Phychiatric illnesses of edith beale

GreyGardens_Beales

2024.02.17 21:05 woodard1221 GreyGardens_Beales

Everything Grey Gardens Eccentric relatives of Jackie Kennedy Onassis. "Little" Edie Bouvier Beale and her mother, "Big" Edith, are the sole inhabitants of a Long Island estate. Much of the conversation is centered on their pasts, as mother and daughter rarely leave home. Both have passed away but their legacy lives on. please share anything you'd like
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2024.05.20 18:23 Opposite-Pop-5397 Something good and something bad about each character

Just like the title says, say something good and bad about each character (only as many as you want of course, otherwise we may be here all day). No matter if the character is one of your favorites or most hated, say something good and bad about each.
But I would request, if someone is brave enough to say something bad about a character they like, don't make any snarky remarks or make them doubt their confidence. Also, make it a real "something good" and "something bad". Nothing like "The best thing about so and so is when they leave the shot" or anything like that.
No need to mention obviously evil characters like Mr. Green.
I'll start (these are of course only my opinions and interpretations):
Daisy had such an innocent wonder about her in the first seasons. She always thought she knew better than everyone and was entitled to decide what others could have.
Mrs. Patmore is hilarious. She was also mean to Daisy in the beginning, and going along with saying that Daisy had such an innocence around her then, it did kind of seem like kicking a puppy.
Mrs. Hughes (I did say everyone) is the best, her lines are hilarious and she can take on anyone. She can be a sneaky schemer. It's almost exclusively used for a good purpose, but she could become evil if she wanted.
Violet (this hurts me so much) is the show, without her there is no Downton. But she can be very sharp and lash out. I never want to be on her bad side.
Isis is a good girl. Isis died.
Sybil was kind and sweet. Sybil was only kind and sweet, even trying to add being an activist didn't bring her character more depth.
Robert is so noble and stand up, just a perfect depiction of what a lord should be. But he could be stuck in his ways and naive about matters he is unfamiliar with (That Ponzi chap)
Cora could diffuse some situations so well, and seemed to really want her people to be happy. She seemed air headed or clueless in some seasons, and inconsiderate in others.
When Edith was in love, she seemed to genuinely give her whole heart each time. I don't really want to say much else and start an Edith war.
Mary is a Violet in training, so she will one day be Great. She still makes many mistakes and has not become as perfect as The Dowager.
Shrimpie is so cool. But he lost Dunneagle.
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2024.05.19 06:22 ilovecatsverymuch24 Rebekah Harkness's daughter who had been in mental health institutions

Rebekah Harkness's daughter who had been in mental health institutions
(Source: https://www.nytimes.com/1988/05/22/books/is-there-a-chic-way-to-go.html ) (Rebekah Harkness is the muse for the Last Great American Dynasty by the way)
(English is not my first language sorry) Just sharing it here because, in my opinion, I am not enamoured by the way that TS perceives her as a 'omg crazy mad women đŸ€Ș' when they're pretty much abusive people? Don't get me wrong I love unhinged women in fiction but girl this ain't it.
Also TTPD leaves a bad taste in my mouth now because of the whole asylum/mentally ill aesthetic when there's people suffering like Edith. Just my opinion please don't come at me swifties.
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2024.05.18 14:08 philthehippy Letters from, to, and about J.R.R. Tolkien sent this week (13 - 19 May)

Hello all, below are a selection of letters sent from, to, and about J. R. R. Tolkien in the week of 13 to 19 May. (Links lead to our 'On This Day' page where you can search all dates and see other letters on any day.)
13 May
JRRT to C.A. Furth (at George Allen & Unwin) 13 May 1937 - Tolkien writes, offering his thoughts on a potential publication of The Hobbit in the US. He says that he can produce the illustrations requested or if they prefer, they can contract another artist for the work. He does however say that he would want to veto anything that is too alike to a Disney style.
JRRT to Rayner Unwin (at George Allen & Unwin) 13 May 1954 - Tolkien expresses his pleasure at the opinions of The Lord of the Rings. He is not pleased with the Houghton Mifflin edition for the USA market and offers some suggestions to improve it.
JRRT to Joy Hill (at George Allen & Unwin) - 13 May 1966 - Writing to his secretary, Tolkien thanks her for the packets sent to him. He would like a ticket for a Donald Swann concert and notes that he will not send anything to be used in the Tolkien Reader. He notes that The Homecoming of Beorhtnoth would be much more suited to a collected volume than anything connected to The Lord of the Rings, which had been suggested by Stanley Unwin.
14 May
G.B. Smith to JRRT ?14 May 1915 - Smith writes to Tolkien asking him to send his poem, 'Goblin Feet' to the editor of Oxford Poetry, 1915.
Christopher Wiseman to JRRT 19 May 1917 - Wiseman returns manuscripts of G.B. Smith's poetry to Tolkien.
JRRT to Christopher Tolkien 14 May 1944 - Writing to his son Christopher, Tolkien gives updates on The Lord of the Rings among other happenings. He has heard C.S. Lewis reading from some chapters of his work, The Great Divorce.
JRRT to Joy Hill (at George Allen & Unwin) 14 May 1962 - Tolkien sends corrected proofs for The Adventures of Tom Bombadil.
JRRT to Jonathan Wordsworth 14 May 1972 - Tolkien writes to Wordsworth accepting an invitation to dine with 'The Society', an Oxford Dining club.
15 May
JRRT to Florence Williams (wife of Charles Williams) 15 May 1945 - Tolkien writes expresses his sympathy to Florence and her son on the death of Charles Williams.
George S. Gordon to Kenneth Sisam 15 May 1924 - Tolkien's co-editor on the Clarendon Chauver writes to Kenneth Sisam to say that Tolkien has agreed to retire from the project.
16 May
JRRT to Rayner Unwin (at George Allen & Unwin) 16 May 1958 - Tolkien gives Rayner Unwin an update on his health, namely after some dental issues. he notes that he has not been able to work on the matter of the Zimmerman Lord of the Rings movie but includes some commentary.
Edith Tolkien to Alan Rook 16 May 1939 - Edith writes to Alan Rook, a student from Oxford, inviting him to the Tolkien's home at the weekend.
17 May
JRRT to H.S. Bennet 17 May 1954 - Tolkien writes on C.S. Lewis' proposed move to Cambridge.
JRRT to David Best 17 May 1967 - Tolkien replies to a fan who had written to Tolkien, including a version of Tom Bombadil written in English runes.
18 May
JRRT to Robert Theodore Meyer 18 May 1972 - Tolkien writes, declining a request to be interviewed.
Henry Willink to JRRT 18 May 1949 - Willink gives Tolkien an update on his wifes ill-health. he also remarks on his admiration and appreciation for The Hobbit.
19 May
JRRT to Miss Turnbull 19 May 1955 - Tolkien thanks Miss Turnbull for a gift and says that he at last sent proofs for The Return of The King to his publisher.
JRRT to Dr. Zettersten 19 May 1959 - Tolkien writes, remarking that Ancrene Wisse is now at the press and publication will depend on hwo quickly he can return the proofs.
Tags on the letters above include The Hobbit, Illustrations, US publishing, The Lord of the Rings, C.S. Lewis, FĂŠder his suna, The Adventures of Tom Bombadil, Oxford University, Poetry, World War I, Catholocism, Charles Williams, Clarendon Chaucer, George S. Gordon, The Lord of the Rings movie, Runes, The Return of the King, Ancrene Wisse, Health, A Spring Harvest.
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2024.05.18 02:30 nnah2003 Lorina's Adventures in Wonderland // A What-If Scenario Where Alice's Sister Goes to Wonderland

Hi everyone. I'm planning to make a webcomic based on Alice's Adventures in Wonderland with a twist, and don't worry, it isn't dark or horror stuff. Ever since I watched Disney's 1951 film as a child, I always wondered what would've happened if Alice's sister had gone to Wonderland and became surprised that no one had ever written about her, which is why I decided to turn the what-if scenario into a 24-chapter webcomic. It wouldn't just be a retelling of Alice in Wonderland; it would be distinct while retaining the book's appeal, from its aesthetic to its charm. Here's the synopsis as an example:
Lorina, the eldest of the Liddell sisters, aspires to be a proper lady, as do many girls in Victorian society. So when the thirteen-year-old girl receives an invitation to the Queen of Diamonds' all-girls party from a well-dressed fox, she is intrigued. However, as Lorina falls down a foxhole, she is confronted by the absurdity of Wonderland.
Since the webcomic is still in its infancy, there isn't much to share, but I can show you some ideas I have.
Lorina Liddell - She is named after one of the three real-life Liddell sisters, to which she does appear unnamed in the book. Lorina has high expectations of womanhood, and she occasionally imagines herself as a ballerina-esque tutor who teaches her sisters and mother to become proper ladies when alone. Throughout her journey in Wonderland, Lorina's "wants" slowly shatter, with the Queen of Diamonds being the nail in the coffin. Because Wonderland reflects a person's mind, the imaginative world alters, so the Queen of Hearts isn't present. Although "Down the Rabbit (or Fox) Hole" and "The Pool of Tears" sequences play out the same, the rest of the story is completely original. Lorina eventually learned she doesn't have to push herself to achieve anything and can still be a proper lady while engaging in childish activities.
What do you guys think? What ideas do you have for the webcomic? When I finish, I'll write a sequel about Edith, the youngest of the Liddell sisters.
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2024.05.15 03:37 LoganFlyte Live performances I like more than the studio versions

A software update nuked my Sonos system so I can't listen to music, so I'll write about music instead... Here are a handful of live performances I think are better than the studio versions. I'm only including things that are readily accessible, either on official releases or online. Just my opinion, of course, and I'd love to hear yours. So...
"Cactus Tree" on "Miles of Aisles." I think she was a much better singer in 1974 than she was in 1968. "Circle Game" is perfect on this record, too. It really wants to be a singalong.
"Edith and the Kingpin" on "Shadows and Light." I love the groove of the live performance, and I feel like it presents the lyric better.
"For Free" on the "Refuge of the Roads" DVD. She transforms this song with a couple of new lines added to the end of each verse. It's stunning. And I think she was a much better singer in 1983 than she was in 1970. The performances of "God Must Be a Boogieman" and "Woodstock" are also my favorite versions.
"Comes Love" from the "Painting With Words and Music" DVD. Just wow. So seductive and joyful.
The rest of these are not on official Joni releases, but all can be found pretty easily.
"The Three Great Stimulants" live at the Duke of York Theatre in 1985. An acoustic version with Joni on guitar and (I think) Larry Klein on piano. It's on YouTube: https://www.youtube.com/watch?v=IV7smboHWlY One of my top-10 all-time Joni songs, stripped of its ’80s arrangement and shining like a diamond. I just wish the sound quality was better, and hope something like this shows up on "Archives Vol. 5" someday.
"Just Like This Train" from KCRW Rare on Air Vol.3," a CD released by our local NPR station in 1995, and not too hard to find used. Just Joni and Larry again, with Joni on acoustic. This spare performance reveals the bones of the studio arrangement—it's all in Joni's guitar (which is unfortunately just a little out of tune, but everything else is so perfect I don't care).
"Love's Cries" and "Facelift" live on KSCA 101.9 Music Hall in 1995. These are from a solo acoustic show at the Gene Autry Museum that was broadcast on a local radio station, three years before their studio versions were released. The whole thing is on archive.org: https://archive.org/details/joni-mitchell-1995-gene-autry-museum-la-ksca and also on a reasonably common bootleg CD. "Love's Cries" is an early version of "The Crazy Cries of Love," and I think both the lyric and the melody work better before her very minor rewrite. "Facelift" is the same as the studo version, but the song really benefits from the intimacy of the solo acoustic setting. I recorded it off the radio when it aired, and there was a blast of static right in the middle of a guitar break in "Facelift," so I was very glad to find other recordings.
So what performances would be on your list?
submitted by LoganFlyte to JoniMitchell [link] [comments]


2024.05.11 22:43 omarashead Suggest games with T H I C K atmosphere

Hi, i'd like to discover new emotional, melancholic games with rich and overhelming atmosphere.
I already played and loved- Under the waves, Firewatch, What remains of Edith finch, fran bow, telltale games, life is strange. I don't mind if they are not purely story games- I loved Deus Ex HR for it's vibes for example.
Ill be glad to discover something new :)
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2024.05.10 23:43 NyxShadowhawk I Read the Silmarillion So You Don't Have To, Part Five

I Read the Silmarillion So You Don't Have To, Part Five
Disclaimer: I started this series for my mother and sister, who are diehard LotR fans, but don't want to read the Silm. They wanted the Tolkien lore, though, so they asked me to tell them what happens in the Silm, and it became this fun summary.
Previous Part
***
Chapter 10: Of the Sindar Meanwhile, in Middle-earth

Remember the Sindar? They’re the people of ElwĂ«, the only one of the original three Elven Lords who never made it back to Valinor, and Melian, a Maia who seduced him. The Sindar are basically native to Middle-earth, and save for ElwĂ« himself, none of them have seen the Two Trees of Valinor. That makes them “Grey Elves,” neither light nor dark. They live in Beleriand, the westernmost land mass of Middle-earth, on which most of The Silmarillion takes place, and which is completely gone by the time LotR takes place.
Elu Thingol by Bohemian Weasel
Elu Thingol by Bohemian Weasel
The Sindar know ElwĂ« as Thingol, which is Sindarin for “Greymantle,” and acknowledge him as king. Earlier, I assumed that Thingol and Melian were the ancestors of the Sindar, but this isn’t true; they only have one child, and her name is LĂșthien. She is one of the other major players in The Silmarillion, and was based directly on Tolkien’s wife Edith, so she’s kind of a big deal. She’s born in the forest of Neldoreth, and white flowers spring up to greet her.
While Melkor was being held captive in Valinor, the Dwarves finally enter the picture in Middle-earth. They call themselves KhazĂąd, and the Sindar call them Naugrim, which means “stunted people.” The Elves are somewhat bewildered when the Dwarves come into Beleriand from the East, because they didn’t know that any other people existed. They assumed that they were the only living things who could speak or make things. They don’t learn the Dwarven language, but the Dwarves endeavor to learn Sindarin. When the Noldor eventually show up, the Dwarves really like them, because the Noldor share their reverence for the god AulĂ« and their skill at metalwork and cutting gemstones.
Because Melian is a Maia, she can see the future. She warns Thingol that the peace isn’t going to last. Thingol decides to build a fortress in case worst comes to worst, and enlists the help of the dwarves to build it. The Dwarves oblige, happy to have a new project, and Thingol pays them in pearls, which they’d never seen before. The biggest pearl is called Nimphelos, which the Dwarves particularly value. (Its name sounds a lot like Omphalos, an egg-shaped sacred stone at Delphi that the Ancient Greeks thought was the navel of the world.) The Dwarves build Thingol a mansion underground, in the style of their own. I’m guessing that, like Hobbit holes, this is a reference to Celtic fairy lore that describes fairies as living in mounds. Like the fairies of British and Irish lore, Thingol has a lavish underground palace called Menegroth, the Thousand Caves. Its pillars are carved to look like trees, with carved animals on the walls and in the “branches” of the pillars. Colorful mosaics decorate the floors, banners and tapestries chronicle the deeds of the Valar, there are silver fountains and singing nightingales, and it’s all as beautiful as anything gets outside of Valinor.
Everything’s great for a bit, but Melkor’s monsters still exist, and eventually Orcs and wolves push into Beleriand. The Elves don’t know what the Orcs are. They assume that the Orcs are Avari (Elves that refused to go to Valinor) that turned evil, which is almost right in an indirect way. Thingol needs weapons to fight Melkor’s monsters, but the Sindar don’t have any weapons and don’t know how to make them, because they’ve never needed them before. The Dwarves know how to make them, having used them to fight all the dangerous things in the East, and they teach the Sindar how to make and use them. Dwarves remain the absolute best at making things of steel, and they invented chainmail.
Remember the Nandor? They were another subgroup of Elves who split off from the Teleri while they were traveling to Valinor, and stayed in Middle-earth. They become the Wood Elves, and their descendants will be the elves of Mirkwood. But at this point in history, they come to Thingol, seeking protection from Melkor’s monsters. Thingol lets them stay in an eastern land called Ossiriand.
A Sindar Elf named Daeron invents the runic writing system, which the Elves don’t care for, but the Dwarves readily adopt.
Once again, everything’s great for a while. But then, Morgoth and Ungoliant have their struggle to the north. The Sindar hear Morgoth’s shrieking and know that something is wrong. Melian’s magic keeps Ungoliant from entering their land, but barely. The Sindar are suddenly assaulted by Morgoth’s massive army of Orcs from his northern citadel of Angband. The Orcs aren’t like anything the Sindar have ever seen, and there’s thousands of them. We get a short summary of the ensuing battle (in which Tolkien drops more place names than I can possibly keep track of).
The Elves and Dwarves win, but they lose a lot of lives in the process. The King of the Nandor, an Elf named Denethor, dies in combat. Distraught by his death, many of his people renounce open war. They are called Laiquendi, “Green Elves,” because they wear leaves. The rest of the Nandor join the Sindar, and merge with them. The Sindar fence themselves into their forest with a magic wall of “shadow and bewilderment” that Melian casts to keep the Orcs out. After that, their forest becomes known as Doriath, the “Land of the Girdle,” after the magic wall. The wall protects them, but the peace and bliss are broken.
Beleriand Map
***
Chapter 11: Of the Sun and Moon and the Hiding of Valinor In which the Two Trees have a last hurrah.
Back in Valinor, the Valar are very sad about the Trees, but they’re even sadder about FĂ«anor. FĂ«anor is, without a doubt, the best of the Elves. He may be a narcissist, but he’s right about how great he is: he’s the strongest, the smartest, the cleverest, the most beautiful, the most skilled, and the most capable both mentally and physically. Imagine all the good he could have done in the world, and what beautiful and useful things he might have made, if Morgoth hadn’t corrupted him! Now he’s going to waste his life on a pointless endeavor, and his entire line is cursed. It didn’t have to be like this. When a messenger tells ManwĂ« how FĂ«anor responded to the prophecy of doom, ManwĂ« cries.
However, ManwĂ« doesn’t dispute FĂ«anor’s boast that people will sing of his deeds until the end of the world. After all, songs are beautiful things. If you remember, Eru IlĂșvatar told Melkor that all of his evil deeds will result in more beautiful things, that no one would otherwise have conceived of. Evil always begets good, in spite of itself. FĂ«anor’s evil deeds will result in the creation of beautiful art in the future, thus indirectly producing good things. But that doesn’t make FĂ«anor’s actions any better in the present.
Yavanna, goddess of plants, and Nienna, goddess of sorrow, do their absolute best to heal the Trees. The Trees are beyond saving, but the goddesses’ lamentation does do something: With their last bit of strength, Telperion bears a single silver flower, and Laurelin bears a single golden fruit. Yavanna picks them both off the trees. After that, the Two Trees die for good, with nothing but their lifeless stems remaining in Valinor as a sad monument to what once was. ManwĂ« blesses the flower and the fruit, and AulĂ« makes vessels to hold and preserve them. Then Varda hangs them in the sky as the new lamps: The flower of Telperion is the Moon, and the fruit of Laurelin is the Sun. The two lights will help the Children of IlĂșvatar and hinder Morgoth.
Creation of the Two Trees by Julia Pelzer
Creation of the Two Trees by Julia Pelzer
Each group of Elves has a different name for the Moon and the Sun. The Vanyar (the Elves who got to Valinor first and stayed there) call them Isil and Anar. The Noldor call them RĂĄna the Wayward, and VĂĄna the Heart of Fire.
The Moon and Sun also have their own Maiar to guide them through the sky. The Maia of the Sun is called Arien, and the Maia of the Moon is called Tilion. Both Maiar had loved their respective Trees while the Trees were alive, and begged for the position of tending to the Sun and Moon. Arien is a fire goddess who doesn’t fear the heat of the sun, and Tilion is a hunter god who was one of Oromë’s companions. (This mirrors Norse Mythology, in which the Sun is driven by a goddess called Sol or Sunna, and the Moon by a god called MĂĄni.)
https://preview.redd.it/o3k52zcr6ozc1.png?width=600&format=png&auto=webp&s=25a95f59781066a96ae88cbb4e9b659b9a4eb537
Narsilion by breath-art
The Moon rises first, and brings hope to the Elves. When the Moon rises, Fingolfin and the Noldor begin their long trek into Middle-earth across the frozen north. After the Moon rises and sets seven times, the Sun is hung in the sky, and the first dawn comes. When the Sun sets, it comes to rest in Valinor, briefly reminding the Valar and remaining Elves of the light of the Two Trees and the joy they once had. But the Sun and Moon still pale in comparison to the Two Trees. The only remaining things that preserve the original light, pre-Ungoliant’s destruction, are the Silmarils.
Morgoth is obviously horrified, and immediately sends dark clouds to prevent the Sun from shining upon his land of Angband. Arien, the Maia of the Sun, is the only entity that Morgoth is really afraid of, and he no longer has the strength to attack her. But he does send evil spirits after Tilion, the Maia of the Moon. (This might explain why the moon has phases, but it’s not explicitly said.)
The Valar still remember what happened the last time they put up lamps, and they’re not about to let Morgoth destroy their paradise for a third time. They decide to almost completely cut off Valinor from the rest of the world. They make the PĂ©lori Mountains around Valinor rise impossibly high, with sheer faces like glass. The only way in or out of Valinor is through a mountain pass called the Calacirya, which the Valar leave open to allow the Elves to see the stars. But the pass is heavily guarded. And, as an extra precaution, they fill the sea with enchanted islands that are full of illusions to confuse and trap anyone who tries to sail to Aman. The Noldor are officially, permanently cut off from Valinor — there’s no turning back now.
Telperion and Laurelin by MrSvein872
Telperion and Laurelin by MrSvein872
***
Chapter 12: Of Men In which the Men finally show up.
Having sealed themselves away, the Valar basically leave Middle-earth to the mercy of Morgoth. It’s not all bad, though; the Sun keeps Morgoth at bay, and it causes many new things to grow in Beleriand. Beleriand is a pretty nice place, for what it’s worth. Not as nice as Valinor, but, y’know
 it could be worse.
When the Sun rises, the Men finally awaken. The Elves have a lot of different names for them, but the important ones are Atani (“Second People”) and Hildor (“Followers”). The Men didn’t have a Vala to invite them to Valinor. Men fear the Valar, because they don’t really know what the Valar are or why they’re there, and the Valar have stopped paying attention to Middle-earth. Ulmo watches over the Men through all the water of Middle-earth, but Men don’t know how to understand the divine messages brought to them by the water. It’s rumored that the Men befriend the Avari, the Dark Elves who never went to Valinor.
At the time, Men looked more like Elves than they do now. Men were taller, stronger, and longer-lived than they are now, but Elves were still prettier, wiser, and more skilled than Men. Elves are immortal, and do not sicken or age, but they can still be killed. Men have less robust bodies and are more prone to illness and injury. Dark Elves are better than Men, but the High Elves that saw Valinor are significantly better than both Dark Elves and Men. The only Dark Elves that come close to the greatness of the High Elves are the Sindar, and that’s only because their queen is a Maia.
The other big difference between Elves and Men is what happens after they die. When Elves die, they go to the Halls of Mandos and eventually reincarnate. The Elves don’t know what happens to Men after they die. If they go to the Halls of Mandos, they don’t go to the same part of them that the Elves go to. No one but Mandos and ManwĂ« knows what happens to the Men after that. Only one Man ever came back from the dead (we’ll get there). It’s possible that the only entity that knows anything about what happens to Men after death is IlĂșvatar himself.
The relationship between Elves and Men gets steadily worse with time, mostly because of Morgoth (again, we’ll get there). By the time of the Third Age, when LotR takes place, there are very few Elves left. They have retreated away from the sunlight, into lonely woods and caves, and “become as shadows and memories.” The Men take over from the Elves, and forget that the Elves ever existed. But the The Silmarillion is about the First Age, and back then, Elves and Men were friends. Some Men achieved greatness through learning Elven wisdom, and some Men even had children with Elves.
***
Chapter 13: Of the Return of the Noldor In which we return to the main plot, and a LOT of shit goes down.
Where we last left the Noldor, Fingolfin was leading them on an impossible journey across a frozen wasteland to cross into Middle-earth, because he saw FĂ«anor burn the boats on the opposite shore. FĂ«anor and his sons continued further into Middle-earth, and made a camp in the north.
Morgoth also saw FĂ«anor burn the boats. Even Morgoth was a little afraid of FĂ«anor, so he decides to preemptively attack FĂ«anor’s camp. Despite being taken by surprise, the Elves trounce the Orcs, because they still have the strength of Valinor in them. They’re strong and swift, with sharp and effective weapons, and the Orcs don’t stand a chance. A small handful of Elves — FĂ«anor, his seven sons, and their loyalists — slaughter an entire army’s worth of Orcs in only ten days. Morgoth’s plans for the conquest of Beleriand are ruined, for now.
FĂ«anor assumes that by chasing down the Orcs, he’ll find Morgoth. FĂ«anor is so impassioned, so ready to finally kick Morgoth’s ass, that he pats himself on the back for having defied the Valar. It was such a good idea to tell the Valar to go fuck themselves and come to Middle-earth! Now he gets the opportunity to personally take Morgoth down!
He spoke too soon. FĂ«anor promptly finds himself face-to-face with the fortress of Angband and an entire army of Balrogs. Oops.
Somehow, FĂ«anor manages to hold his own against multiple Balrogs, until Gothmog, the Lord of the Balrogs, nearly kills him. He only survives because his sons arrive at the last minute with reinforcements to fend off the Balrogs.
FĂ«anor against the Lord of the Balrogs by Evolvana
FĂ«anor against the Lord of the Balrogs by Evolvana
FĂ«anor doesn’t live for much longer, though. His sons start to carry him back to their camp, but he bleeds out on the way. He curses Morgoth and tells his sons to avenge him with his dying breath. As his spirit leaves him, his body burns to ash, because his soul is just that fiery. And that’s it — FĂ«anor, the mightiest Elf to ever life, is dead. His curse means that his soul is forever trapped in the Halls of Mandos, and he will never reincarnate. No one like him will ever appear in Arda again.
The Death of Curufinwë Fëanaro by Gwenniel
The Death of Curufinwë Fëanaro by Gwenniel
Honestly, I’m surprised that FĂ«anor dies this early. I thought he was the central character, but I’m still only about a third of the way through, maybe less.
Despite having taken out FĂ«anor (mostly due to FĂ«anor’s own arrogance and impulsiveness), Morgoth still lost badly. He sends an envoy to FĂ«anor’s sons, acknowledging defeat and requesting a ceasefire, even offering to surrender a Silmaril. FĂ«anor’s eldest son, Maedhros (MY-thros, ‘th’ as in “this”) takes over from FĂ«anor as the leader of the Noldor. Maedhros doesn’t trust Morgoth as far as he can throw him, but decides to go to the negotiation anyway, with backup. Of course it’s an ambush, and there are Balrogs. All of Maedhros’s backup are killed, and Maedhros himself is captured and taken to Angband.
FĂ«anor’s other sons build themselves a mighty fortress, but Morgoth keeps Maedhros hostage until the Noldor agree to end the war and leave Beleriand. The sons of FĂ«anor doubt that Morgoth will keep his word on that. They also literally can’t stop fighting Morgoth, because of their oath. So, Morgoth hangs Maedhros by the wrist from the face of the Thangorodrim Mountains. The only remaining option is to try to rescue him.
Maedhros Upon Thangorodrim by Jenny Dolfen
Maedhros Upon Thangorodrim by Jenny Dolfen
Back with Fingolfin, the rest of the Noldor painstakingly make their way across the land bridge. It’s an agonizing journey, and many Elves die, but when the first dawn finally comes, Fingolfin unfurls his banner and blows his horn in victory. The ice starts to melt, and flowers spring up under his feet. The Sun chases Morgoth to the depths of his citadel, so he doesn’t harass Fingolfin’s group as they arrive in Middle-earth.
https://preview.redd.it/c622y48x5ozc1.jpg?width=1280&format=pjpg&auto=webp&s=ff808a7899e6833f913506c54490a72c9ea45ebe
Helcaraxe by Stefan Meisl
Fingolfin is wiser than FĂ«anor, and doesn’t try to attack Angband. Instead, he tries to find the other Noldor. Most of his Fingolfin’s group really hate FĂ«anor and his sons, because it’s their fault that they nearly froze to death. So, they make their own camp near Lake Mithrim.
FĂ«anor’s group hears of their arrival. They’re astounded and impressed that Fingolfin and co. managed to survive, and that they made it to Middle-earth. They would welcome Fingolfin’s group, but they’re too ashamed to offer. Too little, too late.
Fingon, Fingolfin’s son, decides to try to heal the relationship between the two groups of Noldor. He recognizes that Morgoth would be thrilled if his enemies were so divided against themselves. If they want to stand a chance against Morgoth, they have to unite. Fingon has the perfect idea for how to bring the two groups together. He was very close to Maedhros. He doesn’t know that Maedhros wanted to go back for him when FĂ«anor burned the ships, so, he assumes that Maedhros betrayed him. Even so, he still cares enough about Maedhros to want to try to rescue him.
He climbs the mountains of Thangorodrim by himself, hidden under the cover of the darkness that Morgoth created to shut out the sun. Then, Fingon takes out a harp and starts singing. He sings a song from Valinor, from long before the unrest took hold. His voice rings throughout the mountains, in which there had never been singing before. He sings in defiance of Morgoth like the Whos singing in defiance of the Grinch on Christmas Day.
He Sang a Song of Valinor by Jenny Dolfen
He Sang a Song of Valinor by Jenny Dolfen
Faintly, he hears an answering voice singing the same song. Maedhros is singing, despite his suffering. Fingon climbs up to where Maedhros hangs, and cries when he sees how much pain Maedhros is in. Maedhros has long since given up hope, and begs Fingon to shoot him, to put him out of his misery. Fingon prepares to shoot an arrow, but says a prayer to Manwë, asking him to have mercy.
Fingon’s prayer is answered. ManwĂ« sends the King of the Eagles, Thorondar, who picks up Fingon and carries him up the mountain face to where Maedhros hangs. Fingon can’t find any way to open or break the shackle that holds Maedhros, and can’t detach it from the mountain face. Maedhros again begs Fingon to kill him, but Fingon figures that it’s better to lose a hand than to die. Fingon cuts off Maedhros’ hand, and Thorondar catches him, carrying both Elves back to Lake Mithrim.
Flight from Thangorodrim by jyonyi
Flight from Thangorodrim by jyonyi
After that, the rift between the two groups of Noldor is healed. Fingon is hailed as a hero by both groups of Noldor. Maedhros steadily gets better, and recovers his strength. He pulls and Inigo Montoya and learns to wield a sword just as well with his left hand. He also waives his claim to kingship over the Noldor. He begs Fingon to forgive him for having deserted him back when FĂ«anor burned the boats, and tells Fingon that he’s the rightful heir of the House of FinwĂ«. That’s a nice gesture, but it’s actually part of the curse — The House of FĂ«anor became known as the Dispossessed, because even though they’re the older brother’s children, they permanently lost the rulership of the Noldor.
The now-united Noldor decide to explore Beleriand a little more, and they eventually meet the Sindar. The Noldor and Sindar recognize each other as kin, but have a hard time understanding each other because they speak different languages. Eventually, they figure out a way to talk to each other. The Noldor learn about King Thingol and the magic wall around his kingdom of Doriath, and about the Sindar’s battles with the Orcs. The Sindar are delighted that these stronger, smarter elves from Valinor arrived right when they were most needed, and assume that the Valar must have sent them.
Thingol is less enthused about a bunch of hotheaded foreign princes arriving in his land. The only Noldor he trusts to let past the magic wall are Finarfin’s children: Finrod, Angrod, Aegnor, and Galadriel. This is because their mother was EĂ€rwen, one of the Teleri Elves and Thingol’s niece. So, they’re his closest relatives among the Noldor. Angrod is the first of the Noldor to enter Thingol’s palace in Doriath. He tells Thingol all about what happened to the Noldor in the North — how they crossed over, how many of them there are, how they beat back Melkor’s forces, how Finrod saved Maedhros, etc. He leaves out the part about the kinslaying and the curse.
Thingol gives the Noldor his blessing to remain in the northern part of Beleriand, but they can’t displace the Sindar from their homes. They also aren’t allowed to come past Doriath’s magic wall, unless they’re invited, or if they desperately need an audience with Thingol. Thingol is Lord of Beleriand and the Noldor are imposing upon him, so, they’re in no position to argue.
When Angrod brings this message back to the Noldor, Maedhros straight-up laughs. “What kind of king is he? These aren’t his lands. He doesn’t have the power to grant us leave to live here, as if we were his vassals. If it weren’t for us, there’d be Orcs breaking down his door.
https://preview.redd.it/vnv1ly026ozc1.jpg?width=691&format=pjpg&auto=webp&s=c7cc76c22b57f7c1b0d449fee46152b0d052dbb4
Maedhros by _starçƒ­çˆ±ç”ŸæŽ»ć‘€ć·Žæ‰Žć˜ż
Caranthir, another one of FĂ«anor’s sons who inherited his father’s fiery temper, also doesn’t like Thingol’s conditions. “Who’s idea was it to send Finarfin’s sons as our spokesmen? I don’t trust a word they say, and I don’t trust this cave-dwelling Dark Elf. Finarfin’s sons should remember that, whoever their mother was, their father was still a Noldo — they should be loyal to the Noldor.”
Angrod is furious at this, and storms out. Maedhros chides Caranthir for going too far. The rest of the Noldor are all concerned that FĂ«anor’s whole family appears to be a ticking time bomb. It’s only a matter of time before one of them snaps and causes violence. Maedhros reads the room, and manages to get his brothers under control. He decides that he and his brothers should leave before things get worse. Not just leave the meeting, but leave the region — it’s better that they and the other Noldor remain friends at a distance, rather than risk another confrontation that tears them apart from within.
Maedhros and his brothers head east. Their new home is more exposed, and has less natural defense against Angband, but Maedhros doesn’t mind this. He and his brothers can be a buffer for the rest of the Noldor if Morgoth attacks again. And of course, the curse is still in effect.
Caranthir and his people are the first to find the Dwarves, who had stopped coming into Beleriand ever since the battle against Morgoth. You’d think that the Dwarves and the Noldor would have a lot in common, since both love to make things from metals and gems, and they both appreciate good craftsmanship. But nope. The Dwarves are too secretive, and Caranthir is too arrogant. He doesn’t even bother to hide that he thinks the Dwarves are ugly, and all his underlings follow suit. Despite that, the Dwarves and Caranthir’s Elves have a common enemy in Morgoth, so, they form an alliance anyway. From that alliance, Caranthir ends up learning a lot of Dwarven secrets about metalworking and masonry. It’ll really pay off for him in the future.
Caranthir by Miyota
Caranthir by Miyota
Twenty years pass since the Sun first rose, and Fingolfin decides to throw a feast to unite all the scattered Elves. This feast is such a big deal that it has a name — Mereth Aderthad, the Feast of Reuniting. It’s a last moment of joy and happiness before everything goes to hell again. A number of Sindar attend the feast as well, alongside their leader, an Elf called CĂ­rdan (you’re gonna want to remember him). Thingol does not leave his magically-fortified palace, but he sends two diplomats to the feast — Daeron, the Elf that invented runes, and another called Mablung. There are even some Green Elves from the easternmost part of Beleriand. The main language spoken at the party is Sindarin, because the Noldor have had an easier time learning it than the other Elves have had of learning Quenya. All the Elves are on good terms with each other, and everything is great for a while. The Noldor begin to think that maybe FĂ«anor was right about Middle-earth being a good place for them.
Another thirty years pass. Turgon (Fingon’s brother and a son of Fingolfin) meets up with Finrod (a son of Finarfin). Together, they travel southward on the River Sirion, just to get away for awhile. They sleep on the riverbank, and Ulmo (the Vala of water) sends them a dream. Neither of them remembers the dream, only that it was troubling, and neither realizes that they had the same dream. After that, they’re both burdened with a sense of unease. Troubling dreams can only mean one thing — Morgoth is going to become a problem again. Turgon and Finrod independently decide that it’s a good idea to prepare for the worst.
Finrod and Galadriel, his sister, are briefly guests of King Thingol in Doriath (being two of the few Noldor whom Thingol would allow past the magic wall). Finrod is very impressed by the majesty of Menegroth, the king’s underground palace. He wants his own underground palace just like it, and tells Thingol as much. Thingol could have said, “no, how dare you copy me,” but instead he tells Finrod about a secret place in his realm — there’s a gorge in the River Narog, the river to the west of the Sirion, where there’s a cave complex that Finrod can use to build a palace.
Enlisting the help of some Dwarves, Finrod builds his palace, Nargothrond. He gives the Dwarves treasures from Valinor to thank them. The Dwarves are so impressed with the jewels that they make Finrod a beautiful necklace called the Nauglamír, which is said to be the finest work of the Dwarves in the First Age. It’s set with many, many gemstones from Valinor, but it’s as light as spider silk. The Dwarves are also grateful to Finrod for giving them an excuse to build another cool cave palace. They give him an epithet in their own language, Felegund, which means “Hewer of Caves.” Only a really cool Elf appreciates caves so much that he asks for his own cave palace.
Finrod by _starçƒ­çˆ±ç”ŸæŽ»ć‘€ć·Žæ‰Žć˜ż
Finrod by _starçƒ­çˆ±ç”ŸæŽ»ć‘€ć·Žæ‰Žć˜ż
Galadriel decided to stay in Thingol’s court, instead of following her brother to Nargothrond. She happened to meet one of Thingol’s relatives, a certain Sinda named Celeborn, and fell in love with him. Staying with Celeborn gave Galadriel the opportunity to study at the feet of Melian herself. So, if you’re wondering where Galadriel gets her wisdom and power from, it’s because she learned directly from a Maia.
Meanwhile, Turgon is feeling homesick for Valinor. He remembers the city of Tirion on its hill, with its silver tree (not the Silver Tree, one of its descendants). When he returns home, Ulmo personally appears to him, and tells him to go to the Vale of Sirion. He finds a hidden valley surrounded by mountains, in the center of which is a hill. It’s the perfect place to establish a New Tirion.
Throughout all this, Morgoth has been carefully observing the Noldor’s activities, and judging their strength. As soon as the Noldor are too distracted by city-building to prepare for war, Morgoth strikes. The Orcs are still a lot weaker than the Elves. Fingolfin and Maedhros chase the new Orc army all the way back to Angband. They kill every last one, within sight of Angband’s gates. But remember, Morgoth is a Vala, and has more up his sleeve than simply Orc armies. He causes earthquakes, fires, and volcanic eruptions. The Elves realize that there’s only one thing to do: cut the threat off at its source. They lay siege to Angband, and this siege lasts a full four hundred years.
Angband by gresetdavid
Angband by gresetdavid
The Orcs are so afraid of the Noldor that they don’t leave Angband. Fingolfin boasts that the only way Morgoth could score a point against them is if the Noldor commit treason amongst themselves, which sounds a lot like tempting fate. Despite his confidence, the siege is a failure. Four hundred years, and the Elves don’t get any closer to capturing Angband, let alone taking back the Silmarils. Morgoth can still send spies out the back way, because the Elves can’t climb the snowy Thangorodrim Mountains. He captures Elves alive, and terrifies them so much that they do his bidding without having to be forced. He also looks for opportunities to sew dissent amongst the Noldor. It worked once, so it can work again.
A hundred years into the siege, Morgoth tries to capture Fingolfin. He knows that Maedhros isn’t about to let himself get captured again, and taking out the king would be an advantageous move. So, Morgoth sends a bunch of Orcs to sneak towards the Elves’ camp using the back way, through the same frozen mountain pass that Fingolfin used to get into Middle-earth. Morgoth should know at this point that Orcs are no problem for Elves. Fingon notices the Orcs, and slaughters them. This battle doesn’t even count as one of the “great battles,” because there aren’t enough Orcs for it to be notable. After that, there’s an interlude of peace that lasts for many years.
Fingon by _starçƒ­çˆ±ç”ŸæŽ»ć‘€ć·Žæ‰Žć˜ż
Fingon by _starçƒ­çˆ±ç”ŸæŽ»ć‘€ć·Žæ‰Žć˜ż
Morgoth finally gets the memo that he’s not going to beat the Elves by throwing Orcs at them. So, he tries a new tactic: A fucking dragon! If you think Smaug is bad, he’s a little baby lizard in comparison to Morgoth’s dragons. This one is called Glaurung (“gold worm” in Sindarin), and it’s a fat worm-like thing with a mouth of sharp teeth and fire breath. Glaurung is a young dragon, so, he mostly just thrashes around destroying fields and so forth. But he sufficiently terrifies the Elves
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Glaurung by Vaejoun
Fingon isn’t afraid, though, and takes a band of archers to pummel Glaurung with arrows. Glaurung’s armored scales haven’t fully developed yet, so the arrows drive him crawling back into Angband. Fingon is endlessly praised by the Noldor for having defeated the dragon, and Morgoth is kicking himself for having shown his hand too soon.
After Glaurung’s defeat comes the Long Peace, which lasts two hundred years. In that time, the Elves have the opportunity to build beautiful cities and write books of lore and create other art. (This time is called the “Long Peace” because Morgoth doesn’t make any attacks, but presumably, the Siege of Angband is still going on.) The Noldor and Sindar also intermix, becoming more like one society, though the biological and cultural differences between them remain: The Noldor are still smarter and stronger, wiser, better warriors, and they like living in stone buildings. The Sindar have better singing voices, and are better musicians in general, and like living in the woods. Some Sindar are nomadic and wander around Beleriand, singing as they go.
*whew.* That’s it for this section.
submitted by NyxShadowhawk to lotr [link] [comments]


2024.05.10 05:17 DimSumNoodles Memphis Trip Report / Outtakes (5/3 - 5/8)

Hi everyone!
Just returned from a few days down in Memphis and thought I might share some of my impressions of the city. I spent some time in the suburbs growing up but have been away for over a decade now (most of that in Chicago), so bear in mind that I'm coming at it from a largely touristic perspective.
Overall, I had a great time exploring and getting reacquainted with Memphis! With that said:
Definitely gone a bit over here, but thanks for reading and I'd be curious to hear your thoughts!
submitted by DimSumNoodles to memphis [link] [comments]


2024.05.10 01:04 njastar How to fix the Suns

I've been thinking a lot about how to fix our team and I've developed this plan that I know will work.
1. Get a new coach We need a new coach that can get along with the players, Frank Vogel obviously lost the dressing room. I propose we go after Monty Williams, he has history with Devin Booker and coached him to the final. Additionally, after a lot of down years, he will be cheap to get. He's not the most tactical coach, so perhaps we bring in an offensive guru on the bench, I heard Kevin Young from BYU is meant to be the real deal.
2. Get a real Point Guard We need someone who can run our offense, no more BookeKD isolations. We need the Point God, the hall of fame point guard, Chris Paul. This guy is an offense mastermind, yes, he's a bit old, but that means he's experienced. I know he breaks down in the later rounds of the playoffs, but I'll happy to even get to the later rounds. He's also on a huge expiring contract, we should trade Beal for him and get rid of his contract.
3. Trade KD for some younger players Kevin Durant is too old, we need some young blood in the team. I propose we trade him for some young wings, the Brooklyn Nets want to contend, I think trading KD for Bridges/Cam Johnson + picks makes sense for both teams.
4. Get rid of Nurkic Nurkic is a great regular season player but is always injured and doesn't hold up in the playoffs. I propose we trade him for a younger center who will match up well with Jokic. A player I've liked is Deandre Ayton, a young do-it-all center from Portland. He's rumored to have attitude and motor problems, but I think the "dog" in Booker will be a good influence on him.
5. Get some good role players Obviously we're over the cap, so getting good role players is hard. We can swap Grayson Allen for Landry Shamet, who can do everything Allen can do for less. Some good free agents min guys include J Crowder, Cam Payne and Frank the Tank.
I think this all makes sense, I hope to see it soon.
submitted by njastar to suns [link] [comments]


2024.05.08 20:28 cherryred130 Combining All of the Milton Theories To Create The Most Likely Picture

So there are a ton of theories on what happened to Milton and if The Unfinished Swan paints that picture for us.
My theory is a mix of YouTubers KnucklesUp, Cait Sith Plays, and Joseph Anderson's theories.
Knuckles believes that the Finch family may suffer from a genetic schizo-disorder: Consider Lewis' daydreams and ability to get completely lost in them, Walter's isolation and fear, Gus' kite picking up furniture that could be metaphorical or a vision, and Edie's clear delusions about the curse and obsession with shrines. Though we don't know enough about Milton's behavior to armchair-speculate, if members of his family did have mental illness, Milton would have a greater chance of it. Therefore, experiencing an episode and running away into the woods or ocean could have led to death by starvation, dehydration, drowning, or hypothermia.
Cait focuses on The Unfinished Swan as a representation of the Finch house. Considering that the King/Milton is found when looking for him on an island-like monument in the sea, perhaps Milton drowned while exploring the ruins of the old house.
Joseph Anderson's video was focused on how Edie is the villain of WROEF, how her behavior and perpetuation of the curse hurt her children and grandchildren throughout their lives and likely contributed to their deaths. Whether that is through direct parental abuse (Molly's death), neglect (Calvin's swing should have never been near a cliff), or her embellishment of the curse (Lewis' exposure to all of the dead relatives' rooms up to age 14 when they got sealed), Edie likely caused a lot of pain and difficulty for her family.
To sum all of this up into my Milton theory: I believe that Milton was an adventurous person by nature. We see his art around all of the secret room passages, despite the fact that the rooms were unsealed until after his disappearance. Edie built Milton his castle, against Dawn's wishes, exposing him to isolation and feeding his imagination and adventurous nature. Now, if Milton was mentally ill, isolation like this can harm his ability to discern facts from fiction, and feed delusions. It is also important to note that due to Dawn and Edie's arguing, the environment of the home may have been negative to the children. We only really know Edith's perspective, and considering she was youngest, the older brothers would experience and understand that better than she could.
I believe that Milton, either led by a delusion or the desire to escape the upsetting atmosphere of the house, attempted to journey to the sunken old house that he'd be able to see from his castle. If Edie is to be believed, it is possible that another storm occurred that allowed Milton to walk there and inevitably drown when the water returned, or perhaps he swam and drowned when he made it inside, or drowned during the swim. This is hinted at, in my opinion, with Edie's story of a light turning on in the old house (perhaps also hinting that Edie suspected this is what happened). The Unfinished Swan also shows the King's monument in the sea filling with water, hinting to me Milton's demise.
submitted by cherryred130 to WhatRemainsEdithFinch [link] [comments]


2024.05.08 19:54 woodard1221 Facebook Groups that are recommended for fans

Facebook Groups that are recommended for fans
With most posts on here, attached is a website with more information. I wanted to share a few groups (and there are many!) on Facebook (facebook.com) that are plentiful in information, pictures, conversations, and more. Please join any of these groups to explore ~
. "The Edith Bouvier Beale (Little Edie) Appreciation Society"
. "GREY GARDENS FANS ONLY"
. "Grey Gardens"
submitted by woodard1221 to GreyGardens_Beales [link] [comments]


2024.05.05 17:52 SoggyManufacturer343 Eastenders Tier List - Part 7: Ranking Cindy Beale

Eastenders Tier List - Part 7: Ranking Cindy Beale
(Before I start, I just want to say I got this idea from The Apprentice UK Subreddit from u/FunkySteps_77, so shout out to them for this idea.) (I was told I didn't have to give credit but I will this time)
With Martin going to B tier, it's time for part 7!
This is the Eastenders tier list. Pretty much what happens is I'll post the image of the tier list and the character that's being discussed, and you comment on what tier you want them in. Whatever tier has the most comments, said character goes in that tier. Voting will most likely be around 48 hours, and if there is a tie between S tier and A tier, for example, whichever S tier or A tier comment has the most upvotes, the character will be put in that tier. Any questions, then let me know in the comments.
https://preview.redd.it/u6m59dwypmyc1.png?width=1140&format=png&auto=webp&s=c90647ff3a2b47d6cd8d000adb1259d97330542d
Part 7 will be discussing Cindy Beale! Duration: 1988-
submitted by SoggyManufacturer343 to eastenders [link] [comments]


2024.05.05 17:45 Chyaroscuro Episode 2.7 of Lady Mary Crawley being iconic for 55 minutes straight: Too many broken hearts but thank God for Violet

The war is over! I'm sure the characters are exhilarated. I'm not unhappy about it, but I get the feeling that JF would have dragged the war years along longer (I can't be sure of this, but he did seem to thrive, writing during this era) if those scenes at the front weren't so darned expensive to shoot.
So, lots of things change. Downton is back to being a regular house (well, as regular as a house of that size can be anyway), and Mrs Bates is dead, but lots of things remain the same, like Robert's dislike of Richard (running off to the village to meet with Jarvis to avoid seeing him), and Cora's sudden cruelty crusade.
https://preview.redd.it/abijckvxnmyc1.jpg?width=777&format=pjpg&auto=webp&s=d1b74f0b82dd27a1b68eb12bd17def5170e9076a
I get that JF wanted to give us a taste of how the upper classes *actually* were like back in the day, but it is quite jarring when it happens. So far on the show Cora has been largely like what any woman of her social class would be, if a bit nicer in general. I did forget just how much she herself grows and mellows as the years pass, they all do become much kinder.
Anyway, for now, she wants Robert to get rid of Bates because his wife killed herself, and she wants to get rid of "lame" Matthew too.
Cora: Robert! I want him to learn to be as independent as he can, and I want Mary to get on with her life. What’s wrong with that?
So, in the previous episode, Cora lied to Lavinia to make her think Matthew needed her, to get her back to Downton, Carlisle manhandled Mary, and basically told her to fall in line, let Matthew be Lavinia's business, or else, and yet it seems neither plan worked, at least not to perfection, because apparently putting obligations in the way between two people who love each other doesn't mean the love goes away. Who would have thought.
Robert asking Cora if there's something about Matthew and Mary that she's not telling him about is quite, quite significant.
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He doesn't understand what's going on. He thought Mary's love now was one sided. he thought, once Lavinia was back, things would sort themselves out, Mary would focus on Richard, as much as he hated him, and yet there Matthew and Mary were, still orbiting around each other.
What he doesn't know of course, is that Mary didn't refuse Matthew because she didn't love him. She refused him because in spite of the fact that both their families wanted the match, and the fact that since her reputation was ruined in London it would be hard for her to ever find as good a match as that, she was too much of a coward to admit the story about Pamuk. She loved him too much to lie. So she let herself suffer in silence for two years after Matthew left, and then it was all brought inevitably back to the surface after he came back.
And from Matthew's end, he had his feelings well locked away when he and Lavinia came to Downton. But of course, that's not sustainable. The more time he spent with Mary the more they came to the surface, so it was impossible for him NOT to want to spend time with Mary, even though he was engaged to Lavinia.
So Robert was having trouble, seeing all that but knowing 1/10th of the story.
Robert: If thinking that trying to protect Mary with a ring of steel is silly, then, yes, I am very silly.
My good man. Finally. For all he says he doesn't understand, he at least KNOWS. He knows that binding Mary, his very independent eldest daughter, in a marriage of convenience from which she won't be able to escape, to "protect" her from feelings beyond her control, is silly (let's be honest Robert, it's beyond silly, it's fucking horrible.)
https://preview.redd.it/0yx5r5hammyc1.jpg?width=1644&format=pjpg&auto=webp&s=4319e6b66360c6420305e331c78b50b6fecb439a
This asshole. He does make me want to quote Milton's Paradise Lost:
"Better to reign in Hell, than to serve in Heaven" Sounds like Carlisle.
Like the sweet talking devil that he is, he tries to lure Anna in the same way he tried to lure Carson: through her love and devotion to Mary. He pretends to want her to spy on Mary, for Mary's sake. Because he wants to make Mary happy.
Thank God, Anna is way smarter than that. And sees straight through him and his bullshit. I also like how she resembles Mary here: Carlisle asks her not to mention her conversation to Mary. Anna doesn't want to make an enemy out of him. But she also doesn't want to leave Mary in ignorance. So she doesn't tell Mary, but she tells Carson.
Perfect character work, honestly.
https://preview.redd.it/gwazlw7emmyc1.jpg?width=1515&format=pjpg&auto=webp&s=940c496af6e3fbf8bede191b5751411694648cef
Mary: Have you seen the boys’ haircuts the women are wearing in Paris?
Matthew: I hope you won’t try that.
Mary: I might.
I *love* this scene.
First of all, Matthew, well done giving yourself away, now we all know you have a thing for Mary's hair.
Second of all, Matthew, FFS 😭
He says it SO flirtatiously. His fiancée is right there. Her fiancé is right there. He's forgotten himself. He grew so used to their usual rapport, all this time spending their days together because he was injured he FORGOT that actually, he's not free to show his appreciation for her.
Also, look at Mary. She's surprised. And slightly pissed off.
First of all, he brings her into an awkward situation. Carlisle has already tried to force her to his will, she doesn't know how he might react to Matthew being so openly appreciative of her. Or so confident in giving her directions with such abandon, when Carlisle had to literally push her against a wall to make her see his way.
Second of all, honestly, how dare he show appreciation now. When she lowered herself so far down she offered to be his nurse TWICE only for him to reject her.
But she's Mary Crawley, and she loves this idiot. So she doesn't react badly. She takes it all in, and just says she might try it. And if they hadn't figured themselves out she'd have shaved her head just to piss him off (kidding. But she'd have definitely cut her hair).
Speaking of third parties present for this moment:
https://preview.redd.it/4bnwp64jmmyc1.jpg?width=1581&format=pjpg&auto=webp&s=9a041667d3e0c4fb2e416baac3813de80c70a68f
Lavinia: I’m not sure how feminine it is.
Mary: I’m not sure how feminine I am.
Richard: Very, I’m glad to say.
Note: I added Violet's reaction because this is where she starts to understand things are more serious than she thought. Yes, Mary is going ahead with her engagement with Carlisle, but her reaction here is serious. God knows Mary has a sharp tongue, the fact that she didn't lash out and put Matthew in his place for this comment? Not even an ever so slight "well it's my hair, my business"?? Very serious.
Also, I *love* Mary's response to Lavinia's comment.
The poor girl tried to salvage the situation for Matthew. Making it seem like it was up for grabs to make comments about the haircut in relation to Mary. But Mary's "I'm not sure how feminine I am" is exquisite. Because first of all, it's a very slight show of vulnerability. Every woman has questioned that. We're judged for our femininity from the moment we're born, and so has Lady Mary Crawley. But she's a confident woman who isn't afraid of saying this openly.
And also, in her case, it's largely true. Because if we look at what was considered Feminine, for the time, it wasn't Mary. Mary was not the Angel in the Home. She was not a docile creature with no thoughts and no opinions, there to serve her Mastehusband and bear him children and not speak a peep. Mary looked at that and said yeah, no thanks, that's not me, that will never be me, let that image perish. She made her own version of womanhood and she made it fit her size and she was proud of it, as she should have been. Even if that made her very male-coded for the time.
Richard's response is ignorant and stupid and superficial, and the only reason I added it was to show the difference between Matthew's gentle, flirtatious comment, Lavinia's kindness, Mary's thoughtful and intelligent response, and Richard's callous and authoritative manner, thinking he can decide for Mary who she is.
Omg he can fuck right off, when is he out I can't stand writing about him anymore.
https://preview.redd.it/6mwts2exmmyc1.jpg?width=400&format=pjpg&auto=webp&s=6f35256367caaa26eaba6acd1b72935ca3ffca37
Dear Carson describing his paternal love for Mary simply to tell Mrs Hughes that she doesn't know her, not like he does, but not judging her for not knowing Mary well enough to understand her, or why Carson is so devoted to her. Mary certainly never judged anyone for buying the mask she wore in front of the world at large.
Speaking of devotion:
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Mary: Well, I wish she'd come to me first. So, you mean you'd be uncomfortable working for a spymaster? How disappointing of you. And I always thought you were fond of me.
Mary is hurt, deeply by this. For so many reasons.
First of all, like I said in the previous episode, it had been a shock to her that Carson would uproot his life for her sake. She knows him as well as he knows her, and she knows how much Downton means to him. And while her mother pushed her to Carlisle for the family's sake, and her father closed his eyes and ears to all happening around him, the fact that there was ONE parental figure who'd show such care for her had moved her deeply, and had given her strength.
From what she says to him "We'd educate him together" she must have had conversations with Carson over what to do with Richard. Mary did not go into that marriage with her eyes closed. She hoped that as much as Richard thought he'd tie her up with his male superiority, she'd be able to bend things around him via societal rules and regulations. Smart woman.
But now Carson was leaving her. Not only that, he was leaving her KNOWING he was leaving her to deal with this horrible, horrible man by herself. Just like the rest of her family did.
And Mary wasn't an idiot. She grew up in aristocratic circles. She must have known, must have seen before, what bad marriages did to women. So she's so afraid. And so hurt. And so bereft. And of course, she dismisses Carson, and says "and I always thought you were fond of me" because to Mary, if you love someone, you don't abandon them when they need you the most. She didn't abandon Matthew. She didn't abandon Sybil. Or Tom. So clearly, this wasn't love.
https://preview.redd.it/v3ahatt0nmyc1.jpg?width=1182&format=pjpg&auto=webp&s=0932645770330fc6527ea62397767392fb5e534f
The way she looks at Richard. With so much resentment. But she knows this is a situation she created, largely. Although, the fact that she did it mostly for her family's sake kills me.
Something I hadn't remembered: Mary didn't say that "Butlers will be two a penny" line in front of Carson.
https://preview.redd.it/dduty5b2nmyc1.jpg?width=1182&format=pjpg&auto=webp&s=a60736672bd1a52e436a1ef5426d0f5ba0382ad5
We all know that Carson didn't "abandon" Mary. Not really. I think, because this was still early years, I think he thought that by telling her the truth of her intended, she'd be persuaded to break it off with him. He hoped she'd at least question Richard over his tactics to get her so very trapped under his thumb. But poor Carson doesn't know WHY Mary is with Richard. And that of course, she wouldn't question his tactics. She's well aware of them. All she could do here was to protect herself by lying. By trying not to let Richard know just how desperate she is.
Carson tries to get the same idea across by speaking to Robert. I think, again, he's trying to change the course of Mary's life, somehow, but I don't think he's aware how relactant Robert is in interfering with Mary's plans. Although God knows why.
Carson: *going on about how awful Richard is and that he wouldn't leave Downton to work for him*
Robert: I'll take that as a compliment for myself and for my house.
Yeah, sure. Completely ignore the fact that your daughter's future husband is an absolute asshole.
https://preview.redd.it/kzrvwn6anmyc1.jpg?width=1182&format=pjpg&auto=webp&s=c8cd84d9ce81cb0070b6ff3d2c351e549abcaf03
She's so happy about Matthew, she doesn't even care her own life is an absolute mess. Violet cares more about Mary's life than she herself does.
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Look at Cora's face when Matthew announces he wants to marry Lavinia at Downton and Cora watches as Robert agrees readily and Mary just about dies.
Oh sure, now you realise what you've done. You fucking idiot.
I cannot deal with Mary here. She was so happy for Matthew, that he'd get the life he deserved. But to her, here, he's chosen Lavinia over her. Twice now.
Because he accepted Lavinia's offer of caring for him, when he refused Mary's offer. Twice. And if she thought that before, he was doing it because he couldn't walk again, now she thinks it's because he simply loves Lavinia more than he loves her. Because she couldn't have been more obvious in her love for him, and she knows it.
And so she sits there, after being told by her second father that he's abandoned her because her future husband is a piece of shit, to watch the love of her life pick another woman over her.
Someone take the TV away from me because I'm about to throw it at the wall.
By the way, we see Robert place Matthew's needs ahead of Mary's for the millionth time, by agreeing to have Matthew's wedding at Downton. For all her flaws, Cora at least did what she THOUGHT was best for Mary, as misguided as that was. Robert simply places Mary's need second to Matthew's, and he does it without a second thought.
I don't want to hate him, so I'm hoping, HOPING, he does it because he hopes this might give Mary more time to break it off with Richard. I'm sincerely hoping that's the case, otherwise Robert is up for Worst Father of the Year award.
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Mary is done with everyone's bullshit, including her own.
"Aren't all of us stuck with the choices we make?" I don't know who I hope was in the receiving end of that cold, cold look from her. I'm torn between Cora and Matthew.
Mary blames herself, of course, for the situation she's found herself in. And as far as Matthew and Richard are concerned, that's largely true. Even if it was things outside of her control that led her to make said choices, she made them. And maybe she did it for the family name, and for herself, since she was so afraid of her secret, and for Matthew, largely, but she made them. And this is the kind of cruel woman she would become if things evolved the way they were going.
Because yes, we're all stuck with the choices we make. But we can't ignore the reasons that lead us to make said choices. And we should leave some space in our hearts to be kind to others, and to ourselves. And that's true for Ethel, and for you, Mary dear. Don't beat yourself up so harshly, you don't deserve it either.
It's time. Violet has had enough of everyone's bullshit.
https://preview.redd.it/g9kbixjenmyc1.jpg?width=1443&format=pjpg&auto=webp&s=71b26c886864c5e69f8207f9e1c39d4bc3e65853
I love his shock at the words "Mary is STILL in love with you"
He certainly hadn't missed the fact that she loved him now. Nobody's that devoted to a person they don't love. But I think this is the moment he finally learns she's always loved him. Poor boy.
I also love his response, because he makes it obvious that this is NOT the first time he's considered any of this.
Matthew: Lavinia came back against my orders, determined to look after me for the rest of my life, which meant that she would wash me and f--feed me and...do things that only the most dedicated nurse would undertake, and all with no hope of children or any improvement. [...] Do you think it would be right for me to throw her over because I can walk? To dismiss her because I no longer have need of her services?
First of all, it becomes clear that he doesn't know of Cora and Richard's involvement in Lavinia's return. Lavinia didn't come back "against his orders". Lavinia came back because Cora's letter made her believe Matthew would welcome her return.
Second of all, he says "Do you think it would be right for me to throw her over because I can walk?"
This tells us another thing: Matthew did not take Lavinia back because he was unaware of his, or Mary's feelings. He was perfectly aware of them. He simply hadn't wanted to bind Mary to him when he thought she could find a better life elsewhere. He loved her too much. He allowed Lavinia back in his life, and now the only thing, the one thing that kept him bound to her was not his feelings, but his duty.
Richard is largely responsible for this. Because he brought Lavinia back for his sake. Mary and Matthew are largely responsible for this, because they let their obligations and duties to other rank higher than their duties to themselves and to each other.
It takes two to tango, and it takes four to ruin two relationships. Mary and Matthew had been stupid, yes. But they did their best with a difficult situation, and they were largely duty bound more to societal rules than to themselves and to each other. Lavinia WAS an innocent victim of circumstance, although she would have saved herself had she been allowed to leave, and Richard was a knowing bringer of misery so, fuck him, honestly.
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I do love Matthew's face when Violet says he "spoke like a man of honour" a face that screams "fuck my honour" if I've ever seen one.
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Mary thinking of a honeymoon with Carlisle and dissociating. Regardless of anything else, I'm so, so glad she wasn't stuck with him. Not for longer than this stupid engagement anyway. I think she'd have managed it, somehow. She a very strong person. But it would have been a difficult life. Love brings out the best in people, and it's no wonder she was at her best when there was so much love in her life.
She also finally questions Carlisle about his spy plan. I love that she made sure to protect Anna, when he asks "She told you, did she?" she clarifies that "she told someone else" and she protects Carson too.
Also, genius:
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Carlisle: Are you still in love with Matthew Crawley?
Mary: Of course not! Would I ever admit to loving a man who preferred someone else over me?
Such a devious asshole. She denies loving Matthew, and then says she'd never admit to loving someone who picked someone else over her.
Essentially, she's telling the truth. Although, the fact that she thinks he picked Lavinia because he no longer loved hedidn't love her enough, makes my heart hurt. She always thinks she's overruled in the affections of the people in her life by someone/something else.
Robert picks Matthew over her. Carson picks his honour over her. Matthew picks Lavinia over her.
In the end, the last one especially, is not true. And not only because Matthew DID love Mary more, but also because, in the end, regardless of whether or not Lavinia got sick, he would pick Mary over his honour. He DID pick Mary over his honour. Sorry, I'm getting ahead of myself but I need something to hold on to when people are being so stupid right now.
I love that in all this mess, she STILL thinks of Sybil.
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While all this happens in Mary's life, Sybil is eloping with Tom. She'd said she had a headache and Mary, devoted sister that she is, finds out because she went to her room to wish her goodnight.
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I also love that it was Mary *and* Edith that went after Sybil. I know Mary needed someone to drive the car, but some Crawley girls solidarity is so nice to see. If only JF had realised that a healthy relationship between the sisters was much more enjoyable than them being at each others throats 😒
Mary "of course Mama and Papa will hate it"
Tom "Why should they"
Mary "Oh, pipe down"
She's hilarious. She doesn't dismiss them, but she dismisses their stupidity in running away, and Tom's refusal of reality, in this instance. But she treats him So Well.
She's honest, that she'll try to change Sybil's mind. But she also shows him respect. When he says he'll return the car in the morning she accepts it, she offers him money, out of consideration, but when he refuses it she respects him and moves on. God knows she is exceptional in her manners, and in considering others, when she wants to be. Clearly her sister saw something in this man, and Mary will treat him with the respect he deserves, not only as just another human being, but as her sister's choice, which will become more apparent as Tom and Sybil's relationship progresses.
https://preview.redd.it/gtxdk73gomyc1.jpg?width=1119&format=pjpg&auto=webp&s=887f23ceb3513cc82a8120ce049d28865aaa4ed0
Also, sorry, Isobel, you can't put Mary's charm in the barrel for the village children. To think, he thought he could give her up, when he couldn't even give up her childhood toy, the one she gave him so he could have a piece of home when he was at the front. Presumably, like Isobel said, he was home now, but he wasn't really, because Mary is his home, like he is hers.
And on that positive note, see you next week for the 2.8. Yet another pain-fest!
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2024.05.05 08:44 oceanfrenn [Offer] 10 Women in Science postcards [Malaysia to WW]

Edit: Thank you for the interest! Will be out by next week đŸ©·
I have 10 of these postcards, illustrated by Rachel Ignotofsky! To claim please comment your country, which one you'd like, and a simple writing prompt for me! Thank you :D
The ones I have are:
‱ Mary Agnes Chase
‱ Marie Curie
‱ Florence Bascom
‱ Karen Horney
‱ Nettie Stevens
‱ Marjory Stoneman Douglas
‱ Emmy Noether
‱ Lillian Gilbreth
‱ Edith Clarke
‱ Lise Meitner
Flair not needed but a thank you is appreciated! And exchanges are ofc welcome đŸ„° Will leave this open for a bit, I will PM you for your info once I see your comment!
Felt like writing a bit to take my mind off things, Lately I've been questioning if I have it in me to continue a soon to be 6yrs old friendship of mine lmao it suuuucks... but with time I'll know the answer I guess! It is quite complicated, and I don't know anything, I just know it in my heart that this isn't what a friendship should feel like, and maybe she wasn't my match this whole time, I was just too kind and understanding on a delusional level, burning myself in the process 😭😭
But hey, that's my problem and I'll be just fine! Just a bit bothered by it. In Chinese there's a saying 怎性äș†, it means smtg like "my head is growing largeexpanding from the sheer amount of thoughts filling it" yeah that's me rn 😆 I hope the TL makes sense I'm bye-lingual
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2024.05.05 01:22 MH_Nero (WIP) Boon of the Weavers

(WIP) Boon of the Weavers submitted by MH_Nero to makeyourchoice [link] [comments]


2024.05.04 11:41 geopolicraticus NiccolĂČ Machiavelli and the Vicissitudes of Fortune

NiccolĂČ Machiavelli

03 May 1469 – 21 June 1527
Part of a Series on the Philosophy of History
NiccolĂČ Machiavelli and the Vicissitudes of Fortune
Friday 03 May 2024 is the 555th anniversary of the birth of NiccolĂČ di Bernardo dei Machiavelli (03 May 1469 – 21 June 1527), who was born in Florence on this date in 1469.
In a recent episode on Francesco Petrarca I discussed the question of Petrarch’s modernity in the fourteenth century. Machiavelli comes more than a century after Petrarch, and he could also be said to be among the first modern men. What makes a man modern? Edith Hamilton wrote this of Euripides:
“There is an order of mind which is perpetually modern. All those possessed of it are akin, no matter how great the lapse of time that separates them.”
And a bit further on:
“The modern minds in each generation are the critics who preserve us from a petrifying world, who will not leave us to walk undisturbed in the ways of our fathers. The established order is always wrong to them. But there is criticism and criticism. Cynical criticism is totally opposed to the temper of the modern mind.”
Many take Machiavelli to be both modern and cynical, which Hamilton seems to declare impossible; arguably, it was inevitable that, given Machiavelli’s amoral political analysis, he would be called a cynic, but one need not identify him as such. Machiavelli’s modernity is often remarked, but the modernity ascribed to Machiavelli can take different forms. For some it is his amoral approach to politics. This was something new history. Nietzsche had called himself the first immoralist in the nineteenth century, but Machiavelli has a better title to the claim of being the first immoralist.
During the Middle Ages it was the tradition to instruct rulers in conventional piety and virtue. Machiavelli was among the first to say the quiet part out loud—that rulers should appear to be pious and virtuous, but to actually be pious and virtuous is ruinous, so that the prince must learn not to be good. Machiavelli’s notorious book The Prince, with its advice for rulers not to be good, while radically new in some ways, in other ways was thoroughly traditional.
Machiavelli was offering moral advice to princes—unconventional moral advice certainly, but still moral advice—and in so doing, Machiavelli had produced his own entry in a familiar medieval genre—books that were called mirrors for princes or Speculum regnum. Machiavelli’s mirror for princes was, we could say, a modern mirror—a medieval genre transformed for the newly modern world, and nothing was the same again after Machiavelli’s kind of moral advice. It was this break with the presuppositions of traditional morality that made Machiavelli modern.
But Machiavelli could also dispense more traditional moral advice, as in the following from this Discourses on Livy:
“
great men are always the same in every fortune; and if it varies—now by exalting them, now by crushing them—they do not vary but always keep their spirit firm and joined with their mode of life so that one easily knows for each that fortune does not have power over them. Weak men govern themselves otherwise, because they grow vain and intoxicated in good fortune by attributing all the good they have to the virtue they have never known. Hence it arises that they become unendurable and hateful to all those whom they have around them. On that depends the sudden variation of fate; as they see it in the face, they fall suddenly into the other defect and become cowardly and abject. It arises from this that in adversities princes so made think more of fleeing than of defending themselves, as those who are unprepared for any defense because they have used good fortune badly.”
This is a shrewd and accurate moral observation. Notice that Machiavelli concludes this with the idea of weak men using fortune badly. Men may be strong or weak, courageous or cowardly, but they have the agency not exactly to control fortune, but to use it well or to use it badly. Machiavelli understands the world in terms of human agency. Man is in control of his own destiny, but this control is not absolute, and not without limits. This is a naturalistic and rationalistic conception of human destiny based on empirical observations, and it would be accurate to call this a modern point of view.
This moral modernity also reveals itself in Machiavelli’s philosophical approach to political life, which was naturalistic, empirical, and scientific. James Burnham in his book The Machiavellians: Defenders of Freedom, argued that Machiavelli was applying the methods of science to political thought:
“Machiavelli’s method is the method of science applied to politics
 Machiavelli uses language in a cognitive, scientific manner. That is, except where he is frankly urging his readers to action, he uses words not in order to express his emotions or attitudes, but in such a way that their meaning can be tested, can be understood in terms of the real world. We always know what he is talking about. This, a requirement for all scientific discourse, is in political and social discussion an achievement of the very first rank.”
This scientific approach to political thought shows Machiavelli in a modern light. We could make the argument that Machiavelli’s amoral perspective on politics follows from his scientific conception of political thought. An objective and value-free political science would of necessity be amoral.
Burnham’s book has a section on Machiavelli’s conception of history, which discusses Machiavelli’s emphasis on the role of fortune in events. While this isn’t an exclusively medieval theme, the rota fortunae, or wheel of fortune, was one of the great symbols of the Middle Ages, making an appearance at the beginning of the Middle Ages in Boethius’ The Consolation of Philosophy:
“This is my art, this the game I never cease to play. I turn the wheel that spins. I delight to see the high come down and the low ascend. Mount up, if thou wilt, but only on condition that thou wilt not think it a hardship to come down when the rules of my game require it.”
Like Petrarch, then, Machiavelli is both modern and medieval. We could say, following Hans Blumenberg, that the Machiavellian moment is “one of the great moments that oscillate indecisively between the epochs”—I also quoted this in my episode on Petrarch. However, Machiavelli’s conception of the role of fortune in human life and history is expressed in very different terms from that of the rota fortunae. In Chapter XXV of The Prince, titled “What Fortune Can Effect In Human Affairs, And How To Withstand Her,” Machiavelli says that fortune is a woman:
“
fortune being changeful and mankind steadfast in their ways, so long as the two are in agreement men are successful, but unsuccessful when they fall out. For my part I consider that it is better to be adventurous than cautious, because fortune is a woman, and if you wish to keep her under it is necessary to beat and ill-use her; and it is seen that she allows herself to be mastered by the adventurous rather than by those who go to work more coldly. She is, therefore, always, woman-like, a lover of young men, because they are less cautious, more violent, and with more audacity command her.”
Earlier in Chapter XXV Machiavelli says of fortune:
“I compare her to one of those raging rivers, which when in flood overflows the plains, sweeping away trees and buildings, bearing away the soil from place to place; everything flies before it, all yield to its violence, without being able in any way to withstand it; and yet, though its nature be such, it does not follow therefore that men, when the weather becomes fair, shall not make provision, both with defenses and barriers, in such a manner that, rising again, the waters may pass away by canal, and their force be neither so unrestrained nor so dangerous. So it happens with fortune, who shows her power where valour has not prepared to resist her, and thither she turns her forces where she knows that barriers and defences have not been raised to constrain her.”
Machiavelli, then, implicitly evokes the ancient image of time as a river—a river that can rage out of control and sweep away everything in its path, but also a river than can be controlled when the appropriate measures are taken. If time is a river, history, too, is a river—or maybe history is the entire watershed of a river, floodplain and all, a canyon shaped by the continuous passage of time over the ages, carving its bed into the rock, leaving layers of sediment in the wake of a storm, and sometimes flowing quietly through the landscape that it shaped in its more violent moments. We see these features of history, like the features of a landscape, that seem permanent to us, but if we had seen each moment of time as it passed, we would know how it all came to be.
We could say that Machiavelli is an optimist, or, at the very least, he believes in the possibility of human agency. We are not merely at the mercy of natural forces. A raging river can sweep all before it, but human beings can make provision for the raging of a river, knowing that, sooner or later, there will be a storm or a flood.
Machiavelli himself witnessed some of the storms of history first hand, and I suspect that events such as these shaped his understanding of the world. In 1494, when Machiavelli was a young man, the French marched through Italy on their way to Naples for Charles VIII to intervene in the Neapolitan succession. France has always been the most centralized of the European powers, and throughout the Middle Ages it was the most populous country in Europe, making it the superpower of its time. As the massive French force marched through Tuscany they took several cities, although the ultimate goal of the expedition was Naples. Florence attempted to remain neutral, but this wasn’t good enough for Charles the VIII.
Machiavelli was all of twenty-five when the French marched into Florence, and he probably never forgot the experience. Piero de Medici, who came to be known as Piero the Unfortunate, capitulated to the French and was run out of Florence for doing so. An interesting footnote to history is that Piero the Unfortunate was assisted in his flight from Florence to Venice by the great French historian, Philippe de Commines, who was called “the first truly modern writer” by Sainte-Beuve—so yet another late medieval writer, like Petrarch and Machiavelli, who has been understood as a modern man.
Florence was wealthy and influential and a great center of arts and culture, but it could not defend itself against the French. The French disaster was followed by the rule of Savonarola, which was a further humiliation for the proud Florentines. Machiavelli’s The Prince ends with an exhortation to liberate Italy from the barbarians has he put it.
“
at the present time, in order to discover the virtue of an Italian spirit, it was necessary that Italy should be reduced to the extremity she is now in, that she should be more enslaved than the Hebrews, more oppressed than the Persians, more scattered than the Athenians; without head, without order, beaten, despoiled, torn, overrun; and to have endured every kind of desolation.”
At the very end, Machiavelli closes the book with a quote from Petrarch:
Virtue will seize arms
Against frenzy, and the battle will be brief:
For ancient valour
Is not yet dead in Italian hearts.
James Burnham emphasizes that part of the rationality of Machiavelli’s thought lies not only in his scientific methodology, but also in his concrete, non-utopian goal, which was the liberation of Italy from foreign forces and its ultimate political unification—something that wouldn’t happen for hundreds of years after Machiavelli’s death.
The political milieu that Machiavelli experienced in his own time, and which inspire The Prince, has been mirrored many times in history. Several hundred years after Machiavelli’s time, Johann Gottlieb Fichte found himself in a situation parallel to that of Machiavelli: Fichte’s country was occupied and controlled by foreign forces. Germany at this time was not yet unified into a single German state, as indeed Italy was not unified in Machiavelli’s time and was still not yet unified in Fichte’s time.
Both for Fichte and for Machiavelli, it was the French who were the great theat. Napoleon’s forces swept across the Germans of the early nineteenth century as Charles VIII’s forces swept over the Italians at the end of the fifteenth century. Those who saw the capitulation and humiliation of their homeland were marked by the experience. Ficthe wrote an essay on Machiavelli, “On Machiavelli, as an Author, and Passages from His Writings” which has been translated by Ian Alexander Moore and Christopher Turner. This is among the first of the appreciations of Machiavelli that was not openly hostile. Fichte saw Machiavelli as a starting point for his own reflections:
“
Machiavelli has been dead for almost three centuries, and that in my additions I have proceeded in accordance with his principles and have only supplemented him as he himself would well have been able to do three centuries ago if he had occasionally been willing to dig still deeper into the matter, but mostly if he had not sought to limit himself so strictly to the nature of his fatherland at the time, and instead extended his considerations to the lands that he knew well and that had a more established civil constitution.”
Fichte’s essay on Machiavelli was read by none other than Carl von Clausewitz, who wrote a letter to Fichte about his essay on Machiavelli. Clausewitz wrote in this letter:
“I believe that, unlike Machiavelli, we should not cling to methods that were successful in the past, reviving them in one form or another, but rather seek to restore the true spirit of war. We should begin not with the form but with the spirit, and wait confidently for it to destroy the old forms and create better ones.”
Clausewitz’s criticism of Machiavelli is not that he is too radical, but that he is too traditional; Fichte also implies that Machiavelli was too traditional in the limitation of the scope of his inquiry.
Peter Paret, who is one of the great Clausewitz scholars of our time, wrote a paper titled “Machiavelli, Fichte, and Clausewitz in the Labyrinth of German Idealism,” in which he argues that Fichte and Clausewitz had very different conceptions of history. We could add to this that Machiavelli’s conception of history differs both from that of Fichte and Clausewitz, but that Machiavelli was relevant to both, despite their differences, shows the ongoing influence of Machiavelli in historical thought.

Video Presentation

https://youtu.be/4vGn4cEflWY
https://www.instagram.com/p/C6iha8LNFVv/

Podcast Edition

https://spotifyanchor-web.app.link/e/ew8e5dTWjJb
https://music.amazon.com/podcasts/a31b8276-53cd-4723-b6ad-a39c8faa4572/episodes/716eb774-efe5-47ef-98b7-65a0138a3295/today-in-philosophy-of-history-niccol%C3%B2-machiavelli-and-the-vicissitudes-of-fortune

submitted by geopolicraticus to The_View_from_Oregon [link] [comments]


2024.05.02 23:24 Chyaroscuro Mary and Books

Bit of a (fun) interruption to my turbulent day thanks to u/RachaelJurassic whose recent comment inspired me to go ahead with this deep dive into an often shared but rarely focused on aspect of Mary's character - her relationship with books.
Throughout the series it seems that books, their content and books as physical items, have had a massive impact on her character in many different ways.
https://preview.redd.it/03864wipx2yc1.png?width=522&format=png&auto=webp&s=e2d68c18d8404459a8345a242c81ccd3c1fa4b37
Early in season 1, in the second episode, we see Edith snooping around Mary's things, and what she does is she reads a letter Mary kept in a book.
Said book by the way is Daisy in the Field, by Elizabeth Wetherell. The book is no longer in print, it was considered very much "feminine reading" at the time (even though modern female critics have gone back to such books and re-evaluated them as much more significant that the men of the time would lead us to believe), and it was a coming-of-age story during the American Civil War, with strong religious and anti-slavery messages.
So, Mary informs her mind with progressive reading material for the time, and she uses her books as a way to keep her life private. Both in the sense that she keeps her letters there, which we see her do again in episode 3, when she puts another letter from Evelyn in the book she was reading:
https://preview.redd.it/fptphktrx2yc1.png?width=522&format=png&auto=webp&s=b6dcf434430ba98d790623f1e8a829f1ef36b2ae
and in the sense that she often uses reading as a way to get away and isolate herself, as she is usually found reading, by herself, on that bench a bit further away from the house.
https://preview.redd.it/awzirt1xy2yc1.png?width=522&format=png&auto=webp&s=1e45b00e1f2d74ccdb3a8e1e0930db7718728abb
She also seems to read as a nightly ritual, telling herself stories to go to sleep:
https://preview.redd.it/56ig534xx2yc1.png?width=522&format=png&auto=webp&s=cadaed3453a60f6dee32d4bcab7856be92590ec5
something she and Matthew indulge in together after they get married because they're both nerds:
https://preview.redd.it/dpqtwg4yx2yc1.png?width=522&format=png&auto=webp&s=18276e173445e5a21c107648788eb3128c581863
Btw, if you like torturing yourselves like I torture myself, think of the contrast between Pamuk invading her space and interrupting her reading, and Matthew existing in her space and indulging her in her nightly routines.
Which brings me to how she uses books in arguments often enough (more than any other character).
She used the story of Andromeda in an attempt to scare off Matthew when he first arrived to Downton.
https://preview.redd.it/qtz0w8v4y2yc1.png?width=522&format=png&auto=webp&s=1abb12426be2ea5a9fbdc2825ff42b7909b67d80
Pay attention to the wording: I've been STUDYING the story of Andromeda.
Not reading, studying. She used that story to assert herself as good at offering her opinion and bettering her mind as any man, since studying Greek Literature was something only men would normally be allowed to do, and she used it to also test Matthew's more Refined characteristics, as studying Greek literature was also something only the upper classes usually did.
She also uses books against her father when he criticizes Tom's reading material "Papa prefers the servants to read the Bible and Letters from Home", basically mocking Robert (who was normally much more open-minded than this) for wanting to censor Tom's reading material (Ruskin and Marx etc)/ban him from expanding his mind, something that Mary herself clearly indulged in and wouldn't want to stop anyone from doing so as well.
We also get some fun insight into what kind of books her and Matthew are into, Matthew clearly knowing Kipling quite well and quoting his line from "The Cat that Walked by Himself" with ease, and more than that, without explaining himself further, simply expecting Mary to understand exactly what he meant, about their relationship and why it couldn't be anything other than friendship while he was in a wheelchair, as well as why he thought so little of himself. Probably because they had discussed Kipling before and he knew she'd recognise it for what it was.
https://preview.redd.it/74pxpkigy2yc1.jpg?width=806&format=pjpg&auto=webp&s=ee8894151e13b9609981f7692b0d43d77fbfceb6
She does the same with him when she confesses the story of Mr Pamuk and goes on to say "I’m Tess of the d'Urbervilles to your Angel Claire. I have fallen. I am impure.", very dramatic for Mary but it draws a laugh out of Matthew because obviously, she can't be saying that literally that book is SO dramatic and over the top.
And I bet they've discussed it and he knows she hates it because she pushes the sarcasm behind her words so hard here, which is why he tells her "don't joke". The words of a man who's been at the receiving end of at least one feminist rant re: said book by this exact same woman. I'll go into the details more when the time to actually breakdown the episode comes, but you get the gist of it!
https://preview.redd.it/k09qac6iy2yc1.png?width=522&format=png&auto=webp&s=cfabf62fc3d06e4736a8362cb73d2ded9301f885
I also love that every character knows to go look for her at that bench. From Cora and Matthew in season 1, to her father when he wants to complain about Tom (even if Robert doesn't get any sympathy from Mary in that regard) in season 3:
https://preview.redd.it/nxo0m9fny2yc1.png?width=522&format=png&auto=webp&s=dd4b3f45373a5ef98ea9713a9d6d2247bd9792b1
Anyway, clearly we know who the bookworm in the Crawley family is. And for all the trouble she has often to express her emotions and tell people how she feels, she finds the relevant book reference to help them understand (I do love that Tess d'Ubervilles moment, it's so Not Mary in so many ways, and in some ways it parallels to her story more than she would ever admit, but I won't get into that now), and get her point across. At least, with the people she knows will get the reference.
submitted by Chyaroscuro to DowntonAbbey [link] [comments]


2024.05.02 10:08 lost-in-meaning A list of shitty things I’m sick of

Need to rant and get things out of my head.
Things I need go complain about: - My shitty mentally ill brain that attacks me and tells me I’m useless and no good, can you just fkin stop? - The new system in UK shops where they don’t fucking let you out the store until a member of staff pressed the button to open the gate. Am I cattle to you, Morrisons? - The lack of funding for the North East of England. Are they gonna continue to rip my home town up and keep running out of money mid project? Ian Beale I’ve got nothing left meme - Being 27 and perpetually ID’d, even for energy drinks. WON’T SOMEONE TAKE ME SERIOUSLY AS AN ADULT? Oh but when I’m with my boyfriend it’s fine. She must be old enough, she has a man by her side. FUCK YOU ALL AND YOUR UNDERLYING SEXISM, HE’S YOUNGER THAN ME. - Working. Wtfs that about? Sorry I was born poor. Does this mean I’m sentenced to a life of kissing rich peoples arses in the hopes they see my “potential”? Fuck off already, I don’t owe no one shit. - My fucking parents. Always knew they were shitty, but the more I review my childhood, the more I’m like wow
 you really didn’t give af about me, did you? SO WHY DO I STILL FKIN CARE ABOUT THEM!? Silly brain. - The British weather. IT’S FUCKING MAY! WHY AM I STILL WEARING MY BIG COAT? - Choosing happiness. Like how do you just choose happiness? Why when I present my brain with two options, does it then just pick the one that makes me feel the shittiest about myself. LIKE JUST FKIN BE HAPPY. - The constant facade of society. I’m so done pretending everything is okay all the time when I just want to scream like a kid in a supermarket. Yet I need to get control of myself? Why don’t y’all look around at the absurdity of life and tell me you don’t want to fkin scream as well. - Social Media. God, I just hate it. Live in the fucking moment once in a while, you narcissistic fucks. - Being accessible 24/7 to anyone and everyone. Can’t I just live a life with no phone? Like am I allowed to do that at 27? - Being a human being. Of all the creatures on this beautiful planet, this is what I picked? Am I dumb?
Okay - I think I’m done.
submitted by lost-in-meaning to complainaboutanything [link] [comments]


2024.05.01 19:29 maluco_x The State of global Piracy - April 2024

đŸŽâ€â˜ ïž AHOY fellow pirates and welcome to the state of global piracy for April 2024! ARRR! đŸŽâ€â˜ ïž
Please let me know if you have ideas about interesting stats, I'll see if I can make it happen.
Enjoy the numbers!

TOTAL SCENE RELEASES BY SECTION

I have a total of 77 sections in my PreDB. The sections in here are combined/simplified for a better overview. Numbers in braces are the values from the previous month.
total section
19.708 (21.123) TV (HD)
12.848 (15.462) MP3
5.773 (3.663) XXX
4.682 (8.271) FLAC
3.133 (4.902) EBOOK
2.894 (2.947) MOViES (HD)
2.475 (2.737) TV (SD)
1.726 (993) ANiME
1.482 (1.395) SPORTS
1.357 (1.247) DOCU
797 (549) APPS
595 (561) GAMES (PC)
579 (431) MOViES (SD)
426 (460) GAMES (CONSOLE)
279 (294) MViD
165 (272) BOOKWARE
43 (48) ABOOK
6 (12) OTHER
Total: 58.878 (65.367)

TOP 20 GROUPS WITH MOST RELEASES

The sections in here are combined/simplified for a better overview, same as above.
total group sections
1. 2.542 (2.171) ↑ +4 PTC FLAC,MP3
2. 2.516 (2.528) ~ WRB XXX
3. 2.210 (2.501) ~ AFO FLAC,MP3
4. 1.792 (175) ↑ +76 LEWD XXX
5. 1.773 (1.578) ↑ +2 NEUROSiS MOViES (HD),TV (HD)
6. 1.322 (1.985) ~ FLAME MOViES (HD),MOViES (SD),TV (HD),TV (SD)
7. 1.253 (969) ↑ +6 NORKiDS TV (HD)
8. 1.185 (1.089) ↑ +2 EDITH MOViES (HD),SPORTS,TV (HD)
9. 1.146 (1.133) ↑ +2 CBFM MOViES (HD),SPORTS,TV (HD)
10. 1.078 (893) ↑ +4 AMB3R MOViES (HD),MOViES (SD),TV (HD),TV (SD)
11. 964 (1.106) ↑ +1 ZzZz MP3
12. 950 (423) ↑ +25 SKYANiME ANiME
13. 880 (823) ↑ +3 VEXED FLAC
14. 827 (2.400) ↓ -10 21A1 EBOOK
15. 781 (669) ↑ +5 TRIPEL MOViES (HD),TV (HD)
16. 750 (750) ↑ +1 RAGEMP3 MP3
17. 740 (823) ↓ -2 CHOPiN MOViES (HD),TV (HD)
18. 736 (1.466) ↓ -9 TVARCHiV TV (HD),TV (SD)
19. 644 (568) ↑ +5 CTO EBOOK
20. 621 (3.064) ↓ -19 BABAS FLAC,MP3

TOP 20 MOST NUKED GROUPS

total group
198 (198 / 100%) KIDENGEE
41 (2.210 / 2%) AFO
25 (73 / 34%) WESTVLETEREN
24 (117 / 21%) RVKD
19 (380 / 5%) BAE
11 (139 / 8%) LOST
11 (1.319 / 1%) FLAME
10 (92 / 11%) ROSiN
10 (1.206 / 1%) EDITH
9 (424 / 2%) Narcos
9 (11 / 82%) BONDYE
8 (463 / 2%) HiggsBoson
7 (25 / 28%) XME
7 (501 / 1%) OLLONBORRE
6 (329 / 1%) WAYNE
6 (96 / 6%) KIDFINEE
6 (740 / 1%) CHOPiN
6 (82 / 7%) PRUTTEGUTT
6 (75 / 8%) NERO
5 (21 / 24%) MERCATOR

MOST NUKED SECTIONS

The sections in here are combined/simplified for a better overview, same as above.
total section
360 TV (HD)
77 MP3
59 MOViES (HD)
16 FLAC
12 XXX
12 APPS
9 GAMES (PC)
7 MOViES (SD)
6 SPORTS
4 TV (SD)
3 EBOOK
2 ANiME
1 ABOOK

ACCUMULATED RELEASE SIZE FOR APRIL 2024

From the 58.878 scene releases, only 32.648 of them had file + size information.
They total to: 59,96 TB (59.961.189 MB) in 617 thousand files (617.126).
No idea about the size of the missing information, so the real value should be much higher.

ARCHIVES

NOTES

  • Only Scene Release Groups, no p2p or individuals.
  • Powered by predb.net
submitted by maluco_x to Piracy [link] [comments]


2024.05.01 17:36 Runningonkaapi Vote for Book of the Month (May 2024)

The theme of the month is MOVIE ADAPTATIONS.
Here are the books nominated by you guys:
  1. No Country for Old Men: Western crime thriller by Cormac McCarthy adapted into a multiple-Oscar-winning movie by the Coen brothers starring Tommy Lee Jones, Javier Bardem, and Josh Brolin.
  2. Capote by Gerald Clarke and In Cold Blood by Truman Capote: The first a biography of Truman Capote, the second started the true crime genre. The first book made into a movie by Bennett Miller, starring the late, great Philip Seymour Hoffman (who won the Oscar for this role) and Catherine Keener (who played Harper Lee), the second was adapted into a great movie in the 1960s.
  3. The Age of Innocence by Edith Wharton: A social/romantic drama set in the Gilded Age in New York adapted into a movie by the legendary Martin Scorsese starring Daniel Day-Lewis, Michelle Pfeiffer, and Winona Ryder.
  4. Sophie's Choice by William Styron: A social drama/tragedy adapted into a movie by Alan J. Pakula, starring THE Meryl Streep (one of her Oscar-winning roles) and Kevin Kline.
  5. Schindler's List or Schindler's Ark by Thomas Keneally: Holocaust drama/tragedy adapted by the master Steven Spielberg into a movie starring Liam Neeson and Ralph Fiennes.
  6. The Ballad of Songbirds and Snakes by Suzanne Collins: The Hunger Games prequel adapted last year by Frances Lawrence into a movie starring Rachel Zegler, Tom Blyth, and Hunter Schafer.
  7. The Godfather by Mario Puzo: That movie you see on every list of the greatest movies of all time, and for good reason. Adapted by Francis Ford Coppola, starring Marlon Brando, Al Pacino, Diane Keaton, Robert Duvall, John Cazale, and Jimmy Caan.
  8. The Notebook by Nicholas Sparks: Romantic drama adapted by Nick Cassavetes into a famous romantic film starring Ryan Gosling and Rachel McAdams.
  9. A Walk to Remember by Nicholas Sparks: Romantic drama adapted by Adam Shankman into a movie starring Shane West and Mandy Moore.
  10. PS I love you by Cecilia Ahern: Romantic drama adapted by Richard LaGravenese into a movie starring Hilary Swank.
  11. Howl's Moving Castle by Diana Wynne Jones: Fantasy novel adapted into an animated movie by the great Japanese filmmaker Hayao Miyazaki (Studio Ghibli).
  12. Emma by Jane Austen: A comedy of manners adapted into different movies, one starring Gwyneth Paltrow, another starring Anya Taylor-Joy, another starring Sonam Kapoor (AISHA).
  13. Frankenstein by Mary Shelley: A genre-defining sci-fi novel adapted into a movie by James Whale starring Boris Karloff.
  14. Carrie by Stephen King: Horrocoming-of-age novel adapted by Brian de Palma, starring Sissy Spacek.
Can't add a poll for 14 options (max = 6), so I'll post all 14 titles in the comments. Whichever is most upvoted will be the book of the month. I can't think of an easier way to do this. Let me know if you have any ideas.
Poll runs until END OF DAY, MAY 3. There is no timer on this poll, so this is the only way to do this.
submitted by Runningonkaapi to KaapiTimeBookClub [link] [comments]


2024.05.01 03:01 iryaaa Learning to play Edith/Jawhead

Hello, I'm trying to play Edith and/or Jawhead and I got a few questions:
  1. When the enemy is mostly magic users, it is generally good to pick Edith, right? She builds magic defense items and it helps her ult. I mostly play roam in soloQ, so I'll need some item/emblem recommendations.
  2. Jawhead.. I kind of like him, but is he viable if played on roam? What's his item builds for roaming? When should I pick him?
p.s. I main roaming Belerick in the previous season. I tried to learn Grock too, but ATM I'm just a sitting rock in my team lol To be honest, I'm still pretty new in this game so I'll need some guidance in picking/counter picking heroes.
Thanks in advance!
submitted by iryaaa to MobileLegendsGame [link] [comments]


2024.04.30 22:46 SoggyMoisture Off-season Ideas for the Suns

So I did some thinking about what the suns should do this off-season and concluded that due to the lack of flexibility, our best move for the franchise, fans, and players is to run it back a second year.
This idea is how we can reinforce our team to make it better, plugging up our weaknesses, and maximizing our strengths.
I've split the off season moves into 6 steps, all of which should be relatively easily attainable, as long as the front office doesn't completely screw things up.
Step 1 (Re-sign Royce O'Neale before free agency):
He provides a good defensive punch that our team desperately needs, and given a full year of meshing with the team, I believe he can be a solid 3&D starter for us, similar to what his role was for the Utah Jazz a couple seasons ago.
Step 2 (Sign Patrick Beverly to the vet minimum at the start of Free agency):
Our team lacked a defensive presence at the point of attack for opposing point guards. I'm not saying Pat Bev is gonna single-handedly change our team from bad to good, but he fills glaring holes in our roster. He's got veteran savvy, hes a lock down defender, he plays with energy, and he can do simple PG duties to help our offense flow. And he can knock down an occasional 3 pt shot. I believe he's mentioned that he is a fan of KD, so I think we can entice him enough to join the suns, with a chance to win a chip, and live in a great weather environment for next season. He is not good enough at this point in his career to be a legitimate starter, but I see him as being our backup PG to give our bench a solid defensive presence.
Step 3 (Use our 22nd overall pick in the 2024 draft to sign a defensive minded athletic backup center):
There's zero trade market value for Nurkic, so we are stuck with him. However, its not as bad as it seems, as even with Nurk manning the paint, we somehow still had the 13th best defensive rating this season. We will be forced to play him for another season. This however, does not mean that we shouldn't go for a big man in this years draft. I'm not entirely sure who would be available, or who would be our best fit, but someone who has 3-4 years of college experience, isn't afraid to play team ball, and someone who is willing to sacrifice their body to get blocks and play with energy. Honestly, if we can get someone like Drew Eubanks, but with a tad more offensive talent, that would be ideal.
Step 4 (Trade Grayson Allen "once trade eligable in October" for depth):
I know this sounds stupid, as Grayson Allen could very well be the best 3 pt shooter in the NBA going into next season, but unfortunately we have more offensive talent than we know what to do with. What we lack is a Point Guard who can initiate the offense, dictate pace, and get guys into position. I tried finding a trade that works and I think I have a solution. We trade Grayson Allen to the Lakers for Gabe Vincent, Christian Wood, and Maxwell Lewis. This would be our blockbuster move of the off-season. Whats one thing the Lakers wish they had more of against the Nuggets in round 1. Shooting. They shot close to 30% from 3, give our take. Grayson Allen immediately gives LeBron a massive 3 pt threat (in a similar fashion to Ray Allen in Miami, or to a lesser extent J.R. Smith in Cleveland and KCP on the 2020 Lakers team). Meanwhile, they are giving up Gabe Vincent, who was their backup PG who didn't play much, Christian Wood (who they are basically done with at this point), and Maxwell Lewis who didn't play a minute of the playoffs for them. (Lewis is just here for filler purposes to make the salaries match.
I know what your thinking, Gabe Vincent is a horrible consolation prize for trading Allen. Well unfortunately he's the best the Suns can get, because our front office shot ourselves in the foot, leaving us with minimal flexibility to add talent. All I can say is Vincent proved himself in last years playoffs where he started for the Miami Heat, in every single game of their run to the finals. If he is good enough to start for a Miami Heat team that went to the finals, he's good enough to be the 4th or 5th best player in our starting lineup. He is essentially a betteyounger version of Pat Bev, but without the goofiness that Pat Bev brings with his personality on the court.
Christian Wood gives us a floor spacing big, that can spread the floor, and can come off the bench to give us 10-15 minutes of playing time behind Durant at the PF or Center positions. He might not be good defensively, but again, we just need more big bodies that can give us a punch for a few minutes while our starters are resting.
I don't see Maxwell Lewis getting much playing time, as he'll be a third string small forward on our team at best.
Step 5 (Our players pick up their Player Options):
This is the least important step, but I thought I'd mention it. We have 4 players with Player Options for next season. Eric Gordon, Josh Okogie, Drew Eubanks, and Damion Lee. The assumption is Eric Gordon will not pick up his option, as based on his body language, he's all but had it in Phx and wants a change of scenery. Damion Lee will likely pick up his option, as he is coming off an injury, and no other team will likely want to sign him due to not knowing how his recovery will impact his game. Okogie and Eubanks are wild cards. If they pick up their options, then great, if not, then thats great too. It doesn't truly matter in the grand scheme of things. It'll just have our roster filled out, or leave it with one or two open roster spots.
Step 6 (Move Bradley Beal to the bench):
As bad as this sounds, it has to be done. We DO NOT need Booker and Beal on the court at the same time. They perform the same roles, and do not enhance our offense in a way that a complimentary piece would enhance a shooting guard. Booker needs 3 & D players around him, not a carbon copy of himself. Having said this, Bradley Beals entire mindset, going into next season should be to win 6th man of the year. If he wants to actually compete for a championship, and make his horrendous contract at least SOMEWHAT valuable, he will have to suck up his pride, and become the best $50 mil a year 6th man, that the NBA has ever seen. I believe in him, and think he can do it.

So where does that leave us. Well the lineup should we do all of the above 6 steps, should look something like this.
PG: Vincent Beverly Okogie
SG: Booker Beal Lee
SF: O'Neal Little Lewis
PF: Durant Wood Roddy
C: Nurkic Draft Pick Eubanks

I'll be the first to admit, this doesn't necessarily look like a championship winning core of players, but in my opinion it looks like a hell of a lot better team, than the one we were given this year. For starters we actually have 2 true POINT GUARDS that can initiate the offense. We added a little bit of defense to the starting lineup with Vincent, and by moving O'Neale there permanently. We added bench depth with Beverley, Beal, and Wood. Plus we should give Nassir Little a chance to see if he can be a serviceable backup 3&D player behind O'Neale. I believe Little has shown flashes that he can play 10-15 minutes a night given the right players and scheme around him. And finally, we try to see if we can hit it big with our draft pick (similar to Jamie Jaquez), but if we flounder, we will likely still have Eubanks as our backup just like this year.

All of these moves are REALISTIC POSSIBILITIES that we can actually do. With another year to jell, and the slight improvements around the edges, I truly think this team (if committed) could at least put up a fighting chance against the West's big 3 of (Denver, Minnesota, and OKC).

I'm curious to know what the community thinks about this. Good idea, Bad idea? Let me know.
submitted by SoggyMoisture to suns [link] [comments]


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