Joc zuma deluxe donlods

what is going on with the youtube homepage. so about a month ago my homepage went from 4 videos a row to 3. and now it's 5 ?? but in incognito it's still three ?? has this been happening to anybody else ?

2024.05.18 22:16 hasMRK what is going on with the youtube homepage. so about a month ago my homepage went from 4 videos a row to 3. and now it's 5 ?? but in incognito it's still three ?? has this been happening to anybody else ?

what is going on with the youtube homepage. so about a month ago my homepage went from 4 videos a row to 3. and now it's 5 ?? but in incognito it's still three ?? has this been happening to anybody else ? submitted by hasMRK to JackSucksAtLife [link] [comments]

2024.05.17 06:10 DropWatcher Drop Watch: May 17th, 2024

LPs

Deluxe

EPs

Songs

Old Drop Watches

2023 and 2024 Calendar

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2024.05.16 15:57 DropWatcher Drop Watch: May 17th, 2024

LPs

Deluxe

EPs

Songs

Old Drop Watches

2023 and 2024 Calendar

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2024.05.14 17:56 DANJCOLEMAN1991 Sound Like ASIAN KUNG-FU GENERATION Pt.1: Masafumi Gotoh (2024 version)

Introduction

ASIAN KUNG-FU GENERATION, Zepp Tokyo for \"Quarter-Century Tour\"
^(\This article is an updated version of my "Sound Like" article from 2021. I have reposted this article due to difficulties editing the original version*, and have included additional information and recommendations based on the increased popularity of amp simulator pedals*)*
Hello fellow musicians and Ajikan fans!
I have been a fan of ASIAN KUNG-FU GENERATION for roughly 16 years and as a guitarist was greatly inspired by the band's alt rock sound.
After a few years of research I have written a series of "sound like" articles for ASIAN KUNG-FU GENERATION. The purpose of these articles is to provide context on how the band create their signature sound, and to support beginning musicians or tribute acts who may wish to replicate it.
At the end of each article I have drafted a Budget Rig, which you could use for both at home and in a live environment. I have also provided some general amp settings to tweak and try, which are based on the band's live sound and be can used to help replicate their tones.
This is a 3-part series and if you enjoy this article I would recommend checking out the other articles:
Sound Like ASIAN KUNG-FU GENERATION Pt.2: Kensuke Kita (2024 version) : AsianKungFuGeneration (reddit.com)
ASIAN KUNG-FU GENERATION Sound Like Part 3: Yamada : AsianKungFuGeneration (reddit.com)
Please note that the article focuses on the band's live sound, which will be different to the albums and can vary depending on the venue. Also (and is a cliché every musician and instrument will have small differences, so bear that in mind!)
To help you recognise the individual guitar tones, Gotch's guitar parts are normally panned to the left earphone and Kita's are panned to the right earphone on the band's albums. (On 2016's Sol-Fa, Hometown and some of the Planet Folks singles the panning was swapped, with Gotch instead in the right ear and Kita on the left)

Masafumi Gotoh

Gotch live at the 02 Islington, London, 2013
Let's start off with lead singer and rhythm guitarist Masafumi Gotoh, or "Gotch" for short. Gotch's was massively influenced by the 90's alternative rock, Power Pop and the Britpop scene, and has previously highlighted Oasis, Weezer and Number Girl as key inspirations.
As Ajikan's main songwriter, Gotch follows the principle of "less is more" - keeping the arrangements simple for listeners, but combining pop hooks & traditional Asian melodies with the band's punk rock and indie influences.
Gotch's playing style follows this principle, as he primarily uses chord shapes, bar chords or repeated phrases to anchor the band. (The simple approach also makes it easier for Gotch to sing while performing)
Occasionally, Gotch will use "octave chords" (more on octave chords below) or play riffs with open strings notes, to add further depth. A good example of this is the opening riffs to Easter, where he plays an open D string while also playing the 3rd and 5th fret of the A string.
Octave Chords: Octave chords is famously used in punk rock and alt rock riffs, and is when you play the same note in two different octaves. Try play a bar chord on the 4th fret of the A string, and lifting your ring finger off the D string. You should get a "C# octave chord" and will recognise it from the intro of Haruka Kanata. Octave chords are used in many Ajikan songs and by many bands, so they are good to practice!
In more recent albums, Gotch has also experimented with moving chord shapes across the fretboard. For good examples, check out the opening of Caterpillar or the bridge section of Kouya Wo Aruke.
Gotch's guitar tends to be lower in the overall mix, with Kita acting as the band's lead guitarist and Gotch as the anchor for each song. However, Gotch tends to improvise with ambient sounds during live performances and occasionally will take on the lead role in songs like Hold Me Tight.

GUITARS:

When it comes to guitars Gotch almost exclusively plays Gibson Les Paul Jr's with P-90 pickups, and has been his preferred guitar since 2004. The P-90 pickups have a bright midrange sound in comparison to the muddier humbucker sound, which makes them better suited for Gotch's focus on chords.
Gotch main guitar is the 1959 Gibson Les Paul Special
The Les Paul Jr is also lighter and have less sustain and power compared to a normal Les Paul, which leaves space for the other instruments to stand out in the mix.
Gotch's main guitar is a 1959 Gibson Les Paul Special, which he plays in E Standard tuning and uses for both recording and live performances. Gotch also uses a 1961 Gibson Les Paul Jr (with the pickguard missing) or a 2000 Gibson Les Paul DC (with a gloss yellow finish) for songs in Eb/D# tuning, such as After Dark or Soredewa, Mata Ashita.
Gotch's is also famous for using a 1975 Gibson Marauder during the band's early years. Gotch has mostly retired the guitar (due to the "lack of volume" for larger venues), but it regularly appears in MV's, band merchandise and occasionally during special events, such as the 10th anniversary shows in Yokohama.
Gotch's Gibson Marauder
Gotch occasionally uses a few rarer guitars live, such as the Gibson Custom Les Paul Junior John Lennon model (Gotch has number 54 of 300 such guitars made), and is normally played with a capo for songs such as Maigo Inu To Ame No Beat.
Gotch has also used a Gibson Hummingbird for acoustic numbers, and can be seen used in Eizo Sakushin Shu Vol.6 for the band's performance of Kaigan Doori. Gotch likes to use Tortex Flex .88mm & Tortex Flex Triangle .88mm guitar picks, which he swaps between depending on the song.
If you are looking to sound like Gotch, the best place to start would be a Les Paul Jr guitar with P-90 pickups.

AMPLIFIERS:

After originally touring with a Roland JC-22, Gotch has almost exclusively played Fender amplifiers since 2004. Gotch uses two amps when playing live, one for his "clean" sound and the other for his "heavy" sound.
The band's often implement a "quiet/loud" dynamic into their song writing, so Gotch will often switch between his amps during live performances, using a custom made footswitch on his pedalboard. (A good example of this is Mustang or Solanin)
For his clean tone, Gotch uses a Fender 65' Twin Custom Twin 15. It can be heard on Korogaru Iwa, Kimi ni Asa Ga Furu, Solanin and Wonder Future. Occasionally, Gotch will combine the Twin Reverb with a boost pedal or overdrive pedal for more clarity, with Wonder Future a good examples of this.
(1) Fender '65 Twin Custom 15 (clean tone), (2) Fender Vibro-King Custom, (3) Fender Super-Sonic 60 Head (which uses the Vibro-King as a speaker), (4) Fender '63 Spring Reverb (which runs in between the pedal board and the Super-Sonic 60, and is toggled on or off by a switch)
For his heavier tone, Gotch primarily uses a Fender Vibro-King Custom for recording and appears in most of the band's MV's. The Vibro-King/Twin Reverb was Gotch's main setup during the 2000's and can be seen together on Eizo Sakushin Shu Vol. 6.
In 2009 Gotch started to use a Fender Super-Sonic 60 Amp Head and still uses it now. Until 2022, Gotch would use Vibro-King as a "cabinet", acting as the speaker unit for the Super-Sonic. Gotch now uses a Shinos & L Rocket Head for live shows, but has kept the Vibro-king for recording sessions and MVs.
Since 2022 Gotch has used Shinos & L Rocket amp & cabinet instead of the Fender Vibro-King
Gotch "heavy" amps for songs such as Re:Re:, Haruka Kanata and Rewrite. It is important to note that Gotch prefers to use his amps to create his distorted tone, but will occasionally add an overdrive pedal for heavier tracks such as Blood Circulator & Easter.
Alongside the Twin Reverb and Super-Sonic, Gotch is known to use a Fender 63' Spring Reverb Unit. This unit only runs into the Super-Sonic and is used for additional reverb to "thicken the sound". Gotch can control the 63' Reverb with a on/off switch on his pedal board.
Other notable amps that Gotch has used are the Matchless C30 & Bad Cat 30R Head. Both have been used exclusively for recording, most notably on Wonder Future. Gotch is also known to use VOX AC15 amps for recording.
Gotch's '63 Spring Reverb Unit, along with a selection of Vortex Flex .88m picks
In terms of mics, Gotch seems to use a Shure SM57 for his Fender Twin Reverb and a Shure SM58 on his Vibro-King or Shinos Rocket. When you are trying to emulate his sound with modelling or profiling amps, it is worth experimenting with mic positioning and different mics.
If you want to replicate Gotch's amp sound then you should look to replicate his Fender amps. However the Vibro-King is a key component and are unfortunately rare, notoriously loud and expensive. For that reason, I have put together some alternatives that should get you close.

PEDALS & EFFECTS:

During Ajikan's early years, Gotch combined a Roland JC-22 with a ProCo RAT to create the "quiet/loud" dynamic of the band's early records. After buying the Fender Vibro-King in 2004, Gotch no longer required the RAT, but kept a simplified pedalboard to achieve certain tones for live performances.
Gotch's 2004 pedalboard, which includes the ProCo RAT and Ibanez TS9 Tube Screamer
We will cover two different pedalboards that Gotch has used during the band's career. Regardless of which pedal board you look at, Gotch's has always included an overdrive or boost pedal, a phase pedal and a delay pedal.
The boost/overdrive is used to "lift" his clean sound during ballads (Solanin, Wonder Future) or to thicken his sound for heavier tracks. (Senseless, Dororo) Gotch will normally set the drive or gain low and the volume high.
The phaser is a more sparingly used pedal to add texture and colour, but can be heard on Shinkokyū, Blue Train and Rewrite. I will include more detail on Gotch's use of delay in the sections below.
Gotch's "Classic" Pedalboard
Gotch \"classic\" pedalboard, used between 2006-2013, with Gotch's custom made footswitch on the bottom left to control the amps
Gotch started to use this "classic" board during the Fanclub tour and continued to do so until the 10th Anniversary shows in 2013. This would be the easier and more affordable board to replicate for newcomers.
Gotch's setup started with a BOSS TU-3 tuner, which he also used as a "mute" pedal in between songs. From there, his chain would run into the Ibanez TS808 Tube Screamer, the BOSS PH-2 Super Phaser and the BOSS DD-20 Giga Delay. During the Magic Disk tour, Gotch also added a Custom Audio Tremolo.
The BOSS DD-20 *has been Gotch's main delay pedal for twenty years and is set to "warp". On the warp setting, Gotch can keep his foot on the pedal to create swells of delays. Gotch's standard setting is 173-179bpm (beats per minute on 1/4 notes and then he has 4 presets. These are 137bpm on 1/4 (for) Blackout, 154bpm on 1/4 (for) Kakato de Ai o Uchinarase, 177 on 1/2 (for) Solanin and the intro of Siren and 177bpm on 1/4 (for the 2nd half of) Siren)
Gotch also included two footswitches for his board; The first one was a handmade footswitch, which he used to swap between the Twin Reverb and the Vibro-King/Super-Sonic. The other footswitch was a BOSS FS-5L, which he used to control the '63 Spring Reverb Unit.
Gotch's "Modern" Pedalboard
Gotch's \"modern\" pedal board.【Pedal List】(1) api/TranZformer GT (compressoequalizer) (2) BOSS/TU-3 (tuner) (3) Spaceman Effects/Atlas III (preamp) (4) BOSS/DD-6 (delay) (5) Spaceman Effects/Voyager I (tremolo) (6) EarthQuaker Devices/Avalanche Run (delay/reverb) (7) Mu-Tron/Mu-FX Phasor 2X (phaser) (8) Caroline Guitar Company/KILOBYTE (9) BOSS/DD-20 (delay) (10) Handmade/Line Selector (11) FAT/514.D (booster)(12) strymon/Zuma R300 (power supply) (13)BOSS/EV-30 (Expression Pedal) (14) BOSS/FS-5L (foot switch)
During the recording of Wonder Future and his first solo album (Can't Be Forever Young), Gotch began to experiment more with boutique pedals, and has resulted in a more complex board since 2014, allowing more ambient experiments on the band's records and during live performances.
Gotch has added a API Tranzformer GT to the start of his chain, only using the E.Q. section and tweaking the settings for each venue.
Gotch's "Modern" board now includes a variety of delay and reverb pedals, such as the Earthquaker Device Avalanche Run and the Caroline Kilobyte Lo-Fi Delay. These are combined with his DD-20 to create the ambient sounds heard on Empathy & the outro of Demachiyanagi Parallel Universe.
The BOSS DD-6 Digital Delay is set to the "reverse" mode and is used during the intro of Re:Re: and the bridge of Rewrite. Gotch has removed the Tube-Screamer from his board and has experimented with multiple alternative pedals, which includes the Xotic Effects AC Plus and JHS Superbolt.
He currently uses the Atlas III Preamp Booster and the FAT 514.D for his overdrive sounds. The 514.D only runs to the Super-Sonic to help "thicken" the distorted tone of the Super-Sonic.
Gotch has also replaced the Super Phaser with the MU-FX Phasor 2x and is using a Voyager I Spaceman for his tremolo. (UCLA & No Name are good references for the tremolo) Finally, Gotch has added an BOSS EV-30 expression pedal, which he uses to control the delay of the Avalanche Run.
If you are looking to replicate Gotch's pedalboard, the best place to start would be a phaser, delay and a boost/overdrive pedal, which would cover most of Ajikan's Discography.

Sound Like Gotch...On a Budget

Now that you are up to speed on what Gotch uses for his guitar rig, we can start to look at replicating his sound. The idea of this section is to offer affordable suggestions to replicate Gotch's tone that can be used for home use and for small live venues.
I would like to highlight that I am just writing as a fan and the equipment I recommend are purely my own recommendations. I do not have any sponsors (I wish I did sometimes) and if you find alternatives that work for you, go for it!
Gotch performing in 2022, during the Quarter Century shows in Yokohama
To buy Gotch's current pedal board alone would cost roughly £2,500 and would be unrealistic for most readers to purchase, however there are options that can get us close to Gotch's tone without breaking the bank.
The key elements to this rig are:
Let's start with the guitar, which is both important for the P-90 tone. You should always feel comfortable when playing the guitar you pick, so I recommend trying out the guitar when possible before buying.
GUITARS
As an affordable guitar, I would suggest looking at the Epiphone Les Paul Jr. It is the entry level price for Gibson guitars (Epiphone would be the equivalent to "Squier" for Fender) and includes P-90 pickups as the standard setup. You can buy one for around £380 and should also be fairly easy to modify & similar to Gotch's sound.
Epiphone Les Paul Junior
If you do have a higher budget to work with, I would recommend the Gibson Les Paul Special Tribute DC. These were released in 2019 and you can normally find a 2nd hand version for roughly £650 - £800. (It is also the guitar I currently use!) Failing that, you can also look at the Gibson Les Paul Special for around £800.
Gibson Les Paul Special Tribute DC
AMPLIFIERS
We are looking to replicate Gotch's Fender amps, so the affordable option to start with would be the Fender Mustang GTX. The newer Mustang amps are an improvement on the original and have simulations of the Twin Reverb, the Vibro-King and the Super-Sonic.
The GTX 50 (which has a smaller speaker) is roughly £390 and the GTX 100 (which includes a footswitch) is about £510, but you should be able to find both versions for a reduced cost second hand.
Fender Mustang GTX 100
If you do have a higher budget or prefer to use a tube amp, I would recommend going for the Fender Super-Sonic Combo or the Fender Hot Rod Deluxe for a solid distorted Fender tone.
Alternatively, you could consider the Fender Blues Junior, Fender Tone Master Twin-Reverb or Roland JC, and combine them with a ProCo RAT to replicate the tones from Houkai Amplifier and Kimi Tsunagi Five M.
PEDALS
To keep the list of suggestions short and simple, we will use Gotch's "classic" board as a reference and will cover most of the band's discography.
For a budget rig, I would recommend the Ibanez Tube-Screamer Mini, which is a miniature version of the standard Ibanez Tube-Screamer and sound great for the price. You could pair this up with a Boss Phase Shifter and a BOSS DD-6 Delay for around £309 brand new to get a very similar Gotch board. (You could buy them for as low as £110 combined on the 2nd hand market)
The Tube Screamer Mini is a cheap, effective overdrive pedal based on the classic TS808
For a more expensive pedalboard, the JHS Superbolt V2 was used by Gotch extensively between 2015-2019 and was once described by Gotch as "the Ajikan sound" on his blog. You could also buy the TS808 Tube Screamer that Gotch actually used for many years or the JHS Bonsai 9 which emulates multiple tube screamers.
For modulation sounds (phase, tremolo) the AmpliTube X-Vibe is one of many great multi-effect pedal on the market. If you have the money for it, you could buy a BOSS DD-20 second hand or the BOSS DD-200 to emulate Gotch's delay sound.
If you decided to go with the Mustang GTX, you would also have a selection of effects built into the amp.
THE TONE MASTER PRO? (and amp simulators)
As a final recommendation, Fender have recently released the Tone Master Pro (TMP), which is a multi effects and amp simulator.
It can be used as a device for home recording, but also as multi effects pedal in front of a standard amp or as your main amplifier when played through a IR cabinet. (I'll go into more detail in a bit!) The TMP are not cheap at £1400, so I would only advise buying one if you plan to use it as your main amp and effects board.
If you have the budget and was starting your rig from scratch I would consider checking it out, as it includes great simulations of the Twin Reverb and Vibro-King. They are also easy to transport & the Fender IR cabinets only weigh 12.5kg. (For comparison, my VOX AC15 weighs 30kg and is a nightmare to transport for shows)
The TMP is Fender's first amp simulator pedal and from what I understand the Quad Cortex DSP, the Line 6 Helix series and the Headrush Pedalboard are more popular choices. However, for the purpose of "sounding like Gotch", I would start with the TMP for its Fender selection and simplicity
The Fender Tone Master Pro can be used to simulate multiple amps & as a pedalboard for live performances
If you decide to buy a Amp Simulator Pedal, there are 3 common ways to use it for band practices & live settings. (Outside of just using headphones or running straight to front of house at a venue:
Option 1: Only use the effects on the Amp Simulator and run it into a standard amp .** (Make sure to not use the cabinets settings within the pedal when doing this. You could still use the amp settings, however they may clash with the physical amps and do not always sound great
Option 2: Use the Amp Simulator as your main amp and combining with a standard guitar cabinet. In order to do this, you will need to buy a separate power amp pedal to run in between the amp simulator and the guitar cabinet. (Otherwise you will not have any volume or oomph when you play through the cabinet\*)*
Option 3: Buy a IR Cabinet. The difference between this and Option 2 is that you would not need to buy a separate power amp pedal to run into the speaker. The Fender FR-10/12 & Line 6 Powercab are good examples.

Recommended Amp Settings

The following amp settings are based on photos gathered from live performances or from photos of Gotch's social media. Every amp will slightly differ based on your guitar or playing style, so you may need to tweak with your settings to find the right blend.
My personal advice is to not put the gain too high and to start with getting the treble and bass settings where you feel comfortable, before tweaking the mids. The P-90s have a strong midrange attack, so bear that in mind as well.
Gotch's Vibro-King and Super-Sonic
Fender '65 Twin Custom 15:
(Plugged into Vibrato 1) Vol: 3, Treble: 3.5-4, Mid: 6.5, Bass: 3.5
Fender Super-Sonic 60 Head:
Channel 1: Vol: 3.5, Treble: 4-4.5, Bass: 5
Channel 2: Vintage setting ON, Gain 1: 4, Gain 2: 0, Treble: 5-5.5, Bass: 4.5-5, Mid: 5.5, Vol: 5.5-6
Fender Vibro-King Custom (as cabinet):
Plug into the speaker input at the back of the amp, with FAT switch on.
Fender Vibro-King Custom (as amplifier):
(FAT ON) Vol: 3, Treble: 4.5, Bass: 4, Mid: 5.5 (Based on Eizo Sakushin Shu Vol.6 settings)
OR
(FAT ON) Vol: 4.5 Treble: 4 Bass: 5 Mid: 4.5
Shinos & L Rocket Head:
Gain: 7, Treble: 8, Bass: 3, Reverb: 0, Master: 7

Conclusion

I hope this has been helpful for you guys, as it has been on my bucket list for some time! Please provide some feedback as it is always appreciated and if you would like more details about the effect settings let me know.
submitted by DANJCOLEMAN1991 to AsianKungFuGeneration [link] [comments]

2024.05.13 04:37 SpiritualSakura Casual games for PC

My favourites are:
Hyperballoid: Time Rider Plumeboom: The First Chapter Reaxxion Zuma’s Revenge Autumn in France Bejeweled 3 Sparkle (series) Fairy Treasure I wasn’t overly keen on Zuma Deluxe, the Peggle series or any of the other Bejeweled games. I didn’t like any of the Luxor games And the other Hyperballoid game I saw wasn’t good because the paddle didn’t move well. I didn’t like the Ricochet series because it was too gloomy and creepy for me. I don’t like Chuzzle. I am not a fan of hidden object, rpg, time management or platform games. Not a fan of any of the other popcap games (I’ve tried them all).
submitted by SpiritualSakura to gamingsuggestions [link] [comments]

2024.05.02 13:30 Chichaaro Droits du jeu Zuma Deluxe

Bonjour à tous,
Je ne sais pas trop si ce sub Reddit est le bon pour ma question mais je me lance.
J’aimerais développer un jeu vidéo qui serait probablement très inspiré du jeu Zuma Deluxe en terme de mécanique. C’est à dire que le joueur sera placé sur l’écran, avec un chemin autour de lui sur lequel se déplaceront des billes (ou du moins des entités pas encore défini) de couleur différentes, et qu’on peut éclater en combinant un certain nombre d’une couleurs. Je ne veux pas trop m’étaler sur le reste du jeu qui lui n’aura a priori aucun rapport avec Zuma.
À noter que je ne compte réutiliser aucune ressources du jeu original, ni même le nom.
Ma question est, dans quel mesure je peux commercialiser ce jeu par la suite ? Ou puis-je trouver des informations sur de potentiel droit d’auteubrevet déposer par les développeurs originaux ?
Je ne m’y connais pas du tout dans ce domaine, mais je penses que c’est lié au droit, n’hésitez pas à me dire si je suis hors sujet 😄
Merci à vous
submitted by Chichaaro to droit [link] [comments]

2024.04.28 18:55 machiavelliancarer Most based website in crypto = www.pepecoin.io

Most based website in crypto = www.pepecoin.io submitted by machiavelliancarer to Pepecoin2016 [link] [comments]

2024.04.20 21:42 featherdance [Sell][US] Dior, Giorgio Armani, Kaja, Viseart, PMG, NARS, Becca & more!

Shipping:
Payment: PayPal Goods & Services, I'll cover the fee.
Verification: https://imgur.com/a/oWWrQtH
Everything is from a clean, smoke-free home.
139 items sold in 46 separate successful transactions on Makeup Exchange so far!
Happy to answer any questions, thanks for browsing!
*BNIB means the item is brand new, never swatched, and the box is included. Other items may be brand new, never swatched, but no box.

Individual Items (in album order):

>> Higher End <<
>> K-Beauty, Drugstore, etc. << (additional 20% off of purchase of 5+ items)
>> Tools & Nails <<
Freebies with any purchase:
submitted by featherdance to makeupexchange [link] [comments]

2024.04.18 17:00 Ely_Ely_Ely [PC][2005-2010] Connect 3/ Zuma/Worms Blast puzzle-like game

Im looking for a game from 2000-2010, it was PC game that was mix of zuma deluxe and worms blast, i remember that the player was something like a garbage/trash collector in space (propably humanoid turtle or alien race, idk it was green). Gameplay was as i mentioned simillar to worms blast, zuma deluxe where player was on the bottom of the screen shooting marbles of different colour into stuff on the top of the screen. Propably game from popcap games but i couldnt find it in their catalogue. I remember that i had demo of that game where i had 30 minutes to play then i had to buy it.
submitted by Ely_Ely_Ely to tipofmyjoystick [link] [comments]

2024.04.13 23:03 Justinvzu02 Noise gate in FX loop causes loud screeching

I recently bought a used Engl Ritchie Blackmore V1, and I've been really enjoying it. I plugged my pedalboard into it (Guitar>Digitech Whammy DT>Ibanez TS9>Revv G8>MXR Carbon Copy Deluxe>Amp, all pedals fed by Strymon Zuma) and everything works fine. However when I use the four cable method to connect the FX loop, volume drops and I get a loud high pitched screech from the amp while I play. The FX loop dial is set to 100% wet. When I disconnect the fx loop everything works again. Turning off the noise gate doesn't help. Plugging straight into the amp bypassing the pedalboard but still having it connected to the fx loop works like it should. Is the FX loop broken? Could it be the pedal's fx loop section? Thanks!
submitted by Justinvzu02 to GuitarAmps [link] [comments]

2024.04.13 00:34 featherdance [Sell][US] Dior, Giorgio Armani, Kaja, Viseart, PMG, NARS, Becca & more!

Shipping:
Payment: PayPal Goods & Services, I'll cover the fee.
Verification: https://imgur.com/a/oWWrQtH
Everything is from a clean, smoke-free home.
136 items sold in 45 separate successful transactions on Makeup Exchange so far!
Happy to answer any questions, thanks for browsing!
*BNIB means the item is brand new, never swatched, and the box is included. Other items may be brand new, never swatched, but no box.

Individual Items (in album order):

>> Higher End <<
​
>> K-Beauty, Drugstore, etc. << (additional 20% off of purchase of 5+ items)
​
>> Tools & Nails <<
​
Freebies with any purchase:
submitted by featherdance to makeupexchange [link] [comments]

2024.04.08 21:40 Thorvald01 I need help finishing!

I need help finishing!
Almost done with this board but I am still a little unsure of some areas. From the planning to now i found space for the H9 also. It is intended to be a "Do it all" TPS wet/dry/wet rig, for home use only. I have primarily based it on Tom Bukovacs studio board, but also drawing inspiration from Tim Pierce, That pedal show and so on. The pedals currently missing are the MXR M305 Tremolo (stereo) and the MXR Phase 95. Both on their way. And two Boss expression pedals to go in either side of the volume pedal, both connected to the HX Effects, but since they are dual expression they can also control some of the others.
The planned signal chain is:
Behringer Super Fuzz SY300, Boss SY-1 Synthesizer, Boss GE-7 Equalizer, UAFX Max Dual Compressor, Electro Harmonix POG2, One control loop (1 side of the HX Effects), MXR Phase 95, MXR Duke of Tone, MXR Timmy, Wampler Tumnus Deluxe, Keeley Noble Screamer, Boss JB-2 Angry Driver + JHS Red Switch, Electro Harmonix Q-Tron, Boss VB-2w Vibrato, Boss FV-30L,
Boss CE-2w Chorus (splits into wet/dry), Lehle P-split III (isolates and Phase inverts),
Tc Electronics SCF Gold (splits wet into stereo), Eventide H9, Boss DC-2w Dimension C, Line 6 HX Effects (stereo return) + 2x Expression, MXR M305 Tremolo + Tap tempo, Strymon Lex V2, Neunaber Immerse MKII, Boss RC-5 (stereo out wetwetL),
Like Jack Griffiths pedalboard I use the HX two places in the signal chain. First I use it mono in the One Control Loop after the POG2, for pitch effects, wah, od, feedbacker etc. Using one of the expression pedals. Then I use its stereo return and out after the DC-2W, using the other expression pedal for delay, verb, mod etc.
The three Amps I'm using are Fender Bassbreaker 18/30 and a Boss Nextone Special as the two wets. Then a Bugera V5 Infinium as the dry in the middle.
The two places i need help with is the Fuzz in the beginning and then the modulation and the wet stereo stuff in the end. For Fuzz I was considering the Kernom Moho Fuzz as the only one as I think it could do it all and I would be able to save "Fuzz pedals" via midi through the HX Effects. And I never stack 2 Fuzz pedals and from videos I think the Moho could do it all. But please come with suggestions here!
And then for the modulation I might have to reorganise that whole side depending on what I choose for my Fuzz area. I also want to get a Thorpy FX Campflange, Fulltone Deja Vibe Mk2, and a Strymon Deco V2. So looking at the pedals I have and the ones I want to buy. What would you do for the wet section?
I do realise this board is absurd and incredibly expensive and I never thought I would be able to afford them 🥰😇
PS. For power I'm using one strymon zuma and two carl martin Pro Power 2.
submitted by Thorvald01 to guitarpedals [link] [comments]

2024.04.08 19:07 Thorvald01 Almost done!

First post ever on reddit. Have been planning this Board for a little over a year. The two pedals im missing are a MXR Phase 95, and a MXR stereo tremolo (both on their way). And then two Boss expression pedals on either side of the volume pedal.
The signal chain goes like this:
Behringer Super Fuzz SY300 Boss SY-1 Synthesizer Boss GE-7 Equalizer UAFX Max Dual Compressor Electro Harmonix POG2 One control loop (1 side of the HX Effects) MXR Phase 95 MXR Duke of Tone MXR Timmy Wampler Tumnus Deluxe Keeley Noble Screamer Boss JB-2 Angry Driver + JHS Red Switch Electro Harmonix Q-Tron Boss VB-2w Vibrato Boss FV-30L Volume pedal
Boss CE-2w Chorus (splits into wet/dry) Lehle P-split III (isolates and Phase inverts)
Tc Electronics SCF Gold (splits wet into stereo) Eventide H9 Boss DC-2w Dimension C Line 6 HX Effects (stereo return) + 2x Expression MXR M305 Tremolo + Tap tempo Strymon Lex V2 Neunaber Immerse MKII Boss RC-5 (stereo out wetwetL)
The Amps are a Fender Bassbreaker 18/30 and a Boss Nextone Special as the two wet Amps. And then a Bugera V5 Infinium as the dry in the middle. Plan is to have the wets separated by roughly 3 meters and the dry in the middle.
The only areas that are still not set in stone are the Fuzz in the beginning and the area with the 3 chorus pedals. For fuzz I think I really want the Kernom Moho. It would be able to do almost everything and I never stack fuzz (other than into overdrives). And I would be able to control it via midi from the HX Effects to save several "fuzz pedals". And in the case I make that choice there won't be space for the Boss CE-2W.
I realise that this pedalboard is so pretty effin massive and expensive and any comments related to that are 100% justified. Almost every pedal has been bought used.
What would you do with the board where you in my shoes?
PS. The power supply's are a strymon Zuma and 2 x Carl Martin Pro Power 2. Hopefully I can upgrade one of them for another strymon zuma sometime in the future.
submitted by Thorvald01 to pedalboards [link] [comments]

2024.04.07 00:47 U-Tardis My first pedal board

My first pedal board
Looking for advice on the signal chain, and whether to use the signal loop on my Friedman amp or just daisy chain them all together? I've ordered a Zuma R300, need a couple more power slots.
submitted by U-Tardis to guitarpedals [link] [comments]

2024.04.06 01:25 featherdance [Sell][US] Dior, Giorgio Armani, Kaja, Viseart, PMG, NARS, Becca & more!

Shipping:
Payment: PayPal Goods & Services, I'll cover the fee.
Verification: https://imgur.com/a/oWWrQtH
Everything is from a clean, smoke-free home.
136 items sold in 45 separate successful transactions on Makeup Exchange so far!
Happy to answer any questions, thanks for browsing!
*BNIB means the item is brand new, never swatched, and the box is included. Other items may be brand new, never swatched, but no box.

Individual Items (in album order):

>> Higher End <<
>> K-Beauty, Drugstore, etc. << (additional 20% off of purchase of 5+ items)
>> Tools & Nails <<
Freebies with any purchase:
submitted by featherdance to makeupexchange [link] [comments]

2024.04.05 04:52 ZiggyGasman SOTB

SOTB
This is the 3rd iteration of my first PB. Everything is controlled using the Morningstar MC6Pro MIDI controller.
Signal chain: strat > tuner > Morningstar ML5 loop switcher [uPOG > K-comp > Duke of Tone > OCD v1.7 > Tumnus Deluxe] > MVP Jr. (I keep this off the board to the left of the controller) > ML10x matrix loop switcher [riverside, sunset, brothers, slo, julianna, halo] stereo out > Mobius > Timeline > Big Sky > Iridium > Canvas > PA or interface. Canvas can sum to mono if necessary.
MIDI chain: MC6Pro > Big Sky > Timeline > Mobius > ML10x > Conduit [Brothers, Riverside, Sunset, Iridium]
MC6Pro built-in relay switches: A > MIDI clock to Halo; B > MIDI clock to Julianna
Clean power supply: Zuma > Ojai > Ojai
https://preview.redd.it/jc152cwgwksc1.jpg?width=4032&format=pjpg&auto=webp&s=7fadacf05968c84f1b5d4f598e8a94a16b325177
https://preview.redd.it/j28n6ewgwksc1.jpg?width=4032&format=pjpg&auto=webp&s=db44af2e989ddbf5b3d8ca9766f91d52b2d44aa3
submitted by ZiggyGasman to guitarpedals [link] [comments]

2024.04.04 19:16 Myralbus Io e mio padre non capiamo come risolvere questo problema

Io e mio padre non capiamo come risolvere questo problema
Questo problema riguarda solo in parte i videogiochi ma non sapevo dove fare questa domanda. Alcune icone sono più piccole, prima erano solo due adesso altre hanno lo stesso problema. Che faccio?
submitted by Myralbus to italygames [link] [comments]

2024.03.23 18:27 gr4y04 Blush Blush on a Chromebook?

Blush Blush on a Chromebook?
Hey,
I have found ways to play Blush Blush just about anywhere and decided I would try and get the pc version of Blush Blush running on maybe not the best hardware for gaming.
After some messing about using the Chrome OS Linux Development I done it! ^
Idk why but I thought I would show y’all lol
submitted by gr4y04 to BlushBlush [link] [comments]

2024.03.22 15:58 Anarchist_Geochemist Proposed Pedal Board

Proposed Pedal Board
How would this pedal board be, and would they be in the optimal (correct?) order, starting from the lower right with the Wampler Fuzztration and going to the upper left to the Catalinbread Talisman? The Zuma is powering them all. I would run the lower level directly into my amps guitar input and the upper level (Talisman, Ventilator II, and Magma57) through my Power Station-100 effects loop. Thanks.
​
https://preview.redd.it/g850knslgwpc1.png?width=1720&format=png&auto=webp&s=9d1e9335cdd295add08e1a5aef40dec95ecd9004
​
​
submitted by Anarchist_Geochemist to guitarpedals [link] [comments]

2024.03.22 05:02 DropWatcher Drop Watch: March 22nd, 2024

LPs

Deluxe

EPs

Songs

Old Drop Watches

2023 and 2024 Calendar

submitted by DropWatcher to hiphopheads [link] [comments]

2024.03.20 21:13 DropWatcher Drop Watch: March 22nd, 2024

LPs

Deluxe

EPs

Songs

Old Drop Watches

2023 and 2024 Calendar

submitted by DropWatcher to DropWatch [link] [comments]

2024.03.16 23:50 waterlord93 [PC win xp][definitely before 2006, probably older] Puzzle, filling templates with elements made of rhombuses

Platform(s): PC CD, but i got with a bunch of other small games, it wasnt standalone
Genre: Puzzle, with elements moving in on the bottom of the screen (conveyor belt)
Estimated year of release: early 2000s
Graphics/art style: it was colorful (red green yellow blue purple come to mind), pastel colours similar to blobs in Zuma Deluxe. Backgrounds where usually darker, probably brownish.
Notable characters: No characters
Notable gameplay mechanics: There were some powers that could be activated, one of them 100% being a "grinder" that converted bigger elements into smaller ones, which are easier to fit. Elements constantly coming in on a conveyor belt. Drag and drop to place them into a predefined shape that is basically a map. Elements could be rotated (99% sure). Game ends if conveyor belt gets filled up all the way to the end of the screen but template (map) is not filled in. I am not certain, but i feel like there was also "time stop" power that paused elements coming in for a while, so you have time to use them up.
Other details: The game had different maps, like butterfly, cat, maybe some duck, random shapes. Maps were templates, made out of uniform rhombus elements, basically consider a rhombus shape to be smallest unit in this game. Elements coming in on conveyor belt were either the single rhombus or complex elements made of multiple rhombuses, i feel like there was a Z shaped one, but not certain. I think rhombuses were all laying on their side, not standing on a tip.
submitted by waterlord93 to tipofmyjoystick [link] [comments]

http://swiebodzin.info