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2024.05.15 17:11 Sweet-Count2557 10 Stunning Maldives Resort Beach Villas You Must See

10 Stunning Maldives Resort Beach Villas You Must See
10 Stunning Maldives Resort Beach Villas You Must See We stumbled upon a treasure trove of 10 stunning Maldives resort beach villas that are truly captivating. Each villa offers a unique blend of luxury and tranquility that promises an unforgettable escape.From the crystal-clear waters surrounding Kudadoo Maldives to the lavish amenities at The Nautilus, these beachfront sanctuaries redefine opulence in paradise.But what sets them apart from the rest? Well, let's just say that once you catch a glimpse of these breathtaking retreats, you'll find it hard to resist the allure of experiencing pure bliss in these exclusive havens.Key TakeawaysEco-friendly overwater villas with solar power and private pools.Unique designs featuring European craftsmanship and aquatic inspiration.Luxurious amenities like rooftop terraces and glass-bottomed floors.Exclusive private villas with personalized services and bespoke dining experiences.Kudadoo MaldivesNestled in the pristine waters of the Maldives, Kudadoo Maldives stands out as a beacon of sustainable luxury with its 15 overwater residences powered by solar panels. Designed by Japanese architect Yuji Yamazaki, these overwater villas are crafted with materials from sustainably managed forests, blending seamlessly into the natural beauty that surrounds them. What truly sets Kudadoo apart is the private plunge pool that adorns each residence, offering guests a luxurious experience where they can bask in the sun and the serenity of the ocean.As we step into the realm of Kudadoo Maldives, we're greeted by a sense of sustainable living harmoniously coexisting with high-end luxury. The eco-friendly appeal of the resort is evident in its circular design, featuring vertical wooden slats made from sustainable timber. This thoughtful architecture not only enhances the aesthetic charm of the villas but also underscores the commitment to responsible tourism.For those seeking an exclusive escape, Kudadoo Maldives promises a high-end stay like no other. With rates starting at $3,000++ per night, guests can indulge in a private sanctuary where every detail is meticulously curated to provide a lavish and unforgettable experience. Whether lounging in the private plunge pool or gazing at the endless expanse of the ocean, Kudadoo Maldives offers a truly unparalleled retreat for those who appreciate the combination of luxury and sustainability.Soneva JaniCrafted with sustainable whitewashed wood, Soneva Jani offers 51 Water Retreats that blend luxury with eco-conscious initiatives. Nestled on the pristine Maldives Island, Soneva Jani is a beacon of sustainable design in the realm of luxury resorts. Divided into Chapter 1 and Chapter 2, guests can revel in an all-inclusive experience in Chapter 2, where every need is catered to with meticulous detail.From the moment you step into one of the Water Villas at Soneva Jani, you're enveloped in a world where opulence meets environmental responsibility. The rates, starting at $2,340++ per night, reflect a commitment to providing a luxurious yet eco-conscious stay. The villas boast a unique circular design, with vertical wooden slats crafted from sustainable timber, offering a blend of modern elegance and natural beauty.At Soneva Jani, sustainability isn't just a buzzword but a way of life. Guests can immerse themselves in initiatives like upcycling and revel in the resort's carbon-neutral status. Every aspect of the stay is designed to minimize the environmental impact while maximizing the luxury experience. Soneva Jani isn't just a destination; it's a testament to the harmonious coexistence of indulgence and eco-consciousness.The Ritz-Carlton Maldives, Fari IslandsThe Ritz-Carlton Maldives, Fari Islands presents a sustainable luxury experience with its majority of overwater villas featuring a circular design and vertical wooden slats made from sustainable timber. These villas not only offer a breathtaking view of the crystal-clear waters but also showcase the resort's commitment to eco-friendly practices.Here are three reasons why The Ritz-Carlton Maldives stands out as a top choice for travelers seeking both luxury and environmental conservation:Sustainable Design: The overwater villas at The Ritz-Carlton Maldives aren't only aesthetically pleasing but also environmentally conscious, with their vertical wooden slats made from sustainable timber. Guests can relax in luxury knowing that the resort values eco-friendly practices in its architecture.Solar-Powered Villas: Most villas at this luxury resort come equipped with solar-paneled roofs, a testament to the commitment towards sustainability. This eco-conscious approach not only reduces the resort's carbon footprint but also provides guests with a unique experience of residing in an environmentally friendly accommodation.Environmental Education: The resort offers the Jean-Michel Cousteau's Ambassadors of The Environment program, focusing on educating guests about environmental conservation efforts. This initiative allows visitors to engage in activities that promote a deeper understanding of the natural world, fostering a sense of responsibility towards environmental preservation.With rates starting at $1,700++ per night, The Ritz-Carlton Maldives, Fari Islands offers a luxurious and sustainable stay for guests seeking a premium experience in harmony with nature.The St. Regis Maldives Vommuli ResortEmbracing a design ethos that blends modern elegance with natural elements, the St. Regis Maldives Vommuli Resort beckons travelers to a sanctuary of luxury overlooking the azure waters of the North Male Atoll. This exclusive resort boasts 44 sleek overwater villas, featuring bright Scandi-style timber bedrooms and luxurious marble bathrooms. Each villa is a masterpiece of minimalist design, offering guests a tranquil escape in the Maldives' pristine surroundings.The highlight of The St. Regis Maldives Vommuli Resort is undoubtedly its overwater villas, designed to impress with spacious layouts and stylish decor. Guests can choose from one to three-bedroom options, ensuring a comfortable and lavish stay. What sets these villas apart is the rooftop terrace, perfect for intimate gatherings or romantic evenings with private BBQ dinners under the stars. For those seeking entertainment, the rooftop terrace also doubles as a venue for movie screenings, adding a touch of cinematic flair to your vacation.Diving into the lap of luxury, guests at this resort can indulge in a range of luxurious amenities and services. From rejuvenating spa treatments to exquisite dining experiences, The St. Regis Maldives Vommuli Resort promises a truly unforgettable stay in paradise.InterContinental Maldives Maamunagau ResortNestled in the picturesque Maldives, the InterContinental Maldives Maamunagau Resort offers a luxurious escape with its 24 overwater villas featuring infinity plunge pools and a modern beachy design. As part of the IHG resort family, this haven provides guests with a truly opulent experience. Here are some key highlights of this stunning resort:What Makes InterContinental Maldives Maamunagau Resort Stand Out:Overwater Villas: The resort boasts 24 exquisite overwater villas that redefine luxury living in the Maldives. These villas offer unparalleled views of the crystal-clear waters and direct access to the ocean, promising an unforgettable stay.Plunge Pools: Each overwater villa at InterContinental Maldives Maamunagau comes equipped with its very own infinity plunge pool. Guests can unwind in privacy while soaking in the breathtaking surroundings, creating a perfect blend of relaxation and indulgence.Conservation Initiative: Partnering with Manta Trust researchers, the resort actively supports manta ray conservation efforts. Guests not only enjoy a lavish retreat but also contribute to the preservation of the Maldives' rich marine life, making their stay more meaningful and environmentally conscious.Immerse yourself in the beauty of the Maldives at the InterContinental Maldives Maamunagau Resort, where luxury meets sustainability for an unforgettable island getaway.Velaa Private IslandAs we step onto Velaa Private Island, we're greeted by a harmonious blend of European craftsmanship and aquatic-inspired design in its 47 custom-made villas and residences. The private island resort offers a unique experience with villas featuring fish scale accent walls and turtle motifs, seamlessly integrating marine life into its luxurious amenities. Velaa Private Island is committed to environmental conservation, running coral regeneration programs and a Green Awareness Program to preserve the local coral reef ecosystem.Each villa on Velaa Private Island is a masterpiece in itself, uniquely designed with minimalist yet elegant decor that reflects the secluded retreat's upscale ambiance. Craftsmen craftsmanship is evident in every detail, ensuring a high level of quality and attention to design. Nestled in the North Male Atoll, guests can enjoy the tranquility and exclusivity of this luxurious escape, away from the hustle and bustle of everyday life.Whether snorkeling among vibrant coral reefs, indulging in world-class dining, or simply relaxing on the pristine beaches, Velaa Private Island offers a truly unforgettable Maldivian experience. It's a perfect blend of natural beauty, opulent comfort, and impeccable service, making it a top choice for those seeking a lavish retreat in paradise.Gili LankanfushiGili Lankanfushi beckons visitors with its eco-friendly overwater villas and personalized butler service, promising a luxurious retreat in harmony with nature. As we explore this stunning resort, here are some key highlights that make Gili Lankanfushi a top choice for a Maldives getaway:Eco-Friendly Overwater Villas: The overwater villas at Gili Lankanfushi aren't only luxurious but also environmentally conscious. Built using sustainable materials and designed to blend seamlessly with the natural surroundings, these villas offer a unique and eco-friendly accommodation experience.Personalized Butler Service: At Gili Lankanfushi, every guest is treated to personalized butler service, ensuring that your every need is catered to with utmost care and attention. From arranging bespoke experiences to attending to your dining preferences, the dedicated butlers at Gili Lankanfushi go above and beyond to make your stay truly exceptional.Gourmet Dining and Activities: Indulge in gourmet dining experiences at Gili Lankanfushi, where fresh seafood and organic ingredients take center stage. Additionally, guests can partake in a variety of activities, including snorkeling, diving, and dolphin cruises, ensuring that there's never a dull moment during your stay at this paradise.With its private islands, commitment to sustainability, and array of activities, Gili Lankanfushi offers a holistic and memorable Maldivian experience.Waldorf Astoria Maldives IthaafushiTucked away in the pristine waters of the Maldives, Waldorf Astoria Maldives Ithaafushi presents 55 exquisite overwater villas and two exclusive Stella Maris villas for a truly opulent escape. The villas boast elegant interiors, glass-bottomed closet floors, infinity pools, and overwater hammocks, offering guests a luxurious and serene retreat.Here is a glimpse of what Waldorf Astoria Maldives Ithaafushi has to offer:Overwater VillasMarine BiologistLuxury YachtElegant interiorsCoral nursery activitiesLavish experienceGlass-bottomed closet floorsInteract with marine lifeExclusive accessInfinity poolsEducational experiencesBreathtaking viewsOverwater hammocksLearn about conservationComfort and styleSerene outdoor spacesEnvironmental initiativesOpulent transportGuests can engage in coral nursery activities alongside a marine biologist, gaining insights into marine conservation while contributing to the preservation of the underwater ecosystem. Accessible by luxury yacht, the resort provides a lavish and exclusive experience from the moment you set foot on the island. Situated in a stunning location, Waldorf Astoria Maldives Ithaafushi is a haven for those seeking luxurious amenities, breathtaking views, and unparalleled relaxation in their overwater villas.JOALI MaldivesNestled in the idyllic Maldives, JOALI Maldives beckons with 73 luxurious beach and overwater villas, each boasting a private infinity pool. Here, personalized experiences await, ensuring a stay filled with bespoke luxury and unparalleled relaxation.Artistic Marvels: JOALI Maldives is a haven for art enthusiasts, with each villa featuring handpicked artworks and unique design details. Guests can immerse themselves in the resort's artistic ambiance, appreciating the beauty that surrounds them at every turn.Underwater Wonderland: Dive into a world of wonder at JOALI Maldives' underwater art installation, a mesmerizing display of unique sculptures beneath the crystal-clear waters. This innovative feature adds an extra touch of magic to the already enchanting surroundings.Culinary Delights: Indulge your taste buds at JOALI Maldives' diverse dining options, including a treehouse restaurant that offers a memorable dining experience high above the ground. From fine dining to casual bites, there's something to satisfy every craving at this luxurious resort.Whether you seek tranquility by your private infinity pool or wish to explore the depths of the ocean through art, JOALI Maldives promises a stay filled with unforgettable moments and unparalleled beauty.The NautilusAt The Nautilus, luxury meets exclusivity with its private beach houses offering unparalleled personalized service and bespoke dining experiences for every guest. Situated on a private island in the Maldives, The Nautilus is a beacon of extravagance and refinement. Each beach house is a sanctuary of opulence, complete with a private pool and direct access to the pristine beaches, ensuring a perfect blend of comfort and nature.What sets The Nautilus apart is its dedication to personalized service. Every guest is assigned a dedicated House Master, a knowledgeable and attentive concierge who caters to their every need. From arranging exclusive excursions to ensuring that every preference is met, the House Master is there to make each guest's stay truly exceptional.Moreover, dining at The Nautilus is a bespoke experience in itself. Guests can indulge in culinary delights tailored to their tastes and dietary requirements. Whether it's a romantic beachfront dinner under the stars or a casual lunch by the pool, every meal is a masterpiece crafted to perfection.The resort's unique 'Freedom Concept' allows guests the liberty to design their own schedule and experiences, ensuring that every moment is tailored to their desires. At The Nautilus, every guest is treated to a world of luxury where their every whim is met with unparalleled service and attention to detail.Frequently Asked QuestionsWhich Is the Best Water Villa in Maldives?When choosing the best water villa in the Maldives, we prioritize luxury accommodations, overwater paradises, private retreats, exotic getaways, romantic escapes, and tropical hideaways.Each resort offers unique features, from exclusive amenities to stunning designs. Researching and comparing various properties can help us find the perfect match based on our preferences.It's essential to consider factors like location, amenities, and design to ensure a memorable and tailored experience.Which Part of Maldives Is Most Beautiful?When it comes to the Maldives, every corner is a tropical paradise waiting to be explored. From hidden gems with crystal-clear waters to pristine beaches on remote islands, each part of the Maldives offers a picture-perfect setting.It's hard to pinpoint the most beautiful area as each has its own unique charm. Whether you seek tranquility or adventure, the Maldives is a dream destination for anyone craving a slice of paradise.What Are the Top 10 Resorts in Maldives?We've uncovered the top 10 resorts in the Maldives, offering luxury escapes, hidden gems, romantic getaways, exclusive retreats, paradise found, and private islands.These resorts boast stunning ocean views, private amenities, conservation programs, gourmet dining, and water sports.With overwater villas, private plunge pools, and direct access to coral reefs, guests can indulge in inclusive packages covering meals, beverages, spa treatments, and unforgettable experiences like sunset cruises or whale shark snorkeling tours.What Is the Best Beach Like the Maldives?When thinking about the best beach resembling the Maldives, we can't help but imagine crystal clear waters, soft sand, and breathtaking sunset views.Beach activities like snorkeling and romantic getaways in this tropical paradise are truly unforgettable.Luxury accommodations with private beach villas offer the perfect blend of relaxation and indulgence.Experiencing the Maldives' beauty firsthand is a dream come true.ConclusionAs we sail away from the Maldives, the memories of our beach villa experiences linger like the gentle ocean breeze.From the sustainable luxury of Kudadoo Maldives to the all-inclusive Water Retreats at Soneva Jani, each resort offered a unique slice of paradise.Just like the crystal-clear waters that surround these villas, our time in the Maldives was a refreshing and rejuvenating escape from the ordinary.The beauty of these beach villas truly left a lasting imprint on our hearts.
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2024.05.15 16:53 shaneka69 CANCER ZODIAC - UNEXPECTED INCOME! TAROT READING MAY 2024

CANCER ZODIAC TAROT READING - UNEXPECTED INCOME MAY 2024

https://www.youtube.com/watch?v=cJ5mIkLhCyY
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2024.05.15 16:52 LaReinaDeLaImprenta How can I (30F) get my husband (30M) to self reflect and to be dedicated to me instead of his parents?

Hello friends of reddit. My husband (30M) and I (30F) have been married for 6 months and it is not going as expected. In the beginning, he made it clear that due to his religious beliefs that he did not to have sex before marriage. I agreed as I had horrible judgement in men and was not looking to get taken for another ride again.
Background on him: He comes from an extremely religious family (Baptist). Worked his own business with the family since he graduated high school. He has also lived with his parents and has never lived on his own other than a year in his parents other home before his accident (he fell 27ft and had to relearn to walk). No drinking no smoking, only spend time with family and outdoor activities. Background on me: While I come from an abusive traumatic family I am currently 5 years therapy strong working on myself as it is my responsibility not my partners. I went to college and lived on my own until covid lay offs and I had to move back home with my father, which wasnt ideal. I work full time and have my own business; I am very motivated.
As time progressed he changed his mind and we ended up sleeping together. I asked for us to move in together for a lil while before we got married. My parents (divorced) were not okay with that but I did not care. He told me that we would need to sit down and discuss the idea of moving in together with his parents. I said; "Why would we need to ask permission we are 30?" and he said that we would have to in order to save face. I said "I am not comfortable with discussing this with your family as it is not their business." He said we were not to move in together until we do. I told him if he forced me to meet with his parents then I was going to tell his mother that we have already had sex so there was no reason not to move in together. He never set up the meeting. We never moved in together. He is very close to his parents in my opinion to the point it is unhealthy. I watch as his dad undermines, belittles, and ignores his mother with a smile and charming laugh on his face until she is in complete submission. She admitted to me that while she was clipping coupons for the family, he was out spending all the money on machines / equipment that they did not need. She has cried to me in front of my husband about how she still needs to voice her opinion even though it is never listen to or goes the way she suggests. That was a red flag to me.
My now husband of mine and I started to plan out life together. He told me that he owns his own business and has 60 acres of property and wanted to build a life there. He promised me that we were going to work together and build a home that we can make a guest house and eventually build a bigger home. He wants it to be similar to a Lowcountry plantation. I was all for it, finally excited that I had someone I could create a life with that we both wanted and deserved.
That is when things turned. He started to move forward on building a home for us without a permit nor engineer drawings. Before he started, I told him that made me very uncomfortable and I need security to know this home is done correctly since he will be out of town a lot and I will be left alone in a town I know no one. That made him insulted and said this is how his father and family did their home and he just moved forward on building it himself. I begged, cried, and pleaded with him to please let's get the water and septic out there first and work on a budget of plans / permits to break ground. That I was not comfortable living that way, my father was a GC and taught me a lot of what needs to be done for a home to be an asset. He waved me off, told me that my father was just a carpenter. I cried for months over it and almost moved the wedding back a year. His father was behind the scenes telling him and motivating him to continue to do whatever he wanted to do regardless of how I felt. He finally heard me after I threaten to postpone the wedding and stopped construction and told me he would get a permit on the home and drawings before he did anything else.
The closer the wedding got, the difficult it became. I gave him my pay stubs, W2, and showed my assets to him up front. I showed all of my cards and asked to see his in return. He said he would and he never did. When I asked him more than once he would get annoyed with me. I started to get suspicious. I felt as if he was hiding something. So I did my own investigation. It turns out that his father and him own the property together in a way that if one passes the other gets it and he only owns 20% of the business he claimed was his. I was stunned. Everything he told me was half truths. I brought it to his attention many times and he acted like he told me already. I told him I knew the truth and he said it wasn't a big deal and I am making something out of it that it isnt. If his father had more respect for his wife and for women, I would not be this concerned. His father throws trash on the ground and ignores rules and regulations while having a problem with authority at his own home. Now everything he doesnt want at his house is being thrown over to my husband's property (which is his too and he has a right to do what he wants). Being in that type of chaotic environment along with the sense of having someone stomp on my boundaries for me would be extremely triggering and something that I will not be able to do. He is already throwing trash and leaving debris and junk all over the property. I communicated my feelings and got met with resentment, anger, and denial from my husband. He told me that it was not going to be that way. He also called me controlling bc instead of spending 25,000 on permits / our home, he spend it on a brand new truck (he has two other trucks). I was so upset and said how could he spend that much money on a toy when he hasn't even provided a home for our family. He was texting his dad about the truck behind my back and he was motivated to do whatever he wanted to do regardless of what I thought bc I am "controlling".
I told him from day one that I am a career woman, that I am not going to be solely responsible for the household and I am not his mother and I will not pick up after him. I expect things to be 50/50 in finances and in house work until we figure out what works best for us. He said he agreed and was very happy with that. I then told him in order for me to feel comfortable moving out to his 60 acres of land, that it would need to be solely in his name and he would need to get a permit and engineer drawings. He told me as soon as we were married that he would move forward with that.
With all these red flags, I continued to move forward with the wedding as he promised me the world. He kept dragging his feet on the home construction and it was failing to be completed before our wedding. His dad was telling him to take his time it is not that big of a deal. 4 months before our wedding, his family and him expected me to live in an unpermited non CO having shed like house, with no power, water, septic, nor appliances, an empty shell, no sheetrock (his father made his mother live like that). In complete distress I begged my father to do a lease to own with one of his rental properties for me so that my husband and I would have a place to live after we got married since the home was in no condition to live in. My father begrudgingly agreed and then told me to not Marry him. I did always. My family ended up ruining the wedding for me and causing our special day to not be as special.
Fast forward a few months when it was time for us to pay our lease to own payment. He was late every month, got angry at me for asking for his part of the money, I asked him to help with the chores and he would get annoyed with me, he has not mowed the grass once (my father and I have). I can count on my hand the times hes raked the yard and done dishes. He makes double the amount of money I made but I am writing the checks for the bills. I am just asking for his portion and he told me that I am treating him like a roommate not like a husband / wife. I asked him to explain and he couldn't. I finally got fed up and told me to give me 4 checks signed so when he is out of town for work and I need to pay the bills I can. He handed me the checks and they had him and HIS MOTHER on the account. Admitted, I lost my cool. I was overwhelmed with the amount of involvement his parents had in his assets and life. He has made me feel like he has lied to me. I told him as long as my boundaries are disrespected and I have no say in our home and our life that I do not want anything to do with their property. He would get mad and say it was his and id remind him, no it is not. It belongs to him and his father. He said it is his home and he is going to build it the way he wanted.
A few weeks after that argument he completely distant himself from me. He was out till 8pm every night for weeks and I kept asking him where he was. All he said was "working". A few weeks later, I finally go out to the property to see a full blown house. Behind my back he was working on that home putting roofing, plumbing, tile, siding, everything! He told me we were going to work on this together. I was so upset, everything is half ass done. He let me pick out nothing. I called him on it and he denied it. Come to find out him and his father had been working on it behind my back. While I was struggling to pay our bills he was using his money to continue on building on the home without drawings, permits, engineering, nothing. He couldn't give me money for our house hold bills, but he could spend thousands and thousands on something he promised me he was not going to do. Then he proceeded to tell me what "we" were going to give his father a $2,000.00 fish finder for a present. I told him is he out of his mind we can not afford that (mind you he gave me nothing for my birthday though he did bake me a cake and it was sweet). I said you are going to spend that much money on a gift and you didnt even get your wife anything for her birthday? he said "you got an engagement ring, that was expensive enough" I said "so bc you gave me an engagement ring, that means you do not have to purchase anything else for me as a gift?" he just waved me away. I said you never discussed this transaction with me and you are saying "we" are getting it. He said "well when I said 'we' I meant me and my mother."
I just stared at him. He considers WE as him and his parents. Finally got him into marriage counseling and it does not seem to be helping. He has missed 4 sessions already bc he chose work over me. He is pulling away from me completely, no affection, no sex (I did not know he had an issue brushing his teeth so now I cringe in fear of getting dumpster breath anytime we are intimate). This was NOT like this during our dating time.
I feel like I am drowning and I have made a HUGE mistake. Typing this out makes me feel guilty for telling the truth and maybe I am being controlling and overbearing like his parents are saying? This is why I am coming to you people of reddit.
I feel like I am in a polyamorous relationship. I feel like I have escaped the control of my family only to end up in a place where I am controlled by another man that I am not even MARRIED TO. I feel like I am a ship with two anchors that are my parents, when I got married I thought he was going to help captain my ship, not be another anchor on my vessel to weigh me down. All my friends have noticed that I have changed and I am not my normal self.
How can I get my husband self reflect on how he is treating me and be dedicated to me and not his parents?
Am I out of line? is this weird? Am I expecting too much?
Thank you so much for taking the time to read this post. I love my husband very much but I am stuck.
submitted by LaReinaDeLaImprenta to relationship_advice [link] [comments]

2024.05.15 16:41 Sweet-Count2557 Babymoon Adelaide

Babymoon Adelaide
Babymoon Adelaide When it comes to planning a babymoon, Adelaide may not be the first destination that comes to mind, but let me tell you, it's a hidden gem.Nestled between rolling hills and pristine beaches, this charming city offers the perfect blend of relaxation and adventure.From tranquil spa experiences to romantic coastal walks, there is something for every expecting couple to enjoy.But that's not all, because the dining options and adventure activities are equally enticing.So, if you're looking for a babymoon destination that ticks all the boxes, keep reading to discover why Adelaide should be at the top of your list.Key TakeawaysThe Louise in Barossa Valley and Shadow Creek McLaren Vale offer luxurious babymoon accommodations with stunning views, private terraces, spa baths, and specialized packages.McLaren Vale Wine Region and Adelaide Hills provide relaxing spa experiences for expecting couples with spacious baths, wood fireplaces, and onsite massages.Coastal walks in Adelaide, such as the Great Ocean and Henley Beach Esplanade, offer romantic and picturesque settings for babymooners to unwind and connect.Indulgent dining options in Barossa Valley, Robe, and McLaren Vale provide babymooners with gourmet breakfasts, indulgent dining experiences, and charming atmospheres.Best Babymoon Accommodations in AdelaideLooking for the best accommodations for your babymoon in Adelaide? Look no further, because we've got you covered with these top recommendations.When it comes to planning a relaxing and memorable babymoon, Adelaide offers a range of luxurious accommodations that cater to your needs. One such option is The Louise in Barossa Valley, which provides stunning sunset views, private terraces, gorgeous furnishings, and spa baths, creating the perfect atmosphere for your babymoon retreat.If you prefer to stay closer to the attractions, The McLaren Eye in McLaren Vale Wine Region is an excellent choice. This accommodation offers fully equipped rooms with a spacious master bedroom featuring a huge bath. You'll also find yourself conveniently located near the region's renowned wineries and other attractions, ensuring a truly relaxing babymoon experience.For those seeking a truly indulgent babymoon, Shadow Creek McLaren Vale is the place to be. They offer specialized babymoon packages that include onsite massages overlooking vineyards, privacy, a luxurious bath, and top-notch amenities. Pamper yourself and your partner in this serene and picturesque setting.If a cozy and intimate babymoon is what you're after, look no further than Aldgate Valley Bed and Breakfast in the Adelaide Hills. With a wood fireplace, breakfast provisions, and a beautiful location, this charming accommodation provides the perfect setting for a relaxing and romantic babymoon.For those who prefer a babymoon in the heart of the city, the Mayfair Hotel in Adelaide has you covered. Their babymoon package includes a face and body experience at Jurlique, a spacious bath, in-room breakfast, and a movie service. Enjoy luxury and convenience in the bustling city as you celebrate your impending arrival.No matter your preference, Adelaide offers a range of accommodations that will ensure your babymoon is a memorable and enjoyable experience.Relaxing Spa Experiences for Expecting CouplesAs we continue our exploration of the best accommodations for your babymoon in Adelaide, let's now turn our attention to the ultimate relaxation and pampering experience for expecting couples - the relaxing spa experiences that await you. These spa experiences offer a chance to unwind and indulge in a luxurious setting, providing a tranquil escape from the stresses of pregnancy. Imagine soaking in a huge bath, surrounded by flickering candlelight and the soothing scent of essential oils. Picture yourselves snuggled up in front of a crackling wood fireplace, enjoying the warmth and coziness as you revel in each other's company.To give you a better idea of what to expect, here is a table showcasing some of the amenities and locations that these spa experiences offer:AmenitiesLocationsWood fireplacesBarossa ValleyHuge bathsMcLaren ValePrivate terracesKangaroo IslandGourmet breakfastsRobeOnsite massagesAdelaide HillsIn addition to these relaxing spa experiences, many accommodations also provide stunning views and gorgeous surroundings. From sunset views over the vineyards to beautiful landscapes, you'll be surrounded by natural beauty that enhances the tranquil atmosphere.To make your babymoon even more special, some locations offer additional offerings such as baby moon packages, wine tastings, fully stocked mini bars, and Australian continental breakfasts. These thoughtful touches ensure that your babymoon experience is comfortable, convenient, and truly memorable.Romantic Coastal Walks for BabymoonersWe found ourselves irresistibly drawn to the allure of the coastal landscapes, beckoning us to embark on romantic walks that would create lasting memories during our babymoon in Adelaide. The city boasts an array of romantic coastal walks that are perfect for babymooners like us, seeking tranquility and connection before our little one arrives.One of the most breathtaking coastal walks in Adelaide is along the Great Ocean, where the rugged cliffs meet the sparkling blue waters. As we strolled hand in hand, we were captivated by the stunning panoramic views that stretched out before us. The sound of waves crashing against the rocks created a soothing soundtrack to our babymoon experience.Another romantic coastal walk that we enjoyed was along the Henley Beach Esplanade. The soft sand beneath our feet and the gentle sea breeze on our faces created a serene ambiance. We walked along the shoreline, watching the sunset paint the sky with hues of orange and pink, making our babymoon even more magical.The Port Willunga beach walk was another highlight of our babymoon. The crystal-clear waters and the pristine white sands provided a picturesque backdrop for our leisurely stroll. We took our time, embracing the peacefulness of the surroundings and relishing in each other's company.These romantic coastal walks in Adelaide truly provided us with the perfect setting to connect, unwind, and create cherished memories during our babymoon. Surrounded by the beauty of nature, we were able to relax and rejuvenate, knowing that our journey into parenthood was just around the corner.Indulgent Dining Options for Your BabymoonIndulge in a culinary journey during your babymoon with a selection of exquisite dining options available in Adelaide. Whether you're craving a gourmet breakfast, a romantic dinner, or a relaxing meal overlooking vineyards, Adelaide has it all.Here are five indulgent dining options for your babymoon:The Louise in Barossa Valley: Stay at this luxurious accommodation and enjoy private terraces, spa baths, and sunset views. Indulge in gourmet breakfasts and savor the flavors of Barossa Valley.Barossa Pavilions: Treat yourself to a stay at Barossa Pavilions and delight in gourmet breakfasts and cozy wood fireplaces. This indulgent option is perfect for a romantic babymoon getaway.Trader Jacks in Robe: Experience the charm of Robe while enjoying indulgent dining at Trader Jacks. Start your day with a delicious breakfast and unwind by the fireplace in the evening.Shadow Creek McLaren Vale: Relax and rejuvenate with an onsite massage overlooking vineyards at Shadow Creek McLaren Vale. Consider booking a babymoon package that includes indulgent amenities for an unforgettable experience.CABN Tiny Houses: For an eco-friendly and secluded babymoon experience, stay at the Tiny houses at CABN. Immerse yourself in nature while enjoying delicious meals prepared with locally sourced ingredients.With these indulgent dining options, your babymoon in Adelaide is sure to be a memorable and delicious experience.Adventure Activities for the Adventurous BabymoonerFor adventurous babymooners looking to embark on thrilling experiences while enjoying the beauty of Adelaide, there are a variety of adventure activities that will satisfy their craving for excitement and exploration.One such activity is taking scenic walks in McLaren Vale. This destination is perfect for nature lovers, offering breathtaking views and tranquil surroundings. Imagine strolling hand in hand through picturesque vineyards, taking in the fresh air and the vibrant colors of the landscape. McLaren Vale also boasts cozy cottages, providing a serene environment for relaxation after a day of adventure.If hiking and exploring are more your style, the hills near Adelaide offer amazing experiences during this time of year. Lace up your boots and set off on a journey to discover hidden trails and breathtaking vistas. As you ascend, the air becomes crisp and invigorating, and the sense of accomplishment is unmatched. Feel the rush of adrenaline as you conquer each peak, and revel in the beauty of the natural world around you.For adventurous babymooners seeking both relaxation and indulgence, Glenelg is the place to be. Pamper yourself at Endota Spa, where you can unwind with a soothing massage or rejuvenating facial. Take a boat cruise along the coastline, admiring the stunning views of the ocean and the city skyline. And don't forget to indulge in a romantic dinner on the marina, savoring delectable dishes while the sun sets in the distance.If you're up for a slightly longer adventure, Kangaroo Island is the perfect babymoon destination. Here, you can explore the island's abundant wildlife, from adorable kangaroos and playful seals to majestic koalas and colorful birds. Immerse yourself in the island's natural beauty as you hike through rugged trails, relax on pristine beaches, and marvel at dramatic cliffs. Kangaroo Island is a true paradise for adventurous babymooners, offering a unique and unforgettable experience.ConclusionAs our babymoon in Adelaide comes to an end, we're left with hearts full of cherished memories and souls rejuvenated.From the luxurious accommodations to the relaxing spa experiences, romantic coastal walks, indulgent dining options, and thrilling adventure activities, our babymoon was a whirlwind of blissful moments.Adelaide truly provided the perfect setting for us to unwind, connect, and prepare for the exciting journey ahead.As we bid farewell to this enchanting city, we carry with us the promise of a new chapter filled with love, joy, and endless adventures.
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2024.05.15 16:00 PetrZitskiy Finding the Best Online Casino Platforms

Finding the Best Online Casino Platforms
[ Finding the Best Online Casino Platforms ]
The world of online casinos offers a plethora of platforms, each promising exciting games, lucrative bonuses, and a seamless user experience. However, not all online casinos are created equal, and finding the best one can be a daunting task. This guide will walk you through the essential factors to consider when choosing an online casino platform, ensuring you have a safe, enjoyable, and rewarding gaming experience.

1. Licensing and Regulation

Why It Matters

Licensing and regulation are the cornerstones of a trustworthy online casino. A license from a recognized authority ensures that the casino operates legally, adheres to strict standards, and offers fair play.

What to Look For

  • Reputable Licenses: Look for casinos licensed by reputable authorities such as the Malta Gaming Authority (MGA), the UK Gambling Commission (UKGC), or the Gibraltar Regulatory Authority.
  • Visible License Information: The casino should display its license information prominently on its website, usually in the footer section.

2. Game Selection

Why It Matters

A diverse game library enhances your gaming experience by providing a wide range of options, from classic table games to the latest slot titles.

What to Look For

  • Variety of Games: Ensure the platform offers a mix of slots, table games (like blackjack, roulette, and baccarat), live dealer games, and specialty games (like bingo or scratch cards).
  • Top Software Providers: Casinos that partner with renowned software providers such as Microgaming, NetEnt, Playtech, and Evolution Gaming typically offer high-quality and fair games.

3. Bonuses and Promotions

Why It Matters

Bonuses and promotions can significantly boost your bankroll, providing more opportunities to play and win.

What to Look For

  • Welcome Bonuses: Look for generous welcome packages that may include match bonuses, free spins, or no-deposit bonuses.
  • Ongoing Promotions: Check for regular promotions like reload bonuses, cashback offers, and loyalty programs.
  • Fair Terms: Ensure that the bonus terms and conditions are fair, with reasonable wagering requirements and clear instructions on how to claim and use the bonuses.

4. Payment Options

Why It Matters

Convenient and secure payment methods are crucial for smooth deposits and withdrawals.

What to Look For

  • Variety of Methods: Look for casinos that offer a wide range of payment options, including credit/debit cards, e-wallets (like PayPal, Skrill, and Neteller), bank transfers, and cryptocurrencies.
  • Fast Payouts: Check the withdrawal processing times. The best casinos process withdrawals quickly, ideally within 24-48 hours.
  • Security Measures: Ensure the platform uses advanced encryption technology to protect your financial information.

5. Customer Support

Why It Matters

Reliable customer support ensures that any issues or questions you have are addressed promptly and effectively.

What to Look For

  • Availability: Customer support should be available 24/7 through multiple channels, including live chat, email, and phone.
  • Responsiveness: Test the responsiveness of the support team by asking a few questions before you commit to the platform.
  • Comprehensive FAQs: A well-organized FAQ section can provide quick answers to common questions.

6. User Experience

Why It Matters

A user-friendly platform enhances your overall gaming experience, making it easy to navigate and play your favorite games.

What to Look For

  • Interface and Design: The casino website should have a clean, intuitive design that’s easy to navigate.
  • Mobile Compatibility: Ensure the platform is optimized for mobile devices, allowing you to play on the go.
  • Loading Times: The games and pages should load quickly, providing a seamless gaming experience.

7. Reputation and Reviews

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The reputation of an online casino gives you insight into its reliability and quality of service.

What to Look For

  • Player Reviews: Read reviews from other players to get a sense of their experiences with the casino.
  • Industry Reviews: Check reviews from reputable industry websites and watchdog organizations.

------------------------------------------------------------------------------------------------

Finding the best online casino platform involves careful consideration of various factors, from licensing and game selection to bonuses and customer support. By taking the time to evaluate these elements, you can ensure a safe, enjoyable, and potentially lucrative online gaming experience. Happy gaming!
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2024.05.15 15:57 junjunjey All the information you need about the future story set 80 years after Mushoku Tensei. Rifujin-sensei's posts and tweets from 2013-2022 (with links)

It's legit. It's not "just a fan-theory".
From as far back as 2013 and as recent as 2022 the author has talked about it. I speed-ran through all of the author's Narou Blog Posts, used the advanced search feature on X, and noted down the links containing useful information that I found. I hope you find this informative.

1. THE AUTHOR REFERS TO IT MOSTLY IN THREE DIFFERENT WAYS

In this tweet from 2022, he talked about the title of this future story itself being still undecided. Here he casually termed it as "the story of 80 years since Mushoku Tensei", he also called it "the last story in Six-Faced World", but the most often way the author referred to it—and the way the Japanese fanbase mostly called%22%20%E7%84%A1%E8%81%B7&src=typed_query&f=top) it—is "the main story (temporary title)" [本編(仮)] or just "the main story".

2. DESPITE BEING CALLED THE MAIN STORY, MUSHOKU TENSEI IS NOT "THE PREQUEL" OF "A MAIN STORY", AND THE SO-CALLED MAIN STORY IS NOT "THE SEQUEL" OF MUSHOKU TENSEI

This reddit post has excellently talked about Mushoku Tensei being the main story of its own. Even the author himself has tweeted, "The main story of Mushoku Tensei is Mushoku Tensei."
Rifujin-sensei has an aversion of calling it a sequel. Here he elaborated that the story will not be a sequel of Mushoku Tensei. In this tweet he talked about the story not being a continuation of Rudeus' story, although certain characters from Mushoku Tensei will appear since they're directly related to Hitogami's defeat but he insisted it's not the continuation of it. Here he even said he will not write a Mushoku Tensei's sequel.
A fan here compared it to how Fate isn't the sequel of Tsukihime despite being in the same universe, and the author concurred . It's just like how Old Dragon's Tale, Kingdragon King's Subjugation, and Mushoku Tensei are all set in the same universe but aren't prequel/sequel of each other.

3. CHARACTERS FROM MUSHOKU TENSEI THAT WILL APPEAR IN "THE MAIN STORY (TEMPORARY TITLE)"

I think we can infer about which characters would most likely appear based on the chapter The Final Dream in Mushoku Tensei's final volume (since they're directly related to Hitogami's defeat as the author said). However, he kept it vague about how important they would be to the plot itself.
Here he confirmed that Lara Greyrat will appear, but he doesn't even know the story yet since he hasn't began writing it.
In this blog post from 2015, he talked about how he thought Luicellia might appear again in the story set 80 years into the future. He said as a character she was already created even before Norn and Ruijerd. She was described as a beautiful demon girl who is taciturn and straightforward, quick to kill her opponents, but also hardworking, earnest, and single-minded. Considering it's still a concept, her character traits might change (not to mention the traits themselves included being the last Superd).
How about Nanahoshi then? Is she perhaps the main character of the last story?

4. NANAHOSHI SHIZUKA IS NOT THE PROTAGONIST OF "THE MAIN STORY (TEMPORARY TITLE)"

I know certain section of fanbase are believers of this theory, but the author has debunked that idea in this blog post from as far back as May 2013. Someone said they heard it from somewhere that Nanahoshi will be the protagonist of "the main story", and Rifujin-sensei answered that it's a hoax—Nanahoshi is not the protagonist.
What about the Akihito guy then? Good-looking sporty teenage, a summoned hero, managed to charm the unique Blessed Child in his short isekai life the first time, and will possibly have his own harem considering he's perhaps also Nanahoshi's love interest. The planned story of him literally screams "I'm the main character of power trip shonen fantasy", but is he? Well...

5. SHINOHARA AKIHITO IS NOT THE PROTAGONIST OF "THE MAIN STORY (TEMPORARY TITLE)"

You read that right. I don't know if a lot of you believe he is, because I most definitely did. I even (guiltily) spread misinformation that I believe he's the protagonist because I genuinely thought he was.
Then... I discovered this blog post.
Someone asked Rifujin-sensei in early 2015, "Could it be that 'Shinohara Akihito' is actually the main protagonist of Mushoku Tensei? I thought Rudeus was the protagonist who changes the future, but if it turns out that Shinohara Akihito is the true protagonist and Rudeus is merely a pawn, then I feel really sorry for Rudeus." To which, the author replied, "The protagonist of the main story (temporary title) is a different person."
The author added that he also had a story concept where Akihito is the protagonist, but he felt that the story ultimately wouldn't differ much from Rudeus' own so he scrapped it.
Now for the million dollar questionL who is the protagonist? Probably an entirely new guy, but I have a theory.
Kuroki Seiji couldn't get over what happened to him ten years ago. On that fateful day, he would have been died if not for a savior pushing him out of the road when a Truck that lost control almost hit him. His savior was tragically died in his stead, but the stranger thing was the fact that his friends, Shinohara Akihito and Nanahoshi Shizuka, vanished out of thin air. That experience led to him being approached by a secretive magical society he didn't know exist wanting to hear about the "unnatural situation". Ten years later having joined the society and gained various magical knowledge, he stared down at the magic circle he drew after countless research, believing it would deliver him to wherever his best friends have been disappearing to. Closing his eyes and taking a deep breath, he activated the magic circle.
Alright, sorry please ignore my baseless fanfiction idea.
What I know is that in The Final Dream, there are two "Asian-looking" guys among the party that defeated Hitogami. There is a teenage guy who looked to be good at sport, and there is an older guy in his twenties or thirty who noticed Rudeus first and bowed to him. Is the teenage guy Akihito? Probably, but who is the older guy? Is he perhaps the protagonist? Maybe my fanfiction idea isn't so baseless after all (I'm joking).

6. WHEN WILL THE AUTHOR WRITE "THE MAIN STORY (TEMPORARY TITLE)"?

It's not like it's definitive that he will definitely write it, but lucky for us at least he confirms the plan to write it is genuine, he just needs to prioritize other things first.
Like in this blog post from 2021, he give a blueprint of his main priorities for the foreseeable future.
  1. Work hard on anime-related projects.
  2. Also work hard on publishing books since they need to be released around the same time.
  3. Progress the Orc story bit by bit in between.
  4. Once 1 and 2 are settled, continue the Orc story to its conclusion.
  5. Heal my shoulders, neck, and eyes.
  6. Write the final story of the Six-Faced World.
However, there could be a change of plan in between. Back in 2016, his preference was said to write "the main story" last, and there are also multiple other posts where he said there are more Mushoku Tensei-related stories he also planned to write.
For instance, in an April 2015 blog post this is the list of the stories he planned to tell each as a standalone:
Both the Ancient God one and the Mysteries of Hitogami x Dragon Tribe have since been told in Old Dragon's Tale. In this one post there seems to be a planned 11 chaps story outline about Kishirika with Badigadi but was probably scrapped, however a Badigadi's POV from that era has been told as extra chapter in LN Vol. 23. As for the Akihito x Seiji one, I don't know why the author wants to write specifically about the duo. Akihito is understandable since he will definitely be a in the story, but Seiji is supposedly the unimportant one left behind. Hmm, maybe my fanfic—Sorry!
In different posts he talked about wanting to write the reason why Hitogami became so rotten, or about the rewrite version of the notorious Aisha x Arus arc (the relationship is canon, sorry denials), or about Orsted's POV in his previous loops.
Back to the point.
I can only trace the mention of this future story as far back as May 2013 (the Nanahoshi answer one), but it's obvious he already talked about it even before that (considering that post shows someone was already informed about this "main story"). Maybe he first mentioned it in a domestic socmed he used before migrating to Twitter, or there's information from older posts that I missed.
Rifujin-sensei tweeted this as recently as September 2022, here he confirmed he still sticks to his plan of writing "the story about 80 years after Mushoku Tensei" when the Mushoku Tensei anime and Orc's Hero Story both conclude, with rough time estimation being between 2025-2030.
https://preview.redd.it/m6yrmk46gl0d1.png?width=311&format=png&auto=webp&s=82af552ceec8e0aab8014134001fc5b0ea1d598a
Finger crossed, let's look forward to this in a few years.
submitted by junjunjey to sixfacedworld [link] [comments]

2024.05.15 15:53 shaneka69 CANCER ZODIAC - UNEXPECTED INCOME! TAROT READING MAY 2024

CANCER ZODIAC TAROT READING - UNEXPECTED INCOME MAY 2024

https://www.youtube.com/watch?v=cJ5mIkLhCyY
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submitted by shaneka69 to mytarotreadings [link] [comments]

2024.05.15 15:12 Lichi_ag Best charm loudout

Best charm loudout
https://preview.redd.it/xqexv3gtfl0d1.png?width=1785&format=png&auto=webp&s=ac731cc9579f5689baa888504ef48a2175248959
I currently have 45 huges that are mostly level 85+, some of them being 99. From what I've seen and tested the best charm loadouts are:
3 slots: glittering, glittering, speed 4 slots: glittering, glittering, speed, royalty 6 slots with overload: glittering, glittering, royalty, royalty, glittering
I think speed it s more valuable for royalty unless you have 80+ huges and you break everything instantly since more speed = more breakables in a shorter time.
I also think having 3 glittering charms with 2 royalties at 6 slots is more valuable in terms of diamonds since if you have a full team of 99lv huges with 2 royalty and diamond enchant books you probably gonna hit the diamond cap so over 24 hours the glittering charms(3rd one with diminishing return 15diamonds/30seconds) would still be better than e 3rd royalty
I also considering going for 4 slots with:
https://preview.redd.it/5clp1huwel0d1.png?width=320&format=png&auto=webp&s=c4262a18a9e58cc9f168b0ad25d8cdc3cbf61296
Glittering, glittering, glittering, royalty.
Since with only one royalty and LV 99 a huge would hit the damage and diamond cap.
A team with 90 huges with 2 glittering per huge would produce: 540.000 diamond / hour 12.960.000 diamonds / 24 hours (1 day)
A team with 99 huges with 3 glittering per huge(3rd glittering 15 diamonds instead of25) would produce: 702.000 diamonds / hour 16.848.000 diamonds / 24 hours (1day)
So with only 1 more glittering, you would gain 160.000 diamonds more per hour and almost 4 millions diamonds more per day.
Would that be worth more than having:
Glittering/gluttering/royalty/royalty?
What do you guys think?
Did somebody make some tests with clear results about what the best charms loadout would look like?
submitted by Lichi_ag to PetSimulator99 [link] [comments]

2024.05.15 14:57 astrobabag Understanding the Concept of Ullu ki Haddi Se Vashikaran

Understanding the Concept of Ullu ki Haddi Se Vashikaran
Ullu ki Haddi Se Vashikaran
Utensil ki hatti se rutibhav hai jab toh bol ne waqt jo hum Bollywood mein hai hai ab, aab tak jum se vashikaran kyun mein hai. This particular method is considered to be amazingly good in the manipulation and control of a person's thoughts, feelings, and actions by the bone of an owl (ullu ki haddi). Although some people think that it is quite odd and supernatural, many people think that it is a very good way of reaching what they want.
The practice of using owl bones in vashikaran rituals started in ancient India and it is linked to the country's mythology and folklore. Owls have been the models of wisdom, intuition, and the paranormal for the different cultures of the world in the various times. In the Indian mythological stories, the owl is always portrayed as the messenger of the goddess of wealth, Lakshmi, and is considered as the entity of the powerful spiritual energies.
For the people who are into the ullu ki haddi se vashikaran, the bone of the owl is the source of the magical powers and the one that can be used to direct these powers to a particular person or goal. Practitioners prove the link between the bone, rituals, mantras and charms and they say that by using them, they can change the others' thoughts, emotions and actions and thus, they will get the best they have ever had.
The method of ululus ki onddi which is mostly based on the procedure of getting a bone from an owl is usually very rare. Then, the bone is cleaned, electrified, and blessed by means of a long series of different rituals, prayers, and offerings. The bone is charged with the energies of the objects that you want to get when the bone is combined with other materials such as incense, candles and herbs to create a very strong vashikaran charm or talisman.
This technique is called Ullu ki haddi which is the way of concentrating one's thoughts and energies on charm and thus, creating a strong psychic link with the target person thereby influencing his or her thoughts and actions from a great distance. This is certainly the case, especially when the traditional methods of persuasion or communication have not been successful.
Though the notion of using an owl bone for vashikaran might seem to be strange and even scandalous to some people, the supporters of the practice regard it as a strong and effective tool for the acquisition of one's desire and interest. The people think that the spiritual powers of the owl bone are the way they can reach the natural forces of the universe and as a result, when they want something, they will get it with great accuracy and success.
The document that would be created using ullu ki haddi se vashikaran is not free from the risks and the ethical problems it brings. The opponents of such a thing say that there are some drawbacks to this, for example, this is the manipulation of another person's ideas or actions without their consent, which is the harm and the person's freedom and autonomy can be infringed upon. They claim that the real spiritual growth and the freedom of the individual are because of the appreciation of the limits and the decisions of the others, but not the control or domination of others through the supernatural means.
Nevertheless, the main attraction of the people who are believers in it is still the process of ullu ki haddi se vashikaran and they say that this practice is the way to achieve their goals and the things they want. Although to accept or to deny this mysterious practice is still not clear, it is definitely a very intriguing and fascinating part of the vast and diverse spirituality and occult traditions of India.
In conclusion, the ullu ki haddi se vashikaran is a unique and controversial ability that has been accepted in recent years for the supposed power to control and influence the thoughts, emotions and actions of others through the bone of an owl. Although to some it might be strange and eerie, a lot of people are of the opinion that it works and they are completely dependent on it. Even if some people will be convinced that ullu ki haddi se vashikaran is a real thing and others will not, it is still a fascinating and mysterious aspect of the complex religious world of India.
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2024.05.15 14:53 shaneka69 CANCER ZODIAC - UNEXPECTED INCOME! TAROT READING MAY 2024

CANCER ZODIAC TAROT READING - UNEXPECTED INCOME MAY 2024

https://www.youtube.com/watch?v=cJ5mIkLhCyY
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2024.05.15 14:27 Odd_Refrigerator_180 Having trouble Installing proxmox on Dell R710 servers.

I have had a hell of a time messing with these two R710 rack mount servers I obtained and have yet to figure out the problem. (I have sense moved proxmox to my Cisco 1U where it has been working like a charm (just has a smaller drive which is why I wanted to migrate to the R710.) here in lies the problem.
I am Running latest firmware compatible with my hardware. 6.6.3 I think it is. I have configured raid 0 for all available drives I have installed the Linux drivers (to the best of my knowledge this was done right). I created a bootable using a new usb, as well as tried a formatted USB. I also tried from from the cheap brand USB to the most expensive name brands. I tried both Etcher and Rufus to flash proxmox 8.2 on to the USB.
When I install, I get one of 3 errors. First is “can’t mount /dev/sda1” this install fails before the TOS page. the other is a squashFS error that is thrown after reaching 99% on the install. And I forgot the last one but it also fails prior to the TOS page. What am I doing wrong? I was told I need to upgrade my hardware to perc H700 at least because it’s an issue with the raid format but I can’t help but think this is wrong as all disks are recognized and able to be used? If this doesn’t get taken down by the mods, I’ll post screen caps of the errors as soon as I am home.
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2024.05.15 14:02 ThrowAway7s2 "Sevastopol Spanish students Aided by Peruvian teacher" from the October 1, 1968 Door County Advocate

​
TEACHING SPANISH at Sevastopol high school is Luisa Contelli from Peru who is helping the regular teacher with classes and the students with their accent and pronunciation. She is shown above (on the swing) with Denise and Becky Volkmann. Luisa is a guest at the Lester Volkmann home while here. —Advocate

Sevastopol Spanish students Aided by Peruvian teacher

By FRANCES BADTKE
To paraphrase an old saying, "a long speech begins with a single word." And while we would not accuse Luisa Contelli of being "wordy," her English started not so long ago with a single word and she learned to speak English in just four months before she came to this country.
Luisa is a Spanish aid teacher at Sevastopol high school and is assisting the regular teacher with her Spanish classes and helping the students with their pronunciation and accents.
Her English is fluent with a pleasantly charming accent and a person talking with her would never suspect that she had not been speaking English, or perhaps we should say "American" for such a short time. She took an intensive four month course from the Peruvian North American Institute.
When asked if she had trouble with all our various ways of pronouncing the same letters she said, "to study English for me is very hard, to understand is even worse." And if we were to have to get along with people who spoke only Spanish, we would probably echo her words. So when you talk to her, speak slowly and clearly.
Luisa is staying with the Lester Volkmann family on Route 1, Egg Harbor, and she goes back and forth to Sevastopol on the school bus with the Volkmann children. Denise in the seventh grade and Becky in the eighth are especially thrilled that she is their guest while she is in Door county.
Before coming here she was at Concordia college camp where she taught Spanish. Her stay here will be for a total of six weeks, after which she will go on to Chicago, Arkansas, Washington state and California. She will stay for six weeks in each of six locations while in this country.
She will be showing slides at the PTA meeting at Sevastopol this Thursday evening and speak on her country and her experiences.
She has many slides of Incas, hand made materials, festivals and other familiar scenes from her homeland in South America. She is from Piura, Peru, and has three brothers and three sisters. Her father has a tropical plantation and grows cotton and rice.
Luisa herself worked in a bank before coming here. She had been in this country three times prior to this year, but had only spent about a month each time on a vacation. In 1963 she went to Mexico for two months and then to the U.S. for one month.
It never snows in Peru, except in the mountains, and since it is very warm there, usually she finds our cool days something she will have to get used to.
She plans to return to Peru in June, 1969, although she may stay for another year if she likes. But already she is getting just a little lonesome and is anxious to see her family and friends again. She is grateful and thrilled to be here and says "It has given me an opportunity to learn many things."
She writes out a report every week of what she has done, both in her work as a Spanish aid teacher and in her off hours. She writes her impressions of our country and tells what she has been doing and with whom.
Last weekend she visited another teacher at Sevastopol, Mrs. Mona Orthober, and her family. Mrs. Nicholson, also Spanish speaking, was there from the University at Madison.
She is surprised at the youth of some of our bridegrooms and brides and said that in Peru they are about 24 before they feel they are ready to take on the responsibilities of marriage.
One of Luisa's friends in her home town of Piura is the present Miss World, Madeleine Hartog, a stunning, stately brunette. Luisa attended Madeleine's sister's wedding before she came here and Miss World was one of her sister's bridesmaids. Madeleine's sister was named the best secretary in Peru in 1965.
Miss World is crowned each November in London, England, and in November, 1968, Luisa will be able to watch her friend on television as she crowns the new Miss World and hands over her ermine trimmed cape and golden scepter.
Luisa and Miss World
When Luisa speaks to the PTA Thursday, she will also have some things from her country to show. Among these are lovely filigree jewelry In both silver and gold, intricately worked and beautifully designed.
Special families in Peru make certain types of jewelry only and they pass their skills and patterns on to their children and their children's children, keeping them always in the family.
She is the guest of the Lester Volkmanns who volunteered to have her and the family is taking her places around the county to see the scenery and meet different people. All the five children have enjoyed having her in their home. As Luisa said, "I will take my best 'remembers' from Egg Harbor." We can't ask more than that of any visitor.
https://archive.co.door.wi.us/jsp/RcWebImageViewer.jsp?doc_id=1e8fc801-90a4-4104-8e86-19a1ea0947dc/wsbd0000/20151119/00000914&pg_seq=6
Courtesy of the Door County Library Newspaper Archive
[There is also a photo titled "Miss World 1967-68, which is omitted due to possible copyright. It is in the Door County Newspaper Archive. Another similar photo of Madeleine Hartog Bell with sash and scepter is included in this article: https://elcomercio.pe/185-aniversario/1967-l-madeleine-hartog-es-elegida-miss-mundo-l-bicentenario-noticia/ ]
Other visitor profiles:
https://doorcounty.substack.com/t/visitor-profiles
Articles by Frances Badtke:
https://doorcounty.substack.com/t/frances-badtke
submitted by ThrowAway7s2 to DoorCountyALT [link] [comments]

2024.05.15 14:00 rfantasygolem /r/Fantasy Daily Recommendation Requests and Simple Questions Thread - May 15, 2024

This thread is to be used for recommendation requests or simple questions that are small/general enough that they won’t spark a full thread of discussion.
Check out Fantasy's 2024 Book Bingo Card here!
As usual, first have a look at the sidebar in case what you're after is there. The Fantasy wiki contains links to many community resources, including "best of" lists, flowcharts, the LGTBQ+ database, and more. If you need some help figuring out what you want, think about including some of the information below:
Be sure to check out responses to other users' requests in the thread, as you may find plenty of ideas there as well. Happy reading, and may your TBR grow ever higher!
As we are limited to only two stickied threads on Fantasy at any given point, we ask that you please upvote this thread to help increase visibility!
submitted by rfantasygolem to Fantasy [link] [comments]

2024.05.15 13:56 Sweet-Count2557 Best Family Resorts New England

Best Family Resorts New England
Best Family Resorts New England Welcome to our guide on the best family resorts in New England!Get ready to embark on a journey through the region, as we unveil incredible destinations for unforgettable family vacations.As fellow travelers and parents, we understand the importance of finding the perfect place that caters to everyone's needs.So, let's dive in and discover these amazing resorts together, where endless possibilities await.Let's make memories that will set us free!Key TakeawaysElk Lake Lodge offers a rustic and screen-free vacation experience with a crystal-clear lake and abundant flora and fauna.The Tyler Place Family Resort is an all-inclusive resort that caters to families with activities for children of all ages and developmentally appropriate programs.Rocking Horse Ranch Resort is an all-inclusive dude ranch-style resort with a supervised children's program and a wide range of activities for the whole family, including horseback riding.Woodloch Resort is a lakefront resort in the Poconos Mountains that offers activities for all ages and interests, with options for pampering treatments at The Lodge at Woodloch.Elk Lake Lodge (North Hudson, New YorkWe absolutely love Elk Lake Lodge in North Hudson, New York; it's a rustic Adirondack lodge on 12,000 acres of privately owned forest preserve. The lodge offers the perfect getaway for those seeking outdoor activities and forest exploration. As soon as you step foot onto the expansive property, you'll be surrounded by the beauty of nature.The crystal-clear lake is a haven for water enthusiasts, with free kayaks, canoes, and rowboats available for guests to use at their leisure.But it's not just the lake that makes Elk Lake Lodge special. The surrounding forest is teeming with abundant flora and fauna, providing endless opportunities for exploration. You can hike through the dense woods, keeping an eye out for deer, beaver, and even bald eagles. The lodge encourages guests to disconnect from technology during their stay, creating a screen-free environment that allows you to fully immerse yourself in the natural surroundings.Elk Lake Lodge operates seasonally from mid-May through mid-October, offering a unique experience depending on the time of year you visit. In the spring, you'll witness the forest come alive with vibrant colors and blooming flowers. Summer brings warm days perfect for swimming in the lake and picnicking under the shade of towering trees. And in the fall, the foliage transforms into a breathtaking display of reds, oranges, and yellows.If you're looking for a getaway that allows you to reconnect with nature and explore the beauty of the Adirondacks, Elk Lake Lodge is the perfect destination.The Tyler Place Family Resort (Highgate Springs, VermontAt The Tyler Place Family Resort in Highgate Springs, Vermont, families can expect a wide range of developmentally appropriate activities for children of all ages.From nature walks and lake swimming to lawn games, there's something for every child to enjoy.And while the kids are entertained, adults can unwind in a hammock, relax in a Jacuzzi, or join a yoga class, ensuring that everyone in the family has a chance to relax and have fun.Developmentally Appropriate ActivitiesOne of the family resorts, The Tyler Place, offers developmentally appropriate activities for children of all ages. At The Tyler Place, children have the opportunity to engage in nature exploration and participate in creative workshops.They can go on nature walks, exploring the lush greenery and discovering the wonders of the outdoors. Creative workshops allow them to express their artistic side, whether it's through painting, pottery, or even theater. These activities are designed to encourage children to learn and grow while having fun in a safe and inclusive environment.The Tyler Place understands the importance of providing activities that are suitable for each child's age and developmental stage, allowing them to explore their interests and talents. It's a place where children can truly be themselves and experience the freedom to discover and express their unique abilities.Accommodations for AllOur family enjoyed the spacious suites and cozy cottages at The Tyler Place, where accommodations cater to all guests. The resort amenities were outstanding, with something for everyone in the family to enjoy.For the kids, there were numerous family friendly activities to keep them entertained, from nature walks and lake swimming to lawn games and a children's program. Meanwhile, the adults could unwind in a hammock, Jacuzzi, or yoga class.The rooms were comfortable and well-appointed, providing a relaxing atmosphere for our stay. We appreciated the attention to detail and the thoughtfulness that went into creating a space that catered to the needs of families.Overall, The Tyler Place provided a perfect balance of relaxation and fun for our entire family.Relaxation Options for AdultsWe thoroughly enjoyed the variety of relaxation options available for adults at The Tyler Place Family Resort. From lounging in a hammock to indulging in a soothing Jacuzzi or joining a rejuvenating yoga class, there was something for everyone seeking a moment of tranquility.The resort also offered spa treatments for those looking for a little extra pampering. We loved the serene atmosphere of the adult-only areas, where we could unwind without any distractions. Whether it was sipping a refreshing drink by the pool or taking a leisurely stroll through the beautiful grounds, we felt a sense of freedom and calmness.The Tyler Place Family Resort truly understands the importance of providing adults with the opportunity to relax and rejuvenate in a peaceful environment.Rocking Horse Ranch Resort (Highland, New YorkRocking Horse Ranch Resort in Highland, New York is the perfect destination for families looking for a fun-filled and all-inclusive vacation.With over 100 resident horses, horse-crazy kids will have the time of their lives exploring the interlocking trails for walking, trotting, and cantering.But the fun doesn't stop there - the resort also offers a water park, nightly entertainment, and an arcade, ensuring that there's never a dull moment for the whole family.Horse Activities for KidsThe Rocking Horse Ranch Resort in Highland, New York offers more than 100 resident horses for horse-crazy kids to enjoy various horse activities. From horseback riding lessons to pony rides, there is something for every young equestrian enthusiast.At the resort, children can immerse themselves in the world of horses and experience the joy of riding and bonding with these majestic animals. The supervised children's program ensures a safe and fun environment for kids to learn and interact with the horses.To give you a glimpse of the incredible horse activities available at Rocking Horse Ranch Resort, here is a table highlighting some of the options:Horse ActivityDescriptionAge GroupHorseback RidingLearn proper riding techniques6 and upPony RidesGentle rides for younger kids2 to 5Trail RidesExplore scenic trails on horseback8 and upWith such a wide range of horse activities, kids can create lasting memories and develop a lifelong love for horses. So come and join us at Rocking Horse Ranch Resort, where freedom and adventure await you and your horse-crazy kids.Water Park and ArcadeLet's head over to the water park and arcade at Rocking Horse Ranch Resort and have a blast!This family-friendly water park is the perfect place to cool off and enjoy some thrilling water slides. With multiple pools and splash zones, there's something for everyone in the family to enjoy.The arcade is filled with exciting games and prizes, providing endless hours of amusement. From classic arcade games to state-of-the-art virtual reality experiences, there's no shortage of fun here.Whether you're racing against each other in the go-kart track or challenging each other to a game of air hockey, the arcade at Rocking Horse Ranch Resort is sure to keep the whole family entertained.All-Inclusive Family EntertainmentWe can explore all the options and decide on which activities to participate in during our stay at Rocking Horse Ranch Resort. This all-inclusive dude ranch-style resort in the foothills of the Shawangunk Mountains offers a wide range of family-friendly amenities and outdoor recreational activities. From horseback riding to water park fun, there is something for everyone to enjoy.To emphasize the variety of activities available, here is a table showcasing some of the options:ActivityDescriptionAge RangeHorseback RidingExplore the beautiful trails on one of the resort's 100 resident horsesAll AgesWater ParkSplash and slide your way through the resort's exciting water parkAll AgesNightly EntertainmentEnjoy live shows and performances every eveningAll AgesArcadePlay a variety of games in the resort's arcadeAll AgesSupervised Children's ProgramKids can participate in age-appropriate activities and make new friendsChildrenWhether you're a horse lover, a thrill seeker, or simply looking for some quality family time, Rocking Horse Ranch Resort has it all. Get ready for an unforgettable vacation filled with fun and adventure.Woodloch Resort (Hawley, PennsylvaniaAt Woodloch Resort in Hawley, Pennsylvania, we can enjoy activities for all ages and interests, such as a petting zoo, playground, go-karts, pools, and a lake for boating and swimming. Woodloch Resort is the perfect destination for outdoor enthusiasts looking for a fun-filled family vacation. Whether you're a nature lover or an adrenaline junkie, this resort has something for everyone.For those who love the great outdoors, Woodloch Resort offers a wide range of activities to explore the surrounding natural beauty. Take a hike through the lush forests, go fishing in the lake, or try your hand at archery. If you're feeling adventurous, hop on a bike and explore the scenic trails or challenge yourself on the ropes course.After a day of adventure, you can relax and unwind at one of the resort's family-friendly dining options. Enjoy a delicious meal at the main dining room, where you can indulge in a variety of dishes made with fresh, locally sourced ingredients. For a more casual dining experience, head to the snack bar or grab a quick bite at the poolside grill.At Woodloch Resort, freedom is the name of the game. With activities for outdoor enthusiasts and family-friendly dining options, this resort offers the perfect balance of adventure and relaxation. So pack your bags, gather your loved ones, and get ready for an unforgettable vacation at Woodloch Resort.Mohonk Mountain House (New Paltz, New YorkExploring the grand Victorian castle of Mohonk Mountain House in New Paltz, New York, and enjoying outdoor activities such as hiking, fishing, and horseback riding are top on our agenda. The Mohonk Mountain House is a breathtaking sight, with its imposing architecture and beautiful surroundings. Here are three reasons why this resort is a must-visit for those seeking outdoor adventure and Victorian charm:Outdoor Activities: Mohonk Mountain House offers a wide range of outdoor activities for all ages and interests. Whether you prefer hiking along the scenic trails, casting a line in the pristine lakes for some fishing, or taking a leisurely horseback ride through the meadows, there's something for everyone to enjoy. The resort also offers tennis and golf for those looking for additional recreational options.Victorian Charm: As we explore the Mohonk Mountain House, we're transported back in time to the Victorian era. The antique furnishings, stone fireplaces, and private balconies in the rooms add to the charm and elegance of this grand castle. Every corner of the resort exudes a sense of history and beauty, making it a truly unique and memorable experience.Hudson River Valley's Agricultural Bounty: One of the highlights of dining at Mohonk Mountain House is the emphasis on the Hudson River Valley's agricultural bounty. The menus feature locally sourced ingredients, showcasing the region's rich culinary heritage. From farm-fresh produce to artisanal cheeses and locally raised meats, guests can indulge in a true taste of the Hudson Valley.The Glen House (Gorham, New HampshireLocated in New Hampshire's Presidential mountains, The Glen House offers a panoramic deck where guests can relax and enjoy the stunning views. The mountain theme of the resort is evident in its spacious guest rooms, which reflect the natural beauty of the surrounding area.But it's not just the views that make The Glen House a great destination for families who love the outdoors. The resort is conveniently located next to the Great Glen Trails Outdoor Center, where families can explore a variety of hiking trails that wind through the picturesque mountains. And for those looking for a more thrilling adventure, the famous Mount Washington Auto Road is just a stone's throw away.After a day of exploring the mountains, guests can unwind in the lobby, which boasts floor-to-ceiling windows and a cozy stone fireplace. The resort also offers a fitness center, bike rentals, and an indoor saltwater pool for those who want to stay active.But the real highlight is the panoramic deck, where families can gather to watch the sunset over the mountains, creating memories that will last a lifetime.Kennebunkport, MaineWe can experience hands-on family activities like tie-dye workshops and ping pong at Hidden Pond Resort and Tree Spa in Kennebunkport, Maine. This charming resort offers a variety of family-friendly amenities that will make your vacation truly unforgettable.Here are three things you can look forward to at Hidden Pond Resort:Tie-Dye Workshops: Get creative and unleash your artistic side with tie-dye workshops offered at the resort. You and your family can create unique and colorful designs on t-shirts, towels, or any other fabric you choose. It's a fun and interactive activity that everyone can enjoy.Ping Pong: Challenge your family members to a friendly game of ping pong at Hidden Pond Resort. The resort provides all the equipment you need to get started, so grab your paddles and get ready for some friendly competition. It's a great way to bond with your loved ones and create lasting memories.Family Glamping: For a unique and adventurous experience, try out the family glamping option at Hidden Pond Resort. You can spend the night in a cozy tent on a private screened-in porch, complete with sleeping bags and lanterns. It's a chance to disconnect from the outside world and reconnect with nature while still enjoying the comforts of a luxurious resort.Frequently Asked QuestionsAre Pets Allowed at Elk Lake Lodge?Yes, pets are allowed at Elk Lake Lodge.Our rustic Adirondack lodge nestled on 12,000 acres of privately owned forest preserve welcomes furry friends.We offer pet-friendly accommodations and amenities to ensure a comfortable stay for both you and your four-legged companion.Explore the crystal-clear lake together, with free kayaks, canoes, and rowboats.Enjoy the abundant flora and fauna, including deer, beaver, and bald eagles.Experience a screen-free vacation where your pet can roam and unwind in nature.Is There Wi-Fi Available at the Tyler Place Family Resort?Yes, there's Wi-Fi available at the Tyler Place Family Resort.This all-inclusive resort offers a range of activities for the whole family, from newborns to high schoolers. While the children enjoy nature walks, lake swimming, and lawn games, adults can unwind in a hammock, Jacuzzi, or yoga class.The resort provides roomy suites or cozy cottages for accommodation.Additionally, if you're looking for nearby hiking trails, the Glen House, located in New Hampshire's Presidential mountains, is a great choice.What Is the Average Size of the Suites at Rocking Horse Ranch Resort?The suites at Rocking Horse Ranch Resort are spacious and comfortable, making it one of the best family resorts in New England.With a variety of suite sizes available, families can choose the option that best fits their needs. Whether you're looking for a cozy retreat or a larger space for the whole family, Rocking Horse Ranch Resort has you covered.Enjoy the resort's all-inclusive amenities and activities, knowing that you have a spacious suite to relax in at the end of the day.Can Guests Bring Their Own Boats to Woodloch Resort?Yes, guests can bring their own boats to Woodloch Resort. The resort offers boating facilities, including a lake where guests can enjoy boating and swimming.So, if you have your own boat and want to explore the beautiful lake, you're more than welcome to bring it along.It's a great opportunity to have the freedom to go out on the water and create unforgettable family memories.Are There Any Nearby Hiking Trails at the Glen House?Yes, there are nearby hiking trails at The Glen House.As outdoor enthusiasts, we love the variety of outdoor activities available at this resort.The hiking trails offer stunning views of the Presidential mountains and the surrounding natural beauty.Whether you're a beginner or an experienced hiker, there are trails suitable for all skill levels.ConclusionIn conclusion, the best family resorts in New England offer a diverse range of experiences for all ages.Whether you're seeking adventure in the great outdoors or relaxation by the lake, these resorts have it all.From the rustic charm of Elk Lake Lodge to the all-inclusive family fun at The Tyler Place Family Resort, there's something to suit every family's preferences.So pack your bags and get ready to make unforgettable memories at these incredible destinations!
submitted by Sweet-Count2557 to worldkidstravel [link] [comments]

2024.05.15 13:53 shaneka69 CANCER ZODIAC - UNEXPECTED INCOME! TAROT READING MAY 2024

CANCER ZODIAC TAROT READING - UNEXPECTED INCOME MAY 2024

https://www.youtube.com/watch?v=cJ5mIkLhCyY
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2024.05.15 13:26 Eli_Freeman_Author No, Ezra and Sabine would not be a "ship"

To clarify, I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.
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2024.05.15 13:21 IamBatuKaan Today I tried LoL Ultimate Coke

Hello friends, I am an 18-year-old League of Legends player. And I want to tell you an interesting experience, I'll tell you all in advance. I wish you a good reading. Surprisingly, one of the days One day while playing League of Legends again I alt-tabbed to change the song I opened on Spotify. But when I throw it, what do I see? In the Spotify commercial, I saw that the world's most famous cola company had released a new cola for League of Legends. literally shock I was like dead, the fat-clogged veins of my heart were beating loudly with excitement. My eyes are wide open It was opened. A new Lol coke. This was literally a new LoL coke. It sounded amazing, I've been waiting for this moment for years. I was born for this. I immediately started researching, tapping my greasy fingers on the keyboard. How does it taste? My questions such as where to sell, how to reach I answered. Unfortunately, it didn't give RP like it used to, but since I'm a Lillia main, I still had to buy this LoL-specific cola, even though it didn't give anything. I learned the place and time it was sold and prepared a plan. I was going to buy it from Walmart near my house and drink it. The plan was quite difficult; Very difficult steps such as stepping outside, walking and even communicating with the cashier It was hosting. But I had to. I set off immediately. As soon as I opened the door and went out, the sun It penetrated my skin and made a "ciss" sound. It's been years since I last went out for a Lol Coke. I had no problem with Sunshine. Oxygen felt quite strange. After a few difficult steps Finally I arrived at Migros. You go inside, avoid eye contact with everyone, and grab the cold drinks cabinet at the top. on it, I saw it. It was there... It was shining with gold, it was very majestic. my eyes It was dazzlingly beautiful. As soon as I hold it in my hand, I was the happiest person in the world now. As soon as I bought it, I ran to the cash register, I had the coke in one hand and the money in the other. I gave the money to the cashier, who easily took it through the cash register and gave it to me, and I quickly ran without taking my change. I started. This much social interaction is very hard on my body. It was too much. But it was worth it. I was at the exit now, with a LoL cola in my hand. I succeeded. I raised my hands and shouted: I did it! I DID IT! But then my social anxiety took over and I started shaking. When I stopped shaking, I opened the coke. Even her ccooosss voice was so beautiful, so charming. my mouth I placed it on the opening and started drinking. gulp first sip. But something was abnormal, it wasn't exactly a foreign taste to me. Gulp, second sip, I knew this taste, I could imagine it. gulp third sip. With every sip I take, in my brain Another missing piece of the puzzle fell into place. And before I was halfway through the box, my mind The puzzle was completed. It tasted exactly like the toes of Lillia's right hind hoof. That hairy, noble leg of his, hard, but beautiful hoof that softens as I split it with my tongue... The moment I realized this, my eyes started to spin. It's easy after a while! I realized that I stopped drinking and preferred coke. I was going crazy. As if he was licking Lillia's asshole, her face red with embarrassment, and her tail It was like she was caressing my face. When you say "don't do it, stop", you mean it She was whispering "fuck me all the way to my intestines" as if to my ear. I was becoming an unchained slave to my own passion, my libido. Lillia to fuck loudly My deep desire to be was overtaking my perception of reality. 100% of my brain was working to fuck this side gazelle creature. These thoughts slowly It took over my entire brain and I literally went crazy. Foaming from my mouth She was squirting, my eyes were seeing Lillia's gazelle pussy everywhere. Half cola in the box I stopped thrusting my tongue and forced my dick into the drink hole. Ahahaha! He was covered in blood, but the pleasure I felt was indescribable. As if I had no tomorrow I started to fuck the box. all over my dick It was peeling, my blood covered the entire outside of the box; Some of it had leaked in and mixed with the cola in the box. I could hear Lillia in my ear. She was neighing, "fuck me like there's no tomorrow, "Tear my ass to pieces, my love," he was moaning. I accelerated to satisfy my wife, your moans gigliks took their place. It was the best feeling in the world, I held his hind legs and wrapped his tail around my hand. She was rocking while he fucked her tight asshole In my dream world, She was screaming that I was her daddy. I ejaculated. When I spilled my sperm, which was a sign of my love for Lillia, into the box filled with coke and my blood, I was under the influence of the legendary pressure. The box exploded in my hand. And this love liquid inside was scattered all over the sky. It was pouring like rain. This blessed rain, which for some is the symbol of my lost sanity and for some is the symbol of my epic love for Lillia, is with me and everything around me. He was blessing humanity with his abundance. A lot, but a lot It was beautiful. I found absolute peace at that very moment. Until the day I die, from the real gazelle's pussy. I won't fuck anything else, Lillia. I promise you my love, I love you...
submitted by IamBatuKaan to leagueoflegends [link] [comments]

2024.05.15 13:19 Eli_Freeman_Author No, Ezra and Sabine would not be a "ship"

To clarify, I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.
submitted by Eli_Freeman_Author to MawInstallation [link] [comments]

2024.05.15 13:14 Eli_Freeman_Author No, Ezra and Sabine would not be a "ship"

This is my attempt at a re-submission due to some misunderstandings on the first attempt. I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.
submitted by Eli_Freeman_Author to fictionalpsychology [link] [comments]

2024.05.15 13:11 Eli_Freeman_Author No, Ezra and Sabine would not be a "ship"

This is my attempt at a re-submission due to some misunderstandings on the first attempt. I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.
submitted by Eli_Freeman_Author to StarWarsTheorySub [link] [comments]

2024.05.15 13:08 Eli_Freeman_Author No, Ezra and Sabine would not be a "ship"

This is my attempt at a re-submission due to some misunderstandings on the first attempt. I now know that there are different definitions of the word “ship”, but for the purposes of this article and to keep things simple I will use the definition of “a relationship that’s rushed and/or forced with no real development.” I hope you can understand as I do not know of any other single word to describe that concept. If you do, perhaps you can tell me. Also, fair warning, this is long form content (some 10 pages), if you like it but can’t read it all at once you can save it and come back to it over a period of time, or you can stop reading whenever you get tired of it and still discuss those parts of it with me that you have read. But keep it civil if you want a civil response.
With that, to qualify the title, no, Ezra and Sabine do NOT absolutely have to be a couple, but if they were to become one, it would NOT be a ship. Ezra and Sabine’s relationship has had years of development. Could they remain as simply friends? Yes, but ironically, it was their “friendship” that felt like more of a ship. It felt like the Ahsoka show, helmed by Dave Filoni, was going out of its way to tell us: “no, they’re not a couple, they’re just friends.”
I believe that Filoni made some very poor writing choices to stress something that didn’t really need to be stressed, such that it almost felt like he was in denial. The line “I love you like a sister” was never in Rebels, Filoni essentially had that retconned in, and like many I was put off by their (largely) emotionless reunion. Even if they were “just friends” I believe there would be a great deal more emotion displayed between two people that hadn’t seen each other in some ten years, especially when one of them was in a precarious situation when they parted. I also believe Ezra would be far more curious about Sabine being Force sensitive, perhaps even offering to help train her when she told him that her training hadn’t gone as well with Ahsoka. He did help to train her with the Darksaber, didn’t he? Why that never came up is another discussion, but for now, let’s focus on shipping.
In case you think I’m desperate to have them as a couple, no I’m not. I’m about the furthest thing from it. Like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers) I DESPISE shipping. Absolutely DESPISE it. With a flaming passion. Perhaps for this reason, and maybe some others, like many millennials and Gen-Z’ers (and perhaps some Gen-Xers and boomers), I’m generally wary of nearly all romance in fiction, and generally avoid it in my own work. The sad reality is that romance is perhaps the most abused genre in all of fiction, all throughout history. It has been so badly abused that many people, including myself for the longest time, have equated romance with shipping, though I’m slowly beginning to see that they are not the same thing, and one does not necessarily have to go with the other.
But sadly, many writers, through time immemorial, have not been able to separate them, going back into ancient times and perhaps even into pre-history, that is before languages were actually written down. Some of what is considered great literature; classics like Romeo and Juliet, are predicated on shipping, though at least the consequences of this “whirlwind romance” are shown to be fairly stark. Star Wars itself is no stranger to shipping, resulting in a very awkward incestuous kiss when Luke was shipped with Leia, then Leia was placed with Han and Lucas made Luke and Leia brother and sister, apparently having forgotten his original ship. Later Lucas essentially shipped Anakin and Padme, resulting in some of the most cringeworthy dialog in the history of film. Many fans of the Prequels even have been somewhat critical of Anakin’s portrayal, particularly in regards to the “romantic” scenes, with many describing them as “creepy”. Some have speculated that this was intentional, though personally I think it was just the result of bad writing on the part of George Lucas, and an impatience on his part for Anakin and Padme to become a couple, hence “shipping”.
One might wonder why this is so prevalent in fiction, and tragically, one does not have to look far. Fiction is merely a reflection of reality, therefore the reason that shipping is so common in our stories is that we fall so easily into it in real life. Indeed, entire cultures may be based around shipping, or at least very heavily wrapped up in it. Throughout history arranged marriages have been the norm, and the idea of marrying for “love” is something relatively new. To be fair, I’ve actually met people in arranged marriages who seemed to be fairly happy, but those same people were very open in telling me that many despise that aspect of their culture, and that it is quite normal for those in an arranged marriage to try to get out.
People might come together for “love” without marrying, but even then it often creates expectations that might turn into a burden. Even when a marriage is voluntary and for “love”, people are often left unsatisfied, such that today in the West the divorce rate is something like 50%. Happy, stable, long term relationships seem to be the exception across cultures and across the breadth and width of time. And yet pursuit of love and some kind of relationship seems to be the highest calling for many people, both in real life and in fiction. And it could be that the accumulated disgust is finally starting to boil over.
To be fair, this may not be the first time in history that the pendulum has shifted. You may recall that in Victorian times attitudes changed drastically, as compared to the previously bawdy Elizabethan times. Looking at a play from Shakespear, if you can understand the language, you’ll see all kinds of vulgar references, as well as what I believe are fairly sappy romances like in the aforementioned Romeo and Juliet, though I can’t say for certain whether Shakespear was actually endorsing that type of attitude towards “love” or presenting it as a cautionary tale, maybe even something to be ridiculed in some of his other plays.
But regardless, Victorians as you may well know had a very conservative attitude towards anything to do with romance, and would often avoid the subject in many places, or tread very carefully around it, as if walking on eggshells. It’s not that people stopped being romantic, in fiction or real life, but it was treated as something very serious and even dangerous, with many urges repressed or even suppressed entirely. This had all kinds of effects on society, both positive and negative. On the positive side, it reinforced the ideal of people being committed to their partners, and of marriage as a sacred institution rather than a “casual hookup” as was more common in Elizabethan times. Likewise it reinforced ideals of modesty and chastity, which may be coming back into vogue, though under different names. But just as there were positive aspects to these attitudes, so were there negative ones.
Just because the urges I described were repressed did not mean that they disappeared. In fact, they often morphed into things that many would consider “unhealthy”. From one statistic that I saw, in Victorian times about one in every 60 houses was a brothel, with the modern rate being closer to one in 6000. Additionally, the rights of women were often repressed, such that they could not fully express themselves and find their own identity, and path in life, as individuals. Just as Elizabethan ideals gave way to Victorian ones, so did the Victorian ideals gradually begin to erode.
Perhaps it began with the Jazz Age of the 1920’s (the “Roaring Twenties”), or with the increased interconnectivity of people traveling to different parts of the world during World War I, not to mention the cynicism that pervaded throughout the West in response to failed old ideals leading to the deadliest war in history up to that point, but many Victorian ideals began to be seen as a joke, and even resented for their “oppression”, which to be fair was not entirely unjustified. But regardless, people gradually, and at times not so gradually, became more and more “liberated” and promiscuous. This culminated in the Sexual Revolution in the late 1960’s, when what had previously been seen as a vice and even a sin was now seen as not only “normal” but as a healthy form of expression, a virtue even. And just as these ideas were embraced in real life, so too were they reflected in our films, TV shows, and other media, often to the consternation of older people and institutions, like the Vatican. The Catholic Church even went so far as to “ban” certain films, that is to declare them immoral for good Catholics to watch. Many of the films that were banned back then, or at least controversial, like The Graduate with Dustin Hoffman, are fairly tame by today’s standards.
It continued through the 70’s, at times warming and at times cooling through the rest of the century, until you could argue it reached a kind of crescendo in the early 21st century with the advent of so-called “dark romance” and the publication of books like Fifty Shades of Grey. (Ironically, many of the themes within this “dark romance” can trace their roots back to the Victorian era, yet another indication that repressing urges without addressing them often doesn’t work out as one might hope.) But as happens all too often, just as something reaches peak popularity is when it begins to go out of style, and that is what we may be experiencing right now. As weird as it may sound, we may actually have come full circle and may be on the cusp of a “New Victorian Age” (complete with “dark romance”, even). Web sites like Porn Hub and OnlyFans, as well as other similar sites, may be the new “brothels”, and what was once openly celebrated may be going underground, to an extent. The effects of this on society have been interesting to say the least, and at times I would even say bizarre.
Whilst many younger people seem content with these changes, many older people are concerned. I’ve seen a number of books, films, and other media receive positive reviews for example based specifically on their lack of romance. Many of these books/films, etc. fall into the “young adult” category, meaning that it is young adults obviously who mostly consume them. At the same time I’ve heard a number of older people, mostly boomers and Gen-Xers, criticize these same books/films for their lack of romance. Even some older millennials seem upset by the changes, as perhaps evidenced by Jennifer Lawrence’s latest film No Hard Feelings (though to be fair that film may be lampooning the older generation’s frustration as well as the younger generation’s frigidity). So just as in the past older people were concerned about the promiscuity of the youth, now it actually appears that many older people are concerned about the youth’s lack of promiscuity.
Who could have seen that coming? But to be fair, the younger generation hasn’t gone completely frigid. As stated earlier, much of the promiscuity has gone “underground”, or online, which many would argue is not very healthy as it might undermine actual relationships, whether they are romantic in nature or simple friendships. And speaking of that, friendships within stories nowadays often aren’t portrayed in a very authentic or compelling manner, perhaps because in ditching romance modern writers haven’t quite yet learned how to replace it with something else. In other words, the “New Victorian Age” may not be an exact repeat of the previous one, but may have its own twists and turns, for better and for worse.
This may all essentially be a manifestation of the Human Condition, in that we just can’t seem to find a happy medium, neither in real life nor in fiction. Thus we keep swinging from one extreme to the other, apparently getting wilder with each swing.
So where does all this leave us? What is it that we really want in our lives, and in our stories? Especially in regards to relationships? I think at some level we all want to see good and healthy relationships between people and/or characters, whether romantic or platonic. I believe at some point we would like to see good examples of both friendship and romance, and I would argue that the best examples of romance have them combined. Even a toxic relationship, if well portrayed or documented, can be instructive and serve as a good example of what to avoid in our lives that we might be happier and relate better to each other. A good relationship, by contrast, can give us something to aspire to and inspire us to not only look for the right kind of person to complement our lives, but to make ourselves worthy of that person. And here I’ll add that I’m perfectly aware that in real life (and thus in fiction) relationships can be very complicated and heavily nuanced, with elements of both “good” and “bad” in them. Just as people change over time so can the relationships between them change, at times getting better and at times worse, sometimes breaking entirely and sometimes growing stronger. Relationships can have just as many layers and dimensions as characters, more even perhaps, and a skilled writer should be able to reflect this complexity. At other times a relationship can be fairly straightforward, simplicity sometimes being the best approach. But regardless, the audience should be able to relate and identify with what they are seeing, such that hopefully they can incorporate the lessons from it in their own lives.
Where can we find good examples of relationships to study? There may be a number of them in the real world, but the trouble with studying real world relationships is that they’re often much more complicated than fictional ones (just as real people are more complicated than fictional characters), and for many of them it is almost impossible to know all the details and nuances because they are often kept private, understandably so, and even if they aren’t it can still be difficult, due to unique circumstances, to see how to relate them to our own lives. Additionally there may be far more disagreement about a real life situation than a fictional one, with many more points of view. To keep things simple, for the purpose of this article I would like to focus on fictional relationships. (And fair warning, there will be some spoilers.)
One of the best places to look, I would argue, would be the films of Hayao Miyazaki. (And this is pretty significant to Star Wars as you will see in a bit.) A film of his that stands out to me the most is Princess Mononoke. Like many of Miyazaki’s films it has elements of romance, and yet subverts them in a way that makes complete sense and feels very genuine, without taking away from any of the accompanying charm. It starts with two young people, San and Ashitaka, and as soon as they encounter each other there is a kind of expectation of romance. This may be inevitable to some degree when you have a man and a woman of about the same age encounter each other in a story, especially if they happen to be adolescents. The expectation may not be inherently bad, and Miyazaki does play with it. Both characters are thrust into dangerous situations, at various points end up saving each other’s lives, and at a certain point I think it is obvious that they have feelings for each other. I was certain that at the end of the film, they would be together, and if things had gone that way, it would make complete sense. Instead, they go in different directions, but remain good friends, and considering their backgrounds and differing worldviews, this ends up making even more sense to the story.
Essentially, Miyazaki could have gone for the more conventional, tried and true “love conquers all” narrative, where the characters’ feelings for each other would negate everything that comes between them, they would somehow find a common ground in spite of their differences, the romance would not only take over the narrative but somehow also solve all the problems in the story, and then the couple would live “happily ever after”. Such an approach is not inherently bad or wrong, and is fairly common in Western media and storytelling. We can see it in films like Fern Gully, and more recently James Cameron’s Avatar, both of which have been compared to Princess Mononoke. As you can probably guess, the problem is that at a certain point such a narrative can become fairly simplistic, and lack nuance.
Miyazaki’s films, by contrast, are very heavily nuanced, and are anything but simplistic. In Princess Mononoke the characters San and Ashitaka don’t help each other simply because they are “in love”, but because it is the right thing to do, regardless of how they might feel about each other. Yes, romantic feelings are certainly alluded to, but they are not essential to the plot, for it could have worked just as well without any romantic allusions. And ironically, this makes those allusions even more valid, even if they are unrequited. How so?
Consider that if love is essential to a given narrative, is it not relegated to being nothing more than a plot device? Again, this is quite common in Western media and storytelling, and is not inherently bad or wrong, but when it becomes a trope or cliche, I believe it is the essence of where shipping comes from. Many storytellers get caught up in this, usually without realizing it, and while a story can still work even with shipping, I believe that it usually works that much better without it.
This extends not only to Miyazaki’s handling of romance but also to other things like environmentalism, the conflict between man and nature, and the contrasting ideals of human progress vs. preserving the natural order. Movies like Fern Gully and Avatar, as already mentioned, handle these themes in a fairly simplistic and I would even say hamfisted manner, whereby all progress and technology is shown as being inherently “bad” and in service to “evil”, while everything that’s “natural” is shown to be inherently “good”. Even our notions of good and evil, and right vs. wrong, are challenged by Miyazaki, with nearly all of his characters having complex motives and multiple dimensions to them, as well as understandable reasons for doing the things that they do. Rarely can any one of his characters be branded as a simple “villain”, and rarely is any one individual the source of conflict in his stories, again in contrast to most Western narratives.
I’ll reiterate once more, a simple, straightforward narrative is not inherently a bad thing, whether the themes being dealt with are romantic or anything else. Sometimes it is in fact the best approach. But the best stories in my opinion are usually the most nuanced, that challenge our notions of what we believe to be true, and that force us to think about what we do with our lives and what we could do differently. To that end Miyazaki introduces all manner of themes and motifs within his films that are familiar to us but shows them in a light most of us might not have considered, thus giving more dimension to our understanding of things.
“How is any of this related to Star Wars?” you might ask. It is quite related, and you don’t even have to look all that closely to see it. A very influential figure within Star Wars was very heavily inspired by the works of Miyazaki, and that figure is Dave Filoni.
This video shows the connections in some detail:
https://youtu.be/Q_4L0BbSpHo?si=04jDo6qFCnZT135w
But to summarize if you’ve seen any of Miyazaki’s films, especially Princess Mononoke, I think the callbacks in Filoni’s work will be all too obvious, especially in Star Wars Rebels. Some of the scenes in Filoni’s work look like they were taken directly from Miyazki’s films, and many of the same themes and motifs often come up. The relationship between San and Ashitaka I would argue is very similar to the relationship between Ezra and Sabine, and not just because both couples rode wolves together.
Incidentally, Dave Filoni was also heavily involved in Avatar: The Last Airbender, which I would also argue was at least to some degree inspired if not by Miyazaki then by Japanese anime in general. The relationship between Aang and Katara was developed with great care and was allowed to build very slowly, as opposed to simply shipping them. Likewise other characters very gradually developed as individuals and in their relationships, at times stumbling as they did so, and making mistakes, before finding their way back to the right path.
All of this is in stark contrast to George Lucas, whose character development is often very rushed at best, and at times some might say almost non-existent. So essentially, even though Lucas has said that Filoni has been “like a son” to him, and I believe referred to Filoni as his “padawan”, I would argue that Filoni is ultimately as much a student of Miyazaki as he is of Lucas.
Again, you might ask, “What does all this mean for Star Wars?” It means a great many things. It means that Dave Filoni has taken Miyazaki’s lessons to heart, and can handle things like romance, as well as other kinds of relationships, quite well most of the time. Like Miyazaki he can play with romance, tease the audience with it at times even, leave the romance unrequited, and yet still have it feel satisfying. A prime example of this is the love triangle that Ahsoka was involved in with the young Separatist Senator, Lux Bonteri, and Steela Gerrera. As wary as I am of romance and as much as I despise shipping, love triangles I normally despise even more, but this one seemed to actually work. It never took over the main story, and even though Ahsoka’s feelings were ultimately not reciprocated, she still learned from the experience, and grew and developed further as a character because of it. The other characters involved in this triangle also grew and developed from their involvement, though unfortunately not all of them made it. All in all it was a good bit of storytelling and gave the audience something to consider.
When a relationship in one of Filoni’s stories does bloom into a full blown romance he also generally handles it quite well. For one Filoni is sparing with actual romance, so that when it does occur, it can be that much more appreciated. And rather than rushing or shipping it, Filoni normally takes his time to build it up. An example of this is the relationship between Kanan and Hera. Some might argue that this is perhaps the best developed romance in all of Star Wars, at least in Canon. Built up over four seasons, at times it wasn’t certain whether it was a romance or a friendship, or perhaps even a professional partnership. Perhaps even the characters themselves were not certain, though it was hinted all throughout the narrative that something was going on. To this day I don’t believe anyone can say definitively when it became an actual romance, and I believe Filoni did this intentionally because he wanted to be subtle, rather than making things too obvious and having the romance take over the narrative, as it usually does. When it finally did become obvious as to what was happening, it felt very much earned, in a way that is seldom accomplished in other works of fiction, including Star Wars.
The relationship between Ezra and Sabine was also fairly well written, for the most part anyway, at least in Star Wars Rebels. Ezra was almost immediately smitten with Sabine, but being a young teenage boy, it was understandable that he would feel that way about an attractive girl. Over time he learned to see her more respectfully, as a colleague and even as part of his adopted family, not just as a pretty face. Sabine for her part found Ezra annoying at first (c’mon, what teenage boy isn’t?), but as he matured and she found out more about him she came to understand and respect him more, and see him as a friend and almost a brother, with there being potential for something more.
There were times when the relationship could have been better written, like in the episode “Blood Sisters”, where Ezra was written to be a bit too immature to make Sabine look wiser. But overall, the bond between them developed fairly well; both saved one another at various times, and took risks and made sacrifices for each other’s sake. Both reassured and comforted the other when they needed it, and it was endearing to hear their banter when they became more familiar and trusting of each other.
So why then was I so disappointed in how they were portrayed in the Ahsoka show? The thing is, after how well their relationship was built up in Rebels, as I’ve already mentioned it was strange to see how lackluster and uninspired their reunion was.
Within the Ahsoka show itself Sabine was shown to be almost obsessed with finding Ezra, living in what used to be his home, watching a recording of him over and over again, and calling out his name as she woke up in the middle of the night. She even risked bringing Thrawn back into the Galaxy, which ultimately happened, just so she could see Ezra again. After all that, when she finally does encounter him, her reaction seems fairly casual, as does his, as if they’ve been apart for no more than a week, rather than 10 years. Not too much happens between them afterwards either. Like I said Ezra does not appear all that curious about what happened with Sabine, how she found him, and how it was that she was now Force sensitive. Sabine likewise did not seem curious about what had happened with Ezra, and how he had gotten away from Thrawn. And with Ezra rescued and returned home, suddenly it didn’t seem as though Sabine was all that interested in him anymore, nor he all that concerned with her, though they were just as far apart as they had been at the start of the show. To be completely honest it made me wonder what the point of the whole show was. Were they just working to set up Thrawn’s return to the Galaxy? As some have said, Ezra felt like nothing more than a Macguffin in the show. Was Sabine and Ahsoka’s search for him just a plot device?
Considering how skillfully Dave Filoni had written his stories in the past, what happened in this latest project of his does not make much sense. Was he so concerned about “shipping” and so desperate to avoid it that he inadvertently “shipped” them in the other direction? Was there some sort of external pressure on him about how to write this story to have more of an appeal to “modern audiences”? Maybe some combination of those factors?
And here I’ll add that when I say “modern audiences” I don’t mean that in a contemptuous sense, though you may think I do. If there is any contempt on my part it is for those in charge of telling our stories, or those in charge of those telling our stories, who do not seem to grasp these basic truths. The truth is that audiences at their core don’t really change throughout the ages, only superficially so. Trends come and go but certain truths and ideals are eternal, and universal. How people relate to each other fundamentally does not change, whether they are friends, or more than friends. And deep down, I believe everyone (or nearly everyone at least) wants the same things. Nearly everyone at some point wants some kind of a connection with another human being, to know that they are not alone in the world, and to know that there is someone else who sees and understands things as they do. While this desire can certainly lead to abuse, and absolutely has, it is still innate to us and is not inherently wrong. Finding ways of connecting and relating to other people is one of the great challenges of life, but many would argue it is the most worthwhile of challenges. It may be the whole point of life if you think about it. As complex as it may be, many would argue it is what makes life worth living, and likewise makes for the best stories. Just as it may be the whole point of life many would say that is what most stories are about at their core: people trying to relate to one another.
Sadly, just as in real life, most stories unfortunately don’t quite get it, and the Ahsoka show in my opinion was an example of this, made all the sadder by the fact that Dave Filoni had done quite well with these characters up to that point. We may never know for certain what exactly went wrong and why, or if it can ever be “fixed” at this point, but I can’t help but feel curious. Maybe in the future Filoni will find a way to make it make sense, but I’m not sure how. And to be completely honest I don’t feel quite as enthusiastic to find out as I used to.
Also for the record I would like to add here that there are other factors that put me off from the show, such as Sabine’s Force sensitivity, that came about without much build up. But in this article I specifically wanted to focus on shipping because there seems to be so much misunderstanding around it.
I hope that I was able to clarify some, if not most of this misunderstanding, so that people could better appreciate what shipping is, where it comes from, as well as what it isn’t. Many people today are understandably sick of shipping characters, myself included. But I hope people realize that in overcompensating for something, we often come back around into the very thing that we are overcompensating for. Or sometimes, into something even worse. This may apply to nearly every facet of life, by the way, not just shipping. Finding a happy medium in how we portray our fictional relationships may help us to better understand relationships in real life, as well as how to navigate them. Neither fictional nor actual relationships can ever be perfect but they can always be better. To this understanding then I hope that I was able to give my own modest contribution, and if nothing else I hope we can connect on that.
submitted by Eli_Freeman_Author to MauLer [link] [comments]

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submitted by TightAsF_ck to beermoneyuk [link] [comments]

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