*Management style:
Not democratic/participative. Not transformational. Not Coaching. Very much Autocratic/Authoritative/Coercive. Sometimes Laissez-faire. Style depends on the department.
*Chain of command:
The ministry is seen as a church by top management. Top management are the “elders” and the CEO is the Senior Pastor. Then there is everybody else. So, confidence is put on their positions of authority. They are, in all sense and purposes, the “spiritual leaders”. They present themselves as having spiritual authority and, therefore, as being entitled to receive immediate agreement and unquestioned compliance.
Also, there are multiple management layers or chains which this quote sums up as well:
"When you become an admiral, you never have bad meals and you never hear the truth. there are all these layers of management and buffer layers and each one is afraid to tell unpleasant truth to the top levels.... “
Not a culture of authenticity where everyone on the team, including management, is encouraged, and expected to be who they are. There is a sense that top management puts up a false front, they seem to want to appear perfect. Illusions of invulnerability exist. They always lead well, they always make the right decisions, they never admit mistakes, etc. Want people to think they got it all together- all rainbows and lollipops. Do not exhibit vulnerability. Toxic positivity is also very much present: Everything is seen as “awesome”. So, there is judgment if you have a bad (not "everything is awesome") day.
The vertical chain of command, results in less collaboration, slow communication, lack of career growth, feelings of subordination, and decreased employee empowerment. Top management sets the rules and standards without any input from the “bottom” employees. Employee questions, concerns or ideas have to go up several steps of the chain of command so that upper management can address or approve. The bottom employees do not have the ability to make decisions related to their work or a particular situation. So, not everyone feels equal.
So, if you are not a spiritual leader, you are just basically told to submit and listen to those who are in authority over you because they are the people that “hear from God” and you are not and so whatever they say goes. And they set up a scenario where they basically kept those of us who were not spiritual leaders dependent upon them.
Many in management are overconfident and overestimate their abilities. They have a simple idea of how things are and how things work. Unfortunately, they make decisions that impact entire departments without gaining the needed knowledge.
The chain of command and lack of ongoing training also results in many employees being promoted so much that they max out their competence and will remain there until they leave or are let go. So, you end up with many in the role of management that lack the training and competence of the respective department. So, employees with the most authority are often not the most experienced and not adept in the particular field leading team members. And employees with the most experience and skills and knowledge and wisdom have the least (or no) authority.
Good leaders don’t always claim the “leader” title. Oftentimes, good leaders are those with more understated temperaments. Leadership is as much about listening as it is about telling. However, people with the most open and receptive personalities often do not have much authority.
Also, how the chain of command should operate when there is a unit that acted without proper authorization, it is not a junior authority who’s going to bear a responsibility for that, but somewhat of more senior status. And that’s true in any military or business or ministry operating by a code of ethics. So, if someone at the bottom of the chain is struggling, failing, or making mistakes, those at the top of the chain bear full responsibility. Everything stands or falls on leadership. Unfortunately, the chain at FCBH is not two directional.
There is also a sense that top management promotes employees who are least-competent but pose no risk to their own position (in-group bias) to management.
*Feedback:
Work environment or culture is not set up for employees to give honest feedback/opinions or to deliver bad news or to question or disagree with management.
Sample bias is also common. Management will send an email asking for feedback but they won't consider how only the people who are open to talking and sharing their opinions will participate while others won’t. Bias arises because employees with specific characteristics (e.g., extroverts) might be more likely to agree to participate than others, making the participants a non-representative sample. People with strong opinions or substantial knowledge about a specific topic may be more willing to give feedback than those without. Management does not follow up to determine why they are unresponsive or follow up frequently to reduce attrition.
Management claims they want to hear from employees, but they only want opinions and ideas on matters that are superficial or trivial. So, few employees give candid feedback on important and significant matters.
Top management does not involve employees in the change process when changes occur.
Management does not ask for honest feedback on their leadership or on decisions that are made that affect employees. Management will not ask how they are doing as leaders, what employees need from them. No regular check-ins or 1:1 on employees’ professional and personal well-being. Are employees stressed, disappointed or feeling burdened physically, emotionally or spiritually? No growth and career discussions.
Management will ignore most feedback, comments, suggestions even when it's common knowledge but will adamantly listen to employees who preface with "God told me to tell you..." Or “I felt God say …” or “God spoke to me and said…”
For example, management started focusing on Gen Z only after a few people claimed that “God told us that Gen Z are important for our future business growth.” In another instance, someone said “God gave us this word: we as a ministry need to really consider how everyone is wired, how each person is different. How people have different personalities.” Then, management affirmed this “word from God.”
If one employee brings something up to management it is often ignored and the employee is gaslighted. If two or more employees bring the same thing to management, then God is communicating something and they take it seriously (per Matt 18). Even if it is just coincidence or frequency bias.
*Groupthink/Conformity:
Groupthink, confirmation bias, in-group bias, illusions of unanimity, and self-censorship is very prevalent in the culture and especially in their meetings. There is a lot of direct pressure to not question, to conform, to agree with the views and personal convictions of the top management. Employees condemn those who disagree or question top management and they accept those who agree, creating immense pressure for conformity.
So, many employees frequently remain quiet, preferring to “keep the peace” rather than disrupt the uniformity. Employees are pressured to hide problematic information (especially from top management).
*Disagreements/Different perspectives:
Top management will also point out the working and living conditions of international employees to “encourage” local employees to not “complain” or give critical feedback or bring up legitimate problems (e.g., fumes or loud noises from construction in the building).
Management also often commits the "ends (or goals or vision) justify the means" fallacy: the work, the production and distribution of bibles (the ends) being done is more important, so employees shouldn't complain at all about the means or their working conditions (broken chairs, broken or inadequate equipment, poor work-life balance, bad management).
And, if management disagrees with you, with your observations, feedback, suggestions, or theology, they will often try to trump you with spirituality or vague meaningless spiritual terminology instead of using Scripture (properly interpreted), facts and reasoning.
In addition, top managers will take great offense when employees question or disagree with the directions and decisions they make. Dissent is not welcomed. Respectful debates/disagreement is not encouraged. Open discussion and alternative perspectives are not encouraged. Management does not value, support, or respect diverse opinions and ideas. They do not actively seek out different viewpoints. Do not allow people to speak their perspective, their thought of mind. So, there is no psychological safety. Employees do not feel comfortable expressing dissenting opinions without fear of retribution or judgment. Afraid of breaking the little glass image. People do not feel comfortable sharing setbacks, mistakes, failures. Management does not encourage open communication. Management often seeks agreement, instead of posing honest questions that challenge the status quo and provoke critical thinking and discussion. They do not encourage employees to challenge them. In fact, they are seen as a type of complaining or critical feedback and so are viewed as sin. This makes top management seem self-centered.
*Appeals to emotion: Guilt and Shame:
Top management often shares their personal opinions and convictions (e.g., spending money only when absolutely necessary, not accepting large gifts, not buying fancy items) as something everyone should do. It’s never direct. It's always through stories. Management loves stories. The personal convictions of management are presented as more than preferences.
For instance, top management encourages extreme frugality and poverty through their personal anecdotes #loudbudgeting and stories from international cultures. Think along the lines of: “we, here in America, have no right to be sad or to complain about things or to request better things or ask for accommodations or for more employee engagement because others (internationals) have it much worse.” Even wanting better equipment and supplies or asking for better working conditions is frowned upon (in some cases seen as a sin), even if your request helps you to do your job more effectively and makes the work better (a new whiteboard, a new office chair, better computers, etc.)
Example: “You should really try to come in to work even if you feel bad, even if you are snowed in and the roads are hazardous because people need to get our bibles. And our international employees work in much harsher conditions.”
You also get this feeling from the way they communicate that top management would rather not pay their employees. They would prefer it if everyone just worked for free because “we are on a mission from God. We are doing the Lord's work.” There is also a sense that employees should be more than willing to sacrifice their well-being, career goals, financial goals, personal goals for reaching people with their Bibles.
Leadership sets the example and expectations, so this all ends up making employees confused and feeling guilty and ashamed. Guilty and shameful about asks, spending money (even their own). Guilty and shameful about having nice things (new car, new phone, new tv), about making needs known, about sharing concerns regarding work, about asking for raises to keep up with cost of living, etc.
Example: An employee has continued to use an old whiteboard. It is so old it is hard to read and difficult to erase. Management likes to tell donors: “We don't spend money on everyday things like whiteboards…. Instead, we use that money for more bible recordings, for people to hear about Jesus.”
This also causes confusion. Every few months there is a meeting where management discusses how sitting on stores of money is bad, but spending it is also bad, but also not spending it is bad... "Being rich is bad. Money is bad. let's not accumulate money, that's bad. We must think about how people will see what we have. So we should look poor and not appear too frivolous." But top management is okay with receiving gifts from donors and other ministries. Management personally does not like to have nice “fancy” things, and as a ministry, they say FCBH should also not have nice fancy things, they should use the money for other more important things. They don't like when other ministries use their money for nice fancy things, but it's okay if other ministries give FCBH nice fancy things like tote bags, key chains, mugs, phone holders, lunch bags. Another example, it took them years to repaint the parking lot. It was at the point where people did not know where to park. Before repainting, management decided to remodel the hallways and install posters and multiple monitors with language stats.
There is also a subtle sense that producing audio and video bibles is the highest calling one can have. And it's implied that FCBH is the main means God uses to fulfill the great commission: “God needs FCBH to do these bible recordings or people (specifically unreached internationals) will go to hell.” So, top management hints that working anywhere else isn't really serving God (or at least, not serving God as well as one could if they worked somewhere else). They imply that working at this ministry is the only way to truly serve God and fulfill your calling. They also use this framing to guilt and shame employees into not quitting. Management implies that employees should not take opportunities to leave or take other jobs because getting the Bible to people is God’s highest calling for us as Christians:
“If anyone leaves FCBH, then they must not really understand the vision/calling. They are not committed to saving people. We should be willing to give up things to fulfill the calling. The apostles did not pursue better jobs and so God will provide if we need better pay, benefits, career. For those of us who join the ministry to hold true to get God's word to every person, it takes discipline because we have opportunities to do other things. I'm sure that Noah had problems with Builders because he probably had hundreds of people not thousands working on the ark. They started their own businesses and started side things going on. pretty soon they'll have no time to work with him on the ark. and you can have all kinds of diversionary things happen. and so we want to understand they focused in the ministry. and that's been one of the things that I've really tried to do is what did God tell me at the time this ministry began because I was not interested in this ministry. I was interested in living by faith and experiencing God through people and seeing people experience God. and when I was praying about that here in Albuquerque the Lord said bring my church together and make disciples. and then he also told me that when his people think the same they are one. so it's not a matter of getting rid of the buildings or the leaders but it's a matter of people thinking the same. They can go to different denominations, different buildings, have different teachers, and different preachers and leaders but once they think the same, they're one and that's what his objective was. and so that's when I felt like the Lord said get God's word to every person. So I'm challenging us to stay true to what God has called us to do. and every time somebody leaves the ministry there are reasons for leaving. but it startles me a little bit, because I think well we haven't, we haven't communicated the vision very well somehow because they didn't get it. like Noah building the arc. it it's a long project it's not a month or a year two years or three years. our immediate goal is 2033 and it means that we're committed to a cause. and that means some of us we give up something. I we've given up stuff we live in a small apartment and that's what we saw that God had us do and that's our lifestyle we we tone down our lifestyle to get the cause committed to the cause. and and I know that's difficult for some, in some cases maybe there's financial needs because of family growth and stuff there they just can't afford to work in the ministry. but sometimes it's a choice and every time somebody leaves it where it's actually a choice. I think we haven't communicated the mission very good the vision very good. I've been looking at is that could you imagine read reading the New Testament. and finding out that Peter about halfway through or Paul halfway through the ministry all of a sudden got a better job offer. and stopped their portion of the ministry they held the course no matter what happened. whether it was good or whether it was bad. Paul talks about this and sometimes we want to follow the Lord. but we don't impart on ourselves the same responsibilities that those disciples did. so when God Empower them is he empowering you in the same way. and you're making choices that maybe you shouldn't make that you will impart and say the Lord is leading me someplace else when in fact maybe it isn't. it's just a better offer. if the Bible in the New Testament was reading a little bit different than Stephen left the ministry at this point or James left the ministry at this point because of something I think we need to be very very careful and why I say that is that as we work internationally.”
SO, there is a lot of guilt and shame about leaving to pursue other interests or meet needs. Guilt and shame about wanting to leave to advance and develop professionally. For this reason, many remain “loyal” and stay at the ministry.
So there is lots of control and manipulation in the work culture.
*Weekly worship meetings:
These are mandatory and there are some legitimate concerns:
Top management seems to have misconceptions about true worship and worship experiences. They often reduce worship to singing by their communication, the way “worship” is used. Worship is seen as something we do on occasion - once a week, when we gather at work for the mandatory worship time. Top management, by ignoring other styles, seems to believe that there is a single style of worship which is correct for Christians.
And it seems like just about anyone can lead worship or be on the team: anyone that can play an instrument. Top management does not require a worship class or agreement to biblical principles concerning worship as a prerequisite for employees who desire to plan and lead worship experiences. So you end up with people who have different views/philosophies on the worship team. Unfortunately, many who lead do not take the time/effort to plan and lead worship experiences, to discern from songs that are better suited for individual or private worship from songs that are corporate or public worship, to discern songs that are controversial/questionable (have bad theology, weak theology), songs that are theologically ambiguous or songs that lean more towards “feminine” attributes. Most, if not all, of our modern “Christian” worship music is written at a simplistic level of understanding and comprehension. Most music tends to appeal to our emotions. Many songs appeal mostly to women. So there is a great need for teaching on the biblical principles concerning worship. Also a need to choose theologically balanced songs with music appropriate for the people. Unfortunately, many of the songs chosen are theologically incorrect (e.g., having elements from the Word Of Faith movement, New Apostolic Church, New Age). Songs are often not theologically balanced. Songs seem to be chosen for their emotional impact, to make employees feel good; many focus on just one aspect of God (e.g., love). Many promote self-centered worship.
Most of the worship leaders just sing the songs: They do not actually “lead” people into worship. They do not help people connect the lyrics of the song to where they are at in their personal life, to teach them something about God or help the people understand what this song means and what God wants them to get out of it, so they're not just singing songs and just doing, going through the motions or help them understand the depth and the richness of what lyrics mean and how it applies to their life. What matters to them seems to be whether songs are impactful, moving, and beautiful. (Whatever that means.) Whether songs make employees feel good. They don't seem to care whether the songs actually reflect truth: Do the lyrics line up with Scripture? Do the songs glorify self or God? How would new Christians or nonChristians interpret the song?
Theology is the study of God and it's very important doxology is an expression of praise to God so the point here is that all theologies should ultimately lead to doxology if theology doesn't lead to doxology then we've actually missed the point of theology so if you have theology without doxology you just have dead hold orthodoxy which is horrible. On the other side you have the people who say “forget about theology I just want to praise.” But if you have doxology without theology you actually have idolatry because it's just a random expression of praise but it's not actually informed by the truth of who God is so God is
concerned with both he's concerned with an accurate understanding of him and that accurate understanding of him leading to a response of praise adoration and worship towards him.
*Leadership quality:
Top management has more respect for donors and guests than their employees.
Management lacks basic core leadership principles/values:
Unfortunately, many employees are not given power or resources: Management just gives them the responsibility to get things done. Before responsibility is given, employees should be equipped: be empowered, have the authority, be given resources and have the experience. Employees are not empowered as individuals to solve their own problems using their own solutions. Micromanagement is often required every time the situation changes or problems arise. Employees are not inspired to act as leaders for themselves, delivering amazing performance without guidance. They have coaching sessions but only when there’s a problem. True coaching occurs regardless of whether the individual is crushing their goals or falling behind. Management does not seem to care about unlocking a person’s potential and getting the most of their performance. They seem only interested in producing more followers, not more leaders.
No method to hold management accountable to core values listed in their own Employee handbook. Employees are expected to abide by the procedures and rules described in the handbook but top management can choose to ignore it when it is convenient for them.
-Top management are NOT learners: No desire to develop and improve their skills.
-They do not ask employees: What’s one thing you see me doing—or failing to do—that you think I should change?
-They do not ask how they are doing as leaders. Or ask employees how they’re doing.
-They do not ask what employees need from management that they are not giving them.
-No performance evaluations for both management or non-managment.
-They often fail to emotionally connect with employees.
-They do not speak to employees' needs first.
-They do not focus on what they can put into people rather than what they can get out of them.
-They do not understand basic psychology, how people think and behave.
-They are often resistant to (and even hate) change: Perhaps because they fear losing control. In fact, new information, objective facts, research, stats, and even new ideas are often ignored in favor of what's easiest to do or because of tradition. If something has been done and “works”, top management does not see a reason to question it or to improve on it. If something was tried 5, 10, 20, even 50yrs before and failed, top management does not see a reason to try it again even if the exact circumstances have changed.
-They do not empower or give the means, the power or opportunity to do to employees.
-They do not trust others to follow through managing processes and performing tasks.
-They do not lead by example.
-They do not know when to move forward and when to back off, what to improve and how radical those improvements should be.
-They often fail to see options, and plan and prioritize.
-They fail to develop leaders around them.
-Their communication is often poor.
-Their listening is also poor: do not listen for more than facts, but also the feelings, meanings and undercurrents.
-They do not take the time to get to know the people they lead: no weekly check-ins which top organizations have to discuss how employees are doing professionally and personally. Management doesn't ask “what was good this week? What was not good this week? How is your well-being? How is your family?”
Competence in leadership skills is also poor.
-They are not teachable: not willing to keep learning, growing, improving in leadership and management practices: FCBH has a yearly “leadership” summit. But, the way it is set up, it reinforces weaknesses instead of challenging leadership growth.
The summit is also just for a select few in top management. Not every employee is seen as a leader so most employees are excluded.
Top managers attend the summit but there is no followup, no post accountability by other managers and especially by the employees that are under the managers. No discussion on how management will apply what was learned.
Some of the past speakers have had questionable characters and even questionable teachings (Judah Smith). Leadership qualifications and theological background seems to be ignored in favor of charismatics, dynamics, popularity.
-Top management does not take responsibility for their part of a disagreement or failure and apologize.
-They often embrace a victim mentality.
-They often limit yourself by your job title.
-They do not invest in better tools or processes.
-They are content with the status quo.
-They allow their past achievements to stagnate their desire to keep learning.
-There is a lack of discernment, finding the main cause of problems/issues.
-They do not anticipate problems.
-They do not accept the truth of the problem: Do not face up to the reality of the situation;
-They get bogged down in the details.
-They often avoid problems.
-They don’t deal well with problems.
-They do not have their team study all angles.
-They often do not value nontraditional thinking: Don’t embrace change, ambiguity and uncertainty well.
-They do not work well with differences.
-They do not have their own mentors or provide mentorship to others.
-They do not invest to improve their own professional or leadership skills.
-They are often insecure, constantly seek validation, acknowledgement and love.
-They limit employee's success and recognition:
-They do not seem interested in making people successful: Don’t attempt to remove barriers that prevent employees from being successful.

• They often feel threatened by accomplishments by employees who are not management:

If an employee who is not management has a great idea to improve the work, management often does not support it and may secretly try to shut it down.
When a team succeeds, management will not give other people credit and instead take the credit themselves.
It seems like some of the people working there were given the title of management, the position, and that alone made them qualified. Management or leaders assume that their position alone qualifies them to make critical decisions where they may not have the best data, insight, wisdom, skill, experience. Just because one may have the word “manger” in the job title, does not automatically make them a great leader. Leadership is about dealing with people, and the dynamics between those people, and influencing people.
*Dead end career path:
For the most part, top management assumes that team members are fine and "settled", rather than taking the time to understand their true feelings and needs. They do not ask employees where they are struggling, where they are having trouble, what frustrates them the most?
Management does not seem interested in making employees better both personally or professionally. They do not have a growth plan or professional development plan for employees. No job related training. They do not provide what is needed to help employees to grow and improve. They don't provide opportunities for employees to apply their talents and expertise. They don’t ask how they can better support employees. Employees don’t check on each other.
One is expected to work until health deteriorates and skills become obsolete so you leave in a worse place than you started. For most employees, there is no long term future with the organization. Management does not let employees know how they are doing and what the future looks like for them. What the opportunities are. They do not take the time to learn from employees what they want to be. No honest conversations to understand employees goals and ambitions. So, because there is no growth or development plan, no career path, once your skills are outdated, they will probably let you go or they will keep you in the same position and your salary will max out.
Management does not coach employees on how to manage their time, priorities, and energy; no teaching on how to problem solve, or make better decisions, or how to set boundaries or how to minimize context switching and zoom fatigue.

Is there possibility for that with a kind of dynamic named ranges workaround? Like to automatically compose the text reference and then somehow feed it to the rule via indirect. I like to see empty rows in the middle of the sheeet for convinience, but it causes the pointless checkboxes or empty dropdown chips to appear. I try to avoid the necessity to add and delete my rows to data validation rules manually from time to time. The best option is to judge on first two blank columns if to exclude those rows from the rules or not.
Sample Sheet

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
“When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
“In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
“When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
“In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.

Credit to MultiverSusie on Twitter for pointing this cross-promo out initially!
On May 28th and 29th, Boomerang will be airing specific programming for the launch of MultiVersus. Breaking down the Adventure Time episodes alone clued me into the fact that these episodes seem HIGHLY relevant for future speculation. Let's call this "Boomerang Theory."
The Rules for Boomerang Theory
Even though clues may be present for properties like Looney Tunes, Popeye, and Scooby-Doo, I personally consider it to be unlikely to come to any informed speculation regarding shows that air on Boomerang daily. There are some exceptions,, but for right now I am only focusing in on the shows specifically coming to Boomerang for the event.
Shows #1-2: Taz-Mania and Duck Dodgers

• These shows are part of Boomerang's regular rotation... BUT they air rather infrequently. To specifically air them on MVS Day makes sense for Taz, but Duck Dodgers is one I want to call MAJOR attention to. I don't want to jump the gun but this may be soft confirmation of Daffy. Taz could maybe get something?

Movie #1: Aloha, Scooby-Doo!

• Daphne is a MAJOR player in this one.

Movie #2: Scooby-Doo! & Batman: The Brave and the Bold

• I honestly don't think we can point out specific characters in this one- probably just a convenient crossover. Maybe Scooby will have a skin from this film?

Show #3: Teen Titans Go!

• Anything Titans is an immediate flag, as no members of the team are currently in the game. My bets are on Raven, since she's been heavily rumored for quite a while. Plus we already have Tara Strong as Harley and (presumably) now Bubbles.
  • However: this is also the closest thing to a Batman show currently airing on CN. If they took the brand synergy route, this might just be a stand-in for DC itself. I'd even see TTG being used as the base for any and all Warner Bros crossovers, so I'm not taking it super seriously atm.
• "Warner Bros. 100th Anniversary" (S8E24) is apt for this game, as it features the Titans meeting several WB icons from TONS of different Hanna-Barbera, Cartoon Network, and WB Animation properties, plus The Wizard of Oz, Elf, and Gremlins.
• "The Cruel Giggling Ghoul" (S3E23) is pretty easy. It's a Scooby-Doo parody starring the Teen Titans, featuring LeBron.
• "TV Knight" (S4E5) is the first in a long-running subplot where we tune into the Titans' television to see what's on. I honestly think this is being aired in reference to Rick and Morty's similar bit, "Interdimensional Cable," but it's worth mentioning that Batman watching TV is the framing device, plus Robin's segment specifically revolves around his relationship with Batman.
  • Another point in favor of Raven: Trigon makes an appearance. Cyborg, Beast Boy, and Starfire also have their own segments, but only Raven's has to do with her actual lore.
• "Jam" (S7E23) is intriguing to me. Not only is it the first time Harley appears as a speaking role in the show, but Poison Ivy and Catwoman are with her. Ivy is another one of those heavily rumored characters, and Catwoman makes a lot of sense for a slot. Additionally, their plot revolves around recruiting Raven and Starfire. I could see any/all of this being relevant info.
• "DC" (S7E24) is, much like the first two, an easy target. The Titans get invited to DC HQ to celebrate Wonder Woman's birthday, it's filled with DC cameos, and off-topic but it ends with a giant robot battle between DC Comics and Marvel Comics which is super fun.

Show #4: Adventure Time - SPOILERS!

• "Jake the Dog" (S5E2) heavily features Farmworld Finn. We could see him showing up as a skin, we could see a Farmworld map, I could even link this episode to the fact that a grown-up Farmworld Finn later appears in Fionna and Cake. Lots to go off of here, but definitely the least specific of the four.
• "Simon and Marcy" (S5E14) is a FASCINATING one. Marceline has been heavily rumored for quite a long time, is one of the most requested characters for the game, and this episode is her origin story. ADDITIONALLY, because this game focuses heavily on duos, I could easily see Ice King showing up as well- after all, this episode and "I Remember You" are the finale of his origin story as well.
  • A possible deviation would be for the post-Mushroom War wasteland to become a stage? Maybe both?
• "Escape from the Citadel" (S6E2) is the episode where Finn loses his arm. If the NHL promos were any indication, Finn should reflect this change in-game, or at least have it as a skin.
• "The Hall of Egress" (S7E24) has a very specific Finn look that might make sense as a skin.

Show #5: Steven Universe - SPOILERS!

• I very honestly think the following episodes are all supposed to focus in on Garnet's arc: the mystery of her character, her reveal as a Fusion, the horrific experimentation of Fusion by the Kindergarten, and Garnet's origin story. However, I will still break them down here.
  • Another easy choice, "Garnet's Universe" (S1E33) is simply an episode where Steven recounts a made-up narrative where he tries to guess what Garnet does with her day. Steven and Garnet, easy.
  • "Jail Break" (S1E52) holds significance as the first episode in the "StevenBomb" trend, where episodes would drop daily over the course of one week. This was a rather notorious strategy back in the day. HOWEVER, there's quite a bit more:
    • This is another big episode for Garnet, featuring her song "Stronger Than You" as well as her two halves, Ruby and Sapphire.
    • Lapis, Peridot, and Jasper are also here- this is actually the episode where Lapis betrays Jasper while in their combined Malachite form, as well as the episode where Peridot makes her way to Earth via escape pod.
    • Another big candidate for inclusion: the final shot of this episode is an incoming call from Connie.
  • "Keeping It Together" (S2E8) is ANOTHER big episode for Garnet, specifically centered on the practice of Gem Fusion, but ALSO takes place in the Kindergarten, which is Amethyst's origin.
    • Another argument for Peridot, as this episode revolves around the gems searching for her in the Kindergarten.
  • "The Answer" (S2E22) is ANOTHER GARNET EPISODE but some minor notes:
    • This is a direct follow-up to the events of "Jail Break"
    • The Cloud Arena makes an appearance
    • As this is a flashback, the only Gems present on the team prior to Garnet are Pearl and Rose. Might as well mention them? But they haven't been a huge part of these episodes thus far.

Must I comply with custody agreement of introducing partner? Son's mother filed court motion for custody change. One of her complaints included is lack of communication and me refusing to introduce my partner is one of the examples
My son's mother has history of cursing me at me, harassing me and girls I am dating with fake social media profiles, but mediators advise I must follow Custody agreement which states we must introduce our partners.
So I signed the MSA agreement, hoping that would be the end. Immediately after signing she continued with the cursing and harassment. Among other things
She created fake social media accounts to harass girls I just started dating pretending to be other people. She has a history of verbally abusive.
Obviously I decided that keeping her distance was best course of action. Every mediator I go to don't seem to care about her history and instead states that I need to introduce them.
The Agreement also has a non-harassment provision.
Here you can see a small sample of what I am referring to. There is no identifiable information.

https://www.belfasttelegraph.co.uk/news/northern-ireland/jamie-bryson-breached-red-traffic-light-after-fearing-he-was-being-followed/a1716441527.html
Prominent loyalist activist Jamie Bryson breached a traffic signal fearing he was being followed and an attack was imminent, a court heard today.
While the 34-year-old told District Judge Francis Rafferty he accepted running a red light on 12 September last year, Mr Bryson told the judge he had a “reasonable excuse” defence, emphasising that at the time the PSNI had recently told him he was under a verifiable death threat.
Giving evidence to Newtownards Magistrates Court on his own behalf, the prominent loyalist also highlighted that a man who had made repeated threats against him and whom the police believed “had ready access to guns,” was on the run.
At the start of the ten minute contest, a prosecuting lawyer told District Judge Rafferty how the defendant’s Audi Q2 breached the traffic light at the junction of the York Link and Nelson Street.
Representing himself however, Mr Bryson maintained that he had a “reasonable excuse” for running the red light.
He told Judge Rafferty that as he drove towards Belfast he noticed a car with tinted windows behind him, adding that as the journey progressed: “This car made a number of attempts to get around me but then came back in behind me.”
“As. I approached the lights I manoeuvred my car across over two lanes as I believed that this car was going to come up alongside me and potentially carry out some form of attack on me,” Mr Bryson explained.Jamie Bryson breached red traffic light after fearing he was being followed
In reference to paint being daubed on the walls of Ards court during the North Down feud, he said that around that time: “I had written a public letter to the Newsletter after this court was attacked…and I had been subject to death threats from drug dealers and drug gangs.”
Having been given a TM1 notice by the PSNI that there was a verifiable threat on his life, Mr Bryson told the court he had been given a booklet by the police which advised on what to do when a person is subject to such threats.
One aspect of that, he told the court, was what to do when stopping at traffic lights so when he believed the tinted window car behind was following in a sinister way: “I made the conscious decision” to breach the traffic signal.
Under cross examination the prosecutor asked the loyalist activist why, if the car had been following him for about five minutes, he had failed to note the registration plate but he told the lawyer he would have done so had the car followed him through the red light.
“Why not phone the police…or drive to the nearest police station,” Judge Rafferty asked him but Mr Bryson maintained “there is a demonstrable context in this,” highlighting that seven other people have been sentenced “in this very court” for making threats against him.
“I am living under a daily death threat so I am taking precautions and when I’m driving, I’m checking my mirrors and all around to see if there’s anything suspicious,” he told the judge adding that he “may well have” driven to a police station if the tinted window car had followed him “but it didn’t.”
In final submissions the PPS conceded it was a matter for the judge to decide what could amount to a reasonable excuse while Mr Bryson maintained that although he accepts breaking the red light, “the prosecution have offered nothing to refute the death threats I have been under” and as such, he had put forward a reasonable explanation.
Judge Rafferty said while he found it “incredible” that Mr Bryson did not call the police when he feared he was being followed, “nevertheless I’m required to be satisfied to the criminal standard and in the circumstances, I cannot be so satisfied so I’m marking the matter dismissed.”

"Himiko?" Kokichi knocked on the door to Himiko and Tenko's room later that night. Himiko had taken a long nap after such a disappointing day. But, before she fell asleep, she reflected deeply on what Kokichi had told her. She had to admit that he was right, that she needed to a better attitude about herself. But, how to do that, she didn't know. She suddenly remembered his words: You should be smart, confident, and capable of doing things your way. Her way? What was her way, exactly?
"Himiko?" Kokichi whispered a little louder. Himiko opened her eyes, hearing Kokichi calling out to her. She scrambled out of bed and went over to answer the door. Kokichi smiled at her with his usual cheeky grin. "Hey, sleepyhead! Are you still planning on selling cookies?" Himiko took a deep breath and nodded. Kokichi had given her some courage to actually try things and take chances, to try and overcome self-doubt.
"Yeah. I'm ready," she said. There was still a part of her that didn't want to, but she forced that part of her into silence. She lifted her chin and smiled at him. "I'm ready, Kokichi." Kokichi smiled back at her.
"Alright, Monkey Buns!" he cheered, giving her a high five and then a hug. "Same place?"
"Alright," Himiko nodded. Suddenly, a thought occurred to her. She remembered what Kokichi had told her earlier about being smart and confident her way. "But, on the way over there, can we stop by my, um..." She paused to whisper. "...secret lair? "
"Ooooh?" Kokichi murmured with a curious smile. "Yeah, we can stop by." Himiko nodded and retreated back into her room to grab the two tin bowls of cookies she had baked with Three and Ten.
"Nyeh...okay, I'm ready," Himiko said. Kokichi took her hand in his, and the two crept downstairs. Some of the others were still in the dining room eating dinner, so Kokichi and Himiko had to leave through the front door to get to Himiko's secret magic room under the gazebo. Kokichi stood outside to keep watch while Himiko went inside her magic room. Once inside, she went for her magical dream powder bottle and poured some of its purple, sparkly contents into a small vial, hiding it in one of her jacket's pockets. Then, she met back up with Kokichi.
"Now I'm ready," she said.
"Okie-dokie!" Kokichi replied, taking the tin bowls from Himiko to hold them for her. "Let's go, HimikoCocoa Bean!" They then hurried over to D.I.C.E. headquarters.
"Boss!" Four said, jumping up from the couch. "And Boss Lady!"
"Hey, Ichiro," Kokichi and Himiko replied.
"Wanna hear a song that I heard on the radio?" Four asked. He cleared his throat, and began singing without waiting for a response. "If you like piña coladaaaaas, and getting caught in the rai-"
"Okay, Ichiro, that's enough," Kokichi interrupted, wincing from Four's terrible voice.
"Urgh...thank you!" Five exclaimed as she wrapped Kokichi's cape around him. After Three placed Kokichi's hat on his head, she turned to Himiko.
"So, Himiko, did you sell a lot of cookies?" she asked eagerly. Himiko gave her an apologetic look and shook her head. Three's shoulders slumped.
"Oh..." she said softly.
"What? Why?" Ten asked. "Did they not like them? Because I put all my blood, sweat, and tears into those things! Er...well, not literally...duh."
"Yeah, I hope not!" Two exclaimed, sticking his tongue out in disgust. "I bet there are people in this world who actually do stuff like that!"
"Nee-heehee...I know a very horny someone who'd do something like that," Kokichi said.
"The tin bowls are still so full!" Three said, her voice dripping with disappointment.
"It's not really the cookies that people didn't like, Keiko," Himiko said. "It was because of me."
"What exactly do you mean by that?" Nine asked.
"Well, I'm not really popular at school to begin with," Himiko said. "But, I wasn't really trying my best to sell them because I didn't think I could."
"Ouch," Six muttered.
"Oh, well...still!" Three huffed. "They could have at least tried your cookies, anyways! Those...those...clowns! " Then she turned to nobody in particular. "No offense, me," she mumbled to herself before turning back to Himiko.
"Hey, no offense to the rest of us, either!" Four said.
"Should we take offense?" Nine asked. "It's not like we're actual professional clow-"
"We get it, Hideyo!" everyone but Himiko interrupted simultaneously.
"Nyeh, well...anyways, thanks to Kokichi, I've decided to try again," Himiko said, giving Kokichi a shy smile.
"Aww, HimiCocoa Bean, you're making me blush!" Kokichi teased, wrapping his arm around her waist. "But, I only get half the credit. You should give yourself credit, too!"
"And you should give us those cookies," Four said, pointing to the tin bowls in Kokichi's hand.
"Himiko, are you still going to sell these?" Kokichi asked. Himiko thought for a moment. She remembered what Tsumugi said about chocolate chip cookies being plain and boring.
"No," she finally answered. "Actually, I've decided to go with Ten's plan from earlier."
"Right! Um...wait, what plan was that again?" Ten asked.
"The plan to make the snickerdoodles," Himiko said.
"Oh, yeah!" Ten remembered, a grin crossing his face.
"But, I wanna add a secret ingredient of mine," Himiko said.
"I hope it's not blood, sweat, and tears," Two said, shuddering.
"Why not?" Seven asked with a creepy smile. "Don't you like that salty, metallic flavor in your cookies?"
"Ew! Yuck! Kokichi, make her stop!" Five said, covering her ears.
"Tsukiko, don't make me tell Emi to get Mr. Sparkles," Kokichi warned. Seven hid under a blanket.
"No, please. Anything but that accursed pink and plushy unicorn!" she hissed. Five grinned smugly at her.
"Can we help you bake again, Himiko?" Three asked hopefully.
"Nyeh...of course!" Himiko answered.

"Neat-o! Let's get started!" Ten said, rubbing his hands enthusiastically. Kokichi nodded to Himiko encouragingly, and she followed Three and Ten to the kitchen. They soon got started on the batter. Himiko removed the vial of dream powder from her pocket.
"Oooo! What is that stuff?" Three asked, entranced by the purple, glittery powder.
"Hopefully the thing that'll win over any potential customers," Himiko answered before pouring the powder into the mixture. She mixed the batter until it became a shiny, glittering harmony of many colors.
"Holy Constantinople-y!" Ten exclaimed. "What the heck kind of secret ingredient is that?!"
"The batter looks so...pretty!" Three breathed in awe. "It's so...shiny and sparkly!" Then, she lowered her voice. "Is this...some of your magic, Himiko?"
"Nyeh...that's right," Himiko nodded.
"I know this is might sound like a dumb question, but...are you allowed to do that?" Ten asked.
"Nobody at school knows about my magic except for Kokichi," Himiko said. "So, technically, it's not not allowed. And besides, Kokichi said that I need to be smart and confident my way. And magic is my way of doing just that."
Part Eight
Sunday afternoon. Himiko took a deep breath, deeply breathing in the warm air as a gentle breeze flowed around her. Today, she felt lucky. She stood behind her table at the front of the school. Above her was a more colorful, glittery sign she and Three had worked on with the word, "Snoozydoodles," written in swirly letters. Hopefully it would be enough to bring in some customers. Her snickerdoodles were laid out on three large trays in front of her so that the other students could see their colorful and sparkly design.
"Hiya, Himiko!" came a cheerful voice. Himiko looked up and was surprised to see Three.
"Keiko?" she whispered. "Nyeh...what are you doing here?"
"I decided to come and cheer you on...and to make sure the turd buckets here buy your cookies," Three replied. "I put some love and special care into those cookies, and I didn't bust my tail just to have nobody buy them!"
"Nyeh...but...Ten and I worked on them, too," Himiko pointed out. "And I put my 'special ingredient' in them."
"I know," Three said. "But, I feel like if I worked hard on something, either by myself or in a group, I'd like for the world to see it, that's all."
"I understand," Himiko said with a small smile. "Wait...this is supposed to be a competition between me and Kokichi! I don't think he'd appreciate you helping me out, especially since I should be doing this myself."
"Well, I'll just be here for emotional support, then!" Three said. Himiko smiled gratefully and nodded.
"I guess that's okay," she said. " Thanks, Keiko. I like your outfit, by the way." Three scanned her outfit proudly. Instead of her D.I.C.E. uniform, she wore an oversized, cream-colored fluffy sweater over a short, pink ruffled skirt. She wore a pair of white tights with some loose pink socks and a pair of black and white checkered lolita shoes with pink straps. In her hair were pink bows over each pigtail.
"Eeee! Thank you!" she squealed happily. "It's not very often I get to go out in cutesy clothes like this, unless I'm undercover! Well...I guess you might say I'm going undercover right now, but...eh, whatever."
"Speaking of which, why are your shoes checkered?" Himiko asked. "Won't that give you away? Part of the reason why people know your organization is because of the checker pattern scarves...which makes me wonder how people haven't suspected Kokichi being part of...you-know-what."
"Heehee...I call that the 'Sailor Moon Effect,'" Three giggled. "But, anyway, when members of the organization are wearing casual clothes, we have to wear some article of clothing with a black and white checkered pattern to let other members know our affiliation. The beauty of it is that there are people not affiliated with us who wear checker patterned clothing, so it gives us a chance to blend in as if we're just regular people. That's why we have a codeword to tell the difference between members and the 'reggies.'"

"What's the codeword?" Himiko asked. Three leaned in closer to Himiko.

"'Funny business,' " she whispered.
"Nyeh...that's actually really cool," Himiko admitted with a smile.
"Yeah! You should really join, Himiko!" Three said. "I think you'll have lots of fun!"
"Fun with what?" asked Tenko, suddenly appearing with Angie and Tsumugi behind her. She had a frown on her face and marched right up to Three. "Himiko, who's this girl, and what's she trying to get you to join? WAIT!! Is this girl the friend you were talking about?! The one who helped you bake cookies yesterday?!"
"Yeah," Himiko nodded.
"Hey! I recognize you!" Angie said. "You're one of the girls who rescued Himiko from that crazy girl many months ago!" Three brightened.
"Yeah! That's me!" she said.
"Tuh...I could have rescued Himiko, you know," Tenko huffed, crossing her arms and glaring at Three.
"Well...why didn't you?" Three asked.
"Urgh...!" Tenko scoffed. "Who do you think you are?!"
"I'm Michika!" Three lied, using one of her aliases. "I'm here to support Himiko with her cookie sale!"
"She doesn't need your support," Tenko said, stepping in between Three and Himiko. "Himiko already has me! Right, Himiko?"
"Umm..." Himiko mumbled.
"Of course you do!" Tenko interrupted.
"But...you didn't even let her finish," Three said.
"I didn't have to," Tenko said. "I already knew what she was thinking because we're best friends."
"Well...then...if you're her best friend, why dont'cha buy a cookie?" Three suggested craftily.
"Hmph! I will!" Tenko scoffed and turned to Himiko. "How much for a cookie, Himiko?"
"Nyeh...same as before," Himiko answered. Tenko paid ¥500 and grabbed a shimmery, glittering light green snickerdoodle from one of the trays. "Ooo, these are pretty, Himiko! Did you bake them all by yourself?"
"No, um...Michika helped me again," Himiko answered. Tenko glared at Three and flipped her hair at her.
"Well...they're okay, then," she said haughtily. "But, they're extra special because you helped, Himiko!"
"What are these cookies called, Himiko?" Tsumugi asked, scrutinizing a glittering blue cookie.
"Nyeh...they're called 'Snoozydoodles,'" Himiko answered. "They're snickerdoodles, but a special kind of snickerdoodles."
"Oooo! Why are they called 'Snoozydoodles?'" asked Angie.
"You have to eat them right before going to sleep to find out," Himiko answered mysteriously. Tenko hovered her cookie in front of her mouth.
"Oh! So, I have to eat this right before bed?" she asked.
"That's right," Himiko nodded.
"Aw, that's so creative, Himiko!" Tenko cried in adoration. "You're really clever, too! I bet you thought of the name!" Three rolled her eyes in annoyance. Himiko provided a little baggy for Tenko to put her cookie in, and provided some for Angie and Tsumugi, as well, after they had paid for their cookies.
"Thank you, Himiko," Tsumugi said.

"Yes! Yes! Thank you, Himiko!" Angie chirped.
"Well...I guess we'd better try out the other cookies," Tsumugi said. "Everyone else said they'd have different flavors of cookies, too. Although, I don't think I'll try Kokichi's after what happened yesterday. I can plainly still feel the burn on my tongue."
"Hmm...I thought his cookies were divine!" Angie exclaimed. "I have never felt such an intense rush of heat before! Especially in a cookie!"
"Leave it up to a degenerate male to bake something so...horrible! " Tenko spat. Three raised a brow at her.
"Degenerate male?" she repeated. She didn't like hearing her boss being referred to that way.
"Yeah! Males are all scum of the Earth!" Tenko said. "Kind of like...best friend stealers."
"I wasn't trying to steal your best friend," Three said, fed up with Tenko.

"Huh...why did you assume I was talking about you? " Tenko asked. "You know what happens to people who assume things, don't you?"

"They end up knocking all 32 teeth out of the person accusing them of assuming things?" Three replied, trying to keep her cool.
"And you're violent!" Tenko shouted. "You're clearly a bad influence on Himiko!" Three stared at her in disbelief, creating an awkward silence to linger in the air.
"Well, um...I guess we should be going then," Tsumugi said, hurriedly yanking Angie away. "C'mon, Angie. Tenko? Are you coming?"

"No. I think I'll stay right here and help Himiko, since she clearly needs my support," Tenko said, glowering at Three.
"Tenko..." Himiko sighed in exasperation, but Three merely smiled sweetly at Tenko.
"Oh, my gosh! Where'd you get your outfit?" she asked. Tenko looked down quizzically at her outfit.
"W-Why...do you want to know?" she replied with suspicion.
"It's just so pretty!" Three replied. "Are you, like, the Ultimate Princess, or the Ultimate Cheerleader, or something?"
"Um...n-no...I'm the Ultimate Aikido Master," Tenko stammered as a small blush appeared on her face.
"Oh, wow! That's even better!" Three exclaimed. "I bet you give those...degenerate males...what they deserve all the time!" The hardened look on Tenko's face from before disappeared.
"You bet I do!" she said proudly.
"Oh...I wish I could be like you!" Three breathed. "You're, like, my hero! I bet you're a hero to girls everywhere!" Tenko lowered her head bashfully, blushing like crazy.
"N-No...I'm not all that...great," she sputtered.
"I bet you'd do anything for girls, huh?" Three asked.
"Oh, yes!" Tenko answered. "So long as you aren't a degenerate male, you're a friend of mine!"
Says the girl who just accused me of stealing her best friend, Three thought to herself. "Hooray! I'm happy to hear that! But...to tell you the truth, I can't believe you just ditched your other friends. They were girls, after all, and you just let them walk right into the school where they could be potential prey for those boys-er...I mean, degenerate males." Tenko gasped with realization.
"Oh, my gosh! You're so right!" she cried. "But...what about Himiko?"
"I'll look after her," Three said. "You trust me, right? I am a girl after all."
"Ohhh...well, okay," Tenko said. Then, she smiled. "I'll trust you, Michika! Take care of Himiko!"
"Oh, I will!" Three said. "Bye! Goodbye!" Tenko waved goodbye, leaving Himiko and Three alone. Three exhaled. "Finally, she's gone!" Himiko stared at her in amazement.
"Nyeh...that was incredible!" she cried. Three shrugged modestly.
"Yeah, I guess I picked up a little bit of manipulation skills from the boss," she said. "He's way better at it than I am, though! That girl was so annoying, by the way! Is she seriously your best friend?!"
"Well, yeah, I guess," Himiko answered. "She wants to support and protect me all the time."
"Sounds more like she wants to breastfeed you, or wipe your butt after you poop," Three said in disgust. She and Himiko shuddered at the thought. "Well, anyways, now that 'Tin Cup' is gone, let's put you on the cookie map!"
"Right!" Himiko said, and gave Three a high five.

I have been practicing Orthic for a few months now and have noticed that some characters blend into each other. Examples of this are E to N/M, S to T, T to E, etc. If you are writing slowly, you can try to make distinctions by very slightly lengthening or shortening certain lines. However, doing this at speed is extremely difficult. This leads to issues with readability ("Is this E and N or a funnily shaped M", "Is this T and E or a T that was drawn slightly incorrectly"). For these characters that blend into each other, it can be tricky to tell where one ends and the other begins.
For other Orthic writers, how do you handle these letters that appear to blend into each other? Does this impact your readability later on? I chose Orthic as my main system because I thought it was a highly readable system, but these letters blends are giving me a good deal of trouble.

Rose Glass directs a pulp movie with veins, a non-random term, fantasy, the ditch is immediately framed which evokes Lou's dark past and the place where his father hides his crimes, with a camera movement we first go into the depth of the ditch which then flow into the starry sky thus playing between low and high, descent and ascent, it is no coincidence that a shooting star is shown from the sky which symbolizes the beginning of the story but also the dreams and desires of Lou and Jackie. Through an alternating montage, the loneliness of both protagonists is shown until their meeting. Lou is a lesbian girl who runs a gym, she hates her father who is involved in illegal weapons trafficking, her mother has disappeared and the only reason she doesn't leave her hometown is because she wants to try to protect her sister Bet. Jackie also has a traumatic family past, she was adopted and dreams of becoming a bodybuilder, a dream not supported by her family. The film is therefore a suburban story, the chemistry between Lou and Jackie works and Rose Glass does not portray its characters as positive. The dynamic is beautiful where Jackie asks Lou to leave together, why Lou has never moved from her city and the following scene shows the two girls are having lunch together with Beth and the latter's boyfriend, J.J. The direction makes it clear that the reason why Lou doesn't move is Bet, wanting to protect her from J.J. who beats her up, in fact Beth is always shown with bruises and wounds, all of which will then also be made explicit both in gestures and words. The love between Lou and Jackie is sincere, the film shows their intimacy, however Lou's family situation will degenerate, involving the two girls and despite the mutual affection of the protagonists, the narrative shows mistakes, Lou still invites Jackie to take steroids to try to make her win the bodybuilder competition and subsequently she will carry out controversial acts and Jackie herself will be guilty of crimes. The competition sequence of the bodybuilder competition is well done, games of focus, the lights that start to move, the depth of field is removed, the suit to sensorially alter the dynamics and Rose Glass is noticeable that it comes from the genre, it has no hesitations in showing surreal touches and moments as he had already done for Saint Maud. The staging is good, there are single shots almost reminiscent of cosmic horror, the dark sky at night is very visible and there is a strong use of the color red which also appears in small details from scene to scene. The red clearly evokes blood, there is no shortage of direct shots totally surrounded by the color red but also moments of almost horror-like violence. The film begins at night just like Jackie's journey, the moments in the car, of movement, are at night and therefore shrouded in darkness as is the story of the two girls, the return from Las Vegas is emblematic, where the race for bodybuilders, where the horizon is totally black. In the finale, the car journey will instead be at dawn to mark the new beginning. The above-mentioned play of perspective between high and low is very present in the film, the shots from above also symbolize the various references to the film's destiny and the shots from below, especially on Jackie, are clues to what will happen, the showing the Gulliver cartoon on television which is a very strong signal for what will happen. In fact, you can also read the film as a sort of birth of anti-heroines, perhaps some will turn up their noses, but personally I appreciate when you dare even in these terms. Yes, it is a film that wants to tell a lot, the relationship between Lou and Jackie, Lou's family dynamic with his sister and father, Jacke's broken dream and not everything is fully centered, even in Saint Maud for example some references to the protagonist's past they were a little fast, just as some moments could have been better managed, for example there is a reaction from Lou's father that is a little too comical. However, the core of the film is spot on, the direction is good as is the narration between Lou and Jackie who are the fulcrum of the film, the final scene with flashes of black comedy that seals the birth of the two anti-heroines, both in fact they fulfill each other's narrative arc, where their actions and reactions, even when excessive and controversial, are well motivated

Below is my timeline. This is an interim clearance, but it doesn't appear that I had an option to wait for the full investigation. I was upfront and honest about EVERYTHING, so the rest is up to God and the government lol
Applied- 09/12/23
Referred- 11/29/23
Interview- 12/14/23
References requested and sent- 01/22/24
TJO- 03/15/24
Drug Screen- 03/18/24
Equip Submitted- 03/28/24
Fingerprints- 03/29/24
Equip kicked back for corrections- 04/09/24
EOD LOI (Letter of Interrogatory) received- 05/02/24
Responded to EOD LOI- 05/2/2024 (8-paged typed response/70 pages of mitigation proof)
Cleared to EOD- 05/14/2024
EOD- Late July
Pretty sure this is an interim because i haven't met with an investigator yet. Also, I attempted to turn down the interim and wait for the full. I wasn't told no, but I wasn't told yes. lol I expressed my concerns about me having to move and the person I spoke with gave me some opinions that made me a little bit more comfortable accepting the interim. I definitely had red flags. Had QUITE a few collections, currently owe taxes and prior drug use (marijuana) but the last time was 7 years ago. Paid off more than half of the collections, I was already on a tax payment plan prior to my SF86, and I decided that smoking marijuana every once in a while, was not worth my future so I quit cold turkey 7 years ago. I know it has been said on here a million times but if you are truly mitigating your issues, be thorough in your response to LOI if you receive one. Also, I am working with a company that was/is coaching me on my debt/collections. I had proof for EVERYTHING that I told them (and I do mean everything) even how I got in this financial hardship in the first place. Just for anyone who needs a little encouragement. Being honest is the best thing you can do for yourself. I will update this once i am fully cleared. lol

Welcome everybody to the second SotW of May! We're returning to 'MMLP2' once again this week, but not for a song from the base album this time around. The track that we're featuring this week is actually listed on the deluxe edition of the album. The song that we'll be listening to for the next seven days, is 'Baby'.
The hook of this song is reminiscent of the song 'Taking my Ball' from the album 'Relapse: Refill'. The whole song is filled with dense rhymes and wordplay and is replete with pop culture references such as the titular hook which is a reference to the movie 'Dirty Dancing' or the mention of The Mighty Thor who is a major Marvel comic book character.
Every week there will be a new song that gets featured at the top of the subreddit. Users can leave a comment and the song that gets the most votes might be the new Song of the Week. Suggestions for improving the next post are encouraged.
This week's Nominator: jstylesx98
The Song: Baby - iTunes
In-App link(s): spotify:track:5sGzBBWPe4YC2YoW7lBYph
Featuring Artist(s): None
Length: 4:23
Recorded: March 2012 - October 2013
Release: November 5, 2013
Album(s): The Marshall Mathers LP2 - iTunes
In-App link(s): spotify:album:6DN7GcZF1HywzrkGN6Eeqk
Sample(s): None
Media: Album: Cover / Alternative - Back / Alternative
Label(s): Shady Records, Aftermath, Interscope
Format: Digital, Disc, Vinyl
Producer(s): Eminem, Luis Resto
Extra: Lyrics Video: Official Audio - Lyric Video Full header image
Live Performances: None
This is an open thread for you to share your thoughts on the current SotW or to nominate a new song. Avoid vague statements of praise or criticism. This is your chance to practice being a critic.

My fellow gamers, for too long has our community suffered the indignation of an intolerable culture that has denigrated, besmirched, exploited, and has outright demonized our culture of unique individuals with a genuine love of a hobby that they see as profitable and progressive. They have taken beloved IP’s (Intellectual Properties) and twisted them into their own personal ideological crusade of undermining and humiliating the core aspects of characters they deemed as “Toxic” or “White Supremacy”. Through the guise and protection of DEI (Diversity, Equity, and Inclusivity) & ESG (Environmental, Social, and Governance) they have used our influence in the entertainment industry to push their narratives and agendas that have stigmatized our culture with numerous anti-consumer practices that they call “being progressive”. But the truth of the matter is they were never really looking to be a part of our community, they simply wanted to use our community as a tool of activism and propaganda in the entertainment industry as it was extremely profitable, and they wanted inclusion in that division. Ever since GamerGate & Female Frequency, we have had to endure the incursion of forced ideologies, xenophobic behaviors and inferior overpriced products that have never been in our best interest and have been flat out disgraceful towards foreign media.
Before Gaming had become a major source of entertainment, we were often categorized as anti-social or societies rejects where because we found more enjoyment in playing fictional characters and not spending as much time out and about, we never fully assimilated in society (which is a good thing if you ask me). From 1998 to 2007, at the height of innovation, creativity and production, Gaming had reached a golden age in which it had revolutionized society. Hollywood Execs who had ruined the movie industry turned their attention to video games as a source of income since video games had outperformed movies in terms of profit. No one was concerned about gaming, much less diversity or inclusivity until it became profitable. This makes people like SBI look extremely disingenuous as they were not interested in gamers as a community with its own culture. They simply wanted to use it as another weapon in identity politics.
Microtransactions; the hidden enemy to gamer progress and inducer to mental laziness of our community. Microtransactions have been around for a long time; however, it has never been more potent and apparent than in recent years. It has aided in the dismantling and segregation of players on the ideology of FOMO (Fear of Missing Out) and has created another sub-culture of gamers who have no real drive to be better outside of how much money they put into the game. This has degraded our culture as well as we have become “fat” off transactional gaming but at the same time we have been “starved” of purposeful gaming where our achievements were our sustenance. I am not saying that microtransactions are bad, but when they are exploitative and predatorial like they have been and don’t give gamers room to grow, we become lethargic and unwilling to improve ourselves as gamers. Oversaturated microtransactional games are one of the many reasons why we have become complacent and unwilling to fight against the exploitative tactics used by big brand game companies such EA, Ubisoft, ActivisionBlizzard, NaughtyDog and so many other western business model companies. Western style games were not like this in the past, they had much more depth and actual effort put into them with the gamer in mind. This has not been the case for over a decade and our connection to western developers has been whittled down to just being transactional. That is one of the reasons why you see so many remasters and remakes in today’s gamer community. They have lost their willingness to improve as developers of games and simply accept corporate/share holder rules.
Game journalists also do not have any real integrity or purpose outside of being funded for their involvement in promoting IPG (Identity Political Games) in a positive light to the public whether it’s positively received or not. They are not interested in what we have to say, they all support the same agenda and that is why they are a dying breed. Within the next couple of years, they will be out of the job and more than likely they will not be able to stay in the industry giving how they have responded to past articles that have clearly been scripted on the premise of diversity and racism. Not only that, but most of them are also extremely hostile to the community as they stereotype and defame the individuals that are a part of the community they are supposed to serve. We have been mentally liberated from their lies and coercive tactics as we tend to laugh at their obvious attempt at virtue signaling while hiding their misdoings so that they can play the victim.
My gamer brothers & sisters, I would not suggest the following action that we must take now without good cause. I have weighed our options and the best option for us now is this…...CULTURAL SECESSION. Naturally this is a form of segregation where they would more than likely claim they are being segregated by the dominant culture of the gaming community but that is incorrect. For years now we have been the ones who are often marginalized and ostracized for the smaller portion of our community. And when we aren’t, we’re exploited for more funds so that these companies can stay in business only to subject us to low quality products that coincide with the “WOKE Agenda” that are often huge expenses to these big brands i.e. AAA/AAAA games that will eventually flop for its obvious forced diversity and bug infested product which will undoubtedly piss off the consumer to the point of wanting a refund. Losing copious amounts of capital and stock in the process, not to mention their reputation is permanently marred.
We must separate on every cultural level in terms of entertainment and ideology. We must reject everything from the west that promotes toxic western beliefs, practices, and exclusion from other cultures (i.e. Southeastern Countries such as Japan and Korea). Japan & Korea have been the targets of unjust discrimination from Western Developers, Western Journalists, Western Localizers (The Wokelizers) and Western Society Prejudice regarding their sense of aesthetics as Westerners hate the aesthetic sense of these countries. The reason why they resort to such base tactics isn’t just because it weaponizes the ideal female form but it’s also because they have deep-seated insecurities about their own looks so when they see attractive female characters, they use terms such as “unrealistic” or “hypersexualized” to establish the moral high ground. But the truth is, they want to feel superior to that which is ideal, so they insult and dehumanize this figure that portrays natural female beauty because they see it as an insult to their own social superiority in what they believe is a hierarchy of them being at the top of all other women. Because of this and so many contributing factors, their movies flop harder than the Fat Chocobo landing on a group of enemies and their games seismically fail just as much if not more. We must sever our connection to Western Developers, Publishers, and ALL Western-Centric Entertainment for they seek to mentally enslave us to their Xenophobic ideology.
Let’s define Western Culture and its traits. Western Culture/Society is composed of more than several different ideologies that work in unison with one another to facilitate dominance over multiple aspects of society. Business, Social, Political, Technological, and sometimes even Global Affairs are affected by these ideologies that portray a specific mindset of Western beliefs. What are those ideologies you ask?

• Perpetual Victimhood: By weaponizing the fact that they are marginalized and of a small portion of western society, they can push their agenda to absurd standards that ultimately ostracize the main demographic. And when companies don’t capitulate, they are labeled as anti-progressive/misogynist’s or cohorts of White Supremacy. They use this to cancel their targets and silence them through societal defamation to keep the public on their side. They also use this mindset to justify their own lack of self-agency as they tend to throw companies who do adhere to their demands but miserably fail to turn a profit under the bus so that they can maintain face in front of the public while denying their actual involvement. They will never accept “Sense of Agency” when it’s negative but will gladly accept it when a positive outcome shines on them as if they are entitled to it.

Official Wiki GamerGate Page)
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• Societal Terrorism: This is another form of ideology weaponization that they use in order to make companies “toe-the-line” with their agenda. By weaponizing cancel culture, they exert dominance over these companies but in exchange they also reimburse those companies with DEI & ESG funds that raise their credit score as well as having social status with the marginalized demographic. However; cancel culture has not succeeded in years and developers and publishers probably only want the money and the DEI ESG rating. But they have to maintain the image of having social economic power so that they can continue to strong-arm other developers into compliance and promoting financial benefits of DEI & ESG. In other words, if you are not for sale, they discredit and stigmatize you in the industry.

Asmongold Clips.
https://youtu.be/Iq86DnmX2xY
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• “Its not us, its you who’s wrong” Mentality: This mentality is especially annoying as they tend to use it to hide their incompetence. They often look down upon gamers who are not in the industry to hide their obvious lack of knowledge on game development thinking that their job title grants them special status that they believe gives them the right to be condescending. But the truth they never wanted revealed has already strangled their careers of all credibility. They were never GAMERS, they were INVADERS. Community Colonists that seek to indoctrinate next generational gamers into their hive-mind and brand previous generations of gamers as villains.

@GeeksandGamers
https://youtu.be/1HbrTkqQFuM
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• Double-standard Enforcement: By labeling something as “unrealistic” or “hypersexualized”, they can claim this is morally wrong if it promotes traditional dynamics between men and women. Heterosexual relationships are condemned while at the same time Same-sex relationships are praised. Additionally, heterosexual relationships with main white male characters turn antagonistic and spotlight stealing. This is deliberate as to promote the “Girl Boss” ideology to indoctrinate women into the Feminazi state of mind. While at the same time, should a male character also adopt the “I don’t need male/female” ideology its seen as Toxic Masculinity which isn’t even a real thing. The idea of a strong male character is taboo while enforcing strong female characters is the ideal.

@MugenLord
https://youtu.be/to5Uciy_yeg
@EndymionTv
https://youtu.be/7TPTR8-qmbk
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• Dehumanization/Demonization: This is something that most military branches use in order to remove conscious inhibitions such as mass slaughter is wrong or categorization. By enforcing ideologies to denounce humanity in certain targets, it deactivates your conscience by saying this is not human therefore its ethically okay to treat this target without compassion and deny the fact it has sentience. We gamers fall under this category for journalists, developers, companies and society at large. This is a tactic we are familiar with to an extent as it implies that we are not normal when we do not do what everybody else is doing. “Geeks are the worse” or “Nerds need to fall into a pit of lava” are verbal dehumanization forms that most people in society say and we as Gamers tend to be relegated to those categories. This is their way of imposing the social hierarchy on us by establishing superiority. We know this as Gamers as we see it very often in the games that we play and some times experience it in real life.

https://rationalwiki.org/wiki/Gamergate#The_end_of_their_relevance
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• Deflection/Projection: This is basic psychology 101. By redirecting the conversation away from their mistakes and back on to the opposing view to avert blame and justify their innocence they can avoid criticism. However; deflection is a CONSCIOUS decision, meaning they have no real argument to justify their incompetence. If you can consciously process the situation, you have self-agency which means you don’t have a legitimate excuse. Projection is something else entirely. Most times, Projection doesn’t work on conscious decisions rather it is automatically deployed when feeling threatened, anxious or both. Instead of accepting accountability for feelings or actions that are deemed socially unacceptable they accuse others of committing that unacceptable behavior thereby exonerating themselves and proving that those feelings and/or actions are not their own.

@TheTrentReport
https://youtu.be/bPIPSKruYRo
These traits are so nefarious and unconscionable that I have a hard time believing that anyone could harbor them. However, given the social, political, and economic climate that we are in, those in power who use their influence on controlling society most definitely possess these insidious traits. Everything that they do is all about control and since video games are the biggest market in the world, they want control over it and the communities built around it to accrue more wealth and to use that wealth to subjugate other cultures. Mainstream media is a tool as well as mainstream organizations and sites to help accomplish this goal.
The government recently announced its intentions towards what they believe is “GamerGate 2.0” and now even the ADL has made an official appearance, referring to gamers as “extremist’s”. We know EXACTLY what they are doing, and they aren’t even trying to hide it anymore because they don’t think we are aware of their motives. This is just a pretext for them to exert even more control and we know why, it’s because they want the influence we as a community have to must serve them. So here is what we do my fellow gamers-
“In light of recent events and years of mainstream stigma, we the members of the Global Gaming Community [GGC] must officially renounce ALL TIES to the corporate western video game market. We have been financially exploited through predatorial monetization schemes, pelted with numerous articles of disdain and intentional misrepresentation from game journalists, news outlets regarding us as dangerous individuals and, even subjected to inferior products not only riddled with bugs but also products meant to push political agendas. For the preservation of our community and its unique culture, apart from a few select game development studios we officially sever all connections to western owned video game companies & their mainstream affiliates. From this point onward, we will no longer support western corporate developers, journalists and publishers that do not coincide with the goals of our community.”
Naturally this is completely optional. If you are okay with the state of the gaming community as it is, feel free to ignore this. But if you wish for real change and a break away from oversaturated monetization in the games you play and the push for radical ideological reform, then you are in the right place. Lets sever these rotted miasmic ties once and for all so that our community can be preserved and made better for future gamers. If you agree with this, share it with whoever you think might be interested. The more gamers who get involved, the easier it will be for us to finally break free from mainstream game companies and their associates.

Genocide looked to the sky. He thought of his mentor. The one who had saved him. He remembered his childhood. How powerless he was. He remembered the anger. He never wanted to hurt anybody. He thought of all the times he showed compassion. How much they hurt him for it. He saw the world before him, a graveyard. Humans. People that were supposed to be made in the image of some divine creator. They were but maggots feasting upon his remains. They ate away at his very being until nothing human remained. His thoughts were no longer his own. He had no joys in life that mattered. He hated humanity more than he could love anything about himself. He remember his first killing spree. Being gunned down by police. Left for dead. He remembered a hooded figure moving towards him. Getting closer the more he neared his death. He saw its pale face. Its impossibly black eyes. It was a man. This figure in question appeared to be of Japanese nationality with long, straight, loose hair. It emanated extreme malice. It offered him a choice. A purpose. Power. He thought the figure a reaper but it identified itself as Amakusa Masataka. Masataka guided him on how to kill and gave him specific locations to kill people in. In a sense, he became a hitman for quotas of people. He inquired what Masataka was. The presence of evil, his ability to appear and disappear at will, how he could control what people could see him and what people couldn't. While vague, years of killing for this being offered some insight. Amakusa Masataka belonged to a group of people not of this world. His people had been corrupted by a dark force long ago and had aligned themselves with the warlord who had subjugated their version of Japan. Their dark high priest assisted the warlord along with two others. These four rulers in turn served a larger order. The four were tasked with bringing about the end of the current world as an act of retribution for some fallen deity. Masataka's people acted as covert operatives for this empire. They were feared across the land and were collectively referred to as "Shinigami". An agent of the coming apocalypse, a servant of evil possessed by the will of those gods of death, Genocide would walk the earth.
Genocide stepped toward the station. A police cruiser rammed into him. He pulled out a knife and stabbed the hood of the car. The inhuman force of the knife created sparks which burst the engine into flames. The car crashed into a streetlight and exploded. A second cruiser neared the scene. No way a man could have done this. Yet still, out of the fires Genocide strode forth. It set upon the second vehicle, shooting out it's tires while jumping 9 feet into the air. The car tries to reverse but crashes into a wall. Genocide lands on the hood and kicks through the front window. Glass shatters under its boot, blinding the two officers inside. Genocide shoots one of the officers with a shotgun, killing him. The second officer in the passenger seat readies his pistol and takes aim. Only two shots fired, both directed at Genocide's head. It casually cocks its neck to avoid them. Then it grabs the officer's arm, breaking it. Genocide uses its free hand to grab the officer's head and bangs it into the dashboard no less than 5 times. The skull is shattered on the final impact. Genocide jumps off the car and continues on his mission.
Detective Evans speaks through a megaphone," This is your first and final warning. Stand down or we will use any and all means at our disposal to put you down." Genocide dropped its shotgun and raised its hands. A group of five SWAT team members rushed out the station, surrounding Genocide with riot shields. An officer accompanies them, edging behind the figure to apply handcuffs. Suddenly, Genocide springs to life , grabbing the officer behind him. He flips the officer over his head, slamming him into the pavement at his feet. Then Genocide stomps his head causing it to burst. Genocide drops a flash bomb from his coat sleeve, blinding the SWAT team as he draws his knife. He drives it into one SWAT member, the knife puncturing the shield and piercing his chest. Genocide kicks the corpse away withdrawing his knife. He goes to another, this time using the end of his boot toe in a rising kick to disarm their shield. He grabs them by the throat and drives the knife slowly into their eye socket. Another is tackled to the ground and beaten to death despite still being under the shield. Another is picked up and thrown into the fires still burning from the first auto incident. In no time, Genocide stood before an indistinguishable mass of gore, blood streaking across his black leather outfit. He laughed" So this is all you can give me. I'm not entertained." Officers took aim from the station windows, and snipers did so from other rooftops. Genocide laughed maniacally as he was rained down upon from all sides by a hailstorm of bullets. His body convulsed, but he did not fall. Moments more and he was on his knees. Still though, their efforts were futile. Gracia looked out and saw a black mist coalescing around the man in black. His blood. Blood erupted from his body only to transform into this dark mist that reentered his wounds. Genocide screamed. No. It was just an elevated pitch in his laughter. Optimism failed everyone yet again. Gracia saw Genocide holding something in his right hand. She could only make out a beeping red light. Genocide pushed the button triggering the carefully concealed explosives he laid in preparation for this event. C4 explosives went off in all the places he saw fit. The sniping posts he couldn't reach. The assault of lead lightened. Then Genocide drew an RPG from...somewhere. He collected himself and fired at the station's entrance. The explosion shook the station. From inside, the lights began to flicker. Communications were down on all fronts. Had he modified the rocket with some type of EMP? Not good. Amisdst the confusion Genocide entered using smoke bombs to mask his presence. Moving like a shadow, he killed everyone in the lobby silently with his knife. He made his way to the holding cells. Still they chanted. Still they praised. Still they raved for the arrival of genocide. Genocide shot the lock opening the cell. Jim Jimenez walked out and bowed before his master. Genocide smiled. He couldn't have imagined how proficient he had gotten with possession. Well, not quite possession. He had known of the Shinigami's ability to share their thoughts and emotions with humans. Shinigami like his mentor were ancient. They had so many years of memories, such strong a hatred for life that they overwhelmed the personality of the victim. The victim sees themselves as one of them. Shinigami can't force the will of the victim, so they find those who are already similar to them in some way. Genocide found the collective universal distrust of police to be a prime sentiment to capitalize on. He armed the inmates, infecting them with samples of his own dark essence.One particular inmate caught Genocide's eye. He knew the man's work. An arsonist. The one whom he recalls was responsible for blowing up his first car way back in high school. Rather than a standard firearm, Genocide gave the man a random assortment of grenades containing a special surprise. Genocide showed them visions of anarchy, of sending a message to a society that used and disregarded them. While this was also true of how he felt, years of living in darkness had changed him. He needed no purpose. No end goal. No justification. He just wanted to watch the world burn.
Genocide's small army broke off to engage several different wings of the station. Genocide went to the security room. He found Wayne, his informant, playing some FPS on one of the monitors. Wayne took of his headphones and asked," You kill everyone yet?" Genocide responded," No. You should get going before that happens. Your life becomes fair game if I run out of pigs to cook." Wayne clapped his hands, "Aight, GC my man, say less." He packed his things and left. Genocide drew a twin pair of handguns and laid waste to the station. He followed a group that took cover in the men's restroom. Kicking open multiple stalls he was surprised to find...nothing. Where had they gone? He turned around and saw his mentor, Masataka, smiling at him. It looked like him. Long, dark hair, black clothing, and soulless, empty eyes. But it wasn't. It was Genocide's own reflection in the mirror. Genocide smiled. He didn't notice the changes at first. They must have happened gradually. Subconsciously. From the final stall, an officer sprung into action, rushing Genocide, hitting him point blank with a shockgun round. Genocide felt the tingling sensation electrifying his body and grew numb. In spite of the pain, he took a single step. Then, another. He came within striking range of the officer and snatched the shockgun. Two more officers erupted from another stall, battering him with baton strikes. Genocide felt nothing. He clutched the shockgun in his hand like a bat and went to work pulverizing his attackers. An officer kicked in the bathroom door, a woman holding a pistol. She fired multiple times to no effect. Genocide stood covered in blood. He even let her reload. Twice. He wanted to see her despair. Her hopelessness. He walked towards her, shrugging off bullets as they pierced his body. His wounds healed nigh instantly due to the dark essence he had been imbued with. He held her face with both hands, lifting her body off the ground. As she screamed, he used her head to shatter the restroom mirror, running down the full length of it while smashing her into it at several points. He dropped the remains of what he held, washed his hands with soap, dried them, then exited the restroom.
The inmates that rallied for the cause of genocide attacked the station. Fortunately, they were nowhere near Genocide in terms of power and only carried one type of firearm each. They shared his healing ability but could be killed quite easily. Gracia encountered a sniper on the end or a west wing hallway. Other officers waited behind corners unable to get close. Gracia noticed the faulty lighting. In this hallway, the lights flickered in intervals of 3 seconds. Finding a pattern and timing her movements, she rushed the sniper at the exact moment the lights went out. Running the length of the hall, Gracia zigzagged, dodging the sniper inmate's bullets. She jumped on a wall, ran 3 feet on it, then kicked off it, pouncing on the assailant. She fired five shots into him, making sure to hit the brain and the heart. Two severe injuries that were impossible for Shinigami essence to heal simultaneously. Elsewhere, Evans took on another escaped inmate. A vehicular arsonist named Carson. Carson had a bag filled with an assortment of different grenades and was happily giving them out like candy on Halloween. "A flash bang here, a bit of tear gas there. Oh. Wait! Was that an ice grenade? Did the explosion freeze your leg to the floor? Whoops. Maybe a fire grenade will melt that for you. Hold on let me get one fore you," Carson rambled gleefully. Evans looked at the carnage before him. Officers burning. Officers partially frozen in blocks of ice. He took a breath and aimed his wristgun. He steadied his right forearm. Carson readied to throw a random grenade. Evans shot it the moment it left Carson's hand. The grenade exploded directly in front of Carson. Both Evans and Carson looked at each other in shock. Confetti. A party grenade? Carson quickly fumbled for another but was tackled and restrained by several officers. Meanwhile in the South wing, Lary had some colleagues set a trap for another shotgun toting inmate. He had them bait the inmate and flee. Giving chase he turned a corner and ran straight into Lary's fist. The inmate recovered and motioned to shoot Lary. "Let's tango. " Lary gave the code word. Nearby officers activated a device. A signal jammer of sorts. The inmate shoved the barrel of his gun into Lary's gut and pulled the trigger. Nothing. The special signal jammer in question was designed for firearms. It was a last resort as it left officers just as defenseless. Lary was having fun. He boxed the inmate in hand to hand combat. Despite the inmate's enhanced strength, Lary's technique pulled through. Lary ducked under one of the inmate's wide punches and did some type of rising uppercut where he jumped off the ground while spinning. One of the other officers whispered" The rising dragon." Lary smiled giving a thumbs up" Yeah, it was a rising dragon uppercut. Saw it in one O my kid's vidya games. Thought I'd try it out while I'm jacked on adrenaline".
Jim Jimenez looked long and hard at himself in the mirror. He was in the women's restroom. Some brainless woman had broken the men's restroom mirror with her face. For the first time in a long while Jim could think clearly. He was becoming sane. At the least he was no longer a raving lunatic. The life essence of the dark gods had healed the wounds to both his body and his mind. He saw his face, his scraggly dirty beard. He found a razor and shaved. He trimmed his beard somewhat. He liked it. He washed his hair. It fell down his face like silk, no longer greasy. His bloodshot eyes once burning with crazed intensity had cooled. He blinked. Just for a second, he saw the man known as Genocide. The man that attacked him. The one that killed him and gave him new life. The drug dealers. The police. They were all the same in his eyes now. They were all to blame for the world being what it is. Jim wanted to hate them. He wanted to take revenge, but he felt nothing. It didn't matter. He knew he was wronged, could logically justify acting against them, but he just didn't care anymore. About anything. He was finally free. Sensing his presence was no longer needed here, Jim vanished into the night. He needed to find someone who had had the answers he needed. Himself. Who had he been? Who was he now? Who could he become? Where was he going? So many questions to ponder indefinitely. So much time left in the rest of his life.
Genocide ran down the station's halls raining hailstorms of bullets upon its occupants. He had a handgun in each hand as well as a wristgun on each wrist. This effectively gave him 4 separate firearms that he could use simultaneously. Lary regrouped with Gracia, Evans, and a handful of others. They radioed all surviving officers near Genocide to flee to the roof. This plan had been set in motion days before the assault and had been kept hidden from most of the force. The plan involved scheduling flights for several helicopters to arrive at some point after Genocide arrived. There would be no way for him to prepare for them and pre-scheduling their arrival ensured they arrived regardless of if they were called or not. Lary and the others set about preparing the second jamming device. Genocide stood among a hallway of bodies. He saw one man clinging to life trying to crawl away. He decided on trying that other thing he saw his master do. He grabbed the dying man and pinned him to the wall. Slowly he drove a knife into his chest. As the man's life slipped away, something else entered his body. Genocide channeled a small amount of his essence into the vessel. He had steadily done this with other casualties around the station whose bodies were somewhat salvageable. He dropped the body he was holding and looked upon the others. He closed his eyes for a moment. When he opened them, his eyed were black, both sclera and iris. The scene before him changed. Genocide had a vision. He saw a dead gray wasteland littered with bodies. These people however weren't cops and wore traditional Japanese attire. In his hand wasn't a gun or knife but a short sickle akin to a farming tool. He heard a dark voice call out to him. Slowly, the corpses around him began to rise, now mere puppets bound eternally to their master's whim. The bodies sold to the reaper who had claimed their lives. Genocide's vision ended. His eyes had returned normal. Around him, dead cops began to rise. His dark essence had entered their bodies and reanimated them. He sent his dead army to attack the officers fleeing to the roof of the station. These zombies swarmed the stairwell giving chase to the few survivors. There were five of them. They had two flights of stairs to climb and a horde of their former colleagues close behind them. One officer tripped and was set upon by the horde. The zombies didn't bite them but held them firmly in place. The other four officers stared down wondering what to do. They could hear Genocide chuckling. They could hear humming. They could feel the temperature rising. Their colleague and the two zombies holding him were hit by an enormous green fireball. Genocide had fired a Magnum Opus and had charged the bullet to level 3. The Magnum Opus was simply a magnum that shot fireballs, with bullets that could be charged by holding down the trigger. It had three levels of charges. Level 1 was a small reddish ball of plasma. Level 2 was slightly larger and yellow. Level 3 was the maximum charge and resulted in a large slow moving green blast of energy. The officer was ignited and Genocide watched gleefully as the force of the blast sent him flying through a wall. The four officers continued up firing occasionally to slow down the zombies. Soon they made it to a door leading to the roof. Before one officer could reach it, he was sniped by Genocide, a bullet to the head killing him instantly. The remaining three made it out. They regrouped with the others already there, 12 in total, including Lary, Evans, and Gracia. This would be their final stand. They just had to hold out until Genocide made it up there. They just had to keep Genocide occupied until the helicopters arrived. Genocide slowly ascended the stairs behind his horde. On the roof, the remaining survivors faced off against waves of the undead. Evans recognized the attackers. These zombies were being controlled by nanomachines. He heard the stories of several weapons encountered by soldiers on the battlefield. These creatures were called Metaldeads as they were reanimated via machines. They had been officially banned by most of the worlds' governments for being unethical. However, this did not stop the technology from being spread still between shady organizations, terrorists, etc. Evans wondered how Genocide got this form of nanotechnology. Evans long speculated that the dark essence used by most of the killers they encountered was a a form of nanotech however it was different from anything else he had seen or heard about. The dark essence seemed to be an amalgamation of other types of nanotech. Evans had to save his inquiries for later. He reloaded his wristgun and took aim at the approaching group of Metaldeads. Gracia steadied her handgun and shot two Metaldeads in the head. From the single door countless arms seemed to spill forth from the darkness. The other officers took turns firing in intervals. this allowed them to create a steady stream of fire where no more that three guns needed to be reloaded at once. The horde seemed to thin out over time as if they were making progress. In actuality, the Metaldeads were just making room for Genocide to enter. Genocide exploded in a sprint from the door. Everyone fired upon the killer. Genocide had now chosen a wrist mounted mini flamethrower to use as his weapon. He stormed past the oncoming bullets taking some damage, but refused to slow down. He unleashed a stream of fire that caught five of the officers in one fell swoop. Gracia fired five rounds into Genocide's face. He stumbled back. Lary took the chance to fire several mine gun bullets at Genocide's feet. The mines quickly detected his movement and exploded. In seconds, Genocide was on his back.
Staring at the night sky Genocide saw the moon. He reached for it. He called for the darkness to give him more power. His wounds began healing. In the sky he could hear the whirl of propellers. There were six helicopters in total. The first two had evacuated the survivors while the others stayed to engage Genocide. Genocide got up and unstrapped the sniper rifle from his back. He stood before the searchlights as a black silhouette, cornered but unwilling to back down. Lary stared down at him smiling. "Okay!" He shouted, "Let's Tango!" Upon this declaration the second jamming device was activated. Now, isolated on the roof, Genocide's guns couldn't be fired and the helicopters were out of range of the device. Now Genocide stood like a sitting duck. A helicopter fired a rocket. Genocide side stepped and grabbed it. He turned his body redirecting the rocket to hit another helicopter. As it exploded Genocide drew his knife and threw it at another helicopter. Behind the knife was such force that it shattered the helicopter window's glass, embedding itself in the pilot. This helicopter too went down where it exploded. "Holy clucknuggets!Did you see that!?" Lary said dumbfounded. Evans looked out the helicopter door he was in jaw open in shock. "There's no way." He collected himself quickly and radioed the remaining two helicopters to keep moving and to use their machineguns as much as possible. The helicopters reigned down upon Genocide tearing apart his body. Shreds of leather and darkened blood sprayed across the pavement of the roof. Gracia watched as Genocide's body was destroyed repeatedly as it tried to heal. Surely he had to stop at some point. After 10 minutes the helicopters had exhausted their cache of ammunition and soldiers opted to fire their own rifles and occasionally throw grenades. After about six minutes, they too had run out of bullets. Genocide stood unfazed. He had long since healed himself and now appeared intangible with gunfire seeming to pass through his body. His coat once ripped , now appeared whole though on closer inspection seemed to writhe. Gracia looked in horror as she remembered the tales her adopted father had told her. Tales he had in turn heard from his predecessors. Every so often officers had reported encounters with ghost like beings cloaked in a cloud of living dark mist. The beings were rumored to be responsible for the deaths of multiple people ranging from scientists, veterans, mafia, politicians, etc. They were seen near such crime scenes and even more shockingly appeared around several sites where suicides were committed. These beings were reportedly impervious to bullets and filled anyone who got near with an impending sense of dread. If Genocide was connected to them or somehow turning into one , there was little chance they would be able to defeat him. Gracia's fears were confirmed when she saw that Genocide's leather coat had been destroyed and he had replaced it with the dark mist coalescing from his own spilled blood. The dark mist, swirling, grew larger and several tendrils sprouted out from it. Gracia could briefly make out a figure standing next to Genocide. A hooded figure cloaked in the same black substance. The figure stared up at her with soulless, blackened eyes which seemed to beckon her to jump from the aircraft she was standing in. Compelling her to give in to the death that plagued the earth. Genocide kneeled to his master. The Shinigami, Masataka stared down at his disciple. "You have done a great service to us. Even now the sealed god stirs in its slumber. Its...Awakening will soon be upon us. It calls out for war. It begs for famine. It longs to continue its conquest. We are the death it so desires. The death that is necessary for this civilization to grow. Use the power that I have bestowed upon you. Finish the mission as you see fit." The Shinigami vanished and Genocide stood.Genocide stared at his hands. He remembered the first killing spree. He was on a bus. It stopped. A woman got on the bus and walked to the back smiling as she passed him. Something about her eyes unnerved him. They were so bright but something dark reflected inside them. He ignored the thought and put in his headphones. In minutes he had dozed off. He jumped awake. He looked around and froze in panic. All around him, everyone had been hacked to pieces. He saw the driver, actively being stabbed by a masked assailant. The mask, painted white with black eyeholes, stared back at him. It raised a finger over where its lips would be. Even under the expressionless visage, he could feel that same smile. He ran home that morning. He went to his room to find it destroyed. His posters, his computer, his tv, everything, had been ruined. He turned around and saw a man at the end of the hallway holding a sledge hammer. "The hell you been, boy?", his stepdad sneered. The man dropped his hammer and walked closer, veins pulsing with rage. He tried to explain how his car had caught fire forcing him to walk 4 miles to the nearest bus stop, but the man's fist was faster than his words. "Boy!Answer me when I talk to you!!" the man says as he backhands the taste out of the would be Genocide's mouth. He took that beating for several minutes before being left to stare at his ransacked room. He hated how his stepdad went out of his way to destroy the things he loved. Soon, another set of footsteps could be heard. It was his mother standing behind his locked door. She didn't knock, or say anything. She just stood there, doing nothing as always. He never knew if she came to talk to him or apologize. All he knew was that she could never bring herself to speak to or even acknowledge him. Maybe out of guilt or perhaps shame. A year or two later after he had had enough he ran away from home. Living out on the streets alone, without friends, or family, he would embark on countless killing sprees. These killings weren't of his own volition however. He was coerced by some corrupt officers from The Unit. They made him kill on their behalf. Sometimes they were protesters, sometimes they were drug dealers, other times, petty criminals they couldn't be bothered to process. It was routine for him to be used to kill entire houses of drug riddled addicts. During one such venture he entered a drug den, killing the dealer as instructed. He took out several junkies before turning to leave. A woman who survived her injuries clung to his heel begging him to stop. Looking down he aimed the handgun he was carrying at her head of long disheveled brown hair and fired. Feeling nothing, he kicked her body aside like trash when it hit him. Her face. This woman had been his mother. What was she doing in a place like this? He felt a shock of emotion. He wondered if she had always been like this, or had she changed after he left. He never made amends, but decided to stop killing from then on. The unit did not like that. Once it became apparent that he was no longer of use to them they started a manhunt to apprehend him with lethal force. They found him. They killed him. But he survived.
He remembered the girl on the bus. He remembered her eyes. Those of a sadistic killer. Still there was something else inside them. Something faint but deeper. So. Much. Sadness. Just like him. He felt the hatred begin to spread. His purpose, he decided, was to make all humans rot in the hell they created for him.
These people, he thought to himself, these living diseases, all needed to die. Their struggles, their problems, they spread like cancer to others. The only cure for humanity's sin, its collective wrongdoings, was genocide.
Around him, dark tendrils continued to form and expand, spinning in a vortex. Genocide pulled out two pistols. He squeezed the triggers to no effect. "As I see fit, huh? Hehe." He squeezed both guns in his hands, breaking them into pieces. He concentrated. In his hands, two more guns materialized now completely black due to being forged from the dark essence. Forged by his will. Immune to the jamming device that shut down conventional firearms. He raised his arms at each remaining helicopter and opened fire. Countless tendrils whipped out and slashed at his targets joining the dark essence bullets. It was chaos. Dark tendrils and bullets tore through every direction as Genocide spun and swirled around in 360 degrees firing randomly with purpose. A tendril pierced Gracia's right arm, another, her abdomen. She was however, fortunate, as the other passengers of her helicopter were dismembered. She barely had time to jump from the vehicle before it crashed. She fell 2 yards onto solid concrete. She felt immense pain as her right shoulder shattered on impact. She looked up to see Genocide's blade like appendages ripping through the other escape helicopters. She rolled onto her back and tried to steady herself. Within seconds her body began to repair itself. The nanocells inside her had saved her life but were now depleted. She would need another supplement lest she receive another fatal injury. The standard nanocells she and the others had were much less potent than those of the killers they faced. In truth, they had only minimal strength boosts being able to lift 5-8 more pounds than before and healing being limited to one or two fatal injuries so long as death didn't occur instantly. Gracia blacked out. She awoke the next morning in a hospital. There the doctors refilled her nanocells. She learned that the station had been left in ruins. Genocide had detonated some type of minature nuke following his rampage. He always blew up the stations as if to send a message. Gracia looked out the window thinking about why she became a cop. Twice her family had been murdered by them. Her biological family had been killed in an on record drug raid committed by a group of corrupt officers called The Unit. She had been adopted by another officer that arrived at the scene who found her as a child hiding in a closed. Sadly, he too was killed for trying to expose the activities of The Unit. Gracia joined the force to avenge both losses and bring justice to the killers that disguised themselves as normal people. Law enforcement was neither good, nor bad. It depended upon the people that made it up. In the dying corrupt world Gracia lived in, she vowed to be a beacon of light. Evans laid in a bed adjacent to Lary. "That damn Genocide's somethin else in' he?Like the stories you told us were understatements. That man could legit not die at this point in the story. Like he has friggin plot armor or somthin.'' Evans cut him off" I get it. We all got our asses handed to us. But did you see that ..thing that appeared next to him. Right before he created that black vortex that wiped us out. That must have something to do with his power. Maybe there's a still a way to stop him."Lary chimed in," That fella looked like he was on the way to a black metal concert wit all the black facepaint he was wearin' Creeped me out to be honest." As the survivors mulled over their predicament, the cycle of evil continued to spread elsewhere.
Budley flips through the pages of a magazine. He checks his watch. He looks around the gas station and doesn't see any customers. Seizing the opportunity, he puts in his headphones and begins playing an imaginary guitar as he jams to a progressive deathcore album. Oblivious to the screams coming from outside, the store clerk moves on to thumping two candy bars on the counter to simulate drums. Budley sees that his shift has ended and begins locking up the store. He sweeps the aisles and jumps as a shadow appears behind him. He turns and sees a well groomed bearded man dressed in a black hoodie, black shirt, and black and gray camo pants. The man holds out his hand and smiles. Budley rings up the pack of nicotine substitute gum. "Tryin to kick the habit huh?" Budley asks. The man replies, "Somethin like that. Gotta get my priorities back in check. Focus on the things that really matter. That damn KonCreep's a hell of a band aren't they?" He nods to the playlist on Budley's phone. "Yeah, they're killer. just got into them a month back." Budley answers. "You know, I'm something of a musician myself. Maybe you'll hear of me on the news someday." Jim Jimenez says as he sees himself out. He walks to the back of the building and passes an ominous form of graffiti. A woman lays unmoving and above her, written on concrete in red is a message that simply says "Genocide Reigns".

CHARACTER AGENCY

It's ridiculous how passive and honestly "NPC" the other characters in the world are. For an installment in the series that wanted to dip deeper into the "Roleplay" side of things, it's absolutely crucial that CK3 find a way to make the other characters in the world feel like real, living, breathing, and independent people, and it currently falls flat on that.
Here are just some ways that you could improve character agency in the game:

• Characters should be able to push for appointments, regularly. How am I a god that just comes in and names every single knight and court position in the land with not a breath of reaction from my entire court. Do you know how many people would've had the king's ear in this time and been pushing for themselves or their friends or family for these appointments? Think of the court intrigue you've seen in shows like Game of Thrones or Shogun or Succession, now think how well the game captures that feeling. The -40 opinion penalty for major vassals not being on your council is a boring static modifier that doesn't take into account personality and context and only applies to your council, not to court positions or knighthoods. The random events in your Royal Court where people push for appointments are infrequent, pretty random, have little consequence, and are actually entirely optional if you never Hold Court. People should be pushing to fill your different roles regularly and react positively or negatively if you pick people they like or don't like. Here are some examples:
  • People should be able to push for themselves to be appointed, for their friends, for their family, for people they respect, for people of their culture and/or religion, for people with similar personalities to them.
  • People should oppose the appointment of their rivals, people from families their family is feuding with, people they dislike, cultures or religions they oppose, etc.
  • Personality traits should affect who people push for. Deceitful characters may want you to purposely appoint incompetent knights, bodyguards, food tasters, etc. if they dislike you. Zealous characters prioritize religion far above other qualities. Diligent characters prioritize the most competent candidate. Vengeful characters highly oppose their enemies being chosen. Greedy characters prioritize appointments for themselves or their family. Impatient characters will get upset if you leave the position vacant for too long. Trusting characters will only push for candidates they really know well.
• Characters should be able to refuse appointments, or resign from positions. Maybe the talented firstborn son of the king does not wish for the duty to rule and refuses the election to King and instead wishes to spend his days frequenting brothels and fighting in tournaments. Maybe a martially gifted vassal that has huge estates and is living comfortably in his manor off of his rents doesn't want to be appointed as my Marshall and chase and stamp down peasant revolts for a living, so he comes up with an excuse to refuse the appointment. Perhaps I need to change his mind by paying him a visit to persuade him in person, or by hosting a great feast in my hall with him as the honorary guest, or by arranging a marriage between our families. Perhaps my masterful Steward is offended at the lowborns and heathens I have hired into my council, and resigns out of protest. Perhaps my Marshall is ashamed at how badly the last war went under his purview, and resigns out of shame. Perhaps my Chancellor just heard news that his son was killed in a hunting accident back home, and resigns to go spend time on his estate with his family.
• Characters should react to actions the player takes.
  • Won a great battle? Maybe a knight approaches you after the battle wishing to enter your service after hearing of the tale. Maybe your marshall approaches you and congratulates on your generalship. If it was against heathens, maybe the Pope writes you a letter congratulating you on the victory of Christendom. Maybe a vassal approaches you and offers to build a statue in his domain to honour your victory.
  • Declared a new war? Maybe a vassal refuses the call to war citing some excuse, withholding his levies and giving you a reason to punish him in the future. Maybe another vassal joins with his personal troops as well because he is personally interested in success in this war.
  • Built a building in your vassal's land? Your vassal should thank you and like you more.
• Characters should regularly ask for favours from the player, and the player should be able to ask them in return. Maybe a an existing councillor asks that you hire him to another position for which he thinks he is better suited. Perhaps a vassal approaches you with a marriage offer, and in return offers to build a church in your honour. Perhaps a vassal approaches you and asks that you declare war on the country that is raiding their lands, and in return offers to increase his obligations to you. Perhaps a vassal asks that you raise his children with the greater learning available in your court, and in return he will send you his brother to serve as your knight. Perhaps the pope asks you to build a church and in return offers to send you some learned monks and an artifact.
• Characters should regularly travel to visit each other or do things. It seems like the only thing characters beside me do is lead armies, and go on hunts. Why don't my councillors go back to visit their estates? To see their families? Why don't distant family members travel to see each other? To host family reunions?
• The player should be able to consult decisions with other characters. What is the point of my councillors if they never give me counsel? If I am planning on giving out land to new vassals, each of them should be there with suggestions on who I should give it to, or whether I should even give it away at all. And it should not just be my councillors, sometimes these decisions are leaked and my entire court will find out, in which case many courtiers would have their own opinions on what should be done! Maybe one of my guests approaches me and begs I give the land to them due to some ancestral claim. Maybe my food taster during dinner tells me he thinks it should go to my existing vassal X because he manages his current estates so well. And what if I want to host an activity? I should be able to ask my councillors or courtiers which activity they wish for or think would be best to host next. Maybe they have suggestions for where to host it, how to plan it, who to invite, etc. Maybe my marshall wants a tournament but my chaplain wants a pilgrimage. Maybe in my feast, my Steward wants me to invite vassal X but my wife despises him and wishes me not to.

The fact that almost none of these features exist in a meaningful way in the game is kind of ridiculous, for a game that tries so hard to be role-play centered and story-driven. Think about how much we are missing out on because of the lack of agency of characters in the world. Imagine if other characters in the world acted like us as the player character. Think of the story opportunities if features like the above were implemented to make for more independent AI characters.

From Judge orders Alabama driver to apologize or face jail for telling officer, 'Get your ass out of the way'
A man was pulled over for speeding. After writing the ticket the officer stood in front of Burks’ car, Burk then told the cop to “Get your ass out of the way so I can take my kids to school. That’s why y’all underpaid because y’all act dumb.”
Burks appeared in court but after he paid the fine, which totaled $211.12, including a $20 fine, as well as service and court fees, Ozark Municipal Court Judge Nicholas Bull told him that he must also write an apology to the officer for allegedly having cursed at him.
If Burks does not submit the letter at his next court appearance June 4, he will have to serve up to 30 days in jail.
Should Burks follow the Judge's order to write the letter?

Howdy l've been role-playing and writing in general forat least a decade. I am a Male who can play male and female characters. I have original ideas all over and a lot of Fandoms I'm in, which I'Il include below. I'm looking for OCXOC. Every character must be 18+ I have plenty of original characters and ideas along with fandom plots.
For original ideas, i like horror and apocalypse with action and depending romance. I do have a variety. I really like monsters and creepy things from the horror genre like vampires and Tentacles, and l even have my own idea set up in modern times dealing with vampires and hunters and all of that i also enjoy eldritch type horror. I also like old-school slasher films and space sci-fi horror similar to the Alien Franchise.
Now on fandoms! To get some other things down, l only play OC. The anime fandoms i like are Jojo's, Chainsaw Man, Naruto, JJK, Soul Eater, and more. I'm well versed in the Jojo's, Naruto, and JJK, and soul eater fandoms, though it's been a while since ï've stopped keeping up with soul eater. Other fandoms im in include Percy Jackson, Call of Duty, Marvel, and DC.
I tend to use character sheets to describe my character. These are very thorough and usually consist of names, backgrounds, and personalities, along with an in-depth look on appearance. More so on appearances, I don't usually use picture references, but I will if you would like me to. The types of characters I write are the lone wolf type that has some sad past, which leads them to potentially go off the rails and gain a villain arc.
I like all types of tropes, especially enemies to lovers or rivalry. I also really enjoy opposites attracted as a whole from either opposite personality or something else they would be opposites in. Enemies to lovers takes my heart, though. I love seeing the characters go past theurge to ultimately hate each other and/or go past their usual way of disliking the others' lineage or upcoming I also love good written trauma moments. Like character death's, moments of pain and strife only to see the characters to deal and either be consumed or overcome them. I tend to either come up with original ideas for these scenes or use anime scenes as inspiration with narrative tweaks.
REQUIREMENT
I think my two biggest requirements are creativity and good pacing. Like any story, I feel these two things are very necessary to make a good story. Now, by Creativity, I don't mean you need to bring absolute craziness into the story, but abilities, character etc need to have some good genuine thought put into them. Along with that comes good pacing, which means I don't personally care about response length, and mine will vary from scene to scene accordingly.
I'm pretty much done if you have any questions. I'm here, and I'd love to hear back from you in chat the password is your favorite color. Supply it in chat only.

Disclaimer:
This post has heavy spoilers to the story of the version 2.2 and maybe to something else. Good luck to read all of this. I yap for Ena and maybe repeat myself little too much. Mentioned characters:
Sunday
Robin
Aventurine
Dreammaster
Bronya
Seele
Cocolia
Mentioned Aeons:
Ena
Xipe
Hooh
Long
Oroboros
Qlipoth
Mentioned organisations:
Beyond the Sky Choir
Astral Express
Family
In loving memory: Ena the Order “The one who transcends the many”
In loving memory of Tazzyrronth the Propagation “The Sand king”
In loving memory of the Great Tatalov “The Garbage King”
So, the original intent behind this post was to create a lot of puns about Order and Sunday (for example something like Golden Order Radagon Sunday, “I will have order” with Sunday and a falling train instead, Sunday working in a delivery and saying that someone’s order was cancelled).
But then I started remembering all parts of Penacony storyline that have fascinated me. And one particular part master stroked me. When Sunday used his “tell the truth or die in 24 hours voice magic” he used not the power of Order, but Harmony – the Path he supposedly deliberately left behind and betrayed.
How can I be so sure, that he didn’t use the power of Order, making it look like the power of Harmony? Well, nor Dr. Ratio, nor Aventurine, nor Welt, nor (most importantly) Robin didn’t notice any sign that the Order was used and that the power on display did in fact belong to Harmony. And mind you, all of them are quite clever, experienced and hard to deceive. And in Aventurine’s conversation with Acheron in the Horizon of existence, Acheron (who as Self-Annihilator isn’t affected by the illusions of Order and can see through them) referred to the brand, used on Aventurine as the “brand of Harmony”. And the last proof is that when Sunday uses this power, he makes a call (or if you are a pun enjoyer like me, “an order”) to Xipe, referring to THEM as “Triple-faced soul”.
So, this was a really long and a roundabout way to prove that even with his supposed devotion to Order, Sunday still remains the Pathstrider of Harmony (and the laws of the HSR universe dictate, that you become a Pathstrider by following a philosophy of a particular Path). While being a Pathstrider of two Paths is not called impossible in the game, and Harmony and Order mostly overlap, there are some key differences between them. It means, that Sunday to some extant still believes in a philosophy of Harmony and is not a complete devotee of Order, how some people could have believed.
So, the goal of this post is to delve on the philosophy of Ena and Harmony through Sunday’s story, words, thoughts and actions. And to make some obnoxious theories, but that’s later.
So, let’s begin!
Ⅰ
In his childhood, Sunday alongside Robin, was called by the Dreammaster “two best interpreters of the Great One”. That means, that as a child, Sunday was extremely close to the philosophy of Harmony.
Let’s remember what Harmony embodies as a philosophy:
“Then, they say, O you who have reached the end, enter into the paradise that envelops all! Join this great choir and feast, listen to the beating of billions upon billions of hearts, holding you in THEIR embrace...”
“To battle the brutality of the laws of the universe, intelligent lifeforms must discard their cowardly selfishness and the differences between individuals, fusing into one singular melody — to have the strong help the weak, and to protect life with death.”
That is what Harmony preaches and Sunday was a follower of this ideology. Harmony preaches selfless people not only helping and uplifting each other to build “the paradise” (a prominent theme in Sunday’s thoughts) bit also welcoming every other willing person. Harmony philosophy is about acceptance, forgiveness, cooperation, that no person is beyond redemption, that in every person has inside of them the force that genuinely cares for others and strives for good. Harmony preaches something like this: “Because if it is possible for every person to become a member of Family’s shared paradise, then we should at lest try to welcome them in it.” That’s why Harmonic Strings (Emanators of Xipe) are not people and are actually manifestations materialized as the responses to the Hive Mind’s demands. It is a seemingly naïve and romantic ideal for the sometimes and indifferent brutal universe of HSR that requires great kindness, compassion, understanding, belief in other people, ability to see the better in other people and uplift them. And Sunday-follower of Order reflects on that:
"When I appeared as a child, my speech, mindset, and soul reflected immaturity and innocence."
"As I grew into adulthood, I left behind my childlike side."
Sunday (as shown in the quest) was a person of great understanding, compassion, and love for other living beings, full of desire to protect them (bird, Robin, other people). He was able to embrace even the worst people if they would show even the slightest glimpse of desire to redeem themselves and change for the better, like people who allegedly sold their own children. It is notable that he both acts as a follower of Harmony and an enforcer of Order conspiracy because of these very character traits. The motivation is the same, just the choice how to act based on this motivation is different between him and Robin because of different experiences.
As the ardent believer of Harmony, the seed of doubt in his mind was planted ironically by the very followers of the Harmony -the Family. And the disillusionment about Harmony also began, when his belief in other people was tested. When asking Xipe to clear his doubts, Sunday asks three questions:
“Who can judge the strong when their power hides their crimes?”
“Who can vouch for the weak when they will pay any price to survive?”
“If "the strong defending the weak" is truly the foundation of paradise, then who is responsible for the suffering and anguish in this wretched world?”
The questions display that the preached Harmony doesn’t work as intended. The extremely hard ideal to follow was exactly too demanding for numerous people who couldn’t stand up to the responsibility that came with upholding it. Also, as displayed both in the main quest of Penacony and in numerous events and side quests, flaws and imperfections of Family(note: of the Family on Penacony) are numerous. We have an entire “Ode to Fool” in the Grand Theatre about internal bloodthirsty war between the Family, where two of the seven families of Penacony ceased to exist. When even Family: those who preach the Odes of Harmony don’t act as they preach, are not harmonious, don’t show compassion and forgiveness, it is extremely hard to still believe in its teachings. And from that, the belief in people starts to slowly crumble as the very belief in a possibility of a paradise preached by the Xipe, is tested.
That is what turns him to Order. The feeling that while the paradise of Harmony is theoretically possible, how much suffering must people experience before it actually arrives. And when will it arrive? And IF it will arrive? These doubts in human inherent desire to change for the better leads to the idea: “And what if they don’t change? Then why take the risks? Why not to create something that guarantees their safety, happiness and protection?” His desire for Order is still born from his love for humanity.
Ⅱ
And while the shift in beliefs did in fact happen, it wasn’t completed and some beliefs in Harmony remain, alongside doubts about the philosophy of Order.
To prove that, let’s remember the Grand Theatre part of the quest (“Everything that Rises Must Converge”).
Before that Dreammaster has a particularly interesting conversation with Sunday. Sunday not only changes their plan, taking Robin’s place in the plan and then he asks Dreammaster why Penacony was the chosen planet to bring “paradise” of the Order. If he was completely convinced, why would he pose these questions?
Sunday several times brings the part of 107,336 souls of the Oak Family in his monologues. Why? Because he uses them to give self-validation to his beliefs. It comes not only from his desire to grant “paradise” to everyone (and this guys as stated dreamed about the paradise of Order), but also from his self-perceived responsibility as the Head of the Oak Family to stand up to wishes and desires of his subordinates, to protect them, and as the man with greatest position among them, to fulfil the hardest task. Because if people he is in charge of follow and support his views, not only it gives him more belief in his set of beliefs(ha), but also gives him even greater responsibility to prove that their faith in him, in Order is not misplaced.
In first two acts he displays before us shortcomings of the Harmony, trying to display himself as the ardent believer of the Order:
In the first act “Ode to Prisoner” he says that the freedom was not really achieved in Penacony’s great Independence War, posing a doubt that the ideal of Harmony even existed in Penacony since the very beginning.
In the second act “Ode to Fool” the theme of not so harmonic Harmony remains. Sunday talks about internal civil war between the Family, that eradicated two of the seven families on Penacony. How “harmonic” it is!
But in the last and most important act “Ode to Order” has a surprisingly different theme, hidden in it.
It is supposedly talking about the future of Penacony, but there is something more if you listen to its content once again:
General: “Without a ruler who would protect the weak and fight back against the tyrants?”
Chansellor: “We must assist each other in protecting the weak, just as we must assist each other in opposing the tyrannical.”
This dialogue argues that the very measures Sunday preaches, are not required for the coexistence and unification are also an option. Case of how differently Order and Harmony solve one problem.
Jester: “Without a ruler, who will make the stars follow their paths, the tides rise and fall, and allow life to grow?”
C: “These things did as they will long before the ruler appeared, just as they will continue to do with rulers gone.”
Where the Order requires an all-mighty divine king, controlling the world (like God-Emperor of Mankind from Warhammer), Harmony simply says that actually such beings are not needed.
Minister: “However, now that we have bid farewell to our ruler. Who shall take their place?”
C: “We no longer require a ruler, for we were originally all rulers who stand above all things.”
Once again, order preaches about the ruler on the top of everything, the one who has all of the rights and makes all of decisions. But harmony doesn’t work that way. Harmony preaches that if every person has equal rights to enter its paradise, then they are essentially equal. Where Order differentiates people and treats them differently according to THEIR criteria, harmony does not as THEY are all-embracing.
The choice of the position of Chansellor as the one giving answers is deliberate. It is another innuendo on differences between Harmony and Order. In Order king takes the power and pushes everyone under his control. Chancellor, as the representation of Harmony in this argument, is a position not a person. He is subject to change, unlike king. Unlike king, Chancellor is chosen among the people, by the people. He serves as one man being the voice of many people, for they have chosen him as a Chancellor because their ideals are the same and thus, they have entrusted him to fulfil their ideals in reality in their stead.
Some people were not satisfied that the arguments were not posed against Sunday by the Astral Express. Well, this entire act serves as a counter to his arguments, showing the point of view of Harmony arguing against the necessity of ideals of Order. Most importantly, they don’t disprove hid arguments completely, but rather pose a possible alternative take on things.
The Clockwork doesn’t work on puppets because they are “satisfied”. But what gives satisfaction: Order or Harmony? In my opinion, Harmony. Remember: in THEIR paradise there is “peace bestowed, sorrows and strife released.”
The “king” in the text obviously refers to Ena the Order, and the last talk from the “Future” in the act is about “final rites” to the king, that there is no need to seek THEIR existence, nor remember THEM. It illustrates the final confusion of Sunday: if Ena didn’t fight back while being consumed, if the philosophy of Harmony prevailed in the confrontation among the Paths, why try to restore the Order?
And after that particular act he chose to reveal to us the finale of Ena’s story. That THEY were banished to oblivion by the united will of the people who defied Order. And THEIR death was praised alongside praises for the appearance of Harmony – the ideal that prevailed on Penacony in the end.
And that is what actually 3 is actually about. Puppets(Members of the Beyond the Sky Choir) ask what they and everyone else should do after the “king(Ena)” disappeared.
They feel no safety and out of their comfort zone when the one that controlled everything about their lives suddenly disappeared. And Chancellor’s answers are the representation of the ideology of Harmony, that you don’t need to be controlled to strive in life, for that there is more to universe and that the “king” is not actually required for betterment of society, that society can harmonize and evolve on their own, that the unity of people can replace the “king”. Ironically, “the Ode to Order” doesn’t glorify Order but rather disproves it from being the one and only universal truth.
In this act Sunday actually reveals, intended or not, that he doesn’t disprove Harmony’s ideal, that he subconsciously feels that it can stand on par with the ideal of Order.
Then, Sunday poses between us three questions, each one has different answers depending on your set of believes: order or Harmony. Notice, that Sunday doesn’t give his own answers to the questions.
“Is darkness equal to daylight?”
This question is very metaphorical. Radiance and light, eradicating darkness and giving protection to those under the light are a repeated theme in the ideology of the Order (“I shall ascend to the heavens, becoming the scorching sun. Bathed in my light, my people shall flourish, while all evil shall be eradicated” / “Those who live in the shadows do not bear the right to tread the illuminated stage.” / “I now permit you to gaze into the sun [hardest line in the game btw]”) But radiance is also a term sometimes used to describe Xipe. The greatest difference lies in the fact that what Order will not tolerate (“darkness”), harmony will be able to co-exist with and eventually embrace. So for Order they are different, but for Harmony not at all.
“Are sinners equal to the righteous?”
Order punishes the unjust and uplifts the righteous. For it, they are not equal. But for Harmony they are, mostly because before Xipe the very concept of sinners doesn’t exist. Harmony is all-embracing, for everyone can change for the better and be redeemed.
It is a discourse in philosophy: first question was about whether are you able to tolerate something that goes against you. While Harmony can, Order cannot (Sunday can as literally shown in the quest so he leans more to Harmony in that part). Second question was about whether people can change for the better and be redeemed. Order doesn’t believe in it, Harmony does.
“If you are born weak, which god should you turn for solace?”
It is another question to choose between philosophies because Sunday struggles to choose himself. If you are weak and you bow before someone(“king”) for the protection then this is a choice befitting Order, but if you choose to cooperate with others, uplift one another and “listen beating of billions of hearts holding you on their embrace” then this is the choice of Harmony.
Notice, that Sunday doesn’t consider us as enemies at all. As he says: “I genuinely wish to avoid a violent clash with my esteemed guests from afar.” When Astral Express team asks Sunday why did he invite us to the duel, he responds: “Because our shared goals give equal weight to the beliefs we strive for.” He regards everything happening more like a debate of two equally valid philosophies. Even in the fight with him (second one) he still invites us to join his chorus of Order. And he says “our final talk is concluded” only when he turns into his Embryo of Philosophy form, when literally everyone who could has risen against him. And then he reveals his true emotions:
“If your ‘paradise’ can save more people, sever my path with your hands”
He knows he is not infallible, that his plan can be wrong, that there is a possibility of making better choices, better decisions. And he asks us to prove, that Harmony after all is a stronger concept then that of Order. And his quote before that really makes everything extremely ironic:
“If we had never experienced solitude, how could we embark on different paths?”
Once again, this solitude refers to the times when he still completely followed Harmony. Yet he was the only person on the entire Penacony because of his great compassion, who actually followed what Xipe preached. Yet, in this he was alone. How can you be in Harmony with anyone, if you are alone. The irony is in the fact, that if Robin didn’t leave Penacony, of if he met another genuine believer, he wouldn’t have turn to Order and he would remain under Xipe. With many similarities of Order and Harmony: the epitome of Order is loneliness, being a sole ruler of everything, the epitome of Harmony is a unity of numerous people.
“And thus, my talk about Sunday has concluded. Next part is about Ena.”
Ⅲ
While his monologue about history of Ena can also be interpreted as parts above, it is much more interesting to discuss it when talking about Ena THEMSELVES.
“Let us commence with the dawning of the world… After the Dusk Wars, darkness veiled the sky, and chaos consumed the earth. Ena the Order emerged, destined to restore all existence. That marked the first day.”
The Dusk Wars are one of the most ancient (if not the most) periods of history we know about. Ena emerging at that time, makes THEM one of the oldest Aeons alongside Long, Hooh, Qlipoth and Oroboros.
” THEY gathered nebulae and forged them into picks, thus creating a grand lyre with black and white keys. Strike the white keys, and the sun rose. Strike the black keys moon and the rose. And so the cycle of day and night arose. That marked the second day. “
“THEY transmuted streams of stars into inked nibs, creating symbols to be pronounced and counted. THEY molded stardust into flowing rivers, assigning the righteous upstream and the unjust downstream. Thus, all things were marked and the world learned to discern between good and evil. That marked the third and fourth days. “
“THEY used the planetary rings to establish the law, forging a code of conduct among the masses. A grand lyre with black and white symbols of articulation and numerical notation took the form of musical notes. The downward-flowing river became a melody, and the cannon of law dictated the form. Thus, all mortals found their unique place within this symphony. That marked the fifth and sixth days. “
Ena, as we know was a control freak, at much bigger scale and extent, then Sunday could have ever hoped to become. We know that «Ena's harmonic songs seems to align within a three-dimensional framework, akin to an emperor maintaining hierarchical order among all creatures» Not only people, but the movement of celestial bodies were under THEIR control. THEY wanted to and almost controlled everything in the known cosmos. So, THEY were the only person responsible for everything. And when THEY were consumed, the manager of everything disappeared and the scales of order and discord lost their balance. That is why Hooh intervened and took THEIR responsibilities.
“THEY imbued world with meaning, perfecting all things in the heavens and earth. Then, THEY rested from the labors of creation. Yet, all beings cried to Ena – ‘Under the banner of the Order, you have defined all things in the Cosmos… but this made us realize that we are but puppets in your hands!’ – Thus, on that day, all beings united and cast the Aeon into the abyss of oblivion. That marked the seventh day. “
And this is the most interesting part. We know that Ena was consumed by Xipe, so why does Sunday refer to THEIR death as an action, made by humans?
As we know, Xipe “hails from multiple harmonious celestial words”, “a plural Aeon” and “THEY are the amalgamation of thousands of entities”. Thus, I pose that Xipe ascension was not a process of accension of a one person who somehow become an Aeon, but rather that several beings in a moment of unity (of “harmony”) were ascending as one. Next bit is purely theoretical:
But who could provide such unity before the existence of Harmony? Only the Beyond the Sky Choir – followers of Ena could understand the true extent of Ena’s control over everything and unify to create a change. Thus, mortals ascended into Aeon, befitting their shared beliefs, and from the Beyond the Sky Choir, Xipe arose with a new symphony of Harmony.
ⅠⅤ
Also, some other interesting bits from 2.2. storyline:
The most overlooked part of 2.2 quest for me is that part before boss battle when Sunday says that he doesn’t intend to either resurrect Ena or become a new Aeon of Order. While the actual possibility of such actions remains “enigmatic, we can now speculate that it could be possible to take control of a masterless Path or revive its master. I speculate that when we finally reach strongest Emanators level of poweallies/etc. the enemies we will be facing before actual Aeons will be unique beings like that: fallen Aeons in the process of resurrection or people in the process of becoming a new Aeon of a Path without one.
Another interesting bit of lore about Ena is that while she was “consumed” by Xipe, her Path still lingers in the cosmos masterless. While it was known about Paths of other fallen Aeons it is interesting that even assimilation by a broader concept Aeon isn’t enough to completely eradicate the Path from the face of the cosmos.
Some other connections that I noticed about Sunday while rewatching 2.2 quest were surprising even for me. Name a planet where the ruler intentionally left their subordinates in ignorance about the truth about the events for the sole reason of protecting them? It’s Belobog with Bronya and Seele (I could talk about similarities and differences of Bronya and Sunday but that would make already long post even longer). And this is why Ena was able to persuade Qlipoth. Because Qlipoth shares with THEM that general theme of protection. Because their Paths partly overlap. Because Preservation is about keeping everything dangerous behind the walls (in this case dangerous information about Cocolia), and everything inside the walls is safe, protected, or you could say “in Order”.
Ⅴ
P.S. I feel like in this quest there is still so much more to discuss(and I could write EVEN MORE), but this long wall of text is already too out of character from me as a humble follower of Enigmata.

In the realm of Asmonia, four kingdoms—Armatius Empire, Mavia, Otarenth Dynasty, and Pruzodora—vie for power and control over the lands. For centuries, Armatius and Mavia have been locked in a bitter feud, each seeking dominance over the other. Meanwhile, Otarenth and Pruzodora have remained neutral, harboring ancient secrets and treasures within their borders.
As tensions escalate between Armatius and Mavia, rumors spread of an ancient kingdom hidden deep within the enchanted waters of Pruzodora. It's said that this kingdom holds immeasurable riches and mystical artifacts, capable of shifting the balance of power in the ongoing conflict.
To uncover the truth and claim the treasures for themselves, emissaries from Otarenth, Mavia and Pruzodora, along with their entourages, are invited to a grand ball hosted by the rulers of Armatius. The ball is intended to be a diplomatic affair, but beneath the surface, alliances are formed and betrayals plotted.
Is there poison in the wine? Should you dance with that adversary? Who’s listening to the whispers between you and your friend? Are they even friend, could they be foe all along?
•———•———•
The rules are simple;
➤ No Bigotry Of Any Kind ➤ Don’t be a Creep or you will be Kicked ➤ Drama in RP Only! ➤ Every reply must be semi-literate and contain at least 100 words, NO ONE LINERS! That means 100 words minimum for every character you play! ➤ No Killing Characters! (unless permitted) ➤ 18+ ONLY
THIS IS ON DISCORD BTW, I will provide the link once you can provide your writing sample in DMs
These are the open positions for the royal families, once those are filled we can open up nobility and workers within the royal courts. This list will be updated as often as possible.
♡ Armatius; ► Queen(43+) ► Eldest Princess (20-21)
♢ Mavia; ►Queen (43+)
♤ Otarenth; ► Crown Prince (20-21)
♧ Pruzodora; ► Crown Princess (21-25) ► Youngest Prince (18-20)
To join just DM me personally. A writing sample is required to join to make sure you can write as much as everyone else