Mac dre costume

Mac Dre

2012.05.20 21:48 guitarcrazy408 Mac Dre

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2012.02.06 10:09 smoke52 Mac Dre: Music

[link]


2008.01.25 04:43 r/Apple: Unofficial Apple Community

An unofficial community about Apple and all of its devices and software.
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2024.05.15 23:09 CoffeeLipglossDonuts Kyle MacLachlan dancing on TikTok dressed as a hot dog

Kyle MacLachlan dancing on TikTok dressed as a hot dog
Did you see Trey MacDougal dancing in a hot dog costume? Maybe next time he will dress like a schooner…. (I love Kyle MacLachlan!) “Schooner’s good! Rebecca and Schooner!”
submitted by CoffeeLipglossDonuts to sexandthecity [link] [comments]


2024.05.15 09:15 deseyfashion Top 10 Corporate Photoshoot Services in Singapore 2024

Top 10 Corporate Photoshoot Services in Singapore 2024
Corporate photography is essentially about taking photos for businesses to help them showcase their brand, products, and services. These photos play a crucial role in building the company's image and promoting what it offers to its audience. They're used across various platforms like company websites, brochures, social media, and press releases. Additionally, they serve individuals who want to build a professional portfolio to highlight their skills and expertise.
Within the realm of corporate photography, there's a diverse range of styles and purposes. The most common type is corporate portraits, which include professional headshots and outdoor portraits. These portraits are often featured on company websites, employee profiles, and corporate directories, giving a face to the company's workforce and conveying a sense of professionalism.
Another popular style is capturing 'business-in-action' shots, which provide a glimpse into the daily operations of the company. These photos showcase employees at work, giving viewers an inside look into the company's culture, values, and working environment. They help to humanise the brand and build connections with the audience.
Group portraits are also prevalent in corporate photography, highlighting teamwork and camaraderie among employees. These photos often feature the entire workforce together, conveying a sense of unity and collaboration within the company.
In addition to indoor studio settings, environmental or outdoor portraits are gaining popularity in corporate photography. These photos are taken outside of the traditional office environment and often tell a story or evoke a specific mood. They provide a more relaxed and natural look while still conveying the desired message or brand image.
In Singapore, the corporate photography scene is thriving, with numerous photo studios offering specialised services tailored to business needs. However, with so many options available, choosing the right studio can be overwhelming. To assist in this process, we've compiled a curated list of the top studios in Singapore for corporate photography, each renowned for their expertise, creativity, and professionalism. Whether you require headshots, product photography, or event coverage, these studios excel in delivering high-quality images that meet the standards of Corporate Photoshoot Singapore. Read on to learn more about the Top 10 Corporate Photoshoot Services in Singapore 2024.

1. Mount Studio


In Singapore's bustling photography scene, Mount Studio stands out for its reliability and creativity. Embarking on its journey in 2017 within the cosy confines of a 1,300-square-foot studio, Mount Studio soon found itself outgrowing its original space, prompting a move to a more expansive locale capable of housing both photo and video studios under one roof.

They offer a wide range of photography services, including corporate, wedding, fashion, and event photography. They also allow others to rent their studios for their own projects.

Key Features:

❖ Mount Studio now operates three studios within a spacious 2,400-square-foot facility.
❖ With over 15 years of combined experience, the founders ensure top-quality service.
❖ Conveniently located near Marymount MRT station, Mount Studio is easily accessible to clients across Singapore.
❖ They have worked with prestigious clients like OCBC Bank, Visa, IBM, Klook, and Philip Morris.

Corporate Photography Services:

Corporate Portraits - Professional photography at Mount Studio includes retouching three selected photos per person and the option for one backdrop. All photos are provided in low-resolution JPEG format for selection, with the final edited high-resolution JPEGs sent via Dropbox within 7-10 working days.

On-location Photography Service: Their services include sending a professional photographer and assistant to the client's chosen location. Clients get up to three carefully retouched photos per person, with professional lighting and various backdrop options. All photos are provided in low-resolution JPEG format for easy viewing, and the final edited high-resolution JPEGs are delivered via Dropbox within 7 to 10 working days.

Outdoor Photoshoots: At your preferred Singapore location, you'll get professional photography with editing. Expect around 30-60 edited photos per hour, all delivered in high-resolution JPEG format via Dropbox within 7-10 working days.

Contact Information:

Address: Foo Wah Industrial Building, 45 Jalan Pemimpin #07-04 Singapore 577197
Phone: +65 8875 8092
Email: [contact@mountstudio.com.sg](mailto:contact@mountstudio.com.sg)


2. Firefly Photography


Firefly Photography is a photo studio in Singapore that offers various services like corporate, family, and wedding photography. It started in 2012 with a partnership with a tech company and introduced outdoor family photoshoots, which were unique at the time. Over the years, it grew, securing contracts with big names like Nestle and Wildlife Reserves Singapore. Since 2014, it's been part of the National Day Parade.

Key Features:

❖ With 10 years of experience, Firefly Photography handles corporate projects for various clients, from government agencies to small businesses and multinational corporations.
❖ They have a fully-equipped studio for corporate headshots, group photos, and commercial shoots. You can also choose to shoot at your preferred location.
❖ Their professional team ensures a comfortable experience during the shoot.
❖ They offer a 360 Virtual Tour service to enhance your brand's online presence.

Corporate Photography Services:

Professional Corporate Photoshoots: Tailored photography sessions designed to meet the specific needs and branding of corporate clients, ensuring high-quality images for marketing and promotional materials.
Corporate Headshots: Expertly captured portraits focused on individuals within the corporate environment, ideal for professional profiles, websites, and marketing materials.
Group Corporate Photoshoots: Sessions designed to capture teams and groups within the corporate setting, promoting unity and teamwork through visually engaging images.
Lifestyle Photography: Photography sessions that capture the essence and atmosphere of the corporate environment, showcasing the culture, values, and daily life of the organisation.
Commercial and Stock Photography: High-quality images suitable for commercial use, including advertising, marketing, and editorial purposes, available for licensing or purchase.
360 Virtual Tour: Immersive virtual tours that provide an interactive and engaging experience, allowing viewers to explore corporate spaces remotely and gain a comprehensive understanding of the environment.
Corporate Video Production: Professional video production services tailored to corporate clients, including promotional videos, training videos, interviews, and corporate event coverage.

Contact Information:

Address: 1 Yishun Industrial Street 1, A'Posh Bizhub, #07-19, Singapore 768160
Phone: +65 9147 3301
Email: [info@fireflyphotographysg.com](mailto:info@fireflyphotographysg.com)

3. Memoire Photography

https://preview.redd.it/0xonmzusij0d1.jpg?width=597&format=pjpg&auto=webp&s=b10c8765aaf3d1e91cc009f1e37c8d7b3c7ea6c1

In the dynamic world of corporate photoshoot, where professionalism meets creativity, Memoire Photography emerges as a beacon of innovation and excellence. Nestled in the heart of Singapore, Memoire Photography isn't just a studio; it's a testament to the fusion of artistry and business acumen. Specialising in corporate photo shooting, as one explores what makes Memoire unique, they invite you on a journey where every picture tells a powerful story of corporate identity and success.

Key Features:

❖ Strategically situated in the bustling heart of Singapore, Memoire Photography enjoys a prime location easily reachable for clients from all corners of the city.
❖ Memoire Photography has a really advanced studio with the latest technology. They're great for corporate headshots, team photos, and commercial shoots.
❖ At Memoire Photography, clients can expect a seamless and enjoyable experience, From initial consultation to the final delivery, they prioritise client comfort and satisfaction, ensuring a stress-free and productive photo session.
❖ With a keen eye for detail and mastery of post-production techniques, they ensure that every image is meticulously edited to perfection, resulting in polished and professional visuals that truly stand out.
❖ Prior to the shoot, clients receive personalised style consultations to ensure that the visual aesthetic aligns seamlessly with their brand identity and objectives.

Corporate Photography Services:

Tailored Corporate Photoshoots: Professional photo shoots are available to encapsulate the essence of any company, ranging from the dynamics of office spaces to discussions in boardrooms, aiming to generate imagery that enhances marketing materials.
Executive Portraits: Catering to companies seeking to exhibit their team's professionalism, expertly captured executive portraits offer an ideal solution, suitable for incorporation into websites, profiles, and promotional materials.
Team Building Sessions: Fostering unity and collaboration, interactive group photoshoots encapsulate the collaborative spirit, whether involving the entire team or specific departments.
Company Culture Photography: Lifestyle photography sessions breathe life into corporate culture by capturing its values, ethos, and daily activities, providing a window into the core of the organisation.
Commercial Imagery: Premium-quality product photoshoot commercial imagery boosts brand visibility, serving various purposes ranging from advertising to editorial requirements, poised to augment marketing endeavours.

Contact Information:

Address: 246 MacPherson Road #02-01 (Betime Building) Singapore 348578
Phone: +65 9686 9665
Email: [contact@memoire.sg](mailto:contact@memoire.sg)
Website : https://www.memoire.sg

4. The Beautybox Studio


Since its establishment in 1998, The Beautybox Studio has been a premier destination for creative and personalised photography services. With a focus on both studio and location photography, the team at The Beautybox Studio is committed to delivering exceptional portrait photography and image styling. With a collective experience of 25 years, they aim to maintain their position as one of Singapore's top makeover and photography studios. The Beautybox Studio offers a comprehensive experience, combining a sense of luxury, visual appeal, and exceptional service.

Key Features:

❖ Their experienced photographers take the time to understand each client's needs, ensuring a tailored experience.
❖ Beautybox constantly explores new angles and expressions to make each image special.
❖ With full-time makeup artists and hairstylists, they offer convenience and expertise to enhance clients' appearance for the shoot.
❖ Their beauty professionals have at least five years of experience, guaranteeing top-notch service and confidence in front of the camera.

Corporate Photography Services:

Headshot Passport: The Beautybox Studio takes professional headshot photos that are great for resumes, applications, and company IDs.
Half-Body Photoshoots: They specialise in half-body photos that show off your personality for business purposes. They offer makeup and hairstyling to make you look your best.
Lifestyle Photography: They also do lifestyle photos that are more casual and friendly, perfect for social media or professional profiles.
Black+White Photoshoots: They offer classic black and white photos that focus on your expressions and presence.
Premiere Photography: With professional makeup and hairstyling, they ensure you look confident in every photo. They take high-quality photos for business use.
Group Photoshoots: They take photos of corporate teams for internal or external use, showing unity and professionalism.
Cabin Crew Photoshoots: They provide studio-quality photos at your office, with expert lighting and backgrounds, perfect for cabin crew and other corporate needs.

Contact Information:

Address: 452 North Bridge Road #02-00 Chan Brothers Bldg, Singapore 188733
Phone: +65 6835 3012
Email: [enquiry@beautyboxstudio.com.sg](mailto:enquiry@beautyboxstudio.com.sg)
Website : https://www.beautyboxstudio.com.sg/

https://preview.redd.it/fbluzv5vij0d1.jpg?width=597&format=pjpg&auto=webp&s=103db6dc180c00ee3aaf2d74789e2ba7d6ceef34
5. Shoot You SG


Highly recommended for budget-friendly professional photo sessions, Shoot You SG was founded in 2017, specialising primarily in corporate photography. Alongside corporate services, the studio extends its expertise to family, wedding, and event photography.

Adding to its offerings, Shoot You SG provides photo booth rentals for corporate gatherings.

Key Features:

❖ Collaborations with renowned corporate entities like AIA, BreadTalk, Smollan, Great Eastern, and IPP.
❖ Flexibility for off-site shoots at locations of your choice.
❖ Esteemed for its prompt and expert photography services.
❖ Spacious and cosy studio setup, including a dedicated area for outfit changes.
❖ The photographer team prides itself on being affable, approachable, and supportive, guiding clients with poses and angles."

Corporate Photography Services:

Corporate Full-Body: Up to 20 images to choose from. 1 selected softcopy (retouched/edited) in full-body & head-crop (from same image) (3600px by 2400px), only applicable for 1 (white, grey & black) backdrop.
Corporate Half-Body: Up to 20 images to choose from. 1 selected softcopy (retouched/edited) in half-body & head-crop (from same image) (3600px by 2400px), only applicable for 1 (white, grey & black) backdrop.
Half-Body Portfolio: Up to 50 images to choose from. 1 selected softcopy (retouched/edited) in half-body & head-crop (from same image) (3600px by 2400px), only applicable for 1 (white, grey & black) backdrop.
Corporate Group Photography: Expertly composed and lit portraits that showcase the unity and professionalism of your corporate team.
Event Photography: High-quality portraits of attendees, speakers, and VIP guests, showcasing their engagement and participation in the event.
Photo Booth for Events: The team begins its process once clients reserve the photo booth session. They tailor logos, fonts, and designs to ensure each one possesses its unique flair, aligning seamlessly with the chosen theme. The team suggests maintaining simplicity and minimalism in the designs to ensure guests remain the focal point of the event.
Contact Information:

Address: Wintech Centre, 6 Ubi Road 1, #06-01 Singapore 408726
Phone: +65 9382 8465
Email: [reachus@shootyou.sg](mailto:reachus@shootyou.sg)

6. Dato Photograph
For over a decade and a half, Dato Photograph has been the go-to destination for diverse photography needs in Singapore. With a rich history of fifteen years, they've solidified their reputation as a trusted provider of top-notch photography services.
Founded by a collective of seasoned professionals with backgrounds spanning photography, modelling, magazine editorial, and event coordination, Dato Photograph brings a wealth of expertise to every project they undertake.
Key Features:
❖ Dato Photograph's portfolio includes collaborations with renowned publications like the esteemed corporate magazine, AsiaX.
❖ Clients enjoy the perk of unlimited shots during their sessions, ensuring every angle and moment is captured flawlessly.
❖ Need to spice up your shoot? Dato Photograph provides a selection of complimentary accessories and themed costumes to add that extra flair.
❖ Convenience is key, as the studio extends complimentary transportation services for location shoots, making the entire process hassle-free for their clientele.
Corporate Photography Services:

Passport Photo: Passport photos serve as a visual identification tool, capturing the essence of an individual in a standardised format, ensuring seamless border crossings and official documentation worldwide.
Corporate Headshot: Skilfully captured portraits spotlighting individuals within the corporate realm, tailored for enhancing professional profiles, websites, and marketing collateral with a distinctive touch.
Location or Outdoor Photoshoot: Capture the essence of your story amidst nature's canvas. Let Dato Photography frame your moments in the breathtaking backdrop of the great outdoors.
Contact Information:

Address 1: 12 Arumugam Road, Singapore 409958
Address 2: 115C Canberra Walk, Singapore 753115
Phone: +65 9484 4344
Email: [datophotograph@gmail.com](mailto:datophotograph@gmail.com)

7. Our Momento
Our Momento, a family-operated photography collective based in Singapore, specialises in providing a range of photography and videography services since its establishment in 2023. Their focus lies in outdoor photography, including corporate portraits, led by Jori Goh and Cynthia Lim, the studio's principal photographers.
Key Features:
❖ Our Momento offers straightforward pricing without hidden fees or extra charges per photo. They also give discounts for regular business collaborations.
❖ Specialising in outdoor shoots, they provide a fresh perspective for corporate portraits, alongside traditional studio options.
❖ Clients can discuss their ideas freely in an initial consultation at no extra cost.
❖ With a turnaround time of 7 to 10 days, clients receive edited photos promptly for their projects.
Corporate Photography Services:

Professional Headshots: Let your team's professionalism shine with expertly captured headshots, highlighting their confidence and approachability.
Team Photoshoots: Showcase your team's unity and spirit with group portraits that capture the essence of collaboration.
Company Events Coverage: Preserve the excitement and success of your company events with comprehensive photo coverage.
Environmental Portraits: Tell your company's story with portraits that incorporate your workspace or industry, adding authenticity to your brand.
Candid Photos: Capture genuine moments of connection and laughter with candid snapshots that reflect your company culture.
Contact Information:

Address: Jurong West Street 42, Block 419, Singapore 640419
Phone: +65 8020 2902
Email: [contact@ourmomento.sg](mailto:contact@ourmomento.sg)

8. White Room Studio
Looking to capture a memorable moment? Look no further than White Room Studio. This family-owned establishment has been a fixture in the photography world since 2009. Their studio is a one-of-a-kind space flooded with natural light, ensuring your photos stand out. Whether it's a corporate event, a family gathering, or a glamorous photoshoot, their creativity and spacious studio are ready to bring your vision to life.
Key Features:
❖ Step into their studio, a quaint shophouse filled with natural light. The absence of harsh studio lighting creates a soft, welcoming atmosphere that enhances every photograph, ensuring a natural and captivating feel.
❖ Their studio isn't your typical sterile environment. It's a space meticulously designed to ignite creativity. Offering a variety of backgrounds and settings, clients can bring their unique visions to life. Whether it's a rustic backdrop or a modern setting, their studio serves as a versatile canvas for creative expression.
❖ Their studio offers a variety of photoshoot options to suit every story. Whether it's a romantic couple shoot or a playful family portrait, they've got something for everyone. Their team works closely with clients to ensure each session reflects their unique style and personality.
Corporate Photography Services:

Headshot: White Room Studio offers corporate headshot photography that's redefining the industry. They specialise in creating professional images that enhance clients' presence on platforms like LinkedIn and within their professional networks. From CEOs and small business owners to fitness instructors, musicians, life coaches, doctors, and recent graduates, White Room Studio crafts headshots that exude confidence and professionalism for individuals from diverse backgrounds.
Corporate Branding: They prioritise listening to clients of all sizes and industries. Whether it's in recruitment, shipping, insurance, construction, hospitality, healthcare, aviation, financial services, or banking, they ensure that every corporate portrait reflects the message represented by the business.
Personal Branding: showcases your unique personality. Whether you aim for a warm and professional attitude or a vibrant and approachable vibe, they tailor your approach to suit your style.

Contact Information:

Address: 219 River Valley Road . Level 2, Singapore 238277
Phone: +65 6235 7037
Email: [enquiry@whiteroomstudio.com.sg](mailto:enquiry@whiteroomstudio.com.sg)

9. Lumiere Photography Pte Ltd


Meet Lumiere Photography – the premier option for partnering with leading corporations, global VIPs, and governmental dignitaries. Renowned for their prowess in crafting striking corporate photo shoot in Singapore, this team is adept at leaving a memorable mark. Their skilled crew, consistently attired with finesse and fluent in English, adds a layer of elegance to each endeavour. Lumiere Photography has adeptly captured prestigious occasions featuring influential personalities, ensuring prompt delivery of impeccable images ideal for urgent press releases.

Key Features:

❖ Lumiere Photography gets your press photos to you quickly, helping you meet your media deadlines without hassle.
❖ They create impressive videos and photos that tell your corporate story in a visually stunning way, ensuring your content stands out.
❖ With a talented team dressed to impress, Lumiere Photography not only captures amazing shots but also upholds your company's image at every event.

Corporate Photography Services:

Portrait Photography: Are you always rushing to find a good photo for your LinkedIn, resume, or Facebook? No need to worry anymore! With lots of experience taking pictures for big companies, Lumiere Photography Pte Ltd will make sure you look great in your suit and tie.

Studio Photoshoot: Lumiere Photography Pte Ltd offers clients the opportunity to indulge their friends and/or family in a delightful one-hour photoshoot experience within the comfort of their studio. They ensure a bug-free, sweat-free environment, allowing everyone to enjoy the session to the fullest.

Contact Information:

Address: 1 Yishun Industrial Street 1, A, #07-19/22 Posh Bizhub, Singapore 768160
Phone: +65 9023 8794
Email: [info@LumierePhotographySg.com](mailto:info@LumierePhotographySg.com)

10. Oh Dear Studio


Established in 2010, Oh Dear Studio in Blair Plain, Singapore, offers expert photography services capturing the city's timeless charm. Led by founder Melody Lin, the studio specialises in corporate and personal portraits, blending professionalism with artistic flair. Set in a charming colonial shophouse, Oh Dear Studio boasts tasteful decor, abundant natural light, and a serene rooftop oasis. Melody's passion for photography and dedication to storytelling ensure that every moment, from family gatherings to corporate events, is immortalised with authenticity and warmth. Oh Dear Studio is more than a photography studio; it's a sanctuary where memories are transformed into timeless treasures. For corporate photoshoots Singapore, Oh Dear Studio offers unparalleled expertise and creativity, capturing the essence of your brand with finesse.

Key Features:

❖ They're experts at taking professional photos for businesses and individuals, having done it for over 15 years.
❖ They specialise in business photos but also do pictures for couples, grads, and families.
❖ People love their work and say great things about it. The studio is in a neat old building with a stylish inside that makes for great photos.
❖ They have a private rooftop with lots of plants where you can take outdoor pictures in a peaceful setting.

Corporate Photography Services:

Professional Corporate: Oh Dear Studio places a strong emphasis on attentive client engagement across a diverse spectrum of industries and company scales. From recruitment and shipping to insurance, construction, hospitality, healthcare, aviation, financial services, and banking, they are dedicated to ensuring that each corporate portrait resonates with the unique identity and message conveyed by the business it represents.

● On-site Outdoor Corporate Photography: Oh Dear Studio endeavours to deliver exceptional professional business images, whether it's an outdoor Corporate Photoshoot or an on-site Office Corporate Photography session. A minimum booking of 2 hours is required, with the flexibility for clients to choose the location or office setting. The package includes the return of all soft copies captured, ensuring high-quality images at 3600 pixels x 2400 pixels and 300 DPI resolution.

Contact Information:

Address: 87 Kampong Bahru Rd, #02-01, Singapore 169381
Phone: +65 9738 3447
Email: [hello@ohdearstudio.com.sg](mailto:hello@ohdearstudio.com.sg)

submitted by deseyfashion to u/deseyfashion [link] [comments]


2024.05.14 20:33 shiguraki "CUZ IMA PUT ON FOR MAC DRE!!!!!!!"

please..... 😭😭😭😭😭 DOES anyone else remember when Natalie yelled this at one of the All Star Battle eliminations??! Lmfaoooo and did anyone else from California laugh their ass off at how stupid she sounded saying that?
submitted by shiguraki to BadGirlsClub [link] [comments]


2024.05.14 20:09 Boring_Waltz_9545 Weekly New Musical Grosses Analysis- Week Ending 5/12/2014

Source- Broadway Grosses, Broadway Box Office - 5/12/2024 (broadwayworld.com)
T-MINUS 33 DAYS TO TONYS.
Another good week for Broadway, $35 million is right about where the grosses were this time in those 2017/18/19 seasons that were so lucrative. Tony nominations are starting to take affect, Suffs posted their first earning week this week, and Hell's Kitchen sold incredibly well. I am including award wins roundups as well (Outer Critics Circle announced yesterday). As always, I have put the weekly operating cost (where known, and a rough estimation if not), and an estimated profit or loss for the week. I do not have all of the information for every (most) shows, but if you have access to information about shows and would like to share it with me, please do!
My methodology for estimating profit (or loss) is as follows:
  1. Subtract 16% from grosses. This is credit card fees, as well as the cut that the theater owners take off the top of the grosses, in addition to charging a flat rent. The weekly operating cost is usually the fixed cost for the production, which does not account for this cut%. If you get a chance to look at a show's offering papers, this number is the Net Operating Profit.
  2. Compare that new number to the weekly operating cost, if it's lower, subtract weekly minimum guarantees, and record the difference as the loss for that week. If the reserve is known for a show, I will record that as well.
  3. If it made money, subtract either 20% or 30% for royalties (after subtracting WMGs),
NOTE: If an awarding body is not listed, that show was not nominated by that group
Grosses (chronological order from opening)-
Back to the Future: The Musical - $872k gross, 78% capacity, $93 atp (Up ~$29k from last week)
Gross Less-Fees: $733k; Weekly Operating Cost: $815k/week; Estimated profit (loss): (106k)
Award Nominations Roundup: Outer Critics Circle (5), Tonys (2)
Another lackluster week for Back to the Future. No major Tony nominations, an upcoming tour which could be discouraging tourists. This is the first time they have had back-to-back loosing weeks during their run. Hopefully the summer is kind to this show.
Merrily We Roll Along - $1.5 million gross, 100% capacity, $196 atp (Up ~82k from last week)
Gross Less-Fees: $1.275 million; Weekly Operating Cost: $800k/week; Estimated profit (loss): $270k
2024 Award Nominations Roundup: Drama League (5), Tonys (7\)*
Award Wins: 2023 Outer Critic Circle (2)
Hot ticket does hot ticket things. This production has already recouped, anything else is just icing on the cake. It has profited a total of nearly $1 million by my estimates.
The Notebook- $786k gross, 87% capacity, $110 atp (Up ~$113k from last week)
Gross Less-Fees: 660k; Estimated Weekly Operating Cost: $620k/week; Estimated profit (loss): $12k
Award Nominations Roundup: Drama League (3\), Outer Critics Circle (1), Drama Desk (2), Tonys (3)*
Good rebound week for the Notebook, they're back in the black, and grosses this level could hold. Especially since the soundtrack seems to be being well received.
Water for Elephants - $1.0 million gross, 83% capacity, $115 atp (Up ~$64k from last week)
Gross Less-Fees: $902k; Weekly Operating Cost: $805k/week; Estimated Profit (Loss): $61k; Remaining Reserve: $2.6 million
Award Nominations Roundup: Drama League (1\), Outer Critics Circle (5*), Drama Desk (7), Tonys (7*), PETA (1)*
Award Wins: PETA (1), Outer Critics Circle (1)
Water for Elephants continues to chug along. It's posted essentially the same grosses the last three weeks, and this is a good place for it to stick around at. Congratulations to Jessica Stone for her Outer Critics Circle win for directing.
The Who's Tommy - $991k gross, 85% capacity, $123 atp (Up ~$80k from last week)
Gross Less-Fees: $832k; Estimated Weekly Operating Cost: ~$700k-750k/week; Estimated Profit (Loss): $40k-$75k
Award Nominations Roundup: Drama League (3\), Outer Critics Circle (6*), Drama Desk (1), Tonys (1*)*
Award Wins: Outer Critics Circle (1)
Good week for Tommy. Lukewarm Tony response nonetheless, they're doing just fine. Congratulations Peter Nigrini for his win for projections.
The Outsiders - $1.0 million gross, 100% capacity, $124 atp (Up ~$129k from last week)
Gross Less-Fees: $860k; Estimated Weekly Operating Cost: ~$700k-$750k/week; Estimated Profit (Loss): $68k-$108k
Award Nominations Roundup: Drama League (3\), Outer Critics Circle (3*), Drama Desk (9*), Tonys (12*)*
Award Wins: Outer Critics Circle (1)
Excellent week for Outsiders. Expect these grosses to hold for a while. Congratulations Brian MacDevitt for his win for lighting.
Lempicka - $419k gross, 87% capacity, $57 atp (Up ~$144k from last week)
Gross Less-Fees: $352k; Weekly Operating Cost: ~$660k/week; Estimated Profit (Loss): ($322k)
Award Nominations Roundup: Drama League (3\), Tonys (3)*
I'm glad to see that they're playing to mostly full houses as they come to the end of their run. Still took a 300k loss.
Suffs - $802k gross, 93% capacity, $110 atp (Up ~$171k from last week)
Gross Less-Fees: $674k; Estimated Weekly Operating Cost: ~$640k/week; Estimated Profit (Loss): $6k
Award Nominations Roundup: Drama League (4\), Outer Critics Circle (5*), Drama Desk (8), Tonys (6*)*
Award Wins: Outer Critics Circle (3\)*
This show is the first to really feel the impact of the Tony nominations, posting their first earning week this week. Not that Outer Critics Circle counts for much grosses wise or Tony predictions wise, but a massive congratulations to the production for winning Best Musical, as well as Shaina Taub for Book and Score.
Hell's Kitchen - $1.5 million gross, 101% capacity, $127 atp (Up ~$233 from last week)
Gross Less-Fees: $1.06 million; Estimated Weekly Operating Cost: ~$800k-$850k/week; Estimated Profit (Loss): $108k-$141k
Award Nominations Roundup: Drama League (3\), Outer Critics Circle (1), Drama Desk (5), Tonys (13*)*
Award Wins: Outer Critics Circle (1),
And this is what being the leading Tony nominee as well as having a massive IP will do. Congratulations Kecia Lewis for her win for featured performer. (And to the show for being Jesse Green's pick to win the Tony I guess)
Heart of Rock and Roll - $319k gross, 69% capacity, $54 atp (Up ~$31k from last week)
Gross Less-Fees: $267k; Estimated Weekly Operating Cost: $650k; Estimated Profit (Loss): ($407k)
Award Nominations Roundup: Drama League (1\), Drama Desk (1)*
After a good week last week HORAR faltered this week. Apparently, this is financed through June, and I'm always happy to see people keeping their jobs.
The Great Gatsby - $1.1 million gross, 90% capacity, $109 atp (Up $130k from last week)
Gross Less-Fees: $991k; Estimated Weekly Operating Cost: $800k-850k/week; Estimated Profit (Loss): 87k-$124k
Award Nominations Roundup: Drama League (1), Outer Critics Circle (4\), Drama Desk (1), Tonys (1)*
Award Wins: Outer Critics Circle (2)
This show is the current leader in the Broadway World fan awards in almost every category. They're going to be just fine with this cast, posting their best week yet. Congratulations Paul Tate dePoo III and Linda Cho for their wins in scenic design and costumes, respectively.
The Wiz - $1.5 million gross, 95% capacity, $128 atp (Up ~$109k from last week)
Gross Less-Fees: $1.316 million; Estimated Weekly Operating Cost: $800k-$850k/week; Estimated Profit (Loss): $309k-$344k
Award Nominations Roundup: Drama League (2\)*
The Wiz got no Tony nominations, but they don't need them. This show will be just fine on the Broadway stop of their tour.
Cabaret at the Kit Kat Club - $2.0 million gross, 99% capacity, $235 atp (Up ~$89k from last week)
Gross Less-Fees: $1.687 million; Weekly Operating Cost: $974k/week; Estimated Profit (Loss): 464k; Reserves Remaining: $2.2 million
Award Nominations Roundup: Drama League (5\), Outer Critics Circle (2*), Drama Desk (5*), Tonys (9*)*
I mourn the loss of accessible theater with this Cabaret revival. That said, glad to see it's doing well. This show also has some really strong advance ticket sales so it should continue to be just fine.
Illinoise - $679k gross, 94% capacity, $89 atp (Down ~$4k)
Gross Less-Fees: $570k; Estimated Weekly Operating Cost: $625k; Estimated Profit (Loss): ($64k)
Award Nominations Roundup: Drama League (1\), Outer Critics Circle (6*), Drama Desk (4*), Tonys (4*)*
Award Wins: Outer Critics Circle (1)
Obviously the grosses for this week are affected by the show missing a performance, but more importantly losing their production stage manager, Thomas Gates, and my heart goes out to the entire production team, cast, and crew for their loss. From a purely financial perspective, not sure if this gamble is going to pay off (it needs to average 1.05 mil to recoup, even with a Tony win that's unlikely), but it will likely play through its run, especially if it wins some Tonys. Congratulations Justin Peck for his win for choreography.
Discuss below!
submitted by Boring_Waltz_9545 to Broadway [link] [comments]


2024.05.13 16:52 Victoriansbarbecue Waco Barbecue Indulging in Tradition: A Culinary Journey at Victorian's Barbecue near Waco, TX

In the heart of Texas, where the sun beats down on vast plains and the air is filled with the aroma of smoky meats, there lies a culinary gem that captures the essence of tradition and flavor. Welcome to Victorian's Barbecue, a renowned establishment nestled near Waco, TX in Mart, where every bite tells a story of passion, history, and community.
A Slice of History
Victorian's Barbecue isn't just a place to eat; it's a destination steeped in history. Named after its founder, the pitmaster Joey Victorian, this barbecue joint has been serving up mouthwatering dishes since its inception in 2016. What started as a humble roadside trailer has now blossomed into a beloved brick & mortar, drawing in locals and visitors alike with its irresistible fare.
The Art of Barbecue
At Victorian's, barbecue isn't just a meal—it's an art form. Step inside, and you're greeted by the tantalizing sight of smoking pits, where seasoned meats are slow-cooked to perfection over a blend of red oak and post oak wood. From brisket to ribs, sausage to turkey, and delicious try tip from the Tri Tip King of Texas, every item on the menu is a testament to the craft and dedication of the pitmaster.
Taste Sensations
Prepare your taste buds for a journey of epic proportions as you explore the menu at Victorian's. Sink your teeth into their signature brisket, a melt-in-your-mouth marvel of tender meat and savory bark. Craving something with a kick? Opt for the jalapeno cheddar sausage, seasoned ribs, and Creole Jambalaya bursting with flavor and heat. And don't forget to sample their sides, from creamy gouda mac and cheese topped with Taki, to tangy cucumber salad, each one crafted with care to complement the main attraction.
A Feast for the Senses
But Victorian's Barbecue offers more than just great food; it's an experience for all the senses. As you savor your meal, take in the sights and sounds of the bustling dining room, where laughter and conversation mingle with the sizzle of meat on the grill and a touch of Star Wars and Dr Dre decor line up the shelves.
Community and Camaraderie
One of the most remarkable aspects of Victorian's Barbecue is its sense of community. Here, strangers become friends over shared plates of barbecue, bonding over their love of good food and good company. It's a place where stories are swapped, memories are made, and friendships are forged, all against the backdrop of some of the finest barbecue in Texas.
Plan Your Visit
If you find yourself in the vicinity of Waco, TX (419 E. Texas Ave. Mart, TX), don't miss the chance to experience Victorian's Barbecue for yourself. Whether you're a barbecue aficionado or just someone who appreciates a delicious meal, this hidden small town gem is sure to leave a lasting impression. So gather your friends, bring your appetite, and get ready for a culinary adventure unlike any other. After all, at Victorian's, every bite is a taste of Texas and Louisiana tradition, served up with a side of Texas hospitality.
Conclusion
Victorian's Barbecue near Waco, TX, isn't just a restaurant—it's a cultural institution, a haven for food lovers, and a testament to the time-honored tradition of Texas barbecue mixed with Louisiana cuisine. With its mouthwatering meats, welcoming atmosphere, and sense of community, it's no wonder that our beloved establishment has earned a place in the hearts (and stomachs) of locals and visitors alike. So the next time you're craving a taste of the Lone Star State and the Pelican State, make your way to Victorian's Barbecue and prepare for a dining experience you won't soon forget.
Victorian’s Barbecue
419 E. Texas Ave.
Mart, TX 76664 (Next to Waco)
(254) 300-6122
Victorian's Barbecue
submitted by Victoriansbarbecue to Barbecue [link] [comments]


2024.05.13 11:43 RagnarokBegining Just why?

So we know game companies can better their game by listening to their communities. Sometimes it doesn't work but most the time I'd say it does.
So why does Nintendo just not give a f*ck about smash? They've removed good features, added characters no one asked for, and do nothing to fix their characters.
One thing I absolutely loved about sm4sh was being able to rematch the opponent and being able to swap characters. They removed that for elite smash apparently.
I know alot of people hate that they removed casual and for glory but at the same time I understand because there is not point when the same people who will cheese, camp, or just play poorly the entire can just go into for glory and do the same thing.
Smash ultimate dlc... the biggest problem with ultimates roster is the dlc characters. They're a mix of characters that people didn't ask for or wanted. Min min is the biggest example of this. She wasn't asked for, no one wanted her, and she isn't even the main character of ARMS. I'm sure that if they added characters were asking for the game would be loved more.
Every dlc character has a big fan base or a small one. I understand that there was talk about wanting the dlc characters we have, in the game. Anyways I don't ever remember asking for minmin, banjo, plant, Kaz, pythra, and byleth. And... what did they do to characters we actually wanted? F*cringe mii costumes. Biggest disrespect and F U to the smash community. Characters like shantae(I think that's her name) genos, doom guy, dante, knuckles, and bomberman.
I genuinely hope they listen to the community more. I wish they added more characters for other characters that only has one rep. Like sonic, cpt falcon, snake, Megaman, little Mac, and bayo but instead we got more characters from game series that didn't need anymore like daisy, bowser Jr, chrom, lucina, Dr Mario, Rosalina, young link, toon link, dark pit, pichu, and dark Samus.
What major change do you guys think the next game should have?
submitted by RagnarokBegining to SmashBrosUltimate [link] [comments]


2024.05.12 13:01 FelicitySmoak_ On This Day In Michael Jackson HIStory - May 12th

On This Day In Michael Jackson HIStory - May 12th
1973- The Jackson 5 perform at the Special Events Center (now Jon M. Huntsman Center) in Salt Lake City, Utah
1979 - On their Destiny Tour, The Jacksons play the 3rd & final night at the Celebrity Circle Theater (now Arena Place) in Houston, Texas
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1984 - Michael visits Shirley MacLaine backstage after her performance in the stage show of Broadway
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1993 - Michael attends the World Music Awards with Jordy, Lily & June Chandler
https://reddit.com/link/1cq5c4h/video/a9bm2q3oytzc1/player
He wins three awards ( Best Selling American Recording Artist Of The Year, World’s Best Selling Recording Artist Of The Year & World’s Best Selling Recording Artist Of The Era) presented by Michael Douglas, Prince Albert & Princess Stephanie
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1999 - Judge Mario Frigenti, in Rome ruled that Michael, in composing his song "Will You Be There,'' plagiarized an Italian songwriter. The judge immediately suspended a $2,200 fine, but ordered Michael to pay court costs (which could be high as the case has taken four years to pass through court).
Singer & songwriter Al Bano first claimed Jackson stole part of the musical motif to his song "I Cigni Di Balka (The Swans Of Balaka)" in 1993. The trial began two years later.
Michael said he has never met Bano & had never heard of his song until the suit was brought. His lawyers argued simple similarity did not constitute plagiarism.
The court heard an expert say that 37 notes were the same in each song.
One of Michael's lawyers, Alberto Seganti, said he will appeal. "There is no proof of plagiarism". In a hearing in Rome two years ago Michael told the court there was some similarity between the two songs, "but it's completely coincidental."
After the verdict, Al Bano invited Jackson to join him in performing a concert for the children of Kosovo.
"The criminal court's ruling was groundless and a travesty," Jackson's copyright lawyer Eve Wagner said at that time. "The criminal court had not only ignored the previous rulings by six other judges in Jackson's favor but also the opinion of the court's own expert that there was 'no possibility of plagiarism.'"
In the previous year, Bano lost a civil case for copyright infringement against Jackson & was ordered to pay expenses. Bano has also brought numerous civil cases against Jackson but has failed to win any of them.
In the past, Michael has been cleared of plagiarism allegations in the United States involving his Dangerous and Thriller albums.
In March of 2001, a Rome appeals court overturns the lower court’s decision, clearing Michael of plagiarism allegations.
2005 - Trial Day 51
Michael goes to court with Katherine & Joe
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2008 - Dr Tohme calls Tom Barrack to wire $23 million in order to save Neverland from a foreclosure auction. In exchange Barrack and his company, Colony Capital received 50% ownership of Neverland.
In a press release, Michael stated:
“I am pleased with recent developments involving Neverland Ranch and I am in discussions with Colony and Tom Barrack with regard to the Ranch and other matters that would allow me to focus on the future"
2009 - AEG issues a press release to officially announce Kenny Ortega as the show producer. Along with the press release is a new picture of Michael & Ortega during the rehearsals.
The streets of Hollywood are buzzing; Michael Jackson mania is in full swing 5,500 miles away from The O2 arena – the home of his historic 50 concerts this summer.
Kenny Ortega, the renowned Director, Producer, Choreographer and creative talent is hard at work collaborating with Michael Jackson in the overall design and direction for the upcoming ‘This Is It’ concert shows. Ortega previously worked on Michael Jackson’s Dangerous and HIStory tours, some of the most spectacular shows ever staged. Last week, thousands of dancers flew in from every corner of the globe including Japan, Australia, South America and Europe to audition for Jackson and Ortega – all of them were chasing their dream of winning a spot to perform on stage with their idol Michael Jackson.
Even after the selection process narrowed the competition from thousands of submissions to over five hundred top international dancers, there was still no dance space large enough in Los Angeles or New York to house the auditions. The producers ended up booking LA’s Nokia Theatre L.A. LIVE, part of the site where the Grammy Awards are held each year, to handle the unprecedented numbers of performers who flocked to these auditions.
Ortega, having once been in partnership with Gene Kelly, is most recently known for his work as the Director and Choreographer of Disney’s, High School Musical 1, 2 & 3. Ortega also Produced and Directed the Barbra Streisand’s Millennium concert tour and is a two time Emmy award winner for his work as Director and Choreographer of the 2002 Winter Olympics opening and closing ceremonies in Salt Lake City, Utah.
In receiving the phone call from Michael to lead the team, Ortega said, “My answer without a beat was nothing could keep me away. Collaborating with Michael on the Dangerous and HIStory tours were two of the greatest creative experiences of my life, to be invited to partner with him again is a dream come true. Working with Michael is always a true and full partnership, he is a creative mastermind, he assembles top professionals to lead his team and then inspires each and every one of us to climb to new places, break out of the box and conquer new challenges. He is the most significant artist and entertainer of our generation.”
“This Is It” is a spectacular concert experience incorporating iconic Jackson songs and choreography mixed with original new works. Ortega says, “Our show goals are to create more than a concert but a complete theatrical musical experience with a dynamic balance that features Jackson in both spectacular production and intimate settings. The stage set, choreography, costumes, lighting, effects and overall production will be of the highest standard and pushing the state of the art.” Michael is dedicated to every detail and aspect of the show working closely with his creative and talented production team. He is “tremendously excited” about sharing his stage show with hundreds of thousands of fans this summer in London. Ortega goes on to say, “It has been over a decade since Michael and I worked on the HIStory tour together. We had been in discussion in the last couple of years about finding a new project to work on. When I got the call to join him for these concerts I was in-between gigs, catching my breath. I had just finished a World Press tour for High School Musical and was about to start a new film. In accepting the invitation I had to move a few mountains to clear my schedule, but I’m thrilled to say I’m fully on board.”
Casting is in final stages for dancers and the band. The dedication, passion and determination of these performers, who are all personally inspired by Michael Jackson brings an unprecedented intensity to the stage. Michael Jackson, The King of Pop, has influenced a generation of performers through his music, dance and stage shows impacting an art form. This week with rehearsals in full swing the impossible has become possible as details to this complex and dramatic show are being put together. And when moments get intense and exciting in rehearsals an age-old British tradition has been adopted – a tea break!
Ortega adds, “I go to work each day with a huge sense of joy just knowing what is in-store. Michael, the team and I will hash out a creative idea, we’re ready to implement it and Michael will say let’s sleep on it. The next day he is back in studio raising the bar to the next level and pushing us further for greater dynamic results.” Randy Phillips, President & CEO of AEG Live, commented, “The unprecedented demand for these shows turned a normal public on sale into a cultural phenomenon and pushed the boundaries by which we measure success. Michael and Kenny are creating an escapist adventure that will take the audience on an entertainment experience only imagined in dreams or big budget motion pictures. This is the perfect pairing on unique creative talents with the greatest repertoire in contemporary music.”
Ortega concludes, “I am looking forward to the creative days ahead as we build a Michael Jackson experience like no other, and to ultimately arriving at The O2 - a magnificent venue and a worldly place. I am thrilled to be a part of the team that once again is bringing Michael Jackson, the greatest entertainer of our generation, back to the stage and into the light and love of his devoted fans.” By the end of the 50 concerts, 1 million fans will have witnessed one of the greatest musical events in history. This will be the last chance to see the King of Pop in London in what will be a historic stage show, and once in a lifetime concert experience - this really is it!
Note To Editors – One of the world’s most popular entertainers, Michael Jackson has sold over 750 million units worldwide and is one of the very few artists to be inducted twice into the US Rock and Roll Hall of Fame. The Guinness Book of World Records has recognised Michael Jackson as the Most Successful Entertainer of All Time and Thriller as The Biggest Selling Album of All Time. Jackson won 13 Grammy Awards and received the American Music Award’s Artist of the Century Award.
Michael's This Is It 50 concerts sold out in a matter of hours on March 13th smashing box office records.
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2009 - Conrad Murray placed his third order of Propofol
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2024.05.12 08:04 Dimitri_Ostende Mac Dre is one of the most esoteric rappers when you lift the veil. The Bay Area icon has birthed artist & a hip hop psyop version of sex, drugs, and rock and roll that is comparable to the Bay Area group the Grateful Dead influences on the youth in the 1960s.

Mac Dre is one of the most esoteric rappers when you lift the veil. The Bay Area icon has birthed artist & a hip hop psyop version of sex, drugs, and rock and roll that is comparable to the Bay Area group the Grateful Dead influences on the youth in the 1960s. submitted by Dimitri_Ostende to conspiracy [link] [comments]


2024.05.12 07:55 Dimitri_Ostende MAC DRE & THE OCCULT Vol. 3 "Rapper Gone Bad" Decode

MAC DRE & THE OCCULT Vol. 3 submitted by Dimitri_Ostende to CaliConnection [link] [comments]


2024.05.11 20:30 rapmorelikecrap nickatina & mac dre — andre n andre

submitted by rapmorelikecrap to hiphopheads [link] [comments]


2024.05.11 08:45 Ideas_for_you Just thought I'd share my collection

Just thought I'd share my collection
I got into tape around 2020, when I bought first album on tape, Nectar by Joji, and ever since then I've had an increasingly Interest, fascination and love for the media. Ever since I was gifted my first tape player(a small modern and soon to be out classed boombox), something about watching how everything moves and to see a machine work to produce sound was really mesmerizing. Over the years I've gone to music shops, halfpriced books, goodwills, and even going to the value villages in the great north to finding tapes and tape players. Then as time went on, I looked into protable players like walkmans, shoebox recorders, to more sophisticated machines like tape decks. Where I was floored on how good tapes could sound with the right equipment, and realizing how fun it is making a mix tape. And then I fixed my first sony boombox(literally), and was surprised how fun repairing these machines are. So I bought a walkman to service and fixed it, then took on a deck. And just completely fell in love with the hobby.
OH and here's some pictures, my bad for yapping.
submitted by Ideas_for_you to cassetteculture [link] [comments]


2024.05.11 04:50 Codename-SiGiL Mobile Task Force Epsilon Bravo VII - The Omniversal Concordat 5-4-23 - Chapters 3 & 4

_.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-.
Chapter III - Is that baklava, or are you just happy to see me? San Francisco, California - Market & Castro - June 1st, 2008
Number 5: "So there I was, at a Fetus/GWAR concert and I'm right at the barricade at the very front between sets, and there's this super HOT fucking bouncer chick, right? And she's staring right at me, and I look right at Oderus, and he looks right at me, and we both stare at this fine ass bouncer working crowd security at the front. Then, just out of nowhere, she lifts her shirt and whips her tits out and points at her mouth, and they aim the blood canon right at her and absolutely blast her with purple monster blood all over her in the face and tits. And me and Oderus look at her, then each other, and then just shrug, and man. It was fucking awesome..."
Command: "When was the last time you went to a GWAR concert, Five?"
Number 5: "It was at least back in 03'... Hold up. We've got Cookie monsters gathering in Jane Warner Plaza... You seeing this Seven?"
Number 7/Overwatch: "Copy that, five. They just hopped out of the MUNI, and looks like they're getting hot for boy pussy... Fucking dickholes..."
Command: "Okay ladies, don't get your panties in a twist. We need this to go down quietly. Do you have eyes on the package?"
Number 6: "Packages everywhere. Literally, but not the one we're looking for..."
Number 8: "Be advised, we've got Hajis and Skinnies popping out of the Muni station. Looks like they're here for more than just tail. Do you see this Command?"
Command: "Roger that, Eight. Keep it tight and don't let them out of your sight. Five, I want a danger close tail on those fuckwads, and find out if they're here for the package."
Number 5: "Copy, Command. I'll drop a line to the West Side Story boys, and see if they can keep a visual. Just a sec... Crutchie, do you read?"
Crutchie: "Oooh, is that who I think it is? Five, Darling. You never called me back after last time... And I thought we had sooo much in common."
Number 5: "Well that was before you made out with and keestered our asset, and made him pop positive for molly on a piss test, Crutchie..."
Crutchie: *Twirls a lock of hair* Whatever, Five. And he was soooo hot to trot too. Tsssssss."
Number 6: "Doesn't Crutchie always try to bone all of our assets?"
Crutchie: "Only if they're hot enough, Six..."
Number 8: "By the way Crutchie, really digging the whole hipsteClark Kent get up you've got going for you. Does it normally get you tagged by boner, or is that how you always dress when courting an investment banker?"
Crutchie: "Only when they're getting right off of work and hitting the club scene, Eight. Okay, I've got visual on the Skinnies. I'll have Leather Daddy run the tail from here, and we'll have Gilette and Stabby watch from their perch."
Number 6: "Tell Gilette I said Hi. Is she still dating that fucking twat from Jersey? Last time we had an engagement, she almost blew the whole damned OP over a tray of creme brulee..."
Crutchie: "Yeah, well bitch had a sweet tooth... Never get between a woman and what she's craving during a pregnancy..."
Number 7/Overwatch: "We've got a problem. Looks like the Skinnies are heading over to the deli for some falafel, and they've got company. Looks like the Greek mobsters from Kearny Street we saw last week..."
Command: "Keep it cool, ladies. The last thing we need is for one of you to get made if these fuckers start exchanging bullets. Hopefully they keep their dildos in their holsters..."
Crutchie: "Speaking of dildos, when's the last time you had some poon, Five? It's been what, over a year since you had that hot goth chick you were making out with at my mom's apartment? Or are you into dudes now?"
Number 5: "I don't get attached, Crutchie. I'm here for a good time, not a long time. Remember?"
Crutchie: "Okay, if you say so, but you still didn't answer my question, darling..."
Stabby: "Daddy, do you have visual? Pop a twenty in the deli and order some baklava. Find out if these fuckers are here for the package."
Leather Daddy: "If you say so, sweetie. And ooooh, good call. The baklava is to die for. You've absolutely gotta try some sometime..."
Stabby: "Be advised, Six. We've got the Sesame Street convention hopping out of the MUNI station. Looks like the perverts you warned us about on the APB."
Number 6: "Got visual, and yep. Those are the same perps."
Crutchie: "I don't want to be a party pooper, ladies, but I've got an investment banker to impress... Think you can party with Stabby and Gilette for now?"
Number 5: "Damn it, Crutchie... and by impress you mean..."
Crutchie: "Always sweetheart."
*The four suspects start heading over to the Palestinian Deli*
Number 6: "We've got a problem, looks like the Cookie Monsters already know the Greek Malacca fuckwads... Command, you seeing this?"
Command: "Affirmative, Six. Standby for further instructions. Daddy, how's the baklava looking?"
Leather Daddy: "Oooh, sweet as can be. You like shwarma, sweetie?"
Command: "Not really, Daddy. Kebabs are my thing, and usually salmon if they have it, and have decent enough tatsiki sauce."
Number 7/Overwatch: "One of the skinnies isn't looking so hot. You see the heat on him? He's burning up..."
Crutchie: "And by burning up, I'm going to assume you mean in a less than sexy way?"
Stabby: "Confirmed on the thermal, Seven. He's got a temp of over 107 .
*The Somalian youth in the leather jacket keels over to his hands and knees and starts coughing up blood*
Number 6: "Well, that's not a good sign... You seeing this command?"
Command: "Affirmative, Six. Keep a distance in case he's got ebola or some shit. Daddy? Be advised, the skinny in front of the deli is coughing up blood. Keep a good gap and follow the others when they move.
Leather Daddy: "Yes, Mommy. I thought you'd never ask."
Stabby: "Looks like the Hajis are heading across the street to the bodega next to the bakery/ice cream shop. Standby, Daddy. This could get complicated. Let's see what these fuckers are about.
Leather Daddy: "Oooh, what a co-inky-dink. My girls are getting ready for Rocky tonight. They're at Starbucks right now. Should I give them a ringy-dingy?
Gilette: "Copy that, Daddy. The more the merrier."
Number 6: "Looks like the Skinnies are on the move, and they don't seem to give a fuck about their buddies well being, they're just dragging him along..."
Number 7/Overwatch: "Yep, looks like they're heading into the plaza in front of Twin Peaks right now. Those Malacca fucks are still milling about with the Sesame Street parade."
Number 5: "Copy that. Let's keep the logistics for this shit under wraps. Dykie, Stabby, Daddy? We'll do a split push. You have your girls at Starbucks watch the Hajis, and we'll keep an eye on the Plaza. If anymore Cookie Monsters pop up out of the Muni, I'm going to get fucking heartburn."
July 2nd, 2008 - 2148 Hours San Francisco, California - Market & Castro - June 1st, 2008
*The four Muhajadeen gatherered in front of the bodega, while the elder with the flowing beard and trucker cap walked in the front door. Sueliman lit a cigarette while Mohammed and Ismael looked at Mehmed sideways*
*Simultaneously, Dave and Richard sat in Jane Warner Plaza, reading magazines and eating sandwiches they bought moments earlier from next door to Twin Peaks.*
Sgt. Dave: "You ever get the feeling we're in the wrong line of work? I mean, with all the shit going on in the world today, we could be overseas making a difference, and instead we're walking a beat to protect a bunch of entitled liberals and hipsters..."
Pvt. Richard: "You're barking up the wrong tree with that one, Sarge. I already did my tour, and it was a steaming pile of dog shit. War is still not over. Not by a long shot. I'll take walking a beat with this crowd any time, compared to getting keestered in some Iraqi shithole mosque's basement, any day of the fucking week."
Number 5: "Be on the lookout, we've got two cops sitting in the plaza and they are completely fucking clueless to the Sesame Street brigade gathering around them."
Stabby: "Copy that, Five. They're beat cops, and they're usuals in this neck of the woods. They're not involved in policing this kind of shit..."
Leather Daddy: "Ooooh girls, looks like we got some boys from the Bin Laden fan club gathering in front of the bodega, and I think they're there to buy more than just bongs and zig zags..."
Number 6: "Copy that, Daddy. Looks like the Skinnies are walking past the Cafe and are heading down Market. The Greeks are still hanging out in front of the deli..."
Gilette: "Looks like Rip Van Wrinkle from the Muhajedeen is going to be in there for a while. Standby. Yo, Daddy. Can you get a stoner or hardcore pothead to drop in there and see what the fuck is going on inside?
Leather Daddy: "Passing Squat and Gobble right now, tailing the pirates. I'll see what I can do... Heeeeeey, Javier?"
Javier: "God damn it, dude. I told you not to call me this early. I'm not holding and the dispensary doesn't restock until Tuesday..."
Leather Daddy: "Well, see. If you could help a brother out, I've got this group from the Bin Laden fan club at the bodega bong shop around the corner from the flag, and I really need someone to drop by and give a looksie. Could you be a dear and do me a favor, just this once?"
Javier: "Yeah, yeah, Daddy-o. I'll have one of the Punk rockers from up the street drop by and get a pair of ears in there. It could be a minute though..."
Leather Daddy: "Ahoy! The sooner the better sweetie. We're running a tight ship."
Javier: "Got someone walking up the block on a parallel route right now. Should be there in a minute twenty."
Leather Daddy: "Fantastic! I'll definitely owe you one, Javi."
Javier: "Any time, Daddy-O."
*Just then, a Ford Explorer pulled up at the intersection of Market and Castro, with 20" rims and neon lights on the under carriage. "Mac Dre" was dumping out of the woofers*
Stabby: "And look who it is..."
Gilette: "Sauce boss is early today, eh?"
Stabby: "Probably about to hit the Cafe for the usual customers. If they run into the Sesame Street convention in the plaza, we could be looking at a shootout in the making..."
Number 6: "Be advised, Greeks are looking heated."
Number 5: "Don't tell me those malacca fuckwads are thinking what I think they're thinking..."
Command: "Five, Six, Seven, Eight! Do NOT engage! I repeat! Do NOT engage!"
Gilette: "Oh, Motherfucker-"
*The Greeks in front of the Palestinian deli eyeballed the Ford Explorer and reached into their coats as it rounded the corner on Castro. That's when Intratec Tec DC-9s with extended barrels and 30 round mags popped out of the windows, and it began to rain 9mm x 19mm shell casings and ball parabellum rounds.* _.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-._.-=-.
Chapter 4 - We need more cone charges... Hayward, California - July 6th 2008 - 0324 Hours Mobile Task Force - Epsilon Bravo VII (The Renegades)
EB7-5: "Well that was a shitshow the other night..."
EB7-6: "Yeah, tell me about it, Five. And we got reassigned to the Scooby Squad and the Mystery Machine? Literally, how in the fuck does that happen?"
EB7-8: "Well, those coke dealers weren't playing around when those Greek kid fuckers reached for their jammies..."
EB7-7/Overwatch: "No shit. It was curtains the minute they dug in. Damned shamed about the package though, we almost had that fucker."
EB7-6: "Hey Five, you know if those cops made it? The ones in the plaza?"
EB7-5: "They were wearing standard issue kevlar. The few strays the sergeant caught to the torso tagged him in the vest, but one got him in the shoulder. The Private got one in the pelvis, so he's in ICU still. We don't know if he'll pull through."
EB7-8: "They were a game changer though, through and through. Lucky for the Sergeant, that Private was a Seal."
EB7-5: "Well, that made all the difference in that world." she said, making a wide covering arc with her extended barrel AA-12 as she knelt and held up a balled fist to Six and Eight, a 30 round drum of 12-gauge Thamauturgically enhanced cobalt slugs hung from beneath her weapon, and two more drums were in her pack, just like the rest of her 3 person fire team whom also had similar loadouts of AA-12s, each one with a secondary loadout of short barrel SCAR-Light bullpups and several 30 round magazines in their Boron-Ceramic armor's LBVs. Seven had standard issue .50 Cal tungsten carbide SLAP rounds enhanced with neutronic singularity dispersement tips at the ready, and an FN-FS2000 with lithium plasma phase differential bullets.
EB7-Command: "Good evening, Ladies..."
EB7-6: "Holy fuck, is that Gator?"
EB7-Command: "The one and only, Six."
EB7-5: "Congrats on the promotion, Captain. Glad to have you join us..."
EB7-Command: "Thanks, Five. I'd hate to be the bearer of bad news, but switch to your visors. You've got some tangoes up ahead and I don't think they're here for tea."
EB7-5: "Roger that. Gear up girls, this is what we signed up for. Switching to multispectral..."
Professor Chaos: "Wait for me to run point up ahead, and you three cover me. I need to see what these things are up to..."
EB7-5: "Copy that, Skippy. Just don't get your damned arms ripped off, got it?"
Professor Chaos: "Roger that, Five. I'm Oscar Mike, with Charlie..." he said, as he closed his eyes and began walking, doing his best to concentrate, craning his head from right to left. Taking a bandana out of his pouch, he tied it around his eyes so he wouldn't have any distractions...
Professor Chaos: "Be advised, I'm reading some temporal-spatial anomalies about half a click ahead."
EB7-Command: 'You can fucking see that shit, Skippy?"
Professor Chaos: "Five, now would be a damned good time to deploy a mobile Scranton Beam Projector..."
EB7-5: "Copy that, Skippy. Tripod deploying the directed energy stabilization field in ten seconds." Ten seconds later, there was a brief temporal distortion, and the spatial fabric of the facility wavered and shimmered momentarily.
EB7-5: "Temporal-Spatial stabilization synchronized, Skippy. You're clear to proceed."
EB7-6: "Didn't Nazis used to use this place as a secret base after the war?"
EB7-Command: "Correct, Six. Those fuckers were hiding under everyone's noses for decades until OSI flushed them out in the 70's. Place has been In-OP and direlect for decades, but the Serpents Legion teamed up with what was left of the Ahnernerbe Inner Circle back in the Satanic Panic of the 80's and 90's. They've been using the place on and off since then..."
EB7-Gunny: "Lance and I will keep watch here on the surface and give you a heads up if anyone decides to drop by. As of now though, not a soul knows were here, and Higher made sure to keep it dark on signals. We're the only one's that will be in or out... Professor, don't get shanked by a fucking sorcerer now, or worse get Shanghai'ed by the damned cult. Motherfuckers will be sad if your ass gets eaten by a God damned monster, Skippy..."
Lance Corporal Todd slung the M32A1 over his torso as he slid the extra clips of .308 into the LBV on his Boron/Ceramic armor. Taking his bullpup SCAR Heavy with suppressor and Multispec scope, he gave a brief once over of his gear. Corpsman Bill did the same, as did Gunny Wilson. Each one had similar rotary grenade launchers with high explosive armor piercing 40mm grenades, and extra ordinance and munitions in their packs, including cone charges, claymores, and various utility grenades like flashbangs and thermite. Taking one last look at each other, they switched on their quantum camouflage, and their forms shimmered and disappeared to visible light spectrum. Switching to back scatter X-Ray/Multispec, they nodded to each other and made off to secure the entrances at the perimeter.
EB7-Bill: "Did you make sure to wash with hunter's soap and scent free baking soda deodorant, guys?"
EB7-Wilson: "Copy that, Corpsman. I can't even smell myself."
EB7-Todd: "Yeah, it's weird. It's like 99 degrees right now and I'm not even sweating, let alone smelling myself. At least it's not like Mississippi..."
Just then a pair of headlights could be seen rolling down towards the warehouses. The sound of Reggaton could be heard on subwoofer.
EB7-Bill: "Well boys, it looks like we've got company, and I don' think they're here for the same reason we are. Let's just hope its a drug deal or an arms sale, and let them go on their way."
An electrical company van's headlights could be seen coming from the opposite direction, and it was being followed by a repair truck with a bucket lift.
EB7-Wilson: "I Get the creeping suspicion that these cats aren't here to check the meter."
EB7-Todd: "Command, be advised. We've got activity here on the surface. Looks like gangster shit, but we've also got some utility workers on their way to the street parallel to us. What do you want us to do for now?"
EB7-Command: "I'm less worried about the gangsters, and more concerned about the utility workers. Keep an eye on them. Especially if they start snooping around.
EB7-Bill: "Copy that, Command. We'll be on the lookout."
The Escalade bumping the reggaton pulled off to a side road a few streets over, and the Utility van and bucket truck pulled the same way. More headlights could be seen as two vehicles came from the same direction as the gangsters. One was a Dodge grand caravan, and the other was a Ford F-350 XL.
EB7-Wilson: "Oh shit, this can't be good. Command, you seeing this?" It was then that the microwave uplink to the aerial surveillance drone scrambled and cut out.
EB7-Command: "Well fuck me running, boys, but looks like the drone's feed just ate shit, and the timing of theses utility workers and gangsters is a little too convenient. Stay in the shadows. It looks like they're here for us and the girls..."
Three men in body armor with kitted out Ak-47s and NV goggles hopped out of the Escalade. Five more hopped out of the minivan, equally geared up. Two hopped out of the truck, and went around back for large metal cases and dragged them to the ground, as well as three C-Bags. A man in a white suit with a white cabana hat stepped out of the Utility Van, and lit a cigar.
Mercenary Captain: "Buenos Tardes, Patron. Es tiempo." The man in the white, gave him one stern look and simply said, "¿Si? Bien."
The Captain pointed his AK-47 at the ground as he slapped the side of the truck twice and yelled to the men, "Vamanos puez! Andele!" The nine men gathered around, and each one dropped to one knee, and lowered their heads. Taking a puff of his cigar and pinching it between his fingers, the man in white outstretched his arms and stepped forward.
Man In White: "Welcome, Children of the Night! The Serpent is with us. I do hope you are all ready to do the Lord's work..."
It was at this point that the power went out for the entire grid to the whole city. All the lights and ground communications went dark in that very moment.
Man In White: "Viya con dios, Mijos."
They all rose to their feet and immediately began unloading the crates of rocket launchers and light machine guns, and ammo boxes.
EB7-Wilson: "Yeah. Guess they're not here to check the meter fellas. These aren't Mexican mafia at all... They're something else..."
EB7-Command: "Hopefully they don't see you yet..."
It was then that the Man in White walked 90 º perpendicular to physical 4th dimensional reality and winked out of existence. His men did a double take and stood there flabbergasted for at least a minute looking around until the Captain said, "Get back to work!"
EB7-Wilson: "You fucking see that shit, Gator?"
EB7-Command: "Yeeeeeah. That's NOT a good sign. Ladies, this is probably not a good time, but we've got our hands full up here. Stick to securing the objective with Professor Chaos. We've got a mess about to happen and will do our best to hold them off while we can."
EB7-5: "Yeah, we got a Temporal-Spatial distortion spike right before you told us. Well stick with Skippy. Seven, you're up here with us. All of us will stick in a five man team from here on out. Going radio dark, Command. We don't know if our COMS encryption's been burned yet.
EB7-Command: "Good call, Five. We'll head down there as soon as we get this handled. Good luck." Wilson, Todd, and Bill, held their positions and aimed their weapons at the entourage of mercenaries.
EB7-Wilson: "Don't do a thing unless they fire at us. It's better we aren't seen and don't have to engage unless we have no other options."
The Man in White's voice echoed in Wilson's head.
Man In White: "I appreciate you demonstrating a professional courtesy of sparing my men, Gunnery Sergeant Dennis Nathaniel Wilson, and honestly you and your fireteam could have killed them all rather quickly if you were motivated enough. However, I cannot guarantee the girls success of securing the relic. You will find that its guardians can be rather- persistent. Now tell me more about the SCIP friend of yours...Professor Chaos."
EB7-Wilson: "I remember your from Peshwar. You were with the general from ISI in '03." *His eyes widened* "You're-" Wilson's eyes rolled back into his head and he began twitching as he entered a fugue state and convulsed and foamed at the mouth. He fell to the ground unconscious shortly thereafter. He plopped like a ragdoll with an invisible *thud*. It was then that the Man in White began probing his memories...
EB7-Command: "Wilson! Damn it Gunny, Wake UP!"
_ To Be Continued...
submitted by Codename-SiGiL to u/Codename-SiGiL [link] [comments]


2024.05.10 22:14 Georges_Moustaki Strange samples

What are you’re favorite and strange samples from a completely different genre or artist. (Can also be just strange sounds)
For example :
What’s the difference by dr Dre and Eminem samples parce que tu crois from Charles aznavour
Knock knock by Mac miller samples I’ve told every little star
Mr clean by young gravy samples le mr sandman
Money money money by DMX samples j’ai le cœur en joie from Chantal Goya
Crack a bottle by Eminem samples Mais dans la lumière by mike brant
Blurred lines - gotto give up
El condor pasa from Simon and Garfunkel is an old Peruvian song
Toxic by Britney Spears is from a Bollywood song
The sound effect from the coin in super mario in boys by Charlie xcx (she also sampled one of her own songs in another one and iffy azalea samples her own song leave it for fancy)
Lucid dream - shape of my heart
Poker face - ma Baker
Viva la vida - if I could fly
Come as you are - killing jokes
Well just every cool sample you know I want to know to
submitted by Georges_Moustaki to Music [link] [comments]


2024.05.10 06:03 ComfortableRip769 guess my age based on my stats

guess my age based on my stats submitted by ComfortableRip769 to statsfm [link] [comments]


2024.05.10 03:56 RunAdministrative299 [FOR SALE] Bladee, Bone-Thugs-N-Harmony, E.S.G, Jane Remover, Jpegmafia, Madlib, Parannoul, Sweet Trip, Three 6 Mafia, etc.

US seller and shipping only. prices are with shipping included, chat or PM for any inquiries, images, etc!
submitted by RunAdministrative299 to VinylCollectors [link] [comments]


2024.05.09 18:24 BiggestStepper_ You had to be there

You had to be there
Somebody needa make this generations Too Much that shit was a smash hit!
submitted by BiggestStepper_ to TheCapitalLink [link] [comments]


2024.05.09 06:14 tomorrowisyesterday1 Rant on The Newsroom's Writing, Aaron Sorkin

Just wrote this rant, figured it might be interesting to get other people's thoughts on it. You kind of need to be fairly familiar with season 1 and season 2 of The Newsroom to fully know what I'm talking about. This also references specific "technical storytelling technique" names with proper noun capitalization that aren't exactly recognized by anyone other than me and my glossary of techniques. Also the formatting is wonky because I wrote this in Word where the indentation code is way smarter than Reddit's rtf code.
tl;dr: I'm writing out a lot of reasons why I think the pilot episode of The Newsroom was way better than Episode 1 of its Season 2. I go into specific dramatic tension techniques, thematic question, characterization techniques, thoughts on how to improve specific parts of Season 2's first episode, stuff like that. Basically a video essay in text form.
__________________________________________________________________________________________________________
The first episode of The Newsroom Season 1 worked. The first episode of its second season didn’t. Here are 4 points as to why (sorry, church pastors).
1. The first episode of Season 1 established the following season-wide components extremely clearly:
a. Thematic Question: Can a news show be honorable and popular at the same time?
b. Elevator Pitch: News anchor transforms his public persona in an attempt to civilize America from his news desk.
c. Allegory: The entire story is basically Don Quixote but in an American, modern newsroom.
The first episode of Season 2 established none of those three season-wide components for the new season. As a direct result, the narrative composition of the season and its episodes was thematically ambiguous, difficult to summarize, and not memorable.
Successful development of those three components is the foundation of successful story.
2. The first episode of Season 1 effectively develops its main protagonist, Will MacAvoy, using the following 4 technical storytelling techniques:
a. Synecdoche Principle of Characterization: Before we see Will’s face, we are immersed in his subjective way of experiencing of the cat fight on the college stage. This isn’t a traditional expression of the technique, but it’s in the spirit of the technique. This is a technically correct use of a characterization technique.
b. Forced Denial technique: For about three minutes, Will is forced to deny the things he wants to shout from the rooftops (per Mackenzie McHale’s posters). This is a technically correct use of a dramatic tension technique.
c. Identity Reversal technique: Will’s externalized qualia rapidly reverses to its foil when Will says, “Fine.” This is a technically correct use of a characterization technique.
d. Authority Reversal technique: The dominance hierarchy on the stage radically transforms immediately once Will says, “Fine”. This is a technically correct use of a dramatic tension technique.
All those techniques put together are partly the reason that scene has amassed over 30 million views on YouTube.
Furthermore, the scene established two separate Setup/Payoff devices indulged upon later in the season, established character synecdoche for the female lead, set the season’s main events in motion, and created a Problem to Solve device for later in the same episode. Most importantly, the follow-up to the scene in the hallway established the Season 1’s Danger Level. Establishing a story’s Danger Level is the single most important task of any prologue or prologue-esque scene.
The first episode of Season 2 opens on a medium shot of Will MacAvoy. This was a major mistake. We already know who Will is. There is no need to spend this precious first minute on Will. The opening scene continues to use a cheap power trip to establish Will’s dominance in the scene (he claims he saw the stenographer type a word incorrectly from across the room). This moment does not match the pattern of any known technique and does not contribute much, if anything, to dramatic tension, characterization, or pacing.
The scene is establishing a nonlinear storytelling format where information is provided out of sequence without laying the foundation first. This format was done effectively on two episodes in Season 1 but is used ineffectively here because it is essentially a pilot episode. That format requires the audience to be well-grounded in the story from last week’s episode.
The scene goes on to cast a joke and to elaborate on a supporting character not integral to any primary conflict. It then spins off into a story where Reese Lansing is not allowed to walk into a room.
The first scene in the first episode of a season should usually focus on developing a new primary character. Season 2’s first scene introduces a new primary character but does not focus on developing that new character. Furthermore, it fails to use any identifiable technical storytelling techniques (while Season 1’s pilot used 4, arguably 6).
Here's a suggestion for a fix: the ending scene where Mackenzie is in the lawyer’s conference room uses a Value Stacking technique to develop the lawyer character. Make that technique stronger by changing Mackenzie’s line from this:
“When I was little, I asked my uncle how much a lawyer costs. He said if it’s bad, £300. If it’s really bad, £400. And if it’s really bad and you’re guilty… How much do you cost?”
to
“When I was little, I asked my uncle how much a lawyer costs. He said if you punched someone, £300. If you killed someone, £400. And if you killed someone and you’re guilty… How much do you cost?”
Using this Value Stacking technique to imply that Mackenzie is guilty of a “really, really bad” crime is not as effective as using the technique to imply that Mackenzie is guilty of a crime far worse than killing someone.
Then, put that scene at the very beginning of the episode but don’t show the lawyer’s face until the very last possible second (Synecdoche Principle of Characterization). Then, use some combination of 3 or 4 other techniques to make the scene memorable and exciting. The opening scene absolutely must focus keenly on establishing the lawyer’s character.
Then, take Will MacAvoy out of the entire first 99% of the first episode. The story now takes place on the night of the 9/11 anniversary when Will has been taken off the air. Establish that Will is waiting outside the lawyer conference room in the opening scene with Mackenzie (establish the Setup) and then wait to release that Payoff until the end of the episode. A reminder of the Setup may be necessary in the middle.
Why? Because this episode needs to focus on developing the lawyer character. You can’t effectively develop that brand new character in a sequel with your already-developed main protagonist in the way. This episode must be about the shiny new character. The new character needs to be deeply imbedded in the allegory and elevator pitch the first episode establishes (as done in Season 1’s pilot).
3. There is no bad dialogue in Season 1.
However, in the first episode of Season 2, we see examples of excess filler dialogue. We see numerous lines continue well after their natural expiration. For any other writer, this would be forgivable in small doses. For Aaron Sorkin, just one is unforgivable.
a. Don Keefer’s lines about not needing to discuss the reason Jim left. This should have been a one-liner.
b. The scene at the park bench with the Occupy Wall Street lady. Her line, “Then why do you take Wall Street bullshit like limited government seriously?” should have been the end of that line. The moment she took the next breath, the scene’s realism was popped open like a piñata.
Most scenes in Season 1 used at least 1 technical storytelling technique. Often, multiple were used at the same time.
However, in the first episode of Season 2, only 1 or 2 techniques were used in total throughout the entire episode. Season 1’s pilot used them at a rate of about 1 per minute for a total of about 40-50.
Here are some examples of scenes that would have used at least 1 clever technique if they had been written by the Aaron Sorkin from Season 1:
a. The scene where Jim asks Mackenzie to let him go on the campaign trip. It uses perfectly strong subtext, but that’s not good enough. You really need a Forced Denial technique here, a clever iteration. It’s not at full-blown technique stage yet because it’s just plain-old subtext. The Aaron Sorkin of Season 1 would have come up with a clever way to incorporate a stronger Forced Denial technique here. The scene needs to start off talking about something completely different, we can’t have such a clear intention through-line from the preceding segment since that spoils the transition, and then we need to rapidly transition at a tangential climax. The bit where she stopped to shut the door killed all the momentum. Closing the door needs to happen after the transition, not before.
b. The scene where Jerry Dantana was first introduced ruined a perfectly good opportunity to use the synecdoche technique. Don’t show his face until he shows up in the newsroom. Use the establishing scene where he gets the phone call to focus only on the character’s synecdoche. Do not show his face. Instead, show his costumes/props/living space. Perhaps even use that as an opportunity to install a Bomb Under the Table device by showing the audience evidence in his house that he has something to gain by harming ACN—before even showing his face. This technique was used exceptionally well on Mackenzie’s introduction in Season 1.
c. The scene where Jim is denied entry into the bus didn’t use any techniques at all. This could have been massively improved by either adding an Authority Reversal, Kill the Cat, or a Trap. It’s technically using a Kill the Cat, but it’s very weak because it doesn’t seem particularly unfair since Jim’s department publicly humiliated the people on the bus. This needs to be an Authority Reversal or Trap. Even an Identity Reversal may work here for the bus manager. Yes, technically there already is one, but it’s very weak since the transition is far too slow. The key to most of the dramatic tension techniques is rapid transitions.
d. The scene where Reese Lansing tries to enter the room in the Capitol building. We have an extremely tangible intention and obstacle and we have a “unstoppable force meets an immovable object” situation going, but it doesn’t work. Firstly, the intention line for Reese doesn’t work because we don’t know why getting into that room is so important to him. Secondly, we’re not using any techniques. It’s bland. Dry. It can be made far better by adding a Bomb Under the Table for example. Instead of us gradually realizing with Reese what’s going on by seeing hint after hint (yes, Will already told us, but the transition from confidence in Reese is far too gradual and we see it through Reese’s perspective), we instead see Reese’s friend tell the guard not to let Reese in. The scene continues as normal, but Reese’s nametag is there and he’s still on the list of names. But the guard won’t let him in. Reese pleads for the same friend we saw before. The guard doesn’t reveal that his friend is the one who banned him. This is the bomb under the table. Then, at the end of the scene, the guard finally reveals to Reese that his own friend was the one who banned him. That may not be the best implementation, but it's a start.
For contrast, we’ll briefly explore 2 scenes from Season 1 that should have been boring and thoroughly unexciting, but weren’t:
a. The scene in Season 1 Episode 3 where Will says, “OH! I DIdn’t even knOW you were HERE”. This entire scene only consists of Will ranting about something hardly anyone viewing can follow. To keep the less-educated audience’s attention, it uses at least 4 techniques.
i. Bomb Under the Table: The audience knows Mackenzie is back there, but it doesn’t seem like Will does. Instead of getting bored by Will’s long rant, the audience is anticipating when and how he will realize she is back there.
ii. Graphic Illustration: Hardly anyone can follow the flow of logic, so Sorkin references the imagery of the Pentagon levitating multiple times so that the audience can focus on imagining the Pentagon building levitating while listening to the musical dialogue.
iii. Withheld Revelation: At the end of the scene, it is revealed that Charlie Skinner secretly manipulated Will into going on this rant in the first place. This significantly changes the framing of the previous conversation, causing the audience to mentally revisit it.
b. The scene in Season 1 Episode 6 where Sloan Sabbith is on the phone with her Japanese friend in the conference room with the producers talking about the nuclear reactor meltdown. The Aaron Sorkin of Season 2 would have led with a conversation about the nuclear reactor meltdown since that’s what the scene is about. The Aaron Sorkin of Season 1 instead led with a conversation about the friend’s daughter’s diving team regional championship. This is a clever use of the Identity Reversal technique. This scene was randomly selected from a pool of all Season 1 scenes.
4. Season 1 had a very clear and actionable Problem to Solve device running straight through the entire season. That problem to solve was this: “How do we civilize America from a news desk without getting fired and hated?”
Season 2 on the other hand does have a Problem to Solve, but it is not actionable. The Problem to Solve is this: “We massively screwed up on Genoa, so how do we get out of our legal troubles?” This is not an actionable problem firstly because the season isn’t even about solving that problem. It’s about discovering how the problem was created. That’s not a story. That’s a group therapy session.
It worked on the Season 1 episode where Will was at his therapist’s office because the episode was about how to civilize America from a news desk without getting fired and hated. The discovery of Will’s emotional problem was a minor subplot. It was not the primary plot. Furthermore, the episode did not lead with telling the audience exactly what Will’s emotional problem was and thus did not strip the episode of its all its tension like stripping a deer of all its venison.
It's not actionable secondly because zero scenes take place in the presence of a jury, judge, or other neutral factfinder.
__________________________________________________________________________________________________________
Critical quarrels regarding the show’s thematic messaging aside, The Newsroom Season 1 demonstrated mastery of technical storytelling. The Newsroom Season 2 failed to demonstrate mastery of technical storytelling. Poor technical storytelling was the reason Season 2 was not remembered because mastery of technical storytelling is what makes a story effective at painting a picture of thematic debate.
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2024.05.09 05:23 Mlks00 [Request] Wedding Cards [Wisconsin] ,, REPOST

So one of my good friends is getting married on May 25 2024.. since i am best man i have decided to ask the wonderful randomactsofcards members to help me celebrate the wonderful union. Okay so she likes Toby Mac, he's a Christian artist that used to be the front man for DC Talk (she did not necessarily like Jesus Freak). The bride: She repurposed old costume jewelry into crafts that she makes as gifts for others. Loves Dr. Pepper She plays Woodoku every night before she sleeps And she really loves her boys Daniel, David, and William. There's another stepchild that lives in Florida. But their names are all tatted on her arm. She loves tattoos also has like 30 of them The Groom: Reformed Theology (Sproul, Spurgeon, Calvin, Augustine, Bunyan, etc) Especially Tornadoes I have a long career established caring for the elderly The Bible Sean Taylor If you need/want more information just dm moi and ill gladly provide.. i am looking forward to see what you wonderful people come up with.. the only thing i ask is please make sure you write your reddit screen name on the outside of the envelope so i dont have to ruin the card to post a proper thank you here. I am having the cards mailed to me to be given to the happy couple on there wedding day.. aka the only address i am providing is my own.. LET ME BE CLEAR THE MAIL/ CARD is coming to me and ill hand over what ever i receive to the happy couple on the big day.
submitted by Mlks00 to RandomActsofCards [link] [comments]


2024.05.09 05:13 According_Island_244 Sims 2 Costume Content Download

So I'v been playing the sims 2 for a couple of months now on my MacBook and I really like it and want to download costume content. But, I have been researching on how to do it and I follow the directions and none of my files show up. I've tried multiple and researched a lot most of the responses I get are outdated idk but if anyone has any clue on what file or how to download my files it would help out a lot.
submitted by According_Island_244 to sims2help [link] [comments]


2024.05.09 04:53 ComfortableRip769 choose an artist from my lifetime and i’ll tell you my favourite song + album from them

choose an artist from my lifetime and i’ll tell you my favourite song + album from them submitted by ComfortableRip769 to statsfm [link] [comments]


2024.05.09 03:29 SnakeP1907 The Guy Who Didn’t Like Musicals Canadian Premier is coming up soon! May 22-26 in Toronto

The Guy Who Didn’t Like Musicals Canadian Premier is coming up soon! May 22-26 in Toronto
The Playhouse Collective Presents: THE GUY WHO DIDN’T LIKE MUSICALS
The spooky, campy StarKid comedy has FINALLY made it to Toronto! May 22nd-26th, The Assembly Theatre The Playhouse Collective has officially put tickets on sale for their production of THE GUY WHO DIDN’T LIKE MUSICALS!
After their sold out run of Ride The Cyclone last spring, The Playhouse Collective is excited to share this story with audiences. The Guy Who Didn’t Like Musicals is a StarKid show with a massive online following and they can’t wait to share this ridiculous show with Toronto.
The Playhouse Collective is a place for artists to play and explore. They are a company of recent theatre grads who focus on creating spaces that centre women and non-binary folks in positions of leadership in the company. Their hope is that the Playhouse is a place where emerging artists can practice their skills, hone new ones and find a community within the theatre industry. At the same time, they want to share stories with their own twists and hope to create theatre for the next generation of theatre goers.
The show runs from May 22nd-26th at the Assembly Theatre, 1479 Queen Street West. Shows will take place at 8:00pm each day with an additional 2:00pm matinee on May 26th.
Tickets are available now on Eventbrite. Click HERE: https://www.eventbrite.ca/e/the-guy-who-didnt-like-musicals-presented-by-the-playhouse-collective-tickets-876383094427?utm_experiment=test_share_listing&aff=ebdsshios To get yours!
The Playhouse Collective can also be found on Facebook, Instagram and TikTok. Make sure to check them out for sneak peeks of what’s to come. If you wish to support further, they also have a GoFundMe set up to help cover the costs of their show. Click HERE to donate!
CAST: Brendan Kinnon: Paul Aliya Hamid: Emma Callan Forrester: Sam/Mr Davidson/General MacNamara/Coffee Jerk Annie Wang: Charlotte/Deb/Nora Deanna Mann: Professor Hidgens/Hot Chocolate Boy Lara Hamburg: Alice/Zoey/Greenpeace Girl/Melissa Sydney Page: Ted/Unhoused man Aidan Reimer: Bill Jona Villa: Ensemble/ Emma and Charlotte understudy TY Jung: Ensemble/ Ted and Bill understudy Patricia Barlow: Ensemble/ Alice and Professor understudy/ Dance Captain Claire Haig-Halsall: Ensemble/ Sam and Paul understudy.
PRODUCTION TEAM: Producer: Callan Forrester Director: Lizzie Song Assistant Director: Kryslyne-Mai Ancheta Choreographers: Shannon Murtagh and Gabby Noga Music Director: Mackenzie Langdon Stage Manager: Alex Jodi Verge Assistant Stage Manager: Yuki Ng Techincal Director: Mathilda Kane Production Manager: Franco Pang Costume Designer: Camila Farah Sets/Props Designer: Amelia Hope O'Grady Intimacy/Fight Director: Simone Matheson Lighting Designer: Cass Iacovelli Sound Designer: Deanna Mann
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2024.05.09 03:23 SnakeP1907 The Guy Who Didn’t Like Musicals comes to Toronto May 22-26! (Canadian Premier)

The Guy Who Didn’t Like Musicals comes to Toronto May 22-26! (Canadian Premier)
The Playhouse Collective Presents: THE GUY WHO DIDN’T LIKE MUSICALS
The spooky, campy StarKid comedy has FINALLY made it to Toronto!
May 22nd-26th, at The Assembly Theatre The Playhouse Collective has officially put tickets on sale for their production of THE GUY WHO DIDN’T LIKE MUSICALS! After their sold out run of Ride The Cyclone last spring, The Playhouse Collective is excited to share this story with audiences.
The Guy Who Didn’t Like Musicals is a StarKid show with a massive online following and they can’t wait to share this ridiculous show with Toronto.
The Playhouse Collective is a place for artists to play and explore. They are a company of recent theatre grads who focus on creating spaces that centre women and non-binary folks in positions of leadership in the company. Their hope is that the Playhouse is a place where emerging artists can practice their skills, hone new ones and find a community within the theatre industry. At the same time, they want to share stories with their own twists and hope to create theatre for the next generation of theatre goers.
The show runs from May 22nd-26th at the Assembly Theatre, 1479 Queen Street West. Shows will take place at 8:00pm each day with an additional 2:00pm matinee on May 26th. Tickets are available now on Eventbrite. Click HERE: https://www.eventbrite.ca/e/the-guy-who-didnt-like-musicals-presented-by-the-playhouse-collective-tickets-876383094427?utm_experiment=test_share_listing&aff=ebdsshios to get yours! The Playhouse Collective can also be found on Facebook, Instagram and TikTok. Make sure to check them out for sneak peeks of what’s to come. If you wish to support further, they also have a GoFundMe set up to help cover the costs of their show. Click HERE to donate! CAST: Brendan Kinnon: Paul Aliya Hamid: Emma Callan Forrester: Sam/Mr Davidson/General MacNamara/Coffee Jerk Annie Wang: Charlotte/Deb/Nora Deanna Mann: Professor Hidgens/Hot Chocolate Boy Lara Hamburg: Alice/Zoey/Greenpeace Girl/Melissa Sydney Page: Ted/Unhoused man Aidan Reimer: Bill Jona Villa: Ensemble/ Emma and Charlotte understudy TY Jung: Ensemble/ Ted and Bill understudy Patricia Barlow: Ensemble/ Alice and Professor understudy/ Dance Captain Claire Haig-Halsall: Ensemble/ Sam and Paul understudy. PRODUCTION TEAM: Producer: Callan Forrester Director: Lizzie Song Assistant Director: Kryslyne-Mai Ancheta Choreographers: Shannon Murtagh and Gabby Noga Music Director: Mackenzie Langdon Stage Manager: Alex Jodi Verge Assistant Stage Manager: Yuki Ng Techincal Director: Mathilda Kane Production Manager: Franco Pang Costume Designer: Camila Farah Sets/Props Designer: Amelia Hope O'Grady Intimacy/Fight Director: Simone Matheson Lighting Designer: Cass Iacovelli Sound Designer: Deanna Mann
submitted by SnakeP1907 to torontotheatre [link] [comments]


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