction of the sound. Nevertheless, when I compare it to the LTD or Monarch MKII, I find it to be a little stepped back. These two bring a more spacious sound while generating strong imaging and better distinction between the notes. Speed & Resolution When I listen to LTD, it gives me a clear understanding of what resolution is. The Crimson defines it as having a highly detailed response, whether it’s macro or micro details. The notes’ attack and decay are fast-paced, yet not too fast or slow, creating a natural sound. However, sometimes, it fails to achieve that natural sound. Sound Impressions Sources Sony WM1A - While listening to the Crimson with WM1A, I noticed a marked improvement in the vocal expression and note clarity. The notes were crisp and clear, and the overall sound was simply stunning. The treble had an airy quality to it, which allowed the vocals to sound even more expressive and complete. However, this did come at the cost of sounding a little light, which sometimes resulted in a faint sibilance in the lower treble region. Despite this, the tonal balance remained undisturbed. Additionally, the bass had a fuller and richer sound, whether in the sub-bass or mid-bass range. The upper frequencies were kept clean, but the impact of the bass made it sound organic and natural. Overall, listening to the Crimson with WM1A was a truly exceptional experience. https://preview.redd.it/vjd8ar9n0axc1.png?width=4032&format=png&auto=webp&s=1afc0487dd766881b2f182832b0eb75ae60644d5 Tempotec V6 - As I was listening to the Crimson with V6, I couldn’t help but notice the forwardness of the vocals in the overall response. The treble was exceptionally smoothed over, and the mid-range vocals were pushed up, resulting in a more vocal-centric sound. However, when it came to the bass, I was pleasantly surprised to find that even though it was well-controlled, it still managed to deliver a powerful punch. The result was a slightly dark, yet energetic response that left me thoroughly impressed. https://preview.redd.it/wl6zjs7o0axc1.png?width=4032&format=png&auto=webp&s=368153900072e91e508b5fd93bce754712742ca8 Simgot DEW4X - As I was listening to music on the Crimson with DEW4X, I couldn't help but notice the transparent response and enhancement over all frequencies. The sound was clearer and more expressive than ever before, with every detail feeling stronger and more potent in the mix. This allowed for better clarity overall, making it easier to hear every note and nuance in the music. However, while the bass and treble did feel a little more linear and clearer, it also made the music sound less organic and natural. The tonality faced a leaner presentation of the notes, which might not be preferable for those who prefer a warmer, more natural sound. https://preview.redd.it/ihlfb17p0axc1.png?width=4032&format=png&auto=webp&s=3671d16c1fec6446ddf512eb774b078ba9642d70 Quloos MUB1 - During my listening experience with the Crimson and MUB1, I couldn’t help but notice how the response of the sound felt soft and rounded. While the detailed aspects of the notes were not as prominent, there was an improved grasp over the tonal quality which made the listening experience quite enjoyable. Another aspect that stood out was the spaciousness of the response, which allowed the vocals to sound open and free. Additionally, the treble felt extensive and airy, while the bass took a backseat in terms of power and impact, resulting in a sound that was warmer and more mellow than before. Overall, the listening experience was quite pleasant. https://preview.redd.it/30tzs93q0axc1.png?width=4032&format=png&auto=webp&s=dc5420971a0ad5587c801f518f9205a5271e94de Comparison Between Symphonium Crimson and Thieaudio Prestige LTD Despite having similar frequency responses, I found both to be distant in sound, primarily because of the different configuration setups of drivers and synergy across the frequency response spectrum. The Crimson responds in a more fun and lively manner, bringing forth a lot of energy in both the instruments and the vocals. Nonetheless, I do believe that the Prestige LTD generates a sound that is larger and more expansive, with more zing and sparkle in the air and a strong overall contrast in the notes. The Prestige LTD's leaner response sounds a little more mysterious and captivating, but the Crimson does a better job of tonally accurate note depiction than the Prestige LTD. The Prestige has a more U-shaped sound than the Crimson, and as a result, it has a less forgiving and warmer tone with finer details. The Prestige LTD enhances the texture and details more than the Crimson, but the Prestige LTD wins out when it comes to the bass response's natural decay and dynamic physicality. The bass response in the Crimson is more precise and noticeable overall. The energy in the overall mix is more concentrated within Crimson, which accentuates the forwardness and lively response; however, the Prestige LTD produces a well-balanced response that allows for great separation, layering, imaging, and staging in terms of technical sound, resulting in a better perception of depth and width than the Crimson. Overall, I feel the Crimson to be more melodic and delightful to listen to, whilst the Prestige LTD provides an accurate understanding of sound and its features. https://preview.redd.it/ngcpsgfr0axc1.png?width=4032&format=png&auto=webp&s=4488cff134b68d8f67752e7315970e74a37df76a Tracks Millet - Anytime Anywhere Anri - I can’t stop the loneliness Kohana Lam - A Few Sentimental Kohana Lam - Loving Me, Loving You Uru - Kimino Shiawasewo Uru - Kamihitoe Kujira Yumemi - Kenka Majiko - Kokoronashi Anly - Sukinishinayo Miliyah - Kono Yumega Samerumade Rokudenashi - The Flame Of Love Yu-Peng Chen - A New Day with Hope Yu-Peng Chen - Another Hopeful Tomorrow Yu-Peng Chen - For Riddles, for Wonders Valentino Khan - Satellite Kai Wachi - Happier By Now Jawns - Erotica ISOxo - how2fly Kai Wachi - Happier By Now Weeknd - Popular YUNGBLUD - When We Die(Can We Still Get High) Bring to Horizon - Kool-Aid Middle Kids - Bend FLETCHER - Leads Me On Loathe - Aggressive Evolution The Weeknd - Save Your Tears Sigrid - Burning Bridges AURORA - Black Water Lilies AURORA - Runaway X Ambassadors - Renegades Lupe Fiasco - Words I Never Said Macklemore & Ryan Lewis - Can’t Hold Us Gotye - Somebody That I Used To Know Jay-Z - Run This Town Lady Gaga - Poker Face Lady Gaga - Just Dance Ladytron - Ghost Travis - Love Will Come Through LINKIN PARK - Somewhere I Belong DJ Shadow - Six Days (Remix) Hoobastank - The Reason Ricky Martin - I Don’t Care Tool - 7empest Tool - Vicarious A Flock Of Seagulls - Space Age Love Song Zack Hemsey - Vengeance Elton John - I’m Still Standing The Moody Blues - Nights In White Satin Micheal Sembello - Maniac Guns N’ Roses - Sweet Child O’ Mine A.R. Rahman - Kun Faya Kun Conclusion To end this review, What Symphonium Audio strides to achieve and what goals they have set have been validated by Crimson, The precision in quality and redefining the parameters of elegance in sound reproduction is achieved through Crimson. The musical and lively response with robust and cohesive quality across the overall tuning makes it one of the most enjoyable, detailed and engaging IEM. A wonderful and satisfying innovation, to be sure. However, I cannot speak for the audiophile community when it comes to whether the price justifies the overall offering. However, when I compared my beloved PRESTIGE LTD to Crimson, I found the Crimson to be on par with LTD while offering a different taste, so Crimson has my wholehearted recommendation. You won't be able to let them go once you get them on your ears, I promise. https://preview.redd.it/vgczgyrs0axc1.png?width=4032&format=png&auto=webp&s=24629e9d3968095aa932cd925acd454c58e971e9 |
2024.04.28 16:33 Camera-Realistic Seen at the beach in FL
I’ve only ever seen seagulls, sand pipers and the occasional pelican on Florida beaches. This flock of black and white birds with red beaks were there last night. Very pretty! Anyone know what they are? submitted by Camera-Realistic to whatsthisbird [link] [comments] |
2024.04.27 23:56 shoshana4sure Flock of Seagulls post up-do at Richardson Square Mall Photo Booth, 1985 (sorry bad quality)
submitted by shoshana4sure to OldSchoolCool [link] [comments] |
2024.04.27 06:08 Seacarius Last week's garage sale pick ups