June 3rd to 6th, 2024 Leading up to our Vegas trip, one of the things I enjoyed most was visiting this subreddit and reading the experiences others shared about their time in the city. It was consistently insightful, helpful, and quite entertaining to read.
While this post may be none of those things, I still wanted to share on the off chance it provides a bit of relief for those planning and struggling to piece their own trips together.
As a brief background, both my wife and I have spent time in Vegas before, but, for reasons I won’t get into on this post, we never had a “Vegas experience.” We agreed that this would be that trip.
For context, we have been together for 15 years. We are both 35 and have two kids. Most vacations are family-oriented - lots of planning, budgeting, and sniping the best deals and the cheapest things to do. We agreed to do a little of that for this trip, but to mostly roll with the punches and see what would happen. Outside of booking the hotel, the only other thing I did to prepare for this trip was make two lists of food. Food list number one were places that sounded unique or different and were within a 5 to 10 minute walk. Food list number two was the same concept, except 20+ minute walk or bus ride away. My wife and I also agreed that if we couldn’t walk somewhere by staying in hotels, we weren’t going to walk there.
I’ll get the total cost out of the way. We spent about $370 on food, drinks, transportation, and entertainment. Our flight was $80 round trip ($40 each through Frontier). The hotel was $350 total for 3 nights. Thats about $800 for 3ish days and 3 nights in Vegas.
Monday: Both my wife and I had a bout of food poisoning a couple of days prior to leaving. We nearly canceled our trip, but on Sunday, made the decision to carry through, as the sitter arrangement was already made and figured that even if we just spent the time in our hotel room, it would still be fun. By Monday morning, I felt okay, but my wife was still a little ill.
The plane into Vegas landed at 11am. We decided to take an Uber from the airport to Total Wine and Whole Foods in Town Square. At Whole Foods, we bought emergency snacks (breakfast bars, nuts, chips, etc) and 3 gallons of water. At Total Wine, we bought our favorite rum, mostly in fear that we wouldn’t find it on the strip - one 750ml bottle of Kraken ($20) - and a 10 pack of mini Coke Zeroes.
From there, we took another Uber to the hotel - the Flamingo - mostly because we were carrying a lot of stuff (the bus was the original option). We arrived early, tried checking in early using a kiosk, but refused to pay the extra $20. Instead, we walked over to the food court, got comfy in a booth, and made a strong drink to sip on while we waited. I should mention that we stopped at the Starbucks in the hotel and paid $2 for two waters (ridiculous!). We used those cups to make our drinks.
By 3:30, we were two drinks in and decided to try checking in again. The lines were longer now, too, but the kiosk line moved quickly. This time we were given our keys to the room. Having never stayed on the Vegas strip before, we opted for the strip view (more on this later).
We rested, showered, changed, made another drink, bought a 24 hour bus pass, and headed out. We caught the bus in front of Harrah’s and went to Cookies for edibles. Their selection was meager compared to what we’re used to in New Mexico, but made the best of it. Ate an edible then hopped back on the bus, south this time, and took it aaaallll the waaaayyy down to the Mandalay Bay stop. We did not go to Mandalay Bay, though. Instead, we walked down a bit more and got some carne asada fries at a little place called Sayulitas. We consider ourselves carne asada fries experts because it is our go to when we drink and NM offers tons of delicious options. Sayulitas did an exceptional job - crispy fries, perfectly seasoned meat, tons of cheese and sour cream. Their salsa bar was stocked with some delicious and spicy salsas, as well.
From here, we caught the bus back North and decided to grab a dessert at Eataly - a place I had on one of my food lists, specifically for desserts. There, we spent $15 on an exceptionally delicious cream puff and chocolate square thing. Took them back to the room, ate them, and fell asleep.
Tuesday: The Vegas strip is loud. Even from the 11th floor of a hotel. The view was also kind of meh. I’m a light sleeper and that view wasn’t worth the terrible night of sleep. Before getting ready for the day, I went downstairs to inquire about a different room. The hotel staff was accommodating and friendly, but said that we would need to come back after 11am to see what was available.
With about 2 and a half hours to kill, we decided a breakfast adventure was the way to go. Eggslut is an often mentioned (and very popular) restaurant that can be found in the Cosmopolitan. Somehow, we missed the bus stop to go south (we walked south instead of north) and ended up walking to Eggslut by going through Bellagio. When we got there, the line was sufficiently long - about 20 minutes. Hungry and not wanting to walk, we decided to wait.
It was worth it for two reasons: 1. The food was delicious. The sauce, specifically, used on the sausage, egg, and cheese made my heart sing. 2. When we reached the front of the line, a dude who did not want to wait in line offered to buy our breakfast if we allowed him to add his order to ours. We agreed because who wouldn’t? Free breakfast? Absolutely.
With happy stomachs, we caught the bus and went back to the hotel. As mentioned earlier, the hotel staff was accommodating and switched our rooms without issue. Our new room had a view of the garden, the Sphere, and that big Ferris wheel thing - a MUCH nicer view. The room was also cleaner and so much quieter.
We rested, took another shower (NM is hot, but not like Vegas), got ready again, and decided it was time to start drinking. I should mention that we brought flasks with us, too. After taking a couple of shots each, we filled up our flasks and made a rum and coke to go (same Starbucks cups from the day before!).
Feeling rejuvenated from the new room and rest, a decent Kraken buzz in tow, we headed off without any specific plans. By the time we made it through The LINQ and to Harrah’s, we decided Fremont was the place to be. We downed our drinks, stored our cups in my drawstring backpack, and hopped on the bus. By the time we got off, we were feeling great and our time there became a little blurry, so here’s a quick rundown.
Went into a hotel to use the restroom, stumbled around until we found a Starbucks to get ice, took our 4th and 5th shots of the day in some alleys out of public view (drunk logic), saw a deal at Binion’s for a $6 burger and coke, watched some street performers, and by 4:30, we hopped back on the bus.
Craving a donut, we got off at Circus Circus to find the Krispy Kreme. After they rejected our free coupon, we headed up to the midway. The arcade games were expensive, so instead we talked with the game operators and waited for the 5:30 foot juggling show. The show, a whole 6 minutes in length, was AWESOME!
We stumbled around some more and at some point, we took another drink. Our 24 hour bus pass expired by 6:30, so we got on the bus again before then. Feeling tired, drunk, and hungry, we stayed on the bus all the way down the strip to enjoy the sights. By the time we made it to Town Square, we decided to get off, grab a bite, buy another bottle of Kraken, and go to the movies. We ate a $2 slice of Whole Foods pizza and watched Furiosa in IMAX.
It was after 10pm by the time the movie ended. We bought another 24 hour bus pass and went back to the hotel for a night of quiet and restful sleep.
Wednesday: We had a very slow morning. Which was nice because with kids, slow mornings don’t exist. We also spent much of our morning trying to decide whether we wanted to drink again or not. Inevitably, the Vegas logic set in, but it took some “pumping each other up” before it happened. Prior to that, however, we decided it was time to get a meal. As you could see, Monday and Tuesday involved a lot of snacking, so we wanted to sit down in a restaurant.
After much debate, Nacho Daddy was the winner. Our slow morning kept us in the hotel room until about 11am. We got ready, and refused to make the same mistake about the bus stop, so we walked north and crossed in front of The Linq to catch the bus down to the Cosmopolitan. Nacho Daddy was a short walk from there.
We did an order of the spicy grilled wings and fajita nachos. Both were yummy and exactly what we needed. As we were still in the “do we even want to drink again” phase, we stuck with water and our brunch, excluding tip, was $55.
Feeling full, we walked our food off in the Miracle Miles shops. It was quite empty and relaxing to walk through.
Walgreens was nearby, so on the way back to the hotel, we picked up more Coke Zero and another gallon of water. We grabbed the bus and went back to the hotel to rest.
It was around 4pm when we decided to start pumping each other up, and by 4:30pm, we had had another two shots each, a flask full of rum, and a couple mixed drinks in our Starbucks cups ready to go.
We left the hotel, heading north, and walking through The Linq again, Harrah’s and the Casino Royale. Feeling good, the moving walkways that lead into the Grand Canal Shoppes were calling our names.
While there, we did a ton of people watching. After some commentary on how a lot of the people look like replicas of Sims characters, we challenged each other to see who could complement more people the rest of the day. The only rule was that the compliment had to be genuine. Being together for 15 years, we know what the other person likes - cheating would take the fun out of the game.
As we left the Shoppes, we needed ice for another drink and Treasure Island was calling our names. On our way there, my wife complimented a person wearing a Seattle Krakens shirt - not because we’re fans…simply because we were drunk on Kraken (1-0).
Why are people so weird about filling up cups with ice in Vegas? Once in Treasure Island, I asked at Senior Frogs for ice. Rejected. Panda Express. Rejected. The lady that worked at Popeyes gave me ice, but I won’t lie…I had to turn on the charm. My wife socked me in the arm and we laughed as we took another shot and chewed those amazing ice cubes together.
As we left TI, I saw a dude wearing a Linkin Park Hybrid Theory shirt. The score was officially 1 to 1.
Sufficiently drunk at this point, we decided to catch the bus back to Fremont because we overheard people talking about the Neon Museum and our interest was piqued. On the walk to the bus, my wife complimented a guy with a lizard-shaped fanny pack (2-1).
Fremont was BUMPING by the time we got up there and the vibe was exactly what we wanted. We stumbled around, looked for ice, took pictures, and watched street performers. I spotted a gentleman with an incredible beard and tied up our score (2-2).
My wife chatted with a few ladies dressed as dominatrix, inquiring as to why they couldn’t leave their circle to take pictures with people and how difficult it was to get hours. She tipped them, we took some pictures, and, of course, she complimented them (3-2).
Afterwards, we saw an older man drinking McDonald’s coffee so my wife and I made a bet - was it coffee or something else? My wife said coffee. I said he was doing some secret drinking. A quick game of rock, paper, scissors, and my wife walked over to ask. It was coffee. I had to pay for the Neon Museum tickets. Fair enough.
We drank our last drink and headed off.
The Neon Museum is about a 10 minute walk from Fremont. If you go, I HIGHLY recommend a guided tour. Our tour guide, Steve, was INCREDIBLE and I made sure to tell him so…multiple times (3-3).
After the museum, we were fiercely hungry and decided that pizza, yes, again, was the best choice. My food list came in handy and Secret Pizza became our mission. A bus ride later, and we were back at the Cosmopolitan. It was fun, not having researched much about the pizza place but knowing it was meant to be hidden, to simply stumble around and find it.
By this time, my wife and I were incredibly drunk and making easy two-minute friends. We lost track of how many compliments we were throwing out. I tried engaging a dude wearing a Goku shirt about Dragon Ball Z, but he wanted to talk about his flight and the pizza he was waiting for, so I lost interest.
We got two slices of meat lovers and went on an adventure to find water.
We called it a night after this - it was close to 1am.
Thursday: Hungover and tired, we stayed in bed until it was time to check out. Grabbed a burger at Sickies Garage on the way to the airport and called it a trip.
We had plans to do more before leaving, but the best laid plans, amIright? Either way, it was a fun trip.
Was it a full “Vegas experience”? Maybe not to everyone that bothers to read this…We didn’t see any shows. We didn’t gamble a penny. We didn’t buy a single drink from a bar or a hotel and the latest we stayed up was 1am on Wednesday. Were we day drunk the entire time, though? Yep. Did we eat some good food? Yep. Did we talk to random people and see weird stuff? Yep.
What really defines a “Vegas experience,” after all? Tell me.
TLDR; We drank a lot and had a great time. Thanks, Vegas. :)

Educational TV show where they made the skull replicas of two different animals and compared their biting force and traits like teeth size and such. Then at the end there would be an animation where they show the two animals fighting and there would be a winner.
Use to watch it back in early 2010s.
I think the show was British but not certain.
Thanks in advance.

Hello everyone, GrimaIsBestWaifu here. As you might know, I am a massive fan of Book IV and its characters. Today marks around four years since I officially came around to Book IV after initially being a hater. Needless to say, as a Book IV nerd and enthusiast, I secured a copy of FEH's second art book at the first opportunity in order to further immerse myself in my passion. While it's an illustrations book first and foremost, I found the most value in the sections that went into detail about the lore, story, and characters of Books IV and V (but mostly IV, heh).
As of today, there is no official English version of this book, so non-Japanese readers are limited in how much information they can glean from it. This is a tragedy I can't abide, being heavily invested in FEH's story and wanting others to be able to appreciate it too, despite its flaws. There is also a decent chance that some information contained in this book will be changed or omitted in the official English version, so in that event I hope this might serve as an attestation to the "original" version. In this post, I intend to go over the section that describes the events that take place in Book IV's story. To see my translation of the section of the art book that expounds on Book IV's lore and characters, go here.
Disclaimer: I am not a native Japanese speaker, nor am I fluent in the language. English and Japanese are very different languages, so I will do my best to make things flow nicely in English while retaining as much of the original meaning as possible. Italicized text indicates my own speech, words that do not come from the book. The book's story recap is also told in past tense, but I use present tense in my translation here because I think it flows better and is easier to understand.
Chapter 1: The Dream One day, Alfonse and the others are summoned by Queen Henriette. According to her, an inexplicable incident has occurred in one of Askr's border villages in the wheat country where all its residents have fallen asleep. All efforts have been exhausted in attempting to save the sleeping villagers, who appear to be having nightmares, but none awaken. Henriette tasks them with investigating the sleep sickness there. The Order of Heroes complies, and after entrusting them with the Redolent Censer, she sends them off to the village with a smile. On the way to the village, Loki appears before the party and speaks in a way suggesting she may know something about the sleep sickness. It's possible she is planning something yet again...Alfonse and the others cautiously forge ahead.
As the Redolent Censer continuously burns with poison-nullifying incense, they arrive near the village. Sharena feels at ease and expresses gratitude towards her mother, who gave them the treasure in order to protect them. But in that moment of relaxation, she lets out a big yawn. Anna scolds her before stifling a yawn herself. Upon noticing this, Alfonse and Kiran are also beset by a fierce drowsiness, rendering them incapable of standing. By the time they realize the censer is ineffectual, it's already too late, and they are unable to resist closing their eyes...
Alfonse is with Henriette, along with Zacharias and Veronica. He is confused due to only having vague memories about why they are on a mission together. Suddenly, Zacharias attacks Henriette and corners Alfonse alongside Veronica.
Then, a girl abruptly appears and envelops the surrounding area in a dazzling light by reciting an incantation and prayer, causing Zacharias and Veronica to disappear. As Alfonse is yet again confused by the situation, the girl smiles brightly and says, "I'm Peony! I'm a ljósálfr—or light elf, you might say. I'm from the land of dreams, Ljósálfheimr." (This quote is transcribed from the official ENG script and is not a direct translation of the book's text, which uses the JP quote)
Chapter 2: Missing You (JP: One Person, Missing) The dream realm, álfar... Peony puffs out her cheeks when Alfonse cannot believe his ears. They regroup with Sharena and Anna, but Kiran is nowhere to be found. Even after following Peony's advice and trying to bend the dream world to their wishes, Kiran remains missing. Peony guides the party in their search for Kiran, claiming that the Dream-King Freyr could help.
While on the move, they fight off soldiers of nightmares, who are born from the fears of mortals and take on the forms of Heroes. Sharena also speaks with Peony about possibly having met before somewhere in the distant past. Peony responds that it might have been in a dream, and the two smile at one another, since they are quite similar and it appears they will get along well.
There a girl appears with black wings fluttering. She turns out to be Triandra, the Nightmare. As a dökkálfr from the realm of dark dreams, she is giving mortals nightmares under her liege's orders. Alfonse and the others confront Triandra when she tries to erase (In JP, the word for "erase"/"extinguish" is frequently used in place of "kill" when pertaining to the álfar) Peony. Triandra withdraws after being put at a disadvantage, stating that she won't give up.
Peony leads the group to a location with a large bed(s). Sleeping in a dream is the way to gain an audience with the Dream-King, so Sharena and Anna fall asleep. Before following their lead, Alfonse notices that he can't remember his childhood very well. Though that disquiets him, he nevertheless trusts Peony and closes his eyes. Peony is overjoyed at their faith in her as she watches them.
(In the ENG version, Sharena mentions that there are "many" beds, but the JP version doesn't make any indication of their number. Due to the fact that this art book previously mentions THREE adults being able to fit on one, it's possible that Alfonse, Sharena, and Anna all slept on it at the same time and that there is only one. However, the possibility that there are multiple of them remains open)
Chapter 3: Gullinkambi (JP: Horn of Gullinkambi) Alfonse and the others arrive in the realm of fantasy, the dream within the dream, by Peony's invitation. There stands Dream-King Freyr, who gives Alfonse the horn Gullinkambi. By remembering one's self from before falling asleep, wishing to return to the waking world, and blowing the horn, Alfonse and his party, along with the wheat country village's residents, can awaken. However, Freyr continues, stating that they must first drive back the two dökkálfar who have invaded Ljósálfheimr and are showing mortals nightmares. While offering his thanks, Alfonse asks about Kiran's whereabouts. However, even though he should know everything about the dream world, Freyr does not know where Kiran is, them being one who exists outside of the world's reason. He advises them that should they blow the horn, Kiran will also awaken. Thus, the party wakes up from the dream within the dream in order to begin their march and fight the dökkálfar.
The group traverses the dream realm following Peony's lead. Suddenly, Kiran appears before them. Though Alfonse and the others are relieved to see them, they halt in their tracks upon spotting who was next to them. "I am Plumeria, the dökkálfr of lewd dreams." (Again from ENG script)
Plumeria attacks the group along with nightmare soldiers that take the forms of Heroes from "Genealogy of the Holy War". Alfonse and the others fight them off, but Kiran also withdraws as if accompanying Plumeria. Peony states that this is because Kiran has been trapped by the dökkálfar's nightmares. Alfonse clenches his fist tightly, swearing to get Kiran back.
Chapter 4: On Dark Wings (JP: The Fluttering of Black Wings) The two dökkálfar show nightmares to mortals in Ljósálfheimr under their liege Freyja's orders. While Plumeria makes her disdain towards humans known, Triandra shows signs of concern towards Peony, who is her opposite in role.
The party continues traveling across Ljósálfheimr by following Peony's slightly dubious directions in pursuit of the dökkálfar. Anna and Alfonse can't wrap their heads around the actions they take in the dream world that would be illogical in reality. Suddenly, Sharena's gaze falls on a certain field of flowers. She says she remembers playing with girls her age in a flower field in a dream. She also remembers there being a girl similar to Peony, but Peony herself doesn't seem to recall this.
The party arrives at the Dream Gate, where the dökkálfar along with soldiers of nightmares lie in wait. They take up their weapons and repel the dökkálfar, after which Peony prompts Alfonse to blow the horn. Then, a crestfallen Peony bids them farewell, stating that they will forget about álfar like her, but that she will always watch over them, and she gives them a smile. Alfonse and the others close their eyes, trusting that they will meet again in a dream someday.
As the sound of the horn reaches Freyr's ears, his sister Freyja appears before him. Her true objective is to take her brother to Dökkálfheimr, over which she rules, while he is defenseless after handing off the horn. Were the Dream-King to leave Ljósálfheimr, order would be disrupted and nightmares would begin to flow into the mortal world and become reality. Freyja burns with jealousy upon witnessing her brother worry over the humans. Thinking to recompense them for stealing her brother's heart, her smile widens.
Chapter 5: Twisted Reality (JP: Distorting World) Alfonse wakes up to the smell of incense. Apparently, contrary to how much time they'd perceived, only a moment has passed in reality. While the other members of the Order confirm that everyone is fine, Alfonse notices that Kiran is missing. But strangely, Sharena and Anna cock their heads when he says Kiran's name. "The summoner of legend was called Kiran, right?" (ENG)
Alfonse is shocked when it doesn't appear to be in jest, based on Anna's tone of voice. Just then, an earth-splitting laugh rings out. The party prepares for combat, only to find that there stood Surtr, the king of Múspell who should've in the past been defeated. Though shocked, Alfonse faces off against Surtr, who ends up vanishing like the Zacharias and Veronica from in the dream. As the villagers awaken, unidentified troops are reported to have appeared in various places. Alfonse heightens his vigilance, suspecting that nightmares are manifesting in reality, as the group moves to eliminate those forces.
Though Sharena really can't remember Kiran, her gaze wavers from a profound sadness welling up inside. Alfonse cheers up his sister by swearing to do something about the situation. If nightmares can be defeated in the dream, they can be defeated in reality... Under this presumption, the Order marches on and discovers Peony being attacked. After rescuing her, she successfully uses her power to make Sharena and the others recall their lost memories. Then, Peony informs them that nightmares have been able to flood into the real world because Freyr has been taken to Dökkálfheimr, the nightmare realm.
Chapter 6: Dreaming Reality (JP: Dreams in Reality, Reality in Dreams) According to Peony, Freyr's sister Freyja is in Dökkálfheimr, and because they are in the same place simultaneously, the "Waking Dream" is allowing nightmares to spill into reality. In order to put a stop to the Waking Dream, the group searches for a ljósálfr who lives in a misty forest...Mirabilis, the Daydream. On their way to the forest, they encounter the real Veronica. After finding out about the situation and what the Order's objective is, Veronica states that she will come along. She says this is because she heard that her brother, Bruno (Zacharias), and Xander have returned from their travels and are now in the misty forest.
After the party arrives at the forest, they split up in search for Zacharias, Xander, and Mirabilis. Parting ways with Sharena and the others, Alfonse and Veronica venture deep into the forest and find the former two. Veronica smiles upon being reunited with her brother after such a long time apart, but her shoulders slump when she hears that he and Xander must soon leave again. She faintly smiles again when Zacharias invites her to join them, stating that he doesn't want to make her feel lonely anymore. Seeing this, Alfonse asks Zacharias if they could work together to fend off the nightmares. Apprehensively, he agrees, to which Alfonse continues. "...Thank you. As I thought, you aren't really Zacharias. [...] You said something you shouldn't already know." (This quote is a translation of the JP, since I feel the ENG line doesn't fit as nicely in this context)
At this, Zacharias and Xander's attitudes change. After repelling their assault, Veronica declares her cooperation with the Order. She then urges Alfonse to tell her about his memories of being with Zacharias. However, he realizes that he cannot remember anything from long ago for some reason.
Chapter 7: Steeped in Twilight The Order of Heroes realizes the severity of the situation that has befallen them after hearing that nightmares have reportedly been appearing unceasingly across Askr. They head deeper into the forest in search of Mirabilis so they can go to Dökkálfheimr, save Freyr, and eliminate his captors. After the scenery becomes blurry for a moment, Peony searches the surrounding area and happens upon Mirabilis. She rubs her eyes, appearing to be sound asleep. Peony pleads with her, wanting to get to Dökkálfheimr by way of Mirabilis' daydream powers. Just then, Triandra appears, the dökkálfar having also invaded the real world. She creates a nightmare embodiment of Hel, ruler of death. After defeating it, with Mirabilis in tow, the group departs in the direction of the point of twilight, which is close to Dökkálfheimr. Along the way, Sharena is bothered by a feeling that she has also met Mirabilis in a dream in the past. She believes that she, Peony, Mirabilis, and two other girls did something important together.
Eventually, they arrive at the point of twilight. It seems that here, they can cross into the nightmare realm by being given a "particularly scary daydream" by Mirabilis when day gives way to night. However, Triandra attacks them once more. Soldiers of nightmares come at them without end as they are surrounded by the sea with nowhere to run. Veronica calms the others down as they panic, stating that she will handle their pursuers on her own while they go on ahead. The last time they were in the dream world, only a moment passed in reality. Because of this, Alfonse and the others believe they will make it in time, so they close their eyes and make their way to the nightmare realm.
Chapter 8: Wallowing in Love (JP: Drowning in a Dream of Love) The group ventures into Dökkálfheimr. They are quickly met with Plumeria, who mystifies them with a bewitching sweet scent, but they somehow manage to fend off her attack. While in pursuit of a retreating Plumeria, Alfonse hears the voice of a sad young girl. However, he doesn't know whose voice it is, and the group marches on.
After catching the gentle scent of flowers whose fragrance is different from that of Plumeria's nectar smell, Sharena mentions that she remembers it. She claims it's the smell of the flower field in which she played with the other girls in her dreams. She then recalls swapping hairstyles and clothes with one of the girls who greatly resembled her, and even going to each other's homes. Anna is startled, thinking this sounds like a "changeling". As Anna explains how changelings are álfar who switch places with human children, Sharena listens with an absentminded countenance.
Plumeria again stands in the party's way, accompanied by nightmare soldiers modelled after Heroes from the "Awakening Outrealms", as they hurry to Freyr's side. However, the Order emerges victorious once again and goes on ahead. While wounded in her defeat, Plumeria hears the voice of a young girl crying for her mother, which she remembers. There, Freyja appears and grants her strength, healing her. After rising to her feet, Plumeria asks if she was a mortal before Freyja gave her life as an álfr. Freyja's expression clouds over, and she tells Plumeria that her father didn't love her or her mother, so he abandoned them. And because her daughter interfered with her desire to be with another man she loved, Plumeria's mother threw her into the bottom of a well and left her there.
By Freyja's words, Plumeria was a child nobody loved. But now, after drinking the nectar and becoming an álfr, she should just forget about that past. Her voice filled with compassion as she speaks, Freyja gives Plumeria a smile.
Chapter 9: Violent Fantasies (JP: Dream of Killing Someone) (Curiously, the recap begins with the events of Chapter 9 - 3, skipping over the first confrontation with Triandra in this chapter)
The queen of nightmares, Freyja, has abducted her beloved brother Freyr to her realm. With an ecstatic expression, Freyja declares that they shall fill the mortal world with their dreams. Freyr is dismayed, lamenting that Freyja originally didn't wish for the destruction of humans and that the two of them have already succumbed to ruin. He regrets turning human girls into álfar in order to drive back the disaster that befell the dream world in the past, when mortals gave up their dreams. Burning with jealousy over his constant concern for mortals, Freyja clenches a certain necklace.
Alfonse and the others rush to rescue Freyr, defeating Triandra, who stands in their way. As she stands up, saying that she can't yet afford to disappear (In a similar vein to what was mentioned above, the word for "disappear" is often used instead of "die" when pertaining to the álfar in JP), memories of her mortal past also pile up in her mind. Freyja appears before her, telling her that she and her younger sister were viciously abused by their non-blood related father. To protect her sister, who was in danger of losing her life, Triandra killed their father. Freyja assures her that she is not to fret over this, since she only did what she could. To this, Triandra quietly responds that she is alright.
Alfonse and the others finally reach Freyr. However, he has come under the curse of the necklace Brísingamen, and all of his dream powers have become Freyja's. With both of their powers in her grasp, Freyja has become the ruler over all dreams and is now able to freely control the dream world and bend reality itself to her whim. None are able to oppose her... Helpless against the unrelenting onslaught of Freyja's replicas and nightmare soldiers from all directions, the group falls back. However, the path leading back to Veronica has entirely vanished. "There is no way for you to survive. Taste despair in your attempts to escape." The nightmare queen sneers at them, exceedingly beautiful, (This line was very awkward to translate, I am sorry)
(To my knowledge, the quote used above doesn't actually appear anywhere in the Japanese script. It seems to just be a concise rephrasing of Freyja's dialogue at the end of the chapter)
Chapter 10: Lack (JP: Loss) The Order takes Freyr with them as they continue to flee. According to him, so long as Freyja is the ruler over all dreams, they can neither escape nor subjugate her. Even so, not wanting to give up, the group thinks of a plan. Just then, Freyr begins to tell of his and Freyja's past piece by piece. As a child, Freyja was always crying from being mocked by everyone over having a mark on her face. Freyr would steadfastly comfort his sister, who came to only smile for him. Then, she stated that she wanted to join herself to someone compassionate like Freyr when she grew older. She eventually matured to become beautiful, but didn't accept anyone's affections.
Sharena reassures Freyr along the way, to which Freyr confesses that the dream world once teetered at the brink of ruin. The only ones who could prevent the destruction of the dream world and save the hearts of mortals were children from the real world. But children who partake of dream nectar can no longer return to their world... Because of this, Freyr thought that perhaps if the children were in unfortunate circumstances, they would be happy to become special versions of themselves. He sacrificed innocent children in order to save the world even knowing it was sinful. After this, Freyr falls silent.
Their withdrawal fruitless, Freyja once again corners the Order of Heroes. Though she mocks them over their futile efforts, Freyr states that there is one way for them to escape.
"Freyja's power is the sum of our combined strengths... Therefore, one of us must be shed..." (ENG)
Freyr petitions the Order and offers himself up to them. Discerning his meaning, as Freyr can no longer manage to end his own life due to Freyja's control, Alfonse and the others cut him down.
Freyja cries out as she asks Freyr if mortals really are so precious to him that he would throw his life away for their sake. However, Freyr responds that nothing is more important to him than she is. It is because he loves her that he doesn't want to see her destroy the mortals, which is why he should disappear. Leaving her with those words, Freyr bids his sister farewell.
Freyja wails in sorrow and despair at the loss of her most beloved brother, after which she vanishes to some other location, bringing the dökkálfar with her. Due to Freyr's demise, dreams stop distorting reality. Now, they must wake up and return to their world. To grant Freyr's final wish, and to reunite with the missing Kiran...Alfonse and the others press onward.
Chapter 11: Plumeria's Dream (JP: Plumeria the Lewd Dream) The Order wakes up the the sound of Veronica's voice calling out to them. Just when they begin to relax, thinking everything is back to normal, Freyja appears before them. Chaos unfolds as everyone wonders how that can be, when nightmares shouldn't be able to encroach on reality anymore... The group is once again forced to engage in combat as they retreat. Freyja then tells them about the álfar's past as if to mock them. The álfar were originally human children who played together, who were called to the dream world in order to save it. She also describes how Mirabilis was a child who was abandoned by her mother after she was born. Finally, she tells of how among those children, the only one who didn't become an álfr was Sharena. Enveloped in Freyja's light, Sharena suddenly clutches her head in pain and faints.
After regaining consciousness at a boulder to which the group retreated, Sharena tells Alfonse that she now vividly recalls what happened in the world of dreams. "We wanted to save the world... Only...I stayed behind..." (ENG, but for curiosity's sake, the JP line goes "Only I wasn't able to become a hero...even though we said we'd save the world together...", which I think hits harder)
Sharena profusely apologizes with tears spilling from her eyes, saying that she might not really be Alfonse's sister. That she would play changelings with a girl who looked just like her, and that they would genuinely trade places upon waking. That she has memories of the small, run-down house in which the girl she'd exchange places with lived. That she might just be an ordinary child who swapped places with Princess Sharena in the dream world. And that as a consequence, the real Princess Sharena wasn't able to return home... Sharena appears discomposed as she suddenly recalls so many memories. Alfonse soothes her, saying that her memories of that house must have come from when she'd wake up as the other child.
Desiring to have them suffer like her after losing her brother, Freyja sends Plumeria after the group so the álfar will be made to kill each other. Plumeria follows her commands without saying a word and stands in the way of Alfonse and the others. She attacks them while looking like she is in tears...saying that she doesn't need reality, and that she wants to be in a dream forever. The party cannot hope to survive without fighting back so long as she continues to target them. Thus Alfonse and the others deal the final blow against Plumeria through their heartbreak. She grasps at the air and cries out for her mother over and over again like a small child as her body disintegrates. (I already felt really bad playing this story chapter in-game, but having this description makes it even worse...ow, my heart)
Even with Plumeria's defeat, the nightmares' assault does not relent. How can this be, when the Waking Dream shouldn't be able to occur with King Freyr dead? After assessing and reflecting on the situation one more time, Alfonse finally formulates an answer. "This has all been a dream... From the very beginning... Everything. All of it." (ENG)
They have been in a dream since the time they heard about the sleep sickness from Queen Henriette. If this is a dream, they should be able to return to reality this time if they blow the horn Gullinkambi in front of the Dream Gate. Alfonse marches on determinedly.
The Order takes a rest on the way to the Dream Gate. At their base, Anna reports to Alfonse about Sharena's condition after having stayed with her for a while. Afterwards, she begins to make small talk about a dream she had a little while ago about being a squirrel. She comments on how strange it is that she was convinced she was a squirrel in the dream, even though she isn't one... At this, Alfonse feels as though he is catching onto something.
Chapter 12: Triandra's Dream (JP: Triandra the Nightmare) Alfonse witnesses a daydream during the group's respite. A dream of the World of Steel, with towers stretching up high enough to pierce the skies. Peony calls it a grey world where people have forgotten how to dream. To make the álfar kill each other, Freyja sends out Triandra again. However, Freyja ponders why Plumeria and Triandra obey her orders without regard for how they are effectively being used and discarded. She asks Triandra why they would go so far as to throw their lives away in service to her. Triandra responds that she and Plumeria adore her, and that perhaps it is because mortals want to help those they care about even if they get nothing in return. Freyja shakes her head at this, being a god who doesn't understand this sentiment. She watches with a conflicted look in her eyes as Triandra departs.
Alfonse and the others fend off the advancing nightmares on their way to the Dream Gate. They are met with Triandra standing in their path, and upon seeing her, Peony's expression changes. Triandra speaks of how she could not forgive herself for being powerless to protect her younger sister as a mortal. Her dream was to obtain the power she desired in order to strike down those who would do evil. After she loses against the Order and collapses to the ground, having lost her power, she gazes at Peony and apologizes to her.
"Forgive me... I wanted to keep you safe just...a while longer..." (ENG) "...S-sister..." (ENG)
As Peony's words sorrowfully fall from her lips, Triandra's body disintegrates.
Led by Mirabilis, the group arrives before the Dream Gate at last. Following Freyr's instructions to "[p]icture the world outside the dream, and wish to return," (ENG) Alfonse sounds the horn, but for some reason, nothing happens. Alfonse goes over his thoughts once more, trying to figure out if there is something wrong with his thought process. Then, he remembers what Anna said a little while earlier. "If what I suspect is true...then the life I remember before the dream...is not my life at all..." (ENG)
Just then, Kiran appears before the Order. Alfonse is elated upon their reunion, but Kiran appears to be under the control of nightmares. With the help of Veronica and the others, he manages to render Kiran unconscious without killing them. By Peony's suggestion, they remove the hood that conceals their face. Under the hood of the collapsed Kiran...was unmistakably Alfonse's face.
Alfonse's suspicion is then confirmed. The reason why he couldn't recall his memories with Zacharias, and why he dreamed about the World of Steel, is because his past with Zacharias doesn't exist and the World of Steel is where he truly hails from.
"I am not Alfonse. [...] My name...is Kiran!" (ENG)
When they remember their true self, Freyja appears and tells them that they are having this dream because they wished for it. That Alfaðör, creator of all things, decided that Alfonse should no longer exist after he defeated Hel, sovereign of death. The Creator's will always comes to pass, and thus the real Alfonse is dead, so Freyja says.
Chapter 13: Reality Freyja continues, saying that Kiran gave form to this world and took on Alfonse's role out of grief over his loss. She claims that because Kiran is one who exists outside of the world's reason, if they combine efforts with Freyja, they could make the dream persist forever and have all their wishes come true. However, she declares that should Kiran choose reality, they will wake up in a world without Alfonse, and that she will use her power to take the lives of all of the álfar. With that, she disappears.
Peony states that because Freyja's nightmare powers still cover the area, they will be unable to use the horn. Even the álfar do not know if Freyja's pronouncement of Alfonse's death is the truth or a lie. A painful reality may await them... Holding onto that sense of unease, Kiran and the others head in Freyja's direction.
"Peony... My best friend, who I played with in the flower garden... That was you, wasn't it?" (ENG)
Sharena speaks with Peony, positing that Peony had switched places with her and drank her share of nectar because she knew there would be no going back to being human. Even so, Peony smiles, saying that making people happy was her own happiness. That neither of them know who was who originally, and that they are both each other, like two halves of a whole. If they defeat Freyja and return to reality, Peony and the other álfar will in turn be erased and the Order will forget about the dream. Sharena sobs over not wanting to lose a friend again. At this, Peony gives her a ring made of flowers. (It's a "chain" in ENG, but in JP it's described as a "指輪", as in a ring you put on your finger)
"[Even] if we do forget, that does not undo everything that's happened. [...] But if...if there's some way you can remember me, then maybe we can meet again someday, somehow..." (ENG)
Sharena and Peony join hands and nestle up close to one another as if in prayer.
On the other hand, Freyja's heart is swayed by emotions she cannot comprehend. Unconsciously, she begins to speak to Triandra and Plumeria, but both of them have disappeared in carrying out her orders. Though she insists that only her brother matters to her, as though trying to convince herself of it, her expression gradually clouds over. Kiran and the others eventually reach Freyja, and after defeating nightmare soldiers that appear one after another, Freyja herself finally falls as well. She disappears, leaving them with the proclamation that she will use all of her remaining power to erase everything about the álfar from existence.
The end of the dream draws near. The sound of the horn reverberates through the dream world. As she expresses her gratitude, Peony's form grows faint.
Kiran awakens to a voice calling their name, which turns out to be Alfonse's. He tells them that they, along with everyone else, had fallen asleep for three days and nights. Sharena seems to not remember anything and smiles as though nothing had happened. However, during their mission, Sharena discovers that she is wearing a flower ring on her hand. She is perplexed by this and clutches her chest, suddenly feeling like her heart is being torn apart. Then, someone claiming to be Sharena's childhood friend comes for a visit. Upon laying eyes on the person in question, her eyes tear up.
"Good morning, everyone! I'm Peony! I'm a ljósálfr—or light elf, you might say. I'm from the land of dreams, Ljósálfheimr." (ENG)
In Dökkálfheimr, Triandra and Plumeria, who should have disappeared, open their eyes. Before them stands Freyja, who tells them that they have no need to obey her any longer. Freyja's life fades away, having lost most of her power in reviving Triandra and Plumeria instead of erasing the álfar. She herself doesn't know why she did so even though she doesn't love anyone except her brother. In spite of this, she gave up her life for the sake of others, just like her brother had laid down his life for the mortals he so loved. Triandra and Plumeria vow to find a way to revive Freyja. The children weep as they grasp Freyja's hands, to which Freyja says that she truly cannot understand. Even so, she responds that she is happy and smiles gently.
And thus concludes the story of Book IV, neatly summarized as presented in the art book. I apologize for any inaccuracies in my translations and any confusion they might cause. This was an intensive passion project born from my love for Book IV, and I hope those who took the time to read this very long post found some enjoyment out of it. I would love to hear your thoughts, so please do share them if you so wish! I very much enjoy discussion about everything Book IV. Also let me know if there is any other material you'd like for me to translate, and I might make an attempt in the future. Thank you for reading!

Hi everyone,
I'm interested in building replicas of analog flight instruments, especially the attitude director indicator (ADI). My ultimate goal is to create a replica of Apollo Flight Director Attitude Indicator (FDAI) someday. It may not be possible to accurately reproduce all the internal mechanisms, but I want to make the indicator part look as authentic as possible, for example, by using the kind of paint that would have been used.
I've seen some people using actual ADIs for their home cockpits, but that'd be near impossible for spacecraft replicas. Which is why I'm particularly curious about the manufacturing processes used for real analog flight instruments. Though I suspect this knowledge might be somewhat of a lost art now.
Specifically, I'd like to learn more about things like:

• How was the sphere of the ADI made? What materials were used?
• What techniques were used to create the markings and graphics on the instrument faces?
• How were the internal mechanisms of these instruments assembled?

So far, the only relevant resource I've found is this video about pad printing. I'm having a hard time finding more detailed or comprehensive information on the actual manufacturing processes for the analog instruments.
If anyone has any resources or insights to share about how these analog flight instruments were made, I'd greatly appreciate it! Even general information about the manufacturing techniques and materials used would be helpful.
Thanks in advance for your knowledge and expertise!

So I have an explorer II replica case and I have been wanting to order an inexpensive watch to just use the dial and movement, the problem is I have had two now one I decided I like so I kept it and the other the dial was too big. I’m just trying to be lazy and not get frustrated with the hands. It fits any NH30 range but the dial has to be between 28.5-29.3 I was curious if anyone knew of any made watches on the market that have that dial size I have plenty of rings to make whatever movement fit

The Tale of Chihiro and No-Face

"Spirited Away" rewrote Japanese cinematic history, earning a staggering 30.8 billion yen at the box office. Needless to say, this record remains unbroken to this day. (Note: "Demon Slayer the Movie: Mugen Train", released in 2020, surpassed "Spirited Away" to become the highest-grossing film in Japanese box office history).
Mamoru Oshii: What struck me the most while watching the movie was the opening scene. It starts with a reluctant Chihiro in the backseat of a moving car, right? This is almost identical to the opening scene Miyazaki envisioned for "The Story of Yanagawa's Canals." If I remember correctly, it was a boy in that story, but otherwise, almost the same. Miyazaki initially intended to make "The Story of Yanagawa's Canals" into a live-action film. The opening he described during a planning meeting ended up becoming the beginning of "Spirited Away". What I mean to say is that while I might be a man of fixations, Miyazaki is even more so. Coming back to "Spirited Away," it's, as always, a film where scenes he wanted to create are strung together.
I rewatched it, and the story does feel somewhat disjointed. Why was it necessary to turn Chihiro's parents into pigs in the first place? And the way those pigs gorged themselves was so realistically depicted, it was like a horror movie.
Mamoru Oshii: That scene baffled me too. I thought, "Miyazaki loves pigs so much, why aren't the pigs here cute at all?" They were portrayed only in a negative light, a stark contrast from the adorable pigs in his previous works. Even the food in that scene didn't look appetizing.
The specific reason isn't clear, but turning the parents into pigs probably served as a convenient plot device to send Chihiro to work at the bathhouse. The parents barely appear in the middle of the story, right?
There's a part where Chihiro tries to find her pig-ified parents, but at least in the latter half, restoring them to their original forms doesn't seem like her primary goal anymore.
Mamoru Oshii: Miyazaki's primary concern was how to make the city-bred Chihiro engage in manual labor and, through that labor, experience personal growth and become independent. Turning her parents into pigs was an easy way to achieve that, without the need for further exploration. The parents' role was essentially fulfilled at the beginning. You could call it "convenience over coherence."
That's quite a harsh assessment!
Mamoru Oshii: Well, it is a Miyazaki film, so it comes with the territory. The plot threads are unclear, and the protagonist's internal journey is somewhat unconvincing.
I cried when Chihiro ate the rice ball Haku gave her, while crying herself.
Mamoru Oshii: That's just a detail, a single moment within the film. I've said it many times, Miyazaki is incredibly skilled at making details convincing. But judging a film is a different matter. I, for one, wouldn't watch a movie just for the details. While they're important, details alone don't make a film. I have to ask, where should a director's talent be directed? It should be in giving the film a backbone, a core, a structure - these are the director's responsibilities. I see that Miyazaki is also credited with the screenplay, but he probably didn't actually write anything down.
Not writing a script is somewhat reminiscent of Hong Kong films from a certain era. Speaking of which, Hong Kong films back then didn't even have shot lists.
Mamoru Oshii: That approach works for Jackie Chan's action films because the audience is there to see Jackie Chan's death-defying stunts. However, Studio Ghibli's works always present grand themes. Generally, you can't be so haphazard with that. So, it's just a tactic employed by Suzuki Toshio. He promotes these grand themes as a marketing strategy, not because the work inherently possesses them.
This time, the tagline was "On the other side of the tunnel, there is a wondrous town."
Mamoru Oshii: That was just the initial version; it changed later. Toshio must have been working behind the scenes, pushing for a change in the tagline. He shifted the focus to No-Face. Toshio's logic dictates that this is a story about No-Face and Chihiro.
The tagline was changed to "Everyone has a No-Face within them" midway through.
Mamoru Oshii: Exactly. "Spirited Away" is essentially a film about No-Face. Toshio apparently counted the number of shots each character appeared in, and surprisingly, No-Face had the most screen time among the supporting characters. He does frequently appear in the corner of the frame.
I don't think Mr. Miyazaki intended for him to appear so often.
Mamoru Oshii: You could call it the director's unconscious at play. Miyazaki never intended for this to be a film about No-Face. It was Suzuki Toshio who unearthed this crucial character from Miyazaki's subconscious. That's why he's so good at publicity (laughs).
Doesn't No-Face resemble the "monster from the Id" in "Forbidden Planet"?
Mamoru Oshii: No-Face symbolizes the desires of those living in modern society. No matter how much he consumes, how much he acquires, he can never find true fulfillment. He is desire itself, which is why he has no face and is called "No-Face." That's one interpretation. "Spirited Away" is about how Chihiro confronts him. In other words, it's a story about Chihiro, a girl who, after going through hardship, learns to empathize with others, and how she tames No-Face. So, it's accurate to say that this is a story about Chihiro and No-Face. Haku? Who knows where he wandered off to. Where did that pretty boy go?
I was actually thinking about him all this time.
Mamoru Oshii: Come on, Haku is just a flimsy supporting character.
True, that's rather cruel. Initially, his presence was quite significant, but it seems the director got tired of him midway through... They really did him dirty.
Mamoru Oshii: Anyone who watches this movie initially assumes it's a story about Chihiro and Haku. However, as it progresses, the strange, almost monstrous, old man, No-Face, who only appeared occasionally at first, starts to occupy more and more screen time, leaving viewers wondering where the story is headed. That's very much Miya-san's style; he creates films unconsciously. It's not wrong to say that this film embodies the essence of Miya-san more than any other.

Starting with the "Troubled Child" Trope

Rewatching the film, the character of Chihiro intrigued me. Her personality eludes me. It's understandable that she'd be sad about moving from her familiar life in Tokyo to the countryside, but isn't her demeanor a result of the situation, rather than her inherent personality? Why is it portrayed as if it's her usual self?
Mamoru Oshii: Exactly. It shows that Miyazaki wasn't particularly interested in portraying this girl as a fully-fleshed person. He draws a scene, adds a touch of discontent, and considers it done.
However, don't you find it recurring in Ghibli films that urban children with flaws or issues undergo self-improvement and self-discovery in the countryside? "Kiki's Delivery Service" reverses this by moving from the countryside to the city, but "Spirited Away", "My Neighbor Totoro", and "When Marnie Was There" all follow this pattern. Why repeat this formula? I don't see any connection to Miyazaki's essence here. This points to distribution-related reasons, which means Suzuki Toshio created this formula. It has to resonate with the contemporary Japanese audience, has to have a marketable theme. Otherwise, as the producer in charge of publicity, I'd never get my moment in the spotlight – I imagine Toshio thinking something along these lines.
The whole point of publicity is to grab the public's attention. What are the people living in Japan worried about these days? Distill those concerns into a universally understandable form, find the greatest common denominator, and you get the theme of "a troubled child living in the city discovers themselves in the countryside." People readily understand and are drawn to this theme. To put it bluntly, that's what it boils down to. That's precisely why Ghibli films almost always start with a troubled child. The only exception might be "Porco Rosso," though, strictly speaking, even "Castle in the Sky" follows this pattern.
So, even Mr. Miyazaki is being manipulated by Mr. Suzuki?
Mamoru Oshii: During the making of "Kiki's Delivery Service," Toshio insisted on a story about an indecisive young girl, and this somehow became a "fixed pattern" in Ghibli films.
In "Spirited Away," Chihiro is initially hesitant, but she quickly pulls herself together and transforms into a hardworking, well-behaved child, doesn't she? I felt that the transition was too abrupt.
Mamoru Oshii: Like I've said many times, Miyazaki dislikes wishy-washy kids who whine about disliking work, so he completely skips over that process. He instantly transforms Chihiro into a hardworking child who enjoys her work. Since he's the one drawing, he wouldn't want to spend time drawing a character he finds unpleasant.
Is that the only reason? Generally speaking, the process of growth is crucial, isn't it?
Mamoru Oshii: Generally, yes, but this is Miyazaki, so naturally, it's different. This film is constructed according to the "Miyazaki grammar," so to speak. It's a different kind of personal expression compared to "Porco Rosso." You could say it's Miyazaki's masterpiece.
By "masterpiece", do you mean including its box office success? Speaking of which, why did it become such a huge hit? It's true that many charming characters appear in the film. Is that the sole reason for its popularity?
Mamoru Oshii: There's a simple explanation for why a flawed film like this could become a box office smash hit: "Because Ghibli films always succeed commercially." That's just how Japanese people are; they won't criticize something that has achieved significant success. The same goes for Akira Kurosawa.
Shinji(Shinji Higuchi) once said, according to his "chair theory," the answer to the question, "Who can sit on Akira Kurosawa's chair?" is "Hayao Miyazaki." No one can criticize the person sitting on that chair because the occupant is a master. That's predetermined. In Japan, masters are exempt from criticism.
That's certainly an easy explanation to understand.
Mamoru Oshii: Let me share another of Shinji's theories, the "underwear theory": "A director's worth is determined by how they take off their underwear." Surprisingly, this applies to almost every director. According to this theory, Miyazaki is "a genius who pretends to take off his underwear but never actually does." That's precisely why he's such a successful entertainer. As for Anno, he'd probably take his underwear off immediately in most situations. The problem is, "what's underneath is quite strange."
Those are amusing analogies. What about you, Oshii-san?
Mamoru Oshii: Shinji says I'm the type who "acts like I'm taking it off, but underneath, it's all fake."
Well said! What about Higuchi-san himself?
Mamoru Oshii: It's hard to be objective when evaluating oneself. But if I were to use the chair theory we just discussed, the chair that corresponds to me would be "Junya Sato's chair," I suppose. Everyone around Shinji loved Sato's "The Bullet Train," and Shinji himself aspires to occupy the position of "a director who consistently delivers genuine blockbuster films."
But getting back to the topic, the film director everyone in Japan, young and old, knows used to be Akira Kurosawa. Now it's Hayao Miyazaki. From grandparents to kindergarteners, everyone knows him. Once you reach that level, it no longer matters who evaluates you. There's nothing but praise, at least in Japan.

Visual Quality and Maturity

A film that grossed 30 billion yen at the box office is bound to receive high praise. Moreover, it even won an Academy Award! The flooded bathhouse scene was truly beautiful, reminiscent of Kutani ware.
Mamoru Oshii: No, even from a visual quality standpoint, it's not that great. The colors are somewhat muddy, especially in the bathhouse scenes.
Really? The colorful konpeito candy that the soot sprites eat was quite beautiful. It felt like the color contrast was carefully considered.
Mamoru Oshii: That's what I've been saying – it's the power of details. I've said it so many times. When discussing Miyazaki's films, the usual phrases are "that scene was amazing," "that child was so cute," "that character was the best." They only focus on specific moments and rarely offer any evaluation of the work as a whole.
What struck me the most in this film was the layout. The quality of the layouts has clearly declined. The spatial inconsistencies within the boiler room and the bathhouse are a recurring issue, so let's set those aside. Even so, the dynamism in the layouts is gone. They created such a grand, three-dimensional bathhouse, yet there's hardly any verticality in the layouts. The camera moves only horizontally, and vertical movement is achieved through an elevator, believe it or not. I was astounded. The Miyazaki from the past would never have resorted to such shortcuts. He would have created elaborate staircases and expansive settings. The idea of using an elevator is just unbelievable.
Perhaps he started with the intention of creating something truly grand, but his energy waned. This decline was already noticeable during "Princess Mononoke." He gradually started relying on other key animators to share the workload. On an animation production, the visuals are always a hot topic. During the making of "Spirited Away," I often heard comments like, "Even Miyazaki..." It's the reality of aging, I suppose. Animation is largely a hand-crafted art form, so such changes can't be completely concealed.
Rewatching Miyazaki's works with this perspective, I believe that the visual quality peaked with "Kiki's Delivery Service." After that, the peak of his personal work, in terms of maturity, was around the time of "Spirited Away." It's interesting, isn't it? The peak of his work and the peak of his visual quality don't coincide. This phenomenon isn't limited to Miyazaki. It happens to others as well. It's ironic, in a way, that "Kiki's Delivery Service" is probably the film Miyazaki wants to revisit the least.
What about you, Oshii-san?
Mamoru Oshii: My visual peak was "Ghost in the Shell 2: Innocence", and the peak of my work was "Patlabor 2: The Movie." I'm confident in that assessment. I have a firm grasp of myself, but it's hard to say whether Miyazaki has the same grasp on himself.
On a different note, there's also the "spring roll legend," right? The story goes that Mr. Miyazaki kept having the animators redraw the scene where the parents eat spring rolls because he insisted they weren't eating them correctly. It's become a famous anecdote.
Mamoru Oshii: I think that story originated from an NHK documentary. But to me, it felt like a broken record.
He's been saying things like that ever since I met him, complaining about how "animators these days are becoming increasingly detached from the real world." We've even argued about it.
You argued again? (laughs)
Mamoru Oshii: While I was working on "Ghost in the Shell 2: Innocence", Miyazaki was working on "Howl's Moving Castle", and I often visited Ghibli. Once, we were having a casual conversation, but Miyazaki's mood gradually soured. He started grumbling about "animators these days..." and "the mentality of artists..." I gradually lost my patience and retorted, "Why are you still harping on about that? Nothing has changed about that for the past 10 or 20 years!" Our voices echoed through the studio as we argued. That was probably the last time I saw Miyazaki. I haven't seen him since.
Wow, you two are close. (laughs)
Mamoru Oshii: What? We're not close at all!
Come on, now. So, what are your thoughts on the "spring roll" issue?
Mamoru Oshii: Actually, Miyazaki isn't entirely wrong. Young animators these days have no real-world experience outside of their desks. They've grown up watching nothing but anime, often just robot anime. Human beings eat, sleep, and use the bathroom. These animators work in a place far removed from the realities of being alive, which is not how it should be. Their job is to depict the real world. So I agree with Miyazaki when he says, "There's no need to strive for perfect accuracy. Recreating the feeling of life, that's the ultimate goal for an animator." He said, "Start by observing things." That's because exceptional animators are all geniuses at observation. And it goes without saying that Miyazaki is a genius in this regard.

The Best Scene in Cinematic History

That's why the eating scenes in Miyazaki's films always look so delicious. It was the first time I saw rice balls that looked so appetizing.
Mamoru Oshii: Mm. The eating scenes are classic. As far as I know, no one can top Miyazaki when it comes to depicting food.
I incorporate eating scenes in my own work because I resonate with Miyazaki's approach. His depiction of food has been outstanding since "Future Boy Conan." I always include eating scenes in my work, both in live-action and animation, but it's no easy feat. The difficulty increases exponentially with animation, often ending in failure. Come to think of it, my friendship with Miyazaki actually blossomed over our shared appreciation for food scenes. For Miyazaki, eating scenes are just as important as running or flying scenes. The scene where Chihiro eats the rice ball while crying is the ultimate expression of savoring delicious food.
That scene moved many people to tears, myself included. I believe there was a limited-edition DVD release that came with a replica of Haku's rice ball. Mr. Suzuki really knows how to capitalize on these things.
Mamoru Oshii: These are the dilemmas that plague Miyazaki. "A rice ball is only a rice ball if it's hand-rolled and warm. Those plastic-wrapped things from convenience stores aren't fit for human consumption!" I'm sure he wants to say things like that. But he has to swallow those words. The more successful he becomes, the more he's exploited by the very world he despises. But that's the reality of working within a commercial system.
I've spoken at length about the contradictions within Miyazaki, and this is perhaps the greatest one: achieving tremendous success and reaping the benefits within a world he loathes. In a way, it's as if he's being pummeled by his idealized self. But he refuses to acknowledge this, which is why he constantly expresses his dissatisfaction.
He even felt uncomfortable about making all that money himself, so he once took me on a scouting trip to Europe. I'm sure there were other "adult world" reasons for that, though. (laughs). I think that was also Miyazaki's way of atoning in his own way.
That's a bit sad.
Mamoru Oshii: But one thing remains unchanged: the sheer power of his scene composition, especially the scene where Chihiro and No-Face ride the train to Zeniba's house. It's clearly a depiction of the Sanzu River, and I'm sure Miyazaki himself was aware of it. The railroad tracks submerged in shallow water, Chihiro and No-Face boarding the train and embarking on their journey together—that Sanzu River imagery is the most remarkable cinematic scene I've ever witnessed.
In Miyazaki's filmography?
Mamoru Oshii: In all of cinema.
Really?
Mamoru Oshii: Seijun Suzuki has directed similar scenes, many directors have attempted it, but Miyazaki's execution is unparalleled.
You consider it superior to the train scene in "Grave of the Fireflies"?
Mamoru Oshii: Of course. That scene is dark and melancholic. But Miyazaki's Sanzu River possesses a remarkable transparency, a certain serenity. The surrounding silence is profound. It's truly exceptional. The passengers are depicted as blurry shadows, which is a difficult technique to pull off effectively. In other words, he poured his heart and soul into crafting that scene.
You could say it's a scene that encapsulates Miyazaki's view on life and death. Compared to Takahata-san's perspective on life and death as depicted in "Grave of the Fireflies," Miyazaki's is demonstrably more profound. Takahata Isao is, at his core, a disagreeable intellectual. That train scene is probably what the Sanzu River looks like in the imagination of an intellectual.
But you've praised that particular scene in "Grave of the Fireflies" before.
Mamoru Oshii: I praised it because that's the only scene from "Grave of the Fireflies" that left a lasting impression. Of course, I had to acknowledge it. There are very few films that achieve that level of emotional resonance. However, compared to Miyazaki's Sanzu River, it pales in comparison. The persuasive power, the understanding of human mortality and the cycle of life and death, the depth of their respective insights—the difference is stark. That's something I want to emphasize. That Sanzu River scene is just brilliant!
The problem arises with the scene after they cross over.
Chihiro has tea at Zeniba's house, right?
Mamoru Oshii: Everything leading up to that point was exceptional. But upon arriving, it leaves you with a sense of "is that all there is?" That's a realm best left unexplored.
Having said that, no director could truly depict what lies beyond. Even if they could depict the journey to the other side, they couldn't portray what awaits there. Attempting to do so would result in something akin to Tetsuro Tanba's "The Great Spirit World"—it would become cartoonish.
Why is it impossible to depict the afterlife? Because none of us have experienced it. To borrow from Miyazaki's logic, "Animators can't draw what they haven't seen."
So why did he draw it?
Mamoru Oshii: He could have ended the scene with Chihiro and No-Face on the train, suddenly opening her eyes as if awakening from a dream. But why didn't he? Perhaps Miyazaki overthought it, feeling that "it wouldn't be right to end it there." But I wanted to tell him, this is a story that defies logic, so why be so fixated on making that particular part coherent?
In the end, Haku comes to get Chihiro. Was that scene necessary to clarify the relationship between Haku and Chihiro?
Mamoru Oshii: Like I said, the relationship between Haku and Chihiro was an afterthought. Miyazaki wasn't particularly invested in it. He kept adding unnecessary elements that only served to expose his true intentions.
Personally, I'm most curious about where Miyazaki drew inspiration for No-Face. Even if you consider him an unconscious genius, don't you find the originality of No-Face quite remarkable? The fact that he can be perceived as originating from the other side, from the afterlife, is why the Sanzu River scene appears. But the origin of his design, that's something I'm still incredibly curious about.
_________
The content is from a Japanese book 誰も語らなかったジブリを語ろう (Let's talk about Ghibli that no one has talked about).
Interviewer: Maki Watanabe
Shinji refers to Shinji Higuchi
Anno refers to Hideaki Anno
The Sanzu River is a river in Japanese mythology that separates the world of the living from the world of the dead. It is said to be a river of blood, pus, and tears, and that the souls of the dead must cross it before they can reach the afterlife. The river is also said to be guarded by a ferryman, who charges a fee for passage.
There are three bridges across the river, each of which corresponds to a different level of virtue in the deceased:
The Bridge of Causality: For those who have lived a virtuous life. The Bridge of Justice: For those who have lived a life of justice. The Bridge of Aspiration: For those who have lived a life of aspiration.
The river and its bridges are often depicted in Japanese art and literature. It is a symbol of the passage from life to death, and the judgment that awaits the soul in the afterlife.

My complete theory that Mina is actually not human. She is at least part Watchehalfling just without the powers to shape shift. 1. Mina has a compulsion to copy people- She mimics her sister when listening to her voicemail, mimics her mother in the car as a child which inevitably kills her. She mocks the reality tv show character when trapped in the coop. And she puts on wigs, pretends to be different characters (ballerina) at night for fun while seducing men. She also has a hobby drawing people. 2. Foreshadowing and breaking the 4th wall- When Mina gets in her car with the bird she turns the mirror as if to talk to the bird but she actually lines her eyes directly at the audience and says "I'm not who you think I am" 3. Mina's family- Her father is never mentioned and could be a Watcher who shape shifted and had a child with the mother causing Mina to be part watcher. The professor speaks about these creatures living among us without anyone ever knowing. Just a coincidence her sister is a twin, an exact replica. Possibly she copied her sisters genes in the womb and never knew her powers. I'm not exactly sure why she is a twin but its too much a coincidence. The mother was extremely agitated when Mina was mocking her in the car perhaps because she knows of her daughters true bloodline and is repulsed by any behavior to remind her of the father. 4. The symbolism of pets- Mina bonds with the bird in the cage. She keeps it throughout the whole movie. An animal with wings who has a habit of mocking what it hears. At first she believes it cannot talk (without its powers) but is surprised when it mocks her. Only by freeing the bird at the end of the movie does she free herself and Madeline from the "Coop" a term used to describe a pen or cage for birds. Mina also works in a pet store by day, with animals in cages who are just trapped and watched by their owners. Madeline calls everyone in the coop "her pets" that she kept so she could observe them closely. 5. Mina's other similarities to watchers- The watchers are very manipulative. They play tricks on the humans in the coop to get them to leave. Mina is able to manipulate Daniel to lower her into the burrow. Madeline realizes she easily manipulated Daniel due to his impulsivity. Mina seems to have a history of seducing men when dressing up at night as well. Also when Mina and Madeline were hiding from the watchers in the log the watchers were unable to smell either one. Madeline (Actually a halfling) attributed it to the rotting wood but her and Mina both don't have the typical human scent. 6. Mina's attachment to the watchers- While viewing the professors videos the watcher who is captured (who we later find out is present day "Madeline") is shown in a cage. The professor also speaks about shooting the creature. Mina is the only one crying and emotional about the situation while watching the clips. Mina is also fascinated with the watchers as much as they are fascinated with her throughout the movie and is very interested when she was in the professors office. 7. Mina survived the car accident as a child without a scratch on her. Perhaps her robustness is a result of bloodline from watchers who are mythical and seem immortal. There are many other uses of symbolism throughout the film with mirrors, the reality tv show of people trapped in a house with everyone watching on an old glass television and the mention of "Wonderland" relating to Alice in Wonderland and its sequel Through the Looking Glass.

This is a continuation of the first half of my March trip, where I hit up Kamakura, Yokohama, Tokyo, Hakuba, Takayama, Kanazawa, and Kyoto.
These last two weeks of my trip I was in Hiroshima, Miyajima, Okunoshima, Kyoto, Nozawaonsen, Fujikawaguchiko, and Tokyo.
The first half of my trip, I was working full time and barely sleeping. This second half, I had a lot more freedom.
Some things I did: fed some bunnies, watched a baseball game, attended an anime convention, waited a long time for donuts, wait through transport delays, wandered through a forest
A large portion of my trip was planned on the fly which was why I was able to make some seemingly nonsensical travel decisions. If I'd planned ahead of time, I wouldn't have missed out on certain in-demand experiences, for example, seeing a band I badly wanted to see, or returning to the Ghibli Museum to replace the kodama figure I'd smashed. However, one of the benefits of solo travel is the flexibility of doing whatever one wants, and I certainly did that.
On that note, most of the other people I saw throughout my trip were traveling with friends or significant others. There were plenty of occasions where I wished there was someone to share the experience with (the fact that I was still carrying a torch for someone the whole time didn't help).
In general, the hostels in Japan also seemed far less interested in promoting social activities, compared other countries I've visited. There were exceptions, like the one place that was run by a European guy. People on the streets also tended to do their own thing; I was approached by strangers twice during my trip, both times cos I was carrying a box from a very trendy donut shop.
This probably isn't Japan-specific, but one of the biggest lessons I learned was leave ample time for travel delays. I got caught by unforeseen circumstances and each time I wished I hadn't scheduled things so tightly. If hurrying between cities, I'd also take the train over the bus next time. It might cost a little more, but worth it just to avoid being stuck in traffic.
Expenses (gonna use USD):
Credit card $2802 / Cash $855
Total spent $3657
I charged my card as much as possible, both for the travel points and for fear of running out of cash. I arrived with almost $1k in bills and actually ended up with a bit left over
Lodging - $746 for 28 days, ranging from several $16/night hostels to a $52/night ryokan
Shopping - don't know total cos I used both card and cash, but my biggest expense was $217 electronic device from Don Quijote, followed by $49 at Uniqlo
Food - also don't know total, but most expensive meals were $70 and $35 for two tofu dinners, and $50 for wagyu lunch. The majority of my meals were <$10.
Other - notably $334 for two-week JR Pass and ~$200 for private lesson
Mon 3/18 - Hiroshima, Miyajima
Took off for Hiroshima on the shinkansen first thing in the morning. I was pleasantly surprised to by how much the JR Pass covered for this leg; I barely paid for any transportation costs the next few days. My pass covered the sightseeing bus that takes you from Hiroshima Station to a bunch of tourist locations (my hostel was right by one of them), the train and ferry rides to Miyajima, and my trains to Tadanoumi. IIRC all that was left was the 100yen Miyajima visitor tax and the ferry ride for Okunoshima. Score. Once again, Japan Travel by NAVITIME was super helpful for figuring out covered routes.
I got off the tourist bus at Peace Memorial Park and checked into my hostel, then immediately headed to a nearby okonomiyaki place (Henkutsuya Horikawa). Damn, that ooey gooey chewy flavour bomb seriously hit the spot. I wasn't expecting to be served right on the griddle where the food was being prepared.
After that, I walked around Peace Memorial Park, full of solemn tributes for everyone affected by the atomic bomb. The museum painted a very vivid picture of what transpired the morning of the bomb. It's hard for me to write about this. I'll just say people should know the human toll of war.
The park was built near the bomb had detonated; now everything is beautiful and serene, with only a few eerie vestiges of destruction like the Atomic Dome (kinda eerie at night).
I'd lingered a little longer than expected at the museum (it'd take hours to read through everything) and had to rush off to Miyajima. First things I noticed after getting off the ferry were the deer, so chill unlike the entitled ones I'd encountered in Nara. These, I like.
I spent some time walking through the shopping street, plenty of seafood, snacks, and souvenirs were available. Also diddle around Itsukushima Shrine a bit, waiting around for sunset and high tide. The view of the Great Torii was quite lovely.
Had some very cheap udon and egg sushi at Ueda, an adorable mom-and-pop restaurant near my hostel. The old lady there was just hustling to serve me; I wanted to hug her so bad. There was also a Dodgers game was on, and the camera kept cutting to Shohei Ohtani. The love for this guy here is real; I want to watch him play in person now.
Tues 3/19 - Okunoshima
Set off bright and early for a day trip to Rabbit Island for some eye bleach, and that was what I got, sorta. I'd bought some carrots and lettuce for feeding at the konbini beforehand, but you can buy bags of food pellets as well. The bunnies there were not shy at all; they come running out straight to you soon as they detect human presence, probably because they are so dependent on us for food. There were pans of presumably food and water around the island, which put my mind slightly more at ease.
Rabbits aren't all Rabbit Island is known for. It also used to be a secret island used for poison gas production, but maybe Poison Gas Island doesn't have the same appeal to it. There are still some creepy abandoned buildings and other traces of its martial past scattered around. I visited the poison gas museum, which was tiny but informative. Many of the plant workers suffered from ailments or straight up died here. There is now a resort where some of stuff took place.
Dark past aside, it was a nice quiet day of walking up and down trails. There are some decent views of the surrounding islands from the top of the hill.
Wed 3/20 - Tokyo
Well, today was a little unusual. About a week or so ago, I got the idea of seeing a baseball game in Japan. Was originally thinking the Hiroshima Toyo Carp but their schedule didn't work for me. Then I found out the historic Meiji Jingu Stadium, home of the Tokyo Yakult Swallows, might get torn down soon, and I wished to see it before that happens. There was a home game today that fit my schedule. Also - I'd decided previously that I wanted to hit up another ski resort at some point for more riding, and my JR Pass was active this week. Yeah so that's how I found myself leaving Hiroshima for a pit stop in Tokyo, then finishing the day in Nozawaonsen.
Left hostel around 6am to catch the Shinkansen to Tokyo Station, where I found a locker to dump my bags. Quick tempura soba lunch at Tendon Tenya, then off to Meiji Jingu Stadium. I was 15 min late to the 1pm starting time, right as it was starting to rain.
It'd been a few years since I last saw a baseball game, and this turned out to be a great experience. The fans were super into it, singing and chanting every few minutes. They also did the Tokyo Ondo dance with their tiny ass umbrellas at the 7th inning and whenever the Swallows scored, so adorable. Concession fare was not bad either; I got udon and matcha parfait instead of hot dogs for a change, and it was funny to see the players hamming it up.
Home team won, a few rounds of Tokyo Ondo were sung, now it's back to Tokyo Station to take the Shinkansen toward Nozawaonsen. Now Japanese trains are renowned for their punctuality, with the average train delay less than one minute a year - well my train was two hours late to arrive. It was very windy and rainy that day, and a fallen tree had blocked the way or something. I arrived at my Iiyama stop way too late to catch the last bus and the taxi stand was empty. It was snowing hard outside and I thought I was SOL. Thankfully, a station attendant was able to call up a cab for me. What was supposed to be a $4 bus ride turned into a $50 cab ride but, shou ga nai. I was so so happy when I finally entered my room at Miyasakaya at 11pm and found a kotatsu and heater waiting for me.
Thu 3/21 - Nozawaonsen
I chose this place because it was a cute little village with both a ski resort and over a dozen public baths. Despite the travel mishaps the day before, I was glad I came. The village was very compact and it was only a short walk to the resort. I felt very fortunate to have fresh pow both times I went riding.
After that was over, I set off to explore the village a bit. Everything was beautiful and serene from the freshly fallen snow. There was Ogama, a hot spring used by locals as an open air kitchen for cooking food. Only villagers are allowed in, probably for good reason.
I tried one of the 13 free public bathhouses where, as is customary in Japan, the baths are gender-separated and everyone strips down completely. Big yikes. It seemed like elderly (locals) had no trouble wading right in whereas the younger generation, myself included, had to struggle a bit to acclimate to the high temperature of the water. I decided one bath was quite enough for me and went to enjoy a hearty dinner that included an onsen egg and the local pickled nozawana.
BTW, I understand the serious dangers that come with backcountry riding, but the dourness of this poster just sent me.
Fri 3/22 - Kyoto
Well, I ended up deciding I wanted to visit Fushimi Inari on this trip after all (but mostly I wanted an excuse to eat more tofu), so back to Kyoto I went. First stop was Nishiki Market which had a very wide delicious-looking assortment of food stands. The freshly fried tempura and freshly prepared seafood looked especially good; too bad I was full.
Then up some shopping streets, quick stop at Ippodo to buy some matcha which I forgot to do the week before. Afterwards, back to Kyoto Gyoen to scope out the tree situation. Well there was one big cherry blossom tree that was in partial bloom; nevertheless it was surrounded by people taking pictures (hey we take what we can get).
Hopped on the train to Fushimi Inari and got there in the late afternoon, still lots of people around. I started climbing the steps, stopping only for a city vista with the orange glow of sunset. The crowds were petering out, awesome. By the time I reached the top (~50 min later), it was already dark, peaceful, eerie almost. I'd never seen this place at night and was glad I came. (It's technically open 24/7 but there are warning signs about wild boars out at night.)
The rest of the night was kind of a bummer. I went back to the restaurant where I first had tofu dinner eight years ago. The only tofu set available included seafood which I was allergic to. I inquired about potential substitutions and there must've been some miscommunication; what I ended up getting was a plate of wagyu and rice, which was obviously quality but my heart was set on tofu. I was probably mostly mad about my failed listening comprehension. Oh well, things don't always turn out when traveling.
Sat 3/23 - Tokyo
Back to Tokyo, where I would stay for much of the remainder of my trip. This was the last day of my JR Pass so no more stupid bouncing back and forth after today.
There were two concerts I'd really hoped to attend happening today, primarily King Gnu at Sapporo Dome. (They had an international ticket sale late last year, way before I'd decided on this trip.) Knowing how slim my chances are as a foreigner to get tickets, I hedged and bought a day pass to the AnimeJapan 2024 convention instead. It was only ~$16, way cheaper than any anime convention back home, a cost I would happily eat if I managed to score a concert ticket.
I was aiming to make it into the convention by 10:25 which alas did not happen. I had a chance to see the voice actor of my favourite anime in person but the wait to get in took too long and I missed the panel completely. Oh well... This was actually my first anime convention ever and it was certainly a interesting if not overstimulating experience. The place was completely packed with attendees, giant screens, loud noises. Many anime that I recognised, many that I did not. There was also a decent number of cosplayers; this one's my favourite. Oh yeah I also had the least-satisfying meal of my entire trip here (aside from non-tofu).
The rest of the day was less interesting - visited the life-size Unicorn Gundam, wandered into a random tulip festival nearby, checked sukiyaki off my list, arrived at my hostel in Chiyoda. I was pleased to have milked that JR Pass until the very end, an 11pm ride on the Yamanote line.
Sun 3/24 - Tokyo (Akihabara)
First stop of the day was the National Museum of Modern Art, which I ended up enjoying quite a bit. Modern art is sometimes known for being inscrutable, but this museum offered accompanying text for almost everything and I felt engaged the whole time. There was also a cherry blossom special exhibition going on, and they provided low benches to simulate the hanami experience, such a nice touch.
Next up was the Sumida Hokusai Museum, which only has replicas in its permanent exhibition but was still very informative about the many artistic periods of the man's life (he also went by over 30 names, depending on the period!) I especially liked this display on process behind the the Great Wave Over Kanagawa.
I'd originally gone to Asakusa for lunch at Ichiran around noon, but noped out after seeing the line out the door and around the corner. Returned right before 5pm, the queue was only 6 people long, score. All I can say is that it was GOOD to be back. My bowl was customised to perfection; it's still my favourite ramen chain.
After dinner, walked over to Akihabara to explore a bit. The streets were lined with a ridiculous number of girls trying to hand out flyers and get people into their maid cafes (also a couple of guys for butler cafes); I was just glad they were allowed to wear jackets and carry umbrellas standing in the cold. Already tried the maid cafe experience last time; being addressed as "your majesty" once was more than enough.
My hope was to locate a Gintama figure. I saw lots and lots of figures on display in various stores but sadly nothing for what I wanted. One of my stops was the eight-floor Mandarake complex. That place... was an experience. So much stuff, including a sorta creepy floor with customisable dolls. BTW, you might think all the hentai would be hidden at the top or something. Haha well, just don't take your kids into the fourth floor. On that same note, how DARE they defile Frieren like that!
I wandered around a bunch of other shops and saw and hundreds and hundreds of figurines, e.g. Gundam, One Piece, Spy X Family, all the shounens, etc. It was still fun to explore.
Mon 3/25 - Tokyo (Asakusa, Akihabara)
Today's schedule was relatively light as I'd planned to go hiking at Jimba today; however the rain kinda blew those plans away. Instead, I got some cardio in by running the Imperial Palace 5k loop. It was really pleasant, a lot of urban scenery to take in. Maybe a little pleasant - I stopped several times to snap pictures. If you go, make sure you run counterclockwise to not look like a knob!
Afterwards, I headed back to Asakusa to pay a visit Senso-ji. As expected, the place was completely packed, with good reason: every direction you turn, there was a pretty view. Honestly I didn't even mind the crowds; they added to the energy. This place is just so invigorating I would visit it every time I'm in town.
Also got matcha gelato at Suzukien right behind Senso-ji. The level 7 matcha really hit the spot, was totally worth the hype.
For dinner, I ventured back to Akihabara to try Japanese-style spaghetti at Spajiro. As a lover of noodle soup, it really hit the spot for me. Afterwards, picked up some stuff at Uniqlo and Donki (gotta love that duty-free shopping) before calling it a night.
Tues 3/27 - Tokyo (Shibuya, Shinjuku)
It poured all day, which was rather unfortunate. I had plans to visit the Tokyo National Museum, and it seemed that many other tourists also got the idea that being indoors was better than wandering around Ueno Park today. Cue the hourlong queue.
The contents of the museum were as expected: many cultural treasures that they were (rightfully) proud of. I particularly enjoyed the beautiful folding screens, kimonos, calligraphy, and woodblock prints (including actual Hokusai ones). There's also a nice garden, which I almost had all to myself bc only one or two other people wanted to step out in the pouring rain.
Now for the crummy part: I had reservations in the afternoon for Shibuya Sky, but visibility was terrible. The rooftop was also closed due to rain. It was hard to see far, but at least the immediate surroundings, e.g. the crossing, were still easy to see.
Before going up the tower, I'd passed by this place called "I'm donut ?" that had a ginormous line. After the tower, line was gone so I went in to check it out. There was literally one single donut left and they closed up shop after I bought it. As I stood outside enjoying my pleasantly not-too-sweet chocolate spelt donut with the texture of fluffy bread, several other people came by and stared hungrily at my treat. Awkward...
This evening I was headed to Shinjuku's Golden Gai for dinner at Ramen Nagi, the first place I'd ever eaten at in Japan. It was eight years ago, way past midnight, and this cramped second-story ramenya was the first place we saw open on the way to our lodging. We were flustered by having to order off a machine for the first time, but the anchovy broth and curly ribbons of noodles, unlike any ramen we'd eaten back home, promised only more surprising delights to come for our trip... Anyways. It was as cramped and delicious as I'd remembered. I was happy.
After dinner, wandered around Kabukicho a bit, wondering what was going on inside all these buildings of the red-light district. The place was already very loud and bright from all the signs around, but the reflections off shimmering wet streets made things seem doubly so.
Walked through Omoide Yokocho, where I found myself getting pulled into one of the stalls. Goddamnit, I just ate. I politely ordered two skewers and the bill, which includes a 500 yen table charge, came out to be around 1100 yen. Well I guess it was worth it for the "unique" experience - the guy grilling the skewers was casually just reaching into the snack mix bin and smoking a cigarette at the same time, that's the kind of place this was.
Saw something on Google Maps about a giant Godzilla head, which took me to a nearby movie theatre. Instructions unclear, watched Dune: Part Two instead.
Wed 3/26 - Tokyo (Ginza), Koga
First half of today would be Ginza, followed by a day trip to Koga in Ibaraki Prefecture to visit a trio of octogenarians I'd befriended at a cave in Vietnam.
I like Ginza. Very pretty and walkable, obviously you don't actually have to buy anything.
First stop was Kimuraya, supposedly the oldest bakery in Japan, originator of anpan and whatever the hell this is. Munched on shrimp katsu sando at their cafe on 2F and watched the passersby below.
Next, walked around the Kabukiza Theatre and checked out the free little kabuki museum in the tower behind it. Kinda cool angle of the theatre too. Didn't have time this trip, but I remember catching part of a kabuki show was a pretty nice experience, plus you can just buy tickets for a single act and then peace out.
Lunch at Ginza Hachigou, the reason I came today. It took me two weeks to get that reservation, basically the same experience as fighting bots for concert tickets. I ordered the one with the foie gras ravioli, which at $14 would be my most expensive ramen this trip. And, it was really good. Each part of it was prepared well; I especially enjoyed the flavourful lightness of the consomme and the pillowy softness of the ravioli (honestly feels more like a wonton to me). You only get 30 min of seat time and I took it pretty slow to savour everything.
Walked around a bit more to take in the glimmering architecture. There was a giant mass of people outside the Michael Kors store; apparently some kpop idol was inside and fans were trying to catch a glimpse of her.
A place I ended up really liking was the free Shiseido Gallery, which provides solo exhibition space for various artists. When I went, the featured artist was Zai Nomura, whose work really spoke to me. There was one interactive piece that invited visitors to submit their own photographs, which I gladly did.
Mid-afternoon, I hopped on the train to Koga to see my cave buddies. It was an hour and a half ride, and they picked me from the station to go to the local park. There was a peach blossom festival going on, with orchards of mostly Barbie-pink fluff as far as the eye could see. We took a lovely sunset stroll at the park, then headed off to a nice Japanese restaurant. I had input my order and gone to the restroom, when they decided that ordering off a tablet was too confusing and we should go somewhere else. (Like many of the elderly I'd encountered here, they are healthy and spry, but still utterly befuddled by technology.) Instead we went to a Chinese restaurant and I must say, the Chinese food I've tried in Japan has continued to disappoint me; at least the company did not. It was also nice hanging out in an average, non-touristy city for a change.
Thu 3/28 - Tokyo (Shibuya)
No real plans today other than wandering around Shibuya and eating. With only a few days left on my trip, this was gonna be my lazy weekender foodie day. Skip if you don't want to read me yammering on about food.
Took a stroll through Nakameguro to catch some cherry blossoms. The trees lining the streets were indeed coming along quite well, but the ones along the river were still barren. Everyone's been waiting expectantly but the recent cold snap delayed the blooms by a week.
Next up was a visit to the Kyu Asakura House, a well-preserved local politician's estate from the early 1900s where they absolutely do not want you touching anything. It really was a nice home that takes you back in time, even if barren of furniture - and the garden was even nicer.
Realising the house was only a 6 min away from the Shibuya I'm donut ?, I returned, again to a long orderly line (Japanese people really do not mind their queues). So I figured, already tried one donut of theirs that was good, why not see if the rest were worth the hype?
55 minutes later... I didn't notice it last time, but this particular branch was like an atelier of donuts; everything was arranged in such a beautiful, bougie fashion. And there were dozens of interesting flavours too! I picked out six and decided to save worrying about how to eat them all for later.
Next stop: Nanaya. The intense matcha and black sesame gelato I had at Suzukien was so enjoyable I decided to get it again, at Nanaya. (The 7 levels of matcha gelato was a collab between the two.) So good, made me wish there were a level 8 or 9...
At this point, I figured I should get some real food in my belly before I fill it up completely with sweets. Aoyama Flower Market Tea House, which charmed the hell out of me a few weeks ago, was nearby so I went back for an actual meal. The flower arrangements for the place had changed, but my omurice lunch was as aesthetically pleasing and delicious as expected.
Next up was Latte Art Mania that was recommended to me by a barista I'd met at the hostels. Their deal is that they specialise in latte art (duh) and their drinks are pitch black (charcoal, most likely). Apparently I got the same design as my friend, a swan, but the drink itself was very good and it tripped me out to see my matcha latte the colour of tar.
Rest of the day was just wandering around Shibuya, lots of big brand stores, lots of trendy boutiques, lots of people to see. Walked through Harajuku, which was not as busy as I'd remembered, maybe bc it was late afternoon.
I saw a sign for Harry Harajuku hedgehog cafe that included pictures of otters, some of my favourite animals, so I went upstairs to it for a peek. There were indeed otters outside, but most of them were running in circles restlessly in small pens. It was a little unnerving for me and I decided not to enter.
Next up, Shibuya PARCO, which had Pokemon Center, Nintendo Store, Jump Shop, Capcom Store, etc all on the same floor. It was, expectedly, crowded as hell, so I didn't stay too long. It was cool to see full-size statues of Mewtwo, Luffy, Link, and others though.
Took another obligatory Shibuya Crossing video (this time from the Mark City bridge) and decided I was done with crowds for the day. It was surprising to see how uncongested everything was even just 200m away from the crossing.
Tried to walk into Tofu Cuisine Sorano for you-know-what, but they were sold out for the night, four hours before closing. :( Instead I settled for a hearty plate of napolitan at Spaghetti no Pancho, which I doused in Kewpie mayo and parmesan until I felt bad about myself. And then I got to work on the donuts, which turned out to be very much worth the hype.
Fri 3/29 - Tokyo (Ginza, Shinjuku), Fujikawaguchiko
I returned to Shiseido Gallery in Ginza. As previously mentioned, Nomura-san's exhibit had an interactive portion, which invited users to submit photographs of the deceased to be "printed" into a tank of water at a scheduled time. Hard to explain. My grandmother had passed the month before and it was a cathartic experience for me.
Before leaving, I stopped at Ginza Ginger for this exquisite bowl of shaved ice. It was a seasonal sakura theme, delicate in flavour and varied in texture, a beautiful treat. The hot strawberry ginger drink was an excellent accompaniment as well.
Speaking of sakura, more were finally getting into bloom in Tokyo so it was time to visit Shinjuku Gyoen National Garden. The park itself was pretty vast and there were a lot of people, mostly crowded under the clusters of blooming sakura. I only had an hour, which was enough to see plenty of trees, but had to skip revisiting the Garden of Words pavilion.
I was on a tight schedule today. I had to catch my bus to Fujikawaguchiko and make it to my hostel by 8pm to check in. Based on the bus schedule, I should've made it on time, but alas traffic conditions prevented that from happening; I got off at 8:15 and reception was closed. This was a sleepy resort town with dark streets, and I legit started worrying having to find a hotel way out of budget, if any were even open, or the safety and legality of sleeping outside.
I wandered into an izakaya at the bus station that was open to ask for help and someone said they would call around for me. I sat around awkwardly for half an hour with my luggage before realising I'd only eaten a donut all afternoon, so what a pleasant surprise it was to find this place had tofu stew and horse sashimi, my two comforts, on the menu.
At around 9:30, the employee returned and said he found an available place ~2km away if I'd be willing to sleep at a hostel. Uh, are you kidding me??? I quickly agreed and he made arrangements for me. Thank you, tenin-san from Uotami Fujisan Station, for saving the day!
I walked 20 min the dark to get to this place and not a single car passed by. At $35, it'd be one of my more expensive lodgings this trip (and eating the cost of the original hostel) but who cares right now. I arrived at Cabin & Lounge Highland Station Inn and wow the place was way nicer than I'd thought, more of an upscale capsule hotel than a hostel. Spacious capsules with lots of lighting and charging options, huge lockers, the whole place was immaculately clean, vending machines, laundry machines, plenty of showers with soaps, lotions, dryers, etc. I slept very soundly that night (sheer relief may have also factored in here).
Sun 3/30 - Fujikawaguchiko
First stop of the day was the iconic Chureito Pagoda at Arakurayama Sengen Park. The earlier to go the better - I arrived around 7:30am and a few dozen people were already up there, plus I was kinda flushed after climbing the 400 stairs in the sun.
I realised that my trip was nearing its end and there was still nary a shred of evidence (screenshot of drained bank account maybe?) that I was in Japan. So, a photo here would have to do. Mt. Fuji - check, pagoda - check, cherry blossom - still in hiding. Eh, 2/3 ain't bad.
I hadn't noticed in the dark of night, but Mt. Fuji was so close by, casually looming over everything; just face the right direction and there it was, in your face. Pretty neat to experience.
Checked out of the capsule hostel and made it to Kawaguchiko Station to dump my luggage. It was a total zoo there and all the lockers were already occupied. I kept walking a few buildings down and found plenty of vacant lockers across the street from the 7-Eleven.
After securing bags, I went for lunch at the popular Hotou Fudo across the street from the station. Ordered the local specialty hoto miso noodle soup and horse sashimi, both of which I loved. It was a hearty and delicious meal.
Ambled along Lake Kawaguchi to where the cherry blossom festival was supposed to take place this weekend; however because the trees were still stubbornly refusing to blossom, there were barely any people around. I felt kinda bad for the people with booths out. It was a pleasant stroll along the lake but in all honesty, I wish I'd spent the day at Fuji-Q Highland amusement park.
Visited the Kawaguchi Asame Shrine, dedicated to the goddess of Mt. Fuji. This place is remarkable for having seven tall, healthy cedar trees clustered closely together, each one named and over 1,200 years old.
Went back to station to grab my bags and got picked up by the kind owner of my next hostel, Michikusa-ya. This place had a very lovely window seat.
Sun 3/31 - Fujikawaguchiko, Tokyo
Last full day in Japan!
There's this shrine on the lake called Rokkakudo that can only be accessed when the water level is low; other times it's on an islet. The inside of the shrine is bare but being able to get to the place was kinda cool on its own.
The majority of the day would be spent in Aokigahara aka Sea of Trees aka Suicide Forest. I was in a weird state of mind when I decided on this for the end of my trip. I had the two-day bus pass that gave unlimited rides on the red, blue, and green sightseeing buses. It's purchasable at Kawaguchiko Station or online, and is worth it for anyone making multiple stops.
I took the bus to the Bat Cave, closest stop to the forest entrance. There was an information center that naturally had three rooms full of Batman posters.
The forest really lived up to its name; the trails were clearly marked, but I did feel at numerous points as if I was standing amidst dense, undulating waves of trees. The forest floor is composed of impenetrable volcanic rock; thus most of the tree roots are splayed across the ground as tripping hazards. Though vast, there were plenty of exits to main roads or rest stops. I didn't think I'd meet a toilet I didn't like in Japan, but I was wrong.
At some point I decided that was enough forest and hopped on the sightseeing bus to the Narusawa Ice Cave. It was exactly as the name implied, a cave that naturally contained ice. I'd say it was borderline worth the price of admission: a cool phenomenon but you're also in and out in under ten minutes. I skipped the wind cave, which I think is similar.
With 24 hours left in Japan, it was time to head back to Kawaguchiko Station so I could catch the bus back to Tokyo and squeeze in last-minute activities. In hindsight, I should've taken the train. Just as the bus had taken longer to arrive than expected, it was stuck in traffic returning to Tokyo as well - this time delayed by three hours :/
I decided to spend my evening at Rikugien Gardens, which was specially lit up at night for sakura season. It was quite lovely and peaceful, in spite of the crowds, in spite of cherry blossoms not yet being in full bloom.
Final dinner was the familiar comfort of Marugame's nikutama bukkake udon, piled high with scallion and tempura bits. Also threw in vegetable kakiage and burdock root tempura since we don't have those items back home.
Watched the trains ride off into the night as I walked back to my hostel. Love you, Yamanote Line <3
Mon 4/1 - Tokyo
My flight was a little past 2pm but I wasn't quite ready to be done yet. Walked over to Ueno Park at 8am, where the trees were finally teasing pink and white cotton candy splendour. It wasn't very crowded yet since all the food stands wouldn't be open for another hour or so, but a bunch of people were already camping out their hanami picnic spots. I would've killed for a few more days...
I enjoyed Rikugien so much at night that I wanted to take the opportunity see it during the day as well. It was a peaceful stroll through a well-maintained garden; barely even register the dead grass anymore.
And with that, it was off to Narita. I wanted to give Ippudo a second chance and tried the akamaru ramen this time - much better flavour, and the chashu was perfection. After that, just hitting up the souvenir shops and making one final konbini run for my airplane "lunch". (Everything was fantastic except for the weird-tasting grapefruit gummies.) Also shoutout to Shiroi Koibito, the biscuits have a delightful buttery texture and they pack a good number into the boxes.
And that's the end of this trip. I didn't really want to go on it but I'm glad I ultimately went. Japan just has this certain charm makes you temporarily forget your troubles because you're so filled with wonder by what you're experiencing. Will probably return much sooner next time, to see the autumn leaves, and/or eat my way through Hokkaido and make use of pass at Niseko. Or go back to Koyasan, still a magical place for me. So many possibilities.
Anyways, that's it. Sorry it got kinda long. Thanks for reading, if you got this far.

Well hello there! Are you thinking of stepping over to the "dark side" (metaphorically speaking of course) and purchasing your first replica product? First, welcome to the world of replicas. There are a LOT of myths which need to be debunked both about the quality and purchasing process of replicas whether they be shoes, handbags, watches etc. This is a welcome-to-the-replica-world guide that'll help you get ready to dip your toes into the water.
Before you start typing your “Where to get the best [insert brand name]” posts, we’d suggest taking a look at the Trusted Rep DealeSeller List which has been compiled based on the joint experiences of many sub readers.

Can replica bags be THAT good?

We have been conditioned by society & the media to automatically make a link between "fake" or "replica" bags and thoughts like, "oh what a faker; he/she can't afford that; who are they kidding?". When a person is new to the world of replicas these thoughts and associated worries can be said to increase tenfold as you are in a world of unknowns.
Now anyone who is a seasoned replica shopper can safely assert that after they have gone through crappy, decent, good, and excellent replicas that these worries are valid BUT their validity depends largely on where you shop and what your expectations are.
That first key to shopping for replicas is that you NEED to know who to buy from. This knowledge will help you go from buying poor excuses for replicas to buying ones that are super fake and that you essentially can't tell apart from a real deal unless rulers, and authentication numbers are analyzed. If you are a newbie you can feel free to explore the Trusted Dealers/Sellers list we have compiled based on persistent feedback from other experienced sub readers.
The second key for shopping for replicas is that you NEED to realize that a replica bag is a replica bag. This statement may seem obvious but a lot of people go into the world of shopping for reps with the mentality that the product they buy should be exactly equal to the original. While many superfakes can be up to 99.99% accurate (especially when it comes to some brands like Hermes), you should always keep in mind that unless you go to a boutique and pay full price you are NOT buying an authentic bag therefore there may be miniscule differences that you need to either be willing to accept or alternatively go and pay full price for the authentic version of the bag you want (as many of us do when we feel the rep bag is not up to par).
In other words you need to manage your expectations when shopping for a replica bag - if you are the type of person who is an authentic puritan you may find it hard, from a psychological sense, to stomach a rep however most of our forum members are disillusioned auth shoppers who have already spent plenty of moolah on authentic goods and have determined we DON'T want to pay full price for everything we buy.

On What Brand to Buy for Your First Replica

There is good news, and bad news when it comes to deciding which brand you should go with when deciding which replica products to buy vs. not buy.
The good news is that there are good quality replicas for many designer brands, but the bad news is that not every brand or every model within every brand will be available in a replica form at all - let alone a good replica! This means you need to be super careful when picking which replica products to go after. A good rule of thumb to take into consideration when deciding which brand to pursue for your first replica purchase is the popularity of what you are seeking.
Think of it this way: we may all see Cara Delavigne, Chiara Ferragni, Olivia Palermo, the Kardashians, Kate Moss, Angelina Jolie, or any other celeb/model/blogger with a certain designer bag like a Birkin (with the advent of social media it's hard not be photobombed with beautiful designer items all the time!). Now this specific bag is quite popular and in demand so as the fundamentals of economics dictate, the old demand/supply rule dominates the supply. As a result there are better copies of Birkins out there (if you are buying a super fake) than so for example a Fendi Baguette which is not as in demand therefore is not as well produced by rep manufacturers.
The key takeaway is that when you are shopping for a replica (whether it be a watch, shoe, bag, or whatever) set your sights on something that is popular since popular items tend to be be more well done generally as opposed to less popular items. The focus of LuxuryReps is on meticulously crafted replicas - i.e. bags that are EXTREMELY hard to distinguish from their authentic counterparts or as the media popularly refers to them superfakes. This is not a forum where the focus is on buying $50 Michael Kors or Kate Spade fakes.
You can use this line of thinking to guide you in deciding which bags to buy fake vs. which bags to buy real. Models which are less popular or not as well known are typically better to be purchased as authentic, while it would be foolish to buy certain bags as authentic since their replica counterparts are almost perfect and practically indistinguishable from the real deal.

How can I tell the difference between the quality of a good replica vs. a bad replica through factories?

One key thing to remember when shopping for replicas is that every knockoff is not equal. There is the good, the bad, and the ugly. Historically, there were many A's and +'s involved when looking for replicas online so it really becomes quite confusing to decode what a seller is trying to sell you, but after many years of interacting with Chinese sellers I have a pretty good understanding of their labels. These are the common quality grades (with some labels being considered historic at this point):
Low Tier: These are the trashy and 100% fake looking. We do not discuss this kinds of reps on this sub.
Mid Tier (historically referred to as AAA, AAA+) : The typical market replica copy; the quality is so so; it is usually good enough to fool many, but lacks that lux feel of the original copies you buy from the brands.
High Tier (One to One/Original LeatheCounter Quality): This is the "good stuff" as one would put it if they were discussing drugs - counter quality replicas are what Chinese sellers consider the best replicas in that they are apparently good enough to be placed on the counter at an authentic store, and this relates to both craftsmanship and leather quality.
Another thing to remember, especially when it is your first time buying replicas is that some sellers lie about their quality. You can avoid the pitfalls of buying a replica as a first time shopper by sifting through reviews on this forum and consulting the trusted sellers list.
If you want to confirm the grade of bag you are purchasing is the best to approach a seller with these kinds of prompts:
"I want to buy the best quality bag you have available". "What are your bag grade qualities? I want the best one".
….so young jedi … after reading this guide you should be ready to try out your rep saber and start exploring the world of replicas. If you find this guide useful, please upvote to show the love! :)

Hello, I have been searching for an answer for this for a while but I can't seem to find anything.
For context, in my company we have various kubernetes clusters provided as cloud service; each team is allotted a number of namespaces to deploy our applications.
We also have ElasticSearch provided as monitoring-as-a-service solution.
We now want to send some infrastructure data, like deployment replicas state and stuffs, to our ES endpoint. Since our team do not have full control over the cluster, we do not have access to kube-system namespace (thus, no access to kube-state-metrics in there).
We managed to deploy kube-state-metrics in our namespace, but we are having trouble with scraping and getting the data to our elasticsearch endpoint. We tried using a metricbeat sidecar with kubernetes module, selecting only metricsets that we have access to. We also configured a RBAC but only with RoleBinding instead of ClusterRoleBinding, giving that we do not have access on cluster level. However, most of the data that we need, like state_deployment and state_cronjob, do not arrive at our endpoint. Only state_resourcequota is received.
Strangely, despite not putting in state_node (which we do not have access to), we keep receiving error log "Failed to watch *v1.Node: failed to list *v1>Node: nodes is forbidden." in our metricbeat log.
Are we missing any configuration? Or is there any better method to get data from kube-state-metrics?

I went to the MOSH in Jacksonville and now realize I was spoiled in the midwest, having the WWI memorial in KC and the Field Museum in Chicago, which both had plenty of items that weren't fake. What museums in the states or Europe do you know about that don't use many or any replicas in their exhibits? It kind of ruins the experience for me to see only replicas of what I actually came to see. At that point I might as well just watch a YouTube video about the thing.

Hi. I just received the jerseys I bought on the club’s official online store. I ordered the replica version of the home jersey and the white away jersey.
The prices of the jerseys themselves were acceptable. It cost me less than 80 euros for the two jerseys. The shipping cost was a little too expensive. I spent about 50 euros to have the jerseys shipped to Thailand. Shipping took less than 4 days, which was much faster than I expected.
However, this was my first time ordering something from a foreign website, so I was not aware of the tax. I paid about 55 euros in tax, which upset me quite a lot.
After unboxing the package, I found that the jerseys were not what I expected. Honestly felt like I just bought fake jerseys. They look so cheap and their quality is similar to that of fake jerseys I can find at a local market near my home.
The fabric is so average and has no premium touch to it. It’s thin and smooth in texture. I expected some interesting textures like what you can find in the player version but the replicas offer none of those.
Apart from the design, there’s nothing special about the replica jerseys. No special details on the fabric, badges, or collars. Nothing at all. They were made to look like the player version without using the same material and technology.
Maybe the reason why my expectations were high was because of the jersey reviews I watched on YouTube before making the purchase, and almost all of those reviews were for the player version, so I expected the replica version to be closer to the player version in terms of the quality and details.
If I hadn’t had to pay so much for the shipping and tax, this would be an acceptable purchase. But since I paid over 180 euros in total, this is one of the most terrible purchases I’ve ever made.
For those of you who live outside Italy and are looking to buy replica jerseys, just don’t. Buy the player version instead if you have a flexible budget. It’s not worth the shipping cost and tax to buy replica jerseys and have them shipped to you.
If you’re on a tight budget, I would recommend you to buy fake player jerseys instead of authentic replica jerseys. There are many cheap fake player jerseys with good quality out there that look almost identical to the authentic ones. They’ll save you tons of money.

Once upon a time, a pretty lousy bootleg version of Frances the Mute bubbled up to the surface of the internet because the laws of physics state that “You cannot contain a neutron bomb in an empty wine bottle.”
I currently own three physical copies and maybe a couple digital ones (I was young and reckless, cum and go, ya know?) of the opera of the bird man’s odyssey. Love them all for exactly who they are, the vinyl for the locked grooves, the CD for the added skipping noises, the realidad de los suenos reissue because it’s sealed family heirloom.
My point is - fans are gonna buy it. Possibly multiple copies. Likely multiple copies.
If you watched a bootleg version of the film on your phone screen with bluetooth headphones, “seen it!” and that ‘s good enough for you, I hope it looked and sounded terrible but you clearly wouldn’tknow any better anyways.
But if you watched a bootleg of the film on your phone screen with bluetooth headphones, thinking “I wonder when the preorder is gonna start….” or “are they gonna release this on UHD Blu-Ray or just regular blu ray?” “I wonder if the surround is gonna be multi-channel linear PCM?” then you’re gonna buy it. Or at least rent it via some streaming service.
I want this movie on my shelf. I wanna touch it. I wanna smell it. Also want to watch and hear it. But definitely smell it.
We are one solar flare away from 99% of the population not being able to listen to their music when they want to because they never owned it in the first place. They were, in fact, borrowing 1’s and 0’s from a megacorp, one genre whimsy at a time.
Why would you watch and then not buy later? Makes me question why you would even care enough in the first place. Stealing to be cool? Peer pressure? Poser attempting to maintain relevance with the circle through more posing?
Personally, I wanna know all the swag that you get when you pre-order. So I can never open any of it.
Theory confirmed this list, so if anything is wrong, take it up with them.
-Omar wig with attached glasses and chain choker
-Replica Cedric white taped Franken-mic
-Ikey Owens signature emery board
-Vial of Jim Ward’s tears

• reversible Puerto Rican flag (one side black and white)

-Empty album sleeve of Bedlam in Goliath. (Scratch and sniff skunky flower + piss smell)
-Replica Blake Fleming pants with embroidered footprint on rear
-Juan Racer-X replica onesie
-miniature grammy award but phonograph speaker horn is Adrian’s saxophone with a mini marcel figurine inside
I’d preorder for at least $3.50
And if you’ve watched the movie but didn’t pay anyone to do that, you should pre-order too.
“But where? When?” says the excuse prone guilty guy.
I dunno dude.. I’ve been waiting 20 years for this anyways. Hard to believe, I know, but YOU USED TO HAVE TO WAIT FOR SHIT.
Couple more months for that Racer X onesie is totally worth it.
But then again, the preesale may start the same day as the movie A Manual Dexterity : Volume 1 started..

This post is so incredibly long and more of a catharsis for me, so feel free to skip to the TLDR.
My background is pretty boring, I’m a relatively straight-laced person. I’ve never done illegal drugs and I’ve never been black out drunk. I hate the feeling of being out of control so when things began ramping up, I began to seek answers in a less than constructive method. I’d like to say the process was slow and methodical but looking back on my journaling, my seeking was really chaotic. My experience was a very slow start with occasional sleep paralysis and hypnopompic hallucinations (mostly auditory). I’ve had intermittent sleep paralysis since my twenties, so it was easy to write off.
Things abruptly changed for a brief period after getting surgery in the Fall. I did not react well to the meds and for a week straight I had sleep paralysis. Every night I would go into sleep paralysis, and someone would walk into the room and would initially sit on the mattress and then lay down next to me. I wrote it off as a weird reaction to the meds During this time, I was alone in my apartment. On the last night I was alone, I decided to use a sleep talker app. I listened the next morning and I heard myself ask to be left alone and then heard myself say “it’s a baby” with some clicking noises. When I listened in the morning I was really weirded out but it was easy to brush it off.
I became more interested in UFOs and paranormal phenomena and would research different people’s experiences and watch documentaries. Sometime around this period, I stopped being able to daydream and when reading I would faintly hear my name being called. Not external though, completely internal.
Then during the holidays, I found out I was pregnant. It was unexpected but I was really excited. My anxiety was through the roof and my ability to daydream was back but mostly just to catastrophize. My dreams became really vivid and I would have many lucid dreams without trying. I only had one pregnancy dream though, I was taken to the hospital and when I looked at the monitor to see the readings on the baby it said “healthy.” That same day, I got the news that they couldn’t find the heartbeat. Although I knew it was super common, I was not prepared for some very unlucky side effects. Without getting into details there was about a 1% chance that a condition could develop, and I developed it. I was monitored very closely for about 6 months to ensure that it didn’t worsen.
My body at the time was a mess but I wanted to ignore it. My dreams continued to be vivid and as I increased my lucid dream control, I also learned to pull myself out of dreams at will. I also began to have “twilight times” where I wasn’t visually getting anything, but my awareness was locked into a dreamlike state and I was only getting sensations and auditory input. During one of these times, someone said “I came to check on you” and due to sudden pain, I woke before I could respond.
A week or so later, I again was in a weird “twilight time,” I felt sensations all over my body and then some pressure on my lower belly. I had the brief impression of a triangular face with doubled eyes, insect like.
After that dream, I noticed that I didn’t have any more pain and an ultrasound confirmed that everything had healed.
The “Twilight dreams” continued but I began receiving visual input, usually brief flashes right before waking. I had a very clear visual of what I thought was a nonsensical word. When I searched for the meaning it ended up being the english equivalent of "colleague?" It was in a language I've had no exposure to and had really never been around. I was really weirded out but the subconscious is a wild thing, so again, easy to brush off.
The sleep paralysis and lucid dreams would occur intermittently. Oftentimes, during lucid dreams someone would come looking for me or would be told I couldn’t be there. During one incident, I had been caught and the guy who grabbed me said “Are you waking up?” I responded “yeah” and then woke up.
Then in April, the negative content of my dreams suddenly increased, I often found myself in a dream replica in my room and I would “wake” to find my husband unresponsive next to me. When I would try to wake him, he would sometimes morph into a faceless being and other times something scary. This was causing me a lot of distress as this echoed the end of my previous relationship. I also noticed during this month I would hear my name, but it was no longer just tied to when I was reading.
With these almost nightly dreams, on top of my lingering hormone issues, I was not having a good time. I started getting more serious about developing some coping skills and then found a yoga class that incorporated reiki. I remember at the end of it, I was feeling a gentle full body tingle and was very relaxed. That night, I had another dream about an unresponsive husband and I became lucid. It ended up being very anticlimactic, I said “ I know this is a dream” and he popped up out of bed and had an almost “aw shucks” type of attitude about the whole thing. He then opened a portal up in my wall and took me to this little town with a food court. It was really interesting because if I asked the wrong question I would quickly get shuffled away and many of the other people at the food court would not allow me to sit at a table.
A few weeks later, I had another dream where I was inside this weird amusement park and then saw a set of doors. I saw them, became semi lucid and thought “ I won't be scared this time.” The procedure itself was hazy but during my checkout with the nurse, I kept asking about my fertility and basically accused them of being responsible for the miscarriage. The demeanor of the nurse quickly changed from friendly to disengaged. I was abruptly kicked out and sent back to my regular dream. ( Much later, I would find another person who wrote of their experience and it referenced “dream banks", this resonated deeply for me.)
I then decided to get reiki trained and I’m so grateful that I did. This was the first thing that really shifted my idea of reality. The physical and visual reaction I had to getting attuned was really intense and there was no tangible reason as to why. This practice significantly improved my coping skills but did nothing to stop the dreams.
In fact the dreams got worse, I began using reiki within dreams (which I would not recommend) and was also fully medically cleared and ready to try to conceive. One would assume that I would be relieved and overjoyed but it actually made me more anxious. I was consumed with doing everything “right” so that I could have a healthy pregnancy. This was a turning point for me and I found a lovely therapist that helped me significantly. My entire summer was plagued by antagonizing dreams, with wake times for about 2 hours around 3 am.
During these wake times, I would be listening to people discussing me and often commenting about my behaviors in the dreams. Sometimes it felt like they were sitting in an office because occasionally I would hear chit chatting about sports or wifi. I began to get visuals of people sitting in like a call center with headsets. I began to hear things around sleep more frequently. I would find myself getting frequently assaulted in the dream replica of my room, I began to see 3d shapes float out of my room after waking ( I decided to get a referral to a sleep neurologist at this point because wtf). I would wake nauseous, sweating, and often in pain or with tightness at various chakra points. At one point I had a very vivid dream that 3 little grays came into my bedroom and then had a brief memory of laying on a gurney while watching a taller gray with a bulbous head. I woke from this dream and immediately sat up with full body shaking.
My ability to daydream returned but I seemed only able to think about worst case scenarios or weirdly bizarre explanations for my experience. My intrusive thoughts were unreal. I was paranoid that I was insane or that I was getting involved in some nefarious government conspiracy. But my ability to complete my day-to-day functions were still intact so I knew something weird was going on.
I found writings online (thank you to whoever put that together) on the TI phenomenon and a guy had written out the stages of the experience. I was able to identify exactly what stage I was on. I was incredibly relieved because I finally had a framework to reference. I eventually got what I thought was the “last stage” and the intensity of the dreams decreased. At some point though, my interpretation of “balance” being the last stage really didn’t sit well with me. I began to search for alternate perspectives and then the dreams became even weirder.
At this time, I really wanted a more positive outlook so I began to look for material that essentially would be a comfort to me. I would have these weird antagonistic dreams and my handlers would get upset because it felt like other entities were interfering. I would get weird flashes of images in that twilight space (like “embarrassment = psychic attack” and “UFOS THIS SUMMER” that was written in a font that was used on some oracle cards I owned). At one point I heard one of the handlers say something like “these Neville Goddard fucks” after a brief incident. I hadn't heard of him prior so of course I began researching it upon waking. I would often meet entities in my dream replica room who are really difficult to describe. My memories of these interactions are hazy, but they would ask me questions that made me feel like we were familiar with each other. I have one brief flash of a being telling me " if you believe your body will heal, it will heal. "From the little I remember, these interactions were a mixed bag but I think much of this was because I was so reactive and demanding answers.
So after taking some time to research more theories, get a therapist who was thankfully very open to woo woo aspects of reality, and pay a lot of money for a sleep study (completely normal). I finally found a perspective that helped me get to a point where I’m not constantly wrung out. I still definitely get flare ups and lose perspective, but I have a much stronger foundation now. In total it took me about a 1 ½ -2 years to get to this point. The synchronicities during this time were intense and I had to do quite a bit of intentional work to not ruminate on it.
I’d like to say that the antagonizing behavior has stopped but it’s mostly just shifted. More frequently, I feel energy manipulation and thought forms which I can usually identify. I still get weird dreams (honestly I feel more like a circus attraction now) and a lot of mixed messages (especially with synchronicities) but after finding Law of One, it’s been helpful to take a step back and look at the big picture when I’m starting to feel overwhelmed.
If you someone how made it through all of that, thanks for reading!
TLDR: After a medical event I had increasingly odd dreams that included auditory and visual hallucinations. My state of mind began to deteriorate, and I found the TI stages that outlined much of what I was experiencing. After going through the stages, I was really dissatisfied, the dreams continued but there seemed to be more positive interference. With time and a lot of seeking I was able to find some resources that helped me get to a more comfortable place with the experience. My personal approach to this phenomena has been heavily influenced by Law of One with a hodgepodge of other principles. This is a passage from a book that I am currently reading that summarizes my current approach to “attacks.” "Do not be beaten about by your own feelings of guilt. Rather, see them as opportunities to do work in consciousness, to forgive the self for being human, to analyze the situation to see whether or not the guilt is productive, to work upon releasing that guilt if it has not been productive…. As you receive your catalyst (TI phenomena in my case), bless it and break yourself open to receive it with the most love of which you are capable in a stable manner."--The Wanderer’s Handbook, Carla Rueckert.
I essentially believe it’s about knowing yourself and then creating who you want to be. As cliche as it sounds, our beliefs shape our reality.

I don’t have authorization to share this story, so some of the details will be missing. I’ve tried for the last quarter-century to convince the government to declassify the study files, but these days they don’t even acknowledge I was ever an employee.
My involvement began at twenty, way back in 1997 (I’ll spare you the math — I’m forty-seven). At the time, I was suffering from interminable lucid dreams. You might consider this a gift rather than a curse. Who doesn’t want to control their dream environments? Your subconscious grants you godhood for a brief snatch of time, when the membrane dividing the conscious and unconscious thins to a permeable boundary.
Only, mine extended far beyond the average length. Most experience a few minutes in which to indulge themselves, mostly spent flying, fornicating, or otherwise just meandering in awe. By the time I was a preteen, mine had sprawled across entire nights, subsuming every slumbering moment under lucidity.
You’d think a pubescent boy would know how to busy himself with such a sandbox, but after hour upon hour, night after night, month after month infused with these cosmic powers, I became despondent. Because of the curious time dilation that takes place within a lucid dream, most of my life took place in the lonely confines of my own subconscious. Waking life took on a surreal film and I struggled to engage.
Over the course of my teen years, I tried everything, from valerian root to psychotropics and transcendental meditation. Nothing stemmed the lucidity.
In my sophomore year of college, at the behest of my parents, I enrolled in a sleep study, which involved spending a night at a facility with about a thousand wires attached to my scalp and body. Not exactly the ideal circumstances for a good night’s rest, and yet I still managed to slip quickly into a state of deep sleep. I spent the hours in my false kingdom, populated with my own wild imaginings. A gilded cage for a feckless demigod.
I’ll never forget the look on the attendant’s face when he woke me up the following morning, as if I’d been revealed to him as an alien. Of course, he wasn’t permitted to share the results, so I waited two weeks before I could see the doctor. When I finally sat down with her, she very gently related to me that my brain waves exceeded her expertise — as well as every one of her colleagues.
However, my abnormal mind qualified me to participate in an advanced sleep study involving top scientists in the field. They sought twenty volunteers for their work. Without recourse and desperate to solve my sleep problem, I signed on the dotted line.
I had no idea what I’d just committed myself to.
The initial phase of the “study” involved a month at a desert facility in the remote New Mexican wilderness. I came only with a duffel full of clothes and a couple summer reads to finish before the fall semester. Cell phones were not widely adopted back in ‘97, to the facilitators’ benefit. Had their participants been in contact with the outside world, there surely would have been an information breach.
Despite the ominous location and the facility’s uninviting brutalism, it began with predictable and nonthreatening sleep observance. The uncomfortable helmet of wires was affixed to my scalp for the duration of my sleep, offering the stern researchers a glimpse at my atypical brain. In the mornings, they offered little more than half-hearted smiles and assurances that I was providing them “invaluable data.”
The changeup came during my second stay, when they presented the study subjects with the Pod. It was a hollow metal egg, essentially, that we were told to sleep in. Only, when I drifted off inside the confines of the Pod, my dreams began to mirror the outside world. Instead of visiting my imagined kingdom, I found myself hovering above the silver egg where my unconscious body lay. The shock of it startled me awake and it took the researchers the better part of an hour to calm me back down.
It was then that they finally revealed their intentions. The project sought to explore the connection between lucid dreamers and OBEs — out of body experiences. They believed that if they amplified certain brain waves within the lucid dreamer, they could induce such incorporeal mental projections. Despite the excitement of a new frontier for science and human experience, I rejected their aims, expressing my distrust and fear. In response to my hesitancy, they gently reminded me that I had signed certain documents which entitled them to my time. The tacit message, of course, was that I’d essentially become their prisoner.
Nevertheless, it behooved them to play nice. In exchange for my assistance, they promised they would also alleviate the dissociative effect of my lucid dreams with a drug cocktail they’d been assembling. Carrot and stick.
So we entered the Targeting Phase. Now that we had established OBEs as scientific fact with a series of basic tests that involved projectors reading notes in adjacent rooms, it was time for the next step. The researchers instructed us to stretch our abilities, reaching out into space. This was how I visited each of the planets in our solar system, learned of the submarine species beneath the ice sheets of Europa, the defunct alien outpost on Pluto, and, when my projection achieved intergalactic range, the advanced interstellar empires of the Andromeda galaxy.
But the researchers were conspicuously disinterested in these discoveries, logging them with the same dispassionate nonchalance as a report of a Jupiter storm.
During my third stay at the facility, the researchers held briefings on targets of interest — various points in distant space they wanted their projectors to visit. By then, we’d grown so accustomed to the practice of sending our consciousness at speeds vastly exceeding light into deep space that none of the volunteers questioned the mission.
At first, they sent us to various star clusters, dust clouds, black holes, interested whether we found alien presence in the vicinity. But I had the suspicion these were merely test runs to hone our accuracy in preparation for a more important target.
When they proposed a mission to the Boötes Void, there was an appreciable shift in tone. Despite performing all the same routine, I sensed a greater importance around this particular target.
I had my suspicions confirmed one night when the screams from the neighboring Pod severed my connection with NGC 1300, returning my perception to my body with an alarming jolt. I rose out of my egg to see a host of researchers crowding around the woman I knew only as Participant Twelve, since they barred us from sharing personally identifying information. She sat up in her Pod, eyes squeezed halfway out of her skull as though prodded from the inside. “It’s there!” she cried. “It’s there and it sees me! Oh God, it sees me!”
“What saw her?” I enquired. “Where did she go?”
None of the researchers paid me any attention, but P-14, scrubbing sleep from his eyes, answered, “Twelve was first to visit the supervoid.”
“God, he sees me and he won’t let go!”
Suddenly, her body went rigid, then convulsed. The researchers hauled her out of the Pod and carried her off to the medical wing. We never saw her again. Whenever we asked about her, the facilitators scolded us for seeking personal information. We weren’t trying to identify her. We just wanted to know if she was alright. If we were going to be alright.
They sent the projectors one at a time to the void, though each one came back having missed their target. That, of course, was a lie. They had intentionally misfired. We’d all heard what happened to P-12 and that scared the hell out of everyone.
When my turn came, the researchers warned they would punish me if I failed to accomplish my task. They knew I was more than capable, had shown myself to be a reliable projector for them, much to my chagrin.
As I dozed off, employing the tactics we had developed over the course of the program (which I will abstain from relaying to you, as it might engender an undesirable response from the study’s facilitators), I targeted a star system found on the border between the Ursa Major Supercluster and the Boötes Void.
As my consciousness materialized in the vacuum of space, I felt an ineffable sense of dread. As if experiencing the collective fear of a thousand vast, intergalactic empires crying out into oblivion. No, for oblivion. It’s difficult now to express, as when I hovered there on the verge of that immense nothing, I was joined with something, a consciousness much larger than my own. A sort of bubble enveloping the Boötes Void, a cognitive shield, a mental warning sign cautioning me not to trespass.
There was some communication that transpired between my own consciousness and that of the dome encasing the dark. In summary, I was told that within the void lurked an incomprehensible evil — or what I now translate as evil, because I think at the time the sensation of language transcended human invention, which lacked sufficient vocabulary to describe what occupied the Boötes Void.
There are seventy-three galaxies inside the supervoid, of which sixty have been discovered by earthbound astronomers. Each one of them is a facsimile of another, a replica. Among them is a perfect recreation of the Milky Way, complete with all its lifeforms. I was given this bit of information by the mind that enfolded the void. When asked for what purpose and by whom, it explained, “Its motives exceed your comprehension.”
At the conclusion of our dialogue, I peered into the darkness and sensed a great eye peeling open, holding me in its malicious gaze. Before I shrank away, I felt it reaching out for me, inviting me to stay.
I returned with enough material to spare me the researchers’ rebuke. They conducted three more expeditions to the Boötes Void, each using another participant, each ending as disastrously as Participant Twelve.
The last visitor returned mute, with black eyes. Within days, he lost all his hair, teeth, finger- and toenails. He refused to eat and spent his final hours using the keyboard he’d been given to communicate with to write a single line ad infinitum. “He is the prince who ate the king and all his subjects will invert themselves for all eternity.”
He died one night in his Pod when its wiring short circuited and plunged the entire facility into a fifteen-hour blackout.
The participants were sent home the following day and to my knowledge the facility closed down. The program dissolved and I received a meager compensation for my time as a projector. Two years later, after raising a stink, I received a prescription for a medication specially delivered to my local pharmacy that did finally put an end to my lucid dreams.
But in their place, I have nightmares, and lately they’ve gotten worse. Of a great eye’s malevolent gaze, watching, tirelessly watching. I have the terrible feeling that whatever we discovered in the Boötes Void wants now to ensnare us, and I fear it will, first in dreams, then for eternity. Which is why I’m telling you this now, because the government refuses to warn you. If you dream of a dark god reaching out for you, hide yourself.
Because he longs to invert you for all eternity.

Hi fellow replica watch lovers.
I am in the middle of a 16750 franken build with a VR3186 (new balance bridge). I got the complete watch almost ready. I am just really afraid I will screw up the keyless. (happened a couple of times with a VS3135 movement, now I know the trick)
But, how do I remove the stem? In terms of: What position should the stem be in? Would love to hear from you experts! :-)

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Star Wars A New Hope HD/MA $4
Starship Troopers 4K/MA $6
Step Brothers 4K/MA $6.5
Stillwater HD/MA $4
Studio 666 HD/MA $5
Sum of All Fears 4K/VU $5
Supercell HD/VU $4.5
Super Mario Bros Movie 4K/MA $6.5 or HD/MA $5
Superfly HD/MA $4
Suspiria (2018) HD/VU $4
T2 Trainspotting 4K/MA $6
Talk to Me 4K/VU $6
Talladega Nights 4K/MA $6.5
Teenage Mutant Ninja Turtles Out of the Shadows HD/VU $3.5 or 4K/IT $4
Thanksgiving 4K/MA $7
The Bay HD/VU $4
The Color Purple '23 4K/MA $7.5 or HD/MA $6
The Creator HD/MA $6
The Descent (Unr) HD/VU $4.5
The Last Dragon 4K/MA $5.5
The Marvels HD/MA $6.5
The Natural 4K/MA $6
The Other Guys 4K/MA $6
The Professional (Ext) 4K/MA $6
The Space Between Us HD/MA $4
The Sting HD/MA $3.5
The Super '17 HD/VU $4
Ticket to Paradise HD/MA $4.5
Titanic 4K/VU or IT $5.5 or HD/VU $4
Top Gun Maverick HD/VU $4
Toy Story 3 HD/MA $4
Trading Places 4K/VU $6
Transformers Rise of the Beasts 4K/MA $7 or HD/VU $5.5
Trolls 3-Film Collection HD/MA $12
Trolls Band Together HD/MA $6.5
Umma HD/MA $4.5
Unbearable Weight of Massive Talent 4K/VU $5
Underwater HD/MA $4.5
Unfriended HD/MA $4
Universal Monsters 4-Film Set 4K/MA $17
V for Vendetta 4K/MA $6.5
Vanilla Sky HD/VU $5.5
Varsity Blues 4K/VU $6
Velvet Goldmine HD/VU $4.5
Venture Bros Radiant is the Blood of the Baboon Heart HD/MA $5.5
Violent Night HD/MA $5
Walking Dead Season 9 HD/VU $7
Watchmen Ultimate Cut 4K/MA $7.5
Waxwork 2 HD/VU $3.5
Welcome to Marwen HD/MA $4.5
Welcome to Monster High HD/MA or IT $3
Whiplash 4K/MA $6 or HD/MA $4.5
White House Down HD/MA $3.5
Whitney Houston I Wanna Dance w/ Somebody HD/MA $4
Wicker Man 4K/VU $5.5
Wish HD/MA $7
Witch HD/VU $3.5
Woman King 4K/MA $5 or HD/MA $4
Woman Walks Ahead HD/VU $4
Wonka HD/MA $7
You're Next HD/VU $3.5
X-Men 1-4 Set SD/MA $7.5
X-Men Trilogy (X-Men, X2, Last Stand) HD/MA $11.5
Zombieland Double Tap HD/MA $4
All other movies (A-Z)
10 Cloverfield Lane HD/VU $3 or 4K/IT $3.5
101 Dalmatians '61 HD/MA $3.5 or HD/GP $3
13 Hours HD/VU $2.5 or 4K/IT $3
14 Blades HD/VU $3.5
1917 4K/MA $5 or HD/MA $3.5
2 Guns 4K/MA $4 or HD/MA or IT $2.5
21 Jump Street HD/MA $3
22 Jump Street HD/MA $3.5
3 Extremes HD/VU $4
3 From Hell (Unr) 4K/VU $4 or HD/VU $2.5
3:10 to Yuma 4K/VU $5
31 HD/VU $2.5
47 Meters Down HD/IT $3.5
47 Meters Down Uncaged 4K/VU $4.5 or HD/VU $3
47 Ronin HD/MA $3 or 4K/IT $3.5
600 Miles HD/VU $3.5
71 HD/VU $3.5
A Christmas Story 4K/MA $6
A Dog's Purpose HD/IT $3
A Good Day to Die Hard (Ext) HD/VU $2.5
A Journal For Jordan HD/MA $4
A Quiet Place HD/VU $2.5 or 4K/IT $3
A Walk Among the Tombstones HD/IT $3.5
A Wrinkle in Time HD/MA $3 or HD/GP $2.5
A.C.O.D. HD/IT $3.5
Abominable 4K/MA $5.5 or HD/MA $4
About Last Night HD/MA $3
Ad Astra HD/MA $4
Adaptation 4K/MA $6
Adverse 4K/VU $5
After Earth HD/MA $3
Aftermath HD/VU $3
Air Force One 4K/MA $6
Aladdin ‘19 HD/MA $3 or HD/GP $2.5
Aladdin ‘92 HD/MA $3.5 or HD/GP $3
Alien HD/MA $4
Alien Covenant HD/MA $2.5
Alfred Hitchcock 4-Film Set Vol 1 4K/MA $18
Alfred Hitchcock 5-Film Set Vol 2 4K/MA $21
Alien 6-film Set HD/MA $16
Alita Battle Angel 4K/MA $5 or HD/MA $3.5
All Eyez on Me HD/VU or IT $3
All is Lost HD/VU $3.5
All the Money in the World HD/MA $3.5
Allied HD/VU or IT $3.5
Amazing Spider-Man 2 HD/MA $3.5 or SD/MA $1.5
Amazing Spider-Man HD/MA $3.5 or SD/MA $1.5
American Assassin 4K/VU $4.5 or HD/VU $3
American Hustle HD/MA $3.5
American Ultra HD/VU or IT $4
American Underdog 4K/VU $5.5 or HD/VU $4
Anatomy of a Murder 4K/MA $5
Anchorman 2 HD/VU or IT $2.5
Angel Has Fallen 4K/VU $5 or HD/VU $3.5
Angel Heart 4K/VU $5.5
Angel of Mine 4K/VU $5.5
Angry Birds Movie HD/MA $3.5
Anna Karenina HD/IT $3.5
Annie ‘14 HD/MA $3.5
Annihilation HD/VU $3 or 4K/IT $3.5
Antebellum 4K/VU $5
Antlers HD/GP $3
Ant-Man & the Wasp HD/MA $3.5 or HD/GP $3
Ant-Man HD/MA $4 or HD/GP $3.5
Apache Junction HD/VU $3.5
Apollo 13 4K/MA or IT $5 or HD/MA $3.5
Arctic HD/MA $4
Arrival HD/VU $2.5 or 4K/IT $3
Art of Self-Defense HD/MA $4
Assassination Nation HD/MA $3.5
Assassin's Creed HD/MA $3
Assignment HD/VU $4
Atomic Blonde 4K/IT $4.5 or HD/MA $3
August Osage County HD/VU $3
Avengers Age of Ultron HD/GP $3
Avengers Endgame HD/MA $2.5 or HD/GP $2
Avengers Infinity War 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Baby Driver HD/MA $4
Backdraft 4K/MA or IT $5.5
Bad Grandpa HD/VU or IT $2.5
Bad Words HD/MA or IT $3
Bandslam HD/VU $4
Barb & Star go to Vista Del Mar HD/VU $4
Barbie & Her Sisters in the Great Puppy Adventure HD/IT $3.5
Bart Got a Room HD/VU $4
Battle Royale HD/VU $4.5
Battleship 4K/MA or IT $4.5 or HD/MA $3
Beauty & the Beast ‘17 HD/MA $2.5 or HD/GP $2
Beauty & the Beast ‘91 HD/MA $3.5 or HD/GP $3
Bedknobs & Broomsticks HD/GP $3.5
Before I Fall HD/VU or IT $3.5
Begin Again HD/VU $3.5
Beiruit HD/MA $3.5
Belly 4K/VU $5.5
Ben-Hur ‘16 HD/VU $3.5
Between Worlds HD/VU $3.5
Big Hero 6 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Big Lebowski 4K/MA or IT $5.5
Big Short HD/VU $3.5
Big Wedding HD/VU or IT $3
Billy Elliot HD/MA or IT $4
Birdman HD/MA $4
Black & Blue HD/MA $4
Black Christmas '19 HD/MA $4.5
Black Panther 4K/MA $4.5 or HD/GP $2.5
Black Panther Wakanda Forever HD/MA $3.5 or HD/GP $3
BlackKklansman HD/MA $4.5
Blacklight HD/MA $4
Black Widow HD/GP $3
Blackhat HD/IT $3.5
Blair Witch Project ‘99 HD/VU $4
Bleeding Steel HD/VU $3.5
Blindspotting 4K/VU $5.5 or HD/VU $4
Blood Money ‘17 HD/VU $3.5
Blood Ties HD/VU $3.5
Blue Jasmine HD/MA $3.5
Blue Ruin HD/VU $4
Blues Brothers HD/MA $4 or 4K/IT $4.5
Bob's Burgers Movie HD/GP $3
Body Cam HD/VU $4
Bohemian Rhapsody 4K/MA $5 or HD/MA $3.5
Bombshell 4K/VU $5
Book of Life HD/MA $3.5
Boss Baby HD/MA $2.5
Bourne Identity 4K/IT $5 or HD/MA $3.5
Bourne Legacy HD/VU $2 or 4K/IT $2.5
Bourne Supremacy HD/MA $3.5 or 4K/IT $4
Bourne Ultimatum 4K/MA $5 or HD/MA $3.5
Boy ‘16 HD/IT $3.5
Boy & the World HD/IT $3.5
Braven HD/VU $4
Breakfast Club HD/MA or IT $4
Breakthrough HD/MA $3
Brian Banks HD/MA $3
Bridge of Spies HD/GP $3.5
Brothers Bloom HD/VU $4.5
Bumblebee 4K/VU or IT $5 or HD/VU $3.5
Butler HD/VU $3
Cabin in the Woods HD/VU $2.5 or 4K/IT $3
Cake HD/MA $4
Call of Wild 4K/MA $4.5 or HD/MA $3 or HD/GP $2.5
Calvary HD/MA $4
Candyman '20 4K/MA $6 or HD/MA $4.5
Candyman 3 HD/VU $4
Captain America Civil War HD/GP $2.5
Captain America First Avenger HD/GP $3.5
Captain America Winter Soldier HD/GP $3.5
Captain Marvel 4K/MA $4 or HD/MA $2.5 or HD/GP $2
Captain Phillips HD/MA $3.5
Captain Underpants First Epic Movie HD/MA $2.5
Carol HD/VU $4
Cars 3 HD/GP $2.5
Casablanca 4K/MA $5.5
Case for Christ HD/MA or IT $2.5
Casper HD/IT $4
Celebrating Mickey HD/MA $3.5 or HD/GP $3
Chaos Walking 4K/VU $5
Chappaquiddick HD/VU $4
Chasing Mavericks HD/MA $3.5
Chicago HD/VU $4
Child 44 HD/VU $4
Children ‘08 HD/VU $4
Christopher Robin HD/MA $4 or HD/GP $3.5
Clerks 3 4K/VU $4.5
Clifford the Big Red Dog HD/VU $4
Cloverfield 4K/VU $5.5 or HD/VU $4
Coco HD/GP $2.5
Cold Pursuit 4K/VU $5 or HD/VU $3.5
Collection HD/VU $3.5
Collide ‘17 HD/VU or IT $2.5
Colma The Musical HD/VU $4
Colombiana (Unr) HD/MA $4
Colony 4K/VU $5
Come & Find Me HD/VU $4
Commuter 4K/VU $5 or HD/VU $3.5
Company of Heroes HD/MA $4
Conspirator HD/VU $4
Contraband HD/IT $3
Contractor HD/VU $4.5
Cooler HD/VU $4
Cool Hand Luke 4K/MA $5.5
Cooties HD/VU $4
Cotton Club Encore 4K/VU $5.5
Countdown ‘16 HD/VU $3.5
Courier 4K/VU $5.5 or HD/VU $4
Craft Legacy HD/MA $4.5
Criminal HD/VU or IT $3
Croods HD/VU $3.5
Cruella HD/MA $3.5 or HD/GP $3
Crypto 4K/VU $5 or HD/VU $3.5
Daddy's Home HD/IT $2.5
Daddy's Home 2 HD/VU or IT $3
Damsel HD/VU $4.5
Dangerous 4K/VU $4.5 or HD/VU $3
Danny Collins HD/IT $3.5
Dark Crimes HD/VU $4
Darkest Minds HD/MA $4
Dark Places HD/VU $4
Dark Tower HD/MA $3.5
Darkest Hour ‘17 4K/MA $5 or HD/MA $3.5
Dawn of the Planet of the Apes HD/MA $3.5
Deadpool 2 (w/Super Duper Cut) HD/MA $4
Deadpool HD/MA $2.5
Death of Me HD/VU $4
Death on the Nile HD/GP $3
Death Wish '18 HD/VU $3
Deepwater Horizon HD/VU $2.5 or 4K/IT $3
Deliver Us From Evil HD/MA $3.5
Dentist 2-Film Set HD/VU $7
Despicable Me 2 HD/VU $3 or 4K/IT $3.5
Despicable Me 3 4K/MA or IT $4.5
Despicable Me 4K/MA or IT $4.5
Detroit HD/MA $3.5
Devil Inside HD/VU $3.5
Devil's Due HD/MA $3.5
Die Hard HD/MA $3.5
Die Hard 5-film Set HD/MA $18
Die in a Gunfight 4K/VU $5
Dirty Dancing 4K/VU $5 or HD/VU $3.5
Disney Animated Short Films Set HD/MA $3.5 or HD/GP $3
Disneynature Monkey Kingdom HD/MA $3
Django Unchained HD/VU $3
Doctor Strange HD/MA $3 or HD/GP $2.5
Doctor Strange Multiverse of Madness HD/MA $3.5 or HD/GP $3
Dolittle HD/MA $3.5
Dom Hemingway HD/MA $3.5
Don Verdean HD/VU $4.5
Doorman HD/VU $3.5
Doors 4K/VU $5.5 or HD/VU $4
Downsizing HD/VU $2 or 4K/IT $2.5
Downton Abbey A New Era HD/MA $4
Downton Abbey The Movie HD/MA $3.5
Draft Day HD/IT $3.5
Dragged Across Concrete HD/VU $3.5
Dragonslayer 4K/VU $5.5
Dream a Little Dream HD/VU $4
Dreamkatcher HD/VU $4
Dreamworks 10-Film HD/MA $25
Dredd 4K/VU $4 or HD/VU $2.5
Dying of the Light HD/VU $2.5
E.T. Extra Terrestrial 4K/MA or IT $5 or HD/MA $3.5
Early Man 4K/VU $5.5
Earth Girls are Easy HD/VU $4
Eddie the Eagle HD/MA $4
Edge of Seventeen HD/IT $3
Edward Scissorhands HD/MA $3.5
El Chicano HD/MA $4
Elysium HD/MA $3.5
Emoji Movie HD/MA $3
Empire of Light HD/MA $3.5 or HD/GP $3
Empire State HD/VU $3
Enough Said HD/MA $3.5
Enter the Dragon 4K/MA $6
Epic HD/MA $3
Equalizer HD/MA $3.5
Equalizer 2 HD/MA $3.5
Escape From Planet Earth HD/VU $3
Eternals HD/MA $3.5 or HD/GP $3
Everest HD/MA $3 or 4K/IT $3.5
Everything Must Go HD/VU $4
Evil Dead 2 HD/VU $3.5
Ex Machina HD/VU $3
Exodus Gods & Kings HD/MA $3.5
Expired 4K/VU $4.5
Fair Game (Dir) HD/VU $4
Fantastic Four ‘15 HD/MA $4
Fast & Furious 4 4K/MA $5
Fast & the Furious 8-film Set HD/MA $17
Fast & the Furious 9-film Set HD/MA $19
Fast Color 4K/VU $5.5
Fatale ‘20 4K/VU $5 or HD/VU $3.5
Fatherhood HD/MA $4
Fault in Our Stars HD/MA $3.5
Fear of Rain 4K/VU $5.5
Fences HD/VU $2.5 or 4K/IT $3
Ferdinand HD/MA $3.5
Field of Dreams 4K/MA or IT $5.5
Fifty Shades Darker (Unr) HD/VU $2.5 or 4K/IT $3
Fifty Shades Freed HD/MA $4
Fifty Shades of Grey (Unr) 4K/MA or IT $4
Finding Dory HD/GP $2
Finding Nemo HD/GP $3.5
Finest Hours HD/GP $3
Firm 4K/VU $6
First Man HD/MA $4
Flashback ‘20 HD/VU $4
Flight HD/VU or IT $3
Florence Foster Jenkins HD/VU or IT $3
Footloose ‘11 HD/IT $3
Forbidden Kingdom HD/VU $4.5
Ford v Ferrari HD/MA $4
Forest HD/IT $3.5
Forever My Girl HD/IT $3
Fortress HD/VU $3.5
Fortress Sniper's Eye HD/VU $3.5
Fox & the Hound 2 HD/MA $4 or HD/GP $3.5
Foxcatcher HD/MA $4
Frank & Lola HD/VU or IT $3
Free Guy HD/GP $3
French Dispatch HD/MA $4 or HD/GP $3.5
Friday the 13th 4K/VU $5.5
From Here to Eternity 4K/MA $5.5
Frozen (Sing-Along) HD/MA $2 or HD/GP $1.5
Frozen HD/GP $2
Frozen 2 HD/MA $2.5 or HD/GP $2
Frozen Ground ‘13 HD/VU $3.5
Fury HD/MA $3.5
Future World HD/VU $3.5
G.I. Joe Retaliation HD/VU $3 or 4K/IT $3.5
Gambit ‘12 HD/MA $4
Gambler HD/VU or IT $3
Gamer 4K/VU $5.5
Gemini Man 4K/VU or IT $4.5 or HD/VU $3
Get Out 4K/MA or IT $5 or HD/MA $3.5
Ghost in the Shell ‘17 HD/VU $3 or 4K/IT $3.5
Ghost in the Shell ‘95 4K/VU $5
Ghost Team One HD/VU or IT $3.5
Ghostbusters ‘84 HD/MA $3.5
Ghostbusters (Thea & Ext) ‘16 HD/MA $3
Ghostbusters 2 HD/MA $3.5
Gifted HD/MA $3
Girl on Train HD/VU $3 or 4K/IT $3.5
Girl w/ All Gifts HD/VU $4
Giver HD/VU $3.5
Glass Castle 4K/VU $5.5
Glass HD/MA $4
God Bless The Broken Road HD/VU $3.5
God's Not Dead 2 HD/MA or IT $2.5
God's Not Dead 3 HD/MA $3
Gods of Egypt HD/VU $2.5 or 4K/IT $3
Gold ‘16 HD/VU $2.5
Good Dinosaur HD/GP $2.5
Good Kill HD/VU or IT $3.5
Grease 2 HD/VU $3.5
Great Wall 4K/MA or IT $4.5 or HD/MA $3
Greatest Showman HD/MA $3.5
Green Book HD/MA $4
Grey HD/VU or IT $3
Guardians of the Galaxy Vol 1 HD/MA $3.5 or HD/GP $3
Guardians of the Galaxy Vol 2 HD/GP $2
Guilt Trip HD/VU or IT $3
Gunman HD/MA or IT $3
Guns of Navarone 4K/MA $5.5
Hacksaw Ridge 4K/VU or IT $4.5 or HD/VU $3
Halloween ‘18 HD/MA $3
Hammer of the Gods HD/VU $2
Hannibal S.1 HD/VU $5
Hansel & Gretel Witch Hunters (Unr) HD/VU or IT $3
Hard Luck Love Song 4K/VU $5.5
Hard Target 2 HD/IT $1.5
Hardcore Henry HD/VU or IT $3.5
Hate U Give HD/MA $4
Hateful Eight HD/VU $3.5
Heat (Director's Cut) ‘95 4K/MA $5.5 or HD/MA $4
Heaven is for Real HD/MA $3.5
Hercules ‘14 HD/VU $2.5 or 4K/IT $3
Here Comes the Boom HD/MA $3.5
Hereditary HD/VU $3.5
Hidden Figures HD/MA $3
High Note HD/MA $4
Highlander 4K/VU $5.5 or HD/VU $4
Hitchcock '12 HD/MA $4
Hitman Agent 47 HD/MA $3
Hitman's Bodyguard HD/VU $3.5
Hocus Pocus HD/MA $3.5 or HD/GP $3
Home HD/MA $3
Home Again HD/MA $3
Home Alone 4K/MA $5 or HD/MA $3.5
Homefront HD/MA or IT $3
Homesman HD/VU $3
Honey 2 HD/VU $3
Hostiles 4K/VU $4.5 or HD/VU $3
Hotel Transylvania 3 HD/MA $3.5
Hot Fuzz HD/VU $4
Hotel Mumbai HD/MA $4
Hours ‘13 HD/VU $4
House of 1000 Corpses HD/VU $4
House of Gucci 4K/IT $5.5
House w/ a Clock in Its Walls sHD/MA $4
How to Train Your Dragon 2 HD/MA $2.5
Hugo HD/VU $3
Hunt for Red October 4K/VU $5.5 or HD/VU $4
Huntsman Winter's War (Ext) HD/MA $3 or 4K/IT $3.5
I Can Only Imagine HD/VU $3.5
I Feel Pretty HD/IT $2
Ides of March HD/MA $4
I Know What You Did Last Summer 4K/MA $5.5
Imitation Game HD/VU $3
In Secret ‘14 HD/VU $4.5
In the Blood HD/VU $4
Incredibles 2 HD/GP $3
Independence Day ‘96 HD/MA $4
Independence Day Resurgence HD/MA $2.5
Indiana Jones & the Raiders of the Lost Ark 4K/VU or IT $5.5 or HD/VU $4
Indiana Jones & the Temple of Doom 4K/VU or IT $5.5 or HD/VU $4
Indignation HD/VU $4
Indivisible HD/MA $3.5
Inferno HD/MA $3
Initiation 4K/VU $5
Initiation HD/VU $3.5
Internship HD/MA $3
Interstellar 4K/VU or IT $5 or HD/VU $3.5
Interview HD/MA $3.5
Into the Woods HD/MA $3 or HD/GP $2.5
Invisible Man '20 HD/MA $3.5
Invisible Man ‘33 HD/MA $3.5
Iron Man 3 HD/MA $2.5 or HD/GP $2
Iron Man & Hulk Heroes United HD/GP $3.5
Iron Mask ‘19 HD/VU $4.5
It Follows HD/VU $3.5
It's a Wonderful Life HD/VU $3
Jack & Jill HD/MA $3.5
Jack Reacher 4K/IT $4.5
Jack Reacher Never Go Back HD/VU $3 or 4K/IT $3.5
Jack Ryan Shadow Recruit 4K/IT $4 or HD/VU $2.5
Jacob's Ladder HD/VU $4
Jane Got a Gun HD/VU $4
Jason Bourne HD/VU $2.5 or 4K/IT $3
Jesus Music HD/VU $3.5
Jexi HD/VU $3.5
Jobs HD/MA or IT $3.5
Joe HD/VU $3.5
Joe Kidd HD/IT $4
John Wick 1 & 2 Bundle HD/VU $4
John Wick 3 Parabellum 4K/VU $4.5
John Wick Chapter 2 HD/VU $3.5 or 4K/IT $4
John Wick HD/VU $2 or 4K/IT $2.5
John Wick Trilogy 4K/VU $13 or HD/VU (#3 4K) $9 or all HD/VU $8
Journey to the West Conquering the Demons HD/VU $3.5
Joy HD/MA $3
Judy 4K/VU $5 or HD/VU $3.5
Juliet, Naked 4K/VU $5.5
Jumanji Welcome To The Jungle HD/MA $2.5
Jungle Book ‘16 4K/MA $4.5 or HD/GP $2.5
Jungle Cruise HD/MA $4 or HD/GP $3.5
Jurassic Park 3 HD/VU $3.5 or 4K/IT $4
Jurassic Park 4K/MA or IT $5 or HD/MA $3.5
Jurassic World 5-film Set HD/MA $14
Jurassic World Fallen Kingdom 4K/MA $4.5 or HD/MA $3
Kama Sutra HD/VU $4
Kick-Ass 2 HD/MA $3.5
Kid ‘19 HD/VU $3.5
Kid Who Would Be King 4K/MA $5.5 or HD/MA $4
Kill Zone ‘05 HD/VU $4.5
Killer Elite HD/IT $3
Killing Gunther HD/VU $4
Kin ‘18 4K/VU $4.5 or HD/VU $3
King Kong ‘05 4K/MA or IT $5 or HD/MA $3.5
King of Staten Island HD/MA $4
King's Man HD/GP $3.5
Kingsman The Golden Circle HD/MA $3
Kingsman The Secret Service HD/MA $3.5
Knives Out HD/VU $3.5 s Knowing 4K/VU $5.5
La La Land HD/VU $3 or 4K/IT $3.5
Labor Day HD/VU or IT $3
Lady Macbeth HD/VU $4.5
Lady of the Manor 4K/VU $5
Lair of White Worm HD/VU $4.5
Lake Mungo HD/VU $4
Lara Croft Tomb Raider 4K/VU $5.5 or HD/VU $4
Last Dragon HD/MA $4.5
Last Duel HD/GP $3.5
Last Exorcism HD/VU $4
Last Knights HD/VU $3.5
Last Man ‘19 HD/VU $4
Last Vegas HD/VU $3
Last Witch Hunter 4K/IT $3.5
Lawrence of Arabia 4K/MA $5.5
Legends of Oz Dorothy's Return HD/MA $3.5
Leprechaun 7-film Set HD/VU $12
Let's be Cops HD/MA $3.5
Let Him Go HD/MA $4
Life ‘17 HD/MA $3.5
Life of Crime HD/VU $3.5
Life of Pi 4K/MA $5 or HD/MA or IT $3.5
Light of My Life HD/IT $3.5
Lightyear HD/MA $3.5 or HD/GP $3
Like a Boss HD/VU $3.5
Lilo & Stitch 2 HD/MA $4 or HD/GP $3.5
Lion HD/VU $4
Lion King ‘19 4K/MA $4 or HD/GP $2
Lion King ‘94 4K/MA $5 or HD/MA $3.5 or HD/GP $3
Little HD/MA $3.5
Little Mermaid ‘89 HD/MA $4
Live Free or Die Hard HD/MA $4
Locked Down 4K/MA $5.5
Logan HD/MA $3
Logan Lucky HD/MA $3.5 or /IT $4
Lone Ranger HD/MA $3.5 or HD/GP $3
Lone Survivor HD/VU $2.5
Longest Week HD/VU $3.5
Looper HD/MA $3.5
Lord of War 4K/VU $5.5
Lords of Salem HD/VU $4
Lost World Jurassic Park HD/MA $3.5
Love & Mercy HD/VU $3.5
Love the Coopers HD/VU or IT $4
Love, Simon HD/MA $3.5
Loving HD/VU or IT $3.5
Luca HD/GP $3
Lucy 4K/MA or IT $4.5 or HD/MA $3
Lyle, Lyle Crocodile HD/MA $4.5
Madagascar 3 HD/MA $3
Magic Mike's Last Dance HD/MA $4.5
Magnificent Seven ‘16 HD/VU $3
Maleficent HD/MA $2.5 or HD/GP $2
Maleficent Mistress of Evil HD/GP $2.5
Man Who Fell To Earth ‘76 4K/VU $5
Man Who Shot Liberty Vance 4K/VU $5.5
Marauders HD/VU $3.5
Marksman HD/MA $4
Martian HD/MA $3.5
Mary Poppins ‘64 HD/MA $3.5 or ‘64 HD/GP $3
Mary Poppins Returns 4K/MA $4.5 or HD/GP $2.5
Mask of Zorro 4K/MA $6
Mauritanian 4K/IT $5
Max Steel HD/IT $3
Maze Runner HD/MA $3.5
McKenna Shoots for the Stars HD/IT $2
Meatballs HD/VU $4
Memory HD/MA $3.5
Men HD/VU $4
Men in Black 3 HD/MA $3
Men in Black 4K/MA $5.5 or HD/MA $4
MI-5 Spooks '15 HD/VU $4
Mickey & Minnie 10 Classic Shorts HD/GP $4.5
Mid-Century 4K/VU $5
Midnight in the Switchgrass 4K/VU $5 or HD/VU $3.5
Midway 4K/VU $4.5 or HD/VU $3
Mile 22 HD/IT $3
Million Dollar Arm HD/GP $2.5
MindGamers HD/MA or IT $3.5
Minions 4K/MA or IT $4.5 or HD/VU $3
Miracles from Heaven HD/MA $3.5
Miss Peregrine's Home for Peculiar Children HD/MA $3
Mission Impossible 3 4K/VU $5
Mission Impossible 6-film Set HD/VU $17
Mommy HD/VU $4
Moneyball HD/MA $3
Monster High Electrified HD/IT $2.5
Monster Hunter HD/MA $3.5
Money Monster HD/MA $3.5
Monster Trucks HD/VU $2.5 or 4K/IT $3
Monsters University HD/GP $3
Monuments Men HD/MA $3.5
Moon 4K/MA $5.5
Morbius HD/MA $4
Morgan HD/MA $4
Mortal Engines 4K/MA $5.5 or HD/MA $4
Mortal HD/VU $4
Mortal Instruments City of Bones HD/MA $3
Mortdecai HD/VU $3.5
Mountain Between Us HD/MA $2.5
Mr. Peabody & Sherman HD/MA $3
Mulan ‘20 4K/MA $4.5 or ‘20 HD/MA $3 or HD/GP $2.5
Mummy ‘17 4K/MA or IT $4.5 or HD/MA $3
Mummy ‘99 HD/MA $3.5
Mummy 4-Film Set (Mummy 1-3, Scorpion King) HD/MA $12
Mummy Trilogy 4K/MA or IT $14 or HD/MA $9 4K/IT
Muppets Most Wanted HD/GP $3
Murder on the Orient Express HD/MA $3.5
My All American HD/MA or IT $3.5
My Best Friend is a Vampire HD/VU $4
Nebraska HD/VU $3
Need for Speed HD/GP $3.5
Needle in a Timestack 4K/VU $5.5
Nerve HD/VU $3.5
News of the World HD/MA $4
Night at the Museum Trilogy HD/MA $11
Night House HD/MA $4.5 or HD/GP $4
Nightmare Alley HD/GP $3.5
Nightmare Before Christmas 4K/MA $5.5 or HD/MA $4 or HD/GP $3.5
No Time to Die 4K/IT $4.5
Noah HD/VU or IT $2.5
Non-Stop HD/VU or IT $3
Norm of the North HD/VU $2.5
Nostalgia ‘18 HD/MA $3.5
Now You See Me 2 4K/IT $4
Now You See Me HD/VU $2.5 or SD/VU $1
Nutcracker & Four Realms HD/MA $3.5 or HD/GP $3
Oblivion 4K/MA or IT $5 or HD/MA $3.5
Occupation ‘18 HD/VU $3.5
Occupation Rainfall HD/VU $4
Office Christmas Party 4K/IT $3.5
Olaf's Frozen Adventure HD/GP $3
Oliver! 4K/MA $5
On Chesil Beach HD/MA $4.5
One Ranger HD/VU $4.5
Onward HD/GP $2.5
Open Water 2 Adrift HD/VU $4
Open Water HD/VU $4
Operation Avalanche HD/VU $4
Ouija HD/MA or IT $3.5
Our Kind of Traitor HD/MA $4
Outlander S.1 Vol 1 HD/VU $5
Overboard ‘18 HD/VU $3.5
Oz the Great & Powerful HD/MA $3 or HD/GP $2.5
Pacific Rim Uprising HD/MA $4
Paddington HD/VU $3.5
Pain & Gain HD/VU or IT $3.5
Paper Towns HD/MA $3
Paradise Highway 4K/VU $5
Paranormal Activity 3 (Ext) HD/VU or IT $3
Paranormal Activity Ghost Dimension (Unr) HD/VU or IT $3.5
Paranormal Activity HD/VU $4
Paranormal Activity The Marked Ones HD/VU or IT $3.5
Passengers HD/MA $3.5
Patriot Games 4K/VU $5
Patriot's Day HD/VU $3
Paul Apostle of Christ HD/MA $3
Peanuts Movie HD/MA $3
Penelope HD/VU $4.5
Peppermint HD/IT $3.5
Percy Jackson Sea of Monsters HD/MA $3
Perks of Being a Wallflower HD/VU or IT $3 or SD/VU or IT $1
Pet Sematary ‘19 HD/VU $3 or 4K/IT $3.5
Pet Sematary ‘89 HD/VU $3.5 or 4K/IT $4
Peter Rabbit HD/MA $3.5
Pete's Dragon ‘16 HD/MA $3.5 or HD/GP $3
Phantom Thread HD/MA $4
Philomena HD/VU $2.5
Pirates of the Caribbean 5 HD/MA $3 or HD/GP $2.5
Pitch Perfect 2 4K/MA $4 or HD/MA $2.5
Pitch Perfect HD/MA $2.5 or 4K/IT $3
Pixar Short Films Set Vol. 3 HD/MA $3.5 or HD/GP $3
Planes Fire & Rescue HD/GP $3
Planes HD/MA $2.5 or HD/GP $2
Planes, Trains & Automobiles 4K/VU $5.5 or HD/VU $4
Playing w/ Fire HD/VU or IT $2.5
Poltergeist ‘82 4K/MA $5.5
Poltergeist (Ext) ‘15 HD/MA $4
Pompeii HD/MA $3.5
Power Rangers ‘17 HD/VU $3 or 4K/IT $3.5
Predator ‘18 HD/MA $3
Predator ‘87 HD/MA $4
Pride & Prejudice & Zombies HD/MA $3.5
Primal HD/VU $3.5
Promise HD/MA or IT $3.5
Proud Mary HD/MA $3.5
Psycho 4K/MA $5
Pulp Fiction HD/VU $4
Punisher War Zone 4K/VU $5.5
Purge Anarchy HD/MA $3 or 4K/IT $3.5
Purge Election Year HD/MA $3.5
Purge 4K/MA or IT $4.5 or HD/MA $3 or
Push 4K/VU $6
Quarry 4K/VU $5
Quartet HD/VU $4
Queen of Katwe HD/GP $2.5
Quiet Ones HD/VU $3.5
Rambo ‘08 HD/VU $4
Rambo 5-film Set HD/VU $18
Rambo Last Blood 4K/VU $4.5 or HD/VU $3
Ran ‘85 4K/VU $5.5
Raya & the Last Dragon HD/MA $3.5
Rear Window 4K/IT $3.5
Rebel Without a Cause 4K/MA $5.5
Reclaim HD/VU $3.5
Redline ‘10 HD/VU $4.5
Reign of Assassins HD/VU $4.5
Replicant ‘01 HD/VU $3.5
Replicas HD/VU $3.5
Rescuers Down Under HD/MA $4 or HD/GP $3.5
Rescuers HD/MA $4.5 or HD/GP $4
Reservoir Dogs HD/VU $4
Resident Evil Retribution 4K/MA $5 or HD/MA $3.5
Retaliation ‘17 HD/VU $4
Revenant 4K/MA $5 or HD/MA $3.5
Ricki & the Flash HD/MA $3
Riddick (Unr) HD/VU or IT $3
Ride Like a Girl HD/VU $4
Right At Your Door HD/VU $4
Right One 4K/VU $5.5
Rio 2 (Sing-Along) HD/MA $3
Riot HD/VU or IT $3
RIPD HD/IT $2.5
Risen HD/MA $3
Rob Zombie Trilogy (3 From Hell, House of 1000 Corpses, Devil's Rejects) HD/VU $8
Robin Hood ‘18 HD/VU $3
Robocop ‘14 HD/VU $2.5
Rocketman ‘19 HD/VU $3 or 4K/IT $3.5
Roman J. Israel Esq HD/MA $3
Ron's Gone Wrong HD/MA $3.5 or HD/GP $3
Room '15 HD/VU $3.5
Rough Night 4K/MA $5 or HD/MA $3.5
Run The Race HD/MA $3
Runner Runner HD/MA $3.5
Rush HD/IT $3
Safe HD/VU or IT $2.5
Same Kind of Different As Me HD/VU or IT $3
Samson HD/MA $3.5
Santa Clause HD/MA $3.5 or HD/GP $3
Santa Clause 2 HD/MA $3.5 or HD/GP $3
Santa Clause 3 HD/GP $2.5
Sapphires HD/VU $4
Sausage Party HD/MA $3.5
Saving Mr. Banks HD/GP $3
Saw (Unr) 4K/VU $4.5
Saw 7-film Set (Unr) HD/VU $16
Saw HD/VU $3
Scarface HD/MA $4 or 4K/IT $4.5
Scary Stories to Tell in the Dark 4K/VU $4.5
Schindler's List 4K/MA or IT $5.5 or HD/MA $4
Scream '96 HD/VU $3.5
Scream Trilogy HD/VU $11
Secret Garden ‘20 4K/VU or IT $5.5
Secret in Their Eyes HD/VU or IT $3
Secret Life of Pets 4K/MA or IT $4.5 or HD/MA $3
See No Evil 2 HD/VU $3.5
Serenity ‘05 4K/MA $5.5 or HD/MA $4
Seriously Red HD/VU $4
Sex Tape HD/MA $3.5
Shallows HD/MA $3.5
Shang-Chi Legend of the Ten Rings HD/GP $3
Shape of Water HD/MA $3.5
Sherlock Gnomes HD/IT $2.5
Shivers HD/VU $4
Show Dogs HD/MA $3.5
Sicario HD/VU $2.5 or 4K/IT $3
Sicario Day of the Soldado HD/MA $4
Sicario, Wind River, Hell or High Water HD/VU $7.5
Side Effects HD/IT $3.5
Silencing HD/VU $4
Silent Night, Deadly Night 3-Film Set (3-5) HD/VU $7.5
Silk Road 4K/VU $5
Sing ‘16 HD/MA $3 or 4K/IT $3.5
Sing Street HD/VU $4
Sinister HD/VU $3
Skeleton Twins HD/VU $4
Skyfall HD/VU $2.5
Skyscraper 4K/MA $5 or HD/MA $3.5
Sleeping Beauty ‘59 HD/MA $4 or HD/GP $3.5
Sleepy Hollow 4K/VU $6.5
Smokey & the Bandit HD/MA $3.5
Smokin' Aces 4K/MA $5.5
Smurfs The Lost Village HD/MA or IT $3
Snitch 4K/IT $3 or HD/VU $2.5 or SD/VU or IT $1
Snow White & the Huntsman (Ext) 4K/VU or IT $4.5 or HD/VU $3
Snow White & the Seven Dwarfs ‘37 4K/MA $6 or HD/MA $3.5 or HD/GP $3
Snowden HD/MA or IT $3.5
Snowpiercer HD/VU $4.5
Solo A Star Wars Story HD/GP $3
Son of God HD/MA $3
Sonic the Hedgehog 4K/VU $5 or HD/VU $3.5
Soul HD/MA $3 or HD/GP $2.5
Source Code 4K/VU $5.5
Southpaw HD/VU $3
Spectre HD/VU $3.5
Spider-Man 2 (Thea & Ext) HD/MA $4.5
Spider-Man 3 HD/MA $3.5
Spider-Man 4-Cut Set (Spider-Man 2 w/ Thea & Ext) HD/MA $11.5
Spider-Man Far From Home HD/MA $3
Spider-Man Homecoming HD/MA $2.5
Spider-Man Into the Spider-Verse HD/MA $4.5
Spider-Man No Way Home HD/MA $4 or SD/MA $2
Spies in Disguise HD/MA $3.5 or HD/GP $3
Spinning Man HD/VU $4
Spiral 4K/VU $5 or HD/VU $3.5
Spontaneous HD/VU $4.5
Spy Who Dumped Me 4K/VU $5 or HD/VU $3.5
St. Vincent HD/VU $3
Stand Up Guys HD/VU $3.5
Star Trek '09 4K/VU or IT $5.5 or HD/VU $4
Star Trek 1-6 4K/VU $25
Star Trek 3 Search for Spock 4K/VU $5
Star Trek Beyond HD/VU $3
Star Trek Into Darkness HD/VU $2.5 or 4K/IT $3
Star Trek The Motion Picture ‘79 4K/VU $5
Steel Dawn HD/VU $3.5
Still Alice HD/MA $4
Straight Outta Compton (Unr) HD/MA $3 or 4K/IT $3.5
Strange World HD/MA $4 or HD/GP $3.5
Suburbicon HD/VU $3 or /IT $3.5
Super 8 4K/VU or IT $5 or HD/VU $3.5
Sword in the Stone HD/MA $4 or HD/GP $3.5
Taken 2 HD/MA $3.5
Taken 3 (Unr) HD/MA $3.5
Tangled HD/GP $3.5
Ted (Unr) HD/MA or IT $2.5
Teen Spirit ‘19 HD/MA $4
Teenage Mutant Ninja Turtles ‘14 4K/VU or IT $4.5 or HD/VU $2.5
Terminator 2 Judgment Day (Special) HD/VU $4.5
Terminator 2 Judgment Day 4K/VU $5 or HD/VU $3.5
Terminator Genisys HD/VU $3 or 4K/IT $3.5
Texas Chainsaw ‘13 HD/VU $3.5
Thanks for Sharing HD/VU $4
The Heat HD/MA $3
The Impossible HD/VU $3.5
Think Like a Dog 4K/VU $5
This is the End HD/MA $3.5
Thor Dark World HD/MA $4 or HD/GP $3.5
Thor Love & Thunder HD/MA $3.5 or HD/GP $3
Thor Ragnarok HD/MA $2.5 or HD/GP $2
Three Billboards Outside Ebbing, Missouri HD/MA $3.5
To Kill a Mockingbird HD/MA $3.5
Toll HD/VU $4.5
Tomorrowland HD/GP $3
Top Gun ‘86 HD/VU $3.5
Total Recall ‘90 4K/VU $5 or HD/VU $3.5
Touched w/ Fire HD/VU $4.5
Toy Story HD/GP $3.5
Toy Story 4 4K/MA $4 or HD/GP $2
Training Day 4K/MA $5.5
Transformers Age of Extinction HD/VU $2.5 or 4K/IT $3
Transformers Dark of the Moon 4K/VU $4.5 or HD/VU $3
Transformers The Last Knight 4K/VU or IT $4 or HD/VU $2.5
Trust ‘16 HD/VU $4
Tulip Fever HD/VU $4
Tumbledown HD/VU $4
Turbo HD/MA $3
Turning HD/MA $4
Ugly Dolls 4K/VU or IT $5.5
Unbreakable HD/GP $3.5
Uncharted HD/MA $4
Uncle Drew HD/VU $3.5
Underworld Awakening HD/MA $3
Underworld Blood Wars HD/MA $3
Untouchables 4K/VU $5.5
Us ‘19 4K/MA $5.5 or HD/MA $4
Valerian & the City of a Thousand Planets HD/VU $3.5
Vampire Academy HD/VU $3.5
Vanishing ‘18 HD/VU $4
Venom 4K/MA $5 or HD/MA $3.5
Victoria & Abdul HD/MA $4
Virtuoso 4K/VU $5 or HD/VU $3.5
Vivo HD/MA $4.5
Voices ‘14 HD/VU $4
Voyagers 4K/VU $5
Walk HD/MA $3.5
Wall '17 HD/VU $4
War for the Planet of the Apes HD/MA $3
War of the Worlds ‘53 4K/VU $5.5
War on Everyone HD/VU $4
Warcraft 4K/IT $4.5 or HD/MA $3
Warhunt 4K/VU $4.5
Warning HD/VU $4
Watch HD/MA or IT $3.5
Wayne's World HD/VU $4.5
We Die Young HD/VU $3.5
Weekend HD/VU $4
Werewolf The Beast Among Us (Unr) HD/MA or IT $3.5
West Side Story 4K/MA $5 or HD/MA $3.5 or HD/GP $3
What We Did on our Holiday HD/VU $4
When the Game Stands Tall HD/MA $3
Whiskey Tango Foxtrot HD/VU or IT $3
Why Him? HD/MA $3
Widows HD/MA $3.5
Wild Card HD/VU $3
Willow HD/MA $4 or HD/GP $3.5
Wilson HD/MA $3.5
Winchester HD/VU $3.5
Winnie the Pooh Springtime w/ Roo HD/MA $4 or HD/GP $3.5
Wolf Hound 4K/VU $4.5
Wolf of Wall Street 4K/VU $5 or HD/VU or IT $3.5
Wolverine (Unr) (w/Thea) HD/MA $3.5
Woman in Gold HD/VU $3.5
Won't Back Down HD/MA $3.5
Woodlawn HD/MA or IT $3.5
Wraith HD/VU $4
X-Men Apocalypse HD/MA $3
X-Men Days of Future Past HD/MA $3
XXX Return of Xander Cage HD/VU $2 or 4K/IT $2.5
Z for Zachariah HD/VU $4
Zero Dark Thirty HD/MA $3.5
Zeros & Ones HD/VU $4
Zootopia HD/MA $3 or HD/GP $2.5