Glass flange wick inserts wholesale
The Clamp for Every Job: Steel Tube Clamp Guide
2024.05.16 14:27 stvmotorsports01 The Clamp for Every Job: Steel Tube Clamp Guide
 | The unsung heroes of the workshop are steel tube clamps. For a variety of uses, these adaptable tools offer a safe and dependable solution to grip tubes and pipes. But it can be overwhelming to choose the Best steel tube clamp because there are so many options. With the help of this guide, you will be able to choose the ideal steel tube clamp for your upcoming project and make sense of the vast universe of them. submitted by stvmotorsports01 to u/stvmotorsports01 [link] [comments] Steel Tube Clamp Understanding Steel Tube Clamps Fundamentally, steel tube clamps are composed of sturdy steel and are intended to enclose a tube and securely keep it in place. To accommodate varying tube diameters and project requirements, they are available in an assortment of sizes and shapes. Here's a summary of some important components: Material: Steel is the best option because of its robustness and longevity. Nonetheless, certain clamps may have nylon or plastic parts for increased traction or resistance against corrosion. Clamp Body: This is the principal framework encircling the tube. Swivel, saddle, and U-shaped clamps are typical forms. Fastening Mechanism: The clamp encircles the tube tighter in this manner. Common alternatives include screws, nuts, and levers; some clamps have quick-release mechanisms. Mounting Points: For simple attachment to surfaces or other clamps, some clamps come with pre-drilled holes or slots. Choosing the Right Steel Tube Clamp: Now that you know the fundamentals, let's look at some things to think about while choosing your steel tube clamp: Tube Size: This is very important. Clamps are made to suit certain sizes of tubes. Make sure the clamp you select completely encloses the tube, leaving no room for expansion. Application:Are you making a railing, assembling furniture, or fastening pipes? Different clamping force and adjustability levels are needed for different applications. Weight Capacity: Think about the weight that the clamp must hold. Stronger applications are intended for heavier clamps. Environment: Will there be wetness or extreme weather where the clamp is exposed? If necessary, choose materials like stainless steel that are resistant to corrosion. Adjustability: Certain clamps have rotating or swiveling capabilities that allow the tube to be positioned more freely. Popular Steel Tube Clamp Types: Your selection process can be streamlined by having a basic awareness of the most prevalent types of steel tube clamps: U-Clamp: The most popular, with a straightforward U-shaped body and a bolt or screw for fastening. Excellent for simple uses. Saddle Clamp: is perfect for fastening pipes or tubes against flat surfaces since it wraps around the tube from one side. Swivel Clamp: It enables the tube within the clamp body to rotate 360 degrees, making it ideal for handrails or adjustable joints. Flange Clamp:It has a level base that allows the clamp to be mounted to a surface and provides extra stability for vertical supports. Double Clamp: joins two tubes at a 90-degree angle, making it ideal for corners and frame construction. Beyond the Basics: Although they encompass the most common varieties, customized steel tube clamps are offered for particular applications, such exhaust system muffler clamps or padded clamps for delicate tube protection. Tips and Tricks for Using Steel Tube Clamps: Use the right size clamp: A clamp that is too tight could harm the tube, while one that is too slack would undermine stability. Tighten clamps evenly: This keeps the tube from warping and guarantees a firm grip. Consider using inserts: Inserts made of rubber or plastic can improve grip and shield the tube from scratches. Inspect clamps regularly: Performance might be impacted by wear and tear over time. Replace any broken clamps for maximum security. Knowing the many kinds of steel tube clamps and how they work will help you choose the appropriate instrument with assurance and ensure a safe and effective project. Thus, keep in mind the strength and adaptability of steel tube clamps the next time you work on a project involving tubes or pipes! |
2024.05.16 14:09 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Lore (Factory New), B/O: $7194.77
★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74
⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
★ M9 Bayonet Stained (Well-Worn), B/O: $529.41
★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39
⎯★ Talon Knife Doppler (Factory New), B/O: $1295.27
★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28
★ Karambit Bright Water (Field-Tested), B/O: $688.15
⎯★ Flip Knife Doppler (Factory New), B/O: $547.93
★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69
★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18
★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83
★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64
⎯★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04
★ Stiletto Knife Doppler (Factory New), B/O: $665.41
★ Stiletto Knife, B/O: $601.39
★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25
★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80
★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96
★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79
⎯★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11
★ Nomad Knife Scorched (Field-Tested), B/O: $169.78
★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88
★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79
⎯★ Skeleton Knife Stained (Well-Worn), B/O: $442.05
★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24
★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03
★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28
★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53
⎯★ Ursus Knife Doppler (Factory New), B/O: $557.12
★ Ursus Knife, B/O: $471.42
★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37
★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66
★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18
★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13
★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26
⎯★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83
★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50
★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11
⎯★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02
★ Bowie Knife, B/O: $230.44
★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20
★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51
★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03
⎯★ Falchion Knife Night (Field-Tested), B/O: $132.54
★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81
★ Falchion Knife Scorched (Field-Tested), B/O: $108.81
★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82
★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46
★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08
⎯★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48
★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12
⎯★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26
★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03
⎯★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79
★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17
★ Gut Knife Doppler (Factory New), B/O: $246.55
★ Gut Knife Marble Fade (Factory New), B/O: $240.77
★ Gut Knife, B/O: $210.49
★ Gut Knife Lore (Field-Tested), B/O: $194.22
★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51
★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94
★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99
★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80
★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96
⎯★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92
★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03
★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22
★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40
★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42
★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20
★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46
⎯★ Navaja Knife Fade (Factory New), B/O: $365.99
★ Navaja Knife Doppler (Factory New), B/O: $228.93
★ Navaja Knife Marble Fade (Factory New), B/O: $227.43
★ Navaja Knife Slaughter (Factory New), B/O: $209.06
★ Navaja Knife, B/O: $203.16
★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57
★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69
★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95
★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41
★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01
★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95
GLOVES
★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67
★ Sport Gloves Omega (Well-Worn), B/O: $572.33
★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88
★ Sport Gloves Big Game (Field-Tested), B/O: $323.66
⎯★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07
★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57
★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
⎯★ Moto Gloves POW! (Minimal Wear), B/O: $996.99
★ Moto Gloves POW! (Field-Tested), B/O: $383.31
★ Moto Gloves POW! (Well-Worn), B/O: $276.00
★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
⎯★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01
★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
⎯★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88
★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55
⎯★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94
★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55
WEAPONS
AK-47 X-Ray (Well-Worn), B/O: $478.95
AUG Hot Rod (Factory New), B/O: $425.83
StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95
M4A4 Daybreak (Factory New), B/O: $309.51
StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43
AK-47 Case Hardened (Well-Worn), B/O: $196.38
StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64
P90 Run and Hide (Field-Tested), B/O: $167.03
AWP Asiimov (Field-Tested), B/O: $153.33
Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00
M4A1-S Printstream (Battle-Scarred), B/O: $124.70
StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48
AWP Asiimov (Well-Worn), B/O: $115.97
StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96
StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85
Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42
AK-47 Bloodsport (Minimal Wear), B/O: $100.53
Trade Offer Link - Steam Profile Link - My Inventory
Some items on the list may no longer be available or are still locked, visit My Inventory for more details.
Send a Trade Offer for fastest response. I consider all offers.
Add me for discuss if there is a serious offer that needs to be discussed.
2024.05.16 13:57 sultaan121 Foggy / unclear lens
Hi guys Ive been recently wearing my sclerals right after I wake up usually I don’t and wait a little while like an hour or so then put them in but ever since I started doing this the lens seems really unclear, the same as if your glasses lens was smudged and foggy. It clears up after a while but was wondering why this happens and it can be quite fustrating. Is it dry eyes right from waking up or something? If I put some of the saline drops in my eyes before putting them in will that help? I usually fill the lens with saline anyways before inserting but unsure what could be causing this initial fogginess
submitted by sultaan121 to Keratoconus [link] [comments]
2024.05.16 13:30 Odd-Hand-2026 I stopped by Haims new store got some glasses. He wasn’t there but i spoke to him on the phone.. he had black girls working for him they were nice. He told them who i was . I paid close to wholesale.. so there was no retail price paid.
 | submitted by Odd-Hand-2026 to u/Odd-Hand-2026 [link] [comments] |
2024.05.16 09:55 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Lore (Factory New), B/O: $7194.77
★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74
⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
★ M9 Bayonet Stained (Well-Worn), B/O: $529.41
★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39
⎯★ Talon Knife Doppler (Factory New), B/O: $1295.27
★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28
★ Karambit Bright Water (Field-Tested), B/O: $688.15
⎯★ Flip Knife Doppler (Factory New), B/O: $547.93
★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69
★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18
★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83
★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64
⎯★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04
★ Stiletto Knife Doppler (Factory New), B/O: $665.41
★ Stiletto Knife, B/O: $601.39
★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25
★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80
★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96
★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79
⎯★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11
★ Nomad Knife Scorched (Field-Tested), B/O: $169.78
★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88
★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79
⎯★ Skeleton Knife Stained (Well-Worn), B/O: $442.05
★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24
★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03
★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28
★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53
⎯★ Ursus Knife Doppler (Factory New), B/O: $557.12
★ Ursus Knife, B/O: $471.42
★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37
★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66
★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18
★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13
★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26
⎯★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83
★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50
★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11
⎯★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02
★ Bowie Knife, B/O: $230.44
★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20
★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51
★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03
⎯★ Falchion Knife Night (Field-Tested), B/O: $132.54
★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81
★ Falchion Knife Scorched (Field-Tested), B/O: $108.81
★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82
★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46
★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08
⎯★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48
★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12
⎯★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26
★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03
⎯★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79
★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17
★ Gut Knife Doppler (Factory New), B/O: $246.55
★ Gut Knife Marble Fade (Factory New), B/O: $240.77
★ Gut Knife, B/O: $210.49
★ Gut Knife Lore (Field-Tested), B/O: $194.22
★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51
★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94
★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99
★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80
★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96
⎯★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92
★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03
★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22
★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40
★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42
★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20
★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46
⎯★ Navaja Knife Fade (Factory New), B/O: $365.99
★ Navaja Knife Doppler (Factory New), B/O: $228.93
★ Navaja Knife Marble Fade (Factory New), B/O: $227.43
★ Navaja Knife Slaughter (Factory New), B/O: $209.06
★ Navaja Knife, B/O: $203.16
★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57
★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69
★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95
★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41
★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01
★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95
GLOVES
★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67
★ Sport Gloves Omega (Well-Worn), B/O: $572.33
★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88
★ Sport Gloves Big Game (Field-Tested), B/O: $323.66
⎯★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07
★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57
★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
⎯★ Moto Gloves POW! (Minimal Wear), B/O: $996.99
★ Moto Gloves POW! (Field-Tested), B/O: $383.31
★ Moto Gloves POW! (Well-Worn), B/O: $276.00
★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
⎯★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01
★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
⎯★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88
★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55
⎯★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94
★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55
WEAPONS
AK-47 X-Ray (Well-Worn), B/O: $478.95
AUG Hot Rod (Factory New), B/O: $425.83
StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95
M4A4 Daybreak (Factory New), B/O: $309.51
StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43
AK-47 Case Hardened (Well-Worn), B/O: $196.38
StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64
P90 Run and Hide (Field-Tested), B/O: $167.03
AWP Asiimov (Field-Tested), B/O: $153.33
Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00
M4A1-S Printstream (Battle-Scarred), B/O: $124.70
StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48
AWP Asiimov (Well-Worn), B/O: $115.97
StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96
StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85
Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42
AK-47 Bloodsport (Minimal Wear), B/O: $100.53
Trade Offer Link - Steam Profile Link - My Inventory
Some items on the list may no longer be available or are still locked, visit My Inventory for more details.
Send a Trade Offer for fastest response. I consider all offers.
Add me for discuss if there is a serious offer that needs to be discussed.
2024.05.16 09:46 QuailForward3418 Gaslighting Partner
Im M28 and my partner is F27. We’ve been living together for 5 plus years now in an apartment. Recently, I think she gaslighted me - it’s a sunday, I woke up late as I streamed and played a game late the night before.
She woke me up as she cooked eggs and as I was eating, she already finished eating then told me to get up and get the clothes outside. Im fine with it initially as I asked her if I can just finish my eating then I’ll do that. To my shock, she said it cant wait and it’ll be quick. I was asking her if she was joking and as she was leaving to the room she said she wasn’t and closed the door.
I stood up, stopped eating, and followed her to the room asking if she really was joking because I’m still eating and she said she wasn’t. She knows this would frustrate me and I was disappointed and frustrated already I told her why it cant wait as Im still eating, I was asking her what’s with the rush and stuff but she just ignored me and opened her laptop to watch netflix. She ignored me and I was really frustrated. I stopped eating completely, got the hanging clothes outside (which is shaded by the way), I even hanged the newly washed clothes from the washing machine and washed the dishes as well.
We are ignoring each other for about a week now. I still do my normal routing including my solo walks every afternoon and lately it’s been giving me clarity and a moment to think if this relationship is worth it. Of course, this is not the first instance that this happened and recently I just got laid off from my work and it’s too much stress for me to handle. She knows that it takes a lot for me to get through my family problems, recent career problems, Im also not getting younger and the future worries me as I still can’t buy a house or be financially stable to provide for my future family. There are also other instances where she knows it will get me mad and frustrated so she does it or says it. There are also instances where she told me something but when I confirm it with her, she denies it when I really remember that she said it. Another instance which might seem like a little basic is when she gets cold water from the fridge and she returns the glass of water empty or only halfed - I told her to always refill it so we can drink cold water since we dont have a water dispenser and only relies on putting water in the fridge to make it cold. Whenever I ask her why the bottle is empty or halfed, she always denies its her and it’s obviously just the two of us in our apartment.
Another example is she has been asking me if she can loan money from me to buy an ipad but I told her I don’t have much savings and Im planning to go abroad so we have to save as much as we can as were both not from wealthy families, she also has a laptop and an android tablet and whenever I ask her what she will use it for she says just for watching movies and it’s apple - she keeps on repeating this and I always ask her why she can’t but it herself as we’re both working but then she always says she’s just joking but then when she constantly repeats it. I also referred her to my work (which I recently got laid off) even though she has no tech background and she got the job. I thought this could help her buy her mac/ipad. Recently, she bought a macbook thru her colleague’s credit card (she would pay her coworker for 2 months) - she could use this for both work and watching netflix.
I’m not perfect but I keep on telling her I just need peace of mind and for us not to fight and I can continue to fight life and get my stuff together but she is not helping. I have been also waiting for her to initiate and apologize but she appears to be okay even singing (We stay in one room). It’s like she does that care.
Since I’m working from home, I recently tried to work in cafes to get a different environment and think more and she has not sent me a single message to apologize or anything. Her work is only a 3 minute walk from our apartment.
NSFW: Don’t know if this helps but our sexual relationship is pretty normal I think, we have sex like twice or thrice a week (more frequent maybe 3 times or more a week when she’s safe) and just 2 weeks ago she was safe and we just had sex and she says it’s amazing but most of the time I finish before her (about 15 minutes or less I think - she has a nice body I really can’t help it). Last month she also opened up about wanting a sex toy (dildo) and I bought her that and she asks me if I like it when she uses it when we’re making love and I say yeah. Our most recent sex, she made me go outside the room for a couple of minutes then when I went inside she was using the dildo and I made her orgasm with the dildo while licking her clit. Then we do the usual sex without the toy. I noticed however that she denies having orgasm from the toy when I literally see it then she wants the toy removed and she wants my d inserted the .
Tldr: Is my girlfriend gaslighting me? She doesn’t respect my time of eating and she also has been ignoring me and does not appear to care for the past week.
Thanks in advance for thoughts/inputs. Would like to apologize for any grammatical errors if any - Im kind of winging everything right now.
submitted by QuailForward3418 to relationships [link] [comments]
She woke me up as she cooked eggs and as I was eating, she already finished eating then told me to get up and get the clothes outside. Im fine with it initially as I asked her if I can just finish my eating then I’ll do that. To my shock, she said it cant wait and it’ll be quick. I was asking her if she was joking and as she was leaving to the room she said she wasn’t and closed the door.
I stood up, stopped eating, and followed her to the room asking if she really was joking because I’m still eating and she said she wasn’t. She knows this would frustrate me and I was disappointed and frustrated already I told her why it cant wait as Im still eating, I was asking her what’s with the rush and stuff but she just ignored me and opened her laptop to watch netflix. She ignored me and I was really frustrated. I stopped eating completely, got the hanging clothes outside (which is shaded by the way), I even hanged the newly washed clothes from the washing machine and washed the dishes as well.
We are ignoring each other for about a week now. I still do my normal routing including my solo walks every afternoon and lately it’s been giving me clarity and a moment to think if this relationship is worth it. Of course, this is not the first instance that this happened and recently I just got laid off from my work and it’s too much stress for me to handle. She knows that it takes a lot for me to get through my family problems, recent career problems, Im also not getting younger and the future worries me as I still can’t buy a house or be financially stable to provide for my future family. There are also other instances where she knows it will get me mad and frustrated so she does it or says it. There are also instances where she told me something but when I confirm it with her, she denies it when I really remember that she said it. Another instance which might seem like a little basic is when she gets cold water from the fridge and she returns the glass of water empty or only halfed - I told her to always refill it so we can drink cold water since we dont have a water dispenser and only relies on putting water in the fridge to make it cold. Whenever I ask her why the bottle is empty or halfed, she always denies its her and it’s obviously just the two of us in our apartment.
Another example is she has been asking me if she can loan money from me to buy an ipad but I told her I don’t have much savings and Im planning to go abroad so we have to save as much as we can as were both not from wealthy families, she also has a laptop and an android tablet and whenever I ask her what she will use it for she says just for watching movies and it’s apple - she keeps on repeating this and I always ask her why she can’t but it herself as we’re both working but then she always says she’s just joking but then when she constantly repeats it. I also referred her to my work (which I recently got laid off) even though she has no tech background and she got the job. I thought this could help her buy her mac/ipad. Recently, she bought a macbook thru her colleague’s credit card (she would pay her coworker for 2 months) - she could use this for both work and watching netflix.
I’m not perfect but I keep on telling her I just need peace of mind and for us not to fight and I can continue to fight life and get my stuff together but she is not helping. I have been also waiting for her to initiate and apologize but she appears to be okay even singing (We stay in one room). It’s like she does that care.
Since I’m working from home, I recently tried to work in cafes to get a different environment and think more and she has not sent me a single message to apologize or anything. Her work is only a 3 minute walk from our apartment.
NSFW: Don’t know if this helps but our sexual relationship is pretty normal I think, we have sex like twice or thrice a week (more frequent maybe 3 times or more a week when she’s safe) and just 2 weeks ago she was safe and we just had sex and she says it’s amazing but most of the time I finish before her (about 15 minutes or less I think - she has a nice body I really can’t help it). Last month she also opened up about wanting a sex toy (dildo) and I bought her that and she asks me if I like it when she uses it when we’re making love and I say yeah. Our most recent sex, she made me go outside the room for a couple of minutes then when I went inside she was using the dildo and I made her orgasm with the dildo while licking her clit. Then we do the usual sex without the toy. I noticed however that she denies having orgasm from the toy when I literally see it then she wants the toy removed and she wants my d inserted the .
Tldr: Is my girlfriend gaslighting me? She doesn’t respect my time of eating and she also has been ignoring me and does not appear to care for the past week.
Thanks in advance for thoughts/inputs. Would like to apologize for any grammatical errors if any - Im kind of winging everything right now.
2024.05.16 08:25 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
★ Butterfly Knife Lore (Factory New), B/O: $7194.77
★ Butterfly Knife Autotronic (Minimal Wear), B/O: $2025.74
⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
★ M9 Bayonet Stained (Well-Worn), B/O: $529.41
★ M9 Bayonet Boreal Forest (Field-Tested), B/O: $465.39
⎯★ Talon Knife Doppler (Factory New), B/O: $1295.27
★ Bayonet Tiger Tooth (Minimal Wear), B/O: $746.28
★ Karambit Bright Water (Field-Tested), B/O: $688.15
⎯★ Flip Knife Doppler (Factory New), B/O: $547.93
★ Flip Knife Autotronic (Minimal Wear), B/O: $476.69
★ Flip Knife Case Hardened (Battle-Scarred), B/O: $278.18
★ Flip Knife Black Laminate (Well-Worn), B/O: $258.83
★ Flip Knife Urban Masked (Field-Tested), B/O: $181.64
⎯★ Stiletto Knife Marble Fade (Factory New), B/O: $686.04
★ Stiletto Knife Doppler (Factory New), B/O: $665.41
★ Stiletto Knife, B/O: $601.39
★ Stiletto Knife Crimson Web (Field-Tested), B/O: $418.25
★ Stiletto Knife Night Stripe (Field-Tested), B/O: $227.80
★ Stiletto Knife Boreal Forest (Field-Tested), B/O: $194.96
★ Stiletto Knife Safari Mesh (Field-Tested), B/O: $192.79
⎯★ Nomad Knife Crimson Web (Field-Tested), B/O: $518.11
★ Nomad Knife Scorched (Field-Tested), B/O: $169.78
★ Nomad Knife Forest DDPAT (Battle-Scarred), B/O: $166.88
★ StatTrak™ Nomad Knife Blue Steel (Field-Tested), B/O: $335.79
⎯★ Skeleton Knife Stained (Well-Worn), B/O: $442.05
★ Skeleton Knife Urban Masked (Minimal Wear), B/O: $426.24
★ Skeleton Knife Boreal Forest (Field-Tested), B/O: $314.03
★ StatTrak™ Skeleton Knife Fade (Minimal Wear), B/O: $2361.28
★ StatTrak™ Skeleton Knife Urban Masked (Field-Tested), B/O: $376.53
⎯★ Ursus Knife Doppler (Factory New), B/O: $557.12
★ Ursus Knife, B/O: $471.42
★ Ursus Knife Blue Steel (Minimal Wear), B/O: $212.37
★ Ursus Knife Case Hardened (Battle-Scarred), B/O: $187.66
★ Ursus Knife Damascus Steel (Field-Tested), B/O: $178.18
★ Ursus Knife Ultraviolet (Battle-Scarred), B/O: $155.13
★ Ursus Knife Boreal Forest (Battle-Scarred), B/O: $124.26
⎯★ Huntsman Knife Black Laminate (Minimal Wear), B/O: $204.83
★ Huntsman Knife Black Laminate (Field-Tested), B/O: $184.50
★ StatTrak™ Huntsman Knife Lore (Battle-Scarred), B/O: $224.11
⎯★ Bowie Knife Gamma Doppler (Factory New), B/O: $2142.02
★ Bowie Knife, B/O: $230.44
★ Bowie Knife Damascus Steel (Factory New), B/O: $209.20
★ Bowie Knife Ultraviolet (Minimal Wear), B/O: $180.51
★ Bowie Knife Ultraviolet (Field-Tested), B/O: $131.03
⎯★ Falchion Knife Night (Field-Tested), B/O: $132.54
★ Falchion Knife Urban Masked (Well-Worn), B/O: $112.81
★ Falchion Knife Scorched (Field-Tested), B/O: $108.81
★ Falchion Knife Forest DDPAT (Field-Tested), B/O: $107.82
★ Falchion Knife Safari Mesh (Field-Tested), B/O: $107.46
★ StatTrak™ Falchion Knife Ultraviolet (Field-Tested), B/O: $143.08
⎯★ Paracord Knife Crimson Web (Minimal Wear), B/O: $486.48
★ Paracord Knife Blue Steel (Battle-Scarred), B/O: $163.12
⎯★ Survival Knife Blue Steel (Battle-Scarred), B/O: $138.26
★ Survival Knife Night Stripe (Field-Tested), B/O: $131.03
⎯★ Gut Knife Sapphire (Minimal Wear), B/O: $1127.79
★ Gut Knife Gamma Doppler (Factory New), B/O: $286.17
★ Gut Knife Doppler (Factory New), B/O: $246.55
★ Gut Knife Marble Fade (Factory New), B/O: $240.77
★ Gut Knife, B/O: $210.49
★ Gut Knife Lore (Field-Tested), B/O: $194.22
★ Gut Knife Case Hardened (Battle-Scarred), B/O: $151.51
★ Gut Knife Blue Steel (Minimal Wear), B/O: $124.94
★ Gut Knife Rust Coat (Well-Worn), B/O: $118.99
★ Gut Knife Boreal Forest (Minimal Wear), B/O: $109.80
★ StatTrak™ Gut Knife Doppler (Factory New), B/O: $237.96
⎯★ Shadow Daggers Gamma Doppler (Factory New), B/O: $264.92
★ Shadow Daggers Marble Fade (Factory New), B/O: $253.03
★ Shadow Daggers Tiger Tooth (Factory New), B/O: $237.22
★ Shadow Daggers Crimson Web (Field-Tested), B/O: $153.40
★ Shadow Daggers Autotronic (Minimal Wear), B/O: $144.42
★ Shadow Daggers Blue Steel (Field-Tested), B/O: $105.20
★ StatTrak™ Shadow Daggers Damascus Steel (Minimal Wear), B/O: $150.46
⎯★ Navaja Knife Fade (Factory New), B/O: $365.99
★ Navaja Knife Doppler (Factory New), B/O: $228.93
★ Navaja Knife Marble Fade (Factory New), B/O: $227.43
★ Navaja Knife Slaughter (Factory New), B/O: $209.06
★ Navaja Knife, B/O: $203.16
★ Navaja Knife Case Hardened (Well-Worn), B/O: $132.57
★ Navaja Knife Damascus Steel (Factory New), B/O: $121.69
★ Navaja Knife Damascus Steel (Minimal Wear), B/O: $109.95
★ Navaja Knife Damascus Steel (Field-Tested), B/O: $100.41
★ StatTrak™ Navaja Knife Fade (Factory New), B/O: $369.01
★ StatTrak™ Navaja Knife Damascus Steel (Field-Tested), B/O: $109.95
GLOVES
★ Sport Gloves Amphibious (Minimal Wear), B/O: $2394.67
★ Sport Gloves Omega (Well-Worn), B/O: $572.33
★ Sport Gloves Bronze Morph (Minimal Wear), B/O: $338.88
★ Sport Gloves Big Game (Field-Tested), B/O: $323.66
⎯★ Specialist Gloves Marble Fade (Minimal Wear), B/O: $1652.07
★ Specialist Gloves Tiger Strike (Field-Tested), B/O: $599.14
★ Specialist Gloves Crimson Web (Well-Worn), B/O: $231.57
★ Specialist Gloves Buckshot (Minimal Wear), B/O: $126.21
⎯★ Moto Gloves POW! (Minimal Wear), B/O: $996.99
★ Moto Gloves POW! (Field-Tested), B/O: $383.31
★ Moto Gloves POW! (Well-Worn), B/O: $276.00
★ Moto Gloves Turtle (Field-Tested), B/O: $180.28
⎯★ Hand Wraps CAUTION! (Minimal Wear), B/O: $502.29
★ Hand Wraps Giraffe (Minimal Wear), B/O: $180.73
★ Hand Wraps CAUTION! (Battle-Scarred), B/O: $178.32
⎯★ Driver Gloves Queen Jaguar (Minimal Wear), B/O: $181.01
★ Driver Gloves Rezan the Red (Field-Tested), B/O: $101.66
⎯★ Broken Fang Gloves Jade (Field-Tested), B/O: $127.88
★ Broken Fang Gloves Needle Point (Minimal Wear), B/O: $124.55
⎯★ Bloodhound Gloves Guerrilla (Minimal Wear), B/O: $127.94
★ Hydra Gloves Case Hardened (Field-Tested), B/O: $102.55
WEAPONS
AK-47 X-Ray (Well-Worn), B/O: $478.95
AUG Hot Rod (Factory New), B/O: $425.83
StatTrak™ M4A1-S Hyper Beast (Factory New), B/O: $413.95
M4A4 Daybreak (Factory New), B/O: $309.51
StatTrak™ AK-47 Aquamarine Revenge (Factory New), B/O: $305.43
AK-47 Case Hardened (Well-Worn), B/O: $196.38
StatTrak™ M4A4 Temukau (Minimal Wear), B/O: $174.64
P90 Run and Hide (Field-Tested), B/O: $167.03
AWP Asiimov (Field-Tested), B/O: $153.33
Souvenir SSG 08 Death Strike (Minimal Wear), B/O: $140.00
M4A1-S Printstream (Battle-Scarred), B/O: $124.70
StatTrak™ M4A1-S Golden Coil (Field-Tested), B/O: $117.48
AWP Asiimov (Well-Worn), B/O: $115.97
StatTrak™ Desert Eagle Printstream (Minimal Wear), B/O: $112.96
StatTrak™ AK-47 Asiimov (Minimal Wear), B/O: $110.85
Souvenir M4A1-S Master Piece (Well-Worn), B/O: $102.42
AK-47 Bloodsport (Minimal Wear), B/O: $100.53
Trade Offer Link - Steam Profile Link - My Inventory
Some items on the list may no longer be available or are still locked, visit My Inventory for more details.
Send a Trade Offer for fastest response. I consider all offers.
Add me for discuss if there is a serious offer that needs to be discussed.
2024.05.16 07:56 Sudden-Tumbleweed-19 England [GB], BOOKER GROUP, Part Time Catering Assistant
About the role
Food Safety level 2 & experience desired. Role Responsibility
Ordering of Stock for food preparation and vending machines
Responsibility for Stock Management and Stock Control
Code checking and checking quality of stock
Preparation of food in accordance with food hygiene requirements
Vending machine replenishment and management i.e price changes, cleaning and cash collection
Hospitality Support
Assist in maintaining housekeeping in the canteen & kitchen facilities, dining area and Kitchen counters
Adhere to food hygiene/HACCP/Allegen/COSHH Guidelines at all times
Maintain due diligence on temperature controls and code dates
You will need
Cooking experience is essential.
The ideal candidate will have an excellent attitude towards customer service with a friendly outgoing personality and be used to working within a team environment.
A high standard of presentation and the ability to work within a team producing and serving a varied menu to colleagues and visitors on site
The ideal candidate will be required to prepare, cook and serve food along with cleaning duties and stock vending machines.
The successful candidate will ideally have a Hygiene Certificate
Whats in it for you
At Booker, along with being a great place to work and giving you an opportunity to get on in your career, we also offer the following fantastic package of benefits:
A Booker colleague card with 10% off purchases at Booker and double discount events up to three times a year. After 3 months service, a Tesco colleague discount card with 10% increasing to 15% off most purchases at Tesco for a 4 day period after every four-weekly pay day, ie. thirteen times a year. In addition to 10% off at Tesco Cafe and 20% off all F&F purchases. 10% off pay monthly & SIM only deals with Tesco Mobile for yourself, along with further great deals through-out the year. Up to 30% off car, pet and home insurance at Tesco bank. Terms and conditions apply. Free eye test when you spend £50 or more. You can also save 30% when you spend £50 or more on glasses, prescription sunglasses and contact lenses. 50% off health checks at Tesco Pharmacy. Exclusive access to discounted RAC breakdown cover rates An exclusive deals and discounts website saving you money on everyday purchases including a cycle to work scheme. After 3 months service, you can join our annual Save As You Earn share scheme which allows you to buy Tesco shares in the future at a discount. Retirement savings plan (pension) - save up to 5% and Booker will match your contribution. Life Assurance - You are covered for death in service life cover of up to three times annual pay Health and Wellbeing support and resources including our 24/7, confidential Employee Assistance Programme for you and your family. A great holiday package About The Company
Be part of something special. Join our team at Booker.
Booker is the UK’s leading food & drink wholesaler. We are privileged to serve independent retailers, caterers and small businesses, from locations across the country.
Booker Group comprises of Booker Wholesale, Makro, Booker Direct, Classic Drinks, Ritter Courivaud and Chef Direct. Our customers include Premier, Family Shopper, Budgens and Londis retailers and we have one shared aim - improving choice, price and service for all our customers.
Our business is incredibly diverse, so it takes a wide range of skills to deliver the exceptional service our customers require.
Wherever you join us, you’ll be part of an organisation that will help your career to keep moving forward.
Booker Group is part of Tesco plc, however is operated separately from the core Tesco business and as such the benefits offered will be different from those offered at Tesco
Apply here
Via needabarista.co.uk
submitted by Sudden-Tumbleweed-19 to baristajobs [link] [comments]
Food Safety level 2 & experience desired. Role Responsibility
Ordering of Stock for food preparation and vending machines
Responsibility for Stock Management and Stock Control
Code checking and checking quality of stock
Preparation of food in accordance with food hygiene requirements
Vending machine replenishment and management i.e price changes, cleaning and cash collection
Hospitality Support
Assist in maintaining housekeeping in the canteen & kitchen facilities, dining area and Kitchen counters
Adhere to food hygiene/HACCP/Allegen/COSHH Guidelines at all times
Maintain due diligence on temperature controls and code dates
You will need
Cooking experience is essential.
The ideal candidate will have an excellent attitude towards customer service with a friendly outgoing personality and be used to working within a team environment.
A high standard of presentation and the ability to work within a team producing and serving a varied menu to colleagues and visitors on site
The ideal candidate will be required to prepare, cook and serve food along with cleaning duties and stock vending machines.
The successful candidate will ideally have a Hygiene Certificate
Whats in it for you
At Booker, along with being a great place to work and giving you an opportunity to get on in your career, we also offer the following fantastic package of benefits:
A Booker colleague card with 10% off purchases at Booker and double discount events up to three times a year. After 3 months service, a Tesco colleague discount card with 10% increasing to 15% off most purchases at Tesco for a 4 day period after every four-weekly pay day, ie. thirteen times a year. In addition to 10% off at Tesco Cafe and 20% off all F&F purchases. 10% off pay monthly & SIM only deals with Tesco Mobile for yourself, along with further great deals through-out the year. Up to 30% off car, pet and home insurance at Tesco bank. Terms and conditions apply. Free eye test when you spend £50 or more. You can also save 30% when you spend £50 or more on glasses, prescription sunglasses and contact lenses. 50% off health checks at Tesco Pharmacy. Exclusive access to discounted RAC breakdown cover rates An exclusive deals and discounts website saving you money on everyday purchases including a cycle to work scheme. After 3 months service, you can join our annual Save As You Earn share scheme which allows you to buy Tesco shares in the future at a discount. Retirement savings plan (pension) - save up to 5% and Booker will match your contribution. Life Assurance - You are covered for death in service life cover of up to three times annual pay Health and Wellbeing support and resources including our 24/7, confidential Employee Assistance Programme for you and your family. A great holiday package About The Company
Be part of something special. Join our team at Booker.
Booker is the UK’s leading food & drink wholesaler. We are privileged to serve independent retailers, caterers and small businesses, from locations across the country.
Booker Group comprises of Booker Wholesale, Makro, Booker Direct, Classic Drinks, Ritter Courivaud and Chef Direct. Our customers include Premier, Family Shopper, Budgens and Londis retailers and we have one shared aim - improving choice, price and service for all our customers.
Our business is incredibly diverse, so it takes a wide range of skills to deliver the exceptional service our customers require.
Wherever you join us, you’ll be part of an organisation that will help your career to keep moving forward.
Booker Group is part of Tesco plc, however is operated separately from the core Tesco business and as such the benefits offered will be different from those offered at Tesco
Apply here
Via needabarista.co.uk
2024.05.16 07:24 InfantryCop (WTS) Vortex Diamondback, Meprolight Red Dot, AR15 Parts, MFT, Safariland Holsters, Dead Air, MP5 Navy Pictogram Housing & More
Timestamp
Vortex Diamondback 2-7x35 Rimfire w/ mount. Purchased new and it sat on a 10/22 & shot maybe 200 rds. Has extremely minor salt. $160
Surefire DS00 Purchased new last year and never used it. Has some salt from being stored. $90
Meprolight Micro Red Dot Sight Serial & More Purchased new, put it on an AK build but decided to go a different route. Only salt is on the battery cap. (No 2032 included, tossed it before putting it in the safe & no spares) $180
HK German Navy 3-position pictogram housing, clipped & pinned for the SP5 (2nd Owner, was purchased off HKP, who Charges over $750 for this lower)-$470 $450 obo
MFT Minimalist Stock used but not abused. $30
Old USGI J Arm from a bygone era. $22
AR Parts Odin Works Low Profile Handstop MLOK, ambi safety & mag release (all in Chad red). $25
KNS Precision AMCX adapter W/O flange, purchased new and it didn't fit the rear adapter I had. $35
Safariland 27-895, IWB Holster w/ J-Hook for Glock 43. Used off and on for about a year until I got a new carry. $35
Safariland GLS 578 Pro-Fit Compact Holster for Glock 17/28 w/belt loops. Used this for my 45 for in-service classes- $35
Rankin Industries SP4 Coated Trigger Group purchased new and mocked up but never used; as seen here-$40
CZ Shadow 2 Compact OEM Blue grips w/matching OEM magazine release and screws-$35
All NEW.
Dead Air WV205: Wolverine Thread Insert 1/2x28 $65
Dead Air WV206: Wolverine Thread Insert 5/8x24 $65
Dead Air DA411: Ghost fixed mount 1/2x36 $65
Blackhawk Suppressor Thread Mount Gas Can 1/2x28 $60
Thunder Beast Arms Muzzle Brake 30CB in 3/4x24 TPI $95
If interested Make Offers.
Paypal F&F, Prices are TYD
submitted by InfantryCop to GunAccessoriesForSale [link] [comments]
Vortex Diamondback 2-7x35 Rimfire w/ mount. Purchased new and it sat on a 10/22 & shot maybe 200 rds. Has extremely minor salt. $160
Meprolight Micro Red Dot Sight Serial & More Purchased new, put it on an AK build but decided to go a different route. Only salt is on the battery cap. (No 2032 included, tossed it before putting it in the safe & no spares) $180
HK German Navy 3-position pictogram housing, clipped & pinned for the SP5 (2nd Owner, was purchased off HKP, who Charges over $750 for this lower)-
MFT Minimalist Stock used but not abused. $30
Old USGI J Arm from a bygone era. $22
AR Parts Odin Works Low Profile Handstop MLOK, ambi safety & mag release (all in Chad red). $25
KNS Precision AMCX adapter W/O flange, purchased new and it didn't fit the rear adapter I had. $35
Safariland 27-895, IWB Holster w/ J-Hook for Glock 43. Used off and on for about a year until I got a new carry. $35
Safariland GLS 578 Pro-Fit Compact Holster for Glock 17/28 w/belt loops. Used this for my 45 for in-service classes- $35
Rankin Industries SP4 Coated Trigger Group purchased new and mocked up but never used; as seen here-$40
CZ Shadow 2 Compact OEM Blue grips w/matching OEM magazine release and screws-$35
All NEW.
Dead Air WV205: Wolverine Thread Insert 1/2x28 $65
Dead Air WV206: Wolverine Thread Insert 5/8x24 $65
Dead Air DA411: Ghost fixed mount 1/2x36 $65
Blackhawk Suppressor Thread Mount Gas Can 1/2x28 $60
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2024.05.16 05:26 logyost Trying to find a mod that added step assist to my custom modpack
Edit: List alphabetized for readability.
I'm working on a modpack right now and I'm trying to figure out what mod adds step assist so I can get rid of it or config it.
Here's my modlist:
submitted by logyost to feedthebeast [link] [comments]
I'm working on a modpack right now and I'm trying to figure out what mod adds step assist so I can get rid of it or config it.
Here's my modlist:
[EMF] Entity Model Features [Fabric & Forge] (by traben_0) [ETF] Entity Texture Features - [Fabric & Forge] (by traben_0) Absent by Design (by Lothrazar) Ad Astra (by AlexNijjar) Ad Astra: Giselle Addon (by gisellevonbingen) Additional Lanterns (by SuperMartijn642) Additional Lights (by mgen256) Advanced Peripherals (by srrendi) Aether: Lost Content Addon (by ModdingLegacy) AI Improvements (by QueenOfMissiles) Ambient Environment (by Jaredlll08) Amendments (by plantspookable) Apotheosis (by Shadows_of_Fire) Apothic Attributes (AttributesLib) (by Shadows_of_Fire) AppleSkin (by squeek502) Architectury API (Fabric/Forge/NeoForge) (by shedaniel) Artifacts (by ochotonida) Athena (by CodexAdrian) AtomicStryker's Infernal Mobs (by atomicstrykergrumpy) AttributeFix (by DarkhaxDev) Balm (Forge Edition) (by BlayTheNinth) Beautify! 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2024.05.16 03:37 Cydonian___FT14X In anticipation of "Neon Pill" releasing later this week, I went back and reviewed all 5 previous Cage The Elephant albums! I'd love to hear your opinions on my opinions, as well as your takes on these albums in general!
So yeah... this is a post where I review all 5 Cage The Elephant albums. Pretty simple. These are all reviews that I originally wrote on an app/website called "Musicboard" over the past couple weeks, but I've copy-pasted them here for your reading convenience. Hope you enjoy & I hope to to talk about these albums with you!
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I hate to be so predictable, but the best song here is still “Ain’t No Rest for The Wicked”, and it ain’t even close. It’s extremely fun & catchy, it’s the album’s most sonically distinct piece BY FAR, and it’s storytelling/pacing are both absolutely flawless. A track that absolutely deserves it’s iconic status.
Even though the record’s best isn’t up for debate, there are some other pretty good highlights as well. “In One Ear” is a very solid opener for the project, “Judas” gives us consistently excellent lyricism, and “Tiny Little Robots” has an uncharacteristically super atmospheric bridge which makes it stand out quite a bit. It also transitions super smoothly into the following “Lotus” who’s engaging pacing, beautiful chorus, & satisfying climax make it another easy favourite for me.
But then beyond the lovably visceral energy of it’s closer, “Free Love”, Cage The Elephant’s self-titled debut really doesn’t give me a whole lot more to talk about. It’s got consistently great musicianship, a decent number of highlights, and some bizarrely excellent song transitions, but the album has a really bad case of being FAR too samey. Everything outside of the tracks I’ve already mentioned blend together in my mind almost completely. None of them are bad, but none of them are particularly memorable either.
This album is still pretty good at the end of the day, some solid garage rock fun, but Cage’s later projects would all feel a whole lot more distinct & purposeful.
Best Songs: Ain’t No Rest for the Wicked, Lotus, & Free Love.
Weakest Songs: Drones in the Valley, Soil to the Sun, & Back Stabbin' Betty.
This album gets a strong 7/10 from me.
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For one, the sound of this album is FAR more lush & vibrant than that of their debut. The guitars here are especially brimming with so much more life & colour than they were on their self-titled record. Another big improvement is that record is how much more variety this album has. It’s an incredibly stylistically varied project, and while that does lead to it feeling a little messy every so often, it’s all still held together very well by excellent & super aesthetically consistent production.
The album starts out quite strong with “Always Something”. The ominous guitars, raw vocals, & slight electronic elements all combine to make for a rather gripping opener. Other highlights include “Shake Me Down” which I love for it’s percussive acoustic guitars & personal childhood nostalgia, “Aberdeen” which I love for it’s super catchy melodies & powerfully mixed guitars, as well as “Right Before My Eyes” which has a similarly excellent sound & a surprisingly moving chorus.
This record also contains a lot of the most loudly abrasive material that Cage have ever released... to very mixed results. You have tracks like “Sell Yourself” & “Doctor Help Me” which are just sorta forgettable, a song like “Indy Kidz” which has a fantastic instrumental alongside an unfortunately & obnoxiously tryhard vocal performance, but then you have “Sabertooth Tiger” which is actually one of my TOP favourites here. The chaotic viscerality of this one feels so much more natural than those other tracks, as well as SO MUCH more invigorating. I really wasn't expecting to love it so much upon revisiting it today, but it very much surprised me.
On the other side of the coin, we also have a couple distinctly lowkey moments that I’d like to talk about. “Rubber Ball” is a very pleasant track with a slightly jaunty charm to it, but even more pleasant than that is “Flow”. My favourite song on the whole album. It’s not a particularly sad song, nor is it like STUNNINGLY beautiful, and yet… I often find myself close to tears when listening to it. If I had to put the feeling into words, I’d say that the atmosphere of this song is so perfectly tender & existentially content that it’s… genuinely overwhelming. I yearn to forever exist within the powerful sense of peace that this song provides, but I can only do so for 3 minutes at a time & that makes me wanna cry.
Overall, “Thank You Happy Birthday” is just a WAY more consistently enjoyable project than their debut. It has cleaner production, a far more memorable aesthetic, a greater sense of sonic exploration, better vocals for the most part, MUCH higher highs, and far fewer lows as well. Other than those “forgettably abrasive” songs which I talked about 2 paragraphs ago, the only significant lowlight for me would be the underwhelming closer that is “Carry Me In”. The record honestly should’ve just ended with “Flow” cuz these final 2 tracks which come right after just aren’t very interesting.
But yeah, other than having a significantly weaker closer, this album is an improvement over their first in every single way.
Best Songs: Flow, Sabertooth Tiger, & Aberdeen
Weakest Songs: Doctor Help Me, Carry Me In, & Sell Yourself.
This album gets a light to decent 8/10 from me.
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I absolutely ADORE this record, and I don’t even consider Cage The Elephant to be one of my all time favourite bands. They probably wouldn’t make my Top 25, but “Melophobia” specifically is easily one of the best albums I’ve ever heard, and (now that I no longer listen to Arcade Fire) my personal favourite release of 2013. At the very least, it’s a stiff competition between this & Daft Punk’s “Random Access Memories”. I’ve gotta go track by track with this one in order to effectively convey my love for it so buckle in!
“Spiderhead” is a genuinely perfect opener for the record. It conveys to us ALL of the project’s best qualities while never feeling like it’s spoiled the album for you. The best is still very much yet to come. We’ve got scuzzy guitars that feel both authentically raw & immaculately produced, super catchy melodies delivered through a very precise yet slightly wild vocal performance, and also this really cool “glitched tempo change” at the end which gives this specific song a very unique flare.
“Come A Little Closer” is probably the most popular song here, and while it’s not my personal #1, it is still absolutely deserving of that status. The verses ease us in with a super slick bassline, some incredibly atmospheric guitars/synths, as well as a grippingly moody vocal performance. All of which come to a head on the track's spectacularly explosive choruses which still manage to fit the song’s moody tone flawlessly. The bridge here is also excellent with an extremely effective build to the song’s final & most explosive chorus. LOVE this track. Iconic shit.
“Telescope” is even more iconic though. It’s the best thing that Matt Schultz has ever written & it’s not even a contest honestly. We open with some tenderly playful synths which eventually give way to an equally playful yet distinctly melancholic vocal performance & lyrical story. This leads to the song’s incredible chorus which only becomes more emotionally powerful each & every time it’s repeated, but it’s the bridge here that really elevates the track into something truly spectacular. It’s so instrumentally frantic & vocally raw while still miraculously fitting into the song’s overall tenderly melancholic atmosphere. Such an evocative masterpiece. Unquestionably one of my favourite songs of all time.
“It’s Just Forever” is frequently maligned as the album’s one & only dud, but other than some admittedly awkward tonal whiplash between it & the last song, I still think it’s a fantastic addition to the record. We’ve got some wonderfully visceral guitars, a delightfully wild guest vocal performance courtesy of Alison Mosshart, and an outro that predicted the “Untitled Goose Game” OST six years in advance. What’s not to love?
“Take It Or Leave It” has a super chillaxed atmosphere all throughout, but never in a way that becomes boring. The chorus is super catchy, I enjoy the slight country-isms of the track, and the guitars sound amazing… but that’s definitely starting to become a moot point in this review. SUCH a vibe of a song.
“Halo” is probably the least uniquely remarkable song here. I don’t really have anything specific to say about it, but don’t think for a second that I mean to imply it’s even remotely weak. It’s still a banger.
“Black Widow” is an absolute BLAST of a song. The gritty rock’n’roll instrumentation along with those seductive vocals are obviously fantastic, but the star of the show here is undoubtedly the brass elements. The blaring horns on this track, whichever ones they are exactly, are sheer musical euphoria. That brief moment during the bridge where they completely overpower the rest of the mix is especially stunning. This is another one of those songs that I often hear people proclaiming as one of the album’s worst, but I think those people are weak. This song is nothing short of SPECTACULAR. Such a wonderful rush of visceral energy.
“Hypocrite” serves as a very nice change of pace for the record. The incredibly unique drum rhythms & overall slow pacing really make it stand out here. We’ve got a decently moving chorus, some nice brass elements yet again, and while said brass elements aren’t nearly as impressive as last time, these horns still fill out the mix very nicely & aid the song in having an even more unique energy than the aforementioned odd drumming was already giving it.
“Teeth” is the most perfectly unhinged thing that Cage The Elephant has ever released. In my review for their previous album, I talked about how certain tracks there often struggled to nail the balance of “controlled chaos”. Songs from that record which attempted this mostly just felt messy instead of compellingly scatterbrained. “Teeth”, on the other hand, achieves that balance effortlessly. Everything about this track is marvelous madness. The frantically abrasive guitars, evocatively strange lyrics, rivetingly unrefined vocals, and OH MY WORD that outro. After being a badass rock song for about 3 minutes, this shit randomly decides to basically become spoken word jazz at the end, and it works miraculously well. The lethargic bassline, the dour brass elements, the lyrics rich with meaning that’s hard to fully grasp. The whole thing is genuinely quite unnerving, but in a way that’s always still very enjoyable to listen to.
“Cigarette Daydreams” is a very interesting closer for this album. The acoustics & pianos are both incredibly pretty, the vocals & melodies are both really moving, and the whole experience is extremely immersive with it’s atmosphere. It’s a truly beautiful song on it’s own as well as an extremely anticlimactic ending for the record. But to explain why I actually mean that as a positive, I need to talk about “Teeth” again. Keep in mind that everything I’m about to say here has absolutely NOTHING to do with the lyrics of these songs. It’s simply my mind creating a story by interpreting the emotional atmospheres of both tracks.
“Teeth” is like witnessing or being involved in some sort of traumatic event. It’s a chaotic mess that leaves you deeply unsettled. Horrified even. Like being the bystander to a uniquely bad car crash. The kind where gorey death is very clearly visible. “Cigarette Daydreams” contrasts “Teeth” by being easily the most tender & simplistic song on the album. It’s very comforting with it’s musicality, but what I love here is that it’s not quite “cathartic”. It’s not a release of tension or an eradication of negative emotion. It’s like being frozen with shock after witnessing this crash before someone else eventually arrives to comfort you. This comfort feels nice & brings you back to your senses, but you’re still not ok. You still witnessed something horrible & a quick bit of comfort isn’t going to immediately fix that.
That’s the story I read from the tonal dichotomy between these 2 songs. A story of horror followed by incomplete comfort. It’s not a satisfying ending for me, but it’s such a specific & evocative kind of dissatisfaction that I can’t help but be fascinated by it. A super cathartic track full of positive emotion & grandiose beauty wouldn’t have worked here at all. Something quietly comforting that’s lacking in huge catharsis is the only way this could have gone. It’s the only ending that makes sense directly after a track as wild a “Teeth”. Again, NONE of this has anything to do with the lyrics. Just sheer emotion.
In conclusion though, I really fucking love “Melophobia”. It’s got perfect pacing, perfect production, tons of variety, so many excellent highlights, and one of the most memorable album endings I’ve ever experienced. The band’s whole discography is undoubtedly quite good, but this record is still LEAGUES above anything else that came before it, and so far, anything that has come after.
Best Songs: Telescope, Black Widow, & Come A Little Closer.
Weakest Songs: haha no.
10/10. Masterpiece.
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It’s a stiff competition between this & their self-titled when we’re deciding which Cage The Elephant album is the weakest. They both exist on pretty much equal levels of “unremarkably decent”, but I think I’d probably give “Tell Me I’m Pretty” an ever so slight edge over their debut. Even though I’m ultimately gonna give them the same rating, I think this record has a few more significantly notable qualities.
“Cry Baby” is a very solid opener & “Mess Around” is a delightfully nostalgic single in spite of literally just being a Black Keys song, but it’s only on tracks 4-7 where this album really hits it’s stride. “Too Late To Say Goodbye” is very methodically emotive, “Cold Cold Cold” has some super fun percussion & an engagingly dazed sense of atmosphere, and “How Are You True” is one of the prettiest songs in the band’s whole catalog. The choppy vocal effects are extremely immersive, and the lowkey energy of it all is wonderfully hypnotic.
It also transitions very naturally out of the song right before it. That song being “Trouble”. The strongest piece of this album by a pretty wide margin. The backing vocals are beautiful, the chorus is really impactful, the acoustic elements are particularly well utilized, and the whole thing truly feels “Melophobia quality” while still being sonically distinct from that project. After this 4-7 stretch however, the album’s final 3 tracks don’t give me a whole lot to talk about.
I enjoy the spaghetti western vibes of “That’s Right” decently enough, but “Punchin’s Bag” is one of the most forgettable songs that CTE have ever made, and even though it’s a decently fun track on it’s own, “Portuguese Knife Fight” has almost no real impact as a CLOSER. Which is particularly disappointing coming right off the heels of a record with one of the most impactful endings I’ve ever heard.
So yeah… “Tell Me I’m Pretty” definitely isn’t bad, but it definitely ain’t special either. It’s unenergetic in a way that mostly feels ill fitting of the band, Dan Auerbach’s production is solid but also extremely homogeneous, and lots of Matt’s vocals here feel way more “performative” than they do natural and/or “from the heart”. I do still enjoy this record for it’s excellent musicianship, generally solid song writing, and handful of wonderful highlights, but something definitely feels a little off about it all.
They just weren’t in peak form here. Which, again, is not a very pretty look right up against one of the most PEAK albums of the 2010’s.
Best Songs: Trouble, Cold Cold Cold, & How Are You True.
Weakest Songs: Punchin’ Bag, Sweetie Little Jean, & Portuguese Knife Fight.
This album gets a strong 7/10 to me.
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This is pretty easily their 2nd best album if you ask me. It’s nowhere NEAR as good as 2013’s “Melophobia”, but it’s not like I ever expected them to reach those heights again. Cage The Elephant are an overall “pretty good” band with one exceptional masterpiece that came out of nowhere. But in terms of the rest of their “pretty good” discography, this is a very enjoyable album… even if it is VERY front loaded. Tracks 1-7 are all fantastic with only one exception, but then tracks 8-13 are all super forgettable outside of a couple key exceptions.
Let’s talk about that excellent first half though. “Broken Boy” is an immediately gripping BANGER of an opener with viscerally crisp production, The Title Track has a wonderfully psychedelic soundscape to it & one of the band’s catchiest choruses ever, and “Night Running” is a song that’s always gotten way too much hate in my opinion. I can KINDA understand the aversion to how sheerly radio friendly it is, but the vibes are again delightfully psychedelic, the Beck feature suits the track flawlessly, and there’s this extremely appealing sense of… idk “fuzziness” to the production on the chorus. Super sonically satisfying stuff.
Other great moments from this first half include “Ready to Let Go’ which was a perfect lead single for the record, as well as “Skin And Bones” which has a really moving chorus & some beautifully implemented strings, but easily the HARDEST banger of the whole project comes to us in the direct middle. “House of Glass”. This is one of the spectacularly wild things they’ve ever put out & it’s an absolute BLAST to listen to. The sly vocals, viciously vigorous guitars, and perfectly chaotic production all come together to create one of their best songs to date. LOVE IT.
Now for that relatively lackluster 2nd half. “The War Is Over” actually grew on me quite a bit this time around which I wasn’t expecting, but we still have songs like “Dance Dance” which feel distinctly lacking in creativity, “Tokyo Smoke” which frankly just feels kinda aimless to me, as well as “What I’m Becoming” which, in an attempt to sound soft & lowkey, just comes across as rather drab. These songs are all still “decent” at the end of the day, but they absolutely do not live up to the consistently high quality of that first half. Where this 2nd half DOES shine however are in it’s softer moment’s that aren’t “What I’m Becoming”.
“Love’s the Only Way” is SUCH a lovely track. The light guitars, the ethereal string sections, the tender vocal performance, the vividly “late night” atmosphere of it all! It’s easily one of the most beautiful glimpses into their softer side that the band have ever given us, but even more beautiful than that is the album’s closer & best song BY FAR, “Goodbye”. The lyrics are absolutely heartbreaking, the pianos are extremely moving in spite of being so very simple, and the bridge here is beyond fascinating to me.
There’s this part of it’s instrumental that’s either a muted piano or the pitched down plucks of an orchestral stringed instrument. Whatever the hell it is, it gives me chills damn near every time I hear it. There aren’t even lyrics during this part, but it still manages to be one of the most evocative depictions of sadness that I’ve ever borne witness to. Undeniable proof that sound alone can often speak SO MUCH louder than words. This has been my go to “depression song” for YEARS now & I don’t see that changing any time soon.
So that’s “Social Cues”! It’s definitely got some issues, but I still like it quite a bit. It’s got a really fun new sound for the band, a decent amount of variety, consistently excellent lyrics that are largely about Matt’s, at the time, recent divorce, and some of the highest highs in their entire discography. It’s undoubtedly frontloaded, but still a very satisfying album experience overall. I mean it’s kind of impossible NOT to be satisfied with a closer this stellar.
Best Songs: Goodbye, House of Glass, & Social Cues.
Weakest Songs: What I’m Becoming, Black Madonna, & Tokyo Smoke.
This album gets a decent 8/10 from me.
____________________________________________
Well that's the post! Hope you enjoyed reading it & I'd love to discuss any & all of my takes in the comments!
submitted by Cydonian___FT14X to CageTheElephant [link] [comments]
____________________________________________
Self Titled
Probably their weakest album to date, but still a pretty solid debut overall.I hate to be so predictable, but the best song here is still “Ain’t No Rest for The Wicked”, and it ain’t even close. It’s extremely fun & catchy, it’s the album’s most sonically distinct piece BY FAR, and it’s storytelling/pacing are both absolutely flawless. A track that absolutely deserves it’s iconic status.
Even though the record’s best isn’t up for debate, there are some other pretty good highlights as well. “In One Ear” is a very solid opener for the project, “Judas” gives us consistently excellent lyricism, and “Tiny Little Robots” has an uncharacteristically super atmospheric bridge which makes it stand out quite a bit. It also transitions super smoothly into the following “Lotus” who’s engaging pacing, beautiful chorus, & satisfying climax make it another easy favourite for me.
But then beyond the lovably visceral energy of it’s closer, “Free Love”, Cage The Elephant’s self-titled debut really doesn’t give me a whole lot more to talk about. It’s got consistently great musicianship, a decent number of highlights, and some bizarrely excellent song transitions, but the album has a really bad case of being FAR too samey. Everything outside of the tracks I’ve already mentioned blend together in my mind almost completely. None of them are bad, but none of them are particularly memorable either.
This album is still pretty good at the end of the day, some solid garage rock fun, but Cage’s later projects would all feel a whole lot more distinct & purposeful.
Best Songs: Ain’t No Rest for the Wicked, Lotus, & Free Love.
Weakest Songs: Drones in the Valley, Soil to the Sun, & Back Stabbin' Betty.
This album gets a strong 7/10 from me.
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Thank You, Happy Birthday
It may be a little all over the place, but it’s still a pretty big improvement over their debut.For one, the sound of this album is FAR more lush & vibrant than that of their debut. The guitars here are especially brimming with so much more life & colour than they were on their self-titled record. Another big improvement is that record is how much more variety this album has. It’s an incredibly stylistically varied project, and while that does lead to it feeling a little messy every so often, it’s all still held together very well by excellent & super aesthetically consistent production.
The album starts out quite strong with “Always Something”. The ominous guitars, raw vocals, & slight electronic elements all combine to make for a rather gripping opener. Other highlights include “Shake Me Down” which I love for it’s percussive acoustic guitars & personal childhood nostalgia, “Aberdeen” which I love for it’s super catchy melodies & powerfully mixed guitars, as well as “Right Before My Eyes” which has a similarly excellent sound & a surprisingly moving chorus.
This record also contains a lot of the most loudly abrasive material that Cage have ever released... to very mixed results. You have tracks like “Sell Yourself” & “Doctor Help Me” which are just sorta forgettable, a song like “Indy Kidz” which has a fantastic instrumental alongside an unfortunately & obnoxiously tryhard vocal performance, but then you have “Sabertooth Tiger” which is actually one of my TOP favourites here. The chaotic viscerality of this one feels so much more natural than those other tracks, as well as SO MUCH more invigorating. I really wasn't expecting to love it so much upon revisiting it today, but it very much surprised me.
On the other side of the coin, we also have a couple distinctly lowkey moments that I’d like to talk about. “Rubber Ball” is a very pleasant track with a slightly jaunty charm to it, but even more pleasant than that is “Flow”. My favourite song on the whole album. It’s not a particularly sad song, nor is it like STUNNINGLY beautiful, and yet… I often find myself close to tears when listening to it. If I had to put the feeling into words, I’d say that the atmosphere of this song is so perfectly tender & existentially content that it’s… genuinely overwhelming. I yearn to forever exist within the powerful sense of peace that this song provides, but I can only do so for 3 minutes at a time & that makes me wanna cry.
Overall, “Thank You Happy Birthday” is just a WAY more consistently enjoyable project than their debut. It has cleaner production, a far more memorable aesthetic, a greater sense of sonic exploration, better vocals for the most part, MUCH higher highs, and far fewer lows as well. Other than those “forgettably abrasive” songs which I talked about 2 paragraphs ago, the only significant lowlight for me would be the underwhelming closer that is “Carry Me In”. The record honestly should’ve just ended with “Flow” cuz these final 2 tracks which come right after just aren’t very interesting.
But yeah, other than having a significantly weaker closer, this album is an improvement over their first in every single way.
Best Songs: Flow, Sabertooth Tiger, & Aberdeen
Weakest Songs: Doctor Help Me, Carry Me In, & Sell Yourself.
This album gets a light to decent 8/10 from me.
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Melophobia
Don’t you love it when an overall “pretty good” discography randomly contains one genuine masterpiece?I absolutely ADORE this record, and I don’t even consider Cage The Elephant to be one of my all time favourite bands. They probably wouldn’t make my Top 25, but “Melophobia” specifically is easily one of the best albums I’ve ever heard, and (now that I no longer listen to Arcade Fire) my personal favourite release of 2013. At the very least, it’s a stiff competition between this & Daft Punk’s “Random Access Memories”. I’ve gotta go track by track with this one in order to effectively convey my love for it so buckle in!
“Spiderhead” is a genuinely perfect opener for the record. It conveys to us ALL of the project’s best qualities while never feeling like it’s spoiled the album for you. The best is still very much yet to come. We’ve got scuzzy guitars that feel both authentically raw & immaculately produced, super catchy melodies delivered through a very precise yet slightly wild vocal performance, and also this really cool “glitched tempo change” at the end which gives this specific song a very unique flare.
“Come A Little Closer” is probably the most popular song here, and while it’s not my personal #1, it is still absolutely deserving of that status. The verses ease us in with a super slick bassline, some incredibly atmospheric guitars/synths, as well as a grippingly moody vocal performance. All of which come to a head on the track's spectacularly explosive choruses which still manage to fit the song’s moody tone flawlessly. The bridge here is also excellent with an extremely effective build to the song’s final & most explosive chorus. LOVE this track. Iconic shit.
“Telescope” is even more iconic though. It’s the best thing that Matt Schultz has ever written & it’s not even a contest honestly. We open with some tenderly playful synths which eventually give way to an equally playful yet distinctly melancholic vocal performance & lyrical story. This leads to the song’s incredible chorus which only becomes more emotionally powerful each & every time it’s repeated, but it’s the bridge here that really elevates the track into something truly spectacular. It’s so instrumentally frantic & vocally raw while still miraculously fitting into the song’s overall tenderly melancholic atmosphere. Such an evocative masterpiece. Unquestionably one of my favourite songs of all time.
“It’s Just Forever” is frequently maligned as the album’s one & only dud, but other than some admittedly awkward tonal whiplash between it & the last song, I still think it’s a fantastic addition to the record. We’ve got some wonderfully visceral guitars, a delightfully wild guest vocal performance courtesy of Alison Mosshart, and an outro that predicted the “Untitled Goose Game” OST six years in advance. What’s not to love?
“Take It Or Leave It” has a super chillaxed atmosphere all throughout, but never in a way that becomes boring. The chorus is super catchy, I enjoy the slight country-isms of the track, and the guitars sound amazing… but that’s definitely starting to become a moot point in this review. SUCH a vibe of a song.
“Halo” is probably the least uniquely remarkable song here. I don’t really have anything specific to say about it, but don’t think for a second that I mean to imply it’s even remotely weak. It’s still a banger.
“Black Widow” is an absolute BLAST of a song. The gritty rock’n’roll instrumentation along with those seductive vocals are obviously fantastic, but the star of the show here is undoubtedly the brass elements. The blaring horns on this track, whichever ones they are exactly, are sheer musical euphoria. That brief moment during the bridge where they completely overpower the rest of the mix is especially stunning. This is another one of those songs that I often hear people proclaiming as one of the album’s worst, but I think those people are weak. This song is nothing short of SPECTACULAR. Such a wonderful rush of visceral energy.
“Hypocrite” serves as a very nice change of pace for the record. The incredibly unique drum rhythms & overall slow pacing really make it stand out here. We’ve got a decently moving chorus, some nice brass elements yet again, and while said brass elements aren’t nearly as impressive as last time, these horns still fill out the mix very nicely & aid the song in having an even more unique energy than the aforementioned odd drumming was already giving it.
“Teeth” is the most perfectly unhinged thing that Cage The Elephant has ever released. In my review for their previous album, I talked about how certain tracks there often struggled to nail the balance of “controlled chaos”. Songs from that record which attempted this mostly just felt messy instead of compellingly scatterbrained. “Teeth”, on the other hand, achieves that balance effortlessly. Everything about this track is marvelous madness. The frantically abrasive guitars, evocatively strange lyrics, rivetingly unrefined vocals, and OH MY WORD that outro. After being a badass rock song for about 3 minutes, this shit randomly decides to basically become spoken word jazz at the end, and it works miraculously well. The lethargic bassline, the dour brass elements, the lyrics rich with meaning that’s hard to fully grasp. The whole thing is genuinely quite unnerving, but in a way that’s always still very enjoyable to listen to.
“Cigarette Daydreams” is a very interesting closer for this album. The acoustics & pianos are both incredibly pretty, the vocals & melodies are both really moving, and the whole experience is extremely immersive with it’s atmosphere. It’s a truly beautiful song on it’s own as well as an extremely anticlimactic ending for the record. But to explain why I actually mean that as a positive, I need to talk about “Teeth” again. Keep in mind that everything I’m about to say here has absolutely NOTHING to do with the lyrics of these songs. It’s simply my mind creating a story by interpreting the emotional atmospheres of both tracks.
“Teeth” is like witnessing or being involved in some sort of traumatic event. It’s a chaotic mess that leaves you deeply unsettled. Horrified even. Like being the bystander to a uniquely bad car crash. The kind where gorey death is very clearly visible. “Cigarette Daydreams” contrasts “Teeth” by being easily the most tender & simplistic song on the album. It’s very comforting with it’s musicality, but what I love here is that it’s not quite “cathartic”. It’s not a release of tension or an eradication of negative emotion. It’s like being frozen with shock after witnessing this crash before someone else eventually arrives to comfort you. This comfort feels nice & brings you back to your senses, but you’re still not ok. You still witnessed something horrible & a quick bit of comfort isn’t going to immediately fix that.
That’s the story I read from the tonal dichotomy between these 2 songs. A story of horror followed by incomplete comfort. It’s not a satisfying ending for me, but it’s such a specific & evocative kind of dissatisfaction that I can’t help but be fascinated by it. A super cathartic track full of positive emotion & grandiose beauty wouldn’t have worked here at all. Something quietly comforting that’s lacking in huge catharsis is the only way this could have gone. It’s the only ending that makes sense directly after a track as wild a “Teeth”. Again, NONE of this has anything to do with the lyrics. Just sheer emotion.
In conclusion though, I really fucking love “Melophobia”. It’s got perfect pacing, perfect production, tons of variety, so many excellent highlights, and one of the most memorable album endings I’ve ever experienced. The band’s whole discography is undoubtedly quite good, but this record is still LEAGUES above anything else that came before it, and so far, anything that has come after.
Best Songs: Telescope, Black Widow, & Come A Little Closer.
Weakest Songs: haha no.
10/10. Masterpiece.
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Tell Me I'm Pretty
It’s a HUGE downgrade from the last album, but still a decent enough listen.It’s a stiff competition between this & their self-titled when we’re deciding which Cage The Elephant album is the weakest. They both exist on pretty much equal levels of “unremarkably decent”, but I think I’d probably give “Tell Me I’m Pretty” an ever so slight edge over their debut. Even though I’m ultimately gonna give them the same rating, I think this record has a few more significantly notable qualities.
“Cry Baby” is a very solid opener & “Mess Around” is a delightfully nostalgic single in spite of literally just being a Black Keys song, but it’s only on tracks 4-7 where this album really hits it’s stride. “Too Late To Say Goodbye” is very methodically emotive, “Cold Cold Cold” has some super fun percussion & an engagingly dazed sense of atmosphere, and “How Are You True” is one of the prettiest songs in the band’s whole catalog. The choppy vocal effects are extremely immersive, and the lowkey energy of it all is wonderfully hypnotic.
It also transitions very naturally out of the song right before it. That song being “Trouble”. The strongest piece of this album by a pretty wide margin. The backing vocals are beautiful, the chorus is really impactful, the acoustic elements are particularly well utilized, and the whole thing truly feels “Melophobia quality” while still being sonically distinct from that project. After this 4-7 stretch however, the album’s final 3 tracks don’t give me a whole lot to talk about.
I enjoy the spaghetti western vibes of “That’s Right” decently enough, but “Punchin’s Bag” is one of the most forgettable songs that CTE have ever made, and even though it’s a decently fun track on it’s own, “Portuguese Knife Fight” has almost no real impact as a CLOSER. Which is particularly disappointing coming right off the heels of a record with one of the most impactful endings I’ve ever heard.
So yeah… “Tell Me I’m Pretty” definitely isn’t bad, but it definitely ain’t special either. It’s unenergetic in a way that mostly feels ill fitting of the band, Dan Auerbach’s production is solid but also extremely homogeneous, and lots of Matt’s vocals here feel way more “performative” than they do natural and/or “from the heart”. I do still enjoy this record for it’s excellent musicianship, generally solid song writing, and handful of wonderful highlights, but something definitely feels a little off about it all.
They just weren’t in peak form here. Which, again, is not a very pretty look right up against one of the most PEAK albums of the 2010’s.
Best Songs: Trouble, Cold Cold Cold, & How Are You True.
Weakest Songs: Punchin’ Bag, Sweetie Little Jean, & Portuguese Knife Fight.
This album gets a strong 7/10 to me.
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Social Cues
Not without it’s problems, but undoubtedly some of their strongest material to date.This is pretty easily their 2nd best album if you ask me. It’s nowhere NEAR as good as 2013’s “Melophobia”, but it’s not like I ever expected them to reach those heights again. Cage The Elephant are an overall “pretty good” band with one exceptional masterpiece that came out of nowhere. But in terms of the rest of their “pretty good” discography, this is a very enjoyable album… even if it is VERY front loaded. Tracks 1-7 are all fantastic with only one exception, but then tracks 8-13 are all super forgettable outside of a couple key exceptions.
Let’s talk about that excellent first half though. “Broken Boy” is an immediately gripping BANGER of an opener with viscerally crisp production, The Title Track has a wonderfully psychedelic soundscape to it & one of the band’s catchiest choruses ever, and “Night Running” is a song that’s always gotten way too much hate in my opinion. I can KINDA understand the aversion to how sheerly radio friendly it is, but the vibes are again delightfully psychedelic, the Beck feature suits the track flawlessly, and there’s this extremely appealing sense of… idk “fuzziness” to the production on the chorus. Super sonically satisfying stuff.
Other great moments from this first half include “Ready to Let Go’ which was a perfect lead single for the record, as well as “Skin And Bones” which has a really moving chorus & some beautifully implemented strings, but easily the HARDEST banger of the whole project comes to us in the direct middle. “House of Glass”. This is one of the spectacularly wild things they’ve ever put out & it’s an absolute BLAST to listen to. The sly vocals, viciously vigorous guitars, and perfectly chaotic production all come together to create one of their best songs to date. LOVE IT.
Now for that relatively lackluster 2nd half. “The War Is Over” actually grew on me quite a bit this time around which I wasn’t expecting, but we still have songs like “Dance Dance” which feel distinctly lacking in creativity, “Tokyo Smoke” which frankly just feels kinda aimless to me, as well as “What I’m Becoming” which, in an attempt to sound soft & lowkey, just comes across as rather drab. These songs are all still “decent” at the end of the day, but they absolutely do not live up to the consistently high quality of that first half. Where this 2nd half DOES shine however are in it’s softer moment’s that aren’t “What I’m Becoming”.
“Love’s the Only Way” is SUCH a lovely track. The light guitars, the ethereal string sections, the tender vocal performance, the vividly “late night” atmosphere of it all! It’s easily one of the most beautiful glimpses into their softer side that the band have ever given us, but even more beautiful than that is the album’s closer & best song BY FAR, “Goodbye”. The lyrics are absolutely heartbreaking, the pianos are extremely moving in spite of being so very simple, and the bridge here is beyond fascinating to me.
There’s this part of it’s instrumental that’s either a muted piano or the pitched down plucks of an orchestral stringed instrument. Whatever the hell it is, it gives me chills damn near every time I hear it. There aren’t even lyrics during this part, but it still manages to be one of the most evocative depictions of sadness that I’ve ever borne witness to. Undeniable proof that sound alone can often speak SO MUCH louder than words. This has been my go to “depression song” for YEARS now & I don’t see that changing any time soon.
So that’s “Social Cues”! It’s definitely got some issues, but I still like it quite a bit. It’s got a really fun new sound for the band, a decent amount of variety, consistently excellent lyrics that are largely about Matt’s, at the time, recent divorce, and some of the highest highs in their entire discography. It’s undoubtedly frontloaded, but still a very satisfying album experience overall. I mean it’s kind of impossible NOT to be satisfied with a closer this stellar.
Best Songs: Goodbye, House of Glass, & Social Cues.
Weakest Songs: What I’m Becoming, Black Madonna, & Tokyo Smoke.
This album gets a decent 8/10 from me.
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Well that's the post! Hope you enjoyed reading it & I'd love to discuss any & all of my takes in the comments!
2024.05.16 02:53 DocH31 Wearable cups
Do anyone have any hard plastic wearable cups that they love? I have the Zomee Z2 and Spectra gold I’d like to use with wearable cups. I have the Cara cups but they are 24mm and I’d like 21mm. The silicone inserts and flanges hurt with elastic nipples. Does this even exist?
submitted by DocH31 to HumansPumpingMilk [link] [comments]
2024.05.16 01:51 _Triple_ [STORE] 900+ KNIVES/GLOVES/SKINS, 100.000$+ INVENTORY. BFK Lore, Gloves Amphibious, Skeleton Fade, Bowie Emerald, BFK Auto, Gloves MF, Talon Doppler, Gloves POW, Bayo Tiger, Gut Sapphire, Stiletto MF, M9 Ultra, Ursus Doppler, Flip Doppler, M9 Stained, Nomad CW, Paracord CW, AK-47 X-Ray & A Lot More
Everything in my inventory is up for trade. The most valuable items are listed here, the rest you can find in My Inventory
Feel free to Add Me or even better send a Trade Offer. Open for any suggestions: upgrades, downgrades / knives, gloves, skins / stickers, patterns, floats.
All Buyouts are listed in cash value.
KNIVES
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⎯★ M9 Bayonet Ultraviolet (Field-Tested), B/O: $557.87
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2024.05.16 00:00 alphariusomega123 [Evangelion] The remakes are the worst garbage and have doomed the franchise forever. (Long post).
I wasn't planning on watching Thrice Upon A Time. I had not liked the previous films and they seemed like a very inferior product compared to the original anime. However, the good reviews and opinions I saw about it encouraged me to do so. I did it with as open and tolerant a mind as possible, knowing that there was a good chance I wouldn't like the film. "What's the worst that could happen? That I don't like it and continue to prefer the original series? At least I'll be entertained for two and a half hours," I thought. What I did not expect at all is the deep feeling of disgust and repulsion that this film provoked in me, in a way that no other film has provoked in years.
I hated the movie from start to finish. I could spend hours talking about the boring action sequences, about its ugly, excessive CGI that ruins the already ugly mecha, about its disgusting hypersexualization of fucking 14-year-old girls, about how Misato's plans don't make sense, about how Last Kiss almost made me tear my ears off, or its plot full of Deus Ex Machinas with concepts conveniently taken by Hideaki Anno from the place that his last name suggests; but the real reason I'm writing this is because I feel like these movies spit on everything the excellent original work represents.
Not only because as adaptations they fail miserably, but also because they retroactively damage the original work (we'll talk about that later).
Before I begin to explain why the rebuilds are bad adaptations, I want to warn that I am going to do a relatively exhaustive review of the 4 films, so this rant is going to be very long, like staying up late on a winter night with chronic insomnia. That said, let's start to see the reasons:
WHAT IS NEON GENESIS EVANGELION?:
To understand why rebuilds fail as remakes, I must first ask you, dear reader: What does Neon Genesis Evangelion mean to you? (it should at least be familiar to you, unless you've spent your life under a bridge) What do you think about when you read that title, apart from Shinji fucking in front of a comatose Asuka? What comes to mind when you hear the most famous opening in anime history, apart from Shinji strangling the otter against Happy Thursday's throat? (in more ways than one). If your answer is: "It's a mecha anime for emos with a coomer protagonist", that's fine, I respect that; but please press the red "X" in the top right corner of your screen, you can now leave.
Now, I'm going to get serious and explain my definition: Evangelion is a work about the hedgehog's dilemma and the difficulties of forming emotional bonds that human beings have, as well as the consequences of trying to separate from them for fear of rejection. It is not a story about heroes. It's not a story about saving the world. In Evangelion there are neither heroes nor villains, but rather a group of emotionally broken characters trying to be happy in a world just as broken as them. The real enemy of Evangelion is not the angels. It is the lack of communication and empathy.
https://es.wikipedia.org/wiki/Dilema_del_erizo
It is that same lack of communication and empathy that progressively causes everything to go to hell to conclude with a cathartic and bleak ending, but consistent with the themes of the work. It is therefore an existentialist work about human relationships disguised as a mecha anime. This, added to a unique visual style, daring direction, and mechas like never before seen on television, made Evangelion one of the most influential anime in all of history, as well as a true commercial success for Gainax Studio. Success that encouraged other studios to carry out projects such as Cowboy Bebop or Serial Experiment Lain, taking anime towards a new golden age.
Even today you can hear the echoes of that Third Impact of End of Evangelion in 1997. The list of works influenced by Evangelion both inside and outside of Japan is endless. Of course, it is not a perfect work, nor extensive in errors: its target audience is ambiguous, many of the biblical references are more for decoration than anything else, and several aspects of the ending(s) could have been explained better. However, many of these errors can be attributed to a lack of time and budget during the production of the original anime (which was quite chaotic and improvised); therefore, they are understandable and forgivable.
In summary, we can conclude that Evangelion is a dark, introspective, provocative and unique work (at least at its time). This is also combined with a unique visual identity and complex characters whose relationships intertwine and interconnect throughout the work. The sum of all these factors is what led Evangelion to be such a critically acclaimed work that it transcended its own genre and became an icon of popular culture. And this in turn constitutes the biggest mistake of rebuilds; because they commit the biggest sin that an adaptation can commit: denying everything that made the original work great.
ADAPTING WITHOUT A CLEAR PURPOSE:
One of the biggest problems with these remakes (as well as a clear example of what I'm saying) is their total narrative inconsistency. Let me explain: the first rebuilds movie (1.11) is a literal copy-paste of the first 6 chapters of the original anime, with practically the same scenes, dialogues and even music. This makes the film completely redundant and unnecessary (and makes one wonder why it exists); But in any case, the message is being conveyed that the purpose of these remakes is to adapt the original series as faithfully as possible to the cinema with a current animation style.
However, the second movie (2.22) is a... something. A pastiche of new and old things where the plot broadly follows that of the original anime, but with many things changed (of course, for the worse) and a different ending. All this compressing no less than 14 chapters of the original anime into two and a half hours. Here the message that one can infer is that it seeks to adapt the original story (very briefly) by changing and rearranging certain elements, now more in line with what an adaptation is.
However, then we get to 3.33 and... well, after a 14-year because reasons timeskip, we're now in a post-post-apocalyptic world (repetition intended) where ex-Nerv members fight against Nerv itself. Nerv in giant spaceships, there are mechas everywhere, Misato is a sociopath, and Shinji and Asuka still look exactly the same because "DAMN JEBA." Here we can infer that what is sought is to create a totally new story and take it in different directions than the original. The following movie (3.0+1.01) is the only one that is consistent with this purpose.
Whether all these narrative pirouettes were planned in advance or not (clearly not), we can see that there is a clear incongruity between what is intended to be done and what is finally done. All of this generates a strong narrative chaos where the elements and themes of the original anime are mixed with the new ones, creating a total inconsistency. Since also in 3.0+1.01 it is revealed (unfortunately to me) that everything is part of the same universe and this is not really a remake, the excuse of "they are different universes, they don't have to be the same" doesn't work either.
In fact, one thing that you will see me comment a lot throughout this article is the lack of narrative consistency of these remakes, especially in comparison to the original work.
A HEDGEHOG WITHOUT TICKS:
No character in Evangelion better embodies the central theme of the work than Shinji Ikari, its own protagonist. Shinji is not a hero: he is not brave. He is not a genius. He is not charismatic. He is not selfless. He doesn't want to save the world. His reason for piloting the Eva is to gain recognition and appreciation from others; especially from his father, whom he hates, but at the same time admires; He feels that she despises him, but he also wants (and needs) that she loves him. Shinji spends the entire series in the dilemma between escaping from what hurts him (classic avoidance behavior) or accepting it and moving on, even at the risk of being hurt again.
This theme is rock solid throughout the entire original series: from the first to the last chapter of the anime, and from minute one to the very end of End of Evangelion. Even the opening itself makes several visual references to Shinji's hedgehog dilemma. This can make Shinji an infuriating character for audiences accustomed to typical anime protagonists; but it's those same things that make Shinji such a unique and special character. He deconstructs and subverts the hero's journey. And it's not as if this hinders the plot: Shinji is not proactive, but he also does not spend the series crying, as many often claim.
https://files.catbox.moe/eolho0.mp4
https://es.wikipedia.org/wiki/Monomito
And as you may already be imagining, the Shinji of the rebuilds does not have a hedgehog's dilemma. Or rather, he has it, but only during the first movie (copy-paste of the original anime) and part of the second. This is a problem, because it creates a strong narrative inconsistency (again) where it seems that two Shinjis exist at the same time or that this one is bipolar. As of 3.33, Shinji's entire character arc is based on trying to redeem himself for his past mistakes first by unleashing "Almost Third Impact" (what a stupid name) and subsequently preventing Kaworu's death while trying to right said mistake.
Is this a bad thing? Not necessarily. The problem is that I have already seen the arc of the hero who fails to eventually rise up and succeed in 100 trillion works, while the hedgehog's dilemma in none more than in Evangelion (at least in my case). Which makes Shinji a much less interesting character. Some might argue that in 3.0 + 1.01 Shinji does have such a dilemma because he spends half the movie crawling on the ground; but there is not a hedgehog's dilemma, but rather depression for having seen Kaworu's head go KAWOOM (I know, the joke was very bad, but if he didn't do it, I would explode too).
End of Evangelion's Shinji did have such a dilemma because the reason for his depression was having been manipulated and used by someone he had previously opened up to and then forced to kill him, not for failing in his mission (in fact, he was very efficient in her mission to separate Kaworu's head from her body), which in turn brings sexual (and later, deadly) results for Asuka. I insist: narrative consistency. But this is not the worst: the worst thing is that at certain moments in these films, Shinji becomes the typical shonen savior hero, betraying the central point of his character in the original series.
https://youtu.be/E-x-f2OrWeA
A perfect example of this is the ending of 2.22, where the fight in chapter 19 (COINCENTLY from where the original anime starts to get more introspective) is transformed into a ridiculous shipping attempt, with Rei turned into a damsel in distress and Shinji into a savior hero while spouting all the typical cliché lines, topped off with a disgustingly cheesy ending. But of course, how could it end otherwise? With Shinji's Eva practicing cannibalism on Zeruel's corpse (the original scene)? Too disturbing for current times. Shinji and Rei fighting as a team to defeat him? Yes of course. Rei has enough not being in the kitchen. Besides, Asuka already takes care of that, hoping to receive her alpha male's cock as a reward.
https://youtu.be/TPS0Uk0TkP0
Because, like any good modern anime protagonist, Shinji now has a harem.
FETISHING WITHOUT CONTROL:
Of all the characters who are now part of Shinji's harem, the one who is most harmed by this is Rei (Asuka's case is different, and the other character is an infernal creation from Anno's sick mind). Not only because acting like a bitch in heat goes totally against her personality and because of the murky situation, considering that she is a clone of Shinji's mother, but also because her character is reduced to a mere fetish object that does things cute to produce tenderness in the viewer and make coomers buy their figurines.
Rei is an interesting character because he raises numerous existential questions based on the ship of Theseus paradox: the concept of identity, to what extent we can consider ourselves still ourselves, the construction and definition of a "self", etc. But here, her screen time piloting her Unit 00 is minimal (COINCENTLY most of it in 1.11) and her exploits are practically irrelevant or non-existent, also being reduced to a mere damsel in distress at the end of 2.22, as I said before.
https://es.wikipedia.org/wiki/Paradoja_de_Teseo
In 3.0+1.01 he doesn't even get to pilot an Eva. Her role in the film is to cause pity and produce tenderness with her total ignorance (I see that the idiot Anno forgot that all the Reis are born with basic knowledge) while she is seen with different hairstyles, different outfits, working as a farmer, taking care of a baby, etc. In short, a fetish object where she wants the public to value her for how "moe" she is instead of for her abilities or as a character. In Anno's mind, feminism advances in reverse. Ironic, considering that it was precisely Rei who unintentionally started the moe culture.
Of course, it goes without saying that Rei is not the only one who suffers from this extreme fetishization of her character in these films. Under the excuse of paying homage to End of Evangelion, Asuka now always wears an eye patch (needless to say it has nothing to do with having been injured there), a cap with cat ears, in addition to having a very convenient trend for the coomer public of walking naked and semi-naked through other people's houses. She sometimes puts on the plugsuit, but near the end of the movie, it is conveniently torn off, lest we forget that this is made by the Japanese.
One of the best examples of how this hareminication has destroyed the main female characters is in the elevator scene. In the original anime, Rei tries to advise Asuka in a time of particular vulnerability and depression. Rei's limited social skills, coupled with Asuka being Asuka, cause her to misinterpret the attempt to help as mockery and an act of condescension, triggering a slap from her towards Rei and a worsening of her already strained relationship and Asuka's mental state. Rei doesn't fight back because she knows that doing so would only make things even worse.
It is an excellent dramatic scene because it once again brings to the foreground the hedgehog's dilemma and the difficulties between human relationships, very much in line with what Evangelion is. In 2.22, this scene is gratuitously introduced and turned into two horny bitches fighting over which of the two will let their alpha male penetrate first, with a highly OC Rei stopping the assault attempt in a 100% gangsta way to make her see more "cool." The scene doesn't even make plot sense, because Asuka at that moment is not even depressed, and in the original anime this occurs at a much later time under a very different context.
and speaking of asuka...
SOMEONE CALLED ASUKA:
When I started watching these movies, I was afraid that Asuka's character had undergone modifications to make her more "palatable" to new audiences. What took me completely by surprise was how radically different this Asuka is from the original. So different that they can't even be considered the same character. To show it very clearly, we are going to review the personality of both:
Asuka from the original anime: An energetic and outgoing half-German, half-Japanese girl (actually it's 1/4, but who cares) who loves to be the center of attention and have everyone praise her due to the lack of parental love received during her childhood having been abandoned by her father and supplanted by her mother, who suffered from severe mental disorders. She is extremely proud and competitive because she feels that being Eva's pilot is the only thing that gives her an identity and purpose, which makes her tend to become quickly frustrated when things don't go her way and become defensive when she feels like she is being outmaneuvered. . He loves to make fun of others (especially Shinji), to the point of being cruel at times, but he does not do it out of malice, but rather to compensate for his enormous inferiority complex due to the rejection suffered by his mother and having witnessed her. committed suicide (and possibly even tried to kill her) the day she was chosen as Eva's pilot and came running to wish her a Happy Thursday. She admires Kaji and wants to fuck him because she hates her own adolescence, she needs to feel adult and independent due to suffering from a certain Electra complex for having lacked a true father figure during her childhood. She has a sweet and vulnerable nature, but she rarely expresses it to anyone except her best friend Hikari and I better stop this now because too much text.
Rebuild Asuka (hereinafter "Asuka"): A girl soldier created by Nerv as part of a series of clones who has always been alone and thinks she doesn't need anyone, although she secretly wishes to have a family. She hits and insults others for no reason, she yells a lot, never smiles or makes jokes, and hates socializing with others, which doesn't stop her from looking for Shinji's dick within 2 days of meeting him. She always plays video games while someone is talking to her and at night she talks to herself with a doll like an autistic person.
As we can see, these two characters not only look nothing alike: several of their traits directly contradict each other. Because they look alike, they are not even alike in aesthetics: the original Asuka had red hair and dressed in the traditional feminine way, while "Asuka" is light brown and dresses in a tomboy style (which I'm not saying is wrong, I'm just commenting to show the radical difference). It's not that they have changed Asuka: it's that they have directly murdered her to supplant her by someone with whom she only shares her first name (not even her last name). And needless to say, the change has been VERY for the worse.
To describe the first character, I had to spend 15 damn lines, and even then I had to leave out many important facets of his personality, his development in the original series and his entire character arc in EoE, because if I didn't have one endless bible For the second, 6 lines were enough for me, and I could have had more left over if I had been more concise. The first character is a complex and three-dimensional character, with multiple facets, edges and layers. She feels like a real person. The second character is a generic tsundere that you can find in any mecha anime of the week. She is not even comparable to the first; She's not even a good character.
We cannot speak of Flanderization because not even the most basic traits of the character have been respected. Nor can we speak of a deconstruction because that same absence of basic traits means that there is no character construction on which to stand in the first place. Obviously, this change greatly resents the interactions between characters: the original Asuka was a charismatic and fun character with the ability to drive the plot on her own (as soon as she appears in chapter 8 of the original anime she is already changing the entire dynamic between characters) , while "Asuka" is mostly only in the background or to fight; He doesn't even have a character arc as such. In fact, in 2.22 he has even less screen time than several supporting characters.
His chemistry with Shinji is also non-existent (and I'm not just referring to the romantic level) and they barely have any development together. They like each other here because... ehhhh... she likes how he cooks and he thinks she's hot? It's not that the AsuShinji (or ShinSuka, or whatever the hell it's called) here is forced: it's just that it doesn't even make sense. The only reason people still ship them together is because they did it in the 90s. Yūko Miyamura's performance also feels very lackadaisical and lacks passion, which is quite unlike her. Although perhaps this is intentional, since her character always talks as if she has the spear of Longinus permanently stuck up her rectum. In fact, the few times she says her iconic "Anta baka?" This one feels very forced, in addition to not having her characteristic high-pitched tone.
In short, the character has suffered the same fetishization as Rei (gamer girl, tomboy, one-eyed, etc.), but also with the aggravating factor that not even her basic characteristics have been respected here. This is especially disconcerting when we take into account that the rest of the characters have their original personalities more or less intact (albeit simplified). Even more disconcerting if we take into account that Asuka is possibly the most popular character in all of Evangelion, and even more so if we consider that she is Anno's favorite character (in fact, the initial idea was for Asuka to be the protagonist).
https://evaresources.wordpress.com/der-mond/
Given this, the inevitable question arises: "Why?" What was the point of turning Asuka into an inferior and tsundere copy of Rei, even more so when there are already three clones? It has always been rumored that Asuka is not popular in Japan, but that is completely false. The only semi-rational explanation I can think of is that they did it to please the haters. It's no secret that a portion within the Evangelion fandom (and outside of it) hates Asuka with a passion. They see her as someone toxic and cruel who dedicates herself to screwing others for no reason, without understanding that you don't have to like a well-written character.
https://imgur.com/a/KznXE1x
What these people fail to understand is that Asuka's verbal abuse is a defense mechanism to avoid opening up to others, since Asuka constantly says things that do not fit with what she really feels or thinks (clear proof is chapter 16 from the original series). It's not like it matters much, considering they were never more than an extremely vocal minority. That the character is so popular is proof of this. The great irony of all this is that the new "Asuka" is a much more unpleasant and detestable character than the original, since she lacks the redeemable qualities of the original and her moments of comic relief.
And if until now I have been more or less benevolent with this remake, this is something I cannot forgive: because changing a character just because a group of people doesn't like it is one of the most cowardly and pathetic acts in the world. that a writer can fall. The fact that this was also at the expense of one of the best female characters in the history of anime and with a wonderful story arc makes it even more bloody. Any other halfway competent writer would have responded with this.
https://youtu.be/5Js0ea6yPKM
...although if we go by Ockham's razor, the most likely explanation is simply that Hideaki Anno is mentally retarded.
A CHARACTER TO DESTROY A FRANCHISE AND BIND IT TO DARKNESS:
Mari Makinami Illustrious A.K.A María Iskariote (what an appropriate last name) is one of the worst creations ever made by humans. Not since the atomic bombs has humanity created something so horrible. Worse than the holocaust. Worse than fascism. Worse than Facebook memes. Worse than stepping on a lego. I would even dare to say that it is worse than pizza with pineapple. No character better reflects Anno's mental decline or better embodies all the problems of the current anime industry than this trash.
This character contributes absolutely nothing to the plot, he does not contribute at any time to its advancement, he lacks his own development or story, he does absolutely nothing relevant in the 3 films in which he appears, and he does not even have a defined personality. So much so, that all of her scenes could be eliminated or replaced by any other character and she would barely affect the plot, or not affect it at all.
The character is so frighteningly one-dimensional that she doesn't even show different emotions or moods during the three films in which she appears, always being perpetually happy and carefree even in tense situations for literally no reason. This leads to moments as surreal as her starting to sing and hum in scenes that are intended to be serious or dramatic (or so I think; perhaps what they wanted was to turn this into an unintentional comedy), again generating a gigantic narrative dissonance. The last third of 3.33 is the best example of this.
But that's not the worst: this character is clearly made for otaku coomers to masturbate to. She has almost every fetish possible: glasses/lenses (whatever they call it in your country), pigtails, miniskirt, schoolgirl, saying "nya", big tits, obsession with smell and tight outfits, etc. To make matters worse in 3.0 + 1.01 we discover that she is 48 years old, so we can also add the milf fetish. Evidently, her tits always bounce in her plugsuit (she would swear that never happened in the original series) and there are many close-ups of her ass. In addition to constantly making sexual advances towards Shinji, which also turns this piece of shit into a potential pedophile.
If the thing simply ended there, we could say that this character remains a mere annoying and unnecessary secondary character. Unfortunately, the character is also disruptive to the plot, occupying long filler scenes that do nothing more than waste time that is already scarce in a film, and that could have been used on something else more interesting; like Pen Pen watching TV, Pen Pen eating a sardine, etc. Without going any further, both 2.22, 3.33 and 3.0+1.01 begin with a long filler scene of her hitting on her. Well, to be honest, the 3.33 one is more Asuka, but this abortion is still out there fucking and singing.
It would not be an exaggeration to say that discussing why this character exists is much more interesting than any other debate that can be created about these films. I still think about it. However, the ending of 3.0+1.01 gives a good clue: the character was created solely and exclusively to stay with Shinji. I can only imagine that Anno made this tired of the fandom shipping and the arguments over who Shinji should stay with, so he decided to end the matter by creating his own ideal waifu with all the fetishes he likes in a woman to end it. with this. It's disgusting, but considering we're talking about a Japanese, totally possible.
It's surreal coming from the man who harshly criticized the use of anime as escapism and the excessive female objectification and sexualization in it, but it's the only semi-decent explanation I can think of. Basically, he is what is called a mascot character in literature. That would explain why this character never shows doubts, nor any kind of internal conflict, or why he is a better Eva pilot than Asuka and Rei themselves. It is also very revealing about the quality of the Rebuilds: creating a self-insert OC just to be the partner of the protagonist or another main character is the quintessential trait of all bad fanfiction.
However, among all this tsunami of disqualifications, I also have to say something positive: spending three movies giving hope to the shippers only to have Shinji be cuckolded simultaneously by Rei and Asuka in the last one and end up with a character with which had zero development (before 3.0+1.01 I didn't even know its name) is a true trolling masterclass, worthy of the best of ball pumpers. Only a true emperor of evil would have come up with such a twisted and at the same time perfect way to screw over a large part of the fandom. I give you my tens, Anno.
THE ANTI-UNIVERSE OF ANTI-NARRATIVE:
Of all the new concepts that Anno brings up at the last minute from the place named after his last name, none stands out more than the "anti-universe." Or, as I like to call it, the "anti-good writing." Basically because it perfectly represents all the problems of the rebuilds and their script. In the final stretch of 3.0+1.01 we have the last-minute revelation of a quantum plane of existence capable of turning imagined worlds into reality and changing this through Lilith, which cannot be understood by the human mind (wow, WHAT CONVENIENT!) and whose existence has never been mentioned or even hinted at in the entire franchise until CONCIDENTLY the aforementioned last third of the film.
In other words, a gigantic Deus Ex Machina created in an improvised way to avoid repeating End of Evangelion and forcing a happy ending where Shinji creates an ideal universe for each character (although that is questionable, as we will see later). And it is far from being the only one: the spear of Cassius, the Eva of Infinity, the key of Nebuchadnezzar, the Book of Life, and so on. None of these concepts are integrated into the plot in an organic and natural way, but rather they arise spontaneously at its convenience when it needs it. Except for the new "Super Berserker Mode" of the Evas, which is simply a power-up to sell figurines.
As I said before, if at least this were an alternate universe separate from the original anime, all this bombardment of concepts pulled out of the ass would be a little better justified. But the revelation that everything is a cycle and we are in the same universe as the original work only makes it even worse, generating countless inconsistencies about why they never mentioned this or never used that (what's the point of the seeds of life If you can create universes simply by imagining them?). Although without a doubt, the worst of all these new concepts is "the curse of Eve."
Here we have a new concept with very strong repercussions completely launched, which is not even an explanation in itself, it does not answer anything and to make matters worse, the same films contradict each other several times. Needless to say, this is a cheap excuse for the three main characters not to grow up and continue sexualizing 14-year-old girls after the most gratuitous timeskip ever seen. And speaking of timeskip, putting such a long one in the middle of the story is a first-time writing error. If you are writers, never do that: the bigger the time jump, the more things you will be forced to explain, since the less you do it, the more plot holes will form as a result.
And of course, here it explains little to nothing of what happened these 14 years. Like where Nerv got such a tremendous base from, if in 3.33 it seemed that together with Rei and Kaworu it was made up of four people. Or how they have gotten such an army of pseudo-Evas, especially when these are supposed to be extremely expensive (wow, and SEELE with all her unlimited resources was barely 9 in EoE). Or worse yet, how Kaji managed to stop Almost Third Impact (seriously, the name couldn't be stupider). None of these questions are answered at any time. Obviously because they can't do it.
Evangelion has always been characterized by leaving things up to the public's interpretation, but here I feel that they are vilely taking advantage of it so as not to have to give any kind of explanations. And in the case at hand, do not even pay attention to contradictions. Like Touji and Kensuke got on Unit 01 and that doesn't stop them from being 28 after the timeskip. Or that Mari appears to be 14 despite looking like an adult in Gendo's photos and flashbacks, plus the fact that Evas, by simple logic, could not exist back then.
The height of absurdity is when near the end of 3.0+1.01 the "unexpected" revelation occurs (actually we all saw it coming) that everything is a cycle and we are facing a reboot of the original timeline, of which only Kaworu seems to be conscious. He let them guess without giving them any clues how many times Kaworu mentioned or even hinted at such a thing in the original series. Needless to say, nothing is ever explained about it: Who created that cycle? (Adam? Lilith? The First Ancestral Race? Hideaki Anno's last name?) For what purpose? How does it work? How long does it last? Why is Kaworu the only one who remembers him? Do these remakes make sense?
THE DEATH OF A STYLE:
Fortress-cities folding in on themselves. Designs and constructions oscillating between the nineties, the utopian and the cyberpunk. Meshes of flesh and blood animated with the souls of the dead fighting with classical music in the background. A mysterious and ambiguous lore where aliens, technology and conspiracies mix with gnostic, cabalistic elements and the most esoteric aspects of Christianity (did the History Channel predict Evangelion?). Minimalist posters moving quickly between frames. Monochrome backgrounds flashing aggressively (bad luck if you were epileptic). So consistent with its themes that the A.T. fields themselves. They were an allegory of the hedgehog's dilemma (I'm not making this up, Kaworu himself says it in chapter 23).
https://imgur.com/a/2M0eDVK
The sum of all these factors is what allowed Evangelion to build an absolutely unique identity, the one that allowed people to say "hey, that's an Eva!". Starting in 3.33, all that is lost to disappear in 3.0+1.01 in favor of giant spaceships, mechanical mechas made of pure CGI, battles full of colored lights, multiverses and time loops. I'm not saying these elements are bad in and of themselves, but I've already seen a thousand mecha stories with these. For that, I start watching any of the versions of Gundam or Macross. I could also complain about the boring shots without audiovisual language and always using the same color palette, but to be fair, that is an endemic evil of current anime.
And like any bad remake, 3.0+1.01 can't help but pay homage to several scenes from the original work, completely failing to understand the point of said scenes. As an example, we have Ritsuko shooting Gendo for no reason other than to pay homage to End of Evangelion, ignoring that the context between both scenes is very different. Furthermore, here they never explain the relationship that exists between the two, so the scene makes no sense; especially for those who never saw the original series, who will also find mentions of facts that these films have never shown or bothered to explain.
Even worse is when they try to pay homage to the iconic battle between Asuka and the Eva Series. Not only because of the total absence of the graphic violence and choreography of the original, but because what makes that fight so remembered is its emotional component, since it is preceded by a narrative catharsis in which Asuka discovers that the Her mother's soul was always in Unit 02, in addition to being marked by the constant tension of knowing if she will be able to finish the fight before the Eva's energy supply runs out. Here the Evas never run out of energy (why do they need the power supply, then?), so there is no such tension.
In the original fight Asuka may not be shooting 1387945 Evas with a super cannon larger than her as she falls through an... interdimensional hole?; But there you feel every blow, you can appreciate every movement in detail, and the dramatic tension in crescendo only improves the result. If this were a shonen, the logical thing is that Asuka would win. After all, her character arc has been wrapped up in a climactic way. Unfortunately, this is Evangelion. When the Evas Series manage to cause a mortal wound with the pseudo-spear of Longinus and the energy counter reads zero, the outcome is already decided. What happens next is horrific (Asuka's enemies are cruel to her even after she is dead), and just as horrifying are Yūko Miyamura's screams and Miki Nagasawa's performance as Maya announcing that Asuka is dead. In the Rebuilds there are no performances anywhere near that level.
End of Evangelion will be as dark and uncomfortable to watch as you want, but it is a film where all those responsible put their souls into achieving the best possible result, both on a technical and artistic level.
and well, I think that for today I have already downloaded too much, an apology for the large amount of text, I will make a second part at another time because I have so many things to comment on... anyway, I hope you have a good day/afternoon/night or when you read this .
submitted by alphariusomega123 to CharacterRant [link] [comments]
I hated the movie from start to finish. I could spend hours talking about the boring action sequences, about its ugly, excessive CGI that ruins the already ugly mecha, about its disgusting hypersexualization of fucking 14-year-old girls, about how Misato's plans don't make sense, about how Last Kiss almost made me tear my ears off, or its plot full of Deus Ex Machinas with concepts conveniently taken by Hideaki Anno from the place that his last name suggests; but the real reason I'm writing this is because I feel like these movies spit on everything the excellent original work represents.
Not only because as adaptations they fail miserably, but also because they retroactively damage the original work (we'll talk about that later).
Before I begin to explain why the rebuilds are bad adaptations, I want to warn that I am going to do a relatively exhaustive review of the 4 films, so this rant is going to be very long, like staying up late on a winter night with chronic insomnia. That said, let's start to see the reasons:
WHAT IS NEON GENESIS EVANGELION?:
To understand why rebuilds fail as remakes, I must first ask you, dear reader: What does Neon Genesis Evangelion mean to you? (it should at least be familiar to you, unless you've spent your life under a bridge) What do you think about when you read that title, apart from Shinji fucking in front of a comatose Asuka? What comes to mind when you hear the most famous opening in anime history, apart from Shinji strangling the otter against Happy Thursday's throat? (in more ways than one). If your answer is: "It's a mecha anime for emos with a coomer protagonist", that's fine, I respect that; but please press the red "X" in the top right corner of your screen, you can now leave.
Now, I'm going to get serious and explain my definition: Evangelion is a work about the hedgehog's dilemma and the difficulties of forming emotional bonds that human beings have, as well as the consequences of trying to separate from them for fear of rejection. It is not a story about heroes. It's not a story about saving the world. In Evangelion there are neither heroes nor villains, but rather a group of emotionally broken characters trying to be happy in a world just as broken as them. The real enemy of Evangelion is not the angels. It is the lack of communication and empathy.
https://es.wikipedia.org/wiki/Dilema_del_erizo
It is that same lack of communication and empathy that progressively causes everything to go to hell to conclude with a cathartic and bleak ending, but consistent with the themes of the work. It is therefore an existentialist work about human relationships disguised as a mecha anime. This, added to a unique visual style, daring direction, and mechas like never before seen on television, made Evangelion one of the most influential anime in all of history, as well as a true commercial success for Gainax Studio. Success that encouraged other studios to carry out projects such as Cowboy Bebop or Serial Experiment Lain, taking anime towards a new golden age.
Even today you can hear the echoes of that Third Impact of End of Evangelion in 1997. The list of works influenced by Evangelion both inside and outside of Japan is endless. Of course, it is not a perfect work, nor extensive in errors: its target audience is ambiguous, many of the biblical references are more for decoration than anything else, and several aspects of the ending(s) could have been explained better. However, many of these errors can be attributed to a lack of time and budget during the production of the original anime (which was quite chaotic and improvised); therefore, they are understandable and forgivable.
In summary, we can conclude that Evangelion is a dark, introspective, provocative and unique work (at least at its time). This is also combined with a unique visual identity and complex characters whose relationships intertwine and interconnect throughout the work. The sum of all these factors is what led Evangelion to be such a critically acclaimed work that it transcended its own genre and became an icon of popular culture. And this in turn constitutes the biggest mistake of rebuilds; because they commit the biggest sin that an adaptation can commit: denying everything that made the original work great.
ADAPTING WITHOUT A CLEAR PURPOSE:
One of the biggest problems with these remakes (as well as a clear example of what I'm saying) is their total narrative inconsistency. Let me explain: the first rebuilds movie (1.11) is a literal copy-paste of the first 6 chapters of the original anime, with practically the same scenes, dialogues and even music. This makes the film completely redundant and unnecessary (and makes one wonder why it exists); But in any case, the message is being conveyed that the purpose of these remakes is to adapt the original series as faithfully as possible to the cinema with a current animation style.
However, the second movie (2.22) is a... something. A pastiche of new and old things where the plot broadly follows that of the original anime, but with many things changed (of course, for the worse) and a different ending. All this compressing no less than 14 chapters of the original anime into two and a half hours. Here the message that one can infer is that it seeks to adapt the original story (very briefly) by changing and rearranging certain elements, now more in line with what an adaptation is.
However, then we get to 3.33 and... well, after a 14-year because reasons timeskip, we're now in a post-post-apocalyptic world (repetition intended) where ex-Nerv members fight against Nerv itself. Nerv in giant spaceships, there are mechas everywhere, Misato is a sociopath, and Shinji and Asuka still look exactly the same because "DAMN JEBA." Here we can infer that what is sought is to create a totally new story and take it in different directions than the original. The following movie (3.0+1.01) is the only one that is consistent with this purpose.
Whether all these narrative pirouettes were planned in advance or not (clearly not), we can see that there is a clear incongruity between what is intended to be done and what is finally done. All of this generates a strong narrative chaos where the elements and themes of the original anime are mixed with the new ones, creating a total inconsistency. Since also in 3.0+1.01 it is revealed (unfortunately to me) that everything is part of the same universe and this is not really a remake, the excuse of "they are different universes, they don't have to be the same" doesn't work either.
In fact, one thing that you will see me comment a lot throughout this article is the lack of narrative consistency of these remakes, especially in comparison to the original work.
A HEDGEHOG WITHOUT TICKS:
No character in Evangelion better embodies the central theme of the work than Shinji Ikari, its own protagonist. Shinji is not a hero: he is not brave. He is not a genius. He is not charismatic. He is not selfless. He doesn't want to save the world. His reason for piloting the Eva is to gain recognition and appreciation from others; especially from his father, whom he hates, but at the same time admires; He feels that she despises him, but he also wants (and needs) that she loves him. Shinji spends the entire series in the dilemma between escaping from what hurts him (classic avoidance behavior) or accepting it and moving on, even at the risk of being hurt again.
This theme is rock solid throughout the entire original series: from the first to the last chapter of the anime, and from minute one to the very end of End of Evangelion. Even the opening itself makes several visual references to Shinji's hedgehog dilemma. This can make Shinji an infuriating character for audiences accustomed to typical anime protagonists; but it's those same things that make Shinji such a unique and special character. He deconstructs and subverts the hero's journey. And it's not as if this hinders the plot: Shinji is not proactive, but he also does not spend the series crying, as many often claim.
https://files.catbox.moe/eolho0.mp4
https://es.wikipedia.org/wiki/Monomito
And as you may already be imagining, the Shinji of the rebuilds does not have a hedgehog's dilemma. Or rather, he has it, but only during the first movie (copy-paste of the original anime) and part of the second. This is a problem, because it creates a strong narrative inconsistency (again) where it seems that two Shinjis exist at the same time or that this one is bipolar. As of 3.33, Shinji's entire character arc is based on trying to redeem himself for his past mistakes first by unleashing "Almost Third Impact" (what a stupid name) and subsequently preventing Kaworu's death while trying to right said mistake.
Is this a bad thing? Not necessarily. The problem is that I have already seen the arc of the hero who fails to eventually rise up and succeed in 100 trillion works, while the hedgehog's dilemma in none more than in Evangelion (at least in my case). Which makes Shinji a much less interesting character. Some might argue that in 3.0 + 1.01 Shinji does have such a dilemma because he spends half the movie crawling on the ground; but there is not a hedgehog's dilemma, but rather depression for having seen Kaworu's head go KAWOOM (I know, the joke was very bad, but if he didn't do it, I would explode too).
End of Evangelion's Shinji did have such a dilemma because the reason for his depression was having been manipulated and used by someone he had previously opened up to and then forced to kill him, not for failing in his mission (in fact, he was very efficient in her mission to separate Kaworu's head from her body), which in turn brings sexual (and later, deadly) results for Asuka. I insist: narrative consistency. But this is not the worst: the worst thing is that at certain moments in these films, Shinji becomes the typical shonen savior hero, betraying the central point of his character in the original series.
https://youtu.be/E-x-f2OrWeA
A perfect example of this is the ending of 2.22, where the fight in chapter 19 (COINCENTLY from where the original anime starts to get more introspective) is transformed into a ridiculous shipping attempt, with Rei turned into a damsel in distress and Shinji into a savior hero while spouting all the typical cliché lines, topped off with a disgustingly cheesy ending. But of course, how could it end otherwise? With Shinji's Eva practicing cannibalism on Zeruel's corpse (the original scene)? Too disturbing for current times. Shinji and Rei fighting as a team to defeat him? Yes of course. Rei has enough not being in the kitchen. Besides, Asuka already takes care of that, hoping to receive her alpha male's cock as a reward.
https://youtu.be/TPS0Uk0TkP0
Because, like any good modern anime protagonist, Shinji now has a harem.
FETISHING WITHOUT CONTROL:
Of all the characters who are now part of Shinji's harem, the one who is most harmed by this is Rei (Asuka's case is different, and the other character is an infernal creation from Anno's sick mind). Not only because acting like a bitch in heat goes totally against her personality and because of the murky situation, considering that she is a clone of Shinji's mother, but also because her character is reduced to a mere fetish object that does things cute to produce tenderness in the viewer and make coomers buy their figurines.
Rei is an interesting character because he raises numerous existential questions based on the ship of Theseus paradox: the concept of identity, to what extent we can consider ourselves still ourselves, the construction and definition of a "self", etc. But here, her screen time piloting her Unit 00 is minimal (COINCENTLY most of it in 1.11) and her exploits are practically irrelevant or non-existent, also being reduced to a mere damsel in distress at the end of 2.22, as I said before.
https://es.wikipedia.org/wiki/Paradoja_de_Teseo
In 3.0+1.01 he doesn't even get to pilot an Eva. Her role in the film is to cause pity and produce tenderness with her total ignorance (I see that the idiot Anno forgot that all the Reis are born with basic knowledge) while she is seen with different hairstyles, different outfits, working as a farmer, taking care of a baby, etc. In short, a fetish object where she wants the public to value her for how "moe" she is instead of for her abilities or as a character. In Anno's mind, feminism advances in reverse. Ironic, considering that it was precisely Rei who unintentionally started the moe culture.
Of course, it goes without saying that Rei is not the only one who suffers from this extreme fetishization of her character in these films. Under the excuse of paying homage to End of Evangelion, Asuka now always wears an eye patch (needless to say it has nothing to do with having been injured there), a cap with cat ears, in addition to having a very convenient trend for the coomer public of walking naked and semi-naked through other people's houses. She sometimes puts on the plugsuit, but near the end of the movie, it is conveniently torn off, lest we forget that this is made by the Japanese.
One of the best examples of how this hareminication has destroyed the main female characters is in the elevator scene. In the original anime, Rei tries to advise Asuka in a time of particular vulnerability and depression. Rei's limited social skills, coupled with Asuka being Asuka, cause her to misinterpret the attempt to help as mockery and an act of condescension, triggering a slap from her towards Rei and a worsening of her already strained relationship and Asuka's mental state. Rei doesn't fight back because she knows that doing so would only make things even worse.
It is an excellent dramatic scene because it once again brings to the foreground the hedgehog's dilemma and the difficulties between human relationships, very much in line with what Evangelion is. In 2.22, this scene is gratuitously introduced and turned into two horny bitches fighting over which of the two will let their alpha male penetrate first, with a highly OC Rei stopping the assault attempt in a 100% gangsta way to make her see more "cool." The scene doesn't even make plot sense, because Asuka at that moment is not even depressed, and in the original anime this occurs at a much later time under a very different context.
and speaking of asuka...
SOMEONE CALLED ASUKA:
When I started watching these movies, I was afraid that Asuka's character had undergone modifications to make her more "palatable" to new audiences. What took me completely by surprise was how radically different this Asuka is from the original. So different that they can't even be considered the same character. To show it very clearly, we are going to review the personality of both:
Asuka from the original anime: An energetic and outgoing half-German, half-Japanese girl (actually it's 1/4, but who cares) who loves to be the center of attention and have everyone praise her due to the lack of parental love received during her childhood having been abandoned by her father and supplanted by her mother, who suffered from severe mental disorders. She is extremely proud and competitive because she feels that being Eva's pilot is the only thing that gives her an identity and purpose, which makes her tend to become quickly frustrated when things don't go her way and become defensive when she feels like she is being outmaneuvered. . He loves to make fun of others (especially Shinji), to the point of being cruel at times, but he does not do it out of malice, but rather to compensate for his enormous inferiority complex due to the rejection suffered by his mother and having witnessed her. committed suicide (and possibly even tried to kill her) the day she was chosen as Eva's pilot and came running to wish her a Happy Thursday. She admires Kaji and wants to fuck him because she hates her own adolescence, she needs to feel adult and independent due to suffering from a certain Electra complex for having lacked a true father figure during her childhood. She has a sweet and vulnerable nature, but she rarely expresses it to anyone except her best friend Hikari and I better stop this now because too much text.
Rebuild Asuka (hereinafter "Asuka"): A girl soldier created by Nerv as part of a series of clones who has always been alone and thinks she doesn't need anyone, although she secretly wishes to have a family. She hits and insults others for no reason, she yells a lot, never smiles or makes jokes, and hates socializing with others, which doesn't stop her from looking for Shinji's dick within 2 days of meeting him. She always plays video games while someone is talking to her and at night she talks to herself with a doll like an autistic person.
As we can see, these two characters not only look nothing alike: several of their traits directly contradict each other. Because they look alike, they are not even alike in aesthetics: the original Asuka had red hair and dressed in the traditional feminine way, while "Asuka" is light brown and dresses in a tomboy style (which I'm not saying is wrong, I'm just commenting to show the radical difference). It's not that they have changed Asuka: it's that they have directly murdered her to supplant her by someone with whom she only shares her first name (not even her last name). And needless to say, the change has been VERY for the worse.
To describe the first character, I had to spend 15 damn lines, and even then I had to leave out many important facets of his personality, his development in the original series and his entire character arc in EoE, because if I didn't have one endless bible For the second, 6 lines were enough for me, and I could have had more left over if I had been more concise. The first character is a complex and three-dimensional character, with multiple facets, edges and layers. She feels like a real person. The second character is a generic tsundere that you can find in any mecha anime of the week. She is not even comparable to the first; She's not even a good character.
We cannot speak of Flanderization because not even the most basic traits of the character have been respected. Nor can we speak of a deconstruction because that same absence of basic traits means that there is no character construction on which to stand in the first place. Obviously, this change greatly resents the interactions between characters: the original Asuka was a charismatic and fun character with the ability to drive the plot on her own (as soon as she appears in chapter 8 of the original anime she is already changing the entire dynamic between characters) , while "Asuka" is mostly only in the background or to fight; He doesn't even have a character arc as such. In fact, in 2.22 he has even less screen time than several supporting characters.
His chemistry with Shinji is also non-existent (and I'm not just referring to the romantic level) and they barely have any development together. They like each other here because... ehhhh... she likes how he cooks and he thinks she's hot? It's not that the AsuShinji (or ShinSuka, or whatever the hell it's called) here is forced: it's just that it doesn't even make sense. The only reason people still ship them together is because they did it in the 90s. Yūko Miyamura's performance also feels very lackadaisical and lacks passion, which is quite unlike her. Although perhaps this is intentional, since her character always talks as if she has the spear of Longinus permanently stuck up her rectum. In fact, the few times she says her iconic "Anta baka?" This one feels very forced, in addition to not having her characteristic high-pitched tone.
In short, the character has suffered the same fetishization as Rei (gamer girl, tomboy, one-eyed, etc.), but also with the aggravating factor that not even her basic characteristics have been respected here. This is especially disconcerting when we take into account that the rest of the characters have their original personalities more or less intact (albeit simplified). Even more disconcerting if we take into account that Asuka is possibly the most popular character in all of Evangelion, and even more so if we consider that she is Anno's favorite character (in fact, the initial idea was for Asuka to be the protagonist).
https://evaresources.wordpress.com/der-mond/
Given this, the inevitable question arises: "Why?" What was the point of turning Asuka into an inferior and tsundere copy of Rei, even more so when there are already three clones? It has always been rumored that Asuka is not popular in Japan, but that is completely false. The only semi-rational explanation I can think of is that they did it to please the haters. It's no secret that a portion within the Evangelion fandom (and outside of it) hates Asuka with a passion. They see her as someone toxic and cruel who dedicates herself to screwing others for no reason, without understanding that you don't have to like a well-written character.
https://imgur.com/a/KznXE1x
What these people fail to understand is that Asuka's verbal abuse is a defense mechanism to avoid opening up to others, since Asuka constantly says things that do not fit with what she really feels or thinks (clear proof is chapter 16 from the original series). It's not like it matters much, considering they were never more than an extremely vocal minority. That the character is so popular is proof of this. The great irony of all this is that the new "Asuka" is a much more unpleasant and detestable character than the original, since she lacks the redeemable qualities of the original and her moments of comic relief.
And if until now I have been more or less benevolent with this remake, this is something I cannot forgive: because changing a character just because a group of people doesn't like it is one of the most cowardly and pathetic acts in the world. that a writer can fall. The fact that this was also at the expense of one of the best female characters in the history of anime and with a wonderful story arc makes it even more bloody. Any other halfway competent writer would have responded with this.
https://youtu.be/5Js0ea6yPKM
...although if we go by Ockham's razor, the most likely explanation is simply that Hideaki Anno is mentally retarded.
A CHARACTER TO DESTROY A FRANCHISE AND BIND IT TO DARKNESS:
Mari Makinami Illustrious A.K.A María Iskariote (what an appropriate last name) is one of the worst creations ever made by humans. Not since the atomic bombs has humanity created something so horrible. Worse than the holocaust. Worse than fascism. Worse than Facebook memes. Worse than stepping on a lego. I would even dare to say that it is worse than pizza with pineapple. No character better reflects Anno's mental decline or better embodies all the problems of the current anime industry than this trash.
This character contributes absolutely nothing to the plot, he does not contribute at any time to its advancement, he lacks his own development or story, he does absolutely nothing relevant in the 3 films in which he appears, and he does not even have a defined personality. So much so, that all of her scenes could be eliminated or replaced by any other character and she would barely affect the plot, or not affect it at all.
The character is so frighteningly one-dimensional that she doesn't even show different emotions or moods during the three films in which she appears, always being perpetually happy and carefree even in tense situations for literally no reason. This leads to moments as surreal as her starting to sing and hum in scenes that are intended to be serious or dramatic (or so I think; perhaps what they wanted was to turn this into an unintentional comedy), again generating a gigantic narrative dissonance. The last third of 3.33 is the best example of this.
But that's not the worst: this character is clearly made for otaku coomers to masturbate to. She has almost every fetish possible: glasses/lenses (whatever they call it in your country), pigtails, miniskirt, schoolgirl, saying "nya", big tits, obsession with smell and tight outfits, etc. To make matters worse in 3.0 + 1.01 we discover that she is 48 years old, so we can also add the milf fetish. Evidently, her tits always bounce in her plugsuit (she would swear that never happened in the original series) and there are many close-ups of her ass. In addition to constantly making sexual advances towards Shinji, which also turns this piece of shit into a potential pedophile.
If the thing simply ended there, we could say that this character remains a mere annoying and unnecessary secondary character. Unfortunately, the character is also disruptive to the plot, occupying long filler scenes that do nothing more than waste time that is already scarce in a film, and that could have been used on something else more interesting; like Pen Pen watching TV, Pen Pen eating a sardine, etc. Without going any further, both 2.22, 3.33 and 3.0+1.01 begin with a long filler scene of her hitting on her. Well, to be honest, the 3.33 one is more Asuka, but this abortion is still out there fucking and singing.
It would not be an exaggeration to say that discussing why this character exists is much more interesting than any other debate that can be created about these films. I still think about it. However, the ending of 3.0+1.01 gives a good clue: the character was created solely and exclusively to stay with Shinji. I can only imagine that Anno made this tired of the fandom shipping and the arguments over who Shinji should stay with, so he decided to end the matter by creating his own ideal waifu with all the fetishes he likes in a woman to end it. with this. It's disgusting, but considering we're talking about a Japanese, totally possible.
It's surreal coming from the man who harshly criticized the use of anime as escapism and the excessive female objectification and sexualization in it, but it's the only semi-decent explanation I can think of. Basically, he is what is called a mascot character in literature. That would explain why this character never shows doubts, nor any kind of internal conflict, or why he is a better Eva pilot than Asuka and Rei themselves. It is also very revealing about the quality of the Rebuilds: creating a self-insert OC just to be the partner of the protagonist or another main character is the quintessential trait of all bad fanfiction.
However, among all this tsunami of disqualifications, I also have to say something positive: spending three movies giving hope to the shippers only to have Shinji be cuckolded simultaneously by Rei and Asuka in the last one and end up with a character with which had zero development (before 3.0+1.01 I didn't even know its name) is a true trolling masterclass, worthy of the best of ball pumpers. Only a true emperor of evil would have come up with such a twisted and at the same time perfect way to screw over a large part of the fandom. I give you my tens, Anno.
THE ANTI-UNIVERSE OF ANTI-NARRATIVE:
Of all the new concepts that Anno brings up at the last minute from the place named after his last name, none stands out more than the "anti-universe." Or, as I like to call it, the "anti-good writing." Basically because it perfectly represents all the problems of the rebuilds and their script. In the final stretch of 3.0+1.01 we have the last-minute revelation of a quantum plane of existence capable of turning imagined worlds into reality and changing this through Lilith, which cannot be understood by the human mind (wow, WHAT CONVENIENT!) and whose existence has never been mentioned or even hinted at in the entire franchise until CONCIDENTLY the aforementioned last third of the film.
In other words, a gigantic Deus Ex Machina created in an improvised way to avoid repeating End of Evangelion and forcing a happy ending where Shinji creates an ideal universe for each character (although that is questionable, as we will see later). And it is far from being the only one: the spear of Cassius, the Eva of Infinity, the key of Nebuchadnezzar, the Book of Life, and so on. None of these concepts are integrated into the plot in an organic and natural way, but rather they arise spontaneously at its convenience when it needs it. Except for the new "Super Berserker Mode" of the Evas, which is simply a power-up to sell figurines.
As I said before, if at least this were an alternate universe separate from the original anime, all this bombardment of concepts pulled out of the ass would be a little better justified. But the revelation that everything is a cycle and we are in the same universe as the original work only makes it even worse, generating countless inconsistencies about why they never mentioned this or never used that (what's the point of the seeds of life If you can create universes simply by imagining them?). Although without a doubt, the worst of all these new concepts is "the curse of Eve."
Here we have a new concept with very strong repercussions completely launched, which is not even an explanation in itself, it does not answer anything and to make matters worse, the same films contradict each other several times. Needless to say, this is a cheap excuse for the three main characters not to grow up and continue sexualizing 14-year-old girls after the most gratuitous timeskip ever seen. And speaking of timeskip, putting such a long one in the middle of the story is a first-time writing error. If you are writers, never do that: the bigger the time jump, the more things you will be forced to explain, since the less you do it, the more plot holes will form as a result.
And of course, here it explains little to nothing of what happened these 14 years. Like where Nerv got such a tremendous base from, if in 3.33 it seemed that together with Rei and Kaworu it was made up of four people. Or how they have gotten such an army of pseudo-Evas, especially when these are supposed to be extremely expensive (wow, and SEELE with all her unlimited resources was barely 9 in EoE). Or worse yet, how Kaji managed to stop Almost Third Impact (seriously, the name couldn't be stupider). None of these questions are answered at any time. Obviously because they can't do it.
Evangelion has always been characterized by leaving things up to the public's interpretation, but here I feel that they are vilely taking advantage of it so as not to have to give any kind of explanations. And in the case at hand, do not even pay attention to contradictions. Like Touji and Kensuke got on Unit 01 and that doesn't stop them from being 28 after the timeskip. Or that Mari appears to be 14 despite looking like an adult in Gendo's photos and flashbacks, plus the fact that Evas, by simple logic, could not exist back then.
The height of absurdity is when near the end of 3.0+1.01 the "unexpected" revelation occurs (actually we all saw it coming) that everything is a cycle and we are facing a reboot of the original timeline, of which only Kaworu seems to be conscious. He let them guess without giving them any clues how many times Kaworu mentioned or even hinted at such a thing in the original series. Needless to say, nothing is ever explained about it: Who created that cycle? (Adam? Lilith? The First Ancestral Race? Hideaki Anno's last name?) For what purpose? How does it work? How long does it last? Why is Kaworu the only one who remembers him? Do these remakes make sense?
THE DEATH OF A STYLE:
Fortress-cities folding in on themselves. Designs and constructions oscillating between the nineties, the utopian and the cyberpunk. Meshes of flesh and blood animated with the souls of the dead fighting with classical music in the background. A mysterious and ambiguous lore where aliens, technology and conspiracies mix with gnostic, cabalistic elements and the most esoteric aspects of Christianity (did the History Channel predict Evangelion?). Minimalist posters moving quickly between frames. Monochrome backgrounds flashing aggressively (bad luck if you were epileptic). So consistent with its themes that the A.T. fields themselves. They were an allegory of the hedgehog's dilemma (I'm not making this up, Kaworu himself says it in chapter 23).
https://imgur.com/a/2M0eDVK
The sum of all these factors is what allowed Evangelion to build an absolutely unique identity, the one that allowed people to say "hey, that's an Eva!". Starting in 3.33, all that is lost to disappear in 3.0+1.01 in favor of giant spaceships, mechanical mechas made of pure CGI, battles full of colored lights, multiverses and time loops. I'm not saying these elements are bad in and of themselves, but I've already seen a thousand mecha stories with these. For that, I start watching any of the versions of Gundam or Macross. I could also complain about the boring shots without audiovisual language and always using the same color palette, but to be fair, that is an endemic evil of current anime.
And like any bad remake, 3.0+1.01 can't help but pay homage to several scenes from the original work, completely failing to understand the point of said scenes. As an example, we have Ritsuko shooting Gendo for no reason other than to pay homage to End of Evangelion, ignoring that the context between both scenes is very different. Furthermore, here they never explain the relationship that exists between the two, so the scene makes no sense; especially for those who never saw the original series, who will also find mentions of facts that these films have never shown or bothered to explain.
Even worse is when they try to pay homage to the iconic battle between Asuka and the Eva Series. Not only because of the total absence of the graphic violence and choreography of the original, but because what makes that fight so remembered is its emotional component, since it is preceded by a narrative catharsis in which Asuka discovers that the Her mother's soul was always in Unit 02, in addition to being marked by the constant tension of knowing if she will be able to finish the fight before the Eva's energy supply runs out. Here the Evas never run out of energy (why do they need the power supply, then?), so there is no such tension.
In the original fight Asuka may not be shooting 1387945 Evas with a super cannon larger than her as she falls through an... interdimensional hole?; But there you feel every blow, you can appreciate every movement in detail, and the dramatic tension in crescendo only improves the result. If this were a shonen, the logical thing is that Asuka would win. After all, her character arc has been wrapped up in a climactic way. Unfortunately, this is Evangelion. When the Evas Series manage to cause a mortal wound with the pseudo-spear of Longinus and the energy counter reads zero, the outcome is already decided. What happens next is horrific (Asuka's enemies are cruel to her even after she is dead), and just as horrifying are Yūko Miyamura's screams and Miki Nagasawa's performance as Maya announcing that Asuka is dead. In the Rebuilds there are no performances anywhere near that level.
End of Evangelion will be as dark and uncomfortable to watch as you want, but it is a film where all those responsible put their souls into achieving the best possible result, both on a technical and artistic level.
and well, I think that for today I have already downloaded too much, an apology for the large amount of text, I will make a second part at another time because I have so many things to comment on... anyway, I hope you have a good day/afternoon/night or when you read this .
2024.05.15 23:51 lightscamerasnaction Delta in-flight movies [March 2024]
I tried to write down every single movie available on my flights in March 2024. I handwrote some of my notes to pass the 13 hours which is why there are ??? when I couldn't read my own writing/abbreviations. Note that not all titles were available on all flights, and my list is missing a chunk of them (especially titles beginning with "S" for some reason). Hope someone finds it useful! Maybe someone will get to creating a Letterboxd list of them all before me! [Posted this in movies and thought delta users might find it useful too]
submitted by lightscamerasnaction to delta [link] [comments]
10 Things I Hate About You
101 Dalmatians
12 Angry Men
13 Going on 30
17 Again
2001: A Space Odyssey
27 Dresses
500 Days of Summer
80 for Brady
A Beautiful Mind
A Bug's Life
A Cinderella Story
A Compassionate Spy
A Fantastic Woman
A Few Good Men
A Good Year
A Haunting in Venice
A League of Their Own
A Room with a View
A Separation
A Simple Plan
A Simple Wish
A.I. Artificial Intelligence
Abominable
Adam's Rib
Airheads
Akeelah and the Bee
Aladdin
Alice Through the Looking Glass
Alvin and the Chipmunks
Alvin and the Chipmunks: Chipwrecked
American Graffiti
American Street Kid
Amores Perros
An Inconvenient Truth
Anatomy of a Fall
Angels in the Outfield
Aquaman
Assassin Club
Asteroid City
Avatar: Way of Water
Avengers: Infinity War
Back to the Future
Bad Company
Barb and Star: Vista del Mar
Barbie
Batman
Batman Begins
Batman Returns
Batman vs. Superman Dawn
Battle of the Sexes
Beauty and the Beast
Beetlejuice
Being Mary Tyler Moore
Bend it Like Beckham
Better Luck Tomorrow
Big
Big George Foreman
Billy Elliott
Birds of Prey: Harley Quinn
Birthright Outlaw
Blackberry
Blade
Blade II
Blade Runner 2049
Blade Trinity
Blended
Blinded by the Light
Blue Beetle
Bolt
Bottoms
Brave
Brazil
Bridesmaids
Bridget Jones' Diary
Bridget Jones: Edge of Reason
Bring It On
Brown Sugar
Buoyancy
But I'm a Cheerleader
Call Me by Your Name
Carmen Jones
Central Intelligence
Charlie and the Chocolate Factory
Cheaper by the Dozen
Chevalier
Chicken Run
Child's Play
Children of a Lesser God
Chinatown
Cinderella
Clifford the Big Red Dog
Cloudy with a Chance of Meatballs
Clueless
Colossal
Condor's Nest
Cool Hand Luke
Coraline
Couples Retreat
Crazy Rich Asians
Crazy Stupid Love
Creed
Creed II
Crooklyn
Cruella
Chr. G
Dark Waters
Darkest Hour
Dawnland
Dazed and Confused
DC: League of Super Pets
Dear White People
Dee. Boys
Delivery Man
Desperately Seeking Susan
Despicable Me
Despicable Me 2
Despicable Me 3
Diary of a Wimpy Kid
Dret ard
Dr. Doolittle
Down with Love
Dr. Seuss Horton Hears a Who
Dr. Seuss The Grinch
Dr. Grinch The Lorax
Dreamgirls
Drop Dead Gorgeous
Drumline
Due Date
Dumb and Dumber
Dumb Money
Dune
Dunkirk
E.T.
Edge of Tomorrow
Eggs Over Easy
Elemental
Enter the Dragon
E????
Erin Brockovich
Eternals
Evan Almighty
Everest
Everything Everywhere All at Once
Evil Dead Rises
Expendables 4
F9: Fast Saga
Fallen
Fantastic Beasts
Fantastic Beasts: Crimes of Grindewald
Fantastic Beasts: Secrets of Dumbledore
Fargo
F&F: Hobbes and Shaw
Fast X
Father of the Bride
Feramana???
Ferner????
Field of Dreams
Finding Dory
Finding Nemo
First Man
Focus
Following
Fools Rush In
Forrest Gump
Freaky
Freaky Friday
Freelance
Frida
Friday
Frozen 2
Frozen River
Game Night
Gangster Squad
Garfield
Garfield: Tail of 2 Kitties
Get Smart
Ghostbusters
Glass
Glory
Godzilla vs Kong
Going in Style
Good Morning Vietnam
Gosford Park
Grand Torino
Gran Turismo
Gravity
Grease
Grease 2
Gremlins
Guardians of the Galaxy Vol 3
Guy Richie's The Covenant
Hacksaw Ridge
Half Nelson
Hanna
Happy Death Day
Happy Feet 2
Harlan County USA
Harold and Kumar: White Castle
Harry Potter 1-8
Haunted Mansion
He's Just Not That Into You
Her
Hereafter
Hocus Pocus
Honor Society
Horrible Bosses
Hotel Transylvania
House Party
How to Be Single
How to Lose a Guy in 10 Days
How to Train your Dragon
Hypnotic
I Am Legend
I Didn't See You There
I, Tonya
Ice Age: Collision Course
Ice Age: Continental Drift
Ice Age: Dawn of Dinosaurs
Ice Age: Meltdown
Ice on Fire
If Beale Street Could Talk
In the Heart of the Sea
In the Heights
In the Name of the Father
Inception
Incredibles 2
Indiana Jones: Dial of Destiny
Indiana Jones: Temple of Doom
Insidious: The Red Door
Insomnia
Instructions not INcluded
It
Jerry & Marge Go Large
Jersey Boys
John Wick
John Wick 2
John Wick 3
Joker
Jonah: A VeggieTales Movie
Journey to the Center of the Earth
Judas and the Black Messiah
Jules
Jumanji
Jumanji: Welcome to the Jungle
Jurassic Park
Jurassic World
Just Married
Just my Luck
Kazaam
Kit Kittredge
Kramer vs Kramer
Kubo and the Two Strings
Kung Fu Panda
Kung Fu Panda 2
Kung Fu??????
La La Land
Labyrinth
Lady in the Water
Lakota Nation vs United States
Legally Blonde
Liar Liar
Life of the Party
Lightyear
Lilo and Stitch
Lion
Little Women
Living
Lo------
Lone Survivor
Love and Basketball
Love Again
Love Jones
Ma-d_____ ?
Madagascar
Madagascar Escape
Made of Honor
Mafia Mamma
Magic Mike's Last Dance
Malt------
Momma's Boy
Mamma Mia
Mamma Mia Here We Go Again
March of the Penguins
Mat------
Mean Girls
Meet the Parents?
Memento
Michael Clayton
Milk
Minions
Minions: Rise of Gru
Misery
Miss Congeniality
Missing Link
Mission Impossible Dead Reckoning
Mississippi Masala
Moana
Monster In Law
Monsters Inc
Monsters University
Moonlight
Mortal Enemies
Mr. Malcolm's List
Mulan
Mummies
Murder by Numbers
Murder on the Orient Express
Muriel's Wedding
My Animal
My Big Fat Greek Wedding
My Family
My Girl
National Lampoon's Vacation
Neighbors 2
Neruda
New Year's Eve
News of the World
Nights in Rodanthe
Nine Queens
No
No Country for Old Men
No Murches Frida??
Nomadland
Notting Hill
Ocean's 8
Ocean's 13
October Sky
Of tn age??
Once Upon a Time in Hollywood
Onward
Oppenheimer
Origin
Over the Hedge
Pacific Rim
Pandas
Pan's Labyrinth
ParaNorman
Paris is Burning
Past Lives
Paw Patrol: Mighty
Paw Patrol: More
Pee Wee's Big Adventure
Perfect Strangers
Persepolis
Phantom Thread
Pinball: The Man Who Saved the Game
Pitch Perfect
Pitch Perfect 3
Planes
Planes, Trains, and Automobiles
Pokemon: Detective Pikachu
Practical Magic
Pride and Prejudice
Primal Fear
Priscilla
Psycho
Pulp Fiction
Puppy Love
Puss in Boots
Queen and Slim
Radical
RRadi--- Wwi?/
Raging Bull
Ra the Breata?
Rat Race?
Ratatouille
Ready Player One
Real Women Have Curves
Red Tails
Reforge
Renfield
Repo Man
Rocky
Ruby Gillman
Rumor Has It
Rush Hour 2
RV
Róise & Frank
Sacfint??
Saving Face
Saving Private Ryan
School Daze
Scoob!
Scooby Doo
Scrapper
Scream VI
Searching
Selena
Selma
Semi Pro
Seven
Shaft
?
?
?
?
?
?
?
?
?
Significant Other
?
?
Skyfall
Smallfoot
Smoke?
Snowpiercer
?
Something's Gotta Give
?
?
Soul Surfer
Space Jam
Space Oddity
Sp Ra ????
Spider-Man: Across the Spider-Verse
Spider-Man: Homecoming
Spider-Man Into the Spider-Verse
Split
Spy Game?
Spy Kids
Stone and D????
Ste W s5t?
Stomp the Yard
Storks
Sweet Home Alabama
Tag
Talk to Me
Tangled
Tee as Go!??
Teenage Mutant Ninja Turtles
Tenet
The Adia Prse?
The Angry Black Girl and Her Monster
The Baby-Sitters Club
The Best Man
The Big Lebowski
The Big Short
The Biggest Little Farm
The Bird Cage
The Blind Side
The Blues Brothers
The Bodyguard
The Boogeyman
The Book of Life
The Boss Baby: Family Business
The Bourne Identity
The Boxer
The Breakfast Club
The Bucket List
The Caine Mutiny
The Campaign
The Castle
The Chronicles of Narnia
The Chronicles of Narnia 2
The Chronicles of Narnia 3
The Creator
The Croods New Age
The Curious Case of Benjamin Button
The Dark Knight Rises
The Dark Side
The Dead Don't Die
The Dry?
The Equalizer
The Exorcist: Believer
The Fabulous Filipino Brothers
The Fast and Furious (#1)
The S Heartbeats?
The Has???
The Gentlemen
The Good Nurse
The Goonies
The Great Wall
The Guard
The Harvest (La Cosecha)
The H????
The Hobbit
The Hobbit 2
The Hobbit 3
The Holdovers
The Hunger Games: Ballad of Snakes and Songbirds
The Hunger Games
The Hunger Games 2
The Hunger Games 3
The Hunger Games 4
The Hunt for Red October
The Huntsman: Winter’s War
The Incredibles
The Intern
The Invention of Lying
The Iron Giant
The Island
The Jungle Book
The Karate Kid
The Kids are Alright
The Lake House
The Land Before Time
The Last Out
The Last Samurai
The Lego Batman Movie
The Lego Movie
The Lesson
The Lion King
The Lion King
The Little Mermaid
The Little Mermaid
The Lord of the Rings: Fellowship
The Losers
The Man from UNCLE
The Marsh King’s Doughter
The Marvels
The Matrix: Resurrections
The Mitchells vs The Machines
The Mummy
The Neverending Story
The Nice Guys
The Nun II
The Odd Life of Timothy Green
The Other Zoey
The Outsiders
The Peanuts Movie
The Persian Version
The Pirates Who Don't Do Anything
The Place Beyond the Pines
The Popes Exorcist
The Pre--?
The Purge: Election Year
The Replacements
The Ring
The Secret Garden
The Secret Life of Pets
The Silence of the Lambs
The S --------
The ?
The ?
The ?
The ?
The ?
The Take
The Time Traveler's Wife
The True Cost
The Umbrellas of Cherbourg
The Un---- Country
The Usual Suspects
The ???
The ????
The ?????
The Wedding Singer
The Wizard of Oz
The Wood
The Zookeeper's Wife
Theater Camp
Them---?
There Will Be Blood
Thurs?
Titanic
To Kill a Mockingbird
Tooooo?
Tom ??
Tommy Boy
Top Gun
Top Gun: Maverick
Toy Story 2
Toy Story 3
Toy Story 4
Train to Busan
Training Day
Transformers Rise
Trolls
Trolls World Tour
Troy
Tully
Turning Red
Umami
Us
??
V for Vendetta
V????
VeggieTales: Abe and the Amazing Promise
VeggieTales: Merry Larry and the True Light of Christmas
Vindicta
Vivo
Wallace & Gromit: The Curse of the Were-Rabbit
War Dogs
We Were Soldiers
We're the Millers
Wedding Crashers
West Side Story
Wet Hot American Summer
Where the Wild Things Are
Wildhood
Willy Wonka and the Chocolate Factory
Winters Bone
Wonder
Wonder Woman 1984
Wonka
Wreck It Ralph
Yes, Man
Yesterday
Young Punx: A Punk Parable
Zombieland
2024.05.15 23:48 lightscamerasnaction Delta in-flight movies list
I tried to write down every single movie available on my Delta flights in March 2024. I handwrote some of my notes to pass the 13 hours which is why there are ??? when I couldn't read my own writing/abbreviations. Note that not all titles were available on all flights, and my list is missing a chunk of them (especially titles beginning with "S" for some reason). Hope someone finds it useful! Maybe someone will get to creating a Letterboxd list of them all before me!
submitted by lightscamerasnaction to movies [link] [comments]
10 Things I Hate About You
101 Dalmatians
12 Angry Men
13 Going on 30
17 Again
2001: A Space Odyssey
27 Dresses
500 Days of Summer
80 for Brady
A Beautiful Mind
A Bug's Life
A Cinderella Story
A Compassionate Spy
A Fantastic Woman
A Few Good Men
A Good Year
A Haunting in Venice
A League of Their Own
A Room with a View
A Separation
A Simple Plan
A Simple Wish
A.I. Artificial Intelligence
Abominable
Adam's Rib
Airheads
Akeelah and the Bee
Aladdin
Alice Through the Looking Glass
Alvin and the Chipmunks
Alvin and the Chipmunks: Chipwrecked
American Graffiti
American Street Kid
Amores Perros
An Inconvenient Truth
Anatomy of a Fall
Angels in the Outfield
Aquaman
Assassin Club
Asteroid City
Avatar: Way of Water
Avengers: Infinity War
Back to the Future
Bad Company
Barb and Star: Vista del Mar
Barbie
Batman
Batman Begins
Batman Returns
Batman vs. Superman Dawn
Battle of the Sexes
Beauty and the Beast
Beetlejuice
Being Mary Tyler Moore
Bend it Like Beckham
Better Luck Tomorrow
Big
Big George Foreman
Billy Elliott
Birds of Prey: Harley Quinn
Birthright Outlaw
Blackberry
Blade
Blade II
Blade Runner 2049
Blade Trinity
Blended
Blinded by the Light
Blue Beetle
Bolt
Bottoms
Brave
Brazil
Bridesmaids
Bridget Jones' Diary
Bridget Jones: Edge of Reason
Bring It On
Brown Sugar
Buoyancy
But I'm a Cheerleader
Call Me by Your Name
Carmen Jones
Central Intelligence
Charlie and the Chocolate Factory
Cheaper by the Dozen
Chevalier
Chicken Run
Child's Play
Children of a Lesser God
Chinatown
Cinderella
Clifford the Big Red Dog
Cloudy with a Chance of Meatballs
Clueless
Colossal
Condor's Nest
Cool Hand Luke
Coraline
Couples Retreat
Crazy Rich Asians
Crazy Stupid Love
Creed
Creed II
Crooklyn
Cruella
Chr. G
Dark Waters
Darkest Hour
Dawnland
Dazed and Confused
DC: League of Super Pets
Dear White People
Dee. Boys
Delivery Man
Desperately Seeking Susan
Despicable Me
Despicable Me 2
Despicable Me 3
Diary of a Wimpy Kid
Dret ard
Dr. Doolittle
Down with Love
Dr. Seuss Horton Hears a Who
Dr. Seuss The Grinch
Dr. Grinch The Lorax
Dreamgirls
Drop Dead Gorgeous
Drumline
Due Date
Dumb and Dumber
Dumb Money
Dune
Dunkirk
E.T.
Edge of Tomorrow
Eggs Over Easy
Elemental
Enter the Dragon
E????
Erin Brockovich
Eternals
Evan Almighty
Everest
Everything Everywhere All at Once
Evil Dead Rises
Expendables 4
F9: Fast Saga
Fallen
Fantastic Beasts
Fantastic Beasts: Crimes of Grindewald
Fantastic Beasts: Secrets of Dumbledore
Fargo
F&F: Hobbes and Shaw
Fast X
Father of the Bride
Feramana???
Ferner????
Field of Dreams
Finding Dory
Finding Nemo
First Man
Focus
Following
Fools Rush In
Forrest Gump
Freaky
Freaky Friday
Freelance
Frida
Friday
Frozen 2
Frozen River
Game Night
Gangster Squad
Garfield
Garfield: Tail of 2 Kitties
Get Smart
Ghostbusters
Glass
Glory
Godzilla vs Kong
Going in Style
Good Morning Vietnam
Gosford Park
Grand Torino
Gran Turismo
Gravity
Grease
Grease 2
Gremlins
Guardians of the Galaxy Vol 3
Guy Richie's The Covenant
Hacksaw Ridge
Half Nelson
Hanna
Happy Death Day
Happy Feet 2
Harlan County USA
Harold and Kumar: White Castle
Harry Potter 1-8
Haunted Mansion
He's Just Not That Into You
Her
Hereafter
Hocus Pocus
Honor Society
Horrible Bosses
Hotel Transylvania
House Party
How to Be Single
How to Lose a Guy in 10 Days
How to Train your Dragon
Hypnotic
I Am Legend
I Didn't See You There
I, Tonya
Ice Age: Collision Course
Ice Age: Continental Drift
Ice Age: Dawn of Dinosaurs
Ice Age: Meltdown
Ice on Fire
If Beale Street Could Talk
In the Heart of the Sea
In the Heights
In the Name of the Father
Inception
Incredibles 2
Indiana Jones: Dial of Destiny
Indiana Jones: Temple of Doom
Insidious: The Red Door
Insomnia
Instructions not INcluded
It
Jerry & Marge Go Large
Jersey Boys
John Wick
John Wick 2
John Wick 3
Joker
Jonah: A VeggieTales Movie
Journey to the Center of the Earth
Judas and the Black Messiah
Jules
Jumanji
Jumanji: Welcome to the Jungle
Jurassic Park
Jurassic World
Just Married
Just my Luck
Kazaam
Kit Kittredge
Kramer vs Kramer
Kubo and the Two Strings
Kung Fu Panda
Kung Fu Panda 2
Kung Fu??????
La La Land
Labyrinth
Lady in the Water
Lakota Nation vs United States
Legally Blonde
Liar Liar
Life of the Party
Lightyear
Lilo and Stitch
Lion
Little Women
Living
Lo------
Lone Survivor
Love and Basketball
Love Again
Love Jones
Ma-d_____ ?
Madagascar
Madagascar Escape
Made of Honor
Mafia Mamma
Magic Mike's Last Dance
Malt------
Momma's Boy
Mamma Mia
Mamma Mia Here We Go Again
March of the Penguins
Mat------
Mean Girls
Meet the Parents?
Memento
Michael Clayton
Milk
Minions
Minions: Rise of Gru
Misery
Miss Congeniality
Missing Link
Mission Impossible Dead Reckoning
Mississippi Masala
Moana
Monster In Law
Monsters Inc
Monsters University
Moonlight
Mortal Enemies
Mr. Malcolm's List
Mulan
Mummies
Murder by Numbers
Murder on the Orient Express
Muriel's Wedding
My Animal
My Big Fat Greek Wedding
My Family
My Girl
National Lampoon's Vacation
Neighbors 2
Neruda
New Year's Eve
News of the World
Nights in Rodanthe
Nine Queens
No
No Country for Old Men
No Murches Frida??
Nomadland
Notting Hill
Ocean's 8
Ocean's 13
October Sky
Of tn age??
Once Upon a Time in Hollywood
Onward
Oppenheimer
Origin
Over the Hedge
Pacific Rim
Pandas
Pan's Labyrinth
ParaNorman
Paris is Burning
Past Lives
Paw Patrol: Mighty
Paw Patrol: More
Pee Wee's Big Adventure
Perfect Strangers
Persepolis
Phantom Thread
Pinball: The Man Who Saved the Game
Pitch Perfect
Pitch Perfect 3
Planes
Planes, Trains, and Automobiles
Pokemon: Detective Pikachu
Practical Magic
Pride and Prejudice
Primal Fear
Priscilla
Psycho
Pulp Fiction
Puppy Love
Puss in Boots
Queen and Slim
Radical
RRadi--- Wwi?/
Raging Bull
Ra the Breata?
Rat Race?
Ratatouille
Ready Player One
Real Women Have Curves
Red Tails
Reforge
Renfield
Repo Man
Rocky
Ruby Gillman
Rumor Has It
Rush Hour 2
RV
Róise & Frank
Sacfint??
Saving Face
Saving Private Ryan
School Daze
Scoob!
Scooby Doo
Scrapper
Scream VI
Searching
Selena
Selma
Semi Pro
Seven
Shaft
?
?
?
?
?
?
?
?
?
Significant Other
?
?
Skyfall
Smallfoot
Smoke?
Snowpiercer
?
Something's Gotta Give
?
?
Soul Surfer
Space Jam
Space Oddity
Sp Ra ????
Spider-Man: Across the Spider-Verse
Spider-Man: Homecoming
Spider-Man Into the Spider-Verse
Split
Spy Game?
Spy Kids
Stone and D????
Ste W s5t?
Stomp the Yard
Storks
Sweet Home Alabama
Tag
Talk to Me
Tangled
Tee as Go!??
Teenage Mutant Ninja Turtles
Tenet
The Adia Prse?
The Angry Black Girl and Her Monster
The Baby-Sitters Club
The Best Man
The Big Lebowski
The Big Short
The Biggest Little Farm
The Bird Cage
The Blind Side
The Blues Brothers
The Bodyguard
The Boogeyman
The Book of Life
The Boss Baby: Family Business
The Bourne Identity
The Boxer
The Breakfast Club
The Bucket List
The Caine Mutiny
The Campaign
The Castle
The Chronicles of Narnia
The Chronicles of Narnia 2
The Chronicles of Narnia 3
The Creator
The Croods New Age
The Curious Case of Benjamin Button
The Dark Knight Rises
The Dark Side
The Dead Don't Die
The Dry?
The Equalizer
The Exorcist: Believer
The Fabulous Filipino Brothers
The Fast and Furious (#1)
The S Heartbeats?
The Has???
The Gentlemen
The Good Nurse
The Goonies
The Great Wall
The Guard
The Harvest (La Cosecha)
The H????
The Hobbit
The Hobbit 2
The Hobbit 3
The Holdovers
The Hunger Games: Ballad of Snakes and Songbirds
The Hunger Games
The Hunger Games 2
The Hunger Games 3
The Hunger Games 4
The Hunt for Red October
The Huntsman: Winter’s War
The Incredibles
The Intern
The Invention of Lying
The Iron Giant
The Island
The Jungle Book
The Karate Kid
The Kids are Alright
The Lake House
The Land Before Time
The Last Out
The Last Samurai
The Lego Batman Movie
The Lego Movie
The Lesson
The Lion King
The Lion King
The Little Mermaid
The Little Mermaid
The Lord of the Rings: Fellowship
The Losers
The Man from UNCLE
The Marsh King’s Doughter
The Marvels
The Matrix: Resurrections
The Mitchells vs The Machines
The Mummy
The Neverending Story
The Nice Guys
The Nun II
The Odd Life of Timothy Green
The Other Zoey
The Outsiders
The Peanuts Movie
The Persian Version
The Pirates Who Don't Do Anything
The Place Beyond the Pines
The Popes Exorcist
The Pre--?
The Purge: Election Year
The Replacements
The Ring
The Secret Garden
The Secret Life of Pets
The Silence of the Lambs
The S --------
The ?
The ?
The ?
The ?
The ?
The Take
The Time Traveler's Wife
The True Cost
The Umbrellas of Cherbourg
The Un---- Country
The Usual Suspects
The ???
The ????
The ?????
The Wedding Singer
The Wizard of Oz
The Wood
The Zookeeper's Wife
Theater Camp
Them---?
There Will Be Blood
Thurs?
Titanic
To Kill a Mockingbird
Tooooo?
Tom ??
Tommy Boy
Top Gun
Top Gun: Maverick
Toy Story 2
Toy Story 3
Toy Story 4
Train to Busan
Training Day
Transformers Rise
Trolls
Trolls World Tour
Troy
Tully
Turning Red
Umami
Us
??
V for Vendetta
V????
VeggieTales: Abe and the Amazing Promise
VeggieTales: Merry Larry and the True Light of Christmas
Vindicta
Vivo
Wallace & Gromit: The Curse of the Were-Rabbit
War Dogs
We Were Soldiers
We're the Millers
Wedding Crashers
West Side Story
Wet Hot American Summer
Where the Wild Things Are
Wildhood
Willy Wonka and the Chocolate Factory
Winters Bone
Wonder
Wonder Woman 1984
Wonka
Wreck It Ralph
Yes, Man
Yesterday
Young Punx: A Punk Parable
Zombieland
2024.05.15 23:23 NewAnt3846 Stockholm Syndrome (can yall review some of my poems?…want to make it a book someday
“the initial grip of fear, that turns into the unexpected earning for your capture.”
the poetry in here is about survival and surrender. it delves into the complexities of a karmic love. being trapped in a situation, while still being aware of its toxicity. my poems are meant to convey the tumultuous journey of being in love with a narcissist. (your “capture”) the lessons you learn, as painful as they can be, invite you to take a step into the shadow side of love. if you feel at home here, I’m truly sorry. there is a way out. I hope you break free. -with so much love, gillian.
and when you retreat,
i’ll wear this shirt for days.
intoxicating & sweet,
with your cologne interlaced.
breathing in your deceit,
it kind of feels like mace.
denial mixed with defeat.
still i chose to play.
it isn't fair to blame.
believe me, i carry my own shame.
poured myself into your glass,
played the waiting game.
leaking through your cracks,
our imperfections the same.
-i recognize a glass half full, even when it’s shattered.
every summer, we reheat.
you left your roots behind
seasons change, but cycles repeat.
if you see the same tree in the forest twice,
it’s time to face defeat.
must come to terms,
the truth can be bleak.
-you’re lost.
got a god complex,
but you’re not religious.
searching for who’s next.
never fearing Jesus.
sit back & count your checks.
blame your mistakes on demons.
make your excuses.
you’ve got your reasons.
-false prophecy
you remind me of an onion.
make me cry as I peel away at you,
in search for your seed.
but you’re just a facade of skins.
layers of deception,
concealing the truth.
disappointing.
you have no core,
only hollow creed.
-my mother’s disdain for onions.
there’s always been a haze between us.
murky, convoluted, undefined.
more than friends, less than lovers.
simultaneously strangers.
but in this ambiguity, I find solace.
-for grey is my favorite color.
i’ll play bartender,
make you something nice.
your heart in my hand,
gripping your ice.
drain me dry,
leave me hollow & still.
next week you’ll return,
thirsty for your refill.
-whiskey sour
bittersweet.
should have read the label.
“poison”
sitting so pretty on my table.
calling like an offering,
tempting & fatal.
it won’t go down smooth,
leave me unstable.
i tried to resist, i was unable.
now i see that love exists,
but only in fables.
-why do mistakes taste so good?
your lips left a bruise.
just here to distract.
but i admit i’m confused
when you kiss me like that.
aware i’m being used.
still comfortable where i’m at.
position i choose
complacent doormat.
-welcome home
you prefer car rides.
a space to talk, yet evade my gaze.
unable to sit still, restless in your ways.
never one to settle, always seeking the next best fling.
oh, how I long for the days when adderall made you sing.
-my fuel light is on
I broke my own heart,
more times than a few.
i may have lied,
but never to you.
if i faced the truth,
then what’s left to do?
i’m comfortable here,
wasting my youth.
i hate to admit it,
but i know it’s true.
i’m scared of change,
you run from it too.
i won’t forgive myself,
for always forgiving you.
-can you be home sick from people too?
You’re dead to me.
-Necrophiliac.
come on.
i forgave you,
without an apology.
convinced myself it was closure.
started our anthology.
this will never be over.
it’s in our biology.
let’s have a do over.
can you just come fuck me?
-delusional. & i can’t rhyme either.
i’ll read between your lines,
decipher each clue.
search for the signs,
follow your cue.
you’ve spun me around,
think i’ve lost a few screws.
still i rise, dust off the bruise.
maybe i’m drawn to a challenge,
perhaps it’s not you.
denial is my shield.
my safe space, my refuge.
the truth will not prevail
defeat? i refuse.
my final boss,
I aim to subdue.
-sore loser.
my mom said i felt cold.
I always tell the truth.
the words escaped my mouth.
“i get it from you.”
funny, she hugs me now.
never in my youth.
conceal carry my trauma.
play it cool, keep it smooth.
use my words as a weapon.
daddy taught me how to shoot.
-target practice
it’s lonely as a ghost,
been trapped here for years.
lingering around,
mopping up your tears.
do you sense my presence?
can you feel me near?
if I dare make a sound,
will you even hear?
or am I just a whisper?
it’s never been quite clear.
promised to stay beside you,
my love was sincere.
-invisible
afraid to release
what's just a mist.
I must learn to respect
your lack of interest.
hard pill to swallow,
if i could just take the hint.
i hate letting go
of what doesn't exist.
-maybe i’m the problem
chasing you down as you flee,
why look back, just to see?
i’m gaining distance, is this what you need?
only now I realize, I'm your source of glow.
i feed your flame, you need me to grow.
without my warmth, will your embers persist?
or will they die out, because I was your wick?
I can go the distance, even do it quick.
didn’t think I could pass you but, tag, you're it.
so when your lost in the dark,
just look for my light.
for my flames eternal.
vivacious and bright.
-Ruled by the Sun.
you love her like a one-way mirror.
boosting your ego, making thoughts clearer.
she stands before you, but can you even see her?
soon her time will come, to be valued, to be known.
to be more than a reflection, to be art on her own.
-shattered
i feel as though i’m trapped
in a museum.
exhibits of my past.
meticulously preserved & on display.
forced to observe and to my dismay..
no exits.
-i don’t like it here
i am an esteemed professor.
teaching you how to love.
i am a well-traveled guide.
leading you to your full potential.
i am a warrior.
going to battle for your reputation.
i am an artist.
molding you into your greatest self.
i am a generous humanitarian.
donating my most precious piece to another women.
she sees no flaws.
enamored by your beauty.
a saw the hardened marble slab
i chiseled away for years.
only to reveal the beauty underneath for someone else to cherish.
-wasted potential
when we were pretending to be strangers, I loved you from afar.
when we were playing house,
I welcomed you with all my heart.
you left me here, with nothing but a scar.
sad and empty.
headed to a bar.
light up a cigarette.
fill me with tar.
I hope you think of me when you see a shooting star.
-maybe you loved me in a past life
only one day will i realize
the last thing i should feel is surprise
my personality has been downsized
because i chose to compromise
with a man wearing a disguise
your plan was always devised
but I’ll meet you at our spot
-king sized
you can fill your bed with anyone.
but who can fill your void?
you’ll never solve the puzzle
-sincerely, the missing piece.
ravenous for praise.
the apex predator.
you feed on the weak.
but never leave satisfied.
your greedy but insatiable.
devoured your feast
how can you be famished?
-taste me and see me why you’ve been starving
there’s things i wanna say to you.
but i’ll just let you be.
you have a way of always avoiding
-accountability
you’ve got walls up
but i know where the windows are
-can i come in?
maybe you do
love me
but only in the dark
when no one’s watching
-conditional.
i wish i was tired of you.
forgiveness, i can’t escape.
they say patience is a virtue,
but it’s a habit i can’t break.
-if i had a dollar for all the times i should have blocked you
the spot i had for you was soft.
made for you, a perfect fit.
delusion is wearing off.
disgust is starting to hit.
gave it all to you, at any cost.
-should have known it wasn’t permanent.
and just like that,
2 steps forward. 10 steps back.
why do i feel comfortable in this trap?
-i hope you run away and never come back
I don't wish you well, that would be too easy.
I wish you self-reflection.
-internal accountability.
i am the girl that learned
to do everything by myself.
to not depend on others to save me.
to fill up my time, or entertain me.
he said to go where i am appreciated, so i went to therapy.
-i’ll send you in the invoice.
in order to heal a wound,
you have to stop touching it.
-i have dermatillomania
thank you for reading! far from perfect but i took up writing as a way to express myself and it really helped me heal and process my emotions <3 thanks guys
submitted by NewAnt3846 to poetry_critics [link] [comments]
the poetry in here is about survival and surrender. it delves into the complexities of a karmic love. being trapped in a situation, while still being aware of its toxicity. my poems are meant to convey the tumultuous journey of being in love with a narcissist. (your “capture”) the lessons you learn, as painful as they can be, invite you to take a step into the shadow side of love. if you feel at home here, I’m truly sorry. there is a way out. I hope you break free. -with so much love, gillian.
and when you retreat,
i’ll wear this shirt for days.
intoxicating & sweet,
with your cologne interlaced.
breathing in your deceit,
it kind of feels like mace.
denial mixed with defeat.
- i’ve always had bad taste.
still i chose to play.
it isn't fair to blame.
believe me, i carry my own shame.
poured myself into your glass,
played the waiting game.
leaking through your cracks,
our imperfections the same.
-i recognize a glass half full, even when it’s shattered.
every summer, we reheat.
you left your roots behind
seasons change, but cycles repeat.
if you see the same tree in the forest twice,
it’s time to face defeat.
must come to terms,
the truth can be bleak.
-you’re lost.
got a god complex,
but you’re not religious.
searching for who’s next.
never fearing Jesus.
sit back & count your checks.
blame your mistakes on demons.
make your excuses.
you’ve got your reasons.
-false prophecy
you remind me of an onion.
make me cry as I peel away at you,
in search for your seed.
but you’re just a facade of skins.
layers of deception,
concealing the truth.
disappointing.
you have no core,
only hollow creed.
-my mother’s disdain for onions.
there’s always been a haze between us.
murky, convoluted, undefined.
more than friends, less than lovers.
simultaneously strangers.
but in this ambiguity, I find solace.
-for grey is my favorite color.
i’ll play bartender,
make you something nice.
your heart in my hand,
gripping your ice.
drain me dry,
leave me hollow & still.
next week you’ll return,
thirsty for your refill.
-whiskey sour
bittersweet.
should have read the label.
“poison”
sitting so pretty on my table.
calling like an offering,
tempting & fatal.
it won’t go down smooth,
leave me unstable.
i tried to resist, i was unable.
now i see that love exists,
but only in fables.
-why do mistakes taste so good?
your lips left a bruise.
just here to distract.
but i admit i’m confused
when you kiss me like that.
aware i’m being used.
still comfortable where i’m at.
position i choose
complacent doormat.
-welcome home
you prefer car rides.
a space to talk, yet evade my gaze.
unable to sit still, restless in your ways.
never one to settle, always seeking the next best fling.
oh, how I long for the days when adderall made you sing.
-my fuel light is on
I broke my own heart,
more times than a few.
i may have lied,
but never to you.
if i faced the truth,
then what’s left to do?
i’m comfortable here,
wasting my youth.
i hate to admit it,
but i know it’s true.
i’m scared of change,
you run from it too.
i won’t forgive myself,
for always forgiving you.
-can you be home sick from people too?
You’re dead to me.
-Necrophiliac.
come on.
i forgave you,
without an apology.
convinced myself it was closure.
started our anthology.
this will never be over.
it’s in our biology.
let’s have a do over.
can you just come fuck me?
-delusional. & i can’t rhyme either.
i’ll read between your lines,
decipher each clue.
search for the signs,
follow your cue.
you’ve spun me around,
think i’ve lost a few screws.
still i rise, dust off the bruise.
maybe i’m drawn to a challenge,
perhaps it’s not you.
denial is my shield.
my safe space, my refuge.
the truth will not prevail
defeat? i refuse.
my final boss,
I aim to subdue.
-sore loser.
my mom said i felt cold.
I always tell the truth.
the words escaped my mouth.
“i get it from you.”
funny, she hugs me now.
never in my youth.
conceal carry my trauma.
play it cool, keep it smooth.
use my words as a weapon.
daddy taught me how to shoot.
-target practice
it’s lonely as a ghost,
been trapped here for years.
lingering around,
mopping up your tears.
do you sense my presence?
can you feel me near?
if I dare make a sound,
will you even hear?
or am I just a whisper?
it’s never been quite clear.
promised to stay beside you,
my love was sincere.
-invisible
afraid to release
what's just a mist.
I must learn to respect
your lack of interest.
hard pill to swallow,
if i could just take the hint.
i hate letting go
of what doesn't exist.
-maybe i’m the problem
chasing you down as you flee,
why look back, just to see?
i’m gaining distance, is this what you need?
only now I realize, I'm your source of glow.
i feed your flame, you need me to grow.
without my warmth, will your embers persist?
or will they die out, because I was your wick?
I can go the distance, even do it quick.
didn’t think I could pass you but, tag, you're it.
so when your lost in the dark,
just look for my light.
for my flames eternal.
vivacious and bright.
-Ruled by the Sun.
you love her like a one-way mirror.
boosting your ego, making thoughts clearer.
she stands before you, but can you even see her?
soon her time will come, to be valued, to be known.
to be more than a reflection, to be art on her own.
-shattered
i feel as though i’m trapped
in a museum.
exhibits of my past.
meticulously preserved & on display.
forced to observe and to my dismay..
no exits.
-i don’t like it here
i am an esteemed professor.
teaching you how to love.
i am a well-traveled guide.
leading you to your full potential.
i am a warrior.
going to battle for your reputation.
i am an artist.
molding you into your greatest self.
i am a generous humanitarian.
donating my most precious piece to another women.
she sees no flaws.
enamored by your beauty.
a saw the hardened marble slab
i chiseled away for years.
only to reveal the beauty underneath for someone else to cherish.
-wasted potential
when we were pretending to be strangers, I loved you from afar.
when we were playing house,
I welcomed you with all my heart.
you left me here, with nothing but a scar.
sad and empty.
headed to a bar.
light up a cigarette.
fill me with tar.
I hope you think of me when you see a shooting star.
-maybe you loved me in a past life
only one day will i realize
the last thing i should feel is surprise
my personality has been downsized
because i chose to compromise
with a man wearing a disguise
your plan was always devised
but I’ll meet you at our spot
-king sized
you can fill your bed with anyone.
but who can fill your void?
you’ll never solve the puzzle
-sincerely, the missing piece.
ravenous for praise.
the apex predator.
you feed on the weak.
but never leave satisfied.
your greedy but insatiable.
devoured your feast
how can you be famished?
-taste me and see me why you’ve been starving
there’s things i wanna say to you.
but i’ll just let you be.
you have a way of always avoiding
-accountability
you’ve got walls up
but i know where the windows are
-can i come in?
maybe you do
love me
but only in the dark
when no one’s watching
-conditional.
i wish i was tired of you.
forgiveness, i can’t escape.
they say patience is a virtue,
but it’s a habit i can’t break.
-if i had a dollar for all the times i should have blocked you
the spot i had for you was soft.
made for you, a perfect fit.
delusion is wearing off.
disgust is starting to hit.
gave it all to you, at any cost.
-should have known it wasn’t permanent.
and just like that,
2 steps forward. 10 steps back.
why do i feel comfortable in this trap?
-i hope you run away and never come back
I don't wish you well, that would be too easy.
I wish you self-reflection.
-internal accountability.
i am the girl that learned
to do everything by myself.
to not depend on others to save me.
to fill up my time, or entertain me.
he said to go where i am appreciated, so i went to therapy.
-i’ll send you in the invoice.
in order to heal a wound,
you have to stop touching it.
-i have dermatillomania
thank you for reading! far from perfect but i took up writing as a way to express myself and it really helped me heal and process my emotions <3 thanks guys
2024.05.15 22:30 KyleKKent OOCS, Into A Wider Galaxy, Part 004
~First~
Not Exactly Hidden
The sound of old bones creaking is the result of him finally sitting down and straightening a little. He twists his cane around and gently presses the head into the torso of the woman that just tried to sneak up on him. “Really now, we don’t have that kind of relationship, you can talk to me like a normal person.”
“I understand Daiju-San, I just want to inform you that I’m going to watch your conversation.” Madam Stepanova says as she forces away his cane with surprising force. Or perhaps not so surprising, she’s been out into the wider galaxy once already, it would not surprise him in the slightest if she was already doing something to restore herself the vigour and power of her youth.
“I doubt your old boyfriend is going to be where my grandson has ended up. No doubt he’s stirring up trouble in that very British way of his.” Koga Daiju, father of Koga Daigo, grandfather of Koga Daiki and Koga Daini remarks and his cane is pushed back into him with enough force to slide him down the plush leather of the couch somewhat. He pulls his cane back and she sits down next to him.
“Do you remember when we were both assigned to stop the deviant?” She asks and he chuckles.
“Yes. To be honest I knew he was hiding among the sumo-wrestlers I just figured it would be impossible for him not to get thrown out by the larger men. I had a lot of... how do you say it? Egg on my face? Yes, a lot of egg on my face when I learned that day how quickly he makes friends.”
“So it was your fault.”
“Yours as well, you could have told me the man could charm anyone.”
“There was a language barrier a mile wide and a cultural barrier at least twice it’s size! It shouldn’t have been possible!” Madam Stepanova says before growling. “Not that he didn’t pull that sort of nonsense off on the regular. We didn’t speak much afterwards, but I understand you received additional orders to let him go?”
“He uncovered a source of corruption and quite literally cut it out while fighting off the effects of deliberately improper fugu. After that it was determined that he would either no longer be a problem, or was not a priority problem any longer as he was departing and there was quite the mess he had revealed.” Daiju says before turning a pointed look to Madam Stepanova. “Of course, it’s not like YOU weren’t a massive problem to deal with as well. While I understand that weapon smugglers dealing with certain cults in our country were indeed an issue for us both, random buildings imploding with the dissected corpses of your enemies inside lead to quite a few sleepless nights.”
“Oh, you mean like what you gave my division when high ranking administrators were panicking at the sight of their own shadows, insistent that they were being stared at through them?”
“I fail to see how Gaijin superstitions are my fault.” Daiju notes with a warm smile.
“And I fail to see how the poor building practices of your country are mine.” Madam Stepanova replies primly. After about a minute they both smirk and look away.
“I’m going to call my grandson now. If you’re going to listen in, then I request a lack of commentary.”
“Since when have I been the type to give commentary?”
“Age, youth and I assume Axiom as well, all change people.”
“Like how you became a voyeur in your old age.”
“I simply lack a reason to avoid appreciating the lovelier side of things. Beauty is to be appreciated after all.” He says as he leans back a little and uses his cane to bang on a few buttons. A holographic interface shows itself and he spends about a minute slowly pecking at the long sequence of numbers for his boy. “Now then, mind your manners Madam.”
His teasing only earns a light scoffing before the screen lights up. Daiju moves quickly to make sure he adjusts his glasses at the exact same time Daiki does. His grandson pauses and so does he. Moves to the side and Daiji mimics the movement. Including several more shifts until Daiki holds up a hand and there is fire within it.
“Still learning to do that.”
“Grandfather! You’re alive!”
“Yes, when my time came I went to the western countries so I could challenge their reaper to go rather than chess. He wasn’t too practised with it, so I bought enough time to escape.” Daiju says and Daiki raises a skeptical eyebrow.
“So I can expect you soon then?” Daiki asks.
“Sooner than you think.”
“That does not help.” Daiki replies.
“It’s all you need.” Daiju says with a fond smile before nodding. “Now, how is this village you’ve told me about?”
“Our population has ballooned lately. There are many children underfoot.”
“You scoundrel! Tell me everything!”
“Not like that!”
“And much of my interest is now gone.”
“Even if I tell you it involves a blood feud centuries old with two noble houses butchering each other down into poverty even as they interbreed and turn from merely murderers to kinslayers in the process?” Daiki asks and Madam Stepanova leans a little closer at that revelation. “Grandfather.”
“Yes?” Daiju asks.
“I will never call that evil creature grandmother.” Daiki states and Madam Stepenova cackles at that.
“Grandson! Surely you understand I have better taste than that!” Daiju protests.
“Yes, but I also know that at your age, senility can be a thing.” Daiki says in a regretful tone and Daiju puts a hand to his chest as if wounded.
“My own blood! Turning on me!”
“I am merely concerned for your health grandfather. If your mind is so far gone as to woo so wicked a witch then there is so very little I can do for you. Little more than perhaps a mercifully swift...” Daiki says solemnly and Madam Stepanova cackles again even as she stands up and leaves the room.
“Put the knife down young man, or I’ll find a way to thump you from here.” The very amused Daiju says and is met with the much younger version of his smile from Daiki. “She’s gone now, well done.”
“Thank you.” Daiki says. “Now as to what bloated the village, our mutual friend Vernon, on his sappy romantic way, stepped into the middle of a centuries old blood feud and things got interesting in a hurry. Many of the details can be skipped, but the Forest Kami decided that the feud was a foul thing and intervened. As I am bound to it as it is bound to me I became part of it, and now the children of both the Barlis and Harkul clans are living as one group here. Forced to intermingle.”
“That’s... that’s one way of doing it!” Daiju says after a moment of consideration.
“It gets better.”
“Please continue.”
“Part of the way the families made war with each other was taking advantage of how rare and valuable men are.”
“Kidnapping?”
“Indeed.”
“Oh! And it led to the interbreeding. Quite literally one family with two names and an increasingly pointless feud... Oh! Tell me that there were some members who were known by different names to both sides and they were forced to try and fight themselves.”
“Not quite that crazy. Just a lot of stupid. The children still get into fights with each other across Barlis and Harkul lines... or rather they try. The Forest is powerful and ever watching. Any attempt to hurt each other just fails.”
“Fails how?” Daiju asks and suddenly Daiki is a few inches to the left without moving. “Shunshin?”
“Something like that. It’s called woodwalking and since they’re in the woods, they’re subject to it.”
“Woodwalking?”
“Teleportation is well known the galaxy over. But woodwalking is unique. It cares not for distance, it cares not for energy. It’s sensation is unique to those that understand how to feel for it, and it always leads back to The Forest in some manner.”
“This feel for Axiom. Can you teach it? From this distance?”
“Oh? Has the master become the student?”
“In the end a Master is merely the best student. And this student always seeks to learn.” Daiju says fondly.
“Very well, everyone Undaunted had a basic guidance. But... get comfortable.”
“Already done.”
“Good. Then turn your eye inwards. You’re already IN the Axiom. It surrounds you, it has merged with you. With every part of your clothing, with the cane in your hands. Your skin, your hair, your bones and muscles and organs. All of it. The gravity returning distracted you with the sensation of your muscles needing to work again, but there is something new. Something that you’ve been fooled into thinking is normal. Something that feels old, but is new.” Daiki explains
“And it is nowhere specific?” Daiju asks.
“It is everywhere, in everything.”
“In everything...” Daiju notes as he closes his eyes and feels. “It responds to thought?”
“It does, words and gestures can help but are not needed.” Daiki says and Daiju nods before suddenly moving his arms in gestures. After the third there is a brief flicker of flame which he catches. He holds onto the fire and brings it in front of his face before gently blowing on it. The flames grow and dance within his hand as a smile crosses his face.
“I believe I have found it.” Daiju says as he has the fire shrink and then dance along the back of his knuckles.
“Well... damn.”
“Oh come now grandson. I’ve just told you that I’ve learned to learn. And I’ve spent three of your lifetimes learning how to better learn.” Daiju notes before he catches the tiny rolling fireball and crushes it into a wisp of smoke.
He then breathes a small tongue of flame into his hand and nods as it responds just as eagerly. “This will make setting things on fire much easier. Thank you grandson.”
“I’m still a little annoyed you had so easy a time with it. I needed to have someone directly hand me khutha to get it.” Daiki says.
“Well as they say, youth is wasted on the young.”
“And wisdom is lost on the old.”
“Hey now, no turning my smug superiority around like that. Respect your elders boy!”
“You’re not an elder out here grandfather. Oh no, outside of Cruel Space you’re an irresponsibly young parent who sired an equally irresponsibly young parent.” Daiki says wagging a finger at him. “For shame grandfather! Siring a family so young!”
“Young he calls it...” Daiju says with a very amused smile. “Well, if I’m such a bad influence then I’m sure you’d to chastise me in person.”
“Yes, get over to Serbow as quickly as possible you’re on Genin training duties.”
“Oh no! However will I survive teaching children how to move and think and observe their surroundings! To think of my own grandson turning one of my favourite things into a punishment! The deviousness of it all!” Daiju keeps his tone so devoid of sarcasm in his comment it actually loops around to being sarcastic again.
“That’s what you get. You will be placed in a mountain village hidden beneath the branches of a mighty forest, surrounded by snot nosed students on all sides, forced to eat freshly hunted game and harvested crops on the daily and made to show your secrets!”
“Oh no! Mercy please!” Daiju is no longer able to keep the amusement or sarcasm from his tone and both Koga devolve into a half snickering laugh.
“I missed you grandfather!”
“I missed you as well my boy!” Daiju replies with a bright and earnest smile. “I really did fear I wouldn’t get the chance to speak with you again.”
“I...”
“No no. Just listen.” Daiju says and Daiki quiets down. “Do not feel ashamed that you chose the stars. What you did was courageous and necessary, bold moves are required to find new and better things. There is no shame in that boldness. I am proud of you, as is your father and mother and sister. Our family is blessed to have so brave and dutiful a child.”
“Thank you.”
“Good. Now that that’s out of the way, back to the topic! I was worried I would never get the chance to speak with you again! It was strange that I always got on better with you than with your father or mother. Or my own siblings. Strange minds think alike do they not?”
“Oh they certainly do, especially when they hear the call of...” Daiki says before clasping his hands together in a mudra and smoke erupts around him. Daiju starts to laugh even as Daiki reveals he is now hanging from the ceiling. “Ninja!”
“I’ll show you the call of ninja boy!” Daiju says through the laughter.
“No call of Ninja. Not call of Ninja Boy.” Daiki ‘corrects’ him and there’s a huff from Daiju.
“Is that the level of humour you’re going for? Something that simple?”
“Simple is effective.” Daiki says. “Making things more complicated is just asking for trouble.”
“True, but speaking of complication how difficult is it to master that trick where the elderly reinforce themselves to be stronger?”
“Just will the power through yourself for a basic enhancement. It usually helps as practice to think about a great hero or champion you want to emulate. Batman is a popular pick when The Undaunted were just learning how to do so.”
“I see. So if I simply focus on how...” Daiju begins to ask before he suddenly sits up straighter and gives his cane an expert twirl. “Ah! I’m twenty five again! If you’ll excuse me, I need make an old woman pull out her hair in frustration.”
“Try not to blow up the ship grandfather.”
“I’ll get to an escape pod first, I assure you.”
“Oh no!”
“Oh yes!”
~First~ Last
submitted by KyleKKent to HFY [link] [comments]
Not Exactly Hidden
The sound of old bones creaking is the result of him finally sitting down and straightening a little. He twists his cane around and gently presses the head into the torso of the woman that just tried to sneak up on him. “Really now, we don’t have that kind of relationship, you can talk to me like a normal person.”
“I understand Daiju-San, I just want to inform you that I’m going to watch your conversation.” Madam Stepanova says as she forces away his cane with surprising force. Or perhaps not so surprising, she’s been out into the wider galaxy once already, it would not surprise him in the slightest if she was already doing something to restore herself the vigour and power of her youth.
“I doubt your old boyfriend is going to be where my grandson has ended up. No doubt he’s stirring up trouble in that very British way of his.” Koga Daiju, father of Koga Daigo, grandfather of Koga Daiki and Koga Daini remarks and his cane is pushed back into him with enough force to slide him down the plush leather of the couch somewhat. He pulls his cane back and she sits down next to him.
“Do you remember when we were both assigned to stop the deviant?” She asks and he chuckles.
“Yes. To be honest I knew he was hiding among the sumo-wrestlers I just figured it would be impossible for him not to get thrown out by the larger men. I had a lot of... how do you say it? Egg on my face? Yes, a lot of egg on my face when I learned that day how quickly he makes friends.”
“So it was your fault.”
“Yours as well, you could have told me the man could charm anyone.”
“There was a language barrier a mile wide and a cultural barrier at least twice it’s size! It shouldn’t have been possible!” Madam Stepanova says before growling. “Not that he didn’t pull that sort of nonsense off on the regular. We didn’t speak much afterwards, but I understand you received additional orders to let him go?”
“He uncovered a source of corruption and quite literally cut it out while fighting off the effects of deliberately improper fugu. After that it was determined that he would either no longer be a problem, or was not a priority problem any longer as he was departing and there was quite the mess he had revealed.” Daiju says before turning a pointed look to Madam Stepanova. “Of course, it’s not like YOU weren’t a massive problem to deal with as well. While I understand that weapon smugglers dealing with certain cults in our country were indeed an issue for us both, random buildings imploding with the dissected corpses of your enemies inside lead to quite a few sleepless nights.”
“Oh, you mean like what you gave my division when high ranking administrators were panicking at the sight of their own shadows, insistent that they were being stared at through them?”
“I fail to see how Gaijin superstitions are my fault.” Daiju notes with a warm smile.
“And I fail to see how the poor building practices of your country are mine.” Madam Stepanova replies primly. After about a minute they both smirk and look away.
“I’m going to call my grandson now. If you’re going to listen in, then I request a lack of commentary.”
“Since when have I been the type to give commentary?”
“Age, youth and I assume Axiom as well, all change people.”
“Like how you became a voyeur in your old age.”
“I simply lack a reason to avoid appreciating the lovelier side of things. Beauty is to be appreciated after all.” He says as he leans back a little and uses his cane to bang on a few buttons. A holographic interface shows itself and he spends about a minute slowly pecking at the long sequence of numbers for his boy. “Now then, mind your manners Madam.”
His teasing only earns a light scoffing before the screen lights up. Daiju moves quickly to make sure he adjusts his glasses at the exact same time Daiki does. His grandson pauses and so does he. Moves to the side and Daiji mimics the movement. Including several more shifts until Daiki holds up a hand and there is fire within it.
“Still learning to do that.”
“Grandfather! You’re alive!”
“Yes, when my time came I went to the western countries so I could challenge their reaper to go rather than chess. He wasn’t too practised with it, so I bought enough time to escape.” Daiju says and Daiki raises a skeptical eyebrow.
“So I can expect you soon then?” Daiki asks.
“Sooner than you think.”
“That does not help.” Daiki replies.
“It’s all you need.” Daiju says with a fond smile before nodding. “Now, how is this village you’ve told me about?”
“Our population has ballooned lately. There are many children underfoot.”
“You scoundrel! Tell me everything!”
“Not like that!”
“And much of my interest is now gone.”
“Even if I tell you it involves a blood feud centuries old with two noble houses butchering each other down into poverty even as they interbreed and turn from merely murderers to kinslayers in the process?” Daiki asks and Madam Stepanova leans a little closer at that revelation. “Grandfather.”
“Yes?” Daiju asks.
“I will never call that evil creature grandmother.” Daiki states and Madam Stepenova cackles at that.
“Grandson! Surely you understand I have better taste than that!” Daiju protests.
“Yes, but I also know that at your age, senility can be a thing.” Daiki says in a regretful tone and Daiju puts a hand to his chest as if wounded.
“My own blood! Turning on me!”
“I am merely concerned for your health grandfather. If your mind is so far gone as to woo so wicked a witch then there is so very little I can do for you. Little more than perhaps a mercifully swift...” Daiki says solemnly and Madam Stepanova cackles again even as she stands up and leaves the room.
“Put the knife down young man, or I’ll find a way to thump you from here.” The very amused Daiju says and is met with the much younger version of his smile from Daiki. “She’s gone now, well done.”
“Thank you.” Daiki says. “Now as to what bloated the village, our mutual friend Vernon, on his sappy romantic way, stepped into the middle of a centuries old blood feud and things got interesting in a hurry. Many of the details can be skipped, but the Forest Kami decided that the feud was a foul thing and intervened. As I am bound to it as it is bound to me I became part of it, and now the children of both the Barlis and Harkul clans are living as one group here. Forced to intermingle.”
“That’s... that’s one way of doing it!” Daiju says after a moment of consideration.
“It gets better.”
“Please continue.”
“Part of the way the families made war with each other was taking advantage of how rare and valuable men are.”
“Kidnapping?”
“Indeed.”
“Oh! And it led to the interbreeding. Quite literally one family with two names and an increasingly pointless feud... Oh! Tell me that there were some members who were known by different names to both sides and they were forced to try and fight themselves.”
“Not quite that crazy. Just a lot of stupid. The children still get into fights with each other across Barlis and Harkul lines... or rather they try. The Forest is powerful and ever watching. Any attempt to hurt each other just fails.”
“Fails how?” Daiju asks and suddenly Daiki is a few inches to the left without moving. “Shunshin?”
“Something like that. It’s called woodwalking and since they’re in the woods, they’re subject to it.”
“Woodwalking?”
“Teleportation is well known the galaxy over. But woodwalking is unique. It cares not for distance, it cares not for energy. It’s sensation is unique to those that understand how to feel for it, and it always leads back to The Forest in some manner.”
“This feel for Axiom. Can you teach it? From this distance?”
“Oh? Has the master become the student?”
“In the end a Master is merely the best student. And this student always seeks to learn.” Daiju says fondly.
“Very well, everyone Undaunted had a basic guidance. But... get comfortable.”
“Already done.”
“Good. Then turn your eye inwards. You’re already IN the Axiom. It surrounds you, it has merged with you. With every part of your clothing, with the cane in your hands. Your skin, your hair, your bones and muscles and organs. All of it. The gravity returning distracted you with the sensation of your muscles needing to work again, but there is something new. Something that you’ve been fooled into thinking is normal. Something that feels old, but is new.” Daiki explains
“And it is nowhere specific?” Daiju asks.
“It is everywhere, in everything.”
“In everything...” Daiju notes as he closes his eyes and feels. “It responds to thought?”
“It does, words and gestures can help but are not needed.” Daiki says and Daiju nods before suddenly moving his arms in gestures. After the third there is a brief flicker of flame which he catches. He holds onto the fire and brings it in front of his face before gently blowing on it. The flames grow and dance within his hand as a smile crosses his face.
“I believe I have found it.” Daiju says as he has the fire shrink and then dance along the back of his knuckles.
“Well... damn.”
“Oh come now grandson. I’ve just told you that I’ve learned to learn. And I’ve spent three of your lifetimes learning how to better learn.” Daiju notes before he catches the tiny rolling fireball and crushes it into a wisp of smoke.
He then breathes a small tongue of flame into his hand and nods as it responds just as eagerly. “This will make setting things on fire much easier. Thank you grandson.”
“I’m still a little annoyed you had so easy a time with it. I needed to have someone directly hand me khutha to get it.” Daiki says.
“Well as they say, youth is wasted on the young.”
“And wisdom is lost on the old.”
“Hey now, no turning my smug superiority around like that. Respect your elders boy!”
“You’re not an elder out here grandfather. Oh no, outside of Cruel Space you’re an irresponsibly young parent who sired an equally irresponsibly young parent.” Daiki says wagging a finger at him. “For shame grandfather! Siring a family so young!”
“Young he calls it...” Daiju says with a very amused smile. “Well, if I’m such a bad influence then I’m sure you’d to chastise me in person.”
“Yes, get over to Serbow as quickly as possible you’re on Genin training duties.”
“Oh no! However will I survive teaching children how to move and think and observe their surroundings! To think of my own grandson turning one of my favourite things into a punishment! The deviousness of it all!” Daiju keeps his tone so devoid of sarcasm in his comment it actually loops around to being sarcastic again.
“That’s what you get. You will be placed in a mountain village hidden beneath the branches of a mighty forest, surrounded by snot nosed students on all sides, forced to eat freshly hunted game and harvested crops on the daily and made to show your secrets!”
“Oh no! Mercy please!” Daiju is no longer able to keep the amusement or sarcasm from his tone and both Koga devolve into a half snickering laugh.
“I missed you grandfather!”
“I missed you as well my boy!” Daiju replies with a bright and earnest smile. “I really did fear I wouldn’t get the chance to speak with you again.”
“I...”
“No no. Just listen.” Daiju says and Daiki quiets down. “Do not feel ashamed that you chose the stars. What you did was courageous and necessary, bold moves are required to find new and better things. There is no shame in that boldness. I am proud of you, as is your father and mother and sister. Our family is blessed to have so brave and dutiful a child.”
“Thank you.”
“Good. Now that that’s out of the way, back to the topic! I was worried I would never get the chance to speak with you again! It was strange that I always got on better with you than with your father or mother. Or my own siblings. Strange minds think alike do they not?”
“Oh they certainly do, especially when they hear the call of...” Daiki says before clasping his hands together in a mudra and smoke erupts around him. Daiju starts to laugh even as Daiki reveals he is now hanging from the ceiling. “Ninja!”
“I’ll show you the call of ninja boy!” Daiju says through the laughter.
“No call of Ninja. Not call of Ninja Boy.” Daiki ‘corrects’ him and there’s a huff from Daiju.
“Is that the level of humour you’re going for? Something that simple?”
“Simple is effective.” Daiki says. “Making things more complicated is just asking for trouble.”
“True, but speaking of complication how difficult is it to master that trick where the elderly reinforce themselves to be stronger?”
“Just will the power through yourself for a basic enhancement. It usually helps as practice to think about a great hero or champion you want to emulate. Batman is a popular pick when The Undaunted were just learning how to do so.”
“I see. So if I simply focus on how...” Daiju begins to ask before he suddenly sits up straighter and gives his cane an expert twirl. “Ah! I’m twenty five again! If you’ll excuse me, I need make an old woman pull out her hair in frustration.”
“Try not to blow up the ship grandfather.”
“I’ll get to an escape pod first, I assure you.”
“Oh no!”
“Oh yes!”
~First~ Last
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submitted by Dry-Junket7436 to MoneyLogins [link] [comments]
What does it include?❓ 😀• Spammers, Vendors, B4u, all type of bots such as food, cc, log, credit report, tlo, and more. 📲• Full Cooking tutorials with videos, links, materials, + more 🖥• Full spam guide with videos, materials, phis pages (custom), API setup, Custom domains, Host creation, & every tool setup needed. 🖥• Slips basics, pop on times, fonts, templates, glass channels , signature vids, and link to materials to start. 😻• Full ACH guide, will provide pictures, Where to get logs, what banks going fresh, how to link log, trial deposits & 3rd party apps, how to start ach transfer & how to wipe correctly. 🥳• Chase ACH ($25,000+) will provide full process with pictures & logs needed and account type needed. (Next day) 🤬• Full M2M process with what banks are going such as Afcu, Navy, Macu, & more. Providing steps & rdp connection guide. ⚙️• Disputes on mainstream banks such as Boa, Wells, and Chase ($1,500+)
🖥• RDP+Proxy setup & how they work, will teach how to connect, what they are used for, & where to buy, also what they prevent from causing. 🔎• Best sites for punching shoes, cloth, weapons, w33d, vapes, devices, tickets, & more coming soon based on suggestions. ⌛• How to refund big sites such as Adidas, New balance, Holister, Costco, Walmart, Stadium Good, Microsoft. Full steps included with basics/ways of refunding. 🖥• Full CPN creation guide with pictures, sites, Credit report info adding, Building credit & profile, Tri merging and more. 👾• Open Ups I will provide the information to open banks such as Navy Fed, Boa, Chase, Citi, US bank, And BMO. (more coming soon) 🌟• Enroll making, cashing, unblocking, spoofing, with pics, sites, apps, bins, cashout sites. 🎁• Giffy Jwett with sites, bins, cashout methods, and walkthrough. 💰• Apps to load $1,000+ including bins, sites, materials, unknown crypto apps, & gambling apps. 💳•Bin list, punching, non vbv, and more. 🏠• Wholesale Real Estate , Contracts, Guides, Videos Guides. ❤️• YouTube Automation, Guides,Apps To Edit,How To Start ⭐• E-commerce,Found what's Best Selling,How To Start 👟• Shoes Selling, How To Start Off, How To Check Market , Where To Sell Them At 🎮• Vending Machines Investing, How To Start Off, Requirements Need
2024.05.15 22:13 mthw704 (SELLING) HUGE LIST OF 4K/HD/SD CODES. Lots of titles added this week with a great $2 list. Over 5,000 transactions.
The Big List
Prices are firm. Please only redeem the portion of a code you are paying for. All codes are for immediate redemption. All Disney & Sony codes include points unless otherwise noted. As of 4/01/2024 all Google Play options have been removed from Disney codes.I accept Cashapp, Venmo, Zelle & PayPal F&F without any notes. Comment & pm if interested. Thanks!
🦝
MISC
Barbie 4K [2023] $6 (MA)Batwoman season 1 HD [2019] $6 (Vudu)
Beekeeper, The HD [2024] $7 (Vudu)
Supergirl season 5 HD $6 (Vudu)
X-Men Trilogy HD [X-Men, X2 & The Last Stand] $8 (MA)
🦝
$5 4K UHDBlackkklansman (MA)
John Wick 1-3 (iTunes)
🦝
$4 4K UHD
Big Lebowski, The (iTunes/ports)Black Panther (MA + 200 points)
Captain Marvel (MA + 200 points)
Despicable Me [2010] (iTunes/ports)
Dredd (Vudu)
Frozen 2 [2019] (MA + 200 points)
Gone Girl [2014] (iTunes/ports)
Guardians Of The Galaxy [2014] (MA + 200 points)
Halloween [2018] (MA)
Jungleland [2020] (iTunes)
Maleficent: Mistress Of Evil (MA + 200 points)
Scream [2022] (Vudu or iTunes)
Silent Night [2023] (Vudu or iTunes)
Sonic The Hedgehog 2 (Vudu or iTunes)
Tangled [2010] (iTunes/ports + 150 points)
Titanic [1997] (iTunes)
🦝
$5 HD
Adventures Of Ichabod & Mr. Toad, The [1949] (MA + 150 points)Fear The Walking Dead season 2 (Vudu)
Fear The Walking Dead season 4 (Vudu)
Fear The Walking Dead season 5 (Vudu)
Fear The Walking Dead season 6 (Vudu)
Fear The Walking Dead season 7 (Vudu)
Groundhog Day [1993] + Stripes [1981] double feature (MA)
Hunchback Of Notre Dame, The [1996] (MA + 150 points)
Hunchback Of Notre Dame 2, The [2002] (MA + 150 points)
Lady & The Tramp II: Scamps Adventure [2001] (MA + 150 points)
Marvels, The [2023] (MA + 150 points)
Rob Zombie Trilogy [House Of 1,000 Corpses, The Devil's Rejects [Unrated] & 3 From Hell [Unrated] (MA)
Silent Night, Deadly Night 3,4 & 5 (Vudu)
Undoing, The season 1 [2020] (Vudu)
🦝
$4 HD
300 Spartans, The (MA)BFG, The [2016] (MA + 150 points)
Blue Beetle, The [2023] (MA)
Bridge Of Spies [2015] (MA + 150 points)
Color Purple, The [2023] (MA)
Drop, The [2014] (MA or Google Play/ports)
Fox & The Hound 2, The [2006] (MA + 150 points)
Indiana Jones & The Dial Of Destiny [2023] (MA + 150 points)
Lady & The Tramp [1955] (MA + 150 points)
Ruby Gillman: Teenage Kraken [2023] (MA)
Sound Of Freedom [2023] (Vudu)
🦝
$3️⃣ Movies
$3 4K UHD
Aladdin [2019] (iTunes/ports + 150 points)Baywatch (Vudu)
Birth Of A Nation, The (iTunes/ports)
Bourne Identity, The [2002] (iTunes/ports)
Bourne Ultimatum, The (iTunes/ports)
Cabin In The Woods, The (Vudu)
Doctor Strange (iTunes/ports + 150 points)
Frozen 2 [2019] (iTunes/ports + 150 points)
Guardians Of The Galaxy [2014] (iTunes/ports + 150 points)
Interstellar (iTunes)
Knives Out (Vudu or iTunes)
Logan Lucky [2017] (iTunes/ports)
Moana (iTunes/ports + 150 points)
mother! [2017] (iTunes)
Robin Hood [2018] (Vudu)
Sicario (Vudu)
Spy Who Dumped Me, The (Vudu or iTunes)
Star Wars: The Last Jedi (MA + 200 points)
Thor: The Dark World (iTunes/ports + 150 points)
Top Gun (iTunes)
🦝
$3 HD
Adjustment Bureau, The (iTunes/ports)Avatar: The Way Of Water (MA + 150 points)
Baby Driver [2017] (MA + Sony points)
Best Exotic Marigold Hotel, The (MA or Google Play/ports)
Bloodshot [2020] (MA + Sony points)
Call Me By Your Name (MA + Sony points)
Candyman: Day Of The Dead (Vudu or Google Play)
Cats & Dogs 3: Paws Unite (MA)
Devotion [2022] (Vudu HD or iTunes 4K)
Exorcist: Believer, The [2023] (MA)
Fruitvale Station (Vudu)
Glass [2019] (MA)
Goosebumps [2018] (MA + Sony points)
Grand Budapest Hotel, The (MA or Google Play/ports)
Grown Ups 2 (MA + Sony points)
Halloween Kills [2021] (MA)
Hocus Pocus (MA + 150 points/no iTunes option)
Holmes & Watson [2018] (MA + Sony points)
Hundred Foot Journey, The [2014] (MA + 150 points)
Insidious: Chapter 3 (MA + Sony points)
Into The Woods [2014] (MA + 150 points)
Kill Bill: Vol. 1 (Vudu)
Killing Gunther (Vudu)
Lion King, The [1994] (MA + 150 points)
Little House On The Prairie season 5 (Vudu)
MIB International [2019] (MA + Sony points)
Midsommar [A24] (Vudu or Google Play)
Mindcage (Vudu or iTunes)
Money Monster [2016] (MA + Sony points)
Nurse Jackie season 7 (Vudu)
Orange Is The New Black season 1 (Vudu)
Percy Jackson: Sea of Monsters (iTunes/ports)
Pete's Dragon [2016] (MA + 150 points)
Planes: Fire & Rescue [2014] (MA + 150 points)
Predator [1987] (MA or Google Play/ports)
Pride + Prejudice + Zombies [2016] (MA + Sony points)
Public Enemies [2009] (MA or iTunes/ports)
Punisher, The [2004] (Vudu or Google Play)
Queen Of Katwe [2016] (MA + 150 points)
Robin Hood [1973] (MA + 150 points)
Scoob! [2020] (MA)
Secret Life Of Pets 2, The [2019] (MA)
Snow White & The Seven Dwarfs [1937] (MA + 150 points)
Spider-Man: Across The Spiderverse [2023] (MA + Sony points)
Spider-Man: Into The Spiderverse (MA + Sony points)
The Secret: Dare To Dream (Vudu, iTunes or Google Play)
Tyler Perry's Diary Of A Mad Black Woman [2005] (Vudu)
Tyler Perry's Madea Goes To Jail (Vudu or Google Play)
Us [2019] (MA)
Vanishing, The [2019] (Vudu or Google Play)
Venture Bros: Radiant Is The Blood Of The Baboon Heart [2023] (MA)
Violent Night [2022] (MA)
Walking Dead season 9, The (Vudu or Google Play)
Walking Dead season 10, The (Vudu or Google Play)
Way Way Back, The [2013] (MA or Google Play/ports)
Whiplash [2014] (MA + Sony points)
🦝
💲2️⃣ HD
13 Hours: The Secret Soldiers Of Benghazi (iTunes 4K)2 Guns [2013] (iTunes/ports 4K)
31 [2016] (Vudu)
3 From Hell [Unrated] (Vudu 4K or iTunes 4K)
About Last Night [2014] (MA + Sony points)
Abraham Lincoln: Vampire Hunter (MA)
Action Point [2018] (iTunes 4K)
Admission [2013] (iTunes/ports)
Adventures Of Tintin, The (Vudu or iTunes)
After Earth [2013] (MA + Sony points)
Age Of Adaline, The (Vudu, iTunes or Google Play)
Alien Covenant (iTunes/ports 4K or HD MA/GP)
Allied [2016] (iTunes 4K or Vudu HD)
Aloha [2015] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Alpha & Omega 2: A Howl-lday Adventure (Vudu)
Alvin & The Chipmunks: The Road Chip (iTunes/ports 4K or HD MA)
Amazing Spider-Man, The [2012] (MA) PENDING
Amazing Spider-Man 2, The [2014] (MA + Sony points) PENDING
American Girl: Isabelle Dances Into The Spotlight (MA)
American Hustle [2013] (MA + Sony points)
American Reunion [Unrated] (MA or iTunes/ports)
Anchorman 2: The Legend Continues (Vudu or iTunes)
Annie [2014] (MA + Sony points)
Arrival [2016] (Vudu)
Art Of Self-Defense, The [2019] (MA)
Assassin's Creed (iTunes/ports 4K or HD MA)
Atomic Blonde (MA)
Avengers: Infinity War (MA + 150 points/no iTunes option)
Baywatch (iTunes 4K)
Beauty & The Beast [2017] (MA + 150 points/iTunes option is expired)
Beguiled, The [2017] (MA or iTunes/ports)
Beirut [2018] (MA)
Ben-Hur [2016] (Vudu)
Best Man Holiday, The [2013] (MA or iTunes/ports)
Blackhat [2015] (iTunes/ports)
Black Panther [2018] (MA + 150 points/no iTunes option)
Bohemian Rhapsody (MA or Google Play/ports)
Book Club [2018] (iTunes 4K)
Boss Baby, The [2017] (MA)
Bourne Legacy, The (iTunes/ports 4K)
Boy, The [2016] (MA or iTunes/ports)
Boyhood [2014] (iTunes)
Boy Next Door, The [2015] (iTunes/ports)
Breakthrough [2019] (MA or Google Play/ports)
Bridesmaids [Theatrical] (iTunes/ports)
Broken City [2013] (MA)
Bumblebee (iTunes 4K or Vudu HD)
Cabin In The Woods, The (Vudu/GP HD or iTunes 4K)
Captain America: Civil War (MA only/no points or iTunes option)
Captain Phillips [2013] (MA + Sony points)
Captain Underpants: The First Epic Movie (MA)
Case For Christ, The [2017] (MA)
Celebrating Mickey (MA/ no points) PENDING
Choice, The [2016] (Vudu or iTunes)
Company Of Heroes [2013] (MA)
Concussion [2015] (MA + Sony points)
Contraband (iTunes/ports)
Cowboys & Aliens [Theatrical] (iTunes/ports)
Curse Of Chucky [2013] [Unrated] (MA or iTunes/ports)
Daddy's Home (iTunes 4K)
Dark Tower, The [2017] (MA + Sony points)
Dead Again In Tombstone [2017] (MA or iTunes/ports)
Dead In Tombstone [Unrated] (MA or iTunes/ports)
Dead Man Down [2013] (MA)
Deepwater Horizon (iTunes 4K or Vudu/GP HD)
Despicable Me 2 (iTunes/ports 4K)
Despicable Me 3 (iTunes/ports 4K or HD MA)
Devil's Due [2014] (MA or Google Play/ports)
Diary Of A Wimpy Kid: Dog Days (MA, iTunes or Google Play/ports)
Diary Of A Wimpy Kid: The Long Haul (MA, iTunes or Google Play/ports)
Divergent Series: Allegiant, The (iTunes 4K)
Django Unchained (Vudu)
Downsizing (iTunes 4K)
Downton Abbey [2019] (MA)
Dracula Untold (iTunes/ports 4K)
Dragonheart 3: The Sorcerer's Curse (iTunes/ports)
Dredd [2012] (Vudu)
Dr. Seuss’ How The Grinch Stole Christmas [2000] (MA)
Duff, The (iTunes or Google Play)
Edward Scissorhands (MA or Google Play/ports)
Emoji Movie, The [2017] (MA + Sony points)
Empire State [2013] (Vudu or Google Play)
Ender's Game (iTunes 4K or Vudu/GP HD)
Epic [2013] (MA)
Equalizer, The [2014] (MA + Sony points)
Equalizer 2, The (MA + Sony points)
Escape From Planet Earth (Vudu)
Everest [2015] (iTunes/ports 4K)
Ex Machina (Vudu)
Exodus: Gods & Kings (iTunes/ports 4K or HD MA)
Exposed [2016] (Vudu)
F9: The Fast Saga [2021] [Theatrical & Extended] (MA + Universal Rewards points) PENDING
Fast & Furious [2009] (iTunes/ports 4K)
Fast & The Furious, The [2001] (iTunes/ports 4K)
Fast & The Furious: Tokyo Drift, The (iTunes/ports 4K)
Fate Of The Furious [F8] [Theatrical] (MA 4K)
Fences [2016] (iTunes 4K or Vudu HD)
Fifty Shades Darker [2017] [Unrated] (MA 4K)
Fifty Shades Of Grey (iTunes/ports 4K)
Finding Dory (iTunes/ports 4K or HD MA + 150 points)
First Purge, The [2018] (MA)
Flight [2012] (Vudu or iTunes)
Footloose [2011] (Vudu)
Fortress [2021] (Vudu or Google Play)
Frozen [2013] (iTunes/ports 4K+ 150 points)
Fury [2014] (MA + Sony points)
Game Of Thrones season 4 (iTunes)
Get Out [2017] (MA)
Ghostbusters [2016] [Theatrical & Extended] (MA + Sony points)
Ghost Team One [2013] (Vudu or iTunes)
Gifted [2017] (MA or Google Play/ports, iTunes option is expired)
G.I. Joe: Retaliation (iTunes 4K)
God Bless The Broken Road (Vudu or Google Play)
Gods Not Dead 2 [2016] (MA or iTunes/ports)
Gods Of Egypt (Vudu/GP HD or iTunes 4K)
Greatest Showman, The [2017] (MA or Google Play/ports) PENDING
Great Wall, The [2017] (MA)
Grey, The [2012] (MA or iTunes/ports)
Guardians Of The Galaxy Vol.2 (MA + 150 points/no iTunes option)
Guilt Trip, The [2012] (Vudu)
Hacksaw Ridge (Vudu or Google Play/iTunes option expired)
Hail, Caesar [2016] (MA or iTunes/ports)
Hansel & Gretel: Witch Hunters [Unrated] (Vudu or iTunes)
Hateful Eight, The (Vudu or Google Play)
Heat, The [2013] [Theatrical] (MA or Google Play/ports)
Hell Or High Water (Vudu or Google Play)
Hercules [2014] (iTunes 4K or Vudu HD)
Hitman's Bodyguard, The (Vudu or Google Play/iTunes option is expired)
Hobbs & Shaw [2019] (MA)
Home [2015] [DreamWorks] (MA)
Home Alone [1990] (iTunes/ports 4K or HD MA)
Homefront [2013] (MA or iTunes/ports)
Honey 2 [2011] (MA or iTunes/ports)
Hotel Transylvania 2 [2015] (MA + Sony points) PENDING
How To Train Your Dragon 2 (MA)
Hunger Games: Mockingjay Part 1, The (iTunes 4K or Google Play HD)
Hunger Games: Mockingjay Part 2, The (Vudu)
Huntsman: Winter's War, The [2016] [Extended] (iTunes/ports 4K)
I Am Wrath (Vudu)
Instant Family (iTunes 4K or Vudu HD)
Internship, The [2013] (MA or Google Play/ports)
Invisible Man, The [1933] (MA)
I Still Believe [2020] (iTunes 4K or Vudu/GP HD)
It Follows [2015] (Vudu)
Jackass 3 [Theatrical] (Vudu or iTunes)
Jack Reacher (Vudu)
Jack Reacher: Never Go Back (Vudu)
Jack Ryan: Shadow Recruit (iTunes 4K)
Jason Bourne [2016] (iTunes/ports 4K)
John Henry [2020] (Vudu)
John Wick (iTunes 4K)
John Wick 1 & 2 (Vudu or Google Play)
John Wick: Chapter 2 (iTunes 4K)
John Wick Chapter 3: Parabellum (iTunes 4K) or all 3 for $5
Joy [2015] (iTunes/ports 4K or HD MA)
Jumanji: Welcome To The Jungle (MA + Sony points)
Jurassic World (iTunes/ports 4K)
Jurassic World: Fallen Kingdom (MA)
Justice [2017] (MA or iTunes/ports)
Kick-Ass 2 [2013] (MA)
Kidnap [2017] (iTunes/ports)
Killer Elite (iTunes/ports)
Kingsman: The Golden Circle (iTunes/ports 4K or HD MA)
Kingsman: The Secret Service (iTunes/ports 4K or HD MA)
Last Knights [2015] (Vudu)
Last Vegas [2013] (MA + Sony points)
Last Witch Hunter, The [2015] (iTunes 4K or Google Play)
Let's Be Cops [2014] (iTunes/ports 4K)
Life [2017] (MA + Sony points)
Life Of Pi (iTunes/ports 4K)
Lockout [2012] [Unrated] (MA + Sony points)
Logan [2017] (iTunes/ports 4K or HD MA)
Lone Survivor [2013] (iTunes/ports 4K)
Longest Ride, The (iTunes/ports 4K or HD MA)
Lorax, The [2012] (MA or iTunes/ports)
Love, Simon [2018] (MA)
Lucy [2014] (iTunes/ports 4K)
Maleficent (iTunes/ports 4K + 150 points)
Mamma Mia! Here We Go Again [2018] (MA)
Mandela: Long Walk To Freedom (Vudu)
Marauders (Vudu)
Martian, The [2015] [Theatrical] (iTunes/ports 4K)
Mary Poppins [1964] (MA + 150 points)
Mechanic: Resurrection (Vudu/GP HD or iTunes 4K)
Men In Black 3 (MA + Sony points)
MI-5 [2015] (Vudu)
Mile 22 (iTunes 4K)
Mindgamers [2017] (MA or iTunes/ports)
Minions [2015] (iTunes/ports 4K)
Miracles From Heaven (MA + Sony points)
Mission Impossible: Fallout (iTunes 4K)
Mission Impossible: Rogue Nation (iTunes 4K)
Miss Peregrine's Home For Peculiar Children (iTunes/ports 4K or HD MA)
Moms’ Night Out [2014] (MA)
Monuments Men, The [2014] (MA + Sony points)
Mortal Engines [2018] (MA)
Mortal Instruments: The City Of Bones, The [2014] (MA + Sony points)
Mother's Day [2016] (MA or iTunes/ports)
Mountain Between Us, The [2017] (iTunes/ports 4K or HD MA)
Mummy, The [2017] (iTunes/ports 4K)
Murder On The Orient Express [2017] (MA or Google Play/ports)
My Big Fat Greek Wedding 2 (iTunes/ports)
Neighbors [2014] (iTunes/ports)
Night At The Museum: Secret Of The Tomb (iTunes/ports 4K or HD MA)
Noah [2014] (Vudu)
Non-Stop [2014] (MA or iTunes/ports)
Norm Of The North (Vudu or iTunes)
Now You See Me 2 (iTunes 4K or Vudu/GP HD)
Nut Job, The [2014] (MA or iTunes/ports)
Oblivion [2013] (iTunes/ports 4K)
Ouija [2014] (MA)
Overlord [2018] (Vudu)
Oz: The Great & Powerful (MA + 100 points)
Pain & Gain [2013] (Vudu or iTunes)
Paranormal Activity [2009] [Theatrical] (Vudu or iTunes)
Paranormal Activity 2 [Unrated Director's Cut] (Vudu or iTunes)
Paranormal Activity 3 [Extended] (Vudu or iTunes)
Paranormal Activity 4 [Unrated] (Vudu or iTunes)
Paranormal Activity: The Marked Ones [Theatrical] (iTunes)
Passengers [2016] (MA + Sony points)
Penguins Of Madagascar (MA)
Percy Jackson: Sea Of Monsters (MA or Google Play/ports)
Pet Sematary [2019] (iTunes 4K or Vudu HD)
Philomena (Vudu)
Pitch Perfect (iTunes/ports 4K)
Planes: Fire & Rescue (MA without points)
Playing With Fire (iTunes 4K or Vudu HD)
Predator, The [2018] (MA or Google Play/ports)
Project Almanac (iTunes)
Prometheus (MA or Google Play/ports, no iTunes option)
Proud Mary [2018] (MA)
Purge: Anarchy, The (iTunes/ports 4K)
Quiet Place, A [2018] (iTunes 4K)
Ralph Breaks The Internet (MA + 150 points/no iTunes option)
Red Dawn [2012] (Vudu or Google Play)
Redemption [2013] (Vudu)
Replicas [2019] (iTunes 4K or Vudu/GP HD)
Resident Evil: The Final Chapter [2016] (MA + Sony points)
Riddick [Unrated] (MA or iTunes/ports)
Rings [2017] (Vudu)
R.I.P.D. Rest In Peace Department (iTunes/ports 4K)
Rise Of The Guardians [2011] (MA)
Risen [2016] (MA + Sony points)
Robin Hood [2018] (iTunes 4K or Vudu/GP HD)
Rock Dog (iTunes)
Rogue One: A Star Wars Story (iTunes/ports 4K + 150 points)
Roman J. Israel, Esq [2017] (MA + Sony points)
Rush [2013] (MA) PENDING
Saban's Power Rangers (iTunes 4K or Vudu/GP HD)
Safe House [2012] (MA or iTunes/ports)
Savages [2012] [Theatrical] (iTunes/ports)
Scorpion King 3: Battle For Redemption (iTunes/ports)
Secret Life Of Pets, The (MA 4K or iTunes/ports 4K)
Secret Life Of Walter Mitty, The (MA or Google Play/ports, iTunes option is expired)
Seventh Son [2015] (iTunes/ports)
Sex Tape [2014] (MA + Sony points)
Shack, The [2017] (Vudu, iTunes or Google Play)
Show Dogs [2018] (MA)
Silver Linings Playbook (Vudu or Google Play)
Sing [2016] (iTunes/ports 4K)
Sinister (Vudu, iTunes or Google Play)
Sisters [2015] [Unrated] (MA or iTunes/ports)
Skyscraper [2018] (MA)
Sleepless [2017] (iTunes/ports)
Snow White & The Huntsman [Extended] (iTunes/ports 4K)
Sparkle [2012] (MA)
Spider-Man 2 [2004] [Theatrical & Extended] (MA + Sony points)
Spider-Man: Homecoming [2017] (MA + Sony points)
Spider-Man: No Way Home [2021] (MA + Sony points)
Split [2017] (iTunes/ports 4K or MA HD)
Spy [2015] [Unrated] (MA, iTunes or Google Play/ports)
Star Trek [2009] (iTunes 4K)
Star Trek: Beyond (iTunes 4K)
Star Wars: The Force Awakens (iTunes/ports 4K or HD MA + 150 points)
Step Up All In [2014] (Vudu)
Step Up Revolution (Vudu or Google Play)
Straight Outta Compton [Unrated] (iTunes/ports 4K)
Super 8 (Vudu)
Super Buddies (MA without points)
Taken 3 [Unrated] (MA, iTunes or Google Play/ports)
Teenage Mutant Ninja Turtles [2014] (iTunes 4K or Vudu HD)
Terminator: Genisys (iTunes 4K)
The Night Before [2015] (MA + Sony points)
This Is The End [2013] (MA + Sony points)
Top Five [2014] (iTunes)
Top Gun (Vudu)
Total Recall [2012] [Theatrical & Director's Cut] (MA + Sony points)
Tower Heist [Theatrical] (iTunes/ports)
Tremors: A Cold Day In Hell (MA)
True Grit [2010] (Vudu or iTunes)
Tyler Perry's Acrimony (Vudu, iTunes or Google Play)
Tyler Perry's A Madea Family Funeral (Vudu, iTunes or Google Play)
Twilight: Breaking Dawn Part 1 (iTunes 4K)
Uncle Drew [2018] (iTunes 4K or Vudu/GP HD)
Underworld: Blood Wars (MA + Sony points)
Vendetta [2016] (Vudu)
Venom [2018] (MA + Sony points)
Walk Among The Tombstones, A (iTunes/ports)
Walking With Dinosaurs: The Movie (MA, iTunes or Google Play/ports)
War Room [2015] (MA + Sony points)
Why Him? [2016] (iTunes/ports 4K or HD MA)
Wolf Of Wall Street, The (iTunes 4K or Vudu HD)
Woman In Black, The [2012] (MA)
Wonder [2017] (Vudu/GP HD or iTunes 4K)
Wonder Park [2019] (iTunes 4K or Vudu HD)
Woodlawn [2015] (MA or iTunes/ports)
X-Men: Apocalypse (iTunes/ports 4K or HD MA)
X-Men: Days Of Future Past (iTunes/ports 4K or HD MA)
Your Highness [2011] [Unrated] (iTunes/ports)
Zootopia (MA without points)
🦝
💲2️⃣ SD
12 Rounds [2009] [Extreme Cut] (iTunes/ports)Aliens In The Attic (iTunes/ports)
Amelia (iTunes/ports)
Beasts Of The Southern Wild (iTunes/ports)
Black Swan (iTunes/ports)
Date Night [Unrated Extended Edition] (iTunes/ports)
Dr. Seuss’ Horton Hears A Who! (ITunes/ports)
In Time [2011] (iTunes/ports)
Percy Jackson double feature [Lightning Thief & Sea of Monsters] (MA)
Ramona & Beezus (iTunes/ports)
Street Kings (iTunes/ports)
Three Stooges: The Movie, The [2012] (iTunes/ports)
🦝
$1 Codes
💲1️⃣ HD
13 Hours: The Secret Soldiers Of Benghazi (Vudu)2 Guns (MA)
Alex Cross (Vudu)
Bad Grandpa [Theatrical] (Vudu or iTunes)
Bad Moms (iTunes/ports)
Battleship [2012] (MA)
Big Hero 6 (Google Play/ports)
Book Club (Vudu)
Bourne Legacy, The (MA)
Bring It On: Worldwide Cheersmack [2017] (MA or iTunes/ports)
Deadpool (iTunes/ports 4K or HD MA/GP)
Divergent (iTunes 4K or Vudu/GP HD)
Divergent Series: Insurgent, The (iTunes 4K or Vudu/GP HD)
Duff, The [2015] (Vudu)
Dying Of The Light (Vudu)
Everest [2015] (MA)
Expendables 2, The (iTunes 4K or Vudu/GP HD)
Expendables 3, The [Theatrical] (iTunes 4K or Google Play HD)
Fast & Furious [2009] (MA)
Fast & Furious 6, The [Extended] (iTunes/ports 4K)
Fast & The Furious, The [2001] (MA)
Fast & The Furious: Tokyo Drift, The (MA)
Fast Five [Extended] (MA)
Fate Of The Furious, The [8] [Theatrical or Extended] (MA)
Fault In Our Stars, The [2014] (iTunes/ports 4K or HD MA/GP)
Frozen: Sing Along Edition (MA without points)
Furious 7 [Extended] (iTunes/ports 4K)
Ghost In The Shell [2017] (Vudu)
G.I. Joe: Retaliation (Vudu)
Girls Trip [2017] (MA)
Good Day To Die Hard, A [2012] [Extended] (MA or Google Play/ports)
Hidden Figures [2017] (iTunes/ports 4K or HD MA)
Hillsong: Let Hope Rise [2016] (MA or iTunes/ports)
Hugo (Vudu)
Hunger Games, The [2012] (iTunes 4K)
Hunger Games: Catching Fire, The (iTunes 4K)
Hunger Games: Mockingjay Part 1, The (Vudu)
Huntsman: Winter's War, The [2016] [Extended] (MA)
Identity Thief [2013] [Theatrical] (iTunes/ports)
I, Frankenstein (Vudu, iTunes or Google Play)
Inside Out [2015] (Google Play/ports)
Jack Ryan: Shadow Recruit (Vudu)
Jason Bourne (MA)
Kevin Hart: Let Me Explain (Vudu)
Leprechaun: Origins (Vudu)
Les Misérables [2012] (MA)
Let's Be Cops [2014] (MA only/no iTunes option)
Lucy (MA)
Mission Impossible: Fallout (Vudu)
Mission Impossible: Ghost Protocol (Vudu)
Mission Impossible: Rogue Nation (Vudu) or both for $2.50
Now You See Me [Extended] (Vudu or iTunes)
Parental Guidance [2012] (MA)
Perks Of Being A Wallflower, The (Vudu or Google Play)
Pitch Perfect (MA)
Purge, The [2013] (MA)
Quiet Place, A [2018] (Vudu)
Red 2 (Vudu)
Ride Along [2014] (MA)
Ride Along 2 (MA)
RIPD Rest In Peace Department (MA)
Safe [2012] (Vudu or Google Play)
Secret Life Of Pets, The (MA)
Selma (iTunes)
Skyfall (Vudu or Google Play)
Snitch (iTunes 4K or Vudu/Google Play HD)
Star Trek: Beyond (Vudu)
Star Trek: Into Darkness (iTunes 4K)
Taken 2 (MA or Google Play/ports)
Ted [Unrated] (MA) or [Theatrical] (iTunes/ports)
Terminator: Genisys (Vudu)
Transformers: Age Of Extinction (iTunes 4K)
Transformers: Dark Of The Moon (Vudu)
Trolls [2017] (MA)
Twilight: Breaking Dawn Part 2 (iTunes 4K)
Tyler Perry's Madea's Witness Protection (iTunes)
Tyler Perry's Temptation: Confessions Of A Marriage Counselor (Vudu or Google Play)
Unbroken [2014] (MA or iTunes/ports)
Warm Bodies (Vudu)
What To Expect When You're Expecting (iTunes)
World War Z (Vudu)
Zootopia (Google Play/ports)
🦝
💲1️⃣ SD
21 Jump Street (MA + Sony points)22 Jump Street (MA + Sony points)
Act Of Valor (iTunes)
After Earth [2013] (MA + Sony points)
Alpha [2018] (MA + Sony points)
Amazing Spider-Man 2, The [2014] (MA + Sony points)
American Hustle [2013] (MA + Sony points)
Bad Boys For Life [2020] (MA + Sony points)
Big Mommas Like Father, Like Son (iTunes/ports)
Captain Phillips (MA + Sony points)
Charlie's Angels [2019] (MA + Sony points)
Cloudy With A Chance Of Meatballs 2 [2013] (MA + Sony points)
Concussion [2015] (MA + Sony points)
Diary Of A Wimpy Kid [2010] (iTunes/ports)
Dirty 30 (Vudu)
Dog's Way Home, A [2019] (MA + Sony points)
Equalizer, The [2014] (MA + Sony points)
Equalizer 2, The (MA + Sony points)
Evil Dead [2013] (MA + Sony points)
Family, The [2013] (iTunes)
Family Guy: Blue Harvest (iTunes)
Family Guy: It's A Trap (iTunes) PENDING
Forbidden Kingdom, The (iTunes)
Glee: The Concert (iTunes/ports)
Goosebumps 2 [2018] (MA + Sony points)
Grown Ups 2 (MA + Sony points)
Hangover, The [2009] [Theatrical] (iTunes/ports)
Haywire (iTunes)
Heat, The [2013] (iTunes/ports SD)
Hereafter [2010] (iTunes/ports)
Here Comes The Boom [2012] (MA + Sony points)
Hitchcock [2012] (iTunes/ports)
Hotel Transylvania 3 (MA + Sony points)
Hours [2013] (Vudu)
Ice Age: Dawn Of The Dinosaurs (iTunes/ports)
Immortals [2011] (iTunes)
Insidious: Chapter 3 (MA + Sony points)
Insidious: The Last Key (MA + Sony points)
Interview, The [2014] (MA + Sony points)
Journey To Bethlehem [2023] (MA + Sony points)
Jumanji: The Next Level (MA + Sony points)
Knight & Day (iTunes/ports)
Life As We Know It (iTunes/ports)
Looper (MA + Sony points)
Men In Black III [2012] (MA + Sony points)
MIB International [2019] (MA + Sony points)
Mirror Mirror [2012] (iTunes)
Mortal Instruments: The City Of Bones (MA + Sony points)
Night At The Museum: Battle Of The Smithsonian (iTunes/ports)
Once Upon A Time In Hollywood [2019] (MA + Sony points)
Olympus Has Fallen (MA + Sony points)
Orange Is The New Black season 1 (Vudu)
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2024.05.15 20:35 eli_ashe The 451 Percenters, Puritanism At The CDC And Other Fascistic Fallacies
Bit of a longer post, sorry bout that, but I felt it was time, perhaps once again, to point out the flaws and limitations in the CDC’s stats on sexual violence, specifically as they relate to the National Intimate Partner Sexual Violence Survey (NISVS), which is the source of all the fun stats on sexual violence that get thrown around by the 451 percenters. Who are the 451 percenters? Those the folks who believe and spread the lies bout sexual violence being endemic to society. Everyone’s a sexual predator! All 451 percent of women are violated, and all 451 percent of men are violators.
TL;DR: An analysis and rebuttal to the CDC and NISVS’s statistics on sexual violence. The CDC uses NISVS to generate the stats on punny sexual violence that make wild claims, like one third of all women, etc… the 451 percenters’ claims bout punny sexual violence. They use a ‘yes means yes’ method of determining what counts as punny sexual violence, which is aesthetics based. Elevating aesthetical concerns to ethically obligatory concerns is fascistic, and a grave moral fallacy. ‘Yes means yes’ is also puritanical, meaning it overly moralizes sexuality. Putting puritanical fascists in charge of determining how many punny sexual offenses are happening is like putting the KKK in charge of determining how many jews are sexual predators. “All 451 percent of them, obviously!”
Body Of The Post
‘Yes means yes’ is an aesthetical ethical concern, ‘Do I want it or not’. This is what the National Intimate Partner Violence Survey (NISVS) and the CDC use and reflect in their stats on sexual violence. Vibes. They are the ‘emmitt till got what he deserved’ crowd. Whistling at a lady is a criminalizable offense to these folks, a ‘punny sexual violence’.
‘No means no’ is an ethically obligatory concern, ‘Did I refuse it or not’. This is what the criminal stats on sexual violence use and reflect in their stats on sexual violence. Hard data. They are the ‘emmit till did nothing wrong’ crowd. Whistling at a lady is at most tasteless, emmitt till could do far better.
‘Wanting’ or ‘Not Wanting’ something does not consent make. I can want to fuck someone, but not consent to do so. I could not want to fuck someone, but nonetheless consent to do so. The former perhaps because I think it is a bad idea to fuck ‘em even tho I want to. The latter, perhaps because I think it is a good idea to fuck ‘em even tho I don’t want to.
The ‘yes means yes’ folks, the CDC & NISVS stats on sexual violence all mistake ‘wanting’ and ‘not wanting’ for ‘consenting’ and ‘not consenting’; these are not the same things. This is deliberate on their part too. They believe that ‘yes means yes’ is what ought to constitute a determination of sexual violence. Regardless of how y’all view that, it is a deeply controversial notion, and not necessarily reflective of what most people think of when they think of sexual violence.
‘Unwanted’ essentially means ‘I don’t like it’. It is a complaint bout the aesthetical qualities of the sexual encounter, not its consensualism. If this is at all unclear, the simplest method to understand why this is so is to note two unrelated aspects.
One is racism. People regularly ‘feel fearful’ of men for no reason at all, but they also feel fearful of men because of racism all the time. That fear factor ™ is what makes the encounter ‘coercion’ or ‘unwanted’. The person literally does nothing wrong, *just exists* and the other person freaks out.
Note in the quoted sections at the end of this post how much of the stats rely on fear and feelings to generate their numbers.
Two is the person came on too strong or in an undesirable way. The person flirts in a normal and perfectly fine way, but the other person freaks out. Think bout it people, for the love of god think bout it. ‘Coming on too strong’ and ‘an undesirable flirtation’ are being counted as ‘punny sexual violence’ in these stats.
It’s entirely puritanical, and entirely a concern bout aesthetics.
There are other sorts of coercive methods, but the point here is that the terms ‘unwanted’ and ‘coercion’ only really cash out as ‘I don’t like it for some reason or another’ in the CDC’s and NISVS’s stats.
When you see that lady spouting off bout her fears of mexican rapists, she’s reflected in these stats folks. They’re just surveys. People who lock their car doors in ‘bad neighborhoods’ are reflected in those stats.
These all translate to ‘I felt threatened’ (big black boy vibes) or ‘felt pressured’ (scary white guy vibes), or ‘felt in danger’ (native american coming to get you vibes), or ‘felt uncertain if you wanted it’ (arab terrorist vibes) or 'felt like I was being manipulated' (angry asian martial artists vibes) . Doesn’t have to be racism at play here either, women can be irrationally fearful of any man. Vibes.
The actions themselves are not criminalizable.
Non p-hacked stats try to avoid these kinds of obvious ambiguities in the language used to generate the 451 percenters’ stats. These folks however lean into the lies and deceptions, and deliberately use language designed to deceive people reading the stats into thinking that people have been harmed. They take language that means literally ‘I like or don’t like it’ and translate that to mean ‘I was sexually harassed, sexually assaulted, or even raped’.
This is how they inflate the numbers, so we get to the 451 percenters’ wacky ass beliefs; ‘451 percent of women will suffer egregious sexual violence to them at least fifty times in their lives’. All this means is vibes. 451 percent of women get some bad vibes bout some dudes.
You can hear it echoed in the bear or man discourse. Why do women choose the bear? Vibes and irrational fears. ‘We choose the bear because we don’t feel safe!’ translates directly to ‘Emmitt till whistled at me, and he’s a big black boy, that’s scary’ and ‘the mexican rapists are swarming over the border to get me’.
These are the stats that people point to when they try to justify their misandristic hot ass takes. They are self-referential to that same fear based aesthetic the stats are. The stats are reflective of peoples’ irrational fears, and people use those stats to justify their irrational fears, and people spread those fear based stats thereby spreading their unjustified fears. It’s a circle rub.
To criminalize these kinds of things is to be fascistic (treating aesthetics as if they were of obligatory concern), to believe that they are morally reprehensible is to be a puritan (overly moralizing sexuality).
The folks deriving these stats translate ‘unwanted’ (aesthetical ethics) to ‘sexual assault’, ‘sexual harassment’, or ‘rape’ (obligatory ethics), then lump everything together as ‘punny sexual violence’ to get the big numbers used to scare people and terrorize men. That’s called fascism.
“[T]here remains a likelihood of underreporting due to the sensitive nature of SV”.
This justification means that they do not trust people to report SV, ‘don’t believe women when they say they haven’t suffered any SV, manipulate the questions so they say yes to something they don’t think is SV, or which simply isn’t SV, and we’ll just call it SV of this or that sort. Later we’ll propagandize people so they too come to believe our puritanical misandristic hot ass takes.’
There is no lie nor hyperbole in what I am saying here. That is the rationale and the method. If you bone up on your academic lit in the topic, this is, well not verbatim what they say, I am lambasting them here, but this is the crux of what their argument and justifications are, and they explicitly hold that they ought be propagandizing people to their puritanical beliefs.
They push the fascistic (aesthetical ethical) and puritanical (overly moralized sexual ethics) discourse into the public by presenting stats that merely reflect fears and pretend that they are reflective of sexual violence. People then come to believe that those kinds of fear based concerns are actually sexual violence. An ‘unwanted flirtation’ becomes in their minds and only in their minds a sexual violence.
Emmitt till got lynched for whistling at a lady. They only disagree bout the racism, but he definitely deserved to be punished in some way like all men do for whistling at someone they think is hot af. Puritanism.
All just vibes, all but aesthetics, and all fascistically raised to a level of ethically obligatory concern.
“Just as SV is not limited to physically forced penetration, its perpetrators are not limited to strangers. Indeed, perpetrators of SV are more likely to be someone known to the victim. Sexual violence is a problem embedded in our society and includes unwanted acts perpetrated by persons very well known (e.g., family members, intimate partners, and friends), generally known (e.g., acquaintances), not known well or just known by sight (e.g., someone in your neighborhood, person just met) and unknown to the victim (e.g., strangers). “
Be afraid of everyone, any man out there could be your next rapist! That’s right ladies and gents, you’ve been raped several times already, you just didn’t know it. But don’t worry, the statisticians know better. They asked you an unrelated question you said yes to since you were too dumb to know that you were raped, and counted it as rape. Then they informed you that you ought be afraid of everyone in your community, lest they also rape you, unbeknownst to you of course. But again, don’t worry, the statistician will count those too.
As a measure of fear the 451 percenters capture, well or worse who knows, all the racism, sexism, bigotry, and various phobias in the society, and how those fears are transferred onto masculine bodies as imaginary perpetrators of punny sexual offenses. None of it is real, there are not 451 percent of sexual violences happening, 451 percent of men are not sexual predators, and 451 percent of women are not victims of sexual violence.
‘Safety culture’ mostly reflects irrational fears.
Ask the kkk how many black people are rapists, you’re gonna get a high number. Ask puritans how many people are punny sexual offenders, you’re going to get a very high number. Such is the most tame interpretation of what is going on. The 451 percenters are puritans, they’ve overly moralized sexuality, counting offenses to their sensibility rather than criminal actions.
Puritans informing you how ‘vile and wicked’ your sexual ways are; advocating to make their puritanical beliefs bout punny sexual offenses into legally enforceable laws. These are the same kinds of concerns bout a someone dressing too provocatively, such is a ‘punny sexual violation’ to the sensibilities of others.
The less tame version of this is that it is exactly what fascists do. Lie to people especially bout punny sexual offenses in order to ratchet up the fear levels in the population, so they run to them to solve the ‘problem’.
Could be both tho.
Either way, their misandry murders little boys. They celebrate terrorizing men, and rejoice in lynching folks. They’re despicable people.
Solutions?
Ruthlessly love them. Write them love poems, show them kindness and generosity of spirit, but give them not a dime in money, nor ever relent to their irrational fears. Extol their beauty and virtues, make love with them, utterly ruthlessly. Be overtly sexual bout it, in this give them no quarter, bring to an end their puritanism by giving them no plausible cause to be thus. No one under the duress of loves’ enticements and sexual pleasures be puritans. Be relentless, show them masculine sexuality; give them nothing to complain bout, but give them masculine sexuality. Don’t fall for their puritanism, be the boys of summer.
Respect a ‘no means no’ ethic as a code of obligatory actions. Use aesthetical ethics towards good sex with mutual respect given; don’t ever take that as a one way thing. Do not conflate the aesthetics of good sex, 'enthusiastic yeses’ with those of the ethics of obligation ‘no means no’. Don’t be puritans, don’t be fascists, be sex positivists.
Call out the stats when folks bring them up, refer people to these points, feel free to refer people to this post and/or the attached video. ‘But the CDC said’ is not a valid argument; they have put puritans in charge of determining punny sexual offenses. They find punny sexual offenses everywhere they look.
If you’re super coolio, start advocating against the CDC’s use of NISVS to determine what constitutes sexual violence. It doesn’t match with criminal data’s methods, it doesn’t utilize the metrics of ‘no means no’ which are the proper metrics to use, instead it utilizes what amounts to peculiar beliefs bout the aesthetics of sex as a means of measure for punny sexual offenses.
They are spreading a puritanical belief system bout punny sexual offenses, nothing more, and they are causing public health problems by spreading their lies. They are not counting sexual offenses, they are not a criminal justice system, they aren’t technically even in the business of understanding sexual violence. They are the Center For Disease Control, not the ‘center for social engineering sexual practices control’.
Original video on the topic, with some additional resources for understanding these issues in the description.
The Rest Of This Post Is References To The CDC, NISVS, And Crime Data Reports, Along With Some Quotes Thereof With Short Specific Retorts Highlighting The Relevant Info In The Quotes As It Pertains To The Post. This Is But A Small Sample Of How They Use Language Of Aesthetics To Make Their Ethical Claims, And How Their Language Is Misandristic.
sv_surveillance_definitionsl-2009-a.pdf (cdc.gov)
Fast Facts: Preventing Sexual Violence Violence Prevention Injury Center CDC
Key Terms & FAQs National Intimate Partner and Sexual Violence Survey (NISVS)Funded
Programs Violence Prevention Injury Center CDC
Some key quotes from this, Bolded text hereafter are coded for ‘yes means yes’ methods of understanding sexual violence, and sometimes misandristic language. Italicized text are quotes from the sources:
“Rape is defined as any completed or attempted unwanted [unwanted is an aesthetic criteria, not a consent criteria which is ‘a no was stated’ attempted while a real thing allows for further insertion of scary vibes to pad the stats, e.g. the blackness of the lover] ...includes times when the victim was drunk, high*, drugged, or passed out and unable to consent.* [puritanical belief bout drinking and drugs, e.g. one cannot consent if drunk or high. Note that it is separate from being drugged or passed out and unable to consent, and that criminally speaking being drunk or high is not indicative of a lack of capacity to consent, also note this is de facto applied to women only].
“Sexual coercion is defined as unwanted sexual penetration that occurs after a person is pressured in a nonphysical way. In NISVS, sexual coercion refers to unwanted vaginal, oral, or anal sex after being pressured in ways that include being worn down by someone who repeatedly asked for sex or showed they were unhappy; feeling pressured by being lied to, being told promises that were untrue, having someone threaten to end a relationship or spread rumors; and sexual pressure due to someone using their influence or authority.”
Unwanted is an aesthetic category, not a consent category. ‘Sexual coercion’ is not a criminal offense either. It is a puritanical belief bout sexuality that is based on a sex negative view, e.g. that sex is a bad unless and until magical words are said to make it into a good. Calling it ‘sexual violence’ is just lying. Coercion is defined misandristically to only be bout penetration, which precludes all the ways that women use sex and sexuality to manipulate, use, abuse, and harm people; note that there are essentially zero surveys done that include some ‘feminine coded coercive behavior’ into these stats. That is by design. Including not incidentally the way that women have historically and currently used irrational fears over their sexuality to terrorize men and get people murdered.
“Unwanted sexual contact is defined as unwanted sexual experiences involving touch but not sexual penetration, such as being kissed in a sexual way, or having sexual body parts fondled, groped, or grabbed.”
Unwanted is aesthetics, not consent. Also this literally describes flirting. I know they want to try and capture some other sort of notion, grossy mcgrosser pinning someone down and groping them, but all this describes here, and all the stats can possibly reflect, is flirting.
“Non-contact unwanted sexual experiences is defined as those unwanted experiences that do not involve any touching or penetration, including someone exposing their sexual body parts, flashing, or masturbating in front of the victim, someone making a victim show his or her body parts, someone making a victim look at or participate in sexual photos or movies*, or* someone harassing the victim in a public place in a way that made the victim feel unsafe.”
This category is quite broad and puritanical in its disposition, as it assumes there is something wrong with seeing naked images unless and until expressed verbal consent is given, and undoubtedly ignores the en masse flood of naked images of women online to which basically every guy is exposed to. Compare again to people who claim that women ought not be allowed to show their ankles as it causes a ‘harm’ to those who are ‘forced’ to see it. Exact same shite. Aesthetical concerns of wanted or unwantedness, and also notice the expressly stated vibes check ‘victim feel unsafe’. Look out for the black boys, they make them feel unsafe!
Crime/Law Enforcement Stats (UCR Program) — FBI
Quick Facts on Sexual Abuse Offenses (ussc.gov)
It’s worth mentioning that statistically speaking, if one uses the stats derived from crime data as opposed to statisticians making numbers up, the percentages of men who do sexual violence, depending a bit on how you count it, are: 0.0516% or .478% or .0957%. Although the video goes over this all in pretty good depth, just do a little sniff test here; are .478% of the male population sexually violating a third of all women, 55.5 million women?
submitted by eli_ashe to LeftWingMaleAdvocates [link] [comments]
TL;DR: An analysis and rebuttal to the CDC and NISVS’s statistics on sexual violence. The CDC uses NISVS to generate the stats on punny sexual violence that make wild claims, like one third of all women, etc… the 451 percenters’ claims bout punny sexual violence. They use a ‘yes means yes’ method of determining what counts as punny sexual violence, which is aesthetics based. Elevating aesthetical concerns to ethically obligatory concerns is fascistic, and a grave moral fallacy. ‘Yes means yes’ is also puritanical, meaning it overly moralizes sexuality. Putting puritanical fascists in charge of determining how many punny sexual offenses are happening is like putting the KKK in charge of determining how many jews are sexual predators. “All 451 percent of them, obviously!”
Body Of The Post
‘Yes means yes’ is an aesthetical ethical concern, ‘Do I want it or not’. This is what the National Intimate Partner Violence Survey (NISVS) and the CDC use and reflect in their stats on sexual violence. Vibes. They are the ‘emmitt till got what he deserved’ crowd. Whistling at a lady is a criminalizable offense to these folks, a ‘punny sexual violence’.
‘No means no’ is an ethically obligatory concern, ‘Did I refuse it or not’. This is what the criminal stats on sexual violence use and reflect in their stats on sexual violence. Hard data. They are the ‘emmit till did nothing wrong’ crowd. Whistling at a lady is at most tasteless, emmitt till could do far better.
‘Wanting’ or ‘Not Wanting’ something does not consent make. I can want to fuck someone, but not consent to do so. I could not want to fuck someone, but nonetheless consent to do so. The former perhaps because I think it is a bad idea to fuck ‘em even tho I want to. The latter, perhaps because I think it is a good idea to fuck ‘em even tho I don’t want to.
The ‘yes means yes’ folks, the CDC & NISVS stats on sexual violence all mistake ‘wanting’ and ‘not wanting’ for ‘consenting’ and ‘not consenting’; these are not the same things. This is deliberate on their part too. They believe that ‘yes means yes’ is what ought to constitute a determination of sexual violence. Regardless of how y’all view that, it is a deeply controversial notion, and not necessarily reflective of what most people think of when they think of sexual violence.
‘Unwanted’ essentially means ‘I don’t like it’. It is a complaint bout the aesthetical qualities of the sexual encounter, not its consensualism. If this is at all unclear, the simplest method to understand why this is so is to note two unrelated aspects.
One is racism. People regularly ‘feel fearful’ of men for no reason at all, but they also feel fearful of men because of racism all the time. That fear factor ™ is what makes the encounter ‘coercion’ or ‘unwanted’. The person literally does nothing wrong, *just exists* and the other person freaks out.
Note in the quoted sections at the end of this post how much of the stats rely on fear and feelings to generate their numbers.
Two is the person came on too strong or in an undesirable way. The person flirts in a normal and perfectly fine way, but the other person freaks out. Think bout it people, for the love of god think bout it. ‘Coming on too strong’ and ‘an undesirable flirtation’ are being counted as ‘punny sexual violence’ in these stats.
It’s entirely puritanical, and entirely a concern bout aesthetics.
There are other sorts of coercive methods, but the point here is that the terms ‘unwanted’ and ‘coercion’ only really cash out as ‘I don’t like it for some reason or another’ in the CDC’s and NISVS’s stats.
When you see that lady spouting off bout her fears of mexican rapists, she’s reflected in these stats folks. They’re just surveys. People who lock their car doors in ‘bad neighborhoods’ are reflected in those stats.
These all translate to ‘I felt threatened’ (big black boy vibes) or ‘felt pressured’ (scary white guy vibes), or ‘felt in danger’ (native american coming to get you vibes), or ‘felt uncertain if you wanted it’ (arab terrorist vibes) or 'felt like I was being manipulated' (angry asian martial artists vibes) . Doesn’t have to be racism at play here either, women can be irrationally fearful of any man. Vibes.
The actions themselves are not criminalizable.
Non p-hacked stats try to avoid these kinds of obvious ambiguities in the language used to generate the 451 percenters’ stats. These folks however lean into the lies and deceptions, and deliberately use language designed to deceive people reading the stats into thinking that people have been harmed. They take language that means literally ‘I like or don’t like it’ and translate that to mean ‘I was sexually harassed, sexually assaulted, or even raped’.
This is how they inflate the numbers, so we get to the 451 percenters’ wacky ass beliefs; ‘451 percent of women will suffer egregious sexual violence to them at least fifty times in their lives’. All this means is vibes. 451 percent of women get some bad vibes bout some dudes.
You can hear it echoed in the bear or man discourse. Why do women choose the bear? Vibes and irrational fears. ‘We choose the bear because we don’t feel safe!’ translates directly to ‘Emmitt till whistled at me, and he’s a big black boy, that’s scary’ and ‘the mexican rapists are swarming over the border to get me’.
These are the stats that people point to when they try to justify their misandristic hot ass takes. They are self-referential to that same fear based aesthetic the stats are. The stats are reflective of peoples’ irrational fears, and people use those stats to justify their irrational fears, and people spread those fear based stats thereby spreading their unjustified fears. It’s a circle rub.
To criminalize these kinds of things is to be fascistic (treating aesthetics as if they were of obligatory concern), to believe that they are morally reprehensible is to be a puritan (overly moralizing sexuality).
The folks deriving these stats translate ‘unwanted’ (aesthetical ethics) to ‘sexual assault’, ‘sexual harassment’, or ‘rape’ (obligatory ethics), then lump everything together as ‘punny sexual violence’ to get the big numbers used to scare people and terrorize men. That’s called fascism.
“[T]here remains a likelihood of underreporting due to the sensitive nature of SV”.
This justification means that they do not trust people to report SV, ‘don’t believe women when they say they haven’t suffered any SV, manipulate the questions so they say yes to something they don’t think is SV, or which simply isn’t SV, and we’ll just call it SV of this or that sort. Later we’ll propagandize people so they too come to believe our puritanical misandristic hot ass takes.’
There is no lie nor hyperbole in what I am saying here. That is the rationale and the method. If you bone up on your academic lit in the topic, this is, well not verbatim what they say, I am lambasting them here, but this is the crux of what their argument and justifications are, and they explicitly hold that they ought be propagandizing people to their puritanical beliefs.
They push the fascistic (aesthetical ethical) and puritanical (overly moralized sexual ethics) discourse into the public by presenting stats that merely reflect fears and pretend that they are reflective of sexual violence. People then come to believe that those kinds of fear based concerns are actually sexual violence. An ‘unwanted flirtation’ becomes in their minds and only in their minds a sexual violence.
Emmitt till got lynched for whistling at a lady. They only disagree bout the racism, but he definitely deserved to be punished in some way like all men do for whistling at someone they think is hot af. Puritanism.
All just vibes, all but aesthetics, and all fascistically raised to a level of ethically obligatory concern.
“Just as SV is not limited to physically forced penetration, its perpetrators are not limited to strangers. Indeed, perpetrators of SV are more likely to be someone known to the victim. Sexual violence is a problem embedded in our society and includes unwanted acts perpetrated by persons very well known (e.g., family members, intimate partners, and friends), generally known (e.g., acquaintances), not known well or just known by sight (e.g., someone in your neighborhood, person just met) and unknown to the victim (e.g., strangers). “
Be afraid of everyone, any man out there could be your next rapist! That’s right ladies and gents, you’ve been raped several times already, you just didn’t know it. But don’t worry, the statisticians know better. They asked you an unrelated question you said yes to since you were too dumb to know that you were raped, and counted it as rape. Then they informed you that you ought be afraid of everyone in your community, lest they also rape you, unbeknownst to you of course. But again, don’t worry, the statistician will count those too.
As a measure of fear the 451 percenters capture, well or worse who knows, all the racism, sexism, bigotry, and various phobias in the society, and how those fears are transferred onto masculine bodies as imaginary perpetrators of punny sexual offenses. None of it is real, there are not 451 percent of sexual violences happening, 451 percent of men are not sexual predators, and 451 percent of women are not victims of sexual violence.
‘Safety culture’ mostly reflects irrational fears.
Ask the kkk how many black people are rapists, you’re gonna get a high number. Ask puritans how many people are punny sexual offenders, you’re going to get a very high number. Such is the most tame interpretation of what is going on. The 451 percenters are puritans, they’ve overly moralized sexuality, counting offenses to their sensibility rather than criminal actions.
Puritans informing you how ‘vile and wicked’ your sexual ways are; advocating to make their puritanical beliefs bout punny sexual offenses into legally enforceable laws. These are the same kinds of concerns bout a someone dressing too provocatively, such is a ‘punny sexual violation’ to the sensibilities of others.
The less tame version of this is that it is exactly what fascists do. Lie to people especially bout punny sexual offenses in order to ratchet up the fear levels in the population, so they run to them to solve the ‘problem’.
Could be both tho.
Either way, their misandry murders little boys. They celebrate terrorizing men, and rejoice in lynching folks. They’re despicable people.
Solutions?
Ruthlessly love them. Write them love poems, show them kindness and generosity of spirit, but give them not a dime in money, nor ever relent to their irrational fears. Extol their beauty and virtues, make love with them, utterly ruthlessly. Be overtly sexual bout it, in this give them no quarter, bring to an end their puritanism by giving them no plausible cause to be thus. No one under the duress of loves’ enticements and sexual pleasures be puritans. Be relentless, show them masculine sexuality; give them nothing to complain bout, but give them masculine sexuality. Don’t fall for their puritanism, be the boys of summer.
Respect a ‘no means no’ ethic as a code of obligatory actions. Use aesthetical ethics towards good sex with mutual respect given; don’t ever take that as a one way thing. Do not conflate the aesthetics of good sex, 'enthusiastic yeses’ with those of the ethics of obligation ‘no means no’. Don’t be puritans, don’t be fascists, be sex positivists.
Call out the stats when folks bring them up, refer people to these points, feel free to refer people to this post and/or the attached video. ‘But the CDC said’ is not a valid argument; they have put puritans in charge of determining punny sexual offenses. They find punny sexual offenses everywhere they look.
If you’re super coolio, start advocating against the CDC’s use of NISVS to determine what constitutes sexual violence. It doesn’t match with criminal data’s methods, it doesn’t utilize the metrics of ‘no means no’ which are the proper metrics to use, instead it utilizes what amounts to peculiar beliefs bout the aesthetics of sex as a means of measure for punny sexual offenses.
They are spreading a puritanical belief system bout punny sexual offenses, nothing more, and they are causing public health problems by spreading their lies. They are not counting sexual offenses, they are not a criminal justice system, they aren’t technically even in the business of understanding sexual violence. They are the Center For Disease Control, not the ‘center for social engineering sexual practices control’.
Original video on the topic, with some additional resources for understanding these issues in the description.
The Rest Of This Post Is References To The CDC, NISVS, And Crime Data Reports, Along With Some Quotes Thereof With Short Specific Retorts Highlighting The Relevant Info In The Quotes As It Pertains To The Post. This Is But A Small Sample Of How They Use Language Of Aesthetics To Make Their Ethical Claims, And How Their Language Is Misandristic.
sv_surveillance_definitionsl-2009-a.pdf (cdc.gov)
Fast Facts: Preventing Sexual Violence Violence Prevention Injury Center CDC
Key Terms & FAQs National Intimate Partner and Sexual Violence Survey (NISVS)Funded
Programs Violence Prevention Injury Center CDC
Some key quotes from this, Bolded text hereafter are coded for ‘yes means yes’ methods of understanding sexual violence, and sometimes misandristic language. Italicized text are quotes from the sources:
“Rape is defined as any completed or attempted unwanted [unwanted is an aesthetic criteria, not a consent criteria which is ‘a no was stated’ attempted while a real thing allows for further insertion of scary vibes to pad the stats, e.g. the blackness of the lover] ...includes times when the victim was drunk, high*, drugged, or passed out and unable to consent.* [puritanical belief bout drinking and drugs, e.g. one cannot consent if drunk or high. Note that it is separate from being drugged or passed out and unable to consent, and that criminally speaking being drunk or high is not indicative of a lack of capacity to consent, also note this is de facto applied to women only].
“Sexual coercion is defined as unwanted sexual penetration that occurs after a person is pressured in a nonphysical way. In NISVS, sexual coercion refers to unwanted vaginal, oral, or anal sex after being pressured in ways that include being worn down by someone who repeatedly asked for sex or showed they were unhappy; feeling pressured by being lied to, being told promises that were untrue, having someone threaten to end a relationship or spread rumors; and sexual pressure due to someone using their influence or authority.”
Unwanted is an aesthetic category, not a consent category. ‘Sexual coercion’ is not a criminal offense either. It is a puritanical belief bout sexuality that is based on a sex negative view, e.g. that sex is a bad unless and until magical words are said to make it into a good. Calling it ‘sexual violence’ is just lying. Coercion is defined misandristically to only be bout penetration, which precludes all the ways that women use sex and sexuality to manipulate, use, abuse, and harm people; note that there are essentially zero surveys done that include some ‘feminine coded coercive behavior’ into these stats. That is by design. Including not incidentally the way that women have historically and currently used irrational fears over their sexuality to terrorize men and get people murdered.
“Unwanted sexual contact is defined as unwanted sexual experiences involving touch but not sexual penetration, such as being kissed in a sexual way, or having sexual body parts fondled, groped, or grabbed.”
Unwanted is aesthetics, not consent. Also this literally describes flirting. I know they want to try and capture some other sort of notion, grossy mcgrosser pinning someone down and groping them, but all this describes here, and all the stats can possibly reflect, is flirting.
“Non-contact unwanted sexual experiences is defined as those unwanted experiences that do not involve any touching or penetration, including someone exposing their sexual body parts, flashing, or masturbating in front of the victim, someone making a victim show his or her body parts, someone making a victim look at or participate in sexual photos or movies*, or* someone harassing the victim in a public place in a way that made the victim feel unsafe.”
This category is quite broad and puritanical in its disposition, as it assumes there is something wrong with seeing naked images unless and until expressed verbal consent is given, and undoubtedly ignores the en masse flood of naked images of women online to which basically every guy is exposed to. Compare again to people who claim that women ought not be allowed to show their ankles as it causes a ‘harm’ to those who are ‘forced’ to see it. Exact same shite. Aesthetical concerns of wanted or unwantedness, and also notice the expressly stated vibes check ‘victim feel unsafe’. Look out for the black boys, they make them feel unsafe!
Crime/Law Enforcement Stats (UCR Program) — FBI
Quick Facts on Sexual Abuse Offenses (ussc.gov)
It’s worth mentioning that statistically speaking, if one uses the stats derived from crime data as opposed to statisticians making numbers up, the percentages of men who do sexual violence, depending a bit on how you count it, are: 0.0516% or .478% or .0957%. Although the video goes over this all in pretty good depth, just do a little sniff test here; are .478% of the male population sexually violating a third of all women, 55.5 million women?