Currently thinking about getting the quad motor R1S, will probably be placing the deposit down over the next couple days. Will be switching from a 2020 Subaru Forester. Went to the Rivian space in Pasadena on Monday and did a test drive today, LOVED it!
I wanted some recent honest opinions from current drivers about a few features. Any information is honestly welcome as it’s a big purchase and my first EV.
1) Pet Mode - what are your thoughts and feelings say compared to Tesla or any other vehicle that has this feature? Huge reason for wanting an EV is due to this feature for my 90 lb Japanese Akita. I’m hoping it’ll allow for lovely road trips during the summer where at times she may need to stay in the car for a quick trip to the restroom or a bite to eat.
2) The Meridian sound system. I’ve read a lot of fairly negative reviews on not only the volume, but the lack of quality in the sound as well. For a car that’s pretty much $100k it seems to be a bit disappointing that the sound system isn’t the greatest.
3) Infotainment and not having Apple CarPlay. How difficult has this been for you? Is it something you eventually don’t really think about after getting used to their infotainment and setup? Is their map/navigation really as terrible as the reviews make it seem? Is it possible to still link your iPhone via Bluetooth to get calls, play music from your phone, hear your map directions, etc?
4) Any desired features you’d like to see in the near future be added?
Thanks for reading and appreciate any feedback!

Prioritizing reproductive health is essential for the general well-being and empowerment of young women. The following are some essential tips:
1. Frequent Health Check-Ups: Make time for routine gynecological exams, screenings, and vaccines by making appointments with a best gynecologist or other healthcare practitioner. Regular check-ups can assist promote optimal health and early detection of any concerns related to reproductive health.
2. Options for Birth Control : Learn about the many birth control techniques and select the one that best suits your preferences, way of life, and reproductive objectives. Consult a healthcare professional about your options to determine an appropriate approach that satisfies your needs and offers effective contraception.
3. Education on Sexual Health : Seek out thorough and accurate information about all aspects of sexual health, such as consent, STIs, contraception, and healthy relationships. Knowing these subjects gives you the ability to make informed decisions and protect your sexual health.
4. STI Prevention : Use condoms appropriately and consistently when having sex to lower your chance of contracting a sexually transmitted infection (STI). Especially if you have several sexual partners or participate in high-risk sexual activities, get tested for STIs on a regular basis.
5. Healthy Lifestyle Options: To keep yourself in good health, avoid dangerous substances like alcohol, tobacco, and drugs, eat a balanced diet, exercise frequently, get enough sleep, and manage your stress. These lifestyle choices can have a big impact on general wellbeing and reproductive health.
6. Awareness of Menstrual Health: Recognize the normal fluctuations in your menstrual cycle as well as any abnormalities and symptoms associated with menstrual diseases, such as dysmenorrhea (painful periods), menorrhagia (heavy menstrual flow), and amenorrhea (lack of periods). If your menstruation issues are severe or chronic, get medical help.
7. Fertility Awareness: Gain knowledge about your reproductive potential and lifetime, as well as the variables that may impact it, such as age, health issues, and lifestyle decisions. Knowing what your fertility is like will help you plan your family plan more intelligently if you ever want to get pregnant.
8. Cervical Cancer Screening : As directed by your healthcare provider, adhere to established criteria for cervical cancer screening, which may include Pap tests and human papillomavirus (HPV) testing. Frequent screening lowers the risk of cervical cancer by identifying abnormalities in the cervix early on.
9. Pelvic Health : If you have symptoms like pelvic discomfort, urinary issues, or disorders of the pelvic floor, pay attention to your pelvic health and get medical help. It's critical to treat pelvic health disorders as soon as possible because they can have an impact on quality of life and reproductive function.
10. Self-Advocacy : When it comes to reproductive health, speak up for yourself by asking questions, sharing your concerns, and looking for medical professionals who will respect and listen to your needs and choices. Your well-being and health are top objectives, and you should receive individualized, caring treatment.
You may empower yourself to live a healthy and meaningful life by placing a high priority on reproductive health and adopting proactive measures to take care of your body and well-being. Keep in mind that you deserve courteous, considerate medical care that supports your goals and choices around reproduction.

In the realm of badminton, the playing surface holds immense significance, directly impacting the performance, safety, and overall experience of players. BWF Approved Wooden Flooring stands as a hallmark of excellence in badminton court infrastructure, offering a plethora of features meticulously designed to elevate the game to new heights. Let’s delve into the distinctive features that make BWF Approved Wooden Flooring the preferred choice for badminton enthusiasts and professionals alike.
1. Optimal Performance Characteristics: At the heart of BWF Approved Wooden Flooring lies its exceptional performance attributes. Engineered with precision, the surface offers the perfect blend of grip, resilience, and shock absorption. This enables players to execute swift movements, precise shots, and quick direction changes with confidence, enhancing their agility and control on the court. Whether executing powerful smashes or delicate drop shots, players can rely on the consistent performance of BWF Approved Wooden Flooring to amplify their skills and elevate their game to new levels.
2. Superior Durability and Longevity: Crafted from high-quality hardwoods such as maple or oak, BWF Approved Wooden Flooring is renowned for its exceptional durability and longevity. Engineered to withstand the rigors of intense gameplay and continuous usage, this flooring solution is resistant to warping, cracking, and wear. Its robust construction ensures that it maintains its integrity and performance characteristics over time, providing players with a reliable playing surface that stands the test of time.
3. Safety First Approach: Player safety is of paramount importance in any sporting environment, and BWF Approved Wooden Flooring prioritizes this aspect with utmost diligence. The surface is designed to provide optimal shock absorption, reducing the risk of impact-related injuries such as joint strain or muscle fatigue. Additionally, the smooth, uniform texture of the flooring minimizes the likelihood of slips and falls, ensuring a secure playing environment for players of all skill levels.
4. Compliance with BWF Standards: BWF Approved Wooden Flooring undergoes rigorous testing and evaluation to ensure compliance with the standards set by the Badminton World Federation (BWF). From dimensional accuracy and surface friction to shock absorption and vertical deformation, every aspect of the flooring is meticulously assessed to meet the exacting requirements of the federation. This certification not only attests to the quality and performance of the flooring but also instills trust and confidence among players, coaches, and venue operators alike.
5. Customization Options: While adhering to BWF standards, BWF Approved Wooden Flooring also offers customization options to suit the specific requirements of different venues and preferences. Whether it’s selecting the type of wood, surface finish, or color scheme, venues have the flexibility to tailor the flooring to their aesthetic and functional preferences while ensuring adherence to BWF guidelines.
Conclusion: BWF Approved Wooden Flooring stands as a pinnacle of excellence in badminton court infrastructure, offering a perfect amalgamation of performance, durability, safety, and compliance with international standards. Whether in professional arenas, training facilities, or recreational centers, this flooring solution provides players with the ideal platform to unleash their skills, compete at their best, and experience the thrill of badminton on a surface that truly enhances the game.

Here’s the scenario: squad filled with random teammates. We spawned G4 marshland side of river. Neither squad mate are had gun or vest. I loaded in with contraband sniper ,lmg and ar , three plate stealth, large bag and advanced uav.
I dropped my third weapon (a five attachment lmg can’t remember which but it wasn’t great but coulda been worse) the moment the count down ended and pinged it. Both jumped in the water and swam offf with ou without picking it up .
They both go directly to buy station and haphazardly push team that spawned to its north. I’m 20 or 30 meters behind but when I see them both die instantly I take a position on an adjacent roof top and kill one while they looted the bag of my fallen squad mate. I jump off roof and start moving to a new position.
I think given my superior gear and position I had a better than 50/50 shot at winning the 2v1.
That said that spot is often a place I get killed by a third party so in the end standing to fight would likely have resulted in dying eventually.
Even so my intention was rez my team or die trying. Neither of them were on comms not sure if they could hear me say as much or not.
I quickly open my tac map to see where their bodies were exactly while sprinting, that’s when I noticed both already quit the match sometime during the fight I had with the guy I killed.
Since the squad I was fighting clearly wasn’t carrying anything I needed and my own teammates were gone decided the risks outweighed any potential rewards, so I ran out of area through the marshlands to hydro electric, grabbed and vehicle and quickly ran kosh for the perk and liquor money.
So would you have quit too if you were them ?
And if you were me would you have stayed to fight or fled the area once you noticed you no longer had a team to worry about picking up or would you have done so regardless even if the randoms didn’t Quit?

Over the span of the day i was reflecting on some of the feedback I received on my other posts. Crafting is not the direction the community wants to go. I was talking with some of my friends at lunch discussing what we think could totally elevate the game. That's when it hit me. A new objective and mode of transportation.
Randomly in the game there would be a horse drawn carriage for you and two hunters to ride. Within the carriage. A bounty. You ride the carriage out of extract. Simple as that.
The horse drawn carriage would be huge, have the hp of scrap beak (you can also destroy it and loot the contained bounty) or kill the horses but there's 6 of them so it would only decrease they speed until they all were killed.
There are also carrots now on the map to collect and heal the horses, I'm also considering the idea that you can plant and grow them but the grow very fast due to the corrupt energy of the bayou. (I have a posy about farming cooking)
I'm rambling now but I'm just pumped to see if you guys are a bit more excited about this idea! I really tried! Happy Monday!

My name is Emily. I'm from the United States and I wanted to end my 20's with a bang, and I'm happy to say that I ended my 20's in Korea.Actually, Korea was not a country that I had much to do with.Originally, I was a person who was immersed in Japanese culture since college.Japanese anime became my friend. There's a lot of interesting things about Japanese anime, like the fact that they depict real places in Japan, and they depict real food, and so I fell in love with Japan, and I even traveled to Japan a couple times, and I thought that Japan was the sum of everything that I longed for.
But then, in my late 20s, I met a friend who would change my life. It was a simple meeting with a long-lost college classmate, Sarah, who had gone on to work at a large firm in New York City, and whom I had shared anime and Japanese food with in my dorm room in college. She told me honestly that she had recently traveled to Korea and was seriously thinking about moving there. Unfortunately, the large company she worked for in New York had recently gone through a business crisis, and she was laid off.
She said that she was confused by the sudden betrayal of a well-known company, and to clear her mind, she went to the airport with the intention of leaving anywhere. She thought she would go to Japan, but when she arrived at the airport, she changed her mind. When she thought back to the places and restaurants she frequented most often while working at the company in New York, she remembered that she often went to Korean streets and Korean supermarkets in New York, and she thought that going to Korea on an impromptu trip was a really good idea, so she chose to go to Korea rather than Japan, which she already knew.
And buying a plane ticket on the spot at the airport was more than twice as expensive as booking a ticket in advance, but Sarah said that she didn't care, because she was depressed after being fired from her job, and she went to the airport to leave, but the curiosity about Korea that came over her made her want to leave right away, even if she had to pay for the expensive plane ticket.
He expressed that although he went to the airport courageously, he knew that the plane ticket would be too expensive, and he thought that maybe he should just go back home again, but his curiosity about Korea came from somewhere deep inside him, and it exploded like a bomb, and he was naturally drawn to it.
Sarah, who likes emotional things like essays and poems in college and enjoys such poetic expressions, but even so, I wondered if it was a little overdone, but when she said that she had been to Korea, I became more focused on her story.
However, I was able to understand why she expressed herself in such an over-the-top way after listening to her Korean stories.
"Korea is an amazing place, the people are so kind and warm, and most of all, the employment system is very well organized. There are many programs and support for job seekers, which is very helpful for people who are in a difficult situation like me."
When Sarah started with this story, I realized that she was really traumatized by being laid off.Now, she had been through a big ordeal and was in the process of recovering from it through Korea, so I decided to focus more on her story."You said you traveled to Korea, so what else did you do?" I asked."For example, what kind of programs were there?" I asked her.
"I happened to visit a job fair in Korea," she said, "where job seekers can get free career counseling and get the training they need." "I got a lot of help there, and it gave me the strength to get back on my feet, and maybe even get a job in Korea." "And most of all, the work culture in Korea is really family-like," she said, "I was impressed by how much my coworkers cared about each other and supported each other."
Sarah said that she was curious about what Korea was like, so she visited a large convention center in Korea and participated in various fairs, one of which was a job fair, and she interviewed with several Korean companies, and the Korean companies were ready to accept her as a colleague if she applied as an American. I also learned that Korea has many companies with global reach, and they are open to foreigners with various experiences, but in Korea, unless it is a large company, people don't prefer them, so if it is a small company, they want foreigners, but there is a sad reality that no one applies.
Unlike in the U.S., where you have to report your performance every week, and if you fall short, you are threatened with termination, Korean companies are definitely not more performance-oriented than in the U.S. They value their employees and do everything together to grow together, not threaten them with termination. In the past, I knew that corporate culture in Asian countries such as Korea was more collectivistic than individualistic, and as a student, I thought that such a collectivistic culture was a bad culture with a high level of disease in Asia, but after experiencing social life in the United States, I heard that the tendency of companies to be extremely individualistic, talking about job insecurity, and treating people ruthlessly, caused me to be fired from a good job overnight, and the future plans I had planned in advance became uncertain, and I even talked about envying the Korean culture that does not have such disadvantages.
Sarah, who has never worked in Korea, but was always afraid of being fired, said that she learned a lot about Korean corporate culture by interviewing many Korean company officials.
She said that she even considered settling down and living in Korea because, besides the culture, there were so many other conveniences and benefits.
She talked about her experience of working in New York, being left alone in the office to get things done because of her performance, having to leave late at night and being afraid to go home, sleeping in the hotel next door, and having to live with the exorbitant rent in Manhattan and the two-hour round-trip commute to work, and how she realized that unlike in the U.S., where it is difficult to see a doctor, she would not have to worry about these things in Korea.
Sarah's story made me even more curious about Korea.The warmth, systematic system, and various charms that she experienced in Korea couldn't help but have a great impact on me.I've been experiencing a lot of stress every day due to the pressure of performance and the threat of being fired, and I've recently been undergoing expensive psychotherapy.I decided to learn more about Korea, and eventually decided to travel to Korea.
Of course, I didn't travel to Korea with the intention of moving to Korea or settling down in Korea, but rather to spend my last 20s in a new country, Korea, and to see a different world than the familiar Japan.
I made my preparations and headed to Korea sooner than I expected, arriving ten days before my birthday and extending my itinerary beyond what I had originally planned, staying in Korea until after my birthday and then flying back to the United States.
The first day I finally arrived in Korea, I started walking around the streets of Seoul.The first thing that greeted me was the warm spring weather in Korea.The sky was clear and the air was crisp.I was told that it is common for Asia to have very bad air quality in the spring due to the influence of China, but I didn't have to deal with that during my trip.
The streets of Korea are very different from the United States, and everything was new to me.There were many beautiful flowers in bloom, and the well-maintained trees were really beautiful.It has been a long time since the common people's neighborhoods in the United States have such beautiful landscaping because of people who destroy these trees and flowers for no reason, or secretly take them and sell them.But this was not the case in Korea.The streets were like a beautiful flower garden.
I was walking down a beautiful street lined with flowers, and I was looking at them, looking at the big big map that was displayed on the screen at the bus stop.I was just curious to see what my neighborhood looked like, so I was looking at the map and taking my time, and a middle-aged woman came up to me and said, "Where are you looking for?" She didn't speak fluent English, but I was so grateful that she was trying to help. I was too embarrassed to tell her that I was just looking at the map, so I told her one of the destinations I was planning to go to, and she gave me direct directions to the place I was looking for, and I was able to get there without any difficulty.This unexpected kindness opened my eyes to the Korean people and warmed my heart at the same time.
I was ready to accept everything in Korea with an open mind.The first impression was very good, I was touched by the kindness of the people.I couldn't ask for anything more from Korea.The food was so fresh and amazing to me.I visited Gwangjang Market, a famous traditional market in Korea.
Unlike a regular restaurant, it was a place where you could sit down and try a variety of food. As a traditional market, it was full of Korean food. There were no pizza, pasta, or burger joints, but I liked it better that way. It was a place where you could see the traditional look and feel curious about everything.
I also tasted foods such as tteokbokki sundae and hotteok.Everything else was fine, but I was a little worried when I first tried sundae because it looked so strange and a little gross, but I decided to give it a try and the moment I put it in my mouth, the rich flavor filled my mouth.Korean food often seems difficult to eat, but when you try it, you can see why it is so popular in Korea.
I stayed at Gwangjang Market for a long time and tried a lot of different foods, especially kimchi and pajeon, which I still remember because of their crispy texture and spicy flavor. I would recommend them to everyone.Experiencing the deep flavors of Korean food firsthand made me fall in love with Korean food.
And then there was a shocking thing that happened to me in Korea.I was having a lot of fun traveling around Korea and everything was interesting, because Korea is really the best place to be, you know, you're running around, you're busy, you're going from place to place, and I had the misfortune of losing my passport, which was really stupid.
I was traveling in Korea, and I got an international call. Someone was calling me from Korea, and when I saw the international call indicator on my phone and realized that the call was from Korea, I had a million questions.
I thought I shouldn't answer the call, but then I realized that it was an international call, and I thought maybe they were calling me because they had some business to take care of. I answered the call, and I was told a really crazy story, because I heard a calm English voice asking if it was Emily, and she introduced herself as a police officer and asked if I could come to the nearest police station.
I thought I had done something terribly wrong, because I had just eaten delicious tteokbokki and sundae, kimchi and pajeon, and I was so happy to eat them, and afterward I was just walking around the streets of Korea, smelling the flowers and seeing the pretty trees.
I started to check my belongings one by one and realized that my small pouch containing my passport and some of the money I had exchanged was missing.
I quickly headed to the police station, which was where I was told to go, and from the front gate, I was controlled as to what I was visiting.
The great thing about Korea is that even for someone like me who doesn't speak Korean, it's not difficult to navigate these government offices. Not all Koreans speak English, but at least the ones I've met have been able to communicate with me in a simple way. Even if they don't speak perfect sentences, they understand most of the words, so I was able to communicate the reason for my visit to the police station.
I had never been to a police station before, even in the U.S., but here I was in Korea, and I was greeted by friendly people.The pouch with my passport in it had my contact information written on the inside, and they said they would contact me with that.The bag was found in a marketplace, and the first person to report it was the stall owner of the place where I had my first sundae.It also had all of my clean, new Korean money in it, which I had exchanged separately.
I was so impressed with how conscientious Koreans are and how good they are that I was able to find the pouch, sign the paperwork, and walk out of the police station.
I went back to Gwangjang Market, and when I got there, the owner recognized me and looked like he was about to say something. I held out the bag and showed it to him, and he smiled and liked it.
I thanked the Korean boss, and we ate another snack on the spot. It was an experience that made me realize how heavenly Korea is.
And like Sarah said, I didn't just want to see how clean and pretty Korea is, I wanted to see what an American working in Korea could do and what life would be like.Through the Reddit community, I was able to get in touch with Americans working in Korea and even met some of them in person.
David, the American I met, works for a company that is not a large Korean company, but rather a small or medium-sized company. As Sarah said, Korea is a country where products are produced for the global market, and many things are actually exported overseas.
However, in Korea, unless it is a large company, every company is experiencing a job shortage, and because of the atmosphere in Korea, where foreigners are not welcome at all, it is not difficult to get a job in a company that specializes in exporting overseas, even if you are in the United States.
And David told me that he put all his passion into the first company he worked for in the U.S., and even made a lot of money for the company, but when he didn't perform, the company fired him without mercy, and he said that he was so shocked, not to mention the feeling of betrayal, that he took depression medication at that time, and it was so hard that he took depression medication, and then he found Korea by chance and settled in Korea, and now he is so happy. He told me that he was fired from his job because of the unrelenting treatment in the U.S., that he found a second chance in Korea, and that he is happy with his life here.
I'm not sure I have the courage to move to Korea right now, but I learned that there are a lot of people like Sarah and David who have been hurt so badly that they end up leaving the country. I'm scared that this could be my future, but I also learned that Korea is an option for me if it happens to me.My trip ended like this: experiencing the culture, food, and hospitality of Korea, and getting to meet and talk to Americans living in Korea, made my trip much more rewarding than my trip to Japan, which could have been an anime trip.
Korea has given me new perspectives and experiences, shattered my notion that Japan is only good, broadened my horizons, and opened my eyes to another gem that is Korea.
I now like to say to my friends, "Go to Korea, you'll see how good it is." Korea has taught me so much, and I will cherish my experience in Korea, which now holds a special place in my heart.
If Sarah goes to Korea and settles down, I will be there to congratulate her and support her in her new relationship in Korea.

Honestly, I don't really care about the game balance all that much. If I don't like how my gun is performing in whatever patch, I just switch to a different one - most of them are fun to me. I have maybe two more ship upgrades to get and then I'm maxxed. Bots, bugs, whatever objective, I have fun with this game plenty. I'll probably still play this game even when I have everything unlocked because I love the idea of the major orders, the galactic war, and I just enjoy playing the game.
HOWEVER....
The people who play this game are the single most frustrating element without comparison, and it isn't even close.
In the span of just tonight I have had so many bad matches because of the players alone they might as well be a whole new enemy faction. I don't want this to come off as a rant (even if it has the flair) so much as a desperate plea for people to just stop and think for a second. If even one person reads this post and gains a sense of empathy afterward, I'd consider that a win. A few examples of some incredibly frustrating moments include:

• Being reinforced instantly, across the map, away from all of my gear, by someone who was running POIs out in the styx..... Repeatedly.
• Being reinforced directly into the center of a 380mm with high scatter level effect
• People still TKing for samples despite the fact that they're shared (how have people still not figured this out by the time they've unlocked Difficulty 9?)
• Being blamed for a lost mission before I'd even hit the ground by pure luck of joining with the last reinforcement (you were going to lose that mission anyway chief)
• Being immediately kicked for "being a rando" when private lobbies have existed for months
• Being immediately kicked for "not wearing meta armor" (apparently there is a meta for armor now)
• Joining a mission doomed to failure because the rest of the squad brought all mortars which were killing all of the civvies (imagine)
• Chasing someone repeatedly yelling for supplies/stims, when I had a supply backpack, yelling at them to 'hold position', until they called a resupply (for the love of god)
• Spending 30-minutes being the POI runner only for the rest of the squad to immediately enter the shuttle when it landed while I was en route, causing us to lose all of the samples, then being asked why I wasn't at extract (askdfjakvjxcvjlwstwerjwr)

I think out of all of tonight's games maybe two were actually enjoyable, while the rest were just complete frustration fests for the stupidest reasons. Not because of gun balance or too many patrols or what have you, just... People being people. I don't want this to sound like a rant - moreso just... advice. PLEASE, PLEASE, PLEASE think about the other people in your games before you do things, man.
If you want to reinforce people, do it in a way that's not disruptive. If you want samples - KNOW THAT THEY ARE SHARED BY THE ENTIRE SQUAD. If you are looking for a reason your mission failed, look INWARD and not at the guy who literally just joined your mission via quickplay. Just open your eyes and look around you at the other people you are playing with for like two seconds and try to think about their situation before you do something incredibly frustrating.
And for the love of all that is holy.... Learn how to use the 'private lobby' function and stop chasing metas.

I'm a really big Metroid fan, but really hating the direction the modern titles have been taking. Samus Returns and Dread are far too linear; it really pissed me off every time I tried to explore or, goodness forbid, sequence break, I was met with some arbitrary obstacle, locked door, or point of no return that forced me to stay on the intended path.
Are there any other games like Super Metroid or Zero Mission that you guys can reccomend? I've already given Hollow Knight a shot, but I had the opposite problem where I could never tell what I was supposed to do, and personally found the map a bit bloated.

First...Previous
Colonist Memory Log: Captain Alan J. Emerson
UNS Evandra
Mechanical melodies of gears grinding together and switches flicking of their own accord surrounded the shrine room as before us the gramophone began softly to whistle and click. “He is here…” Kritivek announced, standing tall and bowing his head in rigid deference to his god.
After a few more seconds, the machine’s output grew in both volume and complexity until at last my GRIM could recognize the clicks as Chitaan language. “Hello, Kritivek.” It began, its voice smooth and rhythmic like something between the crackle of a geiger counter and a typewriter’s telltale racket. “I am glad to see you alive and well. Judging by the fact that Gheyk and Fevik are not with you, however, I calculate an 86% chance that they were not so lucky.”
“You are correct, Great One…” murmured Kritivek, the sadness in his tone underpinned by pure awe and reverence for this being.
For a few seconds, Omnus did not speak, but from the everpresent churn of gears we could quite literally hear him ‘thinking’. “I have logged their names in my backup database,” the machine eventually concluded, its words visibly bringing relief to Kritivek. “They shall be remembered for the remainder of my existence. Please, take solace in that…”
“May they frolic in your glory for all of time,” our Chitaan guide prayed aloud, his words followed by yet another long, smothering silence.
“You hath served me well, Kritivek.” Continued the machine, prompting a delighted chitter from the Chitaan priest. “You may go in peace, for I wish to speak with these Humans alone. Mourn your brothers and celebrate the time you spent together. Perhaps enjoy a flask of bogal poured out in their honor?”
“As you wish, my lord… I will inform those outside that you are in contemplation for this night and can take no more prayers until daybreak.”
Replicating with its gears the gentle rattle of a Chitaan chuckle, Omnus waited until his priest had left before at last speaking directly to the three of us. “You are not native to this planet, correct?” He asked, his words distinctly lacking the emotional inflections of Kritivek’s. “Your arrival here is without precedent, but not entirely unexpected.”
Though clearly far from divine in nature, the being with whom we conversed at this shrine was nevertheless a true marvel to behold: one born not of metaphysics, but rather mechanics. “You’re an AI!” I gasped, that last word having no direct translation in the Chitaan language and as such forcing my translator to make do with the clumsier phrase ‘thinking tool’.
“That is correct,” replied this machine, its words underscored by the distant hiss of steam valves and other clockwork components. “Allow me to offer my most sincere sympathies for the unfortunate demise of your homeworld. Taking into account the trajectory of your ship prior to landing, I presume its origin to be the Cichek system—a G-class star located [forty lightyears] away. Is this hypothesis accurate?”
Awkwardly clearing his throat in a bid to obtain the AI’s attention, it was Alex who next deigned to speak out. “You would be dead on,” he affirmed, his tone betraying an understandable degree of awe. “Though our name for it is the Sol system. How long have you known about our ship for?”
“I first detected the gravitational anomaly in our system approximately [3 months] ago. Initially, I had mistaken your vessel for an asteroid and as such expected it to continue on its prior trajectory. Asteroids, however, do not suddenly change course in the direction of nearby planets like your ship did [hours] ago.”
“Are you entirely clockwork?” I asked Omnus, gesturing incredulously toward its walls of grinding machinery. Surely, that could not be the case. For a convincingly sapient AI to be constructed on the basis of such primitive technology, it would require decades or perhaps even centuries of construction.
Again, silence fell over the room as Omnus mechanically contemplated my query, meeting it with a reply after some twenty seconds of deliberation. “What else might I be?” The machine asked, providing me implicitly with my answer. “While I have theorized several possible avenues for technologies more advanced than myself, including electronic and organic integration, such methods appear to have been beyond my creators' capabilities.”
“That brings up another question…” Alice interjected, recovering at last from the sheer shock of encountering a sapient machine. “Who built you and why?” Despite years of exponential advancement in the field of computer science, true AI nevertheless had continued to elude mankind. Convincing as our facsimiles of sapience could be at times, they nevertheless lacked the capacity for emotion and initiative characteristic of real consciousness. Whoever constructed this machine had done something thought impossible by over a century of Human engineers.
“In truth, I am not sure…” Omnus concluded after an even longer-than-usual pause. “My core memory bank was reset [9,462 years] ago. As such, I have no data on my creators nor their original intentions for me. However, I have largely ruled out the possibility of them having been Chitaan.”
Fascinating as this clockwork consciousness undoubtedly was, something about its relationship with the natives left a bad taste in my mouth all the same. "And why exactly are you masquerading as a god before these people?" I asked him, my words tipped in a venom the potency of which apparently surprised my companions. "What value do you derive from tricking them into worshipping you?"
Lengthy silence fell over the shrine chamber as its AI occupant contemplated my complaint, responding much quicker than it had to the previous question. "In all fairness, 'trick' is a rather strong word..." answered Omnus with a steam-valve sigh. "When first I encountered the Chitaan, I had attempted to explain my true nature to them. No matter how I worded things, however, they simply could not comprehend me as anything short of divine. Upon finding me, the Chitaan found a guide bearing great wisdom; and in turn, I found a species in need of guidance.”
Falling silent for a moment to parse this response within my mind, I was hardly surprised when Alex spoke up to question the computer in my stead. “Is this the only settlement that follows you or are there others?” He asked.
“This access point where you now stand is but one of several thousand, stretched out across [hundreds of thousands of miles],” explained Omnus, practically knocking the wind out of me with its sheer implied scale. “Currently, I am worshipped by the people of 2,147 city states, and through my guidance they are able to coexist in harmony.”
Perhaps at a later date, I reasoned, there would come a time to more closely study the inner workings of this clockwork deity. For the moment, however, my mind was occupied by far more salient concerns: anxieties related less so what this being was and more so to who. "I don't suppose you'd be willing to tell us what your end goal with the Chitaan is, would you?" I inquired, my tone saturated with appropriate suspicion.
Contrary to my expectations of some evasion or simplification, this AI seemed more than happy to comply with my questioning. "My primary objective regarding the Chitaan is to create a society which both minimizes individual suffering and maximizes civilizational longevity. To this end, I have instilled values into my followers that prioritize empathy and compassion above all else. By drip-feeding them the technologies of my creators, I am able to ensure that the Chitaan who follow these directives remain more advanced than their neighbors."
"And why do you want that?" I asked, sticking my head thoroughly within the gift horse's mouth. Machines as I understood them were built not upon sweet sentiments, but rather on cold, unfeeling logic. Even if this AI was benevolent, there nevertheless had to be some reason behind its desires.
"If you are searching for some vile ulterior motive, I am afraid I will have to disappoint you. My decision to aid the Chitaan is based upon two simple factors: necessity and curiosity. On the one claw, without regular maintenance, I will shut down and 'die'. The Chitaan can provide me with this maintenance, and as such it is in my best interest to keep them healthy and alive for as long as possible. More importantly, however, is the matter of sapience itself. It is clear to me that my creators are no longer around. For such an advanced species to die out is not only tragic, but also provides a rather pessimistic paradigm with which to judge intelligent life. Your arrival here following the self-inflicted destruction of your own world further suggests that civilization is unstable: a race between innovation and eradication. Perhaps with the assistance of a being such as myself, I can prevent the Chitaan from suffering a similar fate and as such create a functional spacefaring civilization.“
At that moment, the motivations of this machine made perfect sense. “So that’s what this is,” I growled contemptuously, glancing behind myself to the cave entrance as Kritivek politely dispersed the other worshippers. “It's all just a science experiment to you…”
"Perhaps my explanation was a tad overly clinical..." Replied the machine following a brief period of reassessment. "Make no mistake: I do care for Kritivek and his species. They are far more to me than variables on a spread sheet. Had I no love for them, then my experiments would surely spiral into abject cruelty."
Interrupting this line of conversation with a stern glare shot in my direction, Alice was next among our troupe to speak up. "Forgive Alan's weariness: he spent sixty years of his life alone maintaining our ship on its journey.”
“That sounds like a difficult use of one’s lifespan: especially one so long as those of your kind.” Omnus hummed, the low-pitch of his synthetic voice oddly relaxing.
“My combative behavior does have a reason!” I snapped at the physicist, my tone coming off as a bit more aggressive than intended. “Two thousand lives are in our hands and we need to find some place for them to settle.” As I spoke, my thoughts returned—as they so often did—to Mina. I made a promise to her mother that I would do everything in my power to take care of her, and I held no intention of going back on my word.
Hearing this, the AI fell silent for a long few seconds before at last dignifying my concerns with a response. “Perhaps I could be of some use to you…”
Behind us, the larger Chitaan clad in red stepped inside Omnus’ shrine room. Gently nudging me aside so as to access his ‘god’, the priest knelt down before this machine and with a low-pitched chitter began to commune with it. “Lord Omnus. Forgive my intrusion most indiscreet, for there is one amongst us who desperately seeks your aid.”
“Apologies, Humans: before we continue this riveting conversation, I must first tend to the concerns of my pod.” Began the AI, promptly shifting its focus toward the priest and addressing him directly. “You are forgiven, my child. Speak freely and tell me to whom I can be of assistance.”
“It is Vevik, my lord…” Clicked the priest in red, his tone strained somewhat by what I presumed to be emotion. “His daughter has fallen deathly ill. Our apothecaries have attempted to purge her body of the illness using your divinely-taught potions, but their efforts have been to no avail.”
“I presume Vevik is outside. Invite him inside so that I may hear his prayers.”
“As you demand, Lord Omnus!” Exclaimed the priest, shuffling off toward the cave entrance before returning with a smaller Chitaan whose eyes were just about level with Alex’s forehead.
“Speak, my child…” Hummed the AI, its monotone voice somehow underlined by a tenderness almost unnoticeable against the grinding of its ancient gears. “Tell me the nature of your offspring’s affliction.”
Immediately falling to his knees before the clockwork god, this Chitaan who I presumed to be Vevik began to pray in response. “Great one: my beloved Yitika is most terribly ill. Her body is plagued by violent bouts of seizure. She struggles to speak and walks as though drunken. When she does manage to communicate, she complains of splitting pain within her mind. Please, Omnus: I know that the [six years] I have spent with her have been in themselves gifts most priceless, and I have no right to implore you for more, but I beg of thee not to take her from me so soon…”
What followed must have been two minutes straight of silence from the computer as its gears ground away fervently. “The symptoms you have described to me are most troubling…” It concluded at last. “And you say none of the medications I’ve taught the apothecaries were effective?”
"Yes, Lord Omnus. Even your draught of respite has done little to ease her suffering!" Vevik affirmed, his tone saturated with desperation.
"I calculate a 94% chance that Yitika's suffering is the result of a brain tumor..." Continued the AI in cold, calculating monotone. "Alleviating such an illness is not impossible, but there are certain things I must ask of you, Vevik."
Hearing this, the Chitaan knelt before Omnus began to weep with joy. "I will undergo any trial you place before me, my god. What beast need I slay? What ritual need I complete to prove my unending faith and loyalty to you?"
"Retrieve for me one thistle of frojeth and two bilvarian roots. Bring these ingredients and your child to the bed of revival [six miles] east of here. Beware, however, the faithless tribes, for they have taken up residence in the area."
"We are unworthy even to be in your presence, o great one; yet still you do not forsake us in our times of need!" Professed Vevik before the AI, his body quivering with some emotion my Cogitolink struggled to identify .
"That, my child, is where you are incorrect." The machine responded rather matter-of-factly. "Your people are worthy of every gift I hath given you. Archpriest Jokuk: your task is to assist Vevik in gathering the ritual components. Go now in peace, for I wish to commune privately with these beings from the stars."
Chittering out their parting prayers of protection to the AI, Jokuk and Vevik wasted little time in exiting the cave and setting off in search of the ingredients mentioned by their god, leaving the three of us alone with it once more. "Again, I must apologize for that interruption." Omnus began, its gears having slowed down to a somewhat more relaxed rate of revolution. “Fascinated as I am by your arrival here, I nevertheless must fulfill my ‘divine’ obligations. I hope you do not terribly mind.”
Fortunate though it was for Vevik, this machine’s intervention nevertheless left the three of us with more questions than answers. “You mentioned something about a ‘bed of revival’?” Alice began curiously, voicing but one of our newfound gaps in knowledge. “What sort of ritual item is that, and why can’t you just make another here?”
“It is not a ritual item,” replied Omnus matter-of-factly, “The bed of revival is an automated surgery bay hooked up to one of my subsystems. With it, I can perform complex surgical operations far beyond the Chitaan’s current capabilities. Those herbs I sent Vevik to collect can be used as rudimentary anesthetics and antiseptics."
"So why not just tell them the truth?" I shrugged, curious as to why this AI would feel the need to lie by omission regarding something like surgery.
"When communicating with people so technologically primitive as the Chitaan, it is important to do so in terms they can understand. There will come a day when they will be ready to hear the whole truth, but as of yet my worshippers remain unprepared."
Alex never was one to wait his turn when it came to the procurement of knowledge, and as per usual he felt the need to interject with an inquiry of his own. "You spoke about the so-called 'faithless tribes' like they're dangerous," he began, his expression briefly tightening up as though the term itself was somehow bitter. "Why demonize people who don't worship you?"
"What sort of narcissist do you take me for?" Replied Omnus in monotone displeasure, his gears again churning against each other as he turned over the xenobiologist's question in his analog mind. "Not all tribes who do not follow me are 'faithless'. There are many as-of-yet unconverted groups that Kritivek's people remain on amicable terms with. Faithless is a term first coined by my Chitaan followers to describe a group of particularly brutal raider tribes."
Hearing this, the underlined aggression within Alex's voice fizzled out in favor of grim understanding. Though clearly quite peaceful compared to our own iron age, this civilization nevertheless would naturally have its own barbaric holdouts. "Okay... What makes these Chitaan more dangerous than other raiders?"
"One substantial part of it is their belief system," explained the AI, pausing for a long while as though in recollection. "Their cultural power structure can best be described as an atheistic militaristic gerontocracy. In essence, the faithless believe that rather than gods, the universe is governed by fundamental truths, and that these truths become more apparent as one ages and grows."
On Earth, such a belief system would be relatively innocuous: no more harmful than the average. On a planet like this one, however, on which age turns people into cannibalistic monsters, I could most definitely see the problem. "Let me guess: they worship the mad ones?"
"Correct. The faithless regard mad ones as the wisest beings to exist, and as such seek to emulate their behaviors: cannibalism and animalistic violence chief among them. In their society, the larger one can grow before truly losing their sanity and therefore 'ascending' to the state of a mad one, the more power and respect they are given within society." Another long pause fell over the shrine room as this machine seemed to contemplate before speaking out yet again. "Perhaps I could make you an offer..."
"Let's hear it," Alice shrugged, her husband mirroring the reply with an affirmative nod.
Loud clacking sounds like those of a typewriter rattled out of the console as a sliver of ancient parchment inscribed with what looked to be a map slid out from a previously-unseen paper slot. "This map depicts the local area," explained Omnus. "If you can clear out the faithless ones so that Vevik can bring his child to the bed of revival, I will provide you with assistance in setting up a new colony for your species. Deal?"
Awkwardly plucking the paper from it's resting place and scanning it over with my ancient eyes, I contemplated carefully what this deal might entail. "We'll need to back to the Evandra first. There, we could theoretically thaw out a crew to help clear the place..."
"That will not be an issue," replied Omnus confidently. "I will send battle priests to assist you in your return... Assuming, of course, that we have an agreement?"
"We could definitely use this guy's help!" Alex affirmed, prompting a similar expression of agreement from Alice. Nevertheless, however, I still was the captain, and as such this was my choice.
And with that, I reached out my hand reflexively as though expecting the computer to reach back and shake it. "Deal..."

I met a girl on Hinge two weeks ago and we started texting and talking on the phone a lot. We were planning to meet after a week but ended up wanting to see each other sooner and went bowling. Then we made out in her car and told each other we liked one another. A couple days later, she invited me to her house and we slept together (my first time with a girl). The next day, she asked me to meet her best friend.
We’ve been texting and talking on the phone nonstop but all of the sudden she’s acting weird. So we made a plan a week in advance for her to come to where I live and we’d get dinner. I sent her an itinerary on Google Maps with plans for the date (beach, dinner, going to the casino) and thought that would be a cute gesture. She didn’t look at it and the night before told me that she had a golf tournament the next day and would maybe not be able to come because she’d probably be drinking a lot.
Up until the moment she told me she would “maybe” not be coming, she was texting me nonstop. Then when I was asking about why she couldn’t come I asked her to call me (she told me to call her anytime because she likes talking on the phone) and she wouldn’t call me.
I just feel kind of stupid and used right now. This whole time she was telling me that lesbians just move really fast (uhauling) and this was normal. She even took me driving to see the kind of house she wants to buy. I thought that meant something. And now she’s blowing me off and I’m so hurt and confused. Like why not just not drink a lot at the tournament? Why wait until the last minute to say she “maybe” couldn’t come?
If anyone has any sort of insight or advice or can relate I’d appreciate it so much because I feel so hurt right now and don’t know if I should stop talking to her. My heart is broken and it’s only been two weeks :(

Hello! I'm looking for more peeps to join our currently small FC in the hopes of finding more people to play with!
Our FC has been established since 09/19/2018, we have a medium house and are open to any and all new members! Newbies and Veterans alike! Any and all classes welcome as well :)
I frequently have plenty of maps stocked and ready to go as well as getting hunts set up~
We're willing to help and run just about anything (some members are Static Savage Vets) and would be elated to have more things to do with more people!
You can send me a tell in game @ Solaris Fae on exodus or apply directly to our FC if you want :)
We look forward to having you! ♥♥

Cigarettes and rebellion have always gone hand-in-hand, and in an age of cigarette packet-sized health warnings, now more than ever, smoking a fag says: 'I do not give a fuck.' But if Brandon Flowers is hoping to strike a seditious pose by sparking up at the start of the interview, it's not going according to plan. The Killers' frontman is on all fours rooting through the junk that carpets the anteroom at the band's rehearsal space. "Has anyone seen my lighter?" he asks, rocking back on his heels. The question hangs in the air while Brandon cocks his head, waiting for an answer like a meerkat listening for a predator. Twenty-five years old and with a delicate bone structure, there's something almost dainty about him. Receiving no response, he returns to his search. "Oh, Jeez," he sighs. "I had it just a minute ago."
It's a scene that emphatically does not suggest a rebel without a cause. The mess isn't helping. The Killers' HQ - an industrial unit sandwiched between a construction supplier and the offices of a housing development just off Dean Martin Drive in West Las Vegas - is ankle-deep in designer clothing. A Dior Homme suit lies crumpled by the door; there's a pile of shoes topped like a sundae by a pair of Marc Jacobs trainers; and anyone wishing to enter the shoebox room the band use as an office must negotiate a mountain of discarded jeans. Many items are identifiable as coming from the wardrobe of Hot Fuss, The Killers' hugely successful 2004 debut album - triple platinum in the UK with two weeks at Number One and five million sold worldwide. Look! There are the shirts, ties and suit jackets they wore when they thrilled Glastonbury 2005 with indie rock anthems Mr Brightside and Somebody Told Me. That was the crowning moment of a two-and-a-half year tour that finally concluded in October of last year. It seems that after playing that final date in Miami, they returned to Vegas and shrugged off their image onto the floor of this bland white box.
Now a fine layer of dust covers the dead clothes. The Killers have no further use for white tuxedos on their second album, Sam's Town. Today, Brandon wears a black polo shirt, black pin-stripe waistcoat, black jeans and black boots. Where there used to be a layer of foundation, there is now a beard - an untrimmed beard at that. Dave Keuning (30, guitar), Mark Stoermer (29, bass) and Ronnie Vannucci (29, drums) all echo Brandon's black ensemble. Ronnie has added Aviator shades and a handlebar moustache for a dash of motorcycle cop, Dave's frizzy bubble of hair gives him a Marc Bolan-ish air, and there's something very teenage about Mark's scuffed Vans.
Short of walking around wearing sandwich boards saying, "Our new record is a bit heavier than the last one," The Killers couldn't hope to communicate that message more effectively. And they have gained some musical girth on Sam's Town. The pop hooks that made Hot Fuss so irresistible survive intact - see the ringing guitar riffs on first single When You Were Young - but there's a newfound punchiness, coupled with an epic sweep. The minor-to-major uplifts on Bones are fabulously dramatic, the coda to Why Do I Keep Counting? thrillingly intense. Comparisons to Bruce Springsteen have been made. If they overstate the case a little, they are at leaset qualitatively accurate. The Killers are back and this time it's serious - they've got the bootlace ties to prove it.
"Hey, it says here that Springsteen's headlining Glastonbury next year," shouts Ronnie, who's flicking through the NME. He nods sagely at the page without looking up.
"Really?" asks Dave, nicknamed Crazy Dave on account of his alledgedly volatile nature.
"The Boss is headlining one night, we're playing second on the bill the next night and Kylie's headlining the Sunday," says Brandon, charging like a bull through Michael Eavis' as-yet-unannounced line-up with what subsequently proves to be a characteristic gaucheness.
But that lighter is proving elusive. This being America, none of the people hurrying to-and-fro prepping the world for the release of Sam's Town smokes. Manager Robert Reynolds - Bobby Rey to the band - barks into his mobile, booking his band onto eye-wateringly demanding tours. "We're going to make a lot of money," he cackles to himself before switching calls to make a series of stern pronouncements on legal matters. Dave, Mark and Ronnie disappear for a jam session. Artwork is approved, B-sides are decided on and schedules are hammered out.
"I can't find it," Brandon says, finally. But he's not going to be denied the opportunity to underline The Killers reinvention with a puff of smoke. "Let's go to the gas station. I'll have to buy one. It's too busy to talk here anyway."
+
Brandon's black (of course) Volkswagen Touraeg four-wheel drive is barrelling down West Flamingo Road into town. "I was a bell boy there," he says, pointing out of the driver's window at the stucco facade of the Gold Coast casino. "I was working there when we were signed."
Coming from Las Vegas, it is perhaps inevitable that casinos play a big part in The Killers' story; not only is Sam's Town named after one, it was recorded in one, too.
The band began writing songs while on the road with Hot Fuss, turning up early for soundchecks to run through new ideas. On a trip home to Vegas, George Maloof, a hotelier known for cultivating famous friends, invited them to record the album in the new studio he'd built at The Palms, his flagship hotel-cum-gambling den. When the tour finished in October 2005, they returned to Vegas and spent five month finessing the songs they'd sketched out on the road. Then, in February, they decampled to the third floor studio at The Palms and recorded Sam's Town over 11 weeks.
Producer Flood (U2, Depeche Mode) encouraged them to experiment. They overdubbed, fiddled with synthesizers and played with new equipment. It took them five weeks to get the backing vocals right. The band sang the harmonies, then double-tracked them four times. The end result recalls Queen wondering, "Is this is the real life? Is this just fantasy?" When Ronnie, a trained classical percussionist, brought some kettledrums down, eyebrows were raised; but the fabulously bombastic coda on Why Do I Keep Counting? vindicates his indulgence.
"That's kind of the Ben Hur of the album," he says. He's not wrong. Sam's Town is a record on an epic scale. "Yeah, it has drama," he continues. "But, at the same time, I think it's a little more exposed than Hot Fuss. It's a little more naked. Last time it was about a lot of fictional things." By "fictional", Ronnie means that Hot Fuss wore its predominantly British influences for all to see. Brandon's taste in music is rabidly Anglophile - he constantly references The Smiths, The Cure and Joy Division - and it showed. By contrast, Sam's Town is an unequivocally American record. The lyrical imagery is pure American dream - cars, girls, wide-open spaces and escaping to a better life. "We're burning down the highway skyline/On the back of a hurricane that started turning/When you were young," sings Brandon on When You Were Young. That's the basis of the Springsteen comparisons then, though the lack of pathos more closely recalls another blue-collar rocker from New Jersey - Jon Bon Jovi.
The phrase "this town" recurs throughout the album, and it's always receding into the distance as The Killers escape to a new life. "This town was made for passing through/I never did get along with everybody else," sings Brandon on This River Is Wild. On Read My Mind he "never really gave up on breaking out of this two-star town", while on the title track he offers something of an explanation: "Nobody ever had a dream round here."
"With the first record, there was this feeling that there was this world out there that we didn't know," says Mark later in the day. Before The Killers, he studied philosophy: now he's their quiet one. "We wanted to get out and away from this and be somewhere else. We hadn't had a lot of experience - hadn't travelled much - then we were gone for three years. We didn't sit down and say that we wanted to make a record about how we're glad to be home, but that's what happened naturally."
It's not an angsty record. The Killers have already escaped with Hot Fuss, and, having done so, they view the experience fondly now they're back. There's a mistiness to Brandon's eyes as he explains how the album got it's name.
"Sam's Town is a casino on the edge of Vegas," he says. "I grew up in Henderson, which is out on the way to the Hoover Dam. My mom and dad lived in a trailer park, and my dad used to hitchhike up and down Boulder Highway, which is the only way you could get to Vegas. Sam's Town was the first thing you saw on your way in to town. So, when you're driving down Boulder Highway from Henderson, I always thought you finally knew you were getting somewhere when you saw Sam's Town. It was kind of like a beacon."
"It's not a completely American album," contines Brandon. "We still have our English influence, but we're also from the Wild West. Somehow we've managed to unify all that on this album. it's just such a perfect resemblence of what we are."
At the petrol station, Brandon rummages through the glove box looking for change to buy a lighter. "This is a great album," he says, pointing at Highway Companion, the latest from iconic American rocker Tom Petty. "I've always been a big fan of his. He's such a great American artist."
Yes, Brandon: we get the point.
+
When Brandon finally lights his cigarette, he smokes it awkwardly, like a child mimicking something he's seen the grown-ups doing. However, when he cheerfully admits that, "I feel the same mentally as I did when I was 12," it's not a knowing nod to the fact that he sometimes behaves like a loveably precocious child, but a reference to an unusually comprehensive grounding in pop music at an early age.
When Brandon sings about "this town", he doesn't mean Las Vegas. He means Nephi, Utah or Henderson, Nevada, where he spent his childhood. His parents are Mormon and he is the youngest of six children. "I was a surprise," he says. "I've got a 42-year-old sister." If he was issues about his "surprise" status, he chooses to gloss over them. "It turned out perfect because my brother was a teenager when I was a kid," he says. "He would bring home things like Rattle And Hum by U2 and I would watch it. I remember he bought Live In Dallas by Morrissey. It was always him watching these things, or his door was shut and you'd hear The Head On The Door by The Cure blasting through the house and rattling the walls."
The Killers were formed when Brandon answered an advert Dave had placed in a local paper in late 2002. Dave cited Oasis as a big influence; Brandon had seen them play recently and responded; and, as Dave has said in previous interviews: "He was the only person to reply to my ad who wasn't a complete freak." However, the band was born in Brandon's brothers bedroom.
"His room was like a shrine," enthuses Brandon. "It was a holy place. I wish I could show you a picture of it. It was covered in posters. There'd be a big picture of Elvis wearing a bow tie that just said 'The Smiths' [the artwork for The Smiths 1987 single Shoplifters Of The World Unite]. You had The Cure wearing face paint [the artwork to The Cure's 1985 single In Between Days] - all that kind of stuff. I remember Morrissey being on the cover of the NME, with the halo [from 1985] - stuff like that. You just wanted to know about these people 'cause they were so cool. My brother seemed like such a cool person. But he was a teenager, so he wasn't going to be that nice to me, a kid."
Brandon was fascinated by his brother's collection of music, magazines and posters, but he was denied access to them - officially, at least. "I would sneak in," he says. "I knew he'd be angry if he found out, but I would go in as soon as he left the house." For a long time Brandon was too scared to actually play anything. "That didn't come 'til later. I just used to go in there because I liked it. Then I got to the point where I'd actually take a tape out and put it in. It took more guts to do that."
It was a life-changing moment. "I was ten and the first song I played was Sing Your Life by Morrissey. I remember dancing about to it."
The lyrics to Sing Your Life include the lines, "Sing your life/Just walk right up to the microphone/And name all the things that you love/All the things that you loathe." It's intriguing to wonder what Morrissey makes of the neophyte he inspired with these lines.
Eventually, Brandon inherited his brother's tape collection. "It was around the same time CDs started coming out in a big way. He started buying CDs and gave me his tapes. And that was it: it took off from there. I got a hundred of the best albums - all the New Order, all the Morrissey, all The Smiths, The Beatles. I started buying posters. I went to see The Cure in concert. It was just kind of a continuation of my brother. And it was nice because, though my parents were strict, they were already used to it from him. There was no, 'My dad doesn't understand me,' or any of that kind of stuff. My mum likes The Smiths."
Brandon was 13 and his favourite band was late-'70s/early-'80s American new wavers The Cars, and particularly their jaw-droppingly catchy 1979 single Just What I Needed.
"I wouldn't exist without that song," he says. "That was the one. I remember driving around with my mum when I was 13, and we're living in Nephi - a really small town - and I felt so cool when I put that song on. Like: 'I have something that none of these kids I'm going to middle school with tomorrow have.' That excitement is what music's about, isn't it? That's why I understand the mentality of people that don't like us because we've sold so many records. I used to like it when no one else knew about a band. So I get that - I do."
+
Brandon's first band was called Blush Response. It was never going to work out. Not because he refused to move to Los Angeles with them, but because he is utterly - comically - shameless. He's given to making outrageously boastful statements like: "It's not like the '60s, '70s and '80s now. There are only a few bands around that are really good, that just do it. I mean, there's what, five or six of us?"
For the record, in Brandon's estimation, those bands are Franz Ferdinand, Razorlight, The Strokes, The White Stripes, Yeah Yeah Yeahs and, of course, The Killers.
"I don't want people to think I'm lumping myself with other people just to make us sound cool," he says. Really? It sort of sounds like you are. But he just steamrolls through it. "Yeah, but you know what I mean," he says, grinning at his own cheekiness. He's so disgracefully forward you can't help but laugh along with him - Oh you are awful, Brandon! But joking aside, The Killers are the most commercially successful of all the bands he mentions.
Later, back at the rehearsal space, the band run through Sam's Town at deafening volume in preparation for the forthcoming tour - first the US, then the world. The infectious, almost contagious, chorus of When You Were Young sounds fabulous, as do the U2-like guitars and Twin Peaks synths of Read My Mind. Meanwhile, Smile Like You Mean It and Somebody Told Me benefit from the newfound harder edge.
They somewhat heavy-handedly underline the new direction by playing Paranoid by Black Sabbath and Get It On by T Rex. That's the thing: The Killers are not a subtle band. Their songs are like a wet kiss from a girl who's a bit too drunk. They are big and brash, and not everyone loves them for it. Mr Brightside and Somebody Told Me might go down as well at hip nightclubs as they do on the festival circuit, but the DJs play them with the same guilty look they wear when playing a pop record.
"I hate that," says Brandon. "Like writing a song you can hum somehow cheapens it? It makes me think of this quote by Morrissey. Everybody knows how he read Oscar Wilde, Keats and Yates when he was growing up and that he wanted to be a writer. He was talking to this journalist who asked why he hadn't become a writer, and Morrissey said: 'What I do is more powerful than what you do because I can write down these words and you get it to a melody. How can you beat that?' I'm of the same opinion. I don't understand why a good melody that's memorable is a bad thing."
Being dismissed as pop particular aggrieves Ronnie. "When we first came out we got compared to Duran Duran all the time. Jesus Christ! We got a keyboard player now all of a sudden he's Nick Rhodes! Come on!"
"The people who criticise us for being too poppy don't get it," agrees Mark. "I think that's the problem with a lot of rock music. People are afraid to write a song any more. Either that or they can't. And that attitude hurts music in general. The best bands ever have all written great songs. You can still do it and do it intelligently and it can be original. This isn't a studio creation with a producer writing these songs for us. We're not Avril Lavigne, or something like that. We're a real band writing real songs, just like a punk band would do, except that we write pop songs."
You get the impression that The Killers knack for showboating pop hooks that border on vulgar is inextricably tied up with the brazen side of Brandon's personality. But while his ebullient charisma, not to mention the songs themselves, mitigates his outrageousness, there is a less attractive side to his ego. He has a combative streak. He can't resist taking pot shots at emo bands, notably Fall Out Boy, whith whom The Killers share an A&R man.
Has he heard how many emo kids it takes to change a light bulb? "No." None. They just sit in the dark and cry. It's a full 30 seconds before he stops laughing. When he does he admits: "Yeah, we've had problems with other bands. You know, when you walk in the room it's like..." He whistles the theme to The Good, The Bad And The Ugly. "We're like gangs."
And while the other members of the band are diplomatic on the subject of Brandon, you don't have to read too deeply between the lines to conclude that there have been internal issues, too.
"Some people will think Brandon's the big genius," says Dave, visibly bridling. "There are songs, such as Why Do I Keep Counting?, where he's written every note. But there are others, like When You Were Young, that were more of a collaboration - like Mr Brightside, where I had some of the music and Brandon came up with the lyrics. We always have arguments about who wrote what. The truth is that we all help in that process."
When asked how success affected them, Ronnie says: "There were certain things that needed adjusting. When you're on tour for two years, people can get a little needy. It doesn't help that you're surrounded by yes men and everybody's working for you. At times we've had to say, 'Who do you think you are?' to people. No one wears the trousers, but some people would like to. I think if it wasn't for the people in the band kicking each other in the ass... Let's just say there was some ass-kickin'."
It doesn't take a genius to work out whose ass needed kicking most often.
+
It's the following day and The Killers are back at their rehearsal space. The topic of discussion is what to wear in the video for Bones, the second single. It's a big deal: the director is Tim Burton. "I feel like Frank Sinatra when I sing it," announces Brandon. "With maybe a little bit of Morrissey and a little bit of Elvis, too."
Of course he does. But if securing the services of Tim Burton tells you one thing, it's that The Killers are about to get even bigger, perhaps even make the leap to the same level as Coldplay et al. Already stars, they are about to become superstars. Brandon can hardly wait.
"Do you know that Rolling Stone didn't want to put us on the cover last time," he says indignantly. "They didn't think we were stars. We sold five million albums! What more do they want from a band?"
Whatever was required, Brandon would be happy to do most things. "I'll do stuff that some people don't want to do, 'cause I want people to hear the music," he says. However, even he has limits. "The Rolling Stone thing made the record label think: 'What can we do to make them stars?' If I go on vacation with my wife, do they have to send somebody to be there to take pictures of me? Is that how you become a star? I don't want that. I walked down the red carpet one time and I realised I don't like it. But you don't have to walk down the red carpet for people to hear your music. We do still have some of that indie blood running through our veins."
He heads off at a tangent: "When you walk around Liverpool, you think of The Beatles, or you go to Manchester and you think of The Smiths or Oasis. I want you to come to Las Vegas and think of Sam's Town. And I think we've started to capture that, which is a truer version of The Killers, 'cause that's where we're from."
He pauses.
"I used to live across the street from Sam's Town. Maybe it'll be like our Abbey Road where people go to take pictures."
Is that what he'd like?
"I wouldn't mind it," he says, desperately hoping it will come true.
He puts a cigarette between his lips, looks down at his trouser pockets and pats them in search of the lighter he bought yesterday.
"Hey, I don't suppose you've got one?"

Hi folks, I am building an nextjs app which has a map component and it renders a geojson layer on the base map. The geojson file is pretty big (5MB)
Currently I simply wrapped the json content as a JavaScript variable. As you can imagine, bundle size for the map component is 5MB+. This is obviously not ideal. Not only it makes the website slow to load; it also significantly increases the bandwidth consumption because each time a user loads the page, it downloads 5MB from next js server. Over time, it could lead to unnecessary host cost.
I would like some tips around how I can best serve this geojson file. I have only some general ideas and really struggle because my lack of experience in web development:

• put the geojson file in ‘public’ folder as static asset. However I think this doesn’t make much difference because it would still need to be downloaded from nextjs server.
• use SWR or useEffect() to load the file from S3 when the website is loaded. I am just afraid that downloading 4MB from S3 would significantly slow down the loading process. Should I be concerned?
• Put it in ‘public’ and use some sort of CDN solution. I never used CDN myself, my concern is that it might be expensive if my site is maliciously loaded by a bot and needs to fetch from CDN too often.

Could anyone shed some light which direction I should pursue?
Thanks.

Hi folks, I am building an nextjs app which has a map component and it renders a geojson layer on the base map. The geojson file is pretty big (5MB)
Currently I simply wrapped the json content as a JavaScript variable. As you can imagine, bundle size for the map component is 5MB+. This is obviously not ideal. Not only it makes the website slow to load; it also significantly increases the bandwidth consumption because each time a user loads the page, it downloads 5MB from next js server. Over time, it could lead to unnecessary host cost.
I would like some tips around how I can best serve this geojson file. I have only some general ideas and really struggle because my lack of experience in web development:

• put the geojson file in ‘public’ folder as static asset. However I think this doesn’t make much difference because it would still need to be downloaded from nextjs server.
• use SWR or useEffect() to load the file from S3 when the website is loaded. I am just afraid that downloading 4MB from S3 would significantly slow down the loading process. Should I be concerned?
• Put it in ‘public’ and use some sort of CDN solution. I never used CDN myself, my concern is that it might be expensive if my site is maliciously loaded by a bot and needs to fetch from CDN too often.

Could anyone shed some light which direction I should pursue?
Thanks.
Update: following a comment, I would like to share more context around what this geojson is for:
“Basically I have a button “show county layer on map” - once the user clicks it, it displays all the counties on the map so user can click individual polygons(counties) to explore them.
My current design/thought is to load the geojson data at the beginning when the site is loaded. But I have also thought about not letting it block the other parts of the website (because user most likely won’t go straight to click the display county button), and let it download in the background - I just don’t know how that can be implemented in React, do you know?
Regarding if I can split the data into chunks - Yes! I can split them. Are you suggesting downloading them in smaller chunks? What’s the benefit of it in this context?”

Hi folks, I am building an app which has a map component and it renders a geojson layer on the base map. The geojson file is pretty big (5MB)
Currently I simply wrapped the json content as a JavaScript variable. As you can imagine, bundle size for the map component is 5MB+. This is obviously not ideal. Not only it makes the website slow to load; it also significantly increases the bandwidth consumption because each time a user loads the page, it downloads 5MB from next js server. Over time, it could lead to unnecessary host cost.
I would like some tips around how I can best serve this geojson file. I have only some general ideas and really struggle because my lack of experience in web development:

• put the geojson file in ‘public’ folder as static asset. However I think this doesn’t make much difference because it would still need to be downloaded from nextjs server.
• use SWR or useEffect() to load the file from S3 when the website is loaded. I am just afraid that downloading 4MB from S3 would significantly slow down the loading process. Should I be concerned?
• Put it in ‘public’ and use some sort of CDN solution. I never used CDN myself, my concern is that it might be expensive if my site is maliciously loaded by a bot and needs to fetch from CDN too often.

Could anyone shed some light which direction I should pursue?
Thanks.

About 4 years ago, my (18m) dad (58m) gave me his phone to input directions on his map. His phone is unorganized, and I had to look around for it. In the process, I stumbled upon Grindr. This made me pay more attention to what he was doing and how he was acting. For years since them, I've consistently seen him watching gay pornographic material in the living room while my mom is in bed or not home (usually multiple times a week at least). I had looked at his phone a few times during the first year I knew, and found text messages on Grindr with explicit pictures as well. I have told this to two people so far: my friend, and my girlfriend. I don't talk to them about it much simply because I don't want them to accidentally let something spill, and it's frankly embarrassing.
For unrelated reasons, my family had been struggling for nearly a decade, but it has been getting better the past year or so. I see my parents being actually kinda happy for the first time in a while, and I can't being myself to tell my mom the truth.