Lisa mason feet

robal (real)

2021.11.28 18:33 johnwickson robal (real)

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2015.08.30 19:49 Doomchicken7 Magic Muggle

The Official Subreddit for the WritingPrompt Inspired Fanfiction, Magic Muggle.
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2024.05.16 08:38 VolarRecords Thomas Townsend Brown and Nikolai Tesla -- UFOs and Electrogravity Propulsion and How to Build a Flying Saucer

Thomas Townsend Brown and Nikolai Tesla -- UFOs and Electrogravity Propulsion and How to Build a Flying Saucer
Just tried posting this on UFOs and aliens and it was taken down because of Reddit's filters.
Last night I posted about Thomas Townsend Brown's research into building UFOs that goes back to the late 1920s right about the same time that Tesla was patenting his own research about UFOs.
https://www.reddit.com/UFOs/comments/1csdviz/comment/l49mtn9/?context=3
I only know about T. Townsend Brown thanks to this Jesse Michels recent doc that a number of you have seen. I watched it twice when it came out and it blew my mind. I'm not a physicist by any means and can't explain shit to anyone. Just trying to pull together some threads.
https://www.youtube.com/watch?v=RTEWLSTyUic&pp=ygUkamVzc2UgbWljaGVscyB0aGUgbWFuIHdobyBidWlsZCB1Zm9z
Jesse Michels actually learned about T. Townsend Brown from his doc on Grusch documenting his time around his hearing last July.
https://www.youtube.com/watch?v=kRO5jOa06Qw&t=3s
A number of you in the field of mathematics and physics with a huge interest in UFOs chimed in today, and I can't even keep up. It's all pretty brain-breaking stuff. I'm super armchair about all of this but have always been very interested. So in response to a couple of comments, I took the very simple measure of looking into Brown's Wikipedia. Yes, I'm very aware of the whole Guerilla Skeptics thing. I even happened to pass by their office here in LA after going to the sole US press conference on the Nazca Mummies here in Beverly Hills on March 11th.
https://www.youtube.com/watch?v=pbz7Ce4Q5dE&t=2s
Here's the u/thegoodtroubleshow episode about the Guerilla Skeptics.
https://www.youtube.com/watch?v=i5ACu-pUSHg&t=13s
Anyway, hope this stuff doesn't get scrubbed, but here's Brown's Wikipedia page as it stands now. Seems like a lot of you have already done years of research on him, so I doubt much can truly be hidden.
https://en.wikipedia.org/wiki/Thomas_Townsend_Brown
Brown filed a number of patents:
Patents
  • GB300311 — A method of and an apparatus or machine for producing force or motion (accepted 1928-11-15)
  • US 1,974,483 — Electrostatic motor (1934-09-25)
  • US 2,949,550 — Electrokinetic apparatus (1960-08-16)
  • US 3,018,394 — Electrokinetic transducer (1962-01-23)
  • US 3,022,430 — Electrokinetic generator (1962-02-20)
  • US 3,187,206 — Electromagnetic apparatus (1965-06-01)
  • US 3,196,296 — Electric generator (1965-07-20)
Here's a website dedicated to him:
http://ttbrown.com/. Maintained by Paul Schatzkin, author of "Defying Gravity: The Parallel Universe of T. Townsend Brown"
One of the references mentioned on his Wiki page is this, perhaps a book titled "Lost Journals." Here's Chapter Six.
https://www.bibliotecapleyades.net/tesla/lostjournals/lostjournals06.htm
Chapter Six
UFOs and Electrogravity Propulsion
~Did Tesla Discover the Secrets of Antigravity~?
Nikola Tesla has been credited for the creation of much of the technology that we take for granted today. Without the genius of Tesla we would not have radio, television, AC electricity, Tesla coil, fluorescent lighting, neon lighting, radio control devices, robotics, x-rays, radar, microwaves and dozens of other amazing inventions.
Because of this, it is no surprise that Tesla also delved into the world of flight and possibly, antigravity. In fact, his last patent in 1928 (#1,655,114), was for a flying machine that resembled both a helicopter and an airplane. Before he died, Tesla reportedly devised plans for the engine of a spaceship. He called it the anti-electromagnetic field drive or Space Drive.
Here's this article mentioned in that publication by Tesla.
Man's Greatest Achievement by Nikola Tesla
New York American — July 6, 1930
from Rastko'sNetwork Website
Here's more from that link:
~How to Build a Flying Saucer~
Tesla had discovered that the electrostatic emission from the surface of a conductor will always concentrate where the surface curves or even presents an edge. The sharper the curve or edge, the greater the concentration of electron emission. Tesla also observed that an electrostatic charge will flow over the surface of a conductor rather than penetrate it. This is called the Faraday or Skin Effect, discovered by ~Michael Faraday~ many years ago.
This also explains the principles of the Faraday Cage which is used in high voltage research labs to protect humans and electrosensitive equipment from harm. According to eyewitness reports of interiors of UFOs, there is a circular column or channel through the center of the vehicle.
This reportedly serves as a superstructure for the rest of the saucer shaped vehicle, and also carries a high voltage, high frequency coil. It is believed to be a resonant transformer which gives the electrostatic and electromagnetic charge to the craft and establishes polarity.
This coil is relative to what is known as a Tesla coil. The Tesla Coil of course, was invented by Tesla in 1891. This column or channel is approximately two feet in diameter and is hollow. On some vehicles this hollow area has a turbine generator in it.
When the vacuum is created on one hemisphere of the craft, the atmospheric pressure is allowed to rush through the tube to drive a sort of turbine electrical generator. Some reports say the extraterrestrials use this system as stationary power plants for electrical energy on their planets as well.
The eyes of the craft are arranged by electro-optic lenses placed at quadrants or wherever they wish to see from. The screen-like monitors are placed on a console where the navigator can observe all areas around and about the vehicle at the same time. This includes the magnification lenses which are used without changing positions.
There are also windows about elbow level and about one foot through or thick. This distance would have to be in view of the four or more walls or plates of the capacitor hulls making up the major portion of the craft. The windows have an iris type of shutter so that when it is closed, it allows electrostatic charge to flow evenly.
~Dr T. Townsend Brown and Electrogravitics~
The idea of using high voltage electricity as a means of propulsion is not new. Tesla laid the groundwork in the late 19th century which was then continued by such notables as Thomas Townsend Brown, who discovered in 1923 what was later called the Biefeld -Brown Effect.
Thomas Townsend Brown, was a physics student of Dr. Paul Alfred Biefeld at the California Institute for Advanced Studies. Brown noticed that when he had two plates carrying high voltages of direct current separated by a dielectric, the negative electrode moved by itself in the direction of the positive plate. In other words, Townsend Brown discovered that it is possible to create an artificial gravity field by charging an electrical capacitor to a high-voltage.
He built a special capacitor which utilized a heavy, high charge-accumulating (high K-factor) dielectric material between its plates and found that when charges with between 70,000 to 300,000 volts, it would move in the direction of its positive pole. When oriented with its positive side up, it would proceed to lose about one percent of it's weight.
He attributed this motion to an electrostatically-induced gravity field acting between the capacitor's oppositely charged plates. By 1958, he had succeeded in developing a 15 inch diameter model saucer that could lift over 110% of its weight. Brown's experiments had launched a new field of investigation which came to be known as Electrogravitics, the technology of controlling gravity through the use of high-voltage electric charge.
As early as 1952, an Air Force major general witnessed a demonstration in which Brown flew a pair of 18 inch disc airfoils suspended from opposite ends of a rota-table arm. When electrified with 50,000 volts, they circuited at a speed of 12 miles per hour.
About a year later, he flew a set of 3 foot diameter saucers for some Air Force officials and representatives from a number of major aircraft companies. When energized with 150,000 volts, the discs sped around the 50 foot diameter course so fast that the subject was immediately classified.
Interavia magazine later reported that the discs could attain speeds of several hundred miles per hour when charged with several hundred thousand volts. Brown's discs were charged with a high positive voltage, on a wire, running along their leading edge and a high negative voltage, on a wire, running along their trailing edge.
As the wires ionized the air around them, a dense cloud of positive ions would form ahead of the craft and corresponding cloud of negative ions would form behind the craft. Brown's research indicated that, like the charged plates of his capacitors, these ion clouds induced a gravitational force directed in the minus to plus direction.
As the disc moved forward in the response to its self generated gravity field, it would carry with it its positive and negative ion clouds and their associated electrogravity gradient. Consequently, the discs would ride their advancing gravity wave much like surfers ride an ocean wave.
Dr. Mason Rose, one of Townsend's colleagues, described the discs principle of operation as follows:
https://preview.redd.it/m9z2722phq0d1.png?width=1134&format=png&auto=webp&s=75754301a0a8de25ba771c800da8e7ba1f76d6ec

Although skeptics at first thought that the discs were propelled by more mundane effects such as the pressure of negative ions striking the positive electrode. Brown later carried out vacuum chamber tests which proved that a force was present even in the absence of such ion thrust.
He did not offer a theory to explain this unconventional electrogravitic phenomenon; except to say that it was predicted neither by general relativity nor by modern theories of electromagnetism. However, recent advances in theoretical physics provide a rather straightforward explanation of the principle.
According to the novel physics of subquantum kinetics, gravity potential can adopt two polarities, instead of one. Not only can a gravity field exist in the form of a matter-attracting gravity potential well, as standard physics teaches, but it can also exist in the form of a matter repelling gravity potential hill.
Moreover, it predicts that these gravity polarities should be directly matched with electrical polarity; positively charged particles such as protons generating gravity wells and negatively charged particles such as electrons generating gravity hills.
Thus contrary to conventional theory, the electron produces a matter-repelling gravity field. Electrical neutral matter remains gravitationally attractive because of the proton's G-well marginally dominates the electron's G-hill. Consequently, subquantum kinetics predicts that the negative ion cloud behind Brown's disc should form a matter repelling gravity hill while the positive ion cloud ahead of the disc should form a matter attracting gravity well.
As increasing voltage is applied to the disc, the gravity potential hill and well become increasing prominent and the gravity potential gradient between them increasing steep. In Rose's terminology, the craft would find itself on the incline of a gravitational hill. Since gravity force is known to increase in accordance with the steepness of such a gravity potential slope, increased voltage would induce an increasingly strong gravity force on the disc and would act in the direction of the positive ion cloud. The disc would behave as if it was being tugged by a very strong gravitational field emanating from an invisible planet sized mass positioned beyond its positive pole.
Early in 1952 Brown had put together a proposal, code named Project Winterhaven, which suggested that the military developed an antigravity combat saucer with Mach-3 capability. The 1956 intelligence study entitledElectrogravitics Systems - An Explanation of Electrostatic Motion, Dynamic Counterbary and Barycentric Control, prepared by the private aviation intelligence firm, Aviation Studies International Ltd., indicates that as early as November 1954 the Air Force had begun plans to fund research that would accomplish Project Winterhaven's objectives.
The study, originally classified Confidential, mentions the name of more than ten major aircraft companies which were actively involved in the electrogravitics research in an attempt to duplicate or extend Brown's seminal work. Additional information is to be found in another aviation intelligence report entitled: The Gravitics Situation.
Unfortunately, due to the militaries TOP SECRET classification, Townsend Brown's work has not appeared in any physics or science publications that can be accessed.
submitted by VolarRecords to conspiracy [link] [comments]


2024.05.15 20:32 Flagg1991 Children of the Night (Part 4)

Club Vlad sat near the confluence of Central Avenue and Washington Avenue, Albany’s two main thoroughfares. Two stories with blackout windows and a box office from when it used to be a movie theater, it was swarmed with people when Dom first spotted it ahead. He was somewhat familiar with it: He passed it every day on his way to work, and it was always busy around his time of evening, even on weeknights. Part of him always wanted to go inside and be a part of the scene, but he never did.
The man in sunglasses - his name was Joe - led Dom toward the club, and even before Joe spoke, Dom somehow knew that it was their destination. “There,” Joe said. “We’ll go around back.”
Dom and Joe had been walking for what seemed like an hour but couldn’t have been more than fifteen minutes. Dom stuck as close to Joe as possible as if for protection, and had become accustomed to his pungent smell. It was noticeable only at extremely close range, part sickly sweet and part
something else, something Dom could not place but still somehow recognized. They were two blocks from the club, maybe three, and Dom could hear the pulsing techo/house/whatever music as clearly as if he were standing in the middle of the dancefloor. He could hear the chatter of the people inside, or at least he imagined he could. He could smell them too: Beneath the odors of perfume, desperation, and spiritual rot was something richer, something blissful. Dom realized for the first time that he was parched - so parched - and drool filled his mouth.
A crowd of people waited outside Club Vlad, talking and laughing; some vaped, some stared down at their cellphones like Gollum with his precious ring. Dom’s first reaction was to avoid them. Perhaps sensing this
or perhaps feeling it himself
Joe ducked into an alleyway two doors down from the club. “We’ll go in the back,” Joe explained.
The back entrance to Club Vlad was a single door underneath a bare bulb. The music was so loud that Dom’s head began to throb. Inside, a dark hallway terminated in an archway filled with throbbing white light. Dread filled Dom as they approached it - he didn’t want to be around people - but thankfully they went into a room off the hall instead. An office. A cramped desk, a filing cabinet. A set of stairs disappeared into shadows.
“Sit,” Joe said.
Dom obeyed, sitting in the swivel chair.
Joe went up the stairs and Dom was alone. The deep coldness that had long settled into his bones made itself known again, and Dom leaned forward, wrapping his arms around his chest for warmth. The muffled music vibrated in his skull, setting his teeth on edge, and the various smells wafting in from the main room assaulted his senses. He was alternately repulsed and aroused by the crashing din of scents: The good, the bad, and the mouth watering. A sharp pain cut through his stomach like the killing edge of a knife, and Dom hugged himself tighter. Had his throat always been this dry? His throat felt like sandpaper; his tongue stuck to the roof of his mouth and getting it unstuck hurt so badly that tears sprang to his eyes.
Dom rubbed his arms with his hands and tried to still his chattering teeth. He looked around for a blanket, a discarded jacket, something to cover himself with, but there was nothing. Only drifts of glitter on the floor and walls. He supposed it came from a party or something. He’d never been to a night club but it seemed fitting.
A sound drew his attention to the door leading back into the hall. A woman - no older than a girl - stood there, looking confused and unsteady. She was dressed in black, wore glow sticks around her wrists and neck, and held a red solo cup. “I have to pee,” she said drunkenly and laughed. “I thought this was the bathroom.”
A cold wind washed over Dom, and Joe was standing next to him. “The bathroom’s up here,” he said.
“Oh, good,” the girl laughed, “I thought it was here but I didn’t know. This is my first time here.” She held her cup aloft. “Take me to it.”
Joe glanced at Dom. “Come on.”
They formed a party as they climbed the stairs, Dom in the tear and Joe at the head. The girl stumbled and held onto the railing, talking incessantly. Her voice hurt Dom’s head, but the hot smell wafting from her was intoxicating. Drool coursed down his chin and his breathing came in short, hot bursts. Another sharp pain rent his stomach, and he winced.
At the top of the stairs, where the lights were cold and white, a woman in black stood by a doorway, her back ramrod straight and her eyes vacant. Her face was gaunt, her white flesh pulled tight across her skull. She wore a black dress and her black hair long and straight. Dom only caught a glance at her before looking away again.
She looked like a ghost.
“Show her the bathroom,” Joe said.
The woman’s eyes slowly, ponderles, went from Joe to the drunk girl. Her expression, like Joe’s, was dead. She had no expression. “This way.”
She and the drunk girl disappeared down the hall, and Joe led Dom into a room. Though it was pitch black, Dom could still see; not very well
but he could see. Suddenly, a blinding white light flicked on in front of him, causing him to stop and fall back a step. Ahead, through an archway, sat a vaulted chamber, at the center of which sat a man. To Dom’s light dazzled eyes, he seemed a proud king perched upon a throne, the skulls of his many enemies piled around him. Dom blinked and turned his head slightly to the side. His eyes began to adjust, and the world came into focus.
The man was not, as it had first seemed, sitting on a throne. Instead, he was esconded in a motorized wheelchair. The piles of skulls were actually various pieces of machinery, the kind you’d find in a hospital room. A clear tube extended from one of them to the side of the man’s neck: Yellow liquid flowed from the machine and into the man. Another tube, this one in the other side of his neck, filtered out a mixture of what looked like yellow pus and black sludge. An infected malodor filled the air, and the machines whirred softly as they worked.
As for the man himself, his appearance was normal at first glance, Dressed in a flowing red velvet robe, a blue and green blanket with a plaid pattern draped over his shoulders, he was portly, about fifty, and had shoulder length grayish hair with a bald spot in the middle. If the local theater put on a production of Hamilton, they could cast a worse Ben Franklin than him.
On closer inspection, he was not normal at all. His complexion was yellow and waxy, like a statue, and his body was lumpy, misshapen, resembling an overfilled trash bag stuffed with cotton. His eyes were sick and yellow, and something about his posture seemed
off. It didn’t make sense, but the only thing Dom could think was: He looks impossible.
Joe stopped at the edge of the shadows, where the line between light and darkness lay. He seemed to stand up a little straighter, a general greeting his king. “Here he is,” Joe said.
The man squinted slightly against the glare of the light and motioned with one gnarled hand. “Step into the light,” he said. His voice was soft and kind, that of a senile though loving grandmother. Dom imagined he felt a pull toward the man, and did as he was bidden, wincing as the light stung his eyes.
For a moment, the man stared at him, his waxen features frozen fast as stone. Then, a subtle look of compassion flickered across his face. Dom did not believe in God, but he suddenly felt like a man standing before God, his every thought, feeling, and transgression laid bare. He had never felt so naked in his life, so exposed. He had the sense that the man before him could see everything, knew everything.
“You’ve been through a lot,” the man said. It was not a question, but a statement.
Everything Dom had been through over the past couple of days came back to him in a rush, and hot tears filled his eyes. He nodded.
The man nodded slightly, more to himself than to Dom. “Kneel down,” he said, “I want to look at you.”
Dom knelt without question.
The man lifted one hand and touched Dom’s face, tilting Dom’s head from one side to the other like a farmer appraising a horse. His fingers were long and bony, his nails ragged and unkempt; his touch was like ice. He brushed his knuckles over the purple bruise on Dom’s cheek, and there was such gentleness in that one act that Dom broke down sobbing. He leaned into the man’s touch like a cat and gave voice to his misery.
“Shhh,” the man said, “it’s all over now.”
“W-What’s happening to me?” Dom asked.
In his heart of hearts, however, he already knew.
“You died,” the man said patiently. “And you came back.”
Hearing it stated so plainly, Dom cried even harder.
“Only a handful of people throughout history can claim to have defeated death,” the man said, stroking Dom’s hair, “and you’re one of them. You should be proud.”
“How?” Dom asked between sobs. “What am I?”
The man stroked Dom’s cheek. “You’re the same thing I am.”
At that, Dom looked up at the man. “What are you?” he asked.
A little, knowing smile touched the man’s lips, and when he spoke, his canine teeth were longer and sharper than before. “I’m a vampire.”
“No,” Dom moaned and shook his head, “no, no, no.” He grabbed the man’s hand and held tight, his tears coming faster. He trembled like a frightened animal and squeezed his eyes closed, as if by doing so he could escape the hell his life had become.
But there was no escape.
“You have a lot of questions,” the man said, monologuing now rather than speaking directly to Dom, “I had the same questions when I was your age. I have spent the last forty-two years of my life trying to answer them, but every answer I find leads me to still more questions. There’s one thing I’m certain of, though.”
Dom blinked the tears from his eyes. The last of them had been squeezed from his dead tear ducts and he had no more to give. He simply stared into space, trying to come to grips with his situation.
“There is freedom in death,” the man said. “Death is easy. It’s simple. Once it’s over, you feel no pain, no sadness, no grief. It’s living that’s hard.”
As he spoke, he brushed his long nails across Dom’s scalp. It was a soothing feeling, and served to calm him. “People have so many troubles.” A note of revulsion crept into his voice. “So many needs, so many desires. People are complex but we’re not. We’re easy to please. A vampire wants only two things: A little blood and one more night.”
The combination of his touch and his voice had pacified Dom to the point of almost tranquility. “I’m scared,” Dom heard himself mumble.
Nodding almost reluctantly, the man said, “Fear is one of the only emotions a vampire can’t escape. Everything feels fear. Do you want to know a secret?”
Dom nodded.
“I’m afraid too,” the man confessed. “I’m afraid of death. Well
death as it were. I’m terrified that my body will rot away and leave me a pile of bones somewhere, unable to move but still aware”
A shudder went through Dom.
“As I’m sure you’ve seen yourself, the movies lied. We rot just like any other dead thing. Our flesh decays, our organs turn to sludge, and we go from rational men to monsters whose only thought is feeding.”
Now it was his turn to shiver.
“But
you’re not like that,: Dom said.’
The man smiled. “I’m lucky, I guess” A thin yellow fluid began to drip from his nostrils. He did not seem to notice. “What is your name?”
“Dominick,” Dom said.
“I’m Merrick,” the man said, “and this is my family.”
Dom realized that they were now surrounded by others, ten in all. They stood ramrod straight, their eyes vacant and their faces devoid of humanity. They were mainly men, though one was a woman. Some were pale, others were blue or black, and one was little more than a skeleton clad in withered brown skin, a white button up and jeans hanging from its frame.
A thought occurred to Dom. “You said my brain was going to rot
”
“Not necessarily,” Merrick cautioned, “though it’s possible.”
“Am I going to be
?”
“Like them?” Merrick asked. “Braindead and staring?”
Sheepishly, Dom nodded.
“Maybe,” Merrick allowed. “But these people are free of everything that troubles humanity. You were human just a short time ago. I’m sure you remember all too well what it was like. The constant politics, the moral quandaries, the philosophical pontificating. Human beings - and make no mistake, we are humans - were not meant for all of that. We’re animals. We were made to hunt, fuck, and sleep. Somewhere along the way, we got pretentious and started complicating things.” He looked at Dom, sizing him up, seeming to read him. “Things that animals take for granted, people work their entire lives to achieve. If an animal wants to fornicate, it fornicates. If a man wants to fornicate, he needs to be tall, handsome, rich, funny, progressive when it suits women but traditional when it doesn’t. If a man wants a home, he has to work thirty years for it. An animal has only to dig a hole in the ground.”
Every word struck a chord with Dom.
Because every word was true.
“Unfortunately, the living won’t allow us to live that freely, so we have to hide. These people here - my children - need a guiding hand, a protector, someone who can lead them. And I, an old man, need help.” Here he smiled playfully and patted his bulging stomach. “My body is mostly sawdust and cotton balls at this point, so I can’t do much. I share my wisdom and my knowledge with them, and they take care of me.”
“Why haven’t you
rotted?” Dom asked.
“Embalming fluid,” Merrick said. “Blood doesn’t sustain you. Embalming fluid does.” He smiled at Dom. “It can sustain you as well. If you’ll stay with us. We’re not the most attractive bunch, but we’re a family, and we really wish you’d join us.”
A family.
Dom’s parents had broken up and he lived with his mother. He had never had a family before, and had always wanted one, a real one, like in the movies. Even as a grown man, he sought the love, acceptance, and belonging that a family brings. He sought it in the wrong ways, but that - and not sex, not romantic love - is what he had really wanted all along.
This is what he had wanted all along.
“I want to,” Dom said.
Working quickly, Merrick slashed his wrist open with his thumbnail. An ugly mixture of stale blood, siphoned from someone else, and embalming fluid leaked out. “If you choose to drink, my blood will be in you. You will be my son and I will be your father. You will obey me as your father. You will do whatever is asked of you for this family, as this family will do for you. You will not reveal the secrets of this family to anyone outside of it. You will protect this family from all threats, both inside and out. Do you accept?”
He held his bleeding wrist out to Dom.
Dom did not question, nor did he hesitate. He grabbed the hand of his father, brought it to his mouth, and drank from the seeping wound. The fluid was cold, thick, and vile.
It tasted like belonging.
“Have you fed yet?”
“No,” Dom said.
“Before you do, I have a question for you. Who did this to you? Who made you?”
Dom thought. Everything was hazy. “Was it someone in this room?” Merrick asked.
Dom shook his head. “Her name is
” he wracked his brain. “Heather.”
Merrick nodded. “So there’s another out there.” He looked at Joe. “Did you turn her?”
“Yes,” Joe said.
Merrick looked annoyed. “I’ve told you not to go out and feed on your own. You have no self-control. You drink too much and create others, which creates headaches for the family. Tomorrow night, I want you and Dom to find her and bring her here.” “Okay,” Joe said.
Merrick looked over Dom’s shoulder. “Jess? Can you come here?”
The black haired woman from earlier came out of the shadows, the drunk girl with her, arms tied behind her back. The girl looked dazed. “Max,” Merrick said to the skeletal corpse-thing, “help her.”
Max, Jessie, and another vampire named Matt tied chains around the girl’s ankles and hoisted her aloft via a pulley system. Upside down, she swung back and forth. Merrick instructed the others to leave the room. “Max,” he said.
On his way out, the corpse-thing produced a knife and dragged it across the girl’s throat, slicing her skin; blood spurted out. Max leaned in to taste it, but Merrick shooed him away. When he and Dom were alone, Merrick told Dom, “Go to her.”
But Dom was already on his feet, his eyes transfixed by the crimson life flowing from her pumping throat. The hot, rich smell filled his nostrils and tantalized his senses. Saliva filled his mouth and his stomach panged with hunger. Some small, human part of his decaying brain screamed at him to stop, but he did not listen to it. He had been human for almost thirty years, and he had been miserable. Now, in this chamber of the undead, he gave himself over to his dark thirst. Like a man in a dream, he shuffled to her, inhaled the sweet scent of her blood, and shivered. He was so lost in lust that he hardly noticed the strange, cumbersome feeling of his descended fangs.
“Drink,” Merrick said.
Opening his mouth wide, Dom sank his teeth into the girl’s neck. Her blood filled his mouth and splashed down his throat. Warmth thawed the ice in his marrow and spread through him. His dead heart began to flutter, then to pound. His knees shook, his body trembled, and his mind rolled away on a tide of ecstasy.
As it was his first meal, he couldn’t drink much. Before long, his stomach was hard and distended and his body burned with fire. He collapsed to a heap on the floor and twitched as random nerve endings, stimulated by the blood, began to misfire. He felt full, warm, and drunk. He closed his eyes and let himself drift.
Dominick Mason had died.
And this

This was heaven.
***
With all that was happening in the city of Albany, the last thing Bruce Kenner needed on Thursday morning was a visit from Bertha the bitch, but that’s exactly what he got. She flew into his office like she owned the place and instantly started in on him. Young man this and have you talked to Joe Rossi that. You’d think she was his boss. And if she were his boss, he’d quit and find another line of work. He heard McDonald’s was hiring.
Bruce almost snapped at her. He’d been up most of last night riding around Albany and looking for Dominick Mason. He and Vanessa expected him to drop dead somewhere close to the medical examiner’s office, but if he had, he’d done so in a super secret location.
“I’ve been busy,” Bruce said, “but I’m going to go by his place of work today.”
Tired and still confused over that bullshit from last night, he had no energy to argue with the old crone. He could spare a few minutes to talk to Joe Rossi, he figured. He assumed that Jessie was safe but he owed it to her to check. If he found the girl, he’d take her back to her grandmother (sorry, kid, really) and try to avoid arresting the guy. Unless he came off as a creep, then he’d bust his ass. See, people assumed that an older guy with a younger girlfriend was some master manipulator hell bent on evil deeds. Sometimes they were, but hell, his grandparents married when his grandpa was twenty-one and his grandma sixteen. They were married for fifty-five years and loved each other to the end. Maybe it was innocent, maybe not. It wasn’t his job to judge either way. Just gimme the girl so I can get her grandma off my back and no one gets hurt.
“It’s about time you started doing your job,” Bertha said, “I heard on the police scanner last night that you people lost a body. What kind of town is this? Your coroner is a drunk who makes up stories about bodies walking away. He probably sold it to black people.”
Bruce couldn’t help it; he snorted laughter.
“Now what would black people want with a dead body?”
“Probably to use it as a prop in one of their rap videos.”
Bruce didn’t know much about music videos, but he was pretty sure that the people who made them didn’t like the smell of corpse any more than the rest of us. “I’ll be sure to round up all the local rappers for questioning. Is there anything else I can help you with?”
Luckily for him, there was not, and Bertha left shortly thereafter. Alone and able to hear himself think, Bruce sat back in his chair and went over his mental checklist for the day. First order of business, go to Club Vlad. Second, find Dominick Mason. There were others, but that was the most important. He wanted the body found so someone could get to work explaining this whole weird thing. There had to be an explanation. The thought that there wasn’t, that a dead guy literally rose from the grave and disappeared into the night, deeply disturbed Bruce, and the more this whole thing remained ongoing, the more disturbed he would become.
Needing some fresh air, he decided to hit up Club Vlad.
Outside, the day was hot and sunny. Waves of heat shimmered from the pavement and not a single breath of air stirred in the whole world. Bruce slipped on a pair of sunglasses and drove over to Club Vlad. It occurred to him that the place might be closed during the day; it was the only place Joe Rossi was associated with. His address in the computer system was Glens Falls, far to the north. The messages he sent Jessie indicated that he lived onsite at Club Vlad.
The build, wedged between a corner store and a check cashing place, was as grimy and dumpy looking as it had always been. The front windows were blacked out and covered with posters and fliers for punk concerts, house bands, and far left political organizations: The Albany Social Justice Center, something called Bash the Fash 2025, and Bruce’s favorite. ACAB. He caught some kid spraying that on the side of the police station once, and under extreme police torture (ie, a good tongue lashing), the kid told him it meant All Cops Are Barnacleheads.
Bruce shot the kid on the spot and planted a gun on him.
How's that for barnaclehead?
Calm down, he didn’t really do that. He made him clean the graffiti off with a toothbrush. LOL he was out there for hours.
The sidewalk in front of the former theater was empty save for some little. The box office was abandoned. There was no open sigh, but then again, there was no closed sign either. He parked his cruiser at the curb, killed the engine, and got out, sweat instantly springing to his brow.
To his surprise, the door opened. Inside, a couple steps led down to a dance floor. A bar lined the wall to his right, and a couple more sets led up to a railed platform filled with tables. Above, a huge balcony looked down on him. A giant disco ball hung from the ceiling like a pair of glittery nuts and there were cages here and there. Presumably where girls danced go-go style. Oh yeah, nothing hotter than a woman behind bars. Why do you think Bruce became a cop in the first place?
Speaking of glittery nuts, there was glitter everywhere. On the floor, on the tables, on the bar. It twinkled like flecks of diamond and swirled around your feet when you walked. Bruce imagined big buckets of the stuff raining down on the dance floor at midnight and he shuddered. Imagine having glitter stuck in your hair. That shit would never come out.
Music played from the sound system, not as loud as it would be during operating hours. It sounded like ‘80s metal, not exactly what he expected from a place like this.
Some say life she's a lady
Kinda soft, kinda shady
I can tell you life is rich
She's no lady, she's a bitch
Being morning, the place was deserted except for a man behind the bar, busy at cleaning the countertop in anticipation for the night’s events. He was tall, Hispanic or Italian, and feminine, with a single earring and a tank top.
Bruce moseyed over to the bar and the barkeep looked up, missing a beat when he realized the fuzz was here. He sat down his rag and walked over. “Can I help you?” he asked in a whispy voice.
“Yeah,” Bruce said, “I’m looking for Joe Rossi. Is he here?”
“I don’t know,” the bartender said. He looked nervous. “I can check.”
Before Bruce could answer, he scurried off, leaving him alone.
They suck my body out
But friend there is no doubt
I'm gonna pay the devil his dues
Cause I'm sick of being abused
Bruce looked around, his fingers absently drumming on the countertop. Club Vlad was a clashing mix of grunge and glam that made his head hurt. He imagined what the place must be like at midnight, packed and noisy, and nodded to himself. Yeah, this was the spot, he guessed, the place all the cool kids went, if they went anywhere anymore. Hell, if he was thirty years younger, he might come here.
He had been waiting for almost twenty minutes when a voice spoke behind him. He turned with a start, and beheld the strangest man he had ever seen in his life. Short and plump - lumpy, even - he sat in a wheelchair, a red blanket draped over his shoulders and his hands resting on his knees. He was about fifty with sparse gray hair falling to his shoulders and a plastic-looking face. He looked like a wax statue of Ben Franklin come to life, and a deep sense of disquiet stirred in the pit of Bruce’s stomach.
Just can't fight the temptation
It's become my inspiration
Gonna get myself an axe
Break some heads, break some backs
It was only then that Bruce noticed the sickly sweet smell of death.
It seemed to come from the man in waves.
“I didn’t mean to frighten you,” the man said, “my name is Merrick Garvis and I own Club Vlad. Maybe I can be of assistance.”
Bruce grew up in the south where manners and saving face were paramount. His mother and his grandmother both taught him that it was impolite to stare. Maybe he'd been in New York so long that he’d forgotten himself, or maybe Merrick Garvis was just the strangest looking man in the world. Either way, Bruce couldn’t help gaping at his strange appearance. Recovering, he shook his head. “I’m sorry, I -”
Merrick smiled and waved one hand. Why was it so goddamn skeletal? “Don’t worry. I was injured in a fire a long time ago and this is the best they could do for me. To be honest, I’d stare too. What can I help you with, officer?”
“I’d like to talk to Joe Rossi,” Bruce said. “I understand he works for you.”
“He did,” Merrick said, “but I had to let him go. Did he do something wrong?”
Bruce sighed. “Well, yeah, he’s shacked up with a sixteen year old runaway.”
A look of concern crossed Merrick’s features, such as they were. “Oh, my, that is concerning. I haven’t seen him in several days. I assume he went home. He lives in Glens Falls.”
Bruce nodded, his mind working. If Rossi really was in Glens Falls, that meant the whole mess was someone else’s problem. He could send Bertha up there to bother some other poor barnacle head and be rid of her. Yet
he didn’t think Rossi was in Glens Falls. Bruce had a knack for knowing when people were lying, and he was certain that Merrick Garvis was doing just that. It couldn’t be a facial tick, as his features were largely unmoving, like clay. Maybe it was something in his cloudy eyes. Maybe it was the tone of his voice. Or maybe Bruce had the shining and knew things just for the hell of it. In any event, the certainty that Merrick Garvis was lying grew stronger with each passing second.
“Why’d you fire him?”
“He got drunk and hit one of the customers.”
“What did he do?” Bruce asked. “What was his position?”
“He was a bouncer.”
“Aren’t bouncers supposed to hit people?”
Merrick fumbled. “Well
not to punch them in the face for bumping into them.”
“How long did he work for you?”
“Six months.”
“Did you ever see him with an underage girl?”
“Of course not,” Merrick said, “you have to be twenty-one to get in. I make sure everyone’s ID is checked at the door.”
“What if she had a fake ID?”
“Then I guess she’d get in, but I’d assume she was of legal age.”
“You said he shoved someone, when did this happen?”
“Last week,” Merrick said.
“I thought you said he hit someone.”
Merrick again fumbled. “I did.” Now his face seemed to darken a little. A strange yellowish liquid, too thin to be snot, began to drip from his nostrils. Bruce barely suppressed a smear of disgust. “I understand you have a job to do but playing mind games with me isn’t going to solve anything. I can give you his address. Other than that, I can’t help you further.”
“Fair enough,” Bruce said. “But I’d like to see your ID please.”
Merrick glared at him. “I suppose you want my name, rank, and serial number as well.”
“Actually, yeah, I’d love that.”
Merrick drew a deep sigh. “Okay.”
In five minutes, Bruce had Merrick’s ID, social, and all other relevant information. Under normal circumstances, he wouldn’t have bothered, even though he was well within his rights to ask for this information from someone he was questioning. But something about Merrick Garvis was off, and not just his weird face or strangely bulbous body. Bruce was just smart enough to realize that something was going on here, but not quite smart enough to even begin to imagine what.
When he had everything he needed and saw no reason to stick around, Bruce bid Merrick farewell and left the club. Before he could do anything else, he got a call from dispatch: Officer needed assistance in Pine Hills. Bruce slipped behind the wheel and went forth to help, momentarily putting Merrick Garvis out of his mind.
But soon or later, he would get back to him.
Oh yes he would.
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2024.05.15 15:35 karenvideoeditor The Zoo [Part 6]

First / Previous
Back on the job, my eyes kept going to the camera that was on enclosure one. Andrew told me its real name, but I think that’d be a step too far, putting that out on the internet. I’d just stick with ‘Steve the bear’. Whatever it was, I just knew I’d have a nightmare about it eventually. Last night I slept fitfully but okay. But I know my brain, and I’d already had a nightmare about Yui stabbing me with one of her legs (they are not needle-sharp in real life, this was dream logic) and walking around, having not noticed I was a Ripley-kebab on her leg. I kept trying to get her attention but for some reason I’d been worried about sounding rude.
On my third walk around the zoo, at about 12 a.m. I saw Leila again, who I’d been noticing more and more often. She never looked interested in talking, only walking through the enclosures, and by that I meant any and all of them. She didn’t seem to have a favorite. I assume that however much of her mind that was left over from being alive still gravitated toward looking at the animals, since getting too close was what killed her in the first place.
Then, in enclosure eight, I saw a new creature and stopped abruptly. This one looked chill, but I wasn’t about to make any assumptions. It looked unique in a strange way, shaped like a giant lizard but built like a big cat of some sort. It had an uncanny valley human face, green hair for a mane, and also a horn like a unicorn. It felt like something drawn by an imaginative five-year-old brought to life, but was still somehow oddly endearing.
“Hello,” she spoke, noticing me noticing her. Her voice was distinctly female and oddly deep.
“Hello,” I responded with false cheer.
She pushed herself to her feet and I took an instinctive step back, but she didn't seem to notice, much less take offense. “You’re the guard here?”
“Yup. That’s me.”
“Thank you.”
I blinked, taken aback. “Ah
you’re welcome. For what?”
She cocked her head. “For guarding me.”
That was different. Most of the impressions I had gotten from the animals so far were that they wanted to eat me. And the idea that this one was thankful for me doing my job was refreshing, don’t get me wrong, but made me wary. Call me a cynic, I guess.
“My name is tàiyang. You can call me Sun,” she told me.
“Hi, Sun. I’m Ripley.”
Then she looked toward the sky. “It’s going to rain tonight.”
After a thoughtful moment, I asked, “Does that make you sad?”
“Why would it make you sad?”
I smiled. “Because your name is Sun.”
She paused and then said, “I don’t understand.”
Honestly, I wasn’t sure what I was expecting, telling a pun to one of the animals. “Never mind.” I glanced up at the sky. “I thought the rain is supposed to stay away from here. Are the ones who told me that wrong?”
“Yes.”
“Well that’s good to know,” I murmured to myself, thinking of my raincoat hanging in the security office closet. It wasn’t that surprising, honestly. Sometimes I felt like the meteorologists in Arkansas try to read the entrails of goats to figure out the weather. It’s all a mess and it’s all made up.
At that, the animal looked to the sky and fell silent. She appeared to be the most uneventful introduction I’d had so far, and I was incredibly grateful for it. Except then the animal kept talking. “He’s under a spell.”
I blinked. “What?”
She looked back to me. “Andrew. He’s under a spell. He’s very unhappy.”
I had no idea how to react to that. For a second I just stared. The sudden jolt of being told my boss was currently being afflicted by magic left me floundering. “He
 What?” I finally asked. “Where is he?”
“In his office.”
Oh shit. My eyes instinctively darted in the direction of the main office. I always just entered through the door on the west side of the building, of course, since it led to the security room. It was unnecessary for me to go through the door that first led into the lobby-slash-office Andrew worked out of. Sometimes he even left early, so it was locked anyway. I had the key, but again, it was unnecessary.
Whatever had happened, assuming this animal wasn’t joking around (she seemed completely serious), I needed to establish whether she was right. Leaving the enclosure of the animal I’d just met, I quickly walked back to the small building.
Taking a deep breath, I knocked loudly. “Andrew, are you in there?”
The only reply was silence. I stood there until enough time had passed that it was obvious that no one was coming to answer the door. Taking out my phone, I dialed his cell number and wait as it rang. Then I grimaced when I heard it ringing inside.
Hanging up and shoving the phone back in my pocket, I stared at the closed door.
Trying the doorknob, I found that it was unlocked, and my heart skipped a beat. Andrew always locked his office before leaving. Opening the door slowly, the lights were off in the room, leaving only the faint red glow of the lights outside peeking around his curtains, so I turned on a light. Then my heart plummeted into my stomach, because there was Andrew, splayed limply on the ground, his eyes only half open.
I bolted to him and dropped to his side as he let out a whimper.
“Andrew,” I said, putting two fingers to the side of his neck. He remained silent, and despite his relaxed, wilted appearance, his heart was racing, and I wondered if he was in pain. The room smelled, and it was clear to me that he’d lost control of his bowels. I couldn’t believe I’d been working here for hours without knowing he was in the next room like this.
“Fucking hell. I’m so sorry it took me so long to find you. Can you hear me? What happened?” He made a small sound, unfocused eyes attempting to meet mine, but it was as if he were severely deprived of sleep or something, unable to focus. His mouth opened and he tried to say something, but he couldn’t speak. All I got was halting words mushed into each other. I felt for him; he must’ve been mortified by his condition. I would’ve been, at least.
The obvious solution would be to get Suzanne’s number from Andrew’s phone, so I searched him for it and found it in his right jacket pocket. I pressed the button the iPhone, swiped, and let out a sigh of frustration. He was security conscious enough to lock his phone with a code, of course.
“Can you
 You can’t tell me the code,” I said knowing. He grunted quietly.
“What happened?”
I shrieked and jumped to my feet. Leila stood in the doorway, staring in shock at Andrew’s body. “You scared the bejesus out of me,” I exclaimed. I stopped myself before asking if she could make some noise when she moved or if I could put a bell on her. “What does it look like happened? Someone put a spell on him.” Abruptly, my stance changed, standing up straight. “Wait. Do you know how to get in touch with
anyone?” I asked desperately.
“I know Ms. Cooper’s phone number,” she said frankly.
My eyes widened. “Seriously? How?”
“Andrew gave it to me after I worked here for three months.”
That stopped my brain dead in its tracks. “You
used to work here?” I whispered. I remembered Andrew telling me that one of the night shift managers had been killed, but he hadn’t told me it was Leila. Whether it was for her own privacy or her dignity or some other reason, it didn’t really matter. What mattered was that I could call Suzanne.
“I worked here for three months,” Leila confirmed as I took out my own phone.
“Okay
what’s her number?” I asked, ready to dial. She rattled off the number and dialed it.
The phone rang twice times before someone answered. “Hello?”
“Hi, is this Suzanne?”
“Yes, who’s this?”
She had a British accent like Andrew did. I took a deep breath and said, “It’s Ripley Mason. I got your number from Leila. I’m here in Andrew’s office and he’s in really bad shape. Someone cast a spell on him and it’s like he’s lost control of the part of his brain that lets him move around and speak.”
“What?” she snapped. “What happened?”
“I-I don’t know,” I said, glancing back to Andrew. He actually looked calmer now, and I hoped that was because he knew Suzanne could fix this. “I was doing my rounds and I met Sun; she’s the one that told me and that’s why I came into his office. I don’t- Who would do this? What do I do?”
“It’s okay, Ripley. I’ll leaving now and will be there soon,” she told me. I heard rustling in the background, the sounds of getting out of a chair and footsteps. “Did you check the security cameras?”
My eyes shut in irritation against my stupidity. It hadn’t even occurred to me. “I’m sorry. Of course, I’ll do that right away.” Proof positive that I was completely out of it. Some security guard I was, not even able to keep my head in an emergency.
“Don’t apologize, Ripley, you’re quite within your rights to be discombobulated at the moment,” she said. “And I’d like you stay with Andrew, but I would prefer to know what happened. Leave his side just for a second to check the footage.
“Okay.” I crouched down to him, putting a hand on his shoulder. “I’ll be right back.” His eyes flicked to me, but he didn’t make a sound. Getting back to my feet and walking over to the security room door, I went in and sat at my desk, putting the phone on speaker so I could more easily navigate the footage.
After fidgeting around with the unfamiliar aspect of the program, since I’d never needed to look back before and Andrew only showed me how to do it once, I finally went back to the point where the spell had been cast. “Okay, he walked into his office with two men at
4:08 p.m. and it looks like he was fine with it. He wasn’t under duress, from what I can see.”
“That’s likely Michael Wise and Eric Henry,” Suzanne told me. “They were allegedly making a donation, a herd of Bagot goats.”
“Allegedly?”
“Well, I’m operating under the assumption that they lied if Andrew is spelled.”
I grimaced. That was a good point. Watching them have a conversation, I saw Andrew tense, and then turn to dart toward his desk, but he only made it two steps before one of the men raised what looked like a wand, snapping it in my late boss’s direction, speaking something. As I saw Andrew’s body seize like he’d been hit with a taser and collapse, I hissed in a sharp breath. “Cripes.”
“What is it?”
“One of them had a wand,” I managed. “He-He did something with it.”
“I’m here, Ripley. Come back to the office.”
My eyes widened and I did as I was told, stunned to see her opening the front door. “How did you get here so fast?” I asked.
The woman gave me a small smile, rendered grim by the situation. “Call it a trick of the trade.”
“Oh. Gotcha.”
Suzanne was all hard edges, her pin-straight blond hair cut at an angle just below her ears, and she wore a smart blue pants suit with matching pumps. But then she looked to Andrew and her face softened, despair and fury flashing across it as she quickly walked to him and knelt at his side, taking his weak hand in hers.
“Oh, Andrew,” she whispered. “I’m so, so sorry. You’ll be okay. I already texted a healer and asked her to come by. A friend of mine named Janine.”
I looked back to Andrew’s face, his eyes open and his expression one of exhaustion, but then quickly looked to Suzanne. “Why would someone do this?” I asked.
“I have a feeling at least one of our animals is missing,” she told me, her voice low and hard.
Anger flared up in me. “What?” I asked tersely. I glanced back in the direction of the cameras. “Should we check the cameras to see which enclosure they went to? Do we- Are there cops you can call for this? What do we do?”
Suzanne’s face slowly faded to sadness. “I’ll take care of it,” she said. “You’re accurate in that I do have a different police I’ll call about this. But there’s a good chance we won’t get the animal back.”
“Wait, why? Come on, there’s got to be magic you could do, right?” I asked anxiously.
“The animal will have been warded and sold to someone immediately,” she explained. “They would’ve had a buyer set up, and gone straight there to reduce the risk of being caught with it. Anyone who is buying an animal like this is extremely powerful, which means that even if we catch the men who stole it, they’d go to prison, but they wouldn’t risk angering the buyer. They won’t tell the authorities who it was, even for a lesser sentence. Losing an animal to robbery has only happened twice in the zoo’s history, this is the third time, but that’s how it played out both times. Actually, in the first instance, the police didn’t even catch the people who took it, since they were wearing masks.”
Just then, there was a knock at the door, and Suzanne pushed herself to her feet, walking over and opening it without hesitation. “He’s in here.” I took the opportunity to open the windows and turned down the thermostat so it would start displacing the smelly air.
A woman walked in, Janine presumably. “Oh, goodness,” she breathed, going quickly to Andrew. She took his pulse with one hand as she pulled a wand out from her purse with the other. “It’s good he’s staying calm. Redire orior can be terrifying to be subjected to.”
“He wasn’t calm when I got here,” I told her quietly. “I’ve been here for hours and didn’t know he was here until just a few minutes ago.”
Janine swore softly. “All right. Let me get started.”
I didn’t know what that meant, so I turned to Suzanne. “What did she call this?”
“The spell is ‘redire orior’. It’s a regression of part of the mind, basically all the way back to when we were first born,” she said tightly, anger flickering across her face. “He has no more control over his body than he did when he was a newborn baby.”
I grimaced, looking back to him. “Oh my god,” I whispered. It meant exactly what it had looked like when I’d walked in: Andrew had been rendered completely helpless. Rage welled up inside me, despising the men who’d done this and wishing desperately that Suzanne had been more confident in finding them.
Suzanne took the opportunity to walk into the security office and I heard her sit in my chair. Janine put down her wand to have both hands free and told Andrew, “Just relax, concentrate on breathing slowly,” she said, carefully pulling both of his legs out and rolling him onto his back. She then put his arms at his sides and, picking up her wand, pointed it at his forehead.
I took in a sharp breath of surprise as I saw a faint glow coming from the wand, through the top of it and then to Andrew’s forehead. She held that position for a while, muttering under her breath.
A few minutes later, Suzanne came out and took her phone from her pocket, saying, “I don’t recognize either of the men in the footage. But they seemed distressed, particularly the one that didn’t hurt Andrew. I don’t think that’s what was meant to happen.”
“Meant to or not, it happened,” I muttered through clenched teeth. I’d already decided that my new to-do list every day included first checking the office cameras.
“Andrew,” Janine said, letting the glow fade. “Can you speak?”
“I
yeah,” he whispered.
Suzanne came over to my side. “Thank goodness. How are you feeling? How’s the vertigo?”
“Pretty much gone,” he said, closing his eyes for a long moment, though he didn’t try to stand up.
“Andrew, I pulled up the cameras in the office and listened to the audio,” she told him. “I know what happened.”
My eyebrows furrowed. “The cameras have audio?”
“It’s under admin privileges, but yes. Andrew, you should have known better,” she said softly, looking back to him. “The gun in one of the desk drawers? I presume that’s what you were lunging for, because those two men had just made it clear they were here for an animal.”
“Yeah,” he sighed. “I just
” He looked distraught.
“They told you to just let them get what they came for,” Suzanne said. “Why didn’t you?” My lips parted in shock.
“The last time this happened, I cooperated, but
I regretted it,” he growled. “We never saw Harriet again. I couldn’t just stand here and let them do whatever they wanted. Not again.” I assumed Harriet was one of their animals, but I didn’t ask.
“Don’t ever do something so foolish again,” she told him, on the verge of being upset, her emotions likely tempered by his condition. “I want to make it clear to you that this job, these animals, they’re immensely important, but they are not worth your life. He could have killed you. If someone gains access to the zoo again to steal an animal I want you to cooperate fully. Understood?”
“Yeah,” Andrew muttered.
The idea that Andrew had tried to bring a gun to a wand fight was staggering. Something heavy curled in my stomach at the thought. It was clear he cared about the wellbeing of the animals to a degree I hadn’t comprehended.
Janine took one of the small pillows from the couch and tucked it under Andrew’s head as Suzanne continued. “All right,” she said with a sigh. “I’ll go through the footage to determine what they stole and then call the authorities to report the theft. Janine, can you continue to treat him?”
I wasn’t sure what that entailed, but Janine apparently did, since she nodded and knelt back down as Suzanne went back into the security office. Janine did the same thing that she’d done before, that soft glow channeling light into Andrew’s head. Obviously, I wanted to ask what she was doing, but I knew better than to think I’d get an answer. Instead, I sat in one of the loveseats in front of Andrew’s desk, turning it to face them.
I heard Suzanne’s voice faintly speaking to someone on the phone and the minutes ticked by. Eventually, Suzanne came back out again and she stood next to me for a long moment, watching the healing process before turning to me.
“Andrew told me you were attempting to create some enrichment activities for the animals?” asked my boss.
“Oh, uh
yeah, I am,” I answered. I assumed she was trying to make small talk to distract me from the current situation, and I appreciated it. “The first one went well. Spike loves artichokes, pecans, and hazelnuts. I went with things that made it a challenge to eat, like it’s a challenge to pull out fingernails of its prey.”
Suzanne’s expression brightened just enough for me to notice. “Ripley, that’s wonderful. Very clever.” She let out a breath. “It’s becoming more and more obvious to me that Andrew chose well in hiring you.” I gave her a small smile. “Listen, I’m going to hire someone else to be here with you on duty,” Suzanne told me, “and by that, I mean someone from my neck of the woods. Andrew explained that to you, correct?”
“Not much. Just that you’re not from Earth.”
Suzanne smiled. “That makes me sound like an alien, but yes, I’m not from this dimension. I can hire someone who has similar abilities to mine, who can check in every few hours, make sure everything’s all right, but generally make themselves scarce unless there’s an emergency. He wouldn’t have been able to do much if he’d already been here, but he’d have known what was going on. Andrew would have received assistance immediately.”
I was curious of what those abilities were, aside from being able to see the animals, but I wasn’t bold enough to ask. Also, I was curious about who this new ‘employee’ would be, but presumably I’d find out sooner or later. “That would make me feel a little better,” I said, nodding. “Knowing there was someone else here.”
She nodded once. “It’s as good as done, then. As for Andrew, he’ll need to take a few days off to recover. Would you be willing to give the tours until he’s back in ship-shape?”
My eyes bugged out of my skull. “Wait, what? I can’t even see all the animals!”
Suzanne chuckled at my expression and shook her head. “I can enchant a pair of specs for you to wear,” she told me. “It’ll give you a bit of a headache, but you’ll be able to see all of the animals. Also, I’ll give you the background for each of them, because you’ll be speaking about them to the tourists.”
I blinked, thinking of how awesome it would be to finally know all about them all. And it was flattering, the fact that she had such confidence in me that, without hesitation, she asked if I could take over for Andrew. The best thing for me to do, of course, was to be confident and assure her that I could take any temporary promotion in stride. “I’m
I’m not great with people,” I managed.
Yup. Nailed it.
“You can be a little harsh with them if you need to,” she said with a small, knowing smile. “I assumed that signing up for a job where you interact with a screen of cameras the whole time means you aren’t great with people. And Andrew did brief me on you when he hired you. How good are you at couching your insults in polite talk? The British are quite skilled, but I know Americans aren’t too bad at it.”
I smirked, remembering how a coworker friend of mine once told a customer, “Oh, bless your heart,” in her thick southern accent and it sounded like the worst insult. “I can manage that, I think.”
A buzz from the gate that went to the panel on the wall drew our attention and Suzanne walked over to let the visitors in. It was three people, a man and two women, with a gurney.
Walking over to Andrew, I folded my arms with a small smile as Janine released his head from the glow the wand was emitting. “Hey. Sorry you had to lay on the floor for so long knowing I was cluelessly reading a book in the next room.”
“Eh, not the end of the world,” he whispered. “I’ll be back on my feet soon. So, no parties while I’m gone.”
I snorted and my smile widened, and he returned it.
Going back into the security room, I pulled the system back to the multi-camera exterior view, and I sat there and listened to Suzanne talk to one of the medics, explaining everything that had happened in detail. Once she’d done that and they brought Andrew outside on the gurney, presumably to a waiting ambulance, I gave my statement, and then
it was back to work.
Obviously going back to work like nothing had changed felt weird, but Suzanne stayed, letting me know that she would get some work done at Andrew’s desk until my shift was over. It was likely the opposite of necessary, the robbers were gone, but it did make me feel a tiny bit better knowing that she was in the next room with her wand.
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2024.05.15 14:36 Angel466 [Bob the hobo] A Celestial Wars Spin-Off Part 1012

PART ONE THOUSAND AND TWELVE
[Previous Chapter] [The Beginning] [Patreon+2]
Sunday
Lucas stretched and yawned in bed, taking a moment to enjoy the complete lack of needing to rise before his hand stretched out in search of Boyd.
And once again, that side of the bed was empty.
Biting back a whine of dismay, Lucas rolled until he was face down on Boyd’s pillow, breathing in the cologne they both now wore. The detective in him quickly deduced that Boyd had been gone a while based on the chill in the sheets. He curled his hands around the pillow and hugged it tight, wishing it was the big mountain of a man himself instead of this weak substitute.
As thrilled as he was about Boyd finding a new career that he was so passionately driven about, he was equally happy that his fiancé took his responsibility to his clients seriously. Still, would it have killed him to sleep in just one morning instead of abandoning their wrecked bed the morning after their engagement party?
After several minutes of wallowing, he finally accepted the inevitable that no amount of wishful thinking was going to make Boyd appear and climbed out of bed. He removed his snore rings and took a quick shower.
Once he was dressed, he felt a little better.
The next thing he had to do was strip down the bed and remake it. They’d been very busy last night, which was why he’d only just woken up at—his gaze fell upon the clock— DAMN! It’s nearly lunchtime!
“I’m gonna kill him for letting me sleep in so long,” he muttered under his breath, carrying the linen through the apartment and into the kitchen, which doubled as a laundry on their end. After nine years of living in this layout, he didn’t need to see over the pile in his arms to know precisely where he was, and with the load balanced on one arm, he turned at the right moment, opened the massive frontloading washing machine and stuffed it all in.
“Hey, Unca Luke!” Maddy’s shrill voice had him leaping into the air, slamming the door shut and swivelling around in front of it to hide the evidence. “Didja pee the bed?”
His brother and his niece were sitting at the island, Maddy with her breakfast of honey-and-cream-covered waffles, which were only half-eaten, and Levi patiently waited for her to finish since the plate in front of him was empty. The latter was grinning at him as only a brother could.
He’d forgotten all about them staying over.
It took a hot second for what Maddy asked to register with him, and when it did, his mouth dropped, and he glanced at his brother, who was twisting himself into a pretzel to avoid laughing out loud. Asshole. “No, Peaches,” he said, glaring daggers at Levi for not even trying to help him out. “Boyd and I like clean sheets every day, and it’s not fair to make somebody else wash them for us, is it?”
Bright red ringlets of hair swayed as the little girl shook her head. “Daddy makes me fix stuff too.”
Lucas moved the three feet between the washing machine to his brother sitting in Mason’s seat at the corner. “That’s because Daddies always know what’s best.” He wrapped an arm around his brother’s neck in a loose chokehold and gave him a noisy morning kiss on the cheek. “Ain’t that right, Daddy?” He said that last word in a sultry purr the way Robbie would, and the reaction from Levi was priceless.
“Fuck off with that shit, you prick!” his brother swore, shoving Lucas away with all his might.
“DADDY!” Maddy squealed in horror, and Lucas clapped his hands together once behind Maddy’s chair and raised his clenched fists in victory. He’d been angling for one swear word, maybe two to distract young Maddy from his not-so-discreet linen run. Three was a veritable home run.
Snickering quietly to himself, he went back to the washing machine, loaded it up with soap and softener and turned it on. Then, he walked over to the wooden box under the window. ‘Just think what you want,’ Charlie had told him at the party. ‘It’s a Nascerdios box that Robbie fills up throughout the night.’
He stared hard at the box while he considered his options, settling on a plate of breakfast tacos with seasoned mince, fried eggs, tomatillos, shredded lettuce, and cheese wrapped in soft tortillas buttered with a thin spread of mashed avocado.
After the last month, it didn’t surprise him in the least when he opened the lid and found that exact meal sitting there, waiting for him. Maybe the quantity, since they were piled three high, but not the meal itself.
The same could not be said for Levi when Lucas turned around with the plate in his hand. “Robbie had that ready for you too?” he asked, as Lucas grabbed a glass from the cupboard and placed it and the plate in his regular sitting place adjacent to his brother before sliding into his seat. He knew Levi wasn’t questioning Viola since the box itself was made and gifted by someone with the last name Nascerdios.
The veil was an ass.
“I told you; he did most of the catering yesterday, too,” Lucas said, reaching for the jug of juice. He was curious what it would be today. Yesterday, it had been orange and mango juice, with apple the day before.
A quick sniff made it most likely grapefruit.
He tightened the roll on the first taco and lifted it to his lips, enjoying the flavours that exploded in his mouth. Because Levi had finished whatever had been on his plate, he was watching him eat as if he’d never seen it before. It finally clicked why. “You want to try one?” Lucas asked, nudging his plate towards his brother. “There’s plenty here if you want one. Too many, if anything.”
Levi didn’t need to be told twice and reached over, using his fingers just as Lucas had. “How did he learn to cook so well?” Levi demanded, almost fitting the whole thing in his mouth.
“He’s always cooked,” Lucas answered, fudging things slightly. “When he was growing up, cooking was his chore while his mom was at work. He only stopped because Mom refused to let him help in the kitchen.”
“I would’ve fought that a lot harder if I’d have known he could produce this.”
“Yeah, you and me both, bro. Even when we were upstairs, he was forever watching the cooking channels for new ideas.” Lucas didn’t want to mention that these days, Robbie only did so to critique the so-called experts. “Have you seen Boyd?”
Levi shook his head. “I was assuming he was still in with you. If I’d known you were in there alone, I’d have sicc’d Maddy onto you.”
“I can wake Daddy and Unca’ Austin good!” Maddy said proudly. “I gets me a dolla’.”
“Ssshhh, Peaches. That’s our secr—wait. Does Uncle Austin pay you, too?”
Maddy was adorable the way she looked at Lucas like he would intervene for her. “Sorry, baby girl,” he laughed, eating another taco. “You’re on your own.”
The two brothers bantered as Lucas ate, with Levi stealing another taco, bringing Lucas’ total number down to five. Maddy told them both about wanting to be a vet, and Lucas knew precisely who to blame for that. Still, it was better than her previous choice of ‘stripping’ the way Robbie and Angelo used to. Levi’s meltdown over that revelation had been priceless, even if he, too, was firmly in the ‘fuck that noise’ camp.
When he polished them and half the juice off, he poured the last into Maddy’s cup and put his things and the jug in the dishwasher. “You can hang out here if you want,” Lucas said. “The guys and I are heading out this afternoon to play some ball over at Angus’ place, but if you call Austin and find out Pepper’s roommate is still with him, the TV over there has
”
“Every cable channel imaginable, I know. Charlotte—”
“Charlie.”
“Charlie told us last night.” Levi sat back in his seat and stared at his brother. “What do you make of Larry, Luke? Does he have kids?”
“Why?”
“He watched Maddy for me last night while I was having a shower, and Maddy loves him. You know how picky she is about people she doesn’t know.”
“I know he’s married to a career soldier and was one too before being assigned to us. I’m not sure about his past, but he’s a good guy and ridiculously protective of those either in his charge or that he happens to care about.”
Levi grunted. “Charl —lie said so too. He certainly knows his Spongebob.”
Lucas squinted. “Why all the questions?”
“Just thinking out loud. If he’s going to be here all the time with Robbie, and Austin and I get called into the house together, it’s always been a struggle figuring out where we can leave Maddy on short notice. We don’t exactly have time to drive all the way over to Queens to drop her off at either Mav’s or Mom and Dad’s. I mean, so far, we haven’t needed to, but it’s a constant concern.”
Lucas frowned at him. “We’ve been here for years. Why didn’t you ask before now?”
Levi seemed suddenly uncomfortable. “You know
” he said, gesturing to the ceiling without finishing that sentence.
And just like that, Lucas did understand.
Six men, all sharing one shoebox-sized apartment with two of them being sex workers, was not where anyone would want to drop off a little girl. Even if Lucas did vouch for all of them and swore they’d all be protective as hell over little Maddy. “Look, I can’t speak for them specifically, but Charlie’s here under house arrest for the next ten months, and Boyd now works out of his studio, so technically, someone will be here all the time. There’s not a chance in hell we’ll turn you away.”
“I’ll ask her and Miss W before we go.”
Lucas looked at what the two of them were wearing. “You know, I could duck out and grab you and Maddy some clothes just as soon as I check in with Boyd, if you like.”
He watched Levi look down at the shirt and boxers that were a little big on him width-wise and across at Maddy, who still wore Charlie’s favourite Giants’ shirt.
“That’d be good, thanks,” he admitted.
“I’ll get extras, and that way, she can have a few changes of clothes here. Actually, do you want me to grab you some spare stuff too?”
Levi stiffened in his seat. “I don’t need you to buy me clothes.”
Lucas wanted to slap him in the back of the head (and would’ve if Maddy wasn’t there). “Stop,” he commanded instead. “I’m already going to a clothes shop. It’s not going to be anything fancy, and if you hate it, you can swap it out with your own stuff later.”
Knowing his brother was still uncomfortable, Lucas waved his hand at the kitchen. “Seriously, Levi, look around. Look at how I’m living, and I’m not paying a dime in rent. Llyr won’t let me since we’ve been looking out for Sam for years. Let me do this for you, so you’ll always know you and Maddy have somewhere safe to go.”
Levi glanced around, his lips tightening before he finally nodded, unwilling to say the words out loud, and Lucas clapped him on the shoulder. “We’re family, dumb-ar—dumb,” he amended, with little ears sitting on the other side of his brother. “Dumb-dumb. I meant Dumb-dumb.”
Levi chuckled and patted his brother’s hand. “I appreciate it, bro. We’ll chill here until you get back. Don’t rush 
 apparently, you have a gazillion cable channels to choose from, and Maddy doesn’t want to leave until she’s seen them all.”
“I don’t think you’ll live that long,” Lucas laughed and headed back to his room to grab his gear since he was now leaving the apartment. As he clipped and slid everything from sunglasses to his wallet, keys, phone, badge bifold, and ankle-holstered BUG, he almost envied women with carryall handbags that could be grabbed on their way out the door.
Almost.
* * *
((All comments welcome. Good or bad, I’d love to hear your thoughts đŸ„°đŸ€—))
I made a family tree/diagram of the Mystallian family that can be found here
For more of my work, including WPs: Angel466 or an index of previous WPS here.
FULL INDEX OF BOB THE HOBO TO DATE CAN BE FOUND HERE!
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2024.05.15 11:59 TradedMedia Ani V Ani LLC Acquires Condo At 2 Bleecker St From Walter & Samuels

The retail condominium unit at 2 Bleecker Street in NoHo, Manhattan was sold for $3.2 million. The property spans 3,431 square feet with a price per square foot of $933. The transaction was completed between the seller, Walter & Samuels, represented by David I. Berley, and the buyer, Ani V Ani LLC, represented by Lisa Urban.

Summary of transaction details:

An anonymous buyer, represented by Ani V Ani LLC based in Roslyn, acquired the retail condominium unit at 2 Bleecker Street from Walter & Samuels for $3.2 million in the vibrant neighborhood of NoHo, Manhattan.
Learn More: Ani V Ani LLC Acquires Condo At 2 Bleecker St From Walter & Samuels
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2024.05.15 00:08 Anesthesia_STAT Spalling, painted brick... What do I do?

House is 102 years old with cedar shake siding and a brick foundation basement with the brick extending ~2-3 feet up from the ground to the siding/wood floor joists. From old Google Maps images, I see the house's brick had been painted a fire-engine red since at least 2007 or 2008--whenever it was first photographed--and that that red was painted over in gray shortly before being placed on the market in 2018. Well, the brick isn't in great shape in many spots, and I'm wondering what my options are. Do I pay a mason a buttload of money to remove the paint and then do the necessary tuckpointing? Is there anything that can be done to 1) protect what I already have (i.e., stop the decay/moisture intrusion) and 2) provide an anesthetically pleasing look (assuming the foundation in its current state is still solid and safe)? Do I do nothing and pray every night my house still stands the next day? Is there yet another option?
We applied paint stripper to a manageable area, and it certainly works, removing both the gray and red paints, but the labor to remove the paint afterward is brutal. I don't want to sandblast or pressure-wash it off with how rough a shape the mortar is in some spots (not to mention some pros who recommend not to use these methods anyway), and I really wonder if we're doing more damage than good with trying to scrape off the paint, particularly at the mortar.
The less we can financially pour into this, the better, but I also can't imagine spending this whole year stripping and scraping off paint little by little every day and teaching ourselves how to do our own tuckpointing...
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2024.05.14 11:42 OutThere_2044 My town's pine forest has a secret...

Part 1
I ended up buying a house at the edge of this town.... before i knew all the bullshit that was goin' on around here. Got bored and went down to the local sheriff Jack and asked about an opening, Didn't even fill out an application, got the job on the spot. For the first few months it was the usual, speeding tickets, drunk and disorderly, normal shit right? Well... let the fuckery commence....
I had been a deputy for 7 months when one of the local farmers called in and reported he had some animals killed last night and wanted someone to come out to his house. John Nixon was a 60 year old farmer who lived by himself. His wife passed away years ago, but he never remarried and they never had kids. We met one day at the local tackle shop. Me being new in town, he took me to some of the good fishin' spots. The man was a huge military history buff and would always ask about my time in. I thought I knew him personally, so i took the call.
As I rolled up to the gate on his property, I saw John standing at the gate with a shotgun. " Hey john, can I ask why you are standing there with that cannon in your hands?" No response, he just stared at me. "John! put that damn shotgun down!!" I yelled. Its like he snapped to out of a trance. "Mason, i need you to come round the back side of the house to the barn, now!" he snapped.
"OK, OK, let me get outta the car and grab some gear." I said opening the car door. While i was grabbing my gear, John was standing there with his eyes scanning the tree line. "Come on mason! you need to see this!" He said heading towards the back. I closed the trunk and started walking over in his direction.
"So what the hell is going on that's got you walking around here with that damn bazooka?" No response, he just keeps walking and scanning the tree line. We finally got to the back of his house where the barn is. It looked like a horror movie in that pen.
"What the fuck happened here!?!" I said covering my mouth. There were pieces of chickens and goats everywhere, a few pigs looked like they had been filleted. "Its back mason, after all these years" John mumbled. "John what the hell are you talking about? what did this?" I asked.
John took his eyes off the tree line and looked me dead in the face. "Your not from here so you dont know." "Know what man? what are you saying?" I asked getting annoyed now. "Years ago this same thing happened to a few guys I know. All of their livestock had been killed. Not killed and eatin', just killed. It got people 'round here up in arms. Well, a few of us got together and decieded we were gonna look for whatever did it" he said. "What the hell are you telling me john?" I interrupted. "There were four of us. We were young, thought we were bullet proof. We went out into the woods one morning, determined to find the damn thing that had been killing our animals.
Tommy was the first to say something. "Hey, did you guys hear that?". The rest of us didnt hear a thing, so we kept moving. We got about three miles deep into the old pine forest at the edge of town. Will was the next to say something, "WHAT THE FUCK?!" he yelled out while looking down at the mud. We ran over to where he was standing to find him wide eyed. "I dont know what the actual fuck did this, but we..we need to go and I mean right fucking now!!!" he said pointing. This track was huge, at least 14 inches long with huge claws. Gerald spoke up "Let's fuckin' go guys!!".
We started back tracking out of the area, when we were stopped cold in our tracks, we all heard it this time. It was coming from everywhere and nowhere at the same damn time. A sickening, shrieking laugh was coming from all around us. We panicked and starting runnin'. As soon as we did that, whatever was making that noise centered as if right behind us, and it was coming fast, ungodly fast" John said eyeing the remains of a chicken that was torn apart.
"We were about a mile from the trucks when I heard a thud and a scream, when i looked back Gerald wasn't there. Will and tommy were right behind me, terror all over their faces. Tommy pulled his pistol and started shooting backwards. Only one shot rang out before something tackled him and Will. I stopped, raising my rifle, but they had already been torn apart. It was seconds, and they were in shreds" John said.
"Mason, what i saw standing over their shredded bodies has haunted me since then. The fucking thing was nine feet tall, shaped like a man, but not. Its skin, or or scales was a mixture of black and grey and it looked slimy. It looked like a damn bodybuilder with hugh claw like hands. Its head was massive, with what looked like horns coming from the jaw to around the chin. Its eyes, glowed bright green in the middle of the fucking day, and it had a mouth full of fucked up jagged teeth." He said lowering his head.
"I jus.. just stood there, waitng for my turn. This thing paced back and fourth, staring at me, with this creepy damn smile. It looked down at Will and Tommy, then it looked back up at me. My heart almost stopped when it pointed and shook its head at me. It started making that shrieking laugh as it grabbed what was left of my friends in each giant claw and walked off into the woods, still fucking laughing. I fell to my knees as it vanished into the trees."
I stood there, thinking he lost his damn mind. John had stopped talking, he had this way off look in his eyes. "John..., john.., JOHN!!" his eyes snapped back to mine. "So what are you telling me? A nine foot creature with claws killed your friends and animals?!" I half mocked. "Yea.... thats what i'm telling you. Its back for me, i know it." "What makes you think it was this thing you say killed your friends? It could have been coyotes" I asked " I know mason, i heard that same horrible shrieking laugh in the woods behind the barn last night."
Now I’ve heard some real bullshit in my time, especially during my time in the contracting field... But this was the most out there shit I had ever heard.
"Alright, alright... let's just take a big ass step backwards. I need to wrap my head around all of this." I said takin a deep breath. John laid the shotgun down to his side. "I'm telling you the truth mason. i'm too old and tired to lie about shit" he said shrugging. I looked deep into this man’s eyes. When I did, I saw something that told me this was the absolute truth as he knew it. " You haven’t given me any reason to doubt you... but fuck man... this is hard to swallow. I need proof John, that's the way this works." A look of frustration washed over his weathered face.
"Proof?! you want proof huh? follow me" John groaned.
He started walking towards the tress behind the barn. As we got closer to the trees, I started to smell rusty copper. Blood I thought out loud. John raised his shotgun as we walked closer. That damn gun had to be illegal, but this wasn’t the time for that. Him raising that gun made me a lil' uneasy, so I pulled my Glock 9mm out and flipped the safety off.
John owned about 90 acres, most of it unkept. A lot of the land was behind the barn which butted up to a state forest. We took about 12 steps into the wood line when the smell of death hit me like a brick. "I'm taking you to where I heard the noise coming from last night... your PROOF is out there Mason" He said with a slight edge to it.
We walked almost a hundred yards into the woods when john stopped in front of a tree. It looked twisted and warped all the way to its top. I stepped around John and saw huge claw marks cut deep all the way around the base of the tree, it's hard to even call it that. "What the hell is this?" I said looking up. "This is a marker, it's territory starts here" John replied. I looked at john like he was crazy, which at this point I thought he was. "This thing travels throughout these woods. I've found five more of these trees in our town" he said putting a hand on the tree.
"This isn’t telling me anything John, just that you've got a weird ass tree on your property" I said back to him. "Do you hear that?" So we could move this mess forward, I stopped talking and just listened. I hadn't noticed that during our walk into the woods it had got quiet, and I mean not one sound. " What the hell? where did all the animals go?" I asked looking around. "They're scared mason... you should be too. Let's get back to the house."
We turned and started making our way out of the woods. We were damn near the tree line when I heard a snap. I turned around, gun raised to see a black streak dart back deeper into the woods. "What the fuck was that?!" All John said was "we need to leave, now!" We turned and started sprinting the rest of the way out of the woods. I was surprised at how fast john was for an old man. We got all the way back to my patrol car. "I don't know what that was, but I don't think you should stay here tonight John. Pack some stuff and come to my place" I said pointing my gun at the trees. John just let out a sigh as if frustrated and defeated.
"You weren't listenin'. The pine forest, these trees, it’s all connected. I’m talkin’ bout before this area was even inhabited by native peoples. This fucking thing has been around for a very long time. I have been looking into this since that day, I had to find out what it was and if it can be killed" he tried to explain. The whole time john was talking I had my eyes and weapon pointed at the trees. " You can put that down mason, it just wanted you to know it's here" He said.
"John, I to need process this shit. I've never seen or heard anything like this and to be straight with you, I’m at a loss right now" I said opening the trunk. "I get it, I get it. The sheriff jack was a deputy back then. When you see him... tell him I said the dark is here..." And with that, he just turned his back and walked back into his house not saying another word.
I got back in the car and sat there. Looking at the treeline. After a few minutes I went back to the station. I must've walked in with that universal what the fuck look on my face, because Cathy the clerk asked what was wrong with me. I told her I was fine and asked if she had seen the sheriff? "Yeah, he is in the gun cage. Are you sure you’re ok Mason?" She asked again.
"Yeah, I'm good, just need to talk to Jack." I started walking towards the back of the building, when Jack came around the corner. "Hey mason, what's up?" he says walking up to me. "I just got back from John's house." The look on his face completely changed. "He had a bunch of animals killed last night. It looked like a slaughterhouse. He told me to tell you the dark was back?" I told him noticing his reaction.
Jack stiffened up and not saying a word gestured for me to follow him towards the back security door. We headed towards the back and out the door. Jack had stopped to make sure the door was secure then pointed at his truck and said "get in."
After getting in he looked over "I need some coffee" then started the truck up and headed west out of the parking lot towards the coffee shop. He ordered a large black coffee with extra sugar then asked if I wanted one. "I'll take a small black, no sugar." We pulled out and headed east back past the station. We ended up driving towards the edge of the county. "What's going on and why are we heading way the hell out here?" I looked at jack and said.
Jack just took a long sip of his coffee then placed it back in the holder.
After a long breath "You want some answers about what happened at Johns' house... I’m sure he told you about a few other things about this town... well we're gonna go get you some answers" He said looking at a black sedan passing in the opposite direction. "Aight so, like you mason, I’m not from here either. I was a trooper in New York for a few years before I came down here. I resigned after a call to an old couple’s house" He said reaching for his cup. "My partner Jake and I responded to what was thought to be an animal attack. We were the first on the scene, having been a couple miles away lookin' for speeders.
When we rolled up an older woman came running over to the cruiser. She had a panicked look on her face and just kept repeating "they're dead, they're dead!!" We hopped out and sat her in the back of the car then asked what happened. "I...I... came over to talk to gloria and... and I saw the door open. I walked in yelling her and Alan’s name, but they didn't answer... I found them upstairs... it's horrible!!" She said sobbing. Jake and I drew our weapons and started making the move inside. Like the witness said the front door was open, so we moved in. It smelled like sulfur and blood when we entered. We started clearing rooms. The first floor was clear, so we made our way up the steps.
The smell was overpowering now. We cleared the bathroom, and the two smaller rooms were clear also. The door to the master bedroom was slightly opened. I motioned to Jake and we hit the door.... it looked like some movie shit!! I kid you not. Jake turned and went back into the hallway and threw up. I stepped into the room and... listen I had never seen anything like this before" Jack stammered out.
"These two people were in shreds on the bed, they're insides had been yanked out and thrown around the fucking room. After looking at the bodies I noticed these huge claw marks in the wall, I’m talking if Andre the giant had had a Krueger glove. I stepped back out of the room and radioed to dispatch that we needed more units. I walked back to the front door where Jake was standing hunched over looking out of it.
Parked outside were 3 black SUVs and a black sedan. I counted 11 men dressed in black tactical military gear, some with a type of rifle I had never seen before, but you could tell it was large caliber. The rest with SMG weapons. When i looked over towards the patrol car, one of the men had the door opened and was talking to the witness. He saw us and started our way. He was dressed in all black too and carried what looked like a desert eagle in a chest holster.
When he got closer I got a better look at him. He looked to be in his late 40's with salt and pepper colored hair and a big ass scar that ran down the right side of his face. He got about ten feet from the steps "We appreciate the assistance, but you are no longer needed" He said in deep voice. As he is saying this, one of the other guys escorts the witness out of our car and into the back of that sedan.
The guy started walking away from us "Who are you? and what the fuck is going on?" I yelled at him. He turned with a look on his face that you only see in movies then took a few steps towards us. "Your command has been informed and you are to leave now!" He said raising his hand up towards that holstered pistol. Jake looked at me and shook his head "fuck it, let's go, let them deal with that mess upstairs" he said still coughing then started heading towards the car. I followed him down the steps... looking this guy up and down, checking out the vehicles... for anything that might tell me who we were dealing with.
The only thing I saw was on the assholes uniform... there was a patch on his shoulder. It was an all-black diamond with a weird looking black M in the middle on it. The guy stared us down until we were in the car driving away. He had that pistol in his hand and the other men starting moving into the house. Jake and I didn’t say a word until the radio squawked and we were told to head back to the barracks.
When we got there, we were told to report to the troop commander’s office. Commander Thompson was sitting in his office along with a man in a nice 2-piece suit. The man in the suit stood there quietly while Thompson told us that we never responded to any call out to that farmhouse, and that this was the first and only time he would say it. With that, he dismissed us and and we walked out. The shit didn’t sit well with me, and I ended up resigning a few months later.
I came down here and then that shit in the woods happened. I was on the scene, I saw the claw marks. They looked just like the ones in New York, and the same damn trucks showed up with different personnel. I knew just to shut up and walk away, and after making that choice I have had a pretty good career here." he finished grabbing his cup out of the holder.
My brain was in overdrive. I was just about to completely question bomb jack when he said, "We're here." He pulled off onto this overgrown driveway and drove for about a quarter mile. We pulled up to an old two-story house that looked like it was in ruins... but the lights were on. "Where the hell are we?" I asked As the last word of that question left my mouth, the front door of the house opened... standing in the doorway was a old man, dressed in weathered black clothing. Jack leaned over to me "You wanted answers... well.... there they are."
submitted by OutThere_2044 to DrCreepensVault [link] [comments]


2024.05.14 07:12 rdk67 Spring Day 55: Recording the Concrete

I am sitting in one of the disused but quite beautiful parts of the neighborhood, waiting for it to rain.
The rain has already come and gone, a light rain that left traces of dampness on the pavement – the shade of the spring day darkens, becomes real, which is a comfort because that realness, that feeling of extra substance, comes from the water cycle working the way it's supposed to.
I feel it around my nostrils, on the cheeks of my face near the eyes, like I'm a frog looking up from its pond water, which is a pleasant feeling to sashay around town with. This is the spring we all know, the moisture appearing on my skin after drifting miles above the earth ten minutes earlier –
an epic plunge is what we are walking through, but it's already rising again, and let's face it – we live in a cook pot set on media, I mean medium – medium is the setting on the cook pot, which notice is more than a crock. From the frog’s point of view, it is ideal.
From our point of view, standing in the chop of the water cycle, we are soaring in the air – then minutes from now, we might be walking in the clouds, and who knows after that, but this is the context for comings and goings this mid-afternoon – this potential for levitation.
I find a broad and elegant tree stump to sit on and record the concrete. Someday we'll all have concrete recorders but today, we just have me.
The stumps are not indigenous to the property, at least I don't think so, but I'm not exactly sure why I don't think that, given that the facility that occupies the block was once probably a forest with abundant marshy places. The forest went, then some infrastructural evolution played out that upcycled into a world-class performing arts center.
Given that my art, before it is anything, is performative – watch the monkey paint words with a stick – I'm hand-in-glove with the performance of the plaza.
I am sitting in a grove of tree stumps, which automatically brings to mind entropy – we all will die someday, become handsome all-weather furniture that slowly disintegrates – but then the overwhelming pleasantness of the day causes the thought to move on, and the stumps become a moment in time that is also a cross-section of full biography, which is quite a thing to be sitting on, waiting for the rain.
The forecast, which I predict would be one of the more impressive modern achievements to the humans who lived through the ice age – just an opinion – the forecast –
I picture ice-age human faces in stunned wonder as weather prediction after weather prediction comes true. The forecast
says there is a one-hundred percent chance of rain later this afternoon, time precise to the quarter hour, but with Doppler weather radar, one can make one's own data-driven prediction about when the rain will start to the nearest few minutes.
Someday we'll wear watches that are nothing but countdown clocks ’til the next time the forecast calls for rain – when the clock reaches the nearest minute, it switches to seconds.
This broad, elegant stump I'm sitting on sets on a bed of gravel which, when it rains, can convince me it is river gravel – pick up a few of the rounded stones, give them a close look for evidence of the past. I briefly imagine
finding the remains of a sauropod, each piece of gravel containing a tiny piece of a single sauropod, which together add up to the most complete sauropod skeleton yet discovered.
The stump is all take and no give, and yet I think I prefer it to popping open a lawn chair – the imperviousness of the stump being conducive to recording the concrete.
My backside is about eighty-years wide, which is older than my age, which inspires thoughts about backing into predestination, at least where just sitting around on a fine spring day is concerned. Like a bump on a log in a way, and let's face it – the concrete doesn't get much more concrete than that. A splashing sound
comes from the page. I scan the paper like it’s the sky, and I'm waiting for an aerial firework to open, then I find the spot of rain splashed across the phrase think so – think so, is the phrase – which is followed by a second raindrop, this one hitting the word water, causing the ink to run a little.
A one-hundred percent chance – does that even make sense? I picture a barrel of rain, rolling across the plains. Perhaps we should feel lucky for being visited by such a probability – possibly years before it rolls around again.
Rain will undoubtedly fall at this time, we say to our ice-age guests, and they will hold up the one hand like it's rain, hold up the other like it's time, weigh the two sides side-by-side maybe, maybe invent that gesture where the dancer holds both palms above their heads, lifts them up and down like they're raising the roof.
Still, I'm not sure they'll really understand all those computer models, hypotheses wrapping themselves around big-data projects involving sensors and rain gauges deployed across the land, starting centuries ago. Science raised the roof, we might say, at least as far as weather prediction is concerned.
I sense the rain not exactly letting up, retreat to the interior of the performing arts center after taking a few notes.
Along part of the gravel is a long puddle of water from the overnight rain, and I would need but a few fish bones or raccoon tracks to believe the whole thing was situated beside a river, the sort of gravel bed surging with snow melt earlier in the season.
This being the Midwest, higher elevations are usually metaphorical, metaphorical before they are anything else, and I think about the campus surging with graduates this past weekend, the landscape of human potential, in all directions, inundated by them.
Inside now, I see a balloon bouquet along one wall of the concourse, with gold Mylar affirmation – The Best Is Yet to Come! – floating on the end of a ribbon.
A one-hundred percent chance of rain – imagine telling all those graduates, you have a one-hundred percent chance of finding love within a fortnight. Call it a graduation gift, then imagine all those rain gauges quivering in their brackets at the thought of measurements certain to be made, collated, used to improve the algorithms that animate the global gods of rain.
At the far end of the concourse, a lady is teaching a gentleman how to dance – they aren’t touching, aren’t even facing each other – side-by-side – and I hear her call out the moves, move-by-move.
Maybe he’s an actor and she’s going over a certain bit of choreography for an upcoming production. Maybe he’s a restless spirit, and she’s teaching him the art of haunting.
That ghost forest in the gravel outside is adjacent to one of the busiest intersections on campus, and yet, turn your back to it, and it becomes just another element in the stopping and starting of the cosmos.
I could see to either end of the block from that broad, elegant tree stump I was sitting on without really being seen from the street which, along with a lush stand of grass in a nearby raised garden bed, brings to mind the wide-open prairie from centuries past.
I picture deer bounding over golden rod. I picture foxes negotiating cone flowers.
The interior of the performing arts center is designed around the premise of potential – four theaters in league with the cardinal directions, plus a blindingly white amphitheater and a low stage in the concourse itself, where they hand out complimentary spliffs and pass around community bongs during free upbeat life-affirming musical programs, attended by folks after the workday is over, plus a helping of retirees.
Okay, not grass but alcohol, but you get the point – people enjoy shindigs now and then. The lady and gentleman are out of sight, but she’s still giving direction – I can hear their back and forth somewhere around the curve in the wall,
which might stand for the passing of time. I imagine myself performing the pasodoble – no, I take it back. I imagine myself performing the pasodoble – no, I take it back! For real this time! I imagine myself destroying the pasodoble – no, god, my boot heels! The planks on the floor! I take it back!
The sun returns, so I pick up my things, head back out to that secluded space, spend a few minutes admiring the resoundingly designed program of the building.
Preformed white concrete panels are suspended twelve feet off the ground to establish the roof of the entrance. Ninety-degree angles abundantly in evidence. Brick pixelates the angled outer walls with the stuff of the earth. Ultra-high resolution, they call it around the masonic lodge.
Someone in the amphitheater is having their photo taken by a professional – everyone loves to do photo shoots there. She is wearing dark knee socks, a navy jumper and a blue bowl haircut, or maybe it’s a wig – I can’t tell from here. I picture anime or promotional material for this fine spring day.
A squirrel bounds through the grass – then poses in front of me, paws together, as though summoning oration.
A robin alights on the stone cladding of the raised beds, begins to stand exclusively on its left leg. The leg is angled under the center of mass – it’s a practiced move.
No one knows why the American robin does this – maybe it’s like bird meditation, though the memory of the American robin is so specifically extraordinary when it comes to navigation and geospecific locations that effectively, at the sensual level on up, it is living in a reality separate from our own, so who knows what meditation might mean.
They can see the magnetic fields of the earth in their eyes using a protein called cryptochrome, which reacts to magnetism. Cryptochrome – like something from the Marvel universe.
Maybe when the American robin stands on its left leg, it’s spacing out to the daytime reality of solar storms, the whole environment all aflutter with a phenomenology of waves passing around the material world.
The robin and the squirrel go their separate ways, and I feel the temperature drop – ah, me! the pasodoble! – as the next part of the front crosses campus.
A peel of thunder indicates the breaking of the sound barrier by means of electromagnetism and the displacement of gasses. Electromagnetic properties experience disequilibrium as a kind of earthquake in the sky that causes the air to vibrate in an awe-inspiring way – the sound magnetic fields make when they rearrange themselves in a gaseous atmosphere.
We are fluid dwellers, through and through, we humans and mammals and reptiles and amphibians and lichen gnawing on patches of the plaza’s concrete. Maybe from the standpoint of the atmosphere, land is just one big coral reef.
When that perfect destiny began to drop rain, the sound at first was curious, expectant – an all-squinty-eyed-and-kissy-faced sort of rain began to fall that grew into a snowy hum that seemed to have a simple song playing inside it, like someone playing a ukulele in the room next door, singing along.
The gig carries on for twenty minutes or so – an opening act – before the rain begins to march double time through the streets – barely soldiers even when they were soldiers.
Less tactic and more matador, this rain storm, and its boot heel crashes down on the planking of the still-lovely spring day. These magnetic storms are not
for war making, nor fighting bulls, nor even for entertaining that cosmic bird called the American robin. What are they for then?
American robins also configure their flight by the stars, by remembering features on the land, by creating mental maps of it all.
And they swim with both grace and endurance, as they navigate this liquid world, this concrete way of life.
In the moment, they are roosting in a tree, observing the silver magnetic waves marching through the streets. Made of what? The pasodoble! Concrete.
submitted by rdk67 to MetaphysicalWeather [link] [comments]


2024.05.14 00:00 ClaimSalt1697 A MASTER LIST of real world tie-ins to ACOTAR: Part 2—World Map, Items, Terms & Other ✹🌙

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⚠ WARNING: Maasverse Spoilers—Proceed with Caution ⚠

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Part 1: Characters and Courts
Part 2: World Map, Items, Terms & Other - YOU ARE HERE
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If this is the first post you've landed on, see Part 1 above for an introductory explanation to this two part post.


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UK + IRELAND

PRYTHIAN
A combination of Prydain, the old Welsh name for Britain, and Brython, which translates to “Ancient Britons” from Welsh.
HYBERN
A riff of Hibernia, the Classical Latin name for Ireland.

Artist of Prythian map: P-dulcis on redbubble

ADDITIONAL EUROPEAN-PARALLEL LOCATIONS

ILLYRIA
The Ancient Greeks used the term Illyria to define a region in the western part of the Balkan Peninsula. The numerous peoples who populated those areas were known collectively as the Illyrians. The region itself is quite mountainous.
THE MIDDLE
May refer to the Midlands, the central part of England, though geographically the Prythian map places the Middle central to Prythian, not central to England; with the Prythian inclusion of Scotland, the Middle on Prythian maps is located further north than the actual Midlands of England.
UNDER THE MOUNTAIN
A potential nod to the Schiehallion, a cone-shaped mountain often referred to as the center of Scotland. It's name comes from the Gaelic SĂŹth Chailleann, meaning "fairy hill of the Caledonians." On the southwestern side of the mountain is said to lie the well-concealed Uamh Tom a' MhĂČr-fhir, a cave serving as an entrance to the underworld.
Note: As the Schiehallion lies in the middle of Scotland (the Night Court) and not the middle of mainland UK (Prythian), the Sciehallion could instead be representative of Ramiel.
THE WESTERN ISLES
May refer to the Outer Hebrides, also known as the Western Isles, which is an island chain off the west coast of mainland Scotland. They are also sometimes known as Innse Gall, a Gaelic term meaning "islands of the foreigners/strangers" which was originally used by mainland Highlanders when the islands were ruled by the Norse.
ACOTAR role: The Prison is located in the Western Isles.
THE PRISON
Though located in the Inner Hebrides of Scotland rather than the Outer, the Prison may be a nod to Beinn Shiantaidh, which is Scottish Gaelic for "holy mountain." It is located on the western side of the Island of Jura and is the second highest peak of the Paps of Jura.
Fun fact: Pap is of Old Norse origin and means breast.
VALLAHAN
Valhalla is the hall of slain warriors in Norse mythology, located in Asgard, where those who die in combat live in peace under the leadership of the god, Odin. They are said to dwell in Valhalla until the events of Ragnarök, where they will then march out to fight in aid of Odin against the jötnar, a type of being in Germanic mythology.
ACOTAR role: A faerie territory located in the northwest portion of the Continent.
ADRIATA
The Adriatic Sea is located in Southern Europe and separates the Italian Peninsula from the Balkan Peninsula. It contains more than 1,300 islands.
BOG OF OORID
The Oorid Lough is a freshwater lake in the west of Ireland.
CRETEA
Crete is the largest and southernmost island in Greece.
ACOTAR role: Where Miryam and Drakon's people lived following the War.
LAPPLUND
Lapland is a geographic region in Northern Fennoscandia which covers much of the Nordic countries. It is also a province of Sweden and the largest region of Finland.
ACOTAR role: Where the Cauldron was hidden.
ITICA
Ithaca is an island featured in the Odyssey and was the island home of Odysseus. It is also a real island in Greece. The Kathara Monastery is located in Ithaca.
ACOTAR role: Itica is one of three temples where the feet of the Cauldron were hidden.
MONTESERE
Montserrat is a mountain range near Barcelona.
ACOTAR role: Montesere is a fae territory located in the Continent's NW and is considered generally wealthy. They allied with the loyalists in the War.
RAVENNIA
Ravenna is located in Northern Italy and was the capital of the Western Roman Empire.
ACOTAR role: Ravenna is a fae territory on the Continent and allied with the Loyalists during the War.
DUNMERE
Dunmere is a hamlet in Cornwall, England.
ACOTAR role: Dunmere is a town located within the Night Court, between Velaris and the sea.
NEVA
The Neva is the fourth-largest river in Europe and is located in northwestern Russia.
ACOTAR role: One of the largest human cities on the Continent and is where the Archeron sisters' father travels to trade.
SCYTHIA
The Scythians were an ancient Eastern Iranic equestrian nomadic people who migrated from Central Asia to the steppes of modern-day Ukraine and Southern Russia.
ACOTAR role: One of the territories of the human lands on the Continent, ruled by Queen Vassa. They are said to be a horse loving people.
ROSEHALL
Rosehall is the name of a remote hamlet in the Scottish Highlands.
Fun fact: The 2nd Duke of Westminster acquired the Rosehall estate and his mistress at the time, Coco Chanel, redecorated the interior to her own liking. Winston Churchill, a close friend of the Duke, also visited the estate.
ACOTAR role: Mentioned in ACOFAS and is theorized to be the place where Azriel's mother resides.

AFRICA-PARALLEL LOCATIONS

THE BLACK LAND
Black Land translates from Kemet, a popular ancient name for Egypt, which is derived from the color of the fertile black soil along the cultivated area of the Nile valley.
ACOTAR role: A region of the continent where human slaves were ruled over by a High Fae queen. Miryam and Drakon joined the mortals in the War and freed Miryam's people by crossing the desert and eventually the sea.
THE ERYTHRIAN SEA
The Erythraean Sea, originally an Ancient Greek geographical designation, has been used as a name for the Red Sea which lies between Africa and Asia.
ACOTAR role: Drakon used his magic to split the Erythian Sea.

ASIA-PARALLEL LOCATIONS

XIAN
Xi'an is the the most populous city in Northwest China snd the second most popular tourist destination in China.
ACOTAR role: A Fae territory on the Continent that allied with the Loyalists during the War. A large majority of the Dawn Court is made of Fae from Xian, including Thesan's mother. Feyre remarks that Amren may have molded her mortal body after their peoples.
BHARAT
Bhārat is one of the two principal official short names for the Republic of India.
ACOTAR role: The Archerons lost their fortune when their father's ships sank on the way to Bharat.
RASK
May refer to Rask, a city in Iran, that serves as both capital of its county and district.
ACOTAR role: A Fae territory on the Continent and allied with the Loyalists during the War.

ADDITIONAL LOCATIONS

VELARIS
Possibly derived from the Latin vēlo, meaning "to veil, cover, wrap" along with "to hide, conceal" and "to clothe in." Could also derive from the Latin vēlum, meaning "to veil, curtain" and also indicates a tarpaulin acting as cover for outdoor spaces.
THE WALL
No singular reference, but the presence of a wall separating one race from another, often humans from mythical beings, is rife throughout history, mythology, and fantasy.
One from each category that has loose ties to ACOTAR: (1) Hadrian's Wall, ie the Roman Wall, a defensive fortification of the Roman province of Britannia. It spanned from coast to coast, cutting across the entire width of Northern England. (2) In Norse mythology, the Master Builder asking for the hand of the goddess Freyja as payment for constructing a wall around Asgard to defend the gods. (3) The English village of Wall in Neil Gaiman's Stardust, named after the wall separating the land of Faerie from the mortal realm, highly guarded and cautioned against for mortals seeking to pass through.
THE MOONSTONE PALACE
Romans linked moonstone to the moon goddess Diana (goddess of wild animals and the hunt) and Ancient Greeks linked it to their lunar deities Artemis, Hecate, and Selene.
SIDRA RIVER
Sidra is a name of Latin origin and means "Goddess of the stars" or "like a star."
RAMIEL
Ramiel is a fallen Watcher, a type of Biblical angel, one of the 20 Watchers that rebelled against God by mating with mortal women, therefore creating the Nephilim (Shadowhunters, anyone?). Ramiel means "God has thundered." Ramiel is sometimes conflated with Remiel, also known as Jeremiel, meaning "God shall have mercy," as is listed as one of the seven Holy Angels. He is the archangel of hope and is responsible for divine visions and guiding the souls of the faithful into Heaven.
POOL OF STARLIGHT
No plausible connection found, though there is a famous pool in Greek mythology—a pool Mnemosyne presided over in Hades, counterpart to the river Lethe. Dead souls would drink from Lethe to wipe their past lives from remembrance when reincarnated. Those who drank from Mnemosyne's pool remembered and halted their transmigration of the soul.
ATHELWOOD
Ethel (also aethel) is an Old English word meaning "noble." Athelwood can mean "noblewood."
ACOTAR role: Morrigan's estate located in the Night Court.
GOLLIAN MOUNTAINS
Göll is one of the named Valkyries from Norse mythology. Her name means "tumult," or "noise, battle."
ACOTAR role: Where the Valkyries were slain during the War.
MYRMIDONS
In Ancient Greek mythology, the Myrmidons were an Ancient Greek tribe. In the Iliad, they are the soldiers commanded by Achilles. Myrmidon has also come to mean "a follower or subordinate of a powerful person, typically one who is unscrupulous or carries out orders unquestioningly."
ACOTAR role: A set of mountains serving as the border between the Day Court and the Night Court from which the Illyrians migrated.
CESERA
No direct reference found, but may allude to Caesarea, the name of numerous cities and locations throughout the Roman Empire.
ACOTAR role: One of three temples where the feet of the Cauldron were hidden.
SANGRAVAH
No direct reference found (and I lost my mind searching for one). Closest I came to was the similarly sounding Angharad, a feminine Welsh name, long associated with Welsh royalty, history, and myth, including Arthurian legend.
ACOTAR role: One of three temples where the feet of the Cauldron were hidden.
GREENFIELD VILLAGE
No direct connection found, though Greenfield is the name of several villages of England.
ACOTAR role: A neighboring village to where Feyre grew up and where Isaac Hale's wife is from.
WINDHAVEN CAMP
No connection found, though a separate Windhaven also appears in Tower of Dawn in the TOG series. Altun—Windhaven being the rough translation—is located in a three-peaked mountain range and is the home of Sartaq's hearth-mother and family.
Fun fact: Windhaven is the name of a science-fiction novel by George R. R. Martin and Lisa Tuttle following a group of humans who crash-landed on a foreign planet and learned to craft their own wings out of the spaceship wreckage.
THE WOLF'S DEN
No connection found, BUT fun fact: there is a named Wolf's Den castle in George R. R. Martin's A Song of Ice and Fire series (aka Game of Thrones) that now serves as a prison. "All the days were much the same inside the Wolf's Den, and any change was usually for the worse." A Dance with Dragons, Ch 29
ACOTAR role: The name of the worst tavern in Velaris that Nesta is known to frequent.
SILVERSPRING CREEK
No plausible connection found, BUT fun fact: "Silver Springs" is a song written by Stevie Nicks, performed by Fleetwood Mac, and is so strongly ACOTAR-coded even my non-loving playlist-to-book self can't deny it. If you want more bread crumbles that SJM is a Stevie Nicks fan, "Rhiannon" and it's lyric origins have potential ties to the Rhiannon of TOG.
You could be my silver spring
Blue-green colors flashin'
I would be your only dream
Your shinin' autumn ocean crashin'
Time cas t a spell on you,
but you won't forget me
I know I could have loved you
But you would not let me
ACOTAR role: Silverspring Creek is a stream running through Feyre's human village, near where she hunted rabbits.
STRYGA'S CASTLE
No direct reference found, but due to Stryga/the Weaver resembling a female demon akin to a vampire in Slavic mythology (see the Monster section above), it is possible Stryga's former home, before she was confined to her cottage, is reminiscent of Bram Stoker's 1897 Dracula and the Transylvanian Castle complete with three vampiric sister brides who entice men with their beauty and charm before proceeding to feed upon them.

The Night Sky

ARKTOS
Arktos, also written Arctus, means "bear" in Ancient Greek. Arktos was a centaur who fought against the Lapith spearmen. The Arktos Megale (aka Ursa Major, the Great Bear) is one of the original 48 constellations listed by Ptolemy who drew on earlier works by Greek, Egyptian, Babylonian, and Assyrian astronomers.
ACOTAR role: One of the three regarded holy stars (the furthest left star) of the Illyrians and serves as part of the symbol for the Night Court. The echelon of Arktosian is reserved for Illyrians who survive the Blood Right but fail to reach Ramiel.
CARYNTH
May refer to Corinth, an ancient city that was one of the largest and most important of Greece, or Carinthia, the southernmost Austrian state in the Eastern Alps, noted for its mountains and lakes.
ACOTAR role: One of the three regarded holy stars (the middle star) of the Illyrians and serves as part of the symbol for the Night Court. The echelon of Carynthian is reserved for Illyrians who scale the summit of Ramiel during the Blood Rite and are considered elite warriors.
ORISTES
Orestes (also spelled Orestes) means "stands on a mountain" and he is the subject of several Ancient Greek plays and myths concerning his madness and purification.
ACOTAR role: One of the three regarded holy stars (the furthest right star) of the Illyrians and serves as part of the symbol for the Night Court. The echelon of Oristian is reserved for Illyrians who make it to the Ramiel during the Blood Rite but don't reach the top.
Locations not listed: A slew of various more minor locations have not been listed, including the Four Market Squares of Velaris, certain cottages and houses, and even the Ironcrest Illyrian war-camp.

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THE CAULDRON
There are many magical cauldrons present in various mythologies, one being the Pair Dadeni in Welsh mythology, a magical cauldron able to resurrect the dead, and the coire ansic of Irish mythology, the cauldron of the chief god of the Tuatha DĂ© Danann, which never ran empty.
TRUTH-TELLER
Possibly inspired by Fragarach, an Irish mythological sword known as "The Whisperer" or "The Answerer." It was the sword of Nuada, the first high king; it was said that no one could tell a lie with Fragarach at their throat and that the sword inflicting wounds from which no one could recover.
THE HARP
May refer to the uaithne, the magical harp of the Dagda, the chief god of the Tuatha DĂ© Danann in Irish mythology. It could control men's emotions and change the seasons.
THE MASK
In Egyptian culture, death masks were designed to guide the spirits of those mummified into the next world.
THE UNKNOWN 4th TROVE ITEM
Seen in a vision by Nesta via Lathys, which we now know to be the Horn, and may refer to the Gjallarhorn of Norse mythology, the sound of which is said to herald the beginning of Ragnarok.
ATARAXIA
Ataraxia, in Ancient Greek philosophy, was a state of calmness untroubled by mental or emotional disquiet, ie tranquility of the mind. It was considered the ideal mental state for soldiers entering battle.
ACOTAR Role: Nesta's Made sword.
GWYDION
Gwydion is a name meaning "born of the trees" and is the given name of Gwydion fab DĂŽn, a magician, hero, and trickster of Welsh mythology. Caer Wydion, the castle of Gwydion, was the traditional Welsh name for the Milky Way.
ACOTAR role: The Starsword and twin to Truth-Teller.
NARBEN
No direct reference found, though narben in German means "scar."
ACOTAR role: A lost sword from the Dread Trove.
OUROBOROS MIRROR
The ouroboros is an ancient symbol of a serpent or a dragon eating its own tale, first present in ancient Egyptian iconography and the Greek magical tradition, the term itself deriving from Ancient Greek. It has been used frequently and extensively throughout fantasy literature. It often symbolizes the cycle of life, death, and rebirth.
BOOK OF BREATHINGS
The Books of Breathing are a set of ancient Egyptian funerary texts that are intended to enable those deceased to continue their existence in the afterlife. It is a simplified form of the Book of the Dead.
VERITAS ORB
Veritas is of Latin origin meaning "truth." It is the name for the Roman virtue of truthfulness and in Roman mythology, Veritas is the Goddess of Truth. Universities and colleges such as Harvard use the term veritas as their motto.
SYMPHONIA
Symphonia is Greek in origin and was used to denote a variety of musical instruments.
AMARANTHA'S NECKLACE AND RING (JURIAN'S FINGER AND EYE)
Jurian's finger bone and eye, kept by Amarantha, are reminiscent of relics and reliquaries, often religious in nature. Relics typically consist of the physical remains or personal affects of a saint and the reliquary is the container that holds them.
FAEBANE
Possibly inspired by wolfsbane (aka aconite or monkshood), a poisonous flower ancient Greeks would poison arrows and bait with to hunt wolves. It is lethal and often fatal and is an oft-used plant and poison within the fantasy genre.
Fun fact: In Shakespeare's Hamlet, Hamlet himself was killed with an aconite-laced blade.

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DAEMATI
Potentially a combination of the Greek word dae (to give) and the concept of mati, labeled as "the evil eye" in Greek classical antiquity. Daemati may effectively mean "to give the evil eye."
THE WEAVER'S SONG
The Weaver's song, sung when Feyre was stealing Rhysand's ring from her cottage, is similar to "The Twa Sisters," a traditional murder ballad dating back to mid 17th century England. It tells of two sisters who travel down to a body of water where the older one pushes the younger one in. A harp or a fiddle is then made out of the murdered sister's body, which plays itself and sings about her murder.
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To revisit Part 1: Characters & Courts, click HERE
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2024.05.13 23:42 TradedMedia Lisa Tracey & Daniel J. Waldman Close $2.5M Office Sale In Walpole, MA

An office space at 1 Fox Hill Drive in Walpole, MA, was successfully sold for $2,500,000. The property spans approximately 4,500 square feet, resulting in a price per square foot of $556.

Summary of transaction details:

Lisa Tracey from Re/Max represented the buyer on the deal, while the seller was represented by Daniel J. Waldman from Waldman & Associates. Dan Waldman of Waldman Associates managed the transaction for the sale of the office space, which had previously been listed unsuccessfully by national and local brokerages.
Learn More: Lisa Tracey & Daniel J. Waldman Close $2.5M Office Sale In Walpole, MA
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2024.05.13 20:06 SanderSo47 Part 1

As Reddit doesn't allow posts to exceed 40,000 characters, Eastwood's edition had to be split into two parts because his whole career cannot be ignored. The second part will be posted tomorrow.

Here's a new edition of "Directors at the Box Office", which seeks to explore the directors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Clint Eastwood's turn.
Eastwood was a troublemaker at school, and he had a bunch of odd jobs such as lifeguard, paper carrier, grocery clerk, forest firefighter, and golf caddy. In 1951, he was drafted into the United States Army during the Korean War and was discharged two years later. Through this, he got into contact with a Hollywood representative, who got him into acting classes and started his acting career. He got his start by starring in the hit show Rawhide, but he said he was exhausted by the experience. This caught the attention of some film producers and he decided to act in films directed by the then-unknown Sergio Leone. His career was on the rise, and then he got the chance to make his directorial debut.
From a box office perspective, how reliable was he to deliver a box office hit?
That's the point of this post. To analyze his career.

It should be noted that as he started his career in the 1970s, some of the domestic grosses here will be adjusted by inflation. The table with his highest grossing films, however, will be left in its unadjusted form, as the worldwide grosses are more difficult to adjust.

Play Misty for Me (1971)

"The scream you hear may be your own!"
His directorial debut. It stars Eastwood, Jessica Walter and Donna Mills, and follows a radio disc jockey being stalked by an obsessed female fan.
Before his colleague Irving Leonard died, he and Eastwood had discussed the idea of producing a film that was to give Eastwood the artistic control he desired, and his debut as a director. Eastwood said he was ready, "I stored away all the mistakes I made and saved up all the good things I learned, and now I know enough to control my own projects and get what I want out of actors."
The film was a huge success for Eastwood, and it also received positive reviews. So far, his directorial career was off to a great start.

High Plains Drifter (1973)

"They'd never forget the day he drifted into town."
His second film. The film stars Eastwood, Verna Bloom and Mariana Hill, and follows a mysterious stranger who metes out justice in a corrupt frontier mining town.
Eastwood reportedly liked the offbeat quality of the film's original nine-page proposal and approached Universal with the idea of directing it, which would make it his first directed Western. The screenplay was inspired by the real-life murder of Kitty Genovese in Queens in 1964, which eyewitnesses reportedly stood by and watched. Holes in the plot were filled in with black humor and allegory, influenced by Sergio Leone.
It was well received, and the film even surpassed Play Misty for Me at the box office. Eastwood was just going up.

Breezy (1973)

"Her name is Breezy."
His third film. It stars William Holden and Kay Lenz, and follows the relationship between a middle-aged real estate agent and a young hitchhiker.
This was his first directed film without starring on it. And his lack of presence certainly hurt the film; it received mixed reviews and flopped at the box office.

The Eiger Sanction (1975)

"His lifeline, held by the assassin he hunted."
His fourth film. Based on the novel by Trevanian, the film stars Eastwood, George Kennedy, Vonetta McGee, and Jack Cassidy. It follows Jonathan Hemlock, an art history professor, mountain climber, and former assassin once employed by a secret government agency, who is blackmailed into returning to his deadly profession for one last mission.
The film received mixed reactions for its writing, and it wasn't a box office success either.

The Outlaw Josey Wales (1976)

"An army of one."
His fifth film. Based on the novel Gone to Texas by Forrest Carter, it stars Eastwood, Chief Dan George, Sondra Locke, Bill McKinney and John Vernon. The film tells the story of Josey Wales, a Missouri farmer whose family is murdered by Union militia during the Civil War. Driven to revenge, Wales joins a Confederate guerrilla band and makes a name for himself as a feared gunfighter. After the war, all the fighters in Wales' group except for him surrender to Union soldiers, but the Confederates end up being massacred. Wales becomes an outlaw and is pursued by bounty hunters and Union soldiers as he tries to make a new life for himself.
Eastwood was fascinated by the novel and he bought the film rights, hoping to star on the film. He got Philip Kaufman involved as screenwriter and possible director, but left after disagreeing with Eastwood in the material adapted to the screen. Kaufman insisted on filming with a meticulous attention to detail, which caused disagreements with Eastwood, not to mention the attraction the two shared towards Locke and apparent jealousy on Kaufman's part in regard to their emerging relationship. This caused Eastwood to take over as the director. Kaufman's firing angered the DGA, as he did most of the pre-production, and sanctioning a $60,000 fine. This resulted in the Director's Guild passing a new rule, known as "the Eastwood Rule", which prohibits an actor or producer from firing the director and then personally taking on the director's role.
The film received critical acclaim, and in subsequent years, is ranked among Eastwood's greatest films. It was also a huge success at the box office, doubling his previous highest grossing film. It was also one of the few Western films to receive critical and commercial success in the 1970s at a time when the Western was thought to be dying as a major genre in Hollywood.

The Gauntlet (1977)

"The man in the middle of..."
His sixth film. It stars Eastwood, Sondra Locke, Pat Hingle, William Prince, Bill McKinney, and Mara Corday. It follows a down-and-out cop who falls in love with a prostitute, to whom he is assigned to escort from Las Vegas to Phoenix for her to testify against the mob.
While it received mixed reviews, it became another box office success for Eastwood, becoming his now highest grossing film.

Bronco Billy (1980)

"The most outrageous of 'em all."
His seventh film. The film stars Eastwood and Sondra Locke, and focuses on the financially-struggling owner of a traditional Wild West show and his new assistant.
It became another critical and commercial success for Eastwood, who referred to the film as one of his most affable shoots of his career.

Firefox (1982)

"The most devastating killing machine ever built... his job... steal it!"
His eighth film. Based on the novel by Craig Thomas, it stars Eastwood, Freddie Jones and David Huffman. The Soviets have developed a revolutionary new jet fighter, called "Firefox". Naturally, the British are worried that the jet will be used as a first-strike weapon, as rumors say that the jet is undetectable on radar. They send ex-Vietnam War pilot Mitchell Gant on a covert mission into the Soviet Union to steal the Firefox.
The film received mixed reviews, but it earned almost $47 million, becoming Eastwood's highest grossing title as director.

Honkytonk Man (1982)

"The boy is on his way to becoming a man. The man is on his way to becoming a legend."
His ninth film. It's based on the novel by Clancy Carlile, and it stars Eastwood and his son Kyle. It follows Red Stovall, a country music singer and composer. With his nephew Whit by his side, he travels to Nashville to perform at the Grand Ole Opry in the backdrop of the Great Depression.
While the film received acclaim, it earned just $4.4 million, becoming his second worst performer.

Sudden Impact (1983)

"Dirty Harry is at it again."
His tenth film. The fourth installment in the Dirty Harry series, directed, it stars Eastwood and Sondra Locke. The film tells the story of a gang rape victim who decides to seek revenge on her rapists 10 years after the attack by killing them one by one. Inspector Harry Callahan, famous for his unconventional and often brutal crime-fighting tactics, is tasked with tracking down the serial killer.
The film received mixed reviews from critics, but it earned over $150 million worldwide, Eastwood's first film to pass that milestone. It's also very popular for including the iconic catchphrase, "Go ahead, make my day."

Tightrope (1984)

"A cop on the edge..."
His 11th film. It stars Eastwood, GeneviĂšve Bujold, Dan Hedaya, Alison Eastwood and Jennifer Beck, and follows a detective determined to hunt down a sadomasochistic serial killer of prostitutes.
The film became another critical and commercial success for Eastwood.

Pale Rider (1985)

"...And Hell followed with him."
His 12th film. It stars Eastwood, Michael Moriarty and Carrie Snodgress. A couple and their daughter, along with a few others, are driven out of Lahood, California, by goons working for a mining baron. However, a stranger enters their life to assist them in their fight.
There was no stopping Eastwood: another critical and commercial success.

Heartbreak Ridge (1986)

"The scars run deep."
His 13th film. It stars Eastwood, Marsha Mason, Everett McGill, and Mario Van Peebles. The story centers on a U.S. Marine nearing retirement who gets a platoon of undisciplined Marines into shape and leads them during the American invasion of Grenada in 1983.
The film was inspired by an account of American paratroopers of the 82nd Airborne Division using a pay telephone and a credit card to call in fire support during the invasion of Grenada, and fashioned a script of a Korean War veteran career Army non-commissioned officer passing on his values to a new generation of soldiers. Eastwood was interested in the script and asked his producer, Fritz Manes, to contact the US Army with a view of filming the movie at Fort Bragg. However, the Army read the script and refused to participate, due to Highway being portrayed as a hard drinker, divorced from his wife, and using unapproved motivational methods to his troops, an image the Army did not want.
It received mixed reviews, with some deeming the film as "imperialist propaganda". But it was still another box office success.

Bird (1988)

"There are no second acts in American lives."
His 14th film. The film stars Forest Whitaker and Diane Venora. It is constructed as a montage of scenes from saxophonist Charlie Parker's life, from his childhood in Kansas City, through his early death at the age of 34.
Eastwood, a lifelong fan of jazz, had been fascinated by Parker ever since seeing him perform live in Oakland in 1946. He approached Chan Parker, Bird's common-law wife on whose memoirs the script was based, for input, and she lent Eastwood and arranger Lennie Niehaus a collection of recordings from her private collection Before Eastwood was involved, Richard Pryor was originally cast as Parker.
Despitive positive reviews, it performed poorly, earning just $2.2 million in North America.

White Hunter Black Heart (1990)

"An adventure in obsession."
His 15th film. Based on the novel by Peter Viertel, it stars Eastwood, Jeff Fahey, George Dzundza, Alun Armstrong and Marisa Berenson. It follows a famous movie director, John Wilson, who goes to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than take care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else.
Despite positive reviews, it made just $2.3 million domestically, not even 10% of the budget.

The Rookie (1990)

His 16th film. The film stars Eastwood, Charlie Sheen, Raul Julia, SĂŽnia Braga, Lara Flynn Boyle, and Tom Skerritt. It follows a veteran police officer teamed up with a younger detective, whose intent is to take down a German crime lord in downtown Los Angeles, following months of investigation into an exotic car theft ring.
It received negative reviews for its acting and story, and it became another flop for Eastwood. That's three bombs in a row. Ouch.

Unforgiven (1992)

"Some legends will never be forgotten. Some wrongs can never be forgiven."
His 17th film. It stars Eastwood, Gene Hackman, Richard Harris and Morgan Freeman. It follows William Munny, a widower with two young kids, who was once a very vicious gunfighter who gave up everything after marriage. Now, a man named Schofield Kid brings him an offer that he cannot refuse, forcing him to come out of retirement for one last job.
David Webb Peoples wrote the script all the way back to 1976, and it was optioned by Francis Ford Coppola, but he lacked the funds needed to helm it. By Eastwood's own recollection, he was given the script in the "early 80s" although he did not immediately pursue it, because, according to him, "I thought I should do some other things first". Eastwood has long asserted that the film would be his last traditional Western, concerned that any future projects would simply rehash previous plotlines or imitate someone else's work. He dedicated the film to his close friends and mentors Sergio Leone and Don Siegel. Hackman initially refused to participate as his daughters were upset that he was starring in too many violent films, but he became fascinated by the script that he agreed.
It opened with $15 million and it legged all the way to $100 million after playing for almost one year, closing with $159 million worldwide, his now highest grossing film. The film received Eastwood's best reviews of his career, with many considering the film as his magnum opus as director. It received 9 Oscar nominations, and won four: Best Picture and Best Director for Eastwood, Best Supporting Actor for Hackman, and Best Film Editing. So Eastwood, on top of being a reliable box office draw, was now a 2-time Oscar winner.

A Perfect World (1993)

His 18th film. Kevin Costner, Eastwood and Laura Dern, and follows an escaped convict who takes a young boy hostage and attempts to escape on the road with the child, while being pursued by a Texas Ranger.
The film received critical acclaim, and has appeared as one of Eastwood's best films. The film disappointed in North America, but it earned up to $100 million overseas (Eastwood's first film to gross that much) and ended with $135 million worldwide.

The Bridges of Madison County (1995)

"The human heart has a way of making itself large again even after it's been broken into a million pieces."
His 19th film. Based on the novel by Robert James Waller, it stars Eastwood and Meryl Streep. The film is set in 1965, following a war bride, Francesca Johnson, who lives with her husband and two children on their Iowa farm. That year she meets National Geographic photojournalist, Robert Kincaid, who comes to Madison County, Iowa to photograph its historic covered bridges. With Francesca's family away for a short trip, the couple have an intense, four-day love affair.
It received more critical acclaim, and made over $180 million worldwide, becoming his highest grossing film. For her performance, Streep was nominated for an Oscar for Best Actress.

Absolute Power (1997)

His 20th film. Based on the novel by David Baldacci, it stars Eastwood, Gene Hackman, Ed Harris, Laura Linney, Judy Davis, Scott Glenn, Dennis Haysbert, and Richard Jenkins. It follows a master jewel thief who witnesses the killing of a woman by Secret Service agents.
It received mixed reviews, and disappointed at the box office.

Midnight in the Garden of Good and Evil (1997)

"Welcome to Savannah, Georgia. A Ccty of hot nights and cold blooded murder."
His 21st film. Based on the book by John Berendt, it stars John Cusack and Kevin Spacey. It follows the story of antiques dealer Jim Williams, on trial for the killing of a male prostitute who was his lover. The multiple trials depicted in Berendt's book are combined into one trial for the film.
It received mediocre reviews, and flopped at the box office.

True Crime (1999)

His 22nd film. Based on the novel by Andrew Klavan, it stars Eastwood, Isaiah Washington, Denis Leary, LisaGay Hamilton and James Woods. It follows a journalist covering the execution of a death row inmate, only to discover that the convict may actually be innocent.
This was another project that received mediocre reviews and flopped at the box office.

Space Cowboys (2000)

"Boys will be boys."
His 23rd film. It stars Eastwood, Tommy Lee Jones, Donald Sutherland, and James Garner as four aging former test pilots who are sent into space to repair an old Soviet satellite.
It received very positive reviews, and earned over $128 million worldwide.

Blood Work (2002)

"He's a heartbeat away from catching the killer."
His 24th film. Based on the novel by Michael Connelly, it stars Eastwood, Jeff Daniels, Wanda De JesĂșs, and Anjelica Huston. It follows a retired FBI agent who recently had a heart transplant but still takes up the job to nab a killer.
It was another film with mediocre reviews and flop status.

Mystic River (2003)

"We bury our sins, we wash them clean."
His 25th film. Based on the novel by Dennis Lehane, it stars Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden, and Laura Linney. It follows three childhood friends who are reunited 25 years later when one of them suffers a family tragedy.
Michael Keaton was originally cast in the role of Det. Sean Devine, and did several script readings with the cast, as well as his own research into the practices of the Massachusetts Police Department. However, creative differences between Keaton and Eastwood led to Keaton leaving the production. He was replaced by Kevin Bacon. This was the first film in which Eastwood would be credited as composer.
The film had a slow roll-out, but it was aided by strong word of mouth, closing with a wonderful $156 million worldwide. It also received acclaim, and was named as one of Eastwood's greatest films. Sean Penn received universal acclaim for his performance, with some naming it among the best acting of the century, particularly for one scene (if you watched it, you definitely know which scene). It received 6 Oscar nominations, including Best Picture and Best Director for Eastwood. It won two: Best Actor for Penn and Best Supporting Actor for Robbins.

Come back tomorrow for Part 2

MOVIES (FROM HIGHEST GROSSING TO LEAST GROSSING)

No. Movie Year Studio Domestic Total Overseas Total Worldwide Total Budget
x The Bridges of Madison County 1995 Warner Bros. $71,516,617 $110,500,000 $182,016,617 $22M
x Unforgiven 1992 Warner Bros. $101,167,799 $58,000,000 $159,167,799 $14.4M
x Mystic River 2003 Warner Bros. $90,135,191 $66,460,000 $156,595,191 $25M
x Sudden Impact 1983 Warner Bros. $67,642,693 $83,000,000 $150,642,693 $22M
x A Perfect World 1993 Warner Bros. $31,130,999 $104,000,000 $135,130,999 $30M
x Space Cowboys 2000 Warner Bros. $90,464,773 $38,419,359 $128,884,132 $60M
x Heartbreak Ridge 1986 Warner Bros. $42,724,017 $78,975,983 $121,700,000 $15M
x Absolute Power 1997 Sony $50,068,310 $42,700,000 $92,768,310 $50M
x Tightrope 1984 Warner Bros. $48,143,579 $0 $48,143,579 N/A
x Firefox 1982 Warner Bros. $46,708,276 $0 $46,708,276 $21M
x Pale Rider 1985 Warner Bros. $41,410,568 $0 $41,410,568 $6.9M
x The Gauntlet 1977 Warner Bros. $35,400,000 $0 $35,400,000 $5.5M
x The Outlaw Josey Wales 1976 Warner Bros. $31,800,000 $0 $31,800,000 $3.7M
x Blood Work 2002 Warner Bros. $26,235,081 $5,559,637 $31,794,718 $50M
x Midnight in the Garden of Good and Evil 1997 Warner Bros. $25,105,255 $0 $25,105,255 $30M
x Bronco Billy 1980 Warner Bros. $24,265,659 $0 $24,265,659 $6.5M
x The Rookie 1990 Warner Bros. $21,633,874 $0 $21,633,874 $30M
x True Crime 1999 Warner Bros. $16,649,768 $0 $16,649,768 $55M
x High Plains Drifter 1973 Universal $15,700,000 $0 $15,700,000 $5.5M
x The Eiger Sanction 1975 Universal $14,200,000 $0 $14,200,000 $9M
x Play Misty for Me 1971 Universal $10,600,000 $0 $10,600,000 $950K
x Honkytonk Man 1982 Warner Bros. $4,484,991 $0 $4,484,991 $2M
x White Hunter Black Heart 1990 Warner Bros. $2,319,124 $0 $2,319,124 $24M
x Bird 1988 Warner Bros. $2,181,286 $0 $2,181,286 $14M
x Breezy 1973 Universal $200,000 $17,753 $217,753 $750K

The Verdict

Hope you liked this edition. You can find this and more in the wiki for this section.
The next director will be Robert Zemeckis. One of the biggest falls from grace.
I asked you to choose who else should be in the run and the comment with the most upvotes would be chosen. It had to be a controversial filmmaker. Well, we'll later talk about... Zack Snyder. Oh, BoxOffice chose fuego đŸ”„
This is the schedule for the following four:
Week Director Reasoning
May 20-26 Robert Zemeckis Can we get old Zemeckis back?
May 27-June 2 Richard Donner An influential figure of the 70s and 80s.
June 3-9 Ang Lee What happened to Lee?
June 10-16 Zack Snyder RIP Inbox.
Who should be next after Snyder? That's up to you.
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2024.05.13 19:41 TypewriterTypeWrote [SF] 'Diamonds' Part 3 (Part of the 'Human Nature' series)

PART 3

Max woke in the night to a plinking sound. He had fallen asleep crying over Scat, treat bag and collar on the table in full view. His eyes were blurry and sore, his nose was runny and sore and the nature channel was his distraction. Ruth was letting off a lovely glow and it warmed him to think of Scat so lovingly curled around her, day in and day out. He let out an almost-sob. He didn’t want to give her back. Didn’t want to wake up.
Eventually Max pried one eye open and surveyed the room. TV still on, duvet still over him, the floor wasn’t wet and the ceiling wasn’t leaking, so where was the

Plink.
Ruth.
Max sighed and rolled over, the duvet making a break for the floor before being dejectedly scooped up again and deposited back across his lap. The small cloud of Scat’s fur wafted off the floorboards and turned Max’s heart. He contemplated going back to the escape of sleep, but finally sat and rubbed his eyes, held his aching head in his hands for a moment and, dropping his hands and lolling his head back, Ruth came into focus. The central glass disc that she had made like a rosette for herself had grown, bloated out. It looked a bit like a tortoise shell, glittery and iridescent and very Ruth, except now, it had

“Diamonds!” Max yelped, miraculously fully awake.
There, underneath the bulbous disc was a tiny pile of painfully perfect diamonds, so exuberant in colour they seemed almost alive. He could see clean through the pile itself each one was so clear, with a miniature rainbow refracted inside. They were scattered across the table and he realised they were dropping from all over the glass tubes, the largest ones plinking from the central disc.
“Holy cow! What the hell, Ruth! This is amazing! I mean, how did you do that?”
Ruth plinked another diamond from the disc, meanwhile the bobbing gyroscopic mass that had accumulated in the disc decided to bob itself towards Max and answer him with a spiral of flashes and disco lights.
“You really are a crazy, crazy little thing, you know that?” he asked, picking up a diamond and examining it against Ruth’s emitted light show. He threw his t-shirt across the table top and spread the diamonds out on it. There must have been fifteen of them, simply perfect and all different shapes to each other, irregular and yet symmetrical.
Max collapsed into the dining chair next to the table.
Why did they happen today? Why now of all days? It had been nearly a week since he was entrusted with Ruth and she seemed pretty stable up till yesterday. She had grown that diamond factory bulge that reminded him of a tortoise, yes, but now it almost looked like an expensive, old-fashioned sweet dispenser that you get in the bowling alley or in the shopping centres in posh areas. The kind they stuck between the raised beds of fake forest-looking plants in the food court, the kind that were there to tempt the kids after their unfulfilling and unappreciated fast-food dine-outs but used all your pocket money for one jaw-breaker.
Max tried to backtrack. What had he done differently? If he could figure it out, maybe he could persuade Ruth to make more diamonds
 his friend would never have to know, he could get Scat a little headstone, and if he could figure out how it worked he could reverse it so there wouldn’t even be any evidence. No, his friend would surely know. Max could save a few diamonds and give them to him and say she just started
 have to work out the details later. First things first.
“So, Ruth. Why are you giving me these little nuggets of joy, huh? What did I do to warrant this spectacle?” He talked to Ruth, but she didn’t respond. No movement, just the usual swirling around. Max watched the glass disc closely through his puffy eyes but couldn’t see where the diamonds fell from, nor anything that would suggest a factory line of compressed carbon was in progress. She seemed to be slowing down.
Max pressed his brows together, then slowly lifted the fern up onto the table again. This was the only thing different. The bamboo was outside and Scat was

A wave of horror flooded over Max. He launched himself out of his chair and sprinted to the window and, ripping back the voile, he saw the bamboo had grown six feet over night. He knew it grew fast from watching that documentary about tropical rainforests but this was a stretch too far. Much too far. That damned thing hadn’t grown in years

“Ruth,” he said turning to her, “what did you do?”

For the next few hours, Max observed Ruth from across the room. The discovery channel was on in the background, as always. Ruth didn’t seem to do much without it these days but for a hunk of glittery glass and brass Max supposed not much was interesting unless it moved or had nothing whatsoever to do with man-made things. Suited him just fine. Who needs politics anyway?
Apparently, Ruth had taken it upon herself to make the fern shrivel up and increase her diamond production, much to Max’s exuberant happiness and overwhelming horror. He shoved the sofa to the far end of the room and started putting all his household plants in the spaces between the table and himself. The kitchen herbs went first.
He had taken one of the diamonds down to the swanky precious stone and metal specialist at the posh end of town (his name was Horace, apparently,) and had it valued. He took extreme pleasure in watching the man’s face freeze in wonder at the rock placed before him. I’ve never seen such a stone, Horace said. Never seen such a clear, colourful, perfect stone in my life, Horace said. It’s phenomenal, Horace said. Where did you get it, Horace asked. I inherited it, Max lied. It’s worth a fortune, Horace said. Thank you, I’ll have it back now, Max said. He made sure to stop by the garden centre on his way home.

The front room was a sea of plants. Max waded through them, deciding that a walkway to the door would be a vital escape route that shouldn’t be compromised, in case Ruth decided she had been on her vegetarian stint for long enough. Max had toyed with the idea of getting a fish tank or some other living creature to put next to her as a safeguard but he promptly remembered Scat and nearly broke down on the shop floor in front of the display tanks. Besides, the plants were working! There was already a multitude of stacks of plastic pots and trays next to the front door ready for recycling, and all the withered remains of whatever the pots had housed was scattered along the borders amongst the dog daisies and tulips. Ruth was putting out a considerable amount of stonage these days. Max bought an old bank safe online. It was currently sat in the hallway because that’s as far in as the two couriers could lift the thing, and there was no way on god’s green earth that Max was going to let them into the front room and risk them getting curious. The safe was only waist-high and wasn’t too ugly, so the hallway it was.
Max carefully spun the dial clockwise, anti-clockwise, clockwise again, on and on, muttering under his breath as he read from the bit of paper he guiltily kept in his pocket alongside his friend’s contact details. He used his whole bodyweight to wrench open the door and deposit the load of diamonds in a mason jar, nestled it in next to its siblings that were already full and stacked up there. He had set up a system of small tubs under the hotspots for diamonds drops and his favourite whiskey glass under the place where the large diamonds fell. He emptied them regularly, always aware that someone might knock on the door, he might need to pee or Scat might need to go outside (no, poor thing, he was there already). His kitchen was full of boxes of new mason jars and his lounge was full of plants, like some weird meth lab. A thrill of fear swept down Max’s back and up through his throat looking at all those jars, heavy with precious stones. He knew the smallest one alone would make him a disgustingly wealthy man. Horace had confirmed it.
Two days later, and there was no more space in the safe. Nowhere else to put those little rocks. Max decided to give Ruth a break, let her rest while he decided what to do next. He couldn’t have a house full of safes, his friend would already think it was weird that the one in the hallway appeared out of nowhere. Max put a coffee table over it, covered it with a tablecloth and some old bank statements, throwing on a phone charger for authenticity.
He had taken to talking to Ruth while the documentaries were on, she seemed to like that. He had been taking daily trips to the garden centre and leaving with a fully loaded car, right up until they looked at him suspiciously (he was a renowned leave-it-to-the-bugs kind of gardener; after years of failed attempts at keeping his plants alive and fruitless efforts of the garden centre employees to dispense advice he could keep to), so he started frequenting other nurseries as well.
Today, he was going to figure out how Ruth did it. He had to know. In his mind it was the equivalent of finding out how the Egyptians built the pyramids (because it obviously wasn’t aliens,) and the fact that even his friend didn’t know what this thing could do was something altogether more impressive! He may well have created it, but it was Max who had realised Ruth’s full potential, it was Max who had figured out the process, it was Max who had discovered the balance of life and death. Nobody could take that from him. But to really put the boot in, he wanted to know how.
“Come on, Ruthy, tell me how you do it. Let me see you do it, just once.” Max waited for a response. There was none. Then

Plink.
He had seen! He knew now! Ha!
“Yes! That’s it! That’s the ticket! I knew it, old gal, this is going to be such an epic day! I can’t wait to see their faces, suck on THAT!”
Max jumped, air-punched and whirled around the front room, ecstatic in his discovery. Never again would they look down on him! Never again would they look at him like he was an idiot because he couldn’t get the printer to print on both sides of the paper, they wouldn’t reject him, the girls would think he was funny, he was going to be filthy rich, he could save the world! He, Max, was all powerful.
Oh yes. That’s what I’m talking about.
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2024.05.13 19:30 DukeJuke11 The Impossible Origin of Item BZ in Steven Avery's Burn Pit: Why It Never Could Have Been There

The Impossible Origin of Item BZ in Steven Avery's Burn Pit: Why It Never Could Have Been There
In the intricate web of evidence and testimony woven by the prosecution in Steven Avery's case, one crucial element often overlooked is the curious case of item BZ. This collection of bone fragments and muscle tissue, deemed "unquestionably human" by forensic anthropologist Leslie Eisenberg, surfaced within a tarp filled with ash and debris on November 10th, 2005. This discovery was made by Rodney Pevytoe and Tom Sturdivant at the Calumet County Sheriff’s Department storage area, where evidence from the case was held. The tarp, allegedly originating from the sifting of Avery's burn pit on November 8th, assumes pivotal significance in linking Avery to the remains of Teresa Halbach.
At the heart of the matter lies a tissue sample from one of the bone fragments in item BZ, yielding a partial DNA profile matching Teresa Halbach's pap smear. This single piece of evidence provided the State with a crucial link, connecting the recovered remains to Steven Avery. Had the State not asserted that item BZ originated from the burn pit, the task of convicting Avery would have been considerably more arduous. However, by staking their claim on item BZ's origin, the State inadvertently constrained themselves, leaving no room for retreat.
In the following analysis, we embark on a detailed examination of why the State's assertion regarding item BZ is not merely dubious but downright implausible. While direct photographic evidence of the burn pit's contents is lacking, we delve into the intricacies of the sifting process conducted on November 8th. By dissecting the equipment utilized, the logistics involved, and the personnel present, we endeavor to paint a vivid picture of the circumstances surrounding the burn pit examination.
Subsequently, we scrutinize the dimensions and physical characteristics of the bone and tissue fragments comprising item BZ. Through this lens, we assess the feasibility and likelihood of these items being overlooked during the meticulous sifting process. A critical point of comparison emerges as we juxtapose the contents of item BZ with those of property tag number 8318—the infamous box of bones recovered from the burn pit on November 8th. Discrepancies in the condition and composition of these bone fragments offer valuable insights into the integrity of the State's narrative.
Furthermore, we confront the absence of cadaver dog alerts at Steven's burn pit—a glaring inconsistency considering the trained ability of these canines to detect human remains. We ponder the improbability of a relatively unburnt piece of muscle tissue evading detection in an area ripe for cadaver dog interest.
By the conclusion of the analysis, supported by comprehensive information and visual aids, the implausibility of item BZ's connection to the burn pit becomes irrefutable. The evidence points unequivocally to an alternative origin for item BZ, rendering the State's assertion untenable. Through a synthesis of logical deduction and empirical examination, we invite readers to embrace a perspective grounded in common sense—a perspective that unequivocally rejects the notion that item BZ emerged from Steven Avery's burn pit on November 8th, 2005.
On November 8, 2005, a team including John Ertl, Charles Cates, Guang Zhang from the Wisconsin State Crime Laboratory, Jason Jost from Manitowoc County Sheriff's Department, and Tom Sturdivant from DCI meticulously sifted through Steven Avery's burn pit. Let’s first give you a description and a visual of the equipment they were using to sift the burn pit that day. Ertl describes the equipment as follows:
"It's three aluminum poles that hook together to form a tripod, stands about 6 feet tall. There are chains coming down from the center top of the tripod to which we attach an aluminum frame, so it kind of can swing within the tripod. And on that aluminum frame, we can put different size mesh. You put the materials on top of the mesh and you can use a trowel, or a broom, or just shaking, whatever works best for the material. And then the particles or bits that won't fall through the screen, we put a tarp under there and saved those for later analysis, if needed."
Here’s a visual of what the sifting equipment they were using would have looked like:
Similar sifting equipment that was used at the burn pit on 11/8
Let’s hear how Ertl describes the process that took place that day:
Q: All right. And who participated in the processing of this burn pit? A: The three of us assisted, and, uh, the person in charge with that area was Tom Sturdivant, Special Agent, with the Division of Criminal Investigations.
Q: All right. And, urn, tell us how you proceeded to process that pit? A: There were also additional officers present who assisted in the sifting process. I was the one who shoveled the materials from the ground up to the sifting platform, and then there were probably four, five, or six of us standing around the sifter at any time collecting things and placing them in boxes. We sifted through all the ash and material that was in that area.
Q: Now, if you would, describe for us exactly how the shovel was used to remove debris and other materials from this pit and brought to the sifter. Tell us about how that was conducted? A: Okay. We set the sifter up, and just past the end of that frame from that car seat. The shovel we used was one that we carried with us for this purpose. The sifter we usually use is for exhuming gravesites. So we'll shovel out the material and sift through it looking for bones or bullets or whatever from a gravesite. In this case we had very hard ground and then on top of that was maybe around six inches of ashen material. It's a flat blade shovel, sort of like a garden spade, and that was used sort of like a dustpan to scoop up the ash, and then I stood up, turned around, and took a step, and set it on the screen. And then the people around the screen would pick through it. The smaller material would fall through the screen onto a tarp, and the larger materials they would collect and put in a box.
Q: What efforts did you undertake to ensure that you wouldn't damage or create any harm to any of the debris that was being recovered from the pit? A: Well, it was done carefully. I guess that's what I can say. We didn't look real hard at the materials we were collecting. My advice to the people around the sifter was, if you're not sure, just put it in the box. Someone else will figure out later what it is. So we didn't spend time picking at the things that we were collecting. The shovel - We had a hard surface. It's just pick up the ash with it. I mean, it wasn't like we had to dig and put your foot on it and push down and dig or anything. It wasn't necessary. So it was a pretty gentle process.
Q: Tell us about the sifting part of the process? A: It’s sort of like hardware cloth, and we carry it – three different grades of it. I think there’s a half-inch mesh, a quarter-inch mesh, and an eighth-inch mesh, and we put this material through the quarter-inch mesh. So one scoopful at a time is placed onto the mesh, and the mesh is probably, three-foot by three-and-a-half-foot rectangular area, and then the five people would, with their gloved hands, I believe some of them had a mason's trowel, it's about this big, triangular metal-shaped object with a handle, to move the ash on the screen, spread it out, and then you can sort of tap the screen and it sort of jiggles the material, and the finer particles fall through.
Q: All right. Did you, or any of your team who participated in this process, recognize any of the debris as human remains? A: We recognized it as remains for sure. There were things that looked like teeth. Things that looked like bone. Nothing bigger than the palm of my hand. But whether it was human remains or not, we weren't sure.
Q: Most of the items were very small? A: Yes, they were.
Q: All right, Approximately how long did this process last? A: Well, they had asked for the sifter at about 3pm and we worked until it got dark. It was just after 5pm. So about two hours.
Q: And what did you do at the scene as you wrapped up this, um, processing for that evening? A: Well, once we had sifted all the materials, then we had what was collected in boxes. We packaged that up. That was eventually turned over to Calumet County. The material that was fallen through the screen onto the tarp was also saved, and Tom Sturdivant took care of that. And we just cleaned up the sifter and put it away, and then we proceeded to our next task.
Q: How was the, um, material preserved that had fallen through the screen? A: It was fallen through onto a tarp, and it’s my understanding that Tom Sturdivant was going to keep that. How he did that, I don’t know.
Q: All right. In other words, you left that scene before the complete wrap-up as it were, had undertaken? A: Yes.
Now let’s keep in mind that this wasn’t a massive operation that had to take place on the 8th. The burn pit was a relatively small rectangular area with a couple inches of loose ash sitting on top of hard-packed soil – meaning, there really wasn’t a large scale of ash and debris they had to go through – which is why Ertl said they sifted through ALL of the ash and material that was in that area. Take a look for yourself – the first picture is taken on 11/6, two days before any sifting is done. The second picture is taken a few days after the 8th showing the missing loose ash and debris from the burn pit. Again, there wasn’t a ton to go through.
https://preview.redd.it/l3jh5am7780d1.png?width=975&format=png&auto=webp&s=b1a32e80819b9d176cb4d1e6f48ee23eeb3ad003
https://preview.redd.it/qhqeq1pb780d1.png?width=975&format=png&auto=webp&s=ab26f290963dbe8d6dd189e99b8bfebca38ced5a
Ertl tells us at trial that they didn’t even dig down into the hard-packed soil on the 8th, Ertl simply used his shovel like a dust pan to collect the loose ash and debris in the burn pit, place each shovel full on the sifting screens, the other people were all standing around the sifting screen shaking it, spreading out the ash with their hands, and even using some tools to get the finer material. They used a quarter-inch mesh sifting platform designed to catch larger pieces while letting smaller debris fall through onto a tarp. Given this setup, we can say with certainty that there's no conceivable way that several of the bones and tissue fragments in item BZ could have gone unnoticed.
Ertl's team spent about two hours carefully sifting through the burn pit, with 4-6 people examining each batch. The largest bone fragment in item BZ was 59.2 mm (about 2.3 inches), and the largest piece of muscle tissue was 61.3 mm by 30 mm (about 2.4 inches by 1.2 inches). These are significant pieces that would've stood out during the sifting process. Ertl's team was instructed to collect anything potentially significant, and Ertl himself testified that if there was any doubt about whether something was important, they should put it in the evidence box. So how on earth could these large, distinctive fragments have slipped through the sifting process without being noticed??
Item BZ
The notion that these large fragments could have passed through a quarter-inch mesh is not only absurd—it’s physically impossible. Additionally, both Jason Jost and Tom Sturdivant, who were involved in the initial search, claimed they could see bones in the burn pit from 8 feet away. If they could spot bones from that distance, there's no way they would miss the larger, more noticeable fragments in item BZ as they were sorting through the ash/debris with their hands. It simply doesn't make sense.
Let's talk about burn characteristics. The bones in box 8318—the initial collection from the burn pit—show signs of intense heat exposure, or calcination. Calcined bones are typically dry, rigid, and often white or black from the burning process. Have a look yourself.
Property tag #8318
In stark contrast, the bone fragments in item BZ are far less burned, with some of the tissue retaining a squishy consistency. Here’s an unedited picture again of all of item BZ.
Item BZ
If item BZ came from the same burn pit as the items you see in 8318, you'd expect there to be SOMETHING in that box of bones that looks like one of the unburned items in BZ – right? The fact that we are to believe that somehow every single fragment that is in item BZ (that looks nothing like any of the bones in 8318) were all coincidentally ‘missed’ on 11/8 is ridiculous. Clearly, item BZ was never mixed in with Steven's burn pit and the loose ash that was sifted from there on 11/8.
Finally, Cadaver dogs are specifically trained to detect human remains, even in trace amounts. If item BZ's muscle tissue had been in the burn pit, these dogs would have certainly been drawn to this area very early on in the investigation. Yet, during the entire time HRD dogs were present on the Avery Salvage yard (11/5 - 11/10), there were no alerts from cadaver dogs at Steven's burn pit. Think about that for a moment. These dogs are highly skilled, and if human tissue was in the burn pit, they would have found it. The lack of alerts strongly suggests that item BZ wasn't in the burn pit.
The state's excuse that Bear, Steven's German shepherd chained near the burn pit, prevented officers or cadaver dogs from accessing the burn pit is extremely weak. Professional handlers are trained to manage dog behavior. If a cadaver dog had detected the smell of human remains in Steven's burn pit, removing Bear would have been a simple task and would have been done immediately.
Here's the bottom line: item BZ could not have come from Steven Avery's burn pit. As we question its origins and implications, we're left to ponder: where did BZ truly come from?
submitted by DukeJuke11 to MakingaMurderer [link] [comments]


2024.05.13 18:46 paleobota First meet (long) recap: Kansas Strongest Man & Woman 2024

Here's a (long) recap of my first strongman meet, Kansas Strongest Man & Woman 2024 hosted at Strong Barbell Club, April 13th, competed in the Novice category.
TL;DR had fun, met cool people, finished the meet 8/11.
Just as a quick background, I am 36 year old guy from Argentina, who started working out in his early 30s to be able to carry more weight and be better prepared for the field season (I'm a paleontologist), and also due to watching Brian, Martins and Juji on youtube back in the day. Before turning 30 I had no sport background except for occasional jogs and soccer matches with friends in my early 20s. I'm 5'7" (170 cms) and was around 188 pounds for the meet, my heaviest ever, normally around 180. Been living in the US for two years.
Events
Event 1: 400lbs farmers walk followed by a standing arm over arm with a sled+250lbs, 50ft. Had farmers to practice. Had a small sled but a short rope.
Event 2: Silver dollar deadlift for max, 3 attempts to find your max. Used blocks to practice.
Event 3: weight for height 28lbs (highlands game style), rising bar, 3 attempts, but if you fail you are out. Practiced with a kettlebell and a cheap pvc structure.
Event 4: 165lbs log for reps in 60 seconds. Had no log, managed to use one around 5 times a couple of weeks before the meet.
Event 5: sandbag and keg over bar medley. 200lbs keg followed by 200 bag followed by 225 keg and 245 bag. Had two sandbags, one 175lbs and the other 225. No keg.
Goals: 1) actually compete, been a fan of the sport for quite some time; 2) have some fun; 3) meet some other strongman people; 4) finish the meet with no injuries; 5) not zero more than one event.
Training: it went well, got around 13 weeks to prepare. The first 4 were basic strength training (squats, deadlifts, presses, rows, rdl) at high reps and lots of accessories for some hypertrophy work, almost no event training there. After that I started a strength block for 6 weeks, with a deload week somewhere in the middle. I lowered the number of reps and increased weight progressively each week until I reached some heavy triples, practiced most of the events (or at least as close to them as possible) at least once a week. Finally, I did two weeks of events only training including a mock meet at around 90% of comp weight. Final week was a deload, no cut was necessary since there was a unique novice category.
Meet day: had a normal breakfast (yogurt, fruit, eggs, coffee, took some creatine just in case), brought a couple of sandwiches, crackers, plenty of fruits, water, and gatorade to the meet.
Event 1: I was hoping for this to be a good event because I prepared quite well for the farmers, although not that well for the arm over arm because I only had a short rope. Sadly, when I was starting to get my grip on the farmers I kind of looked up and I hear someone say go! I wasn't sure if it was for me because I wasn't ready at all, so look at my judges and yes, the go signal was for me, so I started quite late and in a bad position, no brace, etc. I finished the run without drops and went to the arm over arm; things went relatively well until middle of the way when my grip started to fail me, but finished nonetheless. Bad result for my first event ever haha, position 10/11. But just laughed at what happened. Two things to get better at: paying more attention to the judges and more grip endurance.
Event 2: I was hoping to end up middle of the table but went better than expected, my best conventional deadlift was around 485. I understood what worked best for me just before the event while testing the setup (start really slow so that the whip doesn't move me all over the place), I think I went 440lbs (to be extra sure), 485 and a whopping 572. Super happy with the last pull and I even think I had over 600 in me. Got the 2nd heaviest weight and tied for 3rd/11.
Event 3: the implement at the meet felt completely different to the kettlebell due to the chain and its overall length, was grazing the ground with my swing. At home I went up to 15 feet, so I decided to jump to the event at 11ft and cleared it, skipped 12ft (error), and went for 13ft, but I failed miserably, not in height but trajectory, didn't went over the bar. Disappointing result but what are you going to do, shared 9th/11, onto the next one. One thing I did quite wrong was to stand directly in the sun for like an hour seeing other categories and waiting for my turn, stupid in hindsight. Shoutout to Mason to whom I talked a bit about practicing with a kettlebell and how different it felt.
Event 4: I've split jerked 210 in the past (did weightlifting for like 8 months) and push pressed comp weight for 5/6 reps in 60secs, but all of that with a barbell. Log was a different story, never really got the hang of it until my 5th and final session using one, where I barely managed 140lbs for one. During the comp I split-jerked the first rep no problem, although the split was horrendous, tried a second rep and failed, but managed to re-rack and after a split/push jerk/press fight I got a second rep. I thought I was short in time and didn't try a 3rd one. In reality I had more than enough time, but I never practiced with a timer, another thing to improve. 9/11. Another thing to improve would be getting a log to practice.
Event 5: didn't have much faith in me due to never touching a keg, but asked for some advice from a great guy to whom I talked in several occasions during the day, I think his name is Michael, thank you man! Did the first keg no problem (!) went to the sandbag and cleared it, then to the second keg and I gave it my all but couldn’t load it over the bar, was super close, no more than an inch away. 9/11. Biceps were mega bruised the next day due to the kegs.
Ended up 8/11, a little disappointed on my placement but just a little, was mostly happy to finally compete. I know I can do much better, and I'll do it next time.
Met some really cool people (hardest part for me, super introverted guy) thanks to a weightlifter friend of mine that came with me and helped me during the day, and especially helped me socialize haha.
Finally experienced the camaraderie of strongman, it was great, everyone cheering for the rest, giving tips to the novice like me. There was a kids category and seeing them compete and seeing everyone cheering for them at the top of their lungs was really wholesome. My friend was really impressed with the camaraderie part, he said he didn't experience that in his weightlifting meets.
Enormous shoutout to the organizers, helpers and everyone involved, thank you so much, the meet ran super smoothly (maybe except for the weight for height, but those things just consume a lot of time) and was a great experience overall.
Hope to be able to compete again in the future, maybe next year since I'm moving away for a few months now and won't be able to train much. So long and thanks for the fish.
submitted by paleobota to Strongman [link] [comments]


2024.05.13 16:48 Formal_Barnacle304 Why Our Local Police Stopped Using Facebook

Who the Fuck is Mark Hamilition?
It only took a second for me to get distracted and then sucked into the social media blackhole. Like why am I watching an obviously staged prank video, commenting on “friend”’s post I haven’t since high school, and cringing at memes that my Mom wouldn’t find funny?
Worse of all, Mark fucking Hamilition. I don’t know who he is but he took my profile picture and added me as a friend.
It's annoying, because it’s so blatant and his account is filled with fake crypto phishing links.
I can't worry about this right now. I have to get back to work.
Joseph Ryder - May, 8 2024 at 2:17 PM
—
For those of you worried about him seeing my posts, Why?
What is he gonna do? Even so I already have him blocked.
It’s just annoying, and I don’t want my younger nephews clicking on those links and then getting doxxed or some shit. Though those of you who gave constructive advice, thank you but I don’t think Lizard man is gonna do anything.
Joseph Ryder - May, 8 2024 at 2:38 PM
—
So get this
[Picture Redacted]
How is he messaging me? He’s blocked. Facebook is really good for nothing.
He just keeps sending gibberish. I'm going to have to uninstall the app if this doesn’t stop soon.
Facebook fix your shit.
Joseph Ryder - May, 8 2024 at 3:10 PM
—
It just keeps on beeping every five minutes with a new message.
I even muted my phone but it didn't stop.
I'm about to smash my head into my desk. Does anyone know how to fix this? I tried reinstalling messenger but didn't do anything. I would rather not uninstall completely because my family talks to me on here but looks like I don’t have many options.
Fuck off Mark.
Joseph Ryder - May, 8 2024 at 4:25 PM
—
I don’t know if anyone will see this post.
My entire timeline is buried in his gibberish posts. He is posting faster than I can delete them so if you see this please message me on Twitter or if you have my number call me and tell me how to fix it.
Have I been hacked? I didn’t click on anything.
I’m not sure what to do.
Joseph Ryder - May, 8 2024 at 4:43 PM
—
I got a call from my home security company. A group of people broke into my home by kicking in the front door.
Didn’t appear to take anything, he just opened every door looking for something. They even checked under my bed and in a few minutes just walked right out like nothing happened. I saw them but it was really blurry but only on their faces.
I don’t understand how that’s possible but I think I should go home.
Joseph Ryder - May, 8 2024 at 9:10 PM
—
I filed a police report.
I am going to a friend’s house, I’m wary about saying who for obvious reasons. I fear that I'm being targeted though the police don’t think so.
Joseph Ryder - May, 8 2024 at 10:43 PM
—
Fuck fuck fuck!. My car just stopped in the middle of the road. Headlights won’t even work, and no call is going through. I reinstalled messenger and managed to call and text my friend but he hasn’t answered.
I’m terrified. I’m messaging everyone I know in person but I can’t calm down.
I can’t see shit outside.
I’m double checking every lock and bunkering down till someone answers
Joseph Ryder - May, 8 2024 at 10:43 PM
—
We see you Joey.
Joseph Ryder - May, 8 2024 at 11:02 PM
—
Don’t try to hide Joey, come on answer us. Answer us.
Joseph Ryder - May, 8 2024 at 11:02 PM
—
Unlock the car Joey. Just talk to us.
Joseph Ryder - May, 8 2024 at 11:03 PM
—
Come out. We won’t hurt you. Answer us.
Answer us.
Joseph Ryder - May, 8 2024 at 11:03 PM
—
Answer us.
Joseph Ryder - May, 8 2024 at 11:04 PM
—
The previous articles are a collection of a “Joseph J. Ryder'' final social media posts leading and pertaining to his suspected disappearance and kidnapping. His car was found abandoned in the middle of the Mason road with the key in the ignition and blood splatter across the dashboard. DNA tests prove Inconclusive though there is apparent evidence of a struggle. The victim’s smashed cellphone was also found a couple feet from vehicle
submitted by Formal_Barnacle304 to nosleep [link] [comments]


2024.05.13 15:40 Foodsnobss UK Citizen Living Abroad - Questions about ISA, LISA, Help to buy, and Stocks & Shares

Hi Everyone,
After squandering my earnings for the majority of my 20's, I'm now more determined than ever to get my finances in check. My situation is slightly unique as I love abroad at the moment (In the long run I would like to return to UK), so I'm looking for any advice you could offer me relating to stocks and shares, ISA's, LISA's etc.
I'm a UK citizen, living (currently and for at least the next 2 years) in Denmark, where I have a good job and salary. I have recently fallen on my feet and secured some additional contracting roles, in which I get paid through my UK national insurance number and bank account. This is very new to me, but I'm in the process of talking to a accountant/tax advisor, and will be declaring my overseas income.
I'm by no means an expert with finances in Denmark, but so far my assumptions are: 1. No ISA, LISA, Help to buy, or equivalent scheme 2. Buying stocks and shares is intentionally made difficult
I would like to understand what financially makes the most sense for me, and what the best course of action is, given that I currently live abroad.
Context - I have built up an emergency fund in Denmark. - No intention on buying property in Denmark - Paying pension in Denmark - Each month I transfer a sum of money to UK for both savings and also expenses like UK student loan - Contractor work paid into UK account
Intention - My current plan is to add to, and ultimately max out, a UK help to buy scheme, and put a proportion of money into a savers account, at around 6% AER - LISA: Off limits as I'm not living in UK - ISA: Also off limits - Stocks and Shares: I would like to put a proportion of my money into S&P 500 and FTSE (Ideally through Hargraeves Landsdown)
Questions 1. Am I right to think that help to buy is okay for me to put money into? 2. And that LISA/ISA is off limits? Even though I receive UK income? 3. Hargreaves Landsdown Stocks and Shares ISA is also off limits? What's the best way for me to invest a regular small sum of money into S&P if Stocks and Shares ISA is off limits?
I apologise for the multitude of questions and my naivety. And thoughts or recommendations would be greatly appreciated :)
submitted by Foodsnobss to UKPersonalFinance [link] [comments]


2024.05.13 14:35 AlexisTheArgentinian Edgar Mason, The Changeling

Name: Edgar Mason (Baalakran) [LV1] [0/4]
~
Race: Demon (Apollyonite)
~
Class: Fighter
~
Age: 200
~.
Appearance: [Describe your character’s physical appearances or link an image]
~
Personality: Extrovert
~
Armor:
Head:
Arms:
Torso:
Legs:
Feet:
Gear Clarifications: [Add anything specific about pieces of gear here]
~~
Description: [Other information that does not fall into any other category]
~
##[Abilities (0/14) [LV1]]##
HP: 320
STRENGTH: +2
CONSTITUTION: +1 (+1)
DEXTERITY: +2
WISDOM: +2
INTELLIGENCE: +1
CHARISMA: +2
[10/10]
Proficiencies (Optional)
[What your character is good at]
~~

[TRAITS]

Demonic Form: Demons are creature of Pure raw unholy energy in solid shape. They dont need to sleep or to breath, nor they need normal nourishment. Demons do not age and are immune to Non-magic Diseases or non-magic toxins. +1 CON
Soullessness: Demons/Apollyonites lack a soul, therefore they're immune to any kind of Soul Damaging Attack or Ability.
Demonic Senses: They can see in the dark, as well as detect anyone with a Soul in a 50ft radius thanks to their senses.
~~

[PASSIVES]

Rapid Regeneration: Heals +10 HP
[2 SLOTS]
Living Tank: Extra +200 HP.
[4 SLOTS]
Hard-Body: Advantage Athletics & Blocks.
[3 SLOTS]

[ACTIVES]

Shapechanger: As an action, Demons can change their appearance and voice. They determine the specifics of the changes, including their coloration, hair length, and sex. Demons can also adjust their height and weight and can change their size between Larger, Medium, and Small. Demons can make themselves appear as a member of another race, though none of their game statistics change. Their clothing and equipment aren’t changed by this trait, although they can create the appearance of clothing with their bodies. Demons can also change their shape to resemble inanimate objects, so long as the exterior dimensions are larger than 2x2 feet, and smaller than 10x10 feet. They stay in the new form until they use an action to revert to their true form or until they die. This includes growing out eyes, mouths or horns anywhere in their body; Extend arms and limbs up to 10ft, and grow extra limbs in any part of their body.
[2 SLOTS]
Arm-Shapers: He can turn his arms into weapons. Can Deal [20+STDEX] Any Physical Damage, or combo of them.
[3 SLOTS]
Soul-Eating: When the enemy is below 30 HP, they can insta-kill it; absorbing their HP, Recent Memories, ETC.
[3 SLOTS]

[WEAKNESSES]

Demonic Existence: Holy Damage does x4 Damage to Him. He cannot use Holy Items or similar.
Energy Physiology: Energy Absorption/Life Absorption abilities deal x2 Damage to him.
[-3]
~~

[INVENTORY]

Character Inventory:
N/A
[10/10]

[HSD]

[A shitton of spaces.. Cannot store large items or living beings.]
~
~

[BACKSTORY]

A Young Demon who lived as his life in Hell, getting bored of the atmosphere. He look up a way to enter the Physical Plane in order to satisfy his adventorous spirit; Eventually, He reached Fim (Kroxus) and decided to tsje on the Mercenary Career.

[CURRENCY]

500 Gold.
submitted by AlexisTheArgentinian to TheOakShack [link] [comments]


2024.05.13 14:27 Angel466 [Bob the hobo] A Celestial Wars Spin-Off Part 1011

PART ONE THOUSAND AND ELEVEN
[Previous Chapter] [Next Chapter] [The Beginning] [Patreon+2]
Sunday
“Daaaaddy!”
Levi groaned, for the shouting whine from his bedside dragged him kicking and screaming out of sleep in a way no other alarm could. Only two other sounds garnered a faster reaction from him: someone vomiting right beside him or his baby girl screaming in either pain or fear.
He opened one eye, wondering if someone had ever made an alarm that sounded like either of those last two. Parents everywhere would never sleep in again, so maybe not.
A blurry red-headed vision was so close that he could smell her morning breath as it tickled his nose. “Heeey,” he yawned, pulling away enough to bring her back into focus. “What’s up, Peaches?”
He didn’t recognise the room they were in. Not even a little bit. He sat up fast and looked around, causing Maddy to let out an ‘eep’ of fright. “Daddy! You made some come out!”
And then the events of the night before came crashing in: the party, the knowledge that his roommate was going to have the kind of company Maddy didn’t need to see, the invitation to stay in Luke’s old room, and Maddy’s late-night escapades after he’d dropped like a rock after doing a double shift to make it to the party.
He saw Maddy’s uncomfortable wiggle-dance and the strained look on her face and remembered he’d locked the door. “Oh!” He flew out of bed, scooping her up in the process. If he ended up getting peed on, it was his own fault for not setting an alarm for his baby girl’s tiny bladder.
He unlocked the door and dove around the corner, willing to go through the shut bathroom door if he had to, but thankfully found the room open and vacant. Then he flipped the toilet lid before depositing her on the ground in front of the toilet. He immediately pivoted away, not because he was embarrassed by her but because Maddy had grown old enough not to like him watching her go to the toilet. She was starting to get antsy about her bath, too, but until she could adequately bathe herself and not merely play with her bath toys the whole time, that was a hard ‘don’t care’ line.
“Do you want to have a bath, baby, or wait until we get home?” he asked, crossing the room to hold the door almost shut to prevent anyone else from seeing her either.
“I don’t got clothes, Daddy,” she answered like he was an idiot.
Word choice aside, the sentiment was true. They’d borrowed the shirt she was wearing from Charlie. “Well, we need to figure something out, Peaches, because you are not leaving this house in only a nightgown and no underwear.” He’d send Charlotte out to buy her some clothes if he had to.
He heard the toilet flush and Maddy move up behind him, and turned long before she could touch him. “Three guesses what I didn’t hear, young lady?” he asked with a paternal frown. He pointed at the vanity when she looked up at him without a clue.
“But I can’t reach!”
“Then what are you supposed to do?”
Her shoulders slumped. “Daddy, c’n you help?”
He then smiled. “Better.” He put a hand on top of her head and spun her towards the vanity before guiding her forward. After they crossed the room, he loosened the faucet without turning it on and curled his hands around her waist, lifting her high enough that she could lean over the sink. She washed her hands, rinsing them thoroughly, then scooped the water and let it fall over the faucet before turning it off. Not that water alone would wash away the ‘germs’ of the initial contact, but the sentiment was there. Her mother had been a nurse, after all.
“Is Mister Larry still here?”
“I don’t know, baby. But how about we go and see if we can track down either Aunty Charlotte or Robbie and figure out where we’re at, okay?”
“We’re in Uncle Luke’s and Aunty Charlotte’s home,” she said, again like he was an idiot.
That had been a rather stupid thing to say to a three-and-a-half-year-old. “Alright, Miss Smarty-pants. And what are we going to eat for breakfast in Uncle Luke and Aunty Charlotte’s home if we can’t find them to ask them, hmm?”
“Food, silly.”
Clearly, he was going to have to up his game in parental rhetorical questions. Gone were the days when she’d take him at his word, and she was only three. Thirteen was going to be fun. “Right,” he muttered, shaking his head as he opened the door and stepped out into the hallway.
While holding Maddy’s hand, he peeked in the open door across the hall from the bathroom and saw a very plain bedroom in terms of the rest of the apartment’s dĂ©cor. At first, he’d thought it was a guest room until he remembered the teenage kid Robbie had recently adopted. This was probably his room.
He’d seen Charlotte and Robbie’s room the day they moved Charlotte in here, so a quick glance to confirm the room was empty was all he needed on that score. That left two doors on the right. And since both were close together, with the one on the left barely a couple of feet from the other and the front wall separating the living room, Levi was willing to assume the second one was a half-bath or a powder room or something. He went to the second door and knocked.
“Yeah?” Mason called from inside.
Levi opened the door and poked his head inside. “Hey, you wouldn’t by any chance happen to know where Robbie or Charlotte are, would you?”
Mason was at his desk, drowning in paperwork, it seemed. “Robbie, no,” he said, shaking his head. "As for Charlie, I’d try her office next door, between us and Boyd’s studio. She has a massive garage refit happening soon, so last I checked, she was in there getting things ready.”
The emphasis on his sister’s preferred name wasn’t lost on him. A sharp, jarring motion to his right caught his eye, and he saw something that really belonged in a space program somewhere.
“What the hell is that?” he demanded, ducking down low enough to see Robbie’s adoptee with his eyes glued on whatever was going on overhead and his fingers typing in a blur of speed.
“Naughty word, Daddy!”
Mason snickered at Levi’s slow blink. “It’s a gaming system courtesy of Robbie’s family. The damn thing is very addictive, though, and I haven’t told Brock that there’s a screen you pull down from inside the headset to cover your eyes that takes the game into 3D playing.”
Levi whistled. “I don’t even want to know how much that costs.”
“I know, and this Sectra table here is up there too,” Mason agreed, gesturing at the electronic display beside him. “But it certainly makes learning a lot more fun.” He tilted his head forward. “Isn’t that right, bunny?”
Bunny?
Maddy leaned into Levi’s leg, but she was grinning ear to ear when she nodded. “I wanna be a vert when I grow up,” she declared, looking up at him.
“Vet, baby,” Mason corrected. “We’re vets. Sounds like “bet’ and ‘get’ and ‘set’.”
“Vet,” Maddy repeated.
“There ya’ go. Step one is getting the name right.” He glanced up at Levi, his cheeky grin on full display. “Step two is getting Daddy to save up for the rest of his life to pay for the classes.”
“I hate you,” Levi whisper-smirked, and Mason pursed his lips in a cocky air-kiss.
Still shaking his head, Levi waved at Mason and left the room, leading Maddy through the kitchen and living room and into the hallway outside. For so many years, his baby brother and their friends had crushed themselves into that ninth-floor horror show, and no amount of pleading from everyone would budge Luke. Not pressure from their parents nor peer guilt from his brothers, who refused to bring their families over to the cramped space.
Charlo—Charlie was the only one who visited regularly, and at the time, he’d put it down to her being skinny, single with no kids, so she could squeeze into whatever gap she found. He knew who she was really visiting now, and Robbie had better be ready for the mother of all guilt trips coming from the family to make an honest woman of their sister. Nascerdios descended or not, he’d be a dead man if he broke her heart.
Thinking about his little brother’s relationship with all these men, it was like Luke knew the payoff was just around the corner. People like them didn’t live like this.
Well, Maverick kind of did, but he’d worked hard for what he had and could rattle off his list of sporting injuries to prove it. Robbie and Sam had simply taken a running dive off the world’s highest diving platform and landed in the kind of wealth the rich and shameless could only dream about.
Luke—Lucas was lucky in a different way. Yes, his friendship with Robbie and Sam had certainly opened the right doors financially, but what Levi had seen of Boyd’s work yesterday, the big guy was well on his way to becoming his own type of rich; much like Mav did for his family. And like Marley, Lu—ucas wouldn’t have to work a day again in his life if he didn’t want to. (Though he had just made detective and loved his job, so Levi couldn’t see him quitting anytime soon.)
He knocked on the closed door. “Come in,” Charlie called, proving Mason right. And like Mason, she was sitting behind a desk covered in paperwork with a phone cradled against her shoulder.
“Aunty Charlotte, we’re hungry!” Maddy declared, and Levi closed his eyes to hide from his sister’s evil chuckle.
“Well, we can’t have that, sweetie,” she said, and he heard the phone click as it was dropped onto the receiver. "Daddy gets very grumpy when he’s hungry.”
“It’s not the only reason he gets cranky,” he said, opening one eye a slit to give his baby sister the stink eye.
Charlie cackled and slid out from behind her desk. “C’mon. Robbie has your breakfast all ready for you in Voila.”
“We didn’t want to start going through things and guessing what we could eat,” Levi explained as they backtracked to the main apartment.
“That’s fine. Grab a seat—any seat,” she said, gesturing to the line of kitchen barstool chairs as she moved through the living room. She headed around the island and over to the box under the window without checking if they had.
Levi wasn’t thrilled about the height of the barstool chairs off the floor. “Do you have a belt or something I could use to tie Maddy in?”
Charlie swung around to him. “Oh! Oh, yeah! Hold on.” She slipped around the island and down her side of the apartment, coming back from her room with the kind of square booster seats that could be found in a restaurant. “Robbie ducked out and got this for her this morning.”
Levi scratched his head as the booster was attached to the second chair along the front of the island. “Where’d he get that from at this hour?”
Charlie looked at him derisively. “This is Robbie, bro. You know he’s got connections all over the place.”
It killed Levi not to ask for more details, but given it was probably either connected to the Nascerdios or, more likely, a wealthy former client in the city that still looked favourably upon Robbie, he hadn’t wanted Maddy to overhear the specifics of the latter. Too many times, his little girl had asked Robbie about different ‘gifts’ he’d been given by clients and how she had wanted to do whatever he did to get presents like that. ‘Over my dead body’ had been his mental declaration.
Maddy was pulling on his boxers. “Up, Daddy,” she said, holding her hands over her head for him.
Levi lifted her into the seat, and then buckled her in. In the meantime, Charlie went back to that wooden box, lifting the lid. “Robbie has this gift with food, so assume everything in the place is for you to eat, because it probably is.”
“Not everything,” Levi countered at Maddy’s wild squeal of delight. He gave her hand a firm squeeze. “Do not take anything without asking, young lady, or you’ll be in big trouble.”
“But Daddy
”
“It’s Daddy’s call, Maddy,” Charlie said, backing his play. She turned, holding a plate with two fist-sized Minnie Mouse-shaped waffles (the bow between the ears made it Minnie) with some type of white marshmallow fluff spread across them and a honey drizzle that drew perfect facial features on each. “Here’s breakfast for one cute-as-a-button Dobson,” she said with a flourish, sliding the plate in front of Maddy and pulling out a children’s stubby fork from the cutlery drawer.
“It’ll have to be cut u—” The words died in Levi’s throat as Maddy stabbed the nearest piece, and it broke into a small, bite-sized piece that Maddy happily popped into her mouth.
“Imma bi’ ’irl,” she said, in and around her food.
Levi tapped her nose. “Big girls don’t talk with their mouths full, Peaches.”
When he glanced at Charlie, she’d gone back to the box and returned with a dinner plate of fluffy scrambled eggs on two pieces of toast with cheese and bacon, and three sausages cut almost in half longways on the side. She nodded at the seat beside Maddy, then slid the plate into the empty spot at the end. “Siddown, bro.”
He might have whimpered a little on the first bite as Charlie went and poured them both a glass (technically, Maddy got a plastic tumbler) of citrus juice (not orange), leaving the jug on the bench between them. “Help yourselves to as much juice as you want. Even if you wipe this whole jug out, there's plenty more.”
“This is really awesome, Charlie. Thanks.”
Charlie placed her hand on her brother’s shoulder as she moved around the island into the hallway. “Anytime, Levi. But now I’ve gotta love you and leave you. There’s a mountain of work to get through in my office, so are you good here?”
“Totally. Thanks again, sis.”
As she walked out the door, Maddy held out a piece of her waffle to him. “Try?”
Waffles were usually too sweet for his blood, but this was the game he’d set up with her a long time ago to make her at least attempt to eat new foods. He couldn’t very well expect her to eat what he wanted her to if, now and again, he didn’t reciprocate the motion.
The honey and marshmallow whip (which tasted nothing like the jar-bought type) melted into the perfectly heated/not-too-hot waffle, giving it a sweet crunch as if it had just come out of the waffle iron. His surprise must have been written all over his face, for Maddy giggled, and he grinned. “That’s yummy.”
“Mmmm-hmmm,” she hummed, just as he always had when a new food passed the initial taste test.
[Next Chapter]
* * *
((All comments welcome. Good or bad, I’d love to hear your thoughts đŸ„°đŸ€—))
I made a family tree/diagram of the Mystallian family that can be found here
For more of my work, including WPs: Angel466 or an index of previous WPS here.
FULL INDEX OF BOB THE HOBO TO DATE CAN BE FOUND HERE!!
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2024.05.13 12:00 PineapplePaniolo345 My Testimony of Garments

I’d like to bear my testimony that I know the Mormon church is false and is a cult. I know that garments SUCK, are unsexy as hell, and gross.
I’m grateful for living exmormon group to guide us away from the sin of wearing these hideous things.
đŸ˜­đŸ€§
(Sorry, I get so emotional when bearing my testimony. đŸ˜­đŸ€§)
I’m grateful that I have a trash can two feet away that I was able to unceremoniously dump all that crap into without cutting out the stolen Masonic symbols.
I’m grateful I don’t have to ever wear them again in this sweltering Southern heat and humidity.
I know that as you take them off, you’ll be blessed, with comfort, joy and happiness.
In-the-name-of-short-shorts-thongs-and-strapless-tops, Amen!
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2024.05.13 11:44 canary2147 Which a better, more stable employer, Toyota or VinFast? And why VinFast will struggle find workers in North Carolina

Big question is IF VinFast ever build factory in North Carolina, USA. I think they not ever build due lack of funds to build and slowest progress with no building and many design changes. But if VinFast do build factory can they find people to work it?
I think they have big challenge with Toyota building seven factory on one site in Liberty, North Carolina. It a $13.9 investment, bigger then all VinFast combined. And it suppose to employ 5,000 people at Toyota with production start in early 2025. Toyota and VinFast only 39 minute apart, which is small drive in America standards. Can VinFast fill 7,500 job even if they moonshot happen?
Toyota already hiring now. If person apply, they take tests and find out in half day if they get hired. They already get best talents in area.
If you looking for manufacture job, you choose Toyota or you choosing VinFast??? Here an article in Automotive News with background on Toyota plans. What you think?

Toyota's massive $13.9B battery complex prepping to start production next year to power hybrids, EVs

When the complex is finished in 2028, it will employ 5,100 people and produce 30 GWh of batteries each year. The first EV batteries are due in 2025.
Automotive News. 12. May 2024
LIBERTY, N.C. — Some of Toyota's sharpest environmental critics attack the world's largest automaker for not having done enough to enable a transition to electric vehicles.
A huge hole here — and the bustle of activity taking place within and around it — is the Japanese automaker's $13.9 billion argument otherwise.
Here in this hamlet of about 2,100 residents, just over 20 miles from downtown Greensboro, N.C., thousands of construction workers from around the country are building a vast, self-contained industrial park dedicated to the single mission of building batteries for the automaker's future EVs, plug-in hybrids and traditional hybrids.
It's a massive undertaking, Toyota's largest investment in one location, with multiple buildings in various stages of completion — most of which will eventually boast a half-million or a million square feet under its roof.
Seven buildings in all are dedicated to making batteries, with two production lines planned for each: 10 lines will build battery packs for future EVs and plug-in hybrids; four will build battery packs for hybrids.
An on-site supplier building, Fuji Springs, will make the "cans" of each battery cell and other components. A full-time fire department with three drive-thru bays and other ancillary support structures are also being built.
The phased project, which began removing more than 25 million cubic yards of earth in late 2022, is scheduled to begin producing its first salable batteries in the first quarter of 2025 for a three-row EV that will be assembled in Georgetown, Ky. It will remain under construction until at least late 2027 or early 2028, said Sean Suggs, president of the Toyota Battery Manufacturing North Carolina complex.
"Things are progressing really, really nicely," Suggs said. "We're in the heat of trial activity as we speak, doing trial activity in our first building. We've got about 300 team members that are on-site each day; the rest of them [around 500] are in our headquarters location in Greensboro." There are 1,000 in the queue waiting on a start date, he added.
At full capacity, the completed complex will be able to produce up to 30 gigawatt-hours of batteries per year and will employ about 5,100 people.
Power intensive
On an exclusive tour of the facility last week with Automotive News, Suggs — a veteran Toyota and Nissan manufacturing executive whose last post was heading Toyota's Mississippi plant, where the Corolla is made — talked about the intensity of manufacturing batteries compared with vehicles. The facility "will use six times the electricity of a normal manufacturing plant, because of what we have to do to produce the batteries," Suggs said.
Unlike traditional auto manufacturing, which relies on moving assembly lines to piece together larger components from smaller parts, the process for building batteries and battery packs means the complex will operate much more like a specialty supplier.
Raw materials — lithium, cobalt, magnesium and other vital minerals — will arrive by truck after being shipped from mines around the world and delivered to east coast ports about three hours away. The bulk minerals will be stored outside each battery manufacturing building and piped inside to be mixed into a purple-grayish proprietary slurry.
The slurry gets spread across an ultrathin ribbon of copper, dried, rolled and folded along with an equally thin plastic film separator into a cellphone-sized rectangle, crushed together and placed in a thin metal can along with electrolyte, then welded shut with exposed poles, forming each individual prismatic cell. The entirety of the cell production is done primarily by machine in clean rooms, with workers monitoring and directing the process in protective clothing from head to toe and subjected to air showers upon entering to remove any potential outside contaminants that could bespoil the battery.
The sealed lithium ion battery cells are then assembled into battery packs of various sizes based on the need of the product being produced. Once assembled, they are charged, tested and then allowed to "rest" for a period before being tested again, to make sure that each battery is both fully functional and able to hold and maintain a charge. Only then will the finished battery pack be shipped to one of Toyota's manufacturing plants, Suggs said.
Energy challenges
In the construction process, Toyota has been able to improve how each successive piece of the complex is built, Suggs said, allowing later buildings to be put up faster than earlier ones. Toyota also found other ways to save, including building its own on-site cement plant using limestone extracted as part of the initial earthworks process as source material for the concrete.
Roughly 1,000 of the 1,800 acres on the megasite is being developed, while about 300 acres is taken up by Dodsons Lake and nearby shoreland. Suggs said the lake area, named after the land's previous owner, will be developed into an environmental education center for primary and secondary students that is being designed by college students from North Carolina A&T, a historically black land grant research university in Greensboro.
Yet while construction crews and Toyota have been able to "kaizen" their process, the site's eventual operation looks destined to be less than optimally efficient, at least from an environmental standpoint. For example, even though there's a rail line adjacent to the site, and its existence was touted by Toyota in its initial announcement, neither the raw materials coming in from ocean ports or finished battery packs heading for assembly plants will be delivered via rail, Suggs said. Instead, both will be delivered to and from the rural site by truck, which is much less efficient than rail.
Another example is that at least a portion of the electricity powering the complex comes from Duke Energy's four-unit, 2,462-megawatt coal-fired Roxboro Plant about 60 miles northeast on the North Carolina-Virginia border, a Toyota spokesperson said. The utility would not provide a breakdown of the sourcing of the electricity being used for Toyota's development, pointing only to its owned-generation mix from 2023 across its six-state service area: 55 percent nuclear, 32 percent natural gas, 11 percent coal, and the remaining a mix of solar and hydro.
The Roxboro plant — which opened in 1966 and is one of the largest remaining coal-fired power plants in the nation according to Duke Energy — isn't scheduled to be retired until 2035, when it is to be replaced by a pair of power plants burning somewhat cleaner natural gas, the utility said.
On the Toyota Battery Manufacturing North Carolina website, the company says it is "committed to using 100% renewable energy at this new facility to produce its batteries" as part of the automaker's pledge to be carbon neutral for its vehicles and operations by 2050. A spokesperson said Toyota "is buying energy credits from a wind farm, so we will operate at 100 percent renewable energy when we start production next year."
Hiring underway
Toyota opened a hiring and training center in Greensboro where prospective applicants can come in, be tested and find out within about half a day whether or not they'll be offered a job. Once they get an offer and a start date, they'll go through about 10 weeks of training before beginning work in one of the buildings, said April Mason, plant services general manager at the complex. For Suggs, the steady stream of applicants has been a welcome surprise.
"I've been doing this a long time and a lot of different sites, and I'll tell you that for the first time in my career, I'm not losing my mind or hair over hiring," he said. "It's a weird feeling."
Toyota's $13.9 billion N.C. battery complex juiced for production Automotive News (autonews.com)
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2024.05.13 08:23 Funny-Barnacle1291 The Mad Woman in The Attic: WAOLOM, mad woman, Jane Eyre and the Eras tour WAOLOM visuals

The Mad Woman in The Attic: WAOLOM, mad woman, Jane Eyre and the Eras tour WAOLOM visuals
Taylor is now repeatedly drawing us back to lesbian and queer poetry and literature, which consistently has themes of madness, sickness, and suppression. I feel that she is telling us over and over that she is sick from closeting, and she can't take it anymore.
When I saw the WAOLOM visuals for Eras tour, I thought Taylor is meant to be in an attic. I've come across 'The Mad Woman in the Attic' by Sandra Gilbert and Susan Gubar before, but I have never read it all the way through. I believe Taylor is directly referencing this book, and Jane Eyre, to inform us all that she resonates with this story as a queer woman, and that she is stuck in her own attic - her closeted life - and she wants to burn it all down (with Karma, imho).
The WAOLOM visuals
https://preview.redd.it/t65tjj0sq40d1.png?width=500&format=png&auto=webp&s=0b67556a1c3a40b003758021bfb3f2ea0bd621bc
https://preview.redd.it/z6an5k0sq40d1.png?width=500&format=png&auto=webp&s=5e94d7826f38733daf436aa64884dbbffba286b3
https://preview.redd.it/kzrelk0sq40d1.png?width=500&format=png&auto=webp&s=e781aa36535a50ba101d59a22f982f29aa741411
To me, this house either looks like the Lovers House or her childhood home - or it represents both, amalgamated. The reason I'm drawn to the Lovers House is because of the very obvious triangular imagery as we zoom in, showing her in the attic. She is also using a lot of mirrored images, something that's important when considering The Mad Woman in the Attic. However, it's also possible the Lovers house is drawn from her childhood home, which I have no doubt has been theorised before. Another alternative is through suppressed intergenerational trauma, Taylor is realising themes of her childhood home have been bleeding into her work.
The two houses for reference
https://preview.redd.it/figix1har40d1.jpg?width=500&format=pjpg&auto=webp&s=81f8f09ca909b246debbe72428e2dd64985f0f7c
https://preview.redd.it/5c2mnihar40d1.png?width=400&format=png&auto=webp&s=f73fb08b2cbd159b3d2f3377a1c96176f291d63f
The Mad Woman in the Attic
WAOLOM is directly related to mad woman, made very clear during the Eras tour (if it wasn’t already!) by the imagery.
Taylor is in the attic, the mad woman in the attic, which is also the title of a book by Sandra Gilbert and Susan Gubar analysing Victorian literature through the lense of Jane Eyre (Charlotte BrontĂ«), and it's worth noting Taylor repeatedly makes references to Jane Eyre throughout Folklore and within mad woman. In Jane Eyre, Bertha Mason is locked in an attic by her husband Mr Rochester, and in the mad woman in the attic, Gilbert and Gubar use this as a frame of analysis to explore madness and angelicness in the works of Victorian women authors from a feminist perspective. The book examines work from Charlotte and Emily BrontĂ«, Emily Dickinson, Virginia Woolf, Mary Shelley, Elizabeth Barrett Browning, and Christina Rossetti. What do all of these women have in common, beyond being literary authors? They’re all rumoured, or essentially confirmed (in the case of Christina Rossetti and Emily Dickinson) of being queer, particularly lesbian. It is a very key and formative piece of feminist literature.
The premise of the book is the authors explore how women writers were forced to make the women in their books one of two things: angel, or monster. They argue this is imposed by a “reductionist, patriachal view of women’s roles”; they have, from what I understand, received some critisism for not saying the quiet part out loud here: under cisheteronormative patriachy, women are defined in relation to, by and for men – - and so lesbians and lesbian identity is alienated, hidden, erased. The book does not make the obvious connection here - these writers were forced to closet themselves for their own protection in Victorian society. Gilbert and Gubar draw on what Virginia Woolf said for their argument: “[women writers] must "kill the aesthetic ideal through which they themselves have been 'killed' into art". Let’s not forget here, the connections between WAOLOM and Who’s Afraid of Virginia Woolf, posts on this sub with this theory here from u/throw_ra878, here from u/slejeunesse and here from u/AliceStanleyJr. Gilbert and Gubar do argue that men originally set up the dichotomy of female characters as either pure, virginal, angelic or rebelillious, mad, ‘hysterical’. A direct quote that jumped out from me from the Preface is “for just as women have been repeatedly defined by male authors, they seem in reaction to have found it necessary to act out male metaphors in their own texts, as if trying to understand their impliciations.” Indeed.
Crucially, the book describes “a female schizophrenia of authorship” or a “split”: as a representation of themselves, authors would write, process and act out their own suppressed nature and emotions through the process of ‘employed mirrors’; and thus create the image of the mad woman. A direct quote: "these madwomen emerge "over and over again from the mirrors women writers hold up both to their own natures and to their own visions of nature,"..."they appear from a silence in which neither [they] nor [their] author[s] can continue to acquiesce"". The book fails to really dig into this silence: the silence, and the common nature, is that of holding a queer or lesbian identity, and all of these women were forced to suppress it. This draws me to the lesbian memoir from Glennon Doyle, Untamed, in which she talks of how suppressing your true, queer self leads to sickness and ill-health, including mental health issues, and Taylor has links to this book too - she has credited it as being a "huge help" during 2020.
I will say, it is hard to miss what Gilbert and Gubar are getting at, especially is queer, or even only familiar with just two or three of these authors work (which we know Taylor is); it's natural to ascertain that what these women were hiding was their queerness, and this is specifically a consequence of cisheteronormative society. It is also a widely discussed critisism.
I can’t think why Taylor could be drawing from a text like this

mad woman and Jane Eyre
A lot of Folklore is littered with references to Jane Eyre, that lots of people have noticed. A really good summary of all the references in Folklore can be found here from @/Karisma Takhar on medium. Here is what they wrote about man woman and references to Jane Eyre
"The Jaye Eyre references continue in ‘mad woman’, the track title a reference to who the literary world now refers to as the ‘Madwoman in the Attic’ thanks to Sandra Gilbert and Susan Gubar. On Jane and Mr Rochester’s wedding day, it is revealed the latter is married to Bertha Mason, whose mental health deteriorated rapidly after the wedding. Mr Rochester decides to lock his wife away in the attic of their home, leaving Grace Poole to care for her, though Grace’s drinking occasionally leads Bertha to escape and roam the hallways. She rips Jane’s wedding veil in half the night before the wedding, an incident Mr Rochester blames on one of maids. When Mr Rochester formally introduces his wife to Jane, she ‘scratched and growled like some strange animal’; Taylor makes similar statements in the song, likening the ‘mad woman’ to both a scorpian and a bear in its defence."
I think this makes it incredibly likely Taylor is not just drawing from Jane Eyre but she is aware of how her sub-conscious suppressed is spilling out into her work, and she is choosing to deliberately make this bigger and louder.
I think the strongest links to this theory are 1989 onwards, which I believe is partly linked to Karma the lost album, the album I do believe is going to 'burn it all down' in order for Taylor to rebuild as an artist who is out and proudly queer.
Here are some lyrics which link to this theme of the 'mad woman, with themes of madness, craziness, rebellion and hysteria - and a process of ‘splitting’ in Taylor’s work, where her suppressed desires come through in her lyrics, leading to consistent themes of madness:
· Treachourous (Red): "This slope is treacherous, this path is reckless, this slope is treacherous, and I, I, I like it"
· Say Don’t Go (1989): “the waiting is a sadness, fading into madness, oh no, oh no, it won't stop, i'm standin' on a tightrope alone, I hold my breath a little bit longer, halfway out the door, but it won't close”
· I Did Something Bad (Reputation): "I never trust a narcissist, but they love me, so I play 'em like a violin, and I make it look oh so easy, 'Cause for every lie I tell them, they tell me three, this is how the world works" / "I can feel the flames on my skin, crimson red paint on my lips, if a man talks shit, then I owe him nothing, I don't regret it one bit, 'cause he had it comingThey say I did something bad, then why's it feel so good?" / "And I let them think they saved me" / "You gotta leave before you get left" / "They're burning all the witches, even if you aren't one, they got their pitchforks and proof, their receipts and reasons, they're burning all the witches, even if you aren't one, so light me up (light me up), light me up (light me up), light me up, go ahead and light me up (light me up)"
· Look What You Made Me Do (Reputation): "But I got smarter, I got harder in the nick of time, honey, I rose up from the dead, I do it all the time, I got a list of names, and yours is in red, underlined, I check it once, then I check it twice" / "I don't trust nobody and nobody trusts me, I'll be the actress starring in your bad dreams"
· End Game (Reputation): "“I hit you like, "Bang", we tried to forget it, but we just couldn't, and I bury hatchets but I keep maps of where I put 'em, reputation precedes me, they told you I'm crazy”
· Getaway Car (Reputation): "It was the best of times, the worst of crimes, I struck a match and blew your mind, but I didn't mean it, and you didn't see it, The ties were black, the lies were white, In shades of gray in candlelight, I wanted to leave him, I needed a reason, "X" marks the spot where we fell apart, he poisoned the well, I was lyin' to myself, I knew it from the first Old Fashioned, we were cursed, we never had a shotgun shot in the dark" / "There were sirens in the beat of your heart, should've known I'd be the first to leave, think about the place where you first met me, in a getaway car, no, they never get far, no, nothin' good starts in a getaway car, It was the great escape, the prison break, the light of freedom on my face, but you weren't thinkin' and I was just drinkin', while he was runnin' after us, I was screamin', "Go, go, go!", but with three of us, honey, it's a sideshow, and a circus ain't a love story, and now we're both sorry", "We were jet-set, Bonnie and Clyde, until I switched to the other side, to the other side, it's no surprise I turned you in, 'Cause us traitors never win"
· The Man (Lover): “they paint me out to be bad, so it's okay that I'm mad, I'm so sick of running as fast as I can, wondering if I'd get there quicker if I was a man (you know that), and I'm so sick of them coming at me again (coming at me again)” “I’m so sick” is repeated 8 times, which just so happens to be the number representing infinity.
· The Archer (Lover): "Combat, I'm ready for combat, I say I don't want that, but what if I do? 'Cause cruelty wins in the movies" / "I've been the archer, I've been the prey, who could ever leave me, darling? But who could stay?" / "And I cut off my nose just to spite my face, then I hate my reflection for years and yearsI wake in the night, I pace like a ghost, the room is on fire, invisible smoke, and all of my heroes die all alone"
· The Last American Dynasty (Folklore): “Holiday House sat quietly on that beach, free of women with madness, their men and bad habits, and then it was bought by me, who knows, if I never showed up, what could've been, there goes the loudest woman this town has ever seen, I had a marvelous time ruinin' everything”
· Seven (Folklore): “I think your house is haunted, your dad is always mad and that must be why, and I think you should come live with, me and we can be pirates, then you won't have to cry, or hide in the closet, and just like a folk song, our love will be passed on, please picture me, in the weeds, before I learned civility, I used to scream ferociously, any time I wanted”
· mad woman obviously, just the whole thing!
· Champagne Problems (Evermore): ““This dorm was once a madhouse”, I made a joke, "Well, it's made for me"” // “"She would've made such a lovely bride, what a shame she's fucked in the head, " they said, but you'll find the real thing instead, she'll patch up your tapestry that I shred”
· Anti-Hero (Midnights): “Midnights become my afternoons, when my depression works the graveyard shift, all of the people I've ghosted stand there in the room” / “I should not be left to my own devices, they come with prices and vices, I end up in crisis (tale as old as time)” / Did you hear my covert narcissism I disguise as altruism, like some kind of congressman? (Tale as old as time), I wake up screaming from dreaming, one day I'll watch as you're leaving”
· WAOLOM ofcourse, just the whole thing.
Interestingly, Taylor's references to virtue, or themes of angelic, virginity, are pre-1989.
· Hey Stephen (Fearless): "'Cause I can't help it if you look like an angel, can't help it if I wanna kiss you in the rain, so come feel this magic I've been feeling since I met you, can't help it if there's no one else, mmm, I can't help myself"
· White Horse (Fearless): "Say you're sorry, that face of an angel, comes out just when you need it to, as I paced back and forth all this time, 'Cause I honestly believed in you, holdin' on, the days drag on, stupid girl, I should've known, I should've known, that I'm not a princess, this ain't a fairy tale, I'm not the one you'll sweep off her feet, lead her up the stairwell, this ain't Hollywood, this is a small town, I was a dreamer before you went and let me down, now it's too late for you and your white horse, to come around"
· The Lucky One (Red): "New to town with a made-up name, in the angel's city, chasing fortune and fame, and the camera flashes make it look like a dream" I think this whole song is really interesting to read when considering this idea of beasts versus angels, madness versus virtue, and the idea of her having been sold a lie.
In Summary
Taylor is using imagery of herself in an attic to imply she is aware her true self, her closeted and suppressed self, is coming through in her music, and she is saying she directly relates to Jane Eyre - she feels trapped by her closeted life, by the "1950s shit they want from me", she wants to be free, healthy, out. She is telling us all that these themes of madness are a direct result of all she is suppressing, a direct result of living in a cisheteronormative patriachy, and it is stifling her, ruining her life.
Taylor has got to a stage where she is now deliberately referencing queer media, authors and literature, knowing full well it will be looked into. These consistent themes are not accidental; she is saying through her art and her music that she is queer and she doesn't want to hide it anymore. I partially think a lot of the themes of death are about how she doesn't want to die in the closet and her work be analysed years later, to them be summarised as possibly gay later on. She wants to be known, now, as queer, as her true self, to cure her sickness of suppression.
She is also implying she is an unreliable narrator and there are certain parts of her music you can't trust at face value; that she is suppressing a huge part of herself and it is presenting in her lyrics, it is filled with queer closeted trauma and comphet as a manifestation of the suppression of her true identity, and she needs people to know.
I truly think she is ready to burn it all down, with Karma. In the words of Taylor, "all I think about is Karma".
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2024.05.13 06:42 Shiroudrake Maybe the Moon Sisters are the Shades, and maybe something is wrong?

Maybe the Moon Sisters are the Shades, and maybe something is wrong?
The Four Shades created by the Primordial One, when fought with the Seven Dragon Sovereign.
Before Sun and Moon "When the Doves Held Branches"
When the eternal throne of the heavens came, the world was made anew. Then the true lord, the Primordial One, came forth and did battle against the seven terrifying sovereigns, dragon-lords of the old world. The Primordial One created shining shades of itself, and the number of these shades was four.
We know two of them. Istaroth or Kairos, who is the "Shade of Time" who is Venti's "creation mother" And the "Shade of Life" who create the living beings and she was Egeria's "creation mother" Two of them are female.
The creation (or terraforming) was a "360 years long period." (400-40 = 360). And the humanity was the last creation.
"Forty Years After the Held Branches" Forty winters entombed the flames, and forty summers churned the seas. The Seven Sovereigns were vanquished, and the seven nations submitted to the heavens. The Primordial One, the great sovereign, began the creation of heaven and earth for "our" sake — that of its creations which it cherished most, who would soon appear upon this earth.
...
"Four Hundred Years After the Held Branches" The mountains and rivers were made, and the seas and oceans accepted those who rebelled and those who would not kneel. The Primordial One and one of its shades created the birds of the air, the beasts of the earth, and the fish of the sea. Together, they also created flowers, grass, and trees, before finally creating humans — our ancestors, numerous as the stars in the sky, uncountable as the sand on the shore. From that time, our ancestors made a covenant with the Primordial One, and so entered into a new age.
The Moon Sisters was older than the humanity and the Seelies. So the Moon Sisters are not Seelies
Moonpiercer The tale of the moon goes like this: this story came from a very ancient dream, one that was hidden in a Nilotpala Lotus. Long before Aramuhukunda had been born from the pomegranate, and before a great and noble race and your ancestors walked the earth together, There were once three sisters. When night came, they would leave the pearl-colored palace to roam the desert, and Nilotpala Lotuses would bloom at their feet.
We know who and when created the Shades We don't know who and when created the Moon Sisters But both the Moon Sisters and the Shades exist in the creation period. There were Three Moon Sisters and Four Shades. 3 ≠ 4
But the Moon Sisters was a lover, the Stars of Daybreak So now we have four ancient gods in two side.
Moonlit Bamboo Forest Vol. 3 These three luminous moons shared but one love, the stars of daybreak
The Moon Sisters and the Stars of Daybreak were travelling in the sky with their carriage or chariot. Those are not a synonyms of a planet, because "the sky is a hoax" so more like a flying machines or floating islands like "Celestia" and the Jade Chamber (the Jade Chamber can move)
In a long time ago possible around 6000 years ago when Rex Lapis was young. Nibelung the Dragon King cames back from beyond the sky and using with the "Forbidden Knowledge" attack the Primordial One. The war makes a Gereat Calamity, and the Primordial One was used the Divine Nails to clear the world.
Nibelung = Second Who Come:
(Soure: Istaroth's scriber a human who lives long time ago) Before Sun and Moon "The Funerary Year"
The second throne of the heavens came, and war was rekindled, as it was in the world's creation. That day, the heavens collapsed and the earth was rent asunder. Our ancestors and their ancestral land fell into this place during that conflict.
The era of darkness had begun.
(Soure: Nabu Malikata who was a seelie and an ancient god) Amethyst Crown "It was a faraway time of calm and peace. Divine envoys spoke openly with the people then, bringing them the word from the heavens..." "But, in time, invaders descended from beyond the firmament, bringing with them destruction, overturning rivers, spreading plagues..." "And though the invaders brought war to my former kin, they also brought about illusions that could break through shackles to the land." "But the master of the heavens, consumed by fear for the rising tide of delusion and breakthroughs, sent down the divine nails to mend the land, laying waste to the mortal realm..." "We then suffered the torment of exile. Stripped was our connection to heaven, to our powers of enlightenment..."
(Soure: Apep the Dendro Dragon Sovereign who was older than the gods) Nahida Second Story Quest Apep: It's a long story... We all once believed in the distant past that only forbidden knowledge could give us enough power to defeat the Heavenly Principles. Apep: The Dragon King (Nibelung) acquired the power of darkness from outside of this world and led us in a fight against the order established by the outsiders. Paimon: D—Dragon King!? Apep: An unimaginable war took place in Teyvat, causing destruction on an unprecedented scale. The world itself was on the verge of collapse. Apep: In war, the victor would inherit the right to shape the world, while the losers must turn into ash... Apep: But I didn't give up on searching for a way to turn the tides, even after the death of the Dragon King. Apep: As I attempted to collect more forbidden knowledge from the corners of the world as it was on the verge of collapse... I was stopped by the giant spike that fell from the sky.
3 of 4 chariots/carriages was fallen from the sky. A Sun Chariot and Two Lunar Carriage
When the Sun Chariot fallen creates the Chasm. Deep in the chasm are the ruins of an ancient city with similar architecture to Khaenri'ah.
The Grave of the Guarded Traveller: Was this upside-down city built by Khaenri'ah/Abyss Order?? Dainsleif: Not necessarily. The closer we draw, the more I am inclined to conclude that these ruins belong to a more ancient civilization still. Dainsleif: The Abyss Order simply got to them before anyone else. Paimon: Even older than Khaenri'ah? Whoa, Paimon can't even imagine back that far... Dainsleif: That said, the architecture here does somewhat resemble that of Khaenri'ah... At least, it would if it were the other way up. Dainsleif: Let's head toward the light over there. Mind your footing on the way ahead. It's a long way down.
A part of the Sun Chariot the "Fleeing Jade" was impact in northern Lisha. It's wery possible the Fleeing Jade was Zhongli. That means ho was one of the subordinatas of the Stars of Daybreak, (maybe the creation or the son) Just Look at the Dunyu ruins architect, it's a same as the Guili Assembly, there giant "Milelith Guards" statues, ad in a neighbour of MT Tianheng.
Stone Tablet Compilations: Vol. I In the beginning, Rex Lapis descended. He lowered the tides, raised Mt. Tianheng, and calmed the waves. Thereupon, peace was brought to the people.
Solar Relic It is said that Rex Lapis was still young, the sun was a chariot that raced across the earth. When the three sisters of the night sky were martyred in a calamity, the solar chariot fell into a deep gorge.
Records of Jueyun Vol. 6 In a past beyond memory, when even Rex Lapis would still have been young, a star fell from the sky into the barren plains west of Liyue. These plains were transformed into a huge and deep chasm in the wake of that star's descent, and jade would emerge from within, beautiful and limitless, and it would become the foundation for a thousand years of industrial mining in Liyue thereafter.
Legend has it that when that nameless star fell, a fragment of it broke off and crashed into the rocks in northern Lisha.
As most know, wordless stones harbored soul and spirit, and in manners and times not witnessed by mortal eyes they watched and listened to the ley lines' pulses, the echoes of the alpine springs, and the slow but inexorable movements of the mountains.
But unlike the ordinary but enduring stone of the earth, the fragments of the meteorite that fell from heaven had a proud and agitated temper.
Enkanomiya is floating island beneath sea and the surface in a very great cavern and was created same time when the Chasm. So I think this is one of the Fallen Moon Carriage
Before Sun and Moon "The Funerary Year"
The second throne of the heavens came, and war was rekindled, as it was in the world's creation. That day, the heavens collapsed and the earth was rent asunder. Our ancestors and their ancestral land fell into this place during that conflict.
After that Abrax/Aberaku built the Dainichi Mokoshi (with Istaroth help) to light up the dark deep. Dainichi Mokoshi literally means "Divine Chariot of the Great Sun" And its possible he used parts of the Moon Carriage when built it
Before Sun and Moon "The Year of Blindness"
The sage Abrax's wisdom was awakened, and he unveiled a light-bringing miracle from within his hands. So our ancestors began to build the Helios, with him as their leader.
The Subterranean Trials of Drake and Serpent Enjou: First, you'll need to find something known as the "Golden Bridle" According to related literature, it's a device that is less than an armful in size. Paimon: Oh, so it's not a rope? Enjou: The name is simply derived from one of Byakuyakoku's legends. They say that the sun and the moon were moved by the chariots of the gods. Enjou: And the Golden Bridle was Byakuyakoku's national treasure.
And third Divine Chariot was possible fallen where Khaenri'ah is. More precisely there is two "crater" the Turning Hollow which is Khaenri'ah's entrace, and the Vourukasha Oasis which is Nabu Malikata "homeland" And based the Gate position the City beneath the Oasis.
Nabu Malikata was connected with the Moon Sisters. She is subordinates or a children of one of them like Zhongli.
Moonpiercer There were once three sisters. When night came, they would leave the pearl-colored palace to roam the desert, and Nilotpala Lotuses would bloom at their feet.
Ay-Khanoum's Myriad Gorgeous purple flowers bearing semblance to the moon bloomed wherever she stopped by. They were named "Padisarah."
And also the city they built together with Deshret. The name Ay-Khanoum, means the City of the Moon Maiden.
Malikata was the Lord of Flowers and based on this she was propably the subordiantes or creation daugter of the Moon Sister of Life or the Shade of Life. Also that means She was Egeria's little sister. Nabu Malikata was a Seelie Egeria created the Oceanids whose are literally a Hydro Seelies.
BUT! Peruere (Arlecchino) stroy and lore that Moon Sisters was more connected to Death than the Life.
For me its looks like Peruere concept is based on two Honkai Impact Character. The one is Raven who has a similar appareance and both of them are an Orphanage Director The other is Seele whose weapon is a Scyte and "she was" the Herrscher of Death in the previous era, and she is the Herrscher of Rebirth in the current era. And Seele has double personality.
It's looks like Mihoyos seems to be interested in dealing with the topic of dissociative personality disorder Both Honkai Impact and Genshin Impact contains characters with double personality. (I haven't played the Star Rail yet.) In Honkai Impact: Kiana, and Seele In Genshin Imapct: Azhdaha, Layla, and Furina
Herrscher of Death/Rebirth powers is the Life and Death manipulation.
What if the Shade of Life also the Shade of Death? Or call her the "Shade of Life and Death" or the "Moon Sister of Life and Death"
Some interesthin thing about Peruere
Hu Tao and Peruere Both is Pyro Polearm character whit Pyro Conversion ability. Both connected with the theme of death. Neither works well with healer teammates Can heal themselves with their Bursts Both of them have flower shaped pupill and can mark the enemies with those flower. ("Using the elemental skill")
(So maybe Arlecchino = Hu Tao 2.0 XD)
And there is and other character who has a flower shaped pupill and can mark the enemies with those flower. She is Nahida. It's simply logic that the avatar of Irminsul also created by the the Shade of Life or somehow connected. And an interesting opposite where Nahida power based on the knowledge and remembering and Peruere has the power of forgotting.
The Artifacts. Whe have 5 pieces in a set.
Maybe The Flower of Life and the Plume of Death connected the Shade of Life and Death. Maybe the other three pieces connected with the Shades.
In Mondstadth there is three charactes whose have an artifact shaped conbstellation.
Lisa is an Electro chararacter with a Hourglass constellation. The Electro Resonance is the Energy Recharge, in main stat only in appears in the Sands of Eon. The Electro Erchon, Ei's power based on the Energy Recharge. Also she and her sister connected with Istasroth. Istaroth worshiped both Mondstadth and Inazuma (Enkanomiya). Ei is the God of Ethernity The latin tempus means both weather and time.
Barbara is a Hydro character with a Grail constellation. It's maybe fun if we call that is Neuvillett's glass. But the first Hydro Archon more like connected with Flower of Life. Something is not OK. (But later)
Rosalia is a Cryo character with a Crown constelaltion. The Cryo Resonance is the Crit%, in main stat only in appears in the Circlet of Logos.
In Arlechino Character demo at 40s the narrator has same Voice Actor as Bronya
English https://www.youtube.com/watch?v=TnYFVP3c_bs&t=40s
Japanese https://www.youtube.com/watch?v=etJuE22vDr0&t=40s
Chinese https://www.youtube.com/watch?v=8qSDZmbE66o&t=40s
Korean https://www.youtube.com/watch?v=QtSKIcJ1Lh0&t=40s
The Circlet of Logos another name is Crown of Reason. And Bronya is the Herrscher of Reason (I hope Tsaritsa will has a motorbyke!)
So the connections Flower of Life and Plume of Death -> Shade of Life and Death Circlet of Logos/Crown of Reason -> Shade of Reason Sands of Eon/Sands of Time -> Shade of Time (Istaroth)
In Enkanomiya we can get three Achievements named Kairos' Constancy)
Kairos is Istaroth other name, we could logically think that also Phosphoros and Hesperus is the member of the Four Shades.
Phosphorus is Morning Star in the Greek Myth. And the Morning Star is the syninym of the Stars of Daybreak whose Sun Chariot fallen in the Chasm.
Hesperus is the Evening Star in the Greek Myth
In our World both Phosphorus and Hesperus refer to a same star the Venus So thats maybe means the driveruler of the Sun Chariot is the Shade of Morning and Evening, or the Shade of Light and Darkness
So I thought in this point if the Shades has two sides they are:
Shade of Life and Death Shade of Time and Weather Shade of Light and Darkness Sahde of Reason and "Instinct" (as the opposite of reason)
But something is not OK
Istaroth name from the demon Astaroth who is demonized of the Goddes Astarte/IstaAttar
Astarte/IstaAttar symbol is the Venus. That means Istaroth is the Stars of Daybreak and Phosphorus and Hesperus is also refers to her. Ok its logic because she was the only god who helped Enkanomiya's pepeole. And the morning and evening is a time period. The Sun and the Moon and the Stars can be use the measuring of time.
Istaroth survived the impact, and her divine chariot was repaired and replaced with the people of ancient Liyue. Maybe this chariot is the floating island tha we call "Celstia"?
Solar Relic It is said that Rex Lapis was still young, the sun was a chariot that raced across the earth. When the three sisters of the night sky were martyred in a calamity, the solar chariot fell into a deep gorge. The mountain people, taking it for a sign, repaired the device, allowing it to shine through the darkness again. And though it was returned to its constant westward cycle, a single piece would forever remain behind. When they moved to the city, they would grind that fragment into crystals and sell it to someone who knew its value...
And teh weather is not the opposite of time. ( Followings are not perfectly logic sorry for that)
What is? If we say the "Space" then the Shades are
Shade of Life and Death Shade of Time and Space Sahde of Reason and "Instinct" And an Unkown Shade
Talk again the Artifacts Barbara is a Hydro character with a Grail constellation. Goblet of Eonothem The Eonothem is the chronostratigraphy version of the Eon And the other name is Cup of Emptiness or Cup of Space or Cup of Void
Just in mention: In Sumeru the is a Varuna Contraption weather controll device In the Vedic Myth Varuna is the god of Sky and the Oceans The Sun Symbol:
https://preview.redd.it/6yxu8h2ye30d1.png?width=1290&format=png&auto=webp&s=8fe586bb06a6afe3527abc620b7d0edaa7c0464d
The Unknown God concpet based on Kina Herrscher of Void form from Honkai Impact. Maybe she is Istaroth?
But she was attacked the Shiblings. Or maybe saved them?
In the Opening, she sealed the Twins https://www.youtube.com/watch?v=zXykl-4he1A
But the Traveller never mentioned how to break the seal. Traveller: When I woke, I was all alone.
Maybe she was send them into the future? (Or into the present from the past in our viewpoint) Maybe she didn't want them to have the same fate as the Third Descender? Maybe she want them to do something, but she couldn't say them to what?
Interesting thing: The Sundial in the Nameless Island (Mondstadt) points to its starting point of the Game. The rock on which the Traveler was sitting.
Istaroth works again the Primordial One or the Heavenly Principles?
The Primordial One itself or ordered someone to cut down or destroy Irminsul. (or kill Buer the God of Knowledge) And this is propably ereased everyone memory. But Istaroth saves a branch and Buer with it.
Before Sun and Moon "The Parable of the Tree" The king's gardener and the tree spirit of the royal garden were in love. But the king wished to repair the beams of his pavilion, and so needed to cut down the tree with the most spiritual energy within it. The king was the incarnation of the Primordial One, and the gardener could not defy the sovereign of sovereigns, and so he could only bring his plea to the king's priest, who was the incarnation of Tokoyo Ookami. The priest had pity on the gardener and said to him: "Go, and cut the branches of the spirit-tree down." The gardener did so, and afterward did as the king ordered, cutting the spirit-tree itself down. Then the priest said: "Plant the spirit-tree's branches in the ground." But the gardener said: "A spirit-tree shall take five hundred years to grow." The priest said: "Your one thought shall echo through eternity." And so the gardener planted the branches in his back yard. In an instant, the slim branches grow into a new tree, and the new tree spirit was a continuation of the past one. For it is the God of Moments who is able to take "seeds" from this "moment" into the past and the future.
The Befire Sun and Moon writed by Istaroth's scribe so the source of the knowlege of the oild world was Istaroth herself.
Before Sun and Moon The Tenth Year of Sun and Moon
Abrax is long gone. The events before the sun and the moon have been recorded sufficiently. Well, if I did not dare to write things down just as they happened, how could I consider myself a scribe of Tokoyo Ookami?
Hark, I hear armor without. Here, I shall stop writing.
But the Heavenly Principles not too happy for it.
The Subterranean Trials of Drake and Serpent
Enjou: These chronicles are known to the people here as the times "before Sun and Moon." Back then, no gods walked the earth, and the whole land belonged to a single civilization. Paimon: Was there ever really such a time? The bards claim that the times "when gods walked the earth" is the furthest back we go! Enjou: Yes, that's precisely it. That's why I wanted to find this book. That way, we, the Abyss Order, would have proof. Proof that the gods and Celestia came from beyond this world. Enjou: The only thing I do know at the moment is that the Great Serpent was sentenced to death by Celestia for accidentally reading this book.
The Heavenly Principles want to erease all of knowledge of hte past, but Istaroth want to save rhem.
Perhaps Istaroth is behind all the fairy tales that hide the ancient history of Teyvat?
Just a final think. Watch again the oppening and watch carefully to the Twins https://www.youtube.com/watch?v=zXykl-4he1A
Are they really twins? Their hair colorshade is not same Their pupill is not same
Lumine wears Inteyvat flowers in her hair. (Flower of Life) Aether wears a feather shaped earrings in his left ear and a same ornament in his braid. (Plume of Death)
Are they connected with the Shade of Life and Death?
Ps. Very sorry if untraceable, some ideas came while writing. And also very sorry for my bad english
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