One of the biggest frustrations I see people having in this group is with the YouTube Algorithm. They are 110% certain that they aren’t getting any views because the algorithm is broken. Instead of spending time improving their content, they spend most of their time, trying to prove to themselves and everyone else – “The YouTube Algorithm is broken and not working as it should”. Or the classic – “The YouTube algorithm only pushes content from big YouTube Channels”.
Today I wanted to share with you what I’ve learned about the infamous and evil “Algorithm” and how it applies to your YouTube channel. Hopefully it helps give you clarity on the YouTube Algorithm and reframes your thinking when it comes to building a successful YouTube channel. I also hope it helps reduce the frustration and the burn out you may feel because your channel isn’t where you want it to be.
The YouTube Algorithm is an AI-powered recommendation system, which is designed to put the BEST and most engaging content in front of viewers on YouTube. It does this by analyzing large amounts of data that tracks the preferences and habits of viewers. The cool and frustrating thing about the algorithm is that it changes over time. For example, the algorithm used to favor subscriber counts, but it has recently shifted and prioritizes views. I am sure there are other tweaks and shifts that happen often, but this was the most noticeable change.
Here is where it gets frustrating, most new content creators are misled by random bits of information from “YouTube Experts” about how the algorithm works. And when their videos flop on YouTube, the only reason they can come up with is – “The Algorithm is not working correctly.”
The truth is, in order to understand how the algorithm works, you first have to accept one simple fact. An algorithm will always work in favor of a company’s policies, values and mission statement.
Now that we know this, let’s dive a little deeper. YouTube’s approach prioritizes the 4-Rs

1. REMOVE content that violates its polices.
2. REDUCE false news.
3. RAISE UP authoritative sources for news and information.
4. REWARD trusted creators.

In their creator videos, YouTube says – “YouTube’s recommendation system actually finds videos for viewers, rather than finding viewers for videos” - Put simply, YouTube prioritizes the VIEWER – not the CREATOR! Let me say it another way just for emphasis – Viewers want to see videos THEY WANT TO WATCH, not the videos YOU WANT TO MAKE.
Although the algorithm takes into account several factors when recommending content, it can be split into two main categories
• Viewer Personalization – This includes data about what videos users watch and which ones they ignore.
• Viewer Satisfaction – This measures the performance of a video based on metrics like longer watch time, video shares, likes, comments, subscribes and watch history.
Reading the comments and posts, it seems a lot of people don’t take into consideration the fact that; “The Algorithm” is a term that reflects the behavior and viewing habits of YOUR audience. It’s not some robot deciding if it should show your video to other people or not. It is also very important to remember, because YOUR audience loves YOUR videos, it doesn’t mean other people will.
How to win with the algorithm audience on YouTube.
1). Make the tough decision on how you want to use the YouTube Platform. It doesn’t matter what you decide to do, just always keep in mind each decision has different outcomes, and success is not guaranteed.
a. Do you view YouTube as a place to share your life/experiences and videos on YouTube. This is fine, but you need to remember all art, isn’t fine art. If your art isn’t appealing to the masses, you may get frustrated and burnt-out creating content for people who aren’t interested.
b. Do you view YouTube as a business and an opportunity to make money. This is also fine, but at this point you become a “contracted” employee of YouTube, and it is your responsibility to make sure you adopt their business model and align your content with YouTube’s expectations – Do this and you are more likely to succeed.
2). Understand the metrics and how/where YouTube places your content.
A. YouTube Search – YouTube is a search engine, and it prioritizes your content based on the following
i. Relevance – your videos should have appropriate keywords, titles, tags and descriptions.
ii. Engagement – your videos should have high watch time, likes, and comments.
iii. Quality – Your videos should have quality content, display expertise and trustworthiness.
B. YouTube Homepage – Here is where most viewers start their journey. Here a viewer can see video ads, relevant videos and shorts that a person may be interested in.
C. Recommended Videos – Videos are recommended to users based on their watch history, search history, channel subscriptions, country and time of day/month/year.
D. Trending Videos – Trending aims to share videos that appeal to a large audience. Think viral videos, new music videos or breaking news. – Things that instantly capture a viewer’s attention.
E. Subscriptions and Notifications – Videos are shown to people who have subscribed to your channel and/or are notified of your latest content.
Always remember to succeed at YouTube you have reframe your thinking and use logic and data to drive your decision making and content strategy. Don’t let misinformed “YouTube Experts” influence your decision making. In 2023 YouTube generated 31.5 billion dollars in revenue and reached 2.7 billion active users – How can they do this if their algorithm is broken?
It’s a tough pill to swallow, but greatness is only achieved by setting aside our egos. Stop worrying/arguing about the algorithm, and work on making small improvements and connecting with your audience. Bruce Lee once said – “It is like a finger pointing away to the moon. Don’t concentrate on the finger or you will miss all that heavenly glory.”
Disclaimer – I am not a YouTube expert, but I am an expert in the Information Technology field, and I use data and analytics to make data driven decisions and to craft and tell compelling stories.

[Chapter 1] ; [Previous Chapter] ; [Discord + Wiki] ; [Patreon]
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Chapter 168 – The moment to live and the moment to die
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„Jumping!“ an Ensign announced loudly as the Sun's view-windows very briefly flickered into a dark black only to go back to a full view of the ongoing battle basically instantly, having barely shifted the ship's position at incomprehensible speed. „Shot clear of allied ships.“
Vice-Admiral Kazadi tapped his finger on one of the armrests of the Commander's seat that still felt anything but comfortable for him to sit in as the tight grid of flashing lights reflected in his eyes within the twilight of the bridge.
“Fire,” he then ordered. Not even a blink later, a burst of colorful light broke into his view from the side of his very own ship, lighting up the entirety of the bridge even through the automatically tinting windows that absorbed a lot of the harmful light so the crew wouldn't flashbang themselves with each shot.
The relativity canon fire tore through the enemy ship at an almost literal instant with any travel time barely being conceivable to a mortal mind. In a large unload of energy that left almost the entire stern-side of the zodiatos ship as a molten mass of dispersing slag, the main propulsion was taken out. Simultaneously, the two accompanying cruisers had also taken their shots; with the 'Civil' taking out the engine of one more enemy vessel while the 'of the roses' had instead used its shot to disperse one of the enemy projectiles in order to buy their own hunter ships more freedom of movement. Those huge ones didn't go down easy from one of the hunters' smaller shots, so using one of the large canons to dispatch it took some of the heat off them.
Meanwhile, smaller targets on the enemy vessels, such as their own canons, were gradually taken out by said hunters, whose own fire – while able to be quite destructive if intended no doubt – could be used in a far more precise manner. With more and more of their canons failing, the protective volleys the coreworld terrorists could fire to hide themselves away also became less and less effective.
“Send the fallback-beacon,” Kazadi then ordered, since close quarter attacks became less and less necessary.
It seemed that the zodiatos had a hard time adjusting to the combat style of the human unkindnesses, however that didn't mean they should take any unnecessary risks. Even if a pilot could've been able to avoid all enemy attacks in a perfect world, he knew that his pilots were only human.
Casualties of their own had been comparatively minimal so far, however as if to prove him right about his thoughts, he could see on his surveillance screen how, just in that moment, one of their ships was taken out by an enemy craft.
He grimaced to himself and let out a mild sigh. One more family who would never see one of their own again...
It took a moment before all the ships were reached by the beacon. Due to the nature of their own combat strategies, as well as the particular nature of hyperspace, it was entirely impossible to effectively contact any of their ships directly while they were out in the battle. Therefore, the order to fall back had to be broadcast as a general signal, that each of the pilots could individually pick up as soon as they would keep still for long enough so that it could reach them.
By now, the battle was already won. None of the zodiatos' weapons were able to match the relativity canons in effective range and without the larger ships to back them up, their small hunters wouldn't be able to launch an offensive – shields or not. They could just stay back and fire until surrender now. As the signal was picked up, one of their ships after another disappeared in one last flash of hyperspace as they joined back up with the larger vessels in an enclosing formation.
“Prepare for the retrieval of some of those projectiles,” the Vice-Admiral then ordered as he hoped they would be able to track some of those spent shots their enemies had fired. They would have to figure out what kind of tech that was.
In such a small-scale conflict, it was more than manageable to face it. However, it could offer some difficulties in larger fleets – especially since they didn't know how far this kind of tech could possible be expanded and refined. It was quite possible this was just some form of prototype.
While that order was followed, one of his Lieutenants suddenly spoke up.
“Sir, we have an incoming transmission from the planet. Civilian. Not encrypted, but they seemingly had an access code,” they related quickly.
“Is the earlier interference cleared up?” he immediately asked back, to which the answer was positive. “Put it through then,” he immediately ordered as soon as he heard that.
He rubbed one of his tight braids between his fingers as he waited for contact to be established. Once the line was clear, things remained quiet for a moment.
“What are we best at?” he then asked the silent line, his chest tightening ever so slightly, even if he didn't have to wait long for a reply.
“Topping from the bottom,” a very familiar voice replied from the other end, sounding incredibly strained but most certainly alive.
The code phrase was an old in-joke about something that had been said back during humanity's first contact with the tonamstrosites due to a slightly choppy translation. However, it more than sufficed here to tell Kazadi that the person on the other side of the line was not only genuine, but also not in any immediate distress – at least none that was brought onto her by someone else.
“Good to hear your voice Ma'am,” he greeted the Admiral after taking a brief moment to allow his heart to settle.
“The pleasure is all mine, Celestin,” Admiral Krieger replied in between heavy breaths that sounded like a combination between being ready to collapse and absolutely willing to tear anyone's throat out at a moment's notice. “Excuse me for the unorthodox contact, my own means of communication have all been destroyed. Update me.”
A brief smile played on the Vice-Admiral's lips.
“No problem, Ma'am. Things are under control up here, but multiple allied coluyvoree ships were destroyed and we suffered some casualties of our own which I will take full responsibility for,” he quickly complied. “By now, the enemy crafts have been largely disabled and our fighters are falling back. What's the situation on your end?”
There was a bit of a grunt from the other side of the line that seemed unrelated to the ongoing conversation.
“I'm sure you did everything by the books,” Krieger then replied a moment later. “Down here the situation is precarious but momentarily under control. We have an unconfirmed number of casualties after an attack with an unknown weapon. All squads are either KIA or unresponsive. We took down six enemy combatants but can't confirm if there's more. I'm going to need clean up, rescue teams, as well as pickup for me and two large offworlders asap.”
Celestin nodded.
“We're in a stable position, so we'll jump teams down right away. Hold out just a minute more,” he assured her while already signing in the necessary order to the troops they had on standby. “How bad are your injuries?”
There was another groan of pain from Krieger's side.
“Crushed cranberries,” she replied after a long moment that sounded like she needed to catch her breath.
“Copy that,” Kazadi replied with a grimace. “Sending muti-team with the evac.”
“Copy that,” Krieger confirmed. “Krieger out.”
With that, the call was hung up. On his screen, Celestin could see how the preparations for dispatch of the requested teams was already well underway. Jumping towards a planet at FTL was generally discouraged by the Galactic Community. However, this was an emergency. They couldn't wait for normal re-entry.
After watching the reported progress for just a moment, his eyes returned to the ongoing battle. He watched the enemy ships as they hovered dead in space, unable to maneuver.
They seemed to have recalled their own fighters back in order to form some sort of protective wall around the 'mother ships' with their own small shields. Obviously it wouldn't be very effective, so it seemed like needless cruelty to make their own soldiers get in the way of the incoming fire. Something within Kazadi told the Vice-Admiral they weren't going to stand down.
“Sir, we're getting some strange hyperspace-readings,” his Lieutenant suddenly announced, making him look up.
“Weapon-grade?” he immediately asked, knowing they had less than a moment to react if it was. However, he also figured there would've been more urgency to their voice had it been so.
“No, Sir. Travel-grade,” the Lieutenant quickly replied. “However the readings are unusual. It seems like they are creating a stretch solely around themselves.”
Kazadi's lips shifted a bit as he took that in and he briefly ran a hand over his mouth in thought. “Prepare to collapse,” he ordered. “Maybe they will attempt some sort of running start. We can't let them get away.”
Right then, the light of what was happening had not yet caught up to the spacial distortion that their sensors were detecting, meaning the ships still looked perfectly normal – if damaged – when he looked at them. However, they were planning something. And that made them appear all the more ominous.
His mind quickly went through their own protocols. The U.H.S.D.F. employed hyperspace in nearly all its possible facets in their tactics. If it was even close to sensible, they would have something that was akin to the maneuver their foes were attempting to execute right now.
A bubble of hyperspace solely around their ships...a dodge? Hardly, there was nothing to dodge like that. An attempt to hide away? No, they knew human ships could collapse hyperspace from the outside easily.
Before him, the windows of the ship once again automatically dimmed, protecting the crew's eyes as the colorful light of the created hyperspace-bubble finally reached them.
“Hyperspace collapsed!” the Lieutenant then suddenly announced, causing Kazadi to blink in surprise as his eyes shot up to his screen. He hadn't given any order to collapse it yet. But indeed, it was gone. For a moment, he thought that the stress had caused his officer to use the wrong term in haste, however no, they had been completely right. It had not been dispersed in a controlled manner. It had collapsed.
In a mild 'thud', the Vice-Admiral's fist descended on the armrest, hand firmly clenched into a fist.
“Those cowardly ba-” he began to growl but then bit his tongue and released a low, almost grunting exhale while his fist quivered from momentarily clenching tighter. “Prepare to search for survivors,” he instead said in a much more controlled manner a moment later. “Preserve lives.”
“Yessir,” multiple of his officers echoed back as he looked out of the window, where he could still see the ghostly afterimage of the hyperspace bubble linger for a bit longer. It was always a strange feeling, seeing someone in the distance who was already dead...
–
With her view darkened and her goggles momentarily pulled off her eyes, Shida stared at the glowing bubble of impossible colors. Her sensors had already told her what was about to happen at any moment now, however her eyes still heavily constricted as they finally witnessed what unfolded themselves.
In what could be described as nothing else than a 'snap' , the light of the hyperspace-stretch instantly condensed down into its original size as the universe all at once remembered that the laws of physics were a thing that existed and brutally forced space to conform to them once again – no matter what may have been in between it and its original form.
Anything within the strange, round stretch was mercilessly ripped along with the convulsion, forcing all the injected warships and fighters into the single, small point that the stretch had been generated from. Though not even a faction of a second later, it all exploded outwards again as the megatons of mass realized that they could not all exist in the same place at once, since the energy of the event was not quite potent enough to press it all into a neutron star or singularity.
No longer recognizable blotches of undefined, white-hot matter were instantly scattered in all directions like some sort of micro-supernova that accentuated the sometimes still burning nano-stars that the earlier battle had created from the opposing fighters.
It was almost pretty...but still, Shida couldn't help but let her ears hang as she wondered how many of the enemy combatants had known about the decision to end things this way. Had any of them even been asked?
Even if it was the far more disturbing answer in a way, Shida almost hoped that this had actually been one mutual suicide-pact instead of the decision of one single commander to choose death over dishonor. Especially while sitting in a ship that was technically under the command of someone else herself, that was certainly the less immediately petrifying option – even if it would probably spell far worse things in the long run.
As she said there, the 'shockwave' of the collapsing hyperspace suddenly hit her, spreading out through space even without any medium to carry it and rocking her ship gently while also penetrating all throughout her body. Of course the earlier relativity fire had already caused similar ripples and she was therefore quite used to the feeling, however these ones sure felt a bit more severe than those of the U.H.S.D.F.'s own canons. It was like she felt her own body distort while also remaining perfectly in palace – almost like she was a stiff container full of water that someone had given a heavy smack from the side, riling up the liquid without it actually having any place to plash to.
According to everything they knew, this phenomenon felt incredibly odd but was entirely harmless to living beings – which was instinctively very hard to believe when one felt it on their own body.
However, her dwelling thoughts were, perhaps luckily, interrupted as she – or more precisely one of her scanners - picked up on a peculiar signature that one of the scattered debris pieces was sending out.
Well, it was 'peculiar' to her that there was a signal at all at first, however then she quickly realized what it actually was. This particular signal was hammered into any pilot's head six ways to Sunday, and so she reacted relatively quickly when she glanced at the grid and realized that she was the closest ship to it. Firing up her engines, she turned her ship on the spot in a slight drift before activating her generator and making a jump right behind the flying object.
Once there, she allowed her computer to take aim for a second before firing out a harpoon that quickly struck the flying debris and latched her ship onto it through a long cable, allowing her to pull the thing along with her after slowly using her backwards thrusters to disperse its speed little by little. Pressing the indicator of her communication, she then spoke up.
“Scratches to Sun,” she announced. “I just recovered a black box. Permission to return for inspection?”
The black boxes of modern ships truly were among the most ridiculous pieces of tech out there, in Shida's humble opinion. Built to withstand almost everything that would likely take a ship out through a combination of brilliant engineering and extremely flexible material that only worked in its indented manner on very small scales. Well, very small compared to the ships they were built into. The things were about half the size of Shida in the end. For many years, armies of scientists had attempted their very best to make this same sort of defense useful in ways that could maybe be used to protect actual people from catastrophic events – but to no avail so far. For now, the only thing those little marvels could allow to survive even something as ludicrous as hyperspace collapsing was information.
“Permission granted, Lieutenant-Commander,” the answer came almost immediately. “Return to hangar three.”
“Copy,” Shida replied. “Scratches out.”
With that, she moved her ship around and prepared for her jump back to the Sun. Hopefully this thing would give them some answers on what exactly this whole thing was meant to accomplish...
–
Far away in another part of the galaxy, a pair of mildly glowing red eyes was laser-focused on a large screen that was just one of many that had merged all over Nedstaniot-Station to broadcast the breaking news to anyone willing to lift their eyes at a slight angle to look at them.
An attack on a coreworld. And not just any coreworld. Gewelitten itself. Something like this hadn't happened in...well, Curi didn't even know how long.
Details seemed to still be incredibly fuzzy as the battle so close to the coluyvoree homeworld had either just happened or was still happening at the moment of the broadcast, however what few details were known were already repeated on end in an endless scroll of text that was meant to catch as many people up to speed as was at all possible through the medium of television. Obviously the same emerging details could already be looked up on the net as well to find them in a more digestible format than the endlessly moving text next to the not exactly top quality footage of the occurring conflict.
However, despite the speed with which it went by, Curi had no problem following the scroll as they stared at the screen intensely.
“Attack was unannounced. Multiple Gewelitten fleet ships destroyed. Official sources confirm: Humanity NOT the aggressor. Attacking ships presumed to be of zodiatos origin. Unknown weapon technology deployed during the attack. U.H.S.D.F. ships engaged in combat after aggression. Myiat delegation ship confirmed unharmed. Attack on government facility on planet simultaneous to spacial attack. Councilman-Candidate Aldwin confirmed unharmed. Status of U.H.S.D.F. General Krieger unknown. Status of Gewelitten Governor H. Cierrophai unknown. Status of Acting-Councilman Afuéhner unknown. Allied coreworld defense fleets activated and inbound. General alert level raised to 8. Hyperspace-travel shut down around the system.”
“Mother, oh no...” Mueen said with absolute shock in his eyes, both of his hands clasped over this mouth as his wide pupils quivered in fear from what they witnessed.
Curi could understand his worry. Though Moar had supposedly been with James, so she would probably be fine. The cyborg was certainly more than just a little relieved that James was already confirmed to be safe. Though the idea that Admiral Krieger's situation was unknown was more than just a little disconcerting.
Though despite the supposed lack of their commanding officer, it seemed like the humans had decisively won out in the battle outside of the coreworld's atmosphere; unknown technology or not.
Given the sub-par footage that some drone was likely recording from quite far away from the actual conflict, it was very hard to tell just what sort of weapon the unknown but presumed to be zodiatos attackers had unleashed there. It looked like some sort of emanating energy that destroyed what it came into contact with but also interacted with it as if it had a physical presence.
Curi had never seen anything remotely like it before – not even in their wildest theories – and their mind immediately wanted to go wild with speculations and ideas about how such a thing might work now that they knew for a fact that it was possible from seeing it with their own eyes.
However, the cyborg pulled themselves together and successfully forced the briefly almost overwhelming desire to focus on nothing else down as they shifted their gaze slightly away from the screen to look over at their other currently nearby company.
Then again, as much as they knew they couldn't let their guard down around him, Reprig's eyes were just as immovably attached to the large screen as Mueen's were as he witnessed the unfolding battle with quivering horror.
His trunk was wiggling wildly in his face and one of his hands nervously scratched over the plate of the table they were all sitting and standing at and on, right next to a piece of paper with a hastily drawn sketch of a spring-like mechanical leg that was inspired by what humans called 'running blades'. The Warrant Officer's weapon also laid on the table, pushed a but further away from his hand so he wouldn't be able to easily reach it.
Though despite his focus, Curi couldn't quite help but speak up after a moment of watching him. “A coreworld attacking another coreworld,” they said to the man, who they knew either had to know far more than they did about this – or would be far more invested in it unfolding. “This is unprecedented.”
Reprig seemed to notice that they were talking to him, however he still remained silent and stared a good few moments longer before finally pulling his gaze away from the screen.
As his eyes met theirs, he looked a bit sick. It almost reminded the cyborg of one of the first interactions they had with the man, back when they nudged him slightly to hand his spy-device back to him after he tried to hide it in James' cabin. Though this time, the cyborg was quite sure that they were not the reason why the man seemed like most of his blood was currently rushing into his stomach.
Could he actually be shocked about what was happening? Was this not part of the plan?
“Unprecedented doesn't even come close to describing it...” he mumbled and couldn't hold the cyborg's gaze for long, looking down to the table's plate instead. “And these aren't just any coreworlds. Osontjar and Gewelitten have been allied for an unimaginably long time. The thought that they would even think of attacking each other...what sort of madness could've caused something like this?”
Curi was the first to admit to themselves that they were far from the best at reading people. If someone with even a modicum of skill in acting wanted to make them believe something untrue about the person they were talking to, they would never deny that there was a good chance of that person succeeding.
Still, Reprig's reaction felt...genuine to them. As if he had actually never expected something like this to happen. Not in a million years.
Maybe it was just skillful acting. And Curi knew that they should have been suspicious like that. However, despite everything he had done, they couldn't quite bring themselves to suspect that he was lying at that moment.
“I know it is unlikely you will give me an honest answer, but-” Curi began to say, however Reprig was more than able to anticipate what they were going to ask and replied long before they were finished.
“No. No. Never,” the sipusserleng said, shaking his head heavily and standing his trunk up while making a denying gesture with his hand that was so brash that he actually knocked his crutch off the small outcrop in the table it had been laid down on. “This must be some absolutely deranged people, no two ways about it. To attack a coreword...”
Curi noticed Reprig's gaze briefly twitching down, his eyes jumping onto the personal assistant strapped to his lower arm as if he suddenly got the urge to use it for something.
Curi suspected he likely wanted to call someone; question them to make extra sure that they had, in fact, nothing to do with this. Though the sipusserleng suppressed the urge and pulled his eyes away, bringing them back up to the screen.
Just at that moment, the implosion of collapsing hyperspace suddenly lit up the footage moments before the glowing remnants of what once had been the zodiatos ships were scattered across the star-system.
Mueen mumbled something in his home's language as his eyes remained affixed to the screen. Curi couldn't even begin to guess what he was saying. However, his voice sounded pleading.
“Suicide instead of surrender?” Reprig meanwhile mouthed breathlessly as his nervous tick of excessively licking his trunk began to show.
Although he had often been otherwise employed in recent times, Curi could see it in the man's eyes that he was still, in a way, military at heart. He knew the general values and doctrines that were conveyed to the soldiers of the Communal Military, both inside and out. And the idea of someone choosing death like this...it seemed to rock him to his very core.
Slowly, he turned his gaze over to Curi. His eyes were almost pleading with the cyborg, even if they seemed to already know that his next question would be asked in vain.
“Could it maybe have been the humans and their-” he began, but this time, it was Curi's term to cut him off after anticipating what was coming.
“While humans very much employ the collapsing of hyperspace as a tactic in war, the process is not invisible – or even subtle. Had the human ships caused that collapse, it would've been noticeable,” they explained succinctly. “It could've still been a mere unexpected failure of the hyperspace generation, of course. However, with the rarity of such events, the timing seems...unlikely.”
“They weren't even trying to generate a real stretch...” Reprig concurred dejectedly and left his head hanging, his trunk also sinking down limply. “I can't even imagine- Well...I hope they will at least find peace now, away from the madness.”
Curi paused for a long moment, staring at the Warrant Officer some more. Admittedly, the cyborg was a bit confounded at something. They knew for a fact the man had put his own life on the line for his orders, with a very real chance that they would lead to his death, more than just once. And yet the idea of being ordered to die seemed to disturb him. They couldn't quite figure out the difference that led to the results in reaction being so incredibly different, however it was still very clear that there was one.
And it seemed to hit the man hard.
Self-admittedly, Curi didn't exactly pity the man. They didn't quite have the capacity to. They knew about so many horrible things he had done that simply seeing him distressed was far from enough to stir such deep empathy for him within them.
Yet still, they weren't left entirely cold by it either – and if it was only because he seemed to be affected by these events in the ways a, for a lack of a better term, 'normal person' would be. He was shocked at the sudden, seemingly senseless violence, and concerned about the people involved.
Granted, it was likely only because they were people he considered worth being concerned about, yet still, the reaction was so...'normal', in a way they didn't quite expect from someone with such a capability for unceremonious acts of cruelty and violence. Even this person who had tried to kill them, or at least had been entirely comfortable with them getting killed, was capable of such a reaction.
And Curi...wasn't sure if that made things better or worse, if they were being honest.
It felt better because there was the capability for empathy there, however...it felt worse because they felt how they had been and likely still were willingly denied said empathy.
He could have cared...he just didn't want to.
Curi shook their body heavily, causing mild sounds from the engines running their legs' movements from the sudden force as they tried to shoo away emotions that they really didn't want to be feeling at that exact moment.
The thing that mostly kept them from following up on some of their uncomfortably aggressive thoughts at that moment was the fact that Mueen was still with them, the worry for his mother written across his features like a deep engraving in a metal plaque. He did not need anything like that around him right now, that much was clear.
Slowly, they moved over to him and reached up one of their long legs to run it along his arm while he still covered parts of his large face with both hands.
“She will be alright,” Curi then assured the dark-furred rafulite, switching from their usual voice box to their more “melodic” one to put on a gentle, calming tone. “She is stronger than she seems.”
Inhaling deeply as his nostrils flared, Mueen closed his dark eyes and swallowed heavily, taking his gaze off the large screen for the first time in many minutes while slowly hanging his head down.
“Yeah,” he said, seeming to force hopefulness into his tone. “Yes, she'll be fine. She made it his far. This won't get to her.”
Curi nodded with their entire body and continued to run the tip of their leg along his arm.
“She will be,” they repeated, both to the man and themselves as their own eyes moved upwards, their gaze falling back on the battlefield riddled with burning remnants of matter. “I'm sure of it.”
–
Never in his life had James felt so drunk and so sober at the same time. His mind was entirely clear, running a light-year a minute as it desperately tried to simultaneously process all the admittedly little information that he had in his current situation AND to not absolutely freak out while doing so somehow – a task he was ludicrously failing at. And it did NOT help that his body could barely keep itself on his own two feet.
He had avoided completely fainting by a hair earlier after reminding himself that, instead of being terrified for Shida's life, it would be much more fair towards her to simply focus on trusting in her skills to carry her through. However, that was barely a little patch on an enormous crack in his facade as he couldn't help but go over and over and over the fact of how much worse the situation that she needed to jump into here had been for her simply because it was his damn birthday and they wanted to indulge over it. He should've stopped that, but noooo, he just had to go and let himself be swayed so damn easily, as if he was still that little boy following Koko around whenever she visited the compound to try and get some attention.
Of course, a quiet voice in the back of his head tried to politely remind him that Shida had, in fact, not only taken part in the festivities as well but also encouraged him to do so, however it was easily overpowered by the screaming rest of his mind.
He briefly glanced over at the only somewhat conscious Commander. When she said that they should match each other's drinks, that should've been the moment he stopped. She was like half his weight, what the hell was he thinking?
His mechanical hand shot up, heavily gripping a fist full of hair as he tried to force himself to focus. What's done is done. There's no changing it. He should focus on anything else right now.
Though as he painfully pulled on his hair like that, his eyes suddenly went wide as he noticed something. Or, more precisely, didn't notice something.
When had the alarm stopped? Just now? Or had it been out and he just hadn't noticed?
Letting go of his hair, he lifted his face and looked around. If the alarm was over, then that meant...
The uncoordinated movement of soldiers reaching for their phones and radios with different speeds went through the room, and after brief confirmation, the uniformed forces began to move, having seemingly gotten new orders other than guarding the safe-rooms. Apparently, the threat was over.
James quickly fumbled for his own phone, his barely coordinated hands struggling extremely with the simple task of trying to call one of his contacts – much to the frustration of his already cleared mind. His finger trembled as he swiped it across the screen, trying to get it to the right damn place to make a simple god-damn call.
However, he froze in the motion at a quiet sound that was immediately followed by a sudden stir behind him as multiple people seemed to move quickly. And after just a second, James was among them as well.
Nearly tripping over his feet, he damn near threw himself onto the sickbed that didn't stand too far away from him, his phone momentarily forgotten and eyes wide open as they stared over at an endlessly familiar dark face, that however had life in it for the first time in what felt like an eternity at that moment.
Slowly and twitchy, Nia's eyes fluttered open as she let out quiet groans while mildly stirring in place while her doctors and nurses hurried around her and quickly began to take her vitals.
After flinching heavily as a flashlight was quite suddenly shone into her eyes to test her photopupillary reflex, she began to move even more. Meanwhile, James and Tuya were basically pressed shoulder to shoulder close to the foot of her bed, the only thing keeping them from dashing right up to her face being just enough awareness to not get in the doctor's way.
Still, although her movements were very slow, stiff, and groggy, Nia eventually lifted up her head, looking around with still somewhat hazy and half-closed eyes. But that didn't stop her from smiling when her gaze fell onto the two who so nervously stood at her bedside there.
“Hey,” she said in a quiet, croaky, but still very much cheerful voice as her unkempt hair fell down both sides of her face.
Though James didn't see much more than that, because just about at that moment, his vision was entirely taking away by welling-up waters sweeping him along.

Hey and hi! I previously posted these Character Chats in order to fill the void when the comic was on involuntary hiatus, and I'm pleased to hear that it was received positively and people were asking for more. I couldn't really commit to it once the hiatus was over, since I've got a job and all. But good news, my whole team got laid off! I've got a lot more time on my hands now, so I think I'll keep this series going for a few weeks on Tuesdays and Thursdays or so. If anyone complains about me surfing reddit at work during my notice period... well, what are they gonna do, fire me?
Today my giant novely ouija board has selected Prince Aaronev Tarvek Sturmvoraus. Our first Spark, and first main character, but somehow our third Valois out of five picks.
Tarvek is a member of the large and complicated Valois family tree, descended from our pal Andronicus Valois, the Storm King. He is the son of Prince Aaronev Sturmvoraus VI of Sturmhalten and an unknown mother, and the older brother of Anevka Sturmvoraus. He and Anevka share the same grandmother with the von Bliztengaard siblings and Violetta, making them all cousins. The Selnikovs may also be close family members, as their main residence is in Sturmhalten. Tarvek also calls Zulenna a cousin at one point.
The Storm King conspiracy among the Fifty Families was said to be fizzling out in the time before the comic, but the Mongfish family (i.e. Lucrezia) got involved and whipped them all into shape. Besides making most of the Knights of Jove Lucrezia loyalists, part of this involvment was ensuring there was a suitable male heir to the Storm King using Spark sceince, which ended up producing, at minimum, Tarvek and Martellus von Blitzengaard. The degree to which Tarvek's mother was involved and consenting is unknown. While we don't know how much was done, Tarvek is a powerful Spark, physically fit, and quite intelligent, so mission accomplished I suppose (though Tarvek does wear these tiny pince-nez around, so he may have poor vision - nice going, Lucrezia).
We don't have a family tree or anything, so we need to take the story's word that Tarvek's claim for being a direct heir of Andronicus is one of the most direct, if not the strongest overall. Two of the strongest claimants, Tarvek and Martellus, share a grandmother, so presumably their legitimacy is either through her or her late husband. Grandmama is once referred to with the title "Dowager Princess of Sturmhalten", it's possible Aaronev inherited his title as Prince of Sturmhalten by being her son. On the other hand, Tarvek also says that his descent comes down through his mother, so maybe she's Grandmama's child instead? Or it's wrong to trace back things to this set of grandparents after all? The family tree is thrown for another loop when Orotine declares Martellus a third-place heir rather than the commonly assumed second-place, so now who's in second place and how's that guy related to Tarvek's family tree, and... it's at this point I throw up my hands in exasperation.
Tarvek spent some of his early childhood as a political hostage on Castle Wulfenbach, being raised with other hostages by von Pinn. Tarvek recalls this time fondly, and in particular became good friends with Gil, whose identity was still hidden. When the two of them were hunting for secrets, hoping to discover Gil's lineage, they discover a red-herring left by the Baron. While Tarvek didn't buy it and tried to dig further, he got caught. Along with some snitching from Gil, this got him expelled from the Castle. Of course, everyone was spying abord the Castle, and Tarvek was just the only one kicked out. My assumption is that the Baron wasn't worried about Gil's identity being exposed, but didn't approve of Gil getting close with Tarvek for one reason or another and arranged to destroy the friendship.
He spent his remaining childhood in Sturmhalten, where he was wrapped up in family scheming, including Aaronev's schemes with the Other. Besides Aaronev, he also spent time with Anevka and Violetta during this period, and received some Smoke Knight training. He later goes to Paris for his higher education, where he was a good student and made friendships with influential young people like Colette and Neena. He was also involuntarily dragged into Gil's college adventures, where he became, uh, "acquainted" with disreputable characters like Bangladesh Dupree and Zola. He's called back to Sturmhalten after completing his education.
As a young adult, Tarvek's goals are initially to learn all he can from the Other conspiracy in Sturmhalten, destroy them afterwards, use this knowledge to overthrow the Baron, become Storm King, get the Fifty Families under control, and bring peace and prosperity to his new empire. However, Aaronev is in charge in Sturmhalten, and has different ideas. Tarvek detests his father and the Other conspiracy he's involved with, but cooperates with them to stay in their good graces and learn all he can. Tarvek attempts to act as a moderating influence on Aaronev, but Aaronev is too far gone to pull back. Aaronev ends up capturing nearly all the young female Sparks in Europa beneath the Baron's nose, and destroys them utterly trying to implant copies of Lucrezia into their minds, while Tarvek doesn't do much more than watch.
Aaronev eventually subjects his daughter Anevka to the treatment, nearly killing her. The Circus of Adventure happens to be in town, and as an expert on the Muses, Tarvek recognizes Tinka as a van Rijn original when she performs. Tarvek has his men abduct Tinka, and uses her as the basis for building a masterpiece clank which would connect to Anevka's mind and allow her to move and speak while her body was comatose. For what it's worth, he does try to pay the Circus after the fact, but they naturally ran like hell out of town. Tinka is eventually damaged beyond his ability to repair by Aaronev.
After this, he also conspires (or pretends to conspire) with Anevka to use her clank body's voice box to imitate Lucrezia's ability to command revenants, and use that ability to overthrow Aaronev and the Baron. When the Circus comes back to town with Agatha in tow, she's found out as Lucrezia's daughter at a show, with more beans being spilled later when Agatha's drugged with a truth serum. Aaronev tries to throw her in the Lucrezia-machine, but Anevka launches her coup right then, and finalizes her voice box by studying Agatha's own voice. Tarvek, having fallen for Agatha basically immediately, attempts to smuggle Agatha out of town under Anevka's nose, but the Geisters eventually get Lucrezia in her head anyway.
Tarvek, at this point, wants to integrate Agatha into his plan to use Other technology to usurp the Baron, which means keeping her safely at his side. This means both cooperating with Lucrezia to learn from her to begin with and protect Agatha's body, and also sabotaging Agatha's efforts at surrendering herself to the Baron for the greater good. One his deals with Lucrezia is making a clank head imprinted with a Lucrezia copy, designed to fit onto Anevka's clank body. Tarvek lures in Anevka for Lucrezia, and after some back-and-forth betrayals, eventually deactivates Anevka's head and puts her in storage, essentially killing her for the time being. Juggling Agatha, Lucrezia, and now a second Lucrezia proves too much for Tarvek once the Baron's troops arrive in Sturmhalten, and he ends up slashed in the gut, shot, and abandoned in the ensuing chaos.
Tarvek ends up in the Great Hospital in Mechanicsburg, as one of many of the injured from Sturmhalten. Violetta, who had been assigned to Mechanicsburg by Tarvek to keep her out of the proverbial firing line, manages to get him out of custody in the hospital... but inside of Castle Heterodyne instead, which is something of a lateral move. After connecting up with Agatha, Taevek comes down with Hogfarb's Respelendent Immolation, either due to traipsing about Castle Heterodyne of all places while wounded, or, Tarvek speculates, as a poisoning attempt from his own extended family. Gil is recruited to help with curing him, and after extensive bickering, infections, distractions, complications, and one apotheosis, he's back in good health. Tarvek attempts to help fix the Castle, and aid Agatha however he can, including fighting with Lucrezia and Vole, and attempting to strangle Zola. His bickering with Gil during this time mostly puts him on the defensive and has Tarvek trying to justify his actions, but he eventually does have a quiet epiphany.
He eventually gets grabbed by Other in a case of mistaken identity, and his quick analytical skills wind up placing him in charge of the Wulfenbach fleet's grand strategy temporarily - it's at gunpoint, but Boris assesses that he's really doing what's in the best interest of the Empire. He has to scurry off when Klaus comes onto the scene, placing him in a perfect position to recruit the Empire's Vespiary Squad and their weasels when Klaus turns on them. Notably, he risks life and limb rescuing a squad member, who he needs of course, but also Jorgi, who mostly annoys him. He sends the Vespiary Squad to hiding places abroad. As the battle for Mechanicsburg wraps up, Tarvek ends up stabbed with a poisoned dagger by Martellus just before the time-stop.
Post time-skip, Gil dedicates extensive resources towards getting Tarvek out of the time stop. Tarvek isn't able to do much before being kidnapped by the Immortal Library, and then kidnapped by Mister Obsidian on behalf of Grandmama. He does manage to breathe a bit in Paris, before being kidnapped by Mister Obsidian again on behalf of Seffie, to be sent to England. But en route aboard a pirate vessel, he's (shockingly) interrupted by a kidnapping attempt, this time for Grandmama again. Martellus sent assassins after Tarvek to interrupt the interruption, leading to bloody battle between Seffie's pirates, Grandmama's Smoke Knights, Martellus' Knights of the Hunt, and poor Tarvek. After being rescued by Gil, Tarvek flips the script, and he and Bang kidnap Gil instead, changing course to England.
In England, he can finally, you know, not get kidnapped for a bit. He decides to join Agatha in the Royal Society, and despite nearly getting strangled by Higgs, manages to reach Agatha and help work on curing her of Lucrezia, and curing Gil of Klaus. After interminable delays like a undersea cult, briefly seeing beyond time, punching Tweedle, and a revenant attack, they eventually pull it all off.
Later, in the war against the Polar Lords, Tarvek is essentially given the role of Gil's official treacherous vizier. On paper, helping the Empire helps keep him safe to further his own ambitions, but in practice, Tarvek seems more focused on doing good by his friends than anything to do with becoming Storm King.
Whew! And that's the short synopsis!
As a Spark, Tarvek's specialty is masterwork clanks in the van Rijn mold. His Anevka clank maintains full sentience even after any organic parts it was attached to died off, and continues to be used by Lucrezia to devastating effect. He also has a knack for rapid analysis, such as being able to understand the Wulfenbach fleet's strategy with just a glance. It's possible his political aptitude, scheming skills and ability to anticipate people's actions are a byproduct of his spark, but it may also just be the natural result of his upbringing. He is unusually composed for a Spark, and is very rarely seen in the Madness Place, and never for very long.
Beyond the Spark and his cunning, Tarvek also received some Smoke Knight training, making him skilled in martial arts and sleight of hand. That said, he'd prefer not to get in fights, and his first resort use his Spark or guile to get out safely (his second resort is just shooting them, with a gun). He also has a passion for fashion design, particularly lady's fashion.
Besides his conquer-Europa ambitions, Tarvek seems primarily driven to help and protect the people he loves, but his preferred tactics for doing so are often underhanded, or screw over people that he doesn't particularly love. Tarvek is the kind of guy who has to come to the conclusion that mind-control slavery is bad in general, rather than bad for people I know. He does come to that conclusion on his own, so kudos for that, but for a lot of people it's not even something you have to think about. Tarvek is also quick to use "they'd kill me if I tried, I had no choice" as a defense, but never quite understands that there was always a choice available he didn't consider - die trying. That all said, Tarvek is in generally improving his character over time, and wants to do the right thing, both in the "greater good" sense and doing right by other people individually, and finds himself frustrated at himself that he's often failed. I don't want to discuss Tarvek's ethics too much further here, since there's a great deal to talk about and this is supposed to be a discussion thread! Why do I have to do all the work?
Major Relationships:

• Agatha: Tarvek fell for Agatha pretty damn hard, internally logging her as "future bride", and even at his scummiest times in Sturmhalten was trying to act in her best interest, and just ignoring what she actually wanted and also fucking it up anyway. By the time of the Castle arc, Tarvek has mostly thrown away all of his own ambitions in favor of working for Agatha's, even in moments when he feels pretty hopeless about his actual prospects as a suitor. One major advantage in his court is that he's able to actually articulate his feelings like an adult.
  
• Gil: It's been a true roller coaster for these two, from friends to enemies to rivals to allies to secret lovers. It takes a great deal of bonding for their distrust of one another to fall away, and after the time skip Tarvek lists Agatha and Gil (and, by implication, Violetta) as the only people left he really cares about, and the two of them spend a lot more time hugging than you would have expected.
  
• Violetta: Tarvek spent a good deal of his childhood with Violetta, and earnestly tried to protect her. In natural early-Tarvek style, it was by ignoring her wishes and leaving her in the dark, but points for trying. They have a bickering siblings type of relationship, and Violetta is fine trash talking him despite the power imbalance between them. Tarvek is pretty disappointed that he's rebuffed when trying to sincerely express that he's glad she's alive, since she expects childish taunts out of him.
  
• Aaronev: Tarvek really hates Aaronev for all the horrible things he's done, especially for putting Anevka through the machine, and spends about two seconds mourning after he's killed. Tarvek had been play-acting as a loyal son for years, and it's a bit tragic that Aaronev bought his act wholesale - what little interaction we see suggests that Aaronev, scumbag that he is, did really like Tarvek.
  
• Anevka: Tarvek did not take it well when it seemed Anevka was going to die, and went to extreme measures to save her. But Tarvek doesn't assign the same level of personhood to the Anevka clank after the original Anevka dies (he's generally not the best at the whole "clanks are people too" concept), and eventually "kills" her by turning her off and throwing her head in a box, where she probably still remains if Sturmhalten hasn't been razed to the ground.
  
• Lucrezia: While most people hate the Other on a conceptual level, Tarvek has spent enough time with her to really begin to hate her on a personal level. He's aware of her foibles, such as her susceptibility to flattery, and tries to take advantage when he can. His more personal knowledge also makes him better able to detect when Lucrezia is taking over for Agatha than most.
  
• Higgs: Like many, Tarvek cottons on that Higgs has a secret in Castle Heterodyne. Tarvek does try to keep it under his hat and make excuses on his behalf, but can't resist teasing Higgs despite him being incredibly dangerous. Tarvek openly confronting Higgs about his identity later on nearly gets him strangled to death. Despite that, Tarvek and Higgs have formed a good rapport, and have solid mutual respect. He's even one of the people Tarvek pours his heart out to when he thinks Violetta is dead.
  
• Neena: Neena has a bit of a crush on Tarvek, and Tarvek for his part does some light flirting at the ball but otherwise doesn't think about her much at this point. It's an odd match for someone like Tarvek, since Neena is earnest, enthusiastic, and completely lacking in guile. Maybe that's exactly what someone like him needs - stranger things have happened!
  
• Martellus: As two men aiming for the same throne, Martellus and Tarvek are natural enemies. Tarvek obviously dislikes Martellus - and even gets a good punch in - but doesn't take any moves to stop Martellus' forward momentum, and makes no moves towards legitimizing his claim as Storm King beyond not being dead. His strategy may be to just give Martellus enough rope to hang himself with, but it may also show genuine disinterest in this whole Storm King business.
  

Context
I have a personal finance channel. 41 videos, 59 subscribers. Have been doing it for 7 months.
I wont go into details on SEO, titles and thumbnails. I want to talk about more about the niche approach strategy.
I think the channel is suffering because I confused the algorithm. I uploaded videos of different niches so it might have confused the audience-thing.
Videos per niche
5 - Self development videos
9 - Personal finance (1 of which I want to delete but I know it’s bad)
10 - DIY accounting and tax videos
7 - property videos
3 - university
2 - digital assets (investing in website and seo strategies)
6 - Doing Youtube (my progress, updates, analytics etc)
The strongest videos are the self-taught accounting and tax tutorials but those are just because I wanted to teach stuff. People are finding it helpful but they come from Search. They watch the video and leave. It’s a searchable problem-solution situation that doesnt generate subscribers.
The plan
You can see I have a mix of Finance videos and Youtubing videos.
I might have confused the algorithm altogether.
So I’m thinking of starting 2 new channels:

• one for my personal finance stuff
• one for my Youtube learning journey

On the old channel delete those videos and reupload them to those new channels. On the old channel keep the Search-heavy content that is helping people out anyway, wont touch that.
Plan is to have my new channel have zero accounting tax stuff, because thats a different audience.
Learning Youtube audience will be its own channel as well.
Question
What are your thoughts on this? Should I keep the existing channel or split it up while it’s still in the beginning?
Asking because there are videos that I dont think are valuable so I want to delete them. But if I delete a video, it’s bye bye to impressions. Also, my binge is broken whenever youtube recommends a diy accounting video right after an engaging personal finance video. So I cant create long sessions because it’s mixed up.

Sega of Japan deserves all the criticisms for their idiocy of overtaking the dictatorship of the wider Sega company and running the company down because they tried to manage the global markets without understanding the cultures behind them and basing their actions upon the tastes of the Japanese market. On top of putting their eggs in one baskets and obsessively trying to make the Saturn king of Japan's console industry................
However there's a gigantic misconception on the internet by understandably P$!%ed off Western gamers that Sega of Japan's boneheaded run of the company is some unique kind of stupidity unmatched in history.........
Actually there's bad news and its that this is actually a big problem in the Japanese business world especially among companies that are domestic giants such as Konami.
And I'll start with one of my favorite franchises. Mobile Suite Gundam.
Back in the late 90s and early 2000s the most recent iteration of the franchise Mobile Suit Gundam Wing aired on the Toonami block on Cartoon Network. And to say it was a massive success. It was easily Toonami's most watched program after Dragon Ball Z and Sailor Moon and there would be profitable sales of Gundam Wing figures in American major retailers like K-Mart and kB Toys during the show's run. There was more demand for further Gundam content. Easy pathway to creating a juggernaut in the anime industry in America right?
Well the immediate followup to Gundam Wing was....... The original Gundam. Form the 1970s. I'm not kidding. The studios that makes Gundam Sunrise made this choice.
Massive gigantic bomb in America. Even Toonami's less popular programs like Ronin Warriors hard much higher viewerships.
The show's reason for flopping was that the original Gundam looked just so outdated with its animation being 70s flair. The original Gundam is actually superior to Wing in almost every other way especially the overall plot...... But the animation looked so old nobody wanted to watch it.
Why did Sunrise choose to follow up Wing which was their latest installment just before Turn A which was actually running in Japan during the same time Toonami was airing Wing in America?
In Japan the specific continuity the first original Gundam series follows, the UC timeline, is the handsdown most popular canon. The first two sequels Zeta (the Gundam series with the highest ratings ever in the history of the franchise within Japan) and ZZ formed a trilogy with the original Gundam of interlinking stories that culminates and concluded most the unresolved arcs in the original Gundam along with a slew of entwined movies and OVAs (think miniseries in Western terms). Basically the UC timeline is so big in Japan that we still get new stories every couple of years focused on specific characters, incidents, and so much more as well. Ask the general populace about Gundam and its the robot suits and characters of the UC timeline such as Amuro Rey and the Zaku robots and the that they immediately picture in their heads when they think Gundam similar to how the vast bulk of Star Wars fans below 16 always associates the franchise with Luke, Princess Leia, Chewbacca, Obi Wan, and Anakin/Darth Vader and the iconic scenes are teh Death Star onscreen and lightsaber fights.
So in Sunrise's head, not only was the first Gundam a guaranteed success in America but that they had to follow it up with it because the UC is the heart and soul of the entire franchise. The studios sincerely believed that with the original Gundam's even better and more complicated storyline that crowds will flock to watch it every weekday on Toonami...........
Failing to realize that a prime part of what made Wing so impressionable on Western audiences was the visuals of space battles and the awareness of the mobile suits in action. The complicated story of Gundam Wing (for the standards of Western animation on TV was definitely a component that made kids stick to the end but what attracted them in the first place was awesome onscreen actions like Heero escaping capture and knocking out a bunch of men on the way with kicks and piloting the Gundam for the first time to demolish tanks and humvees and a division of soldiers within seconds.
Sunrise did not get this point. They mistakenly assumed that teens and children in the West would have understood the original Gundam's anti war storyline entwined with lots of politics and drama was something that was darn complicated for an American 12 year old to get. They failed to get that the West's TV animation scene was extremely tame hell mainstream afternoon Network Television overall even live action was pretty much PG in content and something like Gundam was definitely pushing it for timeslots for minors including teens. That issues like killing children in a mass bombardment with permanent arm crippling even decapitation was only started to be accepted on afternoon teen soap opera and Saturday morning cartoon timeslots.
That it was pretty tame (by modern standards) live action shows with lots of cool visual action that was bloodless and usually PG like Hercules The Legendary Journeys and its sister spinoff Xena and Buffy the Vampire Slayer that the teen range was watching in addition to laughably corny stuff (but still having cool colorful onscreen effects) like GI Joe making the center of children's animation.
When the original Gundam flopped Sunrise took around 2 years to realize their mistake and released G Gundam. An incarnation of the series around the premise of Robots dueling each other in a tournament of gladiatorial fights. Thats an understatement G Gundam takes the whole premise to another level by making the Gundam robots fight with the speed, fluidity, and magical abilities of Dragon Ball Z. Kung Fu with giant Robots.
But the damage was done. While G Gundam did a hell lot better than the original Gundam, interest in the franchise has waned by then and in turn merchandise sales which Sunrise makes its bulk profits from were nowhere as profitable in America as Wing was. When Sunrise attempted to bring over their newer series such as Seed (which was massively popular in Japan even far more than Gundam Wing and G Gundam which already were considered hits by the studios) it was canceled from the maintime slot shortly afterwards and the ret of the series was put on death slots. The momentum had ceased. And not helping was that by that point other mech anime such as FLCL also aired on Toonami and fellow rival franchises like Zoids were begin imported.
Basically by now Gundam had looked generic to the Western audience esp Americans. The next wave of new anime fans in the 2000s was a disadvantaged market because the novelty of Gundam Wing being the first mech anime was not there for future Gundam installments. Gundam has fallen so out of the anime Zeitgeist that whatever we got in the future aired on lesser known channels like Color TVs or came in DVD releases if not even localised at all only being available on fansubs.
The worst part? When Gundam Wing ended its run on Toonami, Turn A Gundam, their newest incarnation with even better animation and just as much awesome moments of one giant mech destroying a an army of other mechs in addition to divisions of tanks and infantry, had just finished airing in Japan. By all logic it should have been a no brainer to snatch this as the followup to Wing right?
But not to Sunrise because Turn A was one of the lesser popular incarnations at that point. Because the UC was so the face of the franchise in Japan so it must succeed in America and the rest of the world no?
Does this sound familiar? Simply to put Japanese companies have a gigantic issues of failing to realize that what succeeds in Japan is not applicable elsewhere. And that given the chance to they'll even try to micro manage even something as loose in concept as franchise licensing in other countries.
OK thats an exaggeration I just said but my point ist he horrible mishandling of the Sega Saturn outside of Japan isn't really some 1 in a billion lottery ticket level of stupidity. Sega of Japan's screwups is actually quite typical of companies that succeeded domestically but never did anything in other markets that then decide to expand to outside markets beyond Japan. The Gundam example was so already long that I don't feel like typing anymore but boy oh boy there are a gazillion examples you can find if you do your googling from Konami's early mishandling of the Yu-Gi-Oh TCG as well as their shift to focusing on Pachinko and Pachislot much to the dismay of Western gamers esp fans of MGS and Silent Hill. And so much more.
Simply Sega of Japan isn't uniquely stupid. Its a perfect symptom many issues of the business world in Japan.

Sega of Japan deserves all the criticisms for their idiocy of overtaking the dictatorship of the wider Sega company and running the company down because they tried to manage the global markets without understanding the cultures behind them and basing their actions upon the tastes of the Japanese market. On top of putting their eggs in one baskets and obsessively trying to make the Saturn king of Japan's console industry................
However there's a gigantic misconception on the internet by understandably P$!%ed off Western gamers that Sega of Japan's boneheaded run of the company is some unique kind of stupidity unmatched in history.........
Actually there's bad news and its that this is actually a big problem in the Japanese business world especially among companies that are domestic giants such as Konami.
And I'll start with one of my favorite franchises. Mobile Suite Gundam.
Back in the late 90s and early 2000s the most recent iteration of the franchise Mobile Suit Gundam Wing aired on the Toonami block on Cartoon Network. And to say it was a massive success. It was easily Toonami's most watched program after Dragon Ball Z and Sailor Moon and there would be profitable sales of Gundam Wing figures in American major retailers like K-Mart and kB Toys during the show's run. There was more demand for further Gundam content. Easy pathway to creating a juggernaut in the anime industry in America right?
Well the immediate followup to Gundam Wing was....... The original Gundam. Form the 1970s. I'm not kidding. The studios that makes Gundam Sunrise made this choice.
Massive gigantic bomb in America. Even Toonami's less popular programs like Ronin Warriors hard much higher viewerships.
The show's reason for flopping was that the original Gundam looked just so outdated with its animation being 70s flair. The original Gundam is actually superior to Wing in almost every other way especially the overall plot...... But the animation looked so old nobody wanted to watch it.
Why did Sunrise choose to follow up Wing which was their latest installment just before Turn A which was actually running in Japan during the same time Toonami was airing Wing in America?
In Japan the specific continuity the first original Gundam series follows, the UC timeline, is the handsdown most popular canon. The first two sequels Zeta (the Gundam series with the highest ratings ever in the history of the franchise within Japan) and ZZ formed a trilogy with the original Gundam of interlinking stories that culminates and concluded most the unresolved arcs in the original Gundam along with a slew of entwined movies and OVAs (think miniseries in Western terms). Basically the UC timeline is so big in Japan that we still get new stories every couple of years focused on specific characters, incidents, and so much more as well. Ask the general populace about Gundam and its the robot suits and characters of the UC timeline such as Amuro Rey and the Zaku robots and the that they immediately picture in their heads when they think Gundam similar to how the vast bulk of Star Wars fans below 16 always associates the franchise with Luke, Princess Leia, Chewbacca, Obi Wan, and Anakin/Darth Vader and the iconic scenes are teh Death Star onscreen and lightsaber fights.
So in Sunrise's head, not only was the first Gundam a guaranteed success in America but that they had to follow it up with it because the UC is the heart and soul of the entire franchise. The studios sincerely believed that with the original Gundam's even better and more complicated storyline that crowds will flock to watch it every weekday on Toonami...........
Failing to realize that a prime part of what made Wing so impressionable on Western audiences was the visuals of space battles and the awareness of the mobile suits in action. The complicated story of Gundam Wing (for the standards of Western animation on TV was definitely a component that made kids stick to the end but what attracted them in the first place was awesome onscreen actions like Heero escaping capture and knocking out a bunch of men on the way with kicks and piloting the Gundam for the first time to demolish tanks and humvees and a division of soldiers within seconds.
Sunrise did not get this point. They mistakenly assumed that teens and children in the West would have understood the original Gundam's anti war storyline entwined with lots of politics and drama was something that was darn complicated for an American 12 year old to get. They failed to get that the West's TV animation scene was extremely tame hell mainstream afternoon Network Television overall even live action was pretty much PG in content and something like Gundam was definitely pushing it for timeslots for minors including teens. That issues like killing children in a mass bombardment with permanent arm crippling even decapitation was only started to be accepted on afternoon teen soap opera and Saturday morning cartoon timeslots.
That it was pretty tame (by modern standards) live action shows with lots of cool visual action that was bloodless and usually PG like Hercules The Legendary Journeys and its sister spinoff Xena and Buffy the Vampire Slayer that the teen range was watching in addition to laughably corny stuff (but still having cool colorful onscreen effects) like GI Joe making the center of children's animation.
When the original Gundam flopped Sunrise took around 2 years to realize their mistake and released G Gundam. An incarnation of the series around the premise of Robots dueling each other in a tournament of gladiatorial fights. Thats an understatement G Gundam takes the whole premise to another level by making the Gundam robots fight with the speed, fluidity, and magical abilities of Dragon Ball Z. Kung Fu with giant Robots.
But the damage was done. While G Gundam did a hell lot better than the original Gundam, interest in the franchise has waned by then and in turn merchandise sales which Sunrise makes its bulk profits from were nowhere as profitable in America as Wing was. When Sunrise attempted to bring over their newer series such as Seed (which was massively popular in Japan even far more than Gundam Wing and G Gundam which already were considered hits by the studios) it was canceled from the maintime slot shortly afterwards and the ret of the series was put on death slots. The momentum had ceased. And not helping was that by that point other mech anime such as FLCL also aired on Toonami and fellow rival franchises like Zoids were begin imported.
Basically by now Gundam had looked generic to the Western audience esp Americans. The next wave of new anime fans in the 2000s was a disadvantaged market because the novelty of Gundam Wing being the first mech anime was not there for future Gundam installments. Gundam has fallen so out of the anime Zeitgeist that whatever we got in the future aired on lesser known channels like Color TVs or came in DVD releases if not even localised at all only being available on fansubs.
The worst part? When Gundam Wing ended its run on Toonami, Turn A Gundam, their newest incarnation with even better animation and just as much awesome moments of one giant mech destroying a an army of other mechs in addition to divisions of tanks and infantry, had just finished airing in Japan. By all logic it should have been a no brainer to snatch this as the followup to Wing right?
But not to Sunrise because Turn A was one of the lesser popular incarnations at that point. Because the UC was so the face of the franchise in Japan so it must succeed in America and the rest of the world no?
Does this sound familiar? Simply to put Japanese companies have a gigantic issues of failing to realize that what succeeds in Japan is not applicable elsewhere. And that given the chance to they'll even try to micro manage even something as loose in concept as franchise licensing in other countries.
OK thats an exaggeration I just said but my point ist he horrible mishandling of the Sega Saturn outside of Japan isn't really some 1 in a billion lottery ticket level of stupidity. Sega of Japan's screwups is actually quite typical of companies that succeeded domestically but never did anything in other markets that then decide to expand to outside markets beyond Japan. The Gundam example was so already long that I don't feel like typing anymore but boy oh boy there are a gazillion examples you can find if you do your googling from Konami's early mishandling of the Yu-Gi-Oh TCG as well as their shift to focusing on Pachinko and Pachislot much to the dismay of Western gamers esp fans of MGS and Silent Hill. And so much more.
Simply Sega of Japan isn't uniquely stupid. Its a perfect symptom many issues of the business world in Japan.

Sega of Japan deserves all the criticisms for their idiocy of overtaking the dictatorship of the wider Sega company and running the company down because they tried to manage the global markets without understanding the cultures behind them and basing their actions upon the tastes of the Japanese market. On top of putting their eggs in one baskets and obsessively trying to make the Saturn king of Japan's console industry................
However there's a gigantic misconception on the internet by understandably P$!%ed off Western gamers that Sega of Japan's boneheaded run of the company is some unique kind of stupidity unmatched in history.........
Actually there's bad news and its that this is actually a big problem in the Japanese business world especially among companies that are domestic giants such as Konami.
And I'll start with one of my favorite franchises. Mobile Suite Gundam.
Back in the late 90s and early 2000s the most recent iteration of the franchise Mobile Suit Gundam Wing aired on the Toonami block on Cartoon Network. And to say it was a massive success. It was easily Toonami's most watched program after Dragon Ball Z and Sailor Moon and there would be profitable sales of Gundam Wing figures in American major retailers like K-Mart and kB Toys during the show's run. There was more demand for further Gundam content. Easy pathway to creating a juggernaut in the anime industry in America right?
Well the immediate followup to Gundam Wing was....... The original Gundam. Form the 1970s. I'm not kidding. The studios that makes Gundam Sunrise made this choice.
Massive gigantic bomb in America. Even Toonami's less popular programs like Ronin Warriors hard much higher viewerships.
The show's reason for flopping was that the original Gundam looked just so outdated with its animation being 70s flair. The original Gundam is actually superior to Wing in almost every other way especially the overall plot...... But the animation looked so old nobody wanted to watch it.
Why did Sunrise choose to follow up Wing which was their latest installment just before Turn A which was actually running in Japan during the same time Toonami was airing Wing in America?
In Japan the specific continuity the first original Gundam series follows, the UC timeline, is the handsdown most popular canon. The first two sequels Zeta (the Gundam series with the highest ratings ever in the history of the franchise within Japan) and ZZ formed a trilogy with the original Gundam of interlinking stories that culminates and concluded most the unresolved arcs in the original Gundam along with a slew of entwined movies and OVAs (think miniseries in Western terms). Basically the UC timeline is so big in Japan that we still get new stories every couple of years focused on specific characters, incidents, and so much more as well. Ask the general populace about Gundam and its the robot suits and characters of the UC timeline such as Amuro Rey and the Zaku robots and the that they immediately picture in their heads when they think Gundam similar to how the vast bulk of Star Wars fans below 16 always associates the franchise with Luke, Princess Leia, Chewbacca, Obi Wan, and Anakin/Darth Vader and the iconic scenes are teh Death Star onscreen and lightsaber fights.
So in Sunrise's head, not only was the first Gundam a guaranteed success in America but that they had to follow it up with it because the UC is the heart and soul of the entire franchise. The studios sincerely believed that with the original Gundam's even better and more complicated storyline that crowds will flock to watch it every weekday on Toonami...........
Failing to realize that a prime part of what made Wing so impressionable on Western audiences was the visuals of space battles and the awareness of the mobile suits in action. The complicated story of Gundam Wing (for the standards of Western animation on TV was definitely a component that made kids stick to the end but what attracted them in the first place was awesome onscreen actions like Heero escaping capture and knocking out a bunch of men on the way with kicks and piloting the Gundam for the first time to demolish tanks and humvees and a division of soldiers within seconds.
Sunrise did not get this point. They mistakenly assumed that teens and children in the West would have understood the original Gundam's anti war storyline entwined with lots of politics and drama was something that was darn complicated for an American 12 year old to get. They failed to get that the West's TV animation scene was extremely tame hell mainstream afternoon Network Television overall even live action was pretty much PG in content and something like Gundam was definitely pushing it for timeslots for minors including teens. That issues like killing children in a mass bombardment with permanent arm crippling even decapitation was only started to be accepted on afternoon teen soap opera and Saturday morning cartoon timeslots.
That it was pretty tame (by modern standards) live action shows with lots of cool visual action that was bloodless and usually PG like Hercules The Legendary Journeys and its sister spinoff Xena and Buffy the Vampire Slayer that the teen range was watching in addition to laughably corny stuff (but still having cool colorful onscreen effects) like GI Joe making the center of children's animation.
When the original Gundam flopped Sunrise took around 2 years to realize their mistake and released G Gundam. An incarnation of the series around the premise of Robots dueling each other in a tournament of gladiatorial fights. Thats an understatement G Gundam takes the whole premise to another level by making the Gundam robots fight with the speed, fluidity, and magical abilities of Dragon Ball Z. Kung Fu with giant Robots.
But the damage was done. While G Gundam did a hell lot better than the original Gundam, interest in the franchise has waned by then and in turn merchandise sales which Sunrise makes its bulk profits from were nowhere as profitable in America as Wing was. When Sunrise attempted to bring over their newer series such as Seed (which was massively popular in Japan even far more than Gundam Wing and G Gundam which already were considered hits by the studios) it was canceled from the maintime slot shortly afterwards and the ret of the series was put on death slots. The momentum had ceased. And not helping was that by that point other mech anime such as FLCL also aired on Toonami and fellow rival franchises like Zoids were begin imported.
Basically by now Gundam had looked generic to the Western audience esp Americans. The next wave of new anime fans in the 2000s was a disadvantaged market because the novelty of Gundam Wing being the first mech anime was not there for future Gundam installments. Gundam has fallen so out of the anime Zeitgeist that whatever we got in the future aired on lesser known channels like Color TVs or came in DVD releases if not even localised at all only being available on fansubs.
The worst part? When Gundam Wing ended its run on Toonami, Turn A Gundam, their newest incarnation with even better animation and just as much awesome moments of one giant mech destroying a an army of other mechs in addition to divisions of tanks and infantry, had just finished airing in Japan. By all logic it should have been a no brainer to snatch this as the followup to Wing right?
But not to Sunrise because Turn A was one of the lesser popular incarnations at that point. Because the UC was so the face of the franchise in Japan so it must succeed in America and the rest of the world no?
Does this sound familiar? Simply to put Japanese companies have a gigantic issues of failing to realize that what succeeds in Japan is not applicable elsewhere. And that given the chance to they'll even try to micro manage even something as loose in concept as franchise licensing in other countries.
OK thats an exaggeration I just said but my point ist he horrible mishandling of the Sega Saturn outside of Japan isn't really some 1 in a billion lottery ticket level of stupidity. Sega of Japan's screwups is actually quite typical of companies that succeeded domestically but never did anything in other markets that then decide to expand to outside markets beyond Japan. The Gundam example was so already long that I don't feel like typing anymore but boy oh boy there are a gazillion examples you can find if you do your googling from Konami's early mishandling of the Yu-Gi-Oh TCG as well as their shift to focusing on Pachinko and Pachislot much to the dismay of Western gamers esp fans of MGS and Silent Hill. And so much more.
Simply Sega of Japan isn't uniquely stupid. Its a perfect symptom many issues of the business world in Japan.

Sega of Japan deserves all the criticisms for their idiocy of overtaking the dictatorship of the wider Sega company and running the company down because they tried to manage the global markets without understanding the cultures behind them and basing their actions upon the tastes of the Japanese market. On top of putting their eggs in one baskets and obsessively trying to make the Saturn king of Japan's console industry................
However there's a gigantic misconception on the internet by understandably P$!%ed off Western gamers that Sega of Japan's boneheaded run of the company is some unique kind of stupidity unmatched in history.........
Actually there's bad news and its that this is actually a big problem in the Japanese business world especially among companies that are domestic giants such as Konami.
And I'll start with one of my favorite franchises. Mobile Suite Gundam.
Back in the late 90s and early 2000s the most recent iteration of the franchise Mobile Suit Gundam Wing aired on the Toonami block on Cartoon Network. And to say it was a massive success. It was easily Toonami's most watched program after Dragon Ball Z and Sailor Moon and there would be profitable sales of Gundam Wing figures in American major retailers like K-Mart and kB Toys during the show's run. There was more demand for further Gundam content. Easy pathway to creating a juggernaut in the anime industry in America right?
Well the immediate followup to Gundam Wing was....... The original Gundam. Form the 1970s. I'm not kidding. The studios that makes Gundam Sunrise made this choice.
Massive gigantic bomb in America. Even Toonami's less popular programs like Ronin Warriors hard much higher viewerships.
The show's reason for flopping was that the original Gundam looked just so outdated with its animation being 70s flair. The original Gundam is actually superior to Wing in almost every other way especially the overall plot...... But the animation looked so old nobody wanted to watch it.
Why did Sunrise choose to follow up Wing which was their latest installment just before Turn A which was actually running in Japan during the same time Toonami was airing Wing in America?
In Japan the specific continuity the first original Gundam series follows, the UC timeline, is the handsdown most popular canon. The first two sequels Zeta (the Gundam series with the highest ratings ever in the history of the franchise within Japan) and ZZ formed a trilogy with the original Gundam of interlinking stories that culminates and concluded most the unresolved arcs in the original Gundam along with a slew of entwined movies and OVAs (think miniseries in Western terms). Basically the UC timeline is so big in Japan that we still get new stories every couple of years focused on specific characters, incidents, and so much more as well. Ask the general populace about Gundam and its the robot suits and characters of the UC timeline such as Amuro Rey and the Zaku robots and the that they immediately picture in their heads when they think Gundam similar to how the vast bulk of Star Wars fans below 16 always associates the franchise with Luke, Princess Leia, Chewbacca, Obi Wan, and Anakin/Darth Vader and the iconic scenes are teh Death Star onscreen and lightsaber fights.
So in Sunrise's head, not only was the first Gundam a guaranteed success in America but that they had to follow it up with it because the UC is the heart and soul of the entire franchise. The studios sincerely believed that with the original Gundam's even better and more complicated storyline that crowds will flock to watch it every weekday on Toonami...........
Failing to realize that a prime part of what made Wing so impressionable on Western audiences was the visuals of space battles and the awareness of the mobile suits in action. The complicated story of Gundam Wing (for the standards of Western animation on TV was definitely a component that made kids stick to the end but what attracted them in the first place was awesome onscreen actions like Heero escaping capture and knocking out a bunch of men on the way with kicks and piloting the Gundam for the first time to demolish tanks and humvees and a division of soldiers within seconds.
Sunrise did not get this point. They mistakenly assumed that teens and children in the West would have understood the original Gundam's anti war storyline entwined with lots of politics and drama was something that was darn complicated for an American 12 year old to get. They failed to get that the West's TV animation scene was extremely tame hell mainstream afternoon Network Television overall even live action was pretty much PG in content and something like Gundam was definitely pushing it for timeslots for minors including teens. That issues like killing children in a mass bombardment with permanent arm crippling even decapitation was only started to be accepted on afternoon teen soap opera and Saturday morning cartoon timeslots.
That it was pretty tame (by modern standards) live action shows with lots of cool visual action that was bloodless and usually PG like Hercules The Legendary Journeys and its sister spinoff Xena and Buffy the Vampire Slayer that the teen range was watching in addition to laughably corny stuff (but still having cool colorful onscreen effects) like GI Joe making the center of children's animation.
When the original Gundam flopped Sunrise took around 2 years to realize their mistake and released G Gundam. An incarnation of the series around the premise of Robots dueling each other in a tournament of gladiatorial fights. Thats an understatement G Gundam takes the whole premise to another level by making the Gundam robots fight with the speed, fluidity, and magical abilities of Dragon Ball Z. Kung Fu with giant Robots.
But the damage was done. While G Gundam did a hell lot better than the original Gundam, interest in the franchise has waned by then and in turn merchandise sales which Sunrise makes its bulk profits from were nowhere as profitable in America as Wing was. When Sunrise attempted to bring over their newer series such as Seed (which was massively popular in Japan even far more than Gundam Wing and G Gundam which already were considered hits by the studios) it was canceled from the maintime slot shortly afterwards and the ret of the series was put on death slots. The momentum had ceased. And not helping was that by that point other mech anime such as FLCL also aired on Toonami and fellow rival franchises like Zoids were begin imported.
Basically by now Gundam had looked generic to the Western audience esp Americans. The next wave of new anime fans in the 2000s was a disadvantaged market because the novelty of Gundam Wing being the first mech anime was not there for future Gundam installments. Gundam has fallen so out of the anime Zeitgeist that whatever we got in the future aired on lesser known channels like Color TVs or came in DVD releases if not even localised at all only being available on fansubs.
The worst part? When Gundam Wing ended its run on Toonami, Turn A Gundam, their newest incarnation with even better animation and just as much awesome moments of one giant mech destroying a an army of other mechs in addition to divisions of tanks and infantry, had just finished airing in Japan. By all logic it should have been a no brainer to snatch this as the followup to Wing right?
But not to Sunrise because Turn A was one of the lesser popular incarnations at that point. Because the UC was so the face of the franchise in Japan so it must succeed in America and the rest of the world no?
Does this sound familiar? Simply to put Japanese companies have a gigantic issues of failing to realize that what succeeds in Japan is not applicable elsewhere. And that given the chance to they'll even try to micro manage even something as loose in concept as franchise licensing in other countries.
OK thats an exaggeration I just said but my point ist he horrible mishandling of the Sega Saturn outside of Japan isn't really some 1 in a billion lottery ticket level of stupidity. Sega of Japan's screwups is actually quite typical of companies that succeeded domestically but never did anything in other markets that then decide to expand to outside markets beyond Japan. The Gundam example was so already long that I don't feel like typing anymore but boy oh boy there are a gazillion examples you can find if you do your googling from Konami's early mishandling of the Yu-Gi-Oh TCG as well as their shift to focusing on Pachinko and Pachislot much to the dismay of Western gamers esp fans of MGS and Silent Hill. And so much more.
Simply Sega of Japan isn't uniquely stupid. Its a perfect symptom many issues of the business world in Japan.

Sega of Japan deserves all the criticisms for their idiocy of overtaking the dictatorship of the wider Sega company and running the company down because they tried to manage the global markets without understanding the cultures behind them and basing their actions upon the tastes of the Japanese market. On top of putting their eggs in one baskets and obsessively trying to make the Saturn king of Japan's console industry................
However there's a gigantic misconception on the internet by understandably P$!%ed off Western gamers that Sega of Japan's boneheaded run of the company is some unique kind of stupidity unmatched in history.........
Actually there's bad news and its that this is actually a big problem in the Japanese business world especially among companies that are domestic giants such as Konami.
And I'll start with one of my favorite franchises. Mobile Suite Gundam.
Back in the late 90s and early 2000s the most recent iteration of the franchise Mobile Suit Gundam Wing aired on the Toonami block on Cartoon Network. And to say it was a massive success. It was easily Toonami's most watched program after Dragon Ball Z and Sailor Moon and there would be profitable sales of Gundam Wing figures in American major retailers like K-Mart and kB Toys during the show's run. There was more demand for further Gundam content. Easy pathway to creating a juggernaut in the anime industry in America right?
Well the immediate followup to Gundam Wing was....... The original Gundam. Form the 1970s. I'm not kidding. The studios that makes Gundam Sunrise made this choice.
Massive gigantic bomb in America. Even Toonami's less popular programs like Ronin Warriors hard much higher viewerships.
The show's reason for flopping was that the original Gundam looked just so outdated with its animation being 70s flair. The original Gundam is actually superior to Wing in almost every other way especially the overall plot...... But the animation looked so old nobody wanted to watch it.
Why did Sunrise choose to follow up Wing which was their latest installment just before Turn A which was actually running in Japan during the same time Toonami was airing Wing in America?
In Japan the specific continuity the first original Gundam series follows, the UC timeline, is the handsdown most popular canon. The first two sequels Zeta (the Gundam series with the highest ratings ever in the history of the franchise within Japan) and ZZ formed a trilogy with the original Gundam of interlinking stories that culminates and concluded most the unresolved arcs in the original Gundam along with a slew of entwined movies and OVAs (think miniseries in Western terms). Basically the UC timeline is so big in Japan that we still get new stories every couple of years focused on specific characters, incidents, and so much more as well. Ask the general populace about Gundam and its the robot suits and characters of the UC timeline such as Amuro Rey and the Zaku robots and the that they immediately picture in their heads when they think Gundam similar to how the vast bulk of Star Wars fans below 16 always associates the franchise with Luke, Princess Leia, Chewbacca, Obi Wan, and Anakin/Darth Vader and the iconic scenes are teh Death Star onscreen and lightsaber fights.
So in Sunrise's head, not only was the first Gundam a guaranteed success in America but that they had to follow it up with it because the UC is the heart and soul of the entire franchise. The studios sincerely believed that with the original Gundam's even better and more complicated storyline that crowds will flock to watch it every weekday on Toonami...........
Failing to realize that a prime part of what made Wing so impressionable on Western audiences was the visuals of space battles and the awareness of the mobile suits in action. The complicated story of Gundam Wing (for the standards of Western animation on TV was definitely a component that made kids stick to the end but what attracted them in the first place was awesome onscreen actions like Heero escaping capture and knocking out a bunch of men on the way with kicks and piloting the Gundam for the first time to demolish tanks and humvees and a division of soldiers within seconds.
Sunrise did not get this point. They mistakenly assumed that teens and children in the West would have understood the original Gundam's anti war storyline entwined with lots of politics and drama was something that was darn complicated for an American 12 year old to get. They failed to get that the West's TV animation scene was extremely tame hell mainstream afternoon Network Television overall even live action was pretty much PG in content and something like Gundam was definitely pushing it for timeslots for minors including teens. That issues like killing children in a mass bombardment with permanent arm crippling even decapitation was only started to be accepted on afternoon teen soap opera and Saturday morning cartoon timeslots.
That it was pretty tame (by modern standards) live action shows with lots of cool visual action that was bloodless and usually PG like Hercules The Legendary Journeys and its sister spinoff Xena and Buffy the Vampire Slayer that the teen range was watching in addition to laughably corny stuff (but still having cool colorful onscreen effects) like GI Joe making the center of children's animation.
When the original Gundam flopped Sunrise took around 2 years to realize their mistake and released G Gundam. An incarnation of the series around the premise of Robots dueling each other in a tournament of gladiatorial fights. Thats an understatement G Gundam takes the whole premise to another level by making the Gundam robots fight with the speed, fluidity, and magical abilities of Dragon Ball Z. Kung Fu with giant Robots.
But the damage was done. While G Gundam did a hell lot better than the original Gundam, interest in the franchise has waned by then and in turn merchandise sales which Sunrise makes its bulk profits from were nowhere as profitable in America as Wing was. When Sunrise attempted to bring over their newer series such as Seed (which was massively popular in Japan even far more than Gundam Wing and G Gundam which already were considered hits by the studios) it was canceled from the maintime slot shortly afterwards and the ret of the series was put on death slots. The momentum had ceased. And not helping was that by that point other mech anime such as FLCL also aired on Toonami and fellow rival franchises like Zoids were begin imported.
Basically by now Gundam had looked generic to the Western audience esp Americans. The next wave of new anime fans in the 2000s was a disadvantaged market because the novelty of Gundam Wing being the first mech anime was not there for future Gundam installments. Gundam has fallen so out of the anime Zeitgeist that whatever we got in the future aired on lesser known channels like Color TVs or came in DVD releases if not even localised at all only being available on fansubs.
The worst part? When Gundam Wing ended its run on Toonami, Turn A Gundam, their newest incarnation with even better animation and just as much awesome moments of one giant mech destroying a an army of other mechs in addition to divisions of tanks and infantry, had just finished airing in Japan. By all logic it should have been a no brainer to snatch this as the followup to Wing right?
But not to Sunrise because Turn A was one of the lesser popular incarnations at that point. Because the UC was so the face of the franchise in Japan so it must succeed in America and the rest of the world no?
Does this sound familiar? Simply to put Japanese companies have a gigantic issues of failing to realize that what succeeds in Japan is not applicable elsewhere. And that given the chance to they'll even try to micro manage even something as loose in concept as franchise licensing in other countries.
OK thats an exaggeration I just said but my point ist he horrible mishandling of the Sega Saturn outside of Japan isn't really some 1 in a billion lottery ticket level of stupidity. Sega of Japan's screwups is actually quite typical of companies that succeeded domestically but never did anything in other markets that then decide to expand to outside markets beyond Japan. The Gundam example was so already long that I don't feel like typing anymore but boy oh boy there are a gazillion examples you can find if you do your googling from Konami's early mishandling of the Yu-Gi-Oh TCG as well as their shift to focusing on Pachinko and Pachislot much to the dismay of Western gamers esp fans of MGS and Silent Hill. And so much more.
Simply Sega of Japan isn't uniquely stupid. Its a perfect symptom many issues of the business world in Japan.

Synopsis
Resol’s IOT is a novel series about an attempt by the main character called Resol to make the world a post scarcity society.
Resol IOT: MAMA apartments is a novel about an attempt by the main character, Resol, to try and introduce a new housing model called MAMA apartments, to continue his journey of trying to make the world a post scarcity society.
MAMA apartments consists of houses connected by an elevator system to a food and clothes hub.
When people in these houses need food or clothes, they order from the food or clothes hub and they are brought directly into the mini elevator, inside the house, by small pods from the hubs through the elevator system.
When they finish eating or wearing the food or clothes, they use the pods to return the dirty dishes or clothes to the hubs for cleaning and storing.
These houses don’t require a permanent kitchen, closet, appliances etc. making them simple enough to be cleaned by autonomous robots.
But as Resol's dream takes flight, it encounters formidable obstacles.
Can he navigate the treacherous waters of bureaucracy, technological barriers and opposition to realize his vision? Or will the hurdles prove to be too strong and force him to abandon his vision?
"Resol IOT: MAMA Apartments" is a gripping tale of innovation, ambition, and the indomitable human spirit.
Join Resol on a journey that transcends the boundaries of imagination, and discover the true power of vision in a world teetering on the brink of change.

 Episode 1 

Resol stood by the bedside, his tailored suit impeccable even in the soft morning light filtering through the curtains.
Wendy, his wife, lay nestled in the sheets, her curls splayed across the pillow, still caught in the gentle embrace of sleep.
" I'm off to the office for the inaugural meeting on the evaluation of MAMA apartments," Resol murmured, his voice breaking the peaceful silence of the room. Wendy stirred slightly, her eyelids fluttering open.
"Already?"
"Yes, I have been waiting for this day all my life," said a smiling Resol, “We used to say we want to build houses connected to a food and clothes hub, and now we have achieved that goal and have actually built them in real life."
"Just... don't push them too hard when things are not as you expected, okay? They've been working hard, too."
"I have to," Resol responded, his tone tinged with urgency. "You know the business might not produce as much revenue for long. We only have one shot at this."
Wendy nodded. Resol slipped out of the room, the door closing softly behind him.
Outside, the morning air was crisp as he made his way to his Range Rover, the engine purring to life beneath him.
As he navigated the streets toward the MAMA apartments main office, his thoughts swirled with the impending meeting.
After about a 30-minute drive, he finally reached the office building containing the MAMA apartments office.
He went inside and was greeted with warm respect and admiration by the secretary, Sharon.
She led him to the meeting room and as they entered, his eyes lit up at the sight of his friend, Daniel, seated alone.
A wide grin spread across Resol's face as they embraced.
"It's been long," Resol exclaimed, patting his friend on the back.
"Absolutely. I am always happy to meet the man who forever changed education by replacing writing with voice and lip sync commands."
Resol smiled and glanced around the room, then turned back to Daniel. "Where are the main project managers?"
Daniel, engrossed in his phone, looked up briefly. "I told them I'd let them know when you arrived."
"Why's that?"
Daniel smirked. "I didn’t want them anxious in here waiting for you. You know you are bigger than life, right?"
A chuckle escaped Resol's lips.
Daniel leaned back in his chair. "By the way, I tested the houses. They are just as we imagined back in the day."
Relief washed over Resol's features. "Really?"
Before Daniel could answer, two well-dressed gentlemen entered the meeting room.
Daniel greeted them warmly before he introduced them to Resol.
"Mr. Feli, meet Jeff, the project manager for construction, and Malik, the project manager for automation."
"Pleasure to meet you both."
Daniel excused himself with a nod and left the meeting room.
"Have you completed the MAMA apartment complexes in all three locations?" asked Resol.
"Yes, but there's both good news and bad news," said Malik.
Resol closed his eyes briefly. "Tell me the good news first."
Malik cleared his throat. "The good news is that we've successfully tested all three MAMA apartments, and they're functioning perfectly."
A small sigh of relief escaped Resol's lips. "And what's the bad news?"
"Unfortunately," Malik paused, "we couldn't finish the automations for the food and clothes hub."
Resol's shoulders slumped.
After a few seconds of silence, Malik continued, "We needed to ensure that the automation and systems we created were flawless before the deadline."
Resol ran a hand through his hair. "The selling point of MAMA apartments is the automation."
"The automations..." Malik began, but Resol cut him off with a wave of his hand.
"There's no need for further explanation. I'll see the reality for myself as we do the assessments. But if the amount of automation is not as we agreed on the plan, then I guess we will have to let you go."
“We are sorry boss, we tried our best,” said Jeff.
"That's enough explanation for today," Resol declared, glancing at his watch. "I have a meeting with the Education Minister in an hour. Tomorrow, I expect to start the on-site assessment of the apartments."
As he offered them a handshake, Jeff asked, "Which location would you like to do the assessment?" Resol paused for a moment. "I'll choose randomly in the morning."
Both Jeff and Malik looked startled by his response and they exchanged a quick glance.
"But, sir," Malik began, "shouldn't we plan the assessment—"
"They're all the same, aren't they?"
The two men nodded.
"Very well then," Resol continued as he straightened his tie. "I'll leave it to you to plan the assessment, and decide what you'll start showing me in any apartment complex I choose."
"Thank you, sir," they said almost in unison.
"Gentlemen, it was a pleasure meeting you both," Resol said with a nod, before exiting the room.
He headed to the headquarters of his main company, Mkufu.
There, he met with the education minister and spent the rest of the day working.
He finally returned to his grand mansion as the evening sun dipped below the horizon.
As he entered the living room, he found Wendy engrossed in documentaries on the television.
Her attention was focused, but she glanced up with a warm smile as Resol approached.
"Hey, how was your day?"
Resol managed a small smile in return. "It went okay. The project managers assured me that the houses are ready to house people now."
Wendy's eyebrows furrowed slightly. "But something's bothering you, isn't it?"
Resol sighed and sank onto the couch beside her. "They haven't finished all the automations we planned."
Wendy slapped her forehead gently and then slid her hands down her face. "I knew it. I told you we should have started with minimum automation and added more as time went on. Now we have lost time and we are still in the same position."
"We can't change what's already done. Let's not make conclusions or blame each other until after the assessment."
Just then, their four-year-old son, Zack, bounded into the room, his face lit up with excitement at seeing his parents.
Both Resol and Wendy's faces brightened instantly at the sight of their beloved son.
"Mom! Dad!" Zack exclaimed, running over to them. Wendy scooped him up into her arms, showering him with kisses. "Hey there, champ! Did you have a good day?"
Zack nodded enthusiastically. "Yeah!"
As Wendy carried Zack off to his room for some playtime before dinner, Resol followed behind, his heart feeling lighter at the sight of his family together.
Thank you. I will post the 2nd episode tommorow!

Just watched it, now onto Episode 7.
There is SO MUCH forced coincidence in this episode, it just makes it feel so disingenuous. First, just because the bus lot is open does not mean it's a public thoroughfare, the man Jake suspects is trespassing.
The doubling down by Jake throughout the entire episode, after we had the season 5 Jake who doubted himself about his arresting the shoe thief is such a character swerve, even more than Casecation Jake.
The lack of explanation why the suspect used an address no where near where he originally asserted where he lived, which sent Jake off tailing the suspect, and Jake leaving his phone on the desk was just poor writing.
The whole season really dropped the ball on writing compelling, smart and character driven television. There are fun moments, but goddamn this was a gas leak year.

Hello and welcome to my post. I would like to make a friend.
Here are my interests:
History. I have had an interest in history for almost a decade now, it started back in school and developed from there. Well, now that I think about it one could argue that it started even earlier in my life as I liked watching the odd historic documentary or film aired on television but it wasn't regular back then, I never actively sought it out. I am mostly interested in European history in the period between the 18th-20th century but I sometimes branch out to other time periods and other parts of the world. I watch various channels related to history and read articles and sometimes books. I have recently got a few books on the German revolution of 1848/1849 and a historical magazine on the Thirty Years' War. Besides that I try to visit museums sometimes.
Literature. Especially old novels. I like to immerse myself in the Worlds of these books, I tend to read them while listening to thematically fitting music and take my time with them. One time you are following a troubled Youth in his quest for spiritual understanding of the world, another you see the aged and decrepit Doctor gambling his very Soul on the promises of abtaining satisfaction in earthy pleasures, then again your olfaction notices the most pleasant scent known to man even as the one eminating it has the appearance of a revolting Frog. These and many other stories open up to you once you decide to set foot into the literary World.
Languages. I know three, with one being a bit rusty. I am currently working intently on strengthening it. I believe that if I continue to apply myself in this regard then I should be able to finally conquer it. What language am I working on? Well, if you were to stack all the major works in it they would be as tall as a house... It is fun to go through different works in multiple languages, the same goes for film, games and such.
Games. I recently played Cyberpunk 2077. Well as recently as I played any major story centric game. Now that the dust has settled and the bugs mostly removed...It's not that bad. The main questline at least. Besides that I tried Fallout 76 (Very average, I'm dissapointed with what they made the "RPG" system) and I might give Deus Ex Manking Divided another spin (since it's somewhat similar to Cyberpunk when it comes to its aesthetics). Dark Souls is one of my favorite series, I still haven't beaten Elden Ring though. When it came out I wasn't in the right mindset to invest a hundred hours into it, with all those bosses and difficult locations. I think I'll only consider playing it if I am streaming it to someone. I am generally interested in either streaming games or having the person I am talking to stream them to me. To be specific I mean streaming to a single person while being on call. Besides that I'm a big fan of Paradox strategy games, especially Europa Universalis IV and Heats of Iron IV, I tend to only play single player since I find multiplayer with many people to be rather stressful but on the other hand I have nothing against a co-op game. I'm not the best player though, despite the ammount of hours I have in them. Another great game I would mention would be Dragon's Dogma. A very underrated RPG. I recently beat it again and it was an atmospheric and interesting experience. It is one of those games that feel like they have an endless ammount of depth and constant new secrets to discover.
Anime and Manga. In recent times my interest in them has waned but I still watch the occasional series here and there. Like Cyberpunk Edgerunners (Which I found to be rather mediocre) and the very good first season from the new arc of Bleach. Some of my favourite series include: Fullmetal Alchemist Brotherhood, Death Note, Fate;Zero, Psycho Pass, Code Geass and Attack on Titan. I wouldn't mind if you were to introduce me to some new series, maybe based on the ones I mentioned. My favourite Manga is Berserk which I still follow, althought I am still not certain on the direction that the new author is taking. I suppose it really is a matter of contention whether a somewhat (or considerably warped) vision is better than an unfinished work. One could argue that a few novels remain unfinished and possess a macabre appeal to them as such.
Music. Classical music has a very special place in my heart. A few of my favourite pieces would be: Clair de Lune, Nocturne Op. 9 No.2, Devil's Trill Sonata, Danse Macabre, Valse Sentimentale, Symphony No. 7 in A Major, Op. 92: II. Alegreto (by Beethoven) and Suite from Swan Lake, Op. 20a: I. Scene. Moderato. There are more but these ones always invoke something in me when I listen to them. Besides Classical I also enjoy listening to Synthwave, old Western pop and J-pop, both modern and from the 20th century.
Well that about wraps it up for my interests. I would like to add a few things before I finish. I am neurodivergent (autism spectrum) and struggle with mental health. I respect the struggles others have but due to certain negative experiences I would prefer to find another Aspie. I am rather introverted and I do not have a large social circle. If I like someone I want to spend as much time with them as possible. I have been hurt in the past by caring about someone much more than they about me so I would like to avoid such things now.
If you decide to message me I ask that you send a DM instead of a chat and tell me about yourself. Take care.

Hello and welcome to my post. I would like to make a friend.
Here are my interests:
History. I have had an interest in history for almost a decade now, it started back in school and developed from there. Well, now that I think about it one could argue that it started even earlier in my life as I liked watching the odd historic documentary or film aired on television but it wasn't regular back then, I never actively sought it out. I am mostly interested in European history in the period between the 18th-20th century but I sometimes branch out to other time periods and other parts of the world. I watch various channels related to history and read articles and sometimes books. I have recently got a few books on the German revolution of 1848/1849 and a historical magazine on the Thirty Years' War. Besides that I try to visit museums sometimes.
Literature. Especially old novels. I like to immerse myself in the Worlds of these books, I tend to read them while listening to thematically fitting music and take my time with them. One time you are following a troubled Youth in his quest for spiritual understanding of the world, another you see the aged and decrepit Doctor gambling his very Soul on the promises of abtaining satisfaction in earthy pleasures, then again your olfaction notices the most pleasant scent known to man even as the one eminating it has the appearance of a revolting Frog. These and many other stories open up to you once you decide to set foot into the literary World.
Languages. I know three, with one being a bit rusty. I am currently working intently on strengthening it. I believe that if I continue to apply myself in this regard then I should be able to finally conquer it. What language am I working on? Well, if you were to stack all the major works in it they would be as tall as a house... It is fun to go through different works in multiple languages, the same goes for film, games and such.
Games. I recently played Cyberpunk 2077. Well as recently as I played any major story centric game. Now that the dust has settled and the bugs mostly removed...It's not that bad. The main questline at least. Besides that I tried Fallout 76 (Very average, I'm dissapointed with what they made the "RPG" system) and I might give Deus Ex Manking Divided another spin (since it's somewhat similar to Cyberpunk when it comes to its aesthetics). Dark Souls is one of my favorite series, I still haven't beaten Elden Ring though. When it came out I wasn't in the right mindset to invest a hundred hours into it, with all those bosses and difficult locations. I think I'll only consider playing it if I am streaming it to someone. I am generally interested in either streaming games or having the person I am talking to stream them to me. To be specific I mean streaming to a single person while being on call. Besides that I'm a big fan of Paradox strategy games, especially Europa Universalis IV and Heats of Iron IV, I tend to only play single player since I find multiplayer with many people to be rather stressful but on the other hand I have nothing against a co-op game. I'm not the best player though, despite the ammount of hours I have in them. Another great game I would mention would be Dragon's Dogma. A very underrated RPG. I recently beat it again and it was an atmospheric and interesting experience. It is one of those games that feel like they have an endless ammount of depth and constant new secrets to discover.
Anime and Manga. In recent times my interest in them has waned but I still watch the occasional series here and there. Like Cyberpunk Edgerunners (Which I found to be rather mediocre) and the very good first season from the new arc of Bleach. Some of my favourite series include: Fullmetal Alchemist Brotherhood, Death Note, Fate;Zero, Psycho Pass, Code Geass and Attack on Titan. I wouldn't mind if you were to introduce me to some new series, maybe based on the ones I mentioned. My favourite Manga is Berserk which I still follow, althought I am still not certain on the direction that the new author is taking. I suppose it really is a matter of contention whether a somewhat (or considerably warped) vision is better than an unfinished work. One could argue that a few novels remain unfinished and possess a macabre appeal to them as such.
Music. Classical music has a very special place in my heart. A few of my favourite pieces would be: Clair de Lune, Nocturne Op. 9 No.2, Devil's Trill Sonata, Danse Macabre, Valse Sentimentale, Symphony No. 7 in A Major, Op. 92: II. Alegreto (by Beethoven) and Suite from Swan Lake, Op. 20a: I. Scene. Moderato. There are more but these ones always invoke something in me when I listen to them. Besides Classical I also enjoy listening to Synthwave, old Western pop and J-pop, both modern and from the 20th century.
Well that about wraps it up for my interests. I would like to add a few things before I finish. I am neurodivergent (autism spectrum) and struggle with mental health. I respect the struggles others have but due to certain negative experiences I would prefer to find another Aspie. I am rather introverted and I do not have a large social circle. If I like someone I want to spend as much time with them as possible. I have been hurt in the past by caring about someone much more than they about me so I would like to avoid such things now.
If you decide to message me I ask that you send a DM instead of a chat and tell me about yourself. Take care.