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So, if you’re just joining us, I work at a haunted zoo now. Since I’ve gotten some rest, it feels like I’ve got my head on straight, at least, so I’d like to continue where I left off.
I sat on the floor in the office after meeting the ghost until I’d settled my rattled mind (and realized I’d forgotten to ask her name, how rude is that?). I took a deep breath and got up off the floor. Walking over and falling into the rolling chair in front of the large screen of camera views, when I brought up the camera that covered the area in which I’d spotted her, she was still there, and it seemed she hadn’t moved an inch.
Sitting there, at a loss, I continued to watch her. The ghost hung around for another five minutes or so, appearing to look at a few things off-screen, though I’m not sure what. Then she walked off into the forest and left the view of the cameras. I wasn’t sure if she vanished into the ether or if she’d gone looking into the trees to look for something.
But that wasn’t the end of the job interview, so let me jump back there. It continued into what kind of animals the zoo had, with Andrew asking me how much experience I had with dangerous animals.
I took a moment to consider the question. “So, ah…I’ve been going hunting and fishing with a neighbor since I was sixteen,” I told him. “We always have to keep an eye out for gators, bears, and hogs. Then there’s snakes, of course…snapping turtles… Since I’ve lived here my whole life and been aiming for a job with wildlife for a long time, I know a lot about the animals in Arkansas in general. But good advice for all of the above is avoid them, so I’ve had encounters, but I don’t know if you’d say I have experience with them.”
“That’s fine,” Andrew said, nodding. “That’s an answer I’m satisfied with. Now, the ghost was the appetizer, Ripley; here’s the main course. To start with, the pay isn’t twenty-five an hour. It’s fifty.”
Staring in shock for a moment, I asked, “Are you serious?”
“Yeah. But that’d be weird to post online considering what applicants think we need, so I halved it.”
“That’s… Okay, why?”
“The animals are already here. You just can’t see them.”
I stared at him for a long moment, some disbelief worming its way into my expression, before saying, “Sorry, what?”
“There’s a chance you’d naturally never see them, or at least some of them,” he continued casually. “It depends on both your genetics and how long you stay on the job. I can naturally see six of them, but that’s it. Suzanne can see all of them, and more. Some are what people would label demons or ghosts. Or magic. Mostly you’d call them cryptids. The ghost was just a warm-up; I mentioned her first because it never takes more than a week to see her if you work the night shift. If you manage to handle her okay, soon you’ll be able to see the animals too. The more time you spend on the grounds, for weird reasons,” he said, wiggling his fingers in the direction of the back door, “the more you’ll be able to see.”
“So, this…this is a zoo for cryptids,” I echoed slowly. He nodded once, waiting to find out what kind of reaction I would have. I gestured vaguely around the room. “If this is a hidden camera show, will you cut me a check for showing up and participating?”
Andrew coughed out a chuckle and shook his head. “No joke. There are a ton of stories out there that have been written to death, pulverized until they’re not the Grimm stories of old and instead they’re Disney films. A lot of those stories come from what some humans have seen. There are dozens of other worlds pressed up against ours, and occasionally things come through by accident. If they’re smart, they’ll lay low and then make their way back when they can. If not, they become local folklore until someone helps them back. I’m just from London, but Suzanne is from somewhere else. She hires people like us for this zoo. Humans.”
Sighing, I shook my head. “That makes no sense. Why would she hire a muggle for a magic zoo?”
Andrew burst out laughing at that, and then waited to gather himself before he continued. “Fair point, but this is less about magic and more about animals, and you’re missing some information that will explain it. First of all, if I misjudge an employee, and they think they can make bank by outing the endangered and valuable animals we have, it’s easy to relocate the zoo.”
“Because magic?” I asked.
“Exactly,” he replied, ignoring the thread of skepticism in my tone. “That means it isn’t the end of the world if that happened, though it is a pain in the arse. But second…let me ask you a question. Speaking of reality shows, say the Discovery Channel put out a call to replace Steve Irwin when he passed. Imagine they had a line out the door,” he said with a gesture, “of people who thought they had the skill and natural talent to replace him, to take on everything he’d been doing his whole life. How many do you reckon would lose an arm, a leg, or their life, by the end of the day?”
My lips parted in surprise and I narrowed my eyes at him. “You’re saying people from…wherever…they’re just as dumb as humans, but they’re worse, because they actually think they can handle these things.”
Andrew pointed the pen at me. “Things. Exactly. You called them things. Suzanne and her friends grew up with them and would call them animals. These animals have dispositions and temperaments that we’ve studied for as long as there have been scientists. Where Suzanne’s from, they know the weaknesses of these animals, and also they’re in enclosures here, even if you and I can’t see the walls because they’re invisible things called ‘wards’. If I hire someone who’s got magic on top of all that, they’ll have almost no instinctive fear.
“Everything here is nocturnal, and every one of them is a hunter. Some of these things? Humans see them and they pass out. Not that I want you passing out, but I need someone who is scared of these things, who knows to stay out of the enclosures no matter what. Not someone who thinks they can train them to do tricks, who gets close enough for them to grab a mouthful of hair and drown them. Once, we had a night shift manager injured, and once killed, because they didn’t take these animals seriously enough.”
Thinking back to the Sea World orca incident I knew he’d been referencing, I remembered wondering how someone at that level of her profession could be so careless as I watched the video on YouTube. It made sense when he explained it like that. I hesitated before mentally throwing my hands up and going all in. “So, why put this place here, then? If they’re endangered and also dangerous, why have a zoo at all instead of just a small reserve?”
He pursed his lips, looking disappointed in me. “Ripley. You know that already. You already said as much.”
Thinking back through our conversation, I said, “The rich humans who pay top dollar to see supernatural animals.”
“Not humans,” he told me. “But people, yes, and they are rich, and they’re making donations and spending their money on a ticket here because everything we have is endangered.”
“So…”
I just let my voice trail off and my mind started to drift. Andrew remained silent, letting me do so. There’s that thing people say, ‘I believe that you believe it,’ which is just a kinder way of saying, ‘Bullshit.’ Parents say it about closet monsters. Psychologists say it to people who say they’ve been abducted and probed by aliens. I wanted to say it to Andrew.
But I also wanted a job. If it meant working overnight at an empty zoo, that was fine. When it came down to it, especially when I took the tone of our conversation into account, this was a zoo specifically focused on preserving endangered ‘animals’, and it was allegedly doing important work. Also, if this turned out to be the real deal and I started seeing the animals, I would deal with it, just like I would deal with an enclosure that had a lion or tiger or gorilla. If it came with a ghost and invisible creatures, I really didn’t see what the difference was, if I couldn’t go in the enclosures either way.
On that note, I’d like you to imagine a kid who looks at a roller coaster, watching everyone screaming and grinning as they go up and down and all around and they’re like, ‘Heck, I could do that! That looks like a blast!’
Then they get on, the first drop hits, and they realize they’ve made a terrible mistake.
“All right,” I sighed. “I can’t say I’m going to turn down a job just because it’s going to be scary. Especially not one with this paycheck.”
Andrew smiled. “Awesome. There’s an adjustment process for anyone working here, similar to a dog that gets adopted, actually. I know the general guidelines of, ‘three days, three weeks, three months’ in terms of milestones, until they finally feel they’re where they’re supposed to be,” he told me, “and you can think of your time here along those lines. I really think you’re a great fit, and once you reach the milestone of working here for three months, I’ll officially consider you our new night shift guard. And I hope you’ll stay with us for many years.”
I nodded and smiled at the flattery of an employer wanting me to work a great job for them for a long time. I’d never had a dog, but those milestones were well-known among anyone who knew animals, especially dogs. The first three days, the dog is getting to know its new digs, exploring, and decompressing. At three weeks, they’ve gotten used to their environment and are starting to get comfortable with their surroundings and the routines of the humans they live with. By three months, they know the rules and follow them, they trust you, and they feel they are where they’re meant to be. I could only hope to be so lucky.
I saw the ghost two days ago and she has yet to make another appearance (for those who are curious, I asked, and her name is Leila), and I still hadn’t seen any animals. I did hear one, though, I feel compelled to note. A growling roar sounded from the lake on occasion, echoing across the vast zoo, sending a shiver down my spine. Whatever that animal was, it sounded gigantic.
Andrew said there was apparently a group that wanted to visit for a birthday and they were offering a huge donation, so he let me know they were making an exception and that this group would be walking through the park that night. That meant I’d be watching people watching animals that, as far as I could tell, weren’t there.
It was anticlimactic. Even the three people who came for the tour just looked like people, not like aliens or something eldritch from another dimension, and I stayed in the security office the whole time. Andrew was the one giving the tour. I watched them spend about five minutes at each enclosure, the hour or so that they were there passing without incident. It was clear that they were able to see all the animals, though, since they motioned excitedly at each enclosure and spoke to Andrew, who presumably answered any questions they had.
If they could see the animals, that was that. There was still that niggle in the back of my head, from my twenty-three years of life never encountering anything like ghosts or cryptids, telling me that this was ridiculous. Waiting for someone to knock on the door, a camera mounted on their shoulder, to tell me that it was a big joke and they wanted to see how long I’d play along. But from all I saw, this was a real place with real, invisible animals.
I do carry a taser and pepper spray in my capacity as a security guard. Though it isn’t for the animals, since they’re in the enclosures; they’re actually for the rare instance of a break-in. Andrew mentioned that it had happened several times it the past, someone trying to steal an animal in the hopes of selling it on the black market. They’d been successful before, but apparently my predecessor Roger was good at his job, and mostly they left in handcuffs.
I’ll be honest, I’m not a huge fan of confrontation, but my job was to call Andrew and then confront the person, not kick their ass. That’s what the police were for, or rather, the people Andrew would call in lieu of police in certain situations.
Fifty bucks an hour. That’s the key here.
Andrew hadn’t set up direct deposit, since he was sticking with a strategy of waiting to see if I’d continue to work there once I found out myself dealing with the animals (I’ve decided I am going to just call them animals). Instead, I got an old-fashioned check after my shift every Friday. The number on the first check was delightful. I went out that evening and had a big dinner at the local diner, order my most expensive favorites on the menu and a big slice of pie for dessert.
When it came to the paychecks in general, though, I had this weird feeling of not wanting to tell my dad and brother about the fact that it was actually $50/hr. I previously mentioned that my dad, his name’s Nathan if you’re curious, works at a local grocery store. Our town has a couple food franchises, but I think its size is just short of whatever threshold Walmart uses to decide where to open. He earns $14/hr. and that’s after the tiny raises he’s gotten over the past thirteen years.
That’s not to say he’d feel bad about not making as much as me. On the contrary, he would be ecstatic for me and really proud. But, like me, he’d be suspicious. That hourly rate was the biggest hint that this was more than just a private zoo for cryptids. And as soon as that fat check cleared without problems, my dad wouldn’t be satisfied with reassurances; he’d want to come visit the zoo and look around.
I’d told him it’s a private preservation with scheduled (expensive) visits only and that it had only eleven animals, so he’d been appeased by me brushing off the idea of a visit. Also, I took a few photos of my workplace; one of the security room, one of me sitting in my chair, one photo of the many screens I watched, and a selfie where I was feigning sleep out of boredom, slouched in my chair with my mouth open in a faux snore. That let him feel like he knew where I was and what I was doing, and that I was safe.
But if I told him I was making double what he thought, my father would practically order me to quit. No job was worth my safety, he’d tell me. I was quite of the opposite opinion, however, considering how crucial any and all conservation efforts were these days. Especially with the steep extinction levels due to humans competing with other animals for space, not to mention climate change. Working in any job that helped preserve species and keep ecosystems in balance, or put them back in balance, was so important.
Then again, my father would also point out something I had realized right away: the fact was that I was working with endangered species that were not from Earth. I wasn’t helping my planet. To be honest, though…that didn’t matter to me. Especially after that talk with Andrew about why he hired a human for this job, I figured whichever dimension these animals came from had the equivalent of us, razing forests to the ground, clouding the planet with pollution, and leaving the animals with no avenue of recourse when yet more land was taken from them.
I really do hope to keep working here for a long time, though, and not just because of the money. I can’t help it; I want to know what these things were, and I want to work with them, to do the job of a zookeeper. The same way you go up to the chain-link fence to get close to a carnivore on the other side who thinks you’d make a nice afternoon snack. You just want to be closer to them, to experience that incredible, daunting feeling of being in their presence.
Unsurprisingly, it wasn’t long before I got what I wanted.
The day after we had the tour go through, I was doing my sweep when I saw the ghost again. She was sitting on a small boulder in the same area I’d seen her the first time, looking identical, blood covering the front of her slashed shirt, the wounds visible underneath. I stopped and stood there for a moment before I decided to raise my hand in a small wave.
The young woman cocked her head at me and raised a hand in the air in an imitation of my gesture, her expression showing a bit of curiosity.
She was low-key, seemingly not concerned with my presence, looking at me as a novel phenomenon in her world. I wondered what that world consisted of. Was she always here, sometimes visible and sometimes not? Or did she have another world next to ours, in the ether, where she left everything in this world behind and floated in her disembodied form? Did she still feel emotions? Was that really curiosity on her face, or was I projecting? Did she feel happiness? Fear? Did she have the option of moving on, or was she stuck here?
Many questions that I might never get the answers to. And that was assuming Andrew knew the answers, since I’d never met Suzanne Cooper and he hadn’t even mentioned that possibility. This place was clearly her baby, but I’m sure running it was a lot of work. Plus, if she was rich enough to own it, she was rich enough to have other businesses and charities to run.
When it comes to the enclosures, they’re all wrapped by a barrier of some kind, though never one that seems adequate. There was not a single place with the ugly metal weavings of a chain-link fence, and no stretches of circular razor wire. Instead, there are nice fences. Black iron, or wrought steel fencing in a similar style to the one circling the perimeter of the zoo, just shorter and with different patterns. Or a spaced picket fence, the wood stained in some tone of brown, or a split two-rail fence. As if to say, ‘This is the border of your enclosure, but we’re just letting you know out of courtesy.’
When I started to pass enclosure number seven last night, a young woman’s voice spoke, “Hello.”
I startled, unaware that I hadn’t been alone. “Oh. Hi,” I said, staring at her standing a few yards in.
She had been next to a large tree and I hadn’t seen her. This enclosure was behind a picket fence, and she walked through the large area of wild grasses and flowers that stretched across the other side of the fence. There were fewer tall grasses closer to the fence, which I guessed was because it had been tromped down by her regular pacing along it when there were visitors, or if she wanted to see the various enclosures of the zoo. Her sudden appearance was a bit weird, considering I had been expecting to see a cryptid and instead I was looking at, it seemed, an attractive Asian woman.
She wore a black kimono, the soft silk robe draped gently over her body, with beautiful patterns of cherry blossoms, more so over her left side, and red and blue birds with their wings spread. A sash wrapped around her abdomen, she wore socks and sandals on her feet, and her hair was up in those rolls that gave volume to the style.
I was no expert on any fashion, much less that of another country, so I just assumed it was all traditional Japanese clothing. Most likely, the visitors who came liked to see a certain time-honored style and that’s what she stuck with. Or maybe she played on stereotypes. That would be amusing.
“I’m Yui. It’s nice to meet you,” she spoke, arriving at the border of the fence and holding out a hand for me to shake.
I’d been standing about three yards away from her, and I’ll be honest, muscle memory tried to kick in. But I only made it two steps, my hand starting to rise, before I froze, the hand falling limply at my side. “Nice to meet you, too,” I answered, my voice quiet.
Damn. I wonder how many times that honey trap works back where she comes from.
The pleasant look on her face faded, and she lowered her hand. “You won’t shake hands with me? Isn’t that rude?”
“I mean, I kind of like my hand where it is. You know, attached to me.”
Her demure smile widened into something more amused. “I would never do something so revolting.”
Looking her up and down, as if more visual information would give me more knowledge of what she was, I asked her, “What would you do?”
“I would be less wasteful,” she said softly.
A finger of ice trailed down my spine, and I had the sudden image in my head of her grabbing my outstretched hand in an iron grip and yanking me over the fence, leaving me to sprawl on the ground. Then killing and consuming me efficiently, without a single careless step, the same way humans slaughtered pigs, using everything from the hog but the squeal. I was struck with a shiver at the idea of her consuming everything from me but my screams.
Slowly, I took one step further down the path, then another. Just as I got to a walking pace, though, I realized the woman had started walking too, in the same direction. I’d have eventually gotten to the end of her enclosure and keep going, leaving her behind, but she spoke up. “Are you leaving?”
I came to a stop, meeting her gaze again. “My job is to walk the zoo every hour. Then I’ll get back to the security room and stay there until my next walk.”
“Have you met the others yet?”
I hesitated before saying, “Just Leila.”
She blinked languidly. “That means nobody welcomed you here.”
“Andrew did.”
She didn’t reply to that. Instead, she slowly started to lean forward, and I flinched backward a few steps further as I saw insect legs start curling out from her back.
No. Not insect. Arachnid.
The eight legs ended in small ‘paws’ with tiny claws, a layer of hairs covering the leg from top to bottom, like any typical tarantula. I took two more slow steps back and my mouth went dry as the jointed legs just kept lengthening, until they were large enough to lever her off the ground.
My gaze had been on the spider legs, but my heart skipped a beat as I realized her human legs had melded together and turned into a bulging abdomen. Her skin was shifting to a carapace, eventually all the way up to her shoulders and down her arms, her fingers elongating and her nails stretching to claws. From there down, her body was that of a pale tarantula with pedipalps the size of my arms and piercing fangs in her jaws that looked like they could take my head off.
There was a moment, my vision blurring, where I was worried that I might piss myself. The part of my brain that still had its humor intact in that moment told me that I should keep an emergency set of clothes in my car, or at the very least, start wearing Depends to work.
“I show you my true form,” she said softly, her voice now raspy like an eighty-year-old after a lifelong smoking habit. “Welcome to Suzanne Cooper’s zoo. The night shift guard for many years was Roger, before he retired and the zoo moved, and I miss him dearly. What should I call you?”
I choked on my words. There was no way my throat was going to cooperate enough for me to clearly get a sentence out. Instead, I realized my legs had taken control of the situation themselves, unsatisfied with my conscious brain’s decision to stand and stare, taking steps backward. I backed up a yard, then five yards, then ten.
My mind focused on the fact that spiders don’t waste anything, and pictured my demise. I’d be wrapped in a cocoon, killed, and made nice and mushy before she had me for dinner.
The whole time, my brain was a frenzied mess, my pupils were probably the size of dimes, and I was staring at that tiny, pathetic fence between her and me. There was so much adrenaline pumping through my body that I felt like my bones were vibrating. The fence was, to my eyes, the only thing between us. The only thing keeping her from tackling and killing me. My only hope was that she’d do it quickly.
But she didn’t move. As I absorbed her innocent, polite words, the look on her face was calm, and I wondered if this was typically the way a conversation went before she devoured her prey. I wondered how many people she’d eaten. Not humans, not people from Earth, but the ones from where she came from. The fact that she doesn’t scare the shit out of those people means they’re staggeringly dumber than humans.
Finally, I rounded a corner, both relieved at having her out of my sight and worried that she would take that moment to come find me. When she’d been within eyeshot, I had at least known where she was and could run in the other direction. But I didn’t hear the sound of faint footsteps moving rapidly toward me. All was quiet, in that deep, smothering way that only an empty business in the middle of the night in small town America could be.
My hands trembling, I barely paid attention to anything but the confirmation that my surroundings were free of the colossal spider as I finally got back to the door. Grabbing the handle and letting my eyes dart around for about ten seconds and my ears prick for the slightest sound, I finally swiped my key card across the pad and went inside, shutting the door behind me and engaging the backup deadbolt.
Maybe that was why they had decided on keycards. If I was running from something and panicking, using an actual key or inserting the card like at a hotel would keep me from getting to safety considering my hands were shaking enough to mix a margarita.
Walking over to my chair, I fell into it, letting my body flush itself of terror as I looked up at the cameras. There she was, still in arachnid form, exactly where I’d left her behind that rinky-dink fence, casually looking around and slowly pacing back and forth. I stared at her as my racing heart gradually slowed, and a minute or so later she turned on her eight legs and walked back into the trees.
Whatever invisible fences the enclosures have apparently work, which is nice, because I wasn’t keen on getting killed by one of the creatures here. And that’s what brings me here, spilling out everything that’s happened so far. Because nearly passing out from terror isn’t something I wanted to deal with at work, obviously, but I keep going over what she did in my head again and again, and I feel like I reacted like a child who spotted a wolf spider on their bed. I started to worry for my overactive sense of self-preservation, at least in my capacity as an employee here.
The spider didn’t even try to hurt me, and so I was feeling a bit foolish. Even annoyed, actually, at the fact that I’d freaked out so hard and took off instead of trying to engage in at least basic conversation. I got the sense that she wasn’t at human-level intelligence, but I was never going to be able to hold any level of conversation with an alligator.
Sure, she did mention that she wouldn’t be so crass as to yank off my hand because she’d rather just have my entire corpse, but wouldn’t a wolf do the same if it was hungry? Wouldn’t any carnivore? Actually, they probably would’ve been satisfied with one of my hands. The fear here was from the fact that she turned into a giant spider. If she’d turned into Clifford, I would’ve reacted the same way, if not better than, meeting Leila.
With that, I decided I’m staying on the job. Considering how frustrated I can get with foolish people, it’s a bit hypocritical, and I’m being a bit of an idiot. But…there are definitely wards keeping them in their enclosures. Also, I signed up for creatures for another dimension, whether or not I believed in them at the time, and I will not let encountering my first one in an objectively boring way be the reason I quit.
The money is a factor, I’ll grant you. Of course it is. And I can’t spend it if I’m dead, but all signs point to surviving as long as I don’t do anything dumb. Also, yes, I’ll admit there’s a not-so-little voice in the back of my head that’s desperate to know what else is here. I never thought I’d do something like this, but finding out these things are real, I honestly do want to learn more about them.
Still, though, I decided to call Andrew at the end of my shift to ask if the pepper spray and taser I carried worked on a certain spider, as well as the other animals I’d yet to meet.
Previous

Previous Part
The next day went by in a blur. Rocco was walking the perimeter of the camp, keeping an eye out for Brooke when I woke up. I didn’t really think he’d leave, but it seemed to give Rocco something to do other than being a general menace to society. All of us ate breakfast as normal but no one really said much. I’m not sure if they were still reeling from things they saw yesterday or if they just weren’t in a talking mood. The thought occurred to me that Shaoni may have payed a visit to each of them as well. Prying into what they saw and answering questions they might have. Honestly the whole thing felt like we were guinea pigs. Shaoni didn’t really seem to have a great handle on the trials so far. It was… mildly concerning that the ringmaster of all this didn’t seem 100% in control anymore.
Actually, I’d thought about that a lot last night. Shaoni just sort of left us to our own devices when we went through those “visions” yesterday. It’s not like she backed up her claim that she’d know what we’d seen either. If anything the fact that she came to ask me about it made me even more suspicious that she wasn’t really sure what she was doing. It was the first time I’d ever thought of Shaoni as anything other than in complete control. Slowly but surely it was becoming glaringly obvious that wasn’t the case.
If I was remembering correctly today’s trial was the trial of strength. I sincerely hoped that was a metaphor for something. You’ve got to understand, I’m not a very strong person, not physically anyways. I hoped Shaoni wanted to test mental strength or strength of will something like that. My hopes shattered as we arrived at the coliseum and saw an arena set up. There were several dummies in a corner, the kind you would see used in martial arts or HEMA or something to that effect. At the foot of the dummies were several wooden clubs. I couldn’t see them to clearly but they almost looked clawed from a distance. The real centerpiece was the platform in the middle of the coliseum. It looked like a stage and I’m sure that’s exactly how we were going to use it. The raised wooden platform had been constructed with boards placed across the top. It looked like those boards could be removed and under that was simply the cold hard ground about two feet below.
Katrina’s eyes lit up as she looked over the room.
“Now this is what I’m talking about, a real trial!”
She just about shrieked in excitement, throwing one fist in the air and startling the rest of us to attention. Katrina was the only one that really seemed excited about this. John and Robert just looked accepting and I’m not sure Brooke had put two and two together yet. I’d seen the clubs laid out by the dummies and already figured we’d be sparing with each other.
“Good morning everyone, I hope your ready for today.”
Called Shaoni, emerging unseen from behind us. Anyone who wasn’t fully awake at that point sure was then. There’s just something about Shaoni that makes you really really not want her to show up behind you unannounced. Probably why she kept doing it to us.
“Today I will test your strength, while I’d rather avoid conflict it’s sometimes unavoidable. My ideal candidate not only knows themselves but can handle themselves as well. We will allow you some time to familiarize yourself with the war clubs you’ll be using. Then you will compete against each other to find the strongest, most skilled warrior among you.”
Shaoni explained, Katrina’ excitement growing with every word.
I wasn’t to keen to participate in any of this but, like usual, I didn’t really have much of a choice at this point.
“So will you be sticking around this time then?”
I asked, wondering if Shaoni was going to cut and run again.
“I have other matters to attend to today. While I would like to stay and observe the whole day I need to prepare things for the final trial tomorrow. I’ll be back in time to see you test each other though.”
She replied dismissively, already on her way out. Shaoni seemed almost uninterested in us now. For someone evaluating us she seemed awful happy to pass off the evaluation to her followers. I didn’t say anything else as she walked out of the coliseum and towards the exit.
As I walked over to the little training area I saw the clubs were actually ornate masterpieces. They were carved from a hard dark wood. The handles resembled an eagles talon, curving near the end to grip a wooden orb. Whoever made these was beyond skilled, these things were works of art. I didn’t have much time to admire them before Katrina interrupted me.
“Hey, Keith was it? Want me to show you how to use these things?”
She called over to me, it was more of a command than a question but that’s pretty par for the course with her.
“If you want, sure. I’m uh… I’m kinda a fish out of water with this find of thing.”
I told her, rubbing the back of my neck with one hand in embarrassment. I wasn’t sure why she was singling me out for that but she answered that question for me.
“Good, Those two creep me out and that one has been drooling over me since we got here.”
She said, pointing over at Robert and John who had already started practicing, then at Brooke. Katrina showed absolutely no subtly in any of this, earning us looks from all three of the others.
I was a little afraid of Katrina teaching me anything, if someone was gonna kill me by accident it would be her. That and she still had that gun on her. Despite my misgivings she was actually a pretty good teacher. She was a bit like a drill instructor but I learned a thing or two. By the time we were done I felt like I might stand half a chance in this trial.
“Just remember your footwork, keep your balance and the rest should come natural. Oh, and if we get paired up, take a dive, it’ll be less painful.”
Katrina added with a smirk, walking over towards the group by the stage in the center of the room. Shaoni had just come back in and was up on the balcony. A few of her followers had collected us and informed us we were about to start the, ”practical part”, as they put it.
“There’s five of you so for the first matchup one of my own will serve as the opponent. Anyone what to go first?”
Shaoni asked us, looking down with a raised eyebrow and waiting for a response. Before I realized what I’d done my hand was in the air, my body subconsciously wanting to get this over with as fast as possible. Shaoni actually looked surprised as she gestured for me to take my place on the stage. Two of the boards had been removed on either side leaving us something like six feet of space to work with before falling off the platform. But I was far less concerned about that after I saw the guy walking over. It was the driver from a few days ago when Shaoni had me brought out to the camp. The guy that had his friend stabbed by Bianca, he didn’t look like he’d forgotten about that as they gave him his club.
As I took my place on the stage the only thing I was thinking was exactly how bad it hurt when you got hit with one of these things.
“Begin when you are ready.”
Called Shaoni from her place on the balcony. The guy across from me took absolutely no time to think, charging at me wildly right away. I tried to brace myself and remember Katrina’s training, taking an even stance and angling my club for the coming blow. I did manage to block his strike but the force of it threw me to the ground. My mind went into full survival mode as he swung down at me. He was way less fluid than Katrina had been when she was showing me the ropes. He just seemed like he wanted to hurt me by any means necessary. As I rolled from side to side avoiding his blows I waited for an opening. He took a particularly hard swing at my head and I rolled at the last possible second. He lost his balance, giving me a chance to slip between his legs and get back to my feet. I stood back up narrowly avoiding a swing for my head as my opponent regained his balance and swung back at me. His wide hate fueled swing carried his whole body around with it and gave me another opening. I planted my feet and took one hard swing at the man’s turned shoulder hitting him right on the bone with a sickening crack. He stumbled around towards the edge, turning his back to me. I took one final swing, hoisting the club above my head and bringing it down in between his shoulder blades with a hollow thud. The blow sent him tumbling forward over the edge and off the stage, falling to the floor below.
Katrina shot me a quick thumbs up as I walked off the stage while Shaoni looked down at me and gave me an approving nod. No one else seemed to pay me any mind as I rejoined the group. I felt empowered, I hadn’t expected to get even that far, maybe there was a chance for me in this trial after all. Robert and John fought next and despite their age they each held their own. In the end John forced Robert off the edge, his age and weight throwing off his balance. I was still impressed either of them could move like they had, I guess I shouldn’t judge a book by its cover. Then Katrina fought Brooke in the last… round I guess I’d call it. The smile on her face was unsettling from the moment she realized she’d be paired up with him, like a shark smelling blood in the water. You could just tell that she was going to take pleasure in what happened next.
That smile was still on her face as she walked up onto the stage and took her place across from Brooke.
“I hope you like it rough baby, cause I’m not going easy on you!”
Brooke called to her from the other side of the stage making a point to puff out his chest and flex his muscles. That set her off like a bomb, the smile disappeared and she exploded towards Brooke. I saw the exact moment that false confidence left his eyes and he actually turned to run, he was far to late and way to slow. Her first strike went low, shooting out in front of Brooke and coming back to catch his knee sending him tripping forward. He tried to regain his balance but she had no intention of letting him. Katrina swung out in front of him again, this time catching his neck with the club on its way back. That sent him flat onto his back, the club falling form his hand and rolling off the edge of the stage was the only sound in the whole coliseum. All eyes focused on Katrina as she took a breath then delivered a kick to Brooke’s ribs so hard that he went rolling off the edge, following his club. I returned her thumbs up she had given me as she rejoined the group.
Next, those of us who remained got matched up with each other. Shaoni wanted to use another one of her followers to stand in but Katrina insisted on just going twice. That meant I’d fight her and then the winner would fight John to see who the victor of the day was. As I stood across from Katrina I considered taking her advice from before, “…Just take a dive…” she had said. I thought about it, I really did, but I’d done so well earlier right? Why stop now? While I’d been thinking Katrina had walked up to me and started to swing. I had just enough time to realize my mistake before she cracked me across the head so hard she knocked me out.
I came to an hour later, alone on an animal skin cot. I was still in the coliseum but everyone else had left apparently. The only thing I saw when I got up from the ground was the torchlight illuminating the passage that lead back outside. That and the note scribbled on a scrap of a sticky note taped to my fore head.
“I told you to take a dive.”
Well at least she might feel bad about knocking me out. I figured we must be done for the day given how dead the camp seemed when I emerged back into the light. With nothing better to do, I walked off towards the forest to clear my head. I wondered what Bianca had been up to since I’d been gone as I aimlessly wandered around the forest’s edge.
“No that wouldn’t work! We don’t know what’s up there and we are not just waltzing in through the front gates!”
Stein yelled at me as I went over my most recent idea for breaking Keith out of whatever trials were going on out by the old mine. It had been two days since I watched him get kidnapped in front of me and I was getting drastic, aaaannd maybe a little dramatic.
“But I could do it guys! Remember back at the reservation? Those guys were willing to do anything for me and there can’t be that many guards in one place. Maybe I just convince a small group to lead us in and make an excuse for us.”
“For the last time Bianca, They’re just about cultists far as I can tell. You ain’t gonna be able to fight the kinda conviction they have to that bird, even if ya could its to much of a risk.”
Tuck protested from his seat at the kitchen table.
The kitchen table had become our war room over the past few days. A map of Eagles Peak Frank had made lay across it with dozens of pins stuck in around where the old mine would be.
“I don’t think an approach from the front is a good idea at all. You and Keith got to the mine through the forest once. Could we follow that path, approach without anyone knowing we were there?”
Stein theorized as he paced back and forth at the head of the table.
“Well, we really just wandered around for a bit and ended up there. We didn’t find the mine either, it was a hole that lead down to an old cavern near the mine. They turned out to be connected but that was just dumb luck.”
I explained to the group. Tuck looked like that had given him an idea.
“So you two got some backdoor entrance figured out that you’re only just tellin’ me about? That could be perfect! The four of us could make our way out and drop through that hole, take em all by surprise!”
Tuck exclaimed, leaping to his feet. His enthusiasm was nice but it wasn’t going to be that easy.
“We… kinda made a bit of a scene when we were there, they might be watching for something like that to happen again.”
“True, but it’s the best entrance strategy I’ve heard so far, I think following up on it is worth a try.”
Frank added with a nod. Stein then started pacing up and down the length of the table for a bit. He was coming up with something, that much was obvious.
“So we’ll enter through this hole leading into a cave connected to the old mine. From what you told us about your time there its some sort of staging area for these trials, at least that’s my best guess. Odds are there won’t be many people there overnight so we make our way out there during the night. From there we move through the cave and into the mine but after that we know nothing about what we’re running into.”
Stein lectured to his audience.
“But I think we have a solution for that. Frank do we still have that drone?”
An hour later the four of us were gathered at the edge of town on that path Keith and I had taken into the forest. The trees growing together forming a sort of arch over our head’s were unsettling but I couldn’t decide why. It just didn’t sit well with me, it looked unnatural I guess and that just gave me the creeps. I get that’s rich coming from a literal succubus but its how I felt.
“Alright, just watch the trees as you take it up, I don’t want a repeat of Missouri.”
Stein instructed Frank as he got the drone in the air.
“You’re never going to let me live that down are you?”
Frank chuckled, shaking his head.
“It was the first time we used this thing, there was bound to be a few unexpected variables.”
“If you call “unexpected variables” an itchy finger on the throttle. We had to have Rocco untangle it from the branches.”
Stein joked as he checked to make sure the drones camera was feeding back into the app on his phone.
I hadn’t seen them like this, being friendly with each other. There was never a time where they hated each other or anything like that but they’d been so… business like with for a long time now. It was nice to see them act like real people again. Leaning over Stein’s shoulder I got a birds eye view from the drone.
“ Just go East, its what we did. Just walked East till we stumbled into everything.”
Frank followed my advice and flew the drone due East. Eventually a campsite came into view, there were a bunch of tepees and a bunch of people just walking around.
“What, they just look normal?!”
I blurted out, a little louder and a bit more distressed than I meant to.
“How’re they supposed ta look then?”
Tuck asked
“They’re just people like you n’ me. Nothin to special about em other than the fact they worship some big ass bird.”
He continued with mild annoyance.
“I don’t know, I guess I expected these creepy guys in tarps, like from Keith’s story. These are just… well they’re just people!”
I responded, Throwing my arms out to my sides in exasperation. Tuck was right, I shouldn’t have expected everything to be just as Keith had said. Still, something just didn’t fit together for me about that whole thing. What had the deal been with those people in Imalone then? I shook my head, clearing the question from my mind, it wasn’t important now.
“There! That’s the entrance to the old mine.”
Tuck told Stein as he looked at screen. I looked over myself and felt my entire being freeze. It was Brooke, walking out from the entrance with some bitchy looking girl and two older guys that I’d seen around town before. How could he be here? After all this time why, why was he anywhere near me?
My vision swam, when it came back Frank was standing in front of me. His mouth was moving but I couldn’t hear anything.
“…anca! Are you ok, what’s going on? Bianca!”
I finally heard over the sudden ringing in my ears.
“Him.”
Was the only thing the escaped my lips as I pointed one finger at the screen. I felt warmth coming back into my limbs as that frozen feeling slowly left me.
“He’s here…. Shouldn’t be here… why.”
I mumbled to myself as Frank helped me into the back of the SUV twenty minutes later. I was still nearly catatonic as we headed back into town.
“So… that was him, the one you were running from when we found you.”
Stein said, breaking the silence that had fallen. I could talk normally again but I still only managed a quick “yes”.
“You know you don’t have to come with us, I’d understand.”
Frank said, snapping me to attention again.
“NO! I’ve got to help Keith, I don’t care if… if Brooke’s up there too.”
I tripped over my words just mentioning his name.
“I can do it, I can do this Frank, please.”
I begged, taking deep breaths to try and calm myself down. We pulled into the driveway before Frank said anything back. As we were all getting out he muttered something under his breath. He didn’t mean for me to hear him but I did.
“I’m not sure you can girl.”
I went straight up to my room after that, I didn’t want to be around anyone. All I caught before I left Frank, Stein, and Tuck before running up the stairs was the hard look Stein shot both of them. A look that said “We need to talk” and told me that he finally had a real plan. I spent the rest of that night thinking about the past and what I’d been through. Could I go out to that mine and rescue Keith if I had to face Brooke again? The last time I’d seen him had been as I leapt out of a moving car as my eyes turned to meet his one last time, rolling down that hill to freedom. I’d never seen him since and it was rare for him to even cross my mind. I wanted to go with the rest of them but despite what I said I really wasn’t sure I could do this anymore. Eventually I just decided only time would tell, hopefully Stein’s plan was a good one and we could put this whole thing behind us.
“Ey! Ey Keith!”
Someone yelled out as I came back from my little hike around the edge of the forest. My eyes darted around behind me before they finally focused on a rustling bush. Rocco jumped out of it holding a cigar in his mouth.
“That Brooke asshole hasn’t gone anywhere, I found him out by that trail the trucks drove in on with this.”
He said, tossing the cigar up in the air where it twirled around before he caught it in his mouth again.
“I figured I should frisk him just in case. I took a bite of his pants and stole this little number out of his coat pocket.”
He continued, shaking a silver lighter with a gold inlayed image of a lion in his paw.
“Oh and the cigar, I took that too. Cuban so the guy’s got taste, still a prick. Anyways, it looked like someone got to him before me. The guy was pretty beaten up, had some nasty bruises.”
I couldn’t believe what I was hearing. I was just trying to picture Brooke getting mugged by a raccoon In my head and I burst out laughing. Rocco walked back to the camp in toe with me, only stopping to look up at some weird buzzing sound we both heard above us. Probably some rickety old plane or something way up there. I think I was finally starting to get why Frank and Stein had kept Rocco around. He may be a furry criminal mastermind but when he was motivated he could actually be really helpful. I never would’ve been able to keep any sort of tabs on Brooke without his help.
We made our way back to the long tent that still had remnants of lunch sitting on the table. Usually I would’ve tried to hide Rocco but at this point I figured he deserved the free food. Plus I just didn’t want to argue with him after getting my shit rocked most of the morning. Someone walked up behind me and I heard Shaoni’s voice, of course she was creeping up behind me again.
“Your feeling alright after today I hope?”
She asked me, taking a seat next to me.
“I’ll be alright, I’m sure I’ll have a killer headache in the morning but I’ll manage.”
“Good, good. We’ll be gathering in a few hours so I can announce the final trial. I expect you out by the entrance to the mine by 6.”
“What’s the matter? No cryptic questions this time Shaoni?”
I asked, paying no mind to what was sitting next to me.
“What do you mean?”
“I mean, you always stop by to check in after these trials. You don’t have any questions this time?”
“No, Katrina was the victor today, there is no question about that, the woman is… brutal. I just wanted to make sure she didn’t hit you to hard, you were unconscious for some time.”
She answered, some genuine concern slipping into her voice again.
“Heh careful, I might start to think you actually care.”
I joked, less nervous than I should’ve been.
“I’ll see you tonight with the rest for the announcement.”
She said with a deep sigh, standing up and walking off toward where ever she came from.
I took a nap and just barely managed to wake up in time for this “meeting” Shaoni had planned. I couldn’t find Rocco before I left but I wasn’t all that concerned about that anymore. When I got to the entrance a massive bonfire was lit and Shaoni stood alone in front of it. Robert and John were already there and Katrina showed up a little after me. Brooke hadn’t arrived before Shaoni started her speech.
“I thank all of you for coming here tonight. Regrettably one of you is missing but I won’t be waylaid by his absence.”
She spoke with clear annoyance in her voice.
“Tomorrow marks your final trial, the most important of the three. The trial of justice. Tomorrow there will be a murder in Eagles Peak. I want you all to work together to stop it. Then, succeed or fail, pass judgment on those involved in the murder. Afterwards I will select which among you will receive my gift. But for tonight, talk amongst yourselves, plan, and rest. Prepare yourselves for tomorrow, I will have my eye on each of you.”
With that Shaoni stepped away from the fire and into the night. Not accepting any questions about anything she had said.
“What do you think she has planned?”
Robert asked me as I took a seat by the bonfire to think over everything Shaoni had said.
“I don’t know, a murder apparently. Shouldn’t you know more about it? You’re one of her followers after all.”
I said as I turned my head to see John walking off into the night. That man was weird, really weird. I knew next to nothing about him and he seemed to never speak.
“Usually sure, but she hasn’t said anything to us about this. It’s why she hasn’t directly overseen all the trials, she’s set this last one up all on her own. I guess there’s nothing to do but wait, we’re all in this together for the first part of the trial I guess.”
Robert explained, leaning back and sprawling out on the ground. He was right, there wasn’t much we could do until we were in the middle of it.
I looked around, searching for Katrina in the firelight. I found her leaning against the rocky wall that made up the entrance of the mine. I stood up, leaving Robert to relax and made my way over.
“How’s the head?”
She asked, feigning taking a swing at me again with an evil grin on her face.
“I told you to take a dive.”
“Yeah, I should’ve listened.”
I admitted, rubbing the goose egg that had formed on my head over the course of my nap.
“So what do you thin about this last trial?”
“Well, I can say that If that Brooke guy tries flirting with me one more time the murder won’t be that hard to solve. Seriously though, I think she’s gone off the deep end. How does she know there’s going to be a murder?”
Katrina made a really good point, how was Shaoni so sure?
“That’s… hmmmm, you’re right.”
“Well I’m gonna head to bed then. Something tells me tomorrow is gonna be a headache. Just try to stay out of my way when we’re all forced to work together and you should be fine. All goes well and maybe we’ll be out of here tomorrow, I know I will.”
Katrina said as she pushed herself off the rock wall she’d been leaning against. Something about the way she said that last part, it made me think she was up to something. Like she was leaving no matter what or she had some sort of exit strategy.
As I left Robert relaxing by the fire and hiked back to my own tepee for the night I spied Katrina. She had climbed up a tree and had her legs wrapped around the trunk and one of her arms gripped a branch above her. There was some kind of box in her other hand, a radio maybe. I had no idea what she was saying, she was too far off, but it had to mean something. As far as I knew none of us had any contact with the outside world since we got here. My gut feeling was that she wasn’t meant to be doing that. I wasn’t going to bother her at this point though so I went my own way and settled down for the night.

Taken from: https://www.theringer.com/movies/2024/5/21/24161120/greatest-movie-car-chase-scenes-ranked-furiosa-mad-max-saga
In honor of the imminent ‘Furiosa: A Mad Max Saga,’ we’re shifting into high gear to determine the best chase scene in cinema history
By Miles Surrey May 21, 2024, 6:30am EDTGetty Images/Ringer illustration
After wowing audiences with Mad Max: Fury Road, director George Miller returns to the franchise’s post-apocalyptic wastelands for Furiosa, the epic origin story of the eponymous heroine (now played by Anya Taylor-Joy), premiering on Friday. As the follow-up to one of the greatest action films ever made, it’s hard to overstate the hype for Furiosa, and that was before word got out about a showstopping 15-minute sequence that required nearly 200 stuntpeople and took 78 days to shoot. While Furiosa will have its own distinct flavor, as is true of every Mad Max movie, there’s one thing that unites these projects: intense, jaw-dropping scenes of vehicular mayhem. And what better way to honor the franchise than by celebrating what it does best?
Ahead of Furiosa’s release, we’ve put together our definitive ranking of the best car chases in cinema. There weren’t any strict rules in place, other than capping the list at 20—mostly for my own sanity—and limiting every franchise to one entry. (Apologies to Fury Road’s kickass predecessor The Road Warrior.) We also won’t discriminate against scenes that feature motorbikes, so long as cars (and/or trucks) remain part of the equation. As for what, exactly, constitutes a good car chase? Like list making, it’s bound to be subjective, but I tend to gravitate toward two key elements: the skill of the stuntwork on display and the ways in which a filmmaker conveys the action in relation to the story. (Also, the less CGI, the better.) Buckle up, ’cause we’re not wasting any time shifting into high gear.

20. Quantum of Solace (2008)

There have been some memorable car chases in the James Bond franchise: the first sequence featuring the iconic Aston Martin DB5 in Goldfinger, the corkscrew jump in The Man With the Golden Gun, the Lotus Esprit submarine in The Spy Who Loved Me. But I’m going with a somewhat controversial pick here: Quantum of Solace. There are many issues with Quantum of Solace—namely, it was one of the most high-profile blockbusters affected by the 2007-08 writers strike—but its opening scene isn’t one of them. Picking up right where Casino Royale left off, we find Bond (Daniel Craig) evading henchmen through the narrow roads around Italy’s Lake Garda. The frenetic, furious chase mirrors Bond’s sense of anguish after losing Vesper Lynd (Eva Green), the woman he opened his heart to, and his relentless quest for answers. It’s a thrilling tone-setter for Quantum of Solace and one that doesn’t overstay its welcome, capped off by Bond sending his final pursuers flying off a cliff:
If we’re being honest, though, it feels like James Bond has yet to create a franchise-defining car chase. Perhaps that’s a mission the newest 007, whoever it ends up being, can undertake.

19. Mission: Impossible—Rogue Nation (2015)

The Mission: Impossible franchise is no stranger to electrifying chase scenes, the best of which find Tom Cruise’s Ethan Hunt working up his heart rate. When it comes to action behind the wheel, though, Fallout tends to dominate the discussion—even on this very website. But I think the vehicular chase in Rogue Nation is being slept on. What we have is effectively two sequences for the price of one: The first finds Hunt pursuing Ilsa Faust (Rebecca Ferguson) by car through the narrow streets of Casablanca alongside some nefarious henchmen; the second sees him continue the chase outside the city on motorbike. (Adding to the chaos: Hunt had only just been resuscitated, and he’s clearly not all there.) In terms of death-defying stunts for the audience’s entertainment, a helmetless Cruise taking corners like a MotoGP racer is child’s play compared to his other exploits, but the actor’s authentic reaction to scraping his knee on the road underlines that there’s no one else in Hollywood doing it like him:
We’ll be sure to update this ranking if and when Cruise does something even more dangerous down the road, pun unintended.

18. Vanishing Point (1971)

A movie that counts the likes of Steven Spielberg and Quentin Tarantino among its biggest fans, Vanishing Point is the first of a few entries on this ranking that’s essentially one extended car chase. The film stars Barry Newman as Kowalski, a man tasked with delivering a Dodge Challenger T 440 Magnum from Colorado to California while eluding police across four states. One of Kowalski’s most memorable run-ins comes when a guy driving a Jaguar E-Type convertible challenges him to an impromptu race. Incredibly, we’re expected to believe the man in the Jag comes out of this crash in one piece:
Vanishing Point might not boast the impressive production values of other movies on this list, but considering Tarantino would go on to feature a white Challenger in Death Proof, its influence in the car cinema canon is undeniable.

17. Fast Five (2011)

Let’s face it, Fast & Furious has seen better days. Some believe the franchise’s dip in quality coincided with the death of Paul Walker; others are dismayed by the pivot from street racing to absurd feats of superherodom—emphasis on the Dom. Perhaps it’s a bit of both, but the very best movie in the series, Fast Five, manages to strike the perfect balance: It’s a relatively grounded heist thriller that nevertheless takes the franchise to ridiculous new heights. After Dominic Toretto (Vin Diesel) and his crew steal $100 million from a Brazilian kingpin, they drag the entire bank vault holding the money through the streets of Rio de Janeiro, all while being pursued by authorities. It’s a delightfully destructive sequence that does untold damage to Rio’s infrastructure and features some of the most bone-crunching crashes committed to film:
If the Fast franchise is going to break out of its recent slump, it would do well to remember that there’s nothing better than letting its heroes live their lives a quarter mile at a time—no detours to outer space required.

16. The Blues Brothers (1980)

A good car chase isn’t reserved just for action flicks: Comedies can get in on the act, too. In The Blues Brothers, starring the recurring Saturday Night Live characters played by John Belushi and Dan Aykroyd, the beloved bandmates must prevent the foreclosure of the orphanage where they were raised by scrounging together $5,000. Naturally, that’s easier said than done: Along the way, the Blues Brothers draw the attention of neo-Nazis, a country-and-western band, and local police. While The Blues Brothers has amusing gags and musical numbers, its chase sequences with the Brothers behind the wheel of a 1974 Dodge Monaco are what really steal the show—and none are better than a climactic pursuit across Chicago. More than 60 old police cars were used in the film, some of which are wrecked in a comically over-the-top pileup:
The sheer scale of The Blues Brothers’ final set piece is commendable in and of itself—as is the movie’s commitment to treating real-life cars like a bunch of Hot Wheels.

15. Baby Driver (2017)

For good and for ill, Edgar Wright’s movies exude an abundance of style, and Baby Driver is no exception. Baby Driver is centered on a clever gimmick: The action works in tandem with its soundtrack because the film’s protagonist, Baby (Ansel Elgort), suffers from tinnitus and constantly plays music to drown out the ringing. When everything’s clicking into place, Baby Driver feels like a supersized series of music videos, and nothing hits quite like its opening sequence. Baby acts as the getaway driver for a bank robbery while listening to the Jon Spencer Blues Explosion’s “Bellbottoms.” The ensuing chase works around rhythms of the song, as if Baby’s Subaru WRX were the star of its own dance number. Take nothing away from the actual driving, either, which puts the rally car to good use:
Baby Driver’s gimmick stretches a little thin by the end, but it’s hard to deny the crowd-pleasing power of Wright’s film when it’s firing on all cylinders.

14. The Raid 2 (2014)

With a trio of kickass Indonesian martial arts films under his belt, Gareth Evans has established himself as one of the most exciting action directors on the planet—someone who seems most in his element staging positively brutal hand-to-hand combat. In The Raid 2, however, Evans also brought his signature brand of carnage to the road. While there’s some cleverly executed close-quarters fighting within the confines of an SUV, courtesy of Iko Uwais’s hard-hitting protagonist, what really cements this sequence’s greatness are the moments when Evans turns the cars into an extension of the characters’ fists:
This belongs in an entirely new category of combat: car fights. There are so many action scenes in The Raid 2 worth writing home about—the kitchen showdown is an all-timer—but the fact that Evans casually tossed in an unforgettable car chase shows why he’s one of one.

13. The Driver (1978)

I’ll say this for Walter Hill’s The Driver: It sure lives up to its title. In this stripped-down thriller—one where none of the characters have a name—we follow the Driver (Ryan O’Neal), a getaway driver who has become a thorn in the side of the LAPD. In the film’s best scene, we see its taciturn protagonist living up to his reputation. With the Driver behind the wheel of a 1974 Ford Galaxie, a cat-and-mouse game unfolds when a handful of police cars are hot on his tail. What I love about this sequence is the pared-down nature of it all: The Driver outwits the cops as much as he outraces them. (Though, ironically, that wasn’t entirely by design: As Hill later explained, an accident on the last night of shooting meant they had to cobble together what had already been filmed.) Frankly, you’d never know the difference from the finished article:
If the general vibes of The Driver seem familiar, that’s because it was a major inspiration for Nicolas Winding Refn’s Drive, which just so happened to feature an unnamed protagonist (Ryan Gosling) evading police through the streets of Los Angeles.

12. The Bourne Supremacy (2004)

The shaky-cam style of the Bourne franchise isn’t for everyone—just ask John Woo—but credit where it’s due: These movies know how to deliver a good chase scene. (A friendly reminder that The Bourne Legacy is an underrated gem with an awesome motorbike sequence to boot.) But there’s one Bourne chase that stands above the rest: the Moscow getaway in The Bourne Supremacy. After being wounded by the Russian assassin Kirill (Karl Urban), Jason Bourne (Matt Damon) hijacks a taxi, with both the police and Kirill in hot pursuit. This isn’t the kind of sequence that lingers on any one shot; instead, what makes it work is the frenetic nature of the editing, which allows the viewer to feel like they’re in Bourne’s fight-or-flight headspace:
If I’m being honest, I’m usually one of those people who doesn’t like the Bourne movies’ shaky-cam style, but when it’s executed with such craftsmanship, you can’t help but get caught up in its adrenaline-pumping power.

11. The Seven-Ups (1973)

Philip D’Antoni was the producer of two movies featuring Hall of Fame car chases, Bullitt and The French Connection, the latter of which won him an Oscar for Best Picture. And with his lone directorial feature, The Seven-Ups, D’Antoni sought to craft an iconic sequence of his own. The film stars Roy Scheider as NYPD detective Buddy Mannuci (elite Italian American name; I can practically smell the gabagool), who commands a unit handling major felony cases that lead to seven-plus-year prison sentences; that’s why they’re known as the Seven-Ups. Midway through the movie, when one of the team members is killed by two shooters who flee the scene, Buddy chases after them. The 10-minute sequence, which starts in the Upper West Side before moving out of the city, is thrillingly immersive, alternating between close-ups of the characters and wider shots of all the damage they’ve caused. But the chase’s defining moment comes right at the end, when Buddy narrowly avoids a grisly death:
The sequence isn’t quite at the level of Bullitt or The French Connection—very few are—but D’Antoni still manages to leave an unmistakable imprint on the car chase canon.

10. Death Proof (2007)

If you ask Quentin Tarantino, Death Proof, his knowingly trashy tribute to exploitation cinema, is the worst movie he’s ever made. But that doesn’t mean there isn’t a lot to admire about the film, which honors the unsung heroes of Hollywood: stunt performers. The first half of Death Proof follows three female friends who cross paths with Stuntman Mike (Kurt Russell), a misogynistic serial killer who takes them out in his “death-proof” Chevy Nova. Fourteen months later, a group that includes stuntwoman Zoë Bell, playing herself, also lands on Mike’s radar. As Bell and her friends test out a ’70s Challenger, she performs a “ship’s mast” stunt, clinging onto the hood of the car with fastening belts. Unfortunately, when Mike pursues the women, it puts Bell in a precarious situation. Most of the entries on this list celebrate some next-level driving skills, but Death Proof’s inclusion is all about Bell pulling off one of the wildest stunts you’ll ever see. She’s quite literally hanging on for dear life:
If the Academy handed out Oscars to stunt performers—and let’s hope it does happen one day—Bell would’ve won in a landslide.

9. To Live and Die in L.A. (1985)

William Friedkin was already responsible for an all-time great car chase in The French Connection (more on that later), but the filmmaker made a commendable bid to outdo himself with To Live and Die in L.A. In this neo-noir thriller, Secret Service agent Richard Chance (William L. Petersen) is hell-bent on arresting an expert counterfeiter, Rick Masters (Willem Dafoe), who kills Chance’s partner days before his retirement. To capture Masters, Chance and his new partner, John Vukovich (John Pankow), attempt to steal $50,000 from a jewelry buyer for an undercover operation. The sting goes bad when the buyer, who is later revealed to be an undercover FBI agent, is killed and a group of gunmen goes after Chance and Vukovich. It’s a clever inversion of the usual car chase formula—this time, it’s the lawmen running away from the criminals. The outside-the-box thinking extends to the film’s most astonishing stretch, in which Chance evades the gunmen by driving into oncoming traffic:
The fact that Friedkin shot the chase at the end of filming—in case anything disastrous happened to the actors—underscores just how risky the endeavor was. The pulse-pounding results speak for themselves.

8. The Matrix Reloaded (2003)

The Matrix sequels have never been held in high esteem, but I’m ready to live my truth: The Matrix Reloaded fucking rules. (If anyone’s got a problem with this take, file your complaints with the Architect.) What’s more, the film happens to boast the finest action set piece of the franchise: the highway chase. After Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) free the Keymaker (Randall Duk Kim), a program capable of creating shortcuts within the Matrix, they’re pursued by the Twins (Neil and Adrian Rayment). Morpheus once warned that going on the freeway was “suicide,” and it doesn’t take long to see why: The chase draws the attention of several Agents, who repeatedly take over the bodies of other drivers on the road. The scene is the best of both worlds: There’s some incredible stuntwork on display, including when Moss weaves around on a Ducati, and CGI augments some feats of superhuman strength. But the most jaw-dropping aspect of the sequence is how it came together, as the production spent $2.5 million to construct its own highway (!) on California’s Alameda Island. If that weren’t unique enough, I’m pretty sure Reloaded is also the only movie in existence in which a katana takes out an SUV:
The Matrix remains the Wachowskis’ masterpiece, but don’t get it twisted: The filmmakers were still cooking with gas in the sequel.

7. Gone in 60 Seconds (1974)

Size isn’t everything, but for H. B. Halicki, who produced, wrote, directed, and starred in Gone in 60 Seconds, it’s certainly part of the package. The indie action flick follows Maindrian Pace (Halicki), a Los Angeles insurance investigator who has a lucrative side hustle jacking high-end cars. The plot kicks into motion when a South American drug lord enlists Pace to nab 48 cars within five days in exchange for $400,000. Of course, Gone in 60 Seconds is best known for what happens after Pace is caught stealing a 1973 Ford Mustang Mach 1, when he leads police on a chase that lasts a whopping 40 minutes. (More than 90 cars were destroyed in the process.) Halicki, for his part, did all the driving himself, including a spectacular jump off a makeshift ramp of crashed cars:
While Halicki wound up making a few more indies after Gone in 60 Seconds, he died in an accident on the set of its sequel. His legacy as a do-it-all daredevil, however, lives on.

6. Terminator 2: Judgment Day (1991)

Long before James Cameron immersed himself in the world of Pandora, he was a pioneer of state-of-the-art visual effects. Case in point: Terminator 2: Judgment Day is credited for having the first CGI character in a blockbuster, the T-1000 (Robert Patrick), a killing machine composed of a futuristic liquid metal. But Cameron also understood that the CGI of that era shouldn’t be the main attraction: It worked best as a complement to the practical effects, as seen in Judgment Day’s epic viaduct chase. When the T-1000 tracks down a young John Connor (Edward Furlong) in a shopping mall, he’s saved at the last minute by the Terminator (Arnold Schwarzenegger), giving John a chance to escape on his dirt bike. As the T-1000 gives chase, the David and Goliath vibes between man and machine are further epitomized by the T-1000’s commandeering of a truck. The sequence already has a terrifying sense of urgency, but it hits another level when the T-1000 crashes through the viaduct like the Kool-Aid Man:
Big Jim is still revolutionizing what can be achieved with visual effects in the Avatar franchise, and while I cherish those movies, nothing beats his old-school showmanship.

5. Duel (1971)

The feature-length debut of Steven Spielberg—perhaps you’ve heard of him—the TV movie Duel is essentially one extended chase sequence between salesman David Mann (Dennis Weaver) and a sinister trucker determined to drive him off the road. I’ve attached a clip from the ending of the film, but that doesn’t do Duel justice. What cements this movie’s greatness is how it sustains an unbearable level of tension across its 90-minute running time—with a budget under $500,000, no less. Spielberg’s masterstroke is never once showing us the other driver, anthropomorphizing the truck itself as a monster. (You can see a lot of similarities with how he would build suspense in Jaws.) When Mann finally gets the upper hand, tricking his adversary into driving off a cliff, it feels like you can breathe again:
Spielberg would move on to bigger and better things after Duel, but considering how much the director accomplished with so little, you can’t help but wonder what else he could conjure up with limited resources.

4. Mad Max: Fury Road (2015)

Like Duel, Fury Road is basically one long car chase—the difference is Miller got to work with a blockbuster budget, and made every cent of it count. It’s hard to pick a single standout sequence in Fury Road, but if I had to choose, I’d go with the first attack on the War Rig after Furiosa (Charlize Theron) flees with the wives of Immortan Joe (Hugh Keays-Byrne). Here’s why: Think back to when you saw Fury Road for the first time, before you fully grasped the vehicular carnage that was in store. And then stuff like this kept happening:
To quote Steven Soderbergh’s thoughts on Fury Road: “I don’t understand how they’re not still shooting that film and I don’t understand how hundreds of people aren’t dead.” Whether or not Miller manages to one-up the action in Furiosa, the director is already in the pantheon.

3. The French Connection (1971)

We return to the Friedkin-verse for what may be his best film, The French Connection, the crime thriller based on Robin Moore’s 1969 nonfiction book of the same name. The story concerns two NYPD detectives, Jimmy “Popeye” Doyle (Gene Hackman) and Buddy “Cloudy” Russo (Roy Scheider), and their tireless pursuit of a French heroin smuggler. But while there’s plenty to admire about how The French Connection illustrates the thin line between police and criminals, its greatest claim to fame is its car chase. After Popeye narrowly survives a sniper attack, he goes after the shooter, who escapes on an elevated train. The ensuing sequence is true daredevil filmmaking that Friedkin shot without permits, leading to real crashes with New Yorkers that made the final cut. But Friedkin’s finest touch was mounting a camera to the front of the car, making the audience feel like they’re part of the action:
My Ringer colleague Justin Sayles believes The French Connection’s chase should’ve landed at no. 1, and I’m sure many folks will agree with him. Being the only film on this list to win Best Picture, however, is a solid consolation prize.

2. Bullitt (1968)

When it comes to modern car chases, all roads lead back to Bullitt. A Dad Cinema classic, the film stars Steve McQueen as Frank Bullitt, a San Francisco detective who pursues a group of mobsters after a key witness is killed in protective custody. In his search for answers, Bullitt realizes he’s being tailed by a couple of hitmen, and then turns the tables on them. From there, the chase is on. Aside from McQueen doing most of his own stunts behind the wheel of a Ford Mustang GT 390 Fastback, what’s so impressive about the sequence is how timeless it is. Even the little imperfections, like hubcaps repeatedly coming off the wheels, work to the film’s advantage, stressing just how much these drivers are living on a razor’s edge. It’s been more than 50 years since Bullitt revolutionized the car chase, and yet few movies since have felt like they’re pushing the envelope to such an exhilarating degree:
That the car driven by McQueen was recently sold at auction for $3.74 million, a then-record price for a Mustang, underlines Bullitt’s enduring legacy.

1. Ronin (1998)

“If I’m going to do a car chase,” filmmaker John Frankenheimer said in an interview with the American Society of Cinematographers, “I’m going to do a car chase that’s going to make somebody think about whether or not they want to do another one!” Boy, did he ever. In Frankenheimer’s late-career masterpiece, Ronin, the director actually incorporated several chases, but it’s the climactic sequence that stands alone as the greatest ever filmed. The movie concerns an international group of mercenaries who are hired to steal a mysterious briefcase; a series of double-crosses and double-bluffs ensue. But for the final chase, all you need to know is that Sam (Robert De Niro), a mercenary with ties to the CIA, is in pursuit of Deirdre (Natascha McElhone), an IRA operative in possession of the case. Winding through the streets and tunnels of Paris, what’s most striking is just how fluid it all feels. You’re completely engrossed in the chase’s forward momentum, captured from every conceivable angle; a symphony of controlled chaos. The driving styles even reflect the characters: Deirdre is reckless and impulsive, while Sam remains calm and controlled.
There are many worthy car chases in this ranking, but in my view, Ronin takes pole position. And while I can’t imagine a movie ever topping what Frankenheimer achieved, I’d love nothing more than to be proved wrong.

Down a rabbit hole:
Warp Drive:
1990 NASA paper by A.C. Holt (major co-authors of his other papers are Eric Davis and Puthoff). Describes a warp drive capable craft using all of the juicy SDI tech such as:
high temperature superconductors, micro-engineered materials, compact superconducting magnets, free-electron lasers, high power, tunable microwave systems (masers), quasicrystals, plasmoid generators.
Author tries to invoke string theory and Higgs particles, but says there's not enough data about them yet. He calls the warping "Space Time Field Disengagement with Field Bias" (Table 1). The only reference he provides on this is for the fusion reactor needed. That fusion paper looks really interesting from the players involved, here.
As far as I understand these warp drives from the SDI era, they were dealing with altering the virtual particle density by polarizing the vacuum. Get yourself a very strong E/B field, and you've now biased space so that the virtual electron-positrons are more likely to pop into existence with greater lifetimes before annihilating. By affecting this lifetime, you can then push off of this biased field by directing the electrons one way and the positrons the other way. Julian Schwinger was key to the development of this SDI era warp tech. I gave an APEC presentation on it here and then a more recent updated version with a bit less jargon here.
Let's just look at a few of those words in context of when this paper was written.

• Quasicrystals were only first created in '84, with the nobel awarded to those researchers in 2011. Also, Ed Fouche described the use of quasicrystals in the TR-3B.
• Masers were investigated during the antigravity research craze in the 50s.
• FELs precipitated the nuclear detonation version of the Excalibur laser, and were used extensively in Friedwardt Winterberg's SDI fusion designs.
• Compact superconducting magnets were designed during SDI for energy storage (SMES). These were designed in the SDI program to be able to handle [initially] 0.5GW, only to then surpass the GW barrier in the last year of SDI.

I highly recommend any serious alternative propulsion researchers thoroughly investigate what was achieved by the US during the 80s. This was a time for unlimited spending in R&D and SDI resulted in over 5000 patents made publicly available for the betterment of medicine/computation/optics etc..
It's worth mentioning the hypothesis that these technologies like nuclear lasers on flying TR-3B spacecraft were being developed to fight outside threats, rather than the Russians.
Author lists some very precise details therein. He mentions only two stars in this paper, Alpha Centari and Epsilon Bootes (114LY away, pg14). So of course I had to look up why he calls out Bootes. He [weakly] claims that star is similar to Sol. So I did some digging on what makes this star special and kept coming up with Reptilians, but the earliest source I could find was 1995.
Aliens:
Then I found a book from 2011 that talks about Tesla noticing radio signals from Epsilon Bootes. Cross-referenced that with a NASA(-ish) paper saying similar 'off-world signals' discovered by Tesla that he thought were coming from Mars.
Lastly, here's a TIME magazine article for an off-world signal that was discovered in 1973. Signal was claiming to be coming from an alien satellite from Epsilon Bootes that was orbiting the moon and was saying that the satellite was 11,000yrs old. A much better written version told by the guy who found the signal (2nd link) where he specifically states it wasn't coming from the 'Black Knight' satellite and that he'd been directed where to look for these signals by a Stanford Professor. Here's a 1hr long interview with the guy who discovered the message, Duncan Lunan, lots more info there:
https://content.time.com/time/subscribearticle/0,33009,903951,00.html
https://www.duncanlunan.com/blackknight.asp
I noticed Arcturus (Tall Whites star from Charles Hall) mentioned whenever I tried looking up Bootes, but that star is only 37LY away and Holt specifically mentions the Epsilon Bootes star at 114LY. From the different Alien docs I could find, it sounds like a bunch of different species might be located in that cluster, reptilians/tall whites/nordics.
Additionally, a bit more digging today reveals that Epsilon Bootes is actually about 200LY away, not 114LY, and it's a binary system that's quite different than Sol. So Holt may have been way off (either accidently or on purpose?)
The star which happens to be most similar to Sol in the Bootes cluster is Muphrid (Eta Bootes) at 37LY away, which is imperceptibly close to Arcturus. As far as I recall, Charles Hall's description of pointing at Arcturus for the Tall White's star resulted in the Teacher saying that it wasn't their star but it was very close. This makes it sound like the Tall White's star is more likely Eta Bootes.
Nasa Warp Drive by Alan C. Holt: https://ntrs.nasa.gov/api/citations/19910012853/downloads/19910012853.pdf
2011 book talking about Tesla finding signals that he thought were from Epsilon Bootes:
https://archive.org/details/TheLostJournalsOfNikolaTesla/page/n33/mode/2up?q=bootes
And NASA-ish paper saying similar off-world signals noted by Tesla:
https://radiojove.gsfc.nasa.gov/education/educationalcd/Books/Tesla.pdf
And lastly, one of the sources I found saying the Reptilians are from Bootes (less legit looking though tbh):
https://www.booksie.com/685518-encyclopedia-of-alien-races-chapter-1
Duncan Lunan interview about decoding the moon satellite message:
https://www.youtube.com/watch?v=o_sgl-Ja42M

Virtual discussion group about our own experiences with ECT (whether or not it’s been positive or negative, I just ask for mutual respect between the participants):

 The Online ECT Peer Support Group meets once a week for 1.5hrs over Zoom. It’s okay if you’re running late or can’t stay for the full meeting. This group is a safe, supportive, confidential space to discuss anything & everything related to ECT (Electroconvulsive Therapy) treatment. Everything mentioned in the group stays in the group— 

There’s no pressure if you don’t wish to share during the meeting—it’s totally okay to just choose to listen in. This group is a 100% judgment-free zone where mutual respect is an absolute necessity. People who’ve attended this group have found it to be a great place where they could finally connect with others (in real-time!) about their ECT experiences; current, past or future! ECT can leave us to feel isolated from the rest of the world, given the seriousness of the treatments & what brings a person to undergo ECT. It greatly improves mental health to feel understanding from others & not so feel alone in your experience. At the group you’ll hear other people’s perspectives & their experiences at different points before, during & after treatment. Nothing is off-limits, especially in relation to our personal relationships, jobs, health, home-life, inpatient/outpatient treatments, other therapies, transitioning and beyond!

 If this interests you, then please feel free to join us this week. 

Zoom Meeting ID: 868 0025 8680 No password required.
👇The direct Zoom URL is provided in the comment below👇

TW: childhood neglect and verbal abuse - me remembering so many things after last night's session. I just need to tell someone! I repressed this childhood since I moved out of my parents. It's like I died that day and moved on like a robot.
It is as though the illusion I've kept up for the past 24 years of me being always 'happy' and living a happy childhood just shattered entirely.
I have this diary I wrote in a lot in 2014, which is from exactly 10 years ago when I was 14. I cherished it a lot and sometimes would look into it to remember the old days. However, just last week I looked into it again after several months of being more focussed on my mental health (and especially on my childhood & parents.). This time, I saw something entirely different in this cute colorful happy diary.
All I see now, is how I was suffering. Suffering alone and always walking on eggshells. Nothing was ever good enough. Almost every page I refer to 'future me', the one who will understand me. I didn't get that from my parents. Old me, who will listen to how I am feeling and give me the comfort and soothing I so desperately needed.
I write about how I was completely exhausted from highschool, and then constantly bash myself with extremly self critical words. I have pictures of me in there with apologies for being ugly, and stories of 'how I didn't work hard enough'. Several pages describe forms of catastrophizing over the smallest mundane things.
In some pages, I casually mention a family member I dearly loved dying but then downplay it with something else. It's ups and downs by the sentence "It was my birthday yesterday, I had a great time! I am exhausted and drained and school is horrible. I did get a nice gift. I hope grandma stays alive" etc.
All this time I was happily keeping up this story of how happy I was. How I had such loving parents who where always there for me. They would shower me with gifts they could barely afford.
In my house, there were no rules. There was no bedtime. There was no structure - no breakfast together or chores I had to do. Everyone was jealous of me, because I was so free, but child and teenage me were constantly longing for someone to care.
I would be gone from home as much as I could. The atmosphere was so hectic. One day you'd come home to a happy loving mom who has all the patience and curiousity to hear about my day and my struggles. The other I would walk in and get scolded about how I was nothing. One day she was willing to help me with my feelings and emotions, but in other days she'd scold me for having them! I should be strong because according to mom, she's cyinic, and the world is 'angry and cruel. The world is unfair.' Now get up and don't wallow in your sadness and self-pity.
It's like they would give a gift sometimes, just to then call me ungrateful every day after. According to them I was unthankful, selfish, and my mom said I'd act as if the world revolved only around me. If I'd say "huh, I never said that?! I would never say such a thing?" she said "that is just what you think you are doing. But in reality, you're ruining it for everyone".
Eitherway, after going through the entire diary without skipping a page, I remembered I once made a video of my mom attacking me. I looked it up, and for the first time in 8 years I had the mental energy to watch it. My jaw dropped to the floor. I never even saw someone act so horrible before but it's me going through it....
t's like my world shattered. My mom was treating me absollutely horribly in this video. I don't even remember! You can see her face, and she is so scary! Here eyes look like pure hurt, as if she was throwing her own traumatic upbringing onto me and blaming me for it. She looks at me as if she's completely disgusted by me! The entire rant of hers is a complete mind trip where she downplays everything I say and spins it around as if I was just a burden who tried to make life for my parents worse.
I would never help with chores. Because, if I asked if she needed help, she didn't. I didn't have to do anything in the house but also did not know how to do anything. Then on other days she'd get angry I wasn't doing enough in the house and mention how our life should be about "giving and taking" and I should participate in that.
Now having read all of this, and watching some more video's of these attacks, I remember many things. How my parents would lock me up in the dark cold hallway because I had a "tantrum". They say it 'wasn't that long' but overstimulated and panicked todler me would bawl her eyes out. I felt so abandoned. In my life, alltogether, my strongest feeling is guilt. I feel guilty for everything. I feel shame. I feel ugly when I cry.
I only managed to teach myself how to release emotions in january this year. I never knew. I couldn't cry since years. When I finally managed this year, I'd notice I'd feel so ugly. My cries sound like my mom crying. She'd cry in our house regularly at some point. Really messy, really loud.
Because of constantly being told I wasn't doing enough, or that I didn't care, I wanted to please. I would muster up the courage and shun myself for how difficult and bad it felt to do so. I would ask her "mom, are you okay? Do you need a hug?"
She'd turn around on her desk chair and YELL. Loud. Screaming at me to get out of her face. Just get out of our life. This happened several times. I'd just walk away from the house. I felt so alone and unwanted. I never could do it right. My dad would just avoid my gaze.
Some days I would be begging my mom for a hug. Just for some attention. But she was so overstimulated that she couldn't even give me a touch. I would feel so lost and alone and just go outside and distract myself with imaginary games. I remember because of this, the moments where I would overheat my parents show off to parents of friends of mine how "I was such an easy kid" and how I could entertain myself and be happy for hours. The other parents would be jealous. I wouldn't know why this would make me cry
My life first going to school was just sheer terror. I felt so abandoned. Every time mom dropped me off I'd kling around her leg crying and screaming. Then afterwards, I wouldn't want to go home either. I remember how later in my childhood I still felt guilty for this behavior, because mom must have been so ashamed. I'd hang around teachers and daycare adults all the time. I wanted to hug everyone, because that was what I so desperately wanted.
My dad could never give hugs. Sometimes he'd allow it, but it would feel so distant. If my mom was starting to freak out about me, he'd sometimes intervere and call me to 'it's done now!' and 'go to bed'! No matter the time. I'd lay in my bed, just trying to curl up and feel somewhat comfortable.
In primary school, I would constantly visit friends. It continued in highschool too. I had two music classes and sports, so for four days a week I was settled after school - not having to go home immediately. Home didn't feel safe. It wasn't a constant. Some days there would be dinner at a nicely put dinner table and we'd eat together, some days I'd just eat some bread myself.
Some days mom would just be lying in bed. I found a video, that's why I remember. She would'nt get out until the beginning of the evening. This was in the time she would normally make me some lunch, or ya-know, take care of me. Suddenly I'd have to do everything alone.
I was constantly entertaining myself with imaginary friends at home. I'd play outside until I was 17 or so, alone. My cat was pure innocence and love but when I told my parents he was 'coughing' they didn't want to believe me. They only took him to the vet when it was too late and never apologized or were able to own up for this.
When I was 14 I wrote in my diary I was looking forwards to visit grandma. She's my mom's mom, and I would sometimes spend up to a week there just to be able to relax and be loved unconditionally. My mom would terroize me with her stress and anger and accusations to a point I couldn't focus on school. I wrote how she'd come into my room calling me names and how I couldn't read my homework papers through the tears.
My dad was never really there. He'd choose himself to be out of the house in the morning before mom and I'd be out and then when he was back he wouldn't make it further into the house than his TV chair. My parents would watch TV for hours when I was a kid. If I asked "what are you watching" they'd both go "Shhhh!". If I'd push it futher, the'd send me upstairs.
I feel like I spend so much time just hiding from my parents. Wheter it was upstairs in my bedroom all day, and night, or if it was outside. I now also remember just biking for hours crying hoping someone would stop and console me. I'd make the wrong friends and smoke weed at 16 just to stop the thoughts.
I would visit friends just because their house was calm and safe. I'd get a nice dinner there, and it would be a whole new experience. My parents would always be easily agitated. I am hyper senstive, hyper aware. I get uncomfortable just seeing them being uncomfortable. I remember I could already feel the energy from streets away. Sometimes I knew it would be wrong and I'd just bike somewhere else and go home later.
In one diary entry, I describe how my parents told me to write a letter to my dad's mom for her birthday. I finish the letter, and only then I allowed myself to take a shower and take care of myself. I would rot in bed, and rot in my dirty hair for days, just like mom. On other days she'd be so happy, she'd be re-decorating the entire house, invite me to go rollerskating.
But I also remember how many times my parents threatened to throw me out of the car. I remember how my 'reaction' to whatever they 'gave me' would never suffice. Then I would be the bad guy, for not being thankful.
My parents, they did everything for me. They paid for everythingg. Ya-da Ya-da, but I never had a proper hug from my dad. I don't know why he's even with my mom. I think he's a fun dude, but he's in mental pain. My mom told me way too young how her trauma's affected her. My dad's childhood would always be an excuse that I had to empathize with when I asked mom as a kid "if dad really loved me".
Other memories involve me running upstairs and then one parent following me. I don't remember getting hurt physically, but I remember all my life the pain I can see in their eyes.
If I look at pictures from my teenage years now, I can finally see the depression in my eyes. It took me up until this year to finally understand that having a clean kitchen and bathroom is something you do because you think you are worthy of a clean space. I had to get out of a depressionhole again over the years many times. I now realize the constant self critisism should have been self love. So that I would feel worthy of taking a shower and brushing my teeth.
I now see how what I saw as 'good experiences' are mostly just my parents taking me somewhere to do some activity and it just fits the perfect family picture. I was their only child but we'd celebrate christmas with many, many presents for me. But once my grandparents didn't live anymore, the birthday parties and tradition celebrations weren't hosted anymore by my parents. I wonder for who they truly did it. I was a golden child, but later in life I was just a burden.
I moved out the first chance I got. They didn't stop me. I was barely 17. I got into partying and drug abuse. I would sleep for weeks in bed. Barely ate. Then I would drag myself out of it again and have missed my mom's birthday. I was the one ruining the relationship to them.
I realized last year my parents had not called me for over 7 months. That was the first time I cried since the last time I did as teen. It's always coming from me.
My depression, my axieties and the treatment my parents gave me were never seen. It was never validated until I could finally read my diary with new eyes and watch those videos. I never got professional help but I will look for this now. I am really longing for someone to tell me what I was going through wasn't normal.
I did not remember this until yesterday, BUT, I am so used to being called weak, sensitive, a cry-baby, a bitch, for telling my mom how her verbal abuse made me feel. I feel so weird, how I repressed all of this for so long and the past years I tried so hard to still visit them and give them hugs and they felt good and now it all just feels fake and weird again.
Well yeah, so this is about everything that's been on my mind today. I feel totally weird. It's a tuesday and I couldnd't even work today. I am lost.

Its always tough to figure out what to say in a post like this because I feel like it is one of thousands looking for the same thing. So i will just shoot from the hip and give you a glimpse of who we are and what we will be looking for and if it appeals and you would like to know more you can reach out for additional details. For starters she (u/tt540517) is a beautiful long legged red head who is married, but not to me. She is as open minded as she is gorgeous and likes nothing more than to give me control and let me push her buttons in all the ways they aren't being pushed at home. I cherish that opportunity and love nothing more than being the reason she smiles on a daily basis. To this point our play has been virtual but that will likely change in the future. We have a ton of fun chatting and playing and have recently been discussing what it would be like to have someone else join in that fun.
What we are looking for: A sub/switch female or couple who would like a discreet and safe outlet for all the desires and kinks that you dont share with those members of your everyday world. My Girl doesnt have a Dominant bone in her body so she would never want to be one to take the lead.....but would eagerly submit to the right person. Age is just a number but attraction is important to us both.
We are in a position to be picky as we already have a ton of fun. Figured we would give it a shot and see if there was anyone out there worth having fun with. She has posts out herself as well on other Subs so thought I would give this one a try. Feel free to reach out with any questions. Look forward to chatting!

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So I was listening to a podcast by comedian Andrew Heaton (X), and he had a very interesting episode examining people's nostalgia for the American 1950's complete with humorous skits. For illustration's sake he assumed 50's America was another country called "Fiftiesland" and compared it's stats like GDP or live expectancy to Modern America. He conclude that a lot of the nostalgia came from how many astonishing improvements happened between 1900-1950 vs 1950-2024, even though Modern America is superior in almost every metric.
At the end he had a long monologue where he was trying to explain to his fictional Grandma Edna Bickle, born in 1889 and elderly by the 50's, what it'd be like in the future compared to how she grew up. Imagine trying to explain Netflix to someone who grew up with a radio.
It really demonstrates, in a lighthearted way, just how far we've come in ~125 years.
So imagine how astonishing the world will be in another 100, 300, or 500 years...
Anyway, it's a bit of a read, but I thought some of you all might enjoy it and Mr Heaten was nice enough to send me the transcript. Enjoy!

My great grandmother, Edna, was born in 1889. My Dad and I were recently reminiscing about her, and he said, “Gramma Bickle, tough old bird, tough old bird. Went blind at ninety-two, quit driving at ninety-four, died at ninety-six. Almost lived in three different centuries.” I have some immediate questions about that chronology, and the realization that Gramma Bickle apparently drove her car blind for two full years before handing her keys in, but I digress.
In 1954 my great gramma Bickle was sixty-five years old. Think about how the country changed from her childhood to her golden years. From when she was born, to a little younger than my parents are today, she saw an entire country go from horse and buggies and pretty much nobody owning a car, to almost everybody has a car. Only six percent of the homes in America had electricity when she was a teenager. By the mid nineteen fifties, the whole country is throbbing with electricity.
In her lifetime, the country went from basically no light bulbs, radios, telephones, refrigerators, or washing machines, to a country where all of that stuff is ubiquitous.
In the year 1900, only ten percent of American households had a stove in them. By 1960,--when my great grandmother is the same age as my parents are now—95% of households do. When she was born, anti-biotics didn’t exist, and polio could cripple your baby. By the time she’s my age, penicillen—a miracle drug!—has been invented. By the time she’s my parents’ age, penicillen is widely available and some genius has recently invented a polio vaccine.
So, if we’re looking at Fiftiesland as a country around today, here’s what’s going on. All of the old people in this country, in their lifetime, went from a horse-and-buggy 19th century third world economy with polio and no electricity—something that, if it existed today, we would be sending anthropoligsts to—to a more modern second world economy perhaps akin to contemporary Guatemala. Which is no small jump.
And the people my age who live in Fiftiesland are still celebrating kicking the crap out of the Nazis, inventing the atom bomb, and enjoying an economy which is comparatively booming—because all of the neighboring economies are rubble.
If Gramma Bickle, at forty years old, my age now, could somehow visit me in contemporary America—she would think I made a pact with Lucifer, the Prince of Darkness. Or maybe, maybe her progeny somehow goes on to conquer Oklahoma as warlords, and all her great grandchildren become opulant Oriental sultans.
I have an icebox in my kitchen that’s powered by lightning that lives in my wall. I have another smaller box that makes my food hot by shooting it with invisible particles like the ray gun from War of the Worlds.
Not only do I let my dog sleep in a tiny bed inside my house, like a toddler, we just finished up a round of antiobitics from when he cut his foot. My great-grandfather—this is true—lived with tuburculosis for years before it finally killed him. Anyway, see that dog I make wear a necktie for my amuesment? Yeah, my dog takes miracle drugs unavailable to John D. Rockefeller. Last year Wallace got elbow cancer but the doctor fixed that, no problem, took a couple of months. Wallace literally has better medical treatment available to him a mile from my house than any human being alive in 1950.
Gramma, you wanna watch Netflix, Paramount Plus, HBO, Peacock, or Amazon Prime? It’s television. Well, television is sort of like radio, only much better, and with images, and I can watch it whenever I want, and there are thousands of options. Like, imagine Broadway, only, like, a few thousand of them, and they’re all inside of that rectangle.
Huh, yeah, I’m not explaining that very well. Right. Okay, so you know how in your time you know multiple people who were literally slaves at some point in their life? Like, you personally know some older people who were, at one point, legally a form of property?
So basically, I have this glass rectangle on my wall that a million of the world’s greatest comedians and dramatists live inside of as my slaves, and they put on plays for me when I’m tired after work. Except I don’t have to feed them or pay them because I use my friend Nick’s HBO account. They just eat the lightning that lives in my wall.
What? Oh yes, I get very tired from work, Gramma. Really get [sigh] worn out, you know? Well, you know how your dad was a wheatfarmer, who spent hours and hours plowing through dust and boneshards in Indian Territory, where he might literally be shot by a Commanche, and the threat of looming starvation for the entire family was never more than one drout away?
Right, so I… I talk for a living. Yeah, that’s right. No, a bunch of strangers just sort of send me money every month cause they enjoy hearing me talk. It’s actually very challenging. Because! Gramma, I do a lot research, you see. Like for this episode, I had to read a lot, and I had to do a lot of math. No, I did not personally do the math.
I have another magical rectangle that has several thosuand math slaves trapped inside that do the actual math for me. When I was a kid I had to perssonally punch the equations in myself, and the rectantle would crunch the numbers. Those were hard times. Now I have a smarter glass rectangle that I can just talk to. I just type in, “Hey, average these ten numbers, okay” and there’s, I dunno, like translater slaves that talk to the math slaves, and they all figure out whatever I’m trying to say, increasingly in lower case and with minimal punctuation, and then give me the answer.
But I have to do the research. Like, I have to read a lot. No, I don’t go to a library. I have another rectangle that has all of the world’s libraries inside of it, and also a lot of pornography, so I just stay at home and look at that particular rectangle, alteranting between research and pornography depending on my mood.
It sure is tough, Gramma. I don’t have any coworkers to keep me company. I’m all by myself here in my well-lit, smokeless, air conditionined home. That’s right, air conditioning! Not just in my house, either—in my camper—which is a tiny extra house I tow behind my armored, self-propelling buggy, which I feed fermented dinosaur juice they pump out of the ground. Oh yeah. It has a rectangle in it that plays music. I’d say I have roughly… three to eight million musician slaves who live in the rectangle in my car, so I don’t get bored when driving to the movies, which is a very large rectangle I go to when I’m tired of watching rectangles on my couch.
What? Good question. It’s called a “camper” because I go camping in it. It’s sort of my hobby. You see, Gramma, my life is so stupidly cushy and comfortable that I amuse myself by going out into the woods to forego wall lightning, air conditioning, and even pornography sometimes, when I can’t get a signal, and instead I sit in a hammock and shit in holes I dig for fun. We call that “roughing it.” For sport, I spend hundreds if not thousands of dollars doing what your entire family did their entire lives until they finally got indoor plumbing, except of course my camper has a propane stove built in, whereas your pioneer family had to dig a hole in the side of a hill and cower in it from the weather like cavemen while burning cow dung for warmth. I dunno where propane comes from. Probably dinosaur farts or something.
Anyway, I prefer to travel around in my camper rather than fly—that’s right, fly—yeah, like a spitfire pilot—which I do multiple times a year using frequent flier points. Which are sort of free, imaginary coupons that banks give me to thank me for using their credit cards, which are also rectangles, but these particular rectangles are small and flat and full of slave bankers that live in my pocket, next to my nine-billion dollar super computer I mostly use as a map, so I don’t have to go through the hassle of folding and unfolding maps, and also to send funny pictures to people in Scotland, in between watching porn in the woods.
I digress. Let’s all take a deep breath. Somebody from my great grandmother’s generation, who lived long enough to be an adult in Fiftiesland, would rightly think: We live in a golden age! We live in the future!
Back in contemporary America, my parents are in their early seventies. My parents today are about how old Gramma Bickle was at the end of the 1950s. And the jump isn’t bad, but it’s not nearly as mind-blowing. The developments they’ve seen since childhood are very impressive in terms of computers and telecommunications and medicine, but otherwise, the world they live in is a more efficient, clever version of the world they grew up in. Cars are safer and more comfortable and fuel efficient, but they’re still basically cars. LED lights are cheaper than incandescent bulbs, but they’re still essentially electric lights. Penicillan is better, but it’s still just clinical mold that strategically murders errant bacteria.
If Fiftiesland were a country, rather than our own history, we would pretty much look at it sort of how we see the poorer parts of Latin America or Eastern Europe: a very nice place with lovely people, wonderful to visit, try the food. Get some funky vintage clothes while you’re there.
But a comparatively poor economy to America or Western Europe. You wouldn’t want to immigrate there for the money. And also, not surprisingly, some views about gender, sex before marriage, having kids really young, having lots of kids, and skepticism about homosexuality that a globetrotter and even quite a few conservatives today might be tempted to call “quaint” or “traditional.”
Basically, if Fiftiesland were a country today, we would view it like Honduras or Moldova, or maybe Czechoslavkia after the wall came down.

I just moved into this apartment Friday the 17th. On Saturday morning, I was eating breakfast and saw a baby German roach crawling on my living room floor. The landlord didn’t disclose a cockroach infestation and claims there’s no pests in the building. When I moved in the unit was not cleaned prior to old tenant moving out. They had lived there 2 years. There were roach casings and poo underneath both sinks (kitchen and bathroom.) Roach smears all over the walls; in just about every room you’d go into. I didn’t take photos because I didn’t think it was actually roach related, just thought maybe the old tenant wasn’t a person who cleaned often.
I reached out and let them know and they’re sending pest control. My issue is, I know I wasn’t the cause for the roach because the place I came from was my parents home and my mom is a stickler for keeping the place clean and free of pests.
I’m worried because if they only treat my apartment and doesn’t treat the surrounding neighbors (3 story building, 31 units) they’ll just come back.
What do I do? Do I recommend they check other people’s units too? In my lease it states they do monthly unit checks but that doesn’t seem to be the case as I haven’t seen a single property manager at this building since I moved in. They also say that your unit should be clean and sanitary and that if you’re the cause for pests it’s lease termination. I’m scared to eat, scared to touch anything. Scared to take them with me!
EDIT: For context— I haven’t unpacked any of my food items, they’re all in air tight totes. As are my dishes because I’m worried they’ll crawl over my cookware, etc. I’ve been cleaning up any spills, constantly wiping things down with degreaser and I haven’t seen another since.

Hello! I am going to be ordering a breast pump through insurance and need help choosing. .
My options for hands free are: Abana Hands Free, Lansioh Discreet Duo, and Baby Buddah.
For electric I can have: Madela Pump in Style, Spectra S2, Zomee S2, and Ameda Mya Joy.
Please give me all of the tips and tricks because I have no idea what to get. :)

Hi all, I have started to look at nurseries for my 3 month old, to start after he turns 1, which will be in February 2025. Every mum that I have spoken with has already signed their baby up somewhere so the whole situation is causing me some stress as I don't quite understand how it all works and I feel that I'm late to the game.
I believe I qualify for the 15 hrs/week free childcare. I understand that I need to apply for a code 3 months before the term starts.
Can someone please explain how it all works as I'm feeling very lost at the moment and it's stopping me from calling up places and arranging a visit?
Do all nurseries offer these 15 hours of free childcare or do I need to ask?
Also can my baby start in February or does it have to be at the start of term?
How does the code work, do I pass that on to the nursery once we start?
Thank you so much

Hello all!
I’ve always thought that this group offers insightful and meaningful feedback so I am here with a conundrum that my husband and I are trying to figure out.
We have one three year old, and we are expecting our second baby come November, so they would be expected to start daycare in March/April 2025 based on our leave shakes out. We are currently satisfied with our first kids daycare and have paid the enrollment fee to reserve a spot for our second child.
Additionally, our town has started a free pre-k program that we could switch our older child into starting September.
Our conundrum:
Pre-k is in the opposite direction from our current daycare, and my office. (My husband works from home primarily, smack in the middle of both options)
Currently, my husband does drop offs and I do pickups and we slightly stagger our working schedules to accommodate our family.
If we switch our older child to the pre-k then it will become nearly impossible for one person to drop off both kids or pick up both kids based on the centers different hours and our current work schedule. To make this work we would both have to shorten our working day by 30minutes- 1 hour and probably make it up in the evening after bedtime.
The reason why we are considering this:
Childcare costs if we keep both kids at their current daycare - $3,650
Childcare costs if we use the town pre-k, the subsidized wrap around care, and our current center for our new infant - $2,950
There is no option to enroll our infant in the same location as the pre-k.
Is paying an extra $700 worth it for our own convenience? We could be saving that money for our kids college. This would be an extra $700 a month that would cost each of us an hour a day.
We’ve also considered that in two years we are going to have one kid in school and we are going to have to live this shuttle bus service anyway so why put it off
But what would you guys do?

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A Galaxy Next Door [Romantic Comedy, Sci-Fi] A struggling manga artist encounters a girl claiming to be from another galaxy. Their journey intertwines daily life with fantastical elements, fostering a whimsical romance amidst professional challenges and mysterious adventures. Oh, did I mention she claimed they were engaged?
A Sign of Affection [Romance, Drama] A hearing-impaired girl navigates life and love when she meets a multilingual traveler. Their growing relationship highlights the beauty and challenges of communication beyond words. Through their bond, they learn to understand and support each other, revealing the profound connection that transcends barriers.
A Silent Voice [Drama, Slice of Life] A former bully seeks redemption by befriending the deaf girl he once tormented. Their journey explores guilt, forgiveness, and the power of empathy as they navigate the complexities of friendship and self-acceptance.
Adachi and Shimamura (Yori) [Yuri, Slice of Life] Two high school girls develop a close bond that evolves into a romantic relationship. Through shared experiences and intimate moments, they explore the complexities of love and identity, discovering the true depth of their connection.
After the Rain [Romance, Drama] A high school girl falls for her middle-aged boss while recovering from an injury. Their unconventional relationship challenges societal norms and personal insecurities, leading to a poignant exploration of love, longing, and self-discovery.
Aharen-san wa Hakarenai [Comedy, Romance] A socially awkward girl and her exuberant classmate navigate the ups and downs of high school life. Through comedic misadventures and heartwarming moments, they form an unlikely friendship that teaches them valuable lessons about acceptance and friendship.
Am I Actually the Strongest? [Fantasy, Adventure] A young man with incredible strength embarks on a journey to test his limits and uncover the truth about his power. Along the way, he encounters formidable foes, unexpected allies, and discovers the true meaning of strength.
Ao-chan Can't Study! [Comedy, Romance] A studious high school girl struggles to focus on her studies when she's constantly distracted by her father's lewd antics. As she navigates awkward situations and budding romance, she learns valuable lessons about love, life, and self-acceptance.
Asteroid in Love [Slice of Life, School] A group of high school girls bond over their shared passion for astronomy. Together, they form an astronomy club and embark on adventures to observe celestial phenomena, forging friendships and creating memories that last a lifetime.
Axxel world [Fantasy, Action, Romantic undertones] In a virtual reality game, a young boy discovers he possesses unique abilities that make him a target for powerful adversaries. With the help of allies and friends, he embarks on a quest to uncover the truth behind his powers and save the virtual world from destruction.
Banished from the Hero's Party, I Decided to Live a Quiet Life in the Countryside [Fantasy, Adventure] A former hero finds himself ostracized from society after the defeat of the demon lord. Retreating to the countryside, he seeks a peaceful life away from the limelight, only to find himself drawn into new adventures and unexpected encounters.
Bloom into You (Yuri) [Yuri, Romance] Two high school girls navigate the complexities of love and identity as they explore their growing feelings for each other. Through shared experiences and emotional vulnerability, they discover the true meaning of love and acceptance.
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Call of the night [Supernatural, Romance] A young man discovers he's a vampire and explores his newfound powers with the help of a mysterious girl. Together, they embark on nocturnal adventures, confronting supernatural threats and uncovering the secrets of the night.
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Darling in the Franxx [Romance, Sci-Fi, Mecha] In a dystopian future, young pilots known as Parasites pilot mechs to defend humanity from mysterious creatures. Through their battles and personal struggles, they confront existential questions and the complexities of love, identity, and freedom.
Don't Toy With Me, Miss Nagatoro [Romantic Comedy, Slice of Life] A high school girl teases and torments her underclassman crush, leading to comedic misunderstandings and awkward situations. As they navigate their unconventional relationship, they discover unexpected feelings and forge a unique bond built on teasing and affection.
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Hi! My name is Courtney and it's a pleasure to meet you! I've posted last night, but decided to post again this morning for some new friendships! I am 23 from the South, I have two babies! They are 12 months and 21 months old and they are my everything! On my free time, I enjoy writing, reading, talking to people, riding around, and doing anything with art! Also, I do love voice calling, video chatting and sending voice notes.
I do hope someone wants to be a very good friend to me, I need some good positive people in my life.

📣Hi!. I am reaching out to you on behalf of my company to inform you about an exciting job opportunity within our team! Yay!
📣We are currently in the process of being introduced to the clients, seeking who are dynamic and talented individual to join us in the role of Virtual Assistant!
📨Feel free to DM me for further questions. I'll update this post once everything has settled. Good luck! 😄
⚠️Disclaimer: We are a first come, first serve service. Applicants must undergo proper screening and requirements.