* **Server Name**: Collapse of Mankind
* **Server Location**: United States
* **Server Address**: in progress(need more players)
* **Version**: 1.12.2
* **Discord**: https://discord.gg/UjFWkakVgg
**Description**
Collapse of Mankind is a modded modern war server that is based around 4 teams of 8-12 players attempting to gain supremacy over one another in the struggle for global dominion. Later, the server will become a factions based thing, where there is as many teams as the players would like, and solos/small teams could battle agains teams of up to 12 players! Are you strong enough to bring your team to the top, or will you tremble with fear whilst your enemies overthrow you in battle and take whats yours? Come prove yourself and show us what you can do. I hope that all members who join and participate in this server have a terrific time, make sure you invite your friends for an even better experience!
**Server guide**
When getting in the server I suggest you immediately go to #how-to-join and follow the guide there, it will help you get started with the server!
**Tips**
As this is for events currently, I reccomend you only focus on weaponry and fortifying your base. Tech is important, however you should do it as a small side project.
I also suggest that members of teams follow their leaders instructions and refrain from attempting to make their own goals, as being a team-player is important in a modpack based around being the best team on the server.
**Rules**
Server rules- Don't be racist, don't swear 20x per sentence, be respectful, dont spam, dont self advertise.
Minecraft rule list:
https://docs.google.com/document/d/1sSX5No5uV8LKxgXpaDx4bUIhvxvcSmNwVOujKy-n\_Fo/edit?usp=sharing
(It's kind of alot so i had to put it in a doc)
**Basic Modlist**
*Modern warfare cubed(guns, armor)
*HBM(Nukes, tech, bombs, missiles, doors and base things)
*Flans(planes, tanks)
*Immersive vehicles(helicopters and other various vehicles)
*security craft(cameras, secure chests, keycards)
*Voip(voice chat, thats not the offical name, i forgot it)
*ICBM(more missiles, mostly used in the factions server)
*iron chests(larger storage)
*iron furnaces(faster smelting)
*mekanism(more tech)

My players will be visiting Neverwinter this week for a low-stakes 'beach/shopping episode', and splitting up to look at the things of interest to them in the city. The necromancer PC, who has been chafing at the bit at the fact that they haven't yet acquired enough skeletons to animate, will go to the graveyard teeming with undead along with a DMPC. I plan to let them sneak in for a chance to get some extra-fun flavored skeletons I've stocked the place with, like centaurs, bone nagas and ankylosaurus - ones that will still have skeleton stat blocks once re-resurrected, but just look cool. (This PC lovingly decorates and cares about each of their skeletons.)
The general concept I came up with is that as the area is filled with undead, they can take down and nab *some* of them before the hordes descend, and then once they escape those, they have to scale the giant walls and avoid detection from the city guards. I plan to have most of this be rolls/theater of the mind, but I'm stumbling a bit on the undead hordes - namely whether to have an actual battle map that fills up with pieces, not to mention having them take down the undead that they plan to grab. It would be so much cooler if they had to choose between an undead horned cambion and an undead giant spider when they can only grab one safely.
On the one hand, the idea for this all is to be a fun and rewarding lite session after some very difficult (and unrewarding) battles the team went through and, most importantly, this is all happening to one PC. The last thing I want is to have an hour-long battle for one player while the others sleep at the table.
Buuuuut the second to last thing I want is for skeleton-nabbing from the forbidden graveyard to feel trivial and consequence-free. I think that there's some line I can walk between "roll to see if you get the kenku skeleton. Okay, roll to see if you avoid the skeletons next to it" and "someone hand me the second box of minis, this battle is about to go into its 15th round." How would you handle this?

Imo- I think the reunion did a lot more harm than good for some of them (christi, kendall, kalani, kira, and of course obviously jojo and jess even though they seem to do a lot of harm to their names without the reunion). but i think they may have went into it thinking it was going to gain them some popularity again but in reality people seem more over them now more than ever. No body wants to see them continuing to blame eachother and be shitty on tv. People like the unity between the girls and their moms , they like all the fun moments especially now. They should have went in that direction of them being a team/family/shared experiences instead of talking poorly about Melissa maddie and kenzie and leaving holly and nia out. Not saying they cant address the trauma they went through and talk about the experience( obviously its their story to tell)but could have been done without being mean to their teammates who were also traumatized and didnt want to rehash it.

 

• Have your RSI confirmed ►instruction◄, Paypal verified
• Post your purchase intent below
• Paypal fees included in prices

 
Standalone Special-Offer Ship

Name	Insurance	Price (USD)	CCU from
pack of 5 Ares Inferno	LTI	1010	pack of 5 Aopoa Nox LTI
Glaive	LTI	370	Dragonfly LTI
Polaris	LTI	750	Dragonfly LTI

 
Original-Concept Combo-Pack Ships/Vehicles

Name	Contents	Insurance	Melt (RSI)	Price (USD)
Caterpillar & Dragonfly Pack	Caterpillar, Dragonfly (Black & Yellow)	LTI	300	375
Endeavor Masterset 2018	10 Modules (2 Bio Dome)	LTI	1000	1250
X1 Three-Pack	X1 (Baseline, Velocity, Force)	LTI	130	170
Race Team Pack	X1, Dragonfly, Nox	LTI	115	150
Drake Dragonfly Ride Together Two-Pack	Dragonfly (Black, Yellow)	LTI	65	110
The Tortoise and the Hurricane	Hurricane, Terrapin	LTI	345	450
600i Series Combo Pack	600i (Touring & Exploration), G12, X1	LTI	835	1000
Air and Space Pack	Terrapin, Cyclone-AA	LTI	250	290
All-terrain Vehicle Mega Pack	Cyclone (Standard, AA, RN, RC, TR), Rover (Ursa, Lynx), Greycat PTV	LTI	405	500
Offroad Vehicle Pack	Cyclone TR, Ursa Rover, Greycat PTV	LTI	110	150
Tumbril Cyclone Pack	Cyclone (Standard, AA, RN, RC, TR)	LTI	255	320
Starfarer + Nox 2 Pack	Starfarer, Nox (Standard, Kue)	LTI	365	425
Top Secret Bomber Pack	Eclipse, Gladiator, Retaliator Bomber	LTI	670	770
Banu Combo Pack	Defender, Mechantman	LTI	515	615
Ground Vehicle Pack VIP	Dragonfly Yellow, Nox, X1, Ursa Rover, Cyclone, Nova Tank	LTI	320	420
Deluxe Ground Vehicle Pack	Dragonfly (Black, Yellow), Nox (Black, Kue), X1 (Standard, Velocity, Force), Ursa Rover, Cyclone (Standard, TR, RC, RN, AA), Nova Tank	LTI	725	850

 
Standalone Original-Concept Ships

Name	Insurance	Melt (RSI)	Price (USD)
Freelancer	LTI	110	150
Vulcan	LTI	200	240
X1 Velocity Edition	LTI	45	70
Hawk	LTI	90	115
Hammerhead	LTI	650	800
Polaris	LTI	750	900
Sabre Comet	LTI	185	225
Gladius Valiant	LTI	110	140
Hornet Wildfire	LTI	175	210
Avenger Titan Renegade	LTI	75	100
Origin 85X	LTI	50	75
Prowler	LTI	425	500
Esperia Vanduul Blade	LTI	250	315
Prospector	LTI	140	185
Buccaneer	LTI	110	150
Dragonfly (Black or Yellow)	LTI	35	65
Terrapin	LTI	195	250
Vanguard Hoplite	LTI	225	275
Razor	LTI	135	170
Hurricane	LTI	175	215
Banu Defender	LTI	185	230
Eclipse	LTI	275	340
Nox Kue	LTI	40	65
600i Luxury	LTI	400	475
600i Exploration	LTI	435	525

 
Standalone Original-Concept Vehicles

Name	Insurance	Melt (RSI)	Price (USD)
Cyclone	LTI	50	75
Cyclone-AA	LTI	70	95
Cyclone-RN	LTI	55	80
Cyclone-RC	LTI	55	80
Cyclone-TR	LTI	55	80
Nova Tank	LTI	105	130

 
Original-LTI Game Packages

Ship	Insurance	Games	Hangar	Starting	Melt (RSI)	Price (USD)
UEE Exploration Pack	LTI	SQ42 + SC	VFG Industrial	20,000 UEC	495	700
Exploration Mega Pack	LTI	SQ42 + SC	VFG Industrial	20,000 UEC	895	1100

 
Game Packages requiring referral code: ►STAR-TGVR-RMW9◄ +5,000 UEC bonus

Ship	Insurance	Games	Hangar	Starting	Melt (RSI)	Price (USD)
Aurora LN	3M	SQ42 + SC	SelfLand	1,000 UEC	45	65

 
Hangar Flairs Subscribers Exclusives

Name	Melt (RSI)	Price (USD)
Kastak Arms Custodian SMG Citizencon 2947 Edition	5	20
UEE Calendar	5	15
Stellarsonic Jukebox	5	15
Locker from Another Universe	5	15
Mr. Refinement's Cabinet	5	15
Patron of the Arts Award	5	15
Puglisi Collection Planet Artifact	5	15
Puglisi Collection Vanduul Scythe Armor	5	15
Puglisi Collection Vasli Fragment Stone	5	15
Puglisi Collection Kamposi Magnus Skull	5	15
Puglisi Collection AV8 Battle Armor Replica	5	15
Space Flower - Emperor Blossom	5	15
Space Cactus - Kavische	5	15
Space Plant - Ophelia Vine	5	15
Conner's Beard Moss	5	15
Opera Mushroom	5	15
Revenant Tree	5	15
"Tears of Fire" Painting	5	15
Hitbox Magazine	5	15
Icarus One Holographic Model	5	15
Takuetsu RSI Constellation Phoenix 2944	5	15
Takuetsu MISC Freelancer MIS 2944	5	15
Takuetsu Mini Reliant Kore	5	15
Takuetsu Mini Aegis Sabre	5	15
Takuetsu Mini Hornet F7C-R	5	15
Takuetsu Series Mustang Beta	5	15
Takuetsu Series Aurora ES	5	15
Takuetsu 350R Ship Model	5	15
Takuetsu Starfarer Model	5	15
Takuetsu Aegis Avenger Model	5	15
Takuetsu Khartu-Al Model	5	15
Takuetsu Aegis Gladius	5	15
Takuetsu Mustang Delta Model	5	15
Takuetsu Origin M50	5	15
Takuetsu Mustang Gamma	5	15
Takuetsu Golden Herald	5	15

 

Reason: I have seen a lot of inconsistent answers for each of these individual mashups, and I would like to finally get a straight answer (that isn't "whoever the author wants" which doesn't work anyway because all of these characters were written by teams of multiple people)
All versions used are composites from any official media e.g. books, comics, manga, manhua, video games, reboots and remakes, crossovers of a similar power level to their original property, tabletop RPGs, card games, television, movies, etc... nobody has access to vehicles, orbital weaponry, or any teammates.
For the Space Marine specifically, his composite excludes named characters, psykers, techmarines, as well as mutations and chapter relics as he is generic, and he can wear armor no larger than terminator.
All start 333 meters apart, with only gear they can wear or carry (they are not carrying their entire arsenal unless they already do), they do not have prior knowledge of one another.
Round 1 Win Condition: Survive the longest. (cannot leave the battlefield)
Round 2 Win Condition: Kill all other competitors.

/CFB Trivia Tuesday!

This Week's Contest: http://trivia.redditcfb.com

Spring Standings/Questions

Your Trivia Settings

Rules

Trivia Tuesday is a weekly feature run by bakonydraco, DampFrijoles, Davidellias, and iamnotacola. Each week there will be five questions ranging from questions most everyone can get to questions that might stump just about everyone. Your goal is to quickly answer them to the best of your ability. You get a one point speed bonus for finishing in under 2:30.
There are definitely still ways you could cheat the system, but please do not. This is meant to be a fun weekly feature, and we encourage you to take it at face value and answer the questions without assistance.

Last Week

Meta Week is back! This week’s set of questions will be very loosely linked to college football. Scores this week will not count toward the upcoming season, so no need to worry about getting some wrong.
It's hard to believe, but Trivia Tuesday is now entering its 34th season.
We at the Trivia Tuesday mod team remain thankful to you all for playing every week and keeping this fun and entertaining. It's an absolute pleasure, and we are excited for more.
Let’s have a great season!

Individual

Last Week

As is usually the case with the final, no user got a perfect score of 11 points. However, GoCardinal07 was the one and only user to ace all ten questions. In fact, they were the only user to get ten points.

Playoff

That 10-spot came in handy: GoCardinal07 is the Spring 2024 Trivia Tuesday Individual Champion! This is their second Trivia Tuesday championship, their first coming last year in the Summer season.
GrapeSodaFiend and whitedawg got the silver and bronze this season.
All three have earned the /CFB Top Scorer flair (/CFB Top Scorer) for finishing in the top three.
Some extra notes:

• ruwisc had the fastest average time among playoff participants, clocking in at an average of 32.05 seconds per week.
  
• In addition to winning the individual championship, GoCardinal07 also scored the most points on the season, with 65 points out of a possible 77 (84.4%).
  

Premier Tier

O-H! I-O! Ohio State is the Spring 2024 Premier Tier Champion! This is their fourth Premier Tier championship (Spring 2022, Summer 2023, Fall 2023). They have a bit of a dynasty going as they have won three of the last four Premier Tier championships. In addition, this win now has them standing alone for the second-most championships.
Leading the way for The Ohio State University in the final were BucksGuy, mcdsmaster8824, placid_salad, guttata, and Confusum.
Rounding out the finalists are Michigan State, Michigan, and Auburn.
Ohio State will get an alternate flair for their victory! Because the Buckeyes already have two alternate flairs Ohio State and Ohio State, this flair will not be permanent; they will only hold it as long as they are Trivia champions. Ohio State fans, please suggest options in the comments.

This Ain't the Same Ol' South Florida Championship Tier

Fight On! USC is the Spring 2024 This Ain't the Same Ol' South Florida Championship Tier Champion! This is the Trojans’ first Trivia Tuesday championship. Heading up the victory were MosesDoughty, Rakarei, MightyP13, and Honestly_.
Fresno State, Cincinnati, and Miami (OH) finished behind USC in that order.
With the victory, USC has earned naming rights to the Championship Tier for next season! Trojan fans, please suggest options in the comments.
Best of luck to all, and be safe!

Welcome to Loot++
A great DayZ server which has an active player base with both PvP and PvE players and daily events to suit both style of gameplay. A dedicated staff team which will assure everyone has a fair and enjoyable experience while apart of the community.
DayZ Server Name - Loot++ Discord Server Name - Loot++
🗺️ - Chernarus 🎮 - Xbox & controller only ⬆️ - Boosted loot 🇺🇸 - Active 70 slot EST server 24/7 Raids & PvP 🛢️- Custom oil rig POI & custom bunker <:LivoniaFlag:1074529411585556490> - Livonia towers across the map ⏲️ - Daily PvP & Non PvP events with various rewards Discord bot shop & casino Dedicated staff team
Join today & be apart of the best DayZ community out there!
https://discord.gg/lootplusplus

Its a Kakashi x reader story in wattpad
I dont remember the name of the author or story but it was in wattpad and it followed the same plot of the anime naruto. I remember that the main character was put in team 7 and he stayed waiting at the academy with Naruto Sakura and Sasuke waiting for Kakashi like in the anime. I also remember that in the first mission to protect the bridgebuilder, Kabuza kidnapped y/n and kissed her? In one part where she was injured, Kakashi carried her to the old man's house and there more or less the romance began and also in the fanfic the fight on the bridge with Kabuza and Haku appears, all following the anime only with Y/n included in a romance with kakashi. Please help me find it, I've been looking for it for years and I can't find it, it was my first fanfic and I would like to be able to read it again.

Previous Part
The first sound I heard that morning was foot steps outside my tepee.
“Get up! Shaoni wants you all in town.”
The gruff but familiar voice of my driver from three days ago shouted at me. It had to be some sick sense of humor on Shaoni’s part, sending this guy to come get me for things again and again. Honestly, even I was starting to feel bad for him. Bianca stabbed his friend I knocked him off that stage yesterday with one of the war clubs. I speak from experience when I say those things HURT.
“Alright alright, just give me a second to get dressed!”
I yelled back to the man as I rushed to get around inside. At least he had the common courtesy to stay outside. A minute or two later I stepped out to see everyone else gathered around the man. Brooke, Katrina, John, and Robert all stood there, just staring at me.
“Mornin’ sleeping beauty”
Robert finally said after what seemed like forever, nearly choking on laugher at his own joke.
“I thought you were never going to wake up. Did you not hear Shaoni last night? We were supposed to be up 6 sharp.”
He explained after his laughing fit. Apparently I had missed that bit of Shaoni’s whole presentation last night. Katrina grabbed a pair of keys out of her pocket and started walking away.
“Come on, we’ve got to get into town and finish this whole thing.”
She called back to us just a little too eagerly.
“She’s letting us drive? I thought she didn’t want us heading back to town without some kind of supervision.”
I questioned as we all walked toward the same beat up red pickup that had brought me here.
“I guess she decided to make an exception.”
Katrina replied, not even bothering to look at me.
“Besides I don’t think running is much of an option at this point.”
She continued, pointing up towards the sky. A storm was brewing there, a killer one by the looks of it. The odd thing was it didn’t seem to want to break, it was just stuck in that state right before it starts raining cats and dogs. The dark, angry clouds tapered off in the sky the further they got from town, Shaoni’s doing, it had to be.
The five of us would just about fit in the truck, not comfortably but we would fit.
“Oh hell no! I’m not dealing with you up here!”
“Why not?! You know you love it.”
Brooke and Katrina argued as he tried to take the passenger seat next to her.
“No you go in the back or I’m driving us straight into a tree, I can’t put up with you anymore.”
Katrina yelled at Brooke, tensing up and getting ready for a fight.
“Would you guys just knock it off! Just sit in the back Brooke, I’ll take the passenger seat.”
I scolded both of them, I was done with their little arguments, it was starting to get under my skin. An evil grin crossed Brooke’s face as he turned to me
“What’s up with you two? You’ve been all buddy buddy with him since we all beat the shit out of each other with wooden sticks. He didn’t get to you first did he? Hmmmm?”
Brooke prodded with a wink.
Katrina Immediately punched him in the face before I even had a chance to respond.
“Ey that’s a good right hook! Give em’ another one, come on come on!”
A heavily accented voice cut in from below my feet. Rocco had managed to slip in without any of us noticing. When Brooke lay eyes on him he just about jumped straight into the truck bed. Apparently whatever Rocco did to him yesterday had left quite the impression.
“I’m not even gonna ask, just shut up and take a seat.”
Katrina told Rocco, slamming her door shut as I took a seat next to her and Rocco hopped in the back. Robert and John pretty much made themselves flat to their doors as Rocco took a seat in between them in the back. Brooke rode in the bed, shooting nervous glances at Rocco every now and then.
Katrina drove like a bat out of hell through the woods and back into town. I’m not sure if she was in that much of a hurry to get all this over with or if she just hoped her crazy driving would throw Brooke overboard. Given where we were headed and how close we would probably be to Bianca, I can’t say I wasn’t hoping the same thing.
We pulled into the parking lot of the Save-A-Lot I’d gotten groceries from my first day here. The storm over head was raging but oddly enough It still wasn’t raining or anything like that. The wind was picking up and the sky looked absolutely sinister but other than that everything seemed fine in the town.
Before Katrina’s combat boots had even touched the ground she was already giving orders.
“Alright listen up, We’re working as a team this time wether you all like it or not. I want us to split up and see what we can find. Anything out of place, anything that seems suspicious, I want you to make a note of it. We have to figure out who the victim is going to be and who’s doing the killing. We have nothing to go on either so nothing is to small here. Lets all take a look around town and meet back here in two hours. That’s two hours sharp Keith!”
Katrina barked, taking charge of the situation and leveling one quick jab at me before turning on her heels and heading out into the town.
As everyone else hurried off in different directions I took a second to think. If I was looking for someone where would I go? Where in town would I most likely go no matter what? That line of thought is what led me to the front door of the Eagle’s Roost. Cliche I know, but a bar was a good a place as any to start, even if it was 8 in the morning. Maybe someone new had stopped by and Tuck would know something about it.
The door was unlocked as usual so I let myself in, if Tuck didn’t want guests I’m sure he’d lock it.
“Hey, Tuck? You in here?”
I called into the bar as I noticed the usually roaring stone fireplace had fallen silent.
“Tuck’s not here right now sweet heart, but I can take a message if you’d give me a moment.”
“Oh, ok take your time then.”
I answered before realizing the motherly southern voice couldn’t possibly belong to Tuck.
“Wait who are you?!”
I chirped as I rushed up to the bar and peered back into the kitchen where Tuck usually was. In his place was a dark skinned woman that looked a little older than Tuck. She wore a pink checkered shirt under an apron that read, “Kiss the cook”.
“My, I haven’t seen you around. I’m Richelle, Tucker’s wife.”
She answered. Her southern accent was smooth and calm. The exact opposite of Tuck’s brutal hillbilly speak that he tried to hide.
“Did he not mention me? He doesn’t like to introduce me to the new comers, always worrying about me that one.”
“No, I think he mentioned you helped keep this place running when I first met him.”
“He must like you then, most people round here don’t even know he’s married. Anyways what can I help you with sugar?”
Her motherly voice did wonders for my stress. I could see why Tuck married her, with just a few words I’m sure she could set anyone at ease.
“I was wondering if anyone new came into town or passed through here. Maybe someone out of place, something like that? Oh, and where’s Tuck?”
“Well I can help with both those things. There was a man here, got off a bus last night all alone and came right in. I don’t know what it was but I just had a bad feeling about him, made me shiver.”
She gave a little shiver at that, to demonstrate I guess?
“As for Tuck he’s been staying with those scientists and…. and I wasn’t supposed to tell anyone that.”
She explained, a look of embarrassment crossing her face as she finished.
Before I had a chance to respond I heard the door slam open behind me. I swore I heard someone shriek my name. All I saw before someone knocked me over the stool I’d been standing next to was a blur of black hair flying toward me, and bright glowing blue eyes.
Bianca wrapped me in a bear hug on the floor.
“What happened to you, are you hurt, how are you back!?”
She fired questions at me as fast as she could.
“Bianca, crushing my… can you just, ease up a bit.”
I pleaded as she squeezed me harder than a boa constrictor.
“Sorry! I just didn’t think I’d see you…”
She squeaked, trailing off suddenly. A single tear making its way down her face as she blushed slightly and released me. In that moment I realized Bianca, who had stabbed a guy not to long ago for grabbing her hand, just bear hugged me. I’m not sure what I felt about that but at the moment, I was just happy to see her and even happier that she was happy to see me.
“Shaoni let us back into town for the last of the trials. We’re supposed to stop a murder in town.”
“A murder?! Is that what you were asking about? Is that man a murderer? My, what is going on in this town.”
Richelle shrieked, reminding Bianca and I that we weren’t alone in here. I felt the hot blood rush to my face as I looked up to see Bianca blushing as well, even redder than before.
“So, did you end up finding anything out about Shaoni?”
I asked Bianca as we took a seat at the bar, getting straight down to business as Richelle started stress cleaning in the kitchen.
I was a bit surprised by what she said. I never expected Shaoni to be THE Thunderbird or a descendent of them. I was still trying to wrap my head around the whole thing.
“So she went into hiding here then? That cave we stumbled into that was connected to the mines. Was that her… nest?”
I thought out loud, hoping Bianca would have some kind of answer.
“I guess, that’s what Frank and Stein have been calling it too. Speaking of Frank and Stein we should probably go see them. We were planning to break you out today, guess we were a little late on that huh.”
Bianca said, getting up from her seat at the bar. I’m not sure reuniting with Frank, Stein, and the rest of them was the best idea. At the moment I didn’t have a whole lot of other options though. I got up and followed Bianca out the door, heading back to her house to call off their rescue mission.
“Good luck darlin’!”
Richelle called after us, I felt sure we could use all the luck we could get.
“How the hell’d ya get back here son?!”
Tuck asked as soon as Bianca and I walked through the front door. Rocco had already found his way back and had apparently been filling everyone in on what had been happening. Stein was unloading some sort of pistol with a long thin barrel on the kitchen table.
“I’m glad I won’t have to use this at least. It’s been… many years since I’ve had to take this out of storage.”
Stein explained to no one in particular while staring at the gun. No doubt it brought back memories of his time with the German military. Frank walked out of the basement at that moment and nodded to me.
“Glad to have you back Keith.”
He said, clapping a hand on my shoulder.
“It’s great to see you all but I can’t stay too long, I’ve got to go back.”
“WHAT?!”
Everyone yelled in unison, even Rocco.
“It’s the last trial and Shaoni is overseeing it personally. You see that storm outside? That’s all her, if I don’t go back she’ll know and I’m sure there will be consequences. Besides Brooke is here too, I don’t want to give him any reason to go looking for me and bump into Bianca.”
I explained to everyone, not enough to wipe the shock off all their faces but at least Stein seemed to understand. Just the mention of Brookes name made Bianca freeze up. Only for a second but I could see this tension pass over her whole body and her eyes suddenly glowed blue and widened with fear. I was paying so much attention to how she’d react to that name that I almost didn’t feel her reach out and squeeze my hand from her place at my side. She sighed quietly before her eyes returned to normal but she still kept my hand in hers.
“You can’t go back! We only just got you back!”
Bianca protested, but my mind was made up.
“I need to see this through and besides someone’s life is at stake. I should try and stop that at least.”
Bianca couldn’t argue with that, neither could anyone else. I could tell Tuck and her wanted to but they didn’t. All Tuck did was quietly nod his head and grunt. I could tell Bianca was running through every possible argument in her head to try and make me stay but wasn’t coming up with anything. Bianca let go of my hand and asked,
“Can I at least come with you? To help stop the murder I mean.”
She looked into my eyes like a puppy, begging me to say yes.
In any normal circumstance I would’ve given in immediately to that, especially coming from someone who looked like her. This time though, I just couldn’t. I couldn’t take the chance that Brooke would see her and something bad would happen.
“You can’t Bianca, I don’t want anything happening to you especially with… him out there. I think Shaoni offered to help him find you if he showed up for these trials or something like that. Either way I’m pretty sure he’s here for you.”
I told her as gently as I could. I could see her recoil at the idea that Brooke might be here just for her. She was scared, maybe more scared than she’d ever been that there was even a small chance of Brooke getting his hands on her again.
“I… no, no your right.”
I didn’t expect her to give in so easily but it was a welcome surprise.
“I hope you know what yer doin son.”
Tuck told me as I got ready to head back out. Frank and Stein cornered me before I could leave as well.
“Take this.”
Frank said, thrusting what looked like a jury rigged walkie talkie into my hands.
“If you need anything call us on that. We’ll help however we can, and don’t expect us to sit around quietly when you go back. We fully intend get you out still, no reason to let a perfectly good plan go to waste.”
I thanked them for the walkie talkie. I was glad they were still looking out for me even if I doubted they could do much against whatever was to come, it was good to have people in your corner. Bianca was waiting for me when I got to the door.
“At least I get to say goodbye this time.”
She said with a little smirk. She’d been acting different since I got back, much more… personable?
“Yeah I guess so. What’s been up with you? You’ve been acting… different.”
I asked her, a little nervous for some reason.
“You helped me… a lot actually. Your the first person who’s really cared about me in years.”
“That’s not true, look at Frank and Stein.”
I responded, missing the point of what she was saying.
“No, not like that. I mean your a friend, a good friend… no that’s not, ugh.”
She said, shaking her head and looking a little embarrassed. Then she did something I really didn’t expect, she leaned over and kissed me.
“Just… make sure you come back ok? For me.”
She added as she pushed me out the door, starting to turn lobster red. My head was spinning but there was a bug dumb smile on my face, I’m sure of that. Filled with all the confidence that brought me, I headed back to the Save-A-Lot to see what everyone else had turned up on the impending murder.
As I walked back lighting began to crack across the sky. The lightning took all kinds of unnatural shapes. I swore one time it almost looked like a pair of eyes, watching me from the sky.
“Alright everyone, I want reports!”
Katrina shouted like a drill instructor, bring the group of us gathered around the hood of the truck to attention.
“The elderly cashier inside, she was… disquieted. More so than I would expect of someone in this strange town.”
John spoke, saying the first words I’d ever heard from him in a wise sage-like voice.
“I looked around for some kinda police station but this shit hole town doesn’t have one. How the hell am I supposed to report a murder if there’s no police!”
Brooke complained to the crowd.
“So, you accomplished absolutely nothing, I kinda figured that.”
Katrina scoffed at him.
“Yeah there hasn’t been a police station here as long as I remember. We never needed one, everyone either moved on to fast or stuck around and just wanted to be left alone, never caused any problems. Still, it’s a little strange come to think of it, would’ve figured the government would make us have some kind of police.”
Robert informed us before giving his own report.
“I looked around a bit myself, didn’t come across much on account of there not being all that many people to talk to in this town. Those old scientist types in the big white house never answered the door when I knocked and I couldn’t find their daughter.”
To my horror Brooke’s eyes lit up and he was suddenly razor focused on what Robert had to say.
“I did see some guy I’d never seen in town before walking around. Didn’t want to talk much though, he just turned around and walked the other way as soon as he caught sight of me.”
Robert finished with a shrug. Brooke seemed less interested after he heard nothing else about the daughter Robert mentioned. Did he know Robert was taking about Bianca?
“Wait that strange guy, was he wearing an old hat? Some kind of bowler I think, looked really out of place.”
Katrina asked suddenly, her eyes lighting up.
“Yeah now that you mention it I think he did.”
Robert answered after thinking for a second.
“Damn it! He saw me and ran when I was searching around town myself. So next order of business we find that guy. Keith! Did you see anything else?”
Katrina asked, whirling around to face me.
“I stopped by the bar and the bartender there told me someone new came into town a few days ago. Apparently she had a bad feeling about him. Maybe its the same guy you two saw?”
I proposed, pointing to Robert and Katrina. Katrina paced around for a bit, thinking I guess. She finally came to a rest again at the front of the truck, apparently she’d come up with another plan.
“Alright, I want that guy in the bowler hat found so we’re breaking into teams of two.”
“Uh, isn’t there five of us, that won’t work.”
Brooke interjected, earning him a look of pure murder from Katrina.
“Keep that up and I’ll find that raccoon, you can pair up with him!”
She yelled completely over Brooke’s attitude.
“I’ll go alone, Robert, John, you two are together same with you Keith and asshole.”
“I have a name you know!”
Brooke complained, getting yet another look from Katrina. If he kept that up I had a pretty good idea of exactly who the murderer and victim would be.
“Alright alright Jesus lady cool your jets!”
He said, putting his hands up in surrender as Katrina took a threatening step towards him.
A few minutes later Brooke and I had broken off from the other three having all agreed to meet up back at the truck in another hour. Brooke had insisted we go to the bar and search for the guy but I had a feeling there was more to it than that. He proved me right when he ducked into an alley and pushed me up against the side of a building right on main street. Usually that would be instantly seen by someone but here wasn’t like anywhere else. There was no one around to help me out or even see what was going on.
“I know we’re supposed to be looking for a murderer but I’ve got other things in mind. That daughter Robert was talking about, you know something about her don’t you.”
Brooke questioned with a growl, arm against my throat holding me uncomfortably tight against the building.
“Daughter? What are you talking about?”
I choked out, deciding to play dumb. He didn’t like this to much and pushed me even harder against the wall.
“That raccoon mentioned her name the other day when the fuckin thing attacked me and it seems pretty buddy buddy with you! Bianca! ring any bells!”
I felt my face grow red at the mention of her name as I thought back to the way she kissed me at the door. That reaction betrayed me and the beginnings of a twisted smile appeared in Brooke’s eyes.
“Oh yeah, you know her don’t you? Know what she can do to I bet. Did she tell you about me, how she threw away everything I could’ve given her.”
He hissed at me, venom dripping off every word.
“At first I didn’t care but then I heard stories of this whore who could wrap you around her finger like nothing else. She’d do whatever you wanted but you’d also pay whatever she asked, do whatever she asked. Imagine my surprise when I started looking into it and it turned out to be my little escaped bird.”
Brooke continued, grinning like a mad man. He was obsessed with her, it didn’t take a genius to see that. But I was in no position to argue with him, I could barley speak with the pressure on my neck from his arm.
“They called her a succubus, the crazy ones at least. Turns out they were right though, there was something off about her from the first day I met her but I had no idea she was something exotic like that. See I make a habit of collecting things, rare things, and she’s the rarest I’ve ever been able to find. I was so close to having her at one point but she just had to break away. When I met Shaoni late one night researching the supernatural she agreed to look into her for me on one condition. I agree to show up in this town in the ass end of nowhere and participate in some trials for her. Easiest deal I ever made, now I’m this close to getting my hands on her again. Imagine what she could do for me, what I could get with her powers.”
Brooke finished his monologue, finally letting me go.
“Now you’re going to show me where she is and I’m going to get the hell out of here. Get going!”
He shouted at me, drawing a pocket knife from his white suit jacket.
My first reaction was to look around and search for a way out. I couldn’t fight him, that was clear. I really didn’t want to get stabbed either. My eyes darted around trying to find anything that could get me out of this. Then I found exactly what I was looking for on the other side of the street.
Katrina had found the man in the bowler and he was running back toward the Save-A-Lot like Usain Bolt himself.
“Katrina, HELP!”
Brooke whipped his head around, trying to catch sight of her before she did anything. Katrina wasted no time though. She took one look at him, pulled the gun from its holster on her waist, and fired. The crack of the bullet made me run on pure instinct and Brooke dropped to the ground. It hadn’t hit him unfortunately, but it had bought me enough time to run.
“Argh that bitch! I’ll find her myself!”
Brooke shouted before getting back to his feet and running the other direction. The guy Katrina had been chasing used the distraction to make some distance on her. He was nearly to the corner that turned towards the Save-A-Lot. I took off after him as Katrina did the same, ripping the walkie talkie from my pocket as I ran.
“Stein get Bianca out of there! Head out to the mine, maybe there aren’t to many people there now, just get her out of town! Brooke is here and he’s looking for her I’ll meet you once this is all over ok.”
I think Stein said something back but I didn’t catch it. The adrenaline spike of getting shot at and chasing this guy who was likely a soon to be murderer made it hard to hear.
We weren’t as fast as we hoped but we were just fast enough to see the consequences of that. As Katrina and I got into the parking lot the guy was already inside, pointing a gun of his own at the elderly cashier that gave me a hard time about my ID. I made out the movements of her lips just before he pulled the trigger. It looked like she said “Oh, you’re the one she sent then.” Just before he killed her.
I stopped dead when I saw the body drop, I’d never seen someone die before. In Imalone people had died but I’d been knocked out for most of it. Seeing it up close though, it made my stomach drop. I fell to my knees and threw up on the spot, the blood, god the blood splatter behind her it was horrible.
Katrina didn’t stop after the shot, if anything she charged in even faster. The gun was still in her hand and she held it up in front of her, using the weight of the gun to smash through the glass doors with the bottom of the grip. The shards of glass rained down on the murderer who surprisingly, seemed just as stunned as I was by the corpse. Katrina dropped her shoulder and charged into him, hitting him so hard they both fell to the ground. She was back on her feet quick as lighting, flipping the guy over onto his front and putting a knee on his back in between his shoulder blades. Katrina locked his arm behind his back and said something I couldn’t hear. At that point I kinda spaced out. The only other thing I remember before getting in the truck was Katrina leading the man out of the store with his hands zip tied behind him. The few people who were in the store had come out and were starting to pick over the scene as we shot out onto the road back to the mine.
I noticed one of us was missing when we came to a stop.
“Where’s Brooke?”
“I wasn’t waiting for him, not after whatever he pulled in town. He can find his own way back.”
Katrina answered me while pushing the man she’d apprehended out of the truck and toward the entrance to the mine.
“Are you doing ok? You looked a little white on the way out here, like you saw a ghost.”
Robert asked me as we got out and followed behind Katrina.
“Sure sure I just… never saw someone die like that you know.”
I said, never so sure that I wasn’t ok. Robert gave me a knowing nod as we made our way down to the coliseum.
Shaoni and Katrina were waiting for us already. Brooke was there too, beaten and bloody against the wall. It looked like someone had dragged him back here against his will, probably Shaoni if I had to guess.
“I can’t say I’m pleased with what went on in town but in the end you did discover the murderer, even if it was too late. Now it’s time for the second part of this trial. I want to hear your judgements, what should this man’s punishment be?”
Shaoni greeted us, ignoring everything that had gone on before like it didn’t even matter. Something about that made my blood boil.
“Katrina, you first. What should this man’s punishment be?”
“P please.. you said.”
The man muttered before Shaoni slapped him hard across the face.
“You will be silent!”
She ordered, the room suddenly becoming electric with her temper. Katrina stepped up in front of Shaoni and gave her judgment.
“He took a life, he should be killed as well. It’s the only way to be sure he doesn’t do something like that again.”
Shaoni nodded at that and pointed to me.
“You next Keith, what should we do with him?”
I was filled with a rage I’d never felt before as I looked at the whole situation. Shaoni was meant to be a spirt of justice, or so I thought. Yet she let that woman die. Worse still, after what the woman said I believed Shaoni may have arranged the whole thing, murderer, victim, and all. That’s not justice, that’s playing god, using her power and influence to mess with people like pieces on a chessboard and for what? Just so she could “test” a few people who’d caught her eye?
“You deserve punishment Shaoni. That man is innocent, you put him up to it didn’t you? Him, the victim, all of it! It’s all just some kind of game to you isn’t it?! You keep claiming you represent justice but from what I’ve heard you’ve had a problem with that. This is something else though, where is the justice in this Shaoni, where! I don’t pretend to know what you’ve been through over the years Justice, but this isn’t right. If it was up to me this man should be let go so he doesn’t have you whispering in his ear and you should go back to sleep like you had been years ago.”
I shouted at her, not caring what she would do to me. It felt good though, to finally let her have it, especially after all she’d put me through.
I learned Shaoni’s real name from Bianca but hearing it seemed to make her shrink. The second I said it I had her full attention.
“No! You don’t understand Keith! These people were terrible, guilty of their own crimes. I found them both and offered them a deal. Submit to my judgment or do something for me and face the judgment of another. They got their punishments, I’m no monster!”
She roared back, the beginning of tears brimming in her eyes.
“Guilty or not you used them like pawns Justice! None of this is right, there’s no justice in it, no right and wrong. It’s just a game to you! Don’t you see this is wrong!”
I yelled at her again.
“DON’T YOU USE THAT NAME!”
She thundered back.
“Would you prefer Vengeance?!”
I added, shattering her.
The mention of that name brought Shaoni to tears and she lost her temper. She threw her hand out toward the man still zip tied on the ground in an act of anger. The tattoos on her arms glowed with a blue, ghostly light. The energy grew until a bolt of lightning arced from the tattoos, filling the room with the scent of ozone. The bolt hit the man in the head, searing the skin of his face black in an instant as his body went still.
“You don’t understand, all those years, all those mistakes. Do you know what that…!”
Shaoni started to scream to me again, but she was cut off by the sound of vehicles above us and the cracks of gunfire.
I looked around in surprise, still in shock after the brutal death of the murderer in front of me. I saw Katrina holding her own walkie talkie and smiling.
“Looks like my ride is here, time to end this little charade. Keith, I’d suggest running if I where you. Shaoni, I’d say its been fun but you’re the whole reason they sent me out here in the first place. You’ve been way too much trouble but for what its worth, good luck.”
Katrina hissed at the two of us. Robert, John, and I were stunned, even Shaoni herself seemed shocked back to reality by whatever was happening. With her piece said, Katrina turned and walked out of the mine, towards the growing sounds of shouting and gunfire coming from outside.

Taken from: https://www.theringer.com/movies/2024/5/21/24161120/greatest-movie-car-chase-scenes-ranked-furiosa-mad-max-saga
In honor of the imminent ‘Furiosa: A Mad Max Saga,’ we’re shifting into high gear to determine the best chase scene in cinema history
By Miles Surrey May 21, 2024, 6:30am EDTGetty Images/Ringer illustration
After wowing audiences with Mad Max: Fury Road, director George Miller returns to the franchise’s post-apocalyptic wastelands for Furiosa, the epic origin story of the eponymous heroine (now played by Anya Taylor-Joy), premiering on Friday. As the follow-up to one of the greatest action films ever made, it’s hard to overstate the hype for Furiosa, and that was before word got out about a showstopping 15-minute sequence that required nearly 200 stuntpeople and took 78 days to shoot. While Furiosa will have its own distinct flavor, as is true of every Mad Max movie, there’s one thing that unites these projects: intense, jaw-dropping scenes of vehicular mayhem. And what better way to honor the franchise than by celebrating what it does best?
Ahead of Furiosa’s release, we’ve put together our definitive ranking of the best car chases in cinema. There weren’t any strict rules in place, other than capping the list at 20—mostly for my own sanity—and limiting every franchise to one entry. (Apologies to Fury Road’s kickass predecessor The Road Warrior.) We also won’t discriminate against scenes that feature motorbikes, so long as cars (and/or trucks) remain part of the equation. As for what, exactly, constitutes a good car chase? Like list making, it’s bound to be subjective, but I tend to gravitate toward two key elements: the skill of the stuntwork on display and the ways in which a filmmaker conveys the action in relation to the story. (Also, the less CGI, the better.) Buckle up, ’cause we’re not wasting any time shifting into high gear.

20. Quantum of Solace (2008)

There have been some memorable car chases in the James Bond franchise: the first sequence featuring the iconic Aston Martin DB5 in Goldfinger, the corkscrew jump in The Man With the Golden Gun, the Lotus Esprit submarine in The Spy Who Loved Me. But I’m going with a somewhat controversial pick here: Quantum of Solace. There are many issues with Quantum of Solace—namely, it was one of the most high-profile blockbusters affected by the 2007-08 writers strike—but its opening scene isn’t one of them. Picking up right where Casino Royale left off, we find Bond (Daniel Craig) evading henchmen through the narrow roads around Italy’s Lake Garda. The frenetic, furious chase mirrors Bond’s sense of anguish after losing Vesper Lynd (Eva Green), the woman he opened his heart to, and his relentless quest for answers. It’s a thrilling tone-setter for Quantum of Solace and one that doesn’t overstay its welcome, capped off by Bond sending his final pursuers flying off a cliff:
If we’re being honest, though, it feels like James Bond has yet to create a franchise-defining car chase. Perhaps that’s a mission the newest 007, whoever it ends up being, can undertake.

19. Mission: Impossible—Rogue Nation (2015)

The Mission: Impossible franchise is no stranger to electrifying chase scenes, the best of which find Tom Cruise’s Ethan Hunt working up his heart rate. When it comes to action behind the wheel, though, Fallout tends to dominate the discussion—even on this very website. But I think the vehicular chase in Rogue Nation is being slept on. What we have is effectively two sequences for the price of one: The first finds Hunt pursuing Ilsa Faust (Rebecca Ferguson) by car through the narrow streets of Casablanca alongside some nefarious henchmen; the second sees him continue the chase outside the city on motorbike. (Adding to the chaos: Hunt had only just been resuscitated, and he’s clearly not all there.) In terms of death-defying stunts for the audience’s entertainment, a helmetless Cruise taking corners like a MotoGP racer is child’s play compared to his other exploits, but the actor’s authentic reaction to scraping his knee on the road underlines that there’s no one else in Hollywood doing it like him:
We’ll be sure to update this ranking if and when Cruise does something even more dangerous down the road, pun unintended.

18. Vanishing Point (1971)

A movie that counts the likes of Steven Spielberg and Quentin Tarantino among its biggest fans, Vanishing Point is the first of a few entries on this ranking that’s essentially one extended car chase. The film stars Barry Newman as Kowalski, a man tasked with delivering a Dodge Challenger T 440 Magnum from Colorado to California while eluding police across four states. One of Kowalski’s most memorable run-ins comes when a guy driving a Jaguar E-Type convertible challenges him to an impromptu race. Incredibly, we’re expected to believe the man in the Jag comes out of this crash in one piece:
Vanishing Point might not boast the impressive production values of other movies on this list, but considering Tarantino would go on to feature a white Challenger in Death Proof, its influence in the car cinema canon is undeniable.

17. Fast Five (2011)

Let’s face it, Fast & Furious has seen better days. Some believe the franchise’s dip in quality coincided with the death of Paul Walker; others are dismayed by the pivot from street racing to absurd feats of superherodom—emphasis on the Dom. Perhaps it’s a bit of both, but the very best movie in the series, Fast Five, manages to strike the perfect balance: It’s a relatively grounded heist thriller that nevertheless takes the franchise to ridiculous new heights. After Dominic Toretto (Vin Diesel) and his crew steal $100 million from a Brazilian kingpin, they drag the entire bank vault holding the money through the streets of Rio de Janeiro, all while being pursued by authorities. It’s a delightfully destructive sequence that does untold damage to Rio’s infrastructure and features some of the most bone-crunching crashes committed to film:
If the Fast franchise is going to break out of its recent slump, it would do well to remember that there’s nothing better than letting its heroes live their lives a quarter mile at a time—no detours to outer space required.

16. The Blues Brothers (1980)

A good car chase isn’t reserved just for action flicks: Comedies can get in on the act, too. In The Blues Brothers, starring the recurring Saturday Night Live characters played by John Belushi and Dan Aykroyd, the beloved bandmates must prevent the foreclosure of the orphanage where they were raised by scrounging together $5,000. Naturally, that’s easier said than done: Along the way, the Blues Brothers draw the attention of neo-Nazis, a country-and-western band, and local police. While The Blues Brothers has amusing gags and musical numbers, its chase sequences with the Brothers behind the wheel of a 1974 Dodge Monaco are what really steal the show—and none are better than a climactic pursuit across Chicago. More than 60 old police cars were used in the film, some of which are wrecked in a comically over-the-top pileup:
The sheer scale of The Blues Brothers’ final set piece is commendable in and of itself—as is the movie’s commitment to treating real-life cars like a bunch of Hot Wheels.

15. Baby Driver (2017)

For good and for ill, Edgar Wright’s movies exude an abundance of style, and Baby Driver is no exception. Baby Driver is centered on a clever gimmick: The action works in tandem with its soundtrack because the film’s protagonist, Baby (Ansel Elgort), suffers from tinnitus and constantly plays music to drown out the ringing. When everything’s clicking into place, Baby Driver feels like a supersized series of music videos, and nothing hits quite like its opening sequence. Baby acts as the getaway driver for a bank robbery while listening to the Jon Spencer Blues Explosion’s “Bellbottoms.” The ensuing chase works around rhythms of the song, as if Baby’s Subaru WRX were the star of its own dance number. Take nothing away from the actual driving, either, which puts the rally car to good use:
Baby Driver’s gimmick stretches a little thin by the end, but it’s hard to deny the crowd-pleasing power of Wright’s film when it’s firing on all cylinders.

14. The Raid 2 (2014)

With a trio of kickass Indonesian martial arts films under his belt, Gareth Evans has established himself as one of the most exciting action directors on the planet—someone who seems most in his element staging positively brutal hand-to-hand combat. In The Raid 2, however, Evans also brought his signature brand of carnage to the road. While there’s some cleverly executed close-quarters fighting within the confines of an SUV, courtesy of Iko Uwais’s hard-hitting protagonist, what really cements this sequence’s greatness are the moments when Evans turns the cars into an extension of the characters’ fists:
This belongs in an entirely new category of combat: car fights. There are so many action scenes in The Raid 2 worth writing home about—the kitchen showdown is an all-timer—but the fact that Evans casually tossed in an unforgettable car chase shows why he’s one of one.

13. The Driver (1978)

I’ll say this for Walter Hill’s The Driver: It sure lives up to its title. In this stripped-down thriller—one where none of the characters have a name—we follow the Driver (Ryan O’Neal), a getaway driver who has become a thorn in the side of the LAPD. In the film’s best scene, we see its taciturn protagonist living up to his reputation. With the Driver behind the wheel of a 1974 Ford Galaxie, a cat-and-mouse game unfolds when a handful of police cars are hot on his tail. What I love about this sequence is the pared-down nature of it all: The Driver outwits the cops as much as he outraces them. (Though, ironically, that wasn’t entirely by design: As Hill later explained, an accident on the last night of shooting meant they had to cobble together what had already been filmed.) Frankly, you’d never know the difference from the finished article:
If the general vibes of The Driver seem familiar, that’s because it was a major inspiration for Nicolas Winding Refn’s Drive, which just so happened to feature an unnamed protagonist (Ryan Gosling) evading police through the streets of Los Angeles.

12. The Bourne Supremacy (2004)

The shaky-cam style of the Bourne franchise isn’t for everyone—just ask John Woo—but credit where it’s due: These movies know how to deliver a good chase scene. (A friendly reminder that The Bourne Legacy is an underrated gem with an awesome motorbike sequence to boot.) But there’s one Bourne chase that stands above the rest: the Moscow getaway in The Bourne Supremacy. After being wounded by the Russian assassin Kirill (Karl Urban), Jason Bourne (Matt Damon) hijacks a taxi, with both the police and Kirill in hot pursuit. This isn’t the kind of sequence that lingers on any one shot; instead, what makes it work is the frenetic nature of the editing, which allows the viewer to feel like they’re in Bourne’s fight-or-flight headspace:
If I’m being honest, I’m usually one of those people who doesn’t like the Bourne movies’ shaky-cam style, but when it’s executed with such craftsmanship, you can’t help but get caught up in its adrenaline-pumping power.

11. The Seven-Ups (1973)

Philip D’Antoni was the producer of two movies featuring Hall of Fame car chases, Bullitt and The French Connection, the latter of which won him an Oscar for Best Picture. And with his lone directorial feature, The Seven-Ups, D’Antoni sought to craft an iconic sequence of his own. The film stars Roy Scheider as NYPD detective Buddy Mannuci (elite Italian American name; I can practically smell the gabagool), who commands a unit handling major felony cases that lead to seven-plus-year prison sentences; that’s why they’re known as the Seven-Ups. Midway through the movie, when one of the team members is killed by two shooters who flee the scene, Buddy chases after them. The 10-minute sequence, which starts in the Upper West Side before moving out of the city, is thrillingly immersive, alternating between close-ups of the characters and wider shots of all the damage they’ve caused. But the chase’s defining moment comes right at the end, when Buddy narrowly avoids a grisly death:
The sequence isn’t quite at the level of Bullitt or The French Connection—very few are—but D’Antoni still manages to leave an unmistakable imprint on the car chase canon.

10. Death Proof (2007)

If you ask Quentin Tarantino, Death Proof, his knowingly trashy tribute to exploitation cinema, is the worst movie he’s ever made. But that doesn’t mean there isn’t a lot to admire about the film, which honors the unsung heroes of Hollywood: stunt performers. The first half of Death Proof follows three female friends who cross paths with Stuntman Mike (Kurt Russell), a misogynistic serial killer who takes them out in his “death-proof” Chevy Nova. Fourteen months later, a group that includes stuntwoman Zoë Bell, playing herself, also lands on Mike’s radar. As Bell and her friends test out a ’70s Challenger, she performs a “ship’s mast” stunt, clinging onto the hood of the car with fastening belts. Unfortunately, when Mike pursues the women, it puts Bell in a precarious situation. Most of the entries on this list celebrate some next-level driving skills, but Death Proof’s inclusion is all about Bell pulling off one of the wildest stunts you’ll ever see. She’s quite literally hanging on for dear life:
If the Academy handed out Oscars to stunt performers—and let’s hope it does happen one day—Bell would’ve won in a landslide.

9. To Live and Die in L.A. (1985)

William Friedkin was already responsible for an all-time great car chase in The French Connection (more on that later), but the filmmaker made a commendable bid to outdo himself with To Live and Die in L.A. In this neo-noir thriller, Secret Service agent Richard Chance (William L. Petersen) is hell-bent on arresting an expert counterfeiter, Rick Masters (Willem Dafoe), who kills Chance’s partner days before his retirement. To capture Masters, Chance and his new partner, John Vukovich (John Pankow), attempt to steal $50,000 from a jewelry buyer for an undercover operation. The sting goes bad when the buyer, who is later revealed to be an undercover FBI agent, is killed and a group of gunmen goes after Chance and Vukovich. It’s a clever inversion of the usual car chase formula—this time, it’s the lawmen running away from the criminals. The outside-the-box thinking extends to the film’s most astonishing stretch, in which Chance evades the gunmen by driving into oncoming traffic:
The fact that Friedkin shot the chase at the end of filming—in case anything disastrous happened to the actors—underscores just how risky the endeavor was. The pulse-pounding results speak for themselves.

8. The Matrix Reloaded (2003)

The Matrix sequels have never been held in high esteem, but I’m ready to live my truth: The Matrix Reloaded fucking rules. (If anyone’s got a problem with this take, file your complaints with the Architect.) What’s more, the film happens to boast the finest action set piece of the franchise: the highway chase. After Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) free the Keymaker (Randall Duk Kim), a program capable of creating shortcuts within the Matrix, they’re pursued by the Twins (Neil and Adrian Rayment). Morpheus once warned that going on the freeway was “suicide,” and it doesn’t take long to see why: The chase draws the attention of several Agents, who repeatedly take over the bodies of other drivers on the road. The scene is the best of both worlds: There’s some incredible stuntwork on display, including when Moss weaves around on a Ducati, and CGI augments some feats of superhuman strength. But the most jaw-dropping aspect of the sequence is how it came together, as the production spent $2.5 million to construct its own highway (!) on California’s Alameda Island. If that weren’t unique enough, I’m pretty sure Reloaded is also the only movie in existence in which a katana takes out an SUV:
The Matrix remains the Wachowskis’ masterpiece, but don’t get it twisted: The filmmakers were still cooking with gas in the sequel.

7. Gone in 60 Seconds (1974)

Size isn’t everything, but for H. B. Halicki, who produced, wrote, directed, and starred in Gone in 60 Seconds, it’s certainly part of the package. The indie action flick follows Maindrian Pace (Halicki), a Los Angeles insurance investigator who has a lucrative side hustle jacking high-end cars. The plot kicks into motion when a South American drug lord enlists Pace to nab 48 cars within five days in exchange for $400,000. Of course, Gone in 60 Seconds is best known for what happens after Pace is caught stealing a 1973 Ford Mustang Mach 1, when he leads police on a chase that lasts a whopping 40 minutes. (More than 90 cars were destroyed in the process.) Halicki, for his part, did all the driving himself, including a spectacular jump off a makeshift ramp of crashed cars:
While Halicki wound up making a few more indies after Gone in 60 Seconds, he died in an accident on the set of its sequel. His legacy as a do-it-all daredevil, however, lives on.

6. Terminator 2: Judgment Day (1991)

Long before James Cameron immersed himself in the world of Pandora, he was a pioneer of state-of-the-art visual effects. Case in point: Terminator 2: Judgment Day is credited for having the first CGI character in a blockbuster, the T-1000 (Robert Patrick), a killing machine composed of a futuristic liquid metal. But Cameron also understood that the CGI of that era shouldn’t be the main attraction: It worked best as a complement to the practical effects, as seen in Judgment Day’s epic viaduct chase. When the T-1000 tracks down a young John Connor (Edward Furlong) in a shopping mall, he’s saved at the last minute by the Terminator (Arnold Schwarzenegger), giving John a chance to escape on his dirt bike. As the T-1000 gives chase, the David and Goliath vibes between man and machine are further epitomized by the T-1000’s commandeering of a truck. The sequence already has a terrifying sense of urgency, but it hits another level when the T-1000 crashes through the viaduct like the Kool-Aid Man:
Big Jim is still revolutionizing what can be achieved with visual effects in the Avatar franchise, and while I cherish those movies, nothing beats his old-school showmanship.

5. Duel (1971)

The feature-length debut of Steven Spielberg—perhaps you’ve heard of him—the TV movie Duel is essentially one extended chase sequence between salesman David Mann (Dennis Weaver) and a sinister trucker determined to drive him off the road. I’ve attached a clip from the ending of the film, but that doesn’t do Duel justice. What cements this movie’s greatness is how it sustains an unbearable level of tension across its 90-minute running time—with a budget under $500,000, no less. Spielberg’s masterstroke is never once showing us the other driver, anthropomorphizing the truck itself as a monster. (You can see a lot of similarities with how he would build suspense in Jaws.) When Mann finally gets the upper hand, tricking his adversary into driving off a cliff, it feels like you can breathe again:
Spielberg would move on to bigger and better things after Duel, but considering how much the director accomplished with so little, you can’t help but wonder what else he could conjure up with limited resources.

4. Mad Max: Fury Road (2015)

Like Duel, Fury Road is basically one long car chase—the difference is Miller got to work with a blockbuster budget, and made every cent of it count. It’s hard to pick a single standout sequence in Fury Road, but if I had to choose, I’d go with the first attack on the War Rig after Furiosa (Charlize Theron) flees with the wives of Immortan Joe (Hugh Keays-Byrne). Here’s why: Think back to when you saw Fury Road for the first time, before you fully grasped the vehicular carnage that was in store. And then stuff like this kept happening:
To quote Steven Soderbergh’s thoughts on Fury Road: “I don’t understand how they’re not still shooting that film and I don’t understand how hundreds of people aren’t dead.” Whether or not Miller manages to one-up the action in Furiosa, the director is already in the pantheon.

3. The French Connection (1971)

We return to the Friedkin-verse for what may be his best film, The French Connection, the crime thriller based on Robin Moore’s 1969 nonfiction book of the same name. The story concerns two NYPD detectives, Jimmy “Popeye” Doyle (Gene Hackman) and Buddy “Cloudy” Russo (Roy Scheider), and their tireless pursuit of a French heroin smuggler. But while there’s plenty to admire about how The French Connection illustrates the thin line between police and criminals, its greatest claim to fame is its car chase. After Popeye narrowly survives a sniper attack, he goes after the shooter, who escapes on an elevated train. The ensuing sequence is true daredevil filmmaking that Friedkin shot without permits, leading to real crashes with New Yorkers that made the final cut. But Friedkin’s finest touch was mounting a camera to the front of the car, making the audience feel like they’re part of the action:
My Ringer colleague Justin Sayles believes The French Connection’s chase should’ve landed at no. 1, and I’m sure many folks will agree with him. Being the only film on this list to win Best Picture, however, is a solid consolation prize.

2. Bullitt (1968)

When it comes to modern car chases, all roads lead back to Bullitt. A Dad Cinema classic, the film stars Steve McQueen as Frank Bullitt, a San Francisco detective who pursues a group of mobsters after a key witness is killed in protective custody. In his search for answers, Bullitt realizes he’s being tailed by a couple of hitmen, and then turns the tables on them. From there, the chase is on. Aside from McQueen doing most of his own stunts behind the wheel of a Ford Mustang GT 390 Fastback, what’s so impressive about the sequence is how timeless it is. Even the little imperfections, like hubcaps repeatedly coming off the wheels, work to the film’s advantage, stressing just how much these drivers are living on a razor’s edge. It’s been more than 50 years since Bullitt revolutionized the car chase, and yet few movies since have felt like they’re pushing the envelope to such an exhilarating degree:
That the car driven by McQueen was recently sold at auction for $3.74 million, a then-record price for a Mustang, underlines Bullitt’s enduring legacy.

1. Ronin (1998)

“If I’m going to do a car chase,” filmmaker John Frankenheimer said in an interview with the American Society of Cinematographers, “I’m going to do a car chase that’s going to make somebody think about whether or not they want to do another one!” Boy, did he ever. In Frankenheimer’s late-career masterpiece, Ronin, the director actually incorporated several chases, but it’s the climactic sequence that stands alone as the greatest ever filmed. The movie concerns an international group of mercenaries who are hired to steal a mysterious briefcase; a series of double-crosses and double-bluffs ensue. But for the final chase, all you need to know is that Sam (Robert De Niro), a mercenary with ties to the CIA, is in pursuit of Deirdre (Natascha McElhone), an IRA operative in possession of the case. Winding through the streets and tunnels of Paris, what’s most striking is just how fluid it all feels. You’re completely engrossed in the chase’s forward momentum, captured from every conceivable angle; a symphony of controlled chaos. The driving styles even reflect the characters: Deirdre is reckless and impulsive, while Sam remains calm and controlled.
There are many worthy car chases in this ranking, but in my view, Ronin takes pole position. And while I can’t imagine a movie ever topping what Frankenheimer achieved, I’d love nothing more than to be proved wrong.

Dear XXXX,
This email serves as resignation from XXXX effective today.
HR – please put this email on my personal file.
Working at XXXX has been the most dispiriting experience of my career.
The Supervisor group is treated by XXXX with disrespect, dismissiveness, and anger as you are aware. This is because of the low numbers, but we all deserve to work in an environment that is professional, respectful, and collaborative.
The Advisory Group, made up of two retired consultants, is also negatively impacting the work of a number of departments at XXXX while not having current knowledge of company operations or the advances that have been made in the modern business world.
Due to the issues that the advisory group has created, an external HR consultant was hired last year to investigate claims by multiple staff concerning the group and the hostile work environment it has created. I have seen no evidence that this has been followed up on. Our department is still controlled by the group, even with new management in place who are constantly undermined by them.
The advisory group is autocratic, lacking knowledge and makes knee jerk reactions without proper attention to detail or listening to the people who do the work. Conversations that I have had with them have been combative and dismissive with a lack of concrete or effective follow up. The group’s actions, attitude and behavior create an intimidating, hostile work environment which interferes with the department managers’ ability to manage and their associate’s work performance.
My level of anxiety and stress are constant due to the messages I receive about my work. You have indicated that I have done excellent work managing my team and removing 98% of our 5-year backlog.
In following up on the training to do the job I was hired to do (2 years after starting in the job), you indicated that I should not be punished for not having done my job for the last 2 years. This indicates to me that a conversation has been had in which it was put forward that I should receive censure of some kind for this.
As you indicated, the fault lies with Company name and not myself. I have worked hard and taken on many Senior Manager tasks to get our operational activities back on track.
Company name’s harassment policy indicates that it is “committed to a work environment where all associates are treated with respect and dignity”. Based on the above this is not the case.
Regards,

I work for a major metropolitan library in the U.S. Let's say my name is John. My boss assigned me to generate an email template and submit it to the team for review and feedback. One of my coworkers decided to generate her own template with ChatGPT. In response, boss says "Let's stick closer to what John worked on. John, let us know when you have a final draft." Coworker then edits her AI template seconds before I complete my final draft and says "How's this?" I throw up my hands and say "It seems like 'Sally' wants to take the lead on this, and that's fine with me."
I feel stepped on and superfluous. Am I overreacting? "Sally" says she was just "providing feedback" and that I shouldn't have taken it personally, but it would never occur to me to fully do someone's job for them, especially bringing AI into it, and call it feedback.

Only five players have made the second team as rookies: David Robinson, Kareem Abdul-Jabbar, Tim Duncan, Hakeem Olajuwon, and Manute Bol. No rookie has ever been selected for the first team.