Timestamp: https://imgur.com/a/7uW4hvV
Faxon 24 in Fluted Barrel in 6arc - $140
Odin Works AGB + Tube - $70
Both are lightly used(less than 100 rounds). DM me for more questions or pics. Will eat the G&S fees. Thanks!

I have inherited an ancient (circa 1880s) minstrel fretless banjo and I would like to learn this thing.
I had some nylgut strings on it (I don't know the gauge at the moment), but as I was tuning the high D in open G, the string broke. These are violin-style friction pegs, by the way.
I'm wondering if this instrument was not made for open G. I know it can't get too tense as the luthier repairing it put a small crack in the headstock by trying to put on steel strings. I'd like to find a more suitable tuning (if that's the problem), or maybe I need a different string gauge.
On a separate note, I'd like to learn to play clawhammer banjo in a tuning that is good for accompanying others in a wide range of genres. I understand clawhammer probably isn't the best style for that goal, but I'm wondering if anyone has good suggestions for books out there that will equip me for a wide range of styles (with a focus on clawhammer, if possible). I was thinking of getting Fretboard Roadmaps - 5 string banjo, as I was also planning to get the mandolin book for that (I also inherited a mandolin).

Most of my ol friends in snapchat always send me snaps and sometimes I receive 50+ snaps it a hundred per day. I'm not that into socmed but I made these accounts to only have access on the app. I'm not that bothered though cause most of them was just random pics or selfies and not nudes(thankG). I'm just curious if it's normal to others

I started this timeline with a few main dates in my last post, then it became this big garbage fire of madness. For the foreseeable future, I will edit this with relevant updates. Feel free to call out any additions in the comments. 🚩 Trigger warning note: At this point, Brittany is a walking red flag. Please be mindful before proceeding if you have triggers for the themes mentioned in the title.

The Timeline

• ⁠1/30: Brittany announces they’re officially doing IUI, which she learned after her “WOMEN’S WELLNESS EXAM.” Lmao so you got a referral to a specialist? https://www.reddit.com/brittanydawnsnark/s/DhUvDfPPRL
• 2/15: supposed call from adoption agency right after her supposed 3 hour long FIRST FERTILITY APPOINTMENT
• ⁠2/22: says “a week ago today” ↑ they had their first fertility appointment and got some good news and some bad news, but “everything looks great” for Britt. An adoption agency called her that same day. https://www.reddit.com/brittanydawnsnark/s/rWCMuAjt4b
• ⁠3/11-3/14: first adoption announcements. Niko the Pitbull is found at a dumping ground in Texas while they’re in Breckenridge doing glamour shots. https://www.reddit.com/brittanydawnsnark/s/3GDuz1Kp8n … meanwhile, Britt announces that she’s “paper pregnant” to her friends while in CO, and shows them an image of a sonogram. https://www.reddit.com/brittanydawnsnark/s/pcVlvUjb2B
• ⁠3/14: before leaving Breckenridge, Brittany and Jordan film a video about their fertility journey being hard on their marriage, and they start hinting at male factor infertility. https://www.reddit.com/brittanydawnsnark/s/EWohGKXcP7
• 3/24: at BDong’s bday party; she announces her adoption to more people via gifting a sonogram that isn’t her own https://www.reddit.com/brittanydawnsnark/s/sutRZIeRu4
• ⁠3/25: she posts the “Jordan opens up” video that was filmed in Breck https://www.reddit.com/brittanydawnsnark/s/EWohGKXcP7
• ⁠Brittany posts about how she thought she would have a baby by her 33rd bday, but all she has is “unexplained infertility.” HUH? That’s not the same as male factor infertility. https://www.reddit.com/brittanydawnsnark/s/LishlaLlZe
• 3/30: Brittany hams it up with the empty nursery content. “yEs We HaVe aN EmPtY nUrSeRy. YEs iTs iN FaiTh tHaT wE wiLL oNe DaY bE ParEnTs” https://www.reddit.com/brittanydawnsnark/s/2RfpXq9Vdz
• ⁠4/1 Jordan hangs out in the nursery to journal for some ~unknown~ future faith baby. https://www.reddit.com/brittanydawnsnark/s/l2zBGvJt0x
• 4/3: Britt posts a slideshow of texts from jordan reminding her to eat, including one that shows a triple text from Brittany and his response, “I’m sorry sweetheart. I believe you.” https://www.reddit.com/brittanydawnsnark/s/1lfGXhjPju
• ⁠4/5: It appears they had the home study for adoption on this day based on her outfit. They shot the parking garage adoption announcement this morning, then B had breakfast with Hannah Rosie. It also appears B told her Hazel & Layne cronies on this day that she was matched with a birth mom “a week ago.” (She’s wearing the same taupe bodysuit outfit in all the videos from this day, as shown here https://www.reddit.com/brittanydawnsnark/s/h2yJ6oAJeG)
• ⁠4/6: The pick me chicks appear to be fighting. Farryn and Kellie post stories together about how REAL friends show up, have difficult conversations, and don’t use “christianese” https://www.reddit.com/brittanydawnsnark/s/0NVaPbkWu2
• 4/6 car seat sightings: mirror spotted in car https://www.reddit.com/brittanydawnsnark/s/iWqPtPYuVo … selling the graco because we gOt a NuuuUuUunAaaa https://www.reddit.com/brittanydawnsnark/s/DhH3wphsjT
• ⁠4/7: Brittany cries for the camera because God had the audacity to not give her a baby yet. (Crying selfie w/ caption about “TTC emotions”) https://www.reddit.com/brittanydawnsnark/s/OGgOMdnLBS
• 4/11: the girlies are back and drinking Sonic from styrofoam cups because ~non toxic living~ amiriteeee?! https://www.reddit.com/brittanydawnsnark/s/nTqcC1lvZT
• 4/16: she can’t wait for Harley to be her “daughter’s” horse one day. Can’t wait to “watch my little girl bond” with this horse https://www.reddit.com/brittanydawnsnark/s/nBliYMm6PM
• 4/25 good news from the fertility specialist because BritBrat is God’s favorite. After running more tests on Jordan, they’re suddenly “good to go now.” They will be pursuing IUI. Britt states in this video that jordan initially was found to have “0% sperm.” https://www.reddit.com/brittanydawnsnark/s/pW0mbEXtIs + https://www.reddit.com/brittanydawnsnark/s/bIgSeOhHGt
• 4/29 last blood work before starting IUI
• ⁠4/30 public adoption announcement: b announces they’re “flip flopping” and adopting by posting a YouTube vid and the parking garage pics from 4/5 https://www.reddit.com/brittanydawnsnark/s/juSs39NECv + https://www.reddit.com/brittanydawnsnark/s/gLmRyx7bGm
• 5/2: posts on YouTube that “things are moving fast” in TTC land… “Jordan’s tests came back great and we’re still moving forward with IUI.” Brittany and Jordan are preparing their bodies for IUI… she says she doesn’t know if this adoption will go through, or maybe it will, and maybe they’ll get pregnant and adopt at the same time… ooookay?! https://www.reddit.com/brittanydawnsnark/s/bwaoKMfCzM
• ⁠5/15: shares videos from the adoption announcements to friends and family https://www.reddit.com/brittanydawnsnark/s/pcVlvUjb2B

(continuation of part 3)
Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:

“Sephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a ‘god’ to rule over every soul” (FFVII OG, disk 1, chapter 25).

Sephiroth’s line “Now, let us return [Cloud]. Back to the Promised Land” reveals he wants to return to their shared core world of FFVII, like we established in our review of the Remake timelines theory (see section “I. a) vii.”). Sephiroth wants to go back to FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land. Fatal Calling is setting up Sephiroth’s plans for Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the FFVII OG timeline.
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:

“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Aerith was already important to OG, so what could’ve motivated Nojima to state her importance to Remake? Could it be that she’s even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
III. e) iii. Promotional Material and Special Features
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:

“Midgar's Flower Vendor Summons
‘I'm searching for you. I want to meet… you.’
The witch protects the planet, imbues it with power, and leads to the Promised Land.”

A few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerith’s images are attached to the notion of the Promised Land. Cloud’s card asks who awaits there, and Aerith’s evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloud’s true self. Speaking of which, the promo also includes parts of Aerith’s famous gondola date quote from OG:

“Aeris: I'm searching for you.
Cloud: …?
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... you” (disk 1 chapter 24).

In case you’re wondering about the lady in Aerith’s clothes on the left-hand side, that’s Meia, a character in MFF. She is the “witch” being referred to in the promotional material. She’s often called the Azure Witch. Meia is wearing Aerith’s clothes because a Meia-type Job Card called “Flower Girl of Midgar” was created in honor of the MFF x FFVII Remake collaboration:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
III. e) iv. Cloud’s Promised Land
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.

IV. The Hidden Plot Point: Mission Theory

a) Thesis
Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
IV. b) Mission Theory Logistics
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
IV. b) i. Cloud the Time-Traveler?
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
IV. b) ii. Post-OG Cloud’s Amnesia
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:

“A young woman descended from the Ancients who will forever be engraved in [Cloud’s] heart” (Dirge of Cerberus, Japanese manual, Aerith’s character description).
“I believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day… Its relation with the church scene is… Yup. I’ll leave this part to your imagination. (laughs)” (Nomura interview on Advent Children “Designer’s Note” in *Famitsu PS2!*magazine, October 24th issue).

So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
IV. b) iii. Eclipse Contact and Cloud’s Memories of Reactor 1
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
V. Musical Evidence
What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
V. a) Preface: The Basics of the FFVII OST
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
V. a) i. The World Theme: Cloud’s Troubled Identity
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
V. a) i. 2) Jenova: Parasite Motif
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
V. a) i. 3) Cloud’s True Self
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
V. a) ii. Aerith’s Theme
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
V. a) iii. Motifs and Timing in FFVII OSTs
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:

“[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big ‘boom’ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We […] had to sequence [each and every sound] to play at exactly the right moment” (Shotaro Shima on track “Midgar, City of Mako”, page 229).

&

“I was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the scene” (Naoyuki Honzawa on track “Smash ‘Em, Rip ‘Em”, page 309).

&

“This is the track that plays during the tour of Shinra’s different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from ‘Aerith’s Theme’ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra theme” (Yasunori Nishiki on track “Stewards of the Planet”, page 313).

V. b) The Remake OST
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
V. b) i. MOTF 6 Music
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:

“The Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.
Aerith: Listen to me. […] Shinra isn’t the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the others’ heads.
Aerith: Somehow, some way, I want to help— all of you… the planet…
For some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”).

Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloud’s chest can be explained as an emergence of post-OG Cloud’s grief, triggered by the slightest allusion to Aerith’s sacrifice.
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
V. b) i. 1) The Fate Motif
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
(continued in

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I'm creating a fictional religion for my book based on Catholicism and I came up with this design for the main religious symbol used by the followers. The religion is called Sidarism and it's the dominant religion of the Empire.
I wonder if the design is too complex.
The symbol can be used both "upwards" or "downwards"; here is the translation for each subtitle of the first picture:
(Second pic is a drawing of an Exorcist from the Inquisition and her bracelet carrying the sidarist symbol.)
Upward design:

1. Earth, origin of life
2. Sidar star
3. Holy Trinity
4. Sidarist cross

Downward design:

1. Root (of life)
   
2. Sunrise/sunset; the Sun is associated with God
   
3. Duality: between the two true gods Asathik (who is ambitious and calls himself the capital G God) and Vahalaka, his sister. They represent good and evil and balance each other out.
   
4. Celestial dome, representation of the flat Earth.
   

https://preview.redd.it/5pdmnctafs0d1.png?width=852&format=png&auto=webp&s=37e94d0c7fe1aea5decabc5cb89b085c3c422a57
Art by me.

Updated with autopsy results.
Morphew Case Map - Google My Maps - Barry's iPhone Data - Google My Maps - Barry's Truck Events - Google My Maps
August 5, 1994 – Suzanne Moorman marries Barry Morphew The Alexandria Times-Tribune Alexandria, Indiana 05 Jan 1994, Wed • Page 4
December 1999 – Barry and Suzanne Purchase 26040 Cal Carson Rd, Arcadia, IN This is the house where he dug a hole in the yard and buried everything he didn't want to move to Colorado. (AA ft 55 page 53)
November 2013 – Suzanne Inherits $208,000 upon the Passing of her Mother. MB provided documents that Suzanne inherited approximately $208,000 in 2013 at the passing of her mother.
August 2016 – Suzanne inherits $217,000 upon the death of a grandmother. Suzanne’s grievance list included multiple references to Barry controlling the finances.
April 12, 2018 – The Morphew’s Purchase 19057 Puma Path Barry and Suzanne Morphew purchase 19057 Puma Path for $1,575,000.
June 1, 2018 – The Morphews move to Colorado. (PH – Harris) SA Harris: Yeah, they moved in 2018. I believe they left around June 1st, 2018. to move to Colorado. So roughly a year and a half of the time is what Sheila originally said in that.
September 2018 – Suzanne sends “Howdy stranger” message to JL First contact since high school.
Fall 2018 – Libler’s daughter sees messages from Suzanne on his phone. Libler breaks it off.
Thanksgiving 2018 – Barry obsessive/possessive. While Suzanne was at the Oliver’s house, she had stepped away from her cell phone to use the restroom, and Barry tried calling her several times within a few minutes, then tried calling Sheila, then tried calling Darin.
Holidays 2018 – Suzanne finds Libler’s LinkedIn Page. Relationship Rekindled
January 2019 – The Mexico trip where Barry took Suzanne’s phone Mexico trip mentioned in the grievances list where Barry took Suzanne's phone.
February 11 – 14, 2019 – Suzanne in New Orleans with Libler Barry admitted to questioning Suzanne about the New Orleans trip, further evidence he suspected the affair.
April 2019 – Suzanne meets up with Libler in Indiana She does not see SO on this trip.
July 2019 – Suzanne and Libler meet up in Michigan Barry called SO while Suzanne was in MI visiting her fatheJL, wanting to know why Suzanne wasn't returning his calls.
September 2019 – Barry stalks Suzanne and Shelia Oliver, creeping through woods. Barry stalked Suzanne and Sheila at the Puma Path house in September 2019. This is upon his early return from a trip to Arizona.
October 2019 – Libler and Suzanne in Dallas Suzanne and Libler spend two nights at the Galleria.
September – November 2019 – Barry aggressively pursues KW around Salida. From the first time KW met Barry, she said it felt like "he was putting his tentacles out."
Holidays 2019 – Suzanne and Libler stop talking on the phone because she is afraid Barry will find out. They shift to more covert ways to communicate. Barry's second device makes its first appearance.
January/February 2020 – Suzanne in Florida, gets spy pen, sees Libler Suzanne in Florida, SO gives her the spy pen during this trip. Suzanne records a conversation with Libler on this trip.
Late February 2020 – Suzanne in Florida, sees father and Libler. Suzanne skips out on time with her father to see Libler. Barry goes to Florida.
March 2020 – Spy pen records argument between Suzanne and Barry. “It’s money. It’s about money.” “… I have lived for years being told how I should feel, how I should act, how I should look, what I should drink, what I shouldn’t drink, what I should put in my body, what I shouldn’t put in my body … ”
March 20, 2020 – Jekyll and Hyde text exchange between Suzanne and SO, MM2 suggests restraining order. "It’s Jekyl and Hyde again … Pretty much told him I can’t be healthy and stay in this."
March 22, 2020 – Spy pen records Barry listening to Forensic Files episodes, call with Suzanne on drive to Pueblo Coincidentally one of the episodes involved a woman "disappearing" after a bike ride.
April 21, 2020 – Messages between Suzanne and Libler “I want to be with you,” “I can only be me with you,” I love you,” “I need you.” “You know I was born to love you.”
May 4, 2020 16:05 – Barry makes 3 second outgoing call to Suzanne This was the first logged call in Barry’s phone to or from Suzanne since February 7, 2020.
May 5, 2020 – Suzanne drives MM2 to Gunnison Suzanne drives Macy to Gunnison, CO to meet MM1 for a road/camping trip through Utah and Idaho with MM1's best friend.
May 6, 08:44 – Suzanne sends MM2 a text “Good morning! I miss you already!”
May 6, 10:13 – Suzanne: “I’m done. I could care less what you’re up to and have been for years.” From 14:43 to 17:00 Barry replied, “When I’m dead,” “Going to see my savior,” and “This life on earth is a mear (sic) grain of sand compared to eternity.”
May 6, 2020 – 14:43 – From Barry to Suzanne: “I’m sorry if things went the way they did. I have a problem dealing with the way you accused me of hiding checks. If you think I’m as terrible of a person to hide our accounts and have ones you don’t know about you don’t know me. All I do is for you and the girls. All. When I'm dead, which won't be long, you guys will be taken care of. Please stop being angry. If I can control my hurt heart I think I can overcome your distant unlovingness toward me. Honey, I swear it's the hardest thing I've had to do. I love you I always will.”
May 6, 2020 – 15:51 – Barry to Suzanne: “I promise you were wrong about all the crazy thoughts about me. I have always been faithful. Always. Why would I ever want another when I'm married to the most beautiful, sweet, kind, loving, woman as you? Only a fool would stray from an angel like you.”
May 07, 2020 – Suzanne messages Libler about how magical past days had been. Barry wants a new truck. 16:43 - “Been studying all afternoon. I’m gonna bike now. I’ve got veggie soup on for supper.”
May 7, 2020 – SB puts new tires on Suzanne’s bike Bike mechanic was interviewed by law enforcement.
May 7, 17:13:52 – Barry Works Out at GD’s House Truck log files place Barry at GD's home at 5:13 pm.
May 7, 2020 23:00 – “I finally got the job” text from MM1 goes unanswered. Q (Lindsey): Anything on May 6th that didn’t seem normal? Was there a text from Mallory to Mr. Morphew? A (Grusing): I believe that’s the night of May 7th. Mallory, Macy, and their friend Holly are out on a trip towards Utah and Mallory is sending pictures to both Suzanne and Barry but I was ... Read more
May 08, 07:03 – The Grievance List: Suzanne’s phone backs up a list of 50 reasons why she wanted to leave marriage on “Notes” Not safe alone with you. Can’t be trusted - Oppressive - Slam on brakes when angry - Threaten to jump out of car - Gun ...
May 08, 08:43 – “I will continue to do your invoicing when you need to.” "When FBI Agents showed Barry these texts during interviews in 2021, he said he did not think Suzanne was serious."
May 08, 09:28 – Suzanne texts sister about Barry’s abuse. “It’s hard dealing with the harsh abrasiveness and having to show respect. He’s also been abusive, emotionally and physically. There’s so much … I went thru a period of acceptance and I feel more angry now. Anger at what I’ve allowed.”
May 08, 10:55 Barry: “I Love You, Suzanne.” “But, in the afternoon, it (the text fight) was like it never happened. She texted me back and it was just like, ‘Hey, what time are you coming home? Hey, this or that. Just pick this up or pick that up.'”
May 08, 13:18 – Barry texts Salida Stove and Spa about getting the hot tub fixed. "Asking when he could come out to the home."
May 08, 15:43 – Barry’s iPhone receives an SMS message associated with the unknown device This second device was first used on November 30,2019 and was associated with Barry’s iPhone 91 times since then, compared to 1,701 associations with the primary User ID since November 2019.
May 8, 19:06 – Moonlight Pizza and Phone Calls Barry convinces Suzanne to meet him at the Tailwinds site before going to pick up Moonlight Pizza together.
May 08, 21:04 – 20 Facebook friend requests, 3 men named “Jeff.” Barry’s lurking at the River. Barry was asked about his phone pinging down by the river during the Facebook posts on Friday night and asked if he was outside. Barry said, “I could have been. I don’t remember. I chase critters around the house all the time.”
May 09, 00:02 – Incoming call on Suzanne’s phone (PH CAST) Incoming call on Suzanne’s phone (PH CAST)
May 09, 02:07 – Outgoing call on Suzanne’s phone (PH CAST) 02:07 am outgoing call on SM’s phone (PH CAST)
May 09, 06:00 – Barry’s phone received call (PH CAST) 06:00 am BM’s phone received call (PH CAST)
May 09, 06:46 – Barry’s phone registered “Power On” Comes out of Airplane mode.
May 09, 07:19 – Barry’s cell received signal (PH) Barry’s cell received signal (PH)
May 09, 07:22 – 07:39 – Barry at “Tailwinds” worksite Barry’s phone registered locations at his “Tailwinds” work site near Poncha Springs.
May 09, 07:35 – Suzanne texting SO Discussing Sheila's daughters wedding on Sunday.
May 09, 08:00 – MG was with Barry working on the rock beach site until 10am(?). Gentile: “He said that he had to go make the wife happy – do some hiking or biking.”
May 9 – Morning – Suzanne messaging Jeff “He’s still wanting Arizona.”
May 09, 09:50 – Barry to Suzanne: Want to go on hike? *Text Exchange\* Barry to Suzanne: Want to go on hike?
May 9, 2020 – 11:14 – Suzanne received a second password reset message from Facebook Previous reset was while Barry was down by the river on the evening of the 8th.
May 09, 11:15 est. – Barry tells Morgan Gentile he could “bury a body” and it “would never be found.” Gentile: “He seemed stressed. He definitely seemed weird on Saturday.”
May 09, 11:55 – Dead Turkey Hunt or Barry Takes Down His Trail Cameras Barry said he was looking for a turkey that Mallory had shot previously with a bow, but they had never found.
May 09, 13:35 – Barry leaves home again. Checked on job at Kim Gyms
May 9, 13:40(?) – Suzanne texts Libler Guess who is alone again?
May 09, 13:46 – Barry and the backhoe After texting, Barry drove by TK's house to see the backhoe, but did not get back in touch to buy it. In 2018, Barry used a backhoe to dig a large hole in his front yard, fill it with items to include furniture, and cover it over, planting alfalfa on top.
May 09, 13:51 – 14:13 – Barry at DSI, replacing Bobcat blade He was wearing a blue t-shirt and khaki shorts.
May 09, 14:03 – Suzanne sends sunbathing pic to Libler, last proof of life. “Well, look at her. She’s obviously drunk. Look at her eyes. Do you know what drunk eyes look like?
May 09, 14:11 – Suzanne sends last LinkedIn message to Libler: “I’m on wa.” Libler sent response messages at 2:39PM, 2:46PM and 2:47PM that Suzanne did not answer.
May 09, 14:26 – Barry texts Suzanne, “Done headed back.” He texted Suzanne that he was done and was headed home.
May 09, 14:31 – Barry texted Suzanne, “Did you leave.” At 2:31 PM, Barry texted Suzanne, “Did you leave.”
May 09, 14:39 – Libler messages Suzanne, she does not respond. First unread. Messages from LinkedIn show they were talking about how Suzanne is in love with Jeff before she went missing.
May 09, 14:43 – Barry’s phone and F-350, per telematics, arrive at the Morphew residence. "The photo is shown in the courtroom, Suzanne smiling. Truck GPS coordinates show Barry’s truck goes into park at 2:43:59. Phone coordinates show he walks around the house. You can hear a pin drop in the courtroom as tension is high." - Carol McKinley, PH Tweet
May 09, 14:44 – Shooting Chipmunks? Barry had a .22 in the moments when Suzanne ceased the communicate with everyone she loved in the world. Shooting Chipmunks? Barry had a .22 in the moments when Suzanne ceased the communicate with everyone she loved in the world. (See: https://www.reddit.com/SuzanneMorphew/comments/17lfboz/barry_and_the_chipmunks_aa_excerpts/ )
May 09, 14:46 – Libler messages: “Hey … your weather looks great” Second unread. No response from Suzanne.
May 09, 14:47 – Jeff sends another messages to Suzanne with no response. Third unread. Jeff sends last message if the day to Suzanne with no response.
May 09, 16:00 – 17:30 – Defense says Barry was at Salida Stove and Spa Salida Stove and Spa's posted hours have the store closing at 2pm on Saturday. Telematics show Barry's truck in his garage during the time he was supposedly at Salida Stove and Spa.
May 09, 16:44 – Barry parks his truck in the garage. Barry claims to have been loading his truck and cleaning off his workbench. (See: https://www.google.com/maps/d/edit?hl=en&mid=1FSqlFRrywR8FkytAYkNM-bdSxvKVK5MP&ll=39.173623131314%2C-105.63244&z=8)
May 09, 17:33 – Barry’s truck system manually rebooted Barry attempted to disable the trucks GPS and SYNC features.
May 09, 18:40, 18:46 – SO sends two Snapchats to Suzanne that were never opened SO sends two Snapchats to Suzanne that were never opened
May 09, 21:25 – Barry’s truck goes into reverse, backs 96.8 feet down driveway Barry backs 96 feet out of the garage.
May 09, 22:17 – Barry’s Phone Exits out of Airplane Mode Barry's phone comes out of airplane mode at the Morphew residence.
May 10, 02:53 – Outgoing call on Suzanne’s phone Possible glitch.
May 10, 03:25 – 03:48 – Barry’s truck door opened and closed "SA Hoyland noted over eighty events involving the F350 during this timeframe."
May 10, 03:58 – Barry’s phone moves from home to near where Suzanne’s bike found 3:58 am BM cell moves from home to near 225/50 where bike found Carol McKinley PH Tweets (read from bottom tweet up): 431 am 5/10 Barry’s phone goes back into airplane mode at the his home. 5:37 am – morphew turns into buena vista & heads towards broomfield. 538 he texts his mom “happy ... Read more
May 10, 04:10 – 04:23 – Last Activity from Suzanne’s iPhone Sergeant Mullenax asked dispatch to ping the number given for Suzanne’s cell phone. Dispatch informed Mullenax that the cell phone appeared to be off and last known activity was at 4:23AM on the present date, with a general location about 11.5 miles west of a cell tower in Poncha Springs, CO.
May 10, 04:32 – Barry’s Phone Goes Back into Airplane Mode Barry's Phone Goes Back into Airplane Mode
May 10, 04:32 – 05:14 – Chasing Elk, or Staging Evidence? Barry's trip to Garfield adds an approximate five miles each way to his morning trip, and places Barry and his vehicle in the direction the helmet was discarded - west from the bicycle.
May 10, 05:00 – Morgan Gentile Hears Barry’s Truck on Hwy 50 Gentile stated she did not see the truck but that his truck has a very distinctive exhaust.
May 10, 05:14 – 06:56 – Barry on the road to Broomfield. Barry phone exits airplane mode while heading towards Buena Vista, CO.
May 10, 08:10 – Trash Dump #1 – RTD Bus Stop Hwy 36 Agent Grusing: "Yes. He would have time -- with the passenger door opening and closing -- like it would say passenger door opened at 8:10:36 am and then passenger door closed at 8:12:13 am. So it took about a minute and a half and that trash can is only 10 to 15 steps away from where the truck was parked."
May 10, 08:14 – 08:20 Holiday Inn Express, Broomfield. Trash Dump #2 Grusing: "He said he parked there because he hoped someone would come out and he could go in the hotel before checking in and get a free breakfast." (Note: It was mid-COVID lockdown, building capacities were down to single digits.)
May 10, 08:41 – 08:46 – “I made it to Broomfield call me when you get a chance” Barry texts Suzanne.
May 10, 08:46 – Barry carries items into the Holiday Inn Express “If there’s clothes in my truck, there was probably old clothes I threw away.”
May 10, 10:06 – Barry exits hotel room. He's carrying a charcoal long-sleeved shirt, two white bags, and a pair of boots.
May 10, 10:20 – 10:41 – McDonald’s – Trash Dump #3 SA Grusing said Barry had a small item in his hand and used one arm to push it down, then both to push it further down as Barry was shown the photos.
May 10, 10:47 – 11:18 – Men’s Wearhouse Trash Dump #4 Barry was told he was there for about 40 minutes and asked if he remembered what he was doing there. Barry said, “I think I was still cleaning my truck, umm, yeah, yeah I mean, like I said, I just uh, I would, I was probably getting crap out of my truck like I said, which I’ve done my whole entire life.”
May 10, 11:18 – Barry calls MG "Barry called he was out of breathe (sic) panting but fatigue, kind a like hungover but he doesn’t drink, honestly when I hung up I thought to myself he sounded like he had the worst night of his life.” - MG
May 10, 11:23 – 11:36 – Barry back at the HIE Barry carries in disorganized papers in a binder. Carries out an organized binder.
May 10, 11:57 – 12:25 – Barry at the worksite Barry spent 28 minutes removing a few blocks from the wall.
May 10, 12:28 – 12:41 – HIE Trash Dump #5 A camera recorded Barry throwing away: a small item, one white trash bag, larger in size than the previous bags in one hand, a black container, along with a piece of clothing, possibly a camouflage coat.
May 10, 12:42 – 18:03 – Barry remains in his HIE room. ”At 3:30PM, Barry sent an outgoing message to Suzanne 'Call me'"
May 10, 2020 (Time Unknown) – Libler wishes Suzanne a Happy Mother’s Day Commented that it would be a hard day because she missed her own mother.
May 10, 2020 – 15:30 – Barry texts Suzanne from his hotel room. At 3:30PM, Barry sent an outgoing message to Suzanne “Call me”
May 10, 15:50 – 17:45 – Suzanne is discovered “missing” “I’m just so sad and REDCATED and I texted mom for Mother’s Day and she still hasn’t answered and I’m scared her and dad probably got in a big fight and I don’t even know it just made me want to be gone even more because I don’t want to be around them it hurts me and I know if REDACTED is working I might have to be home a lot more and it’ll probably be the worst summer of my life.”- MM2 text.
May 10, 17:55 – 19:10 – Barry leaving Broomfield 6:10 pm - Barry entered the lobby carrying two shovels and placed them beside the front desk. He made subsequent trips, placing more tools in the same spot.
May 10, 19:31 – Chaffee County finds the bike “Something is up with the front tire,” Deputy Brown
May 10, 20:42 – Barry arrives at CR 255 & US 50 "Barry is heard asking if deputies saw any “cats” on the road and a deputy says not recently."
May 10, 21:37 – CCSO Commander Avila brings Barry into the house for scent items. Barry does not call out or look for his wife in the home.
May 10, After 21:47 – Barefoot prints in the Bobcat Bucket Deputy Brown was walking in the driveway when Deputy Defurio told him that there were barefoot marks inside of the bucket on the Bobcat. Deputy Brown went with him to examine and found that the cutting blade on the bucket of the Bobcat appeared to be newly replaced, along with the nuts and bolts.
May 10, 22:00 – MG and JP smell chlorine and have the wrong tools in Broomfield. “It looked like Barry had removed top caps that was it. We also did not have the tools we need like a packer or gravel.”
May 11, 2020 – First Interviews, Puma Path Searched "On May 11, 2020, at about 7:00AM, Barry called Morgan and said that Suzanne was missing and he thought a mountain lion may have attacked her. Morgan explained that Barry was initially crying but then abruptly shifted to the specifics about the Broomfield job."
May 11, 2020 – 14:47 – Libler sends last message to Suzanne. Wishing her well for her scheduled final cancer treatment that day.
May 12, 2020 – 20:00 – Barry found digging in the trash at Poncha Market “He went to write down a description of maybe what she was wearing,” Butala said. “I just thought it was weird because he didn’t explain what the color of her eyes were or her hair or anything about her, like how tall she was or anything.”
May 13, 2020 – Deputy Carricato took photos of scratches on Barry’s left arm and hands. These injuries appeared to be healing, several days old scratches.
May 13, 2020 – Fundraiser created $33,552 raised
May 17, 2020 – 11:13 – Barry’s “plea” video is released on Facebook. “Oh Suzanne, if anyone is out there and can hear this, that has you, please, we’ll do whatever it takes to bring you back. We love you, we miss you, your girls need you. No questions asked, however much they want – I will do whatever it takes to get you back. Honey, I love you, I want you back so bad.”
May 19, 2020 – Interviews, Pneu-Darts, Range Rovers "CCSO Deputy Scott Himschoot was present during the search at 19057 Puma Path, in the laundry room, and was asked to collect a “pneu-dart box, empty,” one plastic hypodermic cover, one Pneu-dart book from safe in garage, one dart from box under bench in garage, among other items. The plastic cover was located by evidence search teams in the dryer, inside of the sheets belonging to REDACTED bed." (At some point we had confirmation of a to-do list Suzanne left including MM1s bedding in hopes that the older girls would spend the night. Cannot remember the source.)
May 20, 2020 – Spy Pen found. "The pen was located in a cloth bin amongst women’s bras. The cloth bin and pen were inside the walk-in closet in the master bedroom, located on the ground level of the residence. Detective Hysjulien located, with the pen, the controller and headphones for playback and a USB cable."
June 1, 2020 – Barry files for guardianship. Within a month of Suzanne’s disappearance, Barry began to liquidate assets.
June 1, 2020 – TD interviews Barry on camera. "So, uh -- we uh --. We had two daughters that were coming home from a trip. And I got a job in Denver that I wanted to get started on on Sunday. Set it up for my work because my rookies are coming in Sunday night. (Unintelligible) Monday but I, being the owner, I wanted to get everything lined up so that (Unintelligible).
June 6, 2020 – Barry closes on IN home. Pockets $750,000
June 25, 2020 – Barry purchases the Longhorn Ranch property for $165,000 Property Address 8366 LONGHORN DR
July 13, 2020 – Barry sells Suzanne’s Range Rover. Leaves Suzanne's sunglasses in the car.
Aug 20, 2020 – Lauren Scharf Interviews Barry “People don’t know the truth, so they’re gonna think what they’re gonna think.”
October 05, 2020 – Barry lists Puma Path home for sale. Originally listed for $1,759,000.
November 2020 – Barry Commits Voter Fraud Barry filled out Suzanne's ballot and mailed it in.
February 17, 2021 – Barry Sells Longhorn Ranch property for $150,000 A $15,000 loss. Same property sold on 04/21/2021 for $175,000, indicating Barry needed the money fast.
March 3, 2021 – 19057 Puma Path sells for $1,625,000. Barry and Suzanne Morphew purchased the home on April 12, 2018 for $1,575,000.
May 4, 2021 – Warrant Issued for the Arrest of Barry Lee Morphew CRS/CHARGE: 18-3-102 (1), (a) Murder in the First Degree, a class 1 Felony, 18-8-610. Tampering with Physical Evidence, a class 6 felony, 18-8-306, Attempt to Influence a Public Servant, a class 4 Felony.
May 5, 2021 – 09:15 – Barry Lee Morphew Arrested for the murder of Suzanne Renee Moorman Morphew "Morphew was arrested around 9:15 a.m. on Wednesday, May 5 near his home in Poncha Springs. FOX31 News has obtained video of the arrest, which shows his truck stopped on the side of the road near several police vehicles. He can be seen standing just off the road with an officer." AA: https://www.documentcloud.org/documents/21065843-21cr78-morphew-redacted-affidavit
August 9-12, 2021 – Preliminary Hearing. Day One: https://docs.google.com/document/d/15wZ86C3zQ6kh9VGOUCJcr0ipCoFeaXkdowmwyaruiIQ/edit?usp=drive_link
Day Two: https://docs.google.com/document/d/1QKa1jcH2dAqe9Wezew-KbLCDuicrm1HgfwC4oGwM8Dg/edit?usp=drive_link
Day Three got corrupted so it's gone.
People's exhibit images: https://imgur.com/a/hgvlBUt Defense exhibit images: https://imgur.com/a/VC3ZfUZ
April 19, 2022 - Case against Barry Morphew Dismissed Without Prejudice. Prosecution asked for the case to be dismissed.
May 2, 2023 – Barry files $15,000,000 lawsuit against Chaffee County, et.al. https://www.9news.com/article/news/local/barry-morphew-lawsuit/73-3cea50c2-cdae-4338-8de9-9e113d33db6c
May 8, 2023 – Fraud Lawsuit filed against Barry in Indiana. Property dispute. https://denvergazette.com/news/courts/barry-morphew-sued-fraud-allegations-land-dispute/article_1c7cd90e-f4f5-11ed-9778-47c9c303d16d.html
September 22, 2023 – Suzanne's Remains Found Near Moffat in Saguache County While SCSO was searching for another (unrelated) missing woman. https://www.cbsnews.com/colorado/news/suzanne-morphew-remains-found-colorado-missing-mother-barry-chaffee-county-disappearance/
Sept. 27, 2023 – Autopsy Completed. Awaiting Toxicology. https://cbi.colorado.gov/news-article/suzanne-morphew-autopsy-results-cbi-update-0https://www.cbsnews.com/colorado/news/autopsy-complete-remains-missing-colorado-mom-suzanne-morphew/
April 29, 2024 – Toxicology finds BAM in Suzanne's bone marrow. “Homicide by undetermined means in the setting of butorphanol, azaperone, and medetomidine intoxication.” https://www.scribd.com/document/727780041/Suzanne-Morphew-autopsy-results https://www.cpr.org/2024/04/29/suzanne-morphew-died-by-homicide-with-tranquilizer-chemicals-present-in-body-according-to-autopsy-report/
Complete Case Overview (Official News Reports and Documents)
What Suzanne Left Behind (PH Exhibits)
Suzanne's Texts with SO Sept 2019
Barry's Unstableness: Suzanne's Text Conversion with SO September 1 (PH Exhibits)
Where was Barry on the 9th - Preliminary Hearing Exhibits
Barry and the Chipmunks (AA Excerpts)
Barry's dirty truck and poorly maintained rifle. PH Exhibits
Suzanne's Last Days - Timeline - May 4th - May 9th, 2020
Barry Buries a Body - May 10th, 2020 - Timeline
Barry Busy in Broomfield Part One (Preliminary Hearing Exhibits)
Barry Busy in Broomfield Part Two (PH Exhibits)

I'm 41, have been 3 chord strumming (badly) since 31. I never really learned more than basic country strum (alternate bass strings), and basic chords, G, C, Am, F, etc. I never practiced more than 15-20 minutes a day, and never more than a few weeks without putting it away for a few months.
I really want to get good now. I've been playing 60-120 minutes everyday for while. My favorite genre is old country like Hank Williams and Johnny Cash songs. I've just been playing songs I like from YouTube tutorials. I never use the dozens of song books I've bought over the years.
My timing is awful. And the harder chord progressions really trip me up. For example in Long Black Veil (the Lefty Frizzle version) it goes from E to B chord, which is a really tricky Barre chord. I can get the B chord if stop to position my fingers, but never fluently.
So I'm kinda intermediate I guess. What a good app for generally improving from this level, and also if there's one genre specific?

Solution: compiling with -std=c++20
Example from cppreference.com fails to compile. Using MinGW g++ version 13.2.0. Updated in the last two days.
``` Starting build... cmd /c chcp 65001>nul && C:\msys64\ucrt64\bin\g++.exe -fdiagnostics-color=always -g C:\Users\playbahn\Desktop\Master\gnu-c++\cpuusage.cpp -o C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.exe C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp: In function 'int main()': C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:41: error: no match for 'operator<<' (operand types are 'std::basic_ostream' and 'const std::chrono::duration') 82 std::cout << "Time to fill and iterate a vector of " << std::setw(9) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 83 << size << " ints : " << diff << '\n'; ~~~~~~~~~~~~~~~~~~~~~ <sup>~</sup> ~~~~ const std::chrono::duration std::basic_ostream In file included from C:/msys64/ucrt64/include/c++/13.2.0/istream:41, from C:/msys64/ucrt64/include/c++/13.2.0/sstream:40, from C:/msys64/ucrt64/include/c++/13.2.0/bits/quoted_string.h:38, from C:/msys64/ucrt64/include/c++/13.2.0/iomanip:47, from C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:58: C:/msys64/ucrt64/include/c++/13.2.0/ostream:110:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(ostream_type& (*)(ostream_type&)) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 110 operator<<(ostream_type& (*pf)(ostream_type&)) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:110:36: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'std::basic_ostream::ostream_type& (*)(std::basic_ostream::ostream_type&)' {aka 'std::basic_ostream& (*)(std::basic_ostream&)'} 110 operator<<(ostream_type& (*pf)(ostream_type&)) ~~~~~~~~~~~~~~~~^~~~~~~~~~~~~~~~~~~~ C:/msys64/ucrt64/include/c++/13.2.0/ostream:119:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(ios_type& (*)(ios_type&)) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream; __ios_type = std::basic_ios]' 119 operator<<(ios_type& (*pf)(ios_type&)) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:119:32: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'std::basic_ostream::ios_type& (*)(std::basic_ostream::ios_type&)' {aka 'std::basic_ios& (*)(std::basic_ios&)'} 119 operator<<(ios_type& (*pf)(ios_type&)) ~~~~~~~~~~~~^~~~~~~~~~~~~~~~ C:/msys64/ucrt64/include/c++/13.2.0/ostream:129:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(std::ios_base& ()(std::ios_base&)) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 129 operator<<(ios_base& (pf) (ios_base&)) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:129:30: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'std::ios_base& ()(std::ios_base&)' 129 operator<<(ios_base& (pf) (ios_base&)) ~~~~~~~~~~^~~~~~~~~~~~~~~ C:/msys64/ucrt64/include/c++/13.2.0/ostream:168:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(long int) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 168 operator<<(long __n) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:168:23: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'long int' 168 operator<<(long __n) ~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:172:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(long unsigned int) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 172 operator<<(unsigned long __n) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:172:32: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'long unsigned int' 172 operator<<(unsigned long __n) ~~~~~~~~~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:176:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(bool) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 176 operator<<(bool __n) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:176:23: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'bool' 176 operator<<(bool __n) ~~~^ In file included from C:/msys64/ucrt64/include/c++/13.2.0/ostream:880: C:/msys64/ucrt64/include/c++/13.2.0/bits/ostream.tcc:96:5: note: candidate: 'std::basic_ostream<_CharT, _Traits>& std::basic_ostream<_CharT, _Traits>::operator<<(short int) [with _CharT = char; _Traits = std::char_traits]' 96 basic_ostream<_CharT, _Traits>:: <sup>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/bits/ostream.tcc:97:22: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'short int' 97 operator<<(short __n) ~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:183:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(short unsigned int) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 183 operator<<(unsigned short __n) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:183:33: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'short unsigned int' 183 operator<<(unsigned short __n) ~~~~~~~~~~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/bits/ostream.tcc:110:5: note: candidate: 'std::basic_ostream<_CharT, _Traits>& std::basic_ostream<_CharT, _Traits>::operator<<(int) [with _CharT = char; _Traits = std::char_traits]' 110 basic_ostream<_CharT, _Traits>:: <sup>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/bits/ostream.tcc:111:20: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'int' 111 operator<<(int __n) ~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:194:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(unsigned int) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 194 operator<<(unsigned int __n) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:194:31: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'unsigned int' 194 operator<<(unsigned int __n) ~~~~~~~~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:203:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(long long int) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 203 operator<<(long long __n) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:203:28: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'long long int' 203 operator<<(long long __n) ~~~~~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:207:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(long long unsigned int) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 207 operator<<(unsigned long long __n) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:207:37: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'long long unsigned int' 207 operator<<(unsigned long long __n) ~~~~~~~~~~~~~~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:222:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(double) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 222 operator<<(double __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:222:25: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'double' 222 operator<<(double __f) ~~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:226:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(float) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 226 operator<<(float __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:226:24: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'float' 226 operator<<(float __f) ~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:234:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(long double) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 234 operator<<(long double __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:234:30: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'long double' 234 operator<<(long double __f) ~~~~~~~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:292:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(const void) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream]' 292 operator<<(const void __p) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:292:30: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'const void' 292 operator<<(const void __p) ~~~~~~~~~~^ C:/msys64/ucrt64/include/c++/13.2.0/ostream:297:7: note: candidate: 'std::basic_ostream<_CharT, _Traits>::ostream_type& std::basic_ostream<_CharT, _Traits>::operator<<(std::nullptr_t) [with _CharT = char; _Traits = std::char_traits; __ostream_type = std::basic_ostream; std::nullptr_t = std::nullptr_t]' 297 operator<<(nullptr_t) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:297:18: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'std::nullptr_t' 297 operator<<(nullptr_t) <sup>~~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/bits/ostream.tcc:124:5: note: candidate: 'std::basic_ostream<_CharT, _Traits>& std::basic_ostream<_CharT, _Traits>::operator<<(streambuf_type*) [with _CharT = char; _Traits = std::char_traits; __streambuf_type = std::basic_streambuf]' 124 basic_ostream<_CharT, _Traits>:: <sup>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/bits/ostream.tcc:125:34: note: no known conversion for argument 1 from 'const std::chrono::duration' to 'std::basic_ostream::streambuf_type' {aka 'std::basic_streambuf'} 125 operator<<(streambuf_type* __sbin) ~~~~~~~~~~~~~~~~^~~~ In file included from C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:57: C:/msys64/ucrt64/include/c++/13.2.0/cstddef:124:5: note: candidate: 'template constexpr std::byte_op_t<_IntegerType> std::operator<<(byte, _IntegerType)' 124 operator<<(byte __b, _IntegerType __shift) noexcept <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/cstddef:124:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:27: note: cannot convert 'std::operator<< >((* &(& std::operator<< >((* & std::operator<< >(std::cout, ((const char)"Time to fill and iterate a vector of "))), std::setw(9)))->std::basic_ostream::operator<<(size)), ((const char)" ints : "))' (type 'std::basic_ostream') to type 'std::byte' 82 std::cout << "Time to fill and iterate a vector of " << std::setw(9) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 83 << size << " ints : " << diff << '\n'; ~~~~~~^~~~~~~~~~~ In file included from C:/msys64/ucrt64/include/c++/13.2.0/bits/basic_string.h:47, from C:/msys64/ucrt64/include/c++/13.2.0/string:54, from C:/msys64/ucrt64/include/c++/13.2.0/bits/locale_classes.h:40, from C:/msys64/ucrt64/include/c++/13.2.0/bits/ios_base.h:41, from C:/msys64/ucrt64/include/c++/13.2.0/iomanip:42: C:/msys64/ucrt64/include/c++/13.2.0/string_view:760:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, basic_string_view<_CharT, _Traits>)' 760 operator<<(basic_ostream<_CharT, _Traits>& __os, <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/string_view:760:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: 'std::chrono::duration' is not derived from 'std::basic_string_view<_CharT, _Traits>' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/bits/basic_string.h:4020:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, const __cxx11::basic_string<_CharT, _Traits, _Allocator>&)' 4020 operator<<(basic_ostream<_CharT, _Traits>& __os, <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/bits/basic_string.h:4020:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: 'const std::chrono::duration' is not derived from 'const std::_cxx11::basic_string<_CharT, _Traits, _Allocator>' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> In file included from C:/msys64/ucrt64/include/c++/13.2.0/bits/ios_base.h:46: C:/msys64/ucrt64/include/c++/13.2.0/system_error:339:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, const error_code&)' 339 operator<<(basic_ostream<_CharT, _Traits>& __os, const error_code& __e) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/system_error:339:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'const std::error_code&' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:554:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _CharT)' 554 operator<<(basic_ostream<_CharT, _Traits>& __out, _CharT __c) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:554:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: deduced conflicting types for parameter '_CharT' ('char' and 'std::chrono::duration') 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:564:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, char)' 564 operator<<(basic_ostream<_CharT, _Traits>& __out, char __c) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:564:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'char' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:570:5: note: candidate: 'template std::basic_ostream& std::operator<<(basic_ostream&, char)' 570 operator<<(basic_ostream& __out, char __c) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:570:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'char' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:581:5: note: candidate: 'template std::basic_ostream& std::operator<<(basic_ostream&, signed char)' 581 operator<<(basic_ostream& __out, signed char __c) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:581:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'signed char' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:586:5: note: candidate: 'template std::basic_ostream& std::operator<<(basic_ostream&, unsigned char)' 586 operator<<(basic_ostream& __out, unsigned char __c) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:586:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'unsigned char' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:645:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, const _CharT)' 645 operator<<(basic_ostream<_CharT, _Traits>& __out, const _CharT __s) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:645:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: mismatched types 'const _CharT' and 'std::chrono::duration' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/bits/ostream.tcc:307:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, const char)' 307 operator<<(basic_ostream<_CharT, _Traits>& __out, const char* __s) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/bits/ostream.tcc:307:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'const char' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:662:5: note: candidate: 'template std::basic_ostream& std::operator<<(basic_ostream&, const char)' 662 operator<<(basic_ostream& __out, const char* __s) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:662:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'const char' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:675:5: note: candidate: 'template std::basic_ostream& std::operator<<(basic_ostream&, const signed char)' 675 operator<<(basic_ostream& __out, const signed char* __s) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:675:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'const signed char' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:680:5: note: candidate: 'template std::basic_ostream& std::operator<<(basic_ostream&, const unsigned char)' 680 operator<<(basic_ostream& __out, const unsigned char* __s) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:680:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'const unsigned char*' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:801:5: note: candidate: 'template _Ostream&& std::operator<<(_Ostream&&, const _Tp&)' 801 operator<<(_Ostream&& __os, const _Tp& __x) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/ostream:801:5: note: template argument deduction/substitution failed: C:/msys64/ucrt64/include/c++/13.2.0/ostream: In substitution of 'template _Ostream&& std::operator<<(_Ostream&&, const _Tp&) [with _Ostream = std::basic_ostream&; _Tp = std::chrono::duration]': C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: required from here C:/msys64/ucrt64/include/c++/13.2.0/ostream:801:5: error: no type named 'type' in 'struct std::enable_if' C:/msys64/ucrt64/include/c++/13.2.0/iomanip:81:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _Resetiosflags)' 81 operator<<(basic_ostream<_CharT, _Traits>& __os, _Resetiosflags __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:81:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'std::_Resetiosflags' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:111:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _Setiosflags)' 111 operator<<(basic_ostream<_CharT, _Traits>& __os, _Setiosflags __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:111:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'std::_Setiosflags' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:145:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _Setbase)' 145 operator<<(basic_ostream<_CharT, _Traits>& __os, _Setbase __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:145:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'std::_Setbase' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:180:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _Setfill<_CharT>)' 180 operator<<(basic_ostream<_CharT, _Traits>& __os, _Setfill<_CharT> __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:180:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: 'std::chrono::duration' is not derived from 'std::_Setfill<_CharT>' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:210:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _Setprecision)' 210 operator<<(basic_ostream<_CharT, _Traits>& __os, _Setprecision __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:210:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'std::_Setprecision' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:240:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _Setw)' 240 operator<<(basic_ostream<_CharT, _Traits>& __os, _Setw __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:240:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: cannot convert 'diff' (type 'const std::chrono::duration') to type 'std::_Setw' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:313:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _Put_money<_MoneyT>)' 313 operator<<(basic_ostream<_CharT, _Traits>& __os, _Put_money<_MoneyT> __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:313:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: 'std::chrono::duration' is not derived from 'std::_Put_money<_MoneyT>' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:365:5: note: candidate: 'template std::basic_ostream<_CharT, _Traits>& std::operator<<(basic_ostream<_CharT, _Traits>&, _Put_time<_CharT>)' 365 operator<<(basic_ostream<_CharT, _Traits>& __os, _Put_time<_CharT> __f) <sup>~~~~~~~</sup> C:/msys64/ucrt64/include/c++/13.2.0/iomanip:365:5: note: template argument deduction/substitution failed: C:\Users\playbahn\Desktop\Master\gnu-c++\cpu_usage.cpp:83:44: note: 'std::chrono::duration' is not derived from 'std::_Put_time<_CharT>' 83 << size << " ints : " << diff << '\n'; <sup>~~~</sup>
Build finished with error(s). ```

Hello everyone,
I'm facing a problem when trying to search for any movie on Radarr. Every time I perform a search, I get the following error message: "Search for '' failed. Invalid response received from RadarrAPI."

Problem Details

• Radarr Version: 5.6.0.8846
• Operating System: Docker
• Docker Image: lscr.io/linuxserveradarr:latest

Steps to Reproduce

1. Open Radarr.
2. Go to the search field.
3. Search for any movie (e.g., 'The Garfield Movie').

Expected Behavior

The searched movie should be found and listed.

Actual Behavior

An error occurs: "Search for '' failed. Invalid response received from RadarrAPI."

Logs

[Fatal] RadarrErrorPipeline: Request Failed. GET /MediaCoverProxy/7d0f1a0a0a793161319bfa3750b44a99d6c403cb92ce2e5f0dd11d0acc38d652/OHGtRqIim2cEHOYKPlbgNOV6Cb.jpg
[v5.6.0.8846] System.Net.Http.HttpRequestException: Resource temporarily unavailable (image.tmdb.org:443)
- System.Net.Sockets.SocketException (11): Resource temporarily unavailable
at System.Net.Sockets.Socket.AwaitableSocketAsyncEventArgs.ThrowException(SocketError error, CancellationToken cancellationToken)
at System.Net.Sockets.Socket.AwaitableSocketAsyncEventArgs.System.Threading.Tasks.Sources.IValueTaskSource.GetResult(Int16 token)
at System.Net.Sockets.Socket.g__WaitForConnectWithCancellation277_0(AwaitableSocketAsyncEventArgs saea, ValueTask connectTask, CancellationToken cancellationToken)
at NzbDrone.Common.Http.Dispatchers.ManagedHttpDispatcher.attemptConnection(AddressFamily addressFamily, SocketsHttpConnectionContext context, CancellationToken cancellationToken) in ./Radarr.Common/Http/Dispatchers/ManagedHttpDispatcher.cs:line 337
at NzbDrone.Common.Http.Dispatchers.ManagedHttpDispatcher.onConnect(SocketsHttpConnectionContext context, CancellationToken cancellationToken) in ./Radarr.Common/Http/Dispatchers/ManagedHttpDispatcher.cs:line 313
at System.Net.Http.HttpConnectionPool.ConnectToTcpHostAsync(String host, Int32 port, HttpRequestMessage initialRequest, Boolean async, CancellationToken cancellationToken)
--- End of inner exception stack trace ---
at System.Net.Http.HttpConnectionPool.ConnectToTcpHostAsync(String host, Int32 port, HttpRequestMessage initialRequest, Boolean async, CancellationToken cancellationToken)
at System.Net.Http.HttpConnectionPool.ConnectAsync(HttpRequestMessage request, Boolean async, CancellationToken cancellationToken)
at System.Net.Http.HttpConnectionPool.AddHttp2ConnectionAsync(HttpRequestMessage request)
at System.Threading.Tasks.TaskCompletionSourceWithCancellation`1.WaitWithCancellationAsync(CancellationToken cancellationToken)
at System.Net.Http.HttpConnectionPool.GetHttp2ConnectionAsync(HttpRequestMessage request, Boolean async, CancellationToken cancellationToken)
at System.Net.Http.HttpConnectionPool.SendWithVersionDetectionAndRetryAsync(HttpRequestMessage request, Boolean async, Boolean doRequestAuth, CancellationToken cancellationToken)
at System.Net.Http.AuthenticationHelper.SendWithAuthAsync(HttpRequestMessage request, Uri authUri, Boolean async, ICredentials credentials, Boolean preAuthenticate, Boolean isProxyAuth, Boolean doRequestAuth, HttpConnectionPool pool, CancellationToken cancellationToken)
at System.Net.Http.DiagnosticsHandler.SendAsyncCore(HttpRequestMessage request, Boolean async, CancellationToken cancellationToken)
at System.Net.Http.DecompressionHandler.SendAsync(HttpRequestMessage request, Boolean async, CancellationToken cancellationToken)
at System.Net.Http.HttpClient.g__Core83_0(HttpRequestMessage request, HttpCompletionOption completionOption, CancellationTokenSource cts, Boolean disposeCts, CancellationTokenSource pendingRequestsCts, CancellationToken originalCancellationToken)
at NzbDrone.Common.Http.Dispatchers.ManagedHttpDispatcher.GetResponseAsync(HttpRequest request, CookieContainer cookies) in ./Radarr.Common/Http/Dispatchers/ManagedHttpDispatcher.cs:line 115
at NzbDrone.Common.Http.HttpClient.ExecuteRequestAsync(HttpRequest request, CookieContainer cookieContainer) in ./Radarr.Common/Http/HttpClient.cs:line 157
at NzbDrone.Common.Http.HttpClient.ExecuteAsync(HttpRequest request) in ./Radarr.Common/Http/HttpClient.cs:line 70
at NzbDrone.Core.MediaCover.MediaCoverProxy.GetImage(String hash) in ./Radarr.Core/MediaCoveMediaCoverProxy.cs:line 67
at Radarr.Http.Frontend.Mappers.MediaCoverProxyMapper.GetResponse(String resourceUrl) in ./Radarr.Http/Frontend/Mappers/MediaCoverProxyMapper.cs:line 46
at Radarr.Http.Frontend.StaticResourceController.MapResource(String path) in ./Radarr.Http/Frontend/StaticResourceController.cs:line 75
at Radarr.Http.Frontend.StaticResourceController.Index(String path) in ./Radarr.Http/Frontend/StaticResourceController.cs:line 47
at Microsoft.AspNetCore.Mvc.Infrastructure.ActionMethodExecutor.TaskOfIActionResultExecutor.Execute(IActionResultTypeMapper mapper, ObjectMethodExecutor executor, Object controller, Object[] arguments)
at Microsoft.AspNetCore.Mvc.Infrastructure.ControllerActionInvoker.g__Awaited12_0(ControllerActionInvoker invoker, ValueTask`1 actionResultValueTask)
at Microsoft.AspNetCore.Mvc.Infrastructure.ControllerActionInvoker.g__Awaited10_0(ControllerActionInvoker invoker, Task lastTask, State next, Scope scope, Object state, Boolean isCompleted)
at Microsoft.AspNetCore.Mvc.Infrastructure.ControllerActionInvoker.Rethrow(ActionExecutedContextSealed context)
at Microsoft.AspNetCore.Mvc.Infrastructure.ControllerActionInvoker.Next(State& next, Scope& scope, Object& state, Boolean& isCompleted)
at Microsoft.AspNetCore.Mvc.Infrastructure.ControllerActionInvoker.g__Awaited13_0(ControllerActionInvoker invoker, Task lastTask, State next, Scope scope, Object state, Boolean isCompleted)
at Microsoft.AspNetCore.Mvc.Infrastructure.ResourceInvoker.g__Awaited20_0(ResourceInvoker invoker, Task lastTask, State next, Scope scope, Object state, Boolean isCompleted)
at Microsoft.AspNetCore.Mvc.Infrastructure.ResourceInvoker.g__Awaited17_0(ResourceInvoker invoker, Task task, IDisposable scope)
at Microsoft.AspNetCore.Mvc.Infrastructure.ResourceInvoker.g__Awaited17_0(ResourceInvoker invoker, Task task, IDisposable scope)
at Microsoft.AspNetCore.Routing.EndpointMiddleware.g__AwaitRequestTask6_0(Endpoint endpoint, Task requestTask, ILogger logger)
at Radarr.Http.Middleware.BufferingMiddleware.InvokeAsync(HttpContext context) in ./Radarr.Http/Middleware/BufferingMiddleware.cs:line 28
at Radarr.Http.Middleware.IfModifiedMiddleware.InvokeAsync(HttpContext context) in ./Radarr.Http/Middleware/IfModifiedMiddleware.cs:line 41
at Radarr.Http.Middleware.CacheHeaderMiddleware.InvokeAsync(HttpContext context) in ./Radarr.Http/Middleware/CacheHeaderMiddleware.cs:line 33
at Radarr.Http.Middleware.StartingUpMiddleware.InvokeAsync(HttpContext context) in ./Radarr.Http/Middleware/StartingUpMiddleware.cs:line 38
at Radarr.Http.Middleware.UrlBaseMiddleware.InvokeAsync(HttpContext context) in ./Radarr.Http/Middleware/UrlBaseMiddleware.cs:line 27
at Radarr.Http.Middleware.VersionMiddleware.InvokeAsync(HttpContext context) in ./Radarr.Http/Middleware/VersionMiddleware.cs:line 29
at Microsoft.AspNetCore.ResponseCompression.ResponseCompressionMiddleware.InvokeCore(HttpContext context)
at Microsoft.AspNetCore.Authorization.Policy.AuthorizationMiddlewareResultHandler.HandleAsync(RequestDelegate next, HttpContext context, AuthorizationPolicy policy, PolicyAuthorizationResult authorizeResult)
at Microsoft.AspNetCore.Authorization.AuthorizationMiddleware.Invoke(HttpContext context)
at Microsoft.AspNetCore.Authentication.AuthenticationMiddleware.Invoke(HttpContext context)
at Microsoft.AspNetCore.Diagnostics.ExceptionHandlerMiddleware.g__Awaited6_0(ExceptionHandlerMiddleware middleware, HttpContext context, Task task)``
Additional Information
I have checked the Pi-hole DNS resolver, and all requests are fine. I also changed the DNS on the host machine to 1.1.1.1 and 8.8.8.8, but the problem persists. Accessing the API directly via the browser (https://image.tmdb.org/) returns a "Bad request" error, indicating that the request might be incorrect or that the connection to the HTTPS server is being closed.
Any help or suggestions would be greatly appreciated!Additional InformationI have checked the Pi-hole DNS resolver, and all requests are fine. I also changed the DNS on the host machine to 1.1.1.1 and 8.8.8.8, but the problem persists. Accessing the API directly via the browser (https://image.tmdb.org/) returns a "Bad request" error, indicating that the request might be incorrect or that the connection to the HTTPS server is being closed.Any help or suggestions would be greatly appreciated!
EDIT:
I already open 2 issues https://github.com/RadarRadarissues/10030 and https://github.com/linuxservedocker-radarissues/229

Hey everyone! I would like your opinion for my upcoming family trip itinerary. Any do’s / dont's, hidden gems, attraction passes, safety matters, suggestions or current affairs / issues that I need to be aware of? Here are the deets:

Background:

We’re a muslim family of six from SEA and will be arriving in US separately (It will be our first time in the states!). My parents are 50+ while myself, my wife and siblings are in our 20s. My youngest sister is 17 and she’s a person with down syndrome. We have travelled a lot in the past but this will be the first time we will experience something brand new! It’ll be the first time for most of us reaching the America continent.
What we enjoy doing is 60% sightseeing and family activities (especially nature) & 40% relaxing & typical tourist shopping etc.

Itinerary:

We’ll be travelling early June 2024 (summer / peak hot, yes I know) and will conclude our journey early July. This is the plan so far:
Day 0: Arrive in San Francisco (arriving at night)
Day 1 - 2: Explore San Francisco (Golden Gate, Alcatraz, Point Reyes etc.)
Day 3: Pick up our rental car and drive to Lake Tahoe
Day 4 - 5: Explore Lake Tahoe (Water Sports, Trailing, Hiking)
Day 6: Depart from Lake Tahoe and drive to Yosemite NP
Day 7 - 10: Explore the whole of Yosemite NP
Day 11: Depart from Yosemite NP and drive to Monterey
Day 12: Explore Monterey area (Carlmel-by-the-sea, Big Sur drive)
Day 13: Depart from Monterey and arrive in Los Angeles
Day 14 - Day 16: Explore LA (Hollywood, Warner Bros. Studio, may check out one of the baseball games as we’ve never seen one) and our flight departing LA is on Day 16 at night.
Day 17: Arrive in Buffalo early in the morning, check-in and then explore Niagara Falls.
Day 18: Pic up another rental car and drive towards Boston. Stop by Albany halfway overnight.
Day 19: Depart from Albany and drive to Boston. Explore Boston.
Day 20: Relax and explore Boston
Day 21: Depart from Boston and drive to Hoboken, NY (our accommodation) (maybe stop by Woodbury Premium Outlet for a quick shop)
Day 22 - Day 25: Explore New York (Manhattan Island mostly)
Day 26: Last day to explore NY as our flight is at night.
We realise and understand it’s going to be a tough journey, checking-in and out accommodations and long-hour drives. We’re quite used to it and still were able to enjoy our trip (last time we did Dubai, Paris, London & Swiss in 2 ½ weeks). We probably won’t know if we would return to the US again in the future so we thought might go all out and explore both coasts (although there’s a lot more of the States left to explore).

Additional Info:

• There'll be two drivers for the whole trip
• I will be celebrating my birthday when we're in New York >_<
• My wife, siblings & I love to explore new and culturally unique places that we probably won't be able to experience elsewhere e.g. Griffiths Observatory, catch a show at Apollo Theater / Broadway etc. while my parents are more interested in the typical, general touristy places like Golden Gate, Niagara Falls, Exploring Manhattan in general. Any more places that I might've missed?

So yeah, I hope this is enough information for you kind souls out there to give a little feedback on what you think of it. It has been almost a year of planning and finally becoming a reality in a few weeks! Thanks so much for your time!

Hey everyone! I would like your opinion for my upcoming family trip itinerary. Any do’s / dont's, hidden gems, attraction passes, safety matters, suggestions or current affairs / issues that I need to be aware of? Here are the deets:

Background:

We’re a muslim family of six from SEA and will be arriving in US separately (It will be our first time in the states!). My parents are 50+ while myself, my wife and siblings are in our 20s. My youngest sister is 17 and she’s a person with down syndrome. We have travelled a lot in the past but this will be the first time we will experience something brand new! It’ll be the first time for most of us reaching the America continent.
What we enjoy doing is 60% sightseeing and family activities (especially nature) & 40% relaxing & typical tourist shopping etc.

Itinerary:

We’ll be travelling early June 2024 (summer / peak hot, yes I know) and will conclude our journey early July. This is the plan so far:
Day 0: Arrive in San Francisco (arriving at night)
Day 1 - 2: Explore San Francisco (Golden Gate, Alcatraz, Point Reyes etc.)
Day 3: Pick up our rental car and drive to Lake Tahoe
Day 4 - 5: Explore Lake Tahoe (Water Sports, Trailing, Hiking)
Day 6: Depart from Lake Tahoe and drive to Yosemite NP
Day 7 - 10: Explore the whole of Yosemite NP
Day 11: Depart from Yosemite NP and drive to Monterey
Day 12: Explore Monterey area (Carlmel-by-the-sea, Big Sur drive)
Day 13: Depart from Monterey and arrive in Los Angeles
Day 14 - Day 16: Explore LA (Hollywood, Warner Bros. Studio, may check out one of the baseball games as we’ve never seen one) and our flight departing LA is on Day 16 at night.
Day 17: Arrive in Buffalo early in the morning, check-in and then explore Niagara Falls.
Day 18: Pic up another rental car and drive towards Boston. Stop by Albany halfway overnight.
Day 19: Depart from Albany and drive to Boston. Explore Boston.
Day 20: Relax and explore Boston
Day 21: Depart from Boston and drive to Hoboken, NY (our accommodation) (maybe stop by Woodbury Premium Outlet for a quick shop)
Day 22 - Day 25: Explore New York (Manhattan Island mostly)
Day 26: Last day to explore NY as our flight is at night.
We realise and understand it’s going to be a tough journey, checking-in and out accommodations and long-hour drives. We’re quite used to it and still were able to enjoy our trip (last time we did Dubai, Paris, London & Swiss in 2 ½ weeks). We probably won’t know if we would return to the US again in the future so we thought might go all out and explore both coasts (although there’s a lot more of the States left to explore).

Additional Info:

• There'll be two drivers for the whole trip
• I will be celebrating my birthday when we're in New York >_<
• My wife, siblings & I love to explore new and culturally unique places that we probably won't be able to experience elsewhere e.g. Griffiths Observatory, catch a show at Apollo Theater / Broadway etc. while my parents are more interested in the typical, general touristy places like Golden Gate, Niagara Falls, Exploring Manhattan in general. Any more places that I might've missed?

So yeah, I hope this is enough information for you kind souls out there to give a little feedback on what you think of it. It has been almost a year of planning and finally becoming a reality in a few weeks! Thanks so much for your time!