E-surance commercial girl

ShrekCommercialGirl

2019.09.10 05:06 Round_Rock_Johnson ShrekCommercialGirl

Who is she?? UPDATE: Our idol - the first puzzle piece - has been found. But the mystery is far from over. Just how deep does this go? [WANTED: Self-driven mods who are willing to sacrifice EVERYTHING for the sake of our cause]
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2011.03.30 19:49 squidgirl No-Poo / Natural Haircare

A place to discuss natural haircare and alternatives to shampoo.
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2020.07.30 18:32 maug_irl Elephant Room Leaks

Welcome to /ElephantRoomLeaks. This subreddit is dedicated to unreleased content of and news surrounding the Glendale-based film group, Elephant Room Productions.
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2024.05.15 15:32 reverseharam UNIS - Ep. 4: Is this right? UNIS runs away from their first commercial as a girl group; The weirdest commercial filming location ever @ Mobidic Android (240515) [ENG SUB]

UNIS - Ep. 4: Is this right? UNIS runs away from their first commercial as a girl group; The weirdest commercial filming location ever @ Mobidic Android (240515) [ENG SUB] submitted by reverseharam to kpop [link] [comments]


2024.05.15 13:48 Signal-Abroad9638 240515 UNIS ran away from the first advertisement in the girl group’s life;; The strangest commercial filming location of all time, “Android” EP.4

240515 UNIS ran away from the first advertisement in the girl group’s life;; The strangest commercial filming location of all time, “Android” EP.4 submitted by Signal-Abroad9638 to unis [link] [comments]


2024.05.15 09:28 Yurii_S_Kh Nikola, the only student at his school: “I mind the goats and play chess”. Travel notes from Kosovo and Metohija.

Nikola, the only student at his school: “I mind the goats and play chess”. Travel notes from Kosovo and Metohija.
Nikola Stankovic
“Have a good trip! Will you be so kind to bring me a chess set the next time you come? A deal?” This is what Nikola Stankovic told us when we parted the last time as we were leaving Slivova near Pristina. This is the place we return to once the opportunity presents itself.
It’s true that we come here often—to the suburb of the once glorious city of Pristina, once the intellectual, industrial, and cultural center of our Kosovo… People used to come here from everywhere, as the city attracted professors, engineers, writers, and artists. Before, Pristina was known for its flourishing cultural life, just as today it’s buzzing with commercial and shopping activity—full of intrusive and aggressive advertising by foreign companies, probably the only ones who benefit from the war. “Nuk ka me Pristine” (Albanian)—“Pristina is no more!” was the title of a novel published on the twentieth anniversary of the “March pogrom“ of Serbs. Serbs remember how yesterday’s neighbors, colleagues, and friends chased them out of their then Serbian city.
Things are no better in the suburbs of Pristina; they are completely cut off from the city. The nearby villages are dying out, standing isolated from the outside world and kept away from the blessings of civilization. Many Serbs were forced to leave or flee their homes. Many of them have died. Many of their houses were burned down… The tiny village of Slivova is a place where you can still hear people speak Serbian.
A Serbian school for a single student
“It used to be so wonderful here before the war! People worked in factories and in agriculture. Our village was bustling with life and there were a lot of children. I had more than twenty students in my class, and we are talking about a village school! But these days, after the war… Consider it a desert; everyone has moved or fled away,” Nikola's father tells us. He speaks of Serbs when he says “everyone,” as with every passing day, more and more Albanians settle into Slivova. For a long time now, the village is more than half Albanian. They come from the city in search of a quiet life and clean air, and they firmly settle here. I asked if there were any clashes. No, he replies, not yet, but who knows.
Basically, why would they want clashes when Serbs are already on the move, leaving their homeland behind. “Soon we will be left all alone. Our children have no future here. My older sons, for example, have long been living and working elsewhere.”
Nikola, the third son and the only school student in Slivova, is in seventh grade. We ask our old friend how he is doing.
“I mind the goats and play chess. Sometimes I look after Dragan, my younger brother (there are four brothers in his family), but he doesn't always listen to me!”
A young shepherd. A kind one
We are walking with our seventh-grader to his school, now located in a house left behind by a Serb. Since 1999, Serbian children never returned to their classes in their old school. It is the result of the “optimization of Serbian education,” the Kosovar way. We “snatched” Nikola for a short while—pulling him away from his herd. His youngest brother Dragan worthily replaced his brother in the line of shepherd duty. We sat down with him on a bench nearby to play a game of chess, Nikola’s favorite pastime. He admitted, embarrassed, that he sometimes played chess with his teacher at his “new” school, as well. But once he entered high school grades, he played against the computer, his main rival. It is not much of a conversation partner, but at least it offers an interesting game of chess.
We met Nikola for the first time three years ago. He won’t make friends with you lightly, or for no reason at all; it took him a while to grow accustomed to us. Village folk are like that. But once they get to know you, you can’t find a better friend. It was the same this time. When he saw us, he didn't say much, but his eyes shone with such joy that no words were necessary. And he is always trying to give us gifts.
“I recently went to a soccer game in Gracanica; my dad took me there. It was really great! Teachers come to the village every day, well, to teach me. So, I'm learning. What else can I do?”
Nikola
Nikola is one of our “trailblazers”. He took part in the summer school camp organized last year for Serbian children from Kosovo and Metohija by our charity organization called “Kosovo Pomoravlje.” Everything went well, but, as we have noticed, these children couldn’t get enough of playing soccer with their peers from other ghettos. For them, soccer is an important thing, a way to interact, no matter how you cut it. We asked him if he’s going to attend our summer school this year.
“I sure will! Only if you have more soccer time!”
We finish the chess game and say our goodbyes. We leave Nikola with his herd, kings and queens, and a chessboard under his armpit. We already know what we’ll bring him when, God willing, we come here next time: soccer cleats and a football. We wave and honk… and hope that we will be able to bring together the boys and girls from the enclaves of Kosovo and Metohija in our summer school. And yes, they’ll have more soccer time there—we’ve learned our lesson well.
Maria Vasic Kosovo and Metohija Prepared by Peter Davydov
submitted by Yurii_S_Kh to SophiaWisdomOfGod [link] [comments]


2024.05.15 01:47 Honest-Sweet-285 [TOMT] Can help me find this YouTube video? Thanks

Description is a Korean commercial. Where it talks about a girl start liking her best friend after they had a karaoke session. So she brought a perfume to attract his attention. During the bus ride home she confess to him and it turns out the guy likes her too! Since way before the karaoke session. So the commercial is about perfume It's just really cute and nice. Reminded of it so want to watch it again >< Thanks 1
submitted by Honest-Sweet-285 to tipofmytongue [link] [comments]


2024.05.15 01:16 Haunting-Band-2763 Hazbin Hotel - Episode 1, Season 1: Overture - (Genderswap)

(An animation shows black and white clouds parting)
Charles: (Off-screen) Once upon a time, there was a glowing city protected by golden gates known as Heaven. It was ruled by beings of pure light. Angels that worshipped good and shielded all from evil. Lucy was one of these angels. She was a dreamer with fantastical ideas for all of creation. But she was seen as a troublemaker by the elders of Heaven. For they felt her way of thinking was dangerous to the perder of their world. So she watched as the angels began to expand the universe in their ways. From the dust of Earth, they created Eve (I couldn't think of a female name that looked like Adam) and Lilian. Equals as the first of mankind, but despite this, Eve demanded control and Lilian refused to submit to her will. He fled the garden. Drawn in by his fierce independence, Lucy found him and the two rebellious dreamers fell deeply in love. Together, they wished to share the magic of free will with humanity, offering the fruit of knowledge to Eve's new groom, Adam, who gladly accepted. But this gift came with a curse. For the single act of disobedience, evil finally found its way into Earth. With it, a new realm of darkness and sin. And the order Heaven had worked to maintain was shattered. As punishment for their reckless act, Heaven cast Lucy and her love into the dark pit she had created, never allowing her to see the good that came from humanity, only the cruel and the wicked. Ashamed, Lucy lost her will to dream. But Lilian thrived, empowering demon-kind with his voice and his songs. And as the numbers of Hell grew, so did its power. Threatened by this, Heaven made a truly heartless decision. That every year, they would send down an army, an extermination to ensure Hell and its sinners could never rise against them. But Lilian's hope remained. And his dream was passed down to their precious son, the Prince of Hell. (The prince shuts the "Story Of Hell" book) (On-screen) Don't worry, Dad. I'll make you proud. (He holds a key)
Vagner: Charles?
Charles: Augh! (The key turns into a cat) Oh, shit. Did you hear all that?
Vagner: Uh... Yeah, I was right there.
Charles: Sorry. I get worked up after an extermination happens. This story helps.
Vagner: (chuckles) I know. Don't worry. I enjoy your theatrics. Are you okay?
Charles: I'm fine, just...Thinking, ya know, family stuff.
Vagner: Did you hear from your dad yet?
(Charles shakes his head saying no)
Vagner: Oof. How long has it been now?
Charles: Not that long, only...Seven...Years...Off something important, I'm sure. But this kingdom was something he really cared about. Something I care about.
Vagner: Well, at least you aren't alone.
Charles: I just hope what I'm trying to do here will work.
Vagner: It will. I have faith in you.
(The cat hopes on Charles)
Vagner: All right. Come on. Alice says she has something to show us.
(Vagner heads to the door and Charles look out of the window and see Hell on fire and goes)
(A commercial plays)
Alice: Well, hello there you wayward sinner. Do you like blood, violence and depravity of a sexual nature? Of course you do. That's why you're in Hell! But what would you say there was a place to stay that had none of that? Welcome to the Hazbin Hotel, a misguided path to redemption! Founded five days ago by Lucy's delusional son Charleson Morningstar! Come place your fate in his inexperienced hands as he tries to work through his mommy issues by fixing you! Here, we offer fun thing! Such as somewhat functional staff! And 24 hour Pest Control! Custom rooms, and just look at this tacky parlor! Enjoy riveting conversation with our singular resident. Wow! All this and more at the Hazbin Hotel! You last desperate attempt at salvation starts here.
(The tv suits off)
Alice: So, what'd ya' think?
Vagner: I'm sorry, what the fuck was that?!
Charles: Uh, yeah, one note...Alice, I mean...First off, thank you so much for making this, seriously, amazing, but um...Maybe the tone is a bit...Off? We want people to want to come here, this makes it look...Ummm...
Vagner: Bad. The word you're looking for is "bad".
Alice: Funny, I was going for hilarious!
Vagner: It didn't explain anything about how we're trying to save demons from extermination, which is the whole fucking point.
Charles: Vagner is right, Alice. The commercial was to let sinners know we are trying to help them.
Alice: Well, my dear, I haven't been active in Hell for some time, and everyone remembers me from my radio show! The proper medium to express oneself! But YOU insisted on this noisy picture box adversiment! So I had a little fun with it.
Vagner: Oh, fun? You had a little fun with it? (Stand on the sofa) Well, this is not what we want to represent us. When you showed up here a week ago, you told us you would help run the hotel! Instead, you're mocking us. Nobody's going to want to come to a place that a powerful overlord like you thinks is a waste of time!
(A demon on a sofa raises her hand)
Vagner: What?
Angela: If'n ya filmin' a commercial, can I suggest you take better advantage of the talented celebrity you have right here?
Vagner: Angela, you're a porn star.
Angela: A famous porn star. I'll have the horniest sinners knockin' these walls down to get in.
Vagner: We are not filming a porn as a commercial.
Angela: Why not? Sex sells, don't it? I swear if you film me goin' at it with mistress fancy-talk-creepy-voice here, you'd rollin' in participants willin' to stay at this tacky hotel.
Alice: Haha! Never going to happen!
Charles: Angela, I appreciate you wanting to use you special skills to, um, attract folks to the hotel, but...I really don't want to exploit you, in that way!
Angela: Oh, please, baby. This body was made to be exploited. I got the arms, I got the stamina, I got the legs. I got the lung capacity-- Oh-oh I got the legs! The gag reflex, the holes...
(Charles laughs uncomfortably and his phone rings with his mom calling)
Angela: The small tits that make everyone think I'm a man...
Charles: Uhhh, hold that thought. I'll be right back! (Walks away)
Angela: I could keep goin' all night, baby.
(Charles breathes and answers the phone)
Charles: Hello? Mom?
Angela: Hey, I have a question. If freaky face over there is so powerful, then why can't she just make people stay here?
Alice: Oh, trust me, (ominously) I can!
Hisky: Why the hell do you think I'm here?
(The camera goes to Hisky at the bar)
Hisky: You actually think I'd be cleaning bottles and listening to you fuck's bitches moan all the time if she wasn't forcin' me?
Niffter: I like being forced!
Hisky: Keep that to yourself, Niff.
Angela: What, you don't like being here with me, Whiskers?
Hisky: Call me "Whiskers" again and I'll that bottle down your throat.
Angela: Kinky. But I like pussies. But keep talkin' dirty.
Vagner: Ugh, Angela, let Hisky do her job. And no, we can't force sinners to stay here. They need to choose to.
Angela: I'm choosing to be here, and I think is all stupid. We're in Hell, toots. It's kind of the end of the road, ain't it?
Vagner: Well, maybe it doesn't have to be. Just because nobody has made it before doesn't mean is not possible. (Angela pust her arm in his shoulder)
Angela: Hey, whatever means I can keep crashin' here rent free. Crack is expensive.
Charles: (excitedly) Yeah, I can! Totally. Yeah, I'll head over there right away...Okay. (Turns off the phone) Hah! YES! YES!! Hahahaha!! Vagner! Holy shit!
Vagner: Ahh! What?!
Charles: (through closed mouth) Get over here!
(Vagner sighs and goes to where Charles is)
Vagner: What's going on?
Charles: (Inhales) My mom just called. She said that the leader of the Angel Army wants to meet. She asked if I could go instead. (Breathes deeply)
Vagner: But... But...But the extermination just happened. What would they want this soon after...
Charles: (Singing) I can do this. Somehow, I know it I'll get Heaven behind my plan!
Vagner: Charles, hold on.
Charles: There's just no way I could blow it. Not this once a lifetime change!
Vagner: It's just a meeting.
Charles: To change their minds. And touch their hearts. Or whatever angels have.
Vagner: This could be bad.
Charles: Cheer up, Vagner. This could be swell. Something tells that today will be a happy day in Hell!
Vagner: Okay, but just don't... sing to them.
Angela: That motherfucker is halfway down the street.
Vagner: Is he...
Angela: Oh, he's dancin'.
Vagner: Ugh, no.
Charles: There's a warm fuzzy feeling that wafts through the air! Every street so revealing it's hard not to stare. It's a realm so appealing it beats anywhere! If you don't mind the smell! It's a happy day in Hell! Hi, miss!
Demon: Go fuck yourself!
Dead Sinner #1: There's a endless trash fire that's burnig my soul!
Charles: Hello!
Imp: There's a lot of barbed wire to shove in her holes!
Charles: Uh, excuse me...
Executioner: Doing what is required we all have a role!
Dead Sinner #2: I'm not doing well!
Ensemble: Another shitty day in Hell!
Charles: If I can show them the dream I've dreamed, that any soul can change!
Vagner: Those angels minds are hard to change!
Charles: Then they know that everyone can be redeemed from the evil to the strange!
Vagner: They're bloodthirsty and deranged!
Charles: I can hear all their stories, the lost and the displaced! And I know that they're of an acquired taste! But if I open the door and give them a place at my Hazbin Hotel it'll be a happy day in Hell! (Jumps in the back of a truck) From the porn studio where the cinephiles go to watch award winning demon bukkake shows to the Cannibal Town where they don't wear a frown 'cause...Holy shit, ew, my gosh, why?! And I don't give a crow that her brains got in my eye! Cause I know I can spare them from Heaven's genocide! I can do this...
Dead Sinner #1: There's an endless trash fire...
Charles: I just know it! Dead Sinner #1: That's burning my soul!
Chorus: Ahhhhhhhhhh!
Charles: I'll get Heaven behind my plans! There's just no way I could blow it!
Demon Sinner #3: I kinda like the barbed wire that's shoved in my hole!
Charles: Not this once in a lifetime chance! To change their minds!
Trenchcoat Demon: And touch my parts!
Charles: Oh...No, thank you. I'm just gonna...Fullfill my destiny!
Trenchcoat Demon: Your loss fucker!
Charles: I can already tell! Today is gonna be a fucking happy day in Heeeeeeeeeeeeeeeeeeeeeeell! (Charles enters at the lobby) Hello? (echoes) Hello? Creepy...(He goes to the reception, rings the bell in the table and a paper and a feather pen appear in front of him) Oh, okay! Also creepy. (Signs the paper)
(Elevator doors open, Charles goes to them and enters in a dark room)
Charles: Hello? Is anyone here?
(The lights turn on)
Eve: 'Sup?
Charles: Holy shit! (Falls in the floor and gets up) Hi, I'm Charles. My mom asked if I could meet you.
Eve: Yeah, I know.
Charles: Okay, well, it's nice to meet you. (Stands his hand)
Eve: Totally. Nice to meet you, too. (Stands her hand)
(Charles hand passes through Eve's hand)
Charles: Ahh!
Eve: Ha! I fucking got you! Did you fuckin' see that?
(Luther shaves his head in yes)
Eve: Good shit!
Charles: Uh, so wait, you aren't here?
Eve: No, you think I'd come down there? (Laughs) No. I mean, I love the vibe, totally, I love your tunes. Pretty fuckin' hardcore, don't get me wrong. But, it's such a bummer, man. Everything down there's just so "eugh" ya know? (Chuckles) Ew.
Charles: Right. So I'm happy we got this opportunity to meet. There's a project I've been working on that I really want to talk to you about...(Eve puts her finger in his mouth)
Eve: Hey, hey, hey, slow down. We got time. How about we get to know each other, mm? How about some lunch? You hungry? I got you! (Shows a plate with ribs) Here's my personal favourite. You'll love it.
Charles: Uh, thanks! (His arms passes through the plate of ribs)
Eve: (Laughing) I got you again, fucker! Haha fuckin' hilarious! Haha!
(Back at the Hazbin Hotel, everyone is at the lobby)
Vagner: Okay, so Charles is dealing with something very important, so while he's gone, we are making a new commercial. One that representants his vision and what we're doing here. So we need a camera. Alice?
(Alice snaps her fingers and an old camera appears in Vagner's hand)
Vagner: A video camera.
Alice: Hmmm. (Snaps her fingers)
(A video camera appears in Vagner's hand)
Vagner: All right, let's do this!
(Vagner films Angela sitting at the bar)
Vagner: And...Action!
Hisky: "Welcome to the Hazbin Hotel, can I help you with anything?"
Angela: "I've been a bad girl. And I need a big strong mommy to put me in my place...On the path to redemption!"
Hisky: Ugh! "Well, you come..."
Angela: "Oh yes!"
Hisky: (boredly) "To the right place!"
Vagner: Cut! Okay, Angela, I need you to be less horny, if possible. And Hisky, can you maybe not have a script in front of your face?
Hisky: (Angrily) I ain't no actress, I can't memorize this shit!
Angela: Well, we could improve this shit, baby cakes! (Purrs seductively and Hisky push her out of the counter) Ahh!
Hisky: Whoops. (Drink a bottle)
Vagner: Hisky, come on!
(Meanwhile, Charles is bored)
Eve: So I was playing this gig, and for some fucking reason this virtue boy was digging on the drummer, and it's like, do you know who I am? I'm fucking Eve. I'm the original pussy! All pussies descend from me. You think you like a drummer pussy? No way, I'm the Pussy-fucking master! (Eats sloppily) So anyway, then we fucked, and it was awesome. What'd you do this weekend?
Charles: Wait, your name is Eve? Like the first woman? That means you...Ohhh...(Enlightened) That explains so much.
Eve: I know. I fucking rock.
Charles: Well, Eve, ma'am. Mrs. Eve, ma'am.
Eve: Call me Pussymaster.
Charles: Eve, you seem like a smart...well, stand up girl.
Eve: (With the finger in her teeth) Uh-huh.
Charles: And I know you are the leader of the angels. And you are a bigger revolutionary, a...A genius!
Eve: I maen, your words, babe.
Charles: Who would really her name on something.
Eve: Fucking love putting my name on shit! Shit's the best!
Charles: It's a solution to our biggest problem!
Eve: Oh, herpes. Yeah, that's a bitch.
Charles: No! Our other biggest problem.
Eve: Oh, uh...Ugly people? (Looks at the camera) Math? Global warming? Nah, wait that's Earth's problem. Umm...
(At the hotel, a bug walks in the floor and a needle tries to stab it saverel times)
Niffter: Hehehe. Stab. Stab. Stab.
Vagner: Alright Niffter. Niffter? Niffter! (Stops him) Your line is "We have the cleanest rooms". Okay?
Niffter: Got it. I'm ready.
Vagner: (Turns on the camera) Action!
(Niffter looks at the camera with his pupil constricted and Angela and Vagner look at him confused and he keeps staring weirdly)
Vagner: Uhh...Cut. (Turns off the camera)
(Niffter smiles again)
Niffter: (Giggles) How was that?
Vagner: Well, Niffter, you actually have to say the line. So let's roll again.
Niffter: Okay!
Vagner: Action. (Turns on the camera)
(Niffter stares deeply at the camera)
Angela: You're doing great, Vagina!
Vagner: Cut! Alright, um, maybe wr can try to fix it in the post.
Angela: Do you even know what that means?
Vagner: (Angrily) I'll figure it out!
(In the lobby, Vagner is watching the video with the camera connected to the tv)
Hisky: (On TV) Welcome to the Hazbin Hotel.
(Vagner groans, covers his eyes and Alice appears in his side)
Alice: Seems like you're having a bit of trouble there, hm?
Vagner: Ugh, esta pendeja...Why are you even here?
Alice: For the entertainment! I came here because I love seeing wasteful souls struggle to accomplish something meaningful and fail spectacularly. Like you are doing now! Good job!
Vagner: (Turns on the camera) And here is Alice, the egocentric piece of shit that...
(Alice gets static on the camera and it starts to spark and Vagner screams and knocks the camera down)
Alice: I wouldn't try that, my darling. (Sinisterly) This face was made for radio.
Vagner: (Gets angry) That's it! I don't care who or what you are! If you are staying here you are going to make this work! Beause it won't be so "entertaining" to watch an empty hotel will it, shit ass?! (Turns around and walks away)
Alice: Fair enough. I'll tell you what. Let's make a deal.
Vagner: Pft! You think I'm that stupid? Making a deal with a demon like you.
Alice: Not for your soul, just a simple deal. I do this for you, and you never ask me to engage with this frivolous television technology ever again. Or...Charles can come back to absolutely nothing! Your choice.
Vagner: (Sighs) Fine. (Gets the video camera and raises in Alice's hand and green ghosted skulls fly around it)
Alice: Now then! (Makes the camera disappear and snaps her fingers)
(Angela, Hisky and Niffter, a lot of filming materials and a ghost recording team appear in the lobby and everyone gets tailor clothes)
Vagner: Alright, everyone! Let's make a fucking commercial.
(Meanwhile)
Eve:...When you take him out for the fifth time and he still expects you to pay the check, but you're like, (In deep voice) "Hey I thought you wanted equality"!
Charles: (Frustrated) No! Our shared problem of overpopulation in Hell!
Eve: (Normal) Oh! Well, that's not a problem! We got that covered! Luther, how many demons did you kill this year?
Luther: Got a good 275 this year, ma'am.
Eve: 275? Whoa, badass! Awesome job, danger dick! Pound it. (Punch fists with Luther)
Charles: Uh, no, not awesome. Those are my people, you know that, right?
Eve: Ohhh, yeah...That must suck for you. Pft...Hahahaha! Charles: But these are souls. Human souls, just the same as the ones you have in Heaven.
Luther: They're not the same. They had their chance and they earned damnation.
Charles: You're wrong. Sinners made mistakes, sure, but everyone makes mistakes.
Luther: Angels don't make mistakes.
Charles: You really think that?
Luther: I know that.
Eve: Yeah, I've never made a mistake in my fucking life.
Luther: The only reason you're still here is because Mommy gave you and your Hellborn-kind a pardon from an exorcist blade. How does that feel? To know how little you matter.
(Charles shrinks back)
Eve: Oops, almost out of time. Guess we should get into it...
Charles: Oh! Fuck!...(Get up from the chair) Okay. I've a lot to get through and not a lot of time and I feel like you weren't really hearing before, so here goes. (Clears throat) (Singing) I know Hell's population is out of control. It's a bad situation, it's taking a toll. If we rehabe these sinners and cleanse all their souls at my Hazbin Hotel! (Normal) Wait I'm getting ahead of myself! Right! Extermination! (Singing) I know you guys fly down just to kill once a year. And it must be annoying to schlep all the way here. If they join you in Heaven that trip disappears! You can wave that chore farewell! (Deep breath) It'll be a happy day in...
Eve: (Singing) Let me stop you right there, save us all precious time!
Charles: (Normal) Okay?
Eve: If what you're suggesting is letting them climb! Up the ladder. Oh they rather cross the Pearly Gates? Sorry, sweetie, but there's no defying in their fates! 'Cause Hell is forever wheter you like it or not! Had their chance to behave better now they boil in a pot! 'Cause the rules are black and white there's no use in trying to fight it! They're burning for their lives until we kill them again!
Charles: Okay, but...
Eve: Just try to chillax, babe, you're wasting your breath!
Charles: (Nervously) Hehe...
Eve: Did I hear you imply that they deserve death? Are they winners? Are they sinners? 'Cause it's cut and dry!
Charles: Actually, if you take a look...
Eve: Fair is fair, an eye for an eye! And when all's said and done! (Said and done) There's the question of fun! (Fun) And for those of us with divine ordainment, extermination is entertainment! (Imitates guitar) Guitar solo, fuck yeah! (Imitates guitar) Hell is forever whether you like or not! Had their chance to behave better now they boil in a pot!
Charles: Where all these people come from?
Eve: 'Cause the rules are black and white, there's no use in trying to fight it! They're burning for their lives until we kill them again! (materializes a guitar and play it) Fucking Hell is forever and it's meant to suck a lot! So give up your dumb endeavor 'cause you don't have a shot!
(Charles groans, his paper gets on fire and his hair moves in the air and horns appear in his head)
Eve: Long as I've got your attention, I guess In should probably mention that we made a determination (Shows a contract) To move up the next extermination!
Charles: What?!
Eve: Can't wait a whole year to slaughter those little cunts! (Holds Charles' wrist) I know is just been a week, but we'll be back in six months! (Spins Charles out of the room and plays her guitar)
Charles: Um, wait, didn't you...(Goes at the door, but it closes) Awh, shit! (Punches the door)
(Charles returns sad to the Hazbin Hotel)
Vagner: Charles! (Hugs him) How did it go? Did they listen?
Charles: Oh, uh...They sure did...hear it! But, um...
Vagner: Oh! Come here. We have something exciting to show you! (Holds Charles to the living room) Alice pulled some strings, and it's about to air.
Alice: I pulled a few limbs too! Hahaha!
Charles: Wait? The commercial? You all made a new one?
Angela: Yeah, one of my better performances, if I do can say so myself.
Charles: That's...That's amazing.
Angela: Shh! It's starting!
Vagner: (On TV) Welcome to the Hazbin Hot...
(The TV changes to the 666 News channel and everyone complains)
Kallie: (On TV) Breaking news in Hell today! We have just received word from the Heaven Embassy that the next extermination is happening sooner than ever before! Do you know what that means, Tomita?
Tomita: No. What does that means, Kallie?
Kallie: It means we are all royally fucked!
(The clock in an hourglass changes to 176 with everyone screaming)
Angela: Wait...What? Why?!
(A drone laser scans a headless body of an angel laying in Hell and Eve and Luther see then from the ship)
Luther: We found the body, ma'am. They've never managed to kill one of us before. We should just go down there now and destroy them!
Eve: No, no. We can't risk them catching on. But don't worry, when we come back, there won't be a demon left to pull a stunt like this again. (Breaks the projector and her eyes and mouth glow in the dark)
(The end credits start playing)
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2024.05.15 00:50 Shizean85 Burger commercial

I am looking for a commercial, possibly late 90’s/early 2000’s. In the commercial, two guys were on a bench and one was eating a burger. Suddenly, the “hot girl” shows up and says something like “mmm, that looks really good, can I have a bite?”. The guy just hands her the sandwich and she bites into it sensually and then hands it back and walks away.
The guy eating the sandwich just stares at it, and his friend is like, “dude… it’s like you were making out”. The guy with the sandwich then puts the burger to his face like he’s gonna make love to it, and then it ends/cuts away from them.
Can someone help me find this? I want to say it’s a Burger King commercial but I could be way off.
submitted by Shizean85 to Commercials [link] [comments]


2024.05.14 22:59 IndigoWolf4711 DAY 36-BRITT STEWART DANCING WITH THE STARS: THE PROS' MOST ICONIC QUOTES ✨️

DANCING WITH THE STARS: THE PROS' MOST ICONIC QUOTES ✨
Day Pro Dancer Quote
1 Karina Smirnoff "Is there any reason why your head looks like a pigeon?"
2 Valentin Chmerkovskiy "Bro, you're one big wrong already."
3 Witney Carson "What do you need, a snack?"
4 Anna Trebunskaya "Some people say I'm a tough teacher. And I am."
5 Brandon Armstrong "I was born in '94..."
6 Cheryl Burke "So the name of the song is 'Call Me Irresponsible', remind you of anybody? I think it's perfect for you!"
7 Edyta Śliwińska "I'm wearing so much clothes that I got tangled in it!"
8 Artem Chigvintsev "Fine! I watched 'Fifty Shades of Grey'!"
9 Corky Ballas "Now we're doing the Mambo which originated in the '40s!"...
10 Chelsie Hightower "South America speaks Spanish?"
11 Derek Hough "I'm rough, I'm tough, I'm Derek Hough."
12 Charlotte Jørgensen "Get your heel up on your back foot, or I'll kill you."
13 Allison Holker "Team Rallison!!!"
14 Julianne Hough "I felt like you just had to phone it in so you could get back with Meryl."
15 Alec Mazo "Josie is deceptively unfit."
16 Alan Bersten "It's a little shaky in here!"
17 Jenna Johnson "ADAM! WE GOTTA QUICKSTEP!!!"
18 Ashly DelGrosso-Costa "It needs to be equal teamwork, and I can't play a tug-of-war anymore."
19 Gleb Savchenko "You look like a dancer when you're not moving."
20 Kym Johnson-Herjavec "I should never have made us try that stupid lift..."
21 Maksim Chmerkovskiy "With all due respect, this is my show, I help make it what it is."
22 Lacey Schwimmer "STEVE!!! How am I supposed to be in love with you if you keep farting all the time?!?!"
23 Mark Ballas “And you said habede habeduh de de. Daba da dip bah da be. That’s what you said when I asked you."
24 Lindsay Arnold "That salsa will get ya-every time!"
25 Louis Van Amstel "I was jealous of Mark on Season 5, but I got the girl now!"
26 Koko Iwasaki "You're a real Jersey party boy, and I need you to be a suave English gentleman for Bond Night."
27 Keo Motsepe "If Len gives a 10, I'm gonna run down and kiss him!"
28 Peta Murgatroyd Her scream after finding out that she and Tommy Chong had made the semi-finals.
29 Pasha Pashkov "You don't know who I am, but I've been praying I get you!"
30 Sasha Farber "If you wanna dance, you know it would be my honour. My main worrybis your health."
31 Jonathan Roberts "Let's take a commercial break."
32 Daniella Karagach "YEAH! OH SHIT!!!"
33 Dmitry Chaplin "I feel like I'm cheating on Jewel with another partner."
34 Sharna Burgess "I got to do the Backstreet Boys' move next to a Backstreet Boy, and I think it's kinda awesome!"
35 Tristan MacManus "And I got a 7. Hurt my feelins!"
36 Britt Stewart
37 Rylee Arnold
38 Tony Dovolani
39 Emma Slater

Welcome to DANCING WITH THE STARS: THE PROS' MOST ICONIC QUOTES ✨

A huge thank you to the lovely u/invader_holly who suggested the idea, and that I run this game here! 💕
How does it work?
Each day, I'll reshare this board. With each day is a new pro. Similarly to past games I've done like Dances of the Seasons, The Dancing with the Stars Alphabet, Favourite Dances Per Style, and The Pros' Most Memorable Dances, for every day, you can all comment a response. This time, the response would be a quote from the respective pro for that day! As with previous games, the comment with the most upvotes wins. At the end, I'll put together a video compilation together!
MAKE SURE THAT IF YOU WANT TO SUGGEST NUMEROUS QUOTES, DO THEM EACH IN A SEPERATE COMMENT. THE COMMENT WITH THE MOST UPVOTES WINS AND IS ADDED TO THE BOARD. IF POSSIBLE, PLEASE TRY AND ADD WHEN THE PRO SAYS THE QUOTE (SO I CAN FIND THE CLIP TO ADD TO THE VIDEO COMPILATION).
Yesterday's round was won by u/HornetWest4950 's suggestion!

DAY 36: BRITT STEWART

submitted by IndigoWolf4711 to dancingwiththestars [link] [comments]


2024.05.14 21:33 pronoia123 The Astrology of Kendrick and Drake

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.
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2024.05.14 21:32 pronoia123 The Astrology of Kendrick and Drake

[I shared this in girls and gays but wanted to share here as well for those of you not in that sub]
With Kendrick Lamar and Drake’s rap feud raging over the last month, I got curious about what their natal charts say about each of them as rappers, and how the astrological synastry between the two has fueled this chart-topping fight. Luckily we have an accurate birth time for both Drake and Kendrick, so we can see exactly how their charts overlap.
Here’s Drake’s chart:
And here’s Kendrick’s chart:
Inconjunct Suns
Kendrick has a Gemini sun, like many of hip hop’s greatest rappers, including Notorious B.I.G., Tupac, Lauryn Hill and Outkast’s Andre 3000. Geminis are well-suited to rap as the wordsmiths of the zodiac, one of the two signs ruled by Mercury, the planet of communication. Virgo, the other sign ruled by Mercury, expresses the analytical, practical, pragmatic side of the mind, the so-called “left brain” which sorts the wheat from the chaff (and, fittingly, Virgo season aligns with the harvest season of late summer).
Gemini expresses the more playful, self-expressive, hyper-curious “right brain” side of the mind - the monkey mind that swings from branch to branch, seeing connections as it goes. “Curious to a fault, Geminis have a finger in every pie. Solar Geminis are flexible and changeable people. Usually quite clever and witty, Geminis enjoy intellectual conversations and they are easily bored if they are not getting enough mental stimulation.”
Drake is a Scorpio sun, bringing a very different energy to the table. Scorpios seek power above all, and they live life intensely. If Gemini is the court jester, taking life lightly and poking fun at it all, Scorpio is the dark knight plotting and positioning himself for a coup. As one of the two signs ruled by Mars, the planet of war and competition, Scorpios don’t back down from competition, and as a fixed modality sign, they can struggle to let go–even of what hurts them. Scorpios are drawn to the darker sides of life - they know that secrets hold power, so they tend toward privacy, as shown in Drake’s last rap beef, when Pusha T revealed that he had secretly fathered a son with a porn star.
Gemini and Scorpio have a tricky inter-dynamic, with an aspect between them known as a quincunx, or an inconjunct. Quincunxes occur when planets are 150 degrees apart, and therefore share neither an element (water, fire, earth, or air) nor a modality (cardinal, fixed, or mutable). They are at odds in a very fundamental way, and though they can teach each other a lot, in order to get along they will have to make some serious adjustments.
When these signs get together, they just can’t understand each other. They have almost nothing in common, so it’s hard to find common ground. When a quincunx shows up in a synastry or relationship reading, this can make for a tense or difficult relationship.” This natural repelling dynamic is expressed in Kendrick’s diss song Euphoria (“I hate the way that you walk, the way that you talk/I hate the way that you dress/I hate the way you sneak diss, if I catch flight, it's gon' be direct”).
Drake’s ascendant is placed at 29 degrees Leo, exactly conjunct the royal fixed star Regulus. Regulus is one of the luckiest stars in the zodiac, and it is often seen in the charts of celebrities. “On the Ascendant, it will give a courageous and frank character. A splendid and illustrious life; glorious, mighty and commanding nature; fame, busy with many activities, bountiful resources, well known or feared in cities and regions.” But with Regulus on the ascendant, expanding the already narcissistic tendencies of Leo, there is a risk for an over-expansion of the ego and a lack of humility. Drake wants to be the best by all accounts - not just the biggest commercial superstar, which he is, but also the most critically acclaimed rapper, like Pulitzer Prize-winning Kendrick.
Mercury and Mars vs. Mercury and Venus
When it comes to analyzing writers of any sort, I like to look at their Mercuries, and here we see a fascinating contrast. Kendrick’s Mercury is located in intuitive, emotional Cancer (just like Lana del Rey, who I analyzed last week), and it is conjoined with Mars, the planet of war, which is what makes him such a formidable opponent in a rap battle. “Mercury conjunct Mars natal gives a quick mind, rapid reflexes, and a sharp tongue. These attributes are ideal for making quick decisions in the heat of the moment while others hesitate. Excellent debating skills allow you to stand up not only for yourself but for the rights of others. Your enthusiastic, direct and courageous way of expressing yourself can win admiration in politics, business, and the military.”
I think Mercury in combination with Mars is the ideal aspect for the competitive sport of rap, and interestingly enough, Tupac Shakur and Notorious B.I.G., who famously feuded and are considered by many to be the all-time greatest rappers, both had these planets tightly combined (Tupac had Mercury trine Mars with a 1 degree orb, and Biggie had Mercury septile Mars with a 0 degree orb).
Drake, by contrast, has his Mercury conjoined with Mars’ planetary opposite, Venus. Mercury conjoined with creative Venus is a great aspect for a musician, but it lacks the teeth of competitive Mars. “Mercury conjunct Venus natal makes you a lovable, handsome, neat, refined, romantic, and courteous person. You may tend to be passive and submissive, but this is a means by which you achieve peace in your life. You can lovingly communicate things; a melodic, poetic, and relaxing voice often helps this. Mercury rules trade, and Venus rules money, so you could do well in business and enjoy buying and selling.”
Many of Drake’s biggest hits show this melodic Mercury-Venus aspect - like the no-rapping, all-singing “Hold On, We’re Going Home,” “Hotline Bling” and “One Dance,” or the purported feminist anthem “Nice for What.” Many think Drake is best as a pop star rather than a rapper, which Kendrick references in Euphoria (“I like Drake with the melodies, I don't like Drake when he act tough” “Keep makin' me dance, wavin' my hand and it won't be no threat”).
Mercury conjunct Venus should be a very positive aspect for Drake, and in many ways it is – as two of the planets that rule over money (Mercury the marketplace, and Venus the possessions), this aspect is part of why he’s had such incredible financial success. However, a few factors complicate it. For one thing, they are located together in Scorpio, ruled by Mars. His Mercury is expressed in a Venusian way, but it wants to be expressed in a Martian way. I think this is why Drake returns regularly to gangster rap despite his success in pop and R&B. He wants to be a Mercury-Mars rap powerhouse like Kendrick, Biggie, and Tupac, but he’s fundamentally different. From the beginning of his career he’s been taunted as soft, weak, feminine, privileged–all very Venusian adjectives.
Another complicating factor is that Drake’s Venus is doubly challenged - it is both in detriment in Scorpio, as well as retrograde. Venus is in detriment in Scorpio because it rules over Scorpio’s opposite, Taurus, and so the planet is not at ease in suspicious, jealous Scorpio. “Fears of being too vulnerable or of giving up their own power to others is strong. Scorpio is an “all or nothing” energy, and relationships tend to be somewhat of a rollercoaster ride as a result. Disdain for mediocrity and superficiality can compel them to create crises in order to feel alive and vital.”
Venus retrograde in the natal chart “suggests you have some difficulty in giving and receiving love and affection. You may experience sadness in love or have to endure hardship or delay. Natal Venus in retrograde can also show as excessive use of makeup and jewelry or even disfigurement from cosmetic surgery.” It’s interesting how some of the allegations against Drake in Kendrick’s songs have included a nose job and a Brazilian butt lift. After Drake told Metro Boomin to “shut up and make some drums” in his initial Kendrick diss Push Ups, the producer responded with “BBL Drizzy.”
Drake has never been married or had a public long-term relationship. His highest profile one with Rihanna was on-again, off-again, and at times seemed more like unrequited love than true commitment. When interviewed about the relationship, he said “As life takes shape and teaches you#Personal_life) your own lessons, I end up in this situation where I don't have the fairy tale [of] 'Drake started a family with Rihanna, [it's] so perfect.' It looks so good on paper [and] I wanted it too at one time.” Two years ago Drake had jeweler Alex Moss create a necklace worth $12.5 million dollars built from dozens of engagement rings he had made but never used: ““New piece titled ‘Previous Engagements’ for all the times he thought about it but never did it,” Moss wrote over a video showcasing the stunning necklace, which is made up of “42 engagement rings” totaling “351.38 carats in diamonds.”” It’s quite the testament to a challenged natal Venus.
Lilith Synastry
Here is Drake and Kendrick’s synastry (Drake is on the outer circle):
The most interesting thing I found digging into Drake and Kendrick’s charts was the presence of Lilith in their synastry. Lilith is an asteroid associated with the “angry woman” figure as well as female liberation. In some Jewish folklore Lilith was the first wife of Adam, but she was banished from the Garden of Eden for not obeying him and replaced with Eve.
In the intricacies of a birth chart, Black Moon Lilith symbolizes the raw essence of femininity, the primal urges, and the suppressed parts of our psyche that lie in the shadows. This point, not a planet but a mathematical point, reveals where one might feel estranged, challenged, or empowered to go against the grain of societal norms. It unveils deep-seated desires, innate instincts, and perhaps the areas where one feels the need to challenge established roles or expectations. It's a place of power, mystique, and, occasionally, friction – pinpointing where one's true nature might clash with the conventional, leading to feelings of marginalization or rebellion.”
The allegations Drake and Kendrick threw at each other both had to do with mistreatment of women - Drake said that Kendrick abused his fiancée, and Kendrick said Drake was a pedophile who shouldn’t be trusted around young women.
Both Drake and Kendrick’s Liliths make tight aspects with the other’s chart. “Whenever Lilith is around, you can expect to feel a wild, intense, deep, and sometimes obsessive energy. If you have Lilith aspects in synastry then this energy will show up in your relationship. Whenever your Lilith touches one of your partner’s planets or vice-versa, you can expect to see your deepest fears revealed. You might also see glimpses of things you desire but can’t have. Ultimately, Lilith aspects in synastry give both partners a chance to work on their shadow sides.”
Kendrick’s sun exactly conjoins Drake’s Lilith at 26 degrees Gemini. “Often, the sun person [Kendrick] represents all that the Lilith person [Drake] wants but can never quite “catch.” There is an illusive vibe to this relationship. The Lilith person may feel somewhat less-than or “bad.” Lilith conjunct sun in synastry is a test for the Lilith person because their most taboo qualities such as obsession and anger will be activated, but it’s also a test for the sun person. The lesson is for the sun individual to stand their ground and follow their inner voice. Lilith is neither good nor bad, and the sun person can share in some of the Lilith partner’s activities without merging.”
This resonates with the fact that despite Drake’s huge commercial success, he is deeply jealous of Kendrick’s critical success. In Family Matters Drake took a jab at Kendrick’s acclaim (“Kendrick just opened his mouth, someone go hand him a Grammy right now”), and the beef between them played out similarly, with many rap fans deciding that Kendrick won before even listening to Drake. I think it’s obvious that Kendrick is a stronger rapper, but it’s also clear that Drake wasn’t given a fair shake.
Drake’s Lilith makes a tight trine to Kendrick’s Mercury. “Both the Lilith person and the Mercury person help each other to bring unhealed deeper wounds and unconscious emotion to the surface and articulate deeper, wild instincts. Mercury person [Kendrick] helps Lilith person [Drake] make sense of their inner restlessness and insecurities, sexual passions and unresolved rage. Mercury person may find Lilith person to be highly emotional but is also intrigued by Lilith person’s edgy and unique perspective.” It’s remarkable that both of their Liliths are interlocked with each other’s inner planets, creating a push-pull, love-hate, shadow-enlightening dynamic between the two.
I think the obsession goes both ways, and that part of the reason Kendrick fought back so viciously was because Drake triggers something in him shown through the Lilith synastry. Drake shows Kendrick what he could be–a charismatic playboy enjoying his fame and money to the fullest. And in engaging with the feud he stooped to a lower level, making unsupported claims about Drake’s supposed secret daughter, and writing a rap song (Meet the Grahams) addressed to Drake’s 5 year old son opening with “Dear Adonis, I’m sorry that man is your father.” All is fair in rap battles–or is it? Questlove called it out, saying on Instagram: “Nobody won the war. This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned.”
Kendrick’s latest diss track Not Like Us has just debuted at number one on the Billboard Top 100, and it’s clear this battle has propelled him to another level of stardom. Drake’s Regulus ascendant arrogance and Scorpionic desire to fight to the death drove him to attack the strongest living rapper, and now he’s dealing with the fallout. Kendrick’s streams of his back catalog are up 50%, while Drake’s are down 5% and his reputation has taken a massive knock. But Kendrick has taken a hit as well. Having rap’s two biggest stars accusing each other of heinous crimes might drive up streams in the short run, but it’s a dangerous game. Astrology helps us understand why these two polar opposites are so intertwined, and why their mutual dislike has spurred on such a captivating firestorm.
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2024.05.14 16:06 Pixelsaber [Rewatch] 3,000 Leagues in Search of Mother - Episode 8 Discussion

Episode 8 - The Peppino Puppet Troupe
Episode aired February 22nd, 1976
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MAL ANN AniDB Anilist AnimePlanet IMDB
Note to all participants
Although I don't believe it necessitates stating, please conduct yourself appropriately and be courteous to your fellow participants.
Note to all Rewatchers
Rewatchers, please be mindful of your fellow first-timers and tag your spoilers appropriately using the anime spoiler tag if your comment holds even the slightest of indicators as to future spoilers. Feel free to discuss future plot points behind the safe veil of a spoiler tag, or coyly and discreetly ‘Laugh in Rewatcher’ at our first-timers' temporary ignorance, but please ensure our first-timers are no more privy or suspicious than they were the moment they opened the day’s thread.

Staff Highlight
Noriko Tobe (Noriko Ohara) - voice of Conchetta
An actress and voice actress best known for being the voice of Nobita Nobi in the Doraemon franchise and the lead female villains in the Time Bokan franchise —most notably Doronjo in Time Bokan Yatterman. Tobe was a child actress from a young age, having joined a children's theater company, and after graduating high school became a noted TV Drama actress in the early days of commercial broadcasting. Her first voice role was in 1965’s W3 and her first named role was in 1966’s Harris no Kaze. Tobe became a voice actress exclusively after marrying, as it allowed her a less demanding schedule for the purpose of raising children. Her son is noted Sunrise animator Atsuo Tobe. Some of her most notable roles include Conan in Future Boy Conan, Marine in Under The Sea Boy Marine, Oyuki in the Urusei Yatsura franchise, Hiyoshi Gou in Super Electromagnetic Machine Voltes V, Princess Mirenjo in Time Bokan Series: Yattodetaman, Wansa in Wansa-kun, Claudia La Salle in Super Dimension Fortress Macross and Do You Remember Love?, Peter in Heidi, Girl of The Alps, Serge in Kaze to Ki no Uta, Yanyan in Time Bokan Series: Itadakiman, Ryūzu in Galaxy Express 999, Dolphin Prince in Dolphin Prince, and Miime in Captain Harlock: Mystery of the Arcadia.
Daily Trivia
In the original work, no reason is given as to why Marco’s mother needs to go to Argentina, and the rest of his family situation is not elaborated at all.
Screenshot of the day
Questions of the Day:
1) What do you think of Peppino and his offer to Marco?
2) What do you make of Marco and Pietro’s argument?
Your job ruined our life.
submitted by Pixelsaber to anime [link] [comments]


2024.05.14 16:02 Any_Bee_5918 Regarding Ethan and Donna on "boys will be boys"

This isn't anything new, just watch his and Hilda's thoughts on this "controversial" Gillette ad where the company basically wants to get rid of toxic masculinity and addresses the whole "boys will be boys" stereotype, which makes Ethan mad 💀 his whole family is gross and thinks this is acceptable and normal. This is why the universe gave him all boys. Even with IVF they couldn't get a girl because the universe said "hell no". It's for the best 💀
https://youtu.be/j_4WojP4TxY?si=C7Dtxp6Pw5NXGb4q
Anyways enjoy this blast from the past 🤢 he also blames things on rap and said women made the commercial ect, like really listen to it if you can handle the cringe. Also he weirdly kind of makes decent points at the end towards the people being outraged so I'm like huh? It's hard to tell where he's trying to get at 💀 this is why Ethan's always called fake or hypocritical because he's always going back and forth about his views-... like while watching the commercial, he acts disgusted by it, but then as he talks about the outrage from others he is against that reaction? Like which one is it
submitted by Any_Bee_5918 to h3snark [link] [comments]


2024.05.14 14:01 Zappingsbrew A post talking about 400 words

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2024.05.14 13:25 oliveclio98 Commercial about a school picture day and girl pulls scary face

I remember watching this commercial when I was around 7 or 8 years old, mid 2000’s. From what I remember, it involved a girl and her sister running late for school and they’re stressed/upset about missing the school picture. And when they get there, the girl sits to take her picture and she pulls a wide smile or another funny face that really disturbed me as a kid! It was dramatic enough to scare me lol.
I think that’s all I remember. It might have been for a gum or a toothpaste commercial.
I’ve been looking for this commercial for years, so thanks in advance for the help!
submitted by oliveclio98 to LostCommercials [link] [comments]


2024.05.14 05:45 NeverEndingHope [Unknown][Early 2000s] A fantasy game trailer/commercial with Kingdom Hearts 1-like graphics/models and a guy saving a girl chained up

This is kind of a foggy memory but I remember watching a commercial for a video game a long time ago. It felt like a dark fantasy setting with a traditional story outline where a guy has to go save a girl; in one scene, she's unconscious and bound in chains to a large cross or pole. It was a dark stormy atmosphere with maybe lightning or magical electricity.
I thought it might have been Kingdom Hearts related but after a lot of searching it doesn't seem to be; they might have had similar PS1 kind of graphics but I don't trust my memory that much. I feel like I saw this between 2001-2008.
Platform(s): Maybe PS1 or PS2 or maybe even PC
Genre: Fantasy (Dark Fantasy?)
Estimated year of release: Between 2001-2008
Graphics/art style: Kingdom Hearts 1 style graphics for character models I think
Notable characters: A girl (maybe blonde) wrapped up in chains to a cross or pole with lightning or electricity or magic; a guy who has to go save her
Any help or ideas would be appreciated!
submitted by NeverEndingHope to tipofmyjoystick [link] [comments]


2024.05.13 23:00 IndigoWolf4711 DAY 35-TRISTAN MACMANUS DANCING WITH THE STARS: THE PROS' MOST ICONIC QUOTES ✨️

DANCING WITH THE STARS: THE PROS' MOST ICONIC QUOTES ✨
Day Pro Dancer Quote
1 Karina Smirnoff "Is there any reason why your head looks like a pigeon?"
2 Valentin Chmerkovskiy "Bro, you're one big wrong already."
3 Witney Carson "What do you need, a snack?"
4 Anna Trebunskaya "Some people say I'm a tough teacher. And I am."
5 Brandon Armstrong "I was born in '94..."
6 Cheryl Burke "So the name of the song is 'Call Me Irresponsible', remind you of anybody? I think it's perfect for you!"
7 Edyta Śliwińska "I'm wearing so much clothes that I got tangled in it!"
8 Artem Chigvintsev "Fine! I watched 'Fifty Shades of Grey'!"
9 Corky Ballas "Now we're doing the Mambo which originated in the '40s!"...
10 Chelsie Hightower "South America speaks Spanish?"
11 Derek Hough "I'm rough, I'm tough, I'm Derek Hough."
12 Charlotte Jørgensen "Get your heel up on your back foot, or I'll kill you."
13 Allison Holker "Team Rallison!!!"
14 Julianne Hough "I felt like you just had to phone it in so you could get back with Meryl."
15 Alec Mazo "Josie is deceptively unfit."
16 Alan Bersten "It's a little shaky in here!"
17 Jenna Johnson "ADAM! WE GOTTA QUICKSTEP!!!"
18 Ashly DelGrosso-Costa "It needs to be equal teamwork, and I can't play a tug-of-war anymore."
19 Gleb Savchenko "You look like a dancer when you're not moving."
20 Kym Johnson-Herjavec "I should never have made us try that stupid lift..."
21 Maksim Chmerkovskiy "With all due respect, this is my show, I help make it what it is."
22 Lacey Schwimmer "STEVE!!! How am I supposed to be in love with you if you keep farting all the time?!?!"
23 Mark Ballas “And you said habede habeduh de de. Daba da dip bah da be. That’s what you said when I asked you."
24 Lindsay Arnold "That salsa will get ya-every time!"
25 Louis Van Amstel "I was jealous of Mark on Season 5, but I got the girl now!"
26 Koko Iwasaki "You're a real Jersey party boy, and I need you to be a suave English gentleman for Bond Night."
27 Keo Motsepe "If Len gives a 10, I'm gonna run down and kiss him!"
28 Peta Murgatroyd Her scream after finding out that she and Tommy Chong had made the semi-finals.
29 Pasha Pashkov "You don't know who I am, but I've been praying I get you!"
30 Sasha Farber "If you wanna dance, you know it would be my honour. My main worrybis your health."
31 Jonathan Roberts "Let's take a commercial break."
32 Daniella Karagach "YEAH! OH SHIT!!!"
33 Dmitry Chaplin "I feel like I'm cheating on Jewel with another partner."
34 Sharna Burgess "I got to do the Backstreet Boys' move next to a Backstreet Boy, and I think it's kinda awesome!"
35 Tristan MacManus
36 Britt Stewart
37 Rylee Arnold
38 Tony Dovolani
39 Emma Slater

Welcome to DANCING WITH THE STARS: THE PROS' MOST ICONIC QUOTES ✨

A huge thank you to the lovely u/invader_holly who suggested the idea, and that I run this game here! 💕
How does it work?
Each day, I'll reshare this board. With each day is a new pro. Similarly to past games I've done like Dances of the Seasons, The Dancing with the Stars Alphabet, Favourite Dances Per Style, and The Pros' Most Memorable Dances, for every day, you can all comment a response. This time, the response would be a quote from the respective pro for that day! As with previous games, the comment with the most upvotes wins. At the end, I'll put together a video compilation together!
MAKE SURE THAT IF YOU WANT TO SUGGEST NUMEROUS QUOTES, DO THEM EACH IN A SEPERATE COMMENT. THE COMMENT WITH THE MOST UPVOTES WINS AND IS ADDED TO THE BOARD. IF POSSIBLE, PLEASE TRY AND ADD WHEN THE PRO SAYS THE QUOTE (SO I CAN FIND THE CLIP TO ADD TO THE VIDEO COMPILATION).
Yesterday's round was won by u/Alarming-Butterfly90 's suggestion!

DAY 35: TRISTAN MACMANUS

submitted by IndigoWolf4711 to dancingwiththestars [link] [comments]


2024.05.13 15:05 nomass39 I found an old recording of the most gruesome TV show ever broadcast

Me and Lila always carved dozens of jack o’ lanterns every October, so they’d absolutely saturate our lawn on Halloween night. It was our thing. But looking back on it, now that I’ve lost her, I just feel bad for the pumpkins. I almost relate to them, somehow. The way they were carved up, had everything of substance inside of them torn out, and left as hollow, rotting shells with forced smiles.
Needless to say, I didn’t cope with her death well. I didn’t want to cope with it. I wanted the world to drown in the black sludge of my grief. I loathed the people I saw going about their lives, unaware that the world had already ended the moment Lila died. The Earth shouldn’t keep spinning. Life shouldn’t go on. Not without her.
Even my relatives bringing me along on a trip to Kauai only made it worse. The most gorgeous place on Earth, and it made me sick with hatred. Nothing that beautiful deserved to exist if Lila wasn’t ever going to get to see it. It wasn’t fair.
I thought I’d never enjoy or care about anything again. Then I discovered media preservation.
It started with taking some of Lila’s old VHS tapes to a video repair place to fix some issues with the footage before it’s digitized. The job fascinated me. In a universe based on entropy, where everything inevitably fades away and is forgotten… restoring something lost is like snatching it from the jaws of death, right? Like flipping the bird to the universe and its so-called ‘natural order’. People die, but information doesn’t have to.
Now, it doesn’t matter how small — be it some god-awful plug-and-play licensed game, or a cereal commercial from 80’s — it’s my mission to recover it in as high a quality as I’m able, and make sure it’s freely available online for as long as possible.
A couple weeks ago, I came across a big haul. Four boxes of old VHS tapes offered up on E-Bay for dirt cheap. Most of the tapes were just recordings of Cheers episodes already preserved in higher qualities, but one Maxell E-240 caught my interest.
First of all, I’d never seen one so melted. Sure, sometimes they were left in an attic too long, and the colors and audio start to degrade. But this one looked like it had survived a house fire. It was covered in soot and the smell of smoke, and had the overall shape of a chocolate bar left out in the sun a little too long.
Second was the label, which read in neat sharpie: ᴇᴘɪꜱᴏᴅᴇ 4,679,329 ᴍᴀʀ 8 2035.
The casing was so disfigured, I had to bust it apart just pull out the tapes and respool them in a fresh cassette. I tried to iron out the creases in the tape as best I could, but I had no illusions about it accomplishing much — the mylar surface had been irreparably warped in places by whatever fire had half-melted the thing.
Imagine my despair at the sight of that dreaded ‘ɴᴏ ꜱɪɢɴᴀʟ’. I could clearly see the tape wasn’t blank, yet no amount of adjusting the tracking or trying different TVs or VCRs accomplished anything. Just as I was about to give up, though, the thing just suddenly started playing properly at the exact instant the clock struck 3 AM, as if it had only now decided to work. My all-nighter had paid off.
I didn’t dwell on the fact that this ‘miracle fix’ had been impossible. If I’d had any sense, I’d have torn the horrid thing out of my VCR and buried it beneath holy ground. Instead, fool I was, I sat down and watched.
At first, the thing seemed unwatchable. The audio was so distorted that the show’s theme song emerged as a low, crackling, staticky wail that made my head throb, and the logo was completely indistinguishable through the flickering and interference. I thought it was a lost cause for a moment. But then a figure appeared and cleared away the static, like Moses parting the Red Sea.
It was the sight of the show’s host that hooked me. He was just… perfect. Perfect in every way. I knew it just looking at him. Infinitely handsome and likable and charismatic, and he always said the exact perfect thing. The only issue is, I don’t remember a single thing about him now, in the same way you can’t remember a dream that seemed so clear to you while you were experiencing it. He just appears in my memory as this abstract blur in a sharp suit. Yet at the time, I was awestruck, even before he said a single word.
I can’t even remember a word he said. It was like he was speaking another language, one I felt as opposed to heard. I’ll try and transcribe it as best I can into words, but know that it’s only a pathetic imitation.
“... for another night of laughs, prizes, and fun for the whole family, with your host, #####!” I noticed that the audio and visual distortion seemed to suddenly intensify the instant he said his name, rendering it completely illegible. Idiot I was, I figured that was a coincidence. “Tonight is a night of celebration, folks, because thanks to the support of loyal viewers like you, we have just been approved for, get this: two hundred thousand more seasons!”
The “live studio audience” went wild with applause. I put that in scare quotes because, as far as I could tell, besides the host, the studio seemed completely empty. As if he was standing on a plain white stage that extended outwards into infinite darkness on all sides.
“For those just joining us, the game here is simple…” He explained that this was some sort of a trivia show. Every time a guest got an answer wrong, it brought them a little closer to some sort of unspecified ‘punishment’. And if they got it right? He smirked. “Well, they get to delay the inevitable.”
I wondered what he meant by ‘inevitable’. I didn’t have to wonder long.
The host gestured to a curtain that hadn’t been there moments ago, which raised to reveal a middle-aged man. You know the type — bushy mustache, gray hair, round-rimmed glasses. Kind of guy you’d have doing your plumbing. He couldn’t look any more out of place stood up and restrained in that — what the hell is that?
I recognized that metal coffin-looking thing from a medieval torture museum I went to once. The iron maiden. The lid hung open, countless long, needle-like blades poking inwards, threaten to poke a million new holes in him if it was shut.
His situation was not lost on him. “Where… where am I? What the hell is this!?”
“Oh, lucky guess!” The host ‘joked’. More canned laughter. “I know you always loved watching those trivia shows, Malcolm? Weren’t you always sitting there, grinding your teeth, seething that it wasn’t fair? That you should be the one up on stage, winning big?”
The man paused. Even he seemed mesmerized by the unreal perfection of the host before him. “I… this is a… game show?”
“All you have to do is answer a few questions! Think you can handle that, Malcolm?” He pulled out a cue card without waiting for an answer. “And our first question! What were you doing the night of February 18th, 1998?”
The man seemed baffled. “Just… sat on my couch watching the NFL, I think? I’m not sure how I’m supposed to remember —“
He let out a startled squeal as a horrid buzzer sounded. On cue, the lid slid a third of the way closed, making him flinch. “Oooh, I’m afraid that’s the wrong answer, Frank! But you know what? I’ll give you one more chance. What were you —“
“Following a girl home!” The man cried out. “F-from the bar. There, are you happy?”
“Cor-rect!” The canned audience began cheering! “Such honesty! Now, our second question: just what were you carrying while you followed her?”
He hesitated for a little too long. And then the buzzer sounded again, and the lid slid so near to closing that its blades began poking uncomfortably against his skin. He tried to press himself against the back of the maiden as well as his restraints would allow. “Jesus! Okay! A knife, a knife!”
“Awww, if only you’d said that just a second earlier!” Another big question. “Our third question: why, Malcolm? Why did you do it?”
That set Malcolm off. He started thrashing, clawing, screaming. “Let me out of this thing, you maniac! You can’t do this to me! Do you know who I am? Is this some sort of sick joke? My lawyers will have your head for this, you—“
And then the buzzer. All of a sudden, the lid slammed shut full-force, and the man was utterly silenced save for an unnatural, drawn-out wheeze. “Another wrong answer, Malcolm! I’m afraid I was looking for: ‘because if I can’t have her, no one can’!”
I admit it. I laughed. Out of shock more than anything. How was this allowed on TV? I took it as some sort of dark comedy show, and it was kind of satisfying to see that freaky character get his comeuppance. Still, there was something unnerving to me, seeing the man’s eyes through the openings in the maiden. Wide and red and terrified. They just looked a little… too real.
But the maiden disappeared as quickly as it came, before I could dwell on it too much. “Oh, envy! Definitely one of my favorite sins.” More laughter. “Stay tuned, folks! We’ve still got a night of fun and games in store for you! But first… how’s about a word from our sponsors?”
Cut to a corporate logo which I again couldn't recognize.
“This segment was made possible by Buer Health, which has recently announced a brilliant new initiative to protect our citizens from skin cancer by removing their skin completely.”
The camera cut to a massive industrial building, resembling a solid concrete cube around 50 meters in width and height. Its surface bore arcane symbols etched using carvings of wailing, tormented faces. The host would occasionally be rendered inaudible by a deafening metallic scraping from within, though he didn’t seem to notice. The only protrusion from the building’s cubic shape was a single smokestack, belching a scarlet red smoke into the atmosphere. A queue of gaunt figures waited at the entrance, herded and coerced by their grim overseers, and there were no words to describe the procession of scarlet ghouls limping out the building’s other end.
“Owing to the nonlinearity of time, the brand new Grand Skinpeeling Machine has spontaneously appeared several years before construction deadlines, and indeed, before it was even conceived of by anyone in our timeline. People have rushed all the way from Malebolge just to try this miracle of technology out on opening day, and so far, the reviews have been stellar!”
He shoved his microphone in the face of a shambling thing that could only scarcely be called a human. Tatters of flesh clung to its exposed musculature, blowing in the wind. Its eyes were the only hint of color in that sea of bloody red, and they were wide, white and terrified. The thing screamed and wailed for as long as it could before the last tendons connecting its jaw to its face snapped, and it was left to choke and gurgle.
“An amazing wail! The results speak for themselves, folks. The Grand Skinpeeling Machine is a hit!”
So far, I was still laughing along and having a good time. The sight of the next ‘guest’, however, started making me nervous.
It was an old lady.
She couldn’t be a day younger than sixty, the sort of sweet elderly woman who in a just world would be cooking chocolate chip cookies for her grandchildren in a comfy cottage somewhere. But here she was, tied to a metal chair, eyes wide, shaking like a leaf. Unlike the last contestant, she seemed to know exactly what was happening.
“In exchange for our loving endorsement, they’ve agreed to loan us one of their star employees. Ladies and gentlemen, put your hands together for: the Liqisma!”
Something slunk from the darkness far behind her — or perhaps it’d be more apt to say that the darkness birthed it whole-cloth. It was like a living shadow, and it took my eyes a moment to register what I was even seeing.
How do I even begin describing this creature? I could say it looked almost human, or at least like something that may have been human long ago. Or I could start with its skin, which was all black and shiny as latex and seemingly smooth on first glance, but if you looked closer you’d realize it was covered in a million tiny reptilian scales, almost like a shark. Its head was a bald man’s, utterly devoid of any distinguishing features, like the basic stock template for a human being. It was notable only for a complete lack of pupils and irises, its eyes a pure white.
Its body defied basic biology in so many key ways, I had to stare it at for what felt like an eternity just to wrap my mind around its physiology. It was at least five or six meters long, by my estimate, composed of multiple human torsos stacked one on top of the other like segments of a centipede, each melding with the ones around it at the waist and shoulders. Each torso sported a pair of short, stubby arms that propelled it with terrifying grace. It ended with a pair of human legs, perpetually bent on their knees, beneath a ‘tail’ that looked more like its coccyx was poking free from its body.
The old last could clearly hear it, and kept futilely trying to turn her head around enough to get a peek at what stood behind her. I mouthed uselessly, don’t. You don’t want to know.
“Glad you could join us again, Miss Wethersby! Judging by our ratings last week, you seemed to have been a fan favorite!”
Her voice was so soft, I could barely hear it below the static. “Oh, God. Please, why won’t you people let me go? I’ve told you, I’ve never done anything, never hurt anybody. There must be some sort of—”
He waved a hand over her, and it seemed to forcefully snap her mouth shut. “Please, Miss Wethersby, save your breath for our questions!” Another cue card. “Your first question, my friend: where did you and your husband buy your first home?”
She had to think about it for a long time. Eventually, she cried out, “Alabama! Tuscaloosa, Alabama!”
“Ding ding ding! Why, you’re already doing better than our first contestant! Next question: what breed of dog was your childhood pet?”
She had a pained look on her face as she thought. Eventually, a timer started ticking down. It wasn’t visible, so it wasn’t clear how much time she had left exactly, but the sound it made got more shrill and high-pitched with every second. “Miss Wethersby, need I remind you that we have a time limit on this show?”
A tear ran down her cheek. “I… I keep telling you people, I don’t know. I have dementia, I can’t remember, please—”
That buzzer again. “I’m afraid that was the wrong answer! Liqisma?” The old lady shuddered at the sounds of hundreds of feet drawing a little closer to her. “Now, your first grandchild. What did he look like? What color were his eyes? His hair?”
She was crying harder now, like it hurt her that she couldn’t remember something so dear to her. “I told you I can’t remember! Why are you doing this to me!?”
“If you don’t remember them, why would they remember you?” The host mocked as the buzzer sounded, and the beast drew a little closer. “Really, do you believe they still even think about you? Or do you think they’re glad that the old bag of bones isn’t there sucking up their inheritance?”
This went on for… God, it could have been an hour. I was glued to the screen all the while, frozen with terror, praying for this nightmare to just end, for her to make it out okay somehow. He poured over every little detail of the life she lived and the people she loved, delighting in how little of it she could still recall.
And the thing grew closer, and closer… until she finally felt multiple pairs of hands resting upon her shoulders. The thing was looming over her now, and a long, black tongue a few feet in length emerged from its mouth and ran trails of dark saliva over the back of her head. She looked broken down, eyes raw from crying, and I could tell by the dampness of her dress that she’d wet herself.
“Now, Miss Wethersby, our time here has been fun, but I do believe it is time for our final question. Tell me, what is the name… of your only son?”
She couldn’t even answer anymore. She just stared ahead, like her mind was a million miles away. He cackled as the buzzer sounded one final time, and threw his cue cards aside. “Thank you for playing, Miss Wethersby. Better luck next time.”
I would say the thing unhinged its jaw like a snake, but that’d be an understatement. The way the thing’s face malformed and wrinkled and stretched as it opened its maw, it no longer looked even remotely human. Its jaws must have parted at least thirty centimeters apart, revealing a second, pharyngeal pair of jaws that lashed out and gripped the woman’s skull, pulling her headlong into that darkness.
I could hear bones crunching and snapping as its throat constricted down around her body, peristaltic muscles compacting her into a meat slurry, bit by bit. Yet she just wouldn’t die. Even as her skull and upper body were already crushed and compacted, organs and muscles pressed into mulch, she still kicked her legs, twitched her fingers, let out a gurgling that must have been some attempt at screaming. She was squirming even as the beast snapped its jaw shut around the last of her, condemning her to whatever torments awaited her inside the creature.
And all the while, that horrible laughter. “Don’t worry, folks! She’ll be back next week! And the next. And the next…”
Needless to say, I wasn’t having fun anymore. In fact, I had to turn away and fight the urge to throw up. I stood, about to turn the TV off and —
“Ah, ah, ah! Don’t touch that dial, now!” I froze. There was something chilling about the way he said that, staring right into the screen as if reacting to what I was doing. I hated that grin on his face. “The real show is just beginning.”
And with the barely restrained excitement of a child on Christmas morning, he yanked back another curtain, and I recognized everything.
I recognized that crappy bootleg knockoff Always Sunny in Philadelphia jacket that was so gaudy and terrible it instantly became her favorite thing in her wardrobe. I recognized those subtle hints of slight acne she disguised as fake freckles. I recognized the way her gray eyes would remind me of those overcast mornings at the beach at Hilton Head and pointing out all the cannonball jellyfish washed up on the sands. I recognized that tattoo of the name ʀᴏᴄᴋʏ, how I’d held her all night long as she cried into my shirt after her childhood cat had died.
It was Lila.
I shuddered, gasped, fell from my seat as if I’d been punched in the stomach and the air had been knocked out of me. I couldn’t breathe. This couldn’t be real. I was dreaming right now. I must be. I just had to wake up.
But I couldn’t wake up. Nothing I could do dispelled the sight of her curled up in that… that thing. That bronze statue of a bull, horns jutting on either side of a head that roaring silently up at the heavens, all while the love of my life was locked in its hollowed out belly, visible only through a pane of glass. I could hear her cry out in shock at where she’d found herself, and every whimper felt like it drove a knife through my chest.
The host soaked in the moment. It was ecstasy for him, the suffering of it all. He stared dead into the camera like he was looking right at me as she called, “What is this? Where am I?”
“Why, I have good news, my dear Lila! You’re exactly where every American dreams of being: you’re on TV.” He pointed to the camera. “And we have a very special guest in the audience tonight. Your very own beloved Jackson!”
I shuddered, hearing my own name ooze from his fetid lips. His façade of perfection was slipping, and there was something so profoundly ugly beneath it. Her eyes snapped to the camera, confused, despairing. “Jackson? Baby? What — what’s happening? What is this?”
I don’t know, I thought, gripping the sides of the TV so hard my knuckles turned white, but I’m going to get you out of there, baby. I’m going to find whoever did this and I’m going to bury them all so far beneath that studio that they’ll never-
“I’m afraid Jackson hasn’t joined us quite yet, my dear. But if you truly love him, surely you’ll give him a show to remember, won’t you?” He taunted her. “All I want, after all, is to ask you a few questions! In fact, I’ll offer you a special deal: get even a single answer right, and I’ll let you go free! But get one wrong and, well…”
On cue, a fire was lit beneath her. Small, smoldering for now, but she whimpered as she noticed the heat. We both realized in that instant what this was. By now, I was screaming things I can’t repeat here, and slamming my hands against the TV screen as if I could reach through and save her.
She bit her lip and acquiesced. Not like she had any room to argue. The host grinned and readied a cue card. “Your first question: where are you, Lila?”
“I… I don’t know. How am I supposed to know?”
“You do know, Lila. You know exactly where you are.” He smirked at her. “Here’s a free hint: what’s the last thing you remember, before you woke up here?
She thought about it… and choked back a sob, visibly shaking as the realization slowly settled in. “But… but why? I… I…”
The horrible wail of the buzzer cut her off. “Oooh, too bad! I’m afraid you’ve run out of time!”
Seemingly as if on its own, the fire doubled in size. Sparks licked the belly of the bronze bull, and began to ever-so-slowly heat the surface. She pawed around in the tight confines, searching for any reprieve from the scalding heat all around her as the metal grew hot like it’d been left out in the sun on a summer’s day. “Please! Oh, God, let me out of this thing! It hurts! It hurts!”
The host seemed to breathe in her pain as if stealing a moment’s indulgence. “Now that there is no doubt about where you are, my dear, let us proceed to the second question.” He switched to his next card. “Did you believe in God, in the end?”
“O-of course!” She pled her case as if she was being tried in court. “My entire life… every day I gave to the poor, helped the sick, did whatever I could to honor Hi-“
“I’m afraid you misunderstood my question. I asked, did you believe in him at the end? The very moment your pitiful little life was snuffed out?”
“I always believed! I’d never forsake Him!”
“Yes, yes, I know. You lived a good and holy life, didn’t you?” He cackled. “But what of the very end? You and your little husband were so excited to deliver your first little baby boy. But o, tragedy! It all went wrong, didn’t it? Your precious little boy didn’t make it through childbirth… and you followed closely behind.”
“That whole business with the botched pregnancy, it was… what do you call it? Ah, yes. A ‘test of faith’. And I’m afraid you failed. In your final moments, you watched the light fade from your child’s eyes, and you assumed — wisely, in my humble opinion — that no ‘kind’ and ‘loving’ God would allow something like that to happen.” He laughed. “Funny how after a lifetime of dutiful service, all it takes is one little mistake at the end… to bring you here. To us.”
I’d never seen such depths of despair in a person’s eyes. Such emptiness. Like with every word, he’d been scooping out another piece of her until she was hollow. And then that buzzer roared again, more shrill than ever, and I could barely see her little window through the smoke and flames. The belly of the bull was turning orange in places, and I could hear her flesh start to sizzle like meat on a grill. There are no words for the noises she made. No words at all.
“And our last, final question,” he continued. “What were your last words to your poor, beloved Jackson?”
“I love you!” I called out the answer. Bloody fingerprints stained the TV screen from my slamming my hands against it, as I screamed the answer over and over. “I love you, I love you, I love you!” At some point, I forgot that there was ever a question. I was just screaming it at her as if hoping that she could hear it, that it could bring her a modicum of comfort in that place.
The buzzer sounded again. I couldn't bring myself to look. All I could hear was the roaring of the bull, and the steam rising from its bronze nostrils.
The curtain fell. Silence drowned the sound. The host dropped all pretense that he hadn’t been speaking directly to me. “Now, Jackson. You just might be one of my new favorite audience members this show had ever had. I know this must have been hard for you. But if you’ll just stay tuned, I have one more show I know you’re certain to love!”
I didn’t bother to touch the remote. After all, nothing could be worse than what I’d just seen, right?
Wrong. Horror wracked me as the curtain rose, and I saw the man chained to a chair. I pulled away like a caveman witnessing fire, cringing and stuttering, face wet with sweat. It was the sort of fear that worked its way into your bones like a bad chill, that left you shaking, teeth chattering.
It was me.
An older me, sure. But not by much. Ten years, maybe. A gaunt and hollow version of me, one twisted by ten years of depression and hard drugs. But it was unmistakable.
His eyes widened as he recognized the host. “Oh — oh God, God please no! It can’t be — oh Christ, let me out of this chair, you —“
“Come, now! We wouldn’t want to use the lord’s name in vain, would we? I mean, that would be a sin!” The host laid a hand on the other me’s shoulder. “It may have been a few years since you watched our program, but I’m sure you remember the rules, don’t you, old friend?”
The other me was wordless, on the verge of hyperventilating, just as I was. The host was giddy with delight. “Now! Our first and only question is one I’m sure our viewer will be very interested in: what sins, exactly, do you think landed you here?”
The other me tried to speak, but the words caught in his throat. I could see it in his eyes. The years of self-destruction, the bitter hopelessness, the whirlpool of nihilism and vice and decay. The suffocating depths of a man. The darkness. How could he put it into words?
The sound of the buzzer was like a pig’s squeal. “Mmm, I’m afraid that our viewer is going to have to figure that out for himself! In the meantime, your punishment? Well, we wouldn’t want to spoil anything…”
The curtains slowly began to fall just as a couple other of those black, grotesque monstrosities emerged from the darkness. The curtain covered them all before I could get a good look at their obscene, twisted, asymmetrical figures. All I could hear was the crunching, the sound of skin tearing like paper, the screaming that went on for longer and louder than a human throat or vocal chords could endure.
The image and audio were beginning to distort, glitch, burn away. The tapes were physically melting as they played. My VCR was starting to overheat, sparks pouring from its front panel. The host voice jumped around in tone, his voice fading into the static blur as the tapes bubbled and boiled and distorted. “But, my friends, I’m afraid that concludes tonight’s episode of our show! So, with a final farewell to our dear, beloved viewer, Jackson…”
Just before the image melted away, the camera seemed to jump forward until his face filled the screen, his eyes piercing into mine as he cackled in that singsong voice.
“See you sooooon~”
submitted by nomass39 to nosleep [link] [comments]


2024.05.13 15:02 FelicitySmoak_ Monday, May 13, 2013 - Jackson v. AEG Live Day 10

Monday, May 13, 2013 - Jackson v. AEG Live Day 10
Trial Day 10
Katherine and Rebbie Jackson are in the courtroom.
Stacy Walker and Travis Payne, witnesses for AEG are testifying out of order as they will be leaving for Japan for work.
Stacy Walker Testimony
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AEG direct
AEG attorney Jessica Stebbins Bina is doing the direct examination.
Stacy Walker was the Associate Choreographer for the This Is It tour. She's a choreographer & director, has worked with MJ, Gaga, Britney Spears, Usher & others. Stacy Walker said she 1st worked w/ MJ in 96 on his movie, Ghosts, a job that she said was the break of her career.
"He never made a music video, only made movies," Walker said
On the "History" tour, Walker worked about 6 months. She was one of the two girl dancer in "The Way You Make Me Feel" :
"I feel it's my song"
History tour: dancers rehearsed by themselves in LA then went to France, rehearsed in a studio at Disneyland. MJ showed up one or two times. Walker didn't remember if MJ had a doctor on staff while on the History tour. She never saw any signs of drug abuse, saw MJ on stage -amazing!
Walker told the jury Travis Payne was the main choreographer for This Is It. She thinks she was an independent contractor hired by AEG. Walker said the casting of dancers began in April 2009. She was the associated choreographer, got direction from Payne/Ortega and Michael
Walker said for the This is It tour a lot of choreography was done many years ago. The only new one was "Drill" and everyone worked together. "Drill" was like a soldier marching dancing, Walker said.
"MJ said we can't use guns, since it was not good for the kids," Walker recalled
Walker said during rehearsals for This Is It in April/May 09, MJ was there occasionally, but they were teaching dancers the choreography
During rehearsals at the Forum, MJ was supposed to be there more often, Walker said. Payne worked w/ MJ, she was in charge of the dancers
Walker: "I can remember being frustrated at times, he (MJ) wasn't coming when we were hoping he would."
"I wasn't shocked he wasn't coming, I was irritated, but I wasn't shocked," Walker said, noting that maybe MJ wanted to stay with his kids
Walker said she never saw MJ sick. She said he seemed normal to her, he was much thinner, but she never felt he was acting intoxicated
"He looked much thinner to me than in 97"
She said, but she doesn't remember noticing a dramatic difference between April and June of 09.
Walker: "I remember 1 night he excused himself to his room, wasn't feeling well. He didn't say anything, it was a general understanding"
Walker remembered MJ wearing jackets/layers but didn't think of him being insanely cold:
"Different artists like different temperatures. He wore a lot of jackets, I assumed he was cold but he never said anything. I never saw him shivering. He just wore a lot of jackets"
She said she recalled one incident in which Jackson may have appeared groggy or drugged, but she said she couldn't remember whether she witnessed or heard about it from others on the show
Jessica Bina: "Did you ever see Michael Jackson drink any alcohol?" Walker: "No"
"My only concern was that he was really thin and I wish he ate more," Walker recalled
Walker got emotional when she said she wasn't looking for things that could be wrong w/ him at the time. "I wish I was," she said.
When she talked about his last two rehearsals, Walker cried saying he was great.
"He was great, I finally saw what I wanted to see. He was great, very bratty and sassy as he was. He was just a funny guy at times," Walker said
Walker said she called her mom after the rehearsal and asked her to buy a ticket for the opening and she did. "It was great." Walker said she was so encouraged she called her mother and asked her to buy a ticket for opening night in London and she did.
"It was great. I was very excited and relieved and hopeful", she testified

Bina:"Any doubts he could perform the tour?"
Walker: "Not after those two nights" (June 23 and 24)
She said despite Jackson missing multiple rehearsals, she was convinced based on his performances the last two days of his life that he was ready for the series of shows.
On June 25, Walker was rehearsing Michael's disappearing act. She said Payne called saying he heard on the radio MJ was in the hospital. Walker:
"I remember telling them don't worry, everything will be fine. I didn't believe, I thought that everything was going to be ok"

Bina: "When you heard Michael passed away, were you surprised?" Walker: "Yes, it was shocking, 12 hours ago he did "Beat It" and "Thriller" "
When asked if Walker was familiar with the name Dr. Conrad Murray, she said yes, but she never met him or knew who he was prior to June 25
Travis Payne had a loving, trusting relationship with MJ, Walker testified. Payne would go over to MJ's house around 1PM to work. Choreographer Travis Payne, she said, would often rehearse with Jackson in another room or at his rented mansion
Walker said she felt MJ was more open this time around. In Ghosts she said they didn't talk at all, but that he was so nice to everybody. Walker said she remembers telling MJ about McDonald's - he had never been and she told him he had to go
Regarding the This Is It tour, Walker doesn't know if MJ was excited.
"He always seemed happy, he liked to watch the dancers dance"
Walker said though MJ was the nicest person ever, they were not friends.
"Guarded is a strong word, he let people see Michael Jackson, not Michael"

"I just never in a million years thought he'd leave us or pass away. It just never crossed my mind", Walker said crying, "I was frustrated but never thought that would happen"
Walker didn't remember MJ having cold/stomach flu.
"I've seen people that were drunk or high and he didn't appear to be that way"
Jackson cross
Planitff's attorney Kevin Boyle did the cross examination. Boyle asked Walker if her job was to focus on dancers and not MJ. She said "Yes"
Boyle: "And it wasn't your job to look if he was sick?" Walker: "It was not"
She also agreed that it wasn't her job to supervise Dr. Murray or observe MJ's health. Walker didn't have info if Dr. Murray gave him Propofol
Walker: "I was relieved because he was there, he was going full out. Last 2 rehearsals it was the first time we saw everything come together"
Boyle plays clip of film Ghosts. Walker said MJ was pretty impressive, played 5 different roles.
"Probably one of the hardest jobs I had. He was a huge risk taker, was very innovative as a dancer and choreographer," Walker opined, saying he was an excellent dancer, confident
Walker said MJ and her were not friends, they had a work relationship. Walker never went to his house, had dinner or social interaction. MJ never told Walker about his health, never discussed Propofol use since they didn't talk about that stuff
Boyle: "Did you ever see Michael covered in blankets watching rehearsal with heaters?" Walker: "I never saw heaters or blankets"
Walker heard MJ had problems with prescription drugs from the press. She also heard about the sleeping problems. Walker said she knew Ortega kept on Michael about eating and thinks they had a massage therapist come in for him
"I've seen other artists bring chefs, masseuses, trainers sometimes," Walker said. The idea of bringing a doctor on tour didn't surprise her

Walker:"Michael didn't want to change the choreography, it wasn't broken, so why change it?" She thought it was going to be a great show
"Did Mr. Phillips ever tell you he instructed Mr. Gongaware in writing to take out footage that (made Jackson) look like a skeleton?", Boyle asked
"He didn't tell me that", Walker replied.
Christopher Rogers Testimony
Jackson direct
Dr. Christopher Rogers, a deputy medical examiner, began testifying last week, but was interrupted to take other witnesses
Rogers testifies that he found no conditions during Michael Jackson's autopsy that would affect his long-term survival. Death was not due to trauma and was not caused by natural disease.
"He died of acute Propofol toxicity," Dr. Rogers said

Koskoff: "Did you find any factors that could impact his long-term survival?"
Dr. Rogers: "From the autopsy, no I did not"
AEG cross
AEG lawyer Kathryn Cahan did the bulk of the afternoon questioning of Rogers. She focused on the prescription drug aspect of Jackson's death. In response to a Cahan question, Rogers says Jackson's death was considered a 'polypharmacy death'. That means it involved multiple drugs. Rogers noted that propofol was the main drug that killed Jackson, but told jury that other drugs (benzodiazepines) were present.
Dr. Rogers said Michael's doctor, Dr. Murray, made a statement to the police saying he wasn't breathing but he felt a faint pulse
Cahan also asked Dr. Rogers whether he knew about other doctors treating Jackson before his death. Rogers says "Yes". Rogers says he became aware that dermatologist Arnold Klein was treating Jackson. Dr. Rogers said he was uncertain who MJ's primary physician was, he understood he was seeing several doctors
Cahan also asked whether he ever concluded that any other doctors contributed to Jackson's death.
"I don't believe so", Rogers said.
Cahan also asks about Jackson's weight at the time of his death. He weighed 136 pounds & was 5'9 with a Body Mass Index of 20.1, Rogers tells jury. Rogers testified that Michael Jackson's Body Mass Index was within the normal range. A BMI figure below 18.5 would be underweight.
"He looked thin in comparison to most people", Rogers said.
He says Jackson did not appear emaciated. Dr. Rogers said Jackson's body didn't have characteristics of someone who starved to death or had anorexia. Rogers said
"Jackson's health appeared excellent"

Cahan: "Did you rule out starvation as a possible cause of death?"
Dr. Rogers: "Yes"
Cahan: "Was his general health excellent?"
Dr. Rogers: "As far as the autopsy goes, yes"
There was more testimony about the condition of Jackson's lungs, which were damaged in a way that might lead to pneumonia or other problems.
Autopsy report:
  • MJ had lung damage, which wasn't cause of death but made this individual especially susceptible to adverse health effects
Dr. Rogers said Michael had a bit of degeneration of the lower thoracic spine, degenerative osteoarthritis of lower lumbar. Not sure how painful it was
Rogers testified he was interested in role of prescription drugs in Jackson's death based on finding propofol and other meds at the scene. Dr. Rogers said he had some concerns about drug abuse due to the investigator's report listing all the medications found at the house. He said he didn't find any opiates, opioids or Demerol in MJ's body. He had 1 other case of Propofol overdose, a person in the medical field. Dr. Rogers testified that propofol shouldn't be given in a home setting & when someone is sedated they need to be continuously monitored. Propofol, he said
"caused his death by sedation. Essentially, he was so sedated his vital functions stopped."
Jackson re-direct
Plaintiff's attorney Michael Koskoff asks Rogers about whether hospital treatments might have added weight to Jackson's body. Koskoff doesn't state how much weight might have been added to Jackson based on IV treatments by paramedics and hospital staff. Under questioning by Koskoff, Rogers said that by the time the Michael was weighed, intravenous fluids had been administered to him in the ambulance and at Ronald Reagan UCLA Medical Center, which could have increased his weight
Rogers did say that Jackson's body had some fat, but that most of his weight appeared to be in his muscles. Rogers testified that Jackson didn't have much fat on him
"I don't know what his normal weight would be," Dr. Rogers expressed.
Rogers testified that Jackson's organs didn't show any sign of lasting damage. With that, he was done testifying
Travis Payne Testimony
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AEG direct
Travis Payne took the witness stand and began explaining his experience. Payne worked with Paula Abdul, Brandy, Diana Ross, Mick Jagger, Marilyn Manson & MJ among others.
He tells the jury about working on tours, music videos & video games.Payne worked on the Michael Jackson Experience video game. In the game, he taught players Jackson's dance moves. Payne first worked with Jackson on the "Remember the Time" film/music video. He was a dancer in the film. He then worked as a dancer and choreographer on Jackson's Dangerous tour. By that point, he'd developed a rapport with Jackson. He helped choreograph moves for the songs 'Dangerous" and "Jam" on the tour, Payne testified. He says it was a goal since being a child to be a dancer and work with Michael Jackson. The Dangerous tour was a realization of that dream.
"On the Dangerous tour, I was really very ecstatic. I was working with my idol",choreographer Travis Payne said.
During Dangerous his relationship with MJ grew. Payne said all he knew was that pain was an ongoing issue for MJ since the Pepsi commercial accident
Payne worked with MJ in Ghosts in 1995/96, then History tour, other tv shows & commercials and culminated with This Is It
On the HIStory tour, Payne said Jackson rehearsed both with and without his backup dancers.Rehearsals for the History tour was very extensive, Payne said. He was involved with selecting dancers, ideas for costumes and whatever was needed. Dancers would get up to speed in the beginning, MJ was good at giving space to learn
Travis Payne also worked with Jackson on One Night Only show that was canceled after incident in which Jackson fainted on stage.
Payne: "Michael had an incident, appeared to faint, we were asked to leave the theater and were told later the show was not going to happen"
Payne worked privately with Jackson on This Is It rehearsals. He says he didn't see any signs of drug abuse at this time. The choreographer also testifies that he never saw Jackson drink alcohol or take any medications. He says he saw no signs of addiction. Payne said he never saw MJ take drugs, medication or alcohol
"Nothing."
Payne said he knew there were physicians tending to MJ but dermatologist Dr. Arnold Klein and nurse Debbie Rowe were the only medical professionals of Jackson's that he met
Payne said he worked with Kenny Ortega for many years. Payne and Ortega were in Vegas when Michael called Ortega asking to work on a new project. Payne didn't personally meet with MJ until after the press conference announcement. He said he was excited to work with him again
After mid-afternoon break, Payne resumed testifying about how he came to work on This Is It.
"I believe he missed performing. I believe he missed direct contact with his fans", Travis Payne says about why Jackson wanted to tour
Payne said he knew Michael was excited about the tour and his children, to share this experience with them. Payne first met with MJ in late March/2009
"He looked fine to me health wise, I thought he was thinner from what I have seen him in the past, but nothing alarming," Payne recalled
Payne said he found out that his role would not include dancing, he would choreograph and would be the associate director in This Is It. Payne testified This Is It would be different from Jackson's previous tours. AEG would be a partner, not a sponsor. The choreographer said Jackson explained to him that having AEG would be a good thing. Payne said this new way of doing business would revolutionize the way tours were done
Payne attended an April meeting at Michael's home. Said he saw no signs of impairment, drug abuse by the singer
Payne also testified that Jackson was involved in almost every detail of his scheduled shows, such as costume, wardrobe and set design, choosing the dancers and the bandleader.
Payne: "Everything started with Mr. Jackson, always. As his support team, we would contribute with ideas. MJ had the final word"
They auditioned 5,000 dancers, Michael chose the final ones & the band director also
Payne spent several minutes describing details of the This Is It show, including a torch and costume that would light up. Jackson wanted a torch in the Italian Baroque design. Actually, he wanted two, in case one broke, Payne tells jury. Payne also showed an email in which he described a costume for "Billie Jean", in which the clothing material would light up. When Payne was describing the illuminated "Billie Jean" costume, he looked out into the audience and nodded at Katherine Jackson. Bina shows an email Payne wrote. It said MJ was very persistent about having a torch, a concept that meant a lot to Michael.
Payne was then asked about his one-on-one rehearsals with Jackson at the singer's home. These were scheduled for 5 days a week.Payne said they started rehearsing after the press conference & stopped the day before Michael died. He spoke with him every day. MJ told Payne he expected him to be in every show. He wanted Payne to take notes to make sure the show was as perfect as possible.
"Customarily, we would see each other every day," Payne said
Payne worked with Jackson individually almost every day for the last three months of the singer's life. He ate lunches with Jackson, saying Michael's appetite varied daily. The choreographer said that as show time approached, MJ missed some rehearsals with the full crews, causing production to worry whether he would be ready
Payne said MJ's dancing seemed fine to him. He said they were working on things created decades before to make them age appropriate & dynamic. MJ was able to perform many of his familiar dance moves, although they had to be modified because the singer was 50 years old and not as limber as he had been decades earlier. He said Jackson was tired for some of the sessions and that
"some days would be better than others"
Payne and associate choreographer Stacy Walker said they were working to modify Jackson's dance routine to his age.
"I was realizing that's Michael Jackson, but he's not 20 or 30 any more. He's 50 and how is that going to be? We have to figure it out", Payne testified
"Drill" was the last thing they worked on together, Payne said. Michael had a great love for military precision
"He seemed very tired, we all were," Payne said
Payne testified that production wanted Michael to be more in attendance with all the cast, rather than just rehearsing by himself at his house.
Payne: "because there was inconsistency with MJ appearing at the rehearsal, production was concerned they would not meet their goals"
AEG attorney Bina asked Payne whether he thought Jackson could have finished the This Is It show. Payne said "Yes"
Payne said Jackson's goal was to sing every song live for This Is It, which he had not done in the past on every tour. This was a goal he set for himself. Michael had used vocal-assist tracks on previous shows, he said. By June 25, Payne said MJ had not developed the goal of singing and dancing at the same time but the choreographer thought he could have pulled it off.
After jurors left, Judge Palazuelos said she sustained plaintiff's objection and will not allow defense to use Dr. Murray's interview w/ LAPD. In it, Dr. Murray said he was hired by Michael to be paid by AEG. Plaintiffs said it's hearsay and judge agreed.
Court Transcript - Stacy Walker
Court Transcript - Christopher Rogers
Court Transcript - Travis Payne
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2024.05.13 14:58 Quick_Performance660 Bill meets Ryen for Happy Hour

Bill: This basketball series is like Patrick Mahomes in the football game when he's down 0-2 and then he throws up a Hail Mary and gets a hole-in-one
Ryen: Oh, I heard you say, "throw up," and I was like--
Bill: In the first two games, Edwards was like a combo of Pacino and Deniro in Heat and now he's like Tom Sizemore
Ryen: Right.
Bill: He's too much on the sidelines except when he grabs that girl hostage and you're like, "woah! Sizemore! Didn't know you had that in ya. Ya learn that with Matt?" Damon, who is a friend. But now he's way over sittin on the sidelines like Denzel in The Bone Collector. Or Redford in Misery
Ryen: James Caan
Bill: K. Bates kept hitting him with that thing and he was all laid up like Bo Jackson after he got hit. Oh he was great as the lawyer in The Rainmaker
Ryen: huh
Bill: Remember in the "Nothing but Net" commercials with Jordan and Bird and they kept saying "nothing but net" but the shots were more and more impossible but they kept hitting nothing but net, that's what the last season of Succession was like, where you're like, "woah! how are they going to pull this off?!" Then they pulled it off. That's what this basketball series has been like.
Ryen: Jokic has been really good.
Bill: He's like Gosling in The Big Short when he's jacked to the tits.
Ryen: Jokic was out for six minutes to go in the third, which was weird, because it's like, wait, he usually sits at the beginning of the fourth. But he came out with six minutes to go in the third for four minutes, and the team was plus six in that time and was four of six on the floor with three of four for free throws, then when Jokic came back for the first six minutes of the fourth he scored four points in three minutes.
Bill: Can you tell me how many #1 draft picks have ever been traded?
Ryen: Well, I'd have to think abo--
Bill: Three. It's been three of them.
Ryen: Oh
Bill: I asked Zoe that yesterday during Mother's Day when we were watching basketball. She didn't know. Her mother knew but only because I asked her the night before. Zoe's boyfriend didn't know either even though his granddad is Dick Wolfe
Ryen: Yeah
Bill: Remember when everyone thought Chris O' Donnell was going to be the next Brendan Frasier, and then he was Robin with Batman and now he's like Pablo Narcos at the end of Escobar. That's that guy from civil war movie who at first I thought was Pedro Pascal and then I was like, woah! It's this whole other guy. Okay, I'm headed home.
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2024.05.13 13:48 xtremexavier15 TMA 6

Killer Grips: Anne Maria, Brick, Jasmine, Justin, Millie
Screaming Gaffers: Chase, MK, Ripper, Scott, Sky
Episode 6: The Aftermath I: Trent's Descent
A riff from an electric guitar opened the episode as a pair of purple concentric circles flew across and back in the screen towards the upper-left corner, a group of smaller, bluer circles flying through them in the same direction but at a higher speed. As it neared the top of the screen a large and blocky red 'T' flashed into existence and descended back down, and the background music continued into a theme fit for an evening talk show. A similarly-styled 'D' and 'A' appeared next as a few more purple or blue rings crossed the screen, then the three letters slid in from the left to spell out 'TDA'. The word 'AFTERMATH' popped up from the bottom of the screen, temporarily bumping up the first three letters before they slammed back down and centered the text in the middle of the screen.
A gleam swept across the text from upper-left to lower-right, and the 'D' briefly popped forwards with the faint sound of a camera, turning a little bit counterclockwise before reversing into its former position.
Clip 1
"Any final words?" Chris asked the eliminated contestants.
“Yeah. You guys actually voted me off. I respect that,” Eva nodded with a smirk.
“Good luck dudes. Wicked play,” Geoff smiled as he and Eva got off the bleachers and went to the red carpet.
The 'D' popped out briefly again and another bout of recap footage began.
Clip 2
"Here's the deal," Chef stated, pacing about slowly in front of the teen. "I'll help you man up and win this thing. You don't ask any stupid questions and you split the prize with me.” He leaned in closer towards Brick's face. “Like they say, it's an offer you can't refuse. I won't let you," he finished with a deadly scowl, much to Brick's discomfort.
The 'D' popped out a third time, signaling the start of another set of recap footage.
Clip 3
“Trent, it's time to go!” Chris informed the eliminated contestant.
Trent got off the stands. “Before I do, can I at least say goodbye to Sky?”
“You could, but it'd be pointless since Chef will just carry you to the limo,” Chris smiled.
“Alright,” Trent sighed and faced his former teammates. “I'm really sorry about my actions, guys. I'll see you later.” With nothing left to say, he turned and walked down the red carpet.
A fourth time the 'D' popped out, and the last set of recap footage played.
Clip 4
"Izzy!" Izzy was left gaping. "Time to go!" Chris announced.
“I'm not going anywhere,” Izzy objected. “That's not my name.”
“Can I get a pen over here?” Chris raised his hand in annoyance. A pen was given to him, and he started to write on the paper. “It says "E-Scope" now, okay?!” This made Izzy finally stand up.
"And remember," Chris told her as she started to walk past the stage, "you can never come back, ev-er!" The host pressed an orange button next to his microphone, and two identical guards came over and grabbed Izzy by her arms.
(Theme Song)
The same sequence used to open the recap was replayed, an unseen audience cheering wildly after the 'TDA AFTERMATH' logo shined. The camera faded into a shot of a stage from the shadowed audience; it was set up like a talk show with one couch and table in the middle, and two tiers of couches on either side. A variety of lights both stage and decorative were scattered around, and to the left was a passage backstage half-hidden by dividing walls and the dark red curtains that framed the set.
And most importantly, sitting on that central couch, were two figures. Damien on the left and Priya on the right.
The camera zoomed in on them as the applause died down, a pair of computer displays visible on the table turned towards the hosts as Priya waved. "Hey there everyone!" she greeted with a smile. "Welcome to the brand-new Total Drama Action Aftermath Show!"
She paused as the audience cheered and applauded again, and once they'd died down, Damien spoke up. "We're coming to you live," he said, "to dish everything Total Drama Action!"
"This is where the real action is!" Priya said to another bout of cheering. "I'm Priya!" she added in with a smile.
"And I'm Damien!" Damien beamed.
"You may remember us from the hit series Total Drama Island," Priya continued.
"And it's thrilling sequel, Total Drama Action," Damien said, “even if we're not on it.”
"I hate that we missed out on the season and a chance to get the money,” Priya grumbled but regained her positivity, “but we have our own show, so I think it compensates."
"Being in the sequel could've given me the possibility of being rich, but when I'm with you, money doesn't matter," Damien smiled happily at Priya, and the crowd awwed.
"Aww, that's so sweet!” Priya gushed and turned to the audience. “And with no competitions here, we get to talk to all of you."
“So about that new season. Pretty cool, right?" Damien asked, looking out at the camera.
"Of course," Priya nodded. "They get to be on a film lot and do different kinds of movie challenges. How spectacular is that?" The crowd cheered in agreement.
"Super spectacular," a voice said from off-camera, the shot zooming out to show that the couches on the right had been occupied by the other non-competing contestants. On the top row were Rodney, Sam, and Gwen, while the bottom row had Topher, Katie, and Sadie.
“We were being rhetorical," Damien pointed out, "but hey, thanks for reminding everyone that you're not invisible! Topher, everyone!" The camera focused on the dirty blonde, who took stride in the applause from the audience.
"We also brought along all the others from the first season," Priya said.
"They may be considered losers," Damien said, "but not to us."
“Aww,” Katie gushed.
“That is so sweet, you guys,” Sadie added.
"The pleasure's all ours," Damien replied. "Give it up for Topher!" he said, and the crowd cheered as the camera cut back to the fanboy. He shot a wink as the screen was split and a clip played of him smacking a fly onto his eye and getting it swollen.
"And Rodney!" Priya added, the camera cutting to the country boy waving at the camera. The screen also split to play a clip of him, showing him returning back to the game on boat.
"Katie and Sadie!" Damien introduced the two girls.
“Oh my gosh!” Katie cheered.
“We are so super excited to be here!” Sadie expressed her happiness.
"Next we have Sam!" Priya said as the camera moved to the gamer smiling at the camera as a clip played in the split screen showing him hanging from a tree by his knees before falling down.
"And how about a shout out to Gwen!" Damien said. Gwen smiled at the camera while the split screen showed a clip of the goth eating blueberries from a bush.
The camera cut over to Topher, who was engrossed in a phone call. "How long are the papers going to take?" he asked before noticing the audience. "Sorry mom, but I'll have to call you back later!"
Priya and Damien shared a glance before Damien smiled at the camera. "We've also got a lot of texts and emails from all of you!" he said excitedly.
"Plus," Priya said, "we'll have a couple of you on webcam!"
"Eva and Geoff will be here," Damien announced, and the crowd went wild.
"And let's not forget our favorite nutcase, Izzy!" Priya added with a smile, earning another roaring cheer from the crowd.
"Plus the guy with the soul of music, Trent!" Damien finished to another round of applause.
"You know what's strange? The four that you two mentioned were part of the final six in Island along with Scott and you, Priya," Topher said.
"That is pretty shocking," Priya added. "Eva and Geoff especially."
"Eva could have won the season again, but I guess no one wants a repeat," Sam laughed a bit.
"We've got a lot to talk about," Damien told the audience. "It's almost time to welcome our first guests," he announced, "but first, take a look at this!" The nervous wreck looked up to the wide and flat television hanging above the central couch.
The television's static cut to a clip of Geoff and Eva running together to escape the monster. "Geoff and Eva's time on Total Drama Action may have been short," Damien said.
"But it sure was packed with the action that we grew to love," Priya continued as Eva and Geoff stuck their heads out from behind a cardboard cutout of a small red car.
"Eva managed to recover from her broken ankle from last season," Damien continued as the muscle woman was shown running through the sidewalk.
"And Geoff proved that losing a tooth doesn't mean losing your positivity," Priya said as footage of Geoff showing off his golden tooth replacement was shown.
"And they both did well for themselves, even if they didn't win the second challenge!" Damien followed up as clips of Geoff and Eva being shown on the ground along with being shot with paintballs courtesy of Chef played.
"But unfortunately, they weren't able to play for another day!" Priya continued.
"I don't even blame the contestants since Eva and Geoff were last season's Final Two," Damien spoke as a clip played of the two going into the limousine. "At least they still have their friendship!"
"One has eaten dog food," Priya said, "and the other has taken control of a forest fire. Our first two guests are Geoff and Eva!"
The Aftermath theme tune played and the crowd went wild as Eva and Geoff pushed open the backstage doors and walked out, smiling at both the audience and the hosts as they took their seats on the lower couch on the left.
"Hey guys!" Priya greeted with a smile as Damien waved.
"Damien! Priya! Glad to see you two again!" Eva said happily.
"Yeah!" Geoff added. "You two getting the hosting gig is impressive!"
"Great to have you guys!" Damien told them. "Sorry you two got eliminated first."
"No need to apologize," Geoff said. "We didn't leave completely empty-handed!"
"Wait, how so?" Damien asked in confusion. "You didn't win the money."
"Not like that," Eva answered. "Geoff managed to take pictures of everybody and everything from the first two seasons to put onto his scrapbook."
"And Eva managed to use part of her money to get construction to build her dream gym," Geoff added. "It's still in construction by the way."
“So how did you two manage to become the Aftermath hosts?” Eva asked them.
"The producers took note of me and Damien's relationship and decided on us being the hosts," Priya answered. "I couldn't pass up this opportunity."
"And plus, the other non-competitors either refused or were turned down," Damien added.
“They especially turned me down,” Topher grumbled. “I would've made a great host.”
"That's pretty understandable," Eva said. "I sure as heck don't want to run my mouth longer than I need to."
"Yeah, hosting a show is something I won't be able to perform well in," Geoff added.
"Moving on," Damien said, "how does it feel being the first two voted off the show?"
"Honestly, I gotta say it was kinda like a punch to the gut," Eva admitted. "I know I'm strong, but I didn't think the contestants would team up to vote us out in just the first episodes."
"I didn't mind as much," Geoff interjected. "I mean, I did want to win the million dollars, but given how we competed in every episode of the first season, it seems fair for us to go home early this time around and give the others a shot. And besides, money isn't everything."
"Thanks for your inputs," Priya said as the camera cut over to her and Damien, "I think it's time for a game called 'Truth or Hammer'!" The crowd started to go wild.
A grand tune played as a shot of a golden statue of Lady Justice was shown. The camera slowly pulled back from it, and as the music ended a large wooden mallet swung down from the left and smashed it to pieces.
Damien stood up as the scene cut back to the hosts and guests. "Here's how this works: we ask you a question, and if you give the wrong answer, a huge hammer will swing down on you."
"Uh, what?" Geoff said as he and Eva looked at each other nervously.
"Eva, Geoff, move out of the way as we do a test run!" Priya announced, and a giant wooden hammer immediately swung down at Eva and Geoff, the two barely avoiding the hit.
"Looks like the hammer is working well. How about we get to the questions?" Damien turned his head to the reality TV fan.
"Absolutely," Priya agreed. "So Eva, after winning last season, why do you think things didn't go well for you this time?"
"Like we both said, we were big time threats. If we didn't get voted off in the second episode, one of us likely would've been in the final two again," Eva answered and looked above her, the hammer still remaining in its position.
"I'm a strategic player, and if I wasn't the first season's winner, I obviously would've voted out the strongest player just so I could get closer to winning," Eva continued.
"Good answer!" Damien said. "So Geoff, are you even remotely mad at not winning the first season and getting kicked off in the second?"
Geoff looked up. "I'm not going to lie at all, especially when there's a hammer that can crush me," the party guy said. "I'm kind of upset."
Everyone was silent for a moment before it became clear the hammer wasn't going to swing down. "I mean... it's like you got dreams for this money and to see them flushed down the drain is disappointing," Geoff explained. "But it is what it is. I had a good time competing, and I got news from one of my brothers that my golden tooth can be sold for money, so at least I got some compensation."
"I'd suggest cleaning the tooth before you sell it," Damien advised before looking at the camera and smiling. "So how about we hear from one of the viewers!"
"Let's see," Priya said, looking down at the computer display on the table in front of her. "CunningLinguist316 asks: Who are you rooting for now that you've been eliminated?"
"Well, I'm rooting for Sky," Eva answered. "I can see some parts of myself in her, and she's one of the more worthy players in the game."
"I'm hoping my man Chase wins," Geoff answered. "He's super athletic and fast, and we're sorta like each other in many ways."
"Good to hear your thoughts," Damien told them.
"Exactly!" Priya added. "But I think it's time we bring out our next guest."
The camera panned up to the wide-screen television as footage of the wild child began to play. "Izzy's time on Total Drama Action may have been short," Damien said over a clip of Izzy pushing Ripper out of the way and getting captured by the animatronic monster.
"But it was a thrill ride," Priya added.
“Seriously, Izzy can make a bowl of paste tasty by adding herself to it,” Damien quipped over Izzy getting dropped into the bouncy castle.
"Later on, she suffered a serious blow at the hands of Chef," Priya added over the footage of Izzy falling onto the ground after getting shot in the chest with a paintball and Chef looking over her in worry.
“Chef thinks he's killed her. Look how scared he is!” Damien chimed in as the recap footage paused on Chef; a red circle was drawn around Chef's face.
“Never thought he'd have a sense of humanity. Check this part out! Super hilarious!” Priya giggled over Izzy standing up and laughing about her fake death. “Unfortunately, it was Justin that ruined Izzy's chances when the two took to the stage.” The clips of Justin performing his role and Izzy grumbling over her loss played.
"Dramatic and devious, Izzy will be back for more," Damien continued as the footage showed Izzy getting up from her seat and blowing kisses as the limousine took her away.
The scene returned to the hosts. "Our first guest has impersonated a grizzly and was caught peeing in a pool. Currently number eight on the RCMP's most wanted... Izzy, A.K.A Kaleidoscope!!"
The crowd went wild as the Aftermath theme played, but it suddenly stopped as the hosts looked up at the television. It was now showing footage of a room backstage where Izzy was currently sitting on a couch and eating crackers. The crazy girl had a snack tray-laden table in front of her, and to the left was a television showing the same feed as the one on-stage.
Izzy took notice of the television set. "I'm on TV!" she exclaimed before accidentally spitting out her chewed-up crackers, making the audience laugh quietly. “Oh, oops. Cracker crumbs, you get back here!” She grabbed the crumbs, along with a few grapes and a cracker sandwich with cheese in the middle, and put them all in her cleavage, prompting more laughter.
Izzy stood up and walked out to the stage, the Aftermath theme playing again as she opened the backstage doors and walked out. The audience cheered, and Damien and Priya, along with Eva and Geoff - who were now on the top row of the couches - waved at her, causing her to return the gesture.
“Hello E-Scope!” Priya eagerly greeted her friend.
"Hi, Priya. Hi, Damien," Izzy greeted back as she sat on the couch. "So glad to be here."
“Awesome to have you, but it must be hard losing out on a million bucks,” Damien talked to her.
“Yeah, well... you would know,” Izzy responded, unamusing Damien and Priya while the audience gasped. “Hi, you guys!” she focused on the Peanut Gallery.”
“Hi, Izzy!” Rodney waved.
“Hi, everyone out there in TV land!” Izzy turned to the camera and noticed someone in the audience. “Graham Cracker! That's my old boyfriend Graham! He got a restraining order against me last year. Remember that, Graham?” The audience started mumbling. “So funny. Okay. We were in the courtroom and the judge was all like, "You cannot come within two hundred meters of the plaintiff or you shall suffer the consequences of this courtroom."
After taking a moment to laugh, Izzy continued her story. “The long distance was hard, but we made it work. By the way, Graham, you should get new blinds for your room. What are they made of, lead? I couldn't see a thing with my binoculars! Miss you, Graham Cracker!” She took a cracker out of her cleavage. “I am totally into crackers right now. They're just so flaky!” She giggled and put the cracker into her mouth.
“Kind of like someone we already know,” Damien muttered quietly.
“So Izzy, how did it feel to be the third one voted off the show?” Priya asked.
“My life is an open book. Well, not yet, but it will be once I write it. And you open the book!” Izzy guffawed.
“What was going through your head after being voted off?” Damien questioned.
The music turned sad. “When you realize you're not getting a Gilded Chris Award, well, I can't lie to you,” Izzy sniffed in a rare moment of sadness.
“Oh, it was that painful?” Priya expressed her sympathy.
“No, I just can't lie to you,” Izzy returned to her normal state. “I was outfitted with a lie deterrent microchip that sends shock waves at the first hint of dishonesty. Those are really nice pants, Damien.”
Izzy then got shocked in her neck, demonstrating the microchip inside the body part, but the wild child laughed it off.
“Carrying on,” Damien said uncomfortably. “So what exactly did losing out on the Gilded Chris mean to you?”
“It means I missed out on that buttery chocolate statuette. Ooh, I once took an art class sculpting chocolate nudes, my instructor said I had a real flair for cocoa,” Izzy brought up and earned another electrocution. “Okay, okay, okay. He said I was totally loco. That's what he's actually said.”
"Let's see if you can be honest while answering our questions,” Priya said sneakily, “and the giant hammer will come down if you don't tell the truth!"
“If my implant doesn't get me, the hammer will!” Izzy said, earning laughs from the audience.
Priya and Damien shared a look of bewilderment before facing the camera happily. “Want to know which questions we'll be asking Izzy?" Priya asked the camera.
"Be sure to stay tuned," Damien said. "Right now, we have to take a quick break! We'll be right back!"
The show's logo was shown again, and the 'D' popped out and transitioned the scene to a close-up of a plate of brown mush sitting on a tan-and-goldenrod striped table. Flies were buzzing around it, and part of a familiar torso could be seen standing behind it.
"This episode of the TDA Aftershow," Chef Hatchet said to a catchy elevator music-like jingle as one of the flies buzzing around died and the camera began to zoom out, "was brought to you by Chef's Roadkill Cafe, where Sundays are Bring Your Own Meat!" The camera stopped moving to show the hulking man in full, standing between the table with the plate of mush and a large stone fireplace in the background. In his left hand he held a skewer of a reddish and steaming hunk of meat resting on a plate-like guard piece. The tail of a skunk extended from the top of the meat hunk.
"You hit it, we spit it," Chef said with a motion to the steaming dish in his hand.
(Commercial Break)
submitted by xtremexavier15 to u/xtremexavier15 [link] [comments]


2024.05.13 12:00 dannibircha Kanye Lupe & Pharrel - Rebel Music (Hosted By N.E.R.D.)

Kanye Lupe & Pharrel - Rebel Music (Hosted By N.E.R.D.) submitted by dannibircha to ThroughTheWire [link] [comments]


2024.05.13 07:53 oliveclio98 [TOMT][COMMERCIAL][Early 2000s] Commercial about a girl’s picture day for school and pulls a scary face

I remember watching this commercial when I was around 7 or 8 years old. From what I remember, it involved a girl and her sister running late for school and they’re stressed/upset about missing the school picture. And when they get there, the girl sits to take her picture and she pulls a wide smile or another funny face that really disturbed me as a kid! It was dramatic enough to scare me lol.
I think that’s all I remember. It might have been for a gum or a toothpaste commercial.
I’ve been looking for this commercial for years, so thanks in advance for the help!
submitted by oliveclio98 to tipofmytongue [link] [comments]


2024.05.13 07:48 oliveclio98 Mid 2000s Picture Day Commercial where the girl makes scary face

I remember watching this commercial when I was around 7 or 8 years old, mid 2000’s. From what I remember, it involved a girl and her sister running late for school and they’re stressed/upset about missing the school picture. And when they get there, the girl sits to take her picture and she pulls a wide smile or another funny face that really disturbed me as a kid! It was dramatic enough to scare me lol.
I think that’s all I remember. It might have been for a gum or a toothpaste commercial.
I’ve been looking for this commercial for years, so thanks in advance for the help!
submitted by oliveclio98 to HelpMeFind [link] [comments]


http://activeproperty.pl/