I’ve been living in my little Taurus since march after I got evicted from my apartment due to some insane financial issues. I got a PFBC membership to shower and work out at, but I haven’t been able to really pay it so I’ve got an outstanding balance of 126$😭. Haven’t showered in almost a month, power brake booster has gone out as well as the master cylinder for the most part. I do door dashing as my job, but have a bad habit of buying food when I’m not doing anything. I’m a big guy, so this food problem has always been a thing. Anyway, I’ve found a spot to get my water and a place to park and sleep at. But I don’t know what to do about getting a job. I can’t right now because I don’t have a place to shower and no employer is going to want a guy that showed up to his interview stinking. Do y’all have any recommendations or resources that could help? I’m not asking for money or anything, just some honest advice for me. It’s not horrible living in the car besides the heat and sweat. I can sleep pretty well, but I just don’t know how to go about getting a real job and all that. Thanks in advance🫡

So I wasn't satisfied with the prebuilt offerings for bikes and I wanted an end game bike with the specs I wanted. So I'm building a frame up Frankenstein's monster with the help of a local shop. It's essentially going to be a hardtail hardnose flat bar gravel bike. I haven't seen a build like this before with an emphasis on premium lightweight materials. The closest I've seen has been either an adventure style bike with lots of luggage storage or something like a Trek FX Sport 6 but I wanted newer more premium components.
I figured this will be the most appropriate place to post my build.
It'll take some time to collect all the components and then build it but I'm very excited.
It's going to be an absolutely unique freak of a machine and I love that it won't be like anything else on the road.
It's also going to be a learning process for me. I don't know a lot about bikes, just enough to be dangerous. Goal is maximum comfort and convenience and performance and durability and awesomeness. I know I'll get a ton of downvotes because it's an unconventional build but that's partly what I love about it!
Feel free to post positive vibes and opinions and follow my build up. Eventually I'll take pictures. It's going to look like a glitch in the system but I dig it. I kinda want a custom paint job but too expensive I think.
I just started component hunting so some things might not be compatible and will change but as of now I'm looking at:

• IBIS DV9 carbon MTB frame
• Whisky No9 MTN Boost LT suspension adjusted carbon fork
• Whisky carbon handle bars(specific model to be determined)
• Shimano XT brake system
• SRAM XX SL Eagle AXS Transmission system
• Adjustable stem to be determined
• Whisky carbon seat post(specific model to be determined)
• Saddle to be determined
• Onyx silent hubs(specific model to be determined)
• Carbon wheels to be be determined
• Tires to be determined
• Pedals to be determined
• Triangle frame bag to be determined
• Hardware and safety accessories to be determined

Taken from: https://www.theringer.com/movies/2024/5/21/24161120/greatest-movie-car-chase-scenes-ranked-furiosa-mad-max-saga
In honor of the imminent ‘Furiosa: A Mad Max Saga,’ we’re shifting into high gear to determine the best chase scene in cinema history
By Miles Surrey May 21, 2024, 6:30am EDTGetty Images/Ringer illustration
After wowing audiences with Mad Max: Fury Road, director George Miller returns to the franchise’s post-apocalyptic wastelands for Furiosa, the epic origin story of the eponymous heroine (now played by Anya Taylor-Joy), premiering on Friday. As the follow-up to one of the greatest action films ever made, it’s hard to overstate the hype for Furiosa, and that was before word got out about a showstopping 15-minute sequence that required nearly 200 stuntpeople and took 78 days to shoot. While Furiosa will have its own distinct flavor, as is true of every Mad Max movie, there’s one thing that unites these projects: intense, jaw-dropping scenes of vehicular mayhem. And what better way to honor the franchise than by celebrating what it does best?
Ahead of Furiosa’s release, we’ve put together our definitive ranking of the best car chases in cinema. There weren’t any strict rules in place, other than capping the list at 20—mostly for my own sanity—and limiting every franchise to one entry. (Apologies to Fury Road’s kickass predecessor The Road Warrior.) We also won’t discriminate against scenes that feature motorbikes, so long as cars (and/or trucks) remain part of the equation. As for what, exactly, constitutes a good car chase? Like list making, it’s bound to be subjective, but I tend to gravitate toward two key elements: the skill of the stuntwork on display and the ways in which a filmmaker conveys the action in relation to the story. (Also, the less CGI, the better.) Buckle up, ’cause we’re not wasting any time shifting into high gear.

20. Quantum of Solace (2008)

There have been some memorable car chases in the James Bond franchise: the first sequence featuring the iconic Aston Martin DB5 in Goldfinger, the corkscrew jump in The Man With the Golden Gun, the Lotus Esprit submarine in The Spy Who Loved Me. But I’m going with a somewhat controversial pick here: Quantum of Solace. There are many issues with Quantum of Solace—namely, it was one of the most high-profile blockbusters affected by the 2007-08 writers strike—but its opening scene isn’t one of them. Picking up right where Casino Royale left off, we find Bond (Daniel Craig) evading henchmen through the narrow roads around Italy’s Lake Garda. The frenetic, furious chase mirrors Bond’s sense of anguish after losing Vesper Lynd (Eva Green), the woman he opened his heart to, and his relentless quest for answers. It’s a thrilling tone-setter for Quantum of Solace and one that doesn’t overstay its welcome, capped off by Bond sending his final pursuers flying off a cliff:
If we’re being honest, though, it feels like James Bond has yet to create a franchise-defining car chase. Perhaps that’s a mission the newest 007, whoever it ends up being, can undertake.

19. Mission: Impossible—Rogue Nation (2015)

The Mission: Impossible franchise is no stranger to electrifying chase scenes, the best of which find Tom Cruise’s Ethan Hunt working up his heart rate. When it comes to action behind the wheel, though, Fallout tends to dominate the discussion—even on this very website. But I think the vehicular chase in Rogue Nation is being slept on. What we have is effectively two sequences for the price of one: The first finds Hunt pursuing Ilsa Faust (Rebecca Ferguson) by car through the narrow streets of Casablanca alongside some nefarious henchmen; the second sees him continue the chase outside the city on motorbike. (Adding to the chaos: Hunt had only just been resuscitated, and he’s clearly not all there.) In terms of death-defying stunts for the audience’s entertainment, a helmetless Cruise taking corners like a MotoGP racer is child’s play compared to his other exploits, but the actor’s authentic reaction to scraping his knee on the road underlines that there’s no one else in Hollywood doing it like him:
We’ll be sure to update this ranking if and when Cruise does something even more dangerous down the road, pun unintended.

18. Vanishing Point (1971)

A movie that counts the likes of Steven Spielberg and Quentin Tarantino among its biggest fans, Vanishing Point is the first of a few entries on this ranking that’s essentially one extended car chase. The film stars Barry Newman as Kowalski, a man tasked with delivering a Dodge Challenger T 440 Magnum from Colorado to California while eluding police across four states. One of Kowalski’s most memorable run-ins comes when a guy driving a Jaguar E-Type convertible challenges him to an impromptu race. Incredibly, we’re expected to believe the man in the Jag comes out of this crash in one piece:
Vanishing Point might not boast the impressive production values of other movies on this list, but considering Tarantino would go on to feature a white Challenger in Death Proof, its influence in the car cinema canon is undeniable.

17. Fast Five (2011)

Let’s face it, Fast & Furious has seen better days. Some believe the franchise’s dip in quality coincided with the death of Paul Walker; others are dismayed by the pivot from street racing to absurd feats of superherodom—emphasis on the Dom. Perhaps it’s a bit of both, but the very best movie in the series, Fast Five, manages to strike the perfect balance: It’s a relatively grounded heist thriller that nevertheless takes the franchise to ridiculous new heights. After Dominic Toretto (Vin Diesel) and his crew steal $100 million from a Brazilian kingpin, they drag the entire bank vault holding the money through the streets of Rio de Janeiro, all while being pursued by authorities. It’s a delightfully destructive sequence that does untold damage to Rio’s infrastructure and features some of the most bone-crunching crashes committed to film:
If the Fast franchise is going to break out of its recent slump, it would do well to remember that there’s nothing better than letting its heroes live their lives a quarter mile at a time—no detours to outer space required.

16. The Blues Brothers (1980)

A good car chase isn’t reserved just for action flicks: Comedies can get in on the act, too. In The Blues Brothers, starring the recurring Saturday Night Live characters played by John Belushi and Dan Aykroyd, the beloved bandmates must prevent the foreclosure of the orphanage where they were raised by scrounging together $5,000. Naturally, that’s easier said than done: Along the way, the Blues Brothers draw the attention of neo-Nazis, a country-and-western band, and local police. While The Blues Brothers has amusing gags and musical numbers, its chase sequences with the Brothers behind the wheel of a 1974 Dodge Monaco are what really steal the show—and none are better than a climactic pursuit across Chicago. More than 60 old police cars were used in the film, some of which are wrecked in a comically over-the-top pileup:
The sheer scale of The Blues Brothers’ final set piece is commendable in and of itself—as is the movie’s commitment to treating real-life cars like a bunch of Hot Wheels.

15. Baby Driver (2017)

For good and for ill, Edgar Wright’s movies exude an abundance of style, and Baby Driver is no exception. Baby Driver is centered on a clever gimmick: The action works in tandem with its soundtrack because the film’s protagonist, Baby (Ansel Elgort), suffers from tinnitus and constantly plays music to drown out the ringing. When everything’s clicking into place, Baby Driver feels like a supersized series of music videos, and nothing hits quite like its opening sequence. Baby acts as the getaway driver for a bank robbery while listening to the Jon Spencer Blues Explosion’s “Bellbottoms.” The ensuing chase works around rhythms of the song, as if Baby’s Subaru WRX were the star of its own dance number. Take nothing away from the actual driving, either, which puts the rally car to good use:
Baby Driver’s gimmick stretches a little thin by the end, but it’s hard to deny the crowd-pleasing power of Wright’s film when it’s firing on all cylinders.

14. The Raid 2 (2014)

With a trio of kickass Indonesian martial arts films under his belt, Gareth Evans has established himself as one of the most exciting action directors on the planet—someone who seems most in his element staging positively brutal hand-to-hand combat. In The Raid 2, however, Evans also brought his signature brand of carnage to the road. While there’s some cleverly executed close-quarters fighting within the confines of an SUV, courtesy of Iko Uwais’s hard-hitting protagonist, what really cements this sequence’s greatness are the moments when Evans turns the cars into an extension of the characters’ fists:
This belongs in an entirely new category of combat: car fights. There are so many action scenes in The Raid 2 worth writing home about—the kitchen showdown is an all-timer—but the fact that Evans casually tossed in an unforgettable car chase shows why he’s one of one.

13. The Driver (1978)

I’ll say this for Walter Hill’s The Driver: It sure lives up to its title. In this stripped-down thriller—one where none of the characters have a name—we follow the Driver (Ryan O’Neal), a getaway driver who has become a thorn in the side of the LAPD. In the film’s best scene, we see its taciturn protagonist living up to his reputation. With the Driver behind the wheel of a 1974 Ford Galaxie, a cat-and-mouse game unfolds when a handful of police cars are hot on his tail. What I love about this sequence is the pared-down nature of it all: The Driver outwits the cops as much as he outraces them. (Though, ironically, that wasn’t entirely by design: As Hill later explained, an accident on the last night of shooting meant they had to cobble together what had already been filmed.) Frankly, you’d never know the difference from the finished article:
If the general vibes of The Driver seem familiar, that’s because it was a major inspiration for Nicolas Winding Refn’s Drive, which just so happened to feature an unnamed protagonist (Ryan Gosling) evading police through the streets of Los Angeles.

12. The Bourne Supremacy (2004)

The shaky-cam style of the Bourne franchise isn’t for everyone—just ask John Woo—but credit where it’s due: These movies know how to deliver a good chase scene. (A friendly reminder that The Bourne Legacy is an underrated gem with an awesome motorbike sequence to boot.) But there’s one Bourne chase that stands above the rest: the Moscow getaway in The Bourne Supremacy. After being wounded by the Russian assassin Kirill (Karl Urban), Jason Bourne (Matt Damon) hijacks a taxi, with both the police and Kirill in hot pursuit. This isn’t the kind of sequence that lingers on any one shot; instead, what makes it work is the frenetic nature of the editing, which allows the viewer to feel like they’re in Bourne’s fight-or-flight headspace:
If I’m being honest, I’m usually one of those people who doesn’t like the Bourne movies’ shaky-cam style, but when it’s executed with such craftsmanship, you can’t help but get caught up in its adrenaline-pumping power.

11. The Seven-Ups (1973)

Philip D’Antoni was the producer of two movies featuring Hall of Fame car chases, Bullitt and The French Connection, the latter of which won him an Oscar for Best Picture. And with his lone directorial feature, The Seven-Ups, D’Antoni sought to craft an iconic sequence of his own. The film stars Roy Scheider as NYPD detective Buddy Mannuci (elite Italian American name; I can practically smell the gabagool), who commands a unit handling major felony cases that lead to seven-plus-year prison sentences; that’s why they’re known as the Seven-Ups. Midway through the movie, when one of the team members is killed by two shooters who flee the scene, Buddy chases after them. The 10-minute sequence, which starts in the Upper West Side before moving out of the city, is thrillingly immersive, alternating between close-ups of the characters and wider shots of all the damage they’ve caused. But the chase’s defining moment comes right at the end, when Buddy narrowly avoids a grisly death:
The sequence isn’t quite at the level of Bullitt or The French Connection—very few are—but D’Antoni still manages to leave an unmistakable imprint on the car chase canon.

10. Death Proof (2007)

If you ask Quentin Tarantino, Death Proof, his knowingly trashy tribute to exploitation cinema, is the worst movie he’s ever made. But that doesn’t mean there isn’t a lot to admire about the film, which honors the unsung heroes of Hollywood: stunt performers. The first half of Death Proof follows three female friends who cross paths with Stuntman Mike (Kurt Russell), a misogynistic serial killer who takes them out in his “death-proof” Chevy Nova. Fourteen months later, a group that includes stuntwoman Zoë Bell, playing herself, also lands on Mike’s radar. As Bell and her friends test out a ’70s Challenger, she performs a “ship’s mast” stunt, clinging onto the hood of the car with fastening belts. Unfortunately, when Mike pursues the women, it puts Bell in a precarious situation. Most of the entries on this list celebrate some next-level driving skills, but Death Proof’s inclusion is all about Bell pulling off one of the wildest stunts you’ll ever see. She’s quite literally hanging on for dear life:
If the Academy handed out Oscars to stunt performers—and let’s hope it does happen one day—Bell would’ve won in a landslide.

9. To Live and Die in L.A. (1985)

William Friedkin was already responsible for an all-time great car chase in The French Connection (more on that later), but the filmmaker made a commendable bid to outdo himself with To Live and Die in L.A. In this neo-noir thriller, Secret Service agent Richard Chance (William L. Petersen) is hell-bent on arresting an expert counterfeiter, Rick Masters (Willem Dafoe), who kills Chance’s partner days before his retirement. To capture Masters, Chance and his new partner, John Vukovich (John Pankow), attempt to steal $50,000 from a jewelry buyer for an undercover operation. The sting goes bad when the buyer, who is later revealed to be an undercover FBI agent, is killed and a group of gunmen goes after Chance and Vukovich. It’s a clever inversion of the usual car chase formula—this time, it’s the lawmen running away from the criminals. The outside-the-box thinking extends to the film’s most astonishing stretch, in which Chance evades the gunmen by driving into oncoming traffic:
The fact that Friedkin shot the chase at the end of filming—in case anything disastrous happened to the actors—underscores just how risky the endeavor was. The pulse-pounding results speak for themselves.

8. The Matrix Reloaded (2003)

The Matrix sequels have never been held in high esteem, but I’m ready to live my truth: The Matrix Reloaded fucking rules. (If anyone’s got a problem with this take, file your complaints with the Architect.) What’s more, the film happens to boast the finest action set piece of the franchise: the highway chase. After Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) free the Keymaker (Randall Duk Kim), a program capable of creating shortcuts within the Matrix, they’re pursued by the Twins (Neil and Adrian Rayment). Morpheus once warned that going on the freeway was “suicide,” and it doesn’t take long to see why: The chase draws the attention of several Agents, who repeatedly take over the bodies of other drivers on the road. The scene is the best of both worlds: There’s some incredible stuntwork on display, including when Moss weaves around on a Ducati, and CGI augments some feats of superhuman strength. But the most jaw-dropping aspect of the sequence is how it came together, as the production spent $2.5 million to construct its own highway (!) on California’s Alameda Island. If that weren’t unique enough, I’m pretty sure Reloaded is also the only movie in existence in which a katana takes out an SUV:
The Matrix remains the Wachowskis’ masterpiece, but don’t get it twisted: The filmmakers were still cooking with gas in the sequel.

7. Gone in 60 Seconds (1974)

Size isn’t everything, but for H. B. Halicki, who produced, wrote, directed, and starred in Gone in 60 Seconds, it’s certainly part of the package. The indie action flick follows Maindrian Pace (Halicki), a Los Angeles insurance investigator who has a lucrative side hustle jacking high-end cars. The plot kicks into motion when a South American drug lord enlists Pace to nab 48 cars within five days in exchange for $400,000. Of course, Gone in 60 Seconds is best known for what happens after Pace is caught stealing a 1973 Ford Mustang Mach 1, when he leads police on a chase that lasts a whopping 40 minutes. (More than 90 cars were destroyed in the process.) Halicki, for his part, did all the driving himself, including a spectacular jump off a makeshift ramp of crashed cars:
While Halicki wound up making a few more indies after Gone in 60 Seconds, he died in an accident on the set of its sequel. His legacy as a do-it-all daredevil, however, lives on.

6. Terminator 2: Judgment Day (1991)

Long before James Cameron immersed himself in the world of Pandora, he was a pioneer of state-of-the-art visual effects. Case in point: Terminator 2: Judgment Day is credited for having the first CGI character in a blockbuster, the T-1000 (Robert Patrick), a killing machine composed of a futuristic liquid metal. But Cameron also understood that the CGI of that era shouldn’t be the main attraction: It worked best as a complement to the practical effects, as seen in Judgment Day’s epic viaduct chase. When the T-1000 tracks down a young John Connor (Edward Furlong) in a shopping mall, he’s saved at the last minute by the Terminator (Arnold Schwarzenegger), giving John a chance to escape on his dirt bike. As the T-1000 gives chase, the David and Goliath vibes between man and machine are further epitomized by the T-1000’s commandeering of a truck. The sequence already has a terrifying sense of urgency, but it hits another level when the T-1000 crashes through the viaduct like the Kool-Aid Man:
Big Jim is still revolutionizing what can be achieved with visual effects in the Avatar franchise, and while I cherish those movies, nothing beats his old-school showmanship.

5. Duel (1971)

The feature-length debut of Steven Spielberg—perhaps you’ve heard of him—the TV movie Duel is essentially one extended chase sequence between salesman David Mann (Dennis Weaver) and a sinister trucker determined to drive him off the road. I’ve attached a clip from the ending of the film, but that doesn’t do Duel justice. What cements this movie’s greatness is how it sustains an unbearable level of tension across its 90-minute running time—with a budget under $500,000, no less. Spielberg’s masterstroke is never once showing us the other driver, anthropomorphizing the truck itself as a monster. (You can see a lot of similarities with how he would build suspense in Jaws.) When Mann finally gets the upper hand, tricking his adversary into driving off a cliff, it feels like you can breathe again:
Spielberg would move on to bigger and better things after Duel, but considering how much the director accomplished with so little, you can’t help but wonder what else he could conjure up with limited resources.

4. Mad Max: Fury Road (2015)

Like Duel, Fury Road is basically one long car chase—the difference is Miller got to work with a blockbuster budget, and made every cent of it count. It’s hard to pick a single standout sequence in Fury Road, but if I had to choose, I’d go with the first attack on the War Rig after Furiosa (Charlize Theron) flees with the wives of Immortan Joe (Hugh Keays-Byrne). Here’s why: Think back to when you saw Fury Road for the first time, before you fully grasped the vehicular carnage that was in store. And then stuff like this kept happening:
To quote Steven Soderbergh’s thoughts on Fury Road: “I don’t understand how they’re not still shooting that film and I don’t understand how hundreds of people aren’t dead.” Whether or not Miller manages to one-up the action in Furiosa, the director is already in the pantheon.

3. The French Connection (1971)

We return to the Friedkin-verse for what may be his best film, The French Connection, the crime thriller based on Robin Moore’s 1969 nonfiction book of the same name. The story concerns two NYPD detectives, Jimmy “Popeye” Doyle (Gene Hackman) and Buddy “Cloudy” Russo (Roy Scheider), and their tireless pursuit of a French heroin smuggler. But while there’s plenty to admire about how The French Connection illustrates the thin line between police and criminals, its greatest claim to fame is its car chase. After Popeye narrowly survives a sniper attack, he goes after the shooter, who escapes on an elevated train. The ensuing sequence is true daredevil filmmaking that Friedkin shot without permits, leading to real crashes with New Yorkers that made the final cut. But Friedkin’s finest touch was mounting a camera to the front of the car, making the audience feel like they’re part of the action:
My Ringer colleague Justin Sayles believes The French Connection’s chase should’ve landed at no. 1, and I’m sure many folks will agree with him. Being the only film on this list to win Best Picture, however, is a solid consolation prize.

2. Bullitt (1968)

When it comes to modern car chases, all roads lead back to Bullitt. A Dad Cinema classic, the film stars Steve McQueen as Frank Bullitt, a San Francisco detective who pursues a group of mobsters after a key witness is killed in protective custody. In his search for answers, Bullitt realizes he’s being tailed by a couple of hitmen, and then turns the tables on them. From there, the chase is on. Aside from McQueen doing most of his own stunts behind the wheel of a Ford Mustang GT 390 Fastback, what’s so impressive about the sequence is how timeless it is. Even the little imperfections, like hubcaps repeatedly coming off the wheels, work to the film’s advantage, stressing just how much these drivers are living on a razor’s edge. It’s been more than 50 years since Bullitt revolutionized the car chase, and yet few movies since have felt like they’re pushing the envelope to such an exhilarating degree:
That the car driven by McQueen was recently sold at auction for $3.74 million, a then-record price for a Mustang, underlines Bullitt’s enduring legacy.

1. Ronin (1998)

“If I’m going to do a car chase,” filmmaker John Frankenheimer said in an interview with the American Society of Cinematographers, “I’m going to do a car chase that’s going to make somebody think about whether or not they want to do another one!” Boy, did he ever. In Frankenheimer’s late-career masterpiece, Ronin, the director actually incorporated several chases, but it’s the climactic sequence that stands alone as the greatest ever filmed. The movie concerns an international group of mercenaries who are hired to steal a mysterious briefcase; a series of double-crosses and double-bluffs ensue. But for the final chase, all you need to know is that Sam (Robert De Niro), a mercenary with ties to the CIA, is in pursuit of Deirdre (Natascha McElhone), an IRA operative in possession of the case. Winding through the streets and tunnels of Paris, what’s most striking is just how fluid it all feels. You’re completely engrossed in the chase’s forward momentum, captured from every conceivable angle; a symphony of controlled chaos. The driving styles even reflect the characters: Deirdre is reckless and impulsive, while Sam remains calm and controlled.
There are many worthy car chases in this ranking, but in my view, Ronin takes pole position. And while I can’t imagine a movie ever topping what Frankenheimer achieved, I’d love nothing more than to be proved wrong.

First of all, I wanted to thank everyone for their kind words and support from the last post. A lot has happened since then, and a bunch of context is needed, so I hope you'll bear with me as I explain the details.
***
Back during the peak of the blinking crisis, I remember having a lot of difficulty sleeping. It was common for me to average only four or five hours a night, and the little sleep I did get was marred by terrible nightmares. One in particular recurred many times.
I was only eight, but somehow I was in the driver's seat of our family's old SUV. My arms were long enough to steady the wheel, but my legs didn't quite meet the pedals. It didn't matter though, since the car seemed content to continue on at a constant pace. I looked over and saw my mom in the passenger seat. Her face was a blurry likeness pieced together from the dozen or so picture's I'd seen of her over the years. I tried to bring her into focus, not only because I missed her dearly, but because she was speaking—pleading, even. She waved frantically at me, then brought her leg up and slammed it down on the floor mat several times. I didn't understand what had her so upset until she pointed out the front windshield, and I saw we were hurdling directly toward a giant tree that had fallen in the middle of the road.
Panicking, I stomped for the brake, but my seatbelt protested and pulled me back like an invigorated dog on a short leash. I sat up and tried clicking it off, but it wouldn't budge. My breaths became hollow cries, and I felt my heart beat against the bars of its bony prison. I grabbed the steering wheel and pulled it to the left, then right, attempting to swerve off the road, but it was as if whatever kind of glue was locking up the seatbelt was also fixing the steering wheel in place.
"Mom! what do I do!?" I yelled, tears streaming from my eyes. She was yelling back at me, but it was as if there was a divider between us, and neither of us could hear each other. I turned back just in time to see the giant Oak tree meet the front bumper, and then I jolted awake with a piercing pain in my chest that radiated up through my throat in the form of a giant scream. My little legs kicked under the covers and tears rained down on my pillow until my dad ran in and knelt at my bed.
"Lauren, are you okay? Did you have a bad dream?"
I grabbed my pillow and hugged it so my face was covered, then effused a "Mmm-hmm" in a long wheeze while rocking to either side.
"Oh, honey," he soothed and brushed my hair, then the tears from my face when I would allow it.
Time would pass in silence, and when I began to get the sense that my dad was ready to leave, I'd chirp out, "stay" in that way children do when they're embarrassed about wanting something.
"Always," my dad would reply; then he'd post up on the floor with my large tomato plushie as a pillow.
One night in particular, it was deep in the night, and I had woken to a tapping sound outside my window. I was so afraid that a monster had snuck into my room while I wasn't looking that I made him lay next to me and face outward. I'd peek my eyes open every minute or so to check and make sure my dad was there, staking out the room. Eventually, he rolled in close and said something that I still remember to this day.
"Hey, baby, guess what." he whispered.
"Mmm" I mumbled.
"I think you scared the monster away."
I tried to picture this through the fog of my fatigue. Something seemed off about the statement, like it wasn't logically possible, but before I could piece together the words to express that, my dad cut back in.
"It was scared because it realized you're a superhero. And you know what your greatest superpower is?"
I shook my head, making sure to rub my forehead against his shoulder so he could sense it in the dark room.
"You're greatest power is that you get to tell the monsters what to do. Because the monsters are only as strong as the stories you tell about them. And there's all kinds of stories. Happy ones. Sad ones. Scary ones. Tell me, this monster you think snuck in, would you say he's part of a scary story?"
"I don't know," I said, confused. "Maybe"
"Hmm," he hummed, contemplating. "Well, I want you to remember this. You have the ability to tell any kind of story you want. Maybe there are monsters, but that means there's heroes and angels, too, right?"
I was beginning to doze off to the comforting sound of my dad's deep voice, but I gave another affirmative "Mm-hmm".
"So, if you're ever scared, honey, just dream up a better story. A story that will bring you peace. Do you understand?"
But I was already out.
***
I woke up the next morning to the feeling that someone was in the hotel room with me. The drapes were drawn and the only sound was the AC unit blowing cold air, but when I looked toward the dark corner of the empty coat rack, my mind conjured the face of my dad, smiling at me, chanting that same, awful line—Oh, Lauren… you know who we are.
I was no longer a child, but it took a couple minutes of cold focus before I muscled the courage to ascend from the safety of my covers and flick on the lamp light. The small amber radius extended to where my dad's feet would have been if he was standing there. But there was no one. I let out a sigh and collapsed back onto the mattress, thinking back on all those years growing up. The same man who had helped me conquer my fear of the dark was now the monster hiding in its shadow.
I looked over my shoulder and saw the clock read 10:15. My meeting with Trent was in three hours. I moaned and stretched my arms back until they knocked against the headboard, then I collapsed back onto the mattress, meditating, gathering energy like a compressed spring. All at once, I jumped up and glided over to the drapes, opening them in a single, fluid motion. I grimaced at the sunlight, but the warmth felt good against my face. I stopped by the nightstand and gulped down the final few swigs of a bottle of Mello Yello that I had purchased from a vending machine the previous night, then undressed and hopped in the shower.
The warm water wasn't enough to wash away the previous night's memories. When I closed my eyes to lather my hair, I was back in my living room, standing opposite the demon that had taken on my dad's form. His smile. His laugh. It was like someone in my head was flipping a switch between the man I loved growing up and a terrible monster. But the fear was more powerful. I heard something drop onto the tile floor on the other side of the curtain. The noise made me gasp, and I opened my eyes while shampoo was still streaming down my face. I swiped the shampoo out of my now burning eyes and squinted at the curtain, trying to see through it, but I couldn't make anything out. "I-is anyone," I started, trembling, afraid to finish the sentence. I reached out and pinched the end of the curtain. My heart was in overdrive. I swallowed, then pulled it toward me and peeked out. I scanned the room, but I couldn't see anything out of place.
It wasn't until after I finished showering and wound myself up in one of the hotel's too-small towels that I saw what had made the noise. I bent down and picked up the stub of a razor blade that had fallen onto the tile right next to the puffy, gray shower rug. It wasn't mine, and I was pretty sure hotels didn't keep unguarded razor blades just laying around. When I held it up, it occurred to me that if it had simply fallen a few inches to the left, it would have been buried in the rug, and perhaps I would have stepped on it. I stared at myself in its steely reflection. Cold. Lonely. Small. What if I—was all I was able to think before the blade blinked out of my hand.
I threw on some clothes, packed up the few belongings I had into my purse, then checked out of my room. I didn't feel safe going back home after what happened, but I also didn't want to go anywhere else. I got in my car and drove aimlessly up and down the town's streets, focusing only on the car ahead of me. Anytime I started to travel down an avenue of thought, I'd make a turn, or speed up, or hit the brakes: anything to keep my mind distracted. It was sweltering outside, but I'd turn the heat on for minutes at a time until I felt drenched, then toggle max AC until I was cool, then back to heat. I repeated the basic driving tenet "10 and 2", "10 and 2", "10 and 2" like a mantra—a chant to focus my attention on a single point, and then I pictured that point disappearing. I began to think that maybe I wanted to disappear.
I fully intended to keep going that way until 1:00, but after about thirty minutes, my meandering route had led me to St. Mark's Catholic Church, where a large group of people were gathered around a long line of tables in front of the building. I slowed down. At the front of the venue was a large, white cardboard sign which read, "Plant a Seed, Share the Joy". I wasn't sure what that meant, but my boredom had come to a head, and I rationalized that if there's any place on God's green earth that would be safe, it was this one. I parked along the closest side-street, then walked over to the church.
Rows of white tables were covered with cardboard boxes filled with small plants that were wrapped up in individual paper pots. I watched from a distance as people behind the tables carefully removed the plants, one by one, and offered them to passersby. I continued down the line, a sheep in the herd, and allowed myself to sink into childhood memories. I had somehow made it out the other end near the Narthex when I heard a woman's voice call to me.
"Hey, deary, have you gotten one yet?"
I turned and saw a small, gray-haired lady with rose-colored glasses. "Oh, no," I started, attempting to decline, then paused. The old lady grabbed one of the plants and held it out for me.
"Here," she said. "Come on, I won't bite."
As far as you know, I thought, and stumbled forward with a sigh. "Thanks," I said and took the plant. "What is this all for, anyway?"
"It's a giveaway," the old woman responded. "Staff have been growing these plants—tomatoes and garlic, mainly—so they could offer them to members of the Parish. The idea is to have the members grow the produce, then donate it to St. Mark's Food Pantry to give to those in need."
"Oh, that's actually pretty cool." I replied and inspected my plant which was at present nothing more than a small green stem. "So which kind is this one?"
"That one is—" the old lady stopped and inspected the other plants near where she had grabbed mine—"tomato."
"Tomato," I repeated. "Well, thanks again."
"Of course, dear." the old lady beamed. "We're all responsible for each other."
I nodded, then continued back through the crowd toward my car when, through the large vestibule windows, I saw a Priest speaking to a young couple. It had been a little over a decade since I had attended a service (I stopped going during High School when I started studying other religions), and I didn't recognize this Priest. He was short (just over five feet tall), bald, and African American. He wore the customary black robe and white collar, and there was something in his smile and the way seemed to be affirming the couple that made me yearn to speak with him. I considered for a moment, a bit embarrassed to be stepping back into church after all this time, but the thought of being able to burn ten minutes talking with someone who might have some insight into my situation was too tempting to pass up.
I waited near a portrait of Mary Magdalene, my tomato plant in hand, staring off at the pristine series of stained glass images portraying the death and resurrection of Jesus. About a minute in, the Priest met my eyes; he smiled, his way of telling me he knew I was waiting, then finished up with the couple and made his way over. He had a bit of an accent when he spoke—it was Ugandan, from best I could tell—and a proclivity for laughing at the end of his sentences.
"Hello, Miss, I don't believe I've had the privilege," he said and held out his hand. He leaned in as he spoke, and his smile tugged on the corners of his eyes which were already marked with use.
I shook his hand and returned what I'm sure was a weak smile. "No, I don't think so. My name's Lauren. I used to come here when I was little. It's—been a while."
"Well, I see you picked a good day to visit. If you're into gardening, that is." He remarked with a laugh and gestured toward the plant. "It's nice to meet you, Lauren. My name's Martin—Father Martin, if you prefer."
"Father Martin," I repeated, "I have a friend named Martin. It's a good name."
He laughed and said, "Thank you, I'll pass that one along to my mother. She loves the praise."
I laughed back. He carried himself in such a carefree way that I was put immediately at ease. Almost to the point where I forgot what I wanted to talk to him about. "Um," I started, attempting to word my question in a way that didn't sound like I needed psychiatric help. "I have a couple of religious questions for you, if you have time."
"That's what I'm for. Ask away."
"They're about… miracles. Like the ones in the Bible. I was wondering, do you think that miracles still happen today?"
"Miracles, huh," he started. "You mean like water into wine?"
"Kind of, yeah,"
"Hmm…" he contemplated. "Well, I haven't seen them, myself. You know, I may be a Priest, but I also have a degree in Physics. I think God made the world according to laws, right? But I do think God has the power to intervene. Yes. I just have never seen it… like … you know, the biblical type of miracles. To me, there are miracles happening all around us—miracles we can't see."
"Exactly," I responded, thinking about how no one else could see the blinks, "those kinds of miracles. What are those miracles we can't see?"
One of Father Martin's eyebrows raised and he rubbed his chin. "Well, I think the greatest miracle is the miracle of God's love which was perfected in Christ and offered to each of us. It's his power to heal even the most troubled mind. By coming into alignment with God's will for us, we can see the true purpose of this existence."
No, he's not getting it, I thought. I scrambled to my other entry-point. "What about the story of Job? God made a bet with the Devil that Job would stay faithful to him no matter what the Devil did to him. Do you think that kind of situation is possible?"
Father Martin's expression drooped into a concerned frown. "There's quite the difference between miracles and the story of Job. I suppose I see what you're getting at, though. Job's suffering is in some ways the antithesis to positive miracles. In this life, we are tested, sometimes to the point of losing everything, but even that person who has more reason to hate God than anyone else can once again find peace and eternal happiness through faith. In fact, it's often the person who is lowest in the pit of suffering that needs the Light of Christ more than anyone else."
I thought back on the first night that I prayed. It was in my moment of greatest helplessness that I reached out to God, and I thought I had found my answer in Him. But now, after what happened last night, after all these years of chaos—not merely losing things that were important to me, but my very sanity—I needed more than just blind faith. I couldn't just sit idly by and hope things would get better. I smiled at the Priest and said, "Thank you, Father, this has been very insightful."
"Of course, sister. I'm sorry if I couldn't have been of more help."
"No, I think I understand now. I've been… wrestling with something, and I think God wants me to confront it. I think I've been running away and hiding from it for so long that I'd convinced myself it disappeared."
Father Martin nodded in understanding. "Well, in that case, will you let me leave you with a prayer?"
I was a bit taken off guard by the request, but I accepted. "Sure, Father."
I watched as he made the sign of the cross, then he lifted his hands and closed his eyes. "Dear God, I am so happy to have had the privilege of meeting with Lauren today, especially on a day such as this where we are offering gifts for those who need them. You have heard her desire to confront the things that are troubling her. I ask that you bless her with strength and peace and a clear conscience, that she may overcome these challenges. God, bless us with your spirit, that we may see your hand in our lives. Amen."
"Amen," I said.
As I was leaving, Father Martin called out to me and said, "Oh, just so you know, this Friday at 7 we are having a barbecue at the Parish Center. I would love to see you there, if you're able and wanting."
Turning back, I smiled and said, "Oh, ok, thanks Father. I'll think about it."
The priest nodded, and with a smile, he sent me off.
***
I walked into the Deli at 1:00 on the dot. The customers who had arrived for the lunch rush were already cleaning up their trash and heading out. I dodged past a few of them on my way down the long, narrow path leading to the front counter. While I waited behind a couple of elderly folk who were picking which soup they wanted to pair with their Ultimate Grilled Cheese, I looked around for Trent. He hadn't sent me a picture or any way of contacting him throughout the day, so I wasn't sure what I was looking for, but I figured I'd see some man half-hidden behind a newspaper, scouting me out. Maybe I watch too many movies, I thought.
"Ahem, ma'am. You're up." croaked the teenager behind the register.
"Oh, right, sorry" I replied and stepped up to the counter. "Uhh," I muttered, scanning the menu for something that looked edible. "Could I just get…" I made sure to mouth every syllable as they were words of their own.
"We have a deal—the try two combo. Sandwich and a soup for $9.99." the cashier repeated for what was probably the fiftieth time that day.
"Yes, that sounds good. I'll do the Italian sandwich and potato soup. And a drink, please."
After I paid for the food, I wandered around the tables, hoping to find someone who looked like a Trent. I was picturing a short guy, runner's build, with long brown hair, tucked somewhere neatly away in the corner. So I was not prepared when the Hulk's stunt double growled my name from a table smack dab in the middle of the restaurant. He had a pale, square face that was spotted with freckles and a sinking property that comes with the lethal combination of stress and age. His hair was relatively short. Probably it was brown or auburn, but since it was slicked back, it looked almost black. And he wore what looked like janitor coveralls. There was even a cloth tag pinned to his chest which read, "Trent".
"Lauren?" He repeated.
"Yes, that's me." I said and took a seat across from him. I saw a brown tray on the table in front of him, and on the tray was a large, white soup bowl. It was empty and beginning to crust along the edges. He must have been here for some time already. "I didn't know where you'd be, so I was worried we might miss each other. I'm glad you found me though." I said while looking over Trent more thoroughly. His large hands were stretched out in front of him on the table. He wasn't wearing a ring, so he probably wasn't married. And his face, it was stern. He seemed like a no-bullshit kind of guy. Then I saw his eyes. They were sapphire blue—probably the most stunning I'd ever seen.
"We only spoke on the internet, so I hope you don't mind, but I usually run a preliminary test on anyone I meet who claims to have abilities such as yours." Trent said while reaching into his pocket and removing a device that had the size and shape of an electric razor. "All you have to do is look into it. It takes maybe five seconds. Ten at most."
"Oh, um, sure," I said reluctantly. "Do I just—" I asked while reaching for the device.
Trent clicked a button and released the cylindrical head which opened, revealing a glass circle about the size of an iris. "I'll hold it, just look into the center. A red cross should appear, then it'll take the picture."
"Okay…" I replied and did as he instructed, leaning my head forward to look into the device. Sure enough, a red cross appeared. "Is it…" was all I got out before the light turned blue and I saw a gray fog disperse and billow throughout the inside of the tube, extending for what I perceived to be miles. My jaw went slack and I couldn't breathe for maybe five seconds. Then Trent reshuttered the device and turned it over.
"Damn, 72." He said with a hint of shock. "That's the highest I've scanned to date." He looked back at me, more relaxed now, and muttered to himself. "How have you been able to function for this long? At this level, you should basically be half in, half out."
I rubbed my forehead, feeling a mixture of pain and frustration and fatigue and impatience which all poured out at once. "Listen, Trent," I said as sternly as I could, "I came here because you said you knew what was wrong with me and that you could help me. I get you have to make sure I am who I said I am, but now it's your turn to pay up. How do I know you know anything about my condition? You said my mom might still be alive. What does that even mean? I saw her die right in front of me. I want answers."
I waited for Trent to respond, but he only lifted his head. I turned around and saw a girl holding a tray of food.
"Um, hi, sorry to interrupt. I have an order 36 for Lauren."
"Oh, yes, thank you." I said. The worker placed the tray down on the table in front of me, and when I saw the food, I suddenly realized how hungry I was. Trent must have also realized this, because he folded his arms and said, "go ahead and eat. I'll explain while you do."
I wanted to protest, but my salivating mouth made other plans. "Fine," I said. I grabbed the metal spoon off the tray and started on the soup, bracing against the steaming heat of the potato chunks.
As I ate, Trent moved all of the items on his tray off to the side, then he flipped the tray over so it was raised slightly off the table. He took his cup and placed it face down in the center, then he rolled up a few of his used, blue mayonnaise packets and charted a track across the tray.
"What are you doing?" I croaked out between bites.
Trent ignored me and continued by ripping up a napkin into strips and placing them alongside the mayonnaise packets. Finally, he snapped ten toothpicks in half and stuck them in the tomb of a dozen overlayed napkins. "It's your diorama," he said at last.
"It's my what?"
"From the story you sent me. Your diorama. When I read about it, it gave me a good idea of how to explain the 'blinking'."
I pointed at the cup in the center. "Is that supposed to be a pyramid? Because I'm pretty sure you're in the wrong geometric neighborhood with that one."
"It's an analogy," he said.
"Of an analogy," I quipped back.
"Look," he picked out one of the toothpicks and held it out in front of me. "This could be a person, an animal, a crowbar—whatever you want. The point is, this diorama is a stand in for our universe. This is everything that exists, that we can see. Okay?"
"Okay,"
"Now, me," Trent placed a hand over his heart. "I'm not in the diorama. I don't exist in the universe."
"In the universe where a cup is a pyramid, or the actual universe?" I said, unable to control myself.
Trent grimaced.
"Sorry, keep going. I get it."
"Things pop into," Trent threw the toothpick back onto the tray, "or out of," he picked the toothpick back up, "our universe at will, based on forces," he patted his chest again, "that exist in other realms" he gestured to the room, "that are connected to our universe," he tapped two fingers against the tray. "These things could be objects, like, say, a toothpick, or entities, like the one you encountered yesterday. The blinking experience that you described aligns with the typical experience of a moderate Antenna. That's what I call people like us—Antennas; because we can pick up on signals others can't."
"We—you mean you see the blinking, too?"
"Yes, but not to the same extent as you. If all the blinks are gathered in a giant picture that you can see, I'm traversing the image through binoculars, maybe even a microscope, depending on where we are."
I thought about this. I guess it was possible there were other people like me out there, but since I had never met anyone, I didn't really consider the idea until now. And then for him to say my ability was somehow much stronger than his… "But," I started, "I haven't even seen that many blinks since I was a child. It's just more focused and malicious now."
"Yeah," Trent scratched his head, "that's the thing that got me really interested in you. Somehow you seem to be able to control it without gear, just by praying. And, look, that's all well and good, but I don't want to give you the false impression that I'm some kind of religious leader. I like to look for logical, scientific explanations for things. So that's the frame I'm coming at this from."
I took a sip from my drink. "That's fine," I said, "the truth is that's why I reached out to you in the first place. I wanted an explanation I could understand. An explanation that was directly related to what I'm going through."
"Then we should get along just fine."
I was scooping out the last potato that was stubbornly gliding along the bottom of the bowl when, out of the corner of my eye, I caught a glimpse of the old man from the line shooting up from his bench and standing in army-erect form. I felt a tingling sensation tickle the back of my neck. I didn't want to turn toward him. I knew what I'd see if I did. "Trent," I whispered, trying to tip him off.
"Huh?" he grunted. Then when he saw my expression, he snuck his right hand under the table and said, "Do you see it? Is it here?"
I cocked my head to the left, signaling toward the old man that was now facing us, but Trent didn't seem to notice him: his eyes just kept scanning the entire front of the restaurant. Then I saw the old man take a step in our direction.
"Lauuurennnn, oh Lauuuurennnn, I've been looking for you, Laurenn." The old man said in a low, gravelly voice that gave the impression he was gurgling liquid tar. I turned and saw his face. It was cold and expressionless, and a butter knife was poking out of his left fist. When I met his eyes, he smiled that horrible smile."You're a slippery bitch, you know that?" He spat. "Why can't you just stay put? Don't you get tired of running from your old friend? Or have you forgotten about me?"
"Trent," I mumbled out. "Right there."
"And this guy. You think he can help you? He's only here to help himself. If that's not clear, you really are a lost little lamb."
"Quick, give me your hand," Trent instructed.
I was silent, my eyes still pinned to the old man.
"Tsk-tsk-tsk," the demon possessed senior wagged his finger at me, taking a step, then another step, shortening the distance as much as he could while I was entranced. Then, suddenly, he sprinted forward at a speed that shouldn't have been possible for a man his age.
"Trent!" I screamed.
"Lauren, give me your hand!"
I spun around and grabbed Tren'ts outstretched arm just as the old man lifted the butter knife over his head like a pickaxe. Then I saw Trent pull out what looked like a toy gun from under the table and point it at the demon.
"Got you," Trent remarked. I braced for a gunshot, but there was no noise. After a couple seconds, I looked back and saw the old man sitting in the booth opposite his wife, his hand tremoring as he reached for his large drink.
"What did you?" I asked, but Trent was already pulling me out of my seat. "Come on, we have to go," he said, "the effect is temporary, he'll be—"
Before he could get out the last word, I saw the cup-pyramid on Trent's tray blink out of existence. The sound of a plate shattering rang out from a table up ahead. The lone woman standing there slowly turned around, smiling, with a fork in one hand and a piece of the broken plate in the other. Trent shot her with the toy gun as we ran past and then barreled through the front door.
"Where—are we going?" I asked between gasps.
"My van. It's loaded with kit."
"And then where?"
"Your house" replied Trent who stashed his gun back in his pocket and took out a key fob.
"My house? But that's where he—it appeared."
"Yeah, and that's where you banished it."
Trent waved me into the passenger seat of his RAM 3500 Promaster. I noticed right away the dash which looked more like it belonged in a new limited-edition EV than a cargo van. The ignition kicked on automatically, and I heard the beep of a sonar ping precede an English woman's voice calling out like some auxed-in GPS saying, "scanning for anomalies". Trent shifted the van into gear, and I heard the wheels sputter as we accelerated backward and whipped out of the small parking lot.
"What's your address?" Trent asked. I gave it to him, and then speaking to his dash, he said, "Car, take us to ****."
"Redirecting to ****," replied the British woman. "Currently detecting 31 novel emergences. Updating pings every 300 milliseconds. Chance of contact: 0.23%"
"What does that mean?" I asked.
"The van has sensor equipment which can detect blinks. It's much more accurate than either of us."
"And it sees 31?"
"Yes, that's not as many as it sounds." Trent said and tore past a car that blinked out of existence right as we turned onto the main street.
We drove on for another couple minutes, the Englishwoman updating the number of novel emergences every ten seconds or so. Her constant babbling eventually became a comforting background noise, and I was able to think again.
"In the message you sent me, you said my mom may still be alive." I looked at Trent to see if he would react to me bringing her up, but he remained stolid. "What did you mean by that?"
Trent thumbed his steering wheel. "I shouldn't have sent that." He said at last.
"Shouldn't have… What do you mean? You can't just say that now."
Trent took one hand off the wheel and turned toward me. "Look, we're going back to your house because we need to determine your origin point. All Antennas have them. It's a place of high energy where many realms intersect, kind of like a station, and it's the place where you first acquired your abilities. Based on everything you wrote, I'm guessing that place is where the forest where the accident happened when you were a young child. But I need to confirm it. Once I confirm that that's the place…" Trent hesitated.
"Then… what? You want us to go back there? To the place where my mom died, or at least where I think she died until you told me she might be alive but are now taking it back? That place?"
"It's the only way to—"
"Now detecting novel agent," the Englishwoman interrupted. We both perked up as she gave another update. "Net anomalies: 437. Novel Agents: 1. Chance of contact: 78%."
"Shit," Trent muttered. "Car, course correct."
"Attempting course correct to avoid collision. Attempts made: 10, 50, 75, 79… No alternate route detected. Chance of contact: 96%."
"Time until contact?"
"Time until contact: 13 seconds."
I shuddered. Looking out the front windshield, I saw cars pop out of existence left and right, opening up a clear path to the four way intersection ahead. In a blink, the streetlights all turned green, and then they vanished completely. It was as if the entire world was being stripped down bare, and all that remained was the road, boxed in by the rows of buildings along either side. In the distance I could see a large tanker barreling toward us.
"Trent,"
"I know," he replied and clicked a different button on the console which opened a new toggle for the shifter labeled "TD". He pushed the stick forward, engaging the new mode, then pressed the accelerator all the way to the ground. "You're going to want to hold on."
"What are you doing!?" I yelled, grabbing onto my seatbelt.
"No time to explain. Car, release phase lock."
"Phase lock released."
I watched in horror as the color drained from the road and buildings and sky, transforming it all into a dim tunnel, with only the headlights of the oncoming semi-truck visible up ahead. I had the sudden thought that this was all a dream, just like the ones from my childhood. I looked over and no longer saw Trent, but my mother. And then I realized this wasn't a dream. This was hell. I was being forced to relive the worst moment of my life, over and over again. Just when I thought I had escaped, I was pulled right back into that car, helpless as we approached but never arrived at our impending fate. I closed my eyes right as the lights engulfed the windshield and braced for the usual pain in my chest, for the feeling of breaking.
But it didn't come.
"Shift" was the last word out of Trent's mouth, and then I was infused with the sensation of being at the pinnacle of a roller coaster. I was suspended there for what felt like hours, but somehow I knew that not even a second had passed. Everything inside the van: the dashboard, windows, ceiling, doors, even Trent himself began to radiate enigmatic particles. They were a mass of constant motion, like raindrops falling through the air but never landing. I looked down at my hand, but it was gone. Diffused into an unknowable number of untraceable particles. The world outside, once devoid of color, was now nothing but color. When I tried to focus on a particular spot in the infinite geometric folds of whatever realm we were traversing through, I could sometimes detect a trace of our world.
The old lady from the church. She appeared as if through a window, standing behind a table, holding out a plant. Only this image was so much brighter. And the plant she was holding was pure gold. Then I'd catch a glimpse of the razor blade. It was large, many hundreds of times larger than the van, and surrounded by darkness. These ghostly images appeared like holograms or reflections that caught the light at just the right angle, then dissipated.
I stayed there, looping between the archetypes of my life for a long, long time.
***
I knew we were returning when I felt the first sense of motion. Breath filled my lungs for the first time in what felt like a day. I blinked. And then we were back in town, driving down the same road with the blue sky above. People were jogging on the sidewalk past the little street shops. The streetlights were active. I checked the side mirror and saw the tanker had just passed by.
I looked over at Trent, who met my eyes. We shared a look of knowing, and unknowing. For some reason, that was enough, and we continued on in silence.
***
We agreed to stay the night at my house.
Trent had parked a couple blocks away in front of a couple vacant houses so as not to arouse suspicion from the neighbors. Then he lugged a large duffel bag with his equipment in and set it up in the living room. He scanned the scrapbook which contained the newspaper clippings from the accident several times and confirmed that was likely my 'origin point'. I simply nodded and then went back out onto the back porch. I sat there for hours, basking in the sun. Something had changed in the past day, but I couldn't pick out what it was. Too much had happened. I had too little time to process any of it.
When the sun set, I went inside and Trent told me about his plans for the next couple days. He said he needed to run a few errands in the morning, then meet up with a couple of his associates. After that, we could begin our drive to Southern Illinois. He said it was likely that the entity that was chasing me had first tied itself to me during my childhood accident. For whatever reason, we came into contact, and now it didn't want to leave. Trent would help me get rid of it. He didn't go into many details regarding how that was to happen, but I don't think in my tired state I would have been able to understand much anyway. He had a plan, and that was enough for me. At least for a while.
After our meeting, I made sure Trent had enough pillows and blankets like a proper host, then I retired to my room. I laid down on my twin bed and stared up at the cream-colored ceiling. Then I turned and saw the participation awards for my junior soccer league stashed on my dresser. I pictured myself on the field, running with the ball, out ahead of everyone except the goalie. I took a shot, but it was blocked. Then I ran back to defend. How can such a simple game be so much fun? Was the last thought I had before drifting off to sleep.
I woke up only once during the night. It was still dark out. The room was warm despite the small, flower petal fan churning away, shifting the hot, humid air from one pocket of the room to the next. I waited in apprehension, sensing that something had disturbed me. I saw the tomato plushie peeking out at me from the slightly ajar closet door where I had stashed it so many years ago. I felt like I was missing something. Something important.
And then I heard it.
There was a tapping at my window.

Part 1
First of all, I wanted to thank everyone for their kind words and support from the last post. A lot has happened since then, and a bunch of context is needed, so I hope you'll bear with me as I explain the details.
***
Back during the peak of the blinking crisis, I remember having a lot of difficulty sleeping. It was common for me to average only four or five hours a night, and the little sleep I did get was marred by terrible nightmares. One in particular recurred many times.
I was only eight, but somehow I was in the driver's seat of our family's old SUV. My arms were long enough to steady the wheel, but my legs didn't quite meet the pedals. It didn't matter though, since the car seemed content to continue on at a constant pace. I looked over and saw my mom in the passenger seat. Her face was a blurry likeness pieced together from the dozen or so picture's I'd seen of her over the years. I tried to bring her into focus, not only because I missed her dearly, but because she was speaking—pleading, even. She waved frantically at me, then brought her leg up and slammed it down on the floor mat several times. I didn't understand what had her so upset until she pointed out the front windshield, and I saw we were hurdling directly toward a giant tree that had fallen in the middle of the road.
Panicking, I stomped for the brake, but my seatbelt protested and pulled me back like an invigorated dog on a short leash. I sat up and tried clicking it off, but it wouldn't budge. My breaths became hollow cries, and I felt my heart beat against the bars of its bony prison. I grabbed the steering wheel and pulled it to the left, then right, attempting to swerve off the road, but it was as if whatever kind of glue was locking up the seatbelt was also fixing the steering wheel in place.
"Mom! what do I do!?" I yelled, tears streaming from my eyes. She was yelling back at me, but it was as if there was a divider between us, and neither of us could hear each other. I turned back just in time to see the giant Oak tree meet the front bumper, and then I jolted awake with a piercing pain in my chest that radiated up through my throat in the form of a giant scream. My little legs kicked under the covers and tears rained down on my pillow until my dad ran in and knelt at my bed.
"Lauren, are you okay? Did you have a bad dream?"
I grabbed my pillow and hugged it so my face was covered, then effused a "Mmm-hmm" in a long wheeze while rocking to either side.
"Oh, honey," he soothed and brushed my hair, then the tears from my face when I would allow it.
Time would pass in silence, and when I began to get the sense that my dad was ready to leave, I'd chirp out, "stay" in that way children do when they're embarrassed about wanting something.
"Always," my dad would reply; then he'd post up on the floor with my large tomato plushie as a pillow.
One night in particular, it was deep in the night, and I had woken to a tapping sound outside my window. I was so afraid that a monster had snuck into my room while I wasn't looking that I made him lay next to me and face outward. I'd peek my eyes open every minute or so to check and make sure my dad was there, staking out the room. Eventually, he rolled in close and said something that I still remember to this day.
"Hey, baby, guess what." he whispered.
"Mmm" I mumbled.
"I think you scared the monster away."
I tried to picture this through the fog of my fatigue. Something seemed off about the statement, like it wasn't logically possible, but before I could piece together the words to express that, my dad cut back in.
"It was scared because it realized you're a superhero. And you know what your greatest superpower is?"
I shook my head, making sure to rub my forehead against his shoulder so he could sense it in the dark room.
"You're greatest power is that you get to tell the monsters what to do. Because the monsters are only as strong as the stories you tell about them. And there's all kinds of stories. Happy ones. Sad ones. Scary ones. Tell me, this monster you think snuck in, would you say he's part of a scary story?"
"I don't know," I said, confused. "Maybe"
"Hmm," he hummed, contemplating. "Well, I want you to remember this. You have the ability to tell any kind of story you want. Maybe there are monsters, but that means there's heroes and angels, too, right?"
I was beginning to doze off to the comforting sound of my dad's deep voice, but I gave another affirmative "Mm-hmm".
"So, if you're ever scared, honey, just dream up a better story. A story that will bring you peace. Do you understand?"
But I was already out.
***
I woke up the next morning to the feeling that someone was in the hotel room with me. The drapes were drawn and the only sound was the AC unit blowing cold air, but when I looked toward the dark corner of the empty coat rack, my mind conjured the face of my dad, smiling at me, chanting that same, awful line—Oh, Lauren… you know who we are.
I was no longer a child, but it took a couple minutes of cold focus before I muscled the courage to ascend from the safety of my covers and flick on the lamp light. The small amber radius extended to where my dad's feet would have been if he was standing there. But there was no one. I let out a sigh and collapsed back onto the mattress, thinking back on all those years growing up. The same man who had helped me conquer my fear of the dark was now the monster hiding in its shadow.
I looked over my shoulder and saw the clock read 10:15. My meeting with Trent was in three hours. I moaned and stretched my arms back until they knocked against the headboard, then I collapsed back onto the mattress, meditating, gathering energy like a compressed spring. All at once, I jumped up and glided over to the drapes, opening them in a single, fluid motion. I grimaced at the sunlight, but the warmth felt good against my face. I stopped by the nightstand and gulped down the final few swigs of a bottle of Mello Yello that I had purchased from a vending machine the previous night, then undressed and hopped in the shower.
The warm water wasn't enough to wash away the previous night's memories. When I closed my eyes to lather my hair, I was back in my living room, standing opposite the demon that had taken on my dad's form. His smile. His laugh. It was like someone in my head was flipping a switch between the man I loved growing up and a terrible monster. But the fear was more powerful. I heard something drop onto the tile floor on the other side of the curtain. The noise made me gasp, and I opened my eyes while shampoo was still streaming down my face. I swiped the shampoo out of my now burning eyes and squinted at the curtain, trying to see through it, but I couldn't make anything out. "I-is anyone," I started, trembling, afraid to finish the sentence. I reached out and pinched the end of the curtain. My heart was in overdrive. I swallowed, then pulled it toward me and peeked out. I scanned the room, but I couldn't see anything out of place.
It wasn't until after I finished showering and wound myself up in one of the hotel's too-small towels that I saw what had made the noise. I bent down and picked up the stub of a razor blade that had fallen onto the tile right next to the puffy, gray shower rug. It wasn't mine, and I was pretty sure hotels didn't keep unguarded razor blades just laying around. When I held it up, it occurred to me that if it had simply fallen a few inches to the left, it would have been buried in the rug, and perhaps I would have stepped on it. I stared at myself in its steely reflection. Cold. Lonely. Small. What if I—was all I was able to think before the blade blinked out of my hand.
I threw on some clothes, packed up the few belongings I had into my purse, then checked out of my room. I didn't feel safe going back home after what happened, but I also didn't want to go anywhere else. I got in my car and drove aimlessly up and down the town's streets, focusing only on the car ahead of me. Anytime I started to travel down an avenue of thought, I'd make a turn, or speed up, or hit the brakes: anything to keep my mind distracted. It was sweltering outside, but I'd turn the heat on for minutes at a time until I felt drenched, then toggle max AC until I was cool, then back to heat. I repeated the basic driving tenet "10 and 2", "10 and 2", "10 and 2" like a mantra—a chant to focus my attention on a single point, and then I pictured that point disappearing. I began to think that maybe I wanted to disappear.
I fully intended to keep going that way until 1:00, but after about thirty minutes, my meandering route had led me to St. Mark's Catholic Church, where a large group of people were gathered around a long line of tables in front of the building. I slowed down. At the front of the venue was a large, white cardboard sign which read, "Plant a Seed, Share the Joy". I wasn't sure what that meant, but my boredom had come to a head, and I rationalized that if there's any place on God's green earth that would be safe, it was this one. I parked along the closest side-street, then walked over to the church.
Rows of white tables were covered with cardboard boxes filled with small plants that were wrapped up in individual paper pots. I watched from a distance as people behind the tables carefully removed the plants, one by one, and offered them to passersby. I continued down the line, a sheep in the herd, and allowed myself to sink into childhood memories. I had somehow made it out the other end near the Narthex when I heard a woman's voice call to me.
"Hey, deary, have you gotten one yet?"
I turned and saw a small, gray-haired lady with rose-colored glasses. "Oh, no," I started, attempting to decline, then paused. The old lady grabbed one of the plants and held it out for me.
"Here," she said. "Come on, I won't bite."
As far as you know, I thought, and stumbled forward with a sigh. "Thanks," I said and took the plant. "What is this all for, anyway?"
"It's a giveaway," the old woman responded. "Staff have been growing these plants—tomatoes and garlic, mainly—so they could offer them to members of the Parish. The idea is to have the members grow the produce, then donate it to St. Mark's Food Pantry to give to those in need."
"Oh, that's actually pretty cool." I replied and inspected my plant which was at present nothing more than a small green stem. "So which kind is this one?"
"That one is—" the old lady stopped and inspected the other plants near where she had grabbed mine—"tomato."
"Tomato," I repeated. "Well, thanks again."
"Of course, dear." the old lady beamed. "We're all responsible for each other."
I nodded, then continued back through the crowd toward my car when, through the large vestibule windows, I saw a Priest speaking to a young couple. It had been a little over a decade since I had attended a service (I stopped going during High School when I started studying other religions), and I didn't recognize this Priest. He was short (just over five feet tall), bald, and African American. He wore the customary black robe and white collar, and there was something in his smile and the way seemed to be affirming the couple that made me yearn to speak with him. I considered for a moment, a bit embarrassed to be stepping back into church after all this time, but the thought of being able to burn ten minutes talking with someone who might have some insight into my situation was too tempting to pass up.
I waited near a portrait of Mary Magdalene, my tomato plant in hand, staring off at the pristine series of stained glass images portraying the death and resurrection of Jesus. About a minute in, the Priest met my eyes; he smiled, his way of telling me he knew I was waiting, then finished up with the couple and made his way over. He had a bit of an accent when he spoke—it was Ugandan, from best I could tell—and a proclivity for laughing at the end of his sentences.
"Hello, Miss, I don't believe I've had the privilege," he said and held out his hand. He leaned in as he spoke, and his smile tugged on the corners of his eyes which were already marked with use.
I shook his hand and returned what I'm sure was a weak smile. "No, I don't think so. My name's Lauren. I used to come here when I was little. It's—been a while."
"Well, I see you picked a good day to visit. If you're into gardening, that is." He remarked with a laugh and gestured toward the plant. "It's nice to meet you, Lauren. My name's Martin—Father Martin, if you prefer."
"Father Martin," I repeated, "I have a friend named Martin. It's a good name."
He laughed and said, "Thank you, I'll pass that one along to my mother. She loves the praise."
I laughed back. He carried himself in such a carefree way that I was put immediately at ease. Almost to the point where I forgot what I wanted to talk to him about. "Um," I started, attempting to word my question in a way that didn't sound like I needed psychiatric help. "I have a couple of religious questions for you, if you have time."
"That's what I'm for. Ask away."
"They're about… miracles. Like the ones in the Bible. I was wondering, do you think that miracles still happen today?"
"Miracles, huh," he started. "You mean like water into wine?"
"Kind of, yeah,"
"Hmm…" he contemplated. "Well, I haven't seen them, myself. You know, I may be a Priest, but I also have a degree in Physics. I think God made the world according to laws, right? But I do think God has the power to intervene. Yes. I just have never seen it… like … you know, the biblical type of miracles. To me, there are miracles happening all around us—miracles we can't see."
"Exactly," I responded, thinking about how no one else could see the blinks, "those kinds of miracles. What are those miracles we can't see?"
One of Father Martin's eyebrows raised and he rubbed his chin. "Well, I think the greatest miracle is the miracle of God's love which was perfected in Christ and offered to each of us. It's his power to heal even the most troubled mind. By coming into alignment with God's will for us, we can see the true purpose of this existence."
No, he's not getting it, I thought. I scrambled to my other entry-point. "What about the story of Job? God made a bet with the Devil that Job would stay faithful to him no matter what the Devil did to him. Do you think that kind of situation is possible?"
Father Martin's expression drooped into a concerned frown. "There's quite the difference between miracles and the story of Job. I suppose I see what you're getting at, though. Job's suffering is in some ways the antithesis to positive miracles. In this life, we are tested, sometimes to the point of losing everything, but even that person who has more reason to hate God than anyone else can once again find peace and eternal happiness through faith. In fact, it's often the person who is lowest in the pit of suffering that needs the Light of Christ more than anyone else."
I thought back on the first night that I prayed. It was in my moment of greatest helplessness that I reached out to God, and I thought I had found my answer in Him. But now, after what happened last night, after all these years of chaos—not merely losing things that were important to me, but my very sanity—I needed more than just blind faith. I couldn't just sit idly by and hope things would get better. I smiled at the Priest and said, "Thank you, Father, this has been very insightful."
"Of course, sister. I'm sorry if I couldn't have been of more help."
"No, I think I understand now. I've been… wrestling with something, and I think God wants me to confront it. I think I've been running away and hiding from it for so long that I'd convinced myself it disappeared."
Father Martin nodded in understanding. "Well, in that case, will you let me leave you with a prayer?"
I was a bit taken off guard by the request, but I accepted. "Sure, Father."
I watched as he made the sign of the cross, then he lifted his hands and closed his eyes. "Dear God, I am so happy to have had the privilege of meeting with Lauren today, especially on a day such as this where we are offering gifts for those who need them. You have heard her desire to confront the things that are troubling her. I ask that you bless her with strength and peace and a clear conscience, that she may overcome these challenges. God, bless us with your spirit, that we may see your hand in our lives. Amen."
"Amen," I said.
As I was leaving, Father Martin called out to me and said, "Oh, just so you know, this Friday at 7 we are having a barbecue at the Parish Center. I would love to see you there, if you're able and wanting."
Turning back, I smiled and said, "Oh, ok, thanks Father. I'll think about it."
The priest nodded, and with a smile, he sent me off.
***
I walked into the Deli at 1:00 on the dot. The customers who had arrived for the lunch rush were already cleaning up their trash and heading out. I dodged past a few of them on my way down the long, narrow path leading to the front counter. While I waited behind a couple of elderly folk who were picking which soup they wanted to pair with their Ultimate Grilled Cheese, I looked around for Trent. He hadn't sent me a picture or any way of contacting him throughout the day, so I wasn't sure what I was looking for, but I figured I'd see some man half-hidden behind a newspaper, scouting me out. Maybe I watch too many movies, I thought.
"Ahem, ma'am. You're up." croaked the teenager behind the register.
"Oh, right, sorry" I replied and stepped up to the counter. "Uhh," I muttered, scanning the menu for something that looked edible. "Could I just get…" I made sure to mouth every syllable as they were words of their own.
"We have a deal—the try two combo. Sandwich and a soup for $9.99." the cashier repeated for what was probably the fiftieth time that day.
"Yes, that sounds good. I'll do the Italian sandwich and potato soup. And a drink, please."
After I paid for the food, I wandered around the tables, hoping to find someone who looked like a Trent. I was picturing a short guy, runner's build, with long brown hair, tucked somewhere neatly away in the corner. So I was not prepared when the Hulk's stunt double growled my name from a table smack dab in the middle of the restaurant. He had a pale, square face that was spotted with freckles and a sinking property that comes with the lethal combination of stress and age. His hair was relatively short. Probably it was brown or auburn, but since it was slicked back, it looked almost black. And he wore what looked like janitor coveralls. There was even a cloth tag pinned to his chest which read, "Trent".
"Lauren?" He repeated.
"Yes, that's me." I said and took a seat across from him. I saw a brown tray on the table in front of him, and on the tray was a large, white soup bowl. It was empty and beginning to crust along the edges. He must have been here for some time already. "I didn't know where you'd be, so I was worried we might miss each other. I'm glad you found me though." I said while looking over Trent more thoroughly. His large hands were stretched out in front of him on the table. He wasn't wearing a ring, so he probably wasn't married. And his face, it was stern. He seemed like a no-bullshit kind of guy. Then I saw his eyes. They were sapphire blue—probably the most stunning I'd ever seen.
"We only spoke on the internet, so I hope you don't mind, but I usually run a preliminary test on anyone I meet who claims to have abilities such as yours." Trent said while reaching into his pocket and removing a device that had the size and shape of an electric razor. "All you have to do is look into it. It takes maybe five seconds. Ten at most."
"Oh, um, sure," I said reluctantly. "Do I just—" I asked while reaching for the device.
Trent clicked a button and released the cylindrical head which opened, revealing a glass circle about the size of an iris. "I'll hold it, just look into the center. A red cross should appear, then it'll take the picture."
"Okay…" I replied and did as he instructed, leaning my head forward to look into the device. Sure enough, a red cross appeared. "Is it…" was all I got out before the light turned blue and I saw a gray fog disperse and billow throughout the inside of the tube, extending for what I perceived to be miles. My jaw went slack and I couldn't breathe for maybe five seconds. Then Trent reshuttered the device and turned it over.
"Damn, 72." He said with a hint of shock. "That's the highest I've scanned to date." He looked back at me, more relaxed now, and muttered to himself. "How have you been able to function for this long? At this level, you should basically be half in, half out."
I rubbed my forehead, feeling a mixture of pain and frustration and fatigue and impatience which all poured out at once. "Listen, Trent," I said as sternly as I could, "I came here because you said you knew what was wrong with me and that you could help me. I get you have to make sure I am who I said I am, but now it's your turn to pay up. How do I know you know anything about my condition? You said my mom might still be alive. What does that even mean? I saw her die right in front of me. I want answers."
I waited for Trent to respond, but he only lifted his head. I turned around and saw a girl holding a tray of food.
"Um, hi, sorry to interrupt. I have an order 36 for Lauren."
"Oh, yes, thank you." I said. The worker placed the tray down on the table in front of me, and when I saw the food, I suddenly realized how hungry I was. Trent must have also realized this, because he folded his arms and said, "go ahead and eat. I'll explain while you do."
I wanted to protest, but my salivating mouth made other plans. "Fine," I said. I grabbed the metal spoon off the tray and started on the soup, bracing against the steaming heat of the potato chunks.
As I ate, Trent moved all of the items on his tray off to the side, then he flipped the tray over so it was raised slightly off the table. He took his cup and placed it face down in the center, then he rolled up a few of his used, blue mayonnaise packets and charted a track across the tray.
"What are you doing?" I croaked out between bites.
Trent ignored me and continued by ripping up a napkin into strips and placing them alongside the mayonnaise packets. Finally, he snapped ten toothpicks in half and stuck them in the tomb of a dozen overlayed napkins. "It's your diorama," he said at last.
"It's my what?"
"From the story you sent me. Your diorama. When I read about it, it gave me a good idea of how to explain the 'blinking'."
I pointed at the cup in the center. "Is that supposed to be a pyramid? Because I'm pretty sure you're in the wrong geometric neighborhood with that one."
"It's an analogy," he said.
"Of an analogy," I quipped back.
"Look," he picked out one of the toothpicks and held it out in front of me. "This could be a person, an animal, a crowbar—whatever you want. The point is, this diorama is a stand in for our universe. This is everything that exists, that we can see. Okay?"
"Okay,"
"Now, me," Trent placed a hand over his heart. "I'm not in the diorama. I don't exist in the universe."
"In the universe where a cup is a pyramid, or the actual universe?" I said, unable to control myself.
Trent grimaced.
"Sorry, keep going. I get it."
"Things pop into," Trent threw the toothpick back onto the tray, "or out of," he picked the toothpick back up, "our universe at will, based on forces," he patted his chest again, "that exist in other realms" he gestured to the room, "that are connected to our universe," he tapped two fingers against the tray. "These things could be objects, like, say, a toothpick, or entities, like the one you encountered yesterday. The blinking experience that you described aligns with the typical experience of a moderate Antenna. That's what I call people like us—Antennas; because we can pick up on signals others can't."
"We—you mean you see the blinking, too?"
"Yes, but not to the same extent as you. If all the blinks are gathered in a giant picture that you can see, I'm traversing the image through binoculars, maybe even a microscope, depending on where we are."
I thought about this. I guess it was possible there were other people like me out there, but since I had never met anyone, I didn't really consider the idea until now. And then for him to say my ability was somehow much stronger than his… "But," I started, "I haven't even seen that many blinks since I was a child. It's just more focused and malicious now."
"Yeah," Trent scratched his head, "that's the thing that got me really interested in you. Somehow you seem to be able to control it without gear, just by praying. And, look, that's all well and good, but I don't want to give you the false impression that I'm some kind of religious leader. I like to look for logical, scientific explanations for things. So that's the frame I'm coming at this from."
I took a sip from my drink. "That's fine," I said, "the truth is that's why I reached out to you in the first place. I wanted an explanation I could understand. An explanation that was directly related to what I'm going through."
"Then we should get along just fine."
I was scooping out the last potato that was stubbornly gliding along the bottom of the bowl when, out of the corner of my eye, I caught a glimpse of the old man from the line shooting up from his bench and standing in army-erect form. I felt a tingling sensation tickle the back of my neck. I didn't want to turn toward him. I knew what I'd see if I did. "Trent," I whispered, trying to tip him off.
"Huh?" he grunted. Then when he saw my expression, he snuck his right hand under the table and said, "Do you see it? Is it here?"
I cocked my head to the left, signaling toward the old man that was now facing us, but Trent didn't seem to notice him: his eyes just kept scanning the entire front of the restaurant. Then I saw the old man take a step in our direction.
"Lauuurennnn, oh Lauuuurennnn, I've been looking for you, Laurenn." The old man said in a low, gravelly voice that gave the impression he was gurgling liquid tar. I turned and saw his face. It was cold and expressionless, and a butter knife was poking out of his left fist. When I met his eyes, he smiled that horrible smile."You're a slippery bitch, you know that?" He spat. "Why can't you just stay put? Don't you get tired of running from your old friend? Or have you forgotten about me?"
"Trent," I mumbled out. "Right there."
"And this guy. You think he can help you? He's only here to help himself. If that's not clear, you really are a lost little lamb."
"Quick, give me your hand," Trent instructed.
I was silent, my eyes still pinned to the old man.
"Tsk-tsk-tsk," the demon possessed senior wagged his finger at me, taking a step, then another step, shortening the distance as much as he could while I was entranced. Then, suddenly, he sprinted forward at a speed that shouldn't have been possible for a man his age.
"Trent!" I screamed.
"Lauren, give me your hand!"
I spun around and grabbed Tren'ts outstretched arm just as the old man lifted the butter knife over his head like a pickaxe. Then I saw Trent pull out what looked like a toy gun from under the table and point it at the demon.
"Got you," Trent remarked. I braced for a gunshot, but there was no noise. After a couple seconds, I looked back and saw the old man sitting in the booth opposite his wife, his hand tremoring as he reached for his large drink.
"What did you?" I asked, but Trent was already pulling me out of my seat. "Come on, we have to go," he said, "the effect is temporary, he'll be—"
Before he could get out the last word, I saw the cup-pyramid on Trent's tray blink out of existence. The sound of a plate shattering rang out from a table up ahead. The lone woman standing there slowly turned around, smiling, with a fork in one hand and a piece of the broken plate in the other. Trent shot her with the toy gun as we ran past and then barreled through the front door.
"Where—are we going?" I asked between gasps.
"My van. It's loaded with kit."
"And then where?"
"Your house" replied Trent who stashed his gun back in his pocket and took out a key fob.
"My house? But that's where he—it appeared."
"Yeah, and that's where you banished it."
Trent waved me into the passenger seat of his RAM 3500 Promaster. I noticed right away the dash which looked more like it belonged in a new limited-edition EV than a cargo van. The ignition kicked on automatically, and I heard the beep of a sonar ping precede an English woman's voice calling out like some auxed-in GPS saying, "scanning for anomalies". Trent shifted the van into gear, and I heard the wheels sputter as we accelerated backward and whipped out of the small parking lot.
"What's your address?" Trent asked. I gave it to him, and then speaking to his dash, he said, "Car, take us to ****."
"Redirecting to ****," replied the British woman. "Currently detecting 31 novel emergences. Updating pings every 300 milliseconds. Chance of contact: 0.23%"
"What does that mean?" I asked.
"The van has sensor equipment which can detect blinks. It's much more accurate than either of us."
"And it sees 31?"
"Yes, that's not as many as it sounds." Trent said and tore past a car that blinked out of existence right as we turned onto the main street.
We drove on for another couple minutes, the Englishwoman updating the number of novel emergences every ten seconds or so. Her constant babbling eventually became a comforting background noise, and I was able to think again.
"In the message you sent me, you said my mom may still be alive." I looked at Trent to see if he would react to me bringing her up, but he remained stolid. "What did you mean by that?"
Trent thumbed his steering wheel. "I shouldn't have sent that." He said at last.
"Shouldn't have… What do you mean? You can't just say that now."
Trent took one hand off the wheel and turned toward me. "Look, we're going back to your house because we need to determine your origin point. All Antennas have them. It's a place of high energy where many realms intersect, kind of like a station, and it's the place where you first acquired your abilities. Based on everything you wrote, I'm guessing that place is where the forest where the accident happened when you were a young child. But I need to confirm it. Once I confirm that that's the place…" Trent hesitated.
"Then… what? You want us to go back there? To the place where my mom died, or at least where I think she died until you told me she might be alive but are now taking it back? That place?"
"It's the only way to—"
"Now detecting novel agent," the Englishwoman interrupted. We both perked up as she gave another update. "Net anomalies: 437. Novel Agents: 1. Chance of contact: 78%."
"Shit," Trent muttered. "Car, course correct."
"Attempting course correct to avoid collision. Attempts made: 10, 50, 75, 79… No alternate route detected. Chance of contact: 96%."
"Time until contact?"
"Time until contact: 13 seconds."
I shuddered. Looking out the front windshield, I saw cars pop out of existence left and right, opening up a clear path to the four way intersection ahead. In a blink, the streetlights all turned green, and then they vanished completely. It was as if the entire world was being stripped down bare, and all that remained was the road, boxed in by the rows of buildings along either side. In the distance I could see a large tanker barreling toward us.
"Trent,"
"I know," he replied and clicked a different button on the console which opened a new toggle for the shifter labeled "TD". He pushed the stick forward, engaging the new mode, then pressed the accelerator all the way to the ground. "You're going to want to hold on."
"What are you doing!?" I yelled, grabbing onto my seatbelt.
"No time to explain. Car, release phase lock."
"Phase lock released."
I watched in horror as the color drained from the road and buildings and sky, transforming it all into a dim tunnel, with only the headlights of the oncoming semi-truck visible up ahead. I had the sudden thought that this was all a dream, just like the ones from my childhood. I looked over and no longer saw Trent, but my mother. And then I realized this wasn't a dream. This was hell. I was being forced to relive the worst moment of my life, over and over again. Just when I thought I had escaped, I was pulled right back into that car, helpless as we approached but never arrived at our impending fate. I closed my eyes right as the lights engulfed the windshield and braced for the usual pain in my chest, for the feeling of breaking.
But it didn't come.
"Shift" was the last word out of Trent's mouth, and then I was infused with the sensation of being at the pinnacle of a roller coaster. I was suspended there for what felt like hours, but somehow I knew that not even a second had passed. Everything inside the van: the dashboard, windows, ceiling, doors, even Trent himself began to radiate enigmatic particles. They were a mass of constant motion, like raindrops falling through the air but never landing. I looked down at my hand, but it was gone. Diffused into an unknowable number of untraceable particles. The world outside, once devoid of color, was now nothing but color. When I tried to focus on a particular spot in the infinite geometric folds of whatever realm we were traversing through, I could sometimes detect a trace of our world.
The old lady from the church. She appeared as if through a window, standing behind a table, holding out a plant. Only this image was so much brighter. And the plant she was holding was pure gold. Then I'd catch a glimpse of the razor blade. It was large, many hundreds of times larger than the van, and surrounded by darkness. These ghostly images appeared like holograms or reflections that caught the light at just the right angle, then dissipated.
I stayed there, looping between the archetypes of my life for a long, long time.
***
I knew we were returning when I felt the first sense of motion. Breath filled my lungs for the first time in what felt like a day. I blinked. And then we were back in town, driving down the same road with the blue sky above. People were jogging on the sidewalk past the little street shops. The streetlights were active. I checked the side mirror and saw the tanker had just passed by.
I looked over at Trent, who met my eyes. We shared a look of knowing, and unknowing. For some reason, that was enough, and we continued on in silence.
***
We agreed to stay the night at my house.
Trent had parked a couple blocks away in front of a couple vacant houses so as not to arouse suspicion from the neighbors. Then he lugged a large duffel bag with his equipment in and set it up in the living room. He scanned the scrapbook which contained the newspaper clippings from the accident several times and confirmed that was likely my 'origin point'. I simply nodded and then went back out onto the back porch. I sat there for hours, basking in the sun. Something had changed in the past day, but I couldn't pick out what it was. Too much had happened. I had too little time to process any of it.
When the sun set, I went inside and Trent told me about his plans for the next couple days. He said he needed to run a few errands in the morning, then meet up with a couple of his associates. After that, we could begin our drive to Southern Illinois. He said it was likely that the entity that was chasing me had first tied itself to me during my childhood accident. For whatever reason, we came into contact, and now it didn't want to leave. Trent would help me get rid of it. He didn't go into many details regarding how that was to happen, but I don't think in my tired state I would have been able to understand much anyway. He had a plan, and that was enough for me. At least for a while.
After our meeting, I made sure Trent had enough pillows and blankets like a proper host, then I retired to my room. I laid down on my twin bed and stared up at the cream-colored ceiling. Then I turned and saw the participation awards for my junior soccer league stashed on my dresser. I pictured myself on the field, running with the ball, out ahead of everyone except the goalie. I took a shot, but it was blocked. Then I ran back to defend. How can such a simple game be so much fun? Was the last thought I had before drifting off to sleep.
I woke up only once during the night. It was still dark out. The room was warm despite the small, flower petal fan churning away, shifting the hot, humid air from one pocket of the room to the next. I waited in apprehension, sensing that something had disturbed me. I saw the tomato plushie peeking out at me from the slightly ajar closet door where I had stashed it so many years ago. I felt like I was missing something. Something important.
And then I heard it.
There was a tapping at my window.

Hello everyone
With F1 24 being announced and being copy and paste again (basically just an F1 23 DLC at this point), I thought I'd write this post to maybe, just maybe, help (in any way) the next future F1 games become more realistic, which I think should be the main goal of these games (and also to express my deep disapointment with how the series is going).
Before we begin: this is completely based on my opinion, you don't need to agree with me, specially because I know some stuff may be considered completely delusional, as EA would never implement these things. With that out of the way, it's light out and away we go.
Here are additions/ideas that would turn the F1 game into an incredible experience:

• Cooldown lap and pit lane control: they're kinda the same thing (to an extent) so that's why it's just one topic. It would be very fun to actually drive in the cooldown lap and park the car in the pits, as well as drive the car through the pit lane as we make our stops or serve penalties. It's not something hard to implement, and you could also make it with the option to turn them off, so everyone gets to play the way they want. It would also add realism with stuff such as unsafe release penalties.
• Custom liveries: I cannot stress this enough. Why not let players customize their own liveries and share with the community? This would add a whole new layer to customization and replayability, as we already have in Need for Speed (which is also from EA) and Gran turismo for example. Not hard to do but given the game's history I guess we're not getting this one so soon.
• Preseason testing: this would be very interesting. It could be something like free practice, but bigger. It would help the R&D development before the season actually started, so you could (or not) have a better car. It would also be optional in the career settings.
• Contracts: they do need an overhaul as soon as possible. Driver academies don't actually mean anything. You can literally be a Ferrari academy driver and join Red Bull from the get go, it doesn't make any sense. We need something like IRL, where a team would preferably sign a driver from its own academy. Also there is no performance measurement, it says that "Red Bull expect their drivers to fight for the podium", but even if you don't do this, you can't be fired. I won't even start on the 6 month contract period. Also as a member of a certain team driver academy, it would be very fun to participate in F1 sessions when in F2, to get experience and also boost your image (acclaim, as it's called).
• Custom calendar: another element of replayability and creativity. Let us make a season with many races as we want, in any track order we'd like. A season starting in Abu Dhabi and ending in Australia, for example, would be very fun. It adds variety to the game and makes it so players can keep enjoying career and MyTeam modes without get bored with the same format.
• New tracks: Sepang, Hockenheim, Jerez, India, Korea, Istambul Park... the list goes on. New tracks (not actually new, but you get the idea), combined with custom calendar would make for infinite possibilities in both career and MyTeam. EA can even add them as a DLC post launch if they want to. Another brilliant addition concerning tracks would be different layouts, such as Sakhir outer ring, or even different versions for the tracks as an option, such as pre 2003 Barcelona, for example.
• MyTeam car model: the car model stays the same for all 10 seasons of your MyTeam journey, without a single modification. As the seasons go on, your car gets progressively faster, but it LOOKS exactly the same. R&D improvements don't reflect in the car model at all. It would be nice to have a customizable car, where you can actually change the design to improve aero or brake cooling. IRL we had teams looking to reproduce what Red Bull made with the RB19, and that is a great example of how things could be in game: as the regulations change, different models become better than others, and as you progress with R&D, your car can get closer to what would be the fastest aero design. Minor cosmetic things like different steering wheel models would also be very nice.
• Improved AI: we know that we need better AI behaviour when racing and fighting for position, but the problem goes way beyond that. The AI makes ZERO mistakes in free practice and qualifying, so you can never experience events such as IRL when someone crashes in qualifying and a red flag can decide an unlikely pole sitter. There is also a very old problem that needs to be addressed: the AI doesn't know how to behave in practice when you want to let it overtake you. It just sits there by your side until you decide to go and then follows you. There are no penalties for blocking/impeding in both practice and qualifying.
• MyTeam engine owner: I've seen many people asking for this one and I agree, it would be very fun to have our own engine and be able to supply it to other teams. At the beginning it would be inferior to other engines, but with the possibility of becoming the best later on. We would also be able to supply our engine to other teams and make more money out of that partnership.
• Regulation changes and loopholes: regulation changes (and R&D as a whole) should be more complex than just redeveloping some parts (also because eventually you have so much points that it doesn't even matter anymore). Also loopholes would be an interesting addition, like the DAS system or the F duct (not these exact mechanics, but something like that). They could work as a new development that is so OP that FIA needs to judge whether it's legal or not and whether it will be banned immeadiately or in next season. Any team can develop a loophole, including the AI.
• Crashes: remember when Williams gave Sargeant's car to Albon and he was unable to race? Well this is an extreme example but what if we had something similar in the game? If you crash the car (not minor wall taps, I mean big shunts) the team should take time to fix it and in some cases you may not have the car completely fixed for qualifying, for example (if you happen to crash in FP3). Also big crashes could cause the driver to step away due to injuries and let the reserve driver take his place (this also means that you can now hire a reserve driver in MyTeam).
• Interviews: the interviews are a joke at the moment, they don't even ask questions of things that actually happened during the race (or session), they are random and completely basic. We need questions concerning crashes, race pace, qualifying, post race interview based on how high you finished, market specutalations, etc. The possibilities here are endless.
• Radio and team orders: at the moment the radio is basically useless. The engineer only speaks when you gain/lose a position or when you're near your pit stop. We need more active communication, where he informs us on opponent's pace, our pace, track limits, strategy discussion, and speacially: team orders. It would be very interesting to have our teammate hold someone for us to pull away, give us toe in qualifying, or stay in DRS range for us not to get overtaken. With that said, I think the first issue that needs to be addressed as soon as possible is the pit stop: our teammate ALWAYS double stack and fucks his own strategy. There should be a way to prevent that from happening through communication.
• Formula 2: starting your career in F2 is fun and add realism, but it could go beyond that. Competing in the F2 championship helps you get a seat in F1, depending on your performance: if you perform well you're more likely to get a seat, but if you don't, you may even need to stay for one more season. Also, if you choose not to start in F2, an option could be to have an F1 car test: you would drive a certain team's car and try to impress them, if you do well, you get a seat.

As you guys can see, all these additions would be more oriented towards realism. I addressed changes to career mode and MyTeam, since those are the only modes I really play, but I know that online modes are in need of some changes as well.
Please feel free to comment what you think as well :D

'06 Azera, 136k
Over the last three-ish years, I've had to have the master cylinder replaced three times, and it seems a fourth time is imminent.
The first time, OEM lasted eight months. Mechanic redid the work for free under their 1-yr warranty. That one lasted about a year and a half before going out. This latest one I got from AutoZone because my mechanic only buys direct from the dealer and the part alone was going to cost way, WAY more. And now I'm feeling my brakes getting mushy again.
What could be the problem?

Hi, just looking for some input.
I drive a 2007 w211 e200k. Around 130k miles on it. 10k mine.
Recently took it in for regular service. Oil change, rotors and brake pads.
Workshop advised to come back to change lower arm, thrust arm and ball joints. Fairly expensive job, around $800 and a day's work. Will also require wheel realignment.
They also advised replacing heater pump, not sure why.
I don't think the previous owner changed them, so I'm guessing it is original.
I'm not a car guy so I'm not super familiar with these parts and how necessary the repair is. Is this a part that can break/fail over time? Will I notice any difference in day to day use if I get it repaired? Other than feeling the usual road vibrations and a little creaking when I turn the wheel the whole way, I haven't had any issues.
Keen to hear your thoughts! Most likely going to get it done, but if it isn't urgent then I'll put it off for a while.

Hi,
I bought a Stiga Twinclip 950 V a year and a half ago. Its characteristics suit me but unfortunately, it has never worked well (in particular, the traction belt only keeps coming off).
Before the Stiga I had a Honda HR216 for around thirty years (my father 15 years and me 15 years). It never had any major problems but she was starting to get tired, so I sold it for parts.
I am therefore looking for a new lawnmower for my 1500 m² land to replace the Stiga.
Do you have any brands to recommend to me, and/or others to advise against? Stiga? (another model...) Honda? Husqvarna? Stihl?
My criteria
Important :

• Mower where you walk behind (I wonder if a brush cutter would be a good choice too)
• Robust and reliable
• Durable and stainless housing
• Cutting width between approximately 48 and 53 cm
• Powerful engine (Twinclip 950 V ok: 2.5kW/3000rpm and cylinder 160 cm3)
• Rear or side discharge (no need for collection and not interested in mulching)
• Max cutting height: at least 7.5 cm (better if more)
• Self-propelled with at least 2 speeds
• Fast forward speed at 4.5 km/h minimum (better if more)
• Wheels on ball bearings
• Height adjustable handlebar

Facultative:

• Beltless transmission?
• Foldable handlebar
• Not too noisy (max 98 db)
• Limited vibrations (Twinclip 950 V ok: 4.7 m/s2)
• Budget about 1000 €

Thanks :)

In October 2022, I signed a contract for a used 2005 Chevrolet Trailblazer with a balance of 11,400. It was a horrible purchase, we had to get the transmission replaced within a month of having it. The dealership paid for it, we just had to pay the $100 deductible.
A few weeks later, I got a flat tire out of nowhere while on the way to work, and my coworker pointed out that my tires had patches all over them. Our brakes also started failing, but when we called the car lot, they said they didn’t cover wearable parts.
Unfortunately, I lost control of the steering wheel in December 2022 on an exit ramp and ended up “totaling” the car. My insurance said they would pay the value of the car ($2,638.88) and take it off my hands, or I could keep it and they would pay the car lot $1,796.00 of its value. It still ran and I didn’t want to be left without a car, plus I was under the impression that I would still have to pay off the contract if the insurance paid off the value of the car. It wasn’t until over a year later that the car lot told me that after the insurance paid it off, I wouldn’t owe the rest of the balance.
I feel like the only reason they let me keep the car was to keep getting money from me. They already knew it was a shitty car and they allowed me to keep making payments on it when they should’ve taken it back when it was totaled, despite knowing I was pregnant and having specifically asked for a family car when I bought it.
This decision left me with a car note I couldn’t afford, and car-less since no dealership would give me a car while still paying it off. The only reason why I kept paying the note was because I didn’t want a repo on my credit. I was giving them all my money while trying to take care of my son, from when he was a newborn until he was over a year old.
I kept paying off a car that didn’t work for over a year, until March 2024 when I finally decided to let it go as a voluntary repossession. The manager called me and said I would be sued and the case would be sent to the sheriffs department. I said “yall are stupid” and he said “no, you’re stupid”, and hung up the phone. When I left a review on google, the lot lied by saying that they never called me stupid, but that I had started with the insults.
I know I violated the contract, but could I at least try to get the judge to give me some leniency because of the emotional damage I’ve had while being pregnant/postpartum due to the incompetence of this used car dealership? They sold me a car that was essentially a death trap - barely functioning engine, patched-up tires, and low pedal brakes. WHILE PREGNANT.
Please help, I’m a 22 year old girl who knows absolutely nothing.

I want to thank Meatcanyon and Wendigoon for starting Creepcast. I've played around with writing horror, and here is my first short story. I will post it for free in a few other places to see what people think. Please enjoy!
A Hike to Remember
By R.L. Oclen
Chapter 1
A woman sits with hastily pulled-up fire-red hair in the waiting room of the state patrol station. The procedurally sterile off-white walls and decade-old magazines do little for comfort. With her head hanging low, her shoulders pushing forward, and her boots rapidly tapping on the floor, something has to give.
"Please just let her be okay." The woman growls as a pair of officers come in from the field. The officers' demeanors quickly change when they see the familiar face.
"Tabitha, did Officer Nichols call you?" one of the state patrol officers asked sympathetically.
"Yes, he asked me to come in and pick up a few things," Tabitha said, shooting back a muted look.
" I'll let them know you're here." The officer said, nodding to Tabitha as they passed the security door. Tabitha leaned back against the hard plastic chair, staring blankly into the fluorescent light. She had done this dance in the macabre repeatedly over the past month. The last image of her younger sister, Lisa, still burned in her mind. Tabitha had always been protective over her younger sister after their parents died. A pang of guilt shoots through her chest as she thinks about her and Lisa's argument.
"Tabitha Hymm, Officer Nichols is ready for you."
"Okay," she stood up, shaking off her guilt, and followed the officer back. The familiar surroundings of the state patrol station blurred as Tabitha stared forward. She followed the officer as they came to a rustic wooden office door, which was embossed with "Officer Nichols."
The escorting officer turns the old brass door knob. "Sir, I have Tabitha Hymm here." A grizzled West Virginia Highway State Patrol veteran sits behind the desk and nods. The escorting officer steps aside, pushing the door open as Tabitha pushes past him and slumps in the awaiting chair like so many times before. An uncomfortable relationship had formed between the two, born out of necessity and duty.
"Cup of coffee?"
"No thanks. Let's just cut to the chase. You don't have anything new?"
The worn laugh lines and Officer Nichols's face flattens. His eyebrows contour sympathetically as he shakes his head.
"Tabitha, I don't have anything else new for you. I wanted to give you the clothes returned from the lab." Her face darkened at the same response she had heard many times.
"As we discussed two weeks ago, there is nothing new and no signs of struggle or foul play," Officer Nichols said while placing a box marked evidence on the table and sliding it forward. Tabitha began to weep at the realization of Lisa's clothes in front of her. In a coordinated queue, Officer Nichols brought out a box of tissues. Reluctantly, Tabitha took a few moments to unblur her vision.
"How does someone stop their car in the middle of the Remington West Virginia State Park, lock it, and then walk into the woods?" Officer Nichols clasped his hands together and sighed at her worn question.
"Tabitha, I wish I had an answer for why your sister stopped her car in the woods and simply walked off. We're still going through her cell phone, but no signs exist that anyone forced her. On that Tuesday morning, she pulled over to the side of the road, secured her car, and walked away." Officer Nichols said empathetically.
Tabitha became stoic at the same explanation she had heard many times before. " So what next?"
"You should go back to Ohio, and I'll contact you as soon as I have more information." She winced at Officer Nichols's words. Reality began to pull at her that bills and work wouldn't wait much longer.
"If I leave, she's gone for good."
" You staying won't bring her back." Officer Nichols said sympathetically.
" So is that it? She's just gone?"
" Tabitha, I'll be honest with you. In cases like this… when people do things like this. Recovery is harder in the spring due to the weather and the animals. You know her mental condition better than I do. I can't explain why she did what she did. But until I find a solution, a suicide note, some intention, or body. She's not here. Tabitha, I'm-"
" Don't you fucking say sorry!" Tabitha stood up, screaming at Officer Nichols, throwing the plastic chair backward against the wall. " I should just look for myself."
"No!" Officer Nichols said momentarily, gripping the desk as his face hardened, then relaxed. Tabitha was caught off guard by Officer Nichols, who was normally composed. "Tabitha, I know this is unbearable. I've sat on this side of the desk and had these conversations. Trust me; I need you to be safe if I need your help later."
Tabitha nods, knowing Officer Nichols is right. She reaches down, picks up the evidence box of her sister's belongings, and leaves.
" Tabitha, if you're heading home, don't stop your car; just keep driving." Tabitha stops to look at Officer Nichols, feeling an eeriness to his words.
" Goodbye, Officer Nichols," Tabitha said as she closed the rustic wooden door behind her. She counted the tiles as she exited the West Virginia State Patrol Station. Placing her sister's belongings carefully in the back seat of her Jeep, Tabitha then sat momentarily behind the steering wheel, staring at the emblem. The familiar numbness washed over Tabitha as she pushed the start button. She pulled onto the highway, driving to the motel that had been home for the last month or so. Muted pop music accented the drive back as her mind raced with questions. Once inside the two-and-a-half-star motel room, Tabitha sat her sister's belongings on the corner table, crumbled onto the bed, and cried.
***
Tabitha wiped the steam from the slightly spotted mirror above the bathroom sink. The hot water from the shower felt good and loosened some of the stress from her body. Looking back at her, Tabitha's face was framed by damp curls around her shoulders. Her face marked the stress of the past month. Frowning, she examined the bags under her eyes; sleep had to come tonight. Walking into the living area, She changed into her favorite gym shorts and oversized sleep shirt. The alarm on her phone flashed "7:00 am," so she could drive home five hours after breakfast.
Tabitha hated feeling comfortable in this once strange room, but falling asleep was getting easier now. Her eyes closed slowly as the ceiling fan droned evenly. At first, nothing came in her dreams, but she let her guard down and slipped further into sleep.
As she dreamed of floating overhead like a bird of prey, Tabitha soared over the vast Remington National Park. The high noon sun bore down on the crisp woods, perfectly contrasting sky and forest. The heat of the sun felt good on her feathers. Distant cries rang out through the dream-like forest, catching her attention. Tabitha tilted her wings toward the screams, feeling a sense of familiar curiosity.
She now recognized the sobs and cries for help as she flew closer, her sharp eyes locked on her sister leaning against a large oak tree. She glided overhead without care, examining the situation below. Lisa clung to the tree, her eyes darting back and forth, scanning upwards. Lisa's face reflected desperation, looking for help in any direction. Tabitha lazily circles Lisa several times before perching on a sturdy branch higher in one of the oak trees. She watched Lisa intently with hunger. She bellowed deeply, hearing the unnatural sound she made, catching Lisa's eyes. Lisa's expression changed; she became calm, almost uncaring, as she stared back at Tabitha's form. Hunger grew exponentially in Tabitha as she spread her large wings. Her large eyes gaze down at Lisa before diving straight for her sister.
Tabitha jolts awake to the alarm on her phone flashing "7:23 AM." She breathes in sharply, shaking off the last horrible thoughts from the reoccurring nightmare. The strange details become more vivid each time. The lingering memories of folk stories her mother told sat in the back of her mind. In those stories, the dead would reach out in dreams as a matter of warning. Leaning back on the headboard, she searched for the advice her psychologist gave her. During their last session, Dr. Ryland explained dreams are a form of self-actualization of guilt. He told Tabitha that it was natural to feel responsible when losing a loved one in this manner.
Tabitha grumbled, lightly running her hands through her red hair; she pushed everything to the back of her mind. "Get it together!" She grumbled to herself. She pushed herself off the bed and got ready to leave. It was going to be a long trip home, and the only thing she could do now was leave things in the authorities' hands. Packing up was pretty easy since she only cycled through the outfits she brought. The local laundromat must have made a small fortune off her. Tabitha took one last look at the box of Lisa's belongings before throwing them in her duffle bag. She was thankful she didn't have to spend another night in this room.
***
Tabitha sat behind the wheel, waiting for the 90's model minivan to finish their order so she could grab a breakfast burrito on the way out. Considering the situation, the Deer Stop Family Restaurant did have a good breakfast. Finally, pulling up to the 70-style drive-in board, Tabitha rolled off the order she had been accustomed to. " I'll take a large iced tea with the double breakfast burrito meal and hash browns, please."
" Would you like some happy hot sauce with that?"
" That's fine, and a few ketchup packets as well."
" Your total is $8.79. Please pull around."
She pulled around to her window, flashed her debit card, got the receipt, and waited for her food. Luckily, the young woman serving her wasn't very talkative in the morning. The last thing she wanted was a conversation about the weather or meaningless small talk.
" Here's your large iced tea and breakfast meal. Ketchup and happy hot sauce are inside."
" Thanks," Tabitha said while mustering her best fake smile. The woman only smiled and nodded as the service window automatically closed. She pulled into the parking lot and dug into breakfast. Turning the radio to the weather, Tabitha sat back and enjoyed her meal. The local DJ read through the headlines, making nonpartisan comments about politics and grumbling about improving the economy. Tabitha powered through the updates of the "out-of-state woman" who'd gone missing. It was nice that the local radio station gave Lisa's name, description, and a missing person's number for sightings or leads. Tabitha even interviewed with the local news and radio stations, hoping it would bring Lisa home. But she soon found all it brought was a sorrowful look from the locals as she interacted with them in her day-to-day life.
Finishing the last of her hash browns, Lisa wadded up everything in the paper bag and threw it in the back seat. The 9 AM weather report said it was nothing but clear skies and sun the rest of the week. Tabitha flipped the radio over to the greatest hit station, pulled out of the parking lot, and began her trip home. She memorized the roads, every bend and turn in the early weeks as she frantically looked for Lisa. There's something hypnotic about the trees: the way they flow together. The trees' green tops and the oak trees' wide trunks were a relaxing view. Tabitha enjoyed the lazy s-curves of the road, bending and winding around the hills and the trees. The occasional farmhouse or field dotted the sides of the road as she made her way to the main highway.
The blur of a semi-truck snapped Tabitha's attention as she pulled up to the mouth of the highway. She had four and a half hours ahead of her, which would be a long ride. Tabitha pulled onto the highway and picked up speed, noting sparse traffic. She relaxed into her seat, letting her gaze gloss over the blur of green foliage. Without warning, Tabitha caught a large shadow from the corner of her left eye. When she registered the black feathery form, Tabitha tensed up and slammed on the brakes as it swooped across the vehicle's hood. Quickly, she pulled the car safely off the road. She couldn't determine exactly what it was, but it was bigger than any bird she'd seen. It was a bird, right? Tabitha turned off her Jeep and grabbed the keys and cell phone. Standing before the Jeep, she looked over the grill to see if she made contact with the entity.
Bewildered, she scanned the tree line, spotting something in the distance. Sitting in the clearing of the large oak forest was an enormous black owl. It stared intently at Tabitha with bright, shiny yellow eyes. She pushed the lock button on her keys, causing the jeep to beep securely. She turned, looking across the open field, an enormous black owl perched in the upper branches of an old oak tree. Each step she took away from the road piqued her curiosity. Soon, Tabitha stood in the middle of the open field, staring intently into the eyes of the enormous owl.
The horn of a passing semi-truck blared, pulling Tabitha's attention away from the mysterious large creature. She looked back and saw that she had walked farther away from the Jeep than she had thought. She glanced back to the forest line only to see the enormous owl was deeper into the woods than before. She narrowed her vision to find the two large, bright yellow eyes staring back. Had it moved? The day's stress, care, and worry suddenly poured out of Tabitha. It was replaced by only curiosity and overbearing tranquility. She warmly smiled for the first time in months as her feet pulled her further into the woods.
Chapter 2
The tug of gravity pulls Tabitha to her senses as her body reacts, falling forward. Her arms thrust forward, bracing for impact. Water rushes around her face as she struggles to get her bearings. Quickly, Tabitha pushed herself up in the ankle-high stream she fell in. The haze slowly clears from her mind as she stares at the muddy water. The dull ache throbs up her legs. Tabitha can smell the sweat from her clothes. Her face contorted in panic as she quickly stood up in the water, looking for her cell. Thankfully, the device was still in her pocket, dry and unscathed.
"One o'clock. How can that be?" Tabitha says, slowly looking up from the screen to see the vast, dense West Virginia forest encompassing her view. She shakes her head back and forth with disbelief. A smile gently spreads across her face, with the last bit of tranquility leaving her body. How did I get out here? Her breathing becomes faster as her pulse begins to quicken. I'm in the forest. I'm all alone—just like Lisa!
"NO, NO, NO, NO! THIS FUCKING CAN'T BE HAPPENING TO ME!" Tabitha screams into the void of trees. Her eyes well up with tears as she crumbles to her knees, gripping her phone tightly to her chest. Her sobs ring out through the thick oak trees. Her breath slows a little as she regains her composure. She begins to search her mind for anything. What is the last thing I can remember? The image of the black shadow crossing her vision while driving flashes into her mind.
"Okay, I got out of the Jeep, the…then what?" Tabitha says, trying to refresh her memories. She thinks her memory is not just gone; it's a black void in her mind. Complete blackness fills her mind right after remembering locking the Jeep and then turning to see the…
"Fuck I saw something. What was it!" Tabitha says, frustrated with her mind. She knew there must be a logical reason she was out here. Officer Nichols warned her not to go looking for her sister. She wasn't stupid; she just said that as a last-ditch effort to get him to do anything. Now I'm here.
"Run!" Tabitha heard Lisa's voice in her ear. Before she could turn around, she heard a loud bellowing coming from overhead. Fear shot down her back, reminding her of the nightmares she had over the past month. She shot forward full bore as something crashed to the ground behind her. Glancing back as she ran, a black mass of feathers convulsed between the broken branches of the trees. Its slick black feathers rippled across its surface as its bones crackled and flesh tore. Its body contorted and twisted from the shape of an owl to something bigger.
"Run, Tabby! Don't let it catch you!" Tabitha pushed forward, hearing Lisa's scream beside her face. Her breath burned in her chest, and she moved past the old oak trees bent over the creek bed. Her feet slammed rapidly, splashing along the side of the creek. Another loud bellow comes from behind as the trees bend and break to the force behind her. A small opening in the rocky creek bed catches her sight from the left. She dives into the crevasses, not caring where the fathoms lead. Tabitha tumbles in the pitch black, taking scrapes and sharp jabs from the rocks as she tumbles further into the void.
She finally tumbles to a stop on the sandy, wet floor of the cave. Her body aches from the sudden burst of exhaustion. The cool water running around her body from the creek is soothing despite her bumps and bruises. Pushing herself up, she scoots out of the water. Feeling her way forward, she finds a dry spot to collect herself. Quickly pushing her hand into her pocket, she finds her phone undamaged.
The sound of footsteps pushing against the creek fills the void around Tabitha as the light steps move closer to each other up the underground creekbed. She slowly removes her cell from her pocket and then shines the camera light toward the sound. A pair of scratched and bruised pale bare legs hold up a frail form in front of her in the creek. She wears the darkness as a shroud with nothing else to clothe her. Tabitha froze, not wanting to shine the light further in the pale form before her.
"Tabby, turn your light off. You need to save your battery." Tabitha turned off the light and then rushed forward, embracing Lisa—the how or why didn't matter, only the now. The pale form hugged her tightly. Tabitha felt her cold, bare skin. The darkness couldn't hide the feeling of the marks across her back and torso.
"Lisa, I'm-"
"Hush! I don't have much time. This wasn't your fault! I'm with Mom and Dad now. You have to survive, Tabby! Listen. Wait until the sun shines through the cracks, making a trail out. Follow it down the creek until you come to the opening. You'll see a large hill you hike up for a cell signal. And remember…If you can't see it… It can't hurt you. I love you-"
Tabitha stumbled forward before catching herself. The void in front of her arms was only filled by cool air. She looked up and noticed a faint glimmer of light pushing through the ceiling. She sat down, relaxing against the limestone wall of the cave, waiting for the trail of light to form.
***
After a few hours, the light shining through the cracks of the cave ceiling was bright enough to lead Tabitha to the other side. She stepped onto the creek bed, thankful for the sun hanging lower in the sky. Scanning the sky, Tabitha saw only a few clouds. The foothills of Appalachia backdropped the forest as she scanned for the hill. Her eyes found the trail leading up the steady slope of an impressive hill. The top of the hill was bare. Part of the hill must have sheared off in a landslide, leaving the top void of trees and a jagged cliff face. Tabitha started her hike up the back of the hill. She was careful to stay under the heavy canopy of the old trees, hopefully avoiding the creature's eyes.
She did her best to quiet her mind while hiking up the trail. Come on, almost to the top, then I can call 911, she replayed repeatedly in her mind. Her adrenaline made up for the lack of food since morning. She drank some water from a clean spot in the creek. She was placing her bet on rescue rather than worrying about the water.
Leaning against one of the trees, Tabitha took out her cell and measured the signal.
"Damn it, nothing!" She swore under her breath. She listened nervously and cautiously peered her head out from the tree line. Standing at the tree line, the cell phone still had a low signal. She pushed her anxiety down with a swallow and slowly stepped forward onto the bare rock. Tabitha was now out in the open. She walked with the cell phone pointed upwards, measuring the signal. Within three feet of the cliff face, her signal bar punched up to full. Tabitha began to punch in the numbers just as a pair of large yellow eyes appeared. She felt her legs become weak, and her vision blurred as the creature snared her in its gaze.
Tabitha ducked, missing the giant owl's claws as it swooped for her. She squinted her eyes shut, momentarily breaking the hold of the infernal beast as it crashed to the ground, tumbling down the path of old trees. On her hands and knees, she tucked the dialed phone back into her pocket. She heard the creature's loud bellowing, followed by the snapping of bone and flesh ripping. It was changing its shape to finish her off.
Tabitha tried to get up, but the flash of its eyes did something to her. Her legs were numb, her stomach was in knots, and she could barely put a few thoughts together.
"If you can't see it, it can't hurt you." Tabitha heard clearly in her left ear. She quickly pushed herself into a sitting position and fumbled for the key chain in her right pocket. Pulling the long chain of keys, luck charms, and keepsakes, her father's Swiss army knife dangled at the end. She slowly opened the half-inch blade. Her body wholeheartedly rejected her plan and tried to fight her. Every internal warning system sounded as her body fought against her as she brought the blade against the corner of her left eye.
She didn't know if she could do it until the creature bellowed in her direction. With one quick motion, the half-inch blade sliced across her left eye. The world dimmed and then went black on her left side. Behind her, the beast's thundering gallop was getting closer. Tabitha plunged herself into total darkness with the last bit of her strength. Her hand gripped tightly around the bloody knife as she folded forward onto the ground. She could feel herself weeping blood. She squinted, doing her best to stem the tide of blood loss.
A large feathered paw drove into Tabitha's right side, flipping her onto her back. She lay still as the hulking creature stood over her. It remained motionless, and Tabitha was confused about why it didn't move or bite her. Then she started to giggle, just a little at first. Then, laughing madly into the creature's face as it growled back at her. She could not see it; she couldn't see anything. Her mind couldn't be eaten!
The creature roared into Tabitha's face while plunging one of its sharp claws into her shoulder. Tabitha screamed in pain, slashing the knife downward. The blade hit something soft, and she ripped the blade down, rending whatever she had hit on the abomination. A bright yellow, foul-smelling liquid gushed in a torrent over Tabitha's face. She turned to cough, having swallowed a portion of it. The creature reared back, squealing in pain. Its hind leg came down hard on Tabitha's leg, snapping her tibia. She jerked her leg up, causing the creature to tumble forward and fall over the edge of the cliff side.
Tabitha heard the creature crash below at the base of the hill. A large dead tree speared the creature through its chest. Tabitha could hear the labored whines of the creature as its cries became weak and slowed. A wave of sickness hit her as she rolled over and vomited. The foul smell drenched her. She did her best to focus, reaching into her pocket and pulling out the phone. By memory, she typed in the unlock pin. She held her breath and placed her thumb where the call button should be.
She could hear the call being made then, "911. What is your emergency?"
"Please help me! A bear has attacked me, and I can't see. I think I am on a hill."
"Ok, ma'am, stay with me! Do you know where you are located?"
"No, I'm lost. Please send help."
"It's okay. Stay with me on the phone, and I'll use the cell signal to try to find you."
"I'm on top of one of the hills. I think I am lying on a bare roc-" Tabitha slipped unconscious with the cell still tightly in her hand. Her body began to tremble and convulse.
"Ma'am! Ma'am! Stay with me. I have help on the way."
Chapter 3
A young man in military fatigues frantically compiles images and reconnaissance data from his drone feed. Confirming his hunch, he commands the winged surveillance drone to make a hard left and send a live video feed. His eyes widened as he saw a large owl-shaped shadow crash onto the top of a hill. He watches in awe as the sleek black owl twists and shifts into something much larger, like a grizzly. As the drone turns, he sees a woman at the cliff's edge trying to steady yourself on her hands and knees.
He bolts up from the command module, jotting down the drone's coordinates on one of the printouts. The drab government-issued office motif for the watch station blurs in the corner of his eye as he rushes down the hallway to the watch commander's office.
"Sir, recon has eyes on AMOS! And it's feeding!" the man said, swinging the heavy wooden door open. He took the hastily compiled file and pushed it forward to the commanding officer.
An older, tanned man quickly stands, reaching for the files. His brow furls, seeing his charge is awake. "Keep eyes on it! Go Adams!" The young man nods, turning on his heel and bolting for the drone command module. As his office door slams shut from the subordinate officer, he grabs his headset and frantically dials the closest military outpost to the coordinates.
"Hello, Sergeant Klein; this is Agent Smith of Black Watch outpost 7948! Shadow is active, code Alpha, Mike, Oscar, Sierra. The coordinates and data package have been sent. A civilian is on the ground; deploy strike-and-rescue ASAP.
"We'll be up in five, Agent Smith! The line cuts as Agent Smith closes out the call on his headset and rushes to the door. The normally quiet watch station buzzes alive, with personnel flooding the central command station. The background echoes resource allocation calls, frantic typing, and the hum of cold computers warming up.
"Adams, get our eyes back on Amos!"
"Coming back around in 30 seconds." Thirty sets of eyes stare at the three giant screens, anxiously waiting for the drone feed to clear the bank of trees. The camera clears the tre top to see the giant feathered grizzly rear back slinging its massive head away from its prey. Its large yellow right eye spews bright yellow liquid all over the red-haired woman and the cliff face. The giant feathered grizzly missteps, crushing the woman's leg and causing the creature to tumble over the cliff face.
"Fuck!" Agent Smith yells in horror as he watches AMOS fall four stories, impaling a sharp, 3-meter-tall log lodged in the boulders. The command center freezes wide-eyed at the flailing dying creature on screen. Agent Smith pulls his cell out quickly and dials.
"Klein, Scrub the current request! AMOS is down! Switch to rescue and harvest now!
"What, someone took out AMOS?"
"YES! It's at the bottom of the cliff, bleeding out essence! The woman is covered in it as well. Clean as much of it off her as possible before you take her to the ER.
"Understood!"
Agent Smith, in a rage, slings his phone straight forward, connecting with Private Adams's skull. Adams flinches at the sudden impact of the hard plastic and covers his head. Agent Smith grabs the table in front of him and flips it over, sending the computer equipment crashing to the government-issued tiled floor.
"A two-year cycle gone! All that essence is gone! Now I have to wait another 24 months for AMOS to resurrect!" Agent Smith screams, causing the rest of the staff to recoil away in fear.
"Jones!" Agent Smith says sternly, turning to a petite woman on his left. She stares at him, pleading.
"Yes Sir?'
"Get Officer Nichols on my office line. That fuck up has some explaining. He should have told us AMOS was awake."
"Right away!" Jones quickly sits back down and begins dialing Nichols, thankful she doesn't have to deal with Agent Smith further. The command center quickly shifts gears as Agent Smith returns to his office.
***
Two Weeks later…
"Tabitha… Tabitha… This is Doctor Wilhelm. Wake up." The kind older gentleman said as they gently nudged Tabitha in her hospital bed.
"Where am I?" Tabitha asked, waking from what felt like years of sleep. She sat up, the world still pitch black, but an odd sense of the world around her seemed to hum just behind her eyes.
"You're in the hospital, dear; you scared us. Do you remember anything?" He said as he sat down on the side of her bed.
Tabitha thought for a moment the last parts after she slashed her eyes were a blur. She remembers people yelling and the sound of two or three helicopters over her. " No, it's really all just a blur."
"Well, it's probably for the best. You had some very serious injuries. The first night, we honestly didn't think you would make it. Then…" The doctor trailed off with a concerned expression, not knowing how to explain things further.
Tabitha felt his pulse quicken somehow. She didn't understand it but fully felt or sensed the doctor beside her. She sensed the two other nurses standing at the end of the bed. Her body didn't hurt. She felt great. She felt hungry.
"Doctor, you said had. What happened to my injuries?" She said calmly, trying not to startle the old doctor further.
"Well, Tabitha, it's the closest thing to a miracle I've ever seen. You had violent seizures from the minute you hit the entrance of the ER. We couldn't even set your leg. The medications we gave you had a minimal effect, and you thrashed so much that we had to restrain you. Then, the early morning check-in found you in a deep sleep. All but your eyes were completely healed. So we switched gears to support care and treated your eyes the best we could." He said, watching her reaction.
Tabitha leaned back in her bed, taking in the wild account. "Do you know how I healed so quickly?"
"What happened to you is beyond all scientific reason. A miracle is the only way the staff and I can explain it. I know you have been through a lot, but I want to check your eyes."
"Thank you for all your help, Doctor Wilhelm." She said, sitting up in bed.
"You are most welcome, dear. Now I am going to unwrap your eye-dressing. Hold still, please." he said as he reached up and pulled on the bandage tape. Tabitha felt a quick tug and felt the bandages loosen from around her head. The doctor slowly unwrapped the bandages. The doctor's brow wrinkled as he examined the two large black scabs covering Tabitha's eyes.
"Tell me if this hurts at all, ok?"
"Yes, doctor." She relaxes as the doctor's gloved fingers pass over the scab. He pushes and gently tugs at the side of one, and it starts to lift. He pulls on the scab more, and Tabitha begins to sense the light as it hits her eyelid.
"Oh, I can sense the light, Doctor Wilhelm!" She said, smiling.
"Wonderful! Nurse Allen, please hand me some saline solution. I think a little water will loosen these right up. Hold still; this may feel cold," he said as he reached for the solution. She felt the cool liquid flush over the left eye, then the right. The scabs fell away with a gentle tug from the doctor. She could see the light shine through her eyelids. She grinned widely, happy to have some form of sight left.
"Please open your eyes for me," he said as he sat back on the bed. Tabitha slowly opened her eyes. The flood of light was almost too much, causing her to squint. After a few moments, she adjusted to the fluorescent lights. Three figures began to take shape in front of her. First, the distinguished older features of Doctor Wilhelm came into view quickly, followed by the brunette and blonde younger nurses standing at the end of the bed. Suddenly, her vision snapped into place, crisp and clear.
"I can see perfectly! This is amazing! Thank you, Doctor Wilhem!" she said, turning to look directly into his eyes, but he stared back at her unmovingly.
"Doctor Wilhelm?" she said as her expression became more worried. Doctor Wilhelm just sat staring, intensely focused on her eyes. His expression was overbearingly calm. She glanced at the nurses, rigidly staring back at her with trapped, calm expressions. Doctor Wilhelm began to twitch slightly. It traveled from the base of his spine out to his limbs, finally convulsing.
"Doctor Wilhelm, are you okay?" Tabitha yelled as the doctor began to have a seizure and fell on top of her bed.
"Help Him!" She screamed at the two nurses only to see both of them crumble to the tiled floor. One of them bashed her head off the bed frame. Tabitha recoils back from Doctor Wilhelm in terror as he starts foaming at the mouth. She climbs over the bed rail and hits the tiled concrete floor with a thud. Her adrenaline surges as she bolts for the door, looking for help.
At the entrance of her hospital room, she sees another nurse leaving the adjacent room. "Please, my doctor and staff need help!" As the male nurse turns to see Tabitha, he suddenly goes stiff before collapsing into a violent seizure, spilling his cart over with him.
"What's happening!" Tabitha screams, thinking something is in the air, or everyone has come down with something. A pair of security guards round the corner, hearing the screams and commotion.
"Ma'am, are yo-" The guard freezes mid-stride as he makes eye contact with Tabitha. Both men start to convulse and topple over, thrashing violently on the hard tile.
"No, no, no, no!" Tabitha yells as she darts into the women's bathroom, a few doors up the hall. She runs in, terrified of the situation. She approaches one of the sinks, bracing herself against the cool porcelain. Her stomach turns, and she dry heaves in the sink. She steadies herself while turning on the cold water. Leaning in, she takes a drink. As she looks up, a glint of two yellow eyes catches her. Tabitha stumbles backward on reflex. Then, she sees her reflection in the mirror. Two completely bright yellow eyes stare back at Tabitha. She screams at herself in the mirror, not feeling hungry anymore.
The end.
I will

I am not The OOP, OOP is u/Mediocre_Bluejay_555
AITAH for initiating a divorce while my wife is in the hospital after a car accident.
Originally posted to AITAH
TRIGGER WARNING: child endangerment, body injuries, car accidents
AITAH for telling my wife I don't give a damn how she drives when it's just her and her kids in the car but if me or our kids are in it she must be safe March 25, 2024
My wife had two kids before we got married and the have an actively involved father. We have had two children of our own.
My wife is a terrible driver but she refuses to acknowledge this. She has been in multiple accidents and even had her license suspended. Not for a DUI or anything. Just because she is a shitty driver. She will do stuff like reach into the back seat to deal with a kid rather than either pull over or let me or one of the older kids deal with it.
She got t-boned in August last year because she took her foot off the brake at a red light to pick up my son's soother that had fallen out. She didn't put the car in park. Thankfully only she was injured. All four kids were in the car.
I have had it. I told her that she is welcome to endanger herself and her kids. But that if I am in the car or if our children are in the car she will keep her eyes on the road and her hands on the steering wheel.
She is finally at the point in her rehab where she can drive again. I reminded her of what I said. I told her that I loved her. I said that her older kids were important to me and that I loved them too. But I told her that if she ever decided to do stupid shit while driving our relationship would be over and I would make it part of our divorce that she NOT be allowed to drive with my kids in the car.
She started crying and said she didn't do it on purpose. I asked her how exactly she took her hands off the wheel, took off her seatbelt, took her foot off the brake, and turned around to pick up the soother by accident. She said that I'm treating her like an idiot. I don't think I am. My children have to be safe.
Before you ask I try and do as much of the driving as I possibly can. I have stopped drinking when we go out. I traded in my car that I loved for an SUV so there is room for all of us. I offered to pay for Uber so she didn't have to drive if I wasn't available. She actually likes driving.
Her ex and her parents are on my side. He also told her that if she ever thinks about endangering his kids and he would either go for full custody or ask that she be barred from driving with his kids in the car. Her parents have threatened to stop helping her pay her stupid high insurance premiums.
She thinks we are being unfair because she loves her kids and would never intentionally harm them. She just loses concentration when one of the kids needs something and doesn't think to ask for help.
RELEVANT COMMENTS
Commenter

The part I’m hung up on is “you don’t care how she drives with her kids or if she’s alone”. If you care about her, you should. This part is alienating.
The topic itself; NTA. How you’re approaching it sounds like YTA.
Edit: I’m not defending her feelings. I’m saying all kids should be protected.

OOP

You have no idea how many times I have begged her to drive safely. But I agree that I should have been nicer.

~
I3ex_G

Yta, she’s already shown you she’s a horrible driver, why do you keep giving her changes. Tell her she doesn’t drive with any kids anymore. Her whole excuse of “I didn’t do it on purpose” she can say at the eulogy of your dead kid. Why are you guys giving her more chances? She can kill herself if she wants but ALL kids shouldn’t be in a car when she is behind the wheel. Any kids need a driver and you/ex are busy, than it’s an Uber. No excuse and no more chances

OOP

That's where we are at now. Our older kids have told her straight up that they will get out of the car or call the cops if she can't be safe.

~
Commenter

It’s the “when it’s just her and her kids” but not “me and my kids” you’re a family and this distinction alone makes you an asshole regardless of how horrible she is at driving.
If it’s that bad, you drive. And love your spouse’s kids as your own, otherwise what’s the fucking point of being a family? You remind me of my step mother because this is how she feels about me, and even after 20 years it still hurts.

OOP

Time number five. I contacted her ex husband to deal with her regarding their kids from the hospital on the day of the accident. I made sure his kids as well as mine were okay and I told him that I was basically forbidding her from driving my kids around but obviously I could not do that for his. He was at the hospital within half an hour. He agreed with me.

AITAH for initiating a divorce while my wife is in the hospital after a car accident. May 14, 2024
My wife was involved in a single vehicle accident. She was seriously injured but thank goodness no one else was in the car with her.
I have spoke to her about her driving habits and I warned her. I went to see her in the hospital and then I went to a lawyer. I am also going for full custody with only supervised visitation for her.
I am sick to death of her driving habits and I will not wait for her to injure or kill one of our kids with her bullshit.
I feel bad for doing this while she is in the hospital and facing charges. But I can't take any more chances on her.
RELEVANT COMMENTS
soycrockpot

Can you tell us more about her driving habits? Her age? Her health? Is she driving drunk? Is it something that can be worked on/is she willing to change? 100000% the kids safety comes first PERIOD. But are you ready to end a marriage without exhausting all possible options? Or maybe you have and those details aren't in your post? Forgive all my questions haha, just truly curious as to more details on the situation.
Regardless, I would document all the instances/dates of her reckless driving to have that info ready and keep the kids from riding with her at all costs.
Do other people in her life see this issue? Have other people tried to talk to her about it?? Ok that's all my questions for now. 😂

OOP

She has been in several serious accidents from getting distracted while driving. She was still doing rehab from her last accident when this one happened.

~
emjkr

NTA I remember your last post. Protect yourself and your kids.

OOP

I can't believe it happened this quickly. I'm just glad none of the kids were with her.

emjkr

I definitely understand that! Has she said anything about the new accident? Realised that she got a problem? If I remember right she was very upset about you stating that she should not drive with the kids in the car anymore.

OOP

She left some paperwork in the back seat. So she parked. Then she went to grab it. Unfortunately she left the car in gear and stepped on the gas and drove into a canal by the mall. I'm just done.

THIS IS A REPOST SUB - I AM NOT THE OOP
DO NOT CONTACT THE OOP's OR COMMENT ON LINKED POSTS, REMEMBER - RULE 7

Hey guys. I've got a little bit of cash burning a hole in my pocket ($200ish). I'm trying to figure out what I should spend it on. I'm on a 22 SJ Alloy that I've speced up a considerable amount thanks to PB and FB marketplace take-off's. Upgrades include RF Atlas pedals, XX1 chain, X01 cassette, GX cranks/derailleushifter, RF AR30 wheels, Fox 34 up front, DPS in the rear, Code RSC brakes, conti 2.4 tires, loam dropper lever, and PNW bars. The dropper, stem, and saddle are pretty much it for remaining stock parts. What would you guys throw the money at? Thanks in advance everyone!

I stumbled upon a barely used ford bronco sport today that has a salvage/rebuilt title. I typically steer away from them but the damage seems so minimal that I feel like it kinda doesn’t even matter that it’s salvaged. But I also don’t know anything about car repairs either so someone tell me if I’m stupid here! I’ll include the listing description in this post for anyone who can give some thoughts.
I also plan to run the car to the ground. I know salvage titles are basically impossible to resell/trade in for any sort of money but that’s not my goal in the end so my question is how risky does this sound? If there was no serious damage, can I expect the car to run as it would if there was no damage at all? Is there a possibility that the car could have underlying issues related to the damage down the road? Thanks in advance. Here’s the listing description from the dealer:
“Fully certified by N.H. DOT This clean 1 Owner with 8k low mileage 2023 Ford Bronco Sport Big Bend Edition has a salvage/rebuilt title. Fully documented with before and after pictures. The vehicle was hit light in the rear, with no frame damage, no chassis damage, and no airbag deployment. Replaced the rear bumper cover assembly, and repaired the rear trunk. All OEM Ford Parts. Fully state inspected and ready to go. Vehicle has a great car-fax service records, just recently serviced newer front and rear brake pads and brake rotors, full synthetic oil and filter change, 4 newer tires with a 4 wheel alignment. As always the vehicle comes with a 30 day / 1000 miles engine and transmission warranty, 20 day temp plate, and a state inspection sticker.”